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Speaker 1: Dan danger everybody, come to the breakfast club. I called

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Speaker 1: in the hot seat, your anna live you control? I'n't

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Speaker 1: even doing it? So are you so? Pat the World's

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Speaker 1: most Dangerous morning show d j N this bit Angel

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Speaker 1: I stay in everybody's business, but in a good rad.

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Speaker 1: Charlomagne the guy, the ruler, rubbing you the wrong way.

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Speaker 1: The breakfast clubs made for everybody. Wake up, wake up,

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Speaker 1: wake y'all. This is your time to get it off

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Speaker 1: your chest with your man. I'm blessed. We want to

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Speaker 1: hear from you on the breakfast club. Hello. Who's this? Hey?

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Speaker 1: This is David out of Jackal Girl Flatter. Hey, what's up? Brother?

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Speaker 1: Get it off your chests? Hey? We need to stop

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Speaker 1: uh these young kids down the wonderful shit there of Chicago. Uh.

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Speaker 1: And you guys reached out to local radio stations there

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Speaker 1: and try to get something going because we're losing. Though.

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Speaker 1: I love it's moving on black life matters, but we

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Speaker 1: need to double focus that bad gods. But we also

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Speaker 1: had bad people killing young black kids in Chicago. Yeah,

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Speaker 1: Chicago's been I mean, listen, that's been an issue that

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Speaker 1: they got affixing. I think for Chicago it's her man.

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Speaker 1: I remember I went there to go visit the charter

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Speaker 1: schools there to see the kids and everything that they're

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Speaker 1: doing in the schools. I think a lot of things

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Speaker 1: have to start with making sure that kids have something

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Speaker 1: to do and they have hoping that people actually care.

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Speaker 1: H I, like I said, uh, from a little small

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Speaker 1: town for origins, from all abouta but we really focus

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Speaker 1: on the Fords and Girls Club, you know, uh, you

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Speaker 1: know starting there. Uh you know, like you said, you know, gentlemen,

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Speaker 1: is so yes say about you know, Uh, I don't

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Speaker 1: like Trump. Well I don't want to talk about it.

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Speaker 1: But I'm not a racist, and you know Trump is

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Speaker 1: doing racist things. You know, we keep can't continue to

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Speaker 1: want to turn the page on the racist thing. And

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Speaker 1: it's racist regardless, it's you know, white power, U the

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Speaker 1: Nazi symbol, it's race. We back and get rid of

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Speaker 1: it absolutely, all right. Well you guys, I'm telling you

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Speaker 1: guys are powerful. Uh. I'm an old man, and I

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Speaker 1: really thought I would be calling the radio stations, but

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Speaker 1: you know, I've got tired of this. Young kids not

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Speaker 1: want to step up, you know. And I got six kids,

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Speaker 1: both both girls and two boys, and I want them

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Speaker 1: to have a future. I don't want them to Well,

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Speaker 1: my dad didn't leave me anything. Yeah, no, I didn't understand.

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Speaker 1: And it's it's so many different things. You know, do

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Speaker 1: do you try to take more guns off the streets? Dude?

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Speaker 1: You have more community stuff out there for kids to

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Speaker 1: do this, get out of the streets. You know, it's

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Speaker 1: a difficult thing. I honestly don't know the answer, but

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Speaker 1: I mean, we just got to keep trying. But you know,

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Speaker 1: I think the best thing to do is could continue

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Speaker 1: to have more community things, hopefully get kids out the

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Speaker 1: streets and doing more things. Have them do things in tech,

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Speaker 1: have them build studios, let let you know, let the

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Speaker 1: kids wrap you know, have basketball programs, both baseball programs,

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Speaker 1: investment programs. Have more people in the community come out

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Speaker 1: there and show them how they're making money and try

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Speaker 1: to change their life around. That's that's all I can

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Speaker 1: think of. When it comes out community, It's a multilayered approach,

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Speaker 1: even with the parents, making sure that the parents are

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Speaker 1: comfortable and they can spend time with their kids, even

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Speaker 1: because a lot of times parents aren't around because they're

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Speaker 1: working multiple jobs, just trying to make it. And then

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Speaker 1: flood the community with some money, so so they have opportunities,

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Speaker 1: so they have chances, so they can't have to worry

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Speaker 1: about where their next meal is gonna come, or how

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Speaker 1: they're gonna pay their rent or whatever it may be. Hello,

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Speaker 1: who's this? What's going on these days? This front page?

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Speaker 1: Are you front page with our brother? Get it off

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Speaker 1: your chests? Yeah, man, Charlomagney call, how are you doing?

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Speaker 1: My brother? Peace King? How are you great? Fantastic? Hey,

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Speaker 1: real quick, I just want to get it off my chest.

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Speaker 1: I'm tired of these fake as clouds that I'm looking

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Speaker 1: at over New York City. Like I said, I'm riding

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Speaker 1: up and down the East coast and they keep spraying

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Speaker 1: them to dead in hood man. I mean, listen, you

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Speaker 1: guys are over in the cloud and it's sust and

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Speaker 1: the side of looking at it, and I don't know

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Speaker 1: who really notices it, but we stay in the cloud

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Speaker 1: and PA is not like that when pre path those

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Speaker 1: mountains we got open skys and you guys are sitting

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Speaker 1: in a nasty cloud and um sitting quite low as

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Speaker 1: well too, you know, of like toxic waste something on

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Speaker 1: that She's saying, those precious metals that they're spraying in

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Speaker 1: the air. It's ridiculous to trusting. I don't know if

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Speaker 1: you notice what the clouds are looking like, and they

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Speaker 1: hang way too low like humulus. Clouds do not hang

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Speaker 1: that low, serious cloud How do we fight it, bro,

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Speaker 1: how do we fight that spy? How do we fight

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Speaker 1: the spray? Well, we could do it like this forty

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Speaker 1: four trillion dot com for black folks. This is what

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Speaker 1: we do. Got to come together and build our own period.

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Speaker 1: You have to come together and build our own for

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Speaker 1: forty four trading for black folks that have could go

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Speaker 1: there the own clouds. N they're there in the cloud.

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Speaker 1: You're not gonna fight that. Ain't experience. They're going down

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Speaker 1: to the rural area. Damn, I can't. I can't hear

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Speaker 1: the spray took his phone clouds. He must have got

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Speaker 1: to the area. It was a lot of bunch of

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Speaker 1: fake clouds and they cut his signal off. Oh my goodness, guy, Hello,

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Speaker 1: who's this? Oh my gosh, in my life, who's this?

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Speaker 1: Oh my gosh? He ain't me me get it off?

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Speaker 1: Don't do that. I love you, I just love you,

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Speaker 1: thank you. I just wanted to get off my chest

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Speaker 1: that people need to stay inside. I saw a very

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Speaker 1: wild video from Atlanta with a pool in the middle

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Speaker 1: of the clubs and people was in there. Yes, yeah,

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Speaker 1: but I'm kind of hypocritical because I'm going to Atlanta

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Speaker 1: next week, but I wouldn't get in the pools. Oh

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Speaker 1: my gosh, I can't believe I've been calling y'all spuce.

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Speaker 1: Y'all was on air and I never got through. This

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Speaker 1: is so stunning. Who I love you love? Does y'all

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Speaker 1: not cool? Anyway? I would like to plug my podcast

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Speaker 1: real quick because I have my own podcast. It's called

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Speaker 1: The Juicy Hour with MEI. Y'all just tune in. It's

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Speaker 1: on all podcasting platforms. Oh Juicy I did ju see

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Speaker 1: Hour with Nani? Oh did you see our Okay? Okay,

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Speaker 1: how do you have a juicy I? Okay, I'm gonna

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Speaker 1: check that out now. Thank you for calling me me.

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Speaker 1: Thank you. It's Nannini all right, like leaks, Nini Leaks.

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Speaker 1: Get it off your chests eight hundred five eight five

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Speaker 1: one oh five one. If you need to vent, you

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Speaker 1: can hit this up right now. It's the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. Did your time to get

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Speaker 1: it off your chests? Whether you're man or blast, so

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Speaker 1: plea better have the same in we want to hear

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Speaker 1: from you on the Breakfast Club. Hello, who's this all right?

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Speaker 1: What up? Brother? Get it off your chest? A little

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Speaker 1: yess me an envy? Yes, represent to you and Angela

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Speaker 1: Alie I love you, guys, She's got the best voice

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Speaker 1: in the game. You know. I'm trying to say that, Like, um,

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Speaker 1: I actually like came the after my dad died, like

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Speaker 1: living in in the mob and I went to like

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Speaker 1: the hood like down here in West Palm. You know

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Speaker 1: what I'm saying. When I was nineteen and I started

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Speaker 1: listening to Jay Farrell and like, now I have a track.

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Speaker 1: You know, I'm staying on a movie on Amazon Prime.

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Speaker 1: Blame it on Trey where I'm a I'm a rapper, comedian, impersonationist,

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Speaker 1: but it's Palm Bleach. Yeah. But here's the real thing

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Speaker 1: I'm trying to say is that, like, you know, nobody

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Speaker 1: can really put their their life into skin color, you

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Speaker 1: know what I'm saying, until they're really there. So there's

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Speaker 1: a lot of people that use different coat like Instagram models,

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Speaker 1: and you know what I'm saying, Like, sometimes I feel

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Speaker 1: like that like the movement should be like you you

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Speaker 1: have had something in your life with that, you know

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Speaker 1: what I'm saying, Like old school thing, not like people

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Speaker 1: are like africoming official whole life, like don't even go

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Speaker 1: out their house and you know what I'm saying. But

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Speaker 1: that's cool. I'm gonna tell you. I'm gonna tell you something.

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Speaker 1: I don't know what you're saying. Did nobody you tell me?

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Speaker 1: You know? Do you know what I'm saying. I don't

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Speaker 1: know what you're saying. But good morning to you. Hello.

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Speaker 1: Who's this? Hey? My name is Fella. Hey, get it

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Speaker 1: off your chess. Hey. I was calling about a story

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Speaker 1: out in Blanton, Indiana. It was over for July where

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Speaker 1: a guy was attention to be lynched and they caught

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Speaker 1: it on video, but they didn't make any arrest there

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Speaker 1: and now, um, you know, now they're looking into it

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Speaker 1: and investigating it and stuff. But that the uh, that

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Speaker 1: was that all of the white people who were saying

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Speaker 1: they were trying to lynch a black person, he was

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Speaker 1: calling for the noose. Yeah, yeah, that's the one. Yeah.

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Speaker 1: I live out here, man, and it is just it's

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Speaker 1: near Indianapolis, Indiana, and it is such like a white

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Speaker 1: place to live and it's hard sometimes because nobody you know,

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Speaker 1: relates at all. And this is a place where I

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Speaker 1: can't tell you how many times people have been like,

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Speaker 1: come on, hang out with me, come camping with me,

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Speaker 1: and you know, I always tell him no and tell

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Speaker 1: him I don't want to because it's dangerous and they

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Speaker 1: don't see it. And then it's like here it is

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Speaker 1: for everybody to see, but still people don't pay attention

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Speaker 1: to I'm gonna I'm gonna give you the same advice

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Speaker 1: I would. I would love to give that young man.

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Speaker 1: I feel like you have to own a legal firearm

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Speaker 1: in America, especially when you're a black person. I think

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Speaker 1: having a legal firearm is a form of self care.

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Speaker 1: And I wish that young man in that moment had

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Speaker 1: a legal firearm on him to protect himself from from

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Speaker 1: at least what I saw in the video, which was

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Speaker 1: a bunch of white people attacking him telling him go

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Speaker 1: get the noose. Yeah, that's what I kept hearing them

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Speaker 1: call for. Absolutely. Yeah. I mean I feel like, you know,

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Speaker 1: had he done that though, had he shot somebody, the

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Speaker 1: police who showed up, it's the park police. It's not

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Speaker 1: the same police they would have been for and their

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Speaker 1: guns at him. And shot. You know you would have

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Speaker 1: been yes, But that's no reason for me not to

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Speaker 1: practice my second Amendment right. Absolutely. I still live in

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Speaker 1: America and the Constitution is supposed to protect me, so

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Speaker 1: I have no problem fighting that one in court. Yeah,

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Speaker 1: I just feel it's it's just one of those things

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Speaker 1: then being out here, being in a place where you know,

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Speaker 1: you do what you can to to be active and

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Speaker 1: do what you can and do the right thing and

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Speaker 1: you know, promote social change and all that, but it's

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Speaker 1: just such a whitewashed community that it's just man, it's

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Speaker 1: hard living out here sometimes. Well, thank you, We appreciate you.

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Speaker 1: What what you attempt to do, absolutely, what your what's

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Speaker 1: your privilege using your privilege to combat prejudice? So thank you. Okay,

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Speaker 1: all right, get it off your chest. Eight hundred five

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Speaker 1: A five one oh five one. If you need to vent,

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Speaker 1: hit us up now. It's the Breakfast Club. Good morning,

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Speaker 1: the Breakfast Club. Yeah, it's the world most dangerous morning

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Speaker 1: show to Breakfast Club. Charlemagne to God, Angelie ye and

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Speaker 1: we got somebody on the zoom this morning. And I

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Speaker 1: love our value and I appreciate doctor Claude Anderson. How

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Speaker 1: are you young man. I'm still trying to grow up

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Speaker 1: and be like you. Drink mim, say my prayers, and

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Speaker 1: I hope to be like you one day, you know.

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Speaker 1: You know, doctor Claude, I'm happy to have you this morning, man,

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Speaker 1: because I'm hearing so much power nomics rhetoric from everybody.

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Speaker 1: Everybody wants to use doctor Claude's ideas in regard the

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Speaker 1: black economic agendas, So why not hear from the man

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Speaker 1: himself this morning. That's that's my mindset. Well, I'm delighted

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Speaker 1: to be here and glad to see y'all and be

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Speaker 1: with you all again. And I just thought a few

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Speaker 1: seconds ago, you know, I'll be a year pretty soon,

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Speaker 1: says the last time I was with you all last December. Wow.

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Speaker 1: And Doctor Claude, before we start, I just want to

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Speaker 1: ask you, how is everything with you? With you know,

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Speaker 1: these difficult times that people are having. How have you

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Speaker 1: been holding up? I'm fair, fair to Midland for a

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Speaker 1: poor black man, but I've had some health problems. It

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Speaker 1: looks like I'm right on the edge or coming out

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Speaker 1: of them, and I just think just as hastening and

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Speaker 1: trying to get back to you all again, because as

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Speaker 1: you indicated, Chalomagne. We were in deep, deep trouble in

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Speaker 1: this country black vote. And you know, I made a

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Speaker 1: commitment to myself a few years ago that I was

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Speaker 1: going to stay out of national politics since I left

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Speaker 1: an assmistrace with President Carter as I'm gonna stay out

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Speaker 1: of it, say neutral. But now looking around, I can't

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Speaker 1: keep that commitment, and along the things again so terrible.

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Speaker 1: We got a pandemic. Nobody's doing anything for that makes

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Speaker 1: any sense. But more importantly is that my people's Black

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Speaker 1: people are just totally in absence of any lead black leadership.

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Speaker 1: Nobody's speaking of for black volte And I've told people

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Speaker 1: all my life that when white folk catch catch cold,

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Speaker 1: black folk on a catch pneumonia, I don't hear nobody

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Speaker 1: saying we're gonna start talking that we want to eradicate poverty.

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Speaker 1: They should be saying, no, starting a priority with black volk.

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Speaker 1: And I got thirty percent of all the Black folk

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Speaker 1: in America beneath the poverty line. Start with them. If

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Speaker 1: you started talking about we want justice, start with black

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Speaker 1: folk again. Trump is stacking the courts again for the

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Speaker 1: next forty years, putting people into the federal judge ships,

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Speaker 1: which means that black folk and never, never, never, never

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Speaker 1: have a chance to get in get into a get

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Speaker 1: justice from that situation. We're marching in streets, tromboy, we

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Speaker 1: want justice. How are you gonna get justice? And then

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Speaker 1: they said, well, well, how about the Supreme Court? I said,

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Speaker 1: why would a black person want to try to get

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Speaker 1: justice in the United States by going through the Supreme Court.

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Speaker 1: The primary responsibility of the Supreme Court is to maintain racism.

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Speaker 1: They are the guardians of racism in America, as the

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Speaker 1: most racist organization in the United States. As soon as

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Speaker 1: the racism and slavery started, first thing they did was

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Speaker 1: set up to you guys, set up the Supreme Court.

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Speaker 1: It makes it be the guardian and came out of

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Speaker 1: the Marboroughs and Matterson decision in eighteen oh three it says,

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Speaker 1: now we're gonna start getting involved in matters pretending to

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Speaker 1: black folk and slavery. The first fifty seven judges were

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Speaker 1: white slave owners. If Joe Biden wins, you think you

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Speaker 1: should stack the courts, stack the Supreme Court. Yeah, that's

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Speaker 1: what he's supposed to do, is so to look out

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Speaker 1: quit pro quote. It's going to take care of the people,

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Speaker 1: to take care of him. That's the primary purpose of politics.

