1 00:00:00,200 --> 00:00:04,560 Speaker 1: Hello, folks. I'm I'm not going to be in a 2 00:00:04,600 --> 00:00:07,440 Speaker 1: good mood today. I'm want to get that off my 3 00:00:07,600 --> 00:00:11,879 Speaker 1: chest immediately, and I'm I'm warning you all. I'm I'm 4 00:00:11,920 --> 00:00:18,840 Speaker 1: having a hard time run. Those are the notes the Carolina. 5 00:00:18,960 --> 00:00:22,439 Speaker 1: The worst thing that could ever happen to a person 6 00:00:23,120 --> 00:00:27,920 Speaker 1: has happened to me. And I'm not being dramatic, okay, 7 00:00:28,560 --> 00:00:31,760 Speaker 1: And I'm saying that in advance for any listeners who 8 00:00:31,800 --> 00:00:36,960 Speaker 1: think oh Ron so dramatic. A man who who looks 9 00:00:37,040 --> 00:00:40,879 Speaker 1: like that probably just drinks scotch and sits poolside with 10 00:00:40,920 --> 00:00:46,120 Speaker 1: Tatum O'Neill. No, I'm a real man, folks, with a 11 00:00:46,280 --> 00:00:50,360 Speaker 1: real blood red heart that can crack at the slightest touch. 12 00:00:51,720 --> 00:00:56,080 Speaker 1: And last night I spilled hot tea on myself and no, 13 00:00:56,400 --> 00:01:01,560 Speaker 1: that's not it. It gets worse, you see. So I 14 00:01:01,640 --> 00:01:04,520 Speaker 1: spilled the tea and then I sat down to watch 15 00:01:04,600 --> 00:01:07,959 Speaker 1: the cinematic Treasure Hunt. I go on every night the 16 00:01:08,000 --> 00:01:13,720 Speaker 1: Antique road Show, but Baxter had taped over it. Rule 17 00:01:13,800 --> 00:01:17,720 Speaker 1: number one, don't leave my dog Baxter the remote. He 18 00:01:17,840 --> 00:01:21,399 Speaker 1: likes late night HBO, and he's he's not scared to 19 00:01:21,440 --> 00:01:25,800 Speaker 1: record it. He's completely stopped even considering that I'll see 20 00:01:25,840 --> 00:01:31,880 Speaker 1: it that I'm not done. This is what I'm talking about. 21 00:01:31,880 --> 00:01:34,280 Speaker 1: You're ready to call me dramatic. It's on the tip 22 00:01:34,319 --> 00:01:36,760 Speaker 1: of your tongue. No, I was going to say, what 23 00:01:36,840 --> 00:01:41,600 Speaker 1: a worth of night you've spilled tea and your dogdorn. Okay, 24 00:01:41,640 --> 00:01:44,360 Speaker 1: that that's not even the half of its. Sister, Listen, 25 00:01:45,240 --> 00:01:47,680 Speaker 1: remember when I told you that great date I went on. 26 00:01:47,800 --> 00:01:50,280 Speaker 1: It was about two days ago. It was with an 27 00:01:50,280 --> 00:01:55,360 Speaker 1: old flame. Come on, thank Carolina, I know, of course. 28 00:01:55,360 --> 00:01:57,640 Speaker 1: I remember you just said you had drinks with Diana 29 00:01:57,760 --> 00:01:59,960 Speaker 1: Ross and that it was none of my business. Exactly 30 00:02:00,560 --> 00:02:04,440 Speaker 1: two nights ago, I had drinks with Diana Ross, my 31 00:02:04,960 --> 00:02:09,960 Speaker 1: princess Die at the Sportsman's Lodge. We sang some tunes, 32 00:02:10,800 --> 00:02:15,080 Speaker 1: we reminisced on nights at the cabana. I tried to 33 00:02:15,120 --> 00:02:17,160 Speaker 1: hold her hand and she said, please don't touch me, 34 00:02:17,160 --> 00:02:20,480 Speaker 1: and I said, all right, things were going well, and 35 00:02:20,520 --> 00:02:23,519 Speaker 1: then I left my number on a napkin. I kissed 36 00:02:23,560 --> 00:02:27,080 Speaker 1: the napkin and handed it to her and shagged home. 37 00:02:27,720 --> 00:02:30,040 Speaker 1: Now what do you think of that napkin move? Pretty breezy? 38 00:02:30,040 --> 00:02:32,760 Speaker 1: Don't you think it's actually something women usually do? They 39 00:02:32,840 --> 00:02:35,320 Speaker 1: usually write their number on a napkin and then kiss 40 00:02:35,320 --> 00:02:37,840 Speaker 1: it if they're wearing lipstick to leave a mark. So anyway, 41 00:02:37,880 --> 00:02:40,840 Speaker 1: after I left, I waited for her call right one 42 00:02:40,919 --> 00:02:45,320 Speaker 1: Mississippi to Mississippi, and then I tried her on her 43 00:02:45,360 --> 00:02:48,839 Speaker 1: house phone and I left her some voicemails. I left 44 00:02:48,840 --> 00:02:51,880 Speaker 1: her three voicemails for each hour that we were apart 45 00:02:52,400 --> 00:02:55,280 Speaker 1: for good luck. Oh god, some of them. I didn't 46 00:02:55,280 --> 00:02:58,920 Speaker 1: funny voices to remind her that I'm not crazy, I'm funny. 47 00:03:00,200 --> 00:03:03,160 Speaker 1: But last night it had been forty eight hours, so 48 00:03:03,240 --> 00:03:07,000 Speaker 1: I tried reporting her as a missing person. But but 49 00:03:07,040 --> 00:03:11,200 Speaker 1: you can't do that, that turns out. But I was concerned. 50 00:03:11,240 --> 00:03:14,160 Speaker 1: I mean, I just hadn't heard from her. So I 51 00:03:14,200 --> 00:03:16,320 Speaker 1: called her a few more times, and then she finally 52 00:03:16,360 --> 00:03:20,600 Speaker 1: picked up the heart breaking words she said to me 53 00:03:20,720 --> 00:03:23,520 Speaker 1: so cruelly. What did she say? Oh it was awful. 54 00:03:24,639 --> 00:03:28,120 Speaker 1: She was so mean, and I think her exact words 55 00:03:28,160 --> 00:03:33,760 Speaker 1: were wrong. Number. This is the Henderson's residence. Please stop calling. 56 00:03:33,800 --> 00:03:37,960 Speaker 1: You sound like a lunatic, which brings me to the 57 00:03:37,960 --> 00:03:43,200 Speaker 1: theme of today's episode. Women. I can't live with them 58 00:03:43,240 --> 00:03:48,200 Speaker 1: because they won't let you. I want to investigate what 59 00:03:48,280 --> 00:03:50,760 Speaker 1: are they thinking when you call them thirty times in 60 00:03:50,760 --> 00:03:53,800 Speaker 1: a row. Why don't they pick up? Okay, I actually 61 00:03:53,840 --> 00:03:56,080 Speaker 1: really excited about this one. UM. So we're going to 62 00:03:56,200 --> 00:04:01,240 Speaker 1: discuss the psychology behind heteronormative relationship ups, the women's new 63 00:04:01,360 --> 00:04:04,440 Speaker 1: role as a powerholder in sexual advance. No no, no, no, no, 64 00:04:04,440 --> 00:04:07,840 Speaker 1: no no no. We're going to rank them. This episode 65 00:04:07,880 --> 00:04:12,280 Speaker 1: is on the top ten greatest women, and uh, it'll 66 00:04:12,320 --> 00:04:14,520 Speaker 1: add some competition to this whole thing, and we're gonna 67 00:04:14,600 --> 00:04:18,159 Speaker 1: we're gonna pit them against each other. And don't make 68 00:04:18,200 --> 00:04:21,320 Speaker 1: this a feminist thing just because you're not on the list. 69 00:04:21,560 --> 00:04:24,040 Speaker 1: That's not why it's a feminist thing. Actually. So we're 70 00:04:24,040 --> 00:04:26,640 Speaker 1: gonna go to a commercial break right now, and when 71 00:04:26,640 --> 00:04:28,600 Speaker 1: we come back, we're gonna have a special guest who's 72 00:04:28,640 --> 00:04:32,039 Speaker 1: going to join us to help rank the top ten 73 00:04:32,120 --> 00:04:44,800 Speaker 1: women of all time on our show. Today we have 74 00:04:45,080 --> 00:04:49,000 Speaker 1: Mr Rue