1 00:00:00,760 --> 00:00:03,120 Speaker 1: I am all in. 2 00:00:08,640 --> 00:00:19,759 Speaker 2: You, I am all in with Scott Patterson and iHeart 3 00:00:19,840 --> 00:00:21,000 Speaker 2: radio podcast. 4 00:00:20,600 --> 00:00:23,960 Speaker 1: Hey everybody, Scott Patterson, I am all in podcast one Productions. 5 00:00:24,000 --> 00:00:30,160 Speaker 1: iHeart radio, I heart media, I heart podcasts, MY heart donuts, 6 00:00:30,520 --> 00:00:31,800 Speaker 1: I heart programs. 7 00:00:31,880 --> 00:00:33,200 Speaker 3: I heart I heard pizza. 8 00:00:34,120 --> 00:00:38,159 Speaker 1: I heard pizza, and I heart rainy swamped. 9 00:00:38,360 --> 00:00:40,920 Speaker 3: Yes, Scott is referring to the fact that Danielle and 10 00:00:40,960 --> 00:00:43,720 Speaker 3: I are in Carmel and it's we do have a 11 00:00:43,720 --> 00:00:46,120 Speaker 3: lovely fire behind us, but it's gonna be pouring rain 12 00:00:46,200 --> 00:00:46,839 Speaker 3: any second. 13 00:00:47,159 --> 00:00:48,239 Speaker 1: You're gonna need that FI. 14 00:00:48,560 --> 00:00:50,320 Speaker 3: I just realized, Oh my gosh, that can we see 15 00:00:50,320 --> 00:00:53,720 Speaker 3: the ocean? The ocean or just cloud right there? 16 00:00:54,160 --> 00:00:55,720 Speaker 4: Are you? 17 00:00:55,760 --> 00:00:58,360 Speaker 3: I think we can see the ocean? Look at Is 18 00:00:58,400 --> 00:01:01,200 Speaker 3: that just clouds? Actually the it's just clouds. Pardon me. 19 00:01:02,520 --> 00:01:04,440 Speaker 4: So I feel like we're in. 20 00:01:04,959 --> 00:01:06,920 Speaker 1: How far are you from Spanish Bay? 21 00:01:07,280 --> 00:01:07,880 Speaker 3: Ten minutes? 22 00:01:08,480 --> 00:01:10,559 Speaker 1: You ten minutes from Spanish So how far are you from. 23 00:01:10,480 --> 00:01:14,280 Speaker 3: Pebble ten minutes? We're in the hurt of Carmel, so 24 00:01:14,440 --> 00:01:17,320 Speaker 3: like we are walking distance from like all the little 25 00:01:17,319 --> 00:01:20,360 Speaker 3: shops in Carmel. And daniel are trying really hard to 26 00:01:20,360 --> 00:01:22,840 Speaker 3: get all our steps in. Yesterday, we've got about half. 27 00:01:23,160 --> 00:01:25,440 Speaker 3: We're going to try aga into that. Of course, it's 28 00:01:25,440 --> 00:01:27,520 Speaker 3: a long it's going to rain when I've been going 29 00:01:27,520 --> 00:01:28,680 Speaker 3: to the We're not even going to the golf. 30 00:01:29,160 --> 00:01:30,640 Speaker 1: You put your moters on. 31 00:01:31,040 --> 00:01:34,080 Speaker 3: First of all, did you even bring rain galoshes or no? 32 00:01:34,120 --> 00:01:36,520 Speaker 4: I didn't, but I did bring a raincoat. 33 00:01:36,800 --> 00:01:41,000 Speaker 3: I brought some rain shoes. We wish you guys. 34 00:01:40,920 --> 00:01:42,520 Speaker 4: Start own those when you live in La. 35 00:01:42,720 --> 00:01:45,600 Speaker 1: Well, you didn't invite us, so how could we be there? 36 00:01:46,440 --> 00:01:46,959 Speaker 4: Sorry? 37 00:01:47,280 --> 00:01:47,720 Speaker 5: One day? 38 00:01:48,480 --> 00:01:48,640 Speaker 4: Yeah? 39 00:01:48,800 --> 00:01:49,040 Speaker 1: Sorry? 40 00:01:49,040 --> 00:01:49,880 Speaker 3: Maybe next year. 41 00:01:51,600 --> 00:01:54,200 Speaker 1: We keep hearing that the Glamor the Glamor trip. 42 00:01:54,400 --> 00:01:57,120 Speaker 3: Remember we were here last year. Did you come Toorrow 43 00:01:57,160 --> 00:01:57,680 Speaker 3: last year? 44 00:01:57,960 --> 00:02:01,120 Speaker 1: No? No, I remember told you wanted to play the program. 45 00:02:01,560 --> 00:02:03,440 Speaker 3: Yeah, but they like got rid of all the celebrities 46 00:02:03,440 --> 00:02:04,200 Speaker 3: pretty much, so. 47 00:02:05,080 --> 00:02:06,920 Speaker 1: I'm actually a competitive golfer. 48 00:02:07,320 --> 00:02:10,000 Speaker 3: We understand they pretty much mixed all. 49 00:02:10,040 --> 00:02:12,520 Speaker 6: This was last year, the year when you had chef 50 00:02:12,560 --> 00:02:14,960 Speaker 6: Michael make okay, yeah. 51 00:02:17,840 --> 00:02:20,799 Speaker 3: I was super rich. The first thing I would get 52 00:02:20,919 --> 00:02:24,079 Speaker 3: is a chechef Michael. More than a mansion, more than 53 00:02:25,160 --> 00:02:27,360 Speaker 3: a Lamborghini, more than anything. 54 00:02:28,960 --> 00:02:30,160 Speaker 1: All right, let's wait. 55 00:02:30,240 --> 00:02:32,799 Speaker 3: I'm trying to remember who wrote. By the way, thank 56 00:02:32,840 --> 00:02:36,760 Speaker 3: you for all your kind comments. Everybody. Your comments were 57 00:02:36,800 --> 00:02:41,560 Speaker 3: so lovely this week. But somebody did write in like 58 00:02:41,680 --> 00:02:43,880 Speaker 3: get it together, Amy, or you're not going to get 59 00:02:43,919 --> 00:02:44,640 Speaker 3: your hot tub. 60 00:02:50,680 --> 00:02:53,200 Speaker 1: They tell you one thing, these these Gilmore fans, they 61 00:02:53,240 --> 00:02:55,280 Speaker 1: will let you know how they feel. 62 00:02:57,080 --> 00:02:58,960 Speaker 3: I still I'm not even going to get into it. 63 00:02:59,000 --> 00:03:01,600 Speaker 3: But I had a Susanna and I had an hour 64 00:03:01,680 --> 00:03:05,280 Speaker 3: long chat this week. It's continuing the debate. We just 65 00:03:05,320 --> 00:03:07,040 Speaker 3: are like I want to talk about it more, and 66 00:03:07,080 --> 00:03:11,200 Speaker 3: I'm like, yeah, I do, and we both agree that 67 00:03:11,280 --> 00:03:14,320 Speaker 3: each other is making extent points like. 68 00:03:14,400 --> 00:03:17,360 Speaker 4: Yeah, yeah, Like when we did the podcast last week, 69 00:03:17,440 --> 00:03:20,480 Speaker 4: I I totally saw where you were coming from. 70 00:03:20,560 --> 00:03:23,040 Speaker 3: I fully see where you're coming from. And guess what, 71 00:03:23,600 --> 00:03:26,240 Speaker 3: we can both be right exactly. I don't have to 72 00:03:26,240 --> 00:03:27,000 Speaker 3: be right to. 73 00:03:26,960 --> 00:03:30,120 Speaker 1: Be wrong, to be wrong, to be right that the 74 00:03:30,160 --> 00:03:33,840 Speaker 1: world we're living in now, you cannot debate anything. It's 75 00:03:33,919 --> 00:03:34,680 Speaker 1: not allowed anything. 76 00:03:34,800 --> 00:03:37,280 Speaker 3: Well, we did last week and we will continue to 77 00:03:37,320 --> 00:03:38,200 Speaker 3: do so because. 78 00:03:38,200 --> 00:03:40,320 Speaker 1: We will continue breaking the rules. 79 00:03:40,520 --> 00:03:45,640 Speaker 3: And I think that anyone who says that Loralai should 80 00:03:45,680 --> 00:03:50,800 Speaker 3: be with April is right for them. Yeah, While simultaneously 81 00:03:50,800 --> 00:03:55,119 Speaker 3: as somebody says Luke needs more time, that is right 82 00:03:55,440 --> 00:03:57,839 Speaker 3: for them. And that is what I said the whole time, 83 00:03:57,840 --> 00:03:59,840 Speaker 3: I was like, everybody to each their own. This is 84 00:03:59,880 --> 00:04:03,080 Speaker 3: just my thought, is I'm not that mad at the guy. 85 00:04:03,240 --> 00:04:04,000 Speaker 3: I get it. 86 00:04:06,320 --> 00:04:08,120 Speaker 1: This episode, I think it is. 87 00:04:08,480 --> 00:04:11,480 Speaker 3: I think this episode. 88 00:04:12,480 --> 00:04:16,120 Speaker 1: We'll talk about that's about I think in the fan base, 89 00:04:16,720 --> 00:04:20,320 Speaker 1: they are, you know, Larelize everything to them. She can 90 00:04:20,360 --> 00:04:21,000 Speaker 1: do no wrong. 91 00:04:21,080 --> 00:04:22,080 Speaker 3: Yeah yeah, And. 92 00:04:23,640 --> 00:04:28,120 Speaker 1: If we don't adhere, we're gonna get We're gonna get 93 00:04:28,120 --> 00:04:29,520 Speaker 1: smacked on, and that's okay. 94 00:04:30,040 --> 00:04:34,840 Speaker 3: We like it. I read all one thousand cons. I 95 00:04:34,880 --> 00:04:37,520 Speaker 3: think I tapped out it like six hundred and something 96 00:04:37,600 --> 00:04:39,760 Speaker 3: or other, so I'm sure there's some nuggets in there 97 00:04:39,800 --> 00:04:42,919 Speaker 3: I missed, but because I want to hear what people say. 98 00:04:44,040 --> 00:04:45,360 Speaker 3: But I still think. 99 00:04:46,320 --> 00:04:48,520 Speaker 4: Do you Yeah, you do you? 100 00:04:49,240 --> 00:04:52,880 Speaker 3: Luke, you do you? Everybody? Because it's who am I 101 00:04:52,960 --> 00:04:56,080 Speaker 3: to say? I'm just saying what I would. 102 00:04:56,200 --> 00:04:59,680 Speaker 6: Also, people think people think that like we're actually they 103 00:04:59,680 --> 00:05:03,960 Speaker 6: think and we hate each other, yeah each other. There's 104 00:05:04,000 --> 00:05:06,800 Speaker 6: sometimes where it's like you know, this is your coworker, 105 00:05:06,800 --> 00:05:07,680 Speaker 6: and I'm like, no, it's just. 106 00:05:07,720 --> 00:05:12,640 Speaker 3: Debaate, Like like they were like, how dare I disparage you? 107 00:05:12,720 --> 00:05:14,160 Speaker 3: And I was like I had to go back and 108 00:05:14,200 --> 00:05:15,920 Speaker 3: try and find where I disparaged you. 109 00:05:16,720 --> 00:05:17,600 Speaker 4: I didn't feel. 110 00:05:21,080 --> 00:05:24,000 Speaker 3: They love you and Suzanne so much. They were like 111 00:05:24,800 --> 00:05:27,400 Speaker 3: and I literally was like, why did I do that? 112 00:05:27,400 --> 00:05:28,800 Speaker 3: That's why we called Susanne? 113 00:05:28,839 --> 00:05:29,000 Speaker 6: I go. 114 00:05:29,000 --> 00:05:31,520 Speaker 3: Do you remember when I I think it was disparaged? 115 00:05:31,600 --> 00:05:33,320 Speaker 3: Was that the word they used? I don't know? And 116 00:05:33,320 --> 00:05:34,839 Speaker 3: then you called me and I didn't know either. 117 00:05:35,160 --> 00:05:37,160 Speaker 4: I know, I didn't feel that. 118 00:05:37,400 --> 00:05:40,080 Speaker 3: The thing is that people don't know is that Daniel 119 00:05:40,120 --> 00:05:43,240 Speaker 3: and are like pals, literal besties. 120 00:05:42,760 --> 00:05:42,920 Speaker 1: Like. 121 00:05:44,480 --> 00:05:50,840 Speaker 3: We and we finish each other's sandwiches. We do. Okay, Scott, 122 00:05:50,880 --> 00:05:51,480 Speaker 3: it's all you. 123 00:05:52,839 --> 00:05:54,960 Speaker 4: What fun of the world or what fun is the 124 00:05:54,960 --> 00:05:57,239 Speaker 4: world if we can't have different people? 125 00:05:58,080 --> 00:06:02,400 Speaker 3: Very boring? Yeah, it'd be very podcast. What am we were 126 00:06:02,400 --> 00:06:04,040 Speaker 3: just like I liked it. I liked it too. I 127 00:06:04,120 --> 00:06:04,480 Speaker 3: liked it too. 128 00:06:05,200 --> 00:06:09,840 Speaker 1: I completely disagree with what you're saying right now. 129 00:06:12,160 --> 00:06:12,400 Speaker 4: I was. 130 00:06:14,880 --> 00:06:19,279 Speaker 1: Season six, episode eighteen. Second it took me old Paul Anka. 131 00:06:19,320 --> 00:06:22,680 Speaker 1: We're on it this morning. We're quick, light on our. 132 00:06:22,560 --> 00:06:25,000 Speaker 3: Feet, grade open, grade open. 133 00:06:25,240 --> 00:06:27,400 Speaker 1: Take take it away. Well, well let's synopsize. 134 00:06:27,520 --> 00:06:30,919 Speaker 3: Yeah, now I know how she does it. She's a 135 00:06:31,040 --> 00:06:33,240 Speaker 3: little notepad, she's redo. 136 00:06:34,080 --> 00:06:36,920 Speaker 4: Okay, so this is season six, episode eighteen. The real 137 00:06:36,960 --> 00:06:38,920 Speaker 4: Paul is it inca. 138 00:06:38,640 --> 00:06:46,480 Speaker 3: An, how young are you? How young is Danielle? I'll 139 00:06:46,480 --> 00:06:46,880 Speaker 3: take that. 140 00:06:47,320 --> 00:06:49,960 Speaker 4: I'll take that. How young is Danielle? Come it air Day? 141 00:06:50,000 --> 00:06:53,000 Speaker 4: April eleventh, two thousand and six. Luke fulfills his dad 142 00:06:53,080 --> 00:06:56,240 Speaker 4: duties as a chaperone on a school trip with April. Meanwhile, 143 00:06:56,320 --> 00:07:00,159 Speaker 4: Loralai tries to convince her parents not to move to Hello. 144 00:07:00,360 --> 00:07:03,359 Speaker 4: There's still tension between Logan and Rory, so she runs 145 00:07:03,360 --> 00:07:06,680 Speaker 4: off to see Jess at his bookstore opening in Philadelphia, 146 00:07:07,279 --> 00:07:09,840 Speaker 4: while Logan goes on a big trip with a Life 147 00:07:09,960 --> 00:07:13,280 Speaker 4: and Death brigade and last but not least, show biz 148 00:07:13,720 --> 00:07:15,840 Speaker 4: legend paul Anka guest stars. 149 00:07:16,440 --> 00:07:21,040 Speaker 1: Well, it begins with the paul Anka fever dream. 150 00:07:21,120 --> 00:07:22,400 Speaker 3: It was so funny. 151 00:07:22,840 --> 00:07:25,720 Speaker 1: Not quite black and white. It was just sort of 152 00:07:26,040 --> 00:07:29,080 Speaker 1: a darker colored, you know, muted color. 153 00:07:29,240 --> 00:07:32,559 Speaker 3: I'm glad you pointed that out. So, yeah, it wasn't 154 00:07:32,640 --> 00:07:35,800 Speaker 3: that's that's a now that you say it, you're right. 155 00:07:35,680 --> 00:07:39,440 Speaker 1: Yes, So was it a did you love it? Was 156 00:07:39,480 --> 00:07:42,320 Speaker 1: it a failed film by Kirk? Was it in a 157 00:07:42,400 --> 00:07:46,400 Speaker 1: failed to duplicate to to sort of? It was kind 158 00:07:46,400 --> 00:07:48,800 Speaker 1: of inspired by a film by my notes. 159 00:07:48,520 --> 00:07:52,760 Speaker 3: Say Heart hearttheart great open. It was different. I think 160 00:07:52,800 --> 00:07:55,080 Speaker 3: I liked it because it was so different. They're on 161 00:07:55,160 --> 00:07:59,960 Speaker 3: the phone, paul Anka is in. It's it's a funny dream. 