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Speaker 1: I am all in. Oh, I am all in with

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Speaker 1: Scott Patterson, an iHeartRadio podcast All Right Everybody, Part two

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Speaker 1: of the season finale Raincoats and Recipes. We got into

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Speaker 1: a bit of a discussion amongst ourselves and we decided

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Speaker 1: we're going to need a part two to just unpack

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Speaker 1: all this. Anyway, Amy, pick up where you left off.

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Speaker 1: You were you were, Oh, here's the thing. I think

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Speaker 1: that I understand what you're saying. Like, I like Rory

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Speaker 1: and Dean too, and I think Jared pattack he's a

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Speaker 1: total babe, and I'm like, kiss, I love it, right,

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Speaker 1: But it's the heartache coming that could be so avoided

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Speaker 1: for Rory if she wasn't making dumb decisions. And Dean

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Speaker 1: it's like she's she's it's very bad. What has happened

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Speaker 1: between Lorelae and Rory that is not good, which we'll

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Speaker 1: talk about, but also the importance of the final scene

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Speaker 1: that is in there for a reason that Rory goes

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Speaker 1: out of the house. She's upset, she's in this thing

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Speaker 1: with her mom, and she calls Dean her boyfriend and

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Speaker 1: quote not at all because Lindsay answers, and then she

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Speaker 1: has that moment that realization of Oh, like, I don't

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Speaker 1: want to say it. How about she screwed up? How

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Speaker 1: about an alternate version of that final scene and let

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Speaker 1: me just put this on your plate and see if

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Speaker 1: you want to take a couple of bites of this. Okay, okay,

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Speaker 1: all right, because I'm going to serve it up hot

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Speaker 1: for you. All right, no silver ware? Are you just

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Speaker 1: gonna have to face eat it? But here we go.

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Speaker 1: What if Flora I didn't come down on her with

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Speaker 1: that lecture and just said to her, I like, where

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Speaker 1: we're going. We'll talk about this in the morning, knowing

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Speaker 1: that anything she said was going to affect her daughter adversely,

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Speaker 1: So why not just say and I'm just spitballing here, guys,

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Speaker 1: I don't know if it's right or wrong. But what

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Speaker 1: about just letting it lay there for the for the night,

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Speaker 1: so that so that Rory could sort it out in

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Speaker 1: her I think, on her own, and then in the morning, like,

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Speaker 1: be a little more gentle about it instead of being like,

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Speaker 1: you know, what do you mean? She is horrified at

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Speaker 1: what her I understand she's horrified, But why are you

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Speaker 1: dumping on your daughter right in the moment and making

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Speaker 1: her feel that big so bad. There is one only

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Speaker 1: one reason why I kind of agree with Scott, and

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Speaker 1: that's because it was her first time. Yeah, so, like

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Speaker 1: it is a very vulnerable like thing and moment. And

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Speaker 1: you know a lot of you know, people in high

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Speaker 1: school or whatever college look like, oh, I wonder what

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Speaker 1: my first time is going to be like or whatever.

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Speaker 1: And Rory painted it out like rainbows and butterflies in

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Speaker 1: her heads, in her head, like she said, I had

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Speaker 1: you know, my first time was with somebody that loves me.

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Speaker 1: Why don't you know? Like so she so she felt

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Speaker 1: like this was like, no, it's it's so, it's so

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Speaker 1: bad thing bad. Think about it, like, it's so bout

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Speaker 1: a year old lady in a bad marriage hooks up

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Speaker 1: with another dude in a bad marriage. Right, that's bad.

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Speaker 1: That's bad. You're eighteen years old and you just slept

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Speaker 1: with someone for your very first time who is married.

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Speaker 1: It's so bad. Yeah, I argue it. It's real, real,

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Speaker 1: real bad, and it is very bad. But but with

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Speaker 1: that being said, like it is such a pivotal sensitive

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Speaker 1: moment for Rory on what just happened. And I although

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Speaker 1: I agree with Loralai and everything she said and how

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Speaker 1: hard she is coming down on her. There is something

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Speaker 1: about there is something about it being Rory's first time

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Speaker 1: that like she wasn't sensitive enough. Oh I don't. I

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Speaker 1: don't know. Here's the thing. I understand where everyone is

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Speaker 1: coming from. And I agree with you, Danielle, because it

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Speaker 1: is like if this was like, let's say her and

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Speaker 1: Dean had slept together before, when they were together, this

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Speaker 1: would be a completely different conversation because they were going

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Speaker 1: back to it. I think because it was her first time,

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Speaker 1: I think Loralai was mad at the situation but didn't

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Speaker 1: take four seconds a second to think about how Rory

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Speaker 1: was feeling. Because for Rory, like you said, it was

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Speaker 1: all rainbows and magic and it was amazing, and then

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Speaker 1: reality said in that she called Dean good mom. If

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Speaker 1: you go, oh okay, let's talk about this, you know

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Speaker 1: about what we witnessed. Is she being a good mom

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Speaker 1: by doing that? I think there's there's no right and

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Speaker 1: no wrong answer. I think everyone's going to handle it differently.

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Speaker 1: Though there was one thing Scott said that what if

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Speaker 1: Laura I never came and had that conver Like, what

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Speaker 1: if Laura I just wasn't there. I think Rory's smart

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Speaker 1: enough where all of that would come to a realization

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Speaker 1: because when she calls Dean, Lindsey picks up. So I

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Speaker 1: think even if Laura she called Dean to prove her

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Speaker 1: mom wrong, essentially she needed him, like you need a boyfriend.

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Speaker 1: And then she's like, oh, my boyfriend's married. Yeah, guys,

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Speaker 1: And she and Rory actually said to Laurel, I I

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Speaker 1: hate you. We have we heard that before. Before she

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Speaker 1: walked out to the door. She says, I hate you, mom.

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Speaker 1: I think she says, I hate you for ruining this

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Speaker 1: for me. Well, I hate She used the word hate.

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Speaker 1: Here's my thing. It's pretty severe. How are we arguing

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Speaker 1: that this is anything but terrible? And no, it's so

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Speaker 1: terribul because two people are living truthfully and expressing their

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Speaker 1: truth and loving each other. So let me ask you this,

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Speaker 1: Scott and society. Do you care about rules or about

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Speaker 1: in the way? What do you care about Rory? Of

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Speaker 1: course I care about Rory, So then why would you

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Speaker 1: ever care about all of these people? No, Rory, do

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Speaker 1: you care about Rory? Yeah? Then why would we ever

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Speaker 1: think this is a good idea in any way? Because

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Speaker 1: Rory will be hurt by this. Now I'm not saying

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Speaker 1: I don't know. Six months down the road, Dean does

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Speaker 1: get divorced. He ends up with Rory. Okay, the pain

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Speaker 1: of this. The one thing that like adults should say

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Speaker 1: to kids is never do this. Don't do this. Listen,

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Speaker 1: wait a minute, don't do this because it's never good.

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Speaker 1: It's always bad, and and not only like look, counselor,

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Speaker 1: if you if you'll approach the bench, counselor Okay, um,

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Speaker 1: I hear you. But here's here are two words that

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Speaker 1: I think for me sum it up. No matter what

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Speaker 1: type of a life you're living, no matter who guides you,

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Speaker 1: no matter what you believe in, we know what's right,

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Speaker 1: we know what's wrong. Okay on the moral morality scale. Sure, Okay,

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Speaker 1: here's here's what I have to say. Life happens. Yes,

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Speaker 1: I agree with that, Okay, and it's it does. It

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Speaker 1: happens to everyone, and we don't always behave in in

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Speaker 1: in a spectacular fashion. So then the question becomes, how

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Speaker 1: do we handle that? What's the best way to handle that?

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Speaker 1: Now we're taking this incident out of outside of the

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Speaker 1: show and putting it into everybody's real life, and that

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Speaker 1: I don't know if anybody wants us to do this

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Speaker 1: is like analysis, paralysis to analysis. But I don't feel

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Speaker 1: like these guys did anything wrong. I don't think. So

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Speaker 1: here's okay, So let's say that that's what life is

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Speaker 1: about out what they're in the argument. This is one

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Speaker 1: of those times, my mat can you see text doctor

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Speaker 1: Goldscher and see if you can do a special up

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Speaker 1: episode with us. Not today, we don't have to do

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Speaker 1: it today, but this week or next week. Because here's

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Speaker 1: the thing, Yeah, Scott, Danielle Tara say we don't care

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Speaker 1: about Lindsay. Just pretend like we don't even know Lindsay, right,

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Speaker 1: So like I'm a believer that like, well we don't

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Speaker 1: because we were not allowed to care about her, for

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Speaker 1: Rory knows they're married. So say, but nobody cares about Lindsay.

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Speaker 1: But this is my point, this is my point. We

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Speaker 1: don't have to care about Lindsay even though, like a

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Speaker 1: good person goes you know, I'm not gonna like hurt Lindsay.

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Speaker 1: But Rory should know. This is what a person man,

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Speaker 1: woman whoever should know. I am setting myself up for

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Speaker 1: pain and in our lives, like we need to know

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Speaker 1: when to not do that. Don't know how in the

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Speaker 1: moment unless you have a lot of experience. It takes

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Speaker 1: a lot of experience. Correct, I get it. They're teenagers.

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Speaker 1: They're never going to do it right. Move would have

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Speaker 1: been You want to know what a baller move would

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Speaker 1: have been? The Rory that we knew years ago, because

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Speaker 1: what's happening is Rory is like devolving. Is that a word? Yeah,

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Speaker 1: I mean I don't know if it's a word, but

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Speaker 1: Rory the Rory I knew would have done. And the

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Speaker 1: baller move is fine. Say they're in that the Dragonfly

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Speaker 1: and they kissed. Then she says, you know what, Dean,

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Speaker 1: clearly we have feelings for each other. You need to

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Speaker 1: go get your straight and call me when it's sorted out.

