WEBVTT - Adrian Marcel

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<v Speaker 1>R and B Money. We are Jake Valati. We are

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<v Speaker 1>the authority on all R and B.

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<v Speaker 2>Ladies and gentlemen. My name is Tank.

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<v Speaker 1>This the R and B Money. We're gonna call this

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<v Speaker 1>Bay Area Audition.

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<v Speaker 3>Yeah you know you don't you know, listen in honor

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<v Speaker 3>of the R and B.

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<v Speaker 1>You know, I moved my call around a little bit.

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<v Speaker 1>You know what I say.

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<v Speaker 2>I want this to be an authentic You know what

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<v Speaker 2>I'm saying.

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<v Speaker 1>You know, I'm finna pass it over, you know, for

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<v Speaker 1>the first time. My brother, you know, know, the Silky

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<v Speaker 1>one himself.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>It's the lovender himself, Jake Valentine, the Valentine you do.

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<v Speaker 4>Today we got somebody really special. We got a young

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<v Speaker 4>fellow that's really from the claw.

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<v Speaker 5>Yeah, late night, late night, you fella.

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<v Speaker 4>You know I mean not that that that past midnight,

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<v Speaker 4>that that not that one am, but that he's come

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<v Speaker 4>to bless us with his presence today, you know what

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<v Speaker 4>I mean? And in all his you know they said

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<v Speaker 4>I'm light skinned. He a different type of las.

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<v Speaker 2>Yeah, you know what I mean. You know, he got

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<v Speaker 2>he got it laid down.

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<v Speaker 6>He can take it out and show you the Lord Jesus. Yeah,

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<v Speaker 6>hell to have straight from Oakland, California, Adria and Mars.

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<v Speaker 7>Yeah the podcast having me baby that you're having me. Man,

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<v Speaker 7>you're saying I'm the light skinned one. But bro, you

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<v Speaker 7>still look like you'll go to Filmo, put a wig

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<v Speaker 7>on a pig and make a gig though.

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<v Speaker 1>You know what I'm talking about is that how we started.

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<v Speaker 7>Yes to edition.

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<v Speaker 4>We have to see your collar can't be a pop

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<v Speaker 4>right now because it's always up.

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<v Speaker 1>If if be Nod would tell you anything what I'm saying, cool,

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<v Speaker 1>I'll tell you send them in Milwaukee. It's Milwaukee. It's

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<v Speaker 1>finest brother.

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<v Speaker 2>Thank you, man, thank you.

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<v Speaker 1>I mean, we know we have a good time off caramel,

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<v Speaker 1>so you know we skip all the formalities. Man, just

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<v Speaker 1>get right to men. We appreciate you brother for being

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<v Speaker 1>here with us, for being family and just you know,

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<v Speaker 1>we just wanted to make sure you get an opportunity,

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<v Speaker 1>you know, to talk your talk and tell your story

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<v Speaker 1>because you know, for us it's all necessary, all of it.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>And the gift that you have to have a place, yeah,

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<v Speaker 1>to dwell and be comfortable and come and express themselves.

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<v Speaker 2>And that's what this place is.

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<v Speaker 7>I feel real R and B.

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<v Speaker 1>No. The extra level to that is just taking the

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<v Speaker 1>shirt off and just having a vest.

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<v Speaker 7>There you go, you know what I'm saying.

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<v Speaker 1>And then that's when you get to your Joe to see.

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<v Speaker 7>I'm talking about.

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<v Speaker 2>Yeah, listen, it's gonna be a lot of pivot this episode.

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<v Speaker 7>I don't notice it.

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<v Speaker 2>You know, it's gonna be a whole lot of a

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<v Speaker 2>lot of goal.

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<v Speaker 7>Keep game.

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<v Speaker 1>You know, we always you know, we always like to

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<v Speaker 1>go to the beginning, you know what I mean, because

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<v Speaker 1>you know, so many people, so many people want to

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<v Speaker 1>get started. Yeah, you know, so many people have the talent,

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<v Speaker 1>so many people, you know, have all of these all

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<v Speaker 1>of the things that come along with what you're born

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<v Speaker 1>with and what's in you, but don't know how to

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<v Speaker 1>get there. Right, Let's start with when you found out

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<v Speaker 1>you was born with it, when you knew you had it,

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<v Speaker 1>or when somebody told you that.

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<v Speaker 7>I mean, that was that was young man, you know,

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<v Speaker 7>that was I was like before middle school, real knee high,

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<v Speaker 7>you know what I mean. I mean once I once

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<v Speaker 7>I hit a note and the and the chicks start,

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<v Speaker 7>you feel me acting up. It was like, oh, this

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<v Speaker 7>is a thing, you know, what I mean this is,

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<v Speaker 7>this is a feeling. And then after that, man, I

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<v Speaker 7>think it was it had to be Bro one hundred

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<v Speaker 7>percent genuine Bro dropped And at that point, you know

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<v Speaker 7>what I'm saying, Drip had to drop. You feel me?

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<v Speaker 7>Excuse me, but you feel me. That's that's kind of

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<v Speaker 7>like what set the tone because I'm like, oh, this

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<v Speaker 7>nigga looked like me. You know what I'm saying, like

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<v Speaker 7>you feel this.

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<v Speaker 2>He's the class.

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<v Speaker 5>Way, but you feel me.

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<v Speaker 7>But it was it was at that point, man like

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<v Speaker 7>in the way it was affecting people because it went

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<v Speaker 7>from the girls my age to the teachers, you know

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<v Speaker 7>what I'm saying, and then and and the adults and ship.

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<v Speaker 7>That's that's like, man, they pulling me out of out

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<v Speaker 7>of class and ship to come you know what I mean,

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<v Speaker 7>singing or whatever, you know. And my mom got pissed

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<v Speaker 7>me one time.

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<v Speaker 5>Man.

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<v Speaker 7>It was a p t A meeting.

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<v Speaker 5>Man.

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<v Speaker 7>I got up there and you know what I mean,

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<v Speaker 7>saying some jodousy you know what I'm saying, A yeah,

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<v Speaker 7>I was singing at the PTA meetings, bro, you know,

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<v Speaker 7>for the for the parents.

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<v Speaker 1>You know, it's a lot of cases, right, there's a

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<v Speaker 1>lot of cases right now coming on me. There's another

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<v Speaker 1>we don't just saying. You know, you know, sometimes the

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<v Speaker 1>teachers can't help themselves.

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<v Speaker 7>It'd be like that, it'd be like that, you know

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<v Speaker 7>what I'm kids, man, But no, man, it was uh

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<v Speaker 7>at that point, man, it was just the way I

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<v Speaker 7>felt though, the way I felt like doing it. You

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<v Speaker 7>know what I'm saying. How you affect you know, affect people,

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<v Speaker 7>I mean, change their moods, you know what i mean,

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<v Speaker 7>change they change attitudes and stuff like that. So, I

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<v Speaker 7>mean that's when I knew young, you know. And I

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<v Speaker 7>think my mom she she peeped at early too, that

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<v Speaker 7>it was something that was that was in my flesh,

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<v Speaker 7>you know what I mean, that it was gonna happen

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<v Speaker 7>one way or another. So she jumped on it.

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<v Speaker 5>Man.

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<v Speaker 7>She kept me in so many programs and ship to

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<v Speaker 7>where it's like at this point now so versatile, you know,

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<v Speaker 7>and and it's not just R and B for me,

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<v Speaker 7>you know what I'm saying, like training classical and jazz

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<v Speaker 7>and all these other genres and shit. And I think

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<v Speaker 7>at that point it was it was something not I know,

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<v Speaker 7>I just had to take it serious, man, you know

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<v Speaker 7>what I mean, I wanted to be a true representation.

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<v Speaker 7>You know. It started out for the family, but then

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<v Speaker 7>you know, a group of like the Bay you.

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<v Speaker 5>Know what I'm saying.

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<v Speaker 1>Yeah, So in her in her support of view, Yeah,

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<v Speaker 1>did did she have any avenues or new people in

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<v Speaker 1>terms of trying to get you to that space? Or

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<v Speaker 1>was just like it was.

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<v Speaker 7>All about figuring out, figuring it out, you know what

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<v Speaker 7>I'm saying. Like she was she was at a space

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<v Speaker 7>where you know what I mean, She's in the newspapers,

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<v Speaker 7>she's you know, looking up shit, you know, trying to

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<v Speaker 7>figure out. She was really just trying to do anything

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<v Speaker 7>that would keep me off the streets, you know what

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<v Speaker 7>I mean, because you know how it is in the

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<v Speaker 7>town Oakland, Brough. It's easy to get distracted, It's easy

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<v Speaker 7>to fall into the shit, you know. So she just

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<v Speaker 7>wanted to keep me busy.

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<v Speaker 5>So she did her own research.

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<v Speaker 7>Yeah, Yeah, And I went to What changed it all

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<v Speaker 7>was when I went to Oakland School for the Arts

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<v Speaker 7>that's in downtown, you know what I mean. And at

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<v Speaker 7>that point they had just had their first year, so

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<v Speaker 7>it was only ninth and tenth grade, you know, so

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<v Speaker 7>when I came, it was only two years there, man,

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<v Speaker 7>so I had time to be noticed and be and

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<v Speaker 7>really honed in. You know what I'm saying. You had

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<v Speaker 7>all these all these people from around the world that

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<v Speaker 7>was coming in, whether it was acting, vocal, h illustrations,

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<v Speaker 7>whatever it is, like they was coming in and really

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<v Speaker 7>going in with us. You know. So man, for four years,

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<v Speaker 7>five eight to five thirty, every day you feel me

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<v Speaker 7>music and vocal and.

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<v Speaker 5>Oh so when you so when you first went there,

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<v Speaker 5>it was nineteen tenth, but you.

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<v Speaker 7>But by every year it's stocked on. Yeah. So even

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<v Speaker 7>like you know, uh, the Klanis and Zendayas and stuff

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<v Speaker 7>started to come in as they started to build their

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<v Speaker 7>their network and everything like their network. So every year

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<v Speaker 7>we stacked on another grade, you know what I'm saying,

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<v Speaker 7>And until it got once they got twelfth grade, then

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<v Speaker 7>they started to bring in middle school and all that.

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<v Speaker 7>You know. So I mean, like I said, it was

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<v Speaker 7>right in the heart of downtown man. You know, like

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<v Speaker 7>we was in the We was in the parking lot

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<v Speaker 7>of the Fox, you know what I mean, rocking like that.

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<v Speaker 5>Man.

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<v Speaker 7>So that was where it all kicked off for me,

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<v Speaker 7>like her keeping me in the realm of just artistry,

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<v Speaker 7>just all day round, artists all day, whether it was dancers, singers, actors.

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<v Speaker 7>You feel me. Like if I went to Skyline, Brad,

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<v Speaker 7>I had like eight kids. You know what I'm saying

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<v Speaker 7>about eleven braid. You feel me. It's it just it

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<v Speaker 7>would have been too much.

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<v Speaker 5>You can know the Skyline. But I've been up to Skyline.

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<v Speaker 7>I've been up to Skyland. You know I got into

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<v Speaker 7>enough trouble going up to Skyline. You feel me.

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<v Speaker 2>But what Skyline give me?

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<v Speaker 4>To give me the it's the place in Oakland where

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<v Speaker 4>and I'm from San Francisco, so it was a whole

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<v Speaker 4>nother travel for me. Like, it's the place in Oakland

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<v Speaker 4>where you will find what you're looking. When you're looking

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<v Speaker 4>for everything, you will find with you everything.

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<v Speaker 5>They are there.

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<v Speaker 7>You want problems, go there, you want a bad one,

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<v Speaker 7>you want go there.

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<v Speaker 1>There.

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<v Speaker 5>It's that school. You know what I mean?

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<v Speaker 1>That's school.

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<v Speaker 7>Yeah, sure, and that's what it would have been at

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<v Speaker 7>You feel me. But you know she she made sure man,

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<v Speaker 7>she kept me focused. Man I was. I was in

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<v Speaker 7>so many Young Musicians programs at U see Berkeley's and

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<v Speaker 7>things like that. Bro I didnd no time to really

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<v Speaker 7>kick it. So a lot of my early years was

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<v Speaker 7>all about if this is what you're gonna do, you're

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<v Speaker 7>gonna do it twenty four to seven. You no, No,

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<v Speaker 7>I'm the youngest though, you know, so you figure, you know,

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<v Speaker 7>you to focus. Yeah, the focus was able to be

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<v Speaker 7>directly on me, like everybody was gone doing their thing,

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<v Speaker 7>you feel me. So it was like, okay, we want

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<v Speaker 7>to we need to see something out of you. You

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<v Speaker 7>know what I'm saying. Any mistakes that was made early on,

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<v Speaker 7>it's like I'm getting the butt of at Like you

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<v Speaker 7>can't go hang out because we know what happens when

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<v Speaker 7>when when you know what I'm saying, we let our

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<v Speaker 7>kids go hang out, you feel me. So it just

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<v Speaker 7>kept me focused. Man. So now when I when I

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<v Speaker 7>think about it, doing this, having this career, man, and

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<v Speaker 7>being in this field, it's always say, man, it's perfect

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<v Speaker 7>for me, you know what I mean. Like it's the

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<v Speaker 7>long hours you foree me, the early mornings, late nights,

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<v Speaker 7>you feel me, the instant travel, the changes, the audibles,

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<v Speaker 7>all of that, Like it's all it's all part of

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<v Speaker 7>what I grew up doing. And really this school prepared

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<v Speaker 7>you for absolutely. I'll never I'll never shit on them

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<v Speaker 7>for that, man, always say. It was probably like the

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<v Speaker 7>beginning of it all, Like you know, we get to school, man,

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<v Speaker 7>you think you finna go. You know what I'm saying,

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<v Speaker 7>regular ass day man, they're like, hey, check it out.

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<v Speaker 7>You you, you, you, and you y'all. Come on, we

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<v Speaker 7>got to go to LA. We got to go get

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<v Speaker 7>this money. You know what I'm saying, because it was

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<v Speaker 7>it wasn't like tuition base. It wasn't tuition based. It

0:10:06.679 --> 0:10:09.120
<v Speaker 7>wasn't like you're paying to go there's a charter school.

0:10:09.360 --> 0:10:11.040
<v Speaker 7>So they got to get their money out of the city.

0:10:11.120 --> 0:10:12.160
<v Speaker 7>You know what I'm saying. They got to get their

0:10:12.160 --> 0:10:17.280
<v Speaker 7>money off of like donations and sponsorships. So we got

0:10:17.280 --> 0:10:20.640
<v Speaker 7>to go over here. We gotta sell it. So you

0:10:21.120 --> 0:10:22.160
<v Speaker 7>and you come on.

0:10:22.520 --> 0:10:25.000
<v Speaker 5>What I'm saying for these people today, yeah you feel me.

0:10:25.040 --> 0:10:26.920
<v Speaker 7>And next thing you know, you come out and they

0:10:26.960 --> 0:10:29.120
<v Speaker 7>got a bag and we ain't have to do no

0:10:29.200 --> 0:10:31.880
<v Speaker 7>homework and forget that test. Don't worry you passed. You

0:10:31.880 --> 0:10:32.400
<v Speaker 7>know what I'm saying.

0:10:32.440 --> 0:10:38.720
<v Speaker 1>That said he early music, business, business, football scholarship.

0:10:38.760 --> 0:10:42.160
<v Speaker 7>To me learned I learned early on. I learned early on, bro,

0:10:42.400 --> 0:10:45.000
<v Speaker 7>it is how much you're worth. You know what I'm saying,

0:10:45.000 --> 0:10:46.920
<v Speaker 7>what how much? How much can you show out like

0:10:46.960 --> 0:10:48.719
<v Speaker 7>when the show turned, when the light come on, like

0:10:48.880 --> 0:10:50.760
<v Speaker 7>what you about to do? You know what I'm saying.

0:10:50.800 --> 0:10:52.760
<v Speaker 7>And when you show out that time and they see

0:10:52.760 --> 0:10:54.360
<v Speaker 7>all we can depend on it, it's like we calling

0:10:54.400 --> 0:10:56.520
<v Speaker 7>your number every time, you know what I'm saying. So

0:10:56.559 --> 0:10:58.520
<v Speaker 7>I went from the newbie there that was like you know,

0:10:58.559 --> 0:11:00.760
<v Speaker 7>you ain't getting no solos because it Yordy and ship

0:11:00.840 --> 0:11:03.360
<v Speaker 7>like that. It's like, nah, put him in you know,

0:11:03.400 --> 0:11:05.559
<v Speaker 7>it's all these singers and in me because he had

0:11:05.880 --> 0:11:08.000
<v Speaker 7>he had value value to it, you know what I'm saying,

0:11:08.040 --> 0:11:09.800
<v Speaker 7>Because I gave I gave it ship, bro, you know

0:11:09.840 --> 0:11:11.120
<v Speaker 7>what I'm saying. It was like I wanted to be

0:11:11.200 --> 0:11:13.040
<v Speaker 7>the best. I wanted to be up there with the

0:11:13.080 --> 0:11:16.280
<v Speaker 7>best you feel me doing me? So that's always been

0:11:16.360 --> 0:11:18.480
<v Speaker 7>the goal for me, Ship even today. You know what

0:11:18.480 --> 0:11:19.920
<v Speaker 7>I'm saying. I want to be the best version of

0:11:19.960 --> 0:11:21.080
<v Speaker 7>me you feel me in this game.

0:11:21.880 --> 0:11:27.520
<v Speaker 1>It's just about being like having some sort of early

0:11:27.800 --> 0:11:30.920
<v Speaker 1>upbringing in this kind of thought process in order to

0:11:30.960 --> 0:11:32.079
<v Speaker 1>truly truly be.

0:11:32.080 --> 0:11:34.520
<v Speaker 2>Prepared for for it not to be a shock.

0:11:34.880 --> 0:11:37.079
<v Speaker 1>For sure, when you get thrown into that fire, you know,

0:11:37.120 --> 0:11:39.800
<v Speaker 1>what I'm saying, because that's a lot of what happens

0:11:39.840 --> 0:11:44.680
<v Speaker 1>to artists, you know, when when when they when they when.

0:11:44.600 --> 0:11:45.640
<v Speaker 2>They take a real hit.

0:11:46.080 --> 0:11:50.400
<v Speaker 1>They aren't prepared for any of that because the ship

0:11:50.480 --> 0:11:54.200
<v Speaker 1>looks cool on the outside, but the ship that's really

0:11:54.240 --> 0:11:58.760
<v Speaker 1>going on on the undercurrent like nasty, like the music

0:11:58.840 --> 0:12:02.280
<v Speaker 1>and all the ship that you actually see. Yeah, that's

0:12:02.920 --> 0:12:07.559
<v Speaker 1>that's fifteen percent of it. That other eighty.

0:12:07.320 --> 0:12:10.679
<v Speaker 7>Five let me tell you.

0:12:10.040 --> 0:12:11.640
<v Speaker 2>Just trying to get to the state.

0:12:11.880 --> 0:12:14.120
<v Speaker 7>Yeah, yeah, for sure. You gotta love this shit, man.

0:12:14.240 --> 0:12:16.320
<v Speaker 2>You you have no clo you have no choice.

0:12:16.320 --> 0:12:17.560
<v Speaker 7>You have to love it. And if you don't, you

0:12:17.640 --> 0:12:19.400
<v Speaker 7>either you're either gonna love it or you're gonna are

0:12:19.400 --> 0:12:19.959
<v Speaker 7>you gonna regret?

0:12:20.000 --> 0:12:22.320
<v Speaker 5>It has to be an obsession, yeah, period. It has

0:12:22.360 --> 0:12:23.600
<v Speaker 5>to be an obsession.

