WEBVTT - The Rise and Fall of Magnavox

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<v Speaker 1>Welcome to tech Stuff, a production from I Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with I Heart Radio

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<v Speaker 1>and a love of all things tech. And in our

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<v Speaker 1>last episode, we looked at how co founders Edwin Priddham

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<v Speaker 1>and Peter Jensen, not only kept their young company alive

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<v Speaker 1>by creating a moving coil loudspeaker, but they also came

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<v Speaker 1>up with the name of the company and is Magnavox,

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<v Speaker 1>after first calling the loudspeaker that name, so originally Magnavox

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<v Speaker 1>was the name for a type of technology, a loud speaker.

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<v Speaker 1>We also learned about how the two engineers created noise

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<v Speaker 1>canceling microphones for use in aircraft during World War One,

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<v Speaker 1>as well as how the company tried to get into

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<v Speaker 1>the consumer electronics business and the young business of radio

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<v Speaker 1>once the war was over. We also learned that in

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<v Speaker 1>nineteen twenty five, after having disagreements with leadership, Peter Jensen,

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<v Speaker 1>one of the co founders, left the company and he

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<v Speaker 1>would go on to found his own companies and later

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<v Speaker 1>on pass away in nineteen sixty one. But back to

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<v Speaker 1>Magnavox and the mid to late nineteen twenties, the company

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<v Speaker 1>was actually too pretty unsteady ground in nive. It wasn't

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<v Speaker 1>just because Jensen had left. Magnavox had overestimated the demand

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<v Speaker 1>for radio sets in the early days and had overproduced radios,

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<v Speaker 1>so it expanded operations. It had opened up a warehouse

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<v Speaker 1>and distribution center in New York, But by the end

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<v Speaker 1>of nineteen twenty five, with the costs of operation so

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<v Speaker 1>high in the radio business so cut throat, Magnavox chose

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<v Speaker 1>to close those New York offices because those offices weren't

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<v Speaker 1>really serving a purpose. Because the company was finding it

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<v Speaker 1>hard to sell consumer radios. There's just too many on

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<v Speaker 1>the market and there wasn't enough you know, demand there yet,

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<v Speaker 1>and the business owns began to consider alternatives to having

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<v Speaker 1>a base of operations in California as well. There was

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<v Speaker 1>no denying that California was a huge market, a lot

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<v Speaker 1>of people live there, but shipping components like copper wire,

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<v Speaker 1>which largely came out of the Midwestern states in America,

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<v Speaker 1>and and shipping them all the way across the states

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<v Speaker 1>to California and or the manufacture stuff that was really expensive.

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<v Speaker 1>Now the company also hit a stumbling block when it

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<v Speaker 1>started to produce its own vacuum tubes. The company was

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<v Speaker 1>trying to get off the dependence of other manufacturing companies

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<v Speaker 1>and to become more self sufficient and thus produce all

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<v Speaker 1>the different components that would go into things like a radio.

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<v Speaker 1>The earliest Magnavox tubes had a tendency to short out,

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<v Speaker 1>which is not good. Like some of them wouldn't even

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<v Speaker 1>last longer than a few hours of operation. Later tubes

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<v Speaker 1>continued to have some reliability issues, and this gave Magnavox

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<v Speaker 1>a bad reputation among distributors and independent radio manufacturers. They

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<v Speaker 1>realized that if they built their radios and they used

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<v Speaker 1>Magnavox tubes as amplifiers, that they would frequently stop functioning

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<v Speaker 1>not long after they were first print in use. That's

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<v Speaker 1>not that's not good. And this was bad enough that

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<v Speaker 1>by mid ninety seven, the board of directors from Magnavox

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<v Speaker 1>ordered the two production facilities to shut down. They also

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<v Speaker 1>shut down consumer radio production, so for the next decade

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<v Speaker 1>or so, Magnavox didn't make consumer radios. Instead, it would

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<v Speaker 1>make components for independent radio companies, and they just sold

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<v Speaker 1>those directly to manufacturers. Now, the reason for that shutdown

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<v Speaker 1>was that Magnavox still had more radios produced than it

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<v Speaker 1>could sell. They were literally taking up space and warehouses

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<v Speaker 1>in the company had built radio sets that had five

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<v Speaker 1>tubes in them for the purposes of tuning, you know,

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<v Speaker 1>receiving tuning and amplifying signals. And despite the fact that

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<v Speaker 1>analysts had predicted that people would want six tube radio

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<v Speaker 1>sets that had gray or functionality by nine, Magnifux said,

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<v Speaker 1>we're going to stick with the five tube design. The

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<v Speaker 1>reason they did that was that they were worried that

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<v Speaker 1>if they moved to a six tube design for the

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<v Speaker 1>new models, no one would ever buy the old sets

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<v Speaker 1>that were sitting around in warehouses, and so you know,

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<v Speaker 1>Magnifux would be stuck with all these obsolete radios. But

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<v Speaker 1>then no one bought the new five tube sets that

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<v Speaker 1>Magnavox produced, so it was an even bigger loss. Right,

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<v Speaker 1>Instead of a warehouse filled with old five tube sets

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<v Speaker 1>while the six tube sets were selling, there were warehouses

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<v Speaker 1>full full filled with even more five tube sets. And

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<v Speaker 1>all told, Magnifox lost around a million dollars due to

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<v Speaker 1>the issues with tube reliability and performance of their radio sales. UH.

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<v Speaker 1>And remember we're talking about the nineteen twenties here. A

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<v Speaker 1>million dollars is a lot of money, don't get me wrong,

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<v Speaker 1>but when you factor in inflation, it's an astronomical amount

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<v Speaker 1>of money. Uh So, not only wasn't an expensive blow,

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<v Speaker 1>but also tarnished Magnavox's reputation, so it would make it

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<v Speaker 1>harder for Magnuvox to win back the confidence of distributors

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<v Speaker 1>and manufacturers in the future. Magnavox also tried to branch

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<v Speaker 1>out and diversify beyond loudspeakers and radios. In nineteen twenty

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<v Speaker 1>four of the company introduced an electric heater. Electric heaters

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<v Speaker 1>work on a pretty simple principle, which is that of

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<v Speaker 1>electrical resistance. So every conductor, every material that is electrically

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<v Speaker 1>conductive under normal conditions, has some amount of electrical resistance,

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<v Speaker 1>and that's kind of like friction in the world of electricity.

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<v Speaker 1>Electrical resistance depends on a few factors, first and foremost

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<v Speaker 1>the material itself. So, for example, copper is a really

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<v Speaker 1>good electrical conductor, and as a fairly low resistance, silver

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<v Speaker 1>is an even better electrical conductor. In fact, silver would

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<v Speaker 1>be a great conductor if it weren't for the fact

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<v Speaker 1>that one it's pretty scarce and to will think it's

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<v Speaker 1>pretty so they want to turn it into jewelry and stuff.

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<v Speaker 1>But you know, the material is not just the only

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<v Speaker 1>factor that you know ends up affecting resistance. The gauge

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<v Speaker 1>or thickness of a wire also matters. Thin wires, which

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<v Speaker 1>somewhat paradoxically on on casual glance, have a higher gauge,

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<v Speaker 1>they have greater electrical resistance than thicker wires or wires

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<v Speaker 1>that have a low gauge. And again that might seem

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<v Speaker 1>counterintuitive in the gauge factor, right, like a sixteen gauge

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<v Speaker 1>wire is actually thinner than a twelve gauge wire. Anyway,

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<v Speaker 1>the thicker the wire or cable, the lower the electrical resistance.

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<v Speaker 1>Other things, by the way, can also change electrical resistance.

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<v Speaker 1>For example, if you were too super cool a good

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<v Speaker 1>conductor like copper. In other words, if you were to

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<v Speaker 1>reduce the temperature of the copper too close to absolute zero,

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<v Speaker 1>you can reduce or even eliminate electrical resistance entirely. This

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<v Speaker 1>is what facilities like the large hadron collider do. It's

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<v Speaker 1>kind of like a playground slide if you want to

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<v Speaker 1>think of it. That way, So the surface of a

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<v Speaker 1>slide resists stuff sliding down it to some degree, right,

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<v Speaker 1>Like you might slide a slide and you go like

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<v Speaker 1>it's kind of stop and start. On a hot day,

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<v Speaker 1>you might just stick to it um so you can

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<v Speaker 1>slide down, but you feel the friction between you and

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<v Speaker 1>the slide. But let's say you were to coat that

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<v Speaker 1>slide in I don't know, baby oil, you would drastically

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<v Speaker 1>reduce the friction and kids on that playground would just

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<v Speaker 1>zoom right off that slide. By the way, don't do that,

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<v Speaker 1>you'll hurt people. Don't hurt people. But anyway, even with

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<v Speaker 1>the baby oil, you'd still have some friction, but it

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<v Speaker 1>would be much much less than normal, and you would

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<v Speaker 1>slide much faster. Kind Of similar when we're talking about

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<v Speaker 1>electrical resistance. But let's get back to electric heaters, all right.

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<v Speaker 1>So electric current runs through a conductive material, which again

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<v Speaker 1>has some amount of electrical resistance. Well, that resistance means

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<v Speaker 1>that some of that electrical energy converts into heat. Now,

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<v Speaker 1>typically we think of this as waste. The electronics heat

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<v Speaker 1>up and the heat gets released into the environment, and

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<v Speaker 1>we don't typically do anything with that extra heat. In fact,

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<v Speaker 1>electronics like computers and such typically have fans in them

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<v Speaker 1>to help disperse the heat that's generated through electrical resistance,

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<v Speaker 1>because if electrical components overheat, they typically fail. An electric heater, however,

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<v Speaker 1>makes heat through electrical resistance on purpose. The electric circuits

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<v Speaker 1>in electric heater have resistors built into them specifically so

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<v Speaker 1>that they heat up and convert more of the electric

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<v Speaker 1>current into heat. The resistors are made of materials that

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<v Speaker 1>can with stand high temperatures for a long time, so

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<v Speaker 1>they don't break down due to this heating process. The

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<v Speaker 1>same is true for the elements that are in an

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<v Speaker 1>electric toaster or in an electric oven, and that's how

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<v Speaker 1>electric heaters work in a nutshell, all right. Back to

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<v Speaker 1>some of the other products that Magnavox was making around

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<v Speaker 1>this time. There was also an on demand water heater,

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<v Speaker 1>which you would mount directly onto a faucet, heating the

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<v Speaker 1>water just before it came out of the pipes and

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<v Speaker 1>through the faucet itself. This, by the way, it works

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<v Speaker 1>in a very similar way to an electric heater. You

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<v Speaker 1>have pipes that are surrounded by electric or sometimes gas

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<v Speaker 1>powered heating elements, and so when you want hot water,

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<v Speaker 1>these elements turn on and they get really hot, and

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<v Speaker 1>the water passing through the pipes picks up some of

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<v Speaker 1>that thermal energy and heats up, so that eventually the

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<v Speaker 1>water comes out hot. The company also created a laying

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<v Speaker 1>cage for chickens and apparently also created an automatic egg cooker.

