1 00:00:00,240 --> 00:00:04,720 Speaker 1: Hey, I'll Today's sponsor for Thinking Sideways is Audible dot com. 2 00:00:04,880 --> 00:00:08,680 Speaker 1: Audible as a leading provider spoken audio information and entertainment. 3 00:00:08,840 --> 00:00:11,840 Speaker 1: Listen to audiobooks, whatever and wherever you want. Get a 4 00:00:11,840 --> 00:00:13,640 Speaker 1: free audio book of your choice on the thirty day 5 00:00:13,680 --> 00:00:18,439 Speaker 1: free trial at audible podcast dot com. Slash Thinking Sideways, 6 00:00:23,000 --> 00:00:35,600 Speaker 1: Thinking Sideways, I don't just stories of things we simply 7 00:00:35,720 --> 00:00:41,000 Speaker 1: don't know the answer to. Welcome again to another episode 8 00:00:41,240 --> 00:00:45,559 Speaker 1: of Thinking Sideways. As always, I am Steve, and of 9 00:00:45,600 --> 00:00:50,360 Speaker 1: course I'm joined by Devin and Joe, and once again, 10 00:00:50,760 --> 00:00:52,680 Speaker 1: believe it or not, I know it's hard to believe. 11 00:00:52,960 --> 00:00:56,000 Speaker 1: We've got a strange case. Believe it or not, I 12 00:00:56,000 --> 00:00:59,400 Speaker 1: know it's hard to believe, believe, believe a huge mystery. 13 00:00:59,600 --> 00:01:05,039 Speaker 1: Today episode is brought to you by I Believe. Well, 14 00:01:05,160 --> 00:01:08,520 Speaker 1: what we're going to talk about is today is the 15 00:01:08,800 --> 00:01:16,560 Speaker 1: Max Headroom broadcast interruption. Everybody remembers the eighties, right, not really? Well? Yeah? 16 00:01:16,840 --> 00:01:20,479 Speaker 1: Maybe not? Yeah? Well you know, if if you don't, 17 00:01:20,840 --> 00:01:24,679 Speaker 1: you're missing out on a lot of iconic TV shows 18 00:01:25,360 --> 00:01:30,680 Speaker 1: and characters, specifically the character named Max Headroom. Yeah, I 19 00:01:30,720 --> 00:01:33,160 Speaker 1: actually liked that show a lot. I did too, I 20 00:01:33,200 --> 00:01:35,760 Speaker 1: did too, Max headroum. He was the first quote unquote 21 00:01:35,920 --> 00:01:41,160 Speaker 1: digital character on TV and uh though really there wasn't 22 00:01:41,160 --> 00:01:46,120 Speaker 1: anything digital about him. Now he was Matt Matt Frewer, Yes, 23 00:01:48,440 --> 00:01:51,040 Speaker 1: who's been in a ton of stuff through the through 24 00:01:51,080 --> 00:01:54,440 Speaker 1: the years and since then. It's you know, it's actually funny, 25 00:01:54,520 --> 00:01:57,760 Speaker 1: is every time I see Frewer in a TV show, 26 00:01:58,520 --> 00:02:01,200 Speaker 1: I expect him a little bit somewhere in the back 27 00:02:01,240 --> 00:02:04,040 Speaker 1: of my head to do that weird Max Headroom stutter. 28 00:02:05,280 --> 00:02:08,240 Speaker 1: Why well, why didn't he do it? That's not his voice? 29 00:02:08,400 --> 00:02:10,880 Speaker 1: What's going on? You know? You guys asked that every 30 00:02:10,880 --> 00:02:16,079 Speaker 1: time you meet somebody in public like fan probably I'm sure, Well, 31 00:02:16,120 --> 00:02:18,560 Speaker 1: but you know what, this isn't an episode about eighties 32 00:02:18,560 --> 00:02:21,840 Speaker 1: TV or my favorite eighties TV shows, which there are 33 00:02:21,880 --> 00:02:24,680 Speaker 1: a lot of them. Uh so, it's because it's my 34 00:02:24,760 --> 00:02:29,080 Speaker 1: childhood was. Actually, if you're not don't enough to remember 35 00:02:29,080 --> 00:02:30,959 Speaker 1: what TV was like back in the seventies and the 36 00:02:31,000 --> 00:02:33,680 Speaker 1: eighties and stuff, it's like TV it's a lot better today. 37 00:02:33,760 --> 00:02:36,600 Speaker 1: You young whiper snappers should really appreciate what you've got. 38 00:02:38,000 --> 00:02:43,720 Speaker 1: It sucks, Yeah, that's what I hear. Yeah, Oh well, 39 00:02:43,880 --> 00:02:45,839 Speaker 1: what we're gonna talk about is we're going to talk 40 00:02:45,840 --> 00:02:50,239 Speaker 1: about the Max Headroom character being used or the face 41 00:02:50,400 --> 00:02:53,959 Speaker 1: of the character being used, and what is sometimes referred 42 00:02:54,000 --> 00:02:59,400 Speaker 1: to as the best hack of all time of broadcast television. 43 00:03:00,160 --> 00:03:02,000 Speaker 1: Technically it's not really a hack so much as an 44 00:03:02,040 --> 00:03:08,680 Speaker 1: intrusion whatever. Tomato tomato depends on your perspective. I guess now, 45 00:03:08,800 --> 00:03:11,960 Speaker 1: before we get too far into this, I do want 46 00:03:12,000 --> 00:03:15,240 Speaker 1: to thank our listener. Yah see. I believe it's how 47 00:03:15,280 --> 00:03:18,560 Speaker 1: you pronounce the name. I'm not exactly positive, so if 48 00:03:18,560 --> 00:03:20,840 Speaker 1: I angled that. Sorry. Hey, by the way, if you're 49 00:03:20,840 --> 00:03:22,440 Speaker 1: if you're a listener and you want to send us 50 00:03:22,440 --> 00:03:24,799 Speaker 1: at a suggestion and you have a strange or sort 51 00:03:24,800 --> 00:03:27,839 Speaker 1: of unusual name, maybe tell us how to pronounce it. Yeah, 52 00:03:27,840 --> 00:03:31,000 Speaker 1: if it's a hard to pronounced name, a normal Joe 53 00:03:31,120 --> 00:03:36,080 Speaker 1: Ben Bob Devon named the normal white person name. Yeah, yeah, 54 00:03:36,560 --> 00:03:40,600 Speaker 1: because we're dumb, Yeah, that would be helpful. But um, 55 00:03:41,080 --> 00:03:45,240 Speaker 1: we got this request first through One Avenue and then 56 00:03:45,280 --> 00:03:47,680 Speaker 1: next thing, you know, a bunch of requests for it 57 00:03:47,760 --> 00:03:51,240 Speaker 1: came through Souper Popularity. It was a super popular one. 58 00:03:51,280 --> 00:03:53,440 Speaker 1: I think we got two or three on Twitter alone. 59 00:03:53,640 --> 00:03:55,760 Speaker 1: So we had to do it. I knew I had 60 00:03:55,800 --> 00:03:57,840 Speaker 1: to take it, so I stole it out from underneath. 61 00:03:57,840 --> 00:04:00,800 Speaker 1: Devon was planning on it, and we're going to run 62 00:04:00,840 --> 00:04:03,560 Speaker 1: with it from here. So if this is a terrible episode, 63 00:04:03,920 --> 00:04:06,000 Speaker 1: you can blame me and just think funnily. But it 64 00:04:06,040 --> 00:04:10,600 Speaker 1: would be like if had done it. Yeah, it's terrible episodes. 65 00:04:10,600 --> 00:04:18,760 Speaker 1: You can blame the eighties. Al Right, Well, let's get 66 00:04:18,800 --> 00:04:26,039 Speaker 1: into the story. On November twenty second seven. Sorry, yeah, 67 00:04:26,120 --> 00:04:31,320 Speaker 1: why are you laughing? I was five months old. I 68 00:04:31,400 --> 00:04:35,560 Speaker 1: remember this. This was awesome. Yeah, a TV in your 69 00:04:35,640 --> 00:04:38,080 Speaker 1: nurse ory and you could watch this. No, I don't 70 00:04:38,080 --> 00:04:40,280 Speaker 1: think I was watching TV at nine pm. You didn't 71 00:04:40,279 --> 00:04:42,119 Speaker 1: have a flat screen TV right there in your crib. 72 00:04:42,360 --> 00:04:44,520 Speaker 1: I don't you know. I don't remember a lot from 73 00:04:44,520 --> 00:04:48,040 Speaker 1: that time period, but I definitely don't remember flat screen TVs. 74 00:04:49,240 --> 00:04:52,360 Speaker 1: It was kind of a primitive time, wasn't Yeah. They 75 00:04:52,400 --> 00:04:55,119 Speaker 1: all had dials on them still, right. You know people 76 00:04:55,160 --> 00:04:58,640 Speaker 1: wrote things in chalk on walls instead of with markers. 77 00:04:58,920 --> 00:05:03,960 Speaker 1: You know, it was such a primitive time. His remote 78 00:05:04,000 --> 00:05:05,840 Speaker 1: was one of those clicker remotes. You ever seen those? 79 00:05:05,880 --> 00:05:09,200 Speaker 1: All the actual clicker, Yeah, the the noise actually to 80 00:05:09,279 --> 00:05:12,880 Speaker 1: change the channel. Yeah, sorry, I'm sorry, we're getting to 81 00:05:12,920 --> 00:05:16,239 Speaker 1: rub it in Okay, let's let's start this over. Okay, Sorry, 82 00:05:16,240 --> 00:05:22,400 Speaker 1: I don't laugh this time. Okay. On November twenty seven, 83 00:05:22,960 --> 00:05:27,360 Speaker 1: during the nine o'clock News is Sports Report on Channel nine, 84 00:05:27,800 --> 00:05:31,000 Speaker 1: which the call sign is w g n TV. Yeah, 85 00:05:31,160 --> 00:05:33,520 Speaker 1: w G in America, everybody knows because that's the channel 86 00:05:33,560 --> 00:05:36,640 Speaker 1: that plays America's funniest from videos. That pretty much all 87 00:05:36,680 --> 00:05:38,880 Speaker 1: they play. These is all they play. By the way, 88 00:05:38,920 --> 00:05:44,160 Speaker 1: this is in Chicago. The news viewers were watching as 89 00:05:44,400 --> 00:05:47,520 Speaker 1: the anchor at the time, his name was Dan Rone, 90 00:05:48,240 --> 00:05:52,560 Speaker 1: was cut off literally in mid sentence, and he was 91 00:05:52,640 --> 00:05:55,839 Speaker 1: replaced with a black screen so that the screen just 92 00:05:55,880 --> 00:05:58,920 Speaker 1: went black. It had some funny little numbers on the bottom, 93 00:05:59,320 --> 00:06:03,600 Speaker 1: and that sat there for about ten seconds, and suddenly 94 00:06:03,680 --> 00:06:06,239 Speaker 1: the screen was filled with what looks like a piece 95 00:06:06,279 --> 00:06:12,120 Speaker 1: of corrugated metal rotating back and forth. And if you've 96 00:06:12,200 --> 00:06:16,280 Speaker 1: never seen Max Headroom, take a moment, pause this episode 97 00:06:16,440 --> 00:06:20,960 Speaker 1: and pull up anything from the Max Headroom Show. And 98 00:06:21,040 --> 00:06:24,800 Speaker 1: he's always got these weird streaming lines and rotating stuff 99 00:06:24,800 --> 00:06:27,839 Speaker 1: in the background, and that's what this is reflective of. 100 00:06:28,279 --> 00:06:32,760 Speaker 1: That actually was like corrugated tin. It was it looks yeah, 101 00:06:32,760 --> 00:06:35,920 Speaker 1: it looks like corrugated roofing. Is exactly what it looks like, 102 00:06:36,520 --> 00:06:39,400 Speaker 1: but it's rotating back and forth, and there's a person 103 00:06:39,560 --> 00:06:44,800 Speaker 1: wearing a Max Headroom mask standing in front of it, uh, 104 00:06:45,000 --> 00:06:48,200 Speaker 1: kind of bobbing up and down and back and forth 105 00:06:48,279 --> 00:06:52,800 Speaker 1: for about ten seconds, and then suddenly the screen goes 106 00:06:52,839 --> 00:06:57,000 Speaker 1: black again and it returns to Dan Rone staring into 107 00:06:57,040 --> 00:07:00,480 Speaker 1: the camera. So this whole thing is lasted not a 108 00:07:00,560 --> 00:07:04,800 Speaker 1: very long time. Uh, there was absolutely no audio. There 109 00:07:04,839 --> 00:07:07,800 Speaker 1: was a weird well, there was no verbal audio. There's 110 00:07:07,800 --> 00:07:11,440 Speaker 1: a weird tone. I couldn't I could never figure anything 111 00:07:11,440 --> 00:07:13,880 Speaker 1: out from it. Nobody else seems to have really cared 112 00:07:13,960 --> 00:07:17,080 Speaker 1: what it was, so I'm guessing it was just interference 113 00:07:17,120 --> 00:07:22,000 Speaker 1: of some kind. But that's all there was. And to 114 00:07:22,160 --> 00:07:25,440 Speaker 1: his credit, dan Rone did a fantastic job and had 115 00:07:25,480 --> 00:07:28,840 Speaker 1: a sense of humor because he looks into the camera 116 00:07:28,960 --> 00:07:32,240 Speaker 1: and I kid you not, says, well, if you're wondering, 117 00:07:32,240 --> 00:07:37,320 Speaker 1: what's just happened? So am I said something like, thanks 118 00:07:37,360 --> 00:07:41,720 Speaker 1: Max for that great report. Now, well you know it's 119 00:07:41,720 --> 00:07:44,040 Speaker 1: It's funny is that Rome did obviously have a sense 120 00:07:44,080 --> 00:07:47,920 Speaker 1: of humor about this, because the next week he pretended 121 00:07:47,960 --> 00:07:52,160 Speaker 1: to get interrupted again by the Max Hidroom. But that 122 00:07:52,280 --> 00:07:55,280 Speaker 1: was totally stage. So he was obviously willing to have 123 00:07:55,360 --> 00:07:58,080 Speaker 1: a little bit of fun with it. But if if 124 00:07:58,120 --> 00:08:00,800 Speaker 1: that had been all that happened, and if that was 125 00:08:00,920 --> 00:08:05,160 Speaker 1: all that occurred, nobody really would have cared and this 126 00:08:05,280 --> 00:08:08,800 Speaker 1: story would have just disappeared. They would have just gone 127 