1 00:00:01,920 --> 00:00:04,320 Speaker 1: Welcome to brain Stuff, a production of I Heart Radio, 2 00:00:06,160 --> 00:00:10,280 Speaker 1: Hey brain Stuff, Lauren Bolga Bam here. When you're an 3 00:00:10,280 --> 00:00:14,080 Speaker 1: astronaut aboard the International Space Station or I S S, 4 00:00:14,560 --> 00:00:19,040 Speaker 1: every part of your daily routine automatically becomes interesting, whether 5 00:00:19,079 --> 00:00:22,799 Speaker 1: it's going to the bathroom or watching TV. That same 6 00:00:22,840 --> 00:00:26,920 Speaker 1: logic applies to one of human kind's oldest passions music. 7 00:00:28,400 --> 00:00:32,000 Speaker 1: Retired Canadian Space Agency or c S, A astronaut and 8 00:00:32,120 --> 00:00:35,280 Speaker 1: I s S veteran Chris Hadfield has said that when 9 00:00:35,320 --> 00:00:37,839 Speaker 1: you break into song in the Final Frontier, it can 10 00:00:37,920 --> 00:00:41,440 Speaker 1: sound a little bit nasal. He told Great Britain's five 11 00:00:41,520 --> 00:00:45,880 Speaker 1: News in interview, it's a little weird because you're congested. 12 00:00:46,040 --> 00:00:49,879 Speaker 1: Your scienus is never drained properly. Not that he let 13 00:00:49,920 --> 00:00:53,199 Speaker 1: that stop him. Had Field caused a musical sensation in 14 00:00:54,200 --> 00:00:57,400 Speaker 1: by covering David Bowie's Space Oddity on the I S S. 15 00:00:58,080 --> 00:01:01,840 Speaker 1: Collaborating with his Earthbound son, Hadfield put together a music 16 00:01:01,920 --> 00:01:06,480 Speaker 1: video filming the entire performance. The late Bowie himself described 17 00:01:06,480 --> 00:01:09,640 Speaker 1: it as quote possibly the most poignant version of the 18 00:01:09,680 --> 00:01:15,800 Speaker 1: song ever created. It even included instrumentation. Hadfield had an 19 00:01:15,800 --> 00:01:19,560 Speaker 1: acoustic guitar at his disposal. The instrument had been a 20 00:01:19,600 --> 00:01:22,240 Speaker 1: fixture on the space station since two thousand one, when 21 00:01:22,319 --> 00:01:26,520 Speaker 1: NASA sent it there. To give you some context, the 22 00:01:26,600 --> 00:01:29,560 Speaker 1: first is S segment was launched into orbit on November 23 00:01:29,600 --> 00:01:33,480 Speaker 1: twentieth of nineteen ninety eight, and for almost as long 24 00:01:33,520 --> 00:01:36,319 Speaker 1: as there's been an International Space station there have been 25 00:01:36,360 --> 00:01:41,120 Speaker 1: astronauts playing music on board, but the historical president goes 26 00:01:41,160 --> 00:01:45,360 Speaker 1: back way before that. Gemini astronauts Walter Cherra and Thomas 27 00:01:45,400 --> 00:01:48,800 Speaker 1: Stafford played jingle bells in space on December fifteenth of 28 00:01:48,920 --> 00:01:52,560 Speaker 1: nineteen sixty five, using some bells and a harmonica that 29 00:01:52,600 --> 00:01:56,400 Speaker 1: they had taken along for the trip. Musical instruments have 30 00:01:56,640 --> 00:02:00,320 Speaker 1: from the very beginning served as IOSS morale boost sters 31 00:02:00,360 --> 00:02:04,560 Speaker 1: as well. Before NASA's Carl Waltz made his debut on 32 00:02:04,600 --> 00:02:07,080 Speaker 1: the station in two thousand one, he said it would 33 00:02:07,080 --> 00:02:09,760 Speaker 1: be nice to take a keyboard up there. He got 34 00:02:09,800 --> 00:02:13,040 Speaker 1: his wish, but certain adjustments had to be made. Whenever 35 00:02:13,080 --> 00:02:18,040 Speaker 1: Waltz played his keys, he kept himself grounded with foot restraints. Also, 36 00:02:18,160 --> 00:02:20,400 Speaker 1: he had wind a bungee cord around his legs to 37 00:02:20,480 --> 00:02:24,280 Speaker 1: hold the instrument in place. A fellow i S S 38 00:02:24,280 --> 00:02:27,760 Speaker 1: a loom Katie Coleman arrived on the vessel for mission 39 00:02:27,880 --> 00:02:31,200 Speaker 1: with a penny whistle and three flutes in tow. One 