1 00:00:00,960 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,680 --> 00:00:07,400 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:10,600 Speaker 1: new and final season, on Max. You can also watch 4 00:00:10,640 --> 00:00:13,640 Speaker 1: the video version of the history of Curby Your Enthusiasm 5 00:00:13,680 --> 00:00:17,279 Speaker 1: podcast on Max and YouTube as well. Links available in 6 00:00:17,320 --> 00:00:29,400 Speaker 1: the episode description. All Right, so we are at season five, 7 00:00:29,520 --> 00:00:31,960 Speaker 1: episode five. Lewis needs a kidney And. 8 00:00:31,880 --> 00:00:32,320 Speaker 2: Who are you? 9 00:00:32,920 --> 00:00:34,440 Speaker 3: I'm Jeff Gartler. 10 00:00:34,320 --> 00:00:35,280 Speaker 1: And I'm Susi Esma. 11 00:00:35,440 --> 00:00:35,720 Speaker 3: Yeah. 12 00:00:35,760 --> 00:00:38,199 Speaker 1: I love this episode. You know, this episode is so simple. 13 00:00:38,360 --> 00:00:41,760 Speaker 3: It's so so simple, and it's very special to me. 14 00:00:41,800 --> 00:00:42,920 Speaker 1: And so eloquent. 15 00:00:43,240 --> 00:00:45,520 Speaker 3: One of my favorite episodes to act. 16 00:00:45,560 --> 00:00:48,600 Speaker 1: Then yes, and I can understand why. Yeah, and we'll 17 00:00:48,920 --> 00:00:49,400 Speaker 1: get to that. 18 00:00:49,640 --> 00:00:49,920 Speaker 3: Yeah. 19 00:00:49,960 --> 00:00:53,199 Speaker 1: So we start out and Larry is calling Omar Jones, 20 00:00:53,400 --> 00:00:58,120 Speaker 1: his private investigator, and his assistant or secretary says, all right, 21 00:00:58,160 --> 00:00:59,680 Speaker 1: mister David, what's his call regarding. 22 00:01:00,640 --> 00:01:01,520 Speaker 3: He'll know what it's about. 23 00:01:01,880 --> 00:01:05,840 Speaker 1: I'm a client, got that, But what is the call regarding? 24 00:01:06,200 --> 00:01:07,880 Speaker 2: You know, to be honest, it's kind of personal. 25 00:01:08,040 --> 00:01:09,960 Speaker 1: I'm sure it is, but you can't speak with him 26 00:01:10,040 --> 00:01:11,520 Speaker 1: until you tell me what his call is regarding. 27 00:01:11,640 --> 00:01:13,240 Speaker 3: But it has nothing to do with you. It has 28 00:01:13,280 --> 00:01:13,759 Speaker 3: to do with him. 29 00:01:13,800 --> 00:01:15,760 Speaker 2: I don't really want to tell you what it's about. 30 00:01:15,520 --> 00:01:17,520 Speaker 1: Okay, So you're gonna need to control your levels and 31 00:01:17,560 --> 00:01:18,880 Speaker 1: telling me what his call is regarding. 32 00:01:19,040 --> 00:01:22,080 Speaker 2: Do me favorite tell me the details of your last conversation. 33 00:01:23,160 --> 00:01:26,559 Speaker 1: That's none of your business exactly, and that pisses Larry 34 00:01:26,600 --> 00:01:28,760 Speaker 1: off to no end. And I don't blame him for that, 35 00:01:29,440 --> 00:01:31,720 Speaker 1: you know, let me talk to the guy. It's not 36 00:01:31,760 --> 00:01:34,440 Speaker 1: like it sees the president of the United States. What's 37 00:01:34,480 --> 00:01:36,840 Speaker 1: this call regarding? And then he ends up hanging up 38 00:01:36,840 --> 00:01:39,160 Speaker 1: and having a fight with her. Next we see he's 39 00:01:39,200 --> 00:01:42,200 Speaker 1: locked his keys in his car and he takes out 40 00:01:42,240 --> 00:01:45,520 Speaker 1: a little flip phone. I love the dating of everything 41 00:01:45,520 --> 00:01:47,840 Speaker 1: that we do here. This is two thousand and five. 42 00:01:48,360 --> 00:01:51,120 Speaker 1: And he calls you and tells you that he locked 43 00:01:51,120 --> 00:01:53,800 Speaker 1: his phone his keys in the car. Will you come 44 00:01:53,840 --> 00:01:56,440 Speaker 1: and rescue him, which you, of course say yes, of 45 00:01:56,480 --> 00:01:59,920 Speaker 1: course I will, and you do. And he is going 46 00:01:59,920 --> 00:02:02,680 Speaker 1: to get something to eat, a jack in the box, right, 47 00:02:02,840 --> 00:02:06,760 Speaker 1: not something I ever pictured Larry eating, by the way, Well, no. 48 00:02:06,640 --> 00:02:10,200 Speaker 3: It's for comedic purposes. And I remember we filmed this 49 00:02:10,240 --> 00:02:13,080 Speaker 3: at I believe I'm Lobrea. There might be a jack 50 00:02:13,080 --> 00:02:15,279 Speaker 3: in the box I've filmed it. Yeah. 51 00:02:15,360 --> 00:02:17,080 Speaker 1: Have you ever been to a Jack in the Box? 52 00:02:17,160 --> 00:02:19,399 Speaker 3: Jeff, Oh, I'm most certainly. But can I just ask 53 00:02:19,480 --> 00:02:23,680 Speaker 3: you something? Why do you ask a question that's so dumb? Now? 54 00:02:23,960 --> 00:02:26,440 Speaker 3: Did I go to Jack the Box and a lot? No? 55 00:02:26,760 --> 00:02:29,480 Speaker 3: There was one period where I had an office at 56 00:02:29,680 --> 00:02:32,680 Speaker 3: Lebrea and Walsher, and right next to my office building 57 00:02:32,760 --> 00:02:35,040 Speaker 3: was a Jack in the Box, and so during that 58 00:02:35,120 --> 00:02:38,359 Speaker 3: period I frequented it quite often. Outside of there, I've 59 00:02:38,360 --> 00:02:40,519 Speaker 3: maybe had Jack in the Box half a dozen times. 60 00:02:41,000 --> 00:02:43,040 Speaker 4: So many times do you think I've had Jack in 61 00:02:43,080 --> 00:02:43,480 Speaker 4: the Box? 62 00:02:43,760 --> 00:02:45,520 Speaker 3: Well, I would put zero in the cab. 63 00:02:45,680 --> 00:02:48,960 Speaker 1: You're right, You're absolutely right. Not that I'm a snob. 64 00:02:50,320 --> 00:02:52,120 Speaker 3: A great Jack in the Box story. I'm not going 65 00:02:52,200 --> 00:02:54,840 Speaker 3: to tell you the actor, but there was an actor 66 00:02:54,919 --> 00:02:58,840 Speaker 3: I know who went into a voiceover audition for the 67 00:02:58,840 --> 00:03:01,280 Speaker 3: commercial to be the voice of Jack in the Box. 68 00:03:01,880 --> 00:03:04,640 Speaker 3: And so he does it. There's a lot of people there, 69 00:03:04,680 --> 00:03:07,480 Speaker 3: and he goes in and he's he's doing it, he's 70 00:03:07,520 --> 00:03:10,519 Speaker 3: doing it, and the guy from Jack in the Box 71 00:03:10,639 --> 00:03:13,960 Speaker 3: keeps saying, that's not the voice I hear, that's not 72 00:03:14,080 --> 00:03:17,040 Speaker 3: the voice I hear. So the voice of Jack in 73 00:03:17,040 --> 00:03:19,440 Speaker 3: the Box now the big ping pong ball, whatever you 74 00:03:19,480 --> 00:03:21,679 Speaker 3: have it. That's the guy who said it's not the 75 00:03:21,760 --> 00:03:24,080 Speaker 3: voice I hear, So the guy from Jack in the Box. 76 00:03:24,080 --> 00:03:26,760 Speaker 3: The voice he heard was his own voice in his 77 00:03:26,800 --> 00:03:28,400 Speaker 3: own head, and he hired himself. 78 00:03:28,440 --> 00:03:30,239 Speaker 1: There really you're giving me? 79 00:03:30,480 --> 00:03:32,000 Speaker 3: Yeah, yep. 80 00:03:32,200 --> 00:03:34,520 Speaker 1: I picture when you say Jack in the Box voice? 81 00:03:34,560 --> 00:03:38,360 Speaker 1: I picture what was his name, Benji from Rudolph the 82 00:03:38,400 --> 00:03:40,240 Speaker 1: Red Nose reins heer, Uh huh? 83 00:03:40,440 --> 00:03:41,320 Speaker 3: You know the little guy? 84 00:03:41,480 --> 00:03:42,720 Speaker 1: Yeah, the little guy in the jacket. 85 00:03:45,480 --> 00:03:49,360 Speaker 3: What's eating your boy? Not not happy in my work? 86 00:03:49,480 --> 00:03:51,840 Speaker 3: I guess no, Well, what do you want to do? 87 00:03:52,280 --> 00:03:55,720 Speaker 3: I want to be a dentist. You know Moelers and 88 00:03:55,800 --> 00:03:59,000 Speaker 3: by cuspids. I have that whole thing memorized. I loved 89 00:03:59,040 --> 00:04:01,920 Speaker 3: all the rank and Bad Christmas specials. 90 00:04:01,960 --> 00:04:04,880 Speaker 1: They were great, great. Yeah, yeah, all right, so he could. 91 00:04:04,880 --> 00:04:07,480 Speaker 1: So he's at Jacket Box and they're closed, and the 92 00:04:07,480 --> 00:04:09,640 Speaker 1: only thing is the drive through is open. So he 93 00:04:09,760 --> 00:04:12,520 Speaker 1: stands behind the cars and he walks up to the 94 00:04:12,600 --> 00:04:14,760 Speaker 1: drive through and they won't serve him. 95 00:04:17,640 --> 00:04:24,320 Speaker 2: Like two jumbo Jacks, French fries and a. 96 00:04:23,560 --> 00:04:24,480 Speaker 3: Diet Coke. 97 00:04:26,120 --> 00:04:26,320 Speaker 2: Car. 98 00:04:28,480 --> 00:04:34,280 Speaker 3: No, what's the difference? 99 00:04:38,520 --> 00:04:42,160 Speaker 2: What one second? Come on, I'm starving there's everything's closed. 100 00:04:42,560 --> 00:04:43,880 Speaker 3: That is a real thing. 101 00:04:44,520 --> 00:04:47,239 Speaker 1: Really? Oh that most certainly it's bizarre. 102 00:04:47,600 --> 00:04:51,080 Speaker 3: Gimme. By the way, I've heard stories drunk people not 103 00:04:51,240 --> 00:04:54,400 Speaker 3: larrying this always do that late at night. They walk 104 00:04:54,680 --> 00:04:57,000 Speaker 3: and they walk in the space, or they've seen a 105 00:04:57,000 --> 00:04:59,600 Speaker 3: line of cars and they cut in. No, it is 106 00:04:59,760 --> 00:05:01,600 Speaker 3: and the there's a big sign at every I've been 107 00:05:01,600 --> 00:05:03,719 Speaker 3: too many a drive through. I see that there's a 108 00:05:03,760 --> 00:05:06,440 Speaker 3: big sign that says you must be in a car 109 00:05:06,760 --> 00:05:07,680 Speaker 3: or something like that. 110 00:05:07,880 --> 00:05:10,240 Speaker 4: But that's one of those rules that's stupid to me. 111 00:05:10,520 --> 00:05:13,160 Speaker 1: No, it's not. Why why must you be Why can't 112 00:05:13,200 --> 00:05:13,920 Speaker 1: you walk up? 113 00:05:14,279 --> 00:05:18,279 Speaker 3: Because if they allow you to do that and something 114 00:05:18,360 --> 00:05:21,600 Speaker 3: happens to you with another car, they all right. 