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Speaker 1: Hey, Christie, Hi Will, how are you? We made it?

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Speaker 1: We're here. We did it. It's the twentie anniversary reunion

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Speaker 1: episode of I hear voices for Kim Possible cast and crew.

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Speaker 1: It's unbelievable. We got everybody together. I I want to

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Speaker 1: say their names, but I also want to say their

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Speaker 1: character names, because while I say John Demagius here, Nicole

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Speaker 1: Sullivan's here, I want to say Dragon's here, and she

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Speaker 1: goes here, and our directors here, the creators are here.

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Speaker 1: And not only do we get to talk to everybody,

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Speaker 1: but what else? Christy Uh, there is an entirely new

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Speaker 1: scene that we are going to be doing together at

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Speaker 1: the tail end of this episode. You will not want

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Speaker 1: to miss it. This is what I hear voices was

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Speaker 1: just absolutely made for. We are so excited to bring

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Speaker 1: this to you. Guys. Take a listen, share with a friend.

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Speaker 1: You're gonna be so happy you listen to this one. Yeah,

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Speaker 1: this is pretty great. You want to hear some new

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Speaker 1: Kim Possible stuff because we got it. Check it out.

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Speaker 1: I hear voice. I am so excited by the way

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Speaker 1: we just start. It's propt, it's it's jarring. That is

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Speaker 1: your big We will do intros later so as not

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Speaker 1: to waste your time. But we are essentially already halfway

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Speaker 1: through the show. A right, so far, we're so excited,

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Speaker 1: we are so excited. This is the one. So we

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Speaker 1: should let you know very quickly before we get into

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Speaker 1: the history of Kim Possible, which we want to talk about,

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Speaker 1: that this episode of the show is the reason the

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Speaker 1: show exists. So we started by saying, we would love

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Speaker 1: to do some kind of a Kim Possible reunion. Oh,

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Speaker 1: wouldn't that be cool if we could film it. Oh

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Speaker 1: wouldn't that be cool? If we could have a show.

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Speaker 1: Oh blah blah blah. And then comes I hear voices.

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Speaker 1: So it is because of Kim Possible that we are

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Speaker 1: even here at all, which is pretty awesome and the

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Speaker 1: only reason we're here too. So it's it's it's unanimous.

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Speaker 1: We're a team, we're a family. It's so cool. Christie,

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Speaker 1: I don't even know where to start your Kim you

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Speaker 1: should start? Where do you think we should begin this

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Speaker 1: this sojourn? Oh wow? Okay, so Will and I you know,

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Speaker 1: we never did Comic CON's right, guys, Like I remember

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Speaker 1: us saying like, oh, can we do them? And I

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Speaker 1: don't think Disney really want They weren't mainstream as they

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Speaker 1: are now we've been so Yeah, right after Kim, was

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Speaker 1: there a reason why they didn't have us to comic

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Speaker 1: cons to even get the word out? I think I

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Speaker 1: think there was. It was a thing of is that

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Speaker 1: our audience? Is that the Disney Channel audience, I think

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Speaker 1: was the mindset, and I think as time went by,

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Speaker 1: they opened their minds a little bit about what is

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Speaker 1: how do we reach people? Because certainly every show, it

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Speaker 1: became a tradition, every uh Disney TV animation show, Disney

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Speaker 1: Channel show had a panel in comic con. Well, I

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Speaker 1: think after Kim, comic con started having panels for everything anyway,

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Speaker 1: I mean prior that's true, became more of a pop culture. Yeah,

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Speaker 1: it became pop called there everywhere. Now, Yeah, it wasn't personal, No,

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Speaker 1: I took it first. I took it personally. So I

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Speaker 1: think we should probably start at the beginning. We've heard

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Speaker 1: that now it's become a famous story that we've heard

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Speaker 1: a number of times, but it sounds so kind of

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Speaker 1: crazy that everyone thinks you made it up? But how

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Speaker 1: did Kim possible? We did make it up? This was

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Speaker 1: the easiest development we ever had yet. We were a

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Speaker 1: Disney Channel, had never worked with Disney TV Innovation before.

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Speaker 1: They wanted to show we knew their audience, you girl. Uh.

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Speaker 1: And we were on our way back from lunch. We

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Speaker 1: were an elevator and I turned up off and I said,

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Speaker 1: Kim Possible, she could do anything. And I said Rod Stoppable,

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Speaker 1: he can't. And by the time we got to our floor,

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Speaker 1: which was only three floors, it wasn't a long trip,

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Speaker 1: and it was one of those stories that the sounds

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Speaker 1: made up. But it's absolutely that the entire thing, almost

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Speaker 1: the entire thing was figured out. And to be fair,

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Speaker 1: Disney Channels elevators are very slow, the parents and the

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Speaker 1: tweeves too. Yeah. Now, when you say Kim Possible, exact

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Speaker 1: drawing as you go, Kim Possible, she can do anything.

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Speaker 1: Was this a name that had popped around in your

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Speaker 1: head before or did it just pop in? You know?

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Speaker 1: I think it was sort of a pun thing, and

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Speaker 1: I don't know, it was weird. It was just sort

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Speaker 1: of a magic moment, Disney magic. The Yeah. I was

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Speaker 1: actually kind of skeptical at first because I'm like, can

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Speaker 1: we really do a show just based on two dumb names?

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Speaker 1: It turns out you can. It turns out you can. Bob,

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Speaker 1: where did you come up with ron Ron? I think

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Speaker 1: just coming up with unstoppable, and it's like, what sounded

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Speaker 1: closest to that? And uh, you know, even though it

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Speaker 1: doesn't really make sense because Ron stoppable southing like unstoppable

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Speaker 1: is the opposite of what his actual personality is. I

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Speaker 1: honestly didn't. I didn't even put two, did you really not?

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Speaker 1: All this time? I honestly didn't. I just thought it

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Speaker 1: was opposite of me being doing everything possible, and you

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Speaker 1: Ron is very stoppable. It turns out, but every Tom

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Speaker 1: Petty song where he says like the rain was unstoppable,

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Speaker 1: I always hear the rain was unstoppable. Every Tom Petty

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Speaker 1: song in history all because of that. Okay, So from

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Speaker 1: from crazy slow elevator ride to first script, how long

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Speaker 1: was that? Probably like six months something like that to

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Speaker 1: the pilot. The original pilot was only eleven minutes long,

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Speaker 1: and it was what became the episode Crush. But the

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Speaker 1: difference originally was she Go didn't exist. I think Chico

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Speaker 1: came out of some point. Mark was like, we've got

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Speaker 1: to give drag and somebody to talk to and then

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Speaker 1: when we um cast Nicole, who we had worked with

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Speaker 1: on Buzz Lightyear, Um, suddenly the whole relationship change because

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Speaker 1: clearly drag him was not in charge once she was there,

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Speaker 1: so very different dynamics and and the she go Kim relationship,

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Speaker 1: you know, emerge very quickly. You know that here which

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Speaker 1: has life of its own. Well, so we here we

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Speaker 1: get that feedback quite a bit. Yeah, it's it's an

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Speaker 1: interesting Google. It's an interesting I mean, it's great because

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Speaker 1: it actually, you know, it was people just respond to

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Speaker 1: the show in different ways and for a lot of

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Speaker 1: people that was a big deal. We've got a lot

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Speaker 1: of very positive feedback on that. That's true on that front,

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Speaker 1: you know that, so have we from the whole LGBTQ community,

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Speaker 1: from a number of different characters in the show Senior, Senior, Junior,

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Speaker 1: And there was a bunch of different characters that people

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Speaker 1: really responded to in that community, which is kind of awesome.

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Speaker 1: Um that it was crossing all the different lines than

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Speaker 1: it possibly could. So, guys, when did you guys start

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Speaker 1: drawing Kim? Like what was that process? You guys obviously

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Speaker 1: have a background in animation, but like, what what I

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Speaker 1: know I've heard you guys talk about the art deco stuff,

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Speaker 1: the inspiration for that, but can you talk a little bit.

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Speaker 1: I'm all, I'm just really curious. We hired some artists,

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Speaker 1: some great artists to explore Kim, and then when Chris

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Speaker 1: Bailey came aboard, he brought in Steven Silver, who had

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Speaker 1: a very different approach to what we had men pursuing,

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Speaker 1: and it was great. I think before that Kim sort

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Speaker 1: of looked like a d C character, um, very more

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Speaker 1: naturalistic proportions. Yeah, Chris guiding the art team, Steven Silver

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Speaker 1: doing charactersign, Alan Bowner's art director. I think Justin Thompson

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Speaker 1: did layouts and backgrounds, who directed the Spider overse movie recently.

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Speaker 1: So yeah, So they all, you know, fused their talents

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Speaker 1: and it's one of the things that gave us such

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Speaker 1: a unique look. You know, until this day, it holds

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Speaker 1: up as a pretty timeless design. It does. I I

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Speaker 1: watched the pilot last night for my first time in years,

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Speaker 1: and aside from the fact that Ron's voice is completely different,

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Speaker 1: which is totally on me, which were over the years,

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Speaker 1: Ron got a lot higher, well that was I got

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Speaker 1: a lot lower. And we started that. We did we switched.

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Speaker 1: So I I watched last night and it was essentially

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Speaker 1: my voice, like you know what, KP, we gotta you know,

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Speaker 1: we got about and by the end, he's like all

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Speaker 1: the way up here, So did you really know? I mean,

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Speaker 1: I'm I'm curious. I think Johnny DiMaggio said something to

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Speaker 1: me one day in the booth, and other than that,

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Speaker 1: I think one time Lisa went, maybe let's not push

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Speaker 1: the voice too much, but nobody really said anything. We

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Speaker 1: all will in. Yeah, evolved over time. I mean I

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Speaker 1: think it was season one was what twenty one episodes, yeah,

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Speaker 1: and then season two is a chunkier order, uh, and

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Speaker 1: I think by the end of that maybe it was

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Speaker 1: starting to happen. Yeah. Season two was like thirty episodes

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Speaker 1: or something. I think it was a long were you will?

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Speaker 1: Were you doing another part? That brought your voice to

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Speaker 1: a different place. I think it was probably a combination

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Speaker 1: of him being wacky and me being I know, we're

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Speaker 1: seeing the character over time, and sometimes to the writing,

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Speaker 1: he could get dumber, you know, as time went along,

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Speaker 1: or you know that first season he's a little more

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Speaker 1: just the teenage guy, you know. Yeah, I mean he's

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Speaker 1: not good at the action now the same thing happened

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Speaker 1: to me on Boy Meats World. By the fourth or

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Speaker 1: fifth role, where they start to just write me dumber,

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Speaker 1: it starts to personally become a personal thing. Yeah, you

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Speaker 1: got to know your wheelhouse, know your wheelhouse. The one

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Speaker 1: thing I will say about Will's character though, is that

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Speaker 1: he always played it with hard so that when you

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Speaker 1: guys wrote to to that that's it kept me able

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Speaker 1: to speak to him and justify Kim being with this guy,

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Speaker 1: even thinking of him romantically was because Will Ron and

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Speaker 1: Will but Ron has a lot of heart at the

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Speaker 1: end of the day, and he's like on a hundred

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Speaker 1: percent loyal to Kim, d percent has her back, got

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Speaker 1: your got your back, KP Like you know what I mean. Like,

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Speaker 1: even though he was zany, it was a key to

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Speaker 1: the whole series that there was a sweetness to it

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Speaker 1: that even though Kim could be sarcastic and funny in

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Speaker 1: that way and Ron could be an idiot and funny

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Speaker 1: in that way, there was an emotional bond that really

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Speaker 1: came through. And I think that's why you know, people

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Speaker 1: still remember it twenty years later because they got invested

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Speaker 1: in those characters. I think so too. I would say oh,

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Speaker 1: and by the way, I just want to do you guys,

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Speaker 1: Do you guys remember gifting me this? Wow, that's nice.

