WEBVTT - Why are you telling me this?  (S2 E9, "Run Away Little Boy")

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<v Speaker 1>I am all in. Let's I Am all in with

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<v Speaker 1>Scott Patterson and I Heart Radio podcast. All right, everybody,

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<v Speaker 1>I am Scott Patterson and this is the I Am

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<v Speaker 1>all In podcast our Heart Radio one to Leven Productions. Boy,

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<v Speaker 1>it's been a while. I haven't seen you guys in

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<v Speaker 1>a little bit, and it's good to see everybody. Where's

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<v Speaker 1>Where's Riley? Where's Where's Riley? She's a little sick, but

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<v Speaker 1>she's kind of okay. All right. She has like a

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<v Speaker 1>very sexy voice. She always does right. I mean, that's

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<v Speaker 1>the mail we get. Those are the emails we get.

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<v Speaker 1>It's Riley available. I just wanted to talk to me.

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<v Speaker 1>She's like a voiceover star. It's like becoming a superstar.

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<v Speaker 1>Danielle knowledge, her knowledge of pop culture, it's unbelievable. Danielle,

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<v Speaker 1>how are you doing? I'm and just Pete good. Good

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<v Speaker 1>to see Amy Sugarman. There she is for this episode.

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<v Speaker 1>It was a great episode. And it's and you talked

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<v Speaker 1>to him just a couple of days ago. But it's

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<v Speaker 1>the farewell of tritic. It's it's just uh, it's just

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<v Speaker 1>an amazing episode. I don't think I've laughed at you know,

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<v Speaker 1>the last two have been laugh riots. It's just like

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<v Speaker 1>one liner after one liner after one. You know. I

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<v Speaker 1>started writing them all down and then I was like, yeah,

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<v Speaker 1>put your pencil down. I want to enjoy the episode.

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<v Speaker 1>That is so true. I have been watching them twice

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<v Speaker 1>because when I take my notes, I missed that. So

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<v Speaker 1>then I do it against I can really like enjoy it.

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<v Speaker 1>Now we know why people rewatch the episodes because it's

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<v Speaker 1>they're so packed with one liners and great funny bits

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<v Speaker 1>and you know, uh, I don't know. It's just and

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<v Speaker 1>I have an amazing surprise. Actually it's an amazing surprise.

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<v Speaker 1>We have no idea what. So we're getting into wardrobe

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<v Speaker 1>a little bit. It's like, you know, we're trying. You know,

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<v Speaker 1>we're talking to Brenda may Ben. We're discussing wardrobe, and

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<v Speaker 1>it's like kind of a thing. Now right on the show,

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<v Speaker 1>guess what. Guess what I found in the archives in

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<v Speaker 1>the museum, in the library. Remember the Luke shirt in

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<v Speaker 1>the diner, the brown Luke shirt in the dinner way.

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<v Speaker 1>There it is. That's it. Oh my god, that's it.

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<v Speaker 1>Now technically, did you steal that? No, no, no, it's

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<v Speaker 1>it's just borrowing. I have not taken possession. I haven't

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<v Speaker 1>taken possession. I know it's been what was that two

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<v Speaker 1>thousand and two, so it's almost its nineteen years and

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<v Speaker 1>I've been borrowing it. I have a special plan. Look

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<v Speaker 1>at that there it is gonna say. Yes, I was

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<v Speaker 1>going to say, that's the real one, like the real

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<v Speaker 1>real one. That is the shirt. It was in the

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<v Speaker 1>garage every time when I when I pulled an to

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<v Speaker 1>the garage, I see it. It's like, you know, because

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<v Speaker 1>we're not fully unpacked yet, so there's like there's and

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<v Speaker 1>there's like a bunch of Gilmore stuff in boxing. That's

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<v Speaker 1>a good one to a great shirt. Can you imagine

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<v Speaker 1>if you wear that down the street and like fans

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<v Speaker 1>are just gonna go, oh my god, that dude. And

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<v Speaker 1>now I couldn't find the gray long sleeve thermal that

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<v Speaker 1>goes underneath it, but I did find a blue one,

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<v Speaker 1>and that is show specific. Also, Yes, ladies and gentlemen,

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<v Speaker 1>it's the holidays. I just want to put smiles on faces. Wait,

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<v Speaker 1>that's awesome. Actually, that is awesome to hang on because

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<v Speaker 1>I think Henry Winkler just sold the Fawns jacket for

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<v Speaker 1>like a million dollars. I wonder how much that I

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<v Speaker 1>think it would be the hat that would sell right yea,

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<v Speaker 1>Oh my god, it fits kind of fits. It's still

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<v Speaker 1>kind of snug too, like like like the one on

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<v Speaker 1>the show. It looks great. You like you like dating

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<v Speaker 1>those young, casual young guys. I think those boy scouts

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<v Speaker 1>should move over. I mean you need to have a

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<v Speaker 1>crossbar so wrap the shirt. That's the shirt. Ladies and gentlemen.

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<v Speaker 1>Oh my god, that's actually very cool. I have a

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<v Speaker 1>lot of wardrobe. I have so much wardrobe. I have

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<v Speaker 1>the pants too, of all kind of stuff. Now when

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<v Speaker 1>I try to fit into those pants that for those

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<v Speaker 1>the original pants, oh that's that's not gonna happen. The

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<v Speaker 1>original pants. They're not going on. It's like they get

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<v Speaker 1>about halfway up and it's like, you know, I will

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<v Speaker 1>vouch that the shirt fits perfectly. So for anyone wondering

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<v Speaker 1>twenty years later the shirt fit, don't worry. We will

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<v Speaker 1>post this on Instagram and you guys can see for yourself. Yeah,

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<v Speaker 1>that's awesome. Run Away what does it? Run Away little Boy?

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<v Speaker 1>It is run Away a Little Boy episode nine anyway,

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<v Speaker 1>So no, no, this was just such a fun episode.

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<v Speaker 1>It was so much fun and it was so hilarious.

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<v Speaker 1>And I too did not notice how young that guy

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<v Speaker 1>was that was flirting with Laura because she looks young,

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<v Speaker 1>you know, so it's a it's a little you know.

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<v Speaker 1>They made her look a little young. I mean, obviously

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<v Speaker 1>she was a little older than him, but not too obviously.

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<v Speaker 1>But they put she had pigtails almost throughout the entire episode,

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<v Speaker 1>which I thought was interesting because it did make her

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<v Speaker 1>look young. But then they changed her hair in the

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<v Speaker 1>diner when they wanted to show the contrast. And and

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<v Speaker 1>I gotta tell you, and that's so so anyway, let's

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<v Speaker 1>let's set up the uh and Daniel, I think you're

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<v Speaker 1>gonna do the run? Are you gonna do the uh?

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<v Speaker 1>The what do you? What? Are we calling this thesis ahead.

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<v Speaker 1>I will fill in for Riley So season two, episode nine,

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<v Speaker 1>Runaway Little Boy, air date November one. The synopsis is

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<v Speaker 1>when Rory and Tristan are cast as Romeo and Juliet

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<v Speaker 1>in a school perform, A jealous Deine insist on attending

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<v Speaker 1>every rehearsal, forcing Rory to beg Tristan not to tell

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<v Speaker 1>Dean about the time they shared a kiss, while Lorela

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<v Speaker 1>has to put up with Luke's teasing after after she

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<v Speaker 1>dates a much a younger guy. I tell you, I

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<v Speaker 1>think the the W beer the c W at the

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<v Speaker 1>time saw how well the interactions and the drama and

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<v Speaker 1>the comedy and all the passions that were going on

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<v Speaker 1>in Gilmore with the younger with the Chilton crowd, and

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<v Speaker 1>they were like, let's make a young person. I mean

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<v Speaker 1>it was a young you know, it was for younger.

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<v Speaker 1>Excuse younger anyway. But so then Chad stars in One

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<v Speaker 1>Tree Hill, right, and it becomes a ratings juggernaut over

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<v Speaker 1>there along with us. But I think I think they

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<v Speaker 1>I think they were even bigger than we were. Um,

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<v Speaker 1>I mean I know maybe no, no, actually no, no,

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<v Speaker 1>now that I remember the numbers that we used to get,

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<v Speaker 1>I think we were number one and they were number two.

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<v Speaker 1>But at times they would overtake us when we were

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<v Speaker 1>weakening in the numbers and certain sections of certain seasons,

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<v Speaker 1>and that cast just became so like they were like

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<v Speaker 1>that young Hollywood right exactly, so um easier to market

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<v Speaker 1>and they had more energy to go out and market

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<v Speaker 1>themselves and publish themselves or as the old folks were

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<v Speaker 1>just sort of like nah anyway, Um, A lot of

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<v Speaker 1>fun watching this episode, So let's get into it. Well,

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<v Speaker 1>so my first question for you is what did you

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<v Speaker 1>think of Lorelai going on the date with the young guy?

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<v Speaker 1>And I will admit he did look older when he

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<v Speaker 1>had his blazer on with the arm patches at school

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<v Speaker 1>and sort of the way Luke reacted then Suki saying

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<v Speaker 1>to Lorelai, how do you not know he likes you

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<v Speaker 1>and you're dating everybody but him? So, like just that

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<v Speaker 1>whole arc throughout the episode, what did you think? I

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<v Speaker 1>thought that that wasn't particularly justified because it's really not

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<v Speaker 1>on her. I mean she she hasn't really turned me down,

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<v Speaker 1>has she? No? I haven't really, I haven't really asked her.

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<v Speaker 1>I mean I kind of have, but We've been interrupted

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<v Speaker 1>a bunch of times, right, but I've never followed through

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<v Speaker 1>it followed through. So it's not fair to her because

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<v Speaker 1>I mean, look, I'm the guy and like step up

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<v Speaker 1>and you want a date or dat. It's like, you know,

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<v Speaker 1>start stop worrying about all the other. Yeah, the brief

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<v Speaker 1>moments where you almost did it, she was definitely gonna

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<v Speaker 1>say yeah, she was gonna say yes. She would have

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<v Speaker 1>said yes. But she's doing that because I'm you know,

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<v Speaker 1>I mean, I don't have the stones to step up

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<v Speaker 1>and and close the deal for God's sake, or you're

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<v Speaker 1>both just very concerned about ruining the French. Come on,

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<v Speaker 1>you know that's that's just an excuse that people use

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<v Speaker 1>because they don't have them. Got to get some stones,

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<v Speaker 1>Like if you if you really so, do you blame Luke,

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<v Speaker 1>like you think that the reason it's taking so long

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<v Speaker 1>is because Luke just won't do it well. It's also

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<v Speaker 1>the circumstances everything we talked about. But yeah, it's like

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<v Speaker 1>step up and it's hard. You know, it's hard to

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<v Speaker 1>write that. You know, it's hard to write that for

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<v Speaker 1>four seasons to milk, milk, milk, so the so, the audience,

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<v Speaker 1>it's just like it's driving people crazy, but it's it

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<v Speaker 1>has to be done. It worked beautifully. It's important that

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<v Speaker 1>even though the date was like a total flop, you

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<v Speaker 1>know what I mean? She says something like we had

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<v Speaker 1>finished talking about everything by the salad, it did change

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<v Speaker 1>her the way she felt it. Suddenly she was like,

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<v Speaker 1>I'm i date, Like, I'm almost like I'm back alive again.

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<v Speaker 1>I'm ok. There she is Riley, Hello, everyone, Oh, listen

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<v Speaker 1>to the voice. The sultry voice. Oh no, Oh my goodness,

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<v Speaker 1>is that you? I can go very It's like, what's

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<v Speaker 1>I feel like I'm in a Marlena Datrich film here?

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<v Speaker 1>What's going on when you had a little bit of

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<v Speaker 1>a cold? Well, if anyone needs me to read a story,

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<v Speaker 1>can be of service. Oh my god. So what did

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<v Speaker 1>you think about the guy that she went on the

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<v Speaker 1>date with? He Brace Johnson. He's sort of done a

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<v Speaker 1>lot of acting I've seen here. Was great, He's cute.

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<v Speaker 1>He was absolutely perfect for that part. He was so

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<v Speaker 1>likable and such a winning personality and just a terrific actor.

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<v Speaker 1>And he just had the perfect look. He had just

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<v Speaker 1>he had you know, it was like he was Maxi

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<v Speaker 1>Medina's cousin, distant cousin or something. I mean, he just

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<v Speaker 1>he looked like he was an educated kid and right

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<v Speaker 1>up her alley that she was going to get along with.

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<v Speaker 1>And even though he's she was so smooth too, the

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<v Speaker 1>way he asked her out and then the way she

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<v Speaker 1>sort of says no, and he was so chill about it.

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<v Speaker 1>He's like, well, like, you know, if your schedule opens up,

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<v Speaker 1>like just giving Like he was just so smooth. He

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<v Speaker 1>wasn't bothered by her mini rejection and I'm busy because

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<v Speaker 1>that's okay. It just gives may never give me a call,

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<v Speaker 1>you know. But the thing is is that you noticed

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<v Speaker 1>in that scene they must have sat down before in

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<v Speaker 1>prior meetings at their business class, because when they sat

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<v Speaker 1>down into those into that table, they there was no hesitation.

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<v Speaker 1>It was like they were already on a date and

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<v Speaker 1>they knew that they were going to sit down with

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<v Speaker 1>each other. Instead of like him going like you mind

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<v Speaker 1>if I said or whatever, or her, it's just like

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<v Speaker 1>they just immediately sat down, so it was like they

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<v Speaker 1>were together before they were together. That's kind of the

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<v Speaker 1>cool thing about the show is that the writers, whoever assumed, like, hey,

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<v Speaker 1>the audience will get it, the audience will understand by

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<v Speaker 1>the way these two are interacting that they know each

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<v Speaker 1>other so we don't have to spell it out for

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<v Speaker 1>them like which I kind of appreciate it. It moves

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<v Speaker 1>things faster and it and it was the kind of

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<v Speaker 1>banter that she craves and she needs and she has

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<v Speaker 1>in her life. So of course she was going to

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<v Speaker 1>say yes, um, But I have to tell you, I

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<v Speaker 1>think the funniest scene in the entire and I don't

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<v Speaker 1>mean to downgrade the younger actors who were terrific, and

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<v Speaker 1>it was a terrifically entertaining episode to watch and very funny.

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<v Speaker 1>And but that diner scene when he came in with

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<v Speaker 1>the baseball cap with his parents, I mean I blurred,

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<v Speaker 1>I laughed out loud so many times. And I'll give

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<v Speaker 1>you my favorite line right now. I don't even have

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<v Speaker 1>to wait. When I when I looked at Laura, I go,

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<v Speaker 1>who are these people? Because the father commissary he was like,

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<v Speaker 1>I'm so sorry to hear about Rachel and looks just

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<v Speaker 1>looking at him like, who are these people? Sid? Sid says, darn,

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<v Speaker 1>shame about that, Rachel? Who are these people? Oh? It

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<v Speaker 1>was just beautiful. The best is Rory says, I've always

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<v Speaker 1>wanted a little b right right right right right. And

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<v Speaker 1>you know what her Rory's reactions her, you know her

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<v Speaker 1>reactions to discovering who this person was. It was classic.

