1 00:00:02,080 --> 00:00:06,560 Speaker 1: Hey, everybody, This is Kevin Bacon and I am back 2 00:00:06,600 --> 00:00:15,120 Speaker 1: here with Ask Kevin Almost Anything episode. Hi Stacy, Hi, 3 00:00:15,320 --> 00:00:17,919 Speaker 1: good to see you. I'm here with Stacy Houston, who 4 00:00:18,040 --> 00:00:23,279 Speaker 1: is the executive director the stellar executive director of Is 5 00:00:23,320 --> 00:00:24,079 Speaker 1: that what your title is? 6 00:00:24,120 --> 00:00:28,120 Speaker 2: I always forget it is actually the proper way to 7 00:00:28,160 --> 00:00:29,120 Speaker 2: say thank you. 8 00:00:29,200 --> 00:00:32,919 Speaker 1: I'm glad I'm being proper today of six degrees dot org, 9 00:00:32,960 --> 00:00:39,040 Speaker 1: which is our foundation, and we've tried to, you know, 10 00:00:39,280 --> 00:00:42,000 Speaker 1: take the podcast, which has been great having celebrity guests 11 00:00:42,040 --> 00:00:44,240 Speaker 1: on it talking about the things that they really care about. 12 00:00:44,280 --> 00:00:47,000 Speaker 1: But we're just putting a little spin audit here and 13 00:00:47,040 --> 00:00:49,680 Speaker 1: Stacey came up with a cool idea of Ask Kevin 14 00:00:49,880 --> 00:00:55,440 Speaker 1: Almost Anything. And I look forward to these because, boy, 15 00:00:55,600 --> 00:01:00,000 Speaker 1: you never know what's going to be coming at you. 16 00:01:05,240 --> 00:01:07,560 Speaker 1: How are you doing? How are the girls? 17 00:01:08,280 --> 00:01:13,800 Speaker 2: They're doing great. You know. This past winter was fun 18 00:01:13,840 --> 00:01:17,040 Speaker 2: for toddlers. I think everyone was sick at least once 19 00:01:17,080 --> 00:01:20,959 Speaker 2: a week. But we've survibed. Right, there's a light at 20 00:01:21,000 --> 00:01:22,920 Speaker 2: the end of the tunnel. What about you? 21 00:01:23,920 --> 00:01:28,520 Speaker 1: Yeah, good, busy, busy as you know. I saw you 22 00:01:28,560 --> 00:01:34,959 Speaker 1: in California for like one brief moment. You were out 23 00:01:35,000 --> 00:01:37,920 Speaker 1: there doing some work with six degrees. And I was 24 00:01:37,959 --> 00:01:40,959 Speaker 1: out there shooting one day on a movie. It's funny, 25 00:01:40,959 --> 00:01:44,319 Speaker 1: you know, I've done this a few times. I'm not 26 00:01:44,319 --> 00:01:45,880 Speaker 1: gonna say what the movie is, but I have done 27 00:01:45,880 --> 00:01:49,920 Speaker 1: this a few times on films where you know, the 28 00:01:49,960 --> 00:01:54,960 Speaker 1: movie is great and it just needs maybe one more 29 00:01:55,160 --> 00:01:59,600 Speaker 1: little adjustment or one more little scene. I actually have 30 00:01:59,640 --> 00:02:02,600 Speaker 1: a and so you have to do a reshoot or 31 00:02:02,720 --> 00:02:05,920 Speaker 1: or or additional footage is really more what it's like. 32 00:02:05,960 --> 00:02:09,320 Speaker 1: And I was doing that, and it made me think about, 33 00:02:09,560 --> 00:02:13,000 Speaker 1: UH when we did a reshoot on a picture called Footloose, 34 00:02:13,680 --> 00:02:20,400 Speaker 1: and what happened was the ending of Footloose, you know, 35 00:02:20,480 --> 00:02:25,760 Speaker 1: has this big kind of dance sequence, and in the 36 00:02:25,800 --> 00:02:30,440 Speaker 1: original UH, when we originally shot it in Utah, it 37 00:02:30,520 --> 00:02:34,440 Speaker 1: went into slow motion. And when they tested the movie, 38 00:02:35,040 --> 00:02:37,120 Speaker 1: everybody said, we don't want slow motion. We want to 39 00:02:37,160 --> 00:02:39,720 Speaker 1: see people, you know, getting down. We want to we 40 00:02:39,760 --> 00:02:43,600 Speaker 1: want to feel the music and and see everybody rocking out. 41 00:02:44,280 --> 00:02:48,280 Speaker 1: So we went to Uh, California and a year later 42 00:02:48,720 --> 00:02:51,360 Speaker 1: and reshot the ending, but not in slow motion, with 43 00:02:51,440 --> 00:02:54,320 Speaker 1: a new new choreography and new dancers and a whole 44 00:02:54,320 --> 00:02:59,400 Speaker 1: bunch of new things, and it's it definitely, you know, 45 00:02:59,480 --> 00:03:02,640 Speaker 1: helped the move be a lot, I think. But the 46 00:03:02,720 --> 00:03:06,360 Speaker 1: other thing about it is that as an actor it's 47 00:03:06,639 --> 00:03:11,239 Speaker 1: very hard because you really, at least me, I don't 48 00:03:11,240 --> 00:03:14,639 Speaker 1: know about other people. When I when I finish a character, 49 00:03:14,720 --> 00:03:17,080 Speaker 1: I just want to say goodbye to him, you know, 50 00:03:17,400 --> 00:03:22,520 Speaker 1: like I've been so in his world that like I 51 00:03:22,560 --> 00:03:25,320 Speaker 1: don't I just want to like let it go. So 52 00:03:25,400 --> 00:03:28,079 Speaker 1: they step back into his shoes like a year later, 53 00:03:28,520 --> 00:03:30,480 Speaker 1: when my head is already in a whole other place. 54 00:03:30,480 --> 00:03:33,320 Speaker 1: It's always just a strange kind of adjustment. 55 00:03:34,760 --> 00:03:38,640 Speaker 2: Yeah, no, I can only imagine. So that iconic scene 56 00:03:38,680 --> 00:03:40,720 Speaker 2: at the end, you're telling me it was actually shot 57 00:03:41,080 --> 00:03:44,080 Speaker 2: in California that yeah. 58 00:03:44,360 --> 00:03:47,840 Speaker 1: Yeah, So like I walk into the the same so 59 00:03:47,960 --> 00:03:50,040 Speaker 1: like I come in, I'm trying to remember what it is, 60 00:03:50,080 --> 00:03:53,080 Speaker 1: but I come into the barn. I guess it's a 61 00:03:53,080 --> 00:03:57,760 Speaker 1: barn or whatever it is, and I say, let's dance, scream, 62 00:03:57,880 --> 00:04:03,360 Speaker 1: let's dance. And at that moment in the original version, 63 00:04:03,680 --> 00:04:07,160 Speaker 1: everything went to slow motion. And the whole end of 64 00:04:07,200 --> 00:04:10,120 Speaker 1: the movie was like was like slow motion. Yeah, and 65 00:04:10,160 --> 00:04:14,480 Speaker 1: they had all this crazy stuff like slow motion glitter 66 00:04:14,760 --> 00:04:18,000 Speaker 1: dropping and like lights around the lenses and stuff like that. 67 00:04:18,600 --> 00:04:22,520 Speaker 1: And it just didn't. It was romantic, but it didn't rock, 68 00:04:23,000 --> 00:04:28,160 Speaker 1: you know. And and so yeah, we