WEBVTT - 3D Printer of the Gods II

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb And and this is part

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<v Speaker 1>two of our two parter on three D printing three

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<v Speaker 1>D printers of the Gods. Uh. The idea here and

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<v Speaker 1>the snazzy title, of course, refers to the idea that

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<v Speaker 1>three D printers essentially allow almost any idea that's out

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<v Speaker 1>there to take physical form, which in a way is

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<v Speaker 1>kind of kind of godlike and it and it forces

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<v Speaker 1>us to really rethink what the future is going to be, like,

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<v Speaker 1>what our relationship with objects is going to be, and

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<v Speaker 1>really also it makes us sort of think about what

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<v Speaker 1>our relationship with objects is now. We talked in the

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<v Speaker 1>last podcast about some of the current things that are

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<v Speaker 1>going on, such as Devantie is wearing a dress that

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<v Speaker 1>it was three D printed, people trying to three D

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<v Speaker 1>print the perfect plastic gun like an actual gun that

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<v Speaker 1>kills people, oxygen aryans printing out novelty adult toys exactly,

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<v Speaker 1>novelty to us exactly. And uh, and today we're going

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<v Speaker 1>to we we talked a little bit about the future

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<v Speaker 1>in the last one, but this time we're gon we're

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<v Speaker 1>gonna go a little more detailed on that. We're going

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<v Speaker 1>to talk about some of the near future revolutions in

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<v Speaker 1>three D printing that are really going to change the world.

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<v Speaker 1>It's true because although three D printers aren't quite the

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<v Speaker 1>transporter devices we hoped for at this point, the fact

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<v Speaker 1>of the matter is that they are rearranging matter and

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<v Speaker 1>they are sort of defined space and time when it

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<v Speaker 1>comes to objects, into consumerism and to making what you

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<v Speaker 1>want when you want it. So some of the things

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<v Speaker 1>that are going to be happening very soon with three

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<v Speaker 1>D printing um that are going to change everything. First

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<v Speaker 1>of all, we're looking at three D printing reaching the

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<v Speaker 1>industrial strength level. Now, three D printing, as we've mentioned before,

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<v Speaker 1>has been a part of industry for about twenty years now,

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<v Speaker 1>and it's been useful in UH create rapidly producing UH

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<v Speaker 1>prototypes in some cases. But we're talking about a situation

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<v Speaker 1>where three D printing will be able to produce objects

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<v Speaker 1>of high quality, industrial grade that can be that can

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<v Speaker 1>be a part of automobiles, etcetera. And now some automobiles

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<v Speaker 1>already have through some three D printing parts, but we're

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<v Speaker 1>talking about an age win pretty much all parts are

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<v Speaker 1>going to be produced by three D printing as opposed

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<v Speaker 1>to traditional subtractive methods such as printing the pieces out

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<v Speaker 1>of a sheet of metal or using a mold to

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<v Speaker 1>pour and pouring a mold to create the device. Yeah,

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<v Speaker 1>because I mean, at the end of the day, when

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<v Speaker 1>you're when you're talking about the future three D printing,

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<v Speaker 1>you're talking about materials that are lighter, that can be

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<v Speaker 1>made faster, and can be customized. So it's a perfect

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<v Speaker 1>fit for manufacturing. Um, So you know you're going to

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<v Speaker 1>see more of these printers and factories just printing out parts.

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<v Speaker 1>You also see them in the nano manufacturing industry, which

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<v Speaker 1>will talk more about. And then you look at you're

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<v Speaker 1>gonna see it just in actual like hey, we're gonna

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<v Speaker 1>build something. We're gonna build a building, and so imagine

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<v Speaker 1>large blocks of like custom building materials being printed out

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<v Speaker 1>on a job site. Yeah. And and to go back

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<v Speaker 1>to prototyping real quick, you're just gonna see that that

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<v Speaker 1>speeded up even more. The ability to quickly produce a

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<v Speaker 1>working prototype for for a new product. It's just gonna

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<v Speaker 1>be it's gonna be exponentially improved. Yeah. In fact, the

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<v Speaker 1>D shape printer, which was created by Enricodini, is capable

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<v Speaker 1>now of printing a two story building complete with rooms, stairs, pipes,

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<v Speaker 1>and partitions, and it uses nothing but sand an inorganic

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<v Speaker 1>binding compound, and then the resulting material has the same

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<v Speaker 1>durability as reinforced concrete. With this is super cool the

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<v Speaker 1>look of marble um. Of course, now you can only

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<v Speaker 1>use this on rounded structures, but the process itself takes

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<v Speaker 1>approximately about a fourth of the time as traditional buildings,

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<v Speaker 1>and it doesn't really require any specialized knowledge or skill set. Yeah,

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<v Speaker 1>because a lot of the you know, we get into

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<v Speaker 1>the idea of printing nano materials, and we've talked before

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<v Speaker 1>about like when whether we're talking about space elevators or

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<v Speaker 1>super tall buildings, we always come back around to the

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<v Speaker 1>use of nano materials because when you're building things from

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<v Speaker 1>the smallest level up, which to a certain extent is

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<v Speaker 1>three D printing in itself. It's the idea that I'm

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<v Speaker 1>starting small and building everything up from the bottom. But

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<v Speaker 1>if you start really small, if you're building things up

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<v Speaker 1>from the from the smallest structures possible, then you're able

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<v Speaker 1>to create super strong materials capable of tethering a space

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<v Speaker 1>elevator in place, or creating the sort of skyscrapers that

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<v Speaker 1>right now we can only dream of. It doesn't change physics,

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<v Speaker 1>but it changes the way that materials act in in

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<v Speaker 1>the realm of physics, which is really cool because that

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<v Speaker 1>is really liberating as as someone who is a designer

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<v Speaker 1>in someone who is trying to do something like see

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<v Speaker 1>a spacecraft. Yeah, I mean, it's the difference between me

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<v Speaker 1>selling two things together, or me sewing up a hole

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<v Speaker 1>in my hoodie or something as opposed to to an

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<v Speaker 1>actual scene stress or an or or sewing machine doing it. Um.

