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Speaker 1: I am all in. Let's I Am all in with

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Speaker 1: Scott Patterson and I Heart Radio podcast. All right, everybody,

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Speaker 1: I am Scott Patterson and this is the I Am

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Speaker 1: all In podcast our Heart Radio one to Leven Productions. Boy,

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Speaker 1: it's been a while. I haven't seen you guys in

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Speaker 1: a little bit, and it's good to see everybody. Where's

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Speaker 1: Where's Riley? Where's Where's Riley? She's a little sick, but

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Speaker 1: she's kind of okay. All right. She has like a

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Speaker 1: very sexy voice. She always does right. I mean, that's

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Speaker 1: the mail we get. Those are the emails we get.

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Speaker 1: It's Riley available. I just wanted to talk to me.

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Speaker 1: She's like a voiceover star. It's like becoming a superstar.

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Speaker 1: Danielle knowledge, her knowledge of pop culture, it's unbelievable. Danielle,

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Speaker 1: how are you doing? I'm and just Pete good. Good

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Speaker 1: to see Amy Sugarman. There she is for this episode.

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Speaker 1: It was a great episode. And it's and you talked

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Speaker 1: to him just a couple of days ago. But it's

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Speaker 1: the farewell of tritic. It's it's just uh, it's just

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Speaker 1: an amazing episode. I don't think I've laughed at you know,

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Speaker 1: the last two have been laugh riots. It's just like

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Speaker 1: one liner after one liner after one. You know. I

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Speaker 1: started writing them all down and then I was like, yeah,

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Speaker 1: put your pencil down. I want to enjoy the episode.

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Speaker 1: That is so true. I have been watching them twice

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Speaker 1: because when I take my notes, I missed that. So

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Speaker 1: then I do it against I can really like enjoy it.

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Speaker 1: Now we know why people rewatch the episodes because it's

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Speaker 1: they're so packed with one liners and great funny bits

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Speaker 1: and you know, uh, I don't know. It's just and

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Speaker 1: I have an amazing surprise. Actually it's an amazing surprise.

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Speaker 1: We have no idea what. So we're getting into wardrobe

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Speaker 1: a little bit. It's like, you know, we're trying. You know,

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Speaker 1: we're talking to Brenda may Ben. We're discussing wardrobe, and

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Speaker 1: it's like kind of a thing. Now right on the show,

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Speaker 1: guess what. Guess what I found in the archives in

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Speaker 1: the museum, in the library. Remember the Luke shirt in

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Speaker 1: the diner, the brown Luke shirt in the dinner way.

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Speaker 1: There it is. That's it. Oh my god, that's it.

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Speaker 1: Now technically, did you steal that? No, no, no, it's

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Speaker 1: it's just borrowing. I have not taken possession. I haven't

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Speaker 1: taken possession. I know it's been what was that two

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Speaker 1: thousand and two, so it's almost its nineteen years and

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Speaker 1: I've been borrowing it. I have a special plan. Look

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Speaker 1: at that there it is gonna say. Yes, I was

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Speaker 1: going to say, that's the real one, like the real

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Speaker 1: real one. That is the shirt. It was in the

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Speaker 1: garage every time when I when I pulled an to

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Speaker 1: the garage, I see it. It's like, you know, because

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Speaker 1: we're not fully unpacked yet, so there's like there's and

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Speaker 1: there's like a bunch of Gilmore stuff in boxing. That's

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Speaker 1: a good one to a great shirt. Can you imagine

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Speaker 1: if you wear that down the street and like fans

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Speaker 1: are just gonna go, oh my god, that dude. And

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Speaker 1: now I couldn't find the gray long sleeve thermal that

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Speaker 1: goes underneath it, but I did find a blue one,

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Speaker 1: and that is show specific. Also, Yes, ladies and gentlemen,

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Speaker 1: it's the holidays. I just want to put smiles on faces. Wait,

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Speaker 1: that's awesome. Actually, that is awesome to hang on because

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Speaker 1: I think Henry Winkler just sold the Fawns jacket for

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Speaker 1: like a million dollars. I wonder how much that I

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Speaker 1: think it would be the hat that would sell right yea,

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Speaker 1: Oh my god, it fits kind of fits. It's still

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Speaker 1: kind of snug too, like like like the one on

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Speaker 1: the show. It looks great. You like you like dating

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Speaker 1: those young, casual young guys. I think those boy scouts

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Speaker 1: should move over. I mean you need to have a

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Speaker 1: crossbar so wrap the shirt. That's the shirt. Ladies and gentlemen.

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Speaker 1: Oh my god, that's actually very cool. I have a

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Speaker 1: lot of wardrobe. I have so much wardrobe. I have

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Speaker 1: the pants too, of all kind of stuff. Now when

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Speaker 1: I try to fit into those pants that for those

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Speaker 1: the original pants, oh that's that's not gonna happen. The

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Speaker 1: original pants. They're not going on. It's like they get

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Speaker 1: about halfway up and it's like, you know, I will

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Speaker 1: vouch that the shirt fits perfectly. So for anyone wondering

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Speaker 1: twenty years later the shirt fit, don't worry. We will

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Speaker 1: post this on Instagram and you guys can see for yourself. Yeah,

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Speaker 1: that's awesome. Run Away what does it? Run Away little Boy?

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Speaker 1: It is run Away a Little Boy episode nine anyway,

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Speaker 1: So no, no, this was just such a fun episode.

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Speaker 1: It was so much fun and it was so hilarious.

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Speaker 1: And I too did not notice how young that guy

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Speaker 1: was that was flirting with Laura because she looks young,

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Speaker 1: you know, so it's a it's a little you know.

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Speaker 1: They made her look a little young. I mean, obviously

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Speaker 1: she was a little older than him, but not too obviously.

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Speaker 1: But they put she had pigtails almost throughout the entire episode,

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Speaker 1: which I thought was interesting because it did make her

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Speaker 1: look young. But then they changed her hair in the

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Speaker 1: diner when they wanted to show the contrast. And and

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Speaker 1: I gotta tell you, and that's so so anyway, let's

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Speaker 1: let's set up the uh and Daniel, I think you're

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Speaker 1: gonna do the run? Are you gonna do the uh?

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Speaker 1: The what do you? What? Are we calling this thesis ahead.

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Speaker 1: I will fill in for Riley So season two, episode nine,

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Speaker 1: Runaway Little Boy, air date November one. The synopsis is

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Speaker 1: when Rory and Tristan are cast as Romeo and Juliet

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Speaker 1: in a school perform, A jealous Deine insist on attending

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Speaker 1: every rehearsal, forcing Rory to beg Tristan not to tell

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Speaker 1: Dean about the time they shared a kiss, while Lorela

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Speaker 1: has to put up with Luke's teasing after after she

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Speaker 1: dates a much a younger guy. I tell you, I

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Speaker 1: think the the W beer the c W at the

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Speaker 1: time saw how well the interactions and the drama and

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Speaker 1: the comedy and all the passions that were going on

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Speaker 1: in Gilmore with the younger with the Chilton crowd, and

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Speaker 1: they were like, let's make a young person. I mean

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Speaker 1: it was a young you know, it was for younger.

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Speaker 1: Excuse younger anyway. But so then Chad stars in One

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Speaker 1: Tree Hill, right, and it becomes a ratings juggernaut over

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Speaker 1: there along with us. But I think I think they

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Speaker 1: I think they were even bigger than we were. Um,

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Speaker 1: I mean I know maybe no, no, actually no, no,

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Speaker 1: now that I remember the numbers that we used to get,

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Speaker 1: I think we were number one and they were number two.

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Speaker 1: But at times they would overtake us when we were

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Speaker 1: weakening in the numbers and certain sections of certain seasons,

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Speaker 1: and that cast just became so like they were like

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Speaker 1: that young Hollywood right exactly, so um easier to market

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Speaker 1: and they had more energy to go out and market

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Speaker 1: themselves and publish themselves or as the old folks were

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Speaker 1: just sort of like nah anyway, Um, A lot of

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Speaker 1: fun watching this episode, So let's get into it. Well,

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Speaker 1: so my first question for you is what did you

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Speaker 1: think of Lorelai going on the date with the young guy?

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Speaker 1: And I will admit he did look older when he

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Speaker 1: had his blazer on with the arm patches at school

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Speaker 1: and sort of the way Luke reacted then Suki saying

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Speaker 1: to Lorelai, how do you not know he likes you

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Speaker 1: and you're dating everybody but him? So, like just that

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Speaker 1: whole arc throughout the episode, what did you think? I

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Speaker 1: thought that that wasn't particularly justified because it's really not

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Speaker 1: on her. I mean she she hasn't really turned me down,

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Speaker 1: has she? No? I haven't really, I haven't really asked her.

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Speaker 1: I mean I kind of have, but We've been interrupted

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Speaker 1: a bunch of times, right, but I've never followed through

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Speaker 1: it followed through. So it's not fair to her because

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Speaker 1: I mean, look, I'm the guy and like step up

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Speaker 1: and you want a date or dat. It's like, you know,

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Speaker 1: start stop worrying about all the other. Yeah, the brief

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Speaker 1: moments where you almost did it, she was definitely gonna

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Speaker 1: say yeah, she was gonna say yes. She would have

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Speaker 1: said yes. But she's doing that because I'm you know,

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Speaker 1: I mean, I don't have the stones to step up

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Speaker 1: and and close the deal for God's sake, or you're

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Speaker 1: both just very concerned about ruining the French. Come on,

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Speaker 1: you know that's that's just an excuse that people use

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Speaker 1: because they don't have them. Got to get some stones,

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Speaker 1: Like if you if you really so, do you blame Luke,

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Speaker 1: like you think that the reason it's taking so long

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Speaker 1: is because Luke just won't do it well. It's also

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Speaker 1: the circumstances everything we talked about. But yeah, it's like

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Speaker 1: step up and it's hard. You know, it's hard to

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Speaker 1: write that. You know, it's hard to write that for

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Speaker 1: four seasons to milk, milk, milk, so the so, the audience,

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Speaker 1: it's just like it's driving people crazy, but it's it

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Speaker 1: has to be done. It worked beautifully. It's important that

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Speaker 1: even though the date was like a total flop, you

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Speaker 1: know what I mean? She says something like we had

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Speaker 1: finished talking about everything by the salad, it did change

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Speaker 1: her the way she felt it. Suddenly she was like,

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Speaker 1: I'm i date, Like, I'm almost like I'm back alive again.

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Speaker 1: I'm ok. There she is Riley, Hello, everyone, Oh, listen

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Speaker 1: to the voice. The sultry voice. Oh no, Oh my goodness,

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Speaker 1: is that you? I can go very It's like, what's

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Speaker 1: I feel like I'm in a Marlena Datrich film here?

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Speaker 1: What's going on when you had a little bit of

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Speaker 1: a cold? Well, if anyone needs me to read a story,

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Speaker 1: can be of service. Oh my god. So what did

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Speaker 1: you think about the guy that she went on the

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Speaker 1: date with? He Brace Johnson. He's sort of done a

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Speaker 1: lot of acting I've seen here. Was great, He's cute.

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Speaker 1: He was absolutely perfect for that part. He was so

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Speaker 1: likable and such a winning personality and just a terrific actor.

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Speaker 1: And he just had the perfect look. He had just

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Speaker 1: he had you know, it was like he was Maxi

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Speaker 1: Medina's cousin, distant cousin or something. I mean, he just

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Speaker 1: he looked like he was an educated kid and right

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Speaker 1: up her alley that she was going to get along with.

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Speaker 1: And even though he's she was so smooth too, the

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Speaker 1: way he asked her out and then the way she

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Speaker 1: sort of says no, and he was so chill about it.

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Speaker 1: He's like, well, like, you know, if your schedule opens up,

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Speaker 1: like just giving Like he was just so smooth. He

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Speaker 1: wasn't bothered by her mini rejection and I'm busy because

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Speaker 1: that's okay. It just gives may never give me a call,

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Speaker 1: you know. But the thing is is that you noticed

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Speaker 1: in that scene they must have sat down before in

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Speaker 1: prior meetings at their business class, because when they sat

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Speaker 1: down into those into that table, they there was no hesitation.

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Speaker 1: It was like they were already on a date and

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Speaker 1: they knew that they were going to sit down with

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Speaker 1: each other. Instead of like him going like you mind

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Speaker 1: if I said or whatever, or her, it's just like

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Speaker 1: they just immediately sat down, so it was like they

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Speaker 1: were together before they were together. That's kind of the

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Speaker 1: cool thing about the show is that the writers, whoever assumed, like, hey,

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Speaker 1: the audience will get it, the audience will understand by

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Speaker 1: the way these two are interacting that they know each

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Speaker 1: other so we don't have to spell it out for

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Speaker 1: them like which I kind of appreciate it. It moves

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Speaker 1: things faster and it and it was the kind of

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Speaker 1: banter that she craves and she needs and she has

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Speaker 1: in her life. So of course she was going to

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Speaker 1: say yes, um, But I have to tell you, I

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Speaker 1: think the funniest scene in the entire and I don't

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Speaker 1: mean to downgrade the younger actors who were terrific, and

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Speaker 1: it was a terrifically entertaining episode to watch and very funny.

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Speaker 1: And but that diner scene when he came in with

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Speaker 1: the baseball cap with his parents, I mean I blurred,

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Speaker 1: I laughed out loud so many times. And I'll give

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Speaker 1: you my favorite line right now. I don't even have

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Speaker 1: to wait. When I when I looked at Laura, I go,

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Speaker 1: who are these people? Because the father commissary he was like,

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Speaker 1: I'm so sorry to hear about Rachel and looks just

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Speaker 1: looking at him like, who are these people? Sid? Sid says, darn,

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Speaker 1: shame about that, Rachel? Who are these people? Oh? It

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Speaker 1: was just beautiful. The best is Rory says, I've always

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Speaker 1: wanted a little b right right right right right. And

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Speaker 1: you know what her Rory's reactions her, you know her

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Speaker 1: reactions to discovering who this person was. It was classic.

