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Speaker 1: Do you play against a supercrip at all?

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Speaker 2: Absolutely? I played with Supercri.

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Speaker 1: Yeah, yeah, David Hamilton. I need to holler that bro too.

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Speaker 2: Yeah, Dave Bro. They will put this nigga in the

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Speaker 2: Compton Sentinel or newspaper and say David super Crip Hamilton,

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Speaker 2: which is crazy the paper. The nigga nickname made the paper, Bro,

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Speaker 2: And and and you went to college's called the nigga

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Speaker 2: super Supercrip for three You're like, nigga what mm hmmm

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Speaker 2: mm hmm.

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Speaker 1: Welcome Back All Star twenty twenty six EU lay. This

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Speaker 1: episode is presient you by money Line. Download the money

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Speaker 1: Line app or visit moneyline dot com to learn more.

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Speaker 1: My line making money easy. The guests here is second

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Speaker 1: time around. He's actually a part of the Just Trained

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Speaker 1: family now too. For those of you I don't know,

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Speaker 1: we in the gym getting right. Man just dropped two

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Speaker 1: mixtapes documentary three on the way. Welcome to the show,

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Speaker 1: Brother the program game.

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Speaker 3: Sure it's something my boy.

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Speaker 2: Happy to be here.

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Speaker 3: Man, we're here.

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Speaker 1: I mean we were just talking about kids. Let's pick

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Speaker 1: up their dad. So you got twenty three, eighteen and fifteen.

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Speaker 2: What is one and baby?

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Speaker 3: That's right?

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Speaker 1: Baby, baby boy or girlby boy boy? What is what

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Speaker 1: is fatherhood? Because someone said, we said we had a

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Speaker 1: picture for the I don't know. We had a young

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Speaker 1: picture that nigga right.

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Speaker 2: There, that's twenty four.

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Speaker 1: Right, And someone asked him what kind of changed his

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Speaker 1: mental and he said, you know when his daughter Calli

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Speaker 1: was born. But what is fatherhood? How do you feel

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Speaker 1: like fatherhood has made you a better person and a

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Speaker 1: better man?

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Speaker 2: You just you know what it really did us? Right,

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Speaker 2: It's like you got to care about other people more

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Speaker 2: than you care about yourself. That's number one. You know,

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Speaker 2: you got these little people and uh it, And I

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Speaker 2: know you know, y'all like me like we're gonna go,

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Speaker 2: you know, all the way out behind ours and so

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Speaker 2: it I look at life in the full spectrum, right,

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Speaker 2: and I say, it's a lot of people violating people

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Speaker 2: out here, right, And I come to that, you know,

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Speaker 2: that fourth in a row where I'm like, well, it

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Speaker 2: couldn't be mine, right, So you see when somebody run

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Speaker 2: up on somebody's son or do this, I'll be like, man,

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Speaker 2: it's gonna be over. So I like, literally, you know,

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Speaker 2: when from that age to even to this day, you know,

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Speaker 2: we forties. Man, we we here. You know what I'm saying.

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Speaker 2: We lived there, you know, pretty pretty long time. But

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Speaker 2: like I tell everybody on any camera as much as

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Speaker 2: I can, like if you play with mine, you're gonna

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Speaker 2: play yourself all the way out because I'm going all

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Speaker 2: the way out. I understand in full what comes with

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Speaker 2: my decision. But my decision was made when it was born.

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Speaker 2: It's like it's it's it. And you know where we're from, man,

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Speaker 2: you know, we had you know, outlets, basket all and

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Speaker 2: wrapping all of that to pull us out, but we

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Speaker 2: still who we are, you know. And then when we

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Speaker 2: come in to a point where we're watching our kids

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Speaker 2: grow and and we're looking around at the world, how

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Speaker 2: it is now like every every day you got you

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Speaker 2: got kids. You know what I'm saying, you got kids,

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Speaker 2: I got kids. Every time my kids leave the house,

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Speaker 2: you know, outside of the one year old, they go

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Speaker 2: three different places. And so we we and trust school

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Speaker 2: programs and teachers and you know that, you know, that

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Speaker 2: type of structure to watch our kids during the day,

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Speaker 2: and we want it. We just want them back home

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Speaker 2: safe at the end of the day. So it's like

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Speaker 2: every day we we you know, throwing our children on

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Speaker 2: the craft table out here into the world. So it's

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Speaker 2: like mind's man, they all I got. You know what

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Speaker 2: I'm saying. I not that I don't care about myself.

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Speaker 2: I love myself, but I love myself even more because

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Speaker 2: I gotta. I want to be there to walk my

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Speaker 2: daughter down the aisle. My son twenty three years old,

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Speaker 2: he still don't. He ain't non adult like you know

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Speaker 2: we was. We was in this. I was in the streets.

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Speaker 1: We left life experience because they wasn't out in the streets.

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Speaker 2: Not outside at all. I remember my moms used to

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Speaker 2: go to work at the post office boy and wouldn't

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Speaker 2: she a leave at like midnight and wouldn't come back

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Speaker 2: home till ten am. You know that was like Monday

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Speaker 2: through Saturday. So it's like we was just waking up

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Speaker 2: eight years old, making the salami sandwiches and spam and

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Speaker 2: then hitting the block and be going outside and she

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Speaker 2: locked the door. You know what I'm saying.

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Speaker 1: Back here, we couldn't be inside, like get outside, you

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Speaker 1: can't come in the hell.

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Speaker 2: Man these days, man, you drive by a park man,

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Speaker 2: you see the corn lady she out there, do lo

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Speaker 2: You know what I'm saying, it's just it's just it's

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Speaker 2: a different vibe.

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Speaker 3: Man.

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Speaker 1: Yeah, what inspired you to get in shape? You've been

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Speaker 1: back in the gym, fucking with Bosson and the rest

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Speaker 1: of us.

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Speaker 2: You know what it is, Man's my pops died from

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Speaker 2: a heart attack and in twenty eighteen, right, so that's

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Speaker 2: number one, like that is that's my blood line. That's

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Speaker 2: you know, my old man. So he died from a

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Speaker 2: heart attack sixty five years old. My mom has you know,

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Speaker 2: a pacemaker that's keeping her going every day, and you

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Speaker 2: know she she in the hospital now and she's about

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Speaker 2: to get out of there. But those are my parents, right,

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Speaker 2: so you look at you know, my father died from

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Speaker 2: you know, cardio problems. My mom has you know, cardio history,

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Speaker 2: and so me as their direct link their son. I

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Speaker 2: gotta be intentional about like getting it in so you

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Speaker 2: know I'm in there before I got in there with you.

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Speaker 2: I'm still every day I'm three to five miles just

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Speaker 2: just whether I'm walking and running, I'm doing something. I'm

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Speaker 2: keeping it moving because my grandmother told me before she passed,

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Speaker 2: like you know, when you stop, when you stop moving

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Speaker 2: your body, think you you're chilling. It's over you exactly.

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Speaker 2: So it's like that. So I mean, you know, as

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Speaker 2: we and you know, we athletes, I ain't you know,

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Speaker 2: as good as your well I am.

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Speaker 1: But we've been there.

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Speaker 2: Yeah, man. But you know, you know, these days we

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Speaker 2: gotta really, we gotta really look in the mirror and

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Speaker 2: get adapted to where we are now in life. And

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Speaker 2: we got to make those make changes, you know what

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Speaker 2: I'm saying. So this is where we're at.

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Speaker 4: First day, decided to wrap, and now you pitch yourself,

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Speaker 4: still rapping, and you're still where you at twenty years later.

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Speaker 2: When I was young, man, I was just talking shit.

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Speaker 2: I thought I would I thought I would be I

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Speaker 2: never thought I would get old, you know what I'm saying. Like,

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Speaker 2: I was just young and I was going crazy. I

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Speaker 2: remember when I came in a second album, I was like,

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Speaker 2: you know, I'm twenty six, so it's the doves. You know,

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Speaker 2: you're still rapping thirty eight? Ugh, you know what I'm saying. Yeah,

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Speaker 2: I'm forty six. You know what I'm saying, I'm eight

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Speaker 2: past the shit talking. So it's like, but you know what, man,

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Speaker 2: you know what makes it cool these days is to

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Speaker 2: see you know, the clips I think Malice might be

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Speaker 2: like fifty two and pushing like forty eight or something

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Speaker 2: like that. You know, whenever Whole or nas Drop Project projects,

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Speaker 2: they both they yeah, bun, they both fifty. So it's

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Speaker 2: like guys that could really do it are still doing this.

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Speaker 2: So you know, as long as it's open season on

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Speaker 2: a skills on the skill set being you know, top tier,

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Speaker 2: I feel like everybody should do it.

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Speaker 4: The state of hip hop, you know, I know me,

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Speaker 4: I look at things a lot of different ways. And

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Speaker 4: you know, even when I came out here, when I

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Speaker 4: was with Loan doing the George for a time, man,

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Speaker 4: you had a chance to talk on the phone.

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Speaker 3: About some stuff.

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Speaker 4: But the state of hip hop with the social media

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Speaker 4: and a lot of stuff is fake. You know, it's

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Speaker 4: a lot of out list that's giving false information, wrong information,

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Speaker 4: and it's kind of putting a bad image on hip

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Speaker 4: hop where it's not about you know, being the lyricist

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Speaker 4: and your craft no more. It's about all the bullshit

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Speaker 4: that's involved and they were getting famous and hip hop.

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Speaker 3: What you think about that? Now?

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Speaker 2: I used to love what I love about hip hop

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Speaker 2: and then hate what I hated, But now I kind

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Speaker 2: of just see it from everybody through everybody's lens. You

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Speaker 2: know what I'm saying. It's like, I think my favorite

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Speaker 2: new artist is probably NBA Young Boy, and I don't

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Speaker 2: listen to him all day, but I love that. You know,

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Speaker 2: a nigga like that, as young as he is, got

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Speaker 2: the fan base that he got because he is like

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Speaker 2: Tupac to these little whyans, you know what I'm saying.

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Speaker 2: You can't tell him nothing because when Tupac died, they

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Speaker 2: wasn't even born, bro right, So they don't understand what.

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Speaker 2: They don't understand it how we understand it. So if

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Speaker 2: I'm going coexists, you know with these young casts, I

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Speaker 2: gotta like walk in these shoes a little bit, you

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Speaker 2: know what I'm saying, And if I run into them,

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Speaker 2: then I'm gonna bring them up to speed on where

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Speaker 2: I'm at and how to have longevity and this shit.

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Speaker 2: But I stopped like just hating on certain aspects of

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Speaker 2: hip hop just because it don't you know, just because

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Speaker 2: hip hop don't bend the block on my street every day,

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Speaker 2: don't mean that I you know, I gotta like feel

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Speaker 2: a certain way about it. So I'm just embracing everybody

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Speaker 2: and everything I've just seen this post on Instagram where

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Speaker 2: it was like, you know, like I think Kendrick's tour

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Speaker 2: was like three hundred and something million, and Drake's tour

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Speaker 2: was like three hundred something million, and Usher was three

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Speaker 2: hundred something million, and Breezy was three hundred something million,

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Speaker 2: and then Michael Jackson was like on the second row

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Speaker 2: with like one hundred and sixty five million, you know, gross,

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Speaker 2: like you know, income, and I was just like, it's

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Speaker 2: still it's still money out there to be gotten. Bro,

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Speaker 2: these brought these these dudes just like breaking Mike's records

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Speaker 2: and you know, you know Michael Jackson is to it

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Speaker 2: ain't no bigger than that. So I mean, if you

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Speaker 2: can surpass anything, then Mike has done. You know. It's

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Speaker 2: I think it's all right.

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Speaker 4: Shout Out might be favorite with the rapper Rhapsody and

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Speaker 4: Lauren Hill talk about feminism and hip hop.

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Speaker 2: Yeah, feminism and hip hop. It's just funny man, because

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Speaker 2: you know we we came up. It was like you know,

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Speaker 2: Missy and uh and and like even when I was younger,

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Speaker 2: MC light and Corn Latifa and Foxy Brown, little Kim

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Speaker 2: and we we had the money love yeah, money love

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Speaker 2: for sure. We had our uh boss Lady of Raige.

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Speaker 2: You know what I'm saying, Uh, we had these rappers

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Speaker 2: and but we we can count them on two hands,

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Speaker 2: you know what I'm saying. Now, it's they everywhere.

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Speaker 3: But I think every doll it's a doll, it's dolls.

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Speaker 4: It's little dog, white right dog doll, soft dog, kitty doll,

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Speaker 4: pitbull doll, doll, doll, baby doll, doll, everything.

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Speaker 2: You know what I wish though, I wish that I

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Speaker 2: wish it was a little bit more originality with naming

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Speaker 2: yourself something. But again, we we just talked about you

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Speaker 2: just talked about you know, this generation like they see

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Speaker 2: and they just kind of like, you know, stealing car

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Speaker 2: that way, you know what I'm saying. So it's like, Okay,

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Speaker 2: he's little Wayne. Well I'm gonna be a little baby

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Speaker 2: and you know not you know not you know, shooting

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Speaker 2: at nobody. But I mean it's just like if it

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Speaker 2: ain't broke ship, you know, don't try to fix it.

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Speaker 4: Yeah, but that's the thing what you just said. I

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Speaker 4: like about a young boy. He authentic itself exactly like nobody.

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Speaker 4: Ain't trying to fit in with nobody. And I think

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Speaker 4: that's why you're having a success, bro, because he's so authentic. Yeah,

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Speaker 4: in the world of copycats, and if you look at it,

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Speaker 4: you know, you know, on a wide scale. Man, he's

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Speaker 4: been through some ship. You know what I'm saying. He

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Speaker 4: got he got some kids too. We all talked about market.

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Speaker 2: I think he'll be a young boy. Might got all

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Speaker 2: three of us be combined. But uh, you know, but

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Speaker 2: that's like my pops. My pops was I'm like the

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Speaker 2: I'm like somewhere in the middle upper half of like

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Speaker 2: eighteen children. You know what I'm saying, a lot of

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Speaker 2: people don't know that rolling he was a boy, that

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Speaker 2: it was a dirt rock boy. He wasn't rolling picked

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Speaker 2: up more dirty he went. Man. But yeah, man, So

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Speaker 2: it's like, you know when I see the you know,

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Speaker 2: Nick Cannons and the NBA young Boy, Stefan Diggs and

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Speaker 2: all of that, Yeah, I just be feeling like, Yeah,

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Speaker 2: I could just keep on going. Man, as a man

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Speaker 2: is easy. But what where I got to be better at?

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Speaker 2: We got to be better at as men is you

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Speaker 2: got to have conversation with your woman or these women

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Speaker 2: and get out in front of you know, the bullshit

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Speaker 2: and let them know, Hey, I just want to, you know,

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Speaker 2: you know, put the seed in you. I'm trying to

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Speaker 2: like make sure that you know, my legacy is spread

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Speaker 2: out so if you come to some type of agreement,

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Speaker 2: you know, which I'm sure Nick Cannon has. I see

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Speaker 2: how Nick Cannon ten places on Christmas Boy with elaborate

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Speaker 2: photo shoots boy clean. So it's like, yeah, what we got.

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Speaker 2: And I think, you know, for both men and women,

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Speaker 2: you know, in relationships, whether it's serious or whether it's batonic,

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Speaker 2: or whether it's like just chill, you know, we just

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Speaker 2: like sneaky Lincoln whatever, you just kind of got to

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Speaker 2: get in front of it.

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Speaker 4: Man.

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Speaker 2: I remember how bad lying to people really or lying

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Speaker 2: the women really hurt. And then I understood, you know

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Speaker 2: as I got older, like if you just tell the truth, ship,

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Speaker 2: you know, your girl might be under a little bit

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Speaker 2: more understanding man. So it's like, yeah, we gotta be.

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Speaker 1: We had a deep guy on this with Kurt Franklin,

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Speaker 1: me and him dog and who was it Dion Cole, Yeah,

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Speaker 1: Dion Cole just having that conversation and big boy, big boy, Yeah,

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Speaker 1: I was it was It was dope. That was a

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Speaker 1: dope conversation.

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Speaker 3: I like that.

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Speaker 2: Yeah, I can't be around Kurt Franklin without singing stomp

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Speaker 2: in my head. So that's what I was doing. I

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Speaker 2: was trying to talk and then like come on, but yeah, hey,

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Speaker 2: Kirk is a wonderful, wonderful human being man, even forgetting

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Speaker 2: us together. I felt like I watched a lot of them,

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Speaker 2: you know what I'm saying, A lot of those uh

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Speaker 2: you know his shows, ours hit a little different, you know,

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Speaker 2: and I just felt like I was surrounded by the

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Speaker 2: realists of the realist and we had a we had

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Speaker 2: a good chat, man and that food.

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Speaker 1: You just had a chef there. Why you're talking.

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Speaker 2: Man fire.

