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Speaker 1: Hello, Hi, Jody's barber. It's been so long since I've

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Speaker 1: seen you.

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Speaker 2: It's been all of what, three days, three days, three days.

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Speaker 1: I don't like it. I don't like it when I

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Speaker 1: go three days without talking to you.

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Speaker 2: I know, well it's been three days. But any news

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Speaker 2: over the weekend, anything exciting happened.

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Speaker 1: Well, we survived homecoming, so that's yes, hope we did. Yeah, yeah,

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Speaker 1: we survived that. Like, the dress ended up being fine.

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Speaker 1: The pictures are always like a headache and a nightmare,

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Speaker 1: but we got great pictures too, So yeah, I think

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Speaker 1: I think everybody had a good time, so fan fantastic.

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Speaker 1: And now on our end, none of the girls had

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Speaker 1: dates either, even though Pulis He's like Oka only won

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Speaker 1: without a date, and I'm like, no, no, no, none

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Speaker 1: of her friends had dates. So see it was a

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Speaker 1: girl it was good girl time. That's how it should be, right.

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Speaker 2: Well, and that's the thing right about like middle school,

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Speaker 2: high school, like everyone you know, no one, it's all

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Speaker 2: a blanket statement. Everyone is doing this and no one

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Speaker 2: is doing this right, And you're like, exactly, because that's

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Speaker 2: totally realistic.

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Speaker 3: Yeah, well I'm glad. I'm glad that she had a

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Speaker 3: good time.

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Speaker 2: Zoe had a good time at hers good it was great,

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Speaker 2: everything was fun. Helped her get ready for it.

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Speaker 1: It was a whole thing. My parent. I posted some.

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Speaker 2: Pictures on my Instagram for it, and then my parents

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Speaker 2: came up because yesterday Sunday, the October eighth, was my

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Speaker 2: dad's eighty ninth birthday.

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Speaker 1: Oh Sam, he has.

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Speaker 2: Sam sweetened, turned eighty nine. And let me tell you,

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Speaker 2: he drove my parents up. Like he's I mean, you

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Speaker 2: know my dad, Yeah, like most people are, like your

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Speaker 2: dad's eighty nine, and like he look eighty nine at all. No,

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Speaker 2: he doesn't look eighty nine. Doesn't act it sometimes, but no,

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Speaker 2: I mean he is on it. He is not frail

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Speaker 2: and likes but he's you know, still out there like

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Speaker 2: trimming trees on a twelve foot ladder, right right.

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Speaker 1: He's always busy. That's where you get your your busyness from,

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Speaker 1: because from watching him, he's always like fixing something or

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Speaker 1: building something.

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Speaker 3: Can't he cannot sit still.

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Speaker 2: Remember remember the the Girl's Weekend that you me and

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Speaker 2: uh Candice went on and we went to OHI Valley

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Speaker 2: and yeah, oh hi, and I was trying to hook

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Speaker 2: up the TV or something and you guys kept saying.

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Speaker 2: You were like, oh, here she goes, she's stamming again.

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Speaker 2: Do you remember that?

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Speaker 3: Yes, yeah, you're right, Sam. Can we go to dinner now?

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Speaker 1: The rest of us?

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Speaker 3: I relaxed, figure this out, you guys like, just.

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Speaker 1: Relax, like put your feet up, don't don't fix TVs,

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Speaker 1: like that's why we're paying a lot of money for

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Speaker 1: this hotel.

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Speaker 2: I want to, I know, but I was like, I

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Speaker 2: think I can figure out how to hook this up

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Speaker 2: and how we can yeah, and then I didn't.

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Speaker 1: So yeah, that TV never got fixed.

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Speaker 2: My dad also wouldn't have been able to figure out

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Speaker 2: the TV though, So that's to you know, to both

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Speaker 2: of our credits.

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Speaker 3: Technology is not our thing.

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Speaker 1: Oh well, I'm glad he had a good birthday and

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Speaker 1: he drove himself up. That's so cool.

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Speaker 2: It was great.

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Speaker 3: So I got to seed kids and do a little

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Speaker 3: family day.

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Speaker 1: So it was nice. Nice, It was very nice. Nice.

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Speaker 1: Did you have cake or ice cream? We did cupcakes? Cupcakes.

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Speaker 2: We did cupcakes because my parents are trying to eat

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Speaker 2: better and eat less sugar. And we have a Sweet

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Speaker 2: Lady Jane by my house, which is one of my

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Speaker 2: favorite cake places, and I always wind up getting an

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Speaker 2: entire cake, and then we play like hot potato with

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Speaker 2: who is keeping the cake, because but everyone knows if

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Speaker 2: it stays in their house, that's it.

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Speaker 1: It's being eaten, right, and you can't resist that.

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Speaker 2: No, I cannot say no to cake. So anyway, we

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Speaker 2: got cupcakes and tried to you know, mitigate the guilt

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Speaker 2: on the other end.

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Speaker 1: Good, oh good, Yeah, I love a cupca cakes, perfect

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Speaker 1: amount of cake, so great cake, grape frosting, delicious, very happy.

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Speaker 3: Most importantly, my dad was happy.

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Speaker 2: We had cheeseburgers. That's all he wants. Like, my dad

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Speaker 2: loves a good cheeseburger, and he said it was the

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Speaker 2: best cheeseburger he'd ever had, even better than Carls Junior,

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Speaker 2: which is.

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Speaker 1: His favorite, which is a very.

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Speaker 2: You know, not exactly a high bar fast food is

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Speaker 2: your you.

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Speaker 1: Know, so he met Sam sweet. He's a simple man,

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Speaker 1: you know.

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Speaker 2: He does. I also like my last meal would be

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Speaker 2: a cheeseburger and fries and a cupcake. So I really

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Speaker 2: the Sweetened family lineage is just all about yeah, meat,

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Speaker 2: cheese and cake.

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Speaker 1: Basically what else do you need? You know, who needs vegetables?

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Speaker 3: Some would you say.

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Speaker 2: Vegetables, but I really. Yeah, that's why I drink my

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Speaker 2: little green juice here, so that I can actually get

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Speaker 2: some sort of you know, vegetables into my systems.

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Speaker 1: There you go.

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Speaker 2: It's all about balance, you're right, Yeah, balance, Just drink

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Speaker 2: a cheeseburger with a green juice and it all works

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Speaker 2: out in the end.

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Speaker 1: That's what was it last episode where that's what Danny

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Speaker 1: was telling Joey, right, like a moderation, you know, don't

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Speaker 1: hide the cheeseburger in the baby's crib, like just moderating.

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Speaker 2: You know, I'm literally living a Full House episode. You

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Speaker 2: had the lost turtle. I A'm you drinking the green juice?

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Speaker 1: Oh? Your commitment eating cheeseburgers, your commitment to this podcast.

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Speaker 3: I'm Joey in this scenario.

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Speaker 2: Oh wow, yeah it's you know, I never realized just

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Speaker 2: how applicable Full House is to real life. But damn yeah,

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Speaker 2: here we are.

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Speaker 1: What else can we manifest? Like? What else? Like we

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Speaker 1: got well, we got chicken pox coming up, Like I

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Speaker 1: don't really want to I don't want.

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Speaker 2: To catch I don't want to manifest that. No shingles, no, no,

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Speaker 2: I'm good, thank you. But but this week we have

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Speaker 2: half a love story. Oh, Yeah, a very a very

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Speaker 2: Jesse heavy episode, very Jesse heavy.

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Speaker 1: Yesh, I got mixed feelings about thoughts.

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Speaker 3: I was, guys, I have a lot of thoughts on

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Speaker 3: this one.

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Speaker 1: I do too.

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Speaker 2: Yeah, I have a lot of thoughts.

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Speaker 1: So let's get into it.

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Speaker 2: Let's get should we get into it? Yeah, okay, let's

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Speaker 2: start get into our thoughts.

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Speaker 1: Andrew Barber all right, well, welcome back to how Rude

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Speaker 1: Town Ritos. I'm Andrea Barber.

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Speaker 3: And I am Jody Sweeten.

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Speaker 1: Last I checked, and today we're discussing Season one, episode fourteen,

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Speaker 1: entitled Half a Love Story. It originally aired January fourteenth,

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Speaker 1: nineteen eighty eight, and it goes a little something like this.

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Speaker 1: Jesse uses baby Michelle to get a date with one

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Speaker 1: of Danny's workers, but when a girlfriend of Jesse's tells

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Speaker 1: the story of how she met Jesse with Michelle, Jesse's

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Speaker 1: date is postponed indefinitely.

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Speaker 2: It's just there's a lot of dates just not good.

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Speaker 2: There's a lot of money, there's a lot, there's a

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Speaker 2: lot of there is a lot half, there's some manipulations,

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Speaker 2: some lying. Yeah, yeah, uh yeah, you know, I feel

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Speaker 2: like Jesse is he might have like a like a

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Speaker 2: sort of a love addiction, like a love and relationship.

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Speaker 1: Addiction issue, you know, for a woman.

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Speaker 2: You know, always on the prow and like jumping head

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Speaker 2: first is like we're you know, this is it, I'm

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Speaker 2: in love blah blah blah. Like after meeting them for

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Speaker 2: five minutes, he may need to look at this and

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Speaker 2: and break it down a little bit, you know, because

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Speaker 2: it's it's not necessarily healthy.

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Speaker 3: But we'll get into that.

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Speaker 2: Well, get well, we will get into it because this

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Speaker 2: this episode is there's a lot just happening, all of

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Speaker 2: eighties man's blaming massagery.

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Speaker 1: It's great. Oh yeah, well it was. This episode was

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Speaker 1: directed by Howard Storm. We've we've seen him before and

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Speaker 1: we have it.

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Speaker 2: Was night and we've seen him before in name, and

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Speaker 2: I could not tell you what he looked like, unfortunately,

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Speaker 2: and I feel terrible.

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Speaker 1: The name is familiar, but I can't. I wouldn't be

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Speaker 1: able to pick him out of a line. But that's okay, No,

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Speaker 1: that's okay. It was written b Jeff Franklin and Russell

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Speaker 1: Marcus and we have several several guest stars. I am

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Speaker 1: so excited about this. We do one for the first

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Speaker 1: guest star on my list. Here is Christian Alfonso as

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Speaker 1: Robin Winslow Yep, the the Hope Brady from Days of

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Speaker 1: Our Lives. Oh yeah, where I was Carrie Brady for

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Speaker 1: three and a half years at the same time.

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Speaker 2: Yes, you were.

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Speaker 1: It was her like the Little Reunion, Yes, and I

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Speaker 1: was her flower girl in Bowen Hope's wedding that in

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Speaker 1: this massive cathedral in right right Los Angeles. She is

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Speaker 1: the nicest, most gracious, most beautiful woman actress, Like she's

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Speaker 1: just she's got it all.

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Speaker 2: And she's son she was. I remember in the late eighties,

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Speaker 2: Christian Alfonso was like the.

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Speaker 3: Hair, Oh god, the feathered hair.

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Speaker 2: Just so much hair.

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Speaker 3: It was freaking magnificent. Yeah, but there was so much hair.

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Speaker 2: But she was like the it girl, you know what

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Speaker 2: I mean, Like she everyone knew bow and Hope. It

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Speaker 2: was was it was it post or pre like Luke

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Speaker 2: and Laura.

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Speaker 1: No, I think it was pre pre Lucas Luke and Laura.

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Speaker 2: Yeah, Luke and Laura was like more nineties. So yeah,

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Speaker 2: this was Bowen Hope.

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Speaker 1: This was early eighty years for.

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Speaker 2: Where like watched soap operas and stuff. So yeah, this

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Speaker 2: was you know, days was a very big thing in

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Speaker 2: Our House.

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Speaker 1: Yes, And this is such a great role for her

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Speaker 1: in Full House because it's like she is like the

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Speaker 1: ultimate girl that just wants and can't really get. And

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Speaker 1: I'm like, yeah, right, it's Christian L. Fond soo that

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Speaker 1: that's her, that's her.

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Speaker 2: So yeah, you know she did four thousand, three hundred

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Speaker 2: and twelve episodes on Days of Our Lives.

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Speaker 1: Wow, that's all that.

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Speaker 3: Those are numbers you can only get in a.

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Speaker 2: Soap opera where you're one to day every day.

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Speaker 1: You're doing one one to day, sometimes to a day. Yeah,

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Speaker 1: that is that's not easy.

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Speaker 3: Is that crazy? I mean when you you were I

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Speaker 3: never worked on a soap opera, but you did.

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Speaker 1: Yeah, it no because I I mean I was a kid,

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Speaker 1: so I wasn't in every single scene. Bro, I didn't

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Speaker 1: have a heavy workload. And then I think because I

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Speaker 1: was so young, I could memorize lines so easily. You know,

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Speaker 1: when you're right kids, it's like you just you read

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Speaker 1: it once or twice after one rehearsal. It's just stuck

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Speaker 1: in your head right and.

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Speaker 2: Now and now it's like the opera of people just

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Speaker 2: yeah you absorb, Yeah you absorbed.

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Speaker 1: So No, I didn't find it very difficult. Everybody was

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Speaker 1: so kind on the set and yeah, I know, I

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Speaker 1: loved it. It was it was like one of the

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Speaker 1: only kids on the set, so I got lots of

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Speaker 1: attention from the adults.

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Speaker 3: And by the way, we got another fact wrong.

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Speaker 1: Oh no, what do we get shocked?

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Speaker 2: But Luke and Laura were were started nineteen seventy nine.

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Speaker 2: Their wedding was nineteen eighty one, so.

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Speaker 1: Okay, got it? So yeah, so this so yeah, mine,

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Speaker 1: this was yeah, so hop host Luke and Laura all right,

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Speaker 1: and Luke and Laura was for my time, so right.

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Speaker 2: Well, anyway, I loved seeing this because I it was

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Speaker 2: a nice little Days of Our Lives moment acrossover.

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Speaker 1: I know, I'm bummed that Kimi Gibbler wasn't in this

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Speaker 1: episode for several weeks. No, right, but yeah no, this

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Speaker 1: is uh that this's she is it? I am so

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Speaker 1: happy that we got to see her in this episode.

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Speaker 2: Yes.

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Speaker 1: But also guest starring in this episode is Darcy Demos

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Speaker 1: as Jill. She's also known for Camp, Buy Me Love,

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Speaker 1: and Friday the Thirteenth Vengeance two Bloodlines, as well as

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Speaker 1: other Friday the Thirteenth films. Okay, I don't watch those

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Speaker 1: horror films.

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Speaker 3: I love you, but I do, but I don't.

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Speaker 2: I actually don't know.

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Speaker 3: Friday the Thirteenth Vengeance?

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Speaker 2: Is that like that obviously must be like a spin

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Speaker 2: off of the original Friday the Thirteenth, Or is that?

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Speaker 3: Or is it just the second Vengeance two bloodlines?

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Speaker 2: Oh, I don't know. There's a lot of those movies anyway, right.

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Speaker 1: Right, you're asking the wrong person, So I don't know.

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Speaker 1: I haven't seen it.

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Speaker 2: And I also have thoughts on Jill's appearance, but that anyway,

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Speaker 2: it's Jill.

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Speaker 1: Is the girlfriend that comes back. Okay, Yeah, we'll get

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Speaker 1: into that. We'll get there, we'll get there. We also

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Speaker 1: have guest starring Joshua Cadman as Derek, the stage manager,

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Speaker 1: and Mark Castillo as anchorman. He doesn't have a name.

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Speaker 1: He's just anchorman.

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Speaker 3: Not that anchorman, not you know, San Diego.

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Speaker 2: No, it's it's not not that anchorman, but just as

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Speaker 2: an anchorman, just in general lowercase.

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Speaker 1: Yeah, but I think he has a he has a line,

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Speaker 1: so he deserves and he's got a credit here, so

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Speaker 1: he deserves a name. I think if you have a

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Speaker 1: speaking part, you deserve a name in the script, and

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Speaker 1: not just as well, I mean you've seen speaking parts

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Speaker 1: that are like, you know, whatever, no big deal for

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Speaker 1: Reisa number two or so you know, is it true?

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Speaker 1: Very true? Okay, I'll allow it. I'll allow it.

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Speaker 3: Okay, Okay.

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Speaker 1: So we opened this show in the news studio with Dan,

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Speaker 1: which was.

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Speaker 3: The first time we've ever seen it.

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Speaker 1: By the way, that right, is it?

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Speaker 2: Waight?

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Speaker 3: We saw it boxing episode didn't.

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Speaker 1: Oh well no, because he was at the mat or

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Speaker 1: he was in the thing. Okay, So I think this

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Speaker 1: is the first time we've seen the newsroom got it,

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Speaker 1: which is cool, you know, it's yeah. I always like

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Speaker 1: when they make the stage look like they just kind

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Speaker 1: of like move some equipment out of the way.

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Speaker 2: And you're like, oh, yeah, it's all right. We can

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Speaker 2: see all of the backgrounds in a way.

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Speaker 1: You can see all the stuff that you normally can't

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Speaker 1: see behind the sets, and so they're like, it's not

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Speaker 1: a big deal.