115 00:05:21,560 --> 00:05:23,960 Speaker 1: If it's a liability thing, I understand it is. So 116 00:05:24,040 --> 00:05:26,039 Speaker 1: Larry goes to a couple of cars and ask if 117 00:05:26,080 --> 00:05:26,480 Speaker 1: he can get it. 118 00:05:26,600 --> 00:05:29,279 Speaker 3: Can you imagine why you'd think that's not a real rule. 119 00:05:29,400 --> 00:05:30,440 Speaker 3: What's wrong with you? 120 00:05:30,520 --> 00:05:33,039 Speaker 1: Well, because I think if you it's like if I 121 00:05:33,160 --> 00:05:36,960 Speaker 1: walk up to the ATM in the drive through, I'm allowed. 122 00:05:36,600 --> 00:05:38,320 Speaker 3: To use it in the drive through. 123 00:05:38,600 --> 00:05:41,280 Speaker 1: Now, if you know the drive through ATM, you know. 124 00:05:41,240 --> 00:05:44,200 Speaker 3: What, do me a favor? You break your laws, not me. God. 125 00:05:44,279 --> 00:05:47,360 Speaker 1: Okay. So he finally comes up to a guy, and 126 00:05:47,800 --> 00:05:49,960 Speaker 1: this guy Pete. He says, yeah, yeah, sure, get in 127 00:05:50,000 --> 00:05:51,800 Speaker 1: the car and did they're eating? 128 00:05:52,320 --> 00:05:53,080 Speaker 3: Who plays Pete? 129 00:05:53,360 --> 00:05:56,160 Speaker 1: Frank Whaley, who's a terrific actor, wonderful and. 130 00:05:56,120 --> 00:05:59,400 Speaker 3: He's a wonderful guy and I so enjoyed working with him. 131 00:05:59,480 --> 00:06:01,920 Speaker 1: And you know, I mean, he's one of these guys 132 00:06:01,920 --> 00:06:03,720 Speaker 1: that you see his face and you're just like, I've 133 00:06:03,760 --> 00:06:07,799 Speaker 1: seen him in everything, you know, great roles, yeah. 134 00:06:08,480 --> 00:06:12,440 Speaker 3: Great limited series on TV and also with so many 135 00:06:12,560 --> 00:06:16,120 Speaker 3: great movies, like you know, he was a young guy actor. 136 00:06:16,240 --> 00:06:18,680 Speaker 4: Yeah, so he's just a very familiar By the. 137 00:06:18,600 --> 00:06:21,160 Speaker 3: Way, I'm going to trademark that term young. 138 00:06:20,920 --> 00:06:22,239 Speaker 1: Guy actor, young guy actor. 139 00:06:22,320 --> 00:06:24,000 Speaker 3: And now of all the actors walking around, I'm a 140 00:06:24,040 --> 00:06:25,760 Speaker 3: young guy actor. It'll be a club. 141 00:06:25,960 --> 00:06:29,240 Speaker 1: So he and Peter eating their fries and delicious, delicious, 142 00:06:29,279 --> 00:06:30,919 Speaker 1: and then he says to Petz, so, so Pete, what 143 00:06:31,000 --> 00:06:33,200 Speaker 1: kind of work do you do? And Pete, you know, 144 00:06:33,320 --> 00:06:35,120 Speaker 1: is fumfering a little bit. He's I was in the 145 00:06:35,200 --> 00:06:39,359 Speaker 1: dental field, uh, work closely with a dental hygienis for 146 00:06:39,440 --> 00:06:43,080 Speaker 1: eight months. And what he's drawn to landscaping, you know, 147 00:06:43,400 --> 00:06:45,560 Speaker 1: I assume that was all improvised. 148 00:06:46,120 --> 00:06:47,040 Speaker 3: Yeah, of course it was. 149 00:06:47,200 --> 00:06:49,600 Speaker 1: And Larry sees some porn in his back seat and 150 00:06:49,880 --> 00:06:51,480 Speaker 1: he says, it's not his, it's not his. 151 00:06:51,800 --> 00:06:53,560 Speaker 4: And then all of a sudden, knock knockac you're at 152 00:06:53,560 --> 00:06:54,000 Speaker 4: the window. 153 00:06:54,040 --> 00:06:55,640 Speaker 3: You show up and I scare them. 154 00:06:55,960 --> 00:06:58,560 Speaker 1: You scared them? Yes, And next we know you're in 155 00:06:58,560 --> 00:07:01,200 Speaker 1: the back eating fries as well. Of course you are. 156 00:07:01,520 --> 00:07:04,839 Speaker 3: Yeah, of course, no, I'm meaning, I'm meaning actual sandwich. 157 00:07:06,120 --> 00:07:07,919 Speaker 3: I don't know how that happened, or maybe they had 158 00:07:07,960 --> 00:07:08,680 Speaker 3: an extra one. 159 00:07:08,800 --> 00:07:13,200 Speaker 1: Can I ask a totally ignorant question, Yeah, what kind 160 00:07:13,240 --> 00:07:15,320 Speaker 1: of food does Jack in the Is it a burger joint? 161 00:07:15,720 --> 00:07:19,280 Speaker 3: It's yeah, it's like burger king, but they probably have 162 00:07:19,440 --> 00:07:22,800 Speaker 3: more of a selection than other places. I'll tell you why. 163 00:07:23,560 --> 00:07:26,040 Speaker 3: Every time I see a Jack in the Box commercial, 164 00:07:26,080 --> 00:07:30,480 Speaker 3: they're introducing a new product. Oh probably twelve new products 165 00:07:30,520 --> 00:07:32,920 Speaker 3: a year. And I don't know if they eliminate other 166 00:07:33,040 --> 00:07:37,119 Speaker 3: products or they're experimenting, but it's always a new try 167 00:07:37,240 --> 00:07:38,280 Speaker 3: or new you know. 168 00:07:39,640 --> 00:07:42,360 Speaker 1: I never see Jack in the Box commercials, which makes 169 00:07:42,400 --> 00:07:45,200 Speaker 1: me think that it's a West Coast thing. I wonder 170 00:07:45,200 --> 00:07:46,760 Speaker 1: if they're on the East coast. I don't think so. 171 00:07:46,960 --> 00:07:49,360 Speaker 3: You know, when I spent time in Chicago or Florida 172 00:07:49,480 --> 00:07:51,560 Speaker 3: when I was growing up, I think there was jack 173 00:07:51,560 --> 00:07:51,760 Speaker 3: in them. 174 00:07:51,920 --> 00:07:55,240 Speaker 1: Yes, well, we're gonna have to research that, and. 175 00:07:55,280 --> 00:07:57,360 Speaker 3: You want to google it because I ain't googling it. 176 00:07:57,680 --> 00:08:00,760 Speaker 1: Maybe later and then it is not going to happen. 177 00:08:00,840 --> 00:08:01,560 Speaker 3: You don't really care. 178 00:08:02,080 --> 00:08:03,840 Speaker 1: I don't care that much unless they want to be 179 00:08:03,840 --> 00:08:06,520 Speaker 1: a sponsor. And then you tell Larry that you have 180 00:08:06,600 --> 00:08:10,120 Speaker 1: some bad news for him, and that Richard Lewis is 181 00:08:10,560 --> 00:08:13,320 Speaker 1: very sick and he needs a new kidney. Yes, and 182 00:08:13,400 --> 00:08:15,520 Speaker 1: Larry says, is they're a donor and you say no, 183 00:08:15,600 --> 00:08:18,640 Speaker 1: he needs to find a match. And you see Larry's 184 00:08:18,680 --> 00:08:22,880 Speaker 1: face as just horrified. And is he horrified because he's 185 00:08:22,880 --> 00:08:25,680 Speaker 1: worried about his friend? I don't think so. 186 00:08:26,840 --> 00:08:28,800 Speaker 3: The look on his face tells you, am I going 187 00:08:28,880 --> 00:08:30,040 Speaker 3: to have to give the kidney? 188 00:08:30,240 --> 00:08:33,720 Speaker 1: Exactly exactly? And then we see him he's at Leo's 189 00:08:33,720 --> 00:08:37,600 Speaker 1: Deli with Lewis, and Lewis is looking horrible. He's looking 190 00:08:38,200 --> 00:08:41,280 Speaker 1: very sickly, which was all make up at that point. 191 00:08:41,520 --> 00:08:43,839 Speaker 3: You know, after this season there and people ask me 192 00:08:43,840 --> 00:08:45,240 Speaker 3: if Richard Lewis is really sick? 193 00:08:45,480 --> 00:08:48,600 Speaker 1: I know me too, because whoever did his makeup? I 194 00:08:48,640 --> 00:08:52,600 Speaker 1: assume it was Thomas job and yet gone, and his 195 00:08:52,679 --> 00:08:55,760 Speaker 1: eyes looked all bloodshot and he doesn't have a donor 196 00:08:55,840 --> 00:08:57,280 Speaker 1: and he's all upset about it. 197 00:08:57,600 --> 00:09:00,840 Speaker 4: And then Larry asks him about his cousin, Lewis Lewis. 198 00:09:01,320 --> 00:09:03,440 Speaker 1: Well, you ast us, Lewis Lewis, what do they say? 199 00:09:03,679 --> 00:09:06,280 Speaker 5: He says he wants to donate all of his organs 200 00:09:06,600 --> 00:09:08,880 Speaker 5: after he dies, but not a minute before. 201 00:09:09,200 --> 00:09:10,840 Speaker 1: Thank you, Lewis Lewis. 202 00:09:11,280 --> 00:09:13,080 Speaker 3: Doesn't help me any schmuck. 203 00:09:13,600 --> 00:09:15,920 Speaker 5: Well, I'm going to have to get on that kidney 204 00:09:15,920 --> 00:09:21,120 Speaker 5: list like everybody else. I mean, the only other option 205 00:09:21,280 --> 00:09:25,079 Speaker 5: is if you know, you know, if a good friend 206 00:09:25,480 --> 00:09:27,679 Speaker 5: or a buddy comes to then I'm then I'm golden. 207 00:09:31,360 --> 00:09:35,240 Speaker 1: And Lewis Lewis that they established he's a nutcase and 208 00:09:35,320 --> 00:09:37,400 Speaker 1: he works at a jack in the box go figure, 209 00:09:37,960 --> 00:09:40,640 Speaker 1: and he does want to donate all of his organs, 210 00:09:40,679 --> 00:09:43,520 Speaker 1: but not until after he's dead, not a minute before. 211 00:09:44,120 --> 00:09:47,600 Speaker 1: I understand that, right, How do you feel about giving 212 00:09:47,640 --> 00:09:48,800 Speaker 1: your kidney to somebody? 213 00:09:50,080 --> 00:09:53,920 Speaker 3: If it's somebody I if you needed a kidney, no hesitation, 214 00:09:54,400 --> 00:09:54,880 Speaker 3: how's that. 215 00:09:54,800 --> 00:09:56,480 Speaker 1: One of your kids? Obviously you know? 216 00:09:56,559 --> 00:09:59,600 Speaker 3: Yeah, but I'm saying, even you, anyone who's close to 217 00:09:59,640 --> 00:10:02,679 Speaker 3: me who would need a kidney and I'm a perfect. 