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Speaker 1: Do you remember. I don't know when you gave that

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Speaker 1: to me. Feel like that was pretty early on, probably

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Speaker 1: because it was that's very cool. Isn't it beautiful? And

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Speaker 1: they sign it for people just listening it is a cell.

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Speaker 1: Well it's not a cell, but it's an original drawing

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Speaker 1: by Bob and Mark and it's talented. So it says, Chris,

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Speaker 1: do you think Chris? I think I think Chris Bailey

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Speaker 1: did that. Okay, that's a Bailey. That's Chris, that's for sure.

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Speaker 1: I shouldn't get this ensured. Chris Bailey can draw like

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Speaker 1: nobody's business, and we can like he was. He was

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Speaker 1: our first he was our first director, that's right. And

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Speaker 1: he really brought the team together on that look. I mean,

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Speaker 1: you know, it was a lot of really amazing storyboard

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Speaker 1: I mean, Dave Felony was one of the storyboard artists

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Speaker 1: is now Mr Star Wars. You know, um, a lot

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Speaker 1: of people came through the ranks of KP. He is

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Speaker 1: Mr Star Wars. It's like you know, they've they've you know,

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Speaker 1: he says it and they do it now Star Wars. Yeah,

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Speaker 1: it just had he was. I can't remeber if he

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Speaker 1: was season one or not. I guess maybe Stephen Silver

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Speaker 1: did some princesses too, right, I thought that one of

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Speaker 1: the well that was on the team designing Kim Possible,

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Speaker 1: we're also designing some princesses. I don't know. I mean

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Speaker 1: he now teaches character design um, so he's done a lot.

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Speaker 1: But it was definitely. It's funny how you hear so

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Speaker 1: many fabled random things about Kim Possible. Everything. Yeah, if

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Speaker 1: there's somebody online, it's like some of the casting stuff

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Speaker 1: of who auditioned for it, and it's like, I don't

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Speaker 1: remember that because we asked. We asked Lisa Shaffer when

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Speaker 1: we had her on, because one of the ones I

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Speaker 1: heard was John Cena saying, oh, I auditioned for Unstoppable,

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Speaker 1: but he said if I ever made him, I want

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Speaker 1: to hear the story because I don't remember, and we

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Speaker 1: were in all those auditions look up at him, and

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Speaker 1: I mean, I think Phil Patrick Harris was another one,

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Speaker 1: and I'm pretty sure that actually did happen vaguely, and

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Speaker 1: we worked with him years later on the Penguin Show.

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Speaker 1: But I should have asked him then, but I feel

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Speaker 1: like he must have John Cina, I do not, although

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Speaker 1: why would I. I I wouldn't have known who he was

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Speaker 1: probably back then. Yeah, I guess that he was great

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Speaker 1: and peacemaker. I'll give him that. So now I have

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Speaker 1: I have a question. So we've heard since the show

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Speaker 1: has ended that from the time it started, the plan

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Speaker 1: was to get Kim and Ron together. I didn't actually

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Speaker 1: know that. I didn't either, but rewatching the pilot last night,

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Speaker 1: you watch it in a different light knowing that it is.

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Speaker 1: There is that kind of friendship zone thing vibe through

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Speaker 1: the through the pilot episode. And you know, my daughter

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Speaker 1: just this weekend started at the beginning and was binging

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Speaker 1: them all, which I recommend everyone to should do. Go

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Speaker 1: to Disney, just hit play and just let it keep going.

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Speaker 1: But anyway, and let it go. It was fun over

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Speaker 1: the particularly of the course of season one to see

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Speaker 1: knowing that that's the goal far down the road, all

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Speaker 1: the little peppered things in there of girls any end

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Speaker 1: of the season two two girls that Ron's interested in,

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Speaker 1: Uh guys, Kim is interested in. You know that. It

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Speaker 1: It definitely played like, you know, we weren't purposely feeding

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Speaker 1: the shipping because I don't think we knew the term

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Speaker 1: shipping yet. We learned it pretty quick. I think we

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Speaker 1: learned it in the fan reaction to him. Bob. How

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Speaker 1: at the time were you getting fan reaction because the

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Speaker 1: internet was I mean, it was there obviously, but it

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Speaker 1: wasn't the same kind of readily that every probably like

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Speaker 1: used net and message boards or something. Yeah, I MTV

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Speaker 1: had message boards. I don't know if you guys read

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Speaker 1: those either, but I remember those. Yeah, there was there was.

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Speaker 1: I mean because I think there was no reddit. There

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Speaker 1: was no reddit. There was. You know, it wasn't like

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Speaker 1: NAT when you don't get the get the onslaught. You

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Speaker 1: had to seek it out, the like playing at first

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Speaker 1: when you make I mean because we you know, started

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Speaker 1: cartoons in the dark ages on a typewriter. Uh but

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Speaker 1: um literally, But you know, it was really cool at

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Speaker 1: first when you could get feedback online and stuff, and

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Speaker 1: then you realize is oh this is oh I guess

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Speaker 1: toxic pretty cool. Well, it's it's interesting when you actually

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Speaker 1: like started you know, early on, I think everyone who

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Speaker 1: made shows, when suddenly you could connect with fans directly,

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Speaker 1: you would correct something that they got wrong or something,

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Speaker 1: and they would get really not like that. They would

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Speaker 1: rather have their version of what they thought something was

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Speaker 1: supposed to be. Then you say, oh, no, no, what

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Speaker 1: we met was But you know, so we learned that

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Speaker 1: lesson years ago. Now, so what do you guys feel like?

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Speaker 1: Why do you think Him Possible is still I know

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Speaker 1: you mentioned that the vulnerability of Ron's character, but overall,

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Speaker 1: why do people still love him Possible like they did

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Speaker 1: as if it was? It was? Again, well, we have

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Speaker 1: to say the writing, but I I don't disagree with that.

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Speaker 1: I'm sorry, I disagree with song I think too, the

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Speaker 1: song communicator beep that you still hear out there on

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Speaker 1: people's phones everywhere. It's always weird when I hear that

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Speaker 1: in public. Um, yeah, I mean you're telling me, But

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Speaker 1: I think I think it was just everything came together,

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Speaker 1: the character designed. We were really lucky to make it

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Speaker 1: an HD when it wasn't really airing an HD yet,

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Speaker 1: So it actually looks good if you watch it now.

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Speaker 1: But over the years, Bob and I, whenever we're doing

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Speaker 1: like an informational interview with someone who has a recent

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Speaker 1: college graduate, once again in the industry, consistently, almost every

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Speaker 1: time Kimpossible was this thing that inspired them when they

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Speaker 1: were young. And I just spoke to a group from

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Speaker 1: Temple University, where we both went to school, that was

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Speaker 1: out and across the board. It was like, oh, impossible,

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Speaker 1: such an important thing to me. So, you know, I

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Speaker 1: do think at the same time as us, there was

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Speaker 1: Powerpuff Girls and Buffing the Vampire Slayer. I think there

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Speaker 1: was something you know, in the zeitgeist about female empowerment

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Speaker 1: that everybody seemed to come up with separately, but they

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Speaker 1: all kind of hit the airwaves around the same time.

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Speaker 1: And I think it just it's scratched an itch that

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Speaker 1: people didn't quite know they had, you know what I mean,

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Speaker 1: Like its just connected, I think. But I do think

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Speaker 1: that the caliber of the writing and the performances, I

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Speaker 1: mean not just you guys and you know John and

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Speaker 1: the Cole but gosh rewatching them once this weekend. Debbie

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Speaker 1: Reynolds is Nana. Yeah, it was fantastic. She just Ricardo

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Speaker 1: Montabona Senior Senior Senior h is the cast of Not

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Speaker 1: Just That but the regular cast to When When You

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Speaker 1: Get in Jeans, Smart and Gary Cole as the parents

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Speaker 1: are two of the greatest animated parents on all times.

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Speaker 1: They're phenomenal. They really are. I'm enjoying Jean Smart's renaissance

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Speaker 1: and a lot of renaissances. But it's about time because

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Speaker 1: she's yeah, I mean, she just brought something to mom,

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Speaker 1: and he brought something to dad that was just way

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Speaker 1: beyond what you get in typical cartoon parents, you know,

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Speaker 1: and Ron's parents too and cooled. I mean it was

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Speaker 1: and we got to work with exactly none of these people. Yeah,

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Speaker 1: that was the curse of everyone's busy schedules and tended

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Speaker 1: to be everybody in isolation. Like with Jean Smart and

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Speaker 1: Gary Cole were such pros that they would come in

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Speaker 1: and do their part and literally like five minutes it

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Speaker 1: would be like bing bang. Yeah. We just eventually just

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Speaker 1: sort of nicknamed him the gun Slinger. I mean he

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Speaker 1: would just come in, you would do three takes in

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Speaker 1: the name of doing three takes, but right everyone, he

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Speaker 1: always hits the bulls and you just go, all right,

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Speaker 1: well that's done. You know. I saw him once at

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Speaker 1: a restaurant in Los Angeles. He was having launched by

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Speaker 1: himself and I walked over, I said, Mr Cole, you know,

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Speaker 1: we did a show together for a long time. I

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Speaker 1: think we met once Kim Possible, and in that voice,

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Speaker 1: he went, yeah, nice to see again, and that was it.

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Speaker 1: Had I had a very I had a very similar

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Speaker 1: experience with him. He is such a gentleman, and you know,

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Speaker 1: we we did a movie together. He was very nice,

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Speaker 1: but it was he was abruptly very nice to me.

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Speaker 1: But if you don't mind sticking around a little while here,

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Speaker 1: we're gonna go talk to some other people from Kim Possible.

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Speaker 1: But and we've teased this a little bit. You have

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Speaker 1: both done something pretty amazing for us, and you've written

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Speaker 1: a new Kim Possible scene and we are going to

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Speaker 1: be recording it in a little bit, So if you

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Speaker 1: don't mind hanging out with that, because it is exclusively

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Speaker 1: excited to hear the characters again. We can't wait. Well,

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Speaker 1: we were so excited to read it. It is. It

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Speaker 1: brought us right back, Christine, I've been talking about it

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Speaker 1: for days. It brought us right freaking out all morning.

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Speaker 1: You guys, you don't understand, are you? Okay, we can't wait.

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Speaker 1: So we're gonna go talk to some of the other

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Speaker 1: actors and then we're gonna bring everybody back. Uh, and

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Speaker 1: Lisa Schaeffer is going to come back and direct us

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Speaker 1: again like old times, and we are going to record

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Speaker 1: this scene. So thank you so much, and we are

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Speaker 1: going to be coming back. Yes, you're awesome, thank you,

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Speaker 1: and we'll see I'm so good. We love you guys. Yeah,

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Speaker 1: you guys are so cute. I love you too. Were

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Speaker 1: so happy to see you, excited that you're here for

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Speaker 1: I'm like in love with the in fact you guys

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00:20:23,200 --> 00:20:25,600
Speaker 1: chitty chat all the time, chitty chat. And the thing

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Speaker 1: that's cool is that this whole Kim Possible thing was

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Speaker 1: kind of what started our show here. We started I

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Speaker 1: hear voices by thinking about the Kim Possible twenty of anniversary.

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Speaker 1: No pressure back together, we did, we did. How are you?

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Speaker 1: I'm really good. I'm really good. I still have my

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Speaker 1: Shigo cell up in my office. Did you get one? No,

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Speaker 1: I'm the only one who got nothing. I got nothing.

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Speaker 1: My agent got it for me. I don't know how.

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Speaker 1: I don't understand how that works, but he got it

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Speaker 1: for me. Asn't give me twenty years ago. Yeah, I

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Speaker 1: was trying to find my camp Wanna Weep shirt this morning.

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Speaker 1: It's somewhere, but I don't know where. So we should

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Speaker 1: jump in because we don't have a lot and we're

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Speaker 1: getting to we are going to record a new scene

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Speaker 1: from Kim Possible today. Did you get the scene? I scene?

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Speaker 1: I have the scenes. I mean Mark and Bob are geniuses.

