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Speaker 1: The volume.

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Speaker 2: I can be objective and understand why Drake would want

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Speaker 2: to avoid hip hop media or avoid any real conversation

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Speaker 2: until the time is right of when the album comes out,

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Speaker 2: and he does want to address everything. But you know,

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Speaker 2: perception is still a thing which I think Drake still

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Speaker 2: cares about. Yeah, I don't want to hear it. I mean,

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Speaker 2: I liked him and Bobby on the first interview, but.

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Speaker 3: For what who would like to hear him with us?

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Speaker 2: And they're just going to flip this to be like

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Speaker 2: I'm salty anyone that if Drake went to Drink Champs tomorrow,

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Speaker 2: I'd be a static.

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Speaker 3: I wouldn't.

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Speaker 2: If Drake went to Hot ninety seven tomorrow, ILL be

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Speaker 2: a stack. Drake went to Charlotage tomorrow, I'd be a static.

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Speaker 2: If Drake's sat with Rob Markman, I'd be a static.

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Speaker 3: Like but Bobby also of the United Static.

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Speaker 2: I'm gonna watch it.

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Speaker 3: He doesn't want to Drake Rob mar No.

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Speaker 2: I'm just trying to let you guys know. It's not

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Speaker 2: a salty thing where I'm like mad that Drake is.

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Speaker 2: I'm not the part like if Drake won't sit with me, yo,

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Speaker 2: like then fuck him the way they tried to paint

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Speaker 2: Elliott when Elliott had pointed out, like, you're not sitting

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Speaker 2: with anyone from the culture, and they took that as

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Speaker 2: your salty that he won't sit with you, when Elliott

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Speaker 2: just said somebody of the culture. I'm just saying, I

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Speaker 2: want the Drake interview that answers the questions that I

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Speaker 2: have as a fan at the moment. I'm sure this,

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Speaker 2: Bobby Shou'll be funny. Their first interview was fucking hilarious.

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Speaker 2: I've watched it more than once. It's very funny. I

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Speaker 2: just don't don't really care at this point.

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Speaker 3: Yeah, I just don't.

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Speaker 4: I mean, if you, no matter who you want Drake

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Speaker 4: to sit with, once he sits with them, people gonna say, oh,

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Speaker 4: they didn't ask him this, if he didn't talk about that,

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Speaker 4: he didn't enjoy it.

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Speaker 3: And even if he does, even if they.

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Speaker 4: Ask all the questions that we all want to hear

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Speaker 4: answers to, however Drake answers it, people gonna feel a

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Speaker 4: way about that.

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Speaker 2: Listen.

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Speaker 3: So it's gonna be think pieces about his answers.

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Speaker 2: Somebody's gonna be perp.

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Speaker 4: About his answers, and it dreams about how come he

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Speaker 4: didn't answer this.

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Speaker 3: It's like, everybody, just shut the fuck up.

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Speaker 2: Somebody perfect right now, Angie Martinez. Angie creates a very

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Speaker 2: warm environment, does not avoid questions because Angie will ask

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Speaker 2: you that shit, but she will do it in such

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Speaker 2: an amazing way. That's why she's so good. That's why

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Speaker 2: she's a legend. It'll almost feel like it's a soft question,

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Speaker 2: but she's really asking that shit. She would be a

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Speaker 2: perfect person.

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Speaker 4: Yeah, but then if he goes to sit with Angie,

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Speaker 4: know what they'll say, Oh, why he didn't see with

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Speaker 4: black Boy Max, Why he didn't go sit with this person,

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Speaker 4: Why he didn't go to Charlomagne?

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Speaker 3: Why?

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Speaker 2: I thinks now, just want him to sit with somebody

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Speaker 2: that is going to ask. I'm not saying like straight hardball,

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Speaker 2: fucking knock it out the park, Yo, tell me how

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Speaker 2: you found out if you think Whitney was abused. I'm

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Speaker 2: just saying, Bobby, and it'll be like a curb episode,

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Speaker 2: which is fine. But I think fans want to hear

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Speaker 2: from Drake now. Now. I think the goalpost moves a lot.

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Speaker 3: Oh with him, it moves every every album.

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Speaker 2: I very much enjoyed the conversation with Sizza and Kendrick.

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Speaker 2: But I holds Kendrick to the same thing. I want

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Speaker 2: Kendrick just sit with somebody. Not that he has to,

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Speaker 2: but yeah, that's his A conversation was great and I

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Speaker 2: get that was GQ.

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Speaker 3: Right, bizarre Harper Harper Was it Harper Harper or something

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Speaker 3: like that.

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Speaker 2: I thought it was a really cool conversation between two

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Speaker 2: incredible minds. But I also I would love Kendricks like

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Speaker 2: I loved Nodska sat with him.

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Speaker 3: Talk to Rob Mark now, Kendrick, Kendrick need to get

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Speaker 3: about you need to get up. I'll just see le

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Speaker 3: Kendrick sit right there. Let me talk to Kendrick.

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Speaker 2: I would love that. I think that'd be Let.

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Speaker 3: Me talk to Kendrick. I got I got some questions

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Speaker 3: for Kendrick.

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Speaker 2: I think that would be great.

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Speaker 3: Yeah, I'm gonna ask you.

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Speaker 4: Rob ain't gonna ask because me and Kendrick, you know,

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Speaker 4: I'm saying like, it's just it's just different coming from

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Speaker 4: my face than Rob's face.

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Speaker 3: First of all, I have told you me and Kendrick

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Speaker 3: a probably the same complexion. This is a little different

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Speaker 3: if I ask.

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Speaker 2: Him, which I want the world to know and appreciate

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Speaker 2: you for this I've told you off can if you

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Speaker 2: if Drake wants to do an interview with you, that's like,

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Speaker 2: I won't feel a way. I don't need to go.

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Speaker 2: I don't need to be there. I don't need to

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Speaker 2: produce anything like go do that. And you have said which.

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Speaker 3: I love you me by myself.

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Speaker 2: Yeah, yeah, And you said no I would want which

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Speaker 2: is cool. I'm saying I was leaving us out of it.

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Speaker 2: I want Drake to sit with you. I would want

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Speaker 2: Kendrick to sit with you.

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Speaker 3: I don't want to.

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Speaker 2: I don't also think people would be surprised. I think

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Speaker 2: you would ask Drake real questions. I don't think it

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Speaker 2: would be what the internet has painted you as where

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Speaker 2: it would just be getting off Drake quote unquote talking points.

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Speaker 2: I think you'd ask him real shit. And I think

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Speaker 2: it'd be a comfortable environment. And if he wouldn't want

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Speaker 2: me there, I wouldn't feel no fucking way. Well, I

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Speaker 2: just bring me back some Timptons. And you know, I

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Speaker 2: don't know.

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Speaker 3: No, I don't think it's something not wanting you to.

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Speaker 3: I just, you know, I just laugh at certain shit

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Speaker 3: that I read online sometimes, like.

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Speaker 4: Because I've never been honest. Jewelry I've never thought about

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Speaker 4: sitting and talking to Drake on camera. It's never once

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Speaker 4: crossed my mind. Why is that Because I mean our

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Speaker 4: conversation and our exchanges are like that of me and

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Speaker 4: any of my other homeboys, where it's like I never

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Speaker 4: thought about having my homeboy in front of a camera,

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Speaker 4: ask him the shit that we talk about. So I

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Speaker 4: get Drake is who he is, but I don't look

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Speaker 4: at it through that lens or look at it with

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Speaker 4: that mindset. It's like we speak, we laugh about shit,

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Speaker 4: we talk about shit. He's you know, trusted me with

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Speaker 4: some of his music and some of you know, personal

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Speaker 4: shit he's going through. But I think it's that because

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Speaker 4: he knows that I'm not thinking. I'm not thinking interview.

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Speaker 4: I don't If Drake never gives me sits down on

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Speaker 4: the camera, I wouldn't give a fuck.

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Speaker 3: Oh not.

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Speaker 4: But I know that part right, But people don't say

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Speaker 4: so I'm saying for people that don't know that. So

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Speaker 4: I've never thought about, oh damn, I hope he comes sitting.

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Speaker 4: That's never once crossed my mind.

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Speaker 2: So when you say, if you have a real relationship

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Speaker 2: and that's why they think you're doing it to leverage

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Speaker 2: an interview, which I.

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Speaker 3: Know, which is fucking crazy, but that's cool.

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Speaker 4: They could think that. But what I'm saying is, I

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Speaker 4: don't if you and me and you didn't have a

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Speaker 4: podcast together and you're putting out dope albums and this,

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Speaker 4: that and thirty you had gone through some shit, you

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Speaker 4: my guy, I wouldn't be thinking, like, damn, I hope

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Speaker 4: Rory one day wants to come and sit on camera

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Speaker 4: and we could.

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Speaker 3: Have this come That shit doesn't even cross my mind.

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Speaker 2: With a real friendship. There's an artist that But now,

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Speaker 2: if you sell you, I got some shit.

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Speaker 4: I want to get off more and I want to

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Speaker 4: get it off with you, plus set up the camera's pause.

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Speaker 4: All right, cool, But I'm not in my mind that

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Speaker 4: doesn't even you know. So when I see people say, oh,

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Speaker 4: he didn't he gotta get mall in it, why why?

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Speaker 4: Like I don't because because truthfully, truthfully, the things that

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Speaker 4: we talk about I wouldn't even talk about on camera.

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Speaker 3: I would never ask him that on camera.

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Speaker 4: You get what I'm saying, because I just don't think

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Speaker 4: that people are even worth the answer.

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Speaker 3: Okay, you know what I mean?

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Speaker 4: Because it's like, okay, even if he says even if

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Speaker 4: we get Drake.

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Speaker 3: We get the let's paint the scenario form, we get

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Speaker 3: the drink interview.

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Speaker 4: Gosh, we asked every question that's online, everybody staying around

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Speaker 4: for the week. I don't whatever Drake said, bring the wherever,

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Speaker 4: I wouldn't give a fuck wed Let's do it, even.

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Speaker 2: If he's in New York. Let's fly to Throng.

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Speaker 4: There's things that we've spoken about that I would never

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Speaker 4: ask on care.

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Speaker 2: Of course, but I still think there's like basic ship

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Speaker 2: that Bobby's not gonna ask, or it'll be pitched as

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Speaker 2: like a sarcasm. She'll be like, but she's like, who's

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Speaker 2: this Kendrick cut?

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Speaker 3: Okay.

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Speaker 4: But even even if she does that right, even if

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Speaker 4: she asks the hard hitting questions, even if.

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Speaker 2: She gets to like Bobby asking her, I'm just saying

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Speaker 2: we have a pivot. She'd go from that that human

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Speaker 2: ship to fucking Barbara.

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Speaker 3: Don't know that.

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Speaker 4: We don't know work done. I don't know if she

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Speaker 4: got working on. So you're putting out I don't know

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Speaker 4: about that. What I'm saying is money. It is certain

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Speaker 4: ship that I would never ask. I just would not ask,

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Speaker 4: Like it's just I'm just not I'm.

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Speaker 3: Not, But okay, that's that serious to me.

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Speaker 2: I guess my point is the stuff that would be

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Speaker 2: fine to ask, I think he would ask, and that's

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Speaker 2: the stuff that people want to hear, the stuff that

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Speaker 2: you know and you know only just y'all conversations. I

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Speaker 2: don't even think that's the stuff people would even want.

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Speaker 4: Story even in that, you know why, it doesn't matter

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Speaker 4: because even if he answers the question, you can ask

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Speaker 4: whatever question, it's.

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Speaker 2: Gonna be tough satisfying.

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Speaker 4: It's not gonna satisfy in me fucking body, no matter

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Speaker 4: what he says, no matter what he does, no matter

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Speaker 4: what album he puts out, people already have in mind

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Speaker 4: that don't like Drake and that don't want cool. It

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Speaker 4: doesn't matter what he says. So when people get all

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Speaker 4: worked up about him announcing who he's sitting down talking to,

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Speaker 4: I'm just laughing because I'm like, no matter who he

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Speaker 4: talks to, people are still gonna feel a way about it.

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Speaker 4: So that's why I'm just like, yo, I don't even

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Speaker 4: think like that. Like, my thing is that I want

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Speaker 4: great music, and I want people to be happy in

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Speaker 4: their lives and mother raise their families. That's I don't

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Speaker 4: care if he sits down or she sits down with what.

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Speaker 3: I don't care. I I really that ship does not

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Speaker 3: cross my mind at all. I don't care about it.

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Speaker 3: Like that.

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Speaker 2: What if Drake asked you to do Bobby's second episode

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Speaker 2: in the event that he is uh invested into this

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Speaker 2: new venture.

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Speaker 3: Like me and Bobby sit down.

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Speaker 2: I want to want to be the next guess like

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Speaker 2: how she went to like Drake and then Mark Cuban,

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Speaker 2: it'd be like Drake and then mall.

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Speaker 3: Oh I'm kicking with Bobby. Yeah, why not?

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Speaker 2: I probably would, I wouldn't.

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Speaker 4: I mean, yeah, she seemed like it seems like a

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Speaker 4: cool like a cool conversation, like you know, I mean

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Speaker 4: like what's the what's the pushback there?

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Speaker 2: Like I don't really care that.

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Speaker 3: Yeah, Like I'm like, okay, call.

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Speaker 2: Me a culture vulture. I did. I've definitely went on

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Speaker 2: rants about Bobby. I just don't really care that much.

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Speaker 3: I'm about it.

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Speaker 5: Uh.

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Speaker 2: In the beginning, it was a little it was just

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Speaker 2: a little weird.

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Speaker 3: I thought, what was weird? Like she was a plant?

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Speaker 3: Like where did she?

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Speaker 5: Yeah?

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Speaker 2: Yeah, it was more so that and like, uh, where

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Speaker 2: her like the specific type of acts in the beginning

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Speaker 2: that her team was focused on and then she branched

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Speaker 2: out and then had to come back to hip hop

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Speaker 2: because that the real reaction with that dry humor stuff

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Speaker 2: came because she was coming from outside of the culture.

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Speaker 2: When she would do it with you know, whether it

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Speaker 2: be Bobby Lee or Mark Cuban or other people, she

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Speaker 2: couldn't lean on that because you weren't getting the same

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Speaker 2: reaction either the comedian was carrying it or Mark Cuban

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Speaker 2: was just answering like he wouldn't any interview, which just

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Speaker 2: wasn't interesting the way it was when Drake is playing

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Speaker 2: Rack City Bitch and she's like, I don't know who

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Speaker 2: this is, or she's doing an awful bit. I forgot

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Speaker 2: Shorty's name of I'm a musician, I'm a magician, which

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Speaker 2: which I don't eve understand why'll found that like that

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Speaker 2: was such a bad stage bit. So yeah, I've definitely

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Speaker 2: had some pushback. But what I do with Bobby Jennery, yeah,

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Speaker 2: I don't like, I don't care that much.

