WEBVTT - Conversations About The Hate West Coast Hip Hop Gets

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealer's podcast with your host. Now fuck that with your

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<v Speaker 1>loaw glasses alone. By that time, that was an accident.

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<v Speaker 1>I didn't even mean to do it. It's like automatic

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<v Speaker 1>or something. I need to take it out every time

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<v Speaker 1>it's time to do it. Which talk about the damn countdown.

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<v Speaker 1>I didn't know the countdown that time, and it still

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<v Speaker 1>popped up, but I know where I need to go

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<v Speaker 1>to take it out.

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<v Speaker 2>You feel me, and I didn't take it out. I

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<v Speaker 2>didn't take it out.

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<v Speaker 3>I thought you were regionally prejudiced. I at first, I

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<v Speaker 3>was like, oh, we're gonna sandbag a little bit. We're

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<v Speaker 3>gonna start this off at the three h five, and

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<v Speaker 3>you were like, now we're gonna keep it west coast

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<v Speaker 3>and started off at three ten.

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<v Speaker 2>No, man, I had a crazy start to today. You

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<v Speaker 2>feel me. It's been crazy.

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<v Speaker 1>It's been crazy, so I ain't really get to but

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<v Speaker 1>uh we don't time.

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<v Speaker 2>We don't time.

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<v Speaker 3>We're late, but my Martinez is uh still cold, so

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<v Speaker 3>we're good.

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<v Speaker 1>I like that though. I like that as a masculine

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<v Speaker 1>response to the Martini.

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<v Speaker 3>The martine is you know what's really bad is what's

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<v Speaker 3>the name of the guard on the Miami Heat. Fuck

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<v Speaker 3>the guard Wade, No, the one who's there now Butler.

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<v Speaker 3>But oh Jim, Yeah, yeah, he is trying to steal

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<v Speaker 3>my brand and he's doing an advertisement of it.

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<v Speaker 2>Whatever is he trying to steal?

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<v Speaker 3>Well, it's the you know, the the Miami Martini. The

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<v Speaker 3>Espresso Martine is all popular, but it's like, you know,

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<v Speaker 3>vodka Kalua espresso and then you know, ice shaking. I'm like, well,

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<v Speaker 3>we're not going to do that. We're in Miami, so

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<v Speaker 3>I'm doing Cuban coffee with dark rum, you know, shaking whatever,

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<v Speaker 3>you know, sugar in the Cuban coffee.

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<v Speaker 2>And what not.

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<v Speaker 3>So he's doing that. He's making the espresso Martini with

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<v Speaker 3>Bacardi rum and calling it like the Martini Deocho instead

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<v Speaker 3>of Caye Deocho. Yeah, and he's got a whole ad campaign,

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<v Speaker 3>and shit, it's gonna it's the second time that the

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<v Speaker 3>Martinez concept has been popularized under a different name and

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<v Speaker 3>stolen from me.

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<v Speaker 1>I think I think you should actually make it. You

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<v Speaker 1>should really make that what men start calling the Martini

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<v Speaker 1>the Martinez.

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<v Speaker 2>I like that for some reason.

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<v Speaker 3>I like it a lot, you know, back in the day,

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<v Speaker 3>and this is another masculine thing. I was shaking tequila

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<v Speaker 3>and just having it, just shaking in port and I

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<v Speaker 3>would order as I want of Martinez, and they didn't

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<v Speaker 3>know what I was talking about. And then after doing

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<v Speaker 3>this for like two years, somebody was started doing the

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<v Speaker 3>same thing and brands with the tacchini, which sounds like bikini.

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<v Speaker 3>It's extremely feminine sounding. I couldn't order it again, and

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<v Speaker 3>I lost my Martinez brand. So I re invigorated the

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<v Speaker 3>Martinez brand with this drink, and he's stealing it again.

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<v Speaker 2>Maybe we need to put it in a can for you,

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<v Speaker 2>for Martinez cal That could be all right, That could

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<v Speaker 2>be all right.

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<v Speaker 1>No sellers live the lunch hour Monday, Wednesday and Friday

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<v Speaker 1>at twelve noon, not twelve ten noon twelve noon.

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<v Speaker 2>Forgive us.

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<v Speaker 1>It's my fault. Pete actually beat me here and still

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<v Speaker 1>I've been waiting on still. I thought Still had it

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<v Speaker 1>set up because I had been texting you back and

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<v Speaker 1>forth about setting it up. So to get here and

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<v Speaker 1>realize he didn't have it set up, then I had

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<v Speaker 1>to delete some videos to make space we need.

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<v Speaker 3>Changed his name from Norm st e E l E

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<v Speaker 3>to st I L l waiting.

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<v Speaker 2>Still still waiting. I like that.

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<v Speaker 1>Still waiting again Monday, Wednesday and Friday at noon not

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<v Speaker 1>noon ten or twelve ten Pacific time.

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<v Speaker 2>Click the thumbs up. But let everybody know you up

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<v Speaker 2>in this thing. Do that solid for me. If you're on.

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<v Speaker 1>YouTube, if you on Twitter, retweet it's you on Facebook.

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<v Speaker 2>Share it.

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<v Speaker 1>We did incredible numbers last Friday. It was our first

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<v Speaker 1>time doing big number. Shut out to everybody who bought

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<v Speaker 1>us lunch. Shout out to everybody who gonna buy us

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<v Speaker 1>lunch today. Click the link in the description. Subscribe to

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<v Speaker 1>the No Seller's podcast. The reason we do this is

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<v Speaker 1>because of the actual podcast. Again, the video portions of

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<v Speaker 1>this is a live stream. We actually have a podcast

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<v Speaker 1>called No Seilings. It's Apple Podcasts anywhere you get your podcasts.

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<v Speaker 1>Executive produced by Charlemagne to God Black Effect Network.

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<v Speaker 2>That's his company in iHeart Media, conglomerate.

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<v Speaker 3>I think we need a podcast for this week.

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<v Speaker 2>This week WI.

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<v Speaker 1>Podcast Facts Fact And so soon as I leave here,

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<v Speaker 1>I got to do the community.

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<v Speaker 2>So I'm gonna be working, So I'm gonna do this.

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<v Speaker 1>Yeah, I'm gonna do this for our people and however

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<v Speaker 1>long it oh, it is how long ago did community?

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<v Speaker 3>Anyone's contributions Today are gonna go to glasses throat Lozenges, man,

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<v Speaker 3>gonna talk about seven hours in a row.

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<v Speaker 1>Yeah, because I gotta do this one, and then I

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<v Speaker 1>gotta do the community, and then after that we got

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<v Speaker 1>to do the podcast that releases tomorrow. You go to

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<v Speaker 1>talk about the first one hundred days of the new presidency,

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<v Speaker 1>So hopefully we can tackle that. That's something that's been

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<v Speaker 1>on my mind. But what's bothering me is right, So

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<v Speaker 1>Kendrick albums. Kendrick drops a surprise album called gn X.

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<v Speaker 2>Right, which is it's his best album by far, You

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<v Speaker 2>know what I mean.

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<v Speaker 1>Shout out to everybody in the chat, too lifted, Mason,

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<v Speaker 1>Squishy my Dosh, my heart squishes my heart, Kelvin Sudis, Uh,

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<v Speaker 1>what a Deucemack, I see you, Mason, name brand, Ms Bonham,

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<v Speaker 1>Jean washed up with it?

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<v Speaker 2>Brody.

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<v Speaker 1>Yet we end this time right here going crazy, charis

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<v Speaker 1>what's the deal? Uh, it's been interesting. I listened to

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<v Speaker 1>the album about four or five times.

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<v Speaker 2>I listened to the album about four or five times.

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<v Speaker 1>I stand on the fact that this album is DoD's

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<v Speaker 1>best album by far. Too it's not even closed. This

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<v Speaker 1>is the time he connected everything together. Like you could

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<v Speaker 1>hear the confidence even the music video. Shout out to

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<v Speaker 1>the music video if you didn't see it. The music

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<v Speaker 1>video drop for Squabble Up. Squabble Up is probably gonna

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<v Speaker 1>be a top three album or top three songs in

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<v Speaker 1>the country when when the Billboard charts come out.

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<v Speaker 2>It's that kind of really great song. I thought.

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<v Speaker 3>I also saw a video with what's her name on?

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<v Speaker 3>The other song was one damn It Luther.

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<v Speaker 2>Maybe.

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<v Speaker 1>I'm sure he probably shot a lot of videos because

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<v Speaker 1>this is a really dope project.

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<v Speaker 3>I've seen some girls reposting him in that in that

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<v Speaker 3>other chick running in a meadow or something like that.

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<v Speaker 2>Yeah, maybe why not.

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<v Speaker 3>I'm never in the right meadows at the right time.

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<v Speaker 1>Sis is called she and she talited that that. You know,

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<v Speaker 1>I got to hook you up with her, Pete. I

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<v Speaker 1>don't know if she really get down with the roses,

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<v Speaker 1>but I gotta hook you up with her.

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<v Speaker 3>You know, I'm always down to get you know, completely

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<v Speaker 3>rejected and humiliated publicly. That's great. I've never done that.

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<v Speaker 2>I think that's gonna happen, Pete. She might be your wife.

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<v Speaker 3>I'll tell you this much. I'll make a really lucrative

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<v Speaker 3>bet that that is what happened that could take me

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<v Speaker 3>out of some debt.

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<v Speaker 2>I might. I might have a bet. I think she

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<v Speaker 2>might give you some play. You might tell your world

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<v Speaker 2>of capital will be very happy to get their money back.

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<v Speaker 2>So mind you.

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<v Speaker 1>I listened to the Kendrick album.

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<v Speaker 2>And it's great. It's by far a best album.

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<v Speaker 1>Again, I agree with that classic is more about timing,

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<v Speaker 1>so I don't really get into that, but I'm talking

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<v Speaker 1>about just listening to the records, listening to the music,

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<v Speaker 1>listening to the way the album is constructed.

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<v Speaker 2>Like I got a chance to listen to it more.

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<v Speaker 1>I knew it off the first listen because I've been

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<v Speaker 1>studying music for so long that I can hear what's

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<v Speaker 1>going on. So I know when it's you know when

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<v Speaker 1>it got a feel. And that record is incredible, you

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<v Speaker 1>know what I mean? Again, The squadb Love video comes

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<v Speaker 1>out today, so after you hop off this live, make

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<v Speaker 1>sure you go check out that squab Love video.

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<v Speaker 2>Saturday.

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<v Speaker 1>My partner Ali. Shout out to the Saint Lunatic. Shout

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<v Speaker 1>out to Nelly, My love from the lou Shout out

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<v Speaker 1>to Murph who put me on the album one of

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<v Speaker 1>the first albums I ever been on that wasn't like

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<v Speaker 1>that was a platinum artist from somebody else. Shout out

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<v Speaker 1>to Ali, who's been like a great voice of hip

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<v Speaker 1>hop and understanding for me to get a better understanding

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<v Speaker 1>with somebody that has been instrumental in another movement. Them dudes,

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<v Speaker 1>you know, single handedly put on Saint Louis, you know

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<v Speaker 1>what I mean. So I really love my boys from

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<v Speaker 1>the Ticks, man, I don't care what they got going

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<v Speaker 1>on with each other. I love all of them dudes,

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<v Speaker 1>you know what I mean. And I'm grateful for what

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<v Speaker 1>they were able to do for me growing up and

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<v Speaker 1>having some kind of understanding about Saint Louis.

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<v Speaker 2>Oh, they got to get.

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<v Speaker 3>Ali on here, man, I didn't realize that was him.

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<v Speaker 3>I started seeing him like on social media and should

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<v Speaker 3>and I leave any old kind of name, you know,

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<v Speaker 3>And it's kind of like the kind of name that

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<v Speaker 3>I would figure just for no reason at all, that

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<v Speaker 3>like a very contemplative thinkers type of guy's name, a

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<v Speaker 3>lot a lot of like the black muscle people, very

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<v Speaker 3>thinker oriented types. And I didn't realize for at first

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<v Speaker 3>until like the fourth or fifth time I saw that

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<v Speaker 3>that was that guy, I'm like, oh, we gotta get this.

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<v Speaker 3>This guy's great because I might.

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<v Speaker 1>Was this spring anyway, these sharp I hate when him

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<v Speaker 1>and I hate when he talked about Nelly, and I

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<v Speaker 1>hate when Nelly talking about I don't like that. But again,

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<v Speaker 1>that's not my business, you know, because I know Nelly

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<v Speaker 1>is my motherfucking low, you know what I'm saying. And

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<v Speaker 1>I love Ali too, like I love them for helping

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<v Speaker 1>each other. I love Ali teaching him, so I always

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<v Speaker 1>stay down no matter what. Like I'm a tick, I'm

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<v Speaker 1>not involved in none of y'all falling out. I love

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<v Speaker 1>the ticks, nigga. That's how I request, go ahead.

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<v Speaker 3>Can we do a show directly across the street, directly

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<v Speaker 3>across the street from Saint Louis Cardinals Stadium.

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<v Speaker 2>Yeah, we can do that.

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<v Speaker 3>It's a great barbecue joint called Salt and Smoke, and

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<v Speaker 3>you can sit there eating ribs and you can see

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<v Speaker 3>the whole stadium like this through the window. It's a

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<v Speaker 3>phenomenal venue. I would love to do that.

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<v Speaker 2>Let's do it, yea, let's do it.

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<v Speaker 3>Yeah, Like the third of January, I got no patience, Okay, boy,

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<v Speaker 3>it's cold there.

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<v Speaker 2>I got patients.

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<v Speaker 3>It's cold.

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<v Speaker 1>Yeah, So anyway, shout out to Lee's.

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<v Speaker 2>He called me and he had a good brother.

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<v Speaker 1>I forgot Will's last night, but we'll work at He

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<v Speaker 1>did something with one O six of Park a couple people,

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<v Speaker 1>and you could tell talking to him. He's a really

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<v Speaker 1>sharp dude on hip hop. And obviously he saw my tweets.

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<v Speaker 1>Obviously I've been tweeting up a storm, like I'm so

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<v Speaker 1>proud of Doc, you know what I mean.

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<v Speaker 2>My brother is really on another.

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<v Speaker 1>Level, and I just totally enjoy you know, him at

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<v Speaker 1>the pinnacle of his powers, and I love how he's

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<v Speaker 1>using his power, Like I love what he's doing with

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<v Speaker 1>his power. Again, I told y'all Friday, I think it

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<v Speaker 1>took Doc becoming a big homie for him to truly

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<v Speaker 1>hit his pinnacle peak.

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<v Speaker 2>Maybe even a parent, you know what I mean.

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<v Speaker 1>It probably has something to do with him being a

0:11:27.040 --> 0:11:30.280
<v Speaker 1>parent too, And I'm just so impressed, you know what

0:11:30.280 --> 0:11:33.880
<v Speaker 1>I mean. It's like, honestly, it's like hearing my favorite

0:11:33.920 --> 0:11:36.240
<v Speaker 1>guys that I grew up listening to, and that's really

0:11:36.280 --> 0:11:39.760
<v Speaker 1>hard because I'm an adult now. So I'm just uber

0:11:39.800 --> 0:11:42.400
<v Speaker 1>impressed cause like I am fired up.

0:11:42.679 --> 0:11:45.160
<v Speaker 3>You what kind of reminds me of go ahead, Like

0:11:45.160 --> 0:11:48.280
<v Speaker 3>when you would see like a young basketball player, like

0:11:48.360 --> 0:11:51.920
<v Speaker 3>say like it rather like Tracy McGrady. He comes in

0:11:52.320 --> 0:11:55.440
<v Speaker 3>and it's like this guy's it, and it kind of

0:11:55.480 --> 0:11:57.680
<v Speaker 3>takes a couple of years, and you know, it's kind

0:11:57.679 --> 0:12:01.720
<v Speaker 3>of under the Vince shadow. You're nineteen years old, eighteen

0:12:01.760 --> 0:12:04.160
<v Speaker 3>years old getting into the league, tall, kind of gangling,

0:12:04.160 --> 0:12:05.440
<v Speaker 3>and then all of a sudden.

0:12:06.480 --> 0:12:09.719
<v Speaker 2>This fucking guy holy.

0:12:09.440 --> 0:12:12.280
<v Speaker 1>Shit, except he been on top of the game since

0:12:12.280 --> 0:12:14.959
<v Speaker 1>he started, Like he he sure the first day he

0:12:15.000 --> 0:12:16.280
<v Speaker 1>was a plan to Mac, you know, I mean not

0:12:16.320 --> 0:12:18.240
<v Speaker 1>the first day, but like the first album, I think

0:12:18.240 --> 0:12:18.760
<v Speaker 1>he did, like.

0:12:20.240 --> 0:12:23.880
<v Speaker 3>But like realizing particular, this is what we knew it

0:12:23.920 --> 0:12:25.480
<v Speaker 3>was there, and now it's here.

0:12:25.360 --> 0:12:27.640
<v Speaker 2>And now you see it on the court, like it

0:12:27.679 --> 0:12:28.680
<v Speaker 2>took Upbron a few years.

0:12:28.760 --> 0:12:31.920
<v Speaker 3>I'mber seeing Lebron playing high school at a poly pavilion.

0:12:31.960 --> 0:12:34.880
<v Speaker 3>I'm like, oh boy, it was it when he started,

0:12:34.920 --> 0:12:36.559
<v Speaker 3>but after a few years it was really it.

0:12:39.200 --> 0:12:44.719
<v Speaker 1>So will cost me with Leezy and Leezy puts him

0:12:44.720 --> 0:12:48.360
<v Speaker 1>on the joint and he saw my tweets. I've been

0:12:48.400 --> 0:12:51.079
<v Speaker 1>tweeting up a storm and he said, man, you really

0:12:51.120 --> 0:12:54.720
<v Speaker 1>think this is Kendrick's best album, And I'm like, yeah,

0:12:54.720 --> 0:12:58.320
<v Speaker 1>this is Kendrick's best album by far. He's like, man,

0:12:58.360 --> 0:13:01.040
<v Speaker 1>are you saying that because it's sound like the West

0:13:01.080 --> 0:13:04.360
<v Speaker 1>Coast and I'm not.

0:13:04.520 --> 0:13:05.720
<v Speaker 3>Talk to steal in advance.

0:13:06.640 --> 0:13:09.880
<v Speaker 1>Well and and that and that kind of started me

0:13:10.600 --> 0:13:14.560
<v Speaker 1>into like a real deep conversation with him about hip hop, right,

0:13:14.679 --> 0:13:17.920
<v Speaker 1>explaining hip hop is all about street urban culture, you know,

0:13:18.000 --> 0:13:20.319
<v Speaker 1>personified through these arts and elements.

0:13:22.000 --> 0:13:24.320
<v Speaker 2>I had to really start from the beginning and put

0:13:24.320 --> 0:13:25.000
<v Speaker 2>it back together.

0:13:25.200 --> 0:13:29.480
<v Speaker 1>From Sylvia Robinson and sugar Hill, from Larry Smith and

0:13:29.520 --> 0:13:30.960
<v Speaker 1>Houdini to Marli Moore.

0:13:30.960 --> 0:13:32.880
<v Speaker 2>I had to put understand this.

0:13:33.800 --> 0:13:36.480
<v Speaker 1>No Ali got it, a Lea get it. That's one

0:13:36.559 --> 0:13:39.880
<v Speaker 1>person who don't have no problem understeady. He know what

0:13:40.040 --> 0:13:40.880
<v Speaker 1>has to be done.

0:13:41.000 --> 0:13:44.200
<v Speaker 3>If they didn't have such a distinct sound they were,

0:13:44.480 --> 0:13:48.360
<v Speaker 3>then they're dirty from Montgomery, Alabama. They're just two. There's

0:13:48.360 --> 0:13:50.240
<v Speaker 3>just some guys rapping facts.

0:13:50.280 --> 0:13:53.680
<v Speaker 1>So you know again, I start to recreate hip hop

0:13:53.720 --> 0:13:56.040
<v Speaker 1>for him. I'm like, Yo, this is hip hop. I

0:13:56.080 --> 0:14:00.240
<v Speaker 1>started to recreate hip hop for him, right, I'm like,

0:14:01.320 --> 0:14:06.600
<v Speaker 1>the records are supposed to sound culturally like correct, now,

0:14:06.640 --> 0:14:09.520
<v Speaker 1>the West doesn't just root itself in front. But there's

0:14:09.800 --> 0:14:13.080
<v Speaker 1>a pace of life, there's a rhythm of light, like

0:14:13.200 --> 0:14:16.560
<v Speaker 1>BPM stands for beats permitted, heart beats permitted.

0:14:16.760 --> 0:14:20.120
<v Speaker 3>Right, that's a cool question. And I don't mean to

0:14:20.160 --> 0:14:22.800
<v Speaker 3>call the guy out. It has nothing to do with him,

0:14:22.920 --> 0:14:24.960
<v Speaker 3>but I felt like there was some meat left on

0:14:25.000 --> 0:14:29.160
<v Speaker 3>the bone with a guy like Jalla, I didn't get

0:14:29.360 --> 0:14:33.520
<v Speaker 3>such a great this is DC has a vibrant urban

0:14:33.600 --> 0:14:36.760
<v Speaker 3>culture and Maryland the whole d MV it really really does.

0:14:37.160 --> 0:14:40.080
<v Speaker 3>I didn't really feel like I got as much of

0:14:40.120 --> 0:14:41.360
<v Speaker 3>that as I would have wanted.

0:14:41.240 --> 0:14:41.920
<v Speaker 2>Out of LA.

0:14:42.120 --> 0:14:44.880
<v Speaker 3>There was some of it to a degree, you know, undeniably,

0:14:45.200 --> 0:14:47.520
<v Speaker 3>but I thought there was room there for it to

0:14:47.640 --> 0:14:50.000
<v Speaker 3>hit the way Nelly hit out of Saint Louis and

0:14:50.040 --> 0:14:52.120
<v Speaker 3>go wow, I could taste of sauce on this, I

0:14:52.120 --> 0:14:53.880
<v Speaker 3>could tear. I gotta get a napkin.

0:14:54.560 --> 0:14:59.680
<v Speaker 1>But but if again in that same conversation, and yes,

0:14:59.800 --> 0:15:03.240
<v Speaker 1>that that's why I think Wila is who's a tremendous

0:15:03.240 --> 0:15:05.480
<v Speaker 1>record maker, while one of the most record makers I

0:15:05.560 --> 0:15:08.360
<v Speaker 1>ever saw in hip hop with my own eyes for.

0:15:08.360 --> 0:15:11.320
<v Speaker 3>Sure, not saying anything otherwise.

0:15:11.040 --> 0:15:14.640
<v Speaker 1>No, No, I do think because there is a level

0:15:14.680 --> 0:15:17.760
<v Speaker 1>of pasteurized culture that's happening in hip hop over the

0:15:17.800 --> 0:15:22.680
<v Speaker 1>last fifteen years. You don't have monumental artists to the

0:15:22.680 --> 0:15:24.800
<v Speaker 1>same statue of a phenomenon like a.

0:15:24.800 --> 0:15:27.600
<v Speaker 2>Dog or a whole or a wang.

0:15:27.840 --> 0:15:33.680
<v Speaker 1>You don't have that phenomenon because really it's just music now.