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Speaker 3: It's why comes and can see the top of this.

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Speaker 1: Yeah, exactly, It's very convenient. So Danny's in the newsroom

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Speaker 1: with his fellow anchorman and he promotes his sports segment.

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Speaker 1: They go to commercial and Danny goes to hug Robin

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Speaker 1: a beautiful soon to be coworker, he hopes. He asks

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Speaker 1: her if she got the field reporting job she was

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Speaker 1: interviewing for, and if so, is she making more money

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Speaker 1: than him? The stage manager comes over and tries to

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Speaker 1: pull Danny from the conversation to get back onto the set.

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Speaker 2: Okay, when the stage manager g comes over, why is

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Speaker 2: he so aggressive?

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Speaker 1: Okay, first of all, like a linebacker.

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Speaker 2: I'm like, oh my god, calm down.

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Speaker 1: He's very aggressive. First of all, when he.

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Speaker 2: Like I thought I was going to pay off in

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Speaker 2: a joke where I was where he's like, oh, we

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Speaker 2: just hired him from you know, he retired from the

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Speaker 2: Giants or the forty nine ers or this is how

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Speaker 2: much sports.

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Speaker 1: I know sports, you know what I mean.

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Speaker 2: But like I was expecting some sort of payoff for

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Speaker 2: his over the top aggressiveness towards Danny, and it was

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Speaker 2: just never acknowledged.

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Speaker 1: That, Like he's no very.

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Speaker 2: Harsh in his demeanor and is dragging his sportsmen around.

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Speaker 1: He's he's a little high strung, but I just you know,

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Speaker 1: he's like it's the second ad on a set where

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Speaker 1: they're very they have a really hard job that's managing actors.

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Speaker 1: It's like chasing Katz that's true.

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Speaker 2: I've seen the second ads actually do that with me,

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Speaker 2: where they're like, just come to set, please the right.

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Speaker 1: So, and when Derek walks up, we see the back

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Speaker 1: of him. I thought it was Keith Richmond at first.

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Speaker 2: I literally I reround it twice and I was like,

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Speaker 2: is that Keith Richmond who was our first a d

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Speaker 2: on set during Full House? But it was not.

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Speaker 1: Yeah, it was not.

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Speaker 2: Although I do think at some point we see Keith

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Speaker 2: in here somewhere.

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Speaker 1: Yeah, yeah, not here though, but it would have been great,

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Speaker 1: you know, because Keith probably been just as we had

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Speaker 1: Derek the man handling uh you know ad jeez. Yeah,

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Speaker 1: he was a very high, strong, down sir. So Danny

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Speaker 1: tells him one minute and he asks Robin if she

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Speaker 1: would like to come over for dinner tonight, and I'm asking, like,

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Speaker 1: I know, we get to it later, I'm like, who

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Speaker 1: is this woman? Why is Danny asking her to dinner?

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Speaker 1: Like is this?

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Speaker 2: That was the strange thing.

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Speaker 1: It threw me.

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Speaker 3: I was like, wait, how do you know?

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Speaker 1: Like, usually don't have the backstory yet.

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Speaker 2: Well, usually shows are overly expository in their writing, and

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Speaker 2: they're like, oh my gosh, Robin, I haven't seen you

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Speaker 2: since that class we had a countless San Francisco State

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Speaker 2: in nineteen eighty one, seventeen years old, right, And you're like, Okay,

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Speaker 2: I get it, but this was just like no expedition whatever.

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Speaker 2: But it happens a couple times in this episode where

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Speaker 2: you're like, oh, you're just oh, oh did I.

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Speaker 1: I'm like, how well do they know each other? That Dan?

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Speaker 2: I felt like I missed an episode somewhere in here,

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Speaker 2: same personally, same any know. And she's so sobbingly just

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Speaker 2: appears right yeah, so coming over right.

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Speaker 3: And I'm like, is this is this a date?

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Speaker 1: Right now?

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Speaker 3: They're just friends.

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Speaker 1: Friends, they're friends, and I'm just wanting yeah. I just

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Speaker 1: it distracted me so much. I was the same way.

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Speaker 1: I was like, yeah, what is going on here? So

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Speaker 1: Robin tells Danny that she still needs to check into

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Speaker 1: her hotel, and Danny invites her to stay at the

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Speaker 1: Tanner Hilton.

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Speaker 2: Why Hi, are so many damn people in this house already, Danny?

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Speaker 2: Do you mean you're already shifting people around? Where are

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Speaker 2: you gonna put her the alcove?

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Speaker 1: Right?

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Speaker 3: Where is this person going to sleep?

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Speaker 1: Like the cot is still warm from Jovie's butt Because

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Speaker 1: he just.

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Speaker 2: Set Danny settle down. Not everyone needs to come move

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Speaker 2: into the house.

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Speaker 1: She has a hotel reservation. Let her use it, you know.

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Speaker 2: Yeah, right I I yeah. If someone was like I

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Speaker 2: have to check into the hotel, I'd be like great, right.

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Speaker 2: And if they were like, I don't have a place

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Speaker 2: to stay, I'd be like, we should find you a

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Speaker 2: hotel because I have seventeen people living in my house

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Speaker 2: and there's no more room. It is a full and

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Speaker 2: apparently only like two bathrooms. So trust me, you don't want.

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Speaker 1: To do that, you know what I mean? Right? Yeah,

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Speaker 1: he should have told her that she might not have

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Speaker 1: stayed if she had done the bathroom situation.

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Speaker 2: Right, I mean, she looks like she needs a bathroom

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Speaker 2: all to herself with that incredible full blue pants suit.

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Speaker 1: So the pants suit was great, dude, so.

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Speaker 3: Amazing, just monochromatic.

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Speaker 1: Afah Okay, I loved it. Loved it. So Danny goes

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Speaker 1: back to the news desk and at this very moment,

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Speaker 1: Jesse walks into the station carrying Michelle on his shoulders.

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Speaker 1: He sees Robin it stops have mercy, he says. He

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Speaker 1: tells Michelle to do your thing, beam her in and

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Speaker 1: he starts slowly approaching Robin. Michelle points at Robin and

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Speaker 1: gives a little giggle, and Robin notices her and says, oh,

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Speaker 1: she is so adorable. Jesse whispers to Michelle, you're better

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Speaker 1: than a Ferrari.

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Speaker 2: Come on, wow, dude, Like he's using the baby when

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Speaker 2: we find out what else he's been, what he's been

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Speaker 2: up to. Ye again, I'm telling you he's making very

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Speaker 2: poor choices, and I think someone needs to speak to

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Speaker 2: him about his issues. This is peak Jesse right here,

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Speaker 2: peak Jesse. Yeah. Yeah, So anyway, Ferrari baby, Ferrari baby.

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Speaker 1: Right. So Jesse and Robin meet eyes and say hello,

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Speaker 1: and there is an instant connection. This is such great casting.

401
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Speaker 1: I mean, I'm sure Christian al Fondo can have chemistry

402
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Speaker 1: with a fire hydrant, but their chemistry is outstanding in

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Speaker 1: this whole episode.

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Speaker 2: I yeah, I found it uncomfortable. You did always, yes,

405
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Speaker 2: because there was always someone else in the freaking room.

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Speaker 1: There's always a kid. Yeah.

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00:18:39,200 --> 00:18:42,080
Speaker 2: They're like almost making out with each other over multiple

408
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Speaker 2: people in different scenes.

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Speaker 3: Yeah, And I'm just.

410
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Speaker 2: Like, can you guys stop right again? It's like poor choices.

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Speaker 2: Back in the room, read the room, the room, right

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Speaker 2: but but uh yeah it was.

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Speaker 1: Yeah, it's off putting. It's off putting, but at this moment,

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Speaker 1: I'm like, wow, they have an instant case. It's very

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Speaker 1: it's very overwhelming.

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Speaker 2: Yeah, but like I said, couldn't you gotten a puppy puppies? Okay, fine,

417
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Speaker 2: you want to use that to get women, it's you

418
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Speaker 2: gotta take. But like as a baby, it feels anyway.

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Speaker 1: Poor Michelle. So Robin mentions that this is the cutest

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Speaker 1: baby she has ever seen, and Jesse shows off by

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Speaker 1: blowing raspberries on Michelle's tummy. They all laugh and Jesse

422
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Speaker 1: tells Robin to take a turn. What Weirdly, she agrees

423
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Speaker 1: to this and this blows raspberries on Michelle's tummy.

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Speaker 2: I have never walked up to I may have accidentally

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Speaker 2: touched a pregnant woman's stomach. I'll give myself that I

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Speaker 2: have never out of nowhere on a stranger's baby. Yes,

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Speaker 2: put blown a raspberry on their belly. I would be like,

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Speaker 2: I think.

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Speaker 3: That's a blind too far.

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Speaker 1: There are no boundaries here. You know. It was weird

431
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Speaker 1: that he invited her to do this, and it was

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Speaker 1: weird that she did it.

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Speaker 2: Like, yeah, I mean I guess the eighties were just

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Speaker 2: a time when you just did that.

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Speaker 3: Maybe I don't know.

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Speaker 2: No, like you know, was it sort of like pinching

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Speaker 2: on the cheek and get like here, blow on my baby.

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Speaker 3: I don't know.

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00:20:05,800 --> 00:20:08,480
Speaker 1: Well this episode, this episode was written by two men,

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Speaker 1: so I'm wondering. I don't know. I mean, Jeff didn't

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00:20:10,960 --> 00:20:12,680
Speaker 1: have kids. I don't know if Russell Marcus had kids.

442
00:20:12,760 --> 00:20:15,240
Speaker 1: But if a mom, if a mom had written this episode,

443
00:20:15,280 --> 00:20:17,640
Speaker 1: they'd be like, no, don't tight with baby. Get away

444
00:20:17,760 --> 00:20:20,960
Speaker 1: child right six feet away? Please, yeah, do not put

445
00:20:20,960 --> 00:20:24,040
Speaker 1: any of your body parts on my baby's body parts. Yeah,

446
00:20:24,080 --> 00:20:27,800
Speaker 1: come on, No, don't know. Stop that so so awkward. Yeah,

447
00:20:27,840 --> 00:20:30,520
Speaker 1: this whole interaction is just getting more awkward by the minute.

448
00:20:30,600 --> 00:20:32,000
Speaker 2: Oh, Jesse, Jesse.

449
00:20:32,200 --> 00:20:36,640
Speaker 1: So, Robin and Jesse continue this conversation by talking to Michelle,

450
00:20:36,680 --> 00:20:39,360
Speaker 1: when in reality they're just sending messages to each other,

451
00:20:40,080 --> 00:20:42,800
Speaker 1: like Jesse says, oh, Michelle thinks the three of us

452
00:20:42,840 --> 00:20:46,040
Speaker 1: should get together for a romantic evening of dinner and dancing.

453
00:20:46,760 --> 00:20:48,800
Speaker 2: Which is weird to invite a baby on a romantic

454
00:20:48,840 --> 00:20:51,919
Speaker 2: evening of dinner and dancing. But I call me crazy.

455
00:20:52,080 --> 00:20:55,080
Speaker 1: You're still using the baby to get this baby, Like.

456
00:20:55,040 --> 00:20:56,560
Speaker 2: The three of us are having such a good time,

457
00:20:56,600 --> 00:20:58,040
Speaker 2: we should all have a romantic date.

458
00:20:58,160 --> 00:21:01,160
Speaker 3: What No, I didn't fake.

459
00:21:01,040 --> 00:21:05,399
Speaker 1: Family, Like this is weird, right, oh, dear. So Robin

460
00:21:05,480 --> 00:21:08,880
Speaker 1: agrees to meet tomorrow night, and Jesse suggests that they

461
00:21:09,000 --> 00:21:12,679
Speaker 1: seal it with a kiss before Michelle. Of course, so

462
00:21:12,720 --> 00:21:15,680
Speaker 1: they each kiss the sides of Michelle's cheeks, which would

463
00:21:15,720 --> 00:21:18,840
Speaker 1: be adorable except Jesse is still hitting on this woman

464
00:21:19,240 --> 00:21:20,879
Speaker 1: with the baby.

465
00:21:20,960 --> 00:21:23,360
Speaker 2: Well, if they weren't six inches away from each other,

466
00:21:23,520 --> 00:21:26,119
Speaker 2: like making like being like I want to hump you,

467
00:21:26,119 --> 00:21:27,760
Speaker 2: you know what I mean, And there was a baby's

468
00:21:27,840 --> 00:21:28,640
Speaker 2: face in the middle.

469
00:21:28,720 --> 00:21:32,520
Speaker 1: It's so weird, so weird, Like it's so weird. Yeah, no,

470
00:21:32,920 --> 00:21:34,600
Speaker 1: they just like I get what.

471
00:21:34,520 --> 00:21:37,280
Speaker 2: They're trying to do, and but it's just watching it now,

472
00:21:37,359 --> 00:21:39,040
Speaker 2: you're like, that's so odd.

473
00:21:39,720 --> 00:21:42,280
Speaker 1: It's so odd. I want I want John to rewatch

474
00:21:42,320 --> 00:21:44,600
Speaker 1: this episode and tell us how he feels about that

475
00:21:44,720 --> 00:21:47,359
Speaker 1: now at age sixty, Like, how do you feel about

476
00:21:47,359 --> 00:21:48,280
Speaker 1: all these bodies? Right?

477
00:21:48,359 --> 00:21:52,520
Speaker 2: Yeah, oh my gosh. But but also like if a

478
00:21:52,600 --> 00:21:55,440
Speaker 2: dude walked up to you in a studio and did.

479
00:21:55,280 --> 00:21:58,640
Speaker 4: That and was like here I was baby, I would

480
00:21:58,680 --> 00:22:02,560
Speaker 4: have like, sir, think you need to go, sir, you're

481
00:22:02,600 --> 00:22:05,119
Speaker 4: not okay, and like no, she doesn't even ask why

482
00:22:05,200 --> 00:22:06,320
Speaker 4: are you here with a baby?

483
00:22:06,320 --> 00:22:08,439
Speaker 2: Are you hereinator?

484
00:22:08,480 --> 00:22:13,760
Speaker 1: Who holding a baby? I don't there's several things wrong

485
00:22:13,800 --> 00:22:17,760
Speaker 1: with this scenario. Yeah, So thankfully Robin says goodbye at

486
00:22:17,760 --> 00:22:21,159
Speaker 1: this moment, and she walks away. Thankfully, thank god. So

487
00:22:21,160 --> 00:22:23,639
Speaker 1: we see Danny. He's settling into the news desk, getting

488
00:22:23,640 --> 00:22:26,680
Speaker 1: ready to give his sports cast in fifteen seconds when

489
00:22:26,760 --> 00:22:29,919
Speaker 1: Jesse decides to drop the baby into Danny's lap, claiming

490
00:22:29,960 --> 00:22:31,800
Speaker 1: he has an audition, and then he bolts.

491
00:22:32,880 --> 00:22:35,640
Speaker 2: Also completely makes sense because.

492
00:22:36,200 --> 00:22:38,159
Speaker 1: Because Danny can watch the child, he's about to go

493
00:22:38,240 --> 00:22:40,880
Speaker 1: live on Channel at Yes, exactly.

494
00:22:41,320 --> 00:22:44,040
Speaker 3: And also what car did Jesse put the baby on

495
00:22:44,040 --> 00:22:44,679
Speaker 3: the motorcycle?

496
00:22:44,760 --> 00:22:48,120
Speaker 1: What car did Yeah? Well, he does have the bugmobile

497
00:22:48,359 --> 00:22:52,000
Speaker 1: the exterminator. He's mentioned that. I don't know if it's

498
00:22:52,000 --> 00:22:54,760
Speaker 1: this episode or a prior episode. He says, the bugmobile.

499
00:22:54,840 --> 00:22:56,879
Speaker 2: He just throw the get in the back with the

500
00:22:57,200 --> 00:23:02,760
Speaker 2: fumes and poison. I mean, because I'm sure there's a

501
00:23:02,760 --> 00:23:05,000
Speaker 2: car seat. Okay, just checking.

502
00:23:05,640 --> 00:23:07,400
Speaker 1: I think you have a firm grasp of the situation.

503
00:23:07,640 --> 00:23:11,840
Speaker 2: Again, I this is reality, and this is and this

504
00:23:11,880 --> 00:23:12,840
Speaker 2: is not okay.

505
00:23:13,720 --> 00:23:17,440
Speaker 1: So suddenly Danny is live and awkwardly introduces Michelle as

506
00:23:17,520 --> 00:23:20,879
Speaker 1: a new addition to the sports segment. He asks Michelle

507
00:23:20,880 --> 00:23:23,159
Speaker 1: if she thinks the Warriors can beat the Nuggets tonight

508
00:23:23,280 --> 00:23:26,000
Speaker 1: and by how many points? He holds up her hand

509
00:23:26,040 --> 00:23:29,840
Speaker 1: and follows her cues. Five points, one point, okay, five points,

510
00:23:29,840 --> 00:23:33,800
Speaker 1: and she just keeps pointing, you know, so pointing at

511
00:23:33,840 --> 00:23:38,720
Speaker 1: someone off camp, the baby Wrangler. Yes, so exactly cute,

512
00:23:38,720 --> 00:23:40,639
Speaker 1: but hey, you know, really cute.