Paul, dear dear friend of mine from the 75 00:04:49,040 --> 00:04:52,960 Speaker 1: club scene in the nineties and the host of RuPaul's 76 00:04:53,040 --> 00:04:56,000 Speaker 1: Drag Race, a show I've never been asked to be 77 00:04:56,080 --> 00:04:58,960 Speaker 1: on UM, but Ruth, thank you for joining us here 78 00:04:59,760 --> 00:05:02,000 Speaker 1: with Carolina and I and boy, we had some good 79 00:05:02,000 --> 00:05:05,240 Speaker 1: times back in the night. Yes we did. Actually, do 80 00:05:05,279 --> 00:05:09,640 Speaker 1: you remember that one club called the Dragonflies Nest. You know, 81 00:05:09,839 --> 00:05:11,920 Speaker 1: I've been to so many clubs from I don't remember 82 00:05:11,920 --> 00:05:13,719 Speaker 1: the names of them. But if you saw me away, 83 00:05:13,960 --> 00:05:17,920 Speaker 1: so nice to me, and I really appreciate it, and 84 00:05:17,960 --> 00:05:21,719 Speaker 1: thank you for being here. And we're Uh. Today's show 85 00:05:21,880 --> 00:05:28,599 Speaker 1: is on women, the top ten women, My my list, 86 00:05:29,080 --> 00:05:32,240 Speaker 1: my list. Um, but I wanted to ask you some questions. 87 00:05:32,279 --> 00:05:35,479 Speaker 1: You're you're an icon in your own right, um, and 88 00:05:35,839 --> 00:05:40,000 Speaker 1: you play with gender on your show. There's no question. 89 00:05:40,640 --> 00:05:43,599 Speaker 1: My question is can I play with gender or will 90 00:05:43,680 --> 00:05:45,640 Speaker 1: the the Channel four news team make fun of me 91 00:05:46,520 --> 00:05:49,680 Speaker 1: behind my back? I'm sure they will make fun of you, 92 00:05:49,760 --> 00:05:53,080 Speaker 1: But I think you'll have a more fun playing with gender. 93 00:05:53,120 --> 00:05:56,840 Speaker 1: I think it's it's so important to to flip your 94 00:05:56,920 --> 00:06:01,400 Speaker 1: nose up at all the rules that society tries to 95 00:06:01,440 --> 00:06:04,160 Speaker 1: put on you. Well, you know what. That's good to know, 96 00:06:05,160 --> 00:06:07,520 Speaker 1: And if I decide to have a little fun in 97 00:06:07,520 --> 00:06:09,839 Speaker 1: that regard, then I'll know if they if they start 98 00:06:10,880 --> 00:06:13,800 Speaker 1: messing with me, I'll mess right back. No, I'm sure 99 00:06:13,839 --> 00:06:17,560 Speaker 1: they will mess with you. Most people feel uncomfortable with 100 00:06:17,560 --> 00:06:20,359 Speaker 1: with gender issues, and their their response is usually to 101 00:06:20,480 --> 00:06:23,479 Speaker 1: laugh or to lash out. To lash out and to 102 00:06:23,680 --> 00:06:26,960 Speaker 1: just have. But the point is to not take any 103 00:06:27,040 --> 00:06:29,920 Speaker 1: of it too seriousness. That's the whole point. Don't take 104 00:06:29,960 --> 00:06:32,760 Speaker 1: any of it too seriously. Like Carolina, you don't take 105 00:06:32,760 --> 00:06:36,039 Speaker 1: anything too seriously. Um. I take a lot of things seriously, 106 00:06:36,240 --> 00:06:37,680 Speaker 1: like with the way you dress up and the way 107 00:06:37,680 --> 00:06:41,320 Speaker 1: you look. Yeah, because I because sometimes you walk into 108 00:06:41,360 --> 00:06:43,000 Speaker 1: the studio and I'm like, really you're going to wear 109 00:06:43,040 --> 00:06:46,880 Speaker 1: that today? Just my card again and dress I wore today. 110 00:06:48,160 --> 00:06:51,880 Speaker 1: It's just somebody to think about. Yeah, Okay, let me 111 00:06:51,920 --> 00:06:56,560 Speaker 1: ask you this, what is your idea of beauty? Um? 112 00:06:56,720 --> 00:07:00,920 Speaker 1: For me personally, mine is a model with dementia that 113 00:07:01,040 --> 00:07:07,120 Speaker 1: match my favorite fruits. What are your favorite fruits? Uh? 114 00:07:07,160 --> 00:07:12,880 Speaker 1: I love I love pineapples, yes, and I love cassaba melons. 115 00:07:13,720 --> 00:07:16,320 Speaker 1: I don't know what those are, but it sounds delicious 116 00:07:16,400 --> 00:07:20,560 Speaker 1: and I love Um, I love the delicate Kiwi fruit. Yeah. Yeah, 117 00:07:21,200 --> 00:07:25,040 Speaker 1: I love bananas. Bananas yea. And with all that potassium, 118 00:07:25,560 --> 00:07:28,320 Speaker 1: what's not to love? What's not to love about a banana? 119 00:07:28,400 --> 00:07:32,240 Speaker 1: But do you ever get leg cramps? Because if you do, 120 00:07:33,400 --> 00:07:35,840 Speaker 1: I have a banana? Yeah, you know, Actually I don't. 121 00:07:35,880 --> 00:07:39,520 Speaker 1: I don't get You're probably getting plenty of potassium. Uh, 122 00:07:39,560 --> 00:07:41,800 Speaker 1: you know what my idea of beauty has to do with. 123 00:07:42,000 --> 00:07:43,920 Speaker 1: You know, I'll know when I see it. I don't 124 00:07:43,960 --> 00:07:47,160 Speaker 1: have a set judgment of what it's going to be 125 00:07:47,160 --> 00:07:49,440 Speaker 1: before I see it. If I see it and I 126 00:07:49,480 --> 00:07:53,120 Speaker 1: think it's beautiful, there it is done, done, you know, 127 00:07:53,520 --> 00:07:56,760 Speaker 1: preconceived notions. And I try to do that generally speaking, 128 00:07:56,760 --> 00:07:59,440 Speaker 1: wrong with everything. I try to keep my mind open 129 00:07:59,480 --> 00:08:02,720 Speaker 1: and not sort of lock into an idea. I need 130 00:08:02,760 --> 00:08:04,920 Speaker 1: to learn from that because I just get very close 131 00:08:05,000 --> 00:08:08,600 Speaker 1: minded at times. No, we all do. It's yeah, it's 132 00:08:08,880 --> 00:08:11,480 Speaker 1: it's it's a slippery slope. It's a slippery slope. It 133 00:08:11,560 --> 00:08:13,960 Speaker 1: takes practice, though, and I have to remind myself of 134 00:08:14,000 --> 00:08:16,440 Speaker 1: that every single day. That's good to know. So you're 135 00:08:16,440 --> 00:08:20,880 Speaker 1: not you don't feel you're fully evolved in that capacity. No, 136 00:08:21,480 --> 00:08:25,440 Speaker 1: just for today, I'm just trying to get through today. Amen. Amen, 137 00:08:25,720 --> 00:08:30,120 Speaker 1: that's it. Um. Let me ask you this. You used 138 00:08:30,120 --> 00:08:34,280 Speaker 1: to enjoy a party, right, Oh, what's the best party 139 00:08:34,559 --> 00:08:38,400 Speaker 1: you've ever been to? Okay, Um, the last party I 140 00:08:38,480 --> 00:08:41,480 Speaker 1: was at the most fun? I DJ at a party 141 00:08:41,600 --> 00:08:45,280 Speaker 1: in a Bitha about maybe it was two and a 142 00:08:45,320 --> 00:08:49,480 Speaker 1: half months ago. A Bitha is in It is outside 143 00:08:49,480 --> 00:08:56,240 Speaker 1: of Chatsworth. Where is Abitha. It's in Spain. It's in Spain. Okay, yes, 144 00:08:56,360 --> 00:08:59,520 Speaker 1: it's insane. And I they set up a DJ book 145 00:08:59,600 --> 00:09:02,800 Speaker 1: on age for me to play these these records, this 146 00:09:03,080 --> 00:09:06,400 Speaker 1: recorded music, and on the stage there was lots of 147 00:09:06,440 --> 00:09:09,120 Speaker 1: space for me to dance. So I put a record 148 00:09:09,160 --> 00:09:11,360 Speaker 1: on and go out on this and