Speaker 1: Walk up ship well very weirdy walk glashic.
Speaker 2: M.
Speaker 3: Hello. My name is Buddy Peace. I'm a producer and editor,
Speaker 3: a DJ music maker, a North American US and for
Speaker 3: intro and outro purposes and temporarily standing in for your
Speaker 3: regular host and proud creator of this particular podcast, mister
Speaker 3: Brett Goldstein. As sun Ra once said, the music is
Speaker 3: different here, the vibrations are different, not like Planet Earth.
Speaker 3: Planet Earth sounds of guns, anger and frustration. There will
Speaker 3: be no one from Planet Earth we could talk to
Speaker 3: who would understand. On that note, I'm not sure how
Speaker 3: well I understand Vin Vendor's perfect Days, But on reflection,
Speaker 3: maybe it's more of an experience kind of vibe. I'd
Speaker 3: have to agree, Sonra. Just go with it, I think
Speaker 3: is a strategy for that one. Every week bretton vites
Speaker 3: a guest on he tells them they've died, and then
Speaker 3: he talks to them about their life through the medium
Speaker 3: of film. But this week we are revisiting an earlier
Speaker 3: episode of the podcast while we build a bridge between
Speaker 3: seasons and schedules are aligning. We will be back as
Speaker 3: soon as possible, though, with the newness trust us on that.
Speaker 3: So yes, indeed, it is that time once more for
Speaker 3: a films to be buried with rewind classic. This particular
Speaker 3: rewind is from September the sixth, twenty eighteen, originally episode nine,
Speaker 3: featuring comic writer, podcaster and every episode intro name check
Speaker 3: featurer Ed Gamble, a superb one from way back in
Speaker 3: the early days when the podcast was mere months old
Speaker 3: and where a lot of the current features and favorites
Speaker 3: you might have come to know and appreciate it we
Speaker 3: still being sculpted and formed episode to episode. This is
Speaker 3: the first of three ED episodes and perfect for anyone
Speaker 3: who missed it initially, is a fan of ED in
Speaker 3: general and the of Menu podcast of course, which I
Speaker 3: think this predates, or anyone who wants to revisit a
Speaker 3: really fun one in the archives. You may also enjoy
Speaker 3: a surprise cameo from show friend Lou Sanders, who, in
Speaker 3: the few seconds we hear, hints at what would become
Speaker 3: her own podcast, Cuddle Club. Let me take this opportunity
Speaker 3: to also remind you that Brett has a Patreon page
Speaker 3: for the podcast, upon which you get a bonus section
Speaker 3: every episode with a secret from each guest, more questions
Speaker 3: and a video of each episode, which looks all nice
Speaker 3: and fresh. There are a selection of tears on their
Speaker 3: two and the uppermost tiers. I make you a cinematic
Speaker 3: soundtrack mixtape each month with full track list. I reckon
Speaker 3: you'll enjoy it very much. So if you're of a
Speaker 3: supporting nature and feel like some extras from the show,
Speaker 3: you'll find them all there. However, on this particular egg
Speaker 3: Gamble episode, there was not a Patreon version of it,
Speaker 3: so just to let you know, in this case, this
Speaker 3: actually predates when we started the Patreon, so just to
Speaker 3: make you aware of that, apologies for that one.
Speaker 1: So that is it for now.
Speaker 3: Let's get you settled in for a historically important look
Speaker 3: back at fabulous episode with the always great egg Gamble.
Speaker 3: Catch up at the end for a quick sign off,
Speaker 3: But for now, please enjoy episode nine via episode two
Speaker 3: nine six of Films to be Buried With.
Speaker 2: We are this is such an odd setup, mate, Hello
Speaker 2: and welcome to Films to be Buried With. It is
Speaker 2: me Brett Goods Tea your host. I'm doing today in
Speaker 2: a bedroom by actor, writer, comedian star of Mock the Week.
Speaker 2: It's Everybody's favorite man called Ed. It's Ed Gambo Hello, Brett.
Speaker 1: It's the first time I've ever been called an actor.
Speaker 2: First, well, I was trying to like save the best
Speaker 2: for love nor this respect or a wonderful.
Speaker 1: Actor, bit of a burn on my acting?
Speaker 2: Wonderful? You mean it like that? Aurarently at the moment
Speaker 2: makes you focusing understand that what we're being at the
Speaker 2: Edinburgh Fring not getting any acting and the lack of
Speaker 2: the current acting because he's doing much standard that's it?
Speaker 1: Yeah, true? And can I just describe the setup quickly
Speaker 1: for everyone? Bro, you may and if I don't like
Speaker 1: what you say, this is fine. It's your it's your bedroom. Yeah,
Speaker 1: I'm sat on a computer chair. You're sat on a
Speaker 1: kitchen chair, and for reasons of sound quality, where sat
Speaker 1: quite far apart. So there's quite a big gap between us.
Speaker 1: And it feels like or interview me for some sort
Speaker 1: of sexy job.
Speaker 2: It does. And also the way that I've sat, I've
Speaker 2: as my legs are quite wide open, spread spread eagle,
Speaker 2: i'd say, and they weren't a second ago. It didn't
Speaker 2: look like a move anyway. Welcome to my bedroom. Were
Speaker 2: at the Edinbur Fringe Festival. You're doing your show. It's
Speaker 2: called Blizzard. It is called Blizzard, correct, and how is
Speaker 2: it going? It's been very nice, Thank you, enjoyed it
Speaker 2: very much. The typical Edin re fringe roller coaster.
Speaker 1: Yes, some nights you feel like the best comedian in
Speaker 1: the world, and then the next night you might only
Speaker 1: feel like the second in the world or lower, much
Speaker 1: lower than that. But it's fine.
Speaker 2: But always in the top seven thousand.
Speaker 1: Oh, definitely, I think. Yeah, I reckon. I don't want
Speaker 1: to sound arrogant, but I think I might be in
Speaker 1: the top seven thousand comedians in the Britain in Britain
Speaker 1: Revenge Festival. Yeah, I agree with that, definitely. I'm just
Speaker 1: glad you cracked the top seven thousand. Finally, what's about
Speaker 1: films in that? Do you like them? I do? Does
Speaker 1: anyone not?
Speaker 2: Some people? Some people don't like films, and these days
Speaker 2: lots of people who just watched the Telly don't they.
Speaker 1: Yes, I must admit I think my love for films
Speaker 1: has waned somewhat in the last five or so years. Well, yeah,
Speaker 1: I think no, but I do. I really like films,
Speaker 1: but I think my attention span has gone. Yeah, so
Speaker 1: I like going to the cinema because you have to watch
Speaker 1: it I'm very bad at watching films or television. I'll
Speaker 1: just sit down and my mind will wander so easily.
Speaker 2: Yeah, that is why I consently fight for the cinema,
Speaker 2: because I do think it's like the last place you can,
Speaker 2: if nothing else, concentrate for now.
Speaker 1: I agree, absolutely agree to.
Speaker 2: Any phone off in the dark man got a choice,
Speaker 2: m M. But at home, you know them sort of
Speaker 2: artie films, Yeah, us, if you will. I couldn't watch
Speaker 2: them at home because you've got to give them time.
Speaker 2: They're quite slow. You'd be bored. Also, in Twitter, there's
Speaker 2: no one.
Speaker 1: Else there to see that you're watching them and go,
Speaker 1: oh it's posh.
Speaker 2: Yeah exactly.
Speaker 1: You know what I mean. To watch an ARTI film,
Speaker 1: you need someone else. You need to be like watching
Speaker 1: it and thinking am I doing the right face?
Speaker 2: Shall I tell you a story? I've never told them
Speaker 2: this product. I just realized about artiicles.
Speaker 1: Good.
Speaker 2: My sister so I go to the London Film festivever.
Speaker 2: It was always like a highlight of my year. Love films,
Speaker 2: don't I and my sister always got jealous because I
Speaker 2: would sometimes take my mom. I'd go with my dad,
Speaker 2: but I never took her because I always thought she
Speaker 2: know it, don't give a shit. Yeah, And then she
Speaker 2: was like, how come you never take me to the
Speaker 2: London Film Vessel And I was like, all right, I'll
Speaker 2: take you. So I took her to see a film
Speaker 2: called Mamaire. It was a French film had Isabella uper
Speaker 2: in it. Yeah, it had a very high, high pedigree.
Speaker 2: I thought, well, she doesn't like this, I gave it
Speaker 2: a go. We went to see it. The first sign
Speaker 2: of trouble was that the only audience were made up
Speaker 2: of men in trade. He also had to get that
Speaker 2: we were like right at the end of a row,
Speaker 2: but it was like a row against the wolves.
Speaker 1: So once we're in, we can't leave. You were trapped, yea. Yeah.
Speaker 2: So basically the film begins with someone's mother dies, Oh no,
Speaker 2: dad dies, bad dies and he gets on the floor
Speaker 2: and masturbates over pictures he finds in his dad's drawer, right,
Speaker 2: and he's forced to spend time with his mum, who
Speaker 2: hasn't spent time in before. She takes him out for
Speaker 2: the evening. Someone hit her and her mates to can
Speaker 2: finger up his in a taxi together. Yeah. Then towards
Speaker 2: the end of the film, things escalate towards the end
Speaker 2: of the things escalate from there towards the end of
Speaker 2: the film. These are all spoilers. She cuts a hole
Speaker 2: in her tummy for him to crawl back inside her.
Speaker 2: Then she dies at the end, the very end of
Speaker 2: the film, which I do think is by the great
Speaker 2: endings of the cinema. He's at the hospital. She's in
Speaker 2: like a sort of glass almost like a glass coffin,
Speaker 2: like snow white, and he's, you know, like an et,
Speaker 2: it's almost like that, and he's banging on the end
Speaker 2: like let me see her. The doctor lets him in,
Speaker 2: go and have one of us look at your mom.
Speaker 2: And then the doctor walks down the coiler runs screaming
Speaker 2: into the room to find him furiously whanking underneath a
Speaker 2: glass coffin. And then he chases an ambulance down the
Speaker 2: street to the song So happy Beauty get there. And
Speaker 2: I said to my sister, that is why I don't
Speaker 2: take it.
Speaker 1: I mean, what are the friends rap to? I don't know,
Speaker 1: But that's the good Lord, that's why they make films.
Speaker 2: If you don't get that, you don't ken Lates don't
Speaker 2: do that, which is a more entertaining film that or
Speaker 2: kids do you want a bird in the bin or
Speaker 2: a boy trying to climb back inside his mamma?
Speaker 1: I think, why can't we just have a happy medium?
Speaker 2: What is the middle between those two? One can ever
Speaker 2: a burd in a bin? But it sounds like dumb
Speaker 2: and damo that might come up later. Okay, sorry, so
Speaker 2: that's all right. Films you used to like him?