0:15:33.840 --> 0:15:35.800
<v Speaker 3>And to what extent. Like you know, a lot of

0:15:35.840 --> 0:15:39.280
<v Speaker 3>the guys that you mentioned, they came in and they

0:15:39.440 --> 0:15:43.400
<v Speaker 3>had that landmark producer with them, that had that had

0:15:43.440 --> 0:15:45.080
<v Speaker 3>a sound with them that was the first off that

0:15:45.160 --> 0:15:49.000
<v Speaker 3>city he didn't really have that. Meek Mill and Philly

0:15:49.040 --> 0:15:51.840
<v Speaker 3>didn't really have. They were so talented that a giant,

0:15:51.880 --> 0:15:56.120
<v Speaker 3>you know, hip hop conglomerate of swords. I need that.

0:15:56.560 --> 0:15:59.200
<v Speaker 3>And now you're rapping on their sound a.

0:15:59.120 --> 0:16:02.520
<v Speaker 1>Little bit to a degree, Okay, shout out to Marcel

0:16:02.600 --> 0:16:05.560
<v Speaker 1>Wailea is a Nigerian immigrant. He isn't steep in DC

0:16:05.720 --> 0:16:09.360
<v Speaker 1>culture like a American. That makes sense fair, Oh yeah,

0:16:09.800 --> 0:16:10.120
<v Speaker 1>And now I.

0:16:10.200 --> 0:16:12.600
<v Speaker 3>Was always surprised that like Baltimore didn't have a guy

0:16:12.680 --> 0:16:14.880
<v Speaker 3>pop off with its own sound and that whole like that.

0:16:14.880 --> 0:16:17.280
<v Speaker 3>That's a that's an epicenter that I thought really would

0:16:17.280 --> 0:16:20.560
<v Speaker 3>have like just done it. You know, by now.

0:16:20.480 --> 0:16:24.440
<v Speaker 2>Sure, shout out off. That's because Wiler is from outskirts.

0:16:24.560 --> 0:16:29.240
<v Speaker 1>Maybe so, but even the outskirts of d C would

0:16:29.280 --> 0:16:31.280
<v Speaker 1>be bathed in DC culture.

0:16:32.800 --> 0:16:35.520
<v Speaker 3>Sugar Freak from Pomona. I mean, he's from Compton, but

0:16:35.560 --> 0:16:36.280
<v Speaker 3>he's from Pomona.

0:16:36.720 --> 0:16:40.240
<v Speaker 2>Yeah, but Pomona's hell of season. Weirdly, like you know,

0:16:40.320 --> 0:16:41.040
<v Speaker 2>I know.

0:16:41.440 --> 0:16:43.480
<v Speaker 3>Far out the outskirts of DC, I.

0:16:43.480 --> 0:16:48.080
<v Speaker 1>Know you no, I know, Pomona feels like it is

0:16:48.120 --> 0:16:48.720
<v Speaker 1>far from LA.

0:16:48.840 --> 0:16:49.360
<v Speaker 2>That is true.

0:16:49.400 --> 0:16:52.160
<v Speaker 1>Pomona is a good thirty five minute drive from Pomona,

0:16:52.200 --> 0:16:57.280
<v Speaker 1>but Pomona is its own cultural epicenter of Los Angeles.

0:16:57.320 --> 0:16:57.520
<v Speaker 2>Shit.

0:16:57.880 --> 0:16:59.840
<v Speaker 3>Shut up in the garfy track, man, they do it.

0:17:00.400 --> 0:17:04.200
<v Speaker 2>No, no, no, pete like crazy like them niggas.

0:17:04.240 --> 0:17:06.840
<v Speaker 3>My best friend from college is from from the dirt

0:17:06.880 --> 0:17:09.560
<v Speaker 3>and Pomona. I spend so much time there, so much time.

0:17:09.720 --> 0:17:11.320
<v Speaker 3>I was there every weekend for years.

0:17:11.560 --> 0:17:11.760
<v Speaker 2>Yeah.

0:17:11.800 --> 0:17:14.360
<v Speaker 1>So Pomona is one of those places that, even though

0:17:14.400 --> 0:17:17.040
<v Speaker 1>it's not close to the center of Los Angeles, it

0:17:17.240 --> 0:17:19.080
<v Speaker 1>is fucking Hella West.

0:17:19.240 --> 0:17:21.760
<v Speaker 2>It is Hella like them niggas. Is some shit.

0:17:22.480 --> 0:17:24.520
<v Speaker 1>But okay, let me get back to it. So he

0:17:24.680 --> 0:17:26.840
<v Speaker 1>was telling me this, and I noticed he said that,

0:17:26.880 --> 0:17:31.879
<v Speaker 1>and I said dog, Like imagine saying is four hundred

0:17:31.920 --> 0:17:37.840
<v Speaker 1>degrees to New Orleans or if the Diary is to Houston,

0:17:38.720 --> 0:17:41.280
<v Speaker 1>or is Blueprint one to New York?

0:17:41.600 --> 0:17:42.879
<v Speaker 2>Like what the fuck?

0:17:43.840 --> 0:17:46.440
<v Speaker 1>What is it about the West Coast that things can

0:17:46.520 --> 0:17:50.800
<v Speaker 1>become too West Coast? Why is that a true thing?

0:17:50.880 --> 0:17:55.000
<v Speaker 1>Like we excect like we would never tell Chief Keith

0:17:55.040 --> 0:17:57.960
<v Speaker 1>his music is too drill. It's too drill. I don't

0:17:58.000 --> 0:18:00.119
<v Speaker 1>know about this. You know the reason y'all think it

0:18:00.200 --> 0:18:02.679
<v Speaker 1>is a classic in Chicago because it's so drilled and

0:18:02.720 --> 0:18:05.119
<v Speaker 1>I just didn't get it, and it it made me

0:18:05.200 --> 0:18:08.760
<v Speaker 1>start to really like we all say this, we all

0:18:09.119 --> 0:18:13.120
<v Speaker 1>just as artists, that there is this weird there's this

0:18:13.240 --> 0:18:19.760
<v Speaker 1>weird there's this weird thing about West Coast acts, right

0:18:19.800 --> 0:18:23.000
<v Speaker 1>whereas like you could be too West Coast, Like I've

0:18:23.040 --> 0:18:26.119
<v Speaker 1>heard people say that, but you don't say that about future.

0:18:26.200 --> 0:18:30.520
<v Speaker 1>Future music sound like fucking Atlanta, like Georgia, Like that

0:18:30.680 --> 0:18:34.240
<v Speaker 1>ship is Hella Georgia. I've never heard a nigga be like,

0:18:34.280 --> 0:18:37.160
<v Speaker 1>you know what that new Future album is to Atlanta.

0:18:37.680 --> 0:18:42.879
<v Speaker 2>It's just in Atlanta, That's what I'm saying. But I.

0:18:44.600 --> 0:18:48.480
<v Speaker 1>Say Future is to Atlanta is to Atlanta. This is

0:18:48.520 --> 0:18:50.119
<v Speaker 1>way to Atlanta. I don't want to hear this.

0:18:50.200 --> 0:18:52.960
<v Speaker 2>Listen to the Atlanta Slangy's doing and the beach it's

0:18:53.040 --> 0:18:53.720
<v Speaker 2>to Atlanta.

0:18:53.920 --> 0:18:56.440
<v Speaker 3>What question, Like what is I mean? Because his sound

0:18:56.520 --> 0:19:00.639
<v Speaker 3>he does sound very dungeony. But Atlanta's had you know,

0:19:00.800 --> 0:19:03.879
<v Speaker 3>they had that, they had, They've had a lot of

0:19:03.880 --> 0:19:07.240
<v Speaker 3>different kind of types of sounds come out of Atlanta.

0:19:06.920 --> 0:19:07.360
<v Speaker 2>Over the years.

0:19:07.359 --> 0:19:08.760
<v Speaker 3>I think something that has to do with the duration

0:19:08.840 --> 0:19:13.240
<v Speaker 3>of the fact that LA's sound is has been going

0:19:13.240 --> 0:19:15.200
<v Speaker 3>on for a very long time. Like like like drill

0:19:15.280 --> 0:19:17.240
<v Speaker 3>like you like you, and I don't hear it as

0:19:17.280 --> 0:19:20.119
<v Speaker 3>so much as you hear it. I'm a layman, but

0:19:20.280 --> 0:19:23.399
<v Speaker 3>like say, drill to do or die, it doesn't sound

0:19:23.440 --> 0:19:25.960
<v Speaker 3>the same so much to me. I understand, like the

0:19:26.600 --> 0:19:28.640
<v Speaker 3>tempos and stuff might be the same, but it does

0:19:28.760 --> 0:19:32.639
<v Speaker 3>sound not It doesn't sound like it's a continuation so

0:19:32.840 --> 0:19:35.399
<v Speaker 3>directly from from that type of type of vibe. But

0:19:35.440 --> 0:19:36.920
<v Speaker 3>I you know, again, I'm a layman's ear.

0:19:38.040 --> 0:19:38.840
<v Speaker 2>Well I mean.

0:19:40.320 --> 0:19:44.080
<v Speaker 3>Again, man the same way like Rick doesn't sound like

0:19:44.200 --> 0:19:49.639
<v Speaker 3>Luther in that sense, you know what I mean? It

0:19:49.760 --> 0:19:53.080
<v Speaker 3>sounds very Miami cool and dre It sounds crazy Miami.

0:19:53.160 --> 0:19:57.400
<v Speaker 1>But so this is the problem with Luke right, specifically

0:19:57.440 --> 0:20:01.720
<v Speaker 1>Luke about Rick Ross and Luke Right. Okay, so Luke right,

0:20:01.840 --> 0:20:06.080
<v Speaker 1>Luke is his producer is a California guy, right, that

0:20:06.240 --> 0:20:09.919
<v Speaker 1>created a Miami based sound that's a party sound versus

0:20:10.440 --> 0:20:13.320
<v Speaker 1>versus Ross music that's just really Southern.

0:20:13.400 --> 0:20:16.080
<v Speaker 2>To a degree, right, because continuation of the trick.

0:20:17.200 --> 0:20:19.560
<v Speaker 1>Yeah, it's more exactly, it's more of an extension of

0:20:19.560 --> 0:20:24.040
<v Speaker 1>what Trick was doing. But again, it's like all West

0:20:24.040 --> 0:20:30.000
<v Speaker 1>Coast music don't sound one way like Battlecat sounds nothing

0:20:30.080 --> 0:20:30.800
<v Speaker 1>like Doctor.

0:20:30.600 --> 0:20:35.320
<v Speaker 2>Dred true very true like and Quick.

0:20:35.040 --> 0:20:39.680
<v Speaker 1>And Cat don't sound nothing like Quick and Quick music

0:20:39.680 --> 0:20:43.399
<v Speaker 1>don't sound nothing like Warren. So it's just weird that

0:20:43.480 --> 0:20:49.159
<v Speaker 1>when it comes to West Coast music that people feel like, oh,

0:20:49.480 --> 0:20:51.879
<v Speaker 1>you know, like Glasses, you like it because it's so

0:20:52.000 --> 0:20:55.199
<v Speaker 1>West Coast. Well, imagine me telling you you like the

0:20:55.280 --> 0:20:58.560
<v Speaker 1>Ticks because it sounds so Saint Louis, or me telling

0:20:58.920 --> 0:21:01.120
<v Speaker 1>a Brooklyn dude on like the you know.

0:21:01.320 --> 0:21:05.480
<v Speaker 2>Like, for example, like Illmatic sounds hell in New York.

0:21:06.000 --> 0:21:09.000
<v Speaker 1>I've never thought to myself and man y'all lonely saying

0:21:09.040 --> 0:21:11.399
<v Speaker 1>it's a classic because it sounds so New York. I

0:21:11.440 --> 0:21:13.760
<v Speaker 1>don't understand what the hell is going on. But I

0:21:14.000 --> 0:21:16.240
<v Speaker 1>never in my life thought to myself, so man, this

0:21:16.880 --> 0:21:17.480
<v Speaker 1>New York.

0:21:17.359 --> 0:21:20.480
<v Speaker 3>For me, I think it would be like if it

0:21:20.600 --> 0:21:21.879
<v Speaker 3>was the name of the guy who got in all

0:21:21.880 --> 0:21:23.720
<v Speaker 3>the trouble, who was hot out of New York.

0:21:25.119 --> 0:21:29.240
<v Speaker 2>Schmurder, Yeah, Bob, Like that.

0:21:31.280 --> 0:21:35.440
<v Speaker 3>Didn't sound like it was just like trying to pull

0:21:35.560 --> 0:21:38.840
<v Speaker 3>real heavy off of like that illmatic kind of premiere

0:21:38.920 --> 0:21:41.159
<v Speaker 3>with it, like like like that type of sound, you

0:21:41.200 --> 0:21:43.359
<v Speaker 3>know what I mean. So I really don't know, but

0:21:43.359 --> 0:21:47.640
<v Speaker 3>there I mean like that, I haven't heard a song

0:21:47.680 --> 0:21:49.520
<v Speaker 3>of his in a long long time, so I'm going

0:21:49.520 --> 0:21:51.879
<v Speaker 3>off with like distant memories. But you kind of know

0:21:51.920 --> 0:21:53.879
<v Speaker 3>what I'm saying like that, it doesn't sound quite so

0:21:54.000 --> 0:21:56.200
<v Speaker 3>much like it doesn't sound like when I hear in

0:21:56.280 --> 0:22:00.000
<v Speaker 3>New York music. I I I just see people slam

0:22:00.040 --> 0:22:03.400
<v Speaker 3>dunking basketball's at the Rucker, you know what I mean.

0:22:03.520 --> 0:22:09.200
<v Speaker 3>And I didn't hear that with Pop Smoke or him

0:22:09.280 --> 0:22:14.760
<v Speaker 3>quite to that degree. So I am I don't shout out.

0:22:14.640 --> 0:22:17.720
<v Speaker 1>To j Paesos. And this is a great point. Much

0:22:17.720 --> 0:22:19.399
<v Speaker 1>love brother. It's my first time seeing you on the

0:22:19.480 --> 0:22:21.840
<v Speaker 1>chat again. This is no Sinners Live the Lunch hour

0:22:22.200 --> 0:22:24.840
<v Speaker 1>every Monday, Wednesday and Friday at noon.

0:22:26.080 --> 0:22:28.480
<v Speaker 2>Pacific Standard time. Click that thumbs up button.

0:22:28.560 --> 0:22:31.720
<v Speaker 1>Let everybody know you here going to description subscribe to

0:22:31.760 --> 0:22:32.920
<v Speaker 1>the No Sentner's podcast.

0:22:32.960 --> 0:22:34.960
<v Speaker 2>The reason we do this The No Sentner's.

0:22:34.680 --> 0:22:39.640
<v Speaker 1>Podcast on Apple Podcasts anywhere you get your podcasts. Executive

0:22:39.640 --> 0:22:42.480
<v Speaker 1>produced by Charlomagne and God Black Effect and the iHeart.

0:22:43.680 --> 0:22:47.560
<v Speaker 1>It's the new consumer not understanding hip hop roots in general.

0:22:48.200 --> 0:22:50.280
<v Speaker 2>And that's what it is.

0:22:51.840 --> 0:22:56.080
<v Speaker 1>That's exactly. But you know what's funny, Jay Glad you

0:22:56.160 --> 0:22:59.639
<v Speaker 1>said it. This has been my issue over the last

0:22:59.680 --> 0:23:03.880
<v Speaker 1>fourth ten years, right when blogs took over hip hop.

0:23:03.920 --> 0:23:07.080
<v Speaker 1>I tell my partners from ADHD all this time when

0:23:07.119 --> 0:23:10.840
<v Speaker 1>blogs took over hip hop because the college kids kind

0:23:10.840 --> 0:23:14.080
<v Speaker 1>of got involved, and they are when the consumer started

0:23:14.119 --> 0:23:18.879
<v Speaker 1>controlling what was going out to everybody else the consumer.

0:23:19.240 --> 0:23:22.080
<v Speaker 3>It's literally like if I was in charge of hip

0:23:22.080 --> 0:23:24.119
<v Speaker 3>hop instead of glasses, is what this happened?

0:23:24.440 --> 0:23:26.119
<v Speaker 2>Yes, exactly exact.

0:23:26.400 --> 0:23:29.879
<v Speaker 1>And it's like the streets used to give the green

0:23:30.000 --> 0:23:33.240
<v Speaker 1>light to be represented, like right, music had to pass

0:23:33.600 --> 0:23:36.359
<v Speaker 1>through the streets for people to be like, yeah, this

0:23:36.440 --> 0:23:39.119
<v Speaker 1>represents us fine enough here you guys can happen to

0:23:39.160 --> 0:23:42.679
<v Speaker 1>pass through me now it's passing through Pete and guys

0:23:42.720 --> 0:23:45.679
<v Speaker 1>at universities that's trying to understand.

0:23:45.920 --> 0:23:49.119
<v Speaker 2>So that's where I think you get the narrative. And

0:23:49.520 --> 0:23:50.480
<v Speaker 2>it's funny.

0:23:50.160 --> 0:23:54.200
<v Speaker 1>Because this is why I've always said, and people, hey,

0:23:54.200 --> 0:23:57.520
<v Speaker 1>when I say this that the Owl is not hip hop.

0:23:58.200 --> 0:24:01.880
<v Speaker 2>This is why you are confused because you that's your

0:24:02.080 --> 0:24:04.760
<v Speaker 2>gold standard of what you think hip hop is. And

0:24:04.840 --> 0:24:10.000
<v Speaker 2>his sound is pasteurized. Yeah, nothing about his sound. You

0:24:10.119 --> 0:24:11.760
<v Speaker 2>understand anything about Toronto.

0:24:11.920 --> 0:24:15.040
<v Speaker 1>So most of the last listeners over the last fifteen

0:24:15.119 --> 0:24:18.600
<v Speaker 1>years have built their understanding. If you came into hip

0:24:18.600 --> 0:24:21.160
<v Speaker 1>hop in the last fifteen years, if you came into

0:24:21.160 --> 0:24:23.760
<v Speaker 1>the art just observing the art, listening to the music,

0:24:24.240 --> 0:24:28.560
<v Speaker 1>you built everything based off of what you thought that was.

0:24:29.320 --> 0:24:34.320
<v Speaker 3>Sure, can we do a little bit of a and

0:24:34.359 --> 0:24:35.200
<v Speaker 3>I need you it.

0:24:35.280 --> 0:24:37.919
<v Speaker 1>Shout out to Cuz, shout out to Drake who just

0:24:37.960 --> 0:24:41.119
<v Speaker 1>did this interview, because where it just looked dumb and

0:24:41.160 --> 0:24:45.480
<v Speaker 1>then that is like talking shit and I'm like, they like, man,

0:24:45.520 --> 0:24:46.600
<v Speaker 1>you know, he looking stupid.

0:24:46.640 --> 0:24:48.240
<v Speaker 2>I'm like, cuz he always.

0:24:47.880 --> 0:24:51.359
<v Speaker 1>Looked like this, Like he always looked like this, Like

0:24:51.400 --> 0:24:54.920
<v Speaker 1>there is a cultural ignorance, cause that's happening.

0:24:54.840 --> 0:24:57.760
<v Speaker 2>That nobody called out because you just didn't know it.

0:24:58.160 --> 0:25:00.800
<v Speaker 3>Yeah, because everybody getting laid to the song, so nobody

0:25:00.800 --> 0:25:05.960
<v Speaker 3>complains when they dig up you feel me and and proverbially.

0:25:05.560 --> 0:25:09.280
<v Speaker 1>And so that's why hip hop is at this lost space.

0:25:11.440 --> 0:25:16.000
<v Speaker 1>It's lost and to where somebody calls me and feels like, man, well,

0:25:16.000 --> 0:25:18.480
<v Speaker 1>you only think this is the best Kendrick album because

0:25:18.480 --> 0:25:21.560
<v Speaker 1>a Compton nigga sounded like he was from Compton.

0:25:23.400 --> 0:25:27.280
<v Speaker 3>That's the only I mean, like, look, I want to

0:25:27.320 --> 0:25:28.720
<v Speaker 3>be very honest with you. This is gonna get me

0:25:28.760 --> 0:25:36.200
<v Speaker 3>thrown out of here in two seconds. I like this

0:25:36.359 --> 0:25:40.080
<v Speaker 3>album more than the rest of them. I didn't really

0:25:40.200 --> 0:25:43.679
<v Speaker 3>like any of the other ones, but for that reason,

0:25:44.040 --> 0:25:47.479
<v Speaker 3>because I'm like, I don't need to hear a rapper

0:25:47.600 --> 0:25:49.479
<v Speaker 3>rap for the sake of it. I'll be like, I'll

0:25:49.520 --> 0:25:54.160
<v Speaker 3>be very honest if it's not like really funny, really insightful,

0:25:54.280 --> 0:25:57.080
<v Speaker 3>or painting a picture of a place that I really

0:25:57.119 --> 0:26:00.720
<v Speaker 3>just don't go everyr fucking day, it's just a guy

0:26:01.320 --> 0:26:04.359
<v Speaker 3>rapping for the sake of it. And that was what

0:26:04.480 --> 0:26:07.960
<v Speaker 3>a lot of those were, Like swimming Pools is any

0:26:08.000 --> 0:26:10.720
<v Speaker 3>old song, it's a cool Song's I mean, I'm not

0:26:10.760 --> 0:26:12.320
<v Speaker 3>saying that the talent like that. He doesn't go in

0:26:12.359 --> 0:26:15.800
<v Speaker 3>the fucking studio and crush it but what he's handed

0:26:15.840 --> 0:26:18.080
<v Speaker 3>to crush it on or whatever the hell? This is

0:26:18.160 --> 0:26:22.800
<v Speaker 3>different than those Yes, this is different than right. That's

0:26:22.840 --> 0:26:23.440
<v Speaker 3>another word.

0:26:25.480 --> 0:26:28.760
<v Speaker 2>Fats, my brother, Fats was the deal. Fats. Why y'all

0:26:28.800 --> 0:26:29.720
<v Speaker 2>hate Drake so bad?

0:26:29.920 --> 0:26:33.160
<v Speaker 3>Because he says Drake and me, that's why he hates me.

0:26:33.240 --> 0:26:36.640
<v Speaker 1>I don't hate Drake, bro, I don't look. I don't

0:26:36.640 --> 0:26:39.480
<v Speaker 1>know if anybody else hates Drake. I'll be honest with you, Bro,

0:26:39.560 --> 0:26:40.560
<v Speaker 1>I don't hate Drake.

0:26:40.640 --> 0:26:43.600
<v Speaker 2>Bro. I have zero hate for Drake. I'm not even

0:26:43.640 --> 0:26:44.000
<v Speaker 2>lying to you.

0:26:44.080 --> 0:26:45.240
<v Speaker 3>It's a thing.

0:26:45.520 --> 0:26:48.879
<v Speaker 1>The dude is a talented artist. He's a dope rapper.

0:26:48.920 --> 0:26:52.480
<v Speaker 1>He makes great rap songs. I don't hate him. But

0:26:52.680 --> 0:26:56.959
<v Speaker 1>if I can identify something that is true, it's not hate.

0:26:57.359 --> 0:27:00.639
<v Speaker 1>If I tell you Drake Ross right is not the

0:27:01.000 --> 0:27:04.840
<v Speaker 1>greatest authentic representation of being a d boy, or that

0:27:04.960 --> 0:27:08.320
<v Speaker 1>his raps are composed in a fantasy land, it's not hate.