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Speaker 1: Politics never existed the way they exist now until the

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Speaker 1: fifteen hundreds. And it's based on a French word policy,

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Speaker 1: which means quit pro quote. It decides who gets west

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Speaker 1: benefits out of life. It's based on a simple premise

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Speaker 1: of something for something, will you help me, I help you.

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Speaker 1: All these black elected officials they swear an oath said

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Speaker 1: I would hear by promising commitment to raise my hand

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Speaker 1: on the Bible saying that I would protect who those

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Speaker 1: individuals who voted for me and put me in that

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Speaker 1: public office. And I never see anybody holding them to that.

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Speaker 1: We got to Congress, the Black Caucus Party, some people

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Speaker 1: they saw on oath that they would plat black vote.

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Speaker 1: You tell me where have they been all these years?

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Speaker 1: What are they doing? Fifty one percent of all the

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Speaker 1: prisons in the United States of black people that set

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Speaker 1: up in prison fifty one percent, and out of all

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Speaker 1: eleven is in prison right now that are black, ninety

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Speaker 1: six percent of black men. They're in dangerous specie. How

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Speaker 1: more with doctor Claude Anderson, when we come back, do

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Speaker 1: a move. It's the breakfast club. The more the breakfast

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Speaker 1: club morning everybody is DJ Envy Angela Yee Charlomagne, the

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Speaker 1: guy we are the Breakfast Club were still kicking it

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Speaker 1: with doctor Claude Anderson Charlomagne. Right, doctor clud let me

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Speaker 1: run down to five points. You just made a real

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Speaker 1: quick social construct that dictates everything. Um, I mean that

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Speaker 1: reconstructs everything in the Constitution. The man that there'd be

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Speaker 1: a permanent office in the White House of Native Black Affairs.

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Speaker 1: The man that they build a sovereign high speed rail

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Speaker 1: system that runs from Atlanta to Dallas, stops from Birmingham

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Speaker 1: and Screveport. Um Congress to study the negative impact that

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Speaker 1: immigrants having on black people and establish a reparations bill.

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Speaker 1: If you got it down right, and when you when

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Speaker 1: you called and check on that on that high speed

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Speaker 1: rail system, that money is already there and right now,

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Speaker 1: I got I got people already to committed outside of

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Speaker 1: the Hinda states that were put up something like four

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Speaker 1: to five billion dollars to build that high speed rail system.

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Speaker 1: All we need from the government is for somebody at

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Speaker 1: the federal level and the Office of the President just

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Speaker 1: to approve the project. You know, doctor Claude, I was

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Speaker 1: having that conversation about immigrants actually yesterday, and a lot

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Speaker 1: of people would say the immigrants, they don't they're not

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Speaker 1: taking any jobs from black people, because there's jobs black

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Speaker 1: people wouldn't do anyway, What do you say to that?

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Speaker 1: They're right, And that's why we have to recondition black folk.

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Speaker 1: Black folks. I've worked. I worked for four hundred sixty years.

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Speaker 1: Nobody to payment, gave me anything. What shurance I got.

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Speaker 1: This time, I'm gonna get paid and get some money.

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Speaker 1: And but see what nobody's ever rewarded compensated black folk.

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Speaker 1: Black folks have never gotten any rewards they worked all

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Speaker 1: those years, three hundred, three hundred sixty years or nothing.

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Speaker 1: And then and the thing about it is the dominant

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Speaker 1: white society is still opposed to it. You know why.

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Speaker 1: It's what y'all look for, something free. I said, that's

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Speaker 1: what they should be doing, looking for something free. You

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Speaker 1: know why, because every immigrant came here contrary to what

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Speaker 1: they tell you, but they came here for religious freedom.

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Speaker 1: Then they come and nobody came here looking for religious freedom.

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Speaker 1: They came here looking to get free benefits. They came

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Speaker 1: here to get all those things that blacks could not get.

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Speaker 1: They want to cut together, wanted free land and free

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Speaker 1: black labor. And that's what they got. That's called the

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Speaker 1: American dream. Coming to America, land, freeload, get what you

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Speaker 1: whatever you can get. What's the what's the final point,

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Speaker 1: doctor Claude, you said you had two more? I want

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Speaker 1: I want you to demand that a commission be set

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Speaker 1: up in the Congress that the whole hearing they go

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Speaker 1: out and find out who was responsible and get reimbursements

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Speaker 1: for what happened to the blacks who were free doing slavery.

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Speaker 1: And so so I'm giving you about seven things. I'm

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Speaker 1: gonna quit there. His name is doctor Claude Anderson. You

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00:17:21,400 --> 00:17:23,520
Speaker 1: can go get power nomics. You can go get black

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Speaker 1: label white wealth. You can go get dirty little secrets

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Speaker 1: Paul one and two. Go by all doctor Claude's books. Man,

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Speaker 1: he's one of my favorite people to have conversations with,

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Speaker 1: to talk to, and and I love you, and I

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Speaker 1: value you, and I appreciate you. Doctor Claude. I'm glad

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Speaker 1: you exist, my brother. I say you, you know how

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Speaker 1: I feel about you. I may not tell anybody a second.

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Speaker 1: Somebody's asked me about Charlomagne. I said, I was asked

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Speaker 1: my man. I said I'm not dead. That's my man's sense.

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Speaker 1: I appreciate you, doctor Claude. Where can they find you

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Speaker 1: if they want to reach you? Many? Thank you God

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Speaker 1: us go to the Power Numbers dot com wellside, we

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00:18:04,680 --> 00:18:06,680
Speaker 1: got a library practically, get all five those books for

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Speaker 1: nine to nine dollars. All they can call the Power

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Speaker 1: Numbers Corporation in the Washington d C. And contact me.

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Speaker 1: I love you, guys, and I appreciate you. And please,

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Speaker 1: if I said something with offensor to you, I didn't

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Speaker 1: mean to do that, and I apologize for it. And

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Speaker 1: if you welcome this type of dialogue, I would love

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Speaker 1: to have it some more because I agree with some things,

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Speaker 1: disagree with some things, but that is all part of

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Speaker 1: that's what's experiences, that's right. I appreciate that. And I

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Speaker 1: don't know. I don't know the answer to everything. But

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Speaker 1: I just tried for fifty years to be a forensic

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Speaker 1: historian to do with nobody else does, and look at

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Speaker 1: racial issues and cut them open, slice them and die

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Speaker 1: them and figure out what how you find solutions? And uh,

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Speaker 1: I don't exist accept things right off the bat now.

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Speaker 1: I wouldn't want you to do that either, Doctor Claude.

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Speaker 1: Thank you, my brother. We appreciate you. With doctor Claude Anderson,

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Speaker 1: It's the Breakfast Club. It's time to shoot your shot.

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Speaker 1: To shoot your shot with the Breakfast Club. Just one chance.

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Speaker 1: Don't mess it up, mess it up. We got Michael

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Speaker 1: on a line. Michael's up. Hey, guys, how you doing now?

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Speaker 1: You're trying to shoot your shout with? Who? Tell us?

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Speaker 1: What's going on? All right? So m Tamika and I

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Speaker 1: have been very very good friends for a long time. Um,

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Speaker 1: we first met as freshman in college and yeah, I've

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Speaker 1: been friends ever since. Um, neither one of us has

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Speaker 1: ever been a good relationship. They never really seem to

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Speaker 1: last because I guess we're just constantly dating people were

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Speaker 1: completely wrong for us. So, you guys, never dated, never

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Speaker 1: kiss never kids, smashed, never, never messed around. Nothing. But

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Speaker 1: have you had chemistry with her? Or is it more

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Speaker 1: of a yeah? So so that's the thing I think

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Speaker 1: we do have that we're just really really close friends.

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Speaker 1: We've we've always been each other there for each other

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Speaker 1: through thick and ben and and you know, we supported

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Speaker 1: each other through through all the those bad relationships too.

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Speaker 1: And I feel like we we know each other so

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Speaker 1: well and We've never really, you know, tried going down

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Speaker 1: that road, and I think that i'd like to. I'd

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Speaker 1: like to see if she feels the same way that

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Speaker 1: I'm starting to feel about her, you know, friendship. That's

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Speaker 1: what I'm debating. That's what I'm debating. She is one

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Speaker 1: of my closest friends. I don't want that to change.

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Speaker 1: I don't want to make it weird. Um, but yeah,

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Speaker 1: I mean, I can't help the way I'm feeling right now.

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Speaker 1: To be honest with you, I hate to discourage somebody

401
00:20:31,960 --> 00:20:34,120
Speaker 1: from shooting a shot, but I feel like you should

402
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Speaker 1: go with your gut and think if you feel like

403
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Speaker 1: you are going to ruin a good friendship, what's the point,

404
00:20:38,359 --> 00:20:40,200
Speaker 1: because you know it could be the love of his life. Yeah,

405
00:20:40,240 --> 00:20:43,480
Speaker 1: that could be Listen, you your best friend should be

406
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Speaker 1: your wife. Have given you a even an inkling of consideration?

407
00:20:48,600 --> 00:20:50,359
Speaker 1: Do you think she likes you a little bit? What

408
00:20:50,560 --> 00:20:53,520
Speaker 1: makes you feel this way? I think she does like men,

409
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Speaker 1: and you know, I really think we'd be really good together.

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Speaker 1: It's just well, I don't know, maybe it just wasn't

411
00:21:00,920 --> 00:21:03,560
Speaker 1: at the right time, like arrogance to me. Bro. Now

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Speaker 1: what if she says, no, she's not interested. Can you

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Speaker 1: still be friends? Wow? I mean I think so? Yeah?

414
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Speaker 1: Like that, wouldn't you want to know if like somebody

415
00:21:13,080 --> 00:21:15,520
Speaker 1: that you really like and it might make it awkward

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Speaker 1: if I don't like him. That's the only thing I'm

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Speaker 1: gonna be honest with you, man. I think this is

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Speaker 1: what I think is gonna happen. I could be wrong,

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Speaker 1: but I think that you're gonna call this young lady

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Speaker 1: and she's gonna say, no, you're like a brother to me.

421
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Speaker 1: Is she gonna put you in the bro zone? Does she?

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00:21:30,560 --> 00:21:32,760
Speaker 1: Does she talk about things that people use? He don't

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Speaker 1: talk about like did she walked by you with a

424
00:21:34,520 --> 00:21:37,200
Speaker 1: shirt off? Or does she passed gas? Shirt off? Anything

425
00:21:37,240 --> 00:21:40,879
Speaker 1: like that? Nah? Okay, No, passing gas is flirting. No, no, no,

426
00:21:40,960 --> 00:21:43,000
Speaker 1: I'm making sure because if you do that next to somebody,

427
00:21:43,040 --> 00:21:45,920
Speaker 1: you're not really turned on. And by the way, when

428
00:21:45,920 --> 00:21:49,320
Speaker 1: a man foughts around another man that is actually absolutely flirting, Well,

429
00:21:49,400 --> 00:21:52,280
Speaker 1: let's call her. And he wasn't shoe shot. We're not

430
00:21:52,320 --> 00:21:54,800
Speaker 1: going to discourage him from that. So let's let's get

431
00:21:54,800 --> 00:21:56,480
Speaker 1: it going. That's right, Let's come on, let's ahead and

432
00:21:56,520 --> 00:21:58,159
Speaker 1: get him in the brother's zone. Well, you already in

433
00:21:58,200 --> 00:22:12,119
Speaker 1: the brother's zone. Let's make it official. Hello, Hey Jamica, Michael,

434
00:22:12,720 --> 00:22:17,159
Speaker 1: Hey Michael, us up. Listen. Uh. You know you and

435
00:22:17,280 --> 00:22:19,959
Speaker 1: I we've known each other for a long time. You're

436
00:22:20,000 --> 00:22:23,480
Speaker 1: one of my closest friends, and you know you know

437
00:22:23,600 --> 00:22:26,520
Speaker 1: everything about me. I know everything about you, and I

438
00:22:26,640 --> 00:22:29,160
Speaker 1: just wanted to see if, if maybe you might want

439
00:22:29,200 --> 00:22:35,400
Speaker 1: to take our relationships to the next level. What Michael,

440
00:22:35,800 --> 00:22:38,119
Speaker 1: are you kidding me? We're like best friends. I've known

441
00:22:38,160 --> 00:22:46,399
Speaker 1: you forever. You're like you're like family brother. Who's that? Oh? Hi,

442
00:22:46,640 --> 00:22:50,320
Speaker 1: we're to breakfast club. We're actually calling with Michael because

443
00:22:50,359 --> 00:22:52,320
Speaker 1: we're trying to give him some encouragement. We'll let him finish.

444
00:22:52,320 --> 00:22:54,720
Speaker 1: Go ahead, Michael, Uncle Sharlotte, cousin, n V cousin Angela.

445
00:22:54,760 --> 00:22:57,399
Speaker 1: We're just here for the family reunion. Continue talking to

446
00:22:57,440 --> 00:23:05,560
Speaker 1: brother Michael, sister Really Michael, Well yeah, I mean okay, yeah,

447
00:23:05,600 --> 00:23:10,600
Speaker 1: we are best friends. We are really close friends. Doctor Michael. Yeah, Michael,

448
00:23:10,680 --> 00:23:13,800
Speaker 1: right now? Awkward? So wait to me, are you attracted

449
00:23:13,840 --> 00:23:17,760
Speaker 1: to Michael at all? I think he's a wonderful guy,

450
00:23:18,040 --> 00:23:21,480
Speaker 1: but I see him more like a brother brother. Oh

451
00:23:21,600 --> 00:23:26,440
Speaker 1: my goodness, Well, he really likes you. Could sparks you

452
00:23:26,480 --> 00:23:28,920
Speaker 1: don't want to give it a shot, a chance, an opportunity.

453
00:23:30,440 --> 00:23:32,840
Speaker 1: I'm not going to risk our friendship or something that

454
00:23:33,119 --> 00:23:36,359
Speaker 1: probably won't work out. Michael. Now, you haven't made it awkward. Michael. Now,

455
00:23:36,480 --> 00:23:38,920
Speaker 1: y'all can't even just go out and have coffee nowadays

456
00:23:38,960 --> 00:23:40,800
Speaker 1: because you gonna thank you like her like that. Can

457
00:23:40,880 --> 00:23:44,720
Speaker 1: you guys still be friends to me? Yeah that's cool, Michael,

458
00:23:44,800 --> 00:23:46,800
Speaker 1: don't like, don't even worry about it. I know you

459
00:23:46,920 --> 00:23:50,240
Speaker 1: just woke up recently. There's all these emotions like you're

460
00:23:50,240 --> 00:23:52,920
Speaker 1: still my man, like we're still my man, but my

461
00:23:53,359 --> 00:23:57,160
Speaker 1: my man, man friends, my boy, my boy. Okay, everybody

462
00:23:57,240 --> 00:24:01,520
Speaker 1: repeat after me, brother, stop it, Michael. So how do

463
00:24:01,600 --> 00:24:06,360
Speaker 1: you feel about this? I mean, it sucks, but I understand,

464
00:24:06,480 --> 00:24:08,600
Speaker 1: like I knew, I knew this was a possibility. I

465
00:24:08,720 --> 00:24:11,800
Speaker 1: just I didn't want to have any regrets either. Every

466
00:24:11,840 --> 00:24:13,399
Speaker 1: time you see Michael from now on, I want you

467
00:24:13,440 --> 00:24:16,560
Speaker 1: to say, give me a high. Stop it. Y'all greet

468
00:24:16,560 --> 00:24:17,960
Speaker 1: each other from now on to make it. Is he

469
00:24:18,080 --> 00:24:21,560
Speaker 1: just not your type? No? I mean he's just my friend.

470
00:24:21,840 --> 00:24:24,560
Speaker 1: Like he never looked at him like that so much. Yeah,

471
00:24:24,920 --> 00:24:27,840
Speaker 1: all right, stop twisting the knife. Michael is a brother

472
00:24:28,000 --> 00:24:30,000
Speaker 1: just like we knew you was well you guys as

473
00:24:30,040 --> 00:24:34,360
Speaker 1: you were back to the back to your brother's sinsily relationship.

474
00:24:34,400 --> 00:24:38,119
Speaker 1: I'm so sorry, Michael. Maybe it doesn't always work. Michael

475
00:24:38,200 --> 00:24:41,320
Speaker 1: hit me up later. Yeah, wait a minute now like that?

476
00:24:41,600 --> 00:24:43,440
Speaker 1: Did I hear a little back dog still open? Just

477
00:24:43,480 --> 00:24:48,000
Speaker 1: a little bit. Nah, I'm not I'm not gonna read

478
00:24:48,000 --> 00:24:55,920
Speaker 1: it to anything anymore. Thank you. He's absolutely read, Lizzie.