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Speaker 1: It's right back. It took us right back, like right back.

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Speaker 1: Do you remember? Okay, So do you remember auditioning for Chico?

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Speaker 1: How did you approach her? They had just mentioned, because

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Speaker 1: we just had them on before you that they had

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Speaker 1: worked with you with buzz Lightyear. So how was your

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Speaker 1: audition process for she go? And when did you see

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Speaker 1: her face? Um? All that dash Christie, it was offering,

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Speaker 1: of course it was. Of course I should hope. So

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Speaker 1: it was a different day, guys, it was a different day.

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Speaker 1: Do you remember Pig would just give you jobs? Will

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Speaker 1: just give you a job? Is at one point? Yes,

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00:22:00,280 --> 00:22:05,879
Speaker 1: I remember that week. Yeah, does not happen anymore. But no,

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Speaker 1: I I love them and I loved buzz Lightyear and

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00:22:08,480 --> 00:22:11,240
Speaker 1: buzz Lighter was so fun. But it's so funny to

390
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Speaker 1: look at even from buzz Lightyear to this show, like

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Speaker 1: they really took like such a move forward in a

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Speaker 1: female character. Because my character buzz light It was Prince

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Speaker 1: you know, Prince Miranova, and she was like sort of

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00:22:23,920 --> 00:22:26,680
Speaker 1: kick ass in her own way, but literally what she

395
00:22:26,720 --> 00:22:29,679
Speaker 1: said was buzz watch out like she I mean, it

396
00:22:29,800 --> 00:22:32,920
Speaker 1: was just a different role for females in any kind

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Speaker 1: of action animation at all. And then this and then

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Speaker 1: they made this show where like where Kim Possible is

399
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Speaker 1: just amazing, and so yeah, I was gonna say some

400
00:22:43,560 --> 00:22:46,280
Speaker 1: would argue that they really are equals in this way,

401
00:22:46,320 --> 00:22:49,320
Speaker 1: and it was really it was Obviously we've always talked

402
00:22:49,320 --> 00:22:52,000
Speaker 1: about how people have taken them in their sort of

403
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Speaker 1: equality into a place where, oh my gosh, there are

404
00:22:55,960 --> 00:22:58,800
Speaker 1: these two women and they're beautiful and all that stuff

405
00:22:58,840 --> 00:23:03,199
Speaker 1: that's happened. Googling Kim and Chigo can be being interesting.

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Speaker 1: I mean, I'm telling you, you know what's so funny

407
00:23:06,000 --> 00:23:07,840
Speaker 1: is that when you go to comic Con or when

408
00:23:07,920 --> 00:23:09,440
Speaker 1: you know one of those and you see the Kim

409
00:23:09,560 --> 00:23:13,880
Speaker 1: Chego pairs, you're like, but but I also don't talk

410
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Speaker 1: to him because I'm scared, Like why because that would

411
00:23:18,840 --> 00:23:23,320
Speaker 1: be like they look like powerful people. Yeah, and I'm nervous.

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00:23:23,359 --> 00:23:25,399
Speaker 1: I'm a nervous nelly. But that's the other thing. I mean,

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Speaker 1: when you look at Kim and Ron, and you look

414
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Speaker 1: at Dracking and Chigo, they are flip sides of each other.

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00:23:30,720 --> 00:23:34,800
Speaker 1: It's like Draging is the evil Ron and and she

416
00:23:34,960 --> 00:23:36,840
Speaker 1: goes Is that is that? You know? What I would

417
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Speaker 1: love to ask Mark and Bob is how much of

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Speaker 1: the character they had flushed out when they started, because

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Speaker 1: some of my favorite episodes are when we get to

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Speaker 1: meet Chigo's family where it's like Higo and we go

421
00:23:47,920 --> 00:23:50,600
Speaker 1: and they were teams go. They were like they were

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00:23:50,600 --> 00:23:55,639
Speaker 1: a superhero team go. And so you wonder how you

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Speaker 1: know how much of that was flushed out or I'm

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Speaker 1: guessing and this is not just because you're here with

425
00:23:59,880 --> 00:24:01,760
Speaker 1: us now, I would say the same thing Nicole, that

426
00:24:01,880 --> 00:24:04,720
Speaker 1: Nicole was so good and the character was so good

427
00:24:04,920 --> 00:24:06,800
Speaker 1: that they went, we got to extrapolate this out a

428
00:24:06,800 --> 00:24:11,560
Speaker 1: lot because they could exactly it warranted that. Well, thank you,

429
00:24:11,640 --> 00:24:13,520
Speaker 1: and I think that also explains the offer. Only thing

430
00:24:13,640 --> 00:24:15,320
Speaker 1: was I don't think that. I think they thought it

431
00:24:15,359 --> 00:24:17,440
Speaker 1: was going to be like an episode and a half,

432
00:24:17,920 --> 00:24:20,280
Speaker 1: but but listen, it was more, and so I couldn't

433
00:24:20,320 --> 00:24:23,360
Speaker 1: be happier about that. Well, I just remember several records,

434
00:24:23,359 --> 00:24:25,439
Speaker 1: so a lot of people don't know that what we

435
00:24:25,440 --> 00:24:27,399
Speaker 1: talked about this, Christine. I didn't get to record a

436
00:24:27,400 --> 00:24:29,800
Speaker 1: lot together, and I was mostly the cord sessions that

437
00:24:29,840 --> 00:24:32,679
Speaker 1: I did are with you and John, So it was

438
00:24:32,720 --> 00:24:34,520
Speaker 1: the three of us kind of in the room together,

439
00:24:35,040 --> 00:24:36,920
Speaker 1: and we got to know each other pretty well during

440
00:24:36,920 --> 00:24:39,840
Speaker 1: that time, I mean great, We saw each other all

441
00:24:40,160 --> 00:24:44,920
Speaker 1: the time. It was amazing, and we would spend two

442
00:24:44,960 --> 00:24:48,800
Speaker 1: thirds of the recording session talking and then listening to

443
00:24:49,160 --> 00:24:53,359
Speaker 1: John do Berry White and you know, pretty much and

444
00:24:53,680 --> 00:24:56,919
Speaker 1: laughing and me just like you know, basically with an

445
00:24:56,920 --> 00:25:01,040
Speaker 1: air cigarette like this is I mean this not a bullshit,

446
00:25:01,400 --> 00:25:04,960
Speaker 1: you know a l A studios. That whole vibe of

447
00:25:04,960 --> 00:25:07,919
Speaker 1: the place that we recorded KIM was very almost looked

448
00:25:08,000 --> 00:25:10,880
Speaker 1: like a physical embodiment of our sets on KIM. Don't

449
00:25:10,920 --> 00:25:13,920
Speaker 1: you think it was art deco. It was very dim lighting,

450
00:25:14,800 --> 00:25:20,879
Speaker 1: like palm palm leaves everywhere with little Yes. It was

451
00:25:20,920 --> 00:25:23,400
Speaker 1: such a vibe and some of the greatest things ever

452
00:25:23,480 --> 00:25:26,320
Speaker 1: have been recorded there. I mean, like from the coolest

453
00:25:26,320 --> 00:25:29,400
Speaker 1: cartoons to like Spinal Tap. The music for Spinal Tap

454
00:25:29,440 --> 00:25:33,040
Speaker 1: was all recorded. Oh yeah, there's a history to that

455
00:25:33,080 --> 00:25:36,640
Speaker 1: place that is just remarkable. It's home for me, It's

456
00:25:36,640 --> 00:25:38,879
Speaker 1: home for me. I love it. There. Yeah. Actually I

457
00:25:38,880 --> 00:25:41,800
Speaker 1: feel that very similar because when I would go there, uh,

458
00:25:41,840 --> 00:25:43,520
Speaker 1: you know, Kim was just so new to me, and

459
00:25:43,560 --> 00:25:45,679
Speaker 1: the whole thing of it was so new, and I

460
00:25:45,720 --> 00:25:47,919
Speaker 1: was you guys were all legends to me, and so

461
00:25:47,960 --> 00:25:50,080
Speaker 1: I was so excited to be a part of it

462
00:25:50,119 --> 00:25:52,320
Speaker 1: that it was like it felt like being at l

463
00:25:52,359 --> 00:25:55,000
Speaker 1: A Studios just was home in that way. But I

464
00:25:55,080 --> 00:25:58,359
Speaker 1: miss you, Nicole. I'm happy that she she's as. She

465
00:25:58,480 --> 00:26:01,080
Speaker 1: was so wonderful to come and cook with me and

466
00:26:01,119 --> 00:26:04,480
Speaker 1: we made some green goddessy thing and we had a blast.

467
00:26:04,520 --> 00:26:06,119
Speaker 1: But I mean, I want to think about what we

468
00:26:06,160 --> 00:26:08,520
Speaker 1: didn't talk about. Okay, well, I have one thing. And

469
00:26:08,560 --> 00:26:11,680
Speaker 1: so we were asking everybody this, what do you think why?

470
00:26:11,720 --> 00:26:14,200
Speaker 1: I mean, we've all been in this business for decades now,

471
00:26:14,200 --> 00:26:16,280
Speaker 1: We've all done different projects, some of them come, some

472
00:26:16,320 --> 00:26:18,760
Speaker 1: of them go. What do you think has made KIMP

473
00:26:18,760 --> 00:26:22,960
Speaker 1: possible sustain for twenty years? That's such a good question.

474
00:26:23,240 --> 00:26:27,320
Speaker 1: I mean I think there. I think it's the relationships

475
00:26:27,400 --> 00:26:33,000
Speaker 1: that they're insanely antagonistic, right even like like you said, well,

476
00:26:33,000 --> 00:26:35,399
Speaker 1: like you pointed out, like the two duos right even

477
00:26:35,440 --> 00:26:38,440
Speaker 1: within their like and and then the two verses too,

478
00:26:38,480 --> 00:26:42,520
Speaker 1: insanely antagonistic, but with such levity that there was it

479
00:26:43,080 --> 00:26:45,879
Speaker 1: never it never got like even dragging on his worst

480
00:26:45,920 --> 00:26:48,400
Speaker 1: moment was like Son of a Gun like, it never

481
00:26:48,480 --> 00:26:51,359
Speaker 1: got heavy and it but it also never felt pandering,

482
00:26:51,800 --> 00:26:54,120
Speaker 1: so it kept it light without it feeling like we're

483
00:26:54,119 --> 00:26:57,000
Speaker 1: talking to like little kids. I think that's true totally.

484
00:26:57,320 --> 00:27:00,280
Speaker 1: There was a movement. You're right, absolutely, it was never

485
00:27:00,480 --> 00:27:02,119
Speaker 1: we were talking about how I I watched the Pilot

486
00:27:02,119 --> 00:27:04,360
Speaker 1: for the first time in probably twenty years last night,

487
00:27:05,000 --> 00:27:07,080
Speaker 1: and it wasn't talking down to kids at all. It

488
00:27:07,080 --> 00:27:09,480
Speaker 1: didn't seem like it was four kids. It just seemed

489
00:27:09,520 --> 00:27:12,359
Speaker 1: like a good like I could see like going from

490
00:27:12,440 --> 00:27:15,240
Speaker 1: watching The Simpsons to going to watching Kim Possible, like

491
00:27:15,280 --> 00:27:17,720
Speaker 1: you could like it could have been a late night

492
00:27:17,840 --> 00:27:20,840
Speaker 1: primetime kind of show. It didn't feel like you were

493
00:27:20,840 --> 00:27:24,360
Speaker 1: watching a Disney Channel like little kids show. No. I agree,

494
00:27:24,840 --> 00:27:27,560
Speaker 1: Bob and Mark don't write that, and I don't think

495
00:27:27,960 --> 00:27:30,360
Speaker 1: we act that. I don't think that's that's in our

496
00:27:30,440 --> 00:27:33,760
Speaker 1: any of our wheelhouses, and I don't think that's that's

497
00:27:33,760 --> 00:27:36,399
Speaker 1: certainly not in their wheelhouse they write to the funny.