0:27:08.400 --> 0:27:12.160
<v Speaker 2>I love his music. It's the two things can be two.

0:27:12.359 --> 0:27:14.840
<v Speaker 1>They could be true, like John Jay is not a

0:27:14.880 --> 0:27:17.680
<v Speaker 1>real person, but his movies are awesome.

0:27:18.440 --> 0:27:20.560
<v Speaker 3>Rick and Trick are not the same guy with the

0:27:20.560 --> 0:27:22.840
<v Speaker 3>same background. Yes, they're just not.

0:27:23.320 --> 0:27:26.159
<v Speaker 1>Shout out to revenge with something no sellings with up

0:27:26.200 --> 0:27:29.120
<v Speaker 1>my boy. No, this is literally the best Kendrick album

0:27:29.119 --> 0:27:32.560
<v Speaker 1>I played. It's by far the best Kendrick album Revenge

0:27:32.600 --> 0:27:39.359
<v Speaker 1>twenty two times. It's by far the best album. Yeah, like,

0:27:39.480 --> 0:27:43.119
<v Speaker 1>it's the best album by far, it's by far the

0:27:43.119 --> 0:27:46.760
<v Speaker 1>best album. Shout out to my boy EP. What's handling?

0:27:47.359 --> 0:27:49.199
<v Speaker 1>This is my first time seeing you in the chat,

0:27:49.440 --> 0:27:54.000
<v Speaker 1>no glasses. We tired y'all bullying are rappers and killing them.

0:27:54.160 --> 0:27:55.840
<v Speaker 1>We haven't killed anybody.

0:27:55.920 --> 0:27:58.600
<v Speaker 3>Sure, Okay, just real quick and I need.

0:28:00.040 --> 0:28:00.200
<v Speaker 2>EP.

0:28:00.400 --> 0:28:04.000
<v Speaker 3>Can you comment back on this question? Who are our

0:28:04.119 --> 0:28:07.560
<v Speaker 3>rappers to you? That's all I because I don't know you.

0:28:07.600 --> 0:28:10.080
<v Speaker 1>EP is Oh, shout out to my boy E props

0:28:10.080 --> 0:28:10.959
<v Speaker 1>from Flatbys what up?

0:28:11.000 --> 0:28:11.960
<v Speaker 2>Care? What's the deal?

0:28:12.800 --> 0:28:15.520
<v Speaker 1>But we didn't that's not us, bro, that's a even

0:28:15.560 --> 0:28:19.200
<v Speaker 1>what happened with Big was a professional job. I had

0:28:19.320 --> 0:28:22.080
<v Speaker 1>nothing to do with the street. None of us didn't

0:28:22.200 --> 0:28:26.600
<v Speaker 1>like Big Bro. We niggas played here like that, literally,

0:28:26.880 --> 0:28:27.439
<v Speaker 1>I think so.

0:28:27.680 --> 0:28:31.280
<v Speaker 3>Yeah. I thought he just meant like you're bashing are

0:28:31.960 --> 0:28:35.200
<v Speaker 3>the rappers that he likes or something like the audience's

0:28:35.280 --> 0:28:38.080
<v Speaker 3>rappers at large. I like that that could have been

0:28:38.120 --> 0:28:39.760
<v Speaker 3>taken a lot of ways. That's one to make sure

0:28:39.760 --> 0:28:40.560
<v Speaker 3>we took it the right way.

0:28:41.480 --> 0:28:43.600
<v Speaker 1>Shout out to Bella MaTx for the fifty dollars she

0:28:43.680 --> 0:28:47.880
<v Speaker 1>bought us lunch on her own today, the greatest, Thank

0:28:47.920 --> 0:28:52.840
<v Speaker 1>you so much. Uh, welcome back, Adam mary or Bruise.

0:28:52.920 --> 0:28:54.680
<v Speaker 1>I do I hate it. I don't hate him.

0:28:54.880 --> 0:28:55.360
<v Speaker 2>I don't know.

0:28:55.600 --> 0:28:57.880
<v Speaker 1>I don't think most people hate Drink, even the guys

0:28:57.880 --> 0:28:59.640
<v Speaker 1>that say they hate him.

0:28:59.680 --> 0:29:04.240
<v Speaker 2>I don't think nobody hate Drake. But it's just okay.

0:29:04.880 --> 0:29:07.160
<v Speaker 3>He's Mape Street, Maple Street. You know, it's cool.

0:29:07.240 --> 0:29:10.080
<v Speaker 1>So the thing is right, like, this is a really

0:29:10.120 --> 0:29:12.800
<v Speaker 1>talented guy. He's a well studied guy, and he's a

0:29:12.920 --> 0:29:16.360
<v Speaker 1>genius and a creative monster in his own rights. But

0:29:16.400 --> 0:29:21.760
<v Speaker 1>there's a confusion. He does not empower the culture. The

0:29:21.840 --> 0:29:23.480
<v Speaker 1>culture empowered him.

0:29:23.840 --> 0:29:27.240
<v Speaker 3>Who is the guy? There was a white guy who

0:29:27.400 --> 0:29:30.440
<v Speaker 3>was big in jazz, authentic jazz, not Kenny G. I'm

0:29:30.480 --> 0:29:31.760
<v Speaker 3>talking like in the nineteen.

0:29:31.440 --> 0:29:37.120
<v Speaker 1>Fifties I'm talking about he's like him.

0:29:37.200 --> 0:29:37.960
<v Speaker 2>He's like Kenny G.

0:29:38.240 --> 0:29:40.640
<v Speaker 3>Yes, No, he's not like Kenny G. He's like that

0:29:40.760 --> 0:29:43.959
<v Speaker 3>other guy that I'm thinking of whose name I can't.

0:29:44.320 --> 0:29:45.640
<v Speaker 2>The other guy. I think he's Kenny G.

0:29:46.360 --> 0:29:49.200
<v Speaker 3>No. This is thirty years before k forty years for KG.

0:29:51.280 --> 0:29:54.320
<v Speaker 3>But he played authentic, real like he played like jazz

0:29:54.360 --> 0:29:56.480
<v Speaker 3>as it was like jazz jazz, not ninety four point

0:29:56.520 --> 0:29:57.760
<v Speaker 3>seven in the afternoon jazz.

0:29:58.400 --> 0:30:01.200
<v Speaker 1>Uh No, because he don't know. I think he's Kenny G.

0:30:01.560 --> 0:30:04.680
<v Speaker 1>I think Drake plays jazz horn. I think he plays

0:30:04.680 --> 0:30:09.440
<v Speaker 1>the sacks over pop records. That's pretty much what he does.

0:30:09.480 --> 0:30:14.400
<v Speaker 1>But it's still good jams. It's still great jams. Like

0:30:14.960 --> 0:30:18.200
<v Speaker 1>there's nobody hate this guy. Niggas love this nigga music.

0:30:18.240 --> 0:30:23.080
<v Speaker 1>I like his everybody likes his music in the chat

0:30:23.160 --> 0:30:27.120
<v Speaker 1>or Chet Baker or Dave Burbick, now they all.

0:30:28.760 --> 0:30:29.280
<v Speaker 2>Too.

0:30:33.080 --> 0:30:36.920
<v Speaker 1>I don't again again, it's it's it's a different conversation, right,

0:30:36.960 --> 0:30:40.720
<v Speaker 1>It's like, and this is why be saying where it's

0:30:40.760 --> 0:30:44.160
<v Speaker 1>a weird thing when people talk about hip hop and

0:30:44.200 --> 0:30:46.320
<v Speaker 1>then when it comes to the West, it could be

0:30:46.480 --> 0:30:49.000
<v Speaker 1>identified like, well, you don't even think this is a

0:30:49.040 --> 0:30:51.520
<v Speaker 1>great album because it sounds like the West Coast. Well,

0:30:51.560 --> 0:30:53.760
<v Speaker 1>I think Reasonable Doubt is a great album because it

0:30:53.800 --> 0:30:56.880
<v Speaker 1>sounds like New York. And I think four hundred Degrees

0:30:56.960 --> 0:30:59.520
<v Speaker 1>is a fantastic album because it sounds like New Orleans.

0:30:59.560 --> 0:31:02.840
<v Speaker 1>And I think Untouchable is a fantastic album because it

0:31:02.880 --> 0:31:06.520
<v Speaker 1>sounds like Houston. And I think you Know a Bones

0:31:07.080 --> 0:31:10.000
<v Speaker 1>first album is a great EP because it sounds like Cleveland.

0:31:10.160 --> 0:31:13.360
<v Speaker 2>That's hip hop. That's fucking hip hop.

0:31:13.440 --> 0:31:17.840
<v Speaker 1>If a West Coast artist wraps over Southern beats, it's

0:31:17.960 --> 0:31:18.680
<v Speaker 1>pop music.

0:31:21.680 --> 0:31:24.440
<v Speaker 2>That's what y'all don't get. This is what pop music does.

0:31:24.480 --> 0:31:30.360
<v Speaker 1>They take successful genres of music, they take seasoning out

0:31:30.400 --> 0:31:34.720
<v Speaker 1>of it, take seasoning out of it, and then make

0:31:34.760 --> 0:31:39.400
<v Speaker 1>it digestible for everybody. It's Taco Bell. It's what Taco

0:31:39.480 --> 0:31:43.840
<v Speaker 1>Bell represents the Mexican food. It's what Kentucky Fried Chicken

0:31:43.920 --> 0:31:45.400
<v Speaker 1>represents the soul food.

0:31:46.320 --> 0:31:48.040
<v Speaker 2>It's the same effort.

0:31:49.080 --> 0:31:51.800
<v Speaker 1>So it's just weird to me that the West Coast

0:31:51.880 --> 0:31:53.880
<v Speaker 1>gets singled out like that.

0:31:55.360 --> 0:32:04.400
<v Speaker 2>It's just weird. It's just weird shout out to ep

0:32:04.800 --> 0:32:07.480
<v Speaker 2>see justifying what the West do. He got killed because

0:32:07.480 --> 0:32:10.160
<v Speaker 2>of puff. That's wrong. It's not the West.

0:32:10.480 --> 0:32:15.240
<v Speaker 1>Every move that happens in California is not a representation

0:32:15.440 --> 0:32:20.320
<v Speaker 1>of our street urban culture. Every move is not a

0:32:20.440 --> 0:32:23.680
<v Speaker 1>thing that we decide openly like, hey, we have a

0:32:23.800 --> 0:32:26.959
<v Speaker 1>problem like that, Like we don't. Nobody had a problem

0:32:26.960 --> 0:32:30.120
<v Speaker 1>with Big Bro. Nobody had a problem with Big in

0:32:30.160 --> 0:32:33.560
<v Speaker 1>the streets at all. Like people wasn't saying fuck Big.

0:32:33.600 --> 0:32:36.360
<v Speaker 1>And I wasn't a prime of my life during that beef,

0:32:36.400 --> 0:32:38.600
<v Speaker 1>you know, I was coming into my adulthood, you know

0:32:38.640 --> 0:32:41.280
<v Speaker 1>what I'm saying. So nobody was like, man, fuck Biggie.

0:32:41.320 --> 0:32:44.160
<v Speaker 1>Even when they were warring with Pac and Biggie. Even

0:32:44.160 --> 0:32:48.120
<v Speaker 1>when Pac died, nobody was like, man, fuck Big. Nobody

0:32:48.160 --> 0:32:51.640
<v Speaker 1>thought Big had anything to do with it. Nobody thought Big.

0:32:51.680 --> 0:32:55.800
<v Speaker 1>So it was never a collaborative effort of the streets

0:32:56.120 --> 0:32:59.080
<v Speaker 1>to get rid of Big. Like that's just I can't

0:32:59.120 --> 0:33:03.440
<v Speaker 1>say us the same thing with what's the brother name

0:33:03.480 --> 0:33:05.680
<v Speaker 1>that that got killed at roscos P and b Rock.

0:33:05.760 --> 0:33:06.440
<v Speaker 2>That was not a.

0:33:06.360 --> 0:33:12.080
<v Speaker 1>Collaborative effort, a collaborative effort of our streets to hurt

0:33:12.120 --> 0:33:15.280
<v Speaker 1>another rapper. That was just somebody wearing a lot of

0:33:15.360 --> 0:33:18.760
<v Speaker 1>jury in a location where poor people you feel me

0:33:19.480 --> 0:33:22.160
<v Speaker 1>congregate and you know what I mean. He had a

0:33:22.160 --> 0:33:24.680
<v Speaker 1>situation where somebody tried to rob him, things went bad

0:33:24.720 --> 0:33:27.680
<v Speaker 1>and they killed it. That can happen in every ghetto

0:33:27.920 --> 0:33:32.000
<v Speaker 1>in America. That can happen in every ghetto in America.

0:33:34.600 --> 0:33:35.840
<v Speaker 1>But this is ridiculous.

0:33:35.880 --> 0:33:36.080
<v Speaker 2>EP.

0:33:36.320 --> 0:33:38.800
<v Speaker 1>There's no way we could all hate the East Coast.

0:33:38.960 --> 0:33:42.760
<v Speaker 1>The reason we rap period and make hip hop is

0:33:42.800 --> 0:33:47.360
<v Speaker 1>because of these coasts that don't even make sense. So

0:33:47.560 --> 0:33:50.240
<v Speaker 1>but as far as as far as that, I just

0:33:50.640 --> 0:33:55.160
<v Speaker 1>really been thinking about it. I think people genuinely hate

0:33:55.520 --> 0:34:03.959
<v Speaker 1>the West Coast. I'm telling you, I think people hate

0:34:04.320 --> 0:34:08.120
<v Speaker 1>the West Coast. Now, listen, Glasses, Lowe is different. I

0:34:08.200 --> 0:34:09.319
<v Speaker 1>go everywhere and I get love.

0:34:09.400 --> 0:34:10.759
<v Speaker 2>That's true. You know what I'm saying.

0:34:10.960 --> 0:34:14.200
<v Speaker 1>I really get love I don't have. But again, I'm

0:34:14.239 --> 0:34:16.000
<v Speaker 1>not I'm just one.

0:34:16.000 --> 0:34:19.759
<v Speaker 2>Person out of the West. You know what I'm saying.

0:34:19.840 --> 0:34:23.719
<v Speaker 1>But I'm telling you, when you hear somebody say Glasses,

0:34:25.120 --> 0:34:27.840
<v Speaker 1>when you hear somebody say man, Glasses, you only like

0:34:27.960 --> 0:34:31.760
<v Speaker 1>the New Kendrick album because it sounds.

0:34:31.400 --> 0:34:35.799
<v Speaker 2>Like the West Coast, That's just crazy. I don't know.

0:34:36.560 --> 0:34:39.320
<v Speaker 1>I've never in my life heard that about Future's album.

0:34:39.400 --> 0:34:41.960
<v Speaker 1>And y'all only like Future album, Y'll only saying Dirty

0:34:41.960 --> 0:34:44.800
<v Speaker 1>Sprite Too is a classic because it sounds so southern.

0:34:45.040 --> 0:34:49.240
<v Speaker 2>That's just weird. What am I missing? Pete?

0:34:51.480 --> 0:34:57.959
<v Speaker 3>I think that there is an inherent Like I said,

0:35:00.920 --> 0:35:04.959
<v Speaker 3>I think most of the rest of the country looks

0:35:05.000 --> 0:35:07.840
<v Speaker 3>at looks at the LA hip hop scene as being

0:35:08.560 --> 0:35:16.480
<v Speaker 3>like fortuitously fortuitously located such that it's impact and influence

0:35:16.560 --> 0:35:20.479
<v Speaker 3>is outsized to that degree, and there's some resentment there,

0:35:21.400 --> 0:35:25.399
<v Speaker 3>you know. You know that that would be my speculation,

0:35:26.560 --> 0:35:34.719
<v Speaker 3>like if the industry was located in another town Chicago

0:35:35.200 --> 0:35:39.400
<v Speaker 3>or Dallas or somewhere else where you were adjacent to

0:35:39.560 --> 0:35:41.960
<v Speaker 3>the movie industry where all the music was made there

0:35:42.080 --> 0:35:44.880
<v Speaker 3>whatever else, Like they're you know, like like there, anything

0:35:44.920 --> 0:35:47.680
<v Speaker 3>that comes out of there just has to be from

0:35:47.680 --> 0:35:51.959
<v Speaker 3>out of there, and it's impact or influence or it's

0:35:52.239 --> 0:35:54.920
<v Speaker 3>regard or whatever is Like I think they think like

0:35:55.080 --> 0:35:58.400
<v Speaker 3>artificially propped up in a sense, whereas if you're from Timbuktu,

0:35:59.400 --> 0:36:03.880
<v Speaker 3>there's more it's more of an uphill battle, you know

0:36:03.880 --> 0:36:06.200
<v Speaker 3>what I'm saying. So I think that maybe some of

0:36:06.239 --> 0:36:08.879
<v Speaker 3>that like oh, well, you know, it's not any better

0:36:08.920 --> 0:36:12.520
<v Speaker 3>than mc so and so from God knows where. It

0:36:12.680 --> 0:36:16.680
<v Speaker 3>just happens to be that it's seventeen seconds from the

0:36:16.680 --> 0:36:22.640
<v Speaker 3>epicenter of all things marketing, distribution, and broadcasting. Therefore, it

0:36:22.640 --> 0:36:28.640
<v Speaker 3>gets blown up through the stratosphere just just purely for existing.

0:36:29.040 --> 0:36:30.239
<v Speaker 3>You know what I'm saying. I think that there is

0:36:30.280 --> 0:36:30.799
<v Speaker 3>some of that.

0:36:31.760 --> 0:36:34.319
<v Speaker 2>Yeah, but now that's right.

0:36:34.800 --> 0:36:36.560
<v Speaker 3>I just think that that's that's some of the psychology.

0:36:38.280 --> 0:36:41.359
<v Speaker 1>Shout out to my brother DT. Same reason they hate

0:36:41.400 --> 0:36:46.719
<v Speaker 1>the Lakers, LA crime. Now listen, I'm not saying I

0:36:46.760 --> 0:36:50.719
<v Speaker 1>don't understand why we're on a sonic island. I definitely

0:36:51.320 --> 0:36:57.480
<v Speaker 1>understand sonically while we're why we are on an island,

0:36:58.280 --> 0:37:01.000
<v Speaker 1>you know what I mean? The West to dop funk,

0:37:02.320 --> 0:37:04.640
<v Speaker 1>you know what I mean, and everybody else kind of

0:37:04.680 --> 0:37:07.839
<v Speaker 1>went other places. Midwest kind of went more R and

0:37:07.880 --> 0:37:09.920
<v Speaker 1>B when it came to the hip hop, right, you

0:37:09.920 --> 0:37:13.239
<v Speaker 1>start thinking, do a guy bone Kanye. It's more R

0:37:13.280 --> 0:37:16.880
<v Speaker 1>and B into it. The South went more to blues,

0:37:17.719 --> 0:37:20.080
<v Speaker 1>you know what I'm saying. And I get it. So

0:37:20.160 --> 0:37:23.880
<v Speaker 1>I get again, the West is on, you know, a

0:37:24.000 --> 0:37:28.640
<v Speaker 1>sonic island, right because we are far from the rest

0:37:28.719 --> 0:37:29.919
<v Speaker 1>of There's likely.

0:37:29.960 --> 0:37:34.360
<v Speaker 3>Seven hundred miles of sand between the fifteen Freeway and

0:37:34.400 --> 0:37:35.799
<v Speaker 3>the thirty five in.

0:37:35.840 --> 0:37:41.120
<v Speaker 1>Fact, so no, so I get why. You know, sonically

0:37:41.160 --> 0:37:44.200
<v Speaker 1>we can seem on an island, right because we do

0:37:44.280 --> 0:37:46.960
<v Speaker 1>have a different weather, We do have a dreamy weather.

0:37:47.040 --> 0:37:50.480
<v Speaker 1>We do have a festive scene even in the winter.

0:37:51.200 --> 0:37:54.880
<v Speaker 1>You feel me, I get it. I'm not I'm not

0:37:54.920 --> 0:37:58.480
<v Speaker 1>disagreeing with that. Shout out to Ravens who makes this

0:37:58.520 --> 0:38:00.440
<v Speaker 1>is what I'm talking about. I don't think you guys

0:38:00.840 --> 0:38:03.279
<v Speaker 1>get how harsh the West signature sound is to the

0:38:03.320 --> 0:38:06.000
<v Speaker 1>typical ear of a Southerner. If you don't attempt more

0:38:06.040 --> 0:38:08.640
<v Speaker 1>than five listens, it's hard to understand the world of sound.

0:38:08.960 --> 0:38:11.600
<v Speaker 1>Ironically revenged, that's the point I'm saying.

0:38:12.600 --> 0:38:13.520
<v Speaker 2>I totally.

0:38:15.040 --> 0:38:16.680
<v Speaker 3>Out of California a lot of my life.

0:38:16.880 --> 0:38:21.279
<v Speaker 1>Yeah, and that's the point that I'm saying. I don't

0:38:21.320 --> 0:38:25.240
<v Speaker 1>disagree that. That's my point. I get why the sound

0:38:25.320 --> 0:38:27.920
<v Speaker 1>it's it's different, like the South kind of has a

0:38:28.080 --> 0:38:32.040
<v Speaker 1>united sound together, there are nuanced differences. What Houston does

0:38:32.440 --> 0:38:36.320
<v Speaker 1>is not quite what Atlanta does, but that's not quite

0:38:36.560 --> 0:38:39.759
<v Speaker 1>what Memphis does, and that's not quite what Miami does.

0:38:39.880 --> 0:38:42.719
<v Speaker 2>There are nuanced differences go ahead.

0:38:42.600 --> 0:38:44.520
<v Speaker 3>At the same time. Also in that part of the country,

0:38:44.560 --> 0:38:49.759
<v Speaker 3>there's there's a purple spectrum. Saint louis for being Midwest,

0:38:50.160 --> 0:38:53.200
<v Speaker 3>is very southea. You know, you got guys that come

0:38:53.280 --> 0:38:57.600
<v Speaker 3>out of Louisville Louisville is not really the South. It's

0:38:57.600 --> 0:39:00.960
<v Speaker 3>not really there's if you think of it like in

0:39:01.040 --> 0:39:03.520
<v Speaker 3>terms of geography, like Australia, like the Cut, like Perth.

0:39:03.800 --> 0:39:06.080
<v Speaker 3>It's like the most remote major city of the world.

0:39:06.080 --> 0:39:09.040
<v Speaker 3>It's like on the west coast of Australia, it's separated

0:39:09.040 --> 0:39:12.920
<v Speaker 3>by forever. California is separated by a huge gap. So

0:39:12.960 --> 0:39:14.720
<v Speaker 3>it's not like you drift a little over to Phoenix,

0:39:14.719 --> 0:39:17.440
<v Speaker 3>and Phoenix sounds a little Texas, it sounds a little California. No,

0:39:18.719 --> 0:39:21.360
<v Speaker 3>it's it's just a lot of California transplants moved to

0:39:21.400 --> 0:39:24.120
<v Speaker 3>east out to ten and it doesn't have its own identity.

