Speaker 1: Watch up and welcome back to another episode of No
Speaker 1: Sealer's podcast with your host. Now fuck that with your
Speaker 1: loaw glasses alone. By that time, that was an accident.
Speaker 1: I didn't even mean to do it. It's like automatic
Speaker 1: or something. I need to take it out every time
Speaker 1: it's time to do it. Which talk about the damn countdown.
Speaker 1: I didn't know the countdown that time, and it still
Speaker 1: popped up, but I know where I need to go
Speaker 1: to take it out.
Speaker 2: You feel me, and I didn't take it out. I
Speaker 2: didn't take it out.
Speaker 3: I thought you were regionally prejudiced. I at first, I
Speaker 3: was like, oh, we're gonna sandbag a little bit. We're
Speaker 3: gonna start this off at the three h five, and
Speaker 3: you were like, now we're gonna keep it west coast
Speaker 3: and started off at three ten.
Speaker 2: No, man, I had a crazy start to today. You
Speaker 2: feel me. It's been crazy.
Speaker 1: It's been crazy, so I ain't really get to but
Speaker 1: uh we don't time.
Speaker 2: We don't time.
Speaker 3: We're late, but my Martinez is uh still cold, so
Speaker 3: we're good.
Speaker 1: I like that though. I like that as a masculine
Speaker 1: response to the Martini.
Speaker 3: The martine is you know what's really bad is what's
Speaker 3: the name of the guard on the Miami Heat. Fuck
Speaker 3: the guard Wade, No, the one who's there now Butler.
Speaker 3: But oh Jim, Yeah, yeah, he is trying to steal
Speaker 3: my brand and he's doing an advertisement of it.
Speaker 2: Whatever is he trying to steal?
Speaker 3: Well, it's the you know, the the Miami Martini. The
Speaker 3: Espresso Martine is all popular, but it's like, you know,
Speaker 3: vodka Kalua espresso and then you know, ice shaking. I'm like, well,
Speaker 3: we're not going to do that. We're in Miami, so
Speaker 3: I'm doing Cuban coffee with dark rum, you know, shaking whatever,
Speaker 3: you know, sugar in the Cuban coffee.
Speaker 2: And what not.
Speaker 3: So he's doing that. He's making the espresso Martini with
Speaker 3: Bacardi rum and calling it like the Martini Deocho instead
Speaker 3: of Caye Deocho. Yeah, and he's got a whole ad campaign,
Speaker 3: and shit, it's gonna it's the second time that the
Speaker 3: Martinez concept has been popularized under a different name and
Speaker 3: stolen from me.
Speaker 1: I think I think you should actually make it. You
Speaker 1: should really make that what men start calling the Martini
Speaker 1: the Martinez.
Speaker 2: I like that for some reason.
Speaker 3: I like it a lot, you know, back in the day,
Speaker 3: and this is another masculine thing. I was shaking tequila
Speaker 3: and just having it, just shaking in port and I
Speaker 3: would order as I want of Martinez, and they didn't
Speaker 3: know what I was talking about. And then after doing
Speaker 3: this for like two years, somebody was started doing the
Speaker 3: same thing and brands with the tacchini, which sounds like bikini.
Speaker 3: It's extremely feminine sounding. I couldn't order it again, and
Speaker 3: I lost my Martinez brand. So I re invigorated the
Speaker 3: Martinez brand with this drink, and he's stealing it again.
Speaker 2: Maybe we need to put it in a can for you,
Speaker 2: for Martinez cal That could be all right, That could
Speaker 2: be all right.
Speaker 1: No sellers live the lunch hour Monday, Wednesday and Friday
Speaker 1: at twelve noon, not twelve ten noon twelve noon.
Speaker 2: Forgive us.
Speaker 1: It's my fault. Pete actually beat me here and still
Speaker 1: I've been waiting on still. I thought Still had it
Speaker 1: set up because I had been texting you back and
Speaker 1: forth about setting it up. So to get here and
Speaker 1: realize he didn't have it set up, then I had
Speaker 1: to delete some videos to make space we need.
Speaker 3: Changed his name from Norm st e E l E
Speaker 3: to st I L l waiting.
Speaker 2: Still still waiting. I like that.
Speaker 1: Still waiting again Monday, Wednesday and Friday at noon not
Speaker 1: noon ten or twelve ten Pacific time.
Speaker 2: Click the thumbs up. But let everybody know you up
Speaker 2: in this thing. Do that solid for me. If you're on.
Speaker 1: YouTube, if you on Twitter, retweet it's you on Facebook.
Speaker 2: Share it.
Speaker 1: We did incredible numbers last Friday. It was our first
Speaker 1: time doing big number. Shut out to everybody who bought
Speaker 1: us lunch. Shout out to everybody who gonna buy us
Speaker 1: lunch today. Click the link in the description. Subscribe to
Speaker 1: the No Seller's podcast. The reason we do this is
Speaker 1: because of the actual podcast. Again, the video portions of
Speaker 1: this is a live stream. We actually have a podcast
Speaker 1: called No Seilings. It's Apple Podcasts anywhere you get your podcasts.
Speaker 1: Executive produced by Charlemagne to God Black Effect Network.
Speaker 2: That's his company in iHeart Media, conglomerate.
Speaker 3: I think we need a podcast for this week.
Speaker 2: This week WI.
Speaker 1: Podcast Facts Fact And so soon as I leave here,
Speaker 1: I got to do the community.
Speaker 2: So I'm gonna be working, So I'm gonna do this.
Speaker 1: Yeah, I'm gonna do this for our people and however
Speaker 1: long it oh, it is how long ago did community?
Speaker 3: Anyone's contributions Today are gonna go to glasses throat Lozenges, man,
Speaker 3: gonna talk about seven hours in a row.
Speaker 1: Yeah, because I gotta do this one, and then I
Speaker 1: gotta do the community, and then after that we got
Speaker 1: to do the podcast that releases tomorrow. You go to
Speaker 1: talk about the first one hundred days of the new presidency,
Speaker 1: So hopefully we can tackle that. That's something that's been
Speaker 1: on my mind. But what's bothering me is right, So
Speaker 1: Kendrick albums. Kendrick drops a surprise album called gn X.
Speaker 2: Right, which is it's his best album by far, You
Speaker 2: know what I mean.
Speaker 1: Shout out to everybody in the chat, too lifted, Mason,
Speaker 1: Squishy my Dosh, my heart squishes my heart, Kelvin Sudis, Uh,
Speaker 1: what a Deucemack, I see you, Mason, name brand, Ms Bonham,
Speaker 1: Jean washed up with it?
Speaker 2: Brody.
Speaker 1: Yet we end this time right here going crazy, charis
Speaker 1: what's the deal? Uh, it's been interesting. I listened to
Speaker 1: the album about four or five times.
Speaker 2: I listened to the album about four or five times.
Speaker 1: I stand on the fact that this album is DoD's
Speaker 1: best album by far. Too it's not even closed. This
Speaker 1: is the time he connected everything together. Like you could
Speaker 1: hear the confidence even the music video. Shout out to
Speaker 1: the music video if you didn't see it. The music
Speaker 1: video drop for Squabble Up. Squabble Up is probably gonna
Speaker 1: be a top three album or top three songs in
Speaker 1: the country when when the Billboard charts come out.
Speaker 2: It's that kind of really great song. I thought.
Speaker 3: I also saw a video with what's her name on?
Speaker 3: The other song was one damn It Luther.
Speaker 2: Maybe.
Speaker 1: I'm sure he probably shot a lot of videos because
Speaker 1: this is a really dope project.
Speaker 3: I've seen some girls reposting him in that in that
Speaker 3: other chick running in a meadow or something like that.
Speaker 2: Yeah, maybe why not.
Speaker 3: I'm never in the right meadows at the right time.
Speaker 1: Sis is called she and she talited that that. You know,
Speaker 1: I got to hook you up with her, Pete. I
Speaker 1: don't know if she really get down with the roses,
Speaker 1: but I gotta hook you up with her.
Speaker 3: You know, I'm always down to get you know, completely
Speaker 3: rejected and humiliated publicly. That's great. I've never done that.
Speaker 2: I think that's gonna happen, Pete. She might be your wife.
Speaker 3: I'll tell you this much. I'll make a really lucrative
Speaker 3: bet that that is what happened that could take me
Speaker 3: out of some debt.
Speaker 2: I might. I might have a bet. I think she
Speaker 2: might give you some play. You might tell your world
Speaker 2: of capital will be very happy to get their money back.
Speaker 2: So mind you.
Speaker 1: I listened to the Kendrick album.
Speaker 2: And it's great. It's by far a best album.
Speaker 1: Again, I agree with that classic is more about timing,
Speaker 1: so I don't really get into that, but I'm talking
Speaker 1: about just listening to the records, listening to the music,
Speaker 1: listening to the way the album is constructed.
Speaker 2: Like I got a chance to listen to it more.
Speaker 1: I knew it off the first listen because I've been
Speaker 1: studying music for so long that I can hear what's
Speaker 1: going on. So I know when it's you know when
Speaker 1: it got a feel. And that record is incredible, you
Speaker 1: know what I mean? Again, The squadb Love video comes
Speaker 1: out today, so after you hop off this live, make
Speaker 1: sure you go check out that squab Love video.
Speaker 2: Saturday.
Speaker 1: My partner Ali. Shout out to the Saint Lunatic. Shout
Speaker 1: out to Nelly, My love from the lou Shout out
Speaker 1: to Murph who put me on the album one of
Speaker 1: the first albums I ever been on that wasn't like
Speaker 1: that was a platinum artist from somebody else. Shout out
Speaker 1: to Ali, who's been like a great voice of hip
Speaker 1: hop and understanding for me to get a better understanding
Speaker 1: with somebody that has been instrumental in another movement. Them dudes,
Speaker 1: you know, single handedly put on Saint Louis, you know
Speaker 1: what I mean. So I really love my boys from
Speaker 1: the Ticks, man, I don't care what they got going
Speaker 1: on with each other. I love all of them dudes,
Speaker 1: you know what I mean. And I'm grateful for what
Speaker 1: they were able to do for me growing up and
Speaker 1: having some kind of understanding about Saint Louis.
Speaker 2: Oh, they got to get.
Speaker 3: Ali on here, man, I didn't realize that was him.
Speaker 3: I started seeing him like on social media and should
Speaker 3: and I leave any old kind of name, you know,
Speaker 3: And it's kind of like the kind of name that
Speaker 3: I would figure just for no reason at all, that
Speaker 3: like a very contemplative thinkers type of guy's name, a
Speaker 3: lot a lot of like the black muscle people, very
Speaker 3: thinker oriented types. And I didn't realize for at first
Speaker 3: until like the fourth or fifth time I saw that
Speaker 3: that was that guy, I'm like, oh, we gotta get this.
Speaker 3: This guy's great because I might.
Speaker 1: Was this spring anyway, these sharp I hate when him
Speaker 1: and I hate when he talked about Nelly, and I
Speaker 1: hate when Nelly talking about I don't like that. But again,
Speaker 1: that's not my business, you know, because I know Nelly
Speaker 1: is my motherfucking low, you know what I'm saying. And
Speaker 1: I love Ali too, like I love them for helping
Speaker 1: each other. I love Ali teaching him, so I always
Speaker 1: stay down no matter what. Like I'm a tick, I'm
Speaker 1: not involved in none of y'all falling out. I love
Speaker 1: the ticks, nigga. That's how I request, go ahead.
Speaker 3: Can we do a show directly across the street, directly
Speaker 3: across the street from Saint Louis Cardinals Stadium.
Speaker 2: Yeah, we can do that.
Speaker 3: It's a great barbecue joint called Salt and Smoke, and
Speaker 3: you can sit there eating ribs and you can see
Speaker 3: the whole stadium like this through the window. It's a
Speaker 3: phenomenal venue. I would love to do that.
Speaker 2: Let's do it, yea, let's do it.
Speaker 3: Yeah, Like the third of January, I got no patience, Okay, boy,
Speaker 3: it's cold there.
Speaker 2: I got patients.
Speaker 3: It's cold.
Speaker 1: Yeah, So anyway, shout out to Lee's.
Speaker 2: He called me and he had a good brother.
Speaker 1: I forgot Will's last night, but we'll work at He
Speaker 1: did something with one O six of Park a couple people,
Speaker 1: and you could tell talking to him. He's a really
Speaker 1: sharp dude on hip hop. And obviously he saw my tweets.
Speaker 1: Obviously I've been tweeting up a storm, like I'm so
Speaker 1: proud of Doc, you know what I mean.
Speaker 2: My brother is really on another.
Speaker 1: Level, and I just totally enjoy you know, him at
Speaker 1: the pinnacle of his powers, and I love how he's
Speaker 1: using his power, Like I love what he's doing with
Speaker 1: his power. Again, I told y'all Friday, I think it
Speaker 1: took Doc becoming a big homie for him to truly
Speaker 1: hit his pinnacle peak.
Speaker 2: Maybe even a parent, you know what I mean.