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<v Speaker 1>These designs never really went into full production, so they

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<v Speaker 1>were in very limited runs as far as I can tell,

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<v Speaker 1>and I wasn't able to find much information on them

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<v Speaker 1>before I went to record this episode. So I wish

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<v Speaker 1>I could tell you more about an automatic egg cooker

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<v Speaker 1>from Magnifux, but I don't have that info. One item

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<v Speaker 1>that did come out that was success full was the

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<v Speaker 1>Magna Lux adjustable lamp, which was a death lamp that

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<v Speaker 1>was on an articulated arm, and it looks a lot

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<v Speaker 1>like common desk lamps of today, you know, like the

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<v Speaker 1>lamps that have the hinged arm in them so that

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<v Speaker 1>you can position them in different ways. Magnavox made one

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<v Speaker 1>of those that was pretty successful, but the bread and

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<v Speaker 1>Butter from Magnavox remained. The loud speaker. The company continued

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<v Speaker 1>to sell cone based loud speakers. This was the backbone

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<v Speaker 1>of their business. Speakers were what the company really uh

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<v Speaker 1>you know, made their name on literally and still were

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<v Speaker 1>the most important product they were creating. They weren't generally

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<v Speaker 1>meant for the average consumer. They weren't selling these two

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<v Speaker 1>customers directly. They were selling them to other companies like

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<v Speaker 1>They became the component of choice for several independent radio

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<v Speaker 1>manufacturing companies. So you might buy a radio set that

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<v Speaker 1>has a different brand on it, but it had Magnavox

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<v Speaker 1>speakers in it. They did, however, try to create a

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<v Speaker 1>retail market for consumer speakers. By the time of nineteen

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<v Speaker 1>twenty nine to nineteen thirty, the leaders of Magnifux realized

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<v Speaker 1>that they needed to change operations. Their main customers were

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<v Speaker 1>now independent radio manufacturers who were purchasing Magnafux speakers to

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<v Speaker 1>go into their radio sets, and they were mostly located

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<v Speaker 1>in the Midwest of the United States. And as I

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<v Speaker 1>mentioned earlier, copper cable also primarily was coming out of

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<v Speaker 1>the Midwest. So in nineteen twenty nine, Magnavox opened up

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<v Speaker 1>an assembly plant in Chicago, Illinois, with the goal of

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<v Speaker 1>shifting operations to the Midwest. Then the stock market crashed.

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<v Speaker 1>Now this had a massive effect across nearly every industry,

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<v Speaker 1>not just in the United States, but in the world,

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<v Speaker 1>Magnavox was forced to go through a company reorganization to

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<v Speaker 1>stay afloat the leaders decided to shut down the California

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<v Speaker 1>operations and they moved everything to Chicago. Forty five employees

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<v Speaker 1>would actually make that move, although almost all of them

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<v Speaker 1>would end up leaving the company over the following couple

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<v Speaker 1>of years and Magnafux would end up hiring all new

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<v Speaker 1>people to work the company. Magnafux would relocate again, however,

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<v Speaker 1>not long after relocating to Chicago. This time they moved

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<v Speaker 1>to Fort Wayne, Indiana. That's where the company set up

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<v Speaker 1>a new manufacturing facility, and it wouldn't produce consumer products

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<v Speaker 1>for several more years. Instead, it focused on tech that

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<v Speaker 1>would go into products coming out of other manufacturers. In

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<v Speaker 1>nine Magnavox founded the Magnavux Company Limited. You might wonder

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<v Speaker 1>why it did that. This has to do with the

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<v Speaker 1>fact that the earlier incorporation of Magnavox was out of

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<v Speaker 1>the state of Arizona. So even though the company headquarters

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<v Speaker 1>were located in California, the leaders chose to incorporate in Arizona. Well.

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<v Speaker 1>The business leaders now wanted to switch this to Delaware,

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<v Speaker 1>and you might wonder why that's so. I mean, if

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<v Speaker 1>you were to just look at a list of Fortune

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<v Speaker 1>companies in the United States, you would see that more

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<v Speaker 1>than half of them are incorporated in Delaware. Delaware is

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<v Speaker 1>not a big state and it has less than a

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<v Speaker 1>million people living in it, so you might wonder what

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<v Speaker 1>the heck is going on here. Well, the big reason

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<v Speaker 1>is that Delaware leads the US when it comes to

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<v Speaker 1>laws that define what corporations can and cannot do. Plus,

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<v Speaker 1>Delaware has a special court called the Court of Chancery

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<v Speaker 1>that only focuses on cases involving corporate law. So cases

0:13:25.520 --> 0:13:28.400
<v Speaker 1>appear before a judge. There's no jury trial, it's just

0:13:28.520 --> 0:13:31.640
<v Speaker 1>a judge, and they get fast tracked into that system.

0:13:31.760 --> 0:13:35.800
<v Speaker 1>So that means there's fewer delays compared to other court systems.

0:13:35.840 --> 0:13:37.559
<v Speaker 1>If you were in a different state and you had

0:13:37.600 --> 0:13:40.400
<v Speaker 1>to bring a matter to court, you would be put

0:13:40.440 --> 0:13:43.240
<v Speaker 1>on a waiting list along with every other case that

0:13:43.320 --> 0:13:45.960
<v Speaker 1>was being tried by those courts. But because Delaware has

0:13:46.000 --> 0:13:50.760
<v Speaker 1>the specific court for corporate law matters, things are much faster.

0:13:51.080 --> 0:13:55.239
<v Speaker 1>So being incorporated in Delaware, even if the company's headquarters

0:13:55.240 --> 0:13:59.160
<v Speaker 1>are in some other state, has legal advantages. Anyway, the

0:13:59.200 --> 0:14:02.440
<v Speaker 1>Magnafucx Come and He Limited became a holding company. It

0:14:02.520 --> 0:14:06.160
<v Speaker 1>purchased all the stock from the Magnavox Company that was

0:14:06.200 --> 0:14:12.000
<v Speaker 1>incorporated in Arizona, so effectively it shifted the incorporation to Delaware.

0:14:12.600 --> 0:14:15.160
<v Speaker 1>So this was an example of jumping through some legal

0:14:15.200 --> 0:14:18.800
<v Speaker 1>hoops to change the incorporation status of the company. Uh,

0:14:19.080 --> 0:14:23.440
<v Speaker 1>Magnavox Company Limited didn't really do anything. It was just

0:14:23.520 --> 0:14:27.480
<v Speaker 1>a holding company for the Magna Magnafux Company Incorporated, that

0:14:27.560 --> 0:14:30.480
<v Speaker 1>was the company that was actually doing the manufacturing. Around

0:14:30.480 --> 0:14:34.280
<v Speaker 1>this time, Magnavox also acquired part of the AMRAD Corporation.

0:14:35.120 --> 0:14:39.320
<v Speaker 1>AMRAD stands for Amateur Radio Research and Development. It previously

0:14:39.400 --> 0:14:43.680
<v Speaker 1>merged with the Crosley Radio Corporation, which is a fastening

0:14:43.720 --> 0:14:47.720
<v Speaker 1>company in its own right. Crosley Radio made home radio sets,

0:14:47.760 --> 0:14:51.160
<v Speaker 1>including some budget models, but by the late nineteen twenties,

0:14:51.200 --> 0:14:54.160
<v Speaker 1>the am RED division had very little to do, and

0:14:54.200 --> 0:14:57.040
<v Speaker 1>this kind of gets back into that oversaturation problem in

0:14:57.120 --> 0:15:00.920
<v Speaker 1>the radio industry. And after the stock work crashed, the

0:15:00.960 --> 0:15:05.080
<v Speaker 1>am RED division effectively shut down. So Magnavox purchased part

0:15:05.160 --> 0:15:07.680
<v Speaker 1>of the am RED division and brought it into the

0:15:07.720 --> 0:15:11.920
<v Speaker 1>fold of Magnavox am Red mostly created components for radios,

0:15:11.960 --> 0:15:14.840
<v Speaker 1>including tubes that would be used like gas tubes that

0:15:14.840 --> 0:15:19.080
<v Speaker 1>would be used rectifiers in radio. So Magnavox supplement its

0:15:19.120 --> 0:15:24.440
<v Speaker 1>own capabilities with this acquisition. In Magnavox purchased a stake

0:15:24.480 --> 0:15:28.520
<v Speaker 1>of ownership in a company called Electro Acoustics Products located

0:15:28.560 --> 0:15:31.640
<v Speaker 1>out of New York. The company created stuff like the

0:15:31.680 --> 0:15:36.240
<v Speaker 1>Illustra vox, and you might wonder what the heck that was. Well,

0:15:36.320 --> 0:15:40.360
<v Speaker 1>the Illustra vox was a combination phonograph that's the vox

0:15:40.560 --> 0:15:45.880
<v Speaker 1>or voice and film strip projector presumably the Illustra part.