Speaker 1: No, I still I still like them, but I don't.
Speaker 1: I don't watch as many films as I think I should.
Speaker 2: Oh, terrible news, and I forgot to tell you anything. God,
Speaker 2: it's so bad that I left it so late because
Speaker 2: it's going to be a terrible shot. And I sposed
Speaker 2: have wounded, but I say this, ed You've you've died.
Speaker 2: Oh no, he died. I'm so sorry at.
Speaker 1: The Edinburgh Festival. How did you die? You tell me?
Speaker 1: Oh it was it was at the Edinburgh Festival. I
Speaker 1: mean the more realistic answer would be from complications relating
Speaker 1: to type one diabetes, but probably for the lighthearted version.
Speaker 1: I went up Arthur's seat and I tripped over a
Speaker 1: shoelace and I rolled all the way down to the bottom.
Speaker 2: So I mean, it's a good it's fine.
Speaker 1: Yeah, I only died right at the end as well.
Speaker 1: So I rolled all the way down like the Princess Bride. Yeah,
Speaker 1: I tumbled all the way down. I was like one
Speaker 1: of them cheeses in Gloucester.
Speaker 2: And then as you wrote it down, did you go
Speaker 2: as you.
Speaker 1: No, what I was doing was going that's what I
Speaker 1: was doing, just keeping it realistic.
Speaker 2: But I was going on no stuff like that, you
Speaker 2: don't right at the end, Yeah, so you experienced the Yeah.
Speaker 1: And I took out two from all over the world
Speaker 1: on the way down. They're all dead as well. Yeah,
Speaker 1: And about halfway down I've taken out a lot of
Speaker 1: tourists accidentally. But about halfway down I was like, look,
Speaker 1: this is the end for me. I may as well
Speaker 1: take out a few more so, you know, learn how
Speaker 1: to steer myself and take him out. Yeah. Towards the end,
Speaker 1: it was a bit like live action something the Hedgehog,
Speaker 1: and there's a great thank you.
Speaker 2: It's dead.
Speaker 1: Something that worries you, not really, you know, looking forward
Speaker 1: to it. I'm not looking forward to it, but it doesn't.
Speaker 1: It's not something that keeps me awake at night. I
Speaker 1: don't think I was. I've never been one of those
Speaker 1: guys who stays up late pondering the problems with the universe.
Speaker 2: What is it you are thinking about?
Speaker 1: An I just sleep, Just have a nice sleep.
Speaker 2: Mate, Okay.
Speaker 1: Yeah.
Speaker 2: Do you think that there's a there's more on the other.
Speaker 1: Side, I sincerely doubt it. Okay. Also, I can't be bothered.
Speaker 1: This is enough, isn't it. You've put in the people
Speaker 1: are like life's too short. It's not really No, I
Speaker 1: do agree with that. Yeah, it'd be so annoying if
Speaker 1: you died and then you're like, oh, now now there's
Speaker 1: something and there's this is not finite anymore, this is forever.
Speaker 2: Yeah, people always live every day is if it's your last.
Speaker 2: Then you get to the other side and it's like, oh,
Speaker 2: it's a surprised there is no last.
Speaker 1: Yeah, what forever? Now? I always doing so many mad things. Yeah,
Speaker 1: it depends what it is. Really.
Speaker 2: If it was like you're just floating around like a
Speaker 2: bit of gas, that'd be all right.
Speaker 1: As long as there's no like asmin or chores or
Speaker 1: you have to chat to anyone. You're right. If you're
Speaker 1: part of just a larger consciousness, yeah, that'd be fine.
Speaker 1: If you're a hive mind, yeah, if you're part of
Speaker 1: a hive mind. But if it was like, oh, yeah,
Speaker 1: you're working, You're working in heaven now, yeah, yeah, And.
Speaker 2: I wouldn't like that at a low level admin position, yeah.
Speaker 1: Because that'd be what I had end happened. I've had
Speaker 1: it too good on earth. You get to be a comedian. No,
Speaker 1: there's no stand up. But I think because I get
Speaker 1: to be a comedian and do what I love on Earth,
Speaker 1: probably when I get to heaven, I probably have to
Speaker 1: put the work in and God working like tax or something.
Speaker 1: Oh God, this is awful. Yeah, so answer that question.
Speaker 1: I don't think there is an afterlife. If there is
Speaker 1: a hope, it's you're a bit of gas and it's
Speaker 1: not admint based.
Speaker 2: I mean, now I'm scared of death. If you're your
Speaker 2: admin based.
Speaker 1: I've made myself. I've given myself.
Speaker 2: Someone stayed up to that. Yeah, Well there was good news,
Speaker 2: actually excellent good news. Surprise, surprise, there is a heaven. Right,
Speaker 2: there's no admin. Yes, I mean it's taken care of
Speaker 2: by the Hive Mind, which you didn't join, okay, because
Speaker 2: it turned out you were giving up so many gots
Speaker 2: to jo and they said you can join the haves
Speaker 2: forgot badmint. Yeah that I'll just be a flated gas man.
Speaker 2: But yeah, the floated gas man. Yeah, everyone wants to
Speaker 2: talk to but in nice people and they just want
Speaker 2: to talk about films. Are obsessed with them. Okay, cool,
Speaker 2: and no one know about your life through them. And
Speaker 2: the first thing they ask is like, what's the first
Speaker 2: film you ever saw? Do you remember seeing?
Speaker 1: That's a tricky one, that the first film I remember
Speaker 1: saying that actually had an impact on me. Yeah, it's
Speaker 1: probably that there was, right, there was a film that
Speaker 1: This isn't my official answer, but I think I probably
Speaker 1: saw this before the film that I am going to
Speaker 1: give us my official answer, But I don't remember anything
Speaker 1: about it. Yeah, and I saw it on video. It's
Speaker 1: the only video that my grandparents had. And it's an
Speaker 1: animated film called The Velveteen Rabbit. Right, that is a
Speaker 1: real film.
Speaker 2: Yeah, it's quite a short film, yes, And it is
Speaker 2: about a boy who has a rabbity toy rabbit and
Speaker 2: loves it and loves it and it does it and
Speaker 2: then the rabbit he gets mumps or or he gets
Speaker 2: scarlet fever or something like that, and the rabbit has
Speaker 2: it and so they have to burn the rabbit.
Speaker 1: It's the animated film, right, This will be why I've
Speaker 1: blocked it out of my mind. That sounds absolutely horrific,
Speaker 1: and I apparently I watched that every time I went
Speaker 1: to my grandparents as well. What miserable little child? Burn
Speaker 1: it again? Burn the Rabbit? Yeah, that sounds absolutely miserable.
Speaker 1: Why are films about rabbits so depressing? Down velvety rabbit?
Speaker 1: Who framed?
Speaker 2: He did?
Speaker 1: Framing the poor com Are you framing the rabbit? The
Speaker 1: rabbits have been through enough, haven't though? Still fit? Wife?
Speaker 1: Frame away, get him framed. So my official answer is
Speaker 1: the first time I remember saying at the cinema, which
Speaker 1: was with my dad, the first time I went to cinema,
Speaker 1: I think the first time my dad took me to
Speaker 1: the cinema. Anyway, and it is mister Nanny. Oh great
Speaker 1: film starring Logan. I'm a hugely underrated actor and now
Speaker 1: a very problematic celebrity.
Speaker 2: Yeah, but is his acting good enough to forgive it?
Speaker 1: Of course not, of course not. I mean, he is
Speaker 1: a hugely underrated actor. But I don't think he's traditionally
Speaker 1: a good actor. I think he brings the same thing
Speaker 1: to the role every time and that thing is a
Speaker 1: mustache and some lips like this.
Speaker 2: I just did it next good.
Speaker 1: Yeah, brother is great. It's a really good fun I
Speaker 1: mean it's it's in a weird tradition of films, big
Speaker 1: men playing babies, a big man baby. There's the Vindies
Speaker 1: or is that the passive Yeah, I'm sure the kindergarten
Speaker 1: cop there you go.
Speaker 2: Yeah, and then well, the only one that doesn't fit
Speaker 2: the bill that is a very strange film in hindsight
Speaker 2: is the film mister Mum and Michael keating with the
Speaker 2: twist is their husband does a bit of work. It's
Speaker 2: not big enough though, is Yeah, he's not big enough
Speaker 2: to fit the He's got slender Yeah, that was a
Speaker 2: weird new subset. Slender parent.
Speaker 1: Well, three men and a baby of course, the triple
Speaker 1: slenders although salex salex beefy Yeah, and he's got the
Speaker 1: test yeah makes him. Yeah, that's genre. Mister Manny is
Speaker 1: a great film. Yeah, I have actually seen it since
Speaker 1: it holds out, Yeah, I think it holds up.
Speaker 2: Does your dad like it?
Speaker 1: I doubt it. I can't imagine him liking that.
Speaker 2: Where was it you went? You?
Speaker 1: No, it would have been it would have been like
Speaker 1: a round sort of Wimbledon. Oh yeah, around there south
Speaker 1: southwest London. Would have gone to have seen Mister Nanny,
Speaker 1: just you and him, just me and him. So I
Speaker 1: think that's probably why it sticks sticks in my memory.
Speaker 1: I have a half brother and half sister, okay, so
Speaker 1: I've been to the cinema with them plenty, but this
Speaker 1: was pre them being invented. Okay, so yeah, big trip
Speaker 1: to go and see Mister Nannie. Remember being quite excited
Speaker 1: about it. Yeah, I mean it's not a good film, really,
Speaker 1: is it?
Speaker 2: Agree to disagree?
Speaker 1: It's fun?
Speaker 2: Yeah, Well I think it's when like the films like
Speaker 2: that sort of do what they are meant to do,
Speaker 2: and they and Miss Nanni, I think, does it perfectly. Well, yeah,
Speaker 2: what's going on? This was a failure of the Big
Speaker 2: Man Babysitter film?
Speaker 1: Yeah, I suppose there's no way you're going to see
Speaker 1: a film that you know, Hot Cokin's in playing a
Speaker 1: babysitter and you're expecting anything other than that.
Speaker 2: You don't come out of Miss Nanny going. But it
Speaker 2: wasn't Sh'S List.
Speaker 1: Yeah, you know, I was expecting something a little more
Speaker 1: higher brout from Hulk. Was that was that?
Speaker 2: Even based on the true Stories. It's even met a kid.
Speaker 1: Horrible children as well. Yes, I quite enjoyed films like that,
Speaker 1: I think where the children are just absolutely off the leash. Yeah,
Speaker 1: were you not off the lease that? I'm very very
Speaker 1: well behaved, I think at home, but they were doing
Speaker 1: horrible things to him, like they were electrocuting people.
Speaker 2: Do you know what I think, missus Annie was around
Speaker 2: the similar thing of that home alone where it became
Speaker 2: like very violent.