218 00:10:02,320 --> 00:10:03,200 Speaker 1: Match, you would do it. 219 00:10:03,240 --> 00:10:06,120 Speaker 3: I would do it in the heartbeat. Yep, no way would. 220 00:10:05,880 --> 00:10:08,640 Speaker 1: I Not so so Lewis just says he needs to 221 00:10:08,640 --> 00:10:11,880 Speaker 1: get on the kidney list or if a buddy comes through. 222 00:10:12,320 --> 00:10:13,839 Speaker 4: I know, dot dot dot. 223 00:10:14,160 --> 00:10:16,960 Speaker 1: You know. Next we have we see Larry and Cheryl 224 00:10:17,000 --> 00:10:19,240 Speaker 1: in bed. There's a lot of Larry and Cheryl in 225 00:10:19,320 --> 00:10:20,920 Speaker 1: bed scenes. I've noticed, if. 226 00:10:20,840 --> 00:10:24,440 Speaker 3: You a lot, yeah, this season, this season in particular. 227 00:10:24,200 --> 00:10:27,000 Speaker 1: I think all the seasons, and Larry starts going through 228 00:10:27,000 --> 00:10:28,040 Speaker 1: one of his Larry things. 229 00:10:28,400 --> 00:10:31,240 Speaker 2: Next time there's any sign of anything wrong with any 230 00:10:31,280 --> 00:10:32,480 Speaker 2: of my friends, if I think they're going to be 231 00:10:32,520 --> 00:10:34,520 Speaker 2: going into the hospital or any sign of anything, I'm 232 00:10:34,559 --> 00:10:35,760 Speaker 2: just I'm. 233 00:10:35,640 --> 00:10:37,040 Speaker 3: Just gonna drop him like a hot potato. 234 00:10:38,080 --> 00:10:39,880 Speaker 2: And you too, I mean, as soon as you get sick, 235 00:10:39,920 --> 00:10:40,880 Speaker 2: I'm out. 236 00:10:40,960 --> 00:10:41,280 Speaker 3: You know that. 237 00:10:42,080 --> 00:10:44,959 Speaker 1: Well, No, I'm glad you're bringing it up. Well, I mean, 238 00:10:45,040 --> 00:10:47,480 Speaker 1: come on, no, it's nice to know. Yeah, And I'm 239 00:10:47,480 --> 00:10:50,120 Speaker 1: giving all I thought that that's what the whole deal was. 240 00:10:50,880 --> 00:10:52,439 Speaker 1: It's one of the reasons you get. 241 00:10:52,240 --> 00:10:56,679 Speaker 2: Married normally, that that is the deal. But we're losing 242 00:10:56,679 --> 00:10:59,200 Speaker 2: the sickness and health clothes. I'm out if anything's wrong 243 00:10:59,240 --> 00:11:01,840 Speaker 2: with you, and then I look same for you. You 244 00:11:01,880 --> 00:11:05,040 Speaker 2: go to okay, okay, I can't be. 245 00:11:05,080 --> 00:11:07,640 Speaker 3: Around illness, but for now it frets me out. 246 00:11:07,800 --> 00:11:11,480 Speaker 1: Okay, and Cheryl kind of talks him into taking the test, 247 00:11:11,880 --> 00:11:13,920 Speaker 1: that it's a nice gesture and that he should at 248 00:11:14,000 --> 00:11:14,839 Speaker 1: least take the test. 249 00:11:15,080 --> 00:11:18,920 Speaker 3: Now at this point in my life, fuck gestures. Either 250 00:11:18,960 --> 00:11:22,760 Speaker 3: you're doing something or you're not doing something. Gestures can 251 00:11:22,800 --> 00:11:24,720 Speaker 3: suck my dick. There you go, keep going. 252 00:11:25,240 --> 00:11:27,800 Speaker 1: So then they start to snuggle. Now this sounds very 253 00:11:27,800 --> 00:11:31,840 Speaker 1: familiar to me. Larry assumes the snuggle leads to sex, 254 00:11:32,880 --> 00:11:35,800 Speaker 1: and he doesn't understand what's the advantage of a snuggle 255 00:11:35,840 --> 00:11:37,880 Speaker 1: if it's not leading to sex. And then he grabs 256 00:11:37,880 --> 00:11:40,920 Speaker 1: her ass, right, and you know, the ass is part 257 00:11:40,920 --> 00:11:41,720 Speaker 1: of my snuggle. 258 00:11:42,000 --> 00:11:44,840 Speaker 4: The ass is a lever and Cheryl's not happy about this. 259 00:11:44,960 --> 00:11:47,560 Speaker 1: Now, you know, I happen to be female or male, 260 00:11:47,640 --> 00:11:50,160 Speaker 1: so we can have this discussion. I have had this 261 00:11:50,280 --> 00:11:54,280 Speaker 1: incident with my husband and with previous boyfriends where they 262 00:11:54,320 --> 00:11:56,480 Speaker 1: only want to be affectionate when they want to have sex. 263 00:11:56,920 --> 00:12:01,360 Speaker 3: In general, you are completely one hundred percent right. Yes, me, 264 00:12:02,040 --> 00:12:05,280 Speaker 3: I'm you know, I'm a I'm a thoughtful gentleman. 265 00:12:05,679 --> 00:12:08,640 Speaker 1: Not that my husband does not affectionate to me, he is, 266 00:12:09,600 --> 00:12:11,280 Speaker 1: but certain kinds of affection. 267 00:12:11,440 --> 00:12:12,320 Speaker 4: I always know that. 268 00:12:12,320 --> 00:12:12,559 Speaker 1: That's what. 269 00:12:12,960 --> 00:12:15,640 Speaker 3: By the way, yes, and it was obvious in this 270 00:12:15,720 --> 00:12:19,200 Speaker 3: episode where he was going. And to me, one of 271 00:12:19,240 --> 00:12:23,040 Speaker 3: the big giveaways is the grabbing of the ass exactly. No, 272 00:12:23,200 --> 00:12:26,440 Speaker 3: that's like a classic if you will, in that area. 273 00:12:26,840 --> 00:12:29,520 Speaker 1: The grabbing of the ass, you know, grabbing of the 274 00:12:29,559 --> 00:12:32,360 Speaker 1: ass always reminds me. My father used to always, you know, 275 00:12:32,880 --> 00:12:35,440 Speaker 1: kiss my mother and hug her and grab her ass. 276 00:12:35,520 --> 00:12:39,120 Speaker 1: I remember that. And I always had this assumption because 277 00:12:39,120 --> 00:12:42,000 Speaker 1: they had a horrible marriage. I always had this assumption 278 00:12:42,559 --> 00:12:46,120 Speaker 1: that they had hot sex, like that's what kept them together, 279 00:12:46,280 --> 00:12:49,480 Speaker 1: you know something they Yeah, yeah, sometimes people have a 280 00:12:49,480 --> 00:12:51,800 Speaker 1: horrible marriage, but they have a great sex. And yet 281 00:12:51,880 --> 00:12:54,240 Speaker 1: later on in you know, like a couple of years 282 00:12:54,280 --> 00:12:57,280 Speaker 1: before my mother died, she told me out of nowhere, 283 00:12:57,320 --> 00:12:59,880 Speaker 1: I didn't even ask her. She said to me, if 284 00:13:00,200 --> 00:13:03,840 Speaker 1: that was a very selfish lover so apparently. 285 00:13:05,960 --> 00:13:10,400 Speaker 3: Oh my god, that is just I don't know what 286 00:13:10,800 --> 00:13:11,200 Speaker 3: to say. 287 00:13:12,280 --> 00:13:14,280 Speaker 1: So they didn't have great by the. 288 00:13:14,200 --> 00:13:17,480 Speaker 3: Way, the only way that's funnier is if she told 289 00:13:17,520 --> 00:13:19,000 Speaker 3: you he was a very gentle lover. 290 00:13:19,720 --> 00:13:23,000 Speaker 1: Yes, exactly, a very selfish lover. 291 00:13:23,320 --> 00:13:25,360 Speaker 3: Was a very good that's too good. 292 00:13:26,559 --> 00:13:40,000 Speaker 6: We'll be right back. Stay tuned, and we're back. 293 00:13:41,679 --> 00:13:44,360 Speaker 1: So Larry's in his office and he makes a phone 294 00:13:44,400 --> 00:13:48,160 Speaker 1: call to Lewis, and Lewis's assistant picks up, played by 295 00:13:48,920 --> 00:13:50,520 Speaker 1: Mindy Kayling. That's right. 296 00:13:50,800 --> 00:13:51,840 Speaker 3: That's when I first met. 297 00:13:51,720 --> 00:13:53,200 Speaker 1: Her, very young, Mindy Cale. 298 00:13:53,240 --> 00:13:55,440 Speaker 3: It's one of her first jobs in Hollywood, Is it? 299 00:13:55,480 --> 00:13:56,000 Speaker 1: Is that true? 300 00:13:56,120 --> 00:14:00,760 Speaker 3: Yes? Yes, she She was primarily a right on the 301 00:14:00,920 --> 00:14:04,360 Speaker 3: office at that point. If I'm not mistaken, I don't 302 00:14:04,360 --> 00:14:06,760 Speaker 3: think it was before the office. I think they the 303 00:14:06,760 --> 00:14:07,880 Speaker 3: office at first started. 304 00:14:07,960 --> 00:14:09,480 Speaker 4: Well, this was two thousand and five. 305 00:14:09,800 --> 00:14:13,040 Speaker 3: But she was great. Yeah, I mean in the episode. 306 00:14:13,080 --> 00:14:16,440 Speaker 3: But also that's one of you know, there's certain actors 307 00:14:16,480 --> 00:14:19,520 Speaker 3: who do the show who know the show, but they're 308 00:14:19,520 --> 00:14:23,000 Speaker 3: a bit uncomfortable. I'm the one that helps them through that. 309 00:14:23,000 --> 00:14:25,600 Speaker 3: That's like one of my jobs as a producer, the 310 00:14:25,600 --> 00:14:28,040 Speaker 3: way I look at I'm not the only job I've 311 00:14:28,080 --> 00:14:32,200 Speaker 3: ever been assigned is in large scenes to please keep 312 00:14:32,200 --> 00:14:34,640 Speaker 3: an eye on the actors and the monitor to make 313 00:14:34,680 --> 00:14:37,400 Speaker 3: sure no one's You know, I do. 314 00:14:37,320 --> 00:14:43,360 Speaker 1: Find, though, Jeff, generally that comedic comedians have an easier 315 00:14:43,480 --> 00:14:44,480 Speaker 1: time than. 316 00:14:46,000 --> 00:14:49,160 Speaker 3: I'm just saying she was having a rough time, But 317 00:14:49,200 --> 00:14:52,600 Speaker 3: I remember very distinctly helping her through it, you know, 318 00:14:52,960 --> 00:14:53,400 Speaker 3: That's all. 319 00:14:53,640 --> 00:14:55,920 Speaker 4: And what happens is is that chancewers. 320 00:14:58,080 --> 00:15:03,520 Speaker 2: Share with this regarding it's regarding his kidney transplant. What 321 00:15:04,600 --> 00:15:06,320 Speaker 2: it's regarding his kidney transplant. 322 00:15:06,800 --> 00:15:11,960 Speaker 1: Mister Lewis is getting a kidney transplant. He didn't say 323 00:15:12,000 --> 00:15:12,560 Speaker 1: anything to me. 324 00:15:12,520 --> 00:15:14,360 Speaker 3: About it, didn't You didn't know about this. 325 00:15:15,960 --> 00:15:16,760 Speaker 1: He didn't tell you this. 326 00:15:18,400 --> 00:15:20,640 Speaker 2: He didn't tell you he was there was a problem 327 00:15:20,680 --> 00:15:21,280 Speaker 2: with this kidney. 