0:39:24.160 --> 0:39:26.880
<v Speaker 3>And then you go beyond that and it's no man's

0:39:26.960 --> 0:39:30.360
<v Speaker 3>land for one thousand miles. It's not like Texas. Yeah,

0:39:30.960 --> 0:39:33.120
<v Speaker 3>and even so, like Texas is right by New Orleans,

0:39:33.160 --> 0:39:35.080
<v Speaker 3>is right by memphisis right by I mean, it's no,

0:39:35.400 --> 0:39:37.359
<v Speaker 3>and it's is far from Saint Louis to Memphis as

0:39:37.360 --> 0:39:38.440
<v Speaker 3>it is from La to Vegas.

0:39:38.520 --> 0:39:40.319
<v Speaker 2>But that's my point though, you know what I'm saying.

0:39:40.480 --> 0:39:44.400
<v Speaker 1>My point is California is as far as urban culture,

0:39:44.480 --> 0:39:48.359
<v Speaker 1>we're on the island. Yeah, like you you can see

0:39:48.400 --> 0:39:52.439
<v Speaker 1>why New York, New Jersey, Philly.

0:39:52.520 --> 0:39:54.520
<v Speaker 3>It sounds terribly different than New York.

0:39:54.560 --> 0:39:55.560
<v Speaker 2>I wouldn't but.

0:39:55.640 --> 0:39:59.040
<v Speaker 1>The sonics of the music don't the accent the culture

0:39:59.080 --> 0:40:01.480
<v Speaker 1>of how they talk, but the sonics of the music

0:40:01.719 --> 0:40:05.960
<v Speaker 1>is not far are exactly because again it's it's an

0:40:06.000 --> 0:40:07.640
<v Speaker 1>hour to get.

0:40:08.080 --> 0:40:11.840
<v Speaker 3>Even La and the Bear further apart.

0:40:13.080 --> 0:40:17.759
<v Speaker 1>Than the New York Baltimore Yeah, which is Yeah, which

0:40:17.800 --> 0:40:20.120
<v Speaker 1>is in Maryland, which is four states over. And that's

0:40:20.160 --> 0:40:23.040
<v Speaker 1>my point. So we are on an item. So I

0:40:23.120 --> 0:40:25.000
<v Speaker 1>get to every fan out there.

0:40:25.640 --> 0:40:26.200
<v Speaker 2>Shout out to.

0:40:26.160 --> 0:40:28.480
<v Speaker 1>Every fan again, this is No Silller's Live to Lunch

0:40:28.480 --> 0:40:34.200
<v Speaker 1>Hour every Monday, Wednesday and Friday noon Pacific standard time.

0:40:34.480 --> 0:40:36.879
<v Speaker 1>I know you at work. We were here to kind

0:40:36.880 --> 0:40:39.480
<v Speaker 1>of had this conversation while you at work. You feel

0:40:39.520 --> 0:40:41.719
<v Speaker 1>me and entertain you while you're eating your Lunchfore you

0:40:41.719 --> 0:40:43.520
<v Speaker 1>get back to that cubicle, or you get back to

0:40:43.920 --> 0:40:47.080
<v Speaker 1>operating on that patient or whatever you gotta do. When

0:40:47.080 --> 0:40:51.080
<v Speaker 1>that one o'clock time hits, click the thumbs up button.

0:40:51.120 --> 0:40:53.840
<v Speaker 1>Let everybody know you here go under the description subscribe

0:40:53.840 --> 0:40:54.839
<v Speaker 1>to the No Seller's.

0:40:54.600 --> 0:40:56.880
<v Speaker 2>Podcast asap today.

0:40:57.200 --> 0:41:00.960
<v Speaker 1>Subscribe to the No Seller's podcast uh on Apple Podcasts

0:41:01.000 --> 0:41:04.400
<v Speaker 1>anywhere you get your podcasts, The No Sillings podcast executive

0:41:04.400 --> 0:41:08.040
<v Speaker 1>produced by Charlomagne and God Black Effect Network in my heart.

0:41:08.400 --> 0:41:11.400
<v Speaker 1>So yeah, it's surgeons that's in No Silllings. It's surgeons

0:41:11.440 --> 0:41:13.839
<v Speaker 1>that I got a DM from a surgeon who says

0:41:13.920 --> 0:41:17.600
<v Speaker 1>he loves the lunch hour and he really listened to

0:41:17.640 --> 0:41:18.560
<v Speaker 1>it on his lunch.

0:41:18.320 --> 0:41:20.840
<v Speaker 2>Break for real. I ain't joking.

0:41:21.800 --> 0:41:24.719
<v Speaker 1>So you know this lunch hour worked out for all

0:41:24.760 --> 0:41:27.319
<v Speaker 1>of you productive human beings that's here. It's at a

0:41:27.360 --> 0:41:35.399
<v Speaker 1>reasonable time as we speak, right, Homie again, shout out

0:41:35.400 --> 0:41:38.160
<v Speaker 1>to Kelvin. Kelvin said, I'm an engineer. If it's a flex,

0:41:38.239 --> 0:41:40.680
<v Speaker 1>I'm you it is a flexing those silllings, Kevin that

0:41:40.719 --> 0:41:43.480
<v Speaker 1>you're an engineer. It might not be a flex in

0:41:43.520 --> 0:41:47.960
<v Speaker 1>other places, but Kevin and no, in the lunch hour,

0:41:48.160 --> 0:41:51.000
<v Speaker 1>that's a flex, Brody. And I'm happy engineers here having

0:41:51.000 --> 0:41:55.320
<v Speaker 1>this intelligent conversation. I hope the conversations inspire you outside

0:41:55.360 --> 0:41:58.120
<v Speaker 1>to have doper conversations with your homeboys at the barbershop

0:41:58.360 --> 0:42:00.560
<v Speaker 1>when you're taking your time off of work.

0:42:00.600 --> 0:42:04.439
<v Speaker 2>But definitely being an engineer as a flex. So again.

0:42:06.239 --> 0:42:13.400
<v Speaker 1>Again, right, we are on a sonic island, right, we

0:42:13.480 --> 0:42:14.800
<v Speaker 1>are on a sonic island.

0:42:15.000 --> 0:42:18.360
<v Speaker 2>The South does share common themes in sounds.

0:42:18.560 --> 0:42:21.160
<v Speaker 1>The Midwest, you know, all of those states are close,

0:42:21.239 --> 0:42:24.600
<v Speaker 1>so they do share a common theme in sound. And

0:42:24.640 --> 0:42:29.120
<v Speaker 1>there's multiple cultures right that that make it work, you

0:42:29.160 --> 0:42:33.240
<v Speaker 1>know what I mean. Chicago has its own mainstay culture, Detroit,

0:42:33.280 --> 0:42:35.120
<v Speaker 1>which is not that far, Cleveland.

0:42:35.480 --> 0:42:37.919
<v Speaker 2>You know, all these places are hours from each other.

0:42:38.280 --> 0:42:41.080
<v Speaker 1>Mind you to get out of California, like to go

0:42:41.160 --> 0:42:44.719
<v Speaker 1>to the northernest state in California, you feel me, would

0:42:44.760 --> 0:42:49.560
<v Speaker 1>take you sixteen hours driving terrible to go to the

0:42:49.600 --> 0:42:53.640
<v Speaker 1>eastest state right with to be Nevada, or you know

0:42:53.680 --> 0:42:56.800
<v Speaker 1>what I mean, Or Arizona, that's four to five hours,

0:42:57.200 --> 0:43:00.359
<v Speaker 1>you feel me. So we don't share what the rest

0:43:00.360 --> 0:43:02.279
<v Speaker 1>of the country here, you know what I'm saying. But

0:43:02.360 --> 0:43:07.160
<v Speaker 1>even even Arizona, Portland, Seattle, Nevada, those places are far.

0:43:08.640 --> 0:43:11.480
<v Speaker 1>Like remember you could be in New York City shout

0:43:11.480 --> 0:43:13.560
<v Speaker 1>out to space stout Pharaoh, because that's true. We do

0:43:13.680 --> 0:43:16.680
<v Speaker 1>have a z we do have Oregon, we do have Washington,

0:43:16.719 --> 0:43:19.360
<v Speaker 1>we do have Nevada, we do have New Mexico, we

0:43:19.400 --> 0:43:20.360
<v Speaker 1>do have Colorado.

0:43:20.480 --> 0:43:24.800
<v Speaker 2>That is all the West. But those places are far,

0:43:25.000 --> 0:43:26.160
<v Speaker 2>they're far.

0:43:26.239 --> 0:43:29.160
<v Speaker 3>And to a degree. I mean, I live in Oakland

0:43:29.200 --> 0:43:32.920
<v Speaker 3>for a couple of years. It's it's kind of the

0:43:32.960 --> 0:43:36.640
<v Speaker 3>same weatherwise, but it's kind of not like you're not.

0:43:37.440 --> 0:43:40.320
<v Speaker 3>It's cold. It's colder. You go in to Portland and Seattle.

0:43:40.840 --> 0:43:44.520
<v Speaker 3>A lot of what makes California culture, Southern California culture

0:43:44.600 --> 0:43:49.160
<v Speaker 3>work is the outdoor, the summer. To all that that't

0:43:49.200 --> 0:43:51.799
<v Speaker 3>that's not barre In Portland Seattle, it's cold all the

0:43:51.840 --> 0:43:54.840
<v Speaker 3>goddamn time. It's a different people move different, it's a

0:43:54.840 --> 0:43:55.680
<v Speaker 3>different lifestyle.

0:43:56.200 --> 0:43:58.359
<v Speaker 2>Shout out to Jerry me Cold. Thank you for being

0:43:58.360 --> 0:43:59.359
<v Speaker 2>in the chat. My boy.

0:43:59.480 --> 0:44:01.879
<v Speaker 1>I don't care Sonic get from. If TV off ain't

0:44:01.920 --> 0:44:04.800
<v Speaker 1>hitting for you, I don't know if you can be helped. Facts,

0:44:05.200 --> 0:44:05.840
<v Speaker 1>that's facts.

0:44:06.560 --> 0:44:10.960
<v Speaker 3>Shout out to Portland because Portland has just frankly speaking,

0:44:11.280 --> 0:44:13.799
<v Speaker 3>I didn't realize. I was on MLK in Portland one

0:44:13.800 --> 0:44:18.240
<v Speaker 3>time and I saw a Nike place. MLK in Portland

0:44:18.600 --> 0:44:20.560
<v Speaker 3>is the widest street I've ever been on in my life.

0:44:21.320 --> 0:44:21.920
<v Speaker 2>Shout out to.

0:44:21.960 --> 0:44:24.920
<v Speaker 1>D I'm a really honest salesman. My boy really is

0:44:24.920 --> 0:44:30.560
<v Speaker 1>an honest salesman. Shout out to Bella Mack. This is

0:44:30.600 --> 0:44:31.280
<v Speaker 1>a great question.

0:44:31.320 --> 0:44:31.680
<v Speaker 2>Why is it.

0:44:31.760 --> 0:44:34.200
<v Speaker 1>Whenever I visit the state down south or Midwest, they

0:44:34.239 --> 0:44:36.239
<v Speaker 1>never want me to play West Coast music. They say

0:44:36.239 --> 0:44:38.080
<v Speaker 1>the West Coast is whack when it comes to music.

0:44:39.480 --> 0:44:44.480
<v Speaker 1>I think that's because again, it's not so much of

0:44:45.120 --> 0:44:49.240
<v Speaker 1>what's happening. I think there's a I think what's happening

0:44:49.239 --> 0:44:52.359
<v Speaker 1>in hip hop it's getting lost on the music. And

0:44:52.440 --> 0:44:55.040
<v Speaker 1>I think it's because of the last fifteen years the

0:44:55.080 --> 0:44:58.200
<v Speaker 1>people in power. I think J Cole makes a very

0:44:59.160 --> 0:45:02.120
<v Speaker 1>you know, gestible version of pop music. You know what

0:45:02.120 --> 0:45:04.040
<v Speaker 1>I mean that that has a hip hop front, you know,

0:45:04.040 --> 0:45:05.480
<v Speaker 1>I mean has a rap face, that has a hip

0:45:05.480 --> 0:45:10.960
<v Speaker 1>hop face, but it's a little bit more gentrified and pasteurized.

0:45:11.000 --> 0:45:14.720
<v Speaker 1>It doesn't truly have a home. It doesn't. You don't

0:45:14.719 --> 0:45:18.520
<v Speaker 1>get the culture that's from North Carolina. And again even

0:45:18.560 --> 0:45:22.720
<v Speaker 1>with Drake, you don't get the true street urban culture

0:45:23.160 --> 0:45:23.920
<v Speaker 1>of Toronto.

0:45:24.120 --> 0:45:26.320
<v Speaker 2>Hip hop was built on culture.

0:45:26.640 --> 0:45:29.840
<v Speaker 3>Just look at the cultural sense you get from listening

0:45:29.840 --> 0:45:31.520
<v Speaker 3>to J Cole versus P D Papmo.

0:45:33.120 --> 0:45:38.160
<v Speaker 1>Yeah, like exactly great or The Baby. Yeah, you know

0:45:38.320 --> 0:45:41.759
<v Speaker 1>the Country Twain in The Baby. You could feel the

0:45:41.800 --> 0:45:46.200
<v Speaker 1>country Twain in PD Pablo. But even what they do

0:45:46.920 --> 0:45:50.440
<v Speaker 1>is not as let's say as country as an outcast

0:45:50.600 --> 0:45:54.879
<v Speaker 1>or as country as let's say, even a juvenile, right,

0:45:54.960 --> 0:45:57.160
<v Speaker 1>there is still a subtle difference.

0:45:58.360 --> 0:46:00.160
<v Speaker 3>And all the rappers a como out of memphisis that

0:46:00.360 --> 0:46:04.799
<v Speaker 3>very and and and generally like it. Like you say,

0:46:04.880 --> 0:46:07.840
<v Speaker 3>it is a different tempo, it's a different sound. It

0:46:07.920 --> 0:46:10.439
<v Speaker 3>is a different it's it's it's like a hole. It's

0:46:10.480 --> 0:46:13.920
<v Speaker 3>not like I don't hear West Coast music out here,

0:46:14.560 --> 0:46:18.480
<v Speaker 3>you know, but songs, if you're out of place, they

0:46:18.640 --> 0:46:20.600
<v Speaker 3>kind of flow from one to another. And then you

0:46:20.920 --> 0:46:24.960
<v Speaker 3>don't flow as seamlessly in and out of a West

0:46:25.000 --> 0:46:27.799
<v Speaker 3>Coast song and an ocean of of of Southern songs.

0:46:28.000 --> 0:46:31.040
<v Speaker 1>Again, there the tempo is a world of different, right,

0:46:31.080 --> 0:46:34.200
<v Speaker 1>If you come from a sixty two bpm song to

0:46:34.280 --> 0:46:37.400
<v Speaker 1>one hundred bpm song, it's a night and day different.

0:46:37.640 --> 0:46:40.359
<v Speaker 2>But again that's truly what sound did.

0:46:40.480 --> 0:46:42.440
<v Speaker 1>Sound is not so much the fact that we build

0:46:42.440 --> 0:46:45.439
<v Speaker 1>it off of funk, but it's the pace of life, right,

0:46:45.480 --> 0:46:46.080
<v Speaker 1>the heart.

0:46:45.880 --> 0:46:49.000
<v Speaker 2>Beats per minuted, the beats like the old school synthesizer sound.

0:46:49.040 --> 0:46:53.279
<v Speaker 3>It's the yeah, you're really changing what you're doing on

0:46:53.320 --> 0:46:55.160
<v Speaker 3>the dance floor when you come in and out of

0:46:55.200 --> 0:46:55.880
<v Speaker 3>that like that.

0:46:57.160 --> 0:46:59.680
<v Speaker 2>But but mid but mind you you know what I mean.

0:46:59.760 --> 0:47:04.040
<v Speaker 1>It's it's like the South and the Midwest tempos are

0:47:04.080 --> 0:47:07.399
<v Speaker 1>close to the same. Yeah, the East Coast and our

0:47:07.520 --> 0:47:11.399
<v Speaker 1>tempos are close to the same. But again, music going

0:47:11.400 --> 0:47:14.160
<v Speaker 1>from here to there means it needs to pass places

0:47:14.160 --> 0:47:15.560
<v Speaker 1>that have really great music.

0:47:16.400 --> 0:47:20.120
<v Speaker 3>So the South and the Midwest are more country parts

0:47:20.280 --> 0:47:24.040
<v Speaker 3>of the more as you said, more country parts of

0:47:24.080 --> 0:47:26.760
<v Speaker 3>the country. They are more rural parts of the country

0:47:26.800 --> 0:47:27.400
<v Speaker 3>in that sense.

0:47:28.480 --> 0:47:30.600
<v Speaker 1>My brother tysan Garcia, I see you. I'm glad you

0:47:30.680 --> 0:47:31.680
<v Speaker 1>here today. Man, you made it.

0:47:31.719 --> 0:47:34.040
<v Speaker 2>You're still on time. Bam.

0:47:34.120 --> 0:47:35.799
<v Speaker 1>This is a great This is a great too. Shout

0:47:35.840 --> 0:47:38.040
<v Speaker 1>out to the hommies on You know why I love Twitter, bro.

0:47:38.120 --> 0:47:42.120
<v Speaker 1>Twitter is really the smartest platform. You meet the most

0:47:42.160 --> 0:47:46.440
<v Speaker 1>smart people and intelligent people on Twitter. I think Instagram

0:47:46.520 --> 0:47:49.320
<v Speaker 1>is for people that ain't really that bright. Maybe TikTok

0:47:49.320 --> 0:47:52.279
<v Speaker 1>and snapchat are the worst, but Twitter, for sure are

0:47:52.280 --> 0:47:54.719
<v Speaker 1>the smartest people on social media. So shout out to

0:47:55.000 --> 0:47:57.880
<v Speaker 1>X Shout out to Elon forgetting that, because I really

0:47:57.920 --> 0:48:02.200
<v Speaker 1>think the greatest contributors of of of of of social

0:48:02.239 --> 0:48:04.160
<v Speaker 1>media content comes from Twitter.

0:48:04.520 --> 0:48:06.160
<v Speaker 3>I spent an hour trying to set up a new

0:48:06.160 --> 0:48:07.479
<v Speaker 3>Twitter like four days ago.

0:48:07.680 --> 0:48:09.759
<v Speaker 2>Still different.

0:48:09.800 --> 0:48:10.040
<v Speaker 3>Threat.

0:48:10.960 --> 0:48:12.200
<v Speaker 2>I got to hit eline to get you.

0:48:14.760 --> 0:48:15.840
<v Speaker 3>Four different names.

0:48:16.719 --> 0:48:17.680
<v Speaker 2>Shout out to Bam.

0:48:18.080 --> 0:48:20.080
<v Speaker 1>But wouldn't you say the Internet that's bridged a lot

0:48:20.080 --> 0:48:21.240
<v Speaker 1>of sounds over the lands.

0:48:21.520 --> 0:48:22.600
<v Speaker 2>But that's the problem.

0:48:23.320 --> 0:48:27.560
<v Speaker 1>See, you gotta get off the Internet, right because that's

0:48:27.640 --> 0:48:32.840
<v Speaker 1>not where hip hop lives. Hip Hop is not the Internet.

0:48:33.280 --> 0:48:36.640
<v Speaker 1>Hip hop is outside the front door. The way people

0:48:36.719 --> 0:48:40.760
<v Speaker 1>talk culture, the Internet doesn't have a culture. The Internet

0:48:40.880 --> 0:48:41.880
<v Speaker 1>is mainstream.

0:48:42.200 --> 0:48:47.600
<v Speaker 3>It's the Internet has no channels essentially. So as much

0:48:47.600 --> 0:48:50.200
<v Speaker 3>as the Internet, you could look at it and in

0:48:50.440 --> 0:48:53.400
<v Speaker 3>theory think, oh, the Internet has no walls. It's a

0:48:53.480 --> 0:48:57.200
<v Speaker 3>landscape that you know, you can. It's also a landscape

0:48:57.200 --> 0:49:02.520
<v Speaker 3>that lends itself to people congregating into like iopic ecosystems.

0:49:03.200 --> 0:49:07.279
<v Speaker 3>You know, that's and that's very true. Like ideologically people

0:49:07.320 --> 0:49:10.280
<v Speaker 3>people think the same way. They block everyone that disagrees

0:49:10.320 --> 0:49:13.120
<v Speaker 3>with them, and they congregate to everyone that thinks like them.

0:49:13.480 --> 0:49:16.080
<v Speaker 1>Sure, so you miss out on the experience anyway, which

0:49:16.160 --> 0:49:18.920
<v Speaker 1>means you scary to go outside because that shit is outside.

0:49:19.080 --> 0:49:21.680
<v Speaker 1>Shout out to lux Dirty. I remember g Malone and

0:49:21.760 --> 0:49:24.719
<v Speaker 1>me having an hour long conversation about why Drake is

0:49:24.719 --> 0:49:27.799
<v Speaker 1>popping not hip hop. I remember that conversation tracks that

0:49:27.880 --> 0:49:32.600
<v Speaker 1>was a really and it's funny because people think that

0:49:32.800 --> 0:49:35.279
<v Speaker 1>like I hate him versus really that this is just

0:49:35.400 --> 0:49:39.600
<v Speaker 1>my simple stance, Like it's just.

0:49:39.640 --> 0:49:40.319
<v Speaker 2>Not it's that.

0:49:40.320 --> 0:49:43.520
<v Speaker 1>Don't mean he's not fantastic or dope. It's just crazy

0:49:43.560 --> 0:49:46.480
<v Speaker 1>that people confuse it too, like, oh, it's because I

0:49:46.480 --> 0:49:48.960
<v Speaker 1>don't like you, like that don't matter if people in

0:49:49.080 --> 0:49:51.839
<v Speaker 1>hip hop I can't that don't make music half as

0:49:51.840 --> 0:49:53.839
<v Speaker 1>good as Drake. Like, it's so many people in hip

0:49:53.840 --> 0:49:57.200
<v Speaker 1>hop that are nowhere near a great at making records

0:49:57.280 --> 0:50:01.440
<v Speaker 1>or culturally, you know, prevaying you know what they should

0:50:01.760 --> 0:50:03.880
<v Speaker 1>that I don't enjoy in hip hop itself, you know

0:50:03.920 --> 0:50:04.279
<v Speaker 1>what I mean?

0:50:04.960 --> 0:50:10.240
<v Speaker 3>And I guarantee you somewhere and not somewhere small either,

0:50:10.400 --> 0:50:13.640
<v Speaker 3>I just don't go there. That there is this same

0:50:13.719 --> 0:50:20.000
<v Speaker 3>exact conversation happening about some mammoth of a country artist

0:50:20.239 --> 0:50:22.800
<v Speaker 3>that everybody who's a purist thinks, well, they're not country,

0:50:22.800 --> 0:50:23.279
<v Speaker 3>they're pomp.

0:50:24.520 --> 0:50:29.600
<v Speaker 2>I promise you that it is happening. Shout out to BAM.

0:50:30.000 --> 0:50:32.879
<v Speaker 1>I was a middle schooler in Chicago, obsessed with West

0:50:32.960 --> 0:50:33.600
<v Speaker 1>Coast music.

0:50:33.840 --> 0:50:36.080
<v Speaker 2>I thought everyone was a crip over there. Bam.