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Speaker 1: Did you see her face? Because I watched her. I

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Speaker 1: rewounded and I watched her. It was just like so

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Speaker 1: spot on. She was just like curious and like you

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Speaker 1: know those those I those big eyes just beaming in

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Speaker 1: her head, like what is going on here? Who is

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Speaker 1: this person? And then when she realized that was the

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Speaker 1: guy on the date, she just oh that she should

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Speaker 1: have gotten an award just for reacting. You know, totally.

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Speaker 1: I totally agree with you that scene because look older

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Speaker 1: at school he did in the blazer and the corduroy

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Speaker 1: blazer and the whole thing. And then boy he looked

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Speaker 1: like a teenager when he came in there, and then

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Speaker 1: everyone like he's so young. Kirk sent out pictures. Maybe

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Speaker 1: you can hand out baseball cards with your phone number.

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Speaker 1: I mean, look, they were having a field day on

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Speaker 1: her man. It was beautiful. It was so good. I

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Speaker 1: love that scene so much. H So, I have a

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Speaker 1: question that's like kind of a left turn, which I apologiz.

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Speaker 1: Is where this shirt comes from? Riley. This is the

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Speaker 1: let's get Riley at the speed Hey, smokey voice, smoky smokey.

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Speaker 1: This is the shirt, the actual shirt from the diner scene.

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Speaker 1: No way, that's so cool and without the oh my gosh,

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Speaker 1: he just kept it, like did you kept it? Why?

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Speaker 1: That's so cool. That's really cool though, right yeah, anyway,

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Speaker 1: all right, so Amy, what's the question? What were you gonna? So?

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Speaker 1: My question is when Rory is super stressed, about Tristan

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Speaker 1: being the scene partner and coming to stars Hollow, and

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Speaker 1: she wants to tell she wants to tell Dean like

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Speaker 1: I kiss this guy. This is what happened. Was she

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Speaker 1: right in wanting to tell him, or was Laurel I

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Speaker 1: right and telling her no, don't tell it. I think

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Speaker 1: they're both right. Yeah, they're both right. I mean it's

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Speaker 1: one of those situations where you know, that's I think.

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Speaker 1: I think these are the situations that were tailor made

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Speaker 1: for omission or little white lies, or you know, just

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Speaker 1: to spare that guy just knowing. I mean, you know

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Speaker 1: he's gonna pop. I mean, look how I mean, Dean's

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Speaker 1: really tightly wrapped. He is a very possessive guy. You know,

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Speaker 1: he's a real type, a dominant kind of a guy.

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Speaker 1: And you know he's not going to be He obviously

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Speaker 1: can't handle this very well. He just wants to beat

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Speaker 1: Tristan's asked. Yeah, yeah, And Tristan's such a jerk to

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Speaker 1: him in the in doses market, it's it's he, you know,

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Speaker 1: he's everything I wish Paris would be, because at least

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Speaker 1: you can watch Chad Michael Murray be smug and horrible

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Speaker 1: and poisonous and diabolical and two faced and backstabbing, and

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Speaker 1: the whole thing he just does. It was he's such

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Speaker 1: a smooth criminal. It's just it's just you and I'm

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Speaker 1: just kind of with him. And you know, at the

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Speaker 1: end of this, when he was like, Hey, I can't

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Speaker 1: do this, I'm going off to military school. I broke

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Speaker 1: into you know, will Willard's fathers say for whoever the

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Speaker 1: kid was, and his dad was standing there, you know,

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Speaker 1: waiting for him. I felt for the guy. I really

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Speaker 1: felt for the guy. And I don't know if I'd

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Speaker 1: feel that way for Paris that she was being hauled

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Speaker 1: off to the nuthouse, you know. But yeah, and then

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Speaker 1: you felt that Rory felt for him and that they

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Speaker 1: did have a connection, no question about it. Even when

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Speaker 1: Rory tries to say to him, stop hanging around those guys.

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Speaker 1: You're smarter than those guys, You're better than those you know,

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Speaker 1: kind of in the middle of the episode because you

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Speaker 1: because so go ahead, sorry, no, sorry about that. So,

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Speaker 1: and you see Dean kind of looking at them, going,

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Speaker 1: h think, do you knows that he's in over his

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Speaker 1: head with Rory anyway, He's beginning to understand how lucky

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Speaker 1: he is and how special she is, or he already

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Speaker 1: understands that. And it's gonna be real easy for somebody

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Speaker 1: at that school who's you know, who's got the pedigree

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Speaker 1: to just take maybe not take her away, but some

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Speaker 1: her eyes will be opened up. And Tristan has that potential,

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Speaker 1: and she sees the potential in triesting because you know,

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Speaker 1: he's easy on the eyes, he's ut all drink out water.

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Speaker 1: He comes from a great family, the whole you know,

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Speaker 1: he's the whole package. So and she's wise enough and

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Speaker 1: mature enough to know at her age, at her tender

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Speaker 1: age of sixteen, that that Tristan's only sixteen or seventeen. Right,

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Speaker 1: he's sixteen years old. He's going to be a different person.

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Speaker 1: It's twenty. He's not going to be this way. He

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Speaker 1: is the good in him despite his antics. What did

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Speaker 1: you think that he called her Mary? It broke my

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Speaker 1: heart because it was so um gosh, what do they

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Speaker 1: call that? Um? It was? It was a double entente?

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Speaker 1: What was it really was? Because you know, he recognized

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Speaker 1: the almost the tragic. It was like him commenting on

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Speaker 1: himself as a jackass to her earlier. It was filled

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Speaker 1: with regret, and it was beautifully communicated and beautifully acted.

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Speaker 1: And that's the moment I think that Rory liked him

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Speaker 1: the most because he was able to recognize that in

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Speaker 1: that way, and that's how smart he is. Yes, he

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Speaker 1: says I would kiss you, and then he says, take

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Speaker 1: care of yourself marriage, and it's like it's basically he

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Speaker 1: was saying, Rory, I love you, and I'm too screwed

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Speaker 1: up and too much of a jerk right now to

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Speaker 1: come out and say it. But he's in love with her,

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Speaker 1: and I think she's a little bit in love with

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Speaker 1: him too. She smart, did you guys see? Yes, that's

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Speaker 1: that's chemistry right there. They have that real chemistry. And boys,

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Speaker 1: he's such a likable guy and what a what a

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Speaker 1: great actor. He really embraced that part, didn't he. And

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Speaker 1: he took a lot of chances with that part to

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Speaker 1: be so unlikable and he's still likable. Yes, that's the

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Speaker 1: mark of a great actor. That's the mark of a

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Speaker 1: really solid actor, you know, you know, And I do

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Speaker 1: think hindsight is it's like we see, we know that

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Speaker 1: he's leaving Chad Michael Murray, which we talked about with

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Speaker 1: him to go on. I think he did Dawson's Creek

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Speaker 1: and then he's the star of One Tree Hill. So

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Speaker 1: it's like we sort of have that benefit of knowing

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Speaker 1: why this actor is leaving. Oh sure, yeah, so you

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Speaker 1: know a little behind the scenes knowledge, and heck, why

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Speaker 1: didn't I do this? These young guys were really smart.

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Speaker 1: They only had one or two year deals. They didn't

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Speaker 1: want six year deals because the six year deal is

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Speaker 1: what you're going for, right, that's the full boat. That's like,

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Speaker 1: you got a six year deal, great, and that's what

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Speaker 1: we were going for. They offered me two shows and

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Speaker 1: then four year you know. And then I sort of

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Speaker 1: see these guys like the Chads and the Jared's and

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Speaker 1: the Milos, they're doing one year deals at a time

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Speaker 1: because they want to stay flexible because they're young and

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Speaker 1: everybody wants them, or they might do another year on

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Speaker 1: that deal without you know, an option year. This kind

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Speaker 1: of thing. I'm running around celebrating, Hey, I got a

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Speaker 1: six year deal. I'm completely locked in. But I was

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Speaker 1: like forty one, right, I'm not. I'm not young guy, right,

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Speaker 1: But but they were very smart. How those guys they

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Speaker 1: played that and they were not locked in and it

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Speaker 1: was a perfect situation for the network because they could

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Speaker 1: save money and it was better for their bottom line

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Speaker 1: and their financials and the whole thing. And um, hey,

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Speaker 1: we got this guy fairly cheap, and it's only we're

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Speaker 1: only committed one year, but we're taking that risk. The

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Speaker 1: next year it comes back, is going to be desired

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Speaker 1: by every major network for every major pilot. We're gonna

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Speaker 1: have to pay him a boatload to stay here. He

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Speaker 1: probably won't stay anyway, So yeah, yeah, you know, speaking

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Speaker 1: of Milow, I think it's very because I don't remember

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Speaker 1: it this way. But I'm happy they really are only

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Speaker 1: giving us glimpses of Jess. And you know, we all know,

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Speaker 1: well some of us know what's coming with Jess, but

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Speaker 1: they aren't. And I've talked about this before. They aren't

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Speaker 1: just like bombarding us with him right out the gate.

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Speaker 1: It's like we're seeing him just little bits. He's not

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Speaker 1: even in this episode. We're seeing him just little bits

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Speaker 1: here and there as they develop that. But he's too

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Speaker 1: dark a character to have on on a regular basis. Yeah,

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Speaker 1: it's it's too powerful. He's too good, he's too easy

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Speaker 1: on the eyes, he's the storyline is too powerful. It

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Speaker 1: can overwhelm the series. It can become it can become

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Speaker 1: his show. So they really have to be careful with that. Well,

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Speaker 1: that's such a great point because his antics, like the

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Speaker 1: chalk outline of the body in front of the market.

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Speaker 1: You couldn't have that every episode because you'd start to

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Speaker 1: eye roll it. It only works at such a great point.

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Speaker 1: I've never I didn't think about it that way. No,

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Speaker 1: but they would. I think people fans would really like it,

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Speaker 1: but it would go away from Gilmore Girls and it

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Speaker 1: would become the Milo Show, for the Milo Roary Show.

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Speaker 1: Then then it would be a different show. So they

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Speaker 1: have to really be carefully balance all these storylines. You know, now,

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Speaker 1: I know I should take a break, But when we

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Speaker 1: come back, i'd love your thoughts on Paris. Oh that's

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Speaker 1: gonna take about five seconds, maybe three. Anyway, let's take

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Speaker 1: a break, and when we come back, we're gonna get

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Speaker 1: my very elongated thoughts, thorough thoughts on Paris. All right,

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Speaker 1: we'll see it a bit. All right, we're back, everybody,

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Speaker 1: and let's discuss this delightful cup of wonderful, this big

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Speaker 1: bowl of wonderful that is Paris. Geller, Okay, what did

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Speaker 1: you think of her in this episode? Wow? Just just

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Speaker 1: grading and unnecessary early, aggressive and nasty to Rory. I

393
00:23:02,680 --> 00:23:06,240
Speaker 1: mean it's so over the top bananas that, you know,

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Speaker 1: when she was talking with Henry, when she came up

395
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Speaker 1: in it very rudely interrupted Henry and and Rory. And

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Speaker 1: you know, Rory is so above it at this point,

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Speaker 1: she just like lets her talk, you know, she'll let

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Speaker 1: her do her thing, um because scary. It's like, it's

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Speaker 1: like what else do you do in the face of it,

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Speaker 1: you know, total insanity. Um, you just let it sort

401
00:23:33,440 --> 00:23:39,600
Speaker 1: of peter out and it goes away and then you're like, okay, um, yeah,

402
00:23:39,640 --> 00:23:41,960
Speaker 1: I mean right off the bat, it's like, Jesus, she's back.

403
00:23:42,000 --> 00:23:44,680
Speaker 1: I didn't miss her, you know, but here she here,

404
00:23:44,760 --> 00:23:48,680
Speaker 1: she is back. She did. And I will give her this.

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00:23:48,680 --> 00:23:53,639
Speaker 1: This character really drives that storyline. So there's so much

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00:23:53,880 --> 00:23:58,920
Speaker 1: forward momentum with it, and there's so much expectation um

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00:23:59,200 --> 00:24:02,480
Speaker 1: and anticipe patient that it is compelling. So I will

408
00:24:02,600 --> 00:24:05,720
Speaker 1: give her that. I will give her interpretation of that

409
00:24:05,800 --> 00:24:10,000
Speaker 1: character a lot of credit for being you know, solidly

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Speaker 1: engaging that that is for sure. I mean, she's not

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Speaker 1: backing off the throttle. At all. And she is a

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Speaker 1: girl that you would have to say is determined. Nothing

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00:24:20,480 --> 00:24:23,280
Speaker 1: is going to stop her from getting into Harvard and

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Speaker 1: except even becoming Romeo. Right, she's the only one that

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00:24:29,200 --> 00:24:32,840
Speaker 1: that is going to prevent herself from going to Harvard.

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Speaker 1: But you know, it's just it's just so, it's the

417
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Speaker 1: opposite of Paris. Do you love to hate her or

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Speaker 1: do you hate her? Are you asking me every Yeah, Riley,

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00:24:47,240 --> 00:24:49,040
Speaker 1: go ahead, we gotta get some voice, get some smoky

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Speaker 1: voice in there. Also with those voice, I feel very chassy,

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00:24:53,680 --> 00:24:58,919
Speaker 1: like let's dine exactly anyway, welcome to the bottom of

422
00:24:58,920 --> 00:25:03,919
Speaker 1: the head um there is right now, Like you, you

423
00:25:04,000 --> 00:25:05,800
Speaker 1: kind of don't like her, you kind of hate her,

424
00:25:05,840 --> 00:25:08,160
Speaker 1: but I know, you know, I know what happened, so

425
00:25:08,760 --> 00:25:10,600
Speaker 1: you kind of also have that love for her if

426
00:25:10,600 --> 00:25:13,800
Speaker 1: you've seen it, because it stays with you. I'm I'm

427
00:25:13,840 --> 00:25:17,000
Speaker 1: waiting for that. I want that. I want to get there.

428
00:25:17,080 --> 00:25:18,879
Speaker 1: I do want to love her. Do you love to

429
00:25:18,920 --> 00:25:20,960
Speaker 1: hate her or do you just hate her? Right now? No,

430
00:25:21,119 --> 00:25:24,640
Speaker 1: I'm rooting for you know. You know, look, she's a kid,

431
00:25:25,480 --> 00:25:28,399
Speaker 1: she's they're all kids, and they got wacky families, and

432
00:25:28,480 --> 00:25:32,200
Speaker 1: you know, there's a lot of pressure the top one percent.

