WEBVTT - Royce Da 5'9" & Courtney Bell Interview

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<v Speaker 1>Wait that ass up in the morning Breakfast Club Morning.

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<v Speaker 1>Everybody is DJ Envy Angela Yee, Charlomagne the guy. We

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<v Speaker 1>are the Breakfast Club. We got a special guests joining

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<v Speaker 1>us today. Indeed, you got Royce to five nine. Welcome back.

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<v Speaker 1>Brother's up? What's up? What's up? Roy It's my brother

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<v Speaker 1>Courtney Bell all right, Corney Belle, a long time friend

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<v Speaker 1>and partner Keno Keno who are talked to times. Keo

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<v Speaker 1>Keno and Royce looking very slim and vegan. Man, what's up?

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<v Speaker 1>Nice healthy looking lifestyle on y'all, brothers. I can see ye,

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<v Speaker 1>definitely a healthy lifestyle. Not quite vegan yet. Though not

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<v Speaker 1>quite vegan yet. I'm not all the way converted, but

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<v Speaker 1>I'm getting there. I'm getting what you've been up to.

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<v Speaker 1>Royce's everything. I've been adjusting, man, adjusting to the pandemic,

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<v Speaker 1>you know what I mean. Like it's tough. It's a

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<v Speaker 1>tough time, you know what I mean. So I've been

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<v Speaker 1>trying to keep myself mentally, mentally stable. I'm learning about myself.

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<v Speaker 1>I'm learning. Uh. The biggest lesson I learned about myself

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<v Speaker 1>is I don't need to be speaking all the time.

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<v Speaker 1>I don't always I don't always need to be saying stuff,

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<v Speaker 1>you know what I'm saying like that, I'm trying to

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<v Speaker 1>get my filter together. I'm trying to learn how to

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<v Speaker 1>protect my energy, especially on like Instagram, my timeline, What

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<v Speaker 1>to look at? What should I just not look at? Correct?

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<v Speaker 1>You know what I mean. So that's the biggest adjustment

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<v Speaker 1>that I've been making. And then music, you know, I'm

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<v Speaker 1>always making music, so you know, so right now we

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<v Speaker 1>got a project card to having experience where I actually

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<v Speaker 1>I took over ownership of a lot of my masters

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<v Speaker 1>from back dating back, you know, which is I feel

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<v Speaker 1>it's super important now, you know, I feel like the

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<v Speaker 1>artists are artists should look at every song like a

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<v Speaker 1>straight up asset. You know, we got all of these

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<v Speaker 1>companies that for the most part, don't even need to

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<v Speaker 1>even know about music anymore. They're just looking at it

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<v Speaker 1>like an investment, which it is, you know what I mean.

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<v Speaker 1>So now it's the best time to make sure that

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<v Speaker 1>you've got ownership and make sure that you can figure

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<v Speaker 1>out new things to be able to do with the

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<v Speaker 1>masters when you get them. That's a lot of people say,

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<v Speaker 1>you know, people want their masters, they want their ownership

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<v Speaker 1>but don't know what to do it. They don't know

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<v Speaker 1>what to do it when they get them, you know

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<v Speaker 1>what I mean. So what's the purpose of having them

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<v Speaker 1>and you don't know what to do it? You don't

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<v Speaker 1>know how to monetize them. Well, think about this, Remember

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<v Speaker 1>when they used to just be physical, just physical copies.

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<v Speaker 1>You know, you sell it, it sales in the store

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<v Speaker 1>at one time, and I sit now when you upload

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<v Speaker 1>it to the streaming platforms, it may not pay out

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<v Speaker 1>in one big ass lump like it may have before,

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<v Speaker 1>but it's exists now because it's just present, you know

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<v Speaker 1>what I'm saying. So think about it. A lot of

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<v Speaker 1>these companies they're buying up all of these masters, they

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<v Speaker 1>signing up all these artists, even at the lowest level.

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<v Speaker 1>But then you know, it's all catalog and it all

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<v Speaker 1>adds up, you know what I mean. So I think

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<v Speaker 1>it's key to just make sure that you have as

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<v Speaker 1>many things on platforms as possible, and then you know,

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<v Speaker 1>other conversations can be opened up. So that's why this

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<v Speaker 1>is happening, right, Because I'm looking at you like, you

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<v Speaker 1>got fifteen songs, ten of them our best of us basically, right, Yeah,

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<v Speaker 1>So this is why this trend of artists dropping projects

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<v Speaker 1>with catalog, that's why this had become more popular. This

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<v Speaker 1>because people getting the mass back. I'm not sure. I

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<v Speaker 1>can't speak for anybody else. I know with me, with me,

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<v Speaker 1>as soon as I got them, the first thing I

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<v Speaker 1>wanted to do because we had to take them down,

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<v Speaker 1>get them, and then now we need to put them

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<v Speaker 1>back up. They're there, you know what I'm saying. And

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<v Speaker 1>then from there, you know, we can have Sky's a

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<v Speaker 1>limit on what the conversation could be. It was the

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<v Speaker 1>process of getting it back, was it? You know, some

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<v Speaker 1>people have to wait a certain amount of time, some

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<v Speaker 1>people had to pay people. Was just a conversation. So

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<v Speaker 1>what was the process with you getting your masters back?

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<v Speaker 1>All of the abovesa. But you know when you when

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<v Speaker 1>you have when you signed. You know, from our era

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<v Speaker 1>when we did deals, it was standard for the for

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<v Speaker 1>the labels to have control of the master for like

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<v Speaker 1>seven years or something like that, you know what I mean.

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<v Speaker 1>So some of it was just waiting out the seven years,

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<v Speaker 1>going back and getting them. And then it's a process too.

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<v Speaker 1>After that said, you know, you got to go through

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<v Speaker 1>a whole process after that, and then some of it

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<v Speaker 1>will say hold at me, buy that back, and then

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<v Speaker 1>some of it. You know, it was all three, you

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<v Speaker 1>know what I mean. So I'm constantly on that grind

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<v Speaker 1>like I want everything, I want everything that I've ever done,

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<v Speaker 1>you know. And then moving forward. Obviously Keeno and I

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<v Speaker 1>are way more in the no now. So moving forward,

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<v Speaker 1>there's no deal that we don't know how to do.

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<v Speaker 1>Do you talk to a lot of the Detroit artis

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<v Speaker 1>because it's Detroit, is a new wave of artists coming down. Um,

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<v Speaker 1>do you get a chance to speak with the younger

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<v Speaker 1>artists and say, hey, this is how you should be

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<v Speaker 1>signing your deals? Or is it one of those things

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<v Speaker 1>when you're like that we knew what we're doing. Anyway, No,

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<v Speaker 1>I speak to him as much as I can. This

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<v Speaker 1>is one of them. Let's dud. It's like enlightened beyond

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<v Speaker 1>his years. He's not he's non problematic. But um, there's

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<v Speaker 1>a few artists, a few young artists in my studio

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<v Speaker 1>that I kind of mentor not to the degree of him,

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<v Speaker 1>but um, there's a lot of companies I call them

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<v Speaker 1>like middleman middleman guys, you know what I mean, Like

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<v Speaker 1>they come with a bag of money. Um, they don't

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<v Speaker 1>have much to offer, but since they have money upfront,

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<v Speaker 1>and they're catching these guys at a time where they

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<v Speaker 1>kind of need money or they feel like that they

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<v Speaker 1>need money. Um, it's already in the contract. I actually

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<v Speaker 1>read somebody's proposal and it said, um, we will have

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<v Speaker 1>ownership of a master in perpetuity, and then we'll split

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<v Speaker 1>everything sixty forty sixty US forty you and give you

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<v Speaker 1>a five thousand dollars advance. And he was thinking about

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<v Speaker 1>signing that for five thousand dollars guy, because yeah, because

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<v Speaker 1>we don't number one. We programmed to think shortsided correct, definitely,

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<v Speaker 1>we have no kind of like idea of how to

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<v Speaker 1>place value on that master, so early on we don't

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<v Speaker 1>know what it's gonna be worth until it comes out

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<v Speaker 1>and then it goes and then it's like, damn, Okay,

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<v Speaker 1>now I know a little bit more. Now I want

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<v Speaker 1>to go get the master back. Now it's the same

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<v Speaker 1>old song and dance publicly from a public platform, you

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<v Speaker 1>bashing some company or something like that, which that shit

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<v Speaker 1>don't look good either, you know what I mean? But

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<v Speaker 1>you get it. I get it. You understand you signed

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<v Speaker 1>that deal for five thousand, right, and this is what.

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<v Speaker 1>This is what most people. It was something that somebody

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<v Speaker 1>think though you make one hit, the label puts out

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<v Speaker 1>that run hit. Now you're making Remember, artists don't make

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<v Speaker 1>five thousand and ten thousand dollars to show if they

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<v Speaker 1>got a hit. They're making forty fifty sixty thousand US

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<v Speaker 1>show very rare, a lot of very thin. I think

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<v Speaker 1>it's I think it's probably left. In conversation on the

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<v Speaker 1>way here, I'm I'm we were looking at the jar

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<v Speaker 1>and her interview. We was talking about RV's position, and

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<v Speaker 1>I honestly see RV's position on it. I see labels position.

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<v Speaker 1>That's probably why we we balanced what we do. If

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<v Speaker 1>I'm a label, or if I'm a person and I

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<v Speaker 1>give you five grand and it goes nowhere, you don't

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<v Speaker 1>know me that five grand back, Yeah right, you know.

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<v Speaker 1>But when it goes somewhere, it's an investment. You invest

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<v Speaker 1>an Apple, Apple don't get the I'm you and say well,

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<v Speaker 1>we're gonna take our stocks back because we're making too much.

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<v Speaker 1>It's a deal. The problem is we don't always understand

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<v Speaker 1>the complexity other deals because we don't come from homes

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<v Speaker 1>where that type of business is discussed you can't be mad.

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<v Speaker 1>You have to have an attorney. So that means your

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<v Speaker 1>attorney looks over that paperwork in most cases. Yeah, but

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<v Speaker 1>your attorney is the attorney. That's right. We got I

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<v Speaker 1>give you an attorneys just to attorney. You can't have

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<v Speaker 1>an attorney. But you know how that conversation came up

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<v Speaker 1>in the car. I said, do you think it's possible

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<v Speaker 1>for me, a black man, to cultivate a real meaningful

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<v Speaker 1>relationship with an artist and on his masters And I

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<v Speaker 1>said yeah, he said, for a period, for any period

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<v Speaker 1>of time, I think, so there is there any point

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<v Speaker 1>where that artist it's gonna get a little bit wiser,

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<v Speaker 1>a little bit bigger, and then look look at it

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<v Speaker 1>in retrospects, if possible for him or her not to

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<v Speaker 1>harbor Yeah, I agree with you negotiate though, like when

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<v Speaker 1>that artist catches that hit. It has to be a

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<v Speaker 1>point where it said, okay, I made my money back

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<v Speaker 1>after investment. Because it's not just five thousand dollars. You

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<v Speaker 1>gotta pay for travel. You gotta pay for Warter. That's

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<v Speaker 1>the bigger traveling you're paying for. What would your renegotiation be?

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<v Speaker 1>It depends how big the record is like a perfect example, right, sorry,

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<v Speaker 1>Cardi B. When Cardi B was first signed, they put

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<v Speaker 1>a lot into Cardi B. But then she took off.

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<v Speaker 1>That should have been to renegotiate right then, and there

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<v Speaker 1>you got the one of the biggest female artists. Give

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<v Speaker 1>it half the company she Cardi B. That's my opinion

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<v Speaker 1>and for everybody. But let me once I recoup my money,

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<v Speaker 1>me and her should be equal partners fifty. But then

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<v Speaker 1>what happens when you got five Cardi bs on your label? Exactly?

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<v Speaker 1>And that's what I was gonna say to about the

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<v Speaker 1>masters conversation. It's about the investment you put in them.

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<v Speaker 1>You know what I mean. I don't want none of

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<v Speaker 1>your masters if I didn't make a large investment. But

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<v Speaker 1>if I made a large investment, and I can see why,

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<v Speaker 1>I gotta get it back, or we could we could

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<v Speaker 1>do I think what we all should be doing, which is,

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<v Speaker 1>as the older generation, we need to get through to

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<v Speaker 1>the youth and let them see it's a different way

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<v Speaker 1>to do it, right, because that's this is probably the

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<v Speaker 1>biggest disparity between uh, the youth and the ogs that

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<v Speaker 1>we've seen, right, We've all come in, we've all had mentors,

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<v Speaker 1>that we've seen and and respected and learned a lot from.

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<v Speaker 1>This is the first time where the youth is looking

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<v Speaker 1>at us like there's there's a disconnect. And we think

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<v Speaker 1>the disconnect is because as long as you could separate

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<v Speaker 1>the youth from the experience, then it's easier to get

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<v Speaker 1>them in these these quick deals and and and take

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<v Speaker 1>them for a ride. And we're gonna be held to

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<v Speaker 1>a different standard than the labels would be. I mean

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<v Speaker 1>like that, Yeah, you here the way niggas talk about

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<v Speaker 1>whole buff you know what I'm saying, Like I don't

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<v Speaker 1>nobody talk about le or don't nobody talking about none

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<v Speaker 1>of these labels, correct, But listen, let whole do something.

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<v Speaker 1>That should do something, Let any of any of us

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<v Speaker 1>do something. And it's just like, oh man, you wrong,

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<v Speaker 1>how could you do that? You know what I mean.