479
00:24:56,080 --> 00:24:58,399
Speaker 1: Did he learned from his mistakes? Don't read in anything anymore.

480
00:24:58,400 --> 00:25:00,760
Speaker 1: You're crystal ball is foggy. All right? We got more

481
00:25:00,840 --> 00:25:06,800
Speaker 1: coming up next to the Breakfast Club. Back you're checking

482
00:25:06,840 --> 00:25:11,040
Speaker 1: out the world's most morning show. Morning Everybody's DJ Envy

483
00:25:11,240 --> 00:25:14,320
Speaker 1: Angela Ye, Charlomagne the guy. We are the Breakfast Club,

484
00:25:14,359 --> 00:25:16,800
Speaker 1: And we got some legends in the building, icons living

485
00:25:18,400 --> 00:25:21,639
Speaker 1: this minute. This time, we really did, he said, special

486
00:25:21,720 --> 00:25:26,919
Speaker 1: guests a lot. It's a little different icons right right now.

487
00:25:27,840 --> 00:25:30,879
Speaker 1: We have Will Smith and Martin Lawrence absolutely rock them

488
00:25:30,880 --> 00:25:34,200
Speaker 1: around him with blacks. God damn it, bad boys, and

489
00:25:34,280 --> 00:25:36,480
Speaker 1: we did Martin so dirty. No, we didn't do nothing.

490
00:25:38,160 --> 00:25:42,720
Speaker 1: Stuck in the elevator phone man, I said, what's going

491
00:25:42,800 --> 00:25:44,960
Speaker 1: on here? Now? Did you check the weight capacity? Martin.

492
00:25:44,960 --> 00:25:46,480
Speaker 1: How many people was on the elevator with you? Now,

493
00:25:46,840 --> 00:25:49,760
Speaker 1: it was a lot of people. I've never seen an

494
00:25:49,880 --> 00:25:52,800
Speaker 1: entourage like this from anybody. We interview a lot of rappings,

495
00:25:54,800 --> 00:25:57,040
Speaker 1: but what you're talking about on the elevator, I just

496
00:25:57,160 --> 00:26:02,119
Speaker 1: told him, nobody, don't fart, Please, don't do that. If

497
00:26:02,160 --> 00:26:03,560
Speaker 1: that's the worst when you're an elevated with people you

498
00:26:03,600 --> 00:26:05,560
Speaker 1: don't know, because you gotta make small talk and yeah,

499
00:26:06,600 --> 00:26:09,840
Speaker 1: you know, I'd be like, hey, how you doing? Yeah, yeah,

500
00:26:10,880 --> 00:26:14,200
Speaker 1: oh what's that? Oh no, you're just happy to see me. Okay,

501
00:26:16,359 --> 00:26:18,719
Speaker 1: So you guys are brothers, You've done movies, your friends.

502
00:26:19,080 --> 00:26:20,240
Speaker 1: I want to start. I just want to ask you

503
00:26:20,280 --> 00:26:22,840
Speaker 1: guys a question. What's the craziest gift that you guys

504
00:26:22,920 --> 00:26:26,520
Speaker 1: received from each other? If anything, craziest gift, And I'm

505
00:26:26,520 --> 00:26:29,000
Speaker 1: gonna tell you why in the second craziest gifts because

506
00:26:29,000 --> 00:26:32,399
Speaker 1: it's Martin. That's right, it's Martin inspired. Craziest gift we

507
00:26:32,760 --> 00:26:36,000
Speaker 1: got you give me just off golf clubs? Yeah you never.

508
00:26:36,160 --> 00:26:40,800
Speaker 1: You didn't swing on one time? Not not really. I

509
00:26:40,840 --> 00:26:42,560
Speaker 1: don't go out there, No, I golf. But I was

510
00:26:42,600 --> 00:26:44,840
Speaker 1: like trying to get him because like, if you played

511
00:26:44,920 --> 00:26:47,080
Speaker 1: any sport in your life. Once you get to a

512
00:26:47,160 --> 00:26:49,960
Speaker 1: certain age, you know you're not gonna be running ball

513
00:26:50,440 --> 00:26:52,800
Speaker 1: you know, got you so, But like golf, you get

514
00:26:52,840 --> 00:26:55,280
Speaker 1: to you know, set your friends and you get to

515
00:26:55,359 --> 00:26:57,480
Speaker 1: do you know, you get all of the same kind

516
00:26:57,520 --> 00:26:59,840
Speaker 1: of energy from golf, except you can do it till

517
00:26:59,840 --> 00:27:01,680
Speaker 1: you eighty. Got you. I was trying to have Marty

518
00:27:01,760 --> 00:27:05,160
Speaker 1: mar but yeah, he ain't take to it. At least

519
00:27:05,680 --> 00:27:14,400
Speaker 1: I have the club. Yeah, got a lil So it's

520
00:27:14,440 --> 00:27:17,960
Speaker 1: this disrespectful right, So this is what Charlotta maagne my brother.

521
00:27:18,080 --> 00:27:20,520
Speaker 1: I guess you can call him that got me for Christmas.

522
00:27:20,520 --> 00:27:29,159
Speaker 1: It's right behind you. I mean, listen, oh, Tina ha

523
00:27:29,240 --> 00:27:32,560
Speaker 1: got Martin something like this? Wow, you know what I mean?

524
00:27:32,720 --> 00:27:36,600
Speaker 1: My wife is a little upset. You got you know,

525
00:27:37,480 --> 00:27:39,720
Speaker 1: I mean that little dispect for the way I'm just asking.

526
00:27:39,880 --> 00:27:42,480
Speaker 1: I mean, here's the deal. You know, I don't I

527
00:27:42,600 --> 00:27:47,200
Speaker 1: don't judge, but by the cover, But what was the thinking?

528
00:27:47,280 --> 00:27:49,760
Speaker 1: What was you he always going for? He called me

529
00:27:49,840 --> 00:27:54,680
Speaker 1: his favorite all the time. Oh got it? So yes,

530
00:27:55,200 --> 00:27:58,320
Speaker 1: have it at home to be reminded of the level

531
00:27:58,400 --> 00:28:03,040
Speaker 1: of toldness that he has to deal. So yeah, that's

532
00:28:03,119 --> 00:28:07,080
Speaker 1: not bad. Yeah, we don't. We don't send each other

533
00:28:07,160 --> 00:28:08,720
Speaker 1: that kind and then you might want to slap it

534
00:28:08,800 --> 00:28:12,879
Speaker 1: every Now that the whole point. It's like, put it up,

535
00:28:13,840 --> 00:28:15,639
Speaker 1: let people smack it when they walk in. That's so

536
00:28:15,800 --> 00:28:18,040
Speaker 1: Bad Boys. Now, why did it take so long to

537
00:28:18,119 --> 00:28:22,240
Speaker 1: put this out and to get this done? This? No,

538
00:28:22,880 --> 00:28:25,639
Speaker 1: it had to be right, man, the first Bad Boys,

539
00:28:26,040 --> 00:28:28,800
Speaker 1: what it meant for the culture. I just didn't want

540
00:28:28,840 --> 00:28:31,440
Speaker 1: to mess it up. You know, it's like I don't

541
00:28:31,480 --> 00:28:33,919
Speaker 1: want to do a cash grab. You know everybody's doing sequels,

542
00:28:33,960 --> 00:28:35,680
Speaker 1: Let's do one. I was like, no, if we're gonna

543
00:28:35,720 --> 00:28:39,040
Speaker 1: make a Bad Boys a third one, it has to

544
00:28:39,160 --> 00:28:42,520
Speaker 1: be deservant. There has to be messages and ideas. We

545
00:28:42,600 --> 00:28:45,080
Speaker 1: got to be talking about something and it's not just

546
00:28:45,440 --> 00:28:48,160
Speaker 1: you know, blowing some stuff up and and you know,

547
00:28:48,320 --> 00:28:51,920
Speaker 1: getting paid. I'm not confronted. It was leary because the

548
00:28:52,000 --> 00:28:54,480
Speaker 1: first or second one, you guys are doing stunt. You're

549
00:28:54,560 --> 00:28:58,960
Speaker 1: driving through thres you're breathing. Now play I'm trying to

550
00:28:59,000 --> 00:29:03,479
Speaker 1: say that might didn't the same. Will just said they

551
00:29:03,520 --> 00:29:06,440
Speaker 1: played golf because and I'll be running around, Yeah, yeah,

552
00:29:06,640 --> 00:29:08,920
Speaker 1: trying to switch it, to switch it up a little bit.

553
00:29:09,000 --> 00:29:16,440
Speaker 1: But in this one, yeah, we got we use them. Yeah, yeah,

554
00:29:16,440 --> 00:29:20,040
Speaker 1: and it's different. Also, there's different technologies and stuff like that,

555
00:29:20,240 --> 00:29:23,160
Speaker 1: so you can do stunts up to a certain point.

556
00:29:23,200 --> 00:29:26,320
Speaker 1: What we didn't have in the first movie was face replacement.

557
00:29:26,360 --> 00:29:30,520
Speaker 1: They do face replacement, so I can do a stunt, right,

558
00:29:31,160 --> 00:29:33,960
Speaker 1: and then they have the stunt man do the exact

559
00:29:34,080 --> 00:29:37,880
Speaker 1: stunt that I did, and they can match it and

560
00:29:38,040 --> 00:29:41,320
Speaker 1: they can replace my face on the stunt man. Wow. Right,

561
00:29:41,360 --> 00:29:43,640
Speaker 1: So they can just do it so they can hold

562
00:29:43,720 --> 00:29:46,800
Speaker 1: a single shot, but they can use the actual face

563
00:29:47,000 --> 00:29:50,560
Speaker 1: of the actor and you can't tell the difference in

564
00:29:50,640 --> 00:29:56,360
Speaker 1: the stunt. Yeah. No, no, that's uh yeah, that's that's expensive.

565
00:29:56,680 --> 00:29:59,000
Speaker 1: Speaking of budgets, how does money work in a situation

566
00:29:59,120 --> 00:30:01,800
Speaker 1: like this? Yeah, like the y'all get equal pay or

567
00:30:02,160 --> 00:30:03,360
Speaker 1: you know, because there was a rumor that you was

568
00:30:03,440 --> 00:30:08,200
Speaker 1: making like ten million dollars Warden Martin, Oh no, well

569
00:30:08,280 --> 00:30:10,800
Speaker 1: we've been we've been talking for four minutes. You don't

570
00:30:10,800 --> 00:30:19,760
Speaker 1: go to that. You know, as we finished yours, we done.

571
00:30:24,400 --> 00:30:25,920
Speaker 1: As we get ready for this movie, though, you do

572
00:30:26,040 --> 00:30:28,520
Speaker 1: research on how Bad Boys started, and I was reading

573
00:30:28,560 --> 00:30:32,920
Speaker 1: that it was originally intended for John Lovitt and Dana Carvey. Yeah, yeah,

574
00:30:32,960 --> 00:30:35,120
Speaker 1: they were the original Bad Boys would have been trash.

575
00:30:36,920 --> 00:30:39,840
Speaker 1: So how did you guys end up? Script came to

576
00:30:39,960 --> 00:30:42,320
Speaker 1: me and then they wanted me to pick somebody to

577
00:30:42,400 --> 00:30:45,120
Speaker 1: co star with me in the movie. And my sister

578
00:30:45,320 --> 00:30:48,880
Speaker 1: Ray brought Will's attention to me, and I thought about it,

579
00:30:48,960 --> 00:30:52,280
Speaker 1: so I called was like a fresh Prince. I thought

580
00:30:52,320 --> 00:30:54,640
Speaker 1: about it. I called, well, said let's set up a dinner.

581
00:30:54,680 --> 00:30:56,360
Speaker 1: And Will came to my house and we had a

582
00:30:56,440 --> 00:31:00,479
Speaker 1: dinner and after five minutes of talking to him, rest assist. Man,

583
00:31:00,800 --> 00:31:03,400
Speaker 1: you know, I couldn't say nod each other back then.

584
00:31:03,760 --> 00:31:06,080
Speaker 1: We yeah, man, we had met, but we didn't we

585
00:31:06,080 --> 00:31:08,240
Speaker 1: didn't really know each other. Like The Bad Boys was

586
00:31:08,320 --> 00:31:11,440
Speaker 1: the first time we actually uh you know, sat down

587
00:31:11,600 --> 00:31:15,080
Speaker 1: and chopped it up. And you know, it's you can't

588
00:31:15,200 --> 00:31:18,520
Speaker 1: fake and you can't buy chemistry. You can't buy chemistry.

589
00:31:18,560 --> 00:31:21,560
Speaker 1: It's like you either got it with somebody or you don't.

590
00:31:21,720 --> 00:31:23,920
Speaker 1: And you know, me and this one right here, it's

591
00:31:23,960 --> 00:31:27,880
Speaker 1: like there's so much love and so much respect for

592
00:31:28,040 --> 00:31:32,000
Speaker 1: each other that and it's just fun to watch, you know,

593
00:31:32,240 --> 00:31:35,080
Speaker 1: with people that really vibe like that. He never looked

594
00:31:35,120 --> 00:31:37,480
Speaker 1: at it like he watched the early Fresh Prince and

595
00:31:37,520 --> 00:31:38,760
Speaker 1: he was used to. I don't know if you remember,

596
00:31:38,800 --> 00:31:41,320
Speaker 1: I used to say his lines right before, never looking

597
00:31:41,360 --> 00:31:42,560
Speaker 1: none of that stuff. Be like, you know what I

598
00:31:42,640 --> 00:31:48,160
Speaker 1: don't know about this. Will does great work, you know,

599
00:31:48,280 --> 00:31:51,000
Speaker 1: and I thought he was great on the Fresh Prince

600
00:31:51,040 --> 00:31:54,080
Speaker 1: and his energy the energy brings. So I just was

601
00:31:54,160 --> 00:31:56,640
Speaker 1: excited to work with him. I was jealous as hell.

602
00:31:56,800 --> 00:32:00,760
Speaker 1: I was jealous as hell of Martin. Really. Yeah, being honest, guys,

603
00:32:00,760 --> 00:32:02,480
Speaker 1: who got the bet who had the better sitcom? Doesn't?

604
00:32:03,080 --> 00:32:07,760
Speaker 1: I think that's a matter that's a tough one. We

605
00:32:07,880 --> 00:32:10,640
Speaker 1: had the best sitcom? Yeah, we're gonna call it. We

606
00:32:10,720 --> 00:32:13,120
Speaker 1: donna call at a time. We don't call at the time.

607
00:32:16,520 --> 00:32:20,360
Speaker 1: I just figured out what I'm gonna get. You figured

608
00:32:20,400 --> 00:32:29,400
Speaker 1: out what I'm all right. We got more with Will

609
00:32:29,520 --> 00:32:31,960
Speaker 1: Smith and Martin Lawrence who don't move. It's to breakfast club.

610
00:32:32,000 --> 00:32:43,800
Speaker 1: God morning, real hot girls can't get hold everybody in

611
00:32:43,960 --> 00:32:47,520
Speaker 1: DJ Envy and Julie. Ye, Charlemagne the guy we are

612
00:32:47,600 --> 00:32:50,640
Speaker 1: the breakfast club. We have Will Smith and Martin Lawrence

613
00:32:50,680 --> 00:32:53,440
Speaker 1: in the building. Still, Charlemagne, you know, we'll always talk

614
00:32:53,480 --> 00:32:55,640
Speaker 1: about the scene with you and uh, the late great

615
00:32:55,720 --> 00:32:59,000
Speaker 1: James Avery. Yeah, when your your father left yeah, man,

616
00:32:59,440 --> 00:33:00,920
Speaker 1: he wasn't there. Had to teach me how to shoot

617
00:33:00,920 --> 00:33:02,680
Speaker 1: my first basket, but I learned, didn't. I got through

618
00:33:02,720 --> 00:33:05,320
Speaker 1: my first day without him, right. I learned how to drive,

619
00:33:05,560 --> 00:33:07,200
Speaker 1: I learned how to shave, I learned how to fight

620
00:33:07,280 --> 00:33:10,880
Speaker 1: without him. I had fourteen great birthdays without him. He

621
00:33:11,000 --> 00:33:16,640
Speaker 1: never even sent me a damn car. I ain't need

622
00:33:16,760 --> 00:33:19,160
Speaker 1: him then and I don't need him now. Well, now

623
00:33:19,240 --> 00:33:21,480
Speaker 1: you know what, uncle Phil, I'm gonna get through college

624
00:33:21,480 --> 00:33:24,080
Speaker 1: without him. I'm gonna get a great job without him.