513
00:23:40,359 --> 00:23:43,920
Speaker 2: Though again, we're starting to see the personality come out

514
00:23:43,920 --> 00:23:45,199
Speaker 2: in campany I do love it.

515
00:23:45,280 --> 00:23:45,919
Speaker 1: I do love it.

516
00:23:46,000 --> 00:23:49,080
Speaker 2: I get I mean, look, you can't blame Hope for

517
00:23:49,160 --> 00:23:50,359
Speaker 2: thinking the baby's cute.

518
00:23:50,560 --> 00:23:53,040
Speaker 1: Hope. It's just let's just call her Hope for the rest.

519
00:23:53,240 --> 00:23:55,159
Speaker 2: Did I call her Hope? Oh my god? Well she

520
00:23:55,320 --> 00:23:57,600
Speaker 2: is Hope, Like that is That's what I get it.

521
00:23:58,000 --> 00:24:01,080
Speaker 2: I have seen days of our lives since she's probably

522
00:24:01,080 --> 00:24:03,480
Speaker 2: been on it, and I'm like, that's that's her name,

523
00:24:03,600 --> 00:24:06,160
Speaker 2: that is who she is, and she's probably like I get.

524
00:24:05,960 --> 00:24:07,360
Speaker 1: That all the time. That's not the last time we're

525
00:24:07,359 --> 00:24:09,920
Speaker 1: gonna do this, So just warring warning to the fanaritos

526
00:24:10,000 --> 00:24:11,959
Speaker 1: listening out there right now, we will be calling her

527
00:24:11,960 --> 00:24:13,959
Speaker 1: Hope or Robin or Christian friends.

528
00:24:14,080 --> 00:24:17,560
Speaker 2: Hope, Robin, yeah, Christian, she has three Danzo Orbero.

529
00:24:17,640 --> 00:24:19,280
Speaker 3: I don't know it's gonna be okay.

530
00:24:19,560 --> 00:24:21,680
Speaker 1: So later that night, we are in the living room

531
00:24:21,800 --> 00:24:24,720
Speaker 1: where Danny and Robin are talking with DJ and Stephanie.

532
00:24:25,280 --> 00:24:28,240
Speaker 1: Robin says she remembers DJ when she was the size

533
00:24:28,320 --> 00:24:32,720
Speaker 1: of Stephanie. DJ really has no recollection of Robin, and

534
00:24:32,800 --> 00:24:36,159
Speaker 1: Danny says that's okay. DJ was only five. Stephanie decides

535
00:24:36,200 --> 00:24:38,800
Speaker 1: that she should be taken notes in case she forgets

536
00:24:38,840 --> 00:24:40,320
Speaker 1: all of this because she's five.

537
00:24:41,200 --> 00:24:43,600
Speaker 2: I wish I had listened to five year old me,

538
00:24:43,760 --> 00:24:45,760
Speaker 2: because it does mean that I'm gonna forget all of

539
00:24:45,800 --> 00:24:47,960
Speaker 2: this when you're five, and I should have been taking notes.

540
00:24:48,000 --> 00:24:50,719
Speaker 1: Yeah, because here we are, you're anyway, right? True? True.

541
00:24:51,119 --> 00:24:53,880
Speaker 1: So next we're in the kitchen where Joey is reheating

542
00:24:54,320 --> 00:24:57,240
Speaker 1: Chinese takeout in a walk and planning to pass it

543
00:24:57,280 --> 00:25:01,400
Speaker 1: off as his own cooking. He tells Michelle, you never

544
00:25:01,480 --> 00:25:04,800
Speaker 1: saw these takeout cartons, and Michelle puts her hands over

545
00:25:04,840 --> 00:25:08,360
Speaker 1: her eyes in this cube like you pikaboo, pikaboo, Yeah,

546
00:25:08,400 --> 00:25:12,480
Speaker 1: little pekaboo, moment, it's adorable. Stephanie pops in and announces

547
00:25:12,520 --> 00:25:16,720
Speaker 1: that she can see the takeout cartons. Joey, Joey, Joey.

548
00:25:17,080 --> 00:25:21,960
Speaker 1: She says, once again, Stephanie's being the adult in this situation.

549
00:25:22,680 --> 00:25:24,880
Speaker 1: Joey says he's tired of everyone given him a hard

550
00:25:24,920 --> 00:25:28,600
Speaker 1: time because he's not the world's greatest cook Stephanie.

551
00:25:28,119 --> 00:25:31,200
Speaker 2: Says, evidenced by the pizza in a pot.

552
00:25:31,440 --> 00:25:34,480
Speaker 1: Oh, yeah, the pizza was the.

553
00:25:34,400 --> 00:25:37,200
Speaker 2: Pizza that he made that was like, no one knew

554
00:25:39,320 --> 00:25:41,120
Speaker 2: order pizza and he was like it is and you're

555
00:25:41,160 --> 00:25:43,600
Speaker 2: like that what that's like soup.

556
00:25:43,920 --> 00:25:46,080
Speaker 1: He's got a track record of not not it's not

557
00:25:46,119 --> 00:25:50,440
Speaker 1: greatest cooking. But Stephanie says, well, you know that's okay

558
00:25:50,480 --> 00:25:55,080
Speaker 1: because she's not the world's greatest anything. Oh. Joey tells her, well,

559
00:25:55,119 --> 00:25:59,440
Speaker 1: you're the world's greatest, Stephanie, which is so sweet. Steph

560
00:25:59,520 --> 00:26:02,439
Speaker 1: promises to keep Joey's secret, and then she exits to

561
00:26:02,480 --> 00:26:05,240
Speaker 1: tell everyone that Joey is almost done with his cooking.

562
00:26:05,480 --> 00:26:07,919
Speaker 1: And Jody, you're so talented in the scene because not

563
00:26:07,960 --> 00:26:10,360
Speaker 1: only are you like you're talking to Joey, you're doing

564
00:26:10,359 --> 00:26:13,080
Speaker 1: your lines, but you're also like interacting with the baby,

565
00:26:13,160 --> 00:26:16,040
Speaker 1: and that's a lot of multitasking for a five year old.

566
00:26:16,359 --> 00:26:18,520
Speaker 1: I struggle with that as an adult. You know, if

567
00:26:18,520 --> 00:26:21,960
Speaker 1: you got crops, babies, lines, you know, that's yeah, you know.

568
00:26:22,400 --> 00:26:22,680
Speaker 2: Year old.

569
00:26:22,680 --> 00:26:25,800
Speaker 3: I do my best when I'm trying to do fifteen

570
00:26:25,840 --> 00:26:26,359
Speaker 3: things at once.

571
00:26:28,280 --> 00:26:29,000
Speaker 1: That's where you shine.

572
00:26:29,000 --> 00:26:33,240
Speaker 2: I'm sitting still that everything goes wrong, yeah, or walking.

573
00:26:33,600 --> 00:26:35,760
Speaker 1: Right right, simple thing? Thank you, thank you.

574
00:26:35,800 --> 00:26:37,680
Speaker 3: No, it's true, I mean it was yeah. I actually

575
00:26:37,720 --> 00:26:38,480
Speaker 3: I noticed that too.

576
00:26:38,520 --> 00:26:40,919
Speaker 2: I was like, oh, it was you know, I was

577
00:26:40,960 --> 00:26:43,000
Speaker 2: still able to kind of do both things, which you know,

578
00:26:43,080 --> 00:26:46,359
Speaker 2: again I was five six Yeah, not easy handle.

579
00:26:46,440 --> 00:26:51,399
Speaker 1: You handled it effortlessly, so prop why thank you. So

580
00:26:51,520 --> 00:26:53,960
Speaker 1: at this moment, a woman named Jill walks right in

581
00:26:54,000 --> 00:26:57,120
Speaker 1: the back door and asks if Jesse is home yet.

582
00:26:57,680 --> 00:27:00,000
Speaker 1: Joey asks if they are dating again, and Jill say

583
00:27:00,320 --> 00:27:03,840
Speaker 1: they never really stopped. Joey says, amazing.

584
00:27:03,760 --> 00:27:08,000
Speaker 2: Such a random appearance of a person we've never seen, we've.

585
00:27:07,800 --> 00:27:09,920
Speaker 1: Never seen, we've never heard her, she walks right in

586
00:27:09,960 --> 00:27:10,440
Speaker 1: the back door.

587
00:27:11,119 --> 00:27:13,480
Speaker 2: It made more sense if it was someone we'd already

588
00:27:13,520 --> 00:27:15,680
Speaker 2: seen him with. Yeah, yeah, Because they're like, yeah, no,

589
00:27:15,720 --> 00:27:18,280
Speaker 2: we really never really stopped dating. We're like wait what

590
00:27:18,760 --> 00:27:22,400
Speaker 2: because then you're like, wow, so Jesse's doing.

591
00:27:22,480 --> 00:27:25,040
Speaker 1: Like how many women are is he dating at the

592
00:27:25,040 --> 00:27:27,359
Speaker 1: same time? I don't know. I don't want to know.

593
00:27:27,400 --> 00:27:30,520
Speaker 1: Actually I don't want to know dating dam and none

594
00:27:30,560 --> 00:27:33,480
Speaker 1: of those women have a names Jill and Robin. Like

595
00:27:33,560 --> 00:27:36,720
Speaker 1: that's not like Brian broke in the street broken the streak.

596
00:27:36,840 --> 00:27:40,879
Speaker 1: So maybe maybe that's why I don't know. I don't know,

597
00:27:41,000 --> 00:27:42,240
Speaker 1: but yeah, the streak has broken.

598
00:27:42,280 --> 00:27:44,719
Speaker 2: Yeah it was. I was like, wait, who are you?

599
00:27:44,840 --> 00:27:46,720
Speaker 2: And who's the other lady? We still haven't gotten who

600
00:27:46,760 --> 00:27:48,359
Speaker 2: the other lady is? And she met DJ when she

601
00:27:48,400 --> 00:27:50,680
Speaker 2: was five? Why we don't know where? You still don't

602
00:27:50,720 --> 00:27:54,760
Speaker 2: know the backstory. I have so many questions, so many

603
00:27:54,960 --> 00:27:58,760
Speaker 2: questions aboutions where these women are appearing from and why.

604
00:27:59,359 --> 00:28:02,040
Speaker 1: So Joey like this is amazing. Even when Jesse doesn't

605
00:28:02,040 --> 00:28:04,240
Speaker 1: have a date, he has a date, and Jill just

606
00:28:05,280 --> 00:28:08,399
Speaker 1: walks right upstairs uninvited. So she's kind of ballsy, you know,

607
00:28:08,640 --> 00:28:09,800
Speaker 1: this is that's.

608
00:28:09,960 --> 00:28:13,400
Speaker 2: Saying like, I mean she kind of yeah, like.

609
00:28:13,760 --> 00:28:15,359
Speaker 1: She's like, no, don't mind me, I'm just gonna go

610
00:28:15,400 --> 00:28:18,240
Speaker 1: upstairs to his room. You know. Well, wait, Joey's cooking

611
00:28:18,359 --> 00:28:20,199
Speaker 1: you know, she's very comfortable.

612
00:28:19,720 --> 00:28:22,800
Speaker 2: With this situation. Yeah, well yeah, the audience, which is

613
00:28:23,040 --> 00:28:27,359
Speaker 2: again also strange. So it means she's been up there before.

614
00:28:27,760 --> 00:28:29,880
Speaker 2: Mm hmmm when the kids are home and the kid

615
00:28:29,920 --> 00:28:33,520
Speaker 2: I don't know anyway, I don't pull that thread. No, no, no,

616
00:28:33,520 --> 00:28:36,399
Speaker 2: the less you know, yeah, not the more you know,

617
00:28:36,440 --> 00:28:38,600
Speaker 2: but the less, the less you know. So back in

618
00:28:38,640 --> 00:28:40,800
Speaker 2: the living room, Jesse walks in the front door and

619
00:28:40,880 --> 00:28:44,040
Speaker 2: immediately locks eyes with Robin, who is sitting on the couch.

620
00:28:44,800 --> 00:28:50,040
Speaker 2: Danny introduces her she was a newswriter at my first station. There.

621
00:28:50,720 --> 00:28:53,840
Speaker 1: Finally, like five scenes into this, we finally get like

622
00:28:53,880 --> 00:28:56,040
Speaker 1: a little bity got it's enough, but that's enough.

623
00:28:56,120 --> 00:28:58,040
Speaker 3: That's enough something I guess.

624
00:28:58,080 --> 00:29:00,560
Speaker 2: Yeah, would have been weird to like, it would have

625
00:29:00,600 --> 00:29:02,960
Speaker 2: been very like, oh, total setup, but.

626
00:29:02,920 --> 00:29:06,120
Speaker 1: It just felt a little well buried. Yeah, you didn't

627
00:29:06,120 --> 00:29:09,360
Speaker 1: know who she was. I agree. I agree. So Jesse

628
00:29:09,440 --> 00:29:11,760
Speaker 1: walks over to Robin and says, we're going out tomorrow, right,

629
00:29:12,000 --> 00:29:16,360
Speaker 1: and Robin responds absolutely. DJ responds, boy does he work fast.

630
00:29:17,760 --> 00:29:20,160
Speaker 1: Danny tells Jesse that he invited Robin to stay for

631
00:29:20,200 --> 00:29:24,200
Speaker 1: the weekend. In Jesse's room. Jesse is thrilled at this

632
00:29:24,320 --> 00:29:27,920
Speaker 1: prospect until Danny reveals that this means Jesse will be

633
00:29:28,000 --> 00:29:31,320
Speaker 1: bunking with Joey in Joey's room.

634
00:29:31,440 --> 00:29:34,479
Speaker 2: Joey, I mean, Danny just assumes that people are willing

635
00:29:34,560 --> 00:29:36,080
Speaker 2: to You know.

636
00:29:36,040 --> 00:29:38,600
Speaker 1: There's been a lot of musical chairs, musical bedrooms. You know,

637
00:29:38,720 --> 00:29:41,840
Speaker 1: people are people are switching rooms all the time. Joey's

638
00:29:41,840 --> 00:29:44,200
Speaker 1: moved into the garage, back to the alcove.

639
00:29:44,440 --> 00:29:49,080
Speaker 2: I feel like Danny really uh had the first airbnb

640
00:29:49,360 --> 00:29:52,160
Speaker 2: in San Francisco, you know what I mean, except he

641
00:29:52,240 --> 00:29:53,400
Speaker 2: wasn't charging anyone.

642
00:29:53,240 --> 00:29:57,000
Speaker 1: Right, he didn't make any money? Yeah, it right. So

643
00:29:57,120 --> 00:29:59,760
Speaker 1: Joey walks in and he's pretending to ring a triangle

644
00:29:59,840 --> 00:30:04,240
Speaker 1: d and he herds everyone into the kitchen. Jill walks

645
00:30:04,280 --> 00:30:07,120
Speaker 1: downstairs at this very moment and says hi, Jesse, and

646
00:30:07,240 --> 00:30:10,600
Speaker 1: Jesse is shocked to see her. You didn't forget about

647
00:30:10,600 --> 00:30:14,160
Speaker 1: our date, did you, Jill asks him. Jesse tells her, well,

648
00:30:14,240 --> 00:30:15,520
Speaker 1: you know, we can go out to eat right now,

649
00:30:15,560 --> 00:30:17,920
Speaker 1: and he's trying to get her to leave, but Joey

650
00:30:17,920 --> 00:30:21,280
Speaker 1: persuades them to stay because he spent hours cooking a

651
00:30:21,360 --> 00:30:25,880
Speaker 1: delicious Chinese meal. Jill just exits to the kitchen saying

652
00:30:25,880 --> 00:30:28,360
Speaker 1: how much she loves Chinese food, and Jesse looks like

653
00:30:28,400 --> 00:30:32,600
Speaker 1: he wants to strangle Joey. Good way to go, Joey,

654
00:30:33,080 --> 00:30:37,320
Speaker 1: He's so desperate for validation of his cooking. Some moments later,

655
00:30:37,320 --> 00:30:39,800
Speaker 1: we're in the kitchen. Everyone is seated at the dinner table,

656
00:30:39,960 --> 00:30:43,720
Speaker 1: including Jill and Robin. There is a seat saved for

657
00:30:43,800 --> 00:30:46,840
Speaker 1: Jesse right in between them conveniently enough.

658
00:30:46,960 --> 00:30:51,160
Speaker 2: Oh wow, that's just Awkord.

659
00:30:50,280 --> 00:30:53,040
Speaker 1: And we see DJ and Stephanie on the audience side

660
00:30:53,080 --> 00:30:55,560
Speaker 1: of the table with the weird wall insert.