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Speaker 4: I just don't know when people get so worked up

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Speaker 4: about these things. I just don't know who they be wanting.

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Speaker 4: People like who do y'all y'all like you can't sit

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Speaker 4: and talk with everybody, like no artists can sit and

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Speaker 4: talk with everybody. So when people get upset, oh he's

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Speaker 4: not talking nobody from the culture.

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Speaker 3: He's not talking.

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Speaker 4: He sat and talked with one of his culture's yachty.

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Speaker 4: They had a conversation and they kicked it out.

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Speaker 2: That was prete beef though.

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Speaker 3: Yeah, okay, so now post beef, they want who do

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Speaker 3: they want? Know?

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Speaker 2: I think that's everyone's point that Drake was very much

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Speaker 2: talking to everybody in the culture pre beef, and now

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Speaker 2: that that happens, it's only been streamers that are not

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Speaker 2: of not even just hip hop, just not music period.

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Speaker 2: So it appears like you're avoiding any type of question

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Speaker 2: that would be asked, which, by the way, I'm fine

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Speaker 2: with at the moment, because I think there's a time

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Speaker 2: and place when you can address those things, and I

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Speaker 2: think it should come with the album. If he wants

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Speaker 2: to just fucking kick it with streamers now and just

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Speaker 2: make a little potshot jokes every now and then, cool,

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Speaker 2: But at some point I think he needs to sit

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Speaker 2: down with somebody.

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Speaker 4: I think he does, and I think he will, And

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Speaker 4: now I also don't feel I also don't understan at

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Speaker 4: some point.

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Speaker 3: Also, I'm with you. I also I'm with you on

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Speaker 3: that as well.

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Speaker 4: But I just don't understand how people don't see the

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Speaker 4: side of it where somebody like Drake and what he,

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Speaker 4: you know, is currently dealing with and going through, what

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Speaker 4: he went through and what he had to sit back

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Speaker 4: and watch people support and amplify. And I don't understand

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Speaker 4: how people don't see how he's turned off and like,

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Speaker 4: I'm never fucking with them again. I'll never kick it

293
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Speaker 4: with them again. I'll never go to that radio station again.

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Speaker 4: I'll never sit down. How do people not see that?

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Speaker 3: Oh? So, see the thing is people are taking it.

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Speaker 3: Oh it's this hip hop, it's just raps entertainment.

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Speaker 4: Cool, But you're not the person standing there that has

298
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Speaker 4: to watch people support a message about you that again

299
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Speaker 4: is the most egregious, most disgusting thing they could ever

300
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Speaker 4: put on them in, especially a father. How do people

301
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Speaker 4: not factor that in? Like, maybe he's never going to

302
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Speaker 4: Hot ninety seven again. Oh, maybe he's never fifteen years ago.

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Speaker 4: I was just so, I was just bringing in other

304
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Speaker 4: but I'm saying, why do people not why do people

305
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Speaker 4: feel like he should just get over it and just

306
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Speaker 4: move on? And just sit down with everybody and talk that.

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Speaker 2: Why do think that I just said it just one No,

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Speaker 2: I'm just I'm like.

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Speaker 3: Why do people people don't factor.

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Speaker 2: That you want to have from them, Because because when

311
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Speaker 2: you get somebody that is of that.

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Speaker 4: Why do you want to hear from him so he

313
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Speaker 4: can answer questions? People are like, Nah, he's lying.

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Speaker 3: He ain't.

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Speaker 4: No, that's not how you feel. You know he's lying.

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Speaker 4: Now you know, why are you suing? Then he's suing

317
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Speaker 4: the labels you a rat, you a snitch?

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Speaker 3: What? What the fuck are we talking about here?

319
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Speaker 2: And obviously I'm not saying Kendrick hasn't done little Easter

320
00:13:39,679 --> 00:13:42,280
Speaker 2: egg stuff like the super Bowl promo or anything. But

321
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Speaker 2: for the most part, he stays quiet and off social media,

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Speaker 2: where as Drake with the Iceman episodes, there's a bunch

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Speaker 2: of things still regarding the beef Instagram, He's talking about

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Speaker 2: it a lot, he says stuff on stage certain times,

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Speaker 2: he's he's wearing certain outfits that address it. That's where

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Speaker 2: I think people want more from him. It's like, all right,

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00:14:01,040 --> 00:14:04,080
Speaker 2: if you're going to keep constantly reminding us every day

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Speaker 2: about this, plus all the lawsuit stuff that goes out

329
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Speaker 2: every day. People want to hear from Drake. I don't

330
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Speaker 2: think it's crazy for fans to want to hear from

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Speaker 2: him when he also constantly, in his own way, brings

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00:14:12,720 --> 00:14:14,840
Speaker 2: it up as well. Whereas Kendrick not to say he's

333
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Speaker 2: quiet all the time, he finds different ways to go

334
00:14:17,200 --> 00:14:22,040
Speaker 2: about it, less energy over there because he's kind of

335
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Speaker 2: to himself, whereas Drake is forward facing with it, even

336
00:14:24,240 --> 00:14:25,880
Speaker 2: when he's talking to the streamers about gamble and I'll

337
00:14:25,880 --> 00:14:26,920
Speaker 2: throw in little shots like no.

338
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Speaker 3: The difference is Drake is the biggest artist in the world.

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Speaker 2: And constantly addressing it.

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Speaker 3: Well, should he not? No, I think he should.

341
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Speaker 2: I'm just believe answering why people would want to hear

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Speaker 2: from Drake.

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Speaker 3: They're going to always want to hear from the biggest

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Speaker 3: artists in the world.

345
00:14:42,560 --> 00:14:46,840
Speaker 2: Sure, but specifically that's why the rap Radar interview was

346
00:14:46,880 --> 00:14:48,960
Speaker 2: so held it Outside of beat Out and Elliott doing

347
00:14:48,960 --> 00:14:51,080
Speaker 2: a great job in that interview and asking every question

348
00:14:51,120 --> 00:14:54,280
Speaker 2: we wanted to hear, there was a lot going on

349
00:14:54,320 --> 00:14:56,360
Speaker 2: in Drake's life at that time, whether it be his kid,

350
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Speaker 2: whether it be the Meek millshit, whether it be the

351
00:14:58,600 --> 00:15:00,800
Speaker 2: pusha T shit, Like a lot was going on where

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00:15:00,840 --> 00:15:03,960
Speaker 2: we want to hear from the biggest artist in the world,

353
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Speaker 2: and this is the first biggest artist in the world

354
00:15:06,440 --> 00:15:10,720
Speaker 2: that we've had access to. You can't name another artist

355
00:15:10,760 --> 00:15:12,800
Speaker 2: at Drake's level that we've ever had access to the

356
00:15:12,840 --> 00:15:15,680
Speaker 2: way we have access to him. No other a lister

357
00:15:15,800 --> 00:15:18,520
Speaker 2: of that magnitude has been on social media the same way,

358
00:15:18,640 --> 00:15:21,520
Speaker 2: the same way. Be outside, like that's where things are

359
00:15:21,520 --> 00:15:25,680
Speaker 2: a bit different. Like even shit with Madonna, who was

360
00:15:25,760 --> 00:15:28,800
Speaker 2: kind of outside like that, she was still like you

361
00:15:28,840 --> 00:15:30,680
Speaker 2: still question you still didn't know what was going on,

362
00:15:31,040 --> 00:15:33,400
Speaker 2: Like you didn't know she was dating Hasten Jack. If

363
00:15:33,400 --> 00:15:34,840
Speaker 2: she had Instagram, maybe you would be like you, I

364
00:15:34,880 --> 00:15:37,520
Speaker 2: have questions, Yeah, why are you walking out with Haitian Jack?

365
00:15:37,520 --> 00:15:38,640
Speaker 2: Why are you on Live with Haitian Jack?

366
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Speaker 3: Right now?

367
00:15:39,480 --> 00:15:43,040
Speaker 2: Things would be different. But yeah, he's forward facing. He's

368
00:15:43,040 --> 00:15:45,680
Speaker 2: the most forward facing star we've ever had in music.

369
00:15:45,800 --> 00:15:48,160
Speaker 2: I asked a question to you, so people once they

370
00:15:48,160 --> 00:15:50,040
Speaker 2: get a taste of that, now you got to live

371
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Speaker 2: in this world. No you don't, I'm saying from a

372
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Speaker 2: fan perspective.

373
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Speaker 4: Yeah, well, fans got to understand that the artist is

374
00:15:56,240 --> 00:15:58,360
Speaker 4: not doesn't have to move when you say move and

375
00:15:58,360 --> 00:15:59,280
Speaker 4: do what you say, doing.

376
00:15:59,160 --> 00:16:02,920
Speaker 3: Skip off well, of course, and of course Callin ain't

377
00:16:02,960 --> 00:16:03,560
Speaker 3: doing no part.

378
00:16:04,800 --> 00:16:07,360
Speaker 2: I think this will be the first run because things

379
00:16:07,400 --> 00:16:10,040
Speaker 2: are a bit different for call even that he would

380
00:16:10,080 --> 00:16:13,520
Speaker 2: have to go on a proper press run different because

381
00:16:13,520 --> 00:16:17,840
Speaker 2: I think him as the promotional machine isn't what it

382
00:16:17,880 --> 00:16:20,320
Speaker 2: was before because he's pulled back a bit, Like during

383
00:16:20,360 --> 00:16:22,480
Speaker 2: the Vine days and was it Vine that he got

384
00:16:22,520 --> 00:16:25,560
Speaker 2: super popular on. It was before TikTok, snapchat, snapchat, like

385
00:16:25,640 --> 00:16:27,040
Speaker 2: he could go on Allen he could do, which he

386
00:16:27,080 --> 00:16:29,840
Speaker 2: probably still can, but he was like he was himself

387
00:16:29,880 --> 00:16:32,400
Speaker 2: the entity he didn't need to like. The press run

388
00:16:32,440 --> 00:16:34,080
Speaker 2: was happy to have him, not the other way around.

389
00:16:34,840 --> 00:16:36,880
Speaker 2: He's pulled back from a lot of that stuff. So

390
00:16:37,040 --> 00:16:39,280
Speaker 2: I think he needs to go back to the press,

391
00:16:39,720 --> 00:16:40,760
Speaker 2: I mean, which is fine.

392
00:16:40,840 --> 00:16:43,720
Speaker 3: I mean, I think cal It is in a very.

393
00:16:45,680 --> 00:16:47,640
Speaker 4: Obviously you know, we we fuck with Calub, but I

394
00:16:47,640 --> 00:16:49,920
Speaker 4: think this may be like to what you're saying, I

395
00:16:49,920 --> 00:16:53,520
Speaker 4: think he's in a very different space now though.

396
00:16:53,800 --> 00:16:54,000
Speaker 3: Yeah.

397
00:16:54,000 --> 00:16:57,440
Speaker 2: I mean I felt since Father of Asad, which I

398
00:16:57,440 --> 00:17:00,200
Speaker 2: thought was a really really good album, that it's kind

399
00:17:00,200 --> 00:17:04,159
Speaker 2: of been wishy washy, like there's joints, but they're not

400
00:17:04,280 --> 00:17:07,320
Speaker 2: as good as the previous Kalid projects. And he's been fine,

401
00:17:07,560 --> 00:17:10,680
Speaker 2: Like maybe he doesn't hit number one because of a

402
00:17:10,760 --> 00:17:14,440
Speaker 2: Tyler album, but he still has like joints. I've seen

403
00:17:14,520 --> 00:17:17,160
Speaker 2: Kaled fail with two albums by Kalid standards, not by

404
00:17:17,600 --> 00:17:19,600
Speaker 2: I could dream to do the numbers that Khaled does.

405
00:17:20,119 --> 00:17:22,800
Speaker 2: But and he's fine, Like he still comes back. People

406
00:17:22,840 --> 00:17:24,760
Speaker 2: are still going to listen to a Kalid album. He's

407
00:17:24,760 --> 00:17:26,680
Speaker 2: still going to get all the A list artists.

408
00:17:27,000 --> 00:17:27,280
Speaker 3: Is it?

409
00:17:28,400 --> 00:17:31,040
Speaker 2: I think so? I think I think that he doesn't

410
00:17:31,080 --> 00:17:34,080
Speaker 2: have well yeah, I mean he kind of went out

411
00:17:34,920 --> 00:17:37,080
Speaker 2: I want to live there. But if you look even then,

412
00:17:37,760 --> 00:17:41,840
Speaker 2: has Drake given anyone more music besides maybe Ross And

413
00:17:41,880 --> 00:17:44,000
Speaker 2: a lot of those records are Kalid records.

414
00:17:43,600 --> 00:17:45,480
Speaker 4: Like yeah, But I mean when I say he's in

415
00:17:45,480 --> 00:17:49,240
Speaker 4: a different like he doesn't have the two Drake records

416
00:17:49,240 --> 00:17:50,640
Speaker 4: that he probably was banking on.

417
00:17:51,240 --> 00:17:53,120
Speaker 2: I mean, he got one of the most iconic jay

418
00:17:53,160 --> 00:17:55,840
Speaker 2: Z verses of the last fifteen years.

419
00:17:55,840 --> 00:17:57,600
Speaker 4: I don't think jay Z will give him on another verse.

420
00:17:58,280 --> 00:18:00,520
Speaker 4: I think I think that was jays. I think did

421
00:18:00,680 --> 00:18:03,320
Speaker 4: was Jay's Like you got to think about it. Jay

422
00:18:03,400 --> 00:18:06,439
Speaker 4: performed that record at the Grammys. Outside of like the

423
00:18:06,480 --> 00:18:09,200
Speaker 4: whole verse like Crypto Arena, like you know what I mean,

424
00:18:09,280 --> 00:18:12,040
Speaker 4: Like he really gave Khaled like a whole thing.

425
00:18:12,080 --> 00:18:13,480
Speaker 2: I didn't like that they put Friday at the kids

426
00:18:13,520 --> 00:18:14,440
Speaker 2: table with John Legend.

427
00:18:14,680 --> 00:18:17,719
Speaker 4: Yeah, but I mean to the point of not having

428
00:18:18,400 --> 00:18:20,640
Speaker 4: Drake records that you obviously would banking on.

429
00:18:21,200 --> 00:18:23,080
Speaker 3: I don't think he'll have another jay Z Verse.

