WEBVTT - Succession S4 Ep 2 + Yellowjackets S2 Ep 2

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<v Speaker 1>Warning. This podcast contains spoilers for the second episode of

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<v Speaker 1>season four of Succession, the final season and season two

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<v Speaker 1>episode two of You Yellow Jackets be warned. Hello, my

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<v Speaker 1>name is Jason Concepcion and I'm Rosey Night and welcome

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<v Speaker 1>to x ray Vision, the crooked media podcast where we

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<v Speaker 1>dive the put to your favorite shows, movies, comics, and

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<v Speaker 1>pop culture.

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<v Speaker 2>In this episode on previously on, we got something very

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<v Speaker 2>exciting is our new Succession final season speed recaps Market Moves.

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<v Speaker 2>Oh in the airlock is Yellow Jackets season two, episode two,

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<v Speaker 2>and you don't want to bet on those girls surviving

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<v Speaker 2>because they are acting up. It's all happening in the nutout.

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<v Speaker 2>Danielle is going to pitch us on a new character

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<v Speaker 2>in Yellowjacket season two.

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<v Speaker 1>And of course, if you want to jump around, check

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<v Speaker 1>the show notes for the time stamps coming up. Market Moves,

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<v Speaker 1>Succession the final season. First up, we're entering the previously

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<v Speaker 1>on to also enter Market Moves, our speed recap of

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<v Speaker 1>the final season of Succession. Folks, it's tough out there

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<v Speaker 1>a lot of chaos in the marketplace these days. Bonds, stocks, crypto,

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<v Speaker 1>it's all tanking. No one knows what's going on when

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<v Speaker 1>the market is punishing you. Those are red bottoms. This

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<v Speaker 1>is market moves. We open on the eve of Waste

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<v Speaker 1>Stars sale to the Swedish billionaire Lucas Mattson's Gojo and

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<v Speaker 1>Logan Roy, head of the Roy family. He's as cool

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<v Speaker 1>as ever. He's excited. He can't wait for this new

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<v Speaker 1>era of ATN, and he's celebrating by taking the kids

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<v Speaker 1>helicopter arrangements away from them and then going to eight

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<v Speaker 1>to harangue everybody and make a hitlerresque speech about how

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<v Speaker 1>this is now a pirate ship. Logan then puts his

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<v Speaker 1>stamp on the up and coming new network, the new

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<v Speaker 1>Old ATN, by getting ready to Rosie install his girlfriend

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<v Speaker 1>slash assistant Carrie as an anchor, despite the fact that

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<v Speaker 1>she is testing terribly on a tape that is currently

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<v Speaker 1>making the rounds all throughout the New York media space.

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<v Speaker 2>Our first segment, do not buy carry stock.

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<v Speaker 1>Do not buy it. We are shorting carry stock. Our

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<v Speaker 1>first question, Daddy's home. Are we long or short on

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<v Speaker 1>Logan's ATM pirate ship era? You're pirates, all right?

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<v Speaker 2>He's saying fuck many times. He believes in it, but

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<v Speaker 2>it's clear that he's going full Fox News feel as

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<v Speaker 2>you it was Mudoc, but he literally says, we're gonna lie,

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<v Speaker 2>we're gonna cheat, We're gonna say things other people will

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<v Speaker 2>not say. We're buyers, we're doing things illegally. It's going

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<v Speaker 2>for folks news. Carry is a big sign of that.

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<v Speaker 2>It's honestly gonna probably make him a ton of money.

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<v Speaker 2>So I'm saying bye bye bye.

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<v Speaker 1>You know what I hate to say it. Listen this.

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<v Speaker 1>You know there's a big movement these days in investing

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<v Speaker 1>towards investing according to your personal morals and political ideals. Obviously,

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<v Speaker 1>Logan Roy and the Roy family are antithetical to everything

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<v Speaker 1>I stand for. I'm buying. I'm big on this. I

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<v Speaker 1>think it's gonna be a massive, massive success, so fucking spicy.

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<v Speaker 1>They can't believe what we said. I love it. I'll

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<v Speaker 1>buy it. What about the kids, what are the kids

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<v Speaker 1>up to? Well, listen to the kids need that. They

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<v Speaker 1>need that Gojo money, they need that Gojo loot because

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<v Speaker 1>they just made a ten billion dollar bid for Pierce

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<v Speaker 1>Global Media aka PGM. Meanwhile, shiv Kenan Roman the Rebel

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<v Speaker 1>Alliance are watching PGM, and I gotta say they find

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<v Speaker 1>it pretty fucking boring, Rosie. They don't like the product

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<v Speaker 1>that's currently on offer at PGM.

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<v Speaker 2>They bought MSNBC and they're pissed about it. They didn't

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<v Speaker 2>even read it, they didn't watch it first. Also, I

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<v Speaker 2>just need to say, look, I was a hater of

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<v Speaker 2>their previous choice to make the hundred. It sounded terrible,

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<v Speaker 2>But you know what, I'm with Romulus on this one.

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<v Speaker 2>Stick with the hundred. Do what you know, spend a

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<v Speaker 2>little bit of Daddy's money and do something that wasn't dangerous.

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<v Speaker 2>Ten billion for this news. You don't know what to

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<v Speaker 2>do with it. It's gonna go terribly and you did it.

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<v Speaker 2>It's the most expensive fuck you to your dad that anyone.

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<v Speaker 1>Has ever Absolutely, it's delicious. Again, we're waiting on that

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<v Speaker 1>Gojo sale money before they they can really get off

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<v Speaker 1>the hook for the ten billion for PGM. It's prefessorial.

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<v Speaker 1>It's boring. Watching it is like doing homework, and they

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<v Speaker 1>can't wait to get their hands on it. Shiv walks

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<v Speaker 1>out of the PGM hate fest to take a red

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<v Speaker 1>hot phone from Sandy. This is the daughter of Sandy,

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<v Speaker 1>who is incapacitated and of course is partnered up with

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<v Speaker 1>Stewie Ken's old pal and they are saying, Hey, this

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<v Speaker 1>Gojo sale. It's a little enterprise, isn't it. What do

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<v Speaker 1>we think about putting a squeeze on the old nuts

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<v Speaker 1>of mister Lucas Mattson. We squeeze those Swedish nuts and

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<v Speaker 1>we get a little bit more juice out of them.

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<v Speaker 1>What do you say about it? What do you say

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<v Speaker 1>about She was like, I love it. She goes she

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<v Speaker 1>kind of very very lightly, very softly pitches it to

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<v Speaker 1>Ken and Romulus, and they're not interested. They don't want

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<v Speaker 1>to do that. They're very happy with the prices it

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<v Speaker 1>currently exists. Our second prompt, you hear about mcgreb. What

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<v Speaker 1>mcgreb and these nuts? How would you fix PGM? Ken

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<v Speaker 1>says mcgreb East sub Saharan Africa, West sub Saharan Africa.

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<v Speaker 1>We go Africa all the time. Would you watch that?

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<v Speaker 1>Would you, Jess? Would you watch that? Just like what

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<v Speaker 1>you talking about? How how would you fix PGM?

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<v Speaker 2>You got to fix them by just making it a

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<v Speaker 2>logan smear campaign. Every story is terrible ATM is terrible,

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<v Speaker 2>and you just make that your only goal. That's the

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<v Speaker 2>only you're gonna get those rate ends people are gonna watch.

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<v Speaker 2>Maybe you'll make some money, maybe you won't. But also

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<v Speaker 2>just need to note here, Ship is very open to

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<v Speaker 2>this offer because she's getting divorced from Tom.

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<v Speaker 1>That's right, she needs she needs it. Let's get into that.

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<v Speaker 1>So Shiv discovers that her number one, pick number two,

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<v Speaker 1>pick number three, pick number four, pick number five, Top

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<v Speaker 1>five favorite divorce lawyers in New York City picks have

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<v Speaker 1>been tied up by Tom on the advice of none

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<v Speaker 1>other than Logan Royce, shes own father.

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<v Speaker 2>She says, she's got doing the same shit they eat

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<v Speaker 2>it to their mom.

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<v Speaker 1>That's so brutal, absolutely brutal, looking down the barrel of

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<v Speaker 1>a divorce that might be a lot more expensive than

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<v Speaker 1>she was expecting. She needs that Gojo money to go up.

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<v Speaker 1>Quite a pickle that she finds herself in. I really

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<v Speaker 1>love the way that everybody is like there's really only

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<v Speaker 1>one decision, which is like sell or sell for more money,

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<v Speaker 1>and yet everybody has their own drama going on such

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<v Speaker 1>that they can't help but backstab each other, even suddenly

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<v Speaker 1>constantly backstabbing each other.

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<v Speaker 2>This episode, I think, actually cements what's so great about succession,

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<v Speaker 2>which is every single character in this episode, apart from Greg,

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<v Speaker 2>who's just catching mad jokes as always, but like everyone

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<v Speaker 2>else has like a moment where you feel empathy for

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<v Speaker 2>them even though they're the fucking worst people on earth and.

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<v Speaker 1>That's terrible humans.

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<v Speaker 2>Instantly they remind you why you should have no empathy

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<v Speaker 2>for them, and this episode is just full of that,

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<v Speaker 2>because Shiv gets horribly fucked over. But Shiv and Tom

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<v Speaker 2>are so toxic. And also now you know Tom's comming

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<v Speaker 2>for everything because he's finally in Logan's pocket. So I

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<v Speaker 2>would be like, I understand Shiv. She needs more money.

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<v Speaker 2>She needs more than ten billion or whatever she was

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<v Speaker 2>going to get because these idiots spent all that money

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<v Speaker 2>on their lively news channel.

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<v Speaker 1>I mean speaking of of Greg catching jokes. Oh, I

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<v Speaker 1>absolutely cackled at the scene where so Logan goes back

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<v Speaker 1>to ATM right and he gives a speech standing on

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<v Speaker 1>a stack of printer paper that mine of the people,

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<v Speaker 1>Mine of the people, that you absolutely translated into the

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<v Speaker 1>original German, you know, and then marched towards Austria on

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<v Speaker 1>that speech and he then and he you know, it

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<v Speaker 1>puts in place basically a reign of terror where he's

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<v Speaker 1>micromanaging everyone like this big huge red eyeve saw on

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<v Speaker 1>that is looking at everything, including the pizza. He goes

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<v Speaker 1>into the break room. He's like, why is all this

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<v Speaker 1>fucking pizza here? And he gets on this but then

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<v Speaker 1>it turns out the pizza is a ruse so that

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<v Speaker 1>he can talk to Tom privately about Carrie's ye.

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<v Speaker 2>Can we also say he is standing in the center

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<v Speaker 2>of this room and he is checking how many emails

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<v Speaker 2>people send. He's complaining that they didn't just heat up

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<v Speaker 2>the pizza in the microwave, they bought new pizza. Can

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<v Speaker 2>we say, Ike Palmer, this was King Energy here, not

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<v Speaker 2>just Rupert Murdoch balls. But yeah, he really wants to

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<v Speaker 2>talk to Tom, who, by the way, Tom was the

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<v Speaker 2>one who lied to Logan and said the test tape

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<v Speaker 2>was good so that Terry.

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<v Speaker 1>Would go on.

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<v Speaker 2>I thought if Logan, I think he might be getting soft.

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<v Speaker 2>I think the kids might be onto something because Logan.

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<v Speaker 2>I thought Logan was going to fire Tom and say,

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<v Speaker 2>why did you make me look stupid? Why would you

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<v Speaker 2>say she was okay to go on if she wasn't. Instead,

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<v Speaker 2>he's like, you get rid of her. She needs to

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<v Speaker 2>be gone, and it's on you more.

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<v Speaker 1>On that weakness and a bit, but I will say

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<v Speaker 1>I absolutely agree. Number one, he's trying to, you know,

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<v Speaker 1>be the tough guy. Had given this big speech when

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<v Speaker 1>you know, it was not that long ago that he

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<v Speaker 1>was having spells of an undiagnosed nature and pissing his

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<v Speaker 1>fucking pants, unable to walk from the beach to the

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<v Speaker 1>house out in the Hampton's when they're out visiting. What's

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<v Speaker 1>his face? I I you know, he's he's trying to

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<v Speaker 1>portray strength here. But back to my original note about

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<v Speaker 1>about Greg catching jokes. You know, Uh, Logan is like,

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<v Speaker 1>what's pizza? There's already pizza here, we ordered, wore pizza.

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<v Speaker 1>Greg is like, well, you know, be fair. There is uh,

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<v Speaker 1>you know, his crusted issues. There's a bit of a

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<v Speaker 1>song fact all right. Next uh uh Lucas mattson facetimes

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<v Speaker 1>Ken he has gotten new the kind of uh he's

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<v Speaker 1>you know, his ear to the street and he's got

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<v Speaker 1>gotten word that the kids might be trying to leverage

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<v Speaker 1>alongside Sandy and Stewie and get that price up. And

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<v Speaker 1>he says, listen, absolutely fucking not. If you try to

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<v Speaker 1>get more money out of me, I will pull out

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<v Speaker 1>of this deal and then you will all be fucked

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<v Speaker 1>because you will not get that money, and I will

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<v Speaker 1>be out of here.

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<v Speaker 2>And I just want to say, Yeah, the absolute chaotic

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<v Speaker 2>energy of Kendall and Matson on the phone together, this

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<v Speaker 2>is the worst posible thing that could happen for everyone.

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<v Speaker 2>Two fucking idiots. Yeah, and Kendall is so consumed with

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<v Speaker 2>bitterness and getting one over with Logan.

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<v Speaker 1>This is just the one.

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<v Speaker 2>He could literally go in and just back. He could

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<v Speaker 2>just go in and be real and be like, this

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<v Speaker 2>is what's going to happen. We need to keep the money.

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<v Speaker 2>But no, he keeps it to himself because he wants

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<v Speaker 2>to cause chaos. And he pretends, like you said, he

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<v Speaker 2>backstabs Shiv. He backstabs Shift by pretending it's a good

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<v Speaker 2>idea and going along with her when really he is

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<v Speaker 2>intent on fucking his dad one more time, even though

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<v Speaker 2>he just made a ten billion dollar bid that he

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<v Speaker 2>wanted to be that high. Here's oh Kendall, I fucking

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<v Speaker 2>hate him.

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<v Speaker 1>There's can Both Kendall and Lucas have speak the language

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<v Speaker 1>of therapy and uh and they use that language then

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<v Speaker 1>as a weapon, Like Lucas has a great you know

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<v Speaker 1>line here where he's like talking about pulling out of

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<v Speaker 1>the deal, and he says, listen, I'm coming across that's

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<v Speaker 1>coming across as aggressive. I know that's coding aggressive, but

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<v Speaker 1>I'm just I'm just telling the truth. That's you know,

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<v Speaker 1>I'm not being aggressive right now. This is how I

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<v Speaker 1>speak sometimes. And then Ken can't help but like drop

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<v Speaker 1>you know, numerous like references to his Buddhist meditation practice. Meanwhile,

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<v Speaker 1>Ken leaves that FaceTime smelling blood and he thinks, uh, oh,

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<v Speaker 1>we're onto something here. If Lucas is calling me in

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<v Speaker 1>a in a in a non aggressive of panic about

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<v Speaker 1>the price, I think we're onto something. I think we

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<v Speaker 1>should squeeze. And he decides to join forces with Sandy

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<v Speaker 1>and Steing that moment, sends a text to them says,

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<v Speaker 1>send me the send me the stats. He looks at

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<v Speaker 1>the stats and say, oh my, oh my god, we're

0:13:15.559 --> 0:13:17.960
<v Speaker 1>under price. We'ren't a value. What are we doing. Meanwhile, Logan,

0:13:18.559 --> 0:13:23.000
<v Speaker 1>also getting wind of this, is actually impressed by the kids. Squeeze,

0:13:23.000 --> 0:13:29.000
<v Speaker 1>but they've got some juice. They got some real fucking juice. Connor, meanwhile,

0:13:29.040 --> 0:13:31.920
<v Speaker 1>whose marriage to Willa is falling apart before it even

0:13:31.960 --> 0:13:36.880
<v Speaker 1>begins Willa has fled her rehearsal dinner in a drunken panic.

0:13:37.800 --> 0:13:41.920
<v Speaker 1>She is the bride and says, I need to be here.

0:13:42.120 --> 0:13:44.240
<v Speaker 1>Yeah don't. I don't really they can. They could do

0:13:44.360 --> 0:13:49.160
<v Speaker 1>this without me, right. Connor, you know, is shaken to

0:13:49.240 --> 0:13:51.920
<v Speaker 1>the core, but he's putting on a good kind of facade.