Speaker 1: It probably has something to do with him being a
Speaker 1: parent too, And I'm just so impressed, you know what
Speaker 1: I mean. It's like, honestly, it's like hearing my favorite
Speaker 1: guys that I grew up listening to, and that's really
Speaker 1: hard because I'm an adult now. So I'm just uber
Speaker 1: impressed cause like I am fired up.
Speaker 3: You what kind of reminds me of go ahead, Like
Speaker 3: when you would see like a young basketball player, like
Speaker 3: say like it rather like Tracy McGrady. He comes in
Speaker 3: and it's like this guy's it, and it kind of
Speaker 3: takes a couple of years, and you know, it's kind
Speaker 3: of under the Vince shadow. You're nineteen years old, eighteen
Speaker 3: years old getting into the league, tall, kind of gangling,
Speaker 3: and then all of a sudden.
Speaker 2: This fucking guy holy.
Speaker 1: Shit, except he been on top of the game since
Speaker 1: he started, Like he he sure the first day he
Speaker 1: was a plan to Mac, you know, I mean not
Speaker 1: the first day, but like the first album, I think
Speaker 1: he did, like.
Speaker 3: But like realizing particular, this is what we knew it
Speaker 3: was there, and now it's here.
Speaker 2: And now you see it on the court, like it
Speaker 2: took Upbron a few years.
Speaker 3: I'mber seeing Lebron playing high school at a poly pavilion.
Speaker 3: I'm like, oh boy, it was it when he started,
Speaker 3: but after a few years it was really it.
Speaker 1: So will cost me with Leezy and Leezy puts him
Speaker 1: on the joint and he saw my tweets. I've been
Speaker 1: tweeting up a storm and he said, man, you really
Speaker 1: think this is Kendrick's best album, And I'm like, yeah,
Speaker 1: this is Kendrick's best album by far. He's like, man,
Speaker 1: are you saying that because it's sound like the West
Speaker 1: Coast and I'm not.
Speaker 3: Talk to steal in advance.
Speaker 1: Well and and that and that kind of started me
Speaker 1: into like a real deep conversation with him about hip hop, right,
Speaker 1: explaining hip hop is all about street urban culture, you know,
Speaker 1: personified through these arts and elements.
Speaker 2: I had to really start from the beginning and put
Speaker 2: it back together.
Speaker 1: From Sylvia Robinson and sugar Hill, from Larry Smith and
Speaker 1: Houdini to Marli Moore.
Speaker 2: I had to put understand this.
Speaker 1: No Ali got it, a Lea get it. That's one
Speaker 1: person who don't have no problem understeady. He know what
Speaker 1: has to be done.
Speaker 3: If they didn't have such a distinct sound they were,
Speaker 3: then they're dirty from Montgomery, Alabama. They're just two. There's
Speaker 3: just some guys rapping facts.
Speaker 1: So you know again, I start to recreate hip hop
Speaker 1: for him. I'm like, Yo, this is hip hop. I
Speaker 1: started to recreate hip hop for him, right, I'm like,
Speaker 1: the records are supposed to sound culturally like correct, now,
Speaker 1: the West doesn't just root itself in front. But there's
Speaker 1: a pace of life, there's a rhythm of light, like
Speaker 1: BPM stands for beats permitted, heart beats permitted.
Speaker 3: Right, that's a cool question. And I don't mean to
Speaker 3: call the guy out. It has nothing to do with him,
Speaker 3: but I felt like there was some meat left on
Speaker 3: the bone with a guy like Jalla, I didn't get
Speaker 3: such a great this is DC has a vibrant urban
Speaker 3: culture and Maryland the whole d MV it really really does.
Speaker 3: I didn't really feel like I got as much of
Speaker 3: that as I would have wanted.
Speaker 2: Out of LA.
Speaker 3: There was some of it to a degree, you know, undeniably,
Speaker 3: but I thought there was room there for it to
Speaker 3: hit the way Nelly hit out of Saint Louis and
Speaker 3: go wow, I could taste of sauce on this, I
Speaker 3: could tear. I gotta get a napkin.
Speaker 1: But but if again in that same conversation, and yes,
Speaker 1: that that's why I think Wila is who's a tremendous
Speaker 1: record maker, while one of the most record makers I
Speaker 1: ever saw in hip hop with my own eyes for.
Speaker 3: Sure, not saying anything otherwise.
Speaker 1: No, No, I do think because there is a level
Speaker 1: of pasteurized culture that's happening in hip hop over the
Speaker 1: last fifteen years. You don't have monumental artists to the
Speaker 1: same statue of a phenomenon like a.
Speaker 2: Dog or a whole or a wang.
Speaker 1: You don't have that phenomenon because really it's just music now.
Speaker 3: And to what extent. Like you know, a lot of
Speaker 3: the guys that you mentioned, they came in and they
Speaker 3: had that landmark producer with them, that had that had
Speaker 3: a sound with them that was the first off that
Speaker 3: city he didn't really have that. Meek Mill and Philly
Speaker 3: didn't really have. They were so talented that a giant,
Speaker 3: you know, hip hop conglomerate of swords. I need that.
Speaker 3: And now you're rapping on their sound a.
Speaker 1: Little bit to a degree, Okay, shout out to Marcel
Speaker 1: Wailea is a Nigerian immigrant. He isn't steep in DC
Speaker 1: culture like a American. That makes sense fair, Oh yeah,
Speaker 1: And now I.
Speaker 3: Was always surprised that like Baltimore didn't have a guy
Speaker 3: pop off with its own sound and that whole like that.
Speaker 3: That's a that's an epicenter that I thought really would
Speaker 3: have like just done it. You know, by now.
Speaker 2: Sure, shout out off. That's because Wiler is from outskirts.
Speaker 1: Maybe so, but even the outskirts of d C would
Speaker 1: be bathed in DC culture.
Speaker 3: Sugar Freak from Pomona. I mean, he's from Compton, but
Speaker 3: he's from Pomona.
Speaker 2: Yeah, but Pomona's hell of season. Weirdly, like you know,
Speaker 2: I know.
Speaker 3: Far out the outskirts of DC, I.
Speaker 1: Know you no, I know, Pomona feels like it is
Speaker 1: far from LA.
Speaker 2: That is true.
Speaker 1: Pomona is a good thirty five minute drive from Pomona,
Speaker 1: but Pomona is its own cultural epicenter of Los Angeles.
Speaker 2: Shit.
Speaker 3: Shut up in the garfy track, man, they do it.
Speaker 2: No, no, no, pete like crazy like them niggas.
Speaker 3: My best friend from college is from from the dirt
Speaker 3: and Pomona. I spend so much time there, so much time.
Speaker 3: I was there every weekend for years.
Speaker 2: Yeah.
Speaker 1: So Pomona is one of those places that, even though
Speaker 1: it's not close to the center of Los Angeles, it
Speaker 1: is fucking Hella West.
Speaker 2: It is Hella like them niggas. Is some shit.
Speaker 1: But okay, let me get back to it. So he
Speaker 1: was telling me this, and I noticed he said that,
Speaker 1: and I said dog, Like imagine saying is four hundred
Speaker 1: degrees to New Orleans or if the Diary is to Houston,
Speaker 1: or is Blueprint one to New York?
Speaker 2: Like what the fuck?
Speaker 1: What is it about the West Coast that things can
Speaker 1: become too West Coast? Why is that a true thing?
Speaker 1: Like we excect like we would never tell Chief Keith
Speaker 1: his music is too drill. It's too drill. I don't
Speaker 1: know about this. You know the reason y'all think it
Speaker 1: is a classic in Chicago because it's so drilled and
Speaker 1: I just didn't get it, and it it made me
Speaker 1: start to really like we all say this, we all
Speaker 1: just as artists, that there is this weird there's this
Speaker 1: weird there's this weird thing about West Coast acts, right
Speaker 1: whereas like you could be too West Coast, Like I've
Speaker 1: heard people say that, but you don't say that about future.
Speaker 1: Future music sound like fucking Atlanta, like Georgia, Like that
Speaker 1: ship is Hella Georgia. I've never heard a nigga be like,
Speaker 1: you know what that new Future album is to Atlanta.
Speaker 2: It's just in Atlanta, That's what I'm saying. But I.
Speaker 1: Say Future is to Atlanta is to Atlanta. This is
Speaker 1: way to Atlanta. I don't want to hear this.
Speaker 2: Listen to the Atlanta Slangy's doing and the beach it's
Speaker 2: to Atlanta.
Speaker 3: What question, Like what is I mean? Because his sound
Speaker 3: he does sound very dungeony. But Atlanta's had you know,
Speaker 3: they had that, they had, They've had a lot of
Speaker 3: different kind of types of sounds come out of Atlanta.
Speaker 2: Over the years.
Speaker 3: I think something that has to do with the duration
Speaker 3: of the fact that LA's sound is has been going
Speaker 3: on for a very long time. Like like like drill
Speaker 3: like you like you, and I don't hear it as
Speaker 3: so much as you hear it. I'm a layman, but
Speaker 3: like say, drill to do or die, it doesn't sound
Speaker 3: the same so much to me. I understand, like the
Speaker 3: tempos and stuff might be the same, but it does
Speaker 3: sound not It doesn't sound like it's a continuation so
Speaker 3: directly from from that type of type of vibe. But
Speaker 3: I you know, again, I'm a layman's ear.
Speaker 2: Well I mean.
Speaker 3: Again, man the same way like Rick doesn't sound like
Speaker 3: Luther in that sense, you know what I mean? It
Speaker 3: sounds very Miami cool and dre It sounds crazy Miami.
Speaker 1: But so this is the problem with Luke right, specifically
Speaker 1: Luke about Rick Ross and Luke Right. Okay, so Luke right,
Speaker 1: Luke is his producer is a California guy, right, that
Speaker 1: created a Miami based sound that's a party sound versus
Speaker 1: versus Ross music that's just really Southern.
Speaker 2: To a degree, right, because continuation of the trick.
Speaker 1: Yeah, it's more exactly, it's more of an extension of
Speaker 1: what Trick was doing. But again, it's like all West
Speaker 1: Coast music don't sound one way like Battlecat sounds nothing
Speaker 1: like Doctor.
Speaker 2: Dred true very true like and Quick.
Speaker 1: And Cat don't sound nothing like Quick and Quick music
Speaker 1: don't sound nothing like Warren. So it's just weird that
Speaker 1: when it comes to West Coast music that people feel like, oh,
Speaker 1: you know, like Glasses, you like it because it's so
Speaker 1: West Coast. Well, imagine me telling you you like the
Speaker 1: Ticks because it sounds so Saint Louis, or me telling
Speaker 1: a Brooklyn dude on like the you know.
Speaker 2: Like, for example, like Illmatic sounds hell in New York.
Speaker 1: I've never thought to myself and man y'all lonely saying
Speaker 1: it's a classic because it sounds so New York. I
Speaker 1: don't understand what the hell is going on. But I
Speaker 1: never in my life thought to myself, so man, this
Speaker 1: New York.
Speaker 3: For me, I think it would be like if it
Speaker 3: was the name of the guy who got in all
Speaker 3: the trouble, who was hot out of New York.
Speaker 2: Schmurder, Yeah, Bob, Like that.
Speaker 3: Didn't sound like it was just like trying to pull
Speaker 3: real heavy off of like that illmatic kind of premiere
Speaker 3: with it, like like like that type of sound, you
Speaker 3: know what I mean. So I really don't know, but
Speaker 3: there I mean like that, I haven't heard a song
Speaker 3: of his in a long long time, so I'm going
Speaker 3: off with like distant memories. But you kind of know
Speaker 3: what I'm saying like that, it doesn't sound quite so
Speaker 3: much like it doesn't sound like when I hear in
Speaker 3: New York music. I I I just see people slam
Speaker 3: dunking basketball's at the Rucker, you know what I mean.
Speaker 3: And I didn't hear that with Pop Smoke or him
Speaker 3: quite to that degree. So I am I don't shout out.
Speaker 1: To j Paesos. And this is a great point. Much
Speaker 1: love brother. It's my first time seeing you on the
Speaker 1: chat again. This is no Sinners Live the Lunch hour
Speaker 1: every Monday, Wednesday and Friday at noon.
Speaker 2: Pacific Standard time. Click that thumbs up button.
Speaker 1: Let everybody know you here going to description subscribe to
Speaker 1: the No Sentner's podcast.
Speaker 2: The reason we do this The No Sentner's.
Speaker 1: Podcast on Apple Podcasts anywhere you get your podcasts. Executive
Speaker 1: produced by Charlomagne and God Black Effect and the iHeart.
Speaker 1: It's the new consumer not understanding hip hop roots in general.
Speaker 2: And that's what it is.
Speaker 1: That's exactly. But you know what's funny, Jay Glad you
Speaker 1: said it. This has been my issue over the last
Speaker 1: fourth ten years, right when blogs took over hip hop.
Speaker 1: I tell my partners from ADHD all this time when
Speaker 1: blogs took over hip hop because the college kids kind
Speaker 1: of got involved, and they are when the consumer started
Speaker 1: controlling what was going out to everybody else the consumer.
