1 00:00:00,160 --> 00:00:03,400 Speaker 1: Ariana Grande one or two point seven. Kiss up. M 2 00:00:03,960 --> 00:00:08,760 Speaker 1: Kali Oochi is in the studio with us. Yeah, but 3 00:00:09,640 --> 00:00:12,400 Speaker 1: I'm just talking about like you're gonna see this video. 4 00:00:12,440 --> 00:00:16,760 Speaker 1: I'm sure somewhere posted. But you didn't just get up 5 00:00:16,800 --> 00:00:18,600 Speaker 1: and say I'm gonna throw something on and come in. 6 00:00:19,000 --> 00:00:22,079 Speaker 1: You committed. No, I actually did. This is from my closet. 7 00:00:22,560 --> 00:00:24,279 Speaker 1: I did my makeup in the car. Yeah, I was 8 00:00:24,320 --> 00:00:27,200 Speaker 1: just a really chaotic morning. You've matching red glasses to 9 00:00:27,320 --> 00:00:30,480 Speaker 1: your outfit. That's a little Red Moon Venus. Yeah, it's 10 00:00:31,440 --> 00:00:33,320 Speaker 1: I've just been trying to stick somebody. You know what, 11 00:00:34,040 --> 00:00:37,640 Speaker 1: do you have a closet full of red for this album? No? 12 00:00:37,760 --> 00:00:40,400 Speaker 1: You know what? Before um, when I was working on 13 00:00:40,400 --> 00:00:41,640 Speaker 1: the album, after I knew what I was going to 14 00:00:41,760 --> 00:00:44,680 Speaker 1: name it, I started collecting a lot of red eyewear 15 00:00:44,720 --> 00:00:46,839 Speaker 1: them because I was like, oh, you know, when I 16 00:00:46,880 --> 00:00:48,800 Speaker 1: stepped out, I'm gonna want my red eyewear for a 17 00:00:48,840 --> 00:00:51,000 Speaker 1: Red Moon and Venus. So it don't work and we 18 00:00:51,080 --> 00:00:53,720 Speaker 1: must look very very cool through those lenses. Yeah, I 19 00:00:53,760 --> 00:00:55,560 Speaker 1: actually I love it. I love how the world looks 20 00:00:55,560 --> 00:00:58,920 Speaker 1: through them. This. I just want to play Telepathia for 21 00:00:58,960 --> 00:01:04,160 Speaker 1: a second. We'll come back here smash from Calliu Cheese 22 00:01:09,440 --> 00:01:13,960 Speaker 1: and get your your take in your view because to 23 00:01:14,120 --> 00:01:17,760 Speaker 1: a lot of people like here's Calliuchies Telepta right like that, 24 00:01:17,920 --> 00:01:19,920 Speaker 1: they just get to know you through that song. And 25 00:01:19,959 --> 00:01:22,200 Speaker 1: when I go back and look at the things you've 26 00:01:22,200 --> 00:01:25,360 Speaker 1: done over the past, that was not an overnight success story. 27 00:01:25,600 --> 00:01:27,800 Speaker 1: You've been doing this for a while, and I'm curious 28 00:01:27,840 --> 00:01:32,520 Speaker 1: to know, like, that's a song that breaks through globally, 29 00:01:32,560 --> 00:01:34,560 Speaker 1: and that's a moment that broke through globally for you. 30 00:01:34,640 --> 00:01:38,480 Speaker 1: What was different about that? Why do you think it happened? Then? Um? 31 00:01:38,520 --> 00:01:40,720 Speaker 1: I think that because of like the topic of the 32 00:01:40,800 --> 00:01:43,840 Speaker 1: song is a lot about basically, um, you know, being 33 00:01:43,880 --> 00:01:46,760 Speaker 1: able to have a connection with somebody that's not physical. 34 00:01:47,000 --> 00:01:50,560 Speaker 1: And I dropped my album November twenty nineteen, and it 35 00:01:50,600 --> 00:01:52,720 Speaker 1: was it was during the pandemic, pretty much the height 36 00:01:52,720 --> 00:01:54,360 Speaker 1: of the pandemic, in the beginning of the height of 37 00:01:54,360 --> 00:01:56,600 Speaker 1: the pandemic. So I think that I resignated with a 38 00:01:56,600 --> 00:01:58,680 Speaker 1: lot of people not being able to connect physically with 39 00:01:58,680 --> 00:02:01,520 Speaker 1: one another. And it was also just a very unique 40 00:02:02,000 --> 00:02:05,320 Speaker 1: different song. Um there's nothing on Latin