498
00:27:36,600 --> 00:27:39,760
Speaker 1: I think that's true. So can we ask quickly what

499
00:27:39,760 --> 00:27:42,600
Speaker 1: what are you working on now? And I just told

500
00:27:42,600 --> 00:27:44,080
Speaker 1: you had a movie that came out last week, which

501
00:27:44,119 --> 00:27:46,080
Speaker 1: is pretty awesome, and I love that you had to

502
00:27:46,080 --> 00:27:50,359
Speaker 1: tell me that, Um, I'm working on the am I

503
00:27:50,359 --> 00:27:52,240
Speaker 1: allowed to say it? I think I'm allowed? Yes, what

504
00:27:52,320 --> 00:27:53,919
Speaker 1: can you tell us you're working on? Let's put it

505
00:27:53,960 --> 00:27:56,520
Speaker 1: that way, the Clone High. There's a Clone High reboot

506
00:27:56,760 --> 00:28:00,159
Speaker 1: that's coming out, So I've been doing that that and

507
00:28:00,240 --> 00:28:02,960
Speaker 1: that's twenty years later, not less a little less than

508
00:28:02,960 --> 00:28:05,720
Speaker 1: twenty years as well. But and then DC Superhero Girls

509
00:28:05,920 --> 00:28:09,280
Speaker 1: DC Superhero Girls, Yeah, which is uh, I mean that

510
00:28:09,400 --> 00:28:11,520
Speaker 1: cast is like, who do you play on that? Nicole?

511
00:28:11,840 --> 00:28:16,760
Speaker 1: I play a little character called Slipper Girl. She's Supergirl.

512
00:28:16,800 --> 00:28:20,520
Speaker 1: I know, isn't that the funniest thing ever? Supergirl so cool?

513
00:28:20,920 --> 00:28:25,840
Speaker 1: Like this raspy nasal voice is Supergirl. But yeah, I

514
00:28:25,880 --> 00:28:29,840
Speaker 1: mean Lauren wrote wrote the character, so like she they're

515
00:28:29,880 --> 00:28:31,800
Speaker 1: just a bunch of teenagers and they're in each other's

516
00:28:31,800 --> 00:28:34,000
Speaker 1: faces and they love each other and then faces they

517
00:28:34,000 --> 00:28:37,040
Speaker 1: love it, you know that cycle and Supergirls just like

518
00:28:37,760 --> 00:28:40,800
Speaker 1: shocking guys. She's sort of over it all and like,

519
00:28:41,120 --> 00:28:43,280
Speaker 1: can't you know it is like the rest of them

520
00:28:43,280 --> 00:28:45,840
Speaker 1: annoy her and she's a heavy, heavy metal and you

521
00:28:45,840 --> 00:28:47,440
Speaker 1: know all that, all this stuff, but it's a it's

522
00:28:47,440 --> 00:28:49,440
Speaker 1: a it's a great take on the character. Really is

523
00:28:49,440 --> 00:28:52,280
Speaker 1: a great take on Supergirl. Yeah, I need to watch

524
00:28:52,320 --> 00:28:56,400
Speaker 1: this because I've been will now you Tara Strong, like

525
00:28:56,440 --> 00:28:58,080
Speaker 1: I've been hearing so many good things about I'm very

526
00:28:58,080 --> 00:28:59,400
Speaker 1: excited about this one. I mean, I think I'm gonna

527
00:28:59,400 --> 00:29:01,760
Speaker 1: watch it with my girl. Yeah, yeah you should. They

528
00:29:01,760 --> 00:29:05,320
Speaker 1: would love it. Actually, I mean watching Tara Strong work

529
00:29:05,480 --> 00:29:08,320
Speaker 1: and watching Gray Tara Strong because she'll be like on

530
00:29:08,360 --> 00:29:11,400
Speaker 1: her phone, she'll be like and they'll be giving notes

531
00:29:11,600 --> 00:29:16,280
Speaker 1: and she's like like Instagram, Instagram, instagram in and then

532
00:29:16,480 --> 00:29:22,479
Speaker 1: she's like and then she's like, it doesn't perfectly at

533
00:29:22,520 --> 00:29:25,160
Speaker 1: a hundred miles an hour taking all the notes they said,

534
00:29:25,200 --> 00:29:29,280
Speaker 1: I'm like, oh my god, she's crazy good. It's yeah.

535
00:29:29,400 --> 00:29:31,800
Speaker 1: That cast is when I got a chance to join

536
00:29:31,880 --> 00:29:34,800
Speaker 1: you all. That was you know, for for how how

537
00:29:34,840 --> 00:29:36,960
Speaker 1: briefly it was that was a caster. It was like, Wow,

538
00:29:37,040 --> 00:29:39,680
Speaker 1: everybody in here is really good. It was it was

539
00:29:39,720 --> 00:29:43,680
Speaker 1: fun and everyone did different stuff and it was it's yeah,

540
00:29:43,720 --> 00:29:49,240
Speaker 1: Gray is amazing. Yeah, so listen, um. The voice thing though,

541
00:29:49,280 --> 00:29:52,040
Speaker 1: you were just saying how Supergirl has this you know,

542
00:29:52,200 --> 00:29:55,640
Speaker 1: raspy voice, but you know with Chico, did you lean

543
00:29:55,680 --> 00:29:58,680
Speaker 1: into that harder? Like how did you find inspiration for

544
00:29:58,720 --> 00:30:01,320
Speaker 1: her voice? When you finally it was off or only.

545
00:30:01,320 --> 00:30:06,720
Speaker 1: But I'm sure once you appeared that um I listened.

546
00:30:06,720 --> 00:30:09,360
Speaker 1: I legitimately was smoking a lot of cigarettes at the time.

547
00:30:09,400 --> 00:30:16,000
Speaker 1: I was, I was young. I was yeah, I was

548
00:30:16,120 --> 00:30:19,840
Speaker 1: all like, so the rasp was there, and uh, you know,

549
00:30:19,840 --> 00:30:21,520
Speaker 1: it's so funny. I remember there was I was at

550
00:30:21,520 --> 00:30:24,720
Speaker 1: a friend's house and he he's like, oh my god,

551
00:30:24,760 --> 00:30:27,360
Speaker 1: my daughter back east is such a huge fan of

552
00:30:27,400 --> 00:30:30,960
Speaker 1: Kimpossible and she would be can you leave her a

553
00:30:31,120 --> 00:30:34,440
Speaker 1: message as she go? And I was like, I mean sure.

554
00:30:34,960 --> 00:30:36,760
Speaker 1: And then we're at a party, like it's a nighttime party,

555
00:30:36,800 --> 00:30:40,960
Speaker 1: like drink. Some people's focusing and I was like, uh, hey,

556
00:30:41,000 --> 00:30:43,959
Speaker 1: it's it's she go. Uh like I was so embarrassed.

557
00:30:44,560 --> 00:30:47,200
Speaker 1: There was like nine people watching, and I'm like, I

558
00:30:47,200 --> 00:30:51,600
Speaker 1: mean it's just kind of my ways, Like I think

559
00:30:51,640 --> 00:30:54,240
Speaker 1: he expecting me to go into some like interesting ward.

560
00:30:54,320 --> 00:30:59,840
Speaker 1: I was like, no, that's just talk. We were all

561
00:31:00,160 --> 00:31:02,960
Speaker 1: h It's the ninety it was early two thousands and

562
00:31:04,520 --> 00:31:07,160
Speaker 1: was still cool. Smoking was still cool down. Everybody's like

563
00:31:07,480 --> 00:31:09,480
Speaker 1: life is a thing. You want to live long. Yeah,

564
00:31:09,480 --> 00:31:11,520
Speaker 1: I just had my eight year anniversary. I just had

565
00:31:11,560 --> 00:31:14,560
Speaker 1: my eight year anniversary two days ago. Thank you very much.

566
00:31:14,600 --> 00:31:18,880
Speaker 1: That's really exciting. Eight years without a cigarette, very exciting. Yeah.

567
00:31:18,600 --> 00:31:21,280
Speaker 1: I got pregnant when we were doing impossible. So that's

568
00:31:21,280 --> 00:31:27,520
Speaker 1: when twice and that's when that ship sailed. This also

569
00:31:27,600 --> 00:31:29,240
Speaker 1: has to be cut out or we will bleep it,

570
00:31:29,280 --> 00:31:31,600
Speaker 1: because your response to getting pregnant was still one of

571
00:31:31,600 --> 00:31:34,400
Speaker 1: the funniest stories I've ever heard ever. We're sitting there,

572
00:31:34,440 --> 00:31:37,240
Speaker 1: We're sitting there and she walks in, and I'm like,

573
00:31:37,280 --> 00:31:40,920
Speaker 1: how are you, And without missing a beach, goes, I'm pregnant.

574
00:31:43,000 --> 00:31:49,520
Speaker 1: That is exactly how she good. That is exactly that's

575
00:31:49,520 --> 00:31:54,040
Speaker 1: your answer. That's your answer. Well, okay, are you happy

576
00:31:54,200 --> 00:31:59,520
Speaker 1: I'm pregnant? Oh my gosh. So then your your little

577
00:31:59,560 --> 00:32:07,680
Speaker 1: one is now how old? He's fifteen? And yeah, twenty

578
00:32:07,760 --> 00:32:10,320
Speaker 1: years of kp here. This is crazy. You watch it.

579
00:32:10,520 --> 00:32:15,160
Speaker 1: He has seen it. Listen. They don't think anything I

580
00:32:15,200 --> 00:32:22,959
Speaker 1: do is interesting or cool, Like, there's no there's no nothing.

581
00:32:23,720 --> 00:32:26,680
Speaker 1: I remember at one point I was like penguins a Madagascar.

582
00:32:26,720 --> 00:32:29,280
Speaker 1: Bob Marks show Penguin. I was like, I play the

583
00:32:29,320 --> 00:32:32,600
Speaker 1: honor on this show. I mean it's a very funny show.

584
00:32:32,960 --> 00:32:35,239
Speaker 1: And they're like, yeah, we don't really like and I

585
00:32:35,280 --> 00:32:39,880
Speaker 1: was like, it's one an Emmy need feeling guy for

586
00:32:39,960 --> 00:32:43,840
Speaker 1: an Emmy and then parton show. Like I was beside

587
00:32:43,880 --> 00:32:48,120
Speaker 1: myself that they and they just can't hear me doing

588
00:32:48,120 --> 00:32:55,480
Speaker 1: anything abou maybe King of Queens they could watch for

589
00:32:55,520 --> 00:32:58,160
Speaker 1: a minute or two. But I remember when I was

590
00:32:58,160 --> 00:33:01,440
Speaker 1: a little this is a true story, I Sesame Street

591
00:33:01,880 --> 00:33:03,480
Speaker 1: and I and I got to do one of those

592
00:33:03,680 --> 00:33:06,400
Speaker 1: Sesame Street video you know that back in the videos.

593
00:33:06,600 --> 00:33:08,920
Speaker 1: And I was the letter A, and Steve Carrell was

594
00:33:09,160 --> 00:33:16,880
Speaker 1: Steve Carell, ste thank you, Steve Colbert was the letter Z.