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Speaker 1: And I answer, baller move. But that's the move. That's

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Speaker 1: a person who not only loves Dean but loves herself.

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Speaker 1: One hundred amen, Amy, Amen to that. Yeah. Absolutely. The

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Speaker 1: one thing I will say, we do have to realize

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Speaker 1: is we're dealing with somebody who is un unbelievably immature.

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Speaker 1: And you hear that just so she took both of

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Speaker 1: them totally. But with the topic of Rory right now,

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Speaker 1: because she goes on to be like he was my

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Speaker 1: boyfriend first, like sister, Yeah, well if that is not

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Speaker 1: an argument, Like, what are you trying to say with that?

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Speaker 1: Let's right, let's face it. They're both coming they're both

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Speaker 1: coming out of they're both coming from dysfunction one degree

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Speaker 1: or another. Yeah, he's coming out of his, she's coming

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Speaker 1: out of hers, and they're coming together and they're being dysfunctional.

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Speaker 1: But it's really nice to watch. But what we're analyzing

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Speaker 1: right now is like the behavior and it's just like

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Speaker 1: they're all acting like you're selfish. True, their brains haven't

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Speaker 1: stopped forming yet. They've got another dumb mistakes. When I

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Speaker 1: was that age too, I made plenty of dumb mistakes

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Speaker 1: when I was at age. That's the age where your

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Speaker 1: heart gets broken, where you get where you get, you know,

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Speaker 1: beat up a little bit, and then you'll learn. But

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Speaker 1: here's there's still in a learning phase. So Loralai says

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Speaker 1: what she says, right, because we're kind of analyzing a

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Speaker 1: bunch of things. Rory's making mistakes and did Loralai handle

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Speaker 1: it right? And it's like, here's why I think Laurela

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Speaker 1: handled it right. I don't think Rory's going to make

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Speaker 1: this same mistake again. She'll make plenty of more, but like,

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Speaker 1: is she gonna go sleep with a married dude again? Probably?

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Speaker 1: I don't think. I don't think you can ever make

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Speaker 1: that same mistake your first time being with your ex

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Speaker 1: who's married, Like that'll never happen again. I think. I

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Speaker 1: think what has happened here is we did not see

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Speaker 1: a scene between Laurel and Rory. We did not in

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Speaker 1: that moment when she was scolding her daughter. I thought

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Speaker 1: we were seeing a scene between Emily and Laurel. I

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Speaker 1: think she morphed into Emily, and and that was a

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Speaker 1: young because because let me finish, let me finish. Laurel

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Speaker 1: has heard that same conversation from Emily from the time

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Speaker 1: she was sixteen, and she's just repeating it, and she's

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Speaker 1: passing that abuse down to her daughter. Agree. I disagree

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Speaker 1: so much because Emily treats Lorelai irrationally and badly for

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Speaker 1: things that Lorela didn't even do. Rory made a terrible

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Speaker 1: mistake here, and Lorelai is not sugarcoating it, She is

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Speaker 1: not condoning it. She is expressing it in and she

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Speaker 1: doesn't raise her voice. She expresses it in a very

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Speaker 1: eloquent Maybe we pull it up and we read through

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Speaker 1: what Lorelai says, because she expresses it so well to say,

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Speaker 1: to point out to her kid, who's who's like lost.

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Speaker 1: I I'm not disputing what she said, Okay, I'm saying that.

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Speaker 1: I don't. I'm questioning the timing and the intensity of it. Okay,

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Speaker 1: That's all I'm saying. I think I think there's a

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Speaker 1: world where where she can say the same thing the

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Speaker 1: next day in a gentler way, in a more loving way. Jackie,

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Speaker 1: will you pull up the train script so we can

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Speaker 1: see it. I don't know. I think she needed. Look,

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Speaker 1: I understand what you're saying, and I fully respect it.

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Speaker 1: I think you make it. Rory's not some screw up.

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Speaker 1: She's not running. She's at Yale and she's doing well

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Speaker 1: and everything's going well. How do you talk to your

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Speaker 1: daughter that way? That is not She's not a screw up.

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Speaker 1: She's a girl who is obviously very s she's screwing up. Okay,

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Speaker 1: so let her screw up. Let her screw up, and

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Speaker 1: let her, let her sleep on it, and let her

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Speaker 1: come to her own conclusion. She already she already did,

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Speaker 1: like she already made that decision herself. She already did

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Speaker 1: screw but let her but let her okay, So let

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Speaker 1: the screw up ferment a little bit overnight and maybe

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Speaker 1: she wakes up and has an awakening it. But allow

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Speaker 1: her that that space, allow her to come up with

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Speaker 1: her own conclusion and go to her mother and say,

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Speaker 1: you know what, Mom, I really screwed up. So you're

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Speaker 1: the dad right in this group because we're kind of

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Speaker 1: winging it. So your kid screws up. Now, I know

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Speaker 1: he's younger. I don't know what what kids screw up.

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Speaker 1: Let's say he lies, right, he cheated on a test

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Speaker 1: or something. Yeah, I did something bad to stay on

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Speaker 1: the cheating. Do you address it that? So let's say

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Speaker 1: he cheats on a test, right, and the school calls

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Speaker 1: me Nick, doesn't shade, he doesn't, he doesn't need I know,

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Speaker 1: give me, give just allow me the makeup story. I'll

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Speaker 1: tell you. I'll tell your kid right away, or do

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Speaker 1: you go okay, sleep on it and we're going to

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Speaker 1: talk tomorrow about No, you do it right. I do

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Speaker 1: it right away, but I do it very gently. I

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Speaker 1: do it very so that's my because you have to

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Speaker 1: know not was she not gentle enough? I think I

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Speaker 1: think she was not. That's why I think there's she

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Speaker 1: is her her she is, that's Emily coming out in her,

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Speaker 1: ripping into her. And I thought that that was a

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Speaker 1: little bit brutal. Look, I don't I don't disagree that

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Speaker 1: it was brutal. I think Lorelei was as brutal as

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Speaker 1: a mom could be, but I think it was necessary. Yeah, okay,

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Speaker 1: so let's look at what so what she says, So

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Speaker 1: this is the part. So Rory thinks the drama is

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Speaker 1: that she didn't tell Loralai she was going to sleep

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Speaker 1: with Dean, right, So she says like, I'm sorry didn't

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Speaker 1: tell you about it first. I didn't know this was

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Speaker 1: going to happen. And it's like, is she delusional with that?

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Speaker 1: Like has Rory lost her mind? That that's what Laurel

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Speaker 1: is going to be upset about? And I think Loralis calm.

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Speaker 1: She says, but he's married. She says, you don't understand, Well,

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Speaker 1: is he still married? And then she says yes, and

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Speaker 1: she says, well, then I understand, and she says it's

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Speaker 1: not working between them. They're not happy, and Lorelis says, oh, Rory,

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Speaker 1: like like she's aren't broken for her daughter. I don't

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Speaker 1: know that she was being harsh. She's just like and

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Speaker 1: then she even gives her another one, like he told

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Speaker 1: you he's leaving her. HeLa was like helping her walk

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Speaker 1: through it? Yeah, like did you realize what? Because because

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Speaker 1: Rory's in this fantasy right now and Lorila is trying

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Speaker 1: to bring her just back to reality a little bit

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Speaker 1: of Like okay, he said this, but like did he?

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Speaker 1: I think? And look, this is really interesting, Laura Leges. You,

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Speaker 1: of all people, the girl who thinks everything through the listmaker,

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Speaker 1: you didn't bother to discuss those things before jumping into

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Speaker 1: bed with a married guy, like she's I think she's

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Speaker 1: showing Rory this is not what she wants to be either.

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Speaker 1: And what about this part, Scott, Like, what about this

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Speaker 1: part where she says he told you he's moving out,

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Speaker 1: that they're getting divot? Okay, listen, Like I said before,

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Speaker 1: I am not disputing the Lurlize right to say these

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Speaker 1: words to her daughter. I'm not disputing this. All I'm

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Speaker 1: saying is and I was asking you to speculate, and

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Speaker 1: we have very successfully. I think is there another time

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Speaker 1: and another intensity in order to have this conversation with

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Speaker 1: Rory like in a real world sense. I mean if

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Speaker 1: you if your daughter did this, or if my son

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Speaker 1: did this, you know, what's the reaction. I mean, the

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Speaker 1: reaction is as important as the incident, right, in terms

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Speaker 1: of how it impacts the child, and how the child's

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Speaker 1: going to process it, and how the child's going to

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Speaker 1: resolve it. Like, wouldn't you rather have your child resolve

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Speaker 1: it within themselves in their own time? Why wouldn't you

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Speaker 1: trust your if you've done such a great job raising

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Speaker 1: your child. Yeah, so all she's reacting to, Yes, I

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Speaker 1: think she's angry at herself. I think she's angry at herself, like,

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Speaker 1: this is my deficiency as a parent, and this is

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Speaker 1: my guilt as being a single mother that doesn't trust

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Speaker 1: you enough. Now, I'm not going to trust you enough

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Speaker 1: to resolve this within yourself because you made this horrible decision.

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Speaker 1: Everybody makes horrible decisions. But who are we as parents,

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Speaker 1: or as a mother, or or as a sister or brother,

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Speaker 1: whoever you know, to come down on somebody that hard immediately? Right?