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<v Speaker 1>But when you're invest in somebody, like let's say him,

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<v Speaker 1>you're investing them. You're paying for everything, right because he's

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<v Speaker 1>getting the start. So you're paying for studio time. Right

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<v Speaker 1>if people don't think studio time is expensive, but you're

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<v Speaker 1>paying for studio time, You're paying for them lights to

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<v Speaker 1>be on, you're paying for the engineer, you're paying for

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<v Speaker 1>the food, the per diem, the water, traveling hotels, wardrobe.

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<v Speaker 1>If they don't have it, now he has to make

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<v Speaker 1>a record. If that record don't pop, you don't get

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<v Speaker 1>none of that money back. And you're doing it on

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<v Speaker 1>some family shit. You know, we're gonna spoil each other,

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<v Speaker 1>you know what I mean, And that creates a sense

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<v Speaker 1>of entitlement, you know what I'm saying. So it's just

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<v Speaker 1>that's why, that's why I acts in the context of

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<v Speaker 1>building cultivating the relationship, because you know, we do everything

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<v Speaker 1>on some family shit, you know what I'm so it's

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<v Speaker 1>difficult to be able to do that kind of business

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<v Speaker 1>and cultivate a relationship. That's why I feel like labels

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<v Speaker 1>have existed with the evolution of technology the way they

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<v Speaker 1>have so long. It's because they can just keep it

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<v Speaker 1>strictly business. Is that? The other problem too, though, that

0:10:58.960 --> 0:11:02.520
<v Speaker 1>the black exact, dude do the family thing. We're a family,

0:11:02.640 --> 0:11:05.240
<v Speaker 1>We we rocked for life, we bad boy for life.

0:11:05.240 --> 0:11:07.000
<v Speaker 1>Isn't that Should it just be more business? That's what

0:11:07.040 --> 0:11:09.280
<v Speaker 1>it always feels like, even when like you look at

0:11:09.480 --> 0:11:13.320
<v Speaker 1>me sign in the raws or Drake and and you know,

0:11:13.400 --> 0:11:15.880
<v Speaker 1>Nikki sign in the Wayne it's a family. It's a

0:11:15.920 --> 0:11:18.200
<v Speaker 1>family when we win, Yeah, but then when you start

0:11:18.240 --> 0:11:20.640
<v Speaker 1>throwing them bricks out, then it's f that person that

0:11:20.679 --> 0:11:23.440
<v Speaker 1>you just called your family. You know, yeah, yeah, I know,

0:11:23.559 --> 0:11:25.840
<v Speaker 1>I know. I don't know. I don't have to say

0:11:25.960 --> 0:11:30.960
<v Speaker 1>that because we want when we come from now like

0:11:31.080 --> 0:11:34.880
<v Speaker 1>we and our and our culture, we come from broken family.

0:11:34.960 --> 0:11:37.800
<v Speaker 1>So the ability to make money with our family. It

0:11:37.800 --> 0:11:40.000
<v Speaker 1>ain't just music. I mean, it could be the dope

0:11:40.000 --> 0:11:42.760
<v Speaker 1>game too, right, it ain't too many differences from the

0:11:42.800 --> 0:11:45.760
<v Speaker 1>way we approached the dope game and music. But at

0:11:45.760 --> 0:11:48.240
<v Speaker 1>the end of the day, it's it's it's it still

0:11:48.280 --> 0:11:50.720
<v Speaker 1>starts with leadership. Bro. I went out there. I went

0:11:50.760 --> 0:11:52.880
<v Speaker 1>out there when when Puff was working on the press

0:11:52.960 --> 0:11:55.160
<v Speaker 1>Play album, I went out there to work for him,

0:11:55.800 --> 0:11:57.920
<v Speaker 1>and this nigga had me in like a midi room

0:11:58.040 --> 0:12:00.560
<v Speaker 1>just writing versus over and over and over again while

0:12:00.559 --> 0:12:02.480
<v Speaker 1>he was in the bigger, luxurious a room with all

0:12:02.520 --> 0:12:05.280
<v Speaker 1>of his celebrity friends and shit. And I was just like, man,

0:12:05.360 --> 0:12:07.480
<v Speaker 1>this nicka ain't paid me, you know what I'm saying,

0:12:07.520 --> 0:12:12.679
<v Speaker 1>Like this nigga grind me. Man. About ten years later,

0:12:13.120 --> 0:12:15.760
<v Speaker 1>after I was a little wiser, I looked at him

0:12:15.800 --> 0:12:18.000
<v Speaker 1>in retrospect. Man, I had to hit him on the DM.

0:12:18.000 --> 0:12:19.319
<v Speaker 1>I didn't have his numb. I had to hear him

0:12:19.320 --> 0:12:20.840
<v Speaker 1>on the DM, man and tell him how much I

0:12:20.880 --> 0:12:24.760
<v Speaker 1>appreciate him, how much I took from that, Like it

0:12:24.800 --> 0:12:28.120
<v Speaker 1>was because of that process that I started to rewrite

0:12:28.760 --> 0:12:31.040
<v Speaker 1>in my own creative process. Like I was like, I

0:12:31.080 --> 0:12:33.800
<v Speaker 1>didn't even rewrite my own shit this much. Why don't

0:12:33.800 --> 0:12:36.960
<v Speaker 1>I approach my ship? But this same kind of intensity

0:12:37.120 --> 0:12:40.520
<v Speaker 1>I pulled that from it. And just the opportunity, you

0:12:40.520 --> 0:12:42.280
<v Speaker 1>know what I mean, Like sometimes man, we take for

0:12:42.280 --> 0:12:46.079
<v Speaker 1>granted the opportunity. And I looked at him and thought

0:12:46.080 --> 0:12:49.880
<v Speaker 1>about how many great things he's contributed to the culture,

0:12:50.000 --> 0:12:53.839
<v Speaker 1>and how how much all of the bad stuff or

0:12:53.840 --> 0:12:56.600
<v Speaker 1>the quote unquote bad stuff is always placed in front

0:12:56.600 --> 0:12:58.360
<v Speaker 1>of the same with Baby. I wish I could call

0:12:58.440 --> 0:13:00.880
<v Speaker 1>Baby and tell him how great I think he is,

0:13:01.200 --> 0:13:03.720
<v Speaker 1>you know what I mean? Because it's like every time

0:13:03.760 --> 0:13:05.880
<v Speaker 1>you hear about these guys as well, they're on drugs,

0:13:05.880 --> 0:13:07.880
<v Speaker 1>they're doing this, nig kissing, this nigga in the nigga

0:13:07.920 --> 0:13:09.920
<v Speaker 1>doing this. But it's like, bro, these nigga's been existence

0:13:09.920 --> 0:13:15.760
<v Speaker 1>since nineteen ninety seven. Nineteen ninety seven has not stopped.

0:13:15.760 --> 0:13:19.920
<v Speaker 1>If that was anybody else from any other culture of people,

0:13:19.960 --> 0:13:23.959
<v Speaker 1>them niggas would be they would be statute, verse, nor appreciate.

0:13:24.000 --> 0:13:25.800
<v Speaker 1>Even Dame I was. I seen Dame this weekend and

0:13:25.880 --> 0:13:27.720
<v Speaker 1>I was on a panel with him, and the middle

0:13:27.760 --> 0:13:29.679
<v Speaker 1>of panel, I had to say thank you and he

0:13:29.760 --> 0:13:31.760
<v Speaker 1>was like for what I was like back then when

0:13:31.760 --> 0:13:33.800
<v Speaker 1>I was doing mixtapes, even though it was like ninety nine,

0:13:34.400 --> 0:13:36.440
<v Speaker 1>I was like, you had an opportunity to do the

0:13:36.520 --> 0:13:40.160
<v Speaker 1>Rockefeller mixtapes with Clue with S and S with Flex,

0:13:40.440 --> 0:13:42.360
<v Speaker 1>but you said you wanted a young DJ at the time.

0:13:42.480 --> 0:13:44.319
<v Speaker 1>You picked me, and I was like, thank you because

0:13:44.320 --> 0:13:49.760
<v Speaker 1>you were cheap. You know. He was shot that I

0:13:49.760 --> 0:13:51.160
<v Speaker 1>said thank you, But I was like, you know what,

0:13:51.360 --> 0:13:54.440
<v Speaker 1>when you grow a little bit, you really understand how

0:13:54.800 --> 0:13:57.680
<v Speaker 1>much of a how grateful it was to have that

0:13:57.720 --> 0:14:00.200
<v Speaker 1>opportunity because you don't have those opportunities. Yeah, but I

0:14:00.200 --> 0:14:02.160
<v Speaker 1>will say though ten years ago, you wasn't know new

0:14:02.240 --> 0:14:06.000
<v Speaker 1>nigga Royce. No, no, no, no, I say in the

0:14:06.200 --> 0:14:08.240
<v Speaker 1>room that you ain't no new ye I was saying

0:14:08.280 --> 0:14:12.560
<v Speaker 1>ten years later from when that was, remember the press playout. Yeah,

0:14:12.559 --> 0:14:15.079
<v Speaker 1>but even with that rush, the five not should have

0:14:15.120 --> 0:14:17.240
<v Speaker 1>been treating with a little bit more respect, I think. No, no, no,

0:14:17.280 --> 0:14:18.720
<v Speaker 1>I was on a private jet with him. We went

0:14:18.760 --> 0:14:22.720
<v Speaker 1>to talk. Okay, just when we was up at daddy side.

0:14:22.760 --> 0:14:24.920
<v Speaker 1>You remember how long ago, you know what I mean?

0:14:24.960 --> 0:14:27.640
<v Speaker 1>I was, I was he definitely when he reached out

0:14:27.680 --> 0:14:29.280
<v Speaker 1>to me, my man Slam shout out to my man

0:14:29.320 --> 0:14:32.680
<v Speaker 1>Slam Wiz packs and ship. But he slam reached out

0:14:32.720 --> 0:14:35.720
<v Speaker 1>to me. And I was definitely just sitting around Detroit

0:14:35.800 --> 0:14:37.960
<v Speaker 1>at that time when he reached out, for sure, and

0:14:38.040 --> 0:14:40.560
<v Speaker 1>I was gonna ask, you know, with everything you've been

0:14:40.560 --> 0:14:44.720
<v Speaker 1>doing this industry, the ups downs, the group's solo projects,

0:14:45.000 --> 0:14:47.640
<v Speaker 1>what makes you want to jump back into this on

0:14:47.680 --> 0:14:51.120
<v Speaker 1>the on the executive side. I don't want to jump

0:14:51.120 --> 0:14:54.040
<v Speaker 1>in on the executive side like that. I don't right now.

0:14:54.160 --> 0:14:59.080
<v Speaker 1>I'm more focused on um mentorship, artist development because I'm

0:14:59.080 --> 0:15:01.480
<v Speaker 1>an artist at heart, you know what I mean. And

0:15:01.720 --> 0:15:05.920
<v Speaker 1>m Roy's hate the business side. No no, no no, no, no

0:15:05.760 --> 0:15:08.400
<v Speaker 1>no no, see because he on it and he's on

0:15:08.520 --> 0:15:10.600
<v Speaker 1>the he's on the executive side. He just don't want it.

0:15:13.240 --> 0:15:17.200
<v Speaker 1>He don't want to sitting sitting in an interview with

0:15:17.240 --> 0:15:21.040
<v Speaker 1>your artists. Been calling me, he's kind of e been

0:15:21.080 --> 0:15:23.040
<v Speaker 1>calling me a suit for twenty five years. Man, he

0:15:23.320 --> 0:15:27.160
<v Speaker 1>don't want admit it. Listen, I love I love doing business.

0:15:27.280 --> 0:15:28.720
<v Speaker 1>I don't want to send the wrong I don't want

0:15:28.720 --> 0:15:31.440
<v Speaker 1>to send the wrong sitting. I love doing business. I

0:15:31.480 --> 0:15:35.760
<v Speaker 1>don't look forward to doing certain kinds of business with

0:15:35.840 --> 0:15:38.720
<v Speaker 1>people who I have a relationship with. It's very difficult.

0:15:38.720 --> 0:15:41.240
<v Speaker 1>I'm gonna cancer. It's very newtiful for me to separate

0:15:41.360 --> 0:15:45.480
<v Speaker 1>business and personal. You know what I mean, somebody I

0:15:45.560 --> 0:15:48.080
<v Speaker 1>care about, it's gonna be hard for me to like

0:15:48.120 --> 0:15:50.080
<v Speaker 1>this nigga be like, yeah, okay, so this we're gonna do. We'

0:15:50.080 --> 0:15:52.560
<v Speaker 1>gonna get him something standard. Baby can't do that, you

0:15:52.560 --> 0:15:55.240
<v Speaker 1>know what I mean, don't. That's what we defer, you

0:15:55.360 --> 0:15:58.400
<v Speaker 1>know what I'm saying, because he's more he's more of

0:15:58.480 --> 0:16:00.760
<v Speaker 1>the business side. He's always been more focused on the

0:16:00.800 --> 0:16:03.280
<v Speaker 1>business side, because that's all he's ever been. He's never

0:16:03.320 --> 0:16:05.760
<v Speaker 1>been on the creative side. But you gotta go through

0:16:05.800 --> 0:16:08.560
<v Speaker 1>it again. You're gonna have to go through talking to producers, Yeah,

0:16:08.680 --> 0:16:12.040
<v Speaker 1>talking through artists, talking to DJ's. You're gonna have to

0:16:12.040 --> 0:16:14.200
<v Speaker 1>go through the gamut again that people that you think

0:16:14.280 --> 0:16:16.440
<v Speaker 1>his family. Until you got a new project in the

0:16:16.640 --> 0:16:19.040
<v Speaker 1>life I don't know or you want to beat. And

0:16:19.040 --> 0:16:21.200
<v Speaker 1>it's like for you, Royce, I do it for free.

