1
00:00:02,600 --> 00:00:07,520
Speaker 1: My grandma and your grandma was sitting bad. Fire my

2
00:00:07,680 --> 00:00:11,840
Speaker 1: grandma to your granda. I'm gonna say fire. It's talking

3
00:00:11,840 --> 00:00:22,920
Speaker 1: about hit. I like, go on date Jagomo jago. Now

4
00:00:22,960 --> 00:00:25,800
Speaker 1: I want everyone to just take a second and get

5
00:00:25,840 --> 00:00:30,480
Speaker 1: yourself together. Okay, and know this it's real bit, it's

6
00:00:30,520 --> 00:00:34,760
Speaker 1: real bits podcast coming through your earphone. Oh come on.

7
00:00:35,200 --> 00:00:38,640
Speaker 1: I just want to say, um, we have not technically

8
00:00:38,640 --> 00:00:41,680
Speaker 1: been on a full hiatus since last episode, but it's

9
00:00:41,760 --> 00:00:45,639
Speaker 1: the liminal space between a non hiatus and a full hiatus,

10
00:00:45,680 --> 00:00:48,560
Speaker 1: but still so much longer than I than I want

11
00:00:48,600 --> 00:00:55,000
Speaker 1: to be what I want to be talking to you all. Yes, Um,

12
00:00:55,040 --> 00:00:57,400
Speaker 1: so much culture has happened since the last episode, A

13
00:00:57,400 --> 00:01:00,520
Speaker 1: ton of culture. By the way, I just want to say, Um,

14
00:01:00,560 --> 00:01:03,000
Speaker 1: my name is Matt Rogers. Um. By the way, I

15
00:01:03,000 --> 00:01:05,200
Speaker 1: want to say, my name is Bewen Yang. We are

16
00:01:05,280 --> 00:01:08,399
Speaker 1: two best friends to host a podcast together that dives

17
00:01:08,440 --> 00:01:11,679
Speaker 1: into culture. And wow, has there been a lot of

18
00:01:11,720 --> 00:01:15,160
Speaker 1: culture these past days. These past days, there's been a

19
00:01:15,160 --> 00:01:18,200
Speaker 1: lot of culture. And UM, I also want to say this,

20
00:01:18,440 --> 00:01:21,960
Speaker 1: but I think it's very important to remind the listeners

21
00:01:21,959 --> 00:01:24,120
Speaker 1: who we are, what we stand for, what our mission

22
00:01:24,280 --> 00:01:27,760
Speaker 1: statement is, what Our value proposition is yes. Absolutely, See,

23
00:01:27,840 --> 00:01:30,160
Speaker 1: in the beginning of anything, you want to establish who

24
00:01:30,200 --> 00:01:32,720
Speaker 1: you are, what your relationship is to the other person,

25
00:01:32,959 --> 00:01:35,559
Speaker 1: what you have to offer, the value proposition. We're using

26
00:01:35,600 --> 00:01:40,320
Speaker 1: business terms here, honey. Yes, this all seems to be

27
00:01:40,360 --> 00:01:44,399
Speaker 1: a very fitting introduction to our amazing guests. I'm so

28
00:01:44,480 --> 00:01:47,480
Speaker 1: excited about this guest. I love this guest so much.

29
00:01:47,520 --> 00:01:54,320
Speaker 1: He is a true guest. Let's left us. Let's let's

30
00:01:54,360 --> 00:01:56,360
Speaker 1: off the credits. I get off on these credits. I

31
00:01:56,400 --> 00:02:01,919
Speaker 1: get He is a legendary Yeah, I said it. UCB

32
00:02:02,040 --> 00:02:06,880
Speaker 1: Weekend Team, the law Firm. Yes, mythical. The mythical nature

33
00:02:06,920 --> 00:02:11,200
Speaker 1: of this team brings true He hosts the character wheelhouse

34
00:02:11,240 --> 00:02:14,160
Speaker 1: show a uc BE called Ding Dong Ding Do and

35
00:02:14,200 --> 00:02:15,840
Speaker 1: you can see that at U c B Chelsea and

36
00:02:15,840 --> 00:02:17,880
Speaker 1: it's coming up and maybe even yours truly will be

37
00:02:17,919 --> 00:02:20,840
Speaker 1: a guest. Okay, girl, Okay, it's a little teasing. Okay,

38
00:02:21,040 --> 00:02:25,360
Speaker 1: it's teasing. You know, Tickle tickle Um. You might have

39
00:02:25,560 --> 00:02:29,800
Speaker 1: known him from v H one's Best Week Ever, which is,

40
00:02:29,880 --> 00:02:32,359
Speaker 1: of course famously the best show ever. And what a

41
00:02:32,639 --> 00:02:36,040
Speaker 1: what a little heart throb truly got a lot of

42
00:02:36,919 --> 00:02:39,040
Speaker 1: community gays, a lot of u c B gays. A

43
00:02:39,080 --> 00:02:41,079
Speaker 1: lot of people out there, these gays, they have a

44
00:02:41,120 --> 00:02:42,880
Speaker 1: crush on Brian Foston. I don't want to blow up

45
00:02:42,880 --> 00:02:46,840
Speaker 1: anyone's spot, but but multiple sources have, multiple sources confirmed

46
00:02:46,840 --> 00:02:52,480
Speaker 1: they have crushes on Brian Fosseway his name. Listen, you've

47
00:02:52,480 --> 00:02:55,120
Speaker 1: seen them in videos on above Average all the DUDA

48
00:02:55,720 --> 00:03:01,960
Speaker 1: it is Brian fix crush Yeah, crush alert. That was

49
00:03:02,000 --> 00:03:05,480
Speaker 1: the first time I've heard that. Really, he must have known,

50
00:03:05,639 --> 00:03:09,600
Speaker 1: you must have had admirers. Well, I think Janie and Kelly,

51
00:03:09,320 --> 00:03:12,400
Speaker 1: our friends mutual friends, have a bit going on where

52
00:03:12,440 --> 00:03:14,720
Speaker 1: they pretend to be attracted to me because any time

53
00:03:14,760 --> 00:03:20,800
Speaker 1: I post like a shameless is yeah, they both will

54
00:03:20,880 --> 00:03:25,280
Speaker 1: comment and tag each other unbelievable no matter what, And

55
00:03:25,320 --> 00:03:28,160
Speaker 1: so I feel like I'm being made fun of. Brian

56
00:03:28,160 --> 00:03:30,560
Speaker 1: wields the power well though, of the thirst trap. I

57
00:03:30,639 --> 00:03:36,520
Speaker 1: mean's true. And we we actually got to know Brian

58
00:03:36,600 --> 00:03:41,960
Speaker 1: will because we were in Brian's Advanced Study performance class

59
00:03:42,080 --> 00:03:45,440
Speaker 1: at UCB called brunch where we basically did it was

60
00:03:45,480 --> 00:03:51,920
Speaker 1: the official titles Brunch with Brian. Okay, yes, amazing, I

61
00:03:51,960 --> 00:03:55,160
Speaker 1: like that better. Um, But and I will say when

62
00:03:55,280 --> 00:04:00,680
Speaker 1: Brian entered the room, yes, I exclaimed, daddy, and stuck

63
00:04:00,960 --> 00:04:03,720
Speaker 1: caught on to such an extent. And how did you

64
00:04:03,800 --> 00:04:05,600
Speaker 1: feel when I said that, because you gave me a

65
00:04:05,600 --> 00:04:07,320
Speaker 1: look like you didn't like I don't think I feel

66
00:04:07,320 --> 00:04:09,120
Speaker 1: like Brian didn't like it. But I'll answer. Here's the

67
00:04:09,120 --> 00:04:12,480
Speaker 1: thing about nicknames. You can't pick your own nicknames, even

68
00:04:12,560 --> 00:04:15,560
Speaker 1: sting everyone's like you're still Gordy, you know what I mean?

69
00:04:15,760 --> 00:04:19,920
Speaker 1: Like you can't pick your own nickname. It's not okay,

70
00:04:19,120 --> 00:04:23,560
Speaker 1: so it happens to you and I accepted. And no

71
00:04:23,800 --> 00:04:28,400
Speaker 1: nickname truly, in all of my years, no nickname is

72
00:04:28,400 --> 00:04:31,560
Speaker 1: stuck except for me. That's unbelievable. I'm so and you're

73
00:04:31,600 --> 00:04:34,440
Speaker 1: sort of the king of nicknames, you know. Well, this

74
00:04:34,520 --> 00:04:36,920
Speaker 1: is my thing is when I feel an instinct, I

75
00:04:36,960 --> 00:04:41,400
Speaker 1: follow it and like, for example, Bowen has many nicknames,

76
00:04:41,400 --> 00:04:49,719
Speaker 1: Boby said a lot of Bob said Bob's. But then,

77
00:04:50,120 --> 00:04:53,080
Speaker 1: as Matt has mentioned before, um, you know he comes.

78
00:04:53,200 --> 00:04:55,800
Speaker 1: The nicknames are out of complete effects right now? Oh yeah,

79
00:04:55,839 --> 00:04:58,000
Speaker 1: I mean when when I when I feel a burst

80
00:04:58,000 --> 00:05:00,440
Speaker 1: of love in my heart, like some word will just

81
00:05:00,480 --> 00:05:03,320
Speaker 1: fly forth. You don't tease someone you don't know. But

82
00:05:03,360 --> 00:05:05,440
Speaker 1: that's the thing, like I mean, there's a fine name

83
00:05:05,440 --> 00:05:09,680
Speaker 1: between a nickname and a teasing nickname. Girl, if it's not,

84
00:05:09,839 --> 00:05:15,200
Speaker 1: if it's bothering you, then I think daddy is hilarious.

85
00:05:15,279 --> 00:05:17,200
Speaker 1: Not a father in real life, but when you're a

86
00:05:17,240 --> 00:05:19,720
Speaker 1: teacher in a class, you're sort of like you're a daddy.

87
00:05:19,839 --> 00:05:27,160
Speaker 1: Everyone goes into their old like psycho sexual and it's

88
00:05:27,160 --> 00:05:29,719
Speaker 1: funny how some people become like the rebels in the class,

89
00:05:29,920 --> 00:05:32,719
Speaker 1: even though outside of class they're like, I have no

90
00:05:32,839 --> 00:05:35,040
Speaker 1: issue with authority, and they don't think you that way,

91
00:05:35,040 --> 00:05:37,440
Speaker 1: but because suddenly they're like in ninth grade and they're

92
00:05:37,480 --> 00:05:39,720
Speaker 1: being told what to do. Yeah, no, no, no, I

93
00:05:39,760 --> 00:05:42,559
Speaker 1: mean there is definitely. I've actually always for as long

94
00:05:42,680 --> 00:05:47,440
Speaker 1: as I've been in a classroom, I've always always had

95
00:05:48,240 --> 00:05:51,320
Speaker 1: a thing with the teacher, absolutely, like I have. I

96
00:05:51,520 --> 00:05:53,640
Speaker 1: have always thought it was like a thing with authority,

97
00:05:53,960 --> 00:05:57,000
Speaker 1: but like I've never not been like a little sexually

98
00:05:57,040 --> 00:06:01,680
Speaker 1: intimidated by the person that was teaching the classes since

99
00:06:01,720 --> 00:06:04,000
Speaker 1: I was like in first grade, I had a math

100
00:06:04,040 --> 00:06:06,479
Speaker 1: teacher and I'll use her old name because she's had

101
00:06:06,520 --> 00:06:12,680
Speaker 1: like other uh okay, Mrs Mobley, Mrs. And now she's

102
00:06:12,720 --> 00:06:16,080
Speaker 1: someone else and uh, but she was this like a

103
00:06:16,160 --> 00:06:20,080
Speaker 1: hundred pound little like probably twenty seven year old hottie

104
00:06:20,120 --> 00:06:23,640
Speaker 1: math teacher. She did business school, did corporate World for

105
00:06:23,640 --> 00:06:25,120
Speaker 1: like a couple of years, and then I was like,

106
00:06:25,160 --> 00:06:26,960
Speaker 1: you know what, I'm going to go back to the kids.

107
00:06:27,560 --> 00:06:30,440
Speaker 1: And she used to make eyes at me in our

108
00:06:31,240 --> 00:06:34,280
Speaker 1: precalc class. That's right, pre calculus. And then I took

109
00:06:34,320 --> 00:06:37,000
Speaker 1: a pcalcu with her, but she s, yeah, you know,

110
00:06:37,040 --> 00:06:40,600
Speaker 1: I got a five. So did you a a P

111
00:06:40,760 --> 00:06:46,599
Speaker 1: cow someone? And I are very smart. I took regions statistics.

112
00:06:47,640 --> 00:06:52,080
Speaker 1: It's like it's like statics. You can either do calculus

113
00:06:52,120 --> 00:06:54,400
Speaker 1: or you could do statistics, and I chose to do

114
00:06:54,440 --> 00:06:59,560
Speaker 1: statistics because it was easier. And I also statistics. Probability

115
00:06:59,640 --> 00:07:04,040
Speaker 1: is like the hardest part of math. Conceptualizing probability is nuts.

116
00:07:04,160 --> 00:07:05,640
Speaker 1: I mean, think about I don't want to bring up

117
00:07:05,640 --> 00:07:07,760
Speaker 1: the election in the first minute of every conversation, but

118
00:07:08,160 --> 00:07:11,200
Speaker 1: perfect example, it's like people look at the percentage on

119
00:07:11,280 --> 00:07:13,640
Speaker 1: New York Times and they think Hillary will win by

120
00:07:14,240 --> 00:07:18,320
Speaker 1: It's like no, no, no no, no, no, it's five elections.

121
00:07:19,160 --> 00:07:22,000
Speaker 1: She will win four of them and lose one of them,

122
00:07:22,080 --> 00:07:24,880
Speaker 1: and we got the fifth one. People like, wait no,

123
00:07:25,160 --> 00:07:28,760
Speaker 1: and it's like, she has the chance of winning by

124
00:07:28,960 --> 00:07:31,280
Speaker 1: only one percent. Now if we said what is her

125
00:07:31,320 --> 00:07:33,840
Speaker 1: chance of winning by five percent, the number would be

126
00:07:33,960 --> 00:07:37,640
Speaker 1: very different, and people's confidence would have been varied exactly.

127
00:07:37,880 --> 00:07:40,280
Speaker 1: But it's it's very difficult as humans to wrap our

128
00:07:40,320 --> 00:07:43,240
Speaker 1: brains around Brian can teach probability, which is why I've

129
00:07:43,360 --> 00:07:46,920
Speaker 1: famously taken to the woods and now I listened to nothing.

130
00:07:47,160 --> 00:07:50,480
Speaker 1: I only come out for this podcast. Sure, so listen,

131
00:07:50,520 --> 00:07:53,240
Speaker 1: we're talking about daddy. And you know Mark has a

132
00:07:53,280 --> 00:07:56,480
Speaker 1: beautiful husband. I mean, Brian has a beautiful and you

133
00:07:56,520 --> 00:08:00,840
Speaker 1: know Mark has a beautiful us both ways, so beauty

134
00:08:00,920 --> 00:08:04,360
Speaker 1: of homosexuality. So what I guess this naturally goes to

135
00:08:04,520 --> 00:08:10,400
Speaker 1: is children. When I get it. We get this question

136
00:08:10,480 --> 00:08:13,160
Speaker 1: all the time. I'm sure you do, um and it's

137
00:08:13,160 --> 00:08:14,920
Speaker 1: a compliment to be like, you would be great parents,

138
00:08:14,920 --> 00:08:17,600
Speaker 1: but it's also sort of a backhanded I didn't mean

139
00:08:17,680 --> 00:08:19,559
Speaker 1: it as I didn't mean it as that I didn't

140
00:08:19,600 --> 00:08:23,120
Speaker 1: even say I would be a good parent. I like

141
00:08:23,200 --> 00:08:25,440
Speaker 1: put that in your mouth. We don't have kids now,

142
00:08:25,600 --> 00:08:28,040
Speaker 1: and we're not planning on having kids. If we did,

143
00:08:28,240 --> 00:08:30,440
Speaker 1: we would The only thing that we have decided on

144
00:08:30,560 --> 00:08:32,840
Speaker 1: is that we would adopt, we wouldn't do you like

145
00:08:32,920 --> 00:08:36,400
Speaker 1: this surregacy route. And then the only other thing we've

146
00:08:36,400 --> 00:08:38,200
Speaker 1: talked about is like, if we did have kids, we

147
00:08:38,240 --> 00:08:43,720
Speaker 1: would probably not adopt an infant. Okay, like an older

148
00:08:43,760 --> 00:08:47,960
Speaker 1: kid that can already talk and ship talk comma and ship. Yeah,

149
00:08:48,160 --> 00:08:50,840
Speaker 1: well hopefully it could be it could ship, you know,

150
00:08:50,880 --> 00:08:53,079
Speaker 1: otherwise that be a whole other issue where we get

151
00:08:53,120 --> 00:08:59,079
Speaker 1: this kid you can't ship, doesn't even ship talks, doesn't ship.

152
00:09:00,400 --> 00:09:03,920
Speaker 1: Unbelievable as kid or kids ships doesn't talk. That we

153
00:09:03,920 --> 00:09:05,440
Speaker 1: were doing a good thing getting him a little bit

154
00:09:05,520 --> 00:09:09,480
Speaker 1: later in life. You know what kid doesn't ship? That's yeah,

155
00:09:09,559 --> 00:09:15,920
Speaker 1: like three four or five six. And so we recently

156
00:09:15,920 --> 00:09:18,360
Speaker 1: had Beth Newell on the show and we said to her, like,

157
00:09:18,400 --> 00:09:21,000
Speaker 1: all right, how many kids she has got to but

158
00:09:21,080 --> 00:09:25,959
Speaker 1: she gets to expose these kids to culture. And we

159
00:09:25,960 --> 00:09:27,959
Speaker 1: were talking a little bit before we got on air,

160
00:09:28,440 --> 00:09:33,040
Speaker 1: and um, Brian foss Y, Um, you know what is

161
00:09:33,080 --> 00:09:36,440
Speaker 1: the culture that made you say culture is for me?

162
00:09:36,920 --> 00:09:38,720
Speaker 1: I know you you have a certain love for a

163
00:09:38,760 --> 00:09:42,600
Speaker 1: certain pop star that we share, right that would be Maria.

164
00:09:43,160 --> 00:09:45,679
Speaker 1: Would be Mariah. Now I don't know if she's the

165
00:09:45,720 --> 00:09:49,560
Speaker 1: thing that the first time I realized. I definitely she

166
00:09:49,679 --> 00:09:53,400
Speaker 1: was defining that. When we remember watching there was a

167
00:09:53,480 --> 00:09:56,680
Speaker 1: v h one or MTV Mariah Carrey Versus Whitney Houston

168
00:09:56,800 --> 00:09:59,920
Speaker 1: music Video Marathon. It was on a Saturday or Son

169
00:10:00,000 --> 00:10:03,920
Speaker 1: the Great program, and I like I had to mow

170
00:10:04,000 --> 00:10:08,360
Speaker 1: the lawn that day and like hid in the basement.

171
00:10:09,160 --> 00:10:11,800
Speaker 1: We're trying to watch this thing, and it was it

172
00:10:11,840 --> 00:10:16,160
Speaker 1: was great and that was what was that like third grade?

173
00:10:15,240 --> 00:10:19,600
Speaker 1: But I would say there was similar. It's like culture

174
00:10:19,640 --> 00:10:22,000
Speaker 1: to me. Um the first time, I was like, wow,

175
00:10:22,080 --> 00:10:24,880
Speaker 1: I want to do that. I don't know how. I

176
00:10:25,080 --> 00:10:31,200
Speaker 1: was probably watching the movie Heathers. And what's crazy is

177
00:10:31,240 --> 00:10:35,320
Speaker 1: like we didn't have, you know, streaming every time you

178
00:10:35,360 --> 00:10:37,240
Speaker 1: had to go out and get it. I watched it

179
00:10:37,280 --> 00:10:41,560
Speaker 1: for the first time on TBS censored, so it was

180
00:10:41,600 --> 00:10:44,160
Speaker 1: like watered down house, you know, and there's something gently

181
00:10:44,200 --> 00:10:46,360
Speaker 1: with the chainsaw wasn't in it, you know. It was

182
00:10:46,440 --> 00:10:48,360
Speaker 1: like they had all these cutaway shots. And actually I

183
00:10:48,480 --> 00:10:52,920
Speaker 1: read later that like Shannon Doherty, she had like a

184
00:10:52,960 --> 00:10:55,679
Speaker 1: stage mom that didn't want her to say any like

185
00:10:55,800 --> 00:10:58,040
Speaker 1: bad words. I thought you were going to say Shannon

186
00:10:58,040 --> 00:11:02,160
Speaker 1: Doherty actually improvised of her and I was like there's

187
00:11:02,240 --> 00:11:06,560
Speaker 1: no astutely not that script is perfect. And the writer

188
00:11:06,760 --> 00:11:11,920
Speaker 1: for that movie also wrote Batman Returns. And there are

189
00:11:11,920 --> 00:11:14,400
Speaker 1: things that when I was like a young Galing, I

190
00:11:14,480 --> 00:11:17,160
Speaker 1: was like, didn't realize. I'm like, Michelle Peiffer is a

191
00:11:17,160 --> 00:11:20,280
Speaker 1: gay icon like Catwoman is. I mean, that is such

192
00:11:20,280 --> 00:11:23,360
Speaker 1: a brilliant for the ages. And even the penguin is

193
00:11:23,440 --> 00:11:27,360
Speaker 1: so funny in that when they it's so funny. I

194
00:11:27,400 --> 00:11:29,960
Speaker 1: became fixated with Michelle Phiffer. And then in my room

195
00:11:29,960 --> 00:11:32,240
Speaker 1: when I was by myself, I pretend someone was pushing

196
00:11:32,240 --> 00:11:34,000
Speaker 1: me out a window to my dad. I would do

197
00:11:34,080 --> 00:11:37,480
Speaker 1: that too, like, and then you become a cat. The

198
00:11:37,520 --> 00:11:40,720
Speaker 1: amount of backflips when she put when she had women,

199
00:11:40,800 --> 00:11:42,600
Speaker 1: hear me you were and then she just back clips away. Yeah,

200
00:11:42,600 --> 00:11:47,360
Speaker 1: Like the amount of backflips is so hilarious. Six seven

201
00:11:48,160 --> 00:11:52,520
Speaker 1: Good Girls Go to Heaven truly iconic. I would reenact

202
00:11:52,600 --> 00:11:54,760
Speaker 1: the scene where she yeah, where she would go home

203
00:11:54,800 --> 00:11:56,400
Speaker 1: to her apartment, and then the cats would all like

204
00:11:56,960 --> 00:12:00,440
Speaker 1: she basically yeah, yeap, yep, yeah. I mean, so it's

205
00:12:00,480 --> 00:12:03,640
Speaker 1: it's it's a great game, great game. And Heathers is

206
00:12:03,679 --> 00:12:06,880
Speaker 1: so smart. And I remember being on a vacation and

207
00:12:06,960 --> 00:12:09,000
Speaker 1: my whole family was sort of sleeping in. We were

208
00:12:09,040 --> 00:12:12,440
Speaker 1: visiting family in Long Island, Suffolk County, Bay Shore. Respect

209
00:12:12,600 --> 00:12:15,360
Speaker 1: one talent over from growing upping Ice Slip. Actually we

210
00:12:15,440 --> 00:12:18,040
Speaker 1: might have been an Icelip or West Icelip. Okay, then

211
00:12:18,160 --> 00:12:24,400
Speaker 1: that's even your girl, No, it's okay. And I like

212
00:12:24,440 --> 00:12:26,360
Speaker 1: it was the youngest of four. I would wake up early.