328 00:15:21,760 --> 00:15:22,800 Speaker 6: I didn't tell you anything. 329 00:15:23,000 --> 00:15:24,240 Speaker 3: Could he not have told you about this? 330 00:15:25,480 --> 00:15:26,320 Speaker 6: About this? 331 00:15:26,640 --> 00:15:30,000 Speaker 3: Oh jeez? Will you asked me what it was regarding 332 00:15:30,480 --> 00:15:31,000 Speaker 3: I didn't know it. 333 00:15:31,960 --> 00:15:36,360 Speaker 1: Like this, And Larry says, regarding his kidney transplant. And 334 00:15:36,400 --> 00:15:39,200 Speaker 1: then she didn't know he was having a kidney transplant, 335 00:15:39,200 --> 00:15:42,160 Speaker 1: and she starts crying and she becomes hysterical. 336 00:15:42,680 --> 00:15:45,840 Speaker 3: And this was very much a thin line for us, 337 00:15:46,560 --> 00:15:50,200 Speaker 3: because in general, in general, I can think of the 338 00:15:50,240 --> 00:15:54,440 Speaker 3: heartbreak kid there are exceptions, and this clearly was one 339 00:15:54,920 --> 00:15:58,040 Speaker 3: where crying is not funny. I'm just saying crying is 340 00:15:58,080 --> 00:16:03,360 Speaker 3: not funny unless somebody like in the Heartbreak Kid like here, 341 00:16:03,920 --> 00:16:08,080 Speaker 3: where it serves the story. But in general, crying is 342 00:16:08,120 --> 00:16:14,080 Speaker 3: not funny, and dramatically crying is not interesting. Being on 343 00:16:14,200 --> 00:16:18,760 Speaker 3: the line of just about to break down is always 344 00:16:18,760 --> 00:16:23,040 Speaker 3: interesting to watch, and as an actor, the bawling and 345 00:16:24,160 --> 00:16:27,920 Speaker 3: all that stuff. So on this show we were like 346 00:16:28,120 --> 00:16:31,960 Speaker 3: doing different types of crying, not knowing, you know, until 347 00:16:32,080 --> 00:16:33,520 Speaker 3: post what we had. 348 00:16:33,800 --> 00:16:37,480 Speaker 1: And I'm trying to think if we've ever had any other. 349 00:16:37,520 --> 00:16:41,160 Speaker 3: Crying I don't believe so. And by the way, at 350 00:16:41,440 --> 00:16:46,480 Speaker 3: his Motelo side story, the number of times see I 351 00:16:46,520 --> 00:16:49,320 Speaker 3: always sound thing I'm giving a lesson And you know this, 352 00:16:49,880 --> 00:16:54,120 Speaker 3: there is no difference between acting dramatically and comedically, Zira, 353 00:16:54,800 --> 00:16:57,280 Speaker 3: because it's up to the writer and if you know 354 00:16:57,400 --> 00:17:00,200 Speaker 3: the character, you just say the lines. You just say 355 00:17:00,240 --> 00:17:03,320 Speaker 3: it or you improvise it. And so we had people 356 00:17:03,400 --> 00:17:06,720 Speaker 3: come in nervous, they'd put a spin on things. But 357 00:17:06,840 --> 00:17:10,280 Speaker 3: one of the things that you were automatically not getting 358 00:17:10,359 --> 00:17:14,040 Speaker 3: hired is if you started crying. And it happened at 359 00:17:14,119 --> 00:17:17,080 Speaker 3: least half a dozen times while we were casting the 360 00:17:17,160 --> 00:17:20,920 Speaker 3: show that an actress came in and she went all 361 00:17:20,960 --> 00:17:25,879 Speaker 3: out crying and Larry had a stopper and talk to me. 362 00:17:26,200 --> 00:17:28,719 Speaker 1: No. I just remembered one time when I was crying 363 00:17:28,960 --> 00:17:30,080 Speaker 1: when Oscar. 364 00:17:29,720 --> 00:17:32,159 Speaker 3: Died, right, and he probably told you not to. 365 00:17:32,400 --> 00:17:34,879 Speaker 4: No, no, no, it was it was appropriate in the scene. 366 00:17:34,960 --> 00:17:37,879 Speaker 1: I was crying in the scene. And that was because 367 00:17:37,920 --> 00:17:40,719 Speaker 1: you guys, you know, never gave him his pink berry. 368 00:17:41,080 --> 00:17:44,080 Speaker 3: Ah, the pinkberry episode, which we haven't done yet. 369 00:17:44,200 --> 00:17:45,200 Speaker 1: No, that's much later. 370 00:17:45,560 --> 00:17:49,040 Speaker 3: Yeah, but but yeah, okay, the reason that worked was 371 00:17:49,080 --> 00:17:53,199 Speaker 3: the contrast. I should be upset, you're upset. We fucked 372 00:17:53,200 --> 00:17:56,280 Speaker 3: it up. Yes, it completely serves the scene. So if 373 00:17:56,280 --> 00:17:58,760 Speaker 3: anyone's crying, it has to serve the scene. Serve the 374 00:17:58,760 --> 00:18:02,040 Speaker 3: scene because on its own, crying is not funny. 375 00:18:01,760 --> 00:18:04,440 Speaker 1: And apropos of what you said before, and we've probably 376 00:18:04,480 --> 00:18:08,840 Speaker 1: said this before, but I'll just reiterate. When you're doing comedy, 377 00:18:09,320 --> 00:18:12,359 Speaker 1: you know, unless it's a very broad kind of physical 378 00:18:12,400 --> 00:18:15,119 Speaker 1: comedy or something like that, you don't you should not 379 00:18:15,200 --> 00:18:18,119 Speaker 1: be thinking about being funny. You should be thinking about 380 00:18:18,160 --> 00:18:21,160 Speaker 1: being in to me, and it should be written funny. 381 00:18:21,320 --> 00:18:24,879 Speaker 3: The only times that I have failed comedically, the only 382 00:18:25,000 --> 00:18:27,080 Speaker 3: times are when I've tried to be funny. 383 00:18:27,280 --> 00:18:28,119 Speaker 4: Yeah, it doesn't. 384 00:18:28,119 --> 00:18:31,480 Speaker 3: Probably I have probably a ten percent success rate on 385 00:18:31,640 --> 00:18:34,840 Speaker 3: trying to be funny. The other ninety percent bomb bomb 386 00:18:34,920 --> 00:18:37,560 Speaker 3: bomb bomb bomb, including on stage. If it doesn't, I don't. 387 00:18:37,760 --> 00:18:40,160 Speaker 1: I don't think about being funny on Curb, especially because 388 00:18:40,160 --> 00:18:44,320 Speaker 1: I so trust the setup. I so trust Larry's comedic 389 00:18:45,200 --> 00:18:47,520 Speaker 1: brain that I know that if he set it up, 390 00:18:47,640 --> 00:18:48,400 Speaker 1: it's going to be fun. 391 00:18:48,480 --> 00:18:51,919 Speaker 3: But you trust me acting opposite you. And then also 392 00:18:52,000 --> 00:18:56,480 Speaker 3: there's a comfortability or comfort do ability. Yeah some words 393 00:18:56,480 --> 00:18:59,040 Speaker 3: come hard to me now. I don't know why, by 394 00:18:59,080 --> 00:19:03,120 Speaker 3: the way, but anyhow, Yeah, being so comfortable on set 395 00:19:03,280 --> 00:19:06,159 Speaker 3: also adds to that's right, you know, so. 396 00:19:07,000 --> 00:19:10,400 Speaker 4: Mindy kayling, She's hysterical, cry she didn't know? 397 00:19:10,840 --> 00:19:13,239 Speaker 1: And the next thing we know. And these scenes are 398 00:19:13,280 --> 00:19:16,359 Speaker 1: always when Lewis shows up angry, they just make me 399 00:19:16,480 --> 00:19:19,159 Speaker 1: laugh because he's so what did you do? You know, 400 00:19:20,800 --> 00:19:23,520 Speaker 1: like I so don't believe he's really angry in a 401 00:19:23,560 --> 00:19:25,080 Speaker 1: certain way even you know what I mean. 402 00:19:25,119 --> 00:19:26,520 Speaker 3: It's like, no, I love it. 403 00:19:26,560 --> 00:19:30,439 Speaker 1: Funny angry, It's funny. Lewis shows up at Larry's office 404 00:19:30,440 --> 00:19:33,000 Speaker 1: what did you do to my assistant? And Larry kind 405 00:19:33,000 --> 00:19:36,000 Speaker 1: of calms him down by telling him he'll take the test, 406 00:19:36,480 --> 00:19:40,320 Speaker 1: to which Lewis is quite nonplussed at that response, and 407 00:19:40,359 --> 00:19:42,280 Speaker 1: he says saying he would have left it the chance, 408 00:19:42,560 --> 00:19:44,359 Speaker 1: and he should have said in a restaurant the other 409 00:19:44,440 --> 00:19:47,040 Speaker 1: day that he would have taken the test. And then 410 00:19:47,080 --> 00:19:50,320 Speaker 1: the phone rings and it's somebody inquiring if Larry was 411 00:19:50,359 --> 00:19:53,480 Speaker 1: at the Jack in the box with Pete. We don't 412 00:19:53,520 --> 00:19:56,320 Speaker 1: know what's coming up, but next we see him and 413 00:19:56,400 --> 00:19:59,879 Speaker 1: with you at the police station and you're about to 414 00:20:00,080 --> 00:20:00,760 Speaker 1: will line up. 415 00:20:01,080 --> 00:20:04,440 Speaker 3: And by the way, this is downtown La wherever this 416 00:20:04,760 --> 00:20:09,280 Speaker 3: lineup thing was. And there's sets built to look like 417 00:20:10,200 --> 00:20:12,840 Speaker 3: not only was it not just that area the bullpen 418 00:20:12,960 --> 00:20:16,280 Speaker 3: in the bench, that whole floor was designed like a 419 00:20:16,320 --> 00:20:18,800 Speaker 3: police station, like they could have filmed Hill Street Blues 420 00:20:18,840 --> 00:20:22,800 Speaker 3: there or NYPD Blue, which they may have I don't know. 421 00:20:23,160 --> 00:20:26,360 Speaker 1: But well, there are permanent sets like that, like for example, 422 00:20:26,760 --> 00:20:29,359 Speaker 1: you know Law and Order, there's a permanent courtroom set 423 00:20:29,480 --> 00:20:31,560 Speaker 1: down at Chelsea Piers with but it's a. 424 00:20:31,560 --> 00:20:34,439 Speaker 3: Set this set, but this is also a set, but 425 00:20:34,480 --> 00:20:37,120 Speaker 3: it's entire floor of what may have been. 426 00:20:37,680 --> 00:20:38,520 Speaker 1: On a stage. 427 00:20:38,840 --> 00:20:44,280 Speaker 3: No, it was on a floor was actually a police station. 