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Speaker 1: So it's a fight. You know, it's an argument, right,

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Speaker 1: We're airing it out, we're hashing it out, we're getting

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Speaker 1: into it. We're saying things that I guess to an

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Speaker 1: outsider might seem unforgivable. But it's all gonna be okay.

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Speaker 1: It's all family. And do you know how you can

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Speaker 1: tell because the whole time we're yelling, we're making the sauce.

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Speaker 2: I love that. I love that.

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Speaker 3: I do want to hear this. I just want to

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Speaker 3: put it. Zach is here, Zach has I mean, I

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Speaker 3: want to hear this. I just in case you didn't

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Speaker 3: see Zach, Zach has like Zach. Zach has arrived, So

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Speaker 3: I like, I want to finish the story. But just like,

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Speaker 3: I just want to f like that Zach is in

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Speaker 3: the building, and it seems like he's he's ready.

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Speaker 1: To recognizing Zach acknowledging that he's here, but also continuing

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Speaker 1: to describe the act of making the sauce.

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Speaker 4: I don't know if it matters, but I don't care.

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Speaker 1: Sorry, so sorry Zach, and totally understand.

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Speaker 2: And he is speaking as well.

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Speaker 3: I just want to find that Zacha has begun speaking.

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Speaker 1: I did notice that he's.

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Speaker 4: I just wanted to say, I don't care either way.

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Speaker 4: You can if you finish or don't. It doesn't I

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Speaker 4: don't care either way.

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Speaker 1: Okay, I do care if I finish. I do care

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Speaker 1: if I finish. I do care that then let's do it.

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Speaker 4: Let's hear this.

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Speaker 1: So we've got one for one for I guess not

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Speaker 1: finishing is what you wanted.

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Speaker 2: No, he doesn't care either way.

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Speaker 4: Yeah, I don't care.

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Speaker 3: And I said that he did that, that I do

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Speaker 3: want you to finish. And I was just flagging that

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Speaker 3: Zach was here and that since inified that he that

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Speaker 3: he did start to speak, And now I just want

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Speaker 3: to just flag as well that he doesn't care whether

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Speaker 3: or not you finished.

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Speaker 2: Oh it's good for him anyway.

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Speaker 1: Uh okay, Yeah, So Kevin, I guess I never do this. Wow,

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Speaker 1: do you care if I finish?

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Speaker 2: Oh?

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Speaker 1: My god, I hate to even be in this position.

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Speaker 2: Ever.

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Speaker 1: I feel like you've got so much power right now,

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Speaker 1: because if most people don't care if I finish, that

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Speaker 1: makes me feel like they're really saying I shouldn't finish.

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Speaker 2: I would like you to finish.

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Speaker 3: I'm curious about the sauce. Do you really the fact

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Speaker 3: that Kevin wants you to finish. So do you actually

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Speaker 3: are going to do it? Oh, that's that's a good point. Yeah,

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Speaker 3: because because Kevin wants you to, so you just do whatever.

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Speaker 3: Kevin just like his every desire. That's just like what

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Speaker 3: you do now.

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Speaker 1: Yeah, if he's interested, that's actually probably a sort of

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Speaker 1: a red flag in terms of the story as a

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Speaker 1: red sauce as well.

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Speaker 2: What I was making.

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Speaker 1: But you know, there are certain and Zach, you probably

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Speaker 1: run into this. I mean, you're a Hollywood type and

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Speaker 1: you've got representation, and sometimes you'll take a meeting, maybe

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Speaker 1: you've got an idea pitch you're going to go out with,

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Speaker 1: and you'll meet with like a manager or someone and

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Speaker 1: they may not be yours, but you present your idea

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Speaker 1: and they give you feedback and your initial response is frustration,

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Speaker 1: But then you realize they've done you a favor. They

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Speaker 1: have indicated to you what the reaction will be of

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Speaker 1: the absolute stupidest person that you pitch to when you

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Speaker 1: do bring this project out into the world and encounter executives, studios, networks,

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Speaker 1: and so they've actually told you what you need to

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Speaker 1: steer away from. And Kevin serves a similar function on

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Speaker 1: this show where he's in valuable. People go like, I

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Speaker 1: don't think Kevin is the audience of the show, and

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Speaker 1: you go, that's the point. We don't want Kevin to

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Speaker 1: be the audience of the show. So we need to

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Speaker 1: know what Kevin thinks, because that is such a great barometer,

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Speaker 1: such a great indicator for us of what we need

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Speaker 1: to avoid. So when I see Kevin getting really excited,

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Speaker 1: I go, oh, thank goodness, I was about to dive

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Speaker 1: into this area, in this case, the sauce. I was

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Speaker 1: about to bring the show into an area that would

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Speaker 1: be interesting to Kevin and therefore not interesting to our

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Speaker 1: fans who are very, very discerning.

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Speaker 3: Does that make.

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Speaker 4: Sense, Yeah, So I guess that means you've decided we're

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Speaker 4: not gonna hear the end of it.

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Speaker 1: Unfortunately, we won't hear any more about the sauce, any

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Speaker 1: ingredients in one of the ingredients in the sauce.

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Speaker 2: We don't have to hear of the whole thing.

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Speaker 3: But I do just one thing I know about Sean's

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Speaker 3: The Family Sauce is that one of the ingredients is pasta.

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Speaker 1: Oh absolutely, Oh my gosh. How do you know if

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Speaker 1: the sauce tastes good on your pasta? If you don't

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Speaker 1: put a little pasta in the sauce. I never understand

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Speaker 1: these people who spend all day making the sauce, then

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Speaker 1: they combine it with the pasta and they go, well,

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Speaker 1: the sauce tasted good, But these two things don't go together.

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Speaker 4: I don't care either way. But it does feel like

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Speaker 4: you're finishing the story.

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Speaker 3: I promise you this is This is not I've heard

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Speaker 3: this story more times than oh you already. Oh yeah,

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Speaker 3: why do you think he's telling me now? He's so

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Speaker 3: used to telling me this story.

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Speaker 1: When I see Hayes, there's a couple of things I

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Speaker 1: just start doing, you know. I unbutton my top button

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Speaker 1: on my shirt. I slip out of my old loafers,

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Speaker 1: my penny loafers, because I know I've got to get comfortable,

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Speaker 1: And I start to talk about the sauce and how

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Speaker 1: the main ingredient.

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Speaker 4: The main is possible because earlier I thought that Hayes

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Speaker 4: said it was one of the ingredients, which.

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Speaker 2: I guess he said, and he said, just a little.

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Speaker 3: But once you put a little pasta in, you can't

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Speaker 3: you cannot stop.

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Speaker 1: No, once you've tried it, you go, you know what,

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Speaker 1: this needs a little more pasta because otherwise, so saucy.

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Speaker 2: You're not.

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Speaker 1: I don't eat it like that.

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Speaker 4: Now I have to hear the rest of the story because.

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Speaker 2: Okay, so a vote for hearing the rest from a

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Speaker 2: different source.

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Speaker 1: Who's not gonna you aligned yourself with Kevin at this point.

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Speaker 2: Yeah, it's separate.

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Speaker 1: You to me are neutral and you know, much like

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Speaker 1: you didn't care whether I finished the story or not.

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Speaker 1: I'm not sure I care whether you want to hear the.

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Speaker 2: Story or not.

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Speaker 1: Now I don't have enough of like a background on you.

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Speaker 4: That's fair. Maybe we can decide later in the episode.

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Speaker 1: Let's figure it out later. So let's do the episode

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Speaker 1: of the ship. We're gonna do the show.

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Speaker 3: Sometimes I get this thing in these pitch meetings where

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Speaker 3: I'm in there and like I'm talking, and then I'm.

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Speaker 2: Just like, you guys like this too much?

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Speaker 3: You know, you guys are like almost liking this like

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Speaker 3: a weird amount, like.

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Speaker 1: Well, you started, that's why you started that hashtag peacock

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Speaker 1: two thirsty peacock two thirsty hashtag peacock.

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Speaker 2: And it's like, okay, I are you guys gonna let

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Speaker 2: me leave?

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Speaker 1: And you know I have to pitch this other places right, yes,

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Speaker 1: like I can't get I can't put a ring on

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Speaker 1: it yet. Peacock y'all are a little too thirsty right now, Zach.

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Speaker 4: I'm more on the acting side of things, so you know, Zach, Yeah, please.

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Speaker 2: Zach, Zach.

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Speaker 1: You don't think I walk into that room with an actor.

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Speaker 1: Sometimes I go, I go a picture. This is a

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Speaker 1: little joke that we'll do when I go to pitch

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Speaker 1: a project with you. I go, and this guy, you know,

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Speaker 1: you meet him. He's funny, he's charming, he's lovable, he's

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Speaker 1: sort of a uh, Zach Cherry type. I don't know,

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Speaker 1: do you think we could get him? And I turned

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Speaker 1: to you and you're like, oh me, the fucking executives

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Speaker 1: are eating out of our hand At that point. You go,

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Speaker 1: I don't know. I don't think he's right for it.

