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Speaker 1: Hey, everybody, and welcome to this afternoon edition of other Things.

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Speaker 1: You're trying running through my running the thing you're trying

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Speaker 1: remember that band tattoo in the style of pain to

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Speaker 1: turn into a title. Just we'll just call it all

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Speaker 1: the things you trend That's what we'll call it. That

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Speaker 1: is from Johnny Davis short show title spice.

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Speaker 2: Uh.

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Speaker 1: That's the moniker there and I'm joined in the second

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Speaker 1: seat guest co pilot, guest co host. Some of y'all

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Speaker 1: who are down with four twenty fiance already know the

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Speaker 1: legend that is Brian. But for those of you that

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Speaker 1: also is in the show and you hear about producer Brian,

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Speaker 1: well here he is, Breeze Nai, Welcome to the show.

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Speaker 2: It's a me.

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Speaker 1: It's a me Brian. That's kind of that feels a

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Speaker 1: little odd. It's a me Brian.

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Speaker 2: Yeah, that's how you get it.

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Speaker 1: Let's tell people what is trending right now. The first one,

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Speaker 1: Chuck E Cheese is trending because it was announced that

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Speaker 1: they will be removing those yanky animatronic fucking bands and

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Speaker 1: ship from all their location except for one in California,

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Speaker 1: because they want to preserve the nostalgia vibrations. No, this

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Speaker 1: is what's so funny. They've been doing this for like years.

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Speaker 1: I felt like when we started this podcast, it was

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Speaker 1: they were like, yeah, we're going to be offlining it,

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Speaker 1: and like it was people were like trying to buy

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Speaker 1: the fucking Chuck Chees remember the Yeah, yeah, yeah.

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Speaker 2: They were, they were they were selling.

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Speaker 1: Ship yeah exactly. So this doesn't quite strike me as news,

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Speaker 1: but a lot of people are, like some one website was,

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Speaker 1: They're trying to speculate that. It's like, oh dude, it's

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Speaker 1: probably because a five night at freddy.

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Speaker 3: Yeah, it just seems like an odd time to like,

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Speaker 3: I don't know if five nights at Freddy's makes people

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Speaker 3: want to go to a Chuck e Cheese necessarily. But

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Speaker 3: it's like, I mean, their visibility is up.

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Speaker 2: Or is it?

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Speaker 1: Or is it there? I mean, are they trying to

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Speaker 1: be like, yeah, man, they're probably afraid that those fucking

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Speaker 1: those fuckers are going to come to life and kill people.

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Speaker 2: That's the way.

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Speaker 3: That's way more interesting than my cynical thought of maybe

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Speaker 3: they're just trying to like make like a ship ton

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Speaker 3: of eBay money off of selling these animatronic things, like

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Speaker 3: oh right, selling.

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Speaker 2: Them as haunted.

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Speaker 1: Why not, Oh would you buy a haunted Chucky cheese?

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Speaker 1: And I don't know, I don't like them enough. I

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Speaker 1: bet Jamie Loftus would probably, that's like her whole.

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Speaker 2: Thing, so haunted with what right it goes?

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Speaker 1: Not like like what kind of like it has? No,

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Speaker 1: it's like it doesn't have the spirit of a murderer.

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Speaker 1: It's just like we'd type situation. Nah nah, but weird

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Speaker 1: shit happens around these yanky robots.

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Speaker 3: I don't mind a little bit of spookery. I think

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Speaker 3: in theory, I've never been spooked, but yeah, same, you know,

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Speaker 3: if you want to open up all my cabinets or

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Speaker 3: like rearrange the furniture, I don't give a shit.

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Speaker 2: It's like, I don't know. If that's all they got,

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Speaker 2: then that's fine.

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Speaker 1: That's so funny, like a movie about a dude who's

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Speaker 1: being haunted. But like it's just like they're like minor inconveniences.

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Speaker 1: When other people be like, dude, a fucking ghost is

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Speaker 1: doing You're like, yeah, usually what.

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Speaker 3: A ghost movie is to me at least, it's a

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Speaker 3: lot of like moving furniture around, rearranging stuff. Yes, inconvenient,

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Speaker 3: but yeah, it's just I don't get the I don't

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Speaker 3: get it. I don't get what I ghosts.