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<v Speaker 1>And you know, in the difference between a big visible

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<v Speaker 1>um stitch and an invisible stitch. And it's just the

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<v Speaker 1>finer level of detail, the finer grade of craftsmanship that

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<v Speaker 1>you get when you when you build things up from

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<v Speaker 1>that very small level. And when you're speaking about building

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<v Speaker 1>up things for a very small level, of course, you

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<v Speaker 1>start thinking about the medical ramifications that this because we're

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<v Speaker 1>built up very small exactly exactly, um. And we have

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<v Speaker 1>experiments and printing soft tissue that are underway now. UM.

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<v Speaker 1>But the idea is that if if you can master that,

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<v Speaker 1>you may begin to print veins and arteries to you

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<v Speaker 1>to be used in operations and then um, you know,

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<v Speaker 1>taking to the extreme, you can then print organs and

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<v Speaker 1>you're not even taking into the strain. The extreme is

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<v Speaker 1>of course printing the whole bodies. Yeah, I mean, which

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<v Speaker 1>not only would would vanquish the whole organ uh donor

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<v Speaker 1>problem that we have, right, but I mean you write

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<v Speaker 1>you just hey, here's another me. Yeah, I'm just going

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<v Speaker 1>to keep it in the and storage until I need

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<v Speaker 1>to replace myself. And this is a great example of

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<v Speaker 1>three D printer of the gods here, because we're essentially

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<v Speaker 1>talking about a three D printer creating objects, creating a

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<v Speaker 1>person as nature creates a person. You know, the the

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<v Speaker 1>idea that it's it's just it's created from the smallest piece,

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<v Speaker 1>it's it's grown. Yeah, there is an element of bio

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<v Speaker 1>mimicry about this. We'll talk about this more when we

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<v Speaker 1>talk about four D printing. But um, it is interesting

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<v Speaker 1>that we're getting sort of back to the basics when

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<v Speaker 1>we're talking about three D printing, because it really is

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<v Speaker 1>sort of saying, let's take take nature's way of building

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<v Speaker 1>up and see if we can recreate this process in

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<v Speaker 1>a machine. Um. Consumerism, Yes, this is gonna be huge.

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<v Speaker 1>I mean, this is what I think is going to

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<v Speaker 1>be one of the most interesting aspects about three D

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<v Speaker 1>printing because I think it will greatly change our behavior.

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<v Speaker 1>And you and I talked about this in the last

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<v Speaker 1>podcast last episode. Is that you know, one day you

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<v Speaker 1>could go to Amazon and you could click on a

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<v Speaker 1>box there that says I want to customize this because

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<v Speaker 1>as Amazon has now decided to use this technology with

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<v Speaker 1>their companies, um in their manufacturers, and it's just gonna

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<v Speaker 1>be something pretty wrote like, Hey, I need to get

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<v Speaker 1>this new SYNC, but I really would love to have

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<v Speaker 1>I don't know, some sort of crazy design of vampire

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<v Speaker 1>state building, yeah, you know in it or I don't know. Yeah,

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<v Speaker 1>I mean, and we already have some of those options,

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<v Speaker 1>for instance, with some of our our digital and some

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<v Speaker 1>non digital media media. You want a book, okay, if

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<v Speaker 1>you want it in hardback? You want and soft back?

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<v Speaker 1>You want in paperback? Or do you want it uh? Digital? Right? Uh?

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<v Speaker 1>And how do you want that album? Do you want

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<v Speaker 1>it joined vinyl, you want it on c D, you

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<v Speaker 1>want it on a retrocassette which is coming back in

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<v Speaker 1>some case? Do you or you want it digitally? All right? Well,

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<v Speaker 1>we have five options for that. You want to in flak,

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<v Speaker 1>you want an MP three, you want it, and and

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<v Speaker 1>you know, it just goes on and on. So you'll

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<v Speaker 1>see that kind of stuff when you buy things. All right,

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<v Speaker 1>what size do you want it? In? What color do

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<v Speaker 1>you want it? Also upload the dimensions of your hand

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<v Speaker 1>to upload that your actual physical dimensions, and we'll make

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<v Speaker 1>sure that it fits you to a t us. So

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<v Speaker 1>try to imagine that. So let's say that you want

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<v Speaker 1>a specific design that you can get to pick from

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<v Speaker 1>all these stock files of this specific design or you

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<v Speaker 1>know stock art, and then yeah, you can upload if

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<v Speaker 1>it if the object relates to your body, then you

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<v Speaker 1>upload your own dimensions and then Amazon surely will deliver

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<v Speaker 1>that to you within the hour because now even now

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<v Speaker 1>they're trying to do same day delivery. So we have wait.