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Speaker 1: You know, are you do? You pick what you say?

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Speaker 4: But uh, yeah, that say I'd probably say that's good, but.

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Speaker 3: You should do like, oh not like oh my schedule.

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Speaker 3: I like, I'm oh, don't I'm unavailable. Unfortunately, you know

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Speaker 3: you're you, you son of a bitch. You're sitting at

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Speaker 3: that right now, and then you both put your fist out.

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Speaker 3: You do a fake little like like you're punching each other.

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Speaker 1: Do you do a whole choreographed thing?

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Speaker 4: Yeah, I could do that.

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Speaker 1: I'm wearing a squib.

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Speaker 4: A squib yeah you shoot you?

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Speaker 2: You know what I mean?

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Speaker 1: Just a fun sort of thing for the pit. They're

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Speaker 1: gonna remember that pitch, right.

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Speaker 4: Yeah, I like that.

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Speaker 2: Zach Cherry, the Cherry being.

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Speaker 4: Daddy right, very interesting.

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Speaker 3: He is on severance, you know what. I hear a

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Speaker 3: lot of people talk, like say different things about the show.

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Speaker 3: I say, the important thing is it's coming back for

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Speaker 3: season two.

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Speaker 2: Entirely new, like Clean Slate now right.

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Speaker 1: You know we got a season two skin of our

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Speaker 1: teeth and uh, that is an incredible opportunity for a

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Speaker 1: show like yours to really figure out what it is

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Speaker 1: we're trying to do here.

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Speaker 2: Mm hmm.

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Speaker 4: Yeah. I think on season two, thank you. I just

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Speaker 4: I think we'll probably keep it. Won't be totally like

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Speaker 4: Clean Slate will probably keep it.

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Speaker 1: Will I'd love to keep you. I'd love to keep

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Speaker 1: you if it makes sense.

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Speaker 4: Yeah, yeah, I don't know my schedule, my schedule, I

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Speaker 4: don't I maybe can't do it.

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Speaker 2: We're so do it now, do it?

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Speaker 1: Do it? Do your do your part Okay, he's shooting.

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Speaker 3: What's going on? He's shooting me? He said, my schedule,

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Speaker 3: Maybe I can't do it. You remember what we.

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Speaker 1: I have a couple of windows open. Okay, okay, just

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Speaker 1: because we're add lied, I have a couple of different

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Speaker 1: windows open. I'm bidding right now on Uh, a very

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Speaker 1: interesting piece of furniture. Okay, it's I was, I was

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Speaker 1: doing the candlestick. Well do you want to know?

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Speaker 4: I don't.

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Speaker 2: Do you want to know or not?

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Speaker 4: I don't care. I don't care. I don't care.

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Speaker 1: Okay, let me just put a bit in really fast.

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Speaker 2: What do you want to say? What it is?

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Speaker 3: Uh?

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Speaker 1: I tried to know what the bid is? Uh, it's

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Speaker 1: one month of the patrio.

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Speaker 4: What's that's? What's that sitting at?

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Speaker 1: What's my cut? Or how much is it total?

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Speaker 4: I guess you're cut.

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Speaker 1: I don't get any of it. That's not why I

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Speaker 1: do it. Okay, I don't get any of it. It's

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Speaker 1: for Kevin. Obviously we've already explained he provides an invaluable service.

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Speaker 1: The guests obviously make a lot of money as well.

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Speaker 3: Kevin, you'll notice, is using by far the highest quality

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Speaker 3: camera of any of us YEP, and happens to be

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Speaker 3: sitting in an entirely new home that the pro patriot.

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Speaker 1: Yes, this is my recording quarters, recording equipment, and it

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Speaker 1: took as empty room, took.

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Speaker 3: A head full of quarters out of my pocket laptop

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Speaker 3: to build.

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Speaker 1: A phone sent on his own attention. Yeah, but I

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Speaker 1: didn't get it. I lost.

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Speaker 2: You just lost.

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Speaker 4: Yeah.

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Speaker 2: Yeah, it was a candlestick.

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Speaker 1: It was the candlestick that the candle stick and clue

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Speaker 1: was based on.

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Speaker 2: Really so it was like.

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Speaker 1: Very old timey. Yeah, it was like really cool. It

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Speaker 1: was not the murder weapon in this instance. You want

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Speaker 1: to know what was what?

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Speaker 2: The poison? The poison?

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Speaker 4: Okay, I guess I don't entirely understand the context of

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Speaker 4: what you're talking about.

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Speaker 1: Okay, they based.

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Speaker 2: You don't. Oh no, you're so busy. You don't play

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Speaker 2: any game, Zach. You never play a game.

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Speaker 1: Oh, I just zac. That's not right. That's something we've

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Speaker 1: got to fix in season two. They've got to give

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Speaker 1: you some time to play a game. You can't never

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Speaker 1: play a game.

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Speaker 4: Yeah, I don't want to never play a game. I

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Speaker 4: just want to.

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Speaker 1: He wants to, and they won't let him. Who's doing it?

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Speaker 1: Ben Adam Dana stopping you Dana, Dana.

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Speaker 2: Yeah, she's one of the exacts.

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Speaker 4: Yeah, I knew that you you did.

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Speaker 1: Yeah, Dana, too near.

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Speaker 4: I knew that. I have a few different windows open,

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Speaker 4: so I can't I don't even know what.

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Speaker 1: Too near not too far?

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Speaker 4: Yeah, so I definitely did know.

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Speaker 2: That we are going clean slate. Zi.

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Speaker 3: We've spoken to Dana. She is not angry. She's definitely

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Speaker 3: not angry.

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Speaker 1: Not pissed. Didn't sound pissed, sounded uh tense. You know,

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Speaker 1: it's never an easy conversation to have. But everyone was

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Speaker 1: really receptive to what we were bringing to the table

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Speaker 1: and very excited for what this could be because there's

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Speaker 1: a lot of raw materials we like.

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Speaker 2: But it's a gut it's a gut down to this. Uh.

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Speaker 1: To the studs present company included.

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Speaker 4: Mmmm, thank you or I don't know if you were

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Speaker 4: talking about me or you?

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Speaker 1: Are you bad?

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Speaker 2: Are you present?

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Speaker 1: Are you present company?

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Speaker 2: Because I'd like to unwrap you.

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Speaker 4: Thank you? I mean, I guess that's that's good to hear.

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Speaker 4: If we're doing a reboot, it's nice to know or

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Speaker 4: a refresh' re imagining, reimagine. It's good to know that

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Speaker 4: I have some fans in the room.

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Speaker 3: So I mean where just like we we we've we've

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Speaker 3: covered a few different areas. We can talk casting, we

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Speaker 3: can talk concept, we can talk location. Mm hmmm, we

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Speaker 3: can talk title.

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Speaker 1: Right because the title is a little bit you know, well,

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Speaker 1: I think you probably would want to keep the title

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Speaker 1: just so people know how to even connect if everything

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Speaker 1: else is going to be so different, I don't even

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Speaker 1: I just want to make.

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Speaker 4: Sure we maybe we keep part of it.

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Speaker 2: We keep part of it ants.

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Speaker 4: Yeah, maybe ants?

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Speaker 1: Yeah, ants, ants, I'd spell it different.

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Speaker 2: As well.

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Speaker 3: Yeah, okay, so we can go that direction. We can

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Speaker 3: do short right now. It's occupying this very have you

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Speaker 3: have you been?

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Speaker 1: Have you you know what I think would be cool?

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Speaker 1: Actually we keep the first four letters, then we go

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Speaker 1: three from the back. We call this thing seven.

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Speaker 3: Set or yeah or sevens seven ants seven seven ants?

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Speaker 1: Fuck. That's got me like this maintains some of the

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Speaker 1: mystery element. Who are the seven ants? You know? How'd

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Speaker 1: they get there? And it's still about work, I mean

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Speaker 1: answer notoriously hard workers.

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Speaker 4: That's true.

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Speaker 1: So in terms of seeing the show, unfortunately, I have

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Speaker 1: seen some of it, okay, because.

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Speaker 4: It is I think the show is good it's like

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Speaker 4: I'm was really proud to be a part of it.

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Speaker 4: I think it's really good. So I don't know how

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Speaker 4: much you want to kind of strip away what was working.

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Speaker 4: Maybe we keep a lot of what was working.

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Speaker 1: I don't get. I don't want to lose what's working.

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Speaker 1: I don't want to lose what's working. I really do not.

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Speaker 1: We are doing a you know, we're gutting it. I mean,

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Speaker 1: we're stripping it, but we trust me when I tell you,

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Speaker 1: we're not throwing out anything that works.

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Speaker 3: And I'm very appreciative of all the work that went

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Speaker 3: into it that people had to. Like you think of

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Speaker 3: how many people had to like invent all those cameras

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Speaker 3: right for example.

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Speaker 2: And just wake up.

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Speaker 4: You know Thomas Edison.

