1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff you missed in History Class A production 2 00:00:04,400 --> 00:00:13,440 Speaker 1: of I Heart Radio, Hello and Happy Friday. I am 3 00:00:13,440 --> 00:00:17,040 Speaker 1: Holly Fry and I'm Tracy V. Wilson. So we talked 4 00:00:17,079 --> 00:00:22,720 Speaker 1: about the interesting, inspiring, and sometimes a little bit difficult. 5 00:00:23,239 --> 00:00:27,600 Speaker 1: It goes off Courbet this week. Um, I will see. 6 00:00:27,640 --> 00:00:31,120 Speaker 1: Before we get into my thoughts on Corbett, there's another 7 00:00:31,240 --> 00:00:33,240 Speaker 1: piece in the what we do in the Shadows opening 8 00:00:33,240 --> 00:00:36,640 Speaker 1: credits that I really wanted to do an episode on, 9 00:00:37,479 --> 00:00:40,760 Speaker 1: but it's impossible. It is the portrait of Salom a 10 00:00:41,159 --> 00:00:44,839 Speaker 1: by Area Regno. He died really young, he does not 11 00:00:44,960 --> 00:00:47,120 Speaker 1: have a whole lot of life stories. So maybe at 12 00:00:47,159 --> 00:00:49,920 Speaker 1: some point we'll do a Six Impossible Artists or something 13 00:00:49,920 --> 00:00:52,839 Speaker 1: along those lines. Because I am in love with that painting. 14 00:00:52,960 --> 00:00:56,240 Speaker 1: And this is one of the cases, like throughout that 15 00:00:56,320 --> 00:00:59,640 Speaker 1: opening credit scene, which is very clever and super smart 16 00:00:59,640 --> 00:01:02,640 Speaker 1: and beauty really done, you know, I in some cases 17 00:01:02,720 --> 00:01:05,720 Speaker 1: recognized the art and of course it's like, oh, that's funny. 18 00:01:05,760 --> 00:01:08,880 Speaker 1: The one that they did where they inserted not just 19 00:01:09,080 --> 00:01:14,200 Speaker 1: face into Salom I think is actually better than the 20 00:01:14,200 --> 00:01:17,840 Speaker 1: original painting. Like there's something about the balance of her 21 00:01:17,880 --> 00:01:22,560 Speaker 1: facial features and her hair and the way her dress 22 00:01:22,760 --> 00:01:26,000 Speaker 1: is draped. That is perfection to me, and I love 23 00:01:26,000 --> 00:01:30,279 Speaker 1: it so much. But anyway, Corbet, we read that quote 24 00:01:30,319 --> 00:01:34,120 Speaker 1: about how Corbet was obsessed with his own looks and 25 00:01:34,200 --> 00:01:36,560 Speaker 1: how he always made himself look more beautiful than he was. 26 00:01:36,760 --> 00:01:40,920 Speaker 1: This is very fascinating to me, and I found myself 27 00:01:40,959 --> 00:01:43,480 Speaker 1: thinking about it a lot in the last week because 28 00:01:43,480 --> 00:01:46,600 Speaker 1: we have reached a point socially where I think people 29 00:01:46,720 --> 00:01:50,000 Speaker 1: understand that it is not cool to comment on people's looks. 30 00:01:51,280 --> 00:01:54,000 Speaker 1: Not everyone has reached a point, but most people. But 31 00:01:54,160 --> 00:01:57,200 Speaker 1: Corbet is one of those people that, like, no one 32 00:01:57,280 --> 00:02:00,800 Speaker 1: seems to have any hesitancy to go oh, he looked 33 00:02:00,800 --> 00:02:04,160 Speaker 1: like that. He was like kind of pudgy and looked 34 00:02:04,200 --> 00:02:06,400 Speaker 1: a little dumpy when he painted that. But he painted 35 00:02:06,480 --> 00:02:08,960 Speaker 1: himself like he was twenty and hot. And I just 36 00:02:09,080 --> 00:02:13,480 Speaker 1: find this fascinating. So I I I get the art 37 00:02:13,520 --> 00:02:16,359 Speaker 1: that's going to go on our social media. It used 38 00:02:16,360 --> 00:02:17,880 Speaker 1: to be