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Speaker 1: So I turned to Hayes Davenport. You this is the

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Speaker 1: story about me?

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Speaker 2: Okay, yes, and what did you say?

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Speaker 1: I think I asked you to hand me my tie

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Speaker 1: or something. I was thirsty or something. Do you remember,

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Speaker 1: because I actually was. I don't know the second half

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Speaker 1: of the story.

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Speaker 3: Well, I think I remember, Yes, you asked me for

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Speaker 3: my tie, did I?

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Speaker 2: Yes, you did. And I think because I made that up,

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Speaker 2: I don't know what happened.

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Speaker 3: Well, here's why you remember, because it was very funny,

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Speaker 3: because we were on a desert island.

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Speaker 1: Oh yes, okay, and you and you said it was

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Speaker 1: the first thing you said, Yes, he had me and

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Speaker 1: my tie.

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Speaker 2: It was really good.

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Speaker 1: And I at the time I had been scared well,

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Speaker 1: and I think I did it just to lighten the mood,

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Speaker 1: a little bit of Look, we're gonna get rescued, We're

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Speaker 1: gonna make more movies together. And at that time out

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Speaker 1: to be true, we didn't get rescued so much as

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Speaker 1: we got ourselves. You know, we created a raft and

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Speaker 1: then we made those flares out of coconuts.

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Speaker 3: And and so then it was the idea for Castaway and

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Speaker 3: combining that with our you know, just enjoying volleyball. Wanting

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Speaker 3: to popularize volleyball a little bit.

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Speaker 1: Yes, it just became why is volleyball not the national sport?

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Speaker 1: Teamwork jumping up.

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Speaker 3: And you're trying to keep it from getting dirty, which

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Speaker 3: is a great thing to teach, you think about for kids. Yes,

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Speaker 3: keeping things not being on the ground.

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Speaker 1: Well, especially with germs the way they're starting to grow

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Speaker 1: these days.

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Speaker 3: Yes, and don't even say the word I hear. Actually,

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Speaker 3: if you say it too many times, you get it now.

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Speaker 1: So no, that is how it gets let in. It's

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Speaker 1: like a vampire. You invite it in, you know, because

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Speaker 1: if you don't acknowledge it, it's not you can't get it.

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Speaker 1: So let we're not saying it. But kids don't put

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Speaker 1: because when you're playing baseball, people put their glove in

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Speaker 1: their mouth and they put and they get the dirt

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Speaker 1: in their mouth and they're sharing a bad seeds, spinning

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Speaker 1: seeds all over each other. Yes, and don't do that

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Speaker 1: and get out there and bump, set, spike and side out.

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Speaker 2: It is such a nice thing.

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Speaker 3: I mean the ball hits on the ground, everyone says, boo,

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Speaker 3: keep it nice and clean.

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Speaker 1: Yes, that would be good for fat Americans who are

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Speaker 1: just slobs and sitting in their own filth to just

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Speaker 1: have finally a game that's about keeping it clean.

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Speaker 3: Hey, welcome to Hollywood Handbook and Insiders Guy to kicking

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Speaker 3: button dropping names in the red carpet lines of I'm

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Speaker 3: not I'm not even gonna get mad because this is

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Speaker 3: a good I want this to be a nice show.

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Speaker 2: I'm excited about this show.

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Speaker 1: I think it's gonna be a lot of.

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Speaker 3: It's a special show, and so I'm not even gonna

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Speaker 3: get upset. Welcome to Hollywood Handbook and Insider's guy to

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Speaker 3: kicking button dropping names of the red carpet line back

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Speaker 3: always of this industry we call showbiz. I'm hazed, daving

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Speaker 3: for it. I'm here with Sean Climents what up?

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Speaker 1: What U? And you may have noticed, and we're telling

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Speaker 1: a story. You know, I almost want my what up?

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Speaker 1: What up? To have a real zip on it, because

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Speaker 1: because it is a special because it is a special show.

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Speaker 1: And if you could give me just a hair, just

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Speaker 1: a hair's breadth, just a moment, and I'll get into

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Speaker 1: it and let me just do a just the quickest

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Speaker 1: warm up. If a black bug bleads blue blood, what

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Speaker 1: color blood?

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Speaker 2: Is a blue bug?

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Speaker 1: Belead. If a black bug beats blue blood, but color

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Speaker 1: blood is a blue blug beat if a black bunk

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Speaker 1: beads blue blood, but colored blood is a blue bug, belead, brother,

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Speaker 1: you red toybout both to no. It's shined by city

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Speaker 1: shoes sh by city by city by she shows each

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Speaker 1: other bou the teature what should you do today today?

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Speaker 1: At quarter two to two? I think distinctly hard to say,

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Speaker 1: but hard is still.

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Speaker 2: To do good.

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Speaker 1: I am the very model of a model meature general

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Speaker 1: if it makes a vegetable in the mineral, I know

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Speaker 1: the King's quite historical for marathon to Waterloo, not a categorical.

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Speaker 1: I'm very well acquainted to matters mathematical, understand the quations

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Speaker 1: both simple quatic and shortgetable, and the minder and a

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Speaker 1: muddle uddle measure general. What up? What up?

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Speaker 2: How do you do that?

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Speaker 3: I'm always so amazed that you say everything exactly right.

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Speaker 1: I know, I know it's not a single flub, and

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Speaker 1: it's almost like, well, do I even need a warm up?

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Speaker 1: If that's how clean it is? But it just makes

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Speaker 1: me feel better you.

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Speaker 3: Warm up for the warm up. I always wonder about that.

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Speaker 3: Do you do a little secret.

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Speaker 1: Work oh out in the car.

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Speaker 2: Yeah.

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Speaker 1: I've been accused of this before and one time I

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Speaker 1: little put a camera in my car, and I'll tell

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Speaker 1: you what they saw on there was not me warming

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Speaker 1: up my vocals. What what they caught me warming up

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Speaker 1: was not a not necessarily my mouth muscles in the

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Speaker 1: car when they had the camera in the car. Yes,

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Speaker 1: so we're getting off track a little bit. We're just

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Speaker 1: enjoying talking to each other and so much and what

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Speaker 1: a lucky thing that is, because that's that's really what

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Speaker 1: we want to do today. We've been listening to our fans,

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Speaker 1: people who enjoy the show, and they listen to us.

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Speaker 1: We have these guests on the show all the time,

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Speaker 1: Guess Guess Gus guests every week, guests, and we have

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Speaker 1: this big star on the show and they come on

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Speaker 1: and they talk all about like their experience, their Hollywood experience. Well,

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Speaker 1: and I'm fascinated with these guests. I mean I really

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Speaker 1: am listening and really fascinated with what somebody like and

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Speaker 1: this is off the top of my head analyze a

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Speaker 1: Schlessinger or what some of these guys have to say.

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Speaker 1: And people get pretty pissed off that we're listening and

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Speaker 1: they maybe tune in, they want to hear us.

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Speaker 3: Yes, and they wonder you have us tantalizingly close to

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Speaker 3: a microphone where we could be answering questions ourselves. And

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Speaker 3: it seems like to have these microphones right here, what

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Speaker 3: a waste of electricity to have it on and ready

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Speaker 3: to have questions inside.

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Speaker 2: But we're not.

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Speaker 1: We're not doing any of those ourselves.

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Speaker 2: And why don't we?

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Speaker 1: Yes, And it's very like it's like when a young

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Speaker 1: woman will dangle her fingers just just centimeters away from

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Speaker 1: that most sensual from that most sensual organ, the male piece.

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Speaker 3: So yes, and so we think, why don't we just

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Speaker 3: freaking touch it? Yes, let's finally we just move it

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Speaker 3: a little bit further, so it's touching it.

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Speaker 2: Let's read that.

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Speaker 1: Let's do what we you know, what we internally desire

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Speaker 1: and what the natural instinct is to do, which is

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Speaker 1: to actually touch it and speak on the microphone and

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Speaker 1: not to ask a question of someone else, but to

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Speaker 1: explore ourselves.

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Speaker 3: Yes, So that's what we're going to be doing today.

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Speaker 3: We're going to be talking a lot about our own

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Speaker 3: experiences and in this industry, catching up with each other

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Speaker 3: a little bit because we do so much. We talk

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Speaker 3: so much about work and about business and things like

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Speaker 3: that a lot. Actually be really nice to get a

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Speaker 3: little personal with each other. It seems you'd think that

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Speaker 3: we just hang out all the time. Of course we

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Speaker 3: would know everything, but there's actually quite a bit that

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Speaker 3: I don't know about you.

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Speaker 1: Still, no, and yes, personal life wise, there's some blank

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Speaker 1: spots for me. And also good to touch in again

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Speaker 1: because it is always evolving with what your creative philosophy

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Speaker 1: really is, and so that you know that's what we're

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Speaker 1: talking about. I mean, that's the purpose of the show

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Speaker 1: to exploit.

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Speaker 3: It really does depend on the dead just like how

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Speaker 3: you got out of bed, what your creative philosophy is.

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Speaker 2: And today I got out of.

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Speaker 3: Bed from the top, which I had never done before,

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Speaker 3: and it really changed how I just went through the

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Speaker 3: whole entire day.

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Speaker 1: And so I'm picturing this. You just sort of leaned

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Speaker 1: up onto the hands, do a handstand and then sort

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Speaker 1: of roll.

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Speaker 2: Yes, my bed is in the center of my bedroom.

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Speaker 1: That's that's fun, Sweetze.

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Speaker 3: So there's room on all sides, and so yes, you

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Speaker 3: can do the back handspring right on to the top,

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Speaker 3: balance against the wall and just do sort of like

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Speaker 3: a spider crawl onto the ceiling and then at the door, and.

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Speaker 1: Do you feel and do you feel like that thing?

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Speaker 1: Shwe has changed the flow in your house and the

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Speaker 1: energy because I don't know if I buy into all

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Speaker 1: this stuff. I mean, because I know you put the

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Speaker 1: bed in the center of the room so you could

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Speaker 1: spider crawl out your door, And then you put a

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Speaker 1: lot of the windows. You had them lowered to floor level,

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Speaker 1: so you could see people's feet when they walk by.