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Speaker 1: Buddy, Yes, he's amazing in it too.

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Speaker 4: I mean, he's a legend for a reason.

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Speaker 2: He's he's incredible.

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Speaker 1: Oh god, I love he was so funny.

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Speaker 3: Scary, very scary, scary, just the right tone.

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Speaker 1: And yes, uh so Thomas, we're keeping Yes, okay, I like.

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Speaker 1: I mean, I like that there's computers that's very now,

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Speaker 1: that's very current. I wouldn't want to lose that. I

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Speaker 1: think the seven Ants could be walking around on the keyboard.

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Speaker 1: You know, one of them, you know, crawls up your arm.

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Speaker 1: Get this ant off of me. I mean you were

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Speaker 1: just hearing that. We're close on the ant. But I

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Speaker 1: think that could be something really cool. I guess what

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Speaker 1: I would My first thing is like the lighting.

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Speaker 2: Mm hmmm?

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Speaker 1: Is that not I couldn't see anything?

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Speaker 4: Is that?

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Speaker 1: Is that not fucked up?

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Speaker 2: Like? Something was wrong?

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Speaker 1: Right?

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Speaker 2: Do you? Like you were there? Like were you bumping

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Speaker 2: into stuff? What was going on?

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Speaker 1: No?

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Speaker 4: I don't even know, like specifically, I don't know what

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Speaker 4: scene specifically you're talking about.

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Speaker 1: Unfortunately, is yeah, hard for me to describe it because

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Speaker 1: I couldn't see it.

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Speaker 4: Damn what was happening? What were you hearing against?

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Speaker 2: Yeah?

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Speaker 4: There were audio issues too.

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Speaker 1: I mean, for me, the sound design was complete fucking

347
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Speaker 1: dog shit because what was.

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Speaker 4: Your experience when you were watching it? Silence okay, okay?

349
00:19:51,680 --> 00:19:57,360
Speaker 1: Side was over a blank screen? I mean it honestly

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Speaker 1: was as if my TV was not even off.

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Speaker 4: That day's fair feedback. I'm not sure how much you

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00:20:05,240 --> 00:20:08,080
Speaker 4: can really take from that, but I mean, you guys

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Speaker 4: know what you're doing.

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Speaker 1: I know what I took from it. We got to

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Speaker 1: bring some lights in okay, And I know, you know,

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Speaker 1: people don't always like change. I want to light this

357
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Speaker 1: this puppy. I want to be able to see everyone.

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Speaker 4: Did you have power in your house? Was there power

359
00:20:24,560 --> 00:20:25,800
Speaker 4: in your house at the time?

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Speaker 1: Parts of it. I don't check every you know, I'm

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Speaker 1: not one of these wasteful guys who has every single

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00:20:32,960 --> 00:20:36,280
Speaker 1: light and thing on running the wonder while I'm working

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Speaker 1: the micro you know, I can't. I'm not draining the

364
00:20:39,560 --> 00:20:44,240
Speaker 1: grid like that. But there were definitely some parts had power.

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00:20:44,359 --> 00:20:50,879
Speaker 1: My flashlight was working. Your miner's helmet, Oh yeah, no,

366
00:20:51,040 --> 00:20:55,560
Speaker 1: the headlamp was kicking. That thing was full blast, So

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Speaker 1: I know I didn't have a lighting issue.

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Speaker 4: Right, Okay, Hayes, did you have to say like you

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Speaker 4: couldn't see anything either?

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Speaker 2: Could not see a damn thing.

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Speaker 3: My experience almost the opposite of shots, white wall and

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Speaker 3: very loud barking.

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Speaker 4: Is that is that normally what your TV looks like?

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Speaker 2: Absolutely not?

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Speaker 1: And it was. It was sad for Hayes because he

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Speaker 1: really wanted unwind with a new show, because he.

377
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Speaker 2: Had just had his house rob yes.

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00:21:32,080 --> 00:21:34,560
Speaker 1: Broken into a rob the week before, and he said,

379
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Speaker 1: I just really want to watch a new show and.

380
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Speaker 2: White wall and left their dog.

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Speaker 4: Okay, okay, I am really sorry. Dog, I'm sorry that happened.

382
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Speaker 4: I don't I'm not sure how much.

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Speaker 1: It's hard.

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Speaker 4: It's just hard to get take your notes given kind

385
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Speaker 4: of your experience.

386
00:21:55,840 --> 00:21:57,359
Speaker 1: But spit it out, dude.

387
00:21:57,680 --> 00:21:59,520
Speaker 4: Yeah, no, I mean, it just feels like you don't

388
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Speaker 4: know what you're talking about.

389
00:22:00,680 --> 00:22:03,760
Speaker 1: Dude, this is a collaboration. Man. We brought you in

390
00:22:03,840 --> 00:22:07,800
Speaker 1: for a reason. I think you so go ahead. So

391
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Speaker 1: we don't know what we're talking about.

392
00:22:09,480 --> 00:22:11,800
Speaker 3: It like the robbers were like in the process of

393
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Speaker 3: robbing the house and they were just the dog was

394
00:22:14,320 --> 00:22:19,480
Speaker 3: being so like the dog was like sucking so bad

395
00:22:19,520 --> 00:22:21,320
Speaker 3: that they were like, this dog sucks.

396
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Speaker 1: Well, you gotta feel like you're gonna get us caught.

397
00:22:24,160 --> 00:22:25,959
Speaker 2: Yes, parking all the time.

398
00:22:26,920 --> 00:22:31,920
Speaker 1: This is alerting everyone that we're here. So still why

399
00:22:31,920 --> 00:22:32,800
Speaker 1: they left the dog.

400
00:22:33,000 --> 00:22:34,880
Speaker 2: I still have it.

401
00:22:34,880 --> 00:22:37,080
Speaker 4: It's super quiet right now and it's not moving.

402
00:22:38,160 --> 00:22:41,359
Speaker 2: Yeah, it's got its whole tale in its mouth.

403
00:22:41,760 --> 00:22:45,679
Speaker 1: You got it on a new diet. Yeah, but mostly

404
00:22:45,720 --> 00:22:52,720
Speaker 1: it's mostly tails tail. But I'll tell you what you know.

405
00:22:52,920 --> 00:22:55,080
Speaker 1: You said that, Uh, it doesn't sound like we know

406
00:22:55,080 --> 00:22:58,159
Speaker 1: what we're talking about. But there's a little expression. I

407
00:22:58,240 --> 00:23:01,880
Speaker 1: like to keep in mind the customers always.

408
00:23:01,560 --> 00:23:03,120
Speaker 4: Right, that's true, that's fair.

409
00:23:03,600 --> 00:23:07,800
Speaker 1: And my Apple charge did go through, so I am

410
00:23:07,840 --> 00:23:12,040
Speaker 1: paying for that. Okay, I am the customer, and Dana

411
00:23:12,160 --> 00:23:14,520
Speaker 1: really thought a lot of what we had, you know,

412
00:23:14,760 --> 00:23:20,200
Speaker 1: to bring the table was pretty cool. I wouldn't mind.

413
00:23:20,760 --> 00:23:27,520
Speaker 1: The actors on the show are totally fine. I didn't

414
00:23:27,520 --> 00:23:31,080
Speaker 1: have a problem with them. I wouldn't mind a little

415
00:23:31,160 --> 00:23:34,560
Speaker 1: star power for season two, something to sex it up

416
00:23:34,640 --> 00:23:35,200
Speaker 1: a little bit.

417
00:23:35,400 --> 00:23:38,640
Speaker 4: Okay, that makes sense, It's there were There are quite

418
00:23:38,680 --> 00:23:41,120
Speaker 4: a few stars on the show in season one.

419
00:23:42,680 --> 00:23:45,480
Speaker 1: Okay, okay, agree to disagree.

420
00:23:46,040 --> 00:23:52,720
Speaker 4: Likes poser winner Oscar nominees, Emmy winners like Ben Stiller,

421
00:23:52,760 --> 00:23:54,440
Speaker 4: directed quite a few episodes.

422
00:23:54,840 --> 00:23:58,639
Speaker 1: Yeah, yeah, yeah, No. I wasn't here to you know,

423
00:23:59,320 --> 00:24:03,840
Speaker 1: compare as. You know, I'm actually not into the whole

424
00:24:03,920 --> 00:24:11,600
Speaker 1: like art as a competition thing. I do. I do

425
00:24:11,680 --> 00:24:14,760
Speaker 1: know how to talk box office. I do know how

426
00:24:14,760 --> 00:24:18,600
Speaker 1: to talk numbers. That's more quantifiable to me than like,

427
00:24:18,960 --> 00:24:23,320
Speaker 1: this was the best acting all year. Oh and it

428
00:24:23,400 --> 00:24:26,960
Speaker 1: happens to be in the very same movie that the

429
00:24:26,960 --> 00:24:30,520
Speaker 1: studio predetermined it was going to push out to everyone

430
00:24:30,600 --> 00:24:34,119
Speaker 1: and force feed to the public. For its own agenda,

431
00:24:35,600 --> 00:24:39,120
Speaker 1: you know, whereas maybe the best acting of the year

432
00:24:40,320 --> 00:24:43,520
Speaker 1: was in the worst fucking movie they made. Did you

433
00:24:43,560 --> 00:24:46,679
Speaker 1: ever think about that, how hard it must be to

434
00:24:46,800 --> 00:24:50,880
Speaker 1: show up. I give a committed performance in a truly

435
00:24:51,160 --> 00:24:55,159
Speaker 1: dog shit movie that no one wanted to see, that

436
00:24:55,320 --> 00:24:57,679
Speaker 1: you didn't even want to see while you were acting

437
00:24:57,720 --> 00:25:01,120
Speaker 1: in it, that might have been the best act.