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Speaker 1: I don't agree with that. I think there's another world

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Speaker 1: where you where you respect your child or you respect

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Speaker 1: your friend to oh this dawns on me the next

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Speaker 1: day or the next two days and you just sort

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Speaker 1: of sit by and you watch, and they come you

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Speaker 1: and say, you know what, I think I screwed up

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Speaker 1: really bad here, And you go, why do you think

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Speaker 1: you're screwed up? Yep, Okay, I them come to the

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Speaker 1: realization there's more power there. So I don't I like

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Speaker 1: what you're saying. And I think there is there is

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Speaker 1: some truth or or correctness what I don't know what

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Speaker 1: the word is to the idea of Lorala saying to Rory,

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Speaker 1: you need to really think about what you've just done.

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Speaker 1: You need to really think about it, and then leaving

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Speaker 1: it and off she goes. So that I agree that

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Speaker 1: there is some right potential there that Rory comes to

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Speaker 1: it herself. But I also the two things can be true,

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Speaker 1: and that I think Loralai handled it in a way

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Speaker 1: that I actually was like, I don't know if impressed

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Speaker 1: is the right word, but I think Laura handled You

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Speaker 1: were just impressed with this may you were just impressed

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Speaker 1: with the scene and how it made pressed with Okay,

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Speaker 1: And that's your soul's parenting or abusing your daughter. Is

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Speaker 1: there a world where you can see that she's abusing

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Speaker 1: her daughter when her daughter is in an emotional state,

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Speaker 1: a completely a vulnerable state, and she's bashing her child

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Speaker 1: to the point where her child goes outside and breaks down.

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Speaker 1: Think she doesn't break down her mom is right though, Yeah,

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Speaker 1: she didn't break down because of the arguments of her

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Speaker 1: mother's right. It's not about her mother at this point.

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Speaker 1: It's about what that child's going through and allowing her

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Speaker 1: to process that all on her own and come to

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Speaker 1: her own realization. Look, I like where you're going with that.

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Speaker 1: I think in a perfect world it would have been

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Speaker 1: better for Rory to realize she made this mistake on

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Speaker 1: her own. But I think that Danielle and Tara are

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Speaker 1: correct and that they're saying She storms off like you

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Speaker 1: don't know what you're talking about, Mom, I hate that

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Speaker 1: you're ruining this for me. And then when she calls

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Speaker 1: and Lindsay answers, in a moment, she realizes what she's

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Speaker 1: done and that Morlay is right. Jackie, can you pull

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Speaker 1: up the script again? We went through it like way

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Speaker 1: too fast. There's some really important things in there. And Scott,

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Speaker 1: I think that you're coming to this from a place

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Speaker 1: of such a being such an incredible parent, right, Like

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Speaker 1: we've all talked about it like your most important, yeah,

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Speaker 1: mission on this planet is to be a dad, right,

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Speaker 1: And so I think it's why you're feeling so much

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Speaker 1: pain for Rory, right because I think that you're you

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Speaker 1: feel what your child feels, right like you're this incredible

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Speaker 1: dad like for people listening, like Scott is the kind

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Speaker 1: of parent that like you can't we can't even describe

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Speaker 1: it in words like he is so it's his biggest life,

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Speaker 1: Like I believe you would do anything, you die for

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Speaker 1: your kid, right, Like dare I say it all in?

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Speaker 1: All in, I think any parent is. But I just

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Speaker 1: don't think it's I think that this kind of thing

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Speaker 1: gets passed down. Now, Rory's going to do this to

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Speaker 1: her kid. Emily did it to her, she did, Laureli

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Speaker 1: is doing it to Rory. Rory's going to do it

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Speaker 1: to her kid. And I don't think it's okay, breaks

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Speaker 1: an erotic chain. Let the child deal with it, Daniel,

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Speaker 1: take your headphones off. Scott. I like what you're saying

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Speaker 1: because I think this is such a pivotal moment in

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Speaker 1: Rory's life. Now. I can't explain if it why, but

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Speaker 1: we all know in the movies that Rory has not

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Speaker 1: achieved what we sort of thought she would, right, And

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Speaker 1: I'm wondering if this isn't one of the pivotal moments

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Speaker 1: that took her sideways, especially you know how we're talking

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Speaker 1: about that she's devolving. Like, I agree with you on

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Speaker 1: that now, I don't want to I'm not blaming Laureli there.

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Speaker 1: I'm blaming maybe Rory's bad decision making whatever. So we

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Speaker 1: will debate that as time goes on. Scott, I think

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Speaker 1: one of the things, and forgive me for saying it,

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Speaker 1: is that because you are such you're such a I

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Speaker 1: don't know what the word is for the type of

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Speaker 1: parent you are, but like you're such a good parent, right,

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Speaker 1: But I think it might be clouding your judgment here

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Speaker 1: with I do think Lorelai handled it really well because

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Speaker 1: she's saying, I scroll down a little bit. Whoever can

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Speaker 1: control this thing? I think it's so important when she says,

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Speaker 1: here we go, she wants to take Rory's side. She

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Speaker 1: wants Rory to stay to her. Yes, he's getting divorced,

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Speaker 1: he's moving out, he has a lower and they've divided

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Speaker 1: up the Monster Truck tickets. But Rory says so she

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Speaker 1: asks her that because I think if Rory would have said, yes,

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Speaker 1: he told me they're getting divorced. You know, they're working

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Speaker 1: it all out as we speak, Lorela might have been like,

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Speaker 1: all right, but what she says, we didn't get around

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Speaker 1: to discussing everything, you know what. And then the ring

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Speaker 1: thing is such a gut punch. She's like, is he

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Speaker 1: wearing his ring? He took the ring off when they slept.

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Speaker 1: You know what? This is? This is a classic case

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Speaker 1: so bad. This is a classic case of of of

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Speaker 1: a mother being jealous of their own daughter. No, okay,

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00:24:20,440 --> 00:24:23,399
Speaker 1: let me let me because jealous because she got she

397
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Speaker 1: got into Yale, and she's finding deep love and she's

398
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Speaker 1: asserting her independence all at the same time in the house.

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Speaker 1: So she perceived that to be disrespectful to her. No,

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Speaker 1: And I think that's lorealized dysfunction. I have a I

401
00:24:40,040 --> 00:24:42,720
Speaker 1: have a note on that, because I mean, as we've

402
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Speaker 1: seen the last four seasons, there's always parallels between Lorlai

403
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Speaker 1: and Rory. I don't think she's jealous Lorla. I don't

404
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Speaker 1: think he's jealous of Rory. What I think is understanding

405
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Speaker 1: and and Rory makes this point by you know you

406
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Speaker 1: did this with dad and she Mary when Sherry was pregnant,

407
00:25:01,359 --> 00:25:05,480
Speaker 1: which was out burn. But Lorala did this right, So

408
00:25:05,520 --> 00:25:07,480
Speaker 1: like we do have to understand this did happen to

409
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Speaker 1: Lorala and it crushed her. It literally physically crushed her

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Speaker 1: because she doesn't want that for her daughter. You know

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Speaker 1: what I mean saying Lola didn't know her, but she

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Speaker 1: need but or not she was pregnant or not, he

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Speaker 1: was with her, she didn't know that. No, they were

414
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Speaker 1: on the outs. This is so I'm getting so mad

415
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Speaker 1: about this because I could be wrong, but I'm pretty

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Speaker 1: sure I'm not. They Sherry and Christopher were sort of

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Speaker 1: it was not they were. They were together, and they

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Speaker 1: got back together because Sherry called Christopher to say I'm pregnant.

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Speaker 1: So any that Rory making that argument today today, today,

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Speaker 1: what years ago. I'm getting so upset. I'm gonna let

421
00:25:53,960 --> 00:25:56,680
Speaker 1: you're right. I take it back. That was such an

422
00:25:56,880 --> 00:26:01,440
Speaker 1: incorrect low blow the bride to make and just made

423
00:26:01,440 --> 00:26:05,400
Speaker 1: her seem more idiotic because it's like, that's not even correct.

424
00:26:06,840 --> 00:26:10,440
Speaker 1: That wasn't they weren't together. How does Laura expect Rorya

425
00:26:10,520 --> 00:26:14,520
Speaker 1: to behave in some kind of puritanical way or a

426
00:26:14,600 --> 00:26:19,400
Speaker 1: correct way. You're bitanical without setting the example for it

427
00:26:19,600 --> 00:26:24,359
Speaker 1: in her in her how she lives her life, doesn't

428
00:26:24,560 --> 00:26:30,040
Speaker 1: date Mary an example? Is she setting scar Max Medina, Hello,

429
00:26:30,720 --> 00:26:33,480
Speaker 1: those chickens are coming home to roost. There's been some

430
00:26:33,560 --> 00:26:39,320
Speaker 1: inappropriate things going on. Yes, that's her teacher. She wasn't

431
00:26:39,359 --> 00:26:42,440
Speaker 1: respecting Rory's space at all. Now she's doing it again.

432
00:26:43,880 --> 00:26:47,560
Speaker 1: How do you expect your daughter to learn the lessons

433
00:26:47,640 --> 00:26:53,040
Speaker 1: on how to behave in extraordinary situations if you're not

434
00:26:53,119 --> 00:26:58,280
Speaker 1: setting the proper examples. Were boundaries were her boundaries? They're not.

