1 00:00:00,080 --> 00:00:02,200 Speaker 1: Hi, I'm George Nori and welcome to the new I 2 00:00:02,279 --> 00:00:05,640 Speaker 1: Heart Media and Coast to Coast AM Paranormal podcast network. 3 00:00:05,920 --> 00:00:08,680 Speaker 1: Like us on Facebook, Tell your friends and share us 4 00:00:08,720 --> 00:00:11,960 Speaker 1: with everyone. This is an exciting new network that will 5 00:00:12,000 --> 00:00:16,279 Speaker 1: feature podcasts of the paranormal, supernatural, and the unexplained. Now 6 00:00:16,280 --> 00:00:20,400 Speaker 1: I'll sit back, please and enjoy Strange Things with Joshua P. Warren. 7 00:00:36,159 --> 00:00:39,519 Speaker 1: You get ready to be amazed by the wizard of Weird. 8 00:00:40,040 --> 00:00:52,199 Speaker 1: This is Strange Things with Joshua Warren. I am Joshua 9 00:00:52,280 --> 00:00:54,560 Speaker 1: BE Warren, and each week on this show, I'll be 10 00:00:54,680 --> 00:00:59,640 Speaker 1: bringing you brand new mind blowing content, news, exercises, and 11 00:01:00,120 --> 00:01:04,440 Speaker 1: weird experiments you can do at home, and a lot more. 12 00:01:05,200 --> 00:01:07,520 Speaker 1: On this edition of the show, I'm going to play 13 00:01:07,600 --> 00:01:13,440 Speaker 1: for you some amazing paranormal audio. And even if you've 14 00:01:13,480 --> 00:01:17,200 Speaker 1: heard some of this before, you have not heard it 15 00:01:17,280 --> 00:01:23,039 Speaker 1: presented this way. I think you will find this intriguing, 16 00:01:23,280 --> 00:01:26,720 Speaker 1: to say the least, you know. In nineteen twenty, the 17 00:01:26,880 --> 00:01:32,120 Speaker 1: great inventor Thomas Edison was asked in an interview with 18 00:01:32,200 --> 00:01:36,880 Speaker 1: Scientific American to comment on the possibility of using his 19 00:01:36,959 --> 00:01:41,759 Speaker 1: inventions to communicate with spirits, and he replied that if 20 00:01:41,840 --> 00:01:46,800 Speaker 1: the spirits were only capable of subtle influences. A sensitive 21 00:01:46,840 --> 00:01:51,000 Speaker 1: recording device would provide a better chance of spirit communication 22 00:01:51,120 --> 00:01:54,880 Speaker 1: than the table tipping and the luigia boards that mediums 23 00:01:54,920 --> 00:01:58,880 Speaker 1: employed at the time, And he even said in a 24 00:01:58,960 --> 00:02:02,640 Speaker 1: later article that he was trying to build such a device. 25 00:02:02,760 --> 00:02:05,920 Speaker 1: But they say to this day there is no evidence 26 00:02:05,960 --> 00:02:10,440 Speaker 1: that Edison ever succeeded. On the other hand, the rumor 27 00:02:10,520 --> 00:02:14,320 Speaker 1: has always been around that he did, and somewhere out 28 00:02:14,360 --> 00:02:19,160 Speaker 1: there is this holy grail of spirit communication machines. Who knows. 29 00:02:20,080 --> 00:02:22,320 Speaker 1: I even wrote a screenplay for a movie about that 30 00:02:22,400 --> 00:02:27,120 Speaker 1: concept one time, many years ago. But people of such 31 00:02:27,360 --> 00:02:31,760 Speaker 1: esteem as Thomas Edison talking about this obviously inspired lots 32 00:02:31,880 --> 00:02:36,440 Speaker 1: of other researchers over the years as technology progressed, trying 33 00:02:36,440 --> 00:02:40,280 Speaker 1: to figure out ways of breaching that gap. In fact, 34 00:02:40,280 --> 00:02:43,880 Speaker 1: in nineteen fifty nine, a Swedish painter and film producer 35 00:02:44,040 --> 00:02:50,120 Speaker 1: named Friedrich Jurgensen was recording bird songs near his house, 36 00:02:50,840 --> 00:02:54,800 Speaker 1: and upon playing the tape later, he heard what he 37 00:02:54,880 --> 00:02:58,600 Speaker 1: interpreted to be his dead father's voice and in the 38 00:02:58,720 --> 00:03:02,760 Speaker 1: spirit of his east wife calling his name. And he 39 00:03:02,840 --> 00:03:05,800 Speaker 1: went on to make several more recordings, including one that 40 00:03:05,840 --> 00:03:09,359 Speaker 1: he said contained a message from his late mother. Well 41 00:03:09,440 --> 00:03:14,639 Speaker 1: that caught the attention of a researcher named Constantine Radiev, 42 00:03:15,440 --> 00:03:21,080 Speaker 1: a Latvian psychologist. He was teaching at the university in 43 00:03:21,160 --> 00:03:25,799 Speaker 1: Sweden they're called Upsala, and he was so intrigued with this. 44 00:03:25,960 --> 00:03:28,919 Speaker 1: He met up with Jurgenson and together they made over 45 00:03:29,000 --> 00:03:36,680 Speaker 1: one hundred thousand recordings which Constant Constantine Constantine Roddiev described 46 00:03:36,720 --> 00:03:42,120 Speaker 1: as being communications with discarnate people. He even wrote a 47 00:03:42,120 --> 00:03:47,120 Speaker 1: book about this called Breakthrough, An Amazing Experiment in Electronic 48 00:03:47,280 --> 00:03:51,440 Speaker 1: Communication with the Dead, that came out in nineteen sixty eight. 49 00:03:52,440 --> 00:03:58,680 Speaker 1: And it was Constantine Radieve who really popularized this term 50 00:03:59,200 --> 00:04:05,440 Speaker 1: electronic voice phenomenon e v P, which I'll get back 51 00:04:05,480 --> 00:04:08,640 Speaker 1: to in a minute. But you know, people continued taking 52 00:04:09,320 --> 00:04:14,080 Speaker 1: work like what he was putting out there and trying 53 00:04:14,120 --> 00:04:17,160 Speaker 1: to advance it and use it with more and more 54 00:04:17,240 --> 00:04:25,320 Speaker 1: sophisticated machinery, and ultimately you had people like um, for example, 55 00:04:25,839 --> 00:04:30,479 Speaker 1: George Meek of Franklin, North Carolina, who died, who was 56 00:04:30,520 --> 00:04:33,839 Speaker 1: one of the pioneers of technology that was later adapted 57 00:04:33,839 --> 00:04:36,440 Speaker 1: into things like Frank's Box and Spirit Calm, and so 58 00:04:36,480 --> 00:04:41,599 Speaker 1: they're all these spinoffs. But look, let's keep this simple. 59 00:04:42,760 --> 00:04:47,839 Speaker 1: The basic idea here is that some paranormal force or 60 00:04:48,000 --> 00:04:52,159 Speaker 1: entity can interact with or make an impression upon your 61 00:04:52,160 --> 00:04:58,320 Speaker 1: recording equipment. Right, that's the idea. And so you kind 62 00:04:58,320 --> 00:05:00,320 Speaker 1: of limit yourself a little bit when you just talk 63 00:05:00,360 --> 00:05:05,159 Speaker 1: about electronic voice phenomenon e v P. And by the way, 64 00:05:05,200 --> 00:05:09,000 Speaker 1: that's a tricky thing for people to discuss with in 65 00:05:09,000 --> 00:05:12,640 Speaker 1: a grammatically correct way, because e VP could be electronic 66 00:05:12,720 --> 00:05:20,279 Speaker 1: voice phenomenon which is singular, or phenomena which is plural. 67 00:05:21,000 --> 00:05:24,159 Speaker 1: But if you look up the definition of electronic voice 68 00:05:24,360 --> 00:05:29,560 Speaker 1: phenomenon on Wikipedia, it says within ghosts, hunting and parapsychology, 69 00:05:30,560 --> 00:05:34,680 Speaker 1: electronic voice phenomena e v P are sounds found on 70 00:05:34,720 --> 00:05:39,919 Speaker 1: electronic recordings that are interpreted as spirit voices that have 71 00:05:40,320 --> 00:05:46,560 Speaker 1: either been unintentionally recorded or intentionally requested and recorded, and 72 00:05:46,800 --> 00:05:51,240 Speaker 1: it sites constantine Rodeve saying he popularized it in the 73 00:05:51,320 --> 00:05:55,920 Speaker 1: nineteen seventies and described e v P as typically brief, 74 00:05:56,200 --> 00:06:00,960 Speaker 1: usually the length of a word or short phrase. Goes 75 00:06:01,000 --> 00:06:03,440 Speaker 1: on to say enthusiasts consider e VP to be a 76 00:06:03,480 --> 00:06:07,279 Speaker 1: form of paranormal phenomenon, often found in recordings with static 77 00:06:08,040 --> 00:06:11,400 Speaker 1: or other background. Noise. Many scientists regard e v P 78 00:06:11,560 --> 00:06:17,040 Speaker 1: as a form of auditory paradoia, which is interpreting random 79 00:06:17,160 --> 00:06:23,400 Speaker 1: sounds as voices in one's own language, and a pseudoscience 80 00:06:24,200 --> 00:06:29,279 Speaker 1: promulgated by popular culture. Uh. Okay, so they you know, 81 00:06:29,320 --> 00:06:31,960 Speaker 1: they give you both sides of this, uh, this way 82 00:06:32,000 --> 00:06:33,839 Speaker 1: of looking at things if you actually go and you 83 00:06:33,920 --> 00:06:39,119 Speaker 1: read some more about what Constantine Radive said. He said 84 00:06:39,160 --> 00:06:44,280 Speaker 1: that as far as methods are concerned, he developed several 85 00:06:44,360 --> 00:06:50,039 Speaker 1: different approaches. One was microphone voices. Uh. One simply leaves 86 00:06:50,040 --> 00:06:54,560 Speaker 1: the tape recorder running with no one talking, and he 87 00:06:54,600 --> 00:07:00,799 Speaker 1: indicated that one can even disconnect the microphone hm uh. Next, 88 00:07:00,880 --> 00:07:04,560 Speaker 1: radio voices one records the white noise from a radio 89 00:07:04,680 --> 00:07:09,279 Speaker 1: that is not tuned to any station. Last, diode voices 90 00:07:09,760 --> 00:07:13,240 Speaker 1: one records from what is essentially a crystal set, not 91 00:07:13,560 --> 00:07:17,440 Speaker 1: tuned to a station. And then when it comes to 92 00:07:17,800 --> 00:07:21,840 Speaker 1: the e v characteristics