art that would go on our website back 39 00:02:17,919 --> 00:02:20,200 Speaker 1: when we had a website, but now it pretty much 40 00:02:20,240 --> 00:02:22,760 Speaker 1: goes on our social media and the where else. And 41 00:02:23,280 --> 00:02:26,240 Speaker 1: when we have an artist, I usually try to see 42 00:02:26,360 --> 00:02:28,919 Speaker 1: first if they did a self portrait that could be 43 00:02:29,639 --> 00:02:31,480 Speaker 1: the art work because when you're seeing a work by 44 00:02:31,480 --> 00:02:35,640 Speaker 1: the artist and what they look like together in one picture, 45 00:02:36,800 --> 00:02:38,520 Speaker 1: And there were many, and as I was I was 46 00:02:38,560 --> 00:02:40,960 Speaker 1: clicking through them, I was like, he looks like Trouble. 47 00:02:41,320 --> 00:02:43,600 Speaker 1: He looks like he should be friends with Franz List. 48 00:02:43,639 --> 00:02:47,680 Speaker 1: He looks like a person who would inspire a Listomania 49 00:02:47,840 --> 00:02:52,880 Speaker 1: style response. If I were a gifted painter, I'm sure 50 00:02:52,880 --> 00:02:56,920 Speaker 1: I would also paint myself hotter than I well, and 51 00:02:57,040 --> 00:02:59,720 Speaker 1: to be clear, I mean, I think most descriptions of 52 00:02:59,800 --> 00:03:03,400 Speaker 1: him when he was young, everyone does kind of agree 53 00:03:03,440 --> 00:03:07,200 Speaker 1: that he went through like just a smoking hot, super appealing. 54 00:03:07,760 --> 00:03:12,200 Speaker 1: Everyone thought he was gorgeous period, but then it ended 55 00:03:12,280 --> 00:03:17,600 Speaker 1: kind of early in his life. Um, which again, like 56 00:03:17,639 --> 00:03:22,160 Speaker 1: that also gets into play of like universal societal standards 57 00:03:22,200 --> 00:03:25,040 Speaker 1: of what is beautiful and what is not right. Sure, 58 00:03:25,760 --> 00:03:28,480 Speaker 1: but yes, to compare him to a young France List 59 00:03:28,560 --> 00:03:33,160 Speaker 1: is very on point. And he did continue to paint 60 00:03:33,200 --> 00:03:35,920 Speaker 1: himself as looking more like that when he had ceased 61 00:03:35,920 --> 00:03:40,880 Speaker 1: to really look like that later in his life, and 62 00:03:41,040 --> 00:03:44,880 Speaker 1: apparently to paint other people not as attractive as they 63 00:03:44,920 --> 00:03:48,280 Speaker 1: naturally were. But I don't know if that's just somebody 64 00:03:48,320 --> 00:03:56,440 Speaker 1: being kind of um judge, kind of snippy about everything. Yeah, 65 00:03:56,480 --> 00:03:59,080 Speaker 1: but I I really do love his self portraits, and 66 00:03:59,160 --> 00:04:02,960 Speaker 1: some of them they he looks like exactly the poster 67 00:04:03,160 --> 00:04:09,640 Speaker 1: child of like dangerous romantic era party boy. And then 68 00:04:09,680 --> 00:04:11,680 Speaker 1: you see a photograph of him and you're like, I 69 00:04:11,760 --> 00:04:16,480 Speaker 1: didn't quite line up the way I was thinking, which 70 00:04:16,520 --> 00:04:21,320 Speaker 1: is again, no, he listened. He still had a lot 71 00:04:21,880 --> 00:04:25,279 Speaker 1: of romantic entanglements. Plenty of people found him attractive throughout 72 00:04:25,320 --> 00:04:29,600 Speaker 1: his entire life, although there is a story that he 73 00:04:29,680 --> 00:04:33,200 Speaker 1: was involved with a young woman younger than him, woman 74 00:04:34,440 --> 00:04:38,400 Speaker 1: when he was in his his fifties. I think, and 75 00:04:38,800 --> 00:04:41,080 Speaker 1: he did not understand for the life of him. We 76 00:04:41,120 --> 00:04:43,800 Speaker 1: talked about how he said he's never getting married. He 77 00:04:43,880 --> 00:04:45,960 Speaker 1: did not understand for the life of him, why this 78 00:04:46,040 --> 00:04:49,680 Speaker 1: young woman would choose a different suitor who wanted to 79 00:04:49,720 --> 00:04:53,039 Speaker 1: marry her over the life of passion and excitement that 80 00:04:53,120 --> 00:04:54,919 Speaker 1: he could offer. He just didn't see the appeal. He 81 00:04:54,960 --> 00:04:59,400 Speaker 1: was like, why would she do this? That's foolish. Again. 82 00:04:59,680 --> 00:05:01,920 Speaker 1: This is so we get into the I have trouble 83 00:05:02,000 --> 00:05:07,239 Speaker 1: with his arrogance. I cannot imagine being that conceited or arrogant. 84 00:05:07,600 --> 00:05:10,920 Speaker 1: Those are two qualities I do not delight in, and 85 00:05:11,000 --> 00:05:14,120 Speaker 1: so for him to be so self aware of it, like, 86 00:05:14,160 --> 00:05:15,599 Speaker 1: do you not know what the most arrogant man in 87 00:05:15,680 --> 00:05:22,480 Speaker 1: Paris get out of? Here? Is a lot I also 88 00:05:22,520 --> 00:05:27,680 Speaker 1: promised some gossip. So the model for the origin of 89 00:05:27,680 --> 00:05:32,080 Speaker 1: the world has been debated for a long time. Um 90 00:05:32,120 --> 00:05:34,039 Speaker 1: there have even been some people who have put forth 91 00:05:34,040 --> 00:05:37,360 Speaker 1: the theory that he hasn't in fact painting a dead woman. 92 00:05:37,839 --> 00:05:40,080 Speaker 1: That's not a very common or widely accepted one. I 93 00:05:40,120 --> 00:05:43,239 Speaker 1: think that's a sensational and thrilling one to think about. 94 00:05:43,240 --> 00:05:46,560 Speaker 1: But most people would agree that the model or I 95 00:05:46,600 --> 00:05:48,359 Speaker 1: don't know if I should say most people would agree. 96 00:05:48,360 --> 00:05:51,279 Speaker 1: A lot of our historians believe that the model for 97 00:05:51,360 --> 00:05:54,800 Speaker 1: that piece was a woman named Joanna Hiffernan. I don't 98 00:05:54,800 --> 00:05:56,680 Speaker 1: know if that's how she pronounced her. She was a Johanna, 99 00:05:56,760 --> 00:06:00,320 Speaker 1: she was Irish. She modeled for him for a lot 100 00:06:00,400 --> 00:06:06,120 Speaker 1: of pieces. She was also the girlfriend of James Whistler, 101 00:06:06,680 --> 00:06:13,520 Speaker 1: and she may have had an affair with Corbett what 102 00:06:14,040 --> 00:06:16,800 Speaker 1: because he and James Whistler were friends and then at 103 00:06:16,800 --> 00:06:19,480 Speaker 1: one point they stopped being friends completely And a lot 104 00:06:19,480 --> 00:06:22,760 Speaker 1: of people have theorized that it was because of this 105 00:06:23,160 --> 00:06:26,000 Speaker 1: romantic triangle problem going on, and that Whistler was like, 106 00:06:26,120 --> 00:06:28,960 Speaker 1: not cool with any of that. Um. There's also an 107 00:06:28,960 --> 00:06:32,960 Speaker 1: interesting piece, This isn't really um gossip. But again, much 108 00:06:33,000 --> 00:06:36,799 Speaker 1: like the way the artist studio continues to get debated 109 00:06:36,839 --> 00:06:39,640 Speaker 1: over what it means and what it is, the Origin 110 00:06:39,680 --> 00:06:42,479 Speaker 1: of the World also continues to get debated outside of 111 00:06:42,480 --> 00:06:45,720 Speaker 1: whether people think it is pornographic. I would say it's 112 00:06:45,720 --> 00:06:49,080 Speaker 1: not safe for work, but whether people think it is 113 00:06:49,440 --> 00:06:53,680 Speaker 