WEBVTT - The Top 10 Women with RuPaul

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<v Speaker 1>Hello, folks. I'm I'm not going to be in a

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<v Speaker 1>good mood today. I'm want to get that off my

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<v Speaker 1>chest immediately, and I'm I'm warning you all. I'm I'm

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<v Speaker 1>having a hard time run. Those are the notes the Carolina.

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<v Speaker 1>The worst thing that could ever happen to a person

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<v Speaker 1>has happened to me. And I'm not being dramatic, okay,

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<v Speaker 1>And I'm saying that in advance for any listeners who

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<v Speaker 1>think oh Ron so dramatic. A man who who looks

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<v Speaker 1>like that probably just drinks scotch and sits poolside with

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<v Speaker 1>Tatum O'Neill. No, I'm a real man, folks, with a

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<v Speaker 1>real blood red heart that can crack at the slightest touch.

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<v Speaker 1>And last night I spilled hot tea on myself and no,

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<v Speaker 1>that's not it. It gets worse, you see. So I

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<v Speaker 1>spilled the tea and then I sat down to watch

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<v Speaker 1>the cinematic Treasure Hunt. I go on every night the

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<v Speaker 1>Antique road Show, but Baxter had taped over it. Rule

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<v Speaker 1>number one, don't leave my dog Baxter the remote. He

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<v Speaker 1>likes late night HBO, and he's he's not scared to

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<v Speaker 1>record it. He's completely stopped even considering that I'll see

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<v Speaker 1>it that I'm not done. This is what I'm talking about.

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<v Speaker 1>You're ready to call me dramatic. It's on the tip

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<v Speaker 1>of your tongue. No, I was going to say, what

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<v Speaker 1>a worth of night you've spilled tea and your dogdorn. Okay,

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<v Speaker 1>that that's not even the half of its. Sister, Listen,

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<v Speaker 1>remember when I told you that great date I went on.

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<v Speaker 1>It was about two days ago. It was with an

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<v Speaker 1>old flame. Come on, thank Carolina, I know, of course.

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<v Speaker 1>I remember you just said you had drinks with Diana

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<v Speaker 1>Ross and that it was none of my business. Exactly

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<v Speaker 1>two nights ago, I had drinks with Diana Ross, my

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<v Speaker 1>princess Die at the Sportsman's Lodge. We sang some tunes,

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<v Speaker 1>we reminisced on nights at the cabana. I tried to

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<v Speaker 1>hold her hand and she said, please don't touch me,

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<v Speaker 1>and I said, all right, things were going well, and

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<v Speaker 1>then I left my number on a napkin. I kissed

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<v Speaker 1>the napkin and handed it to her and shagged home.

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<v Speaker 1>Now what do you think of that napkin move? Pretty breezy?

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<v Speaker 1>Don't you think it's actually something women usually do? They

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<v Speaker 1>usually write their number on a napkin and then kiss

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<v Speaker 1>it if they're wearing lipstick to leave a mark. So anyway,

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<v Speaker 1>after I left, I waited for her call right one

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<v Speaker 1>Mississippi to Mississippi, and then I tried her on her

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<v Speaker 1>house phone and I left her some voicemails. I left

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<v Speaker 1>her three voicemails for each hour that we were apart

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<v Speaker 1>for good luck. Oh god, some of them. I didn't

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<v Speaker 1>funny voices to remind her that I'm not crazy, I'm funny.

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<v Speaker 1>But last night it had been forty eight hours, so

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<v Speaker 1>I tried reporting her as a missing person. But but

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<v Speaker 1>you can't do that, that turns out. But I was concerned.

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<v Speaker 1>I mean, I just hadn't heard from her. So I

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<v Speaker 1>called her a few more times, and then she finally

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<v Speaker 1>picked up the heart breaking words she said to me

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<v Speaker 1>so cruelly. What did she say? Oh it was awful.

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<v Speaker 1>She was so mean, and I think her exact words

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<v Speaker 1>were wrong. Number. This is the Henderson's residence. Please stop calling.

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<v Speaker 1>You sound like a lunatic, which brings me to the

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<v Speaker 1>theme of today's episode. Women. I can't live with them

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<v Speaker 1>because they won't let you. I want to investigate what

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<v Speaker 1>are they thinking when you call them thirty times in

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<v Speaker 1>a row. Why don't they pick up? Okay, I actually

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<v Speaker 1>really excited about this one. UM. So we're going to

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<v Speaker 1>discuss the psychology behind heteronormative relationship ups, the women's new

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<v Speaker 1>role as a powerholder in sexual advance. No no, no, no, no,

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<v Speaker 1>no no no. We're going to rank them. This episode

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<v Speaker 1>is on the top ten greatest women, and uh, it'll

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<v Speaker 1>add some competition to this whole thing, and we're gonna

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<v Speaker 1>we're gonna pit them against each other. And don't make

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<v Speaker 1>this a feminist thing just because you're not on the list.

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<v Speaker 1>That's not why it's a feminist thing. Actually. So we're

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<v Speaker 1>gonna go to a commercial break right now, and when

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<v Speaker 1>we come back, we're gonna have a special guest who's

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<v Speaker 1>going to join us to help rank the top ten

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<v Speaker 1>women of all time on our show. Today we have

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<v Speaker 1>Mr Rue Paul, dear dear friend of mine from the

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<v Speaker 1>club scene in the nineties and the host of RuPaul's

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<v Speaker 1>Drag Race, a show I've never been asked to be

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<v Speaker 1>on UM, but Ruth, thank you for joining us here

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<v Speaker 1>with Carolina and I and boy, we had some good

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<v Speaker 1>times back in the night. Yes we did. Actually, do

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<v Speaker 1>you remember that one club called the Dragonflies Nest. You know,

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<v Speaker 1>I've been to so many clubs from I don't remember

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<v Speaker 1>the names of them. But if you saw me away,

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<v Speaker 1>so nice to me, and I really appreciate it, and

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<v Speaker 1>thank you for being here. And we're Uh. Today's show

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<v Speaker 1>is on women, the top ten women, My my list,

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<v Speaker 1>my list. Um, but I wanted to ask you some questions.

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<v Speaker 1>You're you're an icon in your own right, um, and

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<v Speaker 1>you play with gender on your show. There's no question.

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<v Speaker 1>My question is can I play with gender or will

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<v Speaker 1>the the Channel four news team make fun of me

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<v Speaker 1>behind my back? I'm sure they will make fun of you,

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<v Speaker 1>But I think you'll have a more fun playing with gender.

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<v Speaker 1>I think it's it's so important to to flip your

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<v Speaker 1>nose up at all the rules that society tries to

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<v Speaker 1>put on you. Well, you know what. That's good to know,

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<v Speaker 1>And if I decide to have a little fun in

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<v Speaker 1>that regard, then I'll know if they if they start

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<v Speaker 1>messing with me, I'll mess right back. No, I'm sure

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<v Speaker 1>they will mess with you. Most people feel uncomfortable with

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<v Speaker 1>with gender issues, and their their response is usually to

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<v Speaker 1>laugh or to lash out. To lash out and to

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<v Speaker 1>just have. But the point is to not take any

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<v Speaker 1>of it too seriousness. That's the whole point. Don't take

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<v Speaker 1>any of it too seriously. Like Carolina, you don't take

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<v Speaker 1>anything too seriously. Um. I take a lot of things seriously,

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<v Speaker 1>like with the way you dress up and the way

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<v Speaker 1>you look. Yeah, because I because sometimes you walk into

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<v Speaker 1>the studio and I'm like, really you're going to wear

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<v Speaker 1>that today? Just my card again and dress I wore today.