radio, especially at 41 00:02:05,320 --> 00:02:10,280 Speaker 1: that time that sounded like that. And it's a it's 42 00:02:10,280 --> 00:02:12,960 Speaker 1: a special song. So it was something really fun to 43 00:02:13,000 --> 00:02:15,680 Speaker 1: be able to see Callisias with us. Now, where did 44 00:02:15,720 --> 00:02:18,880 Speaker 1: you grow up? I grew up between northern Va, like 45 00:02:18,960 --> 00:02:23,160 Speaker 1: right aside of DC and Colombia Colombia And when you 46 00:02:23,200 --> 00:02:25,600 Speaker 1: say like you went back and forth, Yeah, I want 47 00:02:25,639 --> 00:02:27,359 Speaker 1: to school in both places. So I learned to read 48 00:02:27,360 --> 00:02:31,280 Speaker 1: and write Spanish before English. And UM. I went to 49 00:02:31,280 --> 00:02:34,240 Speaker 1: school in Colombia like most of my younger years, and 50 00:02:34,280 --> 00:02:39,320 Speaker 1: then I moved to Virginia later UM and went pretty 51 00:02:39,360 --> 00:02:42,760 Speaker 1: much like the end of like like middle school, high school? 52 00:02:42,960 --> 00:02:45,800 Speaker 1: Is it out there? Was it hard? Adjine? Like from 53 00:02:45,880 --> 00:02:48,400 Speaker 1: Spanish to English in those years especially, No, I grew 54 00:02:48,480 --> 00:02:51,160 Speaker 1: up bilingual, so I grew up speaking Spanlish a lot, 55 00:02:51,480 --> 00:02:54,440 Speaker 1: and UM I grew up pretty much learning both languages 56 00:02:54,440 --> 00:02:58,720 Speaker 1: at the same time. So I'm picturing never been a Columbia, 57 00:02:58,760 --> 00:03:02,640 Speaker 1: picturing a plate with beans and plantains and like this 58 00:03:02,800 --> 00:03:05,959 Speaker 1: famous dish there. Then maybe you have for breakfast or 59 00:03:05,960 --> 00:03:07,760 Speaker 1: maybe you have it for for dinner. What's what's the 60 00:03:07,840 --> 00:03:12,000 Speaker 1: name of it? Um? I think I think you're talking 61 00:03:12,040 --> 00:03:15,760 Speaker 1: about like it's basically just like it's basically just like 62 00:03:15,800 --> 00:03:20,600 Speaker 1: reheated dinner, like we love it for leftovers. Yeah, I 63 00:03:20,680 --> 00:03:23,360 Speaker 1: see it on Instagram. Yeah, if you're talking about a 64 00:03:23,360 --> 00:03:25,880 Speaker 1: breakfast ys that we're also we're really known for around 65 00:03:25,880 --> 00:03:28,240 Speaker 1: their happies, which is like more of like meats and stuff. 66 00:03:28,520 --> 00:03:31,760 Speaker 1: It's like lots of great meats. We're foodies. We love 67 00:03:31,760 --> 00:03:34,560 Speaker 1: to talk about food around here. Fodies and as you 68 00:03:34,600 --> 00:03:38,120 Speaker 1: live in La? Are you in Hollywood? Now? Yeah? I live, um, 69 00:03:38,360 --> 00:03:40,720 Speaker 1: don't say where, Yeah, not in LA, but I live 70 00:03:40,760 --> 00:03:43,680 Speaker 1: outside of LA, southern California. Yeah. How do you like 71 00:03:43,760 --> 00:03:46,000 Speaker 1: life here? I love it? I love it. I've been 72 00:03:46,040 --> 00:03:48,720 Speaker 1: here since pretty much after I graduated high school. I 73 00:03:48,720 --> 00:03:52,320 Speaker 1: came out here um to pursue you know, music and 74 00:03:52,880 --> 00:03:56,560 Speaker 1: the arts, and I have found it, you know, to 75 00:03:56,800 --> 00:04:00,440 Speaker 1: obviously be very have a positive Yeah. I had a 76 00:04:00,440 --> 00:04:03,080 Speaker 1: positive effect that my life for sure. All the people 77 00:04:03,080 --> 00:04:04,600 Speaker 1: that wanted to work with me when I started making 78 00:04:04,640 --> 00:04:06,160 Speaker 1: music where from out here. So that was the main 79 00:04:06,200 --> 00:04:09,160 Speaker 1: reason why I moved. Kelli cho is with us now 80 00:04:09,200 --> 00:04:11,480 Speaker 1: one or two point seven kiss a Family. It took 81 00:04:11,480 --> 00:04:15,280 Speaker 1: almost five years to make this new album or five plus. Well, 82 00:04:15,720 --> 00:04:18,320 Speaker 1: I would say that because I make albums in English, 83 00:04:18,360 --> 00:04:20,680 Speaker 1: and like my first album it was fully in English 84 00:04:20,680 --> 00:04:23,720 Speaker 1: with one Latin song. My second album was my first 85 00:04:23,839 --> 00:04:26,320 Speaker 1: Latin album, and then this one is English with a 86 00:04:26,360 --> 00:04:28,560 Speaker 1: couple of songs in Spanish. My next one's gonna be Latin. 