438
00:25:02,520 --> 00:25:05,480
Speaker 4: Yeah. I'm not arguing that point.

439
00:25:06,320 --> 00:25:09,000
Speaker 1: Okay, it felt like you were, but whatever.

440
00:25:10,280 --> 00:25:11,400
Speaker 2: I just want to Ben.

441
00:25:13,280 --> 00:25:16,240
Speaker 3: When we talk about star power and you're like Ben

442
00:25:16,320 --> 00:25:20,040
Speaker 3: Stiller directed a bunch of episodes. I mean, if I'm

443
00:25:20,040 --> 00:25:23,720
Speaker 3: making a show, I'm not going to be like, look

444
00:25:23,800 --> 00:25:29,240
Speaker 3: like Ed Harris, like did the he made the food for.

445
00:25:29,160 --> 00:25:33,400
Speaker 4: The Yea, you don't you don't think you don't think

446
00:25:33,440 --> 00:25:38,080
Speaker 4: that would be an interesting marketing point Ed Harris cooked all.

447
00:25:39,320 --> 00:25:41,680
Speaker 1: Buddy, I don't give a ship if Ed Harris made

448
00:25:41,680 --> 00:25:49,439
Speaker 1: a chicken pacata for uh the fucking sound apartment, nobody.

449
00:25:52,040 --> 00:25:54,960
Speaker 4: He's not in the movie. He just showed up, brought

450
00:25:54,960 --> 00:25:59,720
Speaker 4: a tray a chicken food. That's not interesting to see

451
00:25:59,760 --> 00:26:01,040
Speaker 4: this movie, man.

452
00:26:01,600 --> 00:26:08,040
Speaker 1: Ed Harris made his famous turkey meatballs.

453
00:26:07,560 --> 00:26:09,760
Speaker 3: And you're sitting there being like, oh, Ben Stiller like

454
00:26:09,880 --> 00:26:12,359
Speaker 3: was so funny, Like he did a whole like he

455
00:26:12,440 --> 00:26:15,320
Speaker 3: did all his tower high stuff or whatever. I only

456
00:26:15,359 --> 00:26:17,720
Speaker 3: I could see it because I was looking at him

457
00:26:17,760 --> 00:26:19,240
Speaker 3: on the other side of the camera. You don't get

458
00:26:19,280 --> 00:26:22,600
Speaker 3: to see any of it. That's making me like, that's

459
00:26:22,640 --> 00:26:24,800
Speaker 3: making me pissed, Like I hate that.

460
00:26:24,960 --> 00:26:26,200
Speaker 1: It's making me ill.

461
00:26:27,040 --> 00:26:28,800
Speaker 4: Okay, that's fair.

462
00:26:29,080 --> 00:26:31,480
Speaker 2: And he was doing can you deal with that?

463
00:26:32,119 --> 00:26:35,160
Speaker 1: Over and over he did can you deal with that?

464
00:26:36,720 --> 00:26:41,080
Speaker 1: To monitor as if he was talking to a hidden

465
00:26:41,119 --> 00:26:44,320
Speaker 1: camera in the Meet the Parents movies the Fuckers.

466
00:26:44,720 --> 00:26:47,760
Speaker 3: He would come out and like, this is you. He

467
00:26:47,760 --> 00:26:51,440
Speaker 3: would come out and give me a note. I heard you,

468
00:26:51,480 --> 00:26:54,280
Speaker 3: Like he needed a note on every single take, but

469
00:26:54,320 --> 00:26:57,560
Speaker 3: then would incorporate it so like that. So that's to me,

470
00:26:57,680 --> 00:27:02,400
Speaker 3: that's that's more impressive than that very directed. Yeah, So

471
00:27:02,400 --> 00:27:03,960
Speaker 3: so Ben would come out and give me a note,

472
00:27:03,960 --> 00:27:06,800
Speaker 3: and then as he was walking back to video village,

473
00:27:06,840 --> 00:27:09,520
Speaker 3: he would go to camera and do like can you

474
00:27:09,560 --> 00:27:10,080
Speaker 3: deal with that?

475
00:27:11,040 --> 00:27:13,200
Speaker 2: And I'm like, okay, I love that he did.

476
00:27:13,080 --> 00:27:17,840
Speaker 4: That, but but I don't get to the audience. Okay, yeah,

477
00:27:17,960 --> 00:27:18,640
Speaker 4: that makes sense.

478
00:27:19,520 --> 00:27:23,000
Speaker 1: Doesn't help me. Wou'd you give everyone for the rap gifts?

479
00:27:23,240 --> 00:27:25,040
Speaker 2: Did you get a true did you get a food truck?

480
00:27:26,359 --> 00:27:28,280
Speaker 4: We did get a good food.

481
00:27:29,320 --> 00:27:38,600
Speaker 2: That, did you? Yeah? The crew a food doesn't have

482
00:27:38,600 --> 00:27:40,040
Speaker 2: to be a food truck, coffee truck.

483
00:27:40,680 --> 00:27:42,320
Speaker 1: M job of the truck.

484
00:27:42,520 --> 00:27:45,080
Speaker 4: I did along with some of the other actors on

485
00:27:45,240 --> 00:27:49,960
Speaker 4: the show, which ones Britt Lauer and Tremel Tillman, we

486
00:27:50,400 --> 00:27:54,719
Speaker 4: okay coordinated. We we got him a crepe truck.

487
00:27:55,280 --> 00:27:58,680
Speaker 1: A crepe truck, okay at a funny name. Funny name

488
00:27:58,680 --> 00:27:59,200
Speaker 1: for the truck.

489
00:28:00,640 --> 00:28:04,720
Speaker 4: I don't think so, and I have no idea.

490
00:28:04,840 --> 00:28:08,800
Speaker 1: I honestly expectations something like that. Yeah, maybe, but I

491
00:28:08,840 --> 00:28:09,840
Speaker 1: don't know, and I don't want to.

492
00:28:10,480 --> 00:28:18,840
Speaker 4: I want to commit wrath. I just crape grapes the

493
00:28:18,920 --> 00:28:24,479
Speaker 4: crepe of water, Like, what's eating Gilbert? Crape?

494
00:28:25,359 --> 00:28:29,280
Speaker 1: That's good, That's exactly what I did. That's that's fun.

495
00:28:29,960 --> 00:28:32,920
Speaker 2: It's not the same, it's exactly.

496
00:28:32,960 --> 00:28:33,600
Speaker 1: That's funny.

497
00:28:34,080 --> 00:28:38,760
Speaker 4: No, because I pronounced Gilbert slightly with almost like a Kilbert.

498
00:28:38,560 --> 00:28:41,520
Speaker 1: To Kilbert crap.

499
00:28:41,680 --> 00:28:46,920
Speaker 2: Well, that's okay, that's worse.

500
00:28:47,840 --> 00:28:49,200
Speaker 4: But it's not the same.

501
00:28:50,360 --> 00:28:52,080
Speaker 1: Changing that at that point you might as well change

502
00:28:52,120 --> 00:28:53,959
Speaker 1: it to what's killing Ebert crape?

503
00:28:55,520 --> 00:28:56,120
Speaker 4: You know what I mean?

504
00:28:56,920 --> 00:28:59,160
Speaker 1: Like that was now I don't know where we even

505
00:28:59,240 --> 00:28:59,880
Speaker 1: are anymore.

506
00:28:59,880 --> 00:29:02,560
Speaker 4: I think that I think that was the name.

507
00:29:02,880 --> 00:29:05,200
Speaker 1: It's called What's Killing Ebert Crepe?

508
00:29:05,760 --> 00:29:09,720
Speaker 4: What's Killing Ebert Crepe? They were really good, They were

509
00:29:09,760 --> 00:29:10,240
Speaker 4: really good.

510
00:29:10,760 --> 00:29:13,920
Speaker 1: Sounds pretty good, so you know the business with that.

511
00:29:14,000 --> 00:29:17,360
Speaker 4: They had like almost every flavor. They had like almost

512
00:29:17,360 --> 00:29:18,800
Speaker 4: every flavor you could think of.

513
00:29:20,000 --> 00:29:21,520
Speaker 1: I want to wait, partake.