0:50:36.200 --> 0:50:38.920
<v Speaker 1>I don't know what is the bridge between Chicago and

0:50:39.520 --> 0:50:41.440
<v Speaker 1>the West, you know, especially southern.

0:50:41.120 --> 0:50:42.880
<v Speaker 3>California's goddamn pea stones.

0:50:43.120 --> 0:50:46.399
<v Speaker 1>But some reason there's a serious bridge that we get

0:50:46.440 --> 0:50:48.759
<v Speaker 1>each other because I feel the same way about Do

0:50:48.920 --> 0:50:53.160
<v Speaker 1>or Die. I feel the way. I don't know why,

0:50:53.200 --> 0:50:55.080
<v Speaker 1>but we get it. You feel me.

0:50:56.400 --> 0:50:57.879
<v Speaker 3>They're not simping heavy over there.

0:50:58.520 --> 0:50:59.600
<v Speaker 2>Yeah, and they players.

0:51:00.200 --> 0:51:03.680
<v Speaker 1>But but again this is my point though, Pete, No,

0:51:04.640 --> 0:51:06.960
<v Speaker 1>and this is what I can't get. This is what

0:51:07.040 --> 0:51:11.200
<v Speaker 1>I be on my homeboys at the community about problem,

0:51:11.480 --> 0:51:14.600
<v Speaker 1>all my friends, Joey Duce, all my whole teams.

0:51:17.480 --> 0:51:20.640
<v Speaker 2>The connection is culture. That's the thing.

0:51:20.800 --> 0:51:24.759
<v Speaker 1>Like the Sonic was never the same, right, it could

0:51:24.800 --> 0:51:27.280
<v Speaker 1>have been a little closer, maybe back in the nineties,

0:51:27.320 --> 0:51:31.319
<v Speaker 1>because everybody was that far removed from Leon Haywood, you know,

0:51:31.360 --> 0:51:35.480
<v Speaker 1>the whole country, the whole Black America was twenty years removed,

0:51:35.520 --> 0:51:38.440
<v Speaker 1>fifteen years removed from Leon Haywoods. I want to do

0:51:38.520 --> 0:51:43.200
<v Speaker 1>something freaky, right, and then Doctor dra comes out, Right,

0:51:43.280 --> 0:51:47.480
<v Speaker 1>Doctor Drake comes out and he makes g thing with

0:51:47.600 --> 0:51:51.480
<v Speaker 1>Snoop dogg off of this black classic across the country.

0:51:51.680 --> 0:51:53.720
<v Speaker 2>So maybe we did share that.

0:51:53.600 --> 0:51:56.480
<v Speaker 1>In common versus now where hip hop is starting to

0:51:56.480 --> 0:51:57.520
<v Speaker 1>create on his own.

0:51:58.000 --> 0:52:01.160
<v Speaker 2>And that's actually a great point.

0:52:01.480 --> 0:52:05.680
<v Speaker 1>Damn, I just had a crazy epiphany, bro, this is

0:52:05.680 --> 0:52:13.280
<v Speaker 1>a great point. Well, in the nineties, right when, Damn,

0:52:13.760 --> 0:52:19.800
<v Speaker 1>that's actually brilliant. Cuz so in the nineties when West

0:52:19.800 --> 0:52:22.440
<v Speaker 1>Coast hip hop started to take off right and become

0:52:22.480 --> 0:52:25.320
<v Speaker 1>this dominant presence in hip hop, right, we had our moment.

0:52:26.040 --> 0:52:31.680
<v Speaker 1>Remember Dre and Them was sampling records from ten to

0:52:31.800 --> 0:52:38.560
<v Speaker 1>twenty years ago. But these records were considered black classics. Sure,

0:52:38.719 --> 0:52:42.120
<v Speaker 1>black classics, right, Leon Haywood, I want to do something freaky, right,

0:52:42.160 --> 0:52:44.080
<v Speaker 1>that's the sample for g thing.

0:52:44.640 --> 0:52:48.680
<v Speaker 2>Right. But every black person because we didn't have a

0:52:48.719 --> 0:52:50.480
<v Speaker 2>ton of music in the seventies.

0:52:53.280 --> 0:52:56.279
<v Speaker 3>That's why that one Pas song of was It a

0:52:56.320 --> 0:53:00.880
<v Speaker 3>Million or whatever the hell that hit. It's the principle.

0:53:00.960 --> 0:53:03.000
<v Speaker 3>It's not my favorite song. It's not the best song

0:53:03.040 --> 0:53:04.480
<v Speaker 3>he's ever done in my opinion at all, but it's

0:53:04.520 --> 0:53:05.879
<v Speaker 3>the one that hit the most.

0:53:07.239 --> 0:53:07.680
<v Speaker 2>But but.

0:53:11.200 --> 0:53:14.040
<v Speaker 1>Every black person in the in the it didn't matter

0:53:14.080 --> 0:53:16.440
<v Speaker 1>if you were in Chicago, it didn't matter if you

0:53:16.520 --> 0:53:19.040
<v Speaker 1>were in New York, if you didn't, it didn't matter

0:53:19.040 --> 0:53:22.680
<v Speaker 1>if you was in Florida, Atlanta. They all played Funkadelic,

0:53:22.760 --> 0:53:27.560
<v Speaker 1>they all played Leon Haywood, they all played all of

0:53:27.600 --> 0:53:30.759
<v Speaker 1>this stuff, you know what I mean. They played this

0:53:31.000 --> 0:53:34.360
<v Speaker 1>music all the black people. So when Dre and them sonically,

0:53:34.400 --> 0:53:39.320
<v Speaker 1>there was a closer bridge, there was a closer bridge.

0:53:39.360 --> 0:53:44.120
<v Speaker 1>And I think the West benefit is if they realized

0:53:44.280 --> 0:53:47.600
<v Speaker 1>that there are black songs that do come from the

0:53:47.640 --> 0:53:53.799
<v Speaker 1>two thousands that are black classic songs amongst the whole country. Yeah,

0:53:54.680 --> 0:53:57.319
<v Speaker 1>what I think hip hop is doing, especially West Coast

0:53:57.360 --> 0:53:59.759
<v Speaker 1>hip hop. And I'll be the first person to say this,

0:53:59.840 --> 0:54:01.960
<v Speaker 1>if if I do have a critigue on the music

0:54:02.040 --> 0:54:08.040
<v Speaker 1>side of our artistic expression of street urban culture, we are.

0:54:11.200 --> 0:54:12.400
<v Speaker 2>Corrupt. We can freak.

0:54:12.440 --> 0:54:15.920
<v Speaker 1>It is a West Coast classic that's not a Black

0:54:16.200 --> 0:54:19.880
<v Speaker 1>classic around the country on the underground level, that's a

0:54:20.280 --> 0:54:25.440
<v Speaker 1>West Coast classic, right And oh, this goes to the

0:54:25.440 --> 0:54:28.719
<v Speaker 1>point I've been telling Joey. I've been telling Joey, I'm

0:54:28.760 --> 0:54:32.960
<v Speaker 1>trying to get away with not sampling rap songs. I

0:54:33.000 --> 0:54:37.800
<v Speaker 1>think hip hop is really hurting itself by sampling rap songs.

0:54:38.440 --> 0:54:40.680
<v Speaker 1>Right now, there are some rap songs you can sample,

0:54:40.760 --> 0:54:43.799
<v Speaker 1>but I think we're really hurting ourselves by kind of

0:54:43.880 --> 0:54:46.720
<v Speaker 1>taking this great idea that we made off of great

0:54:46.760 --> 0:54:49.920
<v Speaker 1>ideas and then sampling that. It's like making a gourmet

0:54:50.040 --> 0:54:51.240
<v Speaker 1>meal out of a top ramen.

0:54:51.960 --> 0:54:55.239
<v Speaker 3>It's it's multiplicity. The remember the movie with the guy

0:54:55.239 --> 0:54:58.919
<v Speaker 3>who played Batman, Yeah, where they have the original guy

0:54:59.000 --> 0:55:00.879
<v Speaker 3>and he clones himself. He wanted to go to work

0:55:00.920 --> 0:55:03.000
<v Speaker 3>and be a dad. And then they cloned the clone,

0:55:03.040 --> 0:55:04.720
<v Speaker 3>and they cloned the clone, and they cloned the clone,

0:55:04.719 --> 0:55:07.280
<v Speaker 3>and then like the like number five was half retarded.

0:55:08.840 --> 0:55:09.200
<v Speaker 2>Damn.

0:55:09.719 --> 0:55:12.520
<v Speaker 3>What was the name of that guy? Keaton? Michael Keaton

0:55:12.560 --> 0:55:15.279
<v Speaker 3>played in the movie stupid movie. But it's but it's

0:55:15.360 --> 0:55:18.480
<v Speaker 3>a fair point. If you copy a copy and copy

0:55:18.520 --> 0:55:20.399
<v Speaker 3>a copy of a copy, and the same thing's true

0:55:20.400 --> 0:55:22.239
<v Speaker 3>with like like a photo copy, if you take the

0:55:22.239 --> 0:55:25.640
<v Speaker 3>original picture, you copy that less quality quad copy that copy,

0:55:25.680 --> 0:55:27.640
<v Speaker 3>that copy, that cop of that, et cetera.

0:55:30.200 --> 0:55:34.759
<v Speaker 2>No, but think about it, bro, that's what's wrong. That's

0:55:34.800 --> 0:55:37.560
<v Speaker 2>what's being lost on the West.

0:55:37.920 --> 0:55:39.479
<v Speaker 3>And that's that's kind of true.

0:55:39.760 --> 0:55:43.759
<v Speaker 1>I'm gonna tell you why, because a California classic can

0:55:43.800 --> 0:55:49.920
<v Speaker 1>be a gold album, you know what I mean, a

0:55:50.000 --> 0:55:54.839
<v Speaker 1>gold single and never have to get passed, never has it,

0:55:54.920 --> 0:55:57.160
<v Speaker 1>never has to get to any other culture.

0:55:57.520 --> 0:55:59.799
<v Speaker 2>Yeah, I was gonna say that. I was thinking about

0:55:59.840 --> 0:56:00.520
<v Speaker 2>that Saturday.

0:56:00.600 --> 0:56:04.760
<v Speaker 3>I was like, you can make insular West coast marketplace music,

0:56:05.640 --> 0:56:08.760
<v Speaker 3>and it could. It's just great, and no one gives

0:56:08.760 --> 0:56:11.920
<v Speaker 3>a shit east of Gilbert, Arizona.

0:56:12.400 --> 0:56:14.440
<v Speaker 2>Right and and or past New Mexico.

0:56:14.560 --> 0:56:20.480
<v Speaker 1>And I'm and I'm realizing what fusion and in the sonics, right,

0:56:20.520 --> 0:56:23.000
<v Speaker 1>it's not the sonics because we all use the same

0:56:23.080 --> 0:56:27.520
<v Speaker 1>sounds across the country. But I think that's the difference

0:56:28.000 --> 0:56:33.360
<v Speaker 1>with Doctor Dre, Snoop Q. They were using black classics

0:56:33.480 --> 0:56:37.480
<v Speaker 1>around the whole country, so the country were more accepting

0:56:37.560 --> 0:56:40.680
<v Speaker 1>of the melody in what they were doing their rap

0:56:40.800 --> 0:56:42.920
<v Speaker 1>music over. And then at that point it just became

0:56:43.040 --> 0:56:43.520
<v Speaker 1>the words.

0:56:44.680 --> 0:56:44.880
<v Speaker 2>You know.

0:56:48.480 --> 0:56:51.640
<v Speaker 3>Yes, Djscrew wasn't just slowing shit down. He was making

0:56:51.640 --> 0:56:53.440
<v Speaker 3>the beats and they were rapping over. But all the

0:56:53.520 --> 0:56:58.880
<v Speaker 3>songs that hit like pre Little Flip Platinum, like ninety

0:56:58.920 --> 0:57:03.400
<v Speaker 3>nine and one, those were all R and B classic songs,

0:57:03.400 --> 0:57:05.279
<v Speaker 3>and they wrapped over them and they were fine, and

0:57:05.320 --> 0:57:07.520
<v Speaker 3>then they stowed them down and it became super fine.

0:57:07.800 --> 0:57:09.440
<v Speaker 3>But they were all commisons.

0:57:10.040 --> 0:57:14.640
<v Speaker 1>Barcel, Yes, I mean Motown gets the same slack that

0:57:14.800 --> 0:57:18.560
<v Speaker 1>dtor Drake gets, right, because Doctor Dre took urban classics

0:57:18.600 --> 0:57:21.880
<v Speaker 1>and added kind of string leads to them, using a

0:57:21.960 --> 0:57:26.000
<v Speaker 1>mood keyboard right a lead. And he does take criticism

0:57:26.080 --> 0:57:29.200
<v Speaker 1>for his sound being popped because that is what pop is.

0:57:29.600 --> 0:57:34.400
<v Speaker 1>It feels a sonic lane for the buying population past us.

0:57:34.440 --> 0:57:37.400
<v Speaker 1>That's the same argument that people have when it comes

0:57:37.400 --> 0:57:42.120
<v Speaker 1>to Stax records and Motown records. Motown records had these

0:57:42.120 --> 0:57:45.640
<v Speaker 1>big string sections and Stax records out of Tennessee just

0:57:45.720 --> 0:57:46.920
<v Speaker 1>played the groove.

0:57:47.680 --> 0:57:50.280
<v Speaker 3>That's the separation and that's why I like it. This

0:57:50.320 --> 0:57:56.080
<v Speaker 3>is probably a controversial take doctor Dre if he didn't

0:57:56.080 --> 0:58:05.040
<v Speaker 3>have Snoop to really ring that street cultural element visually

0:58:05.760 --> 0:58:08.240
<v Speaker 3>and also in the way he raps to those beats,

0:58:08.280 --> 0:58:10.520
<v Speaker 3>if it was just Dre rapping over those beats or

0:58:10.520 --> 0:58:17.760
<v Speaker 3>somebody else Dre. Oddly enough, because Drey was big before

0:58:17.840 --> 0:58:25.000
<v Speaker 3>Snoop had a career like that, Chronologically speaking, Dre benefited

0:58:25.000 --> 0:58:27.560
<v Speaker 3>from Snoop more than Snoop benefited from Dre in that regard.

0:58:27.600 --> 0:58:30.640
<v Speaker 1>I always say, listen, I was at I was at.

0:58:30.720 --> 0:58:32.680
<v Speaker 1>I didn't want to say it out loud, but I'm

0:58:32.680 --> 0:58:37.720
<v Speaker 1>gonna make sure I get a dog. Dre needs dog. Yeah,

0:58:38.280 --> 0:58:42.800
<v Speaker 1>Like at the cornerstone because he dirties up the cleanness

0:58:42.880 --> 0:58:46.400
<v Speaker 1>of what doctor Dre does. Snoop is such a cultural

0:58:46.440 --> 0:58:50.160
<v Speaker 1>phenomenon on his own. Bro Like the way even as

0:58:50.160 --> 0:58:52.840
<v Speaker 1>an adult that he carries himself and he never took

0:58:52.880 --> 0:58:55.920
<v Speaker 1>his hands off the culture says a lot about what

0:58:56.000 --> 0:58:58.040
<v Speaker 1>he is when it comes to big hip hop artist,

0:58:58.160 --> 0:59:02.720
<v Speaker 1>and culturally he's so accepted by still being the culture

0:59:02.760 --> 0:59:03.880
<v Speaker 1>by mainstream America.

0:59:03.920 --> 0:59:05.440
<v Speaker 2>It's almost unbelievable.

0:59:05.960 --> 0:59:08.280
<v Speaker 3>I hear, here's a question you look at, like the

0:59:08.320 --> 0:59:15.040
<v Speaker 3>three main individual acts that Dre did, Snoop Eminem fifty right,

0:59:15.160 --> 0:59:18.720
<v Speaker 3>those be the biggest ones. Each of those three guys

0:59:18.720 --> 0:59:26.480
<v Speaker 3>individually are earth shakers. Does if j Cole, if his

0:59:26.640 --> 0:59:31.120
<v Speaker 3>career was, didn't have anything before a doctor? Does doctor

0:59:31.200 --> 0:59:32.600
<v Speaker 3>Dre and Jake Cole work?

0:59:33.000 --> 0:59:34.640
<v Speaker 2>No?

0:59:34.640 --> 0:59:36.479
<v Speaker 3>No, I don't think so either.

0:59:36.760 --> 0:59:40.880
<v Speaker 1>It's not seasoned enough for doctor Dre's plate. It's not

0:59:41.000 --> 0:59:43.440
<v Speaker 1>seasoned enough for the plate of music he creates.

0:59:43.920 --> 0:59:49.640
<v Speaker 3>Dre is a boneless, skinless chicken breast people eat more

0:59:49.680 --> 0:59:53.080
<v Speaker 3>than any other facts, but you gotta put a lot

0:59:53.080 --> 0:59:53.640
<v Speaker 3>of shit on it.

0:59:54.320 --> 0:59:58.000
<v Speaker 1>And Snoop is when they fry it with a bunch

0:59:58.000 --> 0:59:59.840
<v Speaker 1>of season Snoop.

0:59:59.520 --> 1:00:02.400
<v Speaker 2>Is fried chicken red rooster.

1:00:04.000 --> 1:00:07.920
<v Speaker 1>Yes, yes, yes, thanks, I agree.

1:00:08.120 --> 1:00:15.960
<v Speaker 2>It's a great point. And Eminem is white rooster, kidd.

1:00:16.320 --> 1:00:20.920
<v Speaker 1>Eminem is like, uh, what do white people do to

1:00:20.960 --> 1:00:22.200
<v Speaker 1>their chicken that they all love?

1:00:28.360 --> 1:00:30.240
<v Speaker 3>He's a vinaigrette based marinate.

1:00:31.560 --> 1:00:39.400
<v Speaker 2>Is he just like pepper, Yeah, something like that.

1:00:39.680 --> 1:00:44.600
<v Speaker 3>Or he's just he's just clean grilled chicken with some

1:00:44.640 --> 1:00:47.080
<v Speaker 3>sort of vinaigrette sauce something like that.

1:00:47.320 --> 1:00:52.000
<v Speaker 2>He's just pepper, yeah, And I love pepper and everybody loves.

1:00:51.800 --> 1:00:54.640
<v Speaker 3>Pepper does well. Pepper does has done very well for itself.

1:00:55.120 --> 1:00:59.520
<v Speaker 1>So so so Snoop is hot sauce for sure, he's

1:00:59.560 --> 1:01:05.400
<v Speaker 1>red roofs for sure. M is just black pepper, and

1:01:05.560 --> 1:01:14.800
<v Speaker 1>fifth is might be barbecue sauce. Probably is barbecue sauce

1:01:14.880 --> 1:01:20.040
<v Speaker 1>for Dre's Sonic playing chicken breast, That's what it is.

1:01:20.120 --> 1:01:20.959
<v Speaker 1>That's a great point.

1:01:21.080 --> 1:01:21.840
<v Speaker 2>I thought.

1:01:21.840 --> 1:01:23.680
<v Speaker 1>I thought that when I was listening to music, I'm like,

1:01:23.960 --> 1:01:27.320
<v Speaker 1>this music is really clean. Dre is like such a

1:01:27.480 --> 1:01:31.080
<v Speaker 1>dope ass nigga with Sonics. Bro, this nigga is incredible

1:01:31.080 --> 1:01:33.000
<v Speaker 1>with this ship, but I think he.

1:01:32.960 --> 1:01:38.520
<v Speaker 2>Can over clean it. Stoop is so fucking filthy that.

1:01:38.520 --> 1:01:40.560
<v Speaker 1>It is like nigga, this is hot sauce like, it

1:01:40.560 --> 1:01:43.920
<v Speaker 1>didn't even matter if it's no seasoning on this beat.

1:01:43.880 --> 1:01:45.680
<v Speaker 3>It's gonna be hot no matter what.

1:01:46.360 --> 1:01:47.680
<v Speaker 2>It's gonna have some flavor.

1:01:48.320 --> 1:01:51.000
<v Speaker 1>Once you sprinkle that fucking snoop on that ship, that

1:01:51.120 --> 1:01:52.720
<v Speaker 1>ship gonna turn into some shit.

1:01:52.840 --> 1:01:53.440
<v Speaker 2>I agree.

1:01:53.840 --> 1:01:56.720
<v Speaker 1>Shout out to dam How do you conserve a genre

1:01:56.760 --> 1:01:59.680
<v Speaker 1>of music while still distributing to the masses for consumption?

1:01:59.800 --> 1:02:01.680
<v Speaker 1>At at some point it's going to be watered down

1:02:01.680 --> 1:02:06.120
<v Speaker 1>by mimics and posers, right, That's called pop music. It's

1:02:06.160 --> 1:02:08.840
<v Speaker 1>supposed to be. But the difference is we know it's

1:02:08.880 --> 1:02:09.560
<v Speaker 1>pop music.

1:02:09.840 --> 1:02:11.360
<v Speaker 3>Damn's on a bit of a roll today.

1:02:11.400 --> 1:02:14.400
<v Speaker 1>We're gonna get that Twitter though. Man, the motherfucker's on Twitter. Bro,

1:02:14.520 --> 1:02:19.480
<v Speaker 1>they be sharp. You got the traditional trolls, but most

1:02:19.480 --> 1:02:21.800
<v Speaker 1>of the people on Twitter twitters for smart people because

1:02:21.800 --> 1:02:23.040
<v Speaker 1>there's no pictures most of the time.

1:02:23.080 --> 1:02:25.120
<v Speaker 2>You have to read, So you know, niggas who don't

1:02:25.160 --> 1:02:27.800
<v Speaker 2>like reading don't be on Twitter. Yeah.

1:02:28.240 --> 1:02:30.600
<v Speaker 1>Yeah, And you know most people that's kind of like

1:02:30.680 --> 1:02:34.760
<v Speaker 1>pride themselves in the level of ignorance reading you know, reading,

1:02:35.360 --> 1:02:36.400
<v Speaker 1>I mean just reading.

1:02:37.080 --> 1:02:37.280
<v Speaker 2>Yeah.

1:02:37.280 --> 1:02:39.160
<v Speaker 3>I tried to make a comment that was sort of

1:02:40.640 --> 1:02:44.880
<v Speaker 3>required thought on Instagram. I have been getting moronic responses

1:02:45.200 --> 1:02:48.640
<v Speaker 3>to a comment about the California Water Project for three weeks.

1:02:49.480 --> 1:02:54.800
<v Speaker 2>I'm crying, we need to weeks. You need to read something.

1:02:55.120 --> 1:02:56.919
<v Speaker 3>I've read over a thousand pages about that.

1:02:58.480 --> 1:03:01.600
<v Speaker 2>Shout out to Freddie mac glasses.

1:03:01.640 --> 1:03:03.480
<v Speaker 1>I heard you say you planning on getting some movies

1:03:03.480 --> 1:03:05.600
<v Speaker 1>going on the community with a good movie in the

1:03:05.600 --> 1:03:06.400
<v Speaker 1>West Coast soundtrack.

1:03:06.440 --> 1:03:07.480
<v Speaker 2>The sound is undeniable.