0:16:21.240 --> 0:16:22.680
<v Speaker 1>But for him, you know you're gonna have to go

0:16:22.720 --> 0:16:26.200
<v Speaker 1>through that again. Man, Even when I'm doing albums, there's

0:16:26.280 --> 0:16:29.320
<v Speaker 1>never been a time where I enjoyed calling people for features.

0:16:30.040 --> 0:16:32.360
<v Speaker 1>I hate that part. He's the worst. That's why. That's

0:16:32.360 --> 0:16:36.160
<v Speaker 1>why I stopped doing especially especially Yeah, you make sure

0:16:36.240 --> 0:16:38.400
<v Speaker 1>you did album. Yes, And that's why I stopped. That's

0:16:38.400 --> 0:16:44.160
<v Speaker 1>why CALLI lapped all of y'all. But he's greater that

0:16:44.240 --> 0:16:46.760
<v Speaker 1>he doesn't He doesn't mind, he doesn't mind being persistent.

0:16:47.000 --> 0:16:48.880
<v Speaker 1>I'm from a place where if I ask you once

0:16:48.920 --> 0:16:50.800
<v Speaker 1>and you say yes, I shouldn't have to ask you

0:16:50.840 --> 0:16:53.080
<v Speaker 1>that that's ego, though it is, that's ego. Your ego

0:16:53.120 --> 0:16:55.320
<v Speaker 1>get wounded one time. Now you just want to fall back,

0:16:55.360 --> 0:16:58.240
<v Speaker 1>like no, if you want something, go get it relentless.

0:16:58.880 --> 0:17:00.160
<v Speaker 1>I tell people, I tell these kids, you have to

0:17:00.200 --> 0:17:03.440
<v Speaker 1>have a DJ Khalid level of annoyance. The megan in

0:17:03.440 --> 0:17:05.480
<v Speaker 1>this business. I don't even know if I don't even

0:17:05.480 --> 0:17:07.879
<v Speaker 1>know if I would categorize that shit is annoying. You know,

0:17:07.880 --> 0:17:12.320
<v Speaker 1>it's relentless. It's like I admire I wish I had that,

0:17:12.520 --> 0:17:14.240
<v Speaker 1>you know what I mean? But I can't. I can't

0:17:14.240 --> 0:17:16.360
<v Speaker 1>do it because I get inside my own heir real quick,

0:17:16.400 --> 0:17:17.719
<v Speaker 1>you know what I'm saying, like this nigga, No, he's

0:17:17.720 --> 0:17:23.000
<v Speaker 1>just nigga. No I'm calling him, but you name this

0:17:23.119 --> 0:17:25.000
<v Speaker 1>to having experienced. I wanted to correct me from wrong.

0:17:25.040 --> 0:17:27.600
<v Speaker 1>He didn't. Haven't want to name your children. No, Having

0:17:27.680 --> 0:17:30.520
<v Speaker 1>is the name of my studio, your studio, name of

0:17:30.600 --> 0:17:34.720
<v Speaker 1>my label? Got you? Yea having studios? So okay, it's

0:17:34.720 --> 0:17:36.680
<v Speaker 1>like a hub, man, It's like I built like a hub.

0:17:36.720 --> 0:17:40.000
<v Speaker 1>Why you never came to the studio, man, huh, We're

0:17:40.000 --> 0:17:41.440
<v Speaker 1>coming back out there. I was just in Detroit drop

0:17:41.520 --> 0:17:44.000
<v Speaker 1>dropping off packs. I'm gonna come about it, okay, Okay, Yeah,

0:17:44.040 --> 0:17:45.720
<v Speaker 1>So it's it's like a it's like a hub that's

0:17:45.800 --> 0:17:47.760
<v Speaker 1>kind of like where me and him got kind of

0:17:47.800 --> 0:17:49.480
<v Speaker 1>tight at you know, I've been new I'm always been

0:17:49.520 --> 0:17:52.000
<v Speaker 1>a fan of him. But it's a it's a hub

0:17:52.040 --> 0:17:55.880
<v Speaker 1>for artists to come developed. And when I say developed,

0:17:55.880 --> 0:17:57.960
<v Speaker 1>I don't mean just come and just make a bunch

0:17:57.960 --> 0:18:00.760
<v Speaker 1>of music, you know, like obviously the doors are open

0:18:00.800 --> 0:18:02.879
<v Speaker 1>for them to come and do that as well, but

0:18:03.560 --> 0:18:06.919
<v Speaker 1>just to come half conversation man about life shit. You know,

0:18:08.840 --> 0:18:12.240
<v Speaker 1>allow me to bestow some of my wisdom on your

0:18:12.280 --> 0:18:16.000
<v Speaker 1>young process, because every single mistake you can think of

0:18:16.119 --> 0:18:20.360
<v Speaker 1>that you're gonna make, I made them Tim's ten. That's

0:18:20.400 --> 0:18:22.240
<v Speaker 1>where I learned all my greatest lessons, you know what

0:18:22.280 --> 0:18:25.480
<v Speaker 1>I mean? And I feel like it's a part of it.

0:18:25.480 --> 0:18:30.320
<v Speaker 1>It's a part of success and evolution to apply that

0:18:30.440 --> 0:18:33.760
<v Speaker 1>back to the environment, apply that back to the generation

0:18:33.840 --> 0:18:36.400
<v Speaker 1>coming behind you. Otherwise you can't consider what you're doing

0:18:36.440 --> 0:18:39.480
<v Speaker 1>success part of it. What made you decide to work

0:18:39.520 --> 0:18:42.280
<v Speaker 1>with with Royce? Same thing I've always been a fan

0:18:42.320 --> 0:18:44.000
<v Speaker 1>of I'm a lyrics is, you know, I feel like

0:18:44.040 --> 0:18:46.000
<v Speaker 1>coming from Detroit, that's what we bred on. I'm a

0:18:46.000 --> 0:18:48.040
<v Speaker 1>fan of them. I'm a fan of Sean and even

0:18:48.080 --> 0:18:51.000
<v Speaker 1>outside of the culture, the big Ales, the rock cams,

0:18:51.000 --> 0:18:53.359
<v Speaker 1>like I studied that growing up, so like I studied

0:18:53.440 --> 0:18:56.200
<v Speaker 1>his cadences when I first picked up my pen and

0:18:56.520 --> 0:18:58.800
<v Speaker 1>I respect him as a man first outside of business,

0:18:58.800 --> 0:19:00.760
<v Speaker 1>we have a real relationship with each other, Like we

0:19:00.800 --> 0:19:03.720
<v Speaker 1>really kick it on an intimate level. So you know,

0:19:03.880 --> 0:19:06.679
<v Speaker 1>it was divine that it happened more than anything. How

0:19:06.680 --> 0:19:09.560
<v Speaker 1>do you feel about Detroit's rap game. Now, I feel

0:19:09.560 --> 0:19:13.320
<v Speaker 1>like Detroite is like run record away from really being

0:19:14.000 --> 0:19:21.480
<v Speaker 1>the next city that takes the next Are you crazy? Next?

0:19:21.600 --> 0:19:24.600
<v Speaker 1>Memphisis I would say this Detroit street all day long,

0:19:24.680 --> 0:19:26.959
<v Speaker 1>but memphisis street and radio when it comes to it.

0:19:27.160 --> 0:19:32.040
<v Speaker 1>We're getting it away from that going because there's so

0:19:32.040 --> 0:19:35.159
<v Speaker 1>many Detroite artists. That's we're missing the mentors though. We

0:19:35.840 --> 0:19:38.879
<v Speaker 1>are missing the executive side because most of the people

0:19:39.080 --> 0:19:42.320
<v Speaker 1>became executives. You know, Paul Rosenberg, he's here, I came

0:19:42.400 --> 0:19:44.240
<v Speaker 1>here or you went to La right, So, but who

0:19:44.280 --> 0:19:48.159
<v Speaker 1>Memphis got on the executives? Guy he's signed on the

0:19:48.240 --> 0:19:51.720
<v Speaker 1>artist he signed, whether it's black, whether it's money back Yo,

0:19:52.119 --> 0:19:54.600
<v Speaker 1>whether it is he's signed an artist. Like, that's the

0:19:54.640 --> 0:19:57.640
<v Speaker 1>one thing I don't see in Detroit, an artists in tit.

0:19:57.840 --> 0:19:59.840
<v Speaker 1>I think Memphis had that. Detroit might just be getting

0:19:59.840 --> 0:20:01.639
<v Speaker 1>the dependence of it all because that goes back to

0:20:01.640 --> 0:20:03.439
<v Speaker 1>three to six. Yeah, you know what I mean, Like

0:20:03.560 --> 0:20:06.719
<v Speaker 1>and being your own label, having your own studios, put

0:20:06.920 --> 0:20:08.399
<v Speaker 1>the artists you want to push. You didn't have. We

0:20:08.400 --> 0:20:10.960
<v Speaker 1>didn't have a lot of people coming back home. You

0:20:11.000 --> 0:20:13.399
<v Speaker 1>know what I'm saying? When when when when Mario wine

0:20:13.480 --> 0:20:15.320
<v Speaker 1>is left. You know, Mario kind of left. You know

0:20:15.320 --> 0:20:17.800
<v Speaker 1>when I left, I left like a lot of dudes

0:20:17.840 --> 0:20:20.520
<v Speaker 1>from Memphis three six Carlos, six, tol Brody who who

0:20:20.600 --> 0:20:22.159
<v Speaker 1>did a lot of puff like they went home, so

0:20:22.200 --> 0:20:24.359
<v Speaker 1>they was able to get what we're talking about, right,

0:20:24.359 --> 0:20:26.159
<v Speaker 1>But they were able to get I say as an

0:20:26.160 --> 0:20:28.840
<v Speaker 1>executive side. But you know, Royce says Mentor, and we

0:20:28.840 --> 0:20:32.560
<v Speaker 1>was just saying, I use the word um artist development

0:20:32.600 --> 0:20:35.640
<v Speaker 1>when we talk about artists because I think it's gone

0:20:35.680 --> 0:20:38.640
<v Speaker 1>beyond telling somebody how to write a song, Like artist

0:20:38.680 --> 0:20:41.080
<v Speaker 1>development for me has been like how do you how

0:20:41.119 --> 0:20:43.200
<v Speaker 1>do you get a hit record and come on here

0:20:43.400 --> 0:20:45.760
<v Speaker 1>and not go home and die? How do you say

0:20:45.800 --> 0:20:48.160
<v Speaker 1>to how do you learn how to have to write conversations?

0:20:48.480 --> 0:20:51.240
<v Speaker 1>How do you get a million dollars and not go

0:20:52.000 --> 0:20:55.320
<v Speaker 1>by rims or have everybody else your lawyer account? Everybody

0:20:55.440 --> 0:20:58.119
<v Speaker 1>take their money, but there's no understanding of how wealth

0:20:58.200 --> 0:21:01.159
<v Speaker 1>is created. So for us, arts development is and I

0:21:01.160 --> 0:21:04.160
<v Speaker 1>think what roy says mentor, it's about really just giving

0:21:04.200 --> 0:21:07.080
<v Speaker 1>them the tools and the resources and the strategies. Because

0:21:07.080 --> 0:21:09.639
<v Speaker 1>the hit record can come and go. One hit record

0:21:09.640 --> 0:21:11.880
<v Speaker 1>can set you up for life, or you had ten

0:21:11.880 --> 0:21:15.359
<v Speaker 1>albums and just teaching them the importance of solidarity. I mean,

0:21:15.400 --> 0:21:18.000
<v Speaker 1>that's what we're always missing Detroit. Obviously it's a little

0:21:18.040 --> 0:21:20.880
<v Speaker 1>better now than it's been, but this is by far,

0:21:21.720 --> 0:21:25.760
<v Speaker 1>by far, the best place Detroit has been in cultural

0:21:26.040 --> 0:21:28.280
<v Speaker 1>you know what I'm saying, Like, we got so many

0:21:28.480 --> 0:21:32.639
<v Speaker 1>artists popping right now, but we are missing with like

0:21:32.720 --> 0:21:35.879
<v Speaker 1>what you said, we don't have that executive like Gotti

0:21:36.280 --> 0:21:38.840
<v Speaker 1>come in and signing up everybody, which would help to

0:21:38.920 --> 0:21:41.080
<v Speaker 1>kind of bring us all a little bit closer. You know,

0:21:41.080 --> 0:21:43.720
<v Speaker 1>everybody's kind of like just all over the coach. Can't

0:21:43.920 --> 0:21:49.760
<v Speaker 1>trying to sign every Detroit not the only ones Gazi

0:21:49.920 --> 0:21:54.320
<v Speaker 1>trying to sign. Everybody's looking at Detroit right now. Last

0:21:54.320 --> 0:21:56.880
<v Speaker 1>week I went through. I drove to Detroit. I think

0:21:56.920 --> 0:21:58.560
<v Speaker 1>like seven eight artists. I went to the each each

0:21:58.600 --> 0:22:00.919
<v Speaker 1>one of their hoods is to see how different it is.

