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Speaker 1: Writer. I was listening to the Sally and Barbie podcast

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Speaker 1: on our way home. On my way home from location scouting.

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Speaker 1: Why does your microphone sound like you're recording on a potato?

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Speaker 1: Does it me? I look at your microphone every time,

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Speaker 1: and I think, what a beautiful microphone. And I've gotten

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Speaker 1: some comments I saw even on Instagram. So I need

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Speaker 1: a new microphone. I guess what should I get? What

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Speaker 1: do you guys have? Why do you have such good microphones?

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Speaker 1: And this is just a sure microphone, but it's pretty good.

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Speaker 1: I don't recommend this stand like doesn't really fit in here.

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Speaker 1: It's really kind and it's super annoying, but this is

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Speaker 1: a good microphone. But I mean Will's microphone is what

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Speaker 1: is yours? And for the record, my I have. I

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Speaker 1: have what's called an m MXL nine thousand, and that

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Speaker 1: sounds like fancy dancy. It's not like literally something like

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Speaker 1: twenty five years ago, Jason Marson gave this to me

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Speaker 1: as a gift and it was like a hundred and

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Speaker 1: forty dollars, So it's not That's why they always say

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Speaker 1: all the voice over actors say, you find a mike

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Speaker 1: that loves your voice, so you don't have to spend

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Speaker 1: a whole ton of money to get something that sounds good.

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Speaker 1: I'd like to very briefly doesn't like. But I mean,

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Speaker 1: obviously that's Mike. I was gonna say yours apparently because

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Speaker 1: I want to go back to Danielle talking about the

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Speaker 1: amazing analogy of why does it sound like you're recording

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Speaker 1: on a potato? I think it's pretty great. Well, well,

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Speaker 1: when we put out videos for our live show and

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Speaker 1: I did also recording on a potato, everybody just ripped

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Speaker 1: me apart. Well you did it did? It's so bad.

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Speaker 1: It looked like you should have been holding today's paper

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Speaker 1: going like they're treating me well. But actually from my computer,

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Speaker 1: which is what this is recorded on, and I think

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Speaker 1: my computer cameras just horrible. It just looks like what

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Speaker 1: kind of computer are you? Are you running on? A

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Speaker 1: like like a Dell's coming from you? You don't even

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Speaker 1: as excuse I've got a I'm in a very nice

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Speaker 1: max set up here in my and it's it's a

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Speaker 1: nice desktop and everything in my beautiful little room. Nobody

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Speaker 1: said it looked like I was being held hostage. Writer. Yeah,

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Speaker 1: I mean I could use an equipment upgrade that's that's

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Speaker 1: probably true. But yeah, I have to get a new Mike.

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Speaker 1: I have to get the size of microphones matters. You've

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Speaker 1: got an awesome it looks like it goes for another five.

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Speaker 1: I think the bigger problem is the room. I think

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Speaker 1: I just have a big wow in the chat from Tara.

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Speaker 1: They're willing to get you a new mic Yes, please,

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Speaker 1: that would be awesome. Send me a new Mike. Great

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Speaker 1: writer is frozen and now he's frozen. Yes, your technology,

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Speaker 1: you are just frozen with kind of this perplexed look

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Speaker 1: on your face, like I wonder why my computer doesn't work.

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Speaker 1: I'm taking a picture. I'm taking a picture. If it

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Speaker 1: stays frozen, I'm still there from perfectly. You guys are

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Speaker 1: actually frozen for me. You're choppy, but you're here. Hi,

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Speaker 1: Here you go. You guys are still frozen for me.

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Speaker 1: It's just you. It's just you. It looks like a

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Speaker 1: passport photo. Yeah, you know, like it's not awful, but

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Speaker 1: it's not great. It's like that kind of thing. Well, listen, guys,

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Speaker 1: if this is any this was wonderful pre show chatter,

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Speaker 1: but I actually really enjoyed it. Welcome to pod meets World.

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Speaker 1: I'm Danielle Fischel, I'm right or strong, and I'm Wilfred l.

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Speaker 1: So today we are going over season one episode fifteen,

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Speaker 1: Model Family. It originally aired February fourth, and the synopsis

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Speaker 1: is that Corey comes to realize that nobody's family is

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Speaker 1: perfect when he and his classmates are assigned to work

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Speaker 1: together as a cohesive family, all while Eric attempts a

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Speaker 1: career in modeling. Yeah. Wow, this This is also the

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Speaker 1: first time Marsden was this. This is a great episode. Yeah,

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Speaker 1: that was first see. I thought this was the second

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Speaker 1: season episode for some reason. I also remember Kathy Ireland

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Speaker 1: being in a lot more of this episode than she

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Speaker 1: was five lines, but she's five lines in this thing. Really,

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Speaker 1: she's three scenes. I was you have a line here there,

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Speaker 1: and then like in my head, for some reason, we

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Speaker 1: had like all these scenes together and we did all that, yes,

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Speaker 1: because you were so excited. Well also you were probably

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Speaker 1: working because I think everyone in the well actually no,

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Speaker 1: I take it back, Corey and Genre and I doesn't

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Speaker 1: saying they weren't maybe shooting, and ye, they're all you

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Speaker 1: guys were all in it, so you couldn't have been shooting.