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<v Speaker 1>Since we're extrapolating in the future, we have to think

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<v Speaker 1>about this, you know, five years out. Yeah, and you're

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<v Speaker 1>gonna see that It's going to be like with any

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<v Speaker 1>technological innovation, there are going to be companies that adapt

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<v Speaker 1>and shift and survive, and then they're gonna be ones

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<v Speaker 1>that fall to the wayside, and there are going to

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<v Speaker 1>be new entrepreneurs that that pop up that are like, hey,

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<v Speaker 1>this is how people are going to be consuming. What

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<v Speaker 1>can we do to game it? They're going to be

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<v Speaker 1>products that come out that are specifically aimed at three

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<v Speaker 1>D printing. Well, see, I'm glad that you brought that up,

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<v Speaker 1>because it really does change the landscape of companies in

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<v Speaker 1>their ability to produce. So, you know, I wonder does

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<v Speaker 1>Amazon then begin to produce items instead of just distribute,

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<v Speaker 1>because essentially they can take over if you can print anything,

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<v Speaker 1>then why even half manufacturers that you distribute? Why why

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<v Speaker 1>just um, why not just be the point persona and

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<v Speaker 1>then that process? And then to what extent did these

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<v Speaker 1>companies become the means of creating? You know? I mean

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<v Speaker 1>because like we mentioned before, I mean everybody, everybody wants

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<v Speaker 1>to to be an artist, Everyone wants to be a writer,

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<v Speaker 1>everyone wants to be a musician to varying degrees that

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<v Speaker 1>the Internet is a great example of all sorts of

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<v Speaker 1>different people producing something and wanting to share it with

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<v Speaker 1>the world. And then take that and translated to the

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<v Speaker 1>world of objects. So do these companies end up becoming

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<v Speaker 1>more and more involved in user generated content like the

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<v Speaker 1>Wikipedia of objects? Right? And you know our our storefronts

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<v Speaker 1>replaced by just a storefront. Yeah. Do you go to

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<v Speaker 1>the mall and it's just one uh three D printing kiosk.

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<v Speaker 1>We'll probably multiple chaos where you go in and you

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<v Speaker 1>you print out the things you want. I mean maybe

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<v Speaker 1>you have a situation where the stores are still there

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<v Speaker 1>so that you can you can shop. People like to

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<v Speaker 1>look at things before they buy them. But then when

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<v Speaker 1>you decide you print it out. You go to the kiosks,

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<v Speaker 1>you print it out, and you can print out you know,

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<v Speaker 1>your your new shoes, your new dress, the toy for

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<v Speaker 1>the kid, uh and maybe even your hamburger. I would

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<v Speaker 1>but just say you could also pray. If you're a

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<v Speaker 1>little bit you know, you feel like you mean a gnash,

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<v Speaker 1>then hey you can. This is an ability that Cornelling

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<v Speaker 1>University's fab Home fab at Home project can actually do

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<v Speaker 1>right now. They use gel like substances that can be

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<v Speaker 1>combined with other materials, including artificial flavor yeum uh to

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<v Speaker 1>mimic the taste in mouth feel of many different foods. Yeah,

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<v Speaker 1>this was really interesting because they also talked a little

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<v Speaker 1>bit about the the Uncanny Valley of foods with this

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<v Speaker 1>because because the gel like substance called hydro collides is

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<v Speaker 1>is apparently a little unsettling, like it's filled with artificial flavoring.

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<v Speaker 1>And you can print it, say, in the shape of

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<v Speaker 1>a turkey leg, sure, but if it doesn't taste like

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<v Speaker 1>a turkey leg, it's gonna be a little weird. So

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<v Speaker 1>they they've really kind of decided that they need to

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<v Speaker 1>work on the taste first and then worry about printing

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<v Speaker 1>it out in to the four into the actual shapes,

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<v Speaker 1>which which makes sense, and maybe to a certain extent

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<v Speaker 1>it's I mean, it makes me think of candy, right,

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<v Speaker 1>and specifically banana flavored candy. You ever had banana flavored candy?

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<v Speaker 1>It doesn't taste like bananas, and to a certain extent,

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<v Speaker 1>orange candy doesn't taste like oranges. But you get into

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<v Speaker 1>that area, how close can the taste be to the

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<v Speaker 1>thing and still get away with it? And to what

0:11:23.320 --> 0:11:27.520
<v Speaker 1>extent it does it become a new thing because orange

0:11:27.760 --> 0:11:30.719
<v Speaker 1>candy it's nothing like an actual orange in flavor or

0:11:30.760 --> 0:11:33.160
<v Speaker 1>in texture. But I know, I was just thinking about

0:11:33.200 --> 0:11:34.960
<v Speaker 1>to the twenties, and we talked about um when we

0:11:35.000 --> 0:11:36.680
<v Speaker 1>did the food episode, and we were talking about the

0:11:36.720 --> 0:11:39.880
<v Speaker 1>candy that became a stand in for a meal, because remember,

0:11:40.480 --> 0:11:44.959
<v Speaker 1>people didn't have much money and they had those turkey

0:11:45.000 --> 0:11:47.720
<v Speaker 1>meals and it was I don't know if it actually

0:11:47.960 --> 0:11:51.439
<v Speaker 1>was supposed to taste like a roast turkey or I

0:11:51.480 --> 0:11:54.240
<v Speaker 1>think I think they had chocolate and it was the idea.

0:11:54.280 --> 0:11:57.880
<v Speaker 1>The idea was, hey, you need a meal, here's a meal.