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Speaker 1: You know what, I bet it would be a bridge

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Speaker 1: too far if they started fucking with your like audio equipment.

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Speaker 2: Uh yeah, if they fuck with my routing it's ugly.

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Speaker 1: Yeah that's what I mean. So then what that's what's

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Speaker 1: so funny? It's hyper specific. And then people were like,

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Speaker 1: this isn't a fucking horror movie.

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Speaker 2: Yes it was.

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Speaker 3: If there was a ghost of some old sour engineer

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Speaker 3: that just wanted to fuck with me specifically, Yeah, that

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Speaker 3: would be a fun That would be a nightmare.

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Speaker 1: Yeah, turn down your backup power supply and then cut

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Speaker 1: the touch your breakers and shit, and then be like a,

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Speaker 1: I look at you that you could save your work, asshole.

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Speaker 2: Surprise.

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Speaker 1: Another thing to talk about, since we both love music,

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Speaker 1: is okay, this sphere you know that like is going

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Speaker 1: up in Vegas that everyone's like, holy shit, it's making

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Speaker 1: me sick being inside of it. But it's also kind

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Speaker 1: of insane. The apparently we're gonna get one in Los

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Speaker 1: Angeles where you used to live. It might might be

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Speaker 1: a way to coax you back, because apparently on Sunset Boulevard,

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Speaker 1: another thing called this sphere is going up, but apparently.

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Speaker 2: The people fucking rinky dank.

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Speaker 1: Yeah, this one looks fucking This looks jankier than a

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Speaker 1: fucking chuck e cheese robot.

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Speaker 3: It does not trigger my megalophobia. I distinctly remember in Vegas,

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Speaker 3: from whatever arena we were at, you can see basketball. Yeah, yeah, yeah,

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Speaker 3: And from that distance, my mind was extrapolating being right

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Speaker 3: next to Yeah, what that, I have megalophobia like big objects. Yeah,

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Speaker 3: shp my brain and I was I couldn't even look

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Speaker 3: at it. I couldn't even look at it from the outside.

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Speaker 3: My my friend went to go see you too, and

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Speaker 3: really the yeah, the video she shot from inside is

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Speaker 3: just like it's wild. It's like I'm like equally terrified,

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Speaker 3: and I'm like, I have to I might have to go.

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Speaker 3: I hate you too, but I might have to go

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Speaker 3: see you too because that shit looks amazing.

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Speaker 1: Yeah, I mean, I'm basically in because of Marco Brambia

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Speaker 1: did the the visuals.

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Speaker 2: Oh I thought it looked familiar.

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Speaker 1: He did Ye did the Power video right, Yeah, exactly,

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Speaker 1: and he did Demolition Man. He was the only film

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Speaker 1: he directed was Demolition Man, and yeah, it was a

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Speaker 1: great visual artist. Oh yeah, yeah like that. So that combined,

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Speaker 1: I mean, I guess I could sit through, like you know,

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Speaker 1: those trait and then be like, well, ship visuals are hidden.

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Speaker 3: I'll just put in my noise canceling ebuds and I'll

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Speaker 3: listen to something else while I watched the show.

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Speaker 1: Yeah, this one is not even fucking close to what

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Speaker 1: is happening in Vegas. But also I love that the

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Speaker 1: people who are making the sphere, like who actually made

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Speaker 1: this here in Vegas immediately came at these people in

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Speaker 1: La were like, hey man, once you back the fuck up,

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Speaker 1: there's a potential conflict and confusion, which is legally saying, yo,

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Speaker 1: watch your fucking back. Maybe you need to rethink the

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Speaker 1: fucking name. Because it looks like a.

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Speaker 3: Giant globe more than the sphere. This is not a

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Speaker 3: singular thing like the Sphere.

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Speaker 1: No, it has like multiple screens wrapping it up. It

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Speaker 1: looks like if they've made a third of the Death

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Speaker 1: Star advertising space.

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Speaker 2: It kind of looks like.

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Speaker 3: This, and I you know, I didn't read too deeply

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Speaker 3: into it, but it doesn't look like there's seating inside

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Speaker 3: of it for thousands of fucking people. So I'm like,

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Speaker 3: maybe you can fit one guy in there.