514
00:29:22,400 --> 00:29:24,240
Speaker 4: Yeah, it's delicious.

515
00:29:24,480 --> 00:29:30,480
Speaker 3: It wasn't for you. You're like, sorry, just going to

516
00:29:30,520 --> 00:29:31,920
Speaker 3: eat a little piece of this gift.

517
00:29:32,280 --> 00:29:34,400
Speaker 1: Hey, I played with it for a little while, but

518
00:29:34,480 --> 00:29:36,200
Speaker 1: you could have it now when you have.

519
00:29:36,920 --> 00:29:38,760
Speaker 4: When you have a dinner party, do you put food

520
00:29:38,800 --> 00:29:40,400
Speaker 4: on the table without tasting it first?

521
00:29:41,840 --> 00:29:42,160
Speaker 2: Okay?

522
00:29:42,160 --> 00:29:44,720
Speaker 1: So okay, so you do want to hear the saucet story.

523
00:29:45,480 --> 00:29:48,040
Speaker 4: I already said I want to hear it, and you

524
00:29:48,080 --> 00:29:51,280
Speaker 4: had to decide if I could much. So I don't know,

525
00:29:51,400 --> 00:29:53,520
Speaker 4: I don't, I don't want it, or I don't.

526
00:29:53,640 --> 00:29:54,320
Speaker 2: So you didn't.

527
00:29:54,600 --> 00:29:59,920
Speaker 3: You didn't buy when the What's Killing Ebert Crape truck

528
00:30:00,360 --> 00:30:05,479
Speaker 3: showed up. Maybe you intercepted them outside the gate if

529
00:30:05,560 --> 00:30:06,560
Speaker 3: you had to make it.

530
00:30:06,800 --> 00:30:10,800
Speaker 4: I had the first taste of the crate. Make sure

531
00:30:10,800 --> 00:30:12,320
Speaker 4: it's good keeping and it was safe.

532
00:30:12,880 --> 00:30:14,520
Speaker 2: Sure, it's making sure it's not poisoned.

533
00:30:14,560 --> 00:30:18,560
Speaker 4: They'll put peanut butter on that, they'll put fruits. You

534
00:30:18,600 --> 00:30:25,560
Speaker 4: can get a savory one gluten free mushroom in there, chickpeas.

535
00:30:26,960 --> 00:30:29,680
Speaker 3: So I assume Adam had his own truck day.

536
00:30:31,840 --> 00:30:35,560
Speaker 4: I wasn't there every day, so I don't.

537
00:30:34,960 --> 00:30:35,960
Speaker 2: Okay, I can't.

538
00:30:35,960 --> 00:30:38,840
Speaker 3: I'm just looking at I'm thinking about the call sheet

539
00:30:40,200 --> 00:30:43,680
Speaker 3: as Am I goes Adam, as are you, Zach admitted.

540
00:30:43,760 --> 00:30:45,840
Speaker 1: We're always thinking a little bit about the call sheet.

541
00:30:45,880 --> 00:30:48,400
Speaker 3: It's Adam to call you, Adam even number one, like

542
00:30:48,480 --> 00:30:51,600
Speaker 3: he's in his own he's got his own dratus sphere.

543
00:30:51,880 --> 00:30:55,960
Speaker 3: Yeah right, you didn't even get to look at his sheet.

544
00:30:56,320 --> 00:30:59,680
Speaker 4: No, but you what number he was?

545
00:30:59,720 --> 00:31:05,600
Speaker 3: And Britt? And yes, I know Britt. Yes we work together.

546
00:31:07,680 --> 00:31:09,320
Speaker 3: She was the waitress on Big Lake.

547
00:31:10,960 --> 00:31:11,320
Speaker 4: Yeah.

548
00:31:11,440 --> 00:31:15,920
Speaker 1: Yeah, you're gonna want to acknowledge also that Adam and

549
00:31:15,960 --> 00:31:20,360
Speaker 1: Britt actually worked together before on a little show called Ghosted.

550
00:31:20,760 --> 00:31:23,880
Speaker 1: And guess who wrote episode one oh four locked out

551
00:31:23,960 --> 00:31:29,560
Speaker 1: of Ghosted. Well, he's in the zoom right now. There's

552
00:31:29,640 --> 00:31:33,800
Speaker 1: a hint but big hit still on today. If I'm

553
00:31:33,800 --> 00:31:35,920
Speaker 1: not mistaken, Zach.

554
00:31:35,920 --> 00:31:39,120
Speaker 4: You Adam shot, he would shoot ghosted in the morning

555
00:31:39,120 --> 00:31:42,400
Speaker 4: and then he'd come to set and finish with us.

556
00:31:42,840 --> 00:31:46,400
Speaker 1: Yeah, one for me, one for them.

557
00:31:46,760 --> 00:31:48,560
Speaker 3: You're number two on the call sheets. So it was

558
00:31:48,640 --> 00:31:51,640
Speaker 3: basically your decision to continue to.

559
00:31:51,560 --> 00:31:54,200
Speaker 4: Continue everyone coming from.

560
00:31:54,440 --> 00:32:00,240
Speaker 3: Everyone doing their own truck day, or you going down

561
00:32:00,320 --> 00:32:02,800
Speaker 3: to three and four on the call sheet and being like, hey,

562
00:32:02,880 --> 00:32:03,880
Speaker 3: let's the three of us.

563
00:32:03,920 --> 00:32:07,960
Speaker 2: Why do you do like rope five through seven in

564
00:32:08,040 --> 00:32:08,480
Speaker 2: there too?

565
00:32:10,360 --> 00:32:13,160
Speaker 4: You know, I'm not I don't really want to get

566
00:32:13,200 --> 00:32:18,600
Speaker 4: into too much of the process, but I was. I

567
00:32:18,720 --> 00:32:22,000
Speaker 4: was not the initiator of the idea. I was a

568
00:32:22,040 --> 00:32:26,800
Speaker 4: participator in it. And that's pretty much all I have

569
00:32:26,960 --> 00:32:27,320
Speaker 4: on that.

570
00:32:28,560 --> 00:32:31,920
Speaker 3: Okay, So, so many days had elapsed since Adam's truck

571
00:32:32,000 --> 00:32:34,320
Speaker 3: day that Britt had.

572
00:32:34,200 --> 00:32:37,400
Speaker 4: To be like, this is this the etiquette it goes.

573
00:32:37,480 --> 00:32:38,520
Speaker 2: You just go in order.

574
00:32:39,000 --> 00:32:41,560
Speaker 4: Every day you rotate through the numbers.

575
00:32:41,640 --> 00:32:43,800
Speaker 1: Hey, man, I don't want to I don't want to

576
00:32:43,840 --> 00:32:46,440
Speaker 1: do a truck and you haven't done one. But it's

577
00:32:46,440 --> 00:32:50,000
Speaker 1: been a long time since Adams truck, and so maybe

578
00:32:50,040 --> 00:32:53,400
Speaker 1: what we can do this is more comfortable for you,

579
00:32:53,560 --> 00:32:56,680
Speaker 1: is we'll share a truck. And you were like, can

580
00:32:56,720 --> 00:32:59,280
Speaker 1: we bring in a third as well?

581
00:32:59,320 --> 00:33:03,400
Speaker 4: Actually, I didn't know that that was how it works.

582
00:33:04,000 --> 00:33:07,360
Speaker 4: But that's that's more good feedback for me to hear.

583
00:33:08,080 --> 00:33:10,240
Speaker 1: Well, that's gonna help because that might have been maybe

584
00:33:10,320 --> 00:33:13,320
Speaker 1: why the camera department, the lighter apartment, the sound department

585
00:33:13,360 --> 00:33:16,760
Speaker 1: were not motivated to capture what was happening on screen,

586
00:33:17,800 --> 00:33:20,480
Speaker 1: which is why Hayes and I had the viewing experiences

587
00:33:20,520 --> 00:33:25,040
Speaker 1: we had, Yeah, which were completely different but equally unsatisfying.

588
00:33:25,960 --> 00:33:28,920
Speaker 4: Yeah, yeah, maybe so Now I love.

589
00:33:28,840 --> 00:33:31,960
Speaker 1: That apple aesthetic, you know, that minimalist you know, sort

590
00:33:32,000 --> 00:33:39,040
Speaker 1: of like flat, like monochromatic thing that they've done so successfully,

591
00:33:39,440 --> 00:33:42,120
Speaker 1: I think has worked with their phones, with their tablets

592
00:33:42,720 --> 00:33:47,200
Speaker 1: with a TV show. I would like to see, you know,

593
00:33:47,400 --> 00:33:51,280
Speaker 1: some moving images things like that, because I think that

594
00:33:51,400 --> 00:33:54,520
Speaker 1: the audience, especially when you come back for season two,

595
00:33:55,360 --> 00:33:57,640
Speaker 1: is going to get a little tired of of what

596
00:33:58,040 --> 00:34:00,960
Speaker 1: it's been so far, which is totally in my experience,

597
00:34:01,240 --> 00:34:02,560
Speaker 1: blank screed with no.