0:12:23.240 --> 0:12:27.640
<v Speaker 4>For sure, because there there are there's nothing pre set.

0:12:27.679 --> 0:12:30.280
<v Speaker 2>Yeah, yes, nothing guaranteed at all.

0:12:30.520 --> 0:12:32.600
<v Speaker 7>There's no there's no yeah, nothing.

0:12:32.679 --> 0:12:36.959
<v Speaker 4>That obsession has to get you over that heel most

0:12:37.000 --> 0:12:39.000
<v Speaker 4>of the time, not even something you people are like, oh,

0:12:39.000 --> 0:12:41.200
<v Speaker 4>you know some of the time, you just gotta go no, no, no, no, no, no,

0:12:42.360 --> 0:12:45.480
<v Speaker 4>all of the time, all the time, because you have

0:12:45.559 --> 0:12:50.200
<v Speaker 4>to be able to meet those those moments. Yeah, when

0:12:50.200 --> 0:12:52.040
<v Speaker 4>it's your moment, like you said you want, you were

0:12:52.080 --> 0:12:53.520
<v Speaker 4>like I need it for I need it?

0:12:53.800 --> 0:12:55.880
<v Speaker 7>Yeah, I want it. I want It's like you know,

0:12:55.920 --> 0:12:58.360
<v Speaker 7>you you're playing ball, like, don't get a niggave rock

0:12:58.400 --> 0:13:01.120
<v Speaker 7>who don't want the ball the last shot?

0:13:01.360 --> 0:13:04.720
<v Speaker 5>So were they setting y'all up? Obviously they were preparing

0:13:04.760 --> 0:13:05.800
<v Speaker 5>you guys creatively?

0:13:05.920 --> 0:13:09.719
<v Speaker 4>Yeah, but were they also Are there business classes at

0:13:09.720 --> 0:13:10.320
<v Speaker 4>this school too?

0:13:10.520 --> 0:13:10.600
<v Speaker 1>No?

0:13:10.880 --> 0:13:14.319
<v Speaker 7>At this point, it was pure creation. It was pure

0:13:14.320 --> 0:13:16.600
<v Speaker 7>creative space. You know what I'm saying. I think that

0:13:16.600 --> 0:13:18.960
<v Speaker 7>that was the only thing that was lacking. So for

0:13:19.040 --> 0:13:22.720
<v Speaker 7>me coming into this business, this this this industry. For me,

0:13:22.880 --> 0:13:25.720
<v Speaker 7>that was college for me. I didn't go to college,

0:13:25.920 --> 0:13:27.160
<v Speaker 7>you know what I'm saying. I looked at it like,

0:13:27.240 --> 0:13:29.240
<v Speaker 7>you know, I got I got accepted to Berkeley College

0:13:29.240 --> 0:13:31.200
<v Speaker 7>of Music, Boston, you know what I'm saying, UCLA, all

0:13:31.200 --> 0:13:33.880
<v Speaker 7>these dope as schools and shit. You know, I auditioned

0:13:33.880 --> 0:13:36.200
<v Speaker 7>for that in eleventh grade and got accepted so at

0:13:36.200 --> 0:13:38.120
<v Speaker 7>a scholarship. But for me, it was like Mom, if

0:13:38.160 --> 0:13:42.320
<v Speaker 7>I go there, it's gonna be ugly, Like you're finna

0:13:42.400 --> 0:13:44.400
<v Speaker 7>let me out on my own after all these years

0:13:44.480 --> 0:13:50.080
<v Speaker 7>of like straight booked up, busy all day, every day, weekends,

0:13:50.120 --> 0:13:51.160
<v Speaker 7>all of that. You know what I'm saying, Like I'm

0:13:51.200 --> 0:13:55.400
<v Speaker 7>gonna let loose, you know. But coming into this industry, though, man,

0:13:55.720 --> 0:13:59.480
<v Speaker 7>that's when you know, I found out the real shit,

0:13:59.720 --> 0:14:01.480
<v Speaker 7>you know what I'm saying. And I told myself, Like

0:14:01.480 --> 0:14:03.080
<v Speaker 7>when I was about to sign my first deal, like,

0:14:03.600 --> 0:14:05.800
<v Speaker 7>you know, there was you know, usually you know, you

0:14:05.800 --> 0:14:08.120
<v Speaker 7>had that voice, that voice of God or whatever that

0:14:08.240 --> 0:14:09.800
<v Speaker 7>is for you that you know what I'm saying, you're

0:14:09.800 --> 0:14:12.440
<v Speaker 7>listening to, like hold on, don't do that. You know, wait,

0:14:12.520 --> 0:14:13.959
<v Speaker 7>hold on, you know what I'm saying. When it was

0:14:14.000 --> 0:14:15.959
<v Speaker 7>trying to sign that deal, bro, it was silent, you

0:14:16.000 --> 0:14:17.480
<v Speaker 7>know what I mean. So it was just me and

0:14:17.559 --> 0:14:20.320
<v Speaker 7>my thoughts and my feeling. And I remember telling myself, bro, look,

0:14:20.360 --> 0:14:22.360
<v Speaker 7>if I want to be a doctor, I'm gonna spend

0:14:22.400 --> 0:14:24.280
<v Speaker 7>twelve years in school. If I want to be a lawyer,

0:14:24.320 --> 0:14:27.160
<v Speaker 7>i'ma spend twelve years in school. I'm like, look this contract,

0:14:27.160 --> 0:14:30.720
<v Speaker 7>say five years, it's college. Whatever I learned at this

0:14:30.760 --> 0:14:32.800
<v Speaker 7>point is what I learned. Whether it worked, whether whether

0:14:32.840 --> 0:14:34.840
<v Speaker 7>I win or lose on this, it's gonna be a

0:14:34.920 --> 0:14:36.920
<v Speaker 7>lesson and I'm gonna keep going anyway, you know what

0:14:36.960 --> 0:14:39.240
<v Speaker 7>I'm saying. So I signed it, you know, and I

0:14:39.280 --> 0:14:41.280
<v Speaker 7>look at myself today like, man, that's the best thing

0:14:41.280 --> 0:14:43.760
<v Speaker 7>I could have did was go through that shit, you

0:14:43.800 --> 0:14:45.600
<v Speaker 7>know what I mean, have a record and find out

0:14:45.600 --> 0:14:47.640
<v Speaker 7>what it means to not be on the publishing of it,

0:14:48.120 --> 0:14:49.480
<v Speaker 7>you know what I'm saying. To find out what it

0:14:49.520 --> 0:14:52.040
<v Speaker 7>means to not make royalties on that one, you know

0:14:52.080 --> 0:14:54.200
<v Speaker 7>what I'm saying, Like to find out like that show

0:14:54.240 --> 0:14:57.080
<v Speaker 7>money you feel me, the difference between that and that

0:14:57.200 --> 0:14:58.960
<v Speaker 7>long back end money and all that. You know what

0:14:59.000 --> 0:15:02.040
<v Speaker 7>I'm saying, Like the networking, you feel me, allow too

0:15:02.040 --> 0:15:03.520
<v Speaker 7>many people to do it for you, you know what

0:15:03.560 --> 0:15:07.280
<v Speaker 7>I'm saying. So going through that and experiencing it man,

0:15:07.360 --> 0:15:09.840
<v Speaker 7>and being able to be here like and still be

0:15:09.880 --> 0:15:11.640
<v Speaker 7>able to push man, still be able to work, man,

0:15:11.680 --> 0:15:13.240
<v Speaker 7>and still hold the weight. You know what I'm saying.

0:15:13.240 --> 0:15:15.600
<v Speaker 7>It's like, Yeah, I did exactly what I was supposed

0:15:15.600 --> 0:15:17.080
<v Speaker 7>to do, and I went through that ship and learn

0:15:17.120 --> 0:15:18.640
<v Speaker 7>what I needed to so I can come back now

0:15:19.040 --> 0:15:20.000
<v Speaker 7>on my p's and q's.

0:15:20.040 --> 0:15:22.120
<v Speaker 5>You know, was your first deal a major deal or

0:15:22.120 --> 0:15:22.520
<v Speaker 5>did you do?

0:15:22.680 --> 0:15:25.480
<v Speaker 4>Yeah, so you didn't go through the production deal the

0:15:25.520 --> 0:15:28.920
<v Speaker 4>indie deals. No, straight to a major straight Yeah, that

0:15:29.000 --> 0:15:31.040
<v Speaker 4>was a Universe Republican L seven.

0:15:31.840 --> 0:15:34.280
<v Speaker 7>Wow, first deal, first deal, straight to it.

0:15:34.640 --> 0:15:38.680
<v Speaker 5>So what's so that process for you? How did that go?

0:15:38.760 --> 0:15:41.680
<v Speaker 4>Because it's like you just you just yeah, how did

0:15:41.680 --> 0:15:42.280
<v Speaker 4>you get there?

0:15:42.760 --> 0:15:46.560
<v Speaker 7>So Yancey Richardson you feel me, you'll know your friend

0:15:46.600 --> 0:15:51.960
<v Speaker 7>of our Yeah, you feel you feel me. He had

0:15:51.960 --> 0:15:55.520
<v Speaker 7>a group at the time, Hamilton Park. Yeah, Park and

0:15:55.560 --> 0:15:58.080
<v Speaker 7>my boys, you know what I mean. And uh, I

0:15:58.160 --> 0:16:00.640
<v Speaker 7>was seeing them because because they're one of the producers

0:16:00.680 --> 0:16:03.360
<v Speaker 7>beat Rock, who was from from the Bay, he went

0:16:03.360 --> 0:16:04.800
<v Speaker 7>out there to work on a lot of their music.

0:16:05.120 --> 0:16:07.200
<v Speaker 7>So we were hearing a lot of this Hamilton Park thing.

0:16:07.640 --> 0:16:10.520
<v Speaker 7>And then that a Bee got her deal with Yance.

0:16:11.000 --> 0:16:14.320
<v Speaker 7>So now both of those deals were at Atlantic in Atlantic.

0:16:14.560 --> 0:16:17.640
<v Speaker 7>So now in my position, you know what I'm saying,

0:16:17.640 --> 0:16:19.520
<v Speaker 7>being from the band looking at this and seeing Nedda

0:16:19.600 --> 0:16:21.520
<v Speaker 7>and all that, like, oh ship, like I ain't I

0:16:21.520 --> 0:16:23.360
<v Speaker 7>ain't heard it of like this, like she going in,

0:16:23.480 --> 0:16:26.600
<v Speaker 7>she killing, like's going crazy, like it's moving. So when

0:16:26.600 --> 0:16:28.560
<v Speaker 7>I got the call, it's like, man, young young man,

0:16:28.600 --> 0:16:30.880
<v Speaker 7>we want to bring you out here and work on

0:16:30.920 --> 0:16:33.640
<v Speaker 7>some music. So I'm like, say less, I didn't even

0:16:33.640 --> 0:16:35.840
<v Speaker 7>tell my parents till it was like the day before.

0:16:35.520 --> 0:16:36.320
<v Speaker 5>I leave this one.

0:16:37.320 --> 0:16:39.760
<v Speaker 7>She had to be like twenty two Oka, you know

0:16:39.760 --> 0:16:41.440
<v Speaker 7>what I mean. So I'm like, I'm out. You know

0:16:41.440 --> 0:16:43.960
<v Speaker 7>what I'm saying. I got a flight in six hours.

0:16:44.080 --> 0:16:57.440
<v Speaker 8>So you get it out, get it out.

0:16:52.840 --> 0:16:55.280
<v Speaker 5>Gone, think about playing, Think about what y'all told me

0:16:55.320 --> 0:16:55.800
<v Speaker 5>on the playe.

0:16:55.880 --> 0:17:04.159
<v Speaker 7>Yeah, yeah, exactly, gotta go, you feel me? And yeah, man,

0:17:04.160 --> 0:17:06.200
<v Speaker 7>I flew out and I remember my pops telling me, like, man,

0:17:06.200 --> 0:17:08.160
<v Speaker 7>stop telling people that you that you're going out there

0:17:08.160 --> 0:17:09.560
<v Speaker 7>for thirty days. You might go out there and come

0:17:09.600 --> 0:17:12.280
<v Speaker 7>back tomorrow. It might be all bad. I'm like, man,

0:17:12.280 --> 0:17:16.119
<v Speaker 7>you not you understand even if it's all bad, I

0:17:16.119 --> 0:17:18.399
<v Speaker 7>ain't coming back. I ain't coming back. Claire.

0:17:18.880 --> 0:17:21.280
<v Speaker 5>So you were Atlanta or Atlanta? Yeah?

0:17:21.320 --> 0:17:24.480
<v Speaker 7>So y yans flew me out. Man to Atlanta, he

0:17:24.640 --> 0:17:27.359
<v Speaker 7>was in I was in the basement for like I

0:17:27.400 --> 0:17:29.280
<v Speaker 7>got out there. Man, it was supposed to be thirty days.

0:17:29.280 --> 0:17:32.320
<v Speaker 7>We work on a record a day, you know, we

0:17:32.359 --> 0:17:34.280
<v Speaker 7>get a demo and we go, you know, shoot it

0:17:34.320 --> 0:17:38.040
<v Speaker 7>to some labels, you know, the usual. Man, that shit

0:17:38.119 --> 0:17:41.000
<v Speaker 7>turned into five years that I lived in Atlanta. You

0:17:41.040 --> 0:17:42.679
<v Speaker 7>know what I'm saying, and through that time, Bro, I

0:17:42.720 --> 0:17:45.280
<v Speaker 7>remember it was times. You know, I respect Yance for

0:17:45.520 --> 0:17:47.800
<v Speaker 7>his his motives, like how he how he would work

0:17:47.880 --> 0:17:50.639
<v Speaker 7>because you know, you could tell men you're in the basement. Man,

0:17:50.640 --> 0:17:52.359
<v Speaker 7>you're not seeing daylight. You know what I'm saying. All

0:17:52.400 --> 0:17:55.280
<v Speaker 7>you doing is recording and all day long you feel me.

0:17:55.280 --> 0:17:57.399
<v Speaker 7>It was like boot camp. You feel me and for

0:17:57.440 --> 0:17:59.040
<v Speaker 7>you it's like you're not seeing nothing. So you're gonna

0:17:59.080 --> 0:18:01.480
<v Speaker 7>get weird. You You're finla be like, man, I'm not

0:18:01.560 --> 0:18:04.560
<v Speaker 7>doing this. I'm ready to go, you know. And then

0:18:04.600 --> 0:18:06.359
<v Speaker 7>he'll be like, man, come come take a ride, and

0:18:06.359 --> 0:18:08.240
<v Speaker 7>then we'll go pull up the tree sound and Tank

0:18:08.280 --> 0:18:10.800
<v Speaker 7>will come outside and get in the car and listen

0:18:10.880 --> 0:18:13.600
<v Speaker 7>to some music. You know, is this Tank sitting up

0:18:13.640 --> 0:18:17.120
<v Speaker 7>here in the front seat listening and shit like, wow,

0:18:17.440 --> 0:18:20.240
<v Speaker 7>all right, we can go a little longer, keep going.

0:18:20.320 --> 0:18:21.480
<v Speaker 5>Let's keep going, you.

0:18:21.440 --> 0:18:23.600
<v Speaker 7>Know what I'm saying. So but we we did. We

0:18:23.640 --> 0:18:26.399
<v Speaker 7>did a bunch of records. Man, Jane Hancock. We had

0:18:26.440 --> 0:18:30.560
<v Speaker 7>Jane come out, man and super crazy, right, Jane came

0:18:30.600 --> 0:18:32.600
<v Speaker 7>out man. The crazy part is we had other writers

0:18:32.640 --> 0:18:36.680
<v Speaker 7>that he had originally that were known wrote for Chris Brown,

0:18:36.760 --> 0:18:39.239
<v Speaker 7>writing for Trey Soon's righting for all these people. We

0:18:39.240 --> 0:18:41.960
<v Speaker 7>couldn't find the sound though, We couldn't find the blend

0:18:42.040 --> 0:18:44.359
<v Speaker 7>you feel me. But when Jane came out, that's when

0:18:44.680 --> 0:18:46.720
<v Speaker 7>it locked because it was like, yeah, you're talking about

0:18:46.880 --> 0:18:48.679
<v Speaker 7>this Bay area. You know what I'm saying. It's like

0:18:48.720 --> 0:18:51.120
<v Speaker 7>it has to be with them. Yeah, me and Jane

0:18:51.200 --> 0:18:53.000
<v Speaker 7>was righting there, you know what I'm saying. So that's

0:18:53.000 --> 0:18:55.560
<v Speaker 7>what kind of that's what threw everybody off, Like, oh shit.

0:18:55.720 --> 0:18:58.560
<v Speaker 7>So at that point, man, we just was doing records

0:18:58.600 --> 0:19:02.919
<v Speaker 7>all day long, every day, man. And and then we

0:19:02.960 --> 0:19:04.760
<v Speaker 7>went to when we were ready, we went to uh

0:19:05.160 --> 0:19:08.159
<v Speaker 7>to Republic. We hollowed that couch K coach K stepped

0:19:08.160 --> 0:19:11.520
<v Speaker 7>in man, pulled some strings, pulled some plays, man, and

0:19:11.520 --> 0:19:13.320
<v Speaker 7>and made a shape. You know what I'm saying. We

0:19:13.359 --> 0:19:15.479
<v Speaker 7>walked up there, man, I'm thinking we got to go

0:19:15.560 --> 0:19:16.800
<v Speaker 7>sell it to the Universal.

0:19:16.840 --> 0:19:16.959
<v Speaker 1>Man.

0:19:17.000 --> 0:19:22.160
<v Speaker 7>They're like, no, no, no, no, we want you off. No,

0:19:26.400 --> 0:19:29.639
<v Speaker 7>you know what I'm saying. So we get up there, man,

0:19:29.680 --> 0:19:32.520
<v Speaker 7>and they're like, no, it's good. I'm ready to jump up.

0:19:32.400 --> 0:19:35.159
<v Speaker 1>And I'm ready to get to the table.

0:19:35.359 --> 0:19:38.440
<v Speaker 7>Yeah exactly. She's like, you know, Wendy Ghostly, sit down,

0:19:38.680 --> 0:19:41.439
<v Speaker 7>It's all good. You know. They threw the deal at

0:19:41.480 --> 0:19:44.520
<v Speaker 7>us man, and from there bro like you know, we

0:19:44.520 --> 0:19:46.000
<v Speaker 7>did the seven days a week, you know, we did

0:19:46.040 --> 0:19:47.919
<v Speaker 7>the way we had waiting out man, and that that

0:19:48.000 --> 0:19:50.440
<v Speaker 7>kind of kicked it off and opened up a fan base,

0:19:50.520 --> 0:19:53.760
<v Speaker 7>especially in the Bay Area because I was gone, hadn't

0:19:53.800 --> 0:19:57.120
<v Speaker 7>been back in like three years. So we started dropping

0:19:57.480 --> 0:20:00.720
<v Speaker 7>and then they pulled ultimate play with that two Am.

0:20:01.080 --> 0:20:02.880
<v Speaker 7>You know what I mean that that came our way. Man.

