1 00:00:00,400 --> 00:00:00,920 Speaker 1: Warning. 2 00:00:02,160 --> 00:00:05,000 Speaker 2: On today's episode of XRGC, we're gonna talk about Ghost 3 00:00:05,000 --> 00:00:07,240 Speaker 2: of Yo Tai. We're gonna be talking about tron Ares 4 00:00:08,480 --> 00:00:10,080 Speaker 2: and good Boy. 5 00:00:24,640 --> 00:00:30,280 Speaker 3: Hello you, and I'm rasy Night and welcome to XRGC, 6 00:00:30,600 --> 00:00:32,839 Speaker 3: the X Ray Vision Group CHATO weekly round table with 7 00:00:32,880 --> 00:00:35,599 Speaker 3: our producers and or special guests to talk about all 8 00:00:35,600 --> 00:00:36,400 Speaker 3: the things. 9 00:00:36,280 --> 00:00:38,839 Speaker 2: That we are super excited about in pop culture. 10 00:00:39,440 --> 00:00:43,840 Speaker 4: In today's episode, we have both super producers and special guests. 11 00:00:43,840 --> 00:00:46,120 Speaker 4: And in segment one we will be calling in Aaron 12 00:00:46,200 --> 00:00:48,360 Speaker 4: and Aaron and Jason will be talking about Ghost of 13 00:00:48,440 --> 00:00:51,800 Speaker 4: Yota before we have an interview with the incredibly talented 14 00:00:52,040 --> 00:00:55,680 Speaker 4: voice actor who brings to life the main character ought 15 00:00:55,720 --> 00:01:00,440 Speaker 4: to and then Aaron, he's back and he's gonna be 16 00:01:00,440 --> 00:01:03,000 Speaker 4: talking about tron As and and we made him do. 17 00:01:02,920 --> 00:01:07,560 Speaker 5: It, We made him want to talk about it. He's 18 00:01:07,600 --> 00:01:10,040 Speaker 5: the only person who has seen it. 19 00:01:10,080 --> 00:01:12,800 Speaker 4: And this is uh maybe a new segment called Sacrificial 20 00:01:12,880 --> 00:01:16,600 Speaker 4: Lamb who knows truly like the Canaria the cool one. 21 00:01:16,880 --> 00:01:18,959 Speaker 2: He says, guys, don't come in. 22 00:01:18,959 --> 00:01:23,039 Speaker 4: You know what, you know what He's He's gonna be 23 00:01:23,240 --> 00:01:27,920 Speaker 4: for once with a with a very very medium take 24 00:01:28,000 --> 00:01:31,440 Speaker 4: that everybody is agreeing with in Hollywood at least uh 25 00:01:31,600 --> 00:01:34,640 Speaker 4: and segment three I would bring him in Joel and 26 00:01:34,680 --> 00:01:38,759 Speaker 4: Carmen for a scream Queen's look at the incredible new 27 00:01:39,000 --> 00:01:42,520 Speaker 4: horror movie that is very unique Good Boy. Then, of 28 00:01:42,560 --> 00:01:46,200 Speaker 4: course thanks, It's Friday, woof woof, and everyone. 29 00:01:45,959 --> 00:01:48,320 Speaker 5: Will show it there. Most excited to do this weekend. 30 00:01:48,840 --> 00:01:53,320 Speaker 5: But first let's bring in Aaron for Ghost of Yota. 31 00:01:55,160 --> 00:01:58,640 Speaker 6: Hello, I I'm very excited to talk about one of 32 00:01:58,680 --> 00:01:59,639 Speaker 6: two topics today. 33 00:02:00,160 --> 00:02:02,240 Speaker 2: He First of all, I want to I want to 34 00:02:02,280 --> 00:02:04,600 Speaker 2: note that I'm I'm in New York City for New 35 00:02:04,680 --> 00:02:08,360 Speaker 2: York Comic conton uh and so I'm sorry if the 36 00:02:08,600 --> 00:02:12,920 Speaker 2: sound is different for the folks. I'm in a hotel 37 00:02:13,040 --> 00:02:19,160 Speaker 2: room that is very nice. It is so small I 38 00:02:19,240 --> 00:02:21,240 Speaker 2: can't see it on my camera right now, but that's 39 00:02:21,280 --> 00:02:24,720 Speaker 2: the shower right there on and i'm my computer's on 40 00:02:24,760 --> 00:02:25,040 Speaker 2: the bed. 41 00:02:25,200 --> 00:02:28,520 Speaker 4: I've stayed in that hotel, definitely, I've stayed in that 42 00:02:28,840 --> 00:02:30,760 Speaker 4: hotel in the area. 43 00:02:32,240 --> 00:02:36,600 Speaker 2: Very sad to be away from my PlayStation in this 44 00:02:36,960 --> 00:02:40,720 Speaker 2: early days of Go. And I'm and I'm shouts out 45 00:02:40,720 --> 00:02:44,440 Speaker 2: to Donna, my dog who's with the dog sitter. Shout 46 00:02:44,480 --> 00:02:46,839 Speaker 2: out to the dog sitter. Who's doing a wonderful job, 47 00:02:46,880 --> 00:02:49,239 Speaker 2: and sent me a suite of pictures last night of 48 00:02:50,400 --> 00:02:53,680 Speaker 2: Donna on a walk, including Donna unleashed inside a Vond's. 49 00:02:54,120 --> 00:02:58,080 Speaker 4: Yeah, I need to go that part of LA and 50 00:02:58,120 --> 00:02:58,800 Speaker 4: see Donna and. 51 00:03:00,560 --> 00:03:03,600 Speaker 2: Dona's on the boy, Donna's at leash in the frozen 52 00:03:03,680 --> 00:03:04,720 Speaker 2: food isle of VN. 53 00:03:05,520 --> 00:03:09,760 Speaker 4: Donna's like, this is me on my own exploring adventure. 54 00:03:09,880 --> 00:03:11,440 Speaker 5: This is Dona's Ghost of Viote. 55 00:03:11,680 --> 00:03:14,799 Speaker 2: She's gonna be completely She's gonna have different expectations when 56 00:03:14,800 --> 00:03:19,960 Speaker 2: I get home. But speaking of expectations, Eric, what were 57 00:03:19,960 --> 00:03:22,320 Speaker 2: your expectations of Ghost of Yote and how do you 58 00:03:22,400 --> 00:03:24,800 Speaker 2: feel now that you've been playing it. 59 00:03:25,880 --> 00:03:28,639 Speaker 6: I think I was expecting to enjoy it. I don't 60 00:03:28,639 --> 00:03:32,120 Speaker 6: think I was expecting it to be so beautifully set 61 00:03:32,200 --> 00:03:35,760 Speaker 6: up Allah, Like when you finish the first thing, you 62 00:03:35,880 --> 00:03:38,000 Speaker 6: step out and it feels like breath of the wild 63 00:03:38,080 --> 00:03:40,480 Speaker 6: stepping out of the cave. It feels like Elden Ring 64 00:03:40,560 --> 00:03:44,360 Speaker 6: coming up the elevator, Like you just see this expansive 65 00:03:44,400 --> 00:03:47,240 Speaker 6: world and you can go in any direction, and the 66 00:03:47,280 --> 00:03:50,120 Speaker 6: game leads you in certain ways with the beautiful mechanic 67 00:03:50,160 --> 00:03:53,520 Speaker 6: of the wind, like actually guiding you towards your next objective. 68 00:03:53,960 --> 00:04:00,000 Speaker 6: But I I love Erica's portrayal of Atsu in the game, 69 00:04:00,600 --> 00:04:04,360 Speaker 6: and Eric is who you're talking to you later. And 70 00:04:04,600 --> 00:04:08,440 Speaker 6: I just think that the the the beauty and the 71 00:04:08,720 --> 00:04:10,880 Speaker 6: I mean, I know there's a low fi mode, but 72 00:04:11,040 --> 00:04:15,280 Speaker 6: like the coziness of it is something that has surprised 73 00:04:15,280 --> 00:04:16,400 Speaker 6: me with how much I enjoy it. 74 00:04:17,080 --> 00:04:19,960 Speaker 2: That was it is, Rosie. I can't wait for you 75 00:04:20,000 --> 00:04:20,279 Speaker 2: to play. 76 00:04:20,440 --> 00:04:21,440 Speaker 5: I'm so excited. 77 00:04:21,800 --> 00:04:25,240 Speaker 2: But it is the coziness. I think I was expecting 78 00:04:25,240 --> 00:04:27,479 Speaker 2: because like the beauty, I will say, I think they've 79 00:04:27,560 --> 00:04:29,240 Speaker 2: taken the beauty up and notch. It feels like there's 80 00:04:29,279 --> 00:04:34,359 Speaker 2: been some amount of polishing the leaves, the environment, the 81 00:04:34,400 --> 00:04:37,919 Speaker 2: way the grass moves, the flowers on the on the grass. 82 00:04:37,720 --> 00:04:42,240 Speaker 7: Rains, just like there's. 83 00:04:40,520 --> 00:04:43,080 Speaker 2: Just like things in the air that are moving around 84 00:04:43,160 --> 00:04:46,400 Speaker 2: all beautiful. But I was I guess I was kind 85 00:04:46,400 --> 00:04:50,120 Speaker 2: of expecting that. What I didn't expect was for me 86 00:04:50,279 --> 00:04:56,159 Speaker 2: to love. I loved Ghost of Tushima, loved, loved, love 87 00:04:56,480 --> 00:04:59,880 Speaker 2: love was obsessed. I think I like, at least it 88 00:05:00,080 --> 00:05:03,520 Speaker 2: this stage, early stage the story of Ghosts of Yote more. 89 00:05:03,560 --> 00:05:07,560 Speaker 2: It's more focused, less less sprawling, it's less about like 90 00:05:08,920 --> 00:05:12,279 Speaker 2: the future of Japan and saving Japan and more about 91 00:05:12,320 --> 00:05:16,839 Speaker 2: this very very tight revenge story that you feel right away, 92 00:05:16,880 --> 00:05:19,400 Speaker 2: and you're so right about the way they let you 93 00:05:19,440 --> 00:05:21,279 Speaker 2: into the world. I think if I had a note 94 00:05:21,320 --> 00:05:26,240 Speaker 2: about Tsushima, it was some of the moments where you're 95 00:05:26,279 --> 00:05:29,360 Speaker 2: just kind of the passenger to the cutscene or whatever, 96 00:05:29,920 --> 00:05:32,320 Speaker 2: feel like they go on a little long. It's obviously 97 00:05:32,360 --> 00:05:35,400 Speaker 2: beautiful look at and all the voice acting is incredible, 98 00:05:35,440 --> 00:05:39,599 Speaker 2: the animation is wonderful, so it's so immersive that it's 99 00:05:39,800 --> 00:05:41,839 Speaker 2: the best version of that, But there were times where 100 00:05:41,880 --> 00:05:44,880 Speaker 2: you're just like, I want to get into it. It 101 00:05:44,920 --> 00:05:47,240 Speaker 2: feels like they trim those a little bit and made 102 00:05:47,279 --> 00:05:50,080 Speaker 2: it more streamlined for you to get back into the game. 103 00:05:50,720 --> 00:05:54,159 Speaker 2: And when you go through the first little kind of 104 00:05:54,240 --> 00:05:57,719 Speaker 2: mini chapter, that's like your introduction to the basic mechanics 105 00:05:57,720 --> 00:05:59,919 Speaker 2: in the world. And then you get on the horse 106 00:06:00,839 --> 00:06:04,839 Speaker 2: and it hits the title card. It's like a rush. 107 00:06:04,960 --> 00:06:08,600 Speaker 2: It's so good. It's one of the best openings of 108 00:06:08,640 --> 00:06:11,119 Speaker 2: a game that it's up there with Breath of the Wild, 109 00:06:11,120 --> 00:06:14,159 Speaker 2: where it just like boom, the music hits. You're on 110 00:06:14,240 --> 00:06:18,640 Speaker 2: the horse, the wind is blowing and you're just like, oh, crap, 111 00:06:18,800 --> 00:06:22,640 Speaker 2: and the mechanics are tightened up too. I mean, listen, 112 00:06:23,440 --> 00:06:26,880 Speaker 2: I'm right around in this game just being like I 113 00:06:26,960 --> 00:06:29,520 Speaker 2: want somebody to be out here to try and fuck 114 00:06:29,560 --> 00:06:29,800 Speaker 2: with me. 115 00:06:30,080 --> 00:06:34,440 Speaker 7: Try it, please, please, please please up to me. Yes, 116 00:06:34,520 --> 00:06:35,400 Speaker 7: please do it. 117 00:06:35,480 --> 00:06:37,440 Speaker 2: Okay, it's just incredible so far. 118 00:06:38,360 --> 00:06:40,040 Speaker 5: Fave moment for both of you. 119 00:06:40,560 --> 00:06:41,080 Speaker 1: Oh wow. 120 00:06:41,960 --> 00:06:44,640 Speaker 6: Mine is the first time I got to a dueling tree, 121 00:06:44,680 --> 00:06:47,600 Speaker 6: which you'll find more of them as the game progresses, 122 00:06:47,640 --> 00:06:49,279 Speaker 6: but the first time you get to a dueling tree, 123 00:06:49,320 --> 00:06:51,960 Speaker 6: it's this beautiful tree with all these like name tags 124 00:06:52,000 --> 00:06:54,599 Speaker 6: written on it and hanging and blowing in the wind, 125 00:06:54,960 --> 00:06:57,800 Speaker 6: and there's a character there and you meet him and 126 00:06:57,880 --> 00:06:59,400 Speaker 6: I think you probably could do this at any of 127 00:06:59,400 --> 00:07:03,120 Speaker 6: the trees, but it introduces a side quest, which is basically, 128 00:07:03,200 --> 00:07:06,080 Speaker 6: you go to these trees. There's one person there who's 129 00:07:06,680 --> 00:07:09,440 Speaker 6: just you get into a duel with them, and it's 130 00:07:09,480 --> 00:07:13,200 Speaker 6: a beautiful setup, very like Mortal Kombat. Like it starts 131 00:07:13,200 --> 00:07:15,160 Speaker 6: off with each character on one side, you get like 132 00:07:15,200 --> 00:07:17,680 Speaker 6: the eye mean mugging each other, and then you go 133 00:07:17,760 --> 00:07:20,760 Speaker 6: into combat and it's great. I really enjoy the one 134 00:07:20,800 --> 00:07:24,160 Speaker 6: on one fights a lot more than the group fights 135 00:07:24,720 --> 00:07:27,120 Speaker 6: because like I'm using a group fight to a souls 136 00:07:27,120 --> 00:07:30,040 Speaker 6: Born where I can be switching my lock on a 137 00:07:30,040 --> 00:07:30,640 Speaker 6: lot easier. 138 00:07:30,640 --> 00:07:32,720 Speaker 7: But the one on one fights I think are stellar. 139 00:07:33,840 --> 00:07:39,960 Speaker 2: I agree any fight for me any like hold l 140 00:07:40,080 --> 00:07:43,920 Speaker 2: one to enter standoff mode moment is like I can't 141 00:07:43,960 --> 00:07:46,320 Speaker 2: wait to get on l one and get into a 142 00:07:46,360 --> 00:07:50,080 Speaker 2: standoff and walk very slowly up to the person. I 143 00:07:50,120 --> 00:07:53,360 Speaker 2: also love the any boss fight, any one on one fight. 144 00:07:53,640 --> 00:07:57,760 Speaker 2: There's I'm not great at the game. I'm playing on medium, 145 00:07:57,920 --> 00:08:00,400 Speaker 2: I'm pretty good, obviously. I do think that there are 146 00:08:01,200 --> 00:08:05,280 Speaker 2: This game is utilizing some of the kind of basic 147 00:08:05,400 --> 00:08:09,640 Speaker 2: Souls Born mechanics of like block and timing and dodge 148 00:08:10,400 --> 00:08:13,440 Speaker 2: and counter attack in a way that feels very streamlined 149 00:08:13,440 --> 00:08:16,720 Speaker 2: and less punishing, certainly because your your enemies are not 150 00:08:16,760 --> 00:08:20,680 Speaker 2: one hitting you so like much less punishing, but they're 151 00:08:20,840 --> 00:08:23,880 Speaker 2: still in those dueling. In those in the duels and 152 00:08:23,920 --> 00:08:28,160 Speaker 2: in the boss fights, there's that moment where it happens 153 00:08:28,160 --> 00:08:30,400 Speaker 2: every single time I've got them about halfway and it 154 00:08:30,640 --> 00:08:34,240 Speaker 2: just like and I glanced at the bar and now 155 00:08:34,240 --> 00:08:39,000 Speaker 2: I'm just like fuck like not lock in. Like there's 156 00:08:39,080 --> 00:08:42,360 Speaker 2: always a lock in moment that just feels so good, 157 00:08:43,040 --> 00:08:48,439 Speaker 2: and it's rare in a game that's not a Souls 158 00:08:48,440 --> 00:08:50,600 Speaker 2: Born that like you die and you have you drop 159 00:08:50,679 --> 00:08:53,160 Speaker 2: all your shit and you go back and find like 160 00:08:53,520 --> 00:08:54,679 Speaker 2: where all your stuff is. 161 00:08:54,679 --> 00:08:54,880 Speaker 1: Like that. 162 00:08:55,040 --> 00:08:58,640 Speaker 2: That's not that you will spawn right back in the fight. 163 00:08:58,679 --> 00:09:00,480 Speaker 7: But don't lose experience. 164 00:09:00,559 --> 00:09:02,480 Speaker 2: You don't lose all your stuff. But the level of 165 00:09:02,559 --> 00:09:06,440 Speaker 2: disappointment that I feel despite that in losing the fight 166 00:09:07,080 --> 00:09:09,760 Speaker 2: is lets me know that I'm really enjoying this game. 167 00:09:09,920 --> 00:09:13,240 Speaker 2: The level of disappointment I feel when I get hid 168 00:09:13,280 --> 00:09:16,800 Speaker 2: in a fight, like so mad at myself. 