1: pornographic or not. Outside of that, there are discussions about 114 00:06:53,680 --> 00:06:57,800 Speaker 1: whether that is the entire painting. Uh. Some people have 115 00:06:57,920 --> 00:07:01,960 Speaker 1: suggested that it had included it. Again, it's from a 116 00:07:02,080 --> 00:07:06,320 Speaker 1: pretty severe angle on the body, so even if you 117 00:07:06,360 --> 00:07:10,560 Speaker 1: could see the woman's head and face, it might look 118 00:07:10,560 --> 00:07:12,240 Speaker 1: a little weird. But there are some people that have 119 00:07:12,360 --> 00:07:17,200 Speaker 1: found this other portrait he did of Hiffernan and said like, no, 120 00:07:17,320 --> 00:07:21,080 Speaker 1: this matches up. But other art historians are like, no, 121 00:07:21,160 --> 00:07:24,040 Speaker 1: it doesn't. You're kind of grasping at straws. So there 122 00:07:24,040 --> 00:07:27,080 Speaker 1: are certainly like theories to play with there about whether 123 00:07:27,160 --> 00:07:29,880 Speaker 1: or not he cut that part off of his canvas 124 00:07:29,880 --> 00:07:32,920 Speaker 1: to try to avoid getting anybody angry, and apparently that 125 00:07:32,960 --> 00:07:36,280 Speaker 1: didn't work, if in fact that was the cause of 126 00:07:36,360 --> 00:07:43,600 Speaker 1: his his sudden severance of his friendship with Whisling. It's 127 00:07:43,600 --> 00:07:46,840 Speaker 1: all very dramatic. I feel like his personal life was 128 00:07:47,040 --> 00:07:54,040 Speaker 1: particularly romantically very dramatic at all times. Um fascinating dramatic. 129 00:07:54,920 --> 00:07:57,280 Speaker 1: I really love a lot of his work. I think 130 00:07:57,280 --> 00:08:00,520 Speaker 1: he probably was insufferable to be around maybe, or maybe 131 00:08:00,520 --> 00:08:02,680 Speaker 1: he was delightful unless you were an art critic. I 132 00:08:02,680 --> 00:08:07,120 Speaker 1: don't know, hard to know, hard to know. I mean, 133 00:08:07,200 --> 00:08:11,440 Speaker 1: he seemed, you know, like we said, completely devoted to 134 00:08:11,560 --> 00:08:14,920 Speaker 1: his family. He adored his parents, he loved his sisters, 135 00:08:15,280 --> 00:08:18,680 Speaker 1: he loved the people of Ornan. So he wasn't like 136 00:08:18,920 --> 00:08:21,400 Speaker 1: so arrogant or conceded that it was all about him. 137 00:08:21,560 --> 00:08:25,160 Speaker 1: He certainly cared for other people, but also seemed you know, 138 00:08:25,560 --> 00:08:41,480 Speaker 1: more complex. Possibly it's suffrable. One of the things we 139 00:08:41,559 --> 00:08:45,640 Speaker 1: talked about this week was Chris Wald versus Connecticut, uh 140 00:08:45,679 --> 00:08:49,600 Speaker 1: and connected to way more recent Supreme Court decisions, maybe 141 00:08:49,600 --> 00:08:55,360 Speaker 1: future ones. Who knows this point. So one of the 142 00:08:55,440 --> 00:08:58,880 Speaker 1: things that amused me really when I was working on 143 00:08:58,920 --> 00:09:01,400 Speaker 1: this was there was the part we talked about about 144 00:09:01,480 --> 00:09:05,640 Speaker 1: United States versus One Package. Full name is United States 145 00:09:05,720 --> 00:09:08,800 Speaker 1: versus One Package of Japanese pessaries, but it's usually just 146 00:09:08,840 --> 00:09:11,520 Speaker 1: written out as United States versus one Package, and so 147 00:09:11,679 --> 00:09:13,880 Speaker 1: having just seen that name crop up before, I then 148 00:09:13,960 --> 00:09:16,800 Speaker 1: stopped to like go look into the details of that case. 149 00:09:17,480 --> 00:09:22,920 