then you prove 149 00:09:11,440 --> 00:09:13,680 Speaker 1: your body. I'd moved my body. Yeah, and it was 150 00:09:13,800 --> 00:09:17,559 Speaker 1: so much fun. Now I'm curious how many people How 151 00:09:17,600 --> 00:09:19,800 Speaker 1: big is this party? Well, this party was on a 152 00:09:19,920 --> 00:09:22,600 Speaker 1: on a cruise ship. I don't know how many people 153 00:09:22,640 --> 00:09:24,480 Speaker 1: were there, but it was on the top deck of 154 00:09:24,520 --> 00:09:29,880 Speaker 1: a cruise ship docked in Babitha. And uh, they flew 155 00:09:29,920 --> 00:09:32,880 Speaker 1: me in there to do it. I and I finished 156 00:09:32,880 --> 00:09:36,280 Speaker 1: that part. I was soaking wet right from hedge of 157 00:09:36,320 --> 00:09:39,400 Speaker 1: toat soaking wet because I danced so much. That It's 158 00:09:39,400 --> 00:09:41,520 Speaker 1: a great way to to shed the pounds. It's a 159 00:09:41,559 --> 00:09:43,160 Speaker 1: great way to shed the pounds. It's a great way 160 00:09:43,200 --> 00:09:47,280 Speaker 1: to shed a lot of stuff. That's what I do. 161 00:09:47,360 --> 00:09:52,560 Speaker 1: A zoomba classy and uh, well I've done it once. Yeah, 162 00:09:52,640 --> 00:09:55,000 Speaker 1: well that that counts. I wasn't very good at it. 163 00:09:55,040 --> 00:09:57,839 Speaker 1: I was kicked out. In fact, why, I just I'm 164 00:09:57,840 --> 00:10:01,040 Speaker 1: not coordinated in that way. Yeah, but you don't have 165 00:10:01,120 --> 00:10:03,280 Speaker 1: to be coordinated. You just have to have fun. You 166 00:10:03,320 --> 00:10:05,720 Speaker 1: just have to work your body. What sort of music 167 00:10:05,720 --> 00:10:09,000 Speaker 1: did you play? I played? That's a great question. I 168 00:10:09,080 --> 00:10:14,960 Speaker 1: played all thriller, no Filla, whoa hits the lore one 169 00:10:15,040 --> 00:10:18,520 Speaker 1: hit after another, Yes, from that after hit hit after 170 00:10:18,600 --> 00:10:22,280 Speaker 1: hit hit, from the fifties to today. You just kept 171 00:10:22,280 --> 00:10:24,920 Speaker 1: it moving. I kept it moving. I'm about time for 172 00:10:25,040 --> 00:10:27,599 Speaker 1: no Filla? I hear you was, and that's why I 173 00:10:27,640 --> 00:10:30,959 Speaker 1: was soaking with it. I played everything. How long did 174 00:10:30,960 --> 00:10:32,720 Speaker 1: you go? I was up there for about three hours? 175 00:10:33,240 --> 00:10:36,600 Speaker 1: What yeh? Three hours? How long was your zimba class? 176 00:10:37,640 --> 00:10:42,199 Speaker 1: I think it was thirty minutes, okay, with a break 177 00:10:42,240 --> 00:10:50,319 Speaker 1: at I took my own break, So I did have fun. No, 178 00:10:50,480 --> 00:10:53,280 Speaker 1: I was embarrassed. They all laughed at me, and they 179 00:10:53,280 --> 00:10:59,400 Speaker 1: were like, you're a terrible zoomba person. Yes, talk about judgment. Yeah, yeah, 180 00:10:59,440 --> 00:11:02,600 Speaker 1: they were not nice to you. Real. What's your song? If? 181 00:11:02,600 --> 00:11:04,360 Speaker 1: Do you ever get? Do you ever like a backup 182 00:11:04,360 --> 00:11:06,240 Speaker 1: song that always brings the crowd to the dance for 183 00:11:06,559 --> 00:11:09,320 Speaker 1: Oh yeah yeah back in Love Again by lt D? 184 00:11:10,120 --> 00:11:12,160 Speaker 1: Do you know that song back in Love Again. You're 185 00:11:12,200 --> 00:11:15,720 Speaker 1: too young for that one. It's from nineteen seventies six 186 00:11:16,160 --> 00:11:20,120 Speaker 1: back in Love. What's the chorus? Um? The course of 187 00:11:20,320 --> 00:11:22,880 Speaker 1: the hook is actually this probably back in Love again? Yes, 188 00:11:23,360 --> 00:11:27,280 Speaker 1: I think um, back in Love again? You know the 189 00:11:27,320 --> 00:11:31,080 Speaker 1: hook is actually it's a guitar hook is the real 190 00:11:31,120 --> 00:11:33,680 Speaker 1: hook of the song. But it's sung by Jeffrey Osborne 191 00:11:33,679 --> 00:11:39,640 Speaker 1: in the group lt D. Did you play eight? No Stop? Now? 192 00:11:39,920 --> 00:11:42,640 Speaker 1: You know that's one of my favorites. I did not play. 193 00:11:42,840 --> 00:11:45,040 Speaker 1: It is on my list of think about it next time. 194 00:11:45,040 --> 00:11:47,720 Speaker 1: I will, I will, you know I do play. Some 195 00:11:47,760 --> 00:11:51,000 Speaker 1: of the contemporary songs I play are Britney Spears, I 196 00:11:51,040 --> 00:11:55,720 Speaker 1: want to Go, you know, I want to go Brittney always. 197 00:11:55,800 --> 00:11:59,120 Speaker 1: Oh yeah, there's so many. In fact, I have a 198 00:11:59,120 --> 00:12:01,839 Speaker 1: lot of the songs with me right now, but we're 199 00:12:01,880 --> 00:12:03,679 Speaker 1: not going to play. I don't want to get in trouble. 200 00:12:03,720 --> 00:12:07,400 Speaker 1: But exactly, I love music. It's always been my go 201 00:12:07,600 --> 00:12:09,920 Speaker 1: to place for sanctions. Well, you know, I played jazz 202 00:12:09,960 --> 00:12:15,960 Speaker 1: flute and it music speaks to all of us, Yes, 203 00:12:16,240 --> 00:12:19,960 Speaker 1: it does. Bob what was the guy for who did 204 00:12:20,000 --> 00:12:22,440 Speaker 1: Bob Dylan? Well, there's Bob Dylan, but the guy who 205 00:12:22,480 --> 00:12:27,040 Speaker 1: did the theme to the Bob Show. Taxi Tech Taxi. 206 00:12:27,360 --> 00:12:30,120 Speaker 1: Uh do do do do do do? Is that a 207 00:12:30,200 --> 00:12:34,520 Speaker 1: jazz food? It's very melancholy. Yeah, it must be, if 208 00:12:34,679 --> 00:12:37,760 Speaker 1: a jazz version of a flute. Yes, yes, I would think. 209 00:12:37,960 --> 00:12:39,959 Speaker 1: Was what was his name? Bob? So I don't know, 210 00:12:40,040 --> 00:12:43,000 Speaker 1: Oh God, the brain is. It's just an interesting All 211 00:12:43,040 --> 00:12:46,719 Speaker 1: I know is the music for the Peanuts cartoon that 212 00:12:46,840 --> 00:12:53,000 Speaker 1: was done by Vince Lombardi. Was it? I believe? So okay, 213 00:12:53,040 --> 00:12:55,319 Speaker 1: well we'll figure it out here. Yeah, rude, let me 214 00:12:55,360 --> 00:12:59,080 Speaker 1: ask you this are their makeup tips and secrets that 215 00:12:59,120 --> 00:13:04,160 Speaker 1: you wish everyone at home could know, regardless of gender. Actually, 216 00:13:04,160 --> 00:13:11,120 Speaker 1: there aren't, because I just I'm not afraid to admit it. 217 00:13:11,120 --> 00:13:13,400 Speaker 1: I wear makeup in my day to day. I just 218 00:13:13,440 --> 00:13:16,840 Speaker 1: put on a little pancake and a light eyeliner. Where 219 00:13:16,840 --> 00:13:19,400 Speaker 1: you're on camera, I'm on camera. But even when those 220 00:13:19,480 --> 00:13:23,160 Speaker 1: days when I'm not, Yeah, because nowadays lighting is hard 221 00:13:23,360 --> 00:13:25,760 Speaker 1: with this old thing. Yes, you never know when you're 222 00:13:25,920 --> 00:13:29,240 Speaker 1: get photographs. That's rights for those listeners. I brought my 223 00:13:29,400 --> 00:13:33,120 Speaker 1: cellular devices. Yes, you know, you're absolutely right, And even 224 00:13:33,200 --> 00:13:35,800 Speaker 1: on just in rooms, sometimes you're being recorded, you don't 225 00:13:35,840 --> 00:13:38,559 Speaker 1: even know it. You know, there are the c C 226 00:13:38,920 --> 00:13:44,200 Speaker 1: close caption clothes, Big Brother, Big brothers watching. He's watching, 227 00:13:44,240 --> 00:13:46,680 Speaker 1: and we've brought it all upon ourselves. That's right, we've 228 00:13:46,720 --> 00:13:50,000 Speaker 1: done that. We've done that. Carolina loves Big Brother. I 229 00:13:50,080 --> 00:13:52,600 Speaker 1: like the idea that people are watching me just make 230 00:13:52,640 --> 00:13:56,440 Speaker 1: breakfast and watch this is us and try to put 231 00:13:56,480 --> 00:13:59,959 Speaker 1: a pillowcase on a pillow. Well, that's a generational thing. 