433
00:25:32,240 --> 00:25:37,720
Speaker 1: Nobody understands how they suffer. Somebody around me feeling sorry

434
00:25:37,720 --> 00:25:41,680
Speaker 1: for themselves. I said, you know Champaigne problem, you know exactly.

435
00:25:41,800 --> 00:25:44,440
Speaker 1: It's like, come on, give me a break. Um, But

436
00:25:45,440 --> 00:25:49,200
Speaker 1: when you're look it's it's it's when you have that

437
00:25:49,920 --> 00:25:53,359
Speaker 1: dire a family situation and your parents are at war.

438
00:25:54,280 --> 00:25:57,480
Speaker 1: This is what happens. I wish they would show more

439
00:25:57,560 --> 00:26:00,720
Speaker 1: of it. I wish they would show the wish and

440
00:26:00,800 --> 00:26:03,960
Speaker 1: it would help me like the character, help me sympathize

441
00:26:04,000 --> 00:26:06,600
Speaker 1: with and empathize with the character more. But she just

442
00:26:06,680 --> 00:26:09,399
Speaker 1: comes right out of the gate and it's just like nasty, nasty,

443
00:26:09,480 --> 00:26:11,680
Speaker 1: nasty and Daniel, what do you How do you feel

444
00:26:11,680 --> 00:26:14,240
Speaker 1: about Paris? I mean, I don't know what happens, but

445
00:26:14,600 --> 00:26:17,640
Speaker 1: I love her. I've been very vocal about my love

446
00:26:17,640 --> 00:26:21,760
Speaker 1: for Paris. I think she is so funny and there's

447
00:26:21,800 --> 00:26:23,919
Speaker 1: no character like her, you know what I mean. We

448
00:26:24,000 --> 00:26:26,199
Speaker 1: need her, We need Paris. We need somebody who's like

449
00:26:26,880 --> 00:26:32,080
Speaker 1: you know, super o, c D and crazy and um,

450
00:26:32,119 --> 00:26:36,320
Speaker 1: you know, over the top, and she she does it

451
00:26:36,400 --> 00:26:38,000
Speaker 1: for me. I don't know. I love her character and

452
00:26:38,040 --> 00:26:41,960
Speaker 1: I think she's so fun to watch. I think sorry,

453
00:26:42,040 --> 00:26:44,160
Speaker 1: go ahead? No, no, you go ahead, you go ahead.

454
00:26:45,240 --> 00:26:47,280
Speaker 1: Would you guys call her a villain, Scott, would you

455
00:26:47,280 --> 00:26:51,240
Speaker 1: call her a villain? For sure? She is the Darth

456
00:26:51,320 --> 00:26:57,240
Speaker 1: Vader of that of that storyline. Huh. There is the

457
00:26:57,280 --> 00:27:01,960
Speaker 1: possibility of redemption, that's always there. But she is. She's

458
00:27:01,960 --> 00:27:08,040
Speaker 1: either the you know, Darth Sidious uh, or she's Darth Vader.

459
00:27:08,400 --> 00:27:15,160
Speaker 1: She's think about that. I'm curious people think of her.

460
00:27:15,280 --> 00:27:19,800
Speaker 1: She represents them, she represents the empire. Let's just say that. Okay,

461
00:27:20,160 --> 00:27:23,960
Speaker 1: I disagree. Isn't wait, Daniel, you go tell us I disagree.

462
00:27:24,000 --> 00:27:26,720
Speaker 1: I think Tristan's the villain, Like if I have a villain,

463
00:27:27,160 --> 00:27:29,479
Speaker 1: I don't think anyone is really a villain. But if

464
00:27:29,520 --> 00:27:31,760
Speaker 1: I had to pick a villain, I would say Tristan.

465
00:27:32,240 --> 00:27:35,600
Speaker 1: I don't think it's Paris. I say you know what, listen,

466
00:27:35,680 --> 00:27:37,399
Speaker 1: will you will you meet me in the middle and

467
00:27:37,400 --> 00:27:42,879
Speaker 1: say they're both villains? Come on, come on, I'll give you.

468
00:27:42,960 --> 00:27:45,439
Speaker 1: I'll give you the ship. I'll give you Tristan. If

469
00:27:45,480 --> 00:27:48,120
Speaker 1: you give me a little about this, I would say

470
00:27:48,240 --> 00:27:54,240
Speaker 1: they're both misunderstood. You redefined misguided. I like that. I

471
00:27:54,240 --> 00:27:56,399
Speaker 1: would agree to that because, yeah, Tristan is not a

472
00:27:56,480 --> 00:27:58,520
Speaker 1: villain to me. To me, he's so just misguided. But

473
00:27:58,600 --> 00:28:02,560
Speaker 1: I think that if they're both representing the Empire Star

474
00:28:02,560 --> 00:28:06,800
Speaker 1: Wars Trekky fans out there, if they're both representing the Empire, right,

475
00:28:07,000 --> 00:28:13,720
Speaker 1: I think Tristan is more likely to join the rebellion. Yeah,

476
00:28:13,880 --> 00:28:16,560
Speaker 1: I think because I keep thinking about when Paris she

477
00:28:16,760 --> 00:28:20,959
Speaker 1: does mean things like when she told Rory that, you know,

478
00:28:21,040 --> 00:28:23,960
Speaker 1: the journalism meeting was at this time, so that Rory

479
00:28:24,080 --> 00:28:26,159
Speaker 1: was late, Like that was mean, and then Rory is

480
00:28:26,200 --> 00:28:29,720
Speaker 1: so nice getting her in the sorority. It's like, because

481
00:28:29,760 --> 00:28:33,800
Speaker 1: she represents the Empire, that's what they goes to. Tristan

482
00:28:35,040 --> 00:28:36,960
Speaker 1: was mean when he was going to tell Dean about

483
00:28:36,960 --> 00:28:40,320
Speaker 1: the kids. That's just that's just a rival. That's just

484
00:28:40,400 --> 00:28:48,120
Speaker 1: a male rival. That's not a big deal. That's what that's. Yeah,

485
00:28:48,200 --> 00:28:51,600
Speaker 1: it's the same thing like Paris is just the female rival.

486
00:28:52,600 --> 00:28:56,840
Speaker 1: Are you guys opening my eyes? You are opening It's

487
00:28:56,880 --> 00:29:01,080
Speaker 1: a very good point, you know what, You're right, But

488
00:29:01,200 --> 00:29:06,000
Speaker 1: I'm here for guys like them both. I will miss

489
00:29:06,040 --> 00:29:09,200
Speaker 1: Tristan for sure. I think I just like his style.

490
00:29:10,480 --> 00:29:16,200
Speaker 1: You know, you know, Smarmie can have a style, right

491
00:29:16,360 --> 00:29:20,240
Speaker 1: and and and underhanded and slimy and all that. I mean,

492
00:29:20,320 --> 00:29:23,440
Speaker 1: it's like there's a way to present it right, and

493
00:29:23,800 --> 00:29:27,600
Speaker 1: they're both really entertaining. I mean, let's just face it.

494
00:29:27,640 --> 00:29:29,840
Speaker 1: You know, maybe I'm softening a little bit on Paris.

495
00:29:29,920 --> 00:29:32,880
Speaker 1: I don't know. Well, we'll see what comes. But it's

496
00:29:32,880 --> 00:29:36,360
Speaker 1: just that when she just came up and just I

497
00:29:36,360 --> 00:29:39,120
Speaker 1: don't know, anyway, let's move on. You know, Tristan is

498
00:29:39,160 --> 00:29:40,760
Speaker 1: the ultimate. Even though I know you're not supposed to

499
00:29:40,760 --> 00:29:44,440
Speaker 1: say this anymore. It's considered not appropriate, I think, but

500
00:29:44,520 --> 00:29:46,520
Speaker 1: Tristan is the ultimate. He's mean to you because he

501
00:29:46,600 --> 00:29:52,240
Speaker 1: likes you, Yeah, because it does. He does like her, yeah,

502
00:29:52,720 --> 00:29:54,640
Speaker 1: and she just, you know, kind of rejects him in

503
00:29:54,680 --> 00:29:56,840
Speaker 1: such a nice way, but he's still just like and

504
00:29:56,840 --> 00:29:58,960
Speaker 1: then he tries to have that bravado, but really he

505
00:29:59,040 --> 00:30:01,920
Speaker 1: just likes her. But he is so to the manner

506
00:30:02,040 --> 00:30:06,040
Speaker 1: born that it's difficult for him to bridge that gap

507
00:30:06,360 --> 00:30:10,040
Speaker 1: in his own mind to even be talking to somebody

508
00:30:10,080 --> 00:30:13,840
Speaker 1: from Stars Hollow whose mother he obviously knows the history

509
00:30:13,840 --> 00:30:16,880
Speaker 1: of Laurela and what happened and how she dropped away

510
00:30:16,920 --> 00:30:19,480
Speaker 1: from her family and reservice and Stars Hollow to him

511
00:30:19,560 --> 00:30:22,800
Speaker 1: that's a you know, that's a probably a bridge too far.

512
00:30:22,920 --> 00:30:25,640
Speaker 1: And he doesn't like the fact that he has to

513
00:30:28,200 --> 00:30:31,560
Speaker 1: have these feelings that he's judging Rory at the same

514
00:30:31,600 --> 00:30:34,800
Speaker 1: time he's he's he's loving her and and thinking she's

515
00:30:34,840 --> 00:30:38,760
Speaker 1: just announced she's blowing all these other children girls away.

516
00:30:39,120 --> 00:30:43,960
Speaker 1: Um her looks, her brains, her analytical ability, her emotional maturity,

517
00:30:44,000 --> 00:30:46,320
Speaker 1: all of that stuff. I mean, it's it's it's overwhelming

518
00:30:46,360 --> 00:30:48,320
Speaker 1: for him, and he doesn't know how to handle it.

519
00:30:48,400 --> 00:30:52,040
Speaker 1: But she is she she is a generation away from

520
00:30:52,040 --> 00:30:56,280
Speaker 1: being to the manner born and she has she's bringing

521
00:30:56,280 --> 00:30:57,880
Speaker 1: in a whole new set of values for him to

522
00:30:57,920 --> 00:31:00,440
Speaker 1: deal with that none of his charms are working on

523
00:31:00,960 --> 00:31:04,880
Speaker 1: it doesn't work on her. It's just you know, and

524
00:31:04,920 --> 00:31:08,280
Speaker 1: he doesn't want and he and he's a lot like her.

525
00:31:08,320 --> 00:31:11,760
Speaker 1: He kind of wishes his parents or maybe one of

526
00:31:11,960 --> 00:31:14,680
Speaker 1: you know, would break up and go to Starslow so

527
00:31:14,720 --> 00:31:17,680
Speaker 1: he could have a little dose of reality. What it's

528
00:31:17,680 --> 00:31:19,240
Speaker 1: making me think of and this is I get that

529
00:31:19,280 --> 00:31:22,720
Speaker 1: this sort of analogy is a little bit probably not

530
00:31:22,800 --> 00:31:26,520
Speaker 1: like accurate for this particular episode, but I just keep

531
00:31:26,520 --> 00:31:30,080
Speaker 1: thinking about Bryce Johnson's character, who's the guy at school

532
00:31:30,080 --> 00:31:33,240
Speaker 1: that asked Laura lay out. His reaction to being turned

533
00:31:33,280 --> 00:31:36,600
Speaker 1: down was so smooth and cool that it made her

534
00:31:36,680 --> 00:31:40,680
Speaker 1: say yes, whereas Tristan's always kind of like when she

535
00:31:40,840 --> 00:31:45,080
Speaker 1: tells him no, he just gets so mean or well,

536
00:31:45,240 --> 00:31:48,400
Speaker 1: he who says no to him? When has he ever

537
00:31:48,440 --> 00:31:52,440
Speaker 1: heard the word no? Tristan guess whatever he wants. I mean,

538
00:31:52,480 --> 00:31:55,640
Speaker 1: you know, right, I'm sure the comparison isn't intentional, but

539
00:31:55,680 --> 00:31:58,120
Speaker 1: it is interesting to talk about in this particular episode

540
00:31:58,200 --> 00:32:01,040
Speaker 1: because he's not He does don't look to me like

541
00:32:01,080 --> 00:32:04,240
Speaker 1: a hard worker. That's I don't know that Tristan is

542
00:32:04,280 --> 00:32:06,200
Speaker 1: a guy with a work ethic. I think he's just

543
00:32:06,320 --> 00:32:10,000
Speaker 1: he's smart, he's clever. He's a bit of a screw up.

544
00:32:10,480 --> 00:32:14,600
Speaker 1: There are reasons for that, you know, but he's there's

545
00:32:14,640 --> 00:32:16,720
Speaker 1: no work ethic there. He's that's why he's going to

546
00:32:16,720 --> 00:32:20,480
Speaker 1: military school. He's gonna get it. Yeah, he's gonna get

547
00:32:20,560 --> 00:32:23,080
Speaker 1: that's a great point. Yeah, because he was just bad,

548
00:32:23,720 --> 00:32:27,320
Speaker 1: doing bad things. Bad parents. Right, So it's like the

549
00:32:27,400 --> 00:32:29,240
Speaker 1: dad gave up, and I don't know if the dad

550
00:32:29,360 --> 00:32:31,960
Speaker 1: is saying I'm going to stop this and send you

551
00:32:32,000 --> 00:32:35,600
Speaker 1: to military school. Maybe the dad is a good dad. Yeah,

552
00:32:35,680 --> 00:32:38,400
Speaker 1: I mean, at that age, if he's doing that, sure,

553
00:32:38,960 --> 00:32:40,520
Speaker 1: that's what a good dad would do if he had

554
00:32:40,520 --> 00:32:42,840
Speaker 1: the means. Ship him off and let the generals take

555
00:32:42,840 --> 00:32:46,040
Speaker 1: care of him, teach him respect and you know, bust

556
00:32:46,080 --> 00:32:47,760
Speaker 1: his ass that kind of thing. Get him up at

557
00:32:47,760 --> 00:32:49,880
Speaker 1: six and get him running to him, push ups, make

558
00:32:49,920 --> 00:32:53,800
Speaker 1: your bed. You know. Yeah, that's that's not an easy life,

559
00:32:53,880 --> 00:32:56,320
Speaker 1: you know where his sort of antics won't be tolerant.