went back out 69 00:04:28,200 --> 00:04:32,279 Speaker 1: to LA They hired a bunch of dancers. Everybody got 70 00:04:32,279 --> 00:04:35,520 Speaker 1: like their hair, you know, back in the same look 71 00:04:36,000 --> 00:04:41,520 Speaker 1: that you know. Chris Penn was there and I guess 72 00:04:41,560 --> 00:04:45,600 Speaker 1: and yeah, I guess Lori Singer was there too. I'm 73 00:04:45,640 --> 00:04:48,440 Speaker 1: trying to remember she must have been. And and then 74 00:04:48,800 --> 00:04:51,680 Speaker 1: we shot that whole you know ending. Yeah, it was 75 00:04:51,960 --> 00:04:57,880 Speaker 1: completely know anyway, I nobody asked me that this is 76 00:04:57,880 --> 00:05:01,680 Speaker 1: supposed to be, you know, ask kept almost anything. This 77 00:05:01,720 --> 00:05:04,039 Speaker 1: is me just going off on things that I haven't 78 00:05:04,040 --> 00:05:06,760 Speaker 1: been asked. But I just I'm just gonna say anyway, 79 00:05:07,000 --> 00:05:08,320 Speaker 1: I just had to get it off your chat. I 80 00:05:08,400 --> 00:05:11,279 Speaker 1: just had to get my friend sorry to drone on 81 00:05:11,400 --> 00:05:15,800 Speaker 1: about that. You get okay? Thank you? Well should we 82 00:05:16,200 --> 00:05:18,000 Speaker 1: what do you say? Should we go to our first question? 83 00:05:19,120 --> 00:05:19,920 Speaker 2: Let's do it? 84 00:05:22,000 --> 00:05:26,560 Speaker 3: Hello there, mister Bacon A long time, don't speak Digsy. 85 00:05:27,640 --> 00:05:30,560 Speaker 3: We met about twenty years ago in a pup. All 86 00:05:30,600 --> 00:05:35,680 Speaker 3: I wanted for Christmas was you. The question that I 87 00:05:35,839 --> 00:05:40,360 Speaker 3: have is are you going to be branching out with 88 00:05:40,440 --> 00:05:45,479 Speaker 3: six degrees? I'm bringing it to the UK or is 89 00:05:45,520 --> 00:05:49,640 Speaker 3: it just going to be a Philly thing forever? 90 00:05:50,720 --> 00:05:53,320 Speaker 1: First off, I'd love to be one of those guys 91 00:05:53,320 --> 00:05:59,839 Speaker 1: that could like like completely locate Digsie's accent, you know, 92 00:06:00,520 --> 00:06:08,920 Speaker 1: like I love accents, right, he sounds maybe, I don't know, 93 00:06:08,960 --> 00:06:14,320 Speaker 1: maybe northern England, but I don't know. You know, it's 94 00:06:14,880 --> 00:06:16,400 Speaker 1: I'll never forget. When I was a kid, I got 95 00:06:16,440 --> 00:06:22,440 Speaker 1: this record that was a record of an album of 96 00:06:23,000 --> 00:06:26,000 Speaker 1: British dialects, and it had the map of England and 97 00:06:26,040 --> 00:06:29,919 Speaker 1: you look at this tiny, you know, relatively tiny space 98 00:06:30,839 --> 00:06:37,880 Speaker 1: in between Scotland and Ireland and Wales and England. There's 99 00:06:38,120 --> 00:06:42,000 Speaker 1: hundreds of accents. You know, it's so interesting. We don't 100 00:06:42,040 --> 00:06:44,120 Speaker 1: really have that so much in this country because I 101 00:06:44,120 --> 00:06:47,440 Speaker 1: think we I'm not quite sure why it is, but 102 00:06:47,520 --> 00:06:51,520 Speaker 1: it was a It's very much like in England. It's 103 00:06:51,520 --> 00:06:53,680 Speaker 1: a very much of a class thing, a way of 104 00:06:53,760 --> 00:06:57,599 Speaker 1: identifying you know, who is from where, and you know, 105 00:06:57,720 --> 00:07:02,360 Speaker 1: kind of like what you're statuses. I'm just going to 106 00:07:02,400 --> 00:07:06,919 Speaker 1: do a quick plug because I can. Speaking of class. 107 00:07:06,920 --> 00:07:12,680 Speaker 1: There's this amazing movie Origin that is really based on 108 00:07:12,720 --> 00:07:18,760 Speaker 1: a book and about the cast system. Basically have you 109 00:07:18,760 --> 00:07:19,680 Speaker 1: seen it? Did you see it? 110 00:07:20,160 --> 00:07:23,120 Speaker 2: Yeah? Yeah, I actually got to go to it streaming 111 00:07:23,160 --> 00:07:24,520 Speaker 2: of it with ABA. 112 00:07:25,360 --> 00:07:27,080 Speaker 1: What did what? Did you think? 113 00:07:29,480 --> 00:07:33,560 Speaker 2: It blew me away? I mean, I, I mean, it's 114 00:07:33,560 --> 00:07:38,080 Speaker 2: obviously very sobering film, right for lots of different reasons. 115 00:07:38,160 --> 00:07:44,600 Speaker 2: But the writer and the research that she did to 116 00:07:44,760 --> 00:07:49,600 Speaker 2: kind of look at class, the class system versus or 117 00:07:49,640 --> 00:07:53,760 Speaker 2: the cast system, I should really say, versus just racism. 118 00:07:54,320 --> 00:07:58,360 Speaker 2: Like I thought it was really powerful and one of 119 00:07:58,400 --> 00:08:04,040 Speaker 2: those things that make the comversation broader, somehow broader, but 120 00:08:04,080 --> 00:08:09,440 Speaker 2: then also more defined and clear. Yeah, I was. I 121 00:08:09,520 --> 00:08:11,520 Speaker 2: was really blown away. I thought it was beautifully done. 122 00:08:12,800 --> 00:08:14,960 Speaker 1: I should mention that it's it's it is. It's not 123 00:08:15,000 --> 00:08:19,640 Speaker 1: a documentary. It's based on a it's an interesting thing. 124 00:08:19,800 --> 00:08:25,080 Speaker 1: Is it's based on a nonfiction No, yeah, a nonfiction book. 125 00:08:25,720 --> 00:08:29,440 Speaker 1: But she has kind of taken the writer's story, the 126 00:08:29,480 --> 00:08:32,320 Speaker 1: writer of that book, and shaped it into a narrative film. 127 00:08:32,320 --> 00:08:36,959 Speaker 1: But I agree with you. I thought it was just amazing. Anyway, 128 00:08:37,000 --> 00:08:41,880 Speaker 1: back to Digsy in a pub somewhere in England. I 129 00:08:41,920 --> 00:08:44,679 Speaker 1: don't know, did we meet in a pub, maybe, you know, 130 00:08:44,920 --> 00:08:47,760 Speaker 1: twenty years ago in a pub. I mean, I've had 131 00:08:47,800 --> 00:08:53,160 Speaker 1: people multiple times tell me about encounters that we've had 132 00:08:53,200 --> 00:08:57,000 Speaker 1: that don't aren't necessary. I'd like to think that we 133 00:08:57,040 --> 00:08:59,520 Speaker 1: did meet in the pub Digsie, I will. I'm just 134 00:08:59,559 --> 00:09:04,160 Speaker 1: going to say yes, but yeah, you know, it wouldn't 135 00:09:04,200 --> 00:09:04,920 Speaker 1: be the first time. 136 00:09:04,760 --> 00:09:07,560 Speaker 2: I would be memorable. He seems like a like a 137 00:09:07,600 --> 00:09:08,120 Speaker 2: good time. 138 00:09:08,600 --> 00:09:11,640 Speaker 1: Yeah, yeah, maybe yeah, he does seem like a good time. 139 00:09:11,720 --> 00:09:19,120 Speaker 1: He does. And you know, first off, I love the UK. 140 00:09:19,559 --> 00:09:25,080 Speaker 1: I love London. I've spent a lot of time there. 