430
00:18:23,240 --> 00:18:25,639
Speaker 2: Here's the thing though, I didn't think on God did

431
00:18:25,680 --> 00:18:27,240
Speaker 2: he would get a jay z Verse? And he got

432
00:18:27,240 --> 00:18:30,439
Speaker 2: a four minute jay z Verse. If I'll admit when

433
00:18:30,480 --> 00:18:32,360
Speaker 2: I'm wrong, and I probably said it on the podcast,

434
00:18:32,520 --> 00:18:34,359
Speaker 2: ain't the way he get another jay Z Like. I

435
00:18:34,400 --> 00:18:36,399
Speaker 2: just didn't feel like the timing was there or Kaled

436
00:18:36,480 --> 00:18:38,719
Speaker 2: was even focusing on music like that at that point.

437
00:18:38,800 --> 00:18:41,520
Speaker 2: And then he got one of the greatest Hove guest

438
00:18:41,520 --> 00:18:42,720
Speaker 2: features ever, which is.

439
00:18:42,640 --> 00:18:44,600
Speaker 3: Why I think he won't get another one. I think

440
00:18:44,640 --> 00:18:45,680
Speaker 3: that was Jay's like.

441
00:18:46,119 --> 00:18:49,760
Speaker 2: But Jay will do things. Jay will give versus to

442
00:18:49,840 --> 00:18:54,119
Speaker 2: his investments, and that's why you get to Beyonce and

443
00:18:54,160 --> 00:18:56,159
Speaker 2: jay Z Records on two different Kalid projects, one with

444
00:18:56,160 --> 00:18:59,600
Speaker 2: the future like he's invested in calit he manages Kaled.

445
00:18:59,800 --> 00:19:05,200
Speaker 4: So yeah, but I still don't again, what an artist

446
00:19:05,280 --> 00:19:08,040
Speaker 4: like Jay who's obviously a legacy artist at this point, Like,

447
00:19:08,119 --> 00:19:12,080
Speaker 4: I just don't know what he does after a record

448
00:19:12,119 --> 00:19:14,760
Speaker 4: or verse like God did, like now what we're gonna

449
00:19:14,760 --> 00:19:16,199
Speaker 4: give it was another I got the Keys Like you

450
00:19:16,240 --> 00:19:18,720
Speaker 4: don't really, but to me, it just feels like this

451
00:19:18,760 --> 00:19:20,920
Speaker 4: is my I'm bowing out, like I'm done, you know

452
00:19:20,960 --> 00:19:21,240
Speaker 4: what I mean?

453
00:19:21,320 --> 00:19:23,960
Speaker 3: What else? What else? What other type of song could

454
00:19:24,160 --> 00:19:26,399
Speaker 3: Kalin and or Jay make for Cali? Do you know

455
00:19:26,440 --> 00:19:27,720
Speaker 3: what I mean? I just don't understand where you go

456
00:19:27,720 --> 00:19:28,040
Speaker 3: from there.

457
00:19:28,119 --> 00:19:31,280
Speaker 2: I don't think he should pivot to the younger, younger audience.

458
00:19:31,280 --> 00:19:33,560
Speaker 2: I think throwing them in the mix a little bits whatever.

459
00:19:33,600 --> 00:19:37,720
Speaker 2: But Kali's real connections where he can have moments is

460
00:19:38,600 --> 00:19:41,760
Speaker 2: when he gets legacy acts ie getting a Jay Z

461
00:19:41,880 --> 00:19:44,679
Speaker 2: verse to be the intro on his album Last Time.

462
00:19:44,720 --> 00:19:49,280
Speaker 2: That was the moment I mean Rihanna, technically, I guess

463
00:19:49,440 --> 00:19:52,480
Speaker 2: was legacy when Wild Thoughts came out. But having moments

464
00:19:52,520 --> 00:19:55,399
Speaker 2: like that, having Alicia Keys on your project, having like

465
00:19:55,520 --> 00:19:57,639
Speaker 2: all these crazy A list names that don't usually do

466
00:19:57,680 --> 00:19:59,800
Speaker 2: shit will be like, all right, I'll give my verse

467
00:20:00,040 --> 00:20:02,399
Speaker 2: for the year or my record for the year to Calid.

468
00:20:02,880 --> 00:20:04,560
Speaker 2: I don't know if the younger generation gives a fuck

469
00:20:04,560 --> 00:20:07,240
Speaker 2: about that. But I also don't know if legacy acts

470
00:20:07,280 --> 00:20:12,199
Speaker 2: are running to do that anymore either. Like Rihanna, it

471
00:20:12,280 --> 00:20:15,399
Speaker 2: took us a Smurfs movie that she was fucking heavily

472
00:20:15,440 --> 00:20:16,800
Speaker 2: involved in to get a record out of that. I

473
00:20:16,840 --> 00:20:19,960
Speaker 2: don't know if she's doing a album. I mean, do

474
00:20:19,960 --> 00:20:20,840
Speaker 2: you think she would get on it.

475
00:20:21,960 --> 00:20:24,920
Speaker 4: I don't think Rihanna is making music because Rihanna realizes

476
00:20:25,080 --> 00:20:27,199
Speaker 4: or feels like it's just not worth her time. The

477
00:20:27,280 --> 00:20:30,960
Speaker 4: music industry is it's a dying thing, Like what is

478
00:20:30,960 --> 00:20:33,600
Speaker 4: the music industry? You see all these artists from years ago, Rory,

479
00:20:33,640 --> 00:20:36,600
Speaker 4: we've seen everybody selling their catalog Yeah, and we didn't

480
00:20:36,600 --> 00:20:39,560
Speaker 4: know why why people selling their entire catalogs for because

481
00:20:39,560 --> 00:20:41,040
Speaker 4: it's like if I can give this much money for

482
00:20:41,040 --> 00:20:43,800
Speaker 4: this music. Now with the way with the way streaming

483
00:20:43,880 --> 00:20:47,400
Speaker 4: is affecting you know things, and how I made AI.

484
00:20:48,440 --> 00:20:51,560
Speaker 4: I think artists just realized, like this thing that we get,

485
00:20:51,560 --> 00:20:55,200
Speaker 4: we came in on with this, with this thing called

486
00:20:55,240 --> 00:20:59,360
Speaker 4: you know, the music industry is changing. H I don't

487
00:20:59,359 --> 00:21:03,080
Speaker 4: think that somebody like Rihanna, obviously she doesn't need the money.

488
00:21:03,240 --> 00:21:07,200
Speaker 4: So it's like it it comes to thing. Is she inspired?

489
00:21:07,920 --> 00:21:09,960
Speaker 2: Yes, that's why I think it's it comes down.

490
00:21:09,880 --> 00:21:12,399
Speaker 4: So why is she not inspired because of all the

491
00:21:12,400 --> 00:21:15,119
Speaker 4: bullshit that surrounds it, the way people move on from

492
00:21:15,160 --> 00:21:17,920
Speaker 4: music so fast now, it's like you could put out

493
00:21:17,920 --> 00:21:20,160
Speaker 4: a you could put out a classic album right now

494
00:21:20,840 --> 00:21:23,800
Speaker 4: and people will be done with it in a month.

495
00:21:24,400 --> 00:21:24,800
Speaker 2: Yeah.

496
00:21:25,520 --> 00:21:27,520
Speaker 3: So it's like when the artists that you know, like.

497
00:21:27,520 --> 00:21:32,919
Speaker 4: A legacy artist, Rihanna, jay Z, whoever else the legacy

498
00:21:33,000 --> 00:21:36,000
Speaker 4: artists are, you can see why they would not be

499
00:21:36,080 --> 00:21:38,639
Speaker 4: inspired to put out new things if they're making so

500
00:21:38,840 --> 00:21:42,119
Speaker 4: much money in other areas. Rihanna is, you know, on

501
00:21:42,200 --> 00:21:44,640
Speaker 4: top of the beauty world right now, billion dollar industry.

502
00:21:44,640 --> 00:21:47,120
Speaker 4: Like she doesn't music to her, it has to either

503
00:21:47,240 --> 00:21:50,520
Speaker 4: inspire just to be inspired or just at a point

504
00:21:50,560 --> 00:21:53,200
Speaker 4: where she's just like totally in love with the sound

505
00:21:53,280 --> 00:21:55,719
Speaker 4: that she found in the studio and you know, like

506
00:21:55,760 --> 00:21:58,320
Speaker 4: the things that have come together as far as the songs.

507
00:21:59,240 --> 00:22:01,080
Speaker 3: But to just be like Rihanna, give us an album.

508
00:22:01,160 --> 00:22:02,199
Speaker 3: She's not doing that.

509
00:22:02,480 --> 00:22:04,800
Speaker 4: Like an artist like that is not doing it because

510
00:22:04,800 --> 00:22:07,960
Speaker 4: they feel like, yo, it's not it's not what y'all think.

511
00:22:08,000 --> 00:22:08,199
Speaker 5: It is.

512
00:22:08,200 --> 00:22:10,080
Speaker 4: It's consumers us on the outside where we know a

513
00:22:10,080 --> 00:22:13,480
Speaker 4: little bit more about the industry, but the average consumer

514
00:22:13,520 --> 00:22:15,639
Speaker 4: doesn't realize the business.

515
00:22:16,280 --> 00:22:18,479
Speaker 3: The music business is not what it once was.

516
00:22:18,880 --> 00:22:21,439
Speaker 2: But that was the beauty of the Kalid album or

517
00:22:21,440 --> 00:22:24,960
Speaker 2: the Kalid single. I e a Hove like, I have

518
00:22:25,000 --> 00:22:26,760
Speaker 2: no interest in putting out an album this year, but

519
00:22:27,119 --> 00:22:29,240
Speaker 2: there's plenty of things I do want to say that

520
00:22:29,320 --> 00:22:34,800
Speaker 2: I don't address unless I'm putting music out. Put album no.

521
00:22:34,880 --> 00:22:37,560
Speaker 2: But I'm saying in Rihanna's only because only want to

522
00:22:37,560 --> 00:22:39,159
Speaker 2: be inspired by one record, or you could have one

523
00:22:39,160 --> 00:22:41,399
Speaker 2: record on your hard drive that you love, and it's like,

524
00:22:42,240 --> 00:22:43,800
Speaker 2: I have to wait to put this out because it

525
00:22:43,800 --> 00:22:46,159
Speaker 2: needs to be surrounded by something. But that was the

526
00:22:46,200 --> 00:22:48,920
Speaker 2: genius of the Kalid project. Like even the jay Z

527
00:22:49,040 --> 00:22:51,840
Speaker 2: Beyonce Shining record, which I think is incredible, It's one

528
00:22:51,840 --> 00:22:54,400
Speaker 2: of my favorite jay Z and Beyonce collapsed. I don't

529
00:22:54,400 --> 00:22:56,159
Speaker 2: think they would have ever put that out had it

530
00:22:56,200 --> 00:22:57,680
Speaker 2: not been around something specific.

531
00:22:58,320 --> 00:22:59,440
Speaker 3: Right, it has to make sense.

532
00:22:59,480 --> 00:23:02,320
Speaker 2: We got beyond rapping with Future and Hove on top off, Like,

533
00:23:02,760 --> 00:23:05,840
Speaker 2: that's not coming out unless Beyonce is doing something or

534
00:23:05,920 --> 00:23:09,680
Speaker 2: jay Z is doing something right, Khalid gives those opportunities.

535
00:23:09,720 --> 00:23:12,840
Speaker 2: I just don't know if anyone's like running to care

536
00:23:12,880 --> 00:23:14,359
Speaker 2: for that in the current climate, which is not a

537
00:23:14,480 --> 00:23:17,159
Speaker 2: not to calid it's a not to the climate. But

538
00:23:17,200 --> 00:23:19,960
Speaker 2: I mean, Rihanna putting out that smurf thing, I don't

539
00:23:19,960 --> 00:23:21,320
Speaker 2: think she's inspired her. I think she would have put

540
00:23:21,359 --> 00:23:22,919
Speaker 2: music out because again, she doesn't need the money, she

541
00:23:22,920 --> 00:23:24,679
Speaker 2: doesn't have to march to anyone's drums or the fuck

542
00:23:24,760 --> 00:23:27,080
Speaker 2: she wants to whatever she wants. She wants to put

543
00:23:27,080 --> 00:23:32,240
Speaker 2: out fucking Celtic reggae, she could do it because it's Rihanna. Yeah,

544
00:23:33,080 --> 00:23:36,520
Speaker 2: I feel like she would do that with a Kalid

545
00:23:36,560 --> 00:23:39,040
Speaker 2: album if that was a thing, that if those moments

546
00:23:39,080 --> 00:23:41,240
Speaker 2: mattered anymore. I just don't know if moments are a

547
00:23:41,280 --> 00:23:42,960
Speaker 2: thing in the music industry anymore.

548
00:23:43,560 --> 00:23:44,440
Speaker 3: What all the moments?

549
00:23:46,359 --> 00:23:49,560
Speaker 2: Uh, everything outside of the music is the moment?

550
00:23:49,640 --> 00:23:54,560
Speaker 4: Is it just us seeing like artists names featured together

551
00:23:54,600 --> 00:23:57,040
Speaker 4: on the song that we never thought like, okay, we

552
00:23:57,080 --> 00:23:59,000
Speaker 4: never thought we would see these two work together, Like

553
00:23:59,080 --> 00:24:01,080
Speaker 4: that's a moment. Okay, we got to hear what that's about,

554
00:24:01,080 --> 00:24:04,240
Speaker 4: what they did. But again, even with that, once you

555
00:24:04,320 --> 00:24:08,000
Speaker 4: hit the record, it's like we just move on. The consumers,

556
00:24:08,160 --> 00:24:11,080
Speaker 4: the average we just move on from things so fast

557
00:24:11,119 --> 00:24:12,960
Speaker 4: now things don't sit with us.

558
00:24:13,000 --> 00:24:13,119
Speaker 3: Like.

559
00:24:13,200 --> 00:24:15,320
Speaker 4: That's why back to what I was saying, I don't

560
00:24:15,359 --> 00:24:19,399
Speaker 4: really care if Jay puts out another album because I

561
00:24:19,440 --> 00:24:22,240
Speaker 4: know what's gonna happen. The people that grew up with

562
00:24:22,320 --> 00:24:23,920
Speaker 4: Ja and that love Jay and hold them to high regard,

563
00:24:23,960 --> 00:24:27,120
Speaker 4: we're gonna love it. But there's a whole new generation

564
00:24:27,240 --> 00:24:30,320
Speaker 4: now and people like that have platforms and spaces and

565
00:24:30,960 --> 00:24:33,000
Speaker 4: they don't care about Jay like that, Like they don't

566
00:24:33,000 --> 00:24:35,840
Speaker 4: hold them to that regard like we do. Like Cardy

567
00:24:35,960 --> 00:24:39,919
Speaker 4: just did the sample the record. Imagine they players that

568
00:24:39,960 --> 00:24:42,480
Speaker 4: song started charting again, that's the first time some people

569
00:24:42,520 --> 00:24:44,200
Speaker 4: ever even heard that Jay record.