162 00:08:00,320 --> 00:08:03,920 Speaker 3: I mean it's a little silly, but I was like, okay, 163 00:08:04,080 --> 00:08:04,720 Speaker 3: like I'm in. 164 00:08:05,520 --> 00:08:07,600 Speaker 6: It worked when she kept saying like the real Paul 165 00:08:07,600 --> 00:08:09,960 Speaker 6: English like no, no, the dog show, the. 166 00:08:09,880 --> 00:08:13,960 Speaker 3: Dog I totally agree and I liked it. Paul Anka 167 00:08:14,120 --> 00:08:17,040 Speaker 3: team player there coming in and participating. 168 00:08:17,960 --> 00:08:20,160 Speaker 1: You know, he looked pretty good, didn't he. 169 00:08:20,280 --> 00:08:24,000 Speaker 3: Yeah, he looks exactly the same now he's around. 170 00:08:24,120 --> 00:08:27,400 Speaker 1: Yeah, yeah, this guy is looking like he's fit and 171 00:08:27,440 --> 00:08:28,600 Speaker 1: he's you know, so. 172 00:08:28,560 --> 00:08:30,120 Speaker 3: Who would like some Paul Inka trivia? 173 00:08:30,920 --> 00:08:31,360 Speaker 1: Go ahead. 174 00:08:31,880 --> 00:08:36,760 Speaker 3: Paul Anka is Jason Bateman's father in law. Yeah, thank you. 175 00:08:37,400 --> 00:08:42,760 Speaker 3: So Jason Bateman, you know television's Jason Bateman podcast King. 176 00:08:42,880 --> 00:08:49,920 Speaker 3: Jason Bateman is married to Paul Anka's daughter Amanda, and so, yeah, 177 00:08:49,920 --> 00:08:51,640 Speaker 3: his father in law is Paul Anka. 178 00:08:52,720 --> 00:08:54,160 Speaker 1: That's a good fun that's pretty cool. 179 00:08:54,200 --> 00:08:54,640 Speaker 3: Thank you. 180 00:08:54,679 --> 00:08:56,080 Speaker 1: Did he did he sing at their wedding? 181 00:08:57,000 --> 00:08:59,360 Speaker 3: I don't actually know that. That's an excellent question. I'm 182 00:08:59,360 --> 00:09:03,760 Speaker 3: not with Jason Bateman. So I wasn't allow wedding. You 183 00:09:03,800 --> 00:09:06,079 Speaker 3: didn't get the infanin I did not I have met 184 00:09:06,200 --> 00:09:08,240 Speaker 3: Jason Bateman and I enjoy him. 185 00:09:08,280 --> 00:09:11,280 Speaker 1: Mens is Jason Bateman Paul ank up at Pebble Beach 186 00:09:12,679 --> 00:09:13,240 Speaker 1: last year. 187 00:09:13,280 --> 00:09:17,160 Speaker 3: In fact, Jason Bateman was I do not think he's 188 00:09:17,200 --> 00:09:19,640 Speaker 3: will Aarnett and Jason Baman played last year, but they 189 00:09:19,640 --> 00:09:21,959 Speaker 3: are not here as far as I note this year. 190 00:09:22,000 --> 00:09:23,079 Speaker 3: But who knows where? 191 00:09:23,240 --> 00:09:25,480 Speaker 1: You know. The one time I did play Pebble Beach 192 00:09:25,520 --> 00:09:27,840 Speaker 1: a few years ago, that was my first experience. It 193 00:09:27,880 --> 00:09:30,199 Speaker 1: was a bucket list experience. I almost got kicked off 194 00:09:30,240 --> 00:09:31,640 Speaker 1: the course on the third hole. 195 00:09:32,000 --> 00:09:34,160 Speaker 3: Did you swear or were we wearing the wrong outfit? 196 00:09:34,760 --> 00:09:38,720 Speaker 1: No? I I the group I was with were playing 197 00:09:38,920 --> 00:09:43,240 Speaker 1: very slowly. Oh, and they said, go ahead ahead of us. 198 00:09:43,280 --> 00:09:44,720 Speaker 1: There's no one ahead of us because we had the 199 00:09:44,720 --> 00:09:47,560 Speaker 1: first tea time, so there was nobody ahead of us. 200 00:09:47,600 --> 00:09:50,560 Speaker 1: They said, just we see waiting around, waiting around. You're 201 00:09:50,600 --> 00:09:53,559 Speaker 1: being so patient, but just go ahead and play. 202 00:09:53,040 --> 00:09:57,720 Speaker 3: The foursome ahead of you. Said that, no, the three 203 00:09:57,880 --> 00:10:01,360 Speaker 3: other Oh oh okay, I got it, got it okay. 204 00:10:01,200 --> 00:10:04,640 Speaker 1: Because they put me with them. They said, just go 205 00:10:04,800 --> 00:10:06,960 Speaker 1: break off and go on your own. I said, Oh. 206 00:10:07,000 --> 00:10:09,760 Speaker 1: And the caddy, the Pebble Beach caddy, was like yeah, yeah, 207 00:10:09,840 --> 00:10:12,720 Speaker 1: let's do that. So we played a couple of holes 208 00:10:12,760 --> 00:10:16,840 Speaker 1: and then the marshall came and started screaming, screaming, just 209 00:10:16,880 --> 00:10:18,760 Speaker 1: like oh I videotaped it. 210 00:10:18,840 --> 00:10:19,880 Speaker 3: Oh my gosh. 211 00:10:20,360 --> 00:10:23,400 Speaker 1: I was like, dude, don't be coming at me this way. 212 00:10:23,480 --> 00:10:27,480 Speaker 5: Man, Oh, are you not supposed to split up? 213 00:10:27,920 --> 00:10:31,240 Speaker 1: I guess not. He was. He was really upset by it. Whoa, 214 00:10:31,520 --> 00:10:35,040 Speaker 1: they got rules, yeah, I said, I said, bro, they 215 00:10:35,160 --> 00:10:39,120 Speaker 1: told me to break away because they were going so slowly. 216 00:10:39,160 --> 00:10:42,760 Speaker 1: There's nobody ahead of us. What's the problem. And he 217 00:10:42,920 --> 00:10:44,120 Speaker 1: just he was real. 218 00:10:44,080 --> 00:10:46,040 Speaker 3: Oh there, yeah, they got rules on rules. 219 00:10:46,160 --> 00:10:47,240 Speaker 1: He was not a happy guy. 220 00:10:47,320 --> 00:10:48,600 Speaker 3: Yeah, golf is no joke. 221 00:10:48,880 --> 00:10:49,160 Speaker 6: Rules. 222 00:10:49,320 --> 00:10:51,920 Speaker 1: It did not affect my round. However, it made me 223 00:10:52,040 --> 00:10:54,680 Speaker 1: focus more than I parted the very next hole. 224 00:10:55,080 --> 00:11:01,319 Speaker 3: Wonderful. Thank you for joining us for golf time golf. 225 00:11:01,520 --> 00:11:02,840 Speaker 3: I am all golf. 226 00:11:05,840 --> 00:11:08,040 Speaker 1: And so now we're at this so we love the 227 00:11:08,720 --> 00:11:11,360 Speaker 1: We love the opening. How about now we're at Luke's Diner. 228 00:11:12,720 --> 00:11:14,880 Speaker 3: Interesting direction, did you know? 229 00:11:14,960 --> 00:11:17,240 Speaker 1: Well, we see it is, but we see that, we 230 00:11:17,280 --> 00:11:20,000 Speaker 1: see the truck outside, then we see the Lukes sign 231 00:11:20,080 --> 00:11:20,520 Speaker 1: and then. 232 00:11:20,640 --> 00:11:24,800 Speaker 3: Well you talk to me about that. Well it was new, really, 233 00:11:25,400 --> 00:11:25,960 Speaker 3: it was new. 234 00:11:26,000 --> 00:11:27,600 Speaker 1: We hadn't seen the truck in a while, and it 235 00:11:27,679 --> 00:11:32,320 Speaker 1: was framed really well against the diner and the sign 236 00:11:32,400 --> 00:11:33,920 Speaker 1: and the whole thing, and I just thought, well, this 237 00:11:34,000 --> 00:11:35,520 Speaker 1: is a nice camera move here. 238 00:11:35,559 --> 00:11:37,800 Speaker 3: I agree, but it was different. I have never even 239 00:11:38,080 --> 00:11:40,200 Speaker 3: I don't think we've never zoomed in on the sign 240 00:11:41,040 --> 00:11:44,560 Speaker 3: like that for that long. It made me pause and 241 00:11:44,600 --> 00:11:46,920 Speaker 3: see who the director was, and it was Daniel Palladino, 242 00:11:47,000 --> 00:11:49,200 Speaker 3: which is like, interesting, he's just trying new things. 243 00:11:49,559 --> 00:11:53,360 Speaker 1: Yeah, it was cool. It was really cool. Like and 244 00:11:53,400 --> 00:11:56,440 Speaker 1: then we go inside and we see uh Kirk sitting 245 00:11:56,440 --> 00:12:00,280 Speaker 1: at the and Luke's getting ready for the field up 246 00:12:00,280 --> 00:12:03,360 Speaker 1: going away for Philadelphia with April for ten days. Role 247 00:12:03,400 --> 00:12:09,480 Speaker 1: eyes got the bag, Caesar, that was hilarious. 248 00:12:09,800 --> 00:12:11,559 Speaker 4: She's just cramming it. 249 00:12:11,720 --> 00:12:13,760 Speaker 1: Tell me, tell me how funny that. 250 00:12:14,320 --> 00:12:16,559 Speaker 3: She's like doing that gorilla you know, and they're like 251 00:12:16,640 --> 00:12:21,320 Speaker 3: jumping on the luggage. That was funny. It was subtle 252 00:12:21,400 --> 00:12:22,520 Speaker 3: but funny about it. 253 00:12:22,800 --> 00:12:24,679 Speaker 4: I don't even know if she was subtle, but it. 254 00:12:24,720 --> 00:12:26,480 Speaker 3: Was particularly so. 255 00:12:28,200 --> 00:12:29,079 Speaker 5: Threw it in the truck. 256 00:12:30,160 --> 00:12:34,160 Speaker 3: Oh yeah, big episode for Caesar this episode. I think 257 00:12:34,200 --> 00:12:37,280 Speaker 3: he really has a moment in this episode and he 258 00:12:38,040 --> 00:12:39,200 Speaker 3: was great. 259 00:12:39,440 --> 00:12:43,640 Speaker 1: M h, Yeah, he Caesar really delivered. This was his 260 00:12:44,000 --> 00:12:47,240 Speaker 1: big moment, and he played it beautiful. 261 00:12:47,360 --> 00:12:51,600 Speaker 3: Yeah, you're gonna do fine, like it was funny. He's great. 262 00:12:52,120 --> 00:12:54,640 Speaker 1: He truly is. I mean, there isn't a weak link 263 00:12:54,679 --> 00:12:59,199 Speaker 1: in that castle. So now we're with Luke in April. 264 00:13:00,320 --> 00:13:05,200 Speaker 3: Oh, it's sorry to interrupt you. One major, one major 265 00:13:05,320 --> 00:13:08,160 Speaker 3: plot point in that scene is that you're going to 266 00:13:08,280 --> 00:13:10,320 Speaker 3: drop in on Jess, And I thought. 267 00:13:12,040 --> 00:13:17,320 Speaker 4: Immediate smile, how'd you feel thrilled? Any any Jessene I 268 00:13:17,320 --> 00:13:19,400 Speaker 4: can get I will gladly. 269 00:13:19,679 --> 00:13:23,080 Speaker 6: The even the like little recap in the beginning showed 270 00:13:23,080 --> 00:13:27,920 Speaker 6: the clip yes yes, Jess and Logan, so I knew 271 00:13:27,920 --> 00:13:28,440 Speaker 6: it was coming. 272 00:13:28,880 --> 00:13:31,520 Speaker 3: And you say he's going to meet his little cousin, 273 00:13:32,000 --> 00:13:34,360 Speaker 3: and then you see her heart sink a little bit. 274 00:13:34,440 --> 00:13:39,280 Speaker 3: I mean, it's very good acting because you you really 275 00:13:39,400 --> 00:13:44,280 Speaker 3: understand with no words each time, she's sort of a 276 00:13:44,320 --> 00:13:48,880 Speaker 3: little sad about this. Anyway, Sorry continue, I didn't mean 277 00:13:48,880 --> 00:13:49,600 Speaker 3: to interrupt, but. 278 00:13:49,880 --> 00:13:54,240 Speaker 1: No, no interject any time. Is the reason Lorala threw 279 00:13:54,240 --> 00:13:56,360 Speaker 1: the bag so violently in the back of the truck, 280 00:13:56,480 --> 00:13:58,480 Speaker 1: is Jess was going to get to meet I don't know. 281 00:13:58,520 --> 00:14:00,439 Speaker 3: I think she was still just really about a bag 282 00:14:00,480 --> 00:14:03,600 Speaker 3: at that point. You know what I wrote down is 283 00:14:04,080 --> 00:14:08,240 Speaker 3: say something, Say something to him, say I mean, maybe 284 00:14:08,280 --> 00:14:11,520 Speaker 3: not at that very moment as he's leaving, but like say, hey, 285 00:14:11,720 --> 00:14:17,440 Speaker 3: it's it's hard for me because Lane, of course, and 286 00:14:17,480 --> 00:14:21,560 Speaker 3: I'm not saying I get it at that time. 287 00:14:22,440 --> 00:14:24,920 Speaker 1: Fine, but you don't want to scramble up your partner 288 00:14:24,960 --> 00:14:26,680 Speaker 1: and then put him in a truck. 289 00:14:26,760 --> 00:14:29,720 Speaker 3: I totally agree with you. But my point is on 290 00:14:30,040 --> 00:14:35,040 Speaker 3: a broader stroke, is say something, and you don't have 291 00:14:35,040 --> 00:14:36,800 Speaker 3: to say I want to meet her. You can say 292 00:14:36,880 --> 00:14:39,920 Speaker 3: it's hard for me when I hear that Jess is 293 00:14:39,920 --> 00:14:42,960 Speaker 3: going to meet his cousin, it's hard for me that 294 00:14:43,040 --> 00:14:47,840 Speaker 3: Lane plays plays games with her. Say something, m hmm, 295 00:14:48,400 --> 00:14:49,160 Speaker 3: that's not funny. 296 00:14:49,200 --> 00:14:49,920 Speaker 1: It's funny if she. 297 00:14:56,280 --> 00:15:00,240 Speaker 3: Oh my god, Kirk with the hairnet, and then Caesar's 298 00:15:00,760 --> 00:15:01,800 Speaker 3: you don't want here. 299 00:15:03,320 --> 00:15:05,280 Speaker 4: I kind of feel like that was a missed opportunity. 300 00:15:05,400 --> 00:15:08,120 Speaker 4: I kind of wish that Kirk had some kind of 301 00:15:08,200 --> 00:15:11,760 Speaker 4: role at Luke's Diner, like on a consistent basis, like 302 00:15:12,120 --> 00:15:15,640 Speaker 4: the cashier guy or just something. I liked him at 303 00:15:15,640 --> 00:15:16,120 Speaker 4: the diner. 304 00:15:17,680 --> 00:15:20,240 Speaker 3: I really just thought, bravo to Caesar. That was a 305 00:15:20,720 --> 00:15:23,560 Speaker 3: great heiress of Lorado. I don't want to say it 306 00:15:23,560 --> 00:15:26,720 Speaker 3: wrong by saying it great great, Like. 307 00:15:26,920 --> 00:15:31,400 Speaker 1: Moment he's he's he can he can bring it. 308 00:15:31,640 --> 00:15:33,880 Speaker 3: Yeah, he really can't. And was he originally like sort 309 00:15:33,880 --> 00:15:37,840 Speaker 3: of a background actor or an under five or something 310 00:15:38,000 --> 00:15:39,040 Speaker 3: very small? 311 00:15:39,600 --> 00:15:41,800 Speaker 5: I think he always had a name though. I think he. 312 00:15:42,040 --> 00:15:45,320 Speaker 1: Yeah, for sure, I think they cast him because they 313 00:15:45,440 --> 00:15:47,400 Speaker 1: like his acting in the Yeah, because. 314 00:15:47,160 --> 00:15:51,480 Speaker 3: He definitely he's he was legit. He had as big 315 00:15:51,520 --> 00:15:54,680 Speaker 3: of a part as anybody in this episode. 