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Speaker 2: Yeah.

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Speaker 3: So I can be lying down and I can I

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Speaker 3: can be falling asleep on the floor.

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Speaker 1: But I can still see people's feet. Is there going by?

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Speaker 3: Yes, So that has been a pretty radical chain from

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Speaker 3: the way it used to be. When I look out there,

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Speaker 3: I could't see anybody's feet at all. But other than that,

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Speaker 3: the one thing that has made a difference is that

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Speaker 3: the toilet bowl and the tank in my bathroom are

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Speaker 3: now separated and the tank is outside. They're not really

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Speaker 3: connected at all, and you have to physically go out

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Speaker 3: and get some water from it in order to sort

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Speaker 3: of fill the thing back up. It's complicated, but this

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Speaker 3: is the thing that they're doing a lot now.

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Speaker 1: Yes, yes, I'm not really doing. I mean that's an

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Speaker 1: issue for me because I'm not really doing the bathroom this.

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Speaker 3: That's right, you're doing perfect zero net calories. You use

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Speaker 3: everything that you consume.

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Speaker 1: It's almost a reverse cleanse. It's like not you know,

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Speaker 1: I'm not letting anything out.

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Speaker 2: And just sort of because it is waste.

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Speaker 1: Well, I just when I think about the concept of

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Speaker 1: what do I do? What do I do for a living?

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Speaker 1: What do I do?

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Speaker 2: You know, that's actually this would be a good thing

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Speaker 2: to talk.

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Speaker 1: I produce excited, I produce content. I produce things, I

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Speaker 1: put out ideas, and in return I get paid money.

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Speaker 1: So go into the bathroom making uh PEPs or you know,

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Speaker 1: making a duty's doing that is I am producing something,

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Speaker 1: I am putting something out and what do I get back?

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Speaker 1: And it's currently nothing. And so keeping that internal and

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Speaker 1: just keeping myself only for myself has has proven to

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Speaker 1: be very rewarding.

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Speaker 3: And then the truth is, once there's like there's a

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Speaker 3: scarcity to it, then the value starts to get a

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Speaker 3: little bit higher.

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Speaker 2: Yes, you know what I mean.

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Speaker 3: And so maybe it gets to a point where since

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Speaker 3: there's less and less of that out there.

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Speaker 1: People do, people are a little more willing to pony

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Speaker 1: out and marketing stuff, but it's all part of the

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Speaker 1: same thing. And we did sort of blow by the

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Speaker 1: idea of what is it that we do? And so yes,

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Speaker 1: well maybe one thing, maybe a fun thing just for

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Speaker 1: the very top. Let's just define our job because it's

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Speaker 1: everyone in Hollywood says, hi, I'm a movie maker. H

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Speaker 1: But but what is yes, anyone could say movie maker?

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Speaker 1: And what is actually your job description?

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Speaker 3: Yes, I would love to speak us that I think

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Speaker 3: would be a nice thing to do.

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Speaker 1: Yes, yes, go ahead, Okay, so I'll start really, when

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Speaker 1: you really look at it, what I do? The exact

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Speaker 1: nature of my job title, I'm a spaceship driver, okay?

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Speaker 3: And how and how does that work in terms of

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Speaker 3: what you actually that's not what you actually do?

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Speaker 2: Well, must have some other.

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Speaker 1: Yes, I mean, but it is, isn't it? What is

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Speaker 1: movies for people? And why do they want that? And

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Speaker 1: why do they love mine? Because I'm transporting them, taking

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Speaker 1: them somewhere to a world that maybe they can't get

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Speaker 1: to without me. So in that way, because you have

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Speaker 1: to drive, you know the way well, and it's an

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Speaker 1: even spaceship driver, which is a great title, but is

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Speaker 1: a little limiting because I also have to build the spaceship,

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Speaker 1: figure out what kind of fuel it runs on. I

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Speaker 1: gotta figure out what kind of tunes I'm gonna put

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Speaker 1: on in it, and I've got to figure out how

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Speaker 1: far away, how long a trip it's going to be

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Speaker 1: to get to the other planet. And I got to

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Speaker 1: make sure that we're laughing our butts off basically the

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Speaker 1: entire way.

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Speaker 3: Right, So you can get on the intercommon things and yeah,

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Speaker 3: and to say like what, for example.

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Speaker 4: Okay, dude, check out this ASTROI in over here. It's

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Speaker 4: a cool character.

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Speaker 1: And so you know, that's really how I think about

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Speaker 1: making these movies. And I might get on the intercom

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Speaker 1: later and go, Dune, look at the signs of that star.

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Speaker 4: It's a big movie star.

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Speaker 2: And so.

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Speaker 1: In that way, I am able to not only drive

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Speaker 1: a spaceship, not only build it, not only figure out

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Speaker 1: a safe fuel that it can run on, not only

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Speaker 1: determine length of the trip, but also every thing you

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Speaker 1: see in here along the way. So I built the

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Speaker 1: universe and the spaceship really and the world you go to,

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Speaker 1: and I'm drawing from this world to do it. So

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Speaker 1: in a way, I kind of am responsible for this world.

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Speaker 3: And you're a bit of a passenger on the spaceship

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Speaker 3: at the same time, aren't you as much as you're

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Speaker 3: the driver. Aren't you also going to space at the

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Speaker 3: same time.

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Speaker 1: Yes, And I'm ringing the call button me skill me driver, Yes,

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Speaker 1: what is a young man? Skill me driver?

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Speaker 2: You have just passed my stop?

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Speaker 1: Uh? Sorry, you know, And so that's sort of the

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Speaker 1: kind of internal struggle of you know, do I keep

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Speaker 1: going with this scene or do I not?

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Speaker 3: It's very nice that he was sorry. I was just

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Speaker 3: wondering how that went. This conflict. You sat up a

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Speaker 3: conflict and this is what you're so good at, like.

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Speaker 1: Well, and this will be fun for everybody. Let's see

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Speaker 1: what happens if he not sorry you passed my stop?

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Speaker 1: No I didn't you rascal?

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Speaker 2: No, yes you did.

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Speaker 1: It's right back there. No it wasn't. And so you

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Speaker 1: see how that's a whole nother avenue that's available to

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Speaker 1: you and my and my the brains is actually capable

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Speaker 1: of doing that where my brains can actually see both

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Speaker 1: the forks.

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Speaker 2: It's become two brains.

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Speaker 1: Yes, we are all a man of two brains when

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Speaker 1: being creative.

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Speaker 2: And so.

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Speaker 1: It's a lot of understanding what brains is and being

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Speaker 1: able to get in there and to move it around

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Speaker 1: and to look and see which brains do you want

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Speaker 1: to use? And so what is your job title? Hayes

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Speaker 1: to you, I like to.

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Speaker 3: Think of myself as a sled dog racer.

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Speaker 2: And not really because.

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Speaker 1: Of an analogy, but I do think it would be

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Speaker 1: It is fun to think about, yes, doing something like that,

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Speaker 1: and just imagine being able to hang out with the

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Speaker 1: dogs and the dogs are not just.

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Speaker 3: Your and they're not just normal dogs. May or like

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Speaker 3: your work partners.

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Speaker 1: May I tell you what what your analogy really is, though, But.

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Speaker 3: I for I would really just prefer to keep this

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Speaker 3: separate from work because it's a it's kind of a thing.

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Speaker 2: It's just a fun thing to imagine.

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Speaker 1: Just imagine that you're with the dogs and you like

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Speaker 1: are working with them. Yes, we're like coworkers.

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Speaker 3: And it's not even the same as having dogs for pets,

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Speaker 3: which I do not agree with one bit, because it's

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Speaker 3: jail for them, it's jail. Yes, it's not jail for me.

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Speaker 3: Jail for me is a real jail. Jail for them

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Speaker 3: is my house.

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Speaker 1: Mm. And then what's the pound? The pound boy for me,

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Speaker 1: for them, for them, for.

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Speaker 3: Them, you tell me both, it's like a well, it's

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Speaker 3: like a hotel for them, and for me, it's a

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Speaker 3: place go inside at night, open all the cages up.

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Speaker 1: Mmmm. It's a freedom, freedom making.

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Speaker 3: Yes, But then the windows too high. You can't get

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Speaker 3: back out the same way you came in. So really

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Speaker 3: they just they just find you there the next day

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Speaker 3: and all the dogs are out, and some of them

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Speaker 3: are very bead some of them have been mean to

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Speaker 3: you the entire night, even though you were trying to

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Speaker 3: be a rescuer.

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Speaker 1: Yes, but they don't know that their brain is the

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Speaker 1: size of walnut. And then is it because of how

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Speaker 1: we treat them? And what if we were giving them

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Speaker 1: a race to do every day? Well, and that's a

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Speaker 1: and and that's great. Now, I know you don't want

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Speaker 1: to make it about work, So can I separately tell

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Speaker 1: you about why my job is kind of like being

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Speaker 1: a sled dogger?

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Speaker 3: Okay, yes, this is your job.

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Speaker 1: Well, I guess when I sort of saddle up in

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Speaker 1: my computer, I'm kind of stepping up onto.

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Speaker 3: A sled mm hmm. And you know there is no

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Speaker 3: saddle and standing up, you're standing out the whole time.

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Speaker 2: And you're lass.

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Speaker 1: Sued to the sled by your feet, ye it, yes, okay,

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Speaker 1: So and I'm sort of saddled up on there with

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Speaker 1: my feet. And what happens to me when I begin

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Speaker 1: to create is I'm sort of dragged along by these

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Speaker 1: mad demons of creativity and ideas. And I don't really

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Speaker 1: have so much say over where it goes. But I'm

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Speaker 1: just trying to wrestle and rein it in somehow and

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Speaker 1: get to the destination that I want to go, almost

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Speaker 1: as if the dogs are dragging my sled.

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Speaker 3: Well, it's a misunderstand it's a mischaracterization of being them

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Speaker 3: being mad demons.

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Speaker 1: Is it's false.