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Speaker 1: It's gonna be between a Best Western and another hotel

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Speaker 1: on sun'sset.

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Speaker 3: It's gonna be between a Best Western and another Best.

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Speaker 1: It's really not They're really not coming with it with

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Speaker 1: this one. But hey, we can dream, can't we uh

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Speaker 1: to one day have our own sphere? I mean, like,

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Speaker 1: I'm not gonna lie. I do want to just have my.

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Speaker 3: When I saw when I saw my friend posted, I

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Speaker 3: immediately looked up concert schedule the sphere because I'm like,

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Speaker 3: are they gonna have anything I'm into there?

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Speaker 2: Because I will fly out right for that.

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Speaker 1: Yeah, I know, are there any other artists that they've

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Speaker 1: even I don't think there are.

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Speaker 3: No, there's not a whole lot they have like the

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Speaker 3: experience where they just showcasing footage and stuff shot for

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Speaker 3: that screen because they have they have a whole like

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Speaker 3: new camera system just for that interior screen because it's

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Speaker 3: so whatever.

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Speaker 2: The it is.

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Speaker 1: Yeah, well, anyway, like let's just let's move on to

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Speaker 1: our next interesting topic. Some apparently Mark m Wayne Mullen,

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Speaker 1: Senator Mark Wayne Mullen, he wanted to catch a fade.

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Speaker 2: Yeah, the Senate.

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Speaker 1: This guy has big, tough guy energy. So let me

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Speaker 1: set the scene for you. There's a hearing going on

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Speaker 1: and the Teamsters boss Sean O'Brien is in there. If

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Speaker 1: you remember we've talked about him before, because I believe

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Speaker 1: it was back in June of this year. You know

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Speaker 1: Mark Wayne Mullen, Senator, Mark Well, he's got he's got

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Speaker 1: a bit of an anti like hostile towards labor streak

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Speaker 1: in him, so of course that's not going to sit

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Speaker 1: well with a union boss. And there was a picture

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Speaker 1: of him at a primary debate where he was, you know,

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Speaker 1: he didn't want to cop to his height like you know,

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Speaker 1: conservative men obviously, uh toxic masculinity reigned supreme in this country.

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Speaker 1: But he was shown he was standing on a box

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Speaker 1: so he could look, you know, in similar stature to

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Speaker 1: someone he was debating.

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Speaker 2: And Sean O'Brien, let me.

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Speaker 3: Just jump, I think this is more production than anything

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Speaker 3: else personally, of like framing the shot and having someone

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Speaker 3: considerably shorter the whole shot.

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Speaker 1: So they're going to like, yo, bro, you're oh short,

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Speaker 1: You're making it harder for our camera operators.

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Speaker 2: But isn't that what they do right?

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Speaker 1: Like they can't, I mean, but that would be for

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Speaker 1: something where like you have to have everything like the

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Speaker 1: lighting is so specific. But I feel like on Brad

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Speaker 1: like they're not imagine if this was someone who.

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Speaker 2: Was much the lighting it's super even.

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Speaker 1: Yeah, they're not gonna be like, hey man, you're gonna

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Speaker 1: have to stand on like six apple boxes regardless, right

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Speaker 1: the Sean O'Brien tweeted this in June with this picture

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Speaker 1: of him on the debate that this debate set or

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Speaker 1: whatever and said, greedy ceo who pretends like he's self

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Speaker 1: made in reality just the clown and fraud. Always has been,

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Speaker 1: always will be quite the tough guy act in these

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Speaker 1: senate hearings. You know where to find me any place, anytime, cowboy,

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Speaker 1: because you know, he had a lot of shit to

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Speaker 1: say about organized labor. So he got his chance because

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Speaker 1: Sean O'Brien was in the building. Senator Mark Wayne Mullen

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Speaker 1: and Mark Wayne Mullen did not forget. I do want

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Speaker 1: to keep in mind. Well let's just point either. No,

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Speaker 1: let's just let the people. Well, this is what you

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Speaker 1: came for. This could have been pay per view, but

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Speaker 1: here we go. This clip is going to start off

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Speaker 1: with Senator Mullen being like, let me read some receipts,

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Speaker 1: of how this guy cooked me on Twitter basically, and

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Speaker 1: it goes from there.