0:13:52.000 --> 0:13:54.640
<v Speaker 1>And he makes his siblings take him to a regular

0:13:54.679 --> 0:13:57.480
<v Speaker 1>person bar where guys work with their hands, and they

0:13:57.480 --> 0:13:58.800
<v Speaker 1>got sweat on their hands, and.

0:14:01.480 --> 0:14:02.560
<v Speaker 2>I like those guys.

0:14:02.800 --> 0:14:05.040
<v Speaker 1>I know that he wants to go to karaoke like

0:14:05.080 --> 0:14:06.120
<v Speaker 1>he's seen in the movies.

0:14:06.920 --> 0:14:09.600
<v Speaker 2>Oh that line, this is what I mean. That is

0:14:09.640 --> 0:14:14.440
<v Speaker 2>a line that is delivered with so much sadness, like

0:14:14.480 --> 0:14:16.520
<v Speaker 2>I've seen it in the movies. And no one wants

0:14:16.559 --> 0:14:18.440
<v Speaker 2>to go with me, and you're like, oh, poor Cornor.

0:14:18.480 --> 0:14:20.240
<v Speaker 2>And then you get more poor Connor as you go on,

0:14:20.400 --> 0:14:23.160
<v Speaker 2>But then you remember he is like stalking Willer and

0:14:23.280 --> 0:14:24.880
<v Speaker 2>is just absolutely insane.

0:14:25.520 --> 0:14:26.600
<v Speaker 1>It's so funny.

0:14:27.600 --> 0:14:30.000
<v Speaker 2>The karaoke bar showdown. I never saw it coming and

0:14:30.040 --> 0:14:30.920
<v Speaker 2>I couldn't be happier.

0:14:31.320 --> 0:14:34.880
<v Speaker 1>Oh my god, and he sings a Leonard Cohen song.

0:14:34.920 --> 0:14:37.880
<v Speaker 1>Oh it's so depressing, which is just makes you want

0:14:37.920 --> 0:14:42.440
<v Speaker 1>to die and then Logan a true sign of Logan's

0:14:42.480 --> 0:14:46.360
<v Speaker 1>desperation and how m absolutely on his fucking knees in

0:14:46.400 --> 0:14:48.680
<v Speaker 1>a way like we have never seen before.

0:14:48.840 --> 0:14:50.400
<v Speaker 2>I know I was trying to work out the play,

0:14:50.440 --> 0:14:52.240
<v Speaker 2>but I don't actually think it was a play. I

0:14:52.240 --> 0:14:54.880
<v Speaker 2>think the play was going there and being vulnerable.

0:14:55.400 --> 0:14:57.600
<v Speaker 1>Here's my read on it. So Logan drags himself to

0:14:57.640 --> 0:15:01.520
<v Speaker 1>the karaoke club to apologize to the kids for cutting

0:15:01.520 --> 0:15:03.720
<v Speaker 1>them out of the family holding company and all the

0:15:03.800 --> 0:15:06.480
<v Speaker 1>various things he's done, and they're like, specifically, what are

0:15:06.480 --> 0:15:08.160
<v Speaker 1>you apologizing for? And the only thing he can come

0:15:08.240 --> 0:15:10.560
<v Speaker 1>up with is the helicopter thing from that day.

0:15:10.880 --> 0:15:13.160
<v Speaker 2>Yeah, Everyone's like, what about when you used to like

0:15:13.440 --> 0:15:17.560
<v Speaker 2>beat Roman? What about like ignoring on his whole life?

0:15:17.680 --> 0:15:19.560
<v Speaker 2>How about the fact that you gave Tom all of

0:15:19.760 --> 0:15:21.200
<v Speaker 2>Shiv's divorce lawyers?

0:15:23.240 --> 0:15:25.720
<v Speaker 1>And so they just absolutely they give it to him.

0:15:25.720 --> 0:15:31.320
<v Speaker 1>They just pile on Logan and really humiliate him. Not

0:15:31.440 --> 0:15:34.080
<v Speaker 1>to mention Carrie, who I think that this is Carrie's idea.

0:15:34.160 --> 0:15:36.840
<v Speaker 1>In my mind, my head canon is that Carrie has

0:15:36.880 --> 0:15:40.640
<v Speaker 1>been telling Logan, hey, be more open, be more vulnerable

0:15:40.640 --> 0:15:43.080
<v Speaker 1>with the kids, if anything, just pretend.

0:15:42.960 --> 0:15:44.520
<v Speaker 2>Yea, because like a cynical level.

0:15:44.560 --> 0:15:46.640
<v Speaker 1>It will watch yeah, on a cynical level, because it'll

0:15:46.640 --> 0:15:48.640
<v Speaker 1>disarm them and it'll just make everything easier. And so

0:15:48.680 --> 0:15:51.600
<v Speaker 1>I think this is her move a little bit. And

0:15:52.040 --> 0:15:54.960
<v Speaker 1>it also gives you know, Carrie's of course there. And

0:15:55.000 --> 0:15:58.320
<v Speaker 1>this gives the kids an opportunity to absolutely ambased her

0:15:58.400 --> 0:16:00.720
<v Speaker 1>about her tape. They let her know that they've seen it.

0:16:00.800 --> 0:16:03.040
<v Speaker 1>That lets her know that, yes, this state is circulating

0:16:03.520 --> 0:16:08.040
<v Speaker 1>and she is humbled. We should say after that, here

0:16:08.160 --> 0:16:13.480
<v Speaker 1>is our third prompt? What's love? What's love got to

0:16:13.520 --> 0:16:16.040
<v Speaker 1>do it? What's love but a plant that lives on dead?

0:16:16.120 --> 0:16:20.320
<v Speaker 1>In sex? What's the most devastating humbling in this episode?

0:16:20.360 --> 0:16:23.040
<v Speaker 1>Is it Logan going to the karaoke club to tell

0:16:23.080 --> 0:16:26.480
<v Speaker 1>his kids is sorry? Willa walking out on her wedding rehearsal,

0:16:26.480 --> 0:16:29.600
<v Speaker 1>and Cohn spying on her slash stalking her through his

0:16:29.680 --> 0:16:36.200
<v Speaker 1>phone or shives, inability to hire a divorce attorney, and

0:16:36.240 --> 0:16:42.360
<v Speaker 1>feeling grieved because the man who she told on their

0:16:42.400 --> 0:16:44.720
<v Speaker 1>wedding day that she wanted to have an open relationship

0:16:45.080 --> 0:16:49.480
<v Speaker 1>has somehow gotten the upper hand on her. Your thoughts,

0:16:49.760 --> 0:16:51.600
<v Speaker 1>what is the most devastating humbling?

0:16:52.240 --> 0:16:55.560
<v Speaker 2>I do think if we look at the players, and

0:16:55.600 --> 0:16:58.080
<v Speaker 2>we look at the landscape. It is Logan going to

0:16:58.120 --> 0:17:00.240
<v Speaker 2>a karaoke club to apologize.

0:17:00.400 --> 0:17:01.360
<v Speaker 1>Connor wanted to be.

0:17:01.320 --> 0:17:05.400
<v Speaker 2>At the karaoke club, and he actually found a way

0:17:05.440 --> 0:17:07.439
<v Speaker 2>to trick and guilt his family into doing it, so

0:17:07.480 --> 0:17:09.840
<v Speaker 2>he won there in a small way, even though Willer

0:17:09.920 --> 0:17:13.080
<v Speaker 2>walked out. That's Connor's on Connor anyway, because he was

0:17:13.080 --> 0:17:15.040
<v Speaker 2>trying to force her into doing like a stunt wedding

0:17:15.119 --> 0:17:17.600
<v Speaker 2>to get his one percent in the polls. And you

0:17:17.640 --> 0:17:20.240
<v Speaker 2>know what, Shav and Tom, that's just their own fucked

0:17:20.280 --> 0:17:23.160
<v Speaker 2>up shit and he's gonna keep going on. But Logan apologizing,

0:17:23.240 --> 0:17:26.359
<v Speaker 2>first of all, never happens being in that room with

0:17:26.440 --> 0:17:29.439
<v Speaker 2>the like bisexual lighting and the kids are just fucking

0:17:29.680 --> 0:17:32.880
<v Speaker 2>roasting him, which, by the way, I think was part

0:17:32.880 --> 0:17:35.400
<v Speaker 2>of the reason he went, because he early is trying

0:17:35.440 --> 0:17:38.520
<v Speaker 2>to get people to roast him and his birthday party.

0:17:38.520 --> 0:17:40.439
<v Speaker 2>He's like, please roast me, come on, come on, give me,

0:17:40.520 --> 0:17:44.920
<v Speaker 2>and he's missing that combative, toxic bullshit that he has

0:17:44.960 --> 0:17:45.679
<v Speaker 2>with his kids.

0:17:45.800 --> 0:17:48.000
<v Speaker 1>He missed her kids, He missed his kids.

0:17:48.080 --> 0:17:53.000
<v Speaker 2>And I think that combined with Kerry realizing that she

0:17:53.200 --> 0:17:55.679
<v Speaker 2>has as I think it's Roman who says it. He's like,

0:17:55.800 --> 0:18:00.320
<v Speaker 2>congrats on having your betrayal cherry popped. Like she she

0:18:00.480 --> 0:18:03.120
<v Speaker 2>realizes that she is not special to Logan. She's glad

0:18:03.160 --> 0:18:05.320
<v Speaker 2>to be used and fucked over as much as.

0:18:05.200 --> 0:18:07.359
<v Speaker 1>They just the next one. You're just the You're just

0:18:07.440 --> 0:18:12.119
<v Speaker 1>the current girlfriend. That's all I agree with you. I

0:18:12.119 --> 0:18:14.520
<v Speaker 1>think it's Logan. We've never seen him on his knees

0:18:14.640 --> 0:18:17.480
<v Speaker 1>like this, We've never seen him without a card like,

0:18:17.520 --> 0:18:18.560
<v Speaker 1>he has no move.

0:18:18.960 --> 0:18:22.320
<v Speaker 2>He hasn't, so they reject him. That's like the biggest thing.

0:18:22.359 --> 0:18:23.600
<v Speaker 2>It doesn't even walk.

0:18:23.920 --> 0:18:26.840
<v Speaker 1>And it doesn't even and recall, this is what why

0:18:26.880 --> 0:18:30.000
<v Speaker 1>this show is so genius. But partially is it's it's

0:18:30.359 --> 0:18:33.719
<v Speaker 1>it closes a loop if you're calling season one. Logan

0:18:33.800 --> 0:18:38.440
<v Speaker 1>takes Ken to uh I think a Vaulter meeting, and

0:18:39.080 --> 0:18:42.080
<v Speaker 1>you know, it's very acrimonious, and they agree on a price,

0:18:42.200 --> 0:18:44.360
<v Speaker 1>and then Logan and Can walk out, and Logan looks

0:18:44.359 --> 0:18:46.480
<v Speaker 1>at Kenna's and goes go back in there and ask

0:18:46.560 --> 0:18:49.439
<v Speaker 1>him for twenty million more dollars. You say, we're not

0:18:49.480 --> 0:18:51.000
<v Speaker 1>We're walking away unless he get more, and he's like,

0:18:51.000 --> 0:18:53.480
<v Speaker 1>what we just agreed on the they barely agree to it.

0:18:53.520 --> 0:18:55.040
<v Speaker 1>He's like, go in there and fucking do it. Now

0:18:55.040 --> 0:18:58.200
<v Speaker 1>they're doing it to his dad. When when Shiv says,

0:18:59.160 --> 0:19:02.320
<v Speaker 1>very simply just go in there and ask him for

0:19:02.359 --> 0:19:06.360
<v Speaker 1>more money, I mean, that's it's exactly They're exactly right.

0:19:06.440 --> 0:19:09.280
<v Speaker 1>It's exactly what Logan would have done if he still

0:19:09.280 --> 0:19:12.680
<v Speaker 1>had his fastball. And it's very very sad and also

0:19:12.880 --> 0:19:17.760
<v Speaker 1>satisfying to see Logan, who is a horrendous, horrendous person

0:19:18.840 --> 0:19:21.359
<v Speaker 1>and very generous when it comes to you know, only

0:19:21.400 --> 0:19:23.800
<v Speaker 1>the generational trauma that he passes on to the children

0:19:25.200 --> 0:19:29.240
<v Speaker 1>in this position. It is very very satisfying. Final verdict.

0:19:30.480 --> 0:19:32.800
<v Speaker 1>We see at the end of this episode that Roman,

0:19:32.840 --> 0:19:35.240
<v Speaker 1>who has tried to say that the text that he

0:19:35.280 --> 0:19:38.760
<v Speaker 1>got from his dad was just merely a continuation of

0:19:38.800 --> 0:19:42.800
<v Speaker 1>the happy Birthday wishes that he that he texted their father,

0:19:43.680 --> 0:19:48.760
<v Speaker 1>turns out that no, they're actually quite close still, and

0:19:48.800 --> 0:19:53.399
<v Speaker 1>that Roman, who has always been conflict averse and is

0:19:53.440 --> 0:19:56.400
<v Speaker 1>really the guy when Logan is like, roast me, that's

0:19:56.440 --> 0:20:00.639
<v Speaker 1>who he wants that Roman energy. Will Roman stay with

0:20:00.720 --> 0:20:05.520
<v Speaker 1>the rebel alliance or go back to suckle on the

0:20:06.080 --> 0:20:12.440
<v Speaker 1>uh somewhat dried up but still pendulous bosom of Big

0:20:12.520 --> 0:20:15.440
<v Speaker 1>Daddy Logan, where will he Which way will he go?

0:20:15.960 --> 0:20:18.879
<v Speaker 2>I sadly think it's the latter. I think the reason

0:20:18.920 --> 0:20:22.520
<v Speaker 2>that that is saddest is because I truly believe, in

0:20:22.560 --> 0:20:26.240
<v Speaker 2>that moment, Logan would have made that same offer to

0:20:26.400 --> 0:20:29.080
<v Speaker 2>any of the kids who walked in. Like I am

0:20:29.080 --> 0:20:31.879
<v Speaker 2>sure he'd been sitting there and he's like, it's probably

0:20:31.880 --> 0:20:34.080
<v Speaker 2>going to be Roman, But if it was Ken, I'll

0:20:34.119 --> 0:20:36.080
<v Speaker 2>offer him the same thing. If it's Shiv, I'll offer

0:20:36.119 --> 0:20:38.760
<v Speaker 2>her the same thing. But with divorce lawyers, he knew

0:20:38.760 --> 0:20:41.040
<v Speaker 2>what to say in that moment. He had his cards back.

0:20:41.280 --> 0:20:44.199
<v Speaker 2>I don't want you there, I need you. That's what

0:20:44.359 --> 0:20:48.639
<v Speaker 2>all of them want to hear. Yeah, and my dream

0:20:48.840 --> 0:20:53.760
<v Speaker 2>for this, my dream outcome is that Roman goes with

0:20:53.920 --> 0:20:57.120
<v Speaker 2>Logan but ends up fucking immobile. I think of all

0:20:57.160 --> 0:20:59.400
<v Speaker 2>of them, I feel like he deserves it the most

0:20:59.640 --> 0:21:05.080
<v Speaker 2>to really get that final fuck you a dog cage.

0:21:04.800 --> 0:21:09.320
<v Speaker 2>I think though, I think Kendall, I like your read. Look,

0:21:09.359 --> 0:21:11.679
<v Speaker 2>Kendall knows the business and stuff. But I think the

0:21:11.680 --> 0:21:14.320
<v Speaker 2>reason Kendall's so excited about this is because I think

0:21:14.320 --> 0:21:17.720
<v Speaker 2>he believes that Mattison will walk and I think he

0:21:17.800 --> 0:21:21.440
<v Speaker 2>wants that ultimate final fuck off right, But I sadly

0:21:21.480 --> 0:21:23.880
<v Speaker 2>I think Roman's on team Logan for now.

0:21:24.800 --> 0:21:30.200
<v Speaker 1>I lean that way as well. I do think that

0:21:30.200 --> 0:21:33.160
<v Speaker 1>that Logan had that offer or similar kind of godfather

0:21:33.280 --> 0:21:35.840
<v Speaker 1>offer in store for any of his kids. And his

0:21:35.920 --> 0:21:40.439
<v Speaker 1>offer it's very short on specifics, but it's basically like

0:21:40.560 --> 0:21:44.000
<v Speaker 1>run ATN at my side, you know, run it.

0:21:43.920 --> 0:21:47.879
<v Speaker 2>As you run it as the brutal hardcore roast me

0:21:48.080 --> 0:21:51.920
<v Speaker 2>like fuck you. It's also very smart because it basically

0:21:52.040 --> 0:21:54.600
<v Speaker 2>is like you can do the hundred, like you're still

0:21:54.600 --> 0:21:58.280
<v Speaker 2>gonna get your own newsplace, but it's gonna be ATN.