598
00:34:08,800 --> 00:34:10,719
Speaker 3: Talk about what some of the different guys in the

599
00:34:10,719 --> 00:34:11,360
Speaker 3: show are.

600
00:34:12,680 --> 00:34:17,759
Speaker 1: Yeah, help me a sense of what's going on with that? Uh?

601
00:34:17,920 --> 00:34:19,719
Speaker 1: I guess so crazy? No?

602
00:34:20,719 --> 00:34:23,120
Speaker 4: Or do you want to? You're asking about the characters

603
00:34:23,120 --> 00:34:23,600
Speaker 4: on the show.

604
00:34:24,560 --> 00:34:27,480
Speaker 1: Okay, it's not with them or back or like the

605
00:34:27,520 --> 00:34:33,520
Speaker 1: actors or the crew or okay, any of that, Okay.

606
00:34:35,000 --> 00:34:40,120
Speaker 4: Okay, okay, So I'm trying to even think.

607
00:34:42,000 --> 00:34:45,040
Speaker 1: I guess, uh even any of the crew is.

608
00:34:45,640 --> 00:34:55,479
Speaker 4: So Dana, Uh, Dana Dana was. He was like every

609
00:34:55,520 --> 00:34:59,839
Speaker 4: morning I stopped in checked in with Dana on the way,

610
00:35:03,120 --> 00:35:04,799
Speaker 4: and then I'd kind of then it would just be

611
00:35:04,840 --> 00:35:07,960
Speaker 4: time to go to work kind of. Soa who had

612
00:35:07,960 --> 00:35:11,600
Speaker 4: the sickest trailer? Sickest trailer?

613
00:35:12,760 --> 00:35:14,359
Speaker 1: Do you think Dan is a security card?

614
00:35:17,200 --> 00:35:22,320
Speaker 4: I guess Dana had this cool trailer. Dana would executive.

615
00:35:22,920 --> 00:35:26,120
Speaker 4: Dana would sit in this tiny trailer with her gum

616
00:35:26,120 --> 00:35:29,640
Speaker 4: in or not. It didn't move. It was like small

617
00:35:29,680 --> 00:35:33,040
Speaker 4: trailer at the front of the lot with like one

618
00:35:33,080 --> 00:35:36,480
Speaker 4: of those cool arm things goes up and down, which

619
00:35:36,520 --> 00:35:38,560
Speaker 4: I've never seen a trailer have that before. So that's

620
00:35:38,960 --> 00:35:43,720
Speaker 4: that's probably the sickest she would let people in. Yeah,

621
00:35:45,160 --> 00:35:48,080
Speaker 4: got it. So that's some of the fun stuff.

622
00:35:48,120 --> 00:35:51,840
Speaker 1: You know. Wow, this is helping me for what we

623
00:35:51,920 --> 00:35:52,720
Speaker 1: do with the show.

624
00:35:53,680 --> 00:35:56,680
Speaker 4: Okay, so because maybe we can use some of the

625
00:35:56,760 --> 00:35:58,879
Speaker 4: behind the scenes stuff bring that onto the.

626
00:35:59,480 --> 00:36:03,560
Speaker 1: Well, not all that it always becomes that, Zach. I mean,

627
00:36:03,680 --> 00:36:07,640
Speaker 1: every character ultimately becomes an extension of the actor playing that.

628
00:36:07,960 --> 00:36:10,120
Speaker 1: I mean that, you know, that's a dirty little secret,

629
00:36:10,200 --> 00:36:15,239
Speaker 1: especially in these more successful shows. So I think we

630
00:36:15,320 --> 00:36:19,640
Speaker 1: should let that inspire. Maybe, you know, maybe we bring

631
00:36:20,040 --> 00:36:23,239
Speaker 1: Dana in front of the camera. Maybe you have to

632
00:36:23,320 --> 00:36:26,000
Speaker 1: check in with her, you know, before you start.

633
00:36:26,960 --> 00:36:30,960
Speaker 4: Yeah, scene, that would work. That. I mean, if you've

634
00:36:30,960 --> 00:36:33,600
Speaker 4: seen the show, that would that makes a lot of

635
00:36:33,640 --> 00:36:35,279
Speaker 4: sense in the world of the show. I know neither

636
00:36:35,320 --> 00:36:37,160
Speaker 4: of you have seen it. Kevin, I don't know if

637
00:36:37,160 --> 00:36:41,319
Speaker 4: you've seen it. Watched it, but you didn't see it.

638
00:36:42,800 --> 00:36:45,759
Speaker 1: Well, his neighbor watches it really loud, he said, so, oh,

639
00:36:45,840 --> 00:36:46,720
Speaker 1: so you've heard.

640
00:36:46,560 --> 00:36:48,080
Speaker 2: It at least I heard.

641
00:36:48,320 --> 00:36:51,040
Speaker 1: I hear the elevator part, because they always go whoa

642
00:36:51,440 --> 00:36:54,920
Speaker 1: and scream at that part when they go through the elevator.

643
00:36:55,880 --> 00:36:58,000
Speaker 2: Is that a part, that's real part?

644
00:36:58,440 --> 00:37:00,360
Speaker 4: Yeah, that's real sick.

645
00:37:01,520 --> 00:37:03,880
Speaker 1: Let's keep that. If that's making people scream, you know,

646
00:37:04,000 --> 00:37:08,160
Speaker 1: that's generating a feeling in your audience. Let's keep that.

647
00:37:08,400 --> 00:37:11,359
Speaker 1: Because we're keeping Thomas Edison, We're keeping the elevator, We're

648
00:37:11,360 --> 00:37:17,560
Speaker 1: hopefully keeping you Dana's in I think with your character,

649
00:37:17,640 --> 00:37:21,240
Speaker 1: I didn't have a great sense of.

650
00:37:22,920 --> 00:37:25,600
Speaker 4: Your want Okay.

651
00:37:26,320 --> 00:37:28,680
Speaker 1: You know, I really wanted to know.

652
00:37:30,120 --> 00:37:31,880
Speaker 2: What drives this guy.

653
00:37:32,440 --> 00:37:34,920
Speaker 1: And I think what could be cool is if we

654
00:37:35,080 --> 00:37:38,799
Speaker 1: learned in season two it's not too late that you're

655
00:37:38,840 --> 00:37:43,600
Speaker 1: sort of a bottle rat clout chaser. M that you

656
00:37:44,760 --> 00:37:50,000
Speaker 1: the VIP section of the club, you're cozying up to

657
00:37:50,040 --> 00:37:51,720
Speaker 1: whoever's getting bottle service.

658
00:37:53,600 --> 00:37:59,120
Speaker 4: Yeah, yeah, that sounds good. I don't know, how how

659
00:37:59,120 --> 00:38:01,760
Speaker 4: do you show that in the office setting?

660
00:38:03,239 --> 00:38:07,319
Speaker 1: Well, we'd light it for one thing. Yeah, you know

661
00:38:08,560 --> 00:38:09,560
Speaker 1: that'll be a change.

662
00:38:10,120 --> 00:38:10,480
Speaker 2: Yeah.

663
00:38:10,520 --> 00:38:14,040
Speaker 3: So that's so Ben is just going right being like,

664
00:38:14,040 --> 00:38:17,759
Speaker 3: how do we actually, like, how do we show this?

665
00:38:19,600 --> 00:38:21,680
Speaker 4: Well, there was lights when we when.

666
00:38:21,480 --> 00:38:25,680
Speaker 3: We were show a TV show. You say like, how

667
00:38:25,719 --> 00:38:26,560
Speaker 3: do we show this?

668
00:38:26,760 --> 00:38:27,839
Speaker 1: We're going to show this.

669
00:38:29,280 --> 00:38:32,680
Speaker 4: I'm just asking how you It seems like a bottle

670
00:38:32,760 --> 00:38:35,640
Speaker 4: rat only can exist in the context of a club

671
00:38:35,760 --> 00:38:37,680
Speaker 4: of a like at a club.

672
00:38:38,040 --> 00:38:43,840
Speaker 1: That's very very dismissive and limiting. Uh, first time, I

673
00:38:44,040 --> 00:38:46,719
Speaker 1: don't you want to be out in front of that statement.

674
00:38:47,360 --> 00:38:50,720
Speaker 1: They obviously have lives outside of the club.

675
00:38:52,080 --> 00:38:54,759
Speaker 4: Yeah, and that I just have I've never heard of

676
00:38:54,760 --> 00:38:56,840
Speaker 4: it before, so I don't I don't know how you

677
00:38:57,200 --> 00:38:57,480
Speaker 4: show it?

678
00:38:59,800 --> 00:39:04,760
Speaker 1: Was jobs. They have Instagram accounts I mean bottle rats

679
00:39:04,760 --> 00:39:06,320
Speaker 1: are are are human beings?

680
00:39:06,600 --> 00:39:10,040
Speaker 4: Great? So I guess yeah, you could show that you need.