0:22:01.320 --> 0:22:03.400
<v Speaker 1>But just the fact that they get so much love

0:22:03.440 --> 0:22:05.320
<v Speaker 1>in each one of their hoods and all that music

0:22:05.400 --> 0:22:07.480
<v Speaker 1>is playing was like, damn, they just I just want

0:22:07.480 --> 0:22:09.600
<v Speaker 1>to see it go, like go go, and that's like

0:22:09.680 --> 0:22:11.720
<v Speaker 1>a Landa was like I think we're there though, yeah,

0:22:11.720 --> 0:22:13.359
<v Speaker 1>I think, And that's what I was about to say,

0:22:13.440 --> 0:22:16.000
<v Speaker 1>like just to answer your question, like before the industry

0:22:16.000 --> 0:22:17.679
<v Speaker 1>came to the city, because I'm a part of that generation,

0:22:17.720 --> 0:22:20.480
<v Speaker 1>the baby Faced Rais and all of them. We are

0:22:20.560 --> 0:22:22.880
<v Speaker 1>our own celebrity in our neighborhoods and in the city.

0:22:22.920 --> 0:22:25.600
<v Speaker 1>So outside of the culture, like we're we'll get a million,

0:22:25.640 --> 0:22:29.280
<v Speaker 1>two million views alone just in Detroit before it catches

0:22:29.280 --> 0:22:32.040
<v Speaker 1>and sparks outside of our culture. So like, I feel

0:22:32.080 --> 0:22:34.000
<v Speaker 1>like that's the biggest thing with us, and you know,

0:22:34.119 --> 0:22:36.239
<v Speaker 1>chiming in on what y'all said, it is pivotal that

0:22:36.280 --> 0:22:39.200
<v Speaker 1>we have that connection between the ogs and my generation

0:22:39.280 --> 0:22:42.600
<v Speaker 1>because now being in the age of social media, we're

0:22:42.600 --> 0:22:44.760
<v Speaker 1>in a space to where it's like with us having

0:22:44.760 --> 0:22:46.280
<v Speaker 1>that disconnect. Oh, I don't need you because now I

0:22:46.280 --> 0:22:48.639
<v Speaker 1>have money like you have money. I have the resources

0:22:48.720 --> 0:22:50.520
<v Speaker 1>like you have it, but we don't have the wisdom

0:22:50.760 --> 0:22:53.680
<v Speaker 1>and the innerstanding of the business side. And they hustlers,

0:22:53.760 --> 0:22:56.880
<v Speaker 1>Yeah for sure, they hustlers too, So they their concern

0:22:57.080 --> 0:22:59.560
<v Speaker 1>is we coming and get the money. They don't necessarily

0:22:59.600 --> 0:23:01.879
<v Speaker 1>give about hit records, you know what I'm saying. So

0:23:01.960 --> 0:23:04.959
<v Speaker 1>I think that's that's why you don't see, you know,

0:23:05.000 --> 0:23:08.480
<v Speaker 1>songs even structured like they're even trying to be on

0:23:08.680 --> 0:23:15.800
<v Speaker 1>like radio like first day Out. Yeah, just incredible, incredible.

0:23:16.520 --> 0:23:19.239
<v Speaker 1>It was like I'll see where they're coming from, like

0:23:19.240 --> 0:23:25.720
<v Speaker 1>that vessel and code that records. I wonder if because

0:23:25.760 --> 0:23:28.560
<v Speaker 1>I think about like Shady Aftermath, right, like, was was

0:23:28.600 --> 0:23:31.800
<v Speaker 1>that the right machine? But at the time, it just

0:23:31.920 --> 0:23:34.680
<v Speaker 1>wasn't a plethora of artists like it is now. Because

0:23:34.920 --> 0:23:36.960
<v Speaker 1>m did what he could right like he had de twelve,

0:23:37.000 --> 0:23:40.320
<v Speaker 1>he had obe him did an amazing job. Put the

0:23:40.400 --> 0:23:42.480
<v Speaker 1>light on trick. Yeah, even when he was even when

0:23:42.480 --> 0:23:44.439
<v Speaker 1>he wasn't trying, you know what i mean, Like just

0:23:44.760 --> 0:23:48.760
<v Speaker 1>what he did opened up so many doors. Back then,

0:23:49.600 --> 0:23:51.760
<v Speaker 1>it was Detroit was broken down like this. You had

0:23:51.800 --> 0:23:55.200
<v Speaker 1>the street rapper side, which was the street niggas who

0:23:55.320 --> 0:23:59.120
<v Speaker 1>rapped kind of like what you see now, and then

0:23:59.160 --> 0:24:02.119
<v Speaker 1>you had hip hop nigga side that was us, the

0:24:02.200 --> 0:24:05.880
<v Speaker 1>backpackers quote unquote from the hip hop shop. So myself

0:24:05.920 --> 0:24:10.360
<v Speaker 1>proof everybody on our side got a deal. Every single

0:24:10.440 --> 0:24:13.440
<v Speaker 1>person from that era on the hip hop side gotta deal.

0:24:14.119 --> 0:24:16.359
<v Speaker 1>It was just our time, you know what I'm saying.

0:24:16.560 --> 0:24:21.199
<v Speaker 1>And I'm gonna take it even further, like the Street Lords,

0:24:21.560 --> 0:24:24.440
<v Speaker 1>cheddar Boys, rock Bottom, all of these crews that were

0:24:24.480 --> 0:24:27.119
<v Speaker 1>making the street records back then, who were kind of

0:24:27.240 --> 0:24:32.359
<v Speaker 1>in competition with us. They were making straight up club classic,

0:24:32.520 --> 0:24:37.680
<v Speaker 1>street classic records that still play today. That they were

0:24:37.680 --> 0:24:39.520
<v Speaker 1>the kind of records that y'all are talking about that

0:24:39.560 --> 0:24:42.800
<v Speaker 1>the youngest now are missing. The youngest now are kind

0:24:42.840 --> 0:24:45.720
<v Speaker 1>of like a derivative of these guys. Street Lord wand

0:24:45.920 --> 0:24:51.480
<v Speaker 1>Blade Guy arrested Soul and it just wasn't the game

0:24:51.560 --> 0:24:53.840
<v Speaker 1>hadn't caught up to what they were doing yet. Now

0:24:53.960 --> 0:24:56.280
<v Speaker 1>the game has caught up to that. And the doors

0:24:56.320 --> 0:24:58.800
<v Speaker 1>wide open for the vessels the side of the the babies,

0:24:58.840 --> 0:25:01.600
<v Speaker 1>and they pick that ship through and they came stumping.

0:25:02.640 --> 0:25:04.479
<v Speaker 1>But I wish I wish one of them would make

0:25:04.560 --> 0:25:06.840
<v Speaker 1>no no no no no no no no. I wish

0:25:06.840 --> 0:25:08.800
<v Speaker 1>one of them make one of them because if they

0:25:08.800 --> 0:25:12.119
<v Speaker 1>do that, that's it. It's yeah. Now, I see you

0:25:12.119 --> 0:25:13.840
<v Speaker 1>have a lot of people come to Heaven Studio. Chris

0:25:13.840 --> 0:25:16.560
<v Speaker 1>Webber was just there. I think Jake Cole was there once.

0:25:16.600 --> 0:25:18.560
<v Speaker 1>I think I saw you pick your cold. So what's

0:25:18.600 --> 0:25:21.160
<v Speaker 1>going on? Is it records being made? Like? What is it? Yeah,

0:25:21.200 --> 0:25:24.280
<v Speaker 1>it's records being made. Um see. Webb actually came the

0:25:24.359 --> 0:25:27.000
<v Speaker 1>other day he played some beats. But um, we got

0:25:27.080 --> 0:25:30.400
<v Speaker 1>some other stuff that we're doing. Um, can I talk

0:25:30.400 --> 0:25:33.200
<v Speaker 1>about that In the marijuana business, we partnered up and

0:25:33.240 --> 0:25:39.800
<v Speaker 1>we're doing some stuff canadaj the derogatory term he just got,

0:25:42.840 --> 0:25:44.760
<v Speaker 1>well you know what it is, canceled. No, no, no no.

0:25:44.960 --> 0:25:47.560
<v Speaker 1>But somebody told me who was in the cannabis business

0:25:47.640 --> 0:25:51.200
<v Speaker 1>that marijuana was. It was a term that white people

0:25:51.280 --> 0:25:53.640
<v Speaker 1>used to use for a weed coming out of Mexico,

0:25:54.680 --> 0:25:57.560
<v Speaker 1>and so it's actually a bad kind of They look

0:25:57.600 --> 0:26:01.840
<v Speaker 1>down the term cannabis. Okay, okay, cool, So I see weed,

0:26:02.960 --> 0:26:06.560
<v Speaker 1>we probably okay, I'm gonna say, I'm gonna say cannabis.

0:26:07.440 --> 0:26:11.760
<v Speaker 1>I'm gonna go with my attorney on this. So yeah,

0:26:11.800 --> 0:26:13.520
<v Speaker 1>we were partnering it up on some stuff in the

0:26:13.560 --> 0:26:17.120
<v Speaker 1>cannabis business. We're doing some NFT stuff together and we're

0:26:17.119 --> 0:26:19.159
<v Speaker 1>gonna make some music together. And then he has a

0:26:19.920 --> 0:26:22.359
<v Speaker 1>bunch of dope ideas on stuff that we can do.

0:26:22.960 --> 0:26:24.760
<v Speaker 1>And it was just a long time coming. We met,

0:26:24.960 --> 0:26:26.800
<v Speaker 1>We met like a while back, but we never really

0:26:26.840 --> 0:26:30.040
<v Speaker 1>got a chance to connect like that. So we spent

0:26:30.119 --> 0:26:31.639
<v Speaker 1>some time with each other and just seeing how like

0:26:31.800 --> 0:26:34.879
<v Speaker 1>minded we were, and um, I'm into that right now,

0:26:35.119 --> 0:26:37.719
<v Speaker 1>you know, just being around like minded people, real niggas,

0:26:37.840 --> 0:26:40.080
<v Speaker 1>you know what I'm saying, building relationships and just figuring

0:26:40.119 --> 0:26:44.920
<v Speaker 1>out ways that we can um use our viability that

0:26:45.000 --> 0:26:47.520
<v Speaker 1>we bring to the table, put it together and figure

0:26:47.520 --> 0:26:49.560
<v Speaker 1>out what we can do and just be real creative

0:26:49.600 --> 0:26:51.520
<v Speaker 1>with what that could be. They got a lot of

0:26:51.560 --> 0:26:54.320
<v Speaker 1>lies it too, though. First in Detroit, that's wild to me.

0:26:54.680 --> 0:26:58.119
<v Speaker 1>They got to legalize it. You meant, well, you know

0:26:58.200 --> 0:27:05.639
<v Speaker 1>it's only in Detroit, but it's crazy because you can

0:27:05.720 --> 0:27:08.320
<v Speaker 1>go five minutes out into the white area and it's legal.

0:27:08.480 --> 0:27:11.560
<v Speaker 1>But this little recreational which makes no sense, which makes

0:27:11.560 --> 0:27:15.919
<v Speaker 1>no sense. You know, we don't. We don't give Chris Webbing,

0:27:16.080 --> 0:27:18.760
<v Speaker 1>Jail and Rolls and Jimmy King and Ray Jackson and

0:27:18.840 --> 0:27:21.680
<v Speaker 1>Juwan Howard the credit they deserve, right because I'm not

0:27:21.760 --> 0:27:24.080
<v Speaker 1>even I'm not from Detroit, but I look at those brothers.

0:27:25.119 --> 0:27:28.800
<v Speaker 1>They were so unapologetically black at a time when we

0:27:28.880 --> 0:27:31.960
<v Speaker 1>didn't see that type of unapologetic blackness on TV and

0:27:32.080 --> 0:27:34.199
<v Speaker 1>bracing hip hop the way that they did. But as

0:27:34.240 --> 0:27:36.760
<v Speaker 1>a Detroit native, how how how did that impact? Man?

0:27:37.119 --> 0:27:38.920
<v Speaker 1>It impacted me in a way that me and see

0:27:38.960 --> 0:27:41.440
<v Speaker 1>Webb set and talked about that very thing you just

0:27:41.520 --> 0:27:45.640
<v Speaker 1>said for five hours. Wow. The niggas they shifted to paradigm. Man,

0:27:45.720 --> 0:27:51.600
<v Speaker 1>they changed the way that players wanted to dress like Yo.

0:27:51.760 --> 0:27:54.800
<v Speaker 1>They first ones with the long baggy shorts, the big

0:27:54.880 --> 0:27:57.960
<v Speaker 1>baggy jerseys, with the shirt T shirt under it, with

0:27:58.119 --> 0:28:00.879
<v Speaker 1>the sleeves cut off. It was their idea to go

0:28:00.960 --> 0:28:03.720
<v Speaker 1>with the haaraces that did not match the uniform. It

0:28:03.880 --> 0:28:06.280
<v Speaker 1>was their idea for everybody to cut their hair ball.

0:28:07.240 --> 0:28:09.639
<v Speaker 1>They Wow, and they were freshmen, all of them freshmen,

0:28:10.080 --> 0:28:12.520
<v Speaker 1>all of them freshmen starting running shit. You know what

0:28:12.560 --> 0:28:14.680
<v Speaker 1>I'm saying. It's just they paved the way for the

0:28:14.760 --> 0:28:18.080
<v Speaker 1>AI paved it, and I you know, we need more

0:28:18.119 --> 0:28:20.840
<v Speaker 1>of that, man, We need more people m for lack

0:28:20.920 --> 0:28:23.720
<v Speaker 1>of a better phrase, obviously, but to kind of like

0:28:24.680 --> 0:28:26.639
<v Speaker 1>give the system a little bit of pushback, you know

0:28:26.640 --> 0:28:30.400
<v Speaker 1>what I mean? Like it's just necessary, man, It's not necessary.