0:13:05.600 --> 0:13:08.400
<v Speaker 1>Did you see her face? Because I watched her. I

0:13:08.720 --> 0:13:10.880
<v Speaker 1>rewounded and I watched her. It was just like so

0:13:11.040 --> 0:13:14.360
<v Speaker 1>spot on. She was just like curious and like you

0:13:14.360 --> 0:13:16.880
<v Speaker 1>know those those I those big eyes just beaming in

0:13:16.920 --> 0:13:18.959
<v Speaker 1>her head, like what is going on here? Who is

0:13:19.040 --> 0:13:20.920
<v Speaker 1>this person? And then when she realized that was the

0:13:20.920 --> 0:13:25.199
<v Speaker 1>guy on the date, she just oh that she should

0:13:25.200 --> 0:13:28.120
<v Speaker 1>have gotten an award just for reacting. You know, totally.

0:13:28.200 --> 0:13:32.040
<v Speaker 1>I totally agree with you that scene because look older

0:13:32.040 --> 0:13:34.720
<v Speaker 1>at school he did in the blazer and the corduroy

0:13:34.760 --> 0:13:37.319
<v Speaker 1>blazer and the whole thing. And then boy he looked

0:13:37.360 --> 0:13:40.560
<v Speaker 1>like a teenager when he came in there, and then

0:13:40.679 --> 0:13:47.400
<v Speaker 1>everyone like he's so young. Kirk sent out pictures. Maybe

0:13:47.440 --> 0:13:50.079
<v Speaker 1>you can hand out baseball cards with your phone number.

0:13:51.040 --> 0:13:53.839
<v Speaker 1>I mean, look, they were having a field day on

0:13:53.840 --> 0:13:57.160
<v Speaker 1>her man. It was beautiful. It was so good. I

0:13:57.240 --> 0:14:04.520
<v Speaker 1>love that scene so much. H So, I have a

0:14:04.600 --> 0:14:07.280
<v Speaker 1>question that's like kind of a left turn, which I apologiz.

0:14:07.440 --> 0:14:11.040
<v Speaker 1>Is where this shirt comes from? Riley. This is the

0:14:11.480 --> 0:14:16.720
<v Speaker 1>let's get Riley at the speed Hey, smokey voice, smoky smokey.

0:14:16.760 --> 0:14:19.760
<v Speaker 1>This is the shirt, the actual shirt from the diner scene.

0:14:20.440 --> 0:14:26.080
<v Speaker 1>No way, that's so cool and without the oh my gosh,

0:14:26.480 --> 0:14:29.800
<v Speaker 1>he just kept it, like did you kept it? Why?

0:14:30.120 --> 0:14:37.360
<v Speaker 1>That's so cool. That's really cool though, right yeah, anyway,

0:14:37.360 --> 0:14:40.000
<v Speaker 1>all right, so Amy, what's the question? What were you gonna? So?

0:14:40.600 --> 0:14:46.200
<v Speaker 1>My question is when Rory is super stressed, about Tristan

0:14:46.560 --> 0:14:49.400
<v Speaker 1>being the scene partner and coming to stars Hollow, and

0:14:49.480 --> 0:14:52.600
<v Speaker 1>she wants to tell she wants to tell Dean like

0:14:52.760 --> 0:14:55.840
<v Speaker 1>I kiss this guy. This is what happened. Was she

0:14:56.080 --> 0:14:58.400
<v Speaker 1>right in wanting to tell him, or was Laurel I

0:14:58.600 --> 0:15:03.720
<v Speaker 1>right and telling her no, don't tell it. I think

0:15:03.720 --> 0:15:07.720
<v Speaker 1>they're both right. Yeah, they're both right. I mean it's

0:15:07.760 --> 0:15:11.000
<v Speaker 1>one of those situations where you know, that's I think.

0:15:11.000 --> 0:15:13.240
<v Speaker 1>I think these are the situations that were tailor made

0:15:13.280 --> 0:15:17.640
<v Speaker 1>for omission or little white lies, or you know, just

0:15:17.720 --> 0:15:20.800
<v Speaker 1>to spare that guy just knowing. I mean, you know

0:15:20.920 --> 0:15:23.440
<v Speaker 1>he's gonna pop. I mean, look how I mean, Dean's

0:15:23.560 --> 0:15:29.040
<v Speaker 1>really tightly wrapped. He is a very possessive guy. You know,

0:15:29.200 --> 0:15:32.320
<v Speaker 1>he's a real type, a dominant kind of a guy.

0:15:32.440 --> 0:15:35.440
<v Speaker 1>And you know he's not going to be He obviously

0:15:35.480 --> 0:15:38.560
<v Speaker 1>can't handle this very well. He just wants to beat

0:15:38.680 --> 0:15:43.160
<v Speaker 1>Tristan's asked. Yeah, yeah, And Tristan's such a jerk to

0:15:43.280 --> 0:15:48.960
<v Speaker 1>him in the in doses market, it's it's he, you know,

0:15:49.080 --> 0:15:52.720
<v Speaker 1>he's everything I wish Paris would be, because at least

0:15:52.760 --> 0:15:56.800
<v Speaker 1>you can watch Chad Michael Murray be smug and horrible

0:15:56.920 --> 0:16:03.280
<v Speaker 1>and poisonous and diabolical and two faced and backstabbing, and

0:16:03.320 --> 0:16:05.440
<v Speaker 1>the whole thing he just does. It was he's such

0:16:05.480 --> 0:16:10.480
<v Speaker 1>a smooth criminal. It's just it's just you and I'm

0:16:10.520 --> 0:16:12.560
<v Speaker 1>just kind of with him. And you know, at the

0:16:12.640 --> 0:16:14.520
<v Speaker 1>end of this, when he was like, Hey, I can't

0:16:14.520 --> 0:16:16.640
<v Speaker 1>do this, I'm going off to military school. I broke

0:16:16.680 --> 0:16:19.840
<v Speaker 1>into you know, will Willard's fathers say for whoever the

0:16:19.920 --> 0:16:22.400
<v Speaker 1>kid was, and his dad was standing there, you know,

0:16:22.440 --> 0:16:25.000
<v Speaker 1>waiting for him. I felt for the guy. I really

0:16:25.040 --> 0:16:27.480
<v Speaker 1>felt for the guy. And I don't know if I'd

0:16:27.480 --> 0:16:29.440
<v Speaker 1>feel that way for Paris that she was being hauled

0:16:29.440 --> 0:16:36.160
<v Speaker 1>off to the nuthouse, you know. But yeah, and then

0:16:36.200 --> 0:16:39.120
<v Speaker 1>you felt that Rory felt for him and that they

0:16:39.280 --> 0:16:42.600
<v Speaker 1>did have a connection, no question about it. Even when

0:16:42.680 --> 0:16:45.160
<v Speaker 1>Rory tries to say to him, stop hanging around those guys.

0:16:45.160 --> 0:16:48.560
<v Speaker 1>You're smarter than those guys, You're better than those you know,

0:16:48.600 --> 0:16:50.120
<v Speaker 1>kind of in the middle of the episode because you

0:16:50.280 --> 0:16:53.760
<v Speaker 1>because so go ahead, sorry, no, sorry about that. So,

0:16:53.920 --> 0:16:56.400
<v Speaker 1>and you see Dean kind of looking at them, going,

0:16:58.160 --> 0:17:03.960
<v Speaker 1>h think, do you knows that he's in over his

0:17:04.040 --> 0:17:07.919
<v Speaker 1>head with Rory anyway, He's beginning to understand how lucky

0:17:07.960 --> 0:17:10.280
<v Speaker 1>he is and how special she is, or he already

0:17:10.400 --> 0:17:14.240
<v Speaker 1>understands that. And it's gonna be real easy for somebody

0:17:14.240 --> 0:17:16.960
<v Speaker 1>at that school who's you know, who's got the pedigree

0:17:17.000 --> 0:17:19.920
<v Speaker 1>to just take maybe not take her away, but some

0:17:20.960 --> 0:17:24.280
<v Speaker 1>her eyes will be opened up. And Tristan has that potential,

0:17:24.359 --> 0:17:27.600
<v Speaker 1>and she sees the potential in triesting because you know,

0:17:27.680 --> 0:17:31.080
<v Speaker 1>he's easy on the eyes, he's ut all drink out water.

0:17:31.240 --> 0:17:33.240
<v Speaker 1>He comes from a great family, the whole you know,

0:17:33.240 --> 0:17:36.960
<v Speaker 1>he's the whole package. So and she's wise enough and

0:17:37.040 --> 0:17:39.160
<v Speaker 1>mature enough to know at her age, at her tender

0:17:39.200 --> 0:17:42.439
<v Speaker 1>age of sixteen, that that Tristan's only sixteen or seventeen. Right,

0:17:42.440 --> 0:17:45.080
<v Speaker 1>he's sixteen years old. He's going to be a different person.

0:17:45.080 --> 0:17:48.240
<v Speaker 1>It's twenty. He's not going to be this way. He

0:17:48.440 --> 0:17:51.240
<v Speaker 1>is the good in him despite his antics. What did

0:17:51.280 --> 0:17:54.199
<v Speaker 1>you think that he called her Mary? It broke my

0:17:54.280 --> 0:17:58.480
<v Speaker 1>heart because it was so um gosh, what do they

0:17:58.560 --> 0:18:03.000
<v Speaker 1>call that? Um? It was? It was a double entente?

0:18:03.200 --> 0:18:08.240
<v Speaker 1>What was it really was? Because you know, he recognized

0:18:08.320 --> 0:18:14.280
<v Speaker 1>the almost the tragic. It was like him commenting on

0:18:14.440 --> 0:18:18.479
<v Speaker 1>himself as a jackass to her earlier. It was filled

0:18:18.520 --> 0:18:22.800
<v Speaker 1>with regret, and it was beautifully communicated and beautifully acted.

0:18:23.080 --> 0:18:26.080
<v Speaker 1>And that's the moment I think that Rory liked him

0:18:26.119 --> 0:18:30.480
<v Speaker 1>the most because he was able to recognize that in

0:18:30.560 --> 0:18:34.560
<v Speaker 1>that way, and that's how smart he is. Yes, he

0:18:34.600 --> 0:18:37.640
<v Speaker 1>says I would kiss you, and then he says, take

0:18:37.680 --> 0:18:40.679
<v Speaker 1>care of yourself marriage, and it's like it's basically he

0:18:40.760 --> 0:18:43.479
<v Speaker 1>was saying, Rory, I love you, and I'm too screwed

0:18:43.560 --> 0:18:45.240
<v Speaker 1>up and too much of a jerk right now to

0:18:45.400 --> 0:18:47.960
<v Speaker 1>come out and say it. But he's in love with her,

0:18:48.280 --> 0:18:50.359
<v Speaker 1>and I think she's a little bit in love with

0:18:50.440 --> 0:18:56.800
<v Speaker 1>him too. She smart, did you guys see? Yes, that's

0:18:56.800 --> 0:19:01.879
<v Speaker 1>that's chemistry right there. They have that real chemistry. And boys,

0:19:01.920 --> 0:19:04.760
<v Speaker 1>he's such a likable guy and what a what a

0:19:04.800 --> 0:19:07.800
<v Speaker 1>great actor. He really embraced that part, didn't he. And

0:19:07.920 --> 0:19:10.560
<v Speaker 1>he took a lot of chances with that part to

0:19:10.600 --> 0:19:15.439
<v Speaker 1>be so unlikable and he's still likable. Yes, that's the

0:19:15.440 --> 0:19:17.199
<v Speaker 1>mark of a great actor. That's the mark of a

0:19:17.240 --> 0:19:20.040
<v Speaker 1>really solid actor, you know, you know, And I do

0:19:20.200 --> 0:19:24.800
<v Speaker 1>think hindsight is it's like we see, we know that

0:19:24.880 --> 0:19:28.399
<v Speaker 1>he's leaving Chad Michael Murray, which we talked about with

0:19:28.480 --> 0:19:31.520
<v Speaker 1>him to go on. I think he did Dawson's Creek

0:19:31.600 --> 0:19:33.960
<v Speaker 1>and then he's the star of One Tree Hill. So

0:19:33.960 --> 0:19:36.200
<v Speaker 1>it's like we sort of have that benefit of knowing

0:19:36.240 --> 0:19:40.280
<v Speaker 1>why this actor is leaving. Oh sure, yeah, so you

0:19:40.280 --> 0:19:44.200
<v Speaker 1>know a little behind the scenes knowledge, and heck, why

0:19:44.240 --> 0:19:46.520
<v Speaker 1>didn't I do this? These young guys were really smart.

0:19:46.560 --> 0:19:48.440
<v Speaker 1>They only had one or two year deals. They didn't

0:19:48.440 --> 0:19:51.359
<v Speaker 1>want six year deals because the six year deal is

0:19:51.400 --> 0:19:55.439
<v Speaker 1>what you're going for, right, that's the full boat. That's like,

0:19:55.480 --> 0:19:57.600
<v Speaker 1>you got a six year deal, great, and that's what

0:19:57.640 --> 0:19:59.480
<v Speaker 1>we were going for. They offered me two shows and

0:19:59.480 --> 0:20:01.359
<v Speaker 1>then four year you know. And then I sort of

0:20:01.520 --> 0:20:03.760
<v Speaker 1>see these guys like the Chads and the Jared's and

0:20:03.800 --> 0:20:05.880
<v Speaker 1>the Milos, they're doing one year deals at a time

0:20:05.880 --> 0:20:08.000
<v Speaker 1>because they want to stay flexible because they're young and

0:20:08.040 --> 0:20:10.919
<v Speaker 1>everybody wants them, or they might do another year on

0:20:11.000 --> 0:20:12.919
<v Speaker 1>that deal without you know, an option year. This kind

0:20:12.920 --> 0:20:15.040
<v Speaker 1>of thing. I'm running around celebrating, Hey, I got a

0:20:15.040 --> 0:20:17.560
<v Speaker 1>six year deal. I'm completely locked in. But I was

0:20:17.600 --> 0:20:22.600
<v Speaker 1>like forty one, right, I'm not. I'm not young guy, right,

0:20:22.800 --> 0:20:25.640
<v Speaker 1>But but they were very smart. How those guys they

0:20:25.680 --> 0:20:29.000
<v Speaker 1>played that and they were not locked in and it

0:20:29.080 --> 0:20:31.640
<v Speaker 1>was a perfect situation for the network because they could

0:20:31.640 --> 0:20:34.800
<v Speaker 1>save money and it was better for their bottom line

0:20:34.840 --> 0:20:38.200
<v Speaker 1>and their financials and the whole thing. And um, hey,

0:20:38.240 --> 0:20:40.880
<v Speaker 1>we got this guy fairly cheap, and it's only we're

0:20:40.880 --> 0:20:43.520
<v Speaker 1>only committed one year, but we're taking that risk. The

0:20:43.520 --> 0:20:45.440
<v Speaker 1>next year it comes back, is going to be desired

0:20:45.440 --> 0:20:48.600
<v Speaker 1>by every major network for every major pilot. We're gonna

0:20:48.600 --> 0:20:50.320
<v Speaker 1>have to pay him a boatload to stay here. He

0:20:50.320 --> 0:20:54.800
<v Speaker 1>probably won't stay anyway, So yeah, yeah, you know, speaking

0:20:54.840 --> 0:20:58.840
<v Speaker 1>of Milow, I think it's very because I don't remember

0:20:58.880 --> 0:21:02.480
<v Speaker 1>it this way. But I'm happy they really are only

0:21:02.520 --> 0:21:06.600
<v Speaker 1>giving us glimpses of Jess. And you know, we all know,

0:21:07.440 --> 0:21:10.480
<v Speaker 1>well some of us know what's coming with Jess, but

0:21:10.560 --> 0:21:12.639
<v Speaker 1>they aren't. And I've talked about this before. They aren't

0:21:12.680 --> 0:21:14.960
<v Speaker 1>just like bombarding us with him right out the gate.