560
00:32:58,440 --> 00:33:02,320
Speaker 1: He'll learn about honor. He'll he's dishonoring himself. He's dishonoring

561
00:33:02,360 --> 00:33:08,360
Speaker 1: the family name. He's he's going astray, and he's being corrected,

562
00:33:08,440 --> 00:33:11,680
Speaker 1: which is a good thing. It is the first appearance

563
00:33:11,720 --> 00:33:14,280
Speaker 1: I think we should point out by Adam is it Wiley.

564
00:33:14,280 --> 00:33:15,600
Speaker 1: I don't want to say his last name wrong, but

565
00:33:15,600 --> 00:33:18,920
Speaker 1: he plays Brad, and I think everybody should just note

566
00:33:18,960 --> 00:33:23,400
Speaker 1: that because we will see the return of Brad. He

567
00:33:23,480 --> 00:33:26,440
Speaker 1: was from Picket Fences. He was like you know that

568
00:33:26,520 --> 00:33:28,680
Speaker 1: was a sort of a famous child actor. He'd been

569
00:33:28,720 --> 00:33:33,440
Speaker 1: on a bunch of step the casual date. No, this

570
00:33:33,520 --> 00:33:37,720
Speaker 1: is the boy. Oh, he's a young guy who is hysterical.

571
00:33:39,000 --> 00:33:42,160
Speaker 1: When he went right, when he when he when he

572
00:33:42,320 --> 00:33:45,480
Speaker 1: chased after Tristan to trust and come back. He was

573
00:33:45,520 --> 00:33:48,520
Speaker 1: so terrified of the prospect of having to stand in

574
00:33:48,600 --> 00:33:53,080
Speaker 1: for him. So that's Brad and Brad comes back. So

575
00:33:53,120 --> 00:33:58,120
Speaker 1: we just great, you guys, you wouldn't know really, but yeah,

576
00:33:58,160 --> 00:34:00,920
Speaker 1: Brad returns. So Brad is like a bit significant. So

577
00:34:01,080 --> 00:34:04,800
Speaker 1: you know, look there, you know, Paris is a charismatic leader,

578
00:34:05,520 --> 00:34:09,520
Speaker 1: and she's she does have a work ethic. She is

579
00:34:10,160 --> 00:34:14,839
Speaker 1: smarter than everybody, and she you know, she really I

580
00:34:14,840 --> 00:34:19,400
Speaker 1: think her frustration comes Obviously she's fine by herself, maybe

581
00:34:20,640 --> 00:34:23,879
Speaker 1: with all the voices in her head. Um, but when

582
00:34:23,960 --> 00:34:27,319
Speaker 1: she has to uh interact within a group, then we

583
00:34:27,480 --> 00:34:32,399
Speaker 1: see just how hysterically bad she is at that um

584
00:34:32,680 --> 00:34:36,160
Speaker 1: and she resorts to just sort of bullying everybody and um,

585
00:34:36,200 --> 00:34:39,000
Speaker 1: you know, telling him what to do. And you know,

586
00:34:39,040 --> 00:34:44,880
Speaker 1: there are a bunch of wealthy kids really aren't terribly motivated.

587
00:34:44,920 --> 00:34:46,520
Speaker 1: So I mean, they're kind of asking for it in

588
00:34:46,560 --> 00:34:49,719
Speaker 1: the first place. Am I justifying paris Is behavior? Good? God,

589
00:34:49,920 --> 00:34:53,000
Speaker 1: listen to me. Wow, they kind of all need a

590
00:34:53,080 --> 00:34:56,200
Speaker 1: kick in the ask, don't they. And she's given a

591
00:34:56,800 --> 00:35:00,680
Speaker 1: like right right, It's like, come on, let's go, let's

592
00:35:00,680 --> 00:35:05,440
Speaker 1: go get some hootspo, get some hustle, let's go. I mean,

593
00:35:05,480 --> 00:35:07,759
Speaker 1: I think we like have you know that. I think

594
00:35:07,760 --> 00:35:10,080
Speaker 1: we've covered sort of the important parts of anything else

595
00:35:10,080 --> 00:35:11,759
Speaker 1: that really stood out to you in this episode. I

596
00:35:11,800 --> 00:35:14,279
Speaker 1: mean the ice cream maker was sort of the the

597
00:35:14,320 --> 00:35:21,080
Speaker 1: only other thing that kind of um yeah, I think

598
00:35:21,120 --> 00:35:24,560
Speaker 1: that was the catalyst to get her out dating. You know,

599
00:35:25,480 --> 00:35:28,960
Speaker 1: that's the first thing we see. It's like the memories

600
00:35:28,960 --> 00:35:30,880
Speaker 1: come back, and it's like, man, I really need to

601
00:35:30,920 --> 00:35:33,480
Speaker 1: move on because this thing is over and dead with dead.

602
00:35:33,560 --> 00:35:36,239
Speaker 1: And by the way, that phone call with one of

603
00:35:36,280 --> 00:35:39,600
Speaker 1: her relatives was hysterical. You don't really hear the word

604
00:35:39,760 --> 00:35:46,640
Speaker 1: wedlock used today. It's so we're only hearing half of it,

605
00:35:46,760 --> 00:35:49,640
Speaker 1: and we know exactly what I would have to say

606
00:35:49,640 --> 00:35:52,920
Speaker 1: that rivals anything in that episode, as as the Golden

607
00:35:53,080 --> 00:35:55,560
Speaker 1: Comedy scene. Is Laurela on the phone with that person,

608
00:35:55,640 --> 00:35:59,719
Speaker 1: I mean, it was just hysterical. And the twelve blueberries

609
00:36:00,360 --> 00:36:05,640
Speaker 1: in the pancakes, I don't know, I see I've seen

610
00:36:05,680 --> 00:36:07,759
Speaker 1: that bit before. I saw that, you know, I've seen

611
00:36:07,800 --> 00:36:11,040
Speaker 1: that bit before in other things. But uh, it was

612
00:36:11,120 --> 00:36:15,080
Speaker 1: just like I to tease us with unique in that way.

613
00:36:15,200 --> 00:36:17,520
Speaker 1: I want to see more Unique. I want to see

614
00:36:17,560 --> 00:36:21,560
Speaker 1: more Michelle. I want to see a full scene with him,

615
00:36:21,600 --> 00:36:23,440
Speaker 1: and it's just like he just had little bits and

616
00:36:23,440 --> 00:36:25,839
Speaker 1: pieces and he had to really you know, I don't

617
00:36:25,840 --> 00:36:30,960
Speaker 1: know's I definitely want. I didn't get my my my

618
00:36:31,080 --> 00:36:34,640
Speaker 1: Michelle moment in this episode, even though that was very good.

619
00:36:35,320 --> 00:36:37,600
Speaker 1: I just he's so he's capable of so much more

620
00:36:38,400 --> 00:36:45,959
Speaker 1: and they didn't give it to him. Yeah. In honor

621
00:36:46,000 --> 00:36:48,840
Speaker 1: of your shirt, shall we do our favorite fashion? What

622
00:36:48,920 --> 00:36:52,920
Speaker 1: did you think of the pigtails? Danielle? What do you

623
00:36:52,920 --> 00:36:57,080
Speaker 1: think of the pigtails? I know, I can see you

624
00:36:57,120 --> 00:36:59,520
Speaker 1: have a lot of thoughts. Pigtails are not my thing.

625
00:36:59,560 --> 00:37:06,200
Speaker 1: I don't like him pass Riley smoking Riley. I don't

626
00:37:06,239 --> 00:37:09,000
Speaker 1: agree on the big tails. I think it's a hard pass.

627
00:37:11,160 --> 00:37:14,000
Speaker 1: I'm gonna that's a big thumbs up for me. Like

628
00:37:14,080 --> 00:37:17,840
Speaker 1: the pig yeah, yeah, I thought they were cute. I

629
00:37:17,880 --> 00:37:23,080
Speaker 1: thought they were sort of important. Yeah, my my fashion

630
00:37:23,200 --> 00:37:26,040
Speaker 1: choice I loved. I think it was like a Levi's

631
00:37:26,200 --> 00:37:29,640
Speaker 1: jacket with them, like a sort of a please I

632
00:37:29,640 --> 00:37:31,960
Speaker 1: don't know what you call that. That caller and it

633
00:37:32,040 --> 00:37:34,960
Speaker 1: was sort of like a was Laura la It was

634
00:37:35,040 --> 00:37:36,799
Speaker 1: Laura Lai wearing it, and it was sort of like,

635
00:37:37,760 --> 00:37:40,040
Speaker 1: we've seen that jacket and she just pulled it off.

636
00:37:40,120 --> 00:37:41,960
Speaker 1: It was just super cool. So that was like a

637
00:37:42,000 --> 00:37:46,560
Speaker 1: fashion moment for me. Um, yeah, you know, my favorite

638
00:37:46,640 --> 00:37:49,399
Speaker 1: fashion moment, even though I don't want to be even

639
00:37:49,440 --> 00:37:54,719
Speaker 1: remotely involved in this discussion right now, bad that's a

640
00:37:54,840 --> 00:37:57,120
Speaker 1: Luke I thought the best piece of wardrobe in the

641
00:37:57,120 --> 00:37:58,840
Speaker 1: whole thing was a Luke shirt. I'm wearing it right now.

642
00:37:58,920 --> 00:38:02,759
Speaker 1: I'm modeling it oldly. Can you say it? Yeah? We

643
00:38:02,800 --> 00:38:05,200
Speaker 1: love it? And wait a minute, it's too, it's too.

644
00:38:05,320 --> 00:38:10,200
Speaker 1: It's exactly how it was appeared in in the episode

645
00:38:10,200 --> 00:38:12,560
Speaker 1: with the yeah Luke does like the shirt under the

646
00:38:12,600 --> 00:38:17,520
Speaker 1: shirt which I'm here for here, wait a minute, I'm

647
00:38:17,520 --> 00:38:21,400
Speaker 1: here for it. So that's my favorite. So let's do

648
00:38:21,440 --> 00:38:26,880
Speaker 1: a favorite lines. What was your favorite line? Danielle favorite, very, funniest, love, funniest, Okay, okay.

649
00:38:27,440 --> 00:38:31,480
Speaker 1: My favorite line was from Rory to Lorele after when

650
00:38:31,520 --> 00:38:34,440
Speaker 1: she's teasing her about the date. Um, Rory goes, he

651
00:38:34,520 --> 00:38:36,399
Speaker 1: must have been a really good boy to deserve such

652
00:38:36,400 --> 00:38:43,040
Speaker 1: a happy day. I bet you let him write a pony. Riley,

653
00:38:44,719 --> 00:38:48,040
Speaker 1: take a break from the bistro, join us. Put the

654
00:38:48,040 --> 00:38:54,839
Speaker 1: whiskey glass down too much? Smoke in this club. We're

655
00:38:54,880 --> 00:38:58,000
Speaker 1: not enough. I loved when they were talking about the

656
00:38:58,080 --> 00:39:00,799
Speaker 1: day two and um, she was talking about talking back

657
00:39:00,800 --> 00:39:03,120
Speaker 1: and forth and so he goes, oh, stealing his burrito.

658
00:39:03,400 --> 00:39:13,080
Speaker 1: You kids, that's good, take care of yourself. Mary that

659
00:39:13,200 --> 00:39:17,319
Speaker 1: we're doing funniest lines. That wasn't funny. That was heartbreak felt.

660
00:39:17,360 --> 00:39:20,960
Speaker 1: That was funny. No, that's not funny. That was my favorite.

661
00:39:21,360 --> 00:39:25,960
Speaker 1: Funniest was definitely I've always wanted a little brother. Um,

662
00:39:29,440 --> 00:39:33,439
Speaker 1: it's a hie I think a laurelized wedlock line when

663
00:39:33,480 --> 00:39:34,960
Speaker 1: she's on the phone. And then there were a couple

664
00:39:35,040 --> 00:39:39,560
Speaker 1: of the lines she delivered after that, Um, she delivered

665
00:39:39,560 --> 00:39:44,000
Speaker 1: a Billy Graham line too. That was very funny. Yah uh.

666
00:39:44,040 --> 00:39:46,520
Speaker 1: And then you know, Luke's just sort of looking at

667
00:39:46,600 --> 00:39:48,680
Speaker 1: the young guy and the father of the young guy

668
00:39:48,719 --> 00:39:51,600
Speaker 1: and saying, who are these people? That made me blurred

669
00:39:51,600 --> 00:39:57,160
Speaker 1: out laughing. Sorry, Dorian listen, if I if I suck,

670
00:39:57,320 --> 00:40:00,080
Speaker 1: I pointed out, but I I like that one. I

671
00:40:00,080 --> 00:40:04,799
Speaker 1: really like that. Uh Riley is it Riley sexy moment?

672
00:40:05,000 --> 00:40:07,200
Speaker 1: Why don't we talk about a little bit about the

673
00:40:07,200 --> 00:40:10,200
Speaker 1: Shakespeare scenes? We didn't talk about We didn't talk about

674
00:40:10,200 --> 00:40:14,839
Speaker 1: the variety of the Shakespeare scenes, and how how so

675
00:40:14,880 --> 00:40:19,840
Speaker 1: many experimental theaters all over New York City, Chicago, Las Angeles, Miami, Texas,

676
00:40:20,040 --> 00:40:23,719
Speaker 1: wherever they are, they're always taking putting King Lear in

677
00:40:23,760 --> 00:40:26,840
Speaker 1: a taxicab. But it just doesn't work, you know. And

678
00:40:26,840 --> 00:40:31,440
Speaker 1: and it was so funny that the writing took it

679
00:40:31,480 --> 00:40:34,520
Speaker 1: in that direction, because then we see how tragic it

680
00:40:34,600 --> 00:40:38,520
Speaker 1: can be when you take Shakespeare out of its time

681
00:40:38,719 --> 00:40:42,160
Speaker 1: and try to, you know, transport it into another era.