213
00:12:26,400 --> 00:12:28,480
Speaker 1: Remember when that happened. We would like wake up before

214
00:12:28,600 --> 00:12:30,160
Speaker 1: the parents. And I went over and it was like

215
00:12:30,200 --> 00:12:32,880
Speaker 1: maybe seven in the morning, and I went into the

216
00:12:33,000 --> 00:12:35,640
Speaker 1: room and watched Heathers for the first time, the real

217
00:12:35,760 --> 00:12:38,800
Speaker 1: Heathers or TBS the TBS Heathers, and I was like,

218
00:12:39,200 --> 00:12:43,400
Speaker 1: the volume is probably on like one or two. I

219
00:12:43,480 --> 00:12:46,240
Speaker 1: pulled up like a chair to the screen that watch it.

220
00:12:46,320 --> 00:12:48,720
Speaker 1: I remember being like, what is this Christian Slater was

221
00:12:48,720 --> 00:12:51,760
Speaker 1: making me feel things? The writer was making me feel

222
00:12:51,760 --> 00:12:56,280
Speaker 1: different things. Yeah, I loved it. Wow, that's amazing. That's

223
00:12:56,320 --> 00:12:59,360
Speaker 1: a very one. Yeah Heathers. I mean yeah, I feel

224
00:12:59,400 --> 00:13:04,240
Speaker 1: like there might have been some generational that definitely wasn't mine.

225
00:13:04,280 --> 00:13:11,000
Speaker 1: But I was absolutely infatuated, infatuated with all things clueless.

226
00:13:11,080 --> 00:13:13,720
Speaker 1: Like when I first saw Alicia Silverstone, I was like,

227
00:13:13,880 --> 00:13:16,000
Speaker 1: who the funk is she I was like, I need

228
00:13:16,040 --> 00:13:19,640
Speaker 1: to know everything about what that is about? Why are

229
00:13:19,679 --> 00:13:23,360
Speaker 1: they talking like that? She looks like I've never seen

230
00:13:23,400 --> 00:13:26,960
Speaker 1: anyone look and then styling it being like that's not

231
00:13:27,000 --> 00:13:30,760
Speaker 1: really what high school kids were definitely not. You know,

232
00:13:30,800 --> 00:13:35,400
Speaker 1: it's like it is and you know, but apparently they did.

233
00:13:35,600 --> 00:13:38,199
Speaker 1: Amy Heckerling who wrote that and directed it, like apparently

234
00:13:38,280 --> 00:13:42,800
Speaker 1: she did hang out like with those I don't doubt

235
00:13:42,800 --> 00:13:45,200
Speaker 1: that those kids existed, but their heightened versions of what

236
00:13:45,240 --> 00:13:47,360
Speaker 1: those kids are. I mean, is there a guy that

237
00:13:47,440 --> 00:13:51,800
Speaker 1: wears like a nineteen fifties Mattenee idol outfit to school?

238
00:13:51,960 --> 00:13:56,080
Speaker 1: Like I don't think so, honestly, what was that choice?

239
00:13:56,240 --> 00:13:58,520
Speaker 1: I think that movie is genius in every way. I

240
00:13:58,600 --> 00:14:02,120
Speaker 1: remember being truly surprised. It was like the gay friend

241
00:14:02,800 --> 00:14:05,520
Speaker 1: didn't get that he was gay until many years later.

242
00:14:05,760 --> 00:14:07,680
Speaker 1: I was watching it was like a six year old.

243
00:14:08,040 --> 00:14:10,160
Speaker 1: In fact. I remember they have a euphemism in it,

244
00:14:10,240 --> 00:14:13,920
Speaker 1: but they and ticket holding friend of Dorothy you know

245
00:14:13,920 --> 00:14:15,559
Speaker 1: what I'm saying, And I was like, don't know what

246
00:14:15,640 --> 00:14:18,959
Speaker 1: that is? He's gay And they said he's gay. Yeah

247
00:14:19,000 --> 00:14:20,720
Speaker 1: That's what I'm saying, Like, yeah, they expec Oh my god,

248
00:14:20,760 --> 00:14:25,960
Speaker 1: shared the boy Ken dress. Oh my god, I'm totally bugging.

249
00:14:26,400 --> 00:14:29,720
Speaker 1: All these words meant nothing to me being seven or

250
00:14:29,720 --> 00:14:31,760
Speaker 1: eight years old. In the fact of my parents conversion

251
00:14:31,840 --> 00:14:34,240
Speaker 1: van on a trip down to Florida because we decided

252
00:14:34,280 --> 00:14:36,560
Speaker 1: to drive that year. Why wouldn't you drive? My sister

253
00:14:36,600 --> 00:14:37,840
Speaker 1: and I are watching it in the back on the

254
00:14:37,920 --> 00:14:41,480
Speaker 1: television that was like literally put in the conversion van.

255
00:14:42,080 --> 00:14:44,360
Speaker 1: And we finished watching it and I turned to my sister,

256
00:14:44,400 --> 00:14:47,360
Speaker 1: who was like five, and she I was like, I

257
00:14:47,440 --> 00:14:49,160
Speaker 1: liked it. She goes me too, I want to watch

258
00:14:49,160 --> 00:14:51,680
Speaker 1: it again right now. And we put it back on

259
00:14:52,000 --> 00:14:54,120
Speaker 1: and we watched it again, and we didn't get a

260
00:14:54,400 --> 00:14:58,040
Speaker 1: second of it. But it was like visual too, which

261
00:14:58,040 --> 00:15:03,320
Speaker 1: is like a sneaky trick to make it a visual snack. Yes, yes,

262
00:15:03,600 --> 00:15:06,040
Speaker 1: you've got to have art direction, girl, Rule number twenty

263
00:15:06,080 --> 00:15:12,960
Speaker 1: eight of culture. Culture tricky snack, tricky snack, tricky snack. Absolutely,

264
00:15:13,280 --> 00:15:16,320
Speaker 1: that's a new one. That's that's why satire is so

265
00:15:16,880 --> 00:15:19,680
Speaker 1: like Brilliant and the Trojan Horse. It's like, look at

266
00:15:19,720 --> 00:15:23,080
Speaker 1: this thing that everyone can enjoy. But then we're gonna

267
00:15:23,080 --> 00:15:26,600
Speaker 1: slip in something that Stephen the Cheese see that actually,

268
00:15:26,640 --> 00:15:29,080
Speaker 1: I think was a cultural high point that year because

269
00:15:29,120 --> 00:15:31,840
Speaker 1: Clueless was the same year that also Scream came out,

270
00:15:32,280 --> 00:15:36,640
Speaker 1: and it was these funny, yeah genius, these funny genre

271
00:15:37,280 --> 00:15:41,040
Speaker 1: heightened stuff that was like really good for so many

272
00:15:41,040 --> 00:15:44,920
Speaker 1: other reasons besides like how like amazing they hit their

273
00:15:44,960 --> 00:15:46,960
Speaker 1: genre and like how funny they were, you know what

274
00:15:47,000 --> 00:15:52,680
Speaker 1: I mean, Like what a good time. I guess, yeah,

275
00:15:53,880 --> 00:15:56,400
Speaker 1: that's a fun time to revisit, like and Clueless. I

276
00:15:56,440 --> 00:15:59,240
Speaker 1: think now you can watch and it's on Netflix and

277
00:15:59,280 --> 00:16:01,560
Speaker 1: you can watch and it it holds up every time.

278
00:16:01,600 --> 00:16:04,120
Speaker 1: And the jokes, there are so many jokes. We were

279
00:16:04,120 --> 00:16:09,000
Speaker 1: living in like a pre Columbine world. It was just

280
00:16:09,080 --> 00:16:11,640
Speaker 1: the right time in the podcast to bring school absolutely

281
00:16:11,840 --> 00:16:13,640
Speaker 1: this is like about the time when we talked about

282
00:16:13,640 --> 00:16:16,240
Speaker 1: school shooting. I will say, so maybe this is the

283
00:16:16,280 --> 00:16:18,160
Speaker 1: generation gap, but that was sort of like a big

284
00:16:18,200 --> 00:16:20,600
Speaker 1: turning point in my high school because our high school

285
00:16:20,640 --> 00:16:24,000
Speaker 1: was like demographically the exact same as the ones we

286
00:16:24,000 --> 00:16:26,240
Speaker 1: saw on TV and then the ones and where a

287
00:16:26,280 --> 00:16:30,440
Speaker 1: Columbine happened, just like suburban mostly white high school and

288
00:16:30,520 --> 00:16:36,400
Speaker 1: you grew up Atlanta, Georgia, Roswell and there it was

289
00:16:37,480 --> 00:16:39,800
Speaker 1: like we started to have to have mesh book bags

290
00:16:39,840 --> 00:16:43,840
Speaker 1: and or clear book bags, and certain clothes like overalls

291
00:16:43,880 --> 00:16:47,200
Speaker 1: and trench codes weren't allowed. It was very We talked

292
00:16:47,240 --> 00:16:51,200
Speaker 1: about this last week because Abra was on and about

293
00:16:51,200 --> 00:16:54,040
Speaker 1: why you couldn't wear hats, and then one theory that

294
00:16:54,080 --> 00:16:55,920
Speaker 1: was positive was because you could sneak a gun in

295
00:16:55,920 --> 00:16:58,200
Speaker 1: a hat. And then Obera goes, well, then what the

296
00:16:58,240 --> 00:17:00,520
Speaker 1: fund do you do with the backpacks? That and springing

297
00:17:00,520 --> 00:17:02,600
Speaker 1: in like what about those? I was like, there's no

298
00:17:02,640 --> 00:17:04,879
Speaker 1: way I'm hiding a gun under my hat. Oh my god.

299
00:17:05,000 --> 00:17:08,320
Speaker 1: But um, I remember we I was in third grade

300
00:17:08,480 --> 00:17:11,359
Speaker 1: for Columbine and my teacher made us stand in a

301
00:17:11,480 --> 00:17:16,440
Speaker 1: circle and hold hands and sing Jewels song Hands. That

302
00:17:16,560 --> 00:17:19,280
Speaker 1: is the that is a gay teacher. It might have

303
00:17:19,280 --> 00:17:23,240
Speaker 1: been one of her worst songs too. I like a

304
00:17:23,280 --> 00:17:27,320
Speaker 1: pedophilic A little I'm not familiar, it's I know every word.

305
00:17:27,840 --> 00:17:35,399
Speaker 1: Hands are small, I know. And the video was literally

306
00:17:35,480 --> 00:17:39,520
Speaker 1: her walking through like a bomb site. Do you remember that?

307
00:17:40,240 --> 00:17:41,840
Speaker 1: I think Foolish Games is great and that was for

308
00:17:42,000 --> 00:17:44,880
Speaker 1: one of the Batman's soundtracks. She got bank for that. Oh,

309
00:17:45,160 --> 00:17:48,440
Speaker 1: Foolish Games is one of my favorite songs of all time.

310
00:17:49,160 --> 00:17:52,200
Speaker 1: There's a thing and my standing still Okay, keep going.

311
00:17:52,400 --> 00:17:57,400
Speaker 1: That is that the title amos one of our songs,

312
00:17:57,480 --> 00:18:00,000
Speaker 1: but that's I think. I think it's one of her

313
00:18:00,000 --> 00:18:07,040
Speaker 1: a weaker after I don't know. Up there with she

314
00:18:07,200 --> 00:18:10,359
Speaker 1: was like, I'm gonna be hot. I will say this

315
00:18:10,440 --> 00:18:14,199
Speaker 1: is I'll never forget when Jules said that she was

316
00:18:14,240 --> 00:18:18,040
Speaker 1: pressured into singing like a frog by her record producers,

317
00:18:18,600 --> 00:18:21,160
Speaker 1: and then when she finally was a star, she could say,

318
00:18:21,200 --> 00:18:23,680
Speaker 1: I don't want to do the frog voice. Do you

319
00:18:23,920 --> 00:18:26,120
Speaker 1: do you remember this? I don't remember. So her first

320
00:18:26,119 --> 00:18:30,160
Speaker 1: album she does a lot of the who will sure.

321
00:18:32,200 --> 00:18:34,600
Speaker 1: So she hated going into her head voice and doing

322
00:18:34,640 --> 00:18:38,040
Speaker 1: that full round sound, and she wanted who will see

323
00:18:38,600 --> 00:18:41,240
Speaker 1: That's what she wanted to do. She was wrong, because,

324
00:18:41,280 --> 00:18:45,520
Speaker 1: as we all learned, Jules stopped making good music. Yeah, well,

325
00:18:45,560 --> 00:18:48,040
Speaker 1: that's actually interesting because you know, there's two versions of

326
00:18:48,080 --> 00:18:50,879
Speaker 1: Foolish Games. There's the one that's on the first Pieces

327
00:18:50,960 --> 00:18:53,960
Speaker 1: of You album, and it's it is it's more classical

328
00:18:53,960 --> 00:18:56,159
Speaker 1: sounding in terms of the composition of the music, and

329
00:18:56,200 --> 00:18:59,600
Speaker 1: also she sings it differently, and then they re recorded.

330
00:18:59,680 --> 00:19:02,680
Speaker 1: I think after the success of UM I want to

331
00:19:02,720 --> 00:19:05,399
Speaker 1: say it was Batman forever. It was on one it

332
00:19:05,560 --> 00:19:11,600
Speaker 1: was and Rob No, it was Batman and Freman forever um.

333
00:19:11,640 --> 00:19:13,720
Speaker 1: But what was her first pick? You were meant from me?

334
00:19:14,080 --> 00:19:16,240
Speaker 1: So you were Men for me became like huge, I think,

335
00:19:16,240 --> 00:19:18,400
Speaker 1: one of the best songs of the nineties. And then

336
00:19:18,880 --> 00:19:21,119
Speaker 1: after that they kind of like we're like, okay, we

337
00:19:21,160 --> 00:19:23,720
Speaker 1: have to look at your album again, and they were like,

338
00:19:24,119 --> 00:19:27,520
Speaker 1: let's make this more commercial, and she re recorded Foolish Games,

339
00:19:27,680 --> 00:19:30,360
Speaker 1: which was like a big adult contemporary hit, and she

340
00:19:30,480 --> 00:19:34,320
Speaker 1: did sing it differently and they cut a whole verse

341
00:19:34,359 --> 00:19:37,119
Speaker 1: out of it. Really, yeah, it's amazing to me that

342
00:19:37,160 --> 00:19:40,680
Speaker 1: you know this. Oh, I'm a huge for me. It's

343
00:19:40,680 --> 00:19:43,440
Speaker 1: like I didn't listen to MTV. I I didn't watch

344
00:19:43,480 --> 00:19:45,200
Speaker 1: MTV because I wasn't allowed. So I was like, well,

345
00:19:45,200 --> 00:19:47,440
Speaker 1: I guess I'll watch a v H one. So I

346
00:19:47,480 --> 00:19:51,879
Speaker 1: was like very familiar with like Leanne Rhymes, Juel and

347
00:19:51,920 --> 00:19:55,320
Speaker 1: Shania Twain and Mariah Selene like I was into like

348
00:19:55,920 --> 00:20:00,960
Speaker 1: what the like, yeah, I was and sing And when

349
00:20:01,040 --> 00:20:04,760
Speaker 1: Diva's Live happened, that was like that was like a

350
00:20:04,960 --> 00:20:10,280
Speaker 1: huge moment for me. Oh my god, Mariah sing the Wreathaea.

351
00:20:12,080 --> 00:20:15,240
Speaker 1: That was like Shannia is like introduction to the mainstream.

352
00:20:15,280 --> 00:20:17,960
Speaker 1: I think that was when everyone was like, oh Shania.

353
00:20:18,040 --> 00:20:20,600
Speaker 1: The next year of faith Hill, they brought her in

354
00:20:21,240 --> 00:20:22,960
Speaker 1: and there it was. I think they were trying to.

355
00:20:23,080 --> 00:20:25,280
Speaker 1: I think the next year they did faith Hill and Leanne.

356
00:20:25,760 --> 00:20:27,640
Speaker 1: They were trying to kind of the year. The next

357
00:20:27,720 --> 00:20:29,720
Speaker 1: year was the big one was Whitney Houston. So the

358
00:20:30,080 --> 00:20:31,520
Speaker 1: year prior had been like it was like a wreath

359
00:20:31,600 --> 00:20:33,639
Speaker 1: this night, and then it was Whitney Houston and the

360
00:20:33,760 --> 00:20:39,120
Speaker 1: young diva they had was Brandy and a faith Hill

361
00:20:39,200 --> 00:20:42,359
Speaker 1: was on it. Not a fan of Brandy, Well, okay,

362
00:20:42,400 --> 00:20:44,720
Speaker 1: so we'll get into that, I get it. But did

363
00:20:44,760 --> 00:20:48,120
Speaker 1: you know that Brandy is actually heralded by like many

364
00:20:48,440 --> 00:20:51,359
Speaker 1: R and B singers and like having like one of

365
00:20:51,359 --> 00:20:54,719
Speaker 1: the best voices of all time, Like I do not agree, well,

366
00:20:55,160 --> 00:20:59,760
Speaker 1: her riffs are like statistically on point. Um, okay, but

367
00:20:59,800 --> 00:21:02,240
Speaker 1: do you hear the advice that Winnie Houston gave to

368
00:21:02,320 --> 00:21:06,600
Speaker 1: Brandy on the I think it was like, you need

369
00:21:06,640 --> 00:21:10,960
Speaker 1: to support your notes and she's and Whitney has said

370
00:21:11,000 --> 00:21:14,520
Speaker 1: it in interviews on camera that that was it was like,

371
00:21:14,760 --> 00:21:18,080
Speaker 1: so you're performing with this, you know amazing, you know legend.

372
00:21:19,320 --> 00:21:20,919
Speaker 1: Did she give you any advice? And it was like,

373
00:21:21,240 --> 00:21:24,800
Speaker 1: uh huh, what advice did she get? It's like she said,

374
00:21:25,040 --> 00:21:27,000
Speaker 1: I need to, like, you know, be louder and I

375
00:21:27,000 --> 00:21:29,879
Speaker 1: need to support my notes. But maybe she's that was

376
00:21:29,920 --> 00:21:33,600
Speaker 1: a corrective piece of advice and she's now she's belting

377
00:21:33,600 --> 00:21:37,879
Speaker 1: it out in Chicago. Was terrible in Chicago. Well, not

378
00:21:37,920 --> 00:21:41,440
Speaker 1: an actress. I think that I think that Whitney wouldn't

379
00:21:41,440 --> 00:21:44,840
Speaker 1: bother with advice unless she saw something that is a

380
00:21:44,920 --> 00:21:46,800
Speaker 1: great point. That is a great point. I'm not going

381
00:21:46,840 --> 00:21:50,199
Speaker 1: to spend this podcast taking down Brandy. I'm on te Monica.

382
00:21:50,960 --> 00:21:54,679
Speaker 1: Oh oh yeah, I'm Monica all the way. Because Brandy

383
00:21:54,720 --> 00:21:57,800
Speaker 1: came into that situation of the boy's mind a real victim. Hi,

384
00:21:57,920 --> 00:21:59,960
Speaker 1: excuse me, um, can I talk to you? I'm just

385
00:22:00,040 --> 00:22:03,159
Speaker 1: I'm sorry. And Monica's like, what, bitch, what do you

386
00:22:03,160 --> 00:22:06,200
Speaker 1: have to say? You're going to say no, no, no, no,

387
00:22:06,200 --> 00:22:08,960
Speaker 1: no no, no, honey. Brandy was coming into that situation

388
00:22:09,040 --> 00:22:12,879
Speaker 1: being respectful and you and you cannot twist her to

389
00:22:12,920 --> 00:22:15,879
Speaker 1: be a victim. Honey. I'm team Brandy in this situation.

390
00:22:16,000 --> 00:22:19,119
Speaker 1: Why she comes in there, Brandy comes in here with

391
00:22:19,160 --> 00:22:21,679
Speaker 1: her shoulders hunched and says, when I please talk to you?

392
00:22:21,720 --> 00:22:24,520
Speaker 1: For a minute, and Monica says, when she's getting right

393
00:22:24,560 --> 00:22:26,760
Speaker 1: to it, let's do let's do this because we we've

394
00:22:26,800 --> 00:22:29,120
Speaker 1: done this before. Let's let's do it word for word. Okay,

395
00:22:29,160 --> 00:22:31,480
Speaker 1: because I will show you how, Brandy, let's go, let's

396
00:22:31,520 --> 00:22:35,399
Speaker 1: do it. This is why this excuse me? Can you

397
00:22:35,400 --> 00:22:38,199
Speaker 1: please talk to you for a minute. M sure you

398
00:22:38,280 --> 00:22:41,880
Speaker 1: know you look kind of familiar. Yeah you do too. Um,

399
00:22:41,920 --> 00:22:43,199
Speaker 1: but um, I just want to know do you know

400
00:22:43,280 --> 00:22:47,600
Speaker 1: somebody named you know his name? Oh? Yeah, definitely, I

401
00:22:47,760 --> 00:22:49,520
Speaker 1: know his name. Well, I just want to let you

402
00:22:49,560 --> 00:22:53,639
Speaker 1: know that he's mine. No, no, so here we go.

403
00:22:53,800 --> 00:22:57,080
Speaker 1: Let's do a little play by play, Brandy. The inflection

404
00:22:57,080 --> 00:22:59,879
Speaker 1: point in that exchange is Brandy saying, well, I just

405
00:23:00,040 --> 00:23:02,159
Speaker 1: want to let you know. I'm asserting to myself. Is

406
00:23:02,200 --> 00:23:04,119
Speaker 1: that a victim? No, she's saying, I just want to

407
00:23:04,160 --> 00:23:06,720
Speaker 1: let you know that he's mine. The intro is passive,

408
00:23:06,960 --> 00:23:09,560
Speaker 1: but then she gets aggressive. Well, here's the deal. When

409
00:23:09,600 --> 00:23:12,960
Speaker 1: you listen to it, tell me this isn't true. Before

410
00:23:13,240 --> 00:23:16,440
Speaker 1: Brandy walked into that coffee shop and saw Monica sitting there,

411
00:23:16,760 --> 00:23:19,600
Speaker 1: she was in her car doing laps around the place, like, okay,

412
00:23:19,600 --> 00:23:23,040
Speaker 1: when you go in there, you're gonna say, um, excuse me,

413
00:23:23,119 --> 00:23:25,720
Speaker 1: You're gonna be played and no matter what you feel,

414
00:23:25,840 --> 00:23:28,280
Speaker 1: and then you're gonna just assert yourself. You're gonna assert yourself.

415
00:23:28,320 --> 00:23:31,720
Speaker 1: Brandy and Monica is sitting in there like this coffee

416
00:23:31,800 --> 00:23:36,080
Speaker 1: is wrong because this is not what I ordered. Excuse me, Hello,

417
00:23:36,760 --> 00:23:40,919
Speaker 1: conjecture and that's what makes me. Monica and Brandy and

418
00:23:41,040 --> 00:23:44,080
Speaker 1: some of us are some of us just Brandy's. I

419
00:23:44,119 --> 00:23:46,160
Speaker 1: have that. Now, I have that Monica song in my head.

