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Speaker 1: Nollian, no.

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Speaker 2: Doctor, we got Nando's and a Reasonable Doubt in New York?

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Speaker 3: What a week? Who's excited?

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Speaker 4: Reasonable Doubt in New York is Hellever the Reasonable Doubt

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Speaker 4: was recorded.

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Speaker 2: It's actually it's gonna sound like a weird take because obviously, yes,

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Speaker 2: jay Z is from New York and a Reasonable Doubt

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Speaker 2: was recorded here. But it's rare that we've had like

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Speaker 2: events in Everything's in La. Like, it's nice that like

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Speaker 2: jay Z is doing.

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Speaker 3: This in New York.

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Speaker 2: Obviously he would, But in twenty twenty six, any cool

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Speaker 2: activation pop up like skips New York and it never

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Speaker 2: used to. Yeah, I mean Everything's in LA.

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Speaker 4: The artist is from New York, the album was created

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Speaker 4: in New York. It's a probably a staple in New

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Speaker 4: York hip hop, and it's a thirty university.

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Speaker 2: But I like that everything.

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Speaker 5: You thought he was gonna do this in Malibum.

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Speaker 2: No. I thought he would do what maybe bigger artists do,

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Speaker 2: where they'll do one quick one in New York. Maybe

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Speaker 2: they'll even show up, but the show probably not, and

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Speaker 2: then they'll go to the.

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Speaker 3: La one ye, but the show's here.

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Speaker 2: I usually any other artists would do this at Hollywood Bowl.

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Speaker 3: That's all I'm saying.

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Speaker 4: Nah, I mean, well, of course maybe yes, but because

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Speaker 4: there's a New York City artist is But I like

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Speaker 4: that the pop all three pop ups are in New York,

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Speaker 4: not one in Atlanta.

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Speaker 3: One like just put everything.

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Speaker 5: So I'm sure he'll do one because he's doing the

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Speaker 5: La Show.

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Speaker 2: Yeah, some show. I'm sure of course there'll be something.

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Speaker 2: But the Reasons Out came out thirty years today. As

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Speaker 2: we're recording this, I'm glad that it's in Brooklyn. It's

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Speaker 2: in the city, like, yeah, it's just the trains, Yeah,

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Speaker 2: it's all the maps are for New York. Like, I

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Speaker 2: just appreciate that because it's been so long since we

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Speaker 2: had that.

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Speaker 4: It's just fun to watch man because, like you said,

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Speaker 4: thirty years to see a lot of the people that

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Speaker 4: are at the pop up events that are maybe thirty

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Speaker 4: four or thirty five, you know what I'm saying in

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Speaker 4: this Yeah, and it's like to see that.

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Speaker 3: It's like it speaks to just on thirty six Jesus Christ.

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Speaker 4: Well yeah, i mean, fuck, the year's not out, so

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Speaker 4: technically still thirty five, but you know, it's it's just

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Speaker 4: fun to see that because again the album being thirty

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Speaker 4: years old. A lot of the people that are at

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Speaker 4: the events still in their thirties, who probably weren't old

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Speaker 4: enough to really know what it was like when the

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Speaker 4: album debuted. To see them just want to be a

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Speaker 4: part of the album speaks to one. The music speaks

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Speaker 4: to the artists, it speaks to its place in hip hop.

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Speaker 4: So it's pretty cool to see a kind of like,

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Speaker 4: you know, enjoying the moment, gearing up for the Yankee

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Speaker 4: Stadium shows and things like that. But it's like it

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Speaker 4: also is like, damn thirty years Like shit, Yeah, it

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Speaker 4: also ages you too, Like when you think about thirty years,

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Speaker 4: it's like.

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Speaker 2: That was pretty quick. Yeah, yeah, that was that was

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Speaker 2: pretty fast. Yeah, but it's cool. I mean, I've just

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Speaker 2: seen the videos of everyone at the one in the

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Speaker 2: City today and the Brooklyn It's cool to see people

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Speaker 2: outside and like buying hard copies. Yeah, just seeing that

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Speaker 2: type of stuff is refreshing, that's all. I like that

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Speaker 2: he's doing a lot, but he's not doing too much.

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Speaker 2: I think wrapping the trains is super cool. Obviously the

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Speaker 2: Yankee Stadium thing is a Yankee Stadium thing, but you're

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Speaker 2: just doing these merch pop ups with like collector items

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Speaker 2: stuff like, I mean, I went to the friends and

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Speaker 2: family when yesterday the merch is super quality, Like it's

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Speaker 2: just cool to get people outside to celebrate something we

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Speaker 2: all love.

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Speaker 3: That's all I thought about it, buying the vinyl create.

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Speaker 2: What was the price point of it?

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Speaker 5: Again, I said, I don't know if I'm giving j fifteen.

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Speaker 4: It's some dope ship though all of Jay's music on vinyls.

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Speaker 2: Listen, you know what I mean. Dollars is a lot

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Speaker 2: of money. I don't care who you are. Fifteen dollars

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Speaker 2: a lot of money. But it's what thirteen albums.

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Speaker 5: Thirteen albums, four forty four for the first time on vinyl.

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Speaker 2: That's that price point kind of makes sense. Like it

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Speaker 2: makes some people like, yo, what the fuck I get it?

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Speaker 2: But it is thirteen albums, Like.

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Speaker 3: It makes sense.

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Speaker 4: But I was looking at the crate and I'm like,

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Speaker 4: some vinyls is great.

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Speaker 2: I mean, if they got a little more plastic it

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Speaker 2: ain't leather. Well, it's supposed to be a crate like

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Speaker 2: h like a DJ.

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Speaker 4: I mean, I hear you, yeah, but they could have

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Speaker 4: gave me a little more on the crate though, come on, Lenny,

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Speaker 4: you could have gave us a little more on the crag.

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Speaker 1: Does the crate play like? Is the is the play

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Speaker 1: crate a player too?

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Speaker 4: No, that's where you hold the vinyls are like a DJ.

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Speaker 4: DJ holds us his vinyls.

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Speaker 2: And crazy do the crazy?

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Speaker 1: Still I still have creates like I have crates, Like.

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Speaker 2: It doesn't look like just your regular Sure it's not

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Speaker 2: a little bit more.

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Speaker 3: They get it from from Ki Food.

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Speaker 2: Yeah.

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Speaker 4: Really the milk ain't got some aesthetics it, don't get

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Speaker 4: it twisted. They got some some cool aesthetic to it.

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Speaker 4: But that was doing. I almost pulled the trigger on

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Speaker 4: the fifteen hundred dollars create. I was like, you know what,

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Speaker 4: this is some cool shit. That kind of I still might.

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Speaker 1: Though, I don't know that's kind of fire. I just

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Speaker 1: wish the crate also like double as a player, and

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Speaker 1: then it would be worth the fifteen hundred to me.

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Speaker 2: I have almost every vinyl. I could just go get

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Speaker 2: a crate for the spray paint ammal.

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Speaker 5: Yeah, but you can't get the jay Z the thirty.

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Speaker 3: Peach Kapoto shot at today.

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Speaker 4: Yeah, we can't get you can't get it on the crate, Like,

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Speaker 4: it's not gonna look as cool i'll get it, but

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Speaker 4: I'm definitely going. I'm definitely going to CJ. He gotta

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Speaker 4: sign on the vinyl for me, though, I'll pay the

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Speaker 4: fifteen hundred. But Jay gotta sign every vinyl.

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Speaker 2: Yeah, if we could set that up where we would

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Speaker 2: have a quick moment for him to sign, I'll pay

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Speaker 2: the fifteen hundred.

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Speaker 5: Yeah, he gotta sign every vinyl.

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Speaker 1: I say, quick about signing thirteen vinyls for both of

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Speaker 1: your forty six vinyls.

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Speaker 4: And it takes longer for them to just charge my

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Speaker 4: credit card. If I go and buy that fifteen hundred

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Speaker 4: dollars case, I'll tell you that. Yeah, take your time,

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Speaker 4: niggacause they didn't take their time when they charge this

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Speaker 4: credit card. So take your time signed each one of

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Speaker 4: these vinyls. Yeah, and let me put that in the

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Speaker 4: crib as a collector's edition. You know it's a collectors piece.

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Speaker 3: Yeah, but uh but yeah.

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Speaker 2: I went to the the I guess like launch of

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Speaker 2: the pop up because the pop ups are today, but

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Speaker 2: I went to the one yesterday and I really enjoyed it.

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Speaker 2: I mean, I guess it was. It was also great

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Speaker 2: to see like familiar faces. But we were all just

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Speaker 2: talking about reasonable doubt because I was a little nervous

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Speaker 2: it was going to be one of those launch like

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Speaker 2: it'll be thirty publicists drinking free do s like do

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Speaker 2: I really want to go to dumbosoreus d Gurules DJing.

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Speaker 2: Everyone was just talking about.

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Speaker 5: Mike telling people to go vote.

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Speaker 1: He did.

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Speaker 5: He did do that, of course he did.

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Speaker 1: You don't invite us like you see where he did.

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Speaker 2: He was invited in a group chat and we were

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Speaker 2: invited together.

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Speaker 1: You see where he don't invite me.

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Speaker 2: I didn't want to when invite me a mad bullshit

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Speaker 2: though when Maul and I were invited, I didn't want

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Speaker 2: to be the guy to then say, hey can I

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Speaker 2: also get an extra pass? I didn't want to be

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Speaker 2: that guy. No, but you are that guy though not

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Speaker 2: in these circumstances.

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Speaker 5: You have been that GANI like.

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Speaker 1: I'm a coworker at though, like I'm not just some

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Speaker 1: bitch you fucking like I'm your co worker.

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Speaker 5: Like the problem if you was a bit, he was fucking.

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Speaker 3: Have been in there.

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Speaker 2: You gotta give up home. Girls, got to give you

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Speaker 2: some hole that's all.

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Speaker 3: To go to the not even to go purchase merch.

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Speaker 6: Yeah.

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Speaker 2: Yeah, it wasn't like well, actually they gave us one

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Speaker 2: free T.

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Speaker 1: Shirt, not even not even sixty dollars t shirt, not

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Speaker 1: even the Yankee Stadium.

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Speaker 2: Some hole.

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Speaker 5: You go to the merch pop up.

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Speaker 1: That's crazy.

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Speaker 3: Yeah, but uh but no, it's cool.

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Speaker 2: They had they had the the Lexus out there as well.

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Speaker 3: It's cool.

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Speaker 2: I suggest I think it's to what July something. I'm

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Speaker 2: not open for a little bit, so.

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Speaker 5: You're leading up to the shows.

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Speaker 2: Yeah, if you're in if you're in New York or

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Speaker 2: in the area, I suggest going to the one in

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Speaker 2: the city or the one in Dumbo. Oh no, it's

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Speaker 2: only today to July fifth, all right, cool?

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Speaker 3: Yeah, yeah, the.

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Speaker 5: Man just running dumbos to July fifth.

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Speaker 3: Yeah.

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Speaker 2: If if you're a jay Z fan, a lot of

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Speaker 2: cool memorabilia and ship, I suggest going. Yeah, why'd you FLA?

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Speaker 2: I was outside, Moms, like, where's all ass? Talked him

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Speaker 2: like an hour ago.

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Speaker 5: A flat man on the fucking West Side bro Oh yeah.

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Speaker 3: Better than the FDR. I'd rather.

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Speaker 2: I'd rather. I'd rather catch a flat on the Westie

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Speaker 2: Highway than that because the scenery there's no like the FDR.

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Speaker 2: Shoulders is like this big West Side Highway. At least

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Speaker 2: there's like kind of the park area.

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Speaker 5: Yeah, but I wasn't near the shoulder.

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Speaker 3: He was by Trump.

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Speaker 4: No, I was by I was right passing UH as

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Speaker 4: soon as you pass UH Riverbank.

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Speaker 3: Oh yeah, yeah, get skinny there. You know what I'm saying.

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Speaker 4: So it was like, no, get shoulder. You can walk

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Speaker 4: to the shoulder if you want. But I was just like, yeah, man,

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Speaker 4: that was just the worst night. And then I was

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Speaker 4: really mad because after we found out Ja didn't perform,

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Speaker 4: that was the only reason I was going.

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Speaker 2: Yeah, I was told that from somebody at Rocket. I'm like,

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Speaker 2: I wasn't going to fucking merch pop up and whole

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Speaker 2: an he were performing.

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Speaker 3: Like caught a fleece there.

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Speaker 2: But I don't give a fuck if he was thinking

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Speaker 2: nigga singer tune, nigga sing tune.

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Speaker 3: I don't care about you hanging out in front of merch.

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Speaker 2: I was told by a Rock Nation employee that he

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Speaker 2: was performing. Then I walk in, I say, girl, DJ,

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Speaker 2: and I'm like, all right, we're about to get the

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Speaker 2: intimate whole performance about perform next gurup And then I

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Speaker 2: waited in line. It was even though it's friends and family,

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Speaker 2: the line to go by merch was insane to the

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Speaker 2: point that I ended up saying I'll get it online

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Speaker 2: and took my free T shirt and was out after

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Speaker 2: I wasn't waiting that long ass line. So Marissa Mendez,

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Speaker 2: how's Marissa doing? She's doing good, she said her up.

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Speaker 5: She told me to hit her up.

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Speaker 2: Yeah, like in a good light. Yeah, she's well. I

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Speaker 2: guess it's okay. She moved back here. Okay, Yeah, she

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Speaker 2: unfollowed me on social media.

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Speaker 3: She followed me too.

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Speaker 2: I didn't really know that the so what you mean,

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Speaker 2: say what's up? I just didn't know if she hated me.

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Speaker 2: Rich I'm not hating you up. Fuck you? Oh my god,

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Speaker 2: we had nigga man. I know, I know you're joking,

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Speaker 2: but I don't think the listeners.

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Speaker 4: Know that My Mady is my peep was that's no shots.

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Speaker 4: We love we love Madi. Yeah, it was good to

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Speaker 4: see you back in New York. Don't We should have

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Speaker 4: money on the show. We should definitely have many on it.

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Speaker 4: I would love to have Riss on this. Yeah, Madi,

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Speaker 4: we got you on the show that you gonna follow

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Speaker 4: me once you get here, I mean follow me back.

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Speaker 2: Here when we post the real we could collect Yeah.

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Speaker 4: Like all of the things, Mady, We'll do all of

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Speaker 4: the things, all of them. We'll collab on a post

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Speaker 4: to let the people know that we're friends. Yeah, but

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Speaker 4: that that was my favorite person to see. That was

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Speaker 4: the most surprising person. It was the usual faces there,

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Speaker 4: but I saw Mom was like, oh shit, Mighty's here.

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Speaker 4: I'm glad she's back in New York. It's good to

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Speaker 4: know that she's back in the city.

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Speaker 2: I think her going to la at the time was

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Speaker 2: what she needed. She wanted to be in that space

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Speaker 2: first a train years ago. For sure, she moved and

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Speaker 2: what she was doing with writing and all that, like

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Speaker 2: it made sense. But yeah, I think I think a

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Speaker 2: lot of people that moved to l A at that

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Speaker 2: time are not moving back. That time is past.

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Speaker 5: That's dope.

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Speaker 2: Man. Was good to hear we got Nando's in reasonable doubt,

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Speaker 2: Like why wouldn't you and.

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Speaker 4: Madi Madi, Nando's reason with the city is back alive,

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Speaker 4: the Nickson chance, Mady is back, Nando's is here, jay

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Speaker 4: Z is here, Like you know what I'm saying, Like

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Speaker 4: the city, New York feels like it's back.

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Speaker 2: I told Doucey saved my life at the Wale show

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Speaker 2: that was gay, but it's so it's okay.

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Speaker 1: Oh yeah, they said you was at the Walae show.

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Speaker 1: We in the Knicks groupie, like that's what Sean said.

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Speaker 5: No, they didn't say. Sean said. You can say Sean.

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Speaker 5: Sean Dickerson said.

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Speaker 3: But you know when one person said something, they all

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Speaker 3: said it. Mighty reposted it. Yeah you know I posted

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Speaker 3: it rested Seawan's yep.

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Speaker 2: Oh when Sean posted you tag me, I said, damn

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Speaker 2: yo going on, Brian, I just I just air dropped

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Speaker 2: you a photo of me and Deuce if you want

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Speaker 2: to pull that up, just just to make mo all

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Speaker 2: uncomfortable if you thought it was gay of me just

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Speaker 2: saying that to Deuce, wait till you get the visual.

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Speaker 4: The hold to hold the hand, dap have a conversation.

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Speaker 2: With the or not a conversation. I'm just smiling in

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Speaker 2: his face like like a proud mom. That is so

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Speaker 2: nasty man, that Duce was at the Wallet show. And okay,

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Speaker 2: where was the show Brooklyn Paramount, which is an amazing thing.

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Speaker 1: Why did they start booing?

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Speaker 3: That's no du a lot of booze. Okay, you think

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Speaker 3: that a New York nick will get you? No, I didn't.

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Speaker 1: I was confused. I thought they were like booing Rory

290
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Speaker 1: in the back, like I didn't know why they were bulling.

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Speaker 3: He wasn't on me. And by the way, thank you

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Speaker 3: for thinking I would be that important that people at

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Speaker 3: Wally show would kind to see me in the back

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Speaker 3: and all start booing.

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Speaker 1: I had no idea, But du this makes sense.

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Speaker 2: No, but all the non New Yorkers that were like

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Speaker 2: on side stage with us, We're like, why are they

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Speaker 2: doing them? I'm like, see, this is why only I

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Speaker 2: should be able to adapt.

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Speaker 3: Due.

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Speaker 2: Yeah, okay, I did go from one side of.

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Speaker 3: The stage to the other to say hello Jukes. I

303
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Speaker 3: will admit I did do that.

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Speaker 2: Granted, okay, my better health therapist was there as well.

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Speaker 2: She's working on the tour, and she said she was

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Speaker 2: on that side of the stage, So I.

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Speaker 3: Said, where are you at? So I used that as

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Speaker 3: an excuse got it to go to that side.

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Speaker 2: God and then me and Kaz both as we were

310
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Speaker 2: walking saying, hey, let's not even try to sugarcoat this.

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Speaker 3: We have no shame.

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Speaker 2: We were walking over to say hello to Dukes and

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Speaker 2: you should.

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Speaker 3: He's a New York nick, he's a champion.

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Speaker 5: You should say hello to them.

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Speaker 2: If it was mid season and like the finals had

317
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Speaker 2: not just happened, I would have never never done it.

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Speaker 2: If it was after the NBA Cup and you did

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Speaker 2: all of that after the Cup, that's disgusting. But after that,

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Speaker 2: after they got the Larry O'Brien, it's okay to go

321
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Speaker 2: over and say, what's up the deuce.

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Speaker 1: If this was the.

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Speaker 3: NBA congratulating him on the cover, ye.

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Speaker 4: That would have that would have been nasty. But it's

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Speaker 4: like they won it all fifty three years. You can

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Speaker 4: absolutely go up the deuce and get a flick with him,

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Speaker 4: for sure.

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Speaker 3: Yeah.

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Speaker 2: No, it was cool that that Duce was there. Somebody

330
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Speaker 2: on Wiley's team showed me a text that said Jalen

331
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Speaker 2: was on his way, and I was like, I started shaking.

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Speaker 3: I was like, I don't know if I.

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Speaker 5: Can Jalen Brunson.

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Speaker 3: Yeah, okay, but only Duke showed up. Okay, But the

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Speaker 3: Wiley show was great.

336
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Speaker 2: I don't think guys have been seeing like the footage

337
00:13:39,920 --> 00:13:41,480
Speaker 2: he's been packing out these shows.

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Speaker 4: Yeah, I was. I would have went of people. Yeah,

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00:13:44,320 --> 00:13:45,839
Speaker 4: I would have went to that show. I enjoyed wildly

340
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Speaker 4: sets Man, So I would have went to the show,

341
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Speaker 4: but I didn't even know he was in. I knew

342
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Speaker 4: because I saw he was on tour, but I thought

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Speaker 4: they was in. I guess whoever had posted it.

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Speaker 3: I thought it was the DC Show that was two

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Speaker 3: nights before the so.

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Speaker 2: By the time I saw on my feet, I'm thinking

347
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Speaker 2: DC Show.

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00:14:00,240 --> 00:14:01,960
Speaker 4: Had like five thousand people. That was crazy, That's what

349
00:14:01,960 --> 00:14:03,959
Speaker 4: I'm saying. Like I saw that, I was I was like, damn,

350
00:14:04,000 --> 00:14:06,360
Speaker 4: that was crazy, Like he is packing out these shows.

351
00:14:06,400 --> 00:14:06,760
Speaker 5: That's dope.

352
00:14:06,800 --> 00:14:11,719
Speaker 2: Man, shout who's on to And Smino opened you. I'm

353
00:14:11,760 --> 00:14:13,960
Speaker 2: not sure what if it's certain dates, so don't quote me,

354
00:14:13,960 --> 00:14:17,199
Speaker 2: but Smeno opened up. Saba was there too, says so

355
00:14:17,440 --> 00:14:18,120
Speaker 2: said what's up man?

356
00:14:18,520 --> 00:14:20,200
Speaker 3: Good dude. Yeah. I told Sabby got to come back

357
00:14:20,200 --> 00:14:22,120
Speaker 3: on the show at some point. But it was great

358
00:14:22,760 --> 00:14:23,680
Speaker 3: Wally brings him out.

359
00:14:23,720 --> 00:14:27,560
Speaker 2: I will say, though, I don't think that New York

360
00:14:27,560 --> 00:14:29,000
Speaker 2: crowd deserves that set.

361
00:14:29,320 --> 00:14:30,040
Speaker 3: Why.

362
00:14:30,200 --> 00:14:32,520
Speaker 2: I don't know if it's because maybe while a fans

363
00:14:32,560 --> 00:14:36,160
Speaker 2: are around my age mm hm, but they just didn't.

364
00:14:35,880 --> 00:14:39,000
Speaker 3: Have as much movement as I've seen in the past.

365
00:14:39,200 --> 00:14:40,360
Speaker 3: Movement is so crowd.

366
00:14:40,520 --> 00:14:44,080
Speaker 4: Yeah, they don't seem to be into into the set.

367
00:14:44,160 --> 00:14:46,880
Speaker 2: They were like everyone's rapping every word singing, which I

368
00:14:46,920 --> 00:14:48,440
Speaker 2: don't know, there just was. Maybe it's because it was

369
00:14:48,480 --> 00:14:50,560
Speaker 2: so packed. There just wasn't a lot of movement, that's all.

370
00:14:50,560 --> 00:14:52,240
Speaker 1: What kind of movement did you want? Did you want

371
00:14:52,280 --> 00:14:52,800
Speaker 1: like twerkin?

372
00:14:52,920 --> 00:14:54,400
Speaker 2: Did you want like what you wanted it to look

373
00:14:54,440 --> 00:14:58,040
Speaker 2: like an NBA Young Boys show somewhere in the middle

374
00:14:58,040 --> 00:14:58,200
Speaker 2: of that.

375
00:14:58,320 --> 00:15:01,600
Speaker 3: Yeah, but that's not why A's me. He has when.

376
00:15:02,920 --> 00:15:04,960
Speaker 2: Ship when no Hands comes on? Yeah, I want to

377
00:15:04,960 --> 00:15:05,440
Speaker 2: see movement.

378
00:15:06,160 --> 00:15:08,440
Speaker 4: Yeah, but everything that's because that Pollus. Y'all turned that

379
00:15:08,440 --> 00:15:09,000
Speaker 4: into a thing.

380
00:15:09,640 --> 00:15:11,760
Speaker 3: No, that song was the thing before POLLUSI.

381
00:15:11,520 --> 00:15:13,320
Speaker 4: Yeah, but I mean y'all turned it into moving and

382
00:15:13,360 --> 00:15:14,840
Speaker 4: going crazy when it kindled.

383
00:15:14,760 --> 00:15:15,360
Speaker 3: At a concert.

384
00:15:15,360 --> 00:15:17,160
Speaker 2: I'm not saying a mosh pit per se, but I

385
00:15:17,160 --> 00:15:18,920
Speaker 2: don't know one of the moshpit at the while a

386
00:15:19,000 --> 00:15:21,520
Speaker 2: show is hilarious while they don't have mosh pit.

387
00:15:21,600 --> 00:15:25,000
Speaker 3: Bait that it was crazy. Come on, that deserves movement.

388
00:15:25,040 --> 00:15:26,240
Speaker 1: Did he perform clappers?

389
00:15:27,080 --> 00:15:29,840
Speaker 3: I don't think something which one is clappers.

390
00:15:29,320 --> 00:15:34,240
Speaker 1: Clappers to the front. Okay, okay, what shut he got

391
00:15:34,240 --> 00:15:35,080
Speaker 1: a big old but.

392
00:15:35,480 --> 00:15:38,160
Speaker 3: Okay, yeah, I don't think he did.

393
00:15:38,440 --> 00:15:40,200
Speaker 2: I will say, though, what I thought was really cool

394
00:15:40,240 --> 00:15:43,480
Speaker 2: about the show was the new album records got the

395
00:15:43,520 --> 00:15:47,080
Speaker 2: best reaction, which typically does not happen at this point

396
00:15:47,080 --> 00:15:48,880
Speaker 2: in someone's career because while he has been doing this

397
00:15:48,920 --> 00:15:54,760
Speaker 2: for fifteen years, means like the new records got crazy reaction,

398
00:15:54,880 --> 00:15:57,040
Speaker 2: where of course his hits did his hits, but they

399
00:15:57,120 --> 00:15:59,680
Speaker 2: wanted to hear the new shit. He's getting new fans.

400
00:15:59,680 --> 00:16:01,680
Speaker 2: That's good, it doesn't Yeah, so I was happy to

401
00:16:01,680 --> 00:16:04,160
Speaker 2: see that. But yeah, I was outside the past two days, guys.

402
00:16:04,680 --> 00:16:06,760
Speaker 1: I see, I see you moving.

403
00:16:06,600 --> 00:16:07,600
Speaker 3: Around getting your ten on.

404
00:16:08,880 --> 00:16:10,880
Speaker 1: Yeah, you do look a little I don't want to

405
00:16:10,880 --> 00:16:12,240
Speaker 1: say brown, but you got.

406
00:16:12,120 --> 00:16:12,640
Speaker 3: A little red.

407
00:16:12,720 --> 00:16:15,600
Speaker 2: It's a red tint. It's never a round tint. Yeah, yeah,

408
00:16:15,640 --> 00:16:19,080
Speaker 2: it's more like strawberry custard. Yeah, I know, I see you.

409
00:16:19,080 --> 00:16:19,280
Speaker 3: Man.

410
00:16:20,960 --> 00:16:22,760
Speaker 2: What's funny is I really haven't been in the sun.

411
00:16:23,360 --> 00:16:23,640
Speaker 2: I know.

412
00:16:23,680 --> 00:16:27,400
Speaker 1: You just walk outside and that's you t in it like.

413
00:16:27,480 --> 00:16:29,040
Speaker 2: Yeah, I guess so as soon as you go outside,

414
00:16:29,080 --> 00:16:31,080
Speaker 2: you got a ten Yeah. My freckles are starting to

415
00:16:31,080 --> 00:16:31,760
Speaker 2: come back a little bit.

416
00:16:31,760 --> 00:16:34,000
Speaker 4: But it's a lot going on, man, summertime in New York,

417
00:16:34,080 --> 00:16:35,600
Speaker 4: you know, it's that thom of year.

418
00:16:35,640 --> 00:16:37,800
Speaker 2: I gotta place myself though, didn't want to get too

419
00:16:37,800 --> 00:16:39,760
Speaker 2: ahead of my past two days kind of you know what,

420
00:16:41,560 --> 00:16:42,080
Speaker 2: slow down?

421
00:16:42,160 --> 00:16:43,920
Speaker 1: Yo. I walked in. He was knocked out on the couch.

422
00:16:43,960 --> 00:16:45,320
Speaker 1: I said, well, I'm thinking in my head like, oh,

423
00:16:45,320 --> 00:16:46,040
Speaker 1: he must have been up.

424
00:16:45,960 --> 00:16:48,640
Speaker 3: With tomorrow all night. No, I'm just tired.

425
00:16:48,760 --> 00:16:51,200
Speaker 2: And what's funny is I left the jay z pop

426
00:16:51,280 --> 00:16:52,760
Speaker 2: up early, Like I didn't stay the whole time and

427
00:16:52,800 --> 00:16:53,360
Speaker 2: I just went home.

428
00:16:54,360 --> 00:16:55,320
Speaker 3: Yeah, I'm just tired.

429
00:16:55,320 --> 00:16:57,440
Speaker 2: I'm just getting thirty six has been the first time

430
00:16:57,440 --> 00:17:00,680
Speaker 2: I felt like an actual physical change in my after

431
00:17:00,720 --> 00:17:02,920
Speaker 2: a birthday, six thirty six thirty five.

432
00:17:03,720 --> 00:17:05,240
Speaker 3: Yeah, this is the first.

433
00:17:05,119 --> 00:17:07,840
Speaker 2: Time you're here late third a complete shift in my

434
00:17:07,880 --> 00:17:08,800
Speaker 2: body after a birthday.

435
00:17:08,880 --> 00:17:10,920
Speaker 5: Yeah, Like, this is about the time you gotta start

436
00:17:10,920 --> 00:17:13,160
Speaker 5: stretching in the morning. You better start.

437
00:17:13,000 --> 00:17:14,639
Speaker 4: Stretching because you don't want to go to put on

438
00:17:14,680 --> 00:17:17,040
Speaker 4: the sock and be out of commission. Yeah for a week,

439
00:17:17,080 --> 00:17:18,400
Speaker 4: throw your back up putting on the sock.

440
00:17:18,520 --> 00:17:21,440
Speaker 2: I've been doing the track outside by my crib instead

441
00:17:21,480 --> 00:17:23,680
Speaker 2: of the gym, which is that helpful. I think working

442
00:17:23,720 --> 00:17:26,439
Speaker 2: out outside like running on a treadmill.

443
00:17:26,440 --> 00:17:27,840
Speaker 3: I can't do too much.

444
00:17:27,880 --> 00:17:30,600
Speaker 2: It hurts my knees too much. Yeah, it's boring, like

445
00:17:30,840 --> 00:17:32,360
Speaker 2: that's I don't get excited for it.

446
00:17:32,600 --> 00:17:33,240
Speaker 5: Running in place.

447
00:17:33,480 --> 00:17:35,640
Speaker 2: When you're outside, you kind of feel like you're moving

448
00:17:35,680 --> 00:17:36,200
Speaker 2: your motion.

449
00:17:36,280 --> 00:17:38,239
Speaker 3: Yeah, fresh air, sun, you know.

450
00:17:38,440 --> 00:17:41,600
Speaker 1: But Peach can't stay his ass at home boy page.

451
00:17:41,600 --> 00:17:43,879
Speaker 2: Where you've been, You've been outside, But Peage got the

452
00:17:43,880 --> 00:17:45,919
Speaker 2: Mickey Manto Jean or he'll go outside, but he'll hit

453
00:17:45,960 --> 00:17:47,120
Speaker 2: the gym seven am.

454
00:17:47,240 --> 00:17:47,480
Speaker 3: Yeah.

455
00:17:48,160 --> 00:17:49,240
Speaker 5: Yeah, Peage has been locked in.

456
00:17:49,520 --> 00:17:51,760
Speaker 1: He's never been locked in. Peach bought two bagels to

457
00:17:51,800 --> 00:17:54,239
Speaker 1: work that. This offered me one locked in. It's like

458
00:17:54,440 --> 00:17:56,400
Speaker 1: that's what you call that's Peage is locked in right good.

459
00:17:56,480 --> 00:17:57,680
Speaker 1: He's doing a bagel Clinton, he.

460
00:17:57,640 --> 00:18:01,720
Speaker 3: Said, Bob wouldn't get I'm like, he's.

461
00:18:01,480 --> 00:18:09,520
Speaker 2: Doing a bagel. He's on a bagel fast bagel Fast. Yeah,

462
00:18:07,000 --> 00:18:15,000
Speaker 2: ever you get a veggie cream cheese bagel. Come on, man,

463
00:18:15,359 --> 00:18:17,560
Speaker 2: Peag hit me up yesterday. He just sent me a

464
00:18:17,560 --> 00:18:20,439
Speaker 2: picture of a margarita. I'm like, Peach, I'm not drinking

465
00:18:20,440 --> 00:18:22,359
Speaker 2: for the next thirty I told you know.

466
00:18:22,400 --> 00:18:24,080
Speaker 4: Niggas all they do is put the margherita in the

467
00:18:24,080 --> 00:18:27,080
Speaker 4: sky and hit him the marriage Nah hooka smoking margin.

468
00:18:28,200 --> 00:18:29,360
Speaker 3: But I'm not.

469
00:18:29,160 --> 00:18:31,920
Speaker 1: I'm not drinking for thirty days. But people.

470
00:18:31,960 --> 00:18:34,000
Speaker 3: Oh y'all, y'all, yo, I'm tired of this thirty.

471
00:18:33,880 --> 00:18:38,879
Speaker 1: Days all listen this time. It's not because of health.

472
00:18:39,000 --> 00:18:41,240
Speaker 1: It's not because I need to stop drunk calling niggas.

473
00:18:41,359 --> 00:18:43,960
Speaker 1: It's because I'm gaining weight again. And I be damned

474
00:18:44,000 --> 00:18:46,399
Speaker 1: if these motherfucking podcast fans call start calling me a

475
00:18:46,400 --> 00:18:47,080
Speaker 1: fat bitch again.

476
00:18:47,480 --> 00:18:49,520
Speaker 3: No, well that's the good, the best time when they

477
00:18:49,520 --> 00:18:49,920
Speaker 3: start coin.

478
00:18:50,480 --> 00:18:52,879
Speaker 1: No, I'm cool, bro, I'm thirty days. I need to

479
00:18:52,920 --> 00:18:55,320
Speaker 1: stop with the Knicks like I would so every other

480
00:18:55,400 --> 00:18:57,359
Speaker 1: day the Knicks, she was drunk every other day. I

481
00:18:57,400 --> 00:18:58,800
Speaker 1: was so ready for the finals to.

482
00:18:58,800 --> 00:18:59,960
Speaker 3: End, like there's just no drinking.

483
00:19:00,040 --> 00:19:01,800
Speaker 1: It's no drinking, yeah, for thirty days.

484
00:19:01,800 --> 00:19:04,560
Speaker 2: So I love that you think that the podcast fans

485
00:19:04,600 --> 00:19:05,800
Speaker 2: have rational thoughts.

486
00:19:05,480 --> 00:19:08,480
Speaker 3: That no matter what your appearance is, they're going to take.

487
00:19:08,960 --> 00:19:12,240
Speaker 1: Yeah, but I don't want to agree with them, Like, okay,

488
00:19:12,280 --> 00:19:14,640
Speaker 1: all right, I don't want the niggas that a point.

489
00:19:15,200 --> 00:19:17,320
Speaker 2: They can call me that but knowing it's not true.

490
00:19:17,600 --> 00:19:18,639
Speaker 3: Yeah, I'm different.

491
00:19:18,840 --> 00:19:21,240
Speaker 1: I gained five pounds since March.

492
00:19:21,400 --> 00:19:24,160
Speaker 3: I'm cool, okay, So cut the lookout. For thirty days,

493
00:19:24,400 --> 00:19:25,080
Speaker 3: he kept trying.