141 00:09:25,920 --> 00:09:28,360 Speaker 1: I didn't for the whole first part of my my 142 00:09:28,360 --> 00:09:30,480 Speaker 1: my years, I didn't go to I didn't go to 143 00:09:30,720 --> 00:09:33,679 Speaker 1: England until I was probably about I don't know it, 144 00:09:34,160 --> 00:09:36,800 Speaker 1: well into my thirties. And then when I did go, 145 00:09:37,120 --> 00:09:39,600 Speaker 1: I started going all the time. I did a couple 146 00:09:39,600 --> 00:09:42,000 Speaker 1: of movies there. I was an X Men First Class. 147 00:09:42,000 --> 00:09:45,120 Speaker 1: We shot that in London, so I was there for 148 00:09:45,360 --> 00:09:50,160 Speaker 1: months and months and months, and then also do commercials 149 00:09:50,200 --> 00:09:53,719 Speaker 1: over there. It's great. I miss it, you know, I 150 00:09:53,800 --> 00:09:56,840 Speaker 1: haven't been there since the pandemic. And London to me, 151 00:09:57,600 --> 00:10:02,200 Speaker 1: you know, especially London, is it's like for a New Yorker, 152 00:10:02,880 --> 00:10:07,720 Speaker 1: it's such a great city because it's a walking city. 153 00:10:07,800 --> 00:10:10,840 Speaker 1: It's a you know, a subway city or the tube. 154 00:10:11,840 --> 00:10:15,680 Speaker 1: You know, there's a lot of different kinds of people 155 00:10:15,720 --> 00:10:18,040 Speaker 1: that you're going to be bumping up against. Everything is 156 00:10:18,120 --> 00:10:21,320 Speaker 1: kind of moving in this there's this kind of energy 157 00:10:21,400 --> 00:10:24,880 Speaker 1: to it that really reminds me of New York. And 158 00:10:24,960 --> 00:10:29,920 Speaker 1: I will go out and walk, literally, I'll go out 159 00:10:29,960 --> 00:10:32,240 Speaker 1: and walk for four hours. In London, I'll just go 160 00:10:32,640 --> 00:10:36,800 Speaker 1: and go and go and find, you know, all kinds 161 00:10:36,840 --> 00:10:39,000 Speaker 1: of cool things, and you know, not really even have 162 00:10:39,040 --> 00:10:43,440 Speaker 1: a direction. It's hard to have a direction because, you know, 163 00:10:43,480 --> 00:10:46,120 Speaker 1: because of the way that the you know, the city 164 00:10:46,280 --> 00:10:50,360 Speaker 1: was constructed back and I guess whatever it was Middle 165 00:10:50,400 --> 00:10:52,719 Speaker 1: Ages or something like that. I'm not that much of 166 00:10:52,760 --> 00:10:54,600 Speaker 1: a historian. You know, they just kind of put the 167 00:10:54,640 --> 00:10:58,439 Speaker 1: houses wherever they were, so, you know, streets, it's very 168 00:10:58,440 --> 00:11:01,600 Speaker 1: hard to find your way around because each only lasts 169 00:11:01,640 --> 00:11:03,520 Speaker 1: like a block. It's like the name of a street, 170 00:11:03,640 --> 00:11:06,280 Speaker 1: you know, it's like Covington Street or something. It's only 171 00:11:06,280 --> 00:11:08,280 Speaker 1: a block long and then it ends and it has 172 00:11:08,320 --> 00:11:12,040 Speaker 1: another name and they don't. Yeah, there's no there's no grid, 173 00:11:12,080 --> 00:11:15,520 Speaker 1: you know, Yeah, there's no grid. Like that's the one different, 174 00:11:15,720 --> 00:11:19,920 Speaker 1: big difference between Philly and and uh and and uh 175 00:11:20,080 --> 00:11:22,920 Speaker 1: and and London or New York. In London, you know, 176 00:11:22,960 --> 00:11:25,640 Speaker 1: you don't have numbered things. I mean it's a little 177 00:11:25,640 --> 00:11:29,160 Speaker 1: bit like I guess Greenwich Village is a little bit 178 00:11:29,240 --> 00:11:32,200 Speaker 1: like that, you know, sort of streets kind of intersecting, 179 00:11:32,280 --> 00:11:35,920 Speaker 1: and but London could be very confusing. Anyway, I love it, 180 00:11:35,960 --> 00:11:40,520 Speaker 1: And yes, I mean, well you should talk to that, Stacey. 181 00:11:40,640 --> 00:11:43,040 Speaker 1: Just in terms of six degrees in our our reach. 182 00:11:43,840 --> 00:11:48,319 Speaker 2: Yeah, I mean we definitely although you're obviously a Philly 183 00:11:48,360 --> 00:11:51,560 Speaker 2: Needed and we love Philly Need too, a fair share 184 00:11:51,600 --> 00:11:55,800 Speaker 2: of work in Philly. Obviously, we reach across the whole 185 00:11:55,920 --> 00:11:58,760 Speaker 2: United States, and that's really just been because we believe 186 00:11:58,760 --> 00:12:01,720 Speaker 2: that there's a lot of really great global organizations and 187 00:12:01,760 --> 00:12:04,839 Speaker 2: we felt like the impact that we could make most 188 00:12:04,880 --> 00:12:07,480 Speaker 2: intentionally was here in the United States, and a lot 189 00:12:07,480 --> 00:12:09,560 Speaker 2: of that had to do with like your projects and 190 00:12:09,600 --> 00:12:12,080 Speaker 2: other people that we work with. You know how we 191 00:12:12,160 --> 00:12:15,600 Speaker 2: often can kind of tie into that with social impact 192 00:12:15,800 --> 00:12:19,439 Speaker 2: activations and a lot of them are filmed or when 193 00:12:19,480 --> 00:12:22,440 Speaker 2: you're touring here in the United States. But with that 194 00:12:22,520 --> 00:12:27,760 Speaker 2: being said, big fan also of the UK, and we 195 00:12:27,840 --> 00:12:31,800 Speaker 2: actually have a lot of followers and supporters both that 196 00:12:32,200 --> 00:12:35,680 Speaker 2: listen to the podcast and it's probably our second biggest market. 