0:21:15.000 --> 0:21:17.159
<v Speaker 1>It's like we're seeing him just little bits. He's not

0:21:17.200 --> 0:21:20.040
<v Speaker 1>even in this episode. We're seeing him just little bits

0:21:20.160 --> 0:21:23.520
<v Speaker 1>here and there as they develop that. But he's too

0:21:23.600 --> 0:21:28.040
<v Speaker 1>dark a character to have on on a regular basis. Yeah,

0:21:28.240 --> 0:21:33.080
<v Speaker 1>it's it's too powerful. He's too good, he's too easy

0:21:33.119 --> 0:21:36.320
<v Speaker 1>on the eyes, he's the storyline is too powerful. It

0:21:36.400 --> 0:21:40.679
<v Speaker 1>can overwhelm the series. It can become it can become

0:21:40.840 --> 0:21:44.679
<v Speaker 1>his show. So they really have to be careful with that. Well,

0:21:44.760 --> 0:21:47.359
<v Speaker 1>that's such a great point because his antics, like the

0:21:47.440 --> 0:21:50.200
<v Speaker 1>chalk outline of the body in front of the market.

0:21:50.600 --> 0:21:53.080
<v Speaker 1>You couldn't have that every episode because you'd start to

0:21:53.119 --> 0:21:55.600
<v Speaker 1>eye roll it. It only works at such a great point.

0:21:55.640 --> 0:21:57.480
<v Speaker 1>I've never I didn't think about it that way. No,

0:21:57.600 --> 0:22:00.399
<v Speaker 1>but they would. I think people fans would really like it,

0:22:00.440 --> 0:22:03.119
<v Speaker 1>but it would go away from Gilmore Girls and it

0:22:03.160 --> 0:22:07.400
<v Speaker 1>would become the Milo Show, for the Milo Roary Show.

0:22:08.040 --> 0:22:10.000
<v Speaker 1>Then then it would be a different show. So they

0:22:10.040 --> 0:22:15.120
<v Speaker 1>have to really be carefully balance all these storylines. You know, now,

0:22:15.160 --> 0:22:16.439
<v Speaker 1>I know I should take a break, But when we

0:22:16.440 --> 0:22:20.440
<v Speaker 1>come back, i'd love your thoughts on Paris. Oh that's

0:22:20.440 --> 0:22:26.160
<v Speaker 1>gonna take about five seconds, maybe three. Anyway, let's take

0:22:26.160 --> 0:22:28.120
<v Speaker 1>a break, and when we come back, we're gonna get

0:22:28.119 --> 0:22:33.480
<v Speaker 1>my very elongated thoughts, thorough thoughts on Paris. All right,

0:22:33.520 --> 0:22:37.360
<v Speaker 1>we'll see it a bit. All right, we're back, everybody,

0:22:37.440 --> 0:22:45.240
<v Speaker 1>and let's discuss this delightful cup of wonderful, this big

0:22:45.280 --> 0:22:50.600
<v Speaker 1>bowl of wonderful that is Paris. Geller, Okay, what did

0:22:50.600 --> 0:22:55.239
<v Speaker 1>you think of her in this episode? Wow? Just just

0:22:55.400 --> 0:23:02.679
<v Speaker 1>grading and unnecessary early, aggressive and nasty to Rory. I

0:23:02.680 --> 0:23:06.240
<v Speaker 1>mean it's so over the top bananas that, you know,

0:23:06.240 --> 0:23:08.600
<v Speaker 1>when she was talking with Henry, when she came up

0:23:08.640 --> 0:23:13.520
<v Speaker 1>in it very rudely interrupted Henry and and Rory. And

0:23:14.280 --> 0:23:16.240
<v Speaker 1>you know, Rory is so above it at this point,

0:23:16.320 --> 0:23:18.520
<v Speaker 1>she just like lets her talk, you know, she'll let

0:23:18.520 --> 0:23:27.440
<v Speaker 1>her do her thing, um because scary. It's like, it's

0:23:27.480 --> 0:23:29.320
<v Speaker 1>like what else do you do in the face of it,

0:23:29.480 --> 0:23:33.400
<v Speaker 1>you know, total insanity. Um, you just let it sort

0:23:33.440 --> 0:23:39.600
<v Speaker 1>of peter out and it goes away and then you're like, okay, um, yeah,

0:23:39.640 --> 0:23:41.960
<v Speaker 1>I mean right off the bat, it's like, Jesus, she's back.

0:23:42.000 --> 0:23:44.680
<v Speaker 1>I didn't miss her, you know, but here she here,

0:23:44.760 --> 0:23:48.680
<v Speaker 1>she is back. She did. And I will give her this.

0:23:48.680 --> 0:23:53.639
<v Speaker 1>This character really drives that storyline. So there's so much

0:23:53.880 --> 0:23:58.920
<v Speaker 1>forward momentum with it, and there's so much expectation um

0:23:59.200 --> 0:24:02.480
<v Speaker 1>and anticipe patient that it is compelling. So I will

0:24:02.600 --> 0:24:05.720
<v Speaker 1>give her that. I will give her interpretation of that

0:24:05.800 --> 0:24:10.000
<v Speaker 1>character a lot of credit for being you know, solidly

0:24:10.119 --> 0:24:13.000
<v Speaker 1>engaging that that is for sure. I mean, she's not

0:24:13.600 --> 0:24:16.679
<v Speaker 1>backing off the throttle. At all. And she is a

0:24:16.720 --> 0:24:20.399
<v Speaker 1>girl that you would have to say is determined. Nothing

0:24:20.480 --> 0:24:23.280
<v Speaker 1>is going to stop her from getting into Harvard and

0:24:24.960 --> 0:24:28.919
<v Speaker 1>except even becoming Romeo. Right, she's the only one that

0:24:29.200 --> 0:24:32.840
<v Speaker 1>that is going to prevent herself from going to Harvard.

0:24:33.359 --> 0:24:37.919
<v Speaker 1>But you know, it's just it's just so, it's the

0:24:37.960 --> 0:24:41.399
<v Speaker 1>opposite of Paris. Do you love to hate her or

0:24:41.440 --> 0:24:47.240
<v Speaker 1>do you hate her? Are you asking me every Yeah, Riley,

0:24:47.240 --> 0:24:49.040
<v Speaker 1>go ahead, we gotta get some voice, get some smoky

0:24:49.119 --> 0:24:53.600
<v Speaker 1>voice in there. Also with those voice, I feel very chassy,

0:24:53.680 --> 0:24:58.919
<v Speaker 1>like let's dine exactly anyway, welcome to the bottom of

0:24:58.920 --> 0:25:03.919
<v Speaker 1>the head um there is right now, Like you, you

0:25:04.000 --> 0:25:05.800
<v Speaker 1>kind of don't like her, you kind of hate her,

0:25:05.840 --> 0:25:08.160
<v Speaker 1>but I know, you know, I know what happened, so

0:25:08.760 --> 0:25:10.600
<v Speaker 1>you kind of also have that love for her if

0:25:10.600 --> 0:25:13.800
<v Speaker 1>you've seen it, because it stays with you. I'm I'm

0:25:13.840 --> 0:25:17.000
<v Speaker 1>waiting for that. I want that. I want to get there.

0:25:17.080 --> 0:25:18.879
<v Speaker 1>I do want to love her. Do you love to

0:25:18.920 --> 0:25:20.960
<v Speaker 1>hate her or do you just hate her? Right now? No,

0:25:21.119 --> 0:25:24.640
<v Speaker 1>I'm rooting for you know. You know, look, she's a kid,

0:25:25.480 --> 0:25:28.399
<v Speaker 1>she's they're all kids, and they got wacky families, and

0:25:28.480 --> 0:25:32.200
<v Speaker 1>you know, there's a lot of pressure the top one percent.

0:25:32.240 --> 0:25:37.720
<v Speaker 1>Nobody understands how they suffer. Somebody around me feeling sorry

0:25:37.720 --> 0:25:41.680
<v Speaker 1>for themselves. I said, you know Champaigne problem, you know exactly.

0:25:41.800 --> 0:25:44.440
<v Speaker 1>It's like, come on, give me a break. Um, But

0:25:45.440 --> 0:25:49.200
<v Speaker 1>when you're look it's it's it's when you have that

0:25:49.920 --> 0:25:53.359
<v Speaker 1>dire a family situation and your parents are at war.

0:25:54.280 --> 0:25:57.480
<v Speaker 1>This is what happens. I wish they would show more

0:25:57.560 --> 0:26:00.720
<v Speaker 1>of it. I wish they would show the wish and

0:26:00.800 --> 0:26:03.960
<v Speaker 1>it would help me like the character, help me sympathize

0:26:04.000 --> 0:26:06.600
<v Speaker 1>with and empathize with the character more. But she just

0:26:06.680 --> 0:26:09.399
<v Speaker 1>comes right out of the gate and it's just like nasty, nasty,

0:26:09.480 --> 0:26:11.680
<v Speaker 1>nasty and Daniel, what do you How do you feel

0:26:11.680 --> 0:26:14.240
<v Speaker 1>about Paris? I mean, I don't know what happens, but

0:26:14.600 --> 0:26:17.640
<v Speaker 1>I love her. I've been very vocal about my love

0:26:17.640 --> 0:26:21.760
<v Speaker 1>for Paris. I think she is so funny and there's

0:26:21.800 --> 0:26:23.919
<v Speaker 1>no character like her, you know what I mean. We

0:26:24.000 --> 0:26:26.199
<v Speaker 1>need her, We need Paris. We need somebody who's like

0:26:26.880 --> 0:26:32.080
<v Speaker 1>you know, super o, c D and crazy and um,

0:26:32.119 --> 0:26:36.320
<v Speaker 1>you know, over the top, and she she does it

0:26:36.400 --> 0:26:38.000
<v Speaker 1>for me. I don't know. I love her character and

0:26:38.040 --> 0:26:41.960
<v Speaker 1>I think she's so fun to watch. I think sorry,

0:26:42.040 --> 0:26:44.160
<v Speaker 1>go ahead? No, no, you go ahead, you go ahead.

0:26:45.240 --> 0:26:47.280
<v Speaker 1>Would you guys call her a villain, Scott, would you

0:26:47.280 --> 0:26:51.240
<v Speaker 1>call her a villain? For sure? She is the Darth

0:26:51.320 --> 0:26:57.240
<v Speaker 1>Vader of that of that storyline. Huh. There is the

0:26:57.280 --> 0:27:01.960
<v Speaker 1>possibility of redemption, that's always there. But she is. She's

0:27:01.960 --> 0:27:08.040
<v Speaker 1>either the you know, Darth Sidious uh, or she's Darth Vader.

0:27:08.400 --> 0:27:15.160
<v Speaker 1>She's think about that. I'm curious people think of her.

0:27:15.280 --> 0:27:19.800
<v Speaker 1>She represents them, she represents the empire. Let's just say that. Okay,

0:27:20.160 --> 0:27:23.960
<v Speaker 1>I disagree. Isn't wait, Daniel, you go tell us I disagree.

0:27:24.000 --> 0:27:26.720
<v Speaker 1>I think Tristan's the villain, Like if I have a villain,

0:27:27.160 --> 0:27:29.479
<v Speaker 1>I don't think anyone is really a villain. But if

0:27:29.520 --> 0:27:31.760
<v Speaker 1>I had to pick a villain, I would say Tristan.

0:27:32.240 --> 0:27:35.600
<v Speaker 1>I don't think it's Paris. I say you know what, listen,

0:27:35.680 --> 0:27:37.399
<v Speaker 1>will you will you meet me in the middle and

0:27:37.400 --> 0:27:42.879
<v Speaker 1>say they're both villains? Come on, come on, I'll give you.

0:27:42.960 --> 0:27:45.439
<v Speaker 1>I'll give you the ship. I'll give you Tristan. If

0:27:45.480 --> 0:27:48.120
<v Speaker 1>you give me a little about this, I would say

0:27:48.240 --> 0:27:54.240
<v Speaker 1>they're both misunderstood. You redefined misguided. I like that. I

0:27:54.240 --> 0:27:56.399
<v Speaker 1>would agree to that because, yeah, Tristan is not a

0:27:56.480 --> 0:27:58.520
<v Speaker 1>villain to me. To me, he's so just misguided. But

0:27:58.600 --> 0:28:02.560
<v Speaker 1>I think that if they're both representing the Empire Star

0:28:02.560 --> 0:28:06.800
<v Speaker 1>Wars Trekky fans out there, if they're both representing the Empire, right,

0:28:07.000 --> 0:28:13.720
<v Speaker 1>I think Tristan is more likely to join the rebellion. Yeah,

0:28:13.880 --> 0:28:16.560
<v Speaker 1>I think because I keep thinking about when Paris she

0:28:16.760 --> 0:28:20.959
<v Speaker 1>does mean things like when she told Rory that, you know,

0:28:21.040 --> 0:28:23.960
<v Speaker 1>the journalism meeting was at this time, so that Rory

0:28:24.080 --> 0:28:26.159
<v Speaker 1>was late, Like that was mean, and then Rory is

0:28:26.200 --> 0:28:29.720
<v Speaker 1>so nice getting her in the sorority. It's like, because

0:28:29.760 --> 0:28:33.800
<v Speaker 1>she represents the Empire, that's what they goes to. Tristan

0:28:35.040 --> 0:28:36.960
<v Speaker 1>was mean when he was going to tell Dean about

0:28:36.960 --> 0:28:40.320
<v Speaker 1>the kids. That's just that's just a rival. That's just

0:28:40.400 --> 0:28:48.120
<v Speaker 1>a male rival. That's not a big deal. That's what that's. Yeah,

0:28:48.200 --> 0:28:51.600
<v Speaker 1>it's the same thing like Paris is just the female rival.

0:28:52.600 --> 0:28:56.840
<v Speaker 1>Are you guys opening my eyes? You are opening It's

0:28:56.880 --> 0:29:01.080
<v Speaker 1>a very good point, you know what, You're right, But

0:29:01.200 --> 0:29:06.000
<v Speaker 1>I'm here for guys like them both. I will miss

0:29:06.040 --> 0:29:09.200
<v Speaker 1>Tristan for sure. I think I just like his style.

0:29:10.480 --> 0:29:16.200
<v Speaker 1>You know, you know, Smarmie can have a style, right

0:29:16.360 --> 0:29:20.240
<v Speaker 1>and and and underhanded and slimy and all that. I mean,

0:29:20.320 --> 0:29:23.440
<v Speaker 1>it's like there's a way to present it right, and

0:29:23.800 --> 0:29:27.600
<v Speaker 1>they're both really entertaining. I mean, let's just face it.