Speaker 1: Slapstick was in, yes, and Problem Child. Do you remember
Speaker 1: those remember films? Yeah, Slapstick, violence.
Speaker 2: Children, Slapstick. Yeah, yeah, And that's the I think about.
Speaker 2: It really quite disturb me.
Speaker 1: And I'm not going to I mean, it's bad for
Speaker 1: your podcast, But I'm not good at remembering details but
Speaker 1: of films, so I'm very much calling upon news to
Speaker 1: remember details of the film. But I believe there was
Speaker 1: a bad guy with a metal head I were.
Speaker 2: It's possible, but I was thinking you might be confusing
Speaker 2: it with Suburban Commandate.
Speaker 1: Oh, well, that's perfectly possible because I am a big
Speaker 1: fan of Bourban.
Speaker 2: Commando also plays a big man alien.
Speaker 1: He plays a big man alien, and there's clearly an
Speaker 1: important scene that's edited out early on that they do
Speaker 1: a callback to at the end. It's like when you
Speaker 1: do stand up and you end up doing a call
Speaker 1: back to a joke you've forgotten to do. There's a
Speaker 1: bit oft the end of the film where Holt goes
Speaker 1: up some kids playing on a skateboard in the street
Speaker 1: and he does a big flip on the skateboard. He
Speaker 1: like does an amazing olie and lands on it and
Speaker 1: he hands it back to the kid and he goes
Speaker 1: tell your mother to keep practicing. There's no relevance to
Speaker 1: anything else that's happened in the film. Wonderful film for
Speaker 1: Bourban Commando.
Speaker 2: Do you think when they were at the premier of
Speaker 2: that film, the editor to the director, I'm so sorry,
Speaker 2: I forgot the kids skateboarding.
Speaker 1: Big fan of big fan of the Hulkster h three
Speaker 1: Ninja Hiding Nutbaga Mountain is an another classic. Yeah, but yeah,
Speaker 1: I think it's just the memory of going to see
Speaker 1: it with my dad, very excited to go and see
Speaker 1: a film with and it's very sweet.
Speaker 2: Do you go to Is that something that continued exactly
Speaker 2: that shit?
Speaker 1: I don't think he goes to the cinema. Really. We
Speaker 1: used to actually went so. When I was younger, and
Speaker 1: then my half brother and half sister were born, we
Speaker 1: all used to go on trips to the cinema. All
Speaker 1: of the Lord of the Rings films. Got some lovely,
Speaker 1: lovely memories from those. I saw the second one four
Speaker 1: times at the cinema. Oh my god, that's about thirteen
Speaker 1: hours worth. That's your life. Yeah, yeah, if I go
Speaker 1: over there, we'll watch a film now and again. But
Speaker 1: my dad does a thing where he insists on putting
Speaker 1: on a film obviously, and then falls asleep halfway through it,
Speaker 1: which I think is a very bad thing to do.
Speaker 2: Everything.
Speaker 1: There was one one night who we went out for
Speaker 1: a few drinks, like it was just about the age
Speaker 1: to you know, go out for a few drinks with
Speaker 1: my dad. We're both absolutely yeah, it was twelve, yeah,
Speaker 1: knocking back, the bodies got back, and he was like, right,
Speaker 1: if you watched Ben Hur? I went no, It's like,
Speaker 1: come on, it's like midnight, Like we're both drunk. Not
Speaker 1: watch Ben Harri's like if you've not, because I've not
Speaker 1: seen Ben Haryes like, you've got to watch Ben her
Speaker 1: You've got to watch Ben Hur put on Ben Hurt.
Speaker 1: So I put on Ben hurt and he fell asleep
Speaker 1: within a minute. And then and then I went dad,
Speaker 1: and he went, oh no, it's a bedtime. I think
Speaker 1: we can't watch a whole film. Then who is long? Yeah?
Speaker 2: Well not in my dad's mind. So one minute that's
Speaker 2: all he needs. He understands the absolutely. Well, that's lovely.
Speaker 2: What is the film that's scared you the most? Oh?
Speaker 1: It is a good question, that isn't it. So I
Speaker 1: don't think I scare very easily.
Speaker 2: You like horror.
Speaker 1: I do like horror, but I don't think I like
Speaker 1: horror because it scares me. What do you like about horry?
Speaker 1: I find horror quite funny? Okay, I find it impressive.
Speaker 1: I think it's a very it's an invention. It's an
Speaker 1: inventive genre. I think there's lots of room for invention.
Speaker 1: And I like silly horror as well. And I probably
Speaker 1: like the horror films that other people think are a
Speaker 1: bit stupid, like I like All the Night More on
Speaker 1: Elm Street films, great, all of them. I like how
Speaker 1: they went from trying to be scary to realizing the
Speaker 1: comic potential and then just going all in on that
Speaker 1: same Medievil Dead trilogy, realized how funny that was. I
Speaker 1: really like the sore films. I like the Hostel films.
Speaker 2: I don't like those. You don't think I don't like
Speaker 2: people being hurt slowly films? Right, But I understand as
Speaker 2: a market fit. But I get upset.
Speaker 1: But what I what I enjoy about that is not
Speaker 1: the people getting hurt slowly. It's the ways in which
Speaker 1: people are getting hurt. People are getting hurt slowly. You
Speaker 1: like the invention of yes exactly. Yeah, And I think
Speaker 1: it's a very silly idea, and I think they took
Speaker 1: it to it's max and I enjoyed that very much.
Speaker 1: And Saw Too has one of my favorite endings. You
Speaker 1: assume the two events that they're cutting between are happening
Speaker 1: at the same time, but then it turns out one
Speaker 1: of them happened ages ago, so they're far too late
Speaker 1: to do anything about it. Yeah, it's good. That good
Speaker 1: blew my mind, mate, I really liked it.
Speaker 2: Has he seen Jigsaw, which is the twelfth I have not.
Speaker 1: Much to my shame. I'd imagine it's quite bad by
Speaker 1: this point. I really they've reinvented it, reinvented it, They've
Speaker 1: reinvented it as a darker, darker film, I think, Yeah,
Speaker 1: I really like it. I've got I think I've got
Speaker 1: up to number six on DVD, including the Souvenir Box
Speaker 1: where there's a little paper saw in it and you
Speaker 1: press a button it goes spins round like that very much.
Speaker 1: So it doesn't scare me that much. I find them quite. Yeah,
Speaker 1: all the time. I love it, always looking out for
Speaker 1: new terrible looking horror films on Netflix.
Speaker 2: What about the you know, high class, high brown, your Hereditaries,
Speaker 2: your Exorcist, that sort of stuff.
Speaker 1: You've just named the two films which I was going
Speaker 1: to bring up as genuine scared. I'm sorry, please, that's
Speaker 1: all right, No, no, no, it's perfect.
Speaker 2: Okay.
Speaker 1: So the Exorcist, I think is quite It's probably quite
Speaker 1: a boring answer to this, but it is one of
Speaker 1: the films that has absolutely scared me the most because
Speaker 1: I watched it probably when I was twelve. It was
Speaker 1: on TV, and I stayed up late to watch it
Speaker 1: alone alone. Naughty boy allowed. I think I was probably allowed.
Speaker 1: I don't think too, naughty boy. It was probably on
Speaker 1: it like midnight or something. Let's what, Yeah, that was
Speaker 1: fast as leep immediately possessed by the snawed demon. I
Speaker 1: stayed up late to watch it, and I think, yeah,
Speaker 1: it's just an immediately creepy film, isn't it, But with
Speaker 1: two stand up moments that still scare me now, which
Speaker 1: are down the stairs like a grab. Yeah, that's absolutely horrifying,
Speaker 1: and the splicing in of the demon's face so scary.
Speaker 1: I think I get more scared by weird stuff rather
Speaker 1: than not jump scares or anything like that, but like
Speaker 1: extended weird things, which is why Hereditary absolutely petrified me.
Speaker 2: I'm glad we can talk about this. No one sees
Speaker 2: to Hereditary fucked me up.
Speaker 1: Yeah, I wouldn't see that by myself. I was fetal
Speaker 1: position in the seat in the cinema, like knees pulled
Speaker 1: right into my chest. So scary and so weird, that's
Speaker 1: the thing. So bizarre.
Speaker 2: I genuinely had the lights on for a week after nightmares.
Speaker 2: But I felt about it the way I feel about
Speaker 2: like when if you did if you've done drugs, I've
Speaker 2: gone too far and I can never come back, and
Speaker 2: I always say done that. That's how I love her films.
Speaker 2: I love her films, and there's really I've gone too
Speaker 2: far because it haunted me. It's so scary.
Speaker 1: It's so scary, and I was so excited to see
Speaker 1: it as well, because all the lead up to it,
Speaker 1: the trailers were fascinating and they obviously mislead you completely.
Speaker 2: With deliberately avoided chin.
Speaker 1: So the trailer, this is massive spoiler warning. The trailer
Speaker 1: makes it seem like it's going to be a film
Speaker 1: about the little girl. Okay, yeah, So all the trailers
Speaker 1: are like shots of her and like her chopping the bird,
Speaker 1: the bird's head off and doing that, and like the
Speaker 1: whole thing about like but when you die, who's going
Speaker 1: to look after me? And so there's this thing of
Speaker 1: about the granny dying. But then they show shots from
Speaker 1: the funeral and make out I mean, this is a
Speaker 1: huge spoiler warning. They do it like the funeral, her funeral,
Speaker 1: the little Girl's funeral is still the granny funeral. Clear,
Speaker 1: So you just assume that it's a film about a
Speaker 1: creepy girl. So you get there and then that happens,
Speaker 1: you know, half an hour in. I assumed it was
Speaker 1: a hallucination sequence and then you find then you finally
Speaker 1: realize it's real.
Speaker 2: That is that sequence. The thing that happens to the girl. Yeah,
Speaker 2: the most one of the most upsetting things I've ever seen, horrible.
Speaker 2: What I realized about it, what makes it different from
Speaker 2: most like horror and stuff is the amount of time
Speaker 2: they spend on the aftermath. Yeah, the thing happens, the
Speaker 2: thing is shocking, horrible, and if they cut straight to
Speaker 2: the next bit, w Yeah, but it's because they hold
Speaker 2: on his reaction for ages and they're so slow him
Speaker 2: getting home, and you're just stuck in this feeling.
Speaker 1: Of fucking great bit of acting from that last really good.
Speaker 2: Everyone's very good.
Speaker 1: He's absolutely frozen, but there's so much going on in
Speaker 1: his head. You can tell fucking scary when he sees
Speaker 1: a mum in very early on. Yeah, really scary, terrifying,
Speaker 1: big jump scared. And then yeah, they're just oh god,
Speaker 1: I mean there's so much going on in constantly, constantly scary.