232 00:14:00,000 --> 00:14:03,120 Speaker 1: I think people grow up after the Cold War are 233 00:14:03,160 --> 00:14:06,880 Speaker 1: afraid of Big Brother. I think younger people like being 234 00:14:06,960 --> 00:14:10,560 Speaker 1: watched by someone because it feels they feel safe for something. 235 00:14:10,720 --> 00:14:16,280 Speaker 1: It's a very weird phenomenon of people liking everything they 236 00:14:16,320 --> 00:14:19,480 Speaker 1: do needs to be recorded to prove their existence. You're 237 00:14:19,560 --> 00:14:24,120 Speaker 1: absolutely right, that's it. I don't necessarily like the phenomenon. However, 238 00:14:24,840 --> 00:14:27,920 Speaker 1: I do have a friend of mine who's a sketch 239 00:14:28,000 --> 00:14:31,160 Speaker 1: artist in courtrooms, and he follows me around and just 240 00:14:31,200 --> 00:14:33,960 Speaker 1: sketches my day to day. That's very will be me 241 00:14:34,040 --> 00:14:37,040 Speaker 1: at the dry cleaner, yea, yeah, and so I have these. 242 00:14:37,680 --> 00:14:40,360 Speaker 1: I have hundreds of charcoal drawings. I'd love to see 243 00:14:40,440 --> 00:14:42,640 Speaker 1: it in my house. I should do an exhibition. In fact, 244 00:14:42,760 --> 00:14:44,400 Speaker 1: that that's a great idea. Day in the life of 245 00:14:44,480 --> 00:14:47,120 Speaker 1: Ron Burgundy. That's a great or like with the young kids. 246 00:14:47,120 --> 00:14:49,640 Speaker 1: You could put it online. You can do an exhibition, 247 00:14:50,560 --> 00:14:55,720 Speaker 1: an Instagram exhibition of the sketches of Ron Burgundy. I 248 00:14:55,720 --> 00:14:57,840 Speaker 1: wouldn't know how to do that. Ron's has been handing 249 00:14:57,840 --> 00:15:01,600 Speaker 1: them out to people in the street just to tread it. Yeah, 250 00:15:01,760 --> 00:15:05,560 Speaker 1: to raise my profile. So makeup tips, you know, I 251 00:15:05,600 --> 00:15:08,520 Speaker 1: don't have any makeup tips. They're they're out there. This 252 00:15:08,600 --> 00:15:11,000 Speaker 1: is the thing about people, you know, the secrets of 253 00:15:11,000 --> 00:15:15,120 Speaker 1: the universe exists, wrong, but most people aren't interested in them, 254 00:15:15,400 --> 00:15:19,400 Speaker 1: and so why bother, you know, unless if you want it, 255 00:15:19,920 --> 00:15:23,080 Speaker 1: it's there for you. If you don't, you don't leave 256 00:15:23,120 --> 00:15:28,440 Speaker 1: me alone, exactly. Okay, well fair enough, Okay. So I've 257 00:15:28,440 --> 00:15:30,280 Speaker 1: got this list of the top ten women. It was 258 00:15:30,320 --> 00:15:32,560 Speaker 1: and it was a hard list, you know, to go through. 259 00:15:32,600 --> 00:15:36,000 Speaker 1: I mean, if you think about all the women on 260 00:15:36,040 --> 00:15:40,440 Speaker 1: the planet. Uh so. But I spent a lot of time. 261 00:15:40,480 --> 00:15:42,760 Speaker 1: I worked on it for about half an hour last night, 262 00:15:43,240 --> 00:15:45,720 Speaker 1: and I feel like I got a pretty good list. 263 00:15:46,280 --> 00:15:48,000 Speaker 1: And I'm just going to read them out and we'll 264 00:15:48,040 --> 00:15:52,040 Speaker 1: just all have a group discussion. Right. So, number ten, 265 00:15:52,920 --> 00:15:55,880 Speaker 1: Top ten women of all time? Number ten is Danielle 266 00:15:55,920 --> 00:15:59,360 Speaker 1: Ginsburg and she was the home coming queen my senior 267 00:15:59,440 --> 00:16:01,440 Speaker 1: year of high Sto what high school was it? I 268 00:16:01,480 --> 00:16:07,280 Speaker 1: went to Daniel Boone High School in uh Santiago, Daniel Boone. 269 00:16:07,920 --> 00:16:11,000 Speaker 1: It was right next to Sacca Jewea High School. Oh, 270 00:16:11,040 --> 00:16:13,080 Speaker 1: I know, I know people from Saca Jewie. You know. 271 00:16:13,120 --> 00:16:16,960 Speaker 1: I went to Patrick Henry, Patrick Henry of course in 272 00:16:17,040 --> 00:16:20,000 Speaker 1: mirror A Mason. Yes, yes, isn't mirror Mason. No, you know, 273 00:16:20,040 --> 00:16:22,680 Speaker 1: It's been a long time roun for me. I'm not 274 00:16:22,720 --> 00:16:27,720 Speaker 1: sure exactly. So anyway, daniel Ginsburg love her. She loved her, right, 275 00:16:28,280 --> 00:16:31,600 Speaker 1: I'm not familiar, but well, okay, number nine, why is 276 00:16:31,600 --> 00:16:34,040 Speaker 1: she on your list? Though? What what is it about Daniell? 277 00:16:34,440 --> 00:16:37,600 Speaker 1: She just would walk into a room and she just 278 00:16:37,640 --> 00:16:41,480 Speaker 1: had real star appeal. Whatever happened to Danielle? She um? 279 00:16:42,040 --> 00:16:46,120 Speaker 1: I think she moved to the Midwest and uh wow, 280 00:16:48,000 --> 00:16:50,920 Speaker 1: And that's the last I ever heard from her. From 281 00:16:50,960 --> 00:16:56,320 Speaker 1: sunny southern California to Topeka, Kansas. Yes, that's an interesting choice. 282 00:16:56,800 --> 00:17:00,400 Speaker 1: I'm impressed she made the list. But she's you. If 283 00:17:00,440 --> 00:17:02,400 Speaker 1: she walked in through this door, you guys would go, 284 00:17:02,480 --> 00:17:06,199 Speaker 1: I get it. Yeah, who would play Danielle in the 285 00:17:06,240 --> 00:17:14,040 Speaker 1: TV movie Let's Be a Lifetime? Who would play Ana Kendric? Oh? Okay, 286 00:17:14,400 --> 00:17:18,800 Speaker 1: a little visual for for the listeners there, Yeah, very 287 00:17:18,840 --> 00:17:24,080 Speaker 1: much in Anna Kendrick kind of vibe to her. Um 288 00:17:24,080 --> 00:17:29,840 Speaker 1: So my number nine is Lassie. I'll be I'll be 289 00:17:29,880 --> 00:17:32,720 Speaker 1: the first to it. My dog Baxter made me put 290 00:17:32,760 --> 00:17:36,400 Speaker 1: her on this list. He's got a crush. Yeah, yeah, yeah, 291 00:17:36,480 --> 00:17:39,520 Speaker 1: But you know, there have been many Lassies throughout the years, 292 00:17:40,480 --> 00:17:43,960 Speaker 1: that's true. Yeah, I guess it's not played by one. Yeah. 293 00:17:44,200 --> 00:17:48,959 Speaker 1: Is there a specific era of Lassie that appeals to you? Gosh, 294 00:17:49,600 --> 00:17:51,720 Speaker 1: because there's the you know, there's the TV show