0:29:27.640 --> 0:29:29.840
<v Speaker 1>You know, maybe I'm softening a little bit on Paris.

0:29:29.920 --> 0:29:32.880
<v Speaker 1>I don't know. Well, we'll see what comes. But it's

0:29:32.880 --> 0:29:36.360
<v Speaker 1>just that when she just came up and just I

0:29:36.360 --> 0:29:39.120
<v Speaker 1>don't know, anyway, let's move on. You know, Tristan is

0:29:39.160 --> 0:29:40.760
<v Speaker 1>the ultimate. Even though I know you're not supposed to

0:29:40.760 --> 0:29:44.440
<v Speaker 1>say this anymore. It's considered not appropriate, I think, but

0:29:44.520 --> 0:29:46.520
<v Speaker 1>Tristan is the ultimate. He's mean to you because he

0:29:46.600 --> 0:29:52.240
<v Speaker 1>likes you, Yeah, because it does. He does like her, yeah,

0:29:52.720 --> 0:29:54.640
<v Speaker 1>and she just, you know, kind of rejects him in

0:29:54.680 --> 0:29:56.840
<v Speaker 1>such a nice way, but he's still just like and

0:29:56.840 --> 0:29:58.960
<v Speaker 1>then he tries to have that bravado, but really he

0:29:59.040 --> 0:30:01.920
<v Speaker 1>just likes her. But he is so to the manner

0:30:02.040 --> 0:30:06.040
<v Speaker 1>born that it's difficult for him to bridge that gap

0:30:06.360 --> 0:30:10.040
<v Speaker 1>in his own mind to even be talking to somebody

0:30:10.080 --> 0:30:13.840
<v Speaker 1>from Stars Hollow whose mother he obviously knows the history

0:30:13.840 --> 0:30:16.880
<v Speaker 1>of Laurela and what happened and how she dropped away

0:30:16.920 --> 0:30:19.480
<v Speaker 1>from her family and reservice and Stars Hollow to him

0:30:19.560 --> 0:30:22.800
<v Speaker 1>that's a you know, that's a probably a bridge too far.

0:30:22.920 --> 0:30:25.640
<v Speaker 1>And he doesn't like the fact that he has to

0:30:28.200 --> 0:30:31.560
<v Speaker 1>have these feelings that he's judging Rory at the same

0:30:31.600 --> 0:30:34.800
<v Speaker 1>time he's he's he's loving her and and thinking she's

0:30:34.840 --> 0:30:38.760
<v Speaker 1>just announced she's blowing all these other children girls away.

0:30:39.120 --> 0:30:43.960
<v Speaker 1>Um her looks, her brains, her analytical ability, her emotional maturity,

0:30:44.000 --> 0:30:46.320
<v Speaker 1>all of that stuff. I mean, it's it's it's overwhelming

0:30:46.360 --> 0:30:48.320
<v Speaker 1>for him, and he doesn't know how to handle it.

0:30:48.400 --> 0:30:52.040
<v Speaker 1>But she is she she is a generation away from

0:30:52.040 --> 0:30:56.280
<v Speaker 1>being to the manner born and she has she's bringing

0:30:56.280 --> 0:30:57.880
<v Speaker 1>in a whole new set of values for him to

0:30:57.920 --> 0:31:00.440
<v Speaker 1>deal with that none of his charms are working on

0:31:00.960 --> 0:31:04.880
<v Speaker 1>it doesn't work on her. It's just you know, and

0:31:04.920 --> 0:31:08.280
<v Speaker 1>he doesn't want and he and he's a lot like her.

0:31:08.320 --> 0:31:11.760
<v Speaker 1>He kind of wishes his parents or maybe one of

0:31:11.960 --> 0:31:14.680
<v Speaker 1>you know, would break up and go to Starslow so

0:31:14.720 --> 0:31:17.680
<v Speaker 1>he could have a little dose of reality. What it's

0:31:17.680 --> 0:31:19.240
<v Speaker 1>making me think of and this is I get that

0:31:19.280 --> 0:31:22.720
<v Speaker 1>this sort of analogy is a little bit probably not

0:31:22.800 --> 0:31:26.520
<v Speaker 1>like accurate for this particular episode, but I just keep

0:31:26.520 --> 0:31:30.080
<v Speaker 1>thinking about Bryce Johnson's character, who's the guy at school

0:31:30.080 --> 0:31:33.240
<v Speaker 1>that asked Laura lay out. His reaction to being turned

0:31:33.280 --> 0:31:36.600
<v Speaker 1>down was so smooth and cool that it made her

0:31:36.680 --> 0:31:40.680
<v Speaker 1>say yes, whereas Tristan's always kind of like when she

0:31:40.840 --> 0:31:45.080
<v Speaker 1>tells him no, he just gets so mean or well,

0:31:45.240 --> 0:31:48.400
<v Speaker 1>he who says no to him? When has he ever

0:31:48.440 --> 0:31:52.440
<v Speaker 1>heard the word no? Tristan guess whatever he wants. I mean,

0:31:52.480 --> 0:31:55.640
<v Speaker 1>you know, right, I'm sure the comparison isn't intentional, but

0:31:55.680 --> 0:31:58.120
<v Speaker 1>it is interesting to talk about in this particular episode

0:31:58.200 --> 0:32:01.040
<v Speaker 1>because he's not He does don't look to me like

0:32:01.080 --> 0:32:04.240
<v Speaker 1>a hard worker. That's I don't know that Tristan is

0:32:04.280 --> 0:32:06.200
<v Speaker 1>a guy with a work ethic. I think he's just

0:32:06.320 --> 0:32:10.000
<v Speaker 1>he's smart, he's clever. He's a bit of a screw up.

0:32:10.480 --> 0:32:14.600
<v Speaker 1>There are reasons for that, you know, but he's there's

0:32:14.640 --> 0:32:16.720
<v Speaker 1>no work ethic there. He's that's why he's going to

0:32:16.720 --> 0:32:20.480
<v Speaker 1>military school. He's gonna get it. Yeah, he's gonna get

0:32:20.560 --> 0:32:23.080
<v Speaker 1>that's a great point. Yeah, because he was just bad,

0:32:23.720 --> 0:32:27.320
<v Speaker 1>doing bad things. Bad parents. Right, So it's like the

0:32:27.400 --> 0:32:29.240
<v Speaker 1>dad gave up, and I don't know if the dad

0:32:29.360 --> 0:32:31.960
<v Speaker 1>is saying I'm going to stop this and send you

0:32:32.000 --> 0:32:35.600
<v Speaker 1>to military school. Maybe the dad is a good dad. Yeah,

0:32:35.680 --> 0:32:38.400
<v Speaker 1>I mean, at that age, if he's doing that, sure,

0:32:38.960 --> 0:32:40.520
<v Speaker 1>that's what a good dad would do if he had

0:32:40.520 --> 0:32:42.840
<v Speaker 1>the means. Ship him off and let the generals take

0:32:42.840 --> 0:32:46.040
<v Speaker 1>care of him, teach him respect and you know, bust

0:32:46.080 --> 0:32:47.760
<v Speaker 1>his ass that kind of thing. Get him up at

0:32:47.760 --> 0:32:49.880
<v Speaker 1>six and get him running to him, push ups, make

0:32:49.920 --> 0:32:53.800
<v Speaker 1>your bed. You know. Yeah, that's that's not an easy life,

0:32:53.880 --> 0:32:56.320
<v Speaker 1>you know where his sort of antics won't be tolerant.

0:32:58.440 --> 0:33:02.320
<v Speaker 1>He'll learn about honor. He'll he's dishonoring himself. He's dishonoring

0:33:02.360 --> 0:33:08.360
<v Speaker 1>the family name. He's he's going astray, and he's being corrected,

0:33:08.440 --> 0:33:11.680
<v Speaker 1>which is a good thing. It is the first appearance

0:33:11.720 --> 0:33:14.280
<v Speaker 1>I think we should point out by Adam is it Wiley.

0:33:14.280 --> 0:33:15.600
<v Speaker 1>I don't want to say his last name wrong, but

0:33:15.600 --> 0:33:18.920
<v Speaker 1>he plays Brad, and I think everybody should just note

0:33:18.960 --> 0:33:23.400
<v Speaker 1>that because we will see the return of Brad. He

0:33:23.480 --> 0:33:26.440
<v Speaker 1>was from Picket Fences. He was like you know that

0:33:26.520 --> 0:33:28.680
<v Speaker 1>was a sort of a famous child actor. He'd been

0:33:28.720 --> 0:33:33.440
<v Speaker 1>on a bunch of step the casual date. No, this

0:33:33.520 --> 0:33:37.720
<v Speaker 1>is the boy. Oh, he's a young guy who is hysterical.

0:33:39.000 --> 0:33:42.160
<v Speaker 1>When he went right, when he when he when he

0:33:42.320 --> 0:33:45.480
<v Speaker 1>chased after Tristan to trust and come back. He was

0:33:45.520 --> 0:33:48.520
<v Speaker 1>so terrified of the prospect of having to stand in

0:33:48.600 --> 0:33:53.080
<v Speaker 1>for him. So that's Brad and Brad comes back. So

0:33:53.120 --> 0:33:58.120
<v Speaker 1>we just great, you guys, you wouldn't know really, but yeah,

0:33:58.160 --> 0:34:00.920
<v Speaker 1>Brad returns. So Brad is like a bit significant. So

0:34:01.080 --> 0:34:04.800
<v Speaker 1>you know, look there, you know, Paris is a charismatic leader,

0:34:05.520 --> 0:34:09.520
<v Speaker 1>and she's she does have a work ethic. She is

0:34:10.160 --> 0:34:14.839
<v Speaker 1>smarter than everybody, and she you know, she really I

0:34:14.840 --> 0:34:19.400
<v Speaker 1>think her frustration comes Obviously she's fine by herself, maybe

0:34:20.640 --> 0:34:23.879
<v Speaker 1>with all the voices in her head. Um, but when

0:34:23.960 --> 0:34:27.319
<v Speaker 1>she has to uh interact within a group, then we

0:34:27.480 --> 0:34:32.399
<v Speaker 1>see just how hysterically bad she is at that um

0:34:32.680 --> 0:34:36.160
<v Speaker 1>and she resorts to just sort of bullying everybody and um,

0:34:36.200 --> 0:34:39.000
<v Speaker 1>you know, telling him what to do. And you know,

0:34:39.040 --> 0:34:44.880
<v Speaker 1>there are a bunch of wealthy kids really aren't terribly motivated.

0:34:44.920 --> 0:34:46.520
<v Speaker 1>So I mean, they're kind of asking for it in

0:34:46.560 --> 0:34:49.719
<v Speaker 1>the first place. Am I justifying paris Is behavior? Good? God,

0:34:49.920 --> 0:34:53.000
<v Speaker 1>listen to me. Wow, they kind of all need a

0:34:53.080 --> 0:34:56.200
<v Speaker 1>kick in the ask, don't they. And she's given a

0:34:56.800 --> 0:35:00.680
<v Speaker 1>like right right, It's like, come on, let's go, let's

0:35:00.680 --> 0:35:05.440
<v Speaker 1>go get some hootspo, get some hustle, let's go. I mean,

0:35:05.480 --> 0:35:07.759
<v Speaker 1>I think we like have you know that. I think

0:35:07.760 --> 0:35:10.080
<v Speaker 1>we've covered sort of the important parts of anything else

0:35:10.080 --> 0:35:11.759
<v Speaker 1>that really stood out to you in this episode. I

0:35:11.800 --> 0:35:14.279
<v Speaker 1>mean the ice cream maker was sort of the the

0:35:14.320 --> 0:35:21.080
<v Speaker 1>only other thing that kind of um yeah, I think

0:35:21.120 --> 0:35:24.560
<v Speaker 1>that was the catalyst to get her out dating. You know,

0:35:25.480 --> 0:35:28.960
<v Speaker 1>that's the first thing we see. It's like the memories

0:35:28.960 --> 0:35:30.880
<v Speaker 1>come back, and it's like, man, I really need to

0:35:30.920 --> 0:35:33.480
<v Speaker 1>move on because this thing is over and dead with dead.

0:35:33.560 --> 0:35:36.239
<v Speaker 1>And by the way, that phone call with one of

0:35:36.280 --> 0:35:39.600
<v Speaker 1>her relatives was hysterical. You don't really hear the word

0:35:39.760 --> 0:35:46.640
<v Speaker 1>wedlock used today. It's so we're only hearing half of it,

0:35:46.760 --> 0:35:49.640
<v Speaker 1>and we know exactly what I would have to say

0:35:49.640 --> 0:35:52.920
<v Speaker 1>that rivals anything in that episode, as as the Golden

0:35:53.080 --> 0:35:55.560
<v Speaker 1>Comedy scene. Is Laurela on the phone with that person,

0:35:55.640 --> 0:35:59.719
<v Speaker 1>I mean, it was just hysterical. And the twelve blueberries

0:36:00.360 --> 0:36:05.640
<v Speaker 1>in the pancakes, I don't know, I see I've seen

0:36:05.680 --> 0:36:07.759
<v Speaker 1>that bit before. I saw that, you know, I've seen

0:36:07.800 --> 0:36:11.040
<v Speaker 1>that bit before in other things. But uh, it was

0:36:11.120 --> 0:36:15.080
<v Speaker 1>just like I to tease us with unique in that way.

0:36:15.200 --> 0:36:17.520
<v Speaker 1>I want to see more Unique. I want to see

0:36:17.560 --> 0:36:21.560
<v Speaker 1>more Michelle. I want to see a full scene with him,

0:36:21.600 --> 0:36:23.440
<v Speaker 1>and it's just like he just had little bits and

0:36:23.440 --> 0:36:25.839
<v Speaker 1>pieces and he had to really you know, I don't

0:36:25.840 --> 0:36:30.960
<v Speaker 1>know's I definitely want. I didn't get my my my

0:36:31.080 --> 0:36:34.640
<v Speaker 1>Michelle moment in this episode, even though that was very good.

0:36:35.320 --> 0:36:37.600
<v Speaker 1>I just he's so he's capable of so much more

0:36:38.400 --> 0:36:45.959
<v Speaker 1>and they didn't give it to him. Yeah. In honor

0:36:46.000 --> 0:36:48.840
<v Speaker 1>of your shirt, shall we do our favorite fashion? What

0:36:48.920 --> 0:36:52.920
<v Speaker 1>did you think of the pigtails? Danielle? What do you

0:36:52.920 --> 0:36:57.080
<v Speaker 1>think of the pigtails? I know, I can see you

0:36:57.120 --> 0:36:59.520
<v Speaker 1>have a lot of thoughts. Pigtails are not my thing.

0:36:59.560 --> 0:37:06.200
<v Speaker 1>I don't like him pass Riley smoking Riley. I don't

0:37:06.239 --> 0:37:09.000
<v Speaker 1>agree on the big tails. I think it's a hard pass.

