WEBVTT - SYSK’s Scare Your Socks Off Halloween Spooktacular 2019

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<v Speaker 1>Hey everyone, it's me Josh. Happy Halloween. Uh, we just

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<v Speaker 1>wanted to give you guys the heads up that Jerry

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<v Speaker 1>went all out with this Halloween episode and there is

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<v Speaker 1>a moment of surprisingly graphic violence. Is brief and it's quick,

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<v Speaker 1>but we just wanted to give a heads up to

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<v Speaker 1>all the people who are sensitive to violence and all

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<v Speaker 1>the parents. So at any rate, on with the show.

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<v Speaker 1>Welcome to Stuff. You should know a production of I

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<v Speaker 1>Heart Radios, How Stuff Works, And welcome to the podcast.

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<v Speaker 1>I'm Josh Clark. There's Charles w Spooktacular Bryant. I think

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<v Speaker 1>I would have had something better than that. And there's

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<v Speaker 1>Jerry over there. She's spooky all year round. So nothing

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<v Speaker 1>nothing different here, nothing different. How you do. I'm great.

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<v Speaker 1>I'm ready to get our Halloween read on. It's exciting.

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<v Speaker 1>This is how many years in a row? Oh? Man,

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<v Speaker 1>I don't know. I think it goes back to something

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<v Speaker 1>like two thousand and ten, maybe, I think. And uh,

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<v Speaker 1>we don't want to pat ourselves in the back too much,

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<v Speaker 1>but we have made great efforts everyone to keep the

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<v Speaker 1>Halloween and Christmas episodes ad free at great peril. Oh yeah,

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<v Speaker 1>it's kind of like a constant clashing of swords against

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<v Speaker 1>our shields and saying back back Huskies, and we've we've

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<v Speaker 1>done a good job with it so far. That's right.

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<v Speaker 1>So we are you won't hear any ads on this

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<v Speaker 1>episode because that really kills the buzz of the mood.

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<v Speaker 1>You will hear those in our we're doing a shorty

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<v Speaker 1>Halloween reading. In fact, I think that came out just

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<v Speaker 1>prior to this one, and uh, we didn't fight that battle,

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<v Speaker 1>so sorry about that. Hopefully that was a nice little

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<v Speaker 1>warm up for this one though. Yeah, just get your primed.

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<v Speaker 1>And this year, Chuck, we're doing one by an amazing

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<v Speaker 1>author who hasn't been dead for a hundred and fifty years.

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<v Speaker 1>Philip K. Dick, that's right, who wrote Do Androids Dream

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<v Speaker 1>of Electric Sheep, which became Blade Runner, um A Scanner Darkly,

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<v Speaker 1>all sorts of amazing stuff, right, Uh, Minority Report, I think,

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<v Speaker 1>and this one. He also wrote a bunch of short

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<v Speaker 1>stories and this one I found was like in the

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<v Speaker 1>public domain, so I said, let's do Philip K. Dick.

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<v Speaker 1>That's right, he said, heck, yes, let's do Philip K. Dick,

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<v Speaker 1>because we don't want to get sued by the Dick foundation. No,

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<v Speaker 1>so we wanted to make sure that everyone knows this

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<v Speaker 1>is public domain. That's right. So, uh do you want

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<v Speaker 1>to get started? Uh? Yeah, who's We haven't discussed order

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<v Speaker 1>anything usually freewheel it. Do you have this thing segmented out?

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<v Speaker 1>Or you just want to knock me over the head

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<v Speaker 1>when I've gotten too far, I think we'll be able

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<v Speaker 1>to tell. And if not, you know, we'll just edit

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<v Speaker 1>out the roughness about that. Who's going to start? I'll start? Okay,

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<v Speaker 1>you're ready. I like the story, by the way. I

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<v Speaker 1>love it. It's good. By the way, This is The

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<v Speaker 1>Hanging Stranger by Phil up k Dick. At five o'clock,

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<v Speaker 1>ed Lewis washed up, tossed on his hat and coat,

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<v Speaker 1>got his car out, and headed across town towards his

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<v Speaker 1>TV sales store. He was tired. His back and shoulders

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<v Speaker 1>ached from digging dirt out of the basement and wheeling

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<v Speaker 1>it into the backyard, but for a forty year old man,

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<v Speaker 1>he had done okay. Janet could get a new vase

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<v Speaker 1>with the money he saved, and he liked the idea

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<v Speaker 1>of repairing the foundations himself. It was getting dark. The

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<v Speaker 1>setting sun cast long rays over the scurrying commuters, tired

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<v Speaker 1>and grim faced women loaded down with bundles and packages,

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<v Speaker 1>students swarming home from the university, mixing with clerks and

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<v Speaker 1>businessmen and drab secretaries. He stopped his packard for a

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<v Speaker 1>red light and then started it up again. The store

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<v Speaker 1>had been open without him. He arrived just in time

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<v Speaker 1>to spell the help for dinner, go over the records

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<v Speaker 1>of the day, maybe even close a couple of sales himself.

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<v Speaker 1>He drove slow. He passed the small square of green

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<v Speaker 1>in the center of the street, the town park. There

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<v Speaker 1>were no parking places in front of Lois TV Sales

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<v Speaker 1>and Service. He cursed under his breath and swung the

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<v Speaker 1>car in a U turn. Again, he passed the little

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<v Speaker 1>square of green with its lonely drinking fountain and bench

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<v Speaker 1>and single lamp post. From the lamp post, something was hanging,

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<v Speaker 1>a shapeless, dark bundle, swinging a little with the wind,

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<v Speaker 1>like a dummy of some sort. Lois rolled down his

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<v Speaker 1>window and peered out. What the hell was it? A

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<v Speaker 1>display of some kind. Sometimes the Chamber of Commerce put

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<v Speaker 1>up displays in the square. Again, he made a U

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<v Speaker 1>turn and brought his car around. He passed the park

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<v Speaker 1>and concentrated on the dark bundle. It wasn't a dummy,

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<v Speaker 1>and if it was a display, it was a strange kind.

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<v Speaker 1>The hackles on his neck rose and he swallowed uneasily.

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<v Speaker 1>Sweat slid out on his face and hands. It was

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<v Speaker 1>a body, a human body. Han, that's you, buddy, all right,

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<v Speaker 1>So TV salesman, I'm really glad his wife is gonna

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<v Speaker 1>be able to buy that new vase. Sure. I thought

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<v Speaker 1>that was a weird detail too, because he's digging out

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<v Speaker 1>the foundation of his house, which I think is is

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<v Speaker 1>that a red herring? We'll find out. We'll find out.

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<v Speaker 1>Look at it, Lloyd snapped, Come on out here. Don

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<v Speaker 1>Ferguson came slowly out of the store, buttoning his pin

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<v Speaker 1>striped coat with dignity. This is a big deal, Ed.

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<v Speaker 1>I can't just leave the guy standing there, see it,

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<v Speaker 1>Ed pointed into the gathering gloom, the lamp post jutted

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<v Speaker 1>up against the sky, the post and the bundle swinging

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<v Speaker 1>from it. There it is. How the hell long has

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<v Speaker 1>it been there? His voice rose excitedly. What's wrong with everybody?

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<v Speaker 1>They just walk on past? Don Ferguson lit a cigarette. Slowly,

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<v Speaker 1>take it easy, old man, there must be a good reason,

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<v Speaker 1>or it wouldn't be there. A reason, kind of a reason.

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<v Speaker 1>Ferguson shrugged, like the time the traffic Safety Council put

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<v Speaker 1>that wrecked buick there, some sort of civic thing. How

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<v Speaker 1>would I know, Geez, Ferguson's uptight. Yeah, yeah, a little uptight.

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<v Speaker 1>Shir Jack Potter from the shoe shop joined them. What's up, boys,

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<v Speaker 1>there's a body hanging from the lamp post. Lloy said,

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<v Speaker 1>I'm going to call the cops, and they must know

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<v Speaker 1>about it, Potter said, or otherwise it wouldn't be there.

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<v Speaker 1>I got to get back in. Ferguson headed back into

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<v Speaker 1>the store. Business before Pleasure Lois began to get hysterical.