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Speaker 3: And for me, uh, if you're dogs are mad demons,

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Speaker 3: if you're trying to do a dog race with dogs

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Speaker 3: that are essentially mad demons, then you can't call yourself

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Speaker 3: a dog racer.

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Speaker 2: You're just a guy.

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Speaker 3: Anyone can just get up there with a bunch of

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Speaker 3: strange dogs and just let them run wild. But to

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Speaker 3: be a real dog racer, well, there's a there's a

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Speaker 3: significant training.

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Speaker 1: Well it's a well, it's okay for us to disagree,

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Speaker 1: but I do not think that anyone, first of all,

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Speaker 1: someone with a severe allergy cannot do it. Secondly, someone

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Speaker 1: who can't afford the flight can't do it.

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Speaker 2: The flight to the where the dog race.

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Speaker 3: Yes, if they are far away from it and they

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Speaker 3: can't afford the flight to the starting place, you're right,

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Speaker 3: they could never do that.

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Speaker 1: Mm hmm. So that's and that's two examples.

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Speaker 3: Can we get a little personal for a second. I

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Speaker 3: would love to talk a little bit about our personal lives.

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Speaker 3: There's just something we don't do quite enough on the show.

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Speaker 3: I don't think I've never met a single person in

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Speaker 3: your family, and I I always wonder about that because

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Speaker 3: you do talk about them off. You talk about Stephie,

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Speaker 3: and you talk about your your.

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Speaker 1: Kids and.

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Speaker 3: And and all that, and your dad. But I haven't

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Speaker 3: met any of them even once, and I would so

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Speaker 3: love to meet them.

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Speaker 1: Well, I guess I do make compartments out of life.

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Speaker 1: And one compartment is me and Hayes and that's a

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Speaker 1: fun compartment. And another compartment.

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Speaker 3: That's like the content. Like you go to the container store.

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Speaker 3: It's like one of the ones you slide under the

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Speaker 3: bed and you keep toys.

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Speaker 1: In mm hmmm, yes, uh yeah, what's in there? Maybe

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Speaker 1: a Chinese yo yo.

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Speaker 3: Paddle the game you play at the beach where you

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Speaker 3: hold the little velcrow.

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Speaker 2: Pad on your hand. Yes, and you're throwing the ball

396
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Speaker 2: around and you catch it on the pad.

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Speaker 1: Yes. I think that that is us. Yes to me,

398
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Speaker 1: you know what, And I'll give you something more fucked up.

399
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Speaker 1: That's us. But we're not playing it at the beach

400
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Speaker 1: because we can have that kind of fun anywhere. That is,

401
00:21:07,040 --> 00:21:09,280
Speaker 1: anybody could do it at the beach. But what's fucked

402
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Speaker 1: up about us, and what's a little bit like is

403
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Speaker 1: the reason that maybe we get into so much trouble

404
00:21:15,880 --> 00:21:17,800
Speaker 1: is that we're not playing it at the beach. And

405
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Speaker 1: that's maybe some of the reason that people have a

406
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Speaker 1: little bit of a problem with the way we do

407
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Speaker 1: things here and they maybe want to start some ship

408
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Speaker 1: and we're not biting. I just keep on smiling and

409
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Speaker 1: I glide on by, and it's and and I'm and

410
00:21:38,640 --> 00:21:42,440
Speaker 1: we'll all float on okay, And that's the and that's

411
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Speaker 1: the bottom line. Shake it off. Yeah, but anyway, talk

412
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Speaker 1: about let me let me talk. I want to talk

413
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Speaker 1: about my family. So I guess part of the reason

414
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Speaker 1: that I don't introduce my family to my Hollywood friends

415
00:22:05,560 --> 00:22:12,760
Speaker 1: is that I'm almost embarrassed. I am almost We talk

416
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Speaker 1: about being of two brains, but in a way, I'm

417
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Speaker 1: leading to life lifestyle because being a farm orphan who

418
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Speaker 1: came from nothing to now have a beautiful basement apartment

419
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Speaker 1: in my dad's house, I was not always cool mm hmm,

420
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Speaker 1: or funny, or smart or even able to see you

421
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Speaker 1: out of both my eyes. You know so well. It

422
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Speaker 1: feels like I keep these things separate because I'm so

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Speaker 1: afraid that if everyone knew everything about me, maybe they

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Speaker 1: wouldn't like who I am.

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Speaker 2: So those some of those people do know that stuff about.

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Speaker 1: You, Yes, and you're worried. Everybody knows one secret. Everybody

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Speaker 1: I know is one secret about me, and you know

428
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Speaker 1: what yours is? Oh, Stephie's got one. Each one of

429
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Speaker 1: my kids have one, and I'm very scared they're gonna

430
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Speaker 1: tell Stephie. Some of them are babies, yes, yes, and

431
00:23:35,760 --> 00:23:41,440
Speaker 1: they have it just written somewhere on them. And then,

432
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Speaker 1: of course, you know, my dad has a secret that

433
00:23:45,560 --> 00:23:48,960
Speaker 1: he knows about me. And then there's just certain baristas

434
00:23:49,040 --> 00:23:54,320
Speaker 1: in this city who have secrets about me. My attu

435
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Speaker 1: Verse cable.

436
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Speaker 3: Guy a fun scavenger hunt for somebody to try and

437
00:24:00,920 --> 00:24:02,720
Speaker 3: go all around the whole city and gather up all

438
00:24:02,760 --> 00:24:05,920
Speaker 3: the secrets about you to piece it together, because each

439
00:24:06,000 --> 00:24:08,480
Speaker 3: individual one is not so bad, but when they're all together,

440
00:24:08,640 --> 00:24:12,120
Speaker 3: it really does paints very horrified.

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00:24:12,320 --> 00:24:17,919
Speaker 1: Pretty grim picture. Yes, when you get every piece. Now,

442
00:24:18,920 --> 00:24:25,240
Speaker 1: one thing that's always fascinated me about you is I

443
00:24:25,320 --> 00:24:31,960
Speaker 1: obviously have met your girlfriend all of them, and you

444
00:24:32,080 --> 00:24:38,080
Speaker 1: go through them pretty quickly, and it starts to make

445
00:24:38,119 --> 00:24:45,640
Speaker 1: a guy wonder do you yearn for that great love,

446
00:24:47,119 --> 00:24:52,960
Speaker 1: that one true romance do you seek that is that

447
00:24:53,200 --> 00:24:57,920
Speaker 1: something you even desire? Or are you settled into the

448
00:24:58,080 --> 00:24:59,159
Speaker 1: lifestyle you have.

449
00:25:03,280 --> 00:25:06,960
Speaker 3: I'll tell you what happens and the way it honestly

450
00:25:07,640 --> 00:25:12,480
Speaker 3: sort of plays out every time. Not to be like

451
00:25:12,560 --> 00:25:15,639
Speaker 3: too candid about this, but I'll meet someone that I

452
00:25:15,720 --> 00:25:20,800
Speaker 3: really like and we'll talk on a few dates. We'll

453
00:25:20,840 --> 00:25:23,680
Speaker 3: get to know each other. Sounds good so far, and

454
00:25:23,880 --> 00:25:29,360
Speaker 3: sometimes we'll really start to hit it off, and eventually

455
00:25:29,640 --> 00:25:32,960
Speaker 3: it gets to this point where, you know, we start

456
00:25:33,000 --> 00:25:34,560
Speaker 3: to feel more comfortable with each other.

457
00:25:35,520 --> 00:25:38,600
Speaker 2: Maybe we'll go to each other's place at some point.

458
00:25:38,760 --> 00:25:41,200
Speaker 3: We'll it'll get kind of late, we'll talk about spending

459
00:25:41,240 --> 00:25:45,080
Speaker 3: the night, and then we'll start to you know, start

460
00:25:45,800 --> 00:25:51,800
Speaker 3: getting intimate and kissing and touching, and maybe one of

461
00:25:51,920 --> 00:25:58,040
Speaker 3: us starts disrobing and in a fun way. And then

462
00:25:58,080 --> 00:26:03,160
Speaker 3: it gets to the time where, you know, like we're adults,

463
00:26:03,400 --> 00:26:06,800
Speaker 3: and we get to the point where when it's time

464
00:26:06,880 --> 00:26:11,000
Speaker 3: to have is a natural thing. It's time to have intercourse.

465
00:26:12,600 --> 00:26:19,399
Speaker 3: And my thing goes in there and I don't like it.

466
00:26:22,560 --> 00:26:28,120
Speaker 1: Are you afraid it won't come back out or no, it's.

467
00:26:28,040 --> 00:26:29,040
Speaker 2: Just something about it.

468
00:26:29,160 --> 00:26:33,720
Speaker 3: It's it's so fucked up just while it's as soon

469
00:26:33,760 --> 00:26:37,320
Speaker 3: as it goes in, I'm just like, I hate this.

470
00:26:37,880 --> 00:26:41,440
Speaker 3: I just gotta get it out. And then you know,

471
00:26:41,600 --> 00:26:45,119
Speaker 3: I run away and then I'm sort of in the

472
00:26:45,400 --> 00:26:47,800
Speaker 3: corner of the other room, and then they come in

473
00:26:47,880 --> 00:26:52,000
Speaker 3: and say what's wrong, and I say like something like

474
00:26:52,040 --> 00:26:53,680
Speaker 3: I just remember something sad for when I was like

475
00:26:53,720 --> 00:26:57,920
Speaker 3: a kid or something. Okay, you know, and that makes

476
00:26:58,000 --> 00:27:02,000
Speaker 3: them just want to do it even more. Yeah, And

477
00:27:02,119 --> 00:27:05,680
Speaker 3: so it's just I'm waiting for the one, for the

478
00:27:05,960 --> 00:27:09,160
Speaker 3: one girl to answer your question, Yes, is there anything

479
00:27:11,320 --> 00:27:16,960
Speaker 3: that you do like the way it feels the one? Well,

480
00:27:17,040 --> 00:27:19,679
Speaker 3: this is you know, this is getting very personal.

481
00:27:21,440 --> 00:27:24,520
Speaker 1: Well, that's what we set out to do, you know.

482
00:27:24,640 --> 00:27:25,120
Speaker 1: In my house.