Speaker 1: I had thought that one Package was like a store 150 00:09:22,960 --> 00:09:28,520 Speaker 1: that would discreetly send you contraception or something like. It 151 00:09:28,559 --> 00:09:30,160 Speaker 1: did not occur to me that it was going to 152 00:09:30,240 --> 00:09:36,640 Speaker 1: be a literal box. No, it's an actual box of stuff. Yeah, yeah, 153 00:09:37,480 --> 00:09:40,400 Speaker 1: And I have a number of thoughts about that, and 154 00:09:40,440 --> 00:09:43,360 Speaker 1: I think you did too well. Mine are the silly ones, 155 00:09:43,400 --> 00:09:45,920 Speaker 1: which I think we needed after that episode. But um, 156 00:09:46,960 --> 00:09:50,679 Speaker 1: I know that at that point, when a case is 157 00:09:50,760 --> 00:09:54,079 Speaker 1: going on, the whole point of it is really like 158 00:09:54,640 --> 00:09:59,679 Speaker 1: to examine and potentially make changes to interpretation of the 159 00:09:59,760 --> 00:10:03,640 Speaker 1: law off. But in my head, I find the hilarity 160 00:10:03,800 --> 00:10:07,520 Speaker 1: of like a package being sentenced in some way very funny. 161 00:10:07,760 --> 00:10:11,480 Speaker 1: Like I'm instantly render the cartoon in my head of 162 00:10:11,559 --> 00:10:15,560 Speaker 1: one package having to do hard labor somewhere and just 163 00:10:15,600 --> 00:10:17,480 Speaker 1: like sitting by the side of the road for like 164 00:10:17,559 --> 00:10:20,760 Speaker 1: a couple of hours a day, or like one package 165 00:10:21,240 --> 00:10:25,000 Speaker 1: with a fine issued to it and it's not having 166 00:10:25,000 --> 00:10:29,640 Speaker 1: pockets to look in for money, And that's the cartoon 167 00:10:29,880 --> 00:10:32,240 Speaker 1: that my brain plays. I think I would have had 168 00:10:32,280 --> 00:10:34,960 Speaker 1: a really hard time wrapping my head around just the 169 00:10:34,960 --> 00:10:37,200 Speaker 1: basic existence of that case. Had I not learned about 170 00:10:37,280 --> 00:10:42,719 Speaker 1: multiple cases recently that are about cases granting personhood to 171 00:10:43,240 --> 00:10:48,240 Speaker 1: basically elements of nature, So like a river being granted personhood, 172 00:10:48,280 --> 00:10:50,319 Speaker 1: so the river has the right to sue in court 173 00:10:50,840 --> 00:10:53,840 Speaker 1: over being polluted, like stuff like that, which is an 174 00:10:53,920 --> 00:10:56,079 Speaker 1: interesting way to think about that. And there's an episode 175 00:10:56,200 --> 00:11:00,000 Speaker 1: of the podcast Invisible It talks about a few different 176 00:11:00,040 --> 00:11:04,120 Speaker 1: it cases like that, a few different circumstances where there's 177 00:11:04,160 --> 00:11:07,800 Speaker 1: been either in tribal court or in like US or 178 00:11:07,840 --> 00:11:12,079 Speaker 1: state court, the idea that a natural system would be 179 00:11:12,120 --> 00:11:15,800 Speaker 1: granted a personhood um. And one of the arguments was 180 00:11:15,840 --> 00:11:18,680 Speaker 1: about how, okay, so if the river has the right 181 00:11:18,760 --> 00:11:22,480 Speaker 1: to sue against a polluter, and then what if, like 182 00:11:22,559 --> 00:11:25,199 Speaker 1: what if there is a flood and the river floods 183 00:11:25,240 --> 00:11:27,800 Speaker 1: your house, do you have the right to sue the 184 00:11:27,880 --> 00:11:29,720 Speaker 1: river for having done that? Like what how does that 185 00:11:29,760 --> 00:11:33,199 Speaker 1: all work out? Uh? And I was like, what an 186 00:11:33,200 --> 00:11:38,480 Speaker 1: interesting