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<v Speaker 1>You see it, You see it hanging there, A man's body,

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<v Speaker 1>a dead man. Sure, Ed, I saw it this afternoon

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<v Speaker 1>when I went out for coffee. You mean it's been

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<v Speaker 1>there all afternoon? Sure, what's the matter? Potter glanced at

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<v Speaker 1>his watch. Have to run see you later, ed. Potter

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<v Speaker 1>hurried off, joining the flow of people moving along the sidewalk,

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<v Speaker 1>men and women passing by the park. A few glanced up,

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<v Speaker 1>curious at the dark bundle, and then went on. Nobody

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<v Speaker 1>stopped nobody paid any attention. Very good check. That was

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<v Speaker 1>really good. Yeah, apparently no one is concerned about this

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<v Speaker 1>person hanging there, but ed Llois, which is a little

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<v Speaker 1>weird if you think about it. I'm going nuts, Lowis whispered.

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<v Speaker 1>He made his way to the curb and crossed out

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<v Speaker 1>into traffic. Among the cars, horns honked angrily at him.

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<v Speaker 1>He gained the curb and stepped up onto the little

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<v Speaker 1>square of green. The man had been middle aged. His

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<v Speaker 1>clothing was ripped and torn, a gray suit, splashed and

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<v Speaker 1>caked with dried mud. A stranger. Lewis had never seen

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<v Speaker 1>him before, not a local man. His face was partly

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<v Speaker 1>turned away, and in the evening win he spun a little,

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<v Speaker 1>turning gently silently. His skin was gouged and cut, red, gashes,

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<v Speaker 1>deep scratches of congealed blood. A pair of steel rimmed

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<v Speaker 1>glasses hung from one ear, dangling foolishly. His eyes bulged,

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<v Speaker 1>his mouth was open, tongue thick and ugly blue. For

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<v Speaker 1>heaven's sake, Llois muttered, sickened. He pushed down his nausea

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<v Speaker 1>and made his way back to the sidewalk. He was

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<v Speaker 1>shaking all over with revulsion and fear. Why, who was

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<v Speaker 1>the man, why was he hanging there? What did it mean?

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<v Speaker 1>And why didn't anybody notice? He bumped into a small

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<v Speaker 1>man hurrying along the sidewalk. Watch it, the man grated,

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<v Speaker 1>Oh it's you. Ed, Ed nodded dazedly, Hello, Jenkins, what's

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<v Speaker 1>the matter. The stationary clerk caught Ed's arm. You look

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<v Speaker 1>sick the body there in the park. Sure, Ed Jenkins

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<v Speaker 1>led him into the alcove of Loys TV Sales and Service.

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<v Speaker 1>Take it easy, Margaret Henderson, from the jewelry store joined them.

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<v Speaker 1>Something wrong. Ed's not feeling well? Lois yanked himself free.

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<v Speaker 1>How can you stand here? Don't you see it? For

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<v Speaker 1>God's sake, what's he talking about? Margaret asked nervously. The body,

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<v Speaker 1>Edge shouted the body hanging there? More people collected. Is

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<v Speaker 1>he sick? Is Ed? Lloys? You okay? Yet? The body?

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<v Speaker 1>Lloys screamed, Struggling to get past them, hands caught at him.

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<v Speaker 1>He tore loose, Let me go the police, Get the police.

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<v Speaker 1>Ed better, get a doctor. He must be sick or drunk.

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<v Speaker 1>Loys fought his way through the people. He stumbled and

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<v Speaker 1>half fell through a blur. He saw rows of faces,

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<v Speaker 1>curious concerned, anxious men and women halting to see what

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<v Speaker 1>the disturbance was. He fought past them towards his store.

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<v Speaker 1>He could see Ferguson inside talking to a man showing

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<v Speaker 1>him an Emerson TV set, Pete Foley in the back

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<v Speaker 1>of the service counter setting up a new fil COO.

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<v Speaker 1>Lloys shouted at them frantically. His voice was lost in

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<v Speaker 1>the roar of traffic and the murmuring around him. Do something,

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<v Speaker 1>he screamed, don't stand there, do something. Something's wrong, something's happened,

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<v Speaker 1>things are going on. The crowd melted respectfully for the

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<v Speaker 1>two heavy set cops moving efficiently towards Lois Man. No

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<v Speaker 1>one's listening to Lois. He's also losing his bananas. Yeah,

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<v Speaker 1>as they say, I think I would have handled a

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<v Speaker 1>little differently. But what would you have done? I don't know.

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<v Speaker 1>I'm not I'm not judging it. Llois. Alright, alright, So

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<v Speaker 1>the cops are approaching. Here, here we come. Name the

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<v Speaker 1>cop with the notebook, murmured Lois. He mopped his head wearily.

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<v Speaker 1>Edward CLIs, listen to me back there, address, the cop demanded.

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<v Speaker 1>The police car moved swiftly through traffic, shooting among the

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<v Speaker 1>cars and busses. Lois sagged against the seat, exhausted and confused.

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<v Speaker 1>He took a deep, shuddering breath. Eight Hurst Road, that's

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<v Speaker 1>here in Pikeville. That's right. Lis pulled himself up with

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<v Speaker 1>a violent effort. Listen to me back there in the square,

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<v Speaker 1>hanging from the lamp post. Where where are you today?

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<v Speaker 1>The cop behind the wheel demanded where. Leois echoed, You

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<v Speaker 1>weren't in your shop. Where are you? No, he shook

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<v Speaker 1>his head. No, I was at home, down in the basement,

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<v Speaker 1>in the basement, digging a new foundation, getting out the

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<v Speaker 1>dirt to poor submit frame. Why what has this got

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<v Speaker 1>to do with Was anybody else down there with you? No?

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<v Speaker 1>My wife was downtown, my kids were at school. Lois

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<v Speaker 1>looked from one heavy set cop to the other. Hope

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<v Speaker 1>flickered across his face. Wild, hope you mean because I

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<v Speaker 1>was down there, I missed the explanation. I didn't get

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<v Speaker 1>in on it like everybody else. After a pause, the

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<v Speaker 1>cop with the notebook said, that's right, you missed the explanation.

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<v Speaker 1>Then it's official. The body is is supposed to be

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<v Speaker 1>hanging there. It's supposed to be hanging there for everybody

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<v Speaker 1>to see. Ed, Lloys grinned weekly good lord. I guess

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<v Speaker 1>I sort of went off the deep end. I thought

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<v Speaker 1>maybe something had happened, you know, something like the Ku

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<v Speaker 1>Klux Klan, some kind of violence, communist or fascist taking over.

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<v Speaker 1>He why his face with his breast, pocket handkerchief, his

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<v Speaker 1>hands shaking. I'm glad to know what's on the level.

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<v Speaker 1>It's on the level. The police car was getting near

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<v Speaker 1>the Hall of Justice. The sun had set, the streets

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<v Speaker 1>were gloomy and dark. The lights had not yet come on.

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<v Speaker 1>I feel better, Lloys said. I was pretty excited there

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<v Speaker 1>for a minute. I guess I got all stirred up.

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<v Speaker 1>Now that I understand, there's no need to take me in,

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<v Speaker 1>is there? The two cops said, nothing very nice. You're ready? Yeah,

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<v Speaker 1>it's eating up. I know you're a tough act to follow,

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<v Speaker 1>but here I go. I should be back at my store.

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<v Speaker 1>The boys haven't had dinner. I'm all right now. No

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<v Speaker 1>more trouble, is there any need of This won't take long.

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<v Speaker 1>The cop behind the wheel interrupted a short process, only

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<v Speaker 1>a few minutes. I hope it's short, Lloys muttered. The

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<v Speaker 1>car slowed down for a stoplight. I guess I sort

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<v Speaker 1>of disturbed the peace funny getting excited like that, and

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<v Speaker 1>Loy's yanked the door open and he sprawled out into

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<v Speaker 1>the street and rolled to his feet. Cars were moving

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<v Speaker 1>all around him, gaining speed as the light change. Loyce

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<v Speaker 1>leaped onto the curb and raced among the people, burrowing

0:13:13.640 --> 0:13:17.520
<v Speaker 1>into the swarming crowds. Behind him, he heard sounds, shouts,

0:13:17.920 --> 0:13:22.080
<v Speaker 1>people running. They weren't cops. He'd realize that right away.