661
00:30:55,840 --> 00:30:57,880
Speaker 2: I was gonna say, it's the first time that we've

662
00:30:57,920 --> 00:31:02,800
Speaker 2: seen the reverse, the reverse of the of the kitchen,

663
00:31:03,000 --> 00:31:06,640
Speaker 2: which is where they you know, basically they bring in

664
00:31:06,680 --> 00:31:09,240
Speaker 2: like a fake wall and just put it behind and

665
00:31:09,280 --> 00:31:12,120
Speaker 2: they bring the cameras up into the set and get

666
00:31:12,160 --> 00:31:14,840
Speaker 2: those shots. Now, that's not something that you usually do

667
00:31:14,920 --> 00:31:16,840
Speaker 2: in front of a live audience because it takes a

668
00:31:16,880 --> 00:31:19,280
Speaker 2: little bit to get everything in place. So that's one

669
00:31:19,320 --> 00:31:22,080
Speaker 2: of those things that you usually shoot on like a Thursday,

670
00:31:22,160 --> 00:31:25,360
Speaker 2: on a pre tape day, right so that it's already

671
00:31:25,520 --> 00:31:27,680
Speaker 2: done so that when you edit it together, you have it.

672
00:31:27,760 --> 00:31:30,240
Speaker 2: But when you're shooting in front of the live audience.

673
00:31:30,280 --> 00:31:33,280
Speaker 2: You don't have to reposition everything and flying walls in

674
00:31:33,320 --> 00:31:33,640
Speaker 2: and all.

675
00:31:33,520 --> 00:31:35,960
Speaker 1: That kind of stuffs. It takes a long time to

676
00:31:36,000 --> 00:31:37,960
Speaker 1: even just to roll the wall in. But and this

677
00:31:38,000 --> 00:31:40,440
Speaker 1: one's pretty simple, like there's no picture frames, there's no

678
00:31:40,560 --> 00:31:43,680
Speaker 1: like set deck. Really it's just a brown wall. But

679
00:31:43,960 --> 00:31:46,479
Speaker 1: it still takes time to move all of the cameras

680
00:31:46,480 --> 00:31:47,280
Speaker 1: and stuff. Like you said.

681
00:31:47,280 --> 00:31:49,840
Speaker 2: But it's the first time we've seen the reverse wall. Yeah,

682
00:31:49,840 --> 00:31:52,040
Speaker 2: I got excited. And it won't be the last. Look,

683
00:31:52,040 --> 00:31:53,480
Speaker 2: there's a fourth wall in the house.

684
00:31:53,560 --> 00:31:56,360
Speaker 1: No, the first time we've seen the fourth wall. That's right.

685
00:31:57,840 --> 00:32:02,080
Speaker 1: So Jesse introduces Robin and Jill as friends, and Robin

686
00:32:02,160 --> 00:32:04,920
Speaker 1: mentions that Jill said she and Jesse have a date tonight.

687
00:32:05,080 --> 00:32:09,560
Speaker 1: M he can't put this past Hope, that's for sure. Jesse,

688
00:32:09,680 --> 00:32:14,200
Speaker 1: who's trying to distract, Hope Hope, yep, oh Hope. Jesse

689
00:32:14,400 --> 00:32:17,560
Speaker 1: trying to distract, starts dishing up the food and everyone

690
00:32:17,640 --> 00:32:20,920
Speaker 1: comments on how delicious it is. Danny comments that it

691
00:32:20,960 --> 00:32:23,959
Speaker 1: tastes very similar to the low Maine at Uncle Wou's

692
00:32:24,120 --> 00:32:28,560
Speaker 1: Chinese palace. Everyone agrees except Stephanie, who says, oh, except

693
00:32:28,600 --> 00:32:31,760
Speaker 1: it's much better. Trying to keep her promise to Joey.

694
00:32:32,240 --> 00:32:35,200
Speaker 2: Joey winks and I wink, you wink your only do

695
00:32:35,240 --> 00:32:36,040
Speaker 2: with my mouth open.

696
00:32:36,840 --> 00:32:40,280
Speaker 1: It's so funny to see you like manipulating your muscles.

697
00:32:39,920 --> 00:32:42,360
Speaker 2: Face heads, like leans to that, yeah, exactly leans to

698
00:32:42,400 --> 00:32:42,800
Speaker 2: the side.

699
00:32:44,240 --> 00:32:47,200
Speaker 3: And you know, eating scenes.

700
00:32:47,080 --> 00:32:48,360
Speaker 1: Oh yeah, let's talk about this.

701
00:32:48,680 --> 00:32:52,960
Speaker 2: Uh, are never They're never as great as you think

702
00:32:53,040 --> 00:32:55,280
Speaker 2: because that food has been sitting there for a long

703
00:32:55,320 --> 00:32:57,720
Speaker 2: time and it's yeah, you can't actually eat it.

704
00:32:57,720 --> 00:32:59,000
Speaker 3: Which is one of the really hard things.

705
00:32:59,040 --> 00:33:02,200
Speaker 2: Like and we learned this lesson as adults too, when

706
00:33:02,240 --> 00:33:05,040
Speaker 2: you'd have little actor treats in a scene. You can't

707
00:33:05,080 --> 00:33:07,560
Speaker 2: eat all of it because then it doesn't look the

708
00:33:07,600 --> 00:33:09,760
Speaker 2: same from shots to shots. So there's a lot of

709
00:33:10,320 --> 00:33:14,120
Speaker 2: plus it's chewing on camera, especially for like sitcoms, they

710
00:33:14,120 --> 00:33:16,480
Speaker 2: don't really you know, unless it's part of the joke. Yeah,

711
00:33:16,520 --> 00:33:19,600
Speaker 2: so you know, you're kind of just pushing noodles around

712
00:33:19,640 --> 00:33:21,640
Speaker 2: a plate and it's usually cold.

713
00:33:22,040 --> 00:33:24,840
Speaker 1: Yeah, it's definitely not like cold fried chicken.

714
00:33:25,640 --> 00:33:28,520
Speaker 2: Cold fried chicken was actually cold fried chicken is delicious,

715
00:33:28,640 --> 00:33:31,920
Speaker 2: but cold. Weirdly, cold fried chicken was something that John

716
00:33:32,400 --> 00:33:36,240
Speaker 2: always had to eat in a scene. And you'll see

717
00:33:36,240 --> 00:33:39,880
Speaker 2: it throughout the throughout the show, but there was always

718
00:33:40,080 --> 00:33:43,360
Speaker 2: cold fried chicken and that was what he would eat

719
00:33:43,400 --> 00:33:44,040
Speaker 2: in scenes.

720
00:33:44,160 --> 00:33:46,960
Speaker 3: So yeah that cold ma.

721
00:33:47,560 --> 00:33:50,120
Speaker 1: This is cold low Maine. Yeah, okay, yeah, but yeah, no,

722
00:33:50,200 --> 00:33:53,600
Speaker 1: there's definitely a foodography to acting in these food scenes

723
00:33:53,640 --> 00:33:55,920
Speaker 1: where you have to time your bite with your lines

724
00:33:55,960 --> 00:33:57,440
Speaker 1: and make sure you don't have a full mouth when

725
00:33:57,440 --> 00:33:58,960
Speaker 1: you're talking, and yeah, it just you end up just

726
00:33:59,000 --> 00:34:03,440
Speaker 1: pushing things around. Yep. Yes, So Jill tells the story

727
00:34:03,480 --> 00:34:06,640
Speaker 1: of how she and Jess met in a Chinese restaurant

728
00:34:06,720 --> 00:34:09,280
Speaker 1: where Jesse came to pick up an order with Michelle.

729
00:34:10,360 --> 00:34:12,480
Speaker 1: Jill says that there is just something about a man

730
00:34:12,560 --> 00:34:16,480
Speaker 1: with a baby that is so sexy and hard to resist.

731
00:34:16,960 --> 00:34:19,520
Speaker 1: Robin is on to him, and so is Danny, who

732
00:34:19,880 --> 00:34:24,879
Speaker 1: pointedly asked, Jesse, you used my baby to meet women, right, Yes,

733
00:34:25,200 --> 00:34:27,960
Speaker 1: thank you Danny, Yes, thank you Danny. He's saying what

734
00:34:28,000 --> 00:34:28,520
Speaker 1: we're all you.

735
00:34:29,320 --> 00:34:32,000
Speaker 3: Yeah, you should question.

736
00:34:31,760 --> 00:34:35,840
Speaker 1: His judgment, questioned him being in charge of your little baby.

737
00:34:36,320 --> 00:34:39,840
Speaker 2: Yeah. Not only that, Danny doesn't even know that random

738
00:34:39,840 --> 00:34:42,239
Speaker 2: people have been blowing raspberries on his child's belly.

739
00:34:42,239 --> 00:34:43,080
Speaker 1: Oh, he doesn't even know the.

740
00:34:43,000 --> 00:34:43,360
Speaker 2: Hatch of it.

741
00:34:43,360 --> 00:34:45,040
Speaker 3: Imagine what's gonna happen when he finds that out?

742
00:34:45,080 --> 00:34:49,360
Speaker 1: He's gonna flip. Oh dear, oh dear, Yeah, he's gonna blow. So,

743
00:34:49,440 --> 00:34:52,600
Speaker 1: Jill continues, once Jesse got me to kiss the baby,

744
00:34:52,719 --> 00:34:57,160
Speaker 1: I was hooked. Robin ain't stupid, She questions, Jill, did

745
00:34:57,200 --> 00:34:59,200
Speaker 1: you kiss the baby on the stomach too?

746
00:35:00,400 --> 00:35:04,720
Speaker 2: Yes? Such a weird Now you're like, what a weird question?

747
00:35:05,120 --> 00:35:06,239
Speaker 1: Universe are we living in?

748
00:35:06,320 --> 00:35:09,319
Speaker 2: What you right? It's just such a yeah. Did you

749
00:35:09,440 --> 00:35:11,120
Speaker 2: also guess the baby?

750
00:35:12,160 --> 00:35:13,840
Speaker 1: It's what if she would.

751
00:35:13,600 --> 00:35:15,320
Speaker 2: Have been like, No, that's weird.

752
00:35:15,400 --> 00:35:16,279
Speaker 3: Why would you do that?

753
00:35:17,920 --> 00:35:19,799
Speaker 1: Oh? Yeah, did you?

754
00:35:20,200 --> 00:35:20,439
Speaker 2: Yeah?

755
00:35:20,560 --> 00:35:24,120
Speaker 1: Yeah? No, it's it's not normal, it's awkward. It's this

756
00:35:24,200 --> 00:35:27,160
Speaker 1: whole It's like, let's get out of this scene. Jesse

757
00:35:27,280 --> 00:35:29,600
Speaker 1: drops his fork on the plate. Suddenly the jig is up.

758
00:35:30,239 --> 00:35:32,439
Speaker 1: Dj asks if the food is too spicy for Jesse

759
00:35:32,520 --> 00:35:36,360
Speaker 1: because he is sweating bullets, and I am just well,

760
00:35:36,560 --> 00:35:38,640
Speaker 1: I'm more for that. He yes, he deserves to be

761
00:35:38,680 --> 00:35:41,000
Speaker 1: sweating bullets. You know, he's juggling all these women in

762
00:35:41,040 --> 00:35:45,359
Speaker 1: front of each other. Oh yeah. So later that night,

763
00:35:45,600 --> 00:35:48,839
Speaker 1: Danny and Robin are in Jesse's room practicing for her

764
00:35:48,880 --> 00:35:51,680
Speaker 1: audition tomorrow. Jesse walks in and says he needs to

765
00:35:51,719 --> 00:35:55,040
Speaker 1: talk to Robin privately. Danny starts to leave, but Robin

766
00:35:55,080 --> 00:35:59,279
Speaker 1: insists that he staying. Okay, so Robin tells Jesse that

767
00:35:59,320 --> 00:36:01,880
Speaker 1: if this is about Jill, there, there's no problem. He

768
00:36:01,880 --> 00:36:05,480
Speaker 1: should not feel bad about having a date tonight. Robin

769
00:36:05,480 --> 00:36:08,719
Speaker 1: and Jesse just met. It's fine. Jesse says, okay, so

770
00:36:08,800 --> 00:36:11,759
Speaker 1: we're still going out tomorrow night, and Robin responds, no,

771
00:36:12,480 --> 00:36:16,200
Speaker 1: she needs to focus on her career. Good answer, Robin,

772
00:36:16,400 --> 00:36:21,400
Speaker 1: good answer, smart, don't fall for this player like you.

773
00:36:21,960 --> 00:36:23,919
Speaker 1: You just keep your priority straight round.

774
00:36:24,000 --> 00:36:29,640
Speaker 2: This man is a baby user, okay, and baby he is.

775
00:36:29,840 --> 00:36:33,239
Speaker 1: Yeah. Danny again tries to leave, but Robin makes him

776
00:36:33,239 --> 00:36:35,680
Speaker 1: sit back down. So he's literally in the middle of

777
00:36:35,719 --> 00:36:39,040
Speaker 1: this awkward conversation. He's not doing anything, he's just sitting there.

778
00:36:39,640 --> 00:36:43,759
Speaker 2: Again. That's what I'm like, It's that's what I'm saying, Like, yes, sure,

779
00:36:43,760 --> 00:36:44,840
Speaker 2: they have great chemistry.

780
00:36:44,920 --> 00:36:46,879
Speaker 3: Maybe only when there's a third person there.

781
00:36:47,000 --> 00:36:49,200
Speaker 1: Yeah, No, yeah, I have great chemistry. As long as

782
00:36:49,239 --> 00:36:51,520
Speaker 1: there's an audience there, watching have great chemistry.

783
00:36:51,520 --> 00:36:54,160
Speaker 2: As long as there's Yeah, yeah, they're I don't know

784
00:36:54,200 --> 00:36:57,000
Speaker 2: what they're into. That's fine, But it just feels a

785
00:36:57,000 --> 00:36:58,040
Speaker 2: little strange.

786
00:36:58,719 --> 00:37:02,239
Speaker 1: It's so weird. So Robin says that she's breaking their date,

787
00:37:02,480 --> 00:37:06,759
Speaker 1: which Jesse does not want to accept. Robin explains that

788
00:37:06,800 --> 00:37:09,760
Speaker 1: she's dated guys like Jesse before and it always gets

789
00:37:09,800 --> 00:37:15,439
Speaker 1: her in trouble. Mmm, she's smart. This is a hope.

790
00:37:15,480 --> 00:37:18,719
Speaker 1: Is a smart woman. Jesse challenges her and tells her

791
00:37:18,760 --> 00:37:22,239
Speaker 1: to describe what type of guy he is. Jesse, get

792
00:37:22,239 --> 00:37:24,200
Speaker 1: a clue. No means no, like don't.

793
00:37:25,200 --> 00:37:28,480
Speaker 2: Also like right, don't get mad she called you out

794
00:37:28,520 --> 00:37:31,160
Speaker 2: on it. Yeah, don't gaslight her, take the take.

795
00:37:31,000 --> 00:37:33,279
Speaker 1: The l and go home like he's home, but just

796
00:37:33,280 --> 00:37:33,640
Speaker 1: go away.

797
00:37:34,280 --> 00:37:36,080
Speaker 2: You have a date. You have a date.

798
00:37:36,360 --> 00:37:38,200
Speaker 1: He has one date, doesn't he the one? Bro?

799
00:37:39,320 --> 00:37:40,359
Speaker 3: I'll be happy with your one date.

800
00:37:41,360 --> 00:37:42,239
Speaker 2: Grass is always great.

801
00:37:42,360 --> 00:37:43,560
Speaker 3: I'm telling you he's got some.

802
00:37:44,160 --> 00:37:47,720
Speaker 1: You've got some issues. He's got some issues. Robin accepts

803
00:37:47,760 --> 00:37:51,359
Speaker 1: this challenge and describes him as a guitar playing, leather

804
00:37:51,400 --> 00:37:55,960
Speaker 1: wearing Elvis loving, motorcycle riding girl, chasing blow drying baby toating,

805
00:37:56,160 --> 00:37:57,360
Speaker 1: tough guy, tight.

806
00:37:58,160 --> 00:37:59,759
Speaker 3: Bingo, thank you.

807
00:37:59,760 --> 00:38:05,200
Speaker 1: Than she's got that right, she nailed nailed it. Jesse

808
00:38:05,320 --> 00:38:07,439
Speaker 1: tries to convince her that he's you know, he's other

809
00:38:07,480 --> 00:38:14,400
Speaker 1: types too, romantic, compassionate, the type that's attracted to your type. Danny,

810
00:38:14,480 --> 00:38:16,839
Speaker 1: who is still in the middle of this, is You've

811
00:38:16,880 --> 00:38:20,680
Speaker 1: had six minutes of conversation with her, all of which

812
00:38:20,680 --> 00:38:23,120
Speaker 1: have been in front of someone, a baby or a father.

813
00:38:23,800 --> 00:38:26,520
Speaker 2: You know, how do you even know what type she is? Yeah?

814
00:38:26,640 --> 00:38:30,919
Speaker 1: I know, I know. So Danny is is He's finally

815
00:38:30,920 --> 00:38:32,680
Speaker 1: speaks up and he's like, is anyone aware of the

816
00:38:32,719 --> 00:38:36,719
Speaker 1: fact that I am still in the room? Man is

817
00:38:36,760 --> 00:38:40,240
Speaker 1: being held hostage and being witnessed to this awkward interaction.