0:37:11.160 --> 0:37:14.000
<v Speaker 1>I'm gonna that's a big thumbs up for me. Like

0:37:14.080 --> 0:37:17.840
<v Speaker 1>the pig yeah, yeah, I thought they were cute. I

0:37:17.880 --> 0:37:23.080
<v Speaker 1>thought they were sort of important. Yeah, my my fashion

0:37:23.200 --> 0:37:26.040
<v Speaker 1>choice I loved. I think it was like a Levi's

0:37:26.200 --> 0:37:29.640
<v Speaker 1>jacket with them, like a sort of a please I

0:37:29.640 --> 0:37:31.960
<v Speaker 1>don't know what you call that. That caller and it

0:37:32.040 --> 0:37:34.960
<v Speaker 1>was sort of like a was Laura la It was

0:37:35.040 --> 0:37:36.799
<v Speaker 1>Laura Lai wearing it, and it was sort of like,

0:37:37.760 --> 0:37:40.040
<v Speaker 1>we've seen that jacket and she just pulled it off.

0:37:40.120 --> 0:37:41.960
<v Speaker 1>It was just super cool. So that was like a

0:37:42.000 --> 0:37:46.560
<v Speaker 1>fashion moment for me. Um, yeah, you know, my favorite

0:37:46.640 --> 0:37:49.399
<v Speaker 1>fashion moment, even though I don't want to be even

0:37:49.440 --> 0:37:54.719
<v Speaker 1>remotely involved in this discussion right now, bad that's a

0:37:54.840 --> 0:37:57.120
<v Speaker 1>Luke I thought the best piece of wardrobe in the

0:37:57.120 --> 0:37:58.840
<v Speaker 1>whole thing was a Luke shirt. I'm wearing it right now.

0:37:58.920 --> 0:38:02.759
<v Speaker 1>I'm modeling it oldly. Can you say it? Yeah? We

0:38:02.800 --> 0:38:05.200
<v Speaker 1>love it? And wait a minute, it's too, it's too.

0:38:05.320 --> 0:38:10.200
<v Speaker 1>It's exactly how it was appeared in in the episode

0:38:10.200 --> 0:38:12.560
<v Speaker 1>with the yeah Luke does like the shirt under the

0:38:12.600 --> 0:38:17.520
<v Speaker 1>shirt which I'm here for here, wait a minute, I'm

0:38:17.520 --> 0:38:21.400
<v Speaker 1>here for it. So that's my favorite. So let's do

0:38:21.440 --> 0:38:26.880
<v Speaker 1>a favorite lines. What was your favorite line? Danielle favorite, very, funniest, love, funniest, Okay, okay.

0:38:27.440 --> 0:38:31.480
<v Speaker 1>My favorite line was from Rory to Lorele after when

0:38:31.520 --> 0:38:34.440
<v Speaker 1>she's teasing her about the date. Um, Rory goes, he

0:38:34.520 --> 0:38:36.399
<v Speaker 1>must have been a really good boy to deserve such

0:38:36.400 --> 0:38:43.040
<v Speaker 1>a happy day. I bet you let him write a pony. Riley,

0:38:44.719 --> 0:38:48.040
<v Speaker 1>take a break from the bistro, join us. Put the

0:38:48.040 --> 0:38:54.839
<v Speaker 1>whiskey glass down too much? Smoke in this club. We're

0:38:54.880 --> 0:38:58.000
<v Speaker 1>not enough. I loved when they were talking about the

0:38:58.080 --> 0:39:00.799
<v Speaker 1>day two and um, she was talking about talking back

0:39:00.800 --> 0:39:03.120
<v Speaker 1>and forth and so he goes, oh, stealing his burrito.

0:39:03.400 --> 0:39:13.080
<v Speaker 1>You kids, that's good, take care of yourself. Mary that

0:39:13.200 --> 0:39:17.319
<v Speaker 1>we're doing funniest lines. That wasn't funny. That was heartbreak felt.

0:39:17.360 --> 0:39:20.960
<v Speaker 1>That was funny. No, that's not funny. That was my favorite.

0:39:21.360 --> 0:39:25.960
<v Speaker 1>Funniest was definitely I've always wanted a little brother. Um,

0:39:29.440 --> 0:39:33.439
<v Speaker 1>it's a hie I think a laurelized wedlock line when

0:39:33.480 --> 0:39:34.960
<v Speaker 1>she's on the phone. And then there were a couple

0:39:35.040 --> 0:39:39.560
<v Speaker 1>of the lines she delivered after that, Um, she delivered

0:39:39.560 --> 0:39:44.000
<v Speaker 1>a Billy Graham line too. That was very funny. Yah uh.

0:39:44.040 --> 0:39:46.520
<v Speaker 1>And then you know, Luke's just sort of looking at

0:39:46.600 --> 0:39:48.680
<v Speaker 1>the young guy and the father of the young guy

0:39:48.719 --> 0:39:51.600
<v Speaker 1>and saying, who are these people? That made me blurred

0:39:51.600 --> 0:39:57.160
<v Speaker 1>out laughing. Sorry, Dorian listen, if I if I suck,

0:39:57.320 --> 0:40:00.080
<v Speaker 1>I pointed out, but I I like that one. I

0:40:00.080 --> 0:40:04.799
<v Speaker 1>really like that. Uh Riley is it Riley sexy moment?

0:40:05.000 --> 0:40:07.200
<v Speaker 1>Why don't we talk about a little bit about the

0:40:07.200 --> 0:40:10.200
<v Speaker 1>Shakespeare scenes? We didn't talk about We didn't talk about

0:40:10.200 --> 0:40:14.839
<v Speaker 1>the variety of the Shakespeare scenes, and how how so

0:40:14.880 --> 0:40:19.840
<v Speaker 1>many experimental theaters all over New York City, Chicago, Las Angeles, Miami, Texas,

0:40:20.040 --> 0:40:23.719
<v Speaker 1>wherever they are, they're always taking putting King Lear in

0:40:23.760 --> 0:40:26.840
<v Speaker 1>a taxicab. But it just doesn't work, you know. And

0:40:26.840 --> 0:40:31.440
<v Speaker 1>and it was so funny that the writing took it

0:40:31.480 --> 0:40:34.520
<v Speaker 1>in that direction, because then we see how tragic it

0:40:34.600 --> 0:40:38.520
<v Speaker 1>can be when you take Shakespeare out of its time

0:40:38.719 --> 0:40:42.160
<v Speaker 1>and try to, you know, transport it into another era.

0:40:42.840 --> 0:40:44.719
<v Speaker 1>You know. I know for a fact that the Royal

0:40:44.800 --> 0:40:50.280
<v Speaker 1>Shakespeare Company does Gothic versions of Shakespeare because it's budget

0:40:50.320 --> 0:40:54.840
<v Speaker 1>conscious and it and and it sort of suggests, uh,

0:40:54.960 --> 0:40:58.400
<v Speaker 1>the period, so that that's all fine and good, and

0:40:58.400 --> 0:41:00.520
<v Speaker 1>you can get away with that, but when you really start,

0:41:01.040 --> 0:41:04.279
<v Speaker 1>you know, so what did we see? We saw the examples,

0:41:04.920 --> 0:41:09.759
<v Speaker 1>um of the different students groups putting on different displays,

0:41:09.800 --> 0:41:11.880
<v Speaker 1>and I think, I think, what were they? They were

0:41:11.920 --> 0:41:14.360
<v Speaker 1>zany and weird. It didn't work. One was like a

0:41:14.400 --> 0:41:19.040
<v Speaker 1>prehistoric they were caveman. And the one very insulting line

0:41:19.080 --> 0:41:21.800
<v Speaker 1>I thought. I was very offended by it. When Loyal, I,

0:41:22.160 --> 0:41:23.960
<v Speaker 1>you know, Rory came up and said, what's with all

0:41:24.000 --> 0:41:27.040
<v Speaker 1>the grunting and and and Laurel I says, well, we'll

0:41:27.040 --> 0:41:30.000
<v Speaker 1>have to get Luke to translate, and it's like, I thought, wow,

0:41:30.040 --> 0:41:35.000
<v Speaker 1>what a backhand slap, Like the character getting smacked around

0:41:35.040 --> 0:41:39.439
<v Speaker 1>and he's not there to defend himself, Like what what what?

0:41:39.480 --> 0:41:42.799
<v Speaker 1>I'm like, the monosyllabic idiot. What's going on here? It's

0:41:42.840 --> 0:41:45.920
<v Speaker 1>interesting because that's how she sees me as a caveman

0:41:45.960 --> 0:41:50.319
<v Speaker 1>who grunts. That's really interesting that you noticed that too,

0:41:50.320 --> 0:41:52.400
<v Speaker 1>because now it's coming back to me. It is a

0:41:52.400 --> 0:41:56.640
<v Speaker 1>little it's hostile, it's kind of it's condescending. In hostile,

0:41:56.760 --> 0:41:59.239
<v Speaker 1>I'm gonna open up another can of worms. I know

0:41:59.280 --> 0:42:01.720
<v Speaker 1>we're gonna get any mails about this, but I really

0:42:01.800 --> 0:42:06.719
<v Speaker 1>hit me. It really did. Was that though before you

0:42:06.760 --> 0:42:10.480
<v Speaker 1>two had sort of had your moment where you know,

0:42:10.560 --> 0:42:13.520
<v Speaker 1>maybe was she indicating that you were sort of being

0:42:13.560 --> 0:42:16.879
<v Speaker 1>mean to her? Because remember in this episode, you guys

0:42:16.880 --> 0:42:19.200
<v Speaker 1>are you're mad about the fact that she went out

0:42:19.200 --> 0:42:21.040
<v Speaker 1>with this young guy and you sort of were blowing

0:42:21.040 --> 0:42:24.080
<v Speaker 1>her off and she mentions like, hey, we were having

0:42:24.080 --> 0:42:26.640
<v Speaker 1>a real ping pong banter and then you just left.

0:42:26.920 --> 0:42:29.759
<v Speaker 1>So could it have been because you haven't had your

0:42:30.920 --> 0:42:34.759
<v Speaker 1>moment at the end where you really say yeah, I'm

0:42:34.760 --> 0:42:36.440
<v Speaker 1>here for you. Let me tell you something. Do you

0:42:36.440 --> 0:42:41.239
<v Speaker 1>know what kills a relationship or a feeling that you

0:42:41.280 --> 0:42:47.680
<v Speaker 1>have for a person faster than anything sexual jealousy. And

0:42:48.160 --> 0:42:53.080
<v Speaker 1>when a woman that you desire or or even dating

0:42:53.840 --> 0:42:56.759
<v Speaker 1>and you really like her and she starts talking about

0:42:56.920 --> 0:43:02.879
<v Speaker 1>young guys, it's over. Over. So that's what he was experiencing.

0:43:03.600 --> 0:43:05.880
<v Speaker 1>And it might not be over then and there, but

0:43:06.040 --> 0:43:08.399
<v Speaker 1>if there are any difficulties a year or two years

0:43:08.440 --> 0:43:11.960
<v Speaker 1>down the road, that guy is never going to get

0:43:11.960 --> 0:43:15.359
<v Speaker 1>that out of his head. It's gonna be she likes

0:43:15.400 --> 0:43:19.040
<v Speaker 1>young guys, so you know, that's that's the reality that

0:43:19.080 --> 0:43:21.560
<v Speaker 1>older guys are middle aged guys are gonna have to realize.

0:43:21.960 --> 0:43:24.520
<v Speaker 1>You know, he wasn't jealous, he was like irritating. You know,

0:43:24.520 --> 0:43:28.200
<v Speaker 1>if guys like young girls, don't be a hypocrite. Girls

0:43:28.200 --> 0:43:31.200
<v Speaker 1>like young guys, right, So it's like that's just the

0:43:31.200 --> 0:43:37.360
<v Speaker 1>way the world works. But if you're pining for somebody,

0:43:37.400 --> 0:43:39.560
<v Speaker 1>if you're living for somebody, man, and they mentioned a

0:43:39.560 --> 0:43:43.640
<v Speaker 1>young guy, that's it. That's bad. That's a tough one.

0:43:44.480 --> 0:43:47.520
<v Speaker 1>It didn't work out with that guy at all. You know,

0:43:47.640 --> 0:43:50.319
<v Speaker 1>she she was done with well once once Luke met

0:43:50.440 --> 0:43:53.839
<v Speaker 1>him and sold what a goofball he was was just

0:43:53.880 --> 0:43:57.920
<v Speaker 1>like now, he wasn't disturbed by it anymore. He was

0:43:58.000 --> 0:44:00.960
<v Speaker 1>just making fun of her. And I don't think he

0:44:01.640 --> 0:44:05.640
<v Speaker 1>lost respect for her. He felt like, Okay, I'm back

0:44:05.719 --> 0:44:07.319
<v Speaker 1>in the driver's seat. I feel a little more in

0:44:07.360 --> 0:44:09.920
<v Speaker 1>control now. There's nothing to worry about. This kid's like

0:44:09.960 --> 0:44:15.359
<v Speaker 1>a goofball and she's a little lost without me, right,

0:44:17.200 --> 0:44:20.919
<v Speaker 1>which I thought, you know, and I remember making a choice. Uh,

0:44:20.960 --> 0:44:22.640
<v Speaker 1>And I don't know if it was the best choice

0:44:22.680 --> 0:44:24.960
<v Speaker 1>that you could have made. But if you'll notice in

0:44:25.000 --> 0:44:27.080
<v Speaker 1>that scene when she came up at the end, one

0:44:27.080 --> 0:44:29.160
<v Speaker 1>of the last scenes in the whole thing, Yeah, this

0:44:29.200 --> 0:44:31.759
<v Speaker 1>is like the moment and she's coming up to say, hey,

0:44:31.840 --> 0:44:35.239
<v Speaker 1>you know, I still dig you and you're part of

0:44:35.239 --> 0:44:36.960
<v Speaker 1>my life and you know this kind of thing, and

0:44:38.000 --> 0:44:42.200
<v Speaker 1>she she's saying what she's not saying what she mean.