197 00:12:35,800 --> 00:12:40,719 Speaker 2: And then in terms of supporters for six degrees, we 198 00:12:40,800 --> 00:12:45,240 Speaker 2: have like a really nice chunk of supporters that are 199 00:12:45,240 --> 00:12:48,120 Speaker 2: actually in the UK. So I've always sawne that fascinating 200 00:12:48,200 --> 00:12:51,400 Speaker 2: and and I know that you've done some work there 201 00:12:51,440 --> 00:12:55,080 Speaker 2: as well, so that that definitely helps. But there's some 202 00:12:55,160 --> 00:12:58,600 Speaker 2: great organizations that do work, you know, in the UK 203 00:12:58,720 --> 00:13:01,319 Speaker 2: and here in the US, and I think that's probably 204 00:13:01,360 --> 00:13:03,640 Speaker 2: a way to tie in and see if we can 205 00:13:05,000 --> 00:13:08,040 Speaker 2: do some greater good. But not opposed to it, for 206 00:13:08,160 --> 00:13:12,080 Speaker 2: just you know, have been so focused kind of on 207 00:13:12,120 --> 00:13:16,480 Speaker 2: the US outside of a couple of activations that we 208 00:13:16,520 --> 00:13:19,280 Speaker 2: did that just went viral, right, Like I think like 209 00:13:19,360 --> 00:13:23,000 Speaker 2: that I Stay Home for campaign back in twenty twenty 210 00:13:23,320 --> 00:13:26,520 Speaker 2: was something that we couldn't even envisioned at the time 211 00:13:26,600 --> 00:13:30,599 Speaker 2: would have went so global. But we were all experiencing 212 00:13:30,600 --> 00:13:34,119 Speaker 2: a pandemic and everyone was being asked by their governments 213 00:13:34,200 --> 00:13:37,680 Speaker 2: to do the same thing, right, And so that was 214 00:13:37,720 --> 00:13:42,080 Speaker 2: one of those exceptions to kind of our work transcending 215 00:13:42,240 --> 00:13:46,120 Speaker 2: the borders. But yeah, the UK is a very cool 216 00:13:46,120 --> 00:13:51,120 Speaker 2: place and definitely very socially conscious and they do a 217 00:13:51,160 --> 00:13:51,840 Speaker 2: lot of great. 218 00:13:51,600 --> 00:13:58,240 Speaker 1: Work for sure, for sure. But I'm you know, obviously, Dixie, 219 00:13:58,280 --> 00:14:00,880 Speaker 1: you must be listening to the podcast if you know, 220 00:14:01,160 --> 00:14:02,959 Speaker 1: you know, came up with a question. So that's awesome. 221 00:14:02,960 --> 00:14:06,720 Speaker 1: I'm glad that we're reaching there and and thank you, 222 00:14:06,840 --> 00:14:10,840 Speaker 1: thank you for reaching out. And it's good good to 223 00:14:10,840 --> 00:14:18,200 Speaker 1: hear from my friends on the other side of the pond. Okay, 224 00:14:18,280 --> 00:14:20,920 Speaker 1: so we got another question here. I think I will 225 00:14:21,400 --> 00:14:28,160 Speaker 1: read this one. Okay. So this is Linda Glenn and 226 00:14:28,440 --> 00:14:32,480 Speaker 1: what she says is every Halloween they play the old 227 00:14:32,640 --> 00:14:36,520 Speaker 1: scary movies. You were on Friday the thirteenth. You wore 228 00:14:36,600 --> 00:14:40,840 Speaker 1: speedos when everyone else wore shorts, and you dove into 229 00:14:40,840 --> 00:14:44,000 Speaker 1: the water when everyone else jumped in. Did the directors 230 00:14:44,040 --> 00:14:46,400 Speaker 1: tell you to do this? There's one shot in your 231 00:14:46,440 --> 00:14:49,720 Speaker 1: speedos that doesn't leave much to the imagination. I love 232 00:14:49,800 --> 00:14:56,480 Speaker 1: your work. Oh boy, wow, all right, let's see how 233 00:14:56,480 --> 00:14:59,560 Speaker 1: do I respond to this. Well, first off, let me say, Linda, 234 00:15:01,520 --> 00:15:06,960 Speaker 1: you know, in the eighties speedos were much more common. No, 235 00:15:07,000 --> 00:15:09,240 Speaker 1: this was actually the seventies that I think about it, 236 00:15:09,680 --> 00:15:11,680 Speaker 1: I mean, I think we shot that this one in 237 00:15:11,720 --> 00:15:15,320 Speaker 1: the in the seventies. Uh. You know, when I was 238 00:15:15,920 --> 00:15:18,960 Speaker 1: I used to have I remember after school i'd have 239 00:15:19,040 --> 00:15:21,080 Speaker 1: to go to the Why my mother made me go 240 00:15:21,120 --> 00:15:23,760 Speaker 1: to the y and takes swimming lessons, which I just hated. 241 00:15:23,920 --> 00:15:26,240 Speaker 1: Was like the middle of winter and you'd have to 242 00:15:26,240 --> 00:15:27,600 Speaker 1: I'd have to walk down the street and go to 243 00:15:27,640 --> 00:15:30,760 Speaker 1: the why. But we always had tiny little bathing suits 244 00:15:31,040 --> 00:15:33,440 Speaker 1: that that was just what. That was, just what bathing 245 00:15:33,440 --> 00:15:35,840 Speaker 1: suits were. And when you watch the Olympics, of course 246 00:15:35,880 --> 00:15:38,960 Speaker 1: those guys all wear speedos, but they've just become so 247 00:15:39,280 --> 00:15:42,000 Speaker 1: out now, you know, nobody, nobody goes to the beach 248 00:15:42,040 --> 00:15:43,840 Speaker 1: and wears a speedo. I mean maybe they do, now, 249 00:15:43,880 --> 00:15:48,120 Speaker 1: maybe some people do, but yeah, yeah in Europe, Yeah, right, 250 00:15:48,160 --> 00:15:50,840 Speaker 1: in Europe they do. That's true. That's true. Yeah, it's 251 00:15:50,840 --> 00:15:54,560 Speaker 1: just not an American thing, you know. So that so 252 00:15:55,280 --> 00:15:59,120 Speaker 1: I'm guessing that you're could be wrong, but I'm guessing 253 00:15:59,160 --> 00:16:01,080 Speaker 1: you're probably a lot younger than me, and so that 254 00:16:01,160 --> 00:16:03,480 Speaker 1: must look, you know, kind of weird to see that 255 00:16:04,000 --> 00:16:06,960 Speaker 1: in an old movie. The other thing about it is that, 256 00:16:08,720 --> 00:16:11,920 Speaker 1: you know, at this point in my life, I can 257 00:16:12,000 --> 00:16:16,760 Speaker 1: kind of like pick my costumes a little bit more. 258 00:16:17,080 --> 00:16:19,640 Speaker 1: There's a costume designer, but of course, you know, I 259 00:16:19,680 --> 00:16:22,520 Speaker 1: have some input. But when I was doing Friday the Thirteenth, 260 00:16:22,560 --> 00:16:24,040 Speaker 1: I'm just starting now. I just put on what they 261 00:16:24,080 --> 00:16:27,320 Speaker 1: gave me. You know, it wasn't like I was going 262 00:16:27,400 --> 00:16:31,280 Speaker 1: to say, oh no, no creative choices there I went 263 00:16:31,400 --> 00:16:34,200 Speaker 1: board shorts that would not have you know, they would 264 00:16:34,200 --> 00:16:38,840 Speaker 1: have said shut up, get into your speedo immediately. I'll 265 00:16:38,840 --> 00:16:40,560 Speaker 1: tell you the other funny thing about that scene that 266 00:16:40,640 --> 00:16:44,720 Speaker 1: I remember. Now, this is a very low budget movie 267 00:16:44,760 --> 00:16:48,040 Speaker 1: Friday the Thirteenth, which is part of why it ended 268 00:16:48,120 --> 00:16:51,280 