00:08:08,800 --> 00:08:12,920 Speaker 1: off and be no more. But best Max Headman went 128 00:08:12,960 --> 00:08:17,880 Speaker 1: too far. Max Headroom continued interrupted. He interrupted an episode 129 00:08:17,880 --> 00:08:21,040 Speaker 1: of Doctor Who. He did and Doctor Who that's rioted 130 00:08:22,480 --> 00:08:25,480 Speaker 1: nearly burned the s into the ground. That was not 131 00:08:25,520 --> 00:08:32,440 Speaker 1: what Doctor Who fans. Yeah, now what happens is we 132 00:08:32,520 --> 00:08:36,600 Speaker 1: now move over to Channel eleven, which is stationed w 133 00:08:36,920 --> 00:08:40,920 Speaker 1: t t W. As Joe said, they were airing a 134 00:08:41,120 --> 00:08:44,920 Speaker 1: episode of Doctor Who and it was specifically it was 135 00:08:45,000 --> 00:08:49,720 Speaker 1: the Horror of fan Rock episode season four, season four, 136 00:08:49,800 --> 00:08:53,720 Speaker 1: which for doctor good Ta Yeah, our Doctor Who nerd 137 00:08:53,760 --> 00:08:58,480 Speaker 1: fans toms my absolute favorite old doctor. Yeah, he's one 138 00:08:58,480 --> 00:09:00,440 Speaker 1: of the best. Yeah. No, he has the best old 139 00:09:00,480 --> 00:09:04,840 Speaker 1: doctor for sure. Yeah, and I somebody email me about this. 140 00:09:04,880 --> 00:09:07,000 Speaker 1: We'll talk about it. Well, do we want to talk 141 00:09:07,040 --> 00:09:11,439 Speaker 1: about his scarf or should we just leave that because 142 00:09:11,440 --> 00:09:17,760 Speaker 1: we'll talk like ten minutes about Dore fromode on the 143 00:09:17,800 --> 00:09:22,040 Speaker 1: Doctor Who's scarf At some point we really should Okay. 144 00:09:22,720 --> 00:09:26,960 Speaker 1: At eleven fifteen, again, this is right in the middle 145 00:09:27,080 --> 00:09:31,520 Speaker 1: of dialogue of this episode of Doctor Who, the screen 146 00:09:31,600 --> 00:09:36,120 Speaker 1: gets kind of staticky, and if you've ever watched old television, 147 00:09:36,200 --> 00:09:38,560 Speaker 1: when the vertical and the horizontal is kind of off, 148 00:09:38,640 --> 00:09:43,720 Speaker 1: it kind of twisted and bended from vertical to horizontal 149 00:09:43,720 --> 00:09:45,960 Speaker 1: a little bit, and then all of a sudden flips 150 00:09:46,800 --> 00:09:53,120 Speaker 1: and suddenly presumably the same person wearing the Max headro 151 00:09:53,400 --> 00:09:56,880 Speaker 1: mask standing in front of a piece of cord get metal. 152 00:09:57,280 --> 00:09:59,679 Speaker 1: From here on out, I'm just gonna refer to this 153 00:09:59,720 --> 00:10:03,360 Speaker 1: person it is Max because it's simpler because we really 154 00:10:03,360 --> 00:10:06,560 Speaker 1: don't know who that person is, and that's one of 155 00:10:06,600 --> 00:10:09,319 Speaker 1: the key things in this mystery. From here for it, 156 00:10:09,360 --> 00:10:13,000 Speaker 1: we're going to talk about Max. Unlike the first interruption, 157 00:10:13,400 --> 00:10:17,480 Speaker 1: there was audio that came through, and it did have 158 00:10:17,800 --> 00:10:21,199 Speaker 1: it was spoken audio. It was a little distorted. It 159 00:10:22,440 --> 00:10:25,240 Speaker 1: was distorted. It's actually one of the like creepier things 160 00:10:25,360 --> 00:10:27,240 Speaker 1: for me, Like this is another one of those mysteries 161 00:10:27,280 --> 00:10:30,920 Speaker 1: that you hear about and you watch the video late 162 00:10:30,960 --> 00:10:33,599 Speaker 1: at night because you're dumb, and on some of some 163 00:10:33,840 --> 00:10:39,640 Speaker 1: Reddit thread that's said, what's the creepiest unexplained broadcast and 164 00:10:39,720 --> 00:10:42,760 Speaker 1: you're you know, laying in bed thinking, oh, they can't 165 00:10:42,760 --> 00:10:45,960 Speaker 1: be that creepy, and they aren't that creepy. But for 166 00:10:45,960 --> 00:10:49,040 Speaker 1: whatever reason, there's like one little thing about it, and 167 00:10:49,080 --> 00:10:52,160 Speaker 1: it's for me, it was the pitch of this like audio. Yeah, 168 00:10:52,160 --> 00:10:55,880 Speaker 1: this audio is very high pitch. It's and it's it's 169 00:10:56,080 --> 00:11:00,640 Speaker 1: really difficult to understand. And that's think about it is 170 00:11:00,760 --> 00:11:03,319 Speaker 1: too as the guy is just his antics and his 171 00:11:03,400 --> 00:11:05,760 Speaker 1: talking and everything, it's just like a little off his rocker. 172 00:11:06,000 --> 00:11:10,199 Speaker 1: It's like it reminds me of a more frenetic version 173 00:11:10,200 --> 00:11:12,839 Speaker 1: of The Joker when he busted it on television in 174 00:11:13,120 --> 00:11:19,240 Speaker 1: Gotham City. Yeah, yeah, it's it's wild. There's hand flailing, 175 00:11:19,600 --> 00:11:21,320 Speaker 1: and we're going to get into some of this. But 176 00:11:21,640 --> 00:11:24,280 Speaker 1: I do want to just give a big thank you 177 00:11:24,360 --> 00:11:26,760 Speaker 1: to whoever took the time to try and clean up 178 00:11:26,800 --> 00:11:30,760 Speaker 1: that audio and then transcribe it, because if I had 179 00:11:30,800 --> 00:11:34,280 Speaker 1: to try and do that, it just wouldn't have happened. 180 00:11:34,280 --> 00:11:36,480 Speaker 1: I'd given up on like the second play because it 181 00:11:36,559 --> 00:11:39,240 Speaker 1: is it's kind of tough to hear. And that's one 182 00:11:39,280 --> 00:11:43,000 Speaker 1: of the reasons that we're not actually going to to 183 00:11:43,120 --> 00:11:46,960 Speaker 1: put that audio into this episode, is that it is 184 00:11:47,559 --> 00:11:52,520 Speaker 1: very difficult to understand, and it's not pleasant to listen to. First. 185 00:11:52,640 --> 00:11:55,520 Speaker 1: It's a minute a half long. Frankly, it doesn't make 186 00:11:55,520 --> 00:11:58,240 Speaker 1: a hell of a lot of sense. Yeah, it's easy 187 00:11:58,280 --> 00:12:00,400 Speaker 1: to find watch the video. You can watch the video 188 00:12:00,440 --> 00:12:03,120 Speaker 1: if you want. But let's let me just walk through 189 00:12:03,160 --> 00:12:07,120 Speaker 1: and kind of describe what happens. So again we've got 190 00:12:07,240 --> 00:12:13,040 Speaker 1: Max in front of the same rotating background, which it's 191 00:12:14,080 --> 00:12:16,600 Speaker 1: very brightly lit, it's reflective, it's hard to look at 192 00:12:17,240 --> 00:12:20,760 Speaker 1: talking into the camera. After a couple of lines, Max 193 00:12:20,840 --> 00:12:24,680 Speaker 1: bends over, picks up a Pepsi can and says the 194 00:12:24,760 --> 00:12:28,640 Speaker 1: line catch the wave, which, if you don't remember, if 195 00:12:28,679 --> 00:12:32,760 Speaker 1: you're not from that era, is from a coke ad 196 00:12:32,920 --> 00:12:36,480 Speaker 1: that was running at the top, not just new coke. 197 00:12:36,679 --> 00:12:41,720 Speaker 1: You're right. Max flails around a pepsi can, which is 198 00:12:41,840 --> 00:12:45,120 Speaker 1: kind of weird because it's coke pepsi can, but anyway, 199 00:12:45,120 --> 00:12:49,200 Speaker 1: flings it forward, it hits the ground, bends over, grabs it, 200 00:12:49,280 --> 00:12:53,520 Speaker 1: tosses it away again. Uh flips the bird at the 201 00:12:53,679 --> 00:12:58,199 Speaker 1: camera wearing a rubber finger. And this is one of 202 00:12:58,240 --> 00:13:02,360 Speaker 1: those weird interpretation spots in US story. I've heard that 203 00:13:02,440 --> 00:13:08,440 Speaker 1: it isn't a rubber finger, but instead is a rubber fallus. 204 00:13:08,520 --> 00:13:13,880 Speaker 1: It's probably the nicest way to say it. I don't 205 00:13:13,880 --> 00:13:18,240 Speaker 1: know for sure, I have I honestly, it looks like 206 00:13:18,240 --> 00:13:20,640 Speaker 1: a rubber finger to me, but people say it's something. 207 00:13:20,640 --> 00:13:26,800 Speaker 1: That video is pretty blurrious. It's uh, it's continuing on 208 00:13:26,880 --> 00:13:30,840 Speaker 1: from there. Um, Max says a few more lines, starts 209 00:13:30,880 --> 00:13:34,480 Speaker 1: to then hum the tune to a TV show from 210 00:13:34,520 --> 00:13:38,720 Speaker 1: the nineties sixties, which was a cartoon called Clutch Cargo. 211 00:13:40,040 --> 00:13:43,520 Speaker 1: And this whole time, it's this funny voice that Max 212 00:13:43,600 --> 00:13:47,160 Speaker 1: is talking. In the background is again still moving back 213 00:13:47,200 --> 00:13:51,280 Speaker 1: and forth. Suddenly Max bends over and picks up a 214 00:13:51,360 --> 00:13:54,880 Speaker 1: glove and puts it on, or tries to put it 215 00:13:54,960 --> 00:13:58,839 Speaker 1: on before throwing it away, continues to gyrate around a 216 00:13:58,880 --> 00:14:04,240 Speaker 1: little more, and then suddenly the scene cuts and the 217 00:14:04,280 --> 00:14:09,360 Speaker 1: scene cuts to the rubber mask being held up off 218 00:14:09,400 --> 00:14:12,840 Speaker 1: of the left side of the screen, with the rubber 219 00:14:12,880 --> 00:14:17,160 Speaker 1: finger or fallus, whichever it is, sticking out of the mouth, 220 00:14:17,960 --> 00:14:22,040 Speaker 1: and there's some dude with his bare butts sticking out 221 00:14:22,040 --> 00:14:26,400 Speaker 1: of his pants holding the mask next to it, continuing 222 00:14:26,440 --> 00:14:29,560 Speaker 1: to talk in that weird voice, and there's a woman 223 00:14:29,960 --> 00:14:36,640 Speaker 1: on the right side of the frame. Somebody dresses because 224 00:14:36,680 --> 00:14:38,960 Speaker 1: it's it's really you just see kind of you know, 225 00:14:39,160 --> 00:14:44,360 Speaker 1: mid torso to maybe thugb top of the thigh. That's it. 226 00:14:45,160 --> 00:14:48,280 Speaker 1: And this person has a fly swatter and begins to 227 00:14:48,480 --> 00:14:52,720 Speaker 1: smack presumably the same person which would do Max on 228 00:14:52,880 --> 00:14:56,920 Speaker 1: the bottom as Max continues to talk, and then it 229 00:14:57,040 --> 00:15:01,760 Speaker 1: goes black and it cuts right back into the episode 230 00:15:01,800 --> 00:15:04,720 Speaker 1: of Doctor Who that was playing. And this is my 231 00:15:04,800 --> 00:15:08,000 Speaker 1: favorite part. It just happened to the cut in as 232 00:15:08,080 --> 00:15:11,080 Speaker 1: the doctor looks at the camera and says, as far 233 00:15:11,160 --> 00:15:14,880 Speaker 1: as I can tell, a massive electric shock, you must 234 00:15:14,920 --> 00:15:21,800 Speaker 1: have died instantly. God, I love that. It's perfect. Yeah, 235 00:15:21,880 --> 00:15:23,920 Speaker 1: So it looks to me like there are only two 236 00:15:23,960 --> 00:15:27,040 Speaker 1: people involved in making the video because you know after 237 00:15:27,040 --> 00:15:29,920 Speaker 1: the cut that the background is stopped rotating, which means 238 00:15:29,920 --> 00:15:32,240 Speaker 1: the person that was rotating that the first half had 239 00:15:32,280 --> 00:15:35,760 Speaker 1: to stop doing that. We'll we'll get into that. We'll 240 00:15:35,760 --> 00:15:38,120 Speaker 1: get into that when we're talking into theories, because you're 241 00:15:38,160 --> 00:15:40,200 Speaker 1: a little bit ahead on there. But that's no, that's 242 00:15:40,200 --> 00:15:42,000 Speaker 1: a good observation because we want to talk about what 243 00:15:42,120 --> 00:15:47,760 Speaker 1: he said, right, because what he said it's weird. He's weird. 244 00:15:47,880 --> 00:15:52,000 Speaker 1: It is so it is so strange. So this isn't 245 00:15:52,120 --> 00:15:55,440 Speaker 1: an exact transcript. Some of this stuff I pulled out. 246 00:15:55,520 --> 00:15:58,640 Speaker 1: Some of it I capped, But I'm just gonna kind 247 00:15:58,640 --> 00:16:02,080 Speaker 1: of run through what we have that we know that 248 00:16:02,200 --> 00:16:06,640 Speaker 1: people have figured out that Max said during this second 249 00:16:06,840 --> 00:16:10,120 Speaker 1: broadcast interruption, the one that was a minute seconds or 250 00:16:10,160 --> 00:16:14,200 Speaker 1: so long during dr who it says he's a freaking nerd. 251 00:16:14,640 --> 00:16:18,960 Speaker 1: I think I'm better than Chuck Swirsky freaking liberal, which 252 00:16:19,000 --> 00:16:23,720 Speaker 1: according to the research, is referring to a sportscast announcer 253 00:16:23,960 --> 00:16:28,560 Speaker 1: for w g N Radio at the time. Then we 254 00:16:28,600 --> 00:16:31,040 Speaker 1: again catch the way which is the new Coke slogan 255 00:16:31,040 --> 00:16:35,200 Speaker 1: we talked about. Your love is fading is shouted right 256 00:16:35,240 --> 00:16:40,320 Speaker 1: before he throws the finger slash fallus onto the floor. Uh, 257 00:16:40,400 --> 00:16:45,160 Speaker 1: let's see, I still see the X. This is a 258 00:16:45,240 --> 00:16:48,160 Speaker 1: reference to remember I said that Max was humming a 259 00:16:48,240 --> 00:16:53,000 Speaker 1: tune from that TV show Clutch Cargo. That is evidently 260 00:16:53,320 --> 00:16:57,360 Speaker 1: the title of the last episode of Clutch Cargo from 261 00:16:57,400 --> 00:17:02,080 Speaker 1: the nineteen sixties. Yeah, that's a really, really far back reference. 