0:15:46.320 --> 0:15:48.480
<v Speaker 1>It looked a lot like a film projector that had

0:15:48.480 --> 0:15:51.480
<v Speaker 1>a record turntable smacked on top of it, so you

0:15:51.480 --> 0:15:54.200
<v Speaker 1>would load a film into the projector, which would indicate

0:15:54.280 --> 0:15:56.600
<v Speaker 1>where you were when you were to put the needle

0:15:56.640 --> 0:16:00.200
<v Speaker 1>down on the accompanying phonograph that had the soundtrack for

0:16:00.240 --> 0:16:03.360
<v Speaker 1>the film strip, and then you would play the audio

0:16:03.440 --> 0:16:06.640
<v Speaker 1>back along with the projected film. Now, obviously getting it

0:16:06.720 --> 0:16:08.960
<v Speaker 1>just right was kind of an art in itself, so

0:16:09.000 --> 0:16:11.400
<v Speaker 1>that the sound and images would match up, and they

0:16:11.400 --> 0:16:13.520
<v Speaker 1>were used for a lot of stuff like training films

0:16:13.520 --> 0:16:16.920
<v Speaker 1>and that kind of thing. The acquisition of this company

0:16:16.920 --> 0:16:19.520
<v Speaker 1>would mean that Magnavox was poised to return to the

0:16:19.560 --> 0:16:25.840
<v Speaker 1>consumer market. By nineteen thirty six, seven Electroacoustics Products would

0:16:25.880 --> 0:16:30.720
<v Speaker 1>initially be a subsidiary of Magnavox, and in nineteen thirty seven,

0:16:30.840 --> 0:16:36.960
<v Speaker 1>Magnavox introduced a tabletop radio unit designated as high Fidelity.

0:16:37.320 --> 0:16:40.120
<v Speaker 1>We'll talk about what that means after this quick break.

0:16:48.360 --> 0:16:51.040
<v Speaker 1>All right, it's time to talk high fidelity. And by

0:16:51.040 --> 0:16:54.440
<v Speaker 1>that I don't mean the Nick Hornby novel or the

0:16:54.480 --> 0:16:58.280
<v Speaker 1>movie adaptation of that novel starring John Cusack, or the

0:16:58.320 --> 0:17:02.560
<v Speaker 1>Broadway musical adaptation or the TV series adaptation. Now we're

0:17:02.600 --> 0:17:08.440
<v Speaker 1>talking the concept of high fidelity. So usually, though not always,

0:17:08.600 --> 0:17:12.160
<v Speaker 1>when you record a sound, what you want the recorded

0:17:12.240 --> 0:17:15.399
<v Speaker 1>version of the sound to sound like is to be

0:17:15.440 --> 0:17:18.679
<v Speaker 1>as close to the original sound as you can possibly

0:17:18.800 --> 0:17:23.160
<v Speaker 1>make it. You are recreating the original sound through playback,

0:17:23.560 --> 0:17:25.760
<v Speaker 1>but there are a lot of things that can interfere

0:17:25.840 --> 0:17:29.000
<v Speaker 1>with the reproduced sound and it can make it fall short.

0:17:29.359 --> 0:17:31.840
<v Speaker 1>The recording itself could be faulty that would be a

0:17:31.880 --> 0:17:34.760
<v Speaker 1>big problem, or there could be issues with the playback

0:17:34.840 --> 0:17:38.399
<v Speaker 1>devices wiring, or the speakers might not be capable of

0:17:38.400 --> 0:17:42.400
<v Speaker 1>playing back the sound without introducing distortion. Now, the word

0:17:42.440 --> 0:17:48.000
<v Speaker 1>fidelity describes how pure a reproduced sound is. That is,

0:17:48.080 --> 0:17:50.919
<v Speaker 1>a high fidelity experience is one in which there is

0:17:51.000 --> 0:17:54.959
<v Speaker 1>little or no distortion introduced into the experience of the sound,

0:17:55.400 --> 0:17:59.239
<v Speaker 1>so that you get a more pure playback experience. If

0:17:59.280 --> 0:18:02.200
<v Speaker 1>you listen to a cordings of old gramophone or phonograph

0:18:02.240 --> 0:18:07.640
<v Speaker 1>playback devices, you've probably heard teny warbly sounds that are interesting,

0:18:08.080 --> 0:18:11.080
<v Speaker 1>but they're clearly you know, they're not the identical to

0:18:11.119 --> 0:18:15.119
<v Speaker 1>the original performance. You know, it's you're getting some components

0:18:15.160 --> 0:18:19.200
<v Speaker 1>in there that were not intended necessarily. By the late

0:18:19.280 --> 0:18:23.160
<v Speaker 1>nineteen thirties, companies were refining the components and playback devices

0:18:23.200 --> 0:18:26.880
<v Speaker 1>and recording devices, and they were ferreting out the things

0:18:26.960 --> 0:18:30.760
<v Speaker 1>that were introduced distortion. This led to the marketing concept

0:18:30.840 --> 0:18:33.600
<v Speaker 1>of high fidelity. And to be clear, it's not just

0:18:33.840 --> 0:18:37.480
<v Speaker 1>a marketing concept, but high fidelity or hi fi became

0:18:37.480 --> 0:18:42.160
<v Speaker 1>a way to say, this audio device makes sound real good.

0:18:42.920 --> 0:18:47.720
<v Speaker 1>In seven Magnifux filed to reorganize with the federal government

0:18:47.800 --> 0:18:51.879
<v Speaker 1>under the Bankruptcy Act, and the reorganization allowed the Magnifux

0:18:52.000 --> 0:18:56.200
<v Speaker 1>Company Incorporated, which remember that's the subsidiary of the man

0:18:56.560 --> 0:19:00.439
<v Speaker 1>Magnafux Company Limited. Magnifus Company incorporates the company that actually

0:19:00.480 --> 0:19:05.080
<v Speaker 1>makes stuff. Well, they were then able to absorb Electroacoustics

0:19:05.160 --> 0:19:09.880
<v Speaker 1>Products Company and merge it directly with Magnavox Company Incorporated.

0:19:09.960 --> 0:19:12.960
<v Speaker 1>So what this means is the version of Magnavox what

0:19:13.119 --> 0:19:17.359
<v Speaker 1>actually made stuff, absorbed the subsidiary and gobbled it on up,

0:19:17.720 --> 0:19:21.920
<v Speaker 1>while the holding company that doesn't make stuff remain the same.

0:19:22.800 --> 0:19:26.200
<v Speaker 1>This was also when Frank Freeman would become a vice

0:19:26.200 --> 0:19:31.920
<v Speaker 1>president of Magnavox. Now, Freeman had founded Electroacoustics Products years earlier.

0:19:32.040 --> 0:19:35.680
<v Speaker 1>He was the head of that company when Magnavox acquired

0:19:35.720 --> 0:19:39.000
<v Speaker 1>it as a subsidiary. So he joined Magnavox in the

0:19:39.040 --> 0:19:42.480
<v Speaker 1>process of the merger, and he would become a vice

0:19:42.520 --> 0:19:45.120
<v Speaker 1>president of Magnavox, and he'll be a very important part

0:19:45.119 --> 0:19:47.840
<v Speaker 1>of our story a little bit later on too. Now,

0:19:47.840 --> 0:19:50.960
<v Speaker 1>the corporate structure became a little bit simpler a few

0:19:51.040 --> 0:19:55.040
<v Speaker 1>years later, in nineteen forty two, that's when Magnavox Company Limited,

0:19:55.359 --> 0:19:59.080
<v Speaker 1>that is the holding company what doesn't make anything, changed

0:19:59.119 --> 0:20:04.920
<v Speaker 1>its name to the Magnavox Company. Meanwhile, the Magnavox Company Incorporated.

0:20:05.800 --> 0:20:09.399
<v Speaker 1>As in the part of the company what made things dissolved,

0:20:10.040 --> 0:20:12.960
<v Speaker 1>So now there was just the Magnavox Company. It was

0:20:13.000 --> 0:20:15.280
<v Speaker 1>no longer a holding company. Now that was everything. It

0:20:15.359 --> 0:20:20.480
<v Speaker 1>was an electronics and components manufacturing company. So we've simplified

0:20:20.520 --> 0:20:24.600
<v Speaker 1>things dramatically at this point from a corporate structure point

0:20:24.600 --> 0:20:30.120
<v Speaker 1>of view. In Magnavox introduced the first of its FM tuners,

0:20:30.480 --> 0:20:34.040
<v Speaker 1>which had the name of cright, because these model names,

0:20:34.040 --> 0:20:38.359
<v Speaker 1>they're great, really easy to remember. Now, keep in mind,

0:20:38.400 --> 0:20:42.720
<v Speaker 1>AM radio uses a carrier wave of a specific frequency

0:20:42.960 --> 0:20:48.120
<v Speaker 1>somewhere between five forty to sixty killer hurts and uh.

0:20:48.440 --> 0:20:53.480
<v Speaker 1>You encode information on this carrier wave by varying or

0:20:53.640 --> 0:20:58.119
<v Speaker 1>modulating the amplitude of that wave. So if you were

0:20:58.160 --> 0:21:02.200
<v Speaker 1>to visualize a wave plotted on a chart, this would

0:21:02.200 --> 0:21:05.080
<v Speaker 1>mean that you are changing the height of the peaks

0:21:05.119 --> 0:21:08.040
<v Speaker 1>and the depth of the troughs. And by doing this

0:21:08.440 --> 0:21:11.399
<v Speaker 1>you can encode information on top of a carrier wave.

0:21:12.000 --> 0:21:16.480
<v Speaker 1>And by demodulating it, by essentially taking the carrier wave

0:21:16.600 --> 0:21:21.520
<v Speaker 1>out of it, you're left with the modulation part that

0:21:21.520 --> 0:21:26.120
<v Speaker 1>that represents the original information. In this case audio like

0:21:26.240 --> 0:21:31.720
<v Speaker 1>you know radio waves, So FM radio that is frequency modulation.

0:21:31.960 --> 0:21:34.800
<v Speaker 1>That means we take a carrier wave, this time in

0:21:34.840 --> 0:21:39.560
<v Speaker 1>the eight mega hurts range, and we vary or modulate

0:21:39.840 --> 0:21:43.320
<v Speaker 1>the frequency of the wave to encode information on those waves.