Speaker 1: up being, you know, such a hit and starting this 269 00:16:51,360 --> 00:16:55,840 Speaker 1: kind of slasher you know a lot of slasher movies 270 00:16:55,840 --> 00:16:59,440 Speaker 1: that were made after that. You know, they spent so 271 00:16:59,520 --> 00:17:01,960 Speaker 1: little money on it, and it's made so much money 272 00:17:02,000 --> 00:17:04,199 Speaker 1: that everybody in Hollywood went, oh my god, this is 273 00:17:04,280 --> 00:17:07,959 Speaker 1: this is the golden ticket, right, we just will spend 274 00:17:08,000 --> 00:17:11,800 Speaker 1: nothing and we'll make a boatload of money. And uh, 275 00:17:12,680 --> 00:17:18,000 Speaker 1: that movie was shot in New Jersey and it was 276 00:17:18,520 --> 00:17:22,639 Speaker 1: like October. So if you look at the lake that 277 00:17:22,680 --> 00:17:26,399 Speaker 1: were jumping in, the leaves are changing around the around 278 00:17:26,400 --> 00:17:31,200 Speaker 1: the thing. So it was for reezing. I mean, none 279 00:17:31,200 --> 00:17:35,800 Speaker 1: of us wanted to get into the water. And it 280 00:17:36,000 --> 00:17:39,439 Speaker 1: was absolutely I mean I thought we were, you know, 281 00:17:39,600 --> 00:17:42,560 Speaker 1: going to get hypothermia. In fact, I think maybe some 282 00:17:42,560 --> 00:17:45,919 Speaker 1: some kid might have really gotten I don't know, I 283 00:17:45,920 --> 00:17:48,399 Speaker 1: can't remember, but I just remember it was. It felt 284 00:17:48,600 --> 00:17:51,119 Speaker 1: it felt almost dangerous, but it was. It was so cold, 285 00:17:51,240 --> 00:17:52,800 Speaker 1: but we had to of course pretend that we were 286 00:17:52,840 --> 00:17:54,679 Speaker 1: it was hot, and we were frolicking, and you know, 287 00:17:55,160 --> 00:17:56,119 Speaker 1: they had big lake. 288 00:17:56,280 --> 00:17:57,880 Speaker 2: And then you chose to dive in. 289 00:17:58,480 --> 00:18:01,600 Speaker 1: I chose to dive in. By the way, this is 290 00:18:01,640 --> 00:18:06,680 Speaker 1: another thing that Linda is pointing out inadvertently, is that 291 00:18:07,040 --> 00:18:09,960 Speaker 1: I remember a few years ago there was like a 292 00:18:10,000 --> 00:18:16,160 Speaker 1: meme of how bad my dive was because to say, 293 00:18:16,240 --> 00:18:21,119 Speaker 1: I'm I'm not a diver by any stretch of the imagination, 294 00:18:21,640 --> 00:18:23,600 Speaker 1: but I could have done better, or they could have 295 00:18:23,640 --> 00:18:26,200 Speaker 1: given me another shot, or you know. But I think 296 00:18:26,240 --> 00:18:29,359 Speaker 1: the whole thing was that our hair was supposed to 297 00:18:29,400 --> 00:18:32,800 Speaker 1: be dry or something like that. So so we had 298 00:18:32,840 --> 00:18:35,639 Speaker 1: to do it in one take. I don't know. We 299 00:18:35,680 --> 00:18:38,320 Speaker 1: didn't get multiple takes. But my dive is absolutely terrible. 300 00:18:38,600 --> 00:18:41,280 Speaker 1: If anybody wants to, you know, go back and look 301 00:18:41,320 --> 00:18:44,520 Speaker 1: at it. You could see a very small bathing suit 302 00:18:44,560 --> 00:18:50,840 Speaker 1: and a very bad dive. You know. That's that's what 303 00:18:51,000 --> 00:18:56,400 Speaker 1: that's my memory of of of that movie. 304 00:18:56,640 --> 00:18:59,520 Speaker 2: And you were the first person to be killed, right, 305 00:18:59,600 --> 00:19:00,399 Speaker 2: and that was that. 306 00:19:00,680 --> 00:19:04,320 Speaker 1: Uh, Like I don't I'm not sure. I think I 307 00:19:04,359 --> 00:19:08,840 Speaker 1: don't know it's been to say that. I haven't seen 308 00:19:08,880 --> 00:19:13,320 Speaker 1: it in about forty years, but probably you. 309 00:19:13,280 --> 00:19:18,119 Speaker 2: Know, it's like having you jump in like that is 310 00:19:18,160 --> 00:19:22,520 Speaker 2: like an intentional thing to be like this, this dude's 311 00:19:22,520 --> 00:19:24,440 Speaker 2: getting killed, you know, like. 312 00:19:24,840 --> 00:19:29,600 Speaker 1: Well, right, but I'll tell you what is yes, that. 313 00:19:29,840 --> 00:19:33,320 Speaker 1: But the other thing is there was such a trope 314 00:19:33,400 --> 00:19:36,440 Speaker 1: in horror movies that continued forever, and that was that 315 00:19:36,960 --> 00:19:40,520 Speaker 1: if you did sex, if you had sex or did drugs, 316 00:19:40,640 --> 00:19:43,800 Speaker 1: you were definitely gonna die. That was like number one 317 00:19:43,840 --> 00:19:48,920 Speaker 1: because they always had this slightly kind of skewed morality 318 00:19:49,040 --> 00:19:53,080 Speaker 1: to them, you know. And by the way, I love horror. 319 00:19:53,080 --> 00:19:56,000 Speaker 1: I mean, you know, it's been good to me, and 320 00:19:56,480 --> 00:19:59,359 Speaker 1: you know, I'm I'm a fan. I'm a consumer of 321 00:19:59,400 --> 00:20:02,280 Speaker 1: it myself. But you know, in the in the seventies, 322 00:20:02,320 --> 00:20:05,399 Speaker 1: certainly there was a an idea of like, you know, 323 00:20:05,480 --> 00:20:09,320 Speaker 1: the trashy, especially the trashy girls. You know, they're gonna 324 00:20:09,359 --> 00:20:13,040 Speaker 1: they're gonna get it, you know. And in Friday the thirteenth, 325 00:20:14,040 --> 00:20:20,600 Speaker 1: I h had sex and smoked a joint. So the 326 00:20:20,680 --> 00:20:23,359 Speaker 1: floor they there was no way, yeah, yeah, there was 327 00:20:23,400 --> 00:20:26,199 Speaker 1: no way I was surviving. So the combination of the 328 00:20:26,240 --> 00:20:30,840 Speaker 1: speedo and the marijuana and the and the sex meant 329 00:20:30,920 --> 00:20:34,159 Speaker 1: that I wasn't gonna stick around in that movie for 330 00:20:34,359 --> 00:20:38,440 Speaker 1: very long. No, not at all, Not at all. 331 00:20:39,080 --> 00:20:42,040 Speaker 2: Yeah, I mean I had an older brother and sister 332 00:20:42,920 --> 00:20:44,560 Speaker 2: six and eight years older than me. I have an 333 00:20:44,560 --> 00:20:48,639 Speaker 2: older brother and sister, and they were watching horror movies. 334 00:20:48,640 --> 00:20:52,320 Speaker 2: And I remember like sneaking into the living room when 335 00:20:52,359 --> 00:20:55,800 Speaker 2: they were having sleepovers or staying up to like watch 336 00:20:55,800 --> 00:20:58,600 Speaker 2: horror movies. So I was watching horror way too young. 