0:21:58.600 --> 0:22:01.440
<v Speaker 2>You know, you're gonna have to hide all the bodies.

0:22:02.520 --> 0:22:06.159
<v Speaker 1>One more question because I was unsure about this, So

0:22:06.160 --> 0:22:13.760
<v Speaker 1>when HIV calls Sandy, she says, Hey, if that offer

0:22:14.240 --> 0:22:16.920
<v Speaker 1>that you made is still in play, I think I'm

0:22:16.920 --> 0:22:20.560
<v Speaker 1>willing to lobby the brothers to up the price. Now,

0:22:20.800 --> 0:22:24.439
<v Speaker 1>if I recall correctly, that offer was chief of staff

0:22:24.480 --> 0:22:26.480
<v Speaker 1>of the White House, Like, so is that what do

0:22:26.480 --> 0:22:27.800
<v Speaker 1>you think that that's what it is?

0:22:27.840 --> 0:22:34.720
<v Speaker 2>Like? Fin or political? Yeah? I think it makes It's

0:22:34.920 --> 0:22:38.560
<v Speaker 2>very rare for Shiv is not a desperate person, so

0:22:38.680 --> 0:22:40.840
<v Speaker 2>I think it's more about weighing up. Well, I need

0:22:40.880 --> 0:22:43.040
<v Speaker 2>more money. What else can I get from it? I

0:22:43.040 --> 0:22:48.800
<v Speaker 2>mean that would be so nightmarishly unhinged. And I mean, look,

0:22:49.200 --> 0:22:51.320
<v Speaker 2>this is I'm going to make a prediction. You know,

0:22:51.359 --> 0:22:53.040
<v Speaker 2>don't bet your money on it. But I think I

0:22:53.040 --> 0:22:58.399
<v Speaker 2>can see from these first two episodes ATM Logan wants

0:22:58.440 --> 0:23:01.680
<v Speaker 2>to make it successful. We have Cornor and politics. I

0:23:01.760 --> 0:23:04.480
<v Speaker 2>think we can see why this kind of horrific nightmare

0:23:04.560 --> 0:23:08.320
<v Speaker 2>is gonna lead. So Shiv also being in that political

0:23:08.400 --> 0:23:10.720
<v Speaker 2>space would make a lot of sense.

0:23:12.320 --> 0:23:17.720
<v Speaker 1>Well, we're gonna be continuing to cover the Gojo merger

0:23:18.720 --> 0:23:23.920
<v Speaker 1>the latest ongoing news at ATN the beleaguered PGM network.

0:23:24.240 --> 0:23:42.720
<v Speaker 1>Right here on market moves up next Yellowjackets. We're stepping

0:23:42.720 --> 0:23:48.280
<v Speaker 1>out of the airlock for an enchanted forest feast yum

0:23:48.440 --> 0:23:51.520
<v Speaker 1>for season two, episode two of Yellow Jackets on the

0:23:51.520 --> 0:23:53.240
<v Speaker 1>Belager Show type network.

0:23:53.800 --> 0:23:55.960
<v Speaker 2>It's belieger, but it's doing great.

0:23:56.440 --> 0:24:00.760
<v Speaker 1>It's really what the episode man. This series continues to

0:24:00.800 --> 0:24:05.439
<v Speaker 1>be allowed to dig into. This episode is titled Edible

0:24:06.160 --> 0:24:10.919
<v Speaker 1>Complex ha ha good pun, written by Jonathan Lisco and

0:24:10.920 --> 0:24:12.600
<v Speaker 1>directed by Ben Semenov.

0:24:13.400 --> 0:24:15.960
<v Speaker 2>We're back in the meat shed and things are getting

0:24:16.200 --> 0:24:20.119
<v Speaker 2>even weirder. It's cold, winter's here and Jackie is straight

0:24:20.200 --> 0:24:26.560
<v Speaker 2>up taunting Shana. She's walking around, She's representing Shanna's fractured

0:24:26.560 --> 0:24:29.560
<v Speaker 2>psyche while saying, hey, there's no food.

0:24:30.280 --> 0:24:31.000
<v Speaker 1>What are you gonna do?

0:24:31.160 --> 0:24:31.960
<v Speaker 2>You got a baby.

0:24:32.520 --> 0:24:33.720
<v Speaker 1>It's very, very troubling.

0:24:33.920 --> 0:24:39.800
<v Speaker 2>It's incredibly troubling. And Shawna is struggling. Yeah, yeah, And

0:24:39.840 --> 0:24:42.240
<v Speaker 2>the rest of the survivors are cooking dinner which is

0:24:42.280 --> 0:24:46.720
<v Speaker 2>not yet human and they're sort of wondering about Shanna's

0:24:46.760 --> 0:24:49.479
<v Speaker 2>mental health, which I feel like should have probably happened before.

0:24:49.560 --> 0:24:52.160
<v Speaker 2>But yeah, you know, we get an insight into why

0:24:52.200 --> 0:24:55.639
<v Speaker 2>they haven't done anything yet, which is Lotty insists that

0:24:55.720 --> 0:24:59.080
<v Speaker 2>the group just need to like leave her be. She's

0:24:59.119 --> 0:25:02.640
<v Speaker 2>still mourning. But Ty and Natalie are like, bro, She's

0:25:02.640 --> 0:25:05.199
<v Speaker 2>in there every night, freezing to death, talking to her

0:25:05.440 --> 0:25:09.240
<v Speaker 2>best friend in the meat shed, like we need to

0:25:09.280 --> 0:25:13.479
<v Speaker 2>do something. And it's quickly becoming clear that Tye and

0:25:13.560 --> 0:25:17.399
<v Speaker 2>Natalie are sort of becoming like the parents of the group.

0:25:17.480 --> 0:25:19.840
<v Speaker 2>They're in charge of what people eat, where they poop.

0:25:20.080 --> 0:25:22.040
<v Speaker 2>There's a big poop argument this episode.

0:25:22.200 --> 0:25:26.280
<v Speaker 1>Don't poop in in any kind of vessel and leave

0:25:26.320 --> 0:25:28.000
<v Speaker 1>it in the cavs.

0:25:28.400 --> 0:25:30.720
<v Speaker 2>By the way, somebody in our Discord pointed this out,

0:25:30.720 --> 0:25:34.240
<v Speaker 2>but poop Gate it was probably Tie. I believe this.

0:25:34.359 --> 0:25:35.760
<v Speaker 2>It was probably nighttime Tie.

0:25:35.760 --> 0:25:38.399
<v Speaker 1>I think it was nighttime Tie as well, although like

0:25:38.880 --> 0:25:42.400
<v Speaker 1>did she here's the question did she do it in

0:25:42.480 --> 0:25:44.720
<v Speaker 1>her room with Van and then bring it down?

0:25:44.920 --> 0:25:48.080
<v Speaker 2>Where did she pop it on the way in the

0:25:48.119 --> 0:25:52.920
<v Speaker 2>middle of the room, And it's obvious. It's really interesting

0:25:53.119 --> 0:25:57.200
<v Speaker 2>because it shows that there's like this nighttime Tie. She's dangerous,

0:25:58.520 --> 0:26:02.040
<v Speaker 2>and Tye and Nat are like getting very sick of

0:26:02.119 --> 0:26:05.760
<v Speaker 2>kind of the rule breaking girls who don't really seem

0:26:05.760 --> 0:26:08.200
<v Speaker 2>to understand how hard it is to survive and almost

0:26:08.359 --> 0:26:12.320
<v Speaker 2>kind of seem like they're still on vac vacation while

0:26:12.400 --> 0:26:14.920
<v Speaker 2>like Tis trying not to kill them all at night,

0:26:14.960 --> 0:26:19.320
<v Speaker 2>and NAT's trying not to die while hunting them food

0:26:19.359 --> 0:26:23.640
<v Speaker 2>that doesn't seem to exist. Nat and Tie's surrogate child, Sawna,

0:26:23.760 --> 0:26:26.760
<v Speaker 2>sadly is still in the meat shed. Nobody went to

0:26:26.800 --> 0:26:28.000
<v Speaker 2>get her, which is.

0:26:27.960 --> 0:26:31.720
<v Speaker 1>Where it gets So this is so disturbing right now.

0:26:32.080 --> 0:26:34.160
<v Speaker 1>Where this goes probably one of the.

0:26:34.080 --> 0:26:36.880
<v Speaker 2>Most powerful and scary moments from any of the Cold opens.

0:26:37.280 --> 0:26:41.480
<v Speaker 2>So Seanna is in the meat shed and Jackie encourages

0:26:41.520 --> 0:26:45.760
<v Speaker 2>her to braid the hair of her dead corpse, because

0:26:45.880 --> 0:26:47.679
<v Speaker 2>if she braids her hair, no one will see that.

0:26:47.680 --> 0:26:58.119
<v Speaker 2>Seagal tracks weird, but sure, and as that begins to happen,

0:26:58.640 --> 0:27:01.440
<v Speaker 2>they're having so much fun reminiscing about all these fun

0:27:01.480 --> 0:27:07.720
<v Speaker 2>times that Jackie's makeup box miraculously appears and Jackie's like, oh,

0:27:07.760 --> 0:27:11.760
<v Speaker 2>do my makeup, Please do my makeup, So Shauna obliges.

0:27:11.800 --> 0:27:14.639
<v Speaker 2>And while Jackie looks alive in her memory, it is

0:27:14.680 --> 0:27:17.000
<v Speaker 2>not creepy, but once you see her dead body, it

0:27:17.080 --> 0:27:18.000
<v Speaker 2>is very creepy.

0:27:18.800 --> 0:27:23.120
<v Speaker 1>It's extremely creepy. And I don't remember who said this,

0:27:23.200 --> 0:27:25.679
<v Speaker 1>which the girls said this in the previous episode, but

0:27:25.680 --> 0:27:30.000
<v Speaker 1>basically called shawna Norman beats and that's this is purely

0:27:30.080 --> 0:27:31.800
<v Speaker 1>legitimately what Norman beats.

0:27:32.240 --> 0:27:35.159
<v Speaker 2>Literally, And not only that, but Shauna goes one step

0:27:35.200 --> 0:27:38.480
<v Speaker 2>further because in a very very very very very good scene,

0:27:38.520 --> 0:27:42.200
<v Speaker 2>I mean, this show is just so good, but Jackie

0:27:42.640 --> 0:27:45.119
<v Speaker 2>gets a knife and starts to cut away at her.

0:27:46.000 --> 0:27:48.440
<v Speaker 2>She's like, come on, you're running out of food. Don't

0:27:48.440 --> 0:27:52.520
<v Speaker 2>I look delicious? And Seawana's like stop it, and Jackie says, well,

0:27:52.560 --> 0:27:55.119
<v Speaker 2>you're the one holding the knife, and obviously it's just Shawna.

0:27:55.200 --> 0:27:58.000
<v Speaker 2>They're cutting up her dead body of her friend. It's

0:27:58.080 --> 0:28:03.160
<v Speaker 2>very gross and terrifying and cut of those awesomelyan nineties credits.

0:28:04.359 --> 0:28:08.000
<v Speaker 2>And guess who's back. We're always harsh to I feel

0:28:08.000 --> 0:28:14.240
<v Speaker 2>like today she brings she's getting just one vaguely redemptive thing.

0:28:14.320 --> 0:28:16.880
<v Speaker 2>But Callie's back. Guess what. She's still the worst. She's

0:28:16.920 --> 0:28:19.479
<v Speaker 2>dealing with the fact her parents almost certainly killed Adam

0:28:19.640 --> 0:28:22.160
<v Speaker 2>by getting high with her boyfriend, who she then immediately

0:28:22.240 --> 0:28:25.240
<v Speaker 2>dumps because he offers to make her chocolate chip pancakes

0:28:25.400 --> 0:28:27.760
<v Speaker 2>or his mom offers to make her chocolate pancakes.

0:28:27.840 --> 0:28:31.639
<v Speaker 1>I say, take the win, Like, why does that creates?

0:28:31.760 --> 0:28:32.320
<v Speaker 1>Then do it?

0:28:32.520 --> 0:28:35.640
<v Speaker 2>She's literally like, my parents don't care about me, blah

0:28:35.680 --> 0:28:38.440
<v Speaker 2>blah blah. Everything's terrible. And then you have your boyfriend

0:28:38.680 --> 0:28:40.560
<v Speaker 2>who's like, well, my mom does care about you and

0:28:40.560 --> 0:28:42.880
<v Speaker 2>would like to make you a delicious breakfast, and she's like, no,

0:28:43.160 --> 0:28:47.440
<v Speaker 2>I'm breaking up with you. Fuck you. So still the worst. Honestly,

0:28:47.480 --> 0:28:51.600
<v Speaker 2>at this point, Callie probably could have done with some

0:28:51.680 --> 0:28:53.840
<v Speaker 2>time in the wilderness to teach her how to behave

0:28:53.880 --> 0:28:54.600
<v Speaker 2>a little bit better.

0:28:54.920 --> 0:28:57.720
<v Speaker 1>She would have become a cult leader. I think, oh, yeah, exactly,

0:28:57.840 --> 0:28:58.320
<v Speaker 1>she does.

0:28:58.200 --> 0:29:00.480
<v Speaker 2>Have big Shora energy. I'm not gonna lie. I think

0:29:00.520 --> 0:29:02.280
<v Speaker 2>that's why she has so much beef with her mum

0:29:02.440 --> 0:29:05.000
<v Speaker 2>is because she's actually really similar to her. And back

0:29:05.120 --> 0:29:10.640
<v Speaker 2>in the nineties, Van has to stalk nighttime Tie, who

0:29:10.640 --> 0:29:15.480
<v Speaker 2>has broken out of her ropes and essentially almost sleepwalks

0:29:15.480 --> 0:29:16.120
<v Speaker 2>off the edge of.

0:29:16.040 --> 0:29:20.800
<v Speaker 1>A celles cliff. Step brother's sleep walking towards the edge of.

0:29:20.760 --> 0:29:24.400
<v Speaker 2>The Yeah, that's a good call, and it is like

0:29:24.800 --> 0:29:28.280
<v Speaker 2>she's going off that cliff if but luckily she's going

0:29:29.560 --> 0:29:30.440
<v Speaker 2>That has to happen.

0:29:31.120 --> 0:29:33.840
<v Speaker 1>She has a she has a vision, she is being

0:29:33.920 --> 0:29:37.840
<v Speaker 1>led to the cliff. She sees, Now this is the nineties, right,

0:29:37.920 --> 0:29:40.480
<v Speaker 1>and she sees like an anime version of Vincent from

0:29:40.520 --> 0:29:41.080
<v Speaker 1>pulp fiction.

0:29:41.720 --> 0:29:44.360
<v Speaker 2>The only way I would describe this, Yes, now if

0:29:44.360 --> 0:29:48.240
<v Speaker 2>so wondering who anime Vincent pulp fiction is. If you

0:29:48.320 --> 0:29:51.720
<v Speaker 2>remember in the first season, Tie had all these memories

0:29:51.760 --> 0:29:55.080
<v Speaker 2>of her grandma and her grandma used to see an

0:29:55.160 --> 0:29:57.960
<v Speaker 2>eyeless man and this is the first time unless you

0:29:58.000 --> 0:30:00.720
<v Speaker 2>go through at half speed of the crest sequence where

0:30:00.720 --> 0:30:03.560
<v Speaker 2>you actually get that clip, you get to see him

0:30:03.600 --> 0:30:08.160
<v Speaker 2>again here. So it's very creepy and uh, it almost

0:30:08.240 --> 0:30:12.200
<v Speaker 2>leads Tied to a certain death, but Van stops her

0:30:12.200 --> 0:30:14.880
<v Speaker 2>because Van's nearmortal gay who apparently can do anything and

0:30:14.920 --> 0:30:18.440
<v Speaker 2>never dies, which we love and uh. But as the

0:30:18.800 --> 0:30:20.640
<v Speaker 2>as they head back to the cabin, we see that

0:30:20.720 --> 0:30:25.600
<v Speaker 2>the tree that Tie almost slept walked past over the

0:30:25.680 --> 0:30:28.680
<v Speaker 2>edge of the cliff had the cult symbol dun dun

0:30:28.840 --> 0:30:34.400
<v Speaker 2>dun't dun't dun. So it's probably there's some supernatural occurrences.

0:30:34.600 --> 0:30:35.160
<v Speaker 1>It's there.