0:11:58.160 --> 0:12:00.800
<v Speaker 1>Peel it back and eat it. So we have evidence

0:12:00.800 --> 0:12:03.520
<v Speaker 1>that we've done this before, and certainly if you don't

0:12:03.520 --> 0:12:06.120
<v Speaker 1>have the resources, then maybe you can't accept that. And

0:12:06.240 --> 0:12:08.480
<v Speaker 1>after all, it's a shot of glucose. Anyways, look at

0:12:08.559 --> 0:12:11.000
<v Speaker 1>some of the stuff people eat already, Like a chicken

0:12:11.080 --> 0:12:14.840
<v Speaker 1>nugget is nothing like anything real. It's you know, it's

0:12:15.160 --> 0:12:17.679
<v Speaker 1>it's you know, you look at stuff with pink slime.

0:12:17.720 --> 0:12:21.200
<v Speaker 1>I mean, we're already magnufacturing unreal food out of strange things.

0:12:21.240 --> 0:12:24.360
<v Speaker 1>So and people and people love it. So um, pink

0:12:24.360 --> 0:12:26.880
<v Speaker 1>slime is found in hamburger meat, right, yeah, yeah, So

0:12:26.920 --> 0:12:30.080
<v Speaker 1>I I have no doubt that three D printing could

0:12:30.120 --> 0:12:34.040
<v Speaker 1>easily create something that people would love, if not tolerate. Specifically,

0:12:34.040 --> 0:12:36.360
<v Speaker 1>when you're talking about like say, long term space missions,

0:12:36.880 --> 0:12:39.160
<v Speaker 1>I mean these are environments where, yes, you want people

0:12:39.240 --> 0:12:41.760
<v Speaker 1>in space to want to eat because sometimes there's less

0:12:41.760 --> 0:12:45.800
<v Speaker 1>of an appetite there. But but ultimately you know, survival

0:12:45.800 --> 0:12:48.679
<v Speaker 1>food right well, And so that just made me think

0:12:48.679 --> 0:12:53.160
<v Speaker 1>about the parallels between the Uncanny Valley and smell racams

0:12:53.240 --> 0:12:56.000
<v Speaker 1>for food, right because there are some people who will

0:12:56.040 --> 0:12:58.840
<v Speaker 1>say the Uncanny Valley isn't as uncanny or creepier as

0:12:58.920 --> 0:13:01.360
<v Speaker 1>we think. You know, see a robot that's supposed to

0:13:01.480 --> 0:13:03.240
<v Speaker 1>look like a human or act like a human, or

0:13:03.240 --> 0:13:05.480
<v Speaker 1>move like a human and they don't because they are

0:13:05.559 --> 0:13:09.080
<v Speaker 1>not in it unsettles us. But we get used to things.

0:13:09.320 --> 0:13:11.600
<v Speaker 1>I mean, new food is uncanny Valley when you first

0:13:11.640 --> 0:13:14.160
<v Speaker 1>have it, like you know, have Thai food for the

0:13:14.200 --> 0:13:16.559
<v Speaker 1>first time, and you'll be like, this is a little uncanny,

0:13:16.600 --> 0:13:18.680
<v Speaker 1>but you know you'll love it in a week. So

0:13:19.160 --> 0:13:22.360
<v Speaker 1>guarantee you guaranteed. All Right, we're gonna take a quick

0:13:22.400 --> 0:13:24.840
<v Speaker 1>break and when we come back, we're gonna talk even

0:13:24.840 --> 0:13:26.480
<v Speaker 1>more about the future of three D printing and we're

0:13:26.480 --> 0:13:32.160
<v Speaker 1>going to talk about four D printing. All Right, we're

0:13:32.200 --> 0:13:34.920
<v Speaker 1>back and we're gonna talk here about four D printing.

0:13:34.960 --> 0:13:37.720
<v Speaker 1>And just to be clear, the term four D printing

0:13:37.840 --> 0:13:40.920
<v Speaker 1>is a it's a little bit of science headline bait.

0:13:41.240 --> 0:13:44.400
<v Speaker 1>It's misleading. Yeah, it's it's it looks great in the headline,

0:13:44.440 --> 0:13:46.600
<v Speaker 1>but when you really get down to the meat of it,

0:13:46.600 --> 0:13:49.120
<v Speaker 1>it's not. You're not really printing in space and time,

0:13:49.440 --> 0:13:51.480
<v Speaker 1>no more than you're always printing in space and time.

0:13:51.920 --> 0:13:54.600
<v Speaker 1>It's kind of like three D printing on steroids. Um.

0:13:54.679 --> 0:13:56.360
<v Speaker 1>And what we're talking about, we're talking about for D

0:13:56.440 --> 0:13:59.839
<v Speaker 1>printing is passive self assembly systems, which is still pretty

0:13:59.840 --> 0:14:02.240
<v Speaker 1>odd them. Don't let me underplay it. It's very cool.

0:14:03.120 --> 0:14:06.240
<v Speaker 1>Self assembly m I T. Researcher Skylar Tipbitts is sort

0:14:06.240 --> 0:14:08.040
<v Speaker 1>of the face of this right now in terms of

0:14:08.040 --> 0:14:12.199
<v Speaker 1>self assembly. And when I talk about it being on steroids,

0:14:12.200 --> 0:14:16.040
<v Speaker 1>we're talking about its allowing three D printers allowing to

0:14:16.840 --> 0:14:20.640
<v Speaker 1>print parts to self assemble and reassemble into a number

0:14:20.720 --> 0:14:23.760
<v Speaker 1>of products. So each part would be comprised of a

0:14:23.840 --> 0:14:27.520
<v Speaker 1>regular rigid plastic layer along with an outer layer made

0:14:27.560 --> 0:14:30.960
<v Speaker 1>up smart materials, not dumb ones. And then when they're