Speaker 2: Yeah. Some people don't. The people said there's been a
Speaker 2: zimmer it ended and the win that's the worst thing
Speaker 2: I've ever seen there, thought.
Speaker 1: Doesn't connect with some people. I sent my from Matt
Speaker 1: to see it. I was like, it's absolutely terrifying. Something
Speaker 1: I tweeted about how how horrifying I found it and
Speaker 1: he texted me going to rubbish and didn't. I wasn't
Speaker 1: scared once. I think it's people who don't watch a
Speaker 1: lot of horror, really, who just don't connect with it.
Speaker 2: Well, Mark Comer thinks the opposite, because he didn't like it,
Speaker 2: and he was like, if you're not a proper horror person,
Speaker 2: that's not that's not true.
Speaker 1: I agree to not true.
Speaker 2: I agree with you.
Speaker 1: Not true. We like horror. You picked the ex Yeah, yeah, exactly,
Speaker 1: your life out mate. Give it a widely respected respect.
Speaker 1: I think I'm wrong now, actually notreditary Hereditary ship back
Speaker 1: to Jigsaw.
Speaker 2: We did quite like he did quite like, so could answer,
Speaker 2: I'm going to do military makes me. I guess it
Speaker 2: makes me trust you. What's the film that made you cry?
Speaker 1: The nice I've got two answers for this, bro, one
Speaker 1: lighthearted and one one horrible.
Speaker 2: Should go to be horrible so that we can come
Speaker 2: in out of the.
Speaker 1: Darkness, okay, dear Zachary, Yeah god yeah.
Speaker 2: About spoiling it.
Speaker 1: I don't want to spoil it because it's a documentary.
Speaker 1: It's a documentary, but it's edited like a crime film essentially,
Speaker 1: and and stuff happens, and when the big stuff happened.
Speaker 1: I was watching it in bed alone, alone, and when
Speaker 1: the big stuff happened, I closed my laptop, through it
Speaker 1: across the room and went and then couldn't stop crying
Speaker 1: for about an hour. That's I mean, it's a fantastic film.
Speaker 1: The editor is incredible. The story is gripping, but it's
Speaker 1: the most I've ever credit the film, and not like
Speaker 1: a few tears coming like from the gut, like almost
Speaker 1: vomiting out tears. I told you its heavy. Bigfoot in
Speaker 1: the Henderson's Lovely fil great film, Lovely, and the tears
Speaker 1: were all of Peter Joy at the end. Moving the
Speaker 1: final scene of big Foot in the Henderson's Off you go,
Speaker 1: So we're all sad that he's off? Bye bye bye bye.
Speaker 2: Who's that?
Speaker 1: Who's that? He's being joined by an entire big Foot family?
Speaker 1: Oh the other harries mate, It's so wonderful. John Leo unparalleled.
Speaker 1: I love that guy.
Speaker 2: Never a bad performance, never a bad film. I say,
Speaker 2: what film?
Speaker 1: Odd films? What else? What else is in raising? Can
Speaker 1: not seeing it?
Speaker 2: He plays like five different It's like some multiple personality.
Speaker 2: He plays like a woman and a man, a crazy
Speaker 2: person in there.
Speaker 1: Great, it's great.
Speaker 2: You'd love it.
Speaker 1: It's like a big audition tape. YEA love it.
Speaker 2: And he is one of the very few proper actors.
Speaker 2: He can do really proper, highly respected dramatic acting and
Speaker 2: really good silly comedy acting.
Speaker 1: Yes he is. He's proper. He's got that thing of
Speaker 1: being quite a big, authoritative man, which means he can
Speaker 1: do dumb comedy very well because he can just undermine
Speaker 1: his own his own physicality. Same with the now slightly
Speaker 1: problematic Jeffrey Tambor. I think where they've got that sort
Speaker 1: of deep tambre to the voice, deep tambule to the voice,
Speaker 1: so they can carry off comedy very well. Also John
Speaker 1: my favorite television performance of all time, Dexter, the best
Speaker 1: series of anything I think.
Speaker 2: About.
Speaker 1: Yeah, great actor, great accent, But that that film makes
Speaker 1: me weep.
Speaker 2: I tend to.
Speaker 1: I've got memories of crying things from when I was
Speaker 1: younger that are just quite happy things.
Speaker 2: Are you a cry a public cry? Yeah?
Speaker 1: I love a cry during a town Yeah town lovely, Yes,
Speaker 1: I have a town crier. Indeed, trying to work out
Speaker 1: what the last thing that made me cry in the
Speaker 1: cinema was maybe inside out, you know, that's deep isn't
Speaker 1: it heavier than Inside Out?
Speaker 2: Is so heavy? Yeah? Really, I can't get I was
Speaker 2: like it all picks up, Like, what the fuck are
Speaker 2: you doing to me?
Speaker 1: Yeah?
Speaker 2: I came here for I think coming to be profoundly depressed.
Speaker 1: The bing bong stuff inside Out. I out loud when
Speaker 1: when it starts to happen, when he starts in spoiler water,
Speaker 1: when he starts to fade away, you know what he's
Speaker 1: going to do. He is going to sacrifice himself, out
Speaker 1: loud in the cinema went no, no, big Bob, No,
Speaker 1: I couldn't control that. It was with my girlfriend. We're
Speaker 1: both just melting. And I bought a big bomb toy
Speaker 1: right that year and regularly would hide it where you said,
Speaker 1: there's big bom Like who Lady Bird? I had a
Speaker 1: little Lady Bird as well. I thought that was a
Speaker 1: lovely film. Yeah.
Speaker 2: I really related to Ladybird because of the europe mother
Speaker 2: daughter relationship.
Speaker 1: Yeah, what do you feel like we've cleansed the.
Speaker 2: So you put your crying in front of your girlfriend
Speaker 2: in front?
Speaker 1: Oh yeah, I love it, mate, We've been going out
Speaker 1: for eight years. It'd be weird if I kept that,
Speaker 1: kept that hidden from.
Speaker 2: Her be weird with it all right, okay, not need
Speaker 2: to keep it to your No, I really know. I
Speaker 2: find it very difficult to try in front of people.
Speaker 2: I don't like it.
Speaker 1: Yeah, you love you love a cry of film, right, yeah,
Speaker 1: but I have to be alone, right, Okay.
Speaker 2: That's why certain films like like I said that I
Speaker 2: went alone. I'm not telling something. I know.
Speaker 1: Listen, it's got pixel on it. I would see Up
Speaker 1: with nish Kumar and we're watching it in three D
Speaker 1: and the first fifteen minutes I turned around, there were
Speaker 1: tears coming out from underneath the glasses and it was amazing.
Speaker 2: Love me, what is the film that you used to laugh?
Speaker 2: Then you've watched it recently and you're going, oh, dear,
Speaker 2: this film is does not hold up? Well?
Speaker 1: This is an interesting one. I think if I really
Speaker 1: like a film, I will like it forever, and I
Speaker 1: will refuse to deny that. I would be like, it's good,
Speaker 1: that's it, it's locked in. Because I knew you were
Speaker 1: gonna ask me this question, I thought what I used
Speaker 1: to say my favorite film was. I thought I'd go
Speaker 1: back and watch it, see if it still holds up
Speaker 1: your favorite. No. I went to watch Fight Club again yes,
Speaker 1: it's still fantastic, great, it's don't worry about it. I
Speaker 1: suddenly planet that it's like I'd watch it again and
Speaker 1: it's a bit in selly, like a bit a bit
Speaker 1: men's rights activisty, and is it not. It's got those elements.
Speaker 1: But I think it's I think it's satirizing that before
Speaker 1: it was a thing. Okay, because I love Chuck Paul
Speaker 1: and it's my favorite author, but it's just it can
Speaker 1: feel a little browie. But I think he's also satirizing that.
Speaker 1: And it's an amazing film and all the performance is fantastic,
Speaker 1: testifying the forum my mind. Yeah, I am satirizing. I'm
Speaker 1: satirizing mra by being the leader of the movement.
Speaker 2: It's very subtile.
Speaker 1: So my actual answer to this, and it's quite it
Speaker 1: is a little bit upset and staying it's for a
Speaker 1: specific reason. It's something that was one of my favorite
Speaker 1: films of all time. It's Man on the Moon and
Speaker 1: it's spoilt for me by the Jim Carry documentary.
Speaker 2: I think I feel very simple that film.
Speaker 1: I think it's an amazing film, and then you see
Speaker 1: the documentary and go on and he's an absolute tip.
Speaker 1: He's an absolute idiot.
Speaker 2: You don't know. There's a documentary is called Jim and Andy, Yeah,
Speaker 2: and it's about Jim carry behind the scenes of the
Speaker 2: film Man and Me when he's playing the actor and
Speaker 2: the coffee.
Speaker 1: Yeah.
Speaker 2: But he does in character the whole time and CAUs
Speaker 2: there's all sorts of chaos in trouble.
Speaker 1: Imagine working catering on that film. You're just trying to
Speaker 1: get your job done, and he turns up in character
Speaker 1: and you know, driving a car into the wall and
Speaker 1: being rude to everyone and screaming at people, and everyone
Speaker 1: has to be like, Okay, you know, it's just part
Speaker 1: of the process. We've got to let him go through this.
Speaker 1: I reckon he could have turned in as good a
Speaker 1: performance if he'd not done any of that. I think
Speaker 1: I get so annoyed by that sort of I get
Speaker 1: so annoyed by actors going I have to do this
Speaker 1: to do this performance, like you definitely don't. Everyone here
Speaker 1: is here is doing a job.
Speaker 2: You know.
Speaker 1: Sorry, the cameraman's openly masturbating over there. It's part of
Speaker 1: his process, pouring beans.
Speaker 2: Over here, get them right. I agree with you. I
Speaker 2: do feel that he is like just fucking do you
Speaker 2: do the acting. Yeah, don't ruin everyone's days to do it.
Speaker 2: What I've never understood is when I hear like Daniel
Speaker 2: day Lewis is in character time, if he was truly
Speaker 2: in character the whole time when he did, they will
Speaker 2: be blood every second of every day. He should have
Speaker 2: been going what the fuck is that? Video camera in
Speaker 2: a crane because it's sett in, you know, eighteen, he
Speaker 2: should be going what is that?
Speaker 1: What is that?
Speaker 2: And someone's got a saying can you just move to
Speaker 2: the left because of what? Who are you?
Speaker 1: What do your lines?
Speaker 3: To?
Speaker 1: Your lines? Now?
Speaker 2: What line? I'm not a film I blame you.
Speaker 1: Yeah, it's a very good point.
Speaker 2: Stop pointing.
Speaker 1: What's that going past that car? Yeah, it's bull it's bullshit.