169 00:09:16,880 --> 00:09:19,760 Speaker 6: I'm like you, oh, come on, I have really enjoyed 170 00:09:19,760 --> 00:09:22,000 Speaker 6: We've talked a lot about the combat. There's a lot 171 00:09:22,080 --> 00:09:25,280 Speaker 6: of good kind of platforming, and usually I'm not like 172 00:09:25,440 --> 00:09:28,400 Speaker 6: crazy about platforming in games, but I really enjoy this 173 00:09:28,480 --> 00:09:31,920 Speaker 6: where you're going searching for these shrines and you can 174 00:09:31,960 --> 00:09:33,720 Speaker 6: climb up the wall here, and then you look around 175 00:09:33,760 --> 00:09:35,760 Speaker 6: at oh there's a place I can use the grappling 176 00:09:35,760 --> 00:09:37,920 Speaker 6: hook and I can swing across here, and all of 177 00:09:37,960 --> 00:09:40,559 Speaker 6: it has felt very natural to me, except there have 178 00:09:40,640 --> 00:09:42,559 Speaker 6: been a few times when I've missed the jump and 179 00:09:42,679 --> 00:09:45,800 Speaker 6: I have been incredibly disappointed there because I'm like, oh, fuck, 180 00:09:45,800 --> 00:09:47,400 Speaker 6: now I'm going to be at the bottom mountain. But no, 181 00:09:47,720 --> 00:09:49,480 Speaker 6: you just start like where you were. So you just 182 00:09:49,520 --> 00:09:51,360 Speaker 6: missed one jump, all right, you get to try it again. 183 00:09:51,480 --> 00:09:56,560 Speaker 6: So I've really enjoyed the pathfinding, shrine searching like no 184 00:09:56,720 --> 00:09:59,679 Speaker 6: combat aspect as well, not just the combat, which is 185 00:09:59,679 --> 00:10:00,400 Speaker 6: my favorit a part. 186 00:10:00,960 --> 00:10:03,280 Speaker 2: And then I think, and I think all the additions, 187 00:10:03,360 --> 00:10:06,679 Speaker 2: all the small mechanical editions have been I think really 188 00:10:06,720 --> 00:10:10,559 Speaker 2: well done. The there's in a you can play your shamason. 189 00:10:10,600 --> 00:10:13,360 Speaker 2: You're you're a musician. Now you're running around with your 190 00:10:13,360 --> 00:10:17,120 Speaker 2: shamasin strapped along your across your back, and. 191 00:10:17,400 --> 00:10:20,679 Speaker 7: Have you you played make Camp the bone. 192 00:10:24,080 --> 00:10:27,240 Speaker 2: And the use of the touch pad for both the 193 00:10:27,280 --> 00:10:31,120 Speaker 2: shamasin and writing and different things within world, I think 194 00:10:31,240 --> 00:10:35,480 Speaker 2: is really really well done and it makes you feel 195 00:10:36,200 --> 00:10:39,280 Speaker 2: just a little bit more immersed, like the shamason is 196 00:10:39,320 --> 00:10:42,840 Speaker 2: fun to play. I'll make camp, cook up some food 197 00:10:43,040 --> 00:10:50,360 Speaker 2: and then just start being like, just start jamming. Well, yeah, Aaron, 198 00:10:50,880 --> 00:10:55,880 Speaker 2: you're thus far out of five rating of Ghosts of Yota. 199 00:10:57,320 --> 00:10:59,760 Speaker 7: Wow, I will say easy four. 200 00:11:00,559 --> 00:11:02,679 Speaker 6: And I think the thing that is keeping it from 201 00:11:02,720 --> 00:11:04,920 Speaker 6: a five for me is how am I going to 202 00:11:04,960 --> 00:11:07,400 Speaker 6: feel in two weeks? Because what really does it for 203 00:11:07,440 --> 00:11:12,120 Speaker 6: me with games, is am I in two plus weeks later, 204 00:11:12,200 --> 00:11:14,360 Speaker 6: am I still this in love with it? And if 205 00:11:14,400 --> 00:11:16,240 Speaker 6: that's the case, then yeah, let's bring it to a five. 206 00:11:16,280 --> 00:11:19,000 Speaker 6: So right now, good for Like, I'm very happy with it. 207 00:11:19,040 --> 00:11:20,320 Speaker 6: What about you, I'm going to. 208 00:11:20,360 --> 00:11:23,600 Speaker 2: Do the same solid four, I think. Yeah, obviously that 209 00:11:23,760 --> 00:11:33,360 Speaker 2: last star is about replayability I have. I usually get 210 00:11:33,480 --> 00:11:37,319 Speaker 2: very into clothes and different swords and different things, so 211 00:11:38,120 --> 00:11:41,480 Speaker 2: I'm eager to start unlocking. But yeah, let's see how 212 00:11:41,800 --> 00:11:43,720 Speaker 2: it'll be in two weeks. I mean, I already love 213 00:11:43,800 --> 00:11:48,160 Speaker 2: the game. And you know what else I loved is 214 00:11:48,200 --> 00:11:52,560 Speaker 2: our interview with Eric Aeshi, who voices Atsu in Ghosts 215 00:11:52,559 --> 00:12:00,280 Speaker 2: of Uta, and let's talk to her now. Eric, thank 216 00:12:00,280 --> 00:12:01,480 Speaker 2: you so much for joining us. 217 00:12:02,559 --> 00:12:05,920 Speaker 8: Thank you so so much for having me. I yeah, 218 00:12:05,960 --> 00:12:10,120 Speaker 8: this is it's it's been a whirlwind of a week 219 00:12:10,480 --> 00:12:14,960 Speaker 8: and I cannot believe I am here, so thank you. 220 00:12:15,840 --> 00:12:16,000 Speaker 5: Well. 221 00:12:16,040 --> 00:12:20,640 Speaker 2: The game is amazing. The the vibes of the game 222 00:12:20,880 --> 00:12:27,720 Speaker 2: are simply overwhelmingly great. Tell us about finding the voice 223 00:12:27,880 --> 00:12:29,439 Speaker 2: of Atsu. 224 00:12:29,960 --> 00:12:33,840 Speaker 8: It's interesting because you know, like with any audition you bring, 225 00:12:34,000 --> 00:12:36,040 Speaker 8: you you read the sides that they have and the 226 00:12:36,120 --> 00:12:39,160 Speaker 8: and the breakdown and the description. Uh and and you 227 00:12:39,360 --> 00:12:42,640 Speaker 8: just got to kind of make a choice, and sometimes 228 00:12:42,960 --> 00:12:46,520 Speaker 8: that choice will be something that they that they agreed 229 00:12:46,559 --> 00:12:49,960 Speaker 8: with and they thank god they agreed with my choices. 230 00:12:51,000 --> 00:12:54,440 Speaker 8: But you know, it was just such an incredible journey 231 00:12:54,480 --> 00:12:59,720 Speaker 8: and a collaboration throughout. I mean, I felt they gave 232 00:12:59,720 --> 00:13:03,040 Speaker 8: me so room to explore and the just the writing 233 00:13:03,080 --> 00:13:06,400 Speaker 8: team is I've been a fan of them since for 234 00:13:06,400 --> 00:13:10,120 Speaker 8: for a long time. Uh So that it was just 235 00:13:11,360 --> 00:13:16,440 Speaker 8: like fun, It was like playing getting to find the voice. 236 00:13:16,679 --> 00:13:20,000 Speaker 2: What was that big, big decision that you made going 237 00:13:20,040 --> 00:13:23,720 Speaker 2: into that audition that you've obviously worked out for you. 238 00:13:24,600 --> 00:13:28,319 Speaker 8: Yeah, I think you know, it's it's all the it's 239 00:13:28,320 --> 00:13:30,640 Speaker 8: a it's a bunch of little decisions. But I think 240 00:13:30,760 --> 00:13:35,120 Speaker 8: overall it was just kind of being really. 241 00:13:35,120 --> 00:13:37,000 Speaker 9: Inspired by Toshiu Mufune. 242 00:13:37,760 --> 00:13:41,680 Speaker 8: But so yeah, and it's but it's just not a 243 00:13:41,760 --> 00:13:46,000 Speaker 8: character that you see femmes getting to play much. And 244 00:13:46,040 --> 00:13:48,440 Speaker 8: it is kind of a big swing because you know, 245 00:13:48,480 --> 00:13:51,000 Speaker 8: you have to sort of be a lot of times 246 00:13:51,280 --> 00:13:54,400 Speaker 8: when auditioning. The mistake you make, the trap you fall 247 00:13:54,440 --> 00:13:56,880 Speaker 8: into is trying to do what you think they want 248 00:13:57,480 --> 00:13:59,920 Speaker 8: right and like making yourself sort of like really palid 249 00:14:00,200 --> 00:14:04,400 Speaker 8: and like really, you know, you know, anxious to please, 250 00:14:04,880 --> 00:14:07,400 Speaker 8: and I think just sort of getting a chance to 251 00:14:07,440 --> 00:14:09,960 Speaker 8: because I knew, I knew what the project was, and 252 00:14:10,000 --> 00:14:12,079 Speaker 8: so I knew they would also sort of at least 253 00:14:12,400 --> 00:14:16,680 Speaker 8: have the same appreciation for him as I did. And 254 00:14:16,720 --> 00:14:18,840 Speaker 8: so if I had fundering it, at least at least 255 00:14:18,880 --> 00:14:19,840 Speaker 8: I got to do that. 256 00:14:20,640 --> 00:14:23,880 Speaker 4: Erica, your career is like just really incredible because I 257 00:14:24,440 --> 00:14:28,600 Speaker 4: first started doing you know, freelance journalism work nine years ago, 258 00:14:28,600 --> 00:14:31,000 Speaker 4: which is what led me here, and I was started 259 00:14:31,000 --> 00:14:32,760 Speaker 4: off at Nerdicts, So I would kind of see you 260 00:14:32,760 --> 00:14:35,520 Speaker 4: and we'd occasionally be like yeah, but that was like, 261 00:14:35,840 --> 00:14:37,760 Speaker 4: you know, so what does it feel like for you 262 00:14:38,600 --> 00:14:41,760 Speaker 4: to have you know, because really your voice acting career 263 00:14:41,920 --> 00:14:43,920 Speaker 4: was you know, twenty fourteen. But then you start going 264 00:14:43,960 --> 00:14:45,480 Speaker 4: in what does it feel like to you to have 265 00:14:45,640 --> 00:14:50,520 Speaker 4: made that transition from fan to now like leading creator 266 00:14:50,840 --> 00:14:53,320 Speaker 4: and voice actor in this space because you've been an 267 00:14:53,400 --> 00:14:58,040 Speaker 4: incredible fandom space Roles rook and Dragon, Age, Valkreine, Apex, Legend, 268 00:14:58,560 --> 00:15:01,920 Speaker 4: Justice League, Crisis On, Yes, you know, being Doctor Light 269 00:15:02,040 --> 00:15:05,200 Speaker 4: and Huntress, Like, so what does it feel like for 270 00:15:05,440 --> 00:15:09,080 Speaker 4: you as a fan to get to be now shaping 271 00:15:09,120 --> 00:15:09,960 Speaker 4: these stories. 272 00:15:10,800 --> 00:15:14,600 Speaker 8: I really feel like it's a Cinderella story of you know, it's. 273 00:15:14,520 --> 00:15:17,120 Speaker 9: Like dreaming of it and one day maybe I'd. 274 00:15:16,920 --> 00:15:19,480 Speaker 8: Get to tell the kind of stories that I'd always 275 00:15:19,520 --> 00:15:23,640 Speaker 8: be talking about, and it just it feels so surreal 276 00:15:23,840 --> 00:15:27,280 Speaker 8: and every time I get to do something. 277 00:15:28,160 --> 00:15:29,880 Speaker 9: The nice part is is. 278 00:15:29,760 --> 00:15:33,800 Speaker 8: That the people that make these stories and tell these 279 00:15:33,840 --> 00:15:39,080 Speaker 8: stories are also huge nerds about it, and so I 280 00:15:39,160 --> 00:15:41,400 Speaker 8: you know, I think at first, you know, you get 281 00:15:41,480 --> 00:15:44,880 Speaker 8: kind of I'm sure you've gotten some of the advice 282 00:15:45,040 --> 00:15:56,120 Speaker 8: of you know, like just be cool, you know, Jill, Yeah, 283 00:15:56,160 --> 00:15:59,280 Speaker 8: and and like to a certain extent, yeah, you've got 284 00:15:59,320 --> 00:16:02,200 Speaker 8: to be professional. Know, But on the other hand, too, 285 00:16:02,720 --> 00:16:05,280 Speaker 8: these people are doing this because they also love it, 286 00:16:05,840 --> 00:16:09,120 Speaker 8: and so you there's always that sort of point of connection, 287 00:16:09,840 --> 00:16:13,440 Speaker 8: and it's really great that projects get to bring us together. 288 00:16:13,600 --> 00:16:16,040 Speaker 9: But I feel like, you know. 289 00:16:16,040 --> 00:16:19,800 Speaker 8: These these stories are are are things that are really 290 00:16:19,800 --> 00:16:22,360 Speaker 8: important to all of us, and maybe we would have 291 00:16:22,640 --> 00:16:25,080 Speaker 8: met each other at a convention or at a friend 292 00:16:25,120 --> 00:16:28,200 Speaker 8: of our friend's house party in La anyway. 293 00:16:28,360 --> 00:16:34,160 Speaker 2: You know, thinking about about Ghosts of Yotai, what is 294 00:16:35,200 --> 00:16:38,480 Speaker 2: what is a thing that stands out from your experience 295 00:16:39,840 --> 00:16:42,880 Speaker 2: working on this game, which again is so like, as 296 00:16:42,960 --> 00:16:49,560 Speaker 2: a huge, huge fan of Tsushima, the it's the story 297 00:16:49,880 --> 00:16:53,200 Speaker 2: I loved beefing with my uncle in the first one. 298 00:16:54,280 --> 00:16:58,280 Speaker 2: You know, it's such a fun right, but I mean, 299 00:16:59,000 --> 00:17:02,480 Speaker 2: the revenge is so visceral and you want it so badly. 300 00:17:02,720 --> 00:17:07,719 Speaker 2: And then as the player through Atsu and you know, 301 00:17:07,960 --> 00:17:11,840 Speaker 2: just being back in the world with all the different 302 00:17:11,840 --> 00:17:14,200 Speaker 2: weapons that are available to you, the fact that it's 303 00:17:14,240 --> 00:17:18,440 Speaker 2: so it's so satisfying to simply just look around, which 304 00:17:18,480 --> 00:17:23,280 Speaker 2: is not something you experienced often, and so just hugely 305 00:17:23,400 --> 00:17:25,960 Speaker 2: enamored with it. But for you from the other side, 306 00:17:26,400 --> 00:17:28,840 Speaker 2: what is something that you really stood out for you 307 00:17:28,880 --> 00:17:30,080 Speaker 2: in your experience working on this? 308 00:17:32,720 --> 00:17:37,119 Speaker 8: I mean, honestly, this the writing, yeah, in the in 309 00:17:37,160 --> 00:17:42,840 Speaker 8: the first story in Sushima. In Sushima, the plot is 310 00:17:42,880 --> 00:17:48,600 Speaker 8: something so unique and special and compelling. And I think 311 00:17:48,800 --> 00:17:53,600 Speaker 8: just the fact that Atsu's story is so different was 312 00:17:54,359 --> 00:17:57,200 Speaker 8: like kind of a bit a bit of a pressure 313 00:17:57,280 --> 00:17:59,880 Speaker 8: release because it meant, you know, you know, I don't 314 00:18:00,160 --> 00:18:03,880 Speaker 8: have to exactly follow in his footsteps. You know, it's 315 00:18:04,000 --> 00:18:06,880 Speaker 8: the title that moves to a different person and had 316 00:18:06,920 --> 00:18:09,960 Speaker 8: the game just has a very different feel despite all 317 00:18:10,760 --> 00:18:17,119 Speaker 8: the hallmarks of the weapon types versus the stances, which 318 00:18:17,160 --> 00:18:21,280 Speaker 8: I loved. And I think what stood up to me 319 00:18:21,320 --> 00:18:26,040 Speaker 8: the most was that I got a chance to, like 320 00:18:26,440 --> 00:18:30,440 Speaker 8: these same writers just just decided in a whole different 321 00:18:30,840 --> 00:18:34,879 Speaker 8: sort of genre and absolutely nailed it. And so I 322 00:18:35,320 --> 00:18:40,119 Speaker 8: got to do that, and every day, like truly, I 323 00:18:40,160 --> 00:18:42,080 Speaker 8: am still kind of in disbelief. 324 00:18:43,440 --> 00:18:46,119 Speaker 4: Yeah, and I mean I was just reading this morning 325 00:18:46,280 --> 00:18:50,200 Speaker 4: that they are saying that it is going to become 326 00:18:50,280 --> 00:18:52,160 Speaker 4: one of the best selling games in Japan. 327 00:18:53,280 --> 00:18:56,560 Speaker 5: Oh my gosh. So how does it feel too? 328 00:18:56,640 --> 00:18:59,560 Speaker 4: It's made something that is in this space and then 329 00:18:59,600 --> 00:19:03,200 Speaker 4: to have in Japan people actually love it and see 330 00:19:03,240 --> 00:19:05,040 Speaker 4: the work that you're putting in and see the way 331 00:19:05,119 --> 00:19:07,360 Speaker 4: that there was so much cap put into the story. 332 00:19:07,960 --> 00:19:13,120 Speaker 8: Yeah, it's an absolute honor. I And yeah, they they 333 00:19:13,200 --> 00:19:17,760 Speaker 8: put so much thought and care into everything, you know. 334 00:19:17,920 --> 00:19:21,439 Speaker 8: I just you know, there was so much research that 335 00:19:21,480 --> 00:19:25,600 Speaker 8: went into it and so much sort of consultation, and 336 00:19:25,800 --> 00:19:29,919 Speaker 8: if there were things that you know, that they missed, 337 00:19:30,320 --> 00:19:33,199 Speaker 8: they were so happy to be wrong about it and 338 00:19:33,280 --> 00:19:38,159 Speaker 8: to to pivot, which is, you know, to me, just 339 00:19:38,200 --> 00:19:40,600 Speaker 8: as important as getting it right the first time. 340 00:19:40,960 --> 00:19:44,159 Speaker 5: Oh yeah, yeah, learning imagine that. 341 00:19:44,760 --> 00:19:47,399 Speaker 9: Yeah, well, you know it was. 342 00:19:48,000 --> 00:19:51,120 Speaker 8: I think there are times that you know, it's it's 343 00:19:51,200 --> 00:19:53,800 Speaker 8: hard to pivot, you know, for a lot of both 344 00:19:53,880 --> 00:19:59,520 Speaker 8: logistical and and yeah, no emotional reasons. But I think 345 00:20:00,119 --> 00:20:03,119 Speaker 8: the whole thing about the team is that they're small. 