483
00:27:25,160 --> 00:27:29,960
Speaker 2: They my the woman who comes and cleans up.

484
00:27:30,240 --> 00:27:34,240
Speaker 3: She she'll leave food, you know, likes to keep stuff

485
00:27:34,320 --> 00:27:36,280
Speaker 3: around for me to just kind of snack on throughout

486
00:27:36,280 --> 00:27:36,560
Speaker 3: the day.

487
00:27:36,760 --> 00:27:36,800
Speaker 1: No.

488
00:27:38,840 --> 00:27:42,719
Speaker 3: Once in the night, I woke up and was going

489
00:27:42,760 --> 00:27:46,240
Speaker 3: to the bathroom is very dark, Uh, and I tripped

490
00:27:46,960 --> 00:27:49,879
Speaker 3: and kind of speared a grape.

491
00:27:51,320 --> 00:27:54,840
Speaker 2: Yeah, just so. And it was sort of like the

492
00:27:54,920 --> 00:27:57,840
Speaker 2: experience of having like a wet hat.

493
00:27:58,080 --> 00:28:04,200
Speaker 1: On it and that you smush it and it bursts.

494
00:28:05,440 --> 00:28:10,720
Speaker 1: So there's sort of that it's dripping down it it's

495
00:28:10,760 --> 00:28:12,320
Speaker 1: a and the skin is hanging.

496
00:28:12,640 --> 00:28:13,879
Speaker 2: Did it happen? Have you done this?

497
00:28:15,920 --> 00:28:19,200
Speaker 1: Uh? Never unintentionally the way you're describing. I've never tripped

498
00:28:19,240 --> 00:28:20,640
Speaker 1: and fallen done it. I've been well.

499
00:28:20,680 --> 00:28:23,760
Speaker 3: Because that's the problem, because I when I have tried

500
00:28:23,800 --> 00:28:26,800
Speaker 3: to do it again, m it has to be an accident.

501
00:28:27,640 --> 00:28:31,040
Speaker 1: Uh, it doesn't work if I'm trying to do it well.

502
00:28:31,200 --> 00:28:34,280
Speaker 1: I mean, if you, I mean, you know, I there

503
00:28:34,359 --> 00:28:39,080
Speaker 1: may be a situation where perhaps you get into a

504
00:28:39,160 --> 00:28:43,360
Speaker 1: relationship with a woman who's willing to hide grapes and

505
00:28:43,720 --> 00:28:46,640
Speaker 1: also hide roller skates and things that you would trip

506
00:28:46,720 --> 00:28:50,800
Speaker 1: on around the house in order to.

507
00:28:51,720 --> 00:28:54,240
Speaker 3: That's what I when yes, That's what I say. To

508
00:28:54,280 --> 00:28:56,360
Speaker 3: answer your question, Am I looking for that one person?

509
00:28:56,520 --> 00:28:58,760
Speaker 3: The answer is yes for that reason, or maybe there

510
00:28:58,840 --> 00:29:01,000
Speaker 3: is someone who has like a thing down there.

511
00:29:01,360 --> 00:29:03,480
Speaker 1: That is kind of like this. It's like a half

512
00:29:03,560 --> 00:29:07,720
Speaker 1: grape m yeah, and they could kind of jump you,

513
00:29:08,200 --> 00:29:09,800
Speaker 1: surprise you mm hmm.

514
00:29:10,880 --> 00:29:13,240
Speaker 2: Yeah, very personal.

515
00:29:13,320 --> 00:29:17,480
Speaker 1: Wow. Well yeah, I mean, I guess I go this

516
00:29:17,680 --> 00:29:21,000
Speaker 1: far in. But at the same time, this is what

517
00:29:21,200 --> 00:29:23,480
Speaker 1: people wanted, and this is what all our guests do

518
00:29:23,640 --> 00:29:25,760
Speaker 1: when we have them on. We get this far with them,

519
00:29:26,000 --> 00:29:27,800
Speaker 1: and this is what's going on with carry In right now.

520
00:29:27,880 --> 00:29:30,600
Speaker 3: I mean, it is very like and I praise she's

521
00:29:30,640 --> 00:29:34,120
Speaker 3: not listening at this, But it's why I am scared

522
00:29:34,160 --> 00:29:37,720
Speaker 3: to seek intimacy with her, because I'm concerned that it'll

523
00:29:37,760 --> 00:29:38,560
Speaker 3: be like all the others.

524
00:29:38,640 --> 00:29:42,120
Speaker 1: And I like her so much, Sean, and that would

525
00:29:42,600 --> 00:29:45,440
Speaker 1: that would I've hung with the two of you, and

526
00:29:45,560 --> 00:29:49,440
Speaker 1: it feels like I'm hanging with best butts, oh god,

527
00:29:50,440 --> 00:29:51,120
Speaker 1: best buddies.

528
00:29:51,200 --> 00:29:53,840
Speaker 3: That we're best buddies with each other. Yes, yes, yes,

529
00:29:54,080 --> 00:29:57,840
Speaker 3: always playing, you know, just running, chasing.

530
00:29:57,640 --> 00:30:02,600
Speaker 1: Each other, chase, yes, chase each other, setting up games

531
00:30:02,680 --> 00:30:06,880
Speaker 1: and challenges for each other, stacking up all the creamers,

532
00:30:06,960 --> 00:30:09,400
Speaker 1: that are on the table and sort of then one

533
00:30:09,440 --> 00:30:11,760
Speaker 1: of you gives the other one like a sugar packet,

534
00:30:11,880 --> 00:30:14,240
Speaker 1: and you have how many throws to knock down the

535
00:30:14,360 --> 00:30:15,560
Speaker 1: sort of creamer pyramid.

536
00:30:15,720 --> 00:30:18,040
Speaker 3: It's always playing games. It turns life into this big

537
00:30:18,120 --> 00:30:22,400
Speaker 3: funny game. Yes, and so to have that disappear from

538
00:30:22,440 --> 00:30:23,400
Speaker 3: my life would.

539
00:30:25,520 --> 00:30:27,280
Speaker 2: God, I don't know. I don't know what to do.

540
00:30:27,640 --> 00:30:34,000
Speaker 1: And she is starting to press M you know she's

541
00:30:34,040 --> 00:30:37,280
Speaker 1: doing in front of you. Yes, she's I mean, she

542
00:30:37,400 --> 00:30:40,760
Speaker 1: point blank has asked me what the story is going

543
00:30:40,800 --> 00:30:45,480
Speaker 1: on there? Yeah, but you, I guess didn't know until now. No,

544
00:30:45,880 --> 00:30:47,520
Speaker 1: I till I but I am.

545
00:30:48,440 --> 00:30:51,080
Speaker 3: I'll be honest, like, while this is a you know,

546
00:30:51,200 --> 00:30:52,720
Speaker 3: it is a personal story that I just told I've

547
00:30:52,720 --> 00:30:55,080
Speaker 3: never really said it out loud like that. I am

548
00:30:55,240 --> 00:30:58,640
Speaker 3: kind of like I feel like I'm advertising it. I

549
00:30:58,720 --> 00:31:01,520
Speaker 3: don't know, that's just what I feel like. I dropped

550
00:31:01,520 --> 00:31:03,680
Speaker 3: hantslock but maybe not right.

551
00:31:03,920 --> 00:31:06,600
Speaker 1: Yeah, No, I was able to tell because you are

552
00:31:08,760 --> 00:31:11,640
Speaker 1: you have a You've made a couple of strange jokes

553
00:31:11,800 --> 00:31:17,000
Speaker 1: to this effect. I remember that you, uh, at one

554
00:31:17,040 --> 00:31:21,400
Speaker 1: point we were drinking wine and you said you held

555
00:31:21,480 --> 00:31:23,720
Speaker 1: up the wine bottle and this is just making sense.

556
00:31:23,800 --> 00:31:26,120
Speaker 1: Now you held up the wine bottle. You went, I

557
00:31:26,200 --> 00:31:29,760
Speaker 1: wish my ding dong speared this soul, this cat's grandson,

558
00:31:30,360 --> 00:31:33,000
Speaker 1: and I guess what your father grands grandfather?

559
00:31:33,240 --> 00:31:37,920
Speaker 3: I said, grandfather about the wine. Yes, because the grandfather

560
00:31:38,080 --> 00:31:39,920
Speaker 3: the grape is the grandfather of the wine.

561
00:31:40,320 --> 00:31:40,560
Speaker 1: Yes.

562
00:31:40,800 --> 00:31:43,040
Speaker 2: Yes. It just felt like a good segue because of

563
00:31:43,640 --> 00:31:45,280
Speaker 2: and the way to talk about it.

564
00:31:45,280 --> 00:31:48,160
Speaker 1: When we were watching that California Raising special with her,

565
00:31:48,520 --> 00:31:51,440
Speaker 1: you were like, I would like to fuck their dad,

566
00:31:52,040 --> 00:31:55,640
Speaker 1: and then you said, well, not fuck. What I'm really

567
00:31:55,720 --> 00:32:00,440
Speaker 1: talking about is much more complicated than that, and uh,

568
00:32:00,960 --> 00:32:03,200
Speaker 1: you know, we all laughed. But I don't know if

569
00:32:03,200 --> 00:32:04,120
Speaker 1: any of us knew.

570
00:32:03,960 --> 00:32:09,720
Speaker 3: Why and why I always use the male family member

571
00:32:10,880 --> 00:32:17,720
Speaker 3: it describing these great ancestors I'd like to have intercourse

572
00:32:17,800 --> 00:32:23,160
Speaker 3: with is because the red ones are the male, yeah,

573
00:32:23,680 --> 00:32:26,080
Speaker 3: and the green ones are the female.

574
00:32:26,240 --> 00:32:26,480
Speaker 1: Yeah.

575
00:32:27,040 --> 00:32:30,400
Speaker 2: And it's the red ones that that it works on traditionally.

576
00:32:30,520 --> 00:32:32,040
Speaker 1: Yeah. Yeah, who knows why?

577
00:32:32,240 --> 00:32:33,480
Speaker 2: But should we take a break.