262 00:17:02,840 --> 00:17:06,200 Speaker 1: Let's see, I just made a giant masterpiece for all 263 00:17:06,240 --> 00:17:11,680 Speaker 1: the world's greatest newspaper nerds. Again, this is evidently another 264 00:17:11,960 --> 00:17:17,280 Speaker 1: Chicago centric dig and it's at Chicago's TV stations. The 265 00:17:17,440 --> 00:17:20,679 Speaker 1: call sign, which we talked about earlier, w g N. 266 00:17:21,560 --> 00:17:27,360 Speaker 1: It's an abbreviation for World's Greatest Newspaper, which the Tribune 267 00:17:28,320 --> 00:17:32,440 Speaker 1: who the Chicago Tribune who owned w g N. That 268 00:17:32,640 --> 00:17:35,440 Speaker 1: was what they used to call themselves in the early days, 269 00:17:35,480 --> 00:17:38,359 Speaker 1: and that's how w g M came about. So again 270 00:17:38,359 --> 00:17:42,120 Speaker 1: we're there's a lot of weird little riffs. Uh. I 271 00:17:42,160 --> 00:17:45,040 Speaker 1: said that Max picked up a glove and he says, 272 00:17:45,119 --> 00:17:48,480 Speaker 1: my brother is wearing the other one. It's dirty. It's 273 00:17:48,520 --> 00:17:52,800 Speaker 1: like you got bloodstains on it, which I don't even get. 274 00:17:53,440 --> 00:17:56,800 Speaker 1: That's why I said, is like the ramblings of an 275 00:17:56,800 --> 00:18:00,240 Speaker 1: adult mind. It kind of is. We're almost done though. Um. 276 00:18:00,320 --> 00:18:04,719 Speaker 1: When the mask and the exposed bottom are shown on 277 00:18:04,760 --> 00:18:08,120 Speaker 1: the screen, we hear Max say they're coming to get me, 278 00:18:08,680 --> 00:18:12,159 Speaker 1: Come get me, bitch, at which point the fly swater 279 00:18:12,240 --> 00:18:17,280 Speaker 1: begins to go into action and indicative of the Max 280 00:18:17,320 --> 00:18:21,840 Speaker 1: Headroom character, there's a lot of stuttering of words. But 281 00:18:22,000 --> 00:18:24,800 Speaker 1: it's weird because instead of so much Max Headroom used 282 00:18:24,840 --> 00:18:27,040 Speaker 1: to do a lot of stutters, as if you would 283 00:18:27,080 --> 00:18:30,560 Speaker 1: have a digital audio file or a record that was skipping. 284 00:18:31,160 --> 00:18:33,240 Speaker 1: That's kind of the way it was made to sound 285 00:18:33,280 --> 00:18:36,720 Speaker 1: like his like his audio file was scrambled, and this 286 00:18:36,760 --> 00:18:39,680 Speaker 1: person sounds like they're trying to mimic that. But really 287 00:18:39,680 --> 00:18:44,040 Speaker 1: what it turns out into is more of moans and 288 00:18:44,280 --> 00:18:48,560 Speaker 1: drawn out words, and there's some screaming and gyrations, and 289 00:18:49,280 --> 00:18:53,320 Speaker 1: there's a there's like a it's like a break and 290 00:18:53,320 --> 00:18:56,200 Speaker 1: it's like the bridge of the whole artistic piece where 291 00:18:56,240 --> 00:18:59,639 Speaker 1: he just like screams and moans and like laughs for 292 00:18:59,720 --> 00:19:05,960 Speaker 1: like five seconds or something, and that that, honestly is 293 00:19:06,000 --> 00:19:08,639 Speaker 1: the creepiest part for me, when he's doing that. The 294 00:19:08,680 --> 00:19:12,480 Speaker 1: first time I watched it, I didn't totally understand the 295 00:19:12,480 --> 00:19:16,920 Speaker 1: heads I was not in the unsolved mystery like world yet, 296 00:19:17,480 --> 00:19:20,560 Speaker 1: so I obviously not a child of the eighties times, 297 00:19:21,119 --> 00:19:24,840 Speaker 1: so I wasn't in the headspace of the weird, crazy 298 00:19:24,880 --> 00:19:27,600 Speaker 1: people of the world, and I just kept thinking, that 299 00:19:27,600 --> 00:19:30,120 Speaker 1: person is in so much pain, what's going on? Why 300 00:19:30,119 --> 00:19:34,400 Speaker 1: are they still hurt? Well, no, it's before that, it's 301 00:19:34,440 --> 00:19:36,960 Speaker 1: when he's still in the chair, So I you know, 302 00:19:37,320 --> 00:19:39,680 Speaker 1: that's the creepiest part for me, is just the scream 303 00:19:39,760 --> 00:19:43,200 Speaker 1: moans that happened every once in a while. Yeah, it's weird. 304 00:19:43,920 --> 00:19:49,040 Speaker 1: If you google Max Headroom broadcast interruption, you will find this. 305 00:19:49,320 --> 00:19:52,040 Speaker 1: Watch it, watch the video the video, and I'll give 306 00:19:52,040 --> 00:19:55,399 Speaker 1: everybody a hint. If you find a video that is 307 00:19:55,440 --> 00:19:58,800 Speaker 1: thirty seconds or so, that is the initial interruption that 308 00:19:58,880 --> 00:20:03,200 Speaker 1: basically has no too except for Dan Rone talking. If 309 00:20:03,200 --> 00:20:06,000 Speaker 1: you see anything that's a minute and a half plus, 310 00:20:06,520 --> 00:20:09,520 Speaker 1: that's going to be the second interruption. If you can 311 00:20:09,520 --> 00:20:12,679 Speaker 1: find one that has subtitles, i'd recommend that because that 312 00:20:12,840 --> 00:20:15,679 Speaker 1: really helps you understand what's going on. Maybe we can 313 00:20:15,720 --> 00:20:17,840 Speaker 1: find one and posted on the website. Yeah, we've I've 314 00:20:17,880 --> 00:20:20,840 Speaker 1: got I've got one bookmark that's got the well have 315 00:20:20,880 --> 00:20:22,439 Speaker 1: to put that up. But if people want to just 316 00:20:22,480 --> 00:20:25,160 Speaker 1: track it down, I would recommend looking for one that's 317 00:20:25,200 --> 00:20:28,239 Speaker 1: got the subtitles. Yeah, because you really can't understand what 318 00:20:28,240 --> 00:20:30,959 Speaker 1: he's saying. It's it's very difficult. I know. We watched 319 00:20:30,960 --> 00:20:32,840 Speaker 1: it one more time when we started tonight and I 320 00:20:32,880 --> 00:20:36,199 Speaker 1: started understanding it. But it must have been the dozen 321 00:20:36,520 --> 00:20:40,400 Speaker 1: time that I had watched that thing, so we finally 322 00:20:40,440 --> 00:20:43,640 Speaker 1: started making watch it again. If you've seen it before 323 00:20:44,359 --> 00:20:47,000 Speaker 1: but not recently watched it again, I always forget about 324 00:20:47,000 --> 00:20:49,399 Speaker 1: that second half. I don't know why. I just always 325 00:20:49,400 --> 00:20:51,719 Speaker 1: do the fwater. Yeah, I always forget about that. Your 326 00:20:52,000 --> 00:20:55,320 Speaker 1: probably that probably Yeah, it's probably a good thing. Yeah, 327 00:20:56,720 --> 00:21:01,560 Speaker 1: remember the good thing? Five month old months you were 328 00:21:01,560 --> 00:21:06,320 Speaker 1: already watching Doctor? Are you kidding? Of course I was. 329 00:21:06,840 --> 00:21:10,480 Speaker 1: As I said before, this whole thing. The second interruption 330 00:21:10,640 --> 00:21:14,600 Speaker 1: lasted about a minute and a half. That was twenty 331 00:21:14,800 --> 00:21:20,360 Speaker 1: over years ago, and to this day, we don't know 332 00:21:20,720 --> 00:21:26,840 Speaker 1: positively who did it, who pulled it off, the the 333 00:21:26,960 --> 00:21:31,200 Speaker 1: authorities tried to figure it out, they didn't ever get 334 00:21:31,240 --> 00:21:35,080 Speaker 1: to the bottom of it. And the theories are kind 335 00:21:35,119 --> 00:21:38,800 Speaker 1: of sparse. There's not a whole lot of theories really, 336 00:21:38,840 --> 00:21:43,720 Speaker 1: I've only got three so far. But before we get 337 00:21:43,800 --> 00:21:47,240 Speaker 1: into the theories, I want to help everybody kind of 338 00:21:47,359 --> 00:21:53,080 Speaker 1: understand how this could have been done, because hacking TV 339 00:21:53,240 --> 00:21:58,560 Speaker 1: today is very, very difficult because it's a digital signal. 340 00:21:59,440 --> 00:22:02,960 Speaker 1: If you don't know how digital signal works, don't try 341 00:22:03,040 --> 00:22:07,600 Speaker 1: because it's really really complex, and your chances of getting 342 00:22:07,600 --> 00:22:10,000 Speaker 1: in there are somewhere between slim and none. Now you're 343 00:22:10,000 --> 00:22:12,520 Speaker 1: better off actually just invading the TV station and tying 344 00:22:12,600 --> 00:22:14,960 Speaker 1: up everybody at gunpoint and then just put your stuff on. 345 00:22:15,000 --> 00:22:18,359 Speaker 1: That's the easier than actually trying to hack the signal. 346 00:22:18,480 --> 00:22:22,080 Speaker 1: I wouldn't do that. Recommend not recommending that. I'm just 347 00:22:22,160 --> 00:22:26,960 Speaker 1: saying we're not even like mildly suggestive word like saying, 348 00:22:27,040 --> 00:22:31,840 Speaker 1: don't do that. This is in a simplified version, as 349 00:22:31,880 --> 00:22:38,520 Speaker 1: with most very very simplified the science of thinking. I 350 00:22:38,560 --> 00:22:41,520 Speaker 1: will start with the fact that, without a doubt, what 351 00:22:41,640 --> 00:22:46,080 Speaker 1: was done, according to the government, was against the law 352 00:22:46,680 --> 00:22:53,600 Speaker 1: broadcast interruption. According to this name is terrible. Eighteen US 353 00:22:53,760 --> 00:22:58,880 Speaker 1: Code one three six seven, which was enacted in six 354 00:22:59,720 --> 00:23:03,240 Speaker 1: had put an addition in that said that satellite jamming 355 00:23:03,359 --> 00:23:06,760 Speaker 1: was a crime. Technically this is satellite jamming. So this 356 00:23:06,880 --> 00:23:10,440 Speaker 1: was definitely a crime according to the government, but they 357 00:23:10,560 --> 00:23:13,320 Speaker 1: could never track down who did it. The FCC had 358 00:23:13,320 --> 00:23:15,280 Speaker 1: looked into it and they're kind of it seems like 359 00:23:15,320 --> 00:23:18,520 Speaker 1: the ones who deal with this, but that's why it 360 00:23:18,560 --> 00:23:22,280 Speaker 1: was a crime. But this is how you do it. 361 00:23:22,359 --> 00:23:25,880 Speaker 1: So we're just gonna go ahead and say disclaimer. We're 362 00:23:25,920 --> 00:23:28,840 Speaker 1: saying it's a crime. It's still a crime. We're gonna 363 00:23:28,840 --> 00:23:30,720 Speaker 1: tell you how to do it, but we're not saying 364 00:23:30,800 --> 00:23:33,880 Speaker 1: do it. You can't do it anymore. That's the thing. 365 00:23:34,280 --> 00:23:38,560 Speaker 1: Everybody uses a digital signal that is saying, and this 366 00:23:38,640 --> 00:23:43,200 Speaker 1: is how somebody would hack an analog television signal. So 367 00:23:43,560 --> 00:23:45,360 Speaker 1: if you had you know, you had the big metal 368 00:23:45,440 --> 00:23:47,800 Speaker 1: antenna on top of your house, and that's how you 369 00:23:47,840 --> 00:23:51,760 Speaker 1: got TV forever until about five years ago. Okay, well 370 00:23:51,880 --> 00:23:54,560 Speaker 1: that's it was an analog signal and they stopped analog. 371 00:23:54,640 --> 00:23:58,639 Speaker 1: So you can't do this method anymore. So disclaimer, but 372 00:23:58,800 --> 00:24:00,560 Speaker 1: don't try it anyway. Can't do it. You can't do 373 00:24:01,280 --> 00:24:03,800 Speaker 1: which actually we're gonna like slip disinformation and we're gonna 374 00:24:03,800 --> 00:24:09,399 Speaker 1: be kind of vague about the whole thing. Oh no, 375 00:24:09,480 --> 00:24:14,920 Speaker 1: science is terrible and inaccurate and half of it's made up. Okay, 376 00:24:14,960 --> 00:24:18,800 Speaker 1: To spread their signals across the city, what a local 377 00:24:18,840 --> 00:24:22,280 Speaker 1: TV network would do is they would first relay their 378 00:24:22,320 --> 00:24:28,040 Speaker 1: signal from the studio to a high powered transmitter that 379 00:24:28,160 --> 00:24:31,120 Speaker 1: was on top of a tall building or a skyscraper. 