420
00:23:46,240 --> 00:23:48,879
Speaker 1: I shouldn't make a move, but I won't. I know

421
00:23:48,920 --> 00:23:52,560
Speaker 1: you're probably thinking something is wrong, knowing if I do that,

422
00:23:52,640 --> 00:23:55,600
Speaker 1: it won't be right. I want to get down, but

423
00:23:55,760 --> 00:23:59,320
Speaker 1: not the first night. Yes, I love that. I love

424
00:23:59,359 --> 00:24:05,560
Speaker 1: that message. Should the second Monica's Monica's Monica. This is

425
00:24:05,560 --> 00:24:09,280
Speaker 1: my favorite Monica song of all time. Angela. No one

426
00:24:09,320 --> 00:24:13,399
Speaker 1: shouts it out. What do you mean? Some me? But no,

427
00:24:15,800 --> 00:24:28,119
Speaker 1: now you have me gro sho, well stop you show

428
00:24:29,440 --> 00:24:33,359
Speaker 1: great great vocal He'll tell you something. Great vocals also

429
00:24:33,640 --> 00:24:40,640
Speaker 1: for you. I will go to the ocean every sign

430
00:24:40,640 --> 00:24:46,400
Speaker 1: in the night es yes, oh my god, wait what

431
00:24:46,720 --> 00:24:56,000
Speaker 1: rule number twenty? Monica? Bitch, she doesn't get the credit. No,

432
00:24:56,359 --> 00:24:59,680
Speaker 1: you know what that sucks. Monica's the best. Yeah, but

433
00:24:59,720 --> 00:25:02,120
Speaker 1: you know she lives in Atlanta. She's still like a celebrity.

434
00:25:02,359 --> 00:25:05,720
Speaker 1: Atta girl. I didn't know that Atlanta takes care of

435
00:25:06,040 --> 00:25:08,879
Speaker 1: Donald Glover talked about this. What do he saying? He

436
00:25:08,960 --> 00:25:11,240
Speaker 1: was saying that Atlanta is where it's at right now

437
00:25:11,280 --> 00:25:15,280
Speaker 1: because they people stay, They moved back there, and they

438
00:25:15,440 --> 00:25:18,200
Speaker 1: support their artists. That's funny. I recently had a friend

439
00:25:18,240 --> 00:25:21,280
Speaker 1: moved to Atlanta because he said the work was better there.

440
00:25:21,720 --> 00:25:27,040
Speaker 1: There's I don't are a lot of opportunities growing up there.

441
00:25:27,040 --> 00:25:31,320
Speaker 1: It's what is it being called Yollywood? Allywood, Llywood, that's

442
00:25:31,359 --> 00:25:34,520
Speaker 1: what they call it. That I thought my favorite plan

443
00:25:34,560 --> 00:25:40,480
Speaker 1: on Hollywood was Dollywood. I went to Dollywood, all right,

444
00:25:40,520 --> 00:25:44,399
Speaker 1: So we went in May and recent two things they

445
00:25:44,400 --> 00:25:48,840
Speaker 1: didn't realize. There's not like dollies walking around. No, it's

446
00:25:48,880 --> 00:25:52,359
Speaker 1: not about Dolly. It's it's about supporting that. It's about

447
00:25:52,359 --> 00:25:55,240
Speaker 1: supporting the mountains. And there was a bunch of gay

448
00:25:55,240 --> 00:25:58,199
Speaker 1: couples walking around that were stone sober, all looking like

449
00:25:58,240 --> 00:26:00,320
Speaker 1: we'd passed and they'd look you get that icon like

450
00:26:00,400 --> 00:26:02,880
Speaker 1: we thought this was going to be something else. There

451
00:26:02,960 --> 00:26:05,920
Speaker 1: was definitely a bit of a trick that said. So

452
00:26:06,240 --> 00:26:08,040
Speaker 1: that's one. It's not as much Dolly as I want.

453
00:26:08,560 --> 00:26:11,639
Speaker 1: They have like one dress store that you can buy things,

454
00:26:11,760 --> 00:26:15,200
Speaker 1: and that's it. There's no fierce Whigs, no no it.

455
00:26:15,760 --> 00:26:18,720
Speaker 1: So we're nail pressing. The other thing that is crazy

456
00:26:18,760 --> 00:26:22,520
Speaker 1: about Dollywood is that there was a look another amusement

457
00:26:22,560 --> 00:26:25,879
Speaker 1: park like a town over that had like a fire

458
00:26:26,000 --> 00:26:30,560
Speaker 1: or went bankrupt or something. So Dollywood bought all of

459
00:26:30,680 --> 00:26:37,600
Speaker 1: their employees their roller coasters. So Dollywood like twenty years ago,

460
00:26:37,760 --> 00:26:40,960
Speaker 1: had like five rides and it was mostly like the kitchen, like, oh,

461
00:26:40,960 --> 00:26:44,000
Speaker 1: there's a folk band and eat some you know, pork rhymes,

462
00:26:44,040 --> 00:26:46,520
Speaker 1: and that's like part of it. They bought all these

463
00:26:46,600 --> 00:26:50,000
Speaker 1: insane roller coasters and then filled in every possible inch

464
00:26:50,040 --> 00:26:53,720
Speaker 1: of Dollywood with roller coasters, and it feels incredibly dangerous

465
00:26:54,800 --> 00:26:58,640
Speaker 1: and I recommend that did The best part like it

466
00:26:58,720 --> 00:27:00,920
Speaker 1: was I've never felt like I was going to die

467
00:27:01,040 --> 00:27:07,400
Speaker 1: more like a rickety like hill Country roller coaster. There's

468
00:27:07,400 --> 00:27:10,800
Speaker 1: one called like the Screaming Eagle that that like gave

469
00:27:11,119 --> 00:27:14,000
Speaker 1: me whiplash and I was just like, I don't know

470
00:27:14,040 --> 00:27:17,680
Speaker 1: who I would tell what I'm in the middle of Tennessee.

471
00:27:18,000 --> 00:27:20,840
Speaker 1: There's no alcohol here. I mean it was it was wild.

472
00:27:20,880 --> 00:27:25,960
Speaker 1: There's no alcohol there. It's a dry ament. I mean

473
00:27:26,040 --> 00:27:29,639
Speaker 1: that doesn't seem I hate that. Did you ride They

474
00:27:29,680 --> 00:27:33,240
Speaker 1: have like a nationally recognized wooden roller coaster. They're called Thunderhead.

475
00:27:33,320 --> 00:27:37,120
Speaker 1: Did you ride Thunderhead? Yeah, that's like that's like her

476
00:27:37,119 --> 00:27:40,240
Speaker 1: crown jewel of that park. Yeah. They have a lot

477
00:27:40,280 --> 00:27:42,840
Speaker 1: of rides in a very small space and so you

478
00:27:42,840 --> 00:27:44,600
Speaker 1: could do the whole park if you wanted to, in

479
00:27:44,600 --> 00:27:48,439
Speaker 1: like two hours. Where is this Tennessee? Yeah, it's Is

480
00:27:48,440 --> 00:27:52,280
Speaker 1: it outside of Nashville, No, it's it's closer to Pigeon.

481
00:27:52,600 --> 00:27:57,280
Speaker 1: Pigeon And then the fires recently it were in Gatlin.

482
00:27:59,240 --> 00:28:01,320
Speaker 1: This is the fire as we recent like the acquisition

483
00:28:01,359 --> 00:28:05,280
Speaker 1: of all these crazy Maybe I'm I'm confusing the recent

484
00:28:05,359 --> 00:28:08,760
Speaker 1: fires with the reason the other a part. But yeah,

485
00:28:08,800 --> 00:28:13,359
Speaker 1: Dolly donated like a thousand dollars to everything by the fire.

486
00:28:13,720 --> 00:28:18,280
Speaker 1: She's Dolly is truly amazing and also she actually I'm

487
00:28:18,280 --> 00:28:22,160
Speaker 1: adding her to my bucket list there to see live.

488
00:28:22,400 --> 00:28:26,480
Speaker 1: I was scrolling around on Spotify and I listened to

489
00:28:26,880 --> 00:28:28,600
Speaker 1: she They have a concert of hers that she did

490
00:28:28,600 --> 00:28:33,320
Speaker 1: in London, and it's such a gag because like the

491
00:28:33,400 --> 00:28:36,840
Speaker 1: last I wouldn't think she'd be popular there. I don't know.

492
00:28:37,000 --> 00:28:39,960
Speaker 1: I think she's internationally popular. And also there's a lot

493
00:28:39,960 --> 00:28:43,400
Speaker 1: of the British love country. Yeah, and also Canadians love

494
00:28:43,440 --> 00:28:46,280
Speaker 1: country too. You know who's huge in Canada. Still there

495
00:28:46,320 --> 00:28:49,280
Speaker 1: are the Dixie Chicks. So they still go on huge

496
00:28:49,320 --> 00:28:51,320
Speaker 1: North American tours, but they just do most of it

497
00:28:51,480 --> 00:28:55,760
Speaker 1: in North America. Like with Dixie Chicks do a European

498
00:28:55,800 --> 00:28:57,600
Speaker 1: tours too. Still, I think last year when they were

499
00:28:57,640 --> 00:28:59,120
Speaker 1: when they were touring last time, well, that's where the

500
00:28:59,120 --> 00:29:03,800
Speaker 1: controversy happened, was England, right when she said that thing

501
00:29:03,800 --> 00:29:07,560
Speaker 1: about George w because it was interesting. So then she

502
00:29:07,640 --> 00:29:09,840
Speaker 1: came back to the States and everyone was like all

503
00:29:09,840 --> 00:29:11,959
Speaker 1: fired up and insane. But I think they still do

504
00:29:12,040 --> 00:29:13,840
Speaker 1: really well. I mean they just did a huge concert

505
00:29:13,840 --> 00:29:16,000
Speaker 1: at Madison Square Garden that I was supposed to go to. Yeah,

506
00:29:16,040 --> 00:29:17,480
Speaker 1: last year is right after Landa. What we were going

507
00:29:17,520 --> 00:29:21,640
Speaker 1: to say something about Dolly she her She has a

508
00:29:21,640 --> 00:29:23,960
Speaker 1: concert on Spotify. It's like live from London or something.

509
00:29:24,200 --> 00:29:26,880
Speaker 1: And what's such a gag is the last seven songs

510
00:29:26,880 --> 00:29:28,680
Speaker 1: are like huge hits that you can for that like

511
00:29:28,840 --> 00:29:31,360
Speaker 1: nine to five when you heard the beginning chords, You're like,

512
00:29:31,480 --> 00:29:35,680
Speaker 1: fuck yes, and but also her introductions and outros of

513
00:29:35,720 --> 00:29:40,719
Speaker 1: all the songs, Oh my god, I love singing and

514
00:29:40,760 --> 00:29:43,960
Speaker 1: I've always loved to sing, so it's so right to

515
00:29:44,000 --> 00:29:48,160
Speaker 1: be here sing with all of you. Here's my next song,

516
00:29:48,640 --> 00:29:52,800
Speaker 1: and it's just like it's insane. So the Great Dolly's

517
00:29:52,800 --> 00:29:55,480
Speaker 1: story real quick. So she came to New York to

518
00:29:56,120 --> 00:30:00,560
Speaker 1: UH to meet with the Broadway producers for and they like,

519
00:30:00,760 --> 00:30:03,160
Speaker 1: add dinner. She's like, I love New York City, time

520
00:30:03,200 --> 00:30:06,960
Speaker 1: spare or whatever. Right, so like, obviously nine to five

521
00:30:06,960 --> 00:30:08,440
Speaker 1: will be in the show, but we want to have

522
00:30:08,480 --> 00:30:11,080
Speaker 1: all original music, and she was like, sounds good. Yeah,

523
00:30:11,080 --> 00:30:13,080
Speaker 1: I'll go back to my hotel. The next morning she

524
00:30:13,080 --> 00:30:16,840
Speaker 1: showed up with like thirties songs's. They were like what

525
00:30:17,400 --> 00:30:19,320
Speaker 1: She's like, I just went back to my hotel and

526
00:30:19,440 --> 00:30:24,200
Speaker 1: got got to write. And yeah, also there's one song.

527
00:30:24,760 --> 00:30:27,479
Speaker 1: I hope my friend Amanda Shack is listening to this

528
00:30:27,520 --> 00:30:29,880
Speaker 1: because we always gag over this song, which is get

529
00:30:29,880 --> 00:30:32,440
Speaker 1: Out and Stay Out, which is like the eleven o'clock

530
00:30:32,560 --> 00:30:35,680
Speaker 1: number in that in that musical where Stephane J. Block

531
00:30:35,800 --> 00:30:37,680
Speaker 1: is just like, I'm not going to be abused anymore,

532
00:30:37,800 --> 00:30:39,920
Speaker 1: and she kind of she's like the Jane Fonda character.

533
00:30:40,520 --> 00:30:44,800
Speaker 1: And it's such a fierce like singer's number. Literally the

534
00:30:44,920 --> 00:30:48,000
Speaker 1: end of it is just this woman like belting her tips.

535
00:30:48,000 --> 00:30:53,360
Speaker 1: I'm like, STI, it's just so good. I recommend everyone go.

536
00:30:55,040 --> 00:30:58,000
Speaker 1: And it's like like fall tips. They one of her

537
00:30:58,000 --> 00:31:01,240
Speaker 1: tips fell off at the end of the number, and

538
00:31:01,240 --> 00:31:05,960
Speaker 1: then everyone just it. But I never saw nine to five,

539
00:31:06,040 --> 00:31:09,200
Speaker 1: and I mean mad because I would gag. I'm a

540
00:31:09,320 --> 00:31:12,080
Speaker 1: recent Dolly convert, truly and like. And then I watched

541
00:31:12,160 --> 00:31:14,800
Speaker 1: like a bunch of her interviews like last year and

542
00:31:15,240 --> 00:31:17,960
Speaker 1: like her and Barbara Walters, like in the eighties, and

543
00:31:18,000 --> 00:31:22,080
Speaker 1: Barbara's asking her these truly inane questions like well, what's

544
00:31:22,120 --> 00:31:24,800
Speaker 1: with all the makeup in the wigs and like, and

545
00:31:24,840 --> 00:31:27,920
Speaker 1: then Dolly is just like very like measuredly and like

546
00:31:28,440 --> 00:31:32,760
Speaker 1: gracefully answering everything, and she's I just Dolly's. Dolly's still

547
00:31:32,920 --> 00:31:35,560
Speaker 1: making jokes about her chest. Yes, she was in a

548
00:31:35,600 --> 00:31:37,320
Speaker 1: word show like a week ago. It takes a lot

549
00:31:37,400 --> 00:31:41,040
Speaker 1: of money to look this cheap, a line now co

550
00:31:41,120 --> 00:31:44,360
Speaker 1: opted by drag Queen Alaska Thunderfunck. But I mean that

551
00:31:44,520 --> 00:31:46,800
Speaker 1: as a tribute but of course Dolly is. I just

552
00:31:46,840 --> 00:31:53,320
Speaker 1: got mad. Second, I was like, like, Alaska watched I

553
00:31:53,360 --> 00:31:57,040
Speaker 1: watched her YouTube channel with her brother. Yes, um, who

554
00:31:57,120 --> 00:32:02,000
Speaker 1: seems gayer than Alaska? Right? Is he Gay's supposed they

555
00:32:02,040 --> 00:32:05,680
Speaker 1: call him Alaska? And so it's a lot of like

556
00:32:05,960 --> 00:32:08,640
Speaker 1: he said, she said about like what they grew up,

557
00:32:08,920 --> 00:32:11,800
Speaker 1: how they grew up and sex practices and stuff. It's cute.

558
00:32:11,800 --> 00:32:15,640
Speaker 1: Oh yes, yes, yes, yes, God, world of World of Wonder.

559
00:32:17,520 --> 00:32:21,160
Speaker 1: Did you hear about the tunon Green Lights? So there's

560
00:32:21,160 --> 00:32:23,440
Speaker 1: gonna be two new shows coming out on YouTube. There's

561
00:32:23,480 --> 00:32:25,960
Speaker 1: going to be a House of Edwards, which is Elissa

562
00:32:26,120 --> 00:32:30,680
Speaker 1: Edwards show, also featuring Yes, also featuring Lega Astranga, And

563
00:32:30,680 --> 00:32:36,440
Speaker 1: it's going to be about She's all set, She's All

564
00:32:36,440 --> 00:32:40,560
Speaker 1: Stars three. I think, Um, so she's a great story

565
00:32:40,720 --> 00:32:42,600
Speaker 1: she is, and I think I think things are going

566
00:32:42,680 --> 00:32:45,760
Speaker 1: to turn out really really well for her. Um. But

567
00:32:46,360 --> 00:32:48,920
Speaker 1: it's gonna be House of Edwards with Liganda and Alissa,

568
00:32:49,040 --> 00:32:51,520
Speaker 1: and it's about them running their dance studio. So it's

569
00:32:51,560 --> 00:32:55,320
Speaker 1: essentially Dance Moms, but with a Lissa Edwards. That's and

570
00:32:55,360 --> 00:32:57,080
Speaker 1: it's going to be apparently like all about all the

571
00:32:57,120 --> 00:33:00,680
Speaker 1: Cookie parents and like their employees, the children I love

572
00:33:00,800 --> 00:33:03,920
Speaker 1: well she teaches like she teaches like K through eighteen

573
00:33:04,160 --> 00:33:07,120
Speaker 1: and they all worship her. And you don't. On Drag Race,

574
00:33:07,400 --> 00:33:11,120
Speaker 1: there's a few like classic drag queen skills you don't

575
00:33:11,160 --> 00:33:13,600
Speaker 1: really get to see, yeah, exactly like on the show.

576
00:33:13,640 --> 00:33:15,920
Speaker 1: Obviously lip syncing you get to see if you're being

577
00:33:16,000 --> 00:33:18,680
Speaker 1: kicked off, but there's really like a lip sync challenge,

578
00:33:18,800 --> 00:33:21,680
Speaker 1: you know, right, Like a lot of the I don't know,

579
00:33:21,680 --> 00:33:24,239
Speaker 1: a lot of the challenges aren't what these performers do

580
00:33:24,560 --> 00:33:28,160
Speaker 1: every week, Like working a crowd, like working a room

581
00:33:28,320 --> 00:33:31,440
Speaker 1: is not something they ever get challenged on doing every

582
00:33:31,440 --> 00:33:33,000
Speaker 1: now and then they'll do like a stand up challenge

583
00:33:33,000 --> 00:33:34,560
Speaker 1: and they'll really some element of it. But you know

584
00:33:34,640 --> 00:33:38,720
Speaker 1: what's crazy is like, for example, Violet Shoshki, her number

585
00:33:38,720 --> 00:33:42,120
Speaker 1: one thing is her like aerial sill, and she never

586
00:33:42,720 --> 00:33:45,479
Speaker 1: did it on the show. So the folks at home

587
00:33:45,520 --> 00:33:47,840
Speaker 1: are like, why did she win? And it's like, well,

588
00:33:47,840 --> 00:33:49,959
Speaker 1: we didn't see. It's like people keep saying course, it's

589
00:33:50,000 --> 00:33:51,920
Speaker 1: course it's and it's like, well, that's not what she

590
00:33:52,040 --> 00:33:59,600
Speaker 1: does when shems. She's incredible. David Yeah at a gay

591
00:33:59,600 --> 00:34:05,640
Speaker 1: barnet Alanna Atlanta Um it was sort of sad because

592
00:34:05,840 --> 00:34:09,160
Speaker 1: there was like she wasn't in drag he was like,

593
00:34:09,360 --> 00:34:11,800
Speaker 1: but he wanted like people to still like take pictures

594
00:34:11,800 --> 00:34:17,879
Speaker 1: with him and stead it is Yeah, it is weird. Um,

595
00:34:17,920 --> 00:34:20,319
Speaker 1: what was I gonna say? No, David, previous guest of

596
00:34:20,360 --> 00:34:21,719
Speaker 1: the show said really, and I think this is a

597
00:34:21,760 --> 00:34:24,400
Speaker 1: great point, but it's also maybe not feasible, where like

598
00:34:24,440 --> 00:34:26,560
Speaker 1: the one of the final challenges should be the queens

599
00:34:26,560 --> 00:34:29,640
Speaker 1: just craft their own live show, but if it means

600
00:34:29,680 --> 00:34:31,680
Speaker 1: like lip syncing to their own numbers and they would

601
00:34:31,680 --> 00:34:33,799
Speaker 1: have to like just go through all like the rights

602
00:34:33,840 --> 00:34:35,600
Speaker 1: and the ruin. That's the thing is. It's like even

603
00:34:35,640 --> 00:34:37,799
Speaker 1: Bob the Drag Queen, like you see Bob the Drag

604
00:34:37,880 --> 00:34:39,960
Speaker 1: Queen live in New York, which we did all the

605
00:34:40,040 --> 00:34:43,680
Speaker 1: time before he was on the show, like you truly,

606
00:34:43,800 --> 00:34:47,280
Speaker 1: even after watching the season and knowing how amazing Bob

607
00:34:47,360 --> 00:34:50,640
Speaker 1: is and Bob obviously won rightfully and earned tons of

608
00:34:50,640 --> 00:34:53,680
Speaker 1: new fans, you still don't know how fucking good Bob.

609
00:34:53,760 --> 00:34:55,920
Speaker 1: You still want to tell people still Bob does this

610
00:34:56,000 --> 00:34:57,680
Speaker 1: and this and this and this. I have a question

611
00:34:57,680 --> 00:34:59,840
Speaker 1: for you, Matt, because I know you're an idol American

612
00:35:00,000 --> 00:35:04,480
Speaker 1: idole savant huge part of my life. So Bob the

613
00:35:04,560 --> 00:35:08,560
Speaker 1: drag Queen was the fan who who became the winner,

614
00:35:08,760 --> 00:35:12,880
Speaker 1: right had seen all the That's sort of this sub narrative,

615
00:35:13,480 --> 00:35:17,440
Speaker 1: who is that for American Idol? Who came in and

616
00:35:17,520 --> 00:35:21,000
Speaker 1: knew exactly which kinds of songs to flip? You know.

617
00:35:21,280 --> 00:35:24,080
Speaker 1: It's it's so interesting with American Idol because that has

618
00:35:24,120 --> 00:35:26,040
Speaker 1: so much less to do with your creativity and so

619
00:35:26,200 --> 00:35:28,239
Speaker 1: much more to do with like how lucky you get

620
00:35:28,239 --> 00:35:31,160
Speaker 1: on the shelf? It was a favorite or not? Could

621
00:35:31,160 --> 00:35:33,719
Speaker 1: it be like a David Cook? Well, yeah, But the

622
00:35:33,719 --> 00:35:36,000
Speaker 1: thing is I doubt that David Cook actually watched a

623
00:35:36,080 --> 00:35:38,600
Speaker 1: lot of it. I think David Cook just just like

624
00:35:39,239 --> 00:35:42,000
Speaker 1: was given the opportunity to take a lot of artistic license.

625
00:35:42,320 --> 00:35:45,960
Speaker 1: David Cook like famously at the time they did a

626
00:35:46,040 --> 00:35:50,760
Speaker 1: Mariah Carey Week and he was thinking he arranged always

627
00:35:50,800 --> 00:35:55,279
Speaker 1: Be My Baby, and it was like an emo dark song.

628
00:35:55,800 --> 00:35:59,759
Speaker 1: And also nobody covers always be My Baby, because how

629
00:36:00,000 --> 00:36:01,600
Speaker 1: did you do it? I mean, like it's one of

630
00:36:01,600 --> 00:36:02,960
Speaker 1: those songs. And this is like with a lot of

631
00:36:03,160 --> 00:36:05,640
Speaker 1: especially without backup singers, like so much of it's about

632
00:36:05,640 --> 00:36:07,960
Speaker 1: the backup and they say this and they used to

633
00:36:07,960 --> 00:36:09,399
Speaker 1: say this on the show, and I think I think

634
00:36:09,520 --> 00:36:12,160
Speaker 1: still for a lot of uh talent shows, they say,

635
00:36:12,200 --> 00:36:15,080
Speaker 1: you know, don't do Maria. It's just it's too hard.