578
00:32:33,520 --> 00:32:33,800
Speaker 3: I don't know.

579
00:32:33,880 --> 00:32:35,560
Speaker 2: I'm just getting really sad all of a sudden.

580
00:32:36,480 --> 00:32:38,440
Speaker 1: Sure, I feel like I.

581
00:32:38,600 --> 00:32:38,960
Speaker 4: Had a.

582
00:32:40,680 --> 00:32:43,960
Speaker 1: Food. I feel like I had one thing that I

583
00:32:44,120 --> 00:32:45,800
Speaker 1: was going to ask, but now I can't remember what

584
00:32:45,880 --> 00:32:47,600
Speaker 1: it was, but there was someone in there. I was

585
00:32:47,640 --> 00:32:49,400
Speaker 1: gonna have it one question. Okay, well maybe when we

586
00:32:49,480 --> 00:32:51,320
Speaker 1: come back for the break, you can ask. I guess.

587
00:32:51,400 --> 00:32:54,040
Speaker 1: So I had one question. I was gonna ask it.

588
00:32:54,600 --> 00:32:58,480
Speaker 1: I really feel like I had it right, But I

589
00:32:58,560 --> 00:33:02,200
Speaker 1: guess we can take the break and then figure out

590
00:33:02,560 --> 00:33:07,880
Speaker 1: what either during the break or after, or if I

591
00:33:08,000 --> 00:33:09,720
Speaker 1: don't remember it, we just can't do it.

592
00:33:10,200 --> 00:33:14,480
Speaker 2: We have a really great guest today. It's me and

593
00:33:14,600 --> 00:33:18,520
Speaker 2: you say, it's me too. It's me too, Hollywood, ham.

594
00:33:18,560 --> 00:33:21,120
Speaker 1: Hollywood, Hollywood Hambo.

595
00:33:27,000 --> 00:33:32,880
Speaker 3: And so I think I turned to Sean, you clements,

596
00:33:33,920 --> 00:33:37,479
Speaker 3: and I said, I said, I remember, I started out,

597
00:33:37,560 --> 00:33:39,720
Speaker 3: I said, did you rewind this?

598
00:33:40,320 --> 00:33:43,520
Speaker 2: But I don't remember what I was holding or what

599
00:33:43,760 --> 00:33:45,360
Speaker 2: the yes?

600
00:33:45,480 --> 00:33:50,800
Speaker 1: But okay, yes, yeah, okay, now I do remember this. Okay, Yeah,

601
00:33:51,320 --> 00:33:55,520
Speaker 1: it was a you know those party things where you

602
00:33:56,320 --> 00:33:59,440
Speaker 1: whip your arm and the ribbon unravels.

603
00:34:00,000 --> 00:34:04,160
Speaker 3: Okay, yeah, I really, yes, yes, I don't really know

604
00:34:04,240 --> 00:34:06,240
Speaker 3: how those work. I don't think you don't.

605
00:34:07,000 --> 00:34:11,760
Speaker 1: Well, I'm always a little confused. Well, yes, what happens

606
00:34:11,920 --> 00:34:16,319
Speaker 1: is when you snap your wrist, it extends and there's

607
00:34:16,400 --> 00:34:18,680
Speaker 1: some sort of wire or mechanism in there. Where it

608
00:34:18,920 --> 00:34:23,480
Speaker 1: automatically returns to the pole. Okay, And so you kept

609
00:34:24,000 --> 00:34:27,480
Speaker 1: you would snap it out, and then when it returned

610
00:34:27,480 --> 00:34:30,000
Speaker 1: to the pole, you would look at me just mystified

611
00:34:30,080 --> 00:34:34,120
Speaker 1: and go, did you rewind this? And I'd say, no,

612
00:34:34,360 --> 00:34:39,480
Speaker 1: it winds itself, and you refused to believe it. Well,

613
00:34:39,520 --> 00:34:42,080
Speaker 1: it doesn't make sense that it would be able to

614
00:34:42,440 --> 00:34:45,480
Speaker 1: rewind itself because with the force of the flick, you're

615
00:34:45,520 --> 00:34:47,920
Speaker 1: extending it all the way out. Is that sense of

616
00:34:48,080 --> 00:34:53,360
Speaker 1: childlike wonder what makes you such a great artist?

617
00:34:53,600 --> 00:34:54,359
Speaker 2: Was that your question?

618
00:34:55,400 --> 00:35:00,399
Speaker 1: Yes? Is it your sense of childlike wonder that makes

619
00:35:00,440 --> 00:35:03,120
Speaker 1: you such a tremendous art man?

620
00:35:04,480 --> 00:35:07,359
Speaker 3: That's so interesting. I think it comes from the fact

621
00:35:07,360 --> 00:35:10,359
Speaker 3: that I feel like I never really did have a childhood. Yeah,

622
00:35:10,880 --> 00:35:14,320
Speaker 3: growing up, as you know, raising a fire truck, I

623
00:35:14,640 --> 00:35:18,680
Speaker 3: was surrounded by fire all the time, and just like

624
00:35:19,560 --> 00:35:20,240
Speaker 3: just when you think.

625
00:35:20,080 --> 00:35:22,440
Speaker 1: You're about to get some sleep, and that's a bad truck. So,

626
00:35:22,719 --> 00:35:27,240
Speaker 1: because the truck should not really have too much fire

627
00:35:27,360 --> 00:35:27,640
Speaker 1: on it.

628
00:35:28,120 --> 00:35:29,720
Speaker 2: You know what, it was really short hose.

629
00:35:30,080 --> 00:35:32,279
Speaker 3: Yeah, at the firehouse where I was, and so they

630
00:35:32,320 --> 00:35:34,359
Speaker 3: had to really get up right next to the fire

631
00:35:34,480 --> 00:35:36,880
Speaker 3: and sometimes there would be fire on the truck itself.

632
00:35:37,719 --> 00:35:41,800
Speaker 3: And so when you're trying to play with toys but

633
00:35:42,160 --> 00:35:45,759
Speaker 3: there's fire all around you and sometimes you have to

634
00:35:45,840 --> 00:35:49,400
Speaker 3: pitch it, you feel weird. Even as a kid, you

635
00:35:49,440 --> 00:35:51,000
Speaker 3: feel a little weird of sitting there trying to play

636
00:35:51,040 --> 00:35:55,279
Speaker 3: with toys when other people's things are being consumed by fire.

637
00:35:55,400 --> 00:35:57,600
Speaker 1: Well, and they say it takes a baby to catch

638
00:35:57,640 --> 00:35:59,800
Speaker 1: a baby, and so a lot of times if a

639
00:36:00,360 --> 00:36:03,479
Speaker 1: if a woman was, you know, gonna drop her baby

640
00:36:03,480 --> 00:36:06,279
Speaker 1: out the window because there were so many stories up

641
00:36:06,360 --> 00:36:08,680
Speaker 1: and the fires coming, you know, you use another baby

642
00:36:08,719 --> 00:36:11,879
Speaker 1: to do this. Well, you use another baby because they're there, Yes,

643
00:36:12,120 --> 00:36:15,920
Speaker 1: they're they're drawn to one another, you know, they recognize

644
00:36:15,960 --> 00:36:18,600
Speaker 1: each other and they can anticipate the baby's movements in

645
00:36:18,680 --> 00:36:21,440
Speaker 1: a way that a belt cannot.

646
00:36:21,680 --> 00:36:24,360
Speaker 3: We want to do a special little new thing today,

647
00:36:25,280 --> 00:36:27,879
Speaker 3: which is that since we're asking questions of each other

648
00:36:28,000 --> 00:36:31,799
Speaker 3: today and we're and we're we're talking ourselves, we thought

649
00:36:31,800 --> 00:36:34,960
Speaker 3: we'd do the same thing for the Popcorn Gallery. And

650
00:36:35,120 --> 00:36:39,640
Speaker 3: now you already know this because you submitted questions to

651
00:36:39,840 --> 00:36:44,080
Speaker 3: ask Sean and I today. And so the question is

652
00:36:44,160 --> 00:36:47,040
Speaker 3: do we play the song, because the song is to

653
00:36:47,239 --> 00:36:49,520
Speaker 3: explain the Popcorn Gallery and we of course already know

654
00:36:49,560 --> 00:36:51,800
Speaker 3: what it is and how it's for questions, and so

655
00:36:51,960 --> 00:36:53,120
Speaker 3: do we just skip the song?

656
00:36:53,680 --> 00:36:54,000
Speaker 1: Mmmm?

657
00:36:54,600 --> 00:36:56,640
Speaker 2: Let me let me say this.

658
00:36:57,600 --> 00:36:59,920
Speaker 3: Intern Andy did a Popcorn Gallery Themes song a while ago.

659
00:37:00,280 --> 00:37:02,640
Speaker 3: I think it just sort of got forgotten, and I

660
00:37:02,760 --> 00:37:04,720
Speaker 3: don't I wouldn't even know how to find it today.

661
00:37:04,840 --> 00:37:07,920
Speaker 1: But let's make it okay. I was gonna say, let's

662
00:37:07,960 --> 00:37:14,680
Speaker 1: do a throwback Thursday, which is a new thing that

663
00:37:14,960 --> 00:37:19,360
Speaker 1: my cousin Sam was telling me. And he found an

664
00:37:19,520 --> 00:37:22,320
Speaker 1: old picture of me in an old Halloween costume, and

665
00:37:22,400 --> 00:37:27,960
Speaker 1: I thought, what better way to just celebrate the Thursday

666
00:37:28,200 --> 00:37:32,359
Speaker 1: than to put this up. And it's not vain, it's

667
00:37:32,600 --> 00:37:33,760
Speaker 1: just fun.

668
00:37:34,520 --> 00:37:39,520
Speaker 5: Where did you find that that old photo? Sean has

669
00:37:39,520 --> 00:37:42,000
Speaker 5: a bunch of stuff at my place. It's in an

670
00:37:42,040 --> 00:37:42,520
Speaker 5: old box.