435
00:26:58,320 --> 00:27:00,720
Speaker 1: I'll give you part of that, and that you could

436
00:27:00,800 --> 00:27:05,119
Speaker 1: be right that Rory made this choice because Lorelai didn't

437
00:27:05,119 --> 00:27:10,640
Speaker 1: teach her better. But Loreli is not crossing boundaries by

438
00:27:10,680 --> 00:27:14,720
Speaker 1: saying to her kid, who she just caught having sex

439
00:27:14,760 --> 00:27:17,480
Speaker 1: with a married guy in her house under her roof,

440
00:27:17,960 --> 00:27:21,720
Speaker 1: Like that is not okay. I don't think Lorelai is

441
00:27:21,720 --> 00:27:26,000
Speaker 1: a perfect person, right. I think that's the point of

442
00:27:26,040 --> 00:27:32,680
Speaker 1: this scene. Like, I don't think Rory gets to be Look,

443
00:27:32,880 --> 00:27:35,159
Speaker 1: Rory did what she did. She slept with Dean, she

444
00:27:35,280 --> 00:27:37,399
Speaker 1: did it. But all that her mom is doing is

445
00:27:37,440 --> 00:27:42,000
Speaker 1: pointing out to her he is married. This isn't good

446
00:27:42,160 --> 00:27:46,080
Speaker 1: and guess what. Loril's right, because Rory went to call

447
00:27:46,200 --> 00:27:48,520
Speaker 1: her boyfriend that she just lost her virginity too, and

448
00:27:48,680 --> 00:27:52,159
Speaker 1: his wife answered, I don't understand how we argue that

449
00:27:52,280 --> 00:27:56,239
Speaker 1: any different way Rory blew it. Rory screwed up, Like,

450
00:27:56,280 --> 00:27:59,280
Speaker 1: how do we argue that she didn't screw up. Nobody's

451
00:27:59,400 --> 00:28:02,880
Speaker 1: arguing that she didn't that she didn't screw up. That's

452
00:28:02,920 --> 00:28:07,840
Speaker 1: not the point. The point is how Lauraa handled it. Yeah,

453
00:28:07,840 --> 00:28:10,239
Speaker 1: I mean, I thought Laura handled it perfectly, but I

454
00:28:10,280 --> 00:28:14,280
Speaker 1: can respect that. I respect where you're coming from in that.

455
00:28:14,480 --> 00:28:17,480
Speaker 1: I do think it would be interesting if Laura handled

456
00:28:17,480 --> 00:28:21,439
Speaker 1: it differently and said this is major. We need to

457
00:28:21,440 --> 00:28:25,800
Speaker 1: talk about this tomorrow. And I totally appreciate what Danielle

458
00:28:25,840 --> 00:28:27,840
Speaker 1: is saying too, where she's like, this is our first time,

459
00:28:27,880 --> 00:28:30,040
Speaker 1: this is a mess. That's what I'm saying. This girl

460
00:28:30,080 --> 00:28:34,639
Speaker 1: needs to go straight to therapy. This is a mess. Yeah. Yeah,

461
00:28:34,720 --> 00:28:36,920
Speaker 1: Well if she goes to therapy, then we don't really

462
00:28:36,960 --> 00:28:44,080
Speaker 1: have a show. Imaguarian therapy totally. But it puts such

463
00:28:44,120 --> 00:28:49,960
Speaker 1: a damper on the Luke Lorelai thing too. I agree.

464
00:28:50,080 --> 00:28:53,520
Speaker 1: I do agree with that we're on this high right

465
00:28:53,560 --> 00:28:56,240
Speaker 1: which we haven't even talked about this yet. Like we're

466
00:28:56,280 --> 00:29:01,440
Speaker 1: on this high, this amazing moment, amazing moment. And here's

467
00:29:01,440 --> 00:29:06,320
Speaker 1: the other thing. Scott Patterson slash Luke Danes. You know

468
00:29:06,360 --> 00:29:10,920
Speaker 1: who does right? Luke? Luke does it right. He was

469
00:29:11,040 --> 00:29:13,960
Speaker 1: not He was not going to go try to kiss

470
00:29:14,000 --> 00:29:16,920
Speaker 1: her when she he thought she was still with Digger.

471
00:29:17,200 --> 00:29:20,120
Speaker 1: He says to her, I'm doing everything right and you're

472
00:29:20,160 --> 00:29:22,800
Speaker 1: still with Digger. He would have never made a move

473
00:29:22,840 --> 00:29:26,360
Speaker 1: on her. That's the thing. It's like, yes, there are parallels,

474
00:29:26,480 --> 00:29:31,080
Speaker 1: and Luke is awesome and Dean sucks. Luke would have

475
00:29:31,240 --> 00:29:33,880
Speaker 1: never he wouldn't have done He was heartbroken because he's saying,

476
00:29:33,920 --> 00:29:36,680
Speaker 1: I waited, I did this right. I'm giving you all

477
00:29:36,680 --> 00:29:40,280
Speaker 1: the signs. He's a grown he's a grown ass man

478
00:29:40,400 --> 00:29:46,880
Speaker 1: who's a borderline agoraphobic, uh, you know, and social social

479
00:29:46,920 --> 00:29:52,479
Speaker 1: anxiety disorder. I mean, come on, man, you can't compare

480
00:29:52,520 --> 00:29:55,840
Speaker 1: the two. But I yes. But that's the beauty of

481
00:29:55,840 --> 00:29:57,840
Speaker 1: the show is you get this high and then you

482
00:29:57,880 --> 00:30:01,040
Speaker 1: get this drama and you get this you're feeling all

483
00:30:01,080 --> 00:30:07,160
Speaker 1: of the time throughout the episode. It's like wow, wow, wow, wow, wow. Okay,

484
00:30:07,240 --> 00:30:10,480
Speaker 1: I'm not I'm not. I love watching it. I loved

485
00:30:10,520 --> 00:30:14,600
Speaker 1: watching the scene. I'm just yeah, you know, spitball a

486
00:30:14,600 --> 00:30:18,280
Speaker 1: little bit here, that's all just throwing that in. So

487
00:30:19,240 --> 00:30:22,400
Speaker 1: now we can move. What did you think? Well, I

488
00:30:22,400 --> 00:30:26,320
Speaker 1: want to know what the k the kiss? Are we there? Now?

489
00:30:26,920 --> 00:30:29,200
Speaker 1: Are we there? Now? I mean I think so I'm

490
00:30:29,240 --> 00:30:32,520
Speaker 1: exhausted by the Rory thing. Yeah, well, I mean I

491
00:30:32,520 --> 00:30:37,880
Speaker 1: still think we need to dive into Digger. Just raining

492
00:30:37,920 --> 00:30:41,480
Speaker 1: on the parade and then Richard all right, all right, okay, okay,

493
00:30:41,480 --> 00:30:43,760
Speaker 1: and Emily all right, yeah that's all right, so let's

494
00:30:43,800 --> 00:30:46,480
Speaker 1: burnt back it up. All right. So and I think

495
00:30:46,520 --> 00:30:51,200
Speaker 1: I think I think Digger handles that that un un

496
00:30:52,440 --> 00:30:57,480
Speaker 1: unforgivable or or or less than appealing role very very well.

497
00:30:57,520 --> 00:31:03,480
Speaker 1: I think Chris Agaman really because that's a character you

498
00:31:03,600 --> 00:31:08,120
Speaker 1: just like get out of it. But man, yes you respect.

499
00:31:08,200 --> 00:31:12,720
Speaker 1: I kind of like coming back, coming back, but I

500
00:31:12,760 --> 00:31:15,080
Speaker 1: supported it. I was like, yes, he's got a right

501
00:31:15,200 --> 00:31:18,280
Speaker 1: and he's got a feeling too, and he's expressed him

502
00:31:18,320 --> 00:31:20,640
Speaker 1: coming back. But he should have been his truth. Man.

503
00:31:21,920 --> 00:31:24,200
Speaker 1: I think your life said get out of here, and

504
00:31:24,280 --> 00:31:26,840
Speaker 1: only it was the right time. It was. It's like

505
00:31:26,880 --> 00:31:29,440
Speaker 1: the timing was everything when she said, like, come back

506
00:31:29,560 --> 00:31:32,000
Speaker 1: later this weekend, we'll chat. He should have left, but

507
00:31:32,880 --> 00:31:34,320
Speaker 1: it was her place of work, and I don't think

508
00:31:34,320 --> 00:31:37,120
Speaker 1: it was. But tim it looks like the only thing

509
00:31:37,120 --> 00:31:40,640
Speaker 1: that was timed well somewhat was the kiss. That's the

510
00:31:40,680 --> 00:31:43,880
Speaker 1: only thing that was really timed right. Everything else was true.

511
00:31:44,280 --> 00:31:47,600
Speaker 1: Oh boy, but crazily it actually loved about when Digger

512
00:31:47,680 --> 00:31:51,880
Speaker 1: came and Lord Laig brings him his plate of food

513
00:31:52,000 --> 00:31:55,840
Speaker 1: or whatever, and they're talking, but you see Luke just

514
00:31:56,000 --> 00:32:04,080
Speaker 1: watching just so yeah, he's like, what is going on

515
00:32:04,160 --> 00:32:07,560
Speaker 1: over there? And who is this guy? I love Luke

516
00:32:07,640 --> 00:32:09,880
Speaker 1: for going and sitting down with the guy and and

517
00:32:10,640 --> 00:32:14,600
Speaker 1: calmly having a conversation like what's your deal, dude? Like

518
00:32:14,640 --> 00:32:16,560
Speaker 1: what are you doing? Who are you? What are you doing?

519
00:32:16,840 --> 00:32:20,280
Speaker 1: And then you don't fly off the handle and act insane.

520
00:32:20,760 --> 00:32:25,600
Speaker 1: You know, he already did that with U with his wife.

521
00:32:26,880 --> 00:32:28,800
Speaker 1: Oh yeah, that's true. But that was justified. Though I

522
00:32:28,840 --> 00:32:30,840
Speaker 1: thought I thought he was gonna, you know, pull out

523
00:32:30,880 --> 00:32:33,120
Speaker 1: another pair of socks. I didn't realize that there is

524
00:32:33,280 --> 00:32:35,479
Speaker 1: a lot. There's a lot we haven't covered. Okay, so

525
00:32:35,520 --> 00:32:38,320
Speaker 1: the Gilmour's arrived with all their luggage. Let's play that through.