that he pointed out, he said, 93 00:07:21,920 --> 00:07:26,400 Speaker 1: number one, the voices of the entities speak very rapidly 94 00:07:26,600 --> 00:07:29,560 Speaker 1: in a mixture of languages, and sometimes as many as 95 00:07:29,640 --> 00:07:33,640 Speaker 1: five or six and one sentence. Number two, they speak 96 00:07:33,640 --> 00:07:37,400 Speaker 1: in a definite rhythm which seems forced on them. Three, 97 00:07:37,560 --> 00:07:41,480 Speaker 1: the rhythmic mode imposes a shortened telegram style phrase or 98 00:07:41,560 --> 00:07:46,400 Speaker 1: sentence and four. Probably because of this, grammatical rules are 99 00:07:46,480 --> 00:07:53,520 Speaker 1: frequently abandoned, and Neil neologisms abound. Neologism that's the word, 100 00:07:53,560 --> 00:07:56,960 Speaker 1: isn't it. So anyway, I think you get the idea 101 00:07:56,960 --> 00:08:01,600 Speaker 1: of what he's saying. Now, Look, I have made it 102 00:08:01,640 --> 00:08:04,840 Speaker 1: known for many years that I am not a big 103 00:08:05,040 --> 00:08:08,080 Speaker 1: e v P enthusiast, and trust me, in this show, 104 00:08:08,120 --> 00:08:12,040 Speaker 1: we're going to go beyond e v P. But it's 105 00:08:12,040 --> 00:08:15,640 Speaker 1: a good place to start. As we know, a circle 106 00:08:15,720 --> 00:08:20,360 Speaker 1: can be measured beginning anywhere, and so I've always told 107 00:08:20,360 --> 00:08:23,760 Speaker 1: people that I don't think that e v P is 108 00:08:24,960 --> 00:08:28,600 Speaker 1: it makes the strongest case for contact with the other side, 109 00:08:28,680 --> 00:08:33,640 Speaker 1: because I think that when people conduct these types of recordings, 110 00:08:34,240 --> 00:08:37,520 Speaker 1: they often have great intentions, but they overlook a lot 111 00:08:37,559 --> 00:08:39,640 Speaker 1: of things, and they make a lot of mistakes, and 112 00:08:39,679 --> 00:08:43,880 Speaker 1: they're way too optimistic about the results they're getting that uh. 113 00:08:44,160 --> 00:08:47,800 Speaker 1: In fact, I even got into a squabble on air 114 00:08:47,840 --> 00:08:50,880 Speaker 1: on live radio with Art Bell about this because Art 115 00:08:50,880 --> 00:08:53,680 Speaker 1: Bell found more value in e v P than I do, 116 00:08:54,160 --> 00:08:56,800 Speaker 1: and that surprises people. I always tell people, like, there's 117 00:08:56,800 --> 00:08:59,439 Speaker 1: probably no point in you sending an e VP recording 118 00:08:59,480 --> 00:09:02,000 Speaker 1: to me because is there's not much I can do 119 00:09:02,160 --> 00:09:06,400 Speaker 1: with it, uh, And I only pay attention to these 120 00:09:06,400 --> 00:09:10,040 Speaker 1: types of recordings that basically I captured or that I 121 00:09:10,040 --> 00:09:12,400 Speaker 1: I you know, I was present when it was captured, 122 00:09:12,440 --> 00:09:15,040 Speaker 1: so I know what all the conditions were. That is 123 00:09:15,080 --> 00:09:18,360 Speaker 1: to say that there are a lot of good intentioned 124 00:09:18,400 --> 00:09:22,559 Speaker 1: researchers who may not realize that that microphone is picking 125 00:09:22,640 --> 00:09:25,680 Speaker 1: up a lot more than the human ear can hear. 126 00:09:26,559 --> 00:09:29,320 Speaker 1: Even if you don't have a microphone, there are signals 127 00:09:29,320 --> 00:09:32,600 Speaker 1: that can be picked up coming from radio transmissions and 128 00:09:32,840 --> 00:09:37,199 Speaker 1: maybe magnetic sources, all kinds of things, lightning bolts that 129 00:09:37,360 --> 00:09:40,280 Speaker 1: could create a noise there When you say, I'm telling 130 00:09:40,320 --> 00:09:42,360 Speaker 1: you there was no no noise in the room, it 131 00:09:42,440 --> 00:09:45,760 Speaker 1: was quiet. Or maybe somebody sets a recorder down and 132 00:09:45,800 --> 00:09:47,680 Speaker 1: they leave the room and they go off to do 133 00:09:47,760 --> 00:09:51,120 Speaker 1: something like, you know, use the bathroom, and they don't 134 00:09:51,160 --> 00:09:55,600 Speaker 1: realize in the meantime that something else has happened a mouse, 135 00:09:57,080 --> 00:10:00,920 Speaker 1: a mouse scampered through the room, or or an airplane 136 00:10:00,920 --> 00:10:04,600 Speaker 1: flew over, or you have somebody who may have come 137 00:10:04,679 --> 00:10:10,880 Speaker 1: by outside and you hear are murmuring, or the wind blows, uh. 138 00:10:10,920 --> 00:10:13,920 Speaker 1: And many many e d P are just created by 139 00:10:14,000 --> 00:10:18,200 Speaker 1: people's stomach growling, And so it's very difficult to just 140 00:10:18,240 --> 00:10:22,200 Speaker 1: listen to a recording and place into context exactly what 141 00:10:22,240 --> 00:10:25,199 Speaker 1: was happening and it's meaning and significance when you weren't 142 00:10:25,240 --> 00:10:29,040 Speaker 1: there and you don't know about all the variables. So 143 00:10:29,400 --> 00:10:32,760 Speaker 1: in this show, first, when we come back from our break, 144 00:10:32,920 --> 00:10:36,079 Speaker 1: I'm going to tell you, and this is maybe a 145 00:10:36,160 --> 00:10:38,679 Speaker 1: little bit technical, all right, I'm gonna give you a 146 00:10:38,760 --> 00:10:42,199 Speaker 1: little bit of a technical explanation for how I think 147 00:10:42,920 --> 00:10:47,679 Speaker 1: that many of these legitimate e VP may indeed be captured. 148 00:10:48,040 --> 00:10:50,400 Speaker 1: That you know, this is based upon something I've done 149 00:10:50,440 --> 00:10:53,679 Speaker 1: in the lab and something that I have frequently demonstrated 150 00:10:53,679 --> 00:10:57,280 Speaker 1: in front of live crowds of people. Um, and that 151 00:10:57,320 --> 00:10:59,560 Speaker 1: will give you some insight into how to put a 152 00:10:59,600 --> 00:11:02,120 Speaker 1: handle on how this could even work. You know, if 153 00:11:02,160 --> 00:11:07,000 Speaker 1: we assume it's true paranormal entities can speak and somehow, 154 00:11:07,240 --> 00:11:10,040 Speaker 1: you know, the recorder gets it and you don't hear anything. 155 00:11:10,640 --> 00:11:13,080 Speaker 1: I mean, I'm open to that possibility. So I'm gonna 156 00:11:13,120 --> 00:11:17,760 Speaker 1: tell you how that may technically function, and then use 157 00:11:17,920 --> 00:11:20,959 Speaker 1: that as a foundation for me to give you some 158 00:11:21,040 --> 00:11:26,720 Speaker 1: stories about things I have personally captured things where you 159 00:11:26,760 --> 00:11:30,280 Speaker 1: know again, I was there, I know what the setup was, 160 00:11:31,160 --> 00:11:35,520 Speaker 1: and I have no question about how the audio was captured. 161 00:11:35,600 --> 00:11:38,800 Speaker 1: And I have some new enhancements for you as well 162 00:11:39,520 --> 00:11:44,640 Speaker 1: that I've never played. So uh, some of this may 163 00:11:45,240 --> 00:11:47,040 Speaker 1: make great on your ears a little bit. You know, 164 00:11:47,240 --> 00:11:50,200 Speaker 1: this stuff goes this e v P oriented stuff, but 165 00:11:50,240 --> 00:11:52,920 Speaker 1: we're gonna go far beyond e v P. That's why 166 00:11:53,160 --> 00:11:56,320 Speaker 1: I'm not calling this e v P. This is not 167 00:11:56,440 --> 00:12:02,160 Speaker 1: about the electronic voice phenomenon alone. This is about amazing 168 00:12:02,880 --> 00:12:08,560 Speaker 1: paranormal audio recordings. You'll see what I mean by the 169 00:12:08,679 --> 00:12:16,520 Speaker 1: end of this show. If you love amazing pictures, videos, 170 00:12:16,559 --> 00:12:19,760 Speaker 1: and breaking content, be sure to sign up for my 171 00:12:19,920 --> 00:12:23,800 Speaker 1: free e newsletter at Joshua P. Warren dot com. It 172 00:12:23,920 --> 00:12:28,160 Speaker 1: takes two seconds and you'll instantly receive a free digital 173 00:12:28,200 --> 00:12:31,720 Speaker 1: good luck charm and instructions on how to cheaply make 174 00:12:32,040 --> 00:12:34,680 Speaker 1: or a glasses at home that might allow you to 175 00:12:34,800 --> 00:12:38,640 Speaker 1: see the other side. And on my website, take a 176 00:12:38,679 --> 00:12:43,320 Speaker 1: look at the Curiosity Shop to find rare, amazing things 177 00:12:43,400 --> 00:12:47,280 Speaker 1: you will not find anywhere else in the world. There 178 00:12:47,360 --> 00:12:50,880 Speaker 1: is no period after the P and Joshua P. Warren 179 00:12:51,320 --> 00:12:55,319 Speaker 1: dot com. 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Welcome back to 199 00:14:26,800 --> 00:14:30,360 Speaker 1: Strange Things on the I Heart Radio and Coast to Coast, 200 00:14:30,440 --> 00:14:35,000 Speaker 1: a m paranormal podcast network. I am your host, Joshua 201 00:14:35,120 --> 00:14:41,040 Speaker 1: Pete Warren, the Wizard of Weird. And imagine this something 202 00:14:41,120 --> 00:14:44,560 Speaker 1: I have demonstrated again and again for people crowds over 203 00:14:44,600 --> 00:14:48,520 Speaker 1: the years. You have two components. You have a small 204 00:14:48,560 --> 00:14:52,160 Speaker 1: audio recorder, could be digital, could use it, tape doesn't matter. 205 00:14:52,560 --> 00:14:56,400 Speaker 1: And the audio recorder has a standard microphone plugged into it. 206 00:14:56,520 --> 00:15:00,200 Speaker 1: All right, that's your recorder. Now next to it, have 207 00:15:00,320 --> 00:15:03,240 Speaker 1: a boom box, you know, a stereo that's playing music. 