494
00:19:24,960 --> 00:19:27,080
Speaker 1: To hang with me on June team like he like

495
00:19:27,359 --> 00:19:29,240
Speaker 1: multiple times he came hit me. I said, pee, you're white, like,

496
00:19:29,240 --> 00:19:30,160
Speaker 1: I'm not hanging with you.

497
00:19:30,240 --> 00:19:31,840
Speaker 2: That's when you're supposed to hang with the white Yeah

498
00:19:31,960 --> 00:19:34,359
Speaker 2: on June seen and let them pay for everything.

499
00:19:35,560 --> 00:19:38,400
Speaker 1: You know what. I wasn't even reparation. I wasn't even

500
00:19:38,440 --> 00:19:39,919
Speaker 1: doing baby, I was tripping.

501
00:19:39,920 --> 00:19:41,840
Speaker 2: And he can do what they do with the protests

502
00:19:41,840 --> 00:19:45,000
Speaker 2: where they all like got down and bouts. Yeah, yeah,

503
00:19:45,800 --> 00:19:48,560
Speaker 2: with the can take clothing, yeah, don't want knee. Yeah,

504
00:19:48,680 --> 00:19:51,240
Speaker 2: that's what he's trying to do. Such a sick time.

505
00:19:52,760 --> 00:19:55,040
Speaker 2: That was such a sick time that can take the

506
00:19:55,160 --> 00:19:56,840
Speaker 2: can't take cloth on one knee.

507
00:19:57,400 --> 00:20:00,160
Speaker 5: Nancy Pelosi man Jesus Christ.

508
00:20:01,040 --> 00:20:03,080
Speaker 1: In history, they won't believe that that. They're gonna think

509
00:20:03,080 --> 00:20:06,040
Speaker 1: that's AI, of course, like and if you sure, they're

510
00:20:06,040 --> 00:20:08,320
Speaker 1: gonna think that's like, there's no way that this was real.

511
00:20:08,920 --> 00:20:12,400
Speaker 2: That did absolutely nothing for us with a mask half

512
00:20:12,480 --> 00:20:17,280
Speaker 2: on taking nothing for us. YOI you didn't feel in powered?

513
00:20:17,680 --> 00:20:20,200
Speaker 4: No, actually turned the channel and went back to watch

514
00:20:20,280 --> 00:20:21,399
Speaker 4: whatever the fuck I was watching.

515
00:20:21,600 --> 00:20:23,240
Speaker 2: No, I'm just happy that the people that actually have

516
00:20:23,320 --> 00:20:24,919
Speaker 2: the power to change things did this instead.

517
00:20:25,080 --> 00:20:31,080
Speaker 1: Yeah, come man, like inside trading, like we.

518
00:20:31,000 --> 00:20:33,760
Speaker 2: Don't give a fuck about, get off your fucking knee

519
00:20:33,760 --> 00:20:34,520
Speaker 2: and get back to work.

520
00:20:34,600 --> 00:20:37,400
Speaker 4: I pulled up on Nancy Pelosi Street right now. She's

521
00:20:37,440 --> 00:20:42,919
Speaker 4: calling the police right now, looking I'm lost. I's for

522
00:20:42,960 --> 00:20:45,760
Speaker 4: somebody else's house, and I just drop ass Nancy Pelosi yard.

523
00:20:45,960 --> 00:20:49,960
Speaker 4: She's calling the police without of that. But you know,

524
00:20:50,040 --> 00:20:53,840
Speaker 4: can't take can't take scarfing one knee. Chuck Schumer has

525
00:20:53,840 --> 00:20:57,800
Speaker 4: on a mask and he's giving us the vulcan's hands signal.

526
00:20:57,800 --> 00:20:58,639
Speaker 5: I don't know what that is.

527
00:21:01,400 --> 00:21:03,440
Speaker 3: Two times we're living in man sick fucking time.

528
00:21:03,560 --> 00:21:05,240
Speaker 1: Well, can y'all explain to me what's going on with

529
00:21:05,240 --> 00:21:07,880
Speaker 1: the NBA right now? NBA for girlies, because it's.

530
00:21:07,720 --> 00:21:09,840
Speaker 4: That time me a draft season. Shout out to all

531
00:21:09,880 --> 00:21:13,359
Speaker 4: the new new NBA players that have been drafted. Shout

532
00:21:13,359 --> 00:21:15,400
Speaker 4: out to aj debantsa who with number one?

533
00:21:15,440 --> 00:21:18,040
Speaker 5: Peach, you just start. Daran Peterson from Kansas is going

534
00:21:18,080 --> 00:21:19,520
Speaker 5: number one. I told him that, YU.

535
00:21:21,520 --> 00:21:24,600
Speaker 4: Shout out to the Miami Heat. They got Jannis. Now,

536
00:21:25,240 --> 00:21:26,960
Speaker 4: I don't know if that does anything for the heat, but.

537
00:21:26,960 --> 00:21:30,080
Speaker 2: I was gonna ask you that, like, great, he's in

538
00:21:30,119 --> 00:21:31,720
Speaker 2: better weather. Is this going to change.

539
00:21:31,560 --> 00:21:32,240
Speaker 3: Anything for the heat?

540
00:21:33,119 --> 00:21:33,840
Speaker 5: Well, yeah it will.

541
00:21:33,840 --> 00:21:36,439
Speaker 4: I mean, anytime you can get Yannis, you get Yanis

542
00:21:36,560 --> 00:21:39,879
Speaker 4: no matter what. But I just don't know if that's

543
00:21:39,920 --> 00:21:42,840
Speaker 4: a enough Now they will be one of the teams

544
00:21:42,880 --> 00:21:44,880
Speaker 4: that the defendant CHAMPI of New York Knicks would.

545
00:21:44,720 --> 00:21:46,280
Speaker 5: Have to get through in the East.

546
00:21:46,400 --> 00:21:49,480
Speaker 4: But I just don't know, man, I don't know if

547
00:21:49,520 --> 00:21:51,920
Speaker 4: that brand of basketball that they have now with their

548
00:21:51,920 --> 00:21:55,600
Speaker 4: starting five is enough to get it done.

549
00:21:57,280 --> 00:21:57,760
Speaker 3: I just don't know.

550
00:21:57,760 --> 00:21:59,400
Speaker 4: I don't know if they have enough shooters. I don't

551
00:21:59,400 --> 00:22:01,720
Speaker 4: know if they have They obviously have the size and athleticism,

552
00:22:01,760 --> 00:22:04,080
Speaker 4: but I just don't know if they have enough shooters.

553
00:22:04,440 --> 00:22:06,679
Speaker 2: Yeah, I'm not saying they can't eventually get there. I

554
00:22:06,680 --> 00:22:08,200
Speaker 2: just don't think they're gonna be fun to watch. And

555
00:22:08,760 --> 00:22:11,760
Speaker 2: next season is gonna be they'll be all right, Yeah.

556
00:22:11,800 --> 00:22:12,640
Speaker 5: They're gonna be real good.

557
00:22:12,960 --> 00:22:16,520
Speaker 4: Listen, man, Giannis is still a very very high caliber player,

558
00:22:16,800 --> 00:22:20,160
Speaker 4: high caliber talent. So you know the Heat have definitely,

559
00:22:20,520 --> 00:22:24,360
Speaker 4: you know, loaded up their roster and you're putting him

560
00:22:24,400 --> 00:22:26,920
Speaker 4: next to Bam and you know Andrew Wiggins.

561
00:22:27,320 --> 00:22:28,080
Speaker 5: They got a good team.

562
00:22:28,200 --> 00:22:31,760
Speaker 4: I like the young kid Mitchell, Davion Mitchell. I like

563
00:22:31,840 --> 00:22:35,560
Speaker 4: Davion Mitchell. Norman power right, Norman powers down there.

564
00:22:35,840 --> 00:22:36,400
Speaker 5: I like the heat.

565
00:22:36,400 --> 00:22:38,520
Speaker 4: They got a good team, but I just don't know

566
00:22:38,560 --> 00:22:42,520
Speaker 4: if that's enough. But you know, as once Gianni's went,

567
00:22:43,080 --> 00:22:45,720
Speaker 4: that's the domino effect. Now other teams have to make moves.

568
00:22:45,760 --> 00:22:50,439
Speaker 4: LaMelo ball went to UH Minnesota. I don't know if

569
00:22:50,480 --> 00:22:54,159
Speaker 4: that's enough out Minnesota for him and Edwards to.

570
00:22:53,680 --> 00:22:54,520
Speaker 5: Get out of the West.

571
00:22:54,520 --> 00:22:55,800
Speaker 3: But I'm novice.

572
00:22:56,920 --> 00:23:01,320
Speaker 2: I'm novice with with NBA knowledge compared to media personalities

573
00:23:01,440 --> 00:23:03,560
Speaker 2: very now, so I admit that, this, to me, though,

574
00:23:03,600 --> 00:23:05,240
Speaker 2: looks like one of the dumbest trades I've seen. In

575
00:23:05,280 --> 00:23:05,960
Speaker 2: questions LaMelo.

576
00:23:06,640 --> 00:23:07,240
Speaker 3: I like LaMelo.

577
00:23:07,320 --> 00:23:09,280
Speaker 2: I think LaMelo is amazing. I don't think anyone needs

578
00:23:09,320 --> 00:23:13,480
Speaker 2: to confirm that. But what the fuck is Minnesota doing?

579
00:23:14,200 --> 00:23:17,080
Speaker 2: They got rid of both their bigs in two days. Yeah,

580
00:23:17,200 --> 00:23:20,720
Speaker 2: they yo, they got fleeced. They get rid of door.

581
00:23:21,359 --> 00:23:25,400
Speaker 2: Charlotte got the best end of that deal. Like, by far,

582
00:23:26,720 --> 00:23:29,080
Speaker 2: they're gonna be eating off this deal for years.

583
00:23:29,200 --> 00:23:32,240
Speaker 3: They got a bunch of picks, a ship ton of picks.

584
00:23:32,960 --> 00:23:37,119
Speaker 2: Yeah, I mean, LaMelo wasn't working out, LaMelo can't stay healthy. Yeah, Like,

585
00:23:37,680 --> 00:23:41,360
Speaker 2: what is Minnesota doing? If you kept Julius, I could

586
00:23:41,359 --> 00:23:45,600
Speaker 2: see this making some sense, Yeah, some sense, but this

587
00:23:45,640 --> 00:23:48,800
Speaker 2: is not As I was watching ESPN this morning, looks

588
00:23:48,800 --> 00:23:51,000
Speaker 2: like the Cemberals are trying to win. Now win when.

589
00:23:52,640 --> 00:23:55,200
Speaker 3: When? Now, I'm gonna be real, I don't. I don't

590
00:23:55,200 --> 00:23:55,800
Speaker 3: know when.

591
00:23:56,200 --> 00:24:00,520
Speaker 4: Anthony Edwards contract in Minnesota's up. I don't see him

592
00:24:00,560 --> 00:24:02,920
Speaker 4: signing a long term extension when it's up, though, I

593
00:24:02,960 --> 00:24:04,520
Speaker 4: don't see him staying in Minnesota after this.

594
00:24:04,720 --> 00:24:06,760
Speaker 2: And maybe they're going to make more moves because I

595
00:24:06,800 --> 00:24:09,160
Speaker 2: think this this gets executed in July twenty twenty nine,

596
00:24:09,200 --> 00:24:11,000
Speaker 2: so you got three years left.

597
00:24:11,359 --> 00:24:12,879
Speaker 5: Yeah, I don't. I don't think he'll.

598
00:24:13,240 --> 00:24:16,000
Speaker 2: They just have to bring in some big I just

599
00:24:16,000 --> 00:24:18,840
Speaker 2: don't know if and LaMelo just get it done. No, no,

600
00:24:18,880 --> 00:24:21,320
Speaker 2: no, no no, that's not I just don't they did. They

601
00:24:21,359 --> 00:24:23,159
Speaker 2: need to play defense on that roster right now.

602
00:24:23,200 --> 00:24:25,160
Speaker 4: Yeah, they need to make some more moves. I mean's early,

603
00:24:25,200 --> 00:24:29,280
Speaker 4: Somemer's just starting, so they got time. But you know,

604
00:24:30,040 --> 00:24:32,879
Speaker 4: the NBA is gonna look very different the start of

605
00:24:32,880 --> 00:24:34,440
Speaker 4: the season. A lot of a lot of pieces are

606
00:24:34,440 --> 00:24:37,760
Speaker 4: moving around, so yeah, we just have to see where

607
00:24:37,760 --> 00:24:41,000
Speaker 4: everybody lands. But you know it started once once he

608
00:24:41,119 --> 00:24:44,359
Speaker 4: honest was gone, everybody else has to make moves after that.

609
00:24:44,440 --> 00:24:46,960
Speaker 4: So that's that's the that's the state of the NBA

610
00:24:47,040 --> 00:24:47,360
Speaker 4: right now.

611
00:24:47,359 --> 00:24:48,800
Speaker 5: But again, congrats to all.

612
00:24:48,720 --> 00:24:52,480
Speaker 4: Of the new the new class of twenty twenty six.

613
00:24:54,800 --> 00:24:57,359
Speaker 4: Excited to see what AJ does down in Washington. Yeah,

614
00:24:57,480 --> 00:25:00,000
Speaker 4: with Trey Young and Ad if AD can stay healthy

615
00:25:00,040 --> 00:25:02,639
Speaker 4: down there, and you see what Darren Peterson's gonna do.

616
00:25:02,680 --> 00:25:03,760
Speaker 3: I like Darren Peterson's game.

617
00:25:03,800 --> 00:25:06,840
Speaker 2: But I told pech Aj Devansa was the number one

618
00:25:06,880 --> 00:25:09,440
Speaker 2: draft pick and he was shout.

619
00:25:09,240 --> 00:25:10,359
Speaker 5: Out to the shout out to the Wizards.

620
00:25:10,480 --> 00:25:12,960
Speaker 2: Yeah, Wiley did the voiceover for his shoe like backstage.

621
00:25:13,040 --> 00:25:13,800
Speaker 5: Oh yeah for that.

622
00:25:13,880 --> 00:25:15,560
Speaker 2: I don't know if the trailer came out yet, but yeah,

623
00:25:16,119 --> 00:25:18,040
Speaker 2: and he was at the Barclays like with him and

624
00:25:18,080 --> 00:25:19,000
Speaker 2: then ran to the show.

625
00:25:19,520 --> 00:25:19,760
Speaker 1: Yeah.

626
00:25:20,040 --> 00:25:21,919
Speaker 3: I like all the DC stuff.

627
00:25:22,800 --> 00:25:24,159
Speaker 5: The Wizes got a hell of a player, man, I

628
00:25:24,160 --> 00:25:25,440
Speaker 5: think's gonna have a great career.

629
00:25:25,920 --> 00:25:26,399
Speaker 3: I agree.

630
00:25:26,520 --> 00:25:29,000
Speaker 1: So Ryan had brought up like the odds of like

631
00:25:29,080 --> 00:25:31,480
Speaker 1: who was most likely to win the NBA Finals for

632
00:25:31,520 --> 00:25:33,400
Speaker 1: the sports betting books and things like that.

633
00:25:33,480 --> 00:25:35,000
Speaker 5: They have the line out already.

634
00:25:36,800 --> 00:25:41,280
Speaker 1: And obviously Miami went up because of the trade, so

635
00:25:41,320 --> 00:25:46,120
Speaker 1: they have Oklahoma City Thunder as number one. San Antonio Spurs, Celtics,

636
00:25:46,359 --> 00:25:49,720
Speaker 1: Nicks and then the Heat are the were the Pacers

637
00:25:49,800 --> 00:25:51,640
Speaker 1: like an anomaly that year that.

638
00:25:51,600 --> 00:25:54,040
Speaker 2: They they just had a lot of injuries after Still

639
00:25:54,400 --> 00:25:55,000
Speaker 2: it's shaky.

640
00:25:55,119 --> 00:25:55,959
Speaker 3: That's that's why.

641
00:25:56,240 --> 00:25:58,520
Speaker 2: Oh no, I fucking hate the Pacers, so I don't

642
00:25:58,560 --> 00:26:00,320
Speaker 2: I don't ever want to see players get injured. But

643
00:26:00,960 --> 00:26:04,960
Speaker 2: I'm not upset. You know, the pace is a you know,

644
00:26:05,000 --> 00:26:06,520
Speaker 2: they're a great team. But yeah, they just they had

645
00:26:06,520 --> 00:26:09,159
Speaker 2: some unfortunate injuries and it's been tough for them to

646
00:26:09,160 --> 00:26:09,520
Speaker 2: get back.

647
00:26:09,760 --> 00:26:12,880
Speaker 3: But I'm not that odds makes sense.

648
00:26:12,880 --> 00:26:14,560
Speaker 2: I mean, even though we just want I still think

649
00:26:14,880 --> 00:26:17,520
Speaker 2: if you're looking on paper, the Celtics are still the Celtics,

650
00:26:18,200 --> 00:26:19,720
Speaker 2: so that that makes sense.

651
00:26:20,240 --> 00:26:22,800
Speaker 4: The Balks turning down that Jalen Brown did was crazy.

652
00:26:23,920 --> 00:26:25,040
Speaker 4: I couldn't beleeve they did that.

653
00:26:25,320 --> 00:26:27,320
Speaker 2: How do you think Jalen Brown feels they've been trying

654
00:26:27,320 --> 00:26:30,960
Speaker 2: to shift him away for three seasons and but imagine

655
00:26:31,000 --> 00:26:32,840
Speaker 2: trying to break up with your girl three times and

656
00:26:32,840 --> 00:26:34,600
Speaker 2: then you still have to live together because she because

657
00:26:34,600 --> 00:26:36,200
Speaker 2: it just didn't work out, but you know, and now

658
00:26:36,200 --> 00:26:37,919
Speaker 2: she knows that you've been trying to break over there

659
00:26:37,960 --> 00:26:38,280
Speaker 2: for three.

660
00:26:38,200 --> 00:26:38,760
Speaker 3: Years in a row.

661
00:26:39,520 --> 00:26:42,200
Speaker 4: But you know what it is like they other teams

662
00:26:42,440 --> 00:26:44,760
Speaker 4: just they look at Jalen like he could be a

663
00:26:44,800 --> 00:26:50,520
Speaker 4: headache because you know, he's very outspoken, hell of a player,

664
00:26:51,280 --> 00:26:54,560
Speaker 4: but he's just you know, he brings a different a

665
00:26:54,600 --> 00:26:58,120
Speaker 4: different tone, outspoken, gonna speak his mind.

666
00:26:58,320 --> 00:27:00,000
Speaker 5: I'm gonna tell you exactly how he's feeling.

667
00:27:00,080 --> 00:27:02,720
Speaker 4: And a lot of teams, you know, they kind of

668
00:27:02,720 --> 00:27:04,960
Speaker 4: they like to stay away from players like that. Well

669
00:27:05,000 --> 00:27:06,560
Speaker 4: I have to say, shut up and dribble, but that

670
00:27:06,680 --> 00:27:08,320
Speaker 4: that is essentially what teams prefer.

671
00:27:08,720 --> 00:27:11,840
Speaker 2: I'm happy, honest to not go to the Celtics for

672
00:27:11,880 --> 00:27:17,800
Speaker 2: everyone's sake, I'm very happy about that. I thought he

673
00:27:17,840 --> 00:27:19,680
Speaker 2: was going to Boston. I ain't gonna lie that would

674
00:27:19,680 --> 00:27:21,479
Speaker 2: have thought. That would have sucked for all of us.

675
00:27:22,280 --> 00:27:25,440
Speaker 5: But if you get bost in Miami, whether you know.

676
00:27:25,520 --> 00:27:28,120
Speaker 2: And believe it or not, Miami has good Greek food.

677
00:27:28,480 --> 00:27:30,159
Speaker 2: We are the best up here, but Miami has a

678
00:27:30,200 --> 00:27:31,000
Speaker 2: really good Greek.

679
00:27:30,800 --> 00:27:32,480
Speaker 5: Flout of culture down there in Miami for sure.

680
00:27:32,600 --> 00:27:35,680
Speaker 2: So they even have like Halal carts and ship. Yeah,

681
00:27:35,920 --> 00:27:37,320
Speaker 2: you think that's what got him down there.

682
00:27:37,880 --> 00:27:38,920
Speaker 1: You think that's what it is.

683
00:27:39,000 --> 00:27:41,640
Speaker 4: It was the He's like the Euros got him down

684
00:27:41,640 --> 00:27:42,960
Speaker 4: there the Euros on South Beach.

685
00:27:44,720 --> 00:27:47,240
Speaker 2: They're pronounced Gyro and no one will ever tell me different.

686
00:27:47,880 --> 00:27:49,240
Speaker 1: Yeah, I was wondering what the fuck he was talking

687
00:27:49,280 --> 00:27:49,560
Speaker 1: about that.

688
00:27:49,560 --> 00:27:53,840
Speaker 3: I read like you think you heard about the Euros

689
00:27:53,840 --> 00:27:55,920
Speaker 3: on South Beach. Not bad.

690
00:27:57,160 --> 00:27:59,000
Speaker 2: But he's a disciplined player, so I don't think the

691
00:27:59,119 --> 00:28:02,080
Speaker 2: nightlife got him out there. He don't go outside, so yeah,

692
00:28:02,080 --> 00:28:05,359
Speaker 2: I thought maybe maybe the halalkar got him there.

693
00:28:05,920 --> 00:28:08,400
Speaker 3: I think it was the weather, just a guess. Might

694
00:28:08,400 --> 00:28:13,520
Speaker 3: have been the weather. Yeah, no yet. I finally got

695
00:28:13,520 --> 00:28:14,160
Speaker 3: through tomorrow.

696
00:28:14,440 --> 00:28:18,520
Speaker 2: But Ryan Page Damars Kyle on the back, boost Mobile

697
00:28:18,760 --> 00:28:21,200
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698
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699
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700
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Speaker 2: five dollars a month forever unlimited plan.

701
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Speaker 3: It's a permanent price with no contracts, no price hikes.

702
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703
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704
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705
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706
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Speaker 2: dot com right now.

707
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709
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710
00:28:54,800 --> 00:29:03,920
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711
00:29:03,960 --> 00:29:05,880
Speaker 2: But did you guys do anything over this week?

712
00:29:06,280 --> 00:29:06,320
Speaker 3: No?

713
00:29:06,480 --> 00:29:06,720
Speaker 2: I was.

714
00:29:06,760 --> 00:29:08,400
Speaker 3: I was the only one to being a whore.

715
00:29:08,840 --> 00:29:12,360
Speaker 5: Man. I didn't do much. Uh, it was home saying.

716
00:29:12,720 --> 00:29:15,400
Speaker 4: I went to Uh, it's just park by the crib

717
00:29:15,480 --> 00:29:17,320
Speaker 4: that one of my neighbors had been telling me about.

718
00:29:17,520 --> 00:29:19,360
Speaker 4: So I finally went over there. Real nice park, man

719
00:29:19,640 --> 00:29:19,920
Speaker 4: he was.

720
00:29:19,960 --> 00:29:22,160
Speaker 1: He was watching the bad bitches walk they dogs.

721
00:29:22,360 --> 00:29:24,280
Speaker 5: No, no, no, I was. I was literally just in

722
00:29:24,360 --> 00:29:24,840
Speaker 5: the park. I was.

723
00:29:24,880 --> 00:29:26,560
Speaker 2: I couldn't believe it was so close to my crib

724
00:29:26,600 --> 00:29:27,840
Speaker 2: and I didn't know about it.

725
00:29:27,840 --> 00:29:30,200
Speaker 3: It's like a really nice park, like right on the water.

726
00:29:30,560 --> 00:29:31,200
Speaker 5: She was fine.

727
00:29:31,240 --> 00:29:32,240
Speaker 3: I was like, damn, I ain't know.

728
00:29:32,280 --> 00:29:34,200
Speaker 5: This was right up right at the block from the crib.

729
00:29:34,400 --> 00:29:35,040
Speaker 1: Got to explore.

730
00:29:35,200 --> 00:29:36,960
Speaker 5: Yeah, I was out there and you know, and that

731
00:29:37,080 --> 00:29:37,600
Speaker 5: was it was.

732
00:29:37,680 --> 00:29:40,040
Speaker 3: In the crib. Just go out there and like sketch

733
00:29:40,080 --> 00:29:41,400
Speaker 3: and draw and try to find like.

734
00:29:41,480 --> 00:29:43,240
Speaker 2: I took a walk through a couple of laps, you

735
00:29:43,240 --> 00:29:45,640
Speaker 2: know what. I'm saying up and down, gotcha, it was cool.

736
00:29:45,720 --> 00:29:48,800
Speaker 1: I was watching The Lincoln Lawyer. I watched two seasons.

737
00:29:48,800 --> 00:29:49,440
Speaker 5: Oh I watched.

738
00:29:49,560 --> 00:29:53,600
Speaker 4: I watched I Will Find You on Netflix, which that yet, Oh,

739
00:29:53,680 --> 00:29:54,960
Speaker 4: y'all gotta watch I Will Find.

740
00:29:54,760 --> 00:29:55,440
Speaker 5: You on Netflix.

741
00:29:55,680 --> 00:29:57,000
Speaker 3: I need, I need to show for this weekend.

742
00:29:57,120 --> 00:29:58,880
Speaker 2: I think, oh, man, you're gonna binge this one. This

743
00:29:59,000 --> 00:30:00,400
Speaker 2: was a good one. This was a good, good, good

744
00:30:00,920 --> 00:30:07,080
Speaker 2: series based on a guy who was wrongfully accused of

745
00:30:07,160 --> 00:30:09,800
Speaker 2: killing his kid imprisoned.

746
00:30:10,120 --> 00:30:10,760
Speaker 1: Don't spoil it.

747
00:30:10,800 --> 00:30:12,560
Speaker 4: I'm not going to spoil nothing, but it was. You know,

748
00:30:12,680 --> 00:30:16,560
Speaker 4: he's in prison for his son's murder. He received you know,

749
00:30:16,640 --> 00:30:19,560
Speaker 4: some information that his child may still be alive, which

750
00:30:20,040 --> 00:30:23,000
Speaker 4: prompted him to escape prison and try to find the

751
00:30:23,040 --> 00:30:27,280
Speaker 4: truth of what was going on. Series eight episodes. I

752
00:30:27,280 --> 00:30:28,240
Speaker 4: think y'all binged this.

753
00:30:28,200 --> 00:30:28,840
Speaker 3: Over the weekend.

754
00:30:28,920 --> 00:30:32,840
Speaker 2: He escapes, so you know, I heard he's a lot.

755
00:30:32,920 --> 00:30:33,560
Speaker 3: Let me get out of here.

756
00:30:33,720 --> 00:30:34,880
Speaker 5: I mean, you know, you know how it goes. He

757
00:30:34,920 --> 00:30:36,480
Speaker 5: has he has some some inside help.

758
00:30:36,720 --> 00:30:39,440
Speaker 2: And it took any new frame twenty years that he.

759
00:30:39,440 --> 00:30:41,960
Speaker 4: Has some inside help. But yeah, it was great, great

760
00:30:41,960 --> 00:30:44,600
Speaker 4: show on Netflix. I Will Find You. So if you

761
00:30:44,600 --> 00:30:46,440
Speaker 4: get a chance this week and check that. I binged.

762
00:30:46,440 --> 00:30:47,640
Speaker 3: That sounds like my spell.

763
00:30:47,640 --> 00:30:49,960
Speaker 5: We can shurn back in Monday and talk about it.

764
00:30:50,760 --> 00:30:52,400
Speaker 3: Did you see any of the Knicks trash cans in

765
00:30:52,440 --> 00:30:52,960
Speaker 3: your new park?

766
00:30:53,640 --> 00:30:57,480
Speaker 5: No? No Nicks trash cans. I think that's only Manhattan thing.

767
00:30:57,440 --> 00:31:00,240
Speaker 2: Right, Well, yes it's a it's a Manhattan thing, but

768
00:31:00,440 --> 00:31:03,840
Speaker 2: specifically JP Morgan Chase Manhattan situation.

769
00:31:04,440 --> 00:31:04,600
Speaker 3: OK.

770
00:31:04,880 --> 00:31:09,240
Speaker 2: Why has this become like a story because I saw

771
00:31:09,320 --> 00:31:11,160
Speaker 2: For those that haven't seen, but I'm sure you have,

772
00:31:11,360 --> 00:31:15,400
Speaker 2: because again this has become like headline news. There was

773
00:31:15,480 --> 00:31:17,840
Speaker 2: a woman that was at the parade that dumped out

774
00:31:18,000 --> 00:31:22,120
Speaker 2: a shit ton of trash to steal the limited edition

775
00:31:22,960 --> 00:31:27,120
Speaker 2: Nick's trash cans that lined around the parade. It started

776
00:31:27,120 --> 00:31:30,800
Speaker 2: out everyone, unfortunately, just making fun of her appearance, and

777
00:31:30,840 --> 00:31:33,800
Speaker 2: then they found her identity and it ended up that

778
00:31:33,880 --> 00:31:36,360
Speaker 2: she worked at JP Morgan and now she has been

779
00:31:36,400 --> 00:31:39,840
Speaker 2: fired from her job for dumping out this trash can

780
00:31:40,440 --> 00:31:43,880
Speaker 2: and taking it. Now, I think you're a fucking asshole

781
00:31:44,320 --> 00:31:47,920
Speaker 2: if you dump out a bunch of trash for sanitation

782
00:31:48,000 --> 00:31:49,800
Speaker 2: and then have to pick up I think that's a

783
00:31:49,800 --> 00:31:51,800
Speaker 2: real dick move. I don't think you're a good person

784
00:31:51,840 --> 00:31:57,560
Speaker 2: for doing that. But part of me with the atmosphere

785
00:31:57,640 --> 00:32:00,920
Speaker 2: of being at that parade around Nick's fan maybe I've

786
00:32:00,960 --> 00:32:04,040
Speaker 2: had a couple drinks. I'm not saying I'm above doing

787
00:32:04,080 --> 00:32:06,160
Speaker 2: something like this, So I'm not here to judge this

788
00:32:06,200 --> 00:32:08,800
Speaker 2: woman the way everyone has been tearing her apart. If

789
00:32:08,840 --> 00:32:12,440
Speaker 2: I'm in the right environment, if I'm with my god brothers,

790
00:32:12,560 --> 00:32:13,840
Speaker 2: I'm doing this one hundred percent.

791
00:32:14,040 --> 00:32:16,800
Speaker 1: The crazy shit is is I literally remember when they

792
00:32:16,840 --> 00:32:20,720
Speaker 1: first posted about the trash cans before the parade, everybody

793
00:32:20,760 --> 00:32:23,000
Speaker 1: literally said, oh, I'm going home with one of those,

794
00:32:23,040 --> 00:32:24,640
Speaker 1: Like that's what everybody was saying. It's oh, yeah, I'm

795
00:32:24,640 --> 00:32:26,520
Speaker 1: going home with one of those. She'd only nigga real

796
00:32:26,640 --> 00:32:29,400
Speaker 1: enough to do it, and now everybody was talking about her.

797
00:32:29,480 --> 00:32:31,720
Speaker 1: But also I've seen a lot of people like supporting

798
00:32:31,720 --> 00:32:32,760
Speaker 1: her like and I would have did it too.

799
00:32:32,880 --> 00:32:35,440
Speaker 2: Like as much as I do want to sound like

800
00:32:35,520 --> 00:32:38,040
Speaker 2: I'm that good New Yorker that thinks that this is

801
00:32:39,800 --> 00:32:42,080
Speaker 2: awful to our service workers and what they have to do,

802
00:32:42,120 --> 00:32:44,680
Speaker 2: there's already enough trash this and that. My dad, when

803
00:32:44,680 --> 00:32:48,320
Speaker 2: you could still get knives in the Yankee Stadium opening day,

804
00:32:48,360 --> 00:32:51,800
Speaker 2: they put the bunting. My dad and his friends cut

805
00:32:52,000 --> 00:32:55,600
Speaker 2: all the bunting off and stole it all. It's hanging

806
00:32:55,680 --> 00:32:58,320
Speaker 2: in his basement like.

807
00:32:58,440 --> 00:33:00,360
Speaker 3: Yeah, but this is like still in a track can

808
00:33:00,440 --> 00:33:01,400
Speaker 3: is just crazy.

809
00:33:02,680 --> 00:33:05,240
Speaker 2: And everyone they're selling them now. In her defense, she

810
00:33:05,280 --> 00:33:07,640
Speaker 2: didn't know they were were going up selling them now.

811
00:33:07,800 --> 00:33:09,680
Speaker 2: And I know we're probably the only platform that's been

812
00:33:09,720 --> 00:33:12,240
Speaker 2: defending this woman because everyone's been tearing her the fuck apart.

813
00:33:12,560 --> 00:33:14,280
Speaker 2: I'm just saying, I think a lot of you are

814
00:33:14,360 --> 00:33:17,280
Speaker 2: lying and would have done the same fucking thing. And

815
00:33:17,400 --> 00:33:21,200
Speaker 2: now a line because a lot of people didn't do it. No,

816
00:33:21,400 --> 00:33:23,440
Speaker 2: a lot of people were not on camera doing camera

817
00:33:23,560 --> 00:33:25,600
Speaker 2: doing it. She was the only one I cameraed. I'm

818
00:33:25,680 --> 00:33:28,000
Speaker 2: sure other people did that. You think all those trash

819
00:33:28,040 --> 00:33:31,000
Speaker 2: cans was just chilling for Sanitation to come pick up. No,

820
00:33:31,200 --> 00:33:33,720
Speaker 2: I'm sure people dragged them with the trash still in the.

821
00:33:33,760 --> 00:33:35,920
Speaker 5: Trash can from the streets of Manhattan put in your crib.

822
00:33:35,920 --> 00:33:39,200
Speaker 1: It was fucking crazy, Okay, But to be fair, it's crazy.

823
00:33:39,360 --> 00:33:41,440
Speaker 1: It is crazy, But to be fair, it's not like

824
00:33:41,480 --> 00:33:43,880
Speaker 1: it's a trash can that's been out there for fucking

825
00:33:44,360 --> 00:33:46,560
Speaker 1: a month years out there for two hours. It was

826
00:33:46,560 --> 00:33:48,520
Speaker 1: out there for two hours, like it was a brand new.

827
00:33:48,440 --> 00:33:51,080
Speaker 2: Food it was around that area. It's probably a lot

828
00:33:51,080 --> 00:33:52,240
Speaker 2: of cuts, a lot a lot of food.

829
00:33:52,240 --> 00:33:53,680
Speaker 3: You so much trash was on the floor that you

830
00:33:53,760 --> 00:33:54,120
Speaker 3: dumped it.

831
00:33:54,240 --> 00:33:57,080
Speaker 1: Yeah, but it's like it just looked like, I don't.

832
00:33:56,840 --> 00:34:00,560
Speaker 4: Know, like shit staffe een burgers and ship in there

833
00:34:00,600 --> 00:34:04,360
Speaker 4: like you put. No, man, it ain't that serious. It's

834
00:34:04,440 --> 00:34:05,200
Speaker 4: never that serious.

835
00:34:05,280 --> 00:34:06,800
Speaker 2: It's not that serious. But I know, I don't think,

836
00:34:07,960 --> 00:34:09,919
Speaker 2: but I know people in their own homes that don't

837
00:34:09,960 --> 00:34:12,799
Speaker 2: actually clean their trash cans that regularly. No, they got

838
00:34:13,000 --> 00:34:15,880
Speaker 2: nasty ass trash cans. Yeah, but at least it's your trash.