0:14:30.960 --> 0:14:34.640
<v Speaker 1>submerged in water, the smart materials absorb and they expand

0:14:34.720 --> 0:14:36.640
<v Speaker 1>and they cause the parts to move and form a

0:14:36.720 --> 0:14:40.520
<v Speaker 1>pre specified object. It's like if you're wearing kite jeans

0:14:41.120 --> 0:14:43.080
<v Speaker 1>and then you, and then you get reined on really

0:14:43.120 --> 0:14:45.120
<v Speaker 1>heavy layer. You fall in a swimming pool, and then

0:14:45.160 --> 0:14:47.160
<v Speaker 1>they start to shrink up, and then you were your

0:14:47.240 --> 0:14:50.520
<v Speaker 1>your form changes and you you you go into into

0:14:50.600 --> 0:14:53.160
<v Speaker 1>like stiff legged mode because you can't move your legs anymore.

0:14:53.760 --> 0:14:55.640
<v Speaker 1>It's kind of like that the outer layer is the

0:14:55.720 --> 0:14:59.360
<v Speaker 1>gene the blue jeans, and then the inner layer is you. Yeah, well,

0:14:59.400 --> 0:15:01.560
<v Speaker 1>I mean think it's really interesting. And this is uh

0:15:01.640 --> 0:15:03.880
<v Speaker 1>from a Ted talk that you sent me that Tibbott

0:15:03.960 --> 0:15:06.640
<v Speaker 1>is talking about the future of this and what makes

0:15:06.640 --> 0:15:09.200
<v Speaker 1>no sense so much sense. He's saying that currently we

0:15:09.320 --> 0:15:14.240
<v Speaker 1>build skyscrapers with about five hundred thousand into one million parts,

0:15:14.520 --> 0:15:17.040
<v Speaker 1>which all told takes about two years. And that's not

0:15:17.240 --> 0:15:21.440
<v Speaker 1>even counting the dead gangsters in the concrete exactly or

0:15:21.480 --> 0:15:24.560
<v Speaker 1>the vampires, um. And then he says though that we

0:15:24.600 --> 0:15:28.360
<v Speaker 1>should look toward natural systems to get a better idea

0:15:28.400 --> 0:15:31.640
<v Speaker 1>of how to use forty or self assembly. He says

0:15:31.640 --> 0:15:34.520
<v Speaker 1>that we have proteins that have two million types, they

0:15:34.520 --> 0:15:37.960
<v Speaker 1>can fold in ten thousand nanoseconds, and he says we

0:15:37.960 --> 0:15:40.680
<v Speaker 1>also have DNA with three billion base pairs we can

0:15:40.720 --> 0:15:44.840
<v Speaker 1>replicate in roughly an hour. So he said that out

0:15:44.880 --> 0:15:49.520
<v Speaker 1>of all this complexity complexity in our natural systems, UM,

0:15:49.560 --> 0:15:52.680
<v Speaker 1>there's still this idea that they're really efficient at what

0:15:52.760 --> 0:15:55.480
<v Speaker 1>they do, far more efficient than anything that we can build,

0:15:56.000 --> 0:15:58.520
<v Speaker 1>and far more complex than anything that we can build.

0:15:59.000 --> 0:16:01.240
<v Speaker 1>And so he says we should look towards this model

0:16:01.440 --> 0:16:05.400
<v Speaker 1>because it's it's really good, um and making something out

0:16:05.440 --> 0:16:08.600
<v Speaker 1>of as little energy as possible. Yeah, I mean, and

0:16:08.720 --> 0:16:11.880
<v Speaker 1>right now we're talking about again a little like a

0:16:11.920 --> 0:16:14.280
<v Speaker 1>three D printed stick that when the water is at

0:16:14.320 --> 0:16:17.040
<v Speaker 1>it, it it becomes a cube. But he's talking long term

0:16:17.280 --> 0:16:20.600
<v Speaker 1>the idea of the self assembly of large scale structures,

0:16:21.040 --> 0:16:23.080
<v Speaker 1>which is which is pretty phenomenal. I like how in

0:16:23.120 --> 0:16:24.880
<v Speaker 1>the talk he gets a little philosophic too and talks

0:16:24.920 --> 0:16:29.120
<v Speaker 1>about ultimately objects that have desire. Not only do we

0:16:29.280 --> 0:16:32.320
<v Speaker 1>desire them, but they have they have a desire in

0:16:32.360 --> 0:16:34.680
<v Speaker 1>the sense that there is something that they will be.

0:16:34.800 --> 0:16:37.680
<v Speaker 1>I mean, it gets a little we want Yeah, when

0:16:37.720 --> 0:16:38.920
<v Speaker 1>you get into one. I mean, it's kind of like

0:16:38.920 --> 0:16:41.560
<v Speaker 1>when you're talking about memory, like say a spring having

0:16:41.600 --> 0:16:43.400
<v Speaker 1>memory of spring. It doesn't have memory in the sense

0:16:43.400 --> 0:16:47.600
<v Speaker 1>that we speak of it, but it does have engineering, uh,

0:16:47.640 --> 0:16:50.480
<v Speaker 1>in a physics level of memory. And this would be

0:16:50.640 --> 0:16:53.560
<v Speaker 1>that same level of desire. So you could also argue

0:16:53.600 --> 0:16:56.120
<v Speaker 1>to say, my earbuds always have a desire to break

0:16:56.160 --> 0:16:58.880
<v Speaker 1>after one year. Well, this is uh. This kind of

0:16:58.880 --> 0:17:01.880
<v Speaker 1>goes back to Susan Black when she talks about Dawkins.