671
00:37:42,760 --> 00:37:46,600
Speaker 1: Yes, I've been keeping some stuff at Sam's apartment for

672
00:37:47,200 --> 00:37:54,320
Speaker 1: when I have to stay there. Well, let's just not

673
00:37:54,480 --> 00:37:58,200
Speaker 1: do it, Okay, no song, and I vote no song.

674
00:37:59,320 --> 00:38:02,920
Speaker 3: You have some questions that are from some of our fans,

675
00:38:03,000 --> 00:38:04,320
Speaker 3: ask us, and let's try and get We got a

676
00:38:04,360 --> 00:38:05,839
Speaker 3: lot of questions. Let's try and get through these quickly,

677
00:38:06,000 --> 00:38:08,799
Speaker 3: say him, quickly. And let's just be efficient about it sure,

678
00:38:09,000 --> 00:38:09,920
Speaker 3: no dancy.

679
00:38:09,760 --> 00:38:12,359
Speaker 1: Dance as Tech would like to know what was your

680
00:38:12,480 --> 00:38:13,680
Speaker 1: first memory of a movie?

681
00:38:14,640 --> 00:38:16,760
Speaker 2: What a good what a good question?

682
00:38:18,360 --> 00:38:22,480
Speaker 1: H I think it's a part in under Siege where

683
00:38:22,520 --> 00:38:24,640
Speaker 1: the chick with the big jugs pops out of the cake.

684
00:38:27,200 --> 00:38:33,000
Speaker 1: And now you were not young when that movie came out.

685
00:38:33,560 --> 00:38:36,040
Speaker 2: No, no, no, no, I mean I was.

686
00:38:37,280 --> 00:38:39,680
Speaker 1: I was a producer on the film, but it was

687
00:38:39,760 --> 00:38:43,440
Speaker 1: in a screening. It was an early cut, and someone

688
00:38:43,560 --> 00:38:46,680
Speaker 1: suggested making that scene shorter, and I actually said, I'd

689
00:38:46,800 --> 00:38:51,920
Speaker 1: like to make it twice as long for me. M.

690
00:38:54,680 --> 00:38:59,960
Speaker 2: There's a scene in Fury where the one guy.

691
00:39:01,280 --> 00:39:06,160
Speaker 3: Is like quoting a Bible verse, oh powerful, and the

692
00:39:06,320 --> 00:39:09,480
Speaker 3: main guy already knows what it is, and he finishes

693
00:39:09,560 --> 00:39:10,000
Speaker 3: saying it.

694
00:39:10,200 --> 00:39:12,799
Speaker 2: And this is right before the end.

695
00:39:13,160 --> 00:39:14,319
Speaker 1: Everybody gets blown up.

696
00:39:14,840 --> 00:39:18,919
Speaker 3: Okay, I don't know if anyone's gonna see that movie,

697
00:39:18,960 --> 00:39:23,040
Speaker 3: but I wouldn't because everyone gets blown up and.

698
00:39:23,160 --> 00:39:26,520
Speaker 1: So and that movie does not look like it would

699
00:39:26,520 --> 00:39:30,600
Speaker 1: be scary. No, but the idea of everyone exploding actually

700
00:39:30,840 --> 00:39:31,400
Speaker 1: is scary.

701
00:39:31,800 --> 00:39:36,640
Speaker 2: It's a guy, the posters guy resting. Yeah, he's resting

702
00:39:36,680 --> 00:39:37,319
Speaker 2: on a big poll.

703
00:39:37,440 --> 00:39:41,880
Speaker 1: He's relaxing. Okay, Well, this is another one. And so

704
00:39:41,960 --> 00:39:43,879
Speaker 1: I think that was If I think back, I think

705
00:39:43,920 --> 00:39:46,360
Speaker 1: that was the earliest memory of a movie I have.

706
00:39:46,640 --> 00:39:49,000
Speaker 1: I'm sorry, but they're now trying to trick you into

707
00:39:49,040 --> 00:39:52,040
Speaker 1: seeing movies with scares. Yes, where it used to be.

708
00:39:52,400 --> 00:39:55,000
Speaker 1: Some are the scary movies and some are the fun movies,

709
00:39:55,719 --> 00:39:57,799
Speaker 1: and you go see the fun ones and you leave

710
00:39:57,880 --> 00:40:01,080
Speaker 1: the scary ones all the sick twisted.

711
00:40:00,840 --> 00:40:05,520
Speaker 3: Fucks like for example, imagine what would you imagine a

712
00:40:05,600 --> 00:40:09,359
Speaker 3: movie about a doll to be like me? Yeah, if

713
00:40:09,360 --> 00:40:11,800
Speaker 3: you said I saw, like, oh, there's a doll in

714
00:40:11,880 --> 00:40:14,640
Speaker 3: this movie, probably kids playing having fun, isn't that what

715
00:40:14,719 --> 00:40:17,239
Speaker 3: you would think? Well, that's what people kids do with dolls.

716
00:40:17,320 --> 00:40:19,279
Speaker 3: And now suddenly the doll is a knife and is

717
00:40:19,440 --> 00:40:20,640
Speaker 3: stabbing the kids.

718
00:40:21,200 --> 00:40:24,960
Speaker 1: Yeah, well no, thank you. And if and you know what,

719
00:40:25,080 --> 00:40:27,520
Speaker 1: if it makes you feel good to trick people and

720
00:40:27,680 --> 00:40:32,800
Speaker 1: that's how you want to have fun, then go, you know,

721
00:40:33,239 --> 00:40:42,279
Speaker 1: hang out away Dax and bj whit me, hang out

722
00:40:42,360 --> 00:40:48,720
Speaker 1: with Dax bj whit me, and just go punk yourself.

723
00:40:48,840 --> 00:40:50,520
Speaker 1: New question, new question, Just come in and ask the

724
00:40:50,600 --> 00:40:51,959
Speaker 1: new questions, all.

725
00:40:51,920 --> 00:40:55,040
Speaker 5: Right, mean, detective would like to know how have your

726
00:40:55,120 --> 00:40:59,960
Speaker 5: personal and psychological difficulties informed your work as professional humorists.

727
00:41:01,800 --> 00:41:05,960
Speaker 2: Boy, but I don't know. I don't do we like

728
00:41:06,040 --> 00:41:06,359
Speaker 2: that one?

729
00:41:07,120 --> 00:41:07,160
Speaker 1: No?

730
00:41:07,840 --> 00:41:12,520
Speaker 5: Okay, Charlie Murphy Brown wants to know. As hilarious as

731
00:41:12,560 --> 00:41:15,160
Speaker 5: it was and remains to this day, is it not

732
00:41:15,320 --> 00:41:18,800
Speaker 5: the premise behind reality show show and it's offshoots like

733
00:41:18,840 --> 00:41:23,560
Speaker 5: you're Joel McHale's, Ryan Seacrest and Nick Latchkeys, isn't the

734
00:41:23,640 --> 00:41:26,440
Speaker 5: whole Hey, it's important to act like this is important

735
00:41:26,560 --> 00:41:28,160
Speaker 5: thing just some marketers?

736
00:41:28,239 --> 00:41:28,920
Speaker 1: What he.

737
00:41:30,920 --> 00:41:33,239
Speaker 5: Brod Ogg wants to know. I think I have a

738
00:41:33,320 --> 00:41:36,560
Speaker 5: dope connection at a major studio in Hollywood, but I

739
00:41:36,600 --> 00:41:38,960
Speaker 5: don't know how to take our relationship to the next level.

740
00:41:39,360 --> 00:41:42,040
Speaker 5: What's a creative or original way to show him that

741
00:41:42,080 --> 00:41:44,080
Speaker 5: I would do anything to be famous?

742
00:41:45,120 --> 00:41:48,680
Speaker 1: Mass real questions. Okay, yeah, I don't have a good

743
00:41:48,719 --> 00:41:50,720
Speaker 1: answer for it, but it's a very good question.

744
00:41:50,920 --> 00:41:53,000
Speaker 2: I've never really been in that position before.

745
00:41:53,920 --> 00:41:55,480
Speaker 1: No, they mostly come to me.

746
00:41:56,640 --> 00:41:59,759
Speaker 5: Bozo's of basketball would like to know, Hayes, what is

747
00:41:59,840 --> 00:42:03,040
Speaker 5: more important being really cool or really funny?

748
00:42:04,840 --> 00:42:08,120
Speaker 2: And season funny? Funniness is cool, don't you remember? And funny?

749
00:42:08,360 --> 00:42:11,279
Speaker 3: But because funniness is coolness, you remember being in high

750
00:42:11,280 --> 00:42:12,640
Speaker 3: school and just making everyone laugh.

751
00:42:13,239 --> 00:42:16,879
Speaker 1: Yes, and it sometimes can be a secret key into

752
00:42:17,160 --> 00:42:20,360
Speaker 1: into the cool world, whereas maybe a and this is

753
00:42:20,400 --> 00:42:24,080
Speaker 1: the one from the movie, Yes, Yes, that's if you

754
00:42:24,239 --> 00:42:26,640
Speaker 1: remember at the beginning of the movie, Brad Pitt is

755
00:42:26,680 --> 00:42:30,440
Speaker 1: sitting there and he's a dork, and everyone around him

756
00:42:31,400 --> 00:42:34,440
Speaker 1: is getting into the cool world by being cool, by

757
00:42:34,520 --> 00:42:40,320
Speaker 1: being good at basketball and being you know, handsome, And

758
00:42:40,560 --> 00:42:45,319
Speaker 1: he makes a cracking good joke and it busts everybody up,

759
00:42:45,360 --> 00:42:48,240
Speaker 1: and then that's how he becomes friends. Gets a fuck cartoon.