316 00:16:01,960 --> 00:16:04,480 Speaker 1: All right, So now we're in the parking lot with 317 00:16:04,560 --> 00:16:09,080 Speaker 1: Luke and April. She's he can't memorize anybody's names. It is, 318 00:16:09,120 --> 00:16:12,600 Speaker 1: who are all these people? She gives something called mnemonic devices, 319 00:16:12,680 --> 00:16:16,440 Speaker 1: so it's, uh, he's rhyming everybody's last name with some 320 00:16:16,560 --> 00:16:17,360 Speaker 1: other sentence that. 321 00:16:17,320 --> 00:16:19,440 Speaker 3: He really cute. 322 00:16:19,600 --> 00:16:23,080 Speaker 6: I like the part where April like puts her hand 323 00:16:23,080 --> 00:16:24,720 Speaker 6: on one and she goes, hey, Luke, they want to 324 00:16:24,720 --> 00:16:26,120 Speaker 6: meet you, and he's like hi, and then she's like 325 00:16:26,160 --> 00:16:27,040 Speaker 6: that's Luke and then. 326 00:16:26,960 --> 00:16:32,400 Speaker 3: Just like it was excited sort of for this bus 327 00:16:32,480 --> 00:16:34,880 Speaker 3: trip with all these sort of people. I do. 328 00:16:35,040 --> 00:16:37,760 Speaker 4: I do love Luke and April together, like I think 329 00:16:37,800 --> 00:16:42,000 Speaker 4: they're kind of complete opposites, but not at the same time, 330 00:16:42,360 --> 00:16:44,160 Speaker 4: I don't know how to explain it, like two peas 331 00:16:44,160 --> 00:16:46,480 Speaker 4: in a pod, but obviously like very different. 332 00:16:46,360 --> 00:16:49,120 Speaker 3: And you see it later in this episode. Yeah, we'll 333 00:16:49,120 --> 00:16:52,600 Speaker 3: get to that. But it was so cute. I like him. 334 00:16:52,920 --> 00:16:56,240 Speaker 3: I like him too, Like it's so cute. 335 00:16:55,200 --> 00:17:03,800 Speaker 1: And Roy Munster is a punster. And he was being 336 00:17:03,840 --> 00:17:08,119 Speaker 1: so self deprecating too. It's like, yeah, your daughter is 337 00:17:08,160 --> 00:17:10,160 Speaker 1: a genius. Yeah go figure out. 338 00:17:10,240 --> 00:17:13,840 Speaker 3: Yes, Yes, he's very is the word disarming, He's very 339 00:17:13,880 --> 00:17:16,639 Speaker 3: disarming with these people, like here I am I'm not 340 00:17:17,000 --> 00:17:20,119 Speaker 3: not too much, I'm not too little. Yeah, I'm just 341 00:17:19,840 --> 00:17:22,480 Speaker 3: I'm just right like, and it was very cute. 342 00:17:22,840 --> 00:17:26,840 Speaker 1: Is of place with like other parents, he just doesn't 343 00:17:26,840 --> 00:17:27,199 Speaker 1: fit in. 344 00:17:27,760 --> 00:17:31,920 Speaker 4: But I disagree with you because I feel like he Luke, 345 00:17:33,160 --> 00:17:36,840 Speaker 4: historically speaking, is kind of a more grumpy character, right, 346 00:17:36,960 --> 00:17:41,200 Speaker 4: Like he doesn't welcome new things at least that's just 347 00:17:41,359 --> 00:17:44,560 Speaker 4: kind of the impression I've got. But with this scenario, 348 00:17:44,720 --> 00:17:47,840 Speaker 4: he's kind of just throwing himself in there, and he's thriving, 349 00:17:48,160 --> 00:17:51,359 Speaker 4: to be completely honest, Like he's thriving on the school bus. 350 00:17:51,359 --> 00:17:54,840 Speaker 4: He's like handling it and he's mingling with the parents, 351 00:17:55,119 --> 00:17:59,920 Speaker 4: he's keeping his distance but just at least I feel 352 00:18:00,080 --> 00:18:03,440 Speaker 4: this way. You can just see that he's happy there. 353 00:18:04,560 --> 00:18:10,720 Speaker 1: Yeah, h a little uncomfortable, but yeah, all right. So 354 00:18:10,840 --> 00:18:16,080 Speaker 1: now we're with uh Rory and Logan. She won't have lunch. 355 00:18:16,400 --> 00:18:22,320 Speaker 1: I'm I frankly can't, can't. It's it's it brought us 356 00:18:22,359 --> 00:18:24,199 Speaker 1: a good line from Logan, can't see that far? 357 00:18:24,680 --> 00:18:27,600 Speaker 3: Yeah that was funny, but I'm I'm this is gonna 358 00:18:28,840 --> 00:18:32,879 Speaker 3: bring your comments. But I'm frankly irritated at Rory. 359 00:18:33,000 --> 00:18:33,760 Speaker 4: Oh I'm pissed. 360 00:18:33,880 --> 00:18:36,240 Speaker 3: Oh I don't get back with somebody. 361 00:18:36,720 --> 00:18:37,120 Speaker 4: I can't. 362 00:18:37,280 --> 00:18:39,600 Speaker 6: I can't exactly what I wrote down, Amy, I was like, 363 00:18:39,920 --> 00:18:42,040 Speaker 6: if you were going to act this way, you should 364 00:18:42,040 --> 00:18:45,600 Speaker 6: have kept your distance totally, just moved back, like Paris 365 00:18:45,680 --> 00:18:47,840 Speaker 6: was more than happy to have you, even if Doyle 366 00:18:47,960 --> 00:18:49,920 Speaker 6: was there, Like Paris would still keep you there. 367 00:18:50,359 --> 00:18:51,960 Speaker 5: She shouldn't have jumped back into it so. 368 00:18:51,960 --> 00:18:55,119 Speaker 3: Quickly, super passive, aggressive, and like, really you turned the 369 00:18:55,440 --> 00:18:58,159 Speaker 3: like you're not being kind, Like you turn the alarm 370 00:18:58,160 --> 00:19:00,240 Speaker 3: off on this person you're supposed to love. I mean, 371 00:19:00,320 --> 00:19:02,359 Speaker 3: we can dig into the whole episode because it's like 372 00:19:02,840 --> 00:19:05,320 Speaker 3: the jet, the whole thing, but right here, I'm like, 373 00:19:06,080 --> 00:19:08,440 Speaker 3: you're so cold why even living there, like live at 374 00:19:08,440 --> 00:19:11,240 Speaker 3: home while you work it out or end it, but like, 375 00:19:11,680 --> 00:19:15,680 Speaker 3: what are you doing? It's tortually rare and mean. It's 376 00:19:15,720 --> 00:19:16,400 Speaker 3: actually mean. 377 00:19:16,440 --> 00:19:16,760 Speaker 1: I don't. 378 00:19:16,800 --> 00:19:18,639 Speaker 3: I don't like it at all. Whether you like Logan 379 00:19:18,760 --> 00:19:21,600 Speaker 3: or not, which of course I do, it's still mean. 380 00:19:22,480 --> 00:19:26,680 Speaker 4: I can't with her this episode. I yeah, we'll get 381 00:19:26,720 --> 00:19:31,480 Speaker 4: into it more, but I just Rory. 382 00:19:31,600 --> 00:19:33,520 Speaker 3: Yeah, I don't mind her going to see Jess. I 383 00:19:33,520 --> 00:19:36,920 Speaker 3: don't even mind her kissing Jess. What look? But not 384 00:19:37,320 --> 00:19:39,320 Speaker 3: first of all, what ebbs? She can go to the 385 00:19:39,320 --> 00:19:41,119 Speaker 3: book thing, and if she's broken up with Logan, she 386 00:19:41,119 --> 00:19:44,359 Speaker 3: can kiss him. But she's I understand, we'll talk all 387 00:19:44,359 --> 00:19:47,520 Speaker 3: about that, but she's being not nice. 388 00:19:48,240 --> 00:19:49,600 Speaker 4: Yeah, I just I can't. 389 00:19:49,640 --> 00:19:52,600 Speaker 3: It's like, okay, I get it, he did what he 390 00:19:52,640 --> 00:19:56,360 Speaker 3: did the debate, we were on a break or whatever, 391 00:19:56,520 --> 00:19:59,879 Speaker 3: but it's just like, be kind. If you love this person, 392 00:20:00,119 --> 00:20:01,080 Speaker 3: you either get over it. 393 00:20:01,080 --> 00:20:02,399 Speaker 4: Or you don't let me. 394 00:20:03,520 --> 00:20:08,720 Speaker 1: When you were Rory's age, did you have the choice 395 00:20:08,800 --> 00:20:11,760 Speaker 1: between a logan you had a logan and a dress 396 00:20:12,640 --> 00:20:13,520 Speaker 1: that you were juggling. 397 00:20:13,960 --> 00:20:17,520 Speaker 3: No, okay, I'm not sure I've ever been like I 398 00:20:17,560 --> 00:20:21,600 Speaker 3: have so many choices, let me just pick of the 399 00:20:21,920 --> 00:20:25,600 Speaker 3: gaggle of boys that love me. Yeah I don't recall that. 400 00:20:26,200 --> 00:20:28,240 Speaker 4: Yeah, no, I don't think so. But I mean I 401 00:20:28,280 --> 00:20:33,840 Speaker 4: think everyone here can can like say whether it's like, oh, 402 00:20:33,920 --> 00:20:36,600 Speaker 4: I picked the bad boy over the good boy or 403 00:20:36,640 --> 00:20:38,639 Speaker 4: the bad girl over the good girl, you know whatever. 404 00:20:38,720 --> 00:20:42,280 Speaker 4: I think there's more of that, yeah than not really. 405 00:20:42,160 --> 00:20:44,200 Speaker 3: Not maybe not at the very same moment like this, 406 00:20:44,320 --> 00:20:47,800 Speaker 3: because I definitely was like I liked the logans, but 407 00:20:47,880 --> 00:20:50,679 Speaker 3: also I was nice to all of them, like you 408 00:20:50,720 --> 00:20:52,920 Speaker 3: don't need to be so and if you don't like somebody, 409 00:20:53,040 --> 00:20:55,240 Speaker 3: like figure it out, you don't need to be so mean. 410 00:20:56,320 --> 00:21:01,680 Speaker 3: I would never reset someone's alarm that really chat my hide. 411 00:21:02,560 --> 00:21:05,280 Speaker 3: She's not nice right now, you know what it is. 412 00:21:05,280 --> 00:21:08,679 Speaker 3: I don't like passive aggressive, be passive or be aggressive. 413 00:21:08,840 --> 00:21:13,600 Speaker 3: Yeah yeah, and yeah, we'll get into it. But she 414 00:21:13,720 --> 00:21:18,439 Speaker 3: was very not nice the whole episode, oh cold and 415 00:21:18,520 --> 00:21:19,960 Speaker 3: writing the article it's just. 416 00:21:22,800 --> 00:21:25,080 Speaker 1: Here she is. What do you think it's like for 417 00:21:25,160 --> 00:21:34,240 Speaker 1: her confronting a matured, successful, confident got his act together? Jess? 418 00:21:34,320 --> 00:21:39,800 Speaker 3: Oh, I mean amazing, Like Jess is on fire and 419 00:21:39,840 --> 00:21:42,600 Speaker 3: she blew it. She really kind of blew it, and 420 00:21:42,680 --> 00:21:45,320 Speaker 3: he still loves her, so obvious, and then he's so 421 00:21:45,520 --> 00:21:48,520 Speaker 3: and he's not gonna he's not gonna kiss her because 422 00:21:48,520 --> 00:21:51,160 Speaker 3: she's right now we should wait wait wait wait wait. 423 00:21:51,080 --> 00:21:52,320 Speaker 4: Wait Sorry okay, because I had. 424 00:21:52,240 --> 00:21:54,639 Speaker 3: Thoughts continue stock continue, so sorry. 425 00:21:54,680 --> 00:21:57,880 Speaker 1: All right, So now we're back on the bus. One 426 00:21:57,920 --> 00:22:03,720 Speaker 1: of the funnier scenes, I agree, uh Luke sitting next 427 00:22:03,760 --> 00:22:08,199 Speaker 1: to April amongst in the middle of those kids and 428 00:22:08,240 --> 00:22:13,000 Speaker 1: they're singing a song on the of all the chemicals. 429 00:22:13,119 --> 00:22:14,480 Speaker 3: I mean, that was so the. 430 00:22:14,440 --> 00:22:19,640 Speaker 1: Periodic table and he had no idea what was going on. 431 00:22:19,840 --> 00:22:24,160 Speaker 1: The looks were priceless' what'd you guys think? 432 00:22:27,119 --> 00:22:29,920 Speaker 3: I thought it was also shot really well. I really 433 00:22:29,920 --> 00:22:32,040 Speaker 3: felt and I don't know if you can remember that 434 00:22:32,040 --> 00:22:38,080 Speaker 3: that bus was driving. Yeah, it felt like I don't 435 00:22:38,119 --> 00:22:40,320 Speaker 3: know how you do that, how you shoot a zne 436 00:22:40,560 --> 00:22:42,840 Speaker 3: how you how they are there? Camera people are the 437 00:22:42,840 --> 00:22:46,159 Speaker 3: cameras like placed in the bus, but it was it 438 00:22:46,200 --> 00:22:48,399 Speaker 3: felt like y'all were driving. I felt like I was 439 00:22:48,400 --> 00:22:50,520 Speaker 3: on a bus ride. The kid with the three hundred 440 00:22:50,520 --> 00:22:53,639 Speaker 3: digits of pie? How much a pie can you do? 441 00:22:53,720 --> 00:22:58,240 Speaker 3: I can only do I can do three point wow. 442 00:22:58,320 --> 00:23:01,639 Speaker 3: And then I'm I'm out, isn't. 443 00:23:01,040 --> 00:23:02,800 Speaker 1: There a guy that can do it for like an 444 00:23:02,960 --> 00:23:03,640 Speaker 1: entire day. 445 00:23:04,359 --> 00:23:06,639 Speaker 3: Yeah. I mean it's how I learned what infinity is 446 00:23:06,720 --> 00:23:10,760 Speaker 3: because it just never stopped. What is pie though? It's 447 00:23:10,800 --> 00:23:11,879 Speaker 3: the diameter? 448 00:23:12,359 --> 00:23:14,160 Speaker 4: I don't know what is guy? 449 00:23:14,440 --> 00:23:17,159 Speaker 3: Is it the circle and the diameter? 450 00:23:18,000 --> 00:23:18,840 Speaker 4: Let me google it? 451 00:23:18,920 --> 00:23:19,960 Speaker 3: Yeah, we need to know what. 452 00:23:20,400 --> 00:23:22,280 Speaker 1: Something you pull out of the oven and slice off 453 00:23:22,280 --> 00:23:23,920 Speaker 1: the You should try it something. 454 00:23:23,920 --> 00:23:28,040 Speaker 3: Do you know that people celebrate March March fourteenth? I 455 00:23:28,080 --> 00:23:31,800 Speaker 3: was gonna say and remember March fourteenth and twenty fifteen 456 00:23:32,440 --> 00:23:34,320 Speaker 3: was a huge day because it was three point one 457 00:23:34,400 --> 00:23:37,280 Speaker 3: four one five you ready at nine am. 458 00:23:37,840 --> 00:23:41,000 Speaker 4: Pie is the ratio of the circumference of any circle 459 00:23:41,040 --> 00:23:44,280 Speaker 4: to the diameter of that circle. Whatever that means. 460 00:23:44,320 --> 00:23:48,320 Speaker 3: So there's a circle, imagine the line across. So here's 461 00:23:48,359 --> 00:23:51,200 Speaker 3: a circle and this is the diameter. Yeah, I got 462 00:23:51,200 --> 00:23:53,639 Speaker 3: the ratio can just never end. It's three point one 463 00:23:53,680 --> 00:23:55,240 Speaker 3: four one five night, and I think it goes five 464 00:23:55,240 --> 00:23:56,640 Speaker 3: to seven eight and then or something like that. 465 00:23:57,240 --> 00:23:59,720 Speaker 4: Three point one four one five nine two six five. 466 00:24:02,840 --> 00:24:06,119 Speaker 3: Just because I'm in math, Yes, I am all in math. 467 00:24:06,520 --> 00:24:07,760 Speaker 4: I heart We did it. 468 00:24:07,840 --> 00:24:10,439 Speaker 3: We cover everything golf and then you kind of bonded 469 00:24:10,480 --> 00:24:14,000 Speaker 3: with Freddy Weather over like a bunch of baseball lingo 470 00:24:14,119 --> 00:24:15,760 Speaker 3: that I lost. But but it was a. 471 00:24:15,760 --> 00:24:20,800 Speaker 1: Bunch of sports Johnny Damon, Yankees, Red Sox. We bonded 472 00:24:20,840 --> 00:24:24,160 Speaker 1: over sports. And then April gave me like the side eye. 473 00:24:24,320 --> 00:24:27,160 Speaker 3: Yeah she likes Freddy, which we'll get to. But yeah, 474 00:24:27,200 --> 00:24:28,600 Speaker 3: I thought that was great and I thought it was 475 00:24:28,800 --> 00:24:31,760 Speaker 3: very real. I didn't see any like, there was no 476 00:24:31,840 --> 00:24:33,199 Speaker 3: fake baby moment for me. 477 00:24:34,359 --> 00:24:37,359 Speaker 1: Dan Palladino shot this like it's an indie film. It 478 00:24:37,840 --> 00:24:40,920 Speaker 1: felt like, yeah, like a cool indie film with really 479 00:24:40,960 --> 00:24:44,560 Speaker 1: cool shots. Yeah, you know, it didn't feel like TV suddenly. 