570
00:24:44,520 --> 00:24:47,199
Speaker 2: Yeah, but again with someone like a Rihanna or Ja,

571
00:24:47,520 --> 00:24:52,800
Speaker 2: why would their mind move to the younger generation? Why

572
00:24:52,840 --> 00:24:54,000
Speaker 2: why would they even care about that?

573
00:24:54,880 --> 00:24:56,959
Speaker 4: I mean, not that they don't care, but to an extent,

574
00:24:57,080 --> 00:25:00,760
Speaker 4: you have to care about the younger general because it's

575
00:25:00,800 --> 00:25:03,200
Speaker 4: a large part of the consumers. It's a large part

576
00:25:03,240 --> 00:25:07,119
Speaker 4: of the people that are, you know, influencing the sound

577
00:25:07,280 --> 00:25:09,920
Speaker 4: and the new trends and things that are going on.

578
00:25:10,080 --> 00:25:12,720
Speaker 4: Even the slang, the way people talk, the way people dress.

579
00:25:12,960 --> 00:25:16,440
Speaker 4: It's always gonna lean a little younger. That's just how

580
00:25:16,480 --> 00:25:18,800
Speaker 4: it's always been. So you have to kind of be

581
00:25:18,880 --> 00:25:22,679
Speaker 4: in tune with what the new generation is kind of

582
00:25:22,720 --> 00:25:25,040
Speaker 4: doing and what they're into now. Not that you have

583
00:25:25,119 --> 00:25:27,359
Speaker 4: to care. I don't like Jay and Rihalnity. These people

584
00:25:27,359 --> 00:25:29,840
Speaker 4: are you know, life is set forever for these people.

585
00:25:29,880 --> 00:25:32,920
Speaker 4: But I'm just saying, if you're gonna put your art

586
00:25:32,960 --> 00:25:35,879
Speaker 4: into this space, into the consumer space, you have to

587
00:25:35,920 --> 00:25:38,000
Speaker 4: look at who's consuming it. And a large part of

588
00:25:38,000 --> 00:25:40,240
Speaker 4: the consumer base is the younger audience.

589
00:25:42,080 --> 00:25:44,239
Speaker 2: But I would say Taylor Swipt writes better melodies than

590
00:25:44,640 --> 00:25:45,600
Speaker 2: Maria Scientists.

591
00:25:45,680 --> 00:25:48,760
Speaker 6: Okay, you would like bump tailors before Marias.

592
00:25:49,320 --> 00:25:50,320
Speaker 3: What do you mean about bump.

593
00:25:50,359 --> 00:25:51,840
Speaker 6: Like bump like play like in a car?

594
00:25:51,880 --> 00:25:54,760
Speaker 2: Oh? Okay, because Mariah first on a lot of those.

595
00:25:54,800 --> 00:25:56,680
Speaker 4: If I give Rory's carr, he got Taylor Swift playing,

596
00:25:56,680 --> 00:25:57,800
Speaker 4: we're gonna have to have a conversation.

597
00:25:58,080 --> 00:25:58,679
Speaker 3: What's up, fan?

598
00:25:59,520 --> 00:26:05,000
Speaker 2: I probably not bad Blood in the before. Okay, Now,

599
00:26:05,080 --> 00:26:07,200
Speaker 2: we don't like bad Blood, No, No, you know, I

600
00:26:07,640 --> 00:26:08,320
Speaker 2: like Taylor Swift.

601
00:26:08,320 --> 00:26:09,360
Speaker 3: I'm just saying, if I get in.

602
00:26:09,720 --> 00:26:12,399
Speaker 2: That's a that's a in the fucking act legend you

603
00:26:12,440 --> 00:26:15,240
Speaker 2: could throw on bad Blood for sure, nobody that's knocking

604
00:26:15,280 --> 00:26:18,280
Speaker 2: with the twelve and that's knocking for.

605
00:26:18,600 --> 00:26:23,679
Speaker 3: Swift for the accurate that has that has never happened.

606
00:26:24,240 --> 00:26:31,280
Speaker 2: On my same playlist with Cougie Raps.

607
00:26:29,200 --> 00:26:35,359
Speaker 3: Playing like Yo, what's up? We all like, what's the vibe?

608
00:26:35,400 --> 00:26:37,159
Speaker 3: Like what you're going through in your car? If you

609
00:26:37,160 --> 00:26:38,879
Speaker 3: go from Kolgie Wrap to Tailor Swift.

610
00:26:38,920 --> 00:26:41,320
Speaker 2: I actually feel like I should get more into Taylor Swift.

611
00:26:41,760 --> 00:26:45,000
Speaker 2: I don't like Boycott. I'm not an anti tailor person.

612
00:26:45,119 --> 00:26:46,880
Speaker 2: I just haven't taken the time to like get into

613
00:26:46,880 --> 00:26:48,560
Speaker 2: her catalog. I'm sure I probably like it because I

614
00:26:48,560 --> 00:26:49,240
Speaker 2: love pop music.

615
00:26:49,720 --> 00:26:51,159
Speaker 4: I like Taylor Swift, but I mean, I gotta be

616
00:26:51,240 --> 00:26:52,680
Speaker 4: I can't be at that. I gotta be doing something

617
00:26:52,680 --> 00:26:54,480
Speaker 4: like I gotta be in Target or something like that.

618
00:26:54,520 --> 00:26:56,480
Speaker 2: I got. You know, you have to be waiting in line.

619
00:26:58,000 --> 00:27:01,000
Speaker 3: Taller trees. I gotta because she helps you. Taylor helps

620
00:27:01,040 --> 00:27:02,720
Speaker 3: you remember that you need pay per towels.

621
00:27:03,119 --> 00:27:05,280
Speaker 4: Like when you go to Target and you pushing the

622
00:27:05,320 --> 00:27:08,200
Speaker 4: car and you're walking around like Tailor's She's gonna say something.

623
00:27:08,240 --> 00:27:09,639
Speaker 3: We'd be like pay per towels.

624
00:27:09,680 --> 00:27:11,439
Speaker 2: Yeah, you gotta go get the paper thinking about your

625
00:27:11,480 --> 00:27:11,800
Speaker 2: ex and.

626
00:27:13,480 --> 00:27:15,119
Speaker 3: Yeah, that's why I like Taylor. She helps you get

627
00:27:15,160 --> 00:27:16,600
Speaker 3: your crib together, get your home together.

628
00:27:16,720 --> 00:27:19,520
Speaker 4: Speaking of getting home together, congratulations to Taylors with yes

629
00:27:19,640 --> 00:27:24,240
Speaker 4: Travis Kelsey announcing their engagement. I think that that was big,

630
00:27:24,600 --> 00:27:26,280
Speaker 4: great happy news over the week.

631
00:27:26,400 --> 00:27:28,920
Speaker 3: So you didn't think I was happy for them?

632
00:27:28,920 --> 00:27:30,879
Speaker 4: Man, they look like they're happy, like they enjoy each other,

633
00:27:30,960 --> 00:27:33,120
Speaker 4: look like they're having a great time and and doing

634
00:27:33,160 --> 00:27:33,639
Speaker 4: life together.

635
00:27:33,920 --> 00:27:34,960
Speaker 2: We got to we have to stop this.

636
00:27:35,119 --> 00:27:39,000
Speaker 4: Congrats to them, like they're having a really good time

637
00:27:39,080 --> 00:27:40,440
Speaker 4: together and really enjoying each other.

638
00:27:40,480 --> 00:27:43,320
Speaker 2: We honestly, we need to stop lying. Myself included on

639
00:27:43,359 --> 00:27:46,240
Speaker 2: this podcast. As far as you were not happy.

640
00:27:45,880 --> 00:27:48,520
Speaker 3: For them, I was. I was happy for Travis.

641
00:27:48,680 --> 00:27:50,320
Speaker 2: You would like during this week when he was just

642
00:27:50,359 --> 00:27:52,320
Speaker 2: quiet by yourself, he was like you felt a sense

643
00:27:52,359 --> 00:27:52,800
Speaker 2: of joy?

644
00:27:53,119 --> 00:27:55,800
Speaker 3: Yes, they were. That was beautiful news. I was so

645
00:27:55,840 --> 00:27:58,400
Speaker 3: happy you scrolled past it when and that just kept

646
00:27:58,400 --> 00:27:58,639
Speaker 3: going on.

647
00:27:58,680 --> 00:28:00,760
Speaker 4: I was so happy for Travis. I was so happy

648
00:28:00,760 --> 00:28:03,160
Speaker 4: for them. I was like, you know what good for them? Man,

649
00:28:03,240 --> 00:28:07,000
Speaker 4: like make it official, get married, have beautiful children, and

650
00:28:07,160 --> 00:28:07,720
Speaker 4: enjoy life.

651
00:28:07,960 --> 00:28:12,280
Speaker 2: I truly don't think I've ever been happy for a

652
00:28:12,359 --> 00:28:16,719
Speaker 2: couple that I didn't know really by like the actual

653
00:28:16,800 --> 00:28:19,400
Speaker 2: like like I felt a sense of joy when two

654
00:28:19,400 --> 00:28:23,760
Speaker 2: people found love unless I knew them. Okay, Like this

655
00:28:23,800 --> 00:28:24,960
Speaker 2: is good, I mean good for them.

656
00:28:25,080 --> 00:28:26,880
Speaker 3: Yeah, but that's what I said. That so great, it's

657
00:28:26,880 --> 00:28:27,360
Speaker 3: great for them.

658
00:28:27,520 --> 00:28:30,320
Speaker 2: Like I think I think Travis's mom is happy. I

659
00:28:30,320 --> 00:28:31,920
Speaker 2: wouldn't yet, I wouldn't say I'm happy.

660
00:28:32,080 --> 00:28:36,760
Speaker 3: Yes, you're getting married. I don't care.

661
00:28:37,560 --> 00:28:39,760
Speaker 2: Yeah exactly, but yeah.

662
00:28:39,720 --> 00:28:40,840
Speaker 3: But you don't do that.

663
00:28:41,080 --> 00:28:43,280
Speaker 4: Don't do that because if Mariah Thug get married tomorrow,

664
00:28:43,280 --> 00:28:44,200
Speaker 4: you gonna come in here crying.

665
00:28:45,680 --> 00:28:47,160
Speaker 3: So don't do that because.

666
00:28:46,880 --> 00:28:49,000
Speaker 2: You did cry when she left the stage when Thug

667
00:28:49,040 --> 00:28:49,760
Speaker 2: got out, and she was.

668
00:28:49,720 --> 00:28:53,480
Speaker 7: Like, yeah, yo cry because she cried. She was crying

669
00:28:53,480 --> 00:28:56,800
Speaker 7: and I was crying. It was an emotional stadium. Yeah,

670
00:28:57,200 --> 00:28:59,640
Speaker 7: it was emotional stadium. Her boyfriend had been locked up.

671
00:28:59,680 --> 00:29:01,000
Speaker 7: She found I know right then at that moment that

672
00:29:01,440 --> 00:29:03,400
Speaker 7: day that he was getting out, like she was crying.

673
00:29:03,400 --> 00:29:03,959
Speaker 3: It was emotional.

674
00:29:04,000 --> 00:29:05,560
Speaker 6: I was very happy for her, Yes, at.

675
00:29:05,440 --> 00:29:08,240
Speaker 4: That moment, an emotion of some things that you could

676
00:29:08,280 --> 00:29:09,960
Speaker 4: be happy for if she if she announces that she

677
00:29:10,360 --> 00:29:11,200
Speaker 4: got married.

678
00:29:12,320 --> 00:29:15,760
Speaker 7: Oh I hope you like I don't, Okay, So when

679
00:29:15,760 --> 00:29:18,240
Speaker 7: I say, like genuinely happy, like if I scroll past

680
00:29:18,280 --> 00:29:20,360
Speaker 7: some shit like I'm thinking, like when I put my

681
00:29:20,440 --> 00:29:23,320
Speaker 7: phone down, I'm still in a good mood when I like,

682
00:29:23,360 --> 00:29:25,280
Speaker 7: oh my god, I'm really happy for them. Like that

683
00:29:25,400 --> 00:29:27,360
Speaker 7: changed the trajectory of my day. I don't give a

684
00:29:27,360 --> 00:29:28,720
Speaker 7: funk on nobody else getting married.

685
00:29:28,960 --> 00:29:32,120
Speaker 4: I ain't no ring on my finger, And with that attitude,

686
00:29:32,120 --> 00:29:34,560
Speaker 4: it won't be.

687
00:29:33,520 --> 00:29:34,800
Speaker 6: Because I'm not happy.

688
00:29:34,480 --> 00:29:35,800
Speaker 3: For strangers exactly.

689
00:29:35,880 --> 00:29:41,160
Speaker 4: See, you receive what you give reciprocity into the universe,

690
00:29:41,200 --> 00:29:41,760
Speaker 4: right exactly.

691
00:29:42,320 --> 00:29:44,040
Speaker 3: You gotta be happy for others so that others can

692
00:29:44,080 --> 00:29:44,440
Speaker 3: be happy.

693
00:29:44,480 --> 00:29:47,160
Speaker 2: So you shouldn't, you know, work on yourself, set your

694
00:29:47,160 --> 00:29:50,320
Speaker 2: boundaries and find your soulmate. You should just like clap

695
00:29:50,400 --> 00:29:52,560
Speaker 2: for celebrities when they get engaged. That so then that

696
00:29:52,600 --> 00:29:54,160
Speaker 2: way your so mate will then find you.

697
00:29:54,280 --> 00:29:55,160
Speaker 3: What was kind of like because we.

698
00:29:55,080 --> 00:29:57,400
Speaker 4: Saw the start of this, we followed it, we're kind

699
00:29:57,400 --> 00:29:59,320
Speaker 4: of like, okay, cool and thought it was a joke. Yeah,

700
00:29:59,360 --> 00:30:01,479
Speaker 4: we thought it was a a PR stunt in all

701
00:30:01,480 --> 00:30:03,880
Speaker 4: of these things, which he might still be, but.

702
00:30:03,880 --> 00:30:05,080
Speaker 3: You know it's okay.

703
00:30:05,240 --> 00:30:10,120
Speaker 2: I will say, Okay, it did validate podcasting. Why so

704
00:30:10,160 --> 00:30:13,680
Speaker 2: I'm happy about that because he joking wasn't. This whole

705
00:30:13,720 --> 00:30:15,440
Speaker 2: thing started when he was talking with his brother like

706
00:30:15,680 --> 00:30:18,320
Speaker 2: about Taylor, like, nah, she's she's cute.