0:21:43.760 --> 0:21:47.960
<v Speaker 1>FM radio had better audio quality or fidelity, and it

0:21:48.080 --> 0:21:50.560
<v Speaker 1>first had emerged in the nineteen thirties, but took a

0:21:50.640 --> 0:21:54.640
<v Speaker 1>while for companies to start creating consumer radios that had

0:21:54.840 --> 0:21:58.720
<v Speaker 1>FM tuning capability to them. This was also around the

0:21:58.720 --> 0:22:01.280
<v Speaker 1>time that the United States got involved in World War Two,

0:22:01.440 --> 0:22:04.399
<v Speaker 1>and again, like with the First World War, companies in

0:22:04.440 --> 0:22:08.439
<v Speaker 1>America began shifting focus to create products and components to

0:22:08.520 --> 0:22:12.320
<v Speaker 1>support the war effort. Magnavox was no different and in

0:22:12.400 --> 0:22:16.119
<v Speaker 1>fact received the first Navy E Award that was given

0:22:16.160 --> 0:22:20.359
<v Speaker 1>to an electronics manufacturer That happened in ninety two. What

0:22:20.520 --> 0:22:23.680
<v Speaker 1>was Magnavox producing well, largely kept on making the stuff

0:22:23.720 --> 0:22:26.600
<v Speaker 1>it was known for, loud speakers and the components needed

0:22:26.640 --> 0:22:29.600
<v Speaker 1>to drive them, and those were incredibly useful in military

0:22:29.680 --> 0:22:33.760
<v Speaker 1>vehicles like large ships and submarines and aircraft. At the

0:22:33.840 --> 0:22:37.040
<v Speaker 1>end of the war, Magnavox refocused on the consumer market

0:22:37.480 --> 0:22:40.480
<v Speaker 1>and the post World War two era would really be

0:22:40.520 --> 0:22:43.560
<v Speaker 1>the golden years for Magnavox. In general, the post war

0:22:43.600 --> 0:22:47.040
<v Speaker 1>economy in America was really really strong. You had all

0:22:47.040 --> 0:22:49.760
<v Speaker 1>these returning soldiers who were able to take advantage of

0:22:49.800 --> 0:22:53.159
<v Speaker 1>government programs to establish a new life for themselves state side.

0:22:53.680 --> 0:22:57.760
<v Speaker 1>Uh And just to clarify, the returning white soldiers were

0:22:57.760 --> 0:23:00.840
<v Speaker 1>really able to take advantage of those programs. Other soldiers,

0:23:01.000 --> 0:23:04.440
<v Speaker 1>while technically being eligible for that same sort of aid,

0:23:05.160 --> 0:23:09.639
<v Speaker 1>found themselves effectively excluded from taking advantage of the programs

0:23:09.840 --> 0:23:12.399
<v Speaker 1>due to various policies that were you know, when you

0:23:12.440 --> 0:23:15.359
<v Speaker 1>get down to it racist, but that's a subject for

0:23:15.400 --> 0:23:17.760
<v Speaker 1>another podcast. It just feel we have to acknowledge it,

0:23:18.160 --> 0:23:21.160
<v Speaker 1>because if you don't acknowledge it, you are just denying

0:23:21.240 --> 0:23:25.639
<v Speaker 1>something that was a very important and painful part of history. Anyway,

0:23:25.680 --> 0:23:29.119
<v Speaker 1>for Magnavox, the company, this meant that a return to

0:23:29.119 --> 0:23:32.280
<v Speaker 1>consumer electronics came right as the demand was on the

0:23:32.400 --> 0:23:35.399
<v Speaker 1>rise for them. In fact, demand was high enough that

0:23:35.440 --> 0:23:38.479
<v Speaker 1>the company decided to make another important acquisition, and this

0:23:38.520 --> 0:23:43.080
<v Speaker 1>time it wasn't an electronics company now. Instead, Magnavox opened

0:23:43.119 --> 0:23:46.520
<v Speaker 1>up a new subsidiary to build out the cabinets that

0:23:46.560 --> 0:23:51.040
<v Speaker 1>would house radios. Now, remember, in these days, pre transistor

0:23:51.119 --> 0:23:55.520
<v Speaker 1>radios were pretty big. Even the tabletop models were hefty,

0:23:55.840 --> 0:23:58.600
<v Speaker 1>and a lot of home models were effectively full pieces

0:23:58.640 --> 0:24:02.359
<v Speaker 1>of furniture, like almost you know, a full set of

0:24:02.440 --> 0:24:05.280
<v Speaker 1>drawers or a hutch or something. They were enormous. So

0:24:05.359 --> 0:24:09.760
<v Speaker 1>your average radio consisted of electronic components that the manufacturer

0:24:09.880 --> 0:24:14.160
<v Speaker 1>would then mount inside a wooden cabinet. So Magnavox opened

0:24:14.200 --> 0:24:18.240
<v Speaker 1>up the Greenville Cabinet Company in Greenville, Tennessee in ninety

0:24:18.320 --> 0:24:22.280
<v Speaker 1>seven to design and build the cabinetry that would house

0:24:22.320 --> 0:24:26.359
<v Speaker 1>Magnavox radio sets. Not only was there a strong market

0:24:26.359 --> 0:24:29.320
<v Speaker 1>for radios, there was the temptation to get into another

0:24:29.440 --> 0:24:36.199
<v Speaker 1>fledgling technology, television. Electronic television's predated World War Two, but

0:24:36.600 --> 0:24:39.560
<v Speaker 1>the war had pretty much put TV evolution on hold

0:24:39.640 --> 0:24:43.680
<v Speaker 1>for several years. Magnavux joined in the TV craze after

0:24:43.720 --> 0:24:47.080
<v Speaker 1>World War two, announcing in nine that the company would

0:24:47.119 --> 0:24:51.760
<v Speaker 1>begin producing television sets. Now, at this point, Magnavox's reputation

0:24:51.840 --> 0:24:55.920
<v Speaker 1>was firmly aligned with the concept of audio quality and capability,

0:24:56.200 --> 0:25:00.200
<v Speaker 1>not with moving pictures. An engineer named and Thank the

0:25:00.359 --> 0:25:03.520
<v Speaker 1>Right became the chief of television engineering at Magnavox, and

0:25:03.560 --> 0:25:06.920
<v Speaker 1>his team got to work creating a technology the company called,

0:25:07.080 --> 0:25:11.679
<v Speaker 1>of course, Magna Scope. Now, interestingly, the first TV that

0:25:11.760 --> 0:25:15.800
<v Speaker 1>Magnavox produced was called the Modular, which had the model

0:25:15.920 --> 0:25:19.520
<v Speaker 1>named MV ten, and the company introduced this first in

0:25:19.640 --> 0:25:22.320
<v Speaker 1>nineteen eight, so just a year after they announced they

0:25:22.320 --> 0:25:25.119
<v Speaker 1>were going to get into the TV business. Clearly they

0:25:25.119 --> 0:25:28.680
<v Speaker 1>had already been working on it for a while before then.

0:25:28.880 --> 0:25:32.840
<v Speaker 1>The Greenville Manufacturing Company provided the cabinet for the device

0:25:33.520 --> 0:25:37.440
<v Speaker 1>which housed the electronics, which came out of Fort Wayne, Indiana.

0:25:37.680 --> 0:25:40.359
<v Speaker 1>In in set in the face of this cabinet was

0:25:40.400 --> 0:25:44.120
<v Speaker 1>the MVY tens screen, which was not huge, little black

0:25:44.119 --> 0:25:47.520
<v Speaker 1>and white screen and add from the time claims quote

0:25:47.600 --> 0:25:51.240
<v Speaker 1>it provides the finest picture quality in television and sharper

0:25:51.280 --> 0:25:55.080
<v Speaker 1>contrast for better visibility end quote. The add by the way,

0:25:55.400 --> 0:26:00.240
<v Speaker 1>was really for a record player slash radio combination. The

0:26:00.280 --> 0:26:02.920
<v Speaker 1>one in the photo I'm looking at was called the Cosmopolitan.

0:26:03.560 --> 0:26:09.040
<v Speaker 1>And these sets, the radio sets that had a phonograph

0:26:09.040 --> 0:26:12.320
<v Speaker 1>player built into them, ranged in price from a hundred

0:26:12.320 --> 0:26:15.000
<v Speaker 1>seventy nine dollars and fifty cents all the way up

0:26:15.000 --> 0:26:19.280
<v Speaker 1>to eight dollars. And remember we're talking like nineteen forties

0:26:19.359 --> 0:26:24.360
<v Speaker 1>money that that would be truly astronomically expensive today. Uh.

0:26:24.480 --> 0:26:26.879
<v Speaker 1>On top of that bass price, you could add on

0:26:26.920 --> 0:26:30.919
<v Speaker 1>what they called a duo matic changer. This was a

0:26:31.160 --> 0:26:34.840
<v Speaker 1>piece of equipment that could hold up to twelve records,

0:26:34.920 --> 0:26:38.320
<v Speaker 1>and so you would play a record and when the

0:26:38.320 --> 0:26:40.159
<v Speaker 1>the tone arm would get all the way to the

0:26:40.240 --> 0:26:43.000
<v Speaker 1>end of the record, it would automatically lift up, go

0:26:43.119 --> 0:26:46.560
<v Speaker 1>back to the beginning like the rest position, and set down.

0:26:47.160 --> 0:26:51.440
<v Speaker 1>Then the machine could drop the next record onto the spindle.

0:26:52.200 --> 0:26:54.720
<v Speaker 1>The tone arm would come back up, move back over

0:26:54.760 --> 0:26:56.720
<v Speaker 1>and start playing the next record. So you could hold

0:26:56.760 --> 0:26:59.440
<v Speaker 1>up to twelve records with this thing, and it would

0:26:59.480 --> 0:27:03.280
<v Speaker 1>automatic drop in the next record in the sequence. Uh.