Speaker 3: It's literally like if I was in charge of hip
Speaker 3: hop instead of glasses, is what this happened?
Speaker 2: Yes, exactly exact.
Speaker 1: And it's like the streets used to give the green
Speaker 1: light to be represented, like right, music had to pass
Speaker 1: through the streets for people to be like, yeah, this
Speaker 1: represents us fine enough here you guys can happen to
Speaker 1: pass through me now it's passing through Pete and guys
Speaker 1: at universities that's trying to understand.
Speaker 2: So that's where I think you get the narrative. And
Speaker 2: it's funny.
Speaker 1: Because this is why I've always said, and people, hey,
Speaker 1: when I say this that the Owl is not hip hop.
Speaker 2: This is why you are confused because you that's your
Speaker 2: gold standard of what you think hip hop is. And
Speaker 2: his sound is pasteurized. Yeah, nothing about his sound. You
Speaker 2: understand anything about Toronto.
Speaker 1: So most of the last listeners over the last fifteen
Speaker 1: years have built their understanding. If you came into hip
Speaker 1: hop in the last fifteen years, if you came into
Speaker 1: the art just observing the art, listening to the music,
Speaker 1: you built everything based off of what you thought that was.
Speaker 3: Sure, can we do a little bit of a and
Speaker 3: I need you it.
Speaker 1: Shout out to Cuz, shout out to Drake who just
Speaker 1: did this interview, because where it just looked dumb and
Speaker 1: then that is like talking shit and I'm like, they like, man,
Speaker 1: you know, he looking stupid.
Speaker 2: I'm like, cuz he always.
Speaker 1: Looked like this, Like he always looked like this, Like
Speaker 1: there is a cultural ignorance, cause that's happening.
Speaker 2: That nobody called out because you just didn't know it.
Speaker 3: Yeah, because everybody getting laid to the song, so nobody
Speaker 3: complains when they dig up you feel me and and proverbially.
Speaker 1: And so that's why hip hop is at this lost space.
Speaker 1: It's lost and to where somebody calls me and feels like, man, well,
Speaker 1: you only think this is the best Kendrick album because
Speaker 1: a Compton nigga sounded like he was from Compton.
Speaker 3: That's the only I mean, like, look, I want to
Speaker 3: be very honest with you. This is gonna get me
Speaker 3: thrown out of here in two seconds. I like this
Speaker 3: album more than the rest of them. I didn't really
Speaker 3: like any of the other ones, but for that reason,
Speaker 3: because I'm like, I don't need to hear a rapper
Speaker 3: rap for the sake of it. I'll be like, I'll
Speaker 3: be very honest if it's not like really funny, really insightful,
Speaker 3: or painting a picture of a place that I really
Speaker 3: just don't go everyr fucking day, it's just a guy
Speaker 3: rapping for the sake of it. And that was what
Speaker 3: a lot of those were, Like swimming Pools is any
Speaker 3: old song, it's a cool Song's I mean, I'm not
Speaker 3: saying that the talent like that. He doesn't go in
Speaker 3: the fucking studio and crush it but what he's handed
Speaker 3: to crush it on or whatever the hell? This is
Speaker 3: different than those Yes, this is different than right. That's
Speaker 3: another word.
Speaker 2: Fats, my brother, Fats was the deal. Fats. Why y'all
Speaker 2: hate Drake so bad?
Speaker 3: Because he says Drake and me, that's why he hates me.
Speaker 1: I don't hate Drake, bro, I don't look. I don't
Speaker 1: know if anybody else hates Drake. I'll be honest with you, Bro,
Speaker 1: I don't hate Drake.
Speaker 2: Bro. I have zero hate for Drake. I'm not even
Speaker 2: lying to you.
Speaker 3: It's a thing.
Speaker 1: The dude is a talented artist. He's a dope rapper.
Speaker 1: He makes great rap songs. I don't hate him. But
Speaker 1: if I can identify something that is true, it's not hate.
Speaker 1: If I tell you Drake Ross right is not the
Speaker 1: greatest authentic representation of being a d boy, or that
Speaker 1: his raps are composed in a fantasy land, it's not hate.
Speaker 2: I love his music. It's the two things can be two.
Speaker 1: They could be true, like John Jay is not a
Speaker 1: real person, but his movies are awesome.
Speaker 3: Rick and Trick are not the same guy with the
Speaker 3: same background. Yes, they're just not.
Speaker 1: Shout out to revenge with something no sellings with up
Speaker 1: my boy. No, this is literally the best Kendrick album
Speaker 1: I played. It's by far the best Kendrick album Revenge
Speaker 1: twenty two times. It's by far the best album. Yeah, like,
Speaker 1: it's the best album by far, it's by far the
Speaker 1: best album. Shout out to my boy EP. What's handling?
Speaker 1: This is my first time seeing you in the chat,
Speaker 1: no glasses. We tired y'all bullying are rappers and killing them.
Speaker 1: We haven't killed anybody.
Speaker 3: Sure, Okay, just real quick and I need.
Speaker 2: EP.
Speaker 3: Can you comment back on this question? Who are our
Speaker 3: rappers to you? That's all I because I don't know you.
Speaker 1: EP is Oh, shout out to my boy E props
Speaker 1: from Flatbys what up?
Speaker 2: Care? What's the deal?
Speaker 1: But we didn't that's not us, bro, that's a even
Speaker 1: what happened with Big was a professional job. I had
Speaker 1: nothing to do with the street. None of us didn't
Speaker 1: like Big Bro. We niggas played here like that, literally,
Speaker 1: I think so.
Speaker 3: Yeah. I thought he just meant like you're bashing are
Speaker 3: the rappers that he likes or something like the audience's
Speaker 3: rappers at large. I like that that could have been
Speaker 3: taken a lot of ways. That's one to make sure
Speaker 3: we took it the right way.
Speaker 1: Shout out to Bella MaTx for the fifty dollars she
Speaker 1: bought us lunch on her own today, the greatest, Thank
Speaker 1: you so much. Uh, welcome back, Adam mary or Bruise.
Speaker 1: I do I hate it. I don't hate him.
Speaker 2: I don't know.
Speaker 1: I don't think most people hate Drink, even the guys
Speaker 1: that say they hate him.
Speaker 2: I don't think nobody hate Drake. But it's just okay.
Speaker 3: He's Mape Street, Maple Street. You know, it's cool.
Speaker 1: So the thing is right, like, this is a really
Speaker 1: talented guy. He's a well studied guy, and he's a
Speaker 1: genius and a creative monster in his own rights. But
Speaker 1: there's a confusion. He does not empower the culture. The
Speaker 1: culture empowered him.
Speaker 3: Who is the guy? There was a white guy who
Speaker 3: was big in jazz, authentic jazz, not Kenny G. I'm
Speaker 3: talking like in the nineteen.
Speaker 1: Fifties I'm talking about he's like him.
Speaker 2: He's like Kenny G.
Speaker 3: Yes, No, he's not like Kenny G. He's like that
Speaker 3: other guy that I'm thinking of whose name I can't.
Speaker 2: The other guy. I think he's Kenny G.
Speaker 3: No. This is thirty years before k forty years for KG.
Speaker 3: But he played authentic, real like he played like jazz
Speaker 3: as it was like jazz jazz, not ninety four point
Speaker 3: seven in the afternoon jazz.
Speaker 1: Uh No, because he don't know. I think he's Kenny G.
Speaker 1: I think Drake plays jazz horn. I think he plays
Speaker 1: the sacks over pop records. That's pretty much what he does.
Speaker 1: But it's still good jams. It's still great jams. Like
Speaker 1: there's nobody hate this guy. Niggas love this nigga music.
Speaker 1: I like his everybody likes his music in the chat
Speaker 1: or Chet Baker or Dave Burbick, now they all.
Speaker 2: Too.
Speaker 1: I don't again again, it's it's it's a different conversation, right,
Speaker 1: It's like, and this is why be saying where it's
Speaker 1: a weird thing when people talk about hip hop and
Speaker 1: then when it comes to the West, it could be
Speaker 1: identified like, well, you don't even think this is a
Speaker 1: great album because it sounds like the West Coast. Well,
Speaker 1: I think Reasonable Doubt is a great album because it
Speaker 1: sounds like New York. And I think four hundred Degrees
Speaker 1: is a fantastic album because it sounds like New Orleans.
Speaker 1: And I think Untouchable is a fantastic album because it
Speaker 1: sounds like Houston. And I think you Know a Bones
Speaker 1: first album is a great EP because it sounds like Cleveland.
Speaker 2: That's hip hop. That's fucking hip hop.
Speaker 1: If a West Coast artist wraps over Southern beats, it's
Speaker 1: pop music.
Speaker 2: That's what y'all don't get. This is what pop music does.
Speaker 1: They take successful genres of music, they take seasoning out
Speaker 1: of it, take seasoning out of it, and then make
Speaker 1: it digestible for everybody. It's Taco Bell. It's what Taco
Speaker 1: Bell represents the Mexican food. It's what Kentucky Fried Chicken
Speaker 1: represents the soul food.
Speaker 2: It's the same effort.
Speaker 1: So it's just weird to me that the West Coast
Speaker 1: gets singled out like that.
Speaker 2: It's just weird. It's just weird shout out to ep
Speaker 2: see justifying what the West do. He got killed because
Speaker 2: of puff. That's wrong. It's not the West.
Speaker 1: Every move that happens in California is not a representation
Speaker 1: of our street urban culture. Every move is not a
Speaker 1: thing that we decide openly like, hey, we have a
Speaker 1: problem like that, Like we don't. Nobody had a problem
Speaker 1: with Big Bro. Nobody had a problem with Big in
Speaker 1: the streets at all. Like people wasn't saying fuck Big.
Speaker 1: And I wasn't a prime of my life during that beef,
Speaker 1: you know, I was coming into my adulthood, you know
Speaker 1: what I'm saying. So nobody was like, man, fuck Biggie.
Speaker 1: Even when they were warring with Pac and Biggie. Even
Speaker 1: when Pac died, nobody was like, man, fuck Big. Nobody
Speaker 1: thought Big had anything to do with it. Nobody thought Big.
Speaker 1: So it was never a collaborative effort of the streets
Speaker 1: to get rid of Big. Like that's just I can't
Speaker 1: say us the same thing with what's the brother name
Speaker 1: that that got killed at roscos P and b Rock.
Speaker 2: That was not a.
Speaker 1: Collaborative effort, a collaborative effort of our streets to hurt
Speaker 1: another rapper. That was just somebody wearing a lot of
Speaker 1: jury in a location where poor people you feel me
Speaker 1: congregate and you know what I mean. He had a
Speaker 1: situation where somebody tried to rob him, things went bad
Speaker 1: and they killed it. That can happen in every ghetto
Speaker 1: in America. That can happen in every ghetto in America.
Speaker 1: But this is ridiculous.
Speaker 2: EP.
Speaker 1: There's no way we could all hate the East Coast.
Speaker 1: The reason we rap period and make hip hop is
Speaker 1: because of these coasts that don't even make sense. So
Speaker 1: but as far as as far as that, I just
Speaker 1: really been thinking about it. I think people genuinely hate
Speaker 1: the West Coast. I'm telling you, I think people hate
Speaker 1: the West Coast. Now, listen, Glasses, Lowe is different. I
Speaker 1: go everywhere and I get love.
Speaker 2: That's true. You know what I'm saying.
Speaker 1: I really get love I don't have. But again, I'm
Speaker 1: not I'm just one.
Speaker 2: Person out of the West. You know what I'm saying.
Speaker 1: But I'm telling you, when you hear somebody say Glasses,
Speaker 1: when you hear somebody say man, Glasses, you only like
Speaker 1: the New Kendrick album because it sounds.
Speaker 2: Like the West Coast, That's just crazy. I don't know.
Speaker 1: I've never in my life heard that about Future's album.
Speaker 1: And y'all only like Future album, Y'll only saying Dirty
Speaker 1: Sprite Too is a classic because it sounds so southern.
Speaker 2: That's just weird. What am I missing? Pete?
Speaker 3: I think that there is an inherent Like I said,
Speaker 3: I think most of the rest of the country looks
Speaker 3: at looks at the LA hip hop scene as being
Speaker 3: like fortuitously fortuitously located such that it's impact and influence
Speaker 3: is outsized to that degree, and there's some resentment there,
Speaker 3: you know. You know that that would be my speculation,
Speaker 3: like if the industry was located in another town Chicago
Speaker 3: or Dallas or somewhere else where you were adjacent to
Speaker 3: the movie industry where all the music was made there
Speaker 3: whatever else, Like they're you know, like like there, anything
Speaker 3: that comes out of there just has to be from
Speaker 3: out of there, and it's impact or influence or it's
Speaker 3: regard or whatever is Like I think they think like
Speaker 3: artificially propped up in a sense, whereas if you're from Timbuktu,
Speaker 3: there's more it's more of an uphill battle, you know
Speaker 3: what I'm saying. So I think that maybe some of
Speaker 3: that like oh, well, you know, it's not any better
Speaker 3: than mc so and so from God knows where. It
Speaker 3: just happens to be that it's seventeen seconds from the
Speaker 3: epicenter of all things marketing, distribution, and broadcasting. Therefore, it
Speaker 3: gets blown up through the stratosphere just just purely for existing.