707
00:30:18,840 --> 00:30:20,720
Speaker 3: Didn't that start the whole thing? He was on a podcast.

708
00:30:21,000 --> 00:30:21,280
Speaker 3: It wasn't.

709
00:30:21,280 --> 00:30:23,800
Speaker 2: Because he had four touchdowns that week he talks about

710
00:30:23,800 --> 00:30:28,760
Speaker 2: it on a podcasting that legitimately started the rumor conversation.

711
00:30:28,840 --> 00:30:30,440
Speaker 2: And then they ended up meeting because it became a

712
00:30:30,520 --> 00:30:33,280
Speaker 2: running joke on the internet and then love was found.

713
00:30:33,320 --> 00:30:34,600
Speaker 3: So we put them together.

714
00:30:36,120 --> 00:30:38,880
Speaker 2: Yeah, I think anything podcasts related, we are attached to

715
00:30:38,960 --> 00:30:41,520
Speaker 2: as a genre and a culture and as a family.

716
00:30:41,600 --> 00:30:45,280
Speaker 4: It's a culture family. See, family is getting engaged. They

717
00:30:45,280 --> 00:30:46,280
Speaker 4: got engaged in marriage.

718
00:30:46,280 --> 00:30:46,440
Speaker 5: Fan.

719
00:30:46,520 --> 00:30:49,480
Speaker 2: Now if Travis stops podcasting after he gets married, then

720
00:30:49,480 --> 00:30:50,160
Speaker 2: he's a culture culture.

721
00:30:50,240 --> 00:30:51,480
Speaker 3: Yeah, then he's out of here. Then we kicked that.

722
00:30:51,520 --> 00:30:53,640
Speaker 2: Yeah, I can't like you just used us to go

723
00:30:53,920 --> 00:30:57,280
Speaker 2: find love with like I guess some some people like

724
00:30:57,320 --> 00:31:00,240
Speaker 2: her some people and then you just you left left

725
00:31:00,280 --> 00:31:02,760
Speaker 2: us all hanging. If the entire podcast community is not

726
00:31:02,800 --> 00:31:05,000
Speaker 2: invited to the wedding, then I do feel some type

727
00:31:05,000 --> 00:31:08,760
Speaker 2: of way. I feel like that's we're old that at least,

728
00:31:09,600 --> 00:31:11,479
Speaker 2: like you think Travis and them got the same CPM.

729
00:31:11,600 --> 00:31:15,000
Speaker 2: If we didn't put the legwork in first, Like do

730
00:31:15,080 --> 00:31:17,680
Speaker 2: they even does Taylor even hear their podcast without us?

731
00:31:19,480 --> 00:31:20,360
Speaker 2: That's where I'm at with this.

732
00:31:20,320 --> 00:31:21,320
Speaker 3: Whole shit hit.

733
00:31:22,040 --> 00:31:24,360
Speaker 2: Where do you How do you plan a Taylor Swift wedding?

734
00:31:25,840 --> 00:31:26,600
Speaker 3: It's a big wedding.

735
00:31:26,640 --> 00:31:28,400
Speaker 2: I was talking to the last time. How they even

736
00:31:28,440 --> 00:31:31,280
Speaker 2: do Thanksgiving? I would be so scared in if I

737
00:31:31,360 --> 00:31:33,000
Speaker 2: was Travis right now. How do you do a Taylor

738
00:31:33,040 --> 00:31:33,600
Speaker 2: Swift wedding?

739
00:31:33,640 --> 00:31:36,560
Speaker 6: I'm sure it's so much less work than you think

740
00:31:36,600 --> 00:31:37,040
Speaker 6: it will be.

741
00:31:37,000 --> 00:31:39,840
Speaker 2: Like Albano has to marry us, Like, I don't even

742
00:31:39,880 --> 00:31:40,200
Speaker 2: know how.

743
00:31:40,120 --> 00:31:40,440
Speaker 7: You do this.

744
00:31:41,080 --> 00:31:44,000
Speaker 6: Like, just they're regular people. They like regular stuff.

745
00:31:47,320 --> 00:31:48,760
Speaker 2: Taylor Swift is not a regular person.

746
00:31:50,280 --> 00:31:50,920
Speaker 6: She's a human.

747
00:31:51,480 --> 00:31:52,720
Speaker 2: I agree that she is a human.

748
00:31:52,800 --> 00:31:55,920
Speaker 7: So outside of the security measures, I'm sure she just

749
00:31:55,960 --> 00:31:57,600
Speaker 7: wants like normal girl stuff.

750
00:31:58,040 --> 00:32:00,000
Speaker 4: She ain't gonna they gonna go somewhere to another country

751
00:32:00,120 --> 00:32:01,840
Speaker 4: with people that don't even know who they are.

752
00:32:02,640 --> 00:32:04,360
Speaker 6: There's no country they will go to where people don't

753
00:32:04,360 --> 00:32:06,040
Speaker 6: know who Taylor Swift is. But I hear what you're saying.

754
00:32:06,520 --> 00:32:08,360
Speaker 4: No, I go to some countries and they might not know.

755
00:32:08,400 --> 00:32:10,440
Speaker 4: Remember when Beyonce and Jay was walking to the Lou

756
00:32:11,000 --> 00:32:12,640
Speaker 4: He's like, who are you? And Jay was like who

757
00:32:12,640 --> 00:32:16,920
Speaker 4: are you? Only didn't know he didn't know who Jay

758
00:32:16,960 --> 00:32:17,720
Speaker 4: and Beyonce was.

759
00:32:17,840 --> 00:32:20,400
Speaker 6: Yeah, but Jay and Beyonce aren't Taylor Swift. And that's

760
00:32:20,400 --> 00:32:21,800
Speaker 6: no disrespected Jay and Beyonce.

761
00:32:23,080 --> 00:32:26,920
Speaker 7: That's not disrespected Ja and beyond that's that's.

762
00:32:28,960 --> 00:32:31,000
Speaker 2: I think there would be countries where people wouldn't know

763
00:32:31,960 --> 00:32:36,520
Speaker 2: Jay z I don't know Taylor Swifts a little different.

764
00:32:36,520 --> 00:32:38,000
Speaker 2: I feel like, you go to Antarctica and the fucking

765
00:32:38,000 --> 00:32:39,280
Speaker 2: penguin's gonna know Taylors.

766
00:32:39,520 --> 00:32:41,080
Speaker 4: You don't think if you don't think if Jay and

767
00:32:41,080 --> 00:32:43,560
Speaker 4: Beyonce go to Antarctica, they somebody's going to.

768
00:32:43,720 --> 00:32:45,920
Speaker 2: Ja was on the Entring on the Barclays and this one.

769
00:32:46,000 --> 00:32:49,200
Speaker 2: The woman was like, yo, you're famous. He's like, sort of.

770
00:32:50,040 --> 00:32:50,560
Speaker 3: I just think that.

771
00:32:50,840 --> 00:32:53,400
Speaker 4: I think that as big of a star as Taylor

772
00:32:53,400 --> 00:32:56,800
Speaker 4: Swift is, if she goes to other countries, she she

773
00:32:57,000 --> 00:33:02,280
Speaker 4: just has this very like kind of like grow through

774
00:33:02,280 --> 00:33:04,200
Speaker 4: aesthetic where it's just like she could be working in

775
00:33:04,240 --> 00:33:07,640
Speaker 4: a library, a bookshop, she could be a baristae at

776
00:33:07,680 --> 00:33:10,000
Speaker 4: a coffee shop. Like she has this look about it

777
00:33:10,080 --> 00:33:12,080
Speaker 4: that just fits in, like you know what I.

778
00:33:12,120 --> 00:33:14,240
Speaker 2: Mean, like it's like she could be Sarah Jessica Parker's

779
00:33:14,320 --> 00:33:17,560
Speaker 2: daughter more or less every white woman. Yeah, type of thing.

780
00:33:18,400 --> 00:33:20,120
Speaker 2: But I mean she still tells there's gonna be like

781
00:33:20,320 --> 00:33:22,520
Speaker 2: Navy seals around her, Like, who the fuck is that?

782
00:33:22,880 --> 00:33:25,040
Speaker 4: I think it's easier for Taylor Swift to walk around

783
00:33:25,080 --> 00:33:28,040
Speaker 4: in Manhattan kind of like dressed down, just sidling like hoodie,

784
00:33:28,160 --> 00:33:32,720
Speaker 4: then it will be for Beyonce. No, I think Taylor Swift.

785
00:33:32,840 --> 00:33:35,320
Speaker 4: I think Taylor Swift could fit in in in Manhattan

786
00:33:35,920 --> 00:33:36,720
Speaker 4: way before beyond.

787
00:33:36,760 --> 00:33:37,640
Speaker 3: Oh well, okay, so.

788
00:33:39,320 --> 00:33:43,400
Speaker 7: Yes, in disguise, right, I think in disguise, I'm just.

789
00:33:43,080 --> 00:33:46,720
Speaker 4: Just dressed down, like no gl glam, just like straight

790
00:33:46,800 --> 00:33:51,320
Speaker 4: up like sweats, you know, jacket whatever, going to like

791
00:33:51,400 --> 00:33:53,760
Speaker 4: the store, get something like some groceries.

792
00:33:54,800 --> 00:33:55,280
Speaker 2: Before beyond.

793
00:33:56,360 --> 00:33:58,880
Speaker 4: I don't think so, man So this is I think

794
00:33:58,880 --> 00:34:01,880
Speaker 4: Taylor Swift fits into manhatt and way more than Beyonce.

795
00:34:02,520 --> 00:34:03,480
Speaker 3: Beyon stands out.

796
00:34:03,720 --> 00:34:06,400
Speaker 7: We we have this thing, right, and this is this

797
00:34:06,480 --> 00:34:09,080
Speaker 7: is a it's not a racist thing, but there's this

798
00:34:09,160 --> 00:34:11,359
Speaker 7: thing where you know, how white people think all black

799
00:34:11,360 --> 00:34:14,120
Speaker 7: people look like black people kind of think all white

800
00:34:14,120 --> 00:34:16,640
Speaker 7: people look like a little bit and it's like to

801
00:34:16,760 --> 00:34:19,120
Speaker 7: white people they will Rory.

802
00:34:18,880 --> 00:34:20,000
Speaker 3: And Peage looked just alike.

803
00:34:21,080 --> 00:34:22,120
Speaker 2: That is actually very true.

804
00:34:25,719 --> 00:34:27,040
Speaker 7: White people say that, I mean, you are t ones

805
00:34:27,040 --> 00:34:28,719
Speaker 7: all the time. They say, I look like Mall, we're

806
00:34:28,719 --> 00:34:30,239
Speaker 7: here all the time all the time.

807
00:34:30,280 --> 00:34:31,040
Speaker 3: That you don't.

808
00:34:31,200 --> 00:34:33,799
Speaker 6: I swear to you that happens a lot.

809
00:34:33,840 --> 00:34:34,040
Speaker 3: Though.

810
00:34:34,320 --> 00:34:37,520
Speaker 2: If first day of the pod walked in and if

811
00:34:37,520 --> 00:34:40,640
Speaker 2: I told y'allo, this is my older brother Peach, nobody

812
00:34:40,640 --> 00:34:44,160
Speaker 2: would question it. Nobody same parents, Yeah, this is his

813
00:34:44,200 --> 00:34:44,600
Speaker 2: older brother.

814
00:34:45,480 --> 00:34:48,160
Speaker 3: Would never questioned me. Of course that's your brother.

815
00:34:48,360 --> 00:34:50,239
Speaker 2: If y'all told me that, I would go and this

816
00:34:50,280 --> 00:34:53,120
Speaker 2: isn't a racist thing. They must have different fathers.

817
00:34:52,800 --> 00:34:56,360
Speaker 3: Different mothers. Yeah. See, because you guys don't look alike.

818
00:34:56,440 --> 00:34:57,040
Speaker 3: That's what I'm saying.

819
00:34:57,040 --> 00:34:59,000
Speaker 2: We both Actually it's not racist.

820
00:34:59,239 --> 00:35:02,560
Speaker 7: Yeah, but but I'm telling you that white people recognize

821
00:35:02,560 --> 00:35:03,880
Speaker 7: the faces of other white people.

822
00:35:04,080 --> 00:35:06,200
Speaker 2: Listen, man, dude, Taylor Swift is also five to ten.

823
00:35:06,280 --> 00:35:08,480
Speaker 2: We have to add that factor. In a five ten

824
00:35:08,480 --> 00:35:10,799
Speaker 2: white woman walking down the street, You're gonna sort of.

825
00:35:10,800 --> 00:35:13,440
Speaker 3: Look, that's regular Manhattan. You know how many models live here?

826
00:35:13,560 --> 00:35:15,040
Speaker 2: I know, and you look at the five ten model

827
00:35:15,080 --> 00:35:17,080
Speaker 2: no matter what, and then that Taylor's.

828
00:35:16,840 --> 00:35:19,600
Speaker 4: White task them at Pulta vita every week. I can't

829
00:35:19,640 --> 00:35:22,200
Speaker 4: get my fucking avocado toast in smoothie. I don't pay them,

830
00:35:22,200 --> 00:35:22,840
Speaker 4: No mine.

831
00:35:22,760 --> 00:35:25,719
Speaker 3: Tell us what might have been racist and white women? No,

832
00:35:25,800 --> 00:35:26,440
Speaker 3: I love white woman.

833
00:35:26,400 --> 00:35:28,040
Speaker 4: I'm just saying Taylor might have been sitting in there

834
00:35:28,080 --> 00:35:30,640
Speaker 4: and I didn't even know that was her. If Beyonce

835
00:35:30,760 --> 00:35:32,960
Speaker 4: is sitting in put vida, we're also not gonna know

836
00:35:33,560 --> 00:35:36,000
Speaker 4: like your Beyonce in port Avita getting avocado toast.

837
00:35:35,880 --> 00:35:38,640
Speaker 7: Right now, because she's more relevant to your life. Yeah,

838
00:35:38,680 --> 00:35:40,879
Speaker 7: that's thirteen, a thirteen year older.

839
00:35:40,960 --> 00:35:42,759
Speaker 3: She's gonna catch my eye, though, is what I'm saying.

840
00:35:42,760 --> 00:35:43,399
Speaker 3: I'm gonna look.

841
00:35:43,880 --> 00:35:46,000
Speaker 5: If Tailor Swift is sitting down, I'm not I'm outlook

842
00:35:46,120 --> 00:35:47,000
Speaker 5: and just keep like.