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Speaker 4: We talked about, you know, like the state of hip hop,

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Speaker 4: but internet trolls, Like it's a lot of people that

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Speaker 4: have a lot of say so in hip hop.

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Speaker 3: That don't even wrap you know what I'm saying.

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Speaker 4: You got you got guys like academics who say things

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Speaker 4: and spill things between rappers, but at the end of

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Speaker 4: the day, you're not even a rapper, you know what

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Speaker 4: I'm saying. And it's a lot of people that have

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Speaker 4: opinion that's not proven. They haven't really done nothing. What

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Speaker 4: you think about so many people having opinions in hip

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Speaker 4: hop and they haven't done nothing in hip hop to

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Speaker 4: warrant that the opinion.

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Speaker 2: I think, you know, sometimes I just think that it's

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Speaker 2: a goofy time, like they don't A lot of this

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Speaker 2: ship ain't built on principle, right, and they don't have

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Speaker 2: to be built on no more. Again, before I get

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Speaker 2: to slandering anybody, I just gotta understand what it is.

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Speaker 2: If you understand what it is, man, and you look

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Speaker 2: at it and you be like, you know, like move around,

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Speaker 2: everybody can't be something. Yeah, but then you know, you know,

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Speaker 2: for for academics or anybody else in media that is

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Speaker 2: you know, doing that kind of like cognitive reporting and

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Speaker 2: not really you know, raised on super Street principles. You

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Speaker 2: just got to like know that ship. One day somebody

305
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Speaker 2: might not be with on the bullshit that you want,

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Speaker 2: you know what I'm saying. So it's like that's why,

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Speaker 2: that's that's what I'm saying. So it's like and it

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Speaker 2: ain't even just him, it's just it's a lot of

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Speaker 2: that going around, and it's a lot of cloud thing.

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Speaker 2: I guess that's how you climb the social ladder today today.

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Speaker 2: But it's I mean, I know for sure it's still

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Speaker 2: it's still niggas out there that will run into you

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Speaker 2: and run run you over. So I mean again, I'm

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Speaker 2: not here to tell nobody what to do. I'm just

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Speaker 2: like you know, a lot of them know not to

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Speaker 2: play with my name because it's like you know, I'm

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Speaker 2: not saying I'm uh, you know, Debo or Incredible Hope,

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Speaker 2: but we're not like it. But when I see you,

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Speaker 2: we're don't address it because I lose sleep over, not

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Speaker 2: stand in tend on how I feel. I'm not doing it.

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Speaker 2: That's not how I raised my kids, and they're not.

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Speaker 2: They're not.

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Speaker 3: They not.

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Speaker 2: I raised my men, my sons to be stand up men.

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Speaker 2: But like all the you know, all the bullshit and

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Speaker 2: all the street shit or whatever. I just tell him

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Speaker 2: to call me if I told you know, my middle

328
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Speaker 2: son is the most like me. But I tell them, bro,

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Speaker 2: you don't. You don't engage in road rage. You know

330
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Speaker 2: what I'm saying. You be patient with that. If you

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Speaker 2: feel like somebody is you know, on you, and you

332
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Speaker 2: feel like you don't like the situation, you feel any

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Speaker 2: type of energy, y'all, just call me, bro. I'll pulled

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Speaker 2: right up on you. We don't get to it. You

335
00:15:20,480 --> 00:15:22,240
Speaker 2: know what I'm saying, you can go on and push off.

336
00:15:22,680 --> 00:15:25,800
Speaker 2: So it's like, yeah, with me, just don't play with me.

337
00:15:25,920 --> 00:15:27,640
Speaker 2: I'm not gonna play with you like that. I'm not

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Speaker 2: from that era. And a lot of people say, oh, man,

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Speaker 2: you know you're almost fifty years old. I don't give it,

340
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Speaker 2: and I could be eighty. I'm gonna see you about

341
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Speaker 2: the bullshit, bro. And that's just how it is. That's

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Speaker 2: how it was raised by my uncle, my daddy, my

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Speaker 2: even my mama, my mama. Anybody know my mom and

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Speaker 2: my mama's well known all throughout La man, especially you know,

345
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Speaker 2: growing up and being from Hoover and being tied in

346
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Speaker 2: the streets and being a club promoter and owning clubs

347
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Speaker 2: and different stuff like my mama. I watched my mam

348
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Speaker 2: and Dan there trying to blow my daddy's face off

349
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Speaker 2: broad day, So it's like, I'm not my family. Don't

350
00:15:57,800 --> 00:15:58,520
Speaker 2: play no games.

351
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Speaker 4: Basically, what we were saying to y'all out there is

352
00:16:01,000 --> 00:16:03,600
Speaker 4: do your homework for your report ship and stop worrying

353
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Speaker 4: about being first and being wrong.

354
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Speaker 3: Get your ship right, man? Was it?

355
00:16:07,440 --> 00:16:09,880
Speaker 4: I me the better better back in the day than

356
00:16:09,920 --> 00:16:14,760
Speaker 4: it is now. You know, like we had to source magazine.

357
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Speaker 2: Because I was looking. You know, you would get it

358
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Speaker 2: and you would be like, oho, got five mics right now,

359
00:16:17,800 --> 00:16:19,640
Speaker 2: And then when I came in, I was like, I want,

360
00:16:19,720 --> 00:16:21,480
Speaker 2: I want my five mikes. And I don't know if

361
00:16:21,520 --> 00:16:23,040
Speaker 2: I ever got five. I might have got four and

362
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Speaker 2: a half, but I think I would have got five

363
00:16:26,200 --> 00:16:28,760
Speaker 2: if I wasn't beefing with the owners of the magazine.

364
00:16:29,160 --> 00:16:32,920
Speaker 2: So that was like, it's like always some crazy shit

365
00:16:33,040 --> 00:16:35,160
Speaker 2: going on with me, bro, And I look back on

366
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Speaker 2: it and I just be like, why, little bro, Like

367
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Speaker 2: you know what I'm saying.

368
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Speaker 3: What was that? Though?

369
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Speaker 1: Not to cut you off, because I think it's athletes,

370
00:16:42,480 --> 00:16:44,440
Speaker 1: Like we're always in it so you don't have time

371
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Speaker 1: to kind of survey and understand what you do. But

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Speaker 1: when you kind of step back now you're at an

373
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Speaker 1: age now where you're not as rapping as much as

374
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Speaker 1: you were when you're younger, At what point did you

375
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Speaker 1: kind of start looking back like, damn, that was?

376
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Speaker 3: That was?

377
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Speaker 2: Damn. When I when I think about when I think

378
00:17:00,120 --> 00:17:05,000
Speaker 2: about how much how much money I missed out on,

379
00:17:05,119 --> 00:17:08,960
Speaker 2: and I think about how many corporate opportunities that I

380
00:17:09,000 --> 00:17:11,640
Speaker 2: missed out on because I couldn't. I just couldn't check

381
00:17:11,680 --> 00:17:14,280
Speaker 2: the fuck up about some gangster shit, you know what

382
00:17:14,280 --> 00:17:16,800
Speaker 2: I'm saying. And uh, But at the end of the day, man,

383
00:17:16,920 --> 00:17:19,960
Speaker 2: I love where I'm at right now, and I'm righting

384
00:17:20,000 --> 00:17:21,879
Speaker 2: not writing a lot of those wrongs. But I feel

385
00:17:21,880 --> 00:17:24,439
Speaker 2: like I'm walking into these rooms now and you know,

386
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Speaker 2: I'm me and forties and i'm and I'm well spoken,

387
00:17:27,560 --> 00:17:29,359
Speaker 2: well dressed, and I'm sitting down with the guys that

388
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Speaker 2: really you know what I'm saying, put the put them

389
00:17:31,640 --> 00:17:33,800
Speaker 2: yachts on that water, and we having, you know, bigger

390
00:17:33,840 --> 00:17:38,040
Speaker 2: conversations about bigger things. So in the next two three

391
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Speaker 2: years with me, you're gonna start seeing me, you know,

392
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Speaker 2: kind of get what's old to me.

393
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Speaker 1: It's funny too, because me and my homies talking, if

394
00:17:43,880 --> 00:17:46,919
Speaker 1: we're talking skill set. To me, you're one of the

395
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Speaker 1: greatest that ever did it. But I don't think you

396
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Speaker 1: And this is my question to you, is it. Do

397
00:17:50,920 --> 00:17:53,080
Speaker 1: you feel like you don't get the respect or the

398
00:17:53,200 --> 00:17:56,560
Speaker 1: love because of maybe the way you've acted towards certain

399
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Speaker 1: people or in certain situations.

400
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Speaker 4: Today today the Top three live today, I.

401
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Speaker 2: Feel like and I appreciate you for that, but it's

402
00:18:06,000 --> 00:18:08,920
Speaker 2: like you know, I grew up you know, doing both.

403
00:18:09,000 --> 00:18:11,840
Speaker 2: You know, my my my hoop dreams didn't lead me

404
00:18:11,920 --> 00:18:15,240
Speaker 2: to where Tyson's and BD and Gil Gills did and

405
00:18:15,280 --> 00:18:17,399
Speaker 2: those niggas I came up hooping with. So it's like

406
00:18:17,440 --> 00:18:19,800
Speaker 2: when it come to basketball, they'll tell you, y'all, Chuck

407
00:18:19,960 --> 00:18:21,680
Speaker 2: Is you know, he wanted them once, but he would

408
00:18:21,760 --> 00:18:23,639
Speaker 2: just fight get throughout the game. And you know what

409
00:18:23,640 --> 00:18:26,280
Speaker 2: I'm saying, shit like that. But you know, y'all, you

410
00:18:26,320 --> 00:18:28,879
Speaker 2: know you guys like made it to that level. And

411
00:18:28,920 --> 00:18:32,320
Speaker 2: I tell people all the time, bro, people compare like

412
00:18:32,400 --> 00:18:34,960
Speaker 2: say I watched people like try to slander your game

413
00:18:35,080 --> 00:18:36,520
Speaker 2: or your game or say you could have did this.

414
00:18:36,680 --> 00:18:40,200
Speaker 2: I'm like, you don't know who you talking to when

415
00:18:40,200 --> 00:18:43,639
Speaker 2: it comes to these basketball players, you know what I'm saying.

416
00:18:43,960 --> 00:18:47,479
Speaker 2: And so it's it's it's the same thing. Fans are fickle,

417
00:18:47,720 --> 00:18:50,359
Speaker 2: and they gonna say they're gonna do like you know,

418
00:18:50,440 --> 00:18:52,200
Speaker 2: like we said, the internety gonna follow suit.

419
00:18:52,320 --> 00:18:52,480
Speaker 3: Right.

420
00:18:52,760 --> 00:18:55,399
Speaker 2: They see the first comment and they want to be funny,

421
00:18:55,600 --> 00:18:58,000
Speaker 2: you know with that shit. But I guarantee you right,

422
00:18:58,080 --> 00:19:00,320
Speaker 2: and I say this on all these camera it's a

423
00:19:00,320 --> 00:19:02,560
Speaker 2: lot of them y'all getting real money it's like four cameras.

424
00:19:02,560 --> 00:19:05,200
Speaker 2: Now now y'all got like twelve. All the smoke, baby,

425
00:19:05,240 --> 00:19:11,600
Speaker 2: but yeah, every rapper right alive, every rapper alive, that's

426
00:19:11,760 --> 00:19:14,320
Speaker 2: one of them. Guys will tell you that I'm not

427
00:19:14,359 --> 00:19:16,160
Speaker 2: to be fucked with. And you can start at the top.

428
00:19:16,240 --> 00:19:18,800
Speaker 2: You can go from hole down to dot. You can

429
00:19:18,840 --> 00:19:21,520
Speaker 2: call Drake, you could talk to J Cole, You could

430
00:19:21,600 --> 00:19:24,520
Speaker 2: talk to anybody. Bro. You can ask NBA young boy

431
00:19:24,560 --> 00:19:28,280
Speaker 2: if you want to go that low. I cannot be

432
00:19:28,400 --> 00:19:31,280
Speaker 2: fucked with when I'm serious, bro, And anybody knows that

433
00:19:32,200 --> 00:19:35,919
Speaker 2: my does the antics get it getting the way of

434
00:19:36,320 --> 00:19:38,920
Speaker 2: my skill set, of course, but I'm a jokester. A

435
00:19:38,960 --> 00:19:41,359
Speaker 2: lot of people take it, you know, too serious. Like

436
00:19:41,400 --> 00:19:43,680
Speaker 2: I'm a comedian as well. We joke all the time,

437
00:19:43,720 --> 00:19:46,040
Speaker 2: you know what I'm saying. But I think that people

438
00:19:46,080 --> 00:19:49,639
Speaker 2: don't know how to you know, it might be my fault.

439
00:19:49,640 --> 00:19:52,400
Speaker 2: I don't give them an opportunity to differentiate the two.

440
00:19:53,240 --> 00:19:55,440
Speaker 2: But the thing about that is, I don't give a

441
00:19:55,480 --> 00:19:58,280
Speaker 2: shit about that. Like I wake up in the mirror

442
00:19:58,359 --> 00:20:00,720
Speaker 2: and I like, I'm gonna tell y'all both y'all my brothers, man,

443
00:20:00,720 --> 00:20:02,880
Speaker 2: I'm gonna tell y'all I'm gonna give be one hundred

444
00:20:02,880 --> 00:20:04,680
Speaker 2: percent transparent. I wake up in the mirror, Bro, I'm

445
00:20:04,720 --> 00:20:07,280
Speaker 2: in love with who I see in the mirror and

446
00:20:07,320 --> 00:20:09,879
Speaker 2: that's it. And it don't go no further than that.

447
00:20:09,920 --> 00:20:11,840
Speaker 2: So it ain't a motherfucker on earth that could tell

448
00:20:11,880 --> 00:20:14,800
Speaker 2: me nothing about me. You know what I'm saying. I

449
00:20:14,840 --> 00:20:16,760
Speaker 2: don't let my mama do it. I don't let my

450
00:20:16,840 --> 00:20:19,080
Speaker 2: kids do it. I don't let my girl do it.

451
00:20:19,080 --> 00:20:21,960
Speaker 2: I don't let nobody tell me about me. Man, you

452
00:20:22,000 --> 00:20:24,080
Speaker 2: can make a suggestion, but you're not gonna walk me

453
00:20:24,200 --> 00:20:27,480
Speaker 2: down out of my you know, out of my you

454
00:20:27,480 --> 00:20:29,280
Speaker 2: know the steps I got to be here. Bro, I'm

455
00:20:29,320 --> 00:20:32,000
Speaker 2: a wonderful human being. Bro, I'm a wonderful father, wonderful

456
00:20:32,000 --> 00:20:34,560
Speaker 2: family member. I'm one of the greatest rappers that ever

457
00:20:34,600 --> 00:20:37,880
Speaker 2: did it. And any rapper that says different, I'm gonna

458
00:20:37,920 --> 00:20:40,640
Speaker 2: I'm gonna put them in a lyrical choke hold today,

459
00:20:40,800 --> 00:20:44,080
Speaker 2: not tomorrow. We ain't backing out. I ain't doing none

460
00:20:44,119 --> 00:20:46,520
Speaker 2: of that. Hey, Hey, but you know this, Look, I'm

461
00:20:46,600 --> 00:20:49,239
Speaker 2: both of y'all. When do the rappers say I'm not

462
00:20:49,280 --> 00:20:53,400
Speaker 2: who I am? Any of them, any of them whole,

463
00:20:53,480 --> 00:20:55,240
Speaker 2: ain't gonna tell you that bro, that's the top of

464
00:20:55,280 --> 00:20:58,640
Speaker 2: the top when we're talking about somebody who's acclimated like

465
00:20:58,840 --> 00:21:01,080
Speaker 2: you know that on that level.

466
00:21:01,280 --> 00:21:03,040
Speaker 1: And that's the thing too. I mean to to kind

467
00:21:03,040 --> 00:21:04,720
Speaker 1: of cross it over to basketball with me and him.

468
00:21:04,760 --> 00:21:07,280
Speaker 1: Obviously the accolades and all the All Star appearances he

469
00:21:07,280 --> 00:21:09,040
Speaker 1: could have got for ship, but when you respect it

470
00:21:09,080 --> 00:21:11,240
Speaker 1: by your peers, it doesn't really matter what the outside

471
00:21:11,280 --> 00:21:13,040
Speaker 1: world has to say because they don't understand what it

472
00:21:13,080 --> 00:21:14,080
Speaker 1: tech to get there to begin with.

473
00:21:14,119 --> 00:21:16,000
Speaker 2: And I've seen Kobe talk about both y'all, you know

474
00:21:16,040 --> 00:21:16,760
Speaker 2: what I'm saying, And.

475
00:21:16,680 --> 00:21:18,520
Speaker 3: That's you know, one of the don't get a little

476
00:21:18,520 --> 00:21:19,159
Speaker 3: better than that to me.