208 00:15:03,880 --> 00:15:07,480 Speaker 1: It has a headphone output jack. But instead of plugging 209 00:15:07,520 --> 00:15:11,560 Speaker 1: a headphone into the jack, you plug in a large 210 00:15:11,680 --> 00:15:15,760 Speaker 1: coil of wire. Now, this could be hundreds of feet 211 00:15:15,880 --> 00:15:18,440 Speaker 1: or a thousand feet, depending on the size of the wire. 212 00:15:19,720 --> 00:15:23,000 Speaker 1: So we have our recorder with the microphone, the boom 213 00:15:23,040 --> 00:15:26,040 Speaker 1: box with a coil of wire plugged into the headphone 214 00:15:26,040 --> 00:15:29,560 Speaker 1: output jack. And so now when you play music through 215 00:15:29,560 --> 00:15:32,360 Speaker 1: the boom box, you cannot hear any music with your 216 00:15:32,480 --> 00:15:36,960 Speaker 1: naked ears. And that's because no air is being resonated 217 00:15:37,040 --> 00:15:40,320 Speaker 1: to create the vibrations that humans traditionally need to hear 218 00:15:40,480 --> 00:15:44,640 Speaker 1: noise instead. However, that signal coming out of the boom 219 00:15:44,680 --> 00:15:50,640 Speaker 1: box is being broadcast. It's being sent through the room. 220 00:15:50,720 --> 00:15:53,560 Speaker 1: And if you take that microphone from that recorder and 221 00:15:53,640 --> 00:15:56,360 Speaker 1: you hold it up to that coil a few inches 222 00:15:56,400 --> 00:15:59,520 Speaker 1: away and you record for ten seconds, you're not gonna 223 00:15:59,560 --> 00:16:02,160 Speaker 1: hear any thing at all with your naked ears. It's 224 00:16:02,160 --> 00:16:05,680 Speaker 1: a silent room. But then when you rewind it and 225 00:16:05,720 --> 00:16:08,760 Speaker 1: play it, you can hear that music clear as a bell. 226 00:16:10,320 --> 00:16:13,320 Speaker 1: This is an example of how it is possible for 227 00:16:13,400 --> 00:16:16,000 Speaker 1: someone to be in a situation where they don't hear 228 00:16:16,040 --> 00:16:21,320 Speaker 1: anything with their naked ears, but they record something, and 229 00:16:22,600 --> 00:16:25,320 Speaker 1: when they play the recording back, they get some type 230 00:16:25,440 --> 00:16:32,120 Speaker 1: of a strange, paranormal sounding audio, uh recording or signal. 231 00:16:32,240 --> 00:16:34,880 Speaker 1: And this may or may not apply to these various 232 00:16:34,880 --> 00:16:37,200 Speaker 1: examples that I'm gonna give you here, but it's just 233 00:16:37,320 --> 00:16:41,000 Speaker 1: at least one practical thing to keep in mind when 234 00:16:41,040 --> 00:16:43,200 Speaker 1: you try to figure out, you know, the logic of 235 00:16:43,240 --> 00:16:47,040 Speaker 1: how that some paranormal force or entity might be able 236 00:16:47,120 --> 00:16:50,960 Speaker 1: to interact with or make an impression upon your recording 237 00:16:51,000 --> 00:16:54,160 Speaker 1: equipment if this thing is just some kind of an 238 00:16:54,200 --> 00:17:01,320 Speaker 1: electro magnetic energy. So that said, um, even though I'm 239 00:17:01,400 --> 00:17:07,119 Speaker 1: I'm so quick to to discount so many types of 240 00:17:07,520 --> 00:17:10,479 Speaker 1: mistakes people make recording e v P, you know, around 241 00:17:10,480 --> 00:17:15,040 Speaker 1: the late nineteen nineties early two thousand's my team and 242 00:17:15,119 --> 00:17:17,480 Speaker 1: I the Lemur team. We're doing a lot of investigations 243 00:17:17,520 --> 00:17:20,600 Speaker 1: in western North Carolina and this is the area where 244 00:17:20,640 --> 00:17:23,200 Speaker 1: I was born and raised. And one of the places 245 00:17:23,240 --> 00:17:27,720 Speaker 1: we got to access was this big mansion, big fancy mansion, 246 00:17:28,240 --> 00:17:31,480 Speaker 1: around a hundred years old. And I don't want to 247 00:17:31,520 --> 00:17:35,360 Speaker 1: tell you exactly what mansion that this is, but it's 248 00:17:35,440 --> 00:17:40,040 Speaker 1: near the Grove Park in Resort and spa really upscale neighborhood. 249 00:17:41,640 --> 00:17:46,960 Speaker 1: And this was built by a very powerful man, and 250 00:17:47,080 --> 00:17:48,960 Speaker 1: back in the day it was said that he also 251 00:17:49,400 --> 00:17:52,720 Speaker 1: was a very abusive man behind closed doors, abusive to 252 00:17:52,800 --> 00:17:57,120 Speaker 1: his wife, abusive to his servants. Um. But we got 253 00:17:57,160 --> 00:18:00,439 Speaker 1: this amazing access to this place to do an investigation. 254 00:18:01,400 --> 00:18:04,560 Speaker 1: And there is a lot of property around this place. 255 00:18:04,680 --> 00:18:09,760 Speaker 1: There were security guards everywhere, and um there was like 256 00:18:09,840 --> 00:18:14,160 Speaker 1: six or seven of us. They're all guys. And the 257 00:18:14,200 --> 00:18:17,720 Speaker 1: attic of this place was particularly spooky, biggest attic I've 258 00:18:17,760 --> 00:18:19,879 Speaker 1: ever been into my life. All Right, I was able 259 00:18:19,880 --> 00:18:24,080 Speaker 1: to completely stand up and I'm six ft two and 260 00:18:24,320 --> 00:18:28,880 Speaker 1: walk around this attic with plenty of headroom and so 261 00:18:29,640 --> 00:18:34,439 Speaker 1: I assure you, uh, there's there's no doubt that, um, 262 00:18:35,600 --> 00:18:40,280 Speaker 1: this attic was a scene for some kind of dramatic 263 00:18:40,480 --> 00:18:44,080 Speaker 1: scenarios that that'd be my, my, my feeling. Well, listen, 264 00:18:44,119 --> 00:18:46,520 Speaker 1: what we did was we took about five or six 265 00:18:46,520 --> 00:18:48,359 Speaker 1: of our cameras and we set them all up and 266 00:18:49,359 --> 00:18:53,119 Speaker 1: kind of a circular fashion in various places around the attic. 267 00:18:53,480 --> 00:18:56,480 Speaker 1: And being in North Carolina, most of the guys were smokers, 268 00:18:56,520 --> 00:18:59,000 Speaker 1: so we went outside for about fifteen minutes to take 269 00:18:59,000 --> 00:19:04,919 Speaker 1: a smoke break. Looie came back in. We replayed our 270 00:19:04,960 --> 00:19:09,160 Speaker 1: footage and we were all amazed because every single one 271 00:19:09,200 --> 00:19:15,000 Speaker 1: of our cameras captured the recording that you were about 272 00:19:15,080 --> 00:19:17,840 Speaker 1: to hear. Okay, now, this is the only sound that 273 00:19:17,920 --> 00:19:22,120 Speaker 1: was captured in this attic throughout this fifteen minute period, 274 00:19:23,880 --> 00:19:26,960 Speaker 1: and we were all guys and there was nobody else around, 275 00:19:27,480 --> 00:19:29,920 Speaker 1: and yet you can hear what very much sounds like 276 00:19:30,720 --> 00:19:35,679 Speaker 1: the words of a woman screaming in agony, and she 277 00:19:35,840 --> 00:19:44,000 Speaker 1: says a man's name and then please stop, please stop. 278 00:19:45,480 --> 00:19:48,520 Speaker 1: What do you think? I'm gonna play the raw recording 279 00:19:48,600 --> 00:19:51,800 Speaker 1: for you first, and again, this may be a little 280 00:19:51,880 --> 00:19:55,600 Speaker 1: rough on the ears, but this is the raw, untouched recording, 281 00:19:56,040 --> 00:20:00,159 Speaker 1: no processing, no enhancement. At seven seconds long, here a go. 282 00:20:09,600 --> 00:20:13,480 Speaker 1: All right. So now that you have heard that recording, 283 00:20:14,520 --> 00:20:17,800 Speaker 1: now when this woman is screaming, please stop, what do 284 00:20:17,840 --> 00:20:23,679 Speaker 1: you think she says before that? Now? Mind you, this 285 00:20:23,760 --> 00:20:27,360 Speaker 1: is a recording that is astounding to me because this 286 00:20:27,440 --> 00:20:29,919 Speaker 1: is my own recording with my own team, my own buddies. 287 00:20:29,960 --> 00:20:34,119 Speaker 1: We all give the same thing. I enhanced it. And 288 00:20:34,160 --> 00:20:36,080 Speaker 1: for the first time, I'm gonna I'm gonna play this 289 00:20:36,200 --> 00:20:41,560 Speaker 1: enhancement for you, and I'm gonna play it twice. Okay, 290 00:20:41,600 --> 00:20:43,680 Speaker 1: here's the first time again. This is seven seconds. I've 291 00:20:43,680 --> 00:20:45,960 Speaker 1: just taken some of the noise out. Are you ready 292 00:20:46,160 --> 00:20:59,720 Speaker 1: listen very closely? Here it goes all right. Now I'm 293 00:20:59,720 --> 00:21:03,760 Speaker 1: gonna play that one more time for you. What do 294 00:21:03,840 --> 00:21:19,760 Speaker 1: you think she's saying? Here we go? All right? So now, 295 00:21:19,960 --> 00:21:24,320 Speaker 1: I honestly, I have an opinion on what word that 296 00:21:24,520 --> 00:21:31,000 Speaker 1: I think she's saying, but I don't I don't want 297 00:21:31,000 --> 00:21:33,199 Speaker 1: to say the word. I don't want to say the 298 00:21:33,320 --> 00:21:37,679 Speaker 1: name because I'm trying to keep this property private. I 299 00:21:37,720 --> 00:21:41,560 Speaker 1: don't want to violate anybody's rights, all right. And so 300 00:21:41,880 --> 00:21:44,280 Speaker 1: if you, how however, you have an opinion about what 301 00:21:44,359 --> 00:21:47,680 Speaker 1: the name is. Feel free to email me contacted Joshua 302 00:21:47,720 --> 00:21:51,000 Speaker 1: Pee Warren dot com. Contacted Joshua Pee Warren dot com 303 00:21:51,040 --> 00:21:53,720 Speaker 1: and I may or may not respond, but i will 304 00:21:53,720 --> 00:21:57,520 Speaker 1: make a note of it because I'm just really interested 305 00:21:57,640 --> 00:22:00,960 Speaker 1: in what people are gleaning from that. Now, this to 306 00:22:01,000 --> 00:22:05,600 Speaker 1: me is an example of a truly outstanding paranormal audio recording, 307 00:22:05,640 --> 00:22:08,399 Speaker 1: because I don't know whether or not we would have 308 00:22:08,480 --> 00:22:10,560 Speaker 1: heard that with our naked ears if we've been standing 309 00:22:10,600 --> 00:22:14,840 Speaker 1: there in the attic, because we weren't there. But this 310 00:22:14,960 --> 00:22:18,439 Speaker 1: is some kind of a paranormal audio recording that I 311 00:22:18,480 --> 00:22:23,960 Speaker 1: guess would qualify as part of e v P of 312 00:22:24,240 --> 00:22:28,440 Speaker 1: electronic voice phenomena. But there have been other occasions when 313 00:22:28,480 --> 00:22:32,560 Speaker 1: we've done investigations and we've gotten results where it seems 314 00:22:32,640 --> 00:22:36,760 Speaker 1: like that instead of hearing the direct voice, there is 315 00:22:36,760 --> 00:22:43,240 Speaker 1: an enormous impact on our equipment which gives us audio feedback. 