843
00:35:46,920 --> 00:35:49,680
Speaker 7: You know why you're going to look because Beyonce is

844
00:35:49,719 --> 00:35:51,480
Speaker 7: your type and Taylor Swift is not.

845
00:35:51,800 --> 00:35:55,359
Speaker 3: That's not true. That's not because it's a type thing.

846
00:35:55,880 --> 00:35:57,760
Speaker 4: She's just gonna catch my eye, Like I'm just gonna

847
00:35:58,320 --> 00:36:00,640
Speaker 4: like glance and look like I'm not gonna It's like

848
00:36:00,640 --> 00:36:02,719
Speaker 4: a kind of like a if you have blinders on,

849
00:36:02,800 --> 00:36:04,920
Speaker 4: like you see it, but you don't really like Taylor.

850
00:36:05,000 --> 00:36:06,680
Speaker 3: She fits into the aesthetic a.

851
00:36:06,680 --> 00:36:09,319
Speaker 4: Little more like where it's like, you're not gonna really like,

852
00:36:09,880 --> 00:36:12,120
Speaker 4: where's Beyonce. I'm gonna be like, oh shit, like Beyonce

853
00:36:12,239 --> 00:36:14,359
Speaker 4: was just standing right there, that's Beyonce right there. Would

854
00:36:14,360 --> 00:36:16,880
Speaker 4: Taylor she could walk right past you and you wouldn't

855
00:36:16,920 --> 00:36:17,600
Speaker 4: even really.

856
00:36:18,840 --> 00:36:21,560
Speaker 2: But in a non creepy way. Everyone in this room

857
00:36:21,560 --> 00:36:24,320
Speaker 2: when they see an attractive black woman, looks at them.

858
00:36:24,440 --> 00:36:26,400
Speaker 2: So yes, I would, yeah, but if I would look like,

859
00:36:26,440 --> 00:36:27,440
Speaker 2: oh god, this Beyonce, but.

860
00:36:27,400 --> 00:36:29,439
Speaker 3: Taylor is an attractive white woman and I would look.

861
00:36:29,320 --> 00:36:31,200
Speaker 2: At So I said, we shouldn't be the gauge of this,

862
00:36:31,280 --> 00:36:33,160
Speaker 2: even though I think if I saw Taylor Swift walk

863
00:36:33,160 --> 00:36:34,720
Speaker 2: down the street, I go holy shit to Taylor Swift,

864
00:36:34,840 --> 00:36:36,520
Speaker 2: and I think everyone around to me would do the

865
00:36:36,560 --> 00:36:39,239
Speaker 2: same thing. It's a tourist city too. People got their kids.

866
00:36:39,239 --> 00:36:41,320
Speaker 2: The kids would immediately be like the fucking Taylor Swift.

867
00:36:41,880 --> 00:36:44,840
Speaker 7: A teenager would immediately recognize Taylor Swift before me.

868
00:36:44,920 --> 00:36:47,640
Speaker 2: She couldn't take one step out the eminem store, whereas

869
00:36:47,680 --> 00:36:50,440
Speaker 2: I do feel like Beyonce could maybe get to the

870
00:36:50,480 --> 00:36:51,960
Speaker 2: step set times square before.

871
00:36:53,080 --> 00:36:55,120
Speaker 4: Who's the Who's the person you saw in public for

872
00:36:55,160 --> 00:36:58,239
Speaker 4: the first time and was like, oh shit, and they

873
00:36:58,239 --> 00:37:01,560
Speaker 4: were like just like kind of like blending in, like

874
00:37:01,640 --> 00:37:03,160
Speaker 4: not like an event that they were doing, not like

875
00:37:03,160 --> 00:37:03,439
Speaker 4: a show.

876
00:37:03,520 --> 00:37:06,200
Speaker 2: Chris Rock when we did our trailer for our Land

877
00:37:06,280 --> 00:37:08,520
Speaker 2: that was that was hilarious. But I've seen Chris Rock

878
00:37:08,560 --> 00:37:11,839
Speaker 2: on Bleaker, like just walking like fucking Chris Rock. Like

879
00:37:11,880 --> 00:37:14,480
Speaker 2: he does that in Soho and does blend in. But

880
00:37:14,560 --> 00:37:18,000
Speaker 2: everyone is like, oh shit, if you double take, that's

881
00:37:18,080 --> 00:37:21,040
Speaker 2: Chris Rock. He's probably the one I think the most

882
00:37:21,080 --> 00:37:25,879
Speaker 2: in the city that I've seen. Other than that, Like,

883
00:37:26,160 --> 00:37:27,719
Speaker 2: I don't know if I've see celebrities like that.

884
00:37:27,840 --> 00:37:30,200
Speaker 6: Yeah, I haven't really seen celebrities.

885
00:37:29,520 --> 00:37:31,840
Speaker 7: Like the people at that unless we were at an event,

886
00:37:32,000 --> 00:37:34,320
Speaker 7: not just outside. If we were at an event, we

887
00:37:34,360 --> 00:37:36,399
Speaker 7: see him all the time, but just outside, I really

888
00:37:36,440 --> 00:37:39,040
Speaker 7: haven't seen him. I've seen like famous like TikTokers and

889
00:37:39,080 --> 00:37:42,080
Speaker 7: content creators, but not really.

890
00:37:42,200 --> 00:37:43,960
Speaker 2: When Beyonce was at Griffin though, that was like the

891
00:37:43,960 --> 00:37:47,960
Speaker 2: wildest shit because I didn't, like I immediately recognize it

892
00:37:48,000 --> 00:37:50,440
Speaker 2: was dark and the two twins, you know, they used

893
00:37:50,480 --> 00:37:52,920
Speaker 2: to dance wear We're going nuts in the middle and

894
00:37:52,960 --> 00:37:55,200
Speaker 2: I was like, oh shit, that's the Beyonce twins, which

895
00:37:55,200 --> 00:37:56,720
Speaker 2: is fucked up because they just don't know their names.

896
00:37:57,000 --> 00:37:59,360
Speaker 2: And then Beyonce was sitting up on the couch the

897
00:37:59,400 --> 00:38:01,960
Speaker 2: whole time. Austin's be like, you just see Beyonce in

898
00:38:01,960 --> 00:38:05,640
Speaker 2: the back. I was like, oh shit, that was kind

899
00:38:05,640 --> 00:38:07,719
Speaker 2: of the most blending shit that I've ever seen.

900
00:38:07,960 --> 00:38:11,440
Speaker 3: Yeah, but that it was dark. So seeing Leonardo was

901
00:38:11,480 --> 00:38:13,759
Speaker 3: like the one for me. I was like, I can't

902
00:38:13,760 --> 00:38:14,600
Speaker 3: believe it. Call me.

903
00:38:15,120 --> 00:38:18,560
Speaker 4: I was like, that's this is Leo dog like and

904
00:38:18,600 --> 00:38:21,440
Speaker 4: he was just baseball hat on walking to the club

905
00:38:21,560 --> 00:38:24,320
Speaker 4: Like I'm like, bro, it's one of the most famous

906
00:38:25,040 --> 00:38:25,560
Speaker 4: people ever.

907
00:38:26,840 --> 00:38:30,440
Speaker 3: Like he just walking like how you doing, man? I

908
00:38:30,520 --> 00:38:32,600
Speaker 3: was like, you can't just walk past niggas like that, Leo, Like,

909
00:38:32,719 --> 00:38:33,880
Speaker 3: come on, this is DiCaprio.

910
00:38:33,960 --> 00:38:35,520
Speaker 6: Bro, this is di Caprio.

911
00:38:35,680 --> 00:38:37,600
Speaker 3: Are you kidding me? Like that was the crazy shit

912
00:38:37,680 --> 00:38:37,840
Speaker 3: to me.

913
00:38:37,920 --> 00:38:41,000
Speaker 4: Like seeing Leo like walking in the club baseball hat

914
00:38:41,000 --> 00:38:43,479
Speaker 4: on just chilling to me, that was like the fly ship,

915
00:38:43,560 --> 00:38:46,240
Speaker 4: Like okay, like he'd just be he don't need no cameras.

916
00:38:46,239 --> 00:38:47,480
Speaker 3: He just walked right in like go.

917
00:38:47,480 --> 00:38:49,680
Speaker 6: Shit down next to the twenty two year olds.

918
00:38:50,040 --> 00:38:52,680
Speaker 3: I mean, you know, just living clubs, so you know

919
00:38:52,760 --> 00:38:54,440
Speaker 3: some good flowers around you. That's so you just need

920
00:38:54,480 --> 00:38:55,440
Speaker 3: to give. Call them flowers.

921
00:38:55,440 --> 00:38:57,000
Speaker 2: You need some like unicorn blood in.

922
00:38:57,520 --> 00:38:59,799
Speaker 4: Yeah, just put some flowers in the garden. So just

923
00:38:59,800 --> 00:39:01,760
Speaker 4: make me look good. You know what I'm saying.

924
00:39:02,080 --> 00:39:04,680
Speaker 2: Who do we think takes whose last name?

925
00:39:06,000 --> 00:39:08,280
Speaker 3: The one thing I can promise you was Taylor Swift

926
00:39:08,320 --> 00:39:09,640
Speaker 3: is not losing that last.

927
00:39:09,480 --> 00:39:13,560
Speaker 2: Name, all right, but what about like legally not brandwise,

928
00:39:13,600 --> 00:39:16,200
Speaker 2: She'll always be Taylor Swift on Spotify Swift Kelsey.

929
00:39:16,239 --> 00:39:18,040
Speaker 3: Oh yeah, she got to be Swift Kelsey.

930
00:39:17,760 --> 00:39:23,760
Speaker 6: Then Kese Kelsey Swift. Yeah, Taylor Kelsey Swift.

931
00:39:25,200 --> 00:39:30,480
Speaker 7: It's long, it's wordy. Oh my god, bro, I might

932
00:39:30,560 --> 00:39:31,279
Speaker 7: I might buy it.

933
00:39:31,640 --> 00:39:34,800
Speaker 2: Listen, man, Travis was one of the only white players

934
00:39:34,800 --> 00:39:37,040
Speaker 2: to take a knee during the national anthem. He's progressive.

935
00:39:37,120 --> 00:39:39,440
Speaker 2: I could see him putting Kelsey Swift on the back

936
00:39:39,480 --> 00:39:43,000
Speaker 2: of his jersey. He better not not not that their

937
00:39:43,200 --> 00:39:44,879
Speaker 2: family would need any money, but.

938
00:39:45,080 --> 00:39:47,160
Speaker 3: His father is from a different time in America. That

939
00:39:47,239 --> 00:39:48,240
Speaker 3: will not be happening.

940
00:39:48,320 --> 00:39:49,920
Speaker 2: I'm from Ohio.

941
00:39:50,160 --> 00:39:55,360
Speaker 4: I can promise you, Pau Paul Paul is going for it.

942
00:39:55,440 --> 00:39:58,640
Speaker 4: I could promise you that right now. He don't kids Swift.

943
00:39:58,719 --> 00:40:02,200
Speaker 4: Whatever she do for a living, the Kelsey name stays.

944
00:40:02,239 --> 00:40:03,160
Speaker 4: I can promise you that.

945
00:40:03,320 --> 00:40:06,120
Speaker 2: Yeah. Yeah, they name got my my father's blood.

946
00:40:05,880 --> 00:40:09,000
Speaker 4: On Yeah, they got my daddy's blood on it. Yeah,

947
00:40:09,200 --> 00:40:11,439
Speaker 4: he ain't losing that name, you crazy. Nah, his family

948
00:40:11,480 --> 00:40:12,080
Speaker 4: ain't going for that.

949
00:40:12,320 --> 00:40:16,040
Speaker 2: But all right, of course we're very happy and hopes

950
00:40:16,080 --> 00:40:18,400
Speaker 2: that they have a long lasting relationship, never divorced, anything

951
00:40:18,400 --> 00:40:22,040
Speaker 2: like that, all that bullshit. They don't need they don't

952
00:40:22,120 --> 00:40:25,840
Speaker 2: they don't need money. But I would explain if my

953
00:40:25,840 --> 00:40:28,160
Speaker 2: my grandfather was still alive, he would be living at

954
00:40:28,200 --> 00:40:29,799
Speaker 2: me if I would do something like that. But I'd

955
00:40:29,800 --> 00:40:33,880
Speaker 2: be like, yo, our family name just off those jersey sales,

956
00:40:34,080 --> 00:40:37,319
Speaker 2: like you're great great great great great great great grandkids

957
00:40:37,560 --> 00:40:39,920
Speaker 2: will never need for anything. If I put out the

958
00:40:40,000 --> 00:40:45,120
Speaker 2: swift Pharaoh jersey, like it's over. We we know. I

959
00:40:45,160 --> 00:40:46,520
Speaker 2: have to think about money for the rest.

960
00:40:46,320 --> 00:40:48,960
Speaker 3: Of our lives. Yeah, that license in agreement, Like yeah,

961
00:40:49,000 --> 00:40:49,680
Speaker 3: we good, just look.

962
00:40:49,680 --> 00:40:52,400
Speaker 2: Like no tailor sells out at stadiums, but that jersey.

963
00:40:52,640 --> 00:40:56,440
Speaker 3: Imagine that jersey in every seat of the stadium. Yeah, yeah, no,

964
00:40:56,440 --> 00:40:56,920
Speaker 3: I get it.

965
00:40:57,480 --> 00:40:59,080
Speaker 2: I'm not putting on our license. It doesn't have to

966
00:40:59,080 --> 00:41:02,160
Speaker 2: go on our gravestone, right, our kids can just still

967
00:41:02,160 --> 00:41:03,239
Speaker 2: have the Pharaoh azs. But for this.

968
00:41:03,400 --> 00:41:04,400
Speaker 3: This just in agreement.

969
00:41:04,440 --> 00:41:05,960
Speaker 2: Yeah you want to put asterisk next week, we can

970
00:41:05,960 --> 00:41:08,600
Speaker 2: do that. Yeah, swift Pharaoh asterisk on the back of

971
00:41:08,600 --> 00:41:09,600
Speaker 2: the jerseys, like I'm wishing.

972
00:41:09,640 --> 00:41:11,600
Speaker 3: We gotta make it. We gotta come on an agreement though. Yeah,

973
00:41:11,760 --> 00:41:12,760
Speaker 3: I get it. I understand.

974
00:41:13,080 --> 00:41:14,759
Speaker 2: We had a cameo for a little bit and it

975
00:41:14,760 --> 00:41:16,759
Speaker 2: started to feel nasty. It was like I'd be in

976
00:41:16,800 --> 00:41:18,640
Speaker 2: my d MS and if somebody wants a happy birthday,

977
00:41:18,680 --> 00:41:20,960
Speaker 2: I'll usually just do the video. Yeah for free. This

978
00:41:21,040 --> 00:41:25,000
Speaker 2: feels gross Now if she hits the fan and my

979
00:41:25,000 --> 00:41:28,560
Speaker 2: two year old needs to eat all day dot com.