1:03:08.400 --> 1:03:10.840
<v Speaker 1>Yes, Look, and I heard y'all talking about that right

1:03:10.880 --> 1:03:13.840
<v Speaker 1>the film again. I tell y'all all the time, most

1:03:13.880 --> 1:03:16.440
<v Speaker 1>of the understanding you have on street urban culture in

1:03:16.480 --> 1:03:20.040
<v Speaker 1>Los Angeles is because we have Hollywood showcasing us, right,

1:03:20.080 --> 1:03:22.200
<v Speaker 1>So you get the cultural lessons and then you got

1:03:22.240 --> 1:03:26.240
<v Speaker 1>the music after you got Dope Boy. You didn't get

1:03:26.240 --> 1:03:28.640
<v Speaker 1>Doe Boy as a rapper intil Snoop came out, right,

1:03:28.680 --> 1:03:29.320
<v Speaker 1>That's what you got.

1:03:29.320 --> 1:03:33.920
<v Speaker 3>A great movie concepts that a modern day version of

1:03:34.000 --> 1:03:37.560
<v Speaker 3>Above the Rim, but set to California high school football

1:03:37.600 --> 1:03:39.960
<v Speaker 3>and call it nil because now you've got so much

1:03:40.000 --> 1:03:42.480
<v Speaker 3>corruption with the handlers and the agents poaching on these

1:03:42.480 --> 1:03:44.560
<v Speaker 3>sixteen year olds from the hood, trying to get you know,

1:03:44.640 --> 1:03:46.800
<v Speaker 3>their money, find their college da da almost kind of

1:03:46.800 --> 1:03:48.919
<v Speaker 3>a combination of He Got Game and Above the Rim

1:03:49.360 --> 1:03:52.720
<v Speaker 3>set in LA with the La West Coast soundtracks.

1:03:55.280 --> 1:03:57.440
<v Speaker 2>Shout out the Squishy. They don't wash the chicken. I

1:03:57.520 --> 1:03:57.920
<v Speaker 2>tell you that.

1:03:58.720 --> 1:04:02.880
<v Speaker 1>Yeah, they definitely chicken, But chicken ain't gotta be washing.

1:04:02.920 --> 1:04:04.600
<v Speaker 1>I don't know what black people's fear of.

1:04:05.360 --> 1:04:07.400
<v Speaker 3>Yeah, you're cooking it. I mean you can't wash it

1:04:07.400 --> 1:04:09.200
<v Speaker 3>anywhere thoroughly than putting it over fire.

1:04:09.520 --> 1:04:09.840
<v Speaker 2>Yeah.

1:04:10.000 --> 1:04:13.960
<v Speaker 1>Yeah, Black people have this fear of salmonella and you like,

1:04:14.040 --> 1:04:17.720
<v Speaker 1>I've never met anybody in my life who had salmonella poisoning.

1:04:18.560 --> 1:04:21.000
<v Speaker 3>I feel like, oh, that's a colon. Never mind. I

1:04:21.040 --> 1:04:22.520
<v Speaker 3>was like a lot of the shit that comes off

1:04:22.520 --> 1:04:23.360
<v Speaker 3>of like letters and shit.

1:04:25.400 --> 1:04:28.120
<v Speaker 1>Yeah, shout out the band once again for the Twitter honesty.

1:04:28.160 --> 1:04:31.000
<v Speaker 1>I just be watching and listening. Your points are articulating

1:04:31.040 --> 1:04:33.040
<v Speaker 1>where I feel like I can give some pushback. But

1:04:33.080 --> 1:04:35.880
<v Speaker 1>I love the level of intellectual honesty. And that's the

1:04:35.960 --> 1:04:39.280
<v Speaker 1>point that could come over anytime he wants Yeah you

1:04:39.320 --> 1:04:43.040
<v Speaker 1>good money, bro, Because honestly, I say this, when I speak,

1:04:43.160 --> 1:04:46.480
<v Speaker 1>it don't matter which platform. When I go on Bradfist Club,

1:04:46.760 --> 1:04:50.320
<v Speaker 1>everything is with good faith. Like I'm not trolling ever,

1:04:50.480 --> 1:04:52.640
<v Speaker 1>Like these are things that I've read, and I study,

1:04:52.840 --> 1:04:55.920
<v Speaker 1>and I have a I formulated an opinion. It don't

1:04:55.920 --> 1:05:00.000
<v Speaker 1>make me correct, like I'm not always I'm sure there's

1:05:00.080 --> 1:05:02.240
<v Speaker 1>some things that I need more information on, but I

1:05:02.360 --> 1:05:05.680
<v Speaker 1>also did work and everything I'm saying is out of

1:05:05.720 --> 1:05:08.760
<v Speaker 1>good faith. It's not like I'm trying to guide people

1:05:09.280 --> 1:05:14.760
<v Speaker 1>into into anything that I believe. I'm just giving you

1:05:14.920 --> 1:05:17.800
<v Speaker 1>my thought, right. That's the point of social media is

1:05:17.840 --> 1:05:21.520
<v Speaker 1>to share thoughts with other people and and push your intellect.

1:05:21.080 --> 1:05:24.640
<v Speaker 2>And gain more information. Shout out to Adam A. R.

1:05:24.760 --> 1:05:28.280
<v Speaker 1>Bruce if you're making movies lasses, please complete Monster Cody's project.

1:05:28.320 --> 1:05:35.040
<v Speaker 1>Please don't play his new African Nationalism. Were talking about

1:05:35.080 --> 1:05:37.240
<v Speaker 1>doing a Cody movie too. That's crazy you're saying that.

1:05:37.320 --> 1:05:39.360
<v Speaker 1>We were talking about trying to get our hands on it,

1:05:39.440 --> 1:05:42.560
<v Speaker 1>and some following me on Instagram. So I've been thinking

1:05:42.600 --> 1:05:44.800
<v Speaker 1>about getting my hands on the Cody film for a while.

1:05:44.840 --> 1:05:48.240
<v Speaker 2>I think that's a movie that people need to see.

1:05:50.800 --> 1:05:57.120
<v Speaker 1>But again, it's like back to the West Coast point

1:05:57.200 --> 1:06:00.640
<v Speaker 1>and and me saying that it's like, no, I like

1:06:00.840 --> 1:06:04.840
<v Speaker 1>all my hip hop. I love all my hip hop

1:06:04.880 --> 1:06:10.560
<v Speaker 1>bro like very culturally true, Like I don't want to

1:06:10.880 --> 1:06:15.960
<v Speaker 1>like don't get me wrong. Listen, I enjoy, but I

1:06:16.120 --> 1:06:19.960
<v Speaker 1>enjoy excuse me, jay Z's album Rock Lie Familiar.

1:06:20.080 --> 1:06:23.320
<v Speaker 2>Right, I could tell he made that for the West Coast. Right.

1:06:23.440 --> 1:06:27.200
<v Speaker 1>I enjoy Snoop's first album with No Limit, where he

1:06:27.280 --> 1:06:29.000
<v Speaker 1>went and made an album for the South.

1:06:29.680 --> 1:06:29.840
<v Speaker 2>Right.

1:06:29.960 --> 1:06:32.320
<v Speaker 1>I enjoyed jay Z's Rock Life Familia that he made

1:06:32.320 --> 1:06:36.920
<v Speaker 1>for the West. I enjoy when people, when bigger artists

1:06:36.920 --> 1:06:41.280
<v Speaker 1>take time and they make music for other regions, you know,

1:06:41.440 --> 1:06:44.760
<v Speaker 1>over other regions idea. But again, that's not the cornerstone

1:06:44.800 --> 1:06:48.000
<v Speaker 1>of what makes those artists great. Hip Hop is culture.

1:06:48.040 --> 1:06:51.160
<v Speaker 1>Back to that film idea, right, hip hop is culture.

1:06:51.480 --> 1:06:55.520
<v Speaker 1>That's it leads with culture before music. So that's why

1:06:55.600 --> 1:07:00.240
<v Speaker 1>the films helped Southern California and northern California so well,

1:07:00.240 --> 1:07:02.520
<v Speaker 1>because they told you about our culture, and then the

1:07:02.600 --> 1:07:05.200
<v Speaker 1>artists come and voice the characters from the culture.

1:07:05.240 --> 1:07:05.680
<v Speaker 2>That's it.

1:07:06.920 --> 1:07:09.280
<v Speaker 1>But there is more work to be done with the

1:07:09.360 --> 1:07:13.160
<v Speaker 1>music and the difference in a Doctor dre and how

1:07:13.200 --> 1:07:16.280
<v Speaker 1>that was able to work with Snoop Cube and all

1:07:16.280 --> 1:07:19.840
<v Speaker 1>of those stuff back then versus now where we have

1:07:20.040 --> 1:07:22.880
<v Speaker 1>the benefit of thirty to forty years of West Coast

1:07:22.920 --> 1:07:25.400
<v Speaker 1>hip hop that we're leaning on. But then some of

1:07:25.440 --> 1:07:30.240
<v Speaker 1>the ideas, right, never had to pass New Mexico, never

1:07:30.320 --> 1:07:34.960
<v Speaker 1>had to pass Colorado, never had to pass Idaho. Right,

1:07:35.000 --> 1:07:37.360
<v Speaker 1>they never had to pass these places for them to

1:07:37.400 --> 1:07:42.040
<v Speaker 1>be Gold's success. So it's like there is work to

1:07:42.080 --> 1:07:45.200
<v Speaker 1>be done with the music because you guys all all

1:07:45.240 --> 1:07:47.840
<v Speaker 1>are aware of the culture of the West. Now, it

1:07:47.920 --> 1:07:54.080
<v Speaker 1>was like the music has to come in and do damage. Now,

1:07:54.160 --> 1:07:56.720
<v Speaker 1>the music has to come in and do damage, you

1:07:56.720 --> 1:07:59.760
<v Speaker 1>know what I'm saying. And I'm this conversation. Not only

1:08:00.360 --> 1:08:03.080
<v Speaker 1>did we share things with y'all that makes sense, but

1:08:03.160 --> 1:08:07.800
<v Speaker 1>I really felt like I got something that's instrumental in

1:08:07.880 --> 1:08:09.520
<v Speaker 1>the move you know what I mean of what needs

1:08:09.560 --> 1:08:14.120
<v Speaker 1>to happen with music on the West. Right, it's dope,

1:08:14.440 --> 1:08:18.960
<v Speaker 1>you know what I'm saying. So man, it's it's it's

1:08:20.320 --> 1:08:23.479
<v Speaker 1>it's crazy, Pete. When I think about it, bro, what's their.

1:08:23.479 --> 1:08:29.040
<v Speaker 4>Take, Like Like Early Too Short, Early E forty Click

1:08:29.080 --> 1:08:31.920
<v Speaker 4>and all those guys they had a you know, from

1:08:31.920 --> 1:08:33.960
<v Speaker 4>the age through in the nineties kind of that they

1:08:34.000 --> 1:08:34.720
<v Speaker 4>had a sound that.

1:08:34.760 --> 1:08:38.799
<v Speaker 3>Was you know, related to one another. It was very similar.

1:08:39.360 --> 1:08:45.000
<v Speaker 3>And then you get Rick Rock and tracks a million

1:08:45.080 --> 1:08:48.479
<v Speaker 3>other guys who really hit that new next that two

1:08:48.560 --> 1:08:50.679
<v Speaker 3>point oho Hyphie kind of sound up in the Bay

1:08:50.720 --> 1:08:53.400
<v Speaker 3>that did kind of go more national, but it was

1:08:54.120 --> 1:08:59.080
<v Speaker 3>a pretty distinguished break in sound from the previous kind

1:08:59.120 --> 1:09:03.439
<v Speaker 3>of one point zero. What what's your take on that

1:09:03.520 --> 1:09:08.120
<v Speaker 3>it's applicability to LA and theory or just any of

1:09:08.120 --> 1:09:09.400
<v Speaker 3>it in general, you know what I mean. I don't

1:09:09.439 --> 1:09:11.479
<v Speaker 3>see like it's another example like a West Coast city

1:09:11.520 --> 1:09:14.800
<v Speaker 3>that that did have like a pivot sonically so to speak.

1:09:17.200 --> 1:09:22.200
<v Speaker 1>So one, no, the music didn't go further. So like

1:09:22.360 --> 1:09:26.360
<v Speaker 1>two short and E forty are still the cultural icon

1:09:26.560 --> 1:09:30.960
<v Speaker 1>standards for the Bay Area, right, and their music was

1:09:31.160 --> 1:09:34.040
<v Speaker 1>very much rooted in funk, you know. They they come

1:09:34.080 --> 1:09:37.960
<v Speaker 1>from the home of confunction. Frankie, Beverly and Mace made

1:09:37.960 --> 1:09:41.400
<v Speaker 1>their home there, so they kept it true to the

1:09:41.560 --> 1:09:43.880
<v Speaker 1>music culture. Shut out the Spice one and all of

1:09:43.920 --> 1:09:47.519
<v Speaker 1>those guys. Those are different type of icons and hip hop.

1:09:48.720 --> 1:09:54.599
<v Speaker 1>I think I don't quite know. I definitely don't agree

1:09:54.640 --> 1:09:57.240
<v Speaker 1>that the Hyphie sound was bigger than their sound. I'm

1:09:57.240 --> 1:10:04.080
<v Speaker 1>not saying that's not what culture of Hyphi was more identifiable, sure,

1:10:04.760 --> 1:10:05.439
<v Speaker 1>al quate.

1:10:05.280 --> 1:10:12.160
<v Speaker 3>It similarly to like Scarface Houston versus UK screw et cetera.

1:10:12.280 --> 1:10:15.080
<v Speaker 2>No, no Dallas and the detailed boogie when they had

1:10:15.120 --> 1:10:16.240
<v Speaker 2>they runs. Yeah.

1:10:16.600 --> 1:10:20.719
<v Speaker 1>Right, so it's like Houston's the scarface the screw sound

1:10:20.800 --> 1:10:24.040
<v Speaker 1>versus Dallas and the boogie right where you could see

1:10:24.040 --> 1:10:26.919
<v Speaker 1>the Dallas culture, the dougie, the way they were dancing.

1:10:27.920 --> 1:10:30.280
<v Speaker 1>That's what you got when you got the Hyphie movement

1:10:30.400 --> 1:10:33.559
<v Speaker 1>versus the traditional what we call the mob sound in

1:10:33.600 --> 1:10:37.200
<v Speaker 1>the Bay Area, like mob funk. Right, So you can

1:10:37.400 --> 1:10:40.400
<v Speaker 1>see it sooner you could see it with Fab. You

1:10:40.439 --> 1:10:43.400
<v Speaker 1>could see the culture, you could see the way they move,

1:10:43.479 --> 1:10:47.400
<v Speaker 1>you can see the cars. The culture itself really became

1:10:48.439 --> 1:10:51.000
<v Speaker 1>really identifiable, you know what I mean. You could see

1:10:51.000 --> 1:10:54.599
<v Speaker 1>it a mile away, and they started talking and all

1:10:54.600 --> 1:10:57.080
<v Speaker 1>of that stuff. But I still think the original mob

1:10:57.240 --> 1:11:02.120
<v Speaker 1>sound was, you know, create larger records and larger arg.

1:11:03.400 --> 1:11:07.200
<v Speaker 3>I'm not comparing them. I'm just saying, like it's so

1:11:07.280 --> 1:11:12.240
<v Speaker 3>far as like that, there was a distinction of two

1:11:13.360 --> 1:11:19.000
<v Speaker 3>pretty like different types of feels. Yeah, I mean, like

1:11:19.479 --> 1:11:21.120
<v Speaker 3>I think those guys, I don't know if they're I.

1:11:21.040 --> 1:11:23.439
<v Speaker 1>Think I don't know if it's different as much as

1:11:23.680 --> 1:11:25.679
<v Speaker 1>they got away from the base, But then they didn't

1:11:25.720 --> 1:11:27.720
<v Speaker 1>really because Rick rock was still doing some stuff and

1:11:27.760 --> 1:11:29.840
<v Speaker 1>some of the T shirt Blue Jean t shirts and

1:11:29.920 --> 1:11:31.040
<v Speaker 1>nights is still a funk.

1:11:30.840 --> 1:11:37.240
<v Speaker 2>Song like like Hi feel like like Federation. Yeah that's Rick.

1:11:37.479 --> 1:11:39.160
<v Speaker 1>Rick is gonna make it because all of that stuff

1:11:39.240 --> 1:11:42.600
<v Speaker 1>was funky too is when it got the tracks and

1:11:42.640 --> 1:11:44.439
<v Speaker 1>all of them they weren't really funk.

1:11:44.520 --> 1:11:44.720
<v Speaker 2>Man.

1:11:45.080 --> 1:11:50.400
<v Speaker 1>Sure much love ep uh man. I'm glad you can't

1:11:50.439 --> 1:11:53.120
<v Speaker 1>make sure you hear Wednesday man. Uh No, sellers lied

1:11:53.160 --> 1:11:55.840
<v Speaker 1>to lunch hour every Monday, Wednesday and Friday at noon.

1:11:56.520 --> 1:11:59.559
<v Speaker 1>I mean we're cooking, rounding it out. We're coming to

1:11:59.600 --> 1:12:01.880
<v Speaker 1>an end. We did really good numbers again today. Thank

1:12:01.880 --> 1:12:04.360
<v Speaker 1>you all for showing up or keep this thing going.

1:12:05.200 --> 1:12:08.599
<v Speaker 3>Doctor Dre is going to hate my guts.

1:12:09.080 --> 1:12:09.320
<v Speaker 2>He's not.

1:12:11.120 --> 1:12:16.719
<v Speaker 1>Doctor Dre really prides him here. Dre really prides himself.

1:12:16.720 --> 1:12:20.320
<v Speaker 1>He knows that he makes a really great product. Sure,

1:12:20.360 --> 1:12:23.320
<v Speaker 1>and I don't think he's really worried about keeping it

1:12:24.479 --> 1:12:25.160
<v Speaker 1>at this point.

1:12:25.280 --> 1:12:26.439
<v Speaker 2>You feel me like.

1:12:26.479 --> 1:12:28.800
<v Speaker 1>Maybe back in his day he cared, but DV on

1:12:28.960 --> 1:12:30.840
<v Speaker 1>my ass about it, so I don't think he'd give

1:12:30.880 --> 1:12:35.280
<v Speaker 1>a fuck. But I agree that he is a well

1:12:35.360 --> 1:12:39.639
<v Speaker 1>prepared chicken breast and that's what he prepares musically right, That's.

1:12:39.479 --> 1:12:42.200
<v Speaker 3>What I'll say, because I doubled down between the bowl

1:12:42.240 --> 1:12:45.280
<v Speaker 3>of the Skiller's chicken breast and then then the chronic

1:12:45.280 --> 1:12:47.400
<v Speaker 3>inflammation joke from last week.

1:12:47.400 --> 1:12:52.479
<v Speaker 1>But I like, I like doctor Dre prepares well, you know,

1:12:52.640 --> 1:12:57.120
<v Speaker 1>well prepared chicken breast, perfect temperature yea. And Snoop is

1:12:57.200 --> 1:13:02.040
<v Speaker 1>just red rooster hot sauce. Eminem is pepper and fifty

1:13:02.400 --> 1:13:03.400
<v Speaker 1>is barbecue sauce.

1:13:04.960 --> 1:13:05.559
<v Speaker 2>I like that.

1:13:06.400 --> 1:13:10.280
<v Speaker 1>And that's why right now, because Eminem, even the Eminem

1:13:10.320 --> 1:13:13.760
<v Speaker 1>Doctor Dre record it was good. Obviously it's correct. Let's

1:13:13.880 --> 1:13:18.080
<v Speaker 1>i'll use that term. It's done correctly. Like Eminem is

1:13:18.880 --> 1:13:22.360
<v Speaker 1>like I can't I wrap that motherfucker. That motherfucker nice,

1:13:23.160 --> 1:13:25.680
<v Speaker 1>you know, But again I think he doesn't have this.

1:13:25.960 --> 1:13:27.360
<v Speaker 2>His pepper is smaller.

1:13:27.600 --> 1:13:30.360
<v Speaker 1>It used to be coarse, like Eminem used to have

1:13:30.439 --> 1:13:33.920
<v Speaker 1>a coarse black pepper, like big likes of pepper, so

1:13:33.960 --> 1:13:35.519
<v Speaker 1>when you would eat it, you'd be like, god, damn,

1:13:35.600 --> 1:13:46.320
<v Speaker 1>this motherfucker is seasoned versus now where he's like the shillings.

1:13:43.240 --> 1:13:47.120
<v Speaker 2>And it's not as seasoned like it's like it's kind

1:13:47.120 --> 1:13:47.920
<v Speaker 2>of like white pepper.

1:13:48.120 --> 1:13:50.759
<v Speaker 3>Oddly enough, it's like white.

1:13:50.520 --> 1:13:55.360
<v Speaker 1>Pepper enough oddly enough, right, and it's it's not coarse anymore.

1:13:55.479 --> 1:13:59.960
<v Speaker 1>Prime eminem is coarse black pepper. Course, it course pieces

1:14:00.120 --> 1:14:05.439
<v Speaker 1>a black pepper. New eminem is like rantulated black pepper,

1:14:05.560 --> 1:14:08.040
<v Speaker 1>Like it's just on there, you feel me.

1:14:08.080 --> 1:14:09.439
<v Speaker 2>And but again it is fifty.

1:14:09.680 --> 1:14:13.160
<v Speaker 1>He got kids, grew up, you know, he fifty rich

1:14:13.360 --> 1:14:15.880
<v Speaker 1>lord knows the type of shit he probably go through.

1:14:15.880 --> 1:14:18.280
<v Speaker 1>I don't even want to get into when people start

1:14:18.320 --> 1:14:21.120
<v Speaker 1>losing their thorns to some degree as far as feeling

1:14:21.160 --> 1:14:23.240
<v Speaker 1>like they can challenge the status quot, I don't think

1:14:23.520 --> 1:14:25.400
<v Speaker 1>that's where he's at anymore. I think he is the

1:14:25.439 --> 1:14:28.120
<v Speaker 1>status quo, So I don't know if it makes sense

1:14:28.160 --> 1:14:34.880
<v Speaker 1>for him to challenge it. Sure, and fifty I heard

1:14:34.880 --> 1:14:39.519
<v Speaker 1>the fifty cent Snoop and Dre record, fifty and Snoop record,

1:14:39.560 --> 1:14:41.200
<v Speaker 1>and he's still barbecue sauce.

1:14:42.960 --> 1:14:44.880
<v Speaker 3>He's on the new one.

1:14:45.160 --> 1:14:49.600
<v Speaker 1>Yeah, he going crazy and he's barbarous. He is that motherfucker.

1:14:49.720 --> 1:14:53.360
<v Speaker 1>And fifty is just a salty nigga man. He's labor

1:14:53.720 --> 1:14:55.360
<v Speaker 1>like him up to a point. Will time be like god,

1:14:55.439 --> 1:14:57.800
<v Speaker 1>damn fifth fucking shit not.

1:14:57.880 --> 1:14:59.960
<v Speaker 3>To be not to be repeated in front of However,

1:15:00.040 --> 1:15:08.200
<v Speaker 3>many audiences are listening to this, I was silently that

1:15:08.200 --> 1:15:15.880
<v Speaker 3>that's three thousand zips lips, But no, Malcolm wanted my

1:15:16.040 --> 1:15:20.360
<v Speaker 3>take on something and I was on a call with

1:15:20.479 --> 1:15:22.360
<v Speaker 3>him in fifties. This is a couple of years.

1:15:22.360 --> 1:15:23.000
<v Speaker 2>This is a long time.