Speaker 1: I think it's absolutely bullshit. It's happened again. And bring
Speaker 1: up tumble again, problematic temper, problematic tumble That interview about
Speaker 1: arrested development where talks about, you know, making people cry
Speaker 1: and they all jump to his devents and go Sometimes
Speaker 1: it's part of the process you.
Speaker 2: Need not I have worked mostly at a very very
Speaker 2: lucky anytime I've made TV film, I've worked with wonderful people.
Speaker 2: If I've occasionally worked with difficult people, and I have
Speaker 2: always thought this is bullshit. You can do, we can
Speaker 2: deal with this. But I don't believe you should be suffering.
Speaker 2: If you're not suffering, you're making you're not making a
Speaker 2: good film. And you know, particularly comedy. I think comedy
Speaker 2: thrives best if you're relaxing, absolutely free to create and stuff,
Speaker 2: if you're scared and everyone's like funny. Now.
Speaker 1: Also, you never really hear about those actors when the
Speaker 1: film's bad as well, So it's always when something good
Speaker 1: comes out that you're like, yeah, you hear what he did.
Speaker 1: He was in character all of the time, and that's
Speaker 1: how he got there.
Speaker 2: You know, the scenes of Mister Nanny, he was a
Speaker 2: character all the time. It's always those kids are really
Speaker 2: electrocuting him. Apart from Jared Leto actually as the joker.
Speaker 2: You hear about loads of stuff about him being in
Speaker 2: character all the time.
Speaker 1: And that's true.
Speaker 2: I mean, that's was what was he sending people who
Speaker 2: said dead rat.
Speaker 1: It was so ship.
Speaker 2: That's what I love about it. He was doing all
Speaker 2: that and it was so ship as well. Yeah, it's
Speaker 2: really embarrassing if you're ship.
Speaker 1: The Moons. It's a wonderful film, and I loved it
Speaker 1: for a long time, but I think it's gone slightly
Speaker 1: down in my estimations now I've seen what went into
Speaker 1: making it.
Speaker 2: He's the thing I found particularly disturbing in that documentary
Speaker 2: Jim and Andy. Yeah, he's like, fair enough, you're being naughty,
Speaker 2: a very naughty boy, be causing all sorts of case
Speaker 2: and said, what I don't get is you pretending to
Speaker 2: be Andy Kaufman with Andy Kaufman's mom and dad and
Speaker 2: that is weird, and them going, oh, it's so lovely.
Speaker 2: It's like being with our son. I'd be like, if
Speaker 2: it were me, i'd be like, fuck off. Yeah, that
Speaker 2: is weird.
Speaker 1: It's so uncomfortable. And you know, I really liked Jim
Speaker 1: carry up until so now he's a weird only.
Speaker 2: I love that he's completely after that. Now he's like
Speaker 2: nothing exists, And I'm like, cool, did that documentary exist?
Speaker 2: Because it was really justerb that's why.
Speaker 1: He saw it. I'm going to have to say nothing
Speaker 1: exists to really cover my tracks on this one.
Speaker 2: Anyway. Opposite question, what is a film that no one
Speaker 2: likes and you're like it's a masterpiece.
Speaker 1: I don't say. I don't really know what films everyone
Speaker 1: likes or not. But my answer to this, which is
Speaker 1: always controversial one who bring it up. I genuinely believe
Speaker 1: it to be one of the top five Marvel films
Speaker 1: is Punish a war Zone.
Speaker 2: I think it is considered a good one, is it.
Speaker 2: I think it's more it's more coding because it's not
Speaker 2: that big, But it's a good It's the best punishing
Speaker 2: one for sure.
Speaker 1: It's by far the best punishing one.
Speaker 2: It's so violent, right, I love it people being hurt slowly.
Speaker 1: Does that not count as an answer, then no, Let
Speaker 1: you have that. I've got another answer if you okay,
Speaker 1: well we can discuss both of them. But my other
Speaker 1: answer I've talked about in other mediums before, and I
Speaker 1: genuinely love it. And people think I'm an idiot, but
Speaker 1: I will die on this hill the Butterfly.
Speaker 2: Effect, mate, I will join you on that hill.
Speaker 1: I absolutely love that film and I think it's good.
Speaker 2: It's considered very bad.
Speaker 1: Yeah, And I think it's considered bad because people don't
Speaker 1: like Ashton Kutscher. Yes, but he is good in that film.
Speaker 1: It's an amazing concept, yes, and they carry it out
Speaker 1: the very well. The sequels are bad. But the first
Speaker 1: one is it's an absolute epic and the ending is
Speaker 1: so dark. Well, which ending are you talking about? The
Speaker 1: dark one, the really dark one, the director's cut, direct
Speaker 1: the director's cut one in case people that haven't seen
Speaker 1: The Butterfly Effects. It's about a young lad who has
Speaker 1: blackouts throughout his life and then realizes that when he
Speaker 1: reads his diary of around the time of the blackout,
Speaker 1: he can go back in time and see what happens
Speaker 1: in that blackout and control things and change things. But
Speaker 1: every time he changes something, it alters something in his brain.
Speaker 1: He has a big nose bleed.
Speaker 2: But it's based on that story by Ray Bradbury. Yes, yeah,
Speaker 2: it sounds about go back in time and step on
Speaker 2: a butterfly and then and then. Yes, it's a great concept,
Speaker 2: great concept.
Speaker 1: I love it. The ending spoiler warning, the director's cut ending.
Speaker 1: He basically realizes he's got to stop doing it because
Speaker 1: he's messing everyone else's life up. And he realizes every
Speaker 1: time he changes something for the better for him, something
Speaker 1: else goes horribly wrong. So you see all these horrible
Speaker 1: futures that he has to try and go back and
Speaker 1: change again. And the ending is he works out that
Speaker 1: if he looks at photos, he can also go back
Speaker 1: to that time. It doesn't have to be text, And
Speaker 1: he looks at a scam of himself when he was
Speaker 1: a little baby in the womb. He goes back to
Speaker 1: that and hangs himself with his own umbilical cord. Night Night, kids, Genius.
Speaker 2: It's really good.
Speaker 1: It's really good.
Speaker 2: And then you realize in the film, the mum keeps
Speaker 2: saying I had so many miscarriages.
Speaker 1: Yeah, because he kept killing it again. Yeah, yeah, what
Speaker 1: or whoever? All our kids had to say?
Speaker 2: What's the happy ending?
Speaker 1: It's sort of the happy ending where he manages to
Speaker 1: fix it, but the whole thing is like him. He
Speaker 1: loves Amy Smart so much. Amy Smart's great, so he
Speaker 1: wants to make everything between them all right, So that's
Speaker 1: his main name throughout the film. And then he finds
Speaker 1: out that the only way he can make everything right
Speaker 1: for everyone is if he never meets her. So the
Speaker 1: first time they meet his kids, he goes back and
Speaker 1: he's horrible to her and she runs off, so they
Speaker 1: never see each other, and then, like much later on
Speaker 1: in life, they're like both walking down the streets so happy,
Speaker 1: and he like sees it and she sees him, but
Speaker 1: they don't know each other, and then they walk away.
Speaker 1: So it's like the happier ending Baby Suicide.
Speaker 2: It's a very bold ending babysitside. I wish they'd gone
Speaker 2: with that for the theatrical release.
Speaker 1: Yeah, oh yeah, Baby Baby Suicide starring Ashton Kutcher.
Speaker 2: I don't know why I didn't make more money. What
Speaker 2: is the film that means the most to you, Not
Speaker 2: necessarily because the film itself, but because of the events
Speaker 2: surrounding the seeing of the film. Could be a first date,
Speaker 2: could be something give me your dad, something like.
Speaker 1: That first time I went to the cinema with my
Speaker 1: girlfriend Scott Pilgrim versus the World, wonderful experience, good film.
Speaker 1: I thought, what date was this?
Speaker 2: How far into the resp I'm not sure.
Speaker 1: I could probably do it by when it actually came out.
Speaker 1: But I mean, sorry, yeah, yeah, no, I'm trying to
Speaker 1: wake No, it wasn't. It was probably a few dates in.
Speaker 1: It wasn't because out of chat, run out of chat.
Speaker 1: We were like, I mean, I think cinema second date
Speaker 1: is a bit like, come on, we've got some things
Speaker 1: to talk about. Surely do you go second date? Yeah?
Speaker 1: But you go to this. You go and see the
Speaker 1: film first to make sure it doesn't make you cry.
Speaker 2: Yeah, check out the film fair.
Speaker 1: Yeah.
Speaker 2: Also I need to do a full background check on
Speaker 2: head to see if she talks to in films.
Speaker 1: Yeah, Scott Pilgrim vers as well, So probably quite fair.
Speaker 1: A few weeks, maybe a couple of months into the relationship,
Speaker 1: was first film I love to talk about. Yeah. Also,
Speaker 1: we were just going out and getting pissed. Yeah, this
Speaker 1: was your first date, so pissed.
Speaker 2: Did you both love it?
Speaker 1: She is really into the comics, like she loves Scott
Speaker 1: Pilgrim comics, so she was quite excited. I think I
Speaker 1: wasn't too aware of the comics, but I think I
Speaker 1: think we both really enjoyed it. I've seen it a
Speaker 1: couple of times since.
Speaker 2: It's a great film. It's great film, Like, why is
Speaker 2: that one so special to you? Did it solidify something
Speaker 2: between you two?
Speaker 1: Yeah, I mean some stuff happened. Okay, he just raised
Speaker 1: his own kiss in the cinema, But I mean we're
Speaker 1: already doing We're already doing it all.
Speaker 2: During the film.
Speaker 1: Yeah, I probably had a little kiss during the film.
Speaker 1: Can't You can't be doing.
Speaker 2: That during the film.
Speaker 1: Why are you getting off on the back robe? B
Speaker 1: some respect to the thing.
Speaker 2: You can do it doing the trailers. You can do
Speaker 2: it in the end credits. Yeah.
Speaker 1: But like that film's got a lot of big sort
Speaker 1: of fight sequences in it and stuff that big loud film.
Speaker 1: Quick quick snog. Yeah, but it's a wonderful film, many
Speaker 1: fantastic performances.
Speaker 2: You might have missed a bit.
Speaker 1: Who knows, well, No, it's it just really reminds me
Speaker 1: of her and that exciting first part of the relationship.
Speaker 1: And now I like to watch it and go, God,
Speaker 1: remember when it was exciting.
Speaker 2: That was not doing anything.
Speaker 1: I'm just watching inside out on both crying.
Speaker 2: Well, we're watching times. Okay, that's lovely. I think we've
Speaker 2: come to the bit you've been looking forward to the most.
Speaker 2: What's the film you sick asking it? What's the film
Speaker 2: you found the sexiest?
Speaker 1: Oh? Yeah, so funny Brett that you only you would
Speaker 1: have this question.
Speaker 2: I don't know what you mean.