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Speaker 4: It's like he's self made. Sor I wish he was

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Speaker 4: in the truck with me when I was building my

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Speaker 4: plumbing company, myself and my wife was running the office,

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Speaker 4: because I should remember working pretty hard in long hours.

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Speaker 1: I just do want to pause there, he said, when

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Speaker 1: I was building my plumbing company. This is from his

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Speaker 1: Wikipedia page. In nineteen ninety seven, at age twenty, Mullen

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Speaker 1: took over his father's business, Mullen Plumbing. Okay, so anyway,

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Speaker 1: just keep that in mind.

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Speaker 4: R TUN's like he's self made. What a clown fraud,

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Speaker 4: always has been, always will be. Quit the tough guy

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Speaker 4: act in these senate hearings. Do you know where to

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Speaker 4: find me any place? Anytime?

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Speaker 2: Cowboy?

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Speaker 4: Sorry, this is a time. This is a place, and

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Speaker 4: around your mouth. We can be too consenting adults. If

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Speaker 4: we can finish it here, Okay, that's fine, perfect, you

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Speaker 4: want it now, I'd love to do it right now.

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Speaker 4: We'll stand your butt up.

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Speaker 2: You stands up on them. He stands up.

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Speaker 3: He didn't just stand up, he damn there flips his

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Speaker 3: tear over.

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Speaker 1: Bernie's like, yo, chill, chill.

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Speaker 3: If we can't, No, I have This is what he said, Dad,

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Speaker 3: this is what he said.

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Speaker 1: So then Bernie like he calm ship down, gives Sean

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Speaker 1: O'Brien a moment to speak his piece, and Sean O'Brien

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Speaker 1: even fucking just further violating this senator, hold it.

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Speaker 2: Answer the questions all.

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Speaker 1: Right, you'll want if I he he made a lot

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Speaker 1: of statements, right, and his statements of fiction.

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Speaker 2: At best, answer the question.

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Speaker 4: Please, I can't understand him to be honest with you,

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Speaker 4: just a little getting a little testy there.

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Speaker 1: But yeah, it is interesting to know that he said

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Speaker 1: he is worth about it said at the end of

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Speaker 1: twenty twenty one, his reported assets increased to a range

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Speaker 1: of thirty one to seventy five million, compared to a

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Speaker 1: range of seven to twenty nine million at the end

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Speaker 1: of twenty twenty and apparently this was from the sale

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Speaker 1: of plumbing related companies to Hometown Services. So anyway, he's

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Speaker 1: got this man's making money but still want.

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Speaker 2: To pick in sanitarition. He's not doing that like everybody else.

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Speaker 1: No, I sold my business that I inherited. I think

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Speaker 1: that's what he takes you know, he takes umbrage with

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Speaker 1: that statement. No, I don't know what state the business.

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Speaker 1: I mean, he very well could have done that, but

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Speaker 1: it's just funny when he like the thin skin, especially

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Speaker 1: when you're getting called out by people who are not millionaires.

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Speaker 1: But anyway, we almost had a bit of a almost

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Speaker 1: you know, could have some fisticuffs traded.

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Speaker 3: Probably not, which is what you'd love to see in

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Speaker 3: elected officials.

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Speaker 1: Because I think he's like also like an He Trains

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Speaker 1: MMA series. You know, he's got tough guy syndrome. I

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Speaker 1: mean it's bad. It's you know, these people walking around

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Speaker 1: with TGS man tough guy syndrome, they just there's only

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Speaker 1: one man that can cure them, and that is me

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Speaker 1: ee alone, tough guy syndrome. All right, let's take a

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Speaker 1: quick break and we'll be right back, and we're back

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Speaker 1: RFK Robert fucking Kennedy Junior. I think is how it works.

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Speaker 1: That guy so like earlier this month, he was he

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Speaker 1: was caught out here on first class on an airplane

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Speaker 1: with his ten toes out, just barefoot walking up the

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Speaker 1: down the aisles on an airplane, which in my book,

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Speaker 1: that is what we call a violation. I would say,

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Speaker 1: this is not your house. Other people have to be

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Speaker 1: there taking your shoes off with the socks.