818
00:38:41,520 --> 00:38:43,920
Speaker 1: So Robin tells Jesse she's willing to bet that he

819
00:38:44,000 --> 00:38:47,680
Speaker 1: has never had had a relationship longer than three months.

820
00:38:48,160 --> 00:38:50,799
Speaker 1: Jesse denies this, claiming that he once dated Sharon what's

821
00:38:50,840 --> 00:38:55,000
Speaker 1: her name? For four beautiful months. Danny adds didn't she

822
00:38:55,040 --> 00:38:58,719
Speaker 1: spend two of those months in European Jesse finally tells

823
00:38:58,760 --> 00:39:02,439
Speaker 1: Danny to get out. Now that's cue Danny speaking truth,

824
00:39:02,480 --> 00:39:02,879
Speaker 1: So jes.

825
00:39:03,400 --> 00:39:05,520
Speaker 2: Dan, everyone's speaking truth and Jesse does not.

826
00:39:05,480 --> 00:39:07,200
Speaker 1: Want to hear it. Know, he's in denial.

827
00:39:09,120 --> 00:39:13,880
Speaker 2: That's yeah. The the psychological breakdown of this is fascinating.

828
00:39:13,920 --> 00:39:15,640
Speaker 1: Oh yeah, we're having a field ding.

829
00:39:15,840 --> 00:39:18,160
Speaker 2: Do we think that he's using relationships as a way

830
00:39:18,200 --> 00:39:19,640
Speaker 2: to deal with the loss of his sister.

831
00:39:20,120 --> 00:39:20,920
Speaker 3: Do we think that's mean?

832
00:39:21,000 --> 00:39:23,239
Speaker 2: You know what I mean, like he's it's a it's

833
00:39:23,280 --> 00:39:23,920
Speaker 2: a sort of a.

834
00:39:24,040 --> 00:39:26,680
Speaker 3: I don't know. I don't throw things out there. I

835
00:39:27,200 --> 00:39:27,880
Speaker 3: don't know what it is.

836
00:39:28,600 --> 00:39:30,520
Speaker 2: I don't know because you have a terrible relationship with

837
00:39:30,560 --> 00:39:33,200
Speaker 2: his mom. What you know, what does he searched with

838
00:39:33,320 --> 00:39:34,000
Speaker 2: Jesse's searching.

839
00:39:34,200 --> 00:39:37,120
Speaker 1: We don't know much about the mom. I think he's

840
00:39:37,160 --> 00:39:38,880
Speaker 1: just he's so, he's so he wants to be a

841
00:39:38,920 --> 00:39:41,400
Speaker 1: tough guy, you know, and a womanizer. He wants so

842
00:39:41,440 --> 00:39:44,600
Speaker 1: badly to portray that. But also juxtaposed with him wanting

843
00:39:44,840 --> 00:39:47,520
Speaker 1: to find love and to find the love of his life.

844
00:39:47,560 --> 00:39:50,560
Speaker 1: It's it's a weird you know, balance of It's like

845
00:39:50,760 --> 00:39:52,920
Speaker 1: pick a lane, you know, are you a woman? Do

846
00:39:52,960 --> 00:39:54,040
Speaker 1: you want to meet the last?

847
00:39:54,640 --> 00:39:54,839
Speaker 2: Right?

848
00:39:55,600 --> 00:39:55,839
Speaker 1: Yeah?

849
00:39:55,880 --> 00:39:57,919
Speaker 2: I think he's he's just wanting love for love's sake.

850
00:39:58,200 --> 00:40:01,560
Speaker 2: It's not necessarily about the person because obviously, like he said,

851
00:40:01,800 --> 00:40:02,480
Speaker 2: her type.

852
00:40:02,280 --> 00:40:04,640
Speaker 3: Which he doesn't even know, is just it's the pretty type.

853
00:40:04,680 --> 00:40:06,680
Speaker 1: That's the type. That's his type. She's pretty and she

854
00:40:06,719 --> 00:40:11,840
Speaker 1: has great hair. That's all that matters. Much hair, so

855
00:40:11,920 --> 00:40:15,640
Speaker 1: much hair, So After Danny leaves, Robin tells Jesse the truth.

856
00:40:15,920 --> 00:40:19,759
Speaker 1: She's afraid of getting hurt again. Guys like him and

857
00:40:19,800 --> 00:40:23,279
Speaker 1: girls like her are totally different people. Jesse argues that

858
00:40:23,280 --> 00:40:26,279
Speaker 1: that's the exciting part. They're like fire and ice, and

859
00:40:26,320 --> 00:40:29,120
Speaker 1: do you know what you get with fire and ice? Steam?

860
00:40:30,200 --> 00:40:32,200
Speaker 1: They are about to kiss when Robin breaks it off

861
00:40:32,200 --> 00:40:32,600
Speaker 1: and just.

862
00:40:32,680 --> 00:40:35,520
Speaker 2: Rushes to the door says, you get a puddle, is

863
00:40:35,520 --> 00:40:36,200
Speaker 2: what you get?

864
00:40:36,280 --> 00:40:39,760
Speaker 1: Puddle? Exactly, get a puddle. Jesse says, I'm not taking

865
00:40:39,880 --> 00:40:41,000
Speaker 1: no for an answer.

866
00:40:42,160 --> 00:40:44,560
Speaker 3: Come on, get out of the room, sir.

867
00:40:46,239 --> 00:40:47,960
Speaker 1: This woman's boundary, right.

868
00:40:48,080 --> 00:40:53,440
Speaker 2: She's in your in your room, and you're sir, please.

869
00:40:53,440 --> 00:40:56,520
Speaker 1: Go down the hallway, go go and so and Robin

870
00:40:56,680 --> 00:40:58,840
Speaker 1: Robin kicks him out, shuts the door, and Jesse is

871
00:40:58,880 --> 00:41:02,680
Speaker 1: now in the hallway and he's still arguing through the door.

872
00:41:02,880 --> 00:41:06,880
Speaker 2: And also like this is Danny's friend, yet it up.

873
00:41:07,320 --> 00:41:08,719
Speaker 3: Stop doing this.

874
00:41:08,960 --> 00:41:11,760
Speaker 1: Yeah, yeah, no, there's so many reasons why he's wrong

875
00:41:11,960 --> 00:41:13,360
Speaker 1: in this scenario.

876
00:41:13,000 --> 00:41:14,680
Speaker 2: Like there's so many.

877
00:41:17,280 --> 00:41:17,520
Speaker 3: Yeah.

878
00:41:17,560 --> 00:41:19,759
Speaker 1: Anyway, So he's in the hallway. He's still yelling at

879
00:41:19,800 --> 00:41:21,800
Speaker 1: her through the door, and we see the entire family

880
00:41:21,920 --> 00:41:24,160
Speaker 1: is out in the hallway listening to this argument.

881
00:41:24,480 --> 00:41:26,440
Speaker 3: Yeah, well, I mean, wouldn't you.

882
00:41:26,600 --> 00:41:29,680
Speaker 1: Yeah, you know, Hey, I the popcorn.

883
00:41:29,800 --> 00:41:33,200
Speaker 2: I hear neighbors and you're like what, you're in a

884
00:41:33,200 --> 00:41:35,120
Speaker 2: hotel and you're like, hold on, sh.

885
00:41:34,800 --> 00:41:35,560
Speaker 1: I've got to listen.

886
00:41:36,239 --> 00:41:38,759
Speaker 2: Definitely, not that I would ever do that, because that's

887
00:41:38,840 --> 00:41:41,320
Speaker 2: rude and oh sure, and we're not nosy.

888
00:41:41,840 --> 00:41:42,960
Speaker 1: We're not nosy at all.

889
00:41:43,480 --> 00:41:46,040
Speaker 3: No, But if they're in your house.

890
00:41:46,080 --> 00:41:48,200
Speaker 1: It's fair game game. Hey, it's the Tanner house.

891
00:41:48,239 --> 00:41:51,040
Speaker 3: You're yelling at the hallway, sir at someone you just met.

892
00:41:51,120 --> 00:41:52,399
Speaker 2: Ye, I can listen if I want.

893
00:41:52,440 --> 00:41:56,040
Speaker 1: Anyone can eavesdrop. And they are yeah. Yeah. So a

894
00:41:56,080 --> 00:41:59,000
Speaker 1: stubborn Jesse tries to deny that he likes Robin, but

895
00:41:59,120 --> 00:42:02,560
Speaker 1: he finally admits study he does like her. He says,

896
00:42:02,600 --> 00:42:05,319
Speaker 1: this is the worst breakup of my life. And I

897
00:42:05,440 --> 00:42:08,719
Speaker 1: haven't even been out with her. Dude, slow down, like,

898
00:42:09,280 --> 00:42:10,600
Speaker 1: you know her seven minutes?

899
00:42:11,800 --> 00:42:16,399
Speaker 2: Yeah, seven minutes, six of which have been with other

900
00:42:16,440 --> 00:42:19,360
Speaker 2: people with a baby in between them, or Danny or

901
00:42:20,160 --> 00:42:23,399
Speaker 2: or the other Jill right, or you got this other

902
00:42:23,440 --> 00:42:25,120
Speaker 2: girl who's like, are we going on a date and

903
00:42:25,640 --> 00:42:26,480
Speaker 2: you haven't told her.

904
00:42:26,640 --> 00:42:28,040
Speaker 3: She's probably still waiting out to me.

905
00:42:28,160 --> 00:42:31,279
Speaker 1: Yeah, she's still downstairs with the takeouts of Chinese food.

906
00:42:31,320 --> 00:42:31,719
Speaker 2: I don't know.

907
00:42:32,040 --> 00:42:36,560
Speaker 1: Yeah, yeah, yeah, Jesse, Like he's making me feel sorry

908
00:42:36,560 --> 00:42:39,640
Speaker 1: for Jill now too, and that's that's yeah, Jesse.

909
00:42:40,040 --> 00:42:44,960
Speaker 2: Like Jesse could have been he could have won.

910
00:42:45,520 --> 00:42:46,280
Speaker 3: F Boy Island.

911
00:42:46,480 --> 00:42:49,960
Speaker 2: I feel like, oh yeah, had it been a thing

912
00:42:50,080 --> 00:42:52,879
Speaker 2: in Yeah, he was kind of the first one.

913
00:42:52,960 --> 00:42:55,680
Speaker 1: He was, he was the first one. He was the unofficial,

914
00:42:55,960 --> 00:42:57,160
Speaker 1: the unofficial first one.

915
00:42:57,680 --> 00:43:00,560
Speaker 2: No, I'm thinking he's pretty official. He is a oficially

916
00:43:00,960 --> 00:43:05,279
Speaker 2: an F boy, Okay, but he just again, Jesse, what

917
00:43:05,320 --> 00:43:07,120
Speaker 2: are you? What are you looking for? Why do you

918
00:43:07,320 --> 00:43:07,680
Speaker 2: why do.

919
00:43:07,680 --> 00:43:09,799
Speaker 3: You think this is going to complete you? And why

920
00:43:09,920 --> 00:43:11,239
Speaker 3: yet you're never satisfied?

921
00:43:11,280 --> 00:43:15,320
Speaker 2: It's always something more, this fascinating, fascinating psychological breakdown.

922
00:43:15,480 --> 00:43:18,680
Speaker 1: And why isn't he listening? He's not listening when they

923
00:43:18,680 --> 00:43:21,359
Speaker 1: say no, Like that's important too, is that you hear

924
00:43:21,560 --> 00:43:25,840
Speaker 1: what the other person is saying and setting a Boundary's I.

925
00:43:25,800 --> 00:43:28,440
Speaker 2: Think we've decided boundaries are not Jesse strunks not his

926
00:43:28,640 --> 00:43:29,239
Speaker 2: Truth's there.

927
00:43:29,280 --> 00:43:31,600
Speaker 1: He'll get there, yeah, event I mean it's early. We're

928
00:43:31,640 --> 00:43:34,399
Speaker 1: early in the eight year run of He's a.

929
00:43:34,480 --> 00:43:36,840
Speaker 3: Twenty four year old man in the eighties.

930
00:43:38,120 --> 00:43:41,000
Speaker 1: You know. Yeah, that tracks, that does track? Yeah, okay.

931
00:43:41,680 --> 00:43:43,839
Speaker 1: The next day, we are in the kitchen where Jesse

932
00:43:43,960 --> 00:43:46,320
Speaker 1: is serving up French toast to the family and claiming

933
00:43:46,360 --> 00:43:50,160
Speaker 1: that he's fine. It's her loss. He's moving on. Danny

934
00:43:50,200 --> 00:43:51,000
Speaker 1: tells him, but when.

935
00:43:50,840 --> 00:43:54,279
Speaker 2: You move on from something you didn't even move into,

936
00:43:55,320 --> 00:43:56,680
Speaker 2: how are you like, I'm moving on, sir?

937
00:43:56,760 --> 00:43:58,520
Speaker 3: You never moved forward.

938
00:44:00,360 --> 00:44:03,799
Speaker 1: Danny tells him that he always rushes into everything. Why

939
00:44:03,840 --> 00:44:05,960
Speaker 1: doesn't he just slow down?

940
00:44:06,719 --> 00:44:07,799
Speaker 2: Let you let her?

941
00:44:07,880 --> 00:44:08,839
Speaker 3: Ganny know him?

942
00:44:08,920 --> 00:44:13,920
Speaker 2: Voice of reason God for Danny Tanner episode Danny Like Hannah.

943
00:44:14,000 --> 00:44:17,120
Speaker 1: He is saying what everyone else is thinking in the audience,

944
00:44:17,320 --> 00:44:21,560
Speaker 1: and thank God for him. Yep, so he's Danny tells

945
00:44:21,600 --> 00:44:24,840
Speaker 1: him just be her friend first, and Jesse is not

946
00:44:24,920 --> 00:44:27,200
Speaker 1: a fan of this advice he does.

947
00:44:27,400 --> 00:44:29,560
Speaker 2: He basically doesn't think that men and women can be friends.

948
00:44:30,600 --> 00:44:33,719
Speaker 2: That he's one of those of one of those. He's like,

949
00:44:33,760 --> 00:44:34,400
Speaker 2: we can't know.

950
00:44:34,400 --> 00:44:36,040
Speaker 3: Where your friends after.

951
00:44:35,840 --> 00:44:38,560
Speaker 1: You date, right, okay, right? He agrees with it.

952
00:44:38,680 --> 00:44:41,480
Speaker 2: He just learned if you're friends with them first.

953
00:44:42,200 --> 00:44:47,880
Speaker 1: That's what leads to romantic relationship. Yeah, yep, Jesse doesn't want.

954
00:44:47,719 --> 00:44:48,000
Speaker 2: To hear it.

955
00:44:48,120 --> 00:44:49,479
Speaker 3: He's got a lot to teach Jesse.

956
00:44:50,120 --> 00:44:52,840
Speaker 1: He again claims that he's fine, but Joey notes that

957
00:44:52,920 --> 00:44:55,359
Speaker 1: Jesse has piled like a dozen pieces of French toast

958
00:44:55,440 --> 00:44:57,520
Speaker 1: on his plate, so clearly he's not fine.

959
00:44:58,080 --> 00:44:59,280
Speaker 3: We now I want French toast.

960
00:45:00,080 --> 00:45:03,600
Speaker 1: Sounds good, doesn't it. So later we're in the girls

961
00:45:03,680 --> 00:45:05,880
Speaker 1: room and DJ and Stephanie are watching Robin.

962
00:45:06,000 --> 00:45:09,160
Speaker 2: Oh wait, hold on a backup though, okay, backup?

963
00:45:09,440 --> 00:45:10,759
Speaker 3: Did you did you.

964
00:45:10,719 --> 00:45:14,280
Speaker 2: Get the the King Kong Bundy reference?

965
00:45:16,160 --> 00:45:17,040
Speaker 1: I didn't write that down.

966
00:45:17,440 --> 00:45:19,359
Speaker 3: Tell me true crime fan that I am.

967
00:45:19,560 --> 00:45:22,279
Speaker 2: I was like, wow, we're making a dark reference here,

968
00:45:22,320 --> 00:45:23,640
Speaker 2: and what does King Kong have to do.

969
00:45:23,600 --> 00:45:24,200
Speaker 3: With Ted Bundy?

970
00:45:24,400 --> 00:45:29,000
Speaker 2: My then I realized that wasn't it, although that would

971
00:45:29,080 --> 00:45:29,920
Speaker 2: be a.

972
00:45:29,800 --> 00:45:32,799
Speaker 3: Very strange combination. No, it was King Kong.

973
00:45:32,880 --> 00:45:39,640
Speaker 2: Bundy apparently is in eighties nineties WWF homage reference.

974
00:45:39,719 --> 00:45:43,920
Speaker 1: Okay, yeah, so it's a serial killer and the giant gorilla.

975
00:45:44,640 --> 00:45:47,800
Speaker 2: Well, you know, look, I don't know if that baby

976
00:45:47,920 --> 00:45:50,960
Speaker 2: wasn't the inspiration for the WWF guy.