0:13:22.640 --> 0:13:25.440
<v Speaker 1>He knew every cop in Pike Bill. A man couldn't

0:13:25.480 --> 0:13:27.960
<v Speaker 1>own a store, operate a business in a small town

0:13:28.000 --> 0:13:30.559
<v Speaker 1>for twenty five years without getting to know all the cops.

0:13:31.120 --> 0:13:34.880
<v Speaker 1>They weren't cops, and there hadn't been any explanation Potter

0:13:35.040 --> 0:13:38.160
<v Speaker 1>Ferguson Jenkins. None of them knew why it was there.

0:13:38.520 --> 0:13:41.680
<v Speaker 1>They didn't know, and they didn't care. That was the

0:13:41.760 --> 0:13:46.040
<v Speaker 1>strange part. Lloyd stucked into a hardware store. He raced

0:13:46.040 --> 0:13:49.240
<v Speaker 1>toward the back, past the startled clerks and customers, into

0:13:49.240 --> 0:13:52.280
<v Speaker 1>the shipping room and through the back door. He tripped

0:13:52.280 --> 0:13:54.440
<v Speaker 1>over a garbage camp and ran up a flight of

0:13:54.480 --> 0:13:58.120
<v Speaker 1>concrete steps. He climbed over a fence and jumped down

0:13:58.120 --> 0:14:02.800
<v Speaker 1>on the other side, gasping and panting. There was no

0:14:02.880 --> 0:14:08.959
<v Speaker 1>sound behind him. He had gotten away. I think it's

0:14:09.000 --> 0:14:11.240
<v Speaker 1>back to you, man, all right. So he made a

0:14:11.280 --> 0:14:13.760
<v Speaker 1>run for it, he did, and now he's kind of

0:14:13.880 --> 0:14:18.760
<v Speaker 1>safe for the moment. For the moment. He was at

0:14:18.760 --> 0:14:21.240
<v Speaker 1>the entrance of an alley, dark and strewn with boards

0:14:21.240 --> 0:14:24.160
<v Speaker 1>and ruined boxes and tires. He could see the street

0:14:24.200 --> 0:14:27.000
<v Speaker 1>at the far end. A street light wavered and came

0:14:27.080 --> 0:14:32.520
<v Speaker 1>on men and women stores, neon signs. Cars. Into his

0:14:32.640 --> 0:14:38.200
<v Speaker 1>right the police station. He was close, terribly close, past

0:14:38.240 --> 0:14:41.000
<v Speaker 1>the loading platform of a grocery store, rose the white

0:14:41.040 --> 0:14:45.280
<v Speaker 1>concrete side of the Hall of Justice, barred windows, the

0:14:45.320 --> 0:14:49.479
<v Speaker 1>police antenna, a great concrete wall rising up in the darkness,

0:14:49.520 --> 0:14:52.280
<v Speaker 1>A bad place for him to be near. He was

0:14:52.360 --> 0:14:55.880
<v Speaker 1>too close. He had to keep moving, get farther away

0:14:55.880 --> 0:15:00.920
<v Speaker 1>from them. Them loys moved cautiously down the alley. Beyond

0:15:00.920 --> 0:15:03.520
<v Speaker 1>the police station was the City Hall, the old fashioned

0:15:03.600 --> 0:15:07.080
<v Speaker 1>yellow structure of wood and gilded brass and broad cement steps.

0:15:07.720 --> 0:15:10.760
<v Speaker 1>He could see the endless rows of offices, dark windows,

0:15:11.080 --> 0:15:13.200
<v Speaker 1>the cedars and beds of flowers on each side of

0:15:13.240 --> 0:15:18.720
<v Speaker 1>the entrance, and something else. Above the City Hall was

0:15:18.760 --> 0:15:22.280
<v Speaker 1>a patch of darkness, a cone of gloom, denser than

0:15:22.320 --> 0:15:25.720
<v Speaker 1>the surrounding night, a prism of black that spread out

0:15:26.000 --> 0:15:30.000
<v Speaker 1>and was lost into the sky. Weird, I know, very weird.

0:15:30.320 --> 0:15:33.560
<v Speaker 1>He listened. Good God, he could hear something, something that

0:15:33.560 --> 0:15:36.600
<v Speaker 1>made him struggle frantically to close his ears, his mind

0:15:37.040 --> 0:15:42.000
<v Speaker 1>to shut out the sound. A buzzing, a distant, muted hum,

0:15:42.040 --> 0:15:47.160
<v Speaker 1>like a great swarm of bees. Oh boy, things are

0:15:47.160 --> 0:15:50.320
<v Speaker 1>getting bad. It is. Whenever you see a cone of

0:15:50.400 --> 0:15:53.920
<v Speaker 1>gloom denser than the surrounding night, that's not a good sign.

0:15:54.640 --> 0:16:00.000
<v Speaker 1>All right, go ahead. Bloys gazed up, rigid with horror,

0:16:00.400 --> 0:16:04.080
<v Speaker 1>the splotch of darkness hanging over City Hall, darkness so

0:16:04.200 --> 0:16:08.800
<v Speaker 1>thick it seemed almost solid in the vortex. Something moved,

0:16:09.240 --> 0:16:15.080
<v Speaker 1>flickering shapes, things descending from the sky, pausing momentarily above

0:16:15.120 --> 0:16:18.080
<v Speaker 1>the City Hall, fluttering over it in a dense swarm,

0:16:18.440 --> 0:16:22.880
<v Speaker 1>and then dropping silently on to the roof. Shapes, fluttering

0:16:22.920 --> 0:16:25.960
<v Speaker 1>shapes from the sky from the crack of darkness that

0:16:26.040 --> 0:16:30.880
<v Speaker 1>hung above him. He was seeing them for a long time.

0:16:30.960 --> 0:16:34.720
<v Speaker 1>Lois watched, crouched behind a sagging fence in a pool

0:16:34.760 --> 0:16:38.640
<v Speaker 1>of scummy water. They were landing, coming down in groups,

0:16:38.960 --> 0:16:42.320
<v Speaker 1>landing on the roof of the City Hall and disappearing inside.

0:16:43.080 --> 0:16:47.120
<v Speaker 1>They had wings, like giant insects of some kind. They

0:16:47.200 --> 0:16:50.160
<v Speaker 1>flew and fluttered and came to rest, and then crawled

0:16:50.480 --> 0:16:54.480
<v Speaker 1>crab fashioned sideways across the roof and into the building.

0:16:55.480 --> 0:17:00.760
<v Speaker 1>He was sickened and fascinated. Cold night wind loo around him,

0:17:00.800 --> 0:17:04.600
<v Speaker 1>and he shuddered. He was tired days with shock. On

0:17:04.680 --> 0:17:07.320
<v Speaker 1>the front steps of the City Hall, where men standing here,

0:17:07.320 --> 0:17:09.840
<v Speaker 1>and there groups of men coming out of the building

0:17:10.080 --> 0:17:13.240
<v Speaker 1>and halting for a moment before going on. Were there

0:17:13.280 --> 0:17:17.000
<v Speaker 1>more of them? It didn't seem possible. What he saw

0:17:17.080 --> 0:17:20.480
<v Speaker 1>descending from the black chasm weren't men. They were alien

0:17:21.040 --> 0:17:24.720
<v Speaker 1>from some other world, some other dimension, sliding through the slit,

0:17:25.400 --> 0:17:28.640
<v Speaker 1>this break in the shell of the universe, entering through

0:17:28.680 --> 0:17:35.760
<v Speaker 1>this gap, winged insects from another realm of being. That's

0:17:35.800 --> 0:17:40.159
<v Speaker 1>me hitting the tennis ball back to you. This is

0:17:40.359 --> 0:17:43.240
<v Speaker 1>uh is getting pretty scary. I think so too. I mean,

0:17:43.280 --> 0:17:46.840
<v Speaker 1>now we've got winged insect aliens coming from a chasm

0:17:46.880 --> 0:17:49.720
<v Speaker 1>in the sky onto city Hall, or do we just

0:17:49.760 --> 0:17:53.920
<v Speaker 1>have a man losing his mind. That's a really good question, Chuck.