Speaker 3: You know what I'm saying. I think that there is
Speaker 3: some of that.
Speaker 2: Yeah, but now that's right.
Speaker 3: I just think that that's that's some of the psychology.
Speaker 1: Shout out to my brother DT. Same reason they hate
Speaker 1: the Lakers, LA crime. Now listen, I'm not saying I
Speaker 1: don't understand why we're on a sonic island. I definitely
Speaker 1: understand sonically while we're why we are on an island,
Speaker 1: you know what I mean? The West to dop funk,
Speaker 1: you know what I mean, and everybody else kind of
Speaker 1: went other places. Midwest kind of went more R and
Speaker 1: B when it came to the hip hop, right, you
Speaker 1: start thinking, do a guy bone Kanye. It's more R
Speaker 1: and B into it. The South went more to blues,
Speaker 1: you know what I'm saying. And I get it. So
Speaker 1: I get again, the West is on, you know, a
Speaker 1: sonic island, right because we are far from the rest
Speaker 1: of There's likely.
Speaker 3: Seven hundred miles of sand between the fifteen Freeway and
Speaker 3: the thirty five in.
Speaker 1: Fact, so no, so I get why. You know, sonically
Speaker 1: we can seem on an island, right because we do
Speaker 1: have a different weather, We do have a dreamy weather.
Speaker 1: We do have a festive scene even in the winter.
Speaker 1: You feel me, I get it. I'm not I'm not
Speaker 1: disagreeing with that. Shout out to Ravens who makes this
Speaker 1: is what I'm talking about. I don't think you guys
Speaker 1: get how harsh the West signature sound is to the
Speaker 1: typical ear of a Southerner. If you don't attempt more
Speaker 1: than five listens, it's hard to understand the world of sound.
Speaker 1: Ironically revenged, that's the point I'm saying.
Speaker 2: I totally.
Speaker 3: Out of California a lot of my life.
Speaker 1: Yeah, and that's the point that I'm saying. I don't
Speaker 1: disagree that. That's my point. I get why the sound
Speaker 1: it's it's different, like the South kind of has a
Speaker 1: united sound together, there are nuanced differences. What Houston does
Speaker 1: is not quite what Atlanta does, but that's not quite
Speaker 1: what Memphis does, and that's not quite what Miami does.
Speaker 2: There are nuanced differences go ahead.
Speaker 3: At the same time. Also in that part of the country,
Speaker 3: there's there's a purple spectrum. Saint louis for being Midwest,
Speaker 3: is very southea. You know, you got guys that come
Speaker 3: out of Louisville Louisville is not really the South. It's
Speaker 3: not really there's if you think of it like in
Speaker 3: terms of geography, like Australia, like the Cut, like Perth.
Speaker 3: It's like the most remote major city of the world.
Speaker 3: It's like on the west coast of Australia, it's separated
Speaker 3: by forever. California is separated by a huge gap. So
Speaker 3: it's not like you drift a little over to Phoenix,
Speaker 3: and Phoenix sounds a little Texas, it sounds a little California. No,
Speaker 3: it's it's just a lot of California transplants moved to
Speaker 3: east out to ten and it doesn't have its own identity.
Speaker 3: And then you go beyond that and it's no man's
Speaker 3: land for one thousand miles. It's not like Texas. Yeah,
Speaker 3: and even so, like Texas is right by New Orleans,
Speaker 3: is right by memphisis right by I mean, it's no,
Speaker 3: and it's is far from Saint Louis to Memphis as
Speaker 3: it is from La to Vegas.
Speaker 2: But that's my point though, you know what I'm saying.
Speaker 1: My point is California is as far as urban culture,
Speaker 1: we're on the island. Yeah, like you you can see
Speaker 1: why New York, New Jersey, Philly.
Speaker 3: It sounds terribly different than New York.
Speaker 2: I wouldn't but.
Speaker 1: The sonics of the music don't the accent the culture
Speaker 1: of how they talk, but the sonics of the music
Speaker 1: is not far are exactly because again it's it's an
Speaker 1: hour to get.
Speaker 3: Even La and the Bear further apart.
Speaker 1: Than the New York Baltimore Yeah, which is Yeah, which
Speaker 1: is in Maryland, which is four states over. And that's
Speaker 1: my point. So we are on an item. So I
Speaker 1: get to every fan out there.
Speaker 2: Shout out to.
Speaker 1: Every fan again, this is No Silller's Live to Lunch
Speaker 1: Hour every Monday, Wednesday and Friday noon Pacific standard time.
Speaker 1: I know you at work. We were here to kind
Speaker 1: of had this conversation while you at work. You feel
Speaker 1: me and entertain you while you're eating your Lunchfore you
Speaker 1: get back to that cubicle, or you get back to
Speaker 1: operating on that patient or whatever you gotta do. When
Speaker 1: that one o'clock time hits, click the thumbs up button.
Speaker 1: Let everybody know you here go under the description subscribe
Speaker 1: to the No Seller's.
Speaker 2: Podcast asap today.
Speaker 1: Subscribe to the No Seller's podcast uh on Apple Podcasts
Speaker 1: anywhere you get your podcasts, The No Sillings podcast executive
Speaker 1: produced by Charlomagne and God Black Effect Network in my heart.
Speaker 1: So yeah, it's surgeons that's in No Silllings. It's surgeons
Speaker 1: that I got a DM from a surgeon who says
Speaker 1: he loves the lunch hour and he really listened to
Speaker 1: it on his lunch.
Speaker 2: Break for real. I ain't joking.
Speaker 1: So you know this lunch hour worked out for all
Speaker 1: of you productive human beings that's here. It's at a
Speaker 1: reasonable time as we speak, right, Homie again, shout out
Speaker 1: to Kelvin. Kelvin said, I'm an engineer. If it's a flex,
Speaker 1: I'm you it is a flexing those silllings, Kevin that
Speaker 1: you're an engineer. It might not be a flex in
Speaker 1: other places, but Kevin and no, in the lunch hour,
Speaker 1: that's a flex, Brody. And I'm happy engineers here having
Speaker 1: this intelligent conversation. I hope the conversations inspire you outside
Speaker 1: to have doper conversations with your homeboys at the barbershop
Speaker 1: when you're taking your time off of work.
Speaker 2: But definitely being an engineer as a flex. So again.
Speaker 1: Again, right, we are on a sonic island, right, we
Speaker 1: are on a sonic island.
Speaker 2: The South does share common themes in sounds.
Speaker 1: The Midwest, you know, all of those states are close,
Speaker 1: so they do share a common theme in sound. And
Speaker 1: there's multiple cultures right that that make it work, you
Speaker 1: know what I mean. Chicago has its own mainstay culture, Detroit,
Speaker 1: which is not that far, Cleveland.
Speaker 2: You know, all these places are hours from each other.
Speaker 1: Mind you to get out of California, like to go
Speaker 1: to the northernest state in California, you feel me, would
Speaker 1: take you sixteen hours driving terrible to go to the
Speaker 1: eastest state right with to be Nevada, or you know
Speaker 1: what I mean, Or Arizona, that's four to five hours,
Speaker 1: you feel me. So we don't share what the rest
Speaker 1: of the country here, you know what I'm saying. But
Speaker 1: even even Arizona, Portland, Seattle, Nevada, those places are far.
Speaker 1: Like remember you could be in New York City shout
Speaker 1: out to space stout Pharaoh, because that's true. We do
Speaker 1: have a z we do have Oregon, we do have Washington,
Speaker 1: we do have Nevada, we do have New Mexico, we
Speaker 1: do have Colorado.
Speaker 2: That is all the West. But those places are far,
Speaker 2: they're far.
Speaker 3: And to a degree. I mean, I live in Oakland
Speaker 3: for a couple of years. It's it's kind of the
Speaker 3: same weatherwise, but it's kind of not like you're not.
Speaker 3: It's cold. It's colder. You go in to Portland and Seattle.
Speaker 3: A lot of what makes California culture, Southern California culture
Speaker 3: work is the outdoor, the summer. To all that that't
Speaker 3: that's not barre In Portland Seattle, it's cold all the
Speaker 3: goddamn time. It's a different people move different, it's a
Speaker 3: different lifestyle.
Speaker 2: Shout out to Jerry me Cold. Thank you for being
Speaker 2: in the chat. My boy.
Speaker 1: I don't care Sonic get from. If TV off ain't
Speaker 1: hitting for you, I don't know if you can be helped. Facts,
Speaker 1: that's facts.
Speaker 3: Shout out to Portland because Portland has just frankly speaking,
Speaker 3: I didn't realize. I was on MLK in Portland one
Speaker 3: time and I saw a Nike place. MLK in Portland
Speaker 3: is the widest street I've ever been on in my life.
Speaker 2: Shout out to.
Speaker 1: D I'm a really honest salesman. My boy really is
Speaker 1: an honest salesman. Shout out to Bella Mack. This is
Speaker 1: a great question.
Speaker 2: Why is it.
Speaker 1: Whenever I visit the state down south or Midwest, they
Speaker 1: never want me to play West Coast music. They say
Speaker 1: the West Coast is whack when it comes to music.
Speaker 1: I think that's because again, it's not so much of
Speaker 1: what's happening. I think there's a I think what's happening
Speaker 1: in hip hop it's getting lost on the music. And
Speaker 1: I think it's because of the last fifteen years the
Speaker 1: people in power. I think J Cole makes a very
Speaker 1: you know, gestible version of pop music. You know what
Speaker 1: I mean that that has a hip hop front, you know,
Speaker 1: I mean has a rap face, that has a hip
Speaker 1: hop face, but it's a little bit more gentrified and pasteurized.
Speaker 1: It doesn't truly have a home. It doesn't. You don't
Speaker 1: get the culture that's from North Carolina. And again even
Speaker 1: with Drake, you don't get the true street urban culture
Speaker 1: of Toronto.
Speaker 2: Hip hop was built on culture.
Speaker 3: Just look at the cultural sense you get from listening
Speaker 3: to J Cole versus P D Papmo.
Speaker 1: Yeah, like exactly great or The Baby. Yeah, you know
Speaker 1: the Country Twain in The Baby. You could feel the
Speaker 1: country Twain in PD Pablo. But even what they do
Speaker 1: is not as let's say as country as an outcast
Speaker 1: or as country as let's say, even a juvenile, right,
Speaker 1: there is still a subtle difference.
Speaker 3: And all the rappers a como out of memphisis that
Speaker 3: very and and and generally like it. Like you say,
Speaker 3: it is a different tempo, it's a different sound. It
Speaker 3: is a different it's it's it's like a hole. It's
Speaker 3: not like I don't hear West Coast music out here,
Speaker 3: you know, but songs, if you're out of place, they
Speaker 3: kind of flow from one to another. And then you
Speaker 3: don't flow as seamlessly in and out of a West
Speaker 3: Coast song and an ocean of of of Southern songs.
Speaker 1: Again, there the tempo is a world of different, right,
Speaker 1: If you come from a sixty two bpm song to
Speaker 1: one hundred bpm song, it's a night and day different.
Speaker 2: But again that's truly what sound did.
Speaker 1: Sound is not so much the fact that we build
Speaker 1: it off of funk, but it's the pace of life, right,
Speaker 1: the heart.
Speaker 2: Beats per minuted, the beats like the old school synthesizer sound.
Speaker 3: It's the yeah, you're really changing what you're doing on
Speaker 3: the dance floor when you come in and out of
Speaker 3: that like that.
Speaker 2: But but mid but mind you you know what I mean.
Speaker 1: It's it's like the South and the Midwest tempos are
Speaker 1: close to the same. Yeah, the East Coast and our
Speaker 1: tempos are close to the same. But again, music going
Speaker 1: from here to there means it needs to pass places
Speaker 1: that have really great music.
Speaker 3: So the South and the Midwest are more country parts
Speaker 3: of the more as you said, more country parts of
Speaker 3: the country. They are more rural parts of the country
Speaker 3: in that sense.
Speaker 1: My brother tysan Garcia, I see you. I'm glad you
Speaker 1: here today. Man, you made it.
Speaker 2: You're still on time. Bam.
Speaker 1: This is a great This is a great too. Shout
Speaker 1: out to the hommies on You know why I love Twitter, bro.
Speaker 1: Twitter is really the smartest platform. You meet the most
Speaker 1: smart people and intelligent people on Twitter. I think Instagram
Speaker 1: is for people that ain't really that bright. Maybe TikTok
Speaker 1: and snapchat are the worst, but Twitter, for sure are
Speaker 1: the smartest people on social media. So shout out to
Speaker 1: X Shout out to Elon forgetting that, because I really
Speaker 1: think the greatest contributors of of of of of social
Speaker 1: media content comes from Twitter.
Speaker 3: I spent an hour trying to set up a new
Speaker 3: Twitter like four days ago.
Speaker 2: Still different.