428 00:20:44,600 --> 00:20:47,320 Speaker 3: I'm on the whole floor of a big office building. 429 00:20:47,400 --> 00:20:50,760 Speaker 1: Was not a literal police station, no, but they may have. 430 00:20:54,440 --> 00:20:56,800 Speaker 1: And while you're sitting there waiting to do the lineup, 431 00:20:57,280 --> 00:21:00,160 Speaker 1: Larry tells you that he's going to take the kidney test. 432 00:21:00,600 --> 00:21:03,000 Speaker 1: And he says, why aren't you taking the test? You're 433 00:21:03,040 --> 00:21:06,000 Speaker 1: his manager, you're his friend, and and then it goes 434 00:21:06,040 --> 00:21:08,119 Speaker 1: back and forth. You said him, you're his oldest friend, 435 00:21:08,600 --> 00:21:11,080 Speaker 1: and you are an employee of mine, he says to you. 436 00:21:11,320 --> 00:21:14,479 Speaker 1: And then Omar Jones shows up the Private Eye and 437 00:21:14,520 --> 00:21:17,200 Speaker 1: he's got a bone to pick with Larry about his receptionist. 438 00:21:17,320 --> 00:21:20,400 Speaker 1: He upset his receptionist and he had to talker into 439 00:21:20,480 --> 00:21:24,120 Speaker 1: staying and Larry apologizes and he's like, has the adoption going? 440 00:21:24,160 --> 00:21:26,080 Speaker 4: And Omar says, I'm going to have something for you soon. 441 00:21:26,480 --> 00:21:28,480 Speaker 1: And they go in. You guys go in and you 442 00:21:28,520 --> 00:21:30,679 Speaker 1: do a lineup, and then at some point you just 443 00:21:30,680 --> 00:21:32,720 Speaker 1: say you changed your mind, you're going to take the test, 444 00:21:34,000 --> 00:21:35,760 Speaker 1: and then you both point out number two. 445 00:21:35,920 --> 00:21:39,040 Speaker 3: No. Wait, the guy, I don't know if he did 446 00:21:39,119 --> 00:21:44,399 Speaker 3: Seinfeld before the Cop was very good. Not only was 447 00:21:44,600 --> 00:21:48,280 Speaker 3: very good, he was killing Larry and I during that 448 00:21:48,359 --> 00:21:52,280 Speaker 3: whole scene, and what he was just so fucking funny. 449 00:21:52,440 --> 00:21:55,120 Speaker 3: And he played things straight like a cop. But it 450 00:21:55,240 --> 00:21:58,360 Speaker 3: was hilarious the way he did it. Yeah, me, dude. 451 00:21:58,600 --> 00:22:01,679 Speaker 1: You know. It was a small role, but the importance 452 00:22:01,720 --> 00:22:06,320 Speaker 1: of these small roles cannot be overemphasized. I mean, it's 453 00:22:06,359 --> 00:22:08,280 Speaker 1: it's the kind of thing that creates the whole. 454 00:22:08,440 --> 00:22:11,359 Speaker 3: By the way, we have had people, which we've discussed before, 455 00:22:11,400 --> 00:22:14,400 Speaker 3: in small roles who are invited back in a much 456 00:22:14,440 --> 00:22:17,600 Speaker 3: bigger role. Yes, I don't know if I've ever told 457 00:22:17,640 --> 00:22:20,000 Speaker 3: you so this about Me and Mad About You. So 458 00:22:21,240 --> 00:22:24,199 Speaker 3: I auditioned for Mad About You and it was a 459 00:22:24,200 --> 00:22:27,320 Speaker 3: pretty good scene in one scene or a couple scenes. 460 00:22:27,600 --> 00:22:31,120 Speaker 3: And they call my agent and they say we're gonna 461 00:22:31,119 --> 00:22:34,320 Speaker 3: because they hired me. Okay, Then they call my agent 462 00:22:34,359 --> 00:22:37,480 Speaker 3: and they say it's down to two lines. If Jeff 463 00:22:37,520 --> 00:22:39,320 Speaker 3: wants to do it or not, we're still gonna pay 464 00:22:39,359 --> 00:22:42,160 Speaker 3: him top of show, which means the most money for that, 465 00:22:42,520 --> 00:22:44,439 Speaker 3: so either way it can stay home coming. To do 466 00:22:44,480 --> 00:22:47,560 Speaker 3: the two lines, We're very embarrassed, and I said to myself, 467 00:22:48,000 --> 00:22:50,679 Speaker 3: fuck it, I'm gonna go do the two lines. Well, 468 00:22:50,800 --> 00:22:52,920 Speaker 3: I do the two lines, which grows into a half 469 00:22:52,920 --> 00:22:56,120 Speaker 3: a dozen lines for that episode, and the producers are saying, 470 00:22:56,119 --> 00:23:00,400 Speaker 3: including Larry Charles, mind you that, Oh we got something here. 471 00:23:00,640 --> 00:23:02,760 Speaker 3: Next thing, you know, I'm on the next three seasons, 472 00:23:02,760 --> 00:23:06,680 Speaker 3: the recurring role of Marvin. I was even in the finale. 473 00:23:06,960 --> 00:23:09,399 Speaker 3: But I'm saying from that little role where I said 474 00:23:09,440 --> 00:23:12,320 Speaker 3: two lines and I put my ego aside, you know, 475 00:23:12,440 --> 00:23:13,920 Speaker 3: because I was working at that point. 476 00:23:14,200 --> 00:23:17,440 Speaker 1: You know, I got advice from Tom Hanks once told 477 00:23:17,440 --> 00:23:20,199 Speaker 1: me take whatever part you're ever given, because you're going 478 00:23:20,280 --> 00:23:21,720 Speaker 1: to be good in it, and people are going to 479 00:23:21,760 --> 00:23:23,240 Speaker 1: see you in it. It's just going to lead to 480 00:23:23,280 --> 00:23:25,240 Speaker 1: other things. And I think that was very good advice. 481 00:23:25,359 --> 00:23:28,480 Speaker 3: He was in Bachelor Party, Yes, so he followed that, 482 00:23:28,600 --> 00:23:31,560 Speaker 3: which I paid the see and kind of liked. 483 00:23:31,760 --> 00:23:35,400 Speaker 1: You guys point out Pete number two and you say 484 00:23:35,400 --> 00:23:37,679 Speaker 1: it was ten fifteen. It was a late dinner. Was 485 00:23:37,680 --> 00:23:40,159 Speaker 1: it a late night snack or was it a late dinner? 486 00:23:40,720 --> 00:23:42,800 Speaker 1: Back and forth with that a little bit, and. 487 00:23:42,920 --> 00:23:44,360 Speaker 3: That was a lot of the laughing. 488 00:23:44,800 --> 00:23:47,120 Speaker 1: Yeah, it was funny. And then the cop says, dude, 489 00:23:47,119 --> 00:23:49,720 Speaker 1: do you know who Pete is? And Larry says, well, 490 00:23:49,760 --> 00:23:52,200 Speaker 1: I know he worked with a dental hygenist and did 491 00:23:52,240 --> 00:23:56,399 Speaker 1: some landscaping, and apparently he's Peter the Torque or a 492 00:23:56,440 --> 00:23:58,000 Speaker 1: couple of other names he has. 493 00:23:58,119 --> 00:24:01,720 Speaker 3: That guy improvised, and of course every name that came 494 00:24:01,760 --> 00:24:04,160 Speaker 3: out of his mouth we laughed, because you think about 495 00:24:04,200 --> 00:24:07,439 Speaker 3: Peter the Tork. It's Peter Tork from the monkeys, but 496 00:24:07,560 --> 00:24:10,199 Speaker 3: Peter the Tork that's topping. 497 00:24:10,240 --> 00:24:12,840 Speaker 1: And next thing we know, you guys are at the 498 00:24:12,880 --> 00:24:17,760 Speaker 1: medical office waiting to take the test, and turns out 499 00:24:17,800 --> 00:24:18,920 Speaker 1: you're both compatible. 500 00:24:19,320 --> 00:24:22,120 Speaker 4: And the nurse comes over and you say. 501 00:24:21,960 --> 00:24:28,280 Speaker 3: Good night, nurse, good night. It's just a saying. 502 00:24:29,680 --> 00:24:32,760 Speaker 1: I never heard of it. That's nice. 503 00:24:33,040 --> 00:24:36,080 Speaker 3: It is, I know it is. Do you do you? 504 00:24:36,800 --> 00:24:37,040 Speaker 3: I do? 505 00:24:37,359 --> 00:24:37,919 Speaker 1: Good for you? 506 00:24:38,320 --> 00:24:38,680 Speaker 3: Good for me? 507 00:24:38,800 --> 00:24:39,479 Speaker 1: Oh you think so? 508 00:24:39,640 --> 00:24:39,919 Speaker 3: I know. 509 00:24:40,000 --> 00:24:42,720 Speaker 1: So I'm glad that makes two of us. 510 00:24:42,880 --> 00:24:44,560 Speaker 3: So you say so I did. 511 00:24:49,240 --> 00:24:51,840 Speaker 4: Why don't you go through this? Tell me about that scene. 512 00:24:51,960 --> 00:24:55,439 Speaker 3: Okay, it's actually something very interesting. I say to her, 513 00:24:55,480 --> 00:24:58,080 Speaker 3: a good night, nurse, and then she says good night. 514 00:24:58,200 --> 00:24:59,840 Speaker 3: We go back and forth at a. 515 00:24:59,800 --> 00:25:03,359 Speaker 4: Fa in a very kind of surreal way. 516 00:25:03,600 --> 00:25:06,160 Speaker 3: Yeah, but I want to say something. This is behind 517 00:25:06,240 --> 00:25:09,159 Speaker 3: the scenes stuff. This is stuff you'd never know, so 518 00:25:09,240 --> 00:25:12,439 Speaker 3: we improvise it. It's really good, don't get me wrong, 519 00:25:12,960 --> 00:25:15,680 Speaker 3: But Larry and I know there's something wrong with it. 520 00:25:15,680 --> 00:25:19,440 Speaker 3: It's not kicking ash the way it should. Larry wrote 521 00:25:19,520 --> 00:25:22,359 Speaker 3: that scene and he would feed me a line and 522 00:25:22,440 --> 00:25:24,560 Speaker 3: I just said it. He would feed her a ligne. 523 00:25:24,840 --> 00:25:27,560 Speaker 3: She just said it. Back and forth, back and forth, 524 00:25:27,640 --> 00:25:30,080 Speaker 3: and that was put together through editings, so you felt 525 00:25:30,119 --> 00:25:31,840 Speaker 3: like we were going bything. 526 00:25:31,640 --> 00:25:32,800 Speaker 1: That's very unusual. 527 00:25:33,040 --> 00:25:35,720 Speaker 3: We'd never done that before. Yes, And the only time 528 00:25:35,720 --> 00:25:38,520 Speaker 3: I've ever felt that is I'll be driving home and 529 00:25:38,600 --> 00:25:41,480 Speaker 3: Larry will say, eh, it would have been better written, 530 00:25:41,680 --> 00:25:44,479 Speaker 3: And he was right. Certain scenes would have been better written. 