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<v Speaker 1>It's just somebody to think about. Yeah, Okay, let me

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<v Speaker 1>ask you this, what is your idea of beauty? Um?

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<v Speaker 1>For me personally, mine is a model with dementia that

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<v Speaker 1>match my favorite fruits. What are your favorite fruits? Uh?

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<v Speaker 1>I love I love pineapples, yes, and I love cassaba melons.

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<v Speaker 1>I don't know what those are, but it sounds delicious

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<v Speaker 1>and I love Um, I love the delicate Kiwi fruit. Yeah. Yeah,

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<v Speaker 1>I love bananas. Bananas yea. And with all that potassium,

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<v Speaker 1>what's not to love? What's not to love about a banana?

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<v Speaker 1>But do you ever get leg cramps? Because if you do,

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<v Speaker 1>I have a banana? Yeah, you know, Actually I don't.

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<v Speaker 1>I don't get You're probably getting plenty of potassium. Uh,

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<v Speaker 1>you know what my idea of beauty has to do with.

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<v Speaker 1>You know, I'll know when I see it. I don't

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<v Speaker 1>have a set judgment of what it's going to be

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<v Speaker 1>before I see it. If I see it and I

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<v Speaker 1>think it's beautiful, there it is done, done, you know,

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<v Speaker 1>preconceived notions. And I try to do that generally speaking,

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<v Speaker 1>wrong with everything. I try to keep my mind open

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<v Speaker 1>and not sort of lock into an idea. I need

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<v Speaker 1>to learn from that because I just get very close

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<v Speaker 1>minded at times. No, we all do. It's yeah, it's

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<v Speaker 1>it's it's a slippery slope. It's a slippery slope. It

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<v Speaker 1>takes practice, though, and I have to remind myself of

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<v Speaker 1>that every single day. That's good to know. So you're

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<v Speaker 1>not you don't feel you're fully evolved in that capacity. No,

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<v Speaker 1>just for today, I'm just trying to get through today. Amen. Amen,

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<v Speaker 1>that's it. Um. Let me ask you this. You used

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<v Speaker 1>to enjoy a party, right, Oh, what's the best party

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<v Speaker 1>you've ever been to? Okay, Um, the last party I

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<v Speaker 1>was at the most fun? I DJ at a party

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<v Speaker 1>in a Bitha about maybe it was two and a

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<v Speaker 1>half months ago. A Bitha is in It is outside

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<v Speaker 1>of Chatsworth. Where is Abitha. It's in Spain. It's in Spain. Okay, yes,

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<v Speaker 1>it's insane. And I they set up a DJ book

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<v Speaker 1>on age for me to play these these records, this

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<v Speaker 1>recorded music, and on the stage there was lots of

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<v Speaker 1>space for me to dance. So I put a record

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<v Speaker 1>on and go out on this and then you prove

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<v Speaker 1>your body. I'd moved my body. Yeah, and it was

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<v Speaker 1>so much fun. Now I'm curious how many people How

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<v Speaker 1>big is this party? Well, this party was on a

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<v Speaker 1>on a cruise ship. I don't know how many people

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<v Speaker 1>were there, but it was on the top deck of

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<v Speaker 1>a cruise ship docked in Babitha. And uh, they flew

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<v Speaker 1>me in there to do it. I and I finished

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<v Speaker 1>that part. I was soaking wet right from hedge of

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<v Speaker 1>toat soaking wet because I danced so much. That It's

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<v Speaker 1>a great way to to shed the pounds. It's a

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<v Speaker 1>great way to shed the pounds. It's a great way

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<v Speaker 1>to shed a lot of stuff. That's what I do.

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<v Speaker 1>A zoomba classy and uh, well I've done it once. Yeah,

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<v Speaker 1>well that that counts. I wasn't very good at it.

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<v Speaker 1>I was kicked out. In fact, why, I just I'm

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<v Speaker 1>not coordinated in that way. Yeah, but you don't have

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<v Speaker 1>to be coordinated. You just have to have fun. You

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<v Speaker 1>just have to work your body. What sort of music

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<v Speaker 1>did you play? I played? That's a great question. I

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<v Speaker 1>played all thriller, no Filla, whoa hits the lore one

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<v Speaker 1>hit after another, Yes, from that after hit hit after

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<v Speaker 1>hit hit, from the fifties to today. You just kept

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<v Speaker 1>it moving. I kept it moving. I'm about time for

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<v Speaker 1>no Filla? I hear you was, and that's why I

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<v Speaker 1>was soaking with it. I played everything. How long did

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<v Speaker 1>you go? I was up there for about three hours?

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<v Speaker 1>What yeh? Three hours? How long was your zimba class?

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<v Speaker 1>I think it was thirty minutes, okay, with a break

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<v Speaker 1>at I took my own break, So I did have fun. No,

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<v Speaker 1>I was embarrassed. They all laughed at me, and they

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<v Speaker 1>were like, you're a terrible zoomba person. Yes, talk about judgment. Yeah, yeah,

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<v Speaker 1>they were not nice to you. Real. What's your song? If?

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<v Speaker 1>Do you ever get? Do you ever like a backup

0:11:04.360 --> 0:11:06.240
<v Speaker 1>song that always brings the crowd to the dance for

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<v Speaker 1>Oh yeah yeah back in Love Again by lt D?

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<v Speaker 1>Do you know that song back in Love Again. You're

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<v Speaker 1>too young for that one. It's from nineteen seventies six

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<v Speaker 1>back in Love. What's the chorus? Um? The course of

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<v Speaker 1>the hook is actually this probably back in Love again? Yes,

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<v Speaker 1>I think um, back in Love again? You know the

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<v Speaker 1>hook is actually it's a guitar hook is the real

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<v Speaker 1>hook of the song. But it's sung by Jeffrey Osborne

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<v Speaker 1>in the group lt D. Did you play eight? No Stop? Now?

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<v Speaker 1>You know that's one of my favorites. I did not play.

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<v Speaker 1>It is on my list of think about it next time.

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<v Speaker 1>I will, I will, you know I do play. Some

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<v Speaker 1>of the contemporary songs I play are Britney Spears, I

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<v Speaker 1>want to Go, you know, I want to go Brittney always.

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<v Speaker 1>Oh yeah, there's so many. In fact, I have a

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<v Speaker 1>lot of the songs with me right now, but we're

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<v Speaker 1>not going to play. I don't want to get in trouble.

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<v Speaker 1>But exactly, I love music. It's always been my go

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<v Speaker 1>to place for sanctions. Well, you know, I played jazz

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<v Speaker 1>flute and it music speaks to all of us, Yes,

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<v Speaker 1>it does. Bob what was the guy for who did

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<v Speaker 1>Bob Dylan? Well, there's Bob Dylan, but the guy who

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<v Speaker 1>did the theme to the Bob Show. Taxi Tech Taxi.

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<v Speaker 1>Uh do do do do do do? Is that a

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<v Speaker 1>jazz food? It's very melancholy. Yeah, it must be, if

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<v Speaker 1>a jazz version of a flute. Yes, yes, I would think.