346 00:20:03,119 --> 00:20:08,159 Speaker 8: They're small, and they're uh, just really agile. 347 00:20:08,600 --> 00:20:10,800 Speaker 9: I think. I mean the fact you know that. 348 00:20:12,480 --> 00:20:17,040 Speaker 8: A team that size making something of that scale and 349 00:20:17,680 --> 00:20:21,120 Speaker 8: you know, keeping keeping it. You know, there were no 350 00:20:21,280 --> 00:20:24,200 Speaker 8: delays and everything. I think the first and the only 351 00:20:24,240 --> 00:20:26,960 Speaker 8: reason the first one was delayed was due to a 352 00:20:27,000 --> 00:20:32,560 Speaker 8: global pandemic. But you know, yes, so so you know 353 00:20:32,600 --> 00:20:34,919 Speaker 8: they had they were working onto those restrictions. But now 354 00:20:35,080 --> 00:20:39,320 Speaker 8: it's it's just really remarkable to have seen them, and 355 00:20:39,359 --> 00:20:45,720 Speaker 8: I'm so grateful that, you know, japan and Japanese gamers 356 00:20:47,040 --> 00:20:49,960 Speaker 8: you know, are are happy, you know, and it's so 357 00:20:50,119 --> 00:20:52,640 Speaker 8: well deserved for the team because they worked so hard 358 00:20:52,680 --> 00:20:54,840 Speaker 8: and they cared so much about it. 359 00:20:56,600 --> 00:21:00,760 Speaker 4: Have you noticed anything or have you seen anyone who's 360 00:21:00,840 --> 00:21:03,600 Speaker 4: kind of discovered something you didn't know was going to 361 00:21:03,680 --> 00:21:06,080 Speaker 4: be a big moment in a game, or a little 362 00:21:06,080 --> 00:21:08,679 Speaker 4: detail that you've kind of seen people talking about, well 363 00:21:08,720 --> 00:21:10,240 Speaker 4: that you yourself have even noticed. 364 00:21:10,280 --> 00:21:11,400 Speaker 5: Now the game is out there. 365 00:21:11,720 --> 00:21:15,159 Speaker 8: Yeah, there's a part with a hat that I didn't 366 00:21:15,440 --> 00:21:19,560 Speaker 8: because like I did the the voiceover for it, and 367 00:21:20,359 --> 00:21:23,440 Speaker 8: I didn't know that it was going to be such 368 00:21:23,440 --> 00:21:24,480 Speaker 8: a stupid hat. 369 00:21:24,600 --> 00:21:25,840 Speaker 9: I love it. 370 00:21:25,840 --> 00:21:26,760 Speaker 1: It's like, it's. 371 00:21:26,720 --> 00:21:29,600 Speaker 8: Really one of my favorite moments in the game so far, 372 00:21:29,760 --> 00:21:33,000 Speaker 8: and it's something that like I recorded this and I remember, 373 00:21:33,480 --> 00:21:35,439 Speaker 8: I remember it and I did, but it just like 374 00:21:35,560 --> 00:21:39,840 Speaker 8: actually seeing it and the designers, uh, you know, was 375 00:21:40,760 --> 00:21:43,800 Speaker 8: it was so I because I was playing with with 376 00:21:44,000 --> 00:21:48,159 Speaker 8: other loved ones at the time and we said the 377 00:21:48,200 --> 00:21:50,439 Speaker 8: same thing that my character did. It was just like, 378 00:21:50,640 --> 00:21:53,920 Speaker 8: we want that hat, and you know, and we got 379 00:21:53,960 --> 00:21:57,439 Speaker 8: the hat and it's I truly, but it's kind of 380 00:21:57,840 --> 00:22:02,120 Speaker 8: an encapsulation of the thing that is. You know, usually 381 00:22:02,240 --> 00:22:06,199 Speaker 8: for a voice actor, you do the work and then 382 00:22:06,240 --> 00:22:08,480 Speaker 8: a year later it comes out or something and you're. 383 00:22:08,359 --> 00:22:09,840 Speaker 9: Like, oh, that's right. There was that. 384 00:22:09,880 --> 00:22:11,720 Speaker 8: But I got to live with this for so long 385 00:22:12,160 --> 00:22:14,919 Speaker 8: and be part of the process for so much of 386 00:22:14,960 --> 00:22:19,199 Speaker 8: it that you know, it's I got to see some 387 00:22:19,320 --> 00:22:22,919 Speaker 8: of those things earlier, and there were still some things 388 00:22:23,000 --> 00:22:25,640 Speaker 8: that were surprising, like the hat. 389 00:22:27,280 --> 00:22:27,800 Speaker 5: I love this. 390 00:22:27,880 --> 00:22:30,600 Speaker 4: I'm now obsessed with the hat. 391 00:22:31,240 --> 00:22:33,399 Speaker 9: You'll find that you'll know, you will know. 392 00:22:35,520 --> 00:22:39,040 Speaker 5: It was the hat finally, it's it's so good. 393 00:22:39,520 --> 00:22:43,000 Speaker 2: Your your resume is so extensive of voice acting. What 394 00:22:43,160 --> 00:22:47,399 Speaker 2: is your Do you have a most recognized voice, like 395 00:22:48,200 --> 00:22:50,920 Speaker 2: when you're out speaking something that happens as a podcast 396 00:22:50,960 --> 00:22:54,000 Speaker 2: or sometimes it does happen, somebody will we'll hear your 397 00:22:54,080 --> 00:23:01,879 Speaker 2: voice or your yes, weddings and stuff, right, but to 398 00:23:02,000 --> 00:23:05,440 Speaker 2: keep up with your voices are so different from your 399 00:23:05,520 --> 00:23:08,960 Speaker 2: speaking voice. But do you ever get recognized for your 400 00:23:09,040 --> 00:23:09,639 Speaker 2: voice acting? 401 00:23:10,000 --> 00:23:14,119 Speaker 8: I think my voice, to be honest, I think the 402 00:23:14,920 --> 00:23:18,960 Speaker 8: I have gotten recognized for my voice, but it's mostly 403 00:23:19,040 --> 00:23:23,040 Speaker 8: from I think drop outcause he has something to anchor, 404 00:23:23,480 --> 00:23:25,800 Speaker 8: you know, the face to I think a lot of times, 405 00:23:25,840 --> 00:23:28,840 Speaker 8: you know, and when I think of actors, you know, 406 00:23:28,920 --> 00:23:31,720 Speaker 8: in video games especially, it's like I really do think 407 00:23:31,760 --> 00:23:35,760 Speaker 8: of the characters. And it's only by virtue of my 408 00:23:35,880 --> 00:23:39,040 Speaker 8: being a voice actor that and knowing some of these 409 00:23:39,040 --> 00:23:41,600 Speaker 8: people that I that I really sort of associated with 410 00:23:42,320 --> 00:23:43,399 Speaker 8: them as the people. 411 00:23:43,480 --> 00:23:47,119 Speaker 9: But I think, yeah, I think it's from Dropout. That 412 00:23:47,240 --> 00:23:48,480 Speaker 9: makes sense a lot. 413 00:23:48,640 --> 00:23:50,800 Speaker 4: Because I was gonna say, like, I've had it for me, 414 00:23:50,880 --> 00:23:53,920 Speaker 4: it's definitely if I if I laugh, I did have 415 00:23:53,960 --> 00:23:56,679 Speaker 4: that I've loft a wedding and people will be like, 416 00:23:56,880 --> 00:23:58,280 Speaker 4: oh my god, do you have a podcast? 417 00:23:58,320 --> 00:24:03,520 Speaker 5: And I'm like, yeah, so that makes sense. 418 00:24:03,320 --> 00:24:10,359 Speaker 4: For dropout some kind of expo no, so yeah, yeah, 419 00:24:10,440 --> 00:24:13,360 Speaker 4: you get really passionate. Well you talk about drop out 420 00:24:13,359 --> 00:24:17,119 Speaker 4: because I feel like that is another aspect of the 421 00:24:17,200 --> 00:24:21,919 Speaker 4: kind of ways that entertainment is changing. And how like 422 00:24:22,080 --> 00:24:24,399 Speaker 4: your career you've done that, you did the fandom, you 423 00:24:24,440 --> 00:24:27,040 Speaker 4: did the host and now you've you've crafted this incredible 424 00:24:27,080 --> 00:24:30,200 Speaker 4: career as a voice actor. Drop Out is the kind 425 00:24:30,240 --> 00:24:33,119 Speaker 4: of thing that you know, post a quibi or something. 426 00:24:33,160 --> 00:24:35,800 Speaker 5: Everyone's like, nobody needs that, Like nobody. 427 00:24:35,520 --> 00:24:38,679 Speaker 4: Wants to watch stuff online or on that and drop 428 00:24:38,720 --> 00:24:43,280 Speaker 4: Out managed to craft a space that just organically has 429 00:24:43,320 --> 00:24:45,880 Speaker 4: begun becomes such a huge kind of thing. 430 00:24:46,160 --> 00:24:48,800 Speaker 5: What's it been like being a part of that alongside 431 00:24:48,840 --> 00:24:50,840 Speaker 5: so many people you respect and care about. 432 00:24:51,440 --> 00:24:54,720 Speaker 8: Again, it's a dream and an honor and a great 433 00:24:54,800 --> 00:24:57,600 Speaker 8: surprise because I think whereas a lot of the performers 434 00:24:57,640 --> 00:25:01,479 Speaker 8: now come from you know, the UC, or they're already 435 00:25:01,480 --> 00:25:04,280 Speaker 8: famous comedians, or like I happened to get in on 436 00:25:04,320 --> 00:25:07,480 Speaker 8: the ground floor where I was, you know, I came 437 00:25:07,520 --> 00:25:11,800 Speaker 8: in through tabletop I you know, where whereas I had 438 00:25:11,840 --> 00:25:14,960 Speaker 8: been part of the UCB scene and gotten improv training. 439 00:25:15,920 --> 00:25:19,359 Speaker 8: I had sort of pivoted to the track of I 440 00:25:19,680 --> 00:25:23,679 Speaker 8: would go gone all in on voiceover and tabletop and 441 00:25:23,760 --> 00:25:28,800 Speaker 8: so sort of coming into the Dropout team through that 442 00:25:29,200 --> 00:25:33,439 Speaker 8: was it was sort of unusual and uh, you know, 443 00:25:33,600 --> 00:25:38,800 Speaker 8: just incredibly incredibly fortunate for me because yeah, everybody there 444 00:25:39,000 --> 00:25:43,840 Speaker 8: is truly some of the best in their field right now, 445 00:25:44,080 --> 00:25:48,600 Speaker 8: you know, and uh drop Out you know, like I 446 00:25:48,800 --> 00:25:52,920 Speaker 8: never never cap for corporation, but also like the people 447 00:25:53,280 --> 00:25:57,320 Speaker 8: at drop Yeah, you know, the people at drop Out, 448 00:25:57,800 --> 00:26:00,639 Speaker 8: they do their best to do right by everybody, by 449 00:26:00,680 --> 00:26:04,160 Speaker 8: workers and you know, by putting their money where their 450 00:26:04,200 --> 00:26:07,879 Speaker 8: mouth is, by you know, support, and you know, just 451 00:26:07,880 --> 00:26:12,680 Speaker 8: like a really great onset culture, which is all unusual 452 00:26:12,920 --> 00:26:14,280 Speaker 8: for new media as you may know. 453 00:26:14,320 --> 00:26:21,840 Speaker 5: Really, yes, there was, well I was. 454 00:26:21,920 --> 00:26:24,320 Speaker 4: Let's talk a little bit about the tabletop side, because 455 00:26:24,320 --> 00:26:27,640 Speaker 4: that is also part of something that you were able 456 00:26:27,760 --> 00:26:30,720 Speaker 4: to be a part of in Dropout that became kind 457 00:26:30,760 --> 00:26:35,200 Speaker 4: of a huge part of their success, you and Brannan, So, 458 00:26:35,200 --> 00:26:38,240 Speaker 4: so could you talk a little bit about that aspect. 459 00:26:39,359 --> 00:26:42,960 Speaker 8: Yeah, it's wild because you know, I grew up playing 460 00:26:42,960 --> 00:26:46,040 Speaker 8: tabletop games. I played D and D for a long 461 00:26:46,080 --> 00:26:47,760 Speaker 8: time and in a lot of ways. I feel like 462 00:26:48,600 --> 00:26:53,040 Speaker 8: I think it happened by accident, that it was a job, 463 00:26:53,960 --> 00:26:58,359 Speaker 8: and that I happened to be proximal to that great accident. 464 00:26:58,640 --> 00:27:01,720 Speaker 8: You know, I friends with a lot of the critical 465 00:27:01,800 --> 00:27:05,440 Speaker 8: role folks, and I was on you know, nerdis Scheek 466 00:27:05,440 --> 00:27:09,120 Speaker 8: and Sundry doing sort of b team stuff like literally 467 00:27:09,160 --> 00:27:12,040 Speaker 8: the first day that they the first Thursday they weren't available, 468 00:27:12,440 --> 00:27:14,760 Speaker 8: they stuck a bunch of us on to do you know, 469 00:27:14,840 --> 00:27:19,239 Speaker 8: sort of a filler content. And just by virtue of that, 470 00:27:19,400 --> 00:27:21,480 Speaker 8: since I already had, you know, sort of the love 471 00:27:21,520 --> 00:27:25,080 Speaker 8: of the game, uh, ended up I ended up sort 472 00:27:25,160 --> 00:27:29,320 Speaker 8: of being a spin off into that and then you know, 473 00:27:29,600 --> 00:27:32,240 Speaker 8: going on to drop out with it. And it just 474 00:27:32,280 --> 00:27:35,240 Speaker 8: happened that that sort of my comedy and improv background 475 00:27:35,280 --> 00:27:39,600 Speaker 8: really helped with that. And then meeting you know Brennan 476 00:27:39,800 --> 00:27:46,680 Speaker 8: and Abria and Lou and realizing the absolute magic chemistry there. Uh, 477 00:27:47,000 --> 00:27:49,719 Speaker 8: you know, we all got business married and started our 478 00:27:49,760 --> 00:27:50,600 Speaker 8: own podcast. 479 00:27:52,240 --> 00:27:53,840 Speaker 4: Can we talk a little bit about how you guys 480 00:27:53,840 --> 00:27:55,879 Speaker 4: also sold out Madison Square got it? 481 00:27:56,640 --> 00:28:00,959 Speaker 8: Okay, I wasn't part of that team, but I was 482 00:28:01,160 --> 00:28:04,520 Speaker 8: up in the box and they did it was I 483 00:28:04,800 --> 00:28:07,159 Speaker 8: was there and it was like an a Vita or 484 00:28:07,200 --> 00:28:10,119 Speaker 8: like a you know, like a like a like the 485 00:28:10,160 --> 00:28:14,040 Speaker 8: Pope coming out on the balcony mine when people realized 486 00:28:14,040 --> 00:28:16,760 Speaker 8: that we were in the box and started like cheering 487 00:28:16,960 --> 00:28:20,800 Speaker 8: and stuff, and it was crazy because that's where that's 488 00:28:20,840 --> 00:28:24,920 Speaker 8: where sports is played, you know, that's where sports is 489 00:28:25,000 --> 00:28:28,560 Speaker 8: and like Billy like what is it? Billy Joel sold 490 00:28:28,600 --> 00:28:32,640 Speaker 8: out Madison Square Garden and also uh, the Intrepid Heroes, 491 00:28:33,320 --> 00:28:36,639 Speaker 8: which apparently if you sell out Madison Square Garden they 492 00:28:36,640 --> 00:28:40,320 Speaker 8: give you like a Tiffany certificate. Yeah, like a silver 493 00:28:41,760 --> 00:28:44,920 Speaker 8: certificate that that the gang got. And it was like, 494 00:28:45,600 --> 00:28:49,840 Speaker 8: it's funny because they are so humble and and sweet 495 00:28:50,040 --> 00:28:52,360 Speaker 8: and you know they're like, hah, this is a little silly, 496 00:28:52,400 --> 00:28:54,400 Speaker 8: but you can see them like that it means a 497 00:28:54,440 --> 00:28:58,680 Speaker 8: lot to them. So yeah, I think, yeah, it's it's yeah, 498 00:28:58,760 --> 00:29:01,719 Speaker 8: it's it's so easy, you know, like to be and 499 00:29:01,760 --> 00:29:06,360 Speaker 8: then being in entertainment weekly for for video games, and 500 00:29:06,840 --> 00:29:09,960 Speaker 8: you know, it's so wild that these things that I 501 00:29:10,120 --> 00:29:14,680 Speaker 8: really would be doing anyway, suddenly other people really are. 502 00:29:14,760 --> 00:29:15,520 Speaker 1: So cool too. 503 00:29:15,840 --> 00:29:16,920 Speaker 5: Yeah. 504 00:29:16,960 --> 00:29:20,800 Speaker 2: Well, Erica, thank you so much for joining us. We 505 00:29:21,480 --> 00:29:24,040 Speaker 2: will be hanging out as I play the video game 506 00:29:24,200 --> 00:29:28,800 Speaker 2: all week. Congradua, we're in the success of the game. 507 00:29:28,840 --> 00:29:31,520 Speaker 4: Yeah wait, wait, Aaron, Aaron has the important question. 