595
00:33:17,080 --> 00:33:18,840
Speaker 1: And it was a story of the letter A versus

596
00:33:18,880 --> 00:33:20,760
Speaker 1: Letter Z. And we're dressed up as the letters and

597
00:33:20,760 --> 00:33:23,160
Speaker 1: big stuffy costumes and we and we were doing bits

598
00:33:23,160 --> 00:33:26,680
Speaker 1: around the mall and like A and Z once misunderstood

599
00:33:26,760 --> 00:33:29,560
Speaker 1: on was you know? That was the gist. And at

600
00:33:29,560 --> 00:33:32,440
Speaker 1: one point and I'm it's a Sesame Street video and

601
00:33:32,480 --> 00:33:35,960
Speaker 1: I'm sure it's my kids, and they're stone faced. I'm like, guys,

602
00:33:36,240 --> 00:33:40,320
Speaker 1: mom's the letter A on Sesame Street. Stone face, and

603
00:33:40,320 --> 00:33:43,280
Speaker 1: then there's a crowd scene where my husband is like

604
00:33:43,320 --> 00:33:45,480
Speaker 1: in the back and everyone's like singing a song and

605
00:33:45,520 --> 00:33:52,160
Speaker 1: they go look at Daddy. I was like, I was like,

606
00:33:52,280 --> 00:33:58,959
Speaker 1: I will so excited that dad was in the background singing. Well,

607
00:33:59,000 --> 00:34:02,360
Speaker 1: they're gonna look back and realize that you were in everything. Hey,

608
00:34:02,360 --> 00:34:04,800
Speaker 1: you know what, Nicole, when they have kids and you're

609
00:34:04,920 --> 00:34:07,720
Speaker 1: the grandma, you're going to be the coolest grandma ever.

610
00:34:08,280 --> 00:34:12,000
Speaker 1: I promise it's just going to skip a generation exactly, exactly.

611
00:34:12,840 --> 00:34:15,399
Speaker 1: So will you hang out with us for another ten

612
00:34:15,440 --> 00:34:18,799
Speaker 1: fifteen minutes. We're going to go talk to DiMaggio and

613
00:34:18,840 --> 00:34:21,120
Speaker 1: then we're going to come back and for the first

614
00:34:21,160 --> 00:34:25,279
Speaker 1: time in twenty years, record new Kim possible content and

615
00:34:25,360 --> 00:34:30,160
Speaker 1: Lisa Shaffer will be directing us. By the way, crazed,

616
00:34:33,520 --> 00:34:36,279
Speaker 1: you can tell him yourself exactly. Thank you so much

617
00:34:36,320 --> 00:34:38,440
Speaker 1: and we'll see you in love you guys, let's see

618
00:34:38,480 --> 00:34:46,279
Speaker 1: a minute. Awesome, Wow, this is going so great. Oh

619
00:34:46,360 --> 00:34:52,080
Speaker 1: my goodness, John Maggo is here. This is not a test, everybody,

620
00:34:52,160 --> 00:34:56,560
Speaker 1: it's a real reunion. Just talking to Cole Mark and Bob.

621
00:34:56,640 --> 00:35:00,440
Speaker 1: Lisa Shaffer's coming in. We've got a new Kim possible

622
00:35:00,440 --> 00:35:03,960
Speaker 1: scene to record. I'm excited about that. I just read it.

623
00:35:03,960 --> 00:35:07,480
Speaker 1: It's funny, It's we had fun. We had fun on

624
00:35:07,480 --> 00:35:11,640
Speaker 1: this show. We really did. I mean, you know, listen, Christy,

625
00:35:11,760 --> 00:35:13,759
Speaker 1: you and I really didn't get to record a lot.

626
00:35:14,480 --> 00:35:18,400
Speaker 1: But but Will and I got to record all the time,

627
00:35:19,280 --> 00:35:24,839
Speaker 1: and was always it was always, it was always guaranteed

628
00:35:24,920 --> 00:35:27,200
Speaker 1: that we were going to laugh the whole time. We

629
00:35:27,200 --> 00:35:29,319
Speaker 1: were going to laugh her asses, like the whole time,

630
00:35:29,880 --> 00:35:32,359
Speaker 1: just the whole time. It was so funny. I mean,

631
00:35:32,560 --> 00:35:35,640
Speaker 1: like I even remember remember that time. Will you read

632
00:35:35,680 --> 00:35:38,640
Speaker 1: that line and you were like, what is the rufus

633
00:35:38,719 --> 00:35:44,120
Speaker 1: court rufus screw? I mean, and it just sounded so wrong,

634
00:35:44,320 --> 00:35:50,400
Speaker 1: yet it was so right. Um you know, a tendency

635
00:35:50,440 --> 00:35:53,080
Speaker 1: to have to say some really crazy lines. It was

636
00:35:53,120 --> 00:35:55,440
Speaker 1: so fun though. So let me ask you the first question.

637
00:35:55,480 --> 00:35:57,960
Speaker 1: Then we'd like to ask everybody. Do you remember auditioning

638
00:35:58,000 --> 00:35:59,680
Speaker 1: for the show. Do you remember when you when Kim

639
00:35:59,719 --> 00:36:04,000
Speaker 1: Possib first came across your your table? Big yeah, I

640
00:36:04,000 --> 00:36:07,200
Speaker 1: mean I all I all I remember was just being like,

641
00:36:07,320 --> 00:36:10,759
Speaker 1: I can I can channel this, I can I can

642
00:36:10,880 --> 00:36:14,319
Speaker 1: get this guy. I mean he's really just a you know,

643
00:36:14,480 --> 00:36:18,439
Speaker 1: just a rehashed Harvey Korman like bad guy, Like that's

644
00:36:19,080 --> 00:36:20,880
Speaker 1: that's all I was thinking. It was just like, not

645
00:36:21,120 --> 00:36:24,000
Speaker 1: just do your Harvey Korman and just have fun and

646
00:36:24,080 --> 00:36:26,719
Speaker 1: be over the top with this guy. And it was

647
00:36:26,920 --> 00:36:29,279
Speaker 1: I mean, and I knew it, and I and I

648
00:36:29,560 --> 00:36:32,080
Speaker 1: and I got it and it was pretty cool. Um.

649
00:36:33,520 --> 00:36:36,839
Speaker 1: I mean, it was just always so damn funny, like

650
00:36:36,840 --> 00:36:41,279
Speaker 1: it was always so ridiculous. I mean, and you said

651
00:36:41,280 --> 00:36:44,560
Speaker 1: some ridiculous stuff in your time. Oh yeah, no, I

652
00:36:44,640 --> 00:36:49,440
Speaker 1: have said a lot of ridiculous stuff. But I mean, it's, uh,

653
00:36:49,520 --> 00:36:52,920
Speaker 1: it's it's it's the guys. It's it's it's Robin Mark.

654
00:36:53,239 --> 00:36:55,480
Speaker 1: They were just so you know, they're listening to you

655
00:36:55,600 --> 00:36:59,480
Speaker 1: right now. They're on mute and standing by here. So

656
00:36:59,520 --> 00:37:05,880
Speaker 1: they said, that's that exactly. That's what they always That's

657
00:37:05,920 --> 00:37:08,839
Speaker 1: what producers always sound like when you're recording anyway, right now.

658
00:37:08,960 --> 00:37:12,040
Speaker 1: They I mean, those guys, everybody on that show. I

659
00:37:12,160 --> 00:37:14,520
Speaker 1: was lucky enough to work with them again on Penguins,

660
00:37:15,640 --> 00:37:20,600
Speaker 1: you know, I mean, yes, unbelievable. And he's on fire

661
00:37:20,680 --> 00:37:26,719
Speaker 1: on Twitter. That's what everybody's talked about on Twitter. It's

662
00:37:26,760 --> 00:37:29,840
Speaker 1: pretty amazing. It's pretty amazing. Now this wasn't your first

663
00:37:29,880 --> 00:37:32,880
Speaker 1: animated series as a regular, was it, Kim possible? I

664
00:37:32,880 --> 00:37:37,000
Speaker 1: don't think so, I'm not sure, but Futurama, I'm trying

665
00:37:37,000 --> 00:37:42,040
Speaker 1: to figure out the timing. Futurama was in the late nineties, right, Okay, yeah,

666
00:37:42,040 --> 00:37:44,360
Speaker 1: so this was that what two thousand two when we

667
00:37:44,360 --> 00:37:46,480
Speaker 1: started reporting? Okay, all right, so you so if you

668
00:37:46,520 --> 00:37:49,480
Speaker 1: were coming up coming from season one which turned out

669
00:37:49,480 --> 00:37:53,439
Speaker 1: to be season one of thirty eight from Times and Futurmas, Yeah,

670
00:37:53,719 --> 00:37:58,239
Speaker 1: totally of that. Thanks, a phenomenal show, So happy, and

671
00:37:58,280 --> 00:38:00,800
Speaker 1: we're doing more of them, so that's pretty cool. So happy,

672
00:38:00,960 --> 00:38:04,399
Speaker 1: so happy that happens, right, yeah, yeah, yeah, so this

673
00:38:04,480 --> 00:38:07,040
Speaker 1: was this was after but it was one of those

674
00:38:07,040 --> 00:38:10,759
Speaker 1: things was it was like once I got the Futurama

675
00:38:10,800 --> 00:38:13,880
Speaker 1: gig underneath me, then it just then things just started

676
00:38:13,920 --> 00:38:17,560
Speaker 1: to you know, snowball, snowball, and and I started to

677
00:38:17,640 --> 00:38:21,440
Speaker 1: get gigs left and right, which was really wonderful. My pension,

678
00:38:21,719 --> 00:38:26,200
Speaker 1: thanks and every one of those shows, you know what

679
00:38:26,200 --> 00:38:28,680
Speaker 1: I mean, But like just this just the same, like

680
00:38:29,120 --> 00:38:32,359
Speaker 1: no that, but this was just so damn funny and

681
00:38:32,400 --> 00:38:34,359
Speaker 1: it was great and it was like all about girl

682
00:38:34,400 --> 00:38:38,080
Speaker 1: power and you know, just you know, these goofy, these

683
00:38:38,160 --> 00:38:42,879
Speaker 1: goofy villains. The villains were just straight up goofy. You're

684
00:38:42,920 --> 00:38:46,680
Speaker 1: also you're also motor ed, aren't you. Yeah, which came

685
00:38:46,719 --> 00:38:49,160
Speaker 1: about because we were screwing around in the studio and

686
00:38:49,280 --> 00:38:54,080
Speaker 1: I was just so I was always gone about That's totally.

687
00:38:54,080 --> 00:39:02,359
Speaker 1: It was the totally it was totally yeah possible. You know,

688
00:39:02,440 --> 00:39:04,200
Speaker 1: as we kept I just do the thing. I remember

689
00:39:04,239 --> 00:39:10,400
Speaker 1: was constantly singing motor and yeah yeah yeah. That was

690
00:39:10,600 --> 00:39:12,560
Speaker 1: over and over. We would just be saying singing that

691
00:39:12,640 --> 00:39:16,680
Speaker 1: the whole time. It was ridiculous, that's gonna say. So

692
00:39:16,680 --> 00:39:18,440
Speaker 1: they heard you play it around and they decided this

693
00:39:18,480 --> 00:39:21,719
Speaker 1: would be a full on character. You realize that, which

694
00:39:21,760 --> 00:39:24,480
Speaker 1: is what happens when you're involved on a show like

695
00:39:24,520 --> 00:39:27,799
Speaker 1: for that long. If you're screwing around, you know, in

696
00:39:27,880 --> 00:39:30,600
Speaker 1: between stuff, hold on saying hey, Fran, I'm trying to

697
00:39:30,640 --> 00:39:33,280
Speaker 1: do a thing. He's trying to do a thing, Fran,

698
00:39:37,600 --> 00:39:42,360
Speaker 1: what are you doing? But like you know, when you

699
00:39:42,440 --> 00:39:45,120
Speaker 1: get in the studio with people that are really creative

700
00:39:45,200 --> 00:39:47,560
Speaker 1: and you get to you know kind of let your

701
00:39:47,560 --> 00:39:51,520
Speaker 1: freak flag fly, you know, things happen and and they go, oh,

702
00:39:51,600 --> 00:39:54,400
Speaker 1: we could use that somehow, we could use this somehow

703
00:39:54,800 --> 00:39:58,600
Speaker 1: and it just starts to works. It works, and it works,

704
00:39:58,760 --> 00:40:01,160
Speaker 1: and it just works. And John, did you always did

705
00:40:01,200 --> 00:40:04,279
Speaker 1: you always do voices even before? I mean, we don't really,

706
00:40:04,280 --> 00:40:07,440
Speaker 1: I don't really know you're yeah, I mean, you know,

707
00:40:07,640 --> 00:40:09,640
Speaker 1: I was always it was part of my when I

708
00:40:09,680 --> 00:40:11,760
Speaker 1: did stand up. I did stand up for like nineties

709
00:40:11,760 --> 00:40:14,560
Speaker 1: and nineties six and I quit the I was in

710
00:40:14,600 --> 00:40:16,760
Speaker 1: a comedy team. And then I quit the comedy team

711
00:40:16,960 --> 00:40:18,759
Speaker 1: because I was coming out to l A to do

712
00:40:18,840 --> 00:40:23,520
Speaker 1: a hospital drama. Of course, as we all, as we

713
00:40:23,600 --> 00:40:27,960
Speaker 1: all do and should. Yeah, I've always incorporated voices and

714
00:40:28,000 --> 00:40:30,720
Speaker 1: stuff like that. I've always been a mimic, not really

715
00:40:30,719 --> 00:40:34,960
Speaker 1: a guy who's an impersonator, but I always do impressions

716
00:40:34,960 --> 00:40:39,120
Speaker 1: of people that aren't famous, you know, like like like

717
00:40:39,200 --> 00:40:41,440
Speaker 1: the guy who's like, you know. I used to work

718
00:40:41,440 --> 00:40:43,919
Speaker 1: with a guy named Manny a path Mark, Remember path Mark,

719
00:40:43,960 --> 00:40:47,960
Speaker 1: that the supermarket back east. It's not gone out of business,

720
00:40:48,360 --> 00:40:51,600
Speaker 1: became it became big y didn't or something, but became

721
00:40:51,640 --> 00:40:55,120
Speaker 1: something stopping shop or something. Maybe stopping Shop bought him out.