380 00:24:31,680 --> 00:24:35,639 Speaker 1: And that connection between those two places, between the TV 381 00:24:35,960 --> 00:24:41,159 Speaker 1: station and the transmitter is actually where the weak spot 382 00:24:41,320 --> 00:24:44,240 Speaker 1: is at. So that's the weak link in the process, 383 00:24:44,320 --> 00:24:46,359 Speaker 1: which is what somebody who was going to do a 384 00:24:46,440 --> 00:24:51,160 Speaker 1: broadcast interruption would That's what they would capitalize on. That's 385 00:24:51,160 --> 00:24:56,439 Speaker 1: where they would strike to interrupt the signal. It was 386 00:24:56,520 --> 00:25:01,600 Speaker 1: really really simple. All you had to do was you 387 00:25:01,680 --> 00:25:06,359 Speaker 1: had to have transmission equipment of your own, and you 388 00:25:06,440 --> 00:25:10,520 Speaker 1: had to be vertically at a high enough location. And 389 00:25:10,680 --> 00:25:12,359 Speaker 1: people say that this would be on the roof of 390 00:25:12,359 --> 00:25:15,000 Speaker 1: a building or some kind of high rise or something 391 00:25:15,040 --> 00:25:22,560 Speaker 1: like that in between the studio and the transmitter. Were 392 00:25:22,560 --> 00:25:25,240 Speaker 1: they not typically on top of the studio, like, was 393 00:25:25,280 --> 00:25:28,440 Speaker 1: that not? No, they were, They were not always in 394 00:25:28,480 --> 00:25:31,280 Speaker 1: the same location. So the studio is in one place, 395 00:25:31,320 --> 00:25:33,600 Speaker 1: but the transmitter was on top of a big tall 396 00:25:33,640 --> 00:25:37,440 Speaker 1: building with lots of strong equipment to spread it around. 397 00:25:37,840 --> 00:25:42,280 Speaker 1: So that's so. Yes, it is too different places, so 398 00:25:42,359 --> 00:25:46,840 Speaker 1: you get in between the two. And according to the research, 399 00:25:47,440 --> 00:25:51,040 Speaker 1: people think that in this particular instance, that means that 400 00:25:51,119 --> 00:25:55,960 Speaker 1: it was somewhere between north or the northwest sides of Chicago, 401 00:25:56,440 --> 00:25:59,840 Speaker 1: and from there all you had to do was id 402 00:26:00,080 --> 00:26:04,360 Speaker 1: nify the skyscraper that had the transmitter on it and 403 00:26:04,840 --> 00:26:10,040 Speaker 1: blasted with a high powered microwave signal of your own. 404 00:26:10,520 --> 00:26:12,359 Speaker 1: And it doesn't even need to be that high power. 405 00:26:12,400 --> 00:26:14,080 Speaker 1: It just needs to be a little more high powered. 406 00:26:14,160 --> 00:26:16,119 Speaker 1: That just needs to be strong enough in the studio 407 00:26:16,240 --> 00:26:18,760 Speaker 1: signal a little stronger than that and you and you're golden, 408 00:26:18,840 --> 00:26:20,920 Speaker 1: and they were so far away. I'm sorry. So okay, 409 00:26:20,960 --> 00:26:23,280 Speaker 1: not only were they like not right next to each other, 410 00:26:23,320 --> 00:26:25,600 Speaker 1: but they were so far away that you could say, oh, 411 00:26:25,720 --> 00:26:28,879 Speaker 1: it was like the north northwest side of Chicago. Are 412 00:26:28,880 --> 00:26:31,760 Speaker 1: you talking about the two different transmitters that were hacked. Yeah, 413 00:26:32,119 --> 00:26:35,520 Speaker 1: well I think that. So there there's a great map 414 00:26:35,560 --> 00:26:38,440 Speaker 1: out there, and I looked at it, and I want 415 00:26:38,480 --> 00:26:41,680 Speaker 1: to say that they were only like a quarter to 416 00:26:41,880 --> 00:26:48,119 Speaker 1: a half a mile apart. It wasn't a huge distance. Okay, 417 00:26:48,240 --> 00:26:51,000 Speaker 1: that's fair. I mean, I mean it's big when that's 418 00:26:51,040 --> 00:26:53,480 Speaker 1: like the only thing that's keeping you from being hacked. 419 00:26:53,560 --> 00:26:57,280 Speaker 1: But hacking wasn't that big of a thing. So that's 420 00:26:57,359 --> 00:26:59,480 Speaker 1: that's one thing to keep it in mind. At different times, 421 00:27:00,040 --> 00:27:02,840 Speaker 1: very different time Um. So, as Joe said, you didn't 422 00:27:02,880 --> 00:27:05,520 Speaker 1: have to have a hugely strong signal. You just had 423 00:27:05,520 --> 00:27:09,200 Speaker 1: to be strong enough to override what was coming from 424 00:27:09,280 --> 00:27:15,439 Speaker 1: the studio. And people could do this relatively inexpensively on 425 00:27:15,480 --> 00:27:19,080 Speaker 1: their own. And the brand new equipment for TV stations 426 00:27:19,240 --> 00:27:22,080 Speaker 1: costs tens of at the time was tens of thousands 427 00:27:22,080 --> 00:27:26,720 Speaker 1: of dollars. But you could get older equipment second hand 428 00:27:27,400 --> 00:27:30,960 Speaker 1: at an affordable price for a ham radio guy or 429 00:27:30,960 --> 00:27:34,600 Speaker 1: somebody who's into that an enthusiast. It wasn't a huge cost, 430 00:27:35,359 --> 00:27:38,159 Speaker 1: and you didn't need a massive satellite dish, you know 431 00:27:38,560 --> 00:27:41,199 Speaker 1: direct TV, those silly little dishes that people put on 432 00:27:41,240 --> 00:27:44,240 Speaker 1: their houses. That's all the big of a dish you 433 00:27:44,240 --> 00:27:48,600 Speaker 1: would have needed to use to broadcast at that transmitter 434 00:27:48,720 --> 00:27:53,959 Speaker 1: to to bust in. Okay, the first signal interruption that 435 00:27:54,040 --> 00:27:56,399 Speaker 1: we talked about, which was at w g N and 436 00:27:56,640 --> 00:28:02,920 Speaker 1: the Sports news section, that that only lasted that ten 437 00:28:03,320 --> 00:28:07,840 Speaker 1: actual ten twenty second time frame because as soon as 438 00:28:07,920 --> 00:28:10,800 Speaker 1: Dan Rone got interrupted in the screen went black and 439 00:28:10,840 --> 00:28:14,679 Speaker 1: then Max came on. One of their engineers was pretty 440 00:28:14,800 --> 00:28:18,960 Speaker 1: quick on his feet and he changed their frequency so 441 00:28:19,119 --> 00:28:22,600 Speaker 1: that they were transmitting in a different frequency. The transmitter 442 00:28:22,720 --> 00:28:26,679 Speaker 1: knew suddenly it should be getting this other frequency, so 443 00:28:26,720 --> 00:28:31,080 Speaker 1: it ignored the interrupted signals. So that's why one was 444 00:28:31,240 --> 00:28:37,000 Speaker 1: so very short for w t p W channel eleven. Uh, 445 00:28:37,320 --> 00:28:40,840 Speaker 1: somebody was asleep at the switch. Somebody sleep at the 446 00:28:40,880 --> 00:28:43,800 Speaker 1: switch not so fast, So that's why that one went 447 00:28:43,840 --> 00:28:47,600 Speaker 1: on so long. But as I was saying earlier to you, Devn, 448 00:28:47,680 --> 00:28:51,760 Speaker 1: this this wasn't the first broadcast interruption. If we look 449 00:28:51,920 --> 00:28:55,840 Speaker 1: at ACTAE, just a lot of them. Oh yeah, well, 450 00:28:55,800 --> 00:28:57,680 Speaker 1: I only want to call out a couple of them 451 00:28:57,720 --> 00:29:01,360 Speaker 1: that I found fun or kind of humor. We've got. 452 00:29:01,560 --> 00:29:05,080 Speaker 1: April twenty second six, a guy by the name of 453 00:29:05,280 --> 00:29:10,880 Speaker 1: John McDougald jammed HBO signaled if you're from that era, 454 00:29:11,000 --> 00:29:15,080 Speaker 1: you will remember the color bar screen that meant that 455 00:29:15,280 --> 00:29:17,720 Speaker 1: something was wrong or the station was off the air. 456 00:29:17,840 --> 00:29:20,440 Speaker 1: And what he did is he presented that color bar 457 00:29:21,040 --> 00:29:24,320 Speaker 1: with lines of text on top of it, and the 458 00:29:24,400 --> 00:29:29,880 Speaker 1: text read good evening HBO from Captain Midnight, twelve dollars 459 00:29:30,880 --> 00:29:36,440 Speaker 1: a month, no way showtime movie channel Beware and that's 460 00:29:36,480 --> 00:29:40,280 Speaker 1: out there for minutes. Yeah, though he didn't use a 461 00:29:40,400 --> 00:29:42,560 Speaker 1: radio jam reminder standing as he was working at a 462 00:29:42,600 --> 00:29:46,040 Speaker 1: satellite uplink location and he just switched the satellite. He 463 00:29:46,160 --> 00:29:48,840 Speaker 1: just basically rotated a dish over to point he worked 464 00:29:48,840 --> 00:29:52,680 Speaker 1: with satellites. He also got he got busted, obviously fine, 465 00:29:52,800 --> 00:29:55,040 Speaker 1: and he got like a year or so is probation. 466 00:29:56,040 --> 00:29:58,400 Speaker 1: It's amazing how they figure out who did it, because 467 00:29:58,400 --> 00:30:03,120 Speaker 1: he used some usual text encoder to make the text 468 00:30:03,160 --> 00:30:06,400 Speaker 1: that was on the screen. That's how they figured it out. 469 00:30:06,440 --> 00:30:08,959 Speaker 1: And that's how they busted this guy. Yeah, and then 470 00:30:09,000 --> 00:30:10,880 Speaker 1: there was another guy who got busted just because he 471 00:30:10,920 --> 00:30:12,680 Speaker 1: was shooting his mouth off and he would have got 472 00:30:12,720 --> 00:30:14,560 Speaker 1: away with it. I can't remember which guy that was. 473 00:30:14,920 --> 00:30:17,520 Speaker 1: That one I don't know, but the one, the other 474 00:30:17,520 --> 00:30:20,040 Speaker 1: one I want to talk about, which I find a 475 00:30:20,120 --> 00:30:25,240 Speaker 1: little humorous based on what it is and who got it, 476 00:30:25,360 --> 00:30:30,760 Speaker 1: is September, a gentleman by the name of Thomas Haney. 477 00:30:30,920 --> 00:30:34,640 Speaker 1: I believe it's how you pronounced it. He interrupted Playboy 478 00:30:34,720 --> 00:30:40,200 Speaker 1: TV signal with text messages telling viewers to repent and 479 00:30:40,280 --> 00:30:42,680 Speaker 1: find Jesus. It's funny, you know. The one that comes 480 00:30:42,720 --> 00:30:46,360 Speaker 1: to mind for me is the one where, uh, gosh, 481 00:30:46,400 --> 00:30:54,200 Speaker 1: it was some fairy young children's show this Yeah, and 482 00:30:54,520 --> 00:30:57,240 Speaker 1: I think you know it's the exact opposite of you 483 00:30:57,280 --> 00:31:01,200 Speaker 1: were just telling about. Yeah, mine's funny, yours is just yeah, thanks, 484 00:31:01,320 --> 00:31:04,480 Speaker 1: thanks for that. I just remember because I was in 485 00:31:04,480 --> 00:31:08,560 Speaker 1: preschool at the time. You're watching the show when it happened. Yeah, 486 00:31:08,600 --> 00:31:19,600 Speaker 1: you know it wasn't local liar to Okay, let's move on. Normally, 487 00:31:19,840 --> 00:31:22,840 Speaker 1: this would be the point where in this episode, since 488 00:31:22,880 --> 00:31:26,040 Speaker 1: it is sponsored by Audible, I would tell you about 489 00:31:26,080 --> 00:31:31,840 Speaker 1: a book that's inaudible that's related to this story. Unfortunately, 490 00:31:31,880 --> 00:31:33,560 Speaker 1: I couldn't find one, so I thought i'd tell you 491 00:31:33,600 --> 00:31:37,720 Speaker 1: something different. See it doesn't go with the natural flow 492 00:31:37,720 --> 00:31:41,560 Speaker 1: of the podcast. I'll turn it around. Trust me, bear 493 00:31:41,600 --> 00:31:45,840 Speaker 1: with me, as you too know, but our listeners don't. Uh. 494 00:31:45,920 --> 00:31:49,720 Speaker 1: This weekend I took a plane ride to the East 495 00:31:49,760 --> 00:31:52,920 Speaker 1: Coast and back, so I had nothing to do, so 496 00:31:53,040 --> 00:31:56,360 Speaker 1: of course I went ahead and pulled the book off 497 00:31:56,400 --> 00:31:58,880 Speaker 1: of Audible. You signed up for your free trial, signed 498 00:31:58,920 --> 00:32:01,400 Speaker 1: up for a trial, and I listened to I got 499 00:32:01,400 --> 00:32:03,960 Speaker 1: a Neil gam In book. I don't know if gaming 500 00:32:04,040 --> 00:32:07,120 Speaker 1: or guyman I can never mind. It's gaming okay, And 501 00:32:07,200 --> 00:32:08,840 Speaker 1: I don't know if either of you two ever read 502 00:32:08,880 --> 00:32:14,960 Speaker 1: any Neil Gaman man um it's uh, it's kind of 503 00:32:15,280 --> 00:32:19,680 Speaker 1: sci fick fiction. It's it's fun, it's light reading. And 504 00:32:19,720 --> 00:32:21,880 Speaker 1: I knew that's what I was gonna want for hours 505 00:32:21,880 --> 00:32:25,000 Speaker 1: and hours on a plane, and so I got