0:20:02.920 --> 0:20:04.560
<v Speaker 7>It took me forever to record it because I didn't

0:20:04.560 --> 0:20:05.919
<v Speaker 7>I didn't like it. You know what I'm saying. It

0:20:05.960 --> 0:20:08.520
<v Speaker 7>was so outside of what I felt. I was on

0:20:08.720 --> 0:20:10.800
<v Speaker 7>like the same you know what I'm saying, I'm trying

0:20:10.800 --> 0:20:13.120
<v Speaker 7>to I'm trying to, like, really do this. I'm like again,

0:20:13.119 --> 0:20:15.200
<v Speaker 7>I'm listening to the tank and and all that. I'm like,

0:20:15.320 --> 0:20:16.800
<v Speaker 7>I'm trying to do no two Am. I'm trying to

0:20:16.800 --> 0:20:19.840
<v Speaker 7>sing you feel me. But you know, they convinced me

0:20:19.880 --> 0:20:21.920
<v Speaker 7>to finally do it, man, and I think you did it,

0:20:22.600 --> 0:20:28.200
<v Speaker 7>Uh Krishan, Uh Kyle and my boy aunt Franks. Yeah,

0:20:28.320 --> 0:20:30.400
<v Speaker 7>so they all they all pinned that, and they pulled

0:20:30.480 --> 0:20:31.879
<v Speaker 7>up on me in Atlanta because I was I was

0:20:31.920 --> 0:20:35.280
<v Speaker 7>avoiding it every time I was out here Dan avoiding.

0:20:35.520 --> 0:20:38.359
<v Speaker 7>We get to the studio, I'm like, we're done. Times up,

0:20:38.440 --> 0:20:40.000
<v Speaker 7>you know what I'm saying. We can't do that one.

0:20:40.080 --> 0:20:42.800
<v Speaker 5>With that song, with that song, you're running from it.

0:20:42.840 --> 0:20:45.800
<v Speaker 7>I'm running down me. And finally I get a call

0:20:45.840 --> 0:20:47.920
<v Speaker 7>like at like one in the morning from Yeah. It's

0:20:47.920 --> 0:20:49.640
<v Speaker 7>like I need you to you know the usual ship,

0:20:49.680 --> 0:20:51.520
<v Speaker 7>I need you to come to studio right now record

0:20:51.640 --> 0:20:55.600
<v Speaker 7>we record this record, like we record the record by

0:20:55.720 --> 0:20:58.560
<v Speaker 7>like come on. So we drive from from Panola Road

0:20:58.600 --> 0:21:01.240
<v Speaker 7>all the way to Snellville. You know, I'm saying, pull up.

0:21:01.280 --> 0:21:03.440
<v Speaker 7>These niggas are standing outside like in a line like

0:21:03.440 --> 0:21:06.800
<v Speaker 7>I'm finna get jumped, like, look, you got to record

0:21:06.920 --> 0:21:10.160
<v Speaker 7>this record, like we need you to record this record.

0:21:10.920 --> 0:21:14.520
<v Speaker 7>So I did it, man and ship bro it might

0:21:14.480 --> 0:21:16.280
<v Speaker 7>had to be like two three weeks. Man, that shit

0:21:16.400 --> 0:21:18.520
<v Speaker 7>was out, Like I don't even remember the process.

0:21:18.720 --> 0:21:19.960
<v Speaker 5>Was it out with Sage on it?

0:21:20.359 --> 0:21:22.840
<v Speaker 7>No, So at first it came out by itself, and

0:21:22.880 --> 0:21:24.760
<v Speaker 7>then they pulled the play to get Sage on it.

0:21:24.840 --> 0:21:27.840
<v Speaker 7>And then when Sage jumped on it, it just took

0:21:27.920 --> 0:21:30.000
<v Speaker 7>that way like you feel me, it was gone. So

0:21:30.600 --> 0:21:32.040
<v Speaker 7>I mean at that point, it was like, shit, whether

0:21:32.080 --> 0:21:35.439
<v Speaker 7>I like it or not, let's go singing rest of

0:21:35.480 --> 0:21:38.080
<v Speaker 7>my life. You know, that ship just just you know

0:21:38.119 --> 0:21:40.000
<v Speaker 7>what I'm saying. We just put up a live just

0:21:40.040 --> 0:21:41.639
<v Speaker 7>do a live performance thing out that I did. Man,

0:21:41.680 --> 0:21:44.159
<v Speaker 7>shit went viral and shit, I'm like the song is

0:21:44.160 --> 0:21:45.840
<v Speaker 7>what it is. Man, you know what I'm saying. It

0:21:45.920 --> 0:21:47.359
<v Speaker 7>might not have been my cup of tea because I

0:21:47.359 --> 0:21:50.679
<v Speaker 7>felt like you had Tie Dollar signed paranoid out, you

0:21:50.760 --> 0:21:54.960
<v Speaker 7>had Chris Brown. These holes ain't loyal like a Marion

0:21:55.040 --> 0:21:57.000
<v Speaker 7>supposed to be, like this is the sound.

0:21:57.240 --> 0:22:00.119
<v Speaker 5>They were trying to make you fit into that outfitting of.

0:22:00.119 --> 0:22:01.440
<v Speaker 7>The algorithm exactly.

0:22:01.520 --> 0:22:03.800
<v Speaker 4>And that's a tough and that's a tough that's a

0:22:03.800 --> 0:22:05.600
<v Speaker 4>tough space for an artists.

0:22:05.359 --> 0:22:07.640
<v Speaker 2>For pure especially artists.

0:22:07.680 --> 0:22:10.040
<v Speaker 5>Yeah, you know what I mean. That's that's it really is.

0:22:10.440 --> 0:22:12.640
<v Speaker 4>It's a tough space where you have to ask yourself,

0:22:13.840 --> 0:22:15.439
<v Speaker 4>do I want this ship to take care of me?

0:22:15.640 --> 0:22:17.560
<v Speaker 5>Yeah, for sure? Or do I just want to be

0:22:18.000 --> 0:22:19.359
<v Speaker 5>you know, in this.

0:22:19.359 --> 0:22:27.320
<v Speaker 4>Creative nigga walking around with the motherfucking wisdom things in sense? Yeah,

0:22:27.680 --> 0:22:32.439
<v Speaker 4>saving rooms Listen, I know some very talented yeah niggas

0:22:32.440 --> 0:22:33.120
<v Speaker 4>walking around.

0:22:32.920 --> 0:22:35.680
<v Speaker 5>Saving room for surell.

0:22:38.200 --> 0:22:42.480
<v Speaker 2>Yeah, they got they used they use black soap.

0:22:42.840 --> 0:22:47.480
<v Speaker 1>Yeah, okay, they held up on all the earth niggas

0:22:47.520 --> 0:22:55.040
<v Speaker 1>been before the Panoramic.

0:23:06.720 --> 0:23:09.920
<v Speaker 7>Two AM came out twenty fourteen. I got dropped twenty sixteen.

0:23:10.640 --> 0:23:13.800
<v Speaker 4>So yes, you put out seven days a week and

0:23:13.840 --> 0:23:15.120
<v Speaker 4>that's the only project you put out.

0:23:15.160 --> 0:23:17.720
<v Speaker 7>I put out seven days a week twenty thirteen, and

0:23:19.400 --> 0:23:21.760
<v Speaker 7>it led to that led to the deal, and then

0:23:22.440 --> 0:23:25.359
<v Speaker 7>with that because we used those records to get the deal, okay,

0:23:26.640 --> 0:23:30.399
<v Speaker 7>and then from there it went to two AM. But

0:23:31.600 --> 0:23:33.960
<v Speaker 7>with seven days a week, they had to go back

0:23:34.000 --> 0:23:35.600
<v Speaker 7>because they didn't believe in seven days a week. There

0:23:35.640 --> 0:23:38.040
<v Speaker 7>was like, we don't focus on the waiting and all

0:23:38.080 --> 0:23:39.919
<v Speaker 7>of that. So we put it again. We put it

0:23:39.920 --> 0:23:41.720
<v Speaker 7>out in the streets. We started in the bay and

0:23:41.760 --> 0:23:44.320
<v Speaker 7>then we started flooding Atlanta and all that. And then

0:23:44.359 --> 0:23:46.439
<v Speaker 7>at that that point the label had to go back

0:23:47.080 --> 0:23:50.639
<v Speaker 7>and get everything cleared because we were I mean, we

0:23:51.520 --> 0:23:52.200
<v Speaker 7>was putting it together.

0:23:52.240 --> 0:23:52.359
<v Speaker 1>Bro.

0:23:52.400 --> 0:23:55.480
<v Speaker 7>We had Ross verses from other songs a capella that

0:23:55.520 --> 0:23:57.480
<v Speaker 7>we was putting on there, so people was thinking that

0:23:57.920 --> 0:24:02.440
<v Speaker 7>Ross had jumped on the record, and really, you feel me, yeah,

0:24:02.520 --> 0:24:05.840
<v Speaker 7>I mean, I mean, yeah, yeah, yeah, you're saying the

0:24:05.840 --> 0:24:08.800
<v Speaker 7>finesse like it was finessing. So I mean it was

0:24:08.800 --> 0:24:10.680
<v Speaker 7>an ultimate play for people to be like, okay, cool.

0:24:10.720 --> 0:24:12.600
<v Speaker 7>So when we had to go back and revamp, it

0:24:12.720 --> 0:24:14.119
<v Speaker 7>was like you can only we only were able to

0:24:14.160 --> 0:24:16.280
<v Speaker 7>take three or four of those records and actually put

0:24:16.320 --> 0:24:18.680
<v Speaker 7>them out, you know, and put them up. So that's

0:24:18.720 --> 0:24:21.040
<v Speaker 7>when they went back and started, you know, fucking with us.

0:24:21.280 --> 0:24:24.200
<v Speaker 7>And then we did Week after Next in between two Am.

0:24:24.320 --> 0:24:26.760
<v Speaker 7>So to us, that was how we keep We kept

0:24:26.760 --> 0:24:29.320
<v Speaker 7>ourselves afloat and I'm not going to depend on the

0:24:29.359 --> 0:24:31.359
<v Speaker 7>label because They're not going to push this. So they

0:24:31.359 --> 0:24:33.199
<v Speaker 7>didn't like Week after Next either, And to me, that

0:24:33.320 --> 0:24:36.119
<v Speaker 7>changed a lot of music. That changed the sound because

0:24:36.240 --> 0:24:38.439
<v Speaker 7>right before that was right before bryceon Tiler and the

0:24:38.480 --> 0:24:40.240
<v Speaker 7>Tory Lanez and all them started coming out, it was

0:24:40.280 --> 0:24:42.160
<v Speaker 7>a lot of that type of music that we were doing.

0:24:42.200 --> 0:24:44.520
<v Speaker 7>We were underground doing that, you know what I'm saying.

0:24:44.560 --> 0:24:48.040
<v Speaker 7>So to hear we were calling it, we were calling

0:24:48.080 --> 0:24:52.040
<v Speaker 7>it ratchet soul, you know what I'm saying. Like, we

0:24:52.160 --> 0:24:54.760
<v Speaker 7>kept saying Ratchett, so this is ratchets, so ratches so

0:24:55.520 --> 0:24:59.000
<v Speaker 7>and next thing I know, it trapsoul drops and.

0:24:58.880 --> 0:25:02.520
<v Speaker 9>It's that it's that. It's that and you could either

0:25:02.600 --> 0:25:06.879
<v Speaker 9>like be hella mad or be like all right on

0:25:06.960 --> 0:25:09.040
<v Speaker 9>to the next I guess shit, you know.

0:25:09.600 --> 0:25:11.960
<v Speaker 7>And that's just kind of like throughout that throughout all

0:25:12.000 --> 0:25:15.359
<v Speaker 7>that period of time between twenty thirteen to twenty seventeen

0:25:16.080 --> 0:25:20.600
<v Speaker 7>was a hard a hard look at what the business

0:25:20.720 --> 0:25:24.480
<v Speaker 7>is and experience what that really was. And that was

0:25:24.520 --> 0:25:26.080
<v Speaker 7>the time where you figure out, Man, is this am

0:25:26.119 --> 0:25:28.240
<v Speaker 7>I really finna do this? Like is this for me?

0:25:28.480 --> 0:25:30.159
<v Speaker 7>Or you know what I'm saying, do I need to

0:25:30.160 --> 0:25:31.640
<v Speaker 7>go get a nine to five? And I'm like, yeah,

0:25:31.680 --> 0:25:33.720
<v Speaker 7>fuck that, I ain't clocking in on nobody time, Like

0:25:33.720 --> 0:25:35.680
<v Speaker 7>I'm gonna just figure this out, you know what i mean.

0:25:35.720 --> 0:25:38.680
<v Speaker 7>So from there, just like a lot of independent projects

0:25:38.680 --> 0:25:41.479
<v Speaker 7>like GMFU, you know what I'm saying. And then you know,

0:25:41.800 --> 0:25:43.520
<v Speaker 7>at that point, for me, I needed to take an

0:25:43.560 --> 0:25:45.720
<v Speaker 7>extra step back, man, because I started to feel like

0:25:45.720 --> 0:25:48.080
<v Speaker 7>I'm depending on too many people, you know what I'm saying,

0:25:48.080 --> 0:25:50.240
<v Speaker 7>Like I'm depending on other people to talk for me.

0:25:50.240 --> 0:25:52.159
<v Speaker 7>I'm depending on other people to come in here and

0:25:52.560 --> 0:25:55.040
<v Speaker 7>pin records that will keep you in the algorithm or

0:25:55.359 --> 0:25:57.840
<v Speaker 7>you know, produce or whatever. And again you're falling into

0:25:57.880 --> 0:26:00.479
<v Speaker 7>that play where it's like I'm getting records, but he

0:26:00.560 --> 0:26:02.679
<v Speaker 7>has this record, she got this record, he got this

0:26:02.720 --> 0:26:04.320
<v Speaker 7>I'm sick of this shit. I'm sick of like, you

0:26:04.359 --> 0:26:05.800
<v Speaker 7>know what I'm saying, don't give me nothing that you

0:26:05.840 --> 0:26:09.600
<v Speaker 7>didn't give a thousand other people. So for me, I

0:26:09.600 --> 0:26:11.040
<v Speaker 7>had to take a step back from everything. So I

0:26:11.080 --> 0:26:12.840
<v Speaker 7>took a step back from management, took a step back

0:26:12.840 --> 0:26:16.400
<v Speaker 7>from just the business itself, you know what I mean,

0:26:16.480 --> 0:26:18.359
<v Speaker 7>to like go into my own realm and be like,

0:26:18.359 --> 0:26:21.120
<v Speaker 7>what is publishing? What is what is? What is these mechanicals?

0:26:21.160 --> 0:26:21.480
<v Speaker 7>What is?

0:26:21.920 --> 0:26:22.080
<v Speaker 1>Like?

0:26:22.160 --> 0:26:24.399
<v Speaker 7>How how many? How many ways can I get paid

0:26:24.400 --> 0:26:27.160
<v Speaker 7>off my music? Because I've only been getting paid off

0:26:27.200 --> 0:26:29.440
<v Speaker 7>one way, you know what I'm saying, Like I've only

0:26:29.440 --> 0:26:32.920
<v Speaker 7>been getting that show money. But when your record slows down,

0:26:34.280 --> 0:26:36.679
<v Speaker 7>that slows down completely, you know what I'm saying. So

0:26:36.880 --> 0:26:38.840
<v Speaker 7>there's no back end that's coming in. You know what

0:26:38.840 --> 0:26:41.159
<v Speaker 7>I mean, There's no because again you're a newbie, so

0:26:41.200 --> 0:26:43.320
<v Speaker 7>you kind of like just think, hey man, I'm just

0:26:43.359 --> 0:26:45.679
<v Speaker 7>trying to get it. So whatever y'all need to take,

0:26:45.760 --> 0:26:48.600
<v Speaker 7>y'all take that, and we're gonna we're gonna coast off that.

0:26:48.640 --> 0:26:50.600
<v Speaker 7>We're gonna take that and build off of that. You know.

0:26:51.000 --> 0:26:52.520
<v Speaker 7>I mean, it's a catch twenty two because at the

0:26:52.560 --> 0:26:54.800
<v Speaker 7>same time you learn the hard way. But shit, I

0:26:54.840 --> 0:26:57.400
<v Speaker 7>have success based around those you know what I mean,

0:26:57.440 --> 0:27:00.200
<v Speaker 7>That that whole play two am you know whatever. Where

0:27:00.200 --> 0:27:02.639
<v Speaker 7>it's like today, I can still walk in someplace and

0:27:02.640 --> 0:27:05.240
<v Speaker 7>they're like, oh, yeah, that's mister Twem. That's put that

0:27:05.240 --> 0:27:06.960
<v Speaker 7>shit on right now, that's him, you know what I mean.

0:27:07.000 --> 0:27:09.040
<v Speaker 7>So you I was able to build a fan base

0:27:09.080 --> 0:27:10.600
<v Speaker 7>off of this time with the label, and again, like

0:27:10.640 --> 0:27:12.840
<v Speaker 7>I said when I first started, it's gonna be college,

0:27:13.320 --> 0:27:14.840
<v Speaker 7>you know what I mean? And once I go through it,

0:27:14.880 --> 0:27:16.120
<v Speaker 7>you know what I mean, I need to come out smarter,

0:27:16.160 --> 0:27:18.120
<v Speaker 7>I need to come out better, you know. So that's

0:27:18.119 --> 0:27:20.760
<v Speaker 7>when the direction changed. I took I took my time,

0:27:20.840 --> 0:27:23.600
<v Speaker 7>and ended up meeting my boy sonny Bee, you know

0:27:23.640 --> 0:27:25.720
<v Speaker 7>what I'm saying. And from there that's where shit really

0:27:25.760 --> 0:27:29.160
<v Speaker 7>got got crazy because I was able to take those

0:27:29.240 --> 0:27:33.320
<v Speaker 7>experiences and also take the time of stepping back and

0:27:33.359 --> 0:27:35.720
<v Speaker 7>clearing my head and figuring out, like, all right, man,

0:27:36.119 --> 0:27:38.560
<v Speaker 7>everything that I was taught that you know, this machine

0:27:38.600 --> 0:27:40.439
<v Speaker 7>teaches you how you have to run and how you

0:27:40.480 --> 0:27:42.080
<v Speaker 7>have to move. I got to get out of that.

0:27:42.160 --> 0:27:44.080
<v Speaker 7>I gotta I gotta throw all that shit away and

0:27:44.080 --> 0:27:44.520
<v Speaker 7>create this.

0:27:44.640 --> 0:27:45.840
<v Speaker 5>Then you also did some acting.

0:27:46.240 --> 0:27:48.639
<v Speaker 7>Yeah, yeah too in between that been blessed to do it.

0:27:48.680 --> 0:27:49.720
<v Speaker 7>You know what I'm saying. We did the Bobby the

0:27:49.760 --> 0:27:51.840
<v Speaker 7>Bar story. You know, I got to you know what

0:27:51.840 --> 0:27:58.640
<v Speaker 7>I'm saying, lace front.

0:27:55.920 --> 0:27:56.640
<v Speaker 1>Player to yah.

0:27:56.720 --> 0:27:59.600
<v Speaker 7>Yeah, yeah, yeah, I had yeah, you know what I'm saying.

0:28:00.240 --> 0:28:02.040
<v Speaker 7>So it was it was real cool. We met James

0:28:02.240 --> 0:28:05.959
<v Speaker 7>years ago, you know what you feel me? They all was,

0:28:06.040 --> 0:28:08.040
<v Speaker 7>they all was on that ship, you know. But it

0:28:08.119 --> 0:28:09.960
<v Speaker 7>was cool, man. It was something that we was talking

0:28:09.960 --> 0:28:12.520
<v Speaker 7>about for a lot a long time. Actually, Like I

0:28:12.560 --> 0:28:15.280
<v Speaker 7>had the script three years before it came out, and

0:28:15.400 --> 0:28:17.880
<v Speaker 7>at first it was a different director. They were going in,

0:28:18.320 --> 0:28:21.040
<v Speaker 7>they was, they was talking about it all. You know,

0:28:21.280 --> 0:28:22.920
<v Speaker 7>I'm talking about I'm on a plane in New York

0:28:23.119 --> 0:28:27.600
<v Speaker 7>and by the end of the script, I'm up ship.