682
00:40:42,840 --> 00:40:44,719
Speaker 1: You know. I know for a fact that the Royal

683
00:40:44,800 --> 00:40:50,280
Speaker 1: Shakespeare Company does Gothic versions of Shakespeare because it's budget

684
00:40:50,320 --> 00:40:54,840
Speaker 1: conscious and it and and it sort of suggests, uh,

685
00:40:54,960 --> 00:40:58,400
Speaker 1: the period, so that that's all fine and good, and

686
00:40:58,400 --> 00:41:00,520
Speaker 1: you can get away with that, but when you really start,

687
00:41:01,040 --> 00:41:04,279
Speaker 1: you know, so what did we see? We saw the examples,

688
00:41:04,920 --> 00:41:09,759
Speaker 1: um of the different students groups putting on different displays,

689
00:41:09,800 --> 00:41:11,880
Speaker 1: and I think, I think, what were they? They were

690
00:41:11,920 --> 00:41:14,360
Speaker 1: zany and weird. It didn't work. One was like a

691
00:41:14,400 --> 00:41:19,040
Speaker 1: prehistoric they were caveman. And the one very insulting line

692
00:41:19,080 --> 00:41:21,800
Speaker 1: I thought. I was very offended by it. When Loyal, I,

693
00:41:22,160 --> 00:41:23,960
Speaker 1: you know, Rory came up and said, what's with all

694
00:41:24,000 --> 00:41:27,040
Speaker 1: the grunting and and and Laurel I says, well, we'll

695
00:41:27,040 --> 00:41:30,000
Speaker 1: have to get Luke to translate, and it's like, I thought, wow,

696
00:41:30,040 --> 00:41:35,000
Speaker 1: what a backhand slap, Like the character getting smacked around

697
00:41:35,040 --> 00:41:39,439
Speaker 1: and he's not there to defend himself, Like what what what?

698
00:41:39,480 --> 00:41:42,799
Speaker 1: I'm like, the monosyllabic idiot. What's going on here? It's

699
00:41:42,840 --> 00:41:45,920
Speaker 1: interesting because that's how she sees me as a caveman

700
00:41:45,960 --> 00:41:50,319
Speaker 1: who grunts. That's really interesting that you noticed that too,

701
00:41:50,320 --> 00:41:52,400
Speaker 1: because now it's coming back to me. It is a

702
00:41:52,400 --> 00:41:56,640
Speaker 1: little it's hostile, it's kind of it's condescending. In hostile,

703
00:41:56,760 --> 00:41:59,239
Speaker 1: I'm gonna open up another can of worms. I know

704
00:41:59,280 --> 00:42:01,720
Speaker 1: we're gonna get any mails about this, but I really

705
00:42:01,800 --> 00:42:06,719
Speaker 1: hit me. It really did. Was that though before you

706
00:42:06,760 --> 00:42:10,480
Speaker 1: two had sort of had your moment where you know,

707
00:42:10,560 --> 00:42:13,520
Speaker 1: maybe was she indicating that you were sort of being

708
00:42:13,560 --> 00:42:16,879
Speaker 1: mean to her? Because remember in this episode, you guys

709
00:42:16,880 --> 00:42:19,200
Speaker 1: are you're mad about the fact that she went out

710
00:42:19,200 --> 00:42:21,040
Speaker 1: with this young guy and you sort of were blowing

711
00:42:21,040 --> 00:42:24,080
Speaker 1: her off and she mentions like, hey, we were having

712
00:42:24,080 --> 00:42:26,640
Speaker 1: a real ping pong banter and then you just left.

713
00:42:26,920 --> 00:42:29,759
Speaker 1: So could it have been because you haven't had your

714
00:42:30,920 --> 00:42:34,759
Speaker 1: moment at the end where you really say yeah, I'm

715
00:42:34,760 --> 00:42:36,440
Speaker 1: here for you. Let me tell you something. Do you

716
00:42:36,440 --> 00:42:41,239
Speaker 1: know what kills a relationship or a feeling that you

717
00:42:41,280 --> 00:42:47,680
Speaker 1: have for a person faster than anything sexual jealousy. And

718
00:42:48,160 --> 00:42:53,080
Speaker 1: when a woman that you desire or or even dating

719
00:42:53,840 --> 00:42:56,759
Speaker 1: and you really like her and she starts talking about

720
00:42:56,920 --> 00:43:02,879
Speaker 1: young guys, it's over. Over. So that's what he was experiencing.

721
00:43:03,600 --> 00:43:05,880
Speaker 1: And it might not be over then and there, but

722
00:43:06,040 --> 00:43:08,399
Speaker 1: if there are any difficulties a year or two years

723
00:43:08,440 --> 00:43:11,960
Speaker 1: down the road, that guy is never going to get

724
00:43:11,960 --> 00:43:15,359
Speaker 1: that out of his head. It's gonna be she likes

725
00:43:15,400 --> 00:43:19,040
Speaker 1: young guys, so you know, that's that's the reality that

726
00:43:19,080 --> 00:43:21,560
Speaker 1: older guys are middle aged guys are gonna have to realize.

727
00:43:21,960 --> 00:43:24,520
Speaker 1: You know, he wasn't jealous, he was like irritating. You know,

728
00:43:24,520 --> 00:43:28,200
Speaker 1: if guys like young girls, don't be a hypocrite. Girls

729
00:43:28,200 --> 00:43:31,200
Speaker 1: like young guys, right, So it's like that's just the

730
00:43:31,200 --> 00:43:37,360
Speaker 1: way the world works. But if you're pining for somebody,

731
00:43:37,400 --> 00:43:39,560
Speaker 1: if you're living for somebody, man, and they mentioned a

732
00:43:39,560 --> 00:43:43,640
Speaker 1: young guy, that's it. That's bad. That's a tough one.

733
00:43:44,480 --> 00:43:47,520
Speaker 1: It didn't work out with that guy at all. You know,

734
00:43:47,640 --> 00:43:50,319
Speaker 1: she she was done with well once once Luke met

735
00:43:50,440 --> 00:43:53,839
Speaker 1: him and sold what a goofball he was was just

736
00:43:53,880 --> 00:43:57,920
Speaker 1: like now, he wasn't disturbed by it anymore. He was

737
00:43:58,000 --> 00:44:00,960
Speaker 1: just making fun of her. And I don't think he

738
00:44:01,640 --> 00:44:05,640
Speaker 1: lost respect for her. He felt like, Okay, I'm back

739
00:44:05,719 --> 00:44:07,319
Speaker 1: in the driver's seat. I feel a little more in

740
00:44:07,360 --> 00:44:09,920
Speaker 1: control now. There's nothing to worry about. This kid's like

741
00:44:09,960 --> 00:44:15,359
Speaker 1: a goofball and she's a little lost without me, right,

742
00:44:17,200 --> 00:44:20,919
Speaker 1: which I thought, you know, and I remember making a choice. Uh,

743
00:44:20,960 --> 00:44:22,640
Speaker 1: And I don't know if it was the best choice

744
00:44:22,680 --> 00:44:24,960
Speaker 1: that you could have made. But if you'll notice in

745
00:44:25,000 --> 00:44:27,080
Speaker 1: that scene when she came up at the end, one

746
00:44:27,080 --> 00:44:29,160
Speaker 1: of the last scenes in the whole thing, Yeah, this

747
00:44:29,200 --> 00:44:31,759
Speaker 1: is like the moment and she's coming up to say, hey,

748
00:44:31,840 --> 00:44:35,239
Speaker 1: you know, I still dig you and you're part of

749
00:44:35,239 --> 00:44:36,960
Speaker 1: my life and you know this kind of thing, and

750
00:44:38,000 --> 00:44:42,200
Speaker 1: she she's saying what she's not saying what she mean.

751
00:44:42,520 --> 00:44:44,920
Speaker 1: She's saying what she means without having to be direct

752
00:44:44,920 --> 00:44:50,560
Speaker 1: about it. So, um, and I'm fixing a watch. Oh okay, yeah,

753
00:44:50,680 --> 00:44:52,480
Speaker 1: I tell you, little watch screw driver. I had a

754
00:44:52,520 --> 00:44:55,799
Speaker 1: face open. I was okay, how does Luke know how

755
00:44:55,840 --> 00:45:00,200
Speaker 1: to fix a watch? Couldn't fix it? Toe us to

756
00:45:00,280 --> 00:45:03,040
Speaker 1: write exactly what is he doing, like with an intricate

757
00:45:03,120 --> 00:45:07,160
Speaker 1: piece of jewelry that is very complex? How is he

758
00:45:07,280 --> 00:45:13,960
Speaker 1: in the watch fixing a damn watch? You can't fix

759
00:45:14,000 --> 00:45:19,239
Speaker 1: it building? And so maybe the toaster was just a right,

760
00:45:19,360 --> 00:45:23,160
Speaker 1: right one complex enough right anyway. So so so this

761
00:45:23,239 --> 00:45:26,040
Speaker 1: is a choice that you make, because I remember making

762
00:45:26,080 --> 00:45:29,279
Speaker 1: this choice. And I'm not saying that this was a

763
00:45:29,320 --> 00:45:32,240
Speaker 1: genius choice. It was just a choice because they always

764
00:45:32,239 --> 00:45:35,359
Speaker 1: tell you in acting school the genius is in the choice, right,

765
00:45:35,480 --> 00:45:39,000
Speaker 1: And that's the mark of you know, an actor or

766
00:45:39,040 --> 00:45:41,759
Speaker 1: an actress. What choices are you making? Now? I I

767
00:45:41,800 --> 00:45:44,160
Speaker 1: could have been without that watch. I could have been

768
00:45:44,200 --> 00:45:47,719
Speaker 1: with many other diner like things. A watch is not

769
00:45:47,800 --> 00:45:51,840
Speaker 1: a diner like item at all. And I said to myself,

770
00:45:51,880 --> 00:45:55,120
Speaker 1: and here's here's a perfect example of somebody overthinks. Here's

771
00:45:55,120 --> 00:45:58,919
Speaker 1: a but here's a perfect example somebody overthinking something trying

772
00:45:58,960 --> 00:46:01,680
Speaker 1: to make a point that nobody got. And I don't

773
00:46:01,719 --> 00:46:03,480
Speaker 1: know if they got it or not. But Props came

774
00:46:03,520 --> 00:46:04,560
Speaker 1: to me and says, what do you want to be

775
00:46:04,560 --> 00:46:06,640
Speaker 1: doing in this scene? Because if you know, it's a

776
00:46:06,640 --> 00:46:10,280
Speaker 1: big kind of important scene. I said, And I should

777
00:46:10,280 --> 00:46:12,600
Speaker 1: have said you know, there are any number of things

778
00:46:12,600 --> 00:46:14,560
Speaker 1: I could have done that would have maybe been a

779
00:46:14,560 --> 00:46:18,560
Speaker 1: better choice than trying to fix an interestate piece of

780
00:46:18,640 --> 00:46:23,640
Speaker 1: jewelry that happened to be a watch. Um, I could

781
00:46:23,640 --> 00:46:26,279
Speaker 1: have been doing nothing. I could have been wiping. I

782
00:46:26,320 --> 00:46:29,280
Speaker 1: could have been doing the catchup bottles. I could have been,

783
00:46:30,040 --> 00:46:34,800
Speaker 1: you know, with my receipts. You know, why the watch

784
00:46:35,760 --> 00:46:45,839
Speaker 1: because I thought to myself, in my actor brain, the

785
00:46:45,880 --> 00:46:47,920
Speaker 1: best of the worst choice I think I ever made,

786
00:46:48,520 --> 00:46:52,239
Speaker 1: uh was Luke doesn't know what time it is because

787
00:46:52,360 --> 00:46:56,560
Speaker 1: watch is broken. Luke doesn't know what time it is

788
00:46:58,120 --> 00:47:01,400
Speaker 1: with Laurel I. He doesn't know what time it is

789
00:47:01,560 --> 00:47:05,120
Speaker 1: in his life with her, and he wants to fix

790
00:47:05,200 --> 00:47:08,799
Speaker 1: the watch because she if she's running around with young

791
00:47:08,880 --> 00:47:13,680
Speaker 1: guys and not having deep experiences, then what the hell

792
00:47:13,800 --> 00:47:16,640
Speaker 1: is wrong with me? I'm not mad at that I

793
00:47:16,680 --> 00:47:19,480
Speaker 1: need to fix my watch and be so I can

794
00:47:19,520 --> 00:47:24,480
Speaker 1: know what time it is. I'm not mad at much

795
00:47:24,560 --> 00:47:28,160
Speaker 1: like the door being open when they're going on the

796
00:47:28,239 --> 00:47:30,640
Speaker 1: road trip to Harvard. I'm not mad. So I thought

797
00:47:30,680 --> 00:47:33,239
Speaker 1: of it symbolically and I thought, you know, get me

798
00:47:33,280 --> 00:47:35,360
Speaker 1: a watch. I'll fix a watch because he doesn't know

799
00:47:35,400 --> 00:47:38,040
Speaker 1: what time and I didn't tell them in the prompt

800
00:47:38,120 --> 00:47:40,640
Speaker 1: parts because I looked at no time and it's that's

801
00:47:40,760 --> 00:47:43,680
Speaker 1: that's and they decided to keep it in or like

802
00:47:43,760 --> 00:47:46,920
Speaker 1: it's time for us to sort of move forward. It's

803
00:47:46,960 --> 00:47:50,560
Speaker 1: there are many different interpretations, and I thought, right, look, look,

804
00:47:50,680 --> 00:47:53,360
Speaker 1: look smokey Joe's cafe over there. She you're not on

805
00:47:53,400 --> 00:47:56,719
Speaker 1: your head, right, No, I think that it's genius. It's

806
00:47:56,719 --> 00:47:59,760
Speaker 1: not bad on a certain level. It's kind of genius.