Speaker 3: Threat.
Speaker 2: I got to hit eline to get you.
Speaker 3: Four different names.
Speaker 2: Shout out to Bam.
Speaker 1: But wouldn't you say the Internet that's bridged a lot
Speaker 1: of sounds over the lands.
Speaker 2: But that's the problem.
Speaker 1: See, you gotta get off the Internet, right because that's
Speaker 1: not where hip hop lives. Hip Hop is not the Internet.
Speaker 1: Hip hop is outside the front door. The way people
Speaker 1: talk culture, the Internet doesn't have a culture. The Internet
Speaker 1: is mainstream.
Speaker 3: It's the Internet has no channels essentially. So as much
Speaker 3: as the Internet, you could look at it and in
Speaker 3: theory think, oh, the Internet has no walls. It's a
Speaker 3: landscape that you know, you can. It's also a landscape
Speaker 3: that lends itself to people congregating into like iopic ecosystems.
Speaker 3: You know, that's and that's very true. Like ideologically people
Speaker 3: people think the same way. They block everyone that disagrees
Speaker 3: with them, and they congregate to everyone that thinks like them.
Speaker 1: Sure, so you miss out on the experience anyway, which
Speaker 1: means you scary to go outside because that shit is outside.
Speaker 1: Shout out to lux Dirty. I remember g Malone and
Speaker 1: me having an hour long conversation about why Drake is
Speaker 1: popping not hip hop. I remember that conversation tracks that
Speaker 1: was a really and it's funny because people think that
Speaker 1: like I hate him versus really that this is just
Speaker 1: my simple stance, Like it's just.
Speaker 2: Not it's that.
Speaker 1: Don't mean he's not fantastic or dope. It's just crazy
Speaker 1: that people confuse it too, like, oh, it's because I
Speaker 1: don't like you, like that don't matter if people in
Speaker 1: hip hop I can't that don't make music half as
Speaker 1: good as Drake. Like, it's so many people in hip
Speaker 1: hop that are nowhere near a great at making records
Speaker 1: or culturally, you know, prevaying you know what they should
Speaker 1: that I don't enjoy in hip hop itself, you know
Speaker 1: what I mean?
Speaker 3: And I guarantee you somewhere and not somewhere small either,
Speaker 3: I just don't go there. That there is this same
Speaker 3: exact conversation happening about some mammoth of a country artist
Speaker 3: that everybody who's a purist thinks, well, they're not country,
Speaker 3: they're pomp.
Speaker 2: I promise you that it is happening. Shout out to BAM.
Speaker 1: I was a middle schooler in Chicago, obsessed with West
Speaker 1: Coast music.
Speaker 2: I thought everyone was a crip over there. Bam.
Speaker 1: I don't know what is the bridge between Chicago and
Speaker 1: the West, you know, especially southern.
Speaker 3: California's goddamn pea stones.
Speaker 1: But some reason there's a serious bridge that we get
Speaker 1: each other because I feel the same way about Do
Speaker 1: or Die. I feel the way. I don't know why,
Speaker 1: but we get it. You feel me.
Speaker 3: They're not simping heavy over there.
Speaker 2: Yeah, and they players.
Speaker 1: But but again this is my point though, Pete, No,
Speaker 1: and this is what I can't get. This is what
Speaker 1: I be on my homeboys at the community about problem,
Speaker 1: all my friends, Joey Duce, all my whole teams.
Speaker 2: The connection is culture. That's the thing.
Speaker 1: Like the Sonic was never the same, right, it could
Speaker 1: have been a little closer, maybe back in the nineties,
Speaker 1: because everybody was that far removed from Leon Haywood, you know,
Speaker 1: the whole country, the whole Black America was twenty years removed,
Speaker 1: fifteen years removed from Leon Haywoods. I want to do
Speaker 1: something freaky, right, and then Doctor dra comes out, Right,
Speaker 1: Doctor Drake comes out and he makes g thing with
Speaker 1: Snoop dogg off of this black classic across the country.
Speaker 2: So maybe we did share that.
Speaker 1: In common versus now where hip hop is starting to
Speaker 1: create on his own.
Speaker 2: And that's actually a great point.
Speaker 1: Damn, I just had a crazy epiphany, bro, this is
Speaker 1: a great point. Well, in the nineties, right when, Damn,
Speaker 1: that's actually brilliant. Cuz so in the nineties when West
Speaker 1: Coast hip hop started to take off right and become
Speaker 1: this dominant presence in hip hop, right, we had our moment.
Speaker 1: Remember Dre and Them was sampling records from ten to
Speaker 1: twenty years ago. But these records were considered black classics. Sure,
Speaker 1: black classics, right, Leon Haywood, I want to do something freaky, right,
Speaker 1: that's the sample for g thing.
Speaker 2: Right. But every black person because we didn't have a
Speaker 2: ton of music in the seventies.
Speaker 3: That's why that one Pas song of was It a
Speaker 3: Million or whatever the hell that hit. It's the principle.
Speaker 3: It's not my favorite song. It's not the best song
Speaker 3: he's ever done in my opinion at all, but it's
Speaker 3: the one that hit the most.
Speaker 2: But but.
Speaker 1: Every black person in the in the it didn't matter
Speaker 1: if you were in Chicago, it didn't matter if you
Speaker 1: were in New York, if you didn't, it didn't matter
Speaker 1: if you was in Florida, Atlanta. They all played Funkadelic,
Speaker 1: they all played Leon Haywood, they all played all of
Speaker 1: this stuff, you know what I mean. They played this
Speaker 1: music all the black people. So when Dre and them sonically,
Speaker 1: there was a closer bridge, there was a closer bridge.
Speaker 1: And I think the West benefit is if they realized
Speaker 1: that there are black songs that do come from the
Speaker 1: two thousands that are black classic songs amongst the whole country. Yeah,
Speaker 1: what I think hip hop is doing, especially West Coast
Speaker 1: hip hop. And I'll be the first person to say this,
Speaker 1: if if I do have a critigue on the music
Speaker 1: side of our artistic expression of street urban culture, we are.
Speaker 2: Corrupt. We can freak.
Speaker 1: It is a West Coast classic that's not a Black
Speaker 1: classic around the country on the underground level, that's a
Speaker 1: West Coast classic, right And oh, this goes to the
Speaker 1: point I've been telling Joey. I've been telling Joey, I'm
Speaker 1: trying to get away with not sampling rap songs. I
Speaker 1: think hip hop is really hurting itself by sampling rap songs.
Speaker 1: Right now, there are some rap songs you can sample,
Speaker 1: but I think we're really hurting ourselves by kind of
Speaker 1: taking this great idea that we made off of great
Speaker 1: ideas and then sampling that. It's like making a gourmet
Speaker 1: meal out of a top ramen.
Speaker 3: It's it's multiplicity. The remember the movie with the guy
Speaker 3: who played Batman, Yeah, where they have the original guy
Speaker 3: and he clones himself. He wanted to go to work
Speaker 3: and be a dad. And then they cloned the clone,
Speaker 3: and they cloned the clone, and they cloned the clone,
Speaker 3: and then like the like number five was half retarded.
Speaker 2: Damn.
Speaker 3: What was the name of that guy? Keaton? Michael Keaton
Speaker 3: played in the movie stupid movie. But it's but it's
Speaker 3: a fair point. If you copy a copy and copy
Speaker 3: a copy of a copy, and the same thing's true
Speaker 3: with like like a photo copy, if you take the
Speaker 3: original picture, you copy that less quality quad copy that copy,
Speaker 3: that copy, that cop of that, et cetera.
Speaker 2: No, but think about it, bro, that's what's wrong. That's
Speaker 2: what's being lost on the West.
Speaker 3: And that's that's kind of true.
Speaker 1: I'm gonna tell you why, because a California classic can
Speaker 1: be a gold album, you know what I mean, a
Speaker 1: gold single and never have to get passed, never has it,
Speaker 1: never has to get to any other culture.
Speaker 2: Yeah, I was gonna say that. I was thinking about
Speaker 2: that Saturday.
Speaker 3: I was like, you can make insular West coast marketplace music,
Speaker 3: and it could. It's just great, and no one gives
Speaker 3: a shit east of Gilbert, Arizona.
Speaker 2: Right and and or past New Mexico.
Speaker 1: And I'm and I'm realizing what fusion and in the sonics, right,
Speaker 1: it's not the sonics because we all use the same
Speaker 1: sounds across the country. But I think that's the difference
Speaker 1: with Doctor Dre, Snoop Q. They were using black classics
Speaker 1: around the whole country, so the country were more accepting
Speaker 1: of the melody in what they were doing their rap
Speaker 1: music over. And then at that point it just became
Speaker 1: the words.
Speaker 2: You know.
Speaker 3: Yes, Djscrew wasn't just slowing shit down. He was making
Speaker 3: the beats and they were rapping over. But all the
Speaker 3: songs that hit like pre Little Flip Platinum, like ninety
Speaker 3: nine and one, those were all R and B classic songs,
Speaker 3: and they wrapped over them and they were fine, and
Speaker 3: then they stowed them down and it became super fine.
Speaker 3: But they were all commisons.
Speaker 1: Barcel, Yes, I mean Motown gets the same slack that
Speaker 1: dtor Drake gets, right, because Doctor Dre took urban classics
Speaker 1: and added kind of string leads to them, using a
Speaker 1: mood keyboard right a lead. And he does take criticism
Speaker 1: for his sound being popped because that is what pop is.
Speaker 1: It feels a sonic lane for the buying population past us.
Speaker 1: That's the same argument that people have when it comes
Speaker 1: to Stax records and Motown records. Motown records had these
Speaker 1: big string sections and Stax records out of Tennessee just
Speaker 1: played the groove.
Speaker 3: That's the separation and that's why I like it. This
Speaker 3: is probably a controversial take doctor Dre if he didn't
Speaker 3: have Snoop to really ring that street cultural element visually
Speaker 3: and also in the way he raps to those beats,
Speaker 3: if it was just Dre rapping over those beats or
Speaker 3: somebody else Dre. Oddly enough, because Drey was big before
Speaker 3: Snoop had a career like that, Chronologically speaking, Dre benefited
Speaker 3: from Snoop more than Snoop benefited from Dre in that regard.
Speaker 1: I always say, listen, I was at I was at.
Speaker 1: I didn't want to say it out loud, but I'm
Speaker 1: gonna make sure I get a dog. Dre needs dog. Yeah,
Speaker 1: Like at the cornerstone because he dirties up the cleanness
Speaker 1: of what doctor Dre does. Snoop is such a cultural
Speaker 1: phenomenon on his own. Bro Like the way even as
Speaker 1: an adult that he carries himself and he never took
Speaker 1: his hands off the culture says a lot about what
Speaker 1: he is when it comes to big hip hop artist,
Speaker 1: and culturally he's so accepted by still being the culture
Speaker 1: by mainstream America.
Speaker 2: It's almost unbelievable.
Speaker 3: I hear, here's a question you look at, like the
Speaker 3: three main individual acts that Dre did, Snoop Eminem fifty right,
Speaker 3: those be the biggest ones. Each of those three guys
Speaker 3: individually are earth shakers. Does if j Cole, if his
Speaker 3: career was, didn't have anything before a doctor? Does doctor
Speaker 3: Dre and Jake Cole work?
Speaker 2: No?
Speaker 3: No, I don't think so either.
Speaker 1: It's not seasoned enough for doctor Dre's plate. It's not
Speaker 1: seasoned enough for the plate of music he creates.
Speaker 3: Dre is a boneless, skinless chicken breast people eat more
Speaker 3: than any other facts, but you gotta put a lot
Speaker 3: of shit on it.
Speaker 1: And Snoop is when they fry it with a bunch
Speaker 1: of season Snoop.
Speaker 2: Is fried chicken red rooster.
Speaker 1: Yes, yes, yes, thanks, I agree.
Speaker 2: It's a great point. And Eminem is white rooster, kidd.
Speaker 1: Eminem is like, uh, what do white people do to
Speaker 1: their chicken that they all love?
Speaker 3: He's a vinaigrette based marinate.
Speaker 2: Is he just like pepper, Yeah, something like that.
Speaker 3: Or he's just he's just clean grilled chicken with some
Speaker 3: sort of vinaigrette sauce something like that.
Speaker 2: He's just pepper, yeah, And I love pepper and everybody loves.
Speaker 3: Pepper does well. Pepper does has done very well for itself.
Speaker 1: So so so Snoop is hot sauce for sure, he's
Speaker 1: red roofs for sure. M is just black pepper, and
Speaker 1: fifth is might be barbecue sauce. Probably is barbecue sauce
Speaker 1: for Dre's Sonic playing chicken breast, That's what it is.
Speaker 1: That's a great point.
Speaker 2: I thought.
Speaker 1: I thought that when I was listening to music, I'm like,
Speaker 1: this music is really clean. Dre is like such a
Speaker 1: dope ass nigga with Sonics. Bro, this nigga is incredible
Speaker 1: with this ship, but I think he.
Speaker 2: Can over clean it. Stoop is so fucking filthy that.