722
00:40:55,239 --> 00:40:57,279
Speaker 1: I don't even know. But this guy Manny you used

723
00:40:57,280 --> 00:40:59,280
Speaker 1: to work with, he had a he had a speech impediment,

724
00:40:59,320 --> 00:41:01,359
Speaker 1: and I would just go on the I would go

725
00:41:01,400 --> 00:41:04,080
Speaker 1: on the microphone. You can't do this nowadays. You can

726
00:41:04,160 --> 00:41:08,799
Speaker 1: never do the stuff that we did then. But hey, John,

727
00:41:08,840 --> 00:41:13,719
Speaker 1: do me a favorite go over the daily don't And yeah,

728
00:41:13,760 --> 00:41:15,440
Speaker 1: I mean he was a really nice guy. It was

729
00:41:15,560 --> 00:41:18,080
Speaker 1: totally fine. But you know, I would just you know,

730
00:41:18,239 --> 00:41:21,120
Speaker 1: pick grab the microphone and many pick up on luck

731
00:41:21,200 --> 00:41:25,240
Speaker 1: of plays many and all the everybody would die laughing.

732
00:41:25,680 --> 00:41:27,839
Speaker 1: So you know, if you could do if you could

733
00:41:27,840 --> 00:41:31,120
Speaker 1: do an impression to somebody, well good enough, you get

734
00:41:31,120 --> 00:41:33,160
Speaker 1: the laughs, and so, you know, and I was all

735
00:41:33,200 --> 00:41:36,040
Speaker 1: about little things like that. Well, it's also you're also

736
00:41:36,080 --> 00:41:37,879
Speaker 1: one of those actors. Is one of my favorites where

737
00:41:37,920 --> 00:41:41,120
Speaker 1: occasionally I will be watching something from the early nineties

738
00:41:41,160 --> 00:41:43,520
Speaker 1: and it's like, oh, John Demajo's a bartender on lawn

739
00:41:43,600 --> 00:41:46,080
Speaker 1: Order and it's like that kind of stuff, or it's

740
00:41:46,080 --> 00:41:48,120
Speaker 1: like I've taken screenshots and sent them to you, like

741
00:41:48,160 --> 00:41:50,440
Speaker 1: this is my current view. It's like you're you're you're

742
00:41:50,480 --> 00:41:53,319
Speaker 1: giving Sam Waterston, you know, some whoever it was, you know,

743
00:41:53,320 --> 00:41:56,360
Speaker 1: whatever was the time it was, it was, it was

744
00:41:56,920 --> 00:41:59,279
Speaker 1: it was a sweeps episode because it was law and

745
00:41:59,400 --> 00:42:04,720
Speaker 1: Order and Homicide Life on the Street and um, oh god,

746
00:42:04,840 --> 00:42:06,680
Speaker 1: what's his name? He was on the show with Andy

747
00:42:06,760 --> 00:42:13,479
Speaker 1: Sandberg and uh oh oh um uh braun I, Um, yeah, yeah,

748
00:42:13,560 --> 00:42:20,200
Speaker 1: I can't think of He was the guy that was

749
00:42:20,280 --> 00:42:22,239
Speaker 1: on the opposite side and he was showing off his

750
00:42:22,320 --> 00:42:24,359
Speaker 1: Baltimore badge and I was like, get out of here,

751
00:42:24,520 --> 00:42:28,480
Speaker 1: that Baltimore out here. Remember that thing, because I was

752
00:42:28,719 --> 00:42:32,560
Speaker 1: I woke up late, but I lived like three blocks

753
00:42:32,600 --> 00:42:35,360
Speaker 1: from the set, and I woke up and I grabbed

754
00:42:35,360 --> 00:42:38,920
Speaker 1: my stuff and I ran and I showed up. Everything's fine,

755
00:42:39,040 --> 00:42:41,719
Speaker 1: Like everything was totally fine. But it was my first gig,

756
00:42:41,760 --> 00:42:45,799
Speaker 1: like my first It was my first like TV gig

757
00:42:45,840 --> 00:42:48,040
Speaker 1: in New York, like I've done other stuff, but this

758
00:42:48,160 --> 00:42:49,840
Speaker 1: was like some I think it was one of the

759
00:42:49,880 --> 00:42:52,560
Speaker 1: first thing I got cast in. I was so scared

760
00:42:52,680 --> 00:42:56,600
Speaker 1: I'd show up and they were already blocking with second team,

761
00:42:56,719 --> 00:42:59,719
Speaker 1: and I thought I got in place, like I don't

762
00:42:59,840 --> 00:43:03,000
Speaker 1: know how it worked, so yeah, and then I was like,

763
00:43:04,040 --> 00:43:05,919
Speaker 1: all right, Jim, you made it great. How to hop

764
00:43:05,960 --> 00:43:08,560
Speaker 1: in there, and god, that's but that was the right

765
00:43:08,600 --> 00:43:11,240
Speaker 1: of passage because you know, starting in New York myself,

766
00:43:11,360 --> 00:43:12,960
Speaker 1: it was like you've done law in order, yet you

767
00:43:12,960 --> 00:43:14,560
Speaker 1: do lawn order. It's like, yeah, I did I did see,

768
00:43:14,600 --> 00:43:16,480
Speaker 1: I did see. I was a Chris Noath law and

769
00:43:16,560 --> 00:43:19,240
Speaker 1: order guy who who who battered me across the table,

770
00:43:19,560 --> 00:43:21,319
Speaker 1: and it was like everybody, it's like, oh yeah, law

771
00:43:21,320 --> 00:43:22,839
Speaker 1: and order, you gotta do your law in order. At

772
00:43:22,840 --> 00:43:28,360
Speaker 1: some point, did an Blue that was here though? That

773
00:43:28,440 --> 00:43:33,760
Speaker 1: was he wasn't? Yeah, oh they shot and the original

774
00:43:33,840 --> 00:43:36,000
Speaker 1: NYPD Blue not in New York. No, it was on

775
00:43:36,040 --> 00:43:38,040
Speaker 1: the Fox lot. And it was on the Fox lot.

776
00:43:38,080 --> 00:43:40,399
Speaker 1: You get cast and you get cast an NYPD Blue.

777
00:43:40,400 --> 00:43:42,239
Speaker 1: I'd have friends that were like, I can't wait to

778
00:43:42,280 --> 00:43:44,280
Speaker 1: be in it, but man, I live in the valley.

779
00:43:44,480 --> 00:43:48,040
Speaker 1: I don't want to drive to the Fox lot. It's terrible.

780
00:43:48,600 --> 00:43:52,759
Speaker 1: But so we we've asked the same question of everybody

781
00:43:52,840 --> 00:43:54,799
Speaker 1: so far that we've talked to. You know, we've all

782
00:43:54,800 --> 00:43:56,560
Speaker 1: been in this business for a very long time, as

783
00:43:56,600 --> 00:43:59,080
Speaker 1: we've said, and you have projects to come and projects

784
00:43:59,080 --> 00:44:01,080
Speaker 1: that go Some of the matter to you, some of

785
00:44:01,080 --> 00:44:02,880
Speaker 1: them don't. Some of the matter the audience, some of

786
00:44:02,880 --> 00:44:04,719
Speaker 1: them don't. What do you think it is about Kim

787
00:44:04,760 --> 00:44:08,160
Speaker 1: Possible that has made this last for twenty years? It's

788
00:44:08,200 --> 00:44:13,840
Speaker 1: definitely the character development, interest the characters. There's always someone

789
00:44:13,920 --> 00:44:16,200
Speaker 1: that you're just like, I love that guy. Oh my god,

790
00:44:16,239 --> 00:44:19,120
Speaker 1: that guy. I love that guy, you know, like I

791
00:44:19,239 --> 00:44:24,960
Speaker 1: just I mean, Ron Stoppable is one he just constantly

792
00:44:26,400 --> 00:44:31,040
Speaker 1: I mean, well, he doesn't sound like you, but he

793
00:44:31,239 --> 00:44:34,360
Speaker 1: is you. That's the best part because you're quick. Nobody

794
00:44:34,360 --> 00:44:36,520
Speaker 1: knows how No, I don't know how many people don't

795
00:44:36,520 --> 00:44:39,600
Speaker 1: know how funny you are and how fast you are

796
00:44:39,840 --> 00:44:43,799
Speaker 1: and how what a quick wit you are, and that

797
00:44:43,800 --> 00:44:46,000
Speaker 1: that's what that's what helps that show. I mean, like,

798
00:44:46,120 --> 00:44:49,359
Speaker 1: and it's a girl power. You either you're either you're

799
00:44:49,360 --> 00:44:52,200
Speaker 1: either for Kim or you're for she Go. And there

800
00:44:52,200 --> 00:44:55,680
Speaker 1: are a bunch of great villains that are ridiculous that

801
00:44:55,800 --> 00:44:58,359
Speaker 1: you can always get a laugh out of. And then

802
00:44:58,400 --> 00:45:01,480
Speaker 1: you know and then like you know Kim's family, like

803
00:45:01,520 --> 00:45:06,040
Speaker 1: there's there's so many you know Dr Draken's mom, Like,

804
00:45:06,239 --> 00:45:09,840
Speaker 1: wasn't yeah, wasn't that? Who wait? That was a stell?

805
00:45:09,960 --> 00:45:14,560
Speaker 1: Get was that a it? No? It was it was

806
00:45:14,600 --> 00:45:18,480
Speaker 1: the woman for Seinfeld which oh oh um? Was it?

807
00:45:18,560 --> 00:45:24,800
Speaker 1: Was it? George's mom on mom? I think Harris Harris,

808
00:45:25,280 --> 00:45:27,480
Speaker 1: I mean, like we had so many people, and we

809
00:45:27,520 --> 00:45:32,440
Speaker 1: had Ricardo Monto Bonds mean like insanity that the people

810
00:45:32,520 --> 00:45:34,959
Speaker 1: that we I've been saying this to Mark and Bob,

811
00:45:34,960 --> 00:45:36,680
Speaker 1: the people that were on the show that we didn't

812
00:45:36,680 --> 00:45:39,640
Speaker 1: get a chance to work with, where it's like Jean

813
00:45:39,800 --> 00:45:45,279
Speaker 1: Smart and Ricardo montal Bond and Gary Cole and God

814
00:45:44,520 --> 00:45:48,440
Speaker 1: said it Smart Smart. I mean, yeah, it was insane.