337 00:21:00,080 --> 00:21:04,800 Speaker 2: But my brother had this Freddy Cougar Krueger like poster 338 00:21:05,640 --> 00:21:08,960 Speaker 2: on the outside of his bedroom door. Why I don't 339 00:21:08,960 --> 00:21:13,280 Speaker 2: know why on the outside not the inside. And as 340 00:21:13,320 --> 00:21:16,000 Speaker 2: a kid, I would always run down the hallway and 341 00:21:16,040 --> 00:21:17,639 Speaker 2: like I had to pass his room to get to 342 00:21:17,640 --> 00:21:20,959 Speaker 2: the main part of the house, and I remember just 343 00:21:20,960 --> 00:21:23,719 Speaker 2: like bolting as a kid, and I'm like, why did 344 00:21:23,840 --> 00:21:26,960 Speaker 2: my parents just say, like, no, we kinda take that down. 345 00:21:26,960 --> 00:21:28,480 Speaker 2: They're like put it on the inside of the door, 346 00:21:28,520 --> 00:21:31,439 Speaker 2: you know. But it's like a vivid memory of just like. 347 00:21:31,760 --> 00:21:35,240 Speaker 1: I don't know, Like, I don't know why they didn't 348 00:21:35,280 --> 00:21:38,280 Speaker 1: do that. They should have have no idea. They definitely 349 00:21:38,359 --> 00:21:41,680 Speaker 1: so that's sad. Poor little Stacy running down the hall 350 00:21:41,800 --> 00:21:43,480 Speaker 1: past Freddy Krueger. That breaks my ar. 351 00:21:44,320 --> 00:21:46,520 Speaker 2: I mean for like a long time, I feel like it. 352 00:21:46,560 --> 00:21:48,880 Speaker 2: I'm sure if I asked man will now She's like, no, No, 353 00:21:49,119 --> 00:21:51,520 Speaker 2: that's like it was like a week or two, right, 354 00:21:51,640 --> 00:21:55,040 Speaker 2: But in my memory it was like all of my childhood. 355 00:21:55,040 --> 00:21:56,560 Speaker 2: I was running past Freddy Krueger. 356 00:21:57,000 --> 00:22:00,320 Speaker 1: Oh Man, that's funny. Running from Freddy. Yeah, like like 357 00:22:00,520 --> 00:22:05,040 Speaker 1: running many exactly like many before you and since wow. 358 00:22:09,680 --> 00:22:11,960 Speaker 2: The next clip that we're going to play is from 359 00:22:12,080 --> 00:22:17,320 Speaker 2: a caller. Her name is Alexandra, and she called in 360 00:22:17,640 --> 00:22:21,040 Speaker 2: about an organization that is really close to her art, 361 00:22:21,560 --> 00:22:22,680 Speaker 2: So we'll play that now. 362 00:22:23,760 --> 00:22:27,440 Speaker 4: Hey, Kevin, my name is Alexandra, and I have absolutely 363 00:22:27,520 --> 00:22:30,679 Speaker 4: loved your podcast so far. I love listening to the 364 00:22:30,720 --> 00:22:35,239 Speaker 4: guests and listening to their stories. I love listening and 365 00:22:35,359 --> 00:22:38,399 Speaker 4: learning on how I can be an active citizen. I 366 00:22:38,480 --> 00:22:42,040 Speaker 4: really enjoyed that episode with well, both episodes with Mark 367 00:22:42,040 --> 00:22:47,240 Speaker 4: Bruffalo and Matthew McConaughey, they were fantastic. I think it 368 00:22:47,280 --> 00:22:50,000 Speaker 4: would be really great to shed a light on the 369 00:22:50,040 --> 00:22:53,520 Speaker 4: special Olympics and maybe talk to Timothy Shreigrin. It's an 370 00:22:53,640 --> 00:22:56,639 Speaker 4: organization that I have been volunteering with for nearly a 371 00:22:56,680 --> 00:23:02,080 Speaker 4: decade and they just do such wonderful things, and involunteering 372 00:23:02,119 --> 00:23:04,919 Speaker 4: with them, I always smile, and I feel like we 373 00:23:04,960 --> 00:23:08,280 Speaker 4: could all use some smile. So I think it would 374 00:23:08,320 --> 00:23:12,560 Speaker 4: be really awesome if you all shed a light on them. 375 00:23:13,240 --> 00:23:18,679 Speaker 2: So yeah, I heard the name Shreiver, and obviously I 376 00:23:18,760 --> 00:23:21,720 Speaker 2: was like, hmm, I wonder if this is if he's 377 00:23:21,760 --> 00:23:25,919 Speaker 2: related to Maria Schreiber. And fun fact that I was 378 00:23:25,960 --> 00:23:28,600 Speaker 2: not aware of it. There's a really rich history about 379 00:23:28,600 --> 00:23:33,800 Speaker 2: the Special Olympics. And it was actually founded by Kennedy 380 00:23:34,359 --> 00:23:34,879 Speaker 2: Did you know that. 381 00:23:35,200 --> 00:23:38,120 Speaker 1: I had no idea. I had no idea. Wow, that's 382 00:23:38,200 --> 00:23:43,560 Speaker 1: so fascinating. Yeah, when was it? 383 00:23:44,880 --> 00:23:47,879 Speaker 2: So it was back in nineteen sixty eight, So it 384 00:23:47,960 --> 00:23:54,920 Speaker 2: was actually JFK's sister. Okay, you nice Kennedy Schreiber, and 385 00:23:56,040 --> 00:23:58,479 Speaker 2: she's really a pioneer, and it was and it was 386 00:23:58,520 --> 00:24:01,680 Speaker 2: founded in Chicago. I think that's when they had their 387 00:24:01,720 --> 00:24:05,280 Speaker 2: first one. It was like the summer of nineteen sixty eight, 388 00:24:05,720 --> 00:24:11,119 Speaker 2: which I thought was just a really fascinating fact. And 389 00:24:11,160 --> 00:24:13,480 Speaker 2: we did try to reach out to the Special Olympics 390 00:24:14,160 --> 00:24:18,040 Speaker 2: and Timothy Shreiver himself. We talked to their team. There 391 00:24:18,119 --> 00:24:20,480 Speaker 2: was a lot of travel on their schedule. So we'll 392 00:24:20,480 --> 00:24:23,800 Speaker 2: definitely share anything that we get along the way and 393 00:24:23,800 --> 00:24:25,040 Speaker 2: we'll drop it in the show notes. 394 00:24:25,080 --> 00:24:27,280 Speaker 1: But yeah, cool, Yeah. 395 00:24:27,560 --> 00:24:31,600 Speaker 2: The Special Olympics, what I kind of found most fascinating 396 00:24:31,880 --> 00:24:35,120 Speaker 2: and looking more into them is, you know, they they're 397 00:24:35,200 --> 00:24:43,120 Speaker 2: very similar to the Olympic Games in that way they 398 00:24:43,160 --> 00:24:45,280 Speaker 2: have like that every four years, so they'll have like 399 00:24:45,320 --> 00:24:49,000 Speaker 2: a Summer Olympics and a Winter Olympics, and they'll stagger 400 00:24:49,080 --> 00:24:53,399 Speaker 2: them so that every two years there's one or the other. Okay, 401 00:24:54,000 --> 00:24:57,560 Speaker 2: so it's like mirrored in that type of way. And 402 00:24:59,600 --> 00:25:02,199 Speaker 2: I know, obviously that's an inclusion piece, right, so that 403 00:25:02,359 --> 00:25:07,480 Speaker 2: these athletes can take part in a very similar kind 404 00:25:07,520 --> 00:25:14,440 Speaker 2: of Olympic tournament to really showcase their talent every every 405 00:25:14,480 --> 00:25:17,919 Speaker 2: four years. But they also kind of kick off with 406 00:25:17,960 --> 00:25:23,119 Speaker 2: that torch, you know, with the iconic torch ceremony where 407 00:25:23,960 --> 00:25:25,120 Speaker 2: you see people. 