526
00:32:38,480 --> 00:32:41,960
Speaker 1: That's a hot mess, right, they are a hot mess. Yeah,

527
00:32:42,000 --> 00:32:45,320
Speaker 1: you know, and she finally admits they're separated. This is

528
00:32:45,360 --> 00:32:50,320
Speaker 1: like the confirmation that they are indeed separated. Right, Speaking

529
00:32:50,360 --> 00:32:53,720
Speaker 1: of messes, I just love that Luke arrives with the flowers,

530
00:32:54,320 --> 00:32:59,000
Speaker 1: and a Lie is still just so flustered, and Luke

531
00:32:59,160 --> 00:33:02,600
Speaker 1: is very cool. He's like, okay, like he's really he's

532
00:33:02,760 --> 00:33:07,720
Speaker 1: he's yeah, he's under undercover Joe. He's like he's playing

533
00:33:07,720 --> 00:33:09,600
Speaker 1: a little too cool, isn't he. It's like, you know,

534
00:33:09,920 --> 00:33:12,560
Speaker 1: he's being romantic, but he's not compon to it, which

535
00:33:12,640 --> 00:33:17,000
Speaker 1: is he hasn't worn a flannel or something like all

536
00:33:17,000 --> 00:33:20,440
Speaker 1: of a sudden, Luke's got game. He's got game time

537
00:33:20,680 --> 00:33:24,480
Speaker 1: a hundred wow with the flowers, but not sort of like, no,

538
00:33:24,600 --> 00:33:26,760
Speaker 1: it's not a romantic things to say congratulation from the

539
00:33:26,920 --> 00:33:30,240
Speaker 1: opening up, here's some flowers, beautiful flowers. I'm gonna plant

540
00:33:30,240 --> 00:33:32,600
Speaker 1: one emulator. But he didn't say it, you know, Oh,

541
00:33:32,640 --> 00:33:35,959
Speaker 1: he nailed it. I also think there's some really major

542
00:33:36,080 --> 00:33:39,080
Speaker 1: face acting if we want to peek at it, when

543
00:33:39,160 --> 00:33:42,240
Speaker 1: Tom comes in in the suit and then we see

544
00:33:42,320 --> 00:33:45,280
Speaker 1: Luke with Babette and Miss Patty and there's just face

545
00:33:45,320 --> 00:33:50,720
Speaker 1: acting going on all over the place. Oh because her

546
00:33:50,880 --> 00:33:54,760
Speaker 1: robe opened, Oh my god. Well yes, but then you

547
00:33:55,040 --> 00:33:57,520
Speaker 1: have a glance with each other that I thought, oh

548
00:33:57,560 --> 00:34:05,360
Speaker 1: wow with the look. Yeah, that's some that some baller

549
00:34:05,560 --> 00:34:08,440
Speaker 1: face acting, as you would say, right to borrow a

550
00:34:08,840 --> 00:34:13,160
Speaker 1: term baller face acting, right then, baller that was just

551
00:34:13,239 --> 00:34:16,600
Speaker 1: like staring right at her. I mean, okay, so a

552
00:34:16,600 --> 00:34:19,000
Speaker 1: little more okay, yeah, here comes the face. That was

553
00:34:19,000 --> 00:34:22,040
Speaker 1: the moment she knew that she is so cute. Look

554
00:34:22,040 --> 00:34:25,040
Speaker 1: how cute she is. He's got and Jackson's got the

555
00:34:25,080 --> 00:34:29,359
Speaker 1: Credence shirt on, and Rory and Jackson are eating their

556
00:34:29,400 --> 00:34:32,160
Speaker 1: dinner together and it's just also sweet. Wasn't it great

557
00:34:32,200 --> 00:34:35,960
Speaker 1: to see Jackson once again? There's still good to see Jackson.

558
00:34:36,360 --> 00:34:40,400
Speaker 1: Some randos that got let in randos like who are

559
00:34:40,400 --> 00:34:42,920
Speaker 1: those randos? Like those two people, oh Tom in the suit?

560
00:34:43,040 --> 00:34:47,360
Speaker 1: Okay are those two randos? Like they invite it? There? Okay,

561
00:34:47,400 --> 00:34:51,359
Speaker 1: here it comes. So there's face acting right after this.

562
00:34:51,560 --> 00:34:55,480
Speaker 1: The robe bit was hilarious. Couldn't relate to two characters

563
00:34:55,520 --> 00:35:00,800
Speaker 1: more than the Bet and Patty in this scene their robes.

564
00:35:00,880 --> 00:35:05,560
Speaker 1: Like yeah, but there's so much face acting. See look

565
00:35:05,600 --> 00:35:09,360
Speaker 1: at that that. Oh my god, oh my god, rewind

566
00:35:09,480 --> 00:35:12,440
Speaker 1: rewind rewind the face acting between the two of you.

567
00:35:12,960 --> 00:35:15,000
Speaker 1: Did you guys go to the school for face acting,

568
00:35:15,040 --> 00:35:21,160
Speaker 1: because look at that, you're literally having a conversation with

569
00:35:21,160 --> 00:35:26,799
Speaker 1: your eyeballs. Oh my god, that was it. That's an

570
00:35:26,800 --> 00:35:30,680
Speaker 1: Emmy Award winning face acting. Okay, so then here comes

571
00:35:31,520 --> 00:35:34,359
Speaker 1: We're still deal with the like servers whatever. But then

572
00:35:34,440 --> 00:35:37,160
Speaker 1: idiot Jason comes and I like digger, but like, it

573
00:35:37,320 --> 00:35:39,840
Speaker 1: was weird. If somebody did that to me and showed up, Like,

574
00:35:39,920 --> 00:35:42,520
Speaker 1: imagine somebody comes to jingle Ball to have a conversation

575
00:35:42,600 --> 00:35:47,319
Speaker 1: with me, I'd be like, what that is a man

576
00:35:47,400 --> 00:35:50,399
Speaker 1: in love? That is a man in love who wants

577
00:35:50,440 --> 00:35:55,880
Speaker 1: somebody's trying to support her and like and no, he

578
00:35:55,920 --> 00:35:58,280
Speaker 1: couldn't take it anymore. He was sitting in his apartment

579
00:35:58,360 --> 00:36:01,000
Speaker 1: staring at his plan for two make her like, oh

580
00:36:01,120 --> 00:36:03,880
Speaker 1: you sew my parents and now you show like it

581
00:36:03,920 --> 00:36:05,600
Speaker 1: was a whole thing. And I like that she said

582
00:36:05,600 --> 00:36:07,720
Speaker 1: it to his face. He was he was just getting

583
00:36:07,840 --> 00:36:11,040
Speaker 1: used to show the audience how desirable she truly is.

584
00:36:13,360 --> 00:36:15,600
Speaker 1: I love that bet Bette knew the whole thing and

585
00:36:15,680 --> 00:36:19,520
Speaker 1: she does the quick one minute catch. Luca the whole thing.

586
00:36:20,200 --> 00:36:24,120
Speaker 1: It reminds me. Have you guys seen Frozen Frozen in two? Yeah,

587
00:36:24,120 --> 00:36:26,239
Speaker 1: you know, and Frozen two. When Olaf tells the whole

588
00:36:26,239 --> 00:36:32,040
Speaker 1: story of Frozen, one really asked, yeah, like that's what

589
00:36:32,120 --> 00:36:36,200
Speaker 1: beat Beet's doing. She's like, so, first of all, sidebar,

590
00:36:36,239 --> 00:36:37,720
Speaker 1: what do you think of them all playing the games?

591
00:36:37,800 --> 00:36:43,040
Speaker 1: The board games? It was cute, it was fun breakfast.

592
00:36:43,360 --> 00:36:45,080
Speaker 1: I wanted to figure out what all those games were,

593
00:36:45,160 --> 00:36:46,960
Speaker 1: but we can do that later. I will say. The

594
00:36:47,040 --> 00:36:49,560
Speaker 1: one thing that I noted about this episode was like

595
00:36:49,840 --> 00:36:53,960
Speaker 1: when Laura I asked Rory to go get music, Like,

596
00:36:54,080 --> 00:36:57,560
Speaker 1: by the time the music comes back, doesn't matter what happened.

597
00:36:57,960 --> 00:37:03,400
Speaker 1: Everyone's going to bed. The night's over, and she's like

598
00:37:03,520 --> 00:37:05,960
Speaker 1: playing and she was like at the house, like playing

599
00:37:06,080 --> 00:37:08,680
Speaker 1: back the CDs to pick one. I'm like, just grab

600
00:37:08,719 --> 00:37:11,120
Speaker 1: a couple of night and then she decides to quickly

601
00:37:11,160 --> 00:37:15,200
Speaker 1: have sex, Like so yeah, first of all, that's not

602
00:37:15,600 --> 00:37:21,560
Speaker 1: taking ten minutes, right right right? Wait, we're lor you know,

603
00:37:23,120 --> 00:37:25,800
Speaker 1: we're Lorly Rory staying at the anner were they supposed

604
00:37:25,840 --> 00:37:27,719
Speaker 1: to stay back at their house. There's no rooms. I

605
00:37:27,719 --> 00:37:29,640
Speaker 1: think they're going home. They're going home, Okay, that's what

606
00:37:29,640 --> 00:37:37,760
Speaker 1: I thought. I also um thought it was a little

607
00:37:37,760 --> 00:37:39,640
Speaker 1: peculiar to me, and I kind of get we get

608
00:37:39,640 --> 00:37:42,000
Speaker 1: a glimpse of it, like why weren't the Gilmour's at

609
00:37:42,000 --> 00:37:44,400
Speaker 1: dinner and like why are they not noticing Jason? But

610
00:37:44,440 --> 00:37:47,520
Speaker 1: I guess she like sent dinner to their weird cottage