477
00:21:19,480 --> 00:21:23,040
Speaker 2: Yeah, I seen Kobe out his mouth talk about both y'all,

478
00:21:23,960 --> 00:21:26,840
Speaker 2: And so for me, I've seen Hole out his mouth

479
00:21:27,800 --> 00:21:32,359
Speaker 2: talk about me, hole discy, and I'm still here, you

480
00:21:32,440 --> 00:21:34,520
Speaker 2: know what I'm saying. So it's like, man, I love

481
00:21:34,600 --> 00:21:37,399
Speaker 2: I love rap, I love sports, I love entertainment. I

482
00:21:37,440 --> 00:21:40,640
Speaker 2: love anything that elevates, you know, my people as a whole.

483
00:21:40,680 --> 00:21:43,480
Speaker 2: It gives us the opportunity to be better humans. Man.

484
00:21:43,600 --> 00:21:47,879
Speaker 2: And like we started, you know, fatherhood is at the

485
00:21:47,880 --> 00:21:48,640
Speaker 2: top of that list.

486
00:21:49,119 --> 00:21:53,000
Speaker 4: That's this line for us from whatever on gainst Gris.

487
00:21:53,080 --> 00:21:55,160
Speaker 4: If I ain't the best rapper from content, it's gotta

488
00:21:55,200 --> 00:21:57,600
Speaker 4: be Kendrick. And if Kendrick is the best rapper, tell

489
00:21:57,680 --> 00:21:58,560
Speaker 4: him step up and ended.

490
00:21:58,840 --> 00:22:02,359
Speaker 2: Yeah. So basically it just goes back two minutes to

491
00:22:02,400 --> 00:22:04,960
Speaker 2: what we were just talking about, like, if I'm not

492
00:22:05,040 --> 00:22:08,480
Speaker 2: the best number one, let's get this out the way.

493
00:22:09,000 --> 00:22:10,840
Speaker 2: If you don't think you're the best at what you do,

494
00:22:11,000 --> 00:22:13,440
Speaker 2: why doing it? Why are you doing it? Who are you?

495
00:22:14,040 --> 00:22:18,159
Speaker 2: And I would never if i was Matt Barnes and

496
00:22:18,200 --> 00:22:20,440
Speaker 2: I'm on the court with Kobe, It's no way I'm

497
00:22:20,480 --> 00:22:22,800
Speaker 2: telling Kobe he's better than me, letting him think that

498
00:22:22,920 --> 00:22:24,560
Speaker 2: he's better than me. I'm not gonna go home and

499
00:22:24,600 --> 00:22:26,640
Speaker 2: look my sons in the eye and be like, yeah,

500
00:22:26,720 --> 00:22:28,960
Speaker 2: Kobe's just better than your dad. Like, who does that?

501
00:22:29,000 --> 00:22:29,160
Speaker 5: Bro?

502
00:22:29,440 --> 00:22:33,640
Speaker 2: What type of man does that? So Number one, Kendrick

503
00:22:33,680 --> 00:22:36,440
Speaker 2: came up right. I embraced him when he came up.

504
00:22:36,560 --> 00:22:41,120
Speaker 2: I helped him and Top Dog get into a better position,

505
00:22:41,400 --> 00:22:44,679
Speaker 2: whether it was you know, like I'm not taking responsibility

506
00:22:44,720 --> 00:22:47,480
Speaker 2: for their riots. Like top Dog really grinded top Dog

507
00:22:47,600 --> 00:22:51,040
Speaker 2: Entertainment out. Kendrid really wanted to be where he is

508
00:22:51,080 --> 00:22:53,399
Speaker 2: today and I knew we would get there. I was

509
00:22:53,480 --> 00:22:55,720
Speaker 2: just a help in hand, you know what I'm saying.

510
00:22:55,720 --> 00:22:58,280
Speaker 2: But so all I'm saying is that I'm the best

511
00:22:58,359 --> 00:23:00,960
Speaker 2: rapper from Compton. You know what I'm saying. And if

512
00:23:01,000 --> 00:23:04,040
Speaker 2: I'm not so, just spar with me. I'm your bro.

513
00:23:04,600 --> 00:23:06,320
Speaker 2: Just spark with me, you know what I'm saying. But

514
00:23:06,320 --> 00:23:09,920
Speaker 2: it's like I said, no rapper and I'm not threatening

515
00:23:09,960 --> 00:23:12,080
Speaker 2: nobody or saying that I'm saying. It's about rap. I'm

516
00:23:12,080 --> 00:23:14,399
Speaker 2: gonna see niggas and beat you up like it's just

517
00:23:14,680 --> 00:23:16,359
Speaker 2: and I'm not talking about Kindred. I'm talking about you

518
00:23:16,480 --> 00:23:18,919
Speaker 2: everybody on the broad scale. It's just like if you

519
00:23:18,960 --> 00:23:22,400
Speaker 2: can outrap me, outrap me because I'm here and I

520
00:23:22,520 --> 00:23:26,720
Speaker 2: know that it's just not possible because I'm not gonna

521
00:23:26,760 --> 00:23:31,879
Speaker 2: stop until I see quote unquote blood. You know on

522
00:23:31,920 --> 00:23:32,600
Speaker 2: the microphone.

523
00:23:32,600 --> 00:23:34,160
Speaker 3: People are scared of confidence.

524
00:23:34,200 --> 00:23:36,159
Speaker 4: I think a lot of people are so not you know,

525
00:23:36,280 --> 00:23:39,000
Speaker 4: just don't have confidence in themselves. When they see somebody

526
00:23:39,040 --> 00:23:42,520
Speaker 4: with confidence is like it offends them, you know what

527
00:23:42,560 --> 00:23:44,960
Speaker 4: I mean. And you know I see that a lot

528
00:23:45,000 --> 00:23:47,480
Speaker 4: and you just being yourself, you know what I mean.

529
00:23:47,520 --> 00:23:50,840
Speaker 4: And that's sucks because the people that don't have confidence.

530
00:23:50,880 --> 00:23:53,399
Speaker 4: They be the main ones talking about you and they

531
00:23:53,440 --> 00:23:54,280
Speaker 4: can't do what you do.

532
00:23:54,560 --> 00:23:55,800
Speaker 3: You know what I'm saying that, And.

533
00:23:55,760 --> 00:23:58,040
Speaker 4: It's that so many people, it's so many people that

534
00:23:58,040 --> 00:24:00,680
Speaker 4: that happened achieve that goes. Then people that have a

535
00:24:00,760 --> 00:24:02,520
Speaker 4: chief they go so they sat around and just point

536
00:24:02,520 --> 00:24:05,520
Speaker 4: things their insecurities on you exactly. They can't do it

537
00:24:05,640 --> 00:24:06,720
Speaker 4: exactly exactly.

538
00:24:07,000 --> 00:24:09,160
Speaker 2: And that's everything that and you know what, that's what

539
00:24:09,840 --> 00:24:13,160
Speaker 2: that's what the what the Internet comments section is somebody

540
00:24:13,200 --> 00:24:16,000
Speaker 2: in the matter, in the bottom of their mama basement

541
00:24:16,400 --> 00:24:20,280
Speaker 2: who can't climb up the stairs and let the sun

542
00:24:20,440 --> 00:24:22,760
Speaker 2: shine on them or be great. And so you know,

543
00:24:22,800 --> 00:24:24,720
Speaker 2: they try their best to tell you down. So it's

544
00:24:24,760 --> 00:24:26,360
Speaker 2: on you if you want to go down there and

545
00:24:26,400 --> 00:24:28,400
Speaker 2: with them, with them and around.

546
00:24:33,800 --> 00:24:36,440
Speaker 1: I thinking about Brandip, like when I'm choosing my words,

547
00:24:36,600 --> 00:24:38,320
Speaker 1: he said you may want to edit this, I'm like.

548
00:24:39,320 --> 00:24:45,600
Speaker 2: Yeah, that's when you know, that's what you.

549
00:24:44,000 --> 00:24:46,560
Speaker 3: Told me that when you get mad, Jack, don't press Then.

550
00:24:48,320 --> 00:24:50,399
Speaker 2: When I get here with that message, I start changing

551
00:24:50,480 --> 00:24:53,240
Speaker 2: characters into amation.

552
00:24:55,040 --> 00:24:57,360
Speaker 1: I'm talking about you put an exclamation point instead of eye,

553
00:24:59,240 --> 00:25:01,560
Speaker 1: Like there's around the ship. But you really got you

554
00:25:01,560 --> 00:25:02,119
Speaker 1: gotta build it.

555
00:25:02,119 --> 00:25:04,359
Speaker 2: You gotta be convicted. Yes, you get to change the

556
00:25:04,440 --> 00:25:05,640
Speaker 2: characters you're serious.

557
00:25:05,359 --> 00:25:07,280
Speaker 3: About you want to get that ship off. Give me,

558
00:25:07,359 --> 00:25:09,000
Speaker 3: give me your three favorite songs for Ken.

559
00:25:09,200 --> 00:25:13,600
Speaker 2: Oh man, you know what We're gonna be all right

560
00:25:14,080 --> 00:25:16,560
Speaker 2: when that comes on? Man, I feel like like this.

561
00:25:16,640 --> 00:25:19,119
Speaker 2: I feel like the Ancestors is having the same you

562
00:25:19,160 --> 00:25:21,439
Speaker 2: know what I'm saying. I just feel like, yeah, like

563
00:25:21,520 --> 00:25:23,720
Speaker 2: you know, get up, it will be that. I like.

564
00:25:24,920 --> 00:25:27,800
Speaker 2: I like Dodger Blue. Yeah, that put me in. That

565
00:25:27,880 --> 00:25:30,280
Speaker 2: gives me everything that I need about about l A

566
00:25:31,000 --> 00:25:34,359
Speaker 2: And then let me see a third one. I'm like

567
00:25:34,400 --> 00:25:37,280
Speaker 2: a good Luther vibe. Man, that's right now because I'm

568
00:25:37,320 --> 00:25:39,800
Speaker 2: just speaking right now. Yeah. Man, it's a good at

569
00:25:39,800 --> 00:25:42,760
Speaker 2: what you do. Man. That song just it's an amazing song.

570
00:25:42,840 --> 00:25:46,120
Speaker 1: Man, mixtape, Gangster Grills, you took it back on them,

571
00:25:46,440 --> 00:25:49,760
Speaker 1: the Deluxe Project in the building. What road did Mike

572
00:25:49,840 --> 00:25:53,320
Speaker 1: and Keys have have been playing on? West Coast hip hop? Man?

573
00:25:53,400 --> 00:25:54,320
Speaker 2: Y'all got writer.

574
00:25:59,160 --> 00:26:00,800
Speaker 3: Know the gas Bill Man?

575
00:26:14,880 --> 00:26:15,640
Speaker 2: That's my dog?

576
00:26:16,520 --> 00:26:20,000
Speaker 1: Yeah, Man, Max supposed to be a Maxmiss two flying

577
00:26:20,080 --> 00:26:20,679
Speaker 1: on Yo.

578
00:26:21,000 --> 00:26:24,760
Speaker 2: I'm gonna tell y'all something real quick, hey man, When

579
00:26:24,840 --> 00:26:26,800
Speaker 2: you came, when you came, into the league, boy, and

580
00:26:26,840 --> 00:26:29,640
Speaker 2: he started going off. Bro, it was like j R rder.

581
00:26:29,680 --> 00:26:31,359
Speaker 2: That's when I started making people call me j T.

582
00:26:31,920 --> 00:26:33,280
Speaker 2: You know what I'm saying. I just wanted. I wanted

583
00:26:33,359 --> 00:26:35,520
Speaker 2: like two initials when I was on the court. I

584
00:26:35,640 --> 00:26:36,920
Speaker 2: swear god, Bro, I want you.

585
00:26:37,600 --> 00:26:37,719
Speaker 1: Man.

586
00:26:37,760 --> 00:26:40,200
Speaker 2: It's just funny how your how your idols be. Man,

587
00:26:40,280 --> 00:26:42,760
Speaker 2: it's just oh man, that's dope.

588
00:26:42,560 --> 00:26:45,720
Speaker 3: Man, nigga. We all grew up watching it turned up

589
00:26:45,720 --> 00:26:47,120
Speaker 3: to be our home boy man.

590
00:26:48,359 --> 00:26:52,760
Speaker 1: Man Max Oh Max Uh. Anyway, Gangster Grills De Luxe

591
00:26:52,800 --> 00:26:55,800
Speaker 1: Project went into what what was your thought process behind

592
00:26:55,800 --> 00:26:56,360
Speaker 1: the mixtape?

593
00:26:56,520 --> 00:26:58,639
Speaker 2: Oh yeah, so the mixtape. Man, I'll be in there

594
00:26:58,680 --> 00:27:00,680
Speaker 2: with Mike and kids and they be stuff at me.

595
00:27:00,760 --> 00:27:00,920
Speaker 3: Man.

596
00:27:00,960 --> 00:27:03,080
Speaker 2: They be like, yo, when you're gonna you know when

597
00:27:03,080 --> 00:27:05,159
Speaker 2: you're gonna call game time on this album? Bro, we

598
00:27:05,320 --> 00:27:07,280
Speaker 2: been had it and I'm like, man, I'm gonna just

599
00:27:07,400 --> 00:27:11,160
Speaker 2: keep recording because something happens when I get deep into

600
00:27:11,920 --> 00:27:14,480
Speaker 2: like a classic vibe when creating albums. And I really

601
00:27:14,680 --> 00:27:17,960
Speaker 2: really got a lot of love and adoration from my

602
00:27:18,640 --> 00:27:20,600
Speaker 2: my legacy and what it means to me. I come from,

603
00:27:22,119 --> 00:27:23,840
Speaker 2: you know the same place y'all come from. Music. Well,

604
00:27:23,880 --> 00:27:25,520
Speaker 2: we had to see the book, and I will put

605
00:27:25,560 --> 00:27:28,000
Speaker 2: all my jay z's on on one page and all

606
00:27:28,080 --> 00:27:30,320
Speaker 2: my noads on one page and do it like that.

607
00:27:30,480 --> 00:27:32,919
Speaker 2: So it's like when I think about, you know, all

608
00:27:33,000 --> 00:27:35,200
Speaker 2: of my albums and my projects, man, the ones that

609
00:27:35,359 --> 00:27:38,080
Speaker 2: are really classic, they gotta be able to go next

610
00:27:38,119 --> 00:27:42,840
Speaker 2: to the you know, the previous, taking.

611
00:27:42,600 --> 00:27:47,560
Speaker 3: Away the pain of the past. Yeah.

612
00:27:47,680 --> 00:27:50,480
Speaker 2: So the mixtape. We did the mixtape in a few days, man,

613
00:27:50,640 --> 00:27:53,280
Speaker 2: and we just threw it out because my fans, bro,

614
00:27:53,400 --> 00:27:55,560
Speaker 2: they you know, they they tough on me. They want

615
00:27:55,640 --> 00:27:57,520
Speaker 2: the you know, the documentary three now, and I just

616
00:27:57,600 --> 00:27:59,240
Speaker 2: need a little bit more time, man, So I just

617
00:27:59,560 --> 00:28:01,480
Speaker 2: put out a mixtape and then they start banging on

618
00:28:01,600 --> 00:28:02,920
Speaker 2: me again, like, yeah, we love it.

619
00:28:05,000 --> 00:28:06,040
Speaker 3: I'll give you a couple more money.

620
00:28:07,800 --> 00:28:11,359
Speaker 2: I'm still ding sometime, I promise you, man, I'm not

621
00:28:11,359 --> 00:28:13,240
Speaker 2: gonna let nobody down with this next album.

622
00:28:13,320 --> 00:28:17,000
Speaker 1: Man, where if you, obviously, to survive in this game,

623
00:28:17,080 --> 00:28:18,640
Speaker 1: you have to grow. Where do you feel like you've

624
00:28:18,680 --> 00:28:21,000
Speaker 1: grown the most lyrically in music?

625
00:28:21,280 --> 00:28:23,359
Speaker 2: I think the pockets that I'm in, the way that

626
00:28:23,480 --> 00:28:25,800
Speaker 2: i'm the way that i'm the way that I'm able

627
00:28:25,880 --> 00:28:28,959
Speaker 2: to get in and out of these pockets on beats. Now,

628
00:28:29,000 --> 00:28:31,040
Speaker 2: It's like you you know, you got a lot of

629
00:28:31,119 --> 00:28:34,800
Speaker 2: rappers right where and not to you know, taint. You

630
00:28:34,880 --> 00:28:36,879
Speaker 2: know what they do, but they you got a lot

631
00:28:36,880 --> 00:28:39,600
Speaker 2: of rappers to sound exactly how they're gonna sound every

632
00:28:39,680 --> 00:28:41,760
Speaker 2: single time you hear them. Bro, it ain't no beat.