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<v Speaker 1>Was what was his name? Bob? So I don't know,

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<v Speaker 1>Oh God, the brain is. It's just an interesting All

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<v Speaker 1>I know is the music for the Peanuts cartoon that

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<v Speaker 1>was done by Vince Lombardi. Was it? I believe? So okay,

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<v Speaker 1>well we'll figure it out here. Yeah, rude, let me

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<v Speaker 1>ask you this are their makeup tips and secrets that

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<v Speaker 1>you wish everyone at home could know, regardless of gender. Actually,

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<v Speaker 1>there aren't, because I just I'm not afraid to admit it.

0:13:11.120 --> 0:13:13.400
<v Speaker 1>I wear makeup in my day to day. I just

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<v Speaker 1>put on a little pancake and a light eyeliner. Where

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<v Speaker 1>you're on camera, I'm on camera. But even when those

0:13:19.480 --> 0:13:23.160
<v Speaker 1>days when I'm not, Yeah, because nowadays lighting is hard

0:13:23.360 --> 0:13:25.760
<v Speaker 1>with this old thing. Yes, you never know when you're

0:13:25.920 --> 0:13:29.240
<v Speaker 1>get photographs. That's rights for those listeners. I brought my

0:13:29.400 --> 0:13:33.120
<v Speaker 1>cellular devices. Yes, you know, you're absolutely right, And even

0:13:33.200 --> 0:13:35.800
<v Speaker 1>on just in rooms, sometimes you're being recorded, you don't

0:13:35.840 --> 0:13:38.559
<v Speaker 1>even know it. You know, there are the c C

0:13:38.920 --> 0:13:44.200
<v Speaker 1>close caption clothes, Big Brother, Big brothers watching. He's watching,

0:13:44.240 --> 0:13:46.680
<v Speaker 1>and we've brought it all upon ourselves. That's right, we've

0:13:46.720 --> 0:13:50.000
<v Speaker 1>done that. We've done that. Carolina loves Big Brother. I

0:13:50.080 --> 0:13:52.600
<v Speaker 1>like the idea that people are watching me just make

0:13:52.640 --> 0:13:56.440
<v Speaker 1>breakfast and watch this is us and try to put

0:13:56.480 --> 0:13:59.959
<v Speaker 1>a pillowcase on a pillow. Well, that's a generational thing.

0:14:00.000 --> 0:14:03.120
<v Speaker 1>I think people grow up after the Cold War are

0:14:03.160 --> 0:14:06.880
<v Speaker 1>afraid of Big Brother. I think younger people like being

0:14:06.960 --> 0:14:10.560
<v Speaker 1>watched by someone because it feels they feel safe for something.

0:14:10.720 --> 0:14:16.280
<v Speaker 1>It's a very weird phenomenon of people liking everything they

0:14:16.320 --> 0:14:19.480
<v Speaker 1>do needs to be recorded to prove their existence. You're

0:14:19.560 --> 0:14:24.120
<v Speaker 1>absolutely right, that's it. I don't necessarily like the phenomenon. However,

0:14:24.840 --> 0:14:27.920
<v Speaker 1>I do have a friend of mine who's a sketch

0:14:28.000 --> 0:14:31.160
<v Speaker 1>artist in courtrooms, and he follows me around and just

0:14:31.200 --> 0:14:33.960
<v Speaker 1>sketches my day to day. That's very will be me

0:14:34.040 --> 0:14:37.040
<v Speaker 1>at the dry cleaner, yea, yeah, and so I have these.

0:14:37.680 --> 0:14:40.360
<v Speaker 1>I have hundreds of charcoal drawings. I'd love to see

0:14:40.440 --> 0:14:42.640
<v Speaker 1>it in my house. I should do an exhibition. In fact,

0:14:42.760 --> 0:14:44.400
<v Speaker 1>that that's a great idea. Day in the life of

0:14:44.480 --> 0:14:47.120
<v Speaker 1>Ron Burgundy. That's a great or like with the young kids.

0:14:47.120 --> 0:14:49.640
<v Speaker 1>You could put it online. You can do an exhibition,

0:14:50.560 --> 0:14:55.720
<v Speaker 1>an Instagram exhibition of the sketches of Ron Burgundy. I

0:14:55.720 --> 0:14:57.840
<v Speaker 1>wouldn't know how to do that. Ron's has been handing

0:14:57.840 --> 0:15:01.600
<v Speaker 1>them out to people in the street just to tread it. Yeah,

0:15:01.760 --> 0:15:05.560
<v Speaker 1>to raise my profile. So makeup tips, you know, I

0:15:05.600 --> 0:15:08.520
<v Speaker 1>don't have any makeup tips. They're they're out there. This

0:15:08.600 --> 0:15:11.000
<v Speaker 1>is the thing about people, you know, the secrets of

0:15:11.000 --> 0:15:15.120
<v Speaker 1>the universe exists, wrong, but most people aren't interested in them,

0:15:15.400 --> 0:15:19.400
<v Speaker 1>and so why bother, you know, unless if you want it,

0:15:19.920 --> 0:15:23.080
<v Speaker 1>it's there for you. If you don't, you don't leave

0:15:23.120 --> 0:15:28.440
<v Speaker 1>me alone, exactly. Okay, well fair enough, Okay. So I've

0:15:28.440 --> 0:15:30.280
<v Speaker 1>got this list of the top ten women. It was

0:15:30.320 --> 0:15:32.560
<v Speaker 1>and it was a hard list, you know, to go through.

0:15:32.600 --> 0:15:36.000
<v Speaker 1>I mean, if you think about all the women on

0:15:36.040 --> 0:15:40.440
<v Speaker 1>the planet. Uh so. But I spent a lot of time.

0:15:40.480 --> 0:15:42.760
<v Speaker 1>I worked on it for about half an hour last night,

0:15:43.240 --> 0:15:45.720
<v Speaker 1>and I feel like I got a pretty good list.

0:15:46.280 --> 0:15:48.000
<v Speaker 1>And I'm just going to read them out and we'll

0:15:48.040 --> 0:15:52.040
<v Speaker 1>just all have a group discussion. Right. So, number ten,

0:15:52.920 --> 0:15:55.880
<v Speaker 1>Top ten women of all time? Number ten is Danielle

0:15:55.920 --> 0:15:59.360
<v Speaker 1>Ginsburg and she was the home coming queen my senior

0:15:59.440 --> 0:16:01.440
<v Speaker 1>year of high Sto what high school was it? I

0:16:01.480 --> 0:16:07.280
<v Speaker 1>went to Daniel Boone High School in uh Santiago, Daniel Boone.

0:16:07.920 --> 0:16:11.000
<v Speaker 1>It was right next to Sacca Jewea High School. Oh,

0:16:11.040 --> 0:16:13.080
<v Speaker 1>I know, I know people from Saca Jewie. You know.

0:16:13.120 --> 0:16:16.960
<v Speaker 1>I went to Patrick Henry, Patrick Henry of course in

0:16:17.040 --> 0:16:20.000
<v Speaker 1>mirror A Mason. Yes, yes, isn't mirror Mason. No, you know,

0:16:20.040 --> 0:16:22.680
<v Speaker 1>It's been a long time roun for me. I'm not

0:16:22.720 --> 0:16:27.720
<v Speaker 1>sure exactly. So anyway, daniel Ginsburg love her. She loved her, right,

0:16:28.280 --> 0:16:31.600
<v Speaker 1>I'm not familiar, but well, okay, number nine, why is

0:16:31.600 --> 0:16:34.040
<v Speaker 1>she on your list? Though? What what is it about Daniell?