0:44:42.520 --> 0:44:44.920
<v Speaker 1>She's saying what she means without having to be direct

0:44:44.920 --> 0:44:50.560
<v Speaker 1>about it. So, um, and I'm fixing a watch. Oh okay, yeah,

0:44:50.680 --> 0:44:52.480
<v Speaker 1>I tell you, little watch screw driver. I had a

0:44:52.520 --> 0:44:55.799
<v Speaker 1>face open. I was okay, how does Luke know how

0:44:55.840 --> 0:45:00.200
<v Speaker 1>to fix a watch? Couldn't fix it? Toe us to

0:45:00.280 --> 0:45:03.040
<v Speaker 1>write exactly what is he doing, like with an intricate

0:45:03.120 --> 0:45:07.160
<v Speaker 1>piece of jewelry that is very complex? How is he

0:45:07.280 --> 0:45:13.960
<v Speaker 1>in the watch fixing a damn watch? You can't fix

0:45:14.000 --> 0:45:19.239
<v Speaker 1>it building? And so maybe the toaster was just a right,

0:45:19.360 --> 0:45:23.160
<v Speaker 1>right one complex enough right anyway. So so so this

0:45:23.239 --> 0:45:26.040
<v Speaker 1>is a choice that you make, because I remember making

0:45:26.080 --> 0:45:29.279
<v Speaker 1>this choice. And I'm not saying that this was a

0:45:29.320 --> 0:45:32.240
<v Speaker 1>genius choice. It was just a choice because they always

0:45:32.239 --> 0:45:35.359
<v Speaker 1>tell you in acting school the genius is in the choice, right,

0:45:35.480 --> 0:45:39.000
<v Speaker 1>And that's the mark of you know, an actor or

0:45:39.040 --> 0:45:41.759
<v Speaker 1>an actress. What choices are you making? Now? I I

0:45:41.800 --> 0:45:44.160
<v Speaker 1>could have been without that watch. I could have been

0:45:44.200 --> 0:45:47.719
<v Speaker 1>with many other diner like things. A watch is not

0:45:47.800 --> 0:45:51.840
<v Speaker 1>a diner like item at all. And I said to myself,

0:45:51.880 --> 0:45:55.120
<v Speaker 1>and here's here's a perfect example of somebody overthinks. Here's

0:45:55.120 --> 0:45:58.919
<v Speaker 1>a but here's a perfect example somebody overthinking something trying

0:45:58.960 --> 0:46:01.680
<v Speaker 1>to make a point that nobody got. And I don't

0:46:01.719 --> 0:46:03.480
<v Speaker 1>know if they got it or not. But Props came

0:46:03.520 --> 0:46:04.560
<v Speaker 1>to me and says, what do you want to be

0:46:04.560 --> 0:46:06.640
<v Speaker 1>doing in this scene? Because if you know, it's a

0:46:06.640 --> 0:46:10.280
<v Speaker 1>big kind of important scene. I said, And I should

0:46:10.280 --> 0:46:12.600
<v Speaker 1>have said you know, there are any number of things

0:46:12.600 --> 0:46:14.560
<v Speaker 1>I could have done that would have maybe been a

0:46:14.560 --> 0:46:18.560
<v Speaker 1>better choice than trying to fix an interestate piece of

0:46:18.640 --> 0:46:23.640
<v Speaker 1>jewelry that happened to be a watch. Um, I could

0:46:23.640 --> 0:46:26.279
<v Speaker 1>have been doing nothing. I could have been wiping. I

0:46:26.320 --> 0:46:29.280
<v Speaker 1>could have been doing the catchup bottles. I could have been,

0:46:30.040 --> 0:46:34.800
<v Speaker 1>you know, with my receipts. You know, why the watch

0:46:35.760 --> 0:46:45.839
<v Speaker 1>because I thought to myself, in my actor brain, the

0:46:45.880 --> 0:46:47.920
<v Speaker 1>best of the worst choice I think I ever made,

0:46:48.520 --> 0:46:52.239
<v Speaker 1>uh was Luke doesn't know what time it is because

0:46:52.360 --> 0:46:56.560
<v Speaker 1>watch is broken. Luke doesn't know what time it is

0:46:58.120 --> 0:47:01.400
<v Speaker 1>with Laurel I. He doesn't know what time it is

0:47:01.560 --> 0:47:05.120
<v Speaker 1>in his life with her, and he wants to fix

0:47:05.200 --> 0:47:08.799
<v Speaker 1>the watch because she if she's running around with young

0:47:08.880 --> 0:47:13.680
<v Speaker 1>guys and not having deep experiences, then what the hell

0:47:13.800 --> 0:47:16.640
<v Speaker 1>is wrong with me? I'm not mad at that I

0:47:16.680 --> 0:47:19.480
<v Speaker 1>need to fix my watch and be so I can

0:47:19.520 --> 0:47:24.480
<v Speaker 1>know what time it is. I'm not mad at much

0:47:24.560 --> 0:47:28.160
<v Speaker 1>like the door being open when they're going on the

0:47:28.239 --> 0:47:30.640
<v Speaker 1>road trip to Harvard. I'm not mad. So I thought

0:47:30.680 --> 0:47:33.239
<v Speaker 1>of it symbolically and I thought, you know, get me

0:47:33.280 --> 0:47:35.360
<v Speaker 1>a watch. I'll fix a watch because he doesn't know

0:47:35.400 --> 0:47:38.040
<v Speaker 1>what time and I didn't tell them in the prompt

0:47:38.120 --> 0:47:40.640
<v Speaker 1>parts because I looked at no time and it's that's

0:47:40.760 --> 0:47:43.680
<v Speaker 1>that's and they decided to keep it in or like

0:47:43.760 --> 0:47:46.920
<v Speaker 1>it's time for us to sort of move forward. It's

0:47:46.960 --> 0:47:50.560
<v Speaker 1>there are many different interpretations, and I thought, right, look, look,

0:47:50.680 --> 0:47:53.360
<v Speaker 1>look smokey Joe's cafe over there. She you're not on

0:47:53.400 --> 0:47:56.719
<v Speaker 1>your head, right, No, I think that it's genius. It's

0:47:56.719 --> 0:47:59.760
<v Speaker 1>not bad on a certain level. It's kind of genius.

0:48:00.440 --> 0:48:02.319
<v Speaker 1>I don't know if it altogether. And it took me

0:48:02.360 --> 0:48:04.000
<v Speaker 1>a second and then now I'm like, you know what

0:48:05.239 --> 0:48:09.640
<v Speaker 1>I'm in. And he fixed the watch, so it's like

0:48:09.800 --> 0:48:16.480
<v Speaker 1>it's time. I like it. Anyway, there you go, that's

0:48:16.520 --> 0:48:20.480
<v Speaker 1>just a fun I didn't notice the watch, but I

0:48:20.520 --> 0:48:24.800
<v Speaker 1>did notice the importance of that moment and you having

0:48:24.840 --> 0:48:29.000
<v Speaker 1>sort of that last line of like me too, and

0:48:29.040 --> 0:48:32.319
<v Speaker 1>then it kind of we fade out. Well, you know,

0:48:32.480 --> 0:48:36.120
<v Speaker 1>I he became very relaxed, and he's smiling and looking

0:48:36.160 --> 0:48:39.520
<v Speaker 1>down and being a little bit shy. Um. He was

0:48:39.560 --> 0:48:43.759
<v Speaker 1>in love again because he fell out of love. I

0:48:43.800 --> 0:48:45.239
<v Speaker 1>don't know if he don't. I don't know if he

0:48:45.480 --> 0:48:48.319
<v Speaker 1>fully fell out of love. But it was like, is

0:48:48.360 --> 0:48:51.400
<v Speaker 1>this girl just ridiculous and like, am I just know what?

0:48:51.600 --> 0:48:55.279
<v Speaker 1>Like he was confused for that episode? He was, he

0:48:55.280 --> 0:48:57.920
<v Speaker 1>was truly, Yeah, I think you're right. In the end,

0:48:57.960 --> 0:49:00.759
<v Speaker 1>he was very calm and just relaxed. Yeah, I think

0:49:00.800 --> 0:49:02.759
<v Speaker 1>I think his ego took a hit and he sort

0:49:02.760 --> 0:49:06.520
<v Speaker 1>of came back. You know, guys, guys can be delicate creatures.

0:49:06.800 --> 0:49:12.399
<v Speaker 1>You know. You know that, right? Oh, I know, right?

0:49:13.239 --> 0:49:17.439
<v Speaker 1>The rule book? Yeah. Um, but anyway, so I thought

0:49:17.480 --> 0:49:21.920
<v Speaker 1>the different interpretations of Shakespeare was funny. So am I

0:49:22.000 --> 0:49:27.879
<v Speaker 1>an idiot? Or was Rory and Paris's version the real version? Uh? Yeah?

0:49:27.880 --> 0:49:31.680
<v Speaker 1>They Harris insisted that it not be taken out of

0:49:31.920 --> 0:49:36.360
<v Speaker 1>context and not be taken out of its time period. Yeah. So,

0:49:37.440 --> 0:49:39.560
<v Speaker 1>and it was really truly one of the worst acting

0:49:39.600 --> 0:49:43.960
<v Speaker 1>performances of Romeo that you could possibly see. Is it

0:49:44.080 --> 0:49:48.680
<v Speaker 1>hard to be a good actor within a scene acting badly?

0:49:49.360 --> 0:49:52.080
<v Speaker 1>That's that's very difficult. Yeah. So what they did was

0:49:52.120 --> 0:49:54.839
<v Speaker 1>actually hard. Yeah, it's really hard. It's really hard and

0:49:54.880 --> 0:49:57.279
<v Speaker 1>to be funny at the same time. So it's like

0:49:57.840 --> 0:50:00.320
<v Speaker 1>it's like you're you have to please so many odds

0:50:00.800 --> 0:50:03.680
<v Speaker 1>in that regard the acting. Guy, It's it's very demanding

0:50:04.320 --> 0:50:06.840
<v Speaker 1>and so ironic because all of you know, back in

0:50:06.880 --> 0:50:10.359
<v Speaker 1>the time of the Globe Theater, all of the uh

0:50:11.480 --> 0:50:14.239
<v Speaker 1>cast was was men. There were no women, even men,

0:50:14.520 --> 0:50:16.520
<v Speaker 1>even men played the women. So this is a little

0:50:16.560 --> 0:50:20.480
<v Speaker 1>twist on that. So um, yeah, I thought it was.

0:50:20.560 --> 0:50:23.800
<v Speaker 1>It was hysterically funny. What was the other in business suits?

0:50:23.800 --> 0:50:28.160
<v Speaker 1>With Wall Street guys stabbing each other? Right, wasn't there

0:50:28.200 --> 0:50:30.680
<v Speaker 1>something in outer space so quick and subtle that you're

0:50:30.719 --> 0:50:34.319
<v Speaker 1>like even catching this because they always have so much

0:50:34.320 --> 0:50:37.279
<v Speaker 1>else going on, so that you're like, huh wait, what,

0:50:37.560 --> 0:50:40.360
<v Speaker 1>Like there's so much so let's talk about Dean a

0:50:40.400 --> 0:50:44.840
<v Speaker 1>little bit um the Dean Tristan stuff, And I just think,

0:50:45.920 --> 0:50:49.080
<v Speaker 1>oh my god, I mean, it just shows how wayward

0:50:50.640 --> 0:50:57.960
<v Speaker 1>a son Tristan became really to get so grossly so gross,

0:50:58.040 --> 0:51:03.880
<v Speaker 1>But it was fun. See, I didn't mind being witnessing

0:51:03.920 --> 0:51:07.359
<v Speaker 1>that scene. Yes, it's gross, it's disgusting behavior. Is this

0:51:07.480 --> 0:51:12.399
<v Speaker 1>fullower the bust flower And you're just like, oh dude,

0:51:13.200 --> 0:51:15.000
<v Speaker 1>And he even says it Deans like, why have to

0:51:15.040 --> 0:51:17.400
<v Speaker 1>be such a jerk? But it's it's just like jerk

0:51:17.560 --> 0:51:21.120
<v Speaker 1>is the right word. But it's like, is that type

0:51:21.120 --> 0:51:25.239
<v Speaker 1>of evil so much more appealing when it's so relaxed

0:51:25.960 --> 0:51:29.520
<v Speaker 1>and so at ease with itself and so accepting of itself.

0:51:30.560 --> 0:51:35.400
<v Speaker 1>Comfortable right right right, and uh he actually did what

0:51:35.480 --> 0:51:38.520
<v Speaker 1>he had one of the great lines, Hey, you know Roy,

0:51:38.640 --> 0:51:41.399
<v Speaker 1>the I don't know, stockboy, there might be a running beans,

0:51:41.400 --> 0:51:44.400
<v Speaker 1>he might not make it. And it was all like

0:51:44.960 --> 0:51:49.720
<v Speaker 1>it was looking down his nose at the working man, right.

0:51:50.000 --> 0:51:53.600
<v Speaker 1>I mean, it's like so it really the episode itself

0:51:54.400 --> 0:51:59.239
<v Speaker 1>was very Shakespearean, and that the and and that the uh,

0:51:59.280 --> 0:52:03.160
<v Speaker 1>the classes were it was a little class war going on, right,

0:52:04.880 --> 0:52:07.920
<v Speaker 1>conflict between the classes. So it was quite brilliant. I

0:52:07.960 --> 0:52:10.640
<v Speaker 1>thought one of my absolutely these last two episodes, I

0:52:10.680 --> 0:52:12.719
<v Speaker 1>think just hit it out of the park, two of

0:52:12.719 --> 0:52:15.880
<v Speaker 1>my favorites. Uh had so much fun watching both of

0:52:15.920 --> 0:52:19.200
<v Speaker 1>them and laughing, laughing, laughing. You know, I'm softening a

0:52:19.239 --> 0:52:21.880
<v Speaker 1>little bit on Paris, I'm going to admit, but that,

0:52:22.120 --> 0:52:26.560
<v Speaker 1>you know, her reintroduction right away, interrupting Henry and Rory

0:52:26.640 --> 0:52:29.680
<v Speaker 1>in that way so aggressively and so nasty. It's just like,

0:52:29.800 --> 0:52:34.640
<v Speaker 1>go away. It's not funny. It's like it's like it's cartoonish,

0:52:34.640 --> 0:52:38.040
<v Speaker 1>and that you expect her to do this and be

0:52:38.160 --> 0:52:40.640
<v Speaker 1>way over the top with it, and it's like, I

0:52:40.680 --> 0:52:43.840
<v Speaker 1>just wish it was a little more clever and didn't

0:52:43.840 --> 0:52:47.719
<v Speaker 1>take as long. There's like too much verbage. It's like,

0:52:47.800 --> 0:52:51.440
<v Speaker 1>we know she's gonna be this way, like let's present

0:52:51.520 --> 0:52:54.880
<v Speaker 1>her like you know, it's too much of her almost,

0:52:54.920 --> 0:52:58.920
<v Speaker 1>it's like it's it's enough. So I feel it's how

0:52:58.960 --> 0:53:03.200
<v Speaker 1>I feel what I like this episode. And I think

0:53:03.200 --> 0:53:06.840
<v Speaker 1>that it also had that important moment between Luke and

0:53:06.880 --> 0:53:08.880
<v Speaker 1>Laura a lot. So that's the other thing. It's like

0:53:08.920 --> 0:53:17.320
<v Speaker 1>there's always this sort of significant, subtle, important moment, even

0:53:17.400 --> 0:53:19.279
<v Speaker 1>between all the antics and the young guy and the

0:53:19.280 --> 0:53:22.760
<v Speaker 1>burrito and the Romeo and Juliet, and then you're like, wow,

0:53:23.960 --> 0:53:25.880
<v Speaker 1>there is But in terms okay, here's a question that

0:53:25.920 --> 0:53:27.680
<v Speaker 1>popped in my head when I'm watching this episode in

0:53:27.800 --> 0:53:31.960
<v Speaker 1>terms of what she needs, and Lord knows, that could

0:53:31.960 --> 0:53:35.480
<v Speaker 1>be any number of things. Right, is he right for her?

0:53:36.760 --> 0:53:41.239
<v Speaker 1>Can can he handle her? Because she is a you know,

0:53:41.400 --> 0:53:46.320
<v Speaker 1>she's a dynamo, she's a uh you know, she's intellectual,

0:53:46.640 --> 0:53:51.440
<v Speaker 1>she is loose, she is you know, she's a lot

0:53:54.239 --> 0:53:56.680
<v Speaker 1>that is a that is a that is a lot

0:53:56.760 --> 0:53:59.719
<v Speaker 1>of woman there, you know, and that's a lot of

0:53:59.719 --> 0:54:02.759
<v Speaker 1>person sonality and that's a lot of fun. She is,

0:54:03.440 --> 0:54:08.200
<v Speaker 1>you know, she's a really interesting woman, and um, can

0:54:08.239 --> 0:54:11.359
<v Speaker 1>he handle that? Do you think he can handle that?