636
00:36:15,400 --> 00:36:17,560
Speaker 1: People are expecting to hear certain notes and if you

637
00:36:17,560 --> 00:36:20,319
Speaker 1: can't hit those notes. So then was this successful? It

638
00:36:20,440 --> 00:36:23,680
Speaker 1: was hugely successful. And she was even there coaching them

639
00:36:23,719 --> 00:36:27,000
Speaker 1: this is before as a and you could tell she

640
00:36:27,120 --> 00:36:30,239
Speaker 1: legitimately was like really into it. She was like, wow,

641
00:36:30,280 --> 00:36:32,520
Speaker 1: this is really cool. She might have even said we

642
00:36:32,520 --> 00:36:35,279
Speaker 1: should put that out. Yeah, and they did and it

643
00:36:35,320 --> 00:36:36,880
Speaker 1: was a hit, like when they used to release them

644
00:36:36,920 --> 00:36:40,000
Speaker 1: on iTunes and stuff, which I was I love. Christie

645
00:36:40,040 --> 00:36:43,960
Speaker 1: Lee Cook did Forever as a country song. It was said, literally,

646
00:36:44,200 --> 00:36:46,880
Speaker 1: I like that better than my version that well, because

647
00:36:46,920 --> 00:36:49,600
Speaker 1: Forever like is a country It's like and it's a

648
00:36:49,600 --> 00:36:53,320
Speaker 1: country song from like the sixties, you know, it's like Elvis.

649
00:36:53,400 --> 00:36:59,239
Speaker 1: You know, Um, this is Maria. I just I just

650
00:36:59,239 --> 00:37:02,319
Speaker 1: want to say this about so amazing. I just want

651
00:37:02,320 --> 00:37:04,200
Speaker 1: to say this about Mariah. I mean the fact that

652
00:37:04,320 --> 00:37:07,720
Speaker 1: she was able to like concede that like these interpretations

653
00:37:07,719 --> 00:37:12,000
Speaker 1: were like really novel and really great. Um without like

654
00:37:12,080 --> 00:37:13,920
Speaker 1: I mean, like that's how you know She's like that

655
00:37:13,920 --> 00:37:15,560
Speaker 1: that's how you know she she cares about the work

656
00:37:15,600 --> 00:37:20,560
Speaker 1: first and foremost, and it's not about like because even then,

657
00:37:21,120 --> 00:37:24,200
Speaker 1: even that Mariah which was like two eight or nine,

658
00:37:24,200 --> 00:37:29,280
Speaker 1: Mariah is like a different Mariah than now like reality stars.

659
00:37:29,320 --> 00:37:33,919
Speaker 1: She's gonna go two kids to two husbands. Yeah, she's

660
00:37:33,920 --> 00:37:38,160
Speaker 1: got two props kids famous lean. On the first episode

661
00:37:38,160 --> 00:37:40,319
Speaker 1: of Maria's World, she was on one yacht while her

662
00:37:40,400 --> 00:37:45,440
Speaker 1: husband was on another yacht. So it is so annoying

663
00:37:45,480 --> 00:37:47,800
Speaker 1: when you can't decide what she ought to be on

664
00:37:47,920 --> 00:37:49,279
Speaker 1: and then you have to just agree to disagree and

665
00:37:49,280 --> 00:37:51,359
Speaker 1: go on different yachts, and the yachts drive past each

666
00:37:51,400 --> 00:37:53,400
Speaker 1: other and you're like, you come to mayacht. No no,

667
00:37:53,520 --> 00:37:58,000
Speaker 1: you come to literally that happened. And wait, but Mariah,

668
00:37:58,200 --> 00:38:00,400
Speaker 1: this is an interesting Like I was listening too, I

669
00:38:00,440 --> 00:38:03,000
Speaker 1: guess What's the t or something or some interview with RuPaul,

670
00:38:03,120 --> 00:38:08,279
Speaker 1: and she was talking about how no, no, no no no,

671
00:38:08,520 --> 00:38:10,600
Speaker 1: like this is like at some point I heard RuPaul

672
00:38:10,640 --> 00:38:13,240
Speaker 1: say this on during some interview maybe on ther podcast

673
00:38:13,280 --> 00:38:16,759
Speaker 1: What's the t um and saying, how you know they

674
00:38:16,840 --> 00:38:19,680
Speaker 1: always want to do Mariah songs as lips things for

675
00:38:19,680 --> 00:38:21,920
Speaker 1: your life, so they always want to include Mariah in

676
00:38:22,000 --> 00:38:25,359
Speaker 1: some way. But you know it's just they will never

677
00:38:25,520 --> 00:38:29,359
Speaker 1: clear her song because maybe because she has at least

678
00:38:29,360 --> 00:38:33,280
Speaker 1: fifty percent songwriting credit on every song, it requires her approval,

679
00:38:33,680 --> 00:38:37,279
Speaker 1: which means emailing Maria here. No way. Can you think

680
00:38:37,360 --> 00:38:41,400
Speaker 1: she's good with email? You think she gets to you?

681
00:38:41,640 --> 00:38:45,239
Speaker 1: I think what delicious irony would be if Mariah was

682
00:38:45,280 --> 00:38:50,920
Speaker 1: like great at email and responded right, yeah, representing herself Okay, yeah,

683
00:38:51,000 --> 00:38:54,200
Speaker 1: totally looks like actually putting this in my Google cow.

684
00:38:54,800 --> 00:38:57,040
Speaker 1: Oh my god. I've I've seen her in concert a

685
00:38:57,040 --> 00:39:00,839
Speaker 1: few times. It's it's a bummer because so much time

686
00:39:00,880 --> 00:39:03,640
Speaker 1: spent off stage, and then you think like she's going

687
00:39:03,680 --> 00:39:06,439
Speaker 1: to come out with like a full mermaid costume with wings,

688
00:39:06,480 --> 00:39:10,960
Speaker 1: and it's like the same thing with different shots, like famously,

689
00:39:11,280 --> 00:39:13,279
Speaker 1: like what is she doing back there? And they have

690
00:39:13,360 --> 00:39:17,280
Speaker 1: this DJ that's like, hey, guys, you remember this Jackson

691
00:39:17,320 --> 00:39:20,000
Speaker 1: five song? And then he'll play like non Marian music

692
00:39:20,040 --> 00:39:22,440
Speaker 1: just to keep the crowd going. And it's very much

693
00:39:22,440 --> 00:39:25,000
Speaker 1: the R and B crowd that still comes out. My

694
00:39:25,120 --> 00:39:28,520
Speaker 1: first concert, Maria her first word stepping onto the stage.

695
00:39:28,640 --> 00:39:34,840
Speaker 1: Do you like the ensemble B versus Maria dress to

696
00:39:34,920 --> 00:39:37,400
Speaker 1: his dress? As a sailor and the threat of the

697
00:39:37,440 --> 00:39:40,520
Speaker 1: concert was Bianca versus Maria the first words do you

698
00:39:40,560 --> 00:39:44,160
Speaker 1: like the ensemble? And for those who don't know, it's

699
00:39:44,160 --> 00:39:47,279
Speaker 1: from the Heartbreaker video. Bianca is the brunette version of

700
00:39:47,320 --> 00:39:50,759
Speaker 1: Maria that is evil and they have a fist fight

701
00:39:50,800 --> 00:39:53,680
Speaker 1: in the bathroom at the movie theater over Jerry O'Connell

702
00:39:55,080 --> 00:39:58,880
Speaker 1: for those who don't know. And I mean, this concert

703
00:39:58,920 --> 00:40:02,799
Speaker 1: was truly bizarre. Talked about it before, but the thing is,

704
00:40:02,920 --> 00:40:09,239
Speaker 1: um wait, Mariah though she there's there's I guess get

705
00:40:09,239 --> 00:40:13,600
Speaker 1: I get upset when I talked about because truly, like

706
00:40:14,040 --> 00:40:17,680
Speaker 1: my life was changed by the Butterfly album. And then

707
00:40:17,840 --> 00:40:21,400
Speaker 1: also uh, the like the lyrics and the Butterfly album.

708
00:40:21,520 --> 00:40:25,920
Speaker 1: You listen to the lyrics and like, yeah, well, my favorite,

709
00:40:25,960 --> 00:40:27,400
Speaker 1: I think of all one of my favorites of all

710
00:40:27,440 --> 00:40:30,359
Speaker 1: time is the Roof and I also love Breakdown, Like

711
00:40:30,400 --> 00:40:32,640
Speaker 1: those are two like kind of deep cuts on that album.

712
00:40:32,680 --> 00:40:34,640
Speaker 1: And then also she's got this ballad on that album

713
00:40:34,680 --> 00:40:37,839
Speaker 1: called Whenever You Call, which is so good, and Brian

714
00:40:37,960 --> 00:40:41,000
Speaker 1: McKnight does a duet and that's even better. I went,

715
00:40:41,400 --> 00:40:44,280
Speaker 1: I kind of prefer it with just her. And also

716
00:40:44,400 --> 00:40:47,640
Speaker 1: if Adele recorded whenever you call today, people would be gagging.

717
00:40:47,680 --> 00:40:52,839
Speaker 1: But Mariah did that ship literally literally twenty years ago.

718
00:40:52,920 --> 00:40:56,160
Speaker 1: I know, isn't that insane? And also that's why when

719
00:40:56,160 --> 00:41:00,240
Speaker 1: people are like truly gagged over like all I ask,

720
00:41:00,680 --> 00:41:03,680
Speaker 1: I'm like you, guys, Mariah was doing better work than this,

721
00:41:03,800 --> 00:41:09,520
Speaker 1: inn Like she had these kind of soaring pop ballads

722
00:41:09,520 --> 00:41:12,280
Speaker 1: with R and B influences in this better voice than Adele.

723
00:41:12,600 --> 00:41:16,040
Speaker 1: But her brand wasn't the authentic like black and white

724
00:41:16,120 --> 00:41:18,799
Speaker 1: walking along the river with a trench coat. I mean,

725
00:41:19,280 --> 00:41:22,240
Speaker 1: that was Adele. That was the someone like you moment.

726
00:41:22,360 --> 00:41:24,640
Speaker 1: The video is as important that that song are the

727
00:41:24,719 --> 00:41:29,120
Speaker 1: granitic tonight. Holy shit, that's insane. Okay, So you you

728
00:41:29,120 --> 00:41:32,320
Speaker 1: guys are gonna listen to this today when you're to

729
00:41:33,320 --> 00:41:39,840
Speaker 1: have last night. If that happens, it might happen, and

730
00:41:39,960 --> 00:41:43,560
Speaker 1: you know it's going to be such a thing like

731
00:41:43,560 --> 00:41:49,520
Speaker 1: like that. I mean, the recording industry, they vote right,

732
00:41:49,680 --> 00:41:53,520
Speaker 1: and they are invested in artists that make money, that

733
00:41:53,600 --> 00:41:56,600
Speaker 1: make money, and also they want more artists that don't

734
00:41:56,680 --> 00:41:59,640
Speaker 1: require a ton of production and a ton and so

735
00:41:59,719 --> 00:42:03,319
Speaker 1: like Beyonce like like to spend so much money on

736
00:42:03,320 --> 00:42:06,359
Speaker 1: her albums. I mean, every song has a video, like

737
00:42:06,440 --> 00:42:09,279
Speaker 1: she doesn't give interviews. I think the machine of it

738
00:42:09,360 --> 00:42:12,120
Speaker 1: wants an artist like Beck wants an artist like you

739
00:42:12,239 --> 00:42:16,960
Speaker 1: tell wants an artist who plays all his own instruments,

740
00:42:16,960 --> 00:42:19,560
Speaker 1: Like they want someone who's it's about the music and

741
00:42:19,600 --> 00:42:23,200
Speaker 1: about the recording. I believe that. I don't think. But

742
00:42:23,600 --> 00:42:25,239
Speaker 1: that's the thing is like I just feel like at

743
00:42:25,280 --> 00:42:28,319
Speaker 1: this point, like you gotta like and it's so weird

744
00:42:28,360 --> 00:42:31,240
Speaker 1: to say this about like the contemporary artist who's literally

745
00:42:31,239 --> 00:42:33,960
Speaker 1: one the most Grammys of anyone, which is Beyonce, but

746
00:42:34,000 --> 00:42:36,040
Speaker 1: like she should win Album of the Year for lemon

747
00:42:36,239 --> 00:42:39,840
Speaker 1: You have to have some respect, like, like, have some respect,

748
00:42:40,120 --> 00:42:52,880
Speaker 1: like Lemonade was it and honestly true everyone honestly and

749
00:42:52,920 --> 00:42:54,960
Speaker 1: Trump's America. You have to expect Peper is going to

750
00:42:55,000 --> 00:42:57,200
Speaker 1: win Album of the Year at the Grammys. The rules

751
00:42:57,200 --> 00:42:59,800
Speaker 1: are at the door. Because it's interesting. It's going to

752
00:42:59,880 --> 00:43:03,800
Speaker 1: be very interesting. I blame Bieber for Trump. Oh sure,

753
00:43:04,080 --> 00:43:06,840
Speaker 1: I think this year. This is my this is my book, right,

754
00:43:06,960 --> 00:43:10,239
Speaker 1: I'm pitching my book. This past year, we didn't have

755
00:43:10,440 --> 00:43:12,920
Speaker 1: a Bieber to hate, we didn't have a Miley Cyrus

756
00:43:12,960 --> 00:43:16,240
Speaker 1: to shock people. For months, there were here's some pop

757
00:43:16,239 --> 00:43:18,360
Speaker 1: culture stories that happened in two thousands sixteen, and you

758
00:43:18,400 --> 00:43:21,320
Speaker 1: tell me if they made a splash. Kim Kardashian was

759
00:43:21,400 --> 00:43:25,640
Speaker 1: hog tied in her Paris hotel room and robbed. How

760
00:43:25,719 --> 00:43:28,759
Speaker 1: much did you hear about it while it happened? While

761
00:43:28,800 --> 00:43:30,560
Speaker 1: it happened, but then it died down after two days?

762
00:43:30,600 --> 00:43:35,880
Speaker 1: But two days that the biggest like social media reality

763
00:43:35,920 --> 00:43:38,960
Speaker 1: star was hog tied in her hotel room and robbed

764
00:43:39,000 --> 00:43:43,720
Speaker 1: in Paris at gunpoint. Both Justin Bieber and Orlando Bloom

765
00:43:43,840 --> 00:43:48,560
Speaker 1: released to like compete with each other because they have

766
00:43:48,640 --> 00:43:52,799
Speaker 1: a feud over Orlando Bloom's baby mama. That happened this year.

767
00:43:52,920 --> 00:43:55,600
Speaker 1: Do you remember talking about this? I mean, keep keep listening,

768
00:43:55,640 --> 00:43:59,080
Speaker 1: but I I'm gonna Ryan Rock. This was actually one

769
00:43:59,080 --> 00:44:01,760
Speaker 1: of the bigger ones. But still two weeks Ryan Lockty

770
00:44:01,840 --> 00:44:06,160
Speaker 1: like vandalized and pete all over a Brazilian gas station

771
00:44:07,120 --> 00:44:09,120
Speaker 1: and then lied about it and then went on Dancing

772
00:44:09,120 --> 00:44:12,399
Speaker 1: with the Stars and was almost punched by an audience member.

773
00:44:12,680 --> 00:44:16,440
Speaker 1: Remember that two weeks and it went away. It's like

774
00:44:16,480 --> 00:44:19,040
Speaker 1: we needed a Charlie Sheen this year. We needed a

775
00:44:20,000 --> 00:44:21,919
Speaker 1: but you know what took up way too much time

776
00:44:22,360 --> 00:44:26,279
Speaker 1: in respect to all that was when fucking Kim Kardashian

777
00:44:26,480 --> 00:44:29,319
Speaker 1: released the clip of Taylor Swift in Kanye West phone call.

778
00:44:29,920 --> 00:44:32,040
Speaker 1: It's like that was a great story. That was I mean,

779
00:44:32,080 --> 00:44:36,640
Speaker 1: it was it was so satisfying, But that was that

780
00:44:36,680 --> 00:44:39,000
Speaker 1: was probably maybe one of the bigger ones that and

781
00:44:39,000 --> 00:44:41,160
Speaker 1: and Beyonce and jay Z did he cheat? You know

782
00:44:41,200 --> 00:44:42,960
Speaker 1: what I mean, Like that was like a big one too.

783
00:44:43,080 --> 00:44:46,879
Speaker 1: But it felt immediately like once her song came out

784
00:44:47,160 --> 00:44:50,439
Speaker 1: addressing it, it was like, huh, maybe this was all

785
00:44:50,520 --> 00:44:53,600
Speaker 1: part of the marketing, the marketing ploy. What I'm saying,

786
00:44:53,600 --> 00:44:56,520
Speaker 1: there wasn't something that felt truly like a train wreck

787
00:44:56,600 --> 00:44:59,799
Speaker 1: except for the obvious story that we saw on the headline,

788
00:45:00,000 --> 00:45:02,200
Speaker 1: you know every day. What I'm saying, we needed like

789
00:45:02,320 --> 00:45:05,800
Speaker 1: Bieber like got a good album and stopped driving drunk,

790
00:45:06,120 --> 00:45:09,120
Speaker 1: you know, and like a lot of artists that we

791
00:45:09,360 --> 00:45:12,799
Speaker 1: are used to having those crazy moments like just but

792
00:45:12,840 --> 00:45:14,879
Speaker 1: it's like you but it's like nothing can really break

793
00:45:14,920 --> 00:45:17,279
Speaker 1: through the noise anymore. That's why it all dies down.

794
00:45:17,320 --> 00:45:19,920
Speaker 1: Like even and I'll say this, like even with like

795
00:45:19,960 --> 00:45:23,160
Speaker 1: the whole Trump like piss play dossier that died down

796
00:45:23,200 --> 00:45:27,520
Speaker 1: after three you know, like it because and the pacing

797
00:45:27,680 --> 00:45:30,080
Speaker 1: is no one can keep no one can keep it.

798
00:45:30,239 --> 00:45:32,440
Speaker 1: Like I don't know what the shelf life is anymore

799
00:45:32,480 --> 00:45:34,759
Speaker 1: for any sort of like big crazy story. Like we'll

800
00:45:34,800 --> 00:45:37,239
Speaker 1: talk about it for sure, and they'll they'll be a

801
00:45:37,400 --> 00:45:40,160
Speaker 1: spike in in in the in the discourse or whatever,

802
00:45:40,200 --> 00:45:43,319
Speaker 1: but like you can't nothing lives on anymore, and that's

803
00:45:43,400 --> 00:45:45,600
Speaker 1: that's kind of tragic, Like we can't really like let

804
00:45:45,640 --> 00:45:49,160
Speaker 1: things simmer and talk about in Saturday is the new normal?

805
00:45:49,200 --> 00:45:51,160
Speaker 1: And what's going to be the response to that? Like

806
00:45:51,200 --> 00:45:54,520
Speaker 1: in two thousand seventeen, Like what are things going to be? Like?

807
00:45:54,520 --> 00:45:56,799
Speaker 1: Like that's that's that's what's crazy. It's like, are we

808
00:45:56,800 --> 00:45:59,160
Speaker 1: gonna go back to a time when like things were simpler?

809
00:45:59,239 --> 00:46:03,600
Speaker 1: Likes like is by Adele like a kind of this

810
00:46:03,640 --> 00:46:05,560
Speaker 1: is gonna be what things are like now? Like we're

811
00:46:05,560 --> 00:46:07,160
Speaker 1: gonna go back to a simple time. We just like

812
00:46:07,239 --> 00:46:10,120
Speaker 1: kind of like have basic ship because you can't expect

813
00:46:10,120 --> 00:46:13,040
Speaker 1: to grab headlines anymore with your like insane behavior. Well,

814
00:46:13,040 --> 00:46:14,440
Speaker 1: I mean there's a you know, the theory of the

815
00:46:14,440 --> 00:46:17,080
Speaker 1: tipping point, and like if you look at the tabloid

816
00:46:17,080 --> 00:46:19,720
Speaker 1: culture in the UK, they've always been like a decade

817
00:46:19,800 --> 00:46:22,200
Speaker 1: or two ahead of us, like what they're willing to do.

818
00:46:22,320 --> 00:46:26,359
Speaker 1: Like their biggest magazine has topless women on page six,

819
00:46:26,400 --> 00:46:29,120
Speaker 1: you know, and those those women become famous for a

820
00:46:29,160 --> 00:46:31,440
Speaker 1: week and everyone's like, she's from Bright and she's one

821
00:46:31,520 --> 00:46:33,640
Speaker 1: of us. Look at those teats, you know, and like

822
00:46:33,680 --> 00:46:36,840
Speaker 1: they've been doing that for years and they've had obviously

823
00:46:36,880 --> 00:46:41,240
Speaker 1: the super obsessed celebrity culture, and then Prince Diana happened,

824
00:46:41,920 --> 00:46:44,640
Speaker 1: and then people started to pull back, and then they

825
00:46:44,719 --> 00:46:48,200
Speaker 1: still entertained it with like the reality show characters and

826
00:46:48,800 --> 00:46:52,400
Speaker 1: all of those TLC like my eight hundred pound wife

827
00:46:52,640 --> 00:46:56,640
Speaker 1: who does ballet shows British, they're all from Britain, Like

828
00:46:56,680 --> 00:46:59,160
Speaker 1: they're just we're stealing from American Idol too, Pop Idol

829
00:46:59,160 --> 00:47:02,080
Speaker 1: and X Factor Huge. So I think there's there will

830
00:47:02,120 --> 00:47:04,400
Speaker 1: be a tipping point. I just have no idea what

831
00:47:04,480 --> 00:47:06,640
Speaker 1: it is. I never realized that. And I think, thank you,

832
00:47:06,840 --> 00:47:09,959
Speaker 1: thank you Brian for bringing that true, actual, profound piece

833
00:47:09,960 --> 00:47:13,880
Speaker 1: of cultural knowledge that was insane right there. That really

834
00:47:13,920 --> 00:47:16,719
Speaker 1: suck to me right there. Okay, I mean Matt's making

835
00:47:16,719 --> 00:47:20,520
Speaker 1: a face, but like really just got sucked by knowledge, honestly.

836
00:47:21,360 --> 00:47:23,560
Speaker 1: That Yeah, I if you and if you look through

837
00:47:23,640 --> 00:47:26,520
Speaker 1: history to like there's a liberal time, and then there's

838
00:47:26,520 --> 00:47:29,080
Speaker 1: a conservative time, and then there's a liberal in culture,

839
00:47:29,440 --> 00:47:32,080
Speaker 1: you know what I mean? Like like it's true the

840
00:47:32,120 --> 00:47:34,239
Speaker 1: sixties and seventies were a thing, and then there was

841
00:47:34,280 --> 00:47:36,279
Speaker 1: like the eighties and nineties were kind of pulled back

842
00:47:37,040 --> 00:47:39,920
Speaker 1: and then you know, right now you could argue that

843
00:47:40,080 --> 00:47:42,000
Speaker 1: in the ofs and what we have now, we've been

844
00:47:42,080 --> 00:47:46,280
Speaker 1: in a super kind of like very boundary pushing time

845
00:47:46,440 --> 00:47:50,359
Speaker 1: and you have to wonder are we about to see

846
00:47:50,360 --> 00:47:56,400
Speaker 1: that return to something else, which is you know, something's interesting?

