1 00:00:01,560 --> 00:00:02,400 Speaker 1: What's up with you? 2 00:00:02,520 --> 00:00:04,080 Speaker 2: Wait a minute, is this the right number? 3 00:00:04,160 --> 00:00:06,359 Speaker 3: It's the loser line. 4 00:00:06,280 --> 00:00:09,000 Speaker 1: Good By, just call me back if you haven't heard 5 00:00:09,000 --> 00:00:11,399 Speaker 1: the loser line before. It works like this. Let's say 6 00:00:11,440 --> 00:00:13,520 Speaker 1: someone approaches you while you're out at the club and 7 00:00:13,640 --> 00:00:15,960 Speaker 1: uses this charming pickup line on you. 8 00:00:16,040 --> 00:00:18,880 Speaker 2: Hey, what's a girl like you doing in a place 9 00:00:19,000 --> 00:00:23,119 Speaker 2: like this, especially when there's a Battlestar Galactica marathon on 10 00:00:23,200 --> 00:00:24,680 Speaker 2: the sci fi camera right now? 11 00:00:25,120 --> 00:00:29,320 Speaker 3: Are you crazy? 12 00:00:29,440 --> 00:00:33,080 Speaker 4: You're crazy so much that it just came out of here. 13 00:00:33,440 --> 00:00:37,640 Speaker 1: Whatever you do, don't pour your cosmo into his fanny pack. Instead, 14 00:00:37,720 --> 00:00:41,080 Speaker 1: tell him to beam you up to his galaxy aka 15 00:00:41,240 --> 00:00:44,400 Speaker 1: his mom's basement, and then hopefully he leaves an awkward 16 00:00:44,440 --> 00:00:47,280 Speaker 1: voicemail we could play on the air voicemails like this one. 17 00:00:47,440 --> 00:00:53,600 Speaker 2: Next message, Samantha, Hey, it's funny. I got your number, 18 00:00:54,320 --> 00:00:57,280 Speaker 2: super excited about that. We are talking about the train 19 00:00:57,600 --> 00:00:59,920 Speaker 2: model that I had and I was getting into the 20 00:01:00,080 --> 00:01:04,559 Speaker 2: detailed and then You're friend Tarby like really interrupted and 21 00:01:05,000 --> 00:01:07,399 Speaker 2: I needed to tell you about like the full scope 22 00:01:07,440 --> 00:01:10,319 Speaker 2: of this, but I was thinking, like you should come over, 23 00:01:10,720 --> 00:01:13,880 Speaker 2: and I got this basement and I've like totally decked it. 24 00:01:13,920 --> 00:01:17,160 Speaker 2: Out with the train that it's a full town. It's 25 00:01:17,200 --> 00:01:19,959 Speaker 2: got like a three hundred union apartment building in a 26 00:01:20,080 --> 00:01:23,920 Speaker 2: park and a zoo and amusement parks in a bridge, 27 00:01:23,920 --> 00:01:25,760 Speaker 2: and I think, like you should come over and we'll 28 00:01:26,160 --> 00:01:28,600 Speaker 2: put on the hats and outfits and stuff and like 29 00:01:28,880 --> 00:01:34,960 Speaker 2: do the train thing. Like it'll be a whop a woo. 30 00:01:37,000 --> 00:01:40,600 Speaker 3: Thought of that. Keep going. 31 00:01:40,720 --> 00:01:43,600 Speaker 4: You don't want to be a conductor, Alexis. Maybe my 32 00:01:43,600 --> 00:01:44,400 Speaker 4: owner could be cute. 33 00:01:46,640 --> 00:01:50,560 Speaker 1: Is there a bar downstairs? Otherwise it's never happening. Is 34 00:01:50,600 --> 00:01:52,000 Speaker 1: there a hot tub in your train? 35 00:01:53,760 --> 00:01:58,520 Speaker 4: Next message? Hey, Steve, we met the other night and 36 00:01:58,520 --> 00:02:01,280 Speaker 4: you told me you were going to Mexico, And I mean, 37 00:02:01,280 --> 00:02:03,800 Speaker 4: that sounds really fun, but I've just been thinking about 38 00:02:03,800 --> 00:02:07,360 Speaker 4: it a lot, and I'm I'm actually really worried about you. 39 00:02:07,800 --> 00:02:09,680 Speaker 4: Like I looked it up and there are at least 40 00:02:09,880 --> 00:02:12,120 Speaker 4: six or seven ways that you could die on this trip. 41 00:02:12,720 --> 00:02:15,360 Speaker 4: And I'm not talking about like cartels where they like 42 00:02:15,480 --> 00:02:18,200 Speaker 4: kidnap you and decapitate you or anything like that, Like 43 00:02:18,280 --> 00:02:21,480 Speaker 4: I'm talking about normal stuff. Like I saw in the 44 00:02:21,520 --> 00:02:24,120 Speaker 4: area that you're staying it is number six in the 45 00:02:24,120 --> 00:02:28,680 Speaker 4: world for choking deaths. It doesn't say like specifically food choking. 46 00:02:29,520 --> 00:02:31,959 Speaker 4: But I mean, if it's not food choking, then obviously 47 00:02:32,000 --> 00:02:34,239 Speaker 4: that is way worse. And not to mention all the 48 00:02:34,320 --> 00:02:38,040 Speaker 4: vending machine accidents that happened there and all the falling coconuts, 49 00:02:38,320 --> 00:02:39,680 Speaker 4: you know. I mean, I don't want to tell you 50 00:02:39,760 --> 00:02:42,520 Speaker 4: like every single way you could die, because I mean, 51 00:02:43,280 --> 00:02:45,080 Speaker 4: that would be a lot. And I don't want to 52 00:02:45,400 --> 00:02:47,880 Speaker 4: leave this super long boy smail. But I basically I 53 00:02:47,960 --> 00:02:50,320 Speaker 4: just I just don't want you to like pass away 54 00:02:50,320 --> 00:02:54,360 Speaker 4: because I would suck next message. I feel like I 55 00:02:54,400 --> 00:02:57,120 Speaker 4: just listened to my mom before I take every vacation. 