0:17:54.000 --> 0:17:59.760
<v Speaker 1>Let's explore that further. On the steps of the city Hall,

0:18:00.000 --> 0:18:02.280
<v Speaker 1>group of men broke up. A few moved toward a

0:18:02.280 --> 0:18:05.159
<v Speaker 1>waiting car. One of the remaining shapes started to re

0:18:05.440 --> 0:18:08.800
<v Speaker 1>enter the city hall. It changed its mind and turned

0:18:08.800 --> 0:18:12.440
<v Speaker 1>to follow the others. Loy's closed his eyes in horror.

0:18:13.080 --> 0:18:15.840
<v Speaker 1>Since is reeled. He hung on tight, clutching at the

0:18:15.880 --> 0:18:19.760
<v Speaker 1>sagging fence. The shape, the man shape, had abruptly fluttered

0:18:19.840 --> 0:18:22.639
<v Speaker 1>up and flapped after the others. It flew to the

0:18:22.680 --> 0:18:27.280
<v Speaker 1>sidewalk and came to rest among them. Pseudo men imitation men,

0:18:28.160 --> 0:18:32.879
<v Speaker 1>insects with ability to disguise themselves as men, like other

0:18:33.000 --> 0:18:39.520
<v Speaker 1>insects familiar to earth protective coloration mimicry. Loys pulled himself away.

0:18:39.840 --> 0:18:42.679
<v Speaker 1>He got slowly to his feet. It was night. The

0:18:42.760 --> 0:18:45.800
<v Speaker 1>alley was totally dark, but maybe they could see in

0:18:45.840 --> 0:18:50.560
<v Speaker 1>the dark. Maybe darkness made no difference to them. He

0:18:50.800 --> 0:18:53.800
<v Speaker 1>left the alley cautiously and moved out onto the street.

0:18:54.080 --> 0:18:57.359
<v Speaker 1>Men and women flowed past, but not so many. Now

0:18:58.080 --> 0:19:01.040
<v Speaker 1>At the bus stops stood waiting groups. A huge bus

0:19:01.119 --> 0:19:04.960
<v Speaker 1>lumbering along the street, its lights flashing in the evening gloom.

0:19:05.080 --> 0:19:08.440
<v Speaker 1>Loys moved forward. He pushed his way among those waiting,

0:19:08.680 --> 0:19:11.160
<v Speaker 1>and when the bus halted, he boarded it and took

0:19:11.160 --> 0:19:14.080
<v Speaker 1>a seat in the rear by the door. A moment later,

0:19:14.119 --> 0:19:16.879
<v Speaker 1>the bus moved into life and rumbled down the street.

0:19:18.040 --> 0:19:21.520
<v Speaker 1>Loys relaxed a little. He studied the people around him, dull,

0:19:22.200 --> 0:19:26.840
<v Speaker 1>tired faces, people going home from work, quite ordinary faces.

0:19:27.400 --> 0:19:30.760
<v Speaker 1>None of them paid any attention to him. All sat quietly,

0:19:31.080 --> 0:19:33.879
<v Speaker 1>sunk down in their seats, jiggling with the motion of

0:19:33.920 --> 0:19:37.679
<v Speaker 1>the bus. The man sitting next to him unfolded a newspaper.

0:19:38.040 --> 0:19:40.719
<v Speaker 1>He began to read the sports section, his lips moving.

0:19:40.920 --> 0:19:45.679
<v Speaker 1>An ordinary man, blue suit tie, a businessman or a salesman,

0:19:45.760 --> 0:19:48.720
<v Speaker 1>on his way home to his wife and family. Cross

0:19:48.720 --> 0:19:51.920
<v Speaker 1>the aisle. A young woman perhaps twenty, dark eyes and hair,

0:19:52.040 --> 0:19:55.560
<v Speaker 1>a package on her lap, nyelons and heels, red coat

0:19:55.600 --> 0:19:59.280
<v Speaker 1>and white Angora sweater, gazing absently ahead of her. A

0:19:59.320 --> 0:20:02.120
<v Speaker 1>high school boy why in jeans and black jacket. A great,

0:20:02.119 --> 0:20:05.159
<v Speaker 1>triple chinned woman with an immense shopping bag loaded with

0:20:05.200 --> 0:20:10.159
<v Speaker 1>packages and parcels, her face dim with weariness. Ordinary people,

0:20:10.600 --> 0:20:14.240
<v Speaker 1>the kind that rode the bus every evening, going home

0:20:14.359 --> 0:20:20.840
<v Speaker 1>to their families to dinner. Well, you can make riding

0:20:20.880 --> 0:20:27.240
<v Speaker 1>the bus home to dinner sounds sinister check. Going home

0:20:27.760 --> 0:20:31.760
<v Speaker 1>with their minds, dead controlled, filmed over with the mask

0:20:31.840 --> 0:20:35.280
<v Speaker 1>of an alien being that had appeared and taken possession

0:20:35.320 --> 0:20:40.680
<v Speaker 1>of them, their town, their lives. Himself too, except that

0:20:40.720 --> 0:20:43.240
<v Speaker 1>he had happened to be deep in his cellar instead

0:20:43.280 --> 0:20:47.320
<v Speaker 1>of in the store. Somehow he had been overlooked. They

0:20:47.320 --> 0:20:52.680
<v Speaker 1>had missed him. Their control wasn't perfect, foolproof. Maybe there

0:20:52.680 --> 0:20:57.480
<v Speaker 1>were others. Hope flickered in Loi's They weren't omnipotent. They

0:20:57.480 --> 0:21:01.440
<v Speaker 1>had made a mistake, not gotten control of him. Their net,

0:21:01.760 --> 0:21:05.360
<v Speaker 1>their field of control, had passed over him. He had

0:21:05.400 --> 0:21:09.160
<v Speaker 1>emerged from his cellar as he had gone down. Apparently

0:21:09.240 --> 0:21:12.960
<v Speaker 1>their power zone was limited. A few seats down the aisle,

0:21:13.000 --> 0:21:16.240
<v Speaker 1>a man was watching him. Lois broke off his chain

0:21:16.280 --> 0:21:19.520
<v Speaker 1>of thought. A slender man with dark hair and a

0:21:19.560 --> 0:21:24.440
<v Speaker 1>small mustache, well dressed, brown suit, shiny shoes, a book

0:21:24.480 --> 0:21:29.160
<v Speaker 1>between his small hands. He was watching Loyce, studying him intently.

0:21:29.640 --> 0:21:34.719
<v Speaker 1>He quickly turned away. Lois tensed one of them or

0:21:34.760 --> 0:21:39.119
<v Speaker 1>another they had missed. The man was watching him again, small,

0:21:39.240 --> 0:21:43.719
<v Speaker 1>dark eyes, alive and clever, shrewd, A man too shrewd

0:21:43.800 --> 0:21:47.640
<v Speaker 1>for them, or one of the things, an alien insect

0:21:47.680 --> 0:21:51.919
<v Speaker 1>from beyond the bus halted. An elderly man got on

0:21:52.040 --> 0:21:55.280
<v Speaker 1>slowly and dropped his token into the box. He moved

0:21:55.320 --> 0:21:58.280
<v Speaker 1>down the aisle and took a seat opposite Lois. The

0:21:58.359 --> 0:22:01.679
<v Speaker 1>elderly man caught the sharp eyed man's gaze for a

0:22:01.720 --> 0:22:06.480
<v Speaker 1>split second. Something passed between them, a look rich with meaning.

0:22:07.160 --> 0:22:09.720
<v Speaker 1>Lois got to his feet. The bus was moving. He

0:22:09.840 --> 0:22:12.280
<v Speaker 1>ran to the door one stepped down into the well.

0:22:12.480 --> 0:22:17.160
<v Speaker 1>He yanked the emergency door release. The rubber door swung open. Hey,

0:22:17.240 --> 0:22:19.880
<v Speaker 1>the driver shouted, jamming on his brakes. What the hell?

0:22:21.960 --> 0:22:23.960
<v Speaker 1>I just wanted to keep reading until I got to say, Hell,

0:22:25.119 --> 0:22:29.359
<v Speaker 1>you don't need you to take over? Okay? Lloys squirmed through.