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Speaker 2: I don't mind that.

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Speaker 1: You gotta let your feet, you know, like being in

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Speaker 1: restrictive shoes doesn't help all the time. Going fully bare

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Speaker 1: foot feels this a little bit too much, Like I

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Speaker 1: don't now, I'm like imagining if your feet thing.

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Speaker 2: I just don't need that. I don't like that, you

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Speaker 2: know what I mean, familiar.

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Speaker 1: But I get it.

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Speaker 2: He's walking.

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Speaker 1: So he was like caught with that, and then apparently

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Speaker 1: like he when a bunch of people were giving him

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Speaker 1: shit about it, He's like got sick ass social media dude,

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Speaker 1: Like whoever's running in social media did a great job

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Speaker 1: because they're basically doubling down and they're like, oh yeah,

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Speaker 1: we'll look at him now at the airport waiting for

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Speaker 1: his flight, just feet fully out in the airport waiting area,

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Speaker 1: like at the gate.

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Speaker 2: The fuck is this now?

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Speaker 3: For some reason, I was picturing him because I hadn't

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Speaker 3: heard about this. I was picturing him and like a

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Speaker 3: T shirt and sweatpants and like flip flops.

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Speaker 2: He's wearing a full ass suit and he's.

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Speaker 3: Got like leather like beetle boots or whatever the fuck

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Speaker 3: he's got there. I assume it's a lot to remove. Yeah,

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Speaker 3: it's just an incongruous look to go barefoot in.

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Speaker 1: A full Yeah, it makes you look just like I

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Speaker 1: don't know, it's.

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Speaker 3: Better if you're but it makes more sense that if

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Speaker 3: you remove don't give a fuck your your foot garments

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Speaker 3: and they happen to be flip flaps, that yeah, you're

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Speaker 3: you're gonna be immediately fare.

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Speaker 1: You can't claim I don't. I d g a F

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Speaker 1: vibes wearing a suit with the button still button, you.

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Speaker 2: Know what I mean. I don't know, man, but hey,

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Speaker 2: it's removed literally and figuratively.

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Speaker 1: Not a good look. Yeah, truly truly. But hey, for

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Speaker 1: those of you, I feel bad when I've seen it.

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Speaker 1: You know, you see posts like that on Twitter all

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Speaker 1: the time. But I remember being on an airplane and

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Speaker 1: seeing like the person get the arm rest surprise when

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Speaker 1: the person behind them like their toes be touching your

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Speaker 1: elbow and ship from the row behind you, and they're like,

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Speaker 1: what the fuck is that? And then someone's fucking feet.

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Speaker 3: No, No, that's it. That is a That is a

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Speaker 3: frank conversation. At least for me, I'm like.

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Speaker 1: Oh, yeah, I mean you know, call me hemingway because

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Speaker 1: it shit about to get earnest. Okay, so let's lastly,

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Speaker 1: we're gonna talk about this on tomorrow's episode. But I

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Speaker 1: can't resist bringing it up again because it is exciting

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Speaker 1: to me as a musician, as a music fan, as

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Speaker 1: just a fan of Outcast. Andre three thousand has a

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Speaker 1: new album coming out. That's right, it's coming out Friday. Okay,

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Speaker 1: it's coming out Friday, and hold on to your butts.

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Speaker 1: There is no rapping on it. It is him on

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Speaker 1: the flute. It is called New Blue Sun, and that

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Speaker 1: feels like such an experimental like flute album name like

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Speaker 1: New Blue Sun. And I'm excited. I honestly, I'm really

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Speaker 1: I'm excited to hear it because I want to see

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Speaker 1: he's such a great artist.

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Speaker 3: I've not been as excited for release in twenty twenty

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Speaker 3: three as I am for this. Just hearing about this,

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Speaker 3: I'm like, this is this is exactly what I need

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Speaker 3: in my life, is experimental flute music from someone who's

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Speaker 3: just out of the game and just trying kind of

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Speaker 3: like be happy and live.