0:27:03.320 --> 0:27:06.280
<v Speaker 1>And this would only cost you a cool two dollars

0:27:06.400 --> 0:27:10.119
<v Speaker 1>or so. Then to have the television on top of that,

0:27:10.119 --> 0:27:13.639
<v Speaker 1>that would set you back an additional two and fifty

0:27:13.720 --> 0:27:16.719
<v Speaker 1>cents all the way up to nine fifty bucks. And

0:27:16.840 --> 0:27:19.320
<v Speaker 1>keep in mind this is again all in the nineties,

0:27:19.520 --> 0:27:24.040
<v Speaker 1>so with inflation, these prices would be truly enormous, especially

0:27:24.040 --> 0:27:26.600
<v Speaker 1>if you wanted to top of the line system. Some

0:27:26.640 --> 0:27:29.640
<v Speaker 1>thing's never change, right, So the TV receiver was called

0:27:29.680 --> 0:27:33.520
<v Speaker 1>the modular not because the television itself was made up

0:27:33.520 --> 0:27:37.200
<v Speaker 1>of modules. It's not like you could take the TV apart. Instead,

0:27:37.560 --> 0:27:41.320
<v Speaker 1>the TV on its own was a module. And as

0:27:41.359 --> 0:27:45.080
<v Speaker 1>the ad I alluded to hinted at Magnafucs, the company

0:27:45.280 --> 0:27:49.119
<v Speaker 1>knew that it was most associated with audio equipment, and

0:27:49.160 --> 0:27:52.040
<v Speaker 1>so this company was essentially saying, hey, you could also

0:27:52.040 --> 0:27:55.760
<v Speaker 1>get a television to incorporate into the audio equipment and

0:27:56.040 --> 0:27:59.720
<v Speaker 1>enhance your audio equipment, rather than, you know, try to

0:27:59.760 --> 0:28:02.879
<v Speaker 1>create it on all new marketing line dedicated solely to

0:28:03.119 --> 0:28:07.000
<v Speaker 1>selling televisions. Now, I haven't found a specific source that

0:28:07.080 --> 0:28:10.760
<v Speaker 1>confirms my suspicion, but I believe the m V ten

0:28:10.920 --> 0:28:13.919
<v Speaker 1>did not have its own incorporated speaker system, or at

0:28:13.960 --> 0:28:18.280
<v Speaker 1>least not a very robust speaker system. Instead, you would

0:28:18.280 --> 0:28:21.760
<v Speaker 1>actually connect the m V ten to your Magnavox Hi

0:28:21.840 --> 0:28:25.000
<v Speaker 1>Fi audio set, and the sound would play out through

0:28:25.119 --> 0:28:27.200
<v Speaker 1>the audio set. You had the picture on the TV,

0:28:27.320 --> 0:28:30.560
<v Speaker 1>but the sound would come through the same speakers that

0:28:31.160 --> 0:28:34.679
<v Speaker 1>you know, the radio and phonograph were attached to, which

0:28:34.880 --> 0:28:37.400
<v Speaker 1>honestly would make this one of the first home entertainment

0:28:37.400 --> 0:28:40.040
<v Speaker 1>all in one setups that I've ever heard about the

0:28:40.080 --> 0:28:43.760
<v Speaker 1>television market. You know, the whole industry as a whole

0:28:44.840 --> 0:28:47.400
<v Speaker 1>proved to be a profitable one. It was also a

0:28:47.480 --> 0:28:51.080
<v Speaker 1>very competitive one. Magnavox would go on to establish new

0:28:51.120 --> 0:28:55.880
<v Speaker 1>manufacturing facilities in Greenville, Tennessee that primarily focused on TV production,

0:28:56.160 --> 0:28:59.800
<v Speaker 1>building Facility number two in nineteen fifty two. Remember the

0:28:59.800 --> 0:29:05.160
<v Speaker 1>first facility was dedicated to building cabinetry for radios. And

0:29:05.240 --> 0:29:08.280
<v Speaker 1>it was around this time that Frank Freeman, originally the

0:29:08.320 --> 0:29:13.160
<v Speaker 1>founder of the Electroacoustics Products Company, became president of Magnavox.

0:29:13.560 --> 0:29:18.160
<v Speaker 1>Freeman head and a reputation as a real high fidelity fanatic,

0:29:18.760 --> 0:29:21.840
<v Speaker 1>and under his leadership, Magnavox would develop a strategy to

0:29:21.880 --> 0:29:24.560
<v Speaker 1>make sure that each of the components that produced for

0:29:24.600 --> 0:29:28.760
<v Speaker 1>its radios worked really well together. Now that seems like

0:29:28.840 --> 0:29:32.880
<v Speaker 1>a no brainer, but hear me out. Let's say you're

0:29:33.280 --> 0:29:37.080
<v Speaker 1>making various components, and the components you're making are all

0:29:37.120 --> 0:29:41.800
<v Speaker 1>necessary to enable something like a radio set to work. Right,

0:29:41.880 --> 0:29:44.640
<v Speaker 1>So it's all the parts of a radio set. Now

0:29:44.840 --> 0:29:49.479
<v Speaker 1>you could treat them all as separate individual technologies, So

0:29:49.520 --> 0:29:52.760
<v Speaker 1>you could make the best tuner, for example, and the

0:29:52.800 --> 0:29:57.160
<v Speaker 1>best amplifier and the best loud speaker, and on their own,

0:29:57.440 --> 0:29:59.800
<v Speaker 1>when you hook them up with sensitive instruments, you can

0:30:00.000 --> 0:30:03.000
<v Speaker 1>of that they all work fantastic, that they are, you know,

0:30:03.080 --> 0:30:08.040
<v Speaker 1>best of class, They perform well within whatever your specifications are. However,

0:30:08.120 --> 0:30:11.000
<v Speaker 1>this does not necessarily mean that once you connect them

0:30:11.000 --> 0:30:13.640
<v Speaker 1>all together in your radio set that they're all going

0:30:13.680 --> 0:30:18.120
<v Speaker 1>to play nice with each other. Sometimes different components can

0:30:18.160 --> 0:30:21.960
<v Speaker 1>start to introduce stuff like distortion when they are connected together,

0:30:22.560 --> 0:30:25.320
<v Speaker 1>and that obviously has a negative impact on the sound

0:30:25.320 --> 0:30:28.840
<v Speaker 1>produced by the end product. So Freeman's directive was that

0:30:28.920 --> 0:30:32.280
<v Speaker 1>the engineers had to create a more holistic system that

0:30:32.320 --> 0:30:36.360
<v Speaker 1>would produce the best overall result when they all work together.

0:30:36.840 --> 0:30:40.240
<v Speaker 1>And that meant that sometimes maybe the amplifiers not quite

0:30:40.240 --> 0:30:43.440
<v Speaker 1>as powerful, or the receiver might not be quite as

0:30:43.520 --> 0:30:47.200
<v Speaker 1>sensitive as you could make it. But the end result

0:30:47.400 --> 0:30:49.800
<v Speaker 1>for the customer was that you had a radio set

0:30:49.840 --> 0:30:53.520
<v Speaker 1>that produced great sound. It created a way to provide

0:30:53.520 --> 0:30:56.760
<v Speaker 1>the best experience on a per dollar basis. And while

0:30:56.760 --> 0:31:00.000
<v Speaker 1>there were audio files who were seeking out individual components

0:31:00.080 --> 0:31:03.040
<v Speaker 1>in order to produce their own systems, they would have

0:31:03.080 --> 0:31:05.080
<v Speaker 1>to spend a lot of time, a lot of effort,

0:31:05.160 --> 0:31:07.959
<v Speaker 1>and a lot of money to do this and swap

0:31:07.960 --> 0:31:11.720
<v Speaker 1>out components to find out which combination would actually provide

0:31:11.800 --> 0:31:15.520
<v Speaker 1>the best experience. Magnavox was looking to create that rail

0:31:15.600 --> 0:31:18.560
<v Speaker 1>the box, and as a result, the company's reputation for

0:31:18.640 --> 0:31:23.640
<v Speaker 1>Hi Fi audio grew year over year. Freeman, by the way,

0:31:23.800 --> 0:31:27.200
<v Speaker 1>he was born in Austria Hungry, Hungary in nineteen or nine,

0:31:27.520 --> 0:31:29.400
<v Speaker 1>but his family had moved to America when he was

0:31:29.440 --> 0:31:32.160
<v Speaker 1>just nine years old. In the nineteen twenties. He had

0:31:32.200 --> 0:31:35.320
<v Speaker 1>studied the young field of radio research, and that's when

0:31:35.320 --> 0:31:40.040
<v Speaker 1>he founded Electroacoustic Products in nineteen thirty. His tenure as

0:31:40.080 --> 0:31:44.800
<v Speaker 1>president of Magnavox began in nineteen fifty, and during that

0:31:44.880 --> 0:31:47.239
<v Speaker 1>time he would see the company reach its height as

0:31:47.320 --> 0:31:50.560
<v Speaker 1>far as its reputation and revenue were concerned. He would

0:31:50.640 --> 0:31:55.080
<v Speaker 1>lead Magnavox until his death in uh in the nineteen sixties.

0:31:55.080 --> 0:31:58.840
<v Speaker 1>He died at the age of sixty three. While he

0:31:58.880 --> 0:32:04.400
<v Speaker 1>was president, Freeman oversaw Magnufux's explosive growth in sales, so

0:32:04.440 --> 0:32:08.240
<v Speaker 1>in nineteen fifty the company generated thirty two million dollars

0:32:08.240 --> 0:32:12.440
<v Speaker 1>in revenue. By nineteen sixty seven, the year before Freeman

0:32:12.480 --> 0:32:16.080
<v Speaker 1>passed away, annual revenue was up to four hundred fifty

0:32:16.160 --> 0:32:19.640
<v Speaker 1>million dollars. Now, granted, revenue and profit are two different things.