531 00:25:44,800 --> 00:25:47,160 Speaker 3: But that's rare that happened. Like he does. 532 00:25:47,240 --> 00:25:50,159 Speaker 1: He has said, and I don't know the exact percentage, 533 00:25:50,160 --> 00:25:53,399 Speaker 1: but something like ninety five percent of the time, or 534 00:25:53,400 --> 00:25:56,600 Speaker 1: maybe even ninety eight the actor that is in the 535 00:25:56,640 --> 00:25:59,320 Speaker 1: scene writes it better than he ever could, and maybe, 536 00:25:59,480 --> 00:26:01,159 Speaker 1: you know, five percent of the time he wishes that 537 00:26:01,200 --> 00:26:01,960 Speaker 1: he had written. 538 00:26:02,240 --> 00:26:05,080 Speaker 3: Without a doubt. But also so this scene and I 539 00:26:05,200 --> 00:26:08,400 Speaker 3: took no affront to it that my improvising, and obviously 540 00:26:08,400 --> 00:26:11,560 Speaker 3: the guest actress who was great, But we went back 541 00:26:11,600 --> 00:26:15,800 Speaker 3: and forth, back and forth. He would literally feed me 542 00:26:15,880 --> 00:26:19,040 Speaker 3: the line and I'd say it, very staccato, a very 543 00:26:20,040 --> 00:26:25,159 Speaker 3: yes to come Deadpana pan boom, boom boom boom, and 544 00:26:25,200 --> 00:26:28,040 Speaker 3: then in post it was put together like it was 545 00:26:28,080 --> 00:26:32,720 Speaker 3: just being made up. I imagine somebody watching would go, wow, 546 00:26:33,119 --> 00:26:36,040 Speaker 3: look at the way they're improvising, but no, suri bop. 547 00:26:36,200 --> 00:26:38,400 Speaker 1: Okay. So then you're on the park bench with Larry 548 00:26:38,480 --> 00:26:40,560 Speaker 1: and you got to decide who's good. You're both mad 549 00:26:40,600 --> 00:26:40,840 Speaker 1: by the. 550 00:26:40,840 --> 00:26:44,919 Speaker 3: Way, not only one of my favorite scenes, but someone 551 00:26:44,960 --> 00:26:47,280 Speaker 3: took a photo of that. Cephatiger took a photo of 552 00:26:47,280 --> 00:26:50,119 Speaker 3: that scene and sent it to me for approval. I 553 00:26:50,160 --> 00:26:52,360 Speaker 3: guess I got my approvals and I said, I want 554 00:26:52,359 --> 00:26:56,200 Speaker 3: to copy that. So that's probably the most often thing 555 00:26:56,240 --> 00:26:58,920 Speaker 3: that I autograph is the picture of that. Oh really, yeah, 556 00:26:58,920 --> 00:26:59,320 Speaker 3: because I. 557 00:26:59,320 --> 00:27:01,119 Speaker 4: Had to see that. I haven't seen that. 558 00:27:01,240 --> 00:27:04,320 Speaker 3: Well, just picture the scene and it's a really cool shot. 559 00:27:04,480 --> 00:27:05,239 Speaker 1: Yeah, he and I. 560 00:27:05,760 --> 00:27:07,159 Speaker 3: You know what it is. It's just he and I 561 00:27:07,280 --> 00:27:09,959 Speaker 3: staring in the space, you know, And I saw it 562 00:27:10,000 --> 00:27:10,520 Speaker 3: in the scene. 563 00:27:10,560 --> 00:27:13,120 Speaker 1: So I actually have some pictures I've taken on set 564 00:27:13,160 --> 00:27:14,080 Speaker 1: of you two doing that. 565 00:27:14,440 --> 00:27:17,280 Speaker 3: Oh really, yeah, you and your lozenges. 566 00:27:17,440 --> 00:27:20,679 Speaker 6: All right, we'll be right back, Stay tuned. 567 00:27:31,240 --> 00:27:34,320 Speaker 1: Okay, we're back, And then how are you going to 568 00:27:34,400 --> 00:27:38,000 Speaker 1: decide who's gonna give the kidney, Larry suggests bingo when 569 00:27:38,000 --> 00:27:40,359 Speaker 1: you're like, no way, it's like playing golf with Tiger Woods. 570 00:27:40,400 --> 00:27:41,399 Speaker 1: You're not gonna by. 571 00:27:41,240 --> 00:27:44,080 Speaker 3: The way, the fact that I'm intimidated by him playing 572 00:27:44,680 --> 00:27:51,040 Speaker 3: back to obviously an earlier episode, but wow, that's funny. 573 00:27:50,800 --> 00:27:53,359 Speaker 1: Because he's such a goddamn good bingo player. 574 00:27:53,560 --> 00:27:54,680 Speaker 3: Yeah, yeah, yeah yeah. 575 00:27:54,720 --> 00:27:56,639 Speaker 1: And then you say, doesn't he have a cousin, you know, 576 00:27:57,320 --> 00:28:00,680 Speaker 1: Louis Lewis, And then you decide, let Louis, let Richard 577 00:28:00,760 --> 00:28:04,000 Speaker 1: Lewis decide the best way, and no campaigning, You're not 578 00:28:04,000 --> 00:28:06,360 Speaker 1: going to campaign, and no calling saying he's a lot 579 00:28:06,400 --> 00:28:09,200 Speaker 1: thinner than I am. You know, none of that stuff, 580 00:28:09,200 --> 00:28:11,240 Speaker 1: which we know is neither of you are going to 581 00:28:11,280 --> 00:28:14,719 Speaker 1: stick to that yet. And then Larry shows up at 582 00:28:14,760 --> 00:28:18,679 Speaker 1: Lewis's office and he apologizes to his assistant, Mindy Kayling, 583 00:28:19,119 --> 00:28:21,760 Speaker 1: and she says, oh, he's on the phone with Jeff Garland, 584 00:28:22,040 --> 00:28:24,000 Speaker 1: and Larry says, what is it regarding it? She says, 585 00:28:24,000 --> 00:28:27,560 Speaker 1: she doesn't know, but we know. You know I'm doing 586 00:28:27,600 --> 00:28:30,840 Speaker 1: my massage, we know we know you're campaigning. And then 587 00:28:30,920 --> 00:28:33,960 Speaker 1: she starts crying again and he comforts her and he 588 00:28:34,080 --> 00:28:35,680 Speaker 1: starts stroking her hair. 589 00:28:36,119 --> 00:28:39,360 Speaker 3: It's all right, it's okay. Don't worry. I'm sure. 590 00:28:39,400 --> 00:28:44,480 Speaker 2: I was going to tell you, yeah, don't worry. 591 00:28:43,960 --> 00:28:45,440 Speaker 1: It's okay. What are you doing? 592 00:28:46,040 --> 00:28:47,320 Speaker 6: What? What was that? 593 00:28:48,320 --> 00:28:50,280 Speaker 1: What are you talking about? What the hell? Man? What 594 00:28:50,320 --> 00:28:51,080 Speaker 1: did you touch my hair? 595 00:28:52,080 --> 00:28:54,480 Speaker 3: Well? I was consoling. I was consoling you. I was 596 00:28:55,640 --> 00:28:56,200 Speaker 3: touching hair. 597 00:28:56,280 --> 00:28:57,960 Speaker 2: Is part of my consolation routine. 598 00:28:58,200 --> 00:29:01,760 Speaker 1: No, it's really weird. You're being really are crazy? 599 00:29:02,000 --> 00:29:05,360 Speaker 3: What is crazy? 600 00:29:05,440 --> 00:29:05,719 Speaker 2: I was? 601 00:29:05,760 --> 00:29:06,520 Speaker 3: I was consoling. 602 00:29:06,600 --> 00:29:08,280 Speaker 4: Are they I was coming? 603 00:29:09,320 --> 00:29:14,320 Speaker 2: I was consoling, he was coming. 604 00:29:15,160 --> 00:29:15,800 Speaker 3: I was consoling. 605 00:29:15,840 --> 00:29:16,400 Speaker 2: I touched her hair. 606 00:29:17,360 --> 00:29:17,960 Speaker 3: She's nuts. 607 00:29:19,200 --> 00:29:21,880 Speaker 1: If Larry David, who is my very close friend, was 608 00:29:21,920 --> 00:29:24,680 Speaker 1: doing that to me, I would feel like it was weird. 609 00:29:25,400 --> 00:29:26,920 Speaker 3: What are you doing? Yeah? 610 00:29:27,000 --> 00:29:27,280 Speaker 1: Yeah? 611 00:29:27,400 --> 00:29:28,600 Speaker 4: And she was like, you're being weird. 612 00:29:28,640 --> 00:29:31,280 Speaker 1: And then Lewis comes out and then she says that 613 00:29:31,440 --> 00:29:34,440 Speaker 1: Larry was coming on to her, and then she leaves, 614 00:29:34,480 --> 00:29:36,440 Speaker 1: and then Louis is confused is she leaving or is 615 00:29:36,480 --> 00:29:39,720 Speaker 1: she quitting? And you know, goes on to did you 616 00:29:39,760 --> 00:29:42,440 Speaker 1: get the news? You get the choice? And Larry starts going, 617 00:29:42,480 --> 00:29:45,320 Speaker 1: you know, I'm considerably older than him, he's bigger, so 618 00:29:45,400 --> 00:29:49,280 Speaker 1: it's like a big hefty kidney. You can start drinking 619 00:29:49,320 --> 00:29:51,760 Speaker 1: again he tells him, is a lot about me. You 620 00:29:51,800 --> 00:29:54,800 Speaker 1: don't know about things I did right after college, and 621 00:29:55,240 --> 00:29:57,880 Speaker 1: Louis is just like, you know what, you decide, flip 622 00:29:57,920 --> 00:30:00,840 Speaker 1: a coin or play Enie meanie my nemo. You decide. 623 00:30:01,240 --> 00:30:04,480 Speaker 1: And then Larry goes over in his head Aenie meanie 624 00:30:04,520 --> 00:30:07,680 Speaker 1: miney moke, you know, figuring out which one. How if 625 00:30:07,680 --> 00:30:15,160 Speaker 1: he starts, you know how he's gonna. 626 00:30:09,720 --> 00:30:15,360 Speaker 3: He's yeah, he's gonna cheat. He's gonna prep for any 627 00:30:15,400 --> 00:30:16,680 Speaker 3: meaning mind and mode exactly. 628 00:30:17,000 --> 00:30:20,720 Speaker 1: And next we're at our house and it's you and 629 00:30:20,800 --> 00:30:24,760 Speaker 1: Larry and Marty Funkouser, which. 630 00:30:24,560 --> 00:30:28,080 Speaker 3: By the way, before we begin, he doesn't do this often, 631 00:30:28,160 --> 00:30:32,320 Speaker 3: but he was the funniest straight man, and he's the one, 632 00:30:32,560 --> 00:30:34,160 Speaker 3: he's the one who held the scene together. 633 00:30:34,280 --> 00:30:37,320 Speaker 1: It's interesting because having watched it, you know, both you 634 00:30:37,400 --> 00:30:39,680 Speaker 1: and Larry are hilarious in this and the jump bigger. 635 00:30:39,920 --> 00:30:41,320 Speaker 4: But it is Einstein's scene. 