625
00:33:24,120 --> 00:33:26,280
Speaker 1: I'm gonna marry me a beautiful honey, and I'm having

626
00:33:26,280 --> 00:33:27,720
Speaker 1: me a whole bunch of kids. I'm gonna be a

627
00:33:27,760 --> 00:33:29,880
Speaker 1: better father than he ever was. And I sure it's

628
00:33:29,880 --> 00:33:31,720
Speaker 1: hell don needle for that, because they're a damn thing

629
00:33:31,840 --> 00:33:34,320
Speaker 1: he could ever teach me about how to love my kids.

630
00:33:37,600 --> 00:33:40,520
Speaker 1: You don't want me, man, What did you dig into

631
00:33:40,880 --> 00:33:42,480
Speaker 1: to get that kind of emotion out of that thing?

632
00:33:42,520 --> 00:33:44,280
Speaker 1: Because even now, if you watched that, your eyes watching,

633
00:33:45,080 --> 00:33:48,520
Speaker 1: I'm still yeah, and it's like, um so, every everybody

634
00:33:48,640 --> 00:33:53,040
Speaker 1: on the Fresh Prince with stage trained actors. Alfonso starting

635
00:33:53,080 --> 00:33:57,440
Speaker 1: the show had fifteen years of experience coming in, so

636
00:33:57,560 --> 00:34:00,600
Speaker 1: I was the least experienced the tap dance. Yeah, yeah,

637
00:34:00,760 --> 00:34:03,600
Speaker 1: you know, moon walking into Michael Jackson. When I came

638
00:34:03,680 --> 00:34:06,360
Speaker 1: on to the show, James Avery was one of the

639
00:34:06,440 --> 00:34:08,399
Speaker 1: first people that pulled me up, and he was like, hey,

640
00:34:08,840 --> 00:34:12,400
Speaker 1: you have real talent, don't squander it, right, And so

641
00:34:12,800 --> 00:34:16,319
Speaker 1: he never liked nothing. He didn't like nothing I did right,

642
00:34:16,360 --> 00:34:19,440
Speaker 1: And I was always trying to get his approval. You know,

643
00:34:19,680 --> 00:34:23,440
Speaker 1: Shakespearean trained, big command of his voice. He you know,

644
00:34:23,600 --> 00:34:27,200
Speaker 1: his body as an instrument, as a performer, and you know,

645
00:34:27,320 --> 00:34:30,520
Speaker 1: so in that scene, it was like the first time

646
00:34:30,600 --> 00:34:34,480
Speaker 1: that I took a real dramatic shot and James Avery

647
00:34:34,560 --> 00:34:36,719
Speaker 1: in that scene and we're doing it and I'm I'm

648
00:34:36,960 --> 00:34:38,800
Speaker 1: I'm trying to get there and I want to impress

649
00:34:38,920 --> 00:34:41,239
Speaker 1: him so bad and the first time in front of

650
00:34:41,239 --> 00:34:43,200
Speaker 1: the audience, I missed it and I messed the scene up,

651
00:34:43,239 --> 00:34:47,880
Speaker 1: and I'm like, I'm losing it in front of the audience,

652
00:34:48,080 --> 00:34:52,080
Speaker 1: you know, and he looks it. Hey, I snapped in

653
00:34:52,600 --> 00:34:55,480
Speaker 1: and he's looked pointed. He's like, use me, use me

654
00:34:55,600 --> 00:34:57,759
Speaker 1: in this scene. And we gret and he said get

655
00:34:57,800 --> 00:35:00,160
Speaker 1: it together, and I settled down. He said action and

656
00:35:00,280 --> 00:35:02,520
Speaker 1: we get and then ultimately we did the scene, and

657
00:35:02,600 --> 00:35:05,160
Speaker 1: we had the scene that was there and I'm holding

658
00:35:05,239 --> 00:35:07,759
Speaker 1: him and when I'm holding him, he whispers in my ear.

659
00:35:07,880 --> 00:35:16,080
Speaker 1: Now that's acting, right, And I was like, you had

660
00:35:16,120 --> 00:35:18,160
Speaker 1: to tell you tapped into disappointment, right, Yeah, you know,

661
00:35:18,280 --> 00:35:21,400
Speaker 1: disappointing him, Yes and no, but that's what he was

662
00:35:21,440 --> 00:35:24,440
Speaker 1: telling me about how to use the actor in the scene.

663
00:35:24,520 --> 00:35:26,440
Speaker 1: He was like, use me, don't try to find it

664
00:35:26,880 --> 00:35:29,600
Speaker 1: in you. So then when I tapped into the idea

665
00:35:29,640 --> 00:35:32,400
Speaker 1: of how bad I wanted to impress him and how

666
00:35:32,800 --> 00:35:34,960
Speaker 1: I'm I'm getting in, I'm I'm feeling it now. It's

667
00:35:35,000 --> 00:35:38,680
Speaker 1: like when when you have those emotional toolboxes, sometimes you

668
00:35:38,760 --> 00:35:42,440
Speaker 1: slip into I can feel that that emotion right now.

669
00:35:42,480 --> 00:35:44,760
Speaker 1: And it was like it was he was the father

670
00:35:44,920 --> 00:35:49,400
Speaker 1: figure that Will felt like. Will me personally felt like

671
00:35:49,520 --> 00:35:52,600
Speaker 1: I was disappointing him in that scene. So I tapped

672
00:35:52,640 --> 00:35:55,560
Speaker 1: into that and I used my relationship with James Avery

673
00:35:55,640 --> 00:35:59,040
Speaker 1: to find that emotion. But you know, for me, it's

674
00:35:59,080 --> 00:36:03,000
Speaker 1: been it's been a massive acting journey, hugely on the

675
00:36:03,120 --> 00:36:07,120
Speaker 1: back of his teachings and his urging of me to

676
00:36:07,239 --> 00:36:09,920
Speaker 1: always go deeper. How did you guys both get those shows?

677
00:36:10,040 --> 00:36:12,480
Speaker 1: You know? And Will? Did you feel like I'm a

678
00:36:12,640 --> 00:36:16,160
Speaker 1: rapper from Philly. If I cross over, I might destroy

679
00:36:16,320 --> 00:36:18,560
Speaker 1: my career. And how did you get into how did

680
00:36:18,600 --> 00:36:20,640
Speaker 1: they give you that show? How did that that show

681
00:36:20,719 --> 00:36:23,680
Speaker 1: come together? Well? For me? My manager at the time,

682
00:36:23,880 --> 00:36:27,520
Speaker 1: he took me into HBO hip and uh. He took

683
00:36:27,560 --> 00:36:29,960
Speaker 1: me in to meet Chris Albrek and he was like, Yo,

684
00:36:30,280 --> 00:36:33,080
Speaker 1: you know this guy's funny and what you think about

685
00:36:33,120 --> 00:36:35,279
Speaker 1: giving him as his own show? So Chris was like,

686
00:36:35,800 --> 00:36:37,960
Speaker 1: all right, we'll try it out. So I was like,

687
00:36:38,600 --> 00:36:42,759
Speaker 1: just like that. Yeah, He's like, yeah, I try it out.

688
00:36:42,800 --> 00:36:47,000
Speaker 1: And I was like, oh, Wrestal's history. Wow, that was

689
00:36:47,040 --> 00:36:49,800
Speaker 1: big back then, especially for a black man. What the

690
00:36:49,880 --> 00:36:51,520
Speaker 1: kind of show it was? Yeah, for you to be

691
00:36:51,600 --> 00:36:56,719
Speaker 1: a hip hop dude doing the shows. Yeah, And I

692
00:36:57,360 --> 00:36:59,640
Speaker 1: did all them characters because I really want to show

693
00:36:59,719 --> 00:37:02,239
Speaker 1: the word, you know, and that I didn't want it

694
00:37:02,280 --> 00:37:04,960
Speaker 1: to fail. So I just started doing all these characters

695
00:37:05,000 --> 00:37:06,600
Speaker 1: to try to push it. You know what I'm want

696
00:37:06,600 --> 00:37:07,880
Speaker 1: to ask you why we live in this era of

697
00:37:08,000 --> 00:37:10,880
Speaker 1: like pause and you know, rapp and saying no when

698
00:37:10,920 --> 00:37:13,319
Speaker 1: you was doing and you was doing scenes like all

699
00:37:13,440 --> 00:37:15,520
Speaker 1: upon kids, did you ever get backlash back then from

700
00:37:15,520 --> 00:37:17,000
Speaker 1: your people? Because now dative for a guy did that,

701
00:37:17,040 --> 00:37:21,120
Speaker 1: he'd be like, you know what I mean? Back then

702
00:37:21,120 --> 00:37:23,320
Speaker 1: it was just funny to us. It's just funny. I

703
00:37:23,440 --> 00:37:25,640
Speaker 1: just want to make people laugh. That was it, Martin

704
00:37:25,719 --> 00:37:27,440
Speaker 1: did um. Well. Has he tried to get you to

705
00:37:27,480 --> 00:37:32,520
Speaker 1: be more active on social media? Yes? Yet he gave

706
00:37:32,560 --> 00:37:41,120
Speaker 1: me a camera. You have a camera, tawhere are you

707
00:37:41,239 --> 00:37:43,960
Speaker 1: considering get jumping into because you see, Will, it's been

708
00:37:44,040 --> 00:37:46,839
Speaker 1: so effective for you. Nort like, we don't know as

709
00:37:46,920 --> 00:37:48,879
Speaker 1: much about you now like as we do about well, well,

710
00:37:49,000 --> 00:37:51,280
Speaker 1: we didn't used to know as much, but it seems

711
00:37:51,280 --> 00:37:53,759
Speaker 1: like you like it now, right, So you think that

712
00:37:53,800 --> 00:37:55,920
Speaker 1: would be something. I'm trying to do more things. You know,

713
00:37:56,000 --> 00:37:58,239
Speaker 1: I'm trying to be more creative. This guy has a

714
00:37:58,320 --> 00:38:01,239
Speaker 1: creative mind, so he's always on it. But I'm trying

715
00:38:01,280 --> 00:38:03,879
Speaker 1: to find things I could do and bring to the people.

716
00:38:04,320 --> 00:38:06,040
Speaker 1: So no jumping out the playing for you more? No,

717
00:38:06,760 --> 00:38:13,480
Speaker 1: no jumping more swimming with shock? Why will now? So

718
00:38:13,640 --> 00:38:17,359
Speaker 1: here's what happens. So here's what Here's what happened. Why

719
00:38:17,600 --> 00:38:21,879
Speaker 1: it's family? Will No, So what happened was and it's

720
00:38:21,880 --> 00:38:23,640
Speaker 1: funny because it was it was something like you know,

721
00:38:23,680 --> 00:38:25,319
Speaker 1: I've been watching you for a while and it's something

722
00:38:25,440 --> 00:38:28,120
Speaker 1: that I wanted to to talk to you about. That

723
00:38:28,200 --> 00:38:31,800
Speaker 1: will dive into it offline, But the idea for me

724
00:38:32,600 --> 00:38:37,759
Speaker 1: is I painted myself into a corner with Will Smith, right,

725
00:38:38,120 --> 00:38:40,719
Speaker 1: and I realized that, you know, we all we have

726
00:38:40,800 --> 00:38:43,600
Speaker 1: our childhood traumas and we have our experiences, and then

727
00:38:43,640 --> 00:38:46,160
Speaker 1: we all create these characters that are going to be

728
00:38:46,280 --> 00:38:49,600
Speaker 1: our characters that defend us in the world. There's certain

729
00:38:49,680 --> 00:38:51,879
Speaker 1: things we can't do, there's certain things we say, can't say,

730
00:38:52,160 --> 00:38:54,920
Speaker 1: certain ways we react if people do something something and

731
00:38:55,040 --> 00:38:58,920
Speaker 1: we create a character that we go out into the

732
00:38:59,080 --> 00:39:03,960
Speaker 1: world with, then that character wins some things for us.

733
00:39:04,000 --> 00:39:08,600
Speaker 1: It's like, oh, we succeed by behaving this way. Then

734
00:39:08,680 --> 00:39:10,760
Speaker 1: what happens You get to a point where it stops

735
00:39:10,840 --> 00:39:14,879
Speaker 1: working as well, And the reason that it stops working

736
00:39:15,000 --> 00:39:18,839
Speaker 1: because it's not true, it's not really who you are.

737
00:39:19,400 --> 00:39:22,760
Speaker 1: And then you get back into a corner it stops working.

738
00:39:22,840 --> 00:39:25,560
Speaker 1: Now the question is are you gonna be courageous enough

739
00:39:25,640 --> 00:39:29,759
Speaker 1: and are you gonna be brave enough to kill essentially

740
00:39:30,280 --> 00:39:32,800
Speaker 1: the character that you've created, and are you gonna have

741
00:39:32,800 --> 00:39:35,520
Speaker 1: the courage to live as who you really are? And

742
00:39:35,719 --> 00:39:38,160
Speaker 1: on my fiftieth birthday when I jumped out of that

743
00:39:39,239 --> 00:39:42,400
Speaker 1: that helicopter over the Grand Canyon. That was kind of

744
00:39:42,560 --> 00:39:45,600
Speaker 1: my moment for myself where I was like, I'm gonna

745
00:39:45,640 --> 00:39:49,520
Speaker 1: be who I am, even if it isn't in line

746
00:39:49,600 --> 00:39:52,080
Speaker 1: with the will Smith that people think I'm supposed to be.

747
00:39:52,560 --> 00:39:54,800
Speaker 1: I'm gonna have the courage and I'm gonna have the

748
00:39:55,680 --> 00:39:59,320
Speaker 1: bravery to be who I am, you know. And it's like,

749
00:39:59,360 --> 00:40:01,600
Speaker 1: I've been watching you for a while and that's what

750
00:40:01,719 --> 00:40:03,160
Speaker 1: I was. I was like, that was one of the

751
00:40:03,239 --> 00:40:05,160
Speaker 1: things I wanted to talk to you about. I can

752
00:40:05,320 --> 00:40:10,359
Speaker 1: see the mechanism happening in your mind. You're seeing Charlemagne

753
00:40:10,440 --> 00:40:13,200
Speaker 1: the god as separate from you. Absolutely. I looked at

754
00:40:13,200 --> 00:40:14,400
Speaker 1: it a little bit of your book too, and I

755
00:40:14,520 --> 00:40:17,040
Speaker 1: was like, I want you to know who you really

756
00:40:17,120 --> 00:40:21,560
Speaker 1: are is enough that the character can die because I

757
00:40:21,640 --> 00:40:23,480
Speaker 1: never wanted to be a character to your money, right, Yeah,

758
00:40:23,520 --> 00:40:24,840
Speaker 1: you know what I'm saying. And I just read us

759
00:40:24,840 --> 00:40:26,799
Speaker 1: reading this book called The Unapologetic Guy in the Black

760
00:40:26,840 --> 00:40:29,000
Speaker 1: Mental Health, and the woman readA Walker said we have

761
00:40:29,080 --> 00:40:31,080
Speaker 1: to be willing to let go of who we want

762
00:40:31,120 --> 00:40:34,040
Speaker 1: people to think. Yes, exactly, me and Jay to talk

763
00:40:34,080 --> 00:40:37,000
Speaker 1: about that a lot, you know, even in the idea

764
00:40:37,600 --> 00:40:40,520
Speaker 1: of our marriage and how people want us to be

765
00:40:40,680 --> 00:40:43,640
Speaker 1: married versus how we're really married. You know what I mean,

766
00:40:43,760 --> 00:40:46,560
Speaker 1: It's like it's a really different thing. And it's so

767
00:40:47,239 --> 00:40:51,040
Speaker 1: hard to let go of the characters people and what

768
00:40:51,360 --> 00:40:54,640
Speaker 1: people want to see. And because also those characters saved

769
00:40:54,680 --> 00:40:57,480
Speaker 1: your life when you were young. Yes, those ideas saved

770
00:40:57,520 --> 00:40:59,520
Speaker 1: your life and made you money. And they made you money,

771
00:41:01,800 --> 00:41:04,480
Speaker 1: you know, so letting go of that and having the

772
00:41:04,560 --> 00:41:08,400
Speaker 1: courage to really be who you are in the world.

773
00:41:08,600 --> 00:41:10,960
Speaker 1: And it's it's like it's terrified. Will should be a

774
00:41:11,080 --> 00:41:18,320
Speaker 1: motivational all right, we got more with Will Smith and

775
00:41:18,440 --> 00:41:20,680
Speaker 1: Martin Lawrence. Don't move, It's to breakfast club, good morning.