0:30:35.600 --> 0:30:39.000
<v Speaker 2>It seems there's something that the girls are connecting to

0:30:39.200 --> 0:30:41.920
<v Speaker 2>with this symbol lot He seems to think it's for protection,

0:30:42.040 --> 0:30:45.600
<v Speaker 2>but it is clearly growing as a source of power,

0:30:45.680 --> 0:30:49.240
<v Speaker 2>even if it's just through a group delusion. And talking

0:30:49.240 --> 0:30:52.200
<v Speaker 2>of Lotty, Van is like, you should go to her

0:30:52.240 --> 0:30:55.320
<v Speaker 2>for help. Remember when she gave Travis that bona vision

0:30:55.440 --> 0:30:58.400
<v Speaker 2>And now he's chilling. He doesn't have panic attacks anymore,

0:30:59.280 --> 0:30:59.840
<v Speaker 2>and he's.

0:30:59.720 --> 0:31:03.440
<v Speaker 1>Told he's only fine now. He just doesn't have any

0:31:03.520 --> 0:31:04.480
<v Speaker 1>troubling thoughts.

0:31:04.960 --> 0:31:07.760
<v Speaker 2>No, you'll never see that. You will see this episode.

0:31:07.800 --> 0:31:10.200
<v Speaker 2>He doesn't have any problems. That didn't establish a strange

0:31:10.240 --> 0:31:12.440
<v Speaker 2>connection between the two of them that you might not

0:31:12.480 --> 0:31:15.560
<v Speaker 2>want for your girlfriend. But Ty refuses and she's like, no,

0:31:15.760 --> 0:31:17.560
<v Speaker 2>fuck that. And you're not going to talk to Lotty

0:31:17.600 --> 0:31:19.800
<v Speaker 2>about this either. And it's kind of clear you're seeing

0:31:19.800 --> 0:31:23.000
<v Speaker 2>this chasm grow between that Nat and Tie and this

0:31:23.080 --> 0:31:26.600
<v Speaker 2>kind of logical faction. And then Lottie, who's still blessing

0:31:27.240 --> 0:31:29.640
<v Speaker 2>people all over the place, and she's blessing them when

0:31:29.640 --> 0:31:31.800
<v Speaker 2>they go out to hunt, and she's you know, making

0:31:31.840 --> 0:31:36.560
<v Speaker 2>blood tea, all kinds of shenanigans. Sadly, in the future,

0:31:36.880 --> 0:31:39.560
<v Speaker 2>present day adult Tie is not really doing much better,

0:31:39.840 --> 0:31:45.000
<v Speaker 2>and she's decided to fend off nighttime Tie. She's gonna

0:31:45.000 --> 0:31:49.320
<v Speaker 2>go nightmare on Elm Street hashtag never SLEEPI never.

0:31:49.160 --> 0:31:52.040
<v Speaker 1>Sleep, Ti philasophy, Never Sleep.

0:31:52.480 --> 0:31:55.440
<v Speaker 2>She is drinking fifty coffees a day. They don't show it,

0:31:55.480 --> 0:31:58.440
<v Speaker 2>but I'm sure she's also taken some caffeine pills. This

0:31:58.600 --> 0:32:01.280
<v Speaker 2>is like, it's Alady Kruger one I want. And I'll

0:32:01.280 --> 0:32:04.000
<v Speaker 2>tell you two things. Anyone who's seen those films know

0:32:04.080 --> 0:32:06.880
<v Speaker 2>that that is only effective for so long. Plus anyone

0:32:06.880 --> 0:32:10.160
<v Speaker 2>who has struggled with mental health issues knows sleep deprivation

0:32:10.480 --> 0:32:13.440
<v Speaker 2>only makes things a million times worse. So this is

0:32:13.480 --> 0:32:17.880
<v Speaker 2>a terrible idea, terrible idea, terrible idea, And I really

0:32:17.920 --> 0:32:19.960
<v Speaker 2>wish she would just listen to a strange wife and

0:32:19.960 --> 0:32:22.680
<v Speaker 2>get some help. I'm not quite sure why she hasn't

0:32:22.720 --> 0:32:24.920
<v Speaker 2>done that yet. That's kind of a big question I

0:32:24.960 --> 0:32:26.000
<v Speaker 2>have after this episode.

0:32:26.240 --> 0:32:28.760
<v Speaker 1>I think I know, and I think it's because, you know,

0:32:28.840 --> 0:32:33.800
<v Speaker 1>she she just entered into this very very high stress,

0:32:33.920 --> 0:32:37.240
<v Speaker 1>very important job as a state senator from the great

0:32:37.240 --> 0:32:40.640
<v Speaker 1>standard New Jersey. And I think when you're in that

0:32:40.800 --> 0:32:47.040
<v Speaker 1>kind of dream job, high pressure, higher performing space, you know,

0:32:47.160 --> 0:32:49.760
<v Speaker 1>the last thing that you want to do is admit that, Hey,

0:32:50.120 --> 0:32:51.760
<v Speaker 1>I turn it to a different person. At night, I

0:32:51.800 --> 0:32:54.400
<v Speaker 1>cut off ahead of dogs, I eat dirt, and I

0:32:54.520 --> 0:33:01.160
<v Speaker 1>remember blood Sacrie and basically the only way I can

0:33:01.240 --> 0:33:05.240
<v Speaker 1>cope is by uh, never, never, ever, ever, ever sleeping

0:33:05.520 --> 0:33:08.560
<v Speaker 1>and don't worry. I can handle this. This is totally fine.

0:33:08.680 --> 0:33:10.560
<v Speaker 1>Like I am going to be able to perform my

0:33:10.720 --> 0:33:12.800
<v Speaker 1>duties as the state senator to the great state of

0:33:12.800 --> 0:33:13.560
<v Speaker 1>New Jersey. I'm fine.

0:33:13.840 --> 0:33:16.480
<v Speaker 2>I think you make many good points. I would say

0:33:17.000 --> 0:33:19.880
<v Speaker 2>if I were in Tie's life, I would count with like,

0:33:20.160 --> 0:33:21.880
<v Speaker 2>just go to the therapist and be like, I'm feeling

0:33:21.880 --> 0:33:23.200
<v Speaker 2>a bit fucked up. I think I might be like

0:33:23.240 --> 0:33:24.960
<v Speaker 2>seeing things. Can you keep it quiet? I'm gonna go

0:33:24.960 --> 0:33:26.920
<v Speaker 2>to an expensive therapist. So nobody tells me. I feel

0:33:26.920 --> 0:33:30.320
<v Speaker 2>like there's a compromise, but I appreciate her dedication to

0:33:30.400 --> 0:33:34.280
<v Speaker 2>this absolutely terrible idea that is just pure night right

0:33:34.320 --> 0:33:37.960
<v Speaker 2>elm Street, Just is that really your best ideas, best

0:33:38.000 --> 0:33:39.600
<v Speaker 2>self care ideas from.

0:33:39.920 --> 0:33:41.640
<v Speaker 1>Well and Well? We're going to get to how crazy

0:33:41.720 --> 0:33:46.040
<v Speaker 1>it gets for Tie shortly. But I she can't she

0:33:46.240 --> 0:33:49.960
<v Speaker 1>can't go another forty eight hours sleep at this rate. Yeah,

0:33:50.040 --> 0:33:52.680
<v Speaker 1>she can't go. She can't keep doing this, No, she

0:33:52.840 --> 0:33:56.000
<v Speaker 1>can't physically, she she won't be able to continue doing.

0:33:55.920 --> 0:34:00.920
<v Speaker 2>This unsustainable and the speaking of things that will get unsustainable,

0:34:01.000 --> 0:34:04.280
<v Speaker 2>but this may see an end to this one particular

0:34:04.440 --> 0:34:08.080
<v Speaker 2>kind of tragedy. Nat and Travis go off. They continue

0:34:08.120 --> 0:34:10.399
<v Speaker 2>their search for Harvey that they're doing every day. They're

0:34:10.440 --> 0:34:12.719
<v Speaker 2>not having any luck finding game. They kind of have

0:34:12.800 --> 0:34:15.759
<v Speaker 2>a little argument because NAT's like, I'm not doing the

0:34:15.800 --> 0:34:19.120
<v Speaker 2>blessing stuff anymore and Travis is like, nah, lot, he's tea.

0:34:19.200 --> 0:34:21.640
<v Speaker 2>It's just a symbol like you've just got to be

0:34:21.680 --> 0:34:26.120
<v Speaker 2>more open minded. They go off, and it turns out

0:34:26.239 --> 0:34:30.480
<v Speaker 2>that Nat finds Travis's little brother, Harvey. She finds his

0:34:30.600 --> 0:34:35.360
<v Speaker 2>bloody shorts in the wilderness, and it seems like, at

0:34:35.440 --> 0:34:40.360
<v Speaker 2>least from this episode, Travis, while finding that very tragic,

0:34:40.640 --> 0:34:44.200
<v Speaker 2>ends up accepting that Harvey is likely gone. And it's

0:34:44.239 --> 0:34:47.320
<v Speaker 2>been two months in the snow, So where is he?

0:34:47.640 --> 0:34:51.359
<v Speaker 1>Where is he? Like, if he's not dead, where there

0:34:51.520 --> 0:34:51.880
<v Speaker 1>is a.

0:34:52.719 --> 0:34:57.160
<v Speaker 2>You know, Stranger Things style Lost style kind of military

0:34:57.719 --> 0:35:01.880
<v Speaker 2>base or something like that. It's not looking good for Harvey,

0:35:01.960 --> 0:35:05.080
<v Speaker 2>and the shorts seemed to be like a momentary end

0:35:05.280 --> 0:35:09.000
<v Speaker 2>to that quest. Lotty doesn't believe it, though, and we'll

0:35:09.000 --> 0:35:10.719
<v Speaker 2>get to that in a little bit. And speaking of

0:35:10.840 --> 0:35:14.319
<v Speaker 2>Loy in the modern day, cult's going strong. They're wearing

0:35:14.360 --> 0:35:18.960
<v Speaker 2>their heliotrope robes. She's showing that around and she's like,

0:35:19.960 --> 0:35:23.640
<v Speaker 2>it's not purple, it's heliotrope. And uh, they're not a cult, Jason,

0:35:23.920 --> 0:35:26.000
<v Speaker 2>They're actually an intentional community.

0:35:26.160 --> 0:35:29.399
<v Speaker 1>Did it? Yeah, that's right? Yeah, yeah, sorry, I didn't

0:35:29.400 --> 0:35:30.880
<v Speaker 1>mean to I didn't mean to call you.

0:35:31.560 --> 0:35:35.239
<v Speaker 2>How could we do that? She also claims that they're

0:35:35.280 --> 0:35:38.480
<v Speaker 2>not cult. Were never going to kidnap Nat until they

0:35:39.160 --> 0:35:41.520
<v Speaker 2>broke into her room. May I just say they had

0:35:41.719 --> 0:35:44.960
<v Speaker 2>and she was about to commit suicide, so they had

0:35:45.040 --> 0:35:47.480
<v Speaker 2>to do it and there was no other choice and

0:35:47.600 --> 0:35:49.640
<v Speaker 2>isn't she lucky that Lotty saved her.

0:35:50.239 --> 0:35:50.439
<v Speaker 1>Yeah.

0:35:51.000 --> 0:35:53.640
<v Speaker 2>Suta meanwhile, is trying to kind of connect with Callie,

0:35:53.880 --> 0:35:55.600
<v Speaker 2>and she's saying, like, do you want.

0:35:55.480 --> 0:35:56.120
<v Speaker 1>To go to the mall?

0:35:56.200 --> 0:35:57.759
<v Speaker 2>You want to run up some credit card debt on

0:35:57.840 --> 0:36:00.920
<v Speaker 2>your dad? Honestly sounds great. Feel like Kelly should just

0:36:01.000 --> 0:36:03.359
<v Speaker 2>embrace it. If you think your mum's a murderer, maybe

0:36:03.480 --> 0:36:06.760
<v Speaker 2>nicer up a bit. I don't know, it seems silly

0:36:06.800 --> 0:36:10.600
<v Speaker 2>to me. But Cop Kevin, who you may remember went

0:36:10.640 --> 0:36:13.040
<v Speaker 2>to high school with the girls and was in a

0:36:13.160 --> 0:36:16.040
<v Speaker 2>relationship with Nat, like a kind of a dodgy relationship

0:36:16.080 --> 0:36:19.040
<v Speaker 2>with Nat. He turns up and lo and behold, he's

0:36:19.080 --> 0:36:20.440
<v Speaker 2>got a lot of questions about Adam.

0:36:20.800 --> 0:36:27.360
<v Speaker 1>Who uh, who's Adam? We have the fender bender and

0:36:27.440 --> 0:36:30.040
<v Speaker 1>then he texted a couple of times and he's a

0:36:30.120 --> 0:36:31.640
<v Speaker 1>lot a thousand.

0:36:33.520 --> 0:36:35.439
<v Speaker 2>She's like, you know, we have to sort things out,

0:36:35.719 --> 0:36:39.520
<v Speaker 2>and and it's here that we see I would say,

0:36:39.560 --> 0:36:42.759
<v Speaker 2>probably more for her own self preservation, but it is

0:36:42.800 --> 0:36:45.600
<v Speaker 2>a rare moment of solidarity from Kelly, who comes in

0:36:45.719 --> 0:36:47.160
<v Speaker 2>and is like, Mom, we've got to like go to

0:36:47.239 --> 0:36:50.759
<v Speaker 2>the mall. It's gonna shut so stop being talked to

0:36:50.960 --> 0:36:54.800
<v Speaker 2>by this and the CoP's like, uh, okay, sure, Like

0:36:55.080 --> 0:36:58.480
<v Speaker 2>I guess I'll go uh and Kevin, you know, cop

0:36:58.560 --> 0:37:01.200
<v Speaker 2>Kevin off he goes. So obviously I have to say

0:37:01.320 --> 0:37:04.040
<v Speaker 2>Misty was right. Shana is an idiot. She is like

0:37:04.120 --> 0:37:08.600
<v Speaker 2>the most submerspicious person of all time. You can't just

0:37:09.000 --> 0:37:10.759
<v Speaker 2>you could just spin my hair. And she's like, oh,

0:37:10.840 --> 0:37:12.480
<v Speaker 2>do I need a lawyer? And he's like, oh, why

0:37:12.480 --> 0:37:14.200
<v Speaker 2>would you need a lawyer? No, that's what you should

0:37:14.200 --> 0:37:14.800
<v Speaker 2>have said first.

0:37:15.239 --> 0:37:17.600
<v Speaker 1>Yeah, yeah, let me talk to let me have my lawyer. Yeah,

0:37:17.640 --> 0:37:20.919
<v Speaker 1>and honestly, don't answer any fucking questions. And you can't

0:37:21.000 --> 0:37:25.319
<v Speaker 1>say I don't remember this guy and then be like, oh, yeah,

0:37:25.360 --> 0:37:29.400
<v Speaker 1>we had a very significant interaction regarding a car crash

0:37:29.800 --> 0:37:31.640
<v Speaker 1>and we texted.

0:37:32.600 --> 0:37:35.200
<v Speaker 2>I think he's like yeah, there's like hundreds of texts

0:37:35.239 --> 0:37:36.800
<v Speaker 2>and she's like, oh yeah.

0:37:36.880 --> 0:37:41.439
<v Speaker 1>Yeah, that guy just slipped my mind. How's he doing?

0:37:41.600 --> 0:37:42.200
<v Speaker 1>Oh is he dead?

0:37:42.600 --> 0:37:45.279
<v Speaker 2>Oh wait? Adam? Oh no, I missed that. That's so

0:37:45.440 --> 0:37:47.799
<v Speaker 2>tragic for his family and the people who care about him,

0:37:47.800 --> 0:37:51.400
<v Speaker 2>which definitely didn't include me, And well, Shawna's making the

0:37:51.400 --> 0:37:55.600
<v Speaker 2>Adam situation like ten thousand times worst. Misty once again

0:37:56.360 --> 0:38:01.480
<v Speaker 2>doing the work, trying to put these kind of snooping

0:38:02.560 --> 0:38:06.200
<v Speaker 2>suspicions of some of her friends on the True Crime forum.

0:38:06.440 --> 0:38:09.719
<v Speaker 2>She's trying to wipe those away. She's she's the only

0:38:09.760 --> 0:38:11.640
<v Speaker 2>one who cares about it. She's the only one who's

0:38:11.719 --> 0:38:14.040
<v Speaker 2>keeping up to date with it. And she's still the

0:38:14.120 --> 0:38:18.879
<v Speaker 2>only one who cares about Nat. She's calling people. She's saying, Ty, Suuna, Nat,

0:38:18.960 --> 0:38:21.360
<v Speaker 2>I think she has fallen, you know, a foot to

0:38:21.480 --> 0:38:23.640
<v Speaker 2>foul play, Like we've got to help her, and these

0:38:23.680 --> 0:38:27.440
<v Speaker 2>motherfuckers just are not answering the phone. TI kind of understandable.