611
00:37:47,600 --> 00:37:50,319
Speaker 1: or something. Yeah, why didn't they come to the dining

612
00:37:50,440 --> 00:37:53,040
Speaker 1: room because she because Laura I wanted them to be

613
00:37:53,239 --> 00:37:56,359
Speaker 1: together to work it out, and in the bungalow way

614
00:37:56,440 --> 00:38:00,480
Speaker 1: from everybody else the TV you can't find and in

615
00:38:00,640 --> 00:38:04,399
Speaker 1: the closet. Yeah, Like I'm like, I think she might

616
00:38:04,400 --> 00:38:06,879
Speaker 1: even have says something about like and then you send

617
00:38:06,880 --> 00:38:08,960
Speaker 1: dinner to the room whatever. So we sort of have

618
00:38:09,120 --> 00:38:13,480
Speaker 1: that blow up to where that you realize, oh man,

619
00:38:13,560 --> 00:38:16,200
Speaker 1: they're a mess. They're not together, they're separated. We finally

620
00:38:16,400 --> 00:38:18,480
Speaker 1: have that out in the opening they see Jason. It's

621
00:38:18,480 --> 00:38:20,879
Speaker 1: just like, oh god, this is so You're like, how

622
00:38:20,880 --> 00:38:25,960
Speaker 1: many more people can walk in h I was glad too,

623
00:38:26,000 --> 00:38:30,000
Speaker 1: it didn't become like a Threese Company episode of like, like,

624
00:38:30,040 --> 00:38:32,279
Speaker 1: I'm glad they didn't do like Luke thinks she's with

625
00:38:32,360 --> 00:38:34,239
Speaker 1: Jason and goes home. Do you know what I mean,

626
00:38:34,320 --> 00:38:37,400
Speaker 1: like that would have been like the one with the misunderstanding,

627
00:38:37,520 --> 00:38:40,359
Speaker 1: Like I can't stand it. I like that lad get out. Yeah,

628
00:38:41,320 --> 00:38:43,720
Speaker 1: You're like and you're taken and she's like, I'm not taken.

629
00:38:43,920 --> 00:38:48,000
Speaker 1: It's like I'm doing everything right, you know what I'm doing.

630
00:38:50,160 --> 00:38:53,640
Speaker 1: And then the kiss that was quite something, you know,

631
00:38:53,680 --> 00:38:58,360
Speaker 1: the whole Now, just think about in this episode, not

632
00:38:58,360 --> 00:39:02,879
Speaker 1: not the prior or seasons, not excluding that, but just

633
00:39:03,040 --> 00:39:07,120
Speaker 1: look at the steps, you know, the little baby steps

634
00:39:07,160 --> 00:39:10,080
Speaker 1: to get to that scene. You know what I'm saying,

635
00:39:10,160 --> 00:39:18,640
Speaker 1: how many artfully crafted misdirection, confusion, how's this happening? And

636
00:39:18,760 --> 00:39:20,680
Speaker 1: like I thought you were with this guy and what's

637
00:39:20,680 --> 00:39:22,760
Speaker 1: going you know? I mean, it's just it's just so

638
00:39:23,480 --> 00:39:29,640
Speaker 1: amazingly well written, you know, because it's just like, man,

639
00:39:29,680 --> 00:39:33,600
Speaker 1: they take such care to craft things you don't expect,

640
00:39:34,800 --> 00:39:38,560
Speaker 1: right because now here weren't like like the moment before

641
00:39:38,560 --> 00:39:41,359
Speaker 1: the kiss, they're you know, he's kind of going at

642
00:39:41,360 --> 00:39:43,880
Speaker 1: her like what the hell? You know, it's like almost

643
00:39:44,120 --> 00:39:47,640
Speaker 1: an argument. I mean, it pretty much is. And it's

644
00:39:47,680 --> 00:39:49,759
Speaker 1: just such a great way to ramp up to it.

645
00:39:49,920 --> 00:39:53,680
Speaker 1: And but you just don't expect that, you know, really great.

646
00:39:53,840 --> 00:39:56,840
Speaker 1: I like how they're sort of truthful, like I like

647
00:39:56,880 --> 00:40:00,960
Speaker 1: how they're whatever transparent, Like I don't know if there

648
00:40:01,000 --> 00:40:03,760
Speaker 1: are parallels between Dean and Rory and Luke and Lorely,

649
00:40:03,920 --> 00:40:07,240
Speaker 1: and it's just like, Okay, I'm gonna go Luke and Lorily,

650
00:40:07,520 --> 00:40:10,680
Speaker 1: Like Dean and Rory are so irritating to me compared

651
00:40:10,719 --> 00:40:14,359
Speaker 1: to the like amazing I'm going. I'm going. I'm going

652
00:40:14,400 --> 00:40:16,920
Speaker 1: with both of them. I love them both. The one

653
00:40:16,960 --> 00:40:19,759
Speaker 1: thing I found interesting was, and Scott just brought it

654
00:40:19,840 --> 00:40:22,279
Speaker 1: up that like all these moments leading up to this,

655
00:40:22,400 --> 00:40:25,160
Speaker 1: like I can't imagine a show right now. Well, first

656
00:40:25,160 --> 00:40:27,840
Speaker 1: of all, the shows these days don't have twenty three episodes.

657
00:40:27,840 --> 00:40:30,839
Speaker 1: They're at like ten, but like we've been through four

658
00:40:31,040 --> 00:40:34,080
Speaker 1: full seasons to get to this moment, Like most shows

659
00:40:34,120 --> 00:40:36,359
Speaker 1: can't even make it to like season two or three,

660
00:40:37,200 --> 00:40:39,120
Speaker 1: and like you're here at the end of season four.

661
00:40:39,160 --> 00:40:42,160
Speaker 1: It's like, oh, like I didn't watch it, and it's

662
00:40:42,200 --> 00:40:44,319
Speaker 1: like I think I watched like the later years and

663
00:40:44,360 --> 00:40:47,800
Speaker 1: it's run original run, But like I can't imagine sitting

664
00:40:47,800 --> 00:40:50,480
Speaker 1: there for four years, week after week, just waiting for

665
00:40:50,520 --> 00:40:52,880
Speaker 1: them to kiss on the night on the they finally

666
00:40:52,920 --> 00:40:56,600
Speaker 1: get a kiss on the ninetieth episode. Oh my god,

667
00:40:56,840 --> 00:41:00,160
Speaker 1: ninety episodes. That's crazy. And that's why I bring not

668
00:41:00,239 --> 00:41:04,160
Speaker 1: that these poor people back in the two thousands had

669
00:41:04,200 --> 00:41:07,319
Speaker 1: to wait three months to see what's gonna happen. What

670
00:41:07,360 --> 00:41:10,200
Speaker 1: did they wait for? And here's the biggest shock of

671
00:41:10,239 --> 00:41:13,520
Speaker 1: the whole thing. You know, I'm just an actor in

672
00:41:13,560 --> 00:41:17,880
Speaker 1: a series who got lucky, and I'm taking this great ride,

673
00:41:18,560 --> 00:41:21,160
Speaker 1: right and I'm getting this great writing thrown at me

674
00:41:21,200 --> 00:41:23,279
Speaker 1: and I get to act out these great scenes with

675
00:41:23,400 --> 00:41:27,200
Speaker 1: these great actors. And then it's twenty three years later

676
00:41:27,920 --> 00:41:31,680
Speaker 1: and I'm seeing Time Magazine, I'm seeing Hollywood Reporter, I'm

677
00:41:31,719 --> 00:41:36,560
Speaker 1: seeing Rolling Stone, I'm seeing the top ten best kisses

678
00:41:36,680 --> 00:41:43,120
Speaker 1: in television history, and I'm in there, And how did so?

679
00:41:43,440 --> 00:41:46,560
Speaker 1: Is it? Because you know, I'm so damn appealing and

680
00:41:46,719 --> 00:41:50,279
Speaker 1: such a great kisser. No, it's because the creators took

681
00:41:51,040 --> 00:41:54,880
Speaker 1: ninety episodes to get us there. They took the audience

682
00:41:54,880 --> 00:41:58,960
Speaker 1: along for the ride, and they will never forget it. No,

683
00:41:59,360 --> 00:42:02,360
Speaker 1: they will ever their whole lives. They're going to reference

684
00:42:02,520 --> 00:42:06,480
Speaker 1: Luke and Laureli first time. It's so crazy. That's the

685
00:42:06,520 --> 00:42:10,399
Speaker 1: first time I've actually really thought about the fact that, like,

686
00:42:10,840 --> 00:42:15,760
Speaker 1: you're on those lists. What is that? Like, it's wild,

687
00:42:16,960 --> 00:42:22,279
Speaker 1: it must be cool, absolute mind, you know what it is?

688
00:42:22,360 --> 00:42:25,720
Speaker 1: I see that and I go, how did I fall

689
00:42:25,800 --> 00:42:29,439
Speaker 1: into that? You know? It makes me think you hear

690
00:42:29,480 --> 00:42:31,879
Speaker 1: Henry Winkler like talk all the time, right, like he's

691
00:42:32,040 --> 00:42:35,399
Speaker 1: that guy is just amazing. He's so nice. It's just amazing, right,

692
00:42:35,680 --> 00:42:39,280
Speaker 1: and he's winning Emmys for Barry Right and Golden Globes

693
00:42:39,280 --> 00:42:42,800
Speaker 1: and all these awards. He never dismisses being the fawns.

694
00:42:43,200 --> 00:42:47,000
Speaker 1: He embraces it. He loves it. He'll sign a picture

695
00:42:47,160 --> 00:42:51,000
Speaker 1: the fawns. Like, I just think that that's such an

696
00:42:51,000 --> 00:42:56,799
Speaker 1: important like cool lesson and just like yeah, right, like

697
00:42:57,000 --> 00:42:59,839
Speaker 1: remember what got you there? Yeah, and you got a place.