815
00:45:48,520 --> 00:45:53,960
Speaker 1: Have you seen Ellie one after another of the people

816
00:45:54,120 --> 00:45:56,840
Speaker 1: that were on Kim Possible that was just like, you

817
00:45:56,920 --> 00:45:59,239
Speaker 1: gotta be kidding me with this kid. Also, I have

818
00:45:59,360 --> 00:46:01,880
Speaker 1: to think at our show, I'd like to give it

819
00:46:01,960 --> 00:46:04,120
Speaker 1: up to the show and the integrity of the show

820
00:46:04,200 --> 00:46:07,359
Speaker 1: because it was the show to be on. And I

821
00:46:07,360 --> 00:46:09,520
Speaker 1: remember one time, this is a very random moment, and

822
00:46:09,560 --> 00:46:12,120
Speaker 1: I didn't really hang out in fancy places with fancy

823
00:46:12,160 --> 00:46:15,320
Speaker 1: people in l A. But one time, okay, guys, I

824
00:46:15,360 --> 00:46:18,880
Speaker 1: saw Jude Law at the Chateau and I was talking.

825
00:46:18,960 --> 00:46:21,239
Speaker 1: We were talking, everyone was talking, and he was like

826
00:46:21,480 --> 00:46:23,120
Speaker 1: and I was like, oh, yeah, I Compossible. I was

827
00:46:23,120 --> 00:46:26,360
Speaker 1: the voice Compossible. He's like, my kids love that show,

828
00:46:26,440 --> 00:46:29,040
Speaker 1: and it's like it was the echo herd around the world.

829
00:46:29,080 --> 00:46:31,640
Speaker 1: I don't know, but like Dakota Fanning played baby, kim

830
00:46:32,000 --> 00:46:35,440
Speaker 1: Ving Rahims was like super yoked up like like in

831
00:46:35,520 --> 00:46:38,480
Speaker 1: that stitching the stitching time it was You're right, it

832
00:46:38,560 --> 00:46:41,680
Speaker 1: was kind of like the show to be Talent. Yeah, no, yeah,

833
00:46:41,680 --> 00:46:43,759
Speaker 1: they pulled out all the stops for everybody on that

834
00:46:43,840 --> 00:46:47,000
Speaker 1: all the games consistently. It was pretty awesome. Jude Law,

835
00:46:47,000 --> 00:46:49,839
Speaker 1: I didn't know that that's a cool story. I got

836
00:46:49,840 --> 00:46:51,280
Speaker 1: from that as you like to party at the Chateau

837
00:46:51,320 --> 00:46:58,400
Speaker 1: Marmont that I was cool. I try to tell my kids.

838
00:46:58,400 --> 00:47:00,440
Speaker 1: I try to know that we know that does that's

839
00:47:00,440 --> 00:47:02,879
Speaker 1: what we're taking. That's the hashtag did your Christie hangs

840
00:47:02,920 --> 00:47:07,960
Speaker 1: out at Chateaumarma? So are we uh? Should we? Should

841
00:47:08,000 --> 00:47:10,200
Speaker 1: we hop into this now because I think we've got

842
00:47:10,239 --> 00:47:13,480
Speaker 1: a brand new, brand new Kim Possible content for the

843
00:47:13,560 --> 00:47:20,120
Speaker 1: first time in twenty years. So I read it and

844
00:47:20,160 --> 00:47:22,120
Speaker 1: I was just like, oh, yeah, this is like Bride

845
00:47:22,160 --> 00:47:23,960
Speaker 1: and Bike. It does it brings you up? I thought

846
00:47:24,000 --> 00:47:26,120
Speaker 1: the same thing. It's like, it's right back to what

847
00:47:26,280 --> 00:47:30,120
Speaker 1: to what happened? It's it's amazing, Yeah, we're gonna do this.

848
00:47:30,440 --> 00:47:46,000
Speaker 1: It's happening right now. Still have my Kim Possible text tone.

849
00:47:46,480 --> 00:47:50,200
Speaker 1: It's been fifteen years since we were last recording Kim Possible.

850
00:47:50,480 --> 00:47:54,200
Speaker 1: With all these fine people, Christie Romano, Wilfred Dell John

851
00:47:54,200 --> 00:47:59,040
Speaker 1: and Maggio Nicole Sullivan. Written and created by Bob Schooley

852
00:47:59,160 --> 00:48:02,600
Speaker 1: and Mark McCarthy Coal. I'm the voice director Lisa Shaefer,

853
00:48:03,280 --> 00:48:06,640
Speaker 1: and I could not be happier to be here. The

854
00:48:06,680 --> 00:48:08,759
Speaker 1: only way to be happier was if we were all

855
00:48:08,840 --> 00:48:13,000
Speaker 1: in person. Um. This is a super fun radio played

856
00:48:13,080 --> 00:48:19,239
Speaker 1: podcast of what the New Compossible would be if they

857
00:48:19,280 --> 00:48:24,880
Speaker 1: had podcasts back then. So here we go, Um we

858
00:48:24,920 --> 00:48:28,319
Speaker 1: will start. There are no line numbers, so we will

859
00:48:28,360 --> 00:48:31,920
Speaker 1: do this radio play version while pages one through the end,

860
00:48:32,120 --> 00:48:37,600
Speaker 1: and here we go. Ron, Where have you been? Where

861
00:48:37,640 --> 00:48:40,520
Speaker 1: have you been? Kim? I've been here at the rendezvous

862
00:48:40,560 --> 00:48:45,960
Speaker 1: point for like twenty what's that smell? Diablo Sauce? I

863
00:48:46,040 --> 00:48:47,919
Speaker 1: might have stopped at Bueno? Not you on the way.

864
00:48:48,160 --> 00:48:52,680
Speaker 1: It's nine am. Two words KP Breakfast Naco available for

865
00:48:52,719 --> 00:48:54,839
Speaker 1: a limited time only. You don't know what you got

866
00:48:54,880 --> 00:48:59,160
Speaker 1: till it's gone exactly all right, here's the DeLeo Wade track,

867
00:48:59,239 --> 00:49:04,880
Speaker 1: Dragon to track and Dragon Ron Sorry Waite traced drag

868
00:49:04,960 --> 00:49:08,480
Speaker 1: in to this abandoned factory. What did they make? Who

869
00:49:08,560 --> 00:49:12,080
Speaker 1: make the factory? What did they make? Is that important?

870
00:49:12,560 --> 00:49:15,680
Speaker 1: Maybe who's to say what's important. Probably someone who isn't

871
00:49:15,760 --> 00:49:17,759
Speaker 1: late for a mission because he had to have his

872
00:49:18,040 --> 00:49:26,200
Speaker 1: breakfast belly bomb limited time only. Sh let's move air ducks.

873
00:49:26,200 --> 00:49:30,399
Speaker 1: It's the only way to sneak. Okay, is this air

874
00:49:30,480 --> 00:49:32,719
Speaker 1: duck more snug than the usual or is that just me?

875
00:49:33,200 --> 00:49:36,400
Speaker 1: Definitely you maybe if you didn't eat your daily calorie

876
00:49:36,440 --> 00:49:39,919
Speaker 1: max for breakfast. Okay, let it go, Kim, we've moved on.

877
00:49:40,560 --> 00:49:50,040
Speaker 1: Oh hey, I think I see Kim Possible Dragon. Welcome

878
00:49:50,080 --> 00:49:55,919
Speaker 1: to the pod. What relax and strap in? Oh new, wait,

879
00:49:56,280 --> 00:50:01,040
Speaker 1: I'll do it? Oh comfortable? I'm not really Then I

880
00:50:01,040 --> 00:50:04,840
Speaker 1: did my job? Okay? Why did she go to strap

881
00:50:04,920 --> 00:50:07,759
Speaker 1: us in front of these super cool microphones? What's the

882
00:50:07,840 --> 00:50:14,120
Speaker 1: sitch tracking? I the buzz phrase? You too? Kim Possible?

883
00:50:14,280 --> 00:50:17,400
Speaker 1: And wait a minute, let me check my card? Really

884
00:50:17,960 --> 00:50:23,120
Speaker 1: run stoppable. First guests on my new true crime podcast,

885
00:50:23,760 --> 00:50:27,920
Speaker 1: Well you are a true criminal, bingo. That's the twist.

886
00:50:28,800 --> 00:50:32,200
Speaker 1: It's a true crime podcast for you. Say that ten

887
00:50:32,280 --> 00:50:36,359
Speaker 1: times fast, dare you? It's a true crime podcast from

888
00:50:36,360 --> 00:50:41,759
Speaker 1: the criminals point of view. The yappen tracking experience just

889
00:50:42,040 --> 00:50:46,000
Speaker 1: humor him. He thinks this is clever chic. Why must

890
00:50:46,040 --> 00:50:50,680
Speaker 1: do stamp on all my schemes. Nobody likes a scheme stomper. Wait,

891
00:50:50,719 --> 00:50:54,040
Speaker 1: are you too still a couple? I'm supposed to be

892
00:50:54,120 --> 00:50:59,840
Speaker 1: interviewing you. Hello, Yeah, No, I don't want to talk

893
00:51:00,000 --> 00:51:04,400
Speaker 1: about it. Let's just say it did not work out. Why? Yeah?

894
00:51:04,520 --> 00:51:07,040
Speaker 1: What did I just say? Is he always like this

895
00:51:07,360 --> 00:51:10,160
Speaker 1: more or less? But I work around it? Okay? Our

896
00:51:10,320 --> 00:51:15,919
Speaker 1: couple name was shack In and you gross. I don't

897
00:51:15,920 --> 00:51:20,120
Speaker 1: know what was wrong with Drago other than your name

898
00:51:20,200 --> 00:51:23,440
Speaker 1: came before mine. It sounds like we beat up Rocky.

899
00:51:23,520 --> 00:51:26,240
Speaker 1: I never thought of it that way anyway, So good,

900
00:51:27,200 --> 00:51:31,400
Speaker 1: good to have you here, Kim on the pod. Do

901
00:51:31,480 --> 00:51:34,200
Speaker 1: I even have a choice? I'm strapped in this good

902
00:51:34,320 --> 00:51:37,239
Speaker 1: sassy banter. The Blue Boys will eat this up with

903
00:51:37,239 --> 00:51:40,760
Speaker 1: the spoon. You'll cut this pot out right? Blue Boys?

904
00:51:41,080 --> 00:51:45,799
Speaker 1: My online fan community question, how many Blue Boys are

905
00:51:45,800 --> 00:51:49,439
Speaker 1: we talking about here? Exactly? What they lacking numbers they

906
00:51:49,480 --> 00:51:55,440
Speaker 1: make up for in passion, way too much passion. So

907
00:51:55,520 --> 00:52:01,440
Speaker 1: lest you think you're all that, but you know it's twelve. Okay.

908
00:52:02,200 --> 00:52:05,240
Speaker 1: Are you taking over the world or is the world

909
00:52:05,360 --> 00:52:09,000
Speaker 1: taking you over? Wait? What are we doing? A word

910
00:52:09,120 --> 00:52:13,439
Speaker 1: from our sponsors? You have commercials, track and got eat

911
00:52:13,560 --> 00:52:17,200
Speaker 1: Son dr D. Have you ever just had one of

912
00:52:17,239 --> 00:52:21,920
Speaker 1: those days you just don't feel evil? Oh? Boy? Did I?

913
00:52:22,719 --> 00:52:26,280
Speaker 1: Then I discovered villains by the Bad Power Powder supplement.

914
00:52:26,680 --> 00:52:30,120
Speaker 1: Just two heaping table spoons in your favorite smoothie and

915
00:52:30,239 --> 00:52:35,600
Speaker 1: ye'll feel terrible all day. M m mmmm is this mango?