0:38:29.200 --> 0:38:31.879
<v Speaker 1>Ty's got a lot of her own thing going well,

0:38:31.960 --> 0:38:34.840
<v Speaker 1>to be to be fair, and you know, Shauna is

0:38:35.719 --> 0:38:41.000
<v Speaker 1>embroiled in the ongoing responsibilities that come from committing a

0:38:41.080 --> 0:38:43.560
<v Speaker 1>murder and needing to cover it up. So that is

0:38:43.600 --> 0:38:44.120
<v Speaker 1>an issue.

0:38:45.680 --> 0:38:48.680
<v Speaker 2>That's the problem. She's just chilling, like she's trying to

0:38:48.719 --> 0:38:50.160
<v Speaker 2>go to the mall. I'm like, go to you more

0:38:50.200 --> 0:38:50.640
<v Speaker 2>with Misty.

0:38:50.760 --> 0:38:52.800
<v Speaker 1>She might give you a tip on how she's not

0:38:53.560 --> 0:38:57.840
<v Speaker 1>she's having sex in the apartment of her former murder victim.

0:38:58.239 --> 0:39:02.720
<v Speaker 2>I like, she's terrible, and honestly, at this point, Misty

0:39:02.840 --> 0:39:04.680
<v Speaker 2>is so good at dealing with this shit that I'm

0:39:04.800 --> 0:39:08.600
<v Speaker 2>like wishing that she hadn't tried to poison people back

0:39:08.640 --> 0:39:10.919
<v Speaker 2>in the nineties because she might have been some use

0:39:11.480 --> 0:39:14.120
<v Speaker 2>with all the fucked up shit that's going on. Because

0:39:14.120 --> 0:39:19.719
<v Speaker 2>guess what, no surprises here. Tie eventually finds the disgusting

0:39:20.000 --> 0:39:23.520
<v Speaker 2>Norman Bates mother style corpse of Jackie, which they just

0:39:23.640 --> 0:39:26.279
<v Speaker 2>the production design did so well on this because it

0:39:26.400 --> 0:39:27.320
<v Speaker 2>is haunting.

0:39:27.719 --> 0:39:30.960
<v Speaker 1>It is really really chilling. Like, if you know, I

0:39:31.680 --> 0:39:35.000
<v Speaker 1>to be fair to Shauna, this is a very stressful situation.

0:39:35.480 --> 0:39:38.799
<v Speaker 1>It was high stress before the plane crash. Now, Gil

0:39:38.920 --> 0:39:42.080
<v Speaker 1>obviously she's got a lot of guil. She got dosed

0:39:42.120 --> 0:39:46.399
<v Speaker 1>with hallucinogenics at least once, very badly, and who knows

0:39:46.560 --> 0:39:50.600
<v Speaker 1>how many more times, and so you know she's under

0:39:50.840 --> 0:39:54.319
<v Speaker 1>a tremendous amount of strain. But this is like, if

0:39:54.400 --> 0:39:57.600
<v Speaker 1>you saw this, you'd be like, holy shit, this is serious.

0:39:57.760 --> 0:39:58.759
<v Speaker 1>This is really bad.

0:39:58.960 --> 0:40:01.480
<v Speaker 2>Jasmine's void Brown places Tied us such a great job

0:40:01.520 --> 0:40:03.839
<v Speaker 2>in this. She is just she is this perfect mix

0:40:03.920 --> 0:40:08.359
<v Speaker 2>of just like absolute fucking rage and like deep deep

0:40:08.520 --> 0:40:11.759
<v Speaker 2>heartbreak because she loves Shanna, but she's just like you

0:40:11.920 --> 0:40:14.480
<v Speaker 2>cannot do this, Like and I've been telling everyone, I've

0:40:14.480 --> 0:40:16.840
<v Speaker 2>been here, and I've been saying, please, she cannot do this,

0:40:17.120 --> 0:40:19.680
<v Speaker 2>stop her from doing this, don't let her out there.

0:40:19.800 --> 0:40:22.360
<v Speaker 2>This isn't okay, and everyone's just been like, nah, no,

0:40:22.520 --> 0:40:24.080
<v Speaker 2>let's leave it. We don't want to have to deal

0:40:24.160 --> 0:40:26.759
<v Speaker 2>with it right now. And obviously at this point, Ty

0:40:26.920 --> 0:40:29.280
<v Speaker 2>is like fucking done and she's like, we're burning the body.

0:40:29.840 --> 0:40:33.040
<v Speaker 2>Lotty does not argue, which I think could be argued

0:40:33.120 --> 0:40:37.120
<v Speaker 2>as quite an important moment going forward, because Lotty's been

0:40:37.200 --> 0:40:40.000
<v Speaker 2>very much on Shawna's side, and that's it. They're gonna

0:40:40.000 --> 0:40:43.919
<v Speaker 2>build a pire, They're gonna burn Jackie, and everything's gonna

0:40:43.920 --> 0:40:45.920
<v Speaker 2>go back to as normal as it can be for

0:40:46.040 --> 0:40:49.160
<v Speaker 2>being in the wilderness, because you know, she won't be

0:40:49.200 --> 0:40:51.360
<v Speaker 2>able to be normal Baits anymore. The body will be

0:40:51.440 --> 0:40:53.640
<v Speaker 2>gone and they can just move on.

0:40:54.120 --> 0:40:57.799
<v Speaker 1>And honestly, it's a solid plan, in.

0:40:58.239 --> 0:41:03.680
<v Speaker 2>This solid plan exactly until it very much is not. Yea,

0:41:03.880 --> 0:41:07.520
<v Speaker 2>and well, Ty is kind of being the logical force

0:41:08.200 --> 0:41:11.360
<v Speaker 2>in the past. In the present, she's still drinking like

0:41:11.480 --> 0:41:15.440
<v Speaker 2>five thousand coffees and she's pleasantly surprised to see that

0:41:15.560 --> 0:41:19.840
<v Speaker 2>her lovely young son Sammy has arrived at her beautiful

0:41:20.239 --> 0:41:23.800
<v Speaker 2>townhouse home to see their new dog, Steve. Love Steve.

0:41:24.200 --> 0:41:25.200
<v Speaker 2>Glad he's still alive.

0:41:26.200 --> 0:41:29.000
<v Speaker 1>Man, Steve, just keep thriving in a very tough situation.

0:41:29.160 --> 0:41:30.520
<v Speaker 1>We're all pulling for you, Steve.

0:41:30.520 --> 0:41:32.800
<v Speaker 2>Very proud of you, Steve, like we believe in you.

0:41:33.120 --> 0:41:35.879
<v Speaker 2>We believe you can survive. So she calls her wife,

0:41:35.920 --> 0:41:39.200
<v Speaker 2>which I actually have to say, good move. Ty response,

0:41:39.560 --> 0:41:41.880
<v Speaker 2>you were there, that was quite responsible. She calls her wife.

0:41:42.440 --> 0:41:46.040
<v Speaker 2>They the wife arrives at her house, which strangely the

0:41:46.200 --> 0:41:48.759
<v Speaker 2>door has been chained and Ty has been asleep, and

0:41:48.840 --> 0:41:51.080
<v Speaker 2>it seems a bit like, well, where's Sammy, and they

0:41:51.360 --> 0:41:54.160
<v Speaker 2>they realized he left, and then in one of the

0:41:54.239 --> 0:41:57.080
<v Speaker 2>best moments, the kind of most chilling moments of the episode,

0:41:57.120 --> 0:42:00.319
<v Speaker 2>which is saying a lot for this episode, and her

0:42:00.360 --> 0:42:03.200
<v Speaker 2>wife get a phone call from the school, and the

0:42:03.280 --> 0:42:07.680
<v Speaker 2>school says, why was Sammy never picked up? And it

0:42:07.760 --> 0:42:10.640
<v Speaker 2>turns out that Sammy was never in Ty's house and

0:42:10.760 --> 0:42:14.400
<v Speaker 2>has been at school the whole time waiting for his

0:42:14.560 --> 0:42:18.960
<v Speaker 2>mum to pick him up. And it is just absolutely

0:42:20.680 --> 0:42:26.239
<v Speaker 2>got punch horrible to realize just how bad Tie is bugling.

0:42:26.800 --> 0:42:31.839
<v Speaker 1>It's as bad as it gets. And I suspected from

0:42:31.920 --> 0:42:36.040
<v Speaker 1>the first when he showed up that this was because

0:42:36.040 --> 0:42:39.520
<v Speaker 1>he's just he's just there. Yeah, he just is there,

0:42:40.200 --> 0:42:46.279
<v Speaker 1>and it just didn't sit right. And you know, for

0:42:46.440 --> 0:42:50.800
<v Speaker 1>Ty's X, this must be really, really, really scary, and

0:42:50.920 --> 0:42:52.600
<v Speaker 1>it only gets scarier from beer.

0:42:53.080 --> 0:42:56.080
<v Speaker 2>Yeah, it's it's terrifying because they get this phone call

0:42:56.400 --> 0:42:59.719
<v Speaker 2>and then dun't done in a hint that we might

0:42:59.760 --> 0:43:03.839
<v Speaker 2>act be seeing nighttime tie in the daytime, ty gives

0:43:03.880 --> 0:43:08.640
<v Speaker 2>this kind of inscrutable look and then just crashes her

0:43:08.719 --> 0:43:11.880
<v Speaker 2>car into oncoming traffic with her wife in it. And

0:43:12.000 --> 0:43:14.440
<v Speaker 2>it is There's been a lot of debate whether this

0:43:14.560 --> 0:43:18.399
<v Speaker 2>is intentional or unintentional, but there's definitely a question there.

0:43:18.760 --> 0:43:21.040
<v Speaker 2>This is not a sleep deprived crash. There was a

0:43:21.120 --> 0:43:24.160
<v Speaker 2>moment where our choice was made to accelerate.

0:43:24.840 --> 0:43:27.560
<v Speaker 1>I agree with this, and I have to say, you know,

0:43:27.600 --> 0:43:33.200
<v Speaker 1>we talked about this in our previous recap. This idea

0:43:33.800 --> 0:43:37.960
<v Speaker 1>that I have that there is some reason that Tyme

0:43:38.360 --> 0:43:42.600
<v Speaker 1>can't get fired, like I feel like, you know, originally

0:43:42.640 --> 0:43:45.400
<v Speaker 1>I thought maybe Lottie puts some sort of post hypnotic

0:43:45.440 --> 0:43:48.360
<v Speaker 1>suggestion in and it's very you know, and is you know,

0:43:48.840 --> 0:43:51.239
<v Speaker 1>wants an important ally in government or something like that.

0:43:51.760 --> 0:43:56.680
<v Speaker 1>Maybe that's not it, because Lottie doesn't unless she's a

0:43:56.719 --> 0:43:59.640
<v Speaker 1>Lotty's role is Yeah, unless Lottie is playing a much

0:43:59.680 --> 0:44:02.759
<v Speaker 1>more farious game than we suspect. I guess I'm leaning

0:44:03.000 --> 0:44:06.080
<v Speaker 1>away from that now, but it still feels like whatever

0:44:06.320 --> 0:44:12.360
<v Speaker 1>is going on, part of it is that it remains

0:44:12.440 --> 0:44:17.040
<v Speaker 1>important for Tie to be in government, and for whatever reason,

0:44:17.160 --> 0:44:22.120
<v Speaker 1>nighttime Tide really doesn't want anything having to do with

0:44:22.400 --> 0:44:27.160
<v Speaker 1>her existence exposed because that would cause Tie daytimetime I

0:44:27.239 --> 0:44:30.600
<v Speaker 1>have to step down. And I agree with the take

0:44:30.719 --> 0:44:34.800
<v Speaker 1>that this seemed like a choice. Now, whether it's nighttime

0:44:35.080 --> 0:44:38.480
<v Speaker 1>Tie or daytime Ties choice to drive into oncoming traffic

0:44:38.520 --> 0:44:42.799
<v Speaker 1>and potentially kill her estranged wife in order to keep

0:44:42.920 --> 0:44:46.960
<v Speaker 1>this secret. I don't know, but I think it's a choice. Yeah,

0:44:46.960 --> 0:44:48.360
<v Speaker 1>who's choice down, But it feels like.

0:44:49.480 --> 0:44:53.800
<v Speaker 2>It seems intentional and very It's a really creepy and

0:44:54.040 --> 0:44:56.360
<v Speaker 2>sad moment that kind of lets you know how lost

0:44:57.160 --> 0:45:00.480
<v Speaker 2>Tie is and how alone she is in this too.

0:45:01.560 --> 0:45:02.800
<v Speaker 2>X Ray Vision will be back.

0:45:12.080 --> 0:45:12.680
<v Speaker 1>And we're back.

0:45:13.040 --> 0:45:16.040
<v Speaker 2>We get another great, really creepy moment sort of that

0:45:16.440 --> 0:45:21.280
<v Speaker 2>follows this interaction, which is Misty Quickly good old serial

0:45:21.360 --> 0:45:24.120
<v Speaker 2>killer Misty who yet somehow manages to be the hero

0:45:24.280 --> 0:45:27.120
<v Speaker 2>of this show. Is working at the Old People's Home

0:45:27.160 --> 0:45:29.920
<v Speaker 2>where she has inevitably killed many people. I have to

0:45:30.040 --> 0:45:36.680
<v Speaker 2>just point that out. And she hears a strange new voice,

0:45:36.920 --> 0:45:39.560
<v Speaker 2>and it's Elijah Wood, who we knew was going to

0:45:39.600 --> 0:45:45.600
<v Speaker 2>be appearing, And it is her online Frenemie Walter. He

0:45:45.840 --> 0:45:48.920
<v Speaker 2>has a very scary username, is using the names like

0:45:49.160 --> 0:45:52.000
<v Speaker 2>putting the sick in forensics. So I'm sure these two

0:45:52.000 --> 0:45:54.000
<v Speaker 2>are going to get on very well. But he's there

0:45:54.040 --> 0:45:58.520
<v Speaker 2>basically scoping out Misty and leaves her a little spooky note.

0:45:59.360 --> 0:46:01.440
<v Speaker 1>I can't wait for these two to get together. It

0:46:01.560 --> 0:46:04.080
<v Speaker 1>feels like it's gonna have perfect casting.

0:46:04.239 --> 0:46:07.920
<v Speaker 2>Yeah, we know that Misty has been alone for a

0:46:08.000 --> 0:46:11.000
<v Speaker 2>long time and has always been seeking out companionship. And also,

0:46:11.760 --> 0:46:14.040
<v Speaker 2>I mean, this is the thing we haven't really delved

0:46:14.040 --> 0:46:16.840
<v Speaker 2>into yet. It was hinted at just before Adam was murdered.

0:46:17.200 --> 0:46:18.759
<v Speaker 2>But there's got to be people out there who are

0:46:18.800 --> 0:46:21.759
<v Speaker 2>obsessed with the Yellow Jackets, Like if you're a true

0:46:21.840 --> 0:46:25.320
<v Speaker 2>crime not these people are like celebrities to you. So

0:46:25.480 --> 0:46:27.960
<v Speaker 2>I do wonder if Walter will have that kind of

0:46:28.080 --> 0:46:30.439
<v Speaker 2>interest where he's like a Yellow Jacket super fan.

0:46:30.960 --> 0:46:33.000
<v Speaker 1>That makes a lot of sense to me. Yeah, you know,

0:46:33.200 --> 0:46:36.520
<v Speaker 1>as you know, as a person who spends some time

0:46:36.600 --> 0:46:39.440
<v Speaker 1>on Reddit, I think that he is all He's clearly

0:46:40.080 --> 0:46:43.400
<v Speaker 1>alongside Misty all the way deep down in several rabbit holes.

0:46:43.520 --> 0:46:46.200
<v Speaker 1>And yeah, it makes sense that the Yellow Jackets, their history,

0:46:46.280 --> 0:46:50.000
<v Speaker 1>what happened in the wilderness is a rabbit hole for

0:46:50.040 --> 0:46:50.600
<v Speaker 1>a lot of people.

0:46:51.120 --> 0:46:55.440
<v Speaker 2>Yeah. Completely. And we see Misty kind of realizing that

0:46:55.560 --> 0:46:59.480
<v Speaker 2>she may have made a new friend in this strange

0:46:59.640 --> 0:47:03.279
<v Speaker 2>kind of frenemy situation she has with Walter, and as

0:47:03.400 --> 0:47:07.480
<v Speaker 2>she is doing that, her beloved bff Nat is being

0:47:07.600 --> 0:47:10.120
<v Speaker 2>told a story by Lotti, which I'm very excited to

0:47:10.160 --> 0:47:13.640
<v Speaker 2>talk about because I think it makes it poses a

0:47:13.719 --> 0:47:17.759
<v Speaker 2>lot of questions. I agree, Nat obviously thinks Lotti killed

0:47:17.800 --> 0:47:20.680
<v Speaker 2>Travis and stole this money, which is what the evidence

0:47:20.719 --> 0:47:21.280
<v Speaker 2>points towards.