0:17:01.880 --> 0:17:06.080
<v Speaker 1>She talks about memes and how humans are just meme machines, right,

0:17:06.119 --> 0:17:10.080
<v Speaker 1>We're meant to communicate certain messages and over and over

0:17:10.119 --> 0:17:12.320
<v Speaker 1>again and just spread the memes. But then she says

0:17:12.359 --> 0:17:15.399
<v Speaker 1>technology is really the thing that we're spreading. So that's

0:17:15.400 --> 0:17:18.880
<v Speaker 1>why she plays on teams UM And so I think

0:17:18.880 --> 0:17:22.639
<v Speaker 1>about this in that instance, like we are creating UM

0:17:22.720 --> 0:17:27.520
<v Speaker 1>the technology to ultimately reproduce itself and brings us back

0:17:27.520 --> 0:17:29.520
<v Speaker 1>into the world of nanotech. But I was gonna say, really,

0:17:29.520 --> 0:17:33.399
<v Speaker 1>at a very small scale, which is now um possible

0:17:33.440 --> 0:17:37.159
<v Speaker 1>in nano three D printing, I cause you're talking about

0:17:37.320 --> 0:17:42.880
<v Speaker 1>really fine resolutions that enable the creation of intricately structured sculptures.

0:17:43.000 --> 0:17:47.080
<v Speaker 1>Is tiny, tiny, tiny, tiny as a grain of sand.

0:17:47.520 --> 0:17:49.840
<v Speaker 1>There's actually a great video we'll we'll try to remember

0:17:49.880 --> 0:17:52.600
<v Speaker 1>to post this, but it shows that in fifty seconds

0:17:53.280 --> 0:17:56.720
<v Speaker 1>this aircraft is created through a nano three D printer,

0:17:57.280 --> 0:17:59.840
<v Speaker 1>and if you look at it through obviously there's like

0:18:00.080 --> 0:18:04.719
<v Speaker 1>magnified and you see the details and it is perfectly scale.

0:18:04.840 --> 0:18:07.600
<v Speaker 1>It's it's a beautiful rendering and it is an object

0:18:07.680 --> 0:18:10.720
<v Speaker 1>and it is as big as a tiny grain of salt. Yeah.

0:18:10.760 --> 0:18:13.159
<v Speaker 1>I mean it comes back into again to what I've

0:18:13.160 --> 0:18:15.040
<v Speaker 1>been talking about with the idea of building things with

0:18:15.119 --> 0:18:18.200
<v Speaker 1>the smallest parts possible. The more that the smaller that

0:18:18.320 --> 0:18:21.120
<v Speaker 1>the building blocks, the more power you have over the structure,

0:18:21.640 --> 0:18:24.720
<v Speaker 1>over the ultimate finished product. It's like with legos. Think

0:18:24.760 --> 0:18:27.040
<v Speaker 1>back to the legos you had when you were really young,

0:18:27.440 --> 0:18:30.320
<v Speaker 1>whether it were kind of big and and boxy because

0:18:30.400 --> 0:18:32.040
<v Speaker 1>it would be harder to fit in your mouth, and

0:18:32.080 --> 0:18:35.080
<v Speaker 1>then the smaller legos you eventually grew into, which one

0:18:35.160 --> 0:18:37.640
<v Speaker 1>would which blocks allow you to create the more detailed

0:18:37.640 --> 0:18:40.600
<v Speaker 1>model the smaller blocks of course, of course. And then

0:18:40.600 --> 0:18:42.879
<v Speaker 1>when you think about something that we mentioned before, the

0:18:42.880 --> 0:18:46.080
<v Speaker 1>gaming controllers, in which there's the ability to throw down

0:18:46.119 --> 0:18:49.680
<v Speaker 1>to lay down electronics and those objects that are three

0:18:49.760 --> 0:18:52.240
<v Speaker 1>D printed, and you look at nano printing and you

0:18:52.280 --> 0:18:54.320
<v Speaker 1>know it's just a matter of time where you can

0:18:54.359 --> 0:18:57.960
<v Speaker 1>get the same sort of electronics into the object. Then

0:18:58.080 --> 0:19:00.800
<v Speaker 1>you start to think more about what does the future

0:19:00.840 --> 0:19:04.280
<v Speaker 1>look like long term sicky years from now. Um, it's

0:19:04.320 --> 0:19:09.120
<v Speaker 1>not just about creating nano printed scaffolding to grow tissue

0:19:09.160 --> 0:19:14.200
<v Speaker 1>on or to use in other nano manufacturing parts. There

0:19:14.280 --> 0:19:17.639
<v Speaker 1>is a real ability to say, create a robot that

0:19:17.760 --> 0:19:21.440
<v Speaker 1>is at the nano scale and what happens then, well,

0:19:21.480 --> 0:19:23.479
<v Speaker 1>then we have the idea that we have machines that

0:19:23.560 --> 0:19:27.480
<v Speaker 1>can repair themselves. We have we have structures that can

0:19:27.520 --> 0:19:31.720
<v Speaker 1>repair themselves, buildings that can heal, bridges that can build themselves,

0:19:32.160 --> 0:19:35.040
<v Speaker 1>little tiny robots that can peek into your private life.

0:19:35.040 --> 0:19:36.720
<v Speaker 1>We're talking about this the other day when we're shooting

0:19:36.720 --> 0:19:39.239
<v Speaker 1>a video. Yeah, we were just saying that, Um, I mean,

0:19:39.280 --> 0:19:40.960
<v Speaker 1>how do you combat that we have your own little

0:19:41.040 --> 0:19:45.680
<v Speaker 1>army of nano robots system really of nanobots to protect

0:19:45.920 --> 0:19:48.960
<v Speaker 1>your privacy and your interests. And we all kind of lit.