40 00:02:31,320 --> 00:02:34,840 Speaker 1: was temporarily lost when an alarm sounded, forcing Coleman to 41 00:02:34,840 --> 00:02:37,600 Speaker 1: release the instrument mid song, but don't worry, she had 42 00:02:37,600 --> 00:02:41,280 Speaker 1: an easy time finding it. Later, Coleman told m I 43 00:02:41,360 --> 00:02:45,280 Speaker 1: t I very much like to play music with other people, 44 00:02:45,480 --> 00:02:47,800 Speaker 1: and I didn't happen to get assigned to a crew 45 00:02:47,880 --> 00:02:52,359 Speaker 1: where anybody else really played music. However, she got to 46 00:02:52,440 --> 00:02:56,360 Speaker 1: join Jethro toulls Ian Anderson for a Space Earth duet 47 00:02:56,720 --> 00:03:00,320 Speaker 1: during the spring of two thousand eleven. Each musician played 48 00:03:00,320 --> 00:03:04,639 Speaker 1: a segment of box Beret in e minor. Anderson recorded 49 00:03:04,720 --> 00:03:08,280 Speaker 1: his performance in Russia, Coleman filmed hers in low Earth orbit. 50 00:03:08,960 --> 00:03:14,120 Speaker 1: Footage from both was later combined and posted online. Besides 51 00:03:14,160 --> 00:03:16,880 Speaker 1: the instruments we've already mentioned, I s S astronauts have 52 00:03:16,919 --> 00:03:20,000 Speaker 1: made music with saxophones, bagpipes, and even a didgery do 53 00:03:20,280 --> 00:03:24,320 Speaker 1: during their flights. Of course, safety is a top priority 54 00:03:24,320 --> 00:03:28,480 Speaker 1: at NASA and aboard the International Space Station. Beneficial as 55 00:03:28,480 --> 00:03:31,799 Speaker 1: they are from a mental health perspective, instruments can't be 56 00:03:31,840 --> 00:03:35,800 Speaker 1: allowed to put a cruise well being at risk. NASA 57 00:03:35,920 --> 00:03:38,840 Speaker 1: Space Station manager Mike Pedley said in a two thousand 58 00:03:38,920 --> 00:03:41,880 Speaker 1: three interview, we test some of them by putting a 59 00:03:41,920 --> 00:03:44,920 Speaker 1: piece of the material into a closed chamber and heating 60 00:03:44,920 --> 00:03:46,480 Speaker 1: it to as much as a hundred and twenty greece 61 00:03:46,520 --> 00:03:50,840 Speaker 1: fahrenheit or forty nine degrees celsius for three days. Such 62 00:03:50,880 --> 00:03:54,920 Speaker 1: tests can reveal a lot about potential safety hazards. One 63 00:03:54,960 --> 00:03:57,600 Speaker 1: component that has to be examined is the alcohol that 64 00:03:57,680 --> 00:04:02,160 Speaker 1: instrument manufacturers often use as a cleaning solvent. Hedley noted 65 00:04:02,440 --> 00:04:05,360 Speaker 1: something like benzene is relatively toxic, and it would only 66 00:04:05,400 --> 00:04:09,839 Speaker 1: take a small amount to make the hardware unacceptable. That's 67 00:04:09,840 --> 00:04:13,080 Speaker 1: why the guitar Hatfield played was built with non flammable 68 00:04:13,120 --> 00:04:19,120 Speaker 1: material and lacked benzine altogether. Now we're just guessing here, 69 00:04:19,360 --> 00:04:23,159 Speaker 1: but since nobody likes floating debris in their workspace, Pete 70 00:04:23,160 --> 00:04:26,839 Speaker 1: Townsend style guitar smashing is probably a big no no. 71 00:04:27,200 --> 00:04:30,080 Speaker 1: On the I S S, Save That Stuff or Earth. 72 00:04:35,240 --> 00:04:38,159 Speaker 1: Today's episode is based on the article Astronauts love to 73 00:04:38,240 --> 00:04:40,800 Speaker 1: Rock it Out in Space on how Stuff works dot com, 74 00:04:40,839 --> 00:04:43,839 Speaker 1: written by Mark Mancini. Brain Stuff is production of iHeart 75 00:04:43,920 --> 00:04:46,240 Speaker 1: Radio in partnership with how Stuff works dot com and 76 00:04:46,240 --> 00:04:49,200 Speaker 1: it is produced by Tyler Playing. Four more podcasts from 77 00:04:49,200 --> 00:04:52,280 Speaker 1: my Heart Radio. Visit the iHeart Radio app, Apple Podcasts, 78 00:04:52,360 --> 00:04:54,200 Speaker 1: or wherever you listen to your favorite shows.