0:28:27.720 --> 0:28:31.000
<v Speaker 7>Like through the script though, Wow, this is crazy. And

0:28:31.040 --> 0:28:33.040
<v Speaker 7>then I think that, you know, because it was TV one,

0:28:33.160 --> 0:28:35.119
<v Speaker 7>is like, we got to scale this back. We can't,

0:28:35.480 --> 0:28:36.960
<v Speaker 7>we can't show all of this. We got to figure

0:28:37.000 --> 0:28:39.680
<v Speaker 7>out a way how do we present this, you know

0:28:39.800 --> 0:28:43.240
<v Speaker 7>for the masses to the lifetime. Yeah, you know what

0:28:43.240 --> 0:28:46.120
<v Speaker 7>I'm saying. So we you know, we we you know,

0:28:46.240 --> 0:28:48.160
<v Speaker 7>switched up some things and ship. But at the same time,

0:28:48.200 --> 0:28:50.960
<v Speaker 7>brother to be able to go into that, man, I remember, like,

0:28:51.000 --> 0:28:52.840
<v Speaker 7>you know, my pops is an actor, you know what

0:28:52.840 --> 0:28:55.200
<v Speaker 7>I'm saying. Yeah, my pops came up with Denzel, with

0:28:55.400 --> 0:28:58.440
<v Speaker 7>del Roy and all of them like great friends with

0:28:58.440 --> 0:28:59.840
<v Speaker 7>with a lot of them, you know what I'm saying,

0:29:00.400 --> 0:29:02.160
<v Speaker 7>and went to act, you know what i mean, one

0:29:02.160 --> 0:29:03.760
<v Speaker 7>of the only it was only about three or four

0:29:05.080 --> 0:29:08.080
<v Speaker 7>black actors that were able to be in the school

0:29:08.120 --> 0:29:09.920
<v Speaker 7>at that time, because just in that time, it was

0:29:10.000 --> 0:29:11.880
<v Speaker 7>like that, like you feel me, you know, a lot

0:29:11.880 --> 0:29:13.800
<v Speaker 7>of them weren't actually in the school. They were a

0:29:13.840 --> 0:29:16.240
<v Speaker 7>part of the side program that had to do it.

0:29:16.280 --> 0:29:20.640
<v Speaker 7>But you know, like Denzel, my Popsdale Roy, like like that,

0:29:20.680 --> 0:29:24.440
<v Speaker 7>they were a part of the actual program. So he

0:29:24.480 --> 0:29:26.240
<v Speaker 7>was an actor, man, But he had hell the kids

0:29:26.680 --> 0:29:29.080
<v Speaker 7>from the bay, you know, from the town, and a

0:29:29.080 --> 0:29:31.200
<v Speaker 7>lot of kids, you feel me. So he had to

0:29:31.240 --> 0:29:34.880
<v Speaker 7>make a decision, man, like either I'm going to push

0:29:35.040 --> 0:29:37.600
<v Speaker 7>and probably lose the family and have some wild kids

0:29:37.680 --> 0:29:41.160
<v Speaker 7>running out here going crazy, or I'm I'm gonna sit

0:29:41.160 --> 0:29:43.440
<v Speaker 7>this down. I'm gonna do something else, you know, and

0:29:43.520 --> 0:29:45.560
<v Speaker 7>still very successful, was able to start his own business.

0:29:45.600 --> 0:29:47.160
<v Speaker 7>Man put a lot of people in position, give a

0:29:47.200 --> 0:29:48.560
<v Speaker 7>lot of jobs to a lot of black people, you

0:29:48.560 --> 0:29:52.560
<v Speaker 7>know what I'm saying. But because of that, Man, I

0:29:52.600 --> 0:29:53.840
<v Speaker 7>went to him. I was like, Man, I got this

0:29:53.880 --> 0:29:56.040
<v Speaker 7>opportunity for this role. I need you to work with me.

0:29:56.200 --> 0:29:58.760
<v Speaker 7>You know, started working with a man and my dad

0:29:58.840 --> 0:30:02.120
<v Speaker 7>is tough like so he's like, you sure you want

0:30:02.120 --> 0:30:04.000
<v Speaker 7>to do this because you're not really You're not really

0:30:04.000 --> 0:30:07.240
<v Speaker 7>that good right now. Like I'm not feeling that about

0:30:07.240 --> 0:30:08.640
<v Speaker 7>to embarrass it. I'm not feeling this.

0:30:09.600 --> 0:30:10.200
<v Speaker 2>What do you do.

0:30:13.360 --> 0:30:15.920
<v Speaker 7>Right I don't know what you're going on, you know

0:30:15.920 --> 0:30:16.360
<v Speaker 7>what I'm saying.

0:30:16.400 --> 0:30:21.600
<v Speaker 1>They got anything from me? Man, I can make shine.

0:30:22.600 --> 0:30:24.920
<v Speaker 1>I think I could put the family on you know

0:30:24.960 --> 0:30:25.440
<v Speaker 1>what I'm saying.

0:30:25.800 --> 0:30:28.080
<v Speaker 7>You know, but but he worked for me, Man. He

0:30:28.120 --> 0:30:29.400
<v Speaker 7>gave me you know what I mean, he did. He

0:30:29.440 --> 0:30:32.080
<v Speaker 7>did you know that experience? Man put it in on me. Man,

0:30:32.120 --> 0:30:33.600
<v Speaker 7>and we worked for like a couple of hours.

0:30:33.600 --> 0:30:33.760
<v Speaker 1>Man.

0:30:33.800 --> 0:30:35.680
<v Speaker 7>I remember, I'm trying to like, you know, I got it.

0:30:35.760 --> 0:30:37.440
<v Speaker 7>I got a tough scene, Like I got a scene

0:30:37.440 --> 0:30:39.560
<v Speaker 7>where it's like the climax of the movie, you know

0:30:39.600 --> 0:30:41.360
<v Speaker 7>what I'm saying, where you find out what was really

0:30:41.400 --> 0:30:44.480
<v Speaker 7>going on, you know, And for me, I'm thinking, you know,

0:30:44.520 --> 0:30:45.880
<v Speaker 7>I gotta be crying. So I'm in the I'm in

0:30:45.880 --> 0:30:48.600
<v Speaker 7>the bathroom trying to method act minds off, you know

0:30:48.600 --> 0:30:50.520
<v Speaker 7>what I'm saying, And finally I'm tearing up. I'm running

0:30:50.560 --> 0:30:52.800
<v Speaker 7>upstairs like look, look, look I got the tears.

0:30:52.800 --> 0:30:53.240
<v Speaker 2>It's time.

0:30:53.520 --> 0:30:54.000
<v Speaker 10>It's tough.

0:30:54.600 --> 0:30:55.200
<v Speaker 7>First time.

0:30:56.240 --> 0:30:56.440
<v Speaker 1>Do it.

0:30:56.520 --> 0:31:01.400
<v Speaker 7>Now he's doing. Now, He's like like, man, wipe your face,

0:31:03.480 --> 0:31:09.760
<v Speaker 7>just back up like he like man. But he started

0:31:09.760 --> 0:31:11.680
<v Speaker 7>breaking it down to me. He started, he started really

0:31:11.720 --> 0:31:13.800
<v Speaker 7>explaining to me these these you know what I mean, Like,

0:31:14.280 --> 0:31:16.239
<v Speaker 7>you're not supposed to be acting like you know what I mean.

0:31:16.400 --> 0:31:18.280
<v Speaker 7>Put me in, Put me in. He put me in

0:31:18.320 --> 0:31:21.080
<v Speaker 7>a position to realize, like, Okay, you got an older brother.

0:31:21.520 --> 0:31:23.120
<v Speaker 7>Think about a time where you you know what I'm saying.

0:31:23.160 --> 0:31:24.720
<v Speaker 7>I was pissed at your brother. You know what I'm saying,

0:31:24.720 --> 0:31:26.440
<v Speaker 7>And yeah, yeah, you didn't go through what this nigga

0:31:26.480 --> 0:31:29.240
<v Speaker 7>went through. But you still didn't been through a time

0:31:29.240 --> 0:31:31.040
<v Speaker 7>where you can we looked at your brother, somebody you

0:31:31.080 --> 0:31:34.880
<v Speaker 7>look up to Liken, you know what I'm saying. So

0:31:34.920 --> 0:31:37.760
<v Speaker 7>you had to find the relatability of it, relate to it,

0:31:37.800 --> 0:31:39.800
<v Speaker 7>you know what I'm saying, and not act but react.

0:31:39.920 --> 0:31:42.280
<v Speaker 7>So man, we started working it, man, And that's one

0:31:42.280 --> 0:31:44.120
<v Speaker 7>thing about my pops, Like he's tough as ship, but

0:31:45.160 --> 0:31:47.200
<v Speaker 7>when he says it's good, I'm like, oh, I'm good.

0:31:47.360 --> 0:31:49.680
<v Speaker 7>I'm been there, you know. And I remember my mom

0:31:49.760 --> 0:31:51.640
<v Speaker 7>was there and she was reading and she just I'm

0:31:51.680 --> 0:31:53.360
<v Speaker 7>just not feeling him. He's not doing it, you know,

0:31:53.360 --> 0:31:55.560
<v Speaker 7>he's not pushing it. So we finally figured it out

0:31:55.560 --> 0:31:56.840
<v Speaker 7>and we ran, and we ran. It was actually a

0:31:56.840 --> 0:31:59.600
<v Speaker 7>blooperd because Moms was reading the part for us too,

0:32:00.560 --> 0:32:02.920
<v Speaker 7>and she's over here crying. She can't even you know

0:32:02.920 --> 0:32:04.880
<v Speaker 7>what I'm saying. She can't even finish the line because

0:32:04.920 --> 0:32:07.880
<v Speaker 7>she's like, I'm sorry, it's just you know. So we

0:32:08.000 --> 0:32:09.680
<v Speaker 7>was like, we got I said, we're gonna send them that,

0:32:10.000 --> 0:32:11.760
<v Speaker 7>We're gonna send them the blue Bird, you know what

0:32:11.760 --> 0:32:14.160
<v Speaker 7>I mean. And two days later, man, they hit me

0:32:14.200 --> 0:32:16.280
<v Speaker 7>back like we yeah, you got you the part? You

0:32:16.360 --> 0:32:20.200
<v Speaker 7>got so yeah, man, So that was the start of Hi, Man,

0:32:20.200 --> 0:32:22.120
<v Speaker 7>I got the I got the whole bug for for

0:32:22.240 --> 0:32:24.920
<v Speaker 7>acting at that point, man, you know, and just just

0:32:24.920 --> 0:32:27.280
<v Speaker 7>seeing set life and seeing the difference. Man, I mean

0:32:27.360 --> 0:32:29.120
<v Speaker 7>even with acting to that money come a lot faster.

0:32:29.240 --> 0:32:29.760
<v Speaker 5>Man, it's.

0:32:31.400 --> 0:32:34.520
<v Speaker 1>Once you get it. Yeah, you feel like nine. You

0:32:34.520 --> 0:32:40.640
<v Speaker 1>feel like like you like a wire right right. Here's

0:32:40.640 --> 0:32:42.640
<v Speaker 1>your money. See you tomorrow.

0:32:42.600 --> 0:32:44.640
<v Speaker 7>See tomorrow, and we'll do this all over again. We'll

0:32:44.680 --> 0:32:45.480
<v Speaker 7>just we'll do this.

0:32:45.480 --> 0:32:48.480
<v Speaker 1>All over again. Your side are here grooming. They're waiting

0:32:48.480 --> 0:32:53.760
<v Speaker 1>on you. And there breakfast, breakfast, bring you. We'll bring

0:32:53.800 --> 0:32:54.040
<v Speaker 1>it to you.

0:32:54.120 --> 0:32:56.160
<v Speaker 7>We gotta trailer.

0:32:56.440 --> 0:32:59.000
<v Speaker 1>Uh wardrobe is coming over. They're just gonna do a

0:32:59.080 --> 0:33:01.160
<v Speaker 1>quick fitting for some things you put on the other door.

0:33:01.280 --> 0:33:03.680
<v Speaker 5>Out here fighting over motherfucker fruit basket.

0:33:04.680 --> 0:33:09.280
<v Speaker 1>I'm trying where my water feling is that I'm not

0:33:09.400 --> 0:33:10.120
<v Speaker 1>going to promote.

0:33:10.360 --> 0:33:15.800
<v Speaker 2>You won't see water on the rider. You don't see it.

0:33:15.280 --> 0:33:21.080
<v Speaker 1>I flew three thousand miles this my motherfucking watermelon.

0:33:21.200 --> 0:33:23.200
<v Speaker 7>Stopped playing with me, man, stop ship.

0:33:23.720 --> 0:33:29.160
<v Speaker 1>Yeah, and I don't like when where the blue cheese at?

0:33:31.040 --> 0:33:34.800
<v Speaker 3>What the blue all red eminem stuff like it's going on,

0:33:35.840 --> 0:33:37.120
<v Speaker 3>no green eminems.

0:33:37.760 --> 0:33:43.560
<v Speaker 4>Listen once once I've seen it. Once an artist moves

0:33:43.560 --> 0:33:46.040
<v Speaker 4>over to the acting sign, it's hard.

0:33:45.840 --> 0:33:46.840
<v Speaker 2>To get him to come back.

0:33:47.280 --> 0:33:49.080
<v Speaker 1>I'll be even foxing about like Fox. I'm telling you

0:33:49.080 --> 0:33:50.560
<v Speaker 1>we need to get this one. He says, No, I

0:33:50.600 --> 0:33:52.760
<v Speaker 1>feel you we should get it. I'm gonna call you back.

0:33:52.800 --> 0:33:55.080
<v Speaker 7>I'm gonna call you back down exactly.

0:33:55.360 --> 0:33:58.320
<v Speaker 1>Hey, Jamie Fox starting a new film over New Zealand,

0:33:59.480 --> 0:33:59.960
<v Speaker 1>just gonna come.

0:34:02.200 --> 0:34:05.000
<v Speaker 2>They said the thing the wire.

0:34:05.640 --> 0:34:07.640
<v Speaker 7>I'm sorry for real.

0:34:07.960 --> 0:34:10.720
<v Speaker 1>Money, real I said, no problem.

0:34:10.800 --> 0:34:11.920
<v Speaker 2>You know what it is, though, it's like.

0:34:14.040 --> 0:34:17.120
<v Speaker 1>You know, and in everything that you're saying, man, you

0:34:17.160 --> 0:34:20.799
<v Speaker 1>know what I mean, It's like, I don't. I've never

0:34:20.920 --> 0:34:25.359
<v Speaker 1>believed in the play. I've never had a plan baby period. Yeah, yeah,

0:34:26.120 --> 0:34:28.479
<v Speaker 1>there's not. There's nothing. I can't think of one other

0:34:28.600 --> 0:34:32.520
<v Speaker 1>thing that I was as good at as I was

0:34:32.960 --> 0:34:33.600
<v Speaker 1>doing music.

0:34:35.640 --> 0:34:40.640
<v Speaker 7>But you're here, you're here.

0:34:41.080 --> 0:34:43.120
<v Speaker 3>She got something about she got caught in the mail,

0:34:43.280 --> 0:34:49.880
<v Speaker 3>something about that you didn't exactly, you haven't let the

0:34:49.880 --> 0:34:54.200
<v Speaker 3>package caught the mail before.

0:34:55.520 --> 0:34:57.319
<v Speaker 7>Nice clothes, nice clothes.

0:34:59.560 --> 0:35:02.279
<v Speaker 2>You I want to go with nice clothes off.

0:35:02.440 --> 0:35:05.680
<v Speaker 7>Yeah, but I mean, like anything I did, honestly, you know,

0:35:05.680 --> 0:35:06.960
<v Speaker 7>I tried. I tried all kind of shit.

0:35:07.040 --> 0:35:07.120
<v Speaker 1>Man.

0:35:07.160 --> 0:35:08.640
<v Speaker 7>I wanted to hoop, you know what I'm saying. I

0:35:08.640 --> 0:35:10.800
<v Speaker 7>wanted to I wanted to run track. I was fast,

0:35:10.880 --> 0:35:13.600
<v Speaker 7>all kind of ship but every time I tried to

0:35:13.640 --> 0:35:17.440
<v Speaker 7>do something, man, it was like God kept leading it

0:35:17.440 --> 0:35:19.799
<v Speaker 7>back there. And I mean like abruptly, like up your

0:35:19.840 --> 0:35:22.160
<v Speaker 7>hamstrings fucked up. You can't do that no more. You

0:35:22.200 --> 0:35:23.600
<v Speaker 7>know what I'm saying. Or you know what I'm saying,

0:35:23.680 --> 0:35:25.719
<v Speaker 7>Up you done broke your female ain't no more basketball, bro.

0:35:26.080 --> 0:35:28.279
<v Speaker 1>I would go from I would think I'm getting ready

0:35:28.360 --> 0:35:31.120
<v Speaker 1>to you know, really go somewhere. You know in this

0:35:31.239 --> 0:35:34.960
<v Speaker 1>basketball term, I go up for a full dump bang out. Yeah. Yeah,

0:35:35.000 --> 0:35:37.760
<v Speaker 1>I come down, step on somebody footing twists.

0:35:39.480 --> 0:35:42.120
<v Speaker 2>Yeah, I'm like I'll be quiet ver.

0:35:42.200 --> 0:35:46.040
<v Speaker 7>So yeah, I'll be back every times that quick, every time,

0:35:46.320 --> 0:35:46.759
<v Speaker 7>every time.

0:35:46.800 --> 0:35:47.000
<v Speaker 1>Bruh.

0:35:47.080 --> 0:35:49.799
<v Speaker 7>So it was like for me, I always said that like, man,

0:35:49.840 --> 0:35:52.400
<v Speaker 7>I put too many Man, how many hours did I not?

0:35:52.960 --> 0:35:55.520
<v Speaker 7>I'm watching my peers, my homies and ship. They kicking it.

0:35:55.520 --> 0:35:57.520
<v Speaker 7>They chilling, you know what I'm saying. They calling me like, bro,

0:35:57.560 --> 0:36:01.040
<v Speaker 7>we're kicking it this weekend. No, I'm I have two

0:36:01.719 --> 0:36:04.759
<v Speaker 7>recitals to do today. I gotta go do this. I

0:36:04.800 --> 0:36:07.400
<v Speaker 7>got that. I'm in this. I'm building the house with

0:36:07.440 --> 0:36:10.240
<v Speaker 7>my pop. Like they're not letting me leave. So unless

0:36:10.320 --> 0:36:11.719
<v Speaker 7>y'all want to come hang out with me and do

0:36:11.760 --> 0:36:13.279
<v Speaker 7>what I have to do. You know what I'm saying,

0:36:13.280 --> 0:36:15.440
<v Speaker 7>pick up a hammer or some shit. Then that's the

0:36:15.440 --> 0:36:17.719
<v Speaker 7>only way we kicking it. So for me, it was like, bro,

0:36:17.840 --> 0:36:20.319
<v Speaker 7>I did not sacrifice all of these years and all

0:36:20.360 --> 0:36:23.000
<v Speaker 7>of this time to not do it, to not see

0:36:23.000 --> 0:36:25.240
<v Speaker 7>it through you feel me. So even in my family,

0:36:25.239 --> 0:36:27.880
<v Speaker 7>you know, I see I've seen it before, Like moments

0:36:28.000 --> 0:36:30.040
<v Speaker 7>was like, you know, the people that love you, that

0:36:30.080 --> 0:36:33.040
<v Speaker 7>are that are that are supporting you, but they're not

0:36:33.120 --> 0:36:35.440
<v Speaker 7>in the field. They don't see the little winds that

0:36:35.520 --> 0:36:39.480
<v Speaker 7>tell you keep going, indicators like, they don't see that.