0:16:34.440 --> 0:16:37.600
<v Speaker 1>She just would walk into a room and she just

0:16:37.640 --> 0:16:41.480
<v Speaker 1>had real star appeal. Whatever happened to Danielle? She um?

0:16:42.040 --> 0:16:46.120
<v Speaker 1>I think she moved to the Midwest and uh wow,

0:16:48.000 --> 0:16:50.920
<v Speaker 1>And that's the last I ever heard from her. From

0:16:50.960 --> 0:16:56.320
<v Speaker 1>sunny southern California to Topeka, Kansas. Yes, that's an interesting choice.

0:16:56.800 --> 0:17:00.400
<v Speaker 1>I'm impressed she made the list. But she's you. If

0:17:00.440 --> 0:17:02.400
<v Speaker 1>she walked in through this door, you guys would go,

0:17:02.480 --> 0:17:06.199
<v Speaker 1>I get it. Yeah, who would play Danielle in the

0:17:06.240 --> 0:17:14.040
<v Speaker 1>TV movie Let's Be a Lifetime? Who would play Ana Kendric? Oh? Okay,

0:17:14.400 --> 0:17:18.800
<v Speaker 1>a little visual for for the listeners there, Yeah, very

0:17:18.840 --> 0:17:24.080
<v Speaker 1>much in Anna Kendrick kind of vibe to her. Um

0:17:24.080 --> 0:17:29.840
<v Speaker 1>So my number nine is Lassie. I'll be I'll be

0:17:29.880 --> 0:17:32.720
<v Speaker 1>the first to it. My dog Baxter made me put

0:17:32.760 --> 0:17:36.400
<v Speaker 1>her on this list. He's got a crush. Yeah, yeah, yeah,

0:17:36.480 --> 0:17:39.520
<v Speaker 1>But you know, there have been many Lassies throughout the years,

0:17:40.480 --> 0:17:43.960
<v Speaker 1>that's true. Yeah, I guess it's not played by one. Yeah.

0:17:44.200 --> 0:17:48.959
<v Speaker 1>Is there a specific era of Lassie that appeals to you? Gosh,

0:17:49.600 --> 0:17:51.720
<v Speaker 1>because there's the you know, there's the TV show right

0:17:51.800 --> 0:17:54.760
<v Speaker 1>right right now putting me on the spot here, you know,

0:17:54.880 --> 0:17:58.240
<v Speaker 1>I'm gonna have to say the classic, the TV show. Yeah,

0:17:58.400 --> 0:18:03.159
<v Speaker 1>I would just have to say, I mean the original. Yeah,

0:18:03.480 --> 0:18:06.639
<v Speaker 1>crime solving. Was she a crime sOliver? She was a

0:18:06.680 --> 0:18:11.159
<v Speaker 1>crime solver, but vigilante. Wasn't a vigilante. She was a

0:18:11.240 --> 0:18:15.560
<v Speaker 1>helper though. She's just an incredibly smart, very smart dog,

0:18:15.840 --> 0:18:18.760
<v Speaker 1>a lot of street smarts. Yeah, and and but I

0:18:18.800 --> 0:18:20.520
<v Speaker 1>think she solved a lot of I mean, it makes

0:18:20.520 --> 0:18:25.440
<v Speaker 1>sense because Baxter's other two loves are Angela Lansbury and

0:18:26.160 --> 0:18:29.000
<v Speaker 1>Mariska Hardigae. Oh my god, Baxter and I have so

0:18:29.119 --> 0:18:35.360
<v Speaker 1>much in common. Love. Angela Landsberry's magical. She's completely magical.

0:18:35.720 --> 0:18:39.520
<v Speaker 1>Baxter sounds like a magical dog. There and talk about

0:18:39.520 --> 0:18:44.800
<v Speaker 1>a career. Landsbury, she's been doing it from the get go.

0:18:45.000 --> 0:18:47.840
<v Speaker 1>She arrived here in Hollywood she was seventeen years old.

0:18:47.880 --> 0:18:54.000
<v Speaker 1>Has never stopped working, never, never stopped working. You know.

0:18:54.119 --> 0:18:56.840
<v Speaker 1>I I watch I have the whole series of Murder.

0:18:56.880 --> 0:18:59.600
<v Speaker 1>She sat down and she wrote on DVD, and I

0:18:59.640 --> 0:19:02.240
<v Speaker 1>play it every night before I go to bed, just

0:19:02.320 --> 0:19:07.240
<v Speaker 1>as background. Kind of. I love watching Angela Landsberry do

0:19:07.320 --> 0:19:09.159
<v Speaker 1>her scenes. I love the scenes where she doesn't have

0:19:09.200 --> 0:19:11.639
<v Speaker 1>any dialogue. What she's doing in the scene which has

0:19:11.680 --> 0:19:14.440
<v Speaker 1>no dialogue, She's just there and she's reacting, and you're

0:19:14.440 --> 0:19:18.480
<v Speaker 1>watching her steals every scene even without dialogue. Okay. Number

0:19:18.560 --> 0:19:25.560
<v Speaker 1>eight on the list Carolina. Carolina's sister Nora. Oh, she's

0:19:25.600 --> 0:19:28.400
<v Speaker 1>a polite, lovely woman. She's really smart. I mean, if

0:19:28.440 --> 0:19:31.240
<v Speaker 1>I if I could have her produce this broadcast, I

0:19:31.240 --> 0:19:33.800
<v Speaker 1>would in a heartbeat, but she's unavailable. I feel like

0:19:33.800 --> 0:19:35.399
<v Speaker 1>it could have been just as easy to put me

0:19:35.480 --> 0:19:39.480
<v Speaker 1>on the list. So Nora Barlow. Nora Barlow comes it

0:19:39.560 --> 0:19:42.439
<v Speaker 1>at number eight. She looks like she could be in

0:19:42.560 --> 0:19:47.720
<v Speaker 1>some sort of Victorian, some sort of merchant Ivory movie. Right, yes,

0:19:47.880 --> 0:19:56.760
<v Speaker 1>very Jane, Hyeah. Number seven Diana Ross. Oh boy, Diana,

0:19:56.840 --> 0:19:59.120
<v Speaker 1>this one's for you. Please call me back. I love you.

0:19:59.280 --> 0:20:03.600
<v Speaker 1>Oh my goodness, now you're talking Diana Ross. Oh my goodness,

0:20:03.720 --> 0:20:08.359
<v Speaker 1>what a star? What I mean? I mean we I

0:20:08.560 --> 0:20:10.480
<v Speaker 1>just explained this earlier before you came in. We were

0:20:10.560 --> 0:20:13.800
<v Speaker 1>on a date two days ago and I can't get

0:20:13.800 --> 0:20:17.400
<v Speaker 1>ahold of her, but um yeah, she was just how

0:20:17.440 --> 0:20:20.440
<v Speaker 1>did you land a date with Diana Ross? Well? I

0:20:20.560 --> 0:20:25.119
<v Speaker 1>ran into her backstage at an event um for for

0:20:25.320 --> 0:20:29.200
<v Speaker 1>dogs that help blind people see seeing I don't, and

0:20:29.800 --> 0:20:32.320
<v Speaker 1>she was being honored and uh I was there to

0:20:32.359 --> 0:20:34.639
<v Speaker 1>give her the award and we just started talking and

0:20:34.920 --> 0:20:37.919
<v Speaker 1>next thing, you know, he said, hey, yeah, you do

0:20:37.960 --> 0:20:41.760
<v Speaker 1>anything tomorrow night. Yeah she's single, and and she said,

0:20:41.880 --> 0:20:44.359
<v Speaker 1>yes I am, but I'll be at the Sportsman's Lodge.