right 295 00:17:51,800 --> 00:17:54,760 Speaker 1: right right now putting me on the spot here, you know, 296 00:17:54,880 --> 00:17:58,240 Speaker 1: I'm gonna have to say the classic, the TV show. Yeah, 297 00:17:58,400 --> 00:18:03,159 Speaker 1: I would just have to say, I mean the original. Yeah, 298 00:18:03,480 --> 00:18:06,639 Speaker 1: crime solving. Was she a crime sOliver? She was a 299 00:18:06,680 --> 00:18:11,159 Speaker 1: crime solver, but vigilante. Wasn't a vigilante. She was a 300 00:18:11,240 --> 00:18:15,560 Speaker 1: helper though. She's just an incredibly smart, very smart dog, 301 00:18:15,840 --> 00:18:18,760 Speaker 1: a lot of street smarts. Yeah, and and but I 302 00:18:18,800 --> 00:18:20,520 Speaker 1: think she solved a lot of I mean, it makes 303 00:18:20,520 --> 00:18:25,440 Speaker 1: sense because Baxter's other two loves are Angela Lansbury and 304 00:18:26,160 --> 00:18:29,000 Speaker 1: Mariska Hardigae. Oh my god, Baxter and I have so 305 00:18:29,119 --> 00:18:35,360 Speaker 1: much in common. Love. Angela Landsberry's magical. She's completely magical. 306 00:18:35,720 --> 00:18:39,520 Speaker 1: Baxter sounds like a magical dog. There and talk about 307 00:18:39,520 --> 00:18:44,800 Speaker 1: a career. Landsbury, she's been doing it from the get go. 308 00:18:45,000 --> 00:18:47,840 Speaker 1: She arrived here in Hollywood she was seventeen years old. 309 00:18:47,880 --> 00:18:54,000 Speaker 1: Has never stopped working, never, never stopped working. You know. 310 00:18:54,119 --> 00:18:56,840 Speaker 1: I I watch I have the whole series of Murder. 311 00:18:56,880 --> 00:18:59,600 Speaker 1: She sat down and she wrote on DVD, and I 312 00:18:59,640 --> 00:19:02,240 Speaker 1: play it every night before I go to bed, just 313 00:19:02,320 --> 00:19:07,240 Speaker 1: as background. Kind of. I love watching Angela Landsberry do 314 00:19:07,320 --> 00:19:09,159 Speaker 1: her scenes. I love the scenes where she doesn't have 315 00:19:09,200 --> 00:19:11,639 Speaker 1: any dialogue. What she's doing in the scene which has 316 00:19:11,680 --> 00:19:14,440 Speaker 1: no dialogue, She's just there and she's reacting, and you're 317 00:19:14,440 --> 00:19:18,480 Speaker 1: watching her steals every scene even without dialogue. Okay. Number 318 00:19:18,560 --> 00:19:25,560 Speaker 1: eight on the list Carolina. Carolina's sister Nora. Oh, she's 319 00:19:25,600 --> 00:19:28,400 Speaker 1: a polite, lovely woman. She's really smart. I mean, if 320 00:19:28,440 --> 00:19:31,240 Speaker 1: I if I could have her produce this broadcast, I 321 00:19:31,240 --> 00:19:33,800 Speaker 1: would in a heartbeat, but she's unavailable. I feel like 322 00:19:33,800 --> 00:19:35,399 Speaker 1: it could have been just as easy to put me 323 00:19:35,480 --> 00:19:39,480 Speaker 1: on the list. So Nora Barlow. Nora Barlow comes it 324 00:19:39,560 --> 00:19:42,439 Speaker 1: at number eight. She looks like she could be in 325 00:19:42,560 --> 00:19:47,720 Speaker 1: some sort of Victorian, some sort of merchant Ivory movie. Right, yes, 326 00:19:47,880 --> 00:19:56,760 Speaker 1: very Jane, Hyeah. Number seven Diana Ross. Oh boy, Diana, 327 00:19:56,840 --> 00:19:59,120 Speaker 1: this one's for you. Please call me back. I love you. 328 00:19:59,280 --> 00:20:03,600 Speaker 1: Oh my goodness, now you're talking Diana Ross. Oh my goodness, 329 00:20:03,720 --> 00:20:08,359 Speaker 1: what a star? What I mean? I mean we I 330 00:20:08,560 --> 00:20:10,480 Speaker 1: just explained this earlier before you came in. We were 331 00:20:10,560 --> 00:20:13,800 Speaker 1: on a date two days ago and I can't get 332 00:20:13,800 --> 00:20:17,400 Speaker 1: ahold of her, but um yeah, she was just how 333 00:20:17,440 --> 00:20:20,440 Speaker 1: did you land a date with Diana Ross? Well? I 334 00:20:20,560 --> 00:20:25,119 Speaker 1: ran into her backstage at an event um for for 335 00:20:25,320 --> 00:20:29,200 Speaker 1: dogs that help blind people see seeing I don't, and 336 00:20:29,800 --> 00:20:32,320 Speaker 1: she was being honored and uh I was there to 337 00:20:32,359 --> 00:20:34,639 Speaker 1: give her the award and we just started talking and 338 00:20:34,920 --> 00:20:37,919 Speaker 1: next thing, you know, he said, hey, yeah, you do 339 00:20:37,960 --> 00:20:41,760 Speaker 1: anything tomorrow night. Yeah she's single, and and she said, 340 00:20:41,880 --> 00:20:44,359 Speaker 1: yes I am, but I'll be at the Sportsman's Lodge. 341 00:20:44,400 --> 00:20:48,960 Speaker 1: I just happened to show up, so yes, but now 342 00:20:49,040 --> 00:20:54,720 Speaker 1: I know the sportsman Lodging. What a talent, what a beauty. Yeah, 343 00:20:54,880 --> 00:20:57,239 Speaker 1: they don't make them like that. They really don't know, 344 00:20:57,440 --> 00:21:00,600 Speaker 1: you know. Has had eighteen number one hits. Twelve of 345 00:21:00,640 --> 00:21:03,320 Speaker 1: those were with another group, but it was her voice 346 00:21:04,119 --> 00:21:06,959 Speaker 1: as the lead singer of the Supreme, the Supremes, and 347 00:21:06,960 --> 00:21:09,720 Speaker 1: then six number ones on her own, not to be 348 00:21:09,800 --> 00:21:13,280 Speaker 1: confused with Taco Bill's Taco Supreme right Now, which is 349 00:21:13,280 --> 00:21:17,760 Speaker 1: a delicious little Oh my goodness, Yes, put on some motown, 350 00:21:18,359 --> 00:21:22,240 Speaker 1: have a Taco Supreme, have a pepsi and game over, 351 00:21:22,440 --> 00:21:25,199 Speaker 1: Game over. I'm a big Diana Ross fan. You know, 352 00:21:25,280 --> 00:21:28,919 Speaker 1: I grew up listening to Diana Ross and just a 353 00:21:29,040 --> 00:21:31,680 Speaker 1: huge talent. And you know who else owes a lot 354 00:21:31,680 --> 00:21:35,120 Speaker 1: of critic to Diana Ross. World famous painter Bob Ross. Yes, 355 00:21:35,160 --> 00:21:38,880 Speaker 1: Bob Ross, Yes, yes, Bob Ross. Bob Ross may rest 356 00:21:38,920 --> 00:21:40,840 Speaker 1: in peace. Always used to say, I get a lot 357 00:21:40,880 --> 00:21:43,880 Speaker 1: of my inspiration and my talent from Diana Ross. Yeah. Well, 358 00:21:43,920 --> 00:21:47,879 Speaker 1: Bob is a great talent. The Row Ross dynasty is 359 00:21:48,359 --> 00:21:52,399 Speaker 1: as strong as it as any dynasty will ever. Yes 360 00:21:52,640 --> 00:21:58,399 Speaker 1: number six. Dolores Querta. She's an American labor leader and 361 00:21:58,440 --> 00:22:01,320 Speaker 1: civil rights activists who, with Caesar Chavez, is a co 362 00:22:01,400 --> 00:22:05,080 Speaker 1: founder of the National farm Workers Association, which later became 363 00:22:05,119 --> 00:22:09,119 Speaker 1: the United farm Workers. Puerta has received numerous awards for 364 00:22:09,119 --> 00:22:13,440 Speaker 1: her community service and advocacy for workers, immigrants, and women's rights, 365 00:22:13,480 --> 00:22:18,760 Speaker 1: including the Eugene V. Dubs Foundation Outstanding American Award, the 366 00:22:18,880 --> 00:22:23,160 Speaker 1: United States Presidential Eleanor Roosevelt Award for Human Rights, and 367 00:22:23,240 --> 00:22:27,000 Speaker 1: the Presidential Medal of Freedom. She was the first Latina 368 00:22:27,080 --> 00:22:29,800 Speaker 1: inducted into the National Women's Hall of Fame in n 369 00:22:31,119 --> 00:22:36,600 Speaker 1: fun fact, Huerta is the originator of the phrase see wow, 370 00:22:36,640 --> 00:22:39,200 Speaker 1: I can't believe you know all about her? Wrong? Can 371 00:22:39,200 --> 00:22:46,600 Speaker 1: we talk? Actually? Number five sheryalties, Yes, tis she's smoking. 