0:36:39.880 --> 0:36:43.279
<v Speaker 7>They only see what comes out. So they're like, how

0:36:43.320 --> 0:36:44.880
<v Speaker 7>are you? So these are the same people who were

0:36:44.880 --> 0:36:47.800
<v Speaker 7>putting me in these programs, same people who was making

0:36:47.840 --> 0:36:49.560
<v Speaker 7>me do you know what I'm saying, keeping me out

0:36:49.600 --> 0:36:51.960
<v Speaker 7>the streets doing this, that are now that are at

0:36:51.960 --> 0:36:54.520
<v Speaker 7>that point saying you don't want to get a nine

0:36:54.600 --> 0:36:56.640
<v Speaker 7>to five Like you don't want to not because that's

0:36:56.640 --> 0:36:58.960
<v Speaker 7>not what you that's not the setup you gave me.

0:36:59.239 --> 0:37:02.759
<v Speaker 7>The setup you gave me was this is it. This

0:37:02.800 --> 0:37:04.239
<v Speaker 7>is what I'm going to be doing for the rest

0:37:04.239 --> 0:37:05.759
<v Speaker 7>of my Even a commercial came out one time, but

0:37:05.840 --> 0:37:07.920
<v Speaker 7>I swear. I said that, like, what if everything you've

0:37:07.920 --> 0:37:10.200
<v Speaker 7>been through, everything you've done in your life led you

0:37:10.280 --> 0:37:12.200
<v Speaker 7>up to what you do today. And when I heard that,

0:37:12.280 --> 0:37:14.080
<v Speaker 7>I'm like, that's that has to be me, that has

0:37:14.160 --> 0:37:16.360
<v Speaker 7>to be my life. You feel me? And for me

0:37:16.440 --> 0:37:18.959
<v Speaker 7>it was like, no, it wasn't about no time frame.

0:37:19.000 --> 0:37:21.920
<v Speaker 7>A lot of motherfuckers start to think that the date

0:37:22.040 --> 0:37:25.520
<v Speaker 7>put the date is bigger than the destination. You feel me,

0:37:25.560 --> 0:37:28.040
<v Speaker 7>and it's really about the destination. It don't matter when

0:37:28.040 --> 0:37:30.239
<v Speaker 7>you get there, your me or how you got there.

0:37:30.600 --> 0:37:32.359
<v Speaker 7>You got there, get there, you know what I'm saying.

0:37:32.440 --> 0:37:33.759
<v Speaker 7>You just got to get there. And for me, that

0:37:33.920 --> 0:37:36.120
<v Speaker 7>that was That's what it was man. And today now

0:37:36.160 --> 0:37:39.760
<v Speaker 7>I'm in a position where you know, I was always

0:37:39.840 --> 0:37:42.759
<v Speaker 7>so scared to claim independency, Like I was like, no,

0:37:42.800 --> 0:37:45.280
<v Speaker 7>you got to be on a label, because that's what again,

0:37:45.360 --> 0:37:48.640
<v Speaker 7>the machine convinces you, like if you talk about independent,

0:37:48.680 --> 0:37:50.160
<v Speaker 7>all people ain't gonna want to fuck with you. Man,

0:37:50.200 --> 0:37:52.799
<v Speaker 7>You ain't you ain't you keep that Universal Republic name

0:37:52.880 --> 0:37:56.359
<v Speaker 7>up there as long as you can. Like no, Man,

0:37:56.640 --> 0:38:00.279
<v Speaker 7>today it's like I'm we independent, my whole team, the brodies, Man,

0:38:00.320 --> 0:38:03.040
<v Speaker 7>we we do everything. You know what I'm saying, film,

0:38:03.080 --> 0:38:06.560
<v Speaker 7>our own videos, concepts. You know what I'm saying, songwriting

0:38:06.680 --> 0:38:09.920
<v Speaker 7>and producing, and there is no more Ever, somebody has

0:38:09.920 --> 0:38:12.879
<v Speaker 7>a record that I recorded that never happened again. That's done.

0:38:13.120 --> 0:38:15.160
<v Speaker 7>You know what I'm saying, because it's it's all. It's

0:38:15.239 --> 0:38:16.719
<v Speaker 7>it's us putting it all into it. You know what

0:38:16.719 --> 0:38:20.280
<v Speaker 7>I'm saying. It's like you'll never hear agent is signed

0:38:20.280 --> 0:38:20.760
<v Speaker 7>to someone.

0:38:20.960 --> 0:38:26.120
<v Speaker 4>What's the name of the label? Now Broody that's in it.

0:38:26.440 --> 0:38:26.680
<v Speaker 1>Yeah.

0:38:26.719 --> 0:38:29.360
<v Speaker 7>We got Sonny Bee. We got Sonny you know what

0:38:29.400 --> 0:38:31.839
<v Speaker 7>I'm saying, crazy songwriter, singer. You know what I'm saying.

0:38:31.840 --> 0:38:34.359
<v Speaker 7>We got my boy momo director. We got my man

0:38:34.440 --> 0:38:36.880
<v Speaker 7>hell of Frames, Carl. We call him special K. You

0:38:36.920 --> 0:38:38.759
<v Speaker 7>know what I'm saying, because this man is a He's

0:38:38.800 --> 0:38:41.000
<v Speaker 7>a beast. You know what I'm saying with that camera man.

0:38:41.400 --> 0:38:43.759
<v Speaker 7>You know, we got Sharene being supreme. She here. You

0:38:43.800 --> 0:38:45.600
<v Speaker 7>know what I'm saying. With all our finances and all

0:38:45.640 --> 0:38:49.399
<v Speaker 7>of that, you feel you know what I'm talking about.

0:38:49.440 --> 0:38:50.959
<v Speaker 7>You know you got mister. You know what I'm saying.

0:38:51.000 --> 0:38:53.600
<v Speaker 7>By life, you feel me. You know what I'm talking about.

0:38:53.800 --> 0:38:59.120
<v Speaker 7>You know what I'm saying. So you know it's and

0:38:59.120 --> 0:39:01.880
<v Speaker 7>and again it's there's there's more as that that have

0:39:02.000 --> 0:39:04.239
<v Speaker 7>been stacking on, man, but it's just us building that

0:39:04.320 --> 0:39:07.319
<v Speaker 7>network or coming together. Like, Man, it's really a group

0:39:07.320 --> 0:39:09.520
<v Speaker 7>of creatives, men that have all been through their own

0:39:09.640 --> 0:39:12.719
<v Speaker 7>level of shit in the industry, you know, but it

0:39:12.760 --> 0:39:14.719
<v Speaker 7>didn't kill them, It didn't knock them, you know what

0:39:14.719 --> 0:39:16.120
<v Speaker 7>I'm saying. It was like, no, you just got to

0:39:16.160 --> 0:39:18.320
<v Speaker 7>be around the right situation, the right people that believe

0:39:18.440 --> 0:39:21.160
<v Speaker 7>you know what I'm saying. And for the past two years, man,

0:39:21.239 --> 0:39:24.279
<v Speaker 7>we didn't. Probably we took a step back, man and

0:39:24.320 --> 0:39:28.560
<v Speaker 7>just did nothing but recording, writing, recording, producing. Like it's

0:39:28.600 --> 0:39:30.200
<v Speaker 7>a lot of music that has come out since then,

0:39:30.400 --> 0:39:32.879
<v Speaker 7>since twenty twenty. It's a lot of music and we're

0:39:32.920 --> 0:39:35.600
<v Speaker 7>listening to it and it's like, okay, keep doing what

0:39:35.640 --> 0:39:38.000
<v Speaker 7>we're doing. I mean, we were all about cultivating this

0:39:38.160 --> 0:39:40.880
<v Speaker 7>R and BA sound. I mean that it was about

0:39:40.960 --> 0:39:44.680
<v Speaker 7>taking a step away from R and B. Like I

0:39:45.320 --> 0:39:48.480
<v Speaker 7>love Mario you feel Me, I love Eric Bellinger, I

0:39:48.480 --> 0:39:51.080
<v Speaker 7>love I love I love all of these artists that

0:39:51.120 --> 0:39:53.400
<v Speaker 7>are R and B artists, you know what I'm saying.

0:39:53.600 --> 0:39:55.200
<v Speaker 7>And I'm taking my step away from that, Like now

0:39:55.200 --> 0:39:57.319
<v Speaker 7>I'm gonna do something that you guys can't do. You

0:39:57.360 --> 0:39:59.160
<v Speaker 7>guys can't be R and B A. You know what

0:39:59.160 --> 0:40:01.240
<v Speaker 7>I'm saying, You're not from the Bay. It's just facts,

0:40:01.640 --> 0:40:03.120
<v Speaker 7>you know what I'm saying. So everything in the so

0:40:03.239 --> 0:40:04.880
<v Speaker 7>how we talk on these lyrics and you know what

0:40:04.920 --> 0:40:06.920
<v Speaker 7>I'm saying. We say like watch out for you just

0:40:07.120 --> 0:40:09.160
<v Speaker 7>missing you know what I'm saying, Like you said, this

0:40:09.239 --> 0:40:11.040
<v Speaker 7>is bib City, you know what I'm saying. So it's

0:40:11.040 --> 0:40:15.719
<v Speaker 7>like we're bringing these concepts that are from our hometown.

0:40:15.800 --> 0:40:18.200
<v Speaker 7>You know what I'm saying. We we and records talking

0:40:18.239 --> 0:40:21.080
<v Speaker 7>about going Stewie on an R and B level. Though

0:40:21.120 --> 0:40:22.880
<v Speaker 7>you know what I'm saying, you're taking high feet productions

0:40:22.920 --> 0:40:25.200
<v Speaker 7>and you putting this Bay Area lyricism on it. But

0:40:25.280 --> 0:40:28.640
<v Speaker 7>at the same time, you're using these melody driven you

0:40:28.680 --> 0:40:31.640
<v Speaker 7>know what I'm saying, You're making it about the melodies

0:40:31.680 --> 0:40:33.640
<v Speaker 7>that is R and B. You know what I'm saying,

0:40:33.920 --> 0:40:35.920
<v Speaker 7>That a tank can still sing it, you feel me.

0:40:36.160 --> 0:40:37.480
<v Speaker 7>But at the same time, you know what I'm saying,

0:40:37.480 --> 0:40:39.480
<v Speaker 7>because we're the only place in the world brand you notice,

0:40:39.680 --> 0:40:42.440
<v Speaker 7>like in the Bay you you got DJs that was

0:40:42.440 --> 0:40:46.160
<v Speaker 7>blending Keep the Sneak forty two short. You know what

0:40:46.160 --> 0:40:49.160
<v Speaker 7>I'm saying, Like I'm in the building and I'm feeling myself.

0:40:49.280 --> 0:40:53.960
<v Speaker 7>You feel me, and then all of a sudden, m

0:40:53.960 --> 0:40:57.160
<v Speaker 7>Mario coming on. You still still, You're still going dumb

0:40:57.200 --> 0:40:59.279
<v Speaker 7>You feel me? Like it was the only place in

0:40:59.320 --> 0:41:02.200
<v Speaker 7>the world where they were blending music like that. This

0:41:02.360 --> 0:41:04.600
<v Speaker 7>music is a product of that. This music is a

0:41:04.640 --> 0:41:07.359
<v Speaker 7>product of the hiphi era. And just at that time,

0:41:07.400 --> 0:41:10.080
<v Speaker 7>all we're doing is we're putting uh, we're putting a

0:41:10.160 --> 0:41:12.719
<v Speaker 7>name on it. You r and bab bro. What I'm saying,

0:41:12.800 --> 0:41:18.080
<v Speaker 7>she ruf the trouble, y'all, she ride on. You feel.

0:41:20.040 --> 0:41:20.200
<v Speaker 1>Young.

0:41:21.600 --> 0:41:23.600
<v Speaker 7>Now we're coming and now we're coming in, and let's

0:41:23.640 --> 0:41:24.880
<v Speaker 7>take that and let's build off of that.

0:41:25.239 --> 0:41:26.400
<v Speaker 5>Absolutely, you know what I'm saying.

0:41:26.280 --> 0:41:28.880
<v Speaker 7>Let's build off that you're saying, go dumb dog.

0:41:29.120 --> 0:41:33.279
<v Speaker 4>And at the end of the day, it was and

0:41:33.320 --> 0:41:37.319
<v Speaker 4>you and I had this conversation some years back. To

0:41:37.440 --> 0:41:40.959
<v Speaker 4>a certain degree, we live on our own island. Yeah,

0:41:41.040 --> 0:41:45.040
<v Speaker 4>for sure, we always have. And it's something that the

0:41:45.160 --> 0:41:49.840
<v Speaker 4>industry as a whole just kind of comes and picks from,

0:41:49.840 --> 0:41:51.080
<v Speaker 4>you know, take pieces.

0:41:50.760 --> 0:41:53.080
<v Speaker 5>Of it, you know, move it and run around with it.

0:41:53.200 --> 0:41:55.879
<v Speaker 5>And it's and you know that's fine because we've allowed that.

0:41:56.000 --> 0:42:01.480
<v Speaker 4>Yeah, but standing in front of it, you're going to

0:42:01.560 --> 0:42:05.040
<v Speaker 4>take a different type of chance, especially if you're going

0:42:05.080 --> 0:42:07.440
<v Speaker 4>to do it through a major label. And that was

0:42:07.480 --> 0:42:09.160
<v Speaker 4>the conversation I have with you when you were still

0:42:09.200 --> 0:42:13.520
<v Speaker 4>on Republic. I'm like, listen, I went through this. They

0:42:13.520 --> 0:42:18.080
<v Speaker 4>don't get it. They'll never get it because they're not

0:42:18.760 --> 0:42:21.879
<v Speaker 4>they're not there, and because we're so.

0:42:25.480 --> 0:42:26.319
<v Speaker 5>Like, we're so.

0:42:28.719 --> 0:42:32.520
<v Speaker 4>Hardcore about what's the bay and what ain't the bay

0:42:33.400 --> 0:42:37.640
<v Speaker 4>that we don't fully let people in. So they come,

0:42:37.840 --> 0:42:40.080
<v Speaker 4>they get a piece, and they get the fuck on

0:42:40.760 --> 0:42:43.600
<v Speaker 4>because at some point it's going to be somebody that

0:42:43.680 --> 0:42:45.360
<v Speaker 4>be like that nigga ain't from here.

0:42:45.440 --> 0:42:47.200
<v Speaker 7>Let's get it.

0:42:47.360 --> 0:42:51.000
<v Speaker 4>And instead of fully embracing, you know people that you know,

0:42:51.080 --> 0:42:53.240
<v Speaker 4>like listen, when Drake came and did.

0:42:55.280 --> 0:42:57.200
<v Speaker 5>He showed nothing beloved.

0:42:57.760 --> 0:43:00.520
<v Speaker 4>But there were people there that felt the way for sure,

0:43:00.560 --> 0:43:03.719
<v Speaker 4>instead of fully embracing I remember what Fab had to

0:43:03.760 --> 0:43:06.839
<v Speaker 4>go through by fucking with Drake and people be like.

0:43:06.800 --> 0:43:08.040
<v Speaker 5>Fab, why are you in?

0:43:08.200 --> 0:43:08.439
<v Speaker 2>Fab?

0:43:08.440 --> 0:43:10.520
<v Speaker 5>It's like, bro, like this is help and what.

0:43:10.440 --> 0:43:13.440
<v Speaker 4>We're doing it's just putting a light on on on

0:43:13.640 --> 0:43:16.239
<v Speaker 4>exactly on our region and what we do like we

0:43:16.280 --> 0:43:17.520
<v Speaker 4>should embrace.

0:43:17.160 --> 0:43:18.640
<v Speaker 7>This well, I mean on top of that, you know,

0:43:18.800 --> 0:43:21.440
<v Speaker 7>we're one of those places where it's like man, everybody

0:43:21.560 --> 0:43:24.879
<v Speaker 7>is is trying to be the man themselves individually. It's like, man,

0:43:25.120 --> 0:43:27.960
<v Speaker 7>I gotta you winning man again, winning man. My shit

0:43:28.000 --> 0:43:29.520
<v Speaker 7>harder than his, you know what I'm saying, Rather than

0:43:29.520 --> 0:43:31.919
<v Speaker 7>everybody coming together. You go to Atlanta, how I learned

0:43:31.960 --> 0:43:34.160
<v Speaker 7>it like you go to one studio bro with You're

0:43:34.160 --> 0:43:37.360
<v Speaker 7>going there with Jazzy faith Bright and is going to

0:43:37.400 --> 0:43:40.040
<v Speaker 7>walk in there and and fucking around, you know what

0:43:40.080 --> 0:43:42.440
<v Speaker 7>I'm saying. But out here in the Bay, it was

0:43:42.480 --> 0:43:45.919
<v Speaker 7>always like to each his own, Yeah, to each his own.

0:43:46.000 --> 0:43:47.880
<v Speaker 7>So for us, it was about to me, it was

0:43:47.880 --> 0:43:50.840
<v Speaker 7>like looking at what you the foundation like that you

0:43:50.960 --> 0:43:53.319
<v Speaker 7>laid out and people that before us laid out with

0:43:53.400 --> 0:43:54.960
<v Speaker 7>this R and BA shit. It was more about like

0:43:55.480 --> 0:43:58.360
<v Speaker 7>it's not about am coming back after two years and

0:43:58.800 --> 0:44:00.799
<v Speaker 7>dropping music. We got a hundred us new records that

0:44:00.840 --> 0:44:03.560
<v Speaker 7>we didne worked on just in silence, like we're not

0:44:03.600 --> 0:44:06.120
<v Speaker 7>putting nothing out until we got a hundred records that

0:44:06.160 --> 0:44:09.160
<v Speaker 7>we love. That's like this hundred, this hundred one is

0:44:09.360 --> 0:44:11.600
<v Speaker 7>so much better than this first one. It's crazy and

0:44:11.640 --> 0:44:13.320
<v Speaker 7>the first one. We love it, you know what I'm saying.

0:44:13.360 --> 0:44:15.359
<v Speaker 7>But you know, we looked at it like it had

0:44:15.360 --> 0:44:17.640
<v Speaker 7>to be bigger than me, than me coming back out

0:44:17.680 --> 0:44:19.400
<v Speaker 7>like I'm back or I'm trying to do you know. No,

0:44:19.880 --> 0:44:21.719
<v Speaker 7>it's a Bay movement. This is about us bringing the

0:44:21.760 --> 0:44:24.560
<v Speaker 7>Bay together. So we're going and where we're saying, nah,

0:44:24.600 --> 0:44:26.759
<v Speaker 7>like let's stop all that shit. It ain't about stock

0:44:26.840 --> 0:44:28.880
<v Speaker 7>That ain't the Bay or this man, come on, like

0:44:29.040 --> 0:44:32.000
<v Speaker 7>all of us put in on this this movement. When

0:44:32.080 --> 0:44:34.120
<v Speaker 7>is the last time that R and B that we

0:44:34.200 --> 0:44:36.239
<v Speaker 7>had a seat at the R and B table in

0:44:36.280 --> 0:44:38.920
<v Speaker 7>the Bay area? And that's what that was the conversation

0:44:39.000 --> 0:44:41.360
<v Speaker 7>that me and Sonny B had kicking it off, was

0:44:41.360 --> 0:44:45.040
<v Speaker 7>that what is not happening right now? Like what's not

0:44:45.120 --> 0:44:47.160
<v Speaker 7>out right now? Like, wh when is the last time

0:44:47.239 --> 0:44:48.640
<v Speaker 7>that we were able to say R and B had

0:44:48.640 --> 0:44:50.360
<v Speaker 7>a seat, that we had a seat at the R

0:44:50.360 --> 0:44:52.360
<v Speaker 7>and B table in the Bay area, You know what

0:44:52.360 --> 0:44:54.560
<v Speaker 7>I'm saying. And that was us saying, this next two

0:44:54.640 --> 0:44:58.400
<v Speaker 7>years is the answer. This next two years is saying, oh,

0:44:58.600 --> 0:45:02.279
<v Speaker 7>they doing it right now. Because we've always been innovative.