681
00:39:09,880 --> 00:39:12,319
Speaker 1: To believe that, you need to know that in order

682
00:39:12,360 --> 00:39:13,320
Speaker 1: to bring this character.

683
00:39:13,960 --> 00:39:18,080
Speaker 4: So maybe you see like texting someone like, hey, tonight,

684
00:39:18,120 --> 00:39:21,440
Speaker 4: I'm gonna get really close to that bottle or something.

685
00:39:21,840 --> 00:39:25,120
Speaker 1: M h sure, yeah, little on the nose, but I

686
00:39:25,160 --> 00:39:27,600
Speaker 1: think it first. Yeah, I'm gonna finally touch it.

687
00:39:29,200 --> 00:39:32,279
Speaker 4: Yeah, so maybe that's it. Yeah, you could show that,

688
00:39:33,040 --> 00:39:35,040
Speaker 4: or I type it in on the computer or something.

689
00:39:35,200 --> 00:39:38,840
Speaker 4: I type in like I think I'm gonna touch it tonight.

690
00:39:39,600 --> 00:39:42,120
Speaker 1: Finger hovers over send, but you don't quite have the

691
00:39:42,160 --> 00:39:47,560
Speaker 1: guts you delete it. That shows conflict. Now I'm like, wow,

692
00:39:48,640 --> 00:39:52,520
Speaker 1: why can't Zach like own this side of himself?

693
00:39:53,480 --> 00:39:59,120
Speaker 4: So the want there is I said touch? Uh No,

694
00:39:59,280 --> 00:40:04,440
Speaker 4: I'm fine, I I it's not what was that? I

695
00:40:04,480 --> 00:40:06,880
Speaker 4: was just a little bit of a of a like

696
00:40:06,960 --> 00:40:09,120
Speaker 4: a a little bit of a.

697
00:40:11,640 --> 00:40:12,880
Speaker 2: I'm not that something.

698
00:40:13,200 --> 00:40:14,080
Speaker 4: I'm not that filled.

699
00:40:15,640 --> 00:40:18,000
Speaker 1: That's a bit. Just take a big medicine.

700
00:40:19,680 --> 00:40:20,800
Speaker 4: That's why I'm not sick.

701
00:40:22,160 --> 00:40:25,080
Speaker 1: You know, the whole time, the whole show, I've been

702
00:40:25,080 --> 00:40:31,200
Speaker 1: going something is off because I you know, I invite

703
00:40:31,239 --> 00:40:34,520
Speaker 1: you here, I'm a fan of your ship. I go

704
00:40:34,840 --> 00:40:37,120
Speaker 1: we you know, we started this. Zach is here. I'm

705
00:40:37,160 --> 00:40:39,120
Speaker 1: gonna get to meet Zach. And I've been feeling like

706
00:40:39,840 --> 00:40:46,440
Speaker 1: I'm not meeting Zach. I'm meeting some other version. And

707
00:40:46,520 --> 00:40:47,479
Speaker 1: it's sick Zach.

708
00:40:48,400 --> 00:40:56,880
Speaker 4: It's the it's it's basically the same the medicine. The

709
00:40:56,920 --> 00:40:59,680
Speaker 4: side effects are not their minimal, and so it's not

710
00:41:00,840 --> 00:41:02,840
Speaker 4: I don't I feel like you have met me. I

711
00:41:02,840 --> 00:41:05,839
Speaker 4: feel like eventually, when you meet me and when I'm

712
00:41:05,840 --> 00:41:08,399
Speaker 4: not sick, you're gonna look back at this and say, oh,

713
00:41:08,480 --> 00:41:12,480
Speaker 4: that was Zach. That wasn't sick Zach. That's the same guy,

714
00:41:12,600 --> 00:41:13,120
Speaker 4: no matter what.

715
00:41:13,800 --> 00:41:19,440
Speaker 1: No, because I've seen you do stuff. It's so you're

716
00:41:19,560 --> 00:41:24,960
Speaker 1: sounding sicker and sicker. Patty whack.

717
00:41:28,360 --> 00:41:30,799
Speaker 3: This is not this is not multiple voices on our

718
00:41:30,840 --> 00:41:33,759
Speaker 3: cartoon president that this is not the Zach I fell

719
00:41:33,760 --> 00:41:34,239
Speaker 3: in love with.

720
00:41:34,480 --> 00:41:38,319
Speaker 4: See you have a few windows open there.

721
00:41:38,480 --> 00:41:43,879
Speaker 1: This is not you from you. Yeah, this is not you.

722
00:41:44,600 --> 00:41:45,920
Speaker 1: This is not the real you.

723
00:41:46,760 --> 00:41:50,279
Speaker 4: I don't think it's that different than the real meat.

724
00:41:52,040 --> 00:41:55,560
Speaker 1: There's so many more noises coming out of it. It's

725
00:41:55,600 --> 00:41:57,200
Speaker 1: like he activated you.

726
00:41:58,239 --> 00:42:00,960
Speaker 4: Well, because now I'm self conscious about the medicine. So

727
00:42:01,000 --> 00:42:04,600
Speaker 4: I'm not taking it as directed when I should. So

728
00:42:04,640 --> 00:42:06,160
Speaker 4: then it I'll take.

729
00:42:06,080 --> 00:42:08,719
Speaker 3: Up a lit multiple SIPs of it and like just

730
00:42:08,760 --> 00:42:09,920
Speaker 3: a few minutes apart.

731
00:42:10,520 --> 00:42:15,279
Speaker 4: It's to use as needed medicine. It's a Tonic. Got

732
00:42:15,320 --> 00:42:15,920
Speaker 4: it from a Tonic.

733
00:42:15,960 --> 00:42:16,839
Speaker 2: You can see.

734
00:42:18,080 --> 00:42:20,960
Speaker 4: You know you can get Tonic trucks to come to set.

735
00:42:22,400 --> 00:42:26,400
Speaker 4: You didn't even get a Tonic truck for the crew, No,

736
00:42:26,480 --> 00:42:28,320
Speaker 4: because I didn't know about them when we were shooting.

737
00:42:28,400 --> 00:42:31,200
Speaker 3: But now Patty Arcuatt is there. She's only there for

738
00:42:31,239 --> 00:42:35,960
Speaker 3: like half a day, and she's like, I don't want

739
00:42:35,960 --> 00:42:38,160
Speaker 3: to overstep. I've just noticed, like you haven't even gotten

740
00:42:38,160 --> 00:42:39,920
Speaker 3: the crew a Tonic truck. If you want to like

741
00:42:40,680 --> 00:42:42,000
Speaker 3: split way together.

742
00:42:42,760 --> 00:42:46,160
Speaker 1: I'll help you, you know, I'll do all the scheduling

743
00:42:46,200 --> 00:42:49,160
Speaker 1: and everything. I just like need to be allowed to

744
00:42:49,200 --> 00:42:52,040
Speaker 1: put your name on the Tonic truck because I don't want.

745
00:42:54,000 --> 00:42:57,000
Speaker 2: That. That thats gotta be too much that you can't.

746
00:42:57,040 --> 00:42:58,200
Speaker 2: There's no way you beat.

747
00:42:58,040 --> 00:43:01,359
Speaker 1: The exactly the right dosage.

748
00:43:02,480 --> 00:43:04,520
Speaker 4: It's because I missed a few doses. So when you

749
00:43:04,560 --> 00:43:07,000
Speaker 4: miss a dose, you're supposed to take it as soon

750
00:43:07,040 --> 00:43:07,480
Speaker 4: as you can.

751
00:43:07,840 --> 00:43:09,680
Speaker 2: The Tonic truck you gotta have come in at the

752
00:43:09,800 --> 00:43:10,439
Speaker 2: end of the day.

753
00:43:11,160 --> 00:43:14,680
Speaker 1: Mm hmm. No, they have too much Tonic early on

754
00:43:14,960 --> 00:43:19,840
Speaker 1: and they're all get too amped up. Yes, sir, yeah,

755
00:43:19,960 --> 00:43:21,200
Speaker 1: you end up with what we saw.

756
00:43:22,760 --> 00:43:24,280
Speaker 4: What do you mean or didn't see?

757
00:43:24,880 --> 00:43:27,000
Speaker 1: Talking about what hayes that I watched the show.

758
00:43:28,000 --> 00:43:29,879
Speaker 4: Yeah, that may have been a result, but I didn't

759
00:43:29,880 --> 00:43:31,320
Speaker 4: get a Tonic truck, so I don't know if that

760
00:43:32,160 --> 00:43:33,239
Speaker 4: is has anything to.

761
00:43:33,200 --> 00:43:33,799
Speaker 2: Do with it or what.

762
00:43:34,440 --> 00:43:37,840
Speaker 4: But all right, well, I actually am feeling really good.

763
00:43:38,440 --> 00:43:41,440
Speaker 1: But not in the way I want you to feel good. Yeah,

764
00:43:41,520 --> 00:43:45,160
Speaker 1: I want you to feel good about our ideas and

765
00:43:45,200 --> 00:43:48,120
Speaker 1: the fact that we're breathing new life into this thing.