916
00:52:36,120 --> 00:52:40,600
Speaker 1: You bet? Villains by the Bad Power Powder used everywhere

917
00:52:40,680 --> 00:52:45,279
Speaker 1: from the maddest labs to the bankest layers. And we're

918
00:52:45,320 --> 00:52:50,040
Speaker 1: back with Kim Possible and with that card. Oh come on,

919
00:52:51,560 --> 00:52:54,400
Speaker 1: so what have you been up to, Kim big plans

920
00:52:54,440 --> 00:52:59,080
Speaker 1: for the summer? This is so weird you have no idea?

921
00:53:01,000 --> 00:53:04,839
Speaker 1: Let's try this. Who is your favorite feeling? And keep

922
00:53:04,840 --> 00:53:08,600
Speaker 1: in mind Monkey Fist doesn't have a podcast. Okay, I

923
00:53:08,640 --> 00:53:11,720
Speaker 1: was gonna say that I loathe all my foes equally

924
00:53:11,800 --> 00:53:16,080
Speaker 1: to reckon, Kim is always so tactful. Okay, I'm bored,

925
00:53:16,200 --> 00:53:17,920
Speaker 1: I'm bored and border ward. Can we just cut to

926
00:53:17,960 --> 00:53:20,840
Speaker 1: the part where you reveal the real plot and thus

927
00:53:20,920 --> 00:53:23,480
Speaker 1: blow it? She go? You know I've been working on

928
00:53:23,520 --> 00:53:26,920
Speaker 1: my excess plad problem. Oh wait, there's an evil plot

929
00:53:26,960 --> 00:53:30,359
Speaker 1: after all? This is this canon? No, but this is

930
00:53:30,800 --> 00:53:37,200
Speaker 1: my supersonic pas my drafting cannon. Say goodbye, Kim possible

931
00:53:37,640 --> 00:53:42,200
Speaker 1: and where's that card? Come on? She got out, so

932
00:53:42,480 --> 00:53:46,200
Speaker 1: not saying goodbye to reckon? Way to go, ka pay, Well,

933
00:53:46,200 --> 00:53:48,640
Speaker 1: that's all time time we have, will be back next week.

934
00:53:48,640 --> 00:53:54,000
Speaker 1: Maybe we're up and duck alright, nice move, k P.

935
00:53:54,320 --> 00:53:58,160
Speaker 1: What move? She bounced off a wall. It's called parkour

936
00:53:59,360 --> 00:54:01,520
Speaker 1: serpents drive with this man kick fill through. Oh I

937
00:54:01,560 --> 00:54:03,520
Speaker 1: wish you could see that. It's so cool. Well she

938
00:54:03,680 --> 00:54:06,440
Speaker 1: go just to this thing. I believe it's a room house.

939
00:54:06,880 --> 00:54:10,680
Speaker 1: It's round house. That was a bad movie. And KP dodges. Hey,

940
00:54:10,719 --> 00:54:14,480
Speaker 1: hey she didn't dodge that. That guy can really fly.

941
00:54:15,360 --> 00:54:17,600
Speaker 1: Oh wait wait wait, what's this? What's this? KP on

942
00:54:17,760 --> 00:54:20,640
Speaker 1: T with the hair dryer grapple? Oh oh, and she's

943
00:54:20,680 --> 00:54:23,640
Speaker 1: going for it. It's mean versus teen? How T just

944
00:54:23,760 --> 00:54:27,560
Speaker 1: got dodged, dunk and kitch, but she returns five with

945
00:54:27,680 --> 00:54:32,320
Speaker 1: hot hands. It could be it might be there's this swife.

946
00:54:33,080 --> 00:54:36,440
Speaker 1: Oh she's down, she's down, but she's not out. Holy cow,

947
00:54:37,200 --> 00:54:42,359
Speaker 1: good night, I read my baby. Yeah and forget it.

948
00:54:42,719 --> 00:54:46,399
Speaker 1: Get out the rye bread and mustard, grandma, because it's

949
00:54:46,520 --> 00:54:52,400
Speaker 1: grand salamit time. What I don't know I was risking

950
00:54:53,040 --> 00:54:56,279
Speaker 1: and there's a h she go with no regard for

951
00:54:56,440 --> 00:55:03,040
Speaker 1: human life. Oh possible, and for this save audios greed lady. Please,

952
00:55:03,080 --> 00:55:05,399
Speaker 1: if there's one thing I know, it ain't over till

953
00:55:05,440 --> 00:55:11,760
Speaker 1: it's over, and it's oh dear, it's over. What happened? Yeah?

954
00:55:11,920 --> 00:55:16,440
Speaker 1: I got a heart out beat you next time, losers, Yo,

955
00:55:16,600 --> 00:55:19,279
Speaker 1: listen up, PEP Halla firma okay, KP. We gotta go

956
00:55:20,080 --> 00:55:22,960
Speaker 1: global emergency. No way do Nacho, just switch you over

957
00:55:23,000 --> 00:55:28,319
Speaker 1: to the lunch menu. Seriously, Dragon, you in I might

958
00:55:28,480 --> 00:55:40,279
Speaker 1: have an fine let's see why. Believe I forgot a

959
00:55:40,360 --> 00:55:43,879
Speaker 1: booya and you saved to me on that to throw

960
00:55:43,920 --> 00:55:51,319
Speaker 1: it it almost seems aggressive that you forgot to boomers.

961
00:55:53,080 --> 00:55:56,200
Speaker 1: Well we we love you, guys, Christie. Let's just do

962
00:55:56,239 --> 00:55:59,000
Speaker 1: the full outrow here. Thank you guys all so much

963
00:55:59,040 --> 00:56:02,719
Speaker 1: for joining us on the twentieth anniversary episode of Kim

964
00:56:02,800 --> 00:56:09,600
Speaker 1: Possible Dreams Come True. Anybody have any Jared All? This

965
00:56:09,680 --> 00:56:11,520
Speaker 1: is uh, this is not only going to be something

966
00:56:11,520 --> 00:56:13,719
Speaker 1: amazing for the fans, but what a way to spend

967
00:56:13,719 --> 00:56:17,440
Speaker 1: the morning seeing everybody together again and revisiting these characters

968
00:56:17,520 --> 00:56:20,920
Speaker 1: and just unbelievable. So thank you all for joining us

969
00:56:21,080 --> 00:56:24,600
Speaker 1: here and I hear voices christ you anything else? Yes, No,

970
00:56:25,120 --> 00:56:27,080
Speaker 1: not at all. This was the most perfect day ever.

971
00:56:27,160 --> 00:56:29,560
Speaker 1: I'd love you guys, and I love all the fans,

972
00:56:29,640 --> 00:56:33,640
Speaker 1: and hell, can we just get a ruboot reboot? Seriously,

973
00:56:35,120 --> 00:56:37,640
Speaker 1: let's just start doing this as again because it's too

974
00:56:37,719 --> 00:56:42,560
Speaker 1: much fun, even if it's just for us. Yeah, oh man,

975
00:56:42,800 --> 00:56:48,000
Speaker 1: love you guys, everybody, Thank you. Wa wait wait wait

976
00:56:48,000 --> 00:56:50,200
Speaker 1: wait wait wait wait wait one thing for everybody before

977
00:56:50,239 --> 00:56:51,799
Speaker 1: they go, because this is gonna be big. Let's go

978
00:56:51,840 --> 00:56:54,160
Speaker 1: around the horn real quick. Where can everybody find you?

979
00:56:54,200 --> 00:56:57,600
Speaker 1: On your socials? Johnny? Where are your social? Where's your social?

980
00:56:57,680 --> 00:57:02,359
Speaker 1: I'm at the John Demaggio. That couldn't sound more pretentious,

981
00:57:02,440 --> 00:57:05,080
Speaker 1: but you just got it at V John to Maggio

982
00:57:05,200 --> 00:57:09,880
Speaker 1: both on Twitter and on Instagram. All right, Nicole at Sullivan,

983
00:57:10,000 --> 00:57:15,960
Speaker 1: Nicole Bob. My cartoon Twitter is Bob underline school E

984
00:57:16,240 --> 00:57:19,280
Speaker 1: at Twitter dot com. I guess and I have another

985
00:57:19,320 --> 00:57:21,960
Speaker 1: Twitter are school E A C H O L E

986
00:57:22,160 --> 00:57:25,800
Speaker 1: Y And that's for everything that's not cartoons? Mark, what

987
00:57:25,920 --> 00:57:30,400
Speaker 1: do you got on Twitter? My handle is at ridiculous

988
00:57:30,480 --> 00:57:38,160
Speaker 1: Mark Okay? Lisa on Twitter and Instagram at sparkly. That's amazing, Christie.

989
00:57:38,200 --> 00:57:41,160
Speaker 1: You can find everywhere, and if you find me, it's

990
00:57:41,200 --> 00:57:43,000
Speaker 1: got to be on the street because I am not

991
00:57:43,200 --> 00:57:45,960
Speaker 1: on any social media. I love that you ask about

992
00:57:46,000 --> 00:57:51,320
Speaker 1: social media, not even I do. It's the joy, So

993
00:57:51,880 --> 00:58:00,240
Speaker 1: come up and say hire your mental health whatever I know. Well,

994
00:58:00,360 --> 00:58:03,439
Speaker 1: thank you all for joining us making our dreams come

995
00:58:03,480 --> 00:58:06,880
Speaker 1: true and everybody else's as well. So for everybody out there,

996
00:58:07,000 --> 00:58:10,720
Speaker 1: thank you for joining us on the twentieth anniversary of

997
00:58:10,800 --> 00:58:12,840
Speaker 1: a very important show for all of us, Kim Possible.

998
00:58:12,920 --> 00:58:14,600
Speaker 1: We know you loved it too, and we are so

999
00:58:14,640 --> 00:58:17,520
Speaker 1: happy to be able to bring everybody together again, uh

1000
00:58:17,520 --> 00:58:20,440
Speaker 1: in what has truly been a magical, magical morning. So

1001
00:58:20,560 --> 00:58:22,880
Speaker 1: thanks everybody for joining us, and go hit us up

1002
00:58:23,120 --> 00:58:25,200
Speaker 1: at all their socials or just say hi to me

1003
00:58:25,200 --> 00:58:35,360
Speaker 1: on the street. Thanks everybody. Stream that show, scream I

1004
00:58:35,400 --> 00:58:38,040
Speaker 1: hear voices assosted by Wilfred L and Christie Carlson Romano,

1005
00:58:38,240 --> 00:58:40,880
Speaker 1: produced by Elizabe Joy Windham and executive produced by Brendan

1006
00:58:40,960 --> 00:58:43,760
Speaker 1: Rooney and Wilfred L. Our sound engineer and editor is

1007
00:58:43,760 --> 00:58:46,640
Speaker 1: Elizabeth Joy Windham and our video editor is at Guardo Gamba.

1008
00:58:46,960 --> 00:58:50,400
Speaker 1: And that was my announcer voice. Some side effects of

1009
00:58:50,440 --> 00:58:53,600
Speaker 1: listening to I Hear Voices are sore abs from larity

1010
00:58:53,720 --> 00:58:56,240
Speaker 1: falling down the Coco melon rabbit hole, sneezing due to

1011
00:58:56,280 --> 00:58:59,320
Speaker 1: mass nostalgia, and hugs follow I Hear Voices. Where Ever

1012
00:58:59,360 --> 00:59:01,160
Speaker 1: you listen to pot cast, you don't miss any of

1013
00:59:01,160 --> 00:59:04,120
Speaker 1: the amazing voices. Be sure to follow us on Instagram

1014
00:59:04,120 --> 00:59:06,880
Speaker 1: and TikTok at I Hear Voices Podcast to see the

1015
00:59:06,960 --> 00:59:09,360
Speaker 1: video stream, subscribe to my YouTube channel. You can also

1016
00:59:09,440 --> 00:59:12,320
Speaker 1: check us out on my Space. O'meigal Vine, lime Wire,

1017
00:59:12,440 --> 00:59:15,480
Speaker 1: am a napster. Okay, well let's teach you about the Internet.

1018
00:59:15,800 --> 00:59:15,960
Speaker 1: What