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Speaker 1: Life right exactly, because the first track is acknowledging that,

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Speaker 1: Like the first track is basically like, hey, man, I

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Speaker 1: tried to make her op album, but like this is

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Speaker 1: what happened, and you're like, great, we love you.

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Speaker 3: And I respect that so much of just like I

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Speaker 3: didn't you know, I didn't make some contrived right of content.

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Speaker 1: Yeah right, I.

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Speaker 3: Made what was was true to me. So yeah, I

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Speaker 3: really I really.

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Speaker 2: Like that you get.

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Speaker 1: You see a lot of artists they get like there's

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Speaker 1: like those albums like because their ego just gets the

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Speaker 1: best of them, and they're like they're trying to do what.

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Speaker 3: Their audience or critics expect of them. They're trying to

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Speaker 3: like predict, you know, just taking in all these opinions

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Speaker 3: on like oh, what what they'd like to see next

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Speaker 3: from this guy, and he can really like cloud what

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Speaker 3: you want to do, absolutely, especially when you have a

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Speaker 3: lot of eyes on you.

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Speaker 1: Absolutely. That's why like I always respect artists who fucking

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Speaker 1: I don't care if you take years to make an out,

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Speaker 1: like because there are album people who wait that long,

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Speaker 1: but there are other ones like where they wait years

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Speaker 1: and they put out something even better, like I always

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Speaker 1: talk about Voodoo following up, you know, like d'angelo's second album.

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Speaker 3: My favorite example of this is MGMT because when they

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Speaker 3: came out. They were there were these indie pop sort

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Speaker 3: of electro sounding dart things, and they completely abandoned They

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Speaker 3: abanded it in such a spectacular way that alienated almost

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Speaker 3: everything that people liked about them. And you know, no

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Speaker 3: matter how you feel about MGMT, it's like that second

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Speaker 3: album was like, huh.

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Speaker 1: Wait, so wait, I didn't even know what wait what

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Speaker 1: was that album? Like?

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Speaker 3: It was just like it was an art rock album.

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Speaker 3: It wasn't anything like what you would have expected people doing,

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Speaker 3: like electric Feel or whatever those other songs were. But yeah,

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Speaker 3: they started working with the Flaming Lips producer and making

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Speaker 3: just weirdo ship.

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Speaker 1: Yeah, that's I think that's what's funny, you know, like

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Speaker 1: this is something I feel like creative people talk like,

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Speaker 1: especially in music, right, Like you can tell when an

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Speaker 1: artist is making something for an audience that is outside

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Speaker 1: of them, and you can tell when someone is sincerely

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Speaker 1: expressing themselves and their interests in the way that they

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Speaker 1: know how to best. Drake, Dude, he's lost, bro Roby.

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Speaker 2: Sorry, Yo, stop drinking so much.

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Speaker 1: Every fucking social media post is you fuckings do anything?

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Speaker 2: Do anything else? Abrey please?

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Speaker 1: Yeah, I mean you've already you've made enough.

387
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Speaker 2: Just stop, just stop, do something else.

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Speaker 1: Yeah, because it has it's been it's been a long

389
00:19:47,160 --> 00:19:50,760
Speaker 1: time since I was like, oh okay, cool.

390
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Speaker 2: Although, don't be a writer because your book sucked.

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Speaker 1: Did you have a book?

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Speaker 2: You had a book?

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00:19:55,000 --> 00:19:58,880
Speaker 1: Oh wow, you're you're you're following much closer than I then.

394
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Speaker 2: Was it about?

395
00:19:59,680 --> 00:20:01,600
Speaker 1: Was it about like his like the forty eight Laws

396
00:20:01,600 --> 00:20:03,080
Speaker 1: of Power according to Drake or something.

397
00:20:03,280 --> 00:20:05,920
Speaker 3: I can't remember the title. It was like something titles

398
00:20:06,000 --> 00:20:08,320
Speaker 3: or disappointing or something like that. I can't remember the title,

399
00:20:08,440 --> 00:20:10,359
Speaker 3: ruing everything, titles ruin everything.

400
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Speaker 1: Oh my god, it's like a stream of consciousness.