807
00:48:00,440 --> 00:48:02,319
Speaker 1: I don't know if it altogether. And it took me

808
00:48:02,360 --> 00:48:04,000
Speaker 1: a second and then now I'm like, you know what

809
00:48:05,239 --> 00:48:09,640
Speaker 1: I'm in. And he fixed the watch, so it's like

810
00:48:09,800 --> 00:48:16,480
Speaker 1: it's time. I like it. Anyway, there you go, that's

811
00:48:16,520 --> 00:48:20,480
Speaker 1: just a fun I didn't notice the watch, but I

812
00:48:20,520 --> 00:48:24,800
Speaker 1: did notice the importance of that moment and you having

813
00:48:24,840 --> 00:48:29,000
Speaker 1: sort of that last line of like me too, and

814
00:48:29,040 --> 00:48:32,319
Speaker 1: then it kind of we fade out. Well, you know,

815
00:48:32,480 --> 00:48:36,120
Speaker 1: I he became very relaxed, and he's smiling and looking

816
00:48:36,160 --> 00:48:39,520
Speaker 1: down and being a little bit shy. Um. He was

817
00:48:39,560 --> 00:48:43,759
Speaker 1: in love again because he fell out of love. I

818
00:48:43,800 --> 00:48:45,239
Speaker 1: don't know if he don't. I don't know if he

819
00:48:45,480 --> 00:48:48,319
Speaker 1: fully fell out of love. But it was like, is

820
00:48:48,360 --> 00:48:51,400
Speaker 1: this girl just ridiculous and like, am I just know what?

821
00:48:51,600 --> 00:48:55,279
Speaker 1: Like he was confused for that episode? He was, he

822
00:48:55,280 --> 00:48:57,920
Speaker 1: was truly, Yeah, I think you're right. In the end,

823
00:48:57,960 --> 00:49:00,759
Speaker 1: he was very calm and just relaxed. Yeah, I think

824
00:49:00,800 --> 00:49:02,759
Speaker 1: I think his ego took a hit and he sort

825
00:49:02,760 --> 00:49:06,520
Speaker 1: of came back. You know, guys, guys can be delicate creatures.

826
00:49:06,800 --> 00:49:12,399
Speaker 1: You know. You know that, right? Oh, I know, right?

827
00:49:13,239 --> 00:49:17,439
Speaker 1: The rule book? Yeah. Um, but anyway, so I thought

828
00:49:17,480 --> 00:49:21,920
Speaker 1: the different interpretations of Shakespeare was funny. So am I

829
00:49:22,000 --> 00:49:27,879
Speaker 1: an idiot? Or was Rory and Paris's version the real version? Uh? Yeah?

830
00:49:27,880 --> 00:49:31,680
Speaker 1: They Harris insisted that it not be taken out of

831
00:49:31,920 --> 00:49:36,360
Speaker 1: context and not be taken out of its time period. Yeah. So,

832
00:49:37,440 --> 00:49:39,560
Speaker 1: and it was really truly one of the worst acting

833
00:49:39,600 --> 00:49:43,960
Speaker 1: performances of Romeo that you could possibly see. Is it

834
00:49:44,080 --> 00:49:48,680
Speaker 1: hard to be a good actor within a scene acting badly?

835
00:49:49,360 --> 00:49:52,080
Speaker 1: That's that's very difficult. Yeah. So what they did was

836
00:49:52,120 --> 00:49:54,839
Speaker 1: actually hard. Yeah, it's really hard. It's really hard and

837
00:49:54,880 --> 00:49:57,279
Speaker 1: to be funny at the same time. So it's like

838
00:49:57,840 --> 00:50:00,320
Speaker 1: it's like you're you have to please so many odds

839
00:50:00,800 --> 00:50:03,680
Speaker 1: in that regard the acting. Guy, It's it's very demanding

840
00:50:04,320 --> 00:50:06,840
Speaker 1: and so ironic because all of you know, back in

841
00:50:06,880 --> 00:50:10,359
Speaker 1: the time of the Globe Theater, all of the uh

842
00:50:11,480 --> 00:50:14,239
Speaker 1: cast was was men. There were no women, even men,

843
00:50:14,520 --> 00:50:16,520
Speaker 1: even men played the women. So this is a little

844
00:50:16,560 --> 00:50:20,480
Speaker 1: twist on that. So um, yeah, I thought it was.

845
00:50:20,560 --> 00:50:23,800
Speaker 1: It was hysterically funny. What was the other in business suits?

846
00:50:23,800 --> 00:50:28,160
Speaker 1: With Wall Street guys stabbing each other? Right, wasn't there

847
00:50:28,200 --> 00:50:30,680
Speaker 1: something in outer space so quick and subtle that you're

848
00:50:30,719 --> 00:50:34,319
Speaker 1: like even catching this because they always have so much

849
00:50:34,320 --> 00:50:37,279
Speaker 1: else going on, so that you're like, huh wait, what,

850
00:50:37,560 --> 00:50:40,360
Speaker 1: Like there's so much so let's talk about Dean a

851
00:50:40,400 --> 00:50:44,840
Speaker 1: little bit um the Dean Tristan stuff, And I just think,

852
00:50:45,920 --> 00:50:49,080
Speaker 1: oh my god, I mean, it just shows how wayward

853
00:50:50,640 --> 00:50:57,960
Speaker 1: a son Tristan became really to get so grossly so gross,

854
00:50:58,040 --> 00:51:03,880
Speaker 1: But it was fun. See, I didn't mind being witnessing

855
00:51:03,920 --> 00:51:07,359
Speaker 1: that scene. Yes, it's gross, it's disgusting behavior. Is this

856
00:51:07,480 --> 00:51:12,399
Speaker 1: fullower the bust flower And you're just like, oh dude,

857
00:51:13,200 --> 00:51:15,000
Speaker 1: And he even says it Deans like, why have to

858
00:51:15,040 --> 00:51:17,400
Speaker 1: be such a jerk? But it's it's just like jerk

859
00:51:17,560 --> 00:51:21,120
Speaker 1: is the right word. But it's like, is that type

860
00:51:21,120 --> 00:51:25,239
Speaker 1: of evil so much more appealing when it's so relaxed

861
00:51:25,960 --> 00:51:29,520
Speaker 1: and so at ease with itself and so accepting of itself.

862
00:51:30,560 --> 00:51:35,400
Speaker 1: Comfortable right right right, and uh he actually did what

863
00:51:35,480 --> 00:51:38,520
Speaker 1: he had one of the great lines, Hey, you know Roy,

864
00:51:38,640 --> 00:51:41,399
Speaker 1: the I don't know, stockboy, there might be a running beans,

865
00:51:41,400 --> 00:51:44,400
Speaker 1: he might not make it. And it was all like

866
00:51:44,960 --> 00:51:49,720
Speaker 1: it was looking down his nose at the working man, right.

867
00:51:50,000 --> 00:51:53,600
Speaker 1: I mean, it's like so it really the episode itself

868
00:51:54,400 --> 00:51:59,239
Speaker 1: was very Shakespearean, and that the and and that the uh,

869
00:51:59,280 --> 00:52:03,160
Speaker 1: the classes were it was a little class war going on, right,

870
00:52:04,880 --> 00:52:07,920
Speaker 1: conflict between the classes. So it was quite brilliant. I

871
00:52:07,960 --> 00:52:10,640
Speaker 1: thought one of my absolutely these last two episodes, I

872
00:52:10,680 --> 00:52:12,719
Speaker 1: think just hit it out of the park, two of

873
00:52:12,719 --> 00:52:15,880
Speaker 1: my favorites. Uh had so much fun watching both of

874
00:52:15,920 --> 00:52:19,200
Speaker 1: them and laughing, laughing, laughing. You know, I'm softening a

875
00:52:19,239 --> 00:52:21,880
Speaker 1: little bit on Paris, I'm going to admit, but that,

876
00:52:22,120 --> 00:52:26,560
Speaker 1: you know, her reintroduction right away, interrupting Henry and Rory

877
00:52:26,640 --> 00:52:29,680
Speaker 1: in that way so aggressively and so nasty. It's just like,

878
00:52:29,800 --> 00:52:34,640
Speaker 1: go away. It's not funny. It's like it's like it's cartoonish,

879
00:52:34,640 --> 00:52:38,040
Speaker 1: and that you expect her to do this and be

880
00:52:38,160 --> 00:52:40,640
Speaker 1: way over the top with it, and it's like, I

881
00:52:40,680 --> 00:52:43,840
Speaker 1: just wish it was a little more clever and didn't

882
00:52:43,840 --> 00:52:47,719
Speaker 1: take as long. There's like too much verbage. It's like,

883
00:52:47,800 --> 00:52:51,440
Speaker 1: we know she's gonna be this way, like let's present

884
00:52:51,520 --> 00:52:54,880
Speaker 1: her like you know, it's too much of her almost,

885
00:52:54,920 --> 00:52:58,920
Speaker 1: it's like it's it's enough. So I feel it's how

886
00:52:58,960 --> 00:53:03,200
Speaker 1: I feel what I like this episode. And I think

887
00:53:03,200 --> 00:53:06,840
Speaker 1: that it also had that important moment between Luke and

888
00:53:06,880 --> 00:53:08,880
Speaker 1: Laura a lot. So that's the other thing. It's like

889
00:53:08,920 --> 00:53:17,320
Speaker 1: there's always this sort of significant, subtle, important moment, even

890
00:53:17,400 --> 00:53:19,279
Speaker 1: between all the antics and the young guy and the

891
00:53:19,280 --> 00:53:22,760
Speaker 1: burrito and the Romeo and Juliet, and then you're like, wow,

892
00:53:23,960 --> 00:53:25,880
Speaker 1: there is But in terms okay, here's a question that

893
00:53:25,920 --> 00:53:27,680
Speaker 1: popped in my head when I'm watching this episode in

894
00:53:27,800 --> 00:53:31,960
Speaker 1: terms of what she needs, and Lord knows, that could

895
00:53:31,960 --> 00:53:35,480
Speaker 1: be any number of things. Right, is he right for her?

896
00:53:36,760 --> 00:53:41,239
Speaker 1: Can can he handle her? Because she is a you know,

897
00:53:41,400 --> 00:53:46,320
Speaker 1: she's a dynamo, she's a uh you know, she's intellectual,

898
00:53:46,640 --> 00:53:51,440
Speaker 1: she is loose, she is you know, she's a lot

899
00:53:54,239 --> 00:53:56,680
Speaker 1: that is a that is a that is a lot

900
00:53:56,760 --> 00:53:59,719
Speaker 1: of woman there, you know, and that's a lot of

901
00:53:59,719 --> 00:54:02,759
Speaker 1: person sonality and that's a lot of fun. She is,

902
00:54:03,440 --> 00:54:08,200
Speaker 1: you know, she's a really interesting woman, and um, can

903
00:54:08,239 --> 00:54:11,359
Speaker 1: he handle that? Do you think he can handle that?

904
00:54:12,200 --> 00:54:14,040
Speaker 1: And I think that's one of the questions they want

905
00:54:14,080 --> 00:54:16,560
Speaker 1: us to ask when we're watching that are these two

906
00:54:16,600 --> 00:54:23,400
Speaker 1: going to be able to melds? You know? Well, I

907
00:54:23,400 --> 00:54:30,680
Speaker 1: guess we'll say yeah, all right, let's dig in there.

908
00:54:30,760 --> 00:54:33,839
Speaker 1: Those episodes riddled with pop culture. So the first one,

909
00:54:33,920 --> 00:54:36,040
Speaker 1: we have Suki and Roy try to convince Laura to

910
00:54:36,080 --> 00:54:38,600
Speaker 1: keep the ice cream maker, and Suki says, it's true.

911
00:54:38,680 --> 00:54:42,359
Speaker 1: I saw on Martha Stewart, Martha Stewart's American retail businesswoman, writer,

912
00:54:42,400 --> 00:54:45,360
Speaker 1: and television personality. She was named one of People Magazine's

913
00:54:45,440 --> 00:54:49,239
Speaker 1: fifty most Beautiful people in the World. And Martha did

914
00:54:49,280 --> 00:54:51,880
Speaker 1: five months in prison, which we all know. Martha was

915
00:54:51,920 --> 00:54:54,360
Speaker 1: asked what she missed most, and she said the flavor

916
00:54:54,400 --> 00:54:58,600
Speaker 1: of women. Wow. Next we have the children Teacher gives

917
00:54:58,680 --> 00:55:01,759
Speaker 1: examples on the past Shakespeare plays, which we've talked about

918
00:55:02,239 --> 00:55:04,880
Speaker 1: teachers as in my favorite. The climactic last scene was

919
00:55:04,880 --> 00:55:07,200
Speaker 1: set during the final days of the Sunny and Share show.

920
00:55:07,719 --> 00:55:11,520
Speaker 1: Sunny and Share started in the quintessentially seventies TV comedy

921
00:55:11,600 --> 00:55:15,040
Speaker 1: variety show, Sonny and Shares hit songs featured prominently on

922
00:55:15,080 --> 00:55:17,480
Speaker 1: the show, and they would often sing and perform them

923
00:55:17,520 --> 00:55:21,759
Speaker 1: both during in between skits about the monkeys. You're talking

924
00:55:21,760 --> 00:55:27,759
Speaker 1: about the monkeys. Oh sorry, sorry, there isn't monkeys where

925
00:55:27,800 --> 00:55:41,080
Speaker 1: there is coming there is. Hey, sorry, well the monkeys

926
00:55:41,880 --> 00:55:48,280
Speaker 1: talking about the monkeys. One of the most davious Sunny

927
00:55:48,360 --> 00:55:51,680
Speaker 1: and Share songs is I Got You Babe and on Janua,

928
00:55:52,880 --> 00:55:55,759
Speaker 1: Sonny was was sadly killed at a skiing accident while

929
00:55:55,800 --> 00:55:59,040
Speaker 1: on vacation with his family in South like Tahoe. Oh yeah,

930
00:55:59,320 --> 00:56:02,160
Speaker 1: that was like was awful. Yeah, this was awful. I

931
00:56:02,160 --> 00:56:04,319
Speaker 1: thought it was as I didn't remember it being taho Yeah,

932
00:56:04,320 --> 00:56:06,400
Speaker 1: I kind of remember being Askeden too. But one of

933
00:56:06,440 --> 00:56:09,000
Speaker 1: the Kennedys was killed playing football. He skame backwards into

934
00:56:09,000 --> 00:56:11,560
Speaker 1: a tree. Yes, I was awful too. Yeah, that was

935
00:56:11,600 --> 00:56:24,919
Speaker 1: Aspencirfule out there skiing. It's dangerous. Yeah. Next Michael Nesmith died.