0:22:29.600 --> 0:22:32.879
<v Speaker 1>The bus was slowing down. Houses on all sides, a

0:22:32.960 --> 0:22:37.320
<v Speaker 1>residential district, lawns and tall apartment buildings behind him, the

0:22:37.400 --> 0:22:40.600
<v Speaker 1>bright eyed man had leapt up. The elderly man was

0:22:40.680 --> 0:22:44.159
<v Speaker 1>also on his feet. They were coming after him. Leis leaped.

0:22:44.480 --> 0:22:46.800
<v Speaker 1>He hit the pavement with terrific force and rolled against

0:22:46.800 --> 0:22:50.080
<v Speaker 1>the curb. Pain lapped over him, pain and a vast

0:22:50.119 --> 0:22:53.760
<v Speaker 1>tide of blackness. Desperately, he fought it off. He struggled

0:22:53.760 --> 0:22:56.080
<v Speaker 1>to his knees and then slid down again. The bus

0:22:56.119 --> 0:23:00.320
<v Speaker 1>had stopped. People were getting off. Lois groped around, his

0:23:00.400 --> 0:23:03.840
<v Speaker 1>fingers closed over something, a rock lying in the gutter.

0:23:04.240 --> 0:23:07.159
<v Speaker 1>He crawled to his feet, grunting with pain. A shape

0:23:07.200 --> 0:23:10.639
<v Speaker 1>loomed before him, a man, the bright eyed man with

0:23:10.680 --> 0:23:14.840
<v Speaker 1>a book. Lois kicked. The man gasped and fell. Lois

0:23:14.920 --> 0:23:17.280
<v Speaker 1>brought the rock down. The man screamed and tried to

0:23:17.359 --> 0:23:22.760
<v Speaker 1>roll away. Stop, for God's sakes, listen. He struck again,

0:23:23.359 --> 0:23:27.280
<v Speaker 1>hideous crunching sound. The man's voice cut off and dissolved

0:23:27.280 --> 0:23:30.600
<v Speaker 1>in a bubbling wail. Leois scrambled up and back. The

0:23:30.640 --> 0:23:34.359
<v Speaker 1>others were there now, all around him. He ran awkwardly

0:23:34.359 --> 0:23:38.200
<v Speaker 1>down the sidewalk up a driveway. None of them followed him.

0:23:38.240 --> 0:23:40.879
<v Speaker 1>They had stopped and were bending over the inert body

0:23:40.920 --> 0:23:43.240
<v Speaker 1>of the man with the book, the bright eyed man

0:23:43.280 --> 0:23:45.800
<v Speaker 1>who had come after him. Had he made a mistake,

0:23:46.520 --> 0:23:48.480
<v Speaker 1>But it was too late to worry about that. He

0:23:48.520 --> 0:23:51.159
<v Speaker 1>had to get out away from them, out of Pikeville,

0:23:51.560 --> 0:23:55.040
<v Speaker 1>beyond the crack of darkness, the rent between their world

0:23:55.080 --> 0:24:00.800
<v Speaker 1>and his. He really shakes off a possible murder pretty easy.

0:24:00.960 --> 0:24:03.040
<v Speaker 1>Do you like to worry about that? That's in my past?

0:24:03.680 --> 0:24:09.520
<v Speaker 1>Happened ten seconds ago. I got to move forward, and

0:24:10.359 --> 0:24:14.040
<v Speaker 1>Janet Looys backed away nervously. What is it? What ed?

0:24:14.119 --> 0:24:16.199
<v Speaker 1>Lloys slammed the door behind him and came into the

0:24:16.240 --> 0:24:19.360
<v Speaker 1>living room, pulled down the shades quick. Janet moved toward

0:24:19.400 --> 0:24:22.320
<v Speaker 1>the window. But do as I say. Who else is

0:24:22.359 --> 0:24:26.080
<v Speaker 1>here beside you? Nobody? Just the twins. They're upstairs in

0:24:26.119 --> 0:24:29.120
<v Speaker 1>their room. What happened? You look so strange? Why are

0:24:29.160 --> 0:24:32.879
<v Speaker 1>you home? Do you like the new vase? I pointed,

0:24:32.960 --> 0:24:36.280
<v Speaker 1>with the money we saved, find the foundation work you did,

0:24:36.920 --> 0:24:39.600
<v Speaker 1>and locked the front door. He prowled around the house

0:24:39.640 --> 0:24:42.119
<v Speaker 1>into the kitchen. From the drawer under the sink, he

0:24:42.200 --> 0:24:44.760
<v Speaker 1>slit out the big butcher knife and ran his finger

0:24:44.800 --> 0:24:50.120
<v Speaker 1>along it. Sharp, plenty sharp. He returned to the living room.

0:24:50.320 --> 0:24:52.240
<v Speaker 1>Listen to me, he said, I don't have much time.

0:24:52.640 --> 0:24:55.720
<v Speaker 1>They know I escaped, and they'll be looking for me. Escaped.

0:24:56.000 --> 0:25:00.280
<v Speaker 1>Janet's face twisted with bewilderment and fear. Who the town

0:25:00.320 --> 0:25:03.440
<v Speaker 1>has been taken over. They're in control. I've got it

0:25:03.480 --> 0:25:06.159
<v Speaker 1>pretty well figured out. They started at the top at

0:25:06.200 --> 0:25:08.520
<v Speaker 1>the city hall, in police department. What they did with

0:25:08.560 --> 0:25:12.160
<v Speaker 1>the real humans? They what are you talking about? We've

0:25:12.160 --> 0:25:16.520
<v Speaker 1>been invaded? From some other universe, some other dimension. Their insects,

0:25:16.880 --> 0:25:21.280
<v Speaker 1>mimicry and more power to control our minds, your mind,

0:25:22.119 --> 0:25:26.960
<v Speaker 1>my mind, their entrances here. I think this is the

0:25:27.040 --> 0:25:29.680
<v Speaker 1>role you were born to play. Thank you, Janet Leois,

0:25:29.880 --> 0:25:34.960
<v Speaker 1>Janet Leois. Their entance is here in Pikeville. They've taken

0:25:34.960 --> 0:25:38.600
<v Speaker 1>over all of you, the whole town except me. We're

0:25:38.680 --> 0:25:42.560
<v Speaker 1>up against an incredibly powerful enemy. But they have their limitations.

0:25:42.600 --> 0:25:46.840
<v Speaker 1>That's our hope. They're limited, they can make mistakes. Janet

0:25:46.840 --> 0:25:52.320
<v Speaker 1>shook her head. I don't understand ed. You must be insane. Insane, No,

0:25:52.600 --> 0:25:55.160
<v Speaker 1>just lucky. If I hadn't been down in the basement,

0:25:55.200 --> 0:25:57.879
<v Speaker 1>i'd be like all the rest of you. Lois peered

0:25:57.880 --> 0:26:00.840
<v Speaker 1>around the window, but I can't stand here talking. Get

0:26:00.880 --> 0:26:04.520
<v Speaker 1>your coat, my coat. We're getting out of here, out

0:26:04.560 --> 0:26:07.600
<v Speaker 1>of Pikesville. We've got to help to fight this thing.

0:26:08.040 --> 0:26:11.199
<v Speaker 1>They can be beaten. They're not infallible. It's going to

0:26:11.200 --> 0:26:13.680
<v Speaker 1>be close, but we may make it if we hurry.

0:26:13.720 --> 0:26:17.000
<v Speaker 1>Come on, he grabbed her arm roughly, Get your coat

0:26:17.000 --> 0:26:19.760
<v Speaker 1>and call the twins. We're all leaving. Don't stop to pack.

0:26:19.800 --> 0:26:22.840
<v Speaker 1>There's no time for that. White faced, his wife moved

0:26:22.840 --> 0:26:25.320
<v Speaker 1>toward the closet and got down her coat. Where are

0:26:25.359 --> 0:26:28.760
<v Speaker 1>we going? Ed pulled open the desk drawer and spilled

0:26:28.800 --> 0:26:31.520
<v Speaker 1>the contents out onto the floor. He grabbed up a

0:26:31.600 --> 0:26:34.159
<v Speaker 1>road map and spread it open. To have all the

0:26:34.240 --> 0:26:36.919
<v Speaker 1>highways covered, of course, but there's a back road to

0:26:36.960 --> 0:26:40.680
<v Speaker 1>oak growth. I got onto it once. It's practically abandoned.