776
00:41:26,440 --> 00:41:57,200
Speaker 1: She want to I can take you out there where

777
00:41:57,400 --> 00:41:59,560
Speaker 1: a jet bear beside your hotel. I want beside you

778
00:41:59,719 --> 00:42:02,759
Speaker 1: roll like when you let out your hand window And

779
00:42:02,800 --> 00:42:05,279
Speaker 1: I dad to myself because I never liked these She

780
00:42:05,360 --> 00:42:08,600
Speaker 1: only liked a squad red light. Why would I waste

781
00:42:08,680 --> 00:42:10,520
Speaker 1: my time on the started that don't got me on

782
00:42:10,600 --> 00:42:12,800
Speaker 1: the front of her mind sake? When you get design

783
00:42:12,880 --> 00:42:15,320
Speaker 1: and I and the building came with the wings like

784
00:42:15,400 --> 00:42:20,160
Speaker 1: a number nine, you come through just us too. I

785
00:42:20,320 --> 00:42:23,560
Speaker 1: like it because your com cut two come through just

786
00:42:23,800 --> 00:42:28,320
Speaker 1: us too. I like it because your cout Hey, you

787
00:42:28,400 --> 00:42:44,560
Speaker 1: want to who want to get me? Abody in dj

788
00:42:45,120 --> 00:42:47,840
Speaker 1: Envy and Jela Yee, Charlomagne, the guy we are the

789
00:42:47,920 --> 00:42:50,920
Speaker 1: breakfast club. We have Will Smith and Martin Lawrence in

790
00:42:50,960 --> 00:42:53,560
Speaker 1: the building. Still. One of your closest friends called you, right,

791
00:42:53,600 --> 00:42:55,120
Speaker 1: and he's a close friends to us as well. He

792
00:42:55,239 --> 00:42:57,000
Speaker 1: called you and he asked you for a couple million

793
00:42:57,040 --> 00:43:06,840
Speaker 1: and you gave it to him. No, I did not happen. No,

794
00:43:07,000 --> 00:43:09,080
Speaker 1: you know, let me tell you something. Me and Tyrese, uh,

795
00:43:09,440 --> 00:43:12,560
Speaker 1: we've been friends. He's out. No, No, that's my dude.

796
00:43:12,680 --> 00:43:15,040
Speaker 1: Tyrese calls me when he don't want it cut. He

797
00:43:15,120 --> 00:43:19,759
Speaker 1: wanted raw and uncut. And the amount of talent that

798
00:43:20,120 --> 00:43:23,359
Speaker 1: that dude has in all the possibilities that Tyrese has

799
00:43:23,480 --> 00:43:26,640
Speaker 1: is what I keep drumming in with him. Tyrese is

800
00:43:27,480 --> 00:43:30,960
Speaker 1: functioning at forty percent of the capacity of what he

801
00:43:31,080 --> 00:43:34,399
Speaker 1: really is, you know, And that's another thing. Being brave

802
00:43:34,600 --> 00:43:38,520
Speaker 1: enough to be who you really are versus being Tyrese

803
00:43:38,800 --> 00:43:44,239
Speaker 1: exactly right got to that level. Yeah, yeah, you know,

804
00:43:44,320 --> 00:43:46,719
Speaker 1: and we all do you know they're still it's like, well,

805
00:43:46,840 --> 00:43:49,839
Speaker 1: Will Smith takes good care of me. It's just he's

806
00:43:49,880 --> 00:43:52,440
Speaker 1: it's not all the way me. There's a certain amount

807
00:43:52,560 --> 00:43:56,160
Speaker 1: of pretense and in authenticity that it takes to hold

808
00:43:56,280 --> 00:43:58,960
Speaker 1: up the character. That's I think about that with you

809
00:43:59,040 --> 00:44:01,040
Speaker 1: and Martin, and I'm sure that it was a time

810
00:44:01,080 --> 00:44:03,520
Speaker 1: where everybody wanted you to be like my you know,

811
00:44:06,360 --> 00:44:09,200
Speaker 1: but what if that's not you? Yeah, it's not me

812
00:44:09,280 --> 00:44:11,239
Speaker 1: all the time. Like people think that I'm on all

813
00:44:11,280 --> 00:44:13,000
Speaker 1: the time when they see me, to think I'm all

814
00:44:13,560 --> 00:44:16,080
Speaker 1: I'm always gonna be joking all that, but I'm probably

815
00:44:16,080 --> 00:44:19,200
Speaker 1: a lot more shy in person than I am. You

816
00:44:19,320 --> 00:44:22,560
Speaker 1: can't be shy. I don't believe I believe it. Believe

817
00:44:22,560 --> 00:44:24,279
Speaker 1: it or not, I don't. I don't joke all the time.

818
00:44:24,320 --> 00:44:26,439
Speaker 1: I don't talk all the time. I like to listen

819
00:44:26,520 --> 00:44:29,560
Speaker 1: a lot and just take things in. This dude is

820
00:44:29,640 --> 00:44:33,719
Speaker 1: one of the most authentic people that I have ever met.

821
00:44:33,880 --> 00:44:39,680
Speaker 1: Thank you. The first time. I want you to explain

822
00:44:39,800 --> 00:44:42,239
Speaker 1: to you talked about it on Crown Shout to Ellie Wilson.

823
00:44:42,280 --> 00:44:44,000
Speaker 1: I want you to talk about the Reggie scene and

824
00:44:44,120 --> 00:44:47,640
Speaker 1: bad boys, right, because you know I'm a father five, right,

825
00:44:47,680 --> 00:44:49,120
Speaker 1: But growing up. I'm like, if I have a dude,

826
00:44:49,120 --> 00:44:52,359
Speaker 1: I'm doing the same day. But for you, I'm mister,

827
00:44:52,800 --> 00:44:56,520
Speaker 1: I'm Reggie. What you're doing? It can take Onmengan? What

828
00:44:57,520 --> 00:45:01,719
Speaker 1: can take on Mangan? How do you fatims? Mother? He

829
00:45:01,800 --> 00:45:09,120
Speaker 1: looked dirty? Can't it take Megan up? What's wrong with you? Got?

830
00:45:09,200 --> 00:45:11,120
Speaker 1: Can all skit? You ain't never seen a gun before.

831
00:45:11,160 --> 00:45:13,680
Speaker 1: I stopped pointing the gun afterward, explaining that to people

832
00:45:13,719 --> 00:45:16,800
Speaker 1: who haven't heard and how that whole situation happened. He

833
00:45:16,960 --> 00:45:18,680
Speaker 1: was a he was a young actor. He had never

834
00:45:18,760 --> 00:45:21,240
Speaker 1: done anything, so it was his first role. So Michael

835
00:45:21,280 --> 00:45:24,200
Speaker 1: Bay was concerned that he wouldn't be able to perform

836
00:45:24,719 --> 00:45:28,000
Speaker 1: the level of discomfort that we needed for the scene.

837
00:45:28,280 --> 00:45:30,480
Speaker 1: So Michael Bay was like, Yo, don't don't talk to him.

838
00:45:30,560 --> 00:45:32,799
Speaker 1: Talk to him, he said, I want y'all to be, uh,

839
00:45:32,920 --> 00:45:35,600
Speaker 1: pretend like y'all are aren't argue and pretend like you're

840
00:45:35,640 --> 00:45:37,120
Speaker 1: not getting on. I just want to get him, get

841
00:45:37,200 --> 00:45:39,000
Speaker 1: him riled up, you know. So I go and I

842
00:45:39,080 --> 00:45:41,680
Speaker 1: sit down with the kids. So he's first meeting well

843
00:45:41,760 --> 00:45:43,880
Speaker 1: and Martin. So I'm sitting down, I'm talking, I'm talking,

844
00:45:44,320 --> 00:45:46,919
Speaker 1: and then Martin comes up and he says, Hey, will

845
00:45:47,080 --> 00:45:49,200
Speaker 1: you know you're stepping on my lines a little bit

846
00:45:49,440 --> 00:45:51,000
Speaker 1: in the scene. I need you to leave a little

847
00:45:51,000 --> 00:45:53,400
Speaker 1: bit of room so I can, you know, get my

848
00:45:53,480 --> 00:45:55,480
Speaker 1: line in there. And I was like, you need to

849
00:45:55,520 --> 00:45:58,560
Speaker 1: get in where you fit him and the kid, the

850
00:45:58,640 --> 00:46:00,719
Speaker 1: little kid is sitting there. He's like, oh no. Mary

851
00:46:00,800 --> 00:46:03,200
Speaker 1: was like, Yo, why why are you acting like that? Man?

852
00:46:03,239 --> 00:46:05,560
Speaker 1: I'm like why I'm acting? Like what why I'm acting

853
00:46:05,600 --> 00:46:09,000
Speaker 1: like West? And me and Martin start arguing in front

854
00:46:09,000 --> 00:46:10,440
Speaker 1: of the kid and this kid is sitting there like

855
00:46:12,520 --> 00:46:14,600
Speaker 1: Michael band is watching him, watching him. As soon as

856
00:46:14,640 --> 00:46:16,799
Speaker 1: he sees how the kid is tearing out enough, he's

857
00:46:16,800 --> 00:46:22,160
Speaker 1: like and then I go, what the you want? I'm

858
00:46:22,239 --> 00:46:28,279
Speaker 1: here to pick up Well, yeah, yeah, was shook for real.

859
00:46:29,000 --> 00:46:32,400
Speaker 1: Wenna get it? We saw, yeah, we saw Yeah. We

860
00:46:33,120 --> 00:46:37,760
Speaker 1: can't get out ye him again, we see him again.

861
00:46:38,440 --> 00:46:40,360
Speaker 1: We can't, We can't. We can't talk about it. But

862
00:46:41,040 --> 00:46:44,520
Speaker 1: you will know, you will know, you will. Why didn't

863
00:46:44,520 --> 00:46:46,440
Speaker 1: get real union in this one because you played such

864
00:46:46,440 --> 00:46:48,719
Speaker 1: a big role in the second one. I think we

865
00:46:48,840 --> 00:46:51,719
Speaker 1: took a different story. Yeah, it was like trying. There

866
00:46:51,800 --> 00:46:53,920
Speaker 1: was no spot in the story like where we had

867
00:46:54,080 --> 00:46:56,520
Speaker 1: worked for you know, for those characters to be in.

868
00:46:56,600 --> 00:47:00,800
Speaker 1: But we're definitely that Voice four because I see it

869
00:47:00,880 --> 00:47:04,080
Speaker 1: on audium. Whatever the cold, but you said this is

870
00:47:04,120 --> 00:47:06,399
Speaker 1: the last one. We're gonna let the audience to side

871
00:47:07,480 --> 00:47:10,040
Speaker 1: after people see it. Like, you know, I love working

872
00:47:10,080 --> 00:47:12,520
Speaker 1: with this dude. Man, And it's like I'm at the

873
00:47:12,600 --> 00:47:14,640
Speaker 1: point in my in my life where I just I

874
00:47:14,680 --> 00:47:16,439
Speaker 1: don't even want to do nothing if I'm not gonna

875
00:47:16,440 --> 00:47:20,439
Speaker 1: have fun, you know. And it's like I'll take half

876
00:47:20,480 --> 00:47:23,160
Speaker 1: the money that it would be as long as you know,

877
00:47:23,520 --> 00:47:26,120
Speaker 1: I can have fun. And you know, we come to work,

878
00:47:30,120 --> 00:47:33,040
Speaker 1: we want no we won't let me ask you this.

879
00:47:33,160 --> 00:47:35,560
Speaker 1: We were wondering, did Cali try to get you on

880
00:47:35,640 --> 00:47:37,920
Speaker 1: the soundtrack? Yeah, we were talking, you know, just the

881
00:47:38,000 --> 00:47:40,120
Speaker 1: timing off and I so wanted to try to try

882
00:47:40,160 --> 00:47:42,240
Speaker 1: to jump on that. We work together. We had any annoying,

883
00:47:42,280 --> 00:47:48,400
Speaker 1: he was annoying, tot Calin is the best of the best.

884
00:47:48,480 --> 00:47:52,680
Speaker 1: Man let me school Man was coming to set a

885
00:47:52,920 --> 00:47:56,319
Speaker 1: month before it was tied for Seed. Ever to set

886
00:47:56,400 --> 00:47:59,360
Speaker 1: a month before it was time for Seed. It's like,

887
00:47:59,480 --> 00:48:02,280
Speaker 1: let me take you know. He was. He so loves

888
00:48:02,320 --> 00:48:05,239
Speaker 1: the franchise, you know, he loved it. He wanted it

889
00:48:05,320 --> 00:48:06,759
Speaker 1: to win, and he wanted to do everything that he

890
00:48:06,840 --> 00:48:09,480
Speaker 1: could do. Uh, to help us, tell kids, you have

891
00:48:09,560 --> 00:48:13,520
Speaker 1: to have a DJ Khalid level of annoyance to get no,

892
00:48:13,719 --> 00:48:17,080
Speaker 1: that's real. Music questions were talking about music a little bit,

893
00:48:17,200 --> 00:48:19,799
Speaker 1: Fresh Prinson will Smith. Who was the better rapper? Well,

894
00:48:19,800 --> 00:48:25,040
Speaker 1: I think so, somebody said. Somebody said, um, will Smith

895
00:48:25,760 --> 00:48:29,520
Speaker 1: was a whack rapper, but Fresh Press it was dope.

896
00:48:29,600 --> 00:48:35,640
Speaker 1: Somebody said that where that somewhere? Yeah, hold on, let

897
00:48:35,719 --> 00:48:48,400
Speaker 1: me see. But in your personal thing, no, you know what,

898
00:48:48,520 --> 00:48:51,600
Speaker 1: There was a there was in that same thing. There

899
00:48:51,719 --> 00:48:57,279
Speaker 1: was a certain amount of rawness and unbridled creativity during

900
00:48:57,360 --> 00:48:59,640
Speaker 1: the first part of my career, and then once I

901
00:48:59,719 --> 00:49:04,320
Speaker 1: started winning, it did kind of narrow the avenues of

902
00:49:04,440 --> 00:49:07,000
Speaker 1: what I wanted to do. It was more important to

903
00:49:07,080 --> 00:49:09,960
Speaker 1: me to win than to be me, you know. So

904
00:49:10,160 --> 00:49:12,960
Speaker 1: there was there was a There was a certain amount.

905
00:49:13,080 --> 00:49:16,080
Speaker 1: There was a certain amount. The Fresh Prince was wild

906
00:49:16,400 --> 00:49:22,120
Speaker 1: and raw and unapologetically himself, and then will Smith got

907
00:49:22,160 --> 00:49:25,360
Speaker 1: a little bit more polished. And once you line up

908
00:49:25,400 --> 00:49:27,560
Speaker 1: a couple of number ones in a row, you get

909
00:49:27,640 --> 00:49:30,040
Speaker 1: that the taste for blood in your mouth, and that

910
00:49:30,280 --> 00:49:36,600
Speaker 1: that taste sort of destroys the vastness of your creative mind.

911
00:49:36,760 --> 00:49:39,040
Speaker 1: I remember hearing you on Radar podcast and you said

912
00:49:39,120 --> 00:49:40,839
Speaker 1: that it was a point where you didn't even want

913
00:49:40,840 --> 00:49:46,400
Speaker 1: to curse. Yeah, well, myother my grandmother for you in comedy?

914
00:49:46,440 --> 00:49:48,440
Speaker 1: Does that work in comedy too? Like as you get

915
00:49:48,560 --> 00:49:51,360
Speaker 1: more famous, you can't be as raw you feel like

916
00:49:51,400 --> 00:49:54,080
Speaker 1: as you used to because you're still doing comedy tours. Yeah,

917
00:49:54,080 --> 00:49:55,480
Speaker 1: I know you got a lot of comments coming out

918
00:49:55,480 --> 00:49:57,719
Speaker 1: with you, But how did that work in comedy? I

919
00:49:57,840 --> 00:50:00,680
Speaker 1: don't know. I don't compromise my comed you know, I

920
00:50:00,840 --> 00:50:03,759
Speaker 1: never did in the past. Uh. You know, when I

921
00:50:03,840 --> 00:50:06,359
Speaker 1: put out you So Crazy, they wanted me to water

922
00:50:06,440 --> 00:50:08,880
Speaker 1: it down and give it an R rating, And I

923
00:50:09,000 --> 00:50:12,080
Speaker 1: took an NC seventeen just so I could say what

924
00:50:12,200 --> 00:50:18,200
Speaker 1: I wanted to say. And yeah, you know. And so

925
00:50:18,320 --> 00:50:20,680
Speaker 1: I don't like to compromise my comedy and I don't.

926
00:50:20,719 --> 00:50:22,400
Speaker 1: I don't do it today. I just do what I

927
00:50:22,480 --> 00:50:24,560
Speaker 1: want to do and have fun with it. But what's

928
00:50:24,560 --> 00:50:26,360
Speaker 1: the worst decision that both of you guys made in

929
00:50:26,440 --> 00:50:28,040
Speaker 1: your career? Like, what's one thing you say, damn, I

930
00:50:28,040 --> 00:50:29,839
Speaker 1: shouldn't have did that, or what did you pass up

931
00:50:29,920 --> 00:50:32,120
Speaker 1: or something that you regret I made the Wild Wild

932
00:50:32,160 --> 00:50:39,840
Speaker 1: West and making the matrix. Yeah, yeah, what about you?