Speaker 1: What do you think is sexiest? Though you've probably said
Speaker 1: it all No I haven't.
Speaker 2: It's not about me.
Speaker 1: But what do you mean by I mean it's so
Speaker 1: it's sexy. Films are sexy at different times of your life.
Speaker 2: Right, yes, so you can answer this however you perceive it.
Speaker 1: But I think someone else's I think Nish might have
Speaker 1: brought this film up in passing when I was much younger.
Speaker 1: The first fifteen that I snuck in to see when
Speaker 1: I wasn't fifteen was Cruel Intentions, Oh Boy, which is
Speaker 1: like kiss Buffy and Buffy drible kiss and Buffy Dribley
Speaker 1: kiss with what's the name, Selma Blair. I couldn't believe it.
Speaker 1: I couldn't believe it's sound like you get away with it,
Speaker 1: like this is basically pornography. But we're watching it and
Speaker 1: on a big screen with my friend, more expensive huge
Speaker 1: you can really see that spit so really really sexy
Speaker 1: film at that point. Now, obviously it's absolutely ridiculous that film.
Speaker 2: What do you think is spitty kisses? You know the right,
Speaker 2: it's got cameradiers. And when they finally sort of get
Speaker 2: together in a really exciting thing, they kiss and they
Speaker 2: pull apart and there's like a spit between their two
Speaker 2: lips lit by the sun in a similar way to
Speaker 2: the contention, And I'm always like, did that happen accidentally?
Speaker 2: And they thought that looks cool? Do you think they went,
Speaker 2: do a spitty way.
Speaker 1: Oh yeah, that's what I hate. I hate it if
Speaker 1: they said do a spitty one.
Speaker 2: I'm sure they didn't, but then they just catched it
Speaker 2: going great.
Speaker 1: But how many times do you think they did it? Yeah?
Speaker 2: A lot, that's the thing.
Speaker 1: Don't remember that being an extra on the DVD?
Speaker 2: Good.
Speaker 1: Yeah, it must be like one where they probably went,
Speaker 1: oh god, just speaking one by accident, and we'll have
Speaker 1: to do it again. And then they've got to the
Speaker 1: edit and they've gone, I think we're going to use
Speaker 1: this one.
Speaker 2: Because it seems real, is it? Okay? So cool intentions,
Speaker 2: that's one of your answers.
Speaker 1: So I think it's probably films like I saw when
Speaker 1: I was like an informative, sort of pubic time of
Speaker 1: my life. That's nice, isn't it. And it's particular scenes.
Speaker 1: It's not whole films. I don't think there's like bonorific
Speaker 1: films that you're like, it's the whole thing. You're like, Jesus,
Speaker 1: oh god, we're talking about sexy films.
Speaker 2: Is absolutely magnificent. I just came in, Okay, Yeah, well
Speaker 2: signed me up. Great, thanks for coming.
Speaker 1: You're just going to keep talking. Yeah, after we set
Speaker 1: it up.
Speaker 2: That TV Lee Sanders, who is also in his fat
Speaker 2: and his show is called Champi and is excellent.
Speaker 1: It is excellent, the other day so good and her
Speaker 1: coming podcast may Yes, what is the sexiest cuddle.
Speaker 2: This way?
Speaker 1: So I think it's scenes in films, so ones that
Speaker 1: really stick out in the memory. Particularly is Cameron Dear
Speaker 1: is his first scene in The Mask.
Speaker 2: Mate. It is an incredible single shot.
Speaker 1: It's it's it is amazing, it's amazing, and obviously it's
Speaker 1: like that's how I don't think when I'm like talking
Speaker 1: about sexy. It's like it's just the intelligence of it.
Speaker 1: So she she looks amazing, she's all wet from the
Speaker 1: rain and she comes into the bank.
Speaker 2: And when people talk about the male gaze and yeah,
Speaker 2: I don't know what you're talking about. Again, just what's
Speaker 2: the shot of arriving in the Mask?
Speaker 1: It's very on the nose. I don't think I'm a
Speaker 1: sort of Yeah, I think I operate on one level.
Speaker 2: It's not sat and I'm sure it's very problematic, but
Speaker 2: equally it's it's it's magnet. Yeah, that's definitely one really
Speaker 2: beautiful Yeah.
Speaker 1: I've also written black Swan down as well, that's a
Speaker 1: generally quite sexy film throughout.
Speaker 2: That's pretty sexy, nun sup. Yeah, for you, you have
Speaker 2: it because even scenes of humans being hurt slately, so
Speaker 2: it's got for you.
Speaker 1: I don't like that we were perpetuating, and that's what
Speaker 1: I'm into saying. I like some of the sore films.
Speaker 1: But yeah, I like Hostle one right, because that seemed
Speaker 1: like an interesting thing where they flipped on its head,
Speaker 1: where it was boys being led to their death by women.
Speaker 1: And then Eli Ross got to hostile too, and he
Speaker 1: was like, I'm just gonna do it the other way
Speaker 1: around now, like, okay, you didn't realize what you were
Speaker 1: doing in the first one, mate, you did that by accident,
Speaker 1: and now you've just done an absolutely standard let's kill
Speaker 1: loads of women.
Speaker 2: I've never seen it.
Speaker 1: We see it. We don't really like it. Black Swan's
Speaker 1: a great film. Generally, it is a great thing, but
Speaker 1: very very very sexy film.
Speaker 2: I love an Aeronosky. Yes.
Speaker 1: So do I do you like Mother?
Speaker 2: Mother?
Speaker 1: I loved Mother, Yes, I mean that could have been
Speaker 1: one that people I could have said for people hated
Speaker 1: that I loved. I don't think I could see Mother again.
Speaker 1: I found it very stressful, so stressful, but I really
Speaker 1: liked it and I liked it what a ride, And
Speaker 1: I liked looking at all the you know, just going oh,
Speaker 1: that probably means that, that might mean that. You know,
Speaker 1: at some point you think it's biblical, then you think
Speaker 1: it's environmental. And I saw it with James A. Castro
Speaker 1: and we came out the cinema and I said, what
Speaker 1: did you think? Because I thought it was like maybe
Speaker 1: Mother Earth and you know, or maybe it was biblical,
Speaker 1: and giving him all the reasons why I thought it
Speaker 1: was Biblica and he went, oh, no, I didn't. I
Speaker 1: just thought it was about a man who was nasty
Speaker 1: to his wife. He genuinely didn't see any subtext lived
Speaker 1: really from what would she has a baby and they
Speaker 1: have to sacrifice her baby to all these these crazed followers.
Speaker 1: You didn't see any biblical undertones to that whatsoever.
Speaker 2: It's pretty straightforward logical sense.
Speaker 1: A big, big a Aronofsky fan.
Speaker 2: I even like Nowhere, I think it's didn't see nowhere
Speaker 2: it's mad as I mean, he makes really like The
Speaker 2: thing I really respect about him is he makes fit somehow.
Speaker 2: He makes big films that are cinema films that cost
Speaker 2: a lot of money that are absolutely.
Speaker 1: In bonkers crazy.
Speaker 2: Oh, I've never seen anything like this? How did you?
Speaker 2: How did they allow you to?
Speaker 1: Maae just just crazed like man like even I mean,
Speaker 1: Pie is bonkers. I've not seen that in years. Record
Speaker 1: for a Dream is horrible, but but fantastic. But the
Speaker 1: ending of that is happy. Oh, I've had your theory
Speaker 1: on this. It's not happy. It's not happy.
Speaker 2: People have missed this is that film for you.
Speaker 1: Yeah, when you want cheering up, you just chan't ask
Speaker 1: to ask to yourself.
Speaker 2: You've heard me talking to myself down the street.
Speaker 1: And I love the Wrestler as well.
Speaker 2: Me too.
Speaker 1: I love it.
Speaker 2: I can't put it wrong. I love the Fantin.
Speaker 1: Didn't see the Fountain?
Speaker 2: Right?
Speaker 1: Should I watch the fact that I'm sort of coming
Speaker 1: on your podcast to get a list of films that
Speaker 1: I should have seen The Fantin.
Speaker 2: All the things with Danimansky. What he doesn't do, which
Speaker 2: is rare, he doesn't do irony. He's not like going.
Speaker 2: He's a bit like this, isn't it? The Phantom is
Speaker 2: him going, I want to make a film about love
Speaker 2: and death.
Speaker 1: Yeah, And he goes this is.
Speaker 2: The fucking film about death, and I'll give a ship.
Speaker 2: You're embarrassed by me talking about love and death. I
Speaker 2: love it. You don't get that. There's no like no.
Speaker 2: I guess I am a romantic. It's like pure.
Speaker 1: I like it. Yeah. I think he's got a good,
Speaker 1: good body of work. I like oteurs. I get into
Speaker 1: I sort of will forgive people a lot if they've
Speaker 1: consistently done like two or three good things. I think
Speaker 1: they're allowed miss steps like Tarantino as well. Yeah, big Tarantina.
Speaker 1: I am a very big plan.
Speaker 2: Do you remember? But but boy is a polematic? Yeah?
Speaker 1: Sure? But what isn't Well? I mean and when when
Speaker 1: we say what isn't we don't mean everything is these days.
Speaker 1: It's just turns out a lot of things are.
Speaker 2: Oh, hang on, there is a subsection go on? Is
Speaker 2: worrying White? Any film that aroused you where you thought
Speaker 2: I definitely shouldn't.
Speaker 1: This is traveling. It's probably some sort of Disney film.
Speaker 1: Not really thought about it too much.
Speaker 2: Mary Poppins.
Speaker 1: So that's the one that's yours?
Speaker 2: Then? Is it?
Speaker 1: You just plans Mary Poppins out of well.
Speaker 2: I was going to go with an animated and I thought, No, Actually,
Speaker 2: I feel is that is that?
Speaker 1: What is that fine?
Speaker 2: I mean I prefer my Nan needs to be bigger
Speaker 2: male as you will know. Is that an animated princess
Speaker 2: or an animated animal?
Speaker 1: I mean there are some fit animated animals on there.
Speaker 1: Robin Hood's made Mary, Yeah, made Marins.
Speaker 2: A lovely fox is a literal fox, very very charming
Speaker 2: one too.
Speaker 1: I don't think I've got I mean, but you whack
Speaker 1: an you whack eyelashes. Any animal I'd probably be up
Speaker 1: for it. You probably like a caramel bunny. Oh yes, please, yes, please?
Speaker 1: Are the caramel bunny Jessica rabbit obviously, but not not
Speaker 1: a rabbit. But I don't think that's that's not a
Speaker 1: worrying one. I think I think that's fairly well considered. No,
Speaker 1: I don't think there's anything specific that i'd be I'm
Speaker 1: never worried about that sort of thing. I'm like, well,
Speaker 1: there it is. That's on the list.