0:26:40.720 --> 0:26:44.679
<v Speaker 1>Maybe they'll forget about it. The old ranch road. Good lord,

0:26:44.760 --> 0:26:49.560
<v Speaker 1>it's completely closed. Nobody's supposed to drive over it, I know.

0:26:50.080 --> 0:26:52.200
<v Speaker 1>Ed thrust the map grimly in his coat. That's our

0:26:52.240 --> 0:26:55.560
<v Speaker 1>best chance. Now call down the twins and let's get going.

0:26:56.000 --> 0:26:59.760
<v Speaker 1>Your collar is full of gas, isn't it. Janet was dazed.

0:27:00.440 --> 0:27:03.919
<v Speaker 1>Should I keep going? Oh man, keep going? The chevy?

0:27:04.240 --> 0:27:08.119
<v Speaker 1>I d n Philip yesterday afternoon. Janet moved towards the stairs,

0:27:08.160 --> 0:27:11.480
<v Speaker 1>and I call the twins. Ed unlocked the front door

0:27:11.520 --> 0:27:15.080
<v Speaker 1>and peered out. Nothing stirred, no sign of life. All right,

0:27:15.160 --> 0:27:19.320
<v Speaker 1>so far, come on downstairs, Janet called, in the wavering voice.

0:27:19.320 --> 0:27:23.919
<v Speaker 1>We're going out for a while. Now let me do

0:27:23.960 --> 0:27:29.840
<v Speaker 1>a different one for Tommy. Now. Tommy's voice came. Hurry up, ed, bark,

0:27:29.920 --> 0:27:32.879
<v Speaker 1>get down here, both of you. Tommy appeared at the stairs,

0:27:32.960 --> 0:27:37.200
<v Speaker 1>I'm just doing my homework. We're starting fractions. Miss Parker says.

0:27:37.240 --> 0:27:39.960
<v Speaker 1>If we don't get this done, you can forget about fractions.

0:27:40.200 --> 0:27:42.199
<v Speaker 1>Ed grabbed his son as he came down the stairs

0:27:42.320 --> 0:27:45.880
<v Speaker 1>and propelled him toward the door. Where's Jim, he's coming.

0:27:46.520 --> 0:27:50.240
<v Speaker 1>Jim started slowly down the stairs. What's up, dirt, We're

0:27:50.280 --> 0:27:54.320
<v Speaker 1>going for a ride, a ride where Ed turned to Janet.

0:27:54.480 --> 0:27:56.640
<v Speaker 1>We'll leave all the lights on and the TV set.

0:27:56.720 --> 0:27:59.080
<v Speaker 1>Go turn it on. He pushed her towards the set

0:27:59.359 --> 0:28:03.199
<v Speaker 1>so they'll think are still. He heard the buzz and

0:28:03.280 --> 0:28:07.400
<v Speaker 1>dropped instantly. The long butcher knife out sickened. He saw

0:28:07.440 --> 0:28:10.120
<v Speaker 1>it coming down the stairs at him, wings, a blur

0:28:10.240 --> 0:28:13.159
<v Speaker 1>of motion as it aimed itself. It still bore a

0:28:13.240 --> 0:28:17.280
<v Speaker 1>vague resemblance to Jimmy. It was small, a baby one.

0:28:17.600 --> 0:28:21.639
<v Speaker 1>A brief glimpse the thing hurtling at him, cold, multi

0:28:21.840 --> 0:28:26.320
<v Speaker 1>lensed inhuman eyes, wings, bodies still clothed in the yellow

0:28:26.320 --> 0:28:29.960
<v Speaker 1>T shirt and jeans, the mimic outline still stamped on it,

0:28:30.400 --> 0:28:33.160
<v Speaker 1>a strange half turn of its body as it reached him.

0:28:33.280 --> 0:28:37.879
<v Speaker 1>What was it doing? A stinger? Lois stabbed wildly at it.

0:28:38.000 --> 0:28:41.880
<v Speaker 1>It retreated buzzing frantically, Lois rolled and crawled toward the door.

0:28:42.360 --> 0:28:46.080
<v Speaker 1>Tommy and Janet stood still as statues, faces blank, watching

0:28:46.080 --> 0:28:49.880
<v Speaker 1>without expression. Lois stabbed again. This time the knife connected.

0:28:50.160 --> 0:28:53.120
<v Speaker 1>The thing shrieked and faltered. It bounced against the wall

0:28:53.120 --> 0:28:56.640
<v Speaker 1>and fluttered down. Something lapped through his mind, a wall

0:28:56.680 --> 0:29:00.720
<v Speaker 1>of force energy, an alien mind probing in to him.

0:29:00.720 --> 0:29:04.640
<v Speaker 1>He was suddenly paralyzed. The mind entered his own, touched

0:29:04.680 --> 0:29:10.440
<v Speaker 1>against him, briefly, shockingly and utter, alien presence settling over him,

0:29:10.480 --> 0:29:12.760
<v Speaker 1>and then it flickered out. As the thing collapsed in

0:29:12.840 --> 0:29:16.760
<v Speaker 1>a broken heap on the rug. It was dead. He

0:29:16.840 --> 0:29:19.840
<v Speaker 1>turned it over with his foot. It was an insect,

0:29:20.320 --> 0:29:25.800
<v Speaker 1>a fly of some kind, yellow T shirt, jeans, his son, Jimmy.

0:29:26.800 --> 0:29:29.400
<v Speaker 1>He closed his mind tight. It was too late to

0:29:29.440 --> 0:29:32.520
<v Speaker 1>think about that. Savagely, he scooped up his knife and

0:29:32.560 --> 0:29:35.680
<v Speaker 1>headed toward the door. Janet and Tommy stood stone still,

0:29:36.200 --> 0:29:38.880
<v Speaker 1>neither of them moving. The car was out. He'd never

0:29:38.920 --> 0:29:41.680
<v Speaker 1>get through. They'd be waiting for him. It was ten

0:29:41.760 --> 0:29:45.560
<v Speaker 1>miles on foot, ten long miles over rough ground, gullies

0:29:45.600 --> 0:29:48.720
<v Speaker 1>and open fields and hills of uncut forest. He'd have

0:29:48.760 --> 0:29:52.200
<v Speaker 1>to go alone. Lois opened the door. For a brief second,

0:29:52.240 --> 0:29:54.400
<v Speaker 1>he looked back at his wife and son. Then he

0:29:54.480 --> 0:30:00.600
<v Speaker 1>slammed the door behind him and raced down the porch steps. Man,

0:30:01.240 --> 0:30:04.120
<v Speaker 1>it is really quick to kill and move on, all right,

0:30:04.760 --> 0:30:09.400
<v Speaker 1>Too late for that. Let's move yep, stab and forget,

0:30:09.560 --> 0:30:15.920
<v Speaker 1>stab and forget um okay. A moment later he was

0:30:15.960 --> 0:30:18.800
<v Speaker 1>on his way, hurrying swiftly through the darkness towards the

0:30:18.920 --> 0:30:24.440
<v Speaker 1>edge of town. The early morning sunlight was blinding. Lois halted,

0:30:24.520 --> 0:30:28.640
<v Speaker 1>gasping for breath, swaying back and forth. Sweat ran down

0:30:28.680 --> 0:30:31.880
<v Speaker 1>in his eyes. His clothing was torn, shredded by the

0:30:31.920 --> 0:30:35.640
<v Speaker 1>brush and thorns through which he had crawled ten miles

0:30:35.640 --> 0:30:38.960
<v Speaker 1>on his hands and knees, crawling creeping through the night.

0:30:39.520 --> 0:30:42.760
<v Speaker 1>His shoes were mud kicked. He was scratched and limping,

0:30:43.160 --> 0:30:47.880
<v Speaker 1>utterly exhausted. But ahead of him lay oak growth. He

0:30:47.960 --> 0:30:51.240
<v Speaker 1>took a deep breath and started down the hill. Twice,

0:30:51.280 --> 0:30:54.640
<v Speaker 1>he stumbled and fell, picking himself up and trudging on.

0:30:55.200 --> 0:30:59.560
<v Speaker 1>His ears rang. Everything receded and wavered, but he was there.