977
00:45:51,080 --> 00:45:54,160
Speaker 3: I mean, that would be terrifying.

978
00:45:54,400 --> 00:45:56,400
Speaker 1: True, you know, I'm intimidating for sure.

979
00:45:56,239 --> 00:45:57,760
Speaker 3: A very charming gorilla.

980
00:45:58,239 --> 00:46:02,800
Speaker 2: But yeah, no, I I it's a wrestling It's a

981
00:46:02,840 --> 00:46:03,960
Speaker 2: wrestling it's a.

982
00:46:03,920 --> 00:46:06,359
Speaker 3: Wrestling king Kong Bundy for those.

983
00:46:06,440 --> 00:46:09,640
Speaker 2: And earlier there was a Shirley McLain reference having to

984
00:46:09,680 --> 00:46:11,840
Speaker 2: do with the afterlife because that's when she was talking

985
00:46:11,880 --> 00:46:15,319
Speaker 2: about her past life experiences and she wrote that book

986
00:46:15,400 --> 00:46:17,239
Speaker 2: and it was a whole thing. Everyone was like, Shirley

987
00:46:17,320 --> 00:46:21,480
Speaker 2: mclan's crazy, and I love that's a very.

988
00:46:21,360 --> 00:46:22,560
Speaker 1: Eighties reference right there.

989
00:46:22,600 --> 00:46:25,640
Speaker 2: Yes, yes, so I thought i'd clarify those two things

990
00:46:26,080 --> 00:46:30,360
Speaker 2: for everyone who didn't know, like me.

991
00:46:30,520 --> 00:46:32,520
Speaker 1: I didn't know either, like me. I again, yeah, thank

992
00:46:32,560 --> 00:46:36,200
Speaker 1: you for that clarification. There we go. Awesome, awesome, Okay,

993
00:46:36,520 --> 00:46:40,120
Speaker 1: moving on, moving on. In the girls room, DJ and

994
00:46:40,120 --> 00:46:43,280
Speaker 1: Stephanie are watching Robin put on makeup for her audition.

995
00:46:44,120 --> 00:46:47,320
Speaker 1: Stephanie says that she is so pretty and DJ offers

996
00:46:47,360 --> 00:46:50,200
Speaker 1: to do her nails, and I gotta admit the scene

997
00:46:50,239 --> 00:46:53,160
Speaker 1: makes me long for Becky. Like the girls so clearly

998
00:46:53,239 --> 00:46:55,640
Speaker 1: need like a mother figure or a female figure in

999
00:46:55,680 --> 00:46:56,719
Speaker 1: their life just to do me.

1000
00:46:57,520 --> 00:47:01,080
Speaker 2: These poor kids, and they're like, just marry my uncle

1001
00:47:01,160 --> 00:47:05,080
Speaker 2: who's totally like you know, has no boundaries. It'll be great.

1002
00:47:05,560 --> 00:47:10,000
Speaker 2: But yeah it does. I remember brushing her hair. Though

1003
00:47:10,080 --> 00:47:12,399
Speaker 2: I remember brushing her hair, I.

1004
00:47:12,400 --> 00:47:14,959
Speaker 1: Do was it as filius as it looks.

1005
00:47:14,640 --> 00:47:18,000
Speaker 2: Because it was because I have again, three hairs on

1006
00:47:18,000 --> 00:47:18,319
Speaker 2: my head.

1007
00:47:18,320 --> 00:47:19,879
Speaker 3: They're all pulled up in a little bun right now.

1008
00:47:20,280 --> 00:47:22,120
Speaker 3: But I even all the curly hair.

1009
00:47:22,280 --> 00:47:24,359
Speaker 2: Like when I was a kid, I just all that

1010
00:47:24,480 --> 00:47:27,560
Speaker 2: hair was gorgeous and I was like, you have to

1011
00:47:27,560 --> 00:47:27,920
Speaker 2: touch it.

1012
00:47:28,040 --> 00:47:28,920
Speaker 3: It's like Rapunzel.

1013
00:47:29,040 --> 00:47:33,160
Speaker 1: Yeah yeah, yeah, just like Rapunzel. Yeah. So yeah, Stephanie's

1014
00:47:33,160 --> 00:47:35,319
Speaker 1: brushing her hair. She says, this is much better than

1015
00:47:35,360 --> 00:47:36,000
Speaker 1: doing nails.

1016
00:47:37,080 --> 00:47:39,000
Speaker 2: Oh maybe we'll save this for the everywhere you look moment.

1017
00:47:39,040 --> 00:47:41,239
Speaker 1: Oh oh okay, okay, all.

1018
00:47:41,160 --> 00:47:42,839
Speaker 3: Right, I'm gonna save this for the everywhere you look moment.

1019
00:47:42,920 --> 00:47:47,320
Speaker 1: Okay, we're bookmarking this scene for later on. Yeah, everywhere. Yeah, look, okay.

1020
00:47:48,520 --> 00:47:53,200
Speaker 1: So Robin says, don't count on her dating uncle Jesse. Yeah,

1021
00:47:53,239 --> 00:47:56,479
Speaker 1: and then DJ makes this reference to Moonlighting and how

1022
00:47:56,680 --> 00:47:59,080
Speaker 1: David and Maddie didn't like each other at first either.

1023
00:48:00,920 --> 00:48:01,560
Speaker 2: Moonlighting.

1024
00:48:01,640 --> 00:48:04,840
Speaker 1: That seems like an odd thing for her to reference.

1025
00:48:04,920 --> 00:48:06,520
Speaker 1: I mean, I don't mean.

1026
00:48:06,400 --> 00:48:08,400
Speaker 2: Well, I think what Moonlighting was like, it was a

1027
00:48:08,760 --> 00:48:11,600
Speaker 2: you know, primetime like Friday Night Chow was probably on it,

1028
00:48:11,719 --> 00:48:14,000
Speaker 2: like nine or ten or something that you know, like

1029
00:48:14,080 --> 00:48:15,520
Speaker 2: a thirteen year old kid would be like, ooh, I

1030
00:48:15,600 --> 00:48:16,440
Speaker 2: get the lutch Moonlighting.

1031
00:48:16,480 --> 00:48:18,160
Speaker 1: Yeah, okay, it's like a grown up show.

1032
00:48:18,280 --> 00:48:20,279
Speaker 2: Yeah, yeah, it's like one of those grown Yeah, like

1033
00:48:20,320 --> 00:48:23,560
Speaker 2: a grown up show and sort of you know, a

1034
00:48:23,600 --> 00:48:26,759
Speaker 2: fun uh moonlighting reference to the eighties. And they really

1035
00:48:26,800 --> 00:48:27,640
Speaker 2: actually did hate.

1036
00:48:27,480 --> 00:48:28,319
Speaker 1: Each other, so they did.

1037
00:48:28,400 --> 00:48:30,600
Speaker 2: They did all right in real life and on screen

1038
00:48:30,680 --> 00:48:31,239
Speaker 2: it was great.

1039
00:48:31,360 --> 00:48:35,600
Speaker 1: Okay, So then Stephan, then Stephan DJ talk up all

1040
00:48:35,640 --> 00:48:39,200
Speaker 1: of Jesse's great qualities. He can sing, he gives fun

1041
00:48:39,280 --> 00:48:43,080
Speaker 1: piggyback rides, he's got an awesome head of hair, and

1042
00:48:43,160 --> 00:48:47,640
Speaker 1: he teaches you to ride a two wheeler without training wheels.

1043
00:48:47,640 --> 00:48:49,520
Speaker 1: So cute that the girls are just trying to sell

1044
00:48:50,080 --> 00:48:54,200
Speaker 1: this guy, you know, this womanizer. He has great qualities,

1045
00:48:54,200 --> 00:48:55,600
Speaker 1: He has great qualities, but.

1046
00:48:55,520 --> 00:48:57,480
Speaker 3: He does, he does, but he does. He can teach

1047
00:48:57,520 --> 00:48:58,440
Speaker 3: you to ride a bike.

1048
00:48:58,320 --> 00:49:03,879
Speaker 1: Right, but yeah, doesn't that doesn't translate to dating relationships.

1049
00:49:03,960 --> 00:49:04,799
Speaker 1: But okay, that's okay.

1050
00:49:05,120 --> 00:49:06,680
Speaker 3: Well, if you don't know how to ride a bike,

1051
00:49:08,880 --> 00:49:09,759
Speaker 3: it's a great first date.

1052
00:49:09,840 --> 00:49:12,239
Speaker 2: I'm just saying. You know, maybe you're like, I've never

1053
00:49:12,320 --> 00:49:13,800
Speaker 2: rid the bike in my life, and he's like, teach me.

1054
00:49:13,800 --> 00:49:16,440
Speaker 1: I can teach you I can teach you about training wheels. Yep, okay,

1055
00:49:16,680 --> 00:49:18,160
Speaker 1: I mean put that on.

1056
00:49:18,120 --> 00:49:21,040
Speaker 2: Your tin to be romantic. I'm just saying I could

1057
00:49:21,040 --> 00:49:23,439
Speaker 2: teach you how to ride a bicycle. Is a great

1058
00:49:23,440 --> 00:49:25,359
Speaker 2: pickup line, you know what I mean? Be like, no, no, no, no,

1059
00:49:25,400 --> 00:49:27,640
Speaker 2: for real. Actually, maybe they could do it down Lombard

1060
00:49:27,680 --> 00:49:28,440
Speaker 2: Street and see how it goes.

1061
00:49:28,480 --> 00:49:31,120
Speaker 1: Oh dear, oh dear, yes, the bike, oh dear. Okay.

1062
00:49:31,960 --> 00:49:34,160
Speaker 1: Uh So Jesse enters the room and says good morning.

1063
00:49:34,320 --> 00:49:37,960
Speaker 1: It still feels awkward between Jesse and Robin. Jesse tells

1064
00:49:38,000 --> 00:49:39,840
Speaker 1: the girls that he'll give them a ride to school

1065
00:49:39,840 --> 00:49:42,960
Speaker 1: in his bug mobile. That's it, with all the pesticide,

1066
00:49:42,960 --> 00:49:45,440
Speaker 1: with all the pesticides. Yes, and throw those kids right

1067
00:49:45,480 --> 00:49:45,839
Speaker 1: in the back.

1068
00:49:45,920 --> 00:49:46,120
Speaker 2: Yeah.

1069
00:49:46,480 --> 00:49:49,719
Speaker 1: Michelle's been there, you know, just might still be there.

1070
00:49:49,880 --> 00:49:51,960
Speaker 1: It's probably still there. He's because he needs her for

1071
00:49:52,000 --> 00:49:54,960
Speaker 1: the next the next picking up of whatever the next

1072
00:49:54,960 --> 00:49:55,360
Speaker 1: woman is.

1073
00:49:55,560 --> 00:49:58,399
Speaker 2: He he uses babies and cockroaches to pick up women.

1074
00:49:58,520 --> 00:50:00,239
Speaker 2: It's a stout.

1075
00:50:00,480 --> 00:50:03,719
Speaker 1: Wow, non conventional, but it clearly works.

1076
00:50:03,880 --> 00:50:04,400
Speaker 3: It's working.

1077
00:50:04,480 --> 00:50:06,080
Speaker 1: It's working, except not on Robin.

1078
00:50:06,640 --> 00:50:06,920
Speaker 3: Right.

1079
00:50:07,040 --> 00:50:09,560
Speaker 1: So Stephanie says, wait, I need to grab my milk money.

1080
00:50:09,920 --> 00:50:12,800
Speaker 1: She reaches into her dresser drawer, but then she slams

1081
00:50:12,840 --> 00:50:17,399
Speaker 1: it right on her finger out ow. Jesse rushes over

1082
00:50:17,560 --> 00:50:20,239
Speaker 1: to her to make things better, And you did a

1083
00:50:20,239 --> 00:50:23,600
Speaker 1: great job here just pretending that your finger was hurt. Like,

1084
00:50:23,640 --> 00:50:25,719
Speaker 1: You've had a lot of practice getting hurt, so maybe.

1085
00:50:25,480 --> 00:50:27,600
Speaker 3: This, I like so much practice getting hurt. Actually a

1086
00:50:27,600 --> 00:50:28,200
Speaker 3: funny story.

1087
00:50:28,280 --> 00:50:32,120
Speaker 2: I actually did, I think the first season maybe second,

1088
00:50:32,520 --> 00:50:35,800
Speaker 2: slam my finger in the car door in the parking

1089
00:50:35,840 --> 00:50:39,759
Speaker 2: structure at Sony Studios because we were running late, and

1090
00:50:39,800 --> 00:50:42,719
Speaker 2: I like slammed my hand in the door and it

1091
00:50:42,800 --> 00:50:49,560
Speaker 2: was really painful. Yeah, and I definitely was not seeing.

1092
00:50:49,520 --> 00:50:54,239
Speaker 1: Blue polka dots. Well, oh yeah, because that's much more terrified. Yeah,

1093
00:50:54,400 --> 00:50:55,640
Speaker 1: that's a different story.

1094
00:50:56,040 --> 00:50:56,239
Speaker 3: Yeah.

1095
00:50:56,320 --> 00:50:59,440
Speaker 1: Yeah, So Jesse's consoling her. He tells her he can

1096
00:50:59,480 --> 00:51:03,080
Speaker 1: fix this because he went to Finger College, which is

1097
00:51:03,160 --> 00:51:06,040
Speaker 1: cute and kind of weird but cute and.

1098
00:51:06,320 --> 00:51:08,239
Speaker 3: A lot of people never mind.

1099
00:51:08,280 --> 00:51:12,319
Speaker 1: Okay, there's so how many jokes are running through your

1100
00:51:12,440 --> 00:51:14,799
Speaker 1: mind right now? Three to five?

1101
00:51:15,360 --> 00:51:20,719
Speaker 2: Oh, that's that's a very conservative west of it. Yeah, yeah,

1102
00:51:21,040 --> 00:51:25,000
Speaker 2: at least ten, oh dear, Okay, yeah, I mean ten figures.

1103
00:51:25,120 --> 00:51:29,960
Speaker 1: Okay, sorry what sorry, go moving on, moving on.

1104
00:51:30,120 --> 00:51:31,680
Speaker 3: Yeah, a lot of people want to figure college.

1105
00:51:31,680 --> 00:51:36,000
Speaker 1: All right, let's go. So Robin is silently observing the

1106
00:51:36,040 --> 00:51:39,600
Speaker 1: sweet moment between Jesse and Stephanie. Jesse tells Stephanie to

1107
00:51:39,600 --> 00:51:41,880
Speaker 1: put her finger on her nose and describe what color

1108
00:51:42,239 --> 00:51:45,240
Speaker 1: the pain is. He asks her a few more questions

1109
00:51:45,239 --> 00:51:48,080
Speaker 1: that totally distracts her from her finger pain, and before

1110
00:51:48,120 --> 00:51:51,000
Speaker 1: you know it, she feels better. Okay, So see, this

1111
00:51:51,120 --> 00:51:53,800
Speaker 1: is one of his great qualities. He is great with kids.

1112
00:51:54,680 --> 00:51:56,960
Speaker 1: He's not great with Robin, but he's great with kids.

1113
00:51:57,120 --> 00:51:58,319
Speaker 1: I thought it was a great way to get you

1114
00:51:58,360 --> 00:51:59,000
Speaker 1: to distract you.

1115
00:51:59,239 --> 00:52:03,760
Speaker 2: He's great. He's great at distracting. He's great at distractions. Yes,

1116
00:52:03,960 --> 00:52:05,120
Speaker 2: he's great at distractions.

1117
00:52:05,120 --> 00:52:09,120
Speaker 1: I thought it was a really cute ways.

1118
00:52:07,800 --> 00:52:08,480
Speaker 3: A very cute woman.

1119
00:52:08,520 --> 00:52:11,640
Speaker 2: And I remember I remember like doing that scene with

1120
00:52:11,719 --> 00:52:13,680
Speaker 2: John and I have my little finger on my nose,

1121
00:52:13,800 --> 00:52:15,560
Speaker 2: you know, and like the blue polka dots and the

1122
00:52:15,560 --> 00:52:15,840
Speaker 2: whole thing.

1123
00:52:15,880 --> 00:52:18,800
Speaker 3: And I remember when he would like say it to me.

1124
00:52:19,400 --> 00:52:21,759
Speaker 2: Yeah, I just remember, yeah, I remember it.

1125
00:52:21,760 --> 00:52:25,759
Speaker 1: It's so cute. You guys have great chemistry together. So

1126
00:52:26,080 --> 00:52:28,640
Speaker 1: next we are back at the news station where Danny

1127
00:52:28,920 --> 00:52:32,799
Speaker 1: is again holding Michelle at the news desk. He says

1128
00:52:32,840 --> 00:52:35,279
Speaker 1: to the audience, thank you for all your calls requesting

1129
00:52:35,480 --> 00:52:37,680
Speaker 1: that Michelle be a regular on the four o'clock Sports.

1130
00:52:38,120 --> 00:52:42,320
Speaker 1: Michelle is thrilled. She's putting her arms cute, she's laughing,

1131
00:52:42,440 --> 00:52:44,640
Speaker 1: she's clapping, she's waving at the audience.