Speaker 1: It is like nigga, this is hot sauce like, it
Speaker 1: didn't even matter if it's no seasoning on this beat.
Speaker 3: It's gonna be hot no matter what.
Speaker 2: It's gonna have some flavor.
Speaker 1: Once you sprinkle that fucking snoop on that ship, that
Speaker 1: ship gonna turn into some shit.
Speaker 2: I agree.
Speaker 1: Shout out to dam How do you conserve a genre
Speaker 1: of music while still distributing to the masses for consumption?
Speaker 1: At at some point it's going to be watered down
Speaker 1: by mimics and posers, right, That's called pop music. It's
Speaker 1: supposed to be. But the difference is we know it's
Speaker 1: pop music.
Speaker 3: Damn's on a bit of a roll today.
Speaker 1: We're gonna get that Twitter though. Man, the motherfucker's on Twitter. Bro,
Speaker 1: they be sharp. You got the traditional trolls, but most
Speaker 1: of the people on Twitter twitters for smart people because
Speaker 1: there's no pictures most of the time.
Speaker 2: You have to read, So you know, niggas who don't
Speaker 2: like reading don't be on Twitter. Yeah.
Speaker 1: Yeah, And you know most people that's kind of like
Speaker 1: pride themselves in the level of ignorance reading you know, reading,
Speaker 1: I mean just reading.
Speaker 2: Yeah.
Speaker 3: I tried to make a comment that was sort of
Speaker 3: required thought on Instagram. I have been getting moronic responses
Speaker 3: to a comment about the California Water Project for three weeks.
Speaker 2: I'm crying, we need to weeks. You need to read something.
Speaker 3: I've read over a thousand pages about that.
Speaker 2: Shout out to Freddie mac glasses.
Speaker 1: I heard you say you planning on getting some movies
Speaker 1: going on the community with a good movie in the
Speaker 1: West Coast soundtrack.
Speaker 2: The sound is undeniable.
Speaker 1: Yes, Look, and I heard y'all talking about that right
Speaker 1: the film again. I tell y'all all the time, most
Speaker 1: of the understanding you have on street urban culture in
Speaker 1: Los Angeles is because we have Hollywood showcasing us, right,
Speaker 1: So you get the cultural lessons and then you got
Speaker 1: the music after you got Dope Boy. You didn't get
Speaker 1: Doe Boy as a rapper intil Snoop came out, right,
Speaker 1: That's what you got.
Speaker 3: A great movie concepts that a modern day version of
Speaker 3: Above the Rim, but set to California high school football
Speaker 3: and call it nil because now you've got so much
Speaker 3: corruption with the handlers and the agents poaching on these
Speaker 3: sixteen year olds from the hood, trying to get you know,
Speaker 3: their money, find their college da da almost kind of
Speaker 3: a combination of He Got Game and Above the Rim
Speaker 3: set in LA with the La West Coast soundtracks.
Speaker 2: Shout out the Squishy. They don't wash the chicken. I
Speaker 2: tell you that.
Speaker 1: Yeah, they definitely chicken, But chicken ain't gotta be washing.
Speaker 1: I don't know what black people's fear of.
Speaker 3: Yeah, you're cooking it. I mean you can't wash it
Speaker 3: anywhere thoroughly than putting it over fire.
Speaker 2: Yeah.
Speaker 1: Yeah, Black people have this fear of salmonella and you like,
Speaker 1: I've never met anybody in my life who had salmonella poisoning.
Speaker 3: I feel like, oh, that's a colon. Never mind. I
Speaker 3: was like a lot of the shit that comes off
Speaker 3: of like letters and shit.
Speaker 1: Yeah, shout out the band once again for the Twitter honesty.
Speaker 1: I just be watching and listening. Your points are articulating
Speaker 1: where I feel like I can give some pushback. But
Speaker 1: I love the level of intellectual honesty. And that's the
Speaker 1: point that could come over anytime he wants Yeah you
Speaker 1: good money, bro, Because honestly, I say this, when I speak,
Speaker 1: it don't matter which platform. When I go on Bradfist Club,
Speaker 1: everything is with good faith. Like I'm not trolling ever,
Speaker 1: Like these are things that I've read, and I study,
Speaker 1: and I have a I formulated an opinion. It don't
Speaker 1: make me correct, like I'm not always I'm sure there's
Speaker 1: some things that I need more information on, but I
Speaker 1: also did work and everything I'm saying is out of
Speaker 1: good faith. It's not like I'm trying to guide people
Speaker 1: into into anything that I believe. I'm just giving you
Speaker 1: my thought, right. That's the point of social media is
Speaker 1: to share thoughts with other people and and push your intellect.
Speaker 2: And gain more information. Shout out to Adam A. R.
Speaker 1: Bruce if you're making movies lasses, please complete Monster Cody's project.
Speaker 1: Please don't play his new African Nationalism. Were talking about
Speaker 1: doing a Cody movie too. That's crazy you're saying that.
Speaker 1: We were talking about trying to get our hands on it,
Speaker 1: and some following me on Instagram. So I've been thinking
Speaker 1: about getting my hands on the Cody film for a while.
Speaker 2: I think that's a movie that people need to see.
Speaker 1: But again, it's like back to the West Coast point
Speaker 1: and and me saying that it's like, no, I like
Speaker 1: all my hip hop. I love all my hip hop
Speaker 1: bro like very culturally true, Like I don't want to
Speaker 1: like don't get me wrong. Listen, I enjoy, but I
Speaker 1: enjoy excuse me, jay Z's album Rock Lie Familiar.
Speaker 2: Right, I could tell he made that for the West Coast. Right.
Speaker 1: I enjoy Snoop's first album with No Limit, where he
Speaker 1: went and made an album for the South.
Speaker 2: Right.
Speaker 1: I enjoyed jay Z's Rock Life Familia that he made
Speaker 1: for the West. I enjoy when people, when bigger artists
Speaker 1: take time and they make music for other regions, you know,
Speaker 1: over other regions idea. But again, that's not the cornerstone
Speaker 1: of what makes those artists great. Hip Hop is culture.
Speaker 1: Back to that film idea, right, hip hop is culture.
Speaker 1: That's it leads with culture before music. So that's why
Speaker 1: the films helped Southern California and northern California so well,
Speaker 1: because they told you about our culture, and then the
Speaker 1: artists come and voice the characters from the culture.
Speaker 2: That's it.
Speaker 1: But there is more work to be done with the
Speaker 1: music and the difference in a Doctor dre and how
Speaker 1: that was able to work with Snoop Cube and all
Speaker 1: of those stuff back then versus now where we have
Speaker 1: the benefit of thirty to forty years of West Coast
Speaker 1: hip hop that we're leaning on. But then some of
Speaker 1: the ideas, right, never had to pass New Mexico, never
Speaker 1: had to pass Colorado, never had to pass Idaho. Right,
Speaker 1: they never had to pass these places for them to
Speaker 1: be Gold's success. So it's like there is work to
Speaker 1: be done with the music because you guys all all
Speaker 1: are aware of the culture of the West. Now, it
Speaker 1: was like the music has to come in and do damage. Now,
Speaker 1: the music has to come in and do damage, you
Speaker 1: know what I'm saying. And I'm this conversation. Not only
Speaker 1: did we share things with y'all that makes sense, but
Speaker 1: I really felt like I got something that's instrumental in
Speaker 1: the move you know what I mean of what needs
Speaker 1: to happen with music on the West. Right, it's dope,
Speaker 1: you know what I'm saying. So man, it's it's it's
Speaker 1: it's crazy, Pete. When I think about it, bro, what's their.
Speaker 4: Take, Like Like Early Too Short, Early E forty Click
Speaker 4: and all those guys they had a you know, from
Speaker 4: the age through in the nineties kind of that they
Speaker 4: had a sound that.
Speaker 3: Was you know, related to one another. It was very similar.
Speaker 3: And then you get Rick Rock and tracks a million
Speaker 3: other guys who really hit that new next that two
Speaker 3: point oho Hyphie kind of sound up in the Bay
Speaker 3: that did kind of go more national, but it was
Speaker 3: a pretty distinguished break in sound from the previous kind
Speaker 3: of one point zero. What what's your take on that
Speaker 3: it's applicability to LA and theory or just any of
Speaker 3: it in general, you know what I mean. I don't
Speaker 3: see like it's another example like a West Coast city
Speaker 3: that that did have like a pivot sonically so to speak.
Speaker 1: So one, no, the music didn't go further. So like
Speaker 1: two short and E forty are still the cultural icon
Speaker 1: standards for the Bay Area, right, and their music was
Speaker 1: very much rooted in funk, you know. They they come
Speaker 1: from the home of confunction. Frankie, Beverly and Mace made
Speaker 1: their home there, so they kept it true to the
Speaker 1: music culture. Shut out the Spice one and all of
Speaker 1: those guys. Those are different type of icons and hip hop.
Speaker 1: I think I don't quite know. I definitely don't agree
Speaker 1: that the Hyphie sound was bigger than their sound. I'm
Speaker 1: not saying that's not what culture of Hyphi was more identifiable, sure,
Speaker 1: al quate.
Speaker 3: It similarly to like Scarface Houston versus UK screw et cetera.
Speaker 2: No, no Dallas and the detailed boogie when they had
Speaker 2: they runs. Yeah.
Speaker 1: Right, so it's like Houston's the scarface the screw sound
Speaker 1: versus Dallas and the boogie right where you could see
Speaker 1: the Dallas culture, the dougie, the way they were dancing.
Speaker 1: That's what you got when you got the Hyphie movement
Speaker 1: versus the traditional what we call the mob sound in
Speaker 1: the Bay Area, like mob funk. Right, So you can
Speaker 1: see it sooner you could see it with Fab. You
Speaker 1: could see the culture, you could see the way they move,
Speaker 1: you can see the cars. The culture itself really became
Speaker 1: really identifiable, you know what I mean. You could see
Speaker 1: it a mile away, and they started talking and all
Speaker 1: of that stuff. But I still think the original mob
Speaker 1: sound was, you know, create larger records and larger arg.
Speaker 3: I'm not comparing them. I'm just saying, like it's so
Speaker 3: far as like that, there was a distinction of two
Speaker 3: pretty like different types of feels. Yeah, I mean, like
Speaker 3: I think those guys, I don't know if they're I.
Speaker 1: Think I don't know if it's different as much as
Speaker 1: they got away from the base, But then they didn't
Speaker 1: really because Rick rock was still doing some stuff and
Speaker 1: some of the T shirt Blue Jean t shirts and
Speaker 1: nights is still a funk.
Speaker 2: Song like like Hi feel like like Federation. Yeah that's Rick.
Speaker 1: Rick is gonna make it because all of that stuff
Speaker 1: was funky too is when it got the tracks and
Speaker 1: all of them they weren't really funk.
Speaker 2: Man.
Speaker 1: Sure much love ep uh man. I'm glad you can't
Speaker 1: make sure you hear Wednesday man. Uh No, sellers lied
Speaker 1: to lunch hour every Monday, Wednesday and Friday at noon.
Speaker 1: I mean we're cooking, rounding it out. We're coming to
Speaker 1: an end. We did really good numbers again today. Thank
Speaker 1: you all for showing up or keep this thing going.
Speaker 3: Doctor Dre is going to hate my guts.
Speaker 2: He's not.
Speaker 1: Doctor Dre really prides him here. Dre really prides himself.
Speaker 1: He knows that he makes a really great product. Sure,
Speaker 1: and I don't think he's really worried about keeping it
Speaker 1: at this point.
Speaker 2: You feel me like.
Speaker 1: Maybe back in his day he cared, but DV on
Speaker 1: my ass about it, so I don't think he'd give
Speaker 1: a fuck. But I agree that he is a well
Speaker 1: prepared chicken breast and that's what he prepares musically right, That's.
Speaker 3: What I'll say, because I doubled down between the bowl
Speaker 3: of the Skiller's chicken breast and then then the chronic
Speaker 3: inflammation joke from last week.
Speaker 1: But I like, I like doctor Dre prepares well, you know,
Speaker 1: well prepared chicken breast, perfect temperature yea. And Snoop is
Speaker 1: just red rooster hot sauce. Eminem is pepper and fifty
Speaker 1: is barbecue sauce.
Speaker 2: I like that.
Speaker 1: And that's why right now, because Eminem, even the Eminem
Speaker 1: Doctor Dre record it was good. Obviously it's correct. Let's
Speaker 1: i'll use that term. It's done correctly. Like Eminem is
Speaker 1: like I can't I wrap that motherfucker. That motherfucker nice,
Speaker 1: you know, But again I think he doesn't have this.
Speaker 2: His pepper is smaller.
Speaker 1: It used to be coarse, like Eminem used to have
Speaker 1: a coarse black pepper, like big likes of pepper, so
Speaker 1: when you would eat it, you'd be like, god, damn,
Speaker 1: this motherfucker is seasoned versus now where he's like the shillings.
Speaker 2: And it's not as seasoned like it's like it's kind
Speaker 2: of like white pepper.