0:31:00.080 --> 0:31:04.040
<v Speaker 1>He had gotten out away from Pikeville. A farmer in

0:31:04.040 --> 0:31:06.560
<v Speaker 1>a field gaped at him. From my house. A young

0:31:06.640 --> 0:31:10.040
<v Speaker 1>woman watched in wonder. Leois reached the road and turned

0:31:10.080 --> 0:31:12.880
<v Speaker 1>onto it. Ahead of him was a gas station and

0:31:12.920 --> 0:31:16.479
<v Speaker 1>a drive in, a couple of trucks, some chickens pecking

0:31:16.480 --> 0:31:19.640
<v Speaker 1>in the dirt, a dog tied with a string. The

0:31:19.680 --> 0:31:23.360
<v Speaker 1>white clad attendant watched suspiciously as he dragged himself up

0:31:23.400 --> 0:31:27.160
<v Speaker 1>to the station. Thank god he caught ahold of the wall.

0:31:27.440 --> 0:31:29.920
<v Speaker 1>I didn't think I was going to make it. They

0:31:29.960 --> 0:31:34.000
<v Speaker 1>followed me most of the way. I could hear them buzzing, buzzing,

0:31:34.000 --> 0:31:38.400
<v Speaker 1>and flitting around behind me. What happened? The intendant demanded,

0:31:38.640 --> 0:31:42.760
<v Speaker 1>you in a wreck? Hold up? Leis shook his head weirdly.

0:31:42.960 --> 0:31:45.560
<v Speaker 1>They have the whole town, the city hall, and the

0:31:45.600 --> 0:31:48.640
<v Speaker 1>police station. They hung a man from the lamp post,

0:31:48.960 --> 0:31:51.360
<v Speaker 1>and that was the first thing I saw. They got

0:31:51.360 --> 0:31:54.080
<v Speaker 1>all the roads blocked. I saw them hovering over the

0:31:54.160 --> 0:31:58.520
<v Speaker 1>cars coming in about four this morning. I got beyond them.

0:31:58.560 --> 0:32:00.720
<v Speaker 1>I knew it right away. I could feel them leave,

0:32:01.440 --> 0:32:04.480
<v Speaker 1>and then the sun came up. The attendant licked his

0:32:04.520 --> 0:32:07.960
<v Speaker 1>lips nervously. You're out of your head. I better get

0:32:07.960 --> 0:32:12.160
<v Speaker 1>a doctor. Give me and oh, crow voice gasped. He

0:32:12.280 --> 0:32:15.520
<v Speaker 1>sank down on the gravel. We've got to get started

0:32:16.160 --> 0:32:22.920
<v Speaker 1>cleaning them out. Gotta get started right away, onto you chuckers.

0:32:26.080 --> 0:32:28.880
<v Speaker 1>He kept a tape recorder going all the time he talked.

0:32:29.520 --> 0:32:32.160
<v Speaker 1>When he had finished, the commissioner snapped off the recorder

0:32:32.160 --> 0:32:34.640
<v Speaker 1>and got to his feet. He stood for a moment,

0:32:34.680 --> 0:32:37.720
<v Speaker 1>deep in thought. Finally he got out his cigarettes and

0:32:37.760 --> 0:32:42.080
<v Speaker 1>lit up slowly, a frown on his beefy face. You

0:32:42.120 --> 0:32:46.840
<v Speaker 1>don't believe me, Lois said. The commissioner offered him a cigarette.

0:32:47.200 --> 0:32:52.080
<v Speaker 1>Vois pushed it impatiently. Away, suit yourself. The commissioner moved

0:32:52.120 --> 0:32:54.760
<v Speaker 1>over to the window and stood for a time looking

0:32:54.760 --> 0:32:57.760
<v Speaker 1>out at the town of Oak Grove. I believe you,

0:32:58.200 --> 0:33:03.560
<v Speaker 1>he said, abruptly, voice act. Thank god, so you got away.

0:33:03.960 --> 0:33:06.800
<v Speaker 1>The commissioner shook his head. You were down in your

0:33:06.840 --> 0:33:10.280
<v Speaker 1>cellar instead of at work. A freak chance. One in

0:33:10.320 --> 0:33:13.240
<v Speaker 1>a million. Boy sipped some of the black coffee they

0:33:13.280 --> 0:33:16.080
<v Speaker 1>had brought him. I have a theory, he murmured. What

0:33:16.280 --> 0:33:19.680
<v Speaker 1>is it about them? Who they are? They take over

0:33:19.720 --> 0:33:22.320
<v Speaker 1>one area at a time, starting at the top the

0:33:22.360 --> 0:33:25.160
<v Speaker 1>highest level of authority, working down from there in a

0:33:25.200 --> 0:33:28.280
<v Speaker 1>widening circle. When they're firmly in control, they go on

0:33:28.400 --> 0:33:32.400
<v Speaker 1>to the next town. They spread slowly very gradually. I

0:33:32.480 --> 0:33:37.320
<v Speaker 1>think it's been going on for a long time. EDGs

0:33:37.320 --> 0:33:40.440
<v Speaker 1>really filling in the blanks. Heredney, he really is. He's

0:33:40.480 --> 0:33:46.040
<v Speaker 1>got it all figured out a long time, thousands of years.

0:33:46.280 --> 0:33:48.720
<v Speaker 1>I don't think it's new. Why do you say that.

0:33:49.360 --> 0:33:51.440
<v Speaker 1>When I was a kid, a picture they showed us

0:33:51.440 --> 0:33:55.400
<v Speaker 1>in Bible League, a religious picture, an old print the

0:33:55.520 --> 0:34:00.880
<v Speaker 1>enemy gods defeated by Jehovah, Molok be els Abu, moab

0:34:01.400 --> 0:34:05.720
<v Speaker 1>Baalin ash tar Off, Chuck. I think you just raised

0:34:05.760 --> 0:34:12.160
<v Speaker 1>a bunch of demons. So they were all represented by figures.

0:34:12.760 --> 0:34:15.799
<v Speaker 1>Lais looked up at the commissioner. B l Zebub was

0:34:15.880 --> 0:34:23.000
<v Speaker 1>represented as a giant fly. Don't don't do. The commissioner

0:34:23.040 --> 0:34:28.680
<v Speaker 1>grunted an old struggle. Don't don't do. They've been defeated.

0:34:28.719 --> 0:34:31.360
<v Speaker 1>The Bible is an account of their defeats. They make gains,

0:34:31.400 --> 0:34:36.240
<v Speaker 1>but finally they're defeated. Why defeated? They can't get everyone

0:34:36.360 --> 0:34:39.360
<v Speaker 1>if they didn't get me, and they never got the Hebrews.

0:34:39.840 --> 0:34:42.759
<v Speaker 1>The Hebrews carried the message to the whole world, the

0:34:42.800 --> 0:34:45.520
<v Speaker 1>realization of the danger. The two men on the bus,

0:34:45.760 --> 0:34:49.200
<v Speaker 1>I think they understood had escaped like I did. He

0:34:49.280 --> 0:34:52.080
<v Speaker 1>clinched his fists. I killed one of them. I made

0:34:52.080 --> 0:34:55.239
<v Speaker 1>a mistake. I was afraid to take a chance. The

0:34:55.239 --> 0:34:58.879
<v Speaker 1>commissioner nodded, Yes, they undoubtedly had escaped, as you did

0:34:58.960 --> 0:35:01.600
<v Speaker 1>freak accidents, but the rest of the town was firmly

0:35:01.680 --> 0:35:05.640
<v Speaker 1>in control. He turned from the window. Well, mister Loys,

0:35:05.719 --> 0:35:09.440
<v Speaker 1>you seem to have figured everything out. Not everything. The

0:35:09.560 --> 0:35:12.880
<v Speaker 1>hanging man, the dead man hanging from the lamp post.

0:35:13.239 --> 0:35:17.239
<v Speaker 1>I don't understand that. Why Why did they deliberately hang

0:35:17.320 --> 0:35:22.960
<v Speaker 1>him there? That would seem simple. The commissioner smiled faintly. Bait.

0:35:24.560 --> 0:35:27.880
<v Speaker 1>Lloyd stiffened, his heart stopped beating. Bait, What do you

0:35:27.920 --> 0:35:32.520
<v Speaker 1>mean to draw you out? Make you declare yourself, so

0:35:32.680 --> 0:35:35.840
<v Speaker 1>they'd know who was under control and who had escaped.