698
00:43:00,040 --> 00:43:02,120
Speaker 1: Don't try to run away from it. And so many

699
00:43:02,160 --> 00:43:05,080
Speaker 1: actors do that. No, I'm going to ruin my career

700
00:43:05,120 --> 00:43:08,840
Speaker 1: if I keep you know, it's like, hey, man, honor it. Respect. Yeah.

701
00:43:08,840 --> 00:43:13,200
Speaker 1: So I don't know, I think that, like I don't

702
00:43:13,239 --> 00:43:16,200
Speaker 1: want to get all like oh, you know, woo wooie

703
00:43:16,239 --> 00:43:20,839
Speaker 1: hippie dippie whatever, but like you played a character that

704
00:43:21,000 --> 00:43:27,280
Speaker 1: is going to that's lasting so long, like like maybe forever,

705
00:43:27,480 --> 00:43:29,120
Speaker 1: do you know what I mean? Like I was thinking

706
00:43:29,120 --> 00:43:31,080
Speaker 1: about this this morning when I was getting ready for

707
00:43:31,120 --> 00:43:33,719
Speaker 1: the show. It's like this was twenty plus years ago, right,

708
00:43:34,160 --> 00:43:39,800
Speaker 1: or was this just nineteen years ago? This kiss? Okay,

709
00:43:40,760 --> 00:43:44,600
Speaker 1: it plays as well today as twenty years ago. Like

710
00:43:44,640 --> 00:43:46,840
Speaker 1: I was, like, other than the weird CDs and a

711
00:43:46,880 --> 00:43:50,839
Speaker 1: couple of weird cell phones, for the most part, it's timeless.

712
00:43:51,200 --> 00:43:54,280
Speaker 1: And it's like, oh my god, I mean I'm not

713
00:43:54,040 --> 00:43:56,799
Speaker 1: I mean, I mean, could you I'm not saying it's

714
00:43:56,840 --> 00:44:01,600
Speaker 1: Burt Lancaster and uh gosh, don't hate me for not

715
00:44:01,760 --> 00:44:03,880
Speaker 1: remembering the actress. But that kiss on the beach and

716
00:44:04,000 --> 00:44:07,200
Speaker 1: from here to eternity. Yeah, we'd obviously never seen it.

717
00:44:11,640 --> 00:44:18,440
Speaker 1: I just ate crowd. Yeah, I must be such a

718
00:44:18,760 --> 00:44:21,400
Speaker 1: And this is like I've seen this scene so many

719
00:44:21,440 --> 00:44:24,399
Speaker 1: times of that kiss. Also, unfortunately, I've seen so many

720
00:44:24,440 --> 00:44:27,360
Speaker 1: times the um the Dean Rory one because it's just

721
00:44:27,400 --> 00:44:31,719
Speaker 1: so cringey. It's so cringey and uncompass. But whatever that

722
00:44:31,840 --> 00:44:35,680
Speaker 1: kiss is like on my TikTok all the time. It's

723
00:44:35,719 --> 00:44:39,759
Speaker 1: just as like around today, I mean, Milo is doing

724
00:44:39,800 --> 00:44:43,360
Speaker 1: interviews for his new show and is asked about Jess

725
00:44:43,360 --> 00:44:48,640
Speaker 1: in almost every interview, Like, oh my god, they asked

726
00:44:48,719 --> 00:44:50,319
Speaker 1: him the other day if he was team Jess or

727
00:44:50,360 --> 00:44:54,120
Speaker 1: team the guy from This Is Us? Although he kids

728
00:44:54,200 --> 00:44:57,160
Speaker 1: Jack and then they said are you Rory or what

729
00:44:57,239 --> 00:45:02,000
Speaker 1: was Jack's wife's name? Um, repect Rebecca And he picked Rebecca,

730
00:45:02,080 --> 00:45:04,919
Speaker 1: which was a little bit of a dagger. Oh really,

731
00:45:04,960 --> 00:45:11,879
Speaker 1: I think Mila loved This Is Us. Brought him all

732
00:45:11,920 --> 00:45:17,040
Speaker 1: the accolades and the yeah and the sure. He tells

733
00:45:17,040 --> 00:45:19,440
Speaker 1: some funny stories about fans that are like, I hate

734
00:45:19,440 --> 00:45:25,320
Speaker 1: you over Jess anyway, I don't know. I'm like, so,

735
00:45:28,360 --> 00:45:34,040
Speaker 1: I'm so happy and so sad in this episode. Well,

736
00:45:34,160 --> 00:45:37,440
Speaker 1: look the experience. I don't remember. I do remember the kiss.

737
00:45:37,520 --> 00:45:39,880
Speaker 1: I remember playing that scene. I don't remember the scene

738
00:45:39,960 --> 00:45:43,600
Speaker 1: that preceded it. I don't remember anything about that episode

739
00:45:43,600 --> 00:45:47,480
Speaker 1: that I filmed. Yes, I don't remember a thing, but

740
00:45:47,600 --> 00:45:51,320
Speaker 1: I do remember the kiss, and I just remember being

741
00:45:52,040 --> 00:45:55,719
Speaker 1: and the both of us. You know, you know, such

742
00:45:55,760 --> 00:45:59,200
Speaker 1: a good kiss, because I think it's three kisses, right, yeah,

743
00:45:59,320 --> 00:46:01,879
Speaker 1: I mean, if she ever comes on, if Laura ever

744
00:46:01,920 --> 00:46:04,240
Speaker 1: comes on, if she can find time and her busy,

745
00:46:04,400 --> 00:46:06,680
Speaker 1: very busy schedule to come on and talk to us

746
00:46:06,680 --> 00:46:10,480
Speaker 1: about it. Um, you know, this is the second part

747
00:46:10,480 --> 00:46:14,040
Speaker 1: of the kiss. We were both watching very very very nervous.

748
00:46:14,360 --> 00:46:17,120
Speaker 1: We knew that this was a big moment. Yeah, we

749
00:46:17,200 --> 00:46:20,000
Speaker 1: knew that we had to deliver for the for the fans,

750
00:46:20,160 --> 00:46:23,720
Speaker 1: you know, and I say, bravo. You know it was

751
00:46:23,800 --> 00:46:26,399
Speaker 1: it was nerve wracking because then it's a three part kiss.

752
00:46:26,400 --> 00:46:32,600
Speaker 1: Look at this Nope, it was about to be look

753
00:46:32,640 --> 00:46:36,880
Speaker 1: at his face, and then you're still the good friend.

754
00:46:37,360 --> 00:46:39,800
Speaker 1: That's the thing I love about Luke is he's literally

755
00:46:39,800 --> 00:46:42,480
Speaker 1: just kissed the love of his life and he still like,

756
00:46:42,920 --> 00:46:47,759
Speaker 1: I got it later guy, Like yeah, Luke is a

757
00:46:47,800 --> 00:46:58,240
Speaker 1: man of his word. Though he promised Kirk like that happened. Man,

758
00:46:59,440 --> 00:47:02,120
Speaker 1: I mean this is like, yeah, I would say this

759
00:47:02,320 --> 00:47:04,719
Speaker 1: is one of the biggest episodes of the whole Oh no,

760
00:47:04,840 --> 00:47:10,120
Speaker 1: it's the biggest. It's the biggest. There's nothing I mean it.

761
00:47:10,120 --> 00:47:14,839
Speaker 1: It's the end all, be all episode so far of

762
00:47:14,880 --> 00:47:18,360
Speaker 1: the ninety this is number ninety. Is it season four? Man?

763
00:47:19,280 --> 00:47:23,239
Speaker 1: And so so, so we're going into how is this

764
00:47:23,360 --> 00:47:25,319
Speaker 1: only ninety if we're at the end of season four,

765
00:47:25,520 --> 00:47:30,840
Speaker 1: twenty four plus twenty two plus twenty two plus twenty two,

766
00:47:30,920 --> 00:47:35,960
Speaker 1: oh equals what I think it's ninety? Yeah, twenty forty

767
00:47:36,040 --> 00:47:42,760
Speaker 1: sixty eighty four times twenty two is eighty eight plus

768
00:47:42,800 --> 00:47:51,480
Speaker 1: two is ninety thank you? Oh my god? One billion

769
00:47:51,680 --> 00:47:54,600
Speaker 1: is nine hundred and ninety. Did we do equations? Did

770
00:47:54,600 --> 00:47:57,720
Speaker 1: we do equations? Yeah? We did. And then the person

771
00:47:57,760 --> 00:48:04,920
Speaker 1: that makes our social videos nailed itself. It's not an idea.

772
00:48:04,200 --> 00:48:10,680
Speaker 1: It's eighty seven eight seven minute. So I thought we

773
00:48:10,719 --> 00:48:13,480
Speaker 1: did twenty four the first season in twenty two, So

774
00:48:13,520 --> 00:48:16,440
Speaker 1: it's twenty one, twenty two, twenty two, twenty two. We

775
00:48:16,520 --> 00:48:20,680
Speaker 1: did twenty one the first season. Okay, eighty seven, there

776
00:48:20,680 --> 00:48:23,839
Speaker 1: you go, Yeah, eighty seven, all right, so it took.

777
00:48:24,440 --> 00:48:26,600
Speaker 1: I guess we're gonna have to reshoot this whole episode,

778
00:48:27,320 --> 00:48:32,879
Speaker 1: thanks thanks to Wikipedia. I thought it was twenty five.

779
00:48:33,040 --> 00:48:37,719
Speaker 1: First thing, I could be wrong, No, twenty one, all right, Um,

780
00:48:37,960 --> 00:48:42,759
Speaker 1: what do you think on this episode? Uh, we're going

781
00:48:42,840 --> 00:48:47,480
Speaker 1: to assign it to our own measuring sticks? So so too.