636 00:30:41,360 --> 00:30:41,600 Speaker 1: It's his. 637 00:30:41,800 --> 00:30:45,480 Speaker 3: Oh hold on, it's Einstein and your scene, not me 638 00:30:45,560 --> 00:30:47,360 Speaker 3: as much as no. By the way, let me just 639 00:30:47,400 --> 00:30:49,920 Speaker 3: say this is one of our favorite things scenes to 640 00:30:49,920 --> 00:30:53,480 Speaker 3: have filmed. Ever. We laughed the whole time, and by 641 00:30:53,520 --> 00:30:56,000 Speaker 3: the way, I know it was difficult in post to 642 00:30:56,040 --> 00:30:59,600 Speaker 3: pick what to use, you know, and Larry and I 643 00:30:59,640 --> 00:31:02,640 Speaker 3: are any funny in this scene, yes, but we're eclipsed 644 00:31:02,640 --> 00:31:05,800 Speaker 3: by Bob and your entrance. What you'll go over now 645 00:31:06,320 --> 00:31:07,000 Speaker 3: is well. 646 00:31:06,880 --> 00:31:10,400 Speaker 1: First they think first it's it's flip a coin, and 647 00:31:10,440 --> 00:31:12,920 Speaker 1: then they decide, now Larry wants to do enye meanie. 648 00:31:13,120 --> 00:31:15,200 Speaker 1: Now we know he wants to do enye meaning because 649 00:31:15,240 --> 00:31:17,840 Speaker 1: he's already worked out the eenie meaniness of it. Right 650 00:31:18,360 --> 00:31:22,240 Speaker 1: first of all, just the whole idea that you're doing 651 00:31:22,600 --> 00:31:25,480 Speaker 1: eenie meanie miney mo to decide who was going to 652 00:31:25,520 --> 00:31:29,400 Speaker 1: have serious surgery of giving up a kidney. I mean, 653 00:31:29,520 --> 00:31:32,480 Speaker 1: this is an organ and it's eenie meanie mighty mo. 654 00:31:32,960 --> 00:31:36,640 Speaker 1: It's just it's too bizarre. So Marty says, you know, 655 00:31:36,720 --> 00:31:40,000 Speaker 1: I really admire you guys. That the unbelievable act of friendship. 656 00:31:40,280 --> 00:31:42,600 Speaker 1: I just was. I wish I could. And Larry says, well, 657 00:31:42,840 --> 00:31:44,600 Speaker 1: you haven't taken the test, and so I don't think 658 00:31:44,600 --> 00:31:46,880 Speaker 1: of a match. I love how he does that. I 659 00:31:46,880 --> 00:31:47,800 Speaker 1: don't think of a match. 660 00:31:47,960 --> 00:31:51,040 Speaker 3: But by the way Bob getting out of it is 661 00:31:51,080 --> 00:31:53,080 Speaker 3: so matter of fact, just. 662 00:31:52,960 --> 00:31:54,000 Speaker 4: Like I'm not a match. 663 00:31:54,240 --> 00:31:55,960 Speaker 3: But by the way he doesn't even give us a 664 00:31:56,080 --> 00:31:57,480 Speaker 3: chance to argue with him. 665 00:31:57,560 --> 00:32:01,520 Speaker 4: Now, no discussion, and who wants to be Enie? 666 00:32:01,520 --> 00:32:03,959 Speaker 1: And Larry says, I'll be Enie and you agree, and 667 00:32:04,000 --> 00:32:06,280 Speaker 1: then then he starts to get suspicious. Why do you 668 00:32:06,320 --> 00:32:09,800 Speaker 1: agree to be Enie? To start with Enie and whatever? 669 00:32:09,880 --> 00:32:10,720 Speaker 1: You work that through? 670 00:32:10,920 --> 00:32:14,120 Speaker 3: No, I say, fine, I'll be Enie. And then he's 671 00:32:14,120 --> 00:32:17,200 Speaker 3: suspicious of that. That's right, So he takes Enie back. 672 00:32:17,400 --> 00:32:20,160 Speaker 4: He takes Enie back, and it's meanie miney moment. 673 00:32:20,760 --> 00:32:23,280 Speaker 1: My mother says, right, he thinks it's all. He thinks 674 00:32:23,320 --> 00:32:27,040 Speaker 1: everybody's you know, planning, like like diabolical like he yeah, 675 00:32:27,360 --> 00:32:29,600 Speaker 1: my mother says, to pick this one, and out goes Yo. 676 00:32:29,880 --> 00:32:32,640 Speaker 1: You and at Landsa Larry and you both jump. 677 00:32:34,960 --> 00:32:36,240 Speaker 6: You both jump up. 678 00:32:36,480 --> 00:32:38,800 Speaker 1: It's like so happy you give the kiddy, You give 679 00:32:38,840 --> 00:32:41,320 Speaker 1: the kiddy, and it's it is what to me, It's 680 00:32:41,360 --> 00:32:43,440 Speaker 1: one of the funniest scenes that you guys have ever done. 681 00:32:43,560 --> 00:32:44,720 Speaker 1: I really, by the way. 682 00:32:44,600 --> 00:32:48,080 Speaker 3: We begin screaming at each other. You you, And by 683 00:32:48,120 --> 00:32:51,840 Speaker 3: the way in filming this, Larry lost his ship more 684 00:32:51,920 --> 00:32:52,600 Speaker 3: times than I. 685 00:32:52,520 --> 00:32:53,280 Speaker 1: Can I remember. 686 00:32:53,320 --> 00:32:56,360 Speaker 3: Every time I said you to him, he's on the floor. 687 00:32:56,440 --> 00:32:59,080 Speaker 3: And so this one took a minute for him to 688 00:32:59,160 --> 00:33:02,840 Speaker 3: recover too, but once he started the festival. 689 00:33:03,040 --> 00:33:05,600 Speaker 1: And let me ask you a question, Jeff, because I'm 690 00:33:05,640 --> 00:33:09,600 Speaker 1: trying to remember, was it was it in the outline? 691 00:33:09,680 --> 00:33:11,400 Speaker 1: I don't think it was in the outline that you 692 00:33:11,480 --> 00:33:13,520 Speaker 1: both jump up at the same time like that. 693 00:33:13,840 --> 00:33:15,840 Speaker 3: It had to have been. Yes, you think it was, 694 00:33:16,040 --> 00:33:20,040 Speaker 3: without a doubt, because that's a story point. So yes, 695 00:33:20,120 --> 00:33:23,400 Speaker 3: we've improvised some story points, but that one in particular, 696 00:33:23,520 --> 00:33:26,360 Speaker 3: that would be too weird if we both jumped up, 697 00:33:26,800 --> 00:33:30,880 Speaker 3: because in this outline, there would be a conclusion on 698 00:33:30,960 --> 00:33:34,440 Speaker 3: that moment and he would say, Jeff wins, Larry wins, 699 00:33:34,560 --> 00:33:37,200 Speaker 3: they both win, you know what I mean. Maybe it 700 00:33:37,280 --> 00:33:38,720 Speaker 3: was discussed on that, But. 701 00:33:39,240 --> 00:33:42,560 Speaker 1: What I recall was, I think the outline did say 702 00:33:42,880 --> 00:33:45,400 Speaker 1: that you both think that you won, but it didn't. 703 00:33:45,480 --> 00:33:47,400 Speaker 1: But I don't think it said in the outline. 704 00:33:47,080 --> 00:33:48,880 Speaker 4: That you both jump up simultaneously. 705 00:33:49,000 --> 00:33:53,600 Speaker 3: But I think that, No, he doesn't write things like they, Yes, 706 00:33:53,920 --> 00:33:54,440 Speaker 3: that was it. 707 00:33:54,560 --> 00:33:56,640 Speaker 4: So that's my point, that that was just that that 708 00:33:56,800 --> 00:33:57,560 Speaker 4: beautif we. 709 00:33:57,600 --> 00:34:00,480 Speaker 3: Did, as you know on our show, it's not what 710 00:34:00,520 --> 00:34:04,000 Speaker 3: we're doing because that's already set, it's how we're doing it. 711 00:34:04,000 --> 00:34:07,680 Speaker 1: It really is yeah. And then I come in and 712 00:34:07,720 --> 00:34:09,960 Speaker 1: he says to me. I was like, what are you doing? 713 00:34:10,280 --> 00:34:14,279 Speaker 3: Hold on, take a step back. You know, Bob is 714 00:34:14,320 --> 00:34:17,840 Speaker 3: also agreeing with me. By my you know, Martin Larry is, 715 00:34:18,760 --> 00:34:23,319 Speaker 3: so when you come in, there's no where you go, 716 00:34:23,640 --> 00:34:27,359 Speaker 3: No one's expecting. It's not it's not surprising, but we're 717 00:34:27,400 --> 00:34:30,560 Speaker 3: not expecting. So you're like, you want an explanation, and 718 00:34:30,600 --> 00:34:31,279 Speaker 3: what do you do? 719 00:34:31,440 --> 00:34:34,800 Speaker 1: You say, oh, well, Larry says to be an immediate 720 00:34:35,480 --> 00:34:38,759 Speaker 1: and I was like, that's that means you're it? And 721 00:34:38,760 --> 00:34:39,760 Speaker 1: and then I say, you're. 722 00:34:39,640 --> 00:34:41,520 Speaker 6: Not giving your kidney? What if one of your kids 723 00:34:41,520 --> 00:34:42,359 Speaker 6: needs a kidney one day? 724 00:34:42,360 --> 00:34:45,120 Speaker 1: You're gonna give a kidney to Richard Lewis? No, no, no, no, 725 00:34:45,920 --> 00:34:48,440 Speaker 1: I might not be the match Larry, he needs his kidney. 726 00:34:48,600 --> 00:34:50,279 Speaker 6: M but one number two he's a fat fuck. He 727 00:34:50,320 --> 00:34:54,520 Speaker 6: can't even survive the surgery. You're healthy and thin, you're 728 00:34:54,560 --> 00:34:57,200 Speaker 6: giving the kidney. End of discussion, foot point. 729 00:34:57,400 --> 00:34:58,719 Speaker 1: There's no way jefs give it. What if what do 730 00:34:58,800 --> 00:35:00,840 Speaker 1: your kids needs your kiddy and you're not giving a 731 00:35:00,880 --> 00:35:01,880 Speaker 1: kidney to Richard Lewis? 732 00:35:01,880 --> 00:35:03,840 Speaker 4: He needs his kidney Number one and two he's a 733 00:35:03,880 --> 00:35:05,640 Speaker 4: fat fuck. He can't survive the surgery. 734 00:35:06,000 --> 00:35:08,760 Speaker 1: So that's that, and you're like, yeah with that face. 735 00:35:09,000 --> 00:35:12,760 Speaker 3: I was really not till later, very upset that Larry 736 00:35:12,800 --> 00:35:15,040 Speaker 3: pointed out to me that was the favorite thing that 737 00:35:15,160 --> 00:35:17,759 Speaker 3: I do because I was never aware of it. For 738 00:35:17,840 --> 00:35:20,560 Speaker 3: six seasons, I was never aware that I was doing that. 739 00:35:20,920 --> 00:35:23,320 Speaker 3: And then Larry said to me one day, my favorite 740 00:35:23,320 --> 00:35:25,560 Speaker 3: thing that you do in scenes is when and he 741 00:35:25,640 --> 00:35:29,120 Speaker 3: imitated it. Yeah, and then every time after I did it, 742 00:35:29,200 --> 00:35:30,560 Speaker 3: I was conscious. 743 00:35:30,160 --> 00:35:32,320 Speaker 1: Oh, really interesting, And so think. 744 00:35:32,160 --> 00:35:35,279 Speaker 3: About this six seven years. Had no idea I was 745 00:35:35,360 --> 00:35:38,680 Speaker 3: doing it because I don't like being aware of what 746 00:35:38,840 --> 00:35:40,320 Speaker 3: I'm doing unless. 