Ocean 506 00:32:25,040 --> 00:32:27,360 Speaker 1: at the End of the Lane, which was a great book. 507 00:32:27,600 --> 00:32:29,680 Speaker 1: So if you're in the game and you haven't read 508 00:32:29,680 --> 00:32:33,560 Speaker 1: that one, I get it, especially since it's narrated by him, 509 00:32:33,840 --> 00:32:37,160 Speaker 1: which is pretty cool. He's got a great voice and 510 00:32:37,200 --> 00:32:40,320 Speaker 1: it's funny. As I was listening to it, I really 511 00:32:40,760 --> 00:32:44,600 Speaker 1: thought a couple of times, is this really Neil Gaming 512 00:32:45,080 --> 00:32:48,720 Speaker 1: or is this the guy that played Servius Snake in 513 00:32:48,760 --> 00:32:52,480 Speaker 1: the Harry Potter movies, because man, yeah, his voice just 514 00:32:52,640 --> 00:32:55,160 Speaker 1: kind of a time sounds like that. So it was 515 00:32:55,200 --> 00:32:59,120 Speaker 1: really interesting. But as I was looking through the other 516 00:32:59,160 --> 00:33:02,720 Speaker 1: book that I am a Scott was Chariots of the 517 00:33:02,760 --> 00:33:08,200 Speaker 1: Gods by a guy named Eric. Yeah, that one about 518 00:33:08,280 --> 00:33:10,920 Speaker 1: aliens coming to Earth. I remember I read that when 519 00:33:10,920 --> 00:33:13,360 Speaker 1: I was a kid, and it looked really interesting. But 520 00:33:13,400 --> 00:33:15,960 Speaker 1: it seemed too heavy for a plane ride. Oh no, 521 00:33:16,040 --> 00:33:18,920 Speaker 1: it's not that heavy. Well, it was much longer than 522 00:33:18,920 --> 00:33:21,160 Speaker 1: the Neil Gaming book, so I went with the Neil 523 00:33:21,200 --> 00:33:24,520 Speaker 1: Gaming Book, but it seemed easier to pay attention to 524 00:33:24,600 --> 00:33:28,960 Speaker 1: on an airplane. But if you guys want to download 525 00:33:29,080 --> 00:33:32,120 Speaker 1: a Neil Gaman book or Chariots of the Gods or 526 00:33:32,160 --> 00:33:35,880 Speaker 1: whatever you can, you can get your thirty day free 527 00:33:35,920 --> 00:33:39,040 Speaker 1: trial and your first book free from Audible by going 528 00:33:39,080 --> 00:33:43,560 Speaker 1: to audible podcast dot com slash thinking sideways. I mean it, 529 00:33:43,560 --> 00:33:46,760 Speaker 1: it really helped me with the plane ride. I probably 530 00:33:46,840 --> 00:33:51,840 Speaker 1: spent an hour perusing their library before actually downloaded something, 531 00:33:51,920 --> 00:33:55,680 Speaker 1: because it's a hundred or a hundred fifty thousand titles 532 00:33:54,920 --> 00:33:58,400 Speaker 1: and growing the app. I actually put the app on 533 00:33:58,560 --> 00:34:02,800 Speaker 1: my tablet, which I gotta admit most player apps drive 534 00:34:02,920 --> 00:34:05,400 Speaker 1: me nuts. And what I really liked about this one 535 00:34:05,560 --> 00:34:08,200 Speaker 1: is that when my Divide, when the tablet was asleep 536 00:34:08,480 --> 00:34:11,000 Speaker 1: and I woke it up, the player was on the 537 00:34:11,000 --> 00:34:14,320 Speaker 1: wake screen, so I could quickly and easily posit or 538 00:34:14,560 --> 00:34:17,760 Speaker 1: or rewind it a little bit, which so many people 539 00:34:17,840 --> 00:34:20,280 Speaker 1: dropped the ball on that, so I was really happy 540 00:34:20,320 --> 00:34:23,600 Speaker 1: that that was there. But yeah, it was. It's a 541 00:34:23,640 --> 00:34:25,359 Speaker 1: really good sight. So I like the player a lot. 542 00:34:25,480 --> 00:34:28,000 Speaker 1: But if you guys want to start that trial again, 543 00:34:28,040 --> 00:34:32,400 Speaker 1: it's Audible podcast, dot Com, slash Thinking Sideways, start your 544 00:34:32,400 --> 00:34:36,719 Speaker 1: free trial, and really, you know, it's Ours of Enjoyments. Yeah, 545 00:34:36,920 --> 00:34:40,759 Speaker 1: so guess that doesn't really tie right back into the 546 00:34:40,760 --> 00:34:45,400 Speaker 1: theory section. I don't know is your next theory? It's aliens. No, 547 00:34:47,640 --> 00:34:52,520 Speaker 1: don't crid what is your next theory? The first theory 548 00:34:52,520 --> 00:34:58,080 Speaker 1: that I have is specific to one person, which doesn't 549 00:34:58,120 --> 00:35:02,040 Speaker 1: tie you into Aliens or Neil Gaiman or anybody. No, 550 00:35:02,400 --> 00:35:06,120 Speaker 1: unless it Neil Gaiman. Was it Nail Neil Gaiman? No, 551 00:35:07,040 --> 00:35:09,399 Speaker 1: I don't know, yes, it was Neil Gaiman. The first 552 00:35:09,440 --> 00:35:15,600 Speaker 1: theory is that it was Neil Gaiman. Okay Stopporn. Our 553 00:35:15,640 --> 00:35:18,640 Speaker 1: first theory is that it's a guy by the name 554 00:35:18,760 --> 00:35:24,600 Speaker 1: of Eric Fournier. People think that Eric Fournier is responsible 555 00:35:24,640 --> 00:35:28,799 Speaker 1: for the whole thing, and the reason is for near 556 00:35:28,920 --> 00:35:34,200 Speaker 1: just some weird stuff. He's got a YouTube channel. He 557 00:35:34,320 --> 00:35:39,879 Speaker 1: makes really strange videos. He as an adult, dresses up 558 00:35:39,920 --> 00:35:45,000 Speaker 1: in odd costumes and wears a doll's mask. He's, by 559 00:35:45,000 --> 00:35:47,319 Speaker 1: the way, cut the bottom of the mask off and 560 00:35:47,440 --> 00:35:50,000 Speaker 1: duct taped it together so that when he talks, the 561 00:35:50,040 --> 00:35:54,759 Speaker 1: mouth moves uh. And he talks to the camera as 562 00:35:54,800 --> 00:36:01,960 Speaker 1: a character called shay st John. He moves around radically. 563 00:36:03,080 --> 00:36:06,799 Speaker 1: There's weird, high pitched voices, and he flails around that 564 00:36:06,920 --> 00:36:11,120 Speaker 1: The gesture style is similar to what is in the 565 00:36:11,239 --> 00:36:15,040 Speaker 1: Matt's Headroom video. It's weird. I watched a couple of 566 00:36:15,040 --> 00:36:19,479 Speaker 1: four years videos, these shayse St John videos, and there 567 00:36:19,719 --> 00:36:22,040 Speaker 1: I got admit a little disturbing, and I didn't get 568 00:36:22,080 --> 00:36:25,439 Speaker 1: them at all because the costume is always in kind 569 00:36:25,480 --> 00:36:32,000 Speaker 1: of various states of disrepair and wigs that are ratty. 570 00:36:32,160 --> 00:36:36,400 Speaker 1: It's just odd. So the story, though, is that in 571 00:36:36,480 --> 00:36:39,600 Speaker 1: the eighties. In the mid eighties, four years a young 572 00:36:39,680 --> 00:36:41,799 Speaker 1: man I think he was in his late teens at 573 00:36:41,840 --> 00:36:45,040 Speaker 1: this point, was in a band and he wanted to 574 00:36:45,080 --> 00:36:47,160 Speaker 1: get exposure for the band. Oh you know, it's a 575 00:36:47,160 --> 00:36:49,040 Speaker 1: great way to do that is not mentioning your band 576 00:36:49,040 --> 00:36:55,680 Speaker 1: at all. Yeah, well what he did, no, no, this 577 00:36:55,760 --> 00:36:58,719 Speaker 1: is years ago, not not the new videos that he's 578 00:36:58,719 --> 00:37:01,640 Speaker 1: doing now. This was for the band and then um 579 00:37:01,680 --> 00:37:05,279 Speaker 1: but he uh, his original intention was to make a 580 00:37:05,360 --> 00:37:08,279 Speaker 1: video promoting the band, and then he was going to 581 00:37:08,440 --> 00:37:11,200 Speaker 1: interrupt the signal and he was gonna put it in 582 00:37:11,239 --> 00:37:13,920 Speaker 1: there some people there in Chicago learned about his band, 583 00:37:14,560 --> 00:37:16,880 Speaker 1: and then at the last minute realized what a dumb 584 00:37:16,960 --> 00:37:19,439 Speaker 1: idea of that was because it was gonna come back 585 00:37:19,480 --> 00:37:22,440 Speaker 1: on him super fast. So at the last minute changed 586 00:37:22,520 --> 00:37:25,600 Speaker 1: it up and made the Max Headroom video. Problem is, 587 00:37:25,960 --> 00:37:29,520 Speaker 1: for near was in his teens at the time, and 588 00:37:29,560 --> 00:37:35,279 Speaker 1: according to his friends, he a wasn't in Chicago to 589 00:37:35,400 --> 00:37:40,839 Speaker 1: be able to pull this off, and me didn't have 590 00:37:41,080 --> 00:37:46,120 Speaker 1: the technical know how to make it happen. So it's 591 00:37:46,160 --> 00:37:48,919 Speaker 1: a weak link. I think really it's because people watch 592 00:37:49,040 --> 00:37:53,560 Speaker 1: these kookie videos and this these weird erratic gestures and 593 00:37:53,680 --> 00:37:57,840 Speaker 1: movements and presume that that must be the same person. 594 00:37:58,800 --> 00:38:01,560 Speaker 1: I honestly think the part of the videos at four 595 00:38:01,600 --> 00:38:06,160 Speaker 1: Near does. They're sped up at times, so it looks 596 00:38:06,200 --> 00:38:09,520 Speaker 1: like a person just normally leaning forward leaning back looks 597 00:38:09,560 --> 00:38:13,680 Speaker 1: like a very abrupt, jerky motion because the track has 598 00:38:13,760 --> 00:38:18,160 Speaker 1: been messed with. So I think that's why people think 599 00:38:18,160 --> 00:38:22,520 Speaker 1: that it's four near. But I don't buy it. I 600 00:38:23,040 --> 00:38:26,239 Speaker 1: agree with you. Okay, Sorry, I was just sitting here 601 00:38:26,239 --> 00:38:32,920 Speaker 1: googling because I know you hate when I do that, right, Well, no, 602 00:38:33,080 --> 00:38:36,000 Speaker 1: I was just the name sounded Familier and it was 603 00:38:36,040 --> 00:38:38,120 Speaker 1: from a creepy pasta that I had read, and that's fine. 604 00:38:38,239 --> 00:38:40,320 Speaker 1: But now he is dead. He died in two thousand. 605 00:38:40,840 --> 00:38:43,959 Speaker 1: Who am I thinking of somebody from four chand maybe 606 00:38:44,440 --> 00:38:48,320 Speaker 1: probably that's what it is. I'm getting the two mixed 607 00:38:48,400 --> 00:38:51,440 Speaker 1: up because okay, yeah, that's my bad. Yeah, screwed up. 608 00:38:51,480 --> 00:38:54,600 Speaker 1: Thank you for correcting me. You're welcome. My googling during 609 00:38:54,640 --> 00:39:01,200 Speaker 1: shows pays off filing. She's not just facebooking. Yeah, okay, 610 00:39:01,280 --> 00:39:07,160 Speaker 1: so I'm an idiot. Okay, well that would feel flat. 611 00:39:07,600 --> 00:39:17,000 Speaker 1: Let's move forward here. No, not the final theory, got you? Yeah, 612 00:39:17,120 --> 00:39:20,640 Speaker 1: let's let's do that We've got another one, which is 613 00:39:20,880 --> 00:39:27,839 Speaker 1: that in someone got on four Chan and shockingly claimed 614 00:39:28,320 --> 00:39:32,439 Speaker 1: that they were responsible for the entire thing. First of all, 615 00:39:33,480 --> 00:39:36,480 Speaker 1: the person who claims that they did the whole thing 616 00:39:37,719 --> 00:39:41,000 Speaker 1: really put some major holes in the story, and that's 617 00:39:41,000 --> 00:39:46,480 Speaker 1: by specifically what they said they did. The person that 618 00:39:46,560 --> 00:39:50,640 Speaker 1: claimed credit for the Max Headroom broadcast interruption on four 619 00:39:50,760 --> 00:39:55,400 Speaker 1: Chan said that they were in a TV studio and 620 00:39:55,520 --> 00:39:58,239 Speaker 1: no one else was around and they did it themselves. 621 00:39:58,360 --> 00:40:00,920 Speaker 1: Of course, that happens all the time, all the time. 622 00:40:01,680 --> 00:40:04,920 Speaker 1: The problem is is that the cameras that are in 623 00:40:05,040 --> 00:40:10,680 Speaker 1: TV studios, the quality and the caliber of them, it's 624 00:40:10,960 --> 00:40:17,040 Speaker 1: vastly superior, especially in to what is available to the 625 00:40:17,360 --> 00:40:21,360 Speaker 1: general public, or not even just that, just vastly superior 626 00:40:21,400 --> 00:40:25,160 Speaker 1: to what we saw in the broadcast. And that's exactly it. 627 00:40:25,480 --> 00:40:28,960 Speaker 1: But but did this guy say he made the film 628 00:40:29,040 --> 00:40:31,400 Speaker 1: in the TV studio? I mean, it could have. It's 629 00:40:31,480 --> 00:40:33,960 Speaker 1: possible he made the video somewhere else. And would just 630 00:40:35,600 --> 00:40:38,720 Speaker 1: bear with me on that question, because the next problem 631 00:40:38,760 --> 00:40:42,640 Speaker 1: in their their claim actually answers that. But let me 632 00:40:42,719 --> 00:40:44,839 Speaker 1: let me finish up with this, which is, yeah, as 633 00:40:44,880 --> 00:40:49,719 Speaker 1: Devin said, you know, this thing is crappy quality, So 634 00:40:49,800 --> 00:40:55,400 Speaker 1: there's no way it was done on a TV studio camera. 