0:20:44.400 --> 0:20:48.960
<v Speaker 1>I just happened to show up, so yes, but now

0:20:49.040 --> 0:20:54.720
<v Speaker 1>I know the sportsman Lodging. What a talent, what a beauty. Yeah,

0:20:54.880 --> 0:20:57.239
<v Speaker 1>they don't make them like that. They really don't know,

0:20:57.440 --> 0:21:00.600
<v Speaker 1>you know. Has had eighteen number one hits. Twelve of

0:21:00.640 --> 0:21:03.320
<v Speaker 1>those were with another group, but it was her voice

0:21:04.119 --> 0:21:06.959
<v Speaker 1>as the lead singer of the Supreme, the Supremes, and

0:21:06.960 --> 0:21:09.720
<v Speaker 1>then six number ones on her own, not to be

0:21:09.800 --> 0:21:13.280
<v Speaker 1>confused with Taco Bill's Taco Supreme right Now, which is

0:21:13.280 --> 0:21:17.760
<v Speaker 1>a delicious little Oh my goodness, Yes, put on some motown,

0:21:18.359 --> 0:21:22.240
<v Speaker 1>have a Taco Supreme, have a pepsi and game over,

0:21:22.440 --> 0:21:25.199
<v Speaker 1>Game over. I'm a big Diana Ross fan. You know,

0:21:25.280 --> 0:21:28.919
<v Speaker 1>I grew up listening to Diana Ross and just a

0:21:29.040 --> 0:21:31.680
<v Speaker 1>huge talent. And you know who else owes a lot

0:21:31.680 --> 0:21:35.120
<v Speaker 1>of critic to Diana Ross. World famous painter Bob Ross. Yes,

0:21:35.160 --> 0:21:38.880
<v Speaker 1>Bob Ross, Yes, yes, Bob Ross. Bob Ross may rest

0:21:38.920 --> 0:21:40.840
<v Speaker 1>in peace. Always used to say, I get a lot

0:21:40.880 --> 0:21:43.880
<v Speaker 1>of my inspiration and my talent from Diana Ross. Yeah. Well,

0:21:43.920 --> 0:21:47.879
<v Speaker 1>Bob is a great talent. The Row Ross dynasty is

0:21:48.359 --> 0:21:52.399
<v Speaker 1>as strong as it as any dynasty will ever. Yes

0:21:52.640 --> 0:21:58.399
<v Speaker 1>number six. Dolores Querta. She's an American labor leader and

0:21:58.440 --> 0:22:01.320
<v Speaker 1>civil rights activists who, with Caesar Chavez, is a co

0:22:01.400 --> 0:22:05.080
<v Speaker 1>founder of the National farm Workers Association, which later became

0:22:05.119 --> 0:22:09.119
<v Speaker 1>the United farm Workers. Puerta has received numerous awards for

0:22:09.119 --> 0:22:13.440
<v Speaker 1>her community service and advocacy for workers, immigrants, and women's rights,

0:22:13.480 --> 0:22:18.760
<v Speaker 1>including the Eugene V. Dubs Foundation Outstanding American Award, the

0:22:18.880 --> 0:22:23.160
<v Speaker 1>United States Presidential Eleanor Roosevelt Award for Human Rights, and

0:22:23.240 --> 0:22:27.000
<v Speaker 1>the Presidential Medal of Freedom. She was the first Latina

0:22:27.080 --> 0:22:29.800
<v Speaker 1>inducted into the National Women's Hall of Fame in n

0:22:31.119 --> 0:22:36.600
<v Speaker 1>fun fact, Huerta is the originator of the phrase see wow,

0:22:36.640 --> 0:22:39.200
<v Speaker 1>I can't believe you know all about her? Wrong? Can

0:22:39.200 --> 0:22:46.600
<v Speaker 1>we talk? Actually? Number five sheryalties, Yes, tis she's smoking.

0:22:46.840 --> 0:22:50.160
<v Speaker 1>Oh my goodness. I still have that poster, the classic,

0:22:50.359 --> 0:22:54.159
<v Speaker 1>the classic poster in the one piece. No, no, this

0:22:54.240 --> 0:22:57.399
<v Speaker 1>is a bikini. It's from the Seychelle Islands. She's in

0:22:57.400 --> 0:22:59.719
<v Speaker 1>the bikini. Well, what you know? And I've asked her

0:22:59.720 --> 0:23:04.479
<v Speaker 1>about that. She's she's signed. You know, no way she signed.

0:23:04.760 --> 0:23:06.840
<v Speaker 1>Are you lying to me right now? I'm not lying

0:23:06.880 --> 0:23:08.679
<v Speaker 1>to you right now at all. I'm not lying. But

0:23:08.760 --> 0:23:11.359
<v Speaker 1>when I spoke with her about this poster, what I

0:23:11.400 --> 0:23:15.080
<v Speaker 1>loved was there's a tendon, a muscle or something that's

0:23:15.160 --> 0:23:18.240
<v Speaker 1>coming out is jutting out from between her legs right there.

0:23:18.400 --> 0:23:20.480
<v Speaker 1>That is the sexiest thing I've ever seen in my life.

0:23:20.840 --> 0:23:23.520
<v Speaker 1>It's she's got her legs sort of cocked to the

0:23:23.600 --> 0:23:26.280
<v Speaker 1>side in this poster, and it's a massive tendon. It's

0:23:26.320 --> 0:23:29.080
<v Speaker 1>a massive tendon that's coming from between me down there,

0:23:29.800 --> 0:23:32.679
<v Speaker 1>and it is between me down there. That was one

0:23:32.680 --> 0:23:34.199
<v Speaker 1>of the clubs. I think I met you at the

0:23:34.200 --> 0:23:40.080
<v Speaker 1>between that fabulous club. I know exactly what you're talking about. Yes,

0:23:40.440 --> 0:23:44.640
<v Speaker 1>I have that poster. Who would have thought a leg tendon? Uh? Well,

0:23:44.680 --> 0:23:46.720
<v Speaker 1>I told you earlier you never know where beauty is

0:23:46.760 --> 0:23:49.520
<v Speaker 1>coming from. You just have to be there for it,

0:23:49.840 --> 0:23:52.280
<v Speaker 1>and you have to keep your mind and your eyes open.

0:23:52.600 --> 0:23:55.320
<v Speaker 1>In that case, it was a tendant jutting from between

0:23:55.320 --> 0:23:58.119
<v Speaker 1>me down there on. One of the things I find

0:23:58.240 --> 0:24:01.840
<v Speaker 1>most beautiful on a woman is the nostril. Really, don't

0:24:01.880 --> 0:24:04.280
<v Speaker 1>ask me why. Yeah, do you have like favorite nostrils?