Speaker 3: Oddly enough, it's like white.
Speaker 1: Pepper enough oddly enough, right, and it's it's not coarse anymore.
Speaker 1: Prime eminem is coarse black pepper. Course, it course pieces
Speaker 1: a black pepper. New eminem is like rantulated black pepper,
Speaker 1: Like it's just on there, you feel me.
Speaker 2: And but again it is fifty.
Speaker 1: He got kids, grew up, you know, he fifty rich
Speaker 1: lord knows the type of shit he probably go through.
Speaker 1: I don't even want to get into when people start
Speaker 1: losing their thorns to some degree as far as feeling
Speaker 1: like they can challenge the status quot, I don't think
Speaker 1: that's where he's at anymore. I think he is the
Speaker 1: status quo, So I don't know if it makes sense
Speaker 1: for him to challenge it. Sure, and fifty I heard
Speaker 1: the fifty cent Snoop and Dre record, fifty and Snoop record,
Speaker 1: and he's still barbecue sauce.
Speaker 3: He's on the new one.
Speaker 1: Yeah, he going crazy and he's barbarous. He is that motherfucker.
Speaker 1: And fifty is just a salty nigga man. He's labor
Speaker 1: like him up to a point. Will time be like god,
Speaker 1: damn fifth fucking shit not.
Speaker 3: To be not to be repeated in front of However,
Speaker 3: many audiences are listening to this, I was silently that
Speaker 3: that's three thousand zips lips, But no, Malcolm wanted my
Speaker 3: take on something and I was on a call with
Speaker 3: him in fifties. This is a couple of years.
Speaker 2: This is a long time.
Speaker 3: But uh, fifty was just spitting wisdom the way he
Speaker 3: does it on his call talking to malcol about a
Speaker 3: B C, D F G within their you know, the
Speaker 3: film industry and whatnot. That that that dude is a phenom.
Speaker 3: That guy's a fucking monster. He's like, you gotta be
Speaker 3: kidding me. He's another cultural icon. That's like, fifty is
Speaker 3: like ship man. He get it, bro, Like you realized
Speaker 3: there's no idiot bumpkins that go diamond. Yeah sorry sorry.
Speaker 1: Fifty is gross nasty with this ship man and he
Speaker 1: know it like that that I look up to a
Speaker 1: lot of stuff fifty cent does, like Snoop and Iced Tea.
Speaker 2: Certain people to me who really stay coaching.
Speaker 3: Accident.
Speaker 1: Yeah yeah, like and and and the world had to
Speaker 1: accept him for who he is, like you know what
Speaker 1: I mean.
Speaker 2: Shout out to Freddie Mack.
Speaker 1: Do you think Joe Budden is hip hop from the
Speaker 1: outside of animal standpoint or do you see him as
Speaker 1: a reliable hip hop pui as that played the game.
Speaker 2: Me.
Speaker 1: Can't nobody argue that Joe Budden. Joe Budden is a
Speaker 1: hip hop dude like that. That's not even a thought.
Speaker 1: That motherfucker like love is shit. He loves it to
Speaker 1: a fucking fault.
Speaker 3: Joe Budden's almost so hip hop that he manipulates the
Speaker 3: definition of hip hop.
Speaker 2: Yeah, Joe is just a different breed. He's you know
Speaker 2: what I mean.
Speaker 1: I guess I could see why people don't think he
Speaker 1: comes across street.
Speaker 2: But he is very much a hip hop guy, you
Speaker 2: know what I mean. He's just a different kind of
Speaker 2: dude that is coming through. But he is. He know
Speaker 2: this shit like the back of his hand, you know
Speaker 2: what I mean. That motherfucker know his shit. Joe, just
Speaker 2: you know what.
Speaker 1: That real story before we get out of here, Before
Speaker 1: we get out here, real story. I'm gonna tell you
Speaker 1: the three things my experiences with Joe Budden, and this
Speaker 1: is the kind of nigga Joe is right. Three things,
Speaker 1: three time markers with Joe Buddens. I could write a
Speaker 1: song about this. I may turn this into a song
Speaker 1: called Fucking with Joe Budens. The first time I ever
Speaker 1: heard Joe Budens know who I was. He was doing
Speaker 1: an interview on a satellite radio station, and he was
Speaker 1: complaining that he felt the industry wasn't rewarding the best talent,
Speaker 1: right as far as lyricists, because Joe is a guy
Speaker 1: that's heavy on lyricism, and he fucked with records, but
Speaker 1: he is more of a lyricism. He's one of those
Speaker 1: guys in the hip hop front that's like, nigga, fuck
Speaker 1: all that.
Speaker 2: It's about the shit you're saying, right, that's Joe. Right.
Speaker 2: So he's on a radio interview.
Speaker 1: He was like, yeah, I've been trying to get a
Speaker 1: song with Acon for years now, there's been two years.
Speaker 1: And then I listened on the radio he has a
Speaker 1: song with this guy Glasses Malone. Who the fuck is
Speaker 1: a Glasses Malone? So that's the first time I heard
Speaker 1: Joe know who I was.
Speaker 3: I was saying that at three or four today.
Speaker 2: Right, who the fuck is a Glasses Malone?
Speaker 1: And I remember thinking like, yeah, we're finna get his that,
Speaker 1: We're finna beat him up, right. So I called my
Speaker 1: people at the airport, right because I knew he's coming
Speaker 1: through Lax often, so I'm like, yeah, hey, next time
Speaker 1: Joe Budden's come, you tell me we're gonna pull up there.
Speaker 2: We're gonna mop cuz up at the airport.
Speaker 1: So I had to set up even when he came
Speaker 1: right so we was pushing, were just going to the airport.
Speaker 1: We're finna put this nigga in the hospital because we like, yeah,
Speaker 1: you finna, You're finna meet the low firsthand today.
Speaker 2: Here's your day because you finna see why a con
Speaker 2: fuck with me.
Speaker 3: I wish that story happened right, so we.
Speaker 1: Feel the mop cuz up bad. I mean, I got
Speaker 1: my I got my crew too. That's like wrecords. I'm
Speaker 1: with my niggas. That's real wreck. This is my homeboys
Speaker 1: that we wrecked. Shot like hospital. You're going like Joe
Speaker 1: was gonna be in the hospital bad, like there was
Speaker 1: nothing he could do. I don't care who he came
Speaker 1: with hospital because if it was any extra people, they'd
Speaker 1: probably been in the more.
Speaker 2: Because this is gangbanger glasses. I'm being honest, and you
Speaker 2: know they just got our security anyway.
Speaker 1: This is two thousand and seven eight glasses. This is
Speaker 1: gang member glasses. This is not hip hop. I love genre.
Speaker 1: Gotta squabble you up. No, this is like glasses. You
Speaker 1: play with my reputation like gang bangers, and I'm gonna
Speaker 1: show you why you shouldn't. So Will's gonna put Joe
Speaker 1: in the hospital, straight up. I swear to God that
Speaker 1: was the task.
Speaker 2: It was all on.
Speaker 1: Everybody was happy about it, you know about it, like
Speaker 1: we're gonna suck us over. So we're driving to the
Speaker 1: airport and I told Fab, mister Fab in the Bay Area.
Speaker 2: I said, oh, yeah, we're finna go beat up Joe Budden.
Speaker 2: He's like why.
Speaker 1: I'm like, man, that nigga said my name at this
Speaker 1: radio station. So and Homy, we finna tackle Cousin, put
Speaker 1: him in the hospital. That's how we talk, like when
Speaker 1: we gat like Cousin hospital. So we driving over there.
Speaker 1: I get off the phone with him to Fab it huh,
Speaker 1: just fable it. Fab called Royce the five nine, and
Speaker 1: Royce was somebody who I fuck with. I'd already talked
Speaker 1: to Royce and I fuck with Fab. They called me
Speaker 1: on three Way and Royce and Joe were friends, and
Speaker 1: he started to appeal to me about like, man, gee,
Speaker 1: this dude just be talking. He don't be knowing who
Speaker 1: he talking about that. I'm like, I'm listening to him,
Speaker 1: but in my mind, I'm like, yeah, I'm Finela gonna
Speaker 1: put this nigga the hospital, like glasses. Look, man, I
Speaker 1: know you knew in the business, but if you fuck
Speaker 1: with me, man, please don't hurt this nigga. And I
Speaker 1: knew I liked hip hop, and I knew I like Royce.
Speaker 1: I knew I fucked with Rays to fire him. To
Speaker 1: this day, Hey, I fucked with Royce the five nine,
Speaker 1: and I remember just thinking.
Speaker 2: Like fuck man, like damn, man like and.
Speaker 1: I remember telling my homeboys, like just turn around, bro.
Speaker 1: He like why, man, just turn around. So we go
Speaker 1: back to the seven and Royce puts me on the
Speaker 1: phone with Joe probably like two hours later. He like, man, Royce,
Speaker 1: them dudes was He tells Joe them dudes was coming
Speaker 1: up there to hurt you. And I'm like, So we talked,
Speaker 1: and at that point, me and Joe, you know, had
Speaker 1: a relationship, like a good relationship for the most part,
Speaker 1: because Joe is one of them kind of people. He
Speaker 1: just a different kind of dude. So that was the
Speaker 1: first time me and Joe had an interaction.
Speaker 2: Royce is not podcast. It's to go.
Speaker 3: I gotta go to lunch and really understand why he
Speaker 3: ruined such a great story for me.
Speaker 1: We're gonna bring Royce here second time that Joe Buddens
Speaker 1: fucked up my life.
Speaker 2: This this is the three times Joe Budden fucked up
Speaker 2: my life.
Speaker 3: So we got a versus yeah, a versus story for the.
Speaker 1: Second time Joe Buddens fucked up my life. Joe Buddens
Speaker 1: in twenty eleven understood what podcasting and live streaming was
Speaker 1: in two thy eleven. That's how long this motherfucking hip
Speaker 1: hop intellect. Giant ass nigga got this shit. He been
Speaker 1: fucking with this ship for a long time because he
Speaker 1: no like that nigga act crazy. He not stupid, bro,
Speaker 1: This nigga sharp. So we're on his tour bus. I'm
Speaker 1: on tour with Tech nine, h Jay Rock, Kendrick forty
Speaker 1: and what was name of the group, Crooked.
Speaker 2: Royce, Joe l and Joe Slaughterhouse. We all on tour together.
Speaker 1: So I go on Joe bus, right, I go on
Speaker 1: the Slaughterhouse bus. I'm hollering at Joe, like I sit down,
Speaker 1: I'm popping it with Joe. I'm like, yeah, Joe was
Speaker 1: saying it out. He got his laptop in front of him.
Speaker 2: He was talking, but he put his laptop down.
Speaker 3: Oh you mentioned something about that before, so he put
Speaker 3: his laptop down.
Speaker 2: This is fucking with Joe, Bro.
Speaker 1: Joe Buddens has like fuck somehow fucked with my life
Speaker 1: multiple times, not on purpose, but fucking Joe being Joe.
Speaker 3: Can we get on his show?
Speaker 2: Yes we can?
Speaker 1: Yes, so Joe, So I pulled it. Joe pulls a
Speaker 1: laptop down halfway. Mind you, I never heard of live
Speaker 1: streaming or podcasting, so I don't know what he's doing,
Speaker 1: but to some degree he's live vloggie, which became live streaming,
Speaker 1: which is what we're doing fourteen years later. This is
Speaker 1: how ahead of the cart this crazy motherfucker wasn So
Speaker 1: we popping it whatever.
Speaker 3: It's like wearing a wire in entertainment.
Speaker 2: Right, so wep it up? Right? He like? He like, man,
Speaker 2: I'm like, man, why you wan wu tang so hard?
Speaker 3: Bro?
Speaker 2: Like you tripping?
Speaker 3: Bro?
Speaker 1: I heard like them niggas is some street like yeah gee,
Speaker 1: but them niggas let me damn like it disappointed me
Speaker 1: and thought out out. When I met I think he
Speaker 1: said he was either Ray or somebody he met that
Speaker 1: disappointed him.
Speaker 2: He like, you don't know what that shit feel like.
Speaker 2: Mind you, He is streaming now. I don't know he's streaming,
Speaker 2: but he is streaming, so his computer halfway down.
Speaker 1: So I'm just talking to Joe because I'm sitting across
Speaker 1: from him on a tour bus cuz at the table
Speaker 1: popping it. I said, yeah, I do know what it
Speaker 1: feels like. I said, that's like the first time when
Speaker 1: I met Ice QB and I wanted him to come
Speaker 1: out and meet all my og homies from my neighborhood
Speaker 1: and Mona Park, and he was scared to come out
Speaker 1: and talk to them, and I explained the story to him.
Speaker 1: Mind you, he's live streaming back then in front of
Speaker 1: probably a thousand people. Ye, a thousand people. I don't
Speaker 1: know because his computer screen is halfway down. Nor do
Speaker 1: I know, because I don't even know what the fuck
Speaker 1: live streaming is in twenty ten eleven. I don't even
Speaker 1: know what that is.
Speaker 3: Live streaming in twenty eleven to me was peeing standing up.