635 00:40:56,280 --> 00:41:00,239 Speaker 1: The other problem is, you know, I'm not even go 636 00:41:00,280 --> 00:41:03,360 Speaker 1: into why there was a piece of spinning corget and 637 00:41:03,840 --> 00:41:07,799 Speaker 1: a Max Headroum mask and a rubber finger slash fallus 638 00:41:07,800 --> 00:41:10,719 Speaker 1: in a TV studio. That doesn't sound like something that's 639 00:41:10,719 --> 00:41:12,919 Speaker 1: at the Home Shopping Network And I don't know why 640 00:41:13,000 --> 00:41:15,200 Speaker 1: that's in there, and I'm just gonna kind of leave 641 00:41:15,280 --> 00:41:20,520 Speaker 1: that alone. But at SNL and studio I could see 642 00:41:20,680 --> 00:41:22,960 Speaker 1: nowhere else could I see, although I guess not in 643 00:41:23,000 --> 00:41:25,520 Speaker 1: the studio they can have proper rooms for that stuff. Yeah, 644 00:41:25,760 --> 00:41:28,480 Speaker 1: that's true. Yeah, I can't hard to imagine smuggling a 645 00:41:28,480 --> 00:41:31,440 Speaker 1: piece of corgetd tin into the into the studio too 646 00:41:31,840 --> 00:41:34,640 Speaker 1: a little Yeah, that would that would not go buy 647 00:41:34,640 --> 00:41:40,200 Speaker 1: security easily. So back to your question. That question, Okay, 648 00:41:40,920 --> 00:41:45,359 Speaker 1: person said they did it live. There's a problem with that. Okay, Yeah, 649 00:41:45,400 --> 00:41:48,760 Speaker 1: there's a gut problem because Max goes from jumping around 650 00:41:48,760 --> 00:41:52,200 Speaker 1: and screaming with his head in the air and a 651 00:41:52,400 --> 00:41:57,600 Speaker 1: direct cut to the butt slash fly swatter scene. Okay, 652 00:41:57,680 --> 00:42:01,720 Speaker 1: if that is done live, there's no way one person 653 00:42:01,800 --> 00:42:04,799 Speaker 1: could do that, never mind that other person was standing 654 00:42:04,880 --> 00:42:07,839 Speaker 1: there there's no way that could have been done live 655 00:42:07,920 --> 00:42:13,399 Speaker 1: because it happened like that. Yeah, that's that's impossible. Yeah, 656 00:42:13,400 --> 00:42:16,160 Speaker 1: and the second person who was obviously rotating the corrugated 657 00:42:16,200 --> 00:42:18,400 Speaker 1: to him back and forth, and then you know, so 658 00:42:18,440 --> 00:42:21,359 Speaker 1: after the cat it stops rotating, so he's he's now 659 00:42:21,360 --> 00:42:26,759 Speaker 1: from impersonating a woman and with the fly swatter or she. Yes, 660 00:42:26,800 --> 00:42:28,560 Speaker 1: whether it is or is not a woman, we don't know. 661 00:42:28,840 --> 00:42:31,160 Speaker 1: We don't even know if the person playing Max Headroom 662 00:42:31,560 --> 00:42:34,160 Speaker 1: is a man or not. We're just that that's just 663 00:42:34,239 --> 00:42:37,600 Speaker 1: a kind of a supposition based on the mass. Yeah, 664 00:42:37,920 --> 00:42:41,840 Speaker 1: well in the size, and I think it's a reasonable 665 00:42:42,200 --> 00:42:46,880 Speaker 1: it's a reasonable presumption, but it could be wrong. It 666 00:42:46,960 --> 00:42:51,640 Speaker 1: could very well be Okay, So I again, I'm completely 667 00:42:51,760 --> 00:42:57,680 Speaker 1: discounting the four chan claim responsibility that came through in Well. 668 00:42:57,719 --> 00:42:59,520 Speaker 1: The other thing about the other problem that I have 669 00:42:59,600 --> 00:43:02,319 Speaker 1: with for Chen is he said it was in the 670 00:43:02,320 --> 00:43:05,240 Speaker 1: TV studio, and he did, and he did it live. 671 00:43:06,040 --> 00:43:09,000 Speaker 1: But we're talking two different studios here and two different 672 00:43:09,280 --> 00:43:12,560 Speaker 1: radio transmitters, right right, Yeah, so sometimes managed to give 673 00:43:12,600 --> 00:43:16,640 Speaker 1: himself alone into two studios in the same evening or 674 00:43:16,760 --> 00:43:20,840 Speaker 1: somehow interrupted both signals. Yeah, I mean that's That's exactly 675 00:43:20,880 --> 00:43:25,160 Speaker 1: the thing, okay, is that you would think that if 676 00:43:25,200 --> 00:43:28,759 Speaker 1: somebody was investigating this and they went, oh, you know, 677 00:43:28,880 --> 00:43:33,080 Speaker 1: it's funny w g N and w T t W 678 00:43:34,080 --> 00:43:37,400 Speaker 1: their studios are close together, and their transmitters are close together, 679 00:43:37,800 --> 00:43:41,560 Speaker 1: and funny thing is there's another studio directly in between them. 680 00:43:41,560 --> 00:43:43,799 Speaker 1: Maybe we should check that. But that's not the case. 681 00:43:44,000 --> 00:43:47,040 Speaker 1: As far as I can tell, there wasn't another TV 682 00:43:47,280 --> 00:43:50,440 Speaker 1: studio between the pair of them. So again, how would 683 00:43:50,480 --> 00:43:53,560 Speaker 1: that person have overridden the signal? Yeah? And then and 684 00:43:53,600 --> 00:43:56,200 Speaker 1: then the next problem is is that say say it 685 00:43:56,239 --> 00:43:59,000 Speaker 1: does it from w g N earlier in the evening 686 00:43:59,440 --> 00:44:02,000 Speaker 1: and then between in that and eleven eleven plus o'clock, 687 00:44:02,760 --> 00:44:05,040 Speaker 1: they think people are gonna be showing up the studio 688 00:44:05,080 --> 00:44:07,320 Speaker 1: to find out what the hell happened with the earlier 689 00:44:07,400 --> 00:44:13,560 Speaker 1: they did. Actually, that's the things the studios the first studio, 690 00:44:13,840 --> 00:44:16,399 Speaker 1: w g N, they knew they'd been hacked because by 691 00:44:16,480 --> 00:44:19,799 Speaker 1: switching channels they were done. I believe it was w 692 00:44:20,080 --> 00:44:23,960 Speaker 1: t TW. They were positive it was an inside job, 693 00:44:24,480 --> 00:44:30,719 Speaker 1: and they freaked out and they combed the building, presuming 694 00:44:30,800 --> 00:44:36,080 Speaker 1: that somebody had gone through and switched the feed internally 695 00:44:36,280 --> 00:44:41,399 Speaker 1: rather than overpowering the signal, which I think they kind 696 00:44:41,400 --> 00:44:45,399 Speaker 1: of wasted valuable time in doing that because they could 697 00:44:45,400 --> 00:44:47,920 Speaker 1: have been trying to figure out where it had happened. 698 00:44:48,000 --> 00:44:50,239 Speaker 1: But yeah, they were. They were convinced that it was 699 00:44:50,280 --> 00:44:53,960 Speaker 1: an inside job, but there seems to be no proof 700 00:44:54,000 --> 00:44:57,040 Speaker 1: of that. There's nothing that we can say. You know, 701 00:44:57,320 --> 00:44:59,960 Speaker 1: a videotape or a beta cassette tape. If you don't 702 00:45:00,080 --> 00:45:03,920 Speaker 1: what a beta cassette tape is, look it up WI. 703 00:45:06,200 --> 00:45:09,800 Speaker 1: A beta or a VHS tape was not found anywhere. 704 00:45:09,840 --> 00:45:15,200 Speaker 1: You know, that smoking tape wasn't there, Okay. Next, the 705 00:45:15,680 --> 00:45:18,880 Speaker 1: next theory, which I know Devon likes this one because 706 00:45:19,040 --> 00:45:22,640 Speaker 1: Devon actually led me down the path to find which 707 00:45:22,719 --> 00:45:25,400 Speaker 1: I'm really glad you did because this is this is 708 00:45:26,960 --> 00:45:30,960 Speaker 1: it's a very fun one. The first the story first 709 00:45:30,960 --> 00:45:34,120 Speaker 1: came out actually on Reddit, so we went from Fortune 710 00:45:34,120 --> 00:45:40,279 Speaker 1: to Reddit, which devinviously says redit spore Web and a 711 00:45:40,400 --> 00:45:45,120 Speaker 1: guy who we eventually find out his name is Bowie Pogue. 712 00:45:45,920 --> 00:45:50,400 Speaker 1: He posted his theory of what was going on, and 713 00:45:50,520 --> 00:45:54,240 Speaker 1: here's his story. He says that he met a group 714 00:45:54,239 --> 00:45:57,439 Speaker 1: of guys in the late eighties that were older than 715 00:45:57,520 --> 00:45:59,760 Speaker 1: he was. It sounds like he was a high school 716 00:45:59,800 --> 00:46:03,719 Speaker 1: kid at the time. One version of the story. He 717 00:46:03,800 --> 00:46:07,320 Speaker 1: was like, I think there's only one version of this story, 718 00:46:07,400 --> 00:46:09,879 Speaker 1: the redded version, and yeah, I think it's junior high 719 00:46:09,920 --> 00:46:15,000 Speaker 1: to high school. He's weird teenage adolescents. And I don't 720 00:46:15,040 --> 00:46:16,880 Speaker 1: remember how he met these guys either, but it was 721 00:46:16,960 --> 00:46:19,000 Speaker 1: some weird way. Yeah, it was a weird way while 722 00:46:19,040 --> 00:46:22,640 Speaker 1: he was to BBSs and stuff like that, and he 723 00:46:22,719 --> 00:46:30,040 Speaker 1: seems to have met people through that that spear stuff. 724 00:46:31,040 --> 00:46:33,560 Speaker 1: It was kind of a weird nerd scene. It was 725 00:46:33,600 --> 00:46:40,520 Speaker 1: a new scene. It's a weird nerd okay, now it's okay. 726 00:46:40,800 --> 00:46:46,120 Speaker 1: Really threw me off my game. But somehow he befriended 727 00:46:46,719 --> 00:46:49,640 Speaker 1: a couple of guys in a group that were older 728 00:46:49,680 --> 00:46:52,799 Speaker 1: than he was, and they let him hang out. And 729 00:46:53,040 --> 00:46:57,600 Speaker 1: the two particular people of interest in this story, Poe 730 00:46:57,640 --> 00:47:03,480 Speaker 1: refers to him as J and K. He's protecting their 731 00:47:03,560 --> 00:47:06,480 Speaker 1: their identities. He doesn't want to disclose who they are 732 00:47:06,520 --> 00:47:09,359 Speaker 1: because he doesn't know this for sure, and we'll get 733 00:47:09,400 --> 00:47:13,040 Speaker 1: into some of it later on. But according to him, 734 00:47:13,840 --> 00:47:19,120 Speaker 1: JA was slightly autistic, or he might have had Asperger's 735 00:47:19,680 --> 00:47:22,880 Speaker 1: it's unclear, and he doesn't even seem to be positive 736 00:47:22,880 --> 00:47:26,319 Speaker 1: of the distinction in his descriptions, So I don't want 737 00:47:26,320 --> 00:47:30,640 Speaker 1: to draw guesses. Yeah, we have no The only thing 738 00:47:30,640 --> 00:47:33,880 Speaker 1: we have is that exactly describes him. He's got a 739 00:47:33,960 --> 00:47:38,440 Speaker 1: sort of strange effect. He does strange effect that necessarily 740 00:47:38,520 --> 00:47:41,040 Speaker 1: mean he did have any kind of thing. He kind 741 00:47:41,040 --> 00:47:42,719 Speaker 1: of could have just been like a weird dude. He 742 00:47:43,320 --> 00:47:46,480 Speaker 1: just had a personality disorder. Yeah, but he did have 743 00:47:46,520 --> 00:47:50,480 Speaker 1: a strange sense of humor. And the guy that is 744 00:47:50,560 --> 00:47:55,320 Speaker 1: referred to as K was his brother, and K helped 745 00:47:55,880 --> 00:47:58,359 Speaker 1: take care of J. If you I don't think we're 746 00:47:58,360 --> 00:48:00,400 Speaker 1: going to post the link to this on the website. 