0:35:37.920 --> 0:35:43.040
<v Speaker 1>Vois recoiled with horror. Then they expected failures, They anticipated

0:35:43.520 --> 0:35:47.160
<v Speaker 1>he broke off. They were ready with a trap, and

0:35:47.239 --> 0:35:51.200
<v Speaker 1>you showed yourself. You reacted, you made yourself known. The

0:35:51.239 --> 0:35:55.160
<v Speaker 1>commissioner abruptly moved toward the door. Come along, Lois. There's

0:35:55.160 --> 0:35:57.880
<v Speaker 1>a lot to do. We must get moving. There's no

0:35:58.000 --> 0:36:01.560
<v Speaker 1>time to waste. Lloys started slowly to his feet, numbed,

0:36:02.440 --> 0:36:05.080
<v Speaker 1>and the man who was the man I never saw

0:36:05.160 --> 0:36:08.719
<v Speaker 1>him before. He wasn't a local man. He was a stranger,

0:36:08.840 --> 0:36:12.640
<v Speaker 1>all muddy and dirty, his face cut slashed. There was

0:36:12.680 --> 0:36:16.160
<v Speaker 1>a strange look on the Commissioner's face as he answered maybe,

0:36:16.719 --> 0:36:21.480
<v Speaker 1>He said softly, you'll understand that too. Come along with me,

0:36:21.640 --> 0:36:24.960
<v Speaker 1>Mr Loys. He held the door open, his eyes gleaming.

0:36:25.480 --> 0:36:27.360
<v Speaker 1>Loys caught a glimpse of the street in front of

0:36:27.400 --> 0:36:31.880
<v Speaker 1>the police station. Policeman, a platform of some sort, a

0:36:31.960 --> 0:36:41.000
<v Speaker 1>telephone pole, and a rope. Right this way, the commissioner said,

0:36:41.360 --> 0:36:50.280
<v Speaker 1>smiling coldly, All right, I think we know what's happening,

0:36:50.280 --> 0:36:56.919
<v Speaker 1>and take us home. As the sun set, the vice

0:36:56.960 --> 0:36:59.960
<v Speaker 1>president of the Oak Grove Merchants Bank came up out

0:37:00.040 --> 0:37:03.080
<v Speaker 1>of the vault through the heavy time. Locks, put on

0:37:03.160 --> 0:37:06.400
<v Speaker 1>his hat and coat, and hurried outside onto the sidewalk.

0:37:06.880 --> 0:37:09.600
<v Speaker 1>Only a few people were there, hurrying home to dinner.

0:37:10.040 --> 0:37:12.879
<v Speaker 1>Good night, the guard said, locking the door after him.

0:37:13.239 --> 0:37:17.080
<v Speaker 1>Good night. Clarence Mason murmured. He started along the street

0:37:17.120 --> 0:37:20.240
<v Speaker 1>toward his car. He was tired. He had been working

0:37:20.280 --> 0:37:23.080
<v Speaker 1>all day down in the vault, examining the layout of

0:37:23.120 --> 0:37:25.960
<v Speaker 1>the safety deposit boxes to see if there was room

0:37:26.000 --> 0:37:29.440
<v Speaker 1>for another tier. He was glad to be finished. At

0:37:29.480 --> 0:37:32.520
<v Speaker 1>the corner, he halted. The street lights had not yet

0:37:32.560 --> 0:37:35.799
<v Speaker 1>come on. The street was dim. Everything was vague. He

0:37:35.840 --> 0:37:40.080
<v Speaker 1>looked around and froze. From the telephone pole in front

0:37:40.080 --> 0:37:44.000
<v Speaker 1>of the police station, something large and shapeless hung. It

0:37:44.120 --> 0:37:47.200
<v Speaker 1>moved a little with the wind. What the hell was it?

0:37:48.320 --> 0:37:51.640
<v Speaker 1>Mason approached it warily. He wanted to get home. He

0:37:51.680 --> 0:37:54.400
<v Speaker 1>was tired and hungry. He thought of his wife, his kids,

0:37:54.400 --> 0:37:56.960
<v Speaker 1>a hot meal on the dinner table. But there was

0:37:57.040 --> 0:38:01.200
<v Speaker 1>something about the dark bundle, something ominous and ugly. The

0:38:01.320 --> 0:38:04.160
<v Speaker 1>light was bad. He couldn't tell what it was, yet

0:38:04.160 --> 0:38:06.480
<v Speaker 1>it drew him on, made a move closer for a

0:38:06.480 --> 0:38:10.120
<v Speaker 1>better look. The shapeless thing made him uneasy. He was

0:38:10.200 --> 0:38:15.000
<v Speaker 1>frightened by it, frightened and fascinated. And the strange part

0:38:15.120 --> 0:38:26.600
<v Speaker 1>was that nobody else seemed to notice it. All right,

0:38:27.680 --> 0:38:31.560
<v Speaker 1>that's the Hanging Stranger by Philip K. Dick. Pretty good.

0:38:33.680 --> 0:38:36.920
<v Speaker 1>Whether he was insane or not. I think the end

0:38:36.960 --> 0:38:40.040
<v Speaker 1>proves that he was quite sane, and that he would

0:38:40.080 --> 0:38:47.319
<v Speaker 1>just be the next victim. The bank manager. Yeah, yeah, yeah,

0:38:47.400 --> 0:38:49.479
<v Speaker 1>Lewis was the next victim. He's part of a chain

0:38:49.560 --> 0:38:52.360
<v Speaker 1>of bait, so I think he was saying, but he

0:38:52.440 --> 0:38:58.960
<v Speaker 1>definitely killed another non possessed person with a rock. But

0:38:59.040 --> 0:39:01.040
<v Speaker 1>I think though, because as he wasn't insane that his

0:39:01.120 --> 0:39:05.400
<v Speaker 1>son was a human fly like the Cramp said, yeah,

0:39:05.440 --> 0:39:10.880
<v Speaker 1>because he was. He was not insane, so what he

0:39:10.960 --> 0:39:14.719
<v Speaker 1>saw was real, which means that him seeing his sun

0:39:14.800 --> 0:39:19.279
<v Speaker 1>flying around trying to sting him it was real. All right,

0:39:19.560 --> 0:39:25.040
<v Speaker 1>what's your take? It was that what you said? Okay, see,

0:39:25.080 --> 0:39:27.480
<v Speaker 1>this is why we get along so well, Chuck. I

0:39:27.480 --> 0:39:29.480
<v Speaker 1>gotta see this thing visually. Somebody needs to make this

0:39:29.520 --> 0:39:31.719
<v Speaker 1>into a short film. It would be a pretty good one,

0:39:31.760 --> 0:39:36.399
<v Speaker 1>I think, And it's public dommain. I'm just saying, well,

0:39:36.440 --> 0:39:40.000
<v Speaker 1>thank you very much everybody. Happy Halloween to you. Hopefully

0:39:40.040 --> 0:39:43.000
<v Speaker 1>you enjoyed this. Sure it wasn't fact based. It was

0:39:43.160 --> 0:39:46.319
<v Speaker 1>a little more fictitious than usual, but it is, after all,

0:39:46.360 --> 0:39:50.520
<v Speaker 1>Halloween out there, yes for sure. Uh, And enjoy your

0:39:50.520 --> 0:39:53.640
<v Speaker 1>trick or treating and your Halloween parties and bobbing for apples,

0:39:53.680 --> 0:39:58.719
<v Speaker 1>and happy Halloween to everybody. Go enjoy this one of

0:39:58.800 --> 0:40:04.480
<v Speaker 1>the most greatest Hall of Days of all time. Stuff

0:40:04.480 --> 0:40:06.440
<v Speaker 1>you should know is a production of iHeart Radios. How

0:40:06.480 --> 0:40:09.239
<v Speaker 1>Stuff Works. For more podcasts for my heart Radio, visit

0:40:09.239 --> 0:40:11.919
<v Speaker 1>the iHeart Radio app, Apple podcasts, or wherever you listen

0:40:11.960 --> 0:40:12.840
<v Speaker 1>to your favorite shows.