0:47:21.480 --> 0:47:24.480
<v Speaker 1>But Lotty says, no, it does. It really does. Let's

0:47:24.480 --> 0:47:24.799
<v Speaker 1>be real.

0:47:24.880 --> 0:47:26.520
<v Speaker 2>That's that's the Ockham's Raiser version.

0:47:26.680 --> 0:47:27.560
<v Speaker 1>Like it really does.

0:47:28.480 --> 0:47:34.480
<v Speaker 2>But Lotty says, Travis called her asking for help. He

0:47:34.600 --> 0:47:37.799
<v Speaker 2>said the wilderness is coming for him and the only

0:47:37.880 --> 0:47:40.600
<v Speaker 2>way to fix it was to have a near death experience.

0:47:41.200 --> 0:47:43.880
<v Speaker 2>Because in the woods, when Lotty smashed her head against

0:47:43.880 --> 0:47:47.080
<v Speaker 2>the window and almost died, and when Van was definitely

0:47:47.360 --> 0:47:50.439
<v Speaker 2>killed or almost killed by a wolf. Afterwards, they both

0:47:50.480 --> 0:47:55.960
<v Speaker 2>claimed they had visions. So Lotty goes there and she says, no, please,

0:47:56.600 --> 0:47:58.920
<v Speaker 2>I promise, like we're going to make this better. And

0:47:59.120 --> 0:48:01.279
<v Speaker 2>she thinks that she she's calmed him down out of

0:48:01.360 --> 0:48:05.960
<v Speaker 2>this sort of near psychotic break, but she wakes up

0:48:06.680 --> 0:48:12.080
<v Speaker 2>and he has set up an extremely convoluted and dangerous

0:48:12.600 --> 0:48:14.480
<v Speaker 2>auto asphyxiation.

0:48:14.040 --> 0:48:22.440
<v Speaker 1>Ritual involving construction equipment. Yeah, we don't need that. It's unnecessary,

0:48:22.920 --> 0:48:23.319
<v Speaker 1>my friend.

0:48:23.520 --> 0:48:26.919
<v Speaker 2>It could have just been a doorknob and a rope.

0:48:26.960 --> 0:48:28.919
<v Speaker 2>I mean, I don't do this in any way.

0:48:30.640 --> 0:48:31.520
<v Speaker 1>What do you want to do it.

0:48:31.680 --> 0:48:33.360
<v Speaker 2>It's a bad idea. But if you are going to

0:48:33.440 --> 0:48:35.040
<v Speaker 2>do it, not with your train.

0:48:35.239 --> 0:48:39.320
<v Speaker 1>Not up some sweatpants. Literally, we don't need it. We

0:48:39.440 --> 0:48:39.920
<v Speaker 1>don't need.

0:48:44.040 --> 0:48:47.879
<v Speaker 2>Something. And Lotty claims that she sold Travis please don't

0:48:47.960 --> 0:48:49.440
<v Speaker 2>do this, and he said, I'm going to do it

0:48:49.520 --> 0:48:51.680
<v Speaker 2>whether you're here or not. So of course Loti did

0:48:51.680 --> 0:48:53.760
<v Speaker 2>the responsible thing and was like, I'll press the button.

0:48:53.880 --> 0:48:58.640
<v Speaker 2>I'll press the crane button so that when you lose consciousness,

0:48:58.640 --> 0:49:01.480
<v Speaker 2>I'll bring you back and you'll have seen the wilderness

0:49:01.520 --> 0:49:05.520
<v Speaker 2>and it will all be okay. Just unbelievably bad idea.

0:49:05.680 --> 0:49:08.640
<v Speaker 2>Everyone here, I realize, is just up to Shenanigan's whether

0:49:08.760 --> 0:49:11.759
<v Speaker 2>this was a lie from Lotti. It's a terrible lie

0:49:11.760 --> 0:49:13.799
<v Speaker 2>if it was. If it's the truth, there's almost more

0:49:13.840 --> 0:49:16.560
<v Speaker 2>embarrassing because you're just like, this is so much bad

0:49:16.680 --> 0:49:20.120
<v Speaker 2>decision making, Like you are in charge of a wellness

0:49:20.680 --> 0:49:23.560
<v Speaker 2>community and you're just allowing a man to do this,

0:49:24.960 --> 0:49:30.200
<v Speaker 2>this terrible, terrible plan. So in this incredibly safe situation

0:49:30.360 --> 0:49:34.080
<v Speaker 2>that the pair of them have created, just apparently Lotti

0:49:34.640 --> 0:49:37.640
<v Speaker 2>tried to press the button to bring Travis back down

0:49:38.160 --> 0:49:44.320
<v Speaker 2>after his unconscious asphyxiation experience, but the button got stuck.

0:49:44.800 --> 0:49:47.239
<v Speaker 2>Now this is the big question. Do we believe that

0:49:47.320 --> 0:49:50.120
<v Speaker 2>the button got stuck? Loti tells Nat it was a

0:49:50.200 --> 0:49:53.759
<v Speaker 2>tragic accident, but we then see a different version of

0:49:53.880 --> 0:49:57.959
<v Speaker 2>events that she does not share with lot with Nat,

0:49:58.120 --> 0:50:02.520
<v Speaker 2>which include a magical gust of wind, the crane just

0:50:02.640 --> 0:50:06.360
<v Speaker 2>going up and taking Travis, you know, fifteen twenty thirty

0:50:06.480 --> 0:50:10.640
<v Speaker 2>forty feet into that, and even a supernatural ghost in

0:50:10.760 --> 0:50:15.120
<v Speaker 2>the form of ex Yellow Jackets team member and faithful

0:50:15.200 --> 0:50:18.800
<v Speaker 2>Christian who baptized Lotty Laura Lee. So there's just a

0:50:18.880 --> 0:50:21.240
<v Speaker 2>lot going on here. What was your take on this situation?

0:50:21.320 --> 0:50:22.720
<v Speaker 2>Where do you think the truth lies?

0:50:23.239 --> 0:50:27.879
<v Speaker 1>I think that she is telling the truth but left

0:50:27.920 --> 0:50:30.719
<v Speaker 1>out the part about the laur Le vision, which is real.

0:50:30.920 --> 0:50:37.040
<v Speaker 1>I should also note that it seems that are Good

0:50:37.080 --> 0:50:48.160
<v Speaker 1>from Lottie is a more powerful vasso constrictor than cialis

0:50:48.239 --> 0:50:52.960
<v Speaker 1>or viagra, because not only is it the foulses of

0:50:53.080 --> 0:50:57.319
<v Speaker 1>teenage boys who she's able to make rise like the dead,

0:50:57.360 --> 0:51:01.399
<v Speaker 1>but it is also these cranes that they are right

0:51:01.520 --> 0:51:06.680
<v Speaker 1>to go up. Everything anything that can go up when

0:51:06.760 --> 0:51:09.680
<v Speaker 1>Larti is around, it goes on her weaving her spell,

0:51:10.120 --> 0:51:14.840
<v Speaker 1>it will go up. And that is worth noting because

0:51:15.040 --> 0:51:20.320
<v Speaker 1>again here again is another hint that maybe there is

0:51:20.480 --> 0:51:22.600
<v Speaker 1>something supernatural going on.

0:51:23.200 --> 0:51:27.320
<v Speaker 2>Yeah, and we're about to get as that very specific

0:51:27.400 --> 0:51:29.840
<v Speaker 2>point that you have about the way things change in

0:51:30.000 --> 0:51:32.719
<v Speaker 2>the environment of Lotty, whether it's wind or cranes or

0:51:32.760 --> 0:51:36.840
<v Speaker 2>bonus or all kinds of things, becomes even more relevant

0:51:36.880 --> 0:51:40.400
<v Speaker 2>as the episode kind of goes on. So in the wilderness,

0:51:40.800 --> 0:51:44.840
<v Speaker 2>they're getting ready to burn Jackie's body, and the JV squad,

0:51:44.880 --> 0:51:46.800
<v Speaker 2>I want to say, make a very good point. They're like,

0:51:46.800 --> 0:51:49.960
<v Speaker 2>shouldn't we just take her clothes off because we need

0:51:50.120 --> 0:51:53.200
<v Speaker 2>clothes and we're in the wilderness, and Sean is like,

0:51:53.320 --> 0:51:57.280
<v Speaker 2>fuck you, you can't steal her clothes. I've been cutting

0:51:57.360 --> 0:51:59.080
<v Speaker 2>chunks out of her body and eating her ear. But

0:51:59.160 --> 0:52:06.280
<v Speaker 2>that's really cross in a line. And then we quickly,

0:52:06.560 --> 0:52:09.719
<v Speaker 2>we interestingly skip to the present day where we get

0:52:09.719 --> 0:52:12.600
<v Speaker 2>to see some big Shawna energy coming from Callie, who

0:52:12.719 --> 0:52:16.440
<v Speaker 2>is in a bar with her friend, abandons her friend

0:52:17.000 --> 0:52:20.799
<v Speaker 2>so she can chat to a mustachioed man at the bar,

0:52:22.360 --> 0:52:24.719
<v Speaker 2>and you know she wants she's flirting with him, and

0:52:24.840 --> 0:52:27.160
<v Speaker 2>she just spends two hours there just spilling her guts,

0:52:27.200 --> 0:52:30.359
<v Speaker 2>telling him everything. And it is big Shawna behavior because

0:52:30.400 --> 0:52:33.600
<v Speaker 2>guess what that man is a cop. He is investigating

0:52:33.719 --> 0:52:35.719
<v Speaker 2>her mom with cop Kevin.

0:52:36.239 --> 0:52:39.680
<v Speaker 1>Our good friend John Paul Reynolds. Drew Gardner from Search Party. Yes,

0:52:40.320 --> 0:52:41.480
<v Speaker 1>it was so good.

0:52:42.040 --> 0:52:44.040
<v Speaker 2>As soon as I saw him, I was like, this

0:52:44.280 --> 0:52:48.439
<v Speaker 2>is immaculate, like star casting. Search Party is so good,

0:52:48.480 --> 0:52:50.440
<v Speaker 2>and he is so good in it, and he just

0:52:50.560 --> 0:52:53.680
<v Speaker 2>brings It's a different energy, but you still really get

0:52:53.800 --> 0:52:57.000
<v Speaker 2>that similar kind of vibe and it's so good. I

0:52:57.080 --> 0:52:59.360
<v Speaker 2>can't wait to see where this goes, because Callie obviously

0:52:59.400 --> 0:53:03.520
<v Speaker 2>sees him as a potential romantic partner, and as Cop

0:53:03.640 --> 0:53:06.200
<v Speaker 2>Kevin tells him, like, you can't just go around pretending

0:53:06.239 --> 0:53:08.800
<v Speaker 2>to be undercover, like at some point you're just gonna

0:53:09.880 --> 0:53:13.240
<v Speaker 2>be in this girl's house, like arresting her mum, Like, Yadi,

0:53:13.320 --> 0:53:15.800
<v Speaker 2>where do you think this is going after?

0:53:16.080 --> 0:53:20.760
<v Speaker 1>Honestly, with the way Cally is moving, having sex exactly

0:53:20.800 --> 0:53:24.279
<v Speaker 1>with her daughter then smoking mirajuana.

0:53:24.280 --> 0:53:27.960
<v Speaker 2>It's absolutely probably what's gonna happen. And also I love

0:53:28.040 --> 0:53:33.479
<v Speaker 2>that this is just another character, is another morally gray

0:53:33.600 --> 0:53:36.239
<v Speaker 2>like character who's obviously just gonna get completely swept up

0:53:36.239 --> 0:53:39.480
<v Speaker 2>in this kind of chaos of Shawna's family. And it

0:53:39.640 --> 0:53:41.920
<v Speaker 2>kind of blows my mind that from what we're hearing,

0:53:42.000 --> 0:53:44.000
<v Speaker 2>from the way Cop Kevin approaches it and the way

0:53:44.040 --> 0:53:46.080
<v Speaker 2>we see Cally approach it, it doesn't really seem like

0:53:46.120 --> 0:53:48.839
<v Speaker 2>Sean has been in the radar of the police before,

0:53:48.880 --> 0:53:52.200
<v Speaker 2>which blows my mind because she is, legitimately, let's put

0:53:52.200 --> 0:53:55.120
<v Speaker 2>it in a polite way, she's a very troubled individual. Yes,

0:53:55.640 --> 0:54:00.279
<v Speaker 2>and I believe that much of that trouble came from

0:54:00.280 --> 0:54:02.719
<v Speaker 2>that time in the world, and and it is she

0:54:03.520 --> 0:54:07.520
<v Speaker 2>who finally, you know, lights the pia and sets Jackie's

0:54:07.520 --> 0:54:08.280
<v Speaker 2>body on fire.

0:54:09.320 --> 0:54:14.600
<v Speaker 1>Let me ask you this we are seeing now over

0:54:14.680 --> 0:54:20.960
<v Speaker 1>the course of this season, just how troubled Shauna was.

0:54:21.320 --> 0:54:25.080
<v Speaker 1>Now her adult life is certainly dramatic and messy. She's

0:54:25.080 --> 0:54:28.600
<v Speaker 1>committed a murder, is her ongoing efforts to cover up

0:54:28.640 --> 0:54:34.799
<v Speaker 1>that murder, YadA, YadA, YadA. But the rest outside the murders,

0:54:36.200 --> 0:54:38.560
<v Speaker 1>it's just kind of it's just kind of like, you know,

0:54:38.760 --> 0:54:45.879
<v Speaker 1>adult drama and messiness. So I when or how did

0:54:46.200 --> 0:54:53.920
<v Speaker 1>this kind of almost psychosis around around Jackie. When did

0:54:54.000 --> 0:54:57.760
<v Speaker 1>it stop or even did it stop? And what things

0:54:59.320 --> 0:55:04.600
<v Speaker 1>that modern day Jackie are doing or what people that

0:55:04.760 --> 0:55:08.680
<v Speaker 1>modern day Jackie is interacting with are potentially not real

0:55:08.920 --> 0:55:12.720
<v Speaker 1>because it feels like or even is mada day Shauna

0:55:13.360 --> 0:55:16.400
<v Speaker 1>continue to speak with Jackie with a version of Jackie.

0:55:16.560 --> 0:55:18.640
<v Speaker 2>I think this is a huge question because we get

0:55:18.719 --> 0:55:23.120
<v Speaker 2>a hint even before Shawna kills Adam, we see her

0:55:23.200 --> 0:55:27.000
<v Speaker 2>kill that bunny in her garden. I think there has

0:55:27.040 --> 0:55:30.600
<v Speaker 2>always been a lingering effect of whatever she went through

0:55:30.680 --> 0:55:34.120
<v Speaker 2>in the wilderness that has stayed there, and a tendency

0:55:34.200 --> 0:55:36.800
<v Speaker 2>for violence that may have well been there before, because

0:55:36.800 --> 0:55:39.560
<v Speaker 2>we saw even before Jackie died, Shawna was the one

0:55:39.600 --> 0:55:42.480
<v Speaker 2>who was going to cut Travis's throat on the night

0:55:42.520 --> 0:55:46.719
<v Speaker 2>of doom coming. So I love the idea that it

0:55:47.320 --> 0:55:49.880
<v Speaker 2>really never stopped. She just got better at repressing it

0:55:50.239 --> 0:55:53.040
<v Speaker 2>or hiding that side of herself. And I think you

0:55:53.200 --> 0:55:57.800
<v Speaker 2>ask a great question about does Shawna still speak to Jackie?

0:55:57.920 --> 0:56:00.359
<v Speaker 2>I think that could be such a cool can seat

0:56:00.840 --> 0:56:03.840
<v Speaker 2>and a way to have an adult Jackie in the

0:56:03.960 --> 0:56:08.000
<v Speaker 2>season if we reveal that at times of stress or

0:56:08.080 --> 0:56:10.600
<v Speaker 2>maybe something that gets triggered as the show goes on,

0:56:11.280 --> 0:56:14.800
<v Speaker 2>that we see adult Shauna talking to adult Jackie. I

0:56:14.840 --> 0:56:16.920
<v Speaker 2>think that would just be so cool, especially because it's

0:56:16.920 --> 0:56:18.160
<v Speaker 2>the only way we're going to get to see her,

0:56:18.239 --> 0:56:21.160
<v Speaker 2>because Jackie is very much dead, and.

0:56:21.320 --> 0:56:25.560
<v Speaker 1>Is she seeing anything just generally that no one else

0:56:25.680 --> 0:56:31.279
<v Speaker 1>is seeing, Like what other things from her subconscious or

0:56:31.360 --> 0:56:35.480
<v Speaker 1>manifesting is real? I just wonder if that's continuing and

0:56:35.640 --> 0:56:37.600
<v Speaker 1>it feels like something we should try and keep track of.