0:19:48.960 --> 0:19:50.840
<v Speaker 1>We're just all crawling with them like fleas that we

0:19:50.920 --> 0:19:52.679
<v Speaker 1>just and maybe they're also programmed to cut our hair

0:19:52.720 --> 0:19:55.560
<v Speaker 1>and to groom ourselves, which is nice, it's lovely. Um.

0:19:55.600 --> 0:19:58.359
<v Speaker 1>Other considerations. We talked about this when we talked about

0:19:58.400 --> 0:20:00.280
<v Speaker 1>the atropasy, and this is the idea of we are

0:20:00.320 --> 0:20:03.560
<v Speaker 1>now in the age of man and that human activity

0:20:03.600 --> 0:20:07.600
<v Speaker 1>has left a stratigraphic signal in the soil and scars

0:20:07.600 --> 0:20:11.160
<v Speaker 1>in the earth, chemical signatures, etcetera. Yeah, and we find

0:20:11.160 --> 0:20:14.040
<v Speaker 1>this an ice cores. Right, there's data retreat from glacial

0:20:14.080 --> 0:20:17.040
<v Speaker 1>ice cores that show the beginning of a growth in

0:20:17.160 --> 0:20:22.320
<v Speaker 1>atmospheric concentrations of several greenhouse gases, in particular CEO two

0:20:22.359 --> 0:20:26.200
<v Speaker 1>and c H four. And the starting date actual actually

0:20:26.560 --> 0:20:30.720
<v Speaker 1>coincides with James Watt's invention of a steam engine in

0:20:31.440 --> 0:20:33.159
<v Speaker 1>four So you begin to see this layer of sediment.

0:20:33.240 --> 0:20:35.600
<v Speaker 1>So the question is, you know if a human or

0:20:35.720 --> 0:20:39.600
<v Speaker 1>some other intelligent being were to look at the soil

0:20:39.640 --> 0:20:42.440
<v Speaker 1>a thousand years from now, um, and would they look

0:20:42.480 --> 0:20:44.600
<v Speaker 1>at the soil and say, ah, this is this is

0:20:44.640 --> 0:20:47.239
<v Speaker 1>the year that they really began to use a three

0:20:47.320 --> 0:20:51.160
<v Speaker 1>D printer, because now we have this huge polymer sediment. Yeah,

0:20:51.160 --> 0:20:53.200
<v Speaker 1>this is the age in which they took all available

0:20:53.240 --> 0:20:57.119
<v Speaker 1>mass and used it to print a whole bunch of nonsense.

0:20:57.359 --> 0:20:59.600
<v Speaker 1>So you just have to and just drown themselves. And

0:20:59.640 --> 0:21:02.159
<v Speaker 1>again a come back to the idea of the Internet

0:21:02.600 --> 0:21:05.760
<v Speaker 1>vomiting into the physical world as it is as three

0:21:05.840 --> 0:21:08.280
<v Speaker 1>D printing is this gateway way by which the Internet

0:21:08.359 --> 0:21:10.720
<v Speaker 1>and all of its nonsense and all of its beauty

0:21:10.760 --> 0:21:14.080
<v Speaker 1>and all of its horror can actually take physical form well,

0:21:14.119 --> 0:21:16.520
<v Speaker 1>and you kind of think about this is another prong

0:21:16.640 --> 0:21:18.679
<v Speaker 1>in the Internet of things. We talked about the Internet

0:21:18.680 --> 0:21:22.239
<v Speaker 1>of things being that that data is alive around us

0:21:22.440 --> 0:21:24.880
<v Speaker 1>at all times. In other words, you know, you could

0:21:24.920 --> 0:21:26.760
<v Speaker 1>have a refrigerator that could tell you if you needed

0:21:27.040 --> 0:21:29.640
<v Speaker 1>eggs or your eggs were expired. And you know, this

0:21:29.720 --> 0:21:33.919
<v Speaker 1>is just another idea of how objects play into this.

0:21:34.640 --> 0:21:36.159
<v Speaker 1>I like to think of it in terms two of

0:21:36.200 --> 0:21:38.320
<v Speaker 1>our work print printer, Like, think of all the things

0:21:38.320 --> 0:21:40.680
<v Speaker 1>that you find printed out that people have forgotten about.

0:21:40.720 --> 0:21:46.320
<v Speaker 1>You find like say, um, detailed tax information, legal information,

0:21:46.400 --> 0:21:53.280
<v Speaker 1>personal information, private correspondences, recipes, work Once I found that

0:21:53.320 --> 0:21:56.240
<v Speaker 1>somebody had written and it wasn't me, somebody else in

0:21:56.280 --> 0:21:58.679
<v Speaker 1>the office had written um, like a large portion of

0:21:58.720 --> 0:22:00.840
<v Speaker 1>like a sci fi novel. So things just sitting there

0:22:00.880 --> 0:22:03.080
<v Speaker 1>on the on the on the printer. If we had

0:22:03.119 --> 0:22:05.520
<v Speaker 1>three D printers, what kind of stuff would you find

0:22:05.560 --> 0:22:08.280
<v Speaker 1>they're just sitting sitting there on the desk or clogged

0:22:08.359 --> 0:22:10.840
<v Speaker 1>up in the printer. Would you find like, by the way,