508 00:29:31,920 --> 00:29:34,560 Speaker 6: Oh yeah, yeah, Erica, we wanted to ask you about 509 00:29:34,760 --> 00:29:38,160 Speaker 6: running the Matsuri and the Hint campaigns for Worlds Beyond, 510 00:29:38,160 --> 00:29:39,440 Speaker 6: and you will about to get there. 511 00:29:39,320 --> 00:29:41,400 Speaker 5: I think so quickly. 512 00:29:42,280 --> 00:29:45,440 Speaker 8: Oh yeah, So, so I've been asked. 513 00:29:46,080 --> 00:29:48,480 Speaker 9: I've been asked about running. 514 00:29:48,120 --> 00:29:52,160 Speaker 8: Games for my brilliant friends on Worlds Beyond number our podcast. 515 00:29:52,760 --> 00:29:56,960 Speaker 8: I did Matsudi, which is set in Brennan's world Umora. 516 00:29:57,240 --> 00:30:00,840 Speaker 8: You know, it's it's very Giblisque, and to that effect, 517 00:30:01,000 --> 00:30:04,320 Speaker 8: I did a little sort of summer oboem festival for 518 00:30:04,360 --> 00:30:07,760 Speaker 8: the characters as kids, because you know, every good anime 519 00:30:07,920 --> 00:30:10,080 Speaker 8: has a little summer festival episode. 520 00:30:10,680 --> 00:30:10,800 Speaker 2: Uh. 521 00:30:11,040 --> 00:30:13,760 Speaker 8: And it was really special to get to bring sort 522 00:30:13,800 --> 00:30:19,040 Speaker 8: of my culture and experiences, you know, into this collaborative, 523 00:30:19,120 --> 00:30:22,920 Speaker 8: to weave it into this world with my friends and 524 00:30:23,360 --> 00:30:28,040 Speaker 8: with Hint. It was I don't have patients for board games. 525 00:30:28,000 --> 00:30:29,640 Speaker 9: As much I enjoy them. 526 00:30:29,880 --> 00:30:32,280 Speaker 8: I enjoy the idea of them, but I don't have 527 00:30:32,360 --> 00:30:34,800 Speaker 8: the patience for them unless there's some sort of narrative 528 00:30:34,840 --> 00:30:36,400 Speaker 8: to draw me in. So I was like, I'm going 529 00:30:36,440 --> 00:30:39,040 Speaker 8: to take Clue, which I don't know that I have 530 00:30:39,280 --> 00:30:42,200 Speaker 8: ever finished a game of I've started so many times, 531 00:30:42,560 --> 00:30:44,400 Speaker 8: don't know if I finished. And I was like, we're 532 00:30:44,400 --> 00:30:46,520 Speaker 8: gonna finish it and we're gonna role play it the 533 00:30:46,680 --> 00:30:47,400 Speaker 8: entire time. 534 00:30:48,280 --> 00:30:50,280 Speaker 9: And my friends are just so brilliant. 535 00:30:50,360 --> 00:30:53,160 Speaker 8: So they just solve my little murder mystery, but did 536 00:30:53,200 --> 00:30:55,480 Speaker 8: it in a way that was interesting for people to 537 00:30:55,560 --> 00:31:01,480 Speaker 8: listen to. Yeah, it's been a dream to get to 538 00:31:01,520 --> 00:31:06,360 Speaker 8: tell these stories with just the best you know, oral 539 00:31:06,800 --> 00:31:09,840 Speaker 8: storytelling tradition, storytellers of our generation. 540 00:31:10,680 --> 00:31:13,120 Speaker 4: Yeah, okay, now I know you ran that. And when 541 00:31:13,120 --> 00:31:15,040 Speaker 4: I'm like, now we have to get together and run 542 00:31:15,080 --> 00:31:19,520 Speaker 4: the murder, she wrote Cabot Cove Escape from Cabot Cove 543 00:31:19,640 --> 00:31:20,040 Speaker 4: Table to. 544 00:31:20,120 --> 00:31:24,080 Speaker 5: My game dream. 545 00:31:24,120 --> 00:31:26,880 Speaker 9: Oh my gosh, that would be so good. 546 00:31:27,280 --> 00:31:31,040 Speaker 8: Yeah, I know, but you should actually think about writing 547 00:31:31,040 --> 00:31:32,400 Speaker 8: a campaign setting for that. 548 00:31:33,680 --> 00:31:34,520 Speaker 1: A lot of people. 549 00:31:36,200 --> 00:31:40,000 Speaker 5: I feel like it would be so good. Yes, thank 550 00:31:40,040 --> 00:31:42,479 Speaker 5: you so much, Erica Joy to have Thank you just 551 00:31:42,600 --> 00:31:42,880 Speaker 5: one so. 552 00:31:42,920 --> 00:31:45,080 Speaker 9: Much for having me. I appreciate it. 553 00:31:45,480 --> 00:31:47,760 Speaker 2: Thank you to Erka Yushi for joining us. We'll be 554 00:31:47,840 --> 00:32:03,920 Speaker 2: right back at a Iraq. 555 00:32:04,120 --> 00:32:07,440 Speaker 4: We're back, baby, and guess what it's time to talk 556 00:32:07,520 --> 00:32:11,840 Speaker 4: about the long awaited, highly awaited I don't know the 557 00:32:12,160 --> 00:32:15,360 Speaker 4: new tron look. 558 00:32:15,440 --> 00:32:18,760 Speaker 5: I was just the trailer did look incredible. We spoke 559 00:32:18,800 --> 00:32:19,240 Speaker 5: about this. 560 00:32:19,720 --> 00:32:21,720 Speaker 4: We all knew it was gonna have Jared Leto in it, 561 00:32:21,800 --> 00:32:23,680 Speaker 4: but we're hoping for the best because Aaron, I do 562 00:32:23,760 --> 00:32:26,280 Speaker 4: have to say, the cast for this movie is like 563 00:32:26,800 --> 00:32:30,680 Speaker 4: astonishingly good. Yes, like when you lay it all out, 564 00:32:30,720 --> 00:32:33,120 Speaker 4: You've got Evan Peters, You've got Jodie Turner Smith, You've 565 00:32:33,120 --> 00:32:36,000 Speaker 4: got Greta Lee in one of the main roles, Cameron 566 00:32:37,360 --> 00:32:41,400 Speaker 4: Jillian Anderson playing Evan Peter's mum, and I heard she 567 00:32:41,520 --> 00:32:43,600 Speaker 4: slapped it in the face that everyone said that's like 568 00:32:43,640 --> 00:32:44,320 Speaker 4: the best part. 569 00:32:44,200 --> 00:32:44,680 Speaker 5: Of the movie. 570 00:32:44,960 --> 00:32:48,640 Speaker 4: But unfortunately, due to many conflicts and also me and 571 00:32:48,720 --> 00:32:51,720 Speaker 4: Jason not being good enough at riding light cycles, you 572 00:32:51,840 --> 00:32:53,520 Speaker 4: are the only one who has seen it. 573 00:32:53,600 --> 00:32:55,040 Speaker 5: So give us your. 574 00:32:54,880 --> 00:33:01,480 Speaker 4: Tront Aris spoiler free thoughts first, Danello recap. 575 00:33:01,200 --> 00:33:03,920 Speaker 6: Them with spoiler app All right, So my spoiler free 576 00:33:04,400 --> 00:33:07,520 Speaker 6: reaction is come for the nine inch nails leave because 577 00:33:07,560 --> 00:33:14,080 Speaker 6: it's not called tron Air threes. It's the third one, 578 00:33:14,360 --> 00:33:17,120 Speaker 6: perfect opportunity for the three to replace the E and 579 00:33:17,160 --> 00:33:17,920 Speaker 6: they didn't do it. 580 00:33:18,560 --> 00:33:22,320 Speaker 7: And if that's yeah, would that have made it better? 581 00:33:22,440 --> 00:33:22,560 Speaker 10: No? 582 00:33:22,800 --> 00:33:26,160 Speaker 6: But all right, here's here's my my spoilery recap for 583 00:33:26,320 --> 00:33:29,160 Speaker 6: you both. Feel free to stop me if any of 584 00:33:29,200 --> 00:33:33,280 Speaker 6: this is I'm very so we start off Cocky Tech 585 00:33:33,400 --> 00:33:36,760 Speaker 6: CEO Julian Dillinger played by Evan Peters has combined the 586 00:33:36,800 --> 00:33:40,480 Speaker 6: four horsemen of tech, which obviously is artificial intelligence, three 587 00:33:40,560 --> 00:33:43,360 Speaker 6: D printing, making weapons for the government, and being rude 588 00:33:43,360 --> 00:33:47,760 Speaker 6: to your mother. Well, Eve Kim, who's the CEO of NCOM, 589 00:33:47,880 --> 00:33:50,640 Speaker 6: is attempting to transfer her Stardow Valley produce to the 590 00:33:50,640 --> 00:33:53,200 Speaker 6: real world so she can stop eating microwave burritos. 591 00:33:53,400 --> 00:33:54,280 Speaker 7: This is a real thing. 592 00:33:54,880 --> 00:33:58,800 Speaker 6: Aries is an NPC created by Julian to act as 593 00:33:58,800 --> 00:34:01,720 Speaker 6: his head of tech security, but he becomes self aware 594 00:34:01,840 --> 00:34:04,080 Speaker 6: when he's brought into the real world via the three 595 00:34:04,160 --> 00:34:07,560 Speaker 6: D printing, but he laments being unable to feel the rain. 596 00:34:08,440 --> 00:34:10,839 Speaker 4: Julian sends them all right, all right, blade run off, 597 00:34:11,200 --> 00:34:15,360 Speaker 4: so his body his body is like yeah, Basically, Julian 598 00:34:15,400 --> 00:34:18,279 Speaker 4: will three D print these huge military vehicles and his 599 00:34:18,360 --> 00:34:22,239 Speaker 4: soldiers and they can only lost for twenty nine minutes, right, It. 600 00:34:22,280 --> 00:34:25,840 Speaker 6: Can only exhaust for twenty nine minutes, right, So everyone 601 00:34:25,920 --> 00:34:28,800 Speaker 6: is searching for the code of Permanence, which will allow 602 00:34:28,840 --> 00:34:34,400 Speaker 6: all the anutes. They disintegrate. It's like a fanos snapping 603 00:34:34,480 --> 00:34:36,360 Speaker 6: and all the AI creations. 604 00:34:35,880 --> 00:34:39,160 Speaker 5: Disappear to the three D print mix guys, come on. 605 00:34:41,800 --> 00:34:45,920 Speaker 6: So Julian sends Aris and Athena, who is played by 606 00:34:45,960 --> 00:34:48,360 Speaker 6: Jodi Turner Smith after Eve to steal the key to 607 00:34:48,400 --> 00:34:51,000 Speaker 6: Permanence that she's discovered, and it will allow any three 608 00:34:51,080 --> 00:34:54,840 Speaker 6: D printed thing to exist forever. Aris catches Eve, but 609 00:34:54,920 --> 00:34:57,239 Speaker 6: he starts to feel bad for her when he realizes 610 00:34:57,280 --> 00:34:59,400 Speaker 6: what a bad choice this was for her career, and 611 00:34:59,520 --> 00:35:03,080 Speaker 6: some un aimed character shoots Eve with a laser that 612 00:35:03,200 --> 00:35:06,759 Speaker 6: transfers her body into the grid, where Athena wants to 613 00:35:06,840 --> 00:35:10,400 Speaker 6: download the permanence code from her memory, especially because this 614 00:35:10,520 --> 00:35:13,880 Speaker 6: means it will kill Eve in the grid and Irl. 615 00:35:14,000 --> 00:35:14,960 Speaker 7: Now a quick timeout. 616 00:35:15,000 --> 00:35:17,200 Speaker 2: Who wrote the Permanence code? 617 00:35:17,520 --> 00:35:18,839 Speaker 7: Jeff Bridges' character. 618 00:35:19,200 --> 00:35:23,480 Speaker 4: Oh okay, who is in it for like five minutes? 619 00:35:23,560 --> 00:35:23,920 Speaker 1: Yeah. 620 00:35:24,000 --> 00:35:27,319 Speaker 6: Now, my side here is that if you had a 621 00:35:27,360 --> 00:35:30,200 Speaker 6: gun that could teleport people from the real world into 622 00:35:30,200 --> 00:35:33,640 Speaker 6: your virtual prison, I think that should be the military 623 00:35:33,680 --> 00:35:36,440 Speaker 6: tech you would develop, not soldiers that throw frisbees. 624 00:35:36,480 --> 00:35:38,400 Speaker 7: But that's not I didn't write the movie, so I'm 625 00:35:38,440 --> 00:35:39,279 Speaker 7: not entirely sure. 626 00:35:40,600 --> 00:35:44,320 Speaker 6: Aris helps Eve escape the grid because he's cyber stalked 627 00:35:44,320 --> 00:35:46,600 Speaker 6: her and he's read all of her text messages, including 628 00:35:46,640 --> 00:35:49,719 Speaker 6: the inappropriate ones, and he's decided after reading them that 629 00:35:49,760 --> 00:35:50,200 Speaker 6: she's a gun. 630 00:35:50,239 --> 00:35:52,800 Speaker 5: And they have Jared leto play this character. 631 00:35:53,440 --> 00:35:57,040 Speaker 6: Yeah, he's decided that Eve is a good person, and 632 00:35:57,239 --> 00:36:00,959 Speaker 6: he really likes depeche Mode as wants the Permanence code 633 00:36:00,960 --> 00:36:03,200 Speaker 6: for himself and won't give it to Julian. And in 634 00:36:03,320 --> 00:36:06,759 Speaker 6: order to find the code without killing Eve even her 635 00:36:06,760 --> 00:36:10,440 Speaker 6: comedic sidekick whose name I've already forgotten, send Aris into 636 00:36:10,480 --> 00:36:14,120 Speaker 6: the original Tron machine in the NCOM Museum, Oh Sick, 637 00:36:14,280 --> 00:36:18,640 Speaker 6: where he meets Kevin Flynn, Jeff Bridges okay, and Bridges 638 00:36:18,719 --> 00:36:20,600 Speaker 6: is like, oh, it's so interesting to see you here. 639 00:36:20,960 --> 00:36:24,399 Speaker 6: What's it like outside? And Aris convinces Flynn that he's 640 00:36:24,480 --> 00:36:28,080 Speaker 6: worthy of receiving the Permanen's code because he likes depeche 641 00:36:28,120 --> 00:36:30,520 Speaker 6: Mode but is unable to put their words why. It's 642 00:36:30,640 --> 00:36:33,279 Speaker 6: just a feeling, which is the key to him being 643 00:36:33,440 --> 00:36:39,080 Speaker 6: So he stores the code in his Frisbee and he 644 00:36:39,160 --> 00:36:42,960 Speaker 6: comes back to the real world. Alfina is attacking Eve 645 00:36:43,000 --> 00:36:44,839 Speaker 6: and her friend who I still can't remember their name. 646 00:36:44,920 --> 00:36:47,080 Speaker 6: She's about to kill Eve with the gun that sends 647 00:36:47,080 --> 00:36:49,680 Speaker 6: you to the grid, and then the sprinklers go off 648 00:36:49,800 --> 00:36:53,319 Speaker 6: and Athena laments being unable to feel the rain. She 649 00:36:53,400 --> 00:36:56,879 Speaker 6: dissolves in the twenty nine minutes, and then she overrides yeh, 650 00:36:56,920 --> 00:37:00,200 Speaker 6: she overrides Julian's programming, comes back to our world with 651 00:37:00,840 --> 00:37:04,239 Speaker 6: to assault the city and go after Eve kind of 652 00:37:04,280 --> 00:37:07,120 Speaker 6: by herself. She three D printed like a ton of soldiers, 653 00:37:07,160 --> 00:37:08,840 Speaker 6: but they never show up again, so I don't know, 654 00:37:09,000 --> 00:37:12,280 Speaker 6: incredible they get lost or something. At some point, Aries 655 00:37:12,320 --> 00:37:16,359 Speaker 6: comes back. He fights Athena, but the actual victory is 656 00:37:16,400 --> 00:37:20,919 Speaker 6: because Hassan Minaj's character, the CTO Yep Yep hadn't talked 657 00:37:20,920 --> 00:37:25,520 Speaker 6: about him yet. Minaj's character, who's the CTO of Ncom, 658 00:37:26,000 --> 00:37:29,880 Speaker 6: hacks into the Dillinger system and shuts down their grid. 659 00:37:30,480 --> 00:37:33,400 Speaker 6: So yeah, that's why he's got the corner office. Baby 660 00:37:33,960 --> 00:37:35,440 Speaker 6: Morbius escapes into the night. 661 00:37:35,640 --> 00:37:36,360 Speaker 2: Chief Technology. 662 00:37:36,400 --> 00:37:39,279 Speaker 6: Yeah, Morbius escapes into the night. The authorities converge on 663 00:37:39,360 --> 00:37:41,600 Speaker 6: Julian to arrest him, but he reverses the three D 664 00:37:41,680 --> 00:37:44,879 Speaker 6: printer to transfer himself into the grid, and then Eve 665 00:37:45,040 --> 00:37:48,520 Speaker 6: uses the permanence code for good, providing oranges for everybody. 666 00:37:49,680 --> 00:37:51,720 Speaker 6: Morbius writes her a letter to say he's been traveling 667 00:37:51,760 --> 00:37:53,960 Speaker 6: the world and leaving the United States has shown him 668 00:37:53,960 --> 00:37:56,280 Speaker 6: that people are actually good, and while it's too early 669 00:37:56,320 --> 00:37:58,919 Speaker 6: for him to reveal himself to the world, he's still 670 00:37:58,920 --> 00:38:02,080 Speaker 6: assembling the Sinister and he is searching for Spider Man. 671 00:38:02,480 --> 00:38:07,200 Speaker 4: I was gonna say, this is very like, it's giving weird, 672 00:38:07,760 --> 00:38:13,080 Speaker 4: kind of like why would anyone want a Jared leto 673 00:38:13,239 --> 00:38:16,960 Speaker 4: AI that has is like traveling the world and learning 674 00:38:17,160 --> 00:38:19,480 Speaker 4: digital Jesus, I guess is what they were kind of 675 00:38:19,520 --> 00:38:19,920 Speaker 4: going for. 676 00:38:20,239 --> 00:38:23,239 Speaker 6: There's a lot of like Drax coding in him at 677 00:38:23,280 --> 00:38:25,840 Speaker 6: points where he like takes things too literally, which I 678 00:38:26,480 --> 00:38:28,520 Speaker 6: don't have a ton of knowledge about AI, but I 679 00:38:28,600 --> 00:38:30,840 Speaker 6: feel like AI would know idioms at this point. 