316 00:22:43,320 --> 00:22:45,680 Speaker 1: For example, some of our e M F meters make 317 00:22:45,760 --> 00:22:48,679 Speaker 1: this big sort of whining sound and they usually go 318 00:22:48,720 --> 00:22:55,760 Speaker 1: like that kind of thing. Right, So, we were investigating 319 00:22:55,760 --> 00:23:00,040 Speaker 1: a castle in Asheville and a very haunted cast. What 320 00:23:00,200 --> 00:23:02,760 Speaker 1: we were in the basement, there was a whole group 321 00:23:02,800 --> 00:23:05,560 Speaker 1: of us. We had a minister with us, and he 322 00:23:05,680 --> 00:23:10,520 Speaker 1: was speaking to the presumed spirit as we were taking measurements. 323 00:23:11,280 --> 00:23:13,719 Speaker 1: And one of the rumors about the place was that 324 00:23:13,760 --> 00:23:15,840 Speaker 1: there had been a murder and that the bodies were 325 00:23:15,880 --> 00:23:19,760 Speaker 1: buried in the basement. And so the minister says, in 326 00:23:19,800 --> 00:23:22,880 Speaker 1: this dark, spooky basement, as we're standing around with our equipment, 327 00:23:22,880 --> 00:23:26,639 Speaker 1: the minister says, are you concerned that the bodies have 328 00:23:26,720 --> 00:23:31,760 Speaker 1: a proper burial? And when he does that, I want 329 00:23:31,800 --> 00:23:37,080 Speaker 1: you to listen to the sound that our primary electromagnetic 330 00:23:37,160 --> 00:23:40,919 Speaker 1: field meter made. Now, this is again, this is a 331 00:23:40,920 --> 00:23:45,800 Speaker 1: device that's picking up electromagnetic energy and you are going 332 00:23:45,880 --> 00:23:48,480 Speaker 1: to hear it. Just get boom boo boom boom boom, 333 00:23:48,480 --> 00:23:54,080 Speaker 1: like pounded with some type of signal that we never 334 00:23:54,119 --> 00:23:58,040 Speaker 1: ever heard before. I mean, this is to this day, 335 00:23:58,040 --> 00:24:00,359 Speaker 1: this amazes me because I've been using these types of 336 00:24:00,440 --> 00:24:04,600 Speaker 1: meters for almost thirty years. Never have I heard anything 337 00:24:04,680 --> 00:24:07,760 Speaker 1: quite like this. This is the recording of the actual 338 00:24:08,119 --> 00:24:12,200 Speaker 1: scene and the dialogue leading up to and afterward. This 339 00:24:12,320 --> 00:24:19,840 Speaker 1: last one minute and fourteen seconds here we go doesn't 340 00:24:19,920 --> 00:24:26,760 Speaker 1: have something to do with what's very here. You can't 341 00:24:26,760 --> 00:24:33,040 Speaker 1: call it again. Something is very pure. Ye. Are you 342 00:24:33,160 --> 00:24:42,040 Speaker 1: concerned that the bodies have a proper burial? Yeah? Wow, 343 00:24:45,680 --> 00:24:50,439 Speaker 1: I think you win. Okay, so that's why they're still here, 344 00:24:50,560 --> 00:24:54,879 Speaker 1: proper burial and I am freezing over here. I've an 345 00:24:56,560 --> 00:25:02,760 Speaker 1: I didn't know that he couldn't. Okay, So we have 346 00:25:02,800 --> 00:25:05,760 Speaker 1: a proper burial. Well, start to do what needs to 347 00:25:05,800 --> 00:25:15,560 Speaker 1: be done. So, now that was unmistakable, wasn't it when 348 00:25:15,600 --> 00:25:18,399 Speaker 1: that meter went boom boom, boom boom, right when he 349 00:25:18,480 --> 00:25:22,760 Speaker 1: asked about whether or not the bodies deserve a proper burial. 350 00:25:25,520 --> 00:25:31,160 Speaker 1: This is an example of some kind of audio feedback 351 00:25:31,320 --> 00:25:37,040 Speaker 1: that we're getting that may indicate contact with a paranormal 352 00:25:37,080 --> 00:25:42,200 Speaker 1: force or entity. The guess what, when we come back 353 00:25:42,240 --> 00:25:45,560 Speaker 1: from this break, we are going to blur those lines 354 00:25:46,840 --> 00:25:50,919 Speaker 1: because I went out into a cemetery with my buddy 355 00:25:50,960 --> 00:25:56,080 Speaker 1: Dean Worsing, who is an e v P instructor, and 356 00:25:56,600 --> 00:25:58,359 Speaker 1: we went out there just to see if we could 357 00:25:58,359 --> 00:26:03,160 Speaker 1: capture some ghostly void in the graveyard. What ended up 358 00:26:03,200 --> 00:26:11,000 Speaker 1: happening was so bizarre, was so outside of the realm 359 00:26:11,080 --> 00:26:15,640 Speaker 1: of our expectations that we're like, what what happened here? 360 00:26:15,920 --> 00:26:20,520 Speaker 1: Was this ghostly? Was this alien? But whatever happened. It 361 00:26:20,680 --> 00:26:26,240 Speaker 1: was very well documented from a practical scientific point of view. 362 00:26:27,200 --> 00:26:32,399 Speaker 1: I'll explain everything. This could be a game changer in 363 00:26:32,440 --> 00:26:35,880 Speaker 1: my opinion. I'm serious. I think stuff like this could 364 00:26:35,920 --> 00:26:38,960 Speaker 1: be a game changer. You'll hear it in a minute. 365 00:26:39,200 --> 00:26:44,679 Speaker 1: I'm Joshua Pee Warren. You're listening to strange things on 366 00:26:44,720 --> 00:26:47,880 Speaker 1: the I Heart Radio and Coast to Coast a imparan 367 00:26:47,880 --> 00:26:53,480 Speaker 1: noormal podcast network, and I will be right back after this. 368 00:26:58,680 --> 00:27:00,480 Speaker 1: We're happy to let you know that Ours to Coast 369 00:27:00,520 --> 00:27:04,560 Speaker 1: am official YouTube channel has now reached three hundred thousand subscribers. 370 00:27:04,880 --> 00:27:06,800 Speaker 1: You can listen to the first hour of recent and 371 00:27:06,840 --> 00:27:09,760 Speaker 1: past shows all for free, so head on over to 372 00:27:09,800 --> 00:27:12,560 Speaker 1: Coast to Coast m dot com and hit the YouTube 373 00:27:12,720 --> 00:27:15,160 Speaker 1: icon at the top of the page. This is free 374 00:27:15,160 --> 00:27:17,639 Speaker 1: show audio, so don't wait. Coast to Coast d a 375 00:27:17,720 --> 00:27:33,240 Speaker 1: m dot com is where you want to be. Did 376 00:27:33,280 --> 00:27:36,040 Speaker 1: you know that testa could save your life from cancer 377 00:27:36,119 --> 00:27:39,639 Speaker 1: are now available for little or no cost thanks to 378 00:27:39,680 --> 00:27:43,520 Speaker 1: the healthcare law called the Affordable Care Act. Let this 379 00:27:43,680 --> 00:27:46,360 Speaker 1: be the year you get screening tests that can help 380 00:27:46,400 --> 00:27:51,119 Speaker 1: detect cancer early when it's most treatable. Don't let concerns 381 00:27:51,119 --> 00:27:53,800 Speaker 1: get in your way talk to a doctor or other 382 00:27:53,840 --> 00:27:57,160 Speaker 1: medical professional to learn more about the best cancer testing 383 00:27:57,160 --> 00:28:05,520 Speaker 1: options for you. Hi, this is George Dori and you're 384 00:28:05,520 --> 00:28:07,600 Speaker 1: listening to the new I Heart Radio and Coast to 385 00:28:07,600 --> 00:28:11,360 Speaker 1: Coastadium Paranormal Podcast Network. Now let's get back to Strange 386 00:28:11,440 --> 00:28:51,000 Speaker 1: Things with Joshua pe Warren. Welcome back to Strange Things 387 00:28:51,360 --> 00:28:53,800 Speaker 1: on the I Heart Radio and Coast to Coast am 388 00:28:53,880 --> 00:28:58,520 Speaker 1: Paranormal Podcast Network. I'm your host, Joshua Pete Warren, and 389 00:28:58,680 --> 00:29:05,160 Speaker 1: this is the show where the unusual becomes usual. And 390 00:29:05,960 --> 00:29:09,400 Speaker 1: this segment is a bit tricky to explain. I will 391 00:29:09,440 --> 00:29:15,720 Speaker 1: do my best, hopefully this will all make sense. Of course, 392 00:29:16,040 --> 00:29:20,160 Speaker 1: my good buddy Dean Worsing has been oh man, a 393 00:29:20,200 --> 00:29:22,440 Speaker 1: great friend, a great researcher. I've known him for over 394 00:29:22,520 --> 00:29:25,560 Speaker 1: ten years. We've been on a lot of TV programs together, 395 00:29:26,160 --> 00:29:28,160 Speaker 1: and he's the only person I know who is a 396 00:29:28,200 --> 00:29:33,240 Speaker 1: bona fide e v P instructor at a college in Maryland. 