401
00:20:14,600 --> 00:20:16,920
Speaker 2: Yeah, it's it's it's nonsense.

402
00:20:17,600 --> 00:20:19,639
Speaker 1: Oh and like Fadeon put it out, so it's like

403
00:20:19,640 --> 00:20:21,719
Speaker 1: an art book that's just a fun Yeah, that's just

404
00:20:21,760 --> 00:20:26,400
Speaker 1: another product that ain't that ain't art fam Wow, that's

405
00:20:26,440 --> 00:20:31,360
Speaker 1: like honest, that stream of consciousness book writing from someone

406
00:20:31,480 --> 00:20:33,639
Speaker 1: has no business writing a book is an insult to

407
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Speaker 1: the people that are buying it, which is.

408
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Speaker 3: Funny because he's literally a rapper who My understanding is

409
00:20:39,960 --> 00:20:41,840
Speaker 3: they occasionally have to write things down.

410
00:20:41,920 --> 00:20:44,520
Speaker 2: But yeah, that's not what I'm checking on him.

411
00:20:44,600 --> 00:20:47,440
Speaker 1: Yeah, or at all, Like it's so bad One of

412
00:20:47,480 --> 00:20:50,000
Speaker 1: the things is the stuff you'd be saying on those apps,

413
00:20:50,000 --> 00:20:51,760
Speaker 1: says a lot.

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Speaker 2: That's why that's that's a Trenchent insight. Aubrey.

415
00:20:56,200 --> 00:20:58,640
Speaker 1: Wow, if I didn't know how to keep my comments

416
00:20:58,680 --> 00:21:03,560
Speaker 1: to myself, I'd be commenting stfu bass, this.

417
00:21:03,560 --> 00:21:04,520
Speaker 2: Is this is bad.

418
00:21:04,960 --> 00:21:06,960
Speaker 1: This is bad, this is bad.

419
00:21:07,080 --> 00:21:07,359
Speaker 2: It's not.

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00:21:07,520 --> 00:21:11,360
Speaker 1: Yeah, anyway, real art. Shout out to the real artist. Uh,

421
00:21:11,640 --> 00:21:15,080
Speaker 1: you know, just making things expressing yourself because people will

422
00:21:15,080 --> 00:21:18,600
Speaker 1: pick up on that. Yeah, and I'm excited. Andre can't

423
00:21:18,600 --> 00:21:20,919
Speaker 1: wait to hear it. And you know, inevitably people are

424
00:21:20,920 --> 00:21:23,560
Speaker 1: gonna start like trying to like flip beats out of

425
00:21:23,560 --> 00:21:25,720
Speaker 1: that album and then put his like acapellas on it

426
00:21:25,800 --> 00:21:26,120
Speaker 1: and ship.

427
00:21:26,440 --> 00:21:27,880
Speaker 2: This will be his true legacy.

428
00:21:29,160 --> 00:21:31,920
Speaker 1: So y'all, could you imagine he starts doing some Jethrow

429
00:21:31,960 --> 00:21:37,800
Speaker 1: tall ship Ah with the posture too, he with the

430
00:21:37,840 --> 00:21:42,320
Speaker 1: one on the knee and ship. Oh man, that would

431
00:21:42,359 --> 00:21:43,760
Speaker 1: be so funny, man.

432
00:21:44,359 --> 00:21:47,160
Speaker 3: Yeah, him doing features on other people ship but it's

433
00:21:47,240 --> 00:21:48,399
Speaker 3: just flute Oh.

434
00:21:48,320 --> 00:21:51,320
Speaker 1: Yeah, yeah, yeah, yeah, but that would be wild. It's

435
00:21:51,359 --> 00:21:53,600
Speaker 1: like him on like a new Lil Wayne track and

436
00:21:53,640 --> 00:21:55,639
Speaker 1: it's like Andre to oh, She's like, Noah, he did

437
00:21:55,680 --> 00:21:56,399
Speaker 1: the flute sample.

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00:21:56,680 --> 00:21:59,080
Speaker 2: Oh man, I love this for him, I love this

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00:21:59,160 --> 00:21:59,520
Speaker 2: for us?