680 00:38:31,440 --> 00:38:33,080 Speaker 2: Yeah, so he's a good He's. 681 00:38:32,880 --> 00:38:34,640 Speaker 5: A he's secretly the good guy. 682 00:38:34,920 --> 00:38:38,319 Speaker 2: Pattern matching is basically like all that AI does, YEH 683 00:38:38,400 --> 00:38:43,279 Speaker 2: should sly know that? Yeah, so he is like the 684 00:38:43,280 --> 00:38:45,799 Speaker 2: good guy. Basically the corporations are the. 685 00:38:45,719 --> 00:38:49,520 Speaker 6: Bast starts off bad and then realizes that, oh wow, 686 00:38:50,239 --> 00:38:53,680 Speaker 6: I have been asked to do horrible things and maybe uh, 687 00:38:54,360 --> 00:38:57,279 Speaker 6: I can turn against my creator and then I'm going 688 00:38:57,320 --> 00:39:00,799 Speaker 6: to have a will for myself and be good. I 689 00:39:00,880 --> 00:39:05,080 Speaker 6: see interesting there are references to every fake character, like 690 00:39:05,160 --> 00:39:09,479 Speaker 6: they call him Pinocchio at one point, there's a boy 691 00:39:09,960 --> 00:39:13,520 Speaker 6: I'll say like I in the beginning of it, like 692 00:39:13,640 --> 00:39:14,520 Speaker 6: nine Inch Nails. 693 00:39:14,600 --> 00:39:16,000 Speaker 7: The soundtrack is incredible. 694 00:39:16,440 --> 00:39:19,600 Speaker 6: Everyone said, yeah, kicks in for the first time, like 695 00:39:19,840 --> 00:39:22,840 Speaker 6: I had the full on like ugly, mean mugging. 696 00:39:22,880 --> 00:39:25,839 Speaker 7: I'm like bobbing my head as the place I loved it. 697 00:39:26,640 --> 00:39:29,239 Speaker 6: And then their single as Alive as You Need Me 698 00:39:29,280 --> 00:39:33,239 Speaker 6: to Be is like complete banger. It feels like mix 699 00:39:33,280 --> 00:39:35,960 Speaker 6: a little bit of muse, like covering a Rolling Stone 700 00:39:36,120 --> 00:39:39,480 Speaker 6: song with like a ton of bass. It's incredible. The 701 00:39:39,560 --> 00:39:41,920 Speaker 6: VFX looks really good, uh. For you know, we have 702 00:39:41,960 --> 00:39:44,200 Speaker 6: a bunch of movies that I feel like the VFX 703 00:39:44,200 --> 00:39:47,880 Speaker 6: has been rushed, But in this the as much as 704 00:39:47,920 --> 00:39:50,480 Speaker 6: I hate the idea of the three D printing process, 705 00:39:50,560 --> 00:39:51,720 Speaker 6: it looks very cool. 706 00:39:52,239 --> 00:39:52,520 Speaker 1: Uh. 707 00:39:52,600 --> 00:39:56,800 Speaker 6: They They have like these bowstaves with the hard light trails. 708 00:39:56,400 --> 00:39:58,520 Speaker 7: That follow it, and that's a really cool thing. You 709 00:39:58,520 --> 00:39:59,439 Speaker 7: can see where it goes. 710 00:39:59,480 --> 00:40:02,360 Speaker 6: The lightss are cool, although they kind of just like 711 00:40:02,400 --> 00:40:03,879 Speaker 6: are in the first half of the movie and then 712 00:40:04,320 --> 00:40:05,200 Speaker 6: they never come back. 713 00:40:05,360 --> 00:40:10,440 Speaker 2: Is is this movie how how tightly tied is it 714 00:40:10,480 --> 00:40:15,400 Speaker 2: to the original Tron and its sequels? Like is it 715 00:40:15,480 --> 00:40:16,400 Speaker 2: more of a reboot? 716 00:40:16,440 --> 00:40:19,800 Speaker 5: It is more of a I was gonna say soft reboot. 717 00:40:19,880 --> 00:40:22,400 Speaker 6: I think there are a couple of references to legacy, 718 00:40:22,840 --> 00:40:27,520 Speaker 6: for sure, like, oh, look at this location, and you 719 00:40:27,560 --> 00:40:30,080 Speaker 6: know there is one beautiful VFX scene that takes place 720 00:40:30,120 --> 00:40:33,760 Speaker 6: like in in the original Tron video game that looks great. 721 00:40:34,120 --> 00:40:36,839 Speaker 6: But yeah, like there's some references to characters that were 722 00:40:36,840 --> 00:40:40,520 Speaker 6: in Legacy, but nothing that's like there's no Sillya Murphy 723 00:40:40,560 --> 00:40:41,640 Speaker 6: is not in this kind of thing. 724 00:40:41,760 --> 00:40:42,920 Speaker 2: Yeah, it's okay. 725 00:40:43,360 --> 00:40:46,080 Speaker 5: I also was gonna say, Aaron, how did it play. 726 00:40:46,320 --> 00:40:51,480 Speaker 6: In the so earlier I said that when when the 727 00:40:51,600 --> 00:40:53,600 Speaker 6: Nine and Schnails soundtrack kicked in for the first time, 728 00:40:53,680 --> 00:40:55,560 Speaker 6: I was like full on bobbing my head. There were 729 00:40:55,600 --> 00:40:57,640 Speaker 6: other moments when I had my head in my hands 730 00:40:57,800 --> 00:41:00,719 Speaker 6: because I was embarrassed, and there were other people in 731 00:41:00,760 --> 00:41:03,560 Speaker 6: the theater who who kind of were like chuckling at 732 00:41:03,719 --> 00:41:08,440 Speaker 6: not things that were meant to be chuckled at. And uh, 733 00:41:08,719 --> 00:41:11,360 Speaker 6: I regret to say people left early. 734 00:41:12,200 --> 00:41:13,160 Speaker 5: Yeah I'm not. 735 00:41:14,719 --> 00:41:19,200 Speaker 4: I've I've had similar stuff. The reviews are not looking 736 00:41:19,280 --> 00:41:20,640 Speaker 4: great right now, guys. 737 00:41:21,160 --> 00:41:22,279 Speaker 5: And I would also. 738 00:41:22,000 --> 00:41:27,080 Speaker 2: Say it is a fifty three currently on the tomatoes. 739 00:41:26,520 --> 00:41:29,319 Speaker 5: The tomatoes, And I would also say, oh, you. 740 00:41:30,040 --> 00:41:33,239 Speaker 6: Like Cameron Monaghan is in this movie and did the 741 00:41:33,239 --> 00:41:35,920 Speaker 6: press tour and he has like the epitome of a 742 00:41:35,960 --> 00:41:38,040 Speaker 6: blink and you'll miss it, like he he could have 743 00:41:38,080 --> 00:41:40,520 Speaker 6: been on set for thirty minutes. 744 00:41:40,280 --> 00:41:41,920 Speaker 5: And then left. 745 00:41:42,120 --> 00:41:46,920 Speaker 6: Jillian probably, Yeah, Jillian Anderson like has some scenes and 746 00:41:48,080 --> 00:41:52,480 Speaker 6: has a motivating scene, but she really could have done 747 00:41:52,520 --> 00:41:55,000 Speaker 6: on her filming in two days. Like it does feel 748 00:41:55,040 --> 00:41:57,400 Speaker 6: like a lot of things were cut, some plot lines 749 00:41:57,520 --> 00:42:00,760 Speaker 6: and the movie is still two hours, Like it's long 750 00:42:01,160 --> 00:42:02,480 Speaker 6: and there's stuff missing. 751 00:42:02,680 --> 00:42:04,120 Speaker 5: Also, let's talk for. 752 00:42:04,080 --> 00:42:08,399 Speaker 4: A minute about actual Jared Leto and why they keep 753 00:42:08,440 --> 00:42:11,160 Speaker 4: casting him, because so this is a there's a great 754 00:42:11,200 --> 00:42:14,120 Speaker 4: piece about the box office potential of this movie at 755 00:42:14,360 --> 00:42:16,839 Speaker 4: slash film by and it's Ryan Scott who wrote it. 756 00:42:17,120 --> 00:42:18,000 Speaker 5: The thing I think that he. 757 00:42:18,120 --> 00:42:24,160 Speaker 4: Actually highlights that's really interesting is Jared Leto. The last 758 00:42:24,280 --> 00:42:27,280 Speaker 4: hit that he had, like big, outright can't be questioned. 759 00:42:27,360 --> 00:42:30,279 Speaker 4: It was Suicide Squad and it made seven hundred and 760 00:42:30,360 --> 00:42:34,120 Speaker 4: forty million, forty nine million dollars world, right, that's the 761 00:42:34,120 --> 00:42:36,439 Speaker 4: first suicide squad, so it was not a critically acclaim movie, 762 00:42:36,440 --> 00:42:37,360 Speaker 4: but it made money. 763 00:42:37,600 --> 00:42:39,280 Speaker 5: That was in twelve sixteen. 764 00:42:39,520 --> 00:42:41,080 Speaker 2: Not the star of that movie. 765 00:42:41,760 --> 00:42:45,640 Speaker 4: He's in it very bad minute yea yeah, very cut 766 00:42:45,719 --> 00:42:50,880 Speaker 4: out and it says, you know, Blade Runner twenty forty 767 00:42:50,960 --> 00:42:52,600 Speaker 4: nine hilariously. 768 00:42:52,960 --> 00:42:58,800 Speaker 5: Also not a lot of money in that one. 769 00:42:58,920 --> 00:43:01,560 Speaker 2: He's funny in how Gucci, But I don't think the 770 00:43:01,640 --> 00:43:02,160 Speaker 2: movie was. 771 00:43:02,160 --> 00:43:04,480 Speaker 5: Meant No, it's not meant to be, but his portrayal 772 00:43:04,600 --> 00:43:05,239 Speaker 5: is hilarious. 773 00:43:05,280 --> 00:43:08,080 Speaker 4: But another movie one hundred and fifty three million, Morebius 774 00:43:08,080 --> 00:43:11,480 Speaker 4: one hundred and sixty seven million, The Little Thing's thirty 775 00:43:11,520 --> 00:43:14,640 Speaker 4: one million, Harnted Mansion one hundred and eighteen million, Well, 776 00:43:14,719 --> 00:43:15,280 Speaker 4: kind of crazy. 777 00:43:15,280 --> 00:43:16,880 Speaker 5: How many movies have made less money? 778 00:43:16,880 --> 00:43:19,760 Speaker 6: And he's also he's the villain of the upcoming Masters 779 00:43:19,760 --> 00:43:22,719 Speaker 6: of the Universe, which I'm I am. 780 00:43:22,800 --> 00:43:25,880 Speaker 4: I'm incredibly sad about that because otherwise the cast is 781 00:43:25,920 --> 00:43:29,200 Speaker 4: like so great and I'm very excited for it. But yes, 782 00:43:29,719 --> 00:43:33,000 Speaker 4: I so like, how do you keep how good is 783 00:43:33,080 --> 00:43:36,440 Speaker 4: Jared Leto's agent? Because this is nine years of Flocks 784 00:43:36,640 --> 00:43:38,399 Speaker 4: and Disney still put him at the front of. 785 00:43:38,360 --> 00:43:40,320 Speaker 7: This it's not his agent. He produced the movie. 786 00:43:40,760 --> 00:43:43,120 Speaker 6: Oh okay, so this is deep enough that now he's 787 00:43:43,120 --> 00:43:44,640 Speaker 6: going to make the movies he wants and he's going 788 00:43:44,719 --> 00:43:45,120 Speaker 6: to be in there. 789 00:43:45,160 --> 00:43:49,920 Speaker 4: Yeah, okay, guys, Aaron, you first after watching it seeing 790 00:43:49,920 --> 00:43:53,680 Speaker 4: people leave, kind of being the one who has experienced 791 00:43:54,200 --> 00:43:59,360 Speaker 4: tron aries, what's your box office prediction for this movie? 792 00:44:00,520 --> 00:44:01,320 Speaker 7: Thirty million? 793 00:44:02,200 --> 00:44:05,680 Speaker 4: I think that is very fair. That's high, I think, yeah, 794 00:44:05,920 --> 00:44:06,640 Speaker 4: I think it's high. 795 00:44:07,280 --> 00:44:10,000 Speaker 2: The based on the the critics. I just I think, 796 00:44:10,080 --> 00:44:16,480 Speaker 2: let's see Disney's feeling well, Disney's feeling positive because they 797 00:44:16,560 --> 00:44:19,400 Speaker 2: are listing it for four they're listing at forty four million. 798 00:44:19,719 --> 00:44:22,840 Speaker 4: But that actually wouldn't be very positive because that is 799 00:44:22,840 --> 00:44:26,120 Speaker 4: what John Legacy made ten years ago, So it would 800 00:44:26,120 --> 00:44:28,640 Speaker 4: not be a huge come up for them. 801 00:44:28,680 --> 00:44:29,320 Speaker 5: I think it would. 802 00:44:29,320 --> 00:44:33,280 Speaker 4: And this movie allegedly, I mean, you're talking about definitely 803 00:44:33,280 --> 00:44:35,880 Speaker 4: over two hundred million dollars to make this movie, so 804 00:44:36,200 --> 00:44:37,839 Speaker 4: I think it is going to be a flop for them. 805 00:44:37,880 --> 00:44:38,839 Speaker 7: That does look pretty good. 806 00:44:39,800 --> 00:44:46,840 Speaker 5: But right now it looks like the movie is probably. 807 00:44:46,400 --> 00:44:49,520 Speaker 4: Going to be the number one movie, and then we'll 808 00:44:49,520 --> 00:44:53,200 Speaker 4: have Black Phone two, Shelby Oaks, the Springsteen movie is 809 00:44:53,239 --> 00:44:55,719 Speaker 4: coming out this year with the Jeremy Alan White in 810 00:44:55,840 --> 00:44:58,440 Speaker 4: it and Predator, bad Lands and The Running Man. 811 00:44:58,719 --> 00:44:59,920 Speaker 5: So I think it's probably not. 812 00:45:00,080 --> 00:45:01,959 Speaker 4: Even if it does manage to make it to number 813 00:45:02,000 --> 00:45:03,800 Speaker 4: one this week, I don't think it's going to be 814 00:45:03,840 --> 00:45:04,600 Speaker 4: there for a while. 815 00:45:05,320 --> 00:45:08,319 Speaker 2: Out of out of five, what do you give it out? Yeah? 816 00:45:08,360 --> 00:45:09,520 Speaker 5: Five light cycles. 817 00:45:09,680 --> 00:45:12,240 Speaker 6: I have a slightly different review scale for this movie, 818 00:45:12,360 --> 00:45:15,640 Speaker 6: and my of it is three, as in, if you 819 00:45:15,680 --> 00:45:18,040 Speaker 6: can come up with three reasons not to go see it, 820 00:45:18,120 --> 00:45:25,720 Speaker 6: don't go see it. So it's like it's too far away, 821 00:45:26,719 --> 00:45:29,440 Speaker 6: no baby, Jared Low, Yeah, Jared let off boom listen. 822 00:45:29,480 --> 00:45:31,480 Speaker 2: If you have Disney Plus, just wait, just. 823 00:45:31,520 --> 00:45:34,440 Speaker 5: Wait, it's gonna be on there, guaranteed. 824 00:45:34,600 --> 00:45:39,040 Speaker 4: Probably Thanksgiving, honestly because of this performance. Aaron, thank you 825 00:45:39,080 --> 00:45:42,120 Speaker 4: so much for being our tron airy sacrificial lamb. We 826 00:45:42,200 --> 00:45:46,719 Speaker 4: appreciate you. Yes, and we will be listening to the 827 00:45:46,800 --> 00:45:48,840 Speaker 4: nine inch Now soundtrack because at least we got that 828 00:45:48,920 --> 00:45:49,279 Speaker 4: out of it. 829 00:45:50,640 --> 00:45:52,320 Speaker 2: Take a quick break. We'll be right back after this. 830 00:45:52,600 --> 00:46:09,680 Speaker 5: Yeah, and we're back. And I have two dog lovers 831 00:46:09,719 --> 00:46:14,440 Speaker 5: with me, Joel and common A. Wow, we've been so 832 00:46:14,600 --> 00:46:15,920 Speaker 5: excited for this movie. 833 00:46:16,000 --> 00:46:18,719 Speaker 4: I am just yah, Yeah, I'm so happy that we're 834 00:46:18,760 --> 00:46:21,759 Speaker 4: getting to talk about it. I think this is a 835 00:46:22,000 --> 00:46:27,200 Speaker 4: truly inventive movie. Yes, in the framework of horror that 836 00:46:27,239 --> 00:46:30,440 Speaker 4: we have not seen before. This movie is a directorial 837 00:46:30,520 --> 00:46:36,200 Speaker 4: debut of Professor Ben Lomberg premiered South By Southwest, where 838 00:46:36,200 --> 00:46:40,200 Speaker 4: it had like a really crazy response. And then it 839 00:46:40,320 --> 00:46:45,080 Speaker 4: is essentially a horror haunted house, horror movie but from 840 00:46:45,080 --> 00:46:48,400 Speaker 4: a dog's perspective, which I think is what you cannot. 841 00:46:48,040 --> 00:46:53,200 Speaker 5: Really estimate is what that looks like. It's very unique. 842 00:46:53,360 --> 00:46:55,840 Speaker 4: My spoiler free review is I think this is pretty 843 00:46:55,920 --> 00:46:59,200 Speaker 4: much you know me. I often will say, like, you know, 844 00:46:59,320 --> 00:47:01,560 Speaker 4: I don't raid on a curve. It's not my job 845 00:47:01,600 --> 00:47:03,360 Speaker 4: anymore to be like a film critic and think of 846 00:47:03,400 --> 00:47:04,439 Speaker 4: every movie that's come out. 847 00:47:04,560 --> 00:47:07,200 Speaker 5: I think for this movie. This movie is seventy three 848 00:47:07,239 --> 00:47:09,600 Speaker 5: minutes long. It is utterly. 849 00:47:09,280 --> 00:47:13,040 Speaker 4: Engaging and inventive the entire time. It's pretty much like 850 00:47:13,120 --> 00:47:15,640 Speaker 4: a perfect entry level horror movie. 851 00:47:15,880 --> 00:47:17,960 Speaker 5: And the dog libs. 852 00:47:18,040 --> 00:47:20,960 Speaker 4: I know that's a spoiler, but don't worry, because that's 853 00:47:21,000 --> 00:47:22,600 Speaker 4: all anyone cares about about this movie. 