936
00:56:25,200 --> 00:56:27,720
Speaker 1: Maybe should skip to the most was the brains behind

937
00:56:27,760 --> 00:56:30,799
Speaker 1: the whole thing. He was the songwriter. Funny scene when

938
00:56:30,800 --> 00:56:33,520
Speaker 1: they did the monkeys like I think one of the

939
00:56:33,560 --> 00:56:35,960
Speaker 1: girls says hey, and then Rory says he and then

940
00:56:35,960 --> 00:56:44,400
Speaker 1: the other girl were the Monkeys, Monkey luisas were the Monkeys,

941
00:56:41,760 --> 00:56:49,239
Speaker 1: the only one one left. Yeah. The Monkeys was the

942
00:56:49,280 --> 00:56:54,360
Speaker 1: seventies television show about a group of struggling musicians included

943
00:56:55,640 --> 00:56:59,320
Speaker 1: I was obsessed last train to Clarksville and I watched

944
00:56:59,360 --> 00:57:04,560
Speaker 1: that they actually outsold the Beatles and the Rolling Stones

945
00:57:04,600 --> 00:57:07,080
Speaker 1: in nineteen sixty seven. And when the Monkeys came to

946
00:57:07,120 --> 00:57:09,759
Speaker 1: England in nineteen sixty seven, the Beatles even threw them

947
00:57:09,800 --> 00:57:14,000
Speaker 1: a big party at the Speakeasy Club. And as we've mentioned, sadly,

948
00:57:14,080 --> 00:57:17,479
Speaker 1: Mickey de Lenz is the only living remaining member. Yeah,

949
00:57:17,800 --> 00:57:22,000
Speaker 1: Michael Nesmith just passed away and he was touring a

950
00:57:22,040 --> 00:57:26,080
Speaker 1: couple of weeks before that at the Greek Theater was

951
00:57:26,120 --> 00:57:31,080
Speaker 1: their final one and like mid November, I know, right,

952
00:57:31,360 --> 00:57:33,000
Speaker 1: and like one more show they were going to do

953
00:57:33,600 --> 00:57:41,000
Speaker 1: a man, I know, so very sad. So going on

954
00:57:41,040 --> 00:57:43,160
Speaker 1: to Paul, Paul and Laura la are talking together and

955
00:57:43,200 --> 00:57:45,560
Speaker 1: Paul gives his theory about being raised by machines in

956
00:57:45,600 --> 00:57:48,280
Speaker 1: the future. Paul says, the Twilight Zone marathon was on

957
00:57:48,320 --> 00:57:51,360
Speaker 1: all week. So The Twilight Zone is American media franchise

958
00:57:51,360 --> 00:57:55,160
Speaker 1: based on the television series created by Rod Serling. Actor

959
00:57:55,240 --> 00:57:57,760
Speaker 1: Leonardo DiCaprio is planning on making a new film with

960
00:57:57,800 --> 00:57:59,960
Speaker 1: Warner Brothers setting The Twilight Zone is one of his

961
00:58:00,080 --> 00:58:04,960
Speaker 1: favorite TV series. Totally in on that, Leo, Le, I

962
00:58:05,000 --> 00:58:08,800
Speaker 1: love the Twilight Zone. That was fantastic. When the Sterling

963
00:58:08,840 --> 00:58:10,840
Speaker 1: went to bed each night, he'd leave his tape recorder

964
00:58:10,880 --> 00:58:13,160
Speaker 1: sitting on his nightstand in case he needed to record

965
00:58:13,200 --> 00:58:15,680
Speaker 1: the dreams he had the night before. All of his dreams,

966
00:58:15,720 --> 00:58:18,360
Speaker 1: both good and bad, ended up inspiring countless episodes of

967
00:58:18,440 --> 00:58:22,400
Speaker 1: The Twilight Zone. Suki makes Michelle promise not to count

968
00:58:22,400 --> 00:58:25,200
Speaker 1: the blueberries in a second. You know what, I got

969
00:58:25,200 --> 00:58:27,640
Speaker 1: a comment? You did? We we talked about the Beatles

970
00:58:27,640 --> 00:58:29,520
Speaker 1: a little bit, The Beetles from a party to speak

971
00:58:29,560 --> 00:58:33,200
Speaker 1: easy rate, the Monkeys, the beatlestrom Party, the Beatles. Some

972
00:58:33,360 --> 00:58:35,880
Speaker 1: bone head just wrote an article in the Washington Post

973
00:58:36,520 --> 00:58:39,760
Speaker 1: about the Beatles and how he's talking about how overrated

974
00:58:39,800 --> 00:58:43,800
Speaker 1: they are. I'm not kidding, I am not kidding. I

975
00:58:43,840 --> 00:58:47,840
Speaker 1: was so incensed. I was so incensed that I actually

976
00:58:48,320 --> 00:58:51,440
Speaker 1: posted a comment on my social media. I don't think

977
00:58:51,440 --> 00:58:53,440
Speaker 1: I said bone head. I would never I would never

978
00:58:53,560 --> 00:58:57,160
Speaker 1: use my platform and and lamb base. Somebody in that great.

979
00:58:57,160 --> 00:58:59,240
Speaker 1: But this guy, I mean, what in the world is

980
00:58:59,280 --> 00:59:02,600
Speaker 1: he thinking about the Beatles? We're talking about the Beatles? Oh?

981
00:59:02,680 --> 00:59:04,840
Speaker 1: He was, he was, he was criticized. He was critiquing

982
00:59:04,920 --> 00:59:09,360
Speaker 1: the Peter Jackson HBO thing behind the scenes writing all

983
00:59:09,400 --> 00:59:11,600
Speaker 1: these songs they were writing to let it be album,

984
00:59:11,920 --> 00:59:15,320
Speaker 1: and this guy that documentary. No, but I've watched pieces

985
00:59:15,400 --> 00:59:17,600
Speaker 1: of it online and brilliant. I think you'll like it.

986
00:59:17,680 --> 00:59:22,120
Speaker 1: And I gotta tell you, you know big, you know

987
00:59:22,160 --> 00:59:25,360
Speaker 1: I've already stated on this podcast the big, biggest moment

988
00:59:25,360 --> 00:59:28,520
Speaker 1: of my my whole career is have I stated at

989
00:59:28,560 --> 00:59:31,600
Speaker 1: this or did I just tell you Amy? I think

990
00:59:31,600 --> 00:59:33,400
Speaker 1: you just told me. Oh, I'm not going to reveal this.

991
00:59:34,640 --> 00:59:38,520
Speaker 1: Should I reveal it? Yes? Like, oh my god, it

992
00:59:38,640 --> 00:59:42,400
Speaker 1: made it. It was so. I was sitting here one

993
00:59:42,480 --> 00:59:44,760
Speaker 1: night and when when you when you when you guys

994
00:59:44,800 --> 00:59:49,560
Speaker 1: dropped the episodes. I listened to them, but I really

995
00:59:49,600 --> 00:59:53,120
Speaker 1: like to listen to the ads, which I love. The

996
00:59:53,160 --> 00:59:55,440
Speaker 1: ads I kind of fast forward to because I've already

997
00:59:55,480 --> 00:59:57,000
Speaker 1: heard the interviews and I heard what you guys do

998
00:59:57,040 --> 00:59:59,200
Speaker 1: with them, and it's all great, and you know when

999
00:59:59,240 --> 01:00:01,000
Speaker 1: you incorporate my notes and I love that, and I

1000
01:00:01,040 --> 01:00:06,440
Speaker 1: appreciate that. Um and uh. But then the ads come on,

1001
01:00:06,720 --> 01:00:11,160
Speaker 1: right and I'm thinking, wow, this is really cool and

1002
01:00:11,200 --> 01:00:15,760
Speaker 1: it's just having your own show. And then hearing these ads,

1003
01:00:15,840 --> 01:00:20,720
Speaker 1: and then the Beatles came on and it was I Me, Me,

1004
01:00:20,920 --> 01:00:24,240
Speaker 1: mind Dad an and and then and then the most expensive,

1005
01:00:24,280 --> 01:00:27,880
Speaker 1: the most famous voiceover artist in the history of voiceover

1006
01:00:27,920 --> 01:00:31,800
Speaker 1: commercial voiceovers is doing the voiceover for the Peter Jackson

1007
01:00:31,920 --> 01:00:35,040
Speaker 1: HBO behind the scenes, let It Writing, Let it be

1008
01:00:35,920 --> 01:00:39,440
Speaker 1: with the Beatles, and I just I just had this

1009
01:00:39,560 --> 01:00:41,920
Speaker 1: moment and I started to tear up, and I just

1010
01:00:42,560 --> 01:00:46,040
Speaker 1: I couldn't believe it. I couldn't believe it. And it

1011
01:00:46,120 --> 01:00:47,920
Speaker 1: was of all the great things that have happened to

1012
01:00:47,920 --> 01:00:51,360
Speaker 1: me in this business, that was the big moment. That

1013
01:00:51,440 --> 01:00:53,320
Speaker 1: was the big and I did And I didn't tell

1014
01:00:53,360 --> 01:00:57,880
Speaker 1: you this because I remember, Yeah, I used to sit

1015
01:00:57,920 --> 01:01:00,920
Speaker 1: in my sister's room and used to listen to this

1016
01:01:01,000 --> 01:01:09,880
Speaker 1: album and she passed away. Mm hmm, okay, not to

1017
01:01:09,920 --> 01:01:13,800
Speaker 1: be a town. But I just, mistress, I kept listening

1018
01:01:13,800 --> 01:01:17,120
Speaker 1: to the ad on the show, and I kept thinking

1019
01:01:17,120 --> 01:01:20,280
Speaker 1: of my sister, and you know, my wife came in

1020
01:01:20,320 --> 01:01:22,160
Speaker 1: and comforted me, and it was just it was just

1021
01:01:22,400 --> 01:01:24,120
Speaker 1: but this show means so much to me and I

1022
01:01:24,120 --> 01:01:26,960
Speaker 1: thank you guys. I really really want to thank you guys.

1023
01:01:26,960 --> 01:01:29,000
Speaker 1: And I called Amir and I shared this with her

1024
01:01:29,000 --> 01:01:31,960
Speaker 1: because it was a big moment in my life. Um,

1025
01:01:32,000 --> 01:01:34,320
Speaker 1: because I grew up just loving the Beatles so much,

1026
01:01:34,360 --> 01:01:37,000
Speaker 1: and I know everybody, everybody from my generation and even

1027
01:01:37,000 --> 01:01:40,280
Speaker 1: the new generation discovering and this guy wrote an article,

1028
01:01:41,280 --> 01:01:45,520
Speaker 1: you know, uh, criticizing as that they're overrated. And I

1029
01:01:45,680 --> 01:01:48,080
Speaker 1: just want to say to this guy, if you're listening,

1030
01:01:48,160 --> 01:01:51,560
Speaker 1: you don't have any idea what it takes to write

1031
01:01:51,560 --> 01:01:57,520
Speaker 1: a song or how brilliant Paul McCartney, George Harrison, John

1032
01:01:57,600 --> 01:02:00,440
Speaker 1: Lennon and Ringo star are as a group and the

1033
01:02:00,480 --> 01:02:04,480
Speaker 1: way they created those songs. It was absolutely captivating to

1034
01:02:04,520 --> 01:02:06,200
Speaker 1: watch the little bit that I watched, and I will

1035
01:02:06,240 --> 01:02:09,560
Speaker 1: watch the whole thing, but wow, wow, Well, can I

1036
01:02:09,600 --> 01:02:11,600
Speaker 1: just say how grateful we are to have you, That

1037
01:02:11,640 --> 01:02:14,520
Speaker 1: we have a you guys like and I don't, I

1038
01:02:14,560 --> 01:02:16,680
Speaker 1: don't mean to like, but we have a guy who

1039
01:02:16,720 --> 01:02:19,320
Speaker 1: cares so much about this show that he's doing for

1040
01:02:19,360 --> 01:02:24,120
Speaker 1: you all that he enjoys the commercials. Think about that

1041
01:02:24,160 --> 01:02:27,600
Speaker 1: when you guys are listening, like Scott the show and

1042
01:02:27,640 --> 01:02:30,200
Speaker 1: what he's doing. So it's just like, oh my, it's

1043
01:02:30,200 --> 01:02:32,720
Speaker 1: a reflection of the fan base, right and it's like,

1044
01:02:33,280 --> 01:02:36,120
Speaker 1: you know, we can't do this without them, and they're

1045
01:02:36,280 --> 01:02:39,720
Speaker 1: loving this for the most part. You know, there's a

1046
01:02:39,760 --> 01:02:43,840
Speaker 1: couple of we can take we can take this the arrows,

1047
01:02:43,840 --> 01:02:48,000
Speaker 1: like when they say this show was of arrows of

1048
01:02:48,080 --> 01:02:53,440
Speaker 1: outrageous fortune, you know, Jesus, those are there's some arrows

1049
01:02:53,480 --> 01:02:55,720
Speaker 1: coming at us, but it's we can take it. Uh.

1050
01:02:56,480 --> 01:02:58,440
Speaker 1: But anyway, I just wanted to Shay that I didn't

1051
01:02:58,440 --> 01:03:00,600
Speaker 1: know that I was going to share that. I'm so

1052
01:03:00,680 --> 01:03:03,480
Speaker 1: glad you did because I didn't say anything because I

1053
01:03:03,560 --> 01:03:05,760
Speaker 1: just knew it was like a important moment for you.