760
00:42:48,320 --> 00:42:52,560
Speaker 1: Kim Basinger, Sean, what is the scariest thing you has

761
00:42:52,719 --> 00:43:01,359
Speaker 1: ever seen? Probably a mouse skeleton, because and I tell

762
00:43:01,360 --> 00:43:05,160
Speaker 1: you why, because a skellington is bad enough, but if

763
00:43:05,200 --> 00:43:08,640
Speaker 1: it's small as a mouse, it could be literally anywhere,

764
00:43:09,000 --> 00:43:11,200
Speaker 1: and you could have it in the room for an

765
00:43:11,400 --> 00:43:15,520
Speaker 1: hour and not know it's there. At least if a

766
00:43:15,600 --> 00:43:19,080
Speaker 1: skellington is in a room with me, I know that

767
00:43:19,520 --> 00:43:22,359
Speaker 1: you get out, well, I can leave, but I might

768
00:43:22,520 --> 00:43:25,200
Speaker 1: go to bed, And then a mouse skelington could be

769
00:43:25,400 --> 00:43:28,160
Speaker 1: inside my pillow, eat its way out and then eat

770
00:43:28,280 --> 00:43:34,840
Speaker 1: my brains if I'm lucky. So in that way, probably

771
00:43:34,880 --> 00:43:39,000
Speaker 1: a mouse skellington. And you saw this I've seen one. Yeah,

772
00:43:39,560 --> 00:43:45,239
Speaker 1: what happened? Oh well, I don't necessarily want to tell

773
00:43:45,320 --> 00:43:50,279
Speaker 1: the whole story, but I'm gonna beat out some of

774
00:43:50,400 --> 00:43:55,120
Speaker 1: the temp poles for you. Victor Garber and me aren't

775
00:43:55,160 --> 00:43:58,920
Speaker 1: friends anymore. We don't talk and he doesn't have my

776
00:43:59,040 --> 00:44:04,160
Speaker 1: current cell phone, and he and his mouse Skelington. I

777
00:44:04,280 --> 00:44:07,719
Speaker 1: hope they have a long, happy life together. And he can,

778
00:44:07,920 --> 00:44:11,719
Speaker 1: as far as I'm concerned, hang with decks BJ and

779
00:44:11,880 --> 00:44:15,440
Speaker 1: with me and they can go punk themselves.

780
00:44:16,800 --> 00:44:20,480
Speaker 2: Say no more, go, come on, come on, come on,

781
00:44:20,560 --> 00:44:20,759
Speaker 2: come on.

782
00:44:20,920 --> 00:44:24,000
Speaker 5: Valerie Bryant would like to know, Hayes, what's your favorite

783
00:44:24,040 --> 00:44:25,720
Speaker 5: inside joke between you and Sean?

784
00:44:26,360 --> 00:44:27,120
Speaker 2: An inside joke?

785
00:44:27,440 --> 00:44:30,560
Speaker 1: I mean, Greggie would like to know what's your guys'

786
00:44:30,760 --> 00:44:33,120
Speaker 1: favorite podcast? Huh?

787
00:44:36,239 --> 00:44:40,800
Speaker 3: Of the of the Airwolf ones, what do we like

788
00:44:40,920 --> 00:44:45,040
Speaker 3: to listen to? They're parts of each one that I like.

789
00:44:45,239 --> 00:44:47,359
Speaker 3: I would say yes if you took a certain part

790
00:44:47,440 --> 00:44:51,680
Speaker 3: of each one and made it into its own big podcast.

791
00:44:51,719 --> 00:44:56,880
Speaker 1: And we are not describing a Frankinstein. What we're describing

792
00:44:58,040 --> 00:45:02,160
Speaker 1: is just a good podcast that has the couple good

793
00:45:02,280 --> 00:45:05,759
Speaker 1: parts from all these different ones without all the crap. Yes,

794
00:45:07,080 --> 00:45:14,160
Speaker 1: I would do from comedy Bang bang. I like when

795
00:45:15,360 --> 00:45:17,960
Speaker 1: they're not just kind of playing around.

796
00:45:18,640 --> 00:45:18,839
Speaker 2: Yes.

797
00:45:19,120 --> 00:45:23,480
Speaker 1: I like when they actually take it seriously, yes, and

798
00:45:23,600 --> 00:45:28,440
Speaker 1: are not trying to make a joke about it. I

799
00:45:28,600 --> 00:45:33,839
Speaker 1: think from improv for humans. I like the very long phone.

800
00:45:33,560 --> 00:45:42,360
Speaker 2: Calls, fogess files. I like the videos. Yes, videos are funny.

801
00:45:42,880 --> 00:45:49,080
Speaker 1: Those that part's okay, Uh, totally lame obviously. I keep

802
00:45:49,200 --> 00:45:51,320
Speaker 1: most of it. I keep her, I keep him, I

803
00:45:51,480 --> 00:45:52,399
Speaker 1: keep the Oprah game.

804
00:45:55,600 --> 00:45:56,359
Speaker 2: I mean that one.

805
00:45:56,400 --> 00:45:58,960
Speaker 1: I pretty much. I guess I'm shoving these other elements

806
00:45:59,000 --> 00:46:02,040
Speaker 1: we describe to the basic framework.

807
00:46:02,440 --> 00:46:03,880
Speaker 2: Is that sh that's the bowl?

808
00:46:05,120 --> 00:46:09,479
Speaker 1: Yes? So is that all of them own?

809
00:46:10,160 --> 00:46:11,400
Speaker 3: And and uh?

810
00:46:11,520 --> 00:46:12,560
Speaker 2: And I would you know?

811
00:46:12,719 --> 00:46:17,759
Speaker 1: And and I'd add entrew T. I'd andrew T would

812
00:46:17,800 --> 00:46:21,560
Speaker 1: be all over it. I'd want his ad reads. What

813
00:46:21,640 --> 00:46:25,840
Speaker 1: if he I'd like his ad reads? I feel like that.

814
00:46:28,200 --> 00:46:29,400
Speaker 1: I'd like that would be perfect.

815
00:46:29,440 --> 00:46:31,239
Speaker 2: And what we're gonna say, he's married married to the

816
00:46:31,280 --> 00:46:33,240
Speaker 2: girl from movie show? How do they make movie?

817
00:46:33,560 --> 00:46:35,240
Speaker 1: Oh that's funny.

818
00:46:35,400 --> 00:46:39,000
Speaker 3: Now they're married and they are having a nice dinner

819
00:46:39,640 --> 00:46:42,120
Speaker 3: with totally lame and her husband.

820
00:46:43,160 --> 00:46:46,960
Speaker 1: Mmmm. Okay, who is your dream guest for the show? Well?

821
00:46:47,000 --> 00:46:49,000
Speaker 2: I was a joy of that question, but Let's move

822
00:46:49,040 --> 00:46:50,399
Speaker 2: on the next one. Who's this from?

823
00:46:51,160 --> 00:46:55,200
Speaker 1: Still from Greggy? Okay, Josh Radner? Next question, where do

824
00:46:55,280 --> 00:47:00,360
Speaker 1: you get your funny ideas? I would say that my

825
00:47:01,080 --> 00:47:05,640
Speaker 1: actual dream guest, oh, the oh, the one that you

826
00:47:07,120 --> 00:47:13,239
Speaker 1: the one that I dreamed, Yeah, is like almost it's

827
00:47:13,360 --> 00:47:17,120
Speaker 1: Paul Bunyan, but he almost is like a has skin

828
00:47:17,280 --> 00:47:22,560
Speaker 1: like a crocodile, but he's not scary. He's helping me. Yeah,

829
00:47:22,640 --> 00:47:26,160
Speaker 1: He's helping me learn how to drive a truck. So

830
00:47:26,640 --> 00:47:27,600
Speaker 1: that's my dream.

831
00:47:27,760 --> 00:47:32,040
Speaker 5: Guest, Greasy Bob would like to know what is the

832
00:47:32,120 --> 00:47:35,960
Speaker 5: most hardcore blue collar thing you've ever done? And included

833
00:47:36,000 --> 00:47:39,680
Speaker 5: the examples dig a ditch, fix a toilet, milk a cow.

834
00:47:41,239 --> 00:47:44,080
Speaker 2: Make a movie. Is You have to think of it

835
00:47:44,200 --> 00:47:48,160
Speaker 2: like a lunch pale job. Does see it make sense?

836
00:47:48,280 --> 00:47:49,040
Speaker 2: You know what I'm saying.

837
00:47:49,400 --> 00:47:51,160
Speaker 3: M And you have to think of you wake up

838
00:47:51,200 --> 00:47:54,880
Speaker 3: every morning and it's as if you're going in and

839
00:47:55,080 --> 00:47:58,479
Speaker 3: going down in a sooty bog to do your work.

840
00:47:59,040 --> 00:48:03,440
Speaker 1: Put on your hardt and grab your pail that you

841
00:48:03,560 --> 00:48:08,160
Speaker 1: keep your luncheon and climb out on the steel girder.

842
00:48:08,560 --> 00:48:15,120
Speaker 1: You know that is video village and pick a pick hammer,

843
00:48:15,239 --> 00:48:21,560
Speaker 1: which is calling action and start pounding away on the nails,

844
00:48:21,600 --> 00:48:24,000
Speaker 1: which is giving notes to the actors to say, don't

845
00:48:24,080 --> 00:48:25,560
Speaker 1: say it like that, say it like this.

846
00:48:28,080 --> 00:48:31,320
Speaker 5: Felonious junk would like to know what is your favorite

847
00:48:31,360 --> 00:48:32,960
Speaker 5: episode segment or guess?

848
00:48:34,680 --> 00:48:39,040
Speaker 2: Huh wow, that's an interesting one? Is that good question

849
00:48:39,880 --> 00:48:44,320
Speaker 2: of the show? This saying of the show? I like

850
00:48:44,440 --> 00:48:45,840
Speaker 2: this one too, you do?

851
00:48:46,120 --> 00:48:46,319
Speaker 1: Yeah?

852
00:48:46,320 --> 00:48:47,439
Speaker 2: I think this is the best one.

853
00:48:48,160 --> 00:48:51,239
Speaker 3: Yes, this one between the two of you? Who would

854
00:48:51,239 --> 00:48:55,040
Speaker 3: win in a fight between the two it's the secret

855
00:48:55,120 --> 00:48:55,880
Speaker 3: between the two of us?

856
00:48:56,040 --> 00:49:03,200
Speaker 1: Whoa, oh, whoa, I don't try to do this. Everybody

857
00:49:03,320 --> 00:49:04,680
Speaker 1: loses if that happens.