847
00:47:56,640 --> 00:48:00,480
Speaker 1: So um, okay, this this is a very fair like

848
00:48:00,520 --> 00:48:03,959
Speaker 1: scary question. But let's say someone raided your house says

849
00:48:04,000 --> 00:48:08,120
Speaker 1: you only get to keep three pieces of culture, books, movies, TV?

850
00:48:08,520 --> 00:48:11,200
Speaker 1: Oh my god? What do you keep? What do you keep? Well?

851
00:48:11,280 --> 00:48:13,279
Speaker 1: This is interesting because I am I keeping them for

852
00:48:13,360 --> 00:48:17,080
Speaker 1: sentimental value? Or am I keeping because I'm gonna use them? Um?

853
00:48:17,239 --> 00:48:20,399
Speaker 1: And also am keeping them for the apocalypse? Like? Am

854
00:48:20,440 --> 00:48:25,160
Speaker 1: I Fahrenheit fort these? Or is it just from my house?

855
00:48:25,880 --> 00:48:27,319
Speaker 1: What do you want people to think of you when

856
00:48:27,320 --> 00:48:30,400
Speaker 1: they find this ship you were super smart? Or do

857
00:48:30,400 --> 00:48:31,840
Speaker 1: you want to be truthful? I think you want to

858
00:48:31,880 --> 00:48:34,320
Speaker 1: be truthful. We want to be truthful. Let's be truthful.

859
00:48:34,360 --> 00:48:36,719
Speaker 1: This is a very kind of question I wish I had. Okay,

860
00:48:36,719 --> 00:48:39,520
Speaker 1: so I will, I will go out of fairness. I

861
00:48:39,560 --> 00:48:44,640
Speaker 1: want to keep the legend of Zeldacna of time. I

862
00:48:44,680 --> 00:48:46,279
Speaker 1: want to keep Does that count as a book, movie,

863
00:48:46,360 --> 00:48:48,920
Speaker 1: or TV? Video game? Okay, so I mean we'll include

864
00:48:48,960 --> 00:48:51,640
Speaker 1: video games, multimedia, multimedia. Um, I want to I want

865
00:48:51,640 --> 00:48:55,080
Speaker 1: to keep Lady Got Got born this way. No, I

866
00:48:55,080 --> 00:48:58,200
Speaker 1: want to keep Fleetwood mac rumors. No, I want to

867
00:48:58,280 --> 00:49:01,239
Speaker 1: keep up speech boys, beach boys, pets. The thing is,

868
00:49:01,280 --> 00:49:06,840
Speaker 1: while you've been making the decision, you unfortunately did burn. Okay, okay,

869
00:49:07,160 --> 00:49:11,800
Speaker 1: Zel talking your time, beach boys pet sounds and yes,

870
00:49:14,520 --> 00:49:16,800
Speaker 1: no it's not No, come on, I had a moment

871
00:49:16,800 --> 00:49:19,359
Speaker 1: in college. It's pretty silly. It's a it's a great

872
00:49:19,400 --> 00:49:22,120
Speaker 1: what No, I mean I'm saying, it's silly and a

873
00:49:22,120 --> 00:49:24,160
Speaker 1: good way. It's a silly fun it's even it's a

874
00:49:24,200 --> 00:49:29,279
Speaker 1: pretty gay um album and uh, I will say, um

875
00:49:29,360 --> 00:49:35,120
Speaker 1: oh god, uh I can't do this. This is so hard.

876
00:49:35,480 --> 00:49:37,760
Speaker 1: And then a book. I want to keep a book

877
00:49:37,800 --> 00:49:42,080
Speaker 1: just to balance it out. Um, you know what, let's do?

878
00:49:42,680 --> 00:49:46,719
Speaker 1: Uh Harry Potter, the definitely Hallows and the Goblet of Fire.

879
00:49:46,800 --> 00:49:49,120
Speaker 1: I was gonna say Harry Potter too, but actually it's

880
00:49:49,160 --> 00:49:50,799
Speaker 1: what's the most important to me is that people have

881
00:49:50,840 --> 00:49:52,880
Speaker 1: a misconception to me that I was much smarter than

882
00:49:52,920 --> 00:49:55,720
Speaker 1: I am. So here's what I would do. I would

883
00:49:55,760 --> 00:49:59,040
Speaker 1: take Henry's picture that's hanging up in our apartment of

884
00:49:59,200 --> 00:50:03,400
Speaker 1: Leonard Burns to I would take in Cold Blood by

885
00:50:03,400 --> 00:50:06,840
Speaker 1: Truman Capode and which I have and it's one of

886
00:50:06,840 --> 00:50:11,600
Speaker 1: my favorite books. Four real Knowledge. And then I would um,

887
00:50:12,239 --> 00:50:15,200
Speaker 1: this is just about image of this. That's not the question, Okay,

888
00:50:15,440 --> 00:50:18,520
Speaker 1: I'm kidding. Uh, this is a weird one. What's been

889
00:50:18,560 --> 00:50:20,799
Speaker 1: most important to me that I feel will represent me? Yeah,

890
00:50:20,840 --> 00:50:24,080
Speaker 1: I would probably grab Butterfly album by Mariah Carry. You

891
00:50:24,200 --> 00:50:27,839
Speaker 1: must probably like Gobblet of Fire by Harry by Harry Potter,

892
00:50:28,200 --> 00:50:31,520
Speaker 1: jak Rowlings by Harry Potter, and the Goblet of Fire

893
00:50:31,560 --> 00:50:33,799
Speaker 1: because I do believe it's the best book. Shout out

894
00:50:33,840 --> 00:50:36,440
Speaker 1: to at least Morales, who we did an entire episode

895
00:50:36,680 --> 00:50:40,160
Speaker 1: of US Cultures that's about Harry Potter, and I probably

896
00:50:40,239 --> 00:50:46,040
Speaker 1: would bring would would Oh man, it's not useful, but

897
00:50:46,239 --> 00:50:51,320
Speaker 1: I still keep my um uh like old tickets to

898
00:50:51,480 --> 00:50:55,600
Speaker 1: Universal Studios, like my room. Yeah, just like take them

899
00:50:55,640 --> 00:50:58,400
Speaker 1: with me because I always have this irrational thing like

900
00:50:58,440 --> 00:51:01,160
Speaker 1: if I ever do show up in Orlando that that

901
00:51:01,680 --> 00:51:03,799
Speaker 1: I don't have tickets, I can just somehow whip out

902
00:51:03,840 --> 00:51:08,000
Speaker 1: my old things, my old like park tickets, even though

903
00:51:08,040 --> 00:51:11,040
Speaker 1: I know you're holding onto them presentimental value, which is

904
00:51:11,120 --> 00:51:13,560
Speaker 1: which I am a hoarder, though Henry will tell you

905
00:51:13,600 --> 00:51:16,600
Speaker 1: I'm a full hoarder. There you go. Those are maps three.

906
00:51:17,239 --> 00:51:19,680
Speaker 1: This is this is a tough question. It's a weird question,

907
00:51:20,280 --> 00:51:22,480
Speaker 1: I know, because we have no I don't mean weird,

908
00:51:22,520 --> 00:51:23,719
Speaker 1: like it's weird that you said it. It's like a

909
00:51:23,760 --> 00:51:26,520
Speaker 1: weird one because it's hard to navigate. Also, like hard

910
00:51:26,680 --> 00:51:31,319
Speaker 1: media is are already irrelevant, Like you have all of

911
00:51:31,480 --> 00:51:33,640
Speaker 1: the media. Like if this person is robbing you, are

912
00:51:33,640 --> 00:51:36,160
Speaker 1: they also robbing of your ability to watch any movie

913
00:51:36,200 --> 00:51:38,480
Speaker 1: you want or stream any song you want, Like is

914
00:51:38,520 --> 00:51:40,440
Speaker 1: it just the thing that you want a hard copy of.

915
00:51:40,719 --> 00:51:43,959
Speaker 1: It's also so weird now because you don't need hard

916
00:51:43,960 --> 00:51:47,759
Speaker 1: copies of anything because everything is so accessible. So you're saying,

917
00:51:47,880 --> 00:51:50,400
Speaker 1: I mean, unless there's like a backlash, and you know,

918
00:51:51,280 --> 00:51:53,000
Speaker 1: unless it it's a fair hund for fifty one thing

919
00:51:53,480 --> 00:51:58,319
Speaker 1: streaming service servers are destroyed. No, no streaming, all right.

920
00:51:58,440 --> 00:52:02,120
Speaker 1: The book I will keep is the two thousand and

921
00:52:02,239 --> 00:52:09,600
Speaker 1: sixteen Fall Restoration Hardware Catalog. It's seven hundred pages, it's beautiful.

922
00:52:09,600 --> 00:52:11,919
Speaker 1: It's beautiful, and if all goes to ship, I'll still

923
00:52:11,960 --> 00:52:17,760
Speaker 1: have those chandeliers to work at beautiful um In honor

924
00:52:17,760 --> 00:52:20,239
Speaker 1: of the Grammys tonight, which will have already happened by

925
00:52:20,239 --> 00:52:21,719
Speaker 1: the time you hear that, I'm going to say in

926
00:52:21,840 --> 00:52:28,439
Speaker 1: an Album of the Year, Beck's Morning Phase Scientologists. Beck

927
00:52:29,640 --> 00:52:33,759
Speaker 1: he was a child of scientology, was Remy and she's

928
00:52:33,760 --> 00:52:38,640
Speaker 1: still iconique. She's still leading the charge, she's still saving live.

929
00:52:38,880 --> 00:52:40,440
Speaker 1: But it's the kind of album I could listen to

930
00:52:40,520 --> 00:52:43,680
Speaker 1: every day. That's great, it's beautiful. He plays every instrument

931
00:52:43,719 --> 00:52:47,120
Speaker 1: on it. It's I feel like it's an everyday album.

932
00:52:47,160 --> 00:52:50,520
Speaker 1: And that if this is what I'm holding onto naked

933
00:52:50,600 --> 00:52:52,840
Speaker 1: with no furniture in my house after being robbed, I

934
00:52:52,960 --> 00:52:57,200
Speaker 1: might want that and then like the piece of like

935
00:52:57,400 --> 00:53:05,480
Speaker 1: film or this is hard film or TV Heathers. Sure,

936
00:53:05,560 --> 00:53:10,000
Speaker 1: I'll take it, yeah, Heathers on DVD. Now I'm fixated

937
00:53:10,000 --> 00:53:12,040
Speaker 1: on the fact that the Grand Research tonight, and you guys,

938
00:53:12,440 --> 00:53:14,840
Speaker 1: we just want to go see Marion Morris nominee for

939
00:53:14,880 --> 00:53:18,839
Speaker 1: Best New Artists. Do you know Mary Moore? Yeah? Church Yes.

940
00:53:19,120 --> 00:53:21,319
Speaker 1: And also eighties Mercedes one of the best pop soil

941
00:53:21,800 --> 00:53:26,320
Speaker 1: Eighties Merseidies, Yeah, I love it. And also the Miranda

942
00:53:26,400 --> 00:53:29,279
Speaker 1: Lambert um Like Triple album that she put out this

943
00:53:29,360 --> 00:53:31,239
Speaker 1: year was very good, very good. I've been listening to

944
00:53:31,239 --> 00:53:35,400
Speaker 1: that a lot. There's a song called in My Pink Sunglasses.

945
00:53:35,440 --> 00:53:38,520
Speaker 1: Oh yeah, yeah, yeah, I've heard of that. I've heard

946
00:53:38,920 --> 00:53:42,840
Speaker 1: anything Miranda. I want to love more than I do.

947
00:53:43,120 --> 00:53:46,680
Speaker 1: This album turned me. This was the Bill Compton to

948
00:53:46,800 --> 00:53:52,600
Speaker 1: My Sulky stack House. That's a little Matt Rogers. Oh

949
00:53:52,640 --> 00:54:00,759
Speaker 1: my god. I was so with I think I got

950
00:54:00,840 --> 00:54:03,600
Speaker 1: my wisdom teeth out and was on heavy drugs and

951
00:54:03,640 --> 00:54:07,520
Speaker 1: the congratulations, thank you, my life has never been better.

952
00:54:07,719 --> 00:54:12,400
Speaker 1: No more cares. Recommend everyone gets them pulled. Seriously. I

953
00:54:12,440 --> 00:54:16,440
Speaker 1: always thought it was Kenkare because my mom is from Yea.

954
00:54:17,800 --> 00:54:21,640
Speaker 1: Um no, man, if you if you want to fucking

955
00:54:21,840 --> 00:54:26,360
Speaker 1: fuck yourself, then then on heavy drugs. Get on heavy drugs,

956
00:54:27,280 --> 00:54:31,520
Speaker 1: not just get on HBO now or HBO go and

957
00:54:31,680 --> 00:54:35,239
Speaker 1: watch True Blood. Oh my god, I was I love

958
00:54:35,280 --> 00:54:37,759
Speaker 1: Ani Paquin first two seasons. I only watched the first

959
00:54:37,760 --> 00:54:39,799
Speaker 1: two seas. I don't recommend the show to people because

960
00:54:39,840 --> 00:54:43,560
Speaker 1: it doesn't get better as it goes. But we were

961
00:54:43,760 --> 00:54:46,400
Speaker 1: Mark and I are needed an escape show and we

962
00:54:46,640 --> 00:54:48,960
Speaker 1: were asking around everyone's like, Yetta watch the wire, like

963
00:54:49,000 --> 00:54:53,480
Speaker 1: we don't want something, So we actually picked up this

964
00:54:54,040 --> 00:54:57,399
Speaker 1: is This is too dark to its it's real too.

965
00:54:58,920 --> 00:55:00,919
Speaker 1: He literally has like a math there's in public health.

966
00:55:00,960 --> 00:55:04,480
Speaker 1: Like he's like studied, like you know, statistics of poverty.

967
00:55:04,560 --> 00:55:06,520
Speaker 1: Like this show is not going to be an escape

968
00:55:06,560 --> 00:55:12,880
Speaker 1: from there. Like, but we picked up Penny Dreadful. It

969
00:55:13,040 --> 00:55:15,839
Speaker 1: is for sure mixed, but it is an escapist show

970
00:55:15,880 --> 00:55:19,160
Speaker 1: with supernatural characters in Victorian England. It is true Blood

971
00:55:19,239 --> 00:55:23,200
Speaker 1: meets down to Abbey Josh Harten. It's in it but

972
00:55:23,520 --> 00:55:26,480
Speaker 1: you see is but yeah, and but I heard. I

973
00:55:26,480 --> 00:55:28,440
Speaker 1: mean like, I have a screen cap website that I

974
00:55:28,520 --> 00:55:30,959
Speaker 1: go to every now and then called superhero fan dot

975
00:55:30,960 --> 00:55:35,120
Speaker 1: net god where they screen cap the nudity of the week.

976
00:55:35,280 --> 00:55:37,120
Speaker 1: Although the guy that runs it has been slacking and

977
00:55:37,120 --> 00:55:39,640
Speaker 1: there hasn't been any There was one called one of

978
00:55:39,680 --> 00:55:43,080
Speaker 1: these like tumbler type blogs called Square Hippies. Yeah, I

979
00:55:43,080 --> 00:55:45,359
Speaker 1: remember it, and it was like the guy just like

980
00:55:45,400 --> 00:55:49,000
Speaker 1: curated cute guys from television the moment they take their

981
00:55:49,000 --> 00:55:51,680
Speaker 1: shirt off, not much more. That's exactly what this is.

982
00:55:52,000 --> 00:55:55,280
Speaker 1: And it's like weird that I like, we have literally

983
00:55:55,320 --> 00:55:57,759
Speaker 1: all the porn in the world and that all that

984
00:55:57,840 --> 00:56:00,879
Speaker 1: website is more appealing because like it or not, there

985
00:56:00,960 --> 00:56:04,359
Speaker 1: is something about seeing a celebrity and a real person. Yeah. Well,

986
00:56:06,360 --> 00:56:09,200
Speaker 1: this guy that runs this website superhero fan dot net

987
00:56:09,440 --> 00:56:13,520
Speaker 1: um he um plug. I don't know who the he's like.

988
00:56:13,560 --> 00:56:16,279
Speaker 1: He's like he's like some like lonely gay like that

989
00:56:16,360 --> 00:56:17,840
Speaker 1: made this website. I just want to say, what a

990
00:56:17,920 --> 00:56:21,480
Speaker 1: misleading I think it probably started out like pictures of

991
00:56:21,520 --> 00:56:27,680
Speaker 1: Brandon Ralph, but it became does anyone remember Brandon Routh?

992
00:56:27,760 --> 00:56:31,560
Speaker 1: Brandon a motherfucker to Aaron Jackson made this joke about

993
00:56:31,800 --> 00:56:34,440
Speaker 1: that that woman on Survivor but Brandon mouth. Just remember

994
00:56:34,520 --> 00:56:38,880
Speaker 1: who Brandon Routh was? Keep going. They tried to ye

995
00:56:39,000 --> 00:56:43,000
Speaker 1: that couldn't happen. But the last update this guy did

996
00:56:43,000 --> 00:56:45,880
Speaker 1: on the website was a picture of Chad Michael Murray

997
00:56:46,120 --> 00:56:48,680
Speaker 1: like shirtless around and then you see Chad Michael Murray's

998
00:56:48,719 --> 00:56:50,600
Speaker 1: but which is like such a thing you wish for

999
00:56:50,680 --> 00:56:52,520
Speaker 1: when you're like fourteen years old, and now that you

1000
00:56:52,520 --> 00:56:57,040
Speaker 1: see it, you're like, okay, Cinderella story. What what he like?

1001
00:56:57,760 --> 00:57:00,840
Speaker 1: He had like sexual power over every teenager in the world. Absolutely,

1002
00:57:00,920 --> 00:57:03,239
Speaker 1: he had full dominion. And now it's like there's no

1003
00:57:03,320 --> 00:57:06,719
Speaker 1: capital there anymore. Yeah, I feel like that a little bit.

1004
00:57:06,920 --> 00:57:10,160
Speaker 1: Jesse McCartney didn't have that moment. He tried real hard,

1005
00:57:10,600 --> 00:57:14,040
Speaker 1: but he went sexy so fast, and I guess we're

1006
00:57:14,040 --> 00:57:17,320
Speaker 1: okay with like you know, Selena and Ariana doing it

1007
00:57:17,880 --> 00:57:20,040
Speaker 1: with mass different. But then it's sort of like shocking

1008
00:57:20,080 --> 00:57:21,720
Speaker 1: because he still looked like a kid. He was like

1009
00:57:21,720 --> 00:57:23,960
Speaker 1: I'm wearing a suit. It's like whose cousin's wedding? Are

1010
00:57:23,960 --> 00:57:26,440
Speaker 1: you going? Well, what didn't work for Jesse McCartney did

1011
00:57:26,480 --> 00:57:31,000
Speaker 1: work for Justin Bieber, and Jesse was about being sexualized.

1012
00:57:31,480 --> 00:57:34,240
Speaker 1: Jesse was a little precursor, was like a little experiment

1013
00:57:34,360 --> 00:57:35,800
Speaker 1: to be like, all right, we're going to test it

1014
00:57:35,800 --> 00:57:39,600
Speaker 1: out here. It's funny because like the perfect funk boy. Yeah.

1015
00:57:40,120 --> 00:57:43,800
Speaker 1: So the aesthetic though, is like he's not I mean,

1016
00:57:43,880 --> 00:57:46,360
Speaker 1: he worse. He can wear a suit, but that's not

1017
00:57:46,400 --> 00:57:49,040
Speaker 1: his look. He's still like active where it's like I'm

1018
00:57:49,080 --> 00:57:52,600
Speaker 1: bleaching my hair, I've got tattoos. Yeah, it's like I

1019
00:57:52,600 --> 00:57:54,480
Speaker 1: don't know. And he's not trying to look adult in

1020
00:57:54,600 --> 00:57:58,560
Speaker 1: terms of sex symbols though, we're truly settling for Justin Bieber,

1021
00:57:58,960 --> 00:58:02,000
Speaker 1: like I'm not come on, it is not that good.

1022
00:58:02,040 --> 00:58:05,120
Speaker 1: And those pictures are full on retouched. You know who's

1023
00:58:05,120 --> 00:58:09,919
Speaker 1: actually doing a no, not the dick pick I'm talking about, Well,

1024
00:58:10,720 --> 00:58:13,560
Speaker 1: his shirt potos, He's like, um, what's Mark Warlbert Kevin

1025
00:58:13,600 --> 00:58:18,440
Speaker 1: Klein ads are ridiculous good angles. Yeah, I mean lots

1026
00:58:18,440 --> 00:58:22,080
Speaker 1: of were touching. But you know who's kind of assumed

1027
00:58:22,080 --> 00:58:26,800
Speaker 1: that position now is Nick Jonas? I think who works

1028
00:58:26,840 --> 00:58:29,920
Speaker 1: for me? Man? But Joe Jonas is trying to get

1029
00:58:30,000 --> 00:58:31,800
Speaker 1: in there too, and that's not what Joe has an

1030
00:58:31,800 --> 00:58:34,320
Speaker 1: eight pack and no one cares Joe's an a pack,

1031
00:58:34,400 --> 00:58:37,000
Speaker 1: but his whole frame is like not right, he has

1032
00:58:37,040 --> 00:58:40,800
Speaker 1: an aid pack because it's drawn on people. He looks

1033
00:58:40,840 --> 00:58:43,880
Speaker 1: like fucking Aladdin. He's as much of a cartoon as

1034
00:58:43,920 --> 00:58:46,240
Speaker 1: a Laddin in those pics, which he makes sound like

1035
00:58:46,240 --> 00:58:50,560
Speaker 1: a bad thing, which is not a bad thing. A

1036
00:58:50,640 --> 00:58:54,440
Speaker 1: reason why we shouldn't listen to Network notes because he

1037
00:58:54,640 --> 00:58:56,240
Speaker 1: was the one they put their money on they were

1038
00:58:56,240 --> 00:58:58,200
Speaker 1: like he's the star Nick will like, you know, have

1039
00:58:58,240 --> 00:59:02,040
Speaker 1: the floppy hair, and and then there's Kevin and but

1040
00:59:02,080 --> 00:59:04,120
Speaker 1: then Nick when Nick came up, but like it was like,

1041
00:59:04,120 --> 00:59:06,840
Speaker 1: oh it turned out Nick had like the real talent,

1042
00:59:06,960 --> 00:59:13,600
Speaker 1: he actually liked. Um, how long we've been talking? Keeping

1043
00:59:14,320 --> 00:59:18,000
Speaker 1: turned out like Nick had the you know, the fact,

1044
00:59:18,120 --> 00:59:20,960
Speaker 1: the X factor, the hook that got people interested. And

1045
00:59:21,000 --> 00:59:22,880
Speaker 1: I think, I mean, yeah, well someone's on the star

1046
00:59:23,000 --> 00:59:24,520
Speaker 1: you can tell. I think I think that it was

1047
00:59:24,520 --> 00:59:27,120
Speaker 1: pretty obvious, you know who's a star who's making a comeback.

1048
00:59:27,240 --> 00:59:29,560
Speaker 1: And I can't even get through that sense without laughing.