0:45:02.040 --> 0:45:03.960
<v Speaker 4>We've always been a part of the business, but we

0:45:04.080 --> 0:45:07.080
<v Speaker 4>never even even like I was gonna say, Tony Tony

0:45:07.320 --> 0:45:09.759
<v Speaker 4>Tony Tony Tony InVogue where they you know, they were

0:45:09.800 --> 0:45:12.320
<v Speaker 4>really and then obviously you move into the keaches of

0:45:12.360 --> 0:45:18.239
<v Speaker 4>Kailine's her. But still we don't have as you would say,

0:45:18.280 --> 0:45:21.480
<v Speaker 4>a seat. A seat is something different a see it

0:45:21.560 --> 0:45:24.600
<v Speaker 4>is when a seat is when you're when it's multiple

0:45:24.719 --> 0:45:27.680
<v Speaker 4>artists coming through it like you guys are doing. It's

0:45:27.760 --> 0:45:32.120
<v Speaker 4>exactly a true collaborative process.

0:45:32.120 --> 0:45:34.560
<v Speaker 1>A machine and a machine, you know what I mean.

0:45:34.440 --> 0:45:36.960
<v Speaker 4>Like Atlanta has their seat and it's had their seat

0:45:37.040 --> 0:45:39.920
<v Speaker 4>because it's so many of them have come through it.

0:45:40.560 --> 0:45:42.480
<v Speaker 5>Detroit, you know what I mean.

0:45:42.480 --> 0:45:44.120
<v Speaker 4>Like you know, we can go down the line and

0:45:44.480 --> 0:45:47.239
<v Speaker 4>talk about different places and even La you know what

0:45:47.280 --> 0:45:51.000
<v Speaker 4>I mean, where you talk about Brandy and Immature and

0:45:51.120 --> 0:45:53.200
<v Speaker 4>shit ray J and you know what I mean, and

0:45:53.560 --> 0:45:55.960
<v Speaker 4>Ti Dollar Sign and it's just so many of them

0:45:55.960 --> 0:45:59.080
<v Speaker 4>and you look up and you know and you say, damn,

0:45:59.120 --> 0:46:02.000
<v Speaker 4>a lot of them came from the same same.

0:46:01.840 --> 0:46:03.120
<v Speaker 5>Thing, you know.

0:46:03.480 --> 0:46:05.920
<v Speaker 4>And with the Bay, we've we've never been able to

0:46:06.000 --> 0:46:09.240
<v Speaker 4>have that. It's always been just you know, individuals every

0:46:09.239 --> 0:46:11.400
<v Speaker 4>couple of years, you know what I mean, Like what

0:46:11.960 --> 0:46:15.080
<v Speaker 4>it was when It was me early on when I

0:46:15.120 --> 0:46:18.200
<v Speaker 4>was just putting out the records, there was no one

0:46:18.280 --> 0:46:23.719
<v Speaker 4>for me to truly collaborate with because everybody was doing rap.

0:46:23.880 --> 0:46:26.759
<v Speaker 4>Everybody was rapping, and everybody was off doing their own thing,

0:46:27.200 --> 0:46:30.040
<v Speaker 4>and there was it was just no way to truly

0:46:30.080 --> 0:46:30.800
<v Speaker 4>bring it together.

0:46:31.239 --> 0:46:34.000
<v Speaker 7>And I think that with all of the with all

0:46:34.000 --> 0:46:36.720
<v Speaker 7>of that tension and term what's going on between artists

0:46:36.760 --> 0:46:39.640
<v Speaker 7>trying to fight to get to the spotlight that's out there,

0:46:40.239 --> 0:46:42.480
<v Speaker 7>you leave room for motherfuckers to come in and take shit.

0:46:42.800 --> 0:46:44.520
<v Speaker 7>You know what I'm saying. It's like we're so distracted

0:46:44.560 --> 0:46:46.560
<v Speaker 7>fighting each other that motherfucker's coming in like, oh well

0:46:46.600 --> 0:46:50.080
<v Speaker 7>I'll take that. I'm gonna take that. And now and

0:46:50.200 --> 0:46:52.040
<v Speaker 7>now all of a sudden, Hella You don't know that

0:46:52.120 --> 0:46:54.400
<v Speaker 7>Hella can started in the bay. You don't know. Now

0:46:54.440 --> 0:46:57.280
<v Speaker 7>all of a sudden, now you're saying that food slaps

0:46:57.640 --> 0:46:59.919
<v Speaker 7>it doesn't you know what I'm saying, Like, stop taking

0:47:00.080 --> 0:47:01.120
<v Speaker 7>that ship, stop saying that.

0:47:01.320 --> 0:47:12.120
<v Speaker 11>We just listen, We just let me say that broad

0:47:12.400 --> 0:47:15.840
<v Speaker 11>he understands the difference between smack and Okay, there you go.

0:47:16.400 --> 0:47:19.239
<v Speaker 5>It was just funny because we was literally having this conversation.

0:47:19.400 --> 0:47:22.400
<v Speaker 7>Yeah, so it's like it's it's like people coming in

0:47:22.400 --> 0:47:23.799
<v Speaker 7>and they able to take that the push and pe

0:47:24.000 --> 0:47:26.040
<v Speaker 7>thing like I don't know what that I don't even

0:47:26.040 --> 0:47:28.080
<v Speaker 7>know what that is like pushing p No, I'm keeping

0:47:28.120 --> 0:47:30.200
<v Speaker 7>it pee, you know what I'm saying, Like the the

0:47:30.360 --> 0:47:32.920
<v Speaker 7>the lingos that we have and how we are, how

0:47:33.000 --> 0:47:35.680
<v Speaker 7>we love, how we fight, how we feel, how we deal,

0:47:35.760 --> 0:47:38.000
<v Speaker 7>you know what I'm saying. Like it's always like you said,

0:47:38.080 --> 0:47:41.120
<v Speaker 7>been on his own island. But for me now, our mission,

0:47:41.560 --> 0:47:43.279
<v Speaker 7>you know, me and the Brody's has always been about

0:47:43.360 --> 0:47:45.800
<v Speaker 7>man at this point. Now bring everybody in on this

0:47:45.880 --> 0:47:48.920
<v Speaker 7>hand for you to rock with us, to rock with us,

0:47:49.320 --> 0:47:50.239
<v Speaker 7>it's got to be on back.

0:48:02.880 --> 0:48:03.560
<v Speaker 2>A lot of information.

0:48:03.640 --> 0:48:04.200
<v Speaker 1>My brother.

0:48:06.760 --> 0:48:09.600
<v Speaker 5>Warming up, he's warming up ship.

0:48:10.800 --> 0:48:12.080
<v Speaker 1>You got a lot of information, a lot of R

0:48:12.120 --> 0:48:26.160
<v Speaker 1>and B information, And it's R n B thing is

0:48:26.520 --> 0:48:34.840
<v Speaker 1>it's it's it's spans generation, spans now, universe. Right now.

0:48:37.080 --> 0:48:39.480
<v Speaker 2>We'd have to figure out am.

0:48:41.440 --> 0:48:42.480
<v Speaker 1>Top F.

0:48:45.960 --> 0:48:50.880
<v Speaker 2>Your top five, my top fire, top F.

0:48:54.320 --> 0:48:55.239
<v Speaker 1>Your top five.

0:48:59.560 --> 0:49:06.920
<v Speaker 5>Else you'll talk.

0:49:16.400 --> 0:49:31.280
<v Speaker 10>You yes, yeah, take your time, your time, top five five?

0:49:37.000 --> 0:49:41.480
<v Speaker 2>Who oh, Adrian Marseilles.

0:49:42.680 --> 0:49:45.239
<v Speaker 7>So we're talking top of R and bay. Okay, well

0:49:45.239 --> 0:49:46.000
<v Speaker 7>we're talking talking.

0:49:47.440 --> 0:49:53.080
<v Speaker 1>Okay, R and Bay represent represent R and B. Lello

0:49:55.680 --> 0:50:00.760
<v Speaker 1>your top five R and B singers the it or Live.

0:50:00.719 --> 0:50:04.719
<v Speaker 7>Okay to five R and B singers. I'm gonna go

0:50:04.880 --> 0:50:10.520
<v Speaker 7>with I'm gonna go with Mike, Mike, m J start writer.

0:50:10.680 --> 0:50:12.040
<v Speaker 7>You know what I'm saying. Yeah, you know what I'm saying.

0:50:12.440 --> 0:50:15.879
<v Speaker 7>We got m J, got Prince. You know what I'm saying.

0:50:15.920 --> 0:50:17.080
<v Speaker 7>Because you know what I'm saying. You can call it

0:50:17.120 --> 0:50:19.040
<v Speaker 7>what you want to call it. That's that's R and B.

0:50:19.239 --> 0:50:20.880
<v Speaker 1>I'm saying, we're going to call it.

0:50:24.880 --> 0:50:25.319
<v Speaker 7>Let's see.

0:50:25.520 --> 0:50:25.640
<v Speaker 5>Uh.

0:50:26.160 --> 0:50:28.480
<v Speaker 7>I gotta say for me again, I gotta say g Bro,

0:50:28.880 --> 0:50:30.200
<v Speaker 7>you want Bro, that's.

0:50:30.360 --> 0:50:38.399
<v Speaker 2>Listen, that's his. You know what else?

0:50:38.640 --> 0:50:38.960
<v Speaker 5>That's his?

0:50:40.000 --> 0:50:40.759
<v Speaker 7>Do your something?

0:50:41.200 --> 0:50:42.200
<v Speaker 2>My pony?

0:50:47.000 --> 0:50:47.720
<v Speaker 1>Can baby?

0:50:48.360 --> 0:50:48.640
<v Speaker 7>Baby?

0:50:50.080 --> 0:50:50.799
<v Speaker 2>Gotta say g.

0:50:52.920 --> 0:50:56.080
<v Speaker 4>He asked the question, didn't answer the questions himself to yes,

0:50:56.280 --> 0:50:57.520
<v Speaker 4>Do you want to ride the pony?

0:50:58.000 --> 0:50:58.720
<v Speaker 5>Can I baby?

0:50:59.520 --> 0:50:59.759
<v Speaker 7>Baby?

0:51:00.280 --> 0:51:00.480
<v Speaker 2>Yeah?

0:51:00.840 --> 0:51:01.000
<v Speaker 5>Yeah?

0:51:01.920 --> 0:51:10.880
<v Speaker 7>Oh yeah, we say oh yeah, Oh gotta say. Gotta

0:51:10.920 --> 0:51:11.520
<v Speaker 7>say stokely.

0:51:11.760 --> 0:51:14.680
<v Speaker 2>You gotta gotta say stokely, Bro, You gotta say stoke.

0:51:14.440 --> 0:51:15.320
<v Speaker 7>You gotta say stokely.

0:51:15.400 --> 0:51:15.480
<v Speaker 1>Bro.

0:51:15.920 --> 0:51:18.080
<v Speaker 5>Come on the condition you have the.

0:51:18.080 --> 0:51:20.120
<v Speaker 1>Clock, you better you better know something about some stokely

0:51:20.160 --> 0:51:20.440
<v Speaker 1>If you have.

0:51:21.000 --> 0:51:22.600
<v Speaker 7>We said, we said, we got Stokely, got g we

0:51:22.719 --> 0:51:27.600
<v Speaker 7>got got my Prince, and I think baby face, Bro,

0:51:28.440 --> 0:51:30.239
<v Speaker 7>say baby face because I mean, bro, this this is

0:51:30.320 --> 0:51:32.759
<v Speaker 7>the birthed a lot of this ship out here. You

0:51:32.800 --> 0:51:35.239
<v Speaker 7>know what I'm saying, Like all these songs, you know

0:51:35.320 --> 0:51:39.560
<v Speaker 7>what I mean, We're not here, We're not here with exactly.

0:51:39.960 --> 0:51:41.040
<v Speaker 7>That's definitely my top five.

0:51:41.440 --> 0:51:43.840
<v Speaker 2>It's the feeling of the texture.

0:51:44.120 --> 0:51:47.719
<v Speaker 7>Yeah, King, Yeah, Yeah, I like you.

0:51:47.840 --> 0:51:48.719
<v Speaker 2>I like your attitude.

0:51:49.040 --> 0:51:53.720
<v Speaker 1>Okay, your top five R and B songs.

0:51:54.840 --> 0:51:56.560
<v Speaker 7>Okay, so anxious.

0:51:57.600 --> 0:52:01.160
<v Speaker 5>Listen you know you talking to g wis background.

0:52:01.440 --> 0:52:05.760
<v Speaker 2>Yeah, I started YouTube.

0:52:05.800 --> 0:52:06.320
<v Speaker 1>I do all that.

0:52:06.400 --> 0:52:12.360
<v Speaker 7>I'm gonna say where I want to be, what will be?

0:52:13.000 --> 0:52:16.960
<v Speaker 7>That's that's what a master. A master that album from

0:52:17.000 --> 0:52:20.600
<v Speaker 7>top to bottom, the master. That's that top to bottom

0:52:20.640 --> 0:52:25.880
<v Speaker 7>where I want to be. Oh, diamonds and diamonds and.

0:52:25.920 --> 0:52:27.920
<v Speaker 2>Pearls for sure, bro, Yeah.

0:52:29.560 --> 0:52:33.120
<v Speaker 7>You feel me? Come on, diamonds and pros. And if

0:52:33.160 --> 0:52:35.759
<v Speaker 7>I say diamonds and pros, I gotta say butterflies. Got

0:52:35.880 --> 0:52:41.080
<v Speaker 7>to say butterflies, m J. You feel me? Pretty brown

0:52:41.120 --> 0:52:41.600
<v Speaker 7>eyes bro?

0:52:42.560 --> 0:52:47.040
<v Speaker 4>Because Stokely Yeah really then yeah, listen, I love how

0:52:47.120 --> 0:52:50.279
<v Speaker 4>the top five they connect, they connect they connect with

0:52:50.360 --> 0:52:51.960
<v Speaker 4>the artist, and it's just you know.

0:52:51.920 --> 0:52:55.920
<v Speaker 1>What it is, bro, it's music that really raised us.

0:52:56.040 --> 0:53:01.680
<v Speaker 1>Bro for real, man, for they really raise Like when

0:53:01.680 --> 0:53:04.080
<v Speaker 1>we have Stokely here, I'm looking at him like, and

0:53:04.160 --> 0:53:07.360
<v Speaker 1>I've messed Stokely many times and always give him flowers.

0:53:07.400 --> 0:53:10.120
<v Speaker 1>But every time I see him, I'm like, Bro, you're stokely.

0:53:10.680 --> 0:53:12.320
<v Speaker 7>Still still.

0:53:16.000 --> 0:53:16.359
<v Speaker 1>For real?

0:53:16.920 --> 0:53:20.040
<v Speaker 7>I mean, thank I got I got you. Go on

0:53:20.120 --> 0:53:21.719
<v Speaker 7>YouTube right now. I'm gonna tell you how to find it.

0:53:21.760 --> 0:53:26.000
<v Speaker 7>You know what I'm saying. I tell you how to

0:53:26.080 --> 0:53:27.640
<v Speaker 7>find You know what I'm saying because it was it was,

0:53:27.800 --> 0:53:30.320
<v Speaker 7>you know, back in the day. But we got some baby,

0:53:30.440 --> 0:53:35.959
<v Speaker 7>it's been a while. Yeah, sleep around like we're singing all.

0:53:35.920 --> 0:53:38.000
<v Speaker 2>That because I don't sleep around because.

0:53:37.719 --> 0:53:38.400
<v Speaker 7>I don't see.

0:53:40.000 --> 0:53:43.080
<v Speaker 5>I love to stop playing with flying motherfucker on that.

0:53:46.080 --> 0:53:46.840
<v Speaker 2>Value to be.

0:53:53.520 --> 0:53:54.000
<v Speaker 7>Exactly.

0:53:54.400 --> 0:53:57.080
<v Speaker 2>Come on now, mo, man, everybody can't get this.

0:53:57.520 --> 0:53:58.080
<v Speaker 5>You know what I mean.

0:53:59.600 --> 0:54:04.200
<v Speaker 7>I'm saying, Bru raised on this, raised on this, bro, raised.

0:54:03.920 --> 0:54:06.719
<v Speaker 1>On it all. Right, here we go your R and

0:54:06.800 --> 0:54:13.960
<v Speaker 1>b voul try all right. So like artists, Okay, there's

0:54:14.320 --> 0:54:18.440
<v Speaker 1>the vocal of the artists, the styling of the artists,

0:54:19.360 --> 0:54:22.680
<v Speaker 1>the performance style of the artists and the heart of

0:54:22.719 --> 0:54:23.320
<v Speaker 1>the artists.

0:54:23.400 --> 0:54:25.040
<v Speaker 2>Out of all the artists that you.

0:54:25.200 --> 0:54:28.600
<v Speaker 1>Love, who were you going to take the vocal from

0:54:28.760 --> 0:54:30.720
<v Speaker 1>to make your perfect R and b artists?

0:54:32.080 --> 0:54:35.319
<v Speaker 2>Why not put it out there If you haven't heard,

0:54:37.120 --> 0:54:38.320
<v Speaker 2>Welcome to the MIT Factory.

0:54:40.120 --> 0:54:41.799
<v Speaker 7>You feel me straight up and down?

0:54:42.520 --> 0:54:49.799
<v Speaker 2>You all right? Who are you getting the performance style from?

0:54:51.280 --> 0:54:55.279
<v Speaker 7>I gotta split it up, so I gotta go MJ

0:54:56.080 --> 0:54:59.640
<v Speaker 7>and Bobby Brown. Bro you gotta go MJ and Bobby Brown.

0:55:00.320 --> 0:55:09.800
<v Speaker 12>Michael, yeah, now, And Michael was already savage though on

0:55:09.960 --> 0:55:13.840
<v Speaker 12>some hean you Mike on the Hennessy.

0:55:14.040 --> 0:55:19.560
<v Speaker 7>Yeah, no, Chaser, you're gonna have Mike humping the stay exactly.

0:55:20.040 --> 0:55:22.200
<v Speaker 7>Come on, and you ain't never seen Mike. He gonna

0:55:22.200 --> 0:55:25.200
<v Speaker 7>have a different Michael. It ain't gonna be a hip.

0:55:25.760 --> 0:55:28.600
<v Speaker 2>No, that's gonna be full boull.

0:55:28.120 --> 0:55:32.840
<v Speaker 10>Body gonnav leve take before you do it.

0:55:32.960 --> 0:55:37.560
<v Speaker 7>Come on, come on, man, come on, walk, come on.

0:55:38.680 --> 0:55:44.680
<v Speaker 1>You exactly exactly Michael and Bobby that's mean.

0:55:45.320 --> 0:55:48.360
<v Speaker 2>Yeah. The styling of the artists, what they're putting on?

0:55:48.680 --> 0:55:49.200
<v Speaker 2>Who got that?

0:55:49.520 --> 0:55:54.280
<v Speaker 7>Mm hmm. Styling though, I say, we're talking about styling.