Speaker 2: Then the one for the wool, Yeah, I'm up to twelve.
Speaker 1: Now, what.
Speaker 2: Is the film that you relate to the most that
Speaker 2: you've watched and you've gone that is me?
Speaker 1: That is this is the one I found very difficult
Speaker 1: brad people do.
Speaker 2: Some people feel this one and some people don't. It's
Speaker 2: okay if you struggle with it. It might be something
Speaker 2: you aspire to. You got to wish this with me,
Speaker 2: or it might be for an example, Ladybird. Genuinely I
Speaker 2: really felt a connection with Ladybird, even though it was
Speaker 2: it clearly is not my life. I very much related.
Speaker 2: I was like, yeah, I get I'm Ladybird.
Speaker 1: Yeah, it's a real tricky one.
Speaker 2: Listen if it helps you, guys, we have said Ethan
Speaker 2: Hunt is missing impossible.
Speaker 1: Of course did of course, so you know how, Yeah,
Speaker 1: I just if I watch a film, I don't connect
Speaker 1: with the characters necessarily, I'll connect with it in a
Speaker 1: way of saying, this is very funny. I aspire to
Speaker 1: do something like this one day. It wouldn't necessarily be
Speaker 1: watching a film going I'd love to jump out of
Speaker 1: a plane.
Speaker 2: Suggesting he does jump out. I don't think it was inspired,
Speaker 2: and I don't think it was Iami. Maybe it was
Speaker 2: a confession, right, maybe something about just like like young losers,
Speaker 2: you know, those those sorts of I mean, something like
Speaker 2: super Bad was one where I was like, yeah, that
Speaker 2: seems fair. Michael Senna or a.
Speaker 1: Fat one mate, Yeah, because I was. I was the
Speaker 1: fat one used to do. Yeah, and I went to
Speaker 1: a boys school, so there's a lot of like fat
Speaker 1: lad with a lot of male friends because it's about
Speaker 1: male friendship. Yeah, so probably probably that film, but I've
Speaker 1: not seen it in the years, and I've really plucked
Speaker 1: that out of thinner.
Speaker 2: So it's difficult to imagine your effects. You're so fit, thanks, mate,
Speaker 2: there's plenty of photos. Yeah, it just doesn't seem real.
Speaker 1: Johan Hill's lost a lot weight now of course as well.
Speaker 1: Good luck to him. Yeah either way, either way, it's great.
Speaker 1: Sorry that was a ship answer to that one, bro.
Speaker 2: No, No, that's absolutely fine. I appreciate your honesty. It
Speaker 2: was the film you could or have what's the most
Speaker 2: over and over again.
Speaker 1: So the film that I have watched a lot, and
Speaker 1: I've watched it a few times, but I know that
Speaker 1: in my future I will watch it a whole lot more.
Speaker 1: And I've watched it already at the Edinburgh Festival again
Speaker 1: because when I was thinking about this, I was like,
Speaker 1: I'm going to watch this film again. Cabin in the Woods.
Speaker 1: I think it's one of my favorite films of recent times.
Speaker 1: I think it's a great horror film. Yeah, it's a
Speaker 1: great comedy film. Yes, it's incredibly inventive. It's the new
Speaker 1: things with the genre whilst paying homage to the genre perfectly.
Speaker 2: I mean that's a perfect description and.
Speaker 1: Throws everything it's got it and I can rewatch it
Speaker 1: over and over again. Bet. It's such a detailed film,
Speaker 1: like with all the all the possibilities of all the
Speaker 1: monsters that are going to pop out and the big
Speaker 1: list of monsters. I think it's exciting and I could
Speaker 1: watch if they made sequels of it with the different
Speaker 1: monster coming in, I would fully watch that. And Bradley Whitford.
Speaker 1: You need no other reason for a good film than
Speaker 1: Bradley Whitford. It's so great. Are you a fan of
Speaker 1: Cabin in the Woods, Brett?
Speaker 2: I am. I think it's a very inventive and sort
Speaker 2: of brilliant thing.
Speaker 1: Yes, but yeah, I watch it over and over again.
Speaker 2: What film do you objectively think is the greatest one
Speaker 2: of all time? As in might be your favorite? We
Speaker 2: go that's the mess piece of cinema.
Speaker 1: Ever, this is another one I'm going to struggle with
Speaker 1: because I don't think I've seen a lot of those
Speaker 1: sorts of films, but.
Speaker 2: It's your answer. If your answer is Cabin in the Woods,
Speaker 2: it might be it's just some people favorite and greatest
Speaker 2: is actually different for some people. It's not.
Speaker 1: Yeah, okay, But the sorts of films that you were
Speaker 1: probably talking about are things that are considered cinema greats.
Speaker 1: Christmas Carol, yeah, or like of course, I would have
Speaker 1: loved to have seen Ben Hurt, but I had a
Speaker 1: snoozy man next to me, So things like Ben Hur
Speaker 1: and I've not seen Citizen Kane. No, I'm not going
Speaker 1: to waste my time with that. It's actually good.
Speaker 2: But you know what, I tell you the secret about
Speaker 2: Citizen k Yeah, I won't tell you it's not boring, right,
Speaker 2: I know why you haven't seen it because it took
Speaker 2: me a long time. Yet I tell you if it's boring,
Speaker 2: it's not boring.
Speaker 1: And Kane? What else is there? Things like that like
Speaker 1: Lawrence of Arabia, Lawrence of Arabia. It's basically I might
Speaker 1: as read a book. People going you should watch that.
Speaker 1: It's no, it's not even that long.
Speaker 2: Citizen games like under two hours, Under two hours moves
Speaker 2: very quickly. Honestly, I wouldn't like to i'd tell you
Speaker 2: the truth. Lawrence of Arabia is excellent.
Speaker 1: It's a bit boring, alright, I will watch it. But
Speaker 1: a film that I have seen that is probably the
Speaker 1: greatest film of all time, and it's makes you sound
Speaker 1: very low brow. Sorry, hello, finished yet no, Back to
Speaker 1: the Future an excellent? Is that a good answer?
Speaker 2: And then a lot of people will be very happy
Speaker 2: to hear that.
Speaker 1: Yes, I do. I like time travel, love a time
Speaker 1: travel film, and it's just a big, fun comedy film,
Speaker 1: perfectly pitch perfect, perfect performances.
Speaker 2: You like all lived in two and three?
Speaker 1: I hate three, don't like three at all, and I
Speaker 1: really like two. But so I'm giving you. Back to
Speaker 1: the Future is objectively the greatest film ever made. I
Speaker 1: prefer too, Yeah, because I prefer the I prefer the
Speaker 1: futures of the past, and I prefer to see I
Speaker 1: think it's more interesting to see the twists they put
Speaker 1: on something they'd already done, and how they and how
Speaker 1: they got to Yeah. Yeah, asy went said three. I
Speaker 1: think they were panicking interesting.
Speaker 2: Threes are very popular.
Speaker 1: I don't like it. I'm not a big kind of
Speaker 1: Western stuff anyway. Yeah, yeah, yeah, full on, isn't it?
Speaker 1: And I think it was just yeah, it's just two
Speaker 1: in the West, so I'm not of other birth.
Speaker 2: Three what is I don't not being negative, we'll do
Speaker 2: it quickly. What's the worst film you've ever seen?
Speaker 1: Worst one I've ever seen? And I hate to sound
Speaker 1: like a terrible reviewer, but I left before the end?
Speaker 1: Is Mark Warburg's Planet of the Apes. Okay, as someone
Speaker 1: who's stuck to the end. Yeah, for once, I couldn't
Speaker 1: agree more. That is a genuinely, absolutely dog ship film.
Speaker 1: It's terrible.
Speaker 2: I hate that film. It's truly tim who I love,
Speaker 2: And I was like, what the fuck is what happened?
Speaker 1: How is this a film?
Speaker 2: It's so bad fun I don't want to show people.
Speaker 1: You've got to see this. It's like ship, yeah, because
Speaker 1: I like I like ship films, like like like my
Speaker 1: whole universe. Time at university, we for some reason, our
Speaker 1: Telly didn't work like we can get normal Telly. But
Speaker 1: we had a DVD player, but we couldn't afford proper DVDs.
Speaker 1: We used to go to the post office where they'd
Speaker 1: sell like DVDs for like three quids bin DVDs and
Speaker 1: just buy up a load of bin DVD's and watch them,
Speaker 1: and we saw some awful shit. It's great. Listen, there's
Speaker 1: one we watch over and over again. It's called shadow
Speaker 1: Keeper Gates of Time, and it features the best extra
Speaker 1: I've ever seen. Well, he's not even an extra because
Speaker 1: I think they're basically filming a town center and they
Speaker 1: don't have the rights, film all the money to shut
Speaker 1: it down. So a guy, and they left this in.
Speaker 1: A guy. You see him coming. He walks around right,
Speaker 1: and he gets to in front of the camera and
Speaker 1: then just rotates his whole body with just loose arms,
Speaker 1: completely floppy arms, and goes and smiles at the camera,
Speaker 1: flicks back again and then keeps walking and they left
Speaker 1: that in. So I like that sort of shit. But
Speaker 1: Planet of the Apes star in Mark Wahlberg, who I
Speaker 1: don't want to be is negative but is I don't
Speaker 1: understand what's going on? How is he well?
Speaker 2: Because the thing about Mike Wahlberg is he is sometimes
Speaker 2: a brilliant actor, right, and then sometimes he chooses not
Speaker 2: to be And you Sanders go, why did you choose
Speaker 2: not to do proper acting in this one? So what's
Speaker 2: what he can do? Comedy? He can do? You know,
Speaker 2: he's very good and things that they departed. It's funny.
Speaker 2: And but then he sometimes turns up and like in
Speaker 2: All the Money in the World and you go, why
Speaker 2: did you in the Departed? Yeah, he's like a funny cops.
Speaker 1: Can do in the Fighter as well.
Speaker 2: He's in the Yes, it's in the Fighter. Yeah, and
Speaker 2: he's in Boogie Knights.
Speaker 1: He does of course. Yeah. So no, No, he's got
Speaker 1: quite a good.
Speaker 2: He can be brilliant, and sometimes he forgets to do acting.
Speaker 2: The Planet of the Apes, The Planet of the Apes
Speaker 2: and All the Money in the World yea where he
Speaker 2: genuinely looks completely out of his depth going and no,
Speaker 2: I forgot signed up to do with proper acting.
Speaker 1: What am I doing?
Speaker 2: I'll put I'll wear these glasses and hopefully that will
Speaker 2: do a character for me. It's a very it's a
Speaker 2: very bad film beginning to end. I'm angry thinking about
Speaker 2: and the twist. They're trying to do a new twist at.
Speaker 1: The end of time, So don't do a new twist, lads,
Speaker 1: do you know what?
Speaker 2: The new twist is so stupid?