480 00:24:45,359 --> 00:24:47,480 Speaker 6: Yeah, and also with all the you know, we weren't 481 00:24:47,480 --> 00:24:51,000 Speaker 6: in stars Hollow or Yale or anywhere for that much time, 482 00:24:51,040 --> 00:24:52,240 Speaker 6: but it didn't feel that way. 483 00:24:52,320 --> 00:24:54,600 Speaker 5: Like it still felt there, like the Bookstore. 484 00:24:54,760 --> 00:24:57,840 Speaker 3: They improved from the Vineyard. 485 00:24:59,400 --> 00:25:00,239 Speaker 4: Some with our you. 486 00:25:02,080 --> 00:25:03,320 Speaker 3: It did not feel fake. 487 00:25:05,119 --> 00:25:12,240 Speaker 1: Yeah. So now we're the dragon Fly and a hysterically 488 00:25:12,280 --> 00:25:18,680 Speaker 1: funny scene between Laura and missus kim uh you let 489 00:25:18,720 --> 00:25:20,400 Speaker 1: women ride horses. 490 00:25:22,080 --> 00:25:23,160 Speaker 3: Side side saddle? 491 00:25:23,760 --> 00:25:24,000 Speaker 7: Yeah? 492 00:25:24,080 --> 00:25:26,280 Speaker 1: Man, So what did you guys think? 493 00:25:26,520 --> 00:25:27,240 Speaker 5: I liked it? 494 00:25:27,320 --> 00:25:30,399 Speaker 6: I was it was a special moment to give Laura. 495 00:25:30,520 --> 00:25:34,200 Speaker 6: I because correct me if I'm wrong. Wasn't there an 496 00:25:34,240 --> 00:25:36,760 Speaker 6: episode where missus Kim kind of was like, oh, you 497 00:25:36,800 --> 00:25:38,560 Speaker 6: made this dress or was that yeah? 498 00:25:38,600 --> 00:25:39,760 Speaker 3: She still Emily. 499 00:25:40,160 --> 00:25:40,360 Speaker 8: No. 500 00:25:40,520 --> 00:25:44,240 Speaker 3: I think missus Kim has noticed before that La is 501 00:25:44,359 --> 00:25:45,960 Speaker 3: really good at that. Yeah. 502 00:25:46,040 --> 00:25:48,080 Speaker 6: So it's like the little subtlety of like she trusts 503 00:25:48,119 --> 00:25:51,800 Speaker 6: Laura I and she knows like Laura is close with Lane, 504 00:25:51,880 --> 00:25:53,200 Speaker 6: and so I just felt very special. 505 00:25:53,320 --> 00:25:55,359 Speaker 3: I was just very anxious to see the dress, and 506 00:25:55,400 --> 00:25:57,480 Speaker 3: so I'm glad that I finally did get to see it. 507 00:25:57,520 --> 00:25:58,960 Speaker 5: Did you forget what it looked like? 508 00:25:59,119 --> 00:26:00,840 Speaker 3: I had? I know it was. 509 00:26:01,520 --> 00:26:05,080 Speaker 1: You didn't have it? You forgot well it had pants? 510 00:26:05,200 --> 00:26:07,359 Speaker 3: Yeah, No, I knew it was hideous, but I was like, 511 00:26:08,200 --> 00:26:10,200 Speaker 3: I couldn't I have an image in my mind. So 512 00:26:10,240 --> 00:26:13,000 Speaker 3: I was very excited to like remember how bad it was, 513 00:26:13,520 --> 00:26:17,200 Speaker 3: and it lives up to my expectations of. 514 00:26:17,200 --> 00:26:19,840 Speaker 1: It's funny when Laura l I unzipped the bag and 515 00:26:19,920 --> 00:26:20,560 Speaker 1: saw the pants. 516 00:26:21,240 --> 00:26:26,000 Speaker 3: Yeah, yeah, a lot of and just a cute thing 517 00:26:26,080 --> 00:26:28,680 Speaker 3: between them, and it was cute. 518 00:26:29,000 --> 00:26:32,119 Speaker 1: It really was. All right. Now we're at the Yale 519 00:26:32,200 --> 00:26:39,960 Speaker 1: Daily News, goodness, and we've got some conflict Paris spitting 520 00:26:40,000 --> 00:26:45,720 Speaker 1: out some great lines. Yeah, God, not me. You know 521 00:26:45,760 --> 00:26:46,440 Speaker 1: this kind of thing. 522 00:26:46,440 --> 00:26:49,080 Speaker 3: It was they were fine, But I really liked the 523 00:26:49,119 --> 00:26:52,120 Speaker 3: logan Rory stuff, even though she's being such a pill. 524 00:26:53,520 --> 00:26:56,919 Speaker 5: I feel like she should have just let him do it. 525 00:26:56,960 --> 00:26:58,800 Speaker 6: And if he didn't get it done, he didn't get 526 00:26:58,840 --> 00:27:00,560 Speaker 6: it done, and like let him and she's. 527 00:27:00,400 --> 00:27:04,520 Speaker 4: Making a point. Yeah, she didn't. She didn't want to 528 00:27:04,520 --> 00:27:06,240 Speaker 4: give him any time. She just wanted to. 529 00:27:06,200 --> 00:27:09,560 Speaker 3: Take it to swat him down. Yeah, she's really being 530 00:27:09,640 --> 00:27:13,240 Speaker 3: so passive aggressive again, like she's just being I don't 531 00:27:13,280 --> 00:27:16,920 Speaker 3: know how he's staying so calm through it. I would 532 00:27:16,960 --> 00:27:18,920 Speaker 3: have exploded by now, well, because. 533 00:27:18,720 --> 00:27:21,400 Speaker 1: I think he was. He was boiling inside. He did 534 00:27:21,400 --> 00:27:23,720 Speaker 1: a good job of containing it what she must do, 535 00:27:23,840 --> 00:27:28,639 Speaker 1: but you know I could, I could feel the lava flowing. Yeah. 536 00:27:28,720 --> 00:27:31,320 Speaker 4: Yeah, but I think in his brain he's like she 537 00:27:31,400 --> 00:27:34,520 Speaker 4: thinks they cheated, so he's kind of probably trying to 538 00:27:34,560 --> 00:27:36,000 Speaker 4: take along, Yeah. 539 00:27:36,000 --> 00:27:38,280 Speaker 3: Trying to feels like he deserves it a little bit, 540 00:27:38,320 --> 00:27:42,160 Speaker 3: a little bit. Yeah, I just wrote, Rory sucks right now. 541 00:27:43,840 --> 00:27:46,040 Speaker 3: Look at it just says sucks right now. 542 00:27:46,040 --> 00:27:47,920 Speaker 4: That should just be the write up of this episode. 543 00:27:47,880 --> 00:27:49,960 Speaker 5: Seriod. 544 00:27:51,240 --> 00:27:52,040 Speaker 3: I don't know. 545 00:27:52,240 --> 00:27:56,920 Speaker 1: I mean, she's really she's the boss now. Yeah, she's 546 00:27:57,080 --> 00:28:01,480 Speaker 1: really taken over that that her relationship. She's taken over 547 00:28:01,560 --> 00:28:04,840 Speaker 1: that that Yale Daily News. She is the boss and 548 00:28:04,880 --> 00:28:06,240 Speaker 1: she is issuing commands. 549 00:28:06,280 --> 00:28:10,800 Speaker 3: Huh, but this was different, Like she's doing this, This 550 00:28:10,880 --> 00:28:13,280 Speaker 3: is not being that Yale editor. Yeah, this is being 551 00:28:13,400 --> 00:28:13,800 Speaker 3: the like. 552 00:28:15,240 --> 00:28:15,960 Speaker 4: She's being petty. 553 00:28:16,119 --> 00:28:19,240 Speaker 3: Yeah, she's forgive him or don't. I don't care. 554 00:28:19,640 --> 00:28:22,480 Speaker 4: Yeah, but if you do, then do I agree? 555 00:28:22,520 --> 00:28:25,919 Speaker 1: You think she's using her position of power to exact 556 00:28:26,000 --> 00:28:27,040 Speaker 1: revenge on him. 557 00:28:27,320 --> 00:28:29,600 Speaker 4: She's just trying to like make his life hell right now, 558 00:28:29,640 --> 00:28:33,119 Speaker 4: like she really is. She's just trying to like, you know, 559 00:28:34,440 --> 00:28:36,520 Speaker 4: poke the knife a little bit and try to twist it, 560 00:28:36,600 --> 00:28:39,880 Speaker 4: you know, Like she's just like trying real hard to 561 00:28:40,040 --> 00:28:43,720 Speaker 4: show she's just showing him that she's still bothered. Honestly, 562 00:28:43,880 --> 00:28:45,360 Speaker 4: That's that's what she's doing. 563 00:28:45,520 --> 00:28:48,520 Speaker 3: Yeah, and I'm glad at the end he calls it out. 564 00:28:49,440 --> 00:28:49,760 Speaker 3: All right. 565 00:28:49,800 --> 00:28:53,000 Speaker 1: So now we're back with April and Luke. They're having lunch. 566 00:28:54,520 --> 00:28:55,840 Speaker 3: Oh this was cute. 567 00:28:56,160 --> 00:29:00,880 Speaker 1: We find out that the math competition was rigged. Luke's 568 00:29:00,920 --> 00:29:04,440 Speaker 1: really bothered by it. April is like, eh, whatever that happens, 569 00:29:04,520 --> 00:29:05,440 Speaker 1: this is the way it is. 570 00:29:05,520 --> 00:29:09,840 Speaker 3: But uh, the snack and soda, right. 571 00:29:10,800 --> 00:29:15,320 Speaker 1: This is where we find out that April likes Freddy 572 00:29:15,400 --> 00:29:17,680 Speaker 1: and Luca is surprised. What do you guys think? I 573 00:29:17,680 --> 00:29:18,720 Speaker 1: thought it was very cute scene. 574 00:29:18,800 --> 00:29:20,959 Speaker 3: Oh it was great. 575 00:29:21,400 --> 00:29:24,760 Speaker 6: Oh he's confused that like she's ignoring him and she's like, 576 00:29:24,760 --> 00:29:25,360 Speaker 6: well dull. 577 00:29:27,720 --> 00:29:30,360 Speaker 3: And Luke was a great dad in that scene. He 578 00:29:30,480 --> 00:29:33,560 Speaker 3: really does a good dad. And you're very like, you're 579 00:29:33,600 --> 00:29:37,840 Speaker 3: not the weird, creepy dad, You're not the too much dad, 580 00:29:37,920 --> 00:29:41,720 Speaker 3: Like you're in the very understanding dad. Are you old 581 00:29:41,800 --> 00:29:43,160 Speaker 3: enough to like someone? 582 00:29:43,320 --> 00:29:46,840 Speaker 6: Yeah? Like it was just like it was also like 583 00:29:46,960 --> 00:29:49,960 Speaker 6: that she like even though she's like, oh, don't sit 584 00:29:50,040 --> 00:29:52,120 Speaker 6: next to me the whole time, she's like like not 585 00:29:52,240 --> 00:29:55,000 Speaker 6: shooing him away, you know, like it's just like can 586 00:29:55,040 --> 00:29:56,640 Speaker 6: you give me some space like in. 587 00:29:56,640 --> 00:29:59,040 Speaker 3: A little bit, you know. And he's so cool because 588 00:29:59,080 --> 00:30:02,160 Speaker 3: he's like should we get up separately? Like, yeah, give 589 00:30:02,200 --> 00:30:03,320 Speaker 3: me a four second head start? 590 00:30:03,400 --> 00:30:04,480 Speaker 1: Did we stagger it? 591 00:30:04,480 --> 00:30:07,480 Speaker 3: It was just cool? Yeah, And it was, Yeah, it 592 00:30:07,520 --> 00:30:10,760 Speaker 3: was cute and cool and not awkward. 593 00:30:11,520 --> 00:30:14,280 Speaker 1: Did Dan write this as well? Yes? Yeah, yeah it 594 00:30:14,320 --> 00:30:17,200 Speaker 1: feels like, yeah, it's really good. It's just extra special. 595 00:30:17,320 --> 00:30:17,600 Speaker 4: Yeah. 596 00:30:17,760 --> 00:30:21,800 Speaker 1: Yeah, you know, yeah, great stuff. There's just such great 597 00:30:21,800 --> 00:30:22,960 Speaker 1: stuff between those two. 598 00:30:23,320 --> 00:30:24,920 Speaker 3: Yeah, I agree. I agree with you. 599 00:30:25,000 --> 00:30:27,760 Speaker 1: Really just rich and this episode really brings it. 600 00:30:28,120 --> 00:30:32,000 Speaker 3: Yes, it was sort of enjoyable to get these scenes. 601 00:30:33,240 --> 00:30:38,200 Speaker 1: Yeah, it really was. I wonder how the fans, if 602 00:30:38,200 --> 00:30:40,440 Speaker 1: the fans liked these scenes, let us know if you 603 00:30:40,760 --> 00:30:43,680 Speaker 1: liked these scenes between uh Luke and April. 604 00:30:44,000 --> 00:30:46,640 Speaker 3: Somehow in this episode they managed to give us a 605 00:30:46,680 --> 00:30:50,640 Speaker 3: lot of Lorelai, a lot of Luke, a lot of Rory, 606 00:30:50,760 --> 00:30:53,680 Speaker 3: a lot of just even though they're not all in 607 00:30:53,760 --> 00:30:57,040 Speaker 3: the scenes together. It was like they balanced it really. 608 00:30:56,800 --> 00:30:58,000 Speaker 1: Well, right. 609 00:30:58,280 --> 00:31:01,240 Speaker 6: I thought even later missus cam like that was such 610 00:31:01,240 --> 00:31:04,320 Speaker 6: a little storyline, But I feel like I. 611 00:31:03,760 --> 00:31:04,720 Speaker 5: Got a lot there too. 612 00:31:04,920 --> 00:31:07,240 Speaker 3: That's a great scene. 613 00:31:15,040 --> 00:31:18,440 Speaker 1: Now we're back at Logan. Oh, yes, the boys are there. 614 00:31:18,480 --> 00:31:20,240 Speaker 1: They're drinking wild turkey. 615 00:31:21,520 --> 00:31:23,600 Speaker 3: It was nice to have those boys. 616 00:31:23,160 --> 00:31:26,200 Speaker 1: Back, It really was. It really was. 617 00:31:27,240 --> 00:31:28,640 Speaker 3: The lady of the house. 618 00:31:30,000 --> 00:31:32,000 Speaker 4: And they can all feel it. 619 00:31:32,120 --> 00:31:35,520 Speaker 5: They they were like, should we leave? 620 00:31:35,840 --> 00:31:39,000 Speaker 6: Like they like you can tell that. They were like, oh, 621 00:31:39,040 --> 00:31:41,040 Speaker 6: you didn't know we're coming over, like it was an issue. 622 00:31:41,120 --> 00:31:43,720 Speaker 3: It was again she's being a pill. But I loved 623 00:31:43,840 --> 00:31:47,080 Speaker 3: the part where they say something about the penultimate and 624 00:31:47,920 --> 00:31:50,440 Speaker 3: the one boy doesn't know what penultimate is and he 625 00:31:50,480 --> 00:31:56,720 Speaker 3: goes I thought it just meant super ultimate. I missed 626 00:31:56,720 --> 00:32:01,120 Speaker 3: those guys. I was. I wanted a fun with them. Yeah, 627 00:32:01,160 --> 00:32:03,160 Speaker 3: you know how she used to be super fun with them. 628 00:32:03,720 --> 00:32:06,400 Speaker 3: That's why I was just like, she's such a wall. 629 00:32:09,240 --> 00:32:10,560 Speaker 1: The bloom is off the road. 630 00:32:10,760 --> 00:32:13,120 Speaker 3: Yeah. 631 00:32:13,200 --> 00:32:16,640 Speaker 1: Now we're doing wedding dress stuff with Lane and Laurel 632 00:32:16,640 --> 00:32:20,840 Speaker 1: eye and who says you can't wear that dress it 633 00:32:20,880 --> 00:32:25,040 Speaker 1: has pants. Obviously Laurel ized that. And then we see 634 00:32:25,120 --> 00:32:26,880 Speaker 1: Richard and Emily in the background. 