633
00:28:41,800 --> 00:28:43,960
Speaker 2: I can't wrap on. It ain't no style. I can't

634
00:28:44,040 --> 00:28:46,320
Speaker 2: go into it out of And I mean I can

635
00:28:46,400 --> 00:28:48,960
Speaker 2: do everybody else, but everybody can't do me. And I

636
00:28:49,040 --> 00:28:52,480
Speaker 2: guarantee you one thing that and anybody that knows me

637
00:28:52,680 --> 00:28:55,240
Speaker 2: knows this. I'm the only nigga and hip hop that

638
00:28:55,320 --> 00:28:59,520
Speaker 2: can say any fucking thing, and everybody just gonna be like, oh,

639
00:28:59,560 --> 00:29:04,200
Speaker 2: that's game. I can say anything, bro, anything and it's

640
00:29:04,200 --> 00:29:06,640
Speaker 2: gonna get chalked up. I can't be canceled or none

641
00:29:06,680 --> 00:29:06,840
Speaker 2: of that.

642
00:29:06,920 --> 00:29:07,000
Speaker 3: Bro.

643
00:29:07,080 --> 00:29:10,160
Speaker 2: I can say anything, but I'm not but I can't.

644
00:29:10,400 --> 00:29:12,760
Speaker 1: I'm past that, but I can still do it. Yeah, Man,

645
00:29:13,320 --> 00:29:15,000
Speaker 1: DJ Drama being able to work with him, what was

646
00:29:15,040 --> 00:29:15,520
Speaker 1: that experience?

647
00:29:15,880 --> 00:29:16,040
Speaker 4: Uh?

648
00:29:16,480 --> 00:29:18,800
Speaker 2: Drama, Man, I always wanted a drama tape. That's just

649
00:29:18,880 --> 00:29:20,360
Speaker 2: one of those things, you know what I'm saying. I

650
00:29:20,440 --> 00:29:23,240
Speaker 2: always wanted to sign Jail Roder Jersey. It's just I

651
00:29:23,280 --> 00:29:27,400
Speaker 2: got I got my bucket list, man, I got my

652
00:29:27,480 --> 00:29:29,040
Speaker 2: bucket list. But yeah, I always want to do a

653
00:29:29,080 --> 00:29:31,840
Speaker 2: Drama tape. And it's funny because sometimes you have friends

654
00:29:32,040 --> 00:29:35,040
Speaker 2: in the industry and and out the industry, but you

655
00:29:35,200 --> 00:29:37,160
Speaker 2: never really get to work with them. And so me

656
00:29:37,240 --> 00:29:40,000
Speaker 2: and Drama always said that if the opportunity presented itself

657
00:29:40,040 --> 00:29:43,600
Speaker 2: before we were both done, that you know, we would

658
00:29:43,600 --> 00:29:45,280
Speaker 2: get it in. So we did, man, And it's like,

659
00:29:45,360 --> 00:29:47,520
Speaker 2: Drama ain't really dropping tapes every day, you know, he

660
00:29:47,600 --> 00:29:51,400
Speaker 2: getting money from all of it. Yeah, because you're getting money.

661
00:29:52,760 --> 00:29:53,480
Speaker 1: A couple of years ago.

662
00:29:54,360 --> 00:29:57,280
Speaker 2: Yeah, yeah, yeah, so he hes not doing a lot.

663
00:29:57,400 --> 00:30:00,200
Speaker 2: So I was grateful that he was just open to it.

664
00:30:00,280 --> 00:30:01,960
Speaker 2: And he as soon as I sent it, you know,

665
00:30:02,080 --> 00:30:03,520
Speaker 2: he did his thing and sent it back, and then

666
00:30:03,560 --> 00:30:05,320
Speaker 2: I sent him another one. He was like, we're going again.

667
00:30:05,400 --> 00:30:08,160
Speaker 2: I'm like yeah, And so he sent that back and yeah,

668
00:30:08,200 --> 00:30:09,960
Speaker 2: we just threw it out man, and people people love

669
00:30:10,000 --> 00:30:10,520
Speaker 2: the mixtape.

670
00:30:10,760 --> 00:30:11,280
Speaker 3: That's dope.

671
00:30:11,800 --> 00:30:15,440
Speaker 1: So the documentary three is loading when you sit here

672
00:30:15,440 --> 00:30:18,000
Speaker 1: again and Jack kind of asked us, but twenty years

673
00:30:18,000 --> 00:30:22,080
Speaker 1: ago you dropped your first project. Yeah, to think you're

674
00:30:22,120 --> 00:30:24,680
Speaker 1: still here as a as a rapper, as a man,

675
00:30:25,320 --> 00:30:25,520
Speaker 1: and you.

676
00:30:25,520 --> 00:30:26,640
Speaker 3: Didn't have been in a lot of shit. Bro.

677
00:30:26,920 --> 00:30:28,400
Speaker 1: Yeah, man, I mean, what do you when you look

678
00:30:28,440 --> 00:30:30,400
Speaker 1: back on those twenty with what comes to mind?

679
00:30:30,680 --> 00:30:32,800
Speaker 2: Second time? Been answer this question? And like, I don't

680
00:30:32,800 --> 00:30:35,719
Speaker 2: know the last few years when I was at when

681
00:30:35,760 --> 00:30:38,440
Speaker 2: I was young, man, I had my I had my

682
00:30:38,520 --> 00:30:40,680
Speaker 2: first son, right, and I loved him to death, man.

683
00:30:40,800 --> 00:30:42,520
Speaker 2: And then I had my second son. I loved him

684
00:30:42,560 --> 00:30:44,920
Speaker 2: to death. But I was coming outside every day trying

685
00:30:44,920 --> 00:30:47,320
Speaker 2: to die, to be honest, like I just I didn't care.

686
00:30:47,400 --> 00:30:50,200
Speaker 2: I'm from I'm from I'm from a family, and I'm

687
00:30:50,200 --> 00:30:52,440
Speaker 2: from a neighborhood, and I'm from a city where the

688
00:30:52,520 --> 00:30:55,600
Speaker 2: inevitable is that you die on this type of time.

689
00:30:55,640 --> 00:30:58,600
Speaker 2: And so I really it's hard for me to get

690
00:30:58,600 --> 00:31:01,640
Speaker 2: people to understand the seriousness of what I'm saying when

691
00:31:01,640 --> 00:31:04,480
Speaker 2: I'm what I'm saying and shit, But I understand life

692
00:31:04,560 --> 00:31:08,080
Speaker 2: in total right, so I know that no one leaves

693
00:31:08,560 --> 00:31:11,240
Speaker 2: here alive, right, So I didn't care at that time.

694
00:31:11,320 --> 00:31:13,960
Speaker 2: I didn't care when it was Tuesday, Thursday, next week,

695
00:31:14,000 --> 00:31:16,160
Speaker 2: I didn't care. And so I'm always going to go

696
00:31:16,240 --> 00:31:18,120
Speaker 2: to the max. And it was like that with you know,

697
00:31:18,200 --> 00:31:21,160
Speaker 2: my siblings, my brothers, they knew like I got older brothers,

698
00:31:21,200 --> 00:31:23,240
Speaker 2: you know what I'm saying, and you know, they taught

699
00:31:23,280 --> 00:31:26,600
Speaker 2: me the way. But once I came of age, everybody

700
00:31:26,680 --> 00:31:28,200
Speaker 2: run a neighborhood and know if you came to get me,

701
00:31:28,320 --> 00:31:29,880
Speaker 2: it was like it was lights out. It was serious

702
00:31:29,880 --> 00:31:32,640
Speaker 2: because I'm coming around there and I'm like ultimately tripping

703
00:31:33,000 --> 00:31:35,880
Speaker 2: because I had lost you know, my you know, my

704
00:31:36,200 --> 00:31:39,120
Speaker 2: my one of my favorite siblings, which was my brother Javon,

705
00:31:39,160 --> 00:31:41,880
Speaker 2: when I was thirteen, he was sixteen. And from then

706
00:31:41,960 --> 00:31:44,840
Speaker 2: I was just like, oh okay, people people, people kill

707
00:31:44,920 --> 00:31:47,360
Speaker 2: it like this shit seriously, like y'all take y'all taking

708
00:31:47,440 --> 00:31:49,520
Speaker 2: from me. I want to take something back. And that's

709
00:31:49,600 --> 00:31:52,440
Speaker 2: just the mentality of you know, lost souls when you

710
00:31:52,560 --> 00:31:54,840
Speaker 2: come from a you know, the type of family dynamic

711
00:31:54,920 --> 00:31:56,880
Speaker 2: where you know your mom is working and she ain't

712
00:31:56,920 --> 00:32:01,400
Speaker 2: really there emotionally, but she I had guest jeans and

713
00:32:01,480 --> 00:32:04,040
Speaker 2: Jordan's but my mom wasn't with that I love you

714
00:32:04,160 --> 00:32:05,959
Speaker 2: every single day. But my dad told me I love

715
00:32:06,000 --> 00:32:08,080
Speaker 2: you every single day, but it was behind the glass,

716
00:32:08,400 --> 00:32:09,920
Speaker 2: you know what I'm saying in the pans, So it's

717
00:32:10,000 --> 00:32:12,800
Speaker 2: like I didn't and my brothers was already like off

718
00:32:12,840 --> 00:32:14,720
Speaker 2: in the streets. One was a crib, one was a blood.

719
00:32:14,720 --> 00:32:16,640
Speaker 2: They was just running, you know, off and running with

720
00:32:16,680 --> 00:32:19,440
Speaker 2: the gang banging. So it's like I just I fell

721
00:32:19,520 --> 00:32:21,440
Speaker 2: into it, you know, I just rolled into it like

722
00:32:21,560 --> 00:32:23,480
Speaker 2: how I was supposed to. I got tired of getting

723
00:32:23,520 --> 00:32:27,040
Speaker 2: banged on. And I'm from an era in Compton where

724
00:32:27,080 --> 00:32:29,840
Speaker 2: I was. I can remember vividly walking to school in

725
00:32:29,880 --> 00:32:33,040
Speaker 2: the second grade, except this is seven years old and

726
00:32:33,160 --> 00:32:35,480
Speaker 2: a nigga that was like nineteen. It's like where you from,

727
00:32:35,560 --> 00:32:40,760
Speaker 2: little nigga, and I'd be like, nigga, fuck you, like

728
00:32:41,480 --> 00:32:43,160
Speaker 2: literally that's how it used to be. And I used

729
00:32:43,200 --> 00:32:45,040
Speaker 2: to walk a mile to school with my with my

730
00:32:45,120 --> 00:32:47,560
Speaker 2: five year old sister. Bro, Like I'm from those times.

731
00:32:47,680 --> 00:32:49,720
Speaker 2: I wouldn't even let my fist year old daughter walk

732
00:32:50,320 --> 00:32:52,320
Speaker 2: down the street in Santa Monica the school, you know

733
00:32:52,360 --> 00:32:53,800
Speaker 2: what I'm saying. So it was just it's just a

734
00:32:53,840 --> 00:32:56,440
Speaker 2: different time, man, And people, you know, they'll watch this

735
00:32:56,520 --> 00:32:59,880
Speaker 2: and they just don't understand ere are we from?

736
00:33:00,720 --> 00:33:04,200
Speaker 1: Well the documentary three have any production from any big

737
00:33:04,280 --> 00:33:05,800
Speaker 1: people you've worked with in the past.

738
00:33:05,680 --> 00:33:09,120
Speaker 2: Or you know what I tapped into, uh, you know,

739
00:33:09,280 --> 00:33:12,360
Speaker 2: Timberland and Swizz and Mike and Keys. They man too.

740
00:33:12,480 --> 00:33:16,120
Speaker 2: They are dynamic duo. Bro, they don't have no type

741
00:33:16,160 --> 00:33:18,800
Speaker 2: of were just gonna do this our set. They just like, man,

742
00:33:18,880 --> 00:33:22,160
Speaker 2: let's make the best album possible. And you know they

743
00:33:22,400 --> 00:33:25,520
Speaker 2: you know, they did Nipsey's you know, Grammy uh winn

744
00:33:25,560 --> 00:33:28,720
Speaker 2: an album and they just they got Nipsey just is

745
00:33:28,760 --> 00:33:31,200
Speaker 2: putting out another album and they got you know, production

746
00:33:31,360 --> 00:33:34,280
Speaker 2: on there and their problem, Bro, who is really the

747
00:33:35,360 --> 00:33:39,000
Speaker 2: unspoken hero behind what we're doing. Man, it's just dope

748
00:33:39,040 --> 00:33:40,160
Speaker 2: to be able to work with him. A lot of

749
00:33:40,200 --> 00:33:42,600
Speaker 2: people don't know the problem is one of the most

750
00:33:43,040 --> 00:33:48,480
Speaker 2: smart behind the scenes, in front of the scenes lyric lyrically,

751
00:33:49,320 --> 00:33:53,960
Speaker 2: He's just dope, bro. Get out there too, yeah, man, Yeah,

752
00:33:54,040 --> 00:33:56,400
Speaker 2: he trying to pull me out there, man like man.

753
00:33:56,680 --> 00:33:58,680
Speaker 3: You know set nasty.

754
00:34:00,120 --> 00:34:03,040
Speaker 1: Man just literally getting Oh that's it. The two things

755
00:34:03,080 --> 00:34:03,800
Speaker 1: don't work together.

756
00:34:06,960 --> 00:34:07,880
Speaker 2: Little and old.

757
00:34:09,480 --> 00:34:10,920
Speaker 1: Be in the gym at the four in the morning though,

758
00:34:10,960 --> 00:34:13,239
Speaker 1: getting it there. So Drake is Drake still the most

759
00:34:13,239 --> 00:34:14,239
Speaker 1: powerful artist in hip hop?

760
00:34:14,560 --> 00:34:16,680
Speaker 2: Yeah? I feel I feel like Drake is the most

761
00:34:16,719 --> 00:34:19,879
Speaker 2: powerful artists in hip hop. The reason being, and it's

762
00:34:19,960 --> 00:34:21,840
Speaker 2: not to knock you know, anything to Kendrick that I

763
00:34:21,880 --> 00:34:25,279
Speaker 2: think Kendrick is doing amazing, bro, Like he just uh

764
00:34:25,800 --> 00:34:28,239
Speaker 2: topple jay Z for the most Grammys. That that is

765
00:34:28,320 --> 00:34:31,040
Speaker 2: the fake that nobody else, obviously nobody else has been

766
00:34:31,080 --> 00:34:34,840
Speaker 2: able to do. To have twenty six Grammys is a

767
00:34:35,040 --> 00:34:39,359
Speaker 2: serious accolade, you know what I'm saying. So yeah, but Drake,

768
00:34:39,440 --> 00:34:42,239
Speaker 2: I mean, I feel like Drake, you can't lose bro

769
00:34:42,400 --> 00:34:45,880
Speaker 2: He Broke, Beatles, Wreckers, Michael Jackson. He been Drake for

770
00:34:46,000 --> 00:34:47,920
Speaker 2: I don't know, I don't know how long man. Women

771
00:34:48,040 --> 00:34:50,360
Speaker 2: love him. We gonna ride to it because it's smooth.

772
00:34:50,920 --> 00:34:54,839
Speaker 2: And so I'm anticipating that album like I just anticipated Cole.

773
00:34:54,880 --> 00:34:57,960
Speaker 2: I'm anticipating what Kendrick does next. I think Baby King

774
00:34:58,000 --> 00:35:00,320
Speaker 2: about to drop. I'm I'm gonna run Jae to that

775
00:35:00,520 --> 00:35:03,479
Speaker 2: review that I'm just I think hip hop is dope.

776
00:35:03,760 --> 00:35:05,560
Speaker 2: And and there was never a point where I thought

777
00:35:05,920 --> 00:35:08,600
Speaker 2: that if J. Cole saw Kendrick, they would square up,

778
00:35:08,880 --> 00:35:11,200
Speaker 2: Kendrick saw Drake, they would square up, or if Drake

779
00:35:11,280 --> 00:35:13,080
Speaker 2: saw J. Cole they were square up. So I was

780
00:35:13,200 --> 00:35:16,759
Speaker 2: just really in tune with the hip hop aspect of it.

781
00:35:16,840 --> 00:35:19,759
Speaker 2: I wanted everybody to spar it out because you want

782
00:35:19,800 --> 00:35:21,680
Speaker 2: to see you know if that's the Big three, I

783
00:35:21,760 --> 00:35:23,320
Speaker 2: want to see y'all big three it out, you know

784
00:35:23,360 --> 00:35:24,920
Speaker 2: what I'm saying. So I was a little hurt when

785
00:35:25,000 --> 00:35:26,839
Speaker 2: Cole backed out, but then he put out the album.

786
00:35:26,840 --> 00:35:27,439
Speaker 2: I liked the album.