0:24:04.320 --> 0:24:05.760
<v Speaker 1>And the first thing when that comes to mind for

0:24:05.840 --> 0:24:08.840
<v Speaker 1>me is Tina Turner and Raquel Well, so they both

0:24:08.880 --> 0:24:15.120
<v Speaker 1>have flavored, beautiful nostrils. Do you have any favorite female nostrils? Oh? Gosh,

0:24:15.320 --> 0:24:18.560
<v Speaker 1>maybe Lucia Ball Oh really, I like her nostrils. I

0:24:19.200 --> 0:24:25.040
<v Speaker 1>can't remember her nostrils. Patti Smith, not Patty smythe sorry

0:24:25.040 --> 0:24:29.440
<v Speaker 1>Patty smytheh Yes, it's got great great the rock singer,

0:24:29.680 --> 0:24:35.760
<v Speaker 1>the rock singer good Bye to Your good Bye to you. Yes, yeah, yeah,

0:24:35.800 --> 0:24:38.520
<v Speaker 1>I love and she wasn't afraid to have a little

0:24:38.640 --> 0:24:42.520
<v Speaker 1>armpit hair. No, she wasn't, which can be sexy. Yeah,

0:24:42.640 --> 0:24:46.240
<v Speaker 1>I think so. Number four susi Q. Now which susque

0:24:46.280 --> 0:24:48.600
<v Speaker 1>are you talking about, because there are several susi q. Well.

0:24:48.640 --> 0:24:52.359
<v Speaker 1>The pastry cook. Oh, yes, she might have inspired the

0:24:52.520 --> 0:24:58.240
<v Speaker 1>song by Credence. Yes, yeah, but no, it's a pastry cook.

0:24:58.400 --> 0:25:01.520
<v Speaker 1>Oh you mean the hostess pay she cook? Yeah, she

0:25:01.560 --> 0:25:04.520
<v Speaker 1>makes those little spongey chocolate cakes. Yeah. They're delicate, white

0:25:04.640 --> 0:25:08.320
<v Speaker 1>yungy stuff. And she's a cute yeah yeah, she's yes,

0:25:08.440 --> 0:25:11.119
<v Speaker 1>the woman who makes those. Yeah, okay, yeah. Not to

0:25:11.119 --> 0:25:13.800
<v Speaker 1>be confused with Sarah Lee. She makes another. I love

0:25:13.960 --> 0:25:17.879
<v Speaker 1>Sarah Lee too. Beautiful beautiful artistry with the bank. And

0:25:17.920 --> 0:25:21.600
<v Speaker 1>you know who's the sexiest of them all, Mrs Duncan Hines. Yeah,

0:25:21.800 --> 0:25:29.120
<v Speaker 1>so sweet talk sweet Talker is a sweet talker um

0:25:29.280 --> 0:25:33.960
<v Speaker 1>number three on the list. TUTSI one of the greatest

0:25:34.040 --> 0:25:36.760
<v Speaker 1>comedic actresses of our time. It's a real shame she

0:25:36.840 --> 0:25:41.880
<v Speaker 1>only made the one movie. Yes, hilarious. Yeah, I missed

0:25:41.920 --> 0:25:44.960
<v Speaker 1>the first fifteen minutes and the last fifteen minutes, but

0:25:46.480 --> 0:25:49.800
<v Speaker 1>in that middle is amazing and billiant. Wherever she is,

0:25:49.840 --> 0:25:52.520
<v Speaker 1>I hope she's listening. I wish her the best. Yeah, well, Ron,

0:25:52.560 --> 0:25:56.720
<v Speaker 1>apparently they are making a Broadway musical, oh of about

0:25:56.720 --> 0:25:59.120
<v Speaker 1>her life. Yes, about her life, so you get more

0:25:59.200 --> 0:26:02.520
<v Speaker 1>tutsis a lot of pressure on who plays the part

0:26:02.560 --> 0:26:05.119
<v Speaker 1>of Tut. That is very I hope she comes to

0:26:05.200 --> 0:26:07.439
<v Speaker 1>the show opening night. That would be a thrill for

0:26:07.480 --> 0:26:11.960
<v Speaker 1>the cast. I think she will number two zena warrior princess.

0:26:11.960 --> 0:26:15.840
<v Speaker 1>Oh yeah, and uh, she's one of the greatest weapons

0:26:15.880 --> 0:26:18.760
<v Speaker 1>this country as she currently is at Camp David where

0:26:18.760 --> 0:26:21.199
<v Speaker 1>she lives. I love when she makes that hollering sound

0:26:21.240 --> 0:26:26.399
<v Speaker 1>when said, yeah, I can't quite do it. No, it's

0:26:26.600 --> 0:26:31.160
<v Speaker 1>I think it has its origins in the Zulu trock apparently,

0:26:31.480 --> 0:26:36.560
<v Speaker 1>which is really interesting. And now my number one, number

0:26:36.560 --> 0:26:41.720
<v Speaker 1>one woman of all time, and this there could be

0:26:41.720 --> 0:26:43.640
<v Speaker 1>a lot of number one's out there, but I think

0:26:43.640 --> 0:26:45.280
<v Speaker 1>I finally and I think I made a choice that

0:26:45.400 --> 0:26:51.879
<v Speaker 1>everyone can adhere to Judge Judy. Oh boy, okay, now

0:26:51.920 --> 0:26:56.719
<v Speaker 1>you're taught Judge Judy. Oh yes, all right, I'm right,

0:26:57.520 --> 0:27:04.480
<v Speaker 1>Judy pop Yeah, right, yep, yep, she runs the courtroom. Yeah,

0:27:05.160 --> 0:27:08.480
<v Speaker 1>you know, it's like, who made you judge jury? An executioner? Well,

0:27:08.480 --> 0:27:11.040
<v Speaker 1>guess what judge duty is all three? That's right, she's

0:27:11.119 --> 0:27:14.040
<v Speaker 1>all three and she is fast, she knows the law.

0:27:15.160 --> 0:27:18.400
<v Speaker 1>She's got a smart hair do. Oh yeah, always looks

0:27:18.400 --> 0:27:21.600
<v Speaker 1>her best, always the best lighting in the business. And

0:27:22.160 --> 0:27:28.400
<v Speaker 1>she's got a no BS filter which is so refreshing today. Absolutely, Ron,

0:27:29.160 --> 0:27:31.960
<v Speaker 1>this is a world of spin. You get no spin,

0:27:32.240 --> 0:27:35.840
<v Speaker 1>Judge Judy. Right, no, no, no, never will you walk

0:27:35.880 --> 0:27:39.320
<v Speaker 1>into that courtroom and if you walk out, and I

0:27:39.359 --> 0:27:41.560
<v Speaker 1>think you have to, you have to accept the verdict.

0:27:41.640 --> 0:27:44.960
<v Speaker 1>That's right. No. Judge Judy is the ultimate equalizer. You

0:27:44.960 --> 0:27:47.639
<v Speaker 1>know the TV show The Equalizing Equalizer. I believe it

0:27:47.720 --> 0:27:51.160
<v Speaker 1>was based on the life of Judge Judy. Oh yeah,

0:27:51.840 --> 0:27:54.960
<v Speaker 1>that's good, Carolina. Did you know that? Why didn't you

0:27:55.000 --> 0:27:57.880
<v Speaker 1>should have put that in the notes? I love Judge Judy.