56 00:02:56,800 --> 00:03:01,240 Speaker 1: I've ever take, every single precaution. I want to know 57 00:03:01,280 --> 00:03:03,359 Speaker 1: where this choking capital of the world. 58 00:03:04,560 --> 00:03:05,480 Speaker 3: I got to book. 59 00:03:05,320 --> 00:03:08,359 Speaker 1: Myself a trip. I mean, I gotta get on this. 60 00:03:09,240 --> 00:03:11,240 Speaker 1: But remember, you can get the special Loser line number 61 00:03:11,240 --> 00:03:13,200 Speaker 1: if you text the word loser l O s e 62 00:03:13,320 --> 00:03:15,520 Speaker 1: R to seven eighty five nine to give it out 63 00:03:15,560 --> 00:03:17,960 Speaker 1: to somebody who's really worried you might die on your 64 00:03:17,960 --> 00:03:20,880 Speaker 1: next vacation so they can call and leave an awkward voicemail. 65 00:03:20,919 --> 00:03:22,799 Speaker 1: We can play voicemails like this one. 66 00:03:24,200 --> 00:03:31,520 Speaker 3: Hey, Sue, my name is We had met on that 67 00:03:32,560 --> 00:03:39,200 Speaker 3: we met on that flight to Denver recently, and I 68 00:03:39,240 --> 00:03:43,960 Speaker 3: sure hope you don't mind, but I kind of flirted 69 00:03:44,000 --> 00:03:49,400 Speaker 3: with you on purpose. I was really trying to get 70 00:03:49,440 --> 00:03:55,720 Speaker 3: your attention. That was why I stirred your drink with 71 00:03:55,760 --> 00:04:02,480 Speaker 3: my finger. The five knuckle treatment. You know, it was fun. 72 00:04:02,560 --> 00:04:06,360 Speaker 3: Every knuckle hit an ice cube, and Uh, I was 73 00:04:06,680 --> 00:04:09,360 Speaker 3: really turned on and I was hoping that you were 74 00:04:09,360 --> 00:04:15,680 Speaker 3: really turned on to look forward to uh talking to 75 00:04:15,720 --> 00:04:20,960 Speaker 3: you soon. It was like a jog of like I 76 00:04:21,000 --> 00:04:22,520 Speaker 3: did your whole fist in there. 77 00:04:22,640 --> 00:04:24,480 Speaker 1: There is only one place that I want the five 78 00:04:24,560 --> 00:04:26,800 Speaker 1: knuckle treatment, and I'll tell you it's not in my 79 00:04:26,839 --> 00:04:33,520 Speaker 1: airplane beverage destiny. That didn't work for you, bro. Do 80 00:04:33,560 --> 00:04:39,640 Speaker 1: you guys remember my wedding and the bartender Dolly, But she. 81 00:04:39,800 --> 00:04:54,039 Speaker 2: Was a hot she could pull yoo nack what my kit? 82 00:04:54,279 --> 00:04:59,919 Speaker 3: But that night it might be the backpot. 83 00:05:00,040 --> 00:05:01,560 Speaker 2: And I've seen in a long. 84 00:05:01,400 --> 00:05:04,200 Speaker 4: Time me and my girls hanging out at the bars. 85 00:05:04,240 --> 00:05:07,000 Speaker 2: You seem to only have eyes from me, So give 86 00:05:07,080 --> 00:05:11,320 Speaker 2: me those extra drinks, even those eyes. You know you 87 00:05:11,360 --> 00:05:11,800 Speaker 2: want it. 88 00:05:12,440 --> 00:05:15,039 Speaker 1: You know you want it, and I won't need to. 89 00:05:17,120 --> 00:05:21,560 Speaker 2: Buttonn't it me my button? 90 00:05:23,160 --> 00:05:24,360 Speaker 4: Me coming back bar? 91 00:05:27,120 --> 00:05:34,840 Speaker 2: Hello, Hello, Macca, know you Hello, what are you like? 92 00:05:35,200 --> 00:05:36,240 Speaker 2: I can't cut it off? 93 00:05:36,320 --> 00:05:43,640 Speaker 3: Why want to cut off? Hello? Hello? I don't even drink? 94 00:05:46,720 --> 00:05:48,080 Speaker 2: Is literally broke. 95 00:05:51,200 --> 00:05:54,480 Speaker 1: Right now I get divorced. That is gonna be so 96 00:05:54,760 --> 00:05:57,440 Speaker 1: much Yes, and I even feel that Why is los 97 00:05:57,480 --> 00:05:58,800 Speaker 1: alf so personal? 98 00:05:58,880 --> 00:05:59,200 Speaker 4: Today? 99 00:06:00,000 --> 00:06:04,039 Speaker 1: Imberbrook drinks, she gets extra sloppy, loud, think everybody is 100 00:06:04,040 --> 00:06:07,400 Speaker 1: in love with her, and then starts singing really badly, 101 00:06:07,480 --> 00:06:08,640 Speaker 1: asking for more drinks. 102 00:06:09,120 --> 00:06:14,880 Speaker 3: But it's fun for you, whoever. 103 00:06:14,920 --> 00:06:17,279 Speaker 1: You can listen to Loser Line regularly at this time 104 00:06:17,480 --> 00:06:19,440 Speaker 1: every week, phone taps coming up. 105 00:06:19,880 --> 00:06:19,920 Speaker 3: Ra