787
00:35:27,760 --> 00:35:29,719
Speaker 1: You did a breakdown on your ig not through Have

788
00:35:29,800 --> 00:35:31,480
Speaker 1: you been doing that for a minute, just kind of.

789
00:35:31,560 --> 00:35:33,960
Speaker 2: Like Cole's album is the first time I ever did

790
00:35:34,080 --> 00:35:37,080
Speaker 2: that publicly, But I think that's something. Yeah, yeah, yeah,

791
00:35:37,080 --> 00:35:38,520
Speaker 2: I've been doing I do it. I do it the

792
00:35:38,640 --> 00:35:41,440
Speaker 2: same way. I listened as a fan. I listened as

793
00:35:41,440 --> 00:35:42,960
Speaker 2: a hater, and then I listened as the game. And

794
00:35:43,040 --> 00:35:45,799
Speaker 2: that's the only way that Yeah, that's the only way

795
00:35:45,840 --> 00:35:46,480
Speaker 2: that I'm going to be.

796
00:35:46,760 --> 00:35:47,840
Speaker 3: Niggas here can admit that.

797
00:35:48,960 --> 00:35:51,839
Speaker 1: Yeah, you right, that's the side you leave.

798
00:35:52,640 --> 00:35:54,600
Speaker 2: Yeah, but see a lot of people just listen to

799
00:35:54,719 --> 00:35:56,839
Speaker 2: it one way. Fans listen to it as a fan,

800
00:35:57,000 --> 00:35:59,040
Speaker 2: so they gonna dit right all the way. I'll tell you,

801
00:35:59,080 --> 00:36:00,920
Speaker 2: just no flaws. I hate it. Gonna be like, ah,

802
00:36:00,960 --> 00:36:03,239
Speaker 2: that ship trash. They're gonna listen to it all and

803
00:36:03,440 --> 00:36:05,800
Speaker 2: call it trash no matter what they hear, you know

804
00:36:05,800 --> 00:36:07,200
Speaker 2: what I'm saying. But when you're an artist, you know

805
00:36:07,280 --> 00:36:09,600
Speaker 2: you have a different. It's different here, you know, you

806
00:36:09,719 --> 00:36:11,560
Speaker 2: have a different perspective. So I like to listen to

807
00:36:11,680 --> 00:36:14,000
Speaker 2: it three times and then give it a break for

808
00:36:14,080 --> 00:36:16,080
Speaker 2: a week and then come back one last fourth time,

809
00:36:16,239 --> 00:36:18,880
Speaker 2: just to make sure that I ain't do the wrong thing.

810
00:36:19,040 --> 00:36:21,520
Speaker 2: So yeah, man, I gave Coles albums spinning. It's a

811
00:36:21,600 --> 00:36:24,560
Speaker 2: lot of dope elements. Me personally, I would have put

812
00:36:24,680 --> 00:36:26,560
Speaker 2: this there, move shit around, but like, it ain't my

813
00:36:26,640 --> 00:36:28,880
Speaker 2: fucking album. And he could do the same thing when

814
00:36:28,920 --> 00:36:31,200
Speaker 2: I dropped the DOC three. But it's just all like,

815
00:36:31,360 --> 00:36:34,239
Speaker 2: you know how you feel about your project. So it

816
00:36:34,360 --> 00:36:35,799
Speaker 2: was dope to be able to do that for Cold.

817
00:36:35,840 --> 00:36:37,800
Speaker 2: I think the next album I'm excited to do that

818
00:36:38,000 --> 00:36:42,239
Speaker 2: for is Baby King and then Iceman. So I hope

819
00:36:42,280 --> 00:36:44,560
Speaker 2: you know I want Drizzy to be his best Drizzy.

820
00:36:44,320 --> 00:36:46,840
Speaker 3: Because I think I just got some type of feeling.

821
00:36:46,920 --> 00:36:49,279
Speaker 2: Man, yeah, Ice, well.

822
00:36:49,200 --> 00:36:51,440
Speaker 3: He waiting, Man, he's not playing.

823
00:36:52,239 --> 00:36:54,399
Speaker 2: Yeah, man got too.

824
00:36:54,520 --> 00:36:59,680
Speaker 3: Yeah, yeah you gotta go yeah, shout out back was.

825
00:37:00,320 --> 00:37:03,919
Speaker 1: Yeah, imagine getting paid from backwards now.

826
00:37:03,960 --> 00:37:06,759
Speaker 3: Man, listen, man, you gotta do is you gotta tell

827
00:37:06,840 --> 00:37:07,480
Speaker 3: me you're paying me?

828
00:37:07,520 --> 00:37:10,440
Speaker 2: And I got shout out king, Paul, tell me, just

829
00:37:10,560 --> 00:37:10,880
Speaker 2: tell me.

830
00:37:11,120 --> 00:37:13,280
Speaker 3: I got you shout out backwards again.

831
00:37:13,320 --> 00:37:14,439
Speaker 2: King Paul, what's up with y'all?

832
00:37:15,239 --> 00:37:16,480
Speaker 1: Who to talk to him?

833
00:37:16,760 --> 00:37:17,239
Speaker 3: Gonna see it?

834
00:37:17,560 --> 00:37:22,000
Speaker 2: Yeah? Those my guys, man, the super Bowl?

835
00:37:22,160 --> 00:37:24,080
Speaker 3: What I'm smoking? By the way, you get this money

836
00:37:27,160 --> 00:37:30,600
Speaker 3: right there, right here? Those backwoods shout out what you

837
00:37:30,640 --> 00:37:31,000
Speaker 3: got over there?

838
00:37:31,239 --> 00:37:32,759
Speaker 1: You might as well throw on you know what.

839
00:37:33,760 --> 00:37:39,799
Speaker 3: Look the first time, come on, man, is the first time? Yeah,

840
00:37:41,360 --> 00:37:43,640
Speaker 3: shout out Steeze the smoke.

841
00:37:44,000 --> 00:37:46,560
Speaker 2: I ain't gonna lie man, Seve Steeze's seeing the young

842
00:37:46,640 --> 00:37:47,000
Speaker 2: game do.

843
00:37:47,040 --> 00:37:47,360
Speaker 1: What he do?

844
00:37:47,600 --> 00:37:54,399
Speaker 2: Yeah, you remember them boys pulled up what I pulled out?

845
00:38:00,920 --> 00:38:02,200
Speaker 3: Shit ease?

846
00:38:02,320 --> 00:38:03,160
Speaker 2: He was like shit.

847
00:38:06,520 --> 00:38:08,600
Speaker 1: Super Bowl coming back to LA in twenty eight, No,

848
00:38:08,680 --> 00:38:11,520
Speaker 1: actually twenty seven right and reportedly jay Z last year

849
00:38:11,560 --> 00:38:15,760
Speaker 1: of his contract with the NFL. Obviously there was mixed feelings.

850
00:38:15,800 --> 00:38:17,360
Speaker 1: I never I don't know if I heard what you

851
00:38:17,520 --> 00:38:20,400
Speaker 1: thought about it, but obviously you not being included in

852
00:38:20,520 --> 00:38:23,000
Speaker 1: Dre's run a couple of years ago. What are your

853
00:38:23,080 --> 00:38:26,600
Speaker 1: thoughts on that and has it changed it all? Because

854
00:38:26,600 --> 00:38:28,800
Speaker 1: you also saw Wheezy didn't get a chance to perform

855
00:38:28,840 --> 00:38:30,680
Speaker 1: in New Orleans. What is your thoughts kind of where

856
00:38:30,719 --> 00:38:33,640
Speaker 1: that stands and what is your motivation coming into next

857
00:38:33,680 --> 00:38:34,640
Speaker 1: super Bowl, that's up.

858
00:38:35,239 --> 00:38:36,319
Speaker 3: That thought that that's up.

859
00:38:36,480 --> 00:38:41,760
Speaker 2: I feel like super Bowls and halftime performances in certain

860
00:38:41,840 --> 00:38:46,839
Speaker 2: cities should represent and represent for those artists who made

861
00:38:46,880 --> 00:38:49,040
Speaker 2: those cities, you know, like Pop on and on and

862
00:38:49,160 --> 00:38:51,680
Speaker 2: if we're talking about you know, jay Z, you know,

863
00:38:51,800 --> 00:38:53,719
Speaker 2: running it, but I'm not jay Z, and I had

864
00:38:53,719 --> 00:38:55,840
Speaker 2: to I had to put myself in his shoes, and

865
00:38:55,960 --> 00:38:57,719
Speaker 2: then I had to put myself in Dre's shoes and

866
00:38:57,840 --> 00:39:01,400
Speaker 2: be you know a little bit more adote about it

867
00:39:01,480 --> 00:39:03,160
Speaker 2: and just say, hey, man, this is what they want

868
00:39:03,239 --> 00:39:04,840
Speaker 2: to do. I feel like, you know, I feel like

869
00:39:04,920 --> 00:39:07,960
Speaker 2: myself yg like a few others should have been included

870
00:39:08,040 --> 00:39:11,200
Speaker 2: in that. But you know, uh M was there not

871
00:39:11,320 --> 00:39:13,799
Speaker 2: to slight him. You know, Queen Mary j was there,

872
00:39:13,880 --> 00:39:16,040
Speaker 2: not to slight her. And you know, of course Dog

873
00:39:16,120 --> 00:39:18,320
Speaker 2: and Dre was there, and Kendrick was there. But I

874
00:39:18,400 --> 00:39:21,080
Speaker 2: felt like it's la you know what I'm saying. I

875
00:39:21,280 --> 00:39:24,000
Speaker 2: know for sure that they're not gonna put you know,

876
00:39:24,440 --> 00:39:27,560
Speaker 2: if they do one in New York, you know's gonna

877
00:39:27,600 --> 00:39:29,640
Speaker 2: be like, look, we're gonna do Nas the Fat Joe

878
00:39:29,760 --> 00:39:32,200
Speaker 2: and you know, blah blah blah. But yeah, man, I

879
00:39:32,600 --> 00:39:33,960
Speaker 2: just you know, at the end of the day. Man,

880
00:39:34,000 --> 00:39:35,279
Speaker 2: I just watched Bad Bunny.

881
00:39:35,080 --> 00:39:36,160
Speaker 3: Do his thing. Oi Oi.

882
00:39:36,920 --> 00:39:40,080
Speaker 2: You know I heard a thousand olays that I appreciated it. Man.

883
00:39:40,920 --> 00:39:42,839
Speaker 2: So yeah, man, I'm just in a bag where man,

884
00:39:42,920 --> 00:39:45,600
Speaker 2: I I'm enjoying my life and I'm watching other people

885
00:39:45,719 --> 00:39:46,440
Speaker 2: enjoy their as well.

886
00:39:46,840 --> 00:39:50,279
Speaker 4: If you had a decision besides yourself, who would you

887
00:39:50,400 --> 00:39:52,160
Speaker 4: like to see perform the Super Bowl?

888
00:39:52,400 --> 00:39:52,600
Speaker 3: Yeah?

889
00:39:52,960 --> 00:39:56,800
Speaker 2: Chris Brown. Chris Who don't want to see a back flipping,

890
00:39:56,920 --> 00:40:01,640
Speaker 2: light skinned flying through the clouds. Maybe it gotta be brazy, man,

891
00:40:01,719 --> 00:40:04,400
Speaker 2: I want to see Chris Brown. Because we're talking about performers.

892
00:40:04,760 --> 00:40:08,040
Speaker 2: I put him up there with Michael Jackson every single time,

893
00:40:08,080 --> 00:40:10,600
Speaker 2: and people sometimes like, oh, you'll never be Michael jack nigga,

894
00:40:10,800 --> 00:40:13,000
Speaker 2: Like it's one of those people you said, the nigga

895
00:40:13,000 --> 00:40:15,160
Speaker 2: you can't moonwalk telling Chris Brown what he can be.

896
00:40:15,480 --> 00:40:18,160
Speaker 2: But Chris, he don't like the He's like, I'm a

897
00:40:18,239 --> 00:40:20,239
Speaker 2: fan of Michael and I appreciate it, but I'm Chris

898
00:40:20,320 --> 00:40:22,480
Speaker 2: Brown and I love that too. But for me, nigga,

899
00:40:22,480 --> 00:40:25,160
Speaker 2: I ain't Chris Brown and I love Michael Jackson. We

900
00:40:25,239 --> 00:40:27,400
Speaker 2: all grew up to Mike, you know, he the king

901
00:40:27,480 --> 00:40:29,879
Speaker 2: of pop and then Chris gotta be like right there

902
00:40:29,920 --> 00:40:33,000
Speaker 2: with him, man, because as far as performing, if you

903
00:40:33,160 --> 00:40:36,360
Speaker 2: ever watch Chris Brown perform, right and he and he

904
00:40:36,520 --> 00:40:40,200
Speaker 2: in his mid thirties now he's still doing the backflips

905
00:40:40,280 --> 00:40:44,279
Speaker 2: and doing the same shit. Yeah, yeah, and he can

906
00:40:44,320 --> 00:40:46,200
Speaker 2: who I ain't you know, I ain't never seen Aaron Hall.

907
00:40:49,640 --> 00:40:50,920
Speaker 2: I don't want to smoke big dumb.

908
00:40:51,640 --> 00:40:54,200
Speaker 1: L Russell, someone we had on the show a while ago.

909
00:40:54,400 --> 00:40:58,840
Speaker 1: Really behind the scenes, independent hustling, built his audience, just

910
00:40:58,960 --> 00:41:02,719
Speaker 1: signed a rock nation, kind of changing the game in

911
00:41:02,760 --> 00:41:03,319
Speaker 1: the streaming area.

912
00:41:03,360 --> 00:41:03,799
Speaker 3: What do you thought?

913
00:41:03,960 --> 00:41:06,440
Speaker 1: What have you liked about what you've seen him do,

914
00:41:06,560 --> 00:41:08,399
Speaker 1: not only on the music side, but on the business side.

915
00:41:08,440 --> 00:41:11,319
Speaker 2: I look at it like this. You could have your

916
00:41:11,400 --> 00:41:14,680
Speaker 2: barbecue truck in the hood, right, everybody know you got

917
00:41:14,719 --> 00:41:18,600
Speaker 2: the fire barbecue. It's stack Jack five barbecue. Everybody in

918
00:41:18,680 --> 00:41:21,840
Speaker 2: the hood love a barbecue. And you come to a

919
00:41:21,920 --> 00:41:25,400
Speaker 2: point where, you know, Walmart is like, hey, man, we

920
00:41:25,520 --> 00:41:28,120
Speaker 2: want to carry your barbecue sauce, and you're like, damn,

921
00:41:28,200 --> 00:41:29,759
Speaker 2: I got to talk to my family about that. You

922
00:41:29,840 --> 00:41:32,200
Speaker 2: know this, We've been in my people. You go talk

923
00:41:32,239 --> 00:41:34,320
Speaker 2: to your people and they like excited for you and

924
00:41:34,440 --> 00:41:36,160
Speaker 2: happy for you that you're about to be in every

925
00:41:36,320 --> 00:41:38,839
Speaker 2: hood and every Walmart. We're gonna get to stack five

926
00:41:39,520 --> 00:41:42,120
Speaker 2: barbecue sauce, you know from Walmart. But I live in

927
00:41:42,200 --> 00:41:44,640
Speaker 2: Ohio and I'm not from where you're from. Man, I

928
00:41:44,760 --> 00:41:47,000
Speaker 2: think go get it. I think he did enough grinding

929
00:41:47,320 --> 00:41:49,680
Speaker 2: in his backyard and he put on and showed you

930
00:41:50,080 --> 00:41:52,640
Speaker 2: show other artists how to be independent, and I think

931
00:41:52,719 --> 00:41:54,360
Speaker 2: that's worth something. And I think he went to get that.

932
00:41:55,120 --> 00:41:57,640
Speaker 1: Anybody know what type of deal or what type I

933
00:41:57,719 --> 00:42:00,080
Speaker 1: heard his distribution, but I don't really know that for

934
00:42:00,160 --> 00:42:03,600
Speaker 1: conceeds of it. Yeah, well, because you remember the first

935
00:42:03,640 --> 00:42:05,120
Speaker 1: time he said Jay came with some bullshit.

936
00:42:05,640 --> 00:42:07,600
Speaker 3: You know what I mean? Oh no, some of all.

937
00:42:07,640 --> 00:42:10,640
Speaker 1: I mean rock Nation came with some bullshit. So you

938
00:42:10,719 --> 00:42:12,319
Speaker 1: know this time, I mean, he had all the power

939
00:42:12,360 --> 00:42:14,200
Speaker 1: in the world because he had his analytics behind him.