397 00:29:34,240 --> 00:29:38,280 Speaker 1: And in two thousand nineteen Dean came here to Las 398 00:29:38,400 --> 00:29:42,640 Speaker 1: Vegas to visit me, and understandably he wanted to go 399 00:29:42,760 --> 00:29:46,720 Speaker 1: out and do an e v P type session, so 400 00:29:46,880 --> 00:29:50,200 Speaker 1: I picked a big cemetery here in Las Vegas that 401 00:29:50,280 --> 00:29:54,320 Speaker 1: has quite a history. And in order to make the 402 00:29:54,400 --> 00:29:58,560 Speaker 1: most of this experiment, I said, okay, in addition to 403 00:29:58,840 --> 00:30:02,760 Speaker 1: the numero recorders we're gonna have in this cemetery as 404 00:30:02,760 --> 00:30:05,760 Speaker 1: we're trying to talk to spirits and get some response, 405 00:30:06,440 --> 00:30:09,360 Speaker 1: I want to do something special. I want to take 406 00:30:09,440 --> 00:30:15,000 Speaker 1: two identical audio recorders and have one that's just sitting 407 00:30:15,040 --> 00:30:20,840 Speaker 1: outside this was in the afternoon, recording the ambient environment, 408 00:30:21,360 --> 00:30:25,480 Speaker 1: and take the other identical recorder and put it inside 409 00:30:25,520 --> 00:30:29,480 Speaker 1: of a vacuum chamber where all the air is removed. 410 00:30:30,400 --> 00:30:35,840 Speaker 1: Because in order for a vibration to pass through that 411 00:30:36,200 --> 00:30:38,040 Speaker 1: makes you hear a sound, you know, to get to 412 00:30:38,080 --> 00:30:41,280 Speaker 1: your ear, uh you, it needs that medium of air. 413 00:30:42,360 --> 00:30:45,680 Speaker 1: So theoretically, when you put a recorder inside of a vacuum, 414 00:30:45,920 --> 00:30:50,080 Speaker 1: it should not pick up anything produced by traditional movement 415 00:30:50,160 --> 00:30:55,080 Speaker 1: like wind or birds chirping or people talking. None of 416 00:30:55,120 --> 00:30:59,840 Speaker 1: that stuff should make it through the vacuum. And if 417 00:30:59,840 --> 00:31:03,440 Speaker 1: the east two recorders are identical and they are synchronized, 418 00:31:04,520 --> 00:31:09,600 Speaker 1: and later we overlay them and listen to both of them, well, 419 00:31:09,840 --> 00:31:13,760 Speaker 1: the possibilities are if we get something on the recorder 420 00:31:13,800 --> 00:31:17,880 Speaker 1: that's outside the vacuum, but not inside the vacuum, then 421 00:31:17,920 --> 00:31:20,600 Speaker 1: that would indicate the recorder is picking up something that's 422 00:31:20,640 --> 00:31:25,680 Speaker 1: created by vibrations. Again, could be the wind, somebody walking around, 423 00:31:25,880 --> 00:31:30,520 Speaker 1: a car in the distance, etcetera. Because if you only 424 00:31:30,520 --> 00:31:32,520 Speaker 1: get it on the one outside but not the one inside, 425 00:31:32,680 --> 00:31:37,240 Speaker 1: well it's just a sound that's not penetrating the vacuum. However, 426 00:31:37,360 --> 00:31:39,720 Speaker 1: if we get a sound on both of them, the 427 00:31:39,760 --> 00:31:42,840 Speaker 1: one inside the vacuum and outside the vacuum, well that 428 00:31:42,920 --> 00:31:46,160 Speaker 1: tells us this is some kind of an electro magnetic signal, 429 00:31:47,360 --> 00:31:52,120 Speaker 1: because electromagnetic signals can penetrate the vacuum, so we'll know 430 00:31:52,480 --> 00:31:56,680 Speaker 1: this is something that is more than just an air vibration. 431 00:31:57,040 --> 00:31:59,160 Speaker 1: It's something we were able to get on the one 432 00:31:59,240 --> 00:32:03,960 Speaker 1: outside and the one inside. The weirdest result, however, would 433 00:32:03,960 --> 00:32:06,760 Speaker 1: be to get something on the one inside the vacuum 434 00:32:06,880 --> 00:32:10,440 Speaker 1: and not outside the vacuum, because then that would indicate 435 00:32:11,520 --> 00:32:18,560 Speaker 1: that some force or entity had specifically targeted the recording 436 00:32:18,600 --> 00:32:22,440 Speaker 1: device in the vacuum and was interacting with it in 437 00:32:22,480 --> 00:32:26,800 Speaker 1: some way that we don't really understand. So when we 438 00:32:26,840 --> 00:32:31,240 Speaker 1: got to the cemetery, um I took one of the 439 00:32:31,320 --> 00:32:34,760 Speaker 1: recorders and just to sort of demonstrate the process I'm 440 00:32:34,760 --> 00:32:37,280 Speaker 1: talking about here. If you take a recorder and you 441 00:32:37,320 --> 00:32:40,520 Speaker 1: put it in a vacuum, before you pumped the air 442 00:32:40,560 --> 00:32:44,920 Speaker 1: out and you're playing music, you can hear the music 443 00:32:45,080 --> 00:32:47,880 Speaker 1: coming from the chamber, and then you start pumping the 444 00:32:47,880 --> 00:32:50,560 Speaker 1: air out and it gets quieter and quieter and quieter, 445 00:32:50,640 --> 00:32:53,000 Speaker 1: and then you can't even hear the music inside anymore. 446 00:32:53,960 --> 00:32:55,960 Speaker 1: So this shows you that you've got a good seal. 447 00:32:57,800 --> 00:33:02,120 Speaker 1: So what I did was I took the two identical 448 00:33:02,160 --> 00:33:07,880 Speaker 1: recorders and I synchronized them, and I was videotaped by 449 00:33:08,360 --> 00:33:10,959 Speaker 1: Dean and Lauren and I guess and and we were 450 00:33:11,320 --> 00:33:14,200 Speaker 1: that's his wife, And I want to play for you. 451 00:33:14,480 --> 00:33:18,160 Speaker 1: First off me, this is audio from me being on 452 00:33:18,240 --> 00:33:21,719 Speaker 1: camera describing what I'm doing as I'm setting all this up. 453 00:33:22,120 --> 00:33:32,600 Speaker 1: So this audio is forty two seconds three two one. 454 00:33:33,240 --> 00:33:37,840 Speaker 1: That's our reference point for all these So now I'm 455 00:33:37,840 --> 00:33:43,160 Speaker 1: want to stick this into the vacuum. According to the minder, 456 00:33:43,560 --> 00:33:48,280 Speaker 1: the UV is three right now, where I have two 457 00:33:48,640 --> 00:33:54,480 Speaker 1: identical audio recorders that are both synchronized. The only difference 458 00:33:54,520 --> 00:33:57,440 Speaker 1: between them right now, as they are actively recording, is 459 00:33:57,440 --> 00:34:00,840 Speaker 1: that one of them is inside a vacuum chamber, which 460 00:34:00,880 --> 00:34:05,760 Speaker 1: I've pumped fifteen times, and so no acoustic vibration should 461 00:34:05,760 --> 00:34:10,319 Speaker 1: be able to affect us in any way. All right, 462 00:34:10,400 --> 00:34:13,040 Speaker 1: So now you have a better idea of how I 463 00:34:13,080 --> 00:34:14,759 Speaker 1: set all this up. I hope that you do. I 464 00:34:14,800 --> 00:34:18,000 Speaker 1: hope that you're keeping up with this. So we did 465 00:34:18,000 --> 00:34:23,200 Speaker 1: our whole day of recordings, and then I took the 466 00:34:23,239 --> 00:34:28,880 Speaker 1: recordings back to my office and I combined the two together, 467 00:34:30,160 --> 00:34:33,399 Speaker 1: and I'm about to play for you what I got, 468 00:34:33,520 --> 00:34:37,960 Speaker 1: because I was astounded when I looked at the two recordings. 469 00:34:38,920 --> 00:34:42,200 Speaker 1: The recording that was made from the device outside the 470 00:34:42,239 --> 00:34:45,320 Speaker 1: vacuum had all kinds of noise on it, us talking 471 00:34:45,360 --> 00:34:48,600 Speaker 1: and you know, everything that was happening. The one inside 472 00:34:48,600 --> 00:34:51,319 Speaker 1: the vacuum should just be silent, there should be nothing 473 00:34:51,360 --> 00:34:56,200 Speaker 1: on it. And yet, and yet there was stuff on 474 00:34:56,320 --> 00:34:59,200 Speaker 1: the one in the vacuum, and only the one in 475 00:34:59,200 --> 00:35:07,480 Speaker 1: the vacuum, big wide bands bursts of static boom boom 476 00:35:07,480 --> 00:35:12,040 Speaker 1: boom that were only hitting at very certain spots on 477 00:35:12,200 --> 00:35:15,319 Speaker 1: the one that was in the vacuum, but again not 478 00:35:15,440 --> 00:35:19,240 Speaker 1: affecting the one outside the vacuum. So in this next 479 00:35:19,520 --> 00:35:22,640 Speaker 1: audio clip I'm gonna play for you, you are going 480 00:35:22,719 --> 00:35:27,560 Speaker 1: to hear the combination both the tracks, you will hear 481 00:35:28,120 --> 00:35:35,280 Speaker 1: me explaining they're in the cemetery, what this experiment is about. 