0:32:19.680 --> 0:32:22.000
<v Speaker 1>You've got to subtract the cost of business from your

0:32:22.000 --> 0:32:24.440
<v Speaker 1>revenue before you start getting to profits. So for profit,

0:32:25.280 --> 0:32:27.800
<v Speaker 1>that went from two million dollars in nineteen fifty to

0:32:28.000 --> 0:32:30.920
<v Speaker 1>thirty million dollars by nineteen sixty seven. So not only

0:32:31.440 --> 0:32:34.360
<v Speaker 1>was he making more revenue, he was making a greater

0:32:34.600 --> 0:32:38.480
<v Speaker 1>profit in in turn, so it's not like the expenses

0:32:39.280 --> 0:32:42.320
<v Speaker 1>rose at the same rate as revenue did. Rayman saw

0:32:42.360 --> 0:32:46.000
<v Speaker 1>a big technological advancement, and a couple of them actually

0:32:46.080 --> 0:32:49.000
<v Speaker 1>while he was in charge of Magnufux. One of those

0:32:49.120 --> 0:32:52.920
<v Speaker 1>was that he saw the birth of color television. Granted,

0:32:52.920 --> 0:32:56.560
<v Speaker 1>color TV, actually the development of it had been around

0:32:56.560 --> 0:32:59.520
<v Speaker 1>for a few years, but it really emerged in the

0:32:59.520 --> 0:33:02.920
<v Speaker 1>early nineteen fifties. However, rival company r c A would

0:33:02.960 --> 0:33:06.440
<v Speaker 1>have a pretty effective monopoly on that uh color TV

0:33:07.600 --> 0:33:10.680
<v Speaker 1>area first, and that was largely because there were a

0:33:10.720 --> 0:33:15.560
<v Speaker 1>few different ways you could create color television. CBS initially

0:33:15.920 --> 0:33:19.160
<v Speaker 1>had a lock on creating the standard, but our c

0:33:19.360 --> 0:33:22.240
<v Speaker 1>A was able to push really hard to have its

0:33:22.680 --> 0:33:27.000
<v Speaker 1>version adopted as the standard. Um you know, the only

0:33:27.040 --> 0:33:30.280
<v Speaker 1>reason why CBS is didn't take hold was because the

0:33:30.360 --> 0:33:34.400
<v Speaker 1>Korean War put everything on standby for a while. But

0:33:34.440 --> 0:33:36.760
<v Speaker 1>I've covered that story before in my series about r

0:33:36.800 --> 0:33:38.800
<v Speaker 1>c A, and it's a heck of a story. If

0:33:38.840 --> 0:33:42.760
<v Speaker 1>you were curious about how our c A and CBS

0:33:42.800 --> 0:33:47.120
<v Speaker 1>battled it out to try and determine what standard would

0:33:47.160 --> 0:33:50.040
<v Speaker 1>be used for color television, you should check out those series.

0:33:50.160 --> 0:33:52.600
<v Speaker 1>It's a heck of a story, has elements of political

0:33:52.680 --> 0:33:56.080
<v Speaker 1>intrigue as well as technical evolution. But anyway, our CIA

0:33:56.200 --> 0:33:59.760
<v Speaker 1>eventually one out and other TV manufacturers had to figure

0:33:59.800 --> 0:34:02.880
<v Speaker 1>out how to make color TVs without violating our c

0:34:03.160 --> 0:34:05.160
<v Speaker 1>S patents or they would have to, you know, pay

0:34:05.200 --> 0:34:07.160
<v Speaker 1>a licensing fee to our c A in order to

0:34:07.200 --> 0:34:11.720
<v Speaker 1>create their own technologies, which of course drives up production costs.

0:34:12.360 --> 0:34:14.920
<v Speaker 1>So while color TV essentially launched in the US in

0:34:14.960 --> 0:34:17.719
<v Speaker 1>the early nineteen fifties, Magna Bux didn't really get into

0:34:17.800 --> 0:34:22.000
<v Speaker 1>the color TV space until the early nineteen sixties. However,

0:34:22.120 --> 0:34:24.960
<v Speaker 1>another big jump in tech came in the form of

0:34:25.000 --> 0:34:28.920
<v Speaker 1>the transistor. Just as the vacuum tube had revolutionized electronics

0:34:28.920 --> 0:34:33.000
<v Speaker 1>decades earlier, the transistor would really shake things up. We'll

0:34:33.000 --> 0:34:35.160
<v Speaker 1>talk about a little bit more after we take this

0:34:35.239 --> 0:34:46.360
<v Speaker 1>quick break. So the transistor emerged out of Bell Labs

0:34:46.480 --> 0:34:50.120
<v Speaker 1>in the late nineteen forties. But early transistors were large

0:34:50.280 --> 0:34:52.799
<v Speaker 1>and unfit for practical application. They were more of a

0:34:52.840 --> 0:34:56.440
<v Speaker 1>proof of concept, and they proved that it was possible

0:34:56.480 --> 0:35:00.600
<v Speaker 1>to create an amplifier or switch using semiconduct your material

0:35:00.920 --> 0:35:04.120
<v Speaker 1>rather than a vacuum tube. And over time engineers figured

0:35:04.160 --> 0:35:07.440
<v Speaker 1>out how to reduce the size of the original transistors

0:35:07.480 --> 0:35:10.959
<v Speaker 1>so that they were small, much much smaller than vacuum tubes,

0:35:11.000 --> 0:35:13.920
<v Speaker 1>and they would emit less heat as well. Uh And

0:35:13.960 --> 0:35:16.399
<v Speaker 1>they also weren't quite as delicate as vacuum tubes were.

0:35:16.440 --> 0:35:18.120
<v Speaker 1>You know, if you were carrying a case of vacuum

0:35:18.160 --> 0:35:21.200
<v Speaker 1>tubes and they dropped, you might end up shattering all

0:35:21.239 --> 0:35:24.480
<v Speaker 1>of them. Transistors were a little bit more sturdy than that.

0:35:24.920 --> 0:35:27.720
<v Speaker 1>So transistors can do the same job as a vacuum

0:35:27.719 --> 0:35:30.840
<v Speaker 1>tube amplifier. That is, they can take an incoming weak

0:35:30.960 --> 0:35:34.000
<v Speaker 1>electric signal and then they can boost the strength of

0:35:34.040 --> 0:35:37.000
<v Speaker 1>that so that it comes out greater than the way

0:35:37.040 --> 0:35:39.239
<v Speaker 1>it came in. And the way it does this is

0:35:39.280 --> 0:35:41.800
<v Speaker 1>a little different from a vacuum tube, but the basic

0:35:41.840 --> 0:35:44.480
<v Speaker 1>principle is the same. So you've got a weak signal

0:35:44.560 --> 0:35:48.399
<v Speaker 1>going into the transistor, you apply voltage to another part

0:35:48.400 --> 0:35:52.560
<v Speaker 1>of the transistor, and this induces a stronger output signal.

0:35:52.719 --> 0:35:55.480
<v Speaker 1>So you are having to put energy into a transistor

0:35:55.520 --> 0:35:57.600
<v Speaker 1>to make this happen. It's not like you've got a

0:35:57.640 --> 0:36:01.240
<v Speaker 1>magical switch that just takes a week signal and boosts

0:36:01.280 --> 0:36:03.920
<v Speaker 1>it into a strong signal without you having to do anything.

0:36:04.360 --> 0:36:07.680
<v Speaker 1>But you didn't need big, bulky hot vacuum tubes in

0:36:07.680 --> 0:36:10.680
<v Speaker 1>your giant radio set cabinet in order to amplify a

0:36:10.719 --> 0:36:13.880
<v Speaker 1>signal so that it could drive loudspeakers. So it was

0:36:13.920 --> 0:36:16.880
<v Speaker 1>possible for transistors to do that job, which meant you

0:36:16.920 --> 0:36:21.040
<v Speaker 1>can miniaturize the design of the overall product without compromising

0:36:21.040 --> 0:36:24.960
<v Speaker 1>on the end user experience. So Magnavox produced its first

0:36:25.000 --> 0:36:29.480
<v Speaker 1>all transistor radio in nineteen fifty seven. It cost seventy

0:36:29.560 --> 0:36:32.600
<v Speaker 1>nine dollars and cents. Now I did go ahead and

0:36:32.680 --> 0:36:35.799
<v Speaker 1>run that through the inflation calculator just to see how

0:36:35.880 --> 0:36:38.640
<v Speaker 1>much it would cost today if it were at the

0:36:38.680 --> 0:36:42.759
<v Speaker 1>same you know, cost level. So brace yourselves, because that

0:36:43.200 --> 0:36:46.319
<v Speaker 1>eight is dollar transistor radio would set you back more

0:36:46.320 --> 0:36:51.840
<v Speaker 1>than seven eight bucks today. Seven dollars for a transistor radio.

0:36:52.440 --> 0:36:55.640
<v Speaker 1>That means the inflation between nineteen fifty seven and today.

0:36:56.160 --> 0:36:58.720
<v Speaker 1>It means it means a dollar today is worth about

0:36:58.719 --> 0:37:03.279
<v Speaker 1>a tenth of what it was earth back then Yelsa. Anyway,

0:37:03.560 --> 0:37:07.480
<v Speaker 1>the price tag probably drives home the fact that these

0:37:07.520 --> 0:37:13.120
<v Speaker 1>electronics were adopted really by people who are well off right.