1132
00:52:45,120 --> 00:52:48,360
Speaker 2: She was having the best time. She thought was just

1133
00:52:48,600 --> 00:52:50,160
Speaker 2: loving it. It was such a cute baby.

1134
00:52:50,239 --> 00:52:54,560
Speaker 1: Yes, she's great. On camera, Jesse, who's been waiting off stage,

1135
00:52:54,600 --> 00:52:57,480
Speaker 1: comes over to retrieve Michelle, and Danny thanks him for

1136
00:52:57,520 --> 00:53:00,759
Speaker 1: picking her up. We cut to Robin, who was rehearsing

1137
00:53:00,920 --> 00:53:05,000
Speaker 1: her audition material. Robin sees Jesse and Michelle watching her

1138
00:53:05,440 --> 00:53:07,280
Speaker 1: creat b right.

1139
00:53:07,440 --> 00:53:09,919
Speaker 2: Green bee, Bo, you've already said like you're not gonna

1140
00:53:09,920 --> 00:53:11,359
Speaker 2: take no for an answer. Now you're showing up at

1141
00:53:11,360 --> 00:53:12,160
Speaker 2: her audition.

1142
00:53:12,200 --> 00:53:13,560
Speaker 1: Again with the baby.

1143
00:53:14,120 --> 00:53:14,920
Speaker 2: Yeah.

1144
00:53:15,280 --> 00:53:19,239
Speaker 1: So Jesse tells her that Michelle was just saying how

1145
00:53:19,239 --> 00:53:22,279
Speaker 1: interesting her rehearsal was, and Robin tells him just cut

1146
00:53:22,280 --> 00:53:25,200
Speaker 1: out that Michelle business, which thank god, can we stop talking, yeah,

1147
00:53:25,280 --> 00:53:30,240
Speaker 1: saying that the baby is saying these things, just own it. Jesse, right, yeah, yeah.

1148
00:53:30,280 --> 00:53:32,759
Speaker 1: So she says, be honest, you didn't like it, and

1149
00:53:32,880 --> 00:53:36,520
Speaker 1: Jesse admits that her audition put him to sleep. It's

1150
00:53:36,560 --> 00:53:39,600
Speaker 1: a news report, and why does she care what he thinks?

1151
00:53:39,680 --> 00:53:42,359
Speaker 2: Like now she cares about his opinion like this, No, no,

1152
00:53:42,560 --> 00:53:46,560
Speaker 2: this was a big man's blaming moment. Yes, yes, yeah,

1153
00:53:46,640 --> 00:53:48,799
Speaker 2: so just oh my god, look at Jesse. He's never

1154
00:53:48,920 --> 00:53:51,840
Speaker 2: been a news reporter before, and now he's so hilarious.

1155
00:53:51,880 --> 00:53:53,719
Speaker 1: He's gonna explain it all, how to do it, how

1156
00:53:53,760 --> 00:53:56,239
Speaker 1: to audition? So he gives her a peptole. He says,

1157
00:53:56,280 --> 00:53:59,000
Speaker 1: there is something very special about her. She just needs

1158
00:53:59,040 --> 00:54:00,920
Speaker 1: to let out more energy. You gotta have fun. You

1159
00:54:00,960 --> 00:54:04,359
Speaker 1: can't be afraid of auditions. Jesse hands Michelle to her,

1160
00:54:04,400 --> 00:54:07,319
Speaker 1: and then he sits down at the desk to demonstrate, Hello,

1161
00:54:07,520 --> 00:54:10,640
Speaker 1: San Francisco, how the heck are you? And he riffs

1162
00:54:10,680 --> 00:54:13,719
Speaker 1: on her audition piece, making it just joky and silly

1163
00:54:13,840 --> 00:54:17,120
Speaker 1: and amusing. But again, you're like you said, this is

1164
00:54:17,160 --> 00:54:19,360
Speaker 1: a news piece. It's not supposed to be like a

1165
00:54:19,400 --> 00:54:21,120
Speaker 1: comedy stand up routine.

1166
00:54:21,320 --> 00:54:23,520
Speaker 2: Well, and I guess he's like, oh it's you know.

1167
00:54:23,640 --> 00:54:25,480
Speaker 2: He's like, I try to make it terrible so you

1168
00:54:25,480 --> 00:54:29,040
Speaker 2: look great. But like, bro, I don't you know if

1169
00:54:29,080 --> 00:54:31,799
Speaker 2: I were her, I'd be like, sir, I don't are

1170
00:54:32,000 --> 00:54:34,600
Speaker 2: You're in a you have a dead cockroach on your back.

1171
00:54:34,760 --> 00:54:38,680
Speaker 2: I don't need to take any newscast or advice from you.

1172
00:54:38,800 --> 00:54:42,280
Speaker 2: Thank you very much. Please take the baby and exit

1173
00:54:42,280 --> 00:54:42,839
Speaker 2: stage left.

1174
00:54:42,880 --> 00:54:45,120
Speaker 1: M m, yeah, that's what she should have said.

1175
00:54:45,200 --> 00:54:46,880
Speaker 2: Yes, that's what she should have said. That's what she

1176
00:54:46,880 --> 00:54:49,520
Speaker 2: should But I will hand it to her. She does

1177
00:54:49,800 --> 00:54:52,520
Speaker 2: at least manage to call Jesse on his on his

1178
00:54:52,640 --> 00:54:54,200
Speaker 2: nonsense occasional she does.

1179
00:54:54,280 --> 00:54:57,200
Speaker 1: She's the only one that's been that self aware. Of

1180
00:54:57,239 --> 00:54:59,560
Speaker 1: all the girlfriends, with all the A names, she's been

1181
00:54:59,800 --> 00:55:03,680
Speaker 1: very right self aware. Right, So we hear Brian Cale

1182
00:55:03,719 --> 00:55:05,640
Speaker 1: announce that it's time for Robin's audition.

1183
00:55:06,600 --> 00:55:09,280
Speaker 3: Wait, the voiceover announcer was Brian Kle.

1184
00:55:09,520 --> 00:55:12,680
Speaker 1: Our dialogue coach. Yes, he's watching his diction. He's doing

1185
00:55:12,680 --> 00:55:13,480
Speaker 1: a great Yes.

1186
00:55:13,680 --> 00:55:16,040
Speaker 2: That's why he's so great at voiceover, because he does

1187
00:55:16,120 --> 00:55:18,680
Speaker 2: he just really red leather, yellow leather red that he

1188
00:55:18,760 --> 00:55:22,480
Speaker 2: just really works the mouth before so that everything sounds

1189
00:55:22,520 --> 00:55:23,560
Speaker 2: crisp and clearer.

1190
00:55:23,760 --> 00:55:30,279
Speaker 1: Yeah, he's got strong, strong mouth muscles. So Jesse introduces

1191
00:55:30,360 --> 00:55:34,080
Speaker 1: Robin for some awkward reason, and then she sits down

1192
00:55:34,080 --> 00:55:37,960
Speaker 1: and she confidently starts to read from her audition notes.

1193
00:55:38,520 --> 00:55:41,279
Speaker 2: Right, well, thank god, Jesse made her confidence because.

1194
00:55:41,120 --> 00:55:44,319
Speaker 1: Otherwise, right right, Come on, dude, don't take credit for

1195
00:55:44,360 --> 00:55:47,480
Speaker 1: this win. Come on. So later that night, we're in

1196
00:55:47,520 --> 00:55:50,760
Speaker 1: the kitchen where the family is toasting to Robin, channel

1197
00:55:50,800 --> 00:55:56,640
Speaker 1: eight's newest field reporter. Yay, yeah job. Robin thanks the

1198
00:55:56,680 --> 00:55:59,640
Speaker 1: family for their help and asks Jesse if she can

1199
00:55:59,640 --> 00:56:02,200
Speaker 1: have a word with him, and they step outside into

1200
00:56:02,239 --> 00:56:03,520
Speaker 1: the backyard.

1201
00:56:03,440 --> 00:56:07,319
Speaker 2: Where Jesse's motorcycle is conveniently Parker, I know.

1202
00:56:07,480 --> 00:56:10,640
Speaker 1: This is It's just it's the driveway now, Like, who's

1203
00:56:10,680 --> 00:56:14,200
Speaker 1: parking in the driveway? No one. I guess if.

1204
00:56:14,120 --> 00:56:16,239
Speaker 2: There's room for anything, there's room for a motorcycle on

1205
00:56:16,280 --> 00:56:17,840
Speaker 2: the street. There should be a car in the garage

1206
00:56:17,920 --> 00:56:20,799
Speaker 2: for pulling anything back. Yeah yeah, anyway.

1207
00:56:20,480 --> 00:56:23,359
Speaker 1: Well again, it's just it's just a note that Joe

1208
00:56:23,520 --> 00:56:27,759
Speaker 1: that Jesse is a bad boy. He's a bad ass, right, yep,

1209
00:56:27,920 --> 00:56:29,920
Speaker 1: So the motorcycle is I guess you forgot.

1210
00:56:30,800 --> 00:56:35,800
Speaker 2: Jesse's a badass with some potential love issues.

1211
00:56:35,840 --> 00:56:38,759
Speaker 1: But anyway, that's okay. I'm here for the we're here

1212
00:56:38,800 --> 00:56:40,240
Speaker 1: for the growth. I'm here for the character.

1213
00:56:40,440 --> 00:56:40,600
Speaker 2: Yep.

1214
00:56:41,680 --> 00:56:44,879
Speaker 1: So Robin thanks Jesse for his help. She says, your

1215
00:56:44,880 --> 00:56:48,880
Speaker 1: insane newscast was so awful. It made me look terrific.

1216
00:56:49,960 --> 00:56:52,600
Speaker 1: Robin admits that she was wrong about Jesse, and the

1217
00:56:52,640 --> 00:56:56,200
Speaker 1: thing she loves most about him is his maternal instincts.

1218
00:56:56,920 --> 00:56:59,440
Speaker 2: But she wasn't really wrong about Jesse, though, was she?

1219
00:56:59,560 --> 00:57:00,920
Speaker 1: No? Think she was spot on.

1220
00:57:01,040 --> 00:57:04,040
Speaker 2: I think she were spot on. Actually I'd be like, no,

1221
00:57:04,120 --> 00:57:07,240
Speaker 2: you weren't wrong. He has some nice qualities in addition

1222
00:57:07,320 --> 00:57:08,439
Speaker 2: to all of the things that you.

1223
00:57:08,360 --> 00:57:11,719
Speaker 1: Also said exactly exactly, And he's I agree with her,

1224
00:57:11,719 --> 00:57:14,759
Speaker 1: he's got great maternal or paternal instincts here. But let's

1225
00:57:14,840 --> 00:57:17,960
Speaker 1: not forget about all of the the boundary crossing that

1226
00:57:18,000 --> 00:57:21,160
Speaker 1: he was doing earlier. So Jesse wonders how this happened

1227
00:57:21,280 --> 00:57:23,960
Speaker 1: because he's never even he never even used to like

1228
00:57:24,080 --> 00:57:27,120
Speaker 1: kids until he talked to one. Robin says, he has

1229
00:57:27,160 --> 00:57:30,160
Speaker 1: a terrific family here. The girls adore him, and she's

1230
00:57:30,200 --> 00:57:34,680
Speaker 1: beginning to see why. Jesse suggests that they should become friends.

1231
00:57:35,160 --> 00:57:38,040
Speaker 1: Robin says she would like that. Jesse says that if

1232
00:57:38,040 --> 00:57:40,919
Speaker 1: she ever wants to be more than friends, she has

1233
00:57:41,000 --> 00:57:43,360
Speaker 1: to make the first move because he won't.

1234
00:57:43,720 --> 00:57:48,760
Speaker 2: But good, Jesse, but that's gross, that's growth, It's but

1235
00:57:48,840 --> 00:57:51,000
Speaker 2: she's like, we're going to be well, he's suggests the

1236
00:57:51,040 --> 00:57:53,920
Speaker 2: being friends after the day. Anything right, right, he took her,

1237
00:57:54,160 --> 00:57:56,000
Speaker 2: he took his, And then he's like, but maybe we're

1238
00:57:56,000 --> 00:57:56,640
Speaker 2: more than friends.

1239
00:57:56,720 --> 00:57:59,440
Speaker 1: I'm like Jesse, he's not giving up. He's not giving up.

1240
00:57:59,480 --> 00:58:01,720
Speaker 1: But he does say he's not gonna he's not gonna

1241
00:58:01,720 --> 00:58:02,160
Speaker 1: make the move.

1242
00:58:02,200 --> 00:58:04,560
Speaker 3: He's gonna wait right, I will give him that.

1243
00:58:04,680 --> 00:58:06,720
Speaker 1: I give him credit for that. You know, it's it's

1244
00:58:06,760 --> 00:58:08,520
Speaker 1: a small credit, but I'm giving him credit for that.

1245
00:58:09,680 --> 00:58:12,400
Speaker 1: So Robin gives him a hug and she lingers for

1246
00:58:12,440 --> 00:58:15,560
Speaker 1: a minute. He asks if that was her first move.

1247
00:58:16,320 --> 00:58:20,439
Speaker 1: She asks if his toes curled. He says yes. She says, well,

1248
00:58:20,480 --> 00:58:22,960
Speaker 1: you'll know when I make the first move, because then

1249
00:58:23,080 --> 00:58:24,480
Speaker 1: everything will curl.

1250
00:58:25,920 --> 00:58:28,280
Speaker 2: Do you want things to curl? I don't think you

1251
00:58:28,400 --> 00:58:31,680
Speaker 2: want things to curl when you're you know, I feel

1252
00:58:31,680 --> 00:58:36,880
Speaker 2: like I feel like curling is kind of the opposite

1253
00:58:36,920 --> 00:58:39,080
Speaker 2: of what I would hope for. I don't know if

1254
00:58:39,080 --> 00:58:39,800
Speaker 2: you're making a move.

1255
00:58:39,840 --> 00:58:40,120
Speaker 3: I don't know.

1256
00:58:40,200 --> 00:58:44,080
Speaker 1: Yeah, well, toes curling, toes curling, yes, but other things

1257
00:58:44,120 --> 00:58:47,280
Speaker 1: everything I don't need any other than you to curl. No,

1258
00:58:47,360 --> 00:58:47,880
Speaker 1: you don't want that.

1259
00:58:48,040 --> 00:58:51,080
Speaker 2: No, No, maybe she meant his hair. Oh, I don't

1260
00:58:51,080 --> 00:58:52,600
Speaker 2: think she meant his hair. I don't think she did either.

1261
00:58:53,520 --> 00:58:56,640
Speaker 1: But what regardless, Jesse is like like he's fallen for this.

1262
00:58:56,800 --> 00:59:00,280
Speaker 1: He's just like he gives an enthusiastic have mercy see,

1263
00:59:00,920 --> 00:59:02,000
Speaker 1: and that's our show.

1264
00:59:01,840 --> 00:59:05,200
Speaker 2: He's and that's our show where Jesse's still not friends and.

1265
00:59:05,240 --> 00:59:07,800
Speaker 1: He's still they're not friends. He never landed the date,

1266
00:59:08,120 --> 00:59:10,920
Speaker 1: but he learned, he learned one thing that they they

1267
00:59:10,920 --> 00:59:13,920
Speaker 1: should be friends first, and she needs to make the

1268
00:59:13,960 --> 00:59:17,120
Speaker 1: first move. That was the growth. There's the whole episode.

1269
00:59:17,200 --> 00:59:20,240
Speaker 2: Yep, yeah, yep, yeah, And we've learned that Danny is

1270
00:59:20,280 --> 00:59:23,280
Speaker 2: the only one that's like, is this is anyone else noticing?

1271
00:59:23,280 --> 00:59:25,720
Speaker 2: This is normal? Danny speaks for all of us all

1272
00:59:26,040 --> 00:59:27,520
Speaker 2: he really does, he really does.

1273
00:59:27,560 --> 00:59:31,400
Speaker 1: But this was Yeah, this this was a very h

1274
00:59:31,760 --> 00:59:32,680
Speaker 1: Jesse heavy story.

1275
00:59:32,720 --> 00:59:35,840
Speaker 2: I feel like in the rankings of things, my mom

1276
00:59:36,040 --> 00:59:38,200
Speaker 2: would rank this just under Secrews.

1277
00:59:38,880 --> 00:59:41,120
Speaker 1: I agree with Janis. I agree with her.

1278
00:59:41,200 --> 00:59:45,560
Speaker 2: It was I'm getting if you're listening, would this come

1279
00:59:45,600 --> 00:59:49,200
Speaker 2: in second place to Secreuse as far as your favorite episodes?

1280
00:59:49,280 --> 00:59:52,520
Speaker 1: Yeah, or least favorite or at least yet but yeah, no,

1281
00:59:52,600 --> 00:59:54,680
Speaker 1: I agree with her. Like it's like I feel like

1282
00:59:54,680 --> 00:59:57,240
Speaker 1: We've been beat over the head with this and I'm

1283
00:59:57,240 --> 00:59:59,360
Speaker 1: getting Jesse fatigue. It's like, we get it. You're a

1284
00:59:59,440 --> 01:00:02,720
Speaker 1: lady's man, you're a womanizer, you're attracted, Like, we get it.