1049
00:59:29,600 --> 00:59:32,440
Speaker 1: But um, one, Aaron Carter came out with a new

1050
00:59:32,440 --> 00:59:37,040
Speaker 1: EP this weekend. Trump supporter or Aaron cars the support,

1051
00:59:37,160 --> 00:59:39,800
Speaker 1: I don't care. You know what he's he's he is

1052
00:59:39,840 --> 00:59:44,400
Speaker 1: not a bad single from this past year. I haven't

1053
00:59:44,440 --> 00:59:47,160
Speaker 1: even attempted to listen to Aaron Carter. I thought you

1054
00:59:47,200 --> 00:59:49,880
Speaker 1: were going to say, Mandy Moore, Well, Mandy Moore I

1055
00:59:49,920 --> 00:59:52,280
Speaker 1: will always stand for But this is us she's doing.

1056
00:59:52,600 --> 00:59:55,480
Speaker 1: That's what I'm saying. Like, but like, now are people

1057
00:59:55,480 --> 00:59:59,840
Speaker 1: taking full on serious? How mad you think? Like? Is it?

1058
01:00:00,040 --> 01:00:03,240
Speaker 1: Zachary Levi? Zachary Levi who was entangled with her Tangled,

1059
01:00:03,360 --> 01:00:06,320
Speaker 1: and then the next year Frozen became like a billion

1060
01:00:06,360 --> 01:00:10,720
Speaker 1: dollar I don't think the movies are that different, but

1061
01:00:10,880 --> 01:00:14,120
Speaker 1: the mommy blogs pushed Frozen so hard because it was

1062
01:00:14,160 --> 01:00:17,400
Speaker 1: not as romance stories about sisters and that sisters, and

1063
01:00:17,440 --> 01:00:20,480
Speaker 1: it was a news story. It wasn't just Rapunzel. That's true.

1064
01:00:20,520 --> 01:00:22,280
Speaker 1: A lot of people didn't know the snow Queen. Maybe

1065
01:00:22,280 --> 01:00:25,040
Speaker 1: people in Denmark that story. You're right, it was a

1066
01:00:25,080 --> 01:00:27,960
Speaker 1: new story. But to me is like someone who doesn't

1067
01:00:27,960 --> 01:00:30,720
Speaker 1: have kids, like, they don't seem that different. I think

1068
01:00:30,760 --> 01:00:35,720
Speaker 1: the music is betteran Frozen interesting, like obviously that song

1069
01:00:35,840 --> 01:00:38,440
Speaker 1: is so catchy for little girls, like all my nieces

1070
01:00:38,520 --> 01:00:40,640
Speaker 1: can sing every single word and they don't know how

1071
01:00:40,680 --> 01:00:43,760
Speaker 1: to like wipe their button. But I will say, if

1072
01:00:43,800 --> 01:00:47,120
Speaker 1: I were Mandy or Zachary, I would be hating myself.

1073
01:00:47,160 --> 01:00:49,360
Speaker 1: I mean, if it's any consolation to Many or Zachary,

1074
01:00:49,400 --> 01:00:52,320
Speaker 1: what I think if you're listening to Mandy and Zachary

1075
01:00:52,520 --> 01:00:57,720
Speaker 1: Tangled as narratively a tighter film, I think, whoa Matt

1076
01:00:57,720 --> 01:00:59,720
Speaker 1: and I can disagree on, you know, we'll agree to this.

1077
01:01:00,560 --> 01:01:02,640
Speaker 1: I just feel like, I don't know we talked about

1078
01:01:02,680 --> 01:01:05,919
Speaker 1: this several times, but Frozen to me, frozen Like people

1079
01:01:05,960 --> 01:01:07,520
Speaker 1: that listen are gonna be like, oh my god, again

1080
01:01:07,560 --> 01:01:10,080
Speaker 1: they're going to talk about Frozen, But like, Frozen to me,

1081
01:01:10,320 --> 01:01:13,680
Speaker 1: is there's something about it, like the way there's something

1082
01:01:13,680 --> 01:01:18,160
Speaker 1: about Nick Jonas. Frozen is a star Jonas of the

1083
01:01:18,160 --> 01:01:22,840
Speaker 1: Disney canon. Absolutely, we talked about Bieber and I wanted

1084
01:01:22,880 --> 01:01:27,080
Speaker 1: to find this picture. So Brian is fully showing us

1085
01:01:27,080 --> 01:01:28,920
Speaker 1: a picture of Biber in the water with his little

1086
01:01:28,960 --> 01:01:32,600
Speaker 1: dong out. So he released this the week after Orlando blooms. Weird,

1087
01:01:32,720 --> 01:01:35,320
Speaker 1: Katie Perry wake, I mean that's definitely his dick. That's

1088
01:01:35,320 --> 01:01:38,080
Speaker 1: definitely him. Did he release this and then the week

1089
01:01:38,200 --> 01:01:40,440
Speaker 1: later he let that happen? I mean this is a

1090
01:01:40,520 --> 01:01:44,640
Speaker 1: post photo. Absolutely, he's in like a lagoon with the sun.

1091
01:01:45,080 --> 01:01:46,720
Speaker 1: It's a healthy cock, you know what I mean. Like,

1092
01:01:46,760 --> 01:01:49,040
Speaker 1: it's not, it's not not it's not a bad dick.

1093
01:01:49,160 --> 01:01:50,800
Speaker 1: I'm looking at this and I'm like, we there are

1094
01:01:50,920 --> 01:01:54,440
Speaker 1: better ones out there, better dick, but just better like

1095
01:01:54,640 --> 01:01:58,000
Speaker 1: stars with who can just like like or when old

1096
01:01:58,040 --> 01:01:59,880
Speaker 1: the whole Orlando thing came out, I was like, great

1097
01:02:00,360 --> 01:02:02,880
Speaker 1: because because we all I want to say, I feel

1098
01:02:02,880 --> 01:02:06,080
Speaker 1: comfortable talking about this because it is so obviously staged. Yes,

1099
01:02:06,280 --> 01:02:08,560
Speaker 1: it wasn't stolen off of his phone. No, yeah, I

1100
01:02:08,560 --> 01:02:11,560
Speaker 1: mean yeah, but yeah, the Orlando Bloom thing, it's when

1101
01:02:11,560 --> 01:02:16,600
Speaker 1: he's literally dick out, like his dick was literally it

1102
01:02:16,680 --> 01:02:19,600
Speaker 1: was so bizarre. They're both so fucking weird. And also

1103
01:02:19,720 --> 01:02:22,080
Speaker 1: this new Katy Perry's song. Oh right, we didn't talk

1104
01:02:22,120 --> 01:02:25,960
Speaker 1: about Katy Parry, you guys. And she's gonna perform it night.

1105
01:02:26,800 --> 01:02:29,360
Speaker 1: I mean, she'll be there. The first few notes, I

1106
01:02:29,400 --> 01:02:31,800
Speaker 1: was like, oh, is this like a fun eighties song?

1107
01:02:32,080 --> 01:02:35,520
Speaker 1: There was like a like a piano synth drops the

1108
01:02:35,560 --> 01:02:38,520
Speaker 1: fucking ball. The first I heard it, I really didn't

1109
01:02:38,560 --> 01:02:40,960
Speaker 1: like it, And then yesterday I did find myself listening

1110
01:02:40,960 --> 01:02:42,840
Speaker 1: to it more. It came on in an Uber. It

1111
01:02:42,920 --> 01:02:44,400
Speaker 1: came on in an uber pool on my way home,

1112
01:02:44,440 --> 01:02:46,960
Speaker 1: and I was like, I hate myself. Barbara last night

1113
01:02:47,000 --> 01:02:49,760
Speaker 1: said she loves she loves it. That's well, okay, we'll

1114
01:02:49,760 --> 01:02:51,400
Speaker 1: take that into account. But I was in an Uber

1115
01:02:51,440 --> 01:02:53,840
Speaker 1: on the way home two nights ago and it came on.

1116
01:02:53,920 --> 01:02:55,600
Speaker 1: I was like, oh, this sound's catchy, and then I

1117
01:02:55,600 --> 01:02:58,520
Speaker 1: realized it was Katy Perry. Changed to the rhythm what

1118
01:02:58,640 --> 01:03:02,760
Speaker 1: it hate? And also chained to the radiator. Yeah. Also

1119
01:03:03,240 --> 01:03:05,880
Speaker 1: when you listen to the lyrics a little bit, is

1120
01:03:05,880 --> 01:03:09,840
Speaker 1: it hinting that it's a little bit political. Yes, we're

1121
01:03:09,840 --> 01:03:14,160
Speaker 1: living in a bubble, bubble like when you talk about

1122
01:03:14,160 --> 01:03:16,800
Speaker 1: the bubble. And also now I mean, oh, I mean

1123
01:03:16,840 --> 01:03:19,000
Speaker 1: I've I've quoted this on the pot in the past

1124
01:03:19,080 --> 01:03:22,200
Speaker 1: when she performed at Hillary's benefit concert every US city,

1125
01:03:22,240 --> 01:03:26,160
Speaker 1: that favorite story she just because every because Audrey Day

1126
01:03:26,200 --> 01:03:28,240
Speaker 1: was there, Elton John was there, um, and they all

1127
01:03:28,280 --> 01:03:29,840
Speaker 1: sort of had moments in their sets where they just

1128
01:03:29,960 --> 01:03:32,200
Speaker 1: talked about how great Hillary was and they've made very cogent,

1129
01:03:32,640 --> 01:03:36,320
Speaker 1: you know, uh statements or whatever. And then Katie, I guess,

1130
01:03:36,360 --> 01:03:38,360
Speaker 1: decides she had to sort of get in there too,

1131
01:03:38,440 --> 01:03:40,680
Speaker 1: and she just in the middle of her set, stops

1132
01:03:40,800 --> 01:03:44,439
Speaker 1: and tries to sound political and fails catastrophically. She goes,

1133
01:03:45,840 --> 01:03:50,000
Speaker 1: don't you know when you have the blueprints that you

1134
01:03:50,080 --> 01:03:52,080
Speaker 1: have to know how to build the house. You need

1135
01:03:52,120 --> 01:03:54,200
Speaker 1: to know where you're putting the bay windows, and like

1136
01:03:54,360 --> 01:03:57,760
Speaker 1: that's the bubble right there. So anyway, Um, Katie's in

1137
01:03:57,800 --> 01:04:01,520
Speaker 1: your campaign messages when you're building a house and you

1138
01:04:01,560 --> 01:04:06,480
Speaker 1: need blueprints and the degree in architecture and she's like,

1139
01:04:06,600 --> 01:04:10,760
Speaker 1: this is how we're going to get this. Mite have

1140
01:04:10,800 --> 01:04:12,400
Speaker 1: to talk about when you construct the house and get

1141
01:04:12,440 --> 01:04:15,160
Speaker 1: bay windows. My friend has a theory about Katy Perry

1142
01:04:15,240 --> 01:04:18,400
Speaker 1: is that she doesn't think, like whenever she's interviewed, what's

1143
01:04:18,440 --> 01:04:21,760
Speaker 1: your favorite song, it's never the song that it should be,

1144
01:04:22,000 --> 01:04:25,640
Speaker 1: you know, Like her best selling song is et Extraterrestrial

1145
01:04:25,720 --> 01:04:28,480
Speaker 1: featuring Kanye West. True story. Now, part of that is

1146
01:04:28,520 --> 01:04:30,920
Speaker 1: because she had like five singles in a row and

1147
01:04:30,920 --> 01:04:33,880
Speaker 1: had the momentum and that was like the fifth one, right,

1148
01:04:34,280 --> 01:04:37,680
Speaker 1: But she thinks Wide Awake is the Katy Perry. It's

1149
01:04:37,680 --> 01:04:40,959
Speaker 1: a good song. I don't think it's These Awake. I

1150
01:04:41,040 --> 01:04:46,120
Speaker 1: wish you'd come out right, Henry, You're a Man did

1151
01:04:46,120 --> 01:04:50,760
Speaker 1: a piano version on Instagram today of the one that

1152
01:04:50,840 --> 01:04:53,600
Speaker 1: Got Away. Oh, I haven't seen it yet, and like,

1153
01:04:54,160 --> 01:04:59,920
Speaker 1: I think Katy Perry Henry's dream is why do We

1154
01:05:00,320 --> 01:05:03,360
Speaker 1: is like to me, it's like Selene Later Celine Dion.

1155
01:05:04,240 --> 01:05:10,120
Speaker 1: It's adult contemporary, it's overproduced, it's vaguely inspirational, like walking

1156
01:05:10,200 --> 01:05:13,360
Speaker 1: on Air. That song. I think Katy Perry wants that

1157
01:05:13,440 --> 01:05:17,360
Speaker 1: to be Katie Perry and she'll do roar. She just

1158
01:05:17,400 --> 01:05:19,880
Speaker 1: didn't she just but that's like the hook. What she

1159
01:05:19,920 --> 01:05:24,720
Speaker 1: needs to understand is that when she takes herself more seriously,

1160
01:05:25,400 --> 01:05:30,240
Speaker 1: we're out, We're out. We don't we don't want that.

1161
01:05:30,440 --> 01:05:33,680
Speaker 1: We literally want you to shoot whip cream out of yours.

1162
01:05:33,800 --> 01:05:36,400
Speaker 1: And she's pretty funny, I will say, Yeah, she's got

1163
01:05:36,400 --> 01:05:38,200
Speaker 1: a great sense of humor, and when she's tongue and

1164
01:05:38,240 --> 01:05:40,880
Speaker 1: she can like kind of blown up and like whatever

1165
01:05:40,960 --> 01:05:42,400
Speaker 1: I mean, I do want to see her enter a

1166
01:05:42,440 --> 01:05:44,840
Speaker 1: stadium riding a huge lion like that. To me, is

1167
01:05:44,920 --> 01:05:48,000
Speaker 1: Katie Perry her first two songs where You're so gay

1168
01:05:48,000 --> 01:05:50,400
Speaker 1: and you don't even like poise and I Kissed a

1169
01:05:50,440 --> 01:05:53,640
Speaker 1: Girl and I liked it. She had a point of view. Definitely,

1170
01:05:53,680 --> 01:05:57,280
Speaker 1: she might have lost the narrative and teenage dream. The

1171
01:05:57,320 --> 01:05:59,600
Speaker 1: album like really heightened that and like blew it up

1172
01:05:59,640 --> 01:06:02,320
Speaker 1: all the And even when she was taking herself seriously,

1173
01:06:02,400 --> 01:06:05,640
Speaker 1: you could still laugh. Like but now it's like I

1174
01:06:05,640 --> 01:06:09,040
Speaker 1: think in her effort now to become more adult and

1175
01:06:09,080 --> 01:06:12,400
Speaker 1: take herself more seriously, she's become more washed out. And

1176
01:06:12,440 --> 01:06:17,520
Speaker 1: look this perfect example. Oh no, who even remembers rise Um.

1177
01:06:17,560 --> 01:06:18,760
Speaker 1: It was the worst part of the d n C

1178
01:06:20,320 --> 01:06:22,560
Speaker 1: was when she's saying it. Yes, it was like lost

1179
01:06:22,560 --> 01:06:24,800
Speaker 1: tell the election, Lost Tellery the Election was Rise by

1180
01:06:24,880 --> 01:06:27,919
Speaker 1: Katy Perry, which was meant for the Brazilian Olympics. Now

1181
01:06:29,760 --> 01:06:33,800
Speaker 1: they said no, literally, I don't think Portuguese, but I'm

1182
01:06:33,840 --> 01:06:38,880
Speaker 1: guessing it's just Spanish. Um. But like, I feel like

1183
01:06:38,960 --> 01:06:40,840
Speaker 1: you could say the same thing about Gaga maybe, like

1184
01:06:41,000 --> 01:06:42,840
Speaker 1: maybe she was taking herself a little too seriously, and

1185
01:06:43,160 --> 01:06:44,600
Speaker 1: but then when she came out with this video for

1186
01:06:44,720 --> 01:06:47,240
Speaker 1: John Wayne this week, it was return to form for

1187
01:06:47,360 --> 01:06:50,000
Speaker 1: like this goofy crazy. And I said this last night

1188
01:06:50,080 --> 01:06:52,880
Speaker 1: to to Sam when we were out last night. The

1189
01:06:52,880 --> 01:06:55,320
Speaker 1: reason I'm wearing a Taga shirt right now, the reason

1190
01:06:55,560 --> 01:06:57,640
Speaker 1: I love her so much and I will always stand

1191
01:06:57,720 --> 01:07:00,400
Speaker 1: for her and Shares because there are goofiest pop stars.

1192
01:07:00,760 --> 01:07:03,040
Speaker 1: They are goofy, goofy like Madonna has never been like

1193
01:07:03,080 --> 01:07:06,480
Speaker 1: she's been. Madonna has been like cheeky, tongue in cheek,

1194
01:07:06,520 --> 01:07:09,840
Speaker 1: but she's never been like a goofy, funny pop star

1195
01:07:10,120 --> 01:07:14,600
Speaker 1: and mean, while Gaga and Share just like just uh ru.

1196
01:07:14,680 --> 01:07:17,200
Speaker 1: Paul says, the fear of your fear of looking stupid

1197
01:07:17,280 --> 01:07:20,320
Speaker 1: is holding you back. Gaga and Shared do not have

1198
01:07:20,480 --> 01:07:23,040
Speaker 1: that fear and John Wayne like for a second, like

1199
01:07:23,640 --> 01:07:25,200
Speaker 1: every now and then dip back into that, you know,

1200
01:07:25,440 --> 01:07:27,560
Speaker 1: very I like a million reasons though, I love it,

1201
01:07:28,040 --> 01:07:30,720
Speaker 1: and everyone so shaded a million reasons and I'm like why,

1202
01:07:31,080 --> 01:07:33,480
Speaker 1: I don't understand. I think it's so good. I think

1203
01:07:33,520 --> 01:07:36,440
Speaker 1: it also speaks volumes that it is one of it's

1204
01:07:36,520 --> 01:07:40,120
Speaker 1: one of the most covered songs of hers. Yeah, already

1205
01:07:40,720 --> 01:07:42,760
Speaker 1: every time you walk into the Duplex and Henry's playing,

1206
01:07:42,920 --> 01:07:44,640
Speaker 1: I literally walked in and there was someone singing A

1207
01:07:44,680 --> 01:07:47,680
Speaker 1: million reasons. I was like, yeah, this is a song,

1208
01:07:47,840 --> 01:07:50,400
Speaker 1: this is the song of other people want to sing it.

1209
01:07:50,480 --> 01:07:52,160
Speaker 1: I mean that's like you take the Beatles as a

1210
01:07:52,200 --> 01:07:55,320
Speaker 1: great example of like awesome songwriting. It's like the Beatles

1211
01:07:55,600 --> 01:07:58,200
Speaker 1: song the records probably in a thousand years, like, no

1212
01:07:58,280 --> 01:08:00,480
Speaker 1: one's going to be turning on heyge dude, but they

1213
01:08:00,520 --> 01:08:11,320
Speaker 1: are going to be aliens like my old dude. Yeah,

1214
01:08:11,400 --> 01:08:14,919
Speaker 1: I do aliens and and bad British. I would say,

1215
01:08:14,960 --> 01:08:17,880
Speaker 1: Brian and like Portuguese. With the Portugese was that the

1216
01:08:18,000 --> 01:08:20,360
Speaker 1: Brian should put on a whole live show with aliens

1217
01:08:20,400 --> 01:08:24,559
Speaker 1: singing Earthling covers. Yeah, it'll be totally in the dark

1218
01:08:25,000 --> 01:08:27,720
Speaker 1: and you just stand on stage and you'll just do

1219
01:08:27,880 --> 01:08:30,519
Speaker 1: your Thingum, I love it anyway, I'm not I'm not

1220
01:08:30,600 --> 01:08:33,200
Speaker 1: a fan of this new Katy Perry. I am a

1221
01:08:33,360 --> 01:08:36,599
Speaker 1: huge fan of Lady Gaga returning to what I think

1222
01:08:37,000 --> 01:08:39,519
Speaker 1: is so special about her, which is her full on whacko.

1223
01:08:39,640 --> 01:08:41,840
Speaker 1: Can I just say I don't like songs that describe

1224
01:08:42,040 --> 01:08:44,519
Speaker 1: a fun night rather than just being fun, But I

1225
01:08:44,640 --> 01:08:48,880
Speaker 1: like that Last Friday Night does both. Right, That's okay,

1226
01:08:48,920 --> 01:08:51,519
Speaker 1: I take it back. I like Last Friday Night. Don't

1227
01:08:53,400 --> 01:08:58,120
Speaker 1: I love California Girls? Teenage Dream Eats a Grower. It's

1228
01:08:58,160 --> 01:09:02,320
Speaker 1: pretty good. Deep cutting from that of the Hummingbird heartbeat. Yeah,

1229
01:09:02,800 --> 01:09:05,439
Speaker 1: there's a there's a nature science motif and not like

1230
01:09:05,479 --> 01:09:12,720
Speaker 1: the movies. I like the movies famously. When Bowen and

1231
01:09:12,800 --> 01:09:15,960
Speaker 1: I were talking and he's singing not like the movies,

1232
01:09:16,080 --> 01:09:18,360
Speaker 1: and it became clear that he thought the song was

1233
01:09:18,400 --> 01:09:23,960
Speaker 1: about sex, it didn't fit. It wasn't right. He thought

1234
01:09:24,000 --> 01:09:27,439
Speaker 1: it was about penetration. And I was like, I was like, wait,

1235
01:09:27,680 --> 01:09:29,880
Speaker 1: do you think this is about penetration and not someone

1236
01:09:29,960 --> 01:09:31,439
Speaker 1: putting a ring on a finger? And he was like,

1237
01:09:31,600 --> 01:09:34,600
Speaker 1: it's about penetritions about sex. I was like, that's disgusting.

1238
01:09:35,280 --> 01:09:39,400
Speaker 1: And no it's not. There are things you say for

1239
01:09:39,520 --> 01:09:42,080
Speaker 1: someone you love and look, maybe it works on both loves.

1240
01:09:42,120 --> 01:09:45,360
Speaker 1: He put it in me. He put it in and

1241
01:09:45,560 --> 01:09:49,120
Speaker 1: it had a ticket out. It was too big. I

1242
01:09:49,160 --> 01:09:53,719
Speaker 1: want to know, what are you watching? These are like them?

1243
01:09:55,439 --> 01:10:01,280
Speaker 1: I will Superheroes dot Net. I turned around. We're recording here,

1244
01:10:01,479 --> 01:10:04,760
Speaker 1: and I turned around and was gagged. Netflix is on

1245
01:10:04,920 --> 01:10:07,600
Speaker 1: the TV in the background, and can we gag for

1246
01:10:07,640 --> 01:10:13,160
Speaker 1: a second about Santa Clarina Diet Clarina Diet. Oh my god,

1247
01:10:13,479 --> 01:10:16,120
Speaker 1: are you guys gag? Are you excited? I haven't gotten

1248
01:10:16,160 --> 01:10:18,960
Speaker 1: a chance to watch it yet. I heard it's disgusting.

1249
01:10:19,080 --> 01:10:23,040
Speaker 1: I heard like, it's so graphic and gory. It's about cannibalism. Yeah,

1250
01:10:23,080 --> 01:10:25,320
Speaker 1: I heard, and I heard the first scene is literally

1251
01:10:25,360 --> 01:10:30,200
Speaker 1: her throwing up everywhere. And I can't I literally can't

1252
01:10:30,240 --> 01:10:32,160
Speaker 1: do it. And I was like, why did you do that?

1253
01:10:32,840 --> 01:10:35,840
Speaker 1: Oh show with Drew Barrymore. Of course I want to

1254
01:10:35,920 --> 01:10:40,719
Speaker 1: watch it. Of course I want to watch Timothy Olifan.