782
00:48:47,880 --> 00:48:52,320
Speaker 1: How many how many nightcares? How many? How many naked

783
00:48:52,440 --> 00:48:56,080
Speaker 1: Sean butts do you give it? Remind me because we're

784
00:48:56,080 --> 00:49:00,120
Speaker 1: almost out of time to in pop culture. And if

785
00:49:00,160 --> 00:49:02,800
Speaker 1: we have crackstaff, I have something for the crack staff.

786
00:49:02,840 --> 00:49:06,840
Speaker 1: I'll do it, all right, Okay, So Scott who Danielle

787
00:49:06,880 --> 00:49:10,600
Speaker 1: you go first. I had it as nine point seven

788
00:49:10,760 --> 00:49:15,919
Speaker 1: five Macaroni and Cheeses. You deducted a quarter point What

789
00:49:15,960 --> 00:49:20,200
Speaker 1: was the what was a deduction form? I didn't feel

790
00:49:20,239 --> 00:49:24,160
Speaker 1: good after this episode? Yeah, you didn't last episode like

791
00:49:24,680 --> 00:49:29,040
Speaker 1: I thought. Last episode was like that. Last episode was

792
00:49:29,160 --> 00:49:33,319
Speaker 1: my unbeatable. This one did. I did not feel good.

793
00:49:33,360 --> 00:49:35,200
Speaker 1: You would have preferred that that it end on the

794
00:49:35,320 --> 00:49:38,279
Speaker 1: night terror kiss and then that's it. You would have

795
00:49:38,320 --> 00:49:42,480
Speaker 1: felt better. Yes, that's a great, great note about the

796
00:49:42,640 --> 00:49:48,600
Speaker 1: open season five with that scene between Laurel. I wouldn't

797
00:49:48,600 --> 00:49:50,759
Speaker 1: have been mad at it either, because I loved I

798
00:49:50,840 --> 00:49:55,120
Speaker 1: loved Yeah, I just it ended and I was like, yeah,

799
00:49:55,800 --> 00:49:59,439
Speaker 1: I feel very upset. I'm not gonna lie right now.

800
00:50:00,160 --> 00:50:02,839
Speaker 1: I'm on a high and I'm also on a low,

801
00:50:03,200 --> 00:50:08,120
Speaker 1: right right right. It really tears you up. Yeah. Wow,

802
00:50:08,719 --> 00:50:10,799
Speaker 1: So you're giving it a nine point seven five one,

803
00:50:10,960 --> 00:50:16,400
Speaker 1: I'm sorry. Macaroni and cheeses, Macaronian cheeses, Ta ta what

804
00:50:16,440 --> 00:50:18,279
Speaker 1: are you what you're measuring? Stick? And what are you

805
00:50:18,320 --> 00:50:23,799
Speaker 1: giving it? I'm gonna give it ten CDs? Nice? And

806
00:50:23,920 --> 00:50:27,160
Speaker 1: who what's CDs? Who's the artist? Oh, it's gotta be

807
00:50:27,239 --> 00:50:32,200
Speaker 1: some in sync and backt there you go U nine

808
00:50:32,239 --> 00:50:38,439
Speaker 1: point five nine point five either rabbit sauces or nine

809
00:50:38,480 --> 00:50:42,120
Speaker 1: point five facts because the face actings. I actually will

810
00:50:42,120 --> 00:50:44,360
Speaker 1: give the face acting ten, but I give the episode,

811
00:50:44,400 --> 00:50:49,040
Speaker 1: and I'm gonna give it. Am I measuring sticks gonna

812
00:50:49,040 --> 00:50:53,360
Speaker 1: be Harry eyeballs because I gave Laurelia Harry eyeball but

813
00:50:53,440 --> 00:50:54,920
Speaker 1: in a good sense, you know what I mean? That

814
00:50:55,080 --> 00:50:57,960
Speaker 1: was like, that was quite an eyeball, right there. I

815
00:50:58,040 --> 00:51:03,080
Speaker 1: give her to the double both barrels. Uh, I'm sorry,

816
00:51:03,200 --> 00:51:05,640
Speaker 1: but this is a ten. And this is no flaws

817
00:51:05,680 --> 00:51:08,479
Speaker 1: for me, you know, just because I want to spit

818
00:51:08,480 --> 00:51:12,840
Speaker 1: ball about potential endings or you know, and pontificate on

819
00:51:13,080 --> 00:51:18,239
Speaker 1: no moral objective occations and uh, has no bearing on

820
00:51:18,280 --> 00:51:21,080
Speaker 1: how I feel about this episode. I just thought, for

821
00:51:21,120 --> 00:51:22,680
Speaker 1: the sake of argument, be good to bring it up.

822
00:51:22,719 --> 00:51:25,960
Speaker 1: But um, yeah, I mean perfect episode and every way

823
00:51:26,080 --> 00:51:29,440
Speaker 1: my favorite episode. Um, and it's not I mean take

824
00:51:29,480 --> 00:51:33,399
Speaker 1: the Kiss Out. It's still my favorite episode, very very

825
00:51:33,560 --> 00:51:36,840
Speaker 1: very on every level. I mean it just and it

826
00:51:36,920 --> 00:51:41,799
Speaker 1: just had that sort of easy, breezy, delightful and this

827
00:51:42,040 --> 00:51:45,000
Speaker 1: and did you notice the show was so colorful? I

828
00:51:45,040 --> 00:51:47,279
Speaker 1: mean all these colors were coming out of it and

829
00:51:47,640 --> 00:51:50,839
Speaker 1: here we are occupying the Dragonfly and we're seeing all

830
00:51:50,840 --> 00:51:54,480
Speaker 1: this great stuff coming in and what a great setup

831
00:51:54,480 --> 00:51:59,279
Speaker 1: for season five. Um. Yeah, Now it's like a new

832
00:51:59,320 --> 00:52:04,600
Speaker 1: show is every everything is kind of resolved and repaired,

833
00:52:05,320 --> 00:52:08,959
Speaker 1: yet there's still like there's new loose sense. There's there's

834
00:52:09,040 --> 00:52:13,680
Speaker 1: Richard and Emily, yes with you know, what's going to

835
00:52:13,760 --> 00:52:15,759
Speaker 1: happen with Luke and Laureli, what's gonna happen with Dean

836
00:52:15,840 --> 00:52:18,000
Speaker 1: and Rory? What's going to happen? I mean, just just

837
00:52:18,400 --> 00:52:23,720
Speaker 1: utter perfection. Um. This episode was written and directed by Amy.

838
00:52:24,560 --> 00:52:29,200
Speaker 1: Kudos to her. I mean just just really coming into

839
00:52:29,239 --> 00:52:31,920
Speaker 1: her own as a director and writer. Just you know,

840
00:52:32,040 --> 00:52:34,520
Speaker 1: you know what I'm saying. Um, I still think we

841
00:52:34,560 --> 00:52:37,840
Speaker 1: need a therapy session to analyze really impressive stuff, really

842
00:52:37,840 --> 00:52:41,040
Speaker 1: really stuff. We might have to do that. I think,

843
00:52:41,040 --> 00:52:44,360
Speaker 1: so yeah, because I want an expert to tell us

844
00:52:45,520 --> 00:52:50,080
Speaker 1: about analyzing just the way Lorelai handled what Rory did

845
00:52:50,200 --> 00:52:54,279
Speaker 1: and why Rory did it. Let's have let's have that wonderful.

846
00:52:54,800 --> 00:52:57,919
Speaker 1: I was going to say that the fan, the fan

847
00:52:57,920 --> 00:53:04,319
Speaker 1: who's a therapist, because really and there's and yes, get her,

848
00:53:04,360 --> 00:53:08,319
Speaker 1: she's she's brilliant. She's absolutely brilliant. Um, yeah, have her,

849
00:53:09,239 --> 00:53:11,319
Speaker 1: you know, have her, let her see this and then

850
00:53:11,360 --> 00:53:16,919
Speaker 1: she can know Pine or maybe every day she sees

851
00:53:16,960 --> 00:53:19,680
Speaker 1: it right exactly, all right, So that's gonna do it.

852
00:53:19,800 --> 00:53:24,919
Speaker 1: Thank you, ladies. Uh Um Tara su Danielle Romo, Amy

853
00:53:25,040 --> 00:53:30,239
Speaker 1: Sugarman from her San Francisco estate. I believe we're in

854
00:53:30,320 --> 00:53:33,600
Speaker 1: season five. I can't believe it. It's really flying by

855
00:53:33,800 --> 00:53:36,759
Speaker 1: is what? Didn't we just start this podcast? What is

856
00:53:36,840 --> 00:53:41,280
Speaker 1: happening here? We just started? No, we're like two hundred

857
00:53:41,320 --> 00:53:45,919
Speaker 1: and fifteen episodes and it's just fantastic. All right, Thank

858
00:53:45,920 --> 00:53:48,399
Speaker 1: you everybody, best fans on the planet. Thanks for taking

859
00:53:48,440 --> 00:53:51,520
Speaker 1: the ride with us. We really appreciate it. Love to

860
00:53:51,680 --> 00:53:56,400
Speaker 1: all of you. Stay safe and always remember I am

861
00:53:56,520 --> 00:54:29,759
Speaker 1: all In. See you next time. Hey, everybody, and don't

862
00:54:29,800 --> 00:54:33,319
Speaker 1: forget follow us on Instagram at I Am all In

863
00:54:33,560 --> 00:54:39,200
Speaker 1: Podcast and email us at Gilmore at iHeartRadio dot com.

864
00:54:39,200 --> 00:54:41,040
Speaker 1: Oh you're Gilmore fans. If you're looking for the best

865
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