0:28:30.560 --> 0:28:33.520
<v Speaker 1>I gotta ask slaw the house of y'all back on

0:28:33.640 --> 0:28:36.080
<v Speaker 1>good terms. I don't know what month this was, what

0:28:36.160 --> 0:28:38.880
<v Speaker 1>week it was. I happened to term Instagram and I've

0:28:38.880 --> 0:28:41.680
<v Speaker 1>seen y'all arguing on Instagram. You would you would you

0:28:41.720 --> 0:28:43.120
<v Speaker 1>were the middle man, you would have one trying to

0:28:43.120 --> 0:28:44.720
<v Speaker 1>calm things down, and they were going back and forth

0:28:44.760 --> 0:28:45.760
<v Speaker 1>and I just turned to I was like, I can't

0:28:45.800 --> 0:28:49.400
<v Speaker 1>see these bubbs argument anymore. So you're back good. I

0:28:49.520 --> 0:28:52.320
<v Speaker 1>mean we never we never. I mean I could never

0:28:52.400 --> 0:28:55.240
<v Speaker 1>say we're bad, you know what I mean? Like they listen, man,

0:28:56.520 --> 0:29:00.840
<v Speaker 1>we've been We've spent ten years together. Man, damn there

0:29:00.880 --> 0:29:03.800
<v Speaker 1>every day building something special, you know what I mean.

0:29:03.880 --> 0:29:06.920
<v Speaker 1>And it just it just ended in a very unfortunate way.

0:29:07.720 --> 0:29:10.680
<v Speaker 1>But I can't just sum it up like that. Man,

0:29:10.720 --> 0:29:13.400
<v Speaker 1>I can't. I can't, I can't. I'm sorry. Man, it's

0:29:13.480 --> 0:29:18.120
<v Speaker 1>my doorbell of the studio. I'm sorry. Probably just George

0:29:18.160 --> 0:29:22.640
<v Speaker 1>Dash So so I can't just sum it up like, nah,

0:29:22.720 --> 0:29:24.960
<v Speaker 1>we ain't good, you know what I mean. Now we

0:29:25.080 --> 0:29:28.560
<v Speaker 1>haven't spoken. You know, two of the guys, Crooking and Joel,

0:29:28.680 --> 0:29:31.360
<v Speaker 1>made some made some decisions that you know, we can't

0:29:31.400 --> 0:29:35.200
<v Speaker 1>really come back from in terms of business, and that's

0:29:35.240 --> 0:29:37.320
<v Speaker 1>really it. Decision was they decided to do their own

0:29:37.320 --> 0:29:40.120
<v Speaker 1>group or do their own thing together. Nah they Um,

0:29:42.200 --> 0:29:45.560
<v Speaker 1>I'm give you the short version. But me and Joe

0:29:45.600 --> 0:29:47.560
<v Speaker 1>is sitting around minding our own business and we look

0:29:47.640 --> 0:29:51.240
<v Speaker 1>up and they they release they start rolling out a project.

0:29:52.520 --> 0:29:55.080
<v Speaker 1>The project was called The Rise and Fall of Slaughterhouse.

0:29:55.560 --> 0:29:58.400
<v Speaker 1>They put this project out in the project is announcing

0:29:58.480 --> 0:30:01.240
<v Speaker 1>to the world that the group is old. And this

0:30:01.440 --> 0:30:05.240
<v Speaker 1>is why we had already went through a long negotiation

0:30:05.360 --> 0:30:09.960
<v Speaker 1>with Shady to pull the group off the label so

0:30:10.200 --> 0:30:13.920
<v Speaker 1>we can do things moving forward, so we can make

0:30:13.960 --> 0:30:16.520
<v Speaker 1>another album, so we can relaunch merchandise, so we can

0:30:16.600 --> 0:30:21.400
<v Speaker 1>relaunch everything slaughter House. And for whatever reason, so y'a

0:30:21.400 --> 0:30:23.080
<v Speaker 1>were gonna do another album, even Joe was gonna do

0:30:23.200 --> 0:30:25.000
<v Speaker 1>get in the studio and do another album at that time.

0:30:25.200 --> 0:30:29.479
<v Speaker 1>Absolutely okay, absolutely, And so the whole album was basically

0:30:29.520 --> 0:30:33.840
<v Speaker 1>about how Joe Knock gonna wrap Cricket came to the

0:30:33.920 --> 0:30:37.200
<v Speaker 1>table with a deal idea. We didn't want to do it,

0:30:37.320 --> 0:30:40.440
<v Speaker 1>so day over it. They're done, The group is done.

0:30:41.480 --> 0:30:43.520
<v Speaker 1>And I just felt like that was a hell of

0:30:43.560 --> 0:30:46.160
<v Speaker 1>a thing to blindside me with as a friend and

0:30:46.360 --> 0:30:49.400
<v Speaker 1>as a business partner, because number one, if the group

0:30:49.480 --> 0:30:52.080
<v Speaker 1>is gonna be over, that's fine. Things and things and

0:30:52.240 --> 0:30:55.440
<v Speaker 1>all the time, let me know that. Send me a text,

0:30:55.760 --> 0:30:57.400
<v Speaker 1>shoot me a text letting me know what you're done,

0:30:57.880 --> 0:31:00.400
<v Speaker 1>or if you're gonna go public and say that you're

0:31:00.440 --> 0:31:03.040
<v Speaker 1>done with the group, that's cool, but don't just go

0:31:03.240 --> 0:31:05.840
<v Speaker 1>public and just announced that the group is done, you

0:31:05.920 --> 0:31:09.600
<v Speaker 1>know what I mean. Like that's I expected more out

0:31:09.640 --> 0:31:11.720
<v Speaker 1>of Crooked. I didn't have as much of a problem

0:31:11.800 --> 0:31:14.160
<v Speaker 1>with Joel because you know, me and Joel always been

0:31:14.320 --> 0:31:16.800
<v Speaker 1>been cool. But me and Crook, I thought we were

0:31:16.840 --> 0:31:18.080
<v Speaker 1>better than that, you know what I mean. So it

0:31:18.200 --> 0:31:20.440
<v Speaker 1>was more of a it's more of a personal more

0:31:20.480 --> 0:31:22.080
<v Speaker 1>of a personal thing, you know what I mean. But

0:31:22.200 --> 0:31:24.680
<v Speaker 1>I can't. I can't bring myself to a point where

0:31:24.720 --> 0:31:26.600
<v Speaker 1>I can get on a public platform and bashing in

0:31:26.720 --> 0:31:27.880
<v Speaker 1>them though, you know what I mean. I got too

0:31:27.960 --> 0:31:30.040
<v Speaker 1>much love for him, and I think the amount of

0:31:30.080 --> 0:31:32.520
<v Speaker 1>love I got for him is what made me so disappointed,

0:31:32.800 --> 0:31:35.000
<v Speaker 1>you know what I mean. So it go back to

0:31:35.080 --> 0:31:38.000
<v Speaker 1>what I was saying earlier, just about you know, airing

0:31:38.040 --> 0:31:42.240
<v Speaker 1>out how I feel on public platforms. Bunn told me,

0:31:42.440 --> 0:31:45.160
<v Speaker 1>like when we first, when Slaughterhouse first became a thing,

0:31:45.600 --> 0:31:48.760
<v Speaker 1>he called me. Any time I ever aired out anything

0:31:48.880 --> 0:31:52.680
<v Speaker 1>publicly if it involved family, I always regretted it, and

0:31:52.800 --> 0:31:55.800
<v Speaker 1>that always resonated with me, and I've done I've went

0:31:56.000 --> 0:31:59.240
<v Speaker 1>since that conversation, I went and done that probably fifty times,

0:31:59.320 --> 0:32:02.760
<v Speaker 1>and I regretted it every time. So you know, so

0:32:02.920 --> 0:32:04.240
<v Speaker 1>that's one of the things that I'm working on. So

0:32:04.320 --> 0:32:07.200
<v Speaker 1>to answer your question, no, no more slaughter House, but

0:32:07.880 --> 0:32:10.880
<v Speaker 1>still nothing beloved always I respect everything, as you said,

0:32:12.000 --> 0:32:13.560
<v Speaker 1>And I feel like that should have been an easy

0:32:13.640 --> 0:32:16.920
<v Speaker 1>conversation for crooking in Joel because Joe don't want to rap.

0:32:17.240 --> 0:32:18.880
<v Speaker 1>So if you don't want to wrap, there's no slaughter house.

0:32:18.960 --> 0:32:20.959
<v Speaker 1>So why shouldn't they be able to go do their

0:32:21.000 --> 0:32:25.040
<v Speaker 1>own project. Well, it's easy to paint Joe as that

0:32:25.400 --> 0:32:30.040
<v Speaker 1>because of how many things he said publicly, But when

0:32:30.080 --> 0:32:33.320
<v Speaker 1>we having conference, when we're having conference calls and he's

0:32:33.320 --> 0:32:37.240
<v Speaker 1>a part of every call and we having creative conversations

0:32:37.320 --> 0:32:40.000
<v Speaker 1>about what we're gonna do next, you know what I mean?

0:32:40.080 --> 0:32:42.680
<v Speaker 1>He was gonna get back and then do it. Joe

0:32:42.840 --> 0:32:46.800
<v Speaker 1>staying is I'm not I'm retired. I'm doing I'm in

0:32:46.880 --> 0:32:50.520
<v Speaker 1>the content space. But I'm really into ownership right now.

0:32:50.680 --> 0:32:53.440
<v Speaker 1>I will wrap in slaughter House if we own it,

0:32:53.560 --> 0:32:55.160
<v Speaker 1>but we got to own it. It can't be on

0:32:55.240 --> 0:32:58.360
<v Speaker 1>Shady And if we decide to take it to another label,

0:32:58.880 --> 0:33:01.480
<v Speaker 1>I would be particular on how we would do that

0:33:01.600 --> 0:33:04.200
<v Speaker 1>deal because we already built this. This is something we

0:33:04.320 --> 0:33:07.320
<v Speaker 1>built already, and I agree that it shouldn't just sit

0:33:07.440 --> 0:33:09.640
<v Speaker 1>on Shady. It shouldn't just sit on Shady if Shady

0:33:09.680 --> 0:33:11.840
<v Speaker 1>doesn't want to release it. And this is respectfully because

0:33:11.880 --> 0:33:15.160
<v Speaker 1>I love them too. Always, it shouldn't just sit on Shady.

0:33:15.200 --> 0:33:18.480
<v Speaker 1>We built it. It's ours. So when we got it

0:33:18.600 --> 0:33:22.040
<v Speaker 1>off of Shady, man, I was like, that was like fulfilling.

0:33:22.120 --> 0:33:24.600
<v Speaker 1>It was like it was bitter sweet. It was bitter

0:33:24.640 --> 0:33:26.480
<v Speaker 1>sweet because it was like, damn, I had a vision

0:33:26.520 --> 0:33:28.840
<v Speaker 1>for doing this with my good friend, you know what

0:33:28.880 --> 0:33:30.800
<v Speaker 1>I mean, But it didn't work out for obvious reasons.

0:33:30.840 --> 0:33:35.120
<v Speaker 1>So getting it off of there and still now having

0:33:35.200 --> 0:33:37.920
<v Speaker 1>it back in our possession and having something that we built,

0:33:37.960 --> 0:33:41.120
<v Speaker 1>the first tangible thing that we built in this business organically,

0:33:41.800 --> 0:33:46.120
<v Speaker 1>you know, multimillion dollar brand that we built from the ground.

0:33:46.160 --> 0:33:49.160
<v Speaker 1>When everybody told us, y'all been around the block, y'all

0:33:49.240 --> 0:33:52.040
<v Speaker 1>can't man, y'all never be able to do festivals, y'all

0:33:52.040 --> 0:33:53.800
<v Speaker 1>don't have songs, y'all don't have hooks, you know what

0:33:53.840 --> 0:33:56.560
<v Speaker 1>I'm saying. Like, and we kind of like defied all

0:33:56.600 --> 0:33:59.320
<v Speaker 1>of those odds, you know what I'm saying. So to

0:33:59.480 --> 0:34:03.000
<v Speaker 1>get to that point with Joe being way more knowledgeable

0:34:03.160 --> 0:34:06.560
<v Speaker 1>obviously myself being way more knowledgeable, and then just having

0:34:06.600 --> 0:34:08.480
<v Speaker 1>it in our possession and for them to just jump

0:34:08.520 --> 0:34:12.640
<v Speaker 1>the gun like that because of a deal that he

0:34:12.760 --> 0:34:15.360
<v Speaker 1>put on the table, which he that's never been his

0:34:15.480 --> 0:34:17.520
<v Speaker 1>role in the group. But I mean anything that anybody

0:34:17.600 --> 0:34:20.040
<v Speaker 1>put on the table, I would consider it. But I

0:34:20.160 --> 0:34:22.160
<v Speaker 1>think that we should be allowed to ask questions, right

0:34:22.880 --> 0:34:25.000
<v Speaker 1>like if if if I put something on the table

0:34:25.080 --> 0:34:27.120
<v Speaker 1>for us and you ask questions, or even if you

0:34:27.200 --> 0:34:30.200
<v Speaker 1>say no, does that mean everything is over? Or does

0:34:30.239 --> 0:34:32.399
<v Speaker 1>that mean we go to another label? We hadn't talked

0:34:32.400 --> 0:34:34.680
<v Speaker 1>to any other labels yet. We hadn't even talked to

0:34:34.760 --> 0:34:36.960
<v Speaker 1>a label in that situation. We talked to a guy

0:34:37.040 --> 0:34:39.600
<v Speaker 1>who was talking to a label. We never had nothing

0:34:39.680 --> 0:34:41.960
<v Speaker 1>on paper. There never was a proposal in black and

0:34:42.000 --> 0:34:44.319
<v Speaker 1>white for us to look at. It was just a conversation.