408 00:25:31,080 --> 00:25:32,639 Speaker 1: Do they use the same song? Do they use the 409 00:25:32,680 --> 00:25:34,639 Speaker 1: same song? They do? They do? They do? 410 00:25:36,000 --> 00:25:39,840 Speaker 2: But they THEIRS is led and so you know, we 411 00:25:39,920 --> 00:25:43,560 Speaker 2: have kind of different leaders and icons and that sort 412 00:25:43,600 --> 00:25:48,800 Speaker 2: of thing globally that participate. THEIRS is led by law 413 00:25:48,880 --> 00:25:53,280 Speaker 2: enforcement specifically, and law enforcement uses it as a fundraiser 414 00:25:53,640 --> 00:25:57,879 Speaker 2: to really raise funds and awareness for the Special Olympic Games, 415 00:25:58,000 --> 00:25:59,400 Speaker 2: which I thought was really really cool. 416 00:25:59,720 --> 00:26:02,359 Speaker 1: That's so cool, that's so cool. Yeah, I mean, the 417 00:26:02,400 --> 00:26:08,920 Speaker 1: Special Olympics are incredible. I mean, when you think about it, 418 00:26:08,920 --> 00:26:12,400 Speaker 1: it's just, uh, it's just a germ of an idea. 419 00:26:12,640 --> 00:26:16,440 Speaker 1: Was just such an interesting idea, you know. And I 420 00:26:16,480 --> 00:26:24,800 Speaker 1: think that probably you know, the what the Special Olympics 421 00:26:24,840 --> 00:26:33,360 Speaker 1: did was probably more impactful in terms of people, uh, 422 00:26:33,600 --> 00:26:38,840 Speaker 1: in terms of you know, like sharing and opening people's 423 00:26:38,960 --> 00:26:44,800 Speaker 1: minds to our fellow humans who are you know, neuro 424 00:26:44,960 --> 00:26:48,520 Speaker 1: divergent in some way, you know what I mean, And 425 00:26:48,520 --> 00:26:53,199 Speaker 1: and that must have really I just think it's I 426 00:26:53,200 --> 00:26:55,679 Speaker 1: think it's just been I think it's really kind of 427 00:26:55,800 --> 00:26:58,360 Speaker 1: like in some ways probably you know, changed a lot 428 00:26:58,359 --> 00:27:00,399 Speaker 1: of people's thinking and a lot of stuff, you know, 429 00:27:00,840 --> 00:27:03,679 Speaker 1: in this world. And the other thing about it is, 430 00:27:04,000 --> 00:27:08,320 Speaker 1: you think I'd love to hear like how much it's grown, 431 00:27:08,440 --> 00:27:11,359 Speaker 1: because when you think about nineteen sixty eight just in Chicago, 432 00:27:11,560 --> 00:27:13,399 Speaker 1: you know, it's probably like a tiny little thing. I 433 00:27:13,400 --> 00:27:18,360 Speaker 1: would think. You know, now it's global, right, global. 434 00:27:18,240 --> 00:27:23,160 Speaker 2: Super global. They're in one hundred and ninety countries I 435 00:27:23,200 --> 00:27:25,920 Speaker 2: was reading, So it is truly a global. 436 00:27:25,720 --> 00:27:27,800 Speaker 1: Movement in ninety countries. 437 00:27:27,800 --> 00:27:30,359 Speaker 2: Wow, And I mean you think about that. And this 438 00:27:30,600 --> 00:27:37,679 Speaker 2: is a cause that knows no border right or ethnicity 439 00:27:37,800 --> 00:27:44,080 Speaker 2: or age group. Like any person can you know, be 440 00:27:44,359 --> 00:27:50,640 Speaker 2: connected to somebody that has either disability or those that, 441 00:27:50,720 --> 00:27:54,800 Speaker 2: like you said, are neurodivergent. And this opportunity, I think, 442 00:27:54,920 --> 00:28:00,719 Speaker 2: to inspire people to say yes, they can and should 443 00:28:00,960 --> 00:28:06,480 Speaker 2: be able to participate in the Athletic Games just like 444 00:28:06,560 --> 00:28:11,720 Speaker 2: anyone else is extremely important because it's not just promoting inclusion. 445 00:28:11,880 --> 00:28:16,159 Speaker 2: But what I loved most about the organization is that 446 00:28:16,200 --> 00:28:21,000 Speaker 2: they really are focused on more acceptance and respect. So 447 00:28:21,040 --> 00:28:23,840 Speaker 2: it takes it further than just like Okay, let's make 448 00:28:23,840 --> 00:28:26,640 Speaker 2: a space and include them in this conversation or inclusion 449 00:28:26,880 --> 00:28:30,120 Speaker 2: them in this opportunity, but like, no, we should also 450 00:28:30,160 --> 00:28:33,439 Speaker 2: respect them and their should mean acceptance. And they really 451 00:28:34,200 --> 00:28:38,000 Speaker 2: do a lot of this work through young people. So 452 00:28:38,040 --> 00:28:42,800 Speaker 2: they have what they call the Unified Champion Schools and 453 00:28:42,840 --> 00:28:47,200 Speaker 2: a Global Youth Activation Committee, and so these are young 454 00:28:47,280 --> 00:28:51,920 Speaker 2: people in Shooter heights and high schools that are really 455 00:28:51,960 --> 00:28:57,200 Speaker 2: taking part in the games and fundraising and supporting them 456 00:28:57,560 --> 00:29:03,240 Speaker 2: and really educating like their fellow students and others on 457 00:29:03,600 --> 00:29:06,000 Speaker 2: the importance of it, which I think is powerful because 458 00:29:06,000 --> 00:29:08,880 Speaker 2: when things start with young people, we know from our work, 459 00:29:10,560 --> 00:29:13,680 Speaker 2: it can just be something that really resonates with with 460 00:29:13,760 --> 00:29:15,600 Speaker 2: more people and it can kind of go the distance. 461 00:29:15,840 --> 00:29:19,000 Speaker 1: Yeah, that is super powerful. I mean also the fact 462 00:29:19,040 --> 00:29:22,480 Speaker 1: that it it has to do not just with how 463 00:29:22,520 --> 00:29:25,840 Speaker 1: many medals does your country get, you know, which can 464 00:29:25,920 --> 00:29:28,000 Speaker 1: kind of lean into a little of this sort of nationalism, 465 00:29:28,160 --> 00:29:30,240 Speaker 1: you know, sometimes in a good way, sometimes in a 466 00:29:30,240 --> 00:29:34,680 Speaker 1: weird way, and winning and losing and you know, bronzing 467 00:29:34,760 --> 00:29:36,840 Speaker 1: and silver ring and all that kind of stuff. But 468 00:29:37,200 --> 00:29:40,240 Speaker 1: you know, it has a it's got an actual, you know, 469 00:29:40,640 --> 00:29:43,920 Speaker 1: social conscience, and I think that's that's really cool. Do 470 00:29:44,000 --> 00:29:47,920 Speaker 1: we know when the Special Olympics is? When it's is 471 00:29:47,960 --> 00:29:51,400 Speaker 1: this in twenty twenty four or is it in twenty. 