940
00:42:14,480 --> 00:42:19,560
Speaker 2: And you're talking about confidence. Boy, you can't, Hey, you

941
00:42:19,680 --> 00:42:21,920
Speaker 2: can't tell the Russell He ain't fucking ilb be sure

942
00:42:22,080 --> 00:42:26,680
Speaker 2: ninety three niggas right, l Russell walking around like he

943
00:42:26,760 --> 00:42:33,640
Speaker 2: got Matt hair. He walking around like he got Matt hair,

944
00:42:34,200 --> 00:42:37,799
Speaker 2: Kobe game, and he's tall as Jeannie. You can't tell

945
00:42:37,880 --> 00:42:43,120
Speaker 2: that you cannot tell the Russell ship and he can't.

946
00:42:43,200 --> 00:42:44,719
Speaker 2: When I first met the Russell he was like, oh,

947
00:42:44,719 --> 00:42:49,480
Speaker 2: what's up, Jason. I'm like, Nigga, I'm the game. He

948
00:42:49,520 --> 00:42:52,279
Speaker 2: didn't care nothing about that, bro. But yeah, man, I

949
00:42:52,400 --> 00:42:55,000
Speaker 2: love Bro, I love I love Bron. I love what

950
00:42:55,080 --> 00:42:55,439
Speaker 2: he's doing.

951
00:42:56,640 --> 00:42:57,000
Speaker 1: Russell.

952
00:42:57,080 --> 00:43:02,600
Speaker 3: Man, that's the homie streaming number. Lawsuit are streaming fake fake.

953
00:43:02,719 --> 00:43:04,759
Speaker 2: That's why I don't get I don't get excited. You

954
00:43:04,800 --> 00:43:07,160
Speaker 2: ain't gotta scream me. We gotta get like like what

955
00:43:07,320 --> 00:43:09,279
Speaker 2: Cod doing with the physicals and getting out there with

956
00:43:09,360 --> 00:43:11,720
Speaker 2: the fans. What was really hard is the two fans

957
00:43:11,800 --> 00:43:13,959
Speaker 2: that he let roll with him, you know what I'm saying.

958
00:43:14,080 --> 00:43:14,720
Speaker 3: And when.

959
00:43:16,880 --> 00:43:20,399
Speaker 2: That's top tier, real hip hop ship, I love it. Man.

960
00:43:20,440 --> 00:43:23,319
Speaker 2: I was like, Yo, i'ma have to back to pull

961
00:43:23,400 --> 00:43:25,919
Speaker 2: up in their polo. You know, school schoop a couple

962
00:43:25,920 --> 00:43:29,239
Speaker 2: of bot throws up and rode to the album. But yeah, man,

963
00:43:29,480 --> 00:43:32,160
Speaker 2: like that the streams, Bro, I'm not I would you

964
00:43:32,239 --> 00:43:33,640
Speaker 2: know what I was going for the cat for a man,

965
00:43:33,719 --> 00:43:37,120
Speaker 2: I was like, damn, streaming like a motherfucker, And it

966
00:43:37,200 --> 00:43:38,600
Speaker 2: got to a point where I was like, Nah, this

967
00:43:38,719 --> 00:43:42,040
Speaker 2: is ridiculous. It's no way that these guys just streaming

968
00:43:42,280 --> 00:43:45,000
Speaker 2: like this and they at the top of the game,

969
00:43:45,360 --> 00:43:48,520
Speaker 2: and then other niggas just like really amazing, ain't doing

970
00:43:48,640 --> 00:43:50,600
Speaker 2: nowhere close to that. I was like, yeah, it's just

971
00:43:50,680 --> 00:43:52,560
Speaker 2: the bag, you know what I'm saying. It's it's kind

972
00:43:52,600 --> 00:43:54,920
Speaker 2: of like the Payo little but on a different scale

973
00:43:55,080 --> 00:43:57,800
Speaker 2: because you could really kind of hide it behind these bots.

974
00:43:57,840 --> 00:44:00,879
Speaker 2: And it's a nigga in India right now out damn

975
00:44:00,960 --> 00:44:03,520
Speaker 2: their ass naked with draws on with a thousand.

976
00:44:03,280 --> 00:44:04,840
Speaker 3: Phones down.

977
00:44:07,239 --> 00:44:18,960
Speaker 2: You over there listening like I just album, yeah, but

978
00:44:19,040 --> 00:44:20,480
Speaker 2: no that ship cap bro so.

979
00:44:20,840 --> 00:44:25,520
Speaker 4: Apple Music just wiped two million streams billion, two billion streams.

980
00:44:25,560 --> 00:44:28,360
Speaker 4: Excuse me that turned out to be fake, which is crazy.

981
00:44:28,800 --> 00:44:31,080
Speaker 4: That's a lot of that's a lot of art we

982
00:44:31,440 --> 00:44:32,320
Speaker 4: know and listen to.

983
00:44:33,760 --> 00:44:37,719
Speaker 2: That was Cap Yeah, it's uh yeah, I seen it, man,

984
00:44:37,840 --> 00:44:39,200
Speaker 2: And I was like, you know, it's one of the

985
00:44:39,320 --> 00:44:42,640
Speaker 2: things where you know, remember when when Jordan hit Biron

986
00:44:42,719 --> 00:44:44,840
Speaker 2: Russell ass at the freak though line. I was like,

987
00:44:44,920 --> 00:44:47,280
Speaker 2: I got on my knees, like you bitch ass niggas

988
00:44:47,360 --> 00:44:49,759
Speaker 2: like they taking y'all ship. Yeah, but that's that's what

989
00:44:49,920 --> 00:44:52,680
Speaker 2: you get, man. You can't you shouldn't. I mean, you can,

990
00:44:52,840 --> 00:44:55,279
Speaker 2: but it's like you you shouldn't cheat this ship, man,

991
00:44:55,400 --> 00:44:57,880
Speaker 2: you know what I'm saying, Like if if it's only you.

992
00:44:57,920 --> 00:44:59,920
Speaker 3: Know, not good, if you got to cheat it, that's ad.

993
00:45:00,120 --> 00:45:02,080
Speaker 2: You can't. I can't. I can't lay down at night

994
00:45:02,120 --> 00:45:03,959
Speaker 2: and feel good about that. You know what I'm saying.

995
00:45:04,000 --> 00:45:06,040
Speaker 2: I ain't never want to. I had to cheat code

996
00:45:06,040 --> 00:45:08,120
Speaker 2: of Mike Tyson punch Out. But that's the only time

997
00:45:08,920 --> 00:45:10,560
Speaker 2: in country Nigga down up.

998
00:45:10,480 --> 00:45:13,560
Speaker 5: Down, left, right, left right, being select start boy was

999
00:45:13,600 --> 00:45:22,160
Speaker 5: in there. Mama, you want food?

1000
00:45:22,280 --> 00:45:22,480
Speaker 3: Nah?

1001
00:45:25,000 --> 00:45:25,160
Speaker 1: Yeah?

1002
00:45:25,239 --> 00:45:27,720
Speaker 2: Well yeah, other than that, man, like, you know, cheating

1003
00:45:27,760 --> 00:45:29,960
Speaker 2: on a high level. You know that ship is whack.

1004
00:45:29,800 --> 00:45:31,920
Speaker 3: Man AI and music AI artists.

1005
00:45:31,960 --> 00:45:34,480
Speaker 2: Hey, before we get to that, let me ask y'all question. Yeah,

1006
00:45:35,000 --> 00:45:39,880
Speaker 2: I know, yeah, how y'all feel about being college athletes

1007
00:45:40,080 --> 00:45:43,160
Speaker 2: and going through the struggle and then niggas getting these

1008
00:45:43,320 --> 00:45:46,680
Speaker 2: nil deals in college before they even hit the game, man,

1009
00:45:46,760 --> 00:45:49,560
Speaker 2: and then so then when they get drafted, it's kind

1010
00:45:49,560 --> 00:45:50,480
Speaker 2: of you know, these kids.

1011
00:45:50,360 --> 00:45:53,560
Speaker 1: They take their foot off the gas. Yeah yeah, I

1012
00:45:53,640 --> 00:45:55,880
Speaker 1: think Jack went to the league, set the league, But

1013
00:45:56,320 --> 00:45:57,680
Speaker 1: you know what I mean, I was an All American

1014
00:45:57,719 --> 00:45:59,520
Speaker 1: in two sports and I couldn't imagine what kind of

1015
00:45:59,560 --> 00:46:01,480
Speaker 1: money I used to get the me and Ray used

1016
00:46:01,520 --> 00:46:03,240
Speaker 1: to get the twenty five hundred perl graand you couldn't

1017
00:46:03,239 --> 00:46:05,359
Speaker 1: tell us shit. That shit was gone in three days

1018
00:46:05,480 --> 00:46:08,080
Speaker 1: two days in the West World. Yeah, but I just

1019
00:46:08,160 --> 00:46:09,839
Speaker 1: feel like it, you know. And I'm not mad because

1020
00:46:09,840 --> 00:46:11,520
Speaker 1: we've always wanted players to get money. But to me,

1021
00:46:11,640 --> 00:46:14,120
Speaker 1: when you're getting these five hundred or two fifty five

1022
00:46:14,239 --> 00:46:18,120
Speaker 1: hundred million, couple million, like, it's only natural to take

1023
00:46:18,160 --> 00:46:20,080
Speaker 1: your foot off the gas at a young age, like

1024
00:46:20,120 --> 00:46:22,319
Speaker 1: because pros take their foot off the gas when they

1025
00:46:22,400 --> 00:46:24,440
Speaker 1: get paid. So to me, it's just like, I just

1026
00:46:24,520 --> 00:46:26,880
Speaker 1: wish more shit would come with that money, more education,

1027
00:46:27,120 --> 00:46:30,520
Speaker 1: more structure, more understanding of yeah whatever, you get half

1028
00:46:30,600 --> 00:46:31,920
Speaker 1: of that as old back next year.

1029
00:46:31,960 --> 00:46:34,040
Speaker 3: I just think that it's too much of the Wild West.

1030
00:46:34,080 --> 00:46:36,600
Speaker 1: But I don't have as much issue with the money

1031
00:46:36,680 --> 00:46:38,560
Speaker 1: as I do with the age of these motherfuckers that

1032
00:46:38,600 --> 00:46:40,640
Speaker 1: are trying to play college basketball. You think a twenty

1033
00:46:40,640 --> 00:46:45,080
Speaker 1: six year old, twenty six, twenty seven years old motherfuckers

1034
00:46:45,120 --> 00:46:48,120
Speaker 1: gonna make it bro They went, but they went pro

1035
00:46:48,280 --> 00:46:50,000
Speaker 1: and now they're trying to come back to college. And

1036
00:46:50,200 --> 00:46:51,719
Speaker 1: let's saying that because you have sons. Yeah, I'm saying

1037
00:46:51,719 --> 00:46:53,120
Speaker 1: that because I have sons. But it's just I don't

1038
00:46:53,120 --> 00:46:54,520
Speaker 1: want to see now. If I want to see a

1039
00:46:54,560 --> 00:46:56,439
Speaker 1: twenty seven year old nigga that could barely play, I'll

1040
00:46:56,480 --> 00:46:58,840
Speaker 1: go to the pick up play back pick up basketball

1041
00:46:58,880 --> 00:46:59,799
Speaker 1: that the la.

1042
00:46:59,760 --> 00:47:05,040
Speaker 4: fIF I'll go watch the NBA. Nigga in the NBA

1043
00:47:05,280 --> 00:47:06,520
Speaker 4: and it shouldn't be a college.

1044
00:47:06,680 --> 00:47:09,120
Speaker 2: It's funny you reminding me, but how I feel to

1045
00:47:09,239 --> 00:47:12,000
Speaker 2: go nigga from down the block to the NBA. Man,

1046
00:47:12,120 --> 00:47:14,160
Speaker 2: because you because you remember they had it and then

1047
00:47:14,160 --> 00:47:16,040
Speaker 2: they cut that ship out. It was one nigga pissed

1048
00:47:16,040 --> 00:47:17,879
Speaker 2: me off when you got drafted the Pistons. I knew

1049
00:47:17,880 --> 00:47:19,600
Speaker 2: that nigga was he.

1050
00:47:19,719 --> 00:47:21,400
Speaker 1: Was well, he was tough in high school though.

1051
00:47:21,440 --> 00:47:24,120
Speaker 2: Bro, that's cool, but that nigga. I saw that nigga

1052
00:47:24,160 --> 00:47:25,800
Speaker 2: on the pistols, bro, and hey, I don't want to

1053
00:47:25,840 --> 00:47:27,520
Speaker 2: smoke bro that nigga.

1054
00:47:27,640 --> 00:47:27,799
Speaker 1: Man.

1055
00:47:27,880 --> 00:47:29,640
Speaker 2: I was like, yo, Bro, this nigga. They gotta cut

1056
00:47:29,680 --> 00:47:30,080
Speaker 2: this ship out.

1057
00:47:30,080 --> 00:47:31,520
Speaker 1: And we just talked about him the other night.

1058
00:47:31,680 --> 00:47:38,680
Speaker 2: Stop this ship. Look not just him, nigga. He was

1059
00:47:38,719 --> 00:47:40,680
Speaker 2: just in science class. Nigga, you in the NBA.

1060
00:47:40,840 --> 00:47:43,480
Speaker 4: How that feel I mean, it's a you can't really

1061
00:47:43,520 --> 00:47:45,719
Speaker 4: explain it, you know what I'm saying, Like zero two

1062
00:47:45,840 --> 00:47:47,520
Speaker 4: hundred year, you know what I'm saying. You do a

1063
00:47:47,560 --> 00:47:50,239
Speaker 4: lot of fucking up. You know what I'm saying. You

1064
00:47:50,360 --> 00:47:53,040
Speaker 4: do a lot of sucking up and learning from experience.

1065
00:47:53,040 --> 00:47:54,839
Speaker 4: You know what I'm saying. That's that's the bad part

1066
00:47:54,880 --> 00:47:56,640
Speaker 4: of it. Getting the money and your life changing, that's

1067
00:47:56,680 --> 00:47:58,359
Speaker 4: the good part. You know what I'm saying. You could

1068
00:47:58,400 --> 00:48:00,680
Speaker 4: buy everything changing by life. But you do a lot

1069
00:48:00,719 --> 00:48:02,719
Speaker 4: of sucking up and all the fucking up. Only you

1070
00:48:02,880 --> 00:48:05,520
Speaker 4: gotta try to fix when they're all the fucking up

1071
00:48:05,560 --> 00:48:06,960
Speaker 4: and there and all, and then you come to the

1072
00:48:07,160 --> 00:48:09,960
Speaker 4: rock bottom. Ain't nobody around but you. That's the fun

1073
00:48:10,080 --> 00:48:12,439
Speaker 4: the part, you know what I'm saying. But the being

1074
00:48:12,480 --> 00:48:14,440
Speaker 4: able to have be in that position is the blessing.

1075
00:48:14,560 --> 00:48:16,200
Speaker 4: So if you don't take advantage of it that some

1076
00:48:16,280 --> 00:48:19,359
Speaker 4: of you five did, if.

1077
00:48:18,600 --> 00:48:20,959
Speaker 2: I want them, he got game head ass niggas.

1078
00:48:20,920 --> 00:48:24,799
Speaker 1: Jesus mother just focused in third person this nigga said five.

1079
00:48:28,800 --> 00:48:32,880
Speaker 3: I did five. You're still hooping it off.

1080
00:48:33,120 --> 00:48:36,440
Speaker 2: I throw the three up. That means no, that means no,

1081
00:48:37,040 --> 00:48:44,160
Speaker 2: that means that means rebound ship Hey, man, it's because

1082
00:48:44,280 --> 00:48:45,359
Speaker 2: I get mad too much.

1083
00:48:45,480 --> 00:48:45,640
Speaker 3: Man.

1084
00:48:45,880 --> 00:48:48,240
Speaker 2: You know what I'm saying. I'm like, I'm like nigga,

1085
00:48:48,280 --> 00:48:52,560
Speaker 2: I'm like j R. Spree whale nigga to this, I'll

1086
00:48:52,600 --> 00:48:53,959
Speaker 2: be sucked up over some ship.

1087
00:48:54,120 --> 00:48:54,400
Speaker 1: Nigga.

1088
00:48:55,560 --> 00:48:57,440
Speaker 2: Hey, bro, I tell you one thing. Hey, this nigga

1089
00:48:57,440 --> 00:49:00,120
Speaker 2: will right at right here. Yeah, Hey, this nigga right bro,

1090
00:49:00,200 --> 00:49:02,440
Speaker 2: we we're at, Nigga, we're at. I don't know. I

1091
00:49:02,520 --> 00:49:03,560
Speaker 2: think we're domingus.

1092
00:49:03,640 --> 00:49:03,719
Speaker 1: Bro.

1093
00:49:04,120 --> 00:49:08,040
Speaker 2: This nigga Ray said, Number one Ray, pretty boy as fuck.