0:34:45.120 --> 0:34:48.480
<v Speaker 1>He didn't like how the conversation went, so he decided,

0:34:48.560 --> 0:34:52.600
<v Speaker 1>fuck them, We're gonna go do this. I feel playing

0:34:52.640 --> 0:34:55.200
<v Speaker 1>devil's advocate, right, do you feel like the white devil's advocate?

0:34:57.520 --> 0:35:01.080
<v Speaker 1>We know Joe was doing well with his content, creating

0:35:01.120 --> 0:35:04.520
<v Speaker 1>everything that he's doing you're obviously doing well. Could it

0:35:04.600 --> 0:35:08.120
<v Speaker 1>be a situation where maybe Joel and Crooket weren't doing

0:35:08.160 --> 0:35:11.359
<v Speaker 1>as well because the group was so much financial for them.

0:35:11.400 --> 0:35:13.239
<v Speaker 1>I mean, y'all were going on tours, y'all. I don't

0:35:13.280 --> 0:35:15.400
<v Speaker 1>think y'all ever really got the money that y'all deserved.

0:35:15.520 --> 0:35:18.440
<v Speaker 1>Yet you feel like maybe that was their way of saying, look,

0:35:18.440 --> 0:35:20.080
<v Speaker 1>I gotta feed my family at the end of the day.

0:35:20.960 --> 0:35:25.359
<v Speaker 1>Possibly possibly, And I mean, listen, that makes it even

0:35:25.440 --> 0:35:27.759
<v Speaker 1>worse because it's like, Bro, if that's what it was,

0:35:29.760 --> 0:35:31.560
<v Speaker 1>we who are you supposed to have been talking to?

0:35:32.360 --> 0:35:35.120
<v Speaker 1>You know what I'm saying, Like, who who wouldn't understand?

0:35:35.120 --> 0:35:39.640
<v Speaker 1>Who would understand that more than your brother? Me, the

0:35:40.000 --> 0:35:42.360
<v Speaker 1>guy who've been up and down, up and down just

0:35:42.520 --> 0:35:45.200
<v Speaker 1>like anybody else in this business. You know what I'm saying, Like,

0:35:45.320 --> 0:35:47.839
<v Speaker 1>I understand the ups and down. So if it's if

0:35:47.880 --> 0:35:50.880
<v Speaker 1>this is a downtime and this is like something, because

0:35:50.880 --> 0:35:53.560
<v Speaker 1>there's been plenty of things that I've done that I've

0:35:53.600 --> 0:35:56.200
<v Speaker 1>done because one of my rules in the group was

0:35:56.280 --> 0:35:58.840
<v Speaker 1>I don't like I'm not doing any three man shows.

0:35:59.760 --> 0:36:03.040
<v Speaker 1>In three man all members gotta be there. There's been

0:36:03.080 --> 0:36:05.680
<v Speaker 1>plenty of times Joe couldn't make it where they were like, yo, listen,

0:36:06.600 --> 0:36:08.080
<v Speaker 1>we need you to come do this because we need

0:36:08.120 --> 0:36:10.400
<v Speaker 1>the money. And I did it, you know what I mean?

0:36:11.000 --> 0:36:15.840
<v Speaker 1>So what is that was just a bad deal, like

0:36:15.960 --> 0:36:18.760
<v Speaker 1>Roy's gonna be. It was a bad deal. They possessioned

0:36:18.760 --> 0:36:21.520
<v Speaker 1>a bad deal and they use a lot of stuff

0:36:21.560 --> 0:36:24.759
<v Speaker 1>that was happening within the group. Um, it was just

0:36:24.880 --> 0:36:28.920
<v Speaker 1>a bad deal, right person. There were times when when

0:36:29.040 --> 0:36:33.359
<v Speaker 1>Joe was ready to wrap and we couldn't get crooked

0:36:33.400 --> 0:36:36.880
<v Speaker 1>a rap. They don't talk about that shit, you know

0:36:36.880 --> 0:36:38.799
<v Speaker 1>what I'm saying, Like I couldn't crook rap Crook Cooker

0:36:38.840 --> 0:36:40.839
<v Speaker 1>always ready to wrap. Crook didn't want to know see

0:36:41.080 --> 0:36:43.399
<v Speaker 1>see what I'm saying. See See, people got the wrong

0:36:43.480 --> 0:36:45.960
<v Speaker 1>impression about people. And that's why Joe is easy to

0:36:46.040 --> 0:36:50.200
<v Speaker 1>paint as a certain thing. He's easy talking. Yeah, look

0:36:50.239 --> 0:36:52.440
<v Speaker 1>like they look like the blue collar guys, correct, you

0:36:52.520 --> 0:36:54.080
<v Speaker 1>know the guys who you know willing the road, They

0:36:54.120 --> 0:36:59.040
<v Speaker 1>sleeves a fuck all that Crook he had his ways

0:36:59.080 --> 0:37:02.000
<v Speaker 1>about him the whole time. He always had some issue

0:37:02.040 --> 0:37:05.920
<v Speaker 1>with Joe that he wouldn't address. It was always in

0:37:06.000 --> 0:37:08.279
<v Speaker 1>the air. I can't quite put my finger on what

0:37:08.440 --> 0:37:11.320
<v Speaker 1>that was. But this nigga that made Joe disrecords, he

0:37:11.360 --> 0:37:13.320
<v Speaker 1>didn't did it. All types of shit, you know what

0:37:13.360 --> 0:37:15.719
<v Speaker 1>I'm saying. People just didn't hear you know what I mean.

0:37:15.800 --> 0:37:17.640
<v Speaker 1>But he did it. He did it, And there was

0:37:17.680 --> 0:37:19.720
<v Speaker 1>a time where he was like, nah, I ain't rapping,

0:37:20.560 --> 0:37:23.600
<v Speaker 1>you know what I mean. Nobody fucking went out and

0:37:23.719 --> 0:37:26.359
<v Speaker 1>put out an album about him not rapping and saying

0:37:26.400 --> 0:37:29.320
<v Speaker 1>that the group is over with. It's just it's messy.

0:37:29.440 --> 0:37:31.920
<v Speaker 1>And then on the business side, it's like, Yo, you're

0:37:31.960 --> 0:37:34.839
<v Speaker 1>not You're not sucking up our ship. You're sucking up

0:37:35.280 --> 0:37:37.440
<v Speaker 1>your ship too, you know what I mean. We're all

0:37:37.520 --> 0:37:41.120
<v Speaker 1>taking the same altogether. And then you know, like during

0:37:41.160 --> 0:37:47.080
<v Speaker 1>the whole process, you painted me, You painted me in

0:37:47.160 --> 0:37:50.120
<v Speaker 1>a certain light. You had to paint me in a

0:37:50.160 --> 0:37:51.800
<v Speaker 1>certain light in order to be able to do that.

0:37:51.920 --> 0:37:53.759
<v Speaker 1>And I'm just trying to figure out what what did

0:37:53.800 --> 0:37:55.960
<v Speaker 1>I do to deserve that? Yeah, I mean, there's no

0:37:56.080 --> 0:37:59.240
<v Speaker 1>record silent because I heard I heard people getting invited

0:37:59.239 --> 0:38:03.680
<v Speaker 1>to the Frank stand on those those calls, right, I

0:38:03.800 --> 0:38:06.040
<v Speaker 1>never did. Didn't somebody sayd SMD on one of those calls?

0:38:06.320 --> 0:38:08.680
<v Speaker 1>Oh no, no, Joe, Joe, Joe, one of them. I

0:38:08.760 --> 0:38:13.000
<v Speaker 1>was like, Joe, Yeah, Joe said that project, that project

0:38:13.080 --> 0:38:15.600
<v Speaker 1>of SMD. He said that project that probably could suck

0:38:15.640 --> 0:38:17.279
<v Speaker 1>my did Yeah yeah, yeah yeah, well maybe it was

0:38:17.320 --> 0:38:19.000
<v Speaker 1>the project. Oh yeah, maybe that's not that's just yeah

0:38:19.360 --> 0:38:20.880
<v Speaker 1>that when I started seeing it on lies, like you

0:38:20.920 --> 0:38:22.080
<v Speaker 1>know what, enough, that was just that was just some

0:38:22.200 --> 0:38:23.640
<v Speaker 1>Joe shit to say though, you know what I'm saying,

0:38:23.680 --> 0:38:26.400
<v Speaker 1>like it, But it wasn't like Joel know how Joe talked,

0:38:26.680 --> 0:38:28.839
<v Speaker 1>you know what I mean? So that wasn't that wasn't

0:38:28.880 --> 0:38:30.560
<v Speaker 1>really nothing. That was one of them things where you

0:38:30.600 --> 0:38:33.480
<v Speaker 1>can take it. You can take it super super offensive

0:38:33.520 --> 0:38:36.600
<v Speaker 1>and personal if you if you choose to. But Joe

0:38:36.800 --> 0:38:38.640
<v Speaker 1>Joel said a lot of He said a lot of

0:38:38.680 --> 0:38:41.720
<v Speaker 1>weird stuff too, you know what I mean, Like everybody

0:38:41.800 --> 0:38:45.200
<v Speaker 1>played their part. I'm I'm holding myself accountable for the

0:38:45.320 --> 0:38:46.840
<v Speaker 1>for the part that I played to you know what

0:38:46.840 --> 0:38:49.799
<v Speaker 1>I mean? But I meant, did you play you think?

0:38:51.239 --> 0:38:52.640
<v Speaker 1>I mean, you're making it hard for me because I

0:38:52.680 --> 0:38:56.400
<v Speaker 1>don't do much wrong. Charlotte Man, I just I just

0:38:56.600 --> 0:39:01.080
<v Speaker 1>I just um I think um I did that thing

0:39:01.160 --> 0:39:03.799
<v Speaker 1>that I was talking about. I went on Joe's show

0:39:04.040 --> 0:39:07.320
<v Speaker 1>and I was I was frustrated in my reaction to

0:39:07.520 --> 0:39:11.000
<v Speaker 1>what they did, caused Crook to react to how I reacted,

0:39:12.000 --> 0:39:14.479
<v Speaker 1>you know what I mean, And then what he said,

0:39:15.560 --> 0:39:17.960
<v Speaker 1>what he said made me block them, It made me

0:39:18.040 --> 0:39:19.880
<v Speaker 1>block him on social media and made me block his

0:39:20.040 --> 0:39:22.640
<v Speaker 1>number because I don't. I love them too much and

0:39:22.680 --> 0:39:24.680
<v Speaker 1>I don't want nothing else to get said. That's gonna

0:39:24.800 --> 0:39:27.359
<v Speaker 1>that's gonna turn me up, that's gonna put me up there,

0:39:28.120 --> 0:39:30.200
<v Speaker 1>you know what I mean. So, and I don't feel

0:39:30.200 --> 0:39:32.399
<v Speaker 1>like there's anything that should go on in the wrap

0:39:32.480 --> 0:39:35.160
<v Speaker 1>space that should even bring you to that, you know

0:39:35.160 --> 0:39:37.880
<v Speaker 1>what I mean. But we all we all gardened something,

0:39:38.040 --> 0:39:39.920
<v Speaker 1>you know what I mean, Like we all gardened. Rather

0:39:39.920 --> 0:39:43.520
<v Speaker 1>it's our egos. We come from environments where the measuring

0:39:43.560 --> 0:39:45.759
<v Speaker 1>stick to cool and some souped up tough guys. Shit,

0:39:46.040 --> 0:39:49.000
<v Speaker 1>you know what I mean. Like everybody's like, watch how

0:39:49.000 --> 0:39:51.520
<v Speaker 1>you talk to me, respect me, But everybody ain't being

0:39:51.560 --> 0:39:54.520
<v Speaker 1>so respectful, you know. So talk to me about the

0:39:54.600 --> 0:39:57.160
<v Speaker 1>Loupe Fiasco thing, because I still don't understand what that

0:39:57.440 --> 0:40:01.440
<v Speaker 1>went left. Ye're doing a podcast together the next thing,

0:40:01.440 --> 0:40:05.200
<v Speaker 1>you know, it's disrecords flaming. I really don't know, Like

0:40:05.280 --> 0:40:07.040
<v Speaker 1>I've tried to follow it. But I really don't know

0:40:07.120 --> 0:40:09.080
<v Speaker 1>how that turns into that. And at first I thought

0:40:09.120 --> 0:40:12.520
<v Speaker 1>it was friendly, just on something like I'm super ly

0:40:13.440 --> 0:40:16.920
<v Speaker 1>Loupe super lyrical. Let's you know. It was friendly. It

0:40:17.040 --> 0:40:19.600
<v Speaker 1>was friendly, it was friendly. But the same thing happened.