372 00:22:46,840 --> 00:22:50,160 Speaker 1: Oh my goodness. I still have that poster, the classic, 373 00:22:50,359 --> 00:22:54,159 Speaker 1: the classic poster in the one piece. No, no, this 374 00:22:54,240 --> 00:22:57,399 Speaker 1: is a bikini. It's from the Seychelle Islands. She's in 375 00:22:57,400 --> 00:22:59,719 Speaker 1: the bikini. Well, what you know? And I've asked her 376 00:22:59,720 --> 00:23:04,479 Speaker 1: about that. She's she's signed. You know, no way she signed. 377 00:23:04,760 --> 00:23:06,840 Speaker 1: Are you lying to me right now? I'm not lying 378 00:23:06,880 --> 00:23:08,679 Speaker 1: to you right now at all. I'm not lying. But 379 00:23:08,760 --> 00:23:11,359 Speaker 1: when I spoke with her about this poster, what I 380 00:23:11,400 --> 00:23:15,080 Speaker 1: loved was there's a tendon, a muscle or something that's 381 00:23:15,160 --> 00:23:18,240 Speaker 1: coming out is jutting out from between her legs right there. 382 00:23:18,400 --> 00:23:20,480 Speaker 1: That is the sexiest thing I've ever seen in my life. 383 00:23:20,840 --> 00:23:23,520 Speaker 1: It's she's got her legs sort of cocked to the 384 00:23:23,600 --> 00:23:26,280 Speaker 1: side in this poster, and it's a massive tendon. It's 385 00:23:26,320 --> 00:23:29,080 Speaker 1: a massive tendon that's coming from between me down there, 386 00:23:29,800 --> 00:23:32,679 Speaker 1: and it is between me down there. That was one 387 00:23:32,680 --> 00:23:34,199 Speaker 1: of the clubs. I think I met you at the 388 00:23:34,200 --> 00:23:40,080 Speaker 1: between that fabulous club. I know exactly what you're talking about. Yes, 389 00:23:40,440 --> 00:23:44,640 Speaker 1: I have that poster. Who would have thought a leg tendon? Uh? Well, 390 00:23:44,680 --> 00:23:46,720 Speaker 1: I told you earlier you never know where beauty is 391 00:23:46,760 --> 00:23:49,520 Speaker 1: coming from. You just have to be there for it, 392 00:23:49,840 --> 00:23:52,280 Speaker 1: and you have to keep your mind and your eyes open. 393 00:23:52,600 --> 00:23:55,320 Speaker 1: In that case, it was a tendant jutting from between 394 00:23:55,320 --> 00:23:58,119 Speaker 1: me down there on. One of the things I find 395 00:23:58,240 --> 00:24:01,840 Speaker 1: most beautiful on a woman is the nostril. Really, don't 396 00:24:01,880 --> 00:24:04,280 Speaker 1: ask me why. Yeah, do you have like favorite nostrils? 397 00:24:04,320 --> 00:24:05,760 Speaker 1: And the first thing when that comes to mind for 398 00:24:05,840 --> 00:24:08,840 Speaker 1: me is Tina Turner and Raquel Well, so they both 399 00:24:08,880 --> 00:24:15,120 Speaker 1: have flavored, beautiful nostrils. Do you have any favorite female nostrils? Oh? Gosh, 400 00:24:15,320 --> 00:24:18,560 Speaker 1: maybe Lucia Ball Oh really, I like her nostrils. I 401 00:24:19,200 --> 00:24:25,040 Speaker 1: can't remember her nostrils. Patti Smith, not Patty smythe sorry 402 00:24:25,040 --> 00:24:29,440 Speaker 1: Patty smytheh Yes, it's got great great the rock singer, 403 00:24:29,680 --> 00:24:35,760 Speaker 1: the rock singer good Bye to Your good Bye to you. Yes, yeah, yeah, 404 00:24:35,800 --> 00:24:38,520 Speaker 1: I love and she wasn't afraid to have a little 405 00:24:38,640 --> 00:24:42,520 Speaker 1: armpit hair. No, she wasn't, which can be sexy. Yeah, 406 00:24:42,640 --> 00:24:46,240 Speaker 1: I think so. Number four susi Q. Now which susque 407 00:24:46,280 --> 00:24:48,600 Speaker 1: are you talking about, because there are several susi q. Well. 408 00:24:48,640 --> 00:24:52,359 Speaker 1: The pastry cook. Oh, yes, she might have inspired the 409 00:24:52,520 --> 00:24:58,240 Speaker 1: song by Credence. Yes, yeah, but no, it's a pastry cook. 410 00:24:58,400 --> 00:25:01,520 Speaker 1: Oh you mean the hostess pay she cook? Yeah, she 411 00:25:01,560 --> 00:25:04,520 Speaker 1: makes those little spongey chocolate cakes. Yeah. They're delicate, white 412 00:25:04,640 --> 00:25:08,320 Speaker 1: yungy stuff. And she's a cute yeah yeah, she's yes, 413 00:25:08,440 --> 00:25:11,119 Speaker 1: the woman who makes those. Yeah, okay, yeah. Not to 414 00:25:11,119 --> 00:25:13,800 Speaker 1: be confused with Sarah Lee. She makes another. I love 415 00:25:13,960 --> 00:25:17,879 Speaker 1: Sarah Lee too. Beautiful beautiful artistry with the bank. And 416 00:25:17,920 --> 00:25:21,600 Speaker 1: you know who's the sexiest of them all, Mrs Duncan Hines. Yeah, 417 00:25:21,800 --> 00:25:29,120 Speaker 1: so sweet talk sweet Talker is a sweet talker um 418 00:25:29,280 --> 00:25:33,960 Speaker 1: number three on the list. TUTSI one of the greatest 419 00:25:34,040 --> 00:25:36,760 Speaker 1: comedic actresses of our time. It's a real shame she 420 00:25:36,840 --> 00:25:41,880 Speaker 1: only made the one movie. Yes, hilarious. Yeah, I missed 421 00:25:41,920 --> 00:25:44,960 Speaker 1: the first fifteen minutes and the last fifteen minutes, but 422 00:25:46,480 --> 00:25:49,800 Speaker 1: in that middle is amazing and billiant. Wherever she is, 423 00:25:49,840 --> 00:25:52,520 Speaker 1: I hope she's listening. I wish her the best. Yeah, well, Ron, 424 00:25:52,560 --> 00:25:56,720 Speaker 1: apparently they are making a Broadway musical, oh of about 425 00:25:56,720 --> 00:25:59,120 Speaker 1: her life. Yes, about her life, so you get more 426 00:25:59,200 --> 00:26:02,520 Speaker 1: tutsis a lot of pressure on who plays the part 427 00:26:02,560 --> 00:26:05,119 Speaker 1: of Tut. That is very I hope she comes to 428 00:26:05,200 --> 00:26:07,439 Speaker 1: the show opening night. That would be a thrill for 429 00:26:07,480 --> 00:26:11,960 Speaker 1: the cast. I think she will number two zena warrior princess. 