482 00:35:36,280 --> 00:35:40,120 Speaker 1: And as soon as I start explaining what I'm hoping for, 483 00:35:41,000 --> 00:35:45,440 Speaker 1: what kind of interaction that I want, you will hear 484 00:35:46,719 --> 00:35:50,680 Speaker 1: from the recording in the vacuum this big burst of 485 00:35:50,800 --> 00:35:53,600 Speaker 1: energy that starts hitting. It's almost like as soon as 486 00:35:53,640 --> 00:35:57,120 Speaker 1: I explain what I'm looking for, what I'm hoping will happen, 487 00:35:57,960 --> 00:36:01,680 Speaker 1: the phenomenon starts kicking in. I explained it to the 488 00:36:01,760 --> 00:36:06,560 Speaker 1: spirits or whatever, and then they go, Okay, now we 489 00:36:06,640 --> 00:36:08,680 Speaker 1: know what this guy wants. He wants us to hit 490 00:36:08,719 --> 00:36:14,400 Speaker 1: this thing in that vacuum, and you will hear how 491 00:36:14,520 --> 00:36:18,839 Speaker 1: immediately responsive it is once I explain what the experiment 492 00:36:18,920 --> 00:36:24,160 Speaker 1: is about. So this clip is thirty five seconds, and 493 00:36:24,239 --> 00:36:31,359 Speaker 1: again this is me talking overlaid with what's happening at 494 00:36:31,360 --> 00:36:35,840 Speaker 1: the same time in the vacuum. Listen to these hits 495 00:36:35,880 --> 00:36:42,200 Speaker 1: that we start getting only on the vacuum sealed recorder. Well, 496 00:36:42,239 --> 00:36:46,680 Speaker 1: if we get something on the one that's in the vacuum, 497 00:36:46,680 --> 00:36:49,720 Speaker 1: but we don't get anything on the one that's outside 498 00:36:49,760 --> 00:36:53,160 Speaker 1: the vacuum, that would lead me to believe something profound 499 00:36:53,200 --> 00:36:56,040 Speaker 1: had occurred that there was some type of an inexplicable 500 00:36:56,120 --> 00:37:02,960 Speaker 1: force that had targeted the interior your a specific digital 501 00:37:03,000 --> 00:37:07,359 Speaker 1: recorder and imprinted a message. On the other hand, if 502 00:37:07,400 --> 00:37:09,800 Speaker 1: we get something the one that's outside the vacuum but 503 00:37:09,880 --> 00:37:13,560 Speaker 1: not enside, then that would show us that this is 504 00:37:13,560 --> 00:37:20,279 Speaker 1: a purely acoustical phenomenon. Now that's pretty weird, okay. And 505 00:37:20,320 --> 00:37:25,720 Speaker 1: if you actually see these tracks on an audio editor, 506 00:37:25,880 --> 00:37:29,680 Speaker 1: I mean it's amazing, because again there I've done this 507 00:37:29,760 --> 00:37:32,799 Speaker 1: many many times. There should not be anything on the 508 00:37:32,840 --> 00:37:35,480 Speaker 1: recorder in the vacuum, and yet you can see how 509 00:37:35,520 --> 00:37:40,800 Speaker 1: precisely this happens. When I say here's what we want, boom, 510 00:37:40,840 --> 00:37:45,799 Speaker 1: boom boom, these big wide bands of interference that you 511 00:37:45,840 --> 00:37:48,279 Speaker 1: can see all up and down the entire track hit 512 00:37:48,520 --> 00:37:53,120 Speaker 1: at just those points as if I am getting a response. 513 00:37:55,440 --> 00:38:01,440 Speaker 1: After that, Deem started actually speaking out to the spirits 514 00:38:01,960 --> 00:38:06,880 Speaker 1: and asking questions. And now it seems that this method 515 00:38:06,880 --> 00:38:10,880 Speaker 1: of communication has been established, and so now you will 516 00:38:10,920 --> 00:38:16,719 Speaker 1: continue hearing specific hits that we're getting on the recorder 517 00:38:17,040 --> 00:38:22,600 Speaker 1: in the vacuum in response to certain questions that Dean asks. 518 00:38:23,920 --> 00:38:28,880 Speaker 1: So this recording is eighteen seconds, and here is what 519 00:38:29,040 --> 00:38:32,960 Speaker 1: happened when Dean started asking questions and we listened to 520 00:38:32,960 --> 00:38:36,240 Speaker 1: what was happening in the vacuum at the same time. 521 00:38:38,520 --> 00:38:42,960 Speaker 1: Did you work in Las Vegas? What did you do 522 00:38:43,080 --> 00:38:51,399 Speaker 1: for a living? Do you have a particular talent you'd 523 00:38:51,400 --> 00:38:58,879 Speaker 1: like to melt them out? Now, that to me is 524 00:38:59,120 --> 00:39:05,960 Speaker 1: this is mind bogg link that we seem to be 525 00:39:07,080 --> 00:39:13,160 Speaker 1: communicating in some way with some intelligence there that is 526 00:39:13,200 --> 00:39:17,160 Speaker 1: only targeting the one in the vacuum, as if it's 527 00:39:17,200 --> 00:39:22,840 Speaker 1: able to specifically pinpoint that recording. But here's the kicker. 528 00:39:23,160 --> 00:39:25,439 Speaker 1: Hit the kicker. Are you ready, There's there's a big 529 00:39:25,560 --> 00:39:30,560 Speaker 1: kicker to this. We went there in order to talk 530 00:39:30,719 --> 00:39:36,600 Speaker 1: with spirits. But during that day as we were making 531 00:39:36,640 --> 00:39:38,880 Speaker 1: our recordings and and mind you, at the time, we 532 00:39:38,920 --> 00:39:43,440 Speaker 1: didn't know what the vacuum was capturing. There was one 533 00:39:43,480 --> 00:39:48,120 Speaker 1: point in the day when Dean said, Josh, Josh, shosh, 534 00:39:48,200 --> 00:39:50,920 Speaker 1: and by the time I ran over there, it was gone. 535 00:39:51,040 --> 00:39:58,000 Speaker 1: He saw a UFO shoot over top of us as 536 00:39:58,040 --> 00:40:02,880 Speaker 1: we were doing this day of sessions in the cemetery, 537 00:40:03,560 --> 00:40:08,239 Speaker 1: and he described it as being like a reflective silvery 538 00:40:08,360 --> 00:40:18,560 Speaker 1: orb that just shot right overhead. So now we say, uh, 539 00:40:18,640 --> 00:40:24,600 Speaker 1: what were we capturing? Here? Were we getting feedback from 540 00:40:24,640 --> 00:40:33,560 Speaker 1: from spirits or feedback from UFOs um. Okay, when we 541 00:40:33,600 --> 00:40:35,760 Speaker 1: come back from this break, I'll tell you more about 542 00:40:35,840 --> 00:40:40,760 Speaker 1: what I think about this result and how and why 543 00:40:40,800 --> 00:40:44,320 Speaker 1: this may actually be some kind of a game changer 544 00:40:45,239 --> 00:40:51,560 Speaker 1: when we dig into paranormal audio recording tech. I'm Joshua 545 00:40:51,640 --> 00:40:55,840 Speaker 1: Pete Warren. You're listening to strange things on the I 546 00:40:56,000 --> 00:41:01,040 Speaker 1: Heart Radio and Coast to Coast a m paranormal podcast network, 547 00:41:01,840 --> 00:41:10,359 Speaker 1: and I will be right back after this. At paranormal 548 00:41:10,440 --> 00:41:14,160 Speaker 1: date dot com, you meet the most fantastic people. Hi, 549 00:41:14,320 --> 00:41:17,600 Speaker 1: I'm Tom. Hi, I'm Jennifer. What brings you here? Yeah, 550 00:41:17,800 --> 00:41:21,800 Speaker 1: I'm here to meet someone who understands me. Well. I'm 551 00:41:21,880 --> 00:41:27,200 Speaker 1: into UFOs go stallions, big Foot, conspiracy theories, the paranormal, 552 00:41:27,480 --> 00:41:29,840 Speaker 1: that kind of stuff, but can't seem to find anyone 553 00:41:29,880 --> 00:41:32,719 Speaker 1: who gets here. Oh well, nice to meet you, Tom. 554 00:41:32,760 --> 00:41:37,360 Speaker 1: I gotta go. Okay, guess that's not your cup of tea? 555 00:41:37,640 --> 00:41:40,279 Speaker 1: Are you sure? Very good? Luck with that? I can't 556 00:41:40,320 --> 00:41:42,759 Speaker 1: meet anyone when I'm out, and I really can't find 557 00:41:42,800 --> 00:41:45,400 Speaker 1: a website for my unique interest? What does one to do? 558 00:41:45,719 --> 00:41:49,319 Speaker 1: Have you thought about paranormal date dot com? Paro what 559 00:41:49,400 --> 00:41:53,360 Speaker 1: dot what? Who are you. I'm a paranormal matchmaker and 560 00:41:53,520 --> 00:41:57,080 Speaker 1: it's paranormal date dot Com. It's a website for people 561 00:41:57,160 --> 00:42:01,680 Speaker 1: looking for people like them. Stuff you like, remember interesting, 562 00:42:01,960 --> 00:42:05,439 Speaker 1: I'll give it a try. Well, let's try this again. Hi, 563 00:42:05,719 --> 00:42:09,600 Speaker 1: I'm Tom. Hey, I'm deb Your profile on Paranormal day 564 00:42:09,600 --> 00:42:13,560 Speaker 1: dot com looked very interesting. So you really saw a UFO? 565 00:42:13,760 --> 00:42:17,560 Speaker 1: Well yeah, it was so intense, but not as intense 566 00:42:17,600 --> 00:42:21,680 Speaker 1: as meaning you you're an alien chasing flirt. But I 567 00:42:21,760 --> 00:42:25,080 Speaker 1: kind of like it. Wow, this paranormal date dot Com 568 00:42:25,200 --> 00:42:29,160 Speaker 1: thing really works. Maybe Paranormal date dot com is for you. 569 00:42:29,360 --> 00:42:31,960 Speaker 1: People with an interest in things they hear on Georgia's 570 00:42:32,000 --> 00:42:35,000 Speaker 1: show find their match daily. So if you're looking for 571 00:42:35,040 --> 00:42:39,560 Speaker 1: that special someone with an interest in UFOs, ghosts, aliens, Bigfoot, 572 00:42:39,600 --> 00:42:43,000 Speaker 1: conspiracy theories, and of course the paranormal, come to the 573 00:42:43,080 --> 00:42:46,760 Speaker 1: dating site inspired by George Nori. It's always free to search, 574 00:42:46,960 --> 00:42:50,080 Speaker 1: and if you decide to upgrade to our amazing new features, 575 00:42:50,200 --> 00:42:53,799 Speaker 1: use promo code George for a great discount Paranormal Date 576 00:42:53,840 --> 00:42:57,640 Speaker 1: dot Com. You are not alone, okay, folks, we need 577 00:42:57,719 --> 00:43:00,239 Speaker 1: your music. Hey. It's producer Tom at Coast to Coast 578 00:43:00,280 --> 00:43:02,839 Speaker 1: AM and every first Sunday of the month, we play 579 00:43:02,920 --> 00:43:05,600 Speaker 1: music from emerging artists just like you. If you're a 580 00:43:05,680 --> 00:43:08,480 Speaker 1: musician or a singer and have recorded music you'd like 581 00:43:08,520 --> 00:43:11,000 Speaker 1: to submit, it's very easy. Just go to Coast to 582 00:43:11,080 --> 00:43:13,920 Speaker 1: Coast a m dot com, click the emerging Artist banner 583 00:43:13,960 --> 00:43:17,000 Speaker 1: in the carousel, follow the instructions, and we just might 584 00:43:17,040 --> 00:43:19,680 Speaker 1: play your music on the air. Go now to Coast 585 00:43:19,680 --> 00:43:22,080 Speaker 1: to Coast am dot com to send us your recording. 