1255
01:10:40,840 --> 01:10:43,200
Speaker 1: He's so Yeah, he's great, and he's a great talk

1256
01:10:43,240 --> 01:10:46,920
Speaker 1: show guest. Really one of those guys that's just totally

1257
01:10:46,960 --> 01:10:50,200
Speaker 1: winging it. I love that, you know who crushed on

1258
01:10:50,320 --> 01:10:57,920
Speaker 1: the Tonight Show. The other night, Clarendanes rushed and on

1259
01:10:58,000 --> 01:10:59,840
Speaker 1: the Tonight Show and then did a sketch and I

1260
01:11:00,080 --> 01:11:02,920
Speaker 1: was like, where's snel asking Claire James, the host, because

1261
01:11:03,200 --> 01:11:08,599
Speaker 1: this woman is a sketch. We're not going to I'm

1262
01:11:08,720 --> 01:11:11,479
Speaker 1: a fan of the talk shows that just interview them

1263
01:11:11,760 --> 01:11:16,360
Speaker 1: and like Conan, I love, like, I love, just like

1264
01:11:16,640 --> 01:11:20,760
Speaker 1: just interview that Matt trade, Matt uttering the words, you

1265
01:11:20,840 --> 01:11:23,360
Speaker 1: know who crushed it on the Tonight Show Claire Danes

1266
01:11:23,479 --> 01:11:25,640
Speaker 1: and I just did not want to get into that

1267
01:11:25,720 --> 01:11:28,320
Speaker 1: at before you guys, I'm a fan of the show,

1268
01:11:28,400 --> 01:11:30,519
Speaker 1: and it sounds like you are maybe shilling for Jimmy

1269
01:11:30,560 --> 01:11:32,240
Speaker 1: Fallon right now that he's a fan of the show,

1270
01:11:32,600 --> 01:11:34,040
Speaker 1: and I'm just going to call it out right now

1271
01:11:34,160 --> 01:11:36,439
Speaker 1: that I think you're better than that. Thank you so much, Bryan.

1272
01:11:36,479 --> 01:11:39,080
Speaker 1: I agree. I just want to say, Jimmie, if you're listening, um,

1273
01:11:40,000 --> 01:11:41,920
Speaker 1: thank you for everything that you've done. I think that

1274
01:11:42,080 --> 01:11:44,799
Speaker 1: you really bring a lot of personality and effort Festens

1275
01:11:44,840 --> 01:11:46,560
Speaker 1: to late night. So, I mean, the only one I

1276
01:11:46,680 --> 01:11:49,920
Speaker 1: truly watch regularly is Sam Be but it's both. And

1277
01:11:50,120 --> 01:11:53,160
Speaker 1: the rumor is that Conan's going weekly as well. I

1278
01:11:53,200 --> 01:11:56,360
Speaker 1: think that's that's that's confirming, and I think it's it's

1279
01:11:56,400 --> 01:11:58,439
Speaker 1: gonna make his show that much. I think that's a

1280
01:11:58,479 --> 01:12:00,759
Speaker 1: good move. Yeah, great move, because I it is appointment

1281
01:12:00,800 --> 01:12:03,000
Speaker 1: television for me to watch the NB alrightay, so let's

1282
01:12:03,000 --> 01:12:04,920
Speaker 1: move on to I don't Think so Honey. Yes, okay,

1283
01:12:05,000 --> 01:12:07,400
Speaker 1: So I don't think so honey. Brian has come in

1284
01:12:07,479 --> 01:12:10,519
Speaker 1: today with a list of topics now and I don't

1285
01:12:10,520 --> 01:12:12,320
Speaker 1: want to hear them. I want you to pick the one,

1286
01:12:12,400 --> 01:12:14,439
Speaker 1: which one that you think is the best now for

1287
01:12:14,640 --> 01:12:17,639
Speaker 1: our listeners who maybe a little bit unfamiliar and then

1288
01:12:18,280 --> 01:12:24,280
Speaker 1: literally under rock. I don't think so honey is the centerpiece,

1289
01:12:24,400 --> 01:12:28,639
Speaker 1: the cornerstone of our show. It is, um, it's it's amazing,

1290
01:12:29,439 --> 01:12:32,400
Speaker 1: and it's where our guests and ourselves would take a

1291
01:12:32,520 --> 01:12:36,080
Speaker 1: minute to rail against something in culture that is really,

1292
01:12:36,720 --> 01:12:39,599
Speaker 1: you know, making us, uh wake up in a cold

1293
01:12:39,640 --> 01:12:41,760
Speaker 1: sweat in the middle of an absolutely and we have

1294
01:12:41,880 --> 01:12:43,479
Speaker 1: to fully take it down. You have to say I

1295
01:12:43,520 --> 01:12:46,120
Speaker 1: don't think so honey as many times as possible while

1296
01:12:46,160 --> 01:12:50,400
Speaker 1: also being natural about it. And um, there's a lot

1297
01:12:50,439 --> 01:12:53,840
Speaker 1: in store for I don't think so honey. But let's

1298
01:12:53,960 --> 01:12:57,040
Speaker 1: let's just say that and uh, I think it's time.

1299
01:12:57,080 --> 01:13:00,320
Speaker 1: Are you ready? Brian brought Bowen. I'm ready. Would you

1300
01:13:00,400 --> 01:13:02,280
Speaker 1: like to go first? But I can go first. I mean, look,

1301
01:13:02,600 --> 01:13:04,960
Speaker 1: this is what always happens. I've noticed this. I always

1302
01:13:05,000 --> 01:13:08,600
Speaker 1: go first, keep it very measured, and then um and

1303
01:13:08,640 --> 01:13:12,360
Speaker 1: then Matt. Will you know just by all means telegraph

1304
01:13:12,439 --> 01:13:15,120
Speaker 1: what's about to happen. Okay, well, maybe maybe make it

1305
01:13:15,200 --> 01:13:18,800
Speaker 1: less fun for everyone listening. Okay, um, all right, I

1306
01:13:18,800 --> 01:13:20,120
Speaker 1: think I'm just ready to say I'm ready to go.

1307
01:13:20,360 --> 01:13:23,439
Speaker 1: Oh um, alright, I have one in it on the

1308
01:13:23,560 --> 01:13:26,120
Speaker 1: clock for Bowen yangs. I don't think so, honey, and

1309
01:13:26,280 --> 01:13:30,960
Speaker 1: it starts No, I don't think so, honey, sweet green honey.

1310
01:13:31,040 --> 01:13:33,360
Speaker 1: I am watching my Macro's right now because I am

1311
01:13:33,400 --> 01:13:35,120
Speaker 1: trying to eat more protein and cars, but trying to

1312
01:13:35,240 --> 01:13:38,120
Speaker 1: cut out fat. Not completely cut it out, but hear

1313
01:13:38,200 --> 01:13:41,320
Speaker 1: my macro breakdowns. Two grams of carbs, two hundred, two

1314
01:13:41,400 --> 01:13:43,880
Speaker 1: hundred grams of protein, two grames of carps, six two

1315
01:13:43,880 --> 01:13:46,160
Speaker 1: games of fat. Everything on your menu has fat, and

1316
01:13:46,200 --> 01:13:49,800
Speaker 1: you try to pass yourself up as a healthy salad restaurant. No, bitch,

1317
01:13:50,040 --> 01:13:53,559
Speaker 1: you're all Your salads have so much I'm talking fifty

1318
01:13:53,600 --> 01:13:55,680
Speaker 1: grams of fat. Can you believe that? I don't think

1319
01:13:55,720 --> 01:13:58,839
Speaker 1: so many speak green trying to just calm the American

1320
01:13:58,920 --> 01:14:02,559
Speaker 1: public and to walk into your fucking restored wood bullshit

1321
01:14:02,880 --> 01:14:07,160
Speaker 1: salad restaurant spaces and think, oh, look at this rad

1322
01:14:07,320 --> 01:14:10,000
Speaker 1: tie salad. This was not a fun play on words,

1323
01:14:10,000 --> 01:14:12,640
Speaker 1: because we're fucking basic like that. I don't watch your

1324
01:14:12,720 --> 01:14:15,160
Speaker 1: rat tie. I don't watch your spicy sapsy. I don't

1325
01:14:15,160 --> 01:14:19,280
Speaker 1: want your seasonal fucking falafel salads. And I don't think so, honey.

1326
01:14:19,280 --> 01:14:21,160
Speaker 1: I don't think so honey. I don't want this boogie

1327
01:14:21,200 --> 01:14:25,679
Speaker 1: ass salad experience undercutting my quest for nutritious food. Honey,

1328
01:14:25,680 --> 01:14:27,080
Speaker 1: I don't think so honey, sweat green. You are a

1329
01:14:27,240 --> 01:14:30,599
Speaker 1: forest and I'm see right through you, bitch. That's one minute.

1330
01:14:30,880 --> 01:14:33,080
Speaker 1: Oh my god, I think they're gonna close. I think

1331
01:14:33,080 --> 01:14:34,360
Speaker 1: they're gonna close. I think that's one of my best

1332
01:14:34,520 --> 01:14:37,120
Speaker 1: I think that that you should be very proud that

1333
01:14:37,240 --> 01:14:39,280
Speaker 1: I did not prepare that, but I don't. It came

1334
01:14:39,320 --> 01:14:41,400
Speaker 1: to me within the last two minutes before we were

1335
01:14:41,640 --> 01:14:43,840
Speaker 1: came to you, and you knew, yes, that's what you

1336
01:14:43,880 --> 01:14:45,280
Speaker 1: had to do. You. I don't think so, honey about

1337
01:14:45,560 --> 01:14:49,320
Speaker 1: God yes, God, God, alright, I'm proud of you. How

1338
01:14:49,360 --> 01:14:51,720
Speaker 1: what do we think about sweet Green? I've literally never

1339
01:14:51,800 --> 01:14:54,240
Speaker 1: been in my life. I have the app, and I

1340
01:14:54,360 --> 01:14:56,600
Speaker 1: am okay with spending seventeen dollars on a salad that

1341
01:14:56,720 --> 01:15:00,400
Speaker 1: that's the other thing, and then five times dollars on

1342
01:15:00,439 --> 01:15:03,000
Speaker 1: an infused iced t No, thank you. I don't think

1343
01:15:03,040 --> 01:15:06,240
Speaker 1: so honey. All right, I gotta I gotta say that

1344
01:15:06,360 --> 01:15:08,920
Speaker 1: was very effective. I have one. Okay, great, and I'm

1345
01:15:08,920 --> 01:15:11,080
Speaker 1: gonna put women in o'clock for Matt Rodgers. I don't

1346
01:15:11,080 --> 01:15:13,920
Speaker 1: think so, honey. Time starts now. I don't think so honey.

1347
01:15:14,080 --> 01:15:16,439
Speaker 1: The new version of Beauty and the Beast sung by

1348
01:15:16,479 --> 01:15:19,960
Speaker 1: Ariana Grande and John Legend. Bitch, No, I don't think

1349
01:15:20,000 --> 01:15:23,400
Speaker 1: so honey. With your fucking cassio keyboard sound effects in

1350
01:15:23,439 --> 01:15:26,840
Speaker 1: the back, you better hire real musicians, Disney, I don't

1351
01:15:26,840 --> 01:15:29,479
Speaker 1: think so, Honny. You've done this before. You know what

1352
01:15:29,600 --> 01:15:30,960
Speaker 1: it is like to be on the top of your game.

1353
01:15:31,080 --> 01:15:34,559
Speaker 1: Why then, why why do you give us this bullshit,

1354
01:15:34,680 --> 01:15:38,200
Speaker 1: this garbage. Someone tell Ariana Grande to use her diction

1355
01:15:38,280 --> 01:15:42,320
Speaker 1: and crunch her fucking consonants. You can't understand the words,

1356
01:15:42,800 --> 01:15:46,560
Speaker 1: You cannot come to me after Angela Landberry slays the

1357
01:15:47,040 --> 01:15:50,800
Speaker 1: gig in the early nineties and Piebo and Celindi on

1358
01:15:50,920 --> 01:15:53,360
Speaker 1: to give you an iconic pop version and give me

1359
01:15:53,479 --> 01:15:56,600
Speaker 1: this garbage. Obviously, Ariana Grande and John Legard, we're not

1360
01:15:56,640 --> 01:15:59,639
Speaker 1: in the same room when they recorded the violin sound fake.

1361
01:16:00,120 --> 01:16:02,439
Speaker 1: Keyboard sounds fake. It's something a keyboard, not a piano.

1362
01:16:02,680 --> 01:16:05,519
Speaker 1: Give us Disney magic. You're losing a Disney You only

1363
01:16:05,560 --> 01:16:07,800
Speaker 1: care about the bottom line. You need to do this right.

1364
01:16:07,920 --> 01:16:09,680
Speaker 1: I'm serious. It's a shame that you keep making these

1365
01:16:09,720 --> 01:16:12,280
Speaker 1: Disney remakes when you haven't figured it out. You're missing something.

1366
01:16:12,479 --> 01:16:14,080
Speaker 1: Fuck you. I don't think so, honey. I don't think

1367
01:16:14,320 --> 01:16:16,360
Speaker 1: that's one minute. Wow, Matt, I think you nailed it.

1368
01:16:16,840 --> 01:16:18,960
Speaker 1: I mean, what happened to Pebo? Can we talk about Peeble?

1369
01:16:19,040 --> 01:16:21,720
Speaker 1: He nailed that? Well, let me. I just feel like

1370
01:16:22,120 --> 01:16:26,040
Speaker 1: we're headed into a catastrophic thing with this Beauty and

1371
01:16:26,080 --> 01:16:29,400
Speaker 1: the Beast remake. The dolls are any indication God Lover,

1372
01:16:29,680 --> 01:16:35,439
Speaker 1: but you know there's dolls. I just God lover. But

1373
01:16:35,520 --> 01:16:38,320
Speaker 1: Emma Watson, like these snippets of her singing, they don't

1374
01:16:38,439 --> 01:16:40,160
Speaker 1: sound good and it's like she was supposed to be

1375
01:16:40,200 --> 01:16:42,920
Speaker 1: in La La Land. You know this right that she

1376
01:16:43,120 --> 01:16:51,080
Speaker 1: was offered the other one someone I think they would

1377
01:16:51,080 --> 01:16:53,800
Speaker 1: have I think that it's a good thing they didn't

1378
01:16:53,800 --> 01:16:55,920
Speaker 1: do that because I think they would have hated each other.

1379
01:16:56,080 --> 01:16:58,840
Speaker 1: Oh sure, and the movie would have been bad. I

1380
01:16:58,960 --> 01:17:02,800
Speaker 1: love Emma Watson by it, like you know what it's

1381
01:17:02,960 --> 01:17:08,040
Speaker 1: there's no shame and just I guess, um, I don't know,

1382
01:17:08,240 --> 01:17:10,400
Speaker 1: having someone else sing it, this is a roller coast.

1383
01:17:10,439 --> 01:17:12,800
Speaker 1: Oh yeah, having like Natalie wodding it you basically, like

1384
01:17:12,880 --> 01:17:16,120
Speaker 1: I guess, I mean, or just like, do hire someone

1385
01:17:16,200 --> 01:17:18,280
Speaker 1: that can sing there out there expect and you know,

1386
01:17:18,520 --> 01:17:20,400
Speaker 1: La Land is one thing. I've given m Stone a

1387
01:17:20,439 --> 01:17:22,639
Speaker 1: pass for not being the best singer in the world,

1388
01:17:22,720 --> 01:17:27,120
Speaker 1: but like this is this is like and you know

1389
01:17:28,040 --> 01:17:31,200
Speaker 1: you can guarantee the movie is gonna hit less hard

1390
01:17:31,640 --> 01:17:34,840
Speaker 1: when you hear these songs sung much worse than we're

1391
01:17:35,080 --> 01:17:37,120
Speaker 1: used to, Like, it's such a shaming because there were

1392
01:17:37,160 --> 01:17:38,880
Speaker 1: there really was so much promise. And Matt, you've been

1393
01:17:38,920 --> 01:17:41,320
Speaker 1: on a documented on this podcast. You've been on a

1394
01:17:41,439 --> 01:17:43,920
Speaker 1: roller coaster with this movie. Honey. I'm excited about it.

1395
01:17:43,960 --> 01:17:45,840
Speaker 1: I was excited about it, but now I just can't

1396
01:17:45,880 --> 01:17:49,000
Speaker 1: ignore every sign being bad like she does not Emma

1397
01:17:49,040 --> 01:17:51,679
Speaker 1: does not sound good. She doesn't sound good. They didn't

1398
01:17:51,680 --> 01:17:54,280
Speaker 1: make any effort to make it sound like it wasn't

1399
01:17:54,400 --> 01:17:59,599
Speaker 1: sunk through a fucking refrigerator. Like and also, I'm sorry,

1400
01:17:59,680 --> 01:18:03,000
Speaker 1: but when when the New Beauty and the Beast remake,

1401
01:18:03,040 --> 01:18:06,000
Speaker 1: the pop version sounds and it's like and all of

1402
01:18:06,040 --> 01:18:09,439
Speaker 1: a sudden you hear like ding ding ding ding and

1403
01:18:09,560 --> 01:18:13,320
Speaker 1: it sounds like an effect on a Cassio keyboard. I'm like,

1404
01:18:13,720 --> 01:18:17,400
Speaker 1: no way, yeah, sure, it's just so unless it's deliberately

1405
01:18:17,439 --> 01:18:19,439
Speaker 1: a throwback to that sound in the nineties. So the

1406
01:18:19,479 --> 01:18:21,000
Speaker 1: point where I might not even so did they go

1407
01:18:21,120 --> 01:18:26,360
Speaker 1: with Dan Stevens because he was like affordable? Is he

1408
01:18:26,400 --> 01:18:28,040
Speaker 1: the guy playing the Beast? He's playing the Beast is

1409
01:18:28,040 --> 01:18:33,080
Speaker 1: because he's a British accent. He's definitely, He's definitely super

1410
01:18:33,479 --> 01:18:36,479
Speaker 1: handsome and talented. But I think, yeah, maybe he was

1411
01:18:37,280 --> 01:18:42,160
Speaker 1: Legion's show. Disney only cares about the bottom line. You

1412
01:18:42,240 --> 01:18:44,680
Speaker 1: see it in all their products now. It's so disappointing.

1413
01:18:44,680 --> 01:18:47,160
Speaker 1: You see enough theme parks Switch are now officially malls.

1414
01:18:47,680 --> 01:18:49,720
Speaker 1: You see it. I mean they used to they had

1415
01:18:49,760 --> 01:18:53,080
Speaker 1: this really kind of classic um little coffee shop on

1416
01:18:53,160 --> 01:18:54,920
Speaker 1: Main Street, USA, and the magic in them. It's now

1417
01:18:54,960 --> 01:18:59,519
Speaker 1: a Starbucks that's real. Um yeah, it's just it sucks.

1418
01:18:59,560 --> 01:19:03,679
Speaker 1: And it's also of like you know they action fairy

1419
01:19:03,720 --> 01:19:06,960
Speaker 1: tales until they stopped making money. Yeah, there's no like

1420
01:19:07,200 --> 01:19:08,760
Speaker 1: and let's only do the good ones. It doesn't matter

1421
01:19:08,840 --> 01:19:12,000
Speaker 1: how good they are, you know, expect the little isn't

1422
01:19:12,040 --> 01:19:14,240
Speaker 1: made like the most and it was a bad it

1423
01:19:14,360 --> 01:19:16,880
Speaker 1: was horrible. It made the most money like it made

1424
01:19:16,920 --> 01:19:20,599
Speaker 1: Angelina Jolie like an it reaffirmed her A list movie stars.

1425
01:19:21,000 --> 01:19:24,439
Speaker 1: Yeah yeah, yeah, but but I mean it wasn't good

1426
01:19:24,880 --> 01:19:27,400
Speaker 1: and it could have been good. It could have been great. Alright,

1427
01:19:27,840 --> 01:19:29,920
Speaker 1: it's Brian Foster's time and I don't think so, Honey,

1428
01:19:29,960 --> 01:19:32,280
Speaker 1: I cannot wait for this. This is going to be

1429
01:19:32,439 --> 01:19:34,720
Speaker 1: and you've got to make a decision, Brian. I think

1430
01:19:34,760 --> 01:19:36,840
Speaker 1: Brian's gonna I think no matter what, Brian is gonna

1431
01:19:36,920 --> 01:19:39,040
Speaker 1: gonna do great. And not to not to put too

1432
01:19:39,120 --> 01:19:41,840
Speaker 1: much pressure, um, but here we go. This is Brian,

1433
01:19:41,920 --> 01:19:43,600
Speaker 1: not to put too much pressure. But we did just

1434
01:19:43,720 --> 01:19:46,080
Speaker 1: do two of our best I don't think so. Honestly,

1435
01:19:46,800 --> 01:19:48,479
Speaker 1: that was really great. Now this is gonna be great.

1436
01:19:48,520 --> 01:19:50,560
Speaker 1: And look we're gonna. You better believe Matt and I

1437
01:19:50,600 --> 01:19:52,519
Speaker 1: are going to gasp. And this is also the chance

1438
01:19:53,520 --> 01:19:55,280
Speaker 1: so you're I don't think so honey, to go out

1439
01:19:55,280 --> 01:19:58,719
Speaker 1: on history and potentially be animated. I want that. Okay,

1440
01:19:58,800 --> 01:20:01,240
Speaker 1: here we get to see by Lou Crouse. Here we go,

1441
01:20:01,479 --> 01:20:04,320
Speaker 1: Brian Foss. I don't think so honey. Time starts now,

1442
01:20:04,800 --> 01:20:07,840
Speaker 1: all right, I don't think so honey about adult birthdays.

1443
01:20:09,120 --> 01:20:11,439
Speaker 1: You're not a child, Okay, why do you deserve cake?

1444
01:20:11,560 --> 01:20:13,439
Speaker 1: If you are a good person, your friends will be

1445
01:20:13,560 --> 01:20:15,680
Speaker 1: nice to you every single day. You shouldn't get this

1446
01:20:15,800 --> 01:20:18,040
Speaker 1: magic wand where it's your birthday. So if you say

1447
01:20:18,120 --> 01:20:20,799
Speaker 1: I want to go to a ninja theme sushi restaurant,

1448
01:20:21,040 --> 01:20:22,519
Speaker 1: you get to have all your friends show up and

1449
01:20:22,640 --> 01:20:25,200
Speaker 1: and throw down two dollars for your fucking birthday. How

1450
01:20:25,280 --> 01:20:28,559
Speaker 1: old are you? You should stop celebrating birthdays. You should

1451
01:20:28,560 --> 01:20:30,280
Speaker 1: have friends that treat you nice. And guess what if

1452
01:20:30,320 --> 01:20:32,000
Speaker 1: you're turning forty, I'm not gonna fly in to the

1453
01:20:32,080 --> 01:20:36,920
Speaker 1: fucking Kira saw Dutch colony and and and like these

1454
01:20:36,920 --> 01:20:38,920
Speaker 1: are the same people, by the way, that make you know,

1455
01:20:39,080 --> 01:20:41,120
Speaker 1: put on a birthday crown and like march around like

1456
01:20:41,120 --> 01:20:43,120
Speaker 1: everyone suddenly in their slave that the same people that

1457
01:20:43,200 --> 01:20:45,879
Speaker 1: bitch about destination weddings. It's like, you have a destination

1458
01:20:45,960 --> 01:20:48,680
Speaker 1: wedding every single year and I have to like come

1459
01:20:48,760 --> 01:20:51,800
Speaker 1: up with some excuse to like not go. And then

1460
01:20:51,800 --> 01:20:53,880
Speaker 1: there's sort of like there's that moment where they're like, well,

1461
01:20:54,400 --> 01:20:56,519
Speaker 1: I think I'm gonna open presence in front of people.