854 00:47:22,640 --> 00:47:23,880 Speaker 5: So the dog libs. 855 00:47:24,080 --> 00:47:30,600 Speaker 4: The dog is not even really in much terror or pain. Guys, 856 00:47:30,680 --> 00:47:35,560 Speaker 4: like the dog is Okay, Indy is okay, and it 857 00:47:35,640 --> 00:47:41,400 Speaker 4: had This movie was originally supposed to be director video shudder. 858 00:47:41,760 --> 00:47:43,279 Speaker 4: I think it's still gonna be a huge hit when 859 00:47:43,680 --> 00:47:46,640 Speaker 4: it hits there. But it opened up to two point 860 00:47:46,840 --> 00:47:50,400 Speaker 4: twenty five million, which is actually the second best debut 861 00:47:50,440 --> 00:47:55,120 Speaker 4: that IFC has ever had, and I think it's because 862 00:47:55,239 --> 00:47:59,160 Speaker 4: of the trailer that went viral and it racked over 863 00:47:59,200 --> 00:48:01,399 Speaker 4: like one hundred million in Vius and people got really 864 00:48:01,400 --> 00:48:05,120 Speaker 4: really excited. It's also the second biggest theater opening they've 865 00:48:05,120 --> 00:48:09,479 Speaker 4: ever had, so I'm really excited that it's great and 866 00:48:09,760 --> 00:48:12,200 Speaker 4: it's vibe, and I feel like there's going to be 867 00:48:12,320 --> 00:48:15,160 Speaker 4: like teenagers watching this for the next like twenty years 868 00:48:15,200 --> 00:48:19,240 Speaker 4: like this, feeling like they discovered something completely new. 869 00:48:20,040 --> 00:48:21,800 Speaker 5: And it's very charming. 870 00:48:21,640 --> 00:48:24,279 Speaker 4: And it is a little bit hard to watch at 871 00:48:24,320 --> 00:48:25,799 Speaker 4: times because Indy is. 872 00:48:25,800 --> 00:48:27,080 Speaker 5: A good dog who gets scared. 873 00:48:27,640 --> 00:48:30,680 Speaker 4: But okay, so that is the mostly spoiler free but 874 00:48:30,719 --> 00:48:32,520 Speaker 4: I think everyone wants to know about the dog, so 875 00:48:32,600 --> 00:48:33,120 Speaker 4: that's okay. 876 00:48:33,160 --> 00:48:33,920 Speaker 5: I've had many. 877 00:48:33,760 --> 00:48:36,160 Speaker 4: People already DM me, many people. 878 00:48:35,960 --> 00:48:42,040 Speaker 5: Already DM that is the top ask me yes, but lovely. 879 00:48:42,520 --> 00:48:46,320 Speaker 4: Dog owning ladies who are also just big dog loving 880 00:48:46,360 --> 00:48:48,960 Speaker 4: fans and also horror fans, how do you feel about 881 00:48:49,000 --> 00:48:51,640 Speaker 4: this movie, Carmen, I know this was a very and 882 00:48:51,800 --> 00:48:53,480 Speaker 4: highly anticipated movie for you. 883 00:48:53,560 --> 00:48:55,600 Speaker 5: Did it live up to the hype? 884 00:48:56,080 --> 00:48:56,799 Speaker 8: It? 885 00:48:56,800 --> 00:48:58,319 Speaker 10: It lived up to the hype, and it gave me 886 00:48:58,360 --> 00:49:02,600 Speaker 10: even more I think, yes, I obviously once the trailer 887 00:49:02,640 --> 00:49:04,440 Speaker 10: came out and I heard that this was going to 888 00:49:04,480 --> 00:49:06,480 Speaker 10: be a horror I'm sorry if you can hear by 889 00:49:06,480 --> 00:49:09,440 Speaker 10: the way my dog in the background squeaking. 890 00:49:09,000 --> 00:49:11,239 Speaker 5: His dog's love and life. You know what, it's a 891 00:49:11,280 --> 00:49:13,400 Speaker 5: doggy episode. It's just it's just how it. 892 00:49:13,280 --> 00:49:19,800 Speaker 10: Is, so that's what that is. But I really didn't 893 00:49:19,840 --> 00:49:22,200 Speaker 10: know what to expect about a horror movie from a 894 00:49:22,239 --> 00:49:25,120 Speaker 10: dog's perspective, you know what, what does that look like? 895 00:49:25,520 --> 00:49:30,280 Speaker 10: And they gave me that in a way that I 896 00:49:30,320 --> 00:49:32,759 Speaker 10: didn't anticipate. So I expected, like, oh my god, is 897 00:49:32,760 --> 00:49:34,440 Speaker 10: this is going to be like a POV sort of 898 00:49:34,480 --> 00:49:35,160 Speaker 10: like am I. 899 00:49:35,200 --> 00:49:37,279 Speaker 5: Going to be in the dog's eyes sort of thing? 900 00:49:37,760 --> 00:49:38,600 Speaker 7: And they didn't do that. 901 00:49:38,640 --> 00:49:42,560 Speaker 10: They gave us more of like the camera angles and 902 00:49:42,600 --> 00:49:46,000 Speaker 10: the fit and the camera work that made us feel 903 00:49:46,040 --> 00:49:49,880 Speaker 10: like we were in the dog's perspective and made us 904 00:49:49,920 --> 00:49:53,280 Speaker 10: kind of relate to what the dog was going through. 905 00:49:53,560 --> 00:49:56,399 Speaker 10: Throughout the movie. And I guess if we do want 906 00:49:56,440 --> 00:49:58,400 Speaker 10: to get in do we want to get into spoilers 907 00:49:58,400 --> 00:49:58,799 Speaker 10: a little bit? 908 00:49:58,800 --> 00:50:00,680 Speaker 4: I think, yeah, if you don't want to spoilers, guys, 909 00:50:01,000 --> 00:50:03,160 Speaker 4: put the spoiler am uffs on. But if you don't 910 00:50:03,200 --> 00:50:06,240 Speaker 4: mind spoilers, and I know a lot of our horphobic 911 00:50:06,360 --> 00:50:09,640 Speaker 4: fans like to listen before they watch, so yeah, listen 912 00:50:09,680 --> 00:50:11,960 Speaker 4: to this, we're gonna get into the spoiler territory. 913 00:50:12,680 --> 00:50:16,960 Speaker 10: Yeah, I've got I've definitely, I've definitely, I've definitely got 914 00:50:16,960 --> 00:50:20,160 Speaker 10: to give it another watch to fully kind of absorb 915 00:50:21,480 --> 00:50:24,480 Speaker 10: what the plot was about. But the way that I interpret, 916 00:50:24,520 --> 00:50:27,000 Speaker 10: you're also kind of trying to interpret what is happening, 917 00:50:27,400 --> 00:50:31,800 Speaker 10: yes to the humans, just like the dog is trying 918 00:50:31,800 --> 00:50:33,880 Speaker 10: to figure out what is happening to the humans. So 919 00:50:34,200 --> 00:50:38,120 Speaker 10: you're never worried for the dog in the same way 920 00:50:38,239 --> 00:50:42,120 Speaker 10: that the movie makes you worry for the dog's human more. 921 00:50:42,280 --> 00:50:44,400 Speaker 10: That's what you're really focused on, is like, oh, no, 922 00:50:44,520 --> 00:50:46,640 Speaker 10: the dog is really worried about their human and what 923 00:50:46,680 --> 00:50:50,000 Speaker 10: they're going through. And they've moved into this new house, 924 00:50:51,560 --> 00:50:54,560 Speaker 10: an old house that is like haunted. 925 00:50:54,280 --> 00:50:57,880 Speaker 11: Definitely haunted, and he's inherited it from his grandfather. 926 00:50:57,640 --> 00:50:58,840 Speaker 5: Who has bad vibes. 927 00:50:58,840 --> 00:51:00,640 Speaker 4: By the way, Guys like I was watching it, and 928 00:51:00,640 --> 00:51:03,160 Speaker 4: I was like's. 929 00:51:02,040 --> 00:51:06,800 Speaker 10: House, Yeah, bad vibes. And then the owner, the human 930 00:51:06,880 --> 00:51:12,160 Speaker 10: becomes very sick, and I took it to be that 931 00:51:12,320 --> 00:51:17,359 Speaker 10: he was going through like lung cancer uh, and that 932 00:51:17,400 --> 00:51:22,560 Speaker 10: he was experiencing uh uh, like late stage lung cancer 933 00:51:22,600 --> 00:51:25,439 Speaker 10: and the dot and this was like about the dog 934 00:51:25,520 --> 00:51:27,800 Speaker 10: mourning the loss of a human when. 935 00:51:27,680 --> 00:51:30,680 Speaker 5: We pass on. Normally it's humans. 936 00:51:30,719 --> 00:51:32,960 Speaker 10: We're mourning the loss of our dogs because we often, 937 00:51:33,680 --> 00:51:36,200 Speaker 10: you know, our dogs don't live as long as we do. 938 00:51:36,400 --> 00:51:40,040 Speaker 10: But what happens when the human dies before the dog. 939 00:51:40,200 --> 00:51:42,120 Speaker 5: It's really Yeah. 940 00:51:42,200 --> 00:51:45,040 Speaker 11: I found it to be a really interesting meditation on 941 00:51:45,280 --> 00:51:49,279 Speaker 11: like isolation, ways we choose to isolate ourselves. You know, 942 00:51:49,520 --> 00:51:52,240 Speaker 11: the cabin in the woods element of it is already 943 00:51:52,280 --> 00:51:55,759 Speaker 11: sort of isolated, but then there's this extra layer of 944 00:51:55,920 --> 00:51:58,480 Speaker 11: As the movie progresses, the owner sort of starts to 945 00:51:58,480 --> 00:52:01,680 Speaker 11: distance himself from his dogs, angry that he's dying, he's 946 00:52:01,680 --> 00:52:02,760 Speaker 11: scared that he's dying. 947 00:52:03,760 --> 00:52:05,359 Speaker 1: He's pushed his sister away, and. 948 00:52:05,280 --> 00:52:08,279 Speaker 4: She's the one who originally, by the way, realized there 949 00:52:08,360 --> 00:52:11,319 Speaker 4: was something really wrong because of the way the dom 950 00:52:11,480 --> 00:52:11,920 Speaker 4: was acting. 951 00:52:12,040 --> 00:52:15,200 Speaker 5: She's the first one who's like, hey, dogs consents. 952 00:52:14,760 --> 00:52:18,799 Speaker 4: This stuff like maybe the indie's smelling something, maybe you know, 953 00:52:19,719 --> 00:52:20,440 Speaker 4: and also I do. 954 00:52:20,640 --> 00:52:23,200 Speaker 1: Yeah, sorry, I just gonna say. 955 00:52:22,920 --> 00:52:26,200 Speaker 11: They heighten that by you don't see anyone's face until 956 00:52:26,239 --> 00:52:28,360 Speaker 11: like right until the ends, all the faces are obscured. 957 00:52:28,600 --> 00:52:30,640 Speaker 11: And then on top of that, there's this sort of 958 00:52:31,239 --> 00:52:34,319 Speaker 11: reflective relationship through the TV where he's watching these old 959 00:52:34,360 --> 00:52:38,080 Speaker 11: tapes his grandfather recorded of himself. He's clearly undergoing the 960 00:52:38,200 --> 00:52:41,200 Speaker 11: same kind of thing. He's got the same really intense cough. 961 00:52:41,280 --> 00:52:44,080 Speaker 11: He's not well. He is a dog who's super loyal, 962 00:52:44,680 --> 00:52:49,040 Speaker 11: who's always sort of around him. Uh And and because 963 00:52:49,719 --> 00:52:52,440 Speaker 11: the main character isn't really talking to anybody, uh and 964 00:52:52,480 --> 00:52:55,080 Speaker 11: he's only got this relationship either with his sister through 965 00:52:55,120 --> 00:52:58,840 Speaker 11: his phone or with his deceased grandfather through these VHS's. 966 00:53:00,840 --> 00:53:04,600 Speaker 1: I mean for me, like I was like, I spent 967 00:53:04,680 --> 00:53:05,680 Speaker 1: so much time with my dog. 968 00:53:06,520 --> 00:53:09,640 Speaker 11: Was like, like the dog, You're experiencing all of this 969 00:53:09,760 --> 00:53:12,800 Speaker 11: through the dog's perspective, and the dog is like basically 970 00:53:12,800 --> 00:53:14,040 Speaker 11: the whole time, I was like, is he good? 971 00:53:16,320 --> 00:53:18,799 Speaker 1: How do I help? What I can't? What do I do? 972 00:53:19,080 --> 00:53:20,360 Speaker 1: And I was really impressed. 973 00:53:20,440 --> 00:53:23,520 Speaker 11: I think most dog centered movies I think of like 974 00:53:23,520 --> 00:53:27,840 Speaker 11: a homeword bound or something, they try to personify the 975 00:53:27,840 --> 00:53:34,040 Speaker 11: dog and human elements. Thank you, and it's which is fine. 976 00:53:34,080 --> 00:53:35,520 Speaker 1: Who doesn't you know? 977 00:53:36,120 --> 00:53:39,920 Speaker 11: I love that walks on two legs, you know, with 978 00:53:40,000 --> 00:53:45,160 Speaker 11: them in the raincoat. I like it exactly. But this, 979 00:53:45,440 --> 00:53:47,880 Speaker 11: you know, as dog lovers, I think it's such a 980 00:53:47,920 --> 00:53:50,600 Speaker 11: beautiful homage to dogs, made much more special by the 981 00:53:50,640 --> 00:53:52,640 Speaker 11: fact that this is the director's actual. 982 00:53:54,280 --> 00:53:57,879 Speaker 10: Thing about his fantastic acting from Indy by the way, 983 00:53:57,920 --> 00:53:58,960 Speaker 10: because Indy. 984 00:53:58,880 --> 00:54:01,680 Speaker 5: Is a non professional performer. 985 00:54:02,200 --> 00:54:07,960 Speaker 4: Indy was trained essentially for three years by Ben Limberg, 986 00:54:08,120 --> 00:54:12,840 Speaker 4: the director, and his wife Carrie Fisher, and the notion 987 00:54:13,200 --> 00:54:16,799 Speaker 4: was to essentially get him into a place. 988 00:54:17,480 --> 00:54:19,800 Speaker 5: No rip to our baby. 989 00:54:19,840 --> 00:54:25,440 Speaker 4: This is Carrie with a k, but you know, another 990 00:54:25,560 --> 00:54:27,960 Speaker 4: very inventive and thoughtful person. 991 00:54:28,000 --> 00:54:29,160 Speaker 5: Clearly because this movie. 992 00:54:29,239 --> 00:54:33,080 Speaker 4: What I was really impressed by, Joel that you mentioned 993 00:54:33,080 --> 00:54:37,319 Speaker 4: there is just like they are not interested. And I 994 00:54:37,320 --> 00:54:39,120 Speaker 4: think this is what I love about IFC and what 995 00:54:39,160 --> 00:54:42,399 Speaker 4: I love about Shudder is in reality, this is a 996 00:54:42,520 --> 00:54:46,480 Speaker 4: very experimental movie, not just because we don't often get 997 00:54:46,520 --> 00:54:50,399 Speaker 4: movies from the dog's perspective, but also because this is a. 998 00:54:50,239 --> 00:54:52,520 Speaker 5: Very minimal dialogue movie. 999 00:54:52,920 --> 00:54:58,000 Speaker 4: It's mostly vibes, and you do have to really enjoy it. 1000 00:54:58,040 --> 00:54:59,440 Speaker 4: And this is why I really want people to go 1001 00:54:59,440 --> 00:55:02,680 Speaker 4: and see it, because you really have to focus on 1002 00:55:03,280 --> 00:55:06,759 Speaker 4: what is going to get into Indie's mindset, Like the 1003 00:55:06,960 --> 00:55:12,600 Speaker 4: baby good boy dog is just really trying to struggle 1004 00:55:12,680 --> 00:55:18,319 Speaker 4: through this for his owner, and it's so incredible to 1005 00:55:18,400 --> 00:55:21,640 Speaker 4: see the way that they bring that to life. And honestly, 1006 00:55:21,680 --> 00:55:27,720 Speaker 4: this is not a hyperbole like hyperbole, but like they 1007 00:55:27,960 --> 00:55:29,680 Speaker 4: I don't think I've ever seen a movie. 1008 00:55:29,400 --> 00:55:32,359 Speaker 5: That looks like this or that tells a story like this. 1009 00:55:32,840 --> 00:55:35,279 Speaker 4: Yeah, and I've watched a lot of movies, a lot 1010 00:55:35,320 --> 00:55:37,680 Speaker 4: of different kinds of movies, but there's something about this 1011 00:55:37,760 --> 00:55:40,480 Speaker 4: that's really special. I think that they did such a 1012 00:55:40,520 --> 00:55:43,480 Speaker 4: brilliant job. And also I think seventy three minutes. We're 1013 00:55:43,520 --> 00:55:47,080 Speaker 4: always talking about movies that could be shorter. This movie 1014 00:55:47,239 --> 00:55:51,240 Speaker 4: absolutely could be longer, but I think, yeah, I think 1015 00:55:51,280 --> 00:55:54,520 Speaker 4: that at you know, an hour and thirteen minutes, it's 1016 00:55:55,000 --> 00:56:00,200 Speaker 4: the perfect length for this project. And I really do 1017 00:56:00,480 --> 00:56:04,840 Speaker 4: hope that this reminds people like you can have a 1018 00:56:04,880 --> 00:56:07,640 Speaker 4: movie with an animal in it, but guys, you just 1019 00:56:07,680 --> 00:56:10,440 Speaker 4: have to treat the animal well and love the animal 1020 00:56:10,640 --> 00:56:12,480 Speaker 4: and make sure the animal is comfortable. 1021 00:56:12,480 --> 00:56:13,839 Speaker 5: And that is what this movie did. 1022 00:56:13,920 --> 00:56:17,480 Speaker 4: This is the first that's my favorite version from the 1023 00:56:17,560 --> 00:56:22,200 Speaker 4: old school Hollywood way of like, you know, animal exploitation, 1024 00:56:22,360 --> 00:56:23,680 Speaker 4: animal performers. 