1094
00:49:08,200 --> 00:49:10,400
Speaker 2: This nigga come through the gym same way as you

1095
00:49:10,480 --> 00:49:13,279
Speaker 2: got now light hair nigga. This nigga, this nigga got

1096
00:49:13,320 --> 00:49:17,879
Speaker 2: the coretas on with damn one everybody. No, Ray Young

1097
00:49:18,000 --> 00:49:20,560
Speaker 2: coming in, Ray Young, Ray Young coming in and I'm

1098
00:49:20,640 --> 00:49:22,880
Speaker 2: just tying my little ship up. I'm over here, you

1099
00:49:22,920 --> 00:49:25,520
Speaker 2: know what I'm saying. Me and Coach Young, we had Freemont,

1100
00:49:25,640 --> 00:49:28,879
Speaker 2: Daryl and all the niggas. This nigga Ray we played.

1101
00:49:28,920 --> 00:49:30,560
Speaker 2: We get in the game. Bro. This nigga Ray, he

1102
00:49:30,640 --> 00:49:32,720
Speaker 2: must have had like forty eight or something. But nigga,

1103
00:49:33,040 --> 00:49:36,520
Speaker 2: I come off, I come off a screen for three dog.

1104
00:49:36,560 --> 00:49:39,200
Speaker 2: This nigga Ray punched me. In the nuts, Bro, like this.

1105
00:49:39,560 --> 00:49:41,840
Speaker 2: I never I never, I never talked to you about that.

1106
00:49:42,040 --> 00:49:43,920
Speaker 2: He this nigga. This nigga was dirty.

1107
00:49:43,960 --> 00:49:44,080
Speaker 1: Bro.

1108
00:49:44,360 --> 00:49:45,839
Speaker 2: I never got hit like that in my life.

1109
00:49:46,400 --> 00:49:46,520
Speaker 3: Bro.

1110
00:49:46,880 --> 00:49:49,000
Speaker 2: I came off of a pick. Ray was like this.

1111
00:49:49,960 --> 00:49:52,240
Speaker 2: I said, nigga, don't body, he's gonna believe this. Nigga

1112
00:49:52,320 --> 00:49:54,799
Speaker 2: just did this shit. Nigga was out of there. But Nah,

1113
00:49:54,920 --> 00:49:57,520
Speaker 2: Ray Ray one of the best basketball players in Los

1114
00:49:57,560 --> 00:50:00,239
Speaker 2: Angeles history. I tell him every time you said last

1115
00:50:00,239 --> 00:50:03,000
Speaker 2: time the bro, this nigga comes fresh as fuck White

1116
00:50:03,040 --> 00:50:04,920
Speaker 2: t that nigga was the pro club king with the

1117
00:50:05,000 --> 00:50:07,799
Speaker 2: shorts swear to God club.

1118
00:50:08,000 --> 00:50:09,759
Speaker 1: I used to call him n B A raight what.

1119
00:50:12,200 --> 00:50:13,000
Speaker 2: Ray young man?

1120
00:50:13,080 --> 00:50:16,040
Speaker 1: N b A Ray Uh you you play against Super

1121
00:50:16,080 --> 00:50:16,600
Speaker 1: crippot all.

1122
00:50:16,719 --> 00:50:18,359
Speaker 2: Absolutely, I played with Super Crew.

1123
00:50:18,520 --> 00:50:18,719
Speaker 3: Yeah.

1124
00:50:19,200 --> 00:50:20,600
Speaker 1: Yeah, David Hamilton.

1125
00:50:20,640 --> 00:50:21,560
Speaker 3: I need to that, bro to.

1126
00:50:22,760 --> 00:50:25,720
Speaker 2: They would, yeah, Dave. Bro. They will put this nigga

1127
00:50:25,760 --> 00:50:29,320
Speaker 2: in the Compton Sentinel or a newspaper and say David

1128
00:50:29,480 --> 00:50:33,120
Speaker 2: super Crip Hamilton, which is crazy the paper. The nigga

1129
00:50:33,239 --> 00:50:36,160
Speaker 2: nickname made the paper, Bro and and and and he

1130
00:50:36,280 --> 00:50:39,000
Speaker 2: went to college. Just call the nigga super super Crip

1131
00:50:39,200 --> 00:50:44,879
Speaker 2: for three, Like nigga what playing Snoop Dogg because cripp

1132
00:50:45,760 --> 00:50:51,160
Speaker 2: Snoop Mak. I swear to God, Bro super Crypt Dave.

1133
00:50:51,239 --> 00:50:53,520
Speaker 2: But Dave is the only Dave is the only nigga

1134
00:50:53,560 --> 00:50:56,080
Speaker 2: who like bomb on, you don't get kicked out the game.

1135
00:50:56,160 --> 00:50:59,279
Speaker 2: He just keep coming that nigga. They ain't They don't

1136
00:50:59,280 --> 00:51:01,879
Speaker 2: even foul this out. Bro, He just did what he wants.

1137
00:51:02,160 --> 00:51:04,680
Speaker 2: He's one nigga to deal with him. And Lamar Gale,

1138
00:51:05,520 --> 00:51:10,440
Speaker 2: Lamar Gale one of them guys. Man, but yeah, Supercript Dave, Dave, Supercrip.

1139
00:51:10,040 --> 00:51:15,719
Speaker 1: Hamilton Man, Lakers, Lakers, Lakers, lebron is is it's I

1140
00:51:15,840 --> 00:51:18,879
Speaker 1: think he set the bar so high that I think

1141
00:51:18,920 --> 00:51:21,959
Speaker 1: it's it's hard for some fans and people who played

1142
00:51:21,960 --> 00:51:24,279
Speaker 1: against him to kind of see him age because he's

1143
00:51:24,440 --> 00:51:28,120
Speaker 1: finally showing his age. Thoughts on him and just the

1144
00:51:28,280 --> 00:51:32,040
Speaker 1: state of the Lakers. Oh yeah, Hold.

1145
00:51:33,880 --> 00:51:36,520
Speaker 3: Who is that? Step Poard? Please? Step Ford, just show

1146
00:51:36,520 --> 00:51:38,279
Speaker 3: your face. Step to show your face because you're gonna

1147
00:51:38,280 --> 00:51:41,480
Speaker 3: get it anyway. Come on, who is it? We got

1148
00:51:41,520 --> 00:51:43,960
Speaker 3: some cushing Wait, the more cushups we add to, so

1149
00:51:44,080 --> 00:51:44,840
Speaker 3: you guys just.

1150
00:51:45,120 --> 00:51:50,640
Speaker 1: Stay high, come on, come on, come on before we out.

1151
00:51:50,880 --> 00:51:54,160
Speaker 3: That's that's okay. Yeah, thirty. It was twenty five yet

1152
00:51:54,239 --> 00:51:56,239
Speaker 3: thirty it's Nate.

1153
00:51:56,800 --> 00:51:57,719
Speaker 1: Please tell me it's Nate.

1154
00:51:58,000 --> 00:51:58,919
Speaker 3: No, it's not Nate.

1155
00:51:59,200 --> 00:52:00,960
Speaker 1: And we'll find out who is. We have enough eyeballs.

1156
00:52:00,960 --> 00:52:02,640
Speaker 1: We ain't got a point thirty to.

1157
00:52:02,640 --> 00:52:05,120
Speaker 3: Show your face. Cush ups coming.

1158
00:52:06,440 --> 00:52:07,719
Speaker 2: That was a little week week ring.

1159
00:52:07,840 --> 00:52:09,120
Speaker 3: So I think I know who it was.

1160
00:52:11,760 --> 00:52:15,279
Speaker 1: Who who? We just waved to us real quick. This wait,

1161
00:52:15,640 --> 00:52:20,400
Speaker 1: oh that's Monica. Oh yeah, oh yeah, you're in trouble.

1162
00:52:21,239 --> 00:52:26,120
Speaker 3: No, it's okay. Thirty five push ups on the way, baby.

1163
00:52:25,920 --> 00:52:30,799
Speaker 1: Baby, you didn't telling the rules? Baby, Yeah, so baby

1164
00:52:30,840 --> 00:52:33,880
Speaker 1: you got maybe you got five of her cushups. Monica,

1165
00:52:33,960 --> 00:52:36,279
Speaker 1: you got ten cushups? All right?

1166
00:52:37,680 --> 00:52:37,879
Speaker 3: Yeah.

1167
00:52:40,480 --> 00:52:41,719
Speaker 1: State of the Lakers in a.

1168
00:52:41,760 --> 00:52:44,320
Speaker 2: Smooth save and State Ofbron the Lakers.

1169
00:52:44,400 --> 00:52:44,600
Speaker 5: Man.

1170
00:52:45,440 --> 00:52:49,680
Speaker 2: You know what again, man Lebron is? How did Lebron forty?

1171
00:52:49,760 --> 00:52:54,439
Speaker 2: Yeah he got forty three? Get trip, bro Lebron's forty

1172
00:52:54,600 --> 00:52:57,000
Speaker 2: forty forty one? I seen him. I just seen him

1173
00:52:57,000 --> 00:52:59,839
Speaker 2: bang on somebody like he wasn't forty one like three

1174
00:53:00,080 --> 00:53:02,680
Speaker 2: days ago, bro or something like that. Man Lebron number

1175
00:53:02,719 --> 00:53:07,759
Speaker 2: one playing at that age incredible like that, man, like

1176
00:53:07,840 --> 00:53:10,719
Speaker 2: shut up, everybody, just shut up. And and his son

1177
00:53:10,800 --> 00:53:11,279
Speaker 2: on the team.

1178
00:53:11,360 --> 00:53:11,440
Speaker 1: Bro.

1179
00:53:12,320 --> 00:53:14,279
Speaker 2: You know what I'm saying, Like his kid is on

1180
00:53:14,480 --> 00:53:15,359
Speaker 2: the team with him.

1181
00:53:15,400 --> 00:53:15,480
Speaker 3: Bro.

1182
00:53:16,239 --> 00:53:18,040
Speaker 2: You know what I'm saying, Like bring your dad to

1183
00:53:18,120 --> 00:53:21,440
Speaker 2: work day, like the every day like like shut up,

1184
00:53:22,000 --> 00:53:23,400
Speaker 2: Like Lebron is just Lebron.

1185
00:53:23,480 --> 00:53:23,560
Speaker 3: Bro.

1186
00:53:23,640 --> 00:53:25,600
Speaker 2: I don't know how long Bro gonna play, but he

1187
00:53:25,880 --> 00:53:28,200
Speaker 2: he in his own lane. Bro, he can stop when

1188
00:53:28,239 --> 00:53:30,520
Speaker 2: he wants to. Man, but it ain't like he ain't

1189
00:53:30,560 --> 00:53:30,960
Speaker 2: losing no.

1190
00:53:31,040 --> 00:53:32,360
Speaker 3: Steam Man as a playoffs.

1191
00:53:32,360 --> 00:53:35,319
Speaker 4: It's amazing to me when I watch him, I'd be like, God, damn,

1192
00:53:35,320 --> 00:53:36,720
Speaker 4: this niggas forty one years.

1193
00:53:37,000 --> 00:53:40,359
Speaker 3: You know what the needs forty at my best day

1194
00:53:41,120 --> 00:53:43,920
Speaker 3: and my best game, with the best tape job, the

1195
00:53:44,040 --> 00:53:45,960
Speaker 3: new Jordan Zone, just feeling good.

1196
00:53:45,880 --> 00:53:49,160
Speaker 4: My tights, new fresh cut, feeling good, feeling like I'm

1197
00:53:49,160 --> 00:53:51,480
Speaker 4: gonna get forty. He doing shit like that that I

1198
00:53:51,520 --> 00:53:55,319
Speaker 4: couldn't do on my best day. That is crazy. That's

1199
00:53:55,520 --> 00:53:57,480
Speaker 4: and I played in the league. That's still amazing.

1200
00:53:57,560 --> 00:53:59,560
Speaker 1: I just don't I hate that we live in a

1201
00:53:59,640 --> 00:54:03,600
Speaker 1: day and where our superstars and our heroes can age gracefully.

1202
00:54:03,719 --> 00:54:06,399
Speaker 2: I watched Vince Carter age gracefully. You know what I'm saying.

1203
00:54:06,440 --> 00:54:08,680
Speaker 2: That's one of my favorite players. All time from North

1204
00:54:08,719 --> 00:54:11,040
Speaker 2: Carolina and Rashid Wallace. I remember when E forty was

1205
00:54:11,080 --> 00:54:14,960
Speaker 2: beefing Rashid Wallace. I was, what's the nigga's name? Wallace?

1206
00:54:16,680 --> 00:54:19,880
Speaker 2: I was like hey, yo, I was like, I'm torn.

1207
00:54:23,480 --> 00:54:26,000
Speaker 2: Yeah it was crazy man, But yeah, man, I watched

1208
00:54:26,080 --> 00:54:32,360
Speaker 2: Vince age age, like you know, Vince's hoop career reminds

1209
00:54:32,480 --> 00:54:34,600
Speaker 2: me and how he went out right on his own

1210
00:54:34,960 --> 00:54:37,200
Speaker 2: type of time remind me of Lennox Lewis, you know

1211
00:54:37,200 --> 00:54:39,200
Speaker 2: what I'm saying, Like Namis Lewis ain't go out with

1212
00:54:39,600 --> 00:54:41,920
Speaker 2: the Manchu and can't remember his name like he was

1213
00:54:42,000 --> 00:54:44,920
Speaker 2: just like you know what, I'm done enough enough. It's

1214
00:54:44,960 --> 00:54:47,040
Speaker 2: how Bud Crawford just kind of sat it down like

1215
00:54:47,840 --> 00:54:50,520
Speaker 2: it ain't super smart, you know what I'm saying. But yeah, man,

1216
00:54:50,640 --> 00:54:52,719
Speaker 2: Vince is one of those guys. Butbron Man, it's like

1217
00:54:52,800 --> 00:54:56,879
Speaker 2: we're talking about Lebron Leban Yang. It's my dad man,

1218
00:54:57,920 --> 00:55:01,160
Speaker 2: Luca Luca like yo, I like no, no, no, I

1219
00:55:01,360 --> 00:55:04,600
Speaker 2: like Luca. I just like Luca. I just I was

1220
00:55:04,680 --> 00:55:05,040
Speaker 2: one of them.

1221
00:55:05,560 --> 00:55:07,719
Speaker 4: The question, Chuck, the question is do you believe in that?

1222
00:55:07,920 --> 00:55:09,759
Speaker 4: Do you believe in Luca Er? Do you believe in

1223
00:55:09,840 --> 00:55:11,600
Speaker 4: Luca dog I believe.

1224
00:55:12,040 --> 00:55:20,960
Speaker 2: The children or the future. I love Luca, but I

1225
00:55:21,080 --> 00:55:25,520
Speaker 2: was one of those I was what I'm telling you, hey,

1226
00:55:26,040 --> 00:55:27,759
Speaker 2: I was one of those niggas who didn't feel like

1227
00:55:27,840 --> 00:55:30,880
Speaker 2: we needed Luca in La because the Laker's be doing

1228
00:55:30,960 --> 00:55:33,040
Speaker 2: some bullshit. Sometimes they make a move we don't need

1229
00:55:33,080 --> 00:55:37,040
Speaker 2: to make. But I appreciate watching Luca do his thing.

1230
00:55:37,160 --> 00:55:37,319
Speaker 3: Man.

1231
00:55:37,360 --> 00:55:39,200
Speaker 2: If anything, I like how you rolled up to the

1232
00:55:39,239 --> 00:55:42,080
Speaker 2: first game, man in the old school, with that back.

1233
00:55:42,000 --> 00:55:45,920
Speaker 3: Door to the you know what I'm saying, Yeah, you

1234
00:55:46,000 --> 00:55:47,520
Speaker 3: have relationship with Elijah.

1235
00:55:48,520 --> 00:55:52,560
Speaker 2: Yeah, man, that's my dog man. Yeah man, yeah, my boy,

1236
00:55:52,719 --> 00:55:53,399
Speaker 2: my boy trap.

1237
00:55:53,600 --> 00:55:53,799
Speaker 3: Man.

1238
00:55:53,920 --> 00:55:57,120
Speaker 2: He put me with Elijah, and Elijah is a great talent.

1239
00:55:57,160 --> 00:55:57,279
Speaker 4: Man.

1240
00:55:57,280 --> 00:55:58,719
Speaker 2: I just talked to him like a few days ago

1241
00:55:59,200 --> 00:56:02,200
Speaker 2: and saying, I didn't, you know, turn the tide for

1242
00:56:02,320 --> 00:56:04,480
Speaker 2: my young brother. But no, I told him, man, I said,

1243
00:56:04,480 --> 00:56:05,880
Speaker 2: you got to relax and let the game come to you.

1244
00:56:06,040 --> 00:56:09,520
Speaker 2: I'll say, you just got there, you know, yes. And

1245
00:56:10,360 --> 00:56:12,320
Speaker 2: I like to think a few of my words is

1246
00:56:12,400 --> 00:56:14,560
Speaker 2: you know why you drop doing his thing?