839
00:34:16,560 --> 00:34:21,200
Speaker 4: What what that means doing that's Manhattan's trash two hours

840
00:34:22,480 --> 00:34:24,640
Speaker 4: and bottles the trash are making in my house versus

841
00:34:24,719 --> 00:34:27,680
Speaker 4: the trash are just random people. Man, No, I got

842
00:34:28,160 --> 00:34:28,839
Speaker 4: ship my trash.

843
00:34:28,880 --> 00:34:31,799
Speaker 1: I don't think. I don't think they let like crackheads

844
00:34:31,840 --> 00:34:36,320
Speaker 1: in the parade, in the parade, where.

845
00:34:36,160 --> 00:34:37,880
Speaker 3: The fuck you think the crackheads was at? That's what

846
00:34:38,040 --> 00:34:38,960
Speaker 3: that's the living room.

847
00:34:39,480 --> 00:34:41,719
Speaker 2: Yeah, but you you asked, oh yeah, no, there are

848
00:34:41,760 --> 00:34:44,440
Speaker 2: some crackheads. Yeah, but you get through, like you know,

849
00:34:44,600 --> 00:34:46,360
Speaker 2: you couldn't just the parade.

850
00:34:46,680 --> 00:34:49,400
Speaker 4: The parade, No, it wasn't imagine sitting this nigga that

851
00:34:49,400 --> 00:34:51,560
Speaker 4: has been sleeping there for two years, was sleeping there

852
00:34:51,560 --> 00:34:52,280
Speaker 4: to day at the parade.

853
00:34:52,560 --> 00:34:54,399
Speaker 3: Imagine waking up and not knowing that it was about

854
00:34:54,400 --> 00:35:00,200
Speaker 3: to be a parade. Get mad at people for in

855
00:35:00,280 --> 00:35:04,320
Speaker 3: my house? Yeah, no, she tripping, though, Man, do you

856
00:35:04,440 --> 00:35:05,640
Speaker 3: think I don't.

857
00:35:05,480 --> 00:35:07,640
Speaker 1: Think she deserved to lose her one hundred and twenty

858
00:35:07,760 --> 00:35:10,279
Speaker 1: one hundred and forty thousand dollars a year job for it?

859
00:35:10,840 --> 00:35:11,360
Speaker 3: Fired for that.

860
00:35:11,440 --> 00:35:13,120
Speaker 5: She shouldn't have been acted like a fucking animal.

861
00:35:14,280 --> 00:35:18,000
Speaker 1: Yeah, that's the thing about being representation for a company man,

862
00:35:18,239 --> 00:35:19,959
Speaker 1: and people are like, oh my god, I can't believe

863
00:35:19,960 --> 00:35:22,080
Speaker 1: she got fired. I can definitely believe she got fired.

864
00:35:22,120 --> 00:35:24,600
Speaker 1: That was crazy. Doing it on camera? Is crazier?

865
00:35:26,120 --> 00:35:29,360
Speaker 3: Is climbing light poses in that? Find a ticket? No?

866
00:35:30,920 --> 00:35:31,919
Speaker 3: Right now, I could? I could?

867
00:35:32,520 --> 00:35:36,399
Speaker 2: She had she had to return to the trash can. Yeah,

868
00:35:36,480 --> 00:35:41,839
Speaker 2: she got fined seventy five dollars for littering. How did

869
00:35:41,880 --> 00:35:44,880
Speaker 2: they fit one hundred dollars for like that had to

870
00:35:44,920 --> 00:35:46,680
Speaker 2: be a coworker, that had to be a co worker

871
00:35:46,719 --> 00:35:49,880
Speaker 2: though everyone was you know, the internet, it became trending

872
00:35:50,000 --> 00:35:52,560
Speaker 2: to make fun of her, which I'm saying it started

873
00:35:52,560 --> 00:35:53,280
Speaker 2: really unfortunate.

874
00:35:53,719 --> 00:35:56,000
Speaker 1: That's why I got popular. Well, everyone's climbing how she looks.

875
00:35:56,000 --> 00:35:58,279
Speaker 1: You have an Internet algorithm. I didn't see anybody making

876
00:35:58,320 --> 00:36:00,680
Speaker 1: fun of her. I saw everybody like make it fun

877
00:36:00,719 --> 00:36:02,880
Speaker 1: of what she was doing, but I didn't really see anybody.

878
00:36:02,960 --> 00:36:04,960
Speaker 2: So, but you know, the Internet always takes it too far.

879
00:36:05,160 --> 00:36:08,319
Speaker 2: So some people make jokes and some people will see

880
00:36:08,400 --> 00:36:10,480
Speaker 2: that and with their Internet brain, they're like, I need

881
00:36:10,560 --> 00:36:13,399
Speaker 2: to find her mother's maiden name. So that's what they did,

882
00:36:13,520 --> 00:36:16,080
Speaker 2: and then they posted her name where she worked and

883
00:36:17,160 --> 00:36:17,719
Speaker 2: now here we are.

884
00:36:17,800 --> 00:36:17,920
Speaker 3: Now.

885
00:36:18,080 --> 00:36:21,439
Speaker 2: JP Morgan has to for all the things that JP

886
00:36:21,600 --> 00:36:26,640
Speaker 2: Morgan Chase employees do. Let's fire this woman.

887
00:36:27,360 --> 00:36:30,520
Speaker 1: Yeah, man, but I get it. I get what that look.

888
00:36:30,560 --> 00:36:31,759
Speaker 1: That's bad representation on it.

889
00:36:32,080 --> 00:36:32,560
Speaker 2: No, no, it is.

890
00:36:32,680 --> 00:36:33,040
Speaker 3: I get that.

891
00:36:33,160 --> 00:36:37,680
Speaker 2: I'm just saying, like, that's a pebble in the glasshouse

892
00:36:38,280 --> 00:36:39,080
Speaker 2: of JP Morgan.

893
00:36:39,160 --> 00:36:39,839
Speaker 3: It's all I'm saying.

894
00:36:39,880 --> 00:36:42,520
Speaker 4: Oh yeah, but you know, they was waiting for a reason.

895
00:36:44,239 --> 00:36:45,800
Speaker 4: Oh my god, they was waiting for a reason. It

896
00:36:45,880 --> 00:36:48,320
Speaker 4: was that we got her still in trash cans in

897
00:36:48,400 --> 00:36:49,640
Speaker 4: madd and we got to get out of here.

898
00:36:50,880 --> 00:36:53,080
Speaker 1: That shit is so scary, that the Internet is so

899
00:36:53,239 --> 00:36:56,120
Speaker 1: scary with that like even with this Love Island person wish,

900
00:36:56,160 --> 00:36:58,719
Speaker 1: but she's a racist asshole, so she just deserves that.

901
00:36:58,880 --> 00:37:01,680
Speaker 1: But people, she was she out here calling people niggers.

902
00:37:01,719 --> 00:37:03,319
Speaker 1: First of all, that's a snapshot. So if you guys

903
00:37:03,360 --> 00:37:05,640
Speaker 1: don't know, there's the show Love Island, biggest show in

904
00:37:05,680 --> 00:37:08,520
Speaker 1: the world. There was a bombshell that entered the villa.

905
00:37:08,640 --> 00:37:13,560
Speaker 1: Her name was Alana. She that's what they call them, really,

906
00:37:13,760 --> 00:37:14,120
Speaker 1: I don't know.

907
00:37:15,000 --> 00:37:17,160
Speaker 3: They call all of them called bombshells.

908
00:37:16,960 --> 00:37:19,960
Speaker 1: The ones that like enter like the new girls, like

909
00:37:20,040 --> 00:37:23,480
Speaker 1: they throwing. She was a bombsh like she said, they

910
00:37:23,520 --> 00:37:27,600
Speaker 1: throw people. They'll have the big bombshell and then they'll

911
00:37:27,680 --> 00:37:31,840
Speaker 1: throw people in like to throw off the connection. So

912
00:37:32,080 --> 00:37:34,120
Speaker 1: Alana entered and she I think she might have been

913
00:37:34,160 --> 00:37:38,440
Speaker 1: on the show for like forty eight hours and the

914
00:37:38,600 --> 00:37:40,680
Speaker 1: night aired the night her episode aired.

915
00:37:40,960 --> 00:37:42,799
Speaker 2: But it all isn't kind of real time though, right, Yeah,

916
00:37:42,880 --> 00:37:43,279
Speaker 2: it's like just.

917
00:37:43,320 --> 00:37:47,640
Speaker 1: A day they're to delay. Yeah, And she was acting

918
00:37:47,760 --> 00:37:50,279
Speaker 1: weird towards the black guys, like she was all over

919
00:37:50,320 --> 00:37:51,920
Speaker 1: the white guys like the black girl. She was like,

920
00:37:52,080 --> 00:37:54,560
Speaker 1: I don't grab me, don't touch me, and they were like,

921
00:37:54,640 --> 00:37:56,880
Speaker 1: she's racid. The Love Island faces like she's racist and

922
00:37:56,920 --> 00:37:59,280
Speaker 1: weird looked her up and boom, her tea is spilled.

923
00:37:59,320 --> 00:38:03,080
Speaker 1: She's been saying nigger. They got screenshots from like snapchat

924
00:38:03,560 --> 00:38:08,240
Speaker 1: using a hard R and that, and then that nigger

925
00:38:08,360 --> 00:38:10,680
Speaker 1: literally tried to flirt with me. Nigger hard e R

926
00:38:10,800 --> 00:38:11,200
Speaker 1: is crazy.

927
00:38:11,280 --> 00:38:14,040
Speaker 2: So my guess is she now someone has a gofund

928
00:38:14,080 --> 00:38:16,080
Speaker 2: me and she's probably raised over fo hundred thousand dollars

929
00:38:16,160 --> 00:38:17,960
Speaker 2: right for herself. No, I don't know about that, because

930
00:38:17,960 --> 00:38:18,840
Speaker 2: that's usually what happens.

931
00:38:18,960 --> 00:38:21,799
Speaker 5: Oh yeah, oh my god. You know they're gonna they

932
00:38:21,840 --> 00:38:22,319
Speaker 5: gonna give.

933
00:38:22,280 --> 00:38:25,279
Speaker 2: She might she's a national hero, like million dollars about

934
00:38:25,280 --> 00:38:25,839
Speaker 2: the end of the week.

935
00:38:27,040 --> 00:38:31,160
Speaker 1: So yeah, she's she's out of here. She's out of here.

936
00:38:31,960 --> 00:38:35,560
Speaker 2: So did you get voted off? No, she didn't get

937
00:38:35,640 --> 00:38:36,840
Speaker 2: voted off. She got removed.

938
00:38:37,080 --> 00:38:37,360
Speaker 3: Okay.

939
00:38:37,440 --> 00:38:39,400
Speaker 2: I was about to ask did it happen because of

940
00:38:39,400 --> 00:38:40,480
Speaker 2: the show stuff or because of this?

941
00:38:40,719 --> 00:38:44,040
Speaker 1: No, she was only her episode was only It aired

942
00:38:44,160 --> 00:38:46,440
Speaker 1: that night and I had her kicked off by the

943
00:38:46,520 --> 00:38:48,919
Speaker 1: next day, like you can't do anything.

944
00:38:48,719 --> 00:38:49,120
Speaker 2: Love L.

945
00:38:49,520 --> 00:38:51,120
Speaker 5: Did they did they release a statement?

946
00:38:51,280 --> 00:38:52,640
Speaker 1: I don't. I don't think they released I don't know

947
00:38:52,640 --> 00:38:54,680
Speaker 1: if they released the statement they love Island gets people.

948
00:38:55,239 --> 00:38:57,400
Speaker 5: They got to release a statement and say how sorry

949
00:38:57,480 --> 00:38:57,759
Speaker 5: they are.

950
00:38:58,080 --> 00:39:00,480
Speaker 1: No, they get people out of here on their set.

951
00:39:01,200 --> 00:39:05,120
Speaker 1: They're one of their producers. She's for a health reason.

952
00:39:05,440 --> 00:39:07,960
Speaker 1: But like the one of the girls had to go

953
00:39:08,080 --> 00:39:11,120
Speaker 1: because she says she had chinky eyes. They get people

954
00:39:11,120 --> 00:39:13,080
Speaker 1: out of here for anything. Bro, they don't play that ship.

955
00:39:13,280 --> 00:39:16,080
Speaker 1: Wait what one of the girls said she had chinky eyes?

956
00:39:16,160 --> 00:39:18,040
Speaker 1: Like she said, like there was a poster her saying

957
00:39:18,080 --> 00:39:18,919
Speaker 1: she had chinky eyes.

958
00:39:19,800 --> 00:39:22,920
Speaker 2: It took me years to realize that that was the

959
00:39:23,280 --> 00:39:25,200
Speaker 2: derives from what I know, the slur. But I never

960
00:39:25,320 --> 00:39:26,840
Speaker 2: even put two and two together.

961
00:39:26,719 --> 00:39:28,520
Speaker 1: Me either, because that was as a black girl.

962
00:39:28,600 --> 00:39:31,360
Speaker 2: That was a thing we used to like say that

963
00:39:31,480 --> 00:39:33,000
Speaker 2: all my life and I never realized. I was like,

964
00:39:33,040 --> 00:39:35,840
Speaker 2: I never knew her, and it derives from that. I

965
00:39:35,920 --> 00:39:37,719
Speaker 2: never even put those two together.

966
00:39:37,760 --> 00:39:39,080
Speaker 5: You can't say chinky eyes.

967
00:39:39,320 --> 00:39:41,160
Speaker 3: No, well was you're aware of it. You shouldn't say

968
00:39:41,200 --> 00:39:43,680
Speaker 3: it now that you.

969
00:39:43,800 --> 00:39:44,080
Speaker 2: Know that.

970
00:39:45,880 --> 00:39:48,560
Speaker 3: Chinky eyes has always been a racist thing. I never

971
00:39:48,640 --> 00:39:48,920
Speaker 3: knew that.

972
00:39:49,080 --> 00:39:49,840
Speaker 1: Yeah, I never knew it.

973
00:39:50,000 --> 00:39:52,040
Speaker 2: I didn't either, but once someone said it, it made

974
00:39:52,160 --> 00:39:55,640
Speaker 2: it made sense. Yeah, it was like, okay, that makes sense.

975
00:39:56,080 --> 00:39:58,160
Speaker 1: When you guys hear chinky eyes, like, do you get

976
00:39:58,200 --> 00:40:02,319
Speaker 1: like offended, like would your.

977
00:40:02,239 --> 00:40:03,520
Speaker 3: Ground why someone would? Yeah?

978
00:40:05,680 --> 00:40:07,960
Speaker 1: Yeah, yeah I never because when I was growing up

979
00:40:07,960 --> 00:40:11,120
Speaker 1: as a black girl, I was like a compliment shinky eyes,

980
00:40:11,200 --> 00:40:18,279
Speaker 1: like exotic looking eyes. Yeah, I never never knew.

981
00:40:18,520 --> 00:40:20,000
Speaker 3: So that's a lot of was getting that off too.

982
00:40:20,239 --> 00:40:21,560
Speaker 1: No, that was a different love island.

983
00:40:22,000 --> 00:40:23,680
Speaker 3: I was just going, you.

984
00:40:23,719 --> 00:40:24,960
Speaker 5: Got nigga eyes, just like.

985
00:40:26,960 --> 00:40:29,520
Speaker 2: I don't think anyone's comparing those two slurs, but they

986
00:40:29,560 --> 00:40:30,480
Speaker 2: are both slurs.

987
00:40:30,600 --> 00:40:32,120
Speaker 1: It would be like not comparable. It would be like

988
00:40:32,200 --> 00:40:37,759
Speaker 1: saying you got nigga lips. Okay, even if nigga lips

989
00:40:37,760 --> 00:40:40,440
Speaker 1: are beautiful, right, it's still.

990
00:40:41,960 --> 00:40:44,160
Speaker 5: Okay. Yeah.

991
00:40:45,000 --> 00:40:46,799
Speaker 3: But I think the point now that you can't use

992
00:40:46,840 --> 00:40:47,759
Speaker 3: that term that you rarely.

993
00:40:48,680 --> 00:40:52,279
Speaker 4: My vocabulary is so limited. I will say, how am

994
00:40:52,320 --> 00:40:54,359
Speaker 4: I even to scare a lot of my favorite ship.

995
00:40:54,400 --> 00:40:55,240
Speaker 4: I can't even say.

996
00:40:57,080 --> 00:41:00,920
Speaker 2: One thing, like I can't say that like okay, you're

997
00:41:00,960 --> 00:41:01,919
Speaker 2: gonna miss that word.

998
00:41:02,040 --> 00:41:04,279
Speaker 3: You can't say no, like just let it go.

999
00:41:05,920 --> 00:41:09,080
Speaker 1: I don't think that people should be punished for using

1000
00:41:09,200 --> 00:41:12,440
Speaker 1: words when they don't know that there's a negative connotation

1001
00:41:12,560 --> 00:41:15,399
Speaker 1: to them. I think intent matters, Like I don't think

1002
00:41:15,440 --> 00:41:17,799
Speaker 1: you should want to realize you should lose your use

1003
00:41:17,920 --> 00:41:20,880
Speaker 1: brand deals for saying chinky eyes. When growing up you

1004
00:41:21,000 --> 00:41:22,720
Speaker 1: were told that that was a never.

1005
00:41:22,760 --> 00:41:25,279
Speaker 4: I never like once you once we had this condent

1006
00:41:25,320 --> 00:41:28,000
Speaker 4: like I understand, like okay, I get it. Yeah yeah,

1007
00:41:28,200 --> 00:41:30,759
Speaker 4: growing up like that was the thing. It was just like, yo,

1008
00:41:30,880 --> 00:41:32,759
Speaker 4: she has s hinky eyes. We have shinky eyes, like

1009
00:41:33,880 --> 00:41:39,239
Speaker 4: not realizing like, oh ship, that's a word chink right right?

1010
00:41:39,960 --> 00:41:42,600
Speaker 3: We knew that party, yeah, we knew nothing lean into that.

1011
00:41:42,719 --> 00:41:43,000
Speaker 2: We know.

1012
00:41:43,080 --> 00:41:43,800
Speaker 1: I'm not leaning in.

1013
00:41:43,880 --> 00:41:45,600
Speaker 4: I'm just saying like you put like a little emphasis

1014
00:41:45,640 --> 00:41:46,799
Speaker 4: on that. You put like and I think you put

1015
00:41:46,800 --> 00:41:48,040
Speaker 4: a hyphen on that. I don't even know how you

1016
00:41:48,120 --> 00:41:48,320
Speaker 4: did that.

1017
00:41:49,960 --> 00:41:53,480
Speaker 2: Well, since you are our senior Love Island correspondent.

1018
00:41:53,480 --> 00:41:54,319
Speaker 1: We even watched the show.

1019
00:41:55,000 --> 00:41:59,239
Speaker 2: Oh, I was gonna say, do think it's gonna win here?

1020
00:41:59,360 --> 00:42:01,439
Speaker 1: Oh, I don't know. I don't watch that damn show.

1021
00:42:01,640 --> 00:42:02,080
Speaker 3: You don't watch.

1022
00:42:02,680 --> 00:42:04,399
Speaker 1: We had a whole conversation about that where I told

1023
00:42:04,400 --> 00:42:07,120
Speaker 1: you I think that that shit is the fucking young

1024
00:42:07,280 --> 00:42:10,320
Speaker 1: gen Z version of Baddies. It's like the the less

1025
00:42:10,360 --> 00:42:12,600
Speaker 1: ghetto version of Baddies. It's the same hit.

1026
00:42:12,800 --> 00:42:17,399
Speaker 3: I love Batties Ghetto. They tongue each other down ship.

1027
00:42:18,160 --> 00:42:18,640
Speaker 1: Yeah, I don't know.

1028
00:42:18,800 --> 00:42:23,240
Speaker 3: So so Alana was not the bombshell that love is moreflet.

1029
00:42:22,640 --> 00:42:23,920
Speaker 1: They got her out, They got her out, But I

1030
00:42:24,080 --> 00:42:27,160
Speaker 1: was just it's crazy how people wait and like prey

1031
00:42:27,239 --> 00:42:29,840
Speaker 1: on your downfall, coming from the JP Morgan thing, like

1032
00:42:30,080 --> 00:42:33,319
Speaker 1: people wait for any way to find something to get

1033
00:42:33,360 --> 00:42:35,360
Speaker 1: you to fuck out. I think that that's sick. Like

1034
00:42:35,480 --> 00:42:37,719
Speaker 1: people are trying to like, well, I mean if you're

1035
00:42:37,719 --> 00:42:41,040
Speaker 1: a racist or fate racist whatever, but people are trying

1036
00:42:41,120 --> 00:42:43,200
Speaker 1: to like support their families, and people will sit up

1037
00:42:43,200 --> 00:42:44,880
Speaker 1: there and look for anything you've ever did in your

1038
00:42:45,000 --> 00:42:47,560
Speaker 1: entire life to like get you canceled. That shit is insane.

1039
00:42:48,040 --> 00:42:50,680
Speaker 2: Yeah, that's the world with I just don't I feel

1040
00:42:50,680 --> 00:42:51,000
Speaker 2: like if.

1041
00:42:50,920 --> 00:42:52,960
Speaker 3: I was at my desk and saw my employee dump

1042
00:42:53,000 --> 00:42:54,680
Speaker 3: out of trash can, and I'd be like, here a dick,

1043
00:42:54,960 --> 00:42:56,120
Speaker 3: and then I'd move on with my day.

1044
00:42:56,719 --> 00:42:59,360
Speaker 2: Yeah, that'd probably be as far as it unless she

1045
00:42:59,520 --> 00:43:01,360
Speaker 2: was a bit at work, and then I mean, I

1046
00:43:01,480 --> 00:43:02,160
Speaker 2: still know.

1047
00:43:03,239 --> 00:43:05,960
Speaker 5: I still wouldn't not over dumber trash. But I get

1048
00:43:06,000 --> 00:43:07,279
Speaker 5: why JP Morgan did it though.

1049
00:43:07,400 --> 00:43:10,440
Speaker 3: Yeah, no, for sure, all right, we can move on

1050
00:43:10,680 --> 00:43:11,240
Speaker 3: to music.

1051
00:43:13,239 --> 00:43:16,560
Speaker 2: We know, you know, I've had some issues with Complex

1052
00:43:16,719 --> 00:43:19,880
Speaker 2: in the past with lists until they became the greatest

1053
00:43:19,920 --> 00:43:22,279
Speaker 2: platform of all time when they made us what are

1054
00:43:22,280 --> 00:43:22,879
Speaker 2: we number seven?

1055
00:43:23,280 --> 00:43:26,000
Speaker 3: Who's count? Oh yeah, thank you Ryan.

1056
00:43:29,160 --> 00:43:32,840
Speaker 2: So so nothing bad to say about Complex and lists

1057
00:43:33,120 --> 00:43:36,799
Speaker 2: and shout out to them. But Billboard now has picked

1058
00:43:36,800 --> 00:43:41,520
Speaker 2: their fifty best songs of twenty twenty six already, and

1059
00:43:41,760 --> 00:43:47,200
Speaker 2: I'm in June. Halfway, oh halfway. This is a far Yeah, okay,

1060
00:43:50,080 --> 00:43:51,919
Speaker 2: all fifty of these are better than.

1061
00:43:53,560 --> 00:43:58,200
Speaker 3: Will You Still Be Mom? Well who Rory featuring Lucky Day?

1062
00:43:59,520 --> 00:44:03,720
Speaker 4: Yeah, these are getting overall fifty of these roots freestyle

1063
00:44:03,800 --> 00:44:06,400
Speaker 4: is I was shaking on my way to work today, Yeah, shaking.

1064
00:44:06,520 --> 00:44:08,480
Speaker 2: I was dumping out trash cans on my walk. It

1065
00:44:08,560 --> 00:44:09,479
Speaker 2: was I was going nuts.

1066
00:44:09,600 --> 00:44:11,520
Speaker 1: Oh my god, they have bb B on here. I

1067
00:44:11,600 --> 00:44:13,839
Speaker 1: love that. I love that. I love when they get

1068
00:44:13,880 --> 00:44:14,160
Speaker 1: it right.

1069
00:44:14,960 --> 00:44:15,839
Speaker 5: They didn't get it right.

1070
00:44:16,719 --> 00:44:18,279
Speaker 1: BBB is such a good song.

1071
00:44:18,840 --> 00:44:20,359
Speaker 4: I'm not saying it's not. I'm just saying they still

1072
00:44:20,360 --> 00:44:22,279
Speaker 4: didn't get it right though, Like, look at the rest

1073
00:44:22,320 --> 00:44:23,600
Speaker 4: of the list. Don't just look at one song.

1074
00:44:24,120 --> 00:44:25,600
Speaker 1: Well, I'm only looking at all I see is what

1075
00:44:25,640 --> 00:44:27,640
Speaker 1: they had for rappers. So for rap they have at

1076
00:44:27,719 --> 00:44:30,840
Speaker 1: number seven Roots Freestyle, which is not a song, but whatever.

1077
00:44:31,320 --> 00:44:33,719
Speaker 2: No, no, no, no no. We picked up jays Everyone

1078
00:44:33,760 --> 00:44:35,640
Speaker 2: knows we love jay Z, but we can be objective

1079
00:44:35,680 --> 00:44:38,160
Speaker 2: on this. Fuck that's not a song. Why the fuck

1080
00:44:38,320 --> 00:44:42,439
Speaker 2: is the roots freestyle? On the Best Songs of twenty

1081
00:44:42,480 --> 00:44:44,400
Speaker 2: twenty six one? We look up what the definition of

1082
00:44:44,440 --> 00:44:46,520
Speaker 2: a song is. If it was the best poetry slam

1083
00:44:46,600 --> 00:44:49,640
Speaker 2: I'm with y'all, if it was a freestyle over a beat,

1084
00:44:49,960 --> 00:44:50,760
Speaker 2: I'm with y'all.

1085
00:44:52,160 --> 00:44:53,040
Speaker 3: Spoken word is not.

1086
00:44:53,080 --> 00:44:57,520
Speaker 1: A song at all, at fucking all. Literally, a song,

1087
00:44:57,640 --> 00:45:01,480
Speaker 1: musical cod A song is a short composition performed by

1088
00:45:01,520 --> 00:45:05,960
Speaker 1: this normal voice, typically featuring melody and lyrics.

1089
00:45:06,280 --> 00:45:09,080
Speaker 3: There was no melody, there was no music. Yeah, but

1090
00:45:09,520 --> 00:45:10,960
Speaker 3: one would say Jay is the melody.

1091
00:45:11,719 --> 00:45:12,800
Speaker 5: Who's the one that would say that?

1092
00:45:13,160 --> 00:45:13,600
Speaker 3: Bill Board?

1093
00:45:14,400 --> 00:45:16,839
Speaker 2: Now you Yeah?

1094
00:45:16,920 --> 00:45:18,000
Speaker 1: That was that's pandering.

1095
00:45:19,080 --> 00:45:22,080
Speaker 2: I mean, of course it definitely had impact, but it's

1096
00:45:22,120 --> 00:45:22,600
Speaker 2: not a song.

1097
00:45:24,160 --> 00:45:27,759
Speaker 4: Jay's hair had more impact than the song. We had

1098
00:45:27,800 --> 00:45:30,560
Speaker 4: a documentary about the hair. We didn't get a documentary about.

1099
00:45:30,360 --> 00:45:32,799
Speaker 3: The song, Like what do we stop calling the song?

1100
00:45:32,840 --> 00:45:36,160
Speaker 1: They tricked us Number thirteen Girl Get Up by Doci

1101
00:45:36,239 --> 00:45:38,600
Speaker 1: and Sizza, which is an amazing song that didn't get

1102
00:45:38,640 --> 00:45:42,080
Speaker 1: the credit it deserves. Number eighteen Shibang by Drake, Number thirty,

1103
00:45:42,160 --> 00:45:45,719
Speaker 1: Motion Party by Voss Man Dillo, Uh, number thirty two,

1104
00:45:45,920 --> 00:45:48,720
Speaker 1: E eighty five by Don Tolliver, Number thirty I should

1105
00:45:48,719 --> 00:45:51,920
Speaker 1: be way higher. Good Flirts by Baby King, Kendrick Lamar

1106
00:45:52,000 --> 00:45:52,680
Speaker 1: and we Moore Boy.

1107
00:45:52,880 --> 00:45:53,560
Speaker 5: That should be lower.

1108
00:45:53,800 --> 00:45:58,840
Speaker 1: Number number thirty nine, Stay Here for Life Asap Rocky

1109
00:45:58,880 --> 00:46:02,319
Speaker 1: and Brent Fryesmber forty three, BBB Juvenile and Megan Thee

1110
00:46:02,320 --> 00:46:05,520
Speaker 1: Stallion and number fifty Runway do Chie and Lady g.

1111
00:46:07,239 --> 00:46:07,439
Speaker 3: Well.

1112
00:46:07,560 --> 00:46:12,239
Speaker 2: Number one is Olivia Robie's The Cure School song two

1113
00:46:12,320 --> 00:46:15,040
Speaker 2: Ariana Grande hate that I made you love me.

1114
00:46:17,280 --> 00:46:19,960
Speaker 3: As a Grande fan. It's cool.

1115
00:46:21,239 --> 00:46:26,080
Speaker 2: Number two of the year. No, no, like it's cool.

1116
00:46:26,400 --> 00:46:28,440
Speaker 2: I know, but look at driving to Philly. I was

1117
00:46:28,480 --> 00:46:30,160
Speaker 2: going through new music, probably when I was all my

1118
00:46:30,200 --> 00:46:31,799
Speaker 2: way to Roots Picnic to go see the number seven

1119
00:46:31,880 --> 00:46:34,640
Speaker 2: song of the year. I was going through new music,

1120
00:46:34,680 --> 00:46:37,360
Speaker 2: playing shit and I like Grande. So I clicked the

1121
00:46:37,400 --> 00:46:39,440
Speaker 2: song and I was like, oh, this feels like a

1122
00:46:39,520 --> 00:46:42,480
Speaker 2: Lucy like oh, she just gave us a little number.

1123
00:46:43,480 --> 00:46:46,120
Speaker 3: Yeah, the number two song of the year. Not even close.

1124
00:46:46,600 --> 00:46:49,000
Speaker 2: Uh, pick Panthers uh, State Side remis.

1125
00:46:49,040 --> 00:46:50,759
Speaker 3: I like that song. I think it's cool.

1126
00:46:50,840 --> 00:46:51,959
Speaker 1: It's not the number three songs.

1127
00:46:52,040 --> 00:46:54,480
Speaker 2: No, Olivia Dean So Easy to fall in Love Gastic.

1128
00:46:54,640 --> 00:46:56,560
Speaker 1: You can make the case, then make that number one.

1129
00:46:56,600 --> 00:46:57,200
Speaker 3: You can make a case.

1130
00:46:57,239 --> 00:46:58,120
Speaker 1: If that's the case, then make.

1131
00:46:58,000 --> 00:46:58,520
Speaker 3: That number one.

1132
00:46:58,520 --> 00:46:58,880
Speaker 5: Which one?

1133
00:46:59,080 --> 00:47:02,000
Speaker 2: Olivia Dean So Easy? Oh yeah, that's great. That's a

1134
00:47:02,040 --> 00:47:02,440
Speaker 2: great song.

1135
00:47:02,560 --> 00:47:03,360
Speaker 5: That's a great record.

1136
00:47:04,560 --> 00:47:07,240
Speaker 2: Casey Musgraves Drive Spell. Admittedly I don't I don't.

1137
00:47:07,000 --> 00:47:07,399
Speaker 3: Know the song.

1138
00:47:07,600 --> 00:47:09,480
Speaker 1: Yeah, I not got to know the majority of the songs, be.

1139
00:47:09,560 --> 00:47:10,239
Speaker 3: Okay, I love it.

1140
00:47:10,320 --> 00:47:10,600
Speaker 2: I love it.

1141
00:47:10,760 --> 00:47:12,160
Speaker 3: Maybe if I heard it, I.

1142
00:47:12,200 --> 00:47:13,920
Speaker 2: Got to go to urban Outfitters and just chill for

1143
00:47:14,040 --> 00:47:17,960
Speaker 2: like just for four hours and just walking on like

1144
00:47:18,120 --> 00:47:19,200
Speaker 2: this is a Billboard list.

1145
00:47:19,280 --> 00:47:20,920
Speaker 1: We need the whites to tell us, like if they

1146
00:47:20,960 --> 00:47:21,200
Speaker 1: got it.

1147
00:47:21,239 --> 00:47:23,399
Speaker 2: Right or not. I didn't know Bruce Springsteen dropped new music,

1148
00:47:23,480 --> 00:47:25,240
Speaker 2: like my dad didn't send me that Google alert.

1149
00:47:25,640 --> 00:47:29,319
Speaker 4: Yeah, yo, from the Roots Picnic Freestyle. It's only one

1150
00:47:29,400 --> 00:47:32,560
Speaker 4: line I could quote from that whole thing, the Roots,

1151
00:47:32,600 --> 00:47:36,040
Speaker 4: remember even when the trees forget. Literally the only ballind great.

1152
00:47:36,600 --> 00:47:37,960
Speaker 4: I can't tell you anything else from that.

1153
00:47:39,160 --> 00:47:39,319
Speaker 3: Well.

1154
00:47:39,440 --> 00:47:41,560
Speaker 2: Billboard says, it's funny how one verse could fuck up

1155
00:47:41,560 --> 00:47:45,640
Speaker 2: the game. That's a jay Z line. That's a line

1156
00:47:45,719 --> 00:47:48,359
Speaker 2: Jay rapped towards the end of his classic B side

1157
00:47:48,680 --> 00:47:51,920
Speaker 2: Imaginary Players, and it still rings true. Following his headline

1158
00:47:52,280 --> 00:47:56,800
Speaker 2: making appearance going a cappella at the May Roots Picnic

1159
00:47:56,880 --> 00:48:00,680
Speaker 2: in Philadelphia, Jiggerhead, everyone talking about who he dissed and

1160
00:48:00,840 --> 00:48:03,279
Speaker 2: why for like two weeks straight, and yet it still

1161
00:48:03,320 --> 00:48:05,480
Speaker 2: seems like only yesterday when he got on that stage

1162
00:48:05,520 --> 00:48:07,440
Speaker 2: in front of that crowd and showed them who was

1163
00:48:07,520 --> 00:48:08,600
Speaker 2: who and what was what?

1164
00:48:10,480 --> 00:48:11,000
Speaker 1: Who wrote that?

1165
00:48:11,880 --> 00:48:18,399
Speaker 2: That's from that's that's from the intro of a j Outah.

1166
00:48:19,360 --> 00:48:21,680
Speaker 3: Are you just saying that of course it was an angel?

1167
00:48:21,760 --> 00:48:24,120
Speaker 1: D mm hmm.

1168
00:48:27,040 --> 00:48:29,919
Speaker 3: I'm not a rapper. I'm a hustler, just so happy

1169
00:48:29,920 --> 00:48:30,719
Speaker 3: as I know how to rap.

1170
00:48:31,320 --> 00:48:34,000
Speaker 2: Meanwhile, Dame dashel Skino, Nicki Minaj, we're the only ones

1171
00:48:34,040 --> 00:48:35,240
Speaker 2: to respond in some portn fashion.