0:54:12.200 --> 0:54:14.040
<v Speaker 1>And I think that's one of the questions they want

0:54:14.080 --> 0:54:16.560
<v Speaker 1>us to ask when we're watching that are these two

0:54:16.600 --> 0:54:23.400
<v Speaker 1>going to be able to melds? You know? Well, I

0:54:23.400 --> 0:54:30.680
<v Speaker 1>guess we'll say yeah, all right, let's dig in there.

0:54:30.760 --> 0:54:33.839
<v Speaker 1>Those episodes riddled with pop culture. So the first one,

0:54:33.920 --> 0:54:36.040
<v Speaker 1>we have Suki and Roy try to convince Laura to

0:54:36.080 --> 0:54:38.600
<v Speaker 1>keep the ice cream maker, and Suki says, it's true.

0:54:38.680 --> 0:54:42.359
<v Speaker 1>I saw on Martha Stewart, Martha Stewart's American retail businesswoman, writer,

0:54:42.400 --> 0:54:45.360
<v Speaker 1>and television personality. She was named one of People Magazine's

0:54:45.440 --> 0:54:49.239
<v Speaker 1>fifty most Beautiful people in the World. And Martha did

0:54:49.280 --> 0:54:51.880
<v Speaker 1>five months in prison, which we all know. Martha was

0:54:51.920 --> 0:54:54.360
<v Speaker 1>asked what she missed most, and she said the flavor

0:54:54.400 --> 0:54:58.600
<v Speaker 1>of women. Wow. Next we have the children Teacher gives

0:54:58.680 --> 0:55:01.759
<v Speaker 1>examples on the past Shakespeare plays, which we've talked about

0:55:02.239 --> 0:55:04.880
<v Speaker 1>teachers as in my favorite. The climactic last scene was

0:55:04.880 --> 0:55:07.200
<v Speaker 1>set during the final days of the Sunny and Share show.

0:55:07.719 --> 0:55:11.520
<v Speaker 1>Sunny and Share started in the quintessentially seventies TV comedy

0:55:11.600 --> 0:55:15.040
<v Speaker 1>variety show, Sonny and Shares hit songs featured prominently on

0:55:15.080 --> 0:55:17.480
<v Speaker 1>the show, and they would often sing and perform them

0:55:17.520 --> 0:55:21.759
<v Speaker 1>both during in between skits about the monkeys. You're talking

0:55:21.760 --> 0:55:27.759
<v Speaker 1>about the monkeys. Oh sorry, sorry, there isn't monkeys where

0:55:27.800 --> 0:55:41.080
<v Speaker 1>there is coming there is. Hey, sorry, well the monkeys

0:55:41.880 --> 0:55:48.280
<v Speaker 1>talking about the monkeys. One of the most davious Sunny

0:55:48.360 --> 0:55:51.680
<v Speaker 1>and Share songs is I Got You Babe and on Janua,

0:55:52.880 --> 0:55:55.759
<v Speaker 1>Sonny was was sadly killed at a skiing accident while

0:55:55.800 --> 0:55:59.040
<v Speaker 1>on vacation with his family in South like Tahoe. Oh yeah,

0:55:59.320 --> 0:56:02.160
<v Speaker 1>that was like was awful. Yeah, this was awful. I

0:56:02.160 --> 0:56:04.319
<v Speaker 1>thought it was as I didn't remember it being taho Yeah,

0:56:04.320 --> 0:56:06.400
<v Speaker 1>I kind of remember being Askeden too. But one of

0:56:06.440 --> 0:56:09.000
<v Speaker 1>the Kennedys was killed playing football. He skame backwards into

0:56:09.000 --> 0:56:11.560
<v Speaker 1>a tree. Yes, I was awful too. Yeah, that was

0:56:11.600 --> 0:56:24.919
<v Speaker 1>Aspencirfule out there skiing. It's dangerous. Yeah. Next Michael Nesmith died.

0:56:25.200 --> 0:56:27.720
<v Speaker 1>Maybe should skip to the most was the brains behind

0:56:27.760 --> 0:56:30.799
<v Speaker 1>the whole thing. He was the songwriter. Funny scene when

0:56:30.800 --> 0:56:33.520
<v Speaker 1>they did the monkeys like I think one of the

0:56:33.560 --> 0:56:35.960
<v Speaker 1>girls says hey, and then Rory says he and then

0:56:35.960 --> 0:56:44.400
<v Speaker 1>the other girl were the Monkeys, Monkey luisas were the Monkeys,

0:56:41.760 --> 0:56:49.239
<v Speaker 1>the only one one left. Yeah. The Monkeys was the

0:56:49.280 --> 0:56:54.360
<v Speaker 1>seventies television show about a group of struggling musicians included

0:56:55.640 --> 0:56:59.320
<v Speaker 1>I was obsessed last train to Clarksville and I watched

0:56:59.360 --> 0:57:04.560
<v Speaker 1>that they actually outsold the Beatles and the Rolling Stones

0:57:04.600 --> 0:57:07.080
<v Speaker 1>in nineteen sixty seven. And when the Monkeys came to

0:57:07.120 --> 0:57:09.759
<v Speaker 1>England in nineteen sixty seven, the Beatles even threw them

0:57:09.800 --> 0:57:14.000
<v Speaker 1>a big party at the Speakeasy Club. And as we've mentioned, sadly,

0:57:14.080 --> 0:57:17.479
<v Speaker 1>Mickey de Lenz is the only living remaining member. Yeah,

0:57:17.800 --> 0:57:22.000
<v Speaker 1>Michael Nesmith just passed away and he was touring a

0:57:22.040 --> 0:57:26.080
<v Speaker 1>couple of weeks before that at the Greek Theater was

0:57:26.120 --> 0:57:31.080
<v Speaker 1>their final one and like mid November, I know, right,

0:57:31.360 --> 0:57:33.000
<v Speaker 1>and like one more show they were going to do

0:57:33.600 --> 0:57:41.000
<v Speaker 1>a man, I know, so very sad. So going on

0:57:41.040 --> 0:57:43.160
<v Speaker 1>to Paul, Paul and Laura la are talking together and

0:57:43.200 --> 0:57:45.560
<v Speaker 1>Paul gives his theory about being raised by machines in

0:57:45.600 --> 0:57:48.280
<v Speaker 1>the future. Paul says, the Twilight Zone marathon was on

0:57:48.320 --> 0:57:51.360
<v Speaker 1>all week. So The Twilight Zone is American media franchise

0:57:51.360 --> 0:57:55.160
<v Speaker 1>based on the television series created by Rod Serling. Actor

0:57:55.240 --> 0:57:57.760
<v Speaker 1>Leonardo DiCaprio is planning on making a new film with

0:57:57.800 --> 0:57:59.960
<v Speaker 1>Warner Brothers setting The Twilight Zone is one of his

0:58:00.080 --> 0:58:04.960
<v Speaker 1>favorite TV series. Totally in on that, Leo, Le, I

0:58:05.000 --> 0:58:08.800
<v Speaker 1>love the Twilight Zone. That was fantastic. When the Sterling

0:58:08.840 --> 0:58:10.840
<v Speaker 1>went to bed each night, he'd leave his tape recorder

0:58:10.880 --> 0:58:13.160
<v Speaker 1>sitting on his nightstand in case he needed to record

0:58:13.200 --> 0:58:15.680
<v Speaker 1>the dreams he had the night before. All of his dreams,

0:58:15.720 --> 0:58:18.360
<v Speaker 1>both good and bad, ended up inspiring countless episodes of

0:58:18.440 --> 0:58:22.400
<v Speaker 1>The Twilight Zone. Suki makes Michelle promise not to count

0:58:22.400 --> 0:58:25.200
<v Speaker 1>the blueberries in a second. You know what, I got

0:58:25.200 --> 0:58:27.640
<v Speaker 1>a comment? You did? We we talked about the Beatles

0:58:27.640 --> 0:58:29.520
<v Speaker 1>a little bit, The Beetles from a party to speak

0:58:29.560 --> 0:58:33.200
<v Speaker 1>easy rate, the Monkeys, the beatlestrom Party, the Beatles. Some

0:58:33.360 --> 0:58:35.880
<v Speaker 1>bone head just wrote an article in the Washington Post

0:58:36.520 --> 0:58:39.760
<v Speaker 1>about the Beatles and how he's talking about how overrated

0:58:39.800 --> 0:58:43.800
<v Speaker 1>they are. I'm not kidding, I am not kidding. I

0:58:43.840 --> 0:58:47.840
<v Speaker 1>was so incensed. I was so incensed that I actually

0:58:48.320 --> 0:58:51.440
<v Speaker 1>posted a comment on my social media. I don't think

0:58:51.440 --> 0:58:53.440
<v Speaker 1>I said bone head. I would never I would never

0:58:53.560 --> 0:58:57.160
<v Speaker 1>use my platform and and lamb base. Somebody in that great.

0:58:57.160 --> 0:58:59.240
<v Speaker 1>But this guy, I mean, what in the world is

0:58:59.280 --> 0:59:02.600
<v Speaker 1>he thinking about the Beatles? We're talking about the Beatles? Oh?

0:59:02.680 --> 0:59:04.840
<v Speaker 1>He was, he was, he was criticized. He was critiquing

0:59:04.920 --> 0:59:09.360
<v Speaker 1>the Peter Jackson HBO thing behind the scenes writing all

0:59:09.400 --> 0:59:11.600
<v Speaker 1>these songs they were writing to let it be album,

0:59:11.920 --> 0:59:15.320
<v Speaker 1>and this guy that documentary. No, but I've watched pieces

0:59:15.400 --> 0:59:17.600
<v Speaker 1>of it online and brilliant. I think you'll like it.

0:59:17.680 --> 0:59:22.120
<v Speaker 1>And I gotta tell you, you know big, you know

0:59:22.160 --> 0:59:25.360
<v Speaker 1>I've already stated on this podcast the big, biggest moment

0:59:25.360 --> 0:59:28.520
<v Speaker 1>of my my whole career is have I stated at

0:59:28.560 --> 0:59:31.600
<v Speaker 1>this or did I just tell you Amy? I think

0:59:31.600 --> 0:59:33.400
<v Speaker 1>you just told me. Oh, I'm not going to reveal this.

0:59:34.640 --> 0:59:38.520
<v Speaker 1>Should I reveal it? Yes? Like, oh my god, it

0:59:38.640 --> 0:59:42.400
<v Speaker 1>made it. It was so. I was sitting here one

0:59:42.480 --> 0:59:44.760
<v Speaker 1>night and when when you when you when you guys

0:59:44.800 --> 0:59:49.560
<v Speaker 1>dropped the episodes. I listened to them, but I really

0:59:49.600 --> 0:59:53.120
<v Speaker 1>like to listen to the ads, which I love. The

0:59:53.160 --> 0:59:55.440
<v Speaker 1>ads I kind of fast forward to because I've already

0:59:55.480 --> 0:59:57.000
<v Speaker 1>heard the interviews and I heard what you guys do

0:59:57.040 --> 0:59:59.200
<v Speaker 1>with them, and it's all great, and you know when

0:59:59.240 --> 1:00:01.000
<v Speaker 1>you incorporate my notes and I love that, and I

1:00:01.040 --> 1:00:06.440
<v Speaker 1>appreciate that. Um and uh. But then the ads come on,

1:00:06.720 --> 1:00:11.160
<v Speaker 1>right and I'm thinking, wow, this is really cool and

1:00:11.200 --> 1:00:15.760
<v Speaker 1>it's just having your own show. And then hearing these ads,

1:00:15.840 --> 1:00:20.720
<v Speaker 1>and then the Beatles came on and it was I Me, Me,

1:00:20.920 --> 1:00:24.240
<v Speaker 1>mind Dad an and and then and then the most expensive,

1:00:24.280 --> 1:00:27.880
<v Speaker 1>the most famous voiceover artist in the history of voiceover

1:00:27.920 --> 1:00:31.800
<v Speaker 1>commercial voiceovers is doing the voiceover for the Peter Jackson

1:00:31.920 --> 1:00:35.040
<v Speaker 1>HBO behind the scenes, let It Writing, Let it be

1:00:35.920 --> 1:00:39.440
<v Speaker 1>with the Beatles, and I just I just had this

1:00:39.560 --> 1:00:41.920
<v Speaker 1>moment and I started to tear up, and I just

1:00:42.560 --> 1:00:46.040
<v Speaker 1>I couldn't believe it. I couldn't believe it. And it

1:00:46.120 --> 1:00:47.920
<v Speaker 1>was of all the great things that have happened to

1:00:47.920 --> 1:00:51.360
<v Speaker 1>me in this business, that was the big moment. That

1:00:51.440 --> 1:00:53.320
<v Speaker 1>was the big and I did And I didn't tell

1:00:53.360 --> 1:00:57.880
<v Speaker 1>you this because I remember, Yeah, I used to sit

1:00:57.920 --> 1:01:00.920
<v Speaker 1>in my sister's room and used to listen to this

1:01:01.000 --> 1:01:09.880
<v Speaker 1>album and she passed away. Mm hmm, okay, not to

1:01:09.920 --> 1:01:13.800
<v Speaker 1>be a town. But I just, mistress, I kept listening

1:01:13.800 --> 1:01:17.120
<v Speaker 1>to the ad on the show, and I kept thinking

1:01:17.120 --> 1:01:20.280
<v Speaker 1>of my sister, and you know, my wife came in

1:01:20.320 --> 1:01:22.160
<v Speaker 1>and comforted me, and it was just it was just

1:01:22.400 --> 1:01:24.120
<v Speaker 1>but this show means so much to me and I

1:01:24.120 --> 1:01:26.960
<v Speaker 1>thank you guys. I really really want to thank you guys.