0:22:10.840 --> 0:22:12.800
<v Speaker 1>we're not giving anything away when we say that someone

0:22:12.840 --> 0:22:16.120
<v Speaker 1>wrote a chunk of sci fi novel here because there

0:22:16.240 --> 0:22:19.320
<v Speaker 1>there's a good many people here. I can't even narrow

0:22:19.359 --> 0:22:21.920
<v Speaker 1>down who it might have been at the time, but

0:22:22.119 --> 0:22:26.440
<v Speaker 1>the manifesto on popcorn there's only one person. But but

0:22:26.560 --> 0:22:27.879
<v Speaker 1>just think, you know, you would go to the printer

0:22:27.960 --> 0:22:31.119
<v Speaker 1>and then there's somebody has printed out, you know, a

0:22:31.240 --> 0:22:33.879
<v Speaker 1>size perfect dress for themselves that they were going to

0:22:33.960 --> 0:22:36.280
<v Speaker 1>wear that night and left early and forgot to pick up.

0:22:36.520 --> 0:22:41.240
<v Speaker 1>Someone printed out some sort of rather personal, um adult

0:22:41.240 --> 0:22:44.360
<v Speaker 1>device that you know, they could be fired for. Someone

0:22:44.440 --> 0:22:47.960
<v Speaker 1>else printed out just a toy that that that was interesting. Oh,

0:22:48.000 --> 0:22:49.359
<v Speaker 1>they needed to know the action figure to go on

0:22:49.359 --> 0:22:51.080
<v Speaker 1>their death, so they printed out eight of them by

0:22:51.119 --> 0:22:54.600
<v Speaker 1>accident by accidentally hitting the button eight times. I mean,

0:22:54.680 --> 0:22:56.160
<v Speaker 1>you can just go on and on. I know, I'm

0:22:56.160 --> 0:22:58.679
<v Speaker 1>just trying to figure out if this is glorious? Are awful?

0:22:58.840 --> 0:23:00.879
<v Speaker 1>I know that's a little but that's the question we

0:23:00.920 --> 0:23:03.440
<v Speaker 1>always ask the technology and and probably yeah, it's a

0:23:03.440 --> 0:23:06.520
<v Speaker 1>little column may, a little column B. Yeah. All right,

0:23:06.880 --> 0:23:08.920
<v Speaker 1>Well there you go a little more stuff to blow

0:23:08.960 --> 0:23:12.040
<v Speaker 1>your mind there with three D printing and for D printing.

0:23:12.520 --> 0:23:14.639
<v Speaker 1>And we would love to hear from everyone, what are

0:23:14.640 --> 0:23:17.320
<v Speaker 1>your thoughts on on the future of three D and

0:23:17.359 --> 0:23:18.639
<v Speaker 1>fort D printing. How do you think it's going to

0:23:18.760 --> 0:23:21.000
<v Speaker 1>change our lives? How would it change your life? How

0:23:21.000 --> 0:23:22.720
<v Speaker 1>do you think it's going to change manufacturing? How do

0:23:22.720 --> 0:23:24.280
<v Speaker 1>you think it's going to change the business. How do

0:23:24.280 --> 0:23:26.280
<v Speaker 1>you think it's gonna weigh the change the way we

0:23:26.320 --> 0:23:30.000
<v Speaker 1>interact with objects and to what extent are personalized like

0:23:30.080 --> 0:23:32.760
<v Speaker 1>handcrafted objects. I mean, I can't imagine it would go away.

0:23:32.800 --> 0:23:35.040
<v Speaker 1>There's still gonna be a value for things that are

0:23:35.080 --> 0:23:37.240
<v Speaker 1>created in the old ways that things are complete, that

0:23:37.280 --> 0:23:39.920
<v Speaker 1>are created by hand. You know, it'll be the same

0:23:39.920 --> 0:23:42.400
<v Speaker 1>way that people are willing into craft beers. People will

0:23:42.440 --> 0:23:44.960
<v Speaker 1>still be into the idea of of, say a miniature

0:23:45.000 --> 0:23:47.440
<v Speaker 1>that was created with mold rather than a three D printer.

0:23:47.560 --> 0:23:50.920
<v Speaker 1>But at the same time, will intellectually intellectual property Will

0:23:50.960 --> 0:23:54.360
<v Speaker 1>that become a really archaic term? Yeah, The legal ramifications

0:23:54.359 --> 0:23:57.919
<v Speaker 1>are are crazy enough themselves. So hey, let us know

0:23:57.960 --> 0:24:00.240
<v Speaker 1>what you think. You can find us on face Book,

0:24:00.359 --> 0:24:02.440
<v Speaker 1>you can find us on tumbler. We are stuff to

0:24:02.480 --> 0:24:04.880
<v Speaker 1>blow your mind on both of those, and also check

0:24:04.920 --> 0:24:07.919
<v Speaker 1>us out on Twitter, where our handle is is blow

0:24:08.000 --> 0:24:10.640
<v Speaker 1>the mind, and we there's different content on all three

0:24:10.680 --> 0:24:12.240
<v Speaker 1>of those so so they don't think that they're all

0:24:12.240 --> 0:24:15.200
<v Speaker 1>just replications with the same material. And you can always

0:24:15.280 --> 0:24:17.520
<v Speaker 1>drop us a line at blow the Mind at Discovery

0:24:17.560 --> 0:24:26.640
<v Speaker 1>dot com for more on this and thousands of other topics.

0:24:26.720 --> 0:24:32.960
<v Speaker 1>Does It How Stuff Works dot com