586 00:43:22,320 --> 00:43:30,960 Speaker 1: That's Coast to Coast am dot com. You're listening to 587 00:43:31,480 --> 00:43:35,560 Speaker 1: Strange Things with Joshua P. Warren on the new I 588 00:43:35,719 --> 00:43:40,200 Speaker 1: Heart Radio and Coast to Coast AM para normal podcast network. 589 00:43:40,880 --> 00:43:44,480 Speaker 1: Don't forget you can listen to Strange Things on the 590 00:43:44,640 --> 00:43:49,080 Speaker 1: I Heart Radio app, Apple Podcasts, or wherever you find 591 00:43:49,160 --> 00:44:24,360 Speaker 1: your favorite shows. Welcome back to the final segment of 592 00:44:24,480 --> 00:44:28,479 Speaker 1: this edition of Strange Things on the I Heart Radio 593 00:44:28,560 --> 00:44:31,600 Speaker 1: at Coast to Coast to M para normal podcast network. 594 00:44:32,320 --> 00:44:36,080 Speaker 1: I'm your host, Joshua P. Warren. And when you do 595 00:44:36,120 --> 00:44:39,839 Speaker 1: an experiment like the one that I did with Dean 596 00:44:40,160 --> 00:44:46,400 Speaker 1: in two thousand nineteen and you scratch your head, people say, well, what, 597 00:44:46,600 --> 00:44:54,560 Speaker 1: what's the explanation? What happened there? Joshua, And the truth is, 598 00:44:54,680 --> 00:45:00,239 Speaker 1: I don't really know. I have found that. Indeed, if 599 00:45:00,280 --> 00:45:03,759 Speaker 1: you stick with the paranormal investigation world long enough, you'll 600 00:45:03,760 --> 00:45:09,920 Speaker 1: find that ghosts, UFOs, cryptids, psychic phenomena, interdimensional things, they 601 00:45:09,960 --> 00:45:13,440 Speaker 1: all relate. Like I said, you can measure a circle 602 00:45:13,680 --> 00:45:20,760 Speaker 1: beginning anywhere, as Charles Fort said, distinguishing cause and effect. Boy, 603 00:45:20,840 --> 00:45:24,440 Speaker 1: that's difficult when you're looking into the invisible realms, the 604 00:45:24,440 --> 00:45:29,400 Speaker 1: invisible world. You know, I have a big supporter or 605 00:45:29,440 --> 00:45:32,640 Speaker 1: big fan of this show who is an adamant investigator, 606 00:45:33,320 --> 00:45:36,400 Speaker 1: and he emailed me the other day and basically said, 607 00:45:36,520 --> 00:45:40,839 Speaker 1: I've been playing some of these paranormal tones that you've 608 00:45:40,840 --> 00:45:44,000 Speaker 1: had on the show, and I do that when I'm 609 00:45:44,000 --> 00:45:48,160 Speaker 1: out looking for UFOs, and recently something news happened. Now 610 00:45:48,200 --> 00:45:52,000 Speaker 1: as I've been doing these UFO watches and playing these tones, well, 611 00:45:52,040 --> 00:45:55,080 Speaker 1: now I have poulter Geist activity happening at my house. 612 00:45:55,120 --> 00:45:58,000 Speaker 1: At the same time, I hear things knocking on the 613 00:45:58,040 --> 00:46:01,040 Speaker 1: door and thumping around, an objects, move thing. What's going on? 614 00:46:03,000 --> 00:46:08,160 Speaker 1: And I said, well, this is all experimental. The point 615 00:46:08,280 --> 00:46:11,640 Speaker 1: is you're stirring up the energy environment when you play 616 00:46:11,680 --> 00:46:17,359 Speaker 1: these things. When you do these things and so I 617 00:46:17,520 --> 00:46:20,000 Speaker 1: understand why the people come to me and they say, 618 00:46:20,080 --> 00:46:24,280 Speaker 1: what's the explanation? But you see, I talk about things 619 00:46:24,400 --> 00:46:27,799 Speaker 1: because their mysteries, because I don't know. I am an 620 00:46:27,800 --> 00:46:32,200 Speaker 1: expert on what we don't know. I'm not some guru 621 00:46:32,239 --> 00:46:34,399 Speaker 1: who's here to give you the answers to everything. I'm 622 00:46:34,440 --> 00:46:37,760 Speaker 1: here to explore and present questions and say, this is weird, 623 00:46:37,800 --> 00:46:41,120 Speaker 1: this is strange because we don't know the moment we know. 624 00:46:41,280 --> 00:46:44,000 Speaker 1: It's sort of out of my category. It's out of 625 00:46:44,000 --> 00:46:46,520 Speaker 1: my area of specialty anymore. You know, I'm always looking 626 00:46:46,560 --> 00:46:49,400 Speaker 1: at things that we we don't know. Yes, I can 627 00:46:49,400 --> 00:46:51,760 Speaker 1: come up with the ideas and theories, but I believe 628 00:46:53,000 --> 00:46:57,720 Speaker 1: that there is some connection between UFOs and ghosts, and 629 00:46:58,080 --> 00:47:01,200 Speaker 1: we captured some element of that when we were doing 630 00:47:01,239 --> 00:47:06,759 Speaker 1: our experiment there in the cemetery um, and whatever was 631 00:47:06,840 --> 00:47:10,640 Speaker 1: there was intelligent because it was targeting the device in 632 00:47:10,680 --> 00:47:14,240 Speaker 1: the vacuum and making it very clear to us that 633 00:47:14,239 --> 00:47:21,520 Speaker 1: that was a response, a timely response to the questions 634 00:47:21,560 --> 00:47:25,040 Speaker 1: that were being asked. So, now that I've given you 635 00:47:25,520 --> 00:47:28,680 Speaker 1: some more information about sort of my approach to e 636 00:47:28,800 --> 00:47:33,000 Speaker 1: v P and paranormal audio, you see the practical approach 637 00:47:33,080 --> 00:47:37,319 Speaker 1: that I take. And even though I say like I'm 638 00:47:37,360 --> 00:47:40,319 Speaker 1: not the right guy to send e v P two 639 00:47:40,560 --> 00:47:44,920 Speaker 1: for analysis, because I have to. I have to make 640 00:47:44,960 --> 00:47:48,279 Speaker 1: sure that you know I'm I give valuable input, and 641 00:47:48,440 --> 00:47:50,319 Speaker 1: I you know, if you give me some sound that 642 00:47:50,360 --> 00:47:52,680 Speaker 1: you captured, I don't know what the circumstances were in 643 00:47:52,680 --> 00:47:56,920 Speaker 1: the context were, but Deed Worsing would sure like to 644 00:47:56,920 --> 00:48:00,200 Speaker 1: hear it. So if you have some e v P here, 645 00:48:00,280 --> 00:48:02,200 Speaker 1: some strange audio that you would like to get to 646 00:48:02,280 --> 00:48:04,440 Speaker 1: Dean Worsening, I'll make this real easy for you. If 647 00:48:04,440 --> 00:48:07,400 Speaker 1: you go to Joshua P. Warren dot com Joshua P. 648 00:48:07,520 --> 00:48:10,640 Speaker 1: Warren dot com. There's no period after the P scroll 649 00:48:10,719 --> 00:48:13,759 Speaker 1: down to the bottom. You'll find my email address there. 650 00:48:13,800 --> 00:48:16,520 Speaker 1: And if you send me an email that's got some 651 00:48:16,560 --> 00:48:20,919 Speaker 1: ghostly or paranormal audio at it, just in the subject line, 652 00:48:21,160 --> 00:48:24,920 Speaker 1: just put Dean Worsing first name, D E A N 653 00:48:25,080 --> 00:48:27,759 Speaker 1: last named W A R S I N G Dean 654 00:48:27,880 --> 00:48:31,719 Speaker 1: Worsing and I'll just forward that onto Dean and if 655 00:48:31,800 --> 00:48:34,879 Speaker 1: Dean finds it interesting, then he will get in touch 656 00:48:34,920 --> 00:48:37,000 Speaker 1: with you, and you will be in touch with the 657 00:48:37,040 --> 00:48:42,200 Speaker 1: best qualified man for the job. Speaking of emails, I 658 00:48:42,280 --> 00:48:44,279 Speaker 1: have a really interesting one that I want to read 659 00:48:44,320 --> 00:48:46,799 Speaker 1: to you. Before I do that, however, I want to 660 00:48:46,840 --> 00:48:51,239 Speaker 1: point out something. A lot of times people, uh, they 661 00:48:51,280 --> 00:48:54,080 Speaker 1: listen to this show, and then later on they go 662 00:48:54,160 --> 00:48:57,640 Speaker 1: back and they try to find a particular show. What's 663 00:48:57,680 --> 00:48:59,680 Speaker 1: the show where you talked about this or that? And 664 00:48:59,719 --> 00:49:03,000 Speaker 1: they can't find it. And the reason is when I 665 00:49:03,040 --> 00:49:06,719 Speaker 1: record these shows, I write up what I feel is 666 00:49:06,760 --> 00:49:10,279 Speaker 1: a very descriptive title for the show, and then I 667 00:49:10,360 --> 00:49:14,640 Speaker 1: send that off to producers and everybody, and uh, by 668 00:49:14,680 --> 00:49:19,479 Speaker 1: the time it gets posted, rarely doesn't have my full 669 00:49:19,520 --> 00:49:23,160 Speaker 1: description in there. And so in order to make this 670 00:49:23,600 --> 00:49:28,520 Speaker 1: easier for you, I'm going to start posting my descriptions 671 00:49:29,160 --> 00:49:35,960 Speaker 1: of each episode at Strange Things show dot com. So like, 672 00:49:36,040 --> 00:49:38,959 Speaker 1: for example, I got an email from a guy who said, 673 00:49:39,280 --> 00:49:41,640 Speaker 1: I'd like to hear the one that you did about 674 00:49:41,719 --> 00:49:46,400 Speaker 1: alien people who have the alien blood type or alien DNA. 675 00:49:46,560 --> 00:49:49,160 Speaker 1: Which one was it? I can't tell. Well, if you 676 00:49:49,200 --> 00:49:51,520 Speaker 1: go to Strange Things show dot com, you'll be able 677 00:49:51,560 --> 00:49:54,120 Speaker 1: to tell which episode that was in. So that will 678 00:49:54,160 --> 00:49:57,040 Speaker 1: help you if you want to go back and research things. 