0:37:13.280 --> 0:37:15.840
<v Speaker 1>The average person could not afford to buy these sorts

0:37:15.880 --> 0:37:19.000
<v Speaker 1>of things. Now that has largely always been the case,

0:37:19.320 --> 0:37:22.440
<v Speaker 1>particularly in the world of consumer electronics. We see new

0:37:22.480 --> 0:37:25.640
<v Speaker 1>technology hit consumer shelves and when it first debut is

0:37:25.800 --> 0:37:28.960
<v Speaker 1>it is exorbitantly expensive, like we saw that with h

0:37:29.120 --> 0:37:31.240
<v Speaker 1>D t V s. We saw it with DVD players,

0:37:31.280 --> 0:37:34.120
<v Speaker 1>we saw it with Blu ray players, we're seeing it

0:37:34.160 --> 0:37:39.399
<v Speaker 1>now with oh LED screens. But then eventually manufacturers, once

0:37:39.440 --> 0:37:42.760
<v Speaker 1>they see that there's a demand for these technologies, invest

0:37:42.880 --> 0:37:46.880
<v Speaker 1>in more ways to make the manufacturing process more efficient

0:37:46.960 --> 0:37:49.959
<v Speaker 1>and less expensive, and the cost starts to come down

0:37:50.040 --> 0:37:53.880
<v Speaker 1>and becomes more accessible to the average consumer. Um we

0:37:53.920 --> 0:37:56.040
<v Speaker 1>would see this happen a lot more frequently today if

0:37:56.080 --> 0:37:58.520
<v Speaker 1>it weren't for the fact that obsolescence is a really

0:37:58.560 --> 0:38:01.799
<v Speaker 1>big thing. It drives a near constant cycle of new

0:38:01.880 --> 0:38:06.919
<v Speaker 1>tech that drives up prices. So while the television's five

0:38:07.000 --> 0:38:10.640
<v Speaker 1>years from now should be less expensive, they're gonna have

0:38:10.719 --> 0:38:12.880
<v Speaker 1>new features we don't even think about right now that

0:38:12.920 --> 0:38:15.960
<v Speaker 1>we'll drive those prices up even more. Whether we want

0:38:16.000 --> 0:38:18.680
<v Speaker 1>those new features or not, that remains to be seen.

0:38:18.680 --> 0:38:21.000
<v Speaker 1>I mean, we saw that with three D television's that

0:38:21.120 --> 0:38:23.799
<v Speaker 1>was a big failure. I'm getting off track. Let's get

0:38:23.800 --> 0:38:27.720
<v Speaker 1>back to Magnavox. So in nineteen fifty eight the company

0:38:27.719 --> 0:38:31.560
<v Speaker 1>produced its first Hi fi stereo system. So up to

0:38:31.600 --> 0:38:35.239
<v Speaker 1>that point, the sets that Magnavox were selling were mono.

0:38:35.400 --> 0:38:38.880
<v Speaker 1>That is, each speaker in the system was getting the

0:38:38.920 --> 0:38:42.560
<v Speaker 1>same output signal. So even if you had multiple speakers

0:38:42.600 --> 0:38:45.240
<v Speaker 1>attached to your system, they were all playing the exact

0:38:45.320 --> 0:38:47.680
<v Speaker 1>same sound. Right, the sound in the left channel and

0:38:47.719 --> 0:38:49.839
<v Speaker 1>the sound in the right channel. There's no such thing there.

0:38:49.920 --> 0:38:53.120
<v Speaker 1>It's the same channel going to two speakers, and the

0:38:53.160 --> 0:38:57.360
<v Speaker 1>sound is identical. Stereo allowed for left and right channels

0:38:57.480 --> 0:39:00.360
<v Speaker 1>independent of each other, so you could have some sounds

0:39:00.400 --> 0:39:02.960
<v Speaker 1>coming out of one speaker and other sounds coming out

0:39:03.000 --> 0:39:05.520
<v Speaker 1>of the other, or maybe it's really loud in one

0:39:05.560 --> 0:39:07.839
<v Speaker 1>speaker and softer in the other. I've done a whole

0:39:07.840 --> 0:39:10.640
<v Speaker 1>episode on the history of stereo sound. The history of

0:39:10.640 --> 0:39:13.440
<v Speaker 1>StereoSound dates much further back, by the way, but it

0:39:13.480 --> 0:39:17.799
<v Speaker 1>took a while for artists to really embrace stereo, particularly

0:39:17.840 --> 0:39:21.000
<v Speaker 1>in genres like rock and roll. That's because a lot

0:39:21.040 --> 0:39:24.120
<v Speaker 1>of artists knew that their fans were relying on older

0:39:24.239 --> 0:39:29.239
<v Speaker 1>mono sets, so they were more interested in developing records

0:39:29.280 --> 0:39:33.880
<v Speaker 1>that were really engineered for mono sets, not for stereo sets.

0:39:33.880 --> 0:39:38.759
<v Speaker 1>The Beatles famously would spend countless hours in the studio

0:39:39.239 --> 0:39:42.760
<v Speaker 1>engineering their mono recordings, but they would leave the stereo

0:39:42.800 --> 0:39:45.680
<v Speaker 1>recordings to other people because they knew most of their

0:39:45.719 --> 0:39:50.279
<v Speaker 1>fans were using mono sound systems well. In nineteen three,

0:39:50.760 --> 0:39:54.560
<v Speaker 1>Magnavox built a third manufacturing facility in Greenville, Tennessee. It

0:39:54.760 --> 0:39:57.879
<v Speaker 1>was at the time the largest TV manufacturing facility under

0:39:57.920 --> 0:40:01.200
<v Speaker 1>one roof in the United States, and for the following years,

0:40:01.280 --> 0:40:05.880
<v Speaker 1>Magnifux continued to produce stereo systems and televisions, and it

0:40:05.920 --> 0:40:09.920
<v Speaker 1>also developed plasma panels for the military. So a plasma

0:40:09.960 --> 0:40:13.080
<v Speaker 1>display is just pretty cool technology. So for a while,

0:40:13.160 --> 0:40:16.280
<v Speaker 1>plasma displays were really competitive with L E D screens,

0:40:16.880 --> 0:40:20.320
<v Speaker 1>largely because plasma displays have a much better contrast ratio,

0:40:21.080 --> 0:40:24.320
<v Speaker 1>which would be the difference and the number of differences

0:40:24.360 --> 0:40:27.640
<v Speaker 1>between the darkest colors you can display and the brightest

0:40:27.640 --> 0:40:30.600
<v Speaker 1>colors you can display. So with L e D screens,

0:40:31.280 --> 0:40:36.239
<v Speaker 1>essentially every section of the screen has a backlight behind it.

0:40:36.480 --> 0:40:38.319
<v Speaker 1>So even if you're watching something that has a lot

0:40:38.320 --> 0:40:40.560
<v Speaker 1>of dark colors in it, there's a backlight and some

0:40:40.600 --> 0:40:44.360
<v Speaker 1>of that light bleeds through the screen, So the darkest colors,

0:40:44.400 --> 0:40:48.719
<v Speaker 1>like like black, might come out more like a charcoal gray.

0:40:48.760 --> 0:40:52.160
<v Speaker 1>But plasma is different. Each pixel, each point of light

0:40:52.320 --> 0:40:55.120
<v Speaker 1>in the panel has a little bit of gas in

0:40:55.160 --> 0:40:59.480
<v Speaker 1>a cell that represents that pixel, and the controller sends

0:40:59.480 --> 0:41:02.799
<v Speaker 1>an electric current to the cells that are associated with

0:41:02.840 --> 0:41:05.399
<v Speaker 1>a picture. Let's say you're just showing up the letter

0:41:05.520 --> 0:41:08.560
<v Speaker 1>A on screen. Well, the cells that make up that

0:41:08.640 --> 0:41:11.759
<v Speaker 1>letter A will get current sent to them, and the

0:41:11.800 --> 0:41:15.799
<v Speaker 1>current excites a gas something like mercury vapor, And when

0:41:15.880 --> 0:41:20.360
<v Speaker 1>mercury vapor gets excited, it's electrons jump to higher energy levels.

0:41:20.560 --> 0:41:22.560
<v Speaker 1>Those electrons have to come back down, but in order

0:41:22.600 --> 0:41:25.080
<v Speaker 1>to come back down, they have to release that energy.

0:41:25.120 --> 0:41:28.279
<v Speaker 1>They do that in the form of ultra violet radiation. Well,

0:41:28.320 --> 0:41:31.560
<v Speaker 1>we can't see ultra violet light. However, if we pair

0:41:31.600 --> 0:41:36.319
<v Speaker 1>that mercury vapor with say certain noble gases, then the

0:41:36.440 --> 0:41:41.520
<v Speaker 1>ultra violet light will stimulate those gases to release energy

0:41:41.560 --> 0:41:44.000
<v Speaker 1>in the form of visible light. So if you were

0:41:44.200 --> 0:41:47.320
<v Speaker 1>to look at a color plasma display like a color

0:41:47.360 --> 0:41:51.640
<v Speaker 1>plasma television, every single pixel that represents a point of

0:41:51.719 --> 0:41:55.640
<v Speaker 1>light on that display has three subpixels. There's one for red,

0:41:55.680 --> 0:41:57.800
<v Speaker 1>one for green, and one for blue. And by timing

0:41:57.800 --> 0:42:01.799
<v Speaker 1>out the electric pulses going to these subpixels and selectively

0:42:01.880 --> 0:42:06.040
<v Speaker 1>choosing which subpixels need to fire, plasma display can create

0:42:06.080 --> 0:42:09.160
<v Speaker 1>images of lots of different colors. Now, in the early

0:42:09.360 --> 0:42:13.520
<v Speaker 1>panels of the nineteen sixties, we're talking monochromatic displays, so

0:42:13.560 --> 0:42:16.719
<v Speaker 1>we didn't have to worry about the subpixel part. They

0:42:16.719 --> 0:42:20.799
<v Speaker 1>were expensive. They were generally reserved for stuff like military use,

0:42:21.120 --> 0:42:24.040
<v Speaker 1>and eventually plasma televisions would come on the scene for

0:42:24.120 --> 0:42:27.600
<v Speaker 1>consumers much much much later. Uh, they would struggle to

0:42:27.960 --> 0:42:32.279
<v Speaker 1>be profitable because other types of televisions would ultimately win

0:42:32.320 --> 0:42:35.920
<v Speaker 1>out and manufacturers would drop out of plasma TV production.

0:42:36.800 --> 0:42:40.000
<v Speaker 1>There's some other issues that plasma displays have, but that's

0:42:40.000 --> 0:42:43.000
<v Speaker 1>not really important for this episode, so we're gonna move on. Now.