87 00:04:28,640 --> 00:04:30,280 Speaker 1: So for me, it's like always say, I feel like 88 00:04:30,279 --> 00:04:32,680 Speaker 1: I have to work two times harder because I'm making 89 00:04:32,800 --> 00:04:35,200 Speaker 1: It's like it's like my first English, my first Spanish, 90 00:04:35,320 --> 00:04:40,040 Speaker 1: my second English, my second Spanish. So um, I kind 91 00:04:40,040 --> 00:04:42,480 Speaker 1: of just that's a way for me to also like 92 00:04:42,720 --> 00:04:45,760 Speaker 1: have my creative process very free because basically, while I 93 00:04:45,800 --> 00:04:48,000 Speaker 1: was working on my Latin album, if I happened to 94 00:04:48,040 --> 00:04:49,800 Speaker 1: make songs in English, I would just kind of store 95 00:04:49,839 --> 00:04:53,440 Speaker 1: them to the side for this project. So yeah, so 96 00:04:53,520 --> 00:04:56,360 Speaker 1: technically the making wezz Yeah, Like some of the songs 97 00:04:56,400 --> 00:05:00,720 Speaker 1: on this album are from like twenty nineteen, twenty eighteen. Um, 98 00:05:00,800 --> 00:05:03,720 Speaker 1: because I was working on my Latin I went at 99 00:05:03,720 --> 00:05:07,240 Speaker 1: that time when was Moonlight? For example, when was that 100 00:05:07,760 --> 00:05:11,520 Speaker 1: Moelight wasn't made that long ago? Moelight was made? Um, 101 00:05:11,640 --> 00:05:14,440 Speaker 1: I want to say it last year. Okay, reason I 102 00:05:14,440 --> 00:05:16,480 Speaker 1: bring up, I'm gonna play that song. Let's play Moonlight next, 103 00:05:16,520 --> 00:05:18,280 Speaker 1: We'll take a break, come back calliuches with us one 104 00:05:18,400 --> 00:05:23,120 Speaker 1: or two point seven Kiss FM. This Moonlight Calliuchi's one 105 00:05:23,160 --> 00:05:27,080 Speaker 1: or two point seven. I love it, thank you. I 106 00:05:27,200 --> 00:05:30,200 Speaker 1: love how and that's Calliuchi She's here. I love how 107 00:05:30,279 --> 00:05:33,240 Speaker 1: that song sits in that tempo. It just sort of 108 00:05:33,240 --> 00:05:36,359 Speaker 1: sits in a really cool vibe. Thank you. Yeah. I 109 00:05:36,400 --> 00:05:42,120 Speaker 1: love DOWNTOWMP of music. Looking Dolly in Dolly. I'm gonna 110 00:05:42,120 --> 00:05:48,600 Speaker 1: say using that we're looking Dollar's role. But when you 111 00:05:48,640 --> 00:05:50,760 Speaker 1: hear it, when you listen back to finished product, you've 112 00:05:50,760 --> 00:05:52,359 Speaker 1: been so close to it for so long, what do 113 00:05:52,360 --> 00:05:53,960 Speaker 1: you think about? What do you see in your head? 114 00:05:54,200 --> 00:05:57,200 Speaker 1: I love it. I'm really happy with it. Um. It 115 00:05:57,240 --> 00:05:59,640 Speaker 1: came together so naturally, and I feel like that's how 116 00:06:00,200 --> 00:06:06,680 Speaker 1: the best songs um come together, just really intuitively. I 117 00:06:06,680 --> 00:06:08,880 Speaker 1: feel good listening listening to it just now. I feel 118 00:06:08,920 --> 00:06:11,880 Speaker 1: I feel good about it and the album which is 119 00:06:11,880 --> 00:06:15,480 Speaker 1: out now. You talk about being about different components, different 120 00:06:15,520 --> 00:06:19,200 Speaker 1: layers of love, different levels of