1172
00:48:35,320 --> 00:48:38,080
Speaker 3: How come sheep Teeth didn't make the list? It's a song.

1173
00:48:39,040 --> 00:48:43,000
Speaker 2: It is a song, so more qualifies more than the freestyle.

1174
00:48:43,600 --> 00:48:47,520
Speaker 2: All right, we're cheap teeth. It's number seven. Cheap Teeth

1175
00:48:47,680 --> 00:48:51,239
Speaker 2: is number seven of the year. Billboard replaces Simulation Man.

1176
00:48:52,200 --> 00:48:53,800
Speaker 2: In any event, the rest of this year should be

1177
00:48:53,840 --> 00:48:57,400
Speaker 2: way more interesting thanks to this still never officially released freestyle.

1178
00:48:58,920 --> 00:49:02,040
Speaker 2: That's lazy, I see, but you're just trying to, you know,

1179
00:49:02,239 --> 00:49:04,279
Speaker 2: make a list, so we we're talking about it because

1180
00:49:04,280 --> 00:49:05,200
Speaker 2: probably wouldn't.

1181
00:49:04,880 --> 00:49:05,480
Speaker 3: Talk about most of this.

1182
00:49:05,840 --> 00:49:07,799
Speaker 5: Yeah, or are you gonna put those in there?

1183
00:49:08,520 --> 00:49:11,239
Speaker 2: Objectively? Drake Shebang, I think should be should be higher.

1184
00:49:13,920 --> 00:49:16,560
Speaker 2: And I'm not saying this as a joke by by

1185
00:49:16,600 --> 00:49:19,680
Speaker 2: any means whatsoever. Maries Young Miami should be on the

1186
00:49:19,719 --> 00:49:20,160
Speaker 2: second list.

1187
00:49:21,360 --> 00:49:22,200
Speaker 5: The Young Miami song.

1188
00:49:22,280 --> 00:49:23,799
Speaker 1: Yeah, what number is die on this hill?

1189
00:49:24,680 --> 00:49:25,480
Speaker 3: Twenty two?

1190
00:49:26,040 --> 00:49:27,040
Speaker 1: That should be way higher.

1191
00:49:28,440 --> 00:49:30,000
Speaker 2: Why do we think Young Miami didn't make this because

1192
00:49:30,000 --> 00:49:32,359
Speaker 2: it's Billboard, But it's it's charting too.

1193
00:49:33,000 --> 00:49:33,840
Speaker 1: It is charging if you.

1194
00:49:33,840 --> 00:49:36,200
Speaker 2: Could put a freestyle there, you could put possibly a

1195
00:49:36,200 --> 00:49:36,960
Speaker 2: song of the summer up there.

1196
00:49:37,040 --> 00:49:42,320
Speaker 1: No, it's a Billboard list, Yeah know who the audience is.

1197
00:49:43,600 --> 00:49:53,880
Speaker 3: So but I mean you have yeah, and you have

1198
00:49:54,280 --> 00:49:57,160
Speaker 3: like there are rap songs on the list there.

1199
00:49:57,160 --> 00:49:59,800
Speaker 1: There are seven of this, what eight or nine of

1200
00:49:59,840 --> 00:50:02,080
Speaker 1: them out of fifty I.

1201
00:50:02,160 --> 00:50:03,800
Speaker 3: Know what I'm saying. That should make it out of

1202
00:50:03,880 --> 00:50:04,439
Speaker 3: all of them.

1203
00:50:04,440 --> 00:50:07,920
Speaker 1: Like the top songs, it just charted as forty three.

1204
00:50:07,960 --> 00:50:10,680
Speaker 1: It's not gonna make the top songs, even though it

1205
00:50:10,800 --> 00:50:12,040
Speaker 1: is charting higher than someone.

1206
00:50:12,400 --> 00:50:14,880
Speaker 2: Foss Man Dilo on there, like young Young Miami can't make.

1207
00:50:15,000 --> 00:50:17,359
Speaker 1: First of all, that's a huge, huge song.

1208
00:50:17,560 --> 00:50:17,719
Speaker 2: I know.

1209
00:50:17,920 --> 00:50:19,319
Speaker 3: I'm not saying, you know to say.

1210
00:50:19,239 --> 00:50:21,279
Speaker 1: It's the Motion Party. You cannot get it. It's like

1211
00:50:21,480 --> 00:50:22,359
Speaker 1: one of the biggest songs.

1212
00:50:22,400 --> 00:50:24,680
Speaker 2: Also, no, I agree it should be on there, but

1213
00:50:25,160 --> 00:50:27,720
Speaker 2: I'm replying to you saying it's Billboard. You know their audience.

1214
00:50:28,160 --> 00:50:31,080
Speaker 2: That song's audience is no different than that Young Miami song.

1215
00:50:31,160 --> 00:50:34,600
Speaker 1: But that Young Miami song is very, very new jay Z.

1216
00:50:35,120 --> 00:50:38,080
Speaker 3: They just said it feels like yesterday. It feels like yesterday,

1217
00:50:38,840 --> 00:50:43,320
Speaker 3: jay Z. It feels like yesterday. Is crazy igno.

1218
00:50:44,640 --> 00:50:47,200
Speaker 1: Songs. The rest of those songs have been going for

1219
00:50:47,360 --> 00:50:50,600
Speaker 1: a while. That's why rest of those songs have been

1220
00:50:50,680 --> 00:50:51,720
Speaker 1: going for a while. Ignored.

1221
00:50:52,000 --> 00:50:53,800
Speaker 2: Look at where we're at with music. I'm arguing to

1222
00:50:53,880 --> 00:50:55,560
Speaker 2: take jay Z off a list of Young Miami can

1223
00:50:55,600 --> 00:50:58,600
Speaker 2: get that slot. She posted us I saw you in

1224
00:50:58,640 --> 00:51:01,400
Speaker 2: the comments she did your Miami posted who she.

1225
00:51:01,520 --> 00:51:03,480
Speaker 1: Reposted our clip talking about her having a song in

1226
00:51:03,520 --> 00:51:03,880
Speaker 1: the summer.

1227
00:51:05,000 --> 00:51:07,320
Speaker 5: Okay, Miami, good record.

1228
00:51:08,760 --> 00:51:11,000
Speaker 2: They just called this haters in the comment he said, no,

1229
00:51:11,160 --> 00:51:18,400
Speaker 2: J Cole, Oh, which which song from the fall off

1230
00:51:18,440 --> 00:51:19,440
Speaker 2: would you think would make it?

1231
00:51:20,000 --> 00:51:20,879
Speaker 3: Like the standout song?

1232
00:51:21,320 --> 00:51:23,759
Speaker 1: It would for me it would be who the would

1233
00:51:23,800 --> 00:51:25,120
Speaker 1: be the one that I would think would make it

1234
00:51:25,719 --> 00:51:29,120
Speaker 1: if they knew the music that they're supposed to know,

1235
00:51:29,200 --> 00:51:31,440
Speaker 1: it would be Bunch roll Blues. But they don't know that.

1236
00:51:32,000 --> 00:51:33,920
Speaker 1: So this is going off of what I'm assuming is.

1237
00:51:34,000 --> 00:51:38,560
Speaker 2: Numbers with the fault I knew with a fall Did

1238
00:51:38,600 --> 00:51:42,680
Speaker 2: they really do like a focused track post release? Not

1239
00:51:42,800 --> 00:51:45,440
Speaker 2: to say that they I mean when they leaked the

1240
00:51:45,520 --> 00:51:48,400
Speaker 2: one they leaked, Yeah, but that was part of the rollout.

1241
00:51:49,760 --> 00:51:51,640
Speaker 2: I mean, coles out a point his career doesn't need

1242
00:51:51,719 --> 00:51:54,799
Speaker 2: to do focus tracks after but.

1243
00:51:56,280 --> 00:51:57,120
Speaker 3: Yeah, I mean I.

1244
00:51:57,160 --> 00:52:02,040
Speaker 2: Guess organically Shebang or Janis kind of did that with Drake.

1245
00:52:02,920 --> 00:52:05,759
Speaker 2: But yeah, I'm kind of shocked they didn't try to

1246
00:52:05,840 --> 00:52:09,640
Speaker 2: do some type of focus not straight up like Spotify

1247
00:52:09,920 --> 00:52:13,279
Speaker 2: one hundred, but like, here's something where we're going. Cole

1248
00:52:13,400 --> 00:52:16,400
Speaker 2: was gonna perform it when he was at the college campuses,

1249
00:52:16,600 --> 00:52:18,680
Speaker 2: or like we'll shoot a separate visual for it, or

1250
00:52:18,719 --> 00:52:19,880
Speaker 2: it'll be part of the doctor.

1251
00:52:20,040 --> 00:52:21,960
Speaker 1: To me, it gave like here y'all, here go this

1252
00:52:22,040 --> 00:52:24,200
Speaker 1: damn album, Leave me alone for a long time. That's

1253
00:52:24,280 --> 00:52:26,400
Speaker 1: what it gave to me, the fall off, like he

1254
00:52:26,520 --> 00:52:30,920
Speaker 1: just wanted to be left alone. Wait what, there was

1255
00:52:31,040 --> 00:52:34,400
Speaker 1: no push, heavy single, push the obviously. You advertised the

1256
00:52:34,440 --> 00:52:37,520
Speaker 1: album roll from Me Here to Seattle in the fucking

1257
00:52:37,640 --> 00:52:40,680
Speaker 1: am I advertised the album, yes, but there was no

1258
00:52:40,920 --> 00:52:44,840
Speaker 1: post single, push, post music video, push post, There was

1259
00:52:45,000 --> 00:52:47,600
Speaker 1: none of that. After he did that the college tours,

1260
00:52:47,880 --> 00:52:51,040
Speaker 1: the album was out, he did a couple like you know,

1261
00:52:51,200 --> 00:52:54,360
Speaker 1: the obviously with the Monkey Kings. That has nothing to

1262
00:52:54,440 --> 00:52:57,920
Speaker 1: do with him releasing music. COVID trying to play basketball

1263
00:52:57,920 --> 00:52:59,719
Speaker 1: for years, that has nothing to do with him releasing music.

1264
00:53:00,120 --> 00:53:03,520
Speaker 1: He did not push a single for this album. He

1265
00:53:03,600 --> 00:53:04,080
Speaker 1: did not do that.

1266
00:53:04,760 --> 00:53:07,040
Speaker 5: So you're saying this is Jake Cole's head nigga damn album.

1267
00:53:07,280 --> 00:53:08,800
Speaker 1: No, it's just I feel like he just wanted to

1268
00:53:08,840 --> 00:53:10,800
Speaker 1: be left alone after that, Like it's out, it's a

1269
00:53:10,880 --> 00:53:13,560
Speaker 1: weight off my shoulders. It's done. I connected with the fans.

1270
00:53:13,600 --> 00:53:15,719
Speaker 1: I'm gonna leave me alone, not like we're going to

1271
00:53:15,800 --> 00:53:17,120
Speaker 1: keep pushing this album all year.

1272
00:53:18,440 --> 00:53:21,360
Speaker 2: That's what it gave. Well, the ones that going on

1273
00:53:21,480 --> 00:53:24,120
Speaker 2: twit though, right, Yes, the tour starts soon yeah, I

1274
00:53:24,160 --> 00:53:28,000
Speaker 2: think it starts like within the next weeks or so. Yeah, well,

1275
00:53:28,040 --> 00:53:30,839
Speaker 2: according to traffic on the Apple Music. And again, take

1276
00:53:30,880 --> 00:53:33,400
Speaker 2: some of this with a grain salt, because typically, no

1277
00:53:33,480 --> 00:53:36,719
Speaker 2: matter what, the first few records get there two six

1278
00:53:36,760 --> 00:53:42,760
Speaker 2: safety run a train, poor thing, Uh, A bunch of blues?

1279
00:53:42,880 --> 00:53:43,600
Speaker 3: Who the fuck is you?

1280
00:53:45,719 --> 00:53:47,680
Speaker 2: Like? And I would say the fuck is you was?

1281
00:53:47,680 --> 00:53:49,920
Speaker 2: Probably because it's in the middle of the album or

1282
00:53:49,960 --> 00:53:51,480
Speaker 2: bombs in the bill because at the end and it's

1283
00:53:51,480 --> 00:53:52,880
Speaker 2: still has traffic.

1284
00:53:53,800 --> 00:53:58,239
Speaker 1: Yeah, but I mean maybe we might. Yeah, I don't know,

1285
00:53:59,400 --> 00:54:02,080
Speaker 1: but yeah, he didn't really push a single, So I

1286
00:54:02,120 --> 00:54:04,520
Speaker 1: don't think Drake pushed a single either. I think the

1287
00:54:04,560 --> 00:54:06,640
Speaker 1: ones that caught just kind of like caught naturally.

1288
00:54:08,680 --> 00:54:12,160
Speaker 2: But yeah, y'all really feel like Lena del roy a

1289
00:54:12,280 --> 00:54:15,200
Speaker 2: white feathered Hawktail deer Hunter is better than my record.

1290
00:54:16,160 --> 00:54:17,880
Speaker 1: I've never heard it. I'm sure it is.

1291
00:54:18,320 --> 00:54:20,040
Speaker 3: I don't even know what song you're talking about.

1292
00:54:20,080 --> 00:54:23,600
Speaker 2: You guys think Caitlin Butts never really Mine is better

1293
00:54:23,640 --> 00:54:24,560
Speaker 2: than still Be Mine.

1294
00:54:26,320 --> 00:54:27,120
Speaker 3: That she is Butts.

1295
00:54:27,600 --> 00:54:29,120
Speaker 5: No, No, I don't know what you're talking about.

1296
00:54:31,280 --> 00:54:32,120
Speaker 3: I don't know.

1297
00:54:32,360 --> 00:54:36,120
Speaker 2: I don't know any of these songs exactly, and I'm

1298
00:54:36,160 --> 00:54:39,080
Speaker 2: sure they're fine. I didn't know there was like this

1299
00:54:39,200 --> 00:54:41,759
Speaker 2: much pop music out there because usually like.

1300
00:54:43,440 --> 00:54:45,400
Speaker 5: For like four hours, just look at all the t shirts.

1301
00:54:45,600 --> 00:54:48,480
Speaker 2: Well, obviously was streaming. Everything became sub genres too, Like

1302
00:54:48,600 --> 00:54:51,160
Speaker 2: hip hop, you don't have to be a charting Billboard

1303
00:54:51,320 --> 00:54:54,040
Speaker 2: person to have a great career. You could be underground

1304
00:54:54,080 --> 00:54:55,759
Speaker 2: and still be successful. I didn't know was that way

1305
00:54:55,800 --> 00:54:58,160
Speaker 2: with pop. Two before you knew all the pop songs,

1306
00:54:58,160 --> 00:54:59,640
Speaker 2: I didn't know that there's underground pop.

1307
00:55:00,080 --> 00:55:03,360
Speaker 1: Yeah, but that's not underground. It's not underground.

1308
00:55:03,400 --> 00:55:04,600
Speaker 2: It's just like pop standards.

1309
00:55:04,640 --> 00:55:04,759
Speaker 3: Though.

1310
00:55:04,800 --> 00:55:07,080
Speaker 2: I feel like pop standards are like everybody know that song.

1311
00:55:08,040 --> 00:55:09,320
Speaker 2: They either love it or hate it if they know it.

1312
00:55:10,000 --> 00:55:12,680
Speaker 1: I think those are like megastar pop. But like there's

1313
00:55:12,800 --> 00:55:15,160
Speaker 1: just like regular like pop music, just like we have

1314
00:55:15,320 --> 00:55:19,319
Speaker 1: regular rap music that like isn't underground, but Billboard don't

1315
00:55:19,320 --> 00:55:20,800
Speaker 1: know what the fuck up? Who the fuck it is?

1316
00:55:20,960 --> 00:55:24,000
Speaker 2: Like yeah, but like I feel like when j Cole drops,

1317
00:55:24,080 --> 00:55:28,759
Speaker 2: not everyone knows the song, whether they're a hip hop

1318
00:55:28,800 --> 00:55:30,919
Speaker 2: fan or not. With like Lina del Ray, I feel

1319
00:55:30,920 --> 00:55:33,200
Speaker 2: like when she drops, you can't escape that shit, and

1320
00:55:33,280 --> 00:55:35,040
Speaker 2: one of the gas station knows if it's a single.

1321
00:55:35,200 --> 00:55:38,120
Speaker 4: Sure, yeah, yeah, yeah, I don't think it's crazy that

1322
00:55:38,280 --> 00:55:41,080
Speaker 4: that album is less than a year on the charts.

1323
00:55:42,120 --> 00:55:43,799
Speaker 4: I was surprised they see that. I'm not gonna lie.

1324
00:55:43,960 --> 00:55:45,160
Speaker 1: What do you mean think it's crazy at all?

1325
00:55:45,480 --> 00:55:48,640
Speaker 2: How that's the only album that's ever done that Jesus

1326
00:55:48,640 --> 00:55:50,840
Speaker 2: and this is probably one of his most anticipated albums.

1327
00:55:50,920 --> 00:55:54,920
Speaker 1: But in the course of the past couple of years,

1328
00:55:55,280 --> 00:55:57,600
Speaker 1: hip hop has been falling off of Billboard. So I'm

1329
00:55:57,640 --> 00:56:00,719
Speaker 1: not surprised that the fall Off, which did not have

1330
00:56:00,840 --> 00:56:04,200
Speaker 1: a single, has fallen off of the charts. I'm not

1331
00:56:04,360 --> 00:56:04,880
Speaker 1: surprised that.

1332
00:56:04,960 --> 00:56:07,200
Speaker 5: Fall Off the title album falling off the chart.

1333
00:56:08,000 --> 00:56:08,320
Speaker 3: You didn't know.

1334
00:56:08,400 --> 00:56:12,120
Speaker 1: I was just saying it didn't have a single. He

1335
00:56:12,280 --> 00:56:15,320
Speaker 1: stopped pushing it early, and hip hop has been falling

1336
00:56:15,360 --> 00:56:18,000
Speaker 1: off the charts and just falling lower on the charts period. No,

1337
00:56:18,040 --> 00:56:19,600
Speaker 1: it doesn't surprise me that it's off the charts.

1338
00:56:20,120 --> 00:56:23,560
Speaker 2: And I don't think the double album or ship ton

1339
00:56:23,640 --> 00:56:27,960
Speaker 2: of music works for every artist. I think if Cole

1340
00:56:28,040 --> 00:56:32,960
Speaker 2: had one concise twelve to fourteen track album, it's still

1341
00:56:32,960 --> 00:56:33,120
Speaker 2: be on.

1342
00:56:33,480 --> 00:56:36,719
Speaker 1: It's easier to listen to when it's like more replay value.

1343
00:56:36,760 --> 00:56:39,799
Speaker 2: I don't think for certain artists Chris Brown, it works

1344
00:56:39,840 --> 00:56:42,600
Speaker 2: for Drake, it works for I don't think Cole's fan

1345
00:56:42,680 --> 00:56:44,680
Speaker 2: base it works the best for that's that's all.

1346
00:56:47,080 --> 00:56:50,920
Speaker 1: But it's Chris Brown charting right now on Billboard.

1347
00:56:52,280 --> 00:56:55,960
Speaker 2: I'm sure there's a record, but I don't know that

1348
00:56:56,080 --> 00:56:58,440
Speaker 2: the long album ship that was the cheat code for streaming.

1349
00:56:58,560 --> 00:57:01,240
Speaker 2: I just think it's switching now with people's attention spans

1350
00:57:01,239 --> 00:57:04,799
Speaker 2: where that it makes people over stimulated when they see

1351
00:57:04,880 --> 00:57:09,200
Speaker 2: that much fucking music for certain artists, for some of

1352
00:57:09,239 --> 00:57:11,799
Speaker 2: the works, I just don't think everyone can get that off.

1353
00:57:12,360 --> 00:57:14,120
Speaker 2: That's a very, very tough thing to get.

1354
00:57:14,000 --> 00:57:16,760
Speaker 5: Off, saw. I mean, back to my question, you don't

1355
00:57:16,760 --> 00:57:24,720
Speaker 5: think it's crazy, I guess.

1356
00:57:25,120 --> 00:57:30,480
Speaker 2: Yeah, Call has always done a lot of numbers, not

1357
00:57:30,600 --> 00:57:32,000
Speaker 2: that he's ever tried to be the number guy, but

1358
00:57:32,080 --> 00:57:35,000
Speaker 2: he's definitely he's been right up there with everyone that

1359
00:57:35,280 --> 00:57:38,280
Speaker 2: puts numbers on the board and consistently stays there because

1360
00:57:38,280 --> 00:57:41,080
Speaker 2: he is a huge core fan base that listens to

1361
00:57:41,160 --> 00:57:44,000
Speaker 2: his music every day. So yeah, I think I think

1362
00:57:44,040 --> 00:57:46,760
Speaker 2: that that's surprising to me that that would be his

1363
00:57:46,840 --> 00:57:47,440
Speaker 2: first project.

1364
00:57:48,440 --> 00:57:51,440
Speaker 3: Just I'm not gonna lie that's that's surprising to me.

1365
00:57:51,600 --> 00:57:53,480
Speaker 1: You've been saying the album was asked since it came out.

1366
00:57:53,520 --> 00:57:54,640
Speaker 1: But now that's surprising to you.

1367
00:57:55,000 --> 00:57:56,840
Speaker 5: I mean, he still has a huge fan base.

1368
00:57:58,520 --> 00:58:00,640
Speaker 3: Yeah, I don't think Mal thinks that his his his

1369
00:58:00,800 --> 00:58:05,200
Speaker 3: taste level defines. Yeah, like my rap, the number was.

1370
00:58:05,720 --> 00:58:07,280
Speaker 4: Okay, there's a couple of songs in there. I didn't

1371
00:58:07,280 --> 00:58:08,840
Speaker 4: think it was much to go back and listen to.

1372
00:58:09,000 --> 00:58:11,280
Speaker 4: But his fan base is fucking huge.

1373
00:58:11,800 --> 00:58:13,840
Speaker 2: So for his album, for this, and for this to

1374
00:58:13,920 --> 00:58:16,280
Speaker 2: be his first album to spend less than a year

1375
00:58:16,320 --> 00:58:19,560
Speaker 2: on the charge, which was one of probably his most

1376
00:58:19,640 --> 00:58:20,720
Speaker 2: anticipated album.

1377
00:58:21,160 --> 00:58:23,800
Speaker 5: Yes, that's very surprising to me with his fan base.

1378
00:58:24,000 --> 00:58:24,520
Speaker 5: Very surprised.

1379
00:58:24,560 --> 00:58:26,320
Speaker 3: Again, I think if it wasn't a double disc, we'd

1380
00:58:26,320 --> 00:58:29,040
Speaker 3: be having a different conversation. But that's all what if.

1381
00:58:29,560 --> 00:58:35,280
Speaker 5: So if the Bulls drafted Sam Booie, different conversations.

1382
00:58:34,840 --> 00:58:36,680
Speaker 2: I mean, not one off the Hornets didn't trade Kobe.

1383
00:58:37,640 --> 00:58:39,600
Speaker 1: I don't know. I just think that music and music

1384
00:58:39,720 --> 00:58:41,520
Speaker 1: is in a different music is in a different place.

1385
00:58:41,560 --> 00:58:44,200
Speaker 1: Because Chris Brown released album like the other day and

1386
00:58:44,360 --> 00:58:46,240
Speaker 1: not one of the songs it's on the it's on

1387
00:58:46,360 --> 00:58:50,040
Speaker 1: the top one hundred, that is more surprising to me.

1388
00:58:50,280 --> 00:58:52,080
Speaker 1: Not one of the songs is in the top one hundred.

1389
00:58:52,560 --> 00:58:52,960
Speaker 3: MM hmm.

1390
00:58:55,600 --> 00:59:00,520
Speaker 1: Yeah, music is weird right now. I would expect for

1391
00:59:00,720 --> 00:59:04,720
Speaker 1: more of Drake's songs to be close when usually when

1392
00:59:04,760 --> 00:59:07,320
Speaker 1: Drake drop drops the album, his whole damn album is

1393
00:59:07,520 --> 00:59:09,240
Speaker 1: takes up the top thirty, like.

1394
00:59:09,680 --> 00:59:10,600
Speaker 5: Oh, he did that already.

1395
00:59:11,040 --> 00:59:13,680
Speaker 1: Sure of course he did it already. But with this album,

1396
00:59:13,920 --> 00:59:15,959
Speaker 1: like it's not staying the way it used to. Music

1397
00:59:16,120 --> 00:59:21,280
Speaker 1: is yeah, like there it's changing, like music has just changing. Okay,

1398
00:59:21,360 --> 00:59:23,360
Speaker 1: that's the number I'm talking about in the top one

1399
00:59:23,520 --> 00:59:27,360
Speaker 1: hundred with the songs, the songs that black music is

1400
00:59:27,440 --> 00:59:30,640
Speaker 1: not staying anymore the way that it used to. It's

1401
00:59:30,720 --> 00:59:33,400
Speaker 1: just not it'll hit there, it'll hit number one, number two,

1402
00:59:33,440 --> 00:59:35,560
Speaker 1: number three, number four, but it's not staying the way

1403
00:59:35,600 --> 00:59:37,920
Speaker 1: that it used to. I think that that's an overall conversation.

1404
00:59:38,000 --> 00:59:41,160
Speaker 1: That's not me caping for Cole moving away from that conversation,

1405
00:59:42,000 --> 00:59:44,560
Speaker 1: like it's not that is just a fact. Yeah, like

1406
00:59:45,720 --> 00:59:47,320
Speaker 1: it's not staying the way it used to. Why is

1407
00:59:47,360 --> 00:59:48,280
Speaker 1: Cinderella charting again?

1408
00:59:48,320 --> 00:59:50,680
Speaker 2: I mean, I love that I saw that headline on

1409
00:59:50,920 --> 00:59:53,760
Speaker 2: Monday that it was back in Billboard. I don't know

1410
00:59:53,760 --> 00:59:55,200
Speaker 2: if it was it was a TikTok thing or whatever,

1411
00:59:55,280 --> 00:59:56,280
Speaker 2: but I mean, it's a great song.

1412
00:59:56,360 --> 00:59:56,720
Speaker 5: Talk thing.

1413
00:59:57,080 --> 00:59:59,480
Speaker 3: It is a TikTok thing. Okay, I love that song.

1414
00:59:59,720 --> 01:00:02,560
Speaker 1: Yeah, so long as we're referring to Cinderellabi mac Miller.

1415
01:00:02,360 --> 01:00:08,440
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1450
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Speaker 2: Did you guys get a chance to see the double

1451
01:01:52,360 --> 01:01:56,720
Speaker 2: XL Freshman Class cover, which, even if it doesn't have

1452
01:01:56,800 --> 01:02:00,640
Speaker 2: as much like staying power either, I'm glad that they're still.

1453
01:02:00,560 --> 01:02:03,680
Speaker 3: Keeping up with this. Yeah, they need this. I think

1454
01:02:03,720 --> 01:02:06,600
Speaker 3: this is something that has to stay. Since they got

1455
01:02:06,680 --> 01:02:08,160
Speaker 3: rid of the cipher. What is the new thing that

1456
01:02:09,800 --> 01:02:13,160
Speaker 3: they're doing the cipher this year? Beat by DJ Drama. Okay,

1457
01:02:15,080 --> 01:02:15,640
Speaker 3: how do we say?

1458
01:02:15,640 --> 01:02:18,520
Speaker 2: Well? All right, I'll start by saying, I know LUIZI

1459
01:02:18,560 --> 01:02:20,600
Speaker 2: is one of my favorite young rappers. He could rap

1460
01:02:20,680 --> 01:02:27,080
Speaker 2: really well. Belly Gang is great. But we can go

1461
01:02:27,160 --> 01:02:29,280
Speaker 2: through this list and everyone can speak to how many

1462
01:02:29,360 --> 01:02:30,200
Speaker 2: names they recognize.

1463
01:02:30,240 --> 01:02:31,440
Speaker 3: And I'm not here.

1464
01:02:31,760 --> 01:02:33,560
Speaker 2: I'm not here to celebrate our ignorance. We also have

1465
01:02:33,560 --> 01:02:36,120
Speaker 2: a hip hop platform, so I'm not bragging about not

1466
01:02:36,240 --> 01:02:37,000
Speaker 2: knowing these names.

1467
01:02:37,280 --> 01:02:38,840
Speaker 3: I'm just trying to be real with the all. That's

1468
01:02:38,840 --> 01:02:41,320
Speaker 3: why this seam is important. Though, I'm gonna check these

1469
01:02:41,360 --> 01:02:41,720
Speaker 3: guys out.

1470
01:02:41,920 --> 01:02:44,640
Speaker 4: Then you see the freshman class, you don't recognize some

1471
01:02:44,680 --> 01:02:46,800
Speaker 4: of the names. This gives you the opportunity to go

1472
01:02:47,000 --> 01:02:48,760
Speaker 4: check them out listening to some of their music. Yeah,

1473
01:02:48,880 --> 01:02:50,200
Speaker 4: I know, I do that a lot when I see

1474
01:02:50,240 --> 01:02:51,920
Speaker 4: the freshman list. I always go to see, like, you know,

1475
01:02:52,000 --> 01:02:54,080
Speaker 4: who are these the artists that I don't know but

1476
01:02:54,120 --> 01:02:58,360
Speaker 4: I do obviously, Belly Gang, Cushington, Scrilla, YK.

1477
01:02:58,320 --> 01:03:00,720
Speaker 2: Nice, Yeah, I know those guys. So that's that's where

1478
01:03:00,800 --> 01:03:03,360
Speaker 2: it stopped after, because so go through all of them

1479
01:03:03,400 --> 01:03:05,680
Speaker 2: so we can give everybody their trips and we can

1480
01:03:05,720 --> 01:03:09,320
Speaker 2: speak for Claire. I've seen before, and I'm not saying

1481
01:03:09,320 --> 01:03:13,480
Speaker 2: the metal band. I've seen that name before. Trim, Babyface E,

1482
01:03:13,760 --> 01:03:19,840
Speaker 2: Hurricane Wisdom, Soso, Cameo. I love Trim, Camo, So Camo.

1483
01:03:19,960 --> 01:03:20,800
Speaker 2: Do you know who Trim is?

1484
01:03:21,760 --> 01:03:22,360
Speaker 3: I think so.

1485
01:03:22,600 --> 01:03:28,080
Speaker 1: Trim is the one that they say is the Nikki copy.

1486
01:03:30,280 --> 01:03:31,880
Speaker 1: She has the Coconut Water song.

1487
01:03:32,240 --> 01:03:33,160
Speaker 3: Oh yeah, yeah, yeah.

1488
01:03:33,280 --> 01:03:35,040
Speaker 1: We talked about her performance and we said you got

1489
01:03:35,120 --> 01:03:37,200
Speaker 1: to learn breath control, but she knows it. She's hungry.

1490
01:03:37,280 --> 01:03:37,800
Speaker 1: I like Trim.

1491
01:03:37,960 --> 01:03:40,840
Speaker 2: Okay, Chris Patrick, I feel like I've seen that too.

1492
01:03:40,920 --> 01:03:42,880
Speaker 3: And I was in homeroom.

1493
01:03:43,080 --> 01:03:44,680
Speaker 2: I was about to say not not in like my

1494
01:03:44,840 --> 01:03:46,800
Speaker 2: family tree, but I feel like I've seen Chris Patrick

1495
01:03:46,880 --> 01:03:49,680
Speaker 2: behind him. Belly Gang was a friend of the show.

1496
01:03:49,720 --> 01:03:54,080
Speaker 2: LUREIZI is incredible again, Trap Dicky, why can't he? I know?

1497
01:03:54,240 --> 01:03:56,400
Speaker 2: Scrilla I know still might have one of the best

1498
01:03:56,480 --> 01:03:58,600
Speaker 2: versions of the year is why can't he a freshman?

1499
01:03:59,560 --> 01:03:59,960
Speaker 3: Yell again?

1500
01:04:00,080 --> 01:04:00,560
Speaker 5: Christison is.

1501
01:04:02,320 --> 01:04:03,680
Speaker 1: Yes, White Niece is a freshman?

1502
01:04:04,640 --> 01:04:10,920
Speaker 3: Uh and Miles Minic and then uh DJ Drama who

1503
01:04:11,000 --> 01:04:11,720
Speaker 3: is not a freshman.

1504
01:04:13,560 --> 01:04:18,200
Speaker 2: Give me the Dean, the Dean, Dean Drama, Dean Drama,

1505
01:04:20,040 --> 01:04:21,880
Speaker 2: J Dean DJ Dean Drama.

1506
01:04:21,920 --> 01:04:23,240
Speaker 1: But I feel like we're not doing bad.

1507
01:04:23,320 --> 01:04:26,240
Speaker 3: We know what one We're not doing bad? Hip hop

1508
01:04:26,360 --> 01:04:28,880
Speaker 3: is doing four. I'm doing great.

1509
01:04:28,960 --> 01:04:31,280
Speaker 1: But if we know six out of like the fucking

1510
01:04:32,120 --> 01:04:33,959
Speaker 1: twelve or whatever, I don't think that that's bad.

1511
01:04:34,200 --> 01:04:36,400
Speaker 3: That's more than I've known in certain pastes.

1512
01:04:36,440 --> 01:04:40,400
Speaker 4: That's that's that's all class, honestly. Yeah, knowing half of

1513
01:04:40,520 --> 01:04:43,040
Speaker 4: the this new music, I can't really get into a

1514
01:04:43,080 --> 01:04:45,960
Speaker 4: lot of this new ship. But shout out to everybody

1515
01:04:46,040 --> 01:04:46,960
Speaker 4: that made the Freshman cover.

1516
01:04:47,080 --> 01:04:47,800
Speaker 3: That is a big deal.

1517
01:04:48,280 --> 01:04:50,320
Speaker 1: Yeah, I like again, I do like that they're still

1518
01:04:50,560 --> 01:04:50,880
Speaker 1: doing it.

1519
01:04:51,360 --> 01:04:51,920
Speaker 3: No, they need it.

1520
01:04:52,040 --> 01:04:55,200
Speaker 4: This is this is something that I think is definitely needed.

1521
01:04:55,400 --> 01:04:57,320
Speaker 4: So it's it's always you know, and it's something that

1522
01:04:57,360 --> 01:04:59,920
Speaker 4: a lot of these artists aspired to. They've seen all

1523
01:05:00,080 --> 01:05:02,040
Speaker 4: the freshman list freshman classes.

1524
01:05:02,720 --> 01:05:04,520
Speaker 5: So to make that cover is it is?

1525
01:05:04,800 --> 01:05:08,760
Speaker 1: It is a stat Yeah, because last year I knew

1526
01:05:09,520 --> 01:05:10,040
Speaker 1: one person.

1527
01:05:10,680 --> 01:05:12,480
Speaker 3: Oh no, no, that's not we need to know.

1528
01:05:12,640 --> 01:05:14,800
Speaker 2: You knew, you knew a couple I knew to last year,

1529
01:05:15,200 --> 01:05:18,120
Speaker 2: you knew you know Jello obviously it was who was

1530
01:05:18,200 --> 01:05:18,760
Speaker 2: leading the class.

1531
01:05:18,840 --> 01:05:20,640
Speaker 1: Jello and Ravn are the only people I knew from

1532
01:05:20,720 --> 01:05:21,080
Speaker 1: last year.

1533
01:05:21,320 --> 01:05:22,600
Speaker 3: You know what Samarson?