933
00:50:41,560 --> 00:50:44,759
Speaker 1: I didn't go with him on the last press junk

934
00:50:45,640 --> 00:50:49,320
Speaker 1: and Bad for Bad Boys. He did it by itself.

935
00:50:49,400 --> 00:50:51,879
Speaker 1: And now that I see what we on this press

936
00:50:52,000 --> 00:50:54,279
Speaker 1: junk and all that we we got to do and

937
00:50:54,400 --> 00:50:56,800
Speaker 1: the fun we had, why did you go? It was?

938
00:50:56,880 --> 00:51:01,040
Speaker 1: It's different, It's it's our faith when you was waving

939
00:51:01,080 --> 00:51:07,040
Speaker 1: the gun on. No, it was just a different time.

940
00:51:07,560 --> 00:51:09,920
Speaker 1: And you know they didn't want to fly me private.

941
00:51:10,320 --> 00:51:13,000
Speaker 1: I wanted to go private. It was it's part politics.

942
00:51:13,080 --> 00:51:17,719
Speaker 1: So but I've learned from that from now and I

943
00:51:17,800 --> 00:51:19,880
Speaker 1: would do something different. Now, all right, we got more

944
00:51:19,880 --> 00:51:21,879
Speaker 1: with Will Smith and Lawrence. Let's get into a little

945
00:51:21,880 --> 00:51:23,920
Speaker 1: Will Smith minimix. I let's have some fun with it.

946
00:51:23,960 --> 00:51:29,360
Speaker 1: It's the Breakfast Club, Good Morning, more than Everybody's DJ

947
00:51:29,719 --> 00:51:46,040
Speaker 1: and that Devil Breakfast Club. Yeah stunk. Here today goes

948
00:51:46,080 --> 00:51:49,440
Speaker 1: to Alison Morris of MSNBC. Now we all know that

949
00:51:49,600 --> 00:51:52,000
Speaker 1: Kobe Bryant had an untimely demises. He was one of

950
00:51:52,120 --> 00:51:56,920
Speaker 1: multiple fatalities in a helicopter crashing Calabash's, California, and Alison

951
00:51:56,960 --> 00:52:00,840
Speaker 1: Morrison MSNBC was reporting on this tragic situation. And this

952
00:52:01,000 --> 00:52:05,680
Speaker 1: is what happened. That was perfectly cast on the Los

953
00:52:05,719 --> 00:52:11,120
Speaker 1: Angeles Los Angeles like I could ask you now. Of course,

954
00:52:11,200 --> 00:52:14,759
Speaker 1: the back the blacklash was swift on social media. People

955
00:52:14,840 --> 00:52:17,680
Speaker 1: were calling for her firing, so she apologized by sending

956
00:52:17,719 --> 00:52:21,240
Speaker 1: out the following tweet. She said, earlier today, while reporting

957
00:52:21,280 --> 00:52:24,200
Speaker 1: on the tragic news of Kobe Bryant's passing, I unfortunately

958
00:52:24,320 --> 00:52:27,440
Speaker 1: studied on air combining the names of the Knicks and

959
00:52:27,520 --> 00:52:31,520
Speaker 1: the Lakers to say Knackers, please know, I did not

960
00:52:31,760 --> 00:52:34,360
Speaker 1: and would never use a racist term. I apologized for

961
00:52:34,400 --> 00:52:37,640
Speaker 1: the confusion this caused. Uh, And she put a never

962
00:52:38,000 --> 00:52:41,040
Speaker 1: in um capital letters. If she would probably said that

963
00:52:41,080 --> 00:52:42,719
Speaker 1: on it, she said, she probably would have said, please know,

964
00:52:43,080 --> 00:52:45,400
Speaker 1: I did not and wouldn't never use a racist term

965
00:52:45,440 --> 00:52:46,560
Speaker 1: if she would have said that on it, but she

966
00:52:46,640 --> 00:52:49,640
Speaker 1: tweeted it. Um. She says, she apologized for the confusion

967
00:52:49,680 --> 00:52:52,879
Speaker 1: this cause, first of all, Allison, the Knicks have nothing

968
00:52:52,920 --> 00:52:57,520
Speaker 1: to do with this, nothing at all, like absolutely zero. Okay,

969
00:52:57,600 --> 00:52:59,399
Speaker 1: those teams, the Knicks and the Lakers, are on two

970
00:52:59,440 --> 00:53:01,920
Speaker 1: different code. Kobe never played for the Knicks, Like, there

971
00:53:01,960 --> 00:53:04,279
Speaker 1: was absolutely zero reason for the Knicks to be on

972
00:53:04,360 --> 00:53:06,000
Speaker 1: your mind. They didn't even played each other last night.

973
00:53:06,160 --> 00:53:09,160
Speaker 1: There was nothing, no reason, I don't I don't understand it.

974
00:53:09,600 --> 00:53:12,719
Speaker 1: So that lie you concocted to cover uh, cover up.

975
00:53:12,800 --> 00:53:16,040
Speaker 1: You know you're saying the N word. That's not gonna fly. Now.

976
00:53:16,120 --> 00:53:18,040
Speaker 1: At first, I thought nagas didn't sound nothing like the

977
00:53:18,200 --> 00:53:21,520
Speaker 1: N word. Okay, But if you're saying fast niggers, kind

978
00:53:21,600 --> 00:53:24,680
Speaker 1: of kers, all right, kind of all right, naka's rhymes

979
00:53:24,719 --> 00:53:28,799
Speaker 1: with lakers, takers, bakers, quakers, fakers, shakers, makers. But though

980
00:53:28,880 --> 00:53:31,239
Speaker 1: none of those words sound like the words you use, okay,

981
00:53:31,280 --> 00:53:35,040
Speaker 1: the word you use sounds like bigger tigger, trigger, jigga figger,

982
00:53:35,320 --> 00:53:37,040
Speaker 1: and it's a word I'm sure some people would use

983
00:53:37,080 --> 00:53:39,279
Speaker 1: to describe an NBA team full of black people. Now,

984
00:53:39,600 --> 00:53:43,080
Speaker 1: you know, we have this program called Normalized, right, it's

985
00:53:43,160 --> 00:53:45,759
Speaker 1: like hearing things in HD. Last week we put it

986
00:53:45,840 --> 00:53:48,640
Speaker 1: on Wendy Williams passing gas. This week we are putting

987
00:53:48,640 --> 00:53:52,840
Speaker 1: it on Alison Morris to see if she said nakers

988
00:53:53,760 --> 00:53:56,240
Speaker 1: are the actual AN words. So let's play Allison Morris

989
00:53:56,680 --> 00:54:03,160
Speaker 1: regular first was perfectly cast on the Los Angeles niggas.

990
00:54:03,640 --> 00:54:05,480
Speaker 1: Los Angeles likes Comeda. If I could ask you to

991
00:54:05,520 --> 00:54:08,800
Speaker 1: stay with us now let's play Alison Morris with the

992
00:54:08,960 --> 00:54:11,440
Speaker 1: N word normalized. You can hear it an HD like

993
00:54:11,520 --> 00:54:14,800
Speaker 1: a kind of straw that was perfectly cast on the

994
00:54:14,920 --> 00:54:18,239
Speaker 1: Los Angeles niggas Los Angeles likes comeda. If I could

995
00:54:18,400 --> 00:54:22,479
Speaker 1: you state no, no debate here. Okay, I know people

996
00:54:22,520 --> 00:54:25,360
Speaker 1: are saying to themselves, what was she thinking? What was

997
00:54:25,440 --> 00:54:29,760
Speaker 1: on her mind? Well, the answer to that is simple, niggas, Okay,

998
00:54:29,880 --> 00:54:31,400
Speaker 1: we heard what you We heard what you said, and

999
00:54:31,480 --> 00:54:33,320
Speaker 1: you know how it sounded. You know how it sounded

1000
00:54:33,320 --> 00:54:35,000
Speaker 1: to us at a time like this is how it

1001
00:54:35,080 --> 00:54:39,400
Speaker 1: sounded to us. It's amazing not a broadcaster at a

1002
00:54:39,440 --> 00:54:41,960
Speaker 1: time like this could make such a mistake. Okay, in

1003
00:54:42,000 --> 00:54:44,439
Speaker 1: a moment with people are already dealing with so much hurt,

1004
00:54:44,680 --> 00:54:47,680
Speaker 1: so much pain. I'm not going to speculate about Alison's

1005
00:54:47,760 --> 00:54:49,960
Speaker 1: character because I don't know her, never heard of her

1006
00:54:50,040 --> 00:54:52,320
Speaker 1: until this moment. I just know that some people have

1007
00:54:52,520 --> 00:54:54,920
Speaker 1: such deep rooted hatred for others that even in a

1008
00:54:55,000 --> 00:54:58,080
Speaker 1: tragic situation like this, how do you really feel about others?

1009
00:54:58,440 --> 00:55:01,040
Speaker 1: Comes out? Okay, I'm not ain't that as Alison because

1010
00:55:01,040 --> 00:55:02,600
Speaker 1: I don't know her. I just know that for a

1011
00:55:02,719 --> 00:55:04,840
Speaker 1: word to come out of your mouth when reporting on

1012
00:55:04,920 --> 00:55:07,800
Speaker 1: the situation like this, When for the N word to

1013
00:55:07,840 --> 00:55:10,080
Speaker 1: come out of your mouth when reporting on a situation

1014
00:55:10,239 --> 00:55:12,839
Speaker 1: like this, it's just stupid and dunke. Here to day,

1015
00:55:12,840 --> 00:55:15,239
Speaker 1: it's all about giving people the credit they deserve for

1016
00:55:15,400 --> 00:55:18,239
Speaker 1: being stupid. Please let Remy mad give Alison Morris the

1017
00:55:18,280 --> 00:55:22,239
Speaker 1: biggest he hall he haw, he haw, You stupid mother?

1018
00:55:22,520 --> 00:55:27,479
Speaker 1: Are you dumb? You know what happens to Alison? Guys? Anything? Huh?

1019
00:55:28,440 --> 00:55:30,440
Speaker 1: I was thinking about who was it? It was another

1020
00:55:30,760 --> 00:55:33,560
Speaker 1: news reporter that had a slip of the tongue also,

1021
00:55:34,719 --> 00:55:38,200
Speaker 1: and yeah, he got fired. I'm trying to remember because

1022
00:55:38,200 --> 00:55:41,040
Speaker 1: we talked about it up here. I'm trying to remember

1023
00:55:41,080 --> 00:55:45,440
Speaker 1: exactly what it was. I gotta look this up or

1024
00:55:45,520 --> 00:55:47,680
Speaker 1: once again, Rest in peace to Kobe ended up getting fired,

1025
00:55:47,680 --> 00:55:50,319
Speaker 1: though I remember that absolutely. Rest in PEACEA to Kobe Bryant.

1026
00:55:50,360 --> 00:55:52,160
Speaker 1: I'm gonna keep saying this all morning because I just

1027
00:55:52,239 --> 00:55:54,320
Speaker 1: think people need to hear it. It's just another reminder

1028
00:55:54,640 --> 00:55:58,360
Speaker 1: that death really does not discriminate. Nobody is untouchable, nobody

1029
00:55:58,440 --> 00:56:01,440
Speaker 1: is indestructible, nobody is a mythical creature who won't ever

1030
00:56:01,520 --> 00:56:03,720
Speaker 1: taste death. And I know it seems like a tragedy

1031
00:56:03,800 --> 00:56:05,840
Speaker 1: like this isn't supposed to happen to someone like Kobe.

1032
00:56:05,960 --> 00:56:08,640
Speaker 1: But we know that's not the case because death does

1033
00:56:08,719 --> 00:56:13,399
Speaker 1: not discriminate. It was a meteorologist that for Martin Luther

1034
00:56:13,480 --> 00:56:16,680
Speaker 1: King's junior. He said, Martin Martin Luther Koon King junior,

1035
00:56:16,680 --> 00:56:20,239
Speaker 1: remember that, Remember that we talked. There's a lot up here,

1036
00:56:20,239 --> 00:56:22,040
Speaker 1: and he ended up getting fired. He should have got

1037
00:56:22,080 --> 00:56:23,560
Speaker 1: fired for that. All right, well, thank you for that.

1038
00:56:23,640 --> 00:56:26,560
Speaker 1: Donk here to day, don't move. It's the breakfast club.

1039
00:56:26,640 --> 00:56:35,520
Speaker 1: Good morning, the breakfast club. Hell the relationship advice, need

1040
00:56:35,600 --> 00:56:38,960
Speaker 1: personal advice, just the real advice. Call up nown for

1041
00:56:39,120 --> 00:56:44,160
Speaker 1: ask ye morning? Everybody is DJ Envy Angela, ye Charlomagne

1042
00:56:44,160 --> 00:56:46,040
Speaker 1: that god we are the breakfast club. Is time to

1043
00:56:46,160 --> 00:56:49,640
Speaker 1: ask ye Hello? Who's this? Hey? This is Vine from Detroit.

1044
00:56:49,760 --> 00:56:53,560
Speaker 1: What up? Up the d what's good? What's your course

1045
00:56:53,600 --> 00:56:58,200
Speaker 1: it for? Yeasy? Okay, Well I'm from Detroit. My baby daddy,

1046
00:56:58,239 --> 00:57:01,439
Speaker 1: he's from that stop Brooks. This is where that's where

1047
00:57:01,440 --> 00:57:03,920
Speaker 1: I live. Okay, But I don't like the night now

1048
00:57:04,239 --> 00:57:07,080
Speaker 1: because I was tricking fund of us in a Latin

1049
00:57:07,160 --> 00:57:10,360
Speaker 1: citty or whatever we're making the money or whatever, and

1050
00:57:10,520 --> 00:57:16,080
Speaker 1: then then with my money, okay, take go and take

1051
00:57:16,160 --> 00:57:19,680
Speaker 1: one another trick with my money. Way, slowdown, slowdown, slow down.

1052
00:57:20,080 --> 00:57:22,680
Speaker 1: So you guys are in Atlantic City, you're always making

1053
00:57:22,720 --> 00:57:24,560
Speaker 1: money to get it? What were you guys doing? I

1054
00:57:24,720 --> 00:57:28,840
Speaker 1: was tricking from Okay, so you're an esquare guys too. Yeah,

1055
00:57:28,960 --> 00:57:30,880
Speaker 1: what I'm talking like that, I was just getting money.

1056
00:57:30,880 --> 00:57:33,400
Speaker 1: We was doing everybody to get money safe and I

1057
00:57:33,600 --> 00:57:36,960
Speaker 1: like the money or whatever. So he did end it basically,

1058
00:57:37,320 --> 00:57:39,520
Speaker 1: and at the ending, well, he keep doing a little

1059
00:57:39,520 --> 00:57:42,200
Speaker 1: bit of everything. I'm just saying, like, wo's making money

1060
00:57:42,200 --> 00:57:44,040
Speaker 1: to getting I was taking money. Fall you hit a

1061
00:57:44,080 --> 00:57:46,600
Speaker 1: certain takeo Funey with trevement and told me I was

1062
00:57:46,640 --> 00:57:49,040
Speaker 1: in a way. I'm in a way, So I did,

1063
00:57:49,240 --> 00:57:52,120
Speaker 1: and I robbed his inn and show way hud hugo.

1064
00:57:52,240 --> 00:57:54,800
Speaker 1: You robbed your pants. I robbed my baby daddy. Now

1065
00:57:55,000 --> 00:57:57,880
Speaker 1: he's my baby daddy. Drink what you drink. I'm took

1066
00:57:57,960 --> 00:58:01,560
Speaker 1: two rows. Watch, I took the nail bed, I took

1067
00:58:02,160 --> 00:58:04,240
Speaker 1: whatever I took his other big mama put the face

1068
00:58:04,440 --> 00:58:08,760
Speaker 1: with the playing Damn d neighbors ben't say nothing because

1069
00:58:08,760 --> 00:58:10,800
Speaker 1: they told me always in and out what side of

1070
00:58:10,800 --> 00:58:15,120
Speaker 1: those littles. Are you so you so you arribed your

1071
00:58:15,160 --> 00:58:18,440
Speaker 1: baby daddy along with his other baby mom. Yeah, and

1072
00:58:18,560 --> 00:58:20,640
Speaker 1: she don't like me because I called a watch him

1073
00:58:20,640 --> 00:58:22,560
Speaker 1: to give her half up. It's just the point that

1074
00:58:22,640 --> 00:58:24,560
Speaker 1: he wanted me to my fault there. How can I

1075
00:58:24,680 --> 00:58:26,440
Speaker 1: like together? You know what I'm saying, I work for

1076
00:58:26,880 --> 00:58:32,240
Speaker 1: world and I'm going to school whatever. And now he

1077
00:58:32,400 --> 00:58:35,560
Speaker 1: told me he ain't taking care of my son unless

1078
00:58:35,880 --> 00:58:39,560
Speaker 1: I So, he's not gonna take care of the child

1079
00:58:39,680 --> 00:58:42,919
Speaker 1: you guys have together unless you pay him. Yep. Isn't

1080
00:58:42,960 --> 00:58:44,960
Speaker 1: that his job to kind of pay to take care

1081
00:58:44,960 --> 00:58:48,040
Speaker 1: of his own child. You're saying, he can't take care

1082
00:58:48,080 --> 00:58:50,160
Speaker 1: of my son unless I take care of the family.