argument do you even think about? And so yeah, 187 00:11:38,520 --> 00:11:41,319 Speaker 1: I had I had over the last few months learned 188 00:11:41,320 --> 00:11:45,600 Speaker 1: about various efforts or cases or arguments or whatever about 189 00:11:46,200 --> 00:11:48,600 Speaker 1: that particular idea and I think that made it easier 190 00:11:48,640 --> 00:11:50,880 Speaker 1: for me to even imagine that there would have been 191 00:11:50,880 --> 00:11:55,040 Speaker 1: a suit filed against a box of pessaries that were 192 00:11:55,080 --> 00:11:59,800 Speaker 1: used for contraceptive purposes. Yet it's funny. Yeah. My other 193 00:11:59,840 --> 00:12:02,720 Speaker 1: to take away from this episode on the later things 194 00:12:02,760 --> 00:12:05,640 Speaker 1: I can pluck out of it is that PT. Barnum 195 00:12:05,720 --> 00:12:09,000 Speaker 1: is everywhere. I know. I just did, uh, and it 196 00:12:09,040 --> 00:12:12,240 Speaker 1: was fairly late for whatever reason. I mean, I had 197 00:12:12,280 --> 00:12:14,880 Speaker 1: read all of these things about the Connecticut law and 198 00:12:14,960 --> 00:12:16,960 Speaker 1: what it included and what the text of it was 199 00:12:17,040 --> 00:12:19,600 Speaker 1: and blah blah blah, and then I saw things like 200 00:12:19,640 --> 00:12:22,080 Speaker 1: introduced by P. T. Barnum and I was like, for real, though, 201 00:12:23,559 --> 00:12:27,960 Speaker 1: because I think folks that live in Connecticut may learn 202 00:12:28,600 --> 00:12:32,440 Speaker 1: more about his work as a legislator when other folks 203 00:12:32,480 --> 00:12:36,200 Speaker 1: mostly know him because of the circus. I do not 204 00:12:36,400 --> 00:12:39,880 Speaker 1: have any idea if the episodes that previous hosts of 205 00:12:39,920 --> 00:12:43,120 Speaker 1: the show have done about Barnum, if they talk about 206 00:12:43,160 --> 00:12:45,440 Speaker 1: that part at all, because I know there are some 207 00:12:45,480 --> 00:12:50,400 Speaker 1: of the archive. He also popped up on our episode 208 00:12:50,440 --> 00:12:54,680 Speaker 1: on Spirit photography. Oh yeah, because as you'll recall, he 209 00:12:54,880 --> 00:12:58,959 Speaker 1: testified in court that those people were fleecing people because 210 00:12:59,000 --> 00:13:02,520 Speaker 1: he was like I'm an expert on ridiculousness, and this 211 00:13:02,600 --> 00:13:05,600 Speaker 1: is absolutely ridiculous, and I just find it hilarious that 212 00:13:05,679 --> 00:13:10,920 Speaker 1: he had his nose in so many different places. Yeah. 213 00:13:11,040 --> 00:13:14,680 Speaker 1: I said during the episode that I I had previously 214 00:13:14,800 --> 00:13:19,800 Speaker 1: just not been able to understand the reasoning in ro 215 00:13:20,000 --> 00:13:23,480 Speaker 1: versus Wade. Again, we're talking about the outcome, talking about 216 00:13:23,520 --> 00:13:25,720 Speaker 1: like the argument that the court took to get there, 217 00:13:26,440 --> 00:13:28,160 Speaker 1: and I was like, I don't understand. I would try 218 00:13:28,160 --> 00:13:29,720 Speaker 1: to read an explanation, I would still be like, I 219 00:13:29,720 --> 00:13:32,880 Speaker 1: don't I don't understand how you got there. And that's 220 00:13:32,920 --> 00:13:37,000 Speaker 1: been one of the like ongoing until now it's been overturned. 