0:27:57.960 --> 0:28:01.560
<v Speaker 1>Watch her every single And here's the thing. She's a

0:28:01.600 --> 0:28:04.879
<v Speaker 1>real judge's real judge. She's not just laying at it.

0:28:05.200 --> 0:28:08.000
<v Speaker 1>There are a lot of TV judges who are not

0:28:08.200 --> 0:28:11.119
<v Speaker 1>real judges. Judge Judy is a real judge. If you

0:28:11.160 --> 0:28:14.080
<v Speaker 1>had to go to small Claims Court. Considering your notoriety,

0:28:14.200 --> 0:28:15.800
<v Speaker 1>would you rather do it in private or if you've

0:28:15.800 --> 0:28:18.600
<v Speaker 1>had a chance to go on Judge Judy to settle

0:28:18.640 --> 0:28:21.879
<v Speaker 1>your claim, what would you do? Oh, that's an easy answer.

0:28:21.960 --> 0:28:23.800
<v Speaker 1>I would go on Judge. I would too, you know,

0:28:23.840 --> 0:28:27.440
<v Speaker 1>because listen, I know that I would get a fair verdict.

0:28:27.920 --> 0:28:31.200
<v Speaker 1>And also i'd be in the company of greatness. Definitely

0:28:31.240 --> 0:28:34.520
<v Speaker 1>would because I am I think she is for me,

0:28:34.560 --> 0:28:37.880
<v Speaker 1>And listen, I've met a lot of stars. President Company

0:28:38.000 --> 0:28:43.080
<v Speaker 1>excluded the thing Carolina, he's talking to me. Yeah, the

0:28:43.120 --> 0:28:47.640
<v Speaker 1>thing is, I'm not really that impressed with stars. But

0:28:47.800 --> 0:28:50.200
<v Speaker 1>if I were in the presence of Judge Judy, you

0:28:50.200 --> 0:28:53.920
<v Speaker 1>get a little nervous goodness, Yes, I would get a

0:28:53.960 --> 0:28:57.560
<v Speaker 1>little I would look at my I'm shaking just thinking

0:28:57.600 --> 0:29:01.440
<v Speaker 1>about hanging out with Judge. Absolutely are. Let's go back

0:29:01.480 --> 0:29:03.520
<v Speaker 1>to Abitha. Okay, if you would look down into the

0:29:03.520 --> 0:29:07.760
<v Speaker 1>crowd and there's Judge Judy, Yeah, just having the best time.

0:29:08.480 --> 0:29:10.600
<v Speaker 1>Would you bring her up on stage or would you

0:29:10.680 --> 0:29:13.160
<v Speaker 1>let her have her privacy? No, this because I watched

0:29:13.240 --> 0:29:15.320
<v Speaker 1>Judge Judy. I know the answer to this. I would

0:29:15.360 --> 0:29:20.000
<v Speaker 1>let her have her private sanctity of having a regular life. Yeah. Yeah,

0:29:20.080 --> 0:29:23.720
<v Speaker 1>and that's a testament to you. Well, well, i'd want

0:29:23.760 --> 0:29:26.040
<v Speaker 1>her to have a good time. I wouldn't just let

0:29:26.040 --> 0:29:29.160
<v Speaker 1>her hair down, let her hair down, take that judge's

0:29:29.280 --> 0:29:33.320
<v Speaker 1>robe off, and get soaking wet. I'd probably ask her

0:29:33.320 --> 0:29:36.000
<v Speaker 1>what she want to hear? Now, I think my guest,

0:29:37.120 --> 0:29:39.680
<v Speaker 1>my guests from Judge Judy, what she'd want to hear.

0:29:39.760 --> 0:29:43.120
<v Speaker 1>I think she'd probably some maybe some depeche Mode, and

0:29:43.120 --> 0:29:45.960
<v Speaker 1>then she'd probably love some motown. I think she would

0:29:46.000 --> 0:29:49.800
<v Speaker 1>go with some mode. It's always probably shotgun by your music.

0:29:49.920 --> 0:29:52.160
<v Speaker 1>You know, your music, Junior Walker in the All Stars

0:29:52.280 --> 0:29:55.400
<v Speaker 1>shot Gun. I'm sure that would really turn Judge Judy out.

0:29:55.880 --> 0:29:57.680
<v Speaker 1>You know, I wonder if she'd think it fun if

0:29:57.680 --> 0:30:00.720
<v Speaker 1>you played it I shot the Sheriff, which version, the

0:30:00.880 --> 0:30:05.200
<v Speaker 1>Eric Clapton or the Bob Marley version. I would say

0:30:04.680 --> 0:30:08.320
<v Speaker 1>Bob Marley, Bob Marley. Even though she probably doesn't smoke,

0:30:08.920 --> 0:30:11.520
<v Speaker 1>I was going to say, when she takes that Judge's

0:30:11.640 --> 0:30:14.000
<v Speaker 1>room off, all bets are off. I don't know if

0:30:14.080 --> 0:30:17.880
<v Speaker 1>she would smoke the g because because they're a huge, well,

0:30:17.960 --> 0:30:20.680
<v Speaker 1>the clarity of as big as her hand. Well, I

0:30:20.680 --> 0:30:24.000
<v Speaker 1>don't think so, you're not picturing. I don't want, you know,

0:30:24.120 --> 0:30:27.680
<v Speaker 1>I just think that there's some purity there with clarity

0:30:27.680 --> 0:30:29.640
<v Speaker 1>with Judge Study. Yeah, that's true. She's got to be

0:30:29.680 --> 0:30:31.680
<v Speaker 1>on her game. She's on her game, and you know,

0:30:31.720 --> 0:30:34.520
<v Speaker 1>it amazes me when I watch it how she's able

0:30:34.560 --> 0:30:37.040
<v Speaker 1>to pull up. I learned most of my Yiddish from

0:30:37.120 --> 0:30:41.320
<v Speaker 1>judges from I really do she Once I heard her say, listen, madam,

0:30:41.360 --> 0:30:43.600
<v Speaker 1>this isn't a whole ship to story. And I had

0:30:43.600 --> 0:30:46.280
<v Speaker 1>to look a look up what means, which is it's

0:30:46.320 --> 0:30:48.920
<v Speaker 1>I don't know what it means. It's an old grandmother's tail.

0:30:49.040 --> 0:30:52.480
<v Speaker 1>It's a big, long story that goes on and on

0:30:52.520 --> 0:30:55.920
<v Speaker 1>and on and on. Yes, in the end exactly. So

0:30:56.080 --> 0:30:59.920
<v Speaker 1>I get my my my from Judge Judy. You get

0:31:00.000 --> 0:31:02.280
<v Speaker 1>your knowledge of the law, my knowledge of the law,

0:31:02.440 --> 0:31:04.800
<v Speaker 1>because you know what I learned from You can't change

0:31:04.800 --> 0:31:07.280
<v Speaker 1>a contract after an agreement has been made. You can't

0:31:07.360 --> 0:31:10.400
<v Speaker 1>change the terms of a contract after the agreement has

0:31:10.440 --> 0:31:15.200
<v Speaker 1>been made, Carolina, thank you take notes. Yes, that's a judge.

0:31:15.440 --> 0:31:19.360
<v Speaker 1>This is going to come in such handy. Yeah it is.