430 00:26:11,960 --> 00:26:15,840 Speaker 1: Oh yeah, and uh, she's one of the greatest weapons 431 00:26:15,880 --> 00:26:18,760 Speaker 1: this country as she currently is at Camp David where 432 00:26:18,760 --> 00:26:21,199 Speaker 1: she lives. I love when she makes that hollering sound 433 00:26:21,240 --> 00:26:26,399 Speaker 1: when said, yeah, I can't quite do it. No, it's 434 00:26:26,600 --> 00:26:31,160 Speaker 1: I think it has its origins in the Zulu trock apparently, 435 00:26:31,480 --> 00:26:36,560 Speaker 1: which is really interesting. And now my number one, number 436 00:26:36,560 --> 00:26:41,720 Speaker 1: one woman of all time, and this there could be 437 00:26:41,720 --> 00:26:43,640 Speaker 1: a lot of number one's out there, but I think 438 00:26:43,640 --> 00:26:45,280 Speaker 1: I finally and I think I made a choice that 439 00:26:45,400 --> 00:26:51,879 Speaker 1: everyone can adhere to Judge Judy. Oh boy, okay, now 440 00:26:51,920 --> 00:26:56,719 Speaker 1: you're taught Judge Judy. Oh yes, all right, I'm right, 441 00:26:57,520 --> 00:27:04,480 Speaker 1: Judy pop Yeah, right, yep, yep, she runs the courtroom. Yeah, 442 00:27:05,160 --> 00:27:08,480 Speaker 1: you know, it's like, who made you judge jury? An executioner? Well, 443 00:27:08,480 --> 00:27:11,040 Speaker 1: guess what judge duty is all three? That's right, she's 444 00:27:11,119 --> 00:27:14,040 Speaker 1: all three and she is fast, she knows the law. 445 00:27:15,160 --> 00:27:18,400 Speaker 1: She's got a smart hair do. Oh yeah, always looks 446 00:27:18,400 --> 00:27:21,600 Speaker 1: her best, always the best lighting in the business. And 447 00:27:22,160 --> 00:27:28,400 Speaker 1: she's got a no BS filter which is so refreshing today. Absolutely, Ron, 448 00:27:29,160 --> 00:27:31,960 Speaker 1: this is a world of spin. You get no spin, 449 00:27:32,240 --> 00:27:35,840 Speaker 1: Judge Judy. Right, no, no, no, never will you walk 450 00:27:35,880 --> 00:27:39,320 Speaker 1: into that courtroom and if you walk out, and I 451 00:27:39,359 --> 00:27:41,560 Speaker 1: think you have to, you have to accept the verdict. 452 00:27:41,640 --> 00:27:44,960 Speaker 1: That's right. No. Judge Judy is the ultimate equalizer. You 453 00:27:44,960 --> 00:27:47,639 Speaker 1: know the TV show The Equalizing Equalizer. I believe it 454 00:27:47,720 --> 00:27:51,160 Speaker 1: was based on the life of Judge Judy. Oh yeah, 455 00:27:51,840 --> 00:27:54,960 Speaker 1: that's good, Carolina. Did you know that? Why didn't you 456 00:27:55,000 --> 00:27:57,880 Speaker 1: should have put that in the notes? I love Judge Judy. 457 00:27:57,960 --> 00:28:01,560 Speaker 1: Watch her every single And here's the thing. She's a 458 00:28:01,600 --> 00:28:04,879 Speaker 1: real judge's real judge. She's not just laying at it. 459 00:28:05,200 --> 00:28:08,000 Speaker 1: There are a lot of TV judges who are not 460 00:28:08,200 --> 00:28:11,119 Speaker 1: real judges. Judge Judy is a real judge. If you 461 00:28:11,160 --> 00:28:14,080 Speaker 1: had to go to small Claims Court. Considering your notoriety, 462 00:28:14,200 --> 00:28:15,800 Speaker 1: would you rather do it in private or if you've 463 00:28:15,800 --> 00:28:18,600 Speaker 1: had a chance to go on Judge Judy to settle 464 00:28:18,640 --> 00:28:21,879 Speaker 1: your claim, what would you do? Oh, that's an easy answer. 465 00:28:21,960 --> 00:28:23,800 Speaker 1: I would go on Judge. I would too, you know, 466 00:28:23,840 --> 00:28:27,440 Speaker 1: because listen, I know that I would get a fair verdict. 467 00:28:27,920 --> 00:28:31,200 Speaker 1: And also i'd be in the company of greatness. Definitely 468 00:28:31,240 --> 00:28:34,520 Speaker 1: would because I am I think she is for me, 469 00:28:34,560 --> 00:28:37,880 Speaker 1: And listen, I've met a lot of stars. President Company 470 00:28:38,000 --> 00:28:43,080 Speaker 1: excluded the thing Carolina, he's talking to me. Yeah, the 471 00:28:43,120 --> 00:28:47,640 Speaker 1: thing is, I'm not really that impressed with stars. But 472 00:28:47,800 --> 00:28:50,200 Speaker 1: if I were in the presence of Judge Judy, you 473 00:28:50,200 --> 00:28:53,920 Speaker 1: get a little nervous goodness, Yes, I would get a 474 00:28:53,960 --> 00:28:57,560 Speaker 1: little I would look at my I'm shaking just thinking 475 00:28:57,600 --> 00:29:01,440 Speaker 1: about hanging out with Judge. Absolutely are. Let's go back 476 00:29:01,480 --> 00:29:03,520 Speaker 1: to Abitha. Okay, if you would look down into the 477 00:29:03,520 --> 00:29:07,760 Speaker 1: crowd and there's Judge Judy, Yeah, just having the best time. 478 00:29:08,480 --> 00:29:10,600 Speaker 1: Would you bring her up on stage or would you 479 00:29:10,680 --> 00:29:13,160 Speaker 1: let her have her privacy? No, this because I watched 480 00:29:13,240 --> 00:29:15,320 Speaker 1: Judge Judy. I know the answer to this. I would 481 00:29:15,360 --> 00:29:20,000 Speaker 1: let her have her private sanctity of having a regular life. Yeah. Yeah, 482 00:29:20,080 --> 00:29:23,720 Speaker 1: and that's a testament to you. Well, well, i'd want 483 00:29:23,760 --> 00:29:26,040 Speaker 1: her to have a good time. I wouldn't just let 484 00:29:26,040 --> 00:29:29,160 Speaker 1: her hair down, let her hair down, take that judge's 485 00:29:29,280 --> 00:29:33,320 Speaker 1: robe off, and get soaking wet. I'd probably ask her 486 00:29:33,320 --> 00:29:36,000 Speaker 1: what she want to hear? Now, I think my guest, 487 00:29:37,120 --> 00:29:39,680 Speaker 1: my guests from Judge Judy, what she'd want to hear. 488 00:29:39,760 --> 00:29:43,120 Speaker 1: I think she'd probably some maybe some depeche Mode, and 489 00:29:43,120 --> 00:29:45,960 Speaker 1: then she'd probably love some motown. I think she would 490 00:29:46,000 --> 00:29:49,800 Speaker 1: go with some mode. It's always probably shotgun by your music. 491 00:29:49,920 --> 00:29:52,160 Speaker 1: You know, your music, Junior Walker in the All Stars 492 00:29:52,280 --> 00:29:55,400 Speaker 1: shot Gun. I'm sure that would really turn Judge Judy out. 493 00:29:55,880 --> 00:29:57,680 Speaker 1: You know, I wonder if she'd think it fun if 494 00:29:57,680 --> 00:30:00,720 Speaker 1: you played it I shot the Sheriff, which version, the 495 00:30:00,880 --> 00:30:05,200 Speaker 1: Eric Clapton or the Bob Marley version. I would say 496 00:30:04,680 --> 00:30:08,320 Speaker 1: Bob Marley, Bob Marley. Even though she probably doesn't smoke, 497 00:30:08,920 --> 00:30:11,520 Speaker 1: I was going to say, when she takes that Judge's 498 00:30:11,640 --> 00:30:14,000 Speaker 1: room off, all bets are off. I don't know if 499 00:30:14,080 --> 00:30:17,880 Speaker 1: she would smoke the g because because they're a huge, well, 500 00:30:17,960 --> 00:30:20,680 Speaker 1: the clarity of as big as her hand. Well, I 501 00:30:20,680 --> 00:30:24,000 Speaker 1: don't think so, you're not picturing. I don't want, you know, 502 00:30:24,120 --> 00:30:27,680 Speaker 1: I just think that there's some purity there with clarity 503 00:30:27,680 --> 00:30:29,640 Speaker 1: with Judge Study. Yeah, that's true. She's got to be 504 00:30:29,680 --> 00:30:31,680 Speaker 1: on her game. She's on her game, and you know, 505 00:30:31,720 --> 00:30:34,520 Speaker 1: it amazes me when I watch it how she's able 506 00:30:34,560 --> 00:30:37,040 Speaker 1: to pull up. I learned most of my Yiddish from 507 00:30:37,120 --> 00:30:41,320 Speaker 1: judges from I really do she Once I heard her say, listen, madam, 508 00:30:41,360 --> 00:30:43,600 Speaker 1: this isn't a whole ship to story. And I had 509 00:30:43,600 --> 00:30:46,280 Speaker 1: to look a look up what means, which is it's 510 00:30:46,320 --> 00:30:48,920 Speaker 1: I don't know what it means. It's an old grandmother's tail. 511 00:30:49,040 --> 00:30:52,480 Speaker 1: It's a big, long story that goes on and on 512 00:30:52,520 --> 00:30:55,920 Speaker 1: and on and on. Yes, in the end exactly. So 513 00:30:56,080 --> 00:30:59,920 Speaker 1: I get my my my from Judge Judy. You get 514 00:31:00,000 --> 00:31:02,280 Speaker 1: your knowledge of the law, my knowledge of the law, 515 00:31:02,440 --> 00:31:04,800 Speaker 1: because you know what I learned from You can't change 516 00:31:04,800 --> 00:31:07,280 Speaker 1: a contract after an agreement has been made. You can't 517 00:31:07,360 --> 00:31:10,400 Speaker 1: change the terms of a contract after the agreement has 518 00:31:10,440 --> 00:31:15,200 Speaker 1: been made, Carolina, thank you take notes. Yes, that's a judge. 