766
00:43:49,360 --> 00:43:56,480
Speaker 1: You know, this show. Yeah, that had no voice, no pictures, yeah,

767
00:43:56,760 --> 00:44:01,120
Speaker 1: no point of view. Now it's called It's seven Ants.

768
00:44:01,320 --> 00:44:04,759
Speaker 1: You're a bottle rat. You're texting your friend that you're

769
00:44:04,760 --> 00:44:06,839
Speaker 1: going to touch the bottle, but you can't quite bring

770
00:44:06,920 --> 00:44:12,560
Speaker 1: yourself to send it. Yeah, right here for me, that's

771
00:44:12,600 --> 00:44:16,520
Speaker 1: three or four episodes. Oh yeah, we also got the

772
00:44:16,520 --> 00:44:17,759
Speaker 1: ant crawling on your arm.

773
00:44:18,200 --> 00:44:18,560
Speaker 2: M hm.

774
00:44:19,280 --> 00:44:20,520
Speaker 4: Is it hot in here for you?

775
00:44:20,560 --> 00:44:25,280
Speaker 1: Guys, we're in we're in four different rooms, different room,

776
00:44:25,600 --> 00:44:27,640
Speaker 1: different room, oh haes and iron the same room.

777
00:44:27,719 --> 00:44:34,240
Speaker 2: Yeah, but for you there's no there's no in here. Yeah. Sorry,

778
00:44:35,280 --> 00:44:38,000
Speaker 2: it is hot, but it's not it's hot in here.

779
00:44:38,360 --> 00:44:41,200
Speaker 1: It's hot here. Yeah, that's very hot here.

780
00:44:41,239 --> 00:44:43,840
Speaker 4: Okay, So that isn't a simple answer to my question.

781
00:44:43,920 --> 00:44:46,680
Speaker 4: It is hot here because I'm so I'm like so.

782
00:44:46,840 --> 00:44:50,880
Speaker 1: Coldron Well, anyway, the sauce made everyone sick. That was

783
00:44:50,920 --> 00:44:51,960
Speaker 1: the story I was telling.

784
00:44:52,719 --> 00:44:53,640
Speaker 2: Too much pasta.

785
00:44:54,200 --> 00:44:59,000
Speaker 1: Yeah, and the pasta wasn't cooked.

786
00:44:59,120 --> 00:45:01,719
Speaker 3: When you're putting the sauce full of pasta, when you're

787
00:45:01,719 --> 00:45:04,960
Speaker 3: putting that all over pasta, that's a big.

788
00:45:06,880 --> 00:45:10,160
Speaker 1: And it cuts your mouth over like the pasta will

789
00:45:10,400 --> 00:45:18,279
Speaker 1: shred your mouth shards of glass. It's well, apparently that's

790
00:45:18,400 --> 00:45:22,120
Speaker 1: why I guess Traditionally you don't put it in the

791
00:45:22,200 --> 00:45:27,200
Speaker 1: sauce right away because you there's a method or like

792
00:45:27,280 --> 00:45:29,360
Speaker 1: a you know, a school of thought that is you

793
00:45:29,440 --> 00:45:32,880
Speaker 1: cook the pasta separately in a different container, and then

794
00:45:32,920 --> 00:45:35,360
Speaker 1: you cook the sauce and then combine. But to me,

795
00:45:35,440 --> 00:45:38,640
Speaker 1: it's like the pasta is an ingredient. So yeah, I

796
00:45:38,680 --> 00:45:39,439
Speaker 1: put it in the sauce.

797
00:45:39,520 --> 00:45:43,520
Speaker 3: And I'm almost worried that you did get a tonic truck.

798
00:45:44,520 --> 00:45:48,120
Speaker 3: But then you were hand with Dana at the gate

799
00:45:48,960 --> 00:45:51,479
Speaker 3: and the Tonic truck came in and Dana was like, hey,

800
00:45:52,040 --> 00:45:54,040
Speaker 3: what if we tell them that the Tonic truck.

801
00:45:54,800 --> 00:45:55,600
Speaker 1: Never showed up?

802
00:45:55,840 --> 00:45:56,439
Speaker 2: I did pay.

803
00:45:57,200 --> 00:46:00,600
Speaker 3: I guess that the Tonic truck would get sick, but

804
00:46:00,800 --> 00:46:06,120
Speaker 3: that like they hit my bank, they went missing.

805
00:46:07,200 --> 00:46:09,439
Speaker 4: I think some of these Tonics now you just have all.

806
00:46:09,320 --> 00:46:12,439
Speaker 2: These old Tonics, some of them make it worse.

807
00:46:13,000 --> 00:46:15,600
Speaker 1: Todeck trucks called to the Hedgehog.

808
00:46:17,160 --> 00:46:19,319
Speaker 4: I don't know if that was it. It did have

809
00:46:19,360 --> 00:46:20,080
Speaker 4: a funny name.

810
00:46:23,800 --> 00:46:25,000
Speaker 1: Maybe it wasn't that.

811
00:46:25,120 --> 00:46:28,279
Speaker 2: Okay, ahead, mm hmm, it's like, what.

812
00:46:31,800 --> 00:46:32,440
Speaker 1: Take your tuque?

813
00:46:34,560 --> 00:46:38,440
Speaker 2: Are you sure? Was it not that either?

814
00:46:39,239 --> 00:46:40,120
Speaker 4: I don't think it was that.

815
00:46:40,280 --> 00:46:41,880
Speaker 2: It wasn't either of those.

816
00:46:42,280 --> 00:46:45,040
Speaker 4: No, those are both good trucks. I know those trucks.

817
00:46:45,040 --> 00:46:45,959
Speaker 4: It wasn't either of those.

818
00:46:48,200 --> 00:46:50,680
Speaker 1: Tonic from Friends.

819
00:46:50,600 --> 00:46:54,759
Speaker 4: Tonica from Friends. Maybe when she was in the she

820
00:46:54,800 --> 00:46:58,080
Speaker 4: would do the fat suit. I think that was it.

821
00:46:59,320 --> 00:47:00,440
Speaker 2: That's what us.

822
00:47:02,160 --> 00:47:04,560
Speaker 1: I think that was it Friends.

823
00:47:05,200 --> 00:47:08,000
Speaker 2: Maybe maybe when she would do the fat suit.

824
00:47:08,160 --> 00:47:11,480
Speaker 4: Maybe I think that was it. I think it was

825
00:47:12,520 --> 00:47:14,440
Speaker 4: wait say it again, Tonica from Friends.

826
00:47:14,880 --> 00:47:19,000
Speaker 2: He's looking outside. I think the truck is outside.

827
00:47:19,520 --> 00:47:23,239
Speaker 1: Because of his driveway. Right now, it's y I can

828
00:47:23,360 --> 00:47:25,360
Speaker 1: hear Dana snoring.

829
00:47:26,560 --> 00:47:29,239
Speaker 4: Yeah, it's it's Tonica from Friends. And then there's like

830
00:47:29,280 --> 00:47:30,440
Speaker 4: subtitles and stuff.

831
00:47:31,280 --> 00:47:36,280
Speaker 3: Oh wow, are they shot the show in twenty twenty. Yeah,

832
00:47:38,320 --> 00:47:44,680
Speaker 3: Kevin was like having an absolutely scintillating conversation about when

833
00:47:44,760 --> 00:47:48,120
Speaker 3: they shot the show. And that's how I learned that

834
00:47:48,160 --> 00:47:50,800
Speaker 3: they shot the show in twenty twenty. I can't believe

835
00:47:50,840 --> 00:47:53,920
Speaker 3: I miss that. So that was a little wild boast.

836
00:47:54,840 --> 00:47:58,319
Speaker 2: That's already Kevin really different year Grouse to me.

837
00:47:58,360 --> 00:48:01,080
Speaker 4: When I got in the zoom, he got right down

838
00:48:01,120 --> 00:48:01,680
Speaker 4: to business.

839
00:48:01,800 --> 00:48:04,319
Speaker 1: He fact checks everybody before we get in there. Then

840
00:48:04,360 --> 00:48:06,359
Speaker 1: he says, like, you're clear to enter the zoom. Now,

841
00:48:06,400 --> 00:48:10,479
Speaker 1: hazen Sean, this guy's story lines up. If he told

842
00:48:10,480 --> 00:48:13,080
Speaker 1: me they shot it at twenty twenty three, I cancel

843
00:48:13,200 --> 00:48:16,600
Speaker 1: the episode. I go, that hasn't happened yet.

844
00:48:17,480 --> 00:48:20,919
Speaker 3: I can't believe Zack stole these nasty old tonics from

845
00:48:20,960 --> 00:48:21,480
Speaker 3: the crew.

846
00:48:22,280 --> 00:48:34,520
Speaker 1: Oh the expired tonics. Ooh bye, Hollywood Hamper