1025 00:56:24,719 --> 00:56:27,640 Speaker 11: Sure, yeah, it was really interesting. Ben's has this school. 1026 00:56:27,680 --> 00:56:29,440 Speaker 11: He says, keep in mind, and I cannot say this enough. 1027 00:56:29,480 --> 00:56:30,640 Speaker 11: Indy has no idea he's. 1028 00:56:30,560 --> 00:56:31,040 Speaker 1: In a movie. 1029 00:56:31,160 --> 00:56:33,040 Speaker 11: Yeah, the film that looks like he's been through the ringer, 1030 00:56:33,320 --> 00:56:35,959 Speaker 11: but in reality he's just rolling around the mud having 1031 00:56:35,960 --> 00:56:37,719 Speaker 11: the time of his life. They said, you know, it 1032 00:56:37,760 --> 00:56:41,320 Speaker 11: took three years because the dog is not a trained actor, 1033 00:56:41,480 --> 00:56:43,680 Speaker 11: and so what they were doing a lot of times 1034 00:56:43,760 --> 00:56:45,760 Speaker 11: they're like, oh, it's raining, we have that rain scene. 1035 00:56:45,800 --> 00:56:49,000 Speaker 11: Go to the house, dog sit okay, And then they 1036 00:56:49,040 --> 00:56:51,040 Speaker 11: would just roll the camera and see, So what you're 1037 00:56:51,080 --> 00:56:54,239 Speaker 11: getting is actually the dog's natural reactions to its environment. 1038 00:56:54,520 --> 00:56:56,000 Speaker 11: And then they would go back and sort of piece 1039 00:56:56,000 --> 00:56:58,520 Speaker 11: it into the story. They adjusted the story as they 1040 00:56:58,560 --> 00:57:01,160 Speaker 11: went to sometimes with a dog day because they were like, oh, 1041 00:57:01,200 --> 00:57:03,440 Speaker 11: that looks creepy. We can add some additional sound design 1042 00:57:03,520 --> 00:57:06,319 Speaker 11: to make it extra creepy, and it works. So it's 1043 00:57:06,320 --> 00:57:07,960 Speaker 11: not what I really love about this film is it 1044 00:57:08,000 --> 00:57:10,840 Speaker 11: kind of could only be me by someone who is 1045 00:57:10,880 --> 00:57:13,479 Speaker 11: a student of film and he's a professor. Yes, he's 1046 00:57:13,640 --> 00:57:15,960 Speaker 11: you could tell he's like, Okay, it's a little experimental, 1047 00:57:16,000 --> 00:57:17,640 Speaker 11: it's a little weird. I have a ton of time 1048 00:57:17,680 --> 00:57:19,240 Speaker 11: to work on it. I'm not under a budget or 1049 00:57:19,240 --> 00:57:22,480 Speaker 11: a time restraint. It's a it's a unique thing, and 1050 00:57:22,640 --> 00:57:25,160 Speaker 11: I think that's kind of the best thing about festivals 1051 00:57:25,240 --> 00:57:27,120 Speaker 11: is you like, if you go to the Midwest and 1052 00:57:27,400 --> 00:57:28,960 Speaker 11: you go to a film festival, you're going to see 1053 00:57:28,960 --> 00:57:31,200 Speaker 11: somebody who's like dedicated their life to film but has 1054 00:57:31,240 --> 00:57:34,440 Speaker 11: no interest in being famous or successful. Those films are 1055 00:57:34,480 --> 00:57:37,600 Speaker 11: out of this world, weird and good and very logic. 1056 00:57:37,680 --> 00:57:39,480 Speaker 11: The ideas come from that space. 1057 00:57:39,640 --> 00:57:42,520 Speaker 4: The vibe that I got from this was like, and 1058 00:57:42,600 --> 00:57:44,360 Speaker 4: I kind of love that about the Internet. 1059 00:57:44,440 --> 00:57:45,800 Speaker 5: You know, there's a lot of things that are tough 1060 00:57:45,840 --> 00:57:46,560 Speaker 5: about the Internet. 1061 00:57:46,560 --> 00:57:49,040 Speaker 4: We've all lived through it, like we know that it's 1062 00:57:49,080 --> 00:57:52,919 Speaker 4: not necessarily a perfect space. But I do think it's 1063 00:57:53,000 --> 00:57:57,960 Speaker 4: pretty incredible that what is clearly a personal indie pun 1064 00:57:58,000 --> 00:58:01,400 Speaker 4: included because we love Indie the Dog, but independent film 1065 00:58:01,480 --> 00:58:07,200 Speaker 4: project that found an audience online because people were just 1066 00:58:07,240 --> 00:58:10,320 Speaker 4: really excited to see a story like this, And I 1067 00:58:10,360 --> 00:58:14,400 Speaker 4: do have to say, for Indie not being a professional actor, 1068 00:58:14,880 --> 00:58:17,840 Speaker 4: this is one of my favorite dog performances of all 1069 00:58:17,920 --> 00:58:22,760 Speaker 4: time because the way they shoot him understanding that he 1070 00:58:22,920 --> 00:58:28,440 Speaker 4: is a dog and then highlighting the most incredible kind 1071 00:58:28,480 --> 00:58:34,600 Speaker 4: of emotional, beautiful little micro expressions on his face. 1072 00:58:34,720 --> 00:58:35,720 Speaker 5: You get so many. 1073 00:58:35,640 --> 00:58:39,560 Speaker 4: Beautifully lit shots of Indie's face and India as he's 1074 00:58:39,600 --> 00:58:44,800 Speaker 4: trying to, you know, come to terms with what is occurring. 1075 00:58:44,840 --> 00:58:46,000 Speaker 5: Okay, what I want to ask. 1076 00:58:45,840 --> 00:58:48,680 Speaker 4: You guys, And this is We're going full fall spoiler 1077 00:58:48,720 --> 00:58:50,560 Speaker 4: here because I'm just interested and I feel like this 1078 00:58:50,600 --> 00:58:51,280 Speaker 4: is gonna be one of. 1079 00:58:51,200 --> 00:58:54,120 Speaker 5: Those big dog, I mean, big horror conversations. 1080 00:58:55,160 --> 00:58:57,600 Speaker 4: The end of the movie, as you hinted at, is 1081 00:58:57,640 --> 00:59:00,160 Speaker 4: about you know, the owner part. 1082 00:59:00,240 --> 00:59:04,480 Speaker 5: Is away, but it also has this. 1083 00:59:04,480 --> 00:59:08,400 Speaker 10: Element of ambiguity, almost. 1084 00:59:08,040 --> 00:59:13,800 Speaker 4: Ambiguity of like what is happening? Is this how Indie 1085 00:59:13,800 --> 00:59:20,440 Speaker 4: perceives his master's death? Is the death? Is the creature 1086 00:59:20,560 --> 00:59:26,160 Speaker 4: something negative? Or is it just a fear of death? 1087 00:59:26,520 --> 00:59:29,840 Speaker 4: Like what do you think it represents? Is there something 1088 00:59:29,880 --> 00:59:32,840 Speaker 4: in the house via the grandpa? Like this is a 1089 00:59:32,840 --> 00:59:35,160 Speaker 4: almost like a generational kind of. 1090 00:59:35,200 --> 00:59:37,200 Speaker 5: Weight thing, Like how do you read it? 1091 00:59:37,200 --> 00:59:41,960 Speaker 4: Because I did find the moment where they say that 1092 00:59:42,160 --> 00:59:45,480 Speaker 4: the moments at the end with Todd and Indy is 1093 00:59:45,560 --> 00:59:48,240 Speaker 4: like some really heartbreaking, beautiful stuff. 1094 00:59:48,920 --> 00:59:50,640 Speaker 5: And I was just trying. I was like, did they 1095 00:59:50,760 --> 00:59:53,640 Speaker 5: add the kind of dark figure. 1096 00:59:53,520 --> 00:59:58,760 Speaker 4: As a real figure or an a like a kind 1097 00:59:58,760 --> 01:00:00,520 Speaker 4: of metaphorical figure. 1098 01:00:00,560 --> 01:00:02,640 Speaker 5: Where do you guys land on it? 1099 01:00:02,840 --> 01:00:05,520 Speaker 10: When I when I watched it, I interpreted that as 1100 01:00:05,520 --> 01:00:09,840 Speaker 10: a meta metaphor for like, hmm, the cancer or whatever, 1101 01:00:09,880 --> 01:00:10,560 Speaker 10: a sickness. 1102 01:00:10,640 --> 01:00:12,520 Speaker 5: I think it's like a chronic It's like a chronic 1103 01:00:12,600 --> 01:00:15,040 Speaker 5: lung disease. Yeah, it runs in that family. 1104 01:00:15,000 --> 01:00:18,920 Speaker 10: That was taking over his body. That's how I interpreted that. 1105 01:00:19,400 --> 01:00:22,520 Speaker 5: Yeahs can I give you my please? Please? Because I 1106 01:00:22,560 --> 01:00:23,520 Speaker 5: think it's so interesting. 1107 01:00:23,520 --> 01:00:26,480 Speaker 1: This is this is my woke theory, Okay. 1108 01:00:26,800 --> 01:00:31,160 Speaker 11: So you can read it as demonic or as like 1109 01:00:31,240 --> 01:00:35,840 Speaker 11: cancer is work, and that's kind of the the appeal 1110 01:00:35,880 --> 01:00:38,640 Speaker 11: to it. I like to hybrid it and say, this 1111 01:00:39,600 --> 01:00:42,720 Speaker 11: house in New Jersey is near a chemical plant. Everyone's like, 1112 01:00:42,720 --> 01:00:45,080 Speaker 11: I can't believe you're living in this house. Nobody stays 1113 01:00:45,080 --> 01:00:47,440 Speaker 11: here too long. People keep doing what are you doing? 1114 01:00:47,800 --> 01:00:51,000 Speaker 11: And I'm like, it's the land. The land is there's. 1115 01:00:50,840 --> 01:00:51,800 Speaker 1: Weird es and. 1116 01:00:55,480 --> 01:00:59,520 Speaker 11: No, I really feel like like there's there's it's all around, 1117 01:00:59,520 --> 01:01:02,320 Speaker 11: because even the dogs like like there's a fox at 1118 01:01:02,320 --> 01:01:03,760 Speaker 11: one point, and you're like, that's not. 1119 01:01:05,240 --> 01:01:07,920 Speaker 1: Constantly shrouded in stuff. You're like this whole space. 1120 01:01:09,640 --> 01:01:10,160 Speaker 5: Exactly. 1121 01:01:10,240 --> 01:01:12,920 Speaker 4: Yes, Yes, I think that's a great read, Joel, because 1122 01:01:12,960 --> 01:01:17,000 Speaker 4: also I think that is an area of horror that 1123 01:01:17,120 --> 01:01:21,240 Speaker 4: I'm really excited to hopefully see people start exploring more, 1124 01:01:21,600 --> 01:01:27,880 Speaker 4: because I have read so many terrifying, incredibly well researched, 1125 01:01:27,880 --> 01:01:33,200 Speaker 4: well reported articles about the realities of how the capitalist 1126 01:01:33,560 --> 01:01:38,600 Speaker 4: system has destroyed so many spaces and how even in La, 1127 01:01:38,920 --> 01:01:41,320 Speaker 4: even right where I am in South La, I live 1128 01:01:41,400 --> 01:01:45,720 Speaker 4: right near the refinery thanks to environmental racism that puts 1129 01:01:45,800 --> 01:01:48,600 Speaker 4: all the refineries and ports down in predominantly black and 1130 01:01:48,680 --> 01:01:52,840 Speaker 4: Mexican areas, And we have so many stories here of 1131 01:01:52,920 --> 01:01:56,160 Speaker 4: young people getting cancer from the land, young people getting 1132 01:01:56,240 --> 01:02:00,640 Speaker 4: asthma that turns into chronic lung disease. So I actually think, Joel, 1133 01:02:00,720 --> 01:02:05,280 Speaker 4: that you are onto something really cool there, because also 1134 01:02:05,640 --> 01:02:10,240 Speaker 4: there's kind of this inevitability that the moment he moves into. 1135 01:02:10,000 --> 01:02:13,120 Speaker 5: The house, you can kind of feel that he's gonna die. 1136 01:02:13,160 --> 01:02:18,000 Speaker 4: There's like this acceptance of moving that isolating yourself, and 1137 01:02:18,040 --> 01:02:19,960 Speaker 4: I think it's what a dog does. 1138 01:02:26,640 --> 01:02:29,040 Speaker 11: And there's even a moment where there's like, oh, he's 1139 01:02:29,080 --> 01:02:31,240 Speaker 11: like maybe i'll I do want to live and he 1140 01:02:31,280 --> 01:02:33,200 Speaker 11: tries to go get help and they're like it's too late, 1141 01:02:33,240 --> 01:02:36,240 Speaker 11: like because he really hits for being so tight, like 1142 01:02:36,360 --> 01:02:39,400 Speaker 11: hits on all of these like really intense emotional beats 1143 01:02:39,400 --> 01:02:40,040 Speaker 11: that ending. 1144 01:02:39,880 --> 01:02:40,400 Speaker 5: Very well thought. 1145 01:02:40,400 --> 01:02:43,120 Speaker 1: I'm not expecting to cry, y'all, And I was broke. 1146 01:02:45,280 --> 01:02:48,040 Speaker 11: You're a good boy, but you can't say that. 1147 01:02:48,120 --> 01:02:51,320 Speaker 5: I was like, oh my god, my face. 1148 01:02:51,520 --> 01:02:55,040 Speaker 11: Why it just just to really highlight how and and 1149 01:02:55,080 --> 01:02:56,440 Speaker 11: really what it is is like it's a kudos to 1150 01:02:56,440 --> 01:02:58,520 Speaker 11: the filmmakers because again, the dog is just hanging out 1151 01:02:58,520 --> 01:02:59,120 Speaker 11: with its owners. 1152 01:02:59,120 --> 01:02:59,680 Speaker 1: It doesn't know. 1153 01:03:00,160 --> 01:03:01,600 Speaker 11: But I would like, if I had to, I would 1154 01:03:01,600 --> 01:03:03,919 Speaker 11: put this performance on like the same level as like Jed, 1155 01:03:04,040 --> 01:03:07,880 Speaker 11: who's like the wolf dog from It, who has like 1156 01:03:07,880 --> 01:03:11,600 Speaker 11: like that dog is in that movie performing he's like 1157 01:03:11,720 --> 01:03:14,680 Speaker 11: invested in this character. And you get that same vibe 1158 01:03:14,680 --> 01:03:20,080 Speaker 11: from Indy Uh, who coincidentally is also uh George Lucas's 1159 01:03:20,160 --> 01:03:23,960 Speaker 11: Dog's name. Doesn't they named the character Indiana Jones after 1160 01:03:24,280 --> 01:03:25,320 Speaker 11: I'm remembering that. 1161 01:03:25,320 --> 01:03:26,120 Speaker 9: Yes, correct. 1162 01:03:26,200 --> 01:03:29,520 Speaker 4: And then the joke is that in the movie you 1163 01:03:29,680 --> 01:03:32,040 Speaker 4: find out that he named himself after a dog too, 1164 01:03:32,120 --> 01:03:33,880 Speaker 4: you just don't find out the movie. 1165 01:03:34,080 --> 01:03:38,200 Speaker 5: So yeah, so name your Dog movie, I guess. I 1166 01:03:38,400 --> 01:03:42,160 Speaker 5: just I'm really happy that this movie exists. 1167 01:03:42,360 --> 01:03:46,040 Speaker 4: I am so happy that the three of us on 1168 01:03:46,080 --> 01:03:51,200 Speaker 4: this podcast and we can, you know, do coverage like 1169 01:03:51,280 --> 01:03:55,520 Speaker 4: this because Good Boy literally debuted at number nine out 1170 01:03:55,520 --> 01:03:59,640 Speaker 4: of ten at the box office in the same ten 1171 01:04:00,920 --> 01:04:03,800 Speaker 4: in the same box office top ten as Taylor Swift 1172 01:04:03,880 --> 01:04:06,120 Speaker 4: official release party of a show Go One Battle after 1173 01:04:06,160 --> 01:04:10,320 Speaker 4: Another and The Smashing Machine. This is like a huge 1174 01:04:10,880 --> 01:04:14,600 Speaker 4: moment for indie horror and for animal horror that is 1175 01:04:14,600 --> 01:04:17,600 Speaker 4: not exploitative, something that we have not really gone. Also 1176 01:04:17,840 --> 01:04:21,640 Speaker 4: currently on ran Tomorrow's ninety one percent wow of. 1177 01:04:21,840 --> 01:04:25,920 Speaker 5: Over one hundred reviews are positive. And I just think this. 1178 01:04:25,800 --> 01:04:27,880 Speaker 4: Is a wonderful movie and I'm really excited for you 1179 01:04:27,920 --> 01:04:31,800 Speaker 4: guys to watch it. And you know what, Joel though 1180 01:04:32,240 --> 01:04:35,760 Speaker 4: and common, let's give our warning if you are a 1181 01:04:35,840 --> 01:04:38,040 Speaker 4: dog parent who is going to watch this movie, ye 1182 01:04:38,160 --> 01:04:39,840 Speaker 4: should you do to prepare your dog? 1183 01:04:40,400 --> 01:04:42,680 Speaker 10: Well, this is a great thing. I wanted to mention 1184 01:04:42,840 --> 01:04:47,080 Speaker 10: this because we were fortunate enough to receive screen or links. Everybody, 1185 01:04:47,160 --> 01:04:50,160 Speaker 10: go see this in the theater. Absolutely support this in 1186 01:04:50,200 --> 01:04:51,960 Speaker 10: the box office. I'm going to go see it in 1187 01:04:51,960 --> 01:04:53,960 Speaker 10: the theater to support the box office. 1188 01:04:54,120 --> 01:04:55,680 Speaker 4: And the good thing is if you can't, it will 1189 01:04:55,720 --> 01:04:57,360 Speaker 4: be coming to shut us, so you willbean. 