1083
00:58:50,400 --> 00:58:52,920
Speaker 1: And I told him, I said, no, I'm not about

1084
00:58:52,960 --> 00:58:54,919
Speaker 1: to do that. Okay, I think you got to sort

1085
00:58:55,000 --> 00:58:57,240
Speaker 1: these things out number one first and foremost, But to

1086
00:58:57,280 --> 00:59:00,000
Speaker 1: take of your child, right, And you're not trying to

1087
00:59:00,120 --> 00:59:02,920
Speaker 1: be with him, are you? I don't know. You don't know?

1088
00:59:03,200 --> 00:59:04,840
Speaker 1: So in the way you are you want to get

1089
00:59:04,880 --> 00:59:07,960
Speaker 1: back together with him? I just want to get some money, hey,

1090
00:59:08,040 --> 00:59:10,960
Speaker 1: but all money ain't good money though, right as money?

1091
00:59:11,080 --> 00:59:13,600
Speaker 1: But I'm just saying, don't you want to be there?

1092
00:59:13,720 --> 00:59:15,600
Speaker 1: For your child and be a good example and a

1093
00:59:15,720 --> 00:59:17,520
Speaker 1: role model and make sure nothing happens to you and

1094
00:59:17,560 --> 00:59:20,240
Speaker 1: you don't go to jail or something worse happens. Yeah,

1095
00:59:20,360 --> 00:59:24,720
Speaker 1: that's the only thing that's in the way. You know,

1096
00:59:24,880 --> 00:59:27,040
Speaker 1: I can't be doing all it because I'm playing. I

1097
00:59:27,080 --> 00:59:28,880
Speaker 1: can't get a boss up, you know what I'm saying.

1098
00:59:28,880 --> 00:59:30,760
Speaker 1: I've never been to jail, and you will get locked

1099
00:59:30,840 --> 00:59:32,960
Speaker 1: up at some point. And I don't think jail for me.

1100
00:59:33,040 --> 00:59:37,840
Speaker 1: I'm feel nothing. I don't think it's for you either, listen.

1101
00:59:38,040 --> 00:59:40,560
Speaker 1: But it was in my own opinion, I think that

1102
00:59:40,720 --> 00:59:42,600
Speaker 1: you should be happy that you managed to get away

1103
00:59:42,680 --> 00:59:45,880
Speaker 1: from this man that was a pimp in doing everything else,

1104
00:59:45,880 --> 00:59:47,560
Speaker 1: because that was just gonna go down the wrong path

1105
00:59:47,680 --> 00:59:50,320
Speaker 1: for you. Listen. We all want to get money, right,

1106
00:59:50,720 --> 00:59:53,600
Speaker 1: but sometimes you've got to sacrifice and go through periods

1107
00:59:53,640 --> 00:59:55,400
Speaker 1: of time that we're not making that much money so

1108
00:59:55,520 --> 00:59:57,880
Speaker 1: that later on in the future, in a couple of

1109
00:59:57,960 --> 01:00:00,440
Speaker 1: years from now, you can't legitimately make good money. But

1110
01:00:00,560 --> 01:00:02,520
Speaker 1: you go, I tell to the law school, I go

1111
01:00:02,600 --> 01:00:04,800
Speaker 1: to law school. I'm entering to law school. Pick you're

1112
01:00:04,800 --> 01:00:07,200
Speaker 1: after that. But he talking about this in the way,

1113
01:00:07,440 --> 01:00:08,920
Speaker 1: Why are you even listening to what he has to

1114
01:00:08,960 --> 01:00:10,600
Speaker 1: say about what you want to do with your life.

1115
01:00:10,840 --> 01:00:13,680
Speaker 1: Because he's telling me I'll need direction. It sounds like

1116
01:00:13,800 --> 01:00:16,040
Speaker 1: somebody that's advising you to not go to school and

1117
01:00:16,160 --> 01:00:17,959
Speaker 1: not go to law school and saying that that's getting

1118
01:00:18,000 --> 01:00:20,520
Speaker 1: in the way is actually in the way himself. It

1119
01:00:20,640 --> 01:00:22,480
Speaker 1: sounds like in order for him to control you, he

1120
01:00:22,560 --> 01:00:24,280
Speaker 1: wants to make sure that you never make something more

1121
01:00:24,320 --> 01:00:27,440
Speaker 1: out of your life. Yeah, you're worright're word? So I

1122
01:00:27,520 --> 01:00:30,960
Speaker 1: ain't going background there her? Yeah, you dobody telling me

1123
01:00:31,080 --> 01:00:33,760
Speaker 1: don't go back ound there? All right, Well, I'm telling

1124
01:00:33,800 --> 01:00:36,160
Speaker 1: you don't go back out there. He's trying to persuade

1125
01:00:36,200 --> 01:00:38,000
Speaker 1: me and talking about we gonna get this knight bare

1126
01:00:38,720 --> 01:00:41,800
Speaker 1: playing and all this stuff, but he'd be lying. And

1127
01:00:41,880 --> 01:00:44,680
Speaker 1: you know he messing mad o the chicks too, oh

1128
01:00:44,800 --> 01:00:47,560
Speaker 1: of course, and he telling them the same thing he

1129
01:00:47,760 --> 01:00:50,880
Speaker 1: brought me to his other chick. He ain't no wire.

1130
01:00:51,080 --> 01:00:52,920
Speaker 1: He don't let me know what it is? Right, the

1131
01:00:54,000 --> 01:00:58,720
Speaker 1: circle cold, nothing okay and always And you're okay with that? Yeah,

1132
01:00:58,760 --> 01:01:01,440
Speaker 1: I mean I'm been in over. I don't like I'm

1133
01:01:01,480 --> 01:01:03,680
Speaker 1: gonna tell you something right now. We always say, well

1134
01:01:03,680 --> 01:01:05,640
Speaker 1: at leasie ain't lie. Well, at least he kept it real.

1135
01:01:05,680 --> 01:01:07,320
Speaker 1: At least he's up front about it. These other dudes

1136
01:01:07,360 --> 01:01:09,560
Speaker 1: out here and be lying, No, it's not at least

1137
01:01:09,600 --> 01:01:11,840
Speaker 1: that it's not okay for somebody to do stuff like

1138
01:01:11,960 --> 01:01:14,400
Speaker 1: that to you just because they're being honest about it. Yeah,

1139
01:01:14,480 --> 01:01:17,840
Speaker 1: you're right, but I mean I prefer somebody to tell me.

1140
01:01:19,600 --> 01:01:21,960
Speaker 1: How about you and rather somebody not do that? How

1141
01:01:22,000 --> 01:01:24,640
Speaker 1: about be with somebody that doesn't do those things, that's

1142
01:01:24,680 --> 01:01:27,040
Speaker 1: not bringing you to other women's houses, that's not cheating

1143
01:01:27,120 --> 01:01:29,160
Speaker 1: on you, that helps you take care of your family,

1144
01:01:29,240 --> 01:01:30,800
Speaker 1: that supports you and wants you to go to school

1145
01:01:30,800 --> 01:01:32,440
Speaker 1: and do better for your life. Why can't you find

1146
01:01:32,480 --> 01:01:37,560
Speaker 1: somebody like that? Man that's worf so like your I

1147
01:01:37,680 --> 01:01:41,120
Speaker 1: you want you to give them money doing nothing for you?

1148
01:01:41,480 --> 01:01:44,240
Speaker 1: You listen, forget about them doing something for you. What

1149
01:01:44,360 --> 01:01:46,800
Speaker 1: about you doing something for yourself? I mean I can

1150
01:01:46,880 --> 01:01:49,520
Speaker 1: do something for much. So I got my home all right? Good, Well,

1151
01:01:49,600 --> 01:01:52,439
Speaker 1: you keep your own and take care of your child

1152
01:01:52,760 --> 01:01:55,880
Speaker 1: and handle that. Instead of thinking about getting this fast money,

1153
01:01:55,960 --> 01:01:59,480
Speaker 1: think about securing a bag for later on in the future,

1154
01:01:59,680 --> 01:02:02,640
Speaker 1: having foundation, having your education together so you can do

1155
01:02:02,760 --> 01:02:05,960
Speaker 1: and be anything you want. To be in life. I'm

1156
01:02:06,000 --> 01:02:08,400
Speaker 1: gonna take that advice. Y'all have a good day, all right,

1157
01:02:08,480 --> 01:02:10,520
Speaker 1: you too. I hope you don't call him right now?

1158
01:02:10,800 --> 01:02:12,560
Speaker 1: All right, ask Ye. I don't even know what went

1159
01:02:12,640 --> 01:02:15,320
Speaker 1: on in that call, but if you decipher didn't figure

1160
01:02:15,320 --> 01:02:18,600
Speaker 1: it out, I'm happy it was this madness alrighty well,

1161
01:02:18,680 --> 01:02:21,520
Speaker 1: ask ye eight hundred five eight five one on five one,

1162
01:02:21,960 --> 01:02:23,760
Speaker 1: keep it like. We have more coming up. Next. It's

1163
01:02:23,800 --> 01:02:28,160
Speaker 1: to breakfast club like we always do with this coma,

1164
01:02:28,200 --> 01:02:31,640
Speaker 1: keep a read some real advice with Angela. Ye. It's

1165
01:02:31,720 --> 01:02:38,280
Speaker 1: ask Ye morning. Everybody is DJ Envy, Angela Yee, Charlomagne

1166
01:02:38,320 --> 01:02:40,080
Speaker 1: and the God. We are to breakfast club. Is time

1167
01:02:40,120 --> 01:02:43,840
Speaker 1: to ask ye? Hello? Who's this? Juicy? Juicy? Okay, juicy?

1168
01:02:43,880 --> 01:02:46,560
Speaker 1: What's your question for ye? So basically, I feel like

1169
01:02:47,360 --> 01:02:50,080
Speaker 1: I understand celebrities feel like, you know, all their fans

1170
01:02:50,120 --> 01:02:52,440
Speaker 1: are crazy or whatever. But I feel like if I

1171
01:02:52,560 --> 01:02:55,120
Speaker 1: go to every show like I'm up there supporting you.

1172
01:02:55,280 --> 01:02:57,520
Speaker 1: I'm talking all my home girls about you, I play

1173
01:02:57,600 --> 01:03:00,360
Speaker 1: your music all the time. You know, anytime you come out,

1174
01:03:00,440 --> 01:03:04,080
Speaker 1: I'm there supporting you. If I respectfully ask you to

1175
01:03:04,280 --> 01:03:06,840
Speaker 1: come with, you know, a company to my appointment. You

1176
01:03:06,920 --> 01:03:08,720
Speaker 1: know that basically, it's gonna let me know if I

1177
01:03:08,760 --> 01:03:11,040
Speaker 1: got breadcacer or not. If I ask you as a

1178
01:03:11,120 --> 01:03:14,000
Speaker 1: fan like, hey, I have you know, a lump in

1179
01:03:14,080 --> 01:03:16,840
Speaker 1: my breast, and you know I have two appointments and

1180
01:03:17,240 --> 01:03:19,480
Speaker 1: the result, you know, come out, you know, on the

1181
01:03:19,560 --> 01:03:22,480
Speaker 1: second appointment. And I wait, now, who who are you asking?

1182
01:03:22,520 --> 01:03:27,120
Speaker 1: You're asking celebrities. Well, the person I asked, I've met

1183
01:03:27,240 --> 01:03:29,280
Speaker 1: him three times, so he knows. You know, I'm not

1184
01:03:29,520 --> 01:03:34,120
Speaker 1: like a crazy fan like I'm a fan who's met him. Okay, wow,

1185
01:03:34,320 --> 01:03:38,560
Speaker 1: juicy Juicy, all right, So I support you as an artist,

1186
01:03:38,640 --> 01:03:40,320
Speaker 1: and I asked you to come, want me to find

1187
01:03:40,320 --> 01:03:42,840
Speaker 1: out if I got breadcacer not I'm crazy? Yes, well,

1188
01:03:42,960 --> 01:03:46,680
Speaker 1: Juicy celebrities or not. You've met somebody three times, right,

1189
01:03:47,360 --> 01:03:49,520
Speaker 1: and you asked him the comments. I wouldn't ask somebody

1190
01:03:49,720 --> 01:03:52,240
Speaker 1: I met three times? Did you ask your mama? What

1191
01:03:52,280 --> 01:03:55,040
Speaker 1: about your daddy? Yeah, what about one of your best

1192
01:03:55,120 --> 01:03:58,040
Speaker 1: friends or something? My mama is there and my dad

1193
01:03:58,240 --> 01:04:01,520
Speaker 1: is he's not here, So I'm not I have funds.

1194
01:04:01,560 --> 01:04:03,480
Speaker 1: Then you have family. But I feel like you know,

1195
01:04:03,640 --> 01:04:06,800
Speaker 1: you're somebody that you know is able to help me

1196
01:04:06,880 --> 01:04:08,840
Speaker 1: in the sense that I wouldn't be in their crime.

1197
01:04:08,960 --> 01:04:11,160
Speaker 1: I wouldn't die if I found out. You know what

1198
01:04:11,240 --> 01:04:13,760
Speaker 1: I mean. I don't want to say that because I

1199
01:04:13,800 --> 01:04:16,440
Speaker 1: don't want to be like A. I'm not a crazy person,

1200
01:04:16,560 --> 01:04:18,560
Speaker 1: and I don't feel like I'm crazy for asking you

1201
01:04:18,960 --> 01:04:21,600
Speaker 1: to help me. Who is the celebrity? But Douce said

1202
01:04:21,720 --> 01:04:24,200
Speaker 1: let me okay? So he blocked you after you asked yes.

1203
01:04:24,560 --> 01:04:26,920
Speaker 1: It's not like I was like, you know, crazier anything,

1204
01:04:26,960 --> 01:04:28,919
Speaker 1: and I felt like I was. I said, I would

1205
01:04:28,920 --> 01:04:31,200
Speaker 1: be grateful to have the support. That's what I said.

1206
01:04:31,280 --> 01:04:32,640
Speaker 1: I think you should tell us who it is so

1207
01:04:32,760 --> 01:04:34,640
Speaker 1: maybe he'll feel guilty and then maybe he'll go with

1208
01:04:34,720 --> 01:04:37,120
Speaker 1: you on your next support. Who is the person? Let's

1209
01:04:37,200 --> 01:04:39,880
Speaker 1: messed up? I can't I feel like what I give

1210
01:04:39,920 --> 01:04:43,760
Speaker 1: us a singer? Yes? Trade songs? Have you had sex

1211
01:04:43,800 --> 01:04:49,160
Speaker 1: with him? Why? My trade is the trade? It's trade? Right?

1212
01:04:49,480 --> 01:04:53,360
Speaker 1: That was so said? It's trade. I know it was trade.

1213
01:04:53,440 --> 01:04:55,080
Speaker 1: The reason I know it was trade is only trades.

1214
01:04:55,120 --> 01:04:57,640
Speaker 1: Fans would feel like he's close enough with them to

1215
01:04:57,720 --> 01:05:02,800
Speaker 1: ask him to go A. Now, I'm sorry. I will

1216
01:05:02,880 --> 01:05:06,560
Speaker 1: just juicy Juicy Juicy supporting the whole music world because

1217
01:05:06,600 --> 01:05:08,560
Speaker 1: I feel like if I support you to that level,

1218
01:05:08,680 --> 01:05:10,800
Speaker 1: like I spent a lot of money, I travel to

1219
01:05:10,920 --> 01:05:13,440
Speaker 1: shows like I was not because you know, like I

1220
01:05:13,520 --> 01:05:15,800
Speaker 1: wanted something to return, just because I wanted to support

1221
01:05:15,880 --> 01:05:19,920
Speaker 1: you as a fan. I'm like, Juicy, I just want

1222
01:05:19,960 --> 01:05:21,800
Speaker 1: to say something here at number one, I just want

1223
01:05:21,840 --> 01:05:23,440
Speaker 1: to tell you I am sorry that you're dealing with

1224
01:05:23,600 --> 01:05:25,840
Speaker 1: this with the lump in your breast and having to

1225
01:05:25,880 --> 01:05:28,640
Speaker 1: go to these appointments and everything. I'm not crazy. I'm not.

1226
01:05:29,080 --> 01:05:31,560
Speaker 1: I'm a very good person. Like I'm I do a

1227
01:05:31,640 --> 01:05:34,120
Speaker 1: lot of people like I take care all my siblings.