747 00:35:40,040 --> 00:35:42,080 Speaker 4: There's us on an unconscious level. 748 00:35:42,160 --> 00:35:44,640 Speaker 1: Yeah, and then I say, you're healthy and thin, you're 749 00:35:44,640 --> 00:35:48,799 Speaker 1: giving the kidd the end of discussion. Done discussion. 750 00:35:49,040 --> 00:35:53,839 Speaker 3: But also the way Larry leaves that scene is really funny, Yeah, 751 00:35:53,840 --> 00:35:56,400 Speaker 3: because he's like he's trying to get a change of 752 00:35:56,440 --> 00:35:58,920 Speaker 3: mind from you in the most half assed way. And 753 00:35:58,960 --> 00:36:03,520 Speaker 3: then he comes back and takes the quarterback from Bob. Yeah. 754 00:36:03,560 --> 00:36:06,280 Speaker 1: So then he's home with Cheryl explaining to out goes 755 00:36:06,320 --> 00:36:10,320 Speaker 1: why oh you, and Cheryl agrees, also, you're it, you're out. 756 00:36:10,840 --> 00:36:12,480 Speaker 1: You have to give the kidney and He's like, if 757 00:36:12,480 --> 00:36:15,279 Speaker 1: you're playing with two people, yes you're the winner. I'm out. 758 00:36:15,320 --> 00:36:18,480 Speaker 1: He's in, and he's like, disparaging of Cheryl. I grew 759 00:36:18,520 --> 00:36:20,759 Speaker 1: up with ene Meenie. You don't know Eenie meeni as 760 00:36:20,760 --> 00:36:23,160 Speaker 1: well as I know Enie Meanie. And then he goes 761 00:36:23,200 --> 00:36:25,600 Speaker 1: into a whole thing how it's unfair that he took 762 00:36:25,600 --> 00:36:27,719 Speaker 1: care of himself all these years. He should have been 763 00:36:27,719 --> 00:36:32,680 Speaker 1: smoking cigarettes and eating crap, et cetera, et cetera, preparing 764 00:36:32,840 --> 00:36:36,040 Speaker 1: for this moment, for this moment. And Cheryl says, maybe 765 00:36:36,040 --> 00:36:38,520 Speaker 1: this is why you were saved when you were drowning. 766 00:36:39,120 --> 00:36:41,600 Speaker 1: And Larry's point is, if he wants to get so involved, 767 00:36:41,600 --> 00:36:44,080 Speaker 1: meaning God, why does it just fix his kidney while 768 00:36:44,080 --> 00:36:46,640 Speaker 1: he's sleeping, and why go through the whole drowning and 769 00:36:46,640 --> 00:36:49,920 Speaker 1: the saving and you know, And Cheryl starts massaging his 770 00:36:50,000 --> 00:36:54,000 Speaker 1: shoulders and he grabs her ass and wants to turn 771 00:36:54,040 --> 00:36:57,960 Speaker 1: it into consolation sex. Yes, she's nuts and and and 772 00:36:57,960 --> 00:37:01,160 Speaker 1: and Larry's like, sex is the ultimate form of consolation 773 00:37:01,320 --> 00:37:02,399 Speaker 1: and she's not having it. 774 00:37:02,480 --> 00:37:06,040 Speaker 3: The magic of being married, yes, as opposed to you 775 00:37:06,160 --> 00:37:09,040 Speaker 3: both can't wait to touch each other. Yeah, well thanks, 776 00:37:09,280 --> 00:37:12,839 Speaker 3: I think that calms down for a man, but it's 777 00:37:12,920 --> 00:37:18,560 Speaker 3: pretty much eliminated for a woman. And I actually believe none. 778 00:37:18,760 --> 00:37:21,600 Speaker 3: That's not what I'm saying. What I'm saying is it's 779 00:37:21,640 --> 00:37:25,719 Speaker 3: eliminated unless there's a whimsy on the woman's part, like 780 00:37:26,040 --> 00:37:28,200 Speaker 3: okay today, I want it. I'm gonna go get it. 781 00:37:28,239 --> 00:37:30,640 Speaker 4: So you're saying women control the whole thing. 782 00:37:30,640 --> 00:37:33,879 Speaker 3: All they most certainly do when you are in a relationship. 783 00:37:33,920 --> 00:37:35,399 Speaker 3: I don't care who you are. I mean, there might 784 00:37:35,520 --> 00:37:40,680 Speaker 3: obviously there's exceptions, but yeah, women control the whole sex festival. Sorry, 785 00:37:40,840 --> 00:37:43,680 Speaker 3: they do it. I agree, Yeah, yeah, yeah, I agree, 786 00:37:43,800 --> 00:37:45,120 Speaker 3: that's my point. Keep going. 787 00:37:45,239 --> 00:37:48,480 Speaker 1: Yeah, And then the news comes on and the news says, 788 00:37:48,680 --> 00:37:52,280 Speaker 1: Peter Hagen rob Jack in the Box and the victim 789 00:37:52,360 --> 00:37:55,439 Speaker 1: of robbing the jack with is Louis Lewis and he's 790 00:37:55,480 --> 00:37:58,760 Speaker 1: in a coma he's not expected to survive, and Larry 791 00:37:59,040 --> 00:38:03,000 Speaker 1: jumps up for joy and that's the end. I love 792 00:38:03,040 --> 00:38:08,719 Speaker 1: this episode again. It's it's a very simple but beautiful. 793 00:38:07,160 --> 00:38:12,560 Speaker 3: But it's self contained. Has everything to do with the season, Yeah, 794 00:38:13,080 --> 00:38:15,800 Speaker 3: a lot, because I told you Wandering Bear had nothing 795 00:38:15,840 --> 00:38:18,840 Speaker 3: to do with anything else. One of my favorite episodes 796 00:38:19,040 --> 00:38:21,719 Speaker 3: that's like in the middle of a season sort of 797 00:38:21,760 --> 00:38:24,959 Speaker 3: like do it, you know, sticking out and you go, wow, 798 00:38:25,040 --> 00:38:28,640 Speaker 3: that's a great episode. This one's equally, if not better. 799 00:38:29,239 --> 00:38:30,240 Speaker 3: But yet, this one's. 800 00:38:30,040 --> 00:38:33,640 Speaker 1: About a lot to do with the storyline that's coming up, 801 00:38:33,640 --> 00:38:36,200 Speaker 1: because from here on in we're dealing a lot with 802 00:38:36,280 --> 00:38:37,240 Speaker 1: Lewis's kidney. 803 00:38:37,800 --> 00:38:40,120 Speaker 3: And by the way, I think this is the only 804 00:38:40,200 --> 00:38:42,560 Speaker 3: freeze frame that ever ended the show. You know, like 805 00:38:42,640 --> 00:38:46,359 Speaker 3: Hawaii the Naked Gun did jokes on the free freeze 806 00:38:46,400 --> 00:38:50,120 Speaker 3: frame and everybody froze and the coffee poured over the cup, 807 00:38:50,480 --> 00:38:50,960 Speaker 3: you know what I mean. 808 00:38:51,560 --> 00:38:52,520 Speaker 1: Yeah, yeah, but. 809 00:38:52,400 --> 00:38:55,200 Speaker 3: That came from originally, if I'm not mistaken, because I 810 00:38:55,280 --> 00:38:58,799 Speaker 3: have watched the first season Hawaii five zero, like they 811 00:38:58,960 --> 00:39:03,279 Speaker 3: laugh freeze and it's always funny. Yes, yes, yes, yes, yes, 812 00:39:03,680 --> 00:39:07,960 Speaker 3: So a freeze frame ending is kind of like Colombo 813 00:39:08,040 --> 00:39:10,560 Speaker 3: always did it. Yeah, yeah, yeah, it was a very 814 00:39:10,640 --> 00:39:16,520 Speaker 3: much seventies, sixties and seventies thing to do, so for 815 00:39:16,680 --> 00:39:18,280 Speaker 3: us to do it, it's kind of funny. 816 00:39:18,600 --> 00:39:18,880 Speaker 1: Yeah. 817 00:39:18,920 --> 00:39:20,880 Speaker 3: And also him in the air of freezing him in 818 00:39:20,920 --> 00:39:21,520 Speaker 3: the air. 819 00:39:21,480 --> 00:39:24,400 Speaker 1: Yeah yeah, and that is Lewis needs a kidney. 820 00:39:24,680 --> 00:39:25,080 Speaker 3: Yeah. 821 00:39:25,480 --> 00:39:28,440 Speaker 1: Whether Lewis actually gets the kidney will be seen in 822 00:39:28,520 --> 00:39:29,480 Speaker 1: future episodes. 823 00:39:29,600 --> 00:39:31,799 Speaker 3: That's right, but you're leaning it towards the direction, but 824 00:39:31,840 --> 00:39:32,880 Speaker 3: you're creating mystery. 825 00:39:33,120 --> 00:39:33,799 Speaker 1: We'll be back. 826 00:39:34,000 --> 00:39:37,439 Speaker 3: Whoever's listening to the show knows what he knows. We're 827 00:39:37,480 --> 00:39:39,160 Speaker 3: not dealing with people who are listening to this. 828 00:39:39,239 --> 00:39:41,440 Speaker 1: Anybody's listening to the show and just deciding for the 829 00:39:41,440 --> 00:39:44,239 Speaker 1: first time to start to watch curb and go from 830 00:39:44,239 --> 00:39:47,279 Speaker 1: the beginning. I have had many people tell me, by 831 00:39:47,320 --> 00:39:50,200 Speaker 1: the way, and this is like in the Pandemic especially, 832 00:39:50,480 --> 00:39:52,440 Speaker 1: many people tell me that that's what they did in 833 00:39:52,480 --> 00:39:54,960 Speaker 1: the Pandemic. They went back to the first season and 834 00:39:55,000 --> 00:39:56,160 Speaker 1: they watched straight through. 835 00:39:56,400 --> 00:39:59,720 Speaker 3: This is why my argument is. And I love HBO 836 00:40:00,000 --> 00:40:03,920 Speaker 3: and I wish we had more people had eyes on HBO. 837 00:40:04,320 --> 00:40:06,719 Speaker 3: But this is why I'm saying, if we could be 838 00:40:06,840 --> 00:40:10,919 Speaker 3: on Netflix, how it would change everything. Now I don't 839 00:40:10,960 --> 00:40:12,560 Speaker 3: I told you I don't want to be more famous, 840 00:40:12,760 --> 00:40:15,400 Speaker 3: but I love when the show's more successful. Yeah, that 841 00:40:15,560 --> 00:40:18,440 Speaker 3: really throws me. And that's how people would discover it. 842 00:40:18,520 --> 00:40:21,600 Speaker 1: The more people laughing, the better off it is. So 843 00:40:21,640 --> 00:40:23,960 Speaker 1: we will see you next time, everybody. 844 00:40:23,800 --> 00:40:26,280 Speaker 3: Yes, bye bye, thank you for listening. 845 00:40:34,040 --> 00:40:36,440 Speaker 1: The History of Carb Your Enthusiasm is a production of 846 00:40:36,520 --> 00:40:40,399 Speaker 1: iHeart Radio for more podcasts from iHeart Radio, visit the 847 00:40:40,440 --> 00:40:43,839 Speaker 1: iHeart Radio Apple Podcasts, or wherever you listen to your 848 00:40:43,880 --> 00:40:44,560 Speaker 1: favorite shows.