221 00:13:37,040 --> 00:13:39,319 Speaker 1: Like one of the ongoing concerns about it was like 222 00:13:39,760 --> 00:13:43,400 Speaker 1: to have an issue that is that morally and ethically 223 00:13:43,520 --> 00:13:46,400 Speaker 1: and emotionally involved to so many people from so many 224 00:13:46,400 --> 00:13:49,120 Speaker 1: different angles, to have it rest on something that feels 225 00:13:49,200 --> 00:13:56,400 Speaker 1: kind of like an argument house of cards. Yeah, it's scary, scary, uh, 226 00:13:56,440 --> 00:14:00,680 Speaker 1: for legitimate reasons because now it's a returned Yes. Yeah, 227 00:14:00,720 --> 00:14:03,679 Speaker 1: I those always those always similarly to me. I'm always like, 228 00:14:03,760 --> 00:14:06,280 Speaker 1: this is really the best tech to take. But yeah, 229 00:14:06,400 --> 00:14:08,720 Speaker 1: and that was one of the reasons why every time 230 00:14:08,800 --> 00:14:11,959 Speaker 1: I would idly go, okay, should we do an episode 231 00:14:12,040 --> 00:14:13,920 Speaker 1: on Roe v. Wade? And I'm like, okay, number one, 232 00:14:13,960 --> 00:14:18,120 Speaker 1: how do we? I mean, a lot of teachers use 233 00:14:18,200 --> 00:14:21,080 Speaker 1: our show in their classrooms, and to me, an episode 234 00:14:21,120 --> 00:14:23,640 Speaker 1: on contraception is already kind of like on the line 235 00:14:23,800 --> 00:14:27,360 Speaker 1: of whether whether that's gonna work in a in a 236 00:14:27,400 --> 00:14:30,240 Speaker 1: classroom setting, and like an episode on abortion is like 237 00:14:31,400 --> 00:14:33,800 Speaker 1: probably gonna be something that most teachers are like gonna 238 00:14:33,840 --> 00:14:35,880 Speaker 1: have to watch out for it, like not leave the 239 00:14:35,880 --> 00:14:40,240 Speaker 1: podcast playing in the background if their kids, the kids 240 00:14:40,240 --> 00:14:42,280 Speaker 1: they're teaching are in younger grades, right, Like that that 241 00:14:42,360 --> 00:14:43,600 Speaker 1: was the thing that I would sort of think about, 242 00:14:43,600 --> 00:14:45,120 Speaker 1: but then I would also kind of go And I 243 00:14:45,160 --> 00:14:48,400 Speaker 1: also don't understand the ruling. And also there are also 244 00:14:48,560 --> 00:14:51,480 Speaker 1: all these other issues around, like the facts of the 245 00:14:51,520 --> 00:14:55,840 Speaker 1: case and the people involved, and when Norma McCorvey, who 246 00:14:55,920 --> 00:14:58,760 Speaker 1: was the person who was anonymously known as Jane Roe 247 00:14:58,880 --> 00:15:01,640 Speaker 1: during this case, like when she died, all of these 248 00:15:02,720 --> 00:15:05,200 Speaker 1: facts and allegations came out about how she had personally 249 00:15:05,200 --> 00:15:07,480 Speaker 1: felt about it and whether her things that she had 250 00:15:07,480 --> 00:15:09,400 Speaker 1: said about it in the times that the court case happened, 251 00:15:09,400 --> 00:15:11,480 Speaker 1: whether they were genuine, And I was like every time 252 00:15:11,520 --> 00:15:15,360 Speaker 1: there's just more layers of complexity and mess and like, 253 00:15:15,400 --> 00:15:19,080 Speaker 1: how is this even possible to talk about in a 254 00:15:19,120 --> 00:15:21,880 Speaker 1: way that feels all ages friendly? And I could never 255 00:15:22,080 --> 00:15:25,840 Speaker 1: really wrap my head around it, and then the Supreme 256 00:15:25,880 --> 00:15:33,200 Speaker 1: Court overturned it. Yeah, it's um, it's it's difficult on 257 00:15:33,280 --> 00:15:35,840 Speaker 1: a number of of levels. Right, it's a lot to 258 00:15:35,920 --> 00:15:40,040 Speaker 1: pluck apart those decisions, and like how they came to 259 00:15:40,080 --> 00:15:43,760 Speaker 1: their reasoning, which again I still even though I technically 260 00:15:43,840 --> 00:15:48,080 Speaker 1: understand it, I'm like really um. But then also, as 261 00:15:48,120 --> 00:15:52,840 Speaker 1: you said, like this is a very complex issue that 262 00:15:53,080 --> 00:15:58,320 Speaker 1: is not just like intellectually important to look at, but 263 00:15:58,360 --> 00:16:00,440 Speaker 1: also it is very emotional for a lot of people, 264 00:16:00,440 --> 00:16:03,720 Speaker 1: And so um, I'm very glad you decided to finally 265 00:16:03,880 --> 00:16:07,120 Speaker 1: like pounce on it. Yeah. I think I ever would 266 00:16:07,120 --> 00:16:12,120 Speaker 1: have gotten well And I found I found Griswold versus 267 00:16:12,160 --> 00:16:15,720 Speaker 1: Connecticut to be well. I like I said in the show, 268 00:16:15,720 --> 00:16:17,440 Speaker 1: it made it a lot easier to understand what the 269 00:16:17,480 --> 00:16:21,080 Speaker 1: reasoning had been during roversus Wade, but then also the 270 00:16:21,120 --> 00:16:25,760 Speaker 1: facts of that case, the cases involved, I felt better 271 00:16:25,880 --> 00:16:28,480 Speaker 1: able to to lay out in a way that was 272 00:16:28,520 --> 00:16:34,040 Speaker 1: accessible to people and would be as hopefully as I know, 273 00:16:34,160 --> 00:16:37,960 Speaker 1: I know some states and school systems have incredibly strict 274 00:16:38,000 --> 00:16:40,280 Speaker 1: rules about what's okay to have playing in a classroom 275 00:16:40,360 --> 00:16:43,080 Speaker 1: or to use in a classroom resource. But like, I 276 00:16:43,160 --> 00:16:46,680 Speaker 1: felt more able to write out the facts of this 277 00:16:46,760 --> 00:16:48,080 Speaker 1: in a way that I felt like was going to 278 00:16:48,160 --> 00:16:55,000 Speaker 1: be hopefully more able to like not turn the podcast 279 00:16:55,080 --> 00:17:01,080 Speaker 1: into a a no go for classrooms in general. Uh, 280 00:17:01,240 --> 00:17:04,560 Speaker 1: not necessarily the specific episode. We always say, like, pre 281 00:17:04,680 --> 00:17:07,919 Speaker 1: listen to stuff if you're concerned about listening to it 282 00:17:07,960 --> 00:17:12,880 Speaker 1: with kids or in a classroom or whatever. But um, anyway, anyway, 283 00:17:13,080 --> 00:17:18,439 Speaker 1: many complicated factors to think through With all of that, 284 00:17:19,600 --> 00:17:22,480 Speaker 1: m h. If you'd like to send us a note 285 00:17:23,080 --> 00:17:26,120 Speaker 1: about this any other podcast history podcast, I heeart radio 286 00:17:26,200 --> 00:17:30,040 Speaker 1: dot com. It's Friday. Hopefully everything that's happening on your 287 00:17:30,040 --> 00:17:32,800 Speaker 1: weekend is going to be good and RESTful. If it 288 00:17:32,880 --> 00:17:35,159 Speaker 1: can't be RESTful, I hope there's just like a moment 289 00:17:35,200 --> 00:17:37,880 Speaker 1: of peace you can grab in there for yourself somewhere 290 00:17:39,040 --> 00:17:43,000 Speaker 1: if you're working. I hope everybody is great to you. Uh, 291 00:17:43,280 --> 00:17:49,040 Speaker 1: no terrible customer service encounters or similar. We'll be back 292 00:17:49,119 --> 00:17:53,040 Speaker 1: on Saturday, Saturday Classic, and then Monday with a brand 293 00:17:53,080 --> 00:18:00,480 Speaker 1: new episode. Stuff you missed in History of class is 294 00:18:00,520 --> 00:18:03,680 Speaker 1: a production of I heart Radio. For more podcasts from 295 00:18:03,720 --> 00:18:07,080 Speaker 1: I heart Radio, visit the i heart Radio app, Apple Podcasts, 296 00:18:07,200 --> 00:18:13,960 Speaker 1: or wherever you listen to your favorite shows. H