635 00:32:27,360 --> 00:32:30,520 Speaker 6: I like how she was like Kirk was wearing his 636 00:32:30,880 --> 00:32:33,440 Speaker 6: I can't remember what colored jacket, but like the jacket 637 00:32:33,800 --> 00:32:35,800 Speaker 6: made it seem like he was a realtor that day, 638 00:32:35,880 --> 00:32:36,440 Speaker 6: Like it was a. 639 00:32:36,520 --> 00:32:38,880 Speaker 1: Uniform in a red red jacket. 640 00:32:39,040 --> 00:32:42,560 Speaker 3: Yeah, the red jacket. I actually thought that was super funny. 641 00:32:42,600 --> 00:32:45,520 Speaker 3: By the way, weird when she walks by the payphone. 642 00:32:45,720 --> 00:32:50,840 Speaker 3: I'm all, or, there's such a giant payphone. But yeah, 643 00:32:51,160 --> 00:32:53,040 Speaker 3: it's funny. There, it's funny. 644 00:32:54,680 --> 00:32:58,520 Speaker 1: Yeah, Lane was everybody was funny in this scene. This 645 00:32:58,560 --> 00:33:00,320 Speaker 1: is a very strong episode so far. 646 00:33:00,360 --> 00:33:02,120 Speaker 3: I think, Oh, I totally agree with you. 647 00:33:03,120 --> 00:33:06,440 Speaker 1: It's moving along beautifully. The scenes are not too long, 648 00:33:06,480 --> 00:33:07,280 Speaker 1: they're not too sure. 649 00:33:07,400 --> 00:33:09,280 Speaker 3: Yeah, quick little pops here. 650 00:33:09,200 --> 00:33:11,360 Speaker 1: And there, that pay off bid with the humor like 651 00:33:11,400 --> 00:33:14,120 Speaker 1: the Missus Kim and moralized stuff. I mean, it's just 652 00:33:14,440 --> 00:33:15,800 Speaker 1: really well written. 653 00:33:15,960 --> 00:33:19,040 Speaker 3: That's why I'm like, when is this season six suckage? 654 00:33:19,080 --> 00:33:22,720 Speaker 3: It doesn't doesn't what people What I've realized is people 655 00:33:22,840 --> 00:33:28,120 Speaker 3: don't like the storyline right that Luke and Lorelei are 656 00:33:28,120 --> 00:33:33,000 Speaker 3: sort of struggling. But the episodes are as in my opinion, 657 00:33:33,040 --> 00:33:34,000 Speaker 3: they're as good as ever. 658 00:33:34,760 --> 00:33:34,920 Speaker 8: Yeah. 659 00:33:35,000 --> 00:33:37,520 Speaker 6: I mean we're a little annoyed with Rory and and 660 00:33:37,520 --> 00:33:40,680 Speaker 6: and Luke and Loralei and April and everyone, but like, 661 00:33:40,680 --> 00:33:43,280 Speaker 6: they're not bad episodes. There's just like they're a little 662 00:33:43,360 --> 00:33:46,600 Speaker 6: out of character from five seasons were used to. 663 00:33:46,680 --> 00:33:47,360 Speaker 5: That's really it. 664 00:33:48,720 --> 00:33:52,240 Speaker 3: Yeah, they're I think they're just the same. The quality 665 00:33:52,240 --> 00:33:54,760 Speaker 3: of the episodes overall, to me, is exactly the same. 666 00:33:55,120 --> 00:33:58,680 Speaker 3: There's just maybe a couple of storylines that people don't like. Yeah, 667 00:33:58,720 --> 00:34:02,880 Speaker 3: but I don't have to like it to like it. Yeah, 668 00:34:03,160 --> 00:34:04,200 Speaker 3: it's like enjoy it. 669 00:34:04,400 --> 00:34:05,120 Speaker 5: Yeah. 670 00:34:05,360 --> 00:34:07,000 Speaker 1: And here's the thing. 671 00:34:07,320 --> 00:34:07,560 Speaker 3: You know. 672 00:34:08,320 --> 00:34:12,200 Speaker 1: The reason I like the episode so much is that 673 00:34:12,320 --> 00:34:18,000 Speaker 1: the storytelling is detailed down to the minute show. They 674 00:34:18,040 --> 00:34:22,319 Speaker 1: don't leave anybody hanging. They tell the stories. Because right 675 00:34:22,360 --> 00:34:26,560 Speaker 1: after this there's a little pop back in Logan's leaving 676 00:34:27,520 --> 00:34:32,160 Speaker 1: and Laura doesn't, Rory doesn't say goodbye, I'm leaving by, 677 00:34:32,320 --> 00:34:34,800 Speaker 1: and she just leans against the wall. And that's great 678 00:34:34,840 --> 00:34:40,600 Speaker 1: storytelling because you need those little impactful scenes to keep 679 00:34:40,640 --> 00:34:43,080 Speaker 1: the story moving forward. 680 00:34:43,160 --> 00:34:46,359 Speaker 3: And to me, that's where the viewer gets their experience 681 00:34:46,560 --> 00:34:50,279 Speaker 3: in that we are obviously finding it irritating the way 682 00:34:50,360 --> 00:34:53,000 Speaker 3: Rory is behaving, but I bet there are people that 683 00:34:53,080 --> 00:34:56,600 Speaker 3: are like, Logan deserves this, Yeah, good for her, And 684 00:34:56,640 --> 00:34:58,680 Speaker 3: so it's like you get, like reading a book, you 685 00:34:58,719 --> 00:35:02,360 Speaker 3: get to interpret how you feel about it, and I 686 00:35:02,480 --> 00:35:05,080 Speaker 3: just personally am like not into it, but that doesn't 687 00:35:05,120 --> 00:35:07,120 Speaker 3: mean somebody else might see it totally differently. 688 00:35:07,640 --> 00:35:11,640 Speaker 1: I think the reason the humor really pops for the 689 00:35:11,680 --> 00:35:14,680 Speaker 1: supporting characters is there's not a tremendous amount of humor 690 00:35:14,719 --> 00:35:18,920 Speaker 1: coming out or Rory. Right in the Logan situation, that's 691 00:35:18,960 --> 00:35:22,920 Speaker 1: not particularly funny at all. So the supporting characters like 692 00:35:22,960 --> 00:35:27,359 Speaker 1: a Paris, she's super funny because those two are the 693 00:35:27,400 --> 00:35:31,240 Speaker 1: opposite extreme, and then Missus Kim gets to be super funny, 694 00:35:31,480 --> 00:35:34,920 Speaker 1: and then Lane gets to be super funny because everybody's 695 00:35:34,960 --> 00:35:35,839 Speaker 1: just sort of you know. 696 00:35:35,880 --> 00:35:39,239 Speaker 3: And all the Gilmour sort of antics are funny and 697 00:35:39,280 --> 00:35:41,360 Speaker 3: the Kirk stuff. Yeah, you have to have some of 698 00:35:41,360 --> 00:35:43,120 Speaker 3: that sort of zaniness to balance. 699 00:35:44,040 --> 00:35:46,600 Speaker 1: And isn't it interesting that Laurel ies not really in 700 00:35:46,640 --> 00:35:51,960 Speaker 1: the middle of any of this until she starts interacting 701 00:35:52,040 --> 00:35:56,640 Speaker 1: with Lane a little bit and then right right, yeah, 702 00:35:56,960 --> 00:35:59,239 Speaker 1: and she's just sort of breezing along the episode and 703 00:35:59,320 --> 00:36:02,840 Speaker 1: being great, being funny and doing her funny physical comedy 704 00:36:02,880 --> 00:36:04,080 Speaker 1: and slamming. 705 00:36:03,640 --> 00:36:06,800 Speaker 3: The bag off the walk through town, the walk. 706 00:36:06,640 --> 00:36:09,600 Speaker 1: Through town and the pants and the whole So it's 707 00:36:09,640 --> 00:36:12,239 Speaker 1: a really kind of light, delightful episode. 708 00:36:12,400 --> 00:36:15,480 Speaker 3: So fall you know, I agree, I agree, that's a 709 00:36:15,560 --> 00:36:19,440 Speaker 3: very word. So yes, but we go back to the 710 00:36:19,440 --> 00:36:22,120 Speaker 3: apartment for us to be annoyed. Okay, then then what happens? 711 00:36:23,600 --> 00:36:29,040 Speaker 1: Oh so now Kirk and we're we're we're with Kirk. 712 00:36:31,080 --> 00:36:32,600 Speaker 3: That was the scene that that. 713 00:36:32,680 --> 00:36:35,239 Speaker 1: Broken down house. That scene kind of. 714 00:36:35,320 --> 00:36:39,120 Speaker 3: Was like, I don't need this, yeah, yeah, yeah, because 715 00:36:39,120 --> 00:36:41,520 Speaker 3: it was the house was so gross and creepy and 716 00:36:41,560 --> 00:36:44,520 Speaker 3: it was so unrealistic exactly. But I was like, and 717 00:36:44,600 --> 00:36:48,080 Speaker 3: the I did laugh when that he said bat it's 718 00:36:48,120 --> 00:36:49,040 Speaker 3: a bat. 719 00:36:52,960 --> 00:36:54,680 Speaker 1: Right right at the top of the scene with a 720 00:36:54,719 --> 00:36:58,000 Speaker 1: mask on and then hands her mask. You have to 721 00:36:58,000 --> 00:37:00,279 Speaker 1: wear the mask, and I'm like, boy, that's going to trigger. 722 00:37:00,160 --> 00:37:00,600 Speaker 3: Yeah, it's. 723 00:37:02,160 --> 00:37:05,400 Speaker 1: Right, it's like, oh god. 724 00:37:06,280 --> 00:37:06,440 Speaker 6: I. 725 00:37:09,160 --> 00:37:11,719 Speaker 3: And again I'm sorry to rewrite the show, but I 726 00:37:11,760 --> 00:37:15,360 Speaker 3: could have just had her bump into Kirk in the street, 727 00:37:15,440 --> 00:37:17,400 Speaker 3: because I get why we're using him, because it's how 728 00:37:17,400 --> 00:37:19,480 Speaker 3: we're finding out what's really going on with the Gilmours 729 00:37:19,520 --> 00:37:21,959 Speaker 3: and where they are. But I thought that was way 730 00:37:22,000 --> 00:37:24,160 Speaker 3: too over the top. There is no house like that. 731 00:37:24,840 --> 00:37:26,600 Speaker 3: He is not going to list that out like it 732 00:37:26,640 --> 00:37:28,319 Speaker 3: was just too silly for me. 733 00:37:28,520 --> 00:37:30,399 Speaker 5: He was the one scene that was like I could 734 00:37:30,440 --> 00:37:31,360 Speaker 5: have done with that too silly. 735 00:37:31,480 --> 00:37:38,080 Speaker 1: Yeah, all right, now we're so she Laurla does find 736 00:37:38,080 --> 00:37:43,239 Speaker 1: out where her parents are. She hunts them down, and 737 00:37:43,360 --> 00:37:50,319 Speaker 1: now we are seeing Alexis get or Rory get the 738 00:37:50,440 --> 00:37:51,600 Speaker 1: Jess invite? 739 00:37:52,080 --> 00:37:55,640 Speaker 5: Did you find it? Did he know that she's living 740 00:37:55,680 --> 00:37:57,480 Speaker 5: with Logan? That was the first thon that went through my. 741 00:37:59,239 --> 00:38:01,279 Speaker 1: That's true. How did she get it? 742 00:38:01,400 --> 00:38:05,239 Speaker 3: How did I get Maybe they they obviously chat. 743 00:38:05,560 --> 00:38:07,440 Speaker 5: I guess I was just wondering how. 744 00:38:08,880 --> 00:38:10,440 Speaker 6: Well it did seem like she was a little like 745 00:38:10,520 --> 00:38:13,640 Speaker 6: more like, oh, look like this is a nice surprise. 746 00:38:13,640 --> 00:38:17,120 Speaker 5: That's how That's how I read it her acting, but yeah, 747 00:38:17,160 --> 00:38:20,200 Speaker 5: my one note was here, do you have that address? 748 00:38:20,800 --> 00:38:20,920 Speaker 1: Right? 749 00:38:21,200 --> 00:38:23,960 Speaker 3: That's a great call out. 750 00:38:25,200 --> 00:38:28,000 Speaker 6: But because then if he because then he would have 751 00:38:28,080 --> 00:38:30,680 Speaker 6: known that she was with Logan, if she was sending, 752 00:38:30,800 --> 00:38:33,320 Speaker 6: if he was mailing that invite to Logan. 753 00:38:33,440 --> 00:38:37,920 Speaker 3: You're all great points. Yeah, unless they have a PO 754 00:38:37,920 --> 00:38:41,319 Speaker 3: box and somehow then it gets delivered. Did we see her? 755 00:38:41,680 --> 00:38:43,200 Speaker 3: Do we know that she didn't pick it up at 756 00:38:43,200 --> 00:38:46,319 Speaker 3: a PO box? She picks up a stack of mail, 757 00:38:46,400 --> 00:38:48,960 Speaker 3: but I don't know where was that. Where did she 758 00:38:49,080 --> 00:38:52,359 Speaker 3: get the mail from? We may never know, Like they 759 00:38:52,360 --> 00:38:54,400 Speaker 3: may have a PO box and maybe Logan goes through 760 00:38:54,440 --> 00:38:56,400 Speaker 3: the PO box and just dumps it in that bowl. 761 00:38:57,040 --> 00:38:59,080 Speaker 3: Like picturing her picking up the mail from a bowl. 762 00:38:59,480 --> 00:39:01,799 Speaker 4: I'm trying to think of like when we were in college, 763 00:39:02,680 --> 00:39:05,640 Speaker 4: did you receive mail at sorority house? You know? 764 00:39:05,800 --> 00:39:09,520 Speaker 3: Like I got at my sorority house? Can we This 765 00:39:09,560 --> 00:39:12,000 Speaker 3: is so being anal, Like how hard is it to 766 00:39:12,040 --> 00:39:14,239 Speaker 3: look at the scene and see how she got the 767 00:39:14,280 --> 00:39:16,960 Speaker 3: mail because it was in a bowl. Here's what I'm thinking. 768 00:39:17,239 --> 00:39:19,840 Speaker 3: They have a PO box, Yeah, and she's had the 769 00:39:19,880 --> 00:39:22,640 Speaker 3: same PO box all of school, but they go and 770 00:39:22,719 --> 00:39:24,800 Speaker 3: pick it up like maybe. 771 00:39:25,719 --> 00:39:31,680 Speaker 1: Maybe she had her mail checking house her old house forwarded. 772 00:39:31,640 --> 00:39:36,880 Speaker 3: Correct or there's some sort of central oralized house or yeah, 773 00:39:36,960 --> 00:39:39,600 Speaker 3: or there's some sort of central place where people get mail. 774 00:39:39,640 --> 00:39:41,560 Speaker 3: It's a good call out because it is a little 775 00:39:41,920 --> 00:39:43,640 Speaker 3: of a plot failed. 776 00:39:44,080 --> 00:39:44,920 Speaker 1: We'll keep going. 777 00:39:45,000 --> 00:39:46,719 Speaker 3: If jack Jackie's gonna check it. 778 00:39:47,000 --> 00:39:49,840 Speaker 1: Dig up the tape. But anyway, let's just keep moving here, folks. 779 00:39:52,000 --> 00:39:56,560 Speaker 1: So lorel I runs into her parents. They're antiquing. That's 780 00:39:56,280 --> 00:39:59,960 Speaker 1: they don't they have an antiquing point. 781 00:40:00,280 --> 00:40:02,719 Speaker 3: I'm so sorry, Scott. I'm so sorry, Scott. I thought 782 00:40:02,760 --> 00:40:05,440 Speaker 3: of one important thing I did want to acknowledge. Yes, 783 00:40:05,680 --> 00:40:08,680 Speaker 3: Rory's smile when she sees the letter. 784 00:40:09,000 --> 00:40:11,759 Speaker 6: Oh yeah, well that's why I thought that. So she 785 00:40:11,880 --> 00:40:16,360 Speaker 6: didn't like, That's why I thought amy it. She probably didn't. 786 00:40:16,239 --> 00:40:17,200 Speaker 3: Text, all right. 