0:55:54.440 --> 0:55:58.640
<v Speaker 7>I say usher, clean, yeah, clean, you know what I'm saying,

0:55:58.880 --> 0:55:59.120
<v Speaker 7>like to.

0:55:59.239 --> 0:55:59.759
<v Speaker 1>It, right to it.

0:55:59.840 --> 0:56:03.320
<v Speaker 7>But but but a chameleon like Usher can go fashionable,

0:56:03.360 --> 0:56:04.600
<v Speaker 7>he can, he can go Nigga with it.

0:56:04.680 --> 0:56:05.200
<v Speaker 5>You know what I'm saying.

0:56:05.560 --> 0:56:08.799
<v Speaker 7>He didn't. He's invented himself so many, so many times

0:56:08.840 --> 0:56:10.800
<v Speaker 7>and so many cases throughout his his album.

0:56:11.520 --> 0:56:11.880
<v Speaker 2>He hasn't.

0:56:11.960 --> 0:56:14.720
<v Speaker 1>He hasn't limited himself to any type of expectations exactly.

0:56:14.800 --> 0:56:17.880
<v Speaker 1>You know, he's really broadened his space to where it's like, oh,

0:56:17.960 --> 0:56:20.279
<v Speaker 1>that's no matter where you're.

0:56:20.160 --> 0:56:22.360
<v Speaker 7>Seeing him exactly. And if if not Usher, then I

0:56:22.400 --> 0:56:24.799
<v Speaker 7>had to say Prince, you know what I'm saying, because

0:56:24.840 --> 0:56:27.359
<v Speaker 7>Prince wasn't afraid to just kind of go all out. Man.

0:56:27.360 --> 0:56:29.680
<v Speaker 7>You know what I'm saying, Horse, you know what I'm saying,

0:56:30.840 --> 0:56:34.120
<v Speaker 7>Like I was gonna say, I can't, I can't do it.

0:56:34.360 --> 0:56:37.439
<v Speaker 7>You feel me? That ain't my bast but is thick

0:56:37.800 --> 0:56:40.839
<v Speaker 7>thick you know small? You know what I'm saying.

0:56:41.120 --> 0:56:43.400
<v Speaker 1>That's like, yeah, give me.

0:56:43.480 --> 0:56:48.279
<v Speaker 7>Up, let me go, let me go, let me do,

0:56:49.440 --> 0:56:51.480
<v Speaker 7>let me let me out, let me.

0:56:51.520 --> 0:56:58.880
<v Speaker 1>Out and no, let it get the bucking man, sh

0:56:59.760 --> 0:56:59.920
<v Speaker 1>let it.

0:57:00.840 --> 0:57:01.080
<v Speaker 2>Damn.

0:57:02.160 --> 0:57:02.840
<v Speaker 7>Is he gonna stay on?

0:57:03.800 --> 0:57:04.279
<v Speaker 1>I hope he.

0:57:08.000 --> 0:57:10.320
<v Speaker 2>I want to believe he would get off at the point.

0:57:11.120 --> 0:57:12.680
<v Speaker 1>That's what I believe about.

0:57:12.480 --> 0:57:14.479
<v Speaker 7>My feel like Princeville just hopping to be on his feet.

0:57:14.640 --> 0:57:18.439
<v Speaker 1>I feel like you just get off. Enough is enough?

0:57:19.440 --> 0:57:24.400
<v Speaker 7>Yeah, somebody get me down. Somebody come getting me down

0:57:24.480 --> 0:57:25.760
<v Speaker 7>on this motherfucker now.

0:57:27.480 --> 0:57:28.720
<v Speaker 2>Get off his nag.

0:57:31.240 --> 0:57:32.080
<v Speaker 5>That's hell funny.

0:57:32.840 --> 0:57:33.880
<v Speaker 2>The heart of the artists.

0:57:35.760 --> 0:57:38.040
<v Speaker 5>You face, you face man.

0:57:38.120 --> 0:57:40.320
<v Speaker 7>You know what I'm saying, ain't what how how how much?

0:57:41.080 --> 0:57:44.600
<v Speaker 7>How much more heart do you need? Like he he yeah,

0:57:44.640 --> 0:57:45.680
<v Speaker 7>he pumped it into music.

0:57:45.720 --> 0:57:50.840
<v Speaker 2>You know what I'm saying, r and Bay, you're doing

0:57:50.880 --> 0:57:51.240
<v Speaker 2>the brother.

0:57:51.440 --> 0:57:55.200
<v Speaker 7>I appreciate that. Okay, We're not We're not done.

0:57:55.640 --> 0:57:56.800
<v Speaker 5>You ain't getting out of here without it.

0:58:02.200 --> 0:58:09.560
<v Speaker 1>Fine, Fine, Fine, I.

0:58:09.520 --> 0:58:12.880
<v Speaker 2>Ain't saying no niggs. Ain't saying no names. I ain't

0:58:12.920 --> 0:58:15.320
<v Speaker 2>saying no names, saying no niggas.

0:58:15.320 --> 0:58:24.240
<v Speaker 1>Where you was what you did? I ain't saying no.

0:58:30.920 --> 0:58:32.960
<v Speaker 7>Wow, yeah wow.

0:58:33.160 --> 0:58:35.560
<v Speaker 5>We got a very very very important segment of this show.

0:58:36.160 --> 0:58:37.960
<v Speaker 5>And that's what you know. We close this thing out with,

0:58:38.760 --> 0:58:39.240
<v Speaker 5>and it's.

0:58:39.120 --> 0:58:42.760
<v Speaker 4>Called I ain't saying on that where Adrian Marcel tell

0:58:42.840 --> 0:58:46.440
<v Speaker 4>us a story it's funny or fucked up, A funny

0:58:46.520 --> 0:58:50.280
<v Speaker 4>and fucked up. The only rule is you can't say

0:58:50.320 --> 0:58:53.120
<v Speaker 4>the name, got it. You can say your name because

0:58:53.120 --> 0:58:54.240
<v Speaker 4>you're him and you you got it.

0:58:54.560 --> 0:58:55.280
<v Speaker 5>It's your story.

0:58:55.480 --> 0:58:57.720
<v Speaker 7>I can't so I can't say the name of who

0:58:57.840 --> 0:58:59.160
<v Speaker 7>it is. But can I say the names of the

0:58:59.240 --> 0:59:00.439
<v Speaker 7>people of other people?

0:59:00.880 --> 0:59:00.920
<v Speaker 1>No?

0:59:01.400 --> 0:59:03.840
<v Speaker 5>No, yeah, you can't. Nobody.

0:59:03.920 --> 0:59:04.400
<v Speaker 7>So it's just me.

0:59:04.840 --> 0:59:08.880
<v Speaker 4>Yeah, okay, okay, scot no no, yes, ma'am's and no

0:59:09.040 --> 0:59:12.840
<v Speaker 4>man here, got it? Okay, no names, I got you,

0:59:13.680 --> 0:59:18.040
<v Speaker 4>So we don't okay. Right now, Right now, my young

0:59:18.120 --> 0:59:22.640
<v Speaker 4>player partner keeping his r and big thing alive, Adrian

0:59:22.800 --> 0:59:26.920
<v Speaker 4>Marcel is gonna tell y'all story without saying no no names.

0:59:28.200 --> 0:59:28.520
<v Speaker 2>Mm hm.

0:59:30.280 --> 0:59:33.760
<v Speaker 7>So I'm in Atlanta. Yeah, I like when I find

0:59:33.800 --> 0:59:37.120
<v Speaker 7>that strict. So I'm in Atlanta. I'm in Atlanta one one,

0:59:37.160 --> 0:59:40.080
<v Speaker 7>one fine day, man, you know, and uh we're going

0:59:40.160 --> 0:59:43.240
<v Speaker 7>to this person's house, you know who's staying in Atlanta

0:59:43.240 --> 0:59:46.200
<v Speaker 7>at this time. They have a fat, fat crib, you know,

0:59:47.000 --> 0:59:49.120
<v Speaker 7>and uh so I get them. I'm supposed to work

0:59:49.160 --> 0:59:50.120
<v Speaker 7>with them for about a week.

0:59:50.640 --> 0:59:50.840
<v Speaker 1>You know.

0:59:51.000 --> 0:59:52.920
<v Speaker 7>It's actually good that I don't get to say this name.

0:59:53.520 --> 0:59:55.280
<v Speaker 7>Uh So, get to work with them for about a week.

0:59:55.320 --> 0:59:55.440
<v Speaker 5>Man.

0:59:55.480 --> 0:59:57.400
<v Speaker 7>I go up in the studio. Man, I'm waiting there

0:59:57.440 --> 0:59:59.160
<v Speaker 7>and they're telling me. They're like, look, you know, they'll

0:59:59.200 --> 1:00:01.040
<v Speaker 7>be up here in a minute, but right now they're

1:00:01.040 --> 1:00:03.760
<v Speaker 7>playing basketball, and they're gonna be playing basketball for the

1:00:03.840 --> 1:00:11.440
<v Speaker 7>next four hours. Let them wait, let them So, so,

1:00:11.640 --> 1:00:14.040
<v Speaker 7>you know, I'm in I'm in here, right and it's

1:00:14.160 --> 1:00:17.000
<v Speaker 7>me a couple of management stuff like that, and some

1:00:17.160 --> 1:00:20.560
<v Speaker 7>reps of theirs, and uh, they're playing me some records

1:00:20.960 --> 1:00:25.280
<v Speaker 7>that were supposedly put together for me, you know, for

1:00:25.400 --> 1:00:29.760
<v Speaker 7>these sessions' time. Yeah, exactly, So they're playing these records

1:00:29.840 --> 1:00:31.760
<v Speaker 7>for me, you know, and this and the guy he

1:00:31.880 --> 1:00:34.320
<v Speaker 7>keeps doing this one dance he keeps you know.

1:00:34.400 --> 1:00:37.360
<v Speaker 8>And the lights, the lights he keeps name through the

1:00:37.480 --> 1:00:39.760
<v Speaker 8>whole through the whole time he's in front of me.

1:00:39.760 --> 1:00:43.920
<v Speaker 8>He's like you feel that, No, he's hitting it like

1:00:44.280 --> 1:00:45.840
<v Speaker 8>he's in it too, like Knees has been.

1:00:46.080 --> 1:00:48.280
<v Speaker 7>You know what I'm saying. He's in it, you know

1:00:48.320 --> 1:00:52.680
<v Speaker 7>what I'm saying, you know, And and the lights are dim.

1:00:53.120 --> 1:00:54.560
<v Speaker 7>So for me, it's sucking me up because it's like,

1:00:54.640 --> 1:00:56.200
<v Speaker 7>hold on, it's a lot of guys in here, you

1:00:56.240 --> 1:00:57.920
<v Speaker 7>know what I'm saying. It's like a sausage fast going

1:00:57.960 --> 1:01:00.720
<v Speaker 7>on right now. And you're doing the Nayna in front

1:01:00.760 --> 1:01:03.160
<v Speaker 7>of me, so let me hop up and turn these

1:01:03.240 --> 1:01:05.200
<v Speaker 7>lights on first. You know what I'm saying, Let's let's

1:01:05.240 --> 1:01:07.040
<v Speaker 7>let's get let's get some light in here. You know

1:01:07.040 --> 1:01:09.000
<v Speaker 7>what I'm saying, Let's see who's Let's see.

1:01:08.880 --> 1:01:13.959
<v Speaker 5>Whee, who's where?

1:01:15.560 --> 1:01:18.880
<v Speaker 7>Yes, let's see where the hell all of y'all are

1:01:18.920 --> 1:01:23.720
<v Speaker 7>at number one, so you know they're planning. They're playing

1:01:23.720 --> 1:01:26.600
<v Speaker 7>the records for me, and I'm listening to it. I'm like,

1:01:26.720 --> 1:01:29.080
<v Speaker 7>I can't sing this. I can't. I can't sing this,

1:01:29.320 --> 1:01:31.960
<v Speaker 7>like you know, number one, This this song is about

1:01:32.320 --> 1:01:36.200
<v Speaker 7>You're talking about being naked on one and just it's

1:01:36.240 --> 1:01:40.320
<v Speaker 7>not really like a metaphor, it's just being naked. I'm like,

1:01:40.400 --> 1:01:41.919
<v Speaker 7>I don't want to talk about that. And then there's

1:01:41.960 --> 1:01:44.040
<v Speaker 7>another record they're talking about some certain things. I'm like,

1:01:44.080 --> 1:01:45.360
<v Speaker 7>I can't say that because if I go back to

1:01:45.440 --> 1:01:47.080
<v Speaker 7>my hood, they're gonna eat me up for that. They're

1:01:47.080 --> 1:01:48.920
<v Speaker 7>gonna tear me up. I can't do it. So I

1:01:48.960 --> 1:01:51.240
<v Speaker 7>can see it's pissing them off. Like the nay name

1:01:51.440 --> 1:01:54.480
<v Speaker 7>wasn't working, so you know, it can't sell me with

1:01:54.600 --> 1:01:56.680
<v Speaker 7>the nay names. So usually I guess that works. That's

1:01:56.800 --> 1:01:59.840
<v Speaker 7>like top tier. Yeah, And so I'm like, well, look

1:01:59.840 --> 1:02:01.560
<v Speaker 7>how about we take a break, you know what I'm saying,

1:02:01.600 --> 1:02:04.560
<v Speaker 7>And let's go down and go see the basketball game.

1:02:04.960 --> 1:02:06.640
<v Speaker 7>You know what I'm saying, Like, let's go find out.

1:02:07.200 --> 1:02:10.920
<v Speaker 7>I like basketball. Let's get out of here, Let's get out,

1:02:11.600 --> 1:02:14.760
<v Speaker 7>Let's get up. Let's get out of here though, right,

1:02:15.000 --> 1:02:17.840
<v Speaker 7>So we go down to the court, man, and you know,

1:02:18.080 --> 1:02:20.120
<v Speaker 7>this is cussing everybody out.

1:02:20.200 --> 1:02:23.760
<v Speaker 8>Pass me the fucking ball, bitch, Like, like, who's this

1:02:23.800 --> 1:02:24.880
<v Speaker 8>stitch ass nigga shooting?

1:02:24.880 --> 1:02:26.200
<v Speaker 7>As soon as you get this as soon as I

1:02:26.280 --> 1:02:30.440
<v Speaker 7>get down there, he's cussing everyone out. Pass me the

1:02:30.480 --> 1:02:32.840
<v Speaker 7>fucking ball. He got to shoot. If anybody shoot, who's

1:02:32.840 --> 1:02:33.640
<v Speaker 7>the light skinned nigga?

1:02:33.720 --> 1:02:34.360
<v Speaker 2>Just shot the ball?

1:02:34.760 --> 1:02:36.440
<v Speaker 7>Get him off the court. So, I mean, he cussing

1:02:36.480 --> 1:02:39.080
<v Speaker 7>everybody else. You look up, you're trying to play. Hell no,

1:02:39.320 --> 1:02:41.040
<v Speaker 7>I don't want to play this game with you, like,

1:02:41.200 --> 1:02:42.480
<v Speaker 7>you know what I'm saying. I don't play like that,

1:02:42.760 --> 1:02:45.040
<v Speaker 7>you know. So I'm sitting there and I'm watching this

1:02:45.080 --> 1:02:48.240
<v Speaker 7>whole thing, and in the midst of all of this,

1:02:48.480 --> 1:02:51.200
<v Speaker 7>you know, I get a moment to have a conversation

1:02:51.280 --> 1:02:54.480
<v Speaker 7>with this person. Now I opened for this person, uh,

1:02:54.800 --> 1:02:57.439
<v Speaker 7>maybe a month ago, a month earlier. But they don't

1:02:57.520 --> 1:03:02.240
<v Speaker 7>they don't realize that I didn't forget what happened during

1:03:02.320 --> 1:03:06.400
<v Speaker 7>that show. They came probably about an hour late, so

1:03:06.520 --> 1:03:09.000
<v Speaker 7>they didn't see the show, you know. And then when

1:03:09.040 --> 1:03:10.520
<v Speaker 7>they were there, they didn't want to do a meet

1:03:10.560 --> 1:03:13.080
<v Speaker 7>and greet, so I did. And when everybody still came

1:03:13.120 --> 1:03:14.960
<v Speaker 7>for the meet and greet, they came and bombarded me

1:03:15.040 --> 1:03:18.320
<v Speaker 7>out the section to to you know what I'm saying,

1:03:18.840 --> 1:03:20.560
<v Speaker 7>to come to the meeting. You know what I'm saying,

1:03:20.600 --> 1:03:23.280
<v Speaker 7>Like the security guards bumping me out the way, like

1:03:23.360 --> 1:03:24.520
<v Speaker 7>you know what I'm saying, Like I'm trying to get

1:03:24.520 --> 1:03:25.960
<v Speaker 7>a picture with the nigga. I'm like, no, I'm trying

1:03:25.960 --> 1:03:29.360
<v Speaker 7>to finish the pictures that but I'm supposed to be doing,

1:03:29.480 --> 1:03:31.680
<v Speaker 7>you know, but I'm gonna give it to you, bruh.

1:03:31.720 --> 1:03:34.000
<v Speaker 7>You know what I'm saying. It's all you. So fast

1:03:34.040 --> 1:03:35.920
<v Speaker 7>forward to this time. He's sitting here talking, you know,

1:03:36.040 --> 1:03:37.520
<v Speaker 7>and the guy told me before, you know, when you

1:03:37.600 --> 1:03:39.280
<v Speaker 7>meet him, you just make sure you tell him how

1:03:39.320 --> 1:03:41.080
<v Speaker 7>much you love his music. You know, make sure you

1:03:41.160 --> 1:03:44.440
<v Speaker 7>tell him like how great they are, and you know,

1:03:44.640 --> 1:03:47.520
<v Speaker 7>really sell it, really sell it. So you know, I'm like, hey,

1:03:48.720 --> 1:03:52.800
<v Speaker 7>love your music for years, you know, and a big

1:03:52.880 --> 1:03:56.240
<v Speaker 7>fan opened up. Yeah yeah, yeah, I seen you seen

1:03:56.280 --> 1:03:57.720
<v Speaker 7>you opened up for me. I've seen the show.

1:03:57.800 --> 1:03:59.400
<v Speaker 1>It was good. It's good.

1:04:02.040 --> 1:04:04.720
<v Speaker 7>You're a lie motherfucker you you know that. But I'm

1:04:04.720 --> 1:04:08.360
<v Speaker 7>sitting there like, yeah, fish out, you know what I'm saying.

1:04:08.920 --> 1:04:11.720
<v Speaker 7>So he tells me, yeah, yea, we're gonna get upstairs.

1:04:11.760 --> 1:04:12.880
<v Speaker 7>We gonna do some work. You know what I'm saying.

1:04:12.880 --> 1:04:13.800
<v Speaker 7>I'll be up there in a minute.

1:04:13.840 --> 1:04:13.960
<v Speaker 1>You know.

1:04:14.120 --> 1:04:17.720
<v Speaker 7>Boom, So go ahead back up there and wait, you know,

1:04:18.800 --> 1:04:21.600
<v Speaker 7>we get back up there. Needless to say, that was Monday.

1:04:21.840 --> 1:04:26.080
<v Speaker 7>I didn't see him again throughout that rest of that

1:04:26.120 --> 1:04:28.320
<v Speaker 7>whole time. So I just recorded a bunch of music

1:04:28.480 --> 1:04:31.640
<v Speaker 7>that had nothing to do with him or anybody else

1:04:32.040 --> 1:04:34.000
<v Speaker 7>in his studio though in his studio, I used his

1:04:34.120 --> 1:04:36.320
<v Speaker 7>engineers and his studio to go ahead and record.