0:40:20.239 --> 0:40:22.840
<v Speaker 1>There was a conversation on live stream on a on

0:40:22.960 --> 0:40:26.439
<v Speaker 1>a on the platform, public platform for everybody to see,

0:40:27.239 --> 0:40:32.960
<v Speaker 1>and Loupe um he made an assumption, he assumed because

0:40:33.040 --> 0:40:36.200
<v Speaker 1>murder much and loaded luks Um. One of those who

0:40:36.239 --> 0:40:39.080
<v Speaker 1>got one of those guys posed the question who would

0:40:39.120 --> 0:40:41.920
<v Speaker 1>win in a battle between me and Louke. Now, now

0:40:42.440 --> 0:40:44.600
<v Speaker 1>Urel had already reached out to us and asked us

0:40:45.080 --> 0:40:48.320
<v Speaker 1>what we battled each other on the platform. We said no,

0:40:48.560 --> 0:40:50.799
<v Speaker 1>We talked about it. We agreed that that's not even

0:40:50.840 --> 0:40:52.879
<v Speaker 1>something that we would be interested in. I never even

0:40:52.960 --> 0:40:58.000
<v Speaker 1>looked at lou as as like a um uhh, that

0:40:58.160 --> 0:40:59.840
<v Speaker 1>he could be an op up mind, you know what

0:40:59.840 --> 0:41:01.759
<v Speaker 1>I mean? Like, I don't feel like that he's that

0:41:02.120 --> 0:41:05.160
<v Speaker 1>he's that kind of rapper. I think he's an amazing rapper, correct,

0:41:05.400 --> 0:41:07.040
<v Speaker 1>But I don't think he's that kind of rapper. I

0:41:07.120 --> 0:41:08.880
<v Speaker 1>don't think of guys like him when I think of

0:41:09.080 --> 0:41:11.640
<v Speaker 1>if I thought, damn, if I was to battle somebody,

0:41:11.680 --> 0:41:13.160
<v Speaker 1>who would it be? You know, I would think about

0:41:13.239 --> 0:41:16.400
<v Speaker 1>people like sigh, Hi, you know, people who are more

0:41:16.440 --> 0:41:20.720
<v Speaker 1>aggressive and you know, like attacking MC's kind of style,

0:41:20.840 --> 0:41:23.320
<v Speaker 1>you know, lyric You know, louis more of like a cerebral,

0:41:24.640 --> 0:41:28.320
<v Speaker 1>top tier amazing lyricists. So m so we said no.

0:41:28.640 --> 0:41:31.680
<v Speaker 1>So when they when load of Lux and Move posed

0:41:31.719 --> 0:41:36.279
<v Speaker 1>that question, they called Lou and start just hyping him up, saying,

0:41:36.400 --> 0:41:38.520
<v Speaker 1>you know, like I think Lux was like, I think

0:41:38.560 --> 0:41:40.920
<v Speaker 1>you will win, you know, So whatever they talked about,

0:41:41.560 --> 0:41:46.640
<v Speaker 1>Lou assumed that I was the person who initiated that conversation,

0:41:47.320 --> 0:41:49.320
<v Speaker 1>so he thought that I spoke to him and we

0:41:49.440 --> 0:41:52.160
<v Speaker 1>agreed that we wouldn't battle, And then I turned around

0:41:52.280 --> 0:41:55.000
<v Speaker 1>and went and sparked up a conversation trying to bait

0:41:55.160 --> 0:41:57.840
<v Speaker 1>him back into going on that stage to battle me.

0:41:58.280 --> 0:42:00.520
<v Speaker 1>And he didn't like that. But the way he did

0:42:00.560 --> 0:42:02.880
<v Speaker 1>it with just it just wasn't cool. Or he dodn't

0:42:02.920 --> 0:42:04.919
<v Speaker 1>call you and ask you that's what the fuck I'm saying.

0:42:05.000 --> 0:42:07.400
<v Speaker 1>So he can't. So, so me and Young Guru we

0:42:07.560 --> 0:42:11.360
<v Speaker 1>on live stream and then he's in the comments saying

0:42:11.600 --> 0:42:13.440
<v Speaker 1>bring him in, so I bring him in. I was

0:42:13.480 --> 0:42:15.640
<v Speaker 1>meet him young Guru. I think Muke was on there too,

0:42:16.440 --> 0:42:19.759
<v Speaker 1>and we bring him home. This nigga ain't got no

0:42:19.800 --> 0:42:26.279
<v Speaker 1>shirt on, like he walking around with it. Everything to

0:42:26.360 --> 0:42:28.480
<v Speaker 1>do with it. Smoke, you want to smoke because it's

0:42:28.520 --> 0:42:30.480
<v Speaker 1>like my nigga, I came up with a dad who

0:42:30.560 --> 0:42:32.359
<v Speaker 1>used to cust me out not wearing no shirt all

0:42:32.400 --> 0:42:40.640
<v Speaker 1>the time. You know. So he like he like I

0:42:40.840 --> 0:42:43.399
<v Speaker 1>seen it immediately. He was turned up already as soon

0:42:43.480 --> 0:42:45.960
<v Speaker 1>as he brought him on. Yeah, nigga, you're gonna keep

0:42:46.080 --> 0:42:48.320
<v Speaker 1>bringing this ship up and making food lot of yourself.

0:42:48.480 --> 0:42:53.160
<v Speaker 1>Get yourself embarrassed, nigga. And it was just like I said, Lou,

0:42:53.400 --> 0:42:57.359
<v Speaker 1>put your shirt back. Put your shirt back on, I said,

0:42:57.680 --> 0:43:01.080
<v Speaker 1>and calm down now now we're doing a podcast together.

0:43:01.480 --> 0:43:04.960
<v Speaker 1>There were two other times that he kind of turned

0:43:05.040 --> 0:43:09.239
<v Speaker 1>up on me and he get passionate and he just

0:43:09.320 --> 0:43:12.560
<v Speaker 1>start kind of raising his voice, and you know, Luke,

0:43:13.840 --> 0:43:15.560
<v Speaker 1>building a relationship with him was kind of like a

0:43:15.640 --> 0:43:18.840
<v Speaker 1>case study man for me. It's like the challenge to

0:43:19.000 --> 0:43:22.200
<v Speaker 1>me is building a relationship with somebody, coexisting with somebody

0:43:22.280 --> 0:43:27.120
<v Speaker 1>who you know, you may have conflicting ideologies with um

0:43:27.480 --> 0:43:30.960
<v Speaker 1>it's somebody who you may not necessarily have a relationship

0:43:31.080 --> 0:43:34.640
<v Speaker 1>with if it weren't for the music space, which I

0:43:34.760 --> 0:43:38.000
<v Speaker 1>think is I'm intrigued by that, right because I think

0:43:38.040 --> 0:43:40.640
<v Speaker 1>he's such an incredible lyricism. I think he's so different

0:43:40.719 --> 0:43:44.040
<v Speaker 1>from me. But I think that through through music we

0:43:44.160 --> 0:43:47.000
<v Speaker 1>can we can we can find we can find the

0:43:47.440 --> 0:43:50.919
<v Speaker 1>neutral things that we agree on, and we can also

0:43:51.280 --> 0:43:54.399
<v Speaker 1>learn to agree to disagree on the things we don't

0:43:54.880 --> 0:43:58.359
<v Speaker 1>agree on without having to try to change how each

0:43:58.400 --> 0:44:01.640
<v Speaker 1>other feels. And you know, like, to me, that's the

0:44:02.080 --> 0:44:06.359
<v Speaker 1>ultimate way of building solidarity because I think black people

0:44:06.360 --> 0:44:09.200
<v Speaker 1>with us, black people in general, we feel like, shit,

0:44:09.360 --> 0:44:11.440
<v Speaker 1>we got to be a monolith. We don't, you know

0:44:11.480 --> 0:44:13.480
<v Speaker 1>what I mean? Like we all pretty much have the

0:44:13.600 --> 0:44:18.440
<v Speaker 1>same goal. Did everybody's agenda starts to change a little bit,

0:44:18.480 --> 0:44:22.440
<v Speaker 1>and everybody's pathway to get into that end goal it's different,

0:44:22.520 --> 0:44:25.520
<v Speaker 1>but everybody thinks that their pathway is so superior to

0:44:25.840 --> 0:44:29.640
<v Speaker 1>somebody else's. So and I think music is the only

0:44:29.680 --> 0:44:32.680
<v Speaker 1>thing that can kind of neutralize that. So um, And

0:44:32.800 --> 0:44:35.040
<v Speaker 1>I like Lou, I still do. I like him as

0:44:35.040 --> 0:44:37.239
<v Speaker 1>a person. I think you're real cool. I disagree with

0:44:37.320 --> 0:44:39.960
<v Speaker 1>a lot of shit did he has to say? But so, um,

0:44:40.480 --> 0:44:42.759
<v Speaker 1>he started yelling. He yelled a couple of times at

0:44:42.800 --> 0:44:45.279
<v Speaker 1>me on the podcast, and I just told him, it's

0:44:45.280 --> 0:44:48.520
<v Speaker 1>not a problem. It's okay for you to like cross

0:44:48.680 --> 0:44:50.680
<v Speaker 1>my boundary if you don't know my boundary, as long

0:44:50.760 --> 0:44:52.160
<v Speaker 1>as when I let you know about it, you know

0:44:52.280 --> 0:44:54.919
<v Speaker 1>you can make that correction moving on and we find

0:44:55.560 --> 0:44:57.279
<v Speaker 1>So it never was like an argument or nothing, but

0:44:57.320 --> 0:44:59.799
<v Speaker 1>it was just like, Yo, the yelling is the only

0:44:59.840 --> 0:45:01.879
<v Speaker 1>thing that I'm not I can't really do. I don't

0:45:01.920 --> 0:45:03.960
<v Speaker 1>do the yelling. I don't yell at nobody in my life,

0:45:04.120 --> 0:45:06.279
<v Speaker 1>and nobody yells at me, you know what I mean.

0:45:06.440 --> 0:45:08.520
<v Speaker 1>So that's just not something I'm willing to, you know,

0:45:08.920 --> 0:45:11.600
<v Speaker 1>deal with. Some people are different. Some people are cool

0:45:11.640 --> 0:45:13.600
<v Speaker 1>with that. Some people don't like when you lie. Some

0:45:13.719 --> 0:45:16.160
<v Speaker 1>people don't like, Yo, don't yell at me, you know

0:45:16.200 --> 0:45:18.880
<v Speaker 1>what I'm saying. So this was the third time he

0:45:19.000 --> 0:45:21.240
<v Speaker 1>did that. So when he came onto the thing, he yelling,

0:45:21.520 --> 0:45:25.839
<v Speaker 1>and I'm telling him, Luke, calm down, and I already knew.

0:45:25.920 --> 0:45:28.719
<v Speaker 1>I was like, Yo, you think I think you think

0:45:28.840 --> 0:45:31.759
<v Speaker 1>that I initiated this conversation. I ain't had nothing to

0:45:31.840 --> 0:45:34.440
<v Speaker 1>do with this conversation. This is something that they just

0:45:34.680 --> 0:45:37.920
<v Speaker 1>did on they came up with on their own. And

0:45:38.080 --> 0:45:40.600
<v Speaker 1>I was like, calm down before you say some stupid shit,

0:45:41.440 --> 0:45:43.880
<v Speaker 1>and he was, you know, when somebody already turned up,

0:45:44.160 --> 0:45:45.920
<v Speaker 1>it's hard for them to calm down. So he kept

0:45:46.000 --> 0:45:48.279
<v Speaker 1>yelling and yelling and yelling and yelling, and then I

0:45:48.400 --> 0:45:54.680
<v Speaker 1>called him a bit, and that was that was the

0:45:54.760 --> 0:45:58.239
<v Speaker 1>thing that I did that I gotta hold myself accountable.

0:45:59.560 --> 0:46:02.120
<v Speaker 1>Do I regret it? I don't know if I don't

0:46:02.160 --> 0:46:04.359
<v Speaker 1>know if regret it's the right word, but I don't.

0:46:04.400 --> 0:46:06.839
<v Speaker 1>I'm not happy about saying that because I don't think

0:46:06.920 --> 0:46:08.600
<v Speaker 1>he's a bit, you know what I mean. I don't

0:46:08.600 --> 0:46:11.160
<v Speaker 1>think we should speak to each other that way, you know.

0:46:11.360 --> 0:46:14.799
<v Speaker 1>But I do understand why I said. I understand why

0:46:15.239 --> 0:46:17.640
<v Speaker 1>I said it because it was just a reaction. It

0:46:17.800 --> 0:46:20.640
<v Speaker 1>was a point that I got pushed you, and I

0:46:20.800 --> 0:46:24.520
<v Speaker 1>feel like I gave a lot of warning points. I

0:46:24.640 --> 0:46:26.800
<v Speaker 1>gave a lot of a lot of lead into it.

0:46:27.960 --> 0:46:30.239
<v Speaker 1>And that's me knowing myself. If it gets to a

0:46:30.320 --> 0:46:32.560
<v Speaker 1>point where I start getting upset, I'm gonna just react

0:46:32.640 --> 0:46:34.719
<v Speaker 1>and then I'm gonna go outside of my body. I'm

0:46:34.760 --> 0:46:37.279
<v Speaker 1>gonna go I'm a vibrate lower, I'm gonna start doing

0:46:37.360 --> 0:46:40.440
<v Speaker 1>shit that's not really reflective of the way I want

0:46:40.480 --> 0:46:43.919
<v Speaker 1>to eve off and I don't. I don't, I don't.