love. What are those 121 00:06:19,480 --> 00:06:23,400 Speaker 1: those different textures to you? Yeah? Um, I think the 122 00:06:23,440 --> 00:06:28,080 Speaker 1: album all those difference I mentioned so um, Like my 123 00:06:28,160 --> 00:06:31,240 Speaker 1: last single is about like releasing people with love. A 124 00:06:31,279 --> 00:06:33,640 Speaker 1: lot of the music can be about calling love into 125 00:06:33,640 --> 00:06:38,120 Speaker 1: your life self love, learning to harvest that love within 126 00:06:38,200 --> 00:06:42,200 Speaker 1: yourself and being in love. You know that that magical 127 00:06:42,240 --> 00:06:44,720 Speaker 1: feeling of falling in love. I think there's so much 128 00:06:44,760 --> 00:06:47,520 Speaker 1: magic to it and it's so special. It's really mature 129 00:06:47,600 --> 00:06:49,520 Speaker 1: ways to look at love. Like everything you just said, 130 00:06:49,560 --> 00:06:52,720 Speaker 1: that's a very thoughtful, mature way to look at love. 131 00:06:53,160 --> 00:06:55,400 Speaker 1: I would need help get into those places to think 132 00:06:55,400 --> 00:06:59,880 Speaker 1: about that stuff. You've always looked at it. Um, I 133 00:07:00,080 --> 00:07:04,880 Speaker 1: guess so, I guess great. Yeah, that's great because we 134 00:07:04,920 --> 00:07:07,760 Speaker 1: even I mean, I don't want to playing fingership, but 135 00:07:07,800 --> 00:07:12,720 Speaker 1: Tanya isn't released Everybody with Love? What she hasn't released 136 00:07:12,760 --> 00:07:16,080 Speaker 1: Everybody with Love? You don't talk, you don't. We talked 137 00:07:16,080 --> 00:07:19,280 Speaker 1: about relationships in the bath. Oh I go. You're saying, yeah, 138 00:07:19,440 --> 00:07:22,880 Speaker 1: I do believe. I do believe. I do believe in 139 00:07:22,960 --> 00:07:28,160 Speaker 1: calling in the one that Now. You guys had an 140 00:07:28,160 --> 00:07:32,000 Speaker 1: interesting conversation the other day, Tanya, Yes, we did. We 141 00:07:32,000 --> 00:07:34,440 Speaker 1: were talking about my favorite song on the album, which 142 00:07:34,480 --> 00:07:38,600 Speaker 1: is asked the Kwan though, and the part that I 143 00:07:38,680 --> 00:07:42,000 Speaker 1: like about it and the action posted TikTok using that 144 00:07:42,680 --> 00:07:45,240 Speaker 1: the word the spoken word, because I feel like everybody 145 00:07:45,280 --> 00:07:48,840 Speaker 1: deals with these trolls in their life, you know what 146 00:07:48,880 --> 00:07:51,160 Speaker 1: I mean, Like these people that always are following you 147 00:07:51,200 --> 00:07:53,400 Speaker 1: and they want to. They obviously like are obsessed with you, 148 00:07:53,440 --> 00:07:55,200 Speaker 1: but they just want to talk badly about you. And 149 00:07:55,240 --> 00:07:59,680 Speaker 1: I feel like I really just resonated with that portion 150 00:07:59,760 --> 00:08:01,720 Speaker 1: of the song, and I just wanted to say thank 151 00:08:01,760 --> 00:08:04,320 Speaker 1: you for that, because it really felt like a release 152 00:08:04,560 --> 00:08:08,560 Speaker 1: hearing it, and I really enjoyed it. Thank you. So 153 00:08:08,760 --> 00:08:10,480 Speaker 1: it's gonna be so interesting to sit in the middle 154 00:08:10,520 --> 00:08:15,240 Speaker 1: of how people personally respond to react and things that 155 00:08:15,280 --> 00:08:17,400 Speaker 1: have come out of your mind and your emotion and 156 00:08:17,440 --> 00:08:20,320 Speaker 1: your feelings, right, because everybody feels everybody's got something going 157 00:08:20,360 --> 00:08:23,280 Speaker 1: on differently, everybody feels different things, and they might get 158 00:08:23,360 --> 00:08:27,560 Speaker 1: one hundred a thousand different connections with the song. Yeah, 159 00:08:27,600 --> 00:08:29,800 Speaker 