679 00:49:57,080 --> 00:50:00,000 Speaker 1: So mark that down as a programming note that Strange 680 00:50:00,200 --> 00:50:03,319 Speaker 1: Things show dot com. When you scroll down, there will 681 00:50:03,360 --> 00:50:06,480 Speaker 1: have a list of episodes and my description, which will 682 00:50:06,520 --> 00:50:08,360 Speaker 1: make it easier for you to find some of the 683 00:50:08,400 --> 00:50:13,200 Speaker 1: things that I talk about. So anyway, here is a 684 00:50:13,280 --> 00:50:17,480 Speaker 1: really cool email that I got from a man, and 685 00:50:17,520 --> 00:50:20,040 Speaker 1: I have his whole name and all that stuff, but 686 00:50:20,280 --> 00:50:22,960 Speaker 1: this is such a personal thing that I'm sure he'd 687 00:50:22,960 --> 00:50:25,920 Speaker 1: be fine with me giving his name out, but um, 688 00:50:26,320 --> 00:50:31,360 Speaker 1: I think I'll keep it private. Um. You know, speaking 689 00:50:31,400 --> 00:50:35,680 Speaker 1: of strange audio, you know, tonight or today or whenever 690 00:50:35,680 --> 00:50:38,960 Speaker 1: you're listening to this, I've been playing all this paranormal 691 00:50:39,000 --> 00:50:42,640 Speaker 1: stuff where you it's kind of creepy and spooky in 692 00:50:42,680 --> 00:50:48,520 Speaker 1: some ways erie um, And yet recently I've been playing 693 00:50:48,719 --> 00:50:52,480 Speaker 1: this tone that I call the Good Fortune Tone. It's 694 00:50:52,520 --> 00:50:56,560 Speaker 1: twenty seconds during the last segment of this show, and 695 00:50:56,600 --> 00:51:00,000 Speaker 1: it's a tone taken from the Golden Ratio, the Golden 696 00:51:00,200 --> 00:51:06,920 Speaker 1: Mean and I have just been really uh actually, I 697 00:51:06,960 --> 00:51:11,760 Speaker 1: have been surprised by the incredible amount of positive feedback 698 00:51:11,800 --> 00:51:14,000 Speaker 1: I've been getting from people all over the world telling 699 00:51:14,000 --> 00:51:17,279 Speaker 1: me about like how much their lives have improved and 700 00:51:17,280 --> 00:51:19,560 Speaker 1: all these cool things that have happened since they started 701 00:51:19,600 --> 00:51:23,200 Speaker 1: listening to this tongue. So listen to this one that 702 00:51:23,320 --> 00:51:26,600 Speaker 1: I got. The man says, I enjoy it when you 703 00:51:26,719 --> 00:51:30,600 Speaker 1: bring images to life with noise, but I must admit 704 00:51:30,719 --> 00:51:34,200 Speaker 1: that the good luck noise is abrasive to my ears. 705 00:51:34,719 --> 00:51:39,359 Speaker 1: But it worked. I started listening to your podcast about 706 00:51:39,440 --> 00:51:43,919 Speaker 1: three weeks ago, and for Christmas morning, my wife gave 707 00:51:43,920 --> 00:51:51,080 Speaker 1: me a present with two positive pregnancy tests. After two 708 00:51:51,160 --> 00:51:55,480 Speaker 1: years of trying to conceive, we finally did it. And 709 00:51:55,560 --> 00:51:59,279 Speaker 1: maybe it was a coincidence, but we happened to get 710 00:51:59,280 --> 00:52:02,840 Speaker 1: pregnant around the same time I heard you start playing 711 00:52:03,080 --> 00:52:09,759 Speaker 1: the good luck tone food for thought, stay weird. Well, 712 00:52:09,760 --> 00:52:12,120 Speaker 1: thank you for that message, sir. And again I could 713 00:52:12,200 --> 00:52:14,960 Speaker 1: give your name out, but uh that that's such a 714 00:52:15,000 --> 00:52:18,200 Speaker 1: personal thing. I don't think I will. But at the 715 00:52:18,320 --> 00:52:20,200 Speaker 1: end of this segment, I'll go ahead and I'll play 716 00:52:20,200 --> 00:52:23,080 Speaker 1: it for you again, the twenty second good fortune tone, 717 00:52:23,120 --> 00:52:27,480 Speaker 1: since I'm getting such an amazing amount of positive feedback 718 00:52:29,080 --> 00:52:32,000 Speaker 1: before I do that, however, Hey, how about a creepy 719 00:52:32,080 --> 00:52:36,280 Speaker 1: story that has to do with spirits interacting with things. 720 00:52:37,200 --> 00:52:41,759 Speaker 1: This was sent to me by a woman, uh who 721 00:52:41,880 --> 00:52:44,239 Speaker 1: is what? She was a police officer. I'm not sure 722 00:52:44,280 --> 00:52:49,400 Speaker 1: if she still is. Her name is Joan Rudzinski, Police 723 00:52:49,440 --> 00:52:56,160 Speaker 1: officer in two thousand six Anyway in Philadelphia, Pennsylvania, she wrote, 724 00:52:56,160 --> 00:52:59,359 Speaker 1: I'm a single mom and one night I worked until 725 00:52:59,440 --> 00:53:02,720 Speaker 1: eleven d p m. By the time I got home 726 00:53:02,840 --> 00:53:05,279 Speaker 1: and let the puppy out and made my way upstairs, 727 00:53:05,280 --> 00:53:09,480 Speaker 1: it was about midnight. I passed by my son's bedroom 728 00:53:09,760 --> 00:53:12,160 Speaker 1: and stopped to peek in and blow him a kiss 729 00:53:12,320 --> 00:53:14,960 Speaker 1: while he's sleeping. I've done the same thing every night 730 00:53:15,000 --> 00:53:20,440 Speaker 1: for seventeen years. I had two home phones in my house, 731 00:53:20,800 --> 00:53:23,719 Speaker 1: one in my bedroom and one in the kitchen, though 732 00:53:23,760 --> 00:53:27,560 Speaker 1: we also both have cell phones. Well. This particular night, 733 00:53:27,600 --> 00:53:30,279 Speaker 1: as I passed my son's room, I heard his cell 734 00:53:30,320 --> 00:53:34,920 Speaker 1: phone ring. I listened for a minute, he didn't answer, 735 00:53:34,960 --> 00:53:38,640 Speaker 1: and it stopped. I didn't think anything more of it 736 00:53:38,680 --> 00:53:42,560 Speaker 1: and went to bed. The next morning, I was having 737 00:53:42,560 --> 00:53:46,040 Speaker 1: coffee when my son came downstairs getting ready to leave 738 00:53:46,080 --> 00:53:49,080 Speaker 1: for school, and he asked, Mom, did you call me 739 00:53:49,200 --> 00:53:55,160 Speaker 1: last night? I said no, that I did, explain that 740 00:53:55,200 --> 00:53:59,840 Speaker 1: I had heard his phone ring. He showed me his phone, 741 00:54:00,040 --> 00:54:08,360 Speaker 1: which said that our home phone had called him at midnight. 742 00:54:13,239 --> 00:54:21,240 Speaker 1: That's from a police officer and Philadelphia Joan Radzinski. Seemed 743 00:54:21,280 --> 00:54:25,840 Speaker 1: like something from the other side was calling the house, 744 00:54:27,800 --> 00:54:32,600 Speaker 1: and I have been sent even some voice smels from 745 00:54:32,640 --> 00:54:35,759 Speaker 1: people who believe that a loved one is leaving a 746 00:54:35,840 --> 00:54:41,760 Speaker 1: message from the other side. That stuff can be inspirational 747 00:54:41,960 --> 00:54:45,839 Speaker 1: or it can be I don't disturbing, but that's one 748 00:54:45,840 --> 00:54:49,680 Speaker 1: of my favorite ghostly stories that's been sent to me 749 00:54:50,960 --> 00:54:53,880 Speaker 1: from a listener. I'll read more of those types of 750 00:54:53,920 --> 00:54:58,560 Speaker 1: stories to you on upcoming podcasts. So all right, my friends, 751 00:54:58,560 --> 00:55:01,080 Speaker 1: remember when you listen to the good Fortune tone, if 752 00:55:01,160 --> 00:55:03,360 Speaker 1: you can do it, if you're not driving or whatever, 753 00:55:04,200 --> 00:55:08,160 Speaker 1: just close your eyes, take a few deep breaths, think 754 00:55:08,200 --> 00:55:12,600 Speaker 1: about what you're you're hearing, feel it resonate within you, 755 00:55:13,760 --> 00:55:18,000 Speaker 1: and let's see if over the next seven days your 756 00:55:18,080 --> 00:55:22,239 Speaker 1: world stays positive. Because so far all the feedback I've 757 00:55:22,280 --> 00:55:26,799 Speaker 1: been getting has been nothing but positivity. It's a great experiment. 758 00:55:27,400 --> 00:55:31,800 Speaker 1: Let's keep this tulpa going, shall we? All Right, here 759 00:55:31,800 --> 00:55:58,000 Speaker 1: you go. That's it for this edition of the show. 760 00:55:58,200 --> 00:56:01,840 Speaker 1: Follow me on Twitter at John Shua pee Warren, Plus 761 00:56:02,080 --> 00:56:04,759 Speaker 1: visit Joshua pe Warren dot com to sign up for 762 00:56:04,920 --> 00:56:08,920 Speaker 1: my free e newsletter to receive a free instant gift, 763 00:56:09,480 --> 00:56:12,600 Speaker 1: and check out the Cool Stuff and the Curiosity Shop 764 00:56:12,719 --> 00:56:16,200 Speaker 1: all at Joshua pe Warren dot com. I have a 765 00:56:16,239 --> 00:56:18,960 Speaker 1: fun one lined up for you next time, I promise, 766 00:56:19,560 --> 00:56:22,680 Speaker 1: so please tell all your friends to subscribe to this 767 00:56:22,719 --> 00:56:27,799 Speaker 1: show and who always remember the Golden Rule. Thank you 768 00:56:27,840 --> 00:56:31,960 Speaker 1: for listening, thank you for your interest in support, thank 769 00:56:32,000 --> 00:56:35,600 Speaker 1: you for staying curious, and I We'll talk to you 770 00:56:36,239 --> 00:56:41,120 Speaker 1: again soon. You've been listening to Strange Things on the 771 00:56:41,160 --> 00:56:44,240 Speaker 1: I Heart Radio and Coast to Coast st a um 772 00:56:44,360 --> 00:56:56,279 Speaker 1: Paranormal podcast Network. You've been listening to Strange Things with 773 00:56:56,360 --> 00:56:59,400 Speaker 1: Joshua pe Warren for shows like this and others. Please 774 00:56:59,400 --> 00:57:01,600 Speaker 1: make sure to tune into the new I Heart Media 775 00:57:01,640 --> 00:57:04,440 Speaker 1: and Coast to Coast Day and Paranormal Podcast Network on 776 00:57:04,480 --> 00:57:08,400 Speaker 1: the I Heart Radio app, Apple Podcasts, or wherever you 777 00:57:08,440 --> 00:57:11,719 Speaker 1: find your favorite shows. Like us on Facebook, tell your 778 00:57:11,760 --> 00:57:13,640 Speaker 1: friends and share us with everyone.