Speaker 1: What is it again?
Speaker 2: Is so at the end because they want to do
Speaker 2: a different twist. Yeah, he gets on the spaceship back
Speaker 2: to Earth. So the Planet the Apes isn't Earth, yes, version,
Speaker 2: So he goes actually to Ear where he goes, I
Speaker 2: finally we're here. But he gets out of his stupid
Speaker 2: spaceship goes to the Abraham Lincoln statue and it's Monkey
Speaker 2: Abra Hamling.
Speaker 1: It's Monkey Obra Hamling.
Speaker 2: And of course it is either accidentally now flowing to
Speaker 2: another Planet of the Apes or is now planning it.
Speaker 2: I don't want to find and then to police Planet
Speaker 2: the Apes.
Speaker 1: Yes, I just don't know what if you're remaking Planet
Speaker 1: of the Apes. It's one of the best twists of
Speaker 1: all time, right, don't go we need to think of
Speaker 1: another version of this. And then someone goes Monkey Abraham
Speaker 1: Lincoln done. That's it.
Speaker 2: But the new trilogy I think one of the best trilogies.
Speaker 2: New three so good.
Speaker 1: Yeah, love it.
Speaker 2: Well.
Speaker 1: Monkey Technology has really come on.
Speaker 2: It really has, and it grows over the trilogy as well.
Speaker 2: Yeah I hate c g I And by the third one,
Speaker 2: I meant, do you look like a monkey?
Speaker 1: Yeah? You really look like Woody Harrelton'.
Speaker 2: What's the funniest What's the film that's made me laugh?
Speaker 1: The film in recent years that has made me laugh
Speaker 1: the most in the cinema because me and my girlfriend
Speaker 1: were the only people in the cinema, or so I thought,
Speaker 1: And I screamed laughing for the whole thing because I
Speaker 1: was very excited to see it was Alpha Papa. Oh great,
Speaker 1: absolutely love like a drain from beginning to end. And
Speaker 1: then realize there was one other persons at the back
Speaker 1: of the cinema. I was just out there, not in
Speaker 1: going correct, I know, I just must have. It was
Speaker 1: just I thought we were alone, so I was like,
Speaker 1: I feel free to howl with laughter at this, and
Speaker 1: then I turned around and obviously ruined someone's cinema experience completely.
Speaker 1: I love that film. I don't know how it's thought of.
Speaker 2: I think it was well received when it came out,
Speaker 2: and it's sort of not been It's almost been forgotten.
Speaker 2: No one considers it a classic. But I think when
Speaker 2: it came out it was well received, so there's that
Speaker 2: let's bring it back.
Speaker 1: I think, yeah, I think that that's a truly fantastic film,
Speaker 1: and I like that they resisted doing it for a
Speaker 1: long time and sort of made fun of when TV
Speaker 1: series go to films and they always have to take
Speaker 1: it out of where it is, and they always have to,
Speaker 1: you know, go abroad, but this is just it's like
Speaker 1: a massive budget, extended action episode of I'm An and
Speaker 1: Partridge and that's why I love it. Also another amazing
Speaker 1: cinema experience. And Sure of the Dead is one of
Speaker 1: the only times I've been in a rammed cinema and
Speaker 1: people were reacting to it amazingly, like huge laughs all
Speaker 1: the way through.
Speaker 2: That's great. Two British films.
Speaker 1: Yeah, yeah. But then there's Dumb and Dumber, which is
Speaker 1: one when I was younger. The first time I saw
Speaker 1: I couldn't believe it. Couldn't believe. I couldn't believe it. Mate,
Speaker 1: I must have seen that in the same year. I
Speaker 1: probably got it on video and I probably saw it
Speaker 1: fifteen times and then no, yeah, yeah, see the documentary
Speaker 1: of what he had to go through to capture the
Speaker 1: character of Lloyd Christmas.
Speaker 2: What well, Oh, what's your favorite films.
Speaker 1: It's so difficult because I'm the same with music, you know,
Speaker 1: it changes so much because I get so obsessed with
Speaker 1: like watching some newer things, and then suddenly it will
Speaker 1: be replaced. It would just go like, oh, that's my
Speaker 1: that's my favorite of recent times.
Speaker 2: Well, you died today, So what was it today?
Speaker 1: I tell you. The film that's the most recent film
Speaker 1: I saw that I absolutely loved and was ranting about
Speaker 1: for ages was The Lobster. Oh great, I absolutely loved that.
Speaker 1: I can't say that's my favorite film because it's not. Oh,
Speaker 1: Brett's so stressful. I might have to say fight Club. Okay, No,
Speaker 1: it's satirizing it Brett, Okay. I don't think I'm ever
Speaker 1: going to be happy with my choice. But because we
Speaker 1: talked about it and I had to go back and
Speaker 1: watch it because I thought maybe it's rubbish, and I
Speaker 1: went and watched it again and it's not. It's really
Speaker 1: good and everyone in it's amazing and it's another really
Speaker 1: cool meant to plot with a cool twist. I might
Speaker 1: have to pick fight Club, And I sound like such
Speaker 1: a fifteen year old boy picking that it's okay, it's not.
Speaker 1: You look so disappointed, and I'm not.
Speaker 2: At all disappointed. I feel I'm giving you that lip
Speaker 2: because I feel I feel you're anxiety and I sort
Speaker 2: of wanting to make sure you choose this properly.
Speaker 1: Because because I normally would have said man on the Moon,
Speaker 1: but it was such a good answer for the other one.
Speaker 2: I'm gonna let you have fight club.
Speaker 1: You can all right.
Speaker 2: Now, Look here's the thing you've been. You've been a
Speaker 2: genuinely wonderful guest. I've absolutely loved this, and.
Speaker 1: Everyone else picked really cool stuff for their favorite film.
Speaker 2: But look, here's the thing. When you rote down for sets,
Speaker 2: what did taken out people?
Speaker 1: Way?
Speaker 2: Yeah, have a seat massacres it will forever. Yeah, I'll
Speaker 2: probably do an enemy show about it. I knew him.
Speaker 1: It'll be good.
Speaker 2: I knew him.
Speaker 1: I am you did the final performance on top of
Speaker 1: our seat. Yeah, and then was.
Speaker 2: When you hit the bottom. You basically picked up a
Speaker 2: lot of the people you hit like bits. And anyway,
Speaker 2: the point is we put you in your coffin. There's
Speaker 2: a lot more to you. Yeah, there was at the
Speaker 2: top of ours. We crammed you in to the coffin,
Speaker 2: and unfortunately you took up so much room the old
Speaker 2: day I had to there's any room for one DVD? Right,
Speaker 2: take the other side. Now, on the other side, there's
Speaker 2: a movie night and one day over your movie night.
Speaker 2: What's the film?
Speaker 1: So there's any room for one DVD as opposed to
Speaker 1: normal coffins? Yeah, well, it's.
Speaker 2: Well if you if you hadn't expanded and saved right
Speaker 2: down here, we could have put all the all the
Speaker 2: things right.
Speaker 1: As you know already did.
Speaker 2: Who's been.
Speaker 1: So I'm gonna have to I'm gonna have to pick
Speaker 1: something on.
Speaker 2: You can pick. It doesn't even have to be from
Speaker 2: what you've said.
Speaker 1: Okay, but it'd be good if it was, wouldn't it.
Speaker 2: The point is, it's the film you're taking for eternity,
Speaker 2: and it's also the film you're showing to people out there.
Speaker 1: So I need I need to think of something that's
Speaker 1: going to bring a good vibe to heaven and also
Speaker 1: that no one else will really bring, and something that
Speaker 1: represents me because I want to be all right, guys,
Speaker 1: party time at Gamble's here.
Speaker 2: So not, Dear Zachary, you can't right I'm taking the
Speaker 2: Exorcist to Heaven.
Speaker 1: I think that might be. Oh no, the Catholic Church
Speaker 1: love it.
Speaker 2: Heaven Wins.
Speaker 1: They love it, don't they Catholic Church. I don't want
Speaker 1: to take the exis no, and I don't want to
Speaker 1: take sore. I don't want to say anything that's bumming
Speaker 1: anyone out. So personally it's probably between not. I'm not
Speaker 1: taking cruel intentions.
Speaker 2: You can take Scott Pilgrim.
Speaker 1: I could take Scott Scott Pilgrim. But I think, even
Speaker 1: though I know that a lot of people will probably
Speaker 1: take this to Heaven, I'm going to take Back to
Speaker 1: the Future Lovely because what but know so many people
Speaker 1: who can to come to my movie night. If I
Speaker 1: take Cabin in the Woods, people are going to be like,
Speaker 1: come on, mate, not in heaven. This is all about.
Speaker 1: This is all about providing a group of teenough just
Speaker 1: to quell a demon. So I think I think it's
Speaker 1: it's got to.
Speaker 2: Be Back to the Future, a film about incest. Thank
Speaker 2: you so much.
Speaker 1: Did I get it right? Did I get it right?
Speaker 2: You have done very well on films to I'm going
Speaker 2: to like you to go to heaven. We're back to
Speaker 2: the future. Thank you, and find you're going to kick
Speaker 2: yourselving you get there because it's your movie and you'll
Speaker 2: be looking at the schedule. It'll be Monday, back to
Speaker 2: the Future having a word. No one like that. Anyway
Speaker 2: you've done it. You've been an absolutely light I have
Speaker 2: a lovely night. Yeah, no, I like that, Okay, I
Speaker 2: like it, and don't let by good night.
Speaker 3: So that was ed Gamble on a rewind classic episode.
Speaker 3: Be sure to check out the Patreon page at patreon
Speaker 3: dot com slash Brett Goldstein, where you get to chat,
Speaker 3: video and mixtapes at Various Tears and otherwise. If you
Speaker 3: fancy leaving a note on Apple podcasts, that would be
Speaker 3: lovely too, But to make it a review of your
Speaker 3: favorite film much more fun and way more interesting to
Speaker 3: read for everyone involved. Thank you so much to ed
Speaker 3: Gamble for fun times and presents from the podcast. Thanks
Speaker 3: to Scruby's PIP and the Distraction Pieces Network. Thanks to
Speaker 3: and this is where Brett thanks me for editing and
Speaker 3: producing the podcast, so I say it is a pleasure.
Speaker 3: Thanks to iHeartMedia and Will Ferrell's Big Money Players Network
Speaker 3: for hosting it. Thanks to Adam Richardson for the graphics
Speaker 3: and Lisa Lydam for the photography. We will be back
Speaker 3: next week with another episode, but that is it for now,
Speaker 3: Brett and I and all of us at Films to
Speaker 3: be buried with. I hope you're all very well and
Speaker 3: in the meantime, have a lovely week and now more
Speaker 3: than ever, be excellent to each others.
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Speaker 2: sack baby bas backs back back