1534
01:05:22,880 --> 01:05:27,320
Speaker 2: No, I mean you knew Ian just from him going

1535
01:05:27,400 --> 01:05:29,680
Speaker 2: viral for just being that white kid that sounds like future.

1536
01:05:29,720 --> 01:05:34,000
Speaker 1: Okay, yes, Ian, that's yeah. Couldn't pick them out of

1537
01:05:34,040 --> 01:05:34,520
Speaker 1: a lineup, but.

1538
01:05:34,480 --> 01:05:37,680
Speaker 3: I know the name well. Out of this lineup, do

1539
01:05:37,720 --> 01:05:39,720
Speaker 3: you think you could find white kids?

1540
01:05:39,920 --> 01:05:43,000
Speaker 1: Yeah, sure for sure. But yeah, congrats to everybody who

1541
01:05:43,040 --> 01:05:45,760
Speaker 1: made the Double XOL Freshman List. I'm proud of y'all. Yeah,

1542
01:05:46,320 --> 01:05:48,880
Speaker 1: you see you see that The Grammys is added new categories.

1543
01:05:49,280 --> 01:05:51,040
Speaker 3: I did not see that. What are the new ones

1544
01:05:51,520 --> 01:05:52,040
Speaker 3: pulling up?

1545
01:05:52,120 --> 01:05:55,160
Speaker 1: Ran People are complaining as usual, But I like new

1546
01:05:55,200 --> 01:05:56,880
Speaker 1: categories and the Grammys. I wish they have to air

1547
01:05:56,960 --> 01:06:01,520
Speaker 1: him the Best Traditional Pop Vocal perform Men's Best Latin Song,

1548
01:06:02,200 --> 01:06:06,360
Speaker 1: Best Asian Pop Music Performance, Best Traditional Folk Album, and

1549
01:06:06,480 --> 01:06:11,200
Speaker 1: Best R and B Collaboration or Duo group Performance. Yes,

1550
01:06:13,720 --> 01:06:17,040
Speaker 1: a go Rory, Best R and B Collaboration, that's yours.

1551
01:06:17,720 --> 01:06:22,400
Speaker 3: They added in the other category last year as far as.

1552
01:06:22,960 --> 01:06:25,800
Speaker 1: Best New Country or something like no Non Traditional.

1553
01:06:25,600 --> 01:06:28,360
Speaker 2: R and B, which was like focused on pushing the

1554
01:06:28,440 --> 01:06:31,760
Speaker 2: genre and blending it with hip hop. So I'm gonna

1555
01:06:31,760 --> 01:06:36,080
Speaker 2: push for that one. But I just have to spend

1556
01:06:36,160 --> 01:06:40,640
Speaker 2: six figures to get a Grammy consultant Best Asian Pop

1557
01:06:40,720 --> 01:06:43,320
Speaker 2: Music Performance. I feel bad for all Asians that aren't

1558
01:06:43,360 --> 01:06:47,560
Speaker 2: K pop and try to get into that that category.

1559
01:06:48,160 --> 01:06:51,200
Speaker 3: Are the Asian artists that aren't K pop? Yes, like

1560
01:06:51,280 --> 01:06:54,240
Speaker 3: they have Asian R and B iums like the Asian

1561
01:06:54,360 --> 01:06:56,840
Speaker 3: R and B. They call it R and B.

1562
01:06:58,600 --> 01:07:00,360
Speaker 2: See just cut it or just believe it.

1563
01:07:00,520 --> 01:07:00,880
Speaker 3: Just believe it.

1564
01:07:01,720 --> 01:07:06,320
Speaker 4: Moley Santana's Asian R and B. What about Sailor Moon

1565
01:07:07,400 --> 01:07:11,440
Speaker 4: Love Sailor Moon, But I don't think she would be Asian?

1566
01:07:11,880 --> 01:07:13,560
Speaker 3: Yeah, isn't she American? Yeah?

1567
01:07:14,480 --> 01:07:16,600
Speaker 1: But it wouldn't be. It would just be so Asian

1568
01:07:16,760 --> 01:07:19,960
Speaker 1: pop is referring to like a specific type of specific

1569
01:07:20,040 --> 01:07:22,200
Speaker 1: type of music. Anything else would just be R and B.

1570
01:07:22,240 --> 01:07:23,480
Speaker 1: It wouldn't be Asian R and B.

1571
01:07:23,720 --> 01:07:23,760
Speaker 2: No.

1572
01:07:23,840 --> 01:07:25,720
Speaker 4: But I mean, like, are there R and B artists

1573
01:07:25,800 --> 01:07:28,760
Speaker 4: that are in Asia, like don't speak English like I think,

1574
01:07:29,000 --> 01:07:31,200
Speaker 4: but they're getting a luther on I think they're calling it.

1575
01:07:32,920 --> 01:07:35,520
Speaker 3: I'm I surely hit a K pop trend. I want

1576
01:07:35,560 --> 01:07:36,480
Speaker 3: to know, like put me on.

1577
01:07:38,000 --> 01:07:40,640
Speaker 2: To me. They had to call it best Asian Pop

1578
01:07:41,440 --> 01:07:46,640
Speaker 2: music performance because what other category is specific to one country?

1579
01:07:47,360 --> 01:07:51,600
Speaker 2: Best K pop performance would be like, yeah, that's really specific. Yeah,

1580
01:07:51,600 --> 01:07:54,000
Speaker 2: because they also have they do like Latin music, which

1581
01:07:54,160 --> 01:07:56,760
Speaker 2: doesn't put you to one specific it's well.

1582
01:07:56,720 --> 01:08:02,000
Speaker 1: It's not best they had exactly by they have J

1583
01:08:02,120 --> 01:08:03,080
Speaker 1: pop pop though.

1584
01:08:03,200 --> 01:08:05,800
Speaker 5: So who is the Asian Luther Vandros?

1585
01:08:07,680 --> 01:08:07,800
Speaker 2: Oh?

1586
01:08:07,880 --> 01:08:12,800
Speaker 3: For sure, Nann somebody Filipino. Yeah, you gotta find Bryan.

1587
01:08:12,920 --> 01:08:18,400
Speaker 4: We need to find the Asian Luther Vandros Bruno is

1588
01:08:18,439 --> 01:08:24,080
Speaker 4: from Brooklyn, h yeah, yeah, but he's from Brooklyn by

1589
01:08:24,160 --> 01:08:24,799
Speaker 4: way of Hawaii.

1590
01:08:25,360 --> 01:08:29,920
Speaker 3: I don't know. I don't know how that way from

1591
01:08:29,960 --> 01:08:31,519
Speaker 3: by way of Hawaii. I don't know fourteen.

1592
01:08:32,840 --> 01:08:34,120
Speaker 5: I don't know how it works, but it works.

1593
01:08:34,439 --> 01:08:37,840
Speaker 4: Yeah, we need to find the Asian, the Asian guy

1594
01:08:37,880 --> 01:08:40,920
Speaker 4: that's over there singing the fucking house now, mm hmm.

1595
01:08:42,600 --> 01:08:43,479
Speaker 5: That's what we need to find.

1596
01:08:43,520 --> 01:08:45,200
Speaker 4: We need to find Why do we need to find him?

1597
01:08:45,240 --> 01:08:46,439
Speaker 4: Because I just I just want to see what it

1598
01:08:46,479 --> 01:08:47,720
Speaker 4: looked like. I want to hear I want to see

1599
01:08:47,720 --> 01:08:51,000
Speaker 4: what it sounds like. So because Kate popped us, you know,

1600
01:08:51,120 --> 01:08:53,400
Speaker 4: it's that just feels like people.

1601
01:08:53,200 --> 01:08:55,880
Speaker 5: That just grew up watching and sync and yeah, ninety

1602
01:08:55,920 --> 01:08:57,040
Speaker 5: eight degrees and they just doing they.

1603
01:08:57,720 --> 01:08:59,840
Speaker 2: I mean, you can't steal from urban more. Now, yeah,

1604
01:08:59,880 --> 01:09:01,799
Speaker 2: you kids started kill.

1605
01:09:02,520 --> 01:09:06,560
Speaker 3: An amazing vocal performance. You want to see the insanity

1606
01:09:06,600 --> 01:09:07,040
Speaker 3: of R and B.

1607
01:09:07,400 --> 01:09:09,400
Speaker 4: Yeah, I want to know what over there where? It's like, Yo,

1608
01:09:09,760 --> 01:09:12,880
Speaker 4: you don't know about the he's singing his ass like

1609
01:09:12,920 --> 01:09:14,880
Speaker 4: who they over in Asia? Like, Yo, he's singing his

1610
01:09:15,120 --> 01:09:15,800
Speaker 4: ass off.

1611
01:09:17,200 --> 01:09:18,000
Speaker 3: That's what I want to know.

1612
01:09:18,360 --> 01:09:20,839
Speaker 2: See, he looked like he over there with Josh to Tophi,

1613
01:09:24,320 --> 01:09:28,120
Speaker 2: the Polynesian Luther vandros see, now he looked like the

1614
01:09:28,160 --> 01:09:31,439
Speaker 2: guy used to protect easy singing. Let's let's let's see

1615
01:09:31,479 --> 01:09:33,840
Speaker 2: with Josh. Let's see with Josh. He's a New York

1616
01:09:33,920 --> 01:09:36,479
Speaker 2: win because I'll pull up a lot of herb on that.

1617
01:09:36,880 --> 01:09:37,599
Speaker 3: But job missed him.

1618
01:09:37,600 --> 01:09:42,200
Speaker 2: What I'm saying, Josh on Josh, Josh with the USC man,

1619
01:09:42,240 --> 01:09:45,479
Speaker 2: he played offensive line. I'm talking about I'm talking about

1620
01:09:45,520 --> 01:09:49,360
Speaker 2: somebody that's over in Asia, ain't never been to America.

1621
01:09:49,080 --> 01:09:53,560
Speaker 3: Didn't play right tackle for I'm not talking about he

1622
01:09:53,760 --> 01:09:55,479
Speaker 3: was apt playing left tackle.

1623
01:09:55,560 --> 01:09:55,760
Speaker 7: Left.

1624
01:09:56,200 --> 01:10:01,080
Speaker 2: I'm talking about somebody in Asia, don't don't speak no English,

1625
01:10:01,400 --> 01:10:03,120
Speaker 2: but is singing the fucking house.

1626
01:10:03,200 --> 01:10:06,920
Speaker 3: Now, who is it? Who is that person? Ryan?

1627
01:10:06,920 --> 01:10:08,479
Speaker 2: If you want to pull up some manny Pachiao in

1628
01:10:08,520 --> 01:10:11,360
Speaker 2: the booth, fire in the booth.

1629
01:10:11,360 --> 01:10:13,639
Speaker 3: Gotta be it, gotta be somebody. I'm sure it gotta

1630
01:10:13,680 --> 01:10:14,200
Speaker 3: be somebody.

1631
01:10:14,720 --> 01:10:16,280
Speaker 2: I mean, it's kind of crazy that it took this

1632
01:10:16,360 --> 01:10:20,120
Speaker 2: long for best Latin Song to be a category twenty

1633
01:10:20,160 --> 01:10:20,639
Speaker 2: twenty seven.

1634
01:10:20,680 --> 01:10:23,320
Speaker 4: And wait, what best Latin Song is a new category?

1635
01:10:24,160 --> 01:10:27,120
Speaker 4: They've never had a best Latin song category. No, they

1636
01:10:27,200 --> 01:10:28,760
Speaker 4: got Bad Bunny been winning.

1637
01:10:29,160 --> 01:10:30,759
Speaker 1: He's been the best period.

1638
01:10:31,360 --> 01:10:32,720
Speaker 2: He wins the Best rock song.

1639
01:10:32,840 --> 01:10:35,040
Speaker 1: But see this is no he just wins best song.

1640
01:10:35,200 --> 01:10:35,760
Speaker 3: But this is.

1641
01:10:36,280 --> 01:10:38,680
Speaker 1: But this is also the same thing that they did

1642
01:10:38,720 --> 01:10:41,679
Speaker 1: with Beyonce. Do we need a best Latin Song? Yes?

1643
01:10:41,880 --> 01:10:44,560
Speaker 1: But now what I don't want to happen is for

1644
01:10:44,800 --> 01:10:47,960
Speaker 1: Bad Bunny to be categorized just as the best Latin

1645
01:10:48,120 --> 01:10:50,920
Speaker 1: song when he should be winning best song, Like, if

1646
01:10:50,960 --> 01:10:52,880
Speaker 1: you should be winning song of the year, don't just

1647
01:10:52,960 --> 01:10:55,439
Speaker 1: go and throw me into best Latin Song just to

1648
01:10:55,560 --> 01:10:58,840
Speaker 1: get me out of their way speaking Latin. Yeah, but

1649
01:10:58,880 --> 01:11:00,800
Speaker 1: you can speak Latin. It's still have the best song.

1650
01:11:00,880 --> 01:11:02,040
Speaker 1: It can still be better than a song.

1651
01:11:02,120 --> 01:11:02,800
Speaker 3: Yeah you can.

1652
01:11:02,920 --> 01:11:04,840
Speaker 5: But it's probably not fair to an American artist.

1653
01:11:04,880 --> 01:11:06,439
Speaker 1: How is it not fair if it's a better song?

1654
01:11:06,560 --> 01:11:07,000
Speaker 3: What do you re matter?

1655
01:11:07,040 --> 01:11:09,519
Speaker 4: How is it not fair if if I have if

1656
01:11:09,560 --> 01:11:12,639
Speaker 4: you're speaking Latin, and then now this is the Grammy,

1657
01:11:12,640 --> 01:11:15,519
Speaker 4: it's just like Spanish. It is Spanish and the whole record, right,

1658
01:11:16,439 --> 01:11:18,599
Speaker 4: it's kind of unfair to an American artist that speaking

1659
01:11:18,640 --> 01:11:21,080
Speaker 4: English to have a great record. And it's like, yeah,

1660
01:11:21,080 --> 01:11:24,000
Speaker 4: but Americans, we can't even we don't even understand what

1661
01:11:24,200 --> 01:11:24,720
Speaker 4: the song is.

1662
01:11:24,880 --> 01:11:26,679
Speaker 3: But that doesn't mean it's a great record.

1663
01:11:26,720 --> 01:11:28,960
Speaker 1: But you can't say Americans don't understand what the song

1664
01:11:29,040 --> 01:11:31,000
Speaker 1: is because America is a melting pot. Spanish is our

1665
01:11:31,040 --> 01:11:33,479
Speaker 1: second language, so you might understand, not understand, but a

1666
01:11:33,680 --> 01:11:34,960
Speaker 1: huge part of America doesn't.

1667
01:11:34,960 --> 01:11:35,360
Speaker 3: That's true.

1668
01:11:35,439 --> 01:11:37,400
Speaker 2: But then it's a huge part that don't understand, which

1669
01:11:37,520 --> 01:11:39,400
Speaker 2: is fine. But even though you just saw the Super Bowl,

1670
01:11:39,439 --> 01:11:41,960
Speaker 2: people was upset about that. Yeah, people were upset, But

1671
01:11:42,000 --> 01:11:43,759
Speaker 2: it was also one of the most watched Super Bowls

1672
01:11:43,960 --> 01:11:47,360
Speaker 2: because of the Latin countries that tuned in, not America.

1673
01:11:47,000 --> 01:11:47,479
Speaker 5: That tuned in.

1674
01:11:47,600 --> 01:11:50,720
Speaker 3: America is still tuned in, of course, Americans still tune in.

1675
01:11:50,720 --> 01:11:51,960
Speaker 4: I'm talking about but it was one of the most

1676
01:11:52,040 --> 01:11:56,040
Speaker 4: watch because Latin countries tuned in to see a Latin artist.

1677
01:11:56,479 --> 01:12:00,280
Speaker 1: But you when you hear you, even if you don't

1678
01:12:00,320 --> 01:12:02,240
Speaker 1: understand what the fuck he talking about, you gonna bop

1679
01:12:02,280 --> 01:12:04,760
Speaker 1: that ship right because it's a good song, regardless of

1680
01:12:04,960 --> 01:12:05,400
Speaker 1: what link.

1681
01:12:05,960 --> 01:12:08,240
Speaker 4: Can you see how it could be unfair to an

1682
01:12:09,400 --> 01:12:13,479
Speaker 4: American artist who has let's say, Taylor Swift or Beyonce

1683
01:12:13,640 --> 01:12:19,080
Speaker 4: has a huge record Bad Bunny Latin Latin speaking artists, right.

1684
01:12:19,920 --> 01:12:20,599
Speaker 3: Huge record.

1685
01:12:21,840 --> 01:12:23,640
Speaker 4: I could see why the Grammars would be like, we

1686
01:12:23,800 --> 01:12:26,080
Speaker 4: probably should make two separate categories.

1687
01:12:26,160 --> 01:12:26,640
Speaker 3: Well, all right.

1688
01:12:27,240 --> 01:12:28,960
Speaker 2: The other side I see it is it is that

1689
01:12:29,400 --> 01:12:32,000
Speaker 2: look what it takes for a Latin artist to be

1690
01:12:32,360 --> 01:12:34,280
Speaker 2: nominated for a Grammy. You have to be Bad Bunny.

1691
01:12:34,320 --> 01:12:36,120
Speaker 2: You have to be one of the biggest artists period.

1692
01:12:36,520 --> 01:12:39,400
Speaker 2: At least now other Latin artists can be at least

1693
01:12:39,479 --> 01:12:40,840
Speaker 2: nominated and recognized with.

1694
01:12:41,000 --> 01:12:42,040
Speaker 3: A category.

1695
01:12:44,120 --> 01:12:45,640
Speaker 2: If you don't win and not on top of that,

1696
01:12:45,720 --> 01:12:48,640
Speaker 2: I can even see a Latin artist that has a

1697
01:12:48,760 --> 01:12:52,400
Speaker 2: song that Okay, we're giving Bad Bunny an award in

1698
01:12:52,439 --> 01:12:55,559
Speaker 2: a regular category. Let's give this Latin artists even though

1699
01:12:55,600 --> 01:12:57,760
Speaker 2: Bad Bunny has the bigger record, they could even get

1700
01:12:57,800 --> 01:13:01,439
Speaker 2: a Grammy now because Bad Bunny, that's not the way

1701
01:13:01,479 --> 01:13:04,400
Speaker 2: that that's Sometimes it happens sometimes with the rap category

1702
01:13:04,439 --> 01:13:06,920
Speaker 2: when you'll have someone like Clips, it has for Album

1703
01:13:06,920 --> 01:13:08,600
Speaker 2: of the Year and Rap Album of the Year. Like

1704
01:13:08,680 --> 01:13:13,439
Speaker 2: when Royce won a Grammy, I forgot the other big

1705
01:13:13,560 --> 01:13:16,000
Speaker 2: rap album that ended up winning, and Royce ended up

1706
01:13:16,000 --> 01:13:19,080
Speaker 2: getting that rap category, which I thought was great. Whereas

1707
01:13:19,200 --> 01:13:22,519
Speaker 2: the bigger artist typically gets the Grammy, but when they're

1708
01:13:22,520 --> 01:13:25,639
Speaker 2: also in other categories, sometimes it allows someone like Royce,

1709
01:13:25,680 --> 01:13:28,640
Speaker 2: who's so talented that typically would be overlooked, could get

1710
01:13:28,680 --> 01:13:31,800
Speaker 2: his Grammy. I think that's a cool thing. When you

1711
01:13:31,960 --> 01:13:36,679
Speaker 2: add this part in Bad Bunny with with with fucking

1712
01:13:36,760 --> 01:13:40,240
Speaker 2: Lady Gaga, right now we have this category where I

1713
01:13:40,280 --> 01:13:43,120
Speaker 2: can maybe get some shine of record and the audience

1714
01:13:43,200 --> 01:13:46,040
Speaker 2: can see songs they've never heard of because I look

1715
01:13:46,080 --> 01:13:48,160
Speaker 2: through all the Grammy shit and this stuff I don't

1716
01:13:48,160 --> 01:13:48,640
Speaker 2: recognize it.

1717
01:13:48,760 --> 01:13:51,919
Speaker 3: I go listen to it. Now you'll be nominated.

1718
01:13:52,000 --> 01:13:53,720
Speaker 1: So I hope that it does work out that way,

1719
01:13:53,800 --> 01:13:56,120
Speaker 1: because that would be a best case scenario where it

1720
01:13:56,160 --> 01:13:57,800
Speaker 1: works out that way. I think it's going to be.

1721
01:13:58,160 --> 01:14:01,280
Speaker 1: We got tired of Bad Bunny washing niggas, so now

1722
01:14:01,320 --> 01:14:03,360
Speaker 1: we're gonna put him over in best Latins.

1723
01:14:03,400 --> 01:14:05,040
Speaker 2: There's exceptions for the rule. I just feel like bad

1724
01:14:05,040 --> 01:14:09,479
Speaker 2: Bunny is so undeniable that like it's he's past the

1725
01:14:09,560 --> 01:14:11,120
Speaker 2: time of being like slighted.

1726
01:14:11,840 --> 01:14:14,679
Speaker 5: Yeah, there is no dot.

1727
01:14:14,520 --> 01:14:16,000
Speaker 2: Think Bad Bunny. They'll be like, we'll just.

1728
01:14:18,040 --> 01:14:20,439
Speaker 1: Bunny you say that, But then they've been slight in

1729
01:14:20,560 --> 01:14:24,719
Speaker 1: Beyonce for years, They've slighted. They these people are known.

1730
01:14:24,600 --> 01:14:25,240
Speaker 3: For slighting you know.

1731
01:14:25,800 --> 01:14:28,439
Speaker 2: No, oh, I agree that they slight people, but it's

1732
01:14:28,520 --> 01:14:30,479
Speaker 2: not like Beyonce gets slighted in the R and B

1733
01:14:30,600 --> 01:14:33,639
Speaker 2: category and not slighted in the overall. They slighter everywhere

1734
01:14:34,040 --> 01:14:36,680
Speaker 2: with certain stuff. I'm saying, Bad Bunny doesn't get slighted. No,

1735
01:14:37,200 --> 01:14:39,519
Speaker 2: he gets his awards. So I don't know if they're

1736
01:14:39,520 --> 01:14:41,240
Speaker 2: just gonna be like, all right, well now we have Latin,

1737
01:14:41,280 --> 01:14:43,080
Speaker 2: so let's just throw him over here and we can

1738
01:14:43,240 --> 01:14:46,800
Speaker 2: continue to give Lona del Rey her ship. I still

1739
01:14:46,840 --> 01:14:49,120
Speaker 2: think bad Bunny is gonna sweep when Bad Bunny is

1740
01:14:49,160 --> 01:14:52,439
Speaker 2: supposed to sweep. Agreed, So I hope so me too.

1741
01:14:52,520 --> 01:14:55,200
Speaker 2: But it's a Grammy, so you never fucking know. You know,

1742
01:14:55,560 --> 01:14:58,280
Speaker 2: they'll pick and choose when when they want something to work.

1743
01:14:58,320 --> 01:14:59,920
Speaker 1: But I like that that they're adding new R and

1744
01:15:00,280 --> 01:15:03,000
Speaker 1: category because there's so much different R and B. I

1745
01:15:03,080 --> 01:15:06,040
Speaker 1: don't think that everybody should be nominated in the same category,

1746
01:15:06,120 --> 01:15:08,080
Speaker 1: so I am happy that they're adding more and more.

1747
01:15:08,160 --> 01:15:10,240
Speaker 3: It seems completely Ye, completely agree.

1748
01:15:10,479 --> 01:15:12,080
Speaker 1: I'm sure you do well.

1749
01:15:12,400 --> 01:15:14,439
Speaker 2: I just think the Grammy should match the times and

1750
01:15:14,560 --> 01:15:16,400
Speaker 2: the times with streaming, Like we were just talking about,

1751
01:15:16,439 --> 01:15:19,120
Speaker 2: there's so many different subcategories that have such big fan bases,

1752
01:15:19,160 --> 01:15:20,800
Speaker 2: even if they're not the most popular, it is a

1753
01:15:20,920 --> 01:15:24,320
Speaker 2: very significant thing. It's not just traditional radio, one category,

1754
01:15:24,400 --> 01:15:27,439
Speaker 2: one artist. It should reflect the times. Yeah, there's a

1755
01:15:27,479 --> 01:15:31,080
Speaker 2: thousand different subcategories on your playlist. Award should match the

1756
01:15:31,120 --> 01:15:31,439
Speaker 2: same thing.

1757
01:15:31,680 --> 01:15:32,080
Speaker 1: I agree.

1758
01:15:32,920 --> 01:15:35,040
Speaker 3: Do we have voicemails? You have got mail?

1759
01:15:36,160 --> 01:15:40,080
Speaker 7: Hey y'all love the pod, Happy pride off from your

1760
01:15:40,200 --> 01:15:43,920
Speaker 7: favorite sesty nigga fan, oh and shout out to Demeres

1761
01:15:44,320 --> 01:15:49,400
Speaker 7: said you were my favorite bisexual queen. This question is

1762
01:15:49,600 --> 01:15:54,400
Speaker 7: very zesty, but I'm I'm curious to know Maul. I

1763
01:15:54,600 --> 01:15:57,479
Speaker 7: don't think we'll be able to answer this subjectively because

1764
01:15:57,560 --> 01:16:00,120
Speaker 7: we all know he is not the least homophobic on

1765
01:16:00,280 --> 01:16:01,840
Speaker 7: the pod, So.

1766
01:16:03,200 --> 01:16:04,160
Speaker 1: I'm curious to know.

1767
01:16:04,400 --> 01:16:05,200
Speaker 3: As a man.

1768
01:16:06,920 --> 01:16:11,200
Speaker 7: Do y'all think it's gay if you beat off to

1769
01:16:11,360 --> 01:16:14,519
Speaker 7: yourself and get turned on to yourself without horn or

1770
01:16:14,760 --> 01:16:19,880
Speaker 7: visual or anything. I feel like with the ladies is fine,

1771
01:16:21,200 --> 01:16:23,760
Speaker 7: Like if the ladies wanted to just like flick the bean,

1772
01:16:23,920 --> 01:16:26,439
Speaker 7: I have no visual or maybe just the own thoughts

1773
01:16:26,520 --> 01:16:27,240
Speaker 7: like prison shit.

1774
01:16:28,240 --> 01:16:31,479
Speaker 1: But like as a man, if there's no.

1775
01:16:31,640 --> 01:16:35,519
Speaker 7: Visual around and you get horny, is it gay? If

1776
01:16:35,560 --> 01:16:38,080
Speaker 7: you beat off you get attracted looking at your meat?

1777
01:16:39,400 --> 01:16:42,720
Speaker 4: I mean no, He already said, I don't have to

1778
01:16:42,760 --> 01:16:44,600
Speaker 4: answer that, So he was a little all over the

1779
01:16:44,640 --> 01:16:45,719
Speaker 4: place with that question.

1780
01:16:45,800 --> 01:16:48,800
Speaker 2: At first I thought he was saying, to yourself, like

1781
01:16:49,120 --> 01:16:50,840
Speaker 2: looking at yourself. You just beat off in the mirror,

1782
01:16:50,960 --> 01:16:53,800
Speaker 2: it is looking at yourself, look at it. Then I

1783
01:16:53,880 --> 01:16:56,439
Speaker 2: thought maybe he was talking about like a video of

1784
01:16:56,520 --> 01:16:58,559
Speaker 2: yourself in the act with another person.

1785
01:16:58,880 --> 01:17:00,760
Speaker 1: But no, he landed that and said, not just looking

1786
01:17:00,760 --> 01:17:03,320
Speaker 1: at your dick, you just like damn this shit big.

1787
01:17:03,280 --> 01:17:05,479
Speaker 3: Like But.

1788
01:17:09,400 --> 01:17:11,120
Speaker 2: All right, I'm gonna start by saying, it's probably more

1789
01:17:11,200 --> 01:17:12,160
Speaker 2: narcissistic than.

1790
01:17:12,080 --> 01:17:12,679
Speaker 3: It is gay.

1791
01:17:13,240 --> 01:17:18,680
Speaker 5: But yes, if narcissistic is gay, being a narcissist is gay.

1792
01:17:18,760 --> 01:17:19,880
Speaker 5: Let's let's let's unpack it.

1793
01:17:20,840 --> 01:17:22,040
Speaker 3: Let's not let's unpack it.

1794
01:17:22,200 --> 01:17:23,320
Speaker 1: We don't have to, we can leave it.

1795
01:17:23,760 --> 01:17:26,640
Speaker 2: There's there's plenty of straight women that are narcissistic.

1796
01:17:29,400 --> 01:17:31,920
Speaker 3: Okay, fair, but I will.

1797
01:17:31,800 --> 01:17:35,479
Speaker 2: Say yes, I would think by definition, well maybe not

1798
01:17:35,560 --> 01:17:36,840
Speaker 2: by definition my own thought.

1799
01:17:36,920 --> 01:17:41,000
Speaker 3: Yes, looking at your dick and not making you sexually

1800
01:17:41,120 --> 01:17:44,639
Speaker 3: or aroused of just the thought of your dick would

1801
01:17:44,720 --> 01:17:49,320
Speaker 3: mean that a dick. Yeah, you're gay.

1802
01:17:50,040 --> 01:17:54,080
Speaker 4: Masturbating the free world with no visual is crazy. I

1803
01:17:54,160 --> 01:17:56,240
Speaker 4: mean I grew I grew up that way. I wasn't

1804
01:17:56,240 --> 01:17:57,880
Speaker 4: looking at my dick, but you visualized when you were

1805
01:17:57,880 --> 01:17:59,320
Speaker 4: a kid, when you were beating off for them.

1806
01:17:59,720 --> 01:18:02,880
Speaker 5: I had porn, whether there was a magazine something.

1807
01:18:03,040 --> 01:18:05,040
Speaker 2: But sometimes the Spice channel, there was people in the

1808
01:18:05,040 --> 01:18:07,360
Speaker 2: living room. Sometimes you didn't have met Like, yes, when

1809
01:18:07,400 --> 01:18:08,200
Speaker 2: I was younger, going.

1810
01:18:08,120 --> 01:18:10,559
Speaker 5: To be masturbating in the living room with other people, Well.

1811
01:18:10,479 --> 01:18:12,960
Speaker 4: That's what I'm saying. That's why it was available. Most

1812
01:18:13,000 --> 01:18:14,639
Speaker 4: of masturbation should happened alone.

1813
01:18:14,720 --> 01:18:16,760
Speaker 2: No, but that's what he was say saying, I can't

1814
01:18:16,840 --> 01:18:19,960
Speaker 2: go quietly turn the spice channel on on the metal magazine.

1815
01:18:20,479 --> 01:18:22,760
Speaker 1: Yeah, but all right sometimes, and I've never understood that

1816
01:18:22,960 --> 01:18:25,760
Speaker 1: being off to a magazine, like because I was talking to.

1817
01:18:27,280 --> 01:18:27,320
Speaker 2: No.

1818
01:18:27,439 --> 01:18:30,000
Speaker 1: But what I'm saying is I was talking to somebody

1819
01:18:30,080 --> 01:18:31,560
Speaker 1: and he was like, yeah, like you know, like I

1820
01:18:31,680 --> 01:18:34,000
Speaker 1: beat off to my girlfriend's pictures and I was like,

1821
01:18:34,520 --> 01:18:36,880
Speaker 1: like pictures, like you have videos of her, like you

1822
01:18:37,200 --> 01:18:38,840
Speaker 1: decided to use the pictures And he was like, yeah,

1823
01:18:38,840 --> 01:18:40,439
Speaker 1: I don't know, the pictures just have like a different

1824
01:18:40,600 --> 01:18:43,280
Speaker 1: like nah, see my imagination the magazine.

1825
01:18:43,280 --> 01:18:45,479
Speaker 4: You gotta you gotta, you gotta, you gotta, you gotta gotta.

1826
01:18:45,280 --> 01:18:48,600
Speaker 5: Go through it quick like a cartoon. You don't just

1827
01:18:48,640 --> 01:18:51,120
Speaker 5: be one page. You gotta so like they move.

1828
01:18:51,080 --> 01:18:53,320
Speaker 2: In see if you just if you just being off

1829
01:18:53,360 --> 01:18:55,600
Speaker 2: to just a picture, you wil and you gotta go

1830
01:18:56,120 --> 01:18:58,400
Speaker 2: use your imagination with the picture. Yeah, but you gotta

1831
01:18:59,439 --> 01:19:01,760
Speaker 2: so it looks like set up. Yeah, like you know,

1832
01:19:01,840 --> 01:19:03,760
Speaker 2: it's a different girl, but it's different posess. So it

1833
01:19:03,840 --> 01:19:05,160
Speaker 2: looked like the girls just moving.

1834
01:19:05,800 --> 01:19:06,360
Speaker 5: You know what I'm saying.

1835
01:19:06,439 --> 01:19:10,320
Speaker 3: How do you do that like a dropping like a

1836
01:19:10,400 --> 01:19:13,120
Speaker 3: counter like a fan.

1837
01:19:13,240 --> 01:19:17,280
Speaker 4: You know, the church for me alone, bro, you gotta

1838
01:19:17,320 --> 01:19:21,679
Speaker 4: do it like the church for baby. Yeah, that's wild

1839
01:19:21,800 --> 01:19:25,760
Speaker 4: gay beating off to your just put that out there.

1840
01:19:25,800 --> 01:19:26,320
Speaker 5: That's wow.

1841
01:19:26,520 --> 01:19:26,720
Speaker 3: Gay.

1842
01:19:26,840 --> 01:19:29,240
Speaker 2: But again, it's definitely on the spectrum of gay but

1843
01:19:29,400 --> 01:19:35,040
Speaker 2: I definitely think it's ninety percent narcissistic shit, like your

1844
01:19:35,080 --> 01:19:37,680
Speaker 2: own meat is crazy, that that's what's getting you think that.

1845
01:19:37,960 --> 01:19:39,920
Speaker 1: I think if anybody should turn you on, it should

1846
01:19:39,920 --> 01:19:40,640
Speaker 1: be you. I don't think that.

1847
01:19:40,680 --> 01:19:41,599
Speaker 3: That's no, No, I don't.

1848
01:19:41,640 --> 01:19:42,880
Speaker 5: I ain't never turned myself on.

1849
01:19:43,080 --> 01:19:44,960
Speaker 2: But he's not saying he's he's looking at his meat,

1850
01:19:45,000 --> 01:19:45,719
Speaker 2: picture of himself.

1851
01:19:45,720 --> 01:19:46,360
Speaker 5: I'm gonna turn on.

1852
01:19:47,880 --> 01:19:50,760
Speaker 2: Likes. He's just saying his meat. He just like his meat,

1853
01:19:51,360 --> 01:19:55,240
Speaker 2: like maybe he got some fires, maybe maybe he gay.

1854
01:19:55,680 --> 01:19:58,439
Speaker 2: Well say, I'm not away from this gentleman. He already

1855
01:19:58,479 --> 01:20:01,439
Speaker 2: put that out there. I'm saying anybody, any man that's

1856
01:20:01,520 --> 01:20:05,360
Speaker 2: just turned on by to themselves. Yeah, maybe I would

1857
01:20:05,360 --> 01:20:09,360
Speaker 2: have to ask some of our gay friends and associates,

1858
01:20:09,720 --> 01:20:13,360
Speaker 2: male ones that I don't like Dick, So I don't

1859
01:20:13,439 --> 01:20:16,760
Speaker 2: know I would If I like Dick, would that turned

1860
01:20:16,800 --> 01:20:17,840
Speaker 2: me on to see Dick?