1190 01:04:57,600 --> 01:04:59,680 Speaker 10: Yes, if you're able to see it in theaters, go 1191 01:04:59,680 --> 01:05:03,400 Speaker 10: see it. But if you can't at home with the dogs, 1192 01:05:04,160 --> 01:05:08,240 Speaker 10: I it depends and you know your dog. But my 1193 01:05:08,480 --> 01:05:13,520 Speaker 10: dogs do pretty fine with seeing dogs on TV. They're 1194 01:05:13,560 --> 01:05:17,120 Speaker 10: curious and they're interested, but they I feel like they 1195 01:05:17,280 --> 01:05:21,160 Speaker 10: don't think that it's like a real dog. They have 1196 01:05:21,400 --> 01:05:24,400 Speaker 10: figured out it's a TV. I think I'm not trying 1197 01:05:24,400 --> 01:05:27,400 Speaker 10: to brag that my dogs are super smart or something smart. 1198 01:05:29,440 --> 01:05:32,240 Speaker 4: All the X ray vision dogs are very smart guys, 1199 01:05:32,280 --> 01:05:32,840 Speaker 4: no question. 1200 01:05:33,400 --> 01:05:36,120 Speaker 10: But while I watched this movie on the sofa with 1201 01:05:36,160 --> 01:05:40,320 Speaker 10: my two dogs, they were very interested and engaged in 1202 01:05:40,360 --> 01:05:43,440 Speaker 10: this movie. They were locked in like watching this movie 1203 01:05:43,480 --> 01:05:47,680 Speaker 10: and they I swear my littlest dog, my youngest dog, Specs, 1204 01:05:47,800 --> 01:05:51,000 Speaker 10: was invested in what was going on with Indy was 1205 01:05:51,000 --> 01:05:54,280 Speaker 10: was really but Joel had a totally different experience. Joel 1206 01:05:54,320 --> 01:05:55,439 Speaker 10: what was Yeah? 1207 01:05:55,440 --> 01:05:57,880 Speaker 11: So Lions was into it at first because she too 1208 01:05:57,960 --> 01:05:59,520 Speaker 11: loves watching an animal on TV. 1209 01:05:59,640 --> 01:06:01,760 Speaker 1: She's like, what's happening? Her favorite show is Blue Ye, 1210 01:06:01,760 --> 01:06:02,160 Speaker 1: I put it off. 1211 01:06:03,200 --> 01:06:03,720 Speaker 5: She's such a. 1212 01:06:05,400 --> 01:06:09,080 Speaker 11: She truly, But when there's the dog wins, the dog 1213 01:06:09,120 --> 01:06:10,680 Speaker 11: in the movie is not hurt, I just can't. 1214 01:06:10,760 --> 01:06:12,440 Speaker 1: Oh, yes, we get it, we hear. 1215 01:06:12,280 --> 01:06:12,520 Speaker 4: You, and. 1216 01:06:15,240 --> 01:06:15,439 Speaker 1: Yeah. 1217 01:06:17,640 --> 01:06:20,160 Speaker 11: But when the dog wind it was distressing her. Her ears 1218 01:06:20,160 --> 01:06:21,920 Speaker 11: went back and she was like looking at me, like, 1219 01:06:21,960 --> 01:06:24,400 Speaker 11: why are they crying? What's going on? So I wanted 1220 01:06:24,400 --> 01:06:26,400 Speaker 11: to putting my headphones in and giving lines a. 1221 01:06:26,320 --> 01:06:27,040 Speaker 1: Treat so she could. 1222 01:06:27,240 --> 01:06:27,439 Speaker 7: Yeah. 1223 01:06:27,600 --> 01:06:29,760 Speaker 11: So if your dog responds to like my dog, if 1224 01:06:29,800 --> 01:06:32,520 Speaker 11: she hears puppies crying, I think she knows in the 1225 01:06:32,520 --> 01:06:35,000 Speaker 11: same way that Carmen's dog knows, like that's a speaker. 1226 01:06:35,000 --> 01:06:37,760 Speaker 1: They're not here, but the cries just really get to her. 1227 01:06:37,880 --> 01:06:40,000 Speaker 5: So aware, be thoughtful. 1228 01:06:40,040 --> 01:06:42,440 Speaker 4: And I'm gonna say, look as somebody who doesn't have 1229 01:06:42,480 --> 01:06:45,000 Speaker 4: a dog, because you know what, my landlord won't let 1230 01:06:45,040 --> 01:06:48,080 Speaker 4: me have a pet. 1231 01:06:48,240 --> 01:06:49,880 Speaker 5: Like let me have a pet in my apartment. 1232 01:06:50,120 --> 01:06:53,560 Speaker 4: But I will say also that was actually of all 1233 01:06:53,640 --> 01:06:57,760 Speaker 4: the movie, that was the first time. 1234 01:06:58,120 --> 01:07:02,600 Speaker 5: That the owner leaves Indy in the house. 1235 01:07:02,640 --> 01:07:06,080 Speaker 4: When Indy realizes there's something wrong in the house. When 1236 01:07:06,120 --> 01:07:09,200 Speaker 4: he was lining, I just started immediately tearing up and 1237 01:07:09,320 --> 01:07:12,560 Speaker 4: was like, oh my god, I don't know, like so good, 1238 01:07:12,960 --> 01:07:14,120 Speaker 4: so well done. 1239 01:07:14,440 --> 01:07:16,840 Speaker 11: Yeah, I don't leave my dog like that, Like oh, 1240 01:07:16,880 --> 01:07:19,160 Speaker 11: he just put a bull of food down and was 1241 01:07:19,200 --> 01:07:23,040 Speaker 11: like peace out. I was like, what I was with 1242 01:07:23,120 --> 01:07:24,920 Speaker 11: my dog? I put her in her candle and she's 1243 01:07:24,960 --> 01:07:25,920 Speaker 11: like exactly. 1244 01:07:26,120 --> 01:07:30,600 Speaker 4: I literally we were just babysitting our friend's sweet dog. 1245 01:07:30,840 --> 01:07:36,280 Speaker 4: And when I whenever we'd leave them, I was like, Okay, 1246 01:07:36,440 --> 01:07:38,720 Speaker 4: you got the doughnut on, you got the food, you 1247 01:07:38,840 --> 01:07:41,480 Speaker 4: gotter like, you've got a TV on? Like I'm like, 1248 01:07:41,720 --> 01:07:43,760 Speaker 4: I say, you're just leaving this dog in this dark 1249 01:07:43,800 --> 01:07:47,040 Speaker 4: ass house. Put the radio on at least like something something. 1250 01:07:47,760 --> 01:07:50,760 Speaker 5: But we get it. He's sick. He's a man. They 1251 01:07:50,800 --> 01:07:51,080 Speaker 5: have to. 1252 01:07:51,360 --> 01:07:54,200 Speaker 4: You know. It's really tough to be excited to do 1253 01:07:54,280 --> 01:07:57,480 Speaker 4: so much, to do so much. But yes, delightful, Okay, 1254 01:07:58,120 --> 01:08:02,080 Speaker 4: anything you would recommend before leave? Two other people who 1255 01:08:02,120 --> 01:08:05,040 Speaker 4: really love this movie. Like I said, very unique movie, 1256 01:08:05,400 --> 01:08:10,480 Speaker 4: not necessarily something that I have seen anything like before, 1257 01:08:10,920 --> 01:08:12,760 Speaker 4: but you know you could if you watch this. 1258 01:08:12,920 --> 01:08:13,919 Speaker 5: I think this could make him. 1259 01:08:13,960 --> 01:08:16,800 Speaker 1: What's the animated cat flow that came out with. 1260 01:08:17,600 --> 01:08:20,639 Speaker 11: I think that's the closest thing, extremely vibe. 1261 01:08:20,960 --> 01:08:23,439 Speaker 4: I would also say, if you're going for the if 1262 01:08:23,439 --> 01:08:25,680 Speaker 4: you're feeling like you need a little cry, which all 1263 01:08:25,720 --> 01:08:27,360 Speaker 4: of us do in twenty twenty five. 1264 01:08:27,920 --> 01:08:32,160 Speaker 5: This is a good double bill with this and The 1265 01:08:32,200 --> 01:08:34,320 Speaker 5: Wild Robot, I would be. 1266 01:08:35,080 --> 01:08:41,120 Speaker 4: The frying, the love of animals, the beautiful filmmaking, because 1267 01:08:41,120 --> 01:08:42,400 Speaker 4: that's the other thing I want to say. 1268 01:08:42,960 --> 01:08:44,040 Speaker 5: This movie look good as. 1269 01:08:43,960 --> 01:08:47,599 Speaker 1: Hell good, really gorgeous. 1270 01:08:47,720 --> 01:08:52,280 Speaker 4: What's good it's cinematography, the lighting, the way they use 1271 01:08:52,360 --> 01:08:53,599 Speaker 4: the shadows in the house. 1272 01:08:54,080 --> 01:08:56,160 Speaker 5: So yeah, I would I love that, Joel. I think 1273 01:08:56,200 --> 01:08:57,360 Speaker 5: flow is a great call. 1274 01:08:57,720 --> 01:08:57,920 Speaker 1: Yeah. 1275 01:08:57,960 --> 01:09:01,360 Speaker 5: I think The Wild Robot is like very emotionally in 1276 01:09:01,520 --> 01:09:02,919 Speaker 5: tune with this movie. 1277 01:09:03,200 --> 01:09:06,800 Speaker 4: Also, guys, have you ever watched The First Airbod That's 1278 01:09:06,840 --> 01:09:10,120 Speaker 4: a movie about that is a movie about ghosts and 1279 01:09:10,280 --> 01:09:14,759 Speaker 4: dogs and all kinds of stuff, and so yeah, definitely 1280 01:09:15,040 --> 01:09:19,840 Speaker 4: never a bad time to jump in. Ohs, focus. 1281 01:09:19,960 --> 01:09:21,080 Speaker 5: Okay, guys, there you have it. 1282 01:09:21,160 --> 01:09:25,880 Speaker 4: You've got to watch My fun Oh no, don't, oh no, 1283 01:09:26,720 --> 01:09:29,840 Speaker 4: don't watch flu because then you'll really be crying, like, 1284 01:09:29,920 --> 01:09:30,919 Speaker 4: why is a dad. 1285 01:09:30,720 --> 01:09:32,880 Speaker 5: Turning into a dog? Okay, get a dad out of 1286 01:09:32,880 --> 01:09:36,160 Speaker 5: my dog? I just want the dog. But yes, love 1287 01:09:36,240 --> 01:09:38,480 Speaker 5: the scream queens. Love you guys joining. 1288 01:09:38,240 --> 01:09:44,360 Speaker 4: Us, Thank you so much. Okay, guys, it is Friday, 1289 01:09:44,400 --> 01:09:46,120 Speaker 4: which means thank goallectus. 1290 01:09:46,240 --> 01:09:46,840 Speaker 5: It's Friday. 1291 01:09:46,920 --> 01:09:48,840 Speaker 4: Let's wrap up by sharing one thing. We are all 1292 01:09:48,880 --> 01:09:50,639 Speaker 4: excited to do this. 1293 01:09:51,000 --> 01:09:51,680 Speaker 5: We can. 1294 01:09:52,120 --> 01:09:56,479 Speaker 2: Jason, I am excited to fly back from New York 1295 01:09:56,520 --> 01:10:01,519 Speaker 2: City and playgos of of your day on my on 1296 01:10:01,560 --> 01:10:03,360 Speaker 2: my PlayStation and play with my. 1297 01:10:03,439 --> 01:10:07,120 Speaker 1: Dogs at your comic con. But we'll be. 1298 01:10:07,120 --> 01:10:12,360 Speaker 2: Done at that point. Yeah, Jason's like I I love 1299 01:10:12,439 --> 01:10:17,360 Speaker 2: Comicon but it's like Vegas. I love, and then you're done. 1300 01:10:17,479 --> 01:10:21,800 Speaker 4: Don't exactly overst and remember to try and eat a vegetable. 1301 01:10:21,960 --> 01:10:24,040 Speaker 5: Aaron, what will you be doing this weekend? 1302 01:10:24,520 --> 01:10:27,599 Speaker 6: So my friends and I over this summer started doing 1303 01:10:27,840 --> 01:10:30,960 Speaker 6: rooftop movies. We have one of my friends has an 1304 01:10:31,000 --> 01:10:34,360 Speaker 6: apartment building that has a great like little sitting area 1305 01:10:34,439 --> 01:10:37,400 Speaker 6: with a screen, and most of the weekends nobody has 1306 01:10:37,439 --> 01:10:40,080 Speaker 6: been up there. And this I think is our maybe 1307 01:10:40,240 --> 01:10:42,960 Speaker 6: last weekend that we can really do a nice, comfortable, 1308 01:10:43,160 --> 01:10:46,519 Speaker 6: no snow and maybe we won't have snow in a month, 1309 01:10:46,600 --> 01:10:48,679 Speaker 6: but like it will be our last kind of summary 1310 01:10:49,000 --> 01:10:50,640 Speaker 6: rooftop movie. And we have a friend in from out 1311 01:10:50,680 --> 01:10:53,120 Speaker 6: of town, which just means, in true New York fashion, 1312 01:10:53,280 --> 01:10:55,479 Speaker 6: we're getting a couple of pizzas. We're gonna go watch something. 1313 01:10:56,240 --> 01:11:00,400 Speaker 6: Last time we watched twenty twelve, we watched Jurassic Park two, 1314 01:11:00,439 --> 01:11:05,040 Speaker 6: The Lost World okay, and we watched Wet Hot American Summer. 1315 01:11:05,040 --> 01:11:09,320 Speaker 7: For the last three ones, he did, I would love. 1316 01:11:09,880 --> 01:11:10,679 Speaker 5: Eat some pizza. 1317 01:11:10,880 --> 01:11:13,599 Speaker 6: The premise is someone has to like give a quick 1318 01:11:13,640 --> 01:11:16,599 Speaker 6: presentation about the movie. So like mine was Lost World, 1319 01:11:16,640 --> 01:11:18,040 Speaker 6: and I just like talked about how much I love 1320 01:11:18,080 --> 01:11:20,880 Speaker 6: dinosaurs and then like gave people dinosaur facts throughout. 1321 01:11:20,920 --> 01:11:21,760 Speaker 5: Oh, that's so fun. 1322 01:11:21,800 --> 01:11:23,680 Speaker 6: And we have a scientist who gave us all the 1323 01:11:23,680 --> 01:11:26,600 Speaker 6: information about like why the science of twenty twelve like 1324 01:11:26,680 --> 01:11:30,320 Speaker 6: actually kind of works in some ways it doesn't. So 1325 01:11:30,360 --> 01:11:33,400 Speaker 6: that's that's my My My weekend plan is to have 1326 01:11:33,400 --> 01:11:36,040 Speaker 6: one more summer rooftop movie. 1327 01:11:36,240 --> 01:11:36,880 Speaker 5: I love that. 1328 01:11:37,600 --> 01:11:38,479 Speaker 1: Carmen comment. 1329 01:11:39,720 --> 01:11:44,200 Speaker 10: Well, I am very excited to see my friend Jennie 1330 01:11:44,240 --> 01:11:47,439 Speaker 10: Danger play at the Variety Playhouse this weekend. Ooh, she's 1331 01:11:47,600 --> 01:11:51,080 Speaker 10: very very proud that she is on tour. She's been 1332 01:11:51,120 --> 01:11:54,559 Speaker 10: selected to be the opening act for the John Mouse tour. 1333 01:11:54,760 --> 01:11:56,639 Speaker 10: So if you're going to see John Mouse at any 1334 01:11:56,640 --> 01:11:59,760 Speaker 10: point she will be the opening act and I'm going 1335 01:11:59,800 --> 01:12:01,120 Speaker 10: to say you're in Atlanta this weekend. 1336 01:12:01,280 --> 01:12:02,639 Speaker 5: That's my plan, and. 1337 01:12:02,600 --> 01:12:05,559 Speaker 10: Taking the dogs to the dog park because they're good 1338 01:12:05,560 --> 01:12:08,479 Speaker 10: boys and they deserve they deserve. 1339 01:12:08,680 --> 01:12:11,679 Speaker 5: Joel, how about you, Rosie, you know my plans. 1340 01:12:11,720 --> 01:12:18,000 Speaker 1: I'm gonna be with you. 1341 01:12:17,160 --> 01:12:18,120 Speaker 5: Entire series. 1342 01:12:18,280 --> 01:12:20,360 Speaker 1: I'm very very exciting. 1343 01:12:20,400 --> 01:12:23,160 Speaker 5: And Aaron, it will also be an out I have. 1344 01:12:23,439 --> 01:12:27,200 Speaker 4: I have managed to set out my projector outside, so 1345 01:12:27,320 --> 01:12:28,600 Speaker 4: me and Joel will be joining you. 1346 01:12:28,680 --> 01:12:30,320 Speaker 5: This is like more of a deck top. It's on 1347 01:12:30,320 --> 01:12:31,960 Speaker 5: top of my garage. I wouldn't call it a roof 1348 01:12:32,040 --> 01:12:34,479 Speaker 5: there free it's higher up than the floor. 1349 01:12:34,760 --> 01:12:38,160 Speaker 7: If it's the roof of the garage, it still counts exactly. 1350 01:12:38,280 --> 01:12:41,720 Speaker 4: Well, it sounds like a good fun weekend guys. Well, 1351 01:12:41,760 --> 01:12:43,400 Speaker 4: thank you all for joining us. We love to have 1352 01:12:43,479 --> 01:12:43,840 Speaker 4: you on here. 1353 01:12:43,960 --> 01:12:47,200 Speaker 5: Jason, thank you for coming in from New York. 1354 01:12:54,840 --> 01:12:55,160 Speaker 9: City. 1355 01:12:55,240 --> 01:13:00,919 Speaker 2: Never go to plate about there. I am for this episode. 1356 01:13:01,000 --> 01:13:03,800 Speaker 2: Thanks Will Wisling. Will we back them all with the 1357 01:13:03,920 --> 01:13:16,000 Speaker 2: Biggest No Little week Boy x ray Vision is hosted 1358 01:13:16,000 --> 01:13:18,639 Speaker 2: by Jason Sepcion and Rosie Knight and is a production 1359 01:13:18,680 --> 01:13:19,880 Speaker 2: of iHeart Podcasts. 1360 01:13:20,080 --> 01:13:23,679 Speaker 4: Our executive producers are Joel Monique and Aaron Kurtman. 1361 01:13:23,920 --> 01:13:26,120 Speaker 2: Our supervising producer is Abuza par. 1362 01:13:26,360 --> 01:13:30,280 Speaker 4: Our producers are Common, Laurent Dean Jonathan and Bay Wack. 1363 01:13:30,400 --> 01:13:33,200 Speaker 2: A theme song is by Brian Vasquez, with alternate theme 1364 01:13:33,240 --> 01:13:34,519 Speaker 2: songs by Aaron Kaufman. 1365 01:13:34,680 --> 01:13:38,080 Speaker 4: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and 1366 01:13:38,160 --> 01:13:39,920 Speaker 4: Heidi Our discored moderator