747 00:48:00,440 --> 00:48:02,600 Speaker 1: Our way to the reddit thread, because if not, I 748 00:48:02,600 --> 00:48:04,680 Speaker 1: was just gonna say, if you're interested, like message us 749 00:48:04,800 --> 00:48:07,560 Speaker 1: and I'll make sure we send it. Because it's with 750 00:48:07,680 --> 00:48:11,120 Speaker 1: a few Google Max headroom broadcast interruption, one of the 751 00:48:11,120 --> 00:48:13,759 Speaker 1: first links that comes up is the reddit thread, so 752 00:48:13,840 --> 00:48:15,520 Speaker 1: people can find it that way. I don't know if 753 00:48:15,520 --> 00:48:16,840 Speaker 1: it'll be one of the ones that we put up 754 00:48:16,880 --> 00:48:18,759 Speaker 1: because it's in a number of the other links that 755 00:48:18,800 --> 00:48:23,400 Speaker 1: we've got, but the thread is super easy to find. 756 00:48:24,320 --> 00:48:27,800 Speaker 1: I Devin told me about it, I went home, I 757 00:48:27,920 --> 00:48:30,759 Speaker 1: just put in that search term and I kid, you not. 758 00:48:31,080 --> 00:48:34,000 Speaker 1: It was the third one that came up on the SAE. 759 00:48:34,000 --> 00:48:36,480 Speaker 1: If you're on Reddit, message us, then we'll send it 760 00:48:36,520 --> 00:48:41,120 Speaker 1: to him. Okay, okay, do that. On the day of 761 00:48:41,160 --> 00:48:44,520 Speaker 1: the interruption, he hung out with these guys, the same 762 00:48:44,640 --> 00:48:48,840 Speaker 1: group of older guys, and in the course of their conversation, 763 00:48:49,000 --> 00:48:51,200 Speaker 1: and again this is a truncated version of this story, 764 00:48:51,320 --> 00:48:56,120 Speaker 1: but they mentioned in conversation that something big was going 765 00:48:56,200 --> 00:48:59,879 Speaker 1: to happen that night, and when he eventually asked him 766 00:49:00,040 --> 00:49:05,400 Speaker 1: what they were talking about, he told him, well, watch 767 00:49:05,560 --> 00:49:11,200 Speaker 1: Channel eleven tonight. That was the same night as the 768 00:49:11,239 --> 00:49:23,360 Speaker 1: broadcast interrupted. No on that day, exactly around there. Okay. 769 00:49:24,040 --> 00:49:28,520 Speaker 1: Po goes on to describe, and this is part of 770 00:49:28,560 --> 00:49:32,120 Speaker 1: the compelling evidence that he provides is he goes on 771 00:49:32,200 --> 00:49:37,600 Speaker 1: to describe the mannerisms of j which he feels are 772 00:49:37,719 --> 00:49:42,960 Speaker 1: directly reflective of the behavior of Max in the tapes 773 00:49:43,080 --> 00:49:47,520 Speaker 1: that we see. He also says that Ka the brother 774 00:49:48,239 --> 00:49:53,040 Speaker 1: had a lot of computer technology available in their apartment, 775 00:49:53,120 --> 00:49:58,200 Speaker 1: tons of computers, and Jay had the technical knowledge to 776 00:49:58,440 --> 00:50:02,399 Speaker 1: pull it off. One thing that he does point out 777 00:50:02,480 --> 00:50:06,880 Speaker 1: is that if it is J on the tape, he 778 00:50:07,080 --> 00:50:11,640 Speaker 1: would have been the right age to know the theme 779 00:50:11,760 --> 00:50:16,359 Speaker 1: song from Clutch Cargo, which again from the nine sixties. Yeah, 780 00:50:16,440 --> 00:50:19,839 Speaker 1: because they were they were older guys. They weren't late teenagers, 781 00:50:19,880 --> 00:50:22,759 Speaker 1: they were adults. Yeah, And and Jay was supposed they're 782 00:50:22,800 --> 00:50:27,480 Speaker 1: like in his early thirties. Even he was liked than 783 00:50:27,520 --> 00:50:33,160 Speaker 1: his brother Kay seven. We're talking if he was born 784 00:50:33,160 --> 00:50:37,480 Speaker 1: in sixty were talking a thirty something year old guy. Yeah, Yeah, 785 00:50:37,960 --> 00:50:40,600 Speaker 1: I don't know. I mean some shows they ended, they 786 00:50:40,640 --> 00:50:43,360 Speaker 1: go into syndication and they get rerun endlessly on some 787 00:50:43,400 --> 00:50:46,240 Speaker 1: of the secondary channels. Haven't I don't know Clutch Cargo, 788 00:50:46,920 --> 00:50:48,360 Speaker 1: but there were there were a lot of shows like 789 00:50:48,400 --> 00:50:52,360 Speaker 1: Star Trek, for example, got rerun endlessly local station. So 790 00:50:52,360 --> 00:50:54,480 Speaker 1: about Clutch Cargo, you know, frankly, even though I was 791 00:50:54,520 --> 00:50:56,399 Speaker 1: alive in the sixties, I don't remember it at all. 792 00:50:56,840 --> 00:50:59,040 Speaker 1: So yeah, I don't know. And it doesn't strict me 793 00:50:59,040 --> 00:51:00,799 Speaker 1: as something that went up in ran And of course 794 00:51:00,840 --> 00:51:03,279 Speaker 1: back in the eighties we didn't have like Hulu and 795 00:51:03,560 --> 00:51:05,399 Speaker 1: Netflix and stuff like you would have had to see 796 00:51:05,400 --> 00:51:09,960 Speaker 1: it on TV or have parents who owned vhs of 797 00:51:10,040 --> 00:51:12,160 Speaker 1: it or something. And you know, that's actually something that 798 00:51:12,200 --> 00:51:15,439 Speaker 1: we didn't talk about. The reason that people have this 799 00:51:15,920 --> 00:51:19,879 Speaker 1: is that a lot of people had VHS and they 800 00:51:20,040 --> 00:51:24,879 Speaker 1: liked Doctor Who's all these people in Chicago were recording 801 00:51:24,920 --> 00:51:29,120 Speaker 1: the Doctor Who episode, So that's the only reason that 802 00:51:29,160 --> 00:51:32,440 Speaker 1: the broadcast interruptions survived. I would say that's also the 803 00:51:32,480 --> 00:51:35,040 Speaker 1: reason that that one is so much more prevalent on 804 00:51:35,040 --> 00:51:39,400 Speaker 1: the internet than the news one, because who tapes the news. Yeah, no, 805 00:51:39,600 --> 00:51:43,719 Speaker 1: there's I've only seen one copy of it, and it's 806 00:51:43,719 --> 00:51:46,080 Speaker 1: obviously it's the same one, starts at the same place, 807 00:51:46,200 --> 00:51:49,200 Speaker 1: ends at the same place, But there are multiple versions 808 00:51:49,200 --> 00:51:52,000 Speaker 1: of the Doctor Who. So there's a lot of people. 809 00:51:52,040 --> 00:51:54,760 Speaker 1: That's reason You're absolutely right that we still know about. 810 00:51:55,880 --> 00:51:59,879 Speaker 1: But we're not done with post story, like I said, 811 00:52:00,000 --> 00:52:06,160 Speaker 1: and he has said very openly and adamantly in his 812 00:52:06,239 --> 00:52:09,839 Speaker 1: Reddit posts that he doesn't want to disclose who these 813 00:52:09,840 --> 00:52:13,279 Speaker 1: guys are. He has tried to get in contact with them, 814 00:52:13,320 --> 00:52:18,120 Speaker 1: and they are non commutative with him communicative, thank you. 815 00:52:18,640 --> 00:52:21,080 Speaker 1: I really don't know how to say that work. They 816 00:52:21,080 --> 00:52:24,640 Speaker 1: will not talk to him, and so he's left it 817 00:52:24,640 --> 00:52:27,800 Speaker 1: at that, and he won't he won't push anymore. There's 818 00:52:27,840 --> 00:52:31,040 Speaker 1: a great Motherboard article which I know we will put up, 819 00:52:31,560 --> 00:52:36,480 Speaker 1: and that person has also agreed to to not try 820 00:52:36,560 --> 00:52:39,200 Speaker 1: to pursue it anymore. He actually use pose his source 821 00:52:39,880 --> 00:52:45,480 Speaker 1: and Poke Poe not Edgar Allan Pope, but he mean, 822 00:52:45,719 --> 00:52:49,160 Speaker 1: so we don't know who it is. And on a 823 00:52:49,320 --> 00:52:55,279 Speaker 1: related note, Pope also denies vehemently that he is the 824 00:52:55,360 --> 00:52:59,560 Speaker 1: person who did the interruption. The people who did that. Yeah, 825 00:52:59,560 --> 00:53:02,439 Speaker 1: it's and we see this, and I'm glad that he's 826 00:53:02,560 --> 00:53:04,719 Speaker 1: smart enough to say this, as we see people all 827 00:53:04,719 --> 00:53:08,000 Speaker 1: the time, oh, I know who did it to stir 828 00:53:08,160 --> 00:53:10,720 Speaker 1: up a lot of a lot of interest in the story, 829 00:53:10,719 --> 00:53:12,720 Speaker 1: when really they're the one who did it. They're getting 830 00:53:12,760 --> 00:53:16,480 Speaker 1: some self gratification out of it. So it's it's I 831 00:53:16,840 --> 00:53:20,120 Speaker 1: lend him a little bit of credit for in his 832 00:53:20,200 --> 00:53:24,400 Speaker 1: initial things saying I did do this, so stop asking 833 00:53:24,440 --> 00:53:26,400 Speaker 1: me if I did it. I think, you know, the 834 00:53:26,440 --> 00:53:29,160 Speaker 1: reason I pointed you to this thread was because I 835 00:53:29,200 --> 00:53:32,719 Speaker 1: thought his story was actually very compelling. I didn't have 836 00:53:32,760 --> 00:53:34,880 Speaker 1: a whole lot of problems with it. I found it 837 00:53:34,960 --> 00:53:38,200 Speaker 1: very believable. I did too, and I'm not sure that's 838 00:53:38,239 --> 00:53:42,440 Speaker 1: it's really this positive, but yeah, I don't know. At 839 00:53:42,440 --> 00:53:45,239 Speaker 1: the very least, it's it is very believable. I think 840 00:53:45,320 --> 00:53:49,120 Speaker 1: he's got his facts in a row, and I think 841 00:53:49,440 --> 00:53:52,400 Speaker 1: the way he tells it is very honest, and I 842 00:53:52,440 --> 00:53:55,719 Speaker 1: think the way that he has continued to respond to 843 00:53:55,880 --> 00:53:58,399 Speaker 1: it seems very honest as well. You know the fact 844 00:53:58,400 --> 00:54:01,040 Speaker 1: that he says, I don't want you to know who 845 00:54:01,080 --> 00:54:03,120 Speaker 1: these people are. I just want you to know that. 846 00:54:03,160 --> 00:54:04,640 Speaker 1: I think, I know, you know, I want to tell 847 00:54:04,680 --> 00:54:08,640 Speaker 1: the story of the people behind it, and sticks to 848 00:54:08,719 --> 00:54:11,680 Speaker 1: his guns about that, and I think, I don't know. 849 00:54:11,960 --> 00:54:15,200 Speaker 1: I like the story. I will be honest. I think 850 00:54:15,239 --> 00:54:20,200 Speaker 1: I said this before, is that it's all circumstantial. Oh, absolutely, 851 00:54:20,200 --> 00:54:24,239 Speaker 1: it's all anecdotal. It's that's my hardest Absolutely, that's the 852 00:54:24,360 --> 00:54:28,400 Speaker 1: one thing that sticks in my craw the whole way 853 00:54:28,440 --> 00:54:34,560 Speaker 1: through his version of events is it's his version of events. 854 00:54:34,600 --> 00:54:36,440 Speaker 1: I got nothing to back it up with. So that 855 00:54:36,560 --> 00:54:40,000 Speaker 1: I like it. I agree with you. I like it. Fairness, 856 00:54:40,040 --> 00:54:45,440 Speaker 1: there's no solid evidence pointing towards literally anybody. I wouldn't 857 00:54:45,440 --> 00:54:49,720 Speaker 1: say that. Oh oh, you wouldn't say that. Oh okay, 858 00:54:49,840 --> 00:54:53,880 Speaker 1: Mr know it all says stuff posting the show. What 859 00:54:54,080 --> 00:54:57,480 Speaker 1: how what what you found? Well, if you had been 860 00:54:57,480 --> 00:55:01,839 Speaker 1: old enough to watch Max Headroum, I don't kidding. Now, 861 00:55:02,440 --> 00:55:05,480 Speaker 1: you know. The last theory that I've got, which this 862 00:55:05,560 --> 00:55:09,160 Speaker 1: is The one that I actually think is the best 863 00:55:09,239 --> 00:55:12,480 Speaker 1: one based on what we have available to us, is 864 00:55:12,560 --> 00:55:18,200 Speaker 1: that it was a disgruntled employee or ex employee. And 865 00:55:18,200 --> 00:55:21,399 Speaker 1: and before you your wig out on me, bear with 866 00:55:21,400 --> 00:55:24,399 Speaker 1: me through this, okay. Could have been an inside job, 867 00:55:24,480 --> 00:55:27,800 Speaker 1: so the station might have been correct in looking around 868 00:55:28,320 --> 00:55:33,200 Speaker 1: internally for who the guy was, but it might not 869 00:55:33,400 --> 00:55:36,680 Speaker 1: have been a guy actually in the studio because, if 870 00:55:36,680 --> 00:55:40,600 Speaker 1: you think about it, whoever pulled this off had to 871 00:55:40,719 --> 00:55:43,400 Speaker 1: have a lot of working knowledge of how the TV 872 00:55:43,600 --> 00:55:49,399 Speaker 1: stations worked. And who else has the better information than 873 00:55:49,440 --> 00:55:52,600 Speaker 1: the people that work in the studio or the engineers 874 00:55:52,640 --> 00:55:57,040 Speaker 1: that work at the station. So if some dude is 875 00:55:57,200 --> 00:56:02,279 Speaker 1: peeved did his boss or gets fired and wants to 876 00:56:02,560 --> 00:56:06,160 Speaker 1: poke them in the eye, this is an easy way 877 00:56:06,160 --> 00:56:08,600 Speaker 1: to do it, and they would have the knowledge on 878 00:56:08,680 --> 00:56:12,160 Speaker 1: how to do it. Think about this. Wait, wait, I 879 00:56:12,280 --> 00:56:15,080 Speaker 1: see that look, But bear with me. Do you remember 880 00:56:15,120 --> 00:56:18,400 Speaker 1: all those lines that we read of what Max said 881 00:56:19,000 --> 00:56:25,400 Speaker 1: the world's greatest nerds and uh talking about Chuck Swartsky 882 00:56:25,600 --> 00:56:30,200 Speaker 1: and stuff like that. Who is the network that keeps 883 00:56:30,400 --> 00:56:34,240 Speaker 1: getting ripped on? In all of the lines that Max says, 884 00:56:34,520 --> 00:56:38,680 Speaker 1: h w g N, Well why did he go? Why 885 00:56:38,680 --> 00:56:42,400 Speaker 1: did Max go to w T t W because w 886 00:56:42,520 --> 00:56:45,879 Speaker 1: g N shut him down and locked him out and 887 00:56:46,000 --> 00:56:48,879 Speaker 1: he only had the opportunity to make it happen at 888 00:56:49,040 --> 00:56:54,320 Speaker 1: w T t W. Well, if Max was angry at 889 00:56:54,360 --> 00:56:59,719 Speaker 1: all TV stations or all Chicago stations, I would think 890 00:56:59,760 --> 00:57:04,359 Speaker 1: that there would be more rips on, more characters that 891 00:57:04,440 --> 00:57:09,760 Speaker 1: were known in the broadcast industry there. But instead, the 892 00:57:09,800 --> 00:57:15,280 Speaker 1: only people and the only establishments that get directly ripped 893 00:57:15,320 --> 00:57:20,160 Speaker 1: on our w g N and its employees Coke is 894 00:57:20,360 --> 00:57:23,160 Speaker 1: Coke is because it's I think, honestly, it's a direct 895 00:57:23,240 --> 00:57:28,080 Speaker 1: relation to the Max Headroom character doing the new Coke 896 00:57:28,200 --> 00:57:34,480 Speaker 1: commercials just for fun. But all of the all of 897 00:57:34,520 --> 00:57:40,480 Speaker 1: the dialogue is aimed mostly at screwing with them, which 898 00:57:40,520 --> 00:57:44,680 Speaker 1: makes me think that it had to be some kind 899 00:57:44,840 --> 00:57:49,160 Speaker 1: of employee, somebody that knew the system and knew all 900 00:57:49,240 --> 00:57:53,480 Speaker 1: of that internal information. I mean, w g N, I'm sorry, 901 00:57:53,640 --> 00:57:58,600 Speaker 1: did who knew that that stood for World's Greatest Newspaper? 