787 00:40:17,360 --> 00:40:19,480 Speaker 5: I mean I don't know how he talks also on 788 00:40:19,520 --> 00:40:23,440 Speaker 5: your address back then, you know what I mean? Like 789 00:40:23,480 --> 00:40:25,279 Speaker 5: it seemed like a surprise er, like, oh my. 790 00:40:25,239 --> 00:40:27,880 Speaker 3: God, that's what I think too, So we'll find Sorry, Scott, 791 00:40:27,920 --> 00:40:30,000 Speaker 3: you continue, but I just wanted to call out her 792 00:40:30,080 --> 00:40:32,960 Speaker 3: smile is the first time we've seen her freaking smile 793 00:40:33,000 --> 00:40:35,319 Speaker 3: I think in this whole episode. So I'm sort of like, oh, 794 00:40:35,320 --> 00:40:38,319 Speaker 3: thank god. Anyway, continue, I'm sorry about that. 795 00:40:39,440 --> 00:40:43,680 Speaker 1: Oh Jackie the actual address she walks in with the mail. 796 00:40:44,120 --> 00:40:47,400 Speaker 5: Oh see, so he mailed it to Logan's apartment. 797 00:40:48,120 --> 00:40:50,240 Speaker 3: But how do we know it's not a po box? 798 00:40:50,239 --> 00:40:52,439 Speaker 3: What's the address on the balls move? 799 00:40:53,320 --> 00:40:55,440 Speaker 1: It's Jackie said, it's the actual Jackie. 800 00:40:55,480 --> 00:40:58,000 Speaker 3: We take a screenshot of that envelope so we can 801 00:40:58,000 --> 00:41:00,960 Speaker 3: put it on Instagram. We can all don't analyze this. 802 00:41:01,239 --> 00:41:04,000 Speaker 6: I guess he wouldn't know it's Logan's place because he 803 00:41:04,000 --> 00:41:07,400 Speaker 6: didn't know where Logan lives, So if she sends an address, 804 00:41:07,440 --> 00:41:08,720 Speaker 6: it could have just been her new place. 805 00:41:08,880 --> 00:41:14,080 Speaker 3: I guess it's a little a little far fetch. But anyway, continue. 806 00:41:13,800 --> 00:41:18,239 Speaker 1: Let's keep this moment here, folks. So anyway, Laurelo. So 807 00:41:18,760 --> 00:41:23,480 Speaker 1: they're antiquing, and Laurela I begins what I consider to 808 00:41:23,520 --> 00:41:28,920 Speaker 1: be another example of the magic of this show, because 809 00:41:28,920 --> 00:41:33,240 Speaker 1: it's so over the top with all of the horrible things. 810 00:41:33,480 --> 00:41:37,040 Speaker 3: Oh my god, because it was down there. 811 00:41:37,080 --> 00:41:38,960 Speaker 1: You don't want to walk that street, right like the 812 00:41:39,480 --> 00:41:44,000 Speaker 1: car and and they're all and both Richard and Emily 813 00:41:44,080 --> 00:41:48,440 Speaker 1: are buying into it, like, oh, planning commission. 814 00:41:48,360 --> 00:41:50,839 Speaker 7: Can't take you there? They're going to open a big 815 00:41:50,880 --> 00:41:58,759 Speaker 7: box store. Sorry about this, Methla. It's so obviously not 816 00:41:59,080 --> 00:42:04,200 Speaker 7: a dangerous place. This is the magic, But that's the 817 00:42:04,280 --> 00:42:07,320 Speaker 7: fun of it. The fun of it is that she's 818 00:42:07,360 --> 00:42:10,160 Speaker 7: saying all that stuff and it's funny well because you 819 00:42:10,200 --> 00:42:13,080 Speaker 7: don't see any evidence of it. And also the fun 820 00:42:13,120 --> 00:42:15,359 Speaker 7: of it is that the parents are in on it 821 00:42:15,400 --> 00:42:17,400 Speaker 7: and they're buying totally. 822 00:42:17,440 --> 00:42:19,360 Speaker 3: And that's why I'm so glad when we saw Taylor 823 00:42:19,520 --> 00:42:23,600 Speaker 3: because Jonesy McGee or whatever, Hansy pan whatever his name was, 824 00:42:23,640 --> 00:42:27,680 Speaker 3: what was his fake name, Hansy Gropey McGee, That's what 825 00:42:27,719 --> 00:42:31,000 Speaker 3: it was, Gropey McGee, And it's like, this is gropy 826 00:42:31,040 --> 00:42:34,200 Speaker 3: McGee and that's where they go cut LAURALI like, you're 827 00:42:34,239 --> 00:42:37,480 Speaker 3: so full of it because he's just like, how dare 828 00:42:37,520 --> 00:42:40,160 Speaker 3: you disparage like Molly's ice cream or what. I just 829 00:42:40,239 --> 00:42:41,080 Speaker 3: love that whole thing. 830 00:42:42,440 --> 00:42:44,920 Speaker 5: It was a fun scene, it really was. 831 00:42:45,080 --> 00:42:46,920 Speaker 3: And it's sort of two parts. I think that's in 832 00:42:46,960 --> 00:42:49,080 Speaker 3: two parts, right, Like we get it a couple they go. 833 00:42:49,040 --> 00:42:51,720 Speaker 6: Into the market store. 834 00:42:51,880 --> 00:42:52,160 Speaker 3: Yeah. 835 00:42:52,520 --> 00:42:55,040 Speaker 6: I also like how she went out of her way 836 00:42:55,280 --> 00:42:57,600 Speaker 6: to go into the street, jump over the pothole and 837 00:42:57,640 --> 00:42:58,920 Speaker 6: then back on the pewalk. 838 00:42:59,000 --> 00:43:02,920 Speaker 3: I was like, oh god, that's good. 839 00:43:12,200 --> 00:43:17,760 Speaker 1: So now we're at we're in Philadelphia, Jessice events. 840 00:43:17,960 --> 00:43:22,080 Speaker 3: What did you think of the shots of Philadelphia. There's 841 00:43:22,120 --> 00:43:24,719 Speaker 3: a lot of them, there's a little long I'm like, 842 00:43:24,719 --> 00:43:25,520 Speaker 3: we got beautiful. 843 00:43:25,760 --> 00:43:28,600 Speaker 1: Yeah, but it's a beautiful city. I mean that written 844 00:43:28,600 --> 00:43:30,120 Speaker 1: house square section is beautiful. 845 00:43:30,400 --> 00:43:33,160 Speaker 3: Yeah, it's totally. There's just shots on shots and shots 846 00:43:33,160 --> 00:43:34,080 Speaker 3: of Philadelphia. 847 00:43:34,719 --> 00:43:36,880 Speaker 1: But then that's my hometown. 848 00:43:36,920 --> 00:43:38,839 Speaker 3: Man, is your hometown is it? 849 00:43:39,000 --> 00:43:40,120 Speaker 1: Yeah? I was born there. 850 00:43:40,239 --> 00:43:43,520 Speaker 3: I thought you're from like Rochester for some reason roches. 851 00:43:43,600 --> 00:43:44,640 Speaker 1: No, I'm not from Rochester. 852 00:43:45,320 --> 00:43:47,640 Speaker 3: I thought you were from Jersey. Yeah, where'd you grow? 853 00:43:47,719 --> 00:43:50,920 Speaker 1: I was born in Philadelphia and then we moved to Jersey. Okay, 854 00:43:51,239 --> 00:43:53,600 Speaker 1: we went right over the bridge. The Jersey's right over 855 00:43:53,600 --> 00:43:53,919 Speaker 1: the bridge. 856 00:43:54,120 --> 00:43:56,480 Speaker 3: I actually did not know that. I did not know that. 857 00:43:57,239 --> 00:43:57,520 Speaker 1: Mm hm. 858 00:43:58,160 --> 00:44:00,399 Speaker 3: Anyway, how happy were we? 859 00:44:03,320 --> 00:44:05,680 Speaker 1: So there we are? Luke is there? 860 00:44:08,040 --> 00:44:09,120 Speaker 4: April was there? 861 00:44:09,320 --> 00:44:14,800 Speaker 1: April and Luke, April and Jess meeting. Yes, uncomfortable meeting. 862 00:44:15,120 --> 00:44:18,359 Speaker 6: Get It was so them though, Like it wasn't out 863 00:44:18,360 --> 00:44:19,480 Speaker 6: of character. It's just how they are. 864 00:44:19,520 --> 00:44:22,040 Speaker 3: And doesn't he who says so my eyes don't deceive me? 865 00:44:22,200 --> 00:44:24,200 Speaker 3: I thought that was a cute line. Is that just 866 00:44:24,239 --> 00:44:27,799 Speaker 3: because he saw Luke? I think there's a line there. 867 00:44:27,800 --> 00:44:29,920 Speaker 3: And Jess looked so cute with his shirt and his 868 00:44:30,000 --> 00:44:32,360 Speaker 3: blazer and his like hair. 869 00:44:32,600 --> 00:44:34,239 Speaker 4: I know, his hair was very like he had like 870 00:44:34,280 --> 00:44:36,520 Speaker 4: a side than Yeah, you know, like. 871 00:44:36,800 --> 00:44:38,239 Speaker 3: I was trying to figure out if he was on 872 00:44:38,320 --> 00:44:39,440 Speaker 3: Heroes at this point. 873 00:44:39,920 --> 00:44:40,360 Speaker 4: I think so. 874 00:44:41,760 --> 00:44:45,560 Speaker 3: I think so Truncheon books, what's that? Why did it? 875 00:44:45,600 --> 00:44:49,360 Speaker 3: Why is it named Truncheon? Does anybody remember Truncheon? 876 00:44:49,480 --> 00:44:51,120 Speaker 4: I don't think that was like human referenced. 877 00:44:52,160 --> 00:44:54,719 Speaker 6: I did like that Luke went to go support Jess though, like, 878 00:44:54,840 --> 00:44:56,400 Speaker 6: no matter what happened. 879 00:44:57,480 --> 00:45:02,080 Speaker 4: I did love that. I did love that. 880 00:45:02,120 --> 00:45:04,040 Speaker 3: And in this family aren't chatty? 881 00:45:04,280 --> 00:45:08,120 Speaker 4: Yeah, and then Rory comes in. 882 00:45:09,719 --> 00:45:12,880 Speaker 3: Which yeah, this it's all very there's a whole lot 883 00:45:12,880 --> 00:45:15,360 Speaker 3: of awkward there. But I first we get this moment 884 00:45:15,400 --> 00:45:22,200 Speaker 3: where it's Jess and Luke and April and I like her, 885 00:45:22,360 --> 00:45:25,120 Speaker 3: she tolerates me like it's yeah, you know, it's very sort. 886 00:45:24,960 --> 00:45:28,600 Speaker 1: Of but it's it's really a full circle moment for 887 00:45:29,320 --> 00:45:32,399 Speaker 1: Luke and Jess. Jess pays him back. 888 00:45:33,040 --> 00:45:35,520 Speaker 3: Yeah, it does that happen an hour in a minute. 889 00:45:35,520 --> 00:45:37,480 Speaker 4: But you're right, I for thought about that, and he 890 00:45:37,600 --> 00:45:39,399 Speaker 4: was like, don't rip it up. I'm just gonna keep 891 00:45:39,400 --> 00:45:43,880 Speaker 4: sending sending the checks. I love that. I loved that 892 00:45:44,200 --> 00:45:48,040 Speaker 4: so much because and and and you can tell Luke 893 00:45:48,040 --> 00:45:49,640 Speaker 4: didn't want to accept at first, but then when he 894 00:45:49,840 --> 00:45:51,440 Speaker 4: when Jess was like, I'm just gonna keep sending it, 895 00:45:51,920 --> 00:45:55,480 Speaker 4: you can tell, like ye, Luke was like, okay, all right, 896 00:45:55,760 --> 00:45:58,520 Speaker 4: like I'm proud of you. I thought that was I 897 00:45:58,560 --> 00:45:59,720 Speaker 4: loved that so much. 898 00:46:00,000 --> 00:46:02,480 Speaker 3: And I know that we go back to stars Hollow, 899 00:46:02,480 --> 00:46:04,879 Speaker 3: but since we're talking about it, can can we talk 900 00:46:04,920 --> 00:46:08,320 Speaker 3: for a moment about Rory and April meeting. I don't know, Scott, 901 00:46:08,320 --> 00:46:11,799 Speaker 3: do you want to go back or go because they 902 00:46:11,800 --> 00:46:14,640 Speaker 3: go back and that's when the tailor Grope McGhee moment is. 903 00:46:16,400 --> 00:46:17,640 Speaker 3: But I think we'd like talked about it. 904 00:46:19,040 --> 00:46:22,440 Speaker 1: But yeah, we go. We go back into Dosie's and 905 00:46:22,480 --> 00:46:26,200 Speaker 1: that's a very funny Michael Winners, very good. You know 906 00:46:26,280 --> 00:46:29,280 Speaker 1: I could this is illegal. You're not allowed to cite 907 00:46:29,400 --> 00:46:32,920 Speaker 1: cites the code, and. 908 00:46:36,280 --> 00:46:39,040 Speaker 3: Oh my god, I forgot. Then there's that weird. 909 00:46:38,840 --> 00:46:43,080 Speaker 1: Poetry death by forty muskets. Yes, and then. 910 00:46:42,960 --> 00:46:45,479 Speaker 3: There's that weird poetry reading and I love when Luke 911 00:46:45,640 --> 00:46:48,480 Speaker 3: looks at Rory. I mean, sorry, Luke look at Freudian slip. 912 00:46:48,560 --> 00:46:50,640 Speaker 3: Luke looks at April and says, is this good? And 913 00:46:50,800 --> 00:46:58,400 Speaker 3: she's all, so, what did you guys think of Rory 914 00:46:58,800 --> 00:46:59,760 Speaker 3: meeting April? 915 00:47:01,760 --> 00:47:03,759 Speaker 4: I thought it was weird because of. 916 00:47:03,719 --> 00:47:07,080 Speaker 3: Luke, because of the way he introduced her. 917 00:47:07,400 --> 00:47:11,200 Speaker 6: Yeah, I felt bad for Laura I in that exact moment. 918 00:47:12,400 --> 00:47:16,799 Speaker 4: I mean I did, but like for me, it was 919 00:47:16,840 --> 00:47:21,480 Speaker 4: everything that Luke was saying trying to explain who Rory is. 920 00:47:22,239 --> 00:47:24,440 Speaker 3: But he does do it. He says, this is the 921 00:47:24,560 --> 00:47:26,600 Speaker 3: daughter of my fiance I know. 922 00:47:26,680 --> 00:47:30,640 Speaker 4: But then but then there was some and Jackie, maybe 923 00:47:30,640 --> 00:47:32,399 Speaker 4: you can pull up the exact quote, but he said 924 00:47:32,440 --> 00:47:35,480 Speaker 4: something along the lines of it's complicated, but it's not 925 00:47:35,760 --> 00:47:39,719 Speaker 4: what's complicated. That's what I just was like, is what 926 00:47:39,880 --> 00:47:43,279 Speaker 4: is complicated? You're making it complicated by saying it's complicated. 927 00:47:44,000 --> 00:47:48,000 Speaker 3: Yeah, I think it's complicated to him, where I'm sort of. 928 00:47:47,960 --> 00:47:48,359 Speaker 5: Like, hmm. 929 00:47:49,640 --> 00:47:52,600 Speaker 6: The line is, I mean, I've known her her well 930 00:47:52,680 --> 00:47:55,480 Speaker 6: since she was your age. She's from stars Hollow. She's 931 00:47:55,520 --> 00:47:58,920 Speaker 6: actually the daughter of the woman I'm with my fiance, Laura. 932 00:47:58,960 --> 00:48:01,799 Speaker 6: I you met her that once. It's kind of complicated. 933 00:48:02,400 --> 00:48:05,680 Speaker 4: Why is it? This is what I just I literally 934 00:48:05,760 --> 00:48:08,799 Speaker 4: yelled at my screen saying, why is it complicated? I 935 00:48:08,840 --> 00:48:09,879 Speaker 4: don't understand. 936 00:48:10,560 --> 00:48:13,479 Speaker 1: I think it's complicated, complicated for him. 937 00:48:13,560 --> 00:48:16,200 Speaker 3: Yeah, I think you're that's I agree with you, Scott. 