1247
00:56:15,120 --> 00:56:17,879
Speaker 1: But I think it's dope for us to be able

1248
00:56:17,920 --> 00:56:20,239
Speaker 1: to be in a position where at any time we

1249
00:56:20,360 --> 00:56:24,319
Speaker 1: can give each other's kids the game yet to tell

1250
00:56:24,440 --> 00:56:27,200
Speaker 1: me we can say the same ship and he could

1251
00:56:27,200 --> 00:56:29,040
Speaker 1: say it's a register, you know what I mean. So

1252
00:56:29,280 --> 00:56:30,920
Speaker 1: to be able to have that kind of circle where

1253
00:56:30,920 --> 00:56:32,600
Speaker 1: Elijah can reach, you know, because I talked to him

1254
00:56:32,640 --> 00:56:34,879
Speaker 1: not too long ago. And to have a circle where

1255
00:56:35,440 --> 00:56:37,360
Speaker 1: that your fathers, that the fathers have built, where we

1256
00:56:37,400 --> 00:56:39,080
Speaker 1: can pour back into these kids, whether they are our

1257
00:56:39,160 --> 00:56:40,680
Speaker 1: kids or not, I think that's really important.

1258
00:56:40,719 --> 00:56:44,000
Speaker 2: And then Gil, you know Gil's want Gil special. They

1259
00:56:44,080 --> 00:56:46,239
Speaker 2: got love Man, that's my dog man. But he, you know,

1260
00:56:46,360 --> 00:56:48,680
Speaker 2: hes a genius. Yeah, super genius. One of the smartest

1261
00:56:48,719 --> 00:56:52,279
Speaker 2: people you know the periods and unapologetically him.

1262
00:56:52,880 --> 00:56:55,600
Speaker 1: You know, this segment is brought to you by stock X.

1263
00:56:55,680 --> 00:56:58,240
Speaker 1: Your trust is sore for the most coveted drops.

1264
00:56:58,480 --> 00:57:00,000
Speaker 3: You know, you have a hell of a sneaker collect.

1265
00:57:00,239 --> 00:57:01,720
Speaker 3: My brother, what's your holy grails?

1266
00:57:01,760 --> 00:57:03,960
Speaker 2: I think it's black Cat forards I'm sitting on kind of.

1267
00:57:04,080 --> 00:57:06,680
Speaker 2: I looked at them and I really appreciate what they are.

1268
00:57:07,120 --> 00:57:10,719
Speaker 2: My my phone positive collection is can get solid. It's

1269
00:57:10,760 --> 00:57:14,480
Speaker 2: super solid, you know what I'm saying. Para Normans is

1270
00:57:14,560 --> 00:57:18,439
Speaker 2: in there, you know, so I love them. I think

1271
00:57:18,560 --> 00:57:22,200
Speaker 2: that I'm starting to wear after after twenty years, Bro,

1272
00:57:22,360 --> 00:57:24,200
Speaker 2: And one of them is funny because I posted it.

1273
00:57:24,240 --> 00:57:27,000
Speaker 2: One of my air Macs fell fell apart when I

1274
00:57:27,040 --> 00:57:29,360
Speaker 2: was running it because I hadn't ever wore my air Max.

1275
00:57:30,040 --> 00:57:32,280
Speaker 2: So it's just I ran. I went to just training it,

1276
00:57:32,520 --> 00:57:35,400
Speaker 2: then I ran down the street and it coming apart.

1277
00:57:36,040 --> 00:57:38,240
Speaker 2: But yeah, I'm starting to wear my air Max ninety

1278
00:57:38,320 --> 00:57:39,800
Speaker 2: five man, after twenty years.

1279
00:57:39,880 --> 00:57:41,120
Speaker 1: But you've been on them that long.

1280
00:57:41,720 --> 00:57:42,760
Speaker 3: Yeah, you know what's funny.

1281
00:57:42,800 --> 00:57:44,720
Speaker 1: We got a stock Ex partnership, Bro, and that was

1282
00:57:44,760 --> 00:57:46,720
Speaker 1: back when I couldn't afford shit. Like I was wearing

1283
00:57:46,760 --> 00:57:48,880
Speaker 1: payless shoes up until I got into high school, so

1284
00:57:48,960 --> 00:57:50,640
Speaker 1: we can never afford them. So I'm buying all the

1285
00:57:50,760 --> 00:57:54,040
Speaker 1: nineties five ninety sixes and wearing the fun shout out

1286
00:57:54,040 --> 00:57:57,400
Speaker 1: stock X. We appreciate y'all. Man couldn't afford.

1287
00:57:57,120 --> 00:57:59,360
Speaker 2: It then, but I can now shout out stock X

1288
00:57:59,400 --> 00:58:00,240
Speaker 2: man too.

1289
00:58:01,120 --> 00:58:04,840
Speaker 4: Who got the best shoot in the n B A

1290
00:58:05,000 --> 00:58:05,680
Speaker 4: in the w n B.

1291
00:58:05,680 --> 00:58:10,080
Speaker 2: A the w n B A, Man, I think I seen.

1292
00:58:11,040 --> 00:58:13,520
Speaker 2: I don't know if it was Kaitlyn Clark or somebody

1293
00:58:13,680 --> 00:58:17,960
Speaker 2: got a Jordan that or or jump Man that's that

1294
00:58:18,120 --> 00:58:20,320
Speaker 2: kind of looked fly. I like the Angel Reese joints

1295
00:58:20,360 --> 00:58:23,720
Speaker 2: to the NBA. But you know, unless you get a

1296
00:58:23,920 --> 00:58:26,000
Speaker 2: mother fucking sixteen, like, I can't do nothing with it.

1297
00:58:26,800 --> 00:58:29,960
Speaker 2: But the NBA man like it's it's always gonna be,

1298
00:58:30,280 --> 00:58:33,360
Speaker 2: you know, the Jay's man for me, man, I think

1299
00:58:33,520 --> 00:58:36,720
Speaker 2: I think for me, you know, a good a good eleven,

1300
00:58:37,160 --> 00:58:39,680
Speaker 2: you know, do it for me. I can't hoop in

1301
00:58:39,760 --> 00:58:42,720
Speaker 2: the forest. I don't know, Mike, that's but again this

1302
00:58:42,840 --> 00:58:46,640
Speaker 2: is though I don't. I can't understand, bro. They do

1303
00:58:46,800 --> 00:58:49,520
Speaker 2: some ships like grab you you're right, like.

1304
00:58:51,200 --> 00:58:53,120
Speaker 1: It kept him on the ground though he wasn't really

1305
00:58:53,200 --> 00:58:54,880
Speaker 1: up in the air. Too much of them for getting

1306
00:58:55,080 --> 00:58:57,560
Speaker 1: You'll get you, You'll get you a jab step footwork though.

1307
00:58:57,800 --> 00:59:00,760
Speaker 2: Yeah, and I know the deal is over. But I

1308
00:59:00,840 --> 00:59:03,800
Speaker 2: hooped in Curry's under armis before you had a good

1309
00:59:03,840 --> 00:59:07,600
Speaker 2: time and you told to live about you. I think

1310
00:59:07,640 --> 00:59:09,840
Speaker 2: I think I'm about have jammed on Derel right and

1311
00:59:09,880 --> 00:59:13,720
Speaker 2: the drew in them. Yeah, yeah, yeah, yeah, Jel, I'll

1312
00:59:13,720 --> 00:59:18,920
Speaker 2: still get yeah U c l A.

1313
00:59:19,040 --> 00:59:22,600
Speaker 1: Runs Man legendary quick hitters. First thing to come to mind.

1314
00:59:22,680 --> 00:59:24,760
Speaker 1: Let us know one album you can listen to.

1315
00:59:25,040 --> 00:59:28,040
Speaker 2: Arm repeat Donelle Jones Where I want to be? Where

1316
00:59:28,040 --> 00:59:29,360
Speaker 2: I want to be everybody know.

1317
00:59:29,400 --> 00:59:35,400
Speaker 3: That good great call said that call Childhood.

1318
00:59:34,960 --> 00:59:36,480
Speaker 2: Crush a candy.

1319
00:59:38,240 --> 00:59:41,040
Speaker 1: She was cute, man, she was cute from escape.

1320
00:59:41,280 --> 00:59:49,800
Speaker 2: No from my hood. Yeah, you mean like like celebrity

1321
00:59:50,280 --> 00:59:55,920
Speaker 2: got six kids, You just got childhood crush me along

1322
00:59:56,600 --> 00:59:58,400
Speaker 2: Tyra Banks and Higher Learning.

1323
00:59:58,640 --> 00:59:58,840
Speaker 3: Yeah.

1324
01:00:00,120 --> 01:00:06,120
Speaker 2: Danger. When that ship came out, he was like, I

1325
01:00:06,240 --> 01:00:09,200
Speaker 2: think that's my type. But yeah, man, so them.

1326
01:00:09,160 --> 01:00:14,120
Speaker 1: Too, best undercover low key food spot in l a Ah, Stevee's.

1327
01:00:14,800 --> 01:00:18,040
Speaker 2: I don't know if it's undercover that you ain't ever

1328
01:00:18,080 --> 01:00:20,480
Speaker 2: at Stevee's. I got you man.

1329
01:00:20,760 --> 01:00:22,400
Speaker 1: Yeah, we gotta listen to your album and that ship

1330
01:00:22,440 --> 01:00:24,040
Speaker 1: and man.

1331
01:00:24,040 --> 01:00:28,640
Speaker 3: For sure, best NBA All Star Memory, Vince arm In

1332
01:00:28,680 --> 01:00:29,440
Speaker 3: and Ram chained that.

1333
01:00:29,640 --> 01:00:32,440
Speaker 2: That was like that was just one of the things.

1334
01:00:32,520 --> 01:00:32,640
Speaker 4: Bro.

1335
01:00:32,800 --> 01:00:34,640
Speaker 1: It was like like we didn't really understand what the

1336
01:00:34,920 --> 01:00:35,560
Speaker 1: he did though, Like.

1337
01:00:35,720 --> 01:00:38,320
Speaker 2: Nah it took the replay. I didn't get it. I

1338
01:00:38,360 --> 01:00:41,080
Speaker 2: didn't get it. Yeah, nah he did that, Bro, It

1339
01:00:41,240 --> 01:00:44,800
Speaker 2: was that was crazy. Oh my other one Brent Barry.

1340
01:00:44,760 --> 01:00:48,760
Speaker 1: Oh yeah, Brent took off his warm up jacket.

1341
01:00:49,120 --> 01:00:52,960
Speaker 2: They remind me of Billy ho you white man k jumpy.

1342
01:00:54,920 --> 01:00:55,720
Speaker 1: Yeah, he tried to.

1343
01:00:55,880 --> 01:00:58,040
Speaker 2: I don't know what he did but yeah, I like

1344
01:00:58,160 --> 01:01:01,720
Speaker 2: I like Brent barry Man. He had a nigga on

1345
01:01:01,880 --> 01:01:06,840
Speaker 2: on Live playing with the Clippers for he wouldn't do

1346
01:01:06,880 --> 01:01:07,919
Speaker 2: none of that ship on the game.

1347
01:01:10,520 --> 01:01:12,600
Speaker 3: If you can see one guest on our show, who

1348
01:01:12,640 --> 01:01:15,000
Speaker 3: would it be? But you have to get your answer

1349
01:01:15,120 --> 01:01:15,520
Speaker 3: on the show.

1350
01:01:15,600 --> 01:01:17,080
Speaker 2: I like to see a Dot interview on here.

1351
01:01:17,160 --> 01:01:21,560
Speaker 3: Man, So did you hear the second part of that question? No,

1352
01:01:21,920 --> 01:01:23,840
Speaker 3: you have to help us get your answer on the show.

1353
01:01:24,360 --> 01:01:26,040
Speaker 2: Oh yeah, I'm in a pickle there.

1354
01:01:28,640 --> 01:01:29,960
Speaker 3: Make sure you hit the second part of the.

1355
01:01:32,640 --> 01:01:35,160
Speaker 2: I know, I know, I know, I know Dot. You

1356
01:01:35,280 --> 01:01:36,040
Speaker 2: know my nigga.

1357
01:01:37,840 --> 01:01:40,000
Speaker 1: I've been tapped dancing around the top for a minute

1358
01:01:40,000 --> 01:01:40,320
Speaker 1: about it.

1359
01:01:40,400 --> 01:01:43,840
Speaker 2: And yeah, but you know what, man, he like I

1360
01:01:44,000 --> 01:01:46,400
Speaker 2: know him right here. He'll do it. Man, y'all, you

1361
01:01:46,400 --> 01:01:49,640
Speaker 2: know what I'm saying, y'all for me, I'm still friends

1362
01:01:49,680 --> 01:01:53,000
Speaker 2: with Drake niggas, ain't you know? Niggas impartial to my decisions.

1363
01:01:54,280 --> 01:01:54,960
Speaker 2: I like them both.

1364
01:01:54,960 --> 01:01:55,720
Speaker 3: I ain't got nothing to do.

1365
01:01:56,160 --> 01:01:58,000
Speaker 2: I'm the same as you man. It's just like you know,

1366
01:01:58,080 --> 01:02:00,479
Speaker 2: I can appreciate. I can appreciate both. Like I said,

1367
01:02:00,480 --> 01:02:02,640
Speaker 2: I've been there since Kendrick was a was a was

1368
01:02:02,680 --> 01:02:04,480
Speaker 2: a young Pup and the same for Drake. I was

1369
01:02:04,520 --> 01:02:07,000
Speaker 2: there when Drake came in, but Drake ain't. I couldn't.

1370
01:02:07,000 --> 01:02:09,640
Speaker 2: I just couldn't. I can't turn my back on nobody

1371
01:02:09,720 --> 01:02:12,240
Speaker 2: who I call and they just always there. Or I

1372
01:02:12,320 --> 01:02:14,280
Speaker 2: say the kids want to come to concert and they

1373
01:02:14,360 --> 01:02:16,840
Speaker 2: say sent them all and ship like that, and so

1374
01:02:17,480 --> 01:02:20,480
Speaker 2: fans want you to not be somebody friend or make

1375
01:02:20,560 --> 01:02:22,680
Speaker 2: it about the West Coast or this or that. But

1376
01:02:23,040 --> 01:02:25,400
Speaker 2: you know, to me, like Nigga Dot went and did

1377
01:02:25,800 --> 01:02:29,000
Speaker 2: power and it was on power when I Nigga was

1378
01:02:29,040 --> 01:02:32,040
Speaker 2: still hate Nigga hated fifty to death. I didn't feel like, oh, nigga,

1379
01:02:32,080 --> 01:02:34,560
Speaker 2: when you know you did power, Nigga. I don't fuck fifty.

1380
01:02:34,680 --> 01:02:36,480
Speaker 2: Get a nigga, on't fuck with fifty Nigga's from cop.

1381
01:02:36,640 --> 01:02:38,040
Speaker 2: I don't feel like that. I don't have I don't

1382
01:02:38,080 --> 01:02:40,320
Speaker 2: have that type of you know, hate. So yeah, it

1383
01:02:40,520 --> 01:02:43,000
Speaker 2: is I fuck with everybody, shit, man, I like that. Ship.

1384
01:02:43,200 --> 01:02:44,040
Speaker 2: Drake is my nigga.

1385
01:02:44,480 --> 01:02:48,040
Speaker 1: So you got the deluxe mixtape out now, Documentary three

1386
01:02:48,160 --> 01:02:49,680
Speaker 1: come in summertime.

1387
01:02:50,240 --> 01:02:54,760
Speaker 2: Probably before Man Okay, probably before Okay listened to that.

1388
01:02:55,280 --> 01:02:57,400
Speaker 2: Quarter Zips and Macha listen to that.

1389
01:02:58,720 --> 01:02:59,200
Speaker 3: Listen to that.

1390
01:02:59,720 --> 01:03:03,200
Speaker 1: Man, we gotta we might have something cooking too, stacked

1391
01:03:03,240 --> 01:03:05,000
Speaker 1: with bro, so we're gonna talk about it after this.

1392
01:03:05,680 --> 01:03:09,520
Speaker 1: Might be coming into the family do some work, yeah man.

1393
01:03:09,760 --> 01:03:10,600
Speaker 1: All right, man, that's a wrap.

1394
01:03:10,640 --> 01:03:10,760
Speaker 3: Man.

1395
01:03:10,800 --> 01:03:18,440
Speaker 1: Best of luck, man, appreciate you coming through. You can

1396
01:03:18,560 --> 01:03:20,520
Speaker 1: catch this on all the Smoke Productions YouTube and the

1397
01:03:20,600 --> 01:03:22,280
Speaker 1: Draft Kings Network. We'll see y'all next week.