1:04:36.560 --> 1:04:39.240
<v Speaker 5>He never showed up. He never came from the basketball court.

1:04:39.320 --> 1:04:42.760
<v Speaker 7>Came from the basketball court never. And there were people there.

1:04:42.760 --> 1:04:45.720
<v Speaker 7>There were kids. There was like, like, uh like basketball

1:04:45.760 --> 1:04:49.040
<v Speaker 7>players there, and they were like, I mean, he was

1:04:49.080 --> 1:04:51.520
<v Speaker 7>almost looking like they were trying to try out for

1:04:51.880 --> 1:04:52.280
<v Speaker 7>the team.

1:04:52.760 --> 1:04:52.960
<v Speaker 2>You know what.

1:04:53.000 --> 1:04:56.760
<v Speaker 7>I'm saying, like, people, already what you got? All right,

1:04:56.840 --> 1:04:58.520
<v Speaker 7>we'll see what you got. We're gonna work on that. Jay,

1:04:59.400 --> 1:05:02.680
<v Speaker 7>Like the fuck is going on here? All right, we're done.

1:05:02.760 --> 1:05:04.040
<v Speaker 7>Let me get up out of here, you know what

1:05:04.040 --> 1:05:08.240
<v Speaker 7>I'm saying. So it was definitely a time meeting someone

1:05:08.280 --> 1:05:10.880
<v Speaker 7>that I looked up to and getting to know them

1:05:10.960 --> 1:05:14.240
<v Speaker 7>for real, for real and uh yeah, lesson learned.

1:05:14.280 --> 1:05:14.400
<v Speaker 2>Man.

1:05:14.680 --> 1:05:19.680
<v Speaker 7>After that, I stopped idolizing and just like, hey, niggas

1:05:19.680 --> 1:05:20.440
<v Speaker 7>is niggas.

1:05:20.160 --> 1:05:23.880
<v Speaker 5>Man, what's the same to make your heroes?

1:05:24.440 --> 1:05:25.760
<v Speaker 7>You not to meet your heroes?

1:05:25.800 --> 1:05:25.920
<v Speaker 5>Man?

1:05:26.040 --> 1:05:26.240
<v Speaker 1>Yeah.

1:05:26.480 --> 1:05:29.600
<v Speaker 7>So and then some other ship happened since then, so yeah,

1:05:29.640 --> 1:05:30.160
<v Speaker 7>it makes sense.

1:05:31.240 --> 1:05:36.520
<v Speaker 2>You know what, We're not gonna try to put that.

1:05:44.120 --> 1:05:44.320
<v Speaker 5>Ship.

1:05:46.760 --> 1:05:48.080
<v Speaker 7>Don't even fit, don't even fit me.

1:05:48.600 --> 1:05:49.120
<v Speaker 2>I've tried.

1:05:52.760 --> 1:05:55.240
<v Speaker 7>I felt like the right time, the right time.

1:05:55.320 --> 1:05:59.880
<v Speaker 2>Everybody else was doing sometime. My arms so long, Yeah,

1:06:00.800 --> 1:06:01.240
<v Speaker 2>than just.

1:06:01.280 --> 1:06:03.160
<v Speaker 5>Do ship to make his kids uncomfortable?

1:06:03.920 --> 1:06:07.920
<v Speaker 4>Stop stop, there you go, you're so corny.

1:06:08.120 --> 1:06:08.520
<v Speaker 1>There you go.

1:06:09.480 --> 1:06:16.440
<v Speaker 7>You that's like you know, you know about it? Ask

1:06:16.560 --> 1:06:16.880
<v Speaker 7>about me?

1:06:17.520 --> 1:06:20.280
<v Speaker 2>Google how you get in it?

1:06:22.800 --> 1:06:27.520
<v Speaker 1>Bro? You you you're you're building Yeah, and and and

1:06:28.320 --> 1:06:32.600
<v Speaker 1>and that's the right thing. And it's beautiful that you know,

1:06:32.760 --> 1:06:35.800
<v Speaker 1>like we said, these valleys, you know we we It's

1:06:35.880 --> 1:06:41.040
<v Speaker 1>it's it's easy to you know, to desire to press

1:06:41.160 --> 1:06:44.680
<v Speaker 1>on and to have the have the fire burning and

1:06:44.760 --> 1:06:48.000
<v Speaker 1>all these things when you out the mountaintop right. But

1:06:48.160 --> 1:06:50.800
<v Speaker 1>it's but but it's when the light is not so lit.

1:06:51.360 --> 1:06:53.200
<v Speaker 1>You understand what I'm saying. It's when you say, man,

1:06:53.480 --> 1:06:55.760
<v Speaker 1>we got drop what were about to do? It's at

1:06:55.840 --> 1:07:00.880
<v Speaker 1>those moments that you figure out what you are, you

1:07:00.920 --> 1:07:02.600
<v Speaker 1>know what I'm saying, and what's really in you?

1:07:03.600 --> 1:07:04.080
<v Speaker 2>Straight up?

1:07:04.640 --> 1:07:06.640
<v Speaker 1>You really gotta.

1:07:06.800 --> 1:07:07.840
<v Speaker 2>Love this ship.

1:07:08.640 --> 1:07:10.600
<v Speaker 1>To do what you're doing, to do what you all

1:07:10.640 --> 1:07:13.200
<v Speaker 1>are trying to do well, to do what you all

1:07:13.200 --> 1:07:16.200
<v Speaker 1>are doing and going to do more of, you gotta

1:07:16.520 --> 1:07:22.200
<v Speaker 1>love this ship. And that's what That's the gem that

1:07:22.320 --> 1:07:26.680
<v Speaker 1>I hope everybody takes from from this, is that you

1:07:26.880 --> 1:07:31.320
<v Speaker 1>love it so much that you're willing to carve out

1:07:33.280 --> 1:07:38.800
<v Speaker 1>the piece that is yours and build that motherfucker from

1:07:38.840 --> 1:07:40.840
<v Speaker 1>the ground up. If you want to come see me,

1:07:41.520 --> 1:07:42.680
<v Speaker 1>we'll be right over here.

1:07:44.000 --> 1:07:45.400
<v Speaker 5>Right over here, period.

1:07:45.800 --> 1:07:46.680
<v Speaker 2>Come on see me. Man.

1:07:47.240 --> 1:07:53.920
<v Speaker 1>We ain't bother nobody, just a little ruta.

1:07:51.800 --> 1:07:52.440
<v Speaker 7>Where it ain't.

1:07:54.360 --> 1:07:56.280
<v Speaker 2>I tell you, at this episode.

1:07:57.440 --> 1:08:01.880
<v Speaker 7>Where they can figure it out.

1:08:03.520 --> 1:08:06.840
<v Speaker 1>Yeah, we so you brother, your family, you always like

1:08:06.920 --> 1:08:09.240
<v Speaker 1>you know, you always got a home, you always got brothers,

1:08:09.280 --> 1:08:10.920
<v Speaker 1>you always got support over here. You know that.

1:08:11.000 --> 1:08:12.120
<v Speaker 7>Appreciate that real ship.

1:08:12.160 --> 1:08:14.560
<v Speaker 1>But you want to reiterate that, make sure they know that. Yeah,

1:08:14.640 --> 1:08:16.879
<v Speaker 1>you know you got family, you got you have structure,

1:08:16.920 --> 1:08:19.560
<v Speaker 1>you got foundation, you got fucker's riding for you and

1:08:19.600 --> 1:08:20.080
<v Speaker 1>around with you.

1:08:20.960 --> 1:08:22.640
<v Speaker 7>Come on, you know what I'm saying, And I mean

1:08:22.680 --> 1:08:24.680
<v Speaker 7>a lot though coming from grapes man, y'all, y'all some

1:08:24.800 --> 1:08:27.479
<v Speaker 7>great whites out here. Man, for real, For what y'all?

1:08:27.640 --> 1:08:29.160
<v Speaker 7>Did you know what I'm saying? We following none of that.

1:08:29.680 --> 1:08:32.000
<v Speaker 7>I'm like I said, going back to the YouTube days. Man,

1:08:32.040 --> 1:08:38.240
<v Speaker 7>you know what I'm saying, going back on seeing don't

1:08:38.280 --> 1:08:39.680
<v Speaker 7>you do it? Don't you.

1:08:42.000 --> 1:08:42.599
<v Speaker 1>Leave it alone?

1:08:43.400 --> 1:08:44.040
<v Speaker 2>Leave it alone?

1:08:44.320 --> 1:08:44.479
<v Speaker 1>Man?

1:08:45.280 --> 1:08:46.880
<v Speaker 7>Just know what you know what I'm saying. But yeah, bro,

1:08:47.040 --> 1:08:49.599
<v Speaker 7>Like I said, man, just you know even even how

1:08:49.640 --> 1:08:52.080
<v Speaker 7>you how you how you've done your thing. Man, you

1:08:52.120 --> 1:08:53.960
<v Speaker 7>know what I'm saying, like from top to bottom, being

1:08:54.000 --> 1:08:56.240
<v Speaker 7>able to watch that. You know what I'm saying, being

1:08:56.320 --> 1:08:58.559
<v Speaker 7>from the same soil, bro, Like you know what I mean,

1:08:58.640 --> 1:09:01.320
<v Speaker 7>that's that's that's kind of like being the motto for

1:09:01.400 --> 1:09:02.840
<v Speaker 7>a lot of this. You know what I mean is

1:09:02.880 --> 1:09:04.559
<v Speaker 7>the ones before us. You know what I'm saying, y'all

1:09:04.640 --> 1:09:06.960
<v Speaker 7>laid foundations out man, you know what I mean. And

1:09:07.080 --> 1:09:09.720
<v Speaker 7>like I said, we were coming in now just giving it,

1:09:10.040 --> 1:09:12.160
<v Speaker 7>giving it our version. You know what I mean of it.

1:09:13.520 --> 1:09:15.720
<v Speaker 7>I appreciate that because we there is no there is

1:09:15.800 --> 1:09:17.160
<v Speaker 7>no this without without that.

1:09:17.400 --> 1:09:21.000
<v Speaker 5>Yeah, you got our appreciation. Like you said, you made

1:09:21.040 --> 1:09:21.599
<v Speaker 5>that phone call.

1:09:21.760 --> 1:09:24.880
<v Speaker 7>Yeah, it made this work exactly absolutely in the instant too.

1:09:24.960 --> 1:09:26.479
<v Speaker 7>You know what I'm saying. That's when you know, because

1:09:26.800 --> 1:09:28.680
<v Speaker 7>like you said, man, going through that, going through the

1:09:28.800 --> 1:09:31.120
<v Speaker 7>valleys where you know you had them times where nobody

1:09:31.200 --> 1:09:34.240
<v Speaker 7>answering the phone, Bro, nobody's picking up, nobody's calling you.

1:09:34.360 --> 1:09:36.519
<v Speaker 7>You know, they asking you for your ID at the door.

1:09:37.040 --> 1:09:39.400
<v Speaker 7>You know what I'm saying again, you feel me like

1:09:39.760 --> 1:09:42.320
<v Speaker 7>two a m what nigga? What was your ID? You

1:09:42.439 --> 1:09:42.760
<v Speaker 7>feel me?

1:09:43.960 --> 1:09:44.480
<v Speaker 1>Security?

1:09:44.560 --> 1:09:45.200
<v Speaker 2>That worked for me?

1:09:45.560 --> 1:09:46.000
<v Speaker 7>You feel me?

1:09:48.360 --> 1:09:50.840
<v Speaker 5>Wait a minute, we don't have to go find him, man,

1:09:50.960 --> 1:09:52.040
<v Speaker 5>so he can apologize.

1:09:52.080 --> 1:09:58.320
<v Speaker 1>Once we started together. To every other episode, I bring

1:09:58.400 --> 1:10:01.800
<v Speaker 1>it there there you go. Yeah, I'm gonna say, we

1:10:01.920 --> 1:10:02.760
<v Speaker 1>gotta find bro.

1:10:03.880 --> 1:10:04.479
<v Speaker 5>Just go ahead back.

1:10:04.520 --> 1:10:07.240
<v Speaker 7>You know what, that's my nigga to I was just

1:10:07.320 --> 1:10:07.920
<v Speaker 7>doing my job.

1:10:09.520 --> 1:10:09.920
<v Speaker 5>The head.

1:10:10.400 --> 1:10:12.000
<v Speaker 1>Yeah, he made me wait for Jamie to get to

1:10:12.040 --> 1:10:12.400
<v Speaker 1>the club.

1:10:12.720 --> 1:10:16.000
<v Speaker 7>Oh oh my god. But see it beat them things

1:10:16.040 --> 1:10:18.600
<v Speaker 7>and then moments where you see you feel me. Let

1:10:18.600 --> 1:10:20.240
<v Speaker 7>me keep working, Let me keep doing what I'm doing

1:10:20.320 --> 1:10:26.920
<v Speaker 7>that he ain't feeling that. He ain't feeling that, Nigga.

1:10:28.640 --> 1:10:34.680
<v Speaker 1>When I say it was dry dry, I live in

1:10:34.720 --> 1:10:35.840
<v Speaker 1>a rancho google manga.

1:10:36.520 --> 1:10:37.599
<v Speaker 5>Listen, that's the ship is about.

1:10:38.080 --> 1:10:45.440
<v Speaker 1>I tell everybody it's all this is par for the course, nigga, repossessions, foreclosure,

1:10:46.120 --> 1:10:48.640
<v Speaker 1>straight you know what I'm saying. All this is par

1:10:48.880 --> 1:10:49.599
<v Speaker 1>for the course.

1:10:49.760 --> 1:10:55.200
<v Speaker 2>If you love this ship, the sacrifice is immense straight up.

1:10:55.520 --> 1:10:55.720
<v Speaker 1>Yeah.

1:10:56.520 --> 1:11:00.479
<v Speaker 2>Things suffer on the account of greatness.

1:11:01.520 --> 1:11:06.800
<v Speaker 1>They have to. It's an greatness is an imbalance, say

1:11:06.880 --> 1:11:08.840
<v Speaker 1>that as he says, obsession.

1:11:09.840 --> 1:11:10.920
<v Speaker 2>It's an imbalance.

1:11:11.000 --> 1:11:14.080
<v Speaker 1>It's not natural, which is why most people can't understand it,

1:11:14.120 --> 1:11:15.720
<v Speaker 1>which is why a lot of people hate it.

1:11:17.280 --> 1:11:20.680
<v Speaker 7>Hate lebron Lebronry, just.

1:11:22.240 --> 1:11:22.759
<v Speaker 2>Hate Floyd.

1:11:24.560 --> 1:11:28.200
<v Speaker 1>How do you how do you hate great mm hmm

1:11:29.520 --> 1:11:32.000
<v Speaker 1>when your mission on your on your quest to be great,

1:11:33.120 --> 1:11:34.519
<v Speaker 1>enjoy the imbalance.

1:11:34.280 --> 1:11:35.519
<v Speaker 7>Straight up, straight up.

1:11:35.600 --> 1:11:36.240
<v Speaker 5>Talk to that man.

1:11:40.680 --> 1:11:41.280
<v Speaker 7>You gotta.

1:11:44.680 --> 1:11:50.160
<v Speaker 2>Yeah, I'm stealing that that that fire.

1:11:51.280 --> 1:11:52.080
<v Speaker 1>Thank you again. Brother.

1:11:52.160 --> 1:11:54.840
<v Speaker 2>We can't thank you enough. Man. You know we love y'all.

1:11:54.880 --> 1:11:57.560
<v Speaker 2>We we we we're glad we hear you.

1:11:58.360 --> 1:11:58.840
<v Speaker 1>Celebrate this.

1:11:59.000 --> 1:11:59.599
<v Speaker 2>Ladies and gentlemen.

1:11:59.600 --> 1:12:01.320
<v Speaker 5>My name is I'm Jay Valentine.

1:12:01.800 --> 1:12:05.720
<v Speaker 1>This has been the R and B Money Podcast, the

1:12:05.800 --> 1:12:08.760
<v Speaker 1>authority of R and B. As you brought it in,

1:12:08.840 --> 1:12:09.479
<v Speaker 1>you close it out.

1:12:11.080 --> 1:12:16.480
<v Speaker 4>This thing right here, special moments. Man, this is the reintroduction,

1:12:17.520 --> 1:12:21.040
<v Speaker 4>like this is the music business. Don't get confused. You

1:12:21.200 --> 1:12:24.439
<v Speaker 4>see people one day, you will see us again because

1:12:24.479 --> 1:12:26.320
<v Speaker 4>we keep going, We keep this thing rocking.

1:12:26.880 --> 1:12:28.479
<v Speaker 5>We bring this thing to life.

1:12:28.720 --> 1:12:31.639
<v Speaker 4>Music is something that you cannot just put your hands

1:12:31.680 --> 1:12:33.960
<v Speaker 4>on and tell somebody that it's one thing.

1:12:34.479 --> 1:12:35.280
<v Speaker 2>It's all things.

1:12:36.439 --> 1:12:38.960
<v Speaker 5>But find your way in this shit, find your way

1:12:40.360 --> 1:12:42.120
<v Speaker 5>to make your mark.

1:12:42.960 --> 1:12:45.880
<v Speaker 4>Our young brother then came here and he didn't gave

1:12:45.920 --> 1:12:50.519
<v Speaker 4>y'all real independent gang, real independent game. Where we're really

1:12:50.600 --> 1:12:52.960
<v Speaker 4>taking this R and B thing now, shout out to

1:12:53.080 --> 1:12:58.759
<v Speaker 4>all the artists, pay attention, watch this path. I promise

1:12:58.840 --> 1:13:01.559
<v Speaker 4>you you will see this in a whole nother space

1:13:01.680 --> 1:13:04.640
<v Speaker 4>in a couple of years, whole nother space, and.

1:13:04.640 --> 1:13:06.880
<v Speaker 5>You be damn you watched them going to R and

1:13:06.960 --> 1:13:09.640
<v Speaker 5>B Money podcasts straight up. Now you're talking about this

1:13:09.720 --> 1:13:14.080
<v Speaker 5>catalog is worth what this thing is really about? Man,

1:13:14.120 --> 1:13:15.920
<v Speaker 5>That's what this R and B thing and this R

1:13:15.960 --> 1:13:18.040
<v Speaker 5>and B thing. It's me and my young brother are

1:13:18.080 --> 1:13:20.720
<v Speaker 5>both from the stayer from home. We have stood in

1:13:20.760 --> 1:13:22.880
<v Speaker 5>front of them. We're gonna continue to stand in rot

1:13:22.920 --> 1:13:25.840
<v Speaker 5>and play up. So I'm gonna need y'all to put.

1:13:25.720 --> 1:13:35.479
<v Speaker 2>You'all hands together, A yeah, yeah, R and B Money.

1:13:36.640 --> 1:13:38.400
<v Speaker 4>R and B Money is a production of the Black

1:13:38.439 --> 1:13:43.160
<v Speaker 4>Effect podcast Network. For more podcasts from iHeartRadio, visit the

1:13:43.320 --> 1:13:47.120
<v Speaker 4>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:13:47.160 --> 1:13:51.040
<v Speaker 4>favorite shows. Don't forget to subscribe to and rate our show,

1:13:51.400 --> 1:13:54.000
<v Speaker 4>and you can connect with us on social media at

1:13:54.080 --> 1:13:58.280
<v Speaker 4>Jay Valentine and at the Real Tank. For the extended episode,

1:13:58.439 --> 1:14:02.600
<v Speaker 4>subscribe to YouTube dot com, forward slash R and B

1:14:02.760 --> 1:14:03.000
<v Speaker 4>Money