938 00:48:16,239 --> 00:48:20,680 Speaker 3: It's it's complicated for him, and this is going to 939 00:48:20,719 --> 00:48:23,200 Speaker 3: get us all back into what we were dopinating last time. 940 00:48:23,239 --> 00:48:28,400 Speaker 3: But it's he's sort of sensitive to her, right, Like 941 00:48:29,360 --> 00:48:38,239 Speaker 3: this is overwhelming. You're meeting your potentially stepsister, your this 942 00:48:38,320 --> 00:48:40,719 Speaker 3: is a lot, and so I think she might be 943 00:48:40,760 --> 00:48:43,960 Speaker 3: cool with it, Rory. Everybody might be cool, but he isn't. 944 00:48:44,000 --> 00:48:45,319 Speaker 3: He's so kind of. 945 00:48:45,880 --> 00:48:48,880 Speaker 4: Yeah, it's just now it's just making it more evident 946 00:48:48,920 --> 00:48:51,000 Speaker 4: that the only person that's not allowed to meet her 947 00:48:51,120 --> 00:48:54,720 Speaker 4: is Laura Lai. Like in this situation, you know, now 948 00:48:55,120 --> 00:48:58,759 Speaker 4: she's met Jess, Now she's met Rory. Now you know, 949 00:48:58,960 --> 00:49:02,919 Speaker 4: like she's hung out with Lane. You know, the whole 950 00:49:02,960 --> 00:49:06,719 Speaker 4: town knows her. It's just now it's making it. 951 00:49:07,960 --> 00:49:09,960 Speaker 3: But maybe there is more to it than we know. 952 00:49:10,800 --> 00:49:15,680 Speaker 3: There is the potential like that maybe she isn't ready, 953 00:49:15,760 --> 00:49:18,839 Speaker 3: Maybe Anna's not ready. Clearly Luke's not ready. I don't 954 00:49:18,840 --> 00:49:21,240 Speaker 3: know's it is clearly complicated. 955 00:49:21,560 --> 00:49:23,600 Speaker 4: No, I think we can answer that. Luke is the 956 00:49:23,640 --> 00:49:25,640 Speaker 4: one that's not ready. I don't. He hasn't even had 957 00:49:25,640 --> 00:49:27,680 Speaker 4: that conversation with Anna, so we can't say that and 958 00:49:27,920 --> 00:49:30,200 Speaker 4: we don't read that. We know of Okay, well on 959 00:49:30,239 --> 00:49:35,680 Speaker 4: the show so far and yeah, I mean everything we've 960 00:49:35,719 --> 00:49:37,440 Speaker 4: seen it's it's Luke's hesitation. 961 00:49:39,400 --> 00:49:43,280 Speaker 1: Yeah, all right, So now we're we're with Jess and Rory. 962 00:49:43,440 --> 00:49:45,719 Speaker 1: This is where he gives Luke the money in the 963 00:49:45,920 --> 00:49:48,759 Speaker 1: book and he said, I want to buy it for you. 964 00:49:48,840 --> 00:49:50,640 Speaker 1: Put the money in your pocket and he sees the 965 00:49:50,760 --> 00:49:55,719 Speaker 1: check and it's for me. This is like Jess is 966 00:49:55,840 --> 00:50:02,080 Speaker 1: now a man. Yeah, he's become a man. It's a 967 00:50:02,120 --> 00:50:06,480 Speaker 1: young yeah, but nevertheless a man. He's paying his debts, 968 00:50:06,520 --> 00:50:10,640 Speaker 1: he's paying his respect and uh, it's it's a true 969 00:50:10,680 --> 00:50:11,880 Speaker 1: sign of growth. 970 00:50:12,000 --> 00:50:15,359 Speaker 4: And also likes somebody that young. You know, when they 971 00:50:15,520 --> 00:50:19,839 Speaker 4: start making money, their first thought might not be to 972 00:50:19,880 --> 00:50:22,200 Speaker 4: repay the people that they need to right away. 973 00:50:22,560 --> 00:50:22,839 Speaker 3: You know. 974 00:50:23,000 --> 00:50:24,799 Speaker 4: Maybe it's like, oh, I need to get a car, 975 00:50:24,920 --> 00:50:28,120 Speaker 4: I need to have a nice apartment, I don't know whatever. 976 00:50:28,760 --> 00:50:31,799 Speaker 4: And the fact that his first thing is I need 977 00:50:31,840 --> 00:50:36,040 Speaker 4: to pay back Luke, I just yeah, he's a good dude. 978 00:50:37,080 --> 00:50:38,759 Speaker 3: It's a good moment, all right. 979 00:50:38,880 --> 00:50:43,439 Speaker 1: So, uh, the diner, Emily playing bridge with what who 980 00:50:43,520 --> 00:50:48,759 Speaker 1: she thinks is and wasn't it just kind of bizarre 981 00:50:49,880 --> 00:50:51,880 Speaker 1: how abusive Emily? 982 00:50:52,160 --> 00:50:55,040 Speaker 3: Oh my god. First of all, she's so sweet. 983 00:50:54,719 --> 00:50:57,600 Speaker 1: Calling her an idiot and a morons, and it's just 984 00:50:57,640 --> 00:51:01,240 Speaker 1: like awful, character be uglier. 985 00:51:02,000 --> 00:51:06,200 Speaker 3: The character is what is the word? The character is 986 00:51:06,280 --> 00:51:09,160 Speaker 3: so sweet playing go fish to what she thinks is 987 00:51:09,239 --> 00:51:11,759 Speaker 3: Luke's daughter, and then when she finds out it's not, 988 00:51:11,960 --> 00:51:16,760 Speaker 3: she's so mean and inappropriate and you're like, oh my god. 989 00:51:17,680 --> 00:51:19,640 Speaker 3: But this is sort of where Laura La kind of 990 00:51:19,680 --> 00:51:23,239 Speaker 3: says like it's very awkward this whole moment, but she's 991 00:51:23,280 --> 00:51:26,360 Speaker 3: sort of like this is what we've he's we've chosen, Like, 992 00:51:26,560 --> 00:51:32,480 Speaker 3: oh oh, it's just a mess. But yes, Emily was horrible. 993 00:51:33,239 --> 00:51:36,640 Speaker 1: Yeah, I just I really saw how just and I've 994 00:51:36,680 --> 00:51:39,040 Speaker 1: seen it before, but I don't think I've ever seen 995 00:51:39,080 --> 00:51:39,800 Speaker 1: her so ugly. 996 00:51:40,120 --> 00:51:42,839 Speaker 3: Yeah. I think that that was actually sort of and 997 00:51:42,880 --> 00:51:46,000 Speaker 3: I don't mean to it's bad writing because Emily's not 998 00:51:46,040 --> 00:51:48,879 Speaker 3: going to see that was a lot for Emily. She's 999 00:51:48,920 --> 00:51:50,200 Speaker 3: not going to say that, She's just gonna be like, 1000 00:51:50,239 --> 00:51:53,120 Speaker 3: why am I wasting my time with this kid? I 1001 00:51:53,120 --> 00:51:53,480 Speaker 3: don't know. 1002 00:51:53,600 --> 00:51:56,000 Speaker 1: There has there has to be a reason. I think 1003 00:51:56,080 --> 00:51:59,240 Speaker 1: Dan's a great writer. I think there's a reason she's 1004 00:51:59,280 --> 00:52:02,600 Speaker 1: that ugly moment because that's who she is, right. Even 1005 00:52:02,680 --> 00:52:06,920 Speaker 1: Kelly Bishop herself says in interviews, I really enjoyed playing 1006 00:52:06,960 --> 00:52:12,720 Speaker 1: this woman because you know, she personally hates entitled, wealthy 1007 00:52:12,760 --> 00:52:16,719 Speaker 1: women that behave in a certain way. And how much 1008 00:52:16,760 --> 00:52:19,600 Speaker 1: fun it is to play a woman like that without 1009 00:52:19,640 --> 00:52:24,759 Speaker 1: a filter. And boy, there was no filter there. She 1010 00:52:24,880 --> 00:52:28,839 Speaker 1: wasn't great, a child behind her back with an earshot 1011 00:52:28,920 --> 00:52:32,719 Speaker 1: of other customers. It was aggressive for me, it was disgusting. 1012 00:52:32,880 --> 00:52:35,000 Speaker 3: Yes, I agree, and that's why I'm like, oh, that 1013 00:52:35,040 --> 00:52:39,440 Speaker 3: didn't track totally for me. I can accept it because 1014 00:52:39,480 --> 00:52:43,040 Speaker 3: there was some point to it, right, But it was aggressive. 1015 00:52:43,200 --> 00:52:47,960 Speaker 3: I'm like, yeah, that's oh wow. It was almost like 1016 00:52:47,960 --> 00:52:49,919 Speaker 3: you're confused. 1017 00:52:49,800 --> 00:52:52,960 Speaker 1: Right and that Yeah, it was so unhinged. 1018 00:52:53,280 --> 00:52:56,400 Speaker 3: But it was so great how she wanted to be 1019 00:52:56,480 --> 00:53:00,200 Speaker 3: with Luke's daughter, right, Like she wanted to embrace her 1020 00:53:00,239 --> 00:53:02,799 Speaker 3: and play with her and make her happy. So there 1021 00:53:02,920 --> 00:53:05,600 Speaker 3: was some sort of like, well that's great, but then 1022 00:53:05,600 --> 00:53:08,400 Speaker 3: when you find out it's not her you're just a yeah. 1023 00:53:08,200 --> 00:53:11,160 Speaker 1: But that is a close personal friend of Luke, which 1024 00:53:11,200 --> 00:53:14,160 Speaker 1: I am. I know him very well. I've known him 1025 00:53:14,160 --> 00:53:17,360 Speaker 1: for twenty four years. He's a great guy, and I 1026 00:53:17,400 --> 00:53:19,719 Speaker 1: wouldn't want Emily anywhere near my daughter. 1027 00:53:19,880 --> 00:53:23,600 Speaker 4: Wait, unpopular opinion. I actually like, Okay, it went south 1028 00:53:23,680 --> 00:53:27,520 Speaker 4: really fast, But I did really like the fact that Emily, 1029 00:53:28,160 --> 00:53:31,719 Speaker 4: with all her kind of back handed comments that she's 1030 00:53:31,760 --> 00:53:34,640 Speaker 4: made towards Luke, is kind of putting that aside, being like, 1031 00:53:34,719 --> 00:53:36,480 Speaker 4: if this girl is going to be if this little 1032 00:53:36,480 --> 00:53:38,919 Speaker 4: girl is going to be in my daughter's life. 1033 00:53:39,120 --> 00:53:43,279 Speaker 3: I agree, she's so she's like a ten out of 1034 00:53:43,280 --> 00:53:46,680 Speaker 3: ten when she thinks it's apeing the car. She's so terrible. 1035 00:53:46,680 --> 00:53:49,080 Speaker 4: But I know she's so terrible after But I. 1036 00:53:49,040 --> 00:53:54,120 Speaker 3: Think I'll give an unpopular opinion. I see where Rory 1037 00:53:54,200 --> 00:53:58,000 Speaker 3: gets it. Rory is a little Emilyish in. 1038 00:53:58,000 --> 00:53:59,640 Speaker 4: What interesting in what way? 1039 00:54:00,200 --> 00:54:05,960 Speaker 3: The passive aggressiveness and just being so cold. So it's 1040 00:54:06,000 --> 00:54:10,520 Speaker 3: like I'm just saying, and I've seen Rory b Emilyish before, 1041 00:54:11,880 --> 00:54:15,480 Speaker 3: I'm just I don't know, come at me, but I 1042 00:54:15,480 --> 00:54:17,480 Speaker 3: don't know. In this episode in particular, I. 1043 00:54:17,400 --> 00:54:20,560 Speaker 1: Was like, you know, you know what I'm thinking is 1044 00:54:22,680 --> 00:54:27,000 Speaker 1: I wish that little girl's mother was in the dinersh 1045 00:54:27,080 --> 00:54:30,000 Speaker 1: and in front of Emily. I'd like to see that. 1046 00:54:30,080 --> 00:54:31,520 Speaker 1: I'd like somebody to put. 1047 00:54:31,440 --> 00:54:34,480 Speaker 3: Her in her Yeah, because Laura like, doesn't. 1048 00:54:34,360 --> 00:54:35,600 Speaker 4: You don't you don't talk. 1049 00:54:35,400 --> 00:54:38,759 Speaker 1: That way about a child. I don't. I don't care 1050 00:54:39,239 --> 00:54:42,280 Speaker 1: what the child did. You do not detegrate a child 1051 00:54:42,320 --> 00:54:44,520 Speaker 1: like that. Oh that was so terrible. That was the 1052 00:54:44,600 --> 00:54:47,640 Speaker 1: ugliest scene I've ever seen. And then she starts barking 1053 00:54:47,680 --> 00:54:52,720 Speaker 1: at uh Laura, l I about not, you know, step 1054 00:54:52,840 --> 00:54:54,120 Speaker 1: up and demand meeting. 1055 00:54:54,480 --> 00:54:58,799 Speaker 3: Yeah, yeah, yeah, that wasting to write. She's just so 1056 00:54:58,920 --> 00:55:02,200 Speaker 3: she just bossy, great controller. Yeah I know. I was like, wow, 1057 00:55:02,239 --> 00:55:06,160 Speaker 3: what a mess. But yet there was some truth in 1058 00:55:06,239 --> 00:55:11,680 Speaker 3: it all too, because she had some good points to Laura. 1059 00:55:11,800 --> 00:55:17,840 Speaker 3: L Yeah, So it was like it's her way, she 1060 00:55:18,000 --> 00:55:18,440 Speaker 3: does it. 1061 00:55:18,520 --> 00:55:32,960 Speaker 1: Emily's like, so now we're back with Jess, back at 1062 00:55:33,000 --> 00:55:34,080 Speaker 1: trench and books. 1063 00:55:34,239 --> 00:55:35,000 Speaker 3: Great scene. 1064 00:55:35,200 --> 00:55:38,200 Speaker 1: Whoa, and he's with his uh, he's with his uh, 1065 00:55:38,920 --> 00:55:42,240 Speaker 1: his buddies who also co own that place, and he's saying, 1066 00:55:42,320 --> 00:55:44,120 Speaker 1: control your poet, control your. 1067 00:55:44,280 --> 00:55:48,080 Speaker 3: Yeah, and then they went off the rails they head out, 1068 00:55:48,280 --> 00:55:51,920 Speaker 3: and he doesn't he was so happy. 1069 00:55:52,760 --> 00:55:54,240 Speaker 1: What did you guys, think of the kiss. 1070 00:55:54,640 --> 00:55:58,440 Speaker 3: Great kiss, It's a great kiss. I wouldn't be fine 1071 00:55:58,480 --> 00:56:02,680 Speaker 3: if they get back together, but she doesn't want to. 1072 00:56:04,960 --> 00:56:09,560 Speaker 4: I hated everything about this. I hated it so much. 1073 00:56:10,400 --> 00:56:14,160 Speaker 4: I was boiling, literally boiling. 1074 00:56:15,239 --> 00:56:17,200 Speaker 1: Well, she slices the guy open. 1075 00:56:17,680 --> 00:56:22,319 Speaker 4: Well, she is leading him. Yeah, she's leading him on 1076 00:56:22,360 --> 00:56:26,520 Speaker 4: the entire way. She gets there, and she's like, I'm here, Yes, 1077 00:56:26,640 --> 00:56:29,560 Speaker 4: a year alone, Yes, I'm here alone. Is everything fixed? 1078 00:56:29,600 --> 00:56:30,520 Speaker 4: Everything's fixed? 1079 00:56:30,760 --> 00:56:31,000 Speaker 3: You know? 1080 00:56:31,080 --> 00:56:34,680 Speaker 4: Like she is literally telling him I'm here for you. 1081 00:56:34,800 --> 00:56:36,000 Speaker 3: She was looking real cute. 1082 00:56:36,480 --> 00:56:40,600 Speaker 4: Yeah, and she was like basically every sign she was 1083 00:56:40,640 --> 00:56:46,560 Speaker 4: giving walking into that and into his space is I'm here. 1084 00:56:46,920 --> 00:56:49,799 Speaker 4: I want this, you know, like and I do. I 1085 00:56:49,800 --> 00:56:51,440 Speaker 4: do think part of her did want it, but not 1086 00:56:51,480 --> 00:56:54,319 Speaker 4: for the right reason. She wanted to revenge right, right 1087 00:56:54,440 --> 00:56:58,279 Speaker 4: or better? Yeah, And I think the only person right 1088 00:56:58,320 --> 00:57:03,080 Speaker 4: now that was a threat to Logan was Jess based 1089 00:57:03,120 --> 00:57:06,120 Speaker 4: off the last time that Jess came and visited Rory 1090 00:57:06,200 --> 00:57:10,200 Speaker 4: and he walked in on their quote unquote date and 1091 00:57:10,320 --> 00:57:12,040 Speaker 4: he got a little threat in there, and you know, 1092 00:57:12,080 --> 00:57:14,480 Speaker 4: they had some words. And I think Rory is using 1093 00:57:14,520 --> 00:57:17,760 Speaker 4: this to her advantage, which we obviously she does prove that. 1094 00:57:18,520 --> 00:57:21,800 Speaker 3: But she's Yeah, she's unkind to Jess too. 1095 00:57:22,040 --> 00:57:25,640 Speaker 4: She is so she is using him. She is so unkind. 