0:42:43.040 --> 0:42:44.879
<v Speaker 1>We're running up to the end of our story here,

0:42:45.080 --> 0:42:47.600
<v Speaker 1>and I already talked a bit about Ralph Bayer and

0:42:47.680 --> 0:42:51.160
<v Speaker 1>Bill Harrison and Bill Rush in some recent episodes I did,

0:42:51.239 --> 0:42:53.880
<v Speaker 1>or an episode I did about the nineteen three video

0:42:53.920 --> 0:42:57.480
<v Speaker 1>game crash. So, these three guys, working for a company

0:42:57.520 --> 0:43:02.320
<v Speaker 1>called Sanders Associates Incorporated, developed a video game console that

0:43:02.360 --> 0:43:05.640
<v Speaker 1>could play an electronic version of table tennis. Uh. There

0:43:05.640 --> 0:43:07.799
<v Speaker 1>were also some other programs that the machine could run.

0:43:08.080 --> 0:43:10.360
<v Speaker 1>It was a limited number because it was hardwired to

0:43:10.400 --> 0:43:13.600
<v Speaker 1>play certain number of games. Uh. There was a checkers game.

0:43:13.880 --> 0:43:16.000
<v Speaker 1>There was a game that used a very early light gun.

0:43:16.320 --> 0:43:18.920
<v Speaker 1>The detector for the light is built in the gun itself,

0:43:19.320 --> 0:43:22.200
<v Speaker 1>so the gun can tell if it's pointed towards the

0:43:22.239 --> 0:43:25.640
<v Speaker 1>pixels that are should be created on a display. Uh.

0:43:25.680 --> 0:43:28.480
<v Speaker 1>The bears thought was that he could create a system

0:43:28.640 --> 0:43:30.520
<v Speaker 1>that would give people the chance to play games on

0:43:30.560 --> 0:43:34.280
<v Speaker 1>their TVs. So by the late nineteen sixties, TV prices

0:43:34.320 --> 0:43:37.399
<v Speaker 1>had declined enough so that the average family could afford one,

0:43:37.880 --> 0:43:41.280
<v Speaker 1>and this would give more functionality to the television. Sanders

0:43:41.280 --> 0:43:44.200
<v Speaker 1>Associates shot this idea around because you know, they weren't

0:43:44.200 --> 0:43:46.640
<v Speaker 1>gonna make it. They just wanted to, you know, license

0:43:46.719 --> 0:43:50.040
<v Speaker 1>the idea to someone else, and Magnavox was interested, so

0:43:50.120 --> 0:43:53.120
<v Speaker 1>In the early nineteen seventies, Magnavox entered into a licensing

0:43:53.160 --> 0:43:56.960
<v Speaker 1>agreement with Senders Associates for the brown Box that was

0:43:57.000 --> 0:43:59.400
<v Speaker 1>the nickname given to Beyar's invention. He had covered it

0:43:59.440 --> 0:44:02.239
<v Speaker 1>with vinyl tape that had a wood grain pattern on

0:44:02.280 --> 0:44:03.920
<v Speaker 1>it in order to make it a little more attractive

0:44:03.920 --> 0:44:06.040
<v Speaker 1>and not look like, you know, a big metal box

0:44:06.120 --> 0:44:09.319
<v Speaker 1>with switches and knobs on it. Magnavox would design a

0:44:09.360 --> 0:44:12.840
<v Speaker 1>new console to house the electronics and introduce the device

0:44:12.920 --> 0:44:16.640
<v Speaker 1>as the Magnavox Odyssey in nineteen seventy two, the first

0:44:17.040 --> 0:44:21.040
<v Speaker 1>home video game console, and had a handful of programs

0:44:21.239 --> 0:44:23.839
<v Speaker 1>that were coded into the console itself, and you would

0:44:23.840 --> 0:44:26.799
<v Speaker 1>activate it by putting in a what they called game

0:44:26.880 --> 0:44:30.600
<v Speaker 1>cards that sort of a predecessor for cartridges, and the

0:44:30.640 --> 0:44:34.000
<v Speaker 1>game cards completed circuits that would allow the console to

0:44:34.000 --> 0:44:37.120
<v Speaker 1>play a specific game. It was different from later video

0:44:37.120 --> 0:44:41.560
<v Speaker 1>game consoles. You couldn't like, program a new game for

0:44:41.600 --> 0:44:45.000
<v Speaker 1>this to run. It was a limited number of pre

0:44:45.680 --> 0:44:49.040
<v Speaker 1>determined games that this would run, So you couldn't build

0:44:49.080 --> 0:44:51.880
<v Speaker 1>Pac Man for the Magnavox Odyssey. In other words, so

0:44:51.960 --> 0:44:54.920
<v Speaker 1>the Odyssey could only display very blocky graphics and it

0:44:54.960 --> 0:44:58.759
<v Speaker 1>can only display monochromatic graphics, so black and white. To

0:44:58.840 --> 0:45:03.239
<v Speaker 1>compensate for that limited Asian, Magnavox also produced color screen overlays.

0:45:03.640 --> 0:45:08.160
<v Speaker 1>So it's like a plastic overlay that had color in

0:45:08.280 --> 0:45:11.400
<v Speaker 1>specific spots on there, and you would slap that onto

0:45:11.440 --> 0:45:14.279
<v Speaker 1>your TV screen and thus the light coming from the

0:45:14.280 --> 0:45:17.840
<v Speaker 1>TV screen would show through this clear plastic and you

0:45:17.840 --> 0:45:21.040
<v Speaker 1>would get quote unquote color graphics. Pretty low tech work

0:45:21.040 --> 0:45:25.160
<v Speaker 1>around for the limitations of the device. Well, the Odyssey

0:45:25.239 --> 0:45:28.080
<v Speaker 1>ended up being a modest success. Magnavox sold a few

0:45:28.160 --> 0:45:32.200
<v Speaker 1>hundred thousand units, but that would be later dwarfed by

0:45:32.200 --> 0:45:35.359
<v Speaker 1>other video game consoles that would enter the market later

0:45:35.400 --> 0:45:39.560
<v Speaker 1>in the seventies and into the eighties. In nineteen seventy four, Phillips,

0:45:39.680 --> 0:45:42.880
<v Speaker 1>the electronics company based in the Netherlands, made an offer

0:45:42.920 --> 0:45:46.600
<v Speaker 1>that Magnavox couldn't refuse. So Phillips was looking to establish

0:45:46.680 --> 0:45:49.440
<v Speaker 1>a foothold in America, primarily as a way of creating

0:45:49.480 --> 0:45:54.160
<v Speaker 1>a distribution network for Phillips products. Magnavox would become a

0:45:54.239 --> 0:45:59.360
<v Speaker 1>subsidiary of Phillips, while Magnafox would continue producing products, it

0:45:59.440 --> 0:46:02.040
<v Speaker 1>was doing so under the direction of Phillips, with the

0:46:02.080 --> 0:46:06.200
<v Speaker 1>goal of pushing Phillips based technologies. So Magnavox did play

0:46:06.239 --> 0:46:09.600
<v Speaker 1>a part in certain Phillips products, like the manufacturer and

0:46:09.640 --> 0:46:14.000
<v Speaker 1>distribution of the LaserDisc format, but the division didn't do

0:46:14.040 --> 0:46:16.200
<v Speaker 1>a whole lot more. They did make some home pinball

0:46:16.200 --> 0:46:18.920
<v Speaker 1>machines in late nineteen seventies. That's kind of cool, but

0:46:19.560 --> 0:46:22.640
<v Speaker 1>that was pretty much the end of Magnavox the company.

0:46:22.840 --> 0:46:26.240
<v Speaker 1>It still existed as a brand, so Magnavox the brand

0:46:26.360 --> 0:46:29.600
<v Speaker 1>was still a thing, but that was something that Phillips

0:46:29.600 --> 0:46:34.399
<v Speaker 1>would sometimes slap on certain products because the brand recognition

0:46:34.840 --> 0:46:39.320
<v Speaker 1>was important in the American market. Also, today, around the world,

0:46:39.400 --> 0:46:42.239
<v Speaker 1>there are different companies that own the rights to the

0:46:42.280 --> 0:46:46.239
<v Speaker 1>Magnavox brand in those specific regions, which means you could

0:46:46.280 --> 0:46:49.440
<v Speaker 1>buy two different products, each of them have the Magnavox

0:46:49.520 --> 0:46:51.800
<v Speaker 1>logo on them. You buy one in one part of

0:46:51.840 --> 0:46:53.480
<v Speaker 1>the world, you buy another one in the other part

0:46:53.480 --> 0:46:57.680
<v Speaker 1>of the world, and ultimately they were made by two unconnected,

0:46:58.000 --> 0:47:01.520
<v Speaker 1>different independent companies. Right, they have no connection to each

0:47:01.560 --> 0:47:03.920
<v Speaker 1>other apart from the fact that they each have the

0:47:04.000 --> 0:47:07.640
<v Speaker 1>regional rights to use the Magnavox brand. So we don't

0:47:07.640 --> 0:47:11.040
<v Speaker 1>really have a Magnavox company anymore. But it was really

0:47:11.080 --> 0:47:14.520
<v Speaker 1>fun tracking down the history of Magnavox and talking about

0:47:14.600 --> 0:47:20.080
<v Speaker 1>its role in the consumer electronics UH industry, particularly in

0:47:20.120 --> 0:47:23.560
<v Speaker 1>the United States. If you have suggestions for topics I

0:47:23.560 --> 0:47:26.640
<v Speaker 1>should cover on tech Stuff, whether it's another company or

0:47:26.640 --> 0:47:29.680
<v Speaker 1>a specific technology or trend in tech, anything like that,

0:47:30.280 --> 0:47:32.120
<v Speaker 1>let me know the best way to do that is

0:47:32.160 --> 0:47:35.800
<v Speaker 1>on Twitter. The handle we use is tech stuff hs

0:47:36.040 --> 0:47:40.279
<v Speaker 1>W and I'll talk to you again really soon. Y.

0:47:44.560 --> 0:47:47.600
<v Speaker 1>Tech Stuff is an I Heart Radio production. For more

0:47:47.680 --> 0:47:51.040
<v Speaker 1>podcasts from my Heart Radio, visit the i Heart Radio app,

0:47:51.200 --> 0:47:54.320
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.