0:56:37.760 --> 0:56:40.360
<v Speaker 2>I think that's a really smart point, especially because until

0:56:40.880 --> 0:56:43.120
<v Speaker 2>they had to dispose of his body at the end

0:56:43.160 --> 0:56:45.719
<v Speaker 2>of last season, I did wonder whether Adam was like

0:56:46.680 --> 0:56:50.120
<v Speaker 2>a figment of Shawna's imagination. You know, it was a

0:56:50.320 --> 0:56:54.640
<v Speaker 2>very private, separate relationship that no one else knew about.

0:56:54.680 --> 0:56:56.799
<v Speaker 2>And I was like, there's a version of this where

0:56:56.880 --> 0:56:59.880
<v Speaker 2>the relationship isn't happening or it was a one time thing.

0:57:00.560 --> 0:57:03.200
<v Speaker 2>But no, she killed him and then they chopped off

0:57:03.640 --> 0:57:08.320
<v Speaker 2>up his body with a turkey electric turkey knife. Thanks Misty,

0:57:08.600 --> 0:57:15.520
<v Speaker 2>that's a great idea. And speaking of delightful Misty, our

0:57:15.600 --> 0:57:19.600
<v Speaker 2>secret hero of yellow Jackets, she gets a letter, which

0:57:19.680 --> 0:57:23.560
<v Speaker 2>is of course in the most true crime lover courtship

0:57:23.640 --> 0:57:26.720
<v Speaker 2>ever written in invisible ink. She has a UV torch

0:57:26.800 --> 0:57:30.120
<v Speaker 2>and she reads it and she gets invited by her

0:57:30.800 --> 0:57:33.800
<v Speaker 2>true crime buddy who stalked her to her work. So

0:57:33.840 --> 0:57:35.919
<v Speaker 2>I would say, red flag, don't go, but I'm sure

0:57:35.960 --> 0:57:38.360
<v Speaker 2>in Misty's eyes this is like green flag, definitely go.

0:57:40.400 --> 0:57:45.760
<v Speaker 2>She is invited to play FBI agent with him. He

0:57:45.880 --> 0:57:48.560
<v Speaker 2>wants her to pose as a federal agent so they

0:57:48.600 --> 0:57:51.720
<v Speaker 2>can interview a man who is staying at the hotel

0:57:51.880 --> 0:57:53.960
<v Speaker 2>with that sounds like it's going to go very badly

0:57:54.080 --> 0:57:56.880
<v Speaker 2>for that man, but good for Misty. I'm sure that

0:57:56.960 --> 0:57:58.360
<v Speaker 2>the two of them will have a lot of fun.

0:57:58.600 --> 0:58:00.800
<v Speaker 2>And now we've been waiting for it.

0:58:01.200 --> 0:58:03.320
<v Speaker 1>I have to say I was not.

0:58:03.920 --> 0:58:05.960
<v Speaker 2>Sure if it would happen this quickly.

0:58:07.000 --> 0:58:08.840
<v Speaker 1>I didn't think it would have. I thought they might

0:58:08.920 --> 0:58:12.600
<v Speaker 1>work up to it. But that bodes, I think, very

0:58:12.720 --> 0:58:15.439
<v Speaker 1>very well for the rest of the season. Now we're

0:58:15.680 --> 0:58:17.840
<v Speaker 1>accelerating like this absolutely.

0:58:18.360 --> 0:58:25.840
<v Speaker 2>So it's the evening of Jackie's cremation. Everyone has hidden

0:58:25.920 --> 0:58:28.840
<v Speaker 2>themselves away in cozy corners of the cabin to wait

0:58:29.160 --> 0:58:32.840
<v Speaker 2>until her body is you know, no more. And Nat

0:58:32.920 --> 0:58:36.760
<v Speaker 2>and Travis start getting intimate. And while that seems very

0:58:36.840 --> 0:58:38.960
<v Speaker 2>into it and is focused on Travis, who's obviously going

0:58:39.000 --> 0:58:42.400
<v Speaker 2>through this great tragedy of losing his brother, Travis is

0:58:42.520 --> 0:58:47.560
<v Speaker 2>just thinking about strange ghostly Lotty and it is very unsettling.

0:58:47.880 --> 0:58:51.080
<v Speaker 2>It feels almost like some kind of astral projection. Lotty

0:58:51.200 --> 0:58:54.080
<v Speaker 2>is watching over him in this kind of virginial white

0:58:54.280 --> 0:58:58.240
<v Speaker 2>nightgown as they have sex, and it would have just

0:58:58.360 --> 0:59:04.400
<v Speaker 2>been a kind of strangeh you know, bona vision oddity

0:59:04.880 --> 0:59:11.800
<v Speaker 2>had it not directously. It directly leads into some very

0:59:12.000 --> 0:59:20.480
<v Speaker 2>intentional and just brilliant cinematography of this almost sentient gust

0:59:20.560 --> 0:59:22.360
<v Speaker 2>of wind flying through the woods.

0:59:22.760 --> 0:59:24.440
<v Speaker 1>The wind again, the wind.

0:59:24.280 --> 0:59:30.080
<v Speaker 2>Again, and it knocks a huge amount of snow onto

0:59:30.200 --> 0:59:34.800
<v Speaker 2>Jackie's body, and as Nat and Travis continue to hook up,

0:59:35.160 --> 0:59:38.600
<v Speaker 2>we see that the flames, rather than being you know,

0:59:38.840 --> 0:59:44.720
<v Speaker 2>muted by the snow, instead begin to roar, and the

0:59:44.880 --> 0:59:49.040
<v Speaker 2>snow pack on top of Jackie means that her body

0:59:49.120 --> 0:59:54.280
<v Speaker 2>becomes beautifully steamed and baked. It's intentional.

0:59:54.640 --> 0:59:58.680
<v Speaker 1>Instead of being devoured by the fire, we've got a nice,

0:59:59.160 --> 1:00:02.160
<v Speaker 1>you know, a a wonderful slow roast in which Jackie

1:00:02.520 --> 1:00:07.240
<v Speaker 1>is kind of slow cooked in her own juices.

1:00:07.320 --> 1:00:12.320
<v Speaker 2>And the snow is keeping her moist. And essentially what

1:00:12.480 --> 1:00:14.360
<v Speaker 2>we have here, I think it is fair to say

1:00:14.760 --> 1:00:21.000
<v Speaker 2>the wilderness serves Jackie up perfectly cooked. To the girls,

1:00:21.480 --> 1:00:24.760
<v Speaker 2>and they wake up and they all say what is that?

1:00:25.680 --> 1:00:28.960
<v Speaker 2>And it's unclear. It's the early hours of the morning, probably,

1:00:29.040 --> 1:00:32.800
<v Speaker 2>and they're all awakened by this delightful scent of roasting

1:00:32.920 --> 1:00:36.680
<v Speaker 2>meat and they rush outside and they all sort of

1:00:36.800 --> 1:00:39.720
<v Speaker 2>look at the body and wonder whether they're going to

1:00:39.800 --> 1:00:42.520
<v Speaker 2>do what we all knew that they were going to

1:00:42.600 --> 1:00:47.080
<v Speaker 2>eventually do. Seana touches her belly and she says, they

1:00:47.200 --> 1:00:49.880
<v Speaker 2>want this too, talking about the baby, and then we

1:00:49.960 --> 1:00:53.240
<v Speaker 2>get this really fun. It's great because This leans very

1:00:53.320 --> 1:00:56.320
<v Speaker 2>much into the supernatural elements and the mythological elements of

1:00:56.400 --> 1:01:00.640
<v Speaker 2>the show, but Kosher runner who wrote this episode, Nathan Lisco,

1:01:00.760 --> 1:01:05.160
<v Speaker 2>has confirmed that this is more about delusion and allowing

1:01:05.200 --> 1:01:06.840
<v Speaker 2>themselves to do what they need to do. So we

1:01:06.920 --> 1:01:10.920
<v Speaker 2>get this great moment of all of the survivors in

1:01:11.040 --> 1:01:15.840
<v Speaker 2>this Grecian finery, at this grape filled table full of

1:01:16.440 --> 1:01:21.680
<v Speaker 2>dried fruits and delicious meats and wines, and as that

1:01:22.040 --> 1:01:25.200
<v Speaker 2>version of them begins to touch the food on the table,

1:01:25.280 --> 1:01:29.640
<v Speaker 2>we see Seana reach for her knife and cut a

1:01:29.880 --> 1:01:33.560
<v Speaker 2>chunk out of Jackie and she eats it, and the

1:01:33.640 --> 1:01:34.440
<v Speaker 2>feast begins.

1:01:36.720 --> 1:01:43.640
<v Speaker 1>Coach Ben, who he's think he's he terrified, flees from

1:01:43.680 --> 1:01:47.000
<v Speaker 1>the scene because he has to think I'm next.

1:01:47.840 --> 1:01:50.919
<v Speaker 2>Oh, it has to be absolutely I have to say,

1:01:51.880 --> 1:01:54.520
<v Speaker 2>if we're talking about strategy here, I think Coach Ben

1:01:54.600 --> 1:01:57.640
<v Speaker 2>flopped this one hard. I know it's a scary sight.

1:01:57.880 --> 1:02:00.680
<v Speaker 2>There's like twenty kids. They're just feasting on body. They're

1:02:00.720 --> 1:02:02.840
<v Speaker 2>eating all the body. They got their faces in there,

1:02:03.080 --> 1:02:05.360
<v Speaker 2>they're eating the organs, they're covered in meat. But you

1:02:05.440 --> 1:02:07.800
<v Speaker 2>know what, if you're trying to survive, I would have

1:02:07.840 --> 1:02:09.560
<v Speaker 2>just gone over there and like pretended to eat some

1:02:09.800 --> 1:02:13.480
<v Speaker 2>pretendious might just been like, oh yeah, delicious, I'm going

1:02:13.520 --> 1:02:15.840
<v Speaker 2>inside now, A bit tired, bit tired of these crutches,

1:02:16.120 --> 1:02:19.760
<v Speaker 2>he just breezes. Also, will just say lots of interesting

1:02:19.880 --> 1:02:23.680
<v Speaker 2>Ben character work because Ben didn't stop them from putting

1:02:23.760 --> 1:02:26.400
<v Speaker 2>Jackie outside, which is basically when he lost the juice

1:02:26.440 --> 1:02:28.320
<v Speaker 2>to tell them to do anything, so he has a

1:02:28.360 --> 1:02:31.000
<v Speaker 2>lot of guilt around that. Then this episode, he doesn't

1:02:31.040 --> 1:02:33.080
<v Speaker 2>do a good job of getting Seanna out of there,

1:02:33.520 --> 1:02:36.000
<v Speaker 2>even though he is the adult you know, inverted commas,

1:02:36.040 --> 1:02:38.600
<v Speaker 2>he is the oldest person there, and then he doesn't

1:02:38.640 --> 1:02:40.439
<v Speaker 2>go over and say, oh my god, what are you doing?

1:02:40.560 --> 1:02:43.440
<v Speaker 2>This is terrible, like that's your friend, which I do

1:02:43.600 --> 1:02:46.280
<v Speaker 2>believe in that moment could arguably have woken them out

1:02:46.320 --> 1:02:49.680
<v Speaker 2>of this kind of group delusion. Instead, he just hides.

1:02:50.240 --> 1:02:52.000
<v Speaker 2>So it's very interesting. But yeah, I agree with you,

1:02:52.080 --> 1:02:55.400
<v Speaker 2>he's next. I mean, odds on Ben surviving this without

1:02:55.400 --> 1:02:58.680
<v Speaker 2>getting eaten have just dropped exponentially.

1:03:01.680 --> 1:03:05.040
<v Speaker 1>What are your thoughts, because you know, when you're hungry

1:03:05.080 --> 1:03:09.320
<v Speaker 1>and then you eat. I would imagine much like the

1:03:10.960 --> 1:03:15.040
<v Speaker 1>like the act of sexual union, which this feast was

1:03:15.080 --> 1:03:17.720
<v Speaker 1>definitely a metaphor for and has been a metaphor for

1:03:17.880 --> 1:03:21.080
<v Speaker 1>over the course of this series. I wonder if there's

1:03:21.080 --> 1:03:24.400
<v Speaker 1>going to be a moment of reflection once they've eaten

1:03:24.520 --> 1:03:27.680
<v Speaker 1>absolutely reaction is going to be I also like, holy

1:03:27.880 --> 1:03:28.480
<v Speaker 1>shit with that.

1:03:28.600 --> 1:03:31.440
<v Speaker 2>I also think they're going to be very sick because

1:03:31.480 --> 1:03:33.480
<v Speaker 2>think about if you haven't eaten for a long time,

1:03:33.920 --> 1:03:36.320
<v Speaker 2>even eating the smallest amount of food can be really hard,

1:03:36.520 --> 1:03:39.520
<v Speaker 2>let alone eat in human flesh. I also think this

1:03:39.640 --> 1:03:44.480
<v Speaker 2>sets up a very interesting duel kind of sliding doors.

1:03:44.600 --> 1:03:48.160
<v Speaker 2>Obviously not a rom com situation going forward, which is

1:03:48.720 --> 1:03:52.760
<v Speaker 2>anything that happened before this, we had the argument is

1:03:52.800 --> 1:03:55.040
<v Speaker 2>it supernatural? Is it you know?

1:03:55.240 --> 1:03:55.479
<v Speaker 1>Real?

1:03:56.000 --> 1:03:58.680
<v Speaker 2>I think after this that question is going to become

1:03:58.720 --> 1:04:02.160
<v Speaker 2>even more blood because one of the scientific takeaways that

1:04:02.240 --> 1:04:04.280
<v Speaker 2>they've done from the very small studies of people who

1:04:04.320 --> 1:04:06.560
<v Speaker 2>eat humans is it can give you a brain infection

1:04:06.680 --> 1:04:10.520
<v Speaker 2>called kuru, and that brain infection can make you hallucinate,

1:04:10.560 --> 1:04:12.400
<v Speaker 2>it can make you ill, it can make you experience

1:04:13.080 --> 1:04:15.320
<v Speaker 2>all kinds of terrible things. So I also think that

1:04:15.440 --> 1:04:19.080
<v Speaker 2>now that they've eaten Jackie and they've eaten this flesh,

1:04:19.760 --> 1:04:21.360
<v Speaker 2>it's going to be very hard for us to know

1:04:22.080 --> 1:04:24.400
<v Speaker 2>what isn't isn't real from here on out because it's

1:04:24.440 --> 1:04:26.600
<v Speaker 2>probably going to affect them and as we know, this

1:04:26.800 --> 1:04:28.560
<v Speaker 2>isn't going to be the last time that they do this.

1:04:30.040 --> 1:04:33.960
<v Speaker 1>What Okay, let's unpack some of the supernatural stuff in this,

1:04:34.240 --> 1:04:38.600
<v Speaker 1>because I guess we're leaning now towards either there's some

1:04:39.080 --> 1:04:42.320
<v Speaker 1>very very persistent and severe mental illness that everybody is

1:04:42.440 --> 1:04:44.920
<v Speaker 1>kind of having, like a like a shared delusion of.

1:04:44.920 --> 1:04:48.640
<v Speaker 2>That, and we're not getting and we're not getting we

1:04:48.760 --> 1:04:51.320
<v Speaker 2>are getting unreliable narratives in that case, because I think

1:04:51.400 --> 1:04:54.840
<v Speaker 2>something the biggest argument here for the supernatural is the

1:04:54.920 --> 1:04:58.400
<v Speaker 2>snowpack falling on the tree seeming intentional. I do truly

1:04:58.520 --> 1:05:00.720
<v Speaker 2>believe there is a version of the end of this

1:05:00.800 --> 1:05:04.440
<v Speaker 2>season and or the next season where weelan actually that

1:05:04.600 --> 1:05:06.160
<v Speaker 2>was a group of the girls who went out and

1:05:06.320 --> 1:05:10.440
<v Speaker 2>prepared Jackie and they basically just oh, something magical happened,

1:05:10.480 --> 1:05:12.360
<v Speaker 2>and that was that it was meant to be. That's

1:05:12.400 --> 1:05:14.320
<v Speaker 2>why they can't.

1:05:14.120 --> 1:05:17.040
<v Speaker 1>Admit to themselves that they went that they actually actually

1:05:17.160 --> 1:05:21.440
<v Speaker 1>went out and yeah, and intended to eat their friend.

1:05:22.120 --> 1:05:23.840
<v Speaker 1>That makes a lot of sense to me as well.