1:01:26.960 --> 1:01:29.000
<v Speaker 1>And I called Amir and I shared this with her

1:01:29.000 --> 1:01:31.960
<v Speaker 1>because it was a big moment in my life. Um,

1:01:32.000 --> 1:01:34.320
<v Speaker 1>because I grew up just loving the Beatles so much,

1:01:34.360 --> 1:01:37.000
<v Speaker 1>and I know everybody, everybody from my generation and even

1:01:37.000 --> 1:01:40.280
<v Speaker 1>the new generation discovering and this guy wrote an article,

1:01:41.280 --> 1:01:45.520
<v Speaker 1>you know, uh, criticizing as that they're overrated. And I

1:01:45.680 --> 1:01:48.080
<v Speaker 1>just want to say to this guy, if you're listening,

1:01:48.160 --> 1:01:51.560
<v Speaker 1>you don't have any idea what it takes to write

1:01:51.560 --> 1:01:57.520
<v Speaker 1>a song or how brilliant Paul McCartney, George Harrison, John

1:01:57.600 --> 1:02:00.440
<v Speaker 1>Lennon and Ringo star are as a group and the

1:02:00.480 --> 1:02:04.480
<v Speaker 1>way they created those songs. It was absolutely captivating to

1:02:04.520 --> 1:02:06.200
<v Speaker 1>watch the little bit that I watched, and I will

1:02:06.240 --> 1:02:09.560
<v Speaker 1>watch the whole thing, but wow, wow, Well, can I

1:02:09.600 --> 1:02:11.600
<v Speaker 1>just say how grateful we are to have you, That

1:02:11.640 --> 1:02:14.520
<v Speaker 1>we have a you guys like and I don't, I

1:02:14.560 --> 1:02:16.680
<v Speaker 1>don't mean to like, but we have a guy who

1:02:16.720 --> 1:02:19.320
<v Speaker 1>cares so much about this show that he's doing for

1:02:19.360 --> 1:02:24.120
<v Speaker 1>you all that he enjoys the commercials. Think about that

1:02:24.160 --> 1:02:27.600
<v Speaker 1>when you guys are listening, like Scott the show and

1:02:27.640 --> 1:02:30.200
<v Speaker 1>what he's doing. So it's just like, oh my, it's

1:02:30.200 --> 1:02:32.720
<v Speaker 1>a reflection of the fan base, right and it's like,

1:02:33.280 --> 1:02:36.120
<v Speaker 1>you know, we can't do this without them, and they're

1:02:36.280 --> 1:02:39.720
<v Speaker 1>loving this for the most part. You know, there's a

1:02:39.760 --> 1:02:43.840
<v Speaker 1>couple of we can take we can take this the arrows,

1:02:43.840 --> 1:02:48.000
<v Speaker 1>like when they say this show was of arrows of

1:02:48.080 --> 1:02:53.440
<v Speaker 1>outrageous fortune, you know, Jesus, those are there's some arrows

1:02:53.480 --> 1:02:55.720
<v Speaker 1>coming at us, but it's we can take it. Uh.

1:02:56.480 --> 1:02:58.440
<v Speaker 1>But anyway, I just wanted to Shay that I didn't

1:02:58.440 --> 1:03:00.600
<v Speaker 1>know that I was going to share that. I'm so

1:03:00.680 --> 1:03:03.480
<v Speaker 1>glad you did because I didn't say anything because I

1:03:03.560 --> 1:03:05.760
<v Speaker 1>just knew it was like a important moment for you.

1:03:05.800 --> 1:03:08.800
<v Speaker 1>But I'm so glad anyway, to the Washington Post writer,

1:03:11.040 --> 1:03:15.520
<v Speaker 1>up your bippy, there you go. I knew Riley. Listening

1:03:15.560 --> 1:03:19.040
<v Speaker 1>to Riley, this seems like the perfect moment to talk

1:03:19.080 --> 1:03:22.520
<v Speaker 1>about Pamela and Tommy Lee. Okay, if I've ever known

1:03:22.560 --> 1:03:31.640
<v Speaker 1>a moment that seemed perfect. So Laureliza sell it on

1:03:31.680 --> 1:03:34.000
<v Speaker 1>the internet. Make a fortune. First, we bought you Pamela

1:03:34.000 --> 1:03:36.440
<v Speaker 1>and Tomi Lane. Now we prepare yourself for the crazy

1:03:36.480 --> 1:03:39.600
<v Speaker 1>antics of Rory and the Bard Pamela Anderson as a

1:03:39.720 --> 1:03:44.160
<v Speaker 1>Canadian American actress, model, producer, author, activist, and former show girl,

1:03:44.440 --> 1:03:46.880
<v Speaker 1>known for the roles on the television series Home Improvement,

1:03:46.880 --> 1:03:49.640
<v Speaker 1>Baywatch and v I P. For a time, UM, she

1:03:49.760 --> 1:03:53.280
<v Speaker 1>was known as Pamela Anderson, Pamela Anderson Lee, or Pamela

1:03:53.360 --> 1:03:56.800
<v Speaker 1>Lee after marrying Motley Crue drummer Tommy Lee. The first

1:03:56.840 --> 1:04:00.200
<v Speaker 1>time they met in Pameless says, he came up and

1:04:00.240 --> 1:04:04.640
<v Speaker 1>grabbed me and licked my face for me. That's the

1:04:04.760 --> 1:04:08.520
<v Speaker 1>guy for me, mom, Dad, I found him and they

1:04:08.560 --> 1:04:16.160
<v Speaker 1>are known to have very tumultual tumultualists tumultuous, tumultuous roller

1:04:16.160 --> 1:04:20.480
<v Speaker 1>coaster of a relationship. Thank you. And the reference here

1:04:20.560 --> 1:04:23.400
<v Speaker 1>was kind of racy because it was referring to their

1:04:23.800 --> 1:04:27.480
<v Speaker 1>infamous video I won't say more. You gotta keep it

1:04:27.520 --> 1:04:32.280
<v Speaker 1>clean here listening, um. Next, we have Laura Lee tells

1:04:32.360 --> 1:04:34.840
<v Speaker 1>Rory about the date and that that he's an outdoorsy guy.

1:04:34.920 --> 1:04:37.479
<v Speaker 1>Laura I says, plus, he's outdoorsy and remember that Meryl

1:04:37.520 --> 1:04:39.880
<v Speaker 1>Streep movie where she and her family take a rafting

1:04:39.920 --> 1:04:42.520
<v Speaker 1>trip to the Then psycho Kevin Bacon forces them to

1:04:42.520 --> 1:04:46.280
<v Speaker 1>take him down the river. The river Wild is American

1:04:46.320 --> 1:04:50.400
<v Speaker 1>adventure film um starring Meryl Streep, Kevin Bacon, John c Riley,

1:04:50.480 --> 1:04:54.240
<v Speaker 1>Benjamin Bratt, and Joseph Mazzello. One day on set, exhausted,

1:04:54.240 --> 1:04:56.760
<v Speaker 1>Meryl Streeps was swept off her raft and it was

1:04:56.800 --> 1:04:59.840
<v Speaker 1>in danger of drowning before she was rescued. And Kevin

1:05:00.000 --> 1:05:02.320
<v Speaker 1>it can start in a movie seven years earlier called

1:05:02.360 --> 1:05:05.439
<v Speaker 1>Whitewater Summer, in which he also played a villainous character

1:05:05.480 --> 1:05:09.120
<v Speaker 1>in a movie dealt with whitewater rafting. Weird, But I

1:05:09.160 --> 1:05:10.680
<v Speaker 1>did like The River Wild. I think it's kind of

1:05:10.680 --> 1:05:12.920
<v Speaker 1>like a good bad mon. Kevin Bacon didn't scare me

1:05:12.960 --> 1:05:17.040
<v Speaker 1>in that film. He was scarier in hollow Man. But

1:05:17.320 --> 1:05:19.680
<v Speaker 1>we don't need to talk about but that character. That

1:05:19.760 --> 1:05:25.360
<v Speaker 1>character has to scare you. He looked like he was rough. Yeah,

1:05:25.560 --> 1:05:27.600
<v Speaker 1>I didn't think he didn't scare me. And he's a

1:05:27.720 --> 1:05:30.600
<v Speaker 1>terrific actor. I mean, he really truly is. But I

1:05:30.680 --> 1:05:32.680
<v Speaker 1>just did not think he was right for that role.

1:05:32.760 --> 1:05:34.680
<v Speaker 1>That's my opinion. I was up for that film. I

1:05:34.760 --> 1:05:39.760
<v Speaker 1>was not pleased. I was very close to working with Street.

1:05:40.240 --> 1:05:44.240
<v Speaker 1>Damn it so sorry. It's a good movie. I didn't

1:05:44.240 --> 1:05:50.000
<v Speaker 1>think he was right for the part. I don't last

1:05:50.040 --> 1:05:51.720
<v Speaker 1>one we have on the list. Laura La tries to

1:05:51.760 --> 1:05:53.440
<v Speaker 1>cheer up Rory and says we will take her for

1:05:53.480 --> 1:05:55.720
<v Speaker 1>U some retail therapy. Laura Lice as I mean it.

1:05:55.840 --> 1:05:57.920
<v Speaker 1>Today's to day. We're finally going to Spring for the

1:05:57.920 --> 1:06:01.000
<v Speaker 1>power puff Girls shot Glasses The power up Puff Girls

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<v Speaker 1>in American superhero animated television series for the Cartoon Network.

1:06:05.160 --> 1:06:08.800
<v Speaker 1>George Jetson of the Jetsons in two occasionally appears in

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<v Speaker 1>the background flying in his space car as Blossom, Bubbles,

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<v Speaker 1>and Buttercup are in a flight to a rescue. They

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<v Speaker 1>were originally known as the Wood Bass Girls, and the

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<v Speaker 1>series premiere in Monkey See Doggie Do Mommy Frist was

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<v Speaker 1>the highest rated debut in Cartoon Network history, and originally

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<v Speaker 1>filming for Powerpuff Girls began in Spring for a reboot,

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<v Speaker 1>but since the pilot is now being reworked, we're expected

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<v Speaker 1>to see it sometime in two at the earliest. And

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<v Speaker 1>that's your pop. Thank you, You're welcome. That was that

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<v Speaker 1>was riveting. The voice that you're using, the voice that

1:06:48.280 --> 1:06:52.760
<v Speaker 1>you possess. Now, if you could bottle that, I'll do

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<v Speaker 1>some lines and then maybe like record them and replay them.

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<v Speaker 1>I think you should actually, honestly, the time you got

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<v Speaker 1>to capture it. Now, you know, I gotta make some

1:07:04.720 --> 1:07:08.360
<v Speaker 1>cold You gotta do it. You gotta do it. Just

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<v Speaker 1>just like take a day. Just take the day and

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<v Speaker 1>come up with it. Yeah, you might want to record

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<v Speaker 1>this is Ryley and this is your book. Yes, yes,

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<v Speaker 1>it's a great impression. Just have just had fun with

1:07:19.040 --> 1:07:20.720
<v Speaker 1>it and then send it off the east and you

1:07:20.720 --> 1:07:23.600
<v Speaker 1>know that that Mad Scientists is gonna be pulling some drinks.

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<v Speaker 1>Episode is next week. I think we have one more week,

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<v Speaker 1>one more episode before you leave on Christmas vacation. We'll

1:07:30.240 --> 1:07:32.360
<v Speaker 1>be gone for one week. Don't worry, it's gone one week.

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<v Speaker 1>I think we have one more so any minute, so peop,

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<v Speaker 1>we're trying to squeeze in one more before Santa comes.

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<v Speaker 1>So we got the Bracebridge Dinner. That's episode ten right,

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<v Speaker 1>season two, big episode. Um, I think we're good, guys.

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<v Speaker 1>Do we have any fun? That's the problem with you guys.

1:07:51.840 --> 1:07:53.440
<v Speaker 1>I don't. I never have any fun with you guys.

1:07:53.440 --> 1:07:54.880
<v Speaker 1>That's the problem. We're gonna have to work on that.

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<v Speaker 1>Let's work on that and then we'll come back and

1:07:57.640 --> 1:08:03.760
<v Speaker 1>we'll have more fun. I head of blast, I missed this.

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<v Speaker 1>My god, we haven't gotten together in a couple of days.

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<v Speaker 1>We were dropping like an episode a day. We're two

1:08:08.560 --> 1:08:15.160
<v Speaker 1>episodes a day, just carpet bombing everybody. Here's twenty episodes.

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<v Speaker 1>Go ahead, we haven't seen you in really, you know,

1:08:20.960 --> 1:08:26.040
<v Speaker 1>it's like, wait a minute, Dad, now, mom, Now, we're

1:08:26.040 --> 1:08:28.519
<v Speaker 1>a little light. We're listening to They just went, hang on,

1:08:28.560 --> 1:08:30.719
<v Speaker 1>we're not gonna make it. They just dropped another episode.

1:08:30.800 --> 1:08:33.960
<v Speaker 1>Anyone that listens to this podcast, because most interestingly about podcast,

1:08:34.040 --> 1:08:36.200
<v Speaker 1>people don't listen to the very last minute, but anyone

1:08:36.280 --> 1:08:38.880
<v Speaker 1>that does always gets a real treat because we get

1:08:38.920 --> 1:08:42.600
<v Speaker 1>real nutty. Yeah, it's it's it's really a tradition in

1:08:42.640 --> 1:08:47.240
<v Speaker 1>our world. It's like because we're so focused and then

1:08:47.240 --> 1:08:49.720
<v Speaker 1>it just comes apart. That's that's what we how we

1:08:49.800 --> 1:08:53.840
<v Speaker 1>like to do it. Um Anyway, next week, were like

1:08:53.880 --> 1:08:56.559
<v Speaker 1>in two days. Yeah, yeah, we'll see. We've seen a

1:08:56.560 --> 1:08:58.320
<v Speaker 1>couple of days. We're going to do another one in

1:08:58.360 --> 1:09:01.959
<v Speaker 1>a couple of days. Oh right, we are very excited.

1:09:02.160 --> 1:09:08.600
<v Speaker 1>All right, anyway, gang, that's gonna do it for Uh,

1:09:08.920 --> 1:09:10.080
<v Speaker 1>let me try that again. What's the name of the

1:09:10.120 --> 1:09:13.240
<v Speaker 1>episode again? Runaway little bit? Alright, Gang that's gonna do

1:09:13.280 --> 1:09:16.439
<v Speaker 1>it for Runaway little Boy season two, episode nine. What

1:09:16.520 --> 1:09:19.439
<v Speaker 1>a barn burner it was in Norman, It was really

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<v Speaker 1>a barn burner. Um Riley pelusis otherwise known as Smokey Riley.

1:09:26.400 --> 1:09:31.360
<v Speaker 1>Now she's gonna record that smoky voice or some voice over.

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<v Speaker 1>Do re me Danielle Romo, who came in and out

1:09:35.280 --> 1:09:38.800
<v Speaker 1>of the episode she's she is. I'll tell you. Let

1:09:38.840 --> 1:09:42.519
<v Speaker 1>me tell you something about daniel Romo. This is one

1:09:42.560 --> 1:09:47.639
<v Speaker 1>of the busiest producers in all of podcasting. I mean,

1:09:47.680 --> 1:09:52.280
<v Speaker 1>the three of you are the busiest producers, uh and

1:09:52.439 --> 1:09:54.680
<v Speaker 1>executive producers of these things. I mean, it's kind of

1:09:54.720 --> 1:09:57.519
<v Speaker 1>amazing how you have the time to do all this stuff.

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<v Speaker 1>Speaking of time coming to you, gotta go, I'll show up.

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<v Speaker 1>We're dragging it out a little bit amy. Thank you, hey, everybody,

1:10:43.680 --> 1:10:47.000
<v Speaker 1>and don't forget follow us on Instagram at I Am

1:10:47.080 --> 1:10:51.080
<v Speaker 1>All in podcast and email us at Gilmore at I

1:10:51.240 --> 1:10:54.439
<v Speaker 1>heart radio dot com. Oh you gil More fans. If

1:10:54.479 --> 1:10:56.439
<v Speaker 1>you're looking for the best cup of coffee in the world,

1:10:56.479 --> 1:11:00.439
<v Speaker 1>go to my website for my company scotty P dot com,

1:11:00.560 --> 1:11:02.920
<v Speaker 1>s c O T t y P dot com, Scott E. P.

1:11:03.080 --> 1:11:13.639
<v Speaker 1>Dot com Grade one Specialty coffee. Yeah.