1861
01:20:18,000 --> 01:20:19,040
Speaker 3: It just so happens to be mine.

1862
01:20:19,160 --> 01:20:21,040
Speaker 4: If you like Dick, would that turn you on to

1863
01:20:21,080 --> 01:20:23,639
Speaker 4: see Dick? I think that's the epitome of liking Dick.

1864
01:20:23,760 --> 01:20:25,479
Speaker 2: Yeah, but I just like your own. I would have

1865
01:20:25,520 --> 01:20:27,160
Speaker 2: to ask other gay people if that's a thing.

1866
01:20:27,800 --> 01:20:28,840
Speaker 5: Yeah, No, I think that's gay.

1867
01:20:29,280 --> 01:20:30,800
Speaker 1: Yeah, I never thought about that. If I get turned

1868
01:20:30,800 --> 01:20:32,640
Speaker 1: out looking at myself because I'm gay, or if like

1869
01:20:32,840 --> 01:20:35,080
Speaker 1: it's me like I don't know. I know, I know

1870
01:20:35,160 --> 01:20:36,599
Speaker 1: I'm gay, but I don't know if I get turned

1871
01:20:36,640 --> 01:20:39,840
Speaker 1: on looking at myself because I'm gay or because like

1872
01:20:39,960 --> 01:20:41,920
Speaker 1: I'm kind of fire, I don't know which one it is.

1873
01:20:42,040 --> 01:20:45,120
Speaker 2: Okay, all right, yeah, well, thank you to our number

1874
01:20:45,120 --> 01:20:48,280
Speaker 2: one es he male fan for yeah all was a

1875
01:20:48,320 --> 01:20:52,439
Speaker 2: follow up, Yeah you should be a regular, regular voicemail

1876
01:20:52,560 --> 01:20:55,080
Speaker 2: just to make more uncomfortable, to be my favorite segment.

1877
01:20:55,160 --> 01:20:56,080
Speaker 3: How I'm uncomfortable.

1878
01:20:56,240 --> 01:20:58,280
Speaker 4: He'd said that I shouldn't answer it because he thinks

1879
01:20:58,320 --> 01:21:01,160
Speaker 4: I'm the least objective. All right, cool, I'm just gonna

1880
01:21:01,160 --> 01:21:02,080
Speaker 4: say that that is gay.

1881
01:21:02,439 --> 01:21:05,519
Speaker 2: I think it's funny a gay guy asking an openly

1882
01:21:05,560 --> 01:21:08,479
Speaker 2: gay guy asking us if something he's doing sexually is.

1883
01:21:08,960 --> 01:21:12,599
Speaker 3: Yeah, yes, yes you're gay.

1884
01:21:15,040 --> 01:21:18,080
Speaker 2: Anything you would do in that regard, yeah, yeah, would

1885
01:21:18,160 --> 01:21:19,840
Speaker 2: land on that. Thank you for the voice model. We

1886
01:21:19,920 --> 01:21:23,280
Speaker 2: appreciate it. Yes, respect to our number one email fan.

1887
01:21:23,400 --> 01:21:24,200
Speaker 3: He said it not us.

1888
01:21:24,560 --> 01:21:27,439
Speaker 5: Yes, all right, well please don't forget to watch. I

1889
01:21:27,479 --> 01:21:29,080
Speaker 5: will find you this weekend. Up, y'all have time. I

1890
01:21:29,120 --> 01:21:30,720
Speaker 5: definitely think y'all will enjoy it. We can come in

1891
01:21:30,760 --> 01:21:32,800
Speaker 5: and talk about it next week as a family.

1892
01:21:32,960 --> 01:21:36,360
Speaker 1: Them Dragons is back, Baby House and Dragons. Everybody watch.

1893
01:21:36,400 --> 01:21:37,800
Speaker 1: I'm not gonna talk about it yet. I'm gonna give

1894
01:21:37,800 --> 01:21:38,559
Speaker 1: you a little bit more time.

1895
01:21:39,160 --> 01:21:40,960
Speaker 4: All right, Well, we'll talk to y'all soon. Be safe,

1896
01:21:41,000 --> 01:21:43,240
Speaker 4: be blessed. I'm that Niggi's just ginger. We on our

1897
01:21:43,280 --> 01:21:44,720
Speaker 4: way to Patreon.

1898
01:21:47,560 --> 01:21:47,760
Speaker 3: Mall.

1899
01:21:47,800 --> 01:21:52,080
Speaker 2: This episode is sponsored by Basque in Lather. I was

1900
01:21:52,160 --> 01:21:54,840
Speaker 2: always one of those people that would use whatever face

1901
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Speaker 2: wash or body wash I had, and that's.

1902
01:21:56,920 --> 01:21:59,200
Speaker 3: What I would watch my beard with. Figure soap is

1903
01:21:59,280 --> 01:22:01,040
Speaker 3: soap that's just dry, flaky.

1904
01:22:01,360 --> 01:22:04,519
Speaker 2: I hate that, you college tell now, Yeah, because I

1905
01:22:04,600 --> 01:22:07,960
Speaker 2: have the bask In Lather shower wash, I have the

1906
01:22:08,080 --> 01:22:11,880
Speaker 2: leaving conditioner, I have the beard oil. I even have

1907
01:22:12,000 --> 01:22:14,200
Speaker 2: the beard Bomb that I use as well. I love

1908
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Speaker 2: the beard Bomb. Mall transform your routine to keep your

1909
01:22:17,920 --> 01:22:21,639
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1910
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1911
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1912
01:22:28,360 --> 01:22:31,880
Speaker 2: whatever your preference is, nobody likes a nasty beard.

1913
01:22:32,200 --> 01:22:33,200
Speaker 5: Masty beards are out of here.

1914
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Speaker 2: Basket Lather includes shampoo conditioner, the bomb I was talking

1915
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Speaker 2: about oil everything to make sure your beard smells and

1916
01:22:41,600 --> 01:22:42,479
Speaker 2: looks amazing.

1917
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Speaker 4: The thing that I love about this most story is

1918
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Speaker 4: that it is black owned in family operated. It's a

1919
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Speaker 4: headcare that started with family love. Shane and her mom

1920
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Speaker 4: research and formulated their own scalp and hair oil to

1921
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Speaker 4: stimulate growth and retain length.

1922
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Speaker 3: So that is very important.

1923
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1927
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Speaker 5: Cold Roryanma.

1928
01:23:15,160 --> 01:23:17,280
Speaker 2: All right, Rory, welcome back to another episode of the

1929
01:23:17,360 --> 01:23:20,639
Speaker 2: New Rory mal Podcast. Of course I am all, I'm Rory,

1930
01:23:21,040 --> 01:23:23,920
Speaker 2: and today we are joined by very talented Well I

1931
01:23:23,960 --> 01:23:25,439
Speaker 2: gotta give you props work because you put me on

1932
01:23:25,520 --> 01:23:26,080
Speaker 2: to this gentleman.

1933
01:23:26,120 --> 01:23:28,519
Speaker 5: So yeah, as you seem to do, I'll give you

1934
01:23:28,560 --> 01:23:30,280
Speaker 5: your problem. You put me onto some dope shit.

1935
01:23:30,800 --> 01:23:33,800
Speaker 2: These are the days I like, really enjoy podcasting when

1936
01:23:33,800 --> 01:23:36,680
Speaker 2: we can highlight new talent. Yeah, because you know, I

1937
01:23:36,760 --> 01:23:39,599
Speaker 2: feel like a lot of the podshitt is guest based

1938
01:23:39,680 --> 01:23:42,760
Speaker 2: with big artists, and no one ever highlights new talent.

1939
01:23:42,840 --> 01:23:44,960
Speaker 2: So when we get the opportunity to do that, I'm

1940
01:23:45,040 --> 01:23:47,840
Speaker 2: very excited about those things. My man Sean Barron sent

1941
01:23:47,960 --> 01:23:52,840
Speaker 2: me this gentleman's project. At least she's beautiful. We love

1942
01:23:52,880 --> 01:23:56,240
Speaker 2: are here with our guy r J Thewirdo.

1943
01:23:58,240 --> 01:24:02,720
Speaker 3: Thank God, say appreciate that. I was Texas representing. Yes, yes,

1944
01:24:02,840 --> 01:24:03,840
Speaker 3: that is Texas man.

1945
01:24:05,600 --> 01:24:08,360
Speaker 2: The first record out the Gate that I love was

1946
01:24:08,439 --> 01:24:11,719
Speaker 2: Tricks of for Kids. What's the back story there? Because

1947
01:24:11,720 --> 01:24:12,920
Speaker 2: I have I have questions.

1948
01:24:15,800 --> 01:24:19,559
Speaker 4: Lyc just music. I'll get into the lyrics later. Rory

1949
01:24:19,680 --> 01:24:21,879
Speaker 4: goes right into what is this artist saying.

1950
01:24:22,240 --> 01:24:25,920
Speaker 6: Man, that's really not much to it. I like when

1951
01:24:25,920 --> 01:24:27,800
Speaker 6: it came to Tricks that was like the last song.

1952
01:24:27,880 --> 01:24:30,320
Speaker 6: We had just got through knocking out like four songs,

1953
01:24:30,360 --> 01:24:32,120
Speaker 6: me and my I guy Sonic Sonic Major shout out

1954
01:24:32,160 --> 01:24:34,880
Speaker 6: to him. We just got through knocking out a lot

1955
01:24:34,960 --> 01:24:37,479
Speaker 6: of lot of songs, and that was the I say, bro,

1956
01:24:37,600 --> 01:24:39,439
Speaker 6: let's do one more right and.

1957
01:24:41,040 --> 01:24:41,840
Speaker 3: U we got on this.

1958
01:24:42,240 --> 01:24:43,040
Speaker 1: This we just went on.

1959
01:24:43,120 --> 01:24:44,760
Speaker 3: We went on like a sample dive.

1960
01:24:46,000 --> 01:24:48,960
Speaker 6: First couple of seconds of this one sample, I was

1961
01:24:49,000 --> 01:24:50,800
Speaker 6: like yeah, bro, we gotta look this around and do

1962
01:24:50,960 --> 01:24:55,720
Speaker 6: something to and so as I was doing it, as

1963
01:24:55,960 --> 01:25:00,120
Speaker 6: as we looped it, that melody pop and.

1964
01:25:01,960 --> 01:25:02,160
Speaker 2: Yeah.

1965
01:25:02,360 --> 01:25:05,080
Speaker 6: From there, from there he gave me the first lyric

1966
01:25:05,840 --> 01:25:08,519
Speaker 6: uh Soning Major gave me, and he said, I can

1967
01:25:08,600 --> 01:25:12,000
Speaker 6: fool anyone else with you, I tell on myself. And

1968
01:25:12,120 --> 01:25:14,760
Speaker 6: at that point I was like, oh, yeah, yeah, yeah,

1969
01:25:14,800 --> 01:25:16,320
Speaker 6: I know, I know exactly what I want to say.

1970
01:25:16,360 --> 01:25:19,679
Speaker 6: So basically the whole thing is just my ship don't

1971
01:25:19,720 --> 01:25:20,519
Speaker 6: work on you no more.

1972
01:25:20,920 --> 01:25:21,160
Speaker 2: You know.

1973
01:25:22,640 --> 01:25:23,120
Speaker 1: It used to.

1974
01:25:23,439 --> 01:25:24,800
Speaker 6: You know, I used to get away with all kinds

1975
01:25:24,800 --> 01:25:26,639
Speaker 6: of ship. But I can't get away with that ship

1976
01:25:26,720 --> 01:25:27,640
Speaker 6: no more. And it fucks with me.

1977
01:25:28,160 --> 01:25:28,760
Speaker 3: Can I cut something?

1978
01:25:30,720 --> 01:25:34,519
Speaker 2: So? She figured out your gas learnings? Yeah, you're saying

1979
01:25:35,040 --> 01:25:37,840
Speaker 2: a great R and B wave you No, let's yeah

1980
01:25:38,160 --> 01:25:40,720
Speaker 2: mm hmm. What's what's your easiest gas?

1981
01:25:40,880 --> 01:25:43,000
Speaker 3: Like? Te, what's my easiest gas?

1982
01:25:43,240 --> 01:25:43,280
Speaker 2: Like?

1983
01:25:43,320 --> 01:25:44,599
Speaker 3: How did you figure out your bullshit?

1984
01:25:47,520 --> 01:25:50,320
Speaker 6: I think you know it's just, you know, after doing

1985
01:25:50,360 --> 01:25:51,920
Speaker 6: something so long, you just start to pick it up.

1986
01:25:52,200 --> 01:25:54,400
Speaker 6: You just start to pick it up, like Okay, I

1987
01:25:54,479 --> 01:25:56,559
Speaker 6: see what you're doing, So you're gonna get it. Ain't

1988
01:25:56,600 --> 01:25:59,040
Speaker 6: gonna work this time, you know what I mean? It's

1989
01:25:59,080 --> 01:26:01,280
Speaker 6: a routine, so a lot. You know, like after a

1990
01:26:01,360 --> 01:26:03,400
Speaker 6: while that shit just don't work no more. It's not

1991
01:26:03,560 --> 01:26:04,280
Speaker 6: really much to it.

1992
01:26:04,360 --> 01:26:07,120
Speaker 3: It's just that just pick it up.

1993
01:26:08,479 --> 01:26:12,679
Speaker 4: As a singer, songwriter and producer when you're creating music,

1994
01:26:12,840 --> 01:26:16,080
Speaker 4: like what is the do you write first or you

1995
01:26:16,280 --> 01:26:18,160
Speaker 4: just like you create the music first and then to

1996
01:26:18,520 --> 01:26:21,919
Speaker 4: let the lyrics find you because everybody's approach to songwriting

1997
01:26:22,080 --> 01:26:22,400
Speaker 4: is different.

1998
01:26:22,400 --> 01:26:24,840
Speaker 3: What's your approach to the music that you write?

1999
01:26:25,439 --> 01:26:25,639
Speaker 2: Man?

2000
01:26:25,800 --> 01:26:29,280
Speaker 6: That it's always the feeling, man, it's always the vibe

2001
01:26:29,280 --> 01:26:31,799
Speaker 6: when I go into it, when I go into the studio,

2002
01:26:34,120 --> 01:26:36,479
Speaker 6: my guy, like I said, either Sonic come up with

2003
01:26:36,600 --> 01:26:38,400
Speaker 6: some chords. I come up with some chords, my finding

2004
01:26:38,400 --> 01:26:41,400
Speaker 6: our nittkeus come up with some chords. And at that point,

2005
01:26:41,479 --> 01:26:45,240
Speaker 6: I'm real big on like topic like okay, like I

2006
01:26:45,400 --> 01:26:48,760
Speaker 6: love relatable, relatable ship. Know, it has to make it

2007
01:26:48,800 --> 01:26:50,439
Speaker 6: has to make sense for me in order for me

2008
01:26:50,560 --> 01:26:51,280
Speaker 6: to like the song.

2009
01:26:51,200 --> 01:26:52,240
Speaker 3: After we've done okay.

2010
01:26:52,600 --> 01:26:56,439
Speaker 6: So yeah, like I like to I like to really

2011
01:26:56,479 --> 01:26:59,439
Speaker 6: really get on a good topic, good topic. Feel feel

2012
01:26:59,479 --> 01:27:01,639
Speaker 6: that if I if I went through it, it's spilled.

2013
01:27:02,280 --> 01:27:05,080
Speaker 6: If I've been through it's spilled out. Sometimes like I

2014
01:27:05,720 --> 01:27:10,240
Speaker 6: have to like, but when it came it like like

2015
01:27:10,560 --> 01:27:13,400
Speaker 6: even if they're going through something like if my partn

2016
01:27:13,520 --> 01:27:18,160
Speaker 6: is going through something like in their relationship. Yeah, I'm

2017
01:27:18,280 --> 01:27:21,560
Speaker 6: just real good at uh. I'm an impath man, and

2018
01:27:21,920 --> 01:27:25,240
Speaker 6: even and I have ADHD so a lot of times,

2019
01:27:25,320 --> 01:27:28,559
Speaker 6: even be expressing my own emotions, it don't come out as.

2020
01:27:28,479 --> 01:27:31,120
Speaker 3: Well unless I write it down. Okay, you know what

2021
01:27:31,160 --> 01:27:34,280
Speaker 3: I'm saying. So yeah, it's writing. Have become like my

2022
01:27:34,840 --> 01:27:37,559
Speaker 3: my my therapy, release, my release.

2023
01:27:37,760 --> 01:27:38,479
Speaker 5: Do you have the same?

2024
01:27:38,560 --> 01:27:40,880
Speaker 4: Like is it just a small circle of guys that

2025
01:27:40,960 --> 01:27:43,479
Speaker 4: you always create with your day ones or is it

2026
01:27:43,600 --> 01:27:46,080
Speaker 4: just like you open to working with other guys that

2027
01:27:46,160 --> 01:27:48,080
Speaker 4: you like, other other producers, or it's just like now

2028
01:27:48,120 --> 01:27:49,439
Speaker 4: we're gonna keep this thing in house.

2029
01:27:50,280 --> 01:27:50,439
Speaker 3: Yeah.

2030
01:27:50,520 --> 01:27:52,400
Speaker 6: Yeah, for the most part, I like to keep it

2031
01:27:52,439 --> 01:27:55,080
Speaker 6: in house. I mean I'm open, don't get me wrong,

2032
01:27:55,200 --> 01:27:57,400
Speaker 6: I'm open. I love I love working with everybody, you

2033
01:27:57,439 --> 01:27:58,720
Speaker 6: know what I mean, because you never know who you

2034
01:27:58,720 --> 01:28:01,519
Speaker 6: can run into this, you know. Just I love learning,

2035
01:28:02,320 --> 01:28:04,519
Speaker 6: I love being a student. So yeah, I don't mind

2036
01:28:04,560 --> 01:28:07,479
Speaker 6: working with everybody. But for the most part, I'm gonna

2037
01:28:07,520 --> 01:28:10,120
Speaker 6: go work, I'm gonna go wear my where my vibe

2038
01:28:10,160 --> 01:28:14,760
Speaker 6: at and just because like even them, even the people

2039
01:28:14,800 --> 01:28:16,880
Speaker 6: I work with are open, you know what I mean,

2040
01:28:17,120 --> 01:28:21,960
Speaker 6: Like I might go to the studio and bro be like, Hey,

2041
01:28:22,000 --> 01:28:23,760
Speaker 6: I've been listening to so and so I've been listening

2042
01:28:23,800 --> 01:28:24,599
Speaker 6: to Stevie Wonder.

2043
01:28:24,840 --> 01:28:27,439
Speaker 3: Yeah, let's get that bag, you know what I mean?

2044
01:28:27,920 --> 01:28:28,840
Speaker 5: Why not? Why not?

2045
01:28:29,680 --> 01:28:30,880
Speaker 3: We like trying different ship.

2046
01:28:31,439 --> 01:28:34,280
Speaker 2: So, yeah, how did you end up connecting with with

2047
01:28:34,479 --> 01:28:37,040
Speaker 2: Ty and Sean in that whole crew?

2048
01:28:40,240 --> 01:28:40,479
Speaker 1: It was?

2049
01:28:41,640 --> 01:28:44,360
Speaker 6: It was it was this guy named at Buchanan, it's

2050
01:28:44,439 --> 01:28:48,040
Speaker 6: my guy. Uh, he's seen Sean and uh and where

2051
01:28:48,120 --> 01:28:52,240
Speaker 6: was it? South by Southwest? And I guess they had

2052
01:28:52,320 --> 01:28:53,920
Speaker 6: kind of talked. I think they was in talks about

2053
01:28:54,040 --> 01:28:56,840
Speaker 6: a couple of artists and I'm Sean how Sean how

2054
01:28:56,920 --> 01:28:58,320
Speaker 6: Amp but how oup put it?

2055
01:28:58,400 --> 01:29:01,720
Speaker 3: He said, yeah, man, I just need something special. I

2056
01:29:01,800 --> 01:29:02,559
Speaker 3: need something special.

2057
01:29:02,840 --> 01:29:06,840
Speaker 6: And have been knowing me for like four years prior

2058
01:29:07,680 --> 01:29:09,639
Speaker 6: he was like, hey, I got somebody and he sent

2059
01:29:09,720 --> 01:29:13,439
Speaker 6: them He sent Shane my music. And at the time,

2060
01:29:13,520 --> 01:29:15,759
Speaker 6: I'm kind of a recluse. I'm kind of to myself.

2061
01:29:16,320 --> 01:29:18,280
Speaker 6: I don't really go outside like that and that so

2062
01:29:18,720 --> 01:29:22,760
Speaker 6: they had the hardest time hitting me up. Gang could

2063
01:29:22,840 --> 01:29:25,479
Speaker 6: nobody get a hold of me and my ex girlfriend

2064
01:29:25,560 --> 01:29:26,000
Speaker 6: hit me up.

2065
01:29:26,040 --> 01:29:27,639
Speaker 3: I knew it was something. I was like, oh, Ship,

2066
01:29:28,600 --> 01:29:35,000
Speaker 3: at least hit me up. I was like, oh damn,

2067
01:29:35,080 --> 01:29:39,800
Speaker 3: this is important because you know, but she hit me up.

2068
01:29:39,920 --> 01:29:40,840
Speaker 3: She was like, Yo, r J.

2069
01:29:41,240 --> 01:29:42,800
Speaker 6: This guy named Sean Barry trying to get a hold

2070
01:29:42,800 --> 01:29:44,160
Speaker 6: of you. You need to you need to go ahead

2071
01:29:44,160 --> 01:29:48,120
Speaker 6: and call IMP. I called IMP and I was like, yo,

2072
01:29:48,840 --> 01:29:50,840
Speaker 6: Sean's trying to get a hold of you. He sent

2073
01:29:50,880 --> 01:29:54,120
Speaker 6: me his number and my call Sean. Sean was like, yo,

2074
01:29:54,200 --> 01:29:54,840
Speaker 6: you a movie?

2075
01:29:58,680 --> 01:30:02,960
Speaker 3: I just I die. And did he hear what the

2076
01:30:03,040 --> 01:30:05,080
Speaker 3: tape is now? Or this was stuff? After he heard

2077
01:30:05,320 --> 01:30:06,200
Speaker 3: he heard some songs.

2078
01:30:06,240 --> 01:30:10,519
Speaker 6: He heard the same Old Dreams studio rat yeah, and

2079
01:30:10,600 --> 01:30:11,679
Speaker 6: a couple of other songs.

2080
01:30:11,760 --> 01:30:15,400
Speaker 3: But I think that he kind of knew that I wasn't.

2081
01:30:15,439 --> 01:30:17,000
Speaker 3: I had sent them a couple of songs.

2082
01:30:17,200 --> 01:30:19,920
Speaker 6: He just he said that his main thing is I

2083
01:30:19,960 --> 01:30:23,400
Speaker 6: haven't sent him a bad song yet he's still waiting.

2084
01:30:23,200 --> 01:30:26,200
Speaker 3: On a bad song. That was his main reason of

2085
01:30:26,400 --> 01:30:28,479
Speaker 3: like why he wanted to go ahead and sign me yea,

2086
01:30:28,880 --> 01:30:31,400
Speaker 3: And so he sent uh. I mean we played.

2087
01:30:31,439 --> 01:30:33,280
Speaker 6: I guess he played my stuff for Tie and Ship

2088
01:30:33,360 --> 01:30:36,519
Speaker 6: like that, and they facetied me and it was like, yo,

2089
01:30:36,560 --> 01:30:37,800
Speaker 6: I want to manage you. I want to and I

2090
01:30:37,960 --> 01:30:39,400
Speaker 6: want to sign you right on the spot.

2091
01:30:39,800 --> 01:30:40,000
Speaker 5: Wow.

2092
01:30:40,400 --> 01:30:42,960
Speaker 6: That was like I heard of from me because I'm thinking,

2093
01:30:43,000 --> 01:30:46,160
Speaker 6: like nigga, I gotta go viral, know and yeah, I

2094
01:30:46,200 --> 01:30:48,880
Speaker 6: gotta do. It's a lot of ship You gotta think

2095
01:30:48,880 --> 01:30:51,680
Speaker 6: I got right. But no, that wasn't the case. It's

2096
01:30:51,760 --> 01:30:53,800
Speaker 6: just you know, and I'm real spiritual, so I'm you know,

2097
01:30:53,840 --> 01:30:56,920
Speaker 6: I believe. I believe that God is once guy say

2098
01:30:57,080 --> 01:30:59,800
Speaker 6: you're you're ready, You're ready, you know. So I feel

2099
01:30:59,840 --> 01:31:01,519
Speaker 6: like I was prepared enough. I went through what I

2100
01:31:01,600 --> 01:31:04,120
Speaker 6: need to go through and boom, we are.

2101
01:31:04,200 --> 01:31:06,639
Speaker 2: You know, did you and Todd do the Perfect One

2102
01:31:07,320 --> 01:31:09,599
Speaker 2: in person? Or was that sent back and forth?

2103
01:31:10,360 --> 01:31:10,599
Speaker 6: Man?

2104
01:31:10,760 --> 01:31:14,760
Speaker 3: Nah, funny story that song was done. I heard it

2105
01:31:14,880 --> 01:31:15,040
Speaker 3: was like.

2106
01:31:19,120 --> 01:31:21,800
Speaker 1: You know, I mean like I had, I had the second.

2107
01:31:21,600 --> 01:31:23,160
Speaker 3: Verse out of there. That was pretty much out of

2108
01:31:23,160 --> 01:31:25,559
Speaker 3: here like bet and Sean.

2109
01:31:26,160 --> 01:31:28,360
Speaker 6: Sean called me, was like, YoY I want to get

2110
01:31:28,400 --> 01:31:33,760
Speaker 6: on perfect One like ship what Yeah, I'm scrapped my

2111
01:31:33,760 --> 01:31:34,280
Speaker 6: ship easy.

2112
01:31:34,479 --> 01:31:37,320
Speaker 3: That was easy. Yeah, I scrapped that verse and he

2113
01:31:37,400 --> 01:31:41,360
Speaker 3: said that ship bag. I was like, no way, no way, crazy.

2114
01:31:41,520 --> 01:31:42,400
Speaker 3: He went dumb.

2115
01:31:43,800 --> 01:31:46,920
Speaker 4: Was was to one of those artist that before actually

2116
01:31:46,960 --> 01:31:48,680
Speaker 4: you know, obviously meeting and work. When it was one

2117
01:31:48,720 --> 01:31:50,960
Speaker 4: of the guys that you listened to, it was like, Yo,

2118
01:31:51,040 --> 01:31:51,759
Speaker 4: he's dope.

2119
01:31:51,840 --> 01:31:55,840
Speaker 3: Yes, easily easily, Like man, what Beach House one, Beach

2120
01:31:55,880 --> 01:31:59,280
Speaker 3: House two? What Free t C? I't go love Free

2121
01:31:59,320 --> 01:32:01,800
Speaker 3: t See it's a classic what man?

2122
01:32:02,080 --> 01:32:05,280
Speaker 6: From solid to even the ship with TC? Like the

2123
01:32:05,400 --> 01:32:09,040
Speaker 6: Miracle Joint that was the best song of that year. Me,

2124
01:32:09,640 --> 01:32:11,400
Speaker 6: I just I don't know me personally. I just really

2125
01:32:11,560 --> 01:32:14,240
Speaker 6: like I like when people are in their vulnerable, vulnerable

2126
01:32:14,360 --> 01:32:15,519
Speaker 6: bags and stuff like that.

2127
01:32:15,720 --> 01:32:15,880
Speaker 2: You know.

2128
01:32:16,000 --> 01:32:18,200
Speaker 3: So when I fell around that album, that was a

2129
01:32:18,360 --> 01:32:21,280
Speaker 3: very personal album. You know his brother. So I just

2130
01:32:21,360 --> 01:32:24,000
Speaker 3: think that's one of my favorite albums by easy.

2131
01:32:24,240 --> 01:32:26,640
Speaker 2: What have those commos been like with with Tie? You

2132
01:32:26,720 --> 01:32:30,880
Speaker 2: know now soning with Sean advice wise of how he's

2133
01:32:31,120 --> 01:32:36,400
Speaker 2: got and everything. Because I'd been through multiple deals, different managers,

2134
01:32:36,520 --> 01:32:37,639
Speaker 2: I've seen some ship.

2135
01:32:37,720 --> 01:32:40,200
Speaker 6: Oh yeah, man, you know it was funny like Tie

2136
01:32:40,280 --> 01:32:42,280
Speaker 6: don't have to do too much talking. I think he

2137
01:32:42,400 --> 01:32:44,840
Speaker 6: let his actions talk to me for the most part.

2138
01:32:46,320 --> 01:32:49,320
Speaker 6: He have a he have a work ethic out of

2139
01:32:49,360 --> 01:32:52,840
Speaker 6: this world, Like all he do is show me like

2140
01:32:53,280 --> 01:32:53,720
Speaker 6: what it was.

2141
01:32:53,800 --> 01:32:53,960
Speaker 2: It was.

2142
01:32:54,080 --> 01:32:57,400
Speaker 6: I think what I took as advice from from Tie

2143
01:32:57,680 --> 01:33:00,800
Speaker 6: was I remember one time I was in Vegas and

2144
01:33:00,880 --> 01:33:02,320
Speaker 6: he had a show. I didn't even know he had

2145
01:33:02,360 --> 01:33:05,360
Speaker 6: a show, and I was like, yeah, shit, I ain't

2146
01:33:05,360 --> 01:33:07,560
Speaker 6: gonna lie, bro, it's about two o'clock. I'm going to

2147
01:33:07,600 --> 01:33:09,040
Speaker 6: go ahead and head back to the to the hotel.

2148
01:33:09,120 --> 01:33:11,960
Speaker 6: I gotta I gotta flight in the morning. Go ahead

2149
01:33:11,960 --> 01:33:14,360
Speaker 6: and slide back, go to sleep, give you a rest.

2150
01:33:15,000 --> 01:33:17,240
Speaker 6: He was like, damn, you're gonna come to my show.

2151
01:33:17,560 --> 01:33:19,080
Speaker 6: I was like, oh, I didn't know.

2152
01:33:19,200 --> 01:33:19,360
Speaker 2: Yeah.

2153
01:33:19,600 --> 01:33:22,680
Speaker 6: He was like, damn your granddad. Yeah, yeah, yeah, No,

2154
01:33:22,800 --> 01:33:25,280
Speaker 6: we rock stars, bro, like we do we don't do that.

2155
01:33:26,280 --> 01:33:29,680
Speaker 3: I was like, well, the show.

2156
01:33:29,720 --> 01:33:30,760
Speaker 1: I guess I'm going to the show.

2157
01:33:30,880 --> 01:33:34,720
Speaker 6: And I'm so happy I did because I watched him

2158
01:33:34,800 --> 01:33:39,200
Speaker 6: go from doing a feature to a to another song

2159
01:33:39,320 --> 01:33:43,160
Speaker 6: to another song to doing that, doing that that show,

2160
01:33:44,560 --> 01:33:46,760
Speaker 6: and after that show, I he went to went to

2161
01:33:46,840 --> 01:33:49,719
Speaker 6: the studio again like this just nig nigga never stopped.

2162
01:33:50,800 --> 01:33:52,400
Speaker 3: And I'm like, Okay, this is where I need to

2163
01:33:52,439 --> 01:33:53,920
Speaker 3: be mentally, this is where I need to be.

2164
01:33:54,040 --> 01:33:56,000
Speaker 4: So yeah, this is a thing where you know you

2165
01:33:56,200 --> 01:33:58,479
Speaker 4: as a as an artist sometimes or creative. You think

2166
01:33:58,520 --> 01:34:01,360
Speaker 4: that you work hard, you meet somebody.

2167
01:34:01,120 --> 01:34:02,759
Speaker 3: You're like, that's the advice.

2168
01:34:03,000 --> 01:34:06,080
Speaker 4: Yeah, like okay, like I gotta I gotta go if

2169
01:34:06,160 --> 01:34:08,080
Speaker 4: this person that is already at this status and this

2170
01:34:08,280 --> 01:34:12,120
Speaker 4: level is still working, yeah, at this level, I need

2171
01:34:12,240 --> 01:34:13,400
Speaker 4: to step my ship up.

2172
01:34:13,720 --> 01:34:16,519
Speaker 6: Facts fact, it made me feel like I was lazy

2173
01:34:16,520 --> 01:34:18,599
Speaker 6: as here. He made me feel like, I'm like, damn,

2174
01:34:18,600 --> 01:34:19,280
Speaker 6: I thought I was good.

2175
01:34:19,479 --> 01:34:21,040
Speaker 5: We'll get some to sleep. I was gonna go to

2176
01:34:21,080 --> 01:34:22,840
Speaker 5: sleep at two am, Like no, I got to show

2177
01:34:22,880 --> 01:34:23,240
Speaker 5: and then.

2178
01:34:23,160 --> 01:34:26,080
Speaker 4: Back to the back to the studio then fly out right, Yeah,

2179
01:34:26,280 --> 01:34:27,720
Speaker 4: we'll sleep later, We'll get to it.

2180
01:34:27,920 --> 01:34:30,400
Speaker 3: Yeah, Leon Thomas coming from that school.

2181
01:34:30,560 --> 01:34:34,240
Speaker 2: The first time we worked, we knocked out one record

2182
01:34:34,800 --> 01:34:37,000
Speaker 2: in like fucking fifteen minutes, and he was like, all right,

2183
01:34:37,000 --> 01:34:39,200
Speaker 2: what else you got. I'm like, I thought he was

2184
01:34:39,200 --> 01:34:41,479
Speaker 2: gonna work on one record for the next six hours. Yeah,

2185
01:34:41,840 --> 01:34:44,160
Speaker 2: I don't have nothing, like hold on, give me a second.

2186
01:34:44,360 --> 01:34:45,519
Speaker 3: Yeah, I'm like that too.

2187
01:34:46,640 --> 01:34:49,080
Speaker 6: I like to take take take a while, like we're

2188
01:34:49,080 --> 01:34:51,439
Speaker 6: gonna figure out every word, every lyric, you know what

2189
01:34:51,439 --> 01:34:51,720
Speaker 6: I mean?

2190
01:34:52,240 --> 01:34:53,320
Speaker 3: Like, nah, niggas go.

2191
01:34:53,840 --> 01:34:57,880
Speaker 2: So do you do you feel any pressure now with

2192
01:34:59,240 --> 01:35:01,799
Speaker 2: where they a right for new artists like you obviously

2193
01:35:01,880 --> 01:35:04,519
Speaker 2: don't have the same Let me put out my video,

2194
01:35:04,720 --> 01:35:07,000
Speaker 2: go on one O six t r L radio and

2195
01:35:07,720 --> 01:35:10,200
Speaker 2: rinse and repeat formula Like, is that in the back

2196
01:35:10,200 --> 01:35:12,479
Speaker 2: of your mind when you're creating, of how am I

2197
01:35:12,520 --> 01:35:15,200
Speaker 2: gonna market this? What's this gonna do for TikTok? What's

2198
01:35:15,240 --> 01:35:18,880
Speaker 2: this gonna do for? Is that it anywhere in the

2199
01:35:18,920 --> 01:35:19,679
Speaker 2: creation process?

2200
01:35:19,800 --> 01:35:22,320
Speaker 6: Hell no, bro, When I'm creating, that's that's my moment

2201
01:35:22,439 --> 01:35:25,880
Speaker 6: to to to Really, that's a that's a freedom for me.