1:05:24.560 --> 1:05:27.360
<v Speaker 1>That and and as we saw from the episode, they

1:05:28.240 --> 1:05:33.960
<v Speaker 1>kind of participate in this grand hallucination in order to

1:05:34.640 --> 1:05:38.440
<v Speaker 1>make the eating of Jackie kind of okay. So I

1:05:38.480 --> 1:05:42.040
<v Speaker 1>think that there is something to that, but it still

1:05:42.120 --> 1:05:46.680
<v Speaker 1>feels like, gosh, every time we are coming along to

1:05:46.800 --> 1:05:49.560
<v Speaker 1>a murder, their sex involved, and then there's some sort

1:05:49.560 --> 1:05:51.520
<v Speaker 1>of gust of wind or something that happens.

1:05:51.680 --> 1:05:52.600
<v Speaker 2>Very ritualistic.

1:05:53.280 --> 1:05:58.000
<v Speaker 1>Yeah, very ritualistic. And I really still I can't wait

1:05:58.080 --> 1:06:00.800
<v Speaker 1>to find out what the fuck is going exactly?

1:06:02.000 --> 1:06:06.120
<v Speaker 2>Can we? The big question is are they going to

1:06:06.160 --> 1:06:09.760
<v Speaker 2>be able to long it out like successfully and keep

1:06:09.800 --> 1:06:12.000
<v Speaker 2>people engaged. Is it gonna be the Twin Peaks problem

1:06:12.000 --> 1:06:13.880
<v Speaker 2>where they told they have to solve it too quickly,

1:06:14.240 --> 1:06:16.160
<v Speaker 2>or is it going to be the Lost problem where

1:06:16.160 --> 1:06:19.360
<v Speaker 2>they have it almost go on for so long that

1:06:19.440 --> 1:06:22.840
<v Speaker 2>people start to, you know, become confused or questioning about

1:06:22.840 --> 1:06:25.440
<v Speaker 2>what the real outcome is. I'm very interested to see

1:06:25.480 --> 1:06:27.400
<v Speaker 2>because I do think if you just go by what

1:06:27.480 --> 1:06:29.840
<v Speaker 2>we're shown this episode, I think you could say something

1:06:29.920 --> 1:06:32.760
<v Speaker 2>supernatural is happening. Lottie saw a ghost of laural Ley,

1:06:33.320 --> 1:06:36.760
<v Speaker 2>Lotty felt like the crane was taken up without her

1:06:36.880 --> 1:06:39.800
<v Speaker 2>to kill Travis. So in that case, what is the supernatural?

1:06:39.920 --> 1:06:40.040
<v Speaker 1>Is it?

1:06:40.120 --> 1:06:42.560
<v Speaker 2>This idea of the wilderness. Is it a cult that

1:06:42.640 --> 1:06:47.080
<v Speaker 2>already exists in this space that is using these kids

1:06:47.120 --> 1:06:51.200
<v Speaker 2>as sacrifices. Is this something that they've almost manifested themselves

1:06:51.360 --> 1:06:53.920
<v Speaker 2>just out of a need to survive. I'm very interested

1:06:53.960 --> 1:06:58.680
<v Speaker 2>to see where it goes, because at the moment, it's

1:06:59.680 --> 1:07:02.560
<v Speaker 2>just really cool, brave storytelling. And I totally agree with you.

1:07:02.800 --> 1:07:06.840
<v Speaker 2>It bodes very well that they did not wait until

1:07:06.840 --> 1:07:09.920
<v Speaker 2>the finale and keep teasing this idea of cannibalism. Instead,

1:07:09.920 --> 1:07:11.520
<v Speaker 2>they just went for it. They were like, it's happened.

1:07:11.520 --> 1:07:15.120
<v Speaker 2>Now here's the fallout, and there's still you know, you're

1:07:15.120 --> 1:07:16.760
<v Speaker 2>only two episodes into the season.

1:07:19.520 --> 1:07:21.400
<v Speaker 1>Do you think there's gonna be a bad guy? Because

1:07:21.440 --> 1:07:24.240
<v Speaker 1>I was really leaning towards Lotti created this cult, and

1:07:24.320 --> 1:07:25.800
<v Speaker 1>a lot of the stuff that's going on now is

1:07:25.840 --> 1:07:28.080
<v Speaker 1>because of Lottie's cult, and she's continued to pull the

1:07:28.160 --> 1:07:32.280
<v Speaker 1>strings with Tie and with others and maybe in ways

1:07:32.320 --> 1:07:35.560
<v Speaker 1>that they don't even understand that they're being manipulated. But

1:07:35.680 --> 1:07:40.360
<v Speaker 1>after this episode, I'm honestly not I know, I think,

1:07:40.800 --> 1:07:45.720
<v Speaker 1>but it still feels like there's there's somebody's group of

1:07:45.800 --> 1:07:48.760
<v Speaker 1>other people. Yeah, that is that is behind some of

1:07:48.880 --> 1:07:49.360
<v Speaker 1>this stuff.

1:07:49.720 --> 1:07:56.080
<v Speaker 2>I think that Lotti seems to be the obvious option,

1:07:56.320 --> 1:07:59.200
<v Speaker 2>but I do agree that after this episode, I think

1:07:59.280 --> 1:08:02.840
<v Speaker 2>Lotti believes in this stuff because she believes it is protection.

1:08:03.080 --> 1:08:06.440
<v Speaker 2>I actually believed when she told Nat that her she

1:08:06.680 --> 1:08:09.040
<v Speaker 2>sent the people there to help her and it was

1:08:09.120 --> 1:08:12.040
<v Speaker 2>just kind of this bad organization. I am a believer

1:08:12.120 --> 1:08:14.160
<v Speaker 2>that Shawna could be the one who was the aunt

1:08:14.240 --> 1:08:16.240
<v Speaker 2>the queen that we first saw in the first season,

1:08:16.520 --> 1:08:19.880
<v Speaker 2>and that Shawna has some deeper involvement in all of this,

1:08:20.080 --> 1:08:24.040
<v Speaker 2>because she's just like a chaotic void at the center

1:08:24.120 --> 1:08:25.960
<v Speaker 2>of all of the problems that are going on. I

1:08:26.080 --> 1:08:30.040
<v Speaker 2>also do believe I'm leaning more into the idea that

1:08:30.120 --> 1:08:35.080
<v Speaker 2>there might be an unseen figure or an unseen group

1:08:35.160 --> 1:08:36.960
<v Speaker 2>that we're yet to meet, the people who put the

1:08:37.000 --> 1:08:39.439
<v Speaker 2>symbol there in the first place, in the cabin, the

1:08:40.360 --> 1:08:42.200
<v Speaker 2>ones who were connected to the dead man in the

1:08:42.280 --> 1:08:44.280
<v Speaker 2>attic when they first found it. I think there might

1:08:44.360 --> 1:08:47.560
<v Speaker 2>be a big pull out from the camera where we

1:08:47.640 --> 1:08:49.680
<v Speaker 2>kind of get a bigger picture scene that some other

1:08:49.720 --> 1:08:54.240
<v Speaker 2>people are involved. But I can't wait to see, Well.

1:08:54.320 --> 1:08:58.920
<v Speaker 1>Well, we're going to continue our coverage of this truly

1:08:59.040 --> 1:09:02.519
<v Speaker 1>appalling an intriguing show. Up next nerd Out.

1:09:11.000 --> 1:09:13.120
<v Speaker 2>In today's nerd Out, where you tell us what you love,

1:09:13.439 --> 1:09:16.920
<v Speaker 2>am why, or share a theory that you're really excited about,

1:09:17.320 --> 1:09:21.000
<v Speaker 2>Danielle shares our first Yellow Jackets theory, which I mean

1:09:21.320 --> 1:09:25.160
<v Speaker 2>that's a big success. This is a big milestone for

1:09:25.240 --> 1:09:26.840
<v Speaker 2>us because we get a lot of the comic book

1:09:26.920 --> 1:09:29.479
<v Speaker 2>the TV theories, but Yellow Jackets this is a first.

1:09:32.120 --> 1:09:36.800
<v Speaker 1>Danielle opens with I am freaking out thinking of the

1:09:36.840 --> 1:09:39.240
<v Speaker 1>new Red Shirt girl, Crystal, who likes to sing. She

1:09:39.400 --> 1:09:41.920
<v Speaker 1>entices Misty with the opportunity to harmonize. I thought that

1:09:42.000 --> 1:09:45.479
<v Speaker 1>the creepy Satan Girls choir, a phrase coined credit to

1:09:45.720 --> 1:09:48.400
<v Speaker 1>Kelly Anakin of the Blood High podcast, was just for

1:09:48.479 --> 1:09:50.760
<v Speaker 1>a dramatic music effect. Now I wonder if Misty and

1:09:50.840 --> 1:09:54.040
<v Speaker 1>her new duet partner are actually going to be responsible

1:09:54.080 --> 1:09:57.040
<v Speaker 1>for inventing and performing said creepy vocalizations as part of

1:09:57.080 --> 1:10:02.920
<v Speaker 1>the ritual. Oh what if Crystal, who loves drama Club,

1:10:03.000 --> 1:10:06.880
<v Speaker 1>is also responsible for the production of the rituals from

1:10:07.000 --> 1:10:12.680
<v Speaker 1>costuming to stage production. Thank you, Danielle Rickard. I this

1:10:12.920 --> 1:10:13.360
<v Speaker 1>is great.

1:10:13.680 --> 1:10:17.320
<v Speaker 2>This is so legit because think about this, we already

1:10:17.360 --> 1:10:20.400
<v Speaker 2>had that group delusion. They're wearing the Grecian outfits that

1:10:20.560 --> 1:10:23.400
<v Speaker 2>made them feel like everything was okay. There's a version

1:10:23.479 --> 1:10:26.519
<v Speaker 2>of this where Chrystal and Misty. We know, Misty's kind

1:10:26.560 --> 1:10:28.320
<v Speaker 2>of on the outs of this. She just does it

1:10:28.600 --> 1:10:30.320
<v Speaker 2>whatever's going to get her in with the group and

1:10:30.439 --> 1:10:33.760
<v Speaker 2>keep her surviving. There's definitely a version where they sort

1:10:33.800 --> 1:10:36.920
<v Speaker 2>of put these on as plays so they feel like,

1:10:37.000 --> 1:10:38.880
<v Speaker 2>you know, when you take off the mask, you're no

1:10:39.000 --> 1:10:42.080
<v Speaker 2>longer that character. It's the same way that slasher movie

1:10:42.160 --> 1:10:44.759
<v Speaker 2>killers often wear masks. They can't kill without the mask.

1:10:45.240 --> 1:10:47.640
<v Speaker 2>I think there is a lot to this, and I

1:10:47.680 --> 1:10:50.200
<v Speaker 2>think we could really see it become quite a prominent

1:10:50.280 --> 1:10:52.559
<v Speaker 2>part of where the story goes.

1:10:53.120 --> 1:10:54.960
<v Speaker 1>There's a lot to this too, and it really makes

1:10:55.040 --> 1:10:57.000
<v Speaker 1>me think of something that I was kind of like

1:10:57.320 --> 1:10:59.760
<v Speaker 1>knocking around in my head during our conversation, which is,

1:11:01.439 --> 1:11:04.120
<v Speaker 1>no one knows what happened in the woods, and there

1:11:04.280 --> 1:11:06.799
<v Speaker 1>was a there are a lot of people there, including

1:11:06.840 --> 1:11:09.400
<v Speaker 1>people who you know we're just meeting now, part of

1:11:09.560 --> 1:11:13.559
<v Speaker 1>like the core group, which means they really really stayed

1:11:13.640 --> 1:11:17.439
<v Speaker 1>strong and no one spoke to anyone, which makes me

1:11:17.600 --> 1:11:23.200
<v Speaker 1>wonder like if this kind of shared hallucination that they

1:11:23.320 --> 1:11:27.640
<v Speaker 1>participated in if they're almost continuing to do it in

1:11:27.760 --> 1:11:30.479
<v Speaker 1>their adulthood. You know, it just feels like maybe they

1:11:30.600 --> 1:11:34.840
<v Speaker 1>are the secret villain, because it's really incredible that none

1:11:34.880 --> 1:11:37.320
<v Speaker 1>of them have ever told the story. That's like the

1:11:37.400 --> 1:11:40.840
<v Speaker 1>fact that it must get really fucking crazy for none

1:11:40.880 --> 1:11:42.400
<v Speaker 1>of them to have ever told.

1:11:42.360 --> 1:11:45.679
<v Speaker 2>Right, the shame and the horror of what they Yeah. Also,

1:11:45.800 --> 1:11:49.240
<v Speaker 2>I wonder is there someone like Misty who's very smart.

1:11:49.320 --> 1:11:52.240
<v Speaker 2>I understand why Nat thought of this in those first

1:11:52.280 --> 1:11:55.200
<v Speaker 2>episodes of the first season. Maybe there's someone like Misty

1:11:55.240 --> 1:11:58.960
<v Speaker 2>who kept proof to keep everyone quiet, to you know,

1:11:59.120 --> 1:12:04.200
<v Speaker 2>protect everyone. Maybe there's somebody who has the tools to say, well,

1:12:04.240 --> 1:12:05.680
<v Speaker 2>if you try and talk about it, then I can

1:12:05.760 --> 1:12:08.639
<v Speaker 2>prove that you were just as culpable as everyone else.

1:12:08.840 --> 1:12:12.760
<v Speaker 2>And if she was part of this costuming and development,

1:12:12.840 --> 1:12:14.920
<v Speaker 2>part of the rituals, that would have probably been quite

1:12:14.960 --> 1:12:16.320
<v Speaker 2>easy for her to keep.

1:12:17.400 --> 1:12:20.320
<v Speaker 1>Yeah, I think so too. Wow, so exciting.

1:12:20.479 --> 1:12:21.519
<v Speaker 2>You're blowing our mind.

1:12:22.439 --> 1:12:26.160
<v Speaker 1>That was so good, Danielle. If you have theories or

1:12:26.200 --> 1:12:27.960
<v Speaker 1>passions you want to share, hit us up at x

1:12:28.040 --> 1:12:33.280
<v Speaker 1>RAYCUCA dot com instructions or in the show notes. Well

1:12:33.320 --> 1:12:37.000
<v Speaker 1>that's it for us, Rosie. Any plugs, plugs Pug Pok Pok, Plugs, Plugs.

1:12:37.080 --> 1:12:39.320
<v Speaker 2>You can find me here twice a week. It's always

1:12:39.360 --> 1:12:43.040
<v Speaker 2>talking about core stuff. I'm covering Yellow Jackets every week

1:12:43.080 --> 1:12:45.839
<v Speaker 2>at IGN. You can read all kinds of cool stories

1:12:45.920 --> 1:12:48.839
<v Speaker 2>and theories there. You can find me at Rosie Marx

1:12:49.000 --> 1:12:52.960
<v Speaker 2>on Instagram and letterbox And yeah, what about watching Primo

1:12:53.439 --> 1:12:54.040
<v Speaker 2>May nineteen?

1:12:54.120 --> 1:12:59.880
<v Speaker 1>Hey, Primo May nineteenth on Amazon freeb wherever you get

1:12:59.920 --> 1:13:02.680
<v Speaker 1>your free V or Amazon, that's where you can watch it.

1:13:05.400 --> 1:13:07.600
<v Speaker 1>For the X ray Vision heads out there listening to

1:13:07.720 --> 1:13:09.760
<v Speaker 1>this current podcast on which we are speaking. Catch the

1:13:09.840 --> 1:13:12.240
<v Speaker 1>next episode of X ray Vision on Friday, April seventh

1:13:12.960 --> 1:13:15.640
<v Speaker 1>for more of the Mandalorian and our coverage of the

1:13:15.680 --> 1:13:19.880
<v Speaker 1>two episode finale of The Bad Batch End. Don't forget

1:13:19.920 --> 1:13:22.040
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1:13:38.360 --> 1:13:41.400
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1:13:41.479 --> 1:13:45.080
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1:13:45.120 --> 1:13:46.000
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1:13:46.800 --> 1:13:50.200
<v Speaker 1>Five star ratings. We eat them, we gotta have them.

1:13:50.280 --> 1:13:53.120
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1:13:54.400 --> 1:13:56.560
<v Speaker 1>Need them on, have gotta have them? Yes, thank you,

1:13:56.880 --> 1:13:57.920
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1:13:58.160 --> 1:14:00.320
<v Speaker 2>We listen, We love it. Thank you.

1:14:00.760 --> 1:14:02.599
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:14:02.640 --> 1:14:04.360
<v Speaker 1>is produced by Chris Lord and Soul Rubin. The show

1:14:04.439 --> 1:14:07.360
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1:14:07.400 --> 1:14:11.120
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<v Speaker 1>you next time, your pologe Sorrach