0:31:19.960 --> 0:31:22.640
<v Speaker 1>I think in case we have to shoo these guys

0:31:22.720 --> 0:31:28.000
<v Speaker 1>for back pay. Well, now you know, now you know RuPaul,

0:31:28.160 --> 0:31:31.240
<v Speaker 1>We cannot thank you enough for joining us. We've gone

0:31:31.240 --> 0:31:34.479
<v Speaker 1>through a very thorough and extensive list. We got some

0:31:34.560 --> 0:31:37.880
<v Speaker 1>insight into your world and how you do your show,

0:31:38.440 --> 0:31:42.280
<v Speaker 1>your views on gender, etcetera. Um, thank you so much,

0:31:42.360 --> 0:31:44.920
<v Speaker 1>Thank you so much. And next time you're in a

0:31:45.000 --> 0:31:49.680
<v Speaker 1>bitha drop us a line. Will Sure, Yeah, I could

0:31:49.880 --> 0:31:52.680
<v Speaker 1>help DJ. Sure? Yeah. What would you be your first

0:31:52.800 --> 0:31:56.840
<v Speaker 1>the first song you played? Run? I would probably play

0:31:57.160 --> 0:32:00.720
<v Speaker 1>a song that's not played at a lot of parties. Um,

0:32:01.760 --> 0:32:06.400
<v Speaker 1>but the oh gosh, oh is it stepping Wolf? Don't, don't, don't, don't,

0:32:06.440 --> 0:32:08.719
<v Speaker 1>don't step in wolf? No, it's the song from Animal

0:32:08.760 --> 0:32:13.960
<v Speaker 1>House A little bit louder, shout shout, yes have you

0:32:14.000 --> 0:32:17.160
<v Speaker 1>heard that song before? Yes? Oh okay, yes, I thought

0:32:17.200 --> 0:32:20.840
<v Speaker 1>I was the only one who heard it. Be okay,

0:32:21.680 --> 0:32:23.680
<v Speaker 1>see what do I know? Big song? I would start

0:32:23.720 --> 0:32:26.240
<v Speaker 1>with shout okay, no, it's a crowd please, but maybe

0:32:26.240 --> 0:32:29.080
<v Speaker 1>I should build up to that. Okay, but why not?

0:32:29.480 --> 0:32:33.720
<v Speaker 1>Maybe Blackbird the Beatles by the Beatles. That's a somber

0:32:33.880 --> 0:32:36.959
<v Speaker 1>song to dance for a party. But everyone's just getting there,

0:32:37.000 --> 0:32:42.520
<v Speaker 1>they're trying to feel the vibe, the lonely one. But yes, yeah,

0:32:42.560 --> 0:32:44.360
<v Speaker 1>I mean that's what they're playing in my zoom baglass.

0:32:44.560 --> 0:32:47.280
<v Speaker 1>They started with Blackbird. Maybe that's why I was so

0:32:47.360 --> 0:32:52.479
<v Speaker 1>bad at it. Maybe? Yeah. Alright, well, once again our

0:32:52.560 --> 0:32:55.920
<v Speaker 1>thanks to Rue Paul, and we will we'll be right

0:32:55.920 --> 0:33:04.280
<v Speaker 1>back after this and we are back you listening to

0:33:04.320 --> 0:33:08.840
<v Speaker 1>the Ron Burgundy podcast. Uh, we were just very stimulating,

0:33:09.120 --> 0:33:13.840
<v Speaker 1>lightning conversation with Mr RuPaul, and now Carolina is here

0:33:13.920 --> 0:33:17.080
<v Speaker 1>with our fact check. All right, well, um, today we

0:33:17.320 --> 0:33:20.920
<v Speaker 1>did okay, Um, I just have a few things. Great.

0:33:21.160 --> 0:33:26.720
<v Speaker 1>The artist who did the taxi theme is Bob James. Um.

0:33:26.760 --> 0:33:31.160
<v Speaker 1>The man who did the Peanuts music is not the

0:33:31.280 --> 0:33:35.520
<v Speaker 1>legendary Green Bay Packers coach of Vince Lombardi. It is

0:33:35.840 --> 0:33:41.000
<v Speaker 1>Vince Giraldi. And Equalizer, the Equalizer TV show has nothing

0:33:41.040 --> 0:33:43.520
<v Speaker 1>to do with Judge Judy Great. Um is what my

0:33:43.600 --> 0:33:48.640
<v Speaker 1>research is telling me. All right, thank you for cleaning

0:33:48.720 --> 0:33:55.160
<v Speaker 1>up the trash can fire. Well here are my final thoughts. Women,

0:33:55.960 --> 0:33:59.960
<v Speaker 1>Who are they? They're in our houses, in our supermarket,

0:34:00.600 --> 0:34:04.400
<v Speaker 1>in our movies, and in our coffins. But who are

0:34:04.440 --> 0:34:09.640
<v Speaker 1>they really? Where do these miraculous creatures come from? You

0:34:09.800 --> 0:34:13.920
<v Speaker 1>guessed it? More? Women, It's like those little Russian dolls.

0:34:14.640 --> 0:34:17.840
<v Speaker 1>We might never get to the bottom of the female mind,

0:34:18.600 --> 0:34:21.520
<v Speaker 1>what it looks like if it's pink or gray. But

0:34:21.640 --> 0:34:24.680
<v Speaker 1>I think we've learned a lot about the female heart

0:34:25.600 --> 0:34:31.160
<v Speaker 1>and the male heart, specifically mine, which, thanks to Diana Ross,

0:34:31.280 --> 0:34:36.560
<v Speaker 1>is currently broken. But the joke's on her because I

0:34:36.600 --> 0:34:40.560
<v Speaker 1>will call her over and over again and drive down

0:34:40.600 --> 0:34:44.600
<v Speaker 1>her street laying on my horn, because that's how you

0:34:44.719 --> 0:34:51.240
<v Speaker 1>tell a woman you love her. This is Ron Burgundy,

0:34:51.480 --> 0:34:55.160
<v Speaker 1>and thank you once again for spending your precious time

0:34:56.040 --> 0:35:10.880
<v Speaker 1>listening to the Ron Burgundy podcast. Time compaign round the

0:35:10.960 --> 0:35:13.920
<v Speaker 1>Ron Burgundy Podcast. It's a production of I Heart Radio

0:35:14.000 --> 0:35:17.960
<v Speaker 1>podcast Network and Funnier Die. I'm Ron Burgundy, I'm the host,

0:35:18.000 --> 0:35:21.680
<v Speaker 1>writer and executive producer. Carolina Barlow is my co host,

0:35:21.760 --> 0:35:25.480
<v Speaker 1>writer and producer. The show was also produced by Whitney Hodeck,

0:35:25.800 --> 0:35:29.840
<v Speaker 1>Jack O'Brien, Miles Gray, and Nick Stuff. Our executive producer

0:35:29.920 --> 0:35:33.319
<v Speaker 1>is Mike farre Our consulting producer is Andrew Steeve. Our

0:35:33.360 --> 0:35:37.600
<v Speaker 1>associate producer is Anna Hosnier. Our writer is Jake Fogelis.

0:35:37.920 --> 0:35:42.560
<v Speaker 1>Our production supervisor is Colin McDougal. This episode was engineered, mixed,

0:35:42.640 --> 0:35:46.000
<v Speaker 1>and edited by Nick stumming. See you next Thursday on

0:35:46.040 --> 0:35:48.200
<v Speaker 1>the Ron Burgundy podcast.