1:15:24.040 --> 1:15:28.120
<v Speaker 3>But uh, fifty was just spitting wisdom the way he

1:15:28.160 --> 1:15:30.560
<v Speaker 3>does it on his call talking to malcol about a

1:15:30.720 --> 1:15:33.840
<v Speaker 3>B C, D F G within their you know, the

1:15:33.840 --> 1:15:37.599
<v Speaker 3>film industry and whatnot. That that that dude is a phenom.

1:15:38.000 --> 1:15:40.680
<v Speaker 3>That guy's a fucking monster. He's like, you gotta be

1:15:40.760 --> 1:15:46.160
<v Speaker 3>kidding me. He's another cultural icon. That's like, fifty is

1:15:46.240 --> 1:15:49.759
<v Speaker 3>like ship man. He get it, bro, Like you realized

1:15:49.760 --> 1:15:55.439
<v Speaker 3>there's no idiot bumpkins that go diamond. Yeah sorry sorry.

1:15:55.400 --> 1:15:58.320
<v Speaker 1>Fifty is gross nasty with this ship man and he

1:15:58.560 --> 1:16:00.800
<v Speaker 1>know it like that that I look up to a

1:16:00.840 --> 1:16:03.040
<v Speaker 1>lot of stuff fifty cent does, like Snoop and Iced Tea.

1:16:03.120 --> 1:16:07.200
<v Speaker 2>Certain people to me who really stay coaching.

1:16:08.360 --> 1:16:08.759
<v Speaker 3>Accident.

1:16:08.960 --> 1:16:11.400
<v Speaker 1>Yeah yeah, like and and and the world had to

1:16:11.439 --> 1:16:13.120
<v Speaker 1>accept him for who he is, like you know what

1:16:13.120 --> 1:16:13.439
<v Speaker 1>I mean.

1:16:13.960 --> 1:16:15.040
<v Speaker 2>Shout out to Freddie Mack.

1:16:15.120 --> 1:16:16.840
<v Speaker 1>Do you think Joe Budden is hip hop from the

1:16:16.880 --> 1:16:19.200
<v Speaker 1>outside of animal standpoint or do you see him as

1:16:19.200 --> 1:16:21.160
<v Speaker 1>a reliable hip hop pui as that played the game.

1:16:21.680 --> 1:16:21.760
<v Speaker 2>Me.

1:16:22.240 --> 1:16:24.439
<v Speaker 1>Can't nobody argue that Joe Budden. Joe Budden is a

1:16:24.479 --> 1:16:27.320
<v Speaker 1>hip hop dude like that. That's not even a thought.

1:16:27.360 --> 1:16:30.640
<v Speaker 1>That motherfucker like love is shit. He loves it to

1:16:30.680 --> 1:16:31.679
<v Speaker 1>a fucking fault.

1:16:32.120 --> 1:16:35.400
<v Speaker 3>Joe Budden's almost so hip hop that he manipulates the

1:16:35.439 --> 1:16:36.559
<v Speaker 3>definition of hip hop.

1:16:36.840 --> 1:16:39.880
<v Speaker 2>Yeah, Joe is just a different breed. He's you know

1:16:39.880 --> 1:16:40.200
<v Speaker 2>what I mean.

1:16:40.240 --> 1:16:42.120
<v Speaker 1>I guess I could see why people don't think he

1:16:42.200 --> 1:16:43.200
<v Speaker 1>comes across street.

1:16:43.280 --> 1:16:46.439
<v Speaker 2>But he is very much a hip hop guy, you

1:16:46.479 --> 1:16:48.840
<v Speaker 2>know what I mean. He's just a different kind of

1:16:48.920 --> 1:16:51.519
<v Speaker 2>dude that is coming through. But he is. He know

1:16:51.680 --> 1:16:53.560
<v Speaker 2>this shit like the back of his hand, you know

1:16:53.560 --> 1:16:58.320
<v Speaker 2>what I mean. That motherfucker know his shit. Joe, just

1:16:58.880 --> 1:16:59.280
<v Speaker 2>you know what.

1:17:00.080 --> 1:17:05.559
<v Speaker 1>That real story before we get out of here, Before

1:17:05.600 --> 1:17:07.280
<v Speaker 1>we get out here, real story. I'm gonna tell you

1:17:07.760 --> 1:17:11.760
<v Speaker 1>the three things my experiences with Joe Budden, and this

1:17:11.800 --> 1:17:14.879
<v Speaker 1>is the kind of nigga Joe is right. Three things,

1:17:15.280 --> 1:17:18.000
<v Speaker 1>three time markers with Joe Buddens. I could write a

1:17:18.040 --> 1:17:20.160
<v Speaker 1>song about this. I may turn this into a song

1:17:20.600 --> 1:17:25.200
<v Speaker 1>called Fucking with Joe Budens. The first time I ever

1:17:25.479 --> 1:17:28.400
<v Speaker 1>heard Joe Budens know who I was. He was doing

1:17:28.439 --> 1:17:33.439
<v Speaker 1>an interview on a satellite radio station, and he was

1:17:33.479 --> 1:17:37.719
<v Speaker 1>complaining that he felt the industry wasn't rewarding the best talent,

1:17:38.320 --> 1:17:41.080
<v Speaker 1>right as far as lyricists, because Joe is a guy

1:17:41.120 --> 1:17:44.800
<v Speaker 1>that's heavy on lyricism, and he fucked with records, but

1:17:44.840 --> 1:17:47.120
<v Speaker 1>he is more of a lyricism. He's one of those

1:17:47.160 --> 1:17:50.120
<v Speaker 1>guys in the hip hop front that's like, nigga, fuck

1:17:50.240 --> 1:17:50.599
<v Speaker 1>all that.

1:17:50.640 --> 1:17:55.040
<v Speaker 2>It's about the shit you're saying, right, that's Joe. Right.

1:17:55.080 --> 1:17:57.040
<v Speaker 2>So he's on a radio interview.

1:17:57.280 --> 1:17:58.880
<v Speaker 1>He was like, yeah, I've been trying to get a

1:17:58.920 --> 1:18:02.960
<v Speaker 1>song with Acon for years now, there's been two years.

1:18:03.080 --> 1:18:04.920
<v Speaker 1>And then I listened on the radio he has a

1:18:04.960 --> 1:18:08.600
<v Speaker 1>song with this guy Glasses Malone. Who the fuck is

1:18:08.600 --> 1:18:12.479
<v Speaker 1>a Glasses Malone? So that's the first time I heard

1:18:12.600 --> 1:18:13.960
<v Speaker 1>Joe know who I was.

1:18:14.200 --> 1:18:16.320
<v Speaker 3>I was saying that at three or four today.

1:18:16.400 --> 1:18:20.280
<v Speaker 2>Right, who the fuck is a Glasses Malone?

1:18:20.680 --> 1:18:24.680
<v Speaker 1>And I remember thinking like, yeah, we're finna get his that,

1:18:24.840 --> 1:18:27.080
<v Speaker 1>We're finna beat him up, right. So I called my

1:18:27.200 --> 1:18:30.040
<v Speaker 1>people at the airport, right because I knew he's coming

1:18:30.040 --> 1:18:33.639
<v Speaker 1>through Lax often, so I'm like, yeah, hey, next time

1:18:33.720 --> 1:18:37.160
<v Speaker 1>Joe Budden's come, you tell me we're gonna pull up there.

1:18:37.160 --> 1:18:39.760
<v Speaker 2>We're gonna mop cuz up at the airport.

1:18:39.920 --> 1:18:42.599
<v Speaker 1>So I had to set up even when he came

1:18:43.520 --> 1:18:46.759
<v Speaker 1>right so we was pushing, were just going to the airport.

1:18:46.800 --> 1:18:49.040
<v Speaker 1>We're finna put this nigga in the hospital because we like, yeah,

1:18:49.040 --> 1:18:51.679
<v Speaker 1>you finna, You're finna meet the low firsthand today.

1:18:51.680 --> 1:18:54.559
<v Speaker 2>Here's your day because you finna see why a con

1:18:54.680 --> 1:18:55.200
<v Speaker 2>fuck with me.

1:18:57.880 --> 1:18:59.680
<v Speaker 3>I wish that story happened right, so we.

1:18:59.720 --> 1:19:02.280
<v Speaker 1>Feel the mop cuz up bad. I mean, I got

1:19:02.280 --> 1:19:05.160
<v Speaker 1>my I got my crew too. That's like wrecords. I'm

1:19:05.200 --> 1:19:07.679
<v Speaker 1>with my niggas. That's real wreck. This is my homeboys

1:19:07.720 --> 1:19:11.679
<v Speaker 1>that we wrecked. Shot like hospital. You're going like Joe

1:19:11.720 --> 1:19:14.040
<v Speaker 1>was gonna be in the hospital bad, like there was

1:19:14.120 --> 1:19:16.080
<v Speaker 1>nothing he could do. I don't care who he came

1:19:16.120 --> 1:19:19.200
<v Speaker 1>with hospital because if it was any extra people, they'd

1:19:19.240 --> 1:19:20.080
<v Speaker 1>probably been in the more.

1:19:20.160 --> 1:19:22.880
<v Speaker 2>Because this is gangbanger glasses. I'm being honest, and you

1:19:22.920 --> 1:19:24.519
<v Speaker 2>know they just got our security anyway.

1:19:25.080 --> 1:19:27.680
<v Speaker 1>This is two thousand and seven eight glasses. This is

1:19:27.760 --> 1:19:32.439
<v Speaker 1>gang member glasses. This is not hip hop. I love genre.

1:19:32.800 --> 1:19:35.040
<v Speaker 1>Gotta squabble you up. No, this is like glasses. You

1:19:35.080 --> 1:19:38.800
<v Speaker 1>play with my reputation like gang bangers, and I'm gonna

1:19:38.800 --> 1:19:41.360
<v Speaker 1>show you why you shouldn't. So Will's gonna put Joe

1:19:41.400 --> 1:19:43.559
<v Speaker 1>in the hospital, straight up. I swear to God that

1:19:43.640 --> 1:19:44.120
<v Speaker 1>was the task.

1:19:44.160 --> 1:19:44.640
<v Speaker 2>It was all on.

1:19:44.760 --> 1:19:48.640
<v Speaker 1>Everybody was happy about it, you know about it, like

1:19:49.000 --> 1:19:51.559
<v Speaker 1>we're gonna suck us over. So we're driving to the

1:19:51.600 --> 1:19:55.120
<v Speaker 1>airport and I told Fab, mister Fab in the Bay Area.

1:19:55.160 --> 1:19:57.000
<v Speaker 2>I said, oh, yeah, we're finna go beat up Joe Budden.

1:19:57.000 --> 1:19:57.360
<v Speaker 2>He's like why.

1:19:57.360 --> 1:19:58.840
<v Speaker 1>I'm like, man, that nigga said my name at this

1:19:58.920 --> 1:20:01.439
<v Speaker 1>radio station. So and Homy, we finna tackle Cousin, put

1:20:01.520 --> 1:20:03.840
<v Speaker 1>him in the hospital. That's how we talk, like when

1:20:03.840 --> 1:20:07.519
<v Speaker 1>we gat like Cousin hospital. So we driving over there.

1:20:07.720 --> 1:20:11.599
<v Speaker 1>I get off the phone with him to Fab it huh,

1:20:11.920 --> 1:20:18.800
<v Speaker 1>just fable it. Fab called Royce the five nine, and

1:20:19.040 --> 1:20:23.479
<v Speaker 1>Royce was somebody who I fuck with. I'd already talked

1:20:23.479 --> 1:20:26.080
<v Speaker 1>to Royce and I fuck with Fab. They called me

1:20:26.120 --> 1:20:29.040
<v Speaker 1>on three Way and Royce and Joe were friends, and

1:20:29.080 --> 1:20:33.120
<v Speaker 1>he started to appeal to me about like, man, gee,

1:20:33.120 --> 1:20:35.720
<v Speaker 1>this dude just be talking. He don't be knowing who

1:20:35.760 --> 1:20:38.639
<v Speaker 1>he talking about that. I'm like, I'm listening to him,

1:20:38.960 --> 1:20:40.679
<v Speaker 1>but in my mind, I'm like, yeah, I'm Finela gonna

1:20:40.680 --> 1:20:43.680
<v Speaker 1>put this nigga the hospital, like glasses. Look, man, I

1:20:43.720 --> 1:20:45.960
<v Speaker 1>know you knew in the business, but if you fuck

1:20:46.040 --> 1:20:54.519
<v Speaker 1>with me, man, please don't hurt this nigga. And I

1:20:54.600 --> 1:20:57.759
<v Speaker 1>knew I liked hip hop, and I knew I like Royce.

1:20:57.920 --> 1:20:59.640
<v Speaker 1>I knew I fucked with Rays to fire him. To

1:20:59.680 --> 1:21:02.439
<v Speaker 1>this day, Hey, I fucked with Royce the five nine,

1:21:03.439 --> 1:21:05.000
<v Speaker 1>and I remember just thinking.

1:21:04.800 --> 1:21:10.000
<v Speaker 2>Like fuck man, like damn, man like and.

1:21:09.960 --> 1:21:13.360
<v Speaker 1>I remember telling my homeboys, like just turn around, bro.

1:21:13.400 --> 1:21:15.920
<v Speaker 1>He like why, man, just turn around. So we go

1:21:16.040 --> 1:21:18.600
<v Speaker 1>back to the seven and Royce puts me on the

1:21:18.600 --> 1:21:23.639
<v Speaker 1>phone with Joe probably like two hours later. He like, man, Royce,

1:21:23.680 --> 1:21:26.559
<v Speaker 1>them dudes was He tells Joe them dudes was coming

1:21:26.640 --> 1:21:29.839
<v Speaker 1>up there to hurt you. And I'm like, So we talked,

1:21:29.880 --> 1:21:33.080
<v Speaker 1>and at that point, me and Joe, you know, had

1:21:33.080 --> 1:21:35.880
<v Speaker 1>a relationship, like a good relationship for the most part,

1:21:35.920 --> 1:21:37.400
<v Speaker 1>because Joe is one of them kind of people. He

1:21:37.560 --> 1:21:40.360
<v Speaker 1>just a different kind of dude. So that was the

1:21:40.400 --> 1:21:43.800
<v Speaker 1>first time me and Joe had an interaction.

1:21:44.520 --> 1:21:48.080
<v Speaker 2>Royce is not podcast. It's to go.

1:21:48.720 --> 1:21:51.320
<v Speaker 3>I gotta go to lunch and really understand why he

1:21:51.439 --> 1:21:52.840
<v Speaker 3>ruined such a great story for me.

1:21:55.439 --> 1:22:01.760
<v Speaker 1>We're gonna bring Royce here second time that Joe Buddens

1:22:01.800 --> 1:22:02.840
<v Speaker 1>fucked up my life.

1:22:02.880 --> 1:22:04.960
<v Speaker 2>This this is the three times Joe Budden fucked up

1:22:05.000 --> 1:22:05.360
<v Speaker 2>my life.

1:22:06.000 --> 1:22:08.400
<v Speaker 3>So we got a versus yeah, a versus story for the.

1:22:08.400 --> 1:22:14.679
<v Speaker 1>Second time Joe Buddens fucked up my life. Joe Buddens

1:22:14.680 --> 1:22:19.760
<v Speaker 1>in twenty eleven understood what podcasting and live streaming was

1:22:19.920 --> 1:22:24.920
<v Speaker 1>in two thy eleven. That's how long this motherfucking hip

1:22:24.960 --> 1:22:29.280
<v Speaker 1>hop intellect. Giant ass nigga got this shit. He been

1:22:29.400 --> 1:22:32.120
<v Speaker 1>fucking with this ship for a long time because he

1:22:32.400 --> 1:22:35.680
<v Speaker 1>no like that nigga act crazy. He not stupid, bro,

1:22:35.760 --> 1:22:40.519
<v Speaker 1>This nigga sharp. So we're on his tour bus. I'm

1:22:40.560 --> 1:22:45.559
<v Speaker 1>on tour with Tech nine, h Jay Rock, Kendrick forty

1:22:46.160 --> 1:22:52.080
<v Speaker 1>and what was name of the group, Crooked.

1:22:53.479 --> 1:22:58.360
<v Speaker 2>Royce, Joe l and Joe Slaughterhouse. We all on tour together.

1:22:59.400 --> 1:23:03.639
<v Speaker 1>So I go on Joe bus, right, I go on

1:23:03.680 --> 1:23:08.080
<v Speaker 1>the Slaughterhouse bus. I'm hollering at Joe, like I sit down,

1:23:08.120 --> 1:23:09.840
<v Speaker 1>I'm popping it with Joe. I'm like, yeah, Joe was

1:23:09.840 --> 1:23:13.280
<v Speaker 1>saying it out. He got his laptop in front of him.

1:23:13.560 --> 1:23:16.160
<v Speaker 2>He was talking, but he put his laptop down.

1:23:16.360 --> 1:23:20.000
<v Speaker 3>Oh you mentioned something about that before, so he put

1:23:20.000 --> 1:23:21.080
<v Speaker 3>his laptop down.

1:23:21.720 --> 1:23:23.000
<v Speaker 2>This is fucking with Joe, Bro.

1:23:23.160 --> 1:23:27.320
<v Speaker 1>Joe Buddens has like fuck somehow fucked with my life

1:23:27.920 --> 1:23:30.920
<v Speaker 1>multiple times, not on purpose, but fucking Joe being Joe.

1:23:31.240 --> 1:23:32.320
<v Speaker 3>Can we get on his show?

1:23:32.880 --> 1:23:33.439
<v Speaker 2>Yes we can?

1:23:33.880 --> 1:23:37.000
<v Speaker 1>Yes, so Joe, So I pulled it. Joe pulls a

1:23:37.080 --> 1:23:40.080
<v Speaker 1>laptop down halfway. Mind you, I never heard of live

1:23:40.120 --> 1:23:42.519
<v Speaker 1>streaming or podcasting, so I don't know what he's doing,

1:23:42.880 --> 1:23:46.599
<v Speaker 1>but to some degree he's live vloggie, which became live streaming,

1:23:46.600 --> 1:23:50.800
<v Speaker 1>which is what we're doing fourteen years later. This is

1:23:50.840 --> 1:23:54.040
<v Speaker 1>how ahead of the cart this crazy motherfucker wasn So

1:23:55.120 --> 1:23:56.719
<v Speaker 1>we popping it whatever.

1:23:56.760 --> 1:23:59.320
<v Speaker 3>It's like wearing a wire in entertainment.

1:23:59.160 --> 1:24:03.320
<v Speaker 2>Right, so wep it up? Right? He like? He like, man,

1:24:03.320 --> 1:24:05.160
<v Speaker 2>I'm like, man, why you wan wu tang so hard?

1:24:05.160 --> 1:24:05.360
<v Speaker 3>Bro?

1:24:05.479 --> 1:24:06.599
<v Speaker 2>Like you tripping?

1:24:06.600 --> 1:24:06.720
<v Speaker 3>Bro?

1:24:06.760 --> 1:24:09.200
<v Speaker 1>I heard like them niggas is some street like yeah gee,

1:24:09.240 --> 1:24:12.040
<v Speaker 1>but them niggas let me damn like it disappointed me

1:24:12.120 --> 1:24:14.439
<v Speaker 1>and thought out out. When I met I think he

1:24:14.439 --> 1:24:17.200
<v Speaker 1>said he was either Ray or somebody he met that

1:24:17.360 --> 1:24:18.360
<v Speaker 1>disappointed him.

1:24:18.479 --> 1:24:20.360
<v Speaker 2>He like, you don't know what that shit feel like.

1:24:20.880 --> 1:24:26.120
<v Speaker 2>Mind you, He is streaming now. I don't know he's streaming,

1:24:28.080 --> 1:24:31.479
<v Speaker 2>but he is streaming, so his computer halfway down.

1:24:31.479 --> 1:24:33.360
<v Speaker 1>So I'm just talking to Joe because I'm sitting across

1:24:33.360 --> 1:24:35.439
<v Speaker 1>from him on a tour bus cuz at the table

1:24:35.520 --> 1:24:37.600
<v Speaker 1>popping it. I said, yeah, I do know what it

1:24:37.640 --> 1:24:40.639
<v Speaker 1>feels like. I said, that's like the first time when

1:24:40.640 --> 1:24:43.160
<v Speaker 1>I met Ice QB and I wanted him to come

1:24:43.200 --> 1:24:46.120
<v Speaker 1>out and meet all my og homies from my neighborhood

1:24:46.320 --> 1:24:48.720
<v Speaker 1>and Mona Park, and he was scared to come out

1:24:48.760 --> 1:24:51.840
<v Speaker 1>and talk to them, and I explained the story to him.

1:24:52.360 --> 1:24:55.040
<v Speaker 1>Mind you, he's live streaming back then in front of

1:24:55.120 --> 1:25:01.800
<v Speaker 1>probably a thousand people. Ye, a thousand people. I don't

1:25:01.800 --> 1:25:04.720
<v Speaker 1>know because his computer screen is halfway down. Nor do

1:25:04.840 --> 1:25:06.719
<v Speaker 1>I know, because I don't even know what the fuck

1:25:06.760 --> 1:25:09.639
<v Speaker 1>live streaming is in twenty ten eleven. I don't even

1:25:09.680 --> 1:25:10.680
<v Speaker 1>know what that is.

1:25:11.320 --> 1:25:13.920
<v Speaker 3>Live streaming in twenty eleven to me was peeing standing up.

1:25:14.320 --> 1:25:17.120
<v Speaker 1>Yeah, that's like, what the fuck is going on? So

1:25:17.280 --> 1:25:22.160
<v Speaker 1>he's streaming and I'm telling him the story, right, I'm like, yeah,

1:25:22.200 --> 1:25:24.920
<v Speaker 1>so you know, like I thought the world of Cube

1:25:24.960 --> 1:25:28.920
<v Speaker 1>and this situation happened, and I was like, damn, like,

1:25:29.680 --> 1:25:32.040
<v Speaker 1>ice Cube ain't the predator like I thought he was.

1:25:32.720 --> 1:25:34.439
<v Speaker 2>You know what I'm saying. So I tell him the

1:25:34.479 --> 1:25:35.839
<v Speaker 2>story to bond would.

1:25:35.680 --> 1:25:44.800
<v Speaker 1>Cuz yeah, he does not ever tell me he's live streaming, right.

1:25:44.880 --> 1:25:49.639
<v Speaker 1>So the next day I look online and people calling

1:25:49.720 --> 1:25:53.400
<v Speaker 1>me like, hey man, why you get that Cube?

1:25:53.439 --> 1:25:54.799
<v Speaker 2>And I'm like, how did I get that Cube?

1:25:54.800 --> 1:25:57.479
<v Speaker 1>And I go look at the blogs and it's like

1:25:57.520 --> 1:25:59.840
<v Speaker 1>all these stories Glasses said ice Cube was scared of

1:26:00.040 --> 1:26:02.920
<v Speaker 1>something something, and I'm like, no, that's like, that's just

1:26:02.960 --> 1:26:05.640
<v Speaker 1>like shortening condensed, bro. That don't take into account what

1:26:05.680 --> 1:26:08.679
<v Speaker 1>I was saying, Like it's just being messy about something

1:26:08.680 --> 1:26:13.200
<v Speaker 1>that I'm relating to a fellow brother of this shit about.