1462
01:20:56,600 --> 01:20:59,479
Speaker 1: It's like I didn't know that. What I mean, my

1463
01:20:59,680 --> 01:21:03,240
Speaker 1: present should be your presence. Fuck your birthday, you're grown up.

1464
01:21:03,439 --> 01:21:07,120
Speaker 1: Oh that's one minute. Wow, my gosh. You know what

1465
01:21:07,439 --> 01:21:09,880
Speaker 1: I think that people that take them birthday seriously, and

1466
01:21:09,920 --> 01:21:12,960
Speaker 1: it's not a bit I actually think they're crazy. It's

1467
01:21:13,439 --> 01:21:15,120
Speaker 1: one thing. I mean, look, I'm be at this bar,

1468
01:21:15,320 --> 01:21:17,559
Speaker 1: come on by, let's get drunk. I'm about that any

1469
01:21:17,640 --> 01:21:20,720
Speaker 1: night of the week. But this thing where like I

1470
01:21:20,880 --> 01:21:23,400
Speaker 1: literally texted friend like let's go see John Wick and

1471
01:21:23,479 --> 01:21:27,880
Speaker 1: then he bailed. But okay, can we just point out,

1472
01:21:28,040 --> 01:21:31,960
Speaker 1: just for context, yesterday was Brian Post's birthday. Keep going

1473
01:21:32,760 --> 01:21:35,639
Speaker 1: and it's thank you. It's one of my least favorite

1474
01:21:35,680 --> 01:21:39,679
Speaker 1: days of the year. I'm like, beholden to acquaintances texting

1475
01:21:39,760 --> 01:21:42,080
Speaker 1: me saying happy birthday, and you have to text back.

1476
01:21:42,200 --> 01:21:44,640
Speaker 1: I feel like I'm like, this is not anyway. So

1477
01:21:45,240 --> 01:21:47,280
Speaker 1: randomly this week I wanted to go see John Wick.

1478
01:21:47,360 --> 01:21:50,360
Speaker 1: Two friend bailed. I saw him in person and he

1479
01:21:50,479 --> 01:21:52,080
Speaker 1: was like, why didn't you tell me it was your birthday?

1480
01:21:52,120 --> 01:21:54,880
Speaker 1: I would have gone. And that's by this point what

1481
01:21:55,640 --> 01:21:57,920
Speaker 1: I said, Look, you had something going on. You had

1482
01:21:58,160 --> 01:22:00,000
Speaker 1: like you didn't bail because you didn't want to see

1483
01:22:00,040 --> 01:22:04,479
Speaker 1: the movie. Your one now is this Karmen Christopher Karmen.

1484
01:22:05,400 --> 01:22:07,559
Speaker 1: And he said, but look, I'm on your boys. If

1485
01:22:07,600 --> 01:22:09,720
Speaker 1: it was your birthday I would have canceled my other

1486
01:22:09,800 --> 01:22:13,720
Speaker 1: thing to show up Karmen impression that ene one of

1487
01:22:13,760 --> 01:22:16,200
Speaker 1: your boys. Look, I'm one of your boys. We love Karmen.

1488
01:22:16,360 --> 01:22:21,200
Speaker 1: But Karmen, though this is not just specific to Karmen,

1489
01:22:21,200 --> 01:22:23,360
Speaker 1: because I probably would have. Everyone feels that same way

1490
01:22:23,400 --> 01:22:26,280
Speaker 1: where they're like, oh, the obligation factor, there you go.

1491
01:22:26,680 --> 01:22:28,479
Speaker 1: But it's Brian saying if you're a good person, then

1492
01:22:28,479 --> 01:22:29,920
Speaker 1: they're gonna want to see down with two with you

1493
01:22:30,160 --> 01:22:33,000
Speaker 1: no matter what you know. I guess I'm a great

1494
01:22:33,040 --> 01:22:35,000
Speaker 1: person then, because I literally went on Facebook and so

1495
01:22:35,280 --> 01:22:37,840
Speaker 1: fifty people have written on Brian Foster's a well happy birthday,

1496
01:22:37,840 --> 01:22:40,519
Speaker 1: and I was like, oh, Yeah, I'll talk to him later. Yeah,

1497
01:22:40,720 --> 01:22:43,000
Speaker 1: I mean it's not this is this is what Brian

1498
01:22:43,080 --> 01:22:45,200
Speaker 1: is getting. This book is sort of ruined birthdays. But

1499
01:22:45,280 --> 01:22:47,640
Speaker 1: that's a whole other story. I'm talking about the we

1500
01:22:47,680 --> 01:22:52,000
Speaker 1: can get into it big performative aspects of adult birth Oh.

1501
01:22:52,120 --> 01:22:53,920
Speaker 1: I think it's the stupidest thing in the world. And

1502
01:22:53,960 --> 01:22:56,800
Speaker 1: when you when people get mad that you didn't do

1503
01:22:56,960 --> 01:22:58,560
Speaker 1: go out of their way for their birthday, it's like,

1504
01:22:58,760 --> 01:23:00,839
Speaker 1: you gotta be fucking And there's a thing that millennial

1505
01:23:01,000 --> 01:23:02,800
Speaker 1: girls do, and I don't want to say millennial like

1506
01:23:02,840 --> 01:23:07,600
Speaker 1: a dirty word or gendering girls. They post pictures of

1507
01:23:07,840 --> 01:23:10,600
Speaker 1: their friend on their birthday to prove that they are

1508
01:23:10,720 --> 01:23:13,640
Speaker 1: close to them. And I feel like that is a

1509
01:23:14,000 --> 01:23:17,040
Speaker 1: that is not exclusive to millennial girls. That's a millennial

1510
01:23:17,200 --> 01:23:20,080
Speaker 1: gay thing too. Yes, it is a power move because

1511
01:23:20,200 --> 01:23:23,600
Speaker 1: you're afraid of this friendship. Like the subtext is like

1512
01:23:23,840 --> 01:23:27,519
Speaker 1: the birthday, the birthday power. Now great. I love celebrating people,

1513
01:23:28,520 --> 01:23:33,240
Speaker 1: you know, famously love Langon Kingsley's fifty one Gay People

1514
01:23:33,320 --> 01:23:38,960
Speaker 1: after Orlando. She did not continue made the list, never

1515
01:23:39,000 --> 01:23:42,040
Speaker 1: made the list either. She got through what three people. Um,

1516
01:23:42,160 --> 01:23:48,920
Speaker 1: It's like Josh Aaron Brandon her gaze, you have forty

1517
01:23:49,080 --> 01:23:51,680
Speaker 1: something more people to celebrate like, she's got a long

1518
01:23:51,720 --> 01:23:53,600
Speaker 1: way to go. I'm all about celebrating people, and we

1519
01:23:53,880 --> 01:23:56,200
Speaker 1: fortunately in an industry where we can always like say

1520
01:23:56,320 --> 01:23:59,000
Speaker 1: I love your video, that was a great song to

1521
01:23:59,240 --> 01:24:02,439
Speaker 1: your new paint thing is amazing, and we have this opportunity.

1522
01:24:02,439 --> 01:24:06,719
Speaker 1: And I realized regulars um don't, and so maybe birthdays

1523
01:24:07,000 --> 01:24:09,800
Speaker 1: occupy that space. But it has turned into like a

1524
01:24:10,240 --> 01:24:14,760
Speaker 1: pageant that is like it's like, you don't it's the

1525
01:24:14,800 --> 01:24:16,720
Speaker 1: thing I like, well, it's my birthday weekend, or it's

1526
01:24:16,760 --> 01:24:19,720
Speaker 1: my birthday week, it's my birthday month. I had someone

1527
01:24:19,840 --> 01:24:22,000
Speaker 1: that's like, it's my birthday month. Surprised me, it's my

1528
01:24:22,120 --> 01:24:28,280
Speaker 1: birthday month. It is a very basic thing to do.

1529
01:24:28,400 --> 01:24:30,720
Speaker 1: I will say this, the posting the photos and like

1530
01:24:31,080 --> 01:24:32,960
Speaker 1: the tribute, maybe I went too far with that and

1531
01:24:33,000 --> 01:24:34,600
Speaker 1: I don't think I think there's there's a grain of

1532
01:24:34,640 --> 01:24:36,160
Speaker 1: there's definitely a grain of truth to that. But like

1533
01:24:36,800 --> 01:24:39,680
Speaker 1: when Matt when when Matt, when it's Nott's birthday, you

1534
01:24:39,760 --> 01:24:42,760
Speaker 1: best believe I will post I always go in for

1535
01:24:42,840 --> 01:24:45,240
Speaker 1: Bowen's birthday, end Sud's birthday. Well, here's the thing I

1536
01:24:45,280 --> 01:24:47,560
Speaker 1: will go to my people, your best friends. You have

1537
01:24:47,640 --> 01:24:49,400
Speaker 1: pictures of each other, and sometimes you're like, I don't

1538
01:24:49,439 --> 01:24:51,120
Speaker 1: know what to put on Instagram, and so when the

1539
01:24:51,120 --> 01:24:52,800
Speaker 1: birthday pops up, you're like, oh, now I have something

1540
01:24:52,840 --> 01:24:56,240
Speaker 1: fun to put celebratory. There you go. It's the it's

1541
01:24:56,280 --> 01:24:58,920
Speaker 1: the things that feel like just obligation. I had a

1542
01:24:58,960 --> 01:25:01,360
Speaker 1: friend where I saw him only at the only time

1543
01:25:01,360 --> 01:25:03,680
Speaker 1: we hung out was at his birthday. And on the

1544
01:25:03,760 --> 01:25:06,759
Speaker 1: third time, I was like, I don't think we're not friends.

1545
01:25:07,200 --> 01:25:09,679
Speaker 1: I'm only seeing you once a year. And as the same,

1546
01:25:09,800 --> 01:25:13,320
Speaker 1: you know that fucking bar Hotbird everyone has their birthday

1547
01:25:13,320 --> 01:25:16,560
Speaker 1: at because there's like a fire pit in the backyard

1548
01:25:17,000 --> 01:25:18,360
Speaker 1: and it's in the part of Brooklyn that no one

1549
01:25:18,400 --> 01:25:21,200
Speaker 1: can say what neighborhood it is. Yeah, and everyone's like

1550
01:25:21,280 --> 01:25:22,680
Speaker 1: birthday a hot Bird. I was like, if I have

1551
01:25:22,760 --> 01:25:25,519
Speaker 1: to go to Hotbird one more time to like pay

1552
01:25:25,640 --> 01:25:29,800
Speaker 1: my respects to the birthday king, I will kill I

1553
01:25:29,880 --> 01:25:32,400
Speaker 1: do not think so. I don't think so, honey. This

1554
01:25:32,479 --> 01:25:33,680
Speaker 1: isn't it. This is real, This is it. This is

1555
01:25:33,720 --> 01:25:36,880
Speaker 1: my birthday is coming up, and I never know where

1556
01:25:37,000 --> 01:25:39,000
Speaker 1: to have it too, And it puts the onus on you,

1557
01:25:39,160 --> 01:25:42,639
Speaker 1: like figure out what's central for everyone? We had my birthday, Matt,

1558
01:25:42,680 --> 01:25:45,080
Speaker 1: what are you doing for your birthday? Can invite? And

1559
01:25:45,240 --> 01:25:48,360
Speaker 1: literally I panicked last year because a few years before

1560
01:25:48,479 --> 01:25:51,439
Speaker 1: I had had my birthday Union Hall and it was

1561
01:25:51,760 --> 01:25:53,880
Speaker 1: during the week and so it wasn't crowded at all.

1562
01:25:53,960 --> 01:25:55,919
Speaker 1: And then last year my birthday fell on a Saturday,

1563
01:25:56,000 --> 01:25:57,280
Speaker 1: and I was like, We're going to Union Hall and

1564
01:25:57,360 --> 01:25:59,560
Speaker 1: it was so crowded, and I was the first to

1565
01:25:59,600 --> 01:26:01,240
Speaker 1: show up and I was the first person. I was

1566
01:26:01,280 --> 01:26:03,840
Speaker 1: the only person there for the first half hour. And

1567
01:26:03,960 --> 01:26:06,519
Speaker 1: I'm like, I don't even really like being here when

1568
01:26:06,560 --> 01:26:11,240
Speaker 1: it's this crowded, and it's this crowd yeah, I would come.

1569
01:26:11,400 --> 01:26:13,800
Speaker 1: I had to fucking travel for it. Again, if you

1570
01:26:13,880 --> 01:26:16,240
Speaker 1: turn thirty, if you have like an event and you

1571
01:26:16,320 --> 01:26:18,800
Speaker 1: want to like make it fun for the people coming,

1572
01:26:18,960 --> 01:26:21,800
Speaker 1: and and sure plant things like I'm gonna have it

1573
01:26:21,840 --> 01:26:23,280
Speaker 1: at my house this year. Also, I will say this,

1574
01:26:23,400 --> 01:26:25,880
Speaker 1: I realized this and my most recent fort accounting it's

1575
01:26:25,880 --> 01:26:29,479
Speaker 1: not my parents, my most recent birthday, I realized it

1576
01:26:29,600 --> 01:26:34,160
Speaker 1: was lovely, uh lovely. Great people came. It was so

1577
01:26:34,240 --> 01:26:36,000
Speaker 1: nice to see everybody. But then I also felt like

1578
01:26:36,040 --> 01:26:40,760
Speaker 1: I didn't have enough, like actual face time with anyone. Yeah,

1579
01:26:41,080 --> 01:26:44,040
Speaker 1: you can't. You never can can You're making the rounds

1580
01:26:44,080 --> 01:26:45,960
Speaker 1: if if if it's your birthday, you're making the rounds.

1581
01:26:46,000 --> 01:26:49,160
Speaker 1: And it's like, truly not it can be better. There's

1582
01:26:49,200 --> 01:26:50,840
Speaker 1: there's gotta be something better. So anyway, you know what,

1583
01:26:50,960 --> 01:26:53,640
Speaker 1: I get stuck talking to like a friend from a

1584
01:26:53,680 --> 01:26:57,280
Speaker 1: different group, right, You're like, so, how do you know Bowen? Yeah?

1585
01:26:57,439 --> 01:26:59,519
Speaker 1: And it was okay, and why are you cool? And

1586
01:26:59,640 --> 01:27:02,519
Speaker 1: then always that person that shows up and like love

1587
01:27:02,600 --> 01:27:04,640
Speaker 1: you for showing up, But that person that shows up,

1588
01:27:04,720 --> 01:27:07,920
Speaker 1: and it's just like, oh no, am I gonna have

1589
01:27:08,040 --> 01:27:13,439
Speaker 1: to like maybe said this person a little bit because

1590
01:27:13,520 --> 01:27:16,600
Speaker 1: like I can tell they don't know anybody. Yeah, And

1591
01:27:16,720 --> 01:27:19,479
Speaker 1: then I have a few friends who love them. They

1592
01:27:19,680 --> 01:27:24,040
Speaker 1: like want to rage. They're like, it's your birthday, I'm

1593
01:27:24,120 --> 01:27:26,200
Speaker 1: buying you drinks, and it's like I have a drink.

1594
01:27:26,280 --> 01:27:28,920
Speaker 1: I will, I'll have the right amount of drinks. I've

1595
01:27:29,040 --> 01:27:33,040
Speaker 1: never had trouble like, but it's the thing with like, no,

1596
01:27:33,160 --> 01:27:35,560
Speaker 1: we're going to make a fool out of you, this

1597
01:27:35,720 --> 01:27:38,080
Speaker 1: extra attention. Everyone has their own version of it, but

1598
01:27:38,360 --> 01:27:41,360
Speaker 1: it is I think it's childish. I think I nailed

1599
01:27:41,400 --> 01:27:43,439
Speaker 1: it two years ago when I just invited like seven

1600
01:27:43,479 --> 01:27:45,400
Speaker 1: people to go out to dinner. That's cool. When we

1601
01:27:45,439 --> 01:27:47,880
Speaker 1: went to Tall Day that one time, that great. Yeah,

1602
01:27:47,920 --> 01:27:50,320
Speaker 1: it was just fun. It's Tall Day. Can I ask

1603
01:27:50,600 --> 01:27:53,320
Speaker 1: an expensive restaurant you know it's it airs on the

1604
01:27:53,520 --> 01:27:56,680
Speaker 1: side of like a little bit nicer. I wouldn't say,

1605
01:27:56,720 --> 01:28:00,799
Speaker 1: it's it's like family style. I went to your friend's birthday,

1606
01:28:01,560 --> 01:28:05,200
Speaker 1: get this getting it had like a sign seating No,

1607
01:28:06,040 --> 01:28:09,760
Speaker 1: that's unacceptable. And I was put at like the side

1608
01:28:09,800 --> 01:28:12,800
Speaker 1: of the table without the people I knew. I just

1609
01:28:12,920 --> 01:28:17,800
Speaker 1: don't and also on the upper west side, and I

1610
01:28:17,840 --> 01:28:19,680
Speaker 1: wanted to climb up the wall. Is the thing with

1611
01:28:19,760 --> 01:28:23,440
Speaker 1: weddings too, though, don't make it hard for people socially,

1612
01:28:24,000 --> 01:28:25,840
Speaker 1: Like like, I get that it's about you, Like if

1613
01:28:25,840 --> 01:28:27,400
Speaker 1: you want to make your birthday about you, sure, but like,

1614
01:28:27,680 --> 01:28:30,560
Speaker 1: don't make it weird for other people. I hate the

1615
01:28:30,600 --> 01:28:34,080
Speaker 1: assigned seating thing. I went to a friend's wedding at

1616
01:28:34,120 --> 01:28:36,439
Speaker 1: the Brooklyn Botanical Gardens this past year and it was

1617
01:28:36,479 --> 01:28:39,439
Speaker 1: definitely sad at like put at the boring couple's table

1618
01:28:39,479 --> 01:28:42,320
Speaker 1: and I knew it. And guess what, I didn't sit

1619
01:28:42,400 --> 01:28:48,640
Speaker 1: there did a chair to the fun singles dummy, Like

1620
01:28:48,760 --> 01:28:50,720
Speaker 1: I see what you did. I love it. You got

1621
01:28:50,840 --> 01:28:52,800
Speaker 1: to spread people around. But like I was, like, it's

1622
01:28:52,800 --> 01:28:54,840
Speaker 1: a party. This is supposed to be a party, you

1623
01:28:54,880 --> 01:28:56,960
Speaker 1: know what. I guess that's what it is. If you're

1624
01:28:56,960 --> 01:28:59,040
Speaker 1: gonna assigned at least people were the fun people. And

1625
01:28:59,120 --> 01:29:01,400
Speaker 1: every when I got wedding, I've been to the probably

1626
01:29:01,479 --> 01:29:03,759
Speaker 1: with the finn people. So thank you to all the weddings.

1627
01:29:03,880 --> 01:29:07,000
Speaker 1: Of table you're at becomes the fun table by that girl.

1628
01:29:07,760 --> 01:29:11,080
Speaker 1: That's a little bit true, all right, you guys, And

1629
01:29:11,160 --> 01:29:12,600
Speaker 1: well what a good I don't think funny because it

1630
01:29:12,640 --> 01:29:15,960
Speaker 1: promoted a conversation. Yes, that was a troop seedling. That

1631
01:29:16,120 --> 01:29:19,640
Speaker 1: was a master a culture rest true culture and what

1632
01:29:19,760 --> 01:29:25,559
Speaker 1: I lost? Culture restas episode Absolutely, guys, Brian, what day

1633
01:29:25,680 --> 01:29:31,599
Speaker 1: is ding Dong? Ding Dong's February February? It's Oscar's weekend Friday,

1634
01:29:33,320 --> 01:29:39,000
Speaker 1: So ding Dong are co hosting a pre Prectors Oscars

1635
01:29:39,040 --> 01:29:43,000
Speaker 1: party Domins a little that's a sexy boy, I've heard,

1636
01:29:43,240 --> 01:29:45,679
Speaker 1: I've heard. I can't tell by his pictures, but I'll

1637
01:29:45,760 --> 01:29:48,040
Speaker 1: keep looking and see if it finds so many sexy

1638
01:29:48,160 --> 01:29:54,120
Speaker 1: little straight boys names. But you know, well, name names

1639
01:29:54,120 --> 01:29:55,920
Speaker 1: off the air you know, we do. There's more of them,

1640
01:29:55,920 --> 01:29:58,559
Speaker 1: their chances are higher. You know what. You're right, you're right,

1641
01:29:58,600 --> 01:30:00,439
Speaker 1: you're right, you're right, you're right. We're not thinking about

1642
01:30:00,439 --> 01:30:03,439
Speaker 1: all the unsexy straight people. Sure, we're not thinking about

1643
01:30:03,520 --> 01:30:07,160
Speaker 1: You're not thinking about you. We don't think about you. Boys.

1644
01:30:07,960 --> 01:30:11,200
Speaker 1: Um uh, this is this has been so great, Brian,

1645
01:30:11,280 --> 01:30:16,680
Speaker 1: Thank you so much. Set at Ding Dong and we'll

1646
01:30:16,720 --> 01:30:20,559
Speaker 1: see Brian soon. And you know what, for everyone listening

1647
01:30:20,600 --> 01:30:23,479
Speaker 1: at home, there's a big announcement coming where we can

1648
01:30:23,520 --> 01:30:26,080
Speaker 1: announce I'm going to say, but we'll announce them. But

1649
01:30:26,160 --> 01:30:30,040
Speaker 1: there's a big announcement coming. Yeah, oh my god, Brian,

1650
01:30:30,120 --> 01:30:33,200
Speaker 1: where can people find? Alex just freaked out a little bit?

1651
01:30:33,280 --> 01:30:35,000
Speaker 1: I know, yeah, yeah, yeah, we just gave him such

1652
01:30:35,000 --> 01:30:36,800
Speaker 1: a heart attack. But no, but I must saying what

1653
01:30:36,840 --> 01:30:39,240
Speaker 1: the anounces is. I'm just saying it's coming. Okay, what's

1654
01:30:39,320 --> 01:30:41,840
Speaker 1: coming in a way is ruining the announcement? Who knows? No,

1655
01:30:41,960 --> 01:30:45,439
Speaker 1: it's not. You'll be gagging when you're here. You can

1656
01:30:45,560 --> 01:30:52,200
Speaker 1: find me Instagram, Brian Fostagram, Snapchat What Brian FoST snap

1657
01:30:53,200 --> 01:30:56,560
Speaker 1: Twitter is Brian underscore fast? Facebook? Sure you follow me

1658
01:30:56,600 --> 01:30:58,320
Speaker 1: on Facebook two if you want Wow do it. I

1659
01:30:58,439 --> 01:31:03,160
Speaker 1: recommend that I love so media. It's fun. Yeah, it's great,

1660
01:31:03,680 --> 01:31:06,559
Speaker 1: right and all right? Yeah, this has been Bowen Yang,

1661
01:31:08,080 --> 01:31:11,519
Speaker 1: Matt Rogers. You know what, I have a great day.

1662
01:31:11,640 --> 01:31:20,160
Speaker 1: I have a wonderful day. Enjoy the Grammys. This has

1663
01:31:20,200 --> 01:31:23,839
Speaker 1: been a Forever Dog production executive produced by Joe Cilio,

1664
01:31:24,040 --> 01:31:27,840
Speaker 1: Alex Ramsay, and Brett Boum. For more podcasts, please visit

1665
01:31:27,920 --> 01:31:29,559
Speaker 1: Forever Dog Productions dot com.