2202
01:35:26,400 --> 01:35:28,840
Speaker 6: You know. That's like I said, that's therapy. I'm not

2203
01:35:28,960 --> 01:35:34,080
Speaker 6: thinking about ship. I'm really in there having fun. I

2204
01:35:34,160 --> 01:35:35,720
Speaker 6: think I think if I if I was to think

2205
01:35:35,760 --> 01:35:37,360
Speaker 6: about that, I think it'll fuck my fun up.

2206
01:35:37,600 --> 01:35:38,679
Speaker 5: Okay, you know what I'm saying.

2207
01:35:39,560 --> 01:35:42,200
Speaker 3: I'd rather just go in there and.

2208
01:35:42,320 --> 01:35:44,080
Speaker 6: Put it all on wax, put up like all the

2209
01:35:44,240 --> 01:35:46,800
Speaker 6: all the ship I just went through this week. I'm

2210
01:35:46,840 --> 01:35:49,240
Speaker 6: gonna put that right there, leave it here.

2211
01:35:49,240 --> 01:35:52,760
Speaker 3: And yeah and see what happens. What That's that's it

2212
01:35:52,840 --> 01:35:54,720
Speaker 3: for me? I don't know.

2213
01:35:54,800 --> 01:35:56,280
Speaker 6: I just don't get too I try my best not

2214
01:35:56,360 --> 01:36:00,720
Speaker 6: to get too caught up and and enviral reality like

2215
01:36:01,360 --> 01:36:02,840
Speaker 6: just being that that type of.

2216
01:36:04,320 --> 01:36:05,840
Speaker 3: Artist. You know.

2217
01:36:06,800 --> 01:36:09,519
Speaker 4: Yeah, but you're saying before you you got the call

2218
01:36:09,640 --> 01:36:13,160
Speaker 4: from Ty that you felt like, I gotta do this.

2219
01:36:13,240 --> 01:36:16,519
Speaker 4: I gotta have this viral song or moment in order

2220
01:36:16,560 --> 01:36:18,840
Speaker 4: to get to this, which is which seems like the

2221
01:36:19,000 --> 01:36:21,080
Speaker 4: norm now, like that's how you think it should go.

2222
01:36:21,920 --> 01:36:24,479
Speaker 4: But talent is always going to cut through, whether it

2223
01:36:24,560 --> 01:36:26,639
Speaker 4: goes viral or not. And then the right people find

2224
01:36:26,720 --> 01:36:29,679
Speaker 4: that talent and decide to invest in it. Obviously, Tie

2225
01:36:30,080 --> 01:36:32,360
Speaker 4: what he's able to do with Leon and now you know,

2226
01:36:32,680 --> 01:36:37,840
Speaker 4: with you, it's a nice collective of creatives and music

2227
01:36:37,960 --> 01:36:40,600
Speaker 4: and vibe over there that y'all are that y'all are

2228
01:36:40,640 --> 01:36:41,280
Speaker 4: building right now.

2229
01:36:41,400 --> 01:36:42,080
Speaker 3: Oh yeah, I.

2230
01:36:43,640 --> 01:36:47,679
Speaker 6: Shout out my nigga shine man, you got, he always

2231
01:36:47,680 --> 01:36:49,639
Speaker 6: say I got you know, my ear is golden baby

2232
01:36:50,040 --> 01:36:51,439
Speaker 6: we're talking about yeah.

2233
01:36:51,600 --> 01:36:54,640
Speaker 4: So yeah, you know, you got a nice y'all got

2234
01:36:54,680 --> 01:36:58,040
Speaker 4: a nice thing over there right now. It's building like

2235
01:36:58,080 --> 01:37:01,640
Speaker 4: a really cool rock. It's a very very nice roster.

2236
01:37:01,479 --> 01:37:02,240
Speaker 5: Over there right now.

2237
01:37:02,360 --> 01:37:05,519
Speaker 4: That I'm like, when Rory was telling me about you

2238
01:37:05,640 --> 01:37:10,160
Speaker 4: and I'm listening, I'm like, what the fuck? Like he

2239
01:37:10,240 --> 01:37:12,720
Speaker 4: putting together a nice little collective of just you know,

2240
01:37:13,040 --> 01:37:15,720
Speaker 4: just dope shit like and the type of music that

2241
01:37:15,800 --> 01:37:18,320
Speaker 4: I like and I like to listen to what's the

2242
01:37:18,360 --> 01:37:20,360
Speaker 4: scene in Dallas right now? As far as like R

2243
01:37:20,439 --> 01:37:22,920
Speaker 4: and B, Like, what's the what's the scene in Dallas

2244
01:37:23,040 --> 01:37:25,640
Speaker 4: is it? Is it more artists kind of like with

2245
01:37:25,800 --> 01:37:28,120
Speaker 4: your vibe or is it just like a whole bunch

2246
01:37:28,160 --> 01:37:32,439
Speaker 4: of different energies and vibes because Texas has always given

2247
01:37:32,520 --> 01:37:35,640
Speaker 4: us great music and especially R and B.

2248
01:37:35,840 --> 01:37:38,439
Speaker 5: But what's the what's the vibe like now in Dallas?

2249
01:37:38,520 --> 01:37:38,640
Speaker 2: Man?

2250
01:37:38,680 --> 01:37:40,320
Speaker 6: In Dallas, Man, it's just to me, it's like a

2251
01:37:40,439 --> 01:37:42,400
Speaker 6: really big melting pot. You really don't know what you get.

2252
01:37:44,040 --> 01:37:47,640
Speaker 6: I know what's pushed. You know, like what's pushed in

2253
01:37:47,720 --> 01:37:50,560
Speaker 6: front of you is like more of like being you

2254
01:37:50,640 --> 01:37:54,080
Speaker 6: know what I like and you know, dance type vibes

2255
01:37:54,160 --> 01:37:58,080
Speaker 6: and uh dope boy type shit like like like zing

2256
01:37:58,160 --> 01:38:02,400
Speaker 6: or do and it gets the plug. But you also

2257
01:38:02,560 --> 01:38:04,760
Speaker 6: have like gems there. It's a lot of gems as

2258
01:38:04,800 --> 01:38:08,360
Speaker 6: far as like R and B go like the gotty

2259
01:38:09,000 --> 01:38:14,000
Speaker 6: cash page. Even even my sister her name is Cayane.

2260
01:38:14,120 --> 01:38:16,080
Speaker 6: If you don't look out for her, she's okay. But

2261
01:38:17,200 --> 01:38:18,760
Speaker 6: there's just a lot of it's a lot there that

2262
01:38:19,479 --> 01:38:22,120
Speaker 6: a lot of underground talent that's not really getting the

2263
01:38:22,200 --> 01:38:25,200
Speaker 6: shine or they just too I would say in dulas.

2264
01:38:25,920 --> 01:38:29,240
Speaker 4: Now that the esthetic is the esthetic is nineties. I'm

2265
01:38:29,320 --> 01:38:31,519
Speaker 4: looking at you, it's very nineties.

2266
01:38:31,680 --> 01:38:33,600
Speaker 5: I'm from that. I'm from that from I'm from the

2267
01:38:33,720 --> 01:38:36,599
Speaker 5: Joe to see. Yeah, I'm from that vibe. Is that intention?

2268
01:38:36,880 --> 01:38:38,720
Speaker 3: Is that like what you grew up on since I

2269
01:38:38,840 --> 01:38:41,080
Speaker 3: was a kid? Yes, I was a kid. I love

2270
01:38:41,280 --> 01:38:44,240
Speaker 3: Juice the movie, and I was like, yeah, I'm just

2271
01:38:44,360 --> 01:38:45,200
Speaker 3: like this for the rest.

2272
01:38:45,000 --> 01:38:45,479
Speaker 1: Of my life.

2273
01:38:46,120 --> 01:38:47,960
Speaker 3: The rest of my life is a lot of guy.

2274
01:38:50,680 --> 01:38:53,960
Speaker 6: But you know it's crazy like like like even with

2275
01:38:54,520 --> 01:38:57,160
Speaker 6: I'm more expressive though because I'm also grunge, Like I

2276
01:38:57,280 --> 01:39:01,920
Speaker 6: like liked how rock stars is. So it's just kind

2277
01:39:01,960 --> 01:39:04,000
Speaker 6: of me musing, musing those worlds, kind of like how

2278
01:39:04,000 --> 01:39:05,519
Speaker 6: I do with my music. I take a little bit

2279
01:39:05,560 --> 01:39:08,479
Speaker 6: of alternative rock, little of nineties R.

2280
01:39:08,560 --> 01:39:10,120
Speaker 3: And B and music together.

2281
01:39:10,280 --> 01:39:13,080
Speaker 2: You know, it's all black music, it's all genre, but yeah,

2282
01:39:13,120 --> 01:39:16,080
Speaker 2: it's all black black yeah. Fact, fact, how did you

2283
01:39:16,200 --> 01:39:16,720
Speaker 2: land on the name?

2284
01:39:16,800 --> 01:39:16,960
Speaker 7: Then?

2285
01:39:17,280 --> 01:39:19,360
Speaker 3: How did I land on the name? It was in

2286
01:39:19,439 --> 01:39:22,240
Speaker 3: the dream. It's like random ass dream. It was this

2287
01:39:22,360 --> 01:39:24,160
Speaker 3: lady saying, y know, I'm looking for j the Widow.

2288
01:39:24,160 --> 01:39:25,000
Speaker 3: Where's j Thedo?

2289
01:39:25,280 --> 01:39:27,360
Speaker 6: That's that's really how I landed on it, because at first,

2290
01:39:28,479 --> 01:39:30,960
Speaker 6: I know that's the craziest to say it, right.

2291
01:39:31,080 --> 01:39:33,000
Speaker 3: But my baby mom used to call me a weirdo

2292
01:39:33,040 --> 01:39:33,479
Speaker 3: all the time.

2293
01:39:33,560 --> 01:39:36,519
Speaker 2: I got the same thing, right, But it's not in

2294
01:39:36,600 --> 01:39:37,240
Speaker 2: a creative way.

2295
01:39:37,400 --> 01:39:38,800
Speaker 3: But I used to. I used to.

2296
01:39:38,800 --> 01:39:41,000
Speaker 6: But how I would cut it, I'd be like, you

2297
01:39:41,200 --> 01:39:44,760
Speaker 6: like that ship, though, Yeah, like you like that weird ship.

2298
01:39:45,479 --> 01:39:48,680
Speaker 6: So yeah, I kind of like, Okay, let's let's let's

2299
01:39:48,680 --> 01:39:50,000
Speaker 6: see if we can make everybody like it.

2300
01:39:50,320 --> 01:39:55,320
Speaker 5: Right, Okay, I guess that makes sense. I'm a weirdo.

2301
01:39:55,400 --> 01:39:56,840
Speaker 5: Let's see if everybody liked this weird ship.

2302
01:39:57,040 --> 01:40:00,280
Speaker 3: At first? My name was fun Shway. Okay, I'm like

2303
01:40:00,600 --> 01:40:02,479
Speaker 3: that dream. I don't know.

2304
01:40:02,600 --> 01:40:06,639
Speaker 2: I'm like, I gotta hurry up, do something. I gotta

2305
01:40:06,680 --> 01:40:12,320
Speaker 2: go back to sleep. She would like, watch that funk

2306
01:40:12,400 --> 01:40:13,519
Speaker 2: Shay would be hilarious.

2307
01:40:15,400 --> 01:40:15,599
Speaker 3: Yeah.

2308
01:40:15,640 --> 01:40:18,320
Speaker 4: When when Rory was like, yeah, now you listen to

2309
01:40:18,360 --> 01:40:21,920
Speaker 4: this all Jada Widow, I'm like, who Yeah. He's like like,

2310
01:40:22,000 --> 01:40:23,600
Speaker 4: I'm telling you it's gonna You're gonna fuck with this,

2311
01:40:24,040 --> 01:40:26,840
Speaker 4: and I'm like, all, Jada Widow, I'm like, what's with

2312
01:40:26,920 --> 01:40:29,519
Speaker 4: the name though, and he was like, don't worry about

2313
01:40:29,520 --> 01:40:31,320
Speaker 4: the name. He was like, listen to this ship and

2314
01:40:31,400 --> 01:40:33,200
Speaker 4: then I start I listened to it. I was like, okay, no,

2315
01:40:33,360 --> 01:40:35,360
Speaker 4: get He's like, oh and by the way, that's tied

2316
01:40:35,439 --> 01:40:38,679
Speaker 4: that's Leonsa. I said, oh, this makes sense. This makes

2317
01:40:38,760 --> 01:40:40,360
Speaker 4: all the sense in the world now now I get it.

2318
01:40:40,479 --> 01:40:40,679
Speaker 3: Yeah.

2319
01:40:41,160 --> 01:40:46,240
Speaker 2: Uh does Eric Abo do have like a super presence

2320
01:40:46,320 --> 01:40:48,560
Speaker 2: in Dallas as far as the R and B scene, Like,

2321
01:40:48,680 --> 01:40:52,560
Speaker 2: oh yeah, like the way you know we even have

2322
01:40:53,040 --> 01:40:56,160
Speaker 2: nas the chokehold of New York City is if I

2323
01:40:56,320 --> 01:40:58,280
Speaker 2: do like that with fort Worth in Dallas?

2324
01:40:58,520 --> 01:41:01,920
Speaker 6: Yeah, easy, like most of them, Like if you go

2325
01:41:02,080 --> 01:41:04,920
Speaker 6: like to like deep Ellment ship like that, like most

2326
01:41:04,960 --> 01:41:06,719
Speaker 6: of them. Most of the people that get on stage,

2327
01:41:06,760 --> 01:41:09,400
Speaker 6: it's all jazz. It's all her type of jazz, like

2328
01:41:10,040 --> 01:41:12,400
Speaker 6: neo soul vibes. They all kind of weark crystals and

2329
01:41:13,400 --> 01:41:17,360
Speaker 6: head wraps and that's you know, that that type of vibe. Yeah,

2330
01:41:17,640 --> 01:41:22,240
Speaker 6: Eric Yeah, she really like made a culture out there

2331
01:41:22,280 --> 01:41:23,720
Speaker 6: in Dallas for the most part when it came to

2332
01:41:23,840 --> 01:41:26,000
Speaker 6: R and B, you know what I mean. So most

2333
01:41:26,080 --> 01:41:29,720
Speaker 6: of the uh, I would say that the people that

2334
01:41:29,880 --> 01:41:32,560
Speaker 6: do the open mics and stuff like that. All of

2335
01:41:32,600 --> 01:41:33,800
Speaker 6: them sound like eric a bad.

2336
01:41:34,760 --> 01:41:34,960
Speaker 2: Yeah.

2337
01:41:35,360 --> 01:41:38,600
Speaker 4: Is there any artists in particular that you like? I

2338
01:41:38,760 --> 01:41:40,920
Speaker 4: just need to meet this artist and we gotta get

2339
01:41:40,960 --> 01:41:43,280
Speaker 4: I gotta get some some work done with this artist.

2340
01:41:44,960 --> 01:41:46,640
Speaker 4: I have somebody in mind, but I just want to

2341
01:41:46,760 --> 01:41:49,840
Speaker 4: hear who you who you have like on your vision board?

2342
01:41:50,800 --> 01:41:54,880
Speaker 6: Uh, man, I ain't gonna lie. I'm kind of open.

2343
01:41:55,000 --> 01:41:56,360
Speaker 6: I'm kind of open all the people I want to

2344
01:41:56,360 --> 01:41:59,639
Speaker 6: work with. It's dead, you know, like Donnie Hathaway, Mike

2345
01:42:00,080 --> 01:42:00,839
Speaker 6: hm hm, Jaxon.

2346
01:42:01,080 --> 01:42:04,600
Speaker 5: Okay, you know, I wasn't expecting to say, Donnie, that's like.

2347
01:42:05,040 --> 01:42:06,960
Speaker 6: That's where I get my emotion from. That's the first

2348
01:42:07,000 --> 01:42:10,040
Speaker 6: time I ever cried like like to some music. M

2349
01:42:10,760 --> 01:42:13,920
Speaker 6: hearing sounds like giving up or love you more than

2350
01:42:13,960 --> 01:42:18,439
Speaker 6: you love and know? Song for you like sounds like

2351
01:42:18,520 --> 01:42:20,160
Speaker 6: that that would that would like make me tear up.

2352
01:42:20,280 --> 01:42:21,400
Speaker 6: I'm eight years old.

2353
01:42:21,680 --> 01:42:27,720
Speaker 3: Yeah, song for you than the path you have to

2354
01:42:27,760 --> 01:42:28,120
Speaker 3: cry to that.

2355
01:42:28,160 --> 01:42:30,479
Speaker 4: So the crazy part is when you realize how young

2356
01:42:30,600 --> 01:42:33,200
Speaker 4: Donnie was singing like that, man, bro, what like when

2357
01:42:33,240 --> 01:42:35,240
Speaker 4: I found out that fucked me upout? I always when

2358
01:42:35,920 --> 01:42:39,320
Speaker 4: I don't know, maybe twenty something crazy because he was

2359
01:42:39,520 --> 01:42:41,240
Speaker 4: but thirty something when he passed, right, he was.

2360
01:42:41,200 --> 01:42:42,559
Speaker 3: Thirty exactly young.

2361
01:42:43,160 --> 01:42:45,360
Speaker 4: So to know that he was that young going with

2362
01:42:45,520 --> 01:42:48,160
Speaker 4: that soul and that voice and that texture was it

2363
01:42:48,280 --> 01:42:50,479
Speaker 4: was thirty three when he passed, So you know what

2364
01:42:50,479 --> 01:42:53,040
Speaker 4: I mean, it's just like to know that you had

2365
01:42:53,080 --> 01:42:55,280
Speaker 4: somebody with that type of soul at a young age,

2366
01:42:55,479 --> 01:42:57,840
Speaker 4: just like that was a special gift for sure. So

2367
01:42:57,960 --> 01:43:00,879
Speaker 4: I mean it naturally it would have hit somebody musically

2368
01:43:00,920 --> 01:43:03,560
Speaker 4: inclined that you are in tune with the music and emotions,

2369
01:43:03,600 --> 01:43:05,040
Speaker 4: that it would affect.

2370
01:43:04,760 --> 01:43:05,160
Speaker 3: You that way.

2371
01:43:05,280 --> 01:43:05,479
Speaker 2: Yeah.

2372
01:43:05,720 --> 01:43:08,439
Speaker 6: Yeah, Like like I say, that taught me. That taught

2373
01:43:08,479 --> 01:43:11,080
Speaker 6: me how to use emotion for the most part, even

2374
01:43:11,120 --> 01:43:12,679
Speaker 6: Stevie Wonder, you know Wonder.

2375
01:43:13,400 --> 01:43:15,519
Speaker 5: I feel like I think everybody has Steve.

2376
01:43:15,680 --> 01:43:19,080
Speaker 4: Yeah, if you make music you want to want that's

2377
01:43:19,160 --> 01:43:20,599
Speaker 4: just like the greatest ever.

2378
01:43:21,000 --> 01:43:21,240
Speaker 3: Yeah.

2379
01:43:21,439 --> 01:43:22,840
Speaker 5: Did you see the Did you get a chance see

2380
01:43:22,840 --> 01:43:23,400
Speaker 5: the Michael movie?

2381
01:43:23,680 --> 01:43:23,960
Speaker 3: I did?

2382
01:43:24,040 --> 01:43:24,800
Speaker 5: What did you think about it?

2383
01:43:26,200 --> 01:43:28,200
Speaker 3: I said a lot of people didn't really like it though,

2384
01:43:28,280 --> 01:43:30,200
Speaker 3: like Rory didn't like it. I liked it.

2385
01:43:30,600 --> 01:43:32,639
Speaker 5: I thought it like it. I thought it was great,

2386
01:43:32,680 --> 01:43:33,120
Speaker 5: it was cool.

2387
01:43:33,200 --> 01:43:33,640
Speaker 3: I liked it.

2388
01:43:33,880 --> 01:43:36,720
Speaker 2: I thought it was like Rory, they wanted to get

2389
01:43:36,720 --> 01:43:38,559
Speaker 2: and I'm like, bro, it stops in what eighty eight?

2390
01:43:38,680 --> 01:43:40,960
Speaker 2: That's I think that's why. I think that's why people

2391
01:43:41,080 --> 01:43:42,120
Speaker 2: was like, bro, what you know?

2392
01:43:42,320 --> 01:43:43,960
Speaker 5: But obviously it's gonna it's a part two coming.

2393
01:43:44,040 --> 01:43:45,760
Speaker 3: But I don't know. Maybe I'm a little biased. I'm

2394
01:43:45,760 --> 01:43:47,800
Speaker 3: a I'm a Michael Head.

2395
01:43:47,960 --> 01:43:50,800
Speaker 6: I think everybody that's why I hate the movie. I think,

2396
01:43:51,320 --> 01:43:52,880
Speaker 6: but I'm gonna say this. I'm gonna say this. I'm

2397
01:43:52,880 --> 01:43:56,320
Speaker 6: gonna give I'm gonna give Jafar his flowers.

2398
01:43:56,640 --> 01:43:58,760
Speaker 3: He did, he did great.

2399
01:43:58,800 --> 01:44:01,120
Speaker 2: It was scary how well I'm like, to me, it

2400
01:44:01,200 --> 01:44:04,519
Speaker 2: was a script like they focused he smoked all the

2401
01:44:04,600 --> 01:44:07,280
Speaker 2: performances and they put all the money into that, and

2402
01:44:07,360 --> 01:44:10,240
Speaker 2: there was really no scripted dialogue throughout the entire That's like,

2403
01:44:10,320 --> 01:44:12,160
Speaker 2: that's what bothered me. I could see I could watch

2404
01:44:12,280 --> 01:44:15,679
Speaker 2: these performances on YouTube. I don't really need to see

2405
01:44:15,680 --> 01:44:17,599
Speaker 2: the remake of this. And that's the focus of the movie.

2406
01:44:17,680 --> 01:44:21,000
Speaker 2: That's why give me the story. Yeah, there was really

2407
01:44:21,080 --> 01:44:23,040
Speaker 2: no dialogue, like at all.

2408
01:44:23,160 --> 01:44:24,080
Speaker 5: I thought it was great.

2409
01:44:24,800 --> 01:44:27,160
Speaker 3: But he I mean, he did great. I definitely want

2410
01:44:27,160 --> 01:44:28,720
Speaker 3: to give him the flowers and that regard. I don't know.

2411
01:44:28,920 --> 01:44:31,599
Speaker 2: The script itself was just not our voice. That's when

2412
01:44:31,640 --> 01:44:33,519
Speaker 2: they first started. I was like, damn, I got chilled

2413
01:44:34,080 --> 01:44:36,200
Speaker 2: when he first The first word he said when he

2414
01:44:36,240 --> 01:44:39,360
Speaker 2: turned around was talking to Quincin. Yeah, what the fuck

2415
01:44:39,479 --> 01:44:39,920
Speaker 2: is happening?

2416
01:44:40,200 --> 01:44:41,799
Speaker 4: It was so crazy to me, Like I told everybody,

2417
01:44:41,800 --> 01:44:43,880
Speaker 4: I was like, yo, if I find out that they

2418
01:44:44,040 --> 01:44:46,920
Speaker 4: cegid a lot of that shit, like, I would not

2419
01:44:47,040 --> 01:44:49,040
Speaker 4: be surprised, like because that's that's how.

2420
01:44:49,040 --> 01:44:52,320
Speaker 5: Like much he nailed even though just the energy.

2421
01:44:52,080 --> 01:44:55,560
Speaker 4: And expressions, the mannerism, man box, Yeah, the way he

2422
01:44:55,600 --> 01:44:58,439
Speaker 4: would move and walk, and it was just incredible to

2423
01:44:58,520 --> 01:44:58,840
Speaker 4: watch that.

2424
01:44:59,240 --> 01:45:00,200
Speaker 5: I thought it was a great Joe.

2425
01:45:00,240 --> 01:45:02,320
Speaker 4: But I do get how some people feel like the

2426
01:45:02,439 --> 01:45:05,439
Speaker 4: script and the storyline didn't really like you know. I

2427
01:45:05,520 --> 01:45:07,400
Speaker 4: mean I understand that too, But I think for what

2428
01:45:07,560 --> 01:45:09,719
Speaker 4: it was and what we got, I thought.

2429
01:45:09,520 --> 01:45:11,720
Speaker 3: It was incredible. Whoever played young Michael did a really

2430
01:45:11,720 --> 01:45:12,240
Speaker 3: good job too.

2431
01:45:12,479 --> 01:45:14,760
Speaker 6: Yeah, he did a good job the young man. I

2432
01:45:14,840 --> 01:45:16,760
Speaker 6: just think that Michael is such a powerhouse. It's kind

2433
01:45:16,760 --> 01:45:17,320
Speaker 6: of hard it's going.

2434
01:45:17,479 --> 01:45:19,000
Speaker 3: I knew it was gonna be who's gonna get that

2435
01:45:19,120 --> 01:45:19,640
Speaker 3: story right?

2436
01:45:19,760 --> 01:45:20,000
Speaker 2: Yeah?

2437
01:45:20,320 --> 01:45:22,599
Speaker 4: Like, and you can't get that story right in two

2438
01:45:22,600 --> 01:45:25,120
Speaker 4: and a half hours. It's too much. There it's like,

2439
01:45:25,800 --> 01:45:27,760
Speaker 4: we can't. This would have to be a series, like

2440
01:45:27,800 --> 01:45:30,960
Speaker 4: we would have to do an hour a week for

2441
01:45:31,120 --> 01:45:34,240
Speaker 4: like ten weeks to probably to really dive in.

2442
01:45:34,439 --> 01:45:36,240
Speaker 3: Yeah, but I thought that, you know what they did.

2443
01:45:36,200 --> 01:45:40,400
Speaker 4: And obviously again Jaffar's performance, that to me is the

2444
01:45:40,479 --> 01:45:43,120
Speaker 4: best Michael performance we've seen.

2445
01:45:43,320 --> 01:45:44,920
Speaker 3: Facts. I love.

2446
01:45:45,000 --> 01:45:49,320
Speaker 4: What were fans of them? Jackson American Dream on VH one.

2447
01:45:49,360 --> 01:45:50,679
Speaker 4: That's probably everybody's favorite.

2448
01:45:50,760 --> 01:45:55,200
Speaker 2: Yea. But even that, Michael didn't do what Jaffar did, Like,

2449
01:45:55,800 --> 01:45:58,519
Speaker 2: I don't think nobody came shout out to that dude.

2450
01:45:58,520 --> 01:45:59,360
Speaker 2: He killed that shit too.

2451
01:45:59,400 --> 01:46:01,559
Speaker 3: He did, and I just found out he passed away.

2452
01:46:02,680 --> 01:46:04,720
Speaker 3: I think he died right after the movie. Yeah, like

2453
01:46:04,840 --> 01:46:05,560
Speaker 3: that was I didn't know.

2454
01:46:05,600 --> 01:46:06,320
Speaker 5: I had no idea.

2455
01:46:06,920 --> 01:46:08,680
Speaker 4: And when we went when Michael came out and I

2456
01:46:09,000 --> 01:46:11,120
Speaker 4: went to go look back at that, I found out that.

2457
01:46:11,240 --> 01:46:13,439
Speaker 6: I made my kids watch that one. First, I said,

2458
01:46:13,439 --> 01:46:15,080
Speaker 6: you can't go, you have to, so we not. You're

2459
01:46:15,080 --> 01:46:17,519
Speaker 6: not You're not allowed to go watch the Michael movie

2460
01:46:17,600 --> 01:46:18,559
Speaker 6: until we watched the first one.

2461
01:46:18,600 --> 01:46:20,360
Speaker 3: Yeah, you have make sense. You have to watch that

2462
01:46:20,439 --> 01:46:21,400
Speaker 3: series and it's classic.

2463
01:46:21,640 --> 01:46:24,439
Speaker 2: I mean, Lorenz State has a monopoly on any very

2464
01:46:24,479 --> 01:46:26,200
Speaker 2: Gordy roll eternity.

2465
01:46:26,320 --> 01:46:28,960
Speaker 5: But yeah, he killed that definitely.

2466
01:46:29,160 --> 01:46:30,719
Speaker 3: He plays very Gordy in every.

2467
01:46:32,680 --> 01:46:34,800
Speaker 5: Though and I understand it though, Like he does a

2468
01:46:34,840 --> 01:46:35,400
Speaker 5: great job with that.

2469
01:46:35,600 --> 01:46:36,040
Speaker 3: He killed that.

2470
01:46:36,520 --> 01:46:39,680
Speaker 2: How you mentioned you had kids have been balancing, you know,

2471
01:46:40,200 --> 01:46:43,400
Speaker 2: everything that's happened with the project and now being signed

2472
01:46:43,439 --> 01:46:46,519
Speaker 2: to Tie. How's the balance beend with having kids and

2473
01:46:46,640 --> 01:46:50,720
Speaker 2: now focusing on your career in disregard.

2474
01:46:52,120 --> 01:46:57,400
Speaker 6: Honestly, it haven't really been a balance likes you know,

2475
01:46:57,520 --> 01:46:59,560
Speaker 6: I don't know. Like I wrote the song about it

2476
01:46:59,640 --> 01:47:02,080
Speaker 6: called Pool. It's my last song on my album Pook,

2477
01:47:02,280 --> 01:47:06,439
Speaker 6: and that song is basically describing the guilt that I

2478
01:47:06,560 --> 01:47:08,040
Speaker 6: feel at times.

2479
01:47:09,240 --> 01:47:11,439
Speaker 3: Providing for my kids the only way I know how

2480
01:47:14,600 --> 01:47:18,800
Speaker 3: yet still trying to be a father is hard.

2481
01:47:19,320 --> 01:47:20,920
Speaker 6: And then like like, don't get me wrong, like I

2482
01:47:20,960 --> 01:47:23,240
Speaker 6: can call, but I don't. For me guilt, The guilt

2483
01:47:23,280 --> 01:47:26,200
Speaker 6: come from like not being the five that I know

2484
01:47:26,360 --> 01:47:32,320
Speaker 6: I can be because I have to provide too, you know,

2485
01:47:32,680 --> 01:47:33,960
Speaker 6: so some mum.

2486
01:47:33,960 --> 01:47:36,320
Speaker 5: As far as being there in the physical and the physical.

2487
01:47:36,000 --> 01:47:37,559
Speaker 3: Presence, yeah, for the most part.

2488
01:47:37,840 --> 01:47:40,320
Speaker 6: You know, I'm always at the studio, I'm always working,

2489
01:47:40,960 --> 01:47:43,439
Speaker 6: So yeah, the balance for me sucks, I will say.

2490
01:47:43,439 --> 01:47:45,519
Speaker 4: People don't people don't understand that part of it. Like

2491
01:47:45,600 --> 01:47:47,920
Speaker 4: even if you're the most successful artist in the world

2492
01:47:48,680 --> 01:47:51,880
Speaker 4: and you know, you make X amount of dollars and people,

2493
01:47:51,920 --> 01:47:53,320
Speaker 4: you know look at you like, oh my god, you

2494
01:47:53,360 --> 01:47:55,479
Speaker 4: can do anything you can do. But people don't know

2495
01:47:55,640 --> 01:47:58,559
Speaker 4: that side of being an artist or creative where you're

2496
01:47:58,680 --> 01:48:02,040
Speaker 4: not able to be there yeah physically, and you know,

2497
01:48:02,120 --> 01:48:04,000
Speaker 4: now you spend a lot of time, FaceTime and things

2498
01:48:04,040 --> 01:48:07,400
Speaker 4: like that. It's not the same though, and people don't.

2499
01:48:07,439 --> 01:48:10,920
Speaker 4: People don't, you know, think about that part of you know,

2500
01:48:11,080 --> 01:48:15,120
Speaker 4: chasing your dreams and and creating of you like damn,

2501
01:48:15,120 --> 01:48:16,599
Speaker 4: I want to be there thor like I don't want

2502
01:48:16,640 --> 01:48:19,320
Speaker 4: to see my kids through a phone and you know.

2503
01:48:19,439 --> 01:48:21,479
Speaker 3: Just that you missed it. You miss a lot. Yeah,

2504
01:48:21,600 --> 01:48:24,040
Speaker 3: you miss a lot. Yeah, Like I said, for me,

2505
01:48:24,960 --> 01:48:28,800
Speaker 3: that definitely, that definitely is a sensitive topic for me.

2506
01:48:29,120 --> 01:48:34,720
Speaker 2: Yeah. No, bro gave Yeah I should. Mart doesn't even

2507
01:48:34,800 --> 01:48:37,479
Speaker 2: even know why I love him. My first year my

2508
01:48:37,560 --> 01:48:41,840
Speaker 2: daughter was born, we were on tour, which sucked, and

2509
01:48:42,240 --> 01:48:44,479
Speaker 2: we haven't toured since and Maul has been cool with it.

2510
01:48:44,520 --> 01:48:46,240
Speaker 3: That's why I love him. Because I'm not going on

2511
01:48:46,280 --> 01:48:46,880
Speaker 3: the road anymore.

2512
01:48:47,200 --> 01:48:49,559
Speaker 2: Wow, Like I'm not I'm not doing that ship because

2513
01:48:49,840 --> 01:48:53,200
Speaker 2: like I can't be in London for three weeks, like yeah,

2514
01:48:53,240 --> 01:48:54,960
Speaker 2: I'm not raising my daughter on FaceTime.

2515
01:48:55,200 --> 01:48:56,840
Speaker 3: Like he's just not doing that ship.

2516
01:48:57,120 --> 01:48:59,519
Speaker 2: So I understand it because that that first year she

2517
01:48:59,680 --> 01:49:03,320
Speaker 2: was born and we were going every fucking weekend like yeah,

2518
01:49:03,400 --> 01:49:06,120
Speaker 2: sh is not and then during the week we recording

2519
01:49:06,280 --> 01:49:09,240
Speaker 2: like yeah, like I'm not about to miss this entire thing.

2520
01:49:09,320 --> 01:49:12,040
Speaker 3: It's shout out mall. That was a real nigga move.

2521
01:49:13,320 --> 01:49:16,439
Speaker 4: I mean you know I'm not. I'm not I love

2522
01:49:16,520 --> 01:49:18,479
Speaker 4: to tour. I love you know, obviously going out. We

2523
01:49:18,560 --> 01:49:21,320
Speaker 4: had fun when we travel. But I get it, man,

2524
01:49:21,400 --> 01:49:22,800
Speaker 4: you know what I'm saying. I'm like, bro listening, you

2525
01:49:22,840 --> 01:49:25,479
Speaker 4: ain't gotta I understand, like you ain't got to even

2526
01:49:25,560 --> 01:49:26,880
Speaker 4: have that conversation when you want to.

2527
01:49:26,840 --> 01:49:28,479
Speaker 5: Be there for your for your family and your daughter.

2528
01:49:28,800 --> 01:49:31,439
Speaker 2: Yeah, and if we can agent managers like look how

2529
01:49:31,520 --> 01:49:32,960
Speaker 2: much money y'all can make on the wrong I'm not

2530
01:49:33,080 --> 01:49:36,479
Speaker 2: doing this ship because I even try to bring her

2531
01:49:36,520 --> 01:49:37,960
Speaker 2: on the road for certain shows.

2532
01:49:37,680 --> 01:49:40,360
Speaker 3: And it's like this is I can see this ship.