1285
01:00:03,040 --> 01:00:06,120
Speaker 1: And I kept asking myself. I'm like, or I'm reminding myself, like,

1286
01:00:06,200 --> 01:00:10,680
Speaker 1: who's the target audience for this. It's it's kids or families.

1287
01:00:10,800 --> 01:00:13,959
Speaker 1: It's not single guys who are dreaming about landing. Every

1288
01:00:14,200 --> 01:00:15,120
Speaker 1: beautiful woman.

1289
01:00:14,920 --> 01:00:19,080
Speaker 2: A single guys who single guys who were dreaming about

1290
01:00:19,160 --> 01:00:22,920
Speaker 2: landing things were who were writing the show well in

1291
01:00:23,040 --> 01:00:26,160
Speaker 2: large part, so you know, I feel like, you know,

1292
01:00:26,440 --> 01:00:28,400
Speaker 2: you write what you know, or you write what you want,

1293
01:00:28,560 --> 01:00:30,560
Speaker 2: and this is what they knew, right, and this is

1294
01:00:30,720 --> 01:00:33,560
Speaker 2: right and this is what you do and.

1295
01:00:32,880 --> 01:00:34,120
Speaker 1: That explains everything.

1296
01:00:34,200 --> 01:00:38,240
Speaker 2: Actually, yeah, it's it's just it's one of those things.

1297
01:00:38,320 --> 01:00:40,720
Speaker 2: Well and I guess actually, you know, when I think

1298
01:00:40,720 --> 01:00:44,720
Speaker 2: about it, it's sort of it drives home the point

1299
01:00:44,760 --> 01:00:48,640
Speaker 2: even more though about these like three guys trying to

1300
01:00:48,760 --> 01:00:51,200
Speaker 2: raise these girls that just really have no clue.

1301
01:00:51,520 --> 01:00:54,160
Speaker 1: Yeah you know, yeah, yeah, they're they're just but making

1302
01:00:54,200 --> 01:00:56,360
Speaker 1: it up as they go along, and right, the kids

1303
01:00:56,360 --> 01:00:58,920
Speaker 1: are still alive and happy and what they're.

1304
01:00:58,760 --> 01:01:02,240
Speaker 2: Still alive and I haven't gotten any you know, weird

1305
01:01:02,280 --> 01:01:07,400
Speaker 2: diseases or or rashes from other people blowing on their stomach.

1306
01:01:07,520 --> 01:01:11,880
Speaker 2: So you know, yay, that's a plush.

1307
01:01:12,440 --> 01:01:14,640
Speaker 3: And we have to go back to the everywhere you.

1308
01:01:14,600 --> 01:01:17,040
Speaker 1: Look, Yes, yes, tell me, tell me you were everywhere

1309
01:01:17,080 --> 01:01:17,400
Speaker 1: you look?

1310
01:01:17,480 --> 01:01:22,320
Speaker 2: The everywhere you look moment was that DJ now has braces.

1311
01:01:23,400 --> 01:01:26,400
Speaker 1: This floored me because I I've been under the impression

1312
01:01:26,440 --> 01:01:29,560
Speaker 1: this whole time that Candice never needed braces, like she

1313
01:01:29,680 --> 01:01:34,440
Speaker 1: just always had perfect teeth. But no, she had braces. Yeah, amazing. Ye.

1314
01:01:34,600 --> 01:01:38,080
Speaker 1: I never, I don't have any recollection of her.

1315
01:01:38,080 --> 01:01:42,320
Speaker 2: Everybody, it's never. It's never really, uh.

1316
01:01:42,080 --> 01:01:43,040
Speaker 1: It's not a plot point.

1317
01:01:43,280 --> 01:01:45,840
Speaker 2: It's not like a plot point. It's never addressed from

1318
01:01:45,880 --> 01:01:48,040
Speaker 2: one sort of thing to the next. It's never like, oh,

1319
01:01:48,320 --> 01:01:53,640
Speaker 2: DJ gets braces. It's just this episode DJ has braces. Okay,

1320
01:01:53,840 --> 01:01:56,840
Speaker 2: I bet you it was after well, wait, what episode

1321
01:01:56,920 --> 01:02:02,640
Speaker 2: is this? This is fourteen fourteen, So this was after

1322
01:02:02,840 --> 01:02:06,000
Speaker 2: we had this was we did for the first thirteen

1323
01:02:06,040 --> 01:02:08,120
Speaker 2: episodes and didn't know if we were going to get

1324
01:02:08,160 --> 01:02:10,760
Speaker 2: picked up, And I bet you there was a hiatus

1325
01:02:11,720 --> 01:02:17,000
Speaker 2: in between this, and during that time she got her braces.

1326
01:02:17,000 --> 01:02:19,360
Speaker 2: And then when we came back to shoot the back

1327
01:02:19,400 --> 01:02:23,880
Speaker 2: half of the season, it was like, well, she has braces, now, okay,

1328
01:02:24,560 --> 01:02:25,840
Speaker 2: you just got to work with it.

1329
01:02:26,000 --> 01:02:31,120
Speaker 1: Yeah yeah, but yeah, DJ has braces. Did you ever

1330
01:02:31,200 --> 01:02:34,760
Speaker 1: have as a kid flippers? Do you remember flippers?

1331
01:02:34,760 --> 01:02:35,920
Speaker 3: Did I have flippers?

1332
01:02:36,600 --> 01:02:37,960
Speaker 2: Did I have flippers?

1333
01:02:38,000 --> 01:02:42,920
Speaker 1: So flippers? Yeah, just tell tell us what fliplippers were? Uh.

1334
01:02:43,520 --> 01:02:47,240
Speaker 2: These things created by doctor Robert Smith, who is still

1335
01:02:47,280 --> 01:02:51,680
Speaker 2: my kid's dentist. I still see him. He's still in

1336
01:02:51,680 --> 01:02:53,840
Speaker 2: the office. He's like my dad, like he is like

1337
01:02:53,920 --> 01:02:56,160
Speaker 2: probably he's ninety years old and he's still like he's

1338
01:02:56,200 --> 01:03:00,600
Speaker 2: never he's killing it. Yeah, love doctor Smith, but he'd

1339
01:03:00,640 --> 01:03:04,600
Speaker 2: he came up with these things that were basically child

1340
01:03:04,720 --> 01:03:10,080
Speaker 2: dentures that when you would lose a tooth, you would

1341
01:03:10,120 --> 01:03:13,280
Speaker 2: get a little like fake tooth that flipped kind of

1342
01:03:13,360 --> 01:03:15,600
Speaker 2: in and was like on a little wire and just

1343
01:03:15,640 --> 01:03:19,320
Speaker 2: placed right in there to cover up the hole where

1344
01:03:19,320 --> 01:03:23,200
Speaker 2: your tooth was. Because for continuity from you know, shoot

1345
01:03:23,240 --> 01:03:25,760
Speaker 2: to shoot kids when they're losing their.

1346
01:03:25,680 --> 01:03:27,480
Speaker 3: Teeth, you you it's very.

1347
01:03:27,320 --> 01:03:31,080
Speaker 2: Hard to you know, keep those things looking the same.

1348
01:03:31,240 --> 01:03:33,120
Speaker 2: And you go for a few weeks and a tooth

1349
01:03:33,200 --> 01:03:35,160
Speaker 2: is now halfway in. But maybe that episode is going

1350
01:03:35,200 --> 01:03:38,600
Speaker 2: to air before and so doctor Smith created these things

1351
01:03:38,600 --> 01:03:43,000
Speaker 2: called flippers, and he would make set calls. Oh, because

1352
01:03:43,240 --> 01:03:45,960
Speaker 2: sometimes every week you had to go in because as

1353
01:03:45,960 --> 01:03:48,640
Speaker 2: your tooth is growing in, they've got to reshape the

1354
01:03:49,000 --> 01:03:51,560
Speaker 2: how the little tooth cap fits over it right right,

1355
01:03:51,600 --> 01:03:53,960
Speaker 2: and where your your teeth are in your mouth. So

1356
01:03:54,240 --> 01:03:56,160
Speaker 2: every week you'd have or every couple weeks, you'd have

1357
01:03:56,160 --> 01:03:57,600
Speaker 2: to go to doctor Smith to get it fixed. But

1358
01:03:57,720 --> 01:04:01,000
Speaker 2: sometimes in a matter of two or three days, that

1359
01:04:01,040 --> 01:04:03,280
Speaker 2: tooth would make some progress. So you'd go to flip

1360
01:04:03,320 --> 01:04:07,600
Speaker 2: it in on set and it wouldn't fit, and so

1361
01:04:08,040 --> 01:04:10,600
Speaker 2: someone would have to call doctor Smith, and here he

1362
01:04:10,640 --> 01:04:13,520
Speaker 2: came with his little flipper bag down to set and

1363
01:04:13,560 --> 01:04:16,480
Speaker 2: he would drill it and reshape it on set to

1364
01:04:16,520 --> 01:04:20,120
Speaker 2: make sure that it fit for whatever you had to shoot.

1365
01:04:20,360 --> 01:04:22,240
Speaker 1: Like to see, these are the things that people don't know,

1366
01:04:22,360 --> 01:04:24,720
Speaker 1: Like you would never know just by looking at your

1367
01:04:24,720 --> 01:04:27,440
Speaker 1: mouth how many flippers you had in at any given moment.

1368
01:04:27,600 --> 01:04:29,960
Speaker 2: And that was and that was the like the the

1369
01:04:30,000 --> 01:04:34,720
Speaker 2: official unofficial name of them was flippers. And then you

1370
01:04:34,840 --> 01:04:36,440
Speaker 2: and then you'd play with them and you'd be like, yeah,

1371
01:04:36,600 --> 01:04:43,120
Speaker 2: flipping them literally in and.

1372
01:04:40,840 --> 01:04:42,919
Speaker 1: Yeah, that was that was so fun.

1373
01:04:42,960 --> 01:04:43,560
Speaker 2: That was the thing.

1374
01:04:43,760 --> 01:04:47,520
Speaker 1: Yeah, you were so weird. Fake teeth, fake teeth, kids,

1375
01:04:47,520 --> 01:04:50,560
Speaker 1: fake teeth. Okay, so my everywhere you look. It's just

1376
01:04:50,600 --> 01:04:53,160
Speaker 1: a tiny one. But in scene in the first scene,

1377
01:04:53,160 --> 01:04:56,880
Speaker 1: when Danny's at the the newscaster's desk, he has this

1378
01:04:57,000 --> 01:04:59,320
Speaker 1: cool little gold pin he's wearing on his lapel. It's

1379
01:04:59,320 --> 01:05:02,640
Speaker 1: a channel pin. And I'm like, oh, that's I love

1380
01:05:02,720 --> 01:05:05,080
Speaker 1: when props or wardrobe or whatever they it's these little

1381
01:05:05,080 --> 01:05:07,560
Speaker 1: details that they get so right. It doesn't matter. He

1382
01:05:07,600 --> 01:05:09,440
Speaker 1: didn't have to be wearing a Channel eight pin, but

1383
01:05:09,480 --> 01:05:10,960
Speaker 1: I noticed it, and I'm like, that's so.

1384
01:05:10,920 --> 01:05:13,440
Speaker 2: Cool that they every newscaster when they're on the news

1385
01:05:13,560 --> 01:05:15,800
Speaker 2: has a pin for the channel that they're on.

1386
01:05:15,960 --> 01:05:18,360
Speaker 1: Amazing attusion to detail. I loved it.

1387
01:05:18,480 --> 01:05:19,360
Speaker 3: Yep, I loved yep.

1388
01:05:19,760 --> 01:05:21,640
Speaker 1: Maybe maybe we can buy that on eBay as well.

1389
01:05:21,720 --> 01:05:24,880
Speaker 2: Let's look right, I feel like the Channel eight pin

1390
01:05:25,000 --> 01:05:27,680
Speaker 2: is probably worth less than some of the vintage San

1391
01:05:27,680 --> 01:05:31,840
Speaker 2: Francisco Giants scare but maybe true true, never know, never know.

1392
01:05:31,960 --> 01:05:34,520
Speaker 2: I haven't been e baying for a Channel eight pin lately,

1393
01:05:34,600 --> 01:05:37,760
Speaker 2: so we'll see. I bet Jensen will have one by

1394
01:05:37,760 --> 01:05:40,040
Speaker 2: the next by by our next episode. Who like you, guys,

1395
01:05:40,040 --> 01:05:41,680
Speaker 2: I just bought a Channel eight pin.

1396
01:05:41,840 --> 01:05:44,160
Speaker 1: It was he already ordered it while we've been talking.

1397
01:05:45,120 --> 01:05:52,440
Speaker 2: Definitely, well another fabulous well another Jesse episode, right, not

1398
01:05:52,520 --> 01:05:55,320
Speaker 2: another Jesse character arc. Yep, this one was.

1399
01:05:56,880 --> 01:05:58,240
Speaker 1: It was the thing that we watched.

1400
01:05:58,440 --> 01:05:59,640
Speaker 2: It was the thing. It was a thing.

1401
01:05:59,720 --> 01:06:00,360
Speaker 3: It was a something.

1402
01:06:00,480 --> 01:06:02,280
Speaker 1: Not my favorite, not my favorite.

1403
01:06:01,920 --> 01:06:04,520
Speaker 2: Not my favorite, not my favorite, but coming up next

1404
01:06:04,600 --> 01:06:07,440
Speaker 2: week is one of my favorites.

1405
01:06:07,800 --> 01:06:10,360
Speaker 3: So I'm very excited for. I'm very excited for.

1406
01:06:10,680 --> 01:06:13,560
Speaker 2: Episode fifteen, which is a pox in our House, which

1407
01:06:13,600 --> 01:06:16,439
Speaker 2: is going to be our next episode, So make sure

1408
01:06:16,560 --> 01:06:18,160
Speaker 2: that you join us for that. Make sure you are

1409
01:06:18,280 --> 01:06:21,400
Speaker 2: subscribing to the podcast so that you can get all

1410
01:06:21,400 --> 01:06:24,080
Speaker 2: the newest episodes. We also have some fun minisodes that

1411
01:06:24,120 --> 01:06:27,680
Speaker 2: we've started doing every couple weeks to fill you in

1412
01:06:27,720 --> 01:06:31,920
Speaker 2: on things like flippers and random behind the scenes stories

1413
01:06:31,920 --> 01:06:34,840
Speaker 2: that maybe we don't get to otherwise. So if you

1414
01:06:35,160 --> 01:06:38,160
Speaker 2: want to follow us on Instagram or DMS, we are

1415
01:06:38,280 --> 01:06:41,000
Speaker 2: at how Rude podcast, or you can send us an

1416
01:06:41,040 --> 01:06:44,320
Speaker 2: email at how Rudepodcast at gmail dot com. We'd love

1417
01:06:44,360 --> 01:06:49,360
Speaker 2: to hear your comments, your questions, corrections corner. I'm sure

1418
01:06:49,400 --> 01:06:53,400
Speaker 2: there's tons of those. If Kim Moffatt. Hasn't you know

1419
01:06:53,800 --> 01:06:55,400
Speaker 2: the texted us already and let us know what we

1420
01:06:55,400 --> 01:06:55,800
Speaker 2: screwed up.

1421
01:06:55,840 --> 01:06:58,520
Speaker 1: Yeah, come on, Kim, we're waiting, Kim, We're waiting.

1422
01:06:58,560 --> 01:06:59,480
Speaker 2: Yeah.

1423
01:06:59,480 --> 01:07:00,920
Speaker 3: But yeah, make sure you follow us.

1424
01:07:00,960 --> 01:07:02,600
Speaker 2: And we love to hear what you guys are thinking

1425
01:07:02,600 --> 01:07:05,200
Speaker 2: about the podcast and any questions that you have, because

1426
01:07:05,200 --> 01:07:08,040
Speaker 2: we also are doing fan questions on our minisodes, so

1427
01:07:08,080 --> 01:07:09,640
Speaker 2: we'd love to hear what you guys have to ask.

1428
01:07:09,960 --> 01:07:12,120
Speaker 2: Love it, love it, love it, love it?

1429
01:07:12,160 --> 01:07:15,720
Speaker 3: All Right, Well, maybe I will see you next week.

1430
01:07:16,000 --> 01:07:18,400
Speaker 1: The world is small, but the house is full.

1431
01:07:19,960 --> 01:07:22,560
Speaker 2: Yeah, look at you, just showing me up getting it

1432
01:07:22,560 --> 01:07:24,320
Speaker 2: on the first time I have.

1433
01:07:24,560 --> 01:07:25,880
Speaker 1: I haven't written in my notes here.

1434
01:07:26,000 --> 01:07:31,680
Speaker 2: Just okay. See see your wife's freestyle in it week

1435
01:07:31,720 --> 01:07:35,160
Speaker 2: after week, Andrew, Barbara.

1436
01:07:36,520 --> 01:07:36,760
Speaker 1: Bye,