902 00:57:59,320 --> 00:58:02,080 Speaker 1: Probably only people that worked there, because it was probably 903 00:58:02,240 --> 00:58:06,320 Speaker 1: splattered all over the walls on motivational posters and crap 904 00:58:06,440 --> 00:58:10,840 Speaker 1: like that. So that's that's why I personally, I don't 905 00:58:10,840 --> 00:58:12,840 Speaker 1: have any evidence, but there's not a lot of evidence 906 00:58:12,840 --> 00:58:15,320 Speaker 1: here to start with, but we kind of That's why 907 00:58:15,320 --> 00:58:17,760 Speaker 1: I leaned that direction mostly when you think about it, Yeah, 908 00:58:17,800 --> 00:58:20,840 Speaker 1: the that at least gives a motive, because otherwise, what 909 00:58:20,880 --> 00:58:23,360 Speaker 1: exactly is a motive for doing this besides just being 910 00:58:23,400 --> 00:58:26,000 Speaker 1: an as Yeah, I guess, but I guess like on 911 00:58:26,040 --> 00:58:28,880 Speaker 1: the other hand, is what's the motivation for being a 912 00:58:28,960 --> 00:58:32,280 Speaker 1: crazy Max Headroom? Right? If you're a disgruntled employee, like 913 00:58:32,560 --> 00:58:34,320 Speaker 1: you just knock him off the air for a little while. 914 00:58:34,360 --> 00:58:37,320 Speaker 1: I mean, you know, it's the fact that you do 915 00:58:37,360 --> 00:58:43,480 Speaker 1: this like weird crazy broadcast that's sue disjointed and mind melty, 916 00:58:43,560 --> 00:58:46,000 Speaker 1: what's the point behind that as well? Right? So for me, 917 00:58:46,040 --> 00:58:49,560 Speaker 1: it's a little bit of a either side. I'm not 918 00:58:49,600 --> 00:58:52,560 Speaker 1: going to disagree with that at all. There's not I 919 00:58:52,560 --> 00:58:55,600 Speaker 1: don't know why it wasn't Mickey Mouse. It could have 920 00:58:55,640 --> 00:58:59,160 Speaker 1: been Mickey Mouse, a mask that the guy had been 921 00:58:59,160 --> 00:59:03,280 Speaker 1: wearing doing something. It could have been a Nixon mask. 922 00:59:03,400 --> 00:59:05,400 Speaker 1: I mean, it could have been anybody. It could have 923 00:59:05,400 --> 00:59:07,880 Speaker 1: been anybody, and it may have been that they went, 924 00:59:08,240 --> 00:59:12,120 Speaker 1: oh hey, I happened to have a Max Headroom mask 925 00:59:12,320 --> 00:59:17,280 Speaker 1: from Halloween last year. Let's make it max Headroom. Obviously 926 00:59:17,320 --> 00:59:21,920 Speaker 1: it wasn't a real high budget film, right, it wasn't. Yeah, 927 00:59:22,120 --> 00:59:27,160 Speaker 1: but I think that if we wait like another years 928 00:59:27,280 --> 00:59:29,360 Speaker 1: and he'll leave, he'll leave as part of this, as 929 00:59:29,400 --> 00:59:31,720 Speaker 1: part of as a state and envelope. That's got a confession, 930 00:59:31,880 --> 00:59:36,320 Speaker 1: but I guess. So that's my big argument for the 931 00:59:36,960 --> 00:59:40,880 Speaker 1: Reddit thread is at least it explains why because it 932 00:59:41,000 --> 00:59:48,200 Speaker 1: was kind of mentally adduled youth, that screwy sense with 933 00:59:48,360 --> 00:59:52,400 Speaker 1: you know, people who are interested in hacking into things, 934 00:59:52,800 --> 00:59:56,920 Speaker 1: exploring how far they can push that with this weird 935 00:59:57,320 --> 01:00:01,240 Speaker 1: crazy this would be hilarious sense of umer right, So 936 01:00:01,360 --> 01:00:04,080 Speaker 1: for me, that's why that one sticks out more than 937 01:00:04,200 --> 01:00:06,760 Speaker 1: even a disgruntled employee. Not that I'm saying that a 938 01:00:06,800 --> 01:00:09,960 Speaker 1: disgruntled employee isn't valid, because it's almost just as valid. 939 01:00:10,040 --> 01:00:14,040 Speaker 1: But that's why I just to like wrap it up 940 01:00:14,080 --> 01:00:19,240 Speaker 1: like their addit theory the most you want to hear 941 01:00:19,280 --> 01:00:23,960 Speaker 1: A fun fact. Okay, if anybody watches the video, we've 942 01:00:24,000 --> 01:00:26,760 Speaker 1: already talked about the corrugated piece of metal, and it 943 01:00:26,840 --> 01:00:28,840 Speaker 1: took me a little bit, awhile, a little bit of 944 01:00:29,000 --> 01:00:33,400 Speaker 1: time to understand what I was reading is that the 945 01:00:33,480 --> 01:00:37,680 Speaker 1: FBI got involved in the case federal, it's a federal offense, 946 01:00:38,400 --> 01:00:44,200 Speaker 1: and they figured out somehow. They were like, oh, it's 947 01:00:44,240 --> 01:00:46,200 Speaker 1: got to be an a warehouse, and we got to 948 01:00:46,240 --> 01:00:49,680 Speaker 1: look for a place that deals in manufactured garage doors. 949 01:00:49,880 --> 01:00:52,160 Speaker 1: And I kept looking at the piece of metal that 950 01:00:52,200 --> 01:00:54,840 Speaker 1: was spinning around, going, that's not a garage store, you 951 01:00:54,960 --> 01:01:00,040 Speaker 1: ding dongs, that's a piece of corrugated metals. Out of 952 01:01:00,080 --> 01:01:02,800 Speaker 1: that of course, get it metal though, But I figured 953 01:01:02,840 --> 01:01:05,960 Speaker 1: it out earlier today is if you watch that video 954 01:01:06,680 --> 01:01:10,560 Speaker 1: when Max is talking at the camera and the piece 955 01:01:10,560 --> 01:01:13,600 Speaker 1: of metal is spinning back and forth, and you watch 956 01:01:13,720 --> 01:01:17,360 Speaker 1: the upper right hand corner of the video when the 957 01:01:17,520 --> 01:01:23,040 Speaker 1: square spins, it reveals what's actually behind it, and you 958 01:01:23,080 --> 01:01:26,320 Speaker 1: can see what looks like a stone or steel column 959 01:01:27,000 --> 01:01:31,000 Speaker 1: and then a giant roll up steel door apport a 960 01:01:31,240 --> 01:01:34,560 Speaker 1: very small part of what looks like a roll up door, 961 01:01:35,400 --> 01:01:38,080 Speaker 1: And that I think is where they pulled that, because 962 01:01:38,080 --> 01:01:40,600 Speaker 1: you can see it in the documentary. I noticed that 963 01:01:40,680 --> 01:01:43,960 Speaker 1: on the video too. But the problem is is that 964 01:01:44,000 --> 01:01:46,560 Speaker 1: there's a lot of commercial buildings around that have roll 965 01:01:46,640 --> 01:01:53,280 Speaker 1: up doors. Yeah, yeah, I don't know where they thought 966 01:01:53,320 --> 01:01:55,160 Speaker 1: they were going to get with this. Yeah, that's gonna 967 01:01:55,200 --> 01:01:59,600 Speaker 1: that's but it's a fun fact. So obviously everybody has 968 01:01:59,640 --> 01:02:01,760 Speaker 1: paused us at some point watch the video because they 969 01:02:01,760 --> 01:02:04,280 Speaker 1: couldn't take it anymore. Now they're going to depose it 970 01:02:04,440 --> 01:02:07,080 Speaker 1: and look again for that, but this time, please keep 971 01:02:07,120 --> 01:02:13,920 Speaker 1: the audio off. You guys, got any other theory ideas? Okay, 972 01:02:14,680 --> 01:02:18,120 Speaker 1: all right, Well, if you've got theories of your own, 973 01:02:18,200 --> 01:02:20,520 Speaker 1: you can always let us know. You can, of course, 974 01:02:20,560 --> 01:02:24,600 Speaker 1: go to our website, which is Thinking Sideways podcast dot com, 975 01:02:24,920 --> 01:02:28,160 Speaker 1: leave a comment while you're there. Of course, you can 976 01:02:28,440 --> 01:02:31,720 Speaker 1: listen to and download the episodes directly from the website. 977 01:02:32,640 --> 01:02:35,360 Speaker 1: Very few people do that. You can actually go to 978 01:02:35,680 --> 01:02:41,400 Speaker 1: a regular place like iTunes and subscribe and download. If 979 01:02:41,400 --> 01:02:43,560 Speaker 1: you're on iTunes, take the time to leave us comment 980 01:02:43,680 --> 01:02:45,680 Speaker 1: and a rating. Those are the things that help other 981 01:02:45,720 --> 01:02:48,080 Speaker 1: people find us, because that moves us up to charts. 982 01:02:49,120 --> 01:02:51,520 Speaker 1: Of course, I know a lot of people are using apps. 983 01:02:51,960 --> 01:02:54,680 Speaker 1: There's a lot of podcasts apps out there. There's a 984 01:02:54,680 --> 01:02:57,560 Speaker 1: lot of streaming websites that were listed on. You can 985 01:02:57,600 --> 01:02:59,920 Speaker 1: always find us on. One of the ones I know 986 01:03:00,480 --> 01:03:03,440 Speaker 1: we are on is of course Stitcher, so you can 987 01:03:03,480 --> 01:03:05,680 Speaker 1: find us on Stitcher. Things seem to be good on 988 01:03:05,760 --> 01:03:08,880 Speaker 1: Stitcher at this point, so whole fier. Okay, it appears 989 01:03:08,920 --> 01:03:12,680 Speaker 1: to be good. Um, let's see. Of course, you could 990 01:03:13,400 --> 01:03:17,320 Speaker 1: find us on Facebook. We got the Facebook page and 991 01:03:17,400 --> 01:03:20,280 Speaker 1: the Facebook group find his friend dis like us as 992 01:03:20,360 --> 01:03:23,400 Speaker 1: Joe likes to find his friend to say, you can 993 01:03:23,560 --> 01:03:28,280 Speaker 1: find us on Twitter. We are thinking sideways, so find 994 01:03:28,360 --> 01:03:31,200 Speaker 1: us on there. We try to use Twitter a little bit, 995 01:03:31,320 --> 01:03:35,160 Speaker 1: but mostly we just retweusing it. Have you well there 996 01:03:35,200 --> 01:03:37,760 Speaker 1: you go? Okay, definitely's using Twitter. So go ahead and 997 01:03:38,080 --> 01:03:41,520 Speaker 1: send us a message to me in a dater so 998 01:03:41,640 --> 01:03:43,960 Speaker 1: she has not can only do Twitter all day long. 999 01:03:43,960 --> 01:03:46,040 Speaker 1: It would be awesome. I don't have a job or 1000 01:03:46,080 --> 01:03:48,920 Speaker 1: anything exactly. That's what I told him to do it. 1001 01:03:50,080 --> 01:03:52,600 Speaker 1: You could send us an email. That would be good, 1002 01:03:52,720 --> 01:03:57,800 Speaker 1: actual physical email email. I know, I really I want 1003 01:03:57,800 --> 01:03:59,960 Speaker 1: somebody to send us a physical email because I've never 1004 01:04:00,040 --> 01:04:02,800 Speaker 1: seen one. They'll probably print the letter and mail it 1005 01:04:02,840 --> 01:04:04,919 Speaker 1: to us from their email. I don't know. If you're 1006 01:04:04,960 --> 01:04:08,200 Speaker 1: tapping around a rock and you throw it on That 1007 01:04:08,400 --> 01:04:12,680 Speaker 1: email address is Thinking Side Ofways podcast at gmail dot com. 1008 01:04:13,200 --> 01:04:16,560 Speaker 1: Send us you if you an email. If of course, 1009 01:04:16,640 --> 01:04:20,120 Speaker 1: you did the Max Headroum interruption. You have ideas, you 1010 01:04:20,160 --> 01:04:24,240 Speaker 1: have thoughts, story, suggestions, anything, like that. We love to 1011 01:04:24,280 --> 01:04:26,480 Speaker 1: feel them all, So go ahead and send us all 1012 01:04:26,600 --> 01:04:29,680 Speaker 1: to us. And I think that's all the ways that 1013 01:04:29,720 --> 01:04:31,120 Speaker 1: you can get ahold of us. You find a new 1014 01:04:31,120 --> 01:04:34,320 Speaker 1: one and let us know. Uh that having been said, 1015 01:04:34,920 --> 01:04:38,160 Speaker 1: we have gone on long enough, and I think it's 1016 01:04:38,200 --> 01:04:44,600 Speaker 1: time to finish this one up. Yeah by everybody, really