2533
01:49:42,120 --> 01:49:42,920
Speaker 5: It's a different feel.

2534
01:49:43,080 --> 01:49:46,839
Speaker 2: She running around Howard theaters around Chicago, like I can't.

2535
01:49:46,640 --> 01:49:49,240
Speaker 3: Do this ship, man, it's different, but it's different.

2536
01:49:49,600 --> 01:49:51,760
Speaker 6: We was making pool man, Me and my me and

2537
01:49:51,800 --> 01:49:55,000
Speaker 6: my my kind of sonic man. I cried that whole

2538
01:49:55,000 --> 01:49:56,400
Speaker 6: I had to go out. I had to remove myself,

2539
01:49:57,000 --> 01:50:00,160
Speaker 6: you know, because, like I said, it's such a it's

2540
01:50:00,160 --> 01:50:02,720
Speaker 6: an interesting topic because it's like you're having to like

2541
01:50:04,560 --> 01:50:09,080
Speaker 6: even some of the lyrics like uh, when I say

2542
01:50:09,120 --> 01:50:13,000
Speaker 6: to make my ego justified, like like is it is

2543
01:50:13,040 --> 01:50:13,679
Speaker 6: this my ego?

2544
01:50:13,880 --> 01:50:14,000
Speaker 2: Is this?

2545
01:50:14,240 --> 01:50:17,479
Speaker 6: Is this me trying to prove something to myself? But

2546
01:50:17,680 --> 01:50:20,920
Speaker 6: the like is it worth it leaving my you know

2547
01:50:20,920 --> 01:50:22,680
Speaker 6: what I mean, like not being the father that I.

2548
01:50:22,720 --> 01:50:24,519
Speaker 3: Know I can be. It's like it's just it's a

2549
01:50:24,640 --> 01:50:26,160
Speaker 3: it's a it's a it's a big thing for me.

2550
01:50:26,280 --> 01:50:31,280
Speaker 2: But you know, yeah, I've definitely tried to trick myself,

2551
01:50:31,439 --> 01:50:35,639
Speaker 2: especially with her first year of think like, oh, I'm

2552
01:50:35,680 --> 01:50:39,840
Speaker 2: the provider, so like yeah, to get the most opportunities

2553
01:50:39,880 --> 01:50:41,400
Speaker 2: for her, I got to get the most money, I

2554
01:50:41,439 --> 01:50:44,880
Speaker 2: gotta work this and that. But then like she got

2555
01:50:44,960 --> 01:50:46,960
Speaker 2: to two years old, started talking like this girl does

2556
01:50:47,040 --> 01:50:51,760
Speaker 2: not care about money. She just wants me to be

2557
01:50:51,840 --> 01:50:53,720
Speaker 2: around here, like she don't give a fuck about that.

2558
01:50:54,320 --> 01:50:56,559
Speaker 2: And granted, no matter what we're still providers. We still

2559
01:50:56,600 --> 01:51:00,120
Speaker 2: need to do that for our kids regardless. But to

2560
01:51:00,240 --> 01:51:04,200
Speaker 2: sacrifice a hundred like one hundred grand to be there yeah.

2561
01:51:05,560 --> 01:51:07,840
Speaker 3: Cool, Yeah like that.

2562
01:51:08,120 --> 01:51:12,360
Speaker 2: That difference between a specific private school or being there

2563
01:51:12,400 --> 01:51:13,479
Speaker 2: every day with your kid.

2564
01:51:13,640 --> 01:51:15,240
Speaker 3: To me, the difference.

2565
01:51:16,439 --> 01:51:16,960
Speaker 1: Doesn't matter.

2566
01:51:17,479 --> 01:51:20,360
Speaker 6: Like funk that hundred ground writing that song was almost

2567
01:51:20,400 --> 01:51:23,400
Speaker 6: permission I asked. It's almost me asking them for permission.

2568
01:51:24,040 --> 01:51:24,240
Speaker 2: You know.

2569
01:51:26,040 --> 01:51:30,920
Speaker 3: Holy your kids eleven and three?

2570
01:51:32,800 --> 01:51:35,439
Speaker 5: Yeah, yeah, so the eleven year old knows, like knows

2571
01:51:35,479 --> 01:51:36,360
Speaker 5: what is for sure?

2572
01:51:36,720 --> 01:51:39,160
Speaker 6: My eleven year old, she's in her own world, you

2573
01:51:39,200 --> 01:51:41,439
Speaker 6: know what I mean? She she'd be doing all that's cool.

2574
01:51:41,479 --> 01:51:44,960
Speaker 3: Her name is my daughter's three. What what do I

2575
01:51:45,000 --> 01:51:46,760
Speaker 3: have to prepare for it for eleven year old? Because

2576
01:51:46,760 --> 01:51:50,120
Speaker 3: I'm terrified? Oh you got a girl? Yeah, you got

2577
01:51:50,160 --> 01:51:54,360
Speaker 3: a girl. Why haven't asked her? She got.

2578
01:51:56,160 --> 01:52:01,120
Speaker 6: Oh god, oh god? Uh she she's gonna love on

2579
01:52:01,240 --> 01:52:04,000
Speaker 6: you for a very long time. She's gonna be attached

2580
01:52:04,000 --> 01:52:04,400
Speaker 6: to your hip.

2581
01:52:04,520 --> 01:52:04,640
Speaker 2: Right.

2582
01:52:05,439 --> 01:52:10,960
Speaker 3: They live probably like eleven twelve ishype type vibe. Yeah, man,

2583
01:52:11,040 --> 01:52:12,960
Speaker 3: it's just they find their own friend.

2584
01:52:13,000 --> 01:52:14,680
Speaker 6: They kind of go away. Yeah, Like they find their

2585
01:52:14,720 --> 01:52:17,320
Speaker 6: own friends, They do their own thing. They don't even

2586
01:52:17,400 --> 01:52:19,479
Speaker 6: like like even like I remember when it started.

2587
01:52:19,760 --> 01:52:20,680
Speaker 3: I was holding her hand.

2588
01:52:20,720 --> 01:52:22,479
Speaker 2: We was at we was we was at the movies,

2589
01:52:23,040 --> 01:52:25,280
Speaker 2: and she seen like little boys and stuff come around,

2590
01:52:25,320 --> 01:52:26,519
Speaker 2: little kids, and.

2591
01:52:26,600 --> 01:52:29,160
Speaker 3: She just kind of checked the hand like, yeah, I'm

2592
01:52:29,240 --> 01:52:31,720
Speaker 3: like give me your hand bag.

2593
01:52:33,840 --> 01:52:34,880
Speaker 1: Yeah, so I mean for me.

2594
01:52:35,120 --> 01:52:39,160
Speaker 6: Uh. That's what I noticed though, when when the girls

2595
01:52:39,200 --> 01:52:40,760
Speaker 6: get older, they just kind of get a little bit

2596
01:52:40,800 --> 01:52:42,040
Speaker 6: more like in their own world.

2597
01:52:42,200 --> 01:52:45,599
Speaker 3: Yeah, you know after they little phases, he's gonna cruy,

2598
01:52:45,800 --> 01:52:50,320
Speaker 3: He's gonna he's gonna cry. What I don't cry, It's okay.

2599
01:52:50,560 --> 01:52:51,839
Speaker 2: Are you related to Eric Bellinger?

2600
01:52:52,640 --> 01:52:53,920
Speaker 3: Yes? I actually found that out.

2601
01:52:53,960 --> 01:52:55,519
Speaker 5: And what was it?

2602
01:52:55,720 --> 01:52:58,599
Speaker 3: I think two thousand and sixteen, fifteen.

2603
01:52:58,520 --> 01:53:01,120
Speaker 2: Twenty three and meter or some shit or family. No,

2604
01:53:01,960 --> 01:53:04,720
Speaker 2: I didn't know the Bellingers. Like, only Bellingers I knew

2605
01:53:04,920 --> 01:53:07,800
Speaker 2: was me, my dad and my grandpa. I didn't know

2606
01:53:07,840 --> 01:53:09,880
Speaker 2: any other bell I only know Eric Bellinger and you.

2607
01:53:10,040 --> 01:53:12,640
Speaker 2: I've never seen that last name before, so I just

2608
01:53:12,680 --> 01:53:14,880
Speaker 2: assumed you were lated. Yeah, I'm related to him.

2609
01:53:15,560 --> 01:53:18,680
Speaker 6: What happened with my dad was wanted to find my

2610
01:53:19,320 --> 01:53:21,479
Speaker 6: my papa's actual dad, Like he wanted to find his

2611
01:53:21,880 --> 01:53:26,759
Speaker 6: real dad and went on ancestry. He found like family members,

2612
01:53:26,800 --> 01:53:29,679
Speaker 6: cousins and stuff like that. And so when we ended

2613
01:53:29,720 --> 01:53:32,960
Speaker 6: up talking to my auntie and she was like, yeah,

2614
01:53:33,000 --> 01:53:37,439
Speaker 6: we actually have a superstar in the family name Eric Bellinger,

2615
01:53:37,760 --> 01:53:40,680
Speaker 6: I was like, okay, okay, I should check him out.

2616
01:53:40,680 --> 01:53:42,120
Speaker 6: At the time he was I don't even think he

2617
01:53:42,240 --> 01:53:44,280
Speaker 6: was like real hot yet, I don't know. It might

2618
01:53:44,320 --> 01:53:47,040
Speaker 6: have been I think around twenty fourteen fifteen, so I

2619
01:53:47,040 --> 01:53:48,559
Speaker 6: don't think he was just like crazy, yeah.

2620
01:53:48,439 --> 01:53:51,040
Speaker 3: But I know he was bubbling. Yeah, yeah, he'd even

2621
01:53:51,040 --> 01:53:51,800
Speaker 3: doing this thing for a while.

2622
01:53:51,800 --> 01:53:53,680
Speaker 2: Well, he was definitely writing hits at that time, but

2623
01:53:53,800 --> 01:53:56,040
Speaker 2: like artist Eric Bellinger, Yeah.

2624
01:53:56,120 --> 01:53:58,360
Speaker 4: Because he had written Fine China with twenty twelve.

2625
01:53:58,479 --> 01:53:59,760
Speaker 3: Yeah, okay, well it might have been. It might have

2626
01:53:59,800 --> 01:54:02,040
Speaker 3: been earlier than I might be pushing it.

2627
01:54:02,120 --> 01:54:03,720
Speaker 2: But like twenty fifteen is when I think as a

2628
01:54:04,000 --> 01:54:06,560
Speaker 2: solo artist he started to like really pop. Like we

2629
01:54:06,720 --> 01:54:10,000
Speaker 2: all knew who Eric Beling was to the mass. Yeah, facts,

2630
01:54:10,320 --> 01:54:13,439
Speaker 2: but everybody connected with them, man Sean connected this man

2631
01:54:13,520 --> 01:54:18,200
Speaker 2: like he was a man he all over the just connection.

2632
01:54:19,880 --> 01:54:24,320
Speaker 2: One of the fucking best execs out. But yeah, yeah,

2633
01:54:24,479 --> 01:54:25,040
Speaker 2: like we was at.

2634
01:54:25,080 --> 01:54:28,519
Speaker 6: I think there was a dream hotel, hotel party, like

2635
01:54:28,760 --> 01:54:30,120
Speaker 6: hotel like the highlight Room.

2636
01:54:30,479 --> 01:54:32,880
Speaker 3: Yeah yea, yeah, yeah, yeah yeah. Eric's always there. That

2637
01:54:32,960 --> 01:54:36,120
Speaker 3: makes that makes every time I see her.

2638
01:54:36,400 --> 01:54:38,880
Speaker 6: A badass suit and ship and I'm like, okay, okay,

2639
01:54:39,280 --> 01:54:40,920
Speaker 6: Sean like yo, yo this ship cousin.

2640
01:54:41,240 --> 01:54:41,720
Speaker 3: He didn't like.

2641
01:54:41,800 --> 01:54:46,040
Speaker 2: He didn't It wasn't like the backstory nowhip cousin.

2642
01:54:46,120 --> 01:54:48,880
Speaker 6: I heard this, I was like, oh damn, let me

2643
01:54:49,080 --> 01:54:50,760
Speaker 6: let me try to explain the rick. Let me, let

2644
01:54:50,800 --> 01:54:52,160
Speaker 6: me let me explain how we're coming.

2645
01:54:53,640 --> 01:54:55,280
Speaker 3: So I explained it to him and what not, and

2646
01:54:56,880 --> 01:54:59,840
Speaker 3: man he played. It was like uh, I got said

2647
01:54:59,880 --> 01:55:01,560
Speaker 3: them my number and I called him. He was like,

2648
01:55:02,000 --> 01:55:03,960
Speaker 3: I don't know is that one L? Because it's two

2649
01:55:04,120 --> 01:55:08,720
Speaker 3: l's in playing I did.

2650
01:55:09,000 --> 01:55:11,560
Speaker 2: I did twenty three and meters and you're able to

2651
01:55:11,960 --> 01:55:14,560
Speaker 2: message people on there. So when they gave me my

2652
01:55:14,640 --> 01:55:17,520
Speaker 2: whole family treat, I did the DM like a mass

2653
01:55:17,560 --> 01:55:18,200
Speaker 2: DM to everyone.

2654
01:55:18,280 --> 01:55:19,200
Speaker 3: Can I borrow some money?

2655
01:55:20,640 --> 01:55:24,520
Speaker 4: That's how you should becausin that worked Like that didn't work.

2656
01:55:26,760 --> 01:55:27,880
Speaker 4: It should have no fucking money.

2657
01:55:27,920 --> 01:55:28,720
Speaker 3: But if everybody was.

2658
01:55:29,040 --> 01:55:31,440
Speaker 2: My cousin and we met at Highlight Room, the first

2659
01:55:31,480 --> 01:55:32,880
Speaker 2: thing I would be like, yo, can I borrow some money?

2660
01:55:32,920 --> 01:55:34,680
Speaker 2: That'd be the first thing I would when you meet

2661
01:55:34,720 --> 01:55:36,320
Speaker 2: new family. That's how you have to start things out.

2662
01:55:36,520 --> 01:55:39,800
Speaker 6: Yeah yeah, nah, Eric man, and he been showing so

2663
01:55:39,920 --> 01:55:42,160
Speaker 6: much love like in my comments and everybody coming.

2664
01:55:42,280 --> 01:55:44,560
Speaker 3: He always now this album y'all go listen to you

2665
01:55:44,560 --> 01:55:47,800
Speaker 3: know what I mean. So it's like he immediately was

2666
01:55:47,880 --> 01:55:49,680
Speaker 3: just my cousin right then and there, like you know,

2667
01:55:49,800 --> 01:55:53,440
Speaker 3: it wasn't no, like you don't know you it wasn't no.

2668
01:55:54,280 --> 01:55:55,840
Speaker 3: You have a real good you have a real open

2669
01:55:55,920 --> 01:55:56,640
Speaker 3: welcoming spirit.

2670
01:55:56,800 --> 01:55:59,080
Speaker 5: Yeah, a good dude, y'all haven't you haven't worked together

2671
01:55:59,160 --> 01:55:59,920
Speaker 5: yet through not yet?

2672
01:56:00,160 --> 01:56:00,600
Speaker 3: What's coming?

2673
01:56:00,960 --> 01:56:01,160
Speaker 5: Yeah?

2674
01:56:01,240 --> 01:56:03,200
Speaker 4: I mean Eric is one of the guys that you know,

2675
01:56:03,320 --> 01:56:09,480
Speaker 4: I always look at like anytime you bal Yeah, extremely talented.

2676
01:56:09,200 --> 01:56:11,880
Speaker 3: Yeah yeah, that being running the family real deep, No.

2677
01:56:11,920 --> 01:56:13,680
Speaker 5: I see it's a lot of talent.

2678
01:56:13,760 --> 01:56:13,920
Speaker 2: Man.

2679
01:56:15,360 --> 01:56:16,960
Speaker 3: What are you looking forward to the most though?

2680
01:56:17,040 --> 01:56:21,080
Speaker 4: From here from this point forward, like as far as artists,

2681
01:56:21,120 --> 01:56:23,640
Speaker 4: as far as just growing in the industry, Like, what

2682
01:56:23,760 --> 01:56:25,080
Speaker 4: are you looking forward to the most?

2683
01:56:25,360 --> 01:56:25,480
Speaker 3: Man?

2684
01:56:25,560 --> 01:56:27,840
Speaker 6: You know what, bro, I think I I kind of

2685
01:56:27,880 --> 01:56:31,360
Speaker 6: got over planning or like, are over looking forward? I

2686
01:56:31,440 --> 01:56:35,000
Speaker 6: think I'm just kind of like I'm allowing God and

2687
01:56:35,080 --> 01:56:37,280
Speaker 6: I'm just trusting the process like that. You know what

2688
01:56:37,280 --> 01:56:40,240
Speaker 6: I mean, I don't I don't know, you know, I

2689
01:56:40,280 --> 01:56:42,240
Speaker 6: think that was my biggest thing I told I mean,

2690
01:56:42,600 --> 01:56:45,240
Speaker 6: that was my saying of last year. I don't know,

2691
01:56:46,400 --> 01:56:48,800
Speaker 6: but I'm sure you know what I mean. And I

2692
01:56:48,840 --> 01:56:50,880
Speaker 6: think that's that's that's how you describe faith. So I'm

2693
01:56:50,960 --> 01:56:53,000
Speaker 6: just kind of like, I'm just kind of trying to

2694
01:56:53,240 --> 01:56:57,200
Speaker 6: be as grounded and keep my eyes on, you know,

2695
01:56:57,440 --> 01:56:58,440
Speaker 6: whatever my purpose is.

2696
01:56:59,440 --> 01:57:02,480
Speaker 3: That's that's my main thing. Yeah, I know you mentioned

2697
01:57:02,560 --> 01:57:04,520
Speaker 3: every feature you want, they're all dead.

2698
01:57:05,400 --> 01:57:07,440
Speaker 2: I guess how I asked producer wise, I know you

2699
01:57:07,520 --> 01:57:09,640
Speaker 2: have your your core team everything, but is the producers

2700
01:57:09,680 --> 01:57:10,160
Speaker 2: that you want.

2701
01:57:10,000 --> 01:57:19,640
Speaker 3: To work with? Producers that are alive? Uh? Tricky Tricky, Tricky.

2702
01:57:19,400 --> 01:57:22,680
Speaker 6: Crazy, Tricky did one of my favorite fan favorite, Frank

2703
01:57:22,720 --> 01:57:27,440
Speaker 6: Frank was a nova can Trigcky didn Yeah?

2704
01:57:27,720 --> 01:57:32,080
Speaker 3: Did Tricky the game? Yeah? I think so you know,

2705
01:57:32,920 --> 01:57:33,880
Speaker 3: did he did? I don't want to.

2706
01:57:34,040 --> 01:57:35,600
Speaker 2: I mean it would make sense because I know Frank,

2707
01:57:35,840 --> 01:57:37,640
Speaker 2: I know Frank was working well, I know Lonnie bro

2708
01:57:37,840 --> 01:57:41,000
Speaker 2: was working with Tricky and those were all like reference joints.

2709
01:57:41,600 --> 01:57:44,840
Speaker 3: That wouldn't shock me. A Tricky did Tricky? Yeah? That

2710
01:57:44,920 --> 01:57:46,800
Speaker 3: makes you did it? Yeah, that makes sense.

2711
01:57:46,840 --> 01:57:47,720
Speaker 5: I mean, that's a classic.

2712
01:57:47,880 --> 01:57:48,440
Speaker 3: That's a classic.

2713
01:57:48,560 --> 01:57:50,440
Speaker 5: You just start off with that with Novac.

2714
01:57:50,680 --> 01:57:50,840
Speaker 2: You know.

2715
01:57:51,240 --> 01:57:53,080
Speaker 3: Yeah, And I would love to work with Tricky. I

2716
01:57:53,200 --> 01:57:55,360
Speaker 3: love it. I really looked love to work with anybody man,

2717
01:57:55,440 --> 01:57:55,840
Speaker 3: d Mile.

2718
01:57:56,640 --> 01:57:57,080
Speaker 2: I mean that.

2719
01:57:58,560 --> 01:57:59,240
Speaker 3: One of the ghosts.

2720
01:58:00,240 --> 01:58:04,000
Speaker 2: Everybody Chosh Major just did the Black album. That that

2721
01:58:04,240 --> 01:58:07,240
Speaker 2: is incredible. I don't know if you heard Black's album yet, oh, man.

2722
01:58:07,320 --> 01:58:10,280
Speaker 6: Yeah, I haven't listened to all of it. Everybody's been

2723
01:58:10,320 --> 01:58:11,800
Speaker 6: talking about it. I'm gonna go check it out.

2724
01:58:12,440 --> 01:58:12,480
Speaker 2: Do.

2725
01:58:13,200 --> 01:58:17,320
Speaker 3: Yeah, he's the last night He's fire. But yeah, you

2726
01:58:17,400 --> 01:58:18,760
Speaker 3: and Tricky would be great. Yeah.

2727
01:58:20,720 --> 01:58:23,560
Speaker 2: Is Dream one of your your influences because I hear

2728
01:58:23,600 --> 01:58:27,760
Speaker 2: a lot of Dream in your writing, in your runs,

2729
01:58:28,000 --> 01:58:29,040
Speaker 2: in your melodies.

2730
01:58:30,200 --> 01:58:32,800
Speaker 3: It's kind of dream in my opinion. Yeah, nah, No,

2731
01:58:32,960 --> 01:58:33,440
Speaker 3: you can say that.

2732
01:58:33,560 --> 01:58:36,320
Speaker 6: You can say that Dream is one of the greatest

2733
01:58:36,640 --> 01:58:39,280
Speaker 6: writers of all time to me, like he probably he's

2734
01:58:39,320 --> 01:58:41,720
Speaker 6: definitely top five, you know all day long.

2735
01:58:42,320 --> 01:58:43,320
Speaker 3: To me, Dream have a.

2736
01:58:46,560 --> 01:58:48,480
Speaker 6: His like when it came to melodies. I feel like

2737
01:58:48,560 --> 01:58:53,240
Speaker 6: he really like mastered that. Like I think he made

2738
01:58:53,280 --> 01:58:55,560
Speaker 6: everybody else want to know, we need to like get

2739
01:58:55,600 --> 01:59:01,520
Speaker 6: that melody right first, you know. Yeah, I don't know, man,

2740
01:59:01,600 --> 01:59:03,720
Speaker 6: Like Dream just Dream Dream is just like one of

2741
01:59:03,800 --> 01:59:04,520
Speaker 6: those I.

2742
01:59:04,560 --> 01:59:06,120
Speaker 4: Told I was telling Rory I saw him at a

2743
01:59:06,520 --> 01:59:09,160
Speaker 4: small venue in the city so OB's one night. I

2744
01:59:09,200 --> 01:59:11,360
Speaker 4: couldn't even believe he was playing Sobs first of all,

2745
01:59:11,560 --> 01:59:13,560
Speaker 4: and I was like Dreams doing SOB. So I went

2746
01:59:14,720 --> 01:59:16,560
Speaker 4: and what he was able to do with that room

2747
01:59:16,760 --> 01:59:21,000
Speaker 4: just production wise, like I was blown away. I was like, Oh,

2748
01:59:21,080 --> 01:59:22,720
Speaker 4: this is why he is who he is. Yeah, he

2749
01:59:22,800 --> 01:59:26,120
Speaker 4: can go in any room and completely turn it into

2750
01:59:26,240 --> 01:59:27,240
Speaker 4: the whole experience.

2751
01:59:27,360 --> 01:59:27,560
Speaker 3: Yeah.

2752
01:59:27,960 --> 01:59:30,200
Speaker 4: And you know from that point, I mean before that

2753
01:59:31,080 --> 01:59:32,640
Speaker 4: huge fan of Dream, but when I got to see

2754
01:59:32,680 --> 01:59:35,520
Speaker 4: him live in a small venue and what he was

2755
01:59:35,560 --> 01:59:37,080
Speaker 4: able to do with that, I was like, oh, yeah,

2756
01:59:37,120 --> 01:59:39,560
Speaker 4: this dude is just on a different level. So he's

2757
01:59:39,600 --> 01:59:41,560
Speaker 4: forever to me want to and I'm glad him in

2758
01:59:42,120 --> 01:59:44,720
Speaker 4: Tricky are back working together and you know for this

2759
01:59:44,880 --> 01:59:48,520
Speaker 4: next project like that was that was Yeah. I think

2760
01:59:48,560 --> 01:59:50,720
Speaker 4: everybody's kind of waiting for that one, Like you got

2761
01:59:50,840 --> 01:59:51,160
Speaker 4: to hear this.

2762
01:59:52,240 --> 01:59:54,880
Speaker 3: Yeah, like I said, I ended up. I wrote a

2763
01:59:55,040 --> 01:59:55,640
Speaker 3: song for.

2764
01:59:57,400 --> 02:00:00,440
Speaker 6: The gout he named Cars on the Table, and that's

2765
02:00:00,480 --> 02:00:01,960
Speaker 6: that's where I got the aspiration. But I feel like

2766
02:00:02,000 --> 02:00:03,760
Speaker 6: when I did that, I was steal in that bag,

2767
02:00:04,520 --> 02:00:06,280
Speaker 6: right because I think a little bit after that I

2768
02:00:06,360 --> 02:00:07,080
Speaker 6: did perfect one.

2769
02:00:07,400 --> 02:00:13,880
Speaker 3: Mm hmm, yeah, like you know that. Yeah, so that vibe. Yeah,

2770
02:00:14,160 --> 02:00:19,200
Speaker 3: it's just like I said, he melody coded, you know. Yeah.

2771
02:00:19,680 --> 02:00:20,000
Speaker 1: How long?

2772
02:00:20,560 --> 02:00:24,960
Speaker 3: How do you feel about the recent Drake dropped, specifically

2773
02:00:26,200 --> 02:00:30,880
Speaker 3: the R and B album I haven't. For me, I haven't.

2774
02:00:30,920 --> 02:00:34,400
Speaker 6: I ain't really listened like too much. I've been having

2775
02:00:34,440 --> 02:00:38,680
Speaker 6: so much to do. Like from what I've heard, though, Man,

2776
02:00:38,760 --> 02:00:42,280
Speaker 6: Drake is Drake. She she trained you very well as

2777
02:00:42,320 --> 02:00:44,000
Speaker 6: far as far as pr answers.

2778
02:00:48,080 --> 02:00:49,520
Speaker 2: I understand why you said that. I look over like

2779
02:00:49,560 --> 02:00:50,320
Speaker 2: that's my mom. Yeah.

2780
02:00:51,720 --> 02:00:59,440
Speaker 3: Yeah, you guys good development for real.

2781
02:01:00,160 --> 02:01:02,640
Speaker 6: Man, we're good. Like I say though, like I'm a

2782
02:01:03,160 --> 02:01:08,160
Speaker 6: Drake to me, Drake he can't do no like no wrong,

2783
02:01:08,440 --> 02:01:12,120
Speaker 6: like music wise, he gonna always be that that nigga

2784
02:01:12,240 --> 02:01:14,680
Speaker 6: for me. You know, Like, how do you think that

2785
02:01:14,760 --> 02:01:17,160
Speaker 6: he should do too much? I just think he's good

2786
02:01:17,240 --> 02:01:17,520
Speaker 6: right now.

2787
02:01:18,360 --> 02:01:19,800
Speaker 3: He don't have to. He don't have to. I think

2788
02:01:19,840 --> 02:01:21,720
Speaker 3: he's just Yeah.

2789
02:01:21,720 --> 02:01:24,200
Speaker 2: I only asked just because you know, with your project,

2790
02:01:24,280 --> 02:01:26,200
Speaker 2: I just feel like, I mean, maybe it did all

2791
02:01:26,280 --> 02:01:28,600
Speaker 2: stem from Kanye eightaw eights, but I do feel like

2792
02:01:28,760 --> 02:01:33,840
Speaker 2: that low fide dark tone that is in R and

2793
02:01:33,960 --> 02:01:38,880
Speaker 2: B now really came from Toronto. Like it's a Toronto sound.

2794
02:01:39,520 --> 02:01:42,200
Speaker 2: Your project, respectfully to me, has a lot of Toronto

2795
02:01:42,320 --> 02:01:44,840
Speaker 2: influence in it. And I mean that in a very

2796
02:01:44,880 --> 02:01:46,880
Speaker 2: positive that's that's not that, Yeah, that's not wrong with that.

2797
02:01:47,160 --> 02:01:51,120
Speaker 2: Like Toronto, I don't think it's the full credit, not

2798
02:01:51,200 --> 02:01:53,360
Speaker 2: even specifically to Drake go down the weekend and go

2799
02:01:53,520 --> 02:01:56,000
Speaker 2: to the party, go down the line with R and

2800
02:01:56,080 --> 02:01:58,800
Speaker 2: B artists Toronto. I feels like kind of define the

2801
02:01:59,000 --> 02:02:01,640
Speaker 2: R and B sound that work in right now. Yeah,

2802
02:02:01,880 --> 02:02:07,280
Speaker 2: and I agree like from weekend, like you said, like

2803
02:02:09,840 --> 02:02:12,080
Speaker 2: tone wise, I feel like it's says it's a mood.

2804
02:02:12,120 --> 02:02:13,440
Speaker 2: It's a very moody vibe.

2805
02:02:14,240 --> 02:02:17,560
Speaker 3: You know, it's overcast, it's it's always cloudy. Yes, it's

2806
02:02:17,600 --> 02:02:19,840
Speaker 3: very cloudy. And and for me, I love that. Like

2807
02:02:19,920 --> 02:02:22,520
Speaker 3: I said, I came up and I came up on.

2808
02:02:22,680 --> 02:02:28,560
Speaker 6: Grunge, so I liked I liked songs like I like Nirvana,

2809
02:02:28,680 --> 02:02:30,200
Speaker 6: Like Nirvana was also cloudy.

2810
02:02:30,960 --> 02:02:31,200
Speaker 2: You know.

2811
02:02:32,760 --> 02:02:39,120
Speaker 3: Who else? Incabus and seether Stained uh uh, Lincoln Park

2812
02:02:39,560 --> 02:02:41,800
Speaker 3: you feel me like, oh that also had a mood

2813
02:02:41,880 --> 02:02:42,720
Speaker 3: to it as well.

2814
02:02:43,640 --> 02:02:45,880
Speaker 6: So like for me, I would I would say, like

2815
02:02:46,320 --> 02:02:50,600
Speaker 6: I grabbed, I grab a lot of the moodiness from those.

2816
02:02:51,200 --> 02:02:53,240
Speaker 6: It may it may feel like that too, though, because

2817
02:02:53,560 --> 02:02:55,120
Speaker 6: I know, I know they listen to a lot of shiny,

2818
02:02:55,200 --> 02:02:57,720
Speaker 6: they listen to Donnelle Joels a lot from That's a

2819
02:02:57,800 --> 02:03:02,040
Speaker 6: big thing out there. Yeah, but for the most part,

2820
02:03:02,600 --> 02:03:04,480
Speaker 6: that's where I would I would say I grab most

2821
02:03:04,520 --> 02:03:06,480
Speaker 6: of my mood from.

2822
02:03:07,760 --> 02:03:11,600
Speaker 3: Like that. That that all tea very alternative rock.

2823
02:03:11,920 --> 02:03:12,120
Speaker 2: Yeah.

2824
02:03:12,280 --> 02:03:14,440
Speaker 3: Yeah, No, you smoked Seattle for sure.

2825
02:03:15,640 --> 02:03:19,480
Speaker 2: City you know, at least beautiful like to Seattle and

2826
02:03:19,600 --> 02:03:24,560
Speaker 2: just drop right around Seattle. Ship is yeah from there

2827
02:03:24,920 --> 02:03:28,680
Speaker 2: from Seattle. Yeah, but no, we we we appreciate you

2828
02:03:28,760 --> 02:03:29,200
Speaker 2: coming through.

2829
02:03:30,080 --> 02:03:31,120
Speaker 3: Appreciate y'all having me.

2830
02:03:31,680 --> 02:03:33,680
Speaker 2: I look forward to hearing more music from you. Are

2831
02:03:33,680 --> 02:03:36,360
Speaker 2: you gonna tour this album? Am I going to tour it?

2832
02:03:36,520 --> 02:03:39,080
Speaker 3: Yeah? I don't know. I got my first I got

2833
02:03:39,120 --> 02:03:44,000
Speaker 3: my first show tonight. Uh, baby's all right? Okay, Brave Venue.

2834
02:03:44,640 --> 02:03:46,680
Speaker 2: Yes, that's that's what time you get on stage, I

2835
02:03:46,800 --> 02:03:48,520
Speaker 2: might slide through if I can get my daughter down

2836
02:03:48,560 --> 02:03:49,920
Speaker 2: and I believe it's eight o'clock.

2837
02:03:50,400 --> 02:03:52,280
Speaker 3: Oh yeah, it's time.

2838
02:03:53,680 --> 02:03:55,680
Speaker 2: If you get on stage around ten, I can maybe

2839
02:03:55,760 --> 02:04:00,640
Speaker 2: make it. Let's push it to ten. But Babies Alright

2840
02:04:00,760 --> 02:04:03,080
Speaker 2: is is a great venue. And it's like a writere

2841
02:04:03,160 --> 02:04:06,760
Speaker 2: passage too for R and b X in New York, Like, yeah, alright,

2842
02:04:06,920 --> 02:04:09,680
Speaker 2: you have really got funna have fun. Hey, I appreciate,

2843
02:04:09,680 --> 02:04:10,640
Speaker 2: I'm nervous as to.

2844
02:04:12,320 --> 02:04:13,520
Speaker 4: But I mean you're gonna you're gonna have a lot

2845
02:04:13,560 --> 02:04:17,000
Speaker 4: of fun. I think the people that go to Babies

2846
02:04:17,000 --> 02:04:19,640
Speaker 4: al right, like they gonna fuck with you. They're gonna,

2847
02:04:19,640 --> 02:04:22,000
Speaker 4: they're gonna they're gonna fuck with the vibe and the music.

2848
02:04:22,720 --> 02:04:24,320
Speaker 4: So you should have a great show tonight. I think

2849
02:04:24,360 --> 02:04:26,440
Speaker 4: that's just gonna be dope for you. But yeah, we gotta,

2850
02:04:26,440 --> 02:04:29,600
Speaker 4: I gotta, I gotta catch you whenever you're back in

2851
02:04:29,640 --> 02:04:30,240
Speaker 4: New York.

2852
02:04:31,600 --> 02:04:31,880
Speaker 5: Again.

2853
02:04:31,920 --> 02:04:35,200
Speaker 4: I'm a fan project. At least She's beautiful is incredible.

2854
02:04:35,800 --> 02:04:37,600
Speaker 4: Shout out to everything that you're doing over the shoutut

2855
02:04:37,640 --> 02:04:41,640
Speaker 4: to Todd Dollars, shout out to Leon Thomas. Yeah, man,

2856
02:04:41,680 --> 02:04:44,360
Speaker 4: And next time you're back in the city, please please

2857
02:04:44,440 --> 02:04:46,480
Speaker 4: come through man, easy easy.

2858
02:04:46,720 --> 02:04:49,520
Speaker 3: Yeah, that's all Jada Widow, I'm that nigga.

2859
02:04:49,560 --> 02:04:52,360
Speaker 2: He's just Ginger's beautiful available.

2860
02:04:52,520 --> 02:04:53,360
Speaker 3: Now go get that