980
00:41:28,200 --> 00:41:31,400
Speaker 3: Backslash, this is no happy birthday to you.

981
00:41:32,440 --> 00:41:36,040
Speaker 5: Yeah, sixth birthday, Hey, eighty six, don't mean you ain't

982
00:41:36,040 --> 00:41:36,719
Speaker 5: got it, you know what I'm saying.

983
00:41:36,719 --> 00:41:37,040
Speaker 3: Eighty six?

984
00:41:37,120 --> 00:41:39,440
Speaker 4: You still take the cameo, Samuel, I understand because we

985
00:41:39,440 --> 00:41:41,040
Speaker 4: did it like for me maybe a week, and I

986
00:41:41,120 --> 00:41:43,400
Speaker 4: was like, bro, this is crazy. I was doing that already,

987
00:41:43,520 --> 00:41:44,920
Speaker 4: like four people for free. You know what?

988
00:41:47,480 --> 00:41:52,120
Speaker 5: The famous Smoking Robinson where he the two kids had

989
00:41:52,360 --> 00:41:56,399
Speaker 5: smoking Smoky was their mother's favorite artist and she grew

990
00:41:56,480 --> 00:41:59,279
Speaker 5: up across the street from him, and I guess he

991
00:41:59,320 --> 00:42:02,320
Speaker 5: didn't know that. So they had smokey do a cameo

992
00:42:02,760 --> 00:42:05,000
Speaker 5: for sure he was Jewish and it was Hanukah.

993
00:42:05,480 --> 00:42:07,600
Speaker 3: So he's like, I.

994
00:42:07,520 --> 00:42:12,200
Speaker 5: Want to wish uh uh miss Sheila happy chinookah.

995
00:42:19,520 --> 00:42:25,360
Speaker 1: Surprise, surprise. You didn't expect to hear from me, But

996
00:42:26,080 --> 00:42:29,120
Speaker 1: I was contacted by your sons, Jeff and Cher, and

997
00:42:29,400 --> 00:42:31,320
Speaker 1: they wanted me. They told me that you used to

998
00:42:31,360 --> 00:42:33,480
Speaker 1: live in Detroit, across the street from me, and gosh,

999
00:42:33,560 --> 00:42:34,600
Speaker 1: that's that's beautiful.

1000
00:42:35,960 --> 00:42:38,399
Speaker 3: How are you doing again? How you doing?

1001
00:42:38,480 --> 00:42:41,600
Speaker 1: I was talking to you again, I guess, but anyway,

1002
00:42:42,040 --> 00:42:44,360
Speaker 1: you're living in Vancouver now and they wanted me to

1003
00:42:44,360 --> 00:42:49,040
Speaker 1: wish you happy Chanookah. I have no idea what chanooka is,

1004
00:42:49,560 --> 00:42:56,239
Speaker 1: but they said anyway, God bless your babe and enjoyed Chanookah.

1005
00:42:56,960 --> 00:43:05,120
Speaker 2: Enjoorge George asked somebody that is a devout Irish Catholic

1006
00:43:05,719 --> 00:43:08,120
Speaker 2: that was in the note No Child Left Behind program,

1007
00:43:08,520 --> 00:43:10,799
Speaker 2: can you pull up how Hanukah is really spelled, because

1008
00:43:10,800 --> 00:43:11,760
Speaker 2: I might have said the same.

1009
00:43:11,920 --> 00:43:15,880
Speaker 5: Day, no, no, no, no, it is h right, bro, It's

1010
00:43:15,880 --> 00:43:18,879
Speaker 5: spelled like eight different ways, okay, like I.

1011
00:43:18,880 --> 00:43:21,480
Speaker 2: Might have done the exact same fucking thing, Like that

1012
00:43:21,520 --> 00:43:22,400
Speaker 2: should be fucking me.

1013
00:43:22,440 --> 00:43:25,279
Speaker 3: That way. Now I'm having a how is spelled? This

1014
00:43:25,360 --> 00:43:26,440
Speaker 3: is like the K and Chick fil A?

1015
00:43:26,480 --> 00:43:29,120
Speaker 5: Because okay, now that's how I'm used to seeing it, right,

1016
00:43:29,320 --> 00:43:29,640
Speaker 5: But I.

1017
00:43:29,640 --> 00:43:32,560
Speaker 2: Do know DH one under it?

1018
00:43:32,600 --> 00:43:37,919
Speaker 5: Is it spelled? Yeah a Jewish lady. I'm like, I'm

1019
00:43:37,920 --> 00:43:39,480
Speaker 5: clocking it now, it's Jewish.

1020
00:43:39,560 --> 00:43:39,640
Speaker 7: Now.

1021
00:43:39,719 --> 00:43:41,640
Speaker 3: Look, I've seen the ch as well before.

1022
00:43:41,680 --> 00:43:44,600
Speaker 4: I've seen that spelling before, but I've definitely seen the

1023
00:43:44,760 --> 00:43:45,879
Speaker 4: h A spelling as well.

1024
00:43:46,560 --> 00:43:50,160
Speaker 3: So now which one? Which one is correct? Smokey might

1025
00:43:50,200 --> 00:43:51,040
Speaker 3: not be wrong.

1026
00:43:51,560 --> 00:43:53,800
Speaker 2: If they sent it because you know, like with cameos,

1027
00:43:53,800 --> 00:43:56,759
Speaker 2: they'll put like certain things like there's a list, So

1028
00:43:56,800 --> 00:43:59,120
Speaker 2: if they spelled it that way, yeah, I'm I'm sounding

1029
00:43:59,120 --> 00:44:01,960
Speaker 2: it out like I was. He's one of the.

1030
00:44:01,920 --> 00:44:03,359
Speaker 3: Greatest songwriters of all time.

1031
00:44:03,560 --> 00:44:06,919
Speaker 5: Like he can spell, he can pronounce, like he can read.

1032
00:44:07,120 --> 00:44:09,920
Speaker 3: Like Smokey isn't wrong here like me.

1033
00:44:10,080 --> 00:44:12,239
Speaker 2: He never wrote down his rock. He was on a

1034
00:44:12,280 --> 00:44:13,759
Speaker 2: fantastic viot like H.

1035
00:44:14,360 --> 00:44:16,880
Speaker 3: Then Smokey isn't wrong. And that's why he said I

1036
00:44:16,880 --> 00:44:18,280
Speaker 3: don't even know what Chanooka is.

1037
00:44:19,480 --> 00:44:21,760
Speaker 5: Now, if you would have put H, he would have said, honikah.

1038
00:44:21,800 --> 00:44:24,120
Speaker 5: He knows I'm more than positive.

1039
00:44:24,120 --> 00:44:27,960
Speaker 8: Smokey Robinson has Jewish friends, like he knows what. But

1040
00:44:28,000 --> 00:44:31,600
Speaker 8: if Smokey gets c h A, He's gonna say Chanooka.

1041
00:44:31,719 --> 00:44:33,640
Speaker 8: So Smokey is not wrong. We gotta get the legs

1042
00:44:33,640 --> 00:44:34,560
Speaker 8: of Smokey Robinson.

1043
00:44:34,560 --> 00:44:34,839
Speaker 3: The past.

1044
00:44:34,960 --> 00:44:39,960
Speaker 2: Chanooka sounds like a town in Long Island.

1045
00:44:36,719 --> 00:44:44,360
Speaker 5: But I've never seen that video before. It is the

1046
00:44:44,400 --> 00:44:45,920
Speaker 5: first of all I seen that. I was like, all right.

1047
00:44:47,760 --> 00:44:50,600
Speaker 5: I was like, every time I'm depressed, we're gonna hear.

1048
00:44:52,160 --> 00:44:56,240
Speaker 5: I don't even know what Chanooka is. He's enjoyed whatever.

1049
00:44:56,360 --> 00:44:59,440
Speaker 5: Nigga like the energy and that sh was just like, hey,

1050
00:44:59,480 --> 00:45:03,040
Speaker 5: i gotta thirteen of these motherfuckers. I'm on number twelve.

1051
00:45:03,040 --> 00:45:03,879
Speaker 5: I'm about to bran it.

1052
00:45:05,000 --> 00:45:05,200
Speaker 3: Yeah.

1053
00:45:06,120 --> 00:45:08,239
Speaker 5: That, but like to your point, like, I'd rather if

1054
00:45:08,280 --> 00:45:10,200
Speaker 5: somebody's in this, Like I just did this ship like

1055
00:45:10,280 --> 00:45:13,359
Speaker 5: walking ahead. Some dudes just like yo, and I'm just like, bro,

1056
00:45:13,440 --> 00:45:14,920
Speaker 5: what's your name? You know what I'm saying. He's just

1057
00:45:14,920 --> 00:45:16,879
Speaker 5: like yo, my name is Quas. I was like, wow,

1058
00:45:17,120 --> 00:45:20,120
Speaker 5: wow name Quas. Yeah, but I'm just like yo, And

1059
00:45:20,120 --> 00:45:22,000
Speaker 5: I'm like, yo, Bro, I'm doing mixtape drops.

1060
00:45:22,000 --> 00:45:23,200
Speaker 3: Some niggas withn't mixtapes.

1061
00:45:23,640 --> 00:45:25,759
Speaker 5: Like I'm just like brocause like at the end of

1062
00:45:25,800 --> 00:45:27,239
Speaker 5: the day, people come up to you and be like, yo,

1063
00:45:27,440 --> 00:45:29,120
Speaker 5: I don't want to bother this that the third I

1064
00:45:29,120 --> 00:45:31,799
Speaker 5: see you out, I'm like, fam, I'm off for five

1065
00:45:31,840 --> 00:45:34,480
Speaker 5: hundred milligram edible shopping for jeans.

1066
00:45:34,480 --> 00:45:35,920
Speaker 3: Any men, You're not bothering me at all?

1067
00:45:36,600 --> 00:45:38,080
Speaker 2: Like this is actually great.

1068
00:45:38,200 --> 00:45:40,920
Speaker 5: I was like, this is great because now the salesperson

1069
00:45:41,000 --> 00:45:42,680
Speaker 5: is like, all right, they stop following me around the

1070
00:45:42,680 --> 00:45:44,920
Speaker 5: store now exactly, you know what I'm saying, Like he

1071
00:45:45,000 --> 00:45:46,439
Speaker 5: wanted somebody cool.

1072
00:45:46,800 --> 00:45:48,719
Speaker 2: People know who this guy. Now I'm thinking this is

1073
00:45:48,760 --> 00:45:52,919
Speaker 2: a great way to steal. Now I pretend like I've

1074
00:45:52,920 --> 00:45:57,400
Speaker 2: never met yo. Picture the more going around.

1075
00:45:57,120 --> 00:46:00,719
Speaker 3: And stuff and jeans jeans, man, I got these fleeing doctor.

1076
00:46:01,480 --> 00:46:03,040
Speaker 3: I love with two sets.

1077
00:46:03,719 --> 00:46:07,319
Speaker 2: We should whole Chinooka series like the Three of Us.

1078
00:46:07,600 --> 00:46:10,880
Speaker 2: Let's do it like the original. Jews definitely celebrated Chanooka

1079
00:46:10,920 --> 00:46:12,359
Speaker 2: for sure. We can do it on the We can

1080
00:46:12,400 --> 00:46:14,720
Speaker 2: do it on two fifth with the Israelite.

1081
00:46:14,320 --> 00:46:20,200
Speaker 5: The Black, the Blacks like bro original Man original, the original.

1082
00:46:21,360 --> 00:46:22,160
Speaker 2: Hilarious Bro.

1083
00:46:22,239 --> 00:46:25,000
Speaker 5: Because every got us put like yo, I got the

1084
00:46:25,040 --> 00:46:29,000
Speaker 5: support to George and he yo bro, he put He's.

1085
00:46:28,840 --> 00:46:30,480
Speaker 3: Like, Yo, I got all these rabbis on deck.

1086
00:46:30,600 --> 00:46:32,680
Speaker 5: He put like a list of rabbis and him, and

1087
00:46:32,719 --> 00:46:34,920
Speaker 5: one of them was like a black Israel, like he

1088
00:46:35,080 --> 00:46:36,279
Speaker 5: just suit that motherfucker in there.

1089
00:46:36,280 --> 00:46:39,160
Speaker 3: Like one of them was a childless I'm like, yo, this.

1090
00:46:39,160 --> 00:46:42,839
Speaker 2: Nigga just throwing hell Mary's brother just he doesn't read

1091
00:46:42,880 --> 00:46:44,239
Speaker 2: it before he just like.

1092
00:46:46,000 --> 00:46:54,359
Speaker 8: Broka might be the goannooka, who go might we might

1093
00:46:54,360 --> 00:46:54,799
Speaker 8: need to open.

1094
00:46:54,719 --> 00:47:00,839
Speaker 5: The Plus my rabbi Blacks were like, we didn't this shait.

1095
00:47:01,840 --> 00:47:06,800
Speaker 5: Come on, baby, that's it. You haven't been an episode

1096
00:47:06,800 --> 00:47:10,520
Speaker 5: of Curbing the Chicken making this shit happen. Oh man,

1097
00:47:10,560 --> 00:47:14,560
Speaker 5: this is the ideation station right absolutely. By the way,

1098
00:47:14,920 --> 00:47:17,880
Speaker 5: everything we say is copywriting because it's been recorded. You

1099
00:47:17,920 --> 00:47:19,759
Speaker 5: told the story a very long time ago, but there's

1100
00:47:19,760 --> 00:47:22,080
Speaker 5: always new fans. And I do want Hugh to tell

1101
00:47:22,120 --> 00:47:25,840
Speaker 5: Merrill the time you almost got jumped by seventy five Bloods.

1102
00:47:26,000 --> 00:47:26,759
Speaker 2: The Bronx God.

1103
00:47:27,000 --> 00:47:29,880
Speaker 3: Oh, the same exact ship happened to me.

1104
00:47:30,360 --> 00:47:32,040
Speaker 5: But it was like graffiti related, right, So it was

1105
00:47:32,080 --> 00:47:34,480
Speaker 5: just like Brons versus Brooklyn on the graffiti ship. Like

1106
00:47:34,920 --> 00:47:37,200
Speaker 5: and I want my man Taze, who was like the

1107
00:47:37,360 --> 00:47:39,839
Speaker 5: u n of graffiti that nigga knows everybody.