1:26:14.479 --> 1:26:17.719
<v Speaker 1>Next thing I know, ice Cube is putting out dish

1:26:17.760 --> 1:26:22.840
<v Speaker 1>records talking shit about me, like going crazy, and I'm like,

1:26:23.520 --> 1:26:27.360
<v Speaker 1>what the fuck? Second time with Joe Budden, I was

1:26:27.360 --> 1:26:30.360
<v Speaker 1>a second time fucking with Joe Budden where it was

1:26:30.400 --> 1:26:30.840
<v Speaker 1>just like.

1:26:30.920 --> 1:26:37.600
<v Speaker 5>Fuck man, I take it back. I don't want to

1:26:37.600 --> 1:26:41.600
<v Speaker 5>go on Joe show anymore. I was scared, scared of

1:26:41.640 --> 1:26:42.719
<v Speaker 5>scared show show.

1:26:47.080 --> 1:26:47.200
<v Speaker 2>Man.

1:26:47.240 --> 1:26:50.479
<v Speaker 1>I almost got into it with a nigga, another rapper

1:26:50.680 --> 1:26:51.680
<v Speaker 1>over Joe.

1:26:51.439 --> 1:26:54.080
<v Speaker 3>Butden's not another rapper ice Cube.

1:26:54.800 --> 1:26:55.799
<v Speaker 2>No, that's different.

1:26:56.040 --> 1:26:57.840
<v Speaker 1>I had to deal with I had to deal with

1:26:57.840 --> 1:27:01.080
<v Speaker 1>a nigga practically, if I had an idol in hip hop.

1:27:02.080 --> 1:27:04.439
<v Speaker 1>If I had an idol in hip hop, I don't

1:27:04.439 --> 1:27:06.880
<v Speaker 1>have an idol with hip hop. The gods that I appreciate,

1:27:06.960 --> 1:27:09.000
<v Speaker 1>I love is not I want to beat them like.

1:27:09.040 --> 1:27:12.480
<v Speaker 1>Scarface is my guide, like because he got me through gangbanging,

1:27:12.840 --> 1:27:15.400
<v Speaker 1>like culturally untouchable got me through gangbanging.

1:27:16.320 --> 1:27:18.280
<v Speaker 2>So it's not like I idolized him. I want to

1:27:18.280 --> 1:27:19.240
<v Speaker 2>be Scarfaced.

1:27:19.400 --> 1:27:22.920
<v Speaker 1>He's like a pastor in my life that saved my

1:27:23.080 --> 1:27:28.479
<v Speaker 1>soul from damnation. That's my relationship with Scarface music and

1:27:28.560 --> 1:27:33.479
<v Speaker 1>Scarface the artists. He's my fucking pastor. That's how serious

1:27:33.520 --> 1:27:38.000
<v Speaker 1>it is with Scarface. With Ice Cube, he's practically like

1:27:38.120 --> 1:27:44.559
<v Speaker 1>my blackness, Like he structured my blackness. Like I felt

1:27:44.760 --> 1:27:46.960
<v Speaker 1>like if the streets didn't teach me this and I

1:27:47.040 --> 1:27:49.000
<v Speaker 1>to have this on my own. He is the person

1:27:49.000 --> 1:27:52.320
<v Speaker 1>who structured my ability to still feel like I can

1:27:52.360 --> 1:27:55.400
<v Speaker 1>be a black man but not take no shit from nobody.

1:27:55.600 --> 1:27:57.800
<v Speaker 1>Don't come over here with that silly shit. So this

1:27:57.920 --> 1:28:01.280
<v Speaker 1>nigga is my ego. Iron He has a new project

1:28:01.280 --> 1:28:03.360
<v Speaker 1>I'll make sure y'all go stream. It's called Man Down.

1:28:03.560 --> 1:28:05.840
<v Speaker 1>He has a single called Ego on there too. But

1:28:06.160 --> 1:28:09.960
<v Speaker 1>ice Cube would be my ego if Scarface was my

1:28:10.200 --> 1:28:13.000
<v Speaker 1>soul when it comes to like hip hop artists, ice

1:28:13.040 --> 1:28:16.720
<v Speaker 1>Cube is my ego. He's the way I structure. Like

1:28:17.120 --> 1:28:19.759
<v Speaker 1>what I feel like is riding wrong with being black?

1:28:20.600 --> 1:28:23.320
<v Speaker 1>You feel me? And you know what I mean, like

1:28:24.080 --> 1:28:26.320
<v Speaker 1>like being willing to deal with niggas in the streets.

1:28:26.400 --> 1:28:30.200
<v Speaker 1>So to have somebody that you look up to, you know,

1:28:30.400 --> 1:28:35.080
<v Speaker 1>in any capacity, like like fuck you think you Bobby

1:28:35.120 --> 1:28:39.320
<v Speaker 1>Bouchet talking shit about your name? It's like what the fuck?

1:28:40.240 --> 1:28:40.880
<v Speaker 2>You know what I'm saying?

1:28:40.880 --> 1:28:44.880
<v Speaker 1>And like I don't know him to formulate a disc Yes,

1:28:45.000 --> 1:28:49.760
<v Speaker 1>I've heard rumors, right, but I don't know cut. So

1:28:49.800 --> 1:28:52.000
<v Speaker 1>I couldn't even diss him because it's like it's first off,

1:28:52.000 --> 1:28:54.000
<v Speaker 1>it's ice Cube, Like what the fuck I look like

1:28:54.040 --> 1:28:56.280
<v Speaker 1>this and somebody I bought all their records?

1:28:56.320 --> 1:28:57.599
<v Speaker 2>How does that even make sense?

1:28:57.960 --> 1:29:00.320
<v Speaker 3>And he's kind of like just in general space, like

1:29:00.360 --> 1:29:03.680
<v Speaker 3>he's got good resume in battle rapping, Like I mean

1:29:03.760 --> 1:29:06.519
<v Speaker 3>I never was aware that you were like a battle

1:29:06.600 --> 1:29:07.400
<v Speaker 3>rapper type.

1:29:07.200 --> 1:29:10.320
<v Speaker 1>Of even a fear of losing. I didn't even know

1:29:10.360 --> 1:29:13.080
<v Speaker 1>what to write about. It would have been all disingenuous.

1:29:13.320 --> 1:29:17.320
<v Speaker 2>I love ice Cube. Yeah, even when we squashed.

1:29:16.960 --> 1:29:19.000
<v Speaker 1>Ship, I'm like, this shit is crazy because I love

1:29:19.040 --> 1:29:21.280
<v Speaker 1>you the fuck I look like trying to battle. I

1:29:21.280 --> 1:29:24.120
<v Speaker 1>couldn't even work myself up to get mad. The best

1:29:24.160 --> 1:29:26.040
<v Speaker 1>thing I could have worked myself up to do was

1:29:26.080 --> 1:29:26.639
<v Speaker 1>the squabble.

1:29:26.720 --> 1:29:28.519
<v Speaker 3>Cuz have you ever done?

1:29:29.240 --> 1:29:29.280
<v Speaker 4>No?

1:29:29.439 --> 1:29:32.720
<v Speaker 3>I ask, I said, you've never done a battle rap

1:29:32.840 --> 1:29:34.479
<v Speaker 3>kind of track on anything or anything?

1:29:35.240 --> 1:29:38.040
<v Speaker 1>I mean no, no, I never, But that's not my fear,

1:29:38.080 --> 1:29:40.080
<v Speaker 1>like I am yet, I was just curious.

1:29:40.320 --> 1:29:41.120
<v Speaker 2>No, no, yeah, like.

1:29:42.560 --> 1:29:46.280
<v Speaker 1>That opportunity, but I'm not rapping against fucking ice Cue

1:29:46.720 --> 1:29:50.639
<v Speaker 1>the fuck. Like half of the reason like I wrapped

1:29:50.640 --> 1:29:52.679
<v Speaker 1>the way I raped is because of fucking ice Cube.

1:29:52.720 --> 1:29:55.840
<v Speaker 1>But this is fucking with Joe Buddens. This fucking with

1:29:55.920 --> 1:30:00.840
<v Speaker 1>Joe Budden. Fucking Joe Budden. Man, what's number three? No,

1:30:01.120 --> 1:30:03.600
<v Speaker 1>this is number two? The third time is I was

1:30:03.600 --> 1:30:07.000
<v Speaker 1>finna squabble somebody because they was tripping on Joe.

1:30:08.680 --> 1:30:12.640
<v Speaker 3>Well that yeah, it's only matter time before that happens.

1:30:12.960 --> 1:30:14.040
<v Speaker 2>So a lot of times.

1:30:14.120 --> 1:30:16.040
<v Speaker 1>Even with this last press run, I wanted to go

1:30:16.080 --> 1:30:18.559
<v Speaker 1>to Joe Budden's show, but sometimes I'd be like, you

1:30:18.600 --> 1:30:21.240
<v Speaker 1>know what, every time I fuck with.

1:30:21.240 --> 1:30:23.719
<v Speaker 2>This crazy nigga, it's always some shit.

1:30:24.400 --> 1:30:28.200
<v Speaker 1>Yeah, every time I fuck with this crazy nigga, it's

1:30:28.320 --> 1:30:29.280
<v Speaker 1>always some shit.

1:30:29.840 --> 1:30:33.519
<v Speaker 2>Every single time, some shit happened.

1:30:33.640 --> 1:30:37.200
<v Speaker 1>I remember I was somewhere, No, it was a show

1:30:37.280 --> 1:30:40.360
<v Speaker 1>out there in the audi in Sam Bernardino. It was

1:30:40.360 --> 1:30:42.479
<v Speaker 1>for like one, it was a big show and he

1:30:42.600 --> 1:30:44.320
<v Speaker 1>had just got into it with Woo.

1:30:44.000 --> 1:30:48.679
<v Speaker 2>Tang like they had jumped on it. Oh shit, And it.

1:30:48.600 --> 1:30:50.920
<v Speaker 3>Was off of a conversation you had on the bus.

1:30:50.880 --> 1:30:53.360
<v Speaker 1>Like I'm like crooked right there, so crooked getting guns

1:30:53.360 --> 1:30:54.640
<v Speaker 1>and I gotta get my gun. I'm like, what the

1:30:54.680 --> 1:31:01.040
<v Speaker 1>fuck is happening? And it's fucking Joe, Like Joe always

1:31:01.120 --> 1:31:04.439
<v Speaker 1>got some shit going on. Man, it's always some shit,

1:31:05.560 --> 1:31:08.240
<v Speaker 1>you know what I'm saying. And it's like I fuck

1:31:08.320 --> 1:31:10.720
<v Speaker 1>with him because he's an intellect and he know his

1:31:10.840 --> 1:31:13.120
<v Speaker 1>hip hop shit and the nigga just a mental monster

1:31:13.240 --> 1:31:15.880
<v Speaker 1>cut but he also is like slap.

1:31:15.680 --> 1:31:19.760
<v Speaker 2>Rock in my life. Every time I fuck with him,

1:31:20.000 --> 1:31:25.120
<v Speaker 2>I end up in some shit yeah, every time, dude.

1:31:25.160 --> 1:31:29.080
<v Speaker 3>Honestly, if I had a platform with the reach that

1:31:29.080 --> 1:31:33.240
<v Speaker 3>he had, that would be me all day every Thursday.

1:31:34.520 --> 1:31:36.120
<v Speaker 3>What's the Fuck's all your boy?

1:31:36.160 --> 1:31:37.120
<v Speaker 2>And I'll be getting a call.

1:31:37.760 --> 1:31:38.960
<v Speaker 3>Yeah, I know, I did it again.

1:31:41.240 --> 1:31:44.479
<v Speaker 2>Fucking Joe Man, that nigga Joe Bro. Joe just be

1:31:44.600 --> 1:31:49.760
<v Speaker 2>having some shit going all the time. Joe just be

1:31:49.840 --> 1:31:51.400
<v Speaker 2>having shit just.

1:31:51.640 --> 1:31:54.479
<v Speaker 1>Going cuz And it's like I want to fuck with

1:31:54.560 --> 1:31:58.680
<v Speaker 1>him more. I but it's like, you know, and I

1:31:58.720 --> 1:32:01.760
<v Speaker 1>don't think he really care. But it's just like what,

1:32:03.280 --> 1:32:05.479
<v Speaker 1>I don't even need no extra drama in my life

1:32:05.520 --> 1:32:08.320
<v Speaker 1>because we gonna sit down and have an honest conversation

1:32:08.840 --> 1:32:11.559
<v Speaker 1>and he gonna push me, and I'm gonna be honest

1:32:11.560 --> 1:32:13.800
<v Speaker 1>and I'm gonna say whatever I think about whatever it is,

1:32:14.000 --> 1:32:15.960
<v Speaker 1>and it's gonna always end up being some ship with

1:32:16.000 --> 1:32:16.639
<v Speaker 1>somebody else.

1:32:18.520 --> 1:32:24.000
<v Speaker 3>And I don't know secret but like, and I don't

1:32:24.000 --> 1:32:26.120
<v Speaker 3>want to press this on him because I really don't

1:32:26.479 --> 1:32:30.400
<v Speaker 3>know at all. But there are certain people who conversationally

1:32:31.360 --> 1:32:33.679
<v Speaker 3>don't say a thing that that's how they really think.

1:32:33.760 --> 1:32:36.000
<v Speaker 3>They say a thing that they know is gonna make

1:32:36.040 --> 1:32:38.400
<v Speaker 3>you say a thing, you know what I mean, Like

1:32:38.479 --> 1:32:41.840
<v Speaker 3>you talk about good faith. I hate stumbling into a

1:32:41.960 --> 1:32:44.960
<v Speaker 3>not good faith conversation. That's man to get me to

1:32:45.000 --> 1:32:46.800
<v Speaker 3>say some shit. You're just trying to provoke me. It's like, look,

1:32:46.800 --> 1:32:48.360
<v Speaker 3>if we haven't like and you want me to do

1:32:48.400 --> 1:32:50.040
<v Speaker 3>that back to you, I can do that back to you.

1:32:50.080 --> 1:32:51.320
<v Speaker 3>But that's not what we're doing here.

1:32:52.880 --> 1:32:55.559
<v Speaker 2>On Olivia Soul, bro, my mother's soul. That's not him.

1:32:55.760 --> 1:33:00.120
<v Speaker 1>He don't push you, but he just connects with you

1:33:00.200 --> 1:33:03.880
<v Speaker 1>in this human way that allows you to be vulnerable.

1:33:04.439 --> 1:33:07.639
<v Speaker 1>But usually the vulnerability is gonna come with some shit.

1:33:08.200 --> 1:33:10.280
<v Speaker 3>He's like the Howard Stern.

1:33:10.080 --> 1:33:11.599
<v Speaker 2>Of hip hop. There you go.

1:33:11.840 --> 1:33:14.559
<v Speaker 1>I'm with that. That's who the fuck he is. Yeah,

1:33:15.160 --> 1:33:22.800
<v Speaker 1>that motherfucker is like that. Just always some shit. I'm

1:33:22.840 --> 1:33:26.080
<v Speaker 1>always some shit fucking with Joe Man every time, Like

1:33:26.439 --> 1:33:32.280
<v Speaker 1>damn cuz s nigga always got some shit going on. Like,

1:33:33.080 --> 1:33:37.760
<v Speaker 1>and I do consider Joe like some level of conrad.

1:33:37.920 --> 1:33:40.240
<v Speaker 1>Like if somebody was doing something to Joe, like I

1:33:40.280 --> 1:33:42.880
<v Speaker 1>would feel compelled to probably shoot the people that jumping me,

1:33:44.680 --> 1:33:46.559
<v Speaker 1>you know what I'm saying, Like I'd be compelled to

1:33:46.560 --> 1:33:49.240
<v Speaker 1>get niggas off his ass because I like Joe, you

1:33:49.240 --> 1:33:51.680
<v Speaker 1>know what I'm saying so I'd be compelled, like the

1:33:51.720 --> 1:33:54.320
<v Speaker 1>street in me would be like, man, don't let the

1:33:54.400 --> 1:33:56.880
<v Speaker 1>niggas do this shit to Joe Cuz, like you know

1:33:56.920 --> 1:33:58.479
<v Speaker 1>what I'm saying, don't let the niggas do this shit

1:33:58.479 --> 1:34:02.719
<v Speaker 1>to Joe, bro, Like that's right. But it's like Joe

1:34:02.840 --> 1:34:04.679
<v Speaker 1>is like one of them niggas. If he was my friend,

1:34:04.840 --> 1:34:07.120
<v Speaker 1>I probably would already be in jail for murder, Like

1:34:07.200 --> 1:34:10.120
<v Speaker 1>if we were truly friends, I'd already had to murder

1:34:10.120 --> 1:34:12.040
<v Speaker 1>somebody cuz because.

1:34:11.760 --> 1:34:15.000
<v Speaker 2>That nigga just got some shit going on all the time.

1:34:16.120 --> 1:34:19.080
<v Speaker 3>To be a like a space ethically where it's like, look,

1:34:21.080 --> 1:34:25.479
<v Speaker 3>anyone attack you, I'll shoot him, but I have to

1:34:25.560 --> 1:34:31.680
<v Speaker 3>let them hit you in the face three times necessary.

1:34:31.800 --> 1:34:32.680
<v Speaker 2>I wouldn't even let.

1:34:33.120 --> 1:34:35.920
<v Speaker 1>I like Joe enough, like I feel like we our

1:34:35.960 --> 1:34:39.160
<v Speaker 1>camaraderie is well enough to where I wouldn't let nothing,

1:34:40.400 --> 1:34:42.759
<v Speaker 1>you know what I mean, happened like I couldn't feel

1:34:42.800 --> 1:34:44.840
<v Speaker 1>good about it, like it would bother me because I

1:34:44.960 --> 1:34:49.599
<v Speaker 1>just genuinely think he's a decent person. I do think

1:34:49.640 --> 1:34:52.800
<v Speaker 1>he do some shit, but he alright, dude, ya you're

1:34:52.840 --> 1:34:55.800
<v Speaker 1>a decent guy. He just I don't know, man, I

1:34:55.840 --> 1:34:58.120
<v Speaker 1>think the nigga just crazy as something, you know what

1:34:58.120 --> 1:34:58.800
<v Speaker 1>I mean, Like.

1:34:58.680 --> 1:35:03.200
<v Speaker 2>He just because whereas like if we were really.

1:35:02.960 --> 1:35:05.759
<v Speaker 1>Friends hanging tough, I'd already been pop somebody over because

1:35:06.120 --> 1:35:07.920
<v Speaker 1>I ain't don't even lie because he just don't have

1:35:08.000 --> 1:35:10.400
<v Speaker 1>some shit going. And you know, you know how it

1:35:10.520 --> 1:35:12.240
<v Speaker 1>is you be friends with somebody else, you know what

1:35:12.240 --> 1:35:16.280
<v Speaker 1>I mean, and you just find yourself no having to

1:35:16.320 --> 1:35:17.680
<v Speaker 1>stand up for that motherfucker.

1:35:18.160 --> 1:35:21.960
<v Speaker 3>No, I mean, I know a guy who is really

1:35:22.000 --> 1:35:25.720
<v Speaker 3>smart and and and says like the honest thing that

1:35:26.280 --> 1:35:28.760
<v Speaker 3>people either don't think or don't think to say, or

1:35:28.840 --> 1:35:31.400
<v Speaker 3>don't want to think to say. And people think that

1:35:31.479 --> 1:35:34.360
<v Speaker 3>sometimes he's just a troll, but he's just a very

1:35:34.400 --> 1:35:36.960
<v Speaker 3>thoughtful guy who has to curse just say the honest

1:35:37.000 --> 1:35:41.559
<v Speaker 3>thing that needs to be sent. No guy just like that.

1:35:43.640 --> 1:35:47.320
<v Speaker 1>That's how we go in No Sentils lunch hour. Shout

1:35:47.320 --> 1:35:49.080
<v Speaker 1>out to DT Joe's that hold me on dope. But

1:35:49.160 --> 1:35:51.160
<v Speaker 1>you he might be because he for sure be a

1:35:51.400 --> 1:35:53.439
<v Speaker 1>shit and you just love him because I can't. I

1:35:53.439 --> 1:35:55.120
<v Speaker 1>can't let you do the homie like that. Bro just

1:35:55.120 --> 1:35:57.519
<v Speaker 1>ain't gonna happen. Cuse, like you know what I mean,

1:36:01.200 --> 1:36:05.000
<v Speaker 1>Jos's and shit, No Selings Live Lunch Hour. Click the

1:36:05.040 --> 1:36:07.120
<v Speaker 1>thumbs up shout out the detailer. I got you, bro,

1:36:07.200 --> 1:36:09.120
<v Speaker 1>I would tell more stories on the pot. It's been

1:36:09.120 --> 1:36:11.000
<v Speaker 1>a journey, to say the least, and I'm finna really

1:36:11.000 --> 1:36:13.880
<v Speaker 1>go crazy next year. Click the thumbs up button. No

1:36:14.040 --> 1:36:17.760
<v Speaker 1>Ceilings Lunch Hour right here. Y'all gotta get back to work.

1:36:17.880 --> 1:36:20.519
<v Speaker 1>I gotta go to the community. So if you still online,

1:36:20.600 --> 1:36:23.639
<v Speaker 1>check that out. We're gonna do another podcast for y'all tomorrow,

1:36:23.720 --> 1:36:28.160
<v Speaker 1>so y'all have fresh material for tomorrow. And again click

1:36:28.200 --> 1:36:32.080
<v Speaker 1>that thumbs up button. No Selings Live the Lunch Hour Monday,

1:36:32.120 --> 1:36:37.120
<v Speaker 1>Wednesday and Friday at noon Pacific Standard time. All this

1:36:37.280 --> 1:36:41.840
<v Speaker 1>to support the No Seilans podcast. The No Selings Podcasts

1:36:41.960 --> 1:36:45.519
<v Speaker 1>executive produced by Charlemagne the God, the Black and Fect

1:36:45.680 --> 1:36:50.519
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1:36:50.640 --> 1:36:53.800
<v Speaker 1>Selings podcast right now on you once we shut this down.

1:36:53.840 --> 1:36:57.599
<v Speaker 1>Go subscribe right now, Apple Podcasts or anywhere you get

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<v Speaker 1>your podcasts. iHeart podcasts any of that. Subscribe, Leave a

1:37:00.880 --> 1:37:03.920
<v Speaker 1>comment let me know you subscribe today. If today is

1:37:03.960 --> 1:37:06.360
<v Speaker 1>your day. What's love of y'all? We back here Wednesday

1:37:06.360 --> 1:37:08.120
<v Speaker 1>at twelve Pete, I love y'all see you in a minute,

1:37:08.120 --> 1:37:13.519
<v Speaker 1>my boy. Good looking out for tuning in to the

1:37:13.560 --> 1:37:17.280
<v Speaker 1>No Sellers Podcast. Please do us a favorite, subscribe, rate, comment,

1:37:17.320 --> 1:37:20.000
<v Speaker 1>and share. This episode was recorded right here on the

1:37:20.000 --> 1:37:24.559
<v Speaker 1>West coast of the USA and produced by the Black

1:37:24.560 --> 1:37:27.080
<v Speaker 1>Effect Podcast Network and Notheart Radio.

1:37:27.640 --> 1:37:28.000
<v Speaker 2>Yeah