Speaker 1: Yeah, that's like, what the fuck is going on? So
Speaker 1: he's streaming and I'm telling him the story, right, I'm like, yeah,
Speaker 1: so you know, like I thought the world of Cube
Speaker 1: and this situation happened, and I was like, damn, like,
Speaker 1: ice Cube ain't the predator like I thought he was.
Speaker 2: You know what I'm saying. So I tell him the
Speaker 2: story to bond would.
Speaker 1: Cuz yeah, he does not ever tell me he's live streaming, right.
Speaker 1: So the next day I look online and people calling
Speaker 1: me like, hey man, why you get that Cube?
Speaker 2: And I'm like, how did I get that Cube?
Speaker 1: And I go look at the blogs and it's like
Speaker 1: all these stories Glasses said ice Cube was scared of
Speaker 1: something something, and I'm like, no, that's like, that's just
Speaker 1: like shortening condensed, bro. That don't take into account what
Speaker 1: I was saying, Like it's just being messy about something
Speaker 1: that I'm relating to a fellow brother of this shit about.
Speaker 1: Next thing I know, ice Cube is putting out dish
Speaker 1: records talking shit about me, like going crazy, and I'm like,
Speaker 1: what the fuck? Second time with Joe Budden, I was
Speaker 1: a second time fucking with Joe Budden where it was
Speaker 1: just like.
Speaker 5: Fuck man, I take it back. I don't want to
Speaker 5: go on Joe show anymore. I was scared, scared of
Speaker 5: scared show show.
Speaker 2: Man.
Speaker 1: I almost got into it with a nigga, another rapper
Speaker 1: over Joe.
Speaker 3: Butden's not another rapper ice Cube.
Speaker 2: No, that's different.
Speaker 1: I had to deal with I had to deal with
Speaker 1: a nigga practically, if I had an idol in hip hop.
Speaker 1: If I had an idol in hip hop, I don't
Speaker 1: have an idol with hip hop. The gods that I appreciate,
Speaker 1: I love is not I want to beat them like.
Speaker 1: Scarface is my guide, like because he got me through gangbanging,
Speaker 1: like culturally untouchable got me through gangbanging.
Speaker 2: So it's not like I idolized him. I want to
Speaker 2: be Scarfaced.
Speaker 1: He's like a pastor in my life that saved my
Speaker 1: soul from damnation. That's my relationship with Scarface music and
Speaker 1: Scarface the artists. He's my fucking pastor. That's how serious
Speaker 1: it is with Scarface. With Ice Cube, he's practically like
Speaker 1: my blackness, Like he structured my blackness. Like I felt
Speaker 1: like if the streets didn't teach me this and I
Speaker 1: to have this on my own. He is the person
Speaker 1: who structured my ability to still feel like I can
Speaker 1: be a black man but not take no shit from nobody.
Speaker 1: Don't come over here with that silly shit. So this
Speaker 1: nigga is my ego. Iron He has a new project
Speaker 1: I'll make sure y'all go stream. It's called Man Down.
Speaker 1: He has a single called Ego on there too. But
Speaker 1: ice Cube would be my ego if Scarface was my
Speaker 1: soul when it comes to like hip hop artists, ice
Speaker 1: Cube is my ego. He's the way I structure. Like
Speaker 1: what I feel like is riding wrong with being black?
Speaker 1: You feel me? And you know what I mean, like
Speaker 1: like being willing to deal with niggas in the streets.
Speaker 1: So to have somebody that you look up to, you know,
Speaker 1: in any capacity, like like fuck you think you Bobby
Speaker 1: Bouchet talking shit about your name? It's like what the fuck?
Speaker 2: You know what I'm saying?
Speaker 1: And like I don't know him to formulate a disc Yes,
Speaker 1: I've heard rumors, right, but I don't know cut. So
Speaker 1: I couldn't even diss him because it's like it's first off,
Speaker 1: it's ice Cube, Like what the fuck I look like
Speaker 1: this and somebody I bought all their records?
Speaker 2: How does that even make sense?
Speaker 3: And he's kind of like just in general space, like
Speaker 3: he's got good resume in battle rapping, Like I mean
Speaker 3: I never was aware that you were like a battle
Speaker 3: rapper type.
Speaker 1: Of even a fear of losing. I didn't even know
Speaker 1: what to write about. It would have been all disingenuous.
Speaker 2: I love ice Cube. Yeah, even when we squashed.
Speaker 1: Ship, I'm like, this shit is crazy because I love
Speaker 1: you the fuck I look like trying to battle. I
Speaker 1: couldn't even work myself up to get mad. The best
Speaker 1: thing I could have worked myself up to do was
Speaker 1: the squabble.
Speaker 3: Cuz have you ever done?
Speaker 4: No?
Speaker 3: I ask, I said, you've never done a battle rap
Speaker 3: kind of track on anything or anything?
Speaker 1: I mean no, no, I never, But that's not my fear,
Speaker 1: like I am yet, I was just curious.
Speaker 2: No, no, yeah, like.
Speaker 1: That opportunity, but I'm not rapping against fucking ice Cue
Speaker 1: the fuck. Like half of the reason like I wrapped
Speaker 1: the way I raped is because of fucking ice Cube.
Speaker 1: But this is fucking with Joe Buddens. This fucking with
Speaker 1: Joe Budden. Fucking Joe Budden. Man, what's number three? No,
Speaker 1: this is number two? The third time is I was
Speaker 1: finna squabble somebody because they was tripping on Joe.
Speaker 3: Well that yeah, it's only matter time before that happens.
Speaker 2: So a lot of times.
Speaker 1: Even with this last press run, I wanted to go
Speaker 1: to Joe Budden's show, but sometimes I'd be like, you
Speaker 1: know what, every time I fuck with.
Speaker 2: This crazy nigga, it's always some shit.
Speaker 1: Yeah, every time I fuck with this crazy nigga, it's
Speaker 1: always some shit.
Speaker 2: Every single time, some shit happened.
Speaker 1: I remember I was somewhere, No, it was a show
Speaker 1: out there in the audi in Sam Bernardino. It was
Speaker 1: for like one, it was a big show and he
Speaker 1: had just got into it with Woo.
Speaker 2: Tang like they had jumped on it. Oh shit, And it.
Speaker 3: Was off of a conversation you had on the bus.
Speaker 1: Like I'm like crooked right there, so crooked getting guns
Speaker 1: and I gotta get my gun. I'm like, what the
Speaker 1: fuck is happening? And it's fucking Joe, Like Joe always
Speaker 1: got some shit going on. Man, it's always some shit,
Speaker 1: you know what I'm saying. And it's like I fuck
Speaker 1: with him because he's an intellect and he know his
Speaker 1: hip hop shit and the nigga just a mental monster
Speaker 1: cut but he also is like slap.
Speaker 2: Rock in my life. Every time I fuck with him,
Speaker 2: I end up in some shit yeah, every time, dude.
Speaker 3: Honestly, if I had a platform with the reach that
Speaker 3: he had, that would be me all day every Thursday.
Speaker 3: What's the Fuck's all your boy?
Speaker 2: And I'll be getting a call.
Speaker 3: Yeah, I know, I did it again.
Speaker 2: Fucking Joe Man, that nigga Joe Bro. Joe just be
Speaker 2: having some shit going all the time. Joe just be
Speaker 2: having shit just.
Speaker 1: Going cuz And it's like I want to fuck with
Speaker 1: him more. I but it's like, you know, and I
Speaker 1: don't think he really care. But it's just like what,
Speaker 1: I don't even need no extra drama in my life
Speaker 1: because we gonna sit down and have an honest conversation
Speaker 1: and he gonna push me, and I'm gonna be honest
Speaker 1: and I'm gonna say whatever I think about whatever it is,
Speaker 1: and it's gonna always end up being some ship with
Speaker 1: somebody else.
Speaker 3: And I don't know secret but like, and I don't
Speaker 3: want to press this on him because I really don't
Speaker 3: know at all. But there are certain people who conversationally
Speaker 3: don't say a thing that that's how they really think.
Speaker 3: They say a thing that they know is gonna make
Speaker 3: you say a thing, you know what I mean, Like
Speaker 3: you talk about good faith. I hate stumbling into a
Speaker 3: not good faith conversation. That's man to get me to
Speaker 3: say some shit. You're just trying to provoke me. It's like, look,
Speaker 3: if we haven't like and you want me to do
Speaker 3: that back to you, I can do that back to you.
Speaker 3: But that's not what we're doing here.
Speaker 2: On Olivia Soul, bro, my mother's soul. That's not him.
Speaker 1: He don't push you, but he just connects with you
Speaker 1: in this human way that allows you to be vulnerable.
Speaker 1: But usually the vulnerability is gonna come with some shit.
Speaker 3: He's like the Howard Stern.
Speaker 2: Of hip hop. There you go.
Speaker 1: I'm with that. That's who the fuck he is. Yeah,
Speaker 1: that motherfucker is like that. Just always some shit. I'm
Speaker 1: always some shit fucking with Joe Man every time, Like
Speaker 1: damn cuz s nigga always got some shit going on. Like,
Speaker 1: and I do consider Joe like some level of conrad.
Speaker 1: Like if somebody was doing something to Joe, like I
Speaker 1: would feel compelled to probably shoot the people that jumping me,
Speaker 1: you know what I'm saying, Like I'd be compelled to
Speaker 1: get niggas off his ass because I like Joe, you
Speaker 1: know what I'm saying so I'd be compelled, like the
Speaker 1: street in me would be like, man, don't let the
Speaker 1: niggas do this shit to Joe Cuz, like you know
Speaker 1: what I'm saying, don't let the niggas do this shit
Speaker 1: to Joe, bro, Like that's right. But it's like Joe
Speaker 1: is like one of them niggas. If he was my friend,
Speaker 1: I probably would already be in jail for murder, Like
Speaker 1: if we were truly friends, I'd already had to murder
Speaker 1: somebody cuz because.
Speaker 2: That nigga just got some shit going on all the time.
Speaker 3: To be a like a space ethically where it's like, look,
Speaker 3: anyone attack you, I'll shoot him, but I have to
Speaker 3: let them hit you in the face three times necessary.
Speaker 2: I wouldn't even let.
Speaker 1: I like Joe enough, like I feel like we our
Speaker 1: camaraderie is well enough to where I wouldn't let nothing,
Speaker 1: you know what I mean, happened like I couldn't feel
Speaker 1: good about it, like it would bother me because I
Speaker 1: just genuinely think he's a decent person. I do think
Speaker 1: he do some shit, but he alright, dude, ya you're
Speaker 1: a decent guy. He just I don't know, man, I
Speaker 1: think the nigga just crazy as something, you know what
Speaker 1: I mean, Like.
Speaker 2: He just because whereas like if we were really.
Speaker 1: Friends hanging tough, I'd already been pop somebody over because
Speaker 1: I ain't don't even lie because he just don't have
Speaker 1: some shit going. And you know, you know how it
Speaker 1: is you be friends with somebody else, you know what
Speaker 1: I mean, and you just find yourself no having to
Speaker 1: stand up for that motherfucker.
Speaker 3: No, I mean, I know a guy who is really
Speaker 3: smart and and and says like the honest thing that
Speaker 3: people either don't think or don't think to say, or
Speaker 3: don't want to think to say. And people think that
Speaker 3: sometimes he's just a troll, but he's just a very
Speaker 3: thoughtful guy who has to curse just say the honest
Speaker 3: thing that needs to be sent. No guy just like that.
Speaker 1: That's how we go in No Sentils lunch hour. Shout
Speaker 1: out to DT Joe's that hold me on dope. But
Speaker 1: you he might be because he for sure be a
Speaker 1: shit and you just love him because I can't. I
Speaker 1: can't let you do the homie like that. Bro just
Speaker 1: ain't gonna happen. Cuse, like you know what I mean,
Speaker 1: Jos's and shit, No Selings Live Lunch Hour. Click the
Speaker 1: thumbs up shout out the detailer. I got you, bro,
Speaker 1: I would tell more stories on the pot. It's been
Speaker 1: a journey, to say the least, and I'm finna really
Speaker 1: go crazy next year. Click the thumbs up button. No
Speaker 1: Ceilings Lunch Hour right here. Y'all gotta get back to work.
Speaker 1: I gotta go to the community. So if you still online,
Speaker 1: check that out. We're gonna do another podcast for y'all tomorrow,
Speaker 1: so y'all have fresh material for tomorrow. And again click
Speaker 1: that thumbs up button. No Selings Live the Lunch Hour Monday,
Speaker 1: Wednesday and Friday at noon Pacific Standard time. All this
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Speaker 1: your day. What's love of y'all? We back here Wednesday
Speaker 1: at twelve Pete, I love y'all see you in a minute,
Speaker 1: my boy. Good looking out for tuning in to the
Speaker 1: No Sellers Podcast. Please do us a favorite, subscribe, rate, comment,
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Speaker 1: West coast of the USA and produced by the Black
Speaker 1: Effect Podcast Network and Notheart Radio.
Speaker 2: Yeah