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00:21:59,640 --> 00:22:01,840
Speaker 1: Or or do you just give him sixteen bars to

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00:22:01,880 --> 00:22:05,840
Speaker 1: play like a sixteen bar floats flute so you're wrapping

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00:22:05,880 --> 00:22:06,080
Speaker 1: them in.

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00:22:06,119 --> 00:22:09,320
Speaker 3: There's so many great flute samples throughout hip hop, and

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00:22:09,359 --> 00:22:12,120
Speaker 3: I'm like, yeah, like this just this makes so much

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00:22:12,160 --> 00:22:12,639
Speaker 3: sense to me.

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00:22:13,280 --> 00:22:14,520
Speaker 2: Yeah, I don't know why, but.

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00:22:14,520 --> 00:22:16,399
Speaker 1: I'm saying I would love the for a artist to

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00:22:16,400 --> 00:22:18,159
Speaker 1: have him as a feature and make the space for

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00:22:18,240 --> 00:22:19,960
Speaker 1: him to be like you don't have to mc bro like,

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00:22:19,960 --> 00:22:21,760
Speaker 1: youn't have to wrap, like but you got sixteen you

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00:22:21,760 --> 00:22:24,120
Speaker 1: want thirty two? Take thirty two bars and just rip

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00:22:24,160 --> 00:22:25,040
Speaker 1: the flute And.

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00:22:25,000 --> 00:22:26,920
Speaker 2: I want that, I really do.

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00:22:27,680 --> 00:22:32,080
Speaker 1: Nah. Anyway, Andre, please come on the dailyes Like, guys,

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00:22:32,080 --> 00:22:34,760
Speaker 1: I know you don't listen, but if by chance you

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00:22:34,800 --> 00:22:36,760
Speaker 1: are and you're somewhere in an airport plane of flute,

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00:22:36,760 --> 00:22:38,960
Speaker 1: we'd love to have you. Yeah, just come chill, Yeah,

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00:22:39,000 --> 00:22:40,720
Speaker 1: come chill, man, come chill, and we can talk about

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00:22:40,760 --> 00:22:43,440
Speaker 1: Jeth throw Towe and our favorite flute solos. Anyway, that's

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00:22:43,480 --> 00:22:45,240
Speaker 1: gonna do it for us today. Thank you Brian for

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00:22:45,320 --> 00:22:48,920
Speaker 1: joining me. We'll be back tomorrow with a whole new episode.

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00:22:49,200 --> 00:22:52,080
Speaker 1: Gonna be wonderful. Uh and I bet if you can guess,

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00:22:52,080 --> 00:22:53,960
Speaker 1: because I had a guest host today that might be

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00:22:53,960 --> 00:22:56,440
Speaker 1: a guest host on tomorrow morning's episode.

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Speaker 3: It's gonna be.

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00:22:57,200 --> 00:23:02,840
Speaker 1: Wild wild Okay. Until then, you know, be kind yourself,

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00:23:02,840 --> 00:23:05,680
Speaker 1: be kind to each other. You don't stress yourself out,

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00:23:05,720 --> 00:23:08,560
Speaker 1: get the vaccine. Don't do nothing about hate. This that's

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00:23:08,600 --> 00:23:11,600
Speaker 1: every kind. Okay, there's white supremacy, homophobia, all of that

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00:23:11,640 --> 00:23:14,200
Speaker 1: stuff included. Okay, don't do nothing. Be a good person, okay,

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00:23:14,240 --> 00:23:17,120
Speaker 1: or at least try to. And don't try and pick

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00:23:17,119 --> 00:23:19,439
Speaker 1: fights with teamsters like Senator Moment tried to.

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00:23:19,480 --> 00:23:20,520
Speaker 2: It's just not a good look.

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00:23:21,080 --> 00:23:22,840
Speaker 1: It's not a good look, like having your toes out

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00:23:22,880 --> 00:23:23,359
Speaker 1: of the airport.

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00:23:23,359 --> 00:23:25,120
Speaker 2: Now I can end up how you think it will.

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00:23:25,480 --> 00:23:28,240
Speaker 1: Oh no, no, no, no, no, never does seldom does.

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00:23:28,560 --> 00:23:35,159
Speaker 2: All right, we'll see then. Bye Lata.