0:46:44.400 --> 0:46:46.719
<v Speaker 1>I don't feel good about it. I don't feel good

0:46:46.760 --> 0:46:49.080
<v Speaker 1>about it, but I don't. I don't. I think I

0:46:49.160 --> 0:46:55.120
<v Speaker 1>would regret it if um, if he hit apologize, then

0:46:55.160 --> 0:46:57.640
<v Speaker 1>I definitely would apologize and then it would go down

0:46:57.680 --> 0:46:59.560
<v Speaker 1>as a regret. But as of right now, you know,

0:46:59.719 --> 0:47:01.759
<v Speaker 1>like the way that everything kind of got summed up,

0:47:02.880 --> 0:47:04.759
<v Speaker 1>it it is what it is, but I don't feel

0:47:04.760 --> 0:47:08.880
<v Speaker 1>good about it, no damn. And it turned into records

0:47:09.960 --> 0:47:12.640
<v Speaker 1>were all actually going at it, the record with the record.

0:47:13.080 --> 0:47:16.080
<v Speaker 1>When I did mind, it was still it was still

0:47:16.239 --> 0:47:19.719
<v Speaker 1>in the friendly competition category. But after I did mine,

0:47:21.480 --> 0:47:24.200
<v Speaker 1>that's when he unfollowed me. That's when he stopped the podcast.

0:47:24.400 --> 0:47:27.680
<v Speaker 1>So to me, that's an official fallout. So so to me,

0:47:27.840 --> 0:47:30.400
<v Speaker 1>that's no longer a battle, that's just a fallout. And

0:47:31.719 --> 0:47:34.360
<v Speaker 1>now I regret the song. That's why I never responded

0:47:34.440 --> 0:47:36.040
<v Speaker 1>to what he did. Who you think was the battle?

0:47:37.600 --> 0:47:40.480
<v Speaker 1>Just musically? Anybody can't he can have it, he can

0:47:40.560 --> 0:47:42.680
<v Speaker 1>have it. I don't. I don't. You know it wasn't.

0:47:42.719 --> 0:47:46.160
<v Speaker 1>I'm not. First of all, I don't think anybody. I

0:47:46.200 --> 0:47:50.280
<v Speaker 1>don't think anybody cares about um. It never was about

0:47:50.320 --> 0:47:52.520
<v Speaker 1>who rap, who can rap better, who can win in

0:47:52.600 --> 0:47:54.440
<v Speaker 1>the battle. It never really was about that man. It

0:47:54.520 --> 0:47:59.400
<v Speaker 1>was just we sparked up conversation to have friendly conversation

0:47:59.480 --> 0:48:01.920
<v Speaker 1>with a whole lot of different guys that speak to

0:48:02.000 --> 0:48:05.279
<v Speaker 1>a whole lot of different audiences all together, so people

0:48:05.320 --> 0:48:09.520
<v Speaker 1>can follow one clear, precise narrative, you know what I mean. Like,

0:48:10.520 --> 0:48:13.160
<v Speaker 1>there was a point in my career where it was

0:48:13.239 --> 0:48:20.240
<v Speaker 1>important to me to be the best lyricist. I've grown

0:48:20.360 --> 0:48:22.799
<v Speaker 1>from that, you know what I mean. So I mean

0:48:22.840 --> 0:48:25.000
<v Speaker 1>I think, I think, especially when you're talking about somebody

0:48:25.080 --> 0:48:28.000
<v Speaker 1>like Lou who's so much different from how I am,

0:48:28.120 --> 0:48:30.560
<v Speaker 1>it's just gonna come down to preference, you know what

0:48:30.600 --> 0:48:33.600
<v Speaker 1>I mean. I don't think what he what he did,

0:48:34.120 --> 0:48:36.359
<v Speaker 1>it's him at his best, in my opinion, not from

0:48:36.400 --> 0:48:38.160
<v Speaker 1>me as a fan, it's him at his best. It

0:48:38.280 --> 0:48:40.520
<v Speaker 1>was it was just sound like a bunch of angry shit,

0:48:40.600 --> 0:48:44.200
<v Speaker 1>a bunch of angry, scathing shit that he said because

0:48:44.239 --> 0:48:46.359
<v Speaker 1>he was mad. I heard that about both yal though

0:48:46.400 --> 0:48:48.680
<v Speaker 1>I heard that about both the projects that both of

0:48:48.719 --> 0:48:51.680
<v Speaker 1>the songs that No, it wasn't no venom in mind. No,

0:48:51.920 --> 0:48:53.200
<v Speaker 1>I'm not talking about the people. Just was like, oh,

0:48:53.239 --> 0:48:54.680
<v Speaker 1>this isn't either one of their best. But I think

0:48:54.719 --> 0:48:58.319
<v Speaker 1>it's because of the expectation, because y'all are super lyricists, right,

0:48:58.360 --> 0:49:00.600
<v Speaker 1>So you think in Loupay and Roy's at each other,

0:49:01.040 --> 0:49:03.320
<v Speaker 1>you're about to hear some shit you ain't never heard before. No,

0:49:03.480 --> 0:49:05.719
<v Speaker 1>it wasn't that kind of It wasn't that kind of um,

0:49:06.480 --> 0:49:09.160
<v Speaker 1>that kind of atmosphere. You know, It wasn't it wasn't

0:49:09.320 --> 0:49:12.239
<v Speaker 1>planned for us to, you know, just go at each

0:49:12.280 --> 0:49:14.920
<v Speaker 1>other like that. Everything just kind of happened spurred the

0:49:15.000 --> 0:49:17.000
<v Speaker 1>moment I blamed the pandemic too, and the way to

0:49:17.120 --> 0:49:21.800
<v Speaker 1>Mickey Facts come in Mickey Facts just kind of he

0:49:21.920 --> 0:49:24.840
<v Speaker 1>just kind of inserted himself. He just kind of inserted

0:49:24.920 --> 0:49:28.840
<v Speaker 1>himself into it. And I think he just looked at

0:49:28.880 --> 0:49:31.200
<v Speaker 1>it as an opportunity, opportunity to get in the mix

0:49:31.239 --> 0:49:32.400
<v Speaker 1>because he was one of the he was one of

0:49:32.440 --> 0:49:34.640
<v Speaker 1>the people that was that was involved in the combo

0:49:34.800 --> 0:49:37.200
<v Speaker 1>that we were having, you know, but he was boosting

0:49:37.239 --> 0:49:39.840
<v Speaker 1>it up like who would win between you and he

0:49:39.960 --> 0:49:41.480
<v Speaker 1>was He was one of the people kind of talking

0:49:41.520 --> 0:49:45.600
<v Speaker 1>about it. Um. But after the Me and Luke thing happened,

0:49:46.040 --> 0:49:47.960
<v Speaker 1>I think he looked at it as an opportunity to

0:49:48.120 --> 0:49:50.600
<v Speaker 1>jump in there, because he jumped on the live stream

0:49:50.640 --> 0:49:55.040
<v Speaker 1>with me, and he didn't he didn't like the fact that, um,

0:49:56.600 --> 0:49:57.960
<v Speaker 1>he was trying to get me to call him a

0:49:58.040 --> 0:50:01.000
<v Speaker 1>top tier lyricist and I was just telling him I don't.

0:50:01.040 --> 0:50:02.759
<v Speaker 1>I don't view him as that, but I do think

0:50:02.840 --> 0:50:05.640
<v Speaker 1>he's dope. And he thought, since we were in front

0:50:05.680 --> 0:50:07.359
<v Speaker 1>of the audience, that I was trying to play him.

0:50:07.520 --> 0:50:09.719
<v Speaker 1>And then Joe came in and Joe Joe was kind

0:50:09.760 --> 0:50:11.279
<v Speaker 1>of talking at him, you know what I'm saying, So

0:50:11.880 --> 0:50:14.520
<v Speaker 1>he turned around and he did it, did his disc

0:50:14.560 --> 0:50:16.960
<v Speaker 1>record and shit, And I think it was him and

0:50:17.040 --> 0:50:19.280
<v Speaker 1>Lou were kind of like in cahoots with it, because

0:50:19.360 --> 0:50:21.680
<v Speaker 1>Lou was kind of like, all right, now you do that.

0:50:21.840 --> 0:50:24.440
<v Speaker 1>That mean now I don't have to I don't have

0:50:24.560 --> 0:50:26.560
<v Speaker 1>to respond back and say nothing, you know what I mean,

0:50:26.560 --> 0:50:28.279
<v Speaker 1>I don't have to keep going back and forth. Because

0:50:28.320 --> 0:50:31.359
<v Speaker 1>I think I think part of part of Lou felt

0:50:31.440 --> 0:50:34.160
<v Speaker 1>like that I had planned this ship the whole time,

0:50:34.239 --> 0:50:35.520
<v Speaker 1>you know what I mean, So he thought that I

0:50:35.640 --> 0:50:37.840
<v Speaker 1>was gonna keep going. So that was one of the

0:50:37.920 --> 0:50:40.120
<v Speaker 1>reasons why I made sure that I didn't respond, because

0:50:40.120 --> 0:50:41.680
<v Speaker 1>I didn't want it to even seem like that I

0:50:42.120 --> 0:50:43.759
<v Speaker 1>had even planned that, you know what I'm saying, Like,

0:50:43.840 --> 0:50:46.880
<v Speaker 1>I don't I don't want to. I don't want I

0:50:46.920 --> 0:50:48.600
<v Speaker 1>don't want to put Lou in a position to where

0:50:48.600 --> 0:50:50.480
<v Speaker 1>he viewed a certain way, you know what I mean.

0:50:50.600 --> 0:50:52.239
<v Speaker 1>Like that ain't what I'm here to do, you know

0:50:52.239 --> 0:50:54.200
<v Speaker 1>what I mean? So I just I just got it.

0:50:54.320 --> 0:50:56.360
<v Speaker 1>I kind of had to let it go. The Mickey

0:50:56.400 --> 0:51:00.480
<v Speaker 1>facts thing. People were like, Yo, you gotta respond to respond,

0:51:00.560 --> 0:51:02.600
<v Speaker 1>And that's exactly why I didn't respond. I don't tell

0:51:02.640 --> 0:51:05.680
<v Speaker 1>me I gotta respond. Shit, you know what I'm saying.

0:51:06.840 --> 0:51:09.960
<v Speaker 1>That's another thing, man. The fans or the followers or

0:51:10.160 --> 0:51:13.160
<v Speaker 1>whatever you want to call them, they think they think

0:51:13.200 --> 0:51:15.160
<v Speaker 1>we work for them, you know. They think we like

0:51:15.400 --> 0:51:16.960
<v Speaker 1>you know, steph and fetch it and shit, like we

0:51:17.040 --> 0:51:19.040
<v Speaker 1>just wrap. We just rapp when they say we should

0:51:19.080 --> 0:51:23.160
<v Speaker 1>because they want to be entertained. And yo, that's cool too.

0:51:23.360 --> 0:51:27.040
<v Speaker 1>We can rap competitively to entertain if that's what we

0:51:27.160 --> 0:51:29.239
<v Speaker 1>agree to do, as long as we keep it respectful.

0:51:29.840 --> 0:51:32.560
<v Speaker 1>But if it turns into a fallout and it turns

0:51:32.600 --> 0:51:35.759
<v Speaker 1>into real personal feelings. I'm not interested in that, man,

0:51:36.080 --> 0:51:38.640
<v Speaker 1>I had enough of that in my career. Hip hop

0:51:38.800 --> 0:51:42.800
<v Speaker 1>is exhausting. Yeah, and the male ego is so fragile,

0:51:42.960 --> 0:51:44.719
<v Speaker 1>Like all of this stuff sound like it's this one

0:51:44.840 --> 0:51:48.799
<v Speaker 1>phone conversation. You could like that so much it is? Yeah,

0:51:48.800 --> 0:51:52.600
<v Speaker 1>I agree. Where where will we learn that communication from therapy?

0:51:54.200 --> 0:51:56.920
<v Speaker 1>Name or rap? Name a rapper and therapy? Yeah, there

0:51:56.920 --> 0:51:58.520
<v Speaker 1>ain't too many. It's more now, you know, it's so funny.

0:51:58.560 --> 0:52:01.920
<v Speaker 1>It's more the younger generation that's embracing it, then the

0:52:02.600 --> 0:52:05.120
<v Speaker 1>older few people who probably really need to process some

0:52:05.160 --> 0:52:07.920
<v Speaker 1>of that unhealed Trump. You know what, Loue Page, he's

0:52:07.920 --> 0:52:10.160
<v Speaker 1>just too He's so smart. He's so smart. He's too

0:52:10.200 --> 0:52:13.080
<v Speaker 1>smart for his own good. I think I don't think

0:52:13.120 --> 0:52:16.480
<v Speaker 1>he needs therapy. He needs therapy, definitely needs therapy. But

0:52:16.600 --> 0:52:18.920
<v Speaker 1>I mean, you know, dog out, I got mad, I

0:52:19.000 --> 0:52:20.880
<v Speaker 1>got mad. Love for lout. But let's let's get back

0:52:20.880 --> 0:52:23.680
<v Speaker 1>to it. They haven't experienced it's out this week. You

0:52:23.760 --> 0:52:26.680
<v Speaker 1>want to play what the time? Do you want to

0:52:26.680 --> 0:52:28.440
<v Speaker 1>play what at the time? Yeah, let's play what at

0:52:28.440 --> 0:52:30.440
<v Speaker 1>the time. Well, we appreciate you brothers. For joining us,

0:52:30.520 --> 0:52:34.800
<v Speaker 1>Thank you for it's the Breakfast Club. Good morning,