858
00:49:05,560 --> 00:49:08,520
Speaker 3: Oh, like if you and I were fighting, Yes, okay,

859
00:49:08,600 --> 00:49:10,560
Speaker 3: I didn't understand that guy, because it's like between the

860
00:49:10,640 --> 00:49:11,080
Speaker 3: two of you.

861
00:49:11,600 --> 00:49:13,200
Speaker 5: So I thought it was like like if there's a

862
00:49:13,280 --> 00:49:17,160
Speaker 5: fight happening in between you, everybody loses when that happens.

863
00:49:17,200 --> 00:49:19,040
Speaker 3: I thought it was like just like the way you say,

864
00:49:19,120 --> 00:49:22,239
Speaker 3: like between you and me, like it's a secret. And

865
00:49:22,320 --> 00:49:24,400
Speaker 3: if you say like between the two of you, is

866
00:49:24,480 --> 00:49:28,200
Speaker 3: it just a secret for us? But then it's like

867
00:49:28,280 --> 00:49:29,640
Speaker 3: I don't know who they're talking about.

868
00:49:32,239 --> 00:49:33,319
Speaker 2: Do say do it again?

869
00:49:34,200 --> 00:49:36,920
Speaker 5: Between the two of you? Who would win in a fight. Oh,

870
00:49:37,000 --> 00:49:40,239
Speaker 5: so it's if you and I fought each other? Is

871
00:49:40,320 --> 00:49:41,160
Speaker 5: that what the question is?

872
00:49:41,360 --> 00:49:43,520
Speaker 1: Now? I'm seeing it your way now, I'm thinking that

873
00:49:43,640 --> 00:49:46,120
Speaker 1: he actually is saying just for us to tell each other.

874
00:49:48,320 --> 00:49:50,440
Speaker 2: And but then who is it? Who would win? Who

875
00:49:50,560 --> 00:49:51,040
Speaker 2: is fighting?

876
00:49:53,280 --> 00:49:56,959
Speaker 1: Uh? I mean we're movies, guys, as you think about

877
00:49:57,000 --> 00:50:00,600
Speaker 1: a Rocky movie or something. Yeah, like a boxer. Yeah,

878
00:50:01,080 --> 00:50:04,720
Speaker 1: a boxer would win in a fight. Yes, well, boxing

879
00:50:04,880 --> 00:50:06,760
Speaker 1: is the highest form of fighting.

880
00:50:08,719 --> 00:50:11,000
Speaker 5: Felonious Junk would also like to know how big of

881
00:50:11,080 --> 00:50:13,160
Speaker 5: a donation to ear Wolf would it take to hang

882
00:50:13,200 --> 00:50:13,600
Speaker 5: out with you?

883
00:50:13,719 --> 00:50:13,959
Speaker 1: Guys.

884
00:50:16,160 --> 00:50:18,080
Speaker 2: Let's explore that. Oh fuck man?

885
00:50:18,360 --> 00:50:22,880
Speaker 3: Uh oh wait to ear Wolf? Yes, how big of

886
00:50:22,960 --> 00:50:26,040
Speaker 3: a donation to Earwolf? It's the donation is to ear Wolf.

887
00:50:26,040 --> 00:50:28,600
Speaker 1: It does not go to you, oh, to hang with us?

888
00:50:31,000 --> 00:50:36,279
Speaker 1: At the same time, does it say no, it doesn't mm.

889
00:50:37,840 --> 00:50:39,080
Speaker 2: To ear Wolf. H.

890
00:50:42,160 --> 00:50:45,200
Speaker 1: I mean the answer is zero. And then there's and

891
00:50:45,239 --> 00:50:48,719
Speaker 1: then there's a sub answer, which is you can make

892
00:50:48,760 --> 00:50:49,839
Speaker 1: a donation somewhere else.

893
00:50:49,880 --> 00:50:51,400
Speaker 2: It might wind up making a.

894
00:50:51,400 --> 00:50:54,319
Speaker 3: Bigger Yeah, because the higher than the donation to ear

895
00:50:54,320 --> 00:50:57,880
Speaker 3: Wolf number gets the angrier I'm getting just as I

896
00:50:57,960 --> 00:50:59,600
Speaker 3: think about it. As the numbers are growing up and

897
00:50:59,680 --> 00:51:02,279
Speaker 3: up and up to ear Wolf. I'm getting madder and

898
00:51:02,400 --> 00:51:03,960
Speaker 3: madder because it should be going to me.

899
00:51:05,280 --> 00:51:07,760
Speaker 1: Yeah, you're hanging with me, You're not hanging with ear Wolf?

900
00:51:07,960 --> 00:51:10,839
Speaker 2: Yes, and so I guess the answer would be zero.

901
00:51:11,040 --> 00:51:13,320
Speaker 1: But what does that even mean? Ear Wolf?

902
00:51:14,600 --> 00:51:17,920
Speaker 3: That's nothing. I would actually love to talk about this

903
00:51:17,960 --> 00:51:19,839
Speaker 3: because I've been thinking about this for a long time.

904
00:51:21,040 --> 00:51:21,919
Speaker 3: A wolf's ear?

905
00:51:23,520 --> 00:51:25,120
Speaker 2: Is that what it is? Then just say that.

906
00:51:26,520 --> 00:51:30,399
Speaker 1: That's how you say that. You say a wolf's here. Yeah,

907
00:51:30,560 --> 00:51:32,400
Speaker 1: that's how you say that. And I know because I

908
00:51:32,680 --> 00:51:34,160
Speaker 1: dated a veterinarian for a while.

909
00:51:34,520 --> 00:51:36,880
Speaker 5: I Valerie Bryant would like to know, Sean, where do

910
00:51:36,920 --> 00:51:38,200
Speaker 5: you see yourself in ten years?

911
00:51:40,400 --> 00:51:44,640
Speaker 1: Six feet under? M h. We're bringing back that show

912
00:51:44,640 --> 00:51:47,160
Speaker 1: for another season. I'm gonna play Peter Krause's character.

913
00:51:47,680 --> 00:51:47,759
Speaker 3: And.

914
00:51:49,320 --> 00:51:52,520
Speaker 1: It's been a hellish scheduling it. So it's kind of

915
00:51:52,600 --> 00:51:54,520
Speaker 1: a sort of a joke that I say six feet

916
00:51:54,560 --> 00:51:57,560
Speaker 1: under because I actually do think it might take ten

917
00:51:57,640 --> 00:52:02,759
Speaker 1: full years to get that together. But we're getting Richard

918
00:52:02,800 --> 00:52:04,320
Speaker 1: Jenkins back to play a ghost again.

919
00:52:05,800 --> 00:52:05,920
Speaker 5: Uh.

920
00:52:06,239 --> 00:52:10,520
Speaker 1: Dexter is going to be uh kissing the cop guy again.

921
00:52:12,920 --> 00:52:16,920
Speaker 1: Chick from Cana Holly Way is still doing art, are we?

922
00:52:18,160 --> 00:52:20,120
Speaker 2: I mean, is that it? I think those were good.

923
00:52:20,520 --> 00:52:24,520
Speaker 1: Yeah, yeah, those felt like enough questions. Yeah, those were

924
00:52:24,520 --> 00:52:26,560
Speaker 1: a good question. And anybody who didn't, we didn't get

925
00:52:26,560 --> 00:52:30,359
Speaker 1: your question. You should have had it up first, Yes,

926
00:52:30,480 --> 00:52:33,200
Speaker 1: you should have had us write it down first, put

927
00:52:33,239 --> 00:52:35,440
Speaker 1: it on top. And it's a quick lesson of be

928
00:52:35,600 --> 00:52:38,160
Speaker 1: on time, because it's you know, if you're the it's

929
00:52:38,239 --> 00:52:40,480
Speaker 1: not Jack Nicholson is not the best actor. He's just

930
00:52:40,560 --> 00:52:42,640
Speaker 1: a guy who got there first, to the movie set.

931
00:52:43,600 --> 00:52:45,280
Speaker 1: And so that's a lot of how it works.

932
00:52:47,520 --> 00:52:51,040
Speaker 2: Let's give out the pro version. Excuse me, oh boy?

933
00:52:52,080 --> 00:52:54,920
Speaker 3: Uh? We want to give out the and the rate

934
00:52:55,000 --> 00:52:57,280
Speaker 3: us on iTunes and please check with us on the forums.

935
00:52:57,320 --> 00:53:03,319
Speaker 3: And now STAD forty three gets the pro version yep.

936
00:53:04,200 --> 00:53:08,239
Speaker 3: And I guess that could be if we were to

937
00:53:08,320 --> 00:53:09,360
Speaker 3: tie it into the show.

938
00:53:10,800 --> 00:53:13,879
Speaker 1: Well, okay, this was kind of interesting that the way

939
00:53:13,960 --> 00:53:16,640
Speaker 1: we had to answer that one question between the two

940
00:53:16,719 --> 00:53:20,279
Speaker 1: of us. He can so as his prize. Nice that

941
00:53:20,480 --> 00:53:25,360
Speaker 1: forty three can ask us each one question on the forum,

942
00:53:25,880 --> 00:53:27,759
Speaker 1: but we will not answer to him. We will only

943
00:53:27,800 --> 00:53:30,239
Speaker 1: answer to one another. But we have to answer the

944
00:53:30,320 --> 00:53:33,080
Speaker 1: question to each other that he asks us. Yes, and

945
00:53:33,280 --> 00:53:35,640
Speaker 1: that won't that be nice for you and to know

946
00:53:35,880 --> 00:53:38,440
Speaker 1: that we're sharing with one another what the answer is.

947
00:53:38,760 --> 00:53:41,400
Speaker 2: Bye, Holy Hammock.

948
00:53:47,080 --> 00:53:50,040
Speaker 1: This has been an Earwolf Media production Executive producers Jeff

949
00:53:50,120 --> 00:53:53,160
Speaker 1: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

950
00:53:57,840 --> 00:54:00,880
Speaker 2: Ear War Radio, Boo do Com.

951
00:54:07,600 --> 00:54:08,439
Speaker 1: The words dead