1096 00:57:25,720 --> 00:57:34,200 Speaker 4: She's been a a a huge bee and Jess, he 1097 00:57:34,280 --> 00:57:36,400 Speaker 4: said it himself, does not deserve that. 1098 00:57:36,680 --> 00:57:40,680 Speaker 3: No, he even said yeah, and he's right, like, look, 1099 00:57:40,760 --> 00:57:44,040 Speaker 3: he made his mistakes along the way, but whatever. 1100 00:57:43,800 --> 00:57:46,000 Speaker 4: But did he he never made a mistake with her? 1101 00:57:46,280 --> 00:57:48,320 Speaker 3: Well, yes he did. He just left. 1102 00:57:48,640 --> 00:57:52,320 Speaker 4: Okay, you're right, I forgot about that that. 1103 00:57:52,280 --> 00:57:54,840 Speaker 3: But anyway, so I want to know from you guys 1104 00:57:56,320 --> 00:58:00,200 Speaker 3: to me, she's treating everyone badly, because she's clearly treating 1105 00:58:00,200 --> 00:58:02,680 Speaker 3: Logan badly. Now it might be justified, but I don't 1106 00:58:02,760 --> 00:58:05,280 Speaker 3: like how she's doing it. And now she's just using 1107 00:58:05,400 --> 00:58:07,800 Speaker 3: Jess and being mean to Jess. I don't like any 1108 00:58:07,800 --> 00:58:11,400 Speaker 3: of it. She's not being nice at all to anyone. 1109 00:58:11,640 --> 00:58:14,080 Speaker 3: She's being very selfish. 1110 00:58:14,520 --> 00:58:20,120 Speaker 1: I just I, Well, she's hurt. She feels like she's 1111 00:58:20,120 --> 00:58:22,800 Speaker 1: been cheated on multiple times by the man she loves. 1112 00:58:22,840 --> 00:58:26,400 Speaker 4: So then she gets, yeah, what's your excuse exactly if 1113 00:58:26,400 --> 00:58:28,560 Speaker 4: you know how it feels, justifying. 1114 00:58:28,080 --> 00:58:33,400 Speaker 1: It, I'm just saying, you know, she's not in you know, 1115 00:58:34,080 --> 00:58:36,520 Speaker 1: a proper mental state. 1116 00:58:36,760 --> 00:58:40,600 Speaker 3: Hurt people, hurt people. She's struggling, hurt people, hurt people. 1117 00:58:40,680 --> 00:58:44,040 Speaker 3: She's all hurt, and so she's just hurting everybody, including Jess. 1118 00:58:44,240 --> 00:58:46,400 Speaker 3: That's what I don't like, is like, hey, now you're 1119 00:58:46,440 --> 00:58:48,440 Speaker 3: going and hurting this guy because you just kissed him 1120 00:58:48,440 --> 00:58:50,280 Speaker 3: and got his hopes all up and he's so happy. 1121 00:58:50,560 --> 00:58:51,840 Speaker 3: And then you're like, oh, I love. 1122 00:58:51,760 --> 00:58:53,920 Speaker 4: Log and not only that, but like maybe I'm just 1123 00:58:53,960 --> 00:58:59,080 Speaker 4: super protective of Jess, but he has helped guide her 1124 00:58:59,200 --> 00:59:03,200 Speaker 4: to get back on the right track, you know. And 1125 00:59:03,200 --> 00:59:07,880 Speaker 4: and then and and I think he was excited that 1126 00:59:08,000 --> 00:59:12,440 Speaker 4: maybe they can get back together, and she's just and 1127 00:59:12,520 --> 00:59:15,120 Speaker 4: she knows that, you know what I mean, she knows 1128 00:59:15,160 --> 00:59:17,960 Speaker 4: that that's the problem. She's not doing it unintentionally, like 1129 00:59:18,080 --> 00:59:21,280 Speaker 4: she knows what she's doing, and she knows that Jess 1130 00:59:21,360 --> 00:59:21,919 Speaker 4: is into it. 1131 00:59:22,160 --> 00:59:25,040 Speaker 1: Okay, do you think she's shallow? Do you think she 1132 00:59:25,160 --> 00:59:26,560 Speaker 1: just wants to go for the rich guy? 1133 00:59:26,720 --> 00:59:30,880 Speaker 3: No, no, no, no, it's not about that. She's self absorbed. 1134 00:59:31,080 --> 00:59:35,280 Speaker 4: I agree, it's what it's me, me, me, How am 1135 00:59:35,280 --> 00:59:38,320 Speaker 4: I feeling right now? Let me you know, it's me 1136 00:59:38,400 --> 00:59:38,640 Speaker 4: me me. 1137 00:59:38,840 --> 00:59:41,160 Speaker 3: I'm gonna pretend I'm sort of getting back together with Logan, 1138 00:59:41,200 --> 00:59:43,160 Speaker 3: but then I'm going to be mean to him. It's like, 1139 00:59:43,400 --> 00:59:46,560 Speaker 3: just don't do it, don't be back, don't live with him. 1140 00:59:46,600 --> 00:59:49,920 Speaker 4: The only reason why she's there kissing Jess is to 1141 00:59:49,920 --> 00:59:52,960 Speaker 4: get back at Logan. You know, like she she said 1142 00:59:53,000 --> 00:59:58,080 Speaker 4: it herself that she you know, that she wants she 1143 00:59:58,080 --> 01:00:00,480 Speaker 4: couldn't even cheat on him the way that he did, 1144 01:00:01,080 --> 01:00:03,000 Speaker 4: so she I think she went in there with the 1145 01:00:03,000 --> 01:00:06,120 Speaker 4: intention to have sex with. 1146 01:00:06,440 --> 01:00:08,200 Speaker 3: She's actually cheating on Logan. 1147 01:00:09,960 --> 01:00:14,000 Speaker 4: I agree, yeah, but like she said no, and she's 1148 01:00:14,080 --> 01:00:17,200 Speaker 4: basically proving the point that she still feels that Logan 1149 01:00:17,320 --> 01:00:20,680 Speaker 4: cheated on her because she said, I still can't cheat 1150 01:00:20,920 --> 01:00:24,440 Speaker 4: on him the way that he did it to me. 1151 01:00:25,160 --> 01:00:30,920 Speaker 1: So she's you know, I think my Jess has his 1152 01:00:31,040 --> 01:00:35,120 Speaker 1: head on screwed right this time. He just said he 1153 01:00:35,320 --> 01:00:37,400 Speaker 1: just accepted it. He just said it is what it is, 1154 01:00:37,440 --> 01:00:40,200 Speaker 1: you and me, you know, it is what it is. 1155 01:00:40,840 --> 01:00:44,560 Speaker 1: And then the final scene is uh, you know larel 1156 01:00:44,600 --> 01:00:47,200 Speaker 1: Ized spilling the coffee on the wedding dress with a 1157 01:00:47,360 --> 01:00:51,360 Speaker 1: really cool punk song which I think the lyrics were saying, 1158 01:00:51,400 --> 01:00:53,120 Speaker 1: I've got angst in my pants. 1159 01:00:55,480 --> 01:01:00,520 Speaker 3: That dress so hideous. Great final scene with the ass. 1160 01:01:01,600 --> 01:01:03,280 Speaker 3: It just gives you a little more because you could 1161 01:01:03,280 --> 01:01:04,680 Speaker 3: have ended it at Jess. 1162 01:01:04,800 --> 01:01:09,000 Speaker 4: I still think I still think we need to talk 1163 01:01:09,000 --> 01:01:09,680 Speaker 4: more about the jest. 1164 01:01:11,480 --> 01:01:12,760 Speaker 3: Let it out, Let it out. 1165 01:01:13,200 --> 01:01:16,360 Speaker 4: That scene bothered me so much, like I literally read, 1166 01:01:16,520 --> 01:01:18,840 Speaker 4: oh no, I didn't bother me by that scene. 1167 01:01:18,800 --> 01:01:20,880 Speaker 3: You didn't bother you, Scott. I was okay with it, 1168 01:01:21,000 --> 01:01:25,680 Speaker 3: even though I get it's but it didn't like trigger me. 1169 01:01:25,880 --> 01:01:29,920 Speaker 4: Like you're getting young. 1170 01:01:28,560 --> 01:01:34,080 Speaker 1: People that are, you know, involved in tumultuous relationships do 1171 01:01:34,200 --> 01:01:38,960 Speaker 1: these things? Yeah, not uncommon. It's just all these young passions. 1172 01:01:38,960 --> 01:01:42,120 Speaker 1: They're just young people figuring it. You know, we're expecting 1173 01:01:42,240 --> 01:01:47,240 Speaker 1: them to act like fully formed yes who there just aren't. 1174 01:01:47,240 --> 01:01:50,520 Speaker 1: And I think I don't want to judge them so harshly. 1175 01:01:50,560 --> 01:01:53,240 Speaker 1: I mean, yeah, she's she's being kind of a putts 1176 01:01:53,280 --> 01:01:55,800 Speaker 1: and he's being a Putts and you know Jess used 1177 01:01:55,800 --> 01:01:58,080 Speaker 1: to be a Putts and now he's such a putts. 1178 01:01:58,880 --> 01:02:02,640 Speaker 4: We just didn't even mention the just was like, you know, 1179 01:02:02,840 --> 01:02:04,560 Speaker 4: if you need, if it makes you feel better, you 1180 01:02:04,560 --> 01:02:07,400 Speaker 4: can tell Logan. We did. Oh, I know, Like we 1181 01:02:07,440 --> 01:02:09,600 Speaker 4: didn't mention that, Like that's huge. 1182 01:02:09,800 --> 01:02:13,880 Speaker 1: That was because he knows why she's there. He feels used. 1183 01:02:13,920 --> 01:02:16,280 Speaker 1: It's fine whatever he feels. 1184 01:02:16,080 --> 01:02:19,320 Speaker 4: Used and he's and he's still being such a good 1185 01:02:19,440 --> 01:02:20,160 Speaker 4: friend to her. 1186 01:02:21,160 --> 01:02:24,560 Speaker 3: Yeah, it's it's I think it's a important scene. It 1187 01:02:24,680 --> 01:02:26,280 Speaker 3: just didn't gut me, like. 1188 01:02:27,880 --> 01:02:31,720 Speaker 1: How how much how much more mature Jess is? 1189 01:02:31,880 --> 01:02:34,600 Speaker 3: That's right, that's exactly correct, And. 1190 01:02:34,560 --> 01:02:37,480 Speaker 1: It's amazing because the opposite was true. 1191 01:02:38,000 --> 01:02:40,640 Speaker 3: Correct, And he's evolved and she hasn't. 1192 01:02:41,040 --> 01:02:41,880 Speaker 1: He really has. 1193 01:02:42,160 --> 01:02:45,320 Speaker 3: She's up to her same junk she was doing in 1194 01:02:45,400 --> 01:02:49,000 Speaker 3: high school. Yeah, and it's like he's so evolved that 1195 01:02:49,080 --> 01:02:50,080 Speaker 3: he's and he's not. 1196 01:02:50,360 --> 01:02:53,160 Speaker 4: Angry, so much better than Rory. I'm just gonna say, yeah, 1197 01:02:53,200 --> 01:02:55,560 Speaker 4: he is so much better than her right now, I 1198 01:02:55,560 --> 01:02:56,080 Speaker 4: can't tell. 1199 01:02:56,560 --> 01:02:59,280 Speaker 1: I can't. Yeah, she is, and I can't tell whether 1200 01:02:59,840 --> 01:03:07,400 Speaker 1: the Logan relationship is stunting her growth or and she's 1201 01:03:07,440 --> 01:03:11,280 Speaker 1: not evolving because she's so obsessed with that is a 1202 01:03:11,320 --> 01:03:16,120 Speaker 1: great question. Kind of feels wrong now a little bit right. 1203 01:03:16,280 --> 01:03:20,760 Speaker 1: I mean, they're they're having marital problems in their relationship 1204 01:03:21,600 --> 01:03:23,080 Speaker 1: even close to being that's a. 1205 01:03:23,040 --> 01:03:28,680 Speaker 3: Great question, Scott, like, is he stunting yes, because she's 1206 01:03:28,880 --> 01:03:34,080 Speaker 3: very uh, she's not herself because she's so sort of 1207 01:03:35,640 --> 01:03:38,120 Speaker 3: she loves him, so she's acting all karay. 1208 01:03:39,240 --> 01:03:42,440 Speaker 1: Yeah, I think she is her true self with with Jess. 1209 01:03:42,960 --> 01:03:47,440 Speaker 3: Yeah, she's her better self, she's a better except that 1210 01:03:47,520 --> 01:03:51,480 Speaker 3: she's except for that. But right because she's not with Jess. Yeah, 1211 01:03:51,560 --> 01:03:53,920 Speaker 3: I mean it's complicated, right. It's why people get so 1212 01:03:55,640 --> 01:03:57,600 Speaker 3: up in arms over who the right one. 1213 01:03:57,480 --> 01:03:58,960 Speaker 4: Is for Team Jess. 1214 01:03:59,200 --> 01:04:01,520 Speaker 3: Right, it probably is, yes, but he's not She's not 1215 01:04:01,640 --> 01:04:03,200 Speaker 3: worthy of him. Maybe, I don't know. 1216 01:04:03,560 --> 01:04:04,640 Speaker 4: Yeah, not right now. 1217 01:04:04,920 --> 01:04:06,240 Speaker 3: Anyway, what do we give it? 1218 01:04:06,400 --> 01:04:08,360 Speaker 1: Let's stick a fork in this episode. 1219 01:04:08,520 --> 01:04:11,280 Speaker 3: What we give it? I'm giving it. Call it well done, 1220 01:04:11,320 --> 01:04:13,920 Speaker 3: well done. I oh, I have a lot of favorite lines, 1221 01:04:13,960 --> 01:04:17,400 Speaker 3: but we said them mostly you only get one. I 1222 01:04:17,440 --> 01:04:20,400 Speaker 3: think I said them. I'm going to give it ten 1223 01:04:20,440 --> 01:04:25,520 Speaker 3: Paul Ankash ten. Oh, No, I didn't. I thought I 1224 01:04:25,600 --> 01:04:26,280 Speaker 3: was being so clever. 1225 01:04:27,120 --> 01:04:34,840 Speaker 4: M I gotta find something else now. Nine point two 1226 01:04:35,560 --> 01:04:37,360 Speaker 4: sweaters on the bus, Oh. 1227 01:04:37,040 --> 01:04:38,920 Speaker 3: Good one. 1228 01:04:39,240 --> 01:04:42,720 Speaker 1: Uh, I'm going to give it the I think. I 1229 01:04:42,760 --> 01:04:46,200 Speaker 1: think for me it's a ten. Yeah as well. I 1230 01:04:46,320 --> 01:04:48,680 Speaker 1: really enjoyed it. I thought it was light and airy 1231 01:04:48,840 --> 01:04:54,160 Speaker 1: and kind of dramatically and the magical in the right place. Yeah, 1232 01:04:54,280 --> 01:04:56,720 Speaker 1: and it just moved very well for me. I really 1233 01:04:56,760 --> 01:05:05,160 Speaker 1: enjoyed it. Uh, I'm going to give it ten. Just checks. 1234 01:05:05,360 --> 01:05:09,160 Speaker 3: Oh, nice nice A nice call there, all right? 1235 01:05:09,360 --> 01:05:12,480 Speaker 1: Next episode, Season six, episode nineteen, I get a sidekick 1236 01:05:13,200 --> 01:05:15,440 Speaker 1: out of you best fans on the planet. Thanks for 1237 01:05:15,520 --> 01:05:18,800 Speaker 1: download and keep the cards and letters coming. We really 1238 01:05:18,840 --> 01:05:23,040 Speaker 1: appreciate the comments, just not a thousand bad ones at 1239 01:05:23,080 --> 01:05:26,000 Speaker 1: a time. Thanks so much for keeping that in mind. 1240 01:05:26,280 --> 01:05:29,320 Speaker 1: Can we just keep it to seven fifty? Keep it 1241 01:05:29,320 --> 01:05:34,560 Speaker 1: to seven fifty so we can retain some self respect 1242 01:05:34,640 --> 01:05:38,840 Speaker 1: and we love you guys. We'll see you next time. 1243 01:05:38,880 --> 01:06:09,440 Speaker 8: Stay safe, everybody, and don't forget. 1244 01:06:09,480 --> 01:06:13,520 Speaker 1: Follow us on Instagram at I Am all In podcast 1245 01:06:13,600 --> 01:06:27,840 Speaker 1: and email us at Gilmore at iHeartRadio dot com.