1: I think in general, like how Tanya was Sana's, Like, 160 00:08:29,840 --> 00:08:32,320 Speaker 1: I think in the human experience, we literally all have 161 00:08:32,480 --> 00:08:38,400 Speaker 1: people that we've had that experience with or you know, 162 00:08:38,400 --> 00:08:42,119 Speaker 1: that we have to deal with not just being ourselves 163 00:08:42,120 --> 00:08:44,800 Speaker 1: but also having to deal with all the outside talk 164 00:08:44,840 --> 00:08:49,760 Speaker 1: about being ourselves and the reaction to SMU. So I 165 00:08:49,800 --> 00:08:52,360 Speaker 1: think a lot of the songs just are about human 166 00:08:52,360 --> 00:08:56,400 Speaker 1: experiences that are very common to anybody. Call you cheese here, 167 00:08:56,440 --> 00:08:58,640 Speaker 1: do you meditate? Do you like you've got a zen? 168 00:08:58,800 --> 00:09:00,360 Speaker 1: I want to I want to tap in to it. 169 00:09:00,559 --> 00:09:02,559 Speaker 1: What is your zen? Where's the zen come from? We 170 00:09:02,600 --> 00:09:04,720 Speaker 1: don't have as much as I haven't meditated in a 171 00:09:04,720 --> 00:09:05,960 Speaker 1: long time. But when I was a little I used 172 00:09:06,000 --> 00:09:07,520 Speaker 1: to meditate all the time. I used to make all 173 00:09:07,520 --> 00:09:09,920 Speaker 1: the little kids in the neighborhood meditate with me. Really 174 00:09:10,040 --> 00:09:12,080 Speaker 1: when you were little? Yeah, Like as a kid, I 175 00:09:12,160 --> 00:09:14,400 Speaker 1: used to meditate as a kid a lot. Nobody taught it. 176 00:09:14,440 --> 00:09:16,840 Speaker 1: Nobody taught it to me, um, but I used to 177 00:09:16,840 --> 00:09:18,480 Speaker 1: do it. And what did the kids say? What do 178 00:09:18,520 --> 00:09:20,440 Speaker 1: you like? Wait? We want to write about me? I 179 00:09:20,480 --> 00:09:22,760 Speaker 1: only remember now. We used to play too, But I 180 00:09:22,840 --> 00:09:27,520 Speaker 1: only remember because this um, this girl UM recently wrote me. 181 00:09:27,920 --> 00:09:29,720 Speaker 1: The neighborhood that I grew up in vas like mostly 182 00:09:29,760 --> 00:09:31,719 Speaker 1: like us off Darian kids. And this girl, her name 183 00:09:31,800 --> 00:09:34,520 Speaker 1: was Catherine. She wrote me and I senior message and 184 00:09:34,520 --> 00:09:37,320 Speaker 1: she was like, I just realized who you are. We 185 00:09:37,360 --> 00:09:39,040 Speaker 1: went to you know, we were we were little, and 186 00:09:39,080 --> 00:09:42,000 Speaker 1: I remember you had me meditating with you and we 187 00:09:42,040 --> 00:09:44,400 Speaker 1: almost burnt, burnt the house on fire because you put 188 00:09:44,440 --> 00:09:48,640 Speaker 1: candles all around us and I knocked the candle and 189 00:09:48,679 --> 00:09:50,800 Speaker 1: that just unlocked that memory from me where I was like, 190 00:09:50,880 --> 00:09:52,559 Speaker 1: oh yeah, I did used to have this song going 191 00:09:52,800 --> 00:09:56,040 Speaker 1: meditate together. Love that you were roaming around with scented 192 00:09:56,360 --> 00:09:59,800 Speaker 1: zen candles, teaching the kids in neighborhood how to rely. 193 00:10:00,000 --> 00:10:02,520 Speaker 1: It's funny. I'm so great to meet you for the 194 00:10:02,559 --> 00:10:05,080 Speaker 1: first time, and we are fans. I can't wait to 195 00:10:05,120 --> 00:10:07,839 Speaker 1: see you often. I know we will. Her new album, 196 00:10:07,880 --> 00:10:11,120 Speaker 1: calliu Chi's Red Moon in Venus is out now keep 197 00:10:11,280 --> 00:10:13,320 Speaker 1: doing it. We are having such a good time listening 198 00:10:13,320 --> 00:10:15,000 Speaker 1: to it. Thank you, guys, I appreciate it. Thank you, 199 00:10:16,200 --> 00:10:20,040 Speaker 1: thank you. We come back with Sam Smith. Tickets here