1054
01:03:05,800 --> 01:03:08,800
Speaker 1: But I'm so glad anyway, to the Washington Post writer,

1055
01:03:11,040 --> 01:03:15,520
Speaker 1: up your bippy, there you go. I knew Riley. Listening

1056
01:03:15,560 --> 01:03:19,040
Speaker 1: to Riley, this seems like the perfect moment to talk

1057
01:03:19,080 --> 01:03:22,520
Speaker 1: about Pamela and Tommy Lee. Okay, if I've ever known

1058
01:03:22,560 --> 01:03:31,640
Speaker 1: a moment that seemed perfect. So Laureliza sell it on

1059
01:03:31,680 --> 01:03:34,000
Speaker 1: the internet. Make a fortune. First, we bought you Pamela

1060
01:03:34,000 --> 01:03:36,440
Speaker 1: and Tomi Lane. Now we prepare yourself for the crazy

1061
01:03:36,480 --> 01:03:39,600
Speaker 1: antics of Rory and the Bard Pamela Anderson as a

1062
01:03:39,720 --> 01:03:44,160
Speaker 1: Canadian American actress, model, producer, author, activist, and former show girl,

1063
01:03:44,440 --> 01:03:46,880
Speaker 1: known for the roles on the television series Home Improvement,

1064
01:03:46,880 --> 01:03:49,640
Speaker 1: Baywatch and v I P. For a time, UM, she

1065
01:03:49,760 --> 01:03:53,280
Speaker 1: was known as Pamela Anderson, Pamela Anderson Lee, or Pamela

1066
01:03:53,360 --> 01:03:56,800
Speaker 1: Lee after marrying Motley Crue drummer Tommy Lee. The first

1067
01:03:56,840 --> 01:04:00,200
Speaker 1: time they met in Pameless says, he came up and

1068
01:04:00,240 --> 01:04:04,640
Speaker 1: grabbed me and licked my face for me. That's the

1069
01:04:04,760 --> 01:04:08,520
Speaker 1: guy for me, mom, Dad, I found him and they

1070
01:04:08,560 --> 01:04:16,160
Speaker 1: are known to have very tumultual tumultualists tumultuous, tumultuous roller

1071
01:04:16,160 --> 01:04:20,480
Speaker 1: coaster of a relationship. Thank you. And the reference here

1072
01:04:20,560 --> 01:04:23,400
Speaker 1: was kind of racy because it was referring to their

1073
01:04:23,800 --> 01:04:27,480
Speaker 1: infamous video I won't say more. You gotta keep it

1074
01:04:27,520 --> 01:04:32,280
Speaker 1: clean here listening, um. Next, we have Laura Lee tells

1075
01:04:32,360 --> 01:04:34,840
Speaker 1: Rory about the date and that that he's an outdoorsy guy.

1076
01:04:34,920 --> 01:04:37,479
Speaker 1: Laura I says, plus, he's outdoorsy and remember that Meryl

1077
01:04:37,520 --> 01:04:39,880
Speaker 1: Streep movie where she and her family take a rafting

1078
01:04:39,920 --> 01:04:42,520
Speaker 1: trip to the Then psycho Kevin Bacon forces them to

1079
01:04:42,520 --> 01:04:46,280
Speaker 1: take him down the river. The river Wild is American

1080
01:04:46,320 --> 01:04:50,400
Speaker 1: adventure film um starring Meryl Streep, Kevin Bacon, John c Riley,

1081
01:04:50,480 --> 01:04:54,240
Speaker 1: Benjamin Bratt, and Joseph Mazzello. One day on set, exhausted,

1082
01:04:54,240 --> 01:04:56,760
Speaker 1: Meryl Streeps was swept off her raft and it was

1083
01:04:56,800 --> 01:04:59,840
Speaker 1: in danger of drowning before she was rescued. And Kevin

1084
01:05:00,000 --> 01:05:02,320
Speaker 1: it can start in a movie seven years earlier called

1085
01:05:02,360 --> 01:05:05,439
Speaker 1: Whitewater Summer, in which he also played a villainous character

1086
01:05:05,480 --> 01:05:09,120
Speaker 1: in a movie dealt with whitewater rafting. Weird, But I

1087
01:05:09,160 --> 01:05:10,680
Speaker 1: did like The River Wild. I think it's kind of

1088
01:05:10,680 --> 01:05:12,920
Speaker 1: like a good bad mon. Kevin Bacon didn't scare me

1089
01:05:12,960 --> 01:05:17,040
Speaker 1: in that film. He was scarier in hollow Man. But

1090
01:05:17,320 --> 01:05:19,680
Speaker 1: we don't need to talk about but that character. That

1091
01:05:19,760 --> 01:05:25,360
Speaker 1: character has to scare you. He looked like he was rough. Yeah,

1092
01:05:25,560 --> 01:05:27,600
Speaker 1: I didn't think he didn't scare me. And he's a

1093
01:05:27,720 --> 01:05:30,600
Speaker 1: terrific actor. I mean, he really truly is. But I

1094
01:05:30,680 --> 01:05:32,680
Speaker 1: just did not think he was right for that role.

1095
01:05:32,760 --> 01:05:34,680
Speaker 1: That's my opinion. I was up for that film. I

1096
01:05:34,760 --> 01:05:39,760
Speaker 1: was not pleased. I was very close to working with Street.

1097
01:05:40,240 --> 01:05:44,240
Speaker 1: Damn it so sorry. It's a good movie. I didn't

1098
01:05:44,240 --> 01:05:50,000
Speaker 1: think he was right for the part. I don't last

1099
01:05:50,040 --> 01:05:51,720
Speaker 1: one we have on the list. Laura La tries to

1100
01:05:51,760 --> 01:05:53,440
Speaker 1: cheer up Rory and says we will take her for

1101
01:05:53,480 --> 01:05:55,720
Speaker 1: U some retail therapy. Laura Lice as I mean it.

1102
01:05:55,840 --> 01:05:57,920
Speaker 1: Today's to day. We're finally going to Spring for the

1103
01:05:57,920 --> 01:06:01,000
Speaker 1: power puff Girls shot Glasses The power up Puff Girls

1104
01:06:01,000 --> 01:06:04,760
Speaker 1: in American superhero animated television series for the Cartoon Network.

1105
01:06:05,160 --> 01:06:08,800
Speaker 1: George Jetson of the Jetsons in two occasionally appears in

1106
01:06:08,840 --> 01:06:11,960
Speaker 1: the background flying in his space car as Blossom, Bubbles,

1107
01:06:11,960 --> 01:06:14,880
Speaker 1: and Buttercup are in a flight to a rescue. They

1108
01:06:14,880 --> 01:06:17,440
Speaker 1: were originally known as the Wood Bass Girls, and the

1109
01:06:17,480 --> 01:06:21,800
Speaker 1: series premiere in Monkey See Doggie Do Mommy Frist was

1110
01:06:21,840 --> 01:06:25,720
Speaker 1: the highest rated debut in Cartoon Network history, and originally

1111
01:06:25,920 --> 01:06:30,280
Speaker 1: filming for Powerpuff Girls began in Spring for a reboot,

1112
01:06:30,320 --> 01:06:34,120
Speaker 1: but since the pilot is now being reworked, we're expected

1113
01:06:34,160 --> 01:06:38,400
Speaker 1: to see it sometime in two at the earliest. And

1114
01:06:38,440 --> 01:06:45,160
Speaker 1: that's your pop. Thank you, You're welcome. That was that

1115
01:06:45,280 --> 01:06:48,240
Speaker 1: was riveting. The voice that you're using, the voice that

1116
01:06:48,280 --> 01:06:52,760
Speaker 1: you possess. Now, if you could bottle that, I'll do

1117
01:06:52,840 --> 01:06:55,880
Speaker 1: some lines and then maybe like record them and replay them.

1118
01:06:55,920 --> 01:07:00,200
Speaker 1: I think you should actually, honestly, the time you got

1119
01:07:00,200 --> 01:07:04,640
Speaker 1: to capture it. Now, you know, I gotta make some

1120
01:07:04,720 --> 01:07:08,360
Speaker 1: cold You gotta do it. You gotta do it. Just

1121
01:07:08,360 --> 01:07:10,840
Speaker 1: just like take a day. Just take the day and

1122
01:07:10,880 --> 01:07:13,200
Speaker 1: come up with it. Yeah, you might want to record

1123
01:07:13,240 --> 01:07:16,120
Speaker 1: this is Ryley and this is your book. Yes, yes,

1124
01:07:16,600 --> 01:07:19,000
Speaker 1: it's a great impression. Just have just had fun with

1125
01:07:19,040 --> 01:07:20,720
Speaker 1: it and then send it off the east and you

1126
01:07:20,720 --> 01:07:23,600
Speaker 1: know that that Mad Scientists is gonna be pulling some drinks.

1127
01:07:24,560 --> 01:07:26,640
Speaker 1: Episode is next week. I think we have one more week,

1128
01:07:26,760 --> 01:07:30,240
Speaker 1: one more episode before you leave on Christmas vacation. We'll

1129
01:07:30,240 --> 01:07:32,360
Speaker 1: be gone for one week. Don't worry, it's gone one week.

1130
01:07:32,680 --> 01:07:36,520
Speaker 1: I think we have one more so any minute, so peop,

1131
01:07:36,520 --> 01:07:39,000
Speaker 1: we're trying to squeeze in one more before Santa comes.

1132
01:07:39,000 --> 01:07:42,200
Speaker 1: So we got the Bracebridge Dinner. That's episode ten right,

1133
01:07:43,000 --> 01:07:49,400
Speaker 1: season two, big episode. Um, I think we're good, guys.

1134
01:07:49,600 --> 01:07:51,840
Speaker 1: Do we have any fun? That's the problem with you guys.

1135
01:07:51,840 --> 01:07:53,440
Speaker 1: I don't. I never have any fun with you guys.

1136
01:07:53,440 --> 01:07:54,880
Speaker 1: That's the problem. We're gonna have to work on that.

1137
01:07:54,960 --> 01:07:57,520
Speaker 1: Let's work on that and then we'll come back and

1138
01:07:57,640 --> 01:08:03,760
Speaker 1: we'll have more fun. I head of blast, I missed this.

1139
01:08:04,640 --> 01:08:06,760
Speaker 1: My god, we haven't gotten together in a couple of days.

1140
01:08:06,800 --> 01:08:08,560
Speaker 1: We were dropping like an episode a day. We're two

1141
01:08:08,560 --> 01:08:15,160
Speaker 1: episodes a day, just carpet bombing everybody. Here's twenty episodes.

1142
01:08:15,320 --> 01:08:20,040
Speaker 1: Go ahead, we haven't seen you in really, you know,

1143
01:08:20,960 --> 01:08:26,040
Speaker 1: it's like, wait a minute, Dad, now, mom, Now, we're

1144
01:08:26,040 --> 01:08:28,519
Speaker 1: a little light. We're listening to They just went, hang on,

1145
01:08:28,560 --> 01:08:30,719
Speaker 1: we're not gonna make it. They just dropped another episode.

1146
01:08:30,800 --> 01:08:33,960
Speaker 1: Anyone that listens to this podcast, because most interestingly about podcast,

1147
01:08:34,040 --> 01:08:36,200
Speaker 1: people don't listen to the very last minute, but anyone

1148
01:08:36,280 --> 01:08:38,880
Speaker 1: that does always gets a real treat because we get

1149
01:08:38,920 --> 01:08:42,600
Speaker 1: real nutty. Yeah, it's it's it's really a tradition in

1150
01:08:42,640 --> 01:08:47,240
Speaker 1: our world. It's like because we're so focused and then

1151
01:08:47,240 --> 01:08:49,720
Speaker 1: it just comes apart. That's that's what we how we

1152
01:08:49,800 --> 01:08:53,840
Speaker 1: like to do it. Um Anyway, next week, were like

1153
01:08:53,880 --> 01:08:56,559
Speaker 1: in two days. Yeah, yeah, we'll see. We've seen a

1154
01:08:56,560 --> 01:08:58,320
Speaker 1: couple of days. We're going to do another one in

1155
01:08:58,360 --> 01:09:01,959
Speaker 1: a couple of days. Oh right, we are very excited.

1156
01:09:02,160 --> 01:09:08,600
Speaker 1: All right, anyway, gang, that's gonna do it for Uh,

1157
01:09:08,920 --> 01:09:10,080
Speaker 1: let me try that again. What's the name of the

1158
01:09:10,120 --> 01:09:13,240
Speaker 1: episode again? Runaway little bit? Alright, Gang that's gonna do

1159
01:09:13,280 --> 01:09:16,439
Speaker 1: it for Runaway little Boy season two, episode nine. What

1160
01:09:16,520 --> 01:09:19,439
Speaker 1: a barn burner it was in Norman, It was really

1161
01:09:19,479 --> 01:09:26,320
Speaker 1: a barn burner. Um Riley pelusis otherwise known as Smokey Riley.

1162
01:09:26,400 --> 01:09:31,360
Speaker 1: Now she's gonna record that smoky voice or some voice over.

1163
01:09:31,479 --> 01:09:35,240
Speaker 1: Do re me Danielle Romo, who came in and out

1164
01:09:35,280 --> 01:09:38,800
Speaker 1: of the episode she's she is. I'll tell you. Let

1165
01:09:38,840 --> 01:09:42,519
Speaker 1: me tell you something about daniel Romo. This is one

1166
01:09:42,560 --> 01:09:47,639
Speaker 1: of the busiest producers in all of podcasting. I mean,

1167
01:09:47,680 --> 01:09:52,280
Speaker 1: the three of you are the busiest producers, uh and

1168
01:09:52,439 --> 01:09:54,680
Speaker 1: executive producers of these things. I mean, it's kind of

1169
01:09:54,720 --> 01:09:57,519
Speaker 1: amazing how you have the time to do all this stuff.

1170
01:09:58,080 --> 01:10:01,160
Speaker 1: Speaking of time coming to you, gotta go, I'll show up.

1171
01:10:04,720 --> 01:10:43,639
Speaker 1: We're dragging it out a little bit amy. Thank you, hey, everybody,

1172
01:10:43,680 --> 01:10:47,000
Speaker 1: and don't forget follow us on Instagram at I Am

1173
01:10:47,080 --> 01:10:51,080
Speaker 1: All in podcast and email us at Gilmore at I

1174
01:10:51,240 --> 01:10:54,439
Speaker 1: heart radio dot com. Oh you gil More fans. If

1175
01:10:54,479 --> 01:10:56,439
Speaker 1: you're looking for the best cup of coffee in the world,

1176
01:10:56,479 --> 01:11:00,439
Speaker 1: go to my website for my company scotty P dot com,

1177
01:11:00,560 --> 01:11:02,920
Speaker 1: s c O T t y P dot com, Scott E. P.

1178
01:11:03,080 --> 01:11:13,639
Speaker 1: Dot com Grade one Specialty coffee. Yeah.