472 00:29:51,080 --> 00:29:53,520 Speaker 2: Twenty Okay, that's that's a really good question. 473 00:29:53,640 --> 00:29:55,239 Speaker 1: We should find out, I bet you. I'm sure if 474 00:29:55,280 --> 00:29:58,480 Speaker 1: we go to Special Olympics dot Org. I'm just gonna 475 00:29:58,480 --> 00:30:02,520 Speaker 1: throw it out there. Maybe I'm wrong, but you know, right, 476 00:30:03,200 --> 00:30:04,960 Speaker 1: I'm guessing there's a way to find out. 477 00:30:05,520 --> 00:30:10,760 Speaker 2: So yeah, definitely put that information yeah, in the show 478 00:30:10,800 --> 00:30:16,680 Speaker 2: notes both the next Summer Olympics and Winter Olympics. Something 479 00:30:16,680 --> 00:30:19,160 Speaker 2: that you know, you hear about the Special Olympics a lot, 480 00:30:19,240 --> 00:30:23,080 Speaker 2: but I am. I live right in you know, outside 481 00:30:23,080 --> 00:30:27,760 Speaker 2: of Washington, d C. And Fair Facts where we're actually headquartered, 482 00:30:29,000 --> 00:30:31,840 Speaker 2: held a Special Olympics just a couple of years ago, 483 00:30:32,120 --> 00:30:35,600 Speaker 2: I want to say. So I know that they have 484 00:30:35,720 --> 00:30:40,120 Speaker 2: them kind of all over the world, so we'll definitely 485 00:30:40,160 --> 00:30:44,200 Speaker 2: put that in the notes. They're always looking for volunteers 486 00:30:45,320 --> 00:30:49,360 Speaker 2: and people that can come alongside them to like like 487 00:30:49,440 --> 00:30:53,240 Speaker 2: any Olympic games, right, They're just they need so many 488 00:30:53,320 --> 00:30:58,160 Speaker 2: people to help pull this off, and so we'll share 489 00:30:58,200 --> 00:31:04,320 Speaker 2: that information as well. But clearly a really great organization 490 00:31:04,440 --> 00:31:09,360 Speaker 2: to support, to get involved in. And the great thing 491 00:31:09,440 --> 00:31:14,800 Speaker 2: is that there's kind of chapters and supportive volunteer associations 492 00:31:14,840 --> 00:31:18,800 Speaker 2: all over the world, so you should be able to 493 00:31:18,800 --> 00:31:23,320 Speaker 2: connect wherever you are, which is you know, really really special. 494 00:31:24,000 --> 00:31:28,080 Speaker 1: That is great, very very special, so to speak. That 495 00:31:28,240 --> 00:31:32,360 Speaker 1: was fun. I really enjoyed that. Thank you to Christopher 496 00:31:32,760 --> 00:31:38,000 Speaker 1: Dingley also known as Digsie calling all the way from 497 00:31:38,040 --> 00:31:42,880 Speaker 1: the UK with with his question, and thank you also 498 00:31:42,960 --> 00:31:47,320 Speaker 1: to Linda Glenn with her slightly inappropriate question about Friday 499 00:31:47,360 --> 00:31:53,760 Speaker 1: the thirteenth, and also to Alexandra to wrap with us 500 00:31:53,760 --> 00:31:57,920 Speaker 1: about the Special Olympics. I'm having a lot of fun 501 00:31:57,960 --> 00:32:01,880 Speaker 1: with these ask Kevin almost anything questions, and this has 502 00:32:01,920 --> 00:32:07,880 Speaker 1: definitely fallen into that category, so keep sending them in. 503 00:32:08,840 --> 00:32:12,440 Speaker 1: You know. We were having a good time doing this 504 00:32:12,720 --> 00:32:17,120 Speaker 1: and Stacy, once again, thanks for hanging out with me. 505 00:32:18,280 --> 00:32:23,600 Speaker 2: Happy to you see you next time. Hey guys, it's 506 00:32:23,600 --> 00:32:27,400 Speaker 2: Stacy again. So after that last episode, we actually did 507 00:32:27,440 --> 00:32:31,520 Speaker 2: hear back from the Special Olympics and the CEO, Mary Davis, 508 00:32:31,920 --> 00:32:35,160 Speaker 2: wanted to send a note about what the Special Olympics 509 00:32:35,200 --> 00:32:37,720 Speaker 2: means to her and so many others around the world. 510 00:32:38,120 --> 00:32:38,520 Speaker 2: Listen in. 511 00:32:39,640 --> 00:32:43,040 Speaker 5: My name is Mary Davis. I'm the CEO of Special 512 00:32:43,120 --> 00:32:48,640 Speaker 5: Olympics International, and I started out in nineteen seventy eight 513 00:32:48,840 --> 00:32:54,200 Speaker 5: as a volunteer with Special Olympics program in Ireland. I 514 00:32:54,280 --> 00:32:57,200 Speaker 5: then went on to become the first National Director of 515 00:32:57,520 --> 00:33:01,520 Speaker 5: Special Olympics Ireland. We also host did a Were Games, 516 00:33:01,600 --> 00:33:04,040 Speaker 5: first time the Games were held outside of the United 517 00:33:04,040 --> 00:33:05,880 Speaker 5: States in two thousand and three, and I was the 518 00:33:06,000 --> 00:33:11,360 Speaker 5: chief Executive of the organizing committee for those Games. After that, 519 00:33:11,680 --> 00:33:14,640 Speaker 5: I went on to become the President and Managing Director 520 00:33:14,680 --> 00:33:18,240 Speaker 5: of Special Olympics C Europe Eurasia, and from there got 521 00:33:18,240 --> 00:33:21,840 Speaker 5: the call to come to headquarters in Washington to be 522 00:33:22,120 --> 00:33:25,400 Speaker 5: the Global CEO. So here I am today. 523 00:33:27,880 --> 00:33:30,760 Speaker 2: If you are inspired by today's episode, please join us 524 00:33:30,800 --> 00:33:33,760 Speaker 2: in supporting six degrees dot org by texting the word 525 00:33:33,840 --> 00:33:37,960 Speaker 2: bacon to seven zero seven zero seven zero. Your gift 526 00:33:37,960 --> 00:33:41,120 Speaker 2: empowers us to continue to produce programs that highlight the 527 00:33:41,160 --> 00:33:44,480 Speaker 2: incredible work of everyday heroes. Will also enabling us to 528 00:33:44,520 --> 00:33:47,480 Speaker 2: provide essential resources to those that need it the most. 529 00:33:47,880 --> 00:33:53,480 Speaker 2: Once again, text ba con to seven zero seven zero 530 00:33:53,760 --> 00:33:57,440 Speaker 2: seven zero or visit six degrees dot org to learn 531 00:33:57,480 --> 00:33:57,720 Speaker 2: more