1108
00:47:40,040 --> 00:47:42,080
Speaker 3: So we walking, we get off, like I've seen that

1109
00:47:42,080 --> 00:47:46,040
Speaker 3: tag before because that is everywhere. Yeah. So yeah, he's like, y'all,

1110
00:47:46,160 --> 00:47:48,120
Speaker 3: he's one of these niggas like, Yo, what's up? Where

1111
00:47:48,160 --> 00:47:48,440
Speaker 3: is here?

1112
00:47:49,160 --> 00:47:49,520
Speaker 5: Yeah?

1113
00:47:49,600 --> 00:47:53,520
Speaker 3: Yeah, yeah, it's good, y'all. Shorty over there. Yeah, you

1114
00:47:53,560 --> 00:47:56,000
Speaker 3: know what's good? Baby? You know what I'm saying, like, y'all,

1115
00:47:56,239 --> 00:48:00,000
Speaker 3: super smooth like miss type of dude. Bro. We walking down.

1116
00:48:01,120 --> 00:48:02,399
Speaker 3: This is back in the old j days.

1117
00:48:02,680 --> 00:48:03,120
Speaker 2: You know what I mean.

1118
00:48:03,120 --> 00:48:05,920
Speaker 3: You call People's choice, whatever your mama do. Come through

1119
00:48:06,000 --> 00:48:08,560
Speaker 3: the excurience. Bro, we're stopping at We're stopping that post

1120
00:48:08,640 --> 00:48:09,399
Speaker 3: and then we're going down.

1121
00:48:09,840 --> 00:48:12,880
Speaker 5: Now we're going to downtown to Ludlow whatever, turn the

1122
00:48:12,880 --> 00:48:14,560
Speaker 5: tables upside down, the pianos, whatever.

1123
00:48:15,400 --> 00:48:17,719
Speaker 3: Bro. We get in the fucking we get in the

1124
00:48:17,719 --> 00:48:20,439
Speaker 3: fucking car. We smoke it on the way there. Boom,

1125
00:48:20,480 --> 00:48:21,120
Speaker 3: we get out the car.

1126
00:48:21,200 --> 00:48:24,560
Speaker 5: My man, Nce, he's like seven, the idiot dude and

1127
00:48:24,560 --> 00:48:26,120
Speaker 5: the crew that just does ship just to do it.

1128
00:48:26,520 --> 00:48:29,560
Speaker 5: He jumps out the car. The two dudes holding hands

1129
00:48:29,560 --> 00:48:32,440
Speaker 5: walking down the street for no reason. Now homophobia, not

1130
00:48:32,719 --> 00:48:34,359
Speaker 5: just it could have been a dude in it could

1131
00:48:34,360 --> 00:48:36,560
Speaker 5: have been an elephant walking down the Street just jumped

1132
00:48:36,560 --> 00:48:37,520
Speaker 5: out of the car just said.

1133
00:48:39,160 --> 00:48:43,480
Speaker 3: They faced bro like right here. I was like, this

1134
00:48:43,520 --> 00:48:45,600
Speaker 3: is how we staw tonight, bro Like.

1135
00:48:45,640 --> 00:48:48,279
Speaker 5: I think there was a Blundy does the excursure bro

1136
00:48:48,400 --> 00:48:50,920
Speaker 5: Like some ship was going down. So now were walking

1137
00:48:51,000 --> 00:48:55,440
Speaker 5: towards like fourteenth like Uni Square whatever coffee shop over there.

1138
00:48:54,840 --> 00:48:57,759
Speaker 3: That was botime of the legendary Spot, legendary spot. So

1139
00:48:57,800 --> 00:48:59,239
Speaker 3: I'm going over there. I'm yo, I'm gonna got us

1140
00:48:59,280 --> 00:49:00,640
Speaker 3: all free drinks. I got us.

1141
00:49:00,960 --> 00:49:03,520
Speaker 5: We start walking and there's another group of motherfuckers with

1142
00:49:03,520 --> 00:49:06,240
Speaker 5: the Steve text and the whole ship and the grills

1143
00:49:06,320 --> 00:49:06,719
Speaker 5: and the chick.

1144
00:49:06,760 --> 00:49:08,799
Speaker 3: I was like Brooklyn. I was like, oh man, I

1145
00:49:08,840 --> 00:49:10,360
Speaker 3: was like, I feelt like Brooklyn. I was like a

1146
00:49:10,360 --> 00:49:12,680
Speaker 3: Brooklyn nigga. Was like, they're gfeting niggas because they got

1147
00:49:12,719 --> 00:49:16,719
Speaker 3: the no Fisher. But the bronxtigs bruh, and I recognized him.

1148
00:49:16,719 --> 00:49:18,200
Speaker 5: I was like, oh, that's this one that signed on

1149
00:49:18,239 --> 00:49:19,960
Speaker 5: that side one and one of them dudes, I ain't

1150
00:49:19,960 --> 00:49:21,960
Speaker 5: gonna say his name. He used to come to the

1151
00:49:21,960 --> 00:49:24,360
Speaker 5: Bronx just to write Fuck the Bronx, like and go

1152
00:49:24,440 --> 00:49:26,319
Speaker 5: over people and be like fuck the Bronx, and I

1153
00:49:26,360 --> 00:49:27,000
Speaker 5: pussy this thing.

1154
00:49:27,040 --> 00:49:27,520
Speaker 3: That's crazy.

1155
00:49:27,520 --> 00:49:29,560
Speaker 4: How that that's that was a real that's a real

1156
00:49:29,640 --> 00:49:31,880
Speaker 4: level of disrespect like that, like what was started.

1157
00:49:32,080 --> 00:49:35,439
Speaker 3: Like fun your whole burrow. So I was just like, oh, man,

1158
00:49:35,560 --> 00:49:37,160
Speaker 3: like I was like, I'm counting the man. I'm like,

1159
00:49:37,200 --> 00:49:38,920
Speaker 3: I was like eight of us, it's like fourteen of them.

1160
00:49:38,960 --> 00:49:40,879
Speaker 3: I'm like, man, I'm gonna start throwing garbage kids.

1161
00:49:41,080 --> 00:49:44,160
Speaker 5: I'm already thinking like you, I'm gonna start like like, yeah,

1162
00:49:44,160 --> 00:49:47,239
Speaker 5: I'm gonna throw a bound old when you catch throw

1163
00:49:47,239 --> 00:49:50,160
Speaker 5: it back, I'm the pipe out.

1164
00:49:50,080 --> 00:49:52,520
Speaker 3: And I'm not gonna go like that everything in your mind.

1165
00:49:52,520 --> 00:49:55,640
Speaker 3: You think I was going to everything with my jacket

1166
00:49:55,640 --> 00:49:56,840
Speaker 3: over my head, nigga in a puddle.

1167
00:49:57,400 --> 00:49:59,120
Speaker 2: And by the way, throwing a trash in for it

1168
00:49:59,120 --> 00:50:05,560
Speaker 2: does not do the day, no damage, movies, nothing, that

1169
00:50:05,600 --> 00:50:06,120
Speaker 2: means nothing.

1170
00:50:07,440 --> 00:50:10,600
Speaker 3: Generation. You can't just throw projectile all that double dragon

1171
00:50:10,640 --> 00:50:11,520
Speaker 3: ship doesn't do anything.

1172
00:50:12,040 --> 00:50:13,920
Speaker 5: Yeah, and also eating an apple that you find on

1173
00:50:13,960 --> 00:50:17,480
Speaker 5: the street, it's not gonna never come back, give me

1174
00:50:17,520 --> 00:50:19,680
Speaker 5: up and tight hold chicken.

1175
00:50:19,680 --> 00:50:21,960
Speaker 3: And you found in the garbage on the platter. That

1176
00:50:22,400 --> 00:50:22,799
Speaker 3: don't work.

1177
00:50:23,760 --> 00:50:25,919
Speaker 5: So we walk in and ship and tell us of course,

1178
00:50:26,080 --> 00:50:30,320
Speaker 5: you know, smooth man, he's just like, y'all, let's whatever,

1179
00:50:30,360 --> 00:50:33,279
Speaker 5: my nigger. And I was just like, oh ship, thank

1180
00:50:33,680 --> 00:50:37,120
Speaker 5: fucking god. One other dude is like yo tag Boa

1181
00:50:37,200 --> 00:50:40,600
Speaker 5: then same ship yo Yo. It's like a game yeah

1182
00:50:40,680 --> 00:50:44,919
Speaker 5: yo yo yo ma man yo we yo Yo, we'd

1183
00:50:44,920 --> 00:50:46,040
Speaker 5: be TC cake.

1184
00:50:46,000 --> 00:50:47,640
Speaker 3: No no West.

1185
00:50:47,680 --> 00:50:50,640
Speaker 4: Back then I drop over there now and I'm just

1186
00:50:50,640 --> 00:50:52,120
Speaker 4: I just shake my head. I'm like, yo, if y'all

1187
00:50:52,200 --> 00:50:55,120
Speaker 4: only knew what this looked like maybe twenty five years ago, I'm.

1188
00:50:54,920 --> 00:50:56,879
Speaker 5: Like, fam it was, and it was talking about people

1189
00:50:56,880 --> 00:50:59,279
Speaker 5: talk about New York is a melting pot back then

1190
00:50:59,480 --> 00:51:01,840
Speaker 5: down there was really a melting pot, bro, because I

1191
00:51:01,880 --> 00:51:04,400
Speaker 5: end up in spots like Manitoba that's like a straight

1192
00:51:04,480 --> 00:51:07,839
Speaker 5: hardcore metal head club and I'm in there with gold

1193
00:51:07,880 --> 00:51:10,359
Speaker 5: bottoms and straight backs and a red steep tag like

1194
00:51:10,880 --> 00:51:12,480
Speaker 5: tagging up the walls of shape. But it was because

1195
00:51:12,520 --> 00:51:14,120
Speaker 5: it was graffiti dudes in there. So it was just

1196
00:51:14,120 --> 00:51:17,879
Speaker 5: like you walked out Ludlow's Pianos. It's like Donny Brunk

1197
00:51:17,920 --> 00:51:21,319
Speaker 5: and Ship Community fifty four, all these different spots and Bro,

1198
00:51:21,360 --> 00:51:24,000
Speaker 5: there was like real like shit going on, Like it

1199
00:51:24,080 --> 00:51:25,680
Speaker 5: was like a real energy girl and at that time,

1200
00:51:25,719 --> 00:51:27,680
Speaker 5: now and I feel like now it's just like all right, bro,

1201
00:51:27,800 --> 00:51:30,160
Speaker 5: like the energy is totally you got a crumble cookie here.

1202
00:51:30,400 --> 00:51:31,399
Speaker 3: Exactly like you said.

1203
00:51:31,480 --> 00:51:34,080
Speaker 4: You said the coffee shop when that when I heard

1204
00:51:34,120 --> 00:51:35,799
Speaker 4: that they was getting rid of the coffee.

1205
00:51:35,520 --> 00:51:40,040
Speaker 3: Shop, listen to me, that was like the most depressive recipes. Yeah,

1206
00:51:40,120 --> 00:51:42,160
Speaker 3: like the coffee shop. How do you go to? That's

1207
00:51:42,239 --> 00:51:44,479
Speaker 3: legendary spots, But.

1208
00:51:44,400 --> 00:51:46,239
Speaker 2: It's it's interesting to say five point you talk about

1209
00:51:46,239 --> 00:51:48,680
Speaker 2: graffiti when they just gave five points.

1210
00:51:49,280 --> 00:51:52,560
Speaker 5: That also looking at like ship and make you drive

1211
00:51:52,600 --> 00:51:53,839
Speaker 5: past his white building.

1212
00:51:55,040 --> 00:51:57,600
Speaker 3: Points you TAGNI. Yeah, bro, it's like a right, it.

1213
00:51:57,600 --> 00:51:59,520
Speaker 5: Passes bro, like not nothing crazy, Like I didn't go

1214
00:51:59,600 --> 00:52:02,200
Speaker 5: up there do like some crazy vertical piece my little

1215
00:52:02,200 --> 00:52:05,520
Speaker 5: tags whatever, because you know, it's like it's like a

1216
00:52:05,600 --> 00:52:07,279
Speaker 5: ranking file, you know what I mean, like if you

1217
00:52:07,400 --> 00:52:11,040
Speaker 5: like a young dude, because it's eighth grade thirteen, Like

1218
00:52:11,040 --> 00:52:13,120
Speaker 5: that's when I was going over there, like twelve years old, thirteen,

1219
00:52:13,400 --> 00:52:15,840
Speaker 5: and like everybody else is like twenty years old, smoke

1220
00:52:15,920 --> 00:52:18,120
Speaker 5: angel dust this shit, Like I'm like that what used

1221
00:52:18,160 --> 00:52:18,800
Speaker 5: to pay trainings?

1222
00:52:19,600 --> 00:52:21,000
Speaker 3: I was like, uh, like yo.

1223
00:52:20,880 --> 00:52:22,440
Speaker 5: I'm gonna do my little thing here in the corner,

1224
00:52:22,640 --> 00:52:24,799
Speaker 5: like I ain't gonna go over nobody but yeah, nah

1225
00:52:24,840 --> 00:52:28,160
Speaker 5: that shit man like this, all these spots of disappear.

1226
00:52:28,080 --> 00:52:30,000
Speaker 2: And even that what was the movie they did with

1227
00:52:30,080 --> 00:52:32,280
Speaker 2: like a whole bunch of a list actors and they

1228
00:52:32,360 --> 00:52:35,080
Speaker 2: shot it at five points. The city got their money.

1229
00:52:35,080 --> 00:52:37,400
Speaker 2: It was like a fucking one hundred million dollar contract,

1230
00:52:37,440 --> 00:52:39,040
Speaker 2: so they could shoot a scene there and they were like,

1231
00:52:39,120 --> 00:52:42,360
Speaker 2: all right, we'll just we'll make a condos. Now one

1232
00:52:42,360 --> 00:52:45,880
Speaker 2: of the most iconic graffiti places on fucking Earth Earth period.

1233
00:52:46,160 --> 00:52:48,280
Speaker 5: It's crazy because I feel like things like that fure

1234
00:52:48,320 --> 00:52:52,319
Speaker 5: you go, like from Minnesota and need homes. From Minnesota,

1235
00:52:52,520 --> 00:52:56,480
Speaker 5: they need homes. Okay, what the city isn't need culture, Like, oh,

1236
00:52:56,600 --> 00:52:59,239
Speaker 5: we don't need that. Let's let's build overpriced condos with

1237
00:52:59,320 --> 00:52:59,960
Speaker 5: no closet space.

1238
00:53:00,160 --> 00:53:00,600
Speaker 3: Yeah,