519 00:31:15,440 --> 00:31:19,360 Speaker 1: This is going to come in such handy. Yeah it is. 520 00:31:19,960 --> 00:31:22,640 Speaker 1: I think in case we have to shoo these guys 521 00:31:22,720 --> 00:31:28,000 Speaker 1: for back pay. Well, now you know, now you know RuPaul, 522 00:31:28,160 --> 00:31:31,240 Speaker 1: We cannot thank you enough for joining us. We've gone 523 00:31:31,240 --> 00:31:34,479 Speaker 1: through a very thorough and extensive list. We got some 524 00:31:34,560 --> 00:31:37,880 Speaker 1: insight into your world and how you do your show, 525 00:31:38,440 --> 00:31:42,280 Speaker 1: your views on gender, etcetera. Um, thank you so much, 526 00:31:42,360 --> 00:31:44,920 Speaker 1: Thank you so much. And next time you're in a 527 00:31:45,000 --> 00:31:49,680 Speaker 1: bitha drop us a line. Will Sure, Yeah, I could 528 00:31:49,880 --> 00:31:52,680 Speaker 1: help DJ. Sure? Yeah. What would you be your first 529 00:31:52,800 --> 00:31:56,840 Speaker 1: the first song you played? Run? I would probably play 530 00:31:57,160 --> 00:32:00,720 Speaker 1: a song that's not played at a lot of parties. Um, 531 00:32:01,760 --> 00:32:06,400 Speaker 1: but the oh gosh, oh is it stepping Wolf? Don't, don't, don't, don't, 532 00:32:06,440 --> 00:32:08,719 Speaker 1: don't step in wolf? No, it's the song from Animal 533 00:32:08,760 --> 00:32:13,960 Speaker 1: House A little bit louder, shout shout, yes have you 534 00:32:14,000 --> 00:32:17,160 Speaker 1: heard that song before? Yes? Oh okay, yes, I thought 535 00:32:17,200 --> 00:32:20,840 Speaker 1: I was the only one who heard it. Be okay, 536 00:32:21,680 --> 00:32:23,680 Speaker 1: see what do I know? Big song? I would start 537 00:32:23,720 --> 00:32:26,240 Speaker 1: with shout okay, no, it's a crowd please, but maybe 538 00:32:26,240 --> 00:32:29,080 Speaker 1: I should build up to that. Okay, but why not? 539 00:32:29,480 --> 00:32:33,720 Speaker 1: Maybe Blackbird the Beatles by the Beatles. That's a somber 540 00:32:33,880 --> 00:32:36,959 Speaker 1: song to dance for a party. But everyone's just getting there, 541 00:32:37,000 --> 00:32:42,520 Speaker 1: they're trying to feel the vibe, the lonely one. But yes, yeah, 542 00:32:42,560 --> 00:32:44,360 Speaker 1: I mean that's what they're playing in my zoom baglass. 543 00:32:44,560 --> 00:32:47,280 Speaker 1: They started with Blackbird. Maybe that's why I was so 544 00:32:47,360 --> 00:32:52,479 Speaker 1: bad at it. Maybe? Yeah. Alright, well, once again our 545 00:32:52,560 --> 00:32:55,920 Speaker 1: thanks to Rue Paul, and we will we'll be right 546 00:32:55,920 --> 00:33:04,280 Speaker 1: back after this and we are back you listening to 547 00:33:04,320 --> 00:33:08,840 Speaker 1: the Ron Burgundy podcast. Uh, we were just very stimulating, 548 00:33:09,120 --> 00:33:13,840 Speaker 1: lightning conversation with Mr RuPaul, and now Carolina is here 549 00:33:13,920 --> 00:33:17,080 Speaker 1: with our fact check. All right, well, um, today we 550 00:33:17,320 --> 00:33:20,920 Speaker 1: did okay, Um, I just have a few things. Great. 551 00:33:21,160 --> 00:33:26,720 Speaker 1: The artist who did the taxi theme is Bob James. Um. 552 00:33:26,760 --> 00:33:31,160 Speaker 1: The man who did the Peanuts music is not the 553 00:33:31,280 --> 00:33:35,520 Speaker 1: legendary Green Bay Packers coach of Vince Lombardi. It is 554 00:33:35,840 --> 00:33:41,000 Speaker 1: Vince Giraldi. And Equalizer, the Equalizer TV show has nothing 555 00:33:41,040 --> 00:33:43,520 Speaker 1: to do with Judge Judy Great. Um is what my 556 00:33:43,600 --> 00:33:48,640 Speaker 1: research is telling me. All right, thank you for cleaning 557 00:33:48,720 --> 00:33:55,160 Speaker 1: up the trash can fire. Well here are my final thoughts. Women, 558 00:33:55,960 --> 00:33:59,960 Speaker 1: Who are they? They're in our houses, in our supermarket, 559 00:34:00,600 --> 00:34:04,400 Speaker 1: in our movies, and in our coffins. But who are 560 00:34:04,440 --> 00:34:09,640 Speaker 1: they really? Where do these miraculous creatures come from? You 561 00:34:09,800 --> 00:34:13,920 Speaker 1: guessed it? More? Women, It's like those little Russian dolls. 562 00:34:14,640 --> 00:34:17,840 Speaker 1: We might never get to the bottom of the female mind, 563 00:34:18,600 --> 00:34:21,520 Speaker 1: what it looks like if it's pink or gray. But 564 00:34:21,640 --> 00:34:24,680 Speaker 1: I think we've learned a lot about the female heart 565 00:34:25,600 --> 00:34:31,160 Speaker 1: and the male heart, specifically mine, which, thanks to Diana Ross, 566 00:34:31,280 --> 00:34:36,560 Speaker 1: is currently broken. But the joke's on her because I 567 00:34:36,600 --> 00:34:40,560 Speaker 1: will call her over and over again and drive down 568 00:34:40,600 --> 00:34:44,600 Speaker 1: her street laying on my horn, because that's how you 569 00:34:44,719 --> 00:34:51,240 Speaker 1: tell a woman you love her. This is Ron Burgundy, 570 00:34:51,480 --> 00:34:55,160 Speaker 1: and thank you once again for spending your precious time 571 00:34:56,040 --> 00:35:10,880 Speaker 1: listening to the Ron Burgundy podcast. Time compaign round the 572 00:35:10,960 --> 00:35:13,920 Speaker 1: Ron Burgundy Podcast. It's a production of I Heart Radio 573 00:35:14,000 --> 00:35:17,960 Speaker 1: podcast Network and Funnier Die. I'm Ron Burgundy, I'm the host, 574 00:35:18,000 --> 00:35:21,680 Speaker 1: writer and executive producer. Carolina Barlow is my co host, 575 00:35:21,760 --> 00:35:25,480 Speaker 1: writer and producer. The show was also produced by Whitney Hodeck, 576 00:35:25,800 --> 00:35:29,840 Speaker 1: Jack O'Brien, Miles Gray, and Nick Stuff. Our executive producer 577 00:35:29,920 --> 00:35:33,319 Speaker 1: is Mike farre Our consulting producer is Andrew Steeve. Our 578 00:35:33,360 --> 00:35:37,600 Speaker 1: associate producer is Anna Hosnier. Our writer is Jake Fogelis. 579 00:35:37,920 --> 00:35:42,560 Speaker 1: Our production supervisor is Colin McDougal. This episode was engineered, mixed, 580 00:35:42,640 --> 00:35:46,000 Speaker 1: and edited by Nick stumming. See you next Thursday on 581 00:35:46,040 --> 00:35:48,200 Speaker 1: the Ron Burgundy podcast.