1228
01:05:34,240 --> 01:05:37,200
Speaker 1: I'm the oldest mama. They're not crazy. More than seven

1229
01:05:37,280 --> 01:05:40,680
Speaker 1: times in a five minute commation. But but Juicy, let

1230
01:05:40,720 --> 01:05:43,720
Speaker 1: me let me explain something to you. Okay, the artist

1231
01:05:43,880 --> 01:05:46,760
Speaker 1: is not asking you personally. Hey I need you to

1232
01:05:46,800 --> 01:05:48,320
Speaker 1: come to my show. Hey I need you're doing this

1233
01:05:48,440 --> 01:05:49,960
Speaker 1: out of your own free will, and you should never

1234
01:05:50,120 --> 01:05:53,120
Speaker 1: do things to support people expecting them to do something

1235
01:05:53,160 --> 01:05:54,720
Speaker 1: for you in return. You should do it because you

1236
01:05:54,840 --> 01:05:57,320
Speaker 1: want to do it. You're right, You're right. So if

1237
01:05:57,360 --> 01:06:01,240
Speaker 1: you really support a person and you're you know, a true,

1238
01:06:01,280 --> 01:06:04,440
Speaker 1: true person that feels like connected to somebody, you go

1239
01:06:04,560 --> 01:06:06,800
Speaker 1: to those shows you spend your money because you want to,

1240
01:06:06,800 --> 01:06:09,280
Speaker 1: because it makes you feel good, and you should not say, well,

1241
01:06:09,280 --> 01:06:10,960
Speaker 1: because I've done this for you, you need to do

1242
01:06:11,080 --> 01:06:13,520
Speaker 1: this for me. I'm not. I'm just saying that. I

1243
01:06:13,640 --> 01:06:17,240
Speaker 1: feel like when I did. How about you could ask

1244
01:06:17,320 --> 01:06:19,160
Speaker 1: him to just hey, can you offer me some kind

1245
01:06:19,280 --> 01:06:20,919
Speaker 1: words or let me know that I'm in your thoughts

1246
01:06:20,960 --> 01:06:23,680
Speaker 1: things like that. But you can't expect him to leave

1247
01:06:23,720 --> 01:06:26,440
Speaker 1: what he has to do in his responsibilities. He's only

1248
01:06:26,520 --> 01:06:29,320
Speaker 1: met you three times, and I'm sure it does appreciate

1249
01:06:29,440 --> 01:06:31,680
Speaker 1: your support and he loves the fact that you come

1250
01:06:31,720 --> 01:06:34,480
Speaker 1: out and support him. But you should never do anything

1251
01:06:34,560 --> 01:06:37,280
Speaker 1: in life expecting something in return. I never expect anybody

1252
01:06:37,280 --> 01:06:38,960
Speaker 1: to do anything for me. I can ask him if

1253
01:06:39,000 --> 01:06:41,080
Speaker 1: you say no, I have to respect that you soun

1254
01:06:41,080 --> 01:06:43,880
Speaker 1: I'm very entitled. You're right, and I do respect that

1255
01:06:44,760 --> 01:06:46,720
Speaker 1: you don't even offer that man no flatio or nothing.

1256
01:06:47,720 --> 01:06:50,160
Speaker 1: I did. How you know I did? I asked him out.

1257
01:06:50,280 --> 01:06:52,240
Speaker 1: I was like, hey, I'll take you to dinner. You know,

1258
01:06:52,480 --> 01:06:55,320
Speaker 1: I'm you know, what did you say? I will give

1259
01:06:55,320 --> 01:06:58,200
Speaker 1: you falatio out? Well? I mean it's trace thongs. He

1260
01:06:58,280 --> 01:07:03,320
Speaker 1: should already know that, Like it's not true true girl,

1261
01:07:03,360 --> 01:07:07,920
Speaker 1: this is not okay goodness anyway. Just leave him alone,

1262
01:07:08,320 --> 01:07:11,480
Speaker 1: don't expect anything, continue to be a fan and a supporter,

1263
01:07:11,960 --> 01:07:14,520
Speaker 1: and just chill. You got it. For things like that,

1264
01:07:15,000 --> 01:07:17,080
Speaker 1: you really have to call on people that are very

1265
01:07:17,160 --> 01:07:19,400
Speaker 1: close to you, not somebody that you've met three times.

1266
01:07:21,520 --> 01:07:23,560
Speaker 1: When I told my grandma, like, she just was like,

1267
01:07:23,640 --> 01:07:25,000
Speaker 1: oh my god, it's the end of the world. So

1268
01:07:25,120 --> 01:07:27,280
Speaker 1: I stopped telling people. You know, I was like, oh, well,

1269
01:07:27,320 --> 01:07:30,040
Speaker 1: I can't tell nobody else because she started crying. She's like, oh,

1270
01:07:30,080 --> 01:07:32,120
Speaker 1: You're gonna die. Like, so I was like, if I

1271
01:07:32,240 --> 01:07:36,840
Speaker 1: told anybody else close to me, I don't. Oh you

1272
01:07:37,080 --> 01:07:42,160
Speaker 1: got breath. She doesn't know what it is, but you

1273
01:07:42,200 --> 01:07:47,040
Speaker 1: don't know what it is, but I do not. The

1274
01:07:47,120 --> 01:07:50,640
Speaker 1: doctor I made two appointments, and that's why I told him.

1275
01:07:50,640 --> 01:07:51,880
Speaker 1: I was like, Hey, could you come me for the

1276
01:07:51,920 --> 01:07:54,680
Speaker 1: one where she's gonna get someone to go to the doctor.

1277
01:07:55,160 --> 01:07:57,480
Speaker 1: Just go hand to your business and worry about yourself. Okay.

1278
01:07:57,880 --> 01:07:59,800
Speaker 1: If you don't hang up on this dumb ass girl, hey,

1279
01:08:00,000 --> 01:08:03,680
Speaker 1: oh my god, good luck to you. Man. I will

1280
01:08:04,840 --> 01:08:07,600
Speaker 1: that you don't. You haven't trying to have patience with

1281
01:08:07,720 --> 01:08:09,880
Speaker 1: these people, and then you're talking to them. And as

1282
01:08:09,920 --> 01:08:12,080
Speaker 1: soon as you call it stupid, you the bad guy.

1283
01:08:12,320 --> 01:08:16,360
Speaker 1: That was the dumbest thing I ever heard of. Charlomagne

1284
01:08:16,400 --> 01:08:17,760
Speaker 1: and hit up ye and asked them to go with you.

1285
01:08:17,920 --> 01:08:22,759
Speaker 1: I'm not coming with you, Charlemagne. Busy daddy, Okay, asking

1286
01:08:22,920 --> 01:08:24,960
Speaker 1: aged five A five one O five one is the

1287
01:08:24,960 --> 01:08:35,040
Speaker 1: breakfast club? For breakfast club? New relationship advice? Need personal advice,

1288
01:08:35,560 --> 01:08:38,200
Speaker 1: just need real advice? Call up man for ask ye?

1289
01:08:39,840 --> 01:08:41,680
Speaker 1: What up is the breakfast club at the time for

1290
01:08:41,840 --> 01:08:45,439
Speaker 1: asking ye? Now? Who was on the line? WHOA, Hey, Hi,

1291
01:08:45,880 --> 01:08:48,200
Speaker 1: hi ye? How are you? I'm good? How are you?

1292
01:08:48,880 --> 01:08:51,920
Speaker 1: I'm fine? Thank you. I'm such a huge fan. Um

1293
01:08:52,439 --> 01:08:55,320
Speaker 1: and I'm whispering because my husband asleepy just came home

1294
01:08:55,360 --> 01:08:57,880
Speaker 1: from work. But this is a secret that my son

1295
01:08:58,040 --> 01:09:01,000
Speaker 1: expressed to me that he wants to keep a secret. Okay,

1296
01:09:01,120 --> 01:09:04,519
Speaker 1: my son, he just turned ten and he told me

1297
01:09:04,640 --> 01:09:07,920
Speaker 1: that he's made like boys and girls. Okay, And what

1298
01:09:08,040 --> 01:09:11,400
Speaker 1: did you say? I don't. I told him no matter what,

1299
01:09:11,600 --> 01:09:15,439
Speaker 1: that I would love him, and whatever decision he makes out,

1300
01:09:15,520 --> 01:09:18,559
Speaker 1: I'm gonna stand next to him. But I'm not sure

1301
01:09:19,560 --> 01:09:22,880
Speaker 1: it's what he's feeling is correct or or any like

1302
01:09:22,920 --> 01:09:26,439
Speaker 1: I don't know, I need help with this. I'm not outside.

1303
01:09:26,479 --> 01:09:28,600
Speaker 1: I'm handling it good with him, and I'm trying to

1304
01:09:28,960 --> 01:09:32,479
Speaker 1: keep our relationship. You know, I want him to company

1305
01:09:33,040 --> 01:09:37,559
Speaker 1: right for any about anything. But inside I'm like kind

1306
01:09:37,640 --> 01:09:40,200
Speaker 1: of panicking and I don't you know, like I'm going

1307
01:09:40,240 --> 01:09:43,120
Speaker 1: back and forth with myself. But what are you panicking about?

1308
01:09:43,640 --> 01:09:46,800
Speaker 1: Because number one, he's a young black man already, um

1309
01:09:47,439 --> 01:09:50,599
Speaker 1: and you know, just to be open, and he's already

1310
01:09:50,640 --> 01:09:54,680
Speaker 1: being bullied, he's already had mental health issues and you

1311
01:09:54,800 --> 01:09:57,240
Speaker 1: know it, it's just tough out here for him. So

1312
01:09:58,240 --> 01:10:01,680
Speaker 1: one more stigma on top of that. It's just you know, right,

1313
01:10:01,880 --> 01:10:04,160
Speaker 1: already expressed in the third grade that he wanted to

1314
01:10:04,240 --> 01:10:08,280
Speaker 1: commit suicide. Wow, it sounds like, have you put yourself

1315
01:10:08,360 --> 01:10:11,280
Speaker 1: I'm thinking like maybe this is you know what everything

1316
01:10:11,920 --> 01:10:14,599
Speaker 1: was that he was hiding, you know, right, yes, because

1317
01:10:14,600 --> 01:10:16,599
Speaker 1: it is painful to have these things that you want

1318
01:10:16,600 --> 01:10:18,559
Speaker 1: to hire you don't want people to know. He it's

1319
01:10:18,640 --> 01:10:21,400
Speaker 1: great that he felt like he could tell you, yes,

1320
01:10:21,680 --> 01:10:24,360
Speaker 1: that's what I told her, right and start expressing that

1321
01:10:24,439 --> 01:10:25,920
Speaker 1: to you, and you have to keep those lines of

1322
01:10:25,960 --> 01:10:29,800
Speaker 1: communication open. I think your response was amazing and I

1323
01:10:29,960 --> 01:10:32,400
Speaker 1: understand that you are concerned because that's your child, so

1324
01:10:32,560 --> 01:10:34,880
Speaker 1: you don't want him to be out in this world

1325
01:10:34,960 --> 01:10:37,519
Speaker 1: where people can be really nasty and cruel. And I

1326
01:10:38,160 --> 01:10:41,639
Speaker 1: exactly right. So he expressed to me that he does

1327
01:10:41,720 --> 01:10:44,280
Speaker 1: like a boy in school and like, you know, like

1328
01:10:44,400 --> 01:10:47,759
Speaker 1: I don't, I don't know how to how to handle everything,

1329
01:10:47,960 --> 01:10:49,880
Speaker 1: like like this is a lot, like he's only done.

1330
01:10:50,400 --> 01:10:53,800
Speaker 1: Is he too young to happy feelings? Is he you know?

1331
01:10:54,000 --> 01:10:56,960
Speaker 1: Like is this something that's normal? Is this going to change?

1332
01:10:57,000 --> 01:11:00,400
Speaker 1: I have so many questions, like I don't I don't help,

1333
01:11:01,000 --> 01:11:03,280
Speaker 1: and you know what, honey, there's nobody that can even

1334
01:11:03,360 --> 01:11:05,639
Speaker 1: answer all those questions for you, because he probably doesn't

1335
01:11:05,640 --> 01:11:09,000
Speaker 1: even understand everything right now. He just knows how he's feeling,

1336
01:11:09,040 --> 01:11:11,320
Speaker 1: and at least he's able to express how he's feeling,

1337
01:11:11,640 --> 01:11:13,200
Speaker 1: and that's all he can do. Now, Have you got

1338
01:11:13,320 --> 01:11:15,479
Speaker 1: him some professional help, somebody that he can speak to

1339
01:11:15,960 --> 01:11:18,000
Speaker 1: so that they can help him navigate, and maybe both

1340
01:11:18,080 --> 01:11:22,599
Speaker 1: of you should go. And I think that's not far,

1341
01:11:23,000 --> 01:11:25,680
Speaker 1: you know, like it, I'm still kind of in shocked this.

1342
01:11:25,920 --> 01:11:28,439
Speaker 1: He just expressed this to me two days ago, right,

1343
01:11:28,640 --> 01:11:31,639
Speaker 1: so I'm just like still trying to you know, see,

1344
01:11:31,800 --> 01:11:35,000
Speaker 1: like I don't want him to, you know, feel like

1345
01:11:35,080 --> 01:11:37,760
Speaker 1: he can't trust me. And then he's also expressing to

1346
01:11:37,880 --> 01:11:39,720
Speaker 1: me like, you know, please don't tell my dad and

1347
01:11:40,520 --> 01:11:42,960
Speaker 1: and don't tell this person, and you know, like I

1348
01:11:43,160 --> 01:11:47,439
Speaker 1: just he's scared of everyone's reaction, right, so and you

1349
01:11:47,800 --> 01:11:50,680
Speaker 1: should respect that, of course, and you are more Yeah,

1350
01:11:50,760 --> 01:11:53,479
Speaker 1: don't tell anybody else, but definitely go set up something

1351
01:11:53,600 --> 01:11:55,400
Speaker 1: for you guys, to find somebody good to talk to

1352
01:11:55,479 --> 01:11:57,679
Speaker 1: if you hold on the line. I actually have somebody

1353
01:11:57,760 --> 01:11:59,760
Speaker 1: that can be really helpful with that, and that would

1354
01:11:59,760 --> 01:12:02,519
Speaker 1: be doctor Kendall Jasper and I always offer people to

1355
01:12:02,600 --> 01:12:04,240
Speaker 1: him when we're in situations. And I feel like this

1356
01:12:04,400 --> 01:12:06,519
Speaker 1: is dire because I want you to be able to

1357
01:12:06,640 --> 01:12:08,439
Speaker 1: know how to deal with this. I'm not an expert

1358
01:12:08,520 --> 01:12:10,519
Speaker 1: in that, but I do feel like what you've done

1359
01:12:10,560 --> 01:12:13,160
Speaker 1: so far has been amazing as a mom, and I

1360
01:12:13,320 --> 01:12:15,880
Speaker 1: know that I want you to be able to express

1361
01:12:15,920 --> 01:12:18,439
Speaker 1: to him in the best way possible how much you

1362
01:12:18,520 --> 01:12:21,439
Speaker 1: love him, how much you care about him, and also

1363
01:12:21,520 --> 01:12:23,840
Speaker 1: help him learn what he needs to do in order

1364
01:12:23,880 --> 01:12:26,280
Speaker 1: to be more comfortable and not have feelings of suicide,

1365
01:12:26,320 --> 01:12:27,920
Speaker 1: because that's a major two. You don't want him to

1366
01:12:28,000 --> 01:12:32,200
Speaker 1: ever think about that again. That's my worst fear. All right,

1367
01:12:32,280 --> 01:12:33,720
Speaker 1: hold on the line. I'm gonna hook you up with

1368
01:12:34,360 --> 01:12:38,400
Speaker 1: doctor Kendall Jasper. Thank you so much, no problem, all right,

1369
01:12:38,560 --> 01:12:40,920
Speaker 1: ask ye eight on drink five eight five one oh

1370
01:12:41,000 --> 01:12:42,680
Speaker 1: five one and keep a lot. This to Breakfast Club,

1371
01:12:42,760 --> 01:12:47,639
Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne

1372
01:12:47,680 --> 01:12:50,519
Speaker 1: the guy. We all the Breakfast Club. It's time for

1373
01:12:50,560 --> 01:12:54,120
Speaker 1: your positive note. Gives some positivity. Listen, man, my positive

1374
01:12:54,160 --> 01:12:56,439
Speaker 1: note for the beautiful New Year's even to remember that

1375
01:12:56,560 --> 01:13:00,400
Speaker 1: tomorrow is the first blank page of a three sixty

1376
01:13:00,439 --> 01:13:03,120
Speaker 1: five page book, so make sure you write a good one.

1377
01:13:03,160 --> 01:13:05,320
Speaker 1: Starting the morn fir Club. This is you know I'll

1378
01:13:05,360 --> 01:13:06,240
Speaker 1: finish or y'all dune