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Speaker 1: But but I'm assuming Kathy Ireland's presence is uh, it

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Speaker 1: was a big deal. I didn't I don't think I

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Speaker 1: even knew who she was, but I what I remember,

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Speaker 1: And it's going to be funny as we go through

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Speaker 1: these seasons in these episo. So whenever there's a swing set,

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Speaker 1: I remember the episodes so much better. Whenever it was

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Speaker 1: a new set that came into like this, mall right,

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Speaker 1: they had to build that just for this week, and

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Speaker 1: so the episode is way more imprinted on my memory

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Speaker 1: because it was just a different space. You know, it's

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Speaker 1: hard to remember. Like at this point, all the classroom

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Speaker 1: scenes feel like, oh yeah, we're always there something. This

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Speaker 1: is the first swing set we see in the season, right,

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Speaker 1: I believe. So, so let's explain what a swing set is, writer, Yeah,

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Speaker 1: so a swings well, actually, did I use the terminology?

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Speaker 1: A swing set is something built just for that week

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Speaker 1: out right, So it's just a it's just a you

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Speaker 1: you know, I think the first season, this might be

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Speaker 1: our only one, but certainly in later seasons, you know,

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Speaker 1: we would have um locations that would just be built

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Speaker 1: for one episode or two episodes, like you know, the

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Speaker 1: ski lodge for when that comes up in the Sama

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Speaker 1: the Lamba fan we all forgot about. Yeah, so and

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Speaker 1: you know, I think, actually it's a really it's a

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Speaker 1: big budgetary concern. So I have a feeling in our

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Speaker 1: first season we didn't get many we didn't have many

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Speaker 1: swing sets because they're you know, they're expensive and it

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Speaker 1: takes a lot. So that's why, like it was, I

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Speaker 1: was actually thinking about this when you guys followed, when

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Speaker 1: you tailed the parents to Labuccia that episode, I was like,

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Speaker 1: why didn't they just go Like in later seasons we

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Speaker 1: probably would have had a scene at a restaurant, but

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Speaker 1: but of course we probably didn't have the budget approval

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Speaker 1: from the network at that point to do a whole

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Speaker 1: restaurant because then you have to have extras, you have

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Speaker 1: to build a whole set, it's a whole thing. But

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Speaker 1: it's interesting that we did get this mall, and I

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Speaker 1: don't think we use it again. I think this is

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Speaker 1: the only time it was a jarring to when we

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Speaker 1: get to it, when it was like they cut to

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Speaker 1: a mall, like when at Firstwise, it's very weird because

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Speaker 1: it's like this bright white space. It's a kind of

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Speaker 1: a weird set totally takes you out of the show.

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Speaker 1: For a second because you're just not used to cutting

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Speaker 1: a weight from anything. It's like, that's not the school

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Speaker 1: or the house. That's exactly Jason. There's yeah that we've established, Yeah, exactly. Yeah,

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Speaker 1: it was. It was this show. Was There's a lot

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Speaker 1: going on in this show. Frankly, yes there was. So.

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Speaker 1: The director was David Trayner. Writers were Ed Dector and

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Speaker 1: John Strauss and his guest guest cast. We had Jason

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Speaker 1: Marson as Jason Mark Jason Marsden. It's the first of

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Speaker 1: his nine appearances on the show. We had Kelly Packard

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Speaker 1: as Tracy and she was best known later as Tiffany

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Speaker 1: on the Save by the Bell spinoff California Dreams. California Dreams.

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Speaker 1: She came on a couple of times. She did a

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Speaker 1: few episodes for us, a few boys. Jason was only

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Speaker 1: a nine episodes. It's amazing, seem like a lot more.

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Speaker 1: Oh my god. If you asked me, I would have

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Speaker 1: thought like I got three off. Oh my god. No.

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Speaker 1: But I guess it was just because he was always there.

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Speaker 1: Was probably also just hanging out as a friend, because yeah,

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Speaker 1: because he was he's my best friend, so we were

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Speaker 1: we just hadn't met before this episode, right, we did

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Speaker 1: we met, you know, we did because we auditioned to gaff,

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Speaker 1: you know, and he got almost him and then we

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Speaker 1: auditioned and I got this. And again I don't know

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Speaker 1: if I told this story, but the night I got

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Speaker 1: Boy Mets World, my dad and I to celebrate, we

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Speaker 1: went to this amazing place called City Walk in Universal

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Speaker 1: where it's like the cool It's all Neon and there's

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Speaker 1: you know, great cool restaurants and it's like hugely hip,

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Speaker 1: especially when you're fifteen sixteen. It's not like bars, it's

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Speaker 1: not clubs. It's just like, let's go to City Walk.

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Speaker 1: It's an outdoor mall. It's an outdoor mall, but it's

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Speaker 1: like a cool hip outdo them all. And there's this

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Speaker 1: big hill to walk up toward to it when you're

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Speaker 1: coming to Universal Side. Literally, the night I got Boy

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Speaker 1: Me Tworld, I'm walking up and there's Jason Marsden with

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Speaker 1: two of his friends walking down, and I'm with my

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Speaker 1: dad and Jason. I have a big smile and I go, hey,

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Speaker 1: it's good to see again. Man. He goes yeah, and

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Speaker 1: he turned to his two friends and he went, this

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Speaker 1: is the prick that stole my job, and to this day,

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Speaker 1: my dad still laughs hysterically because my my parents have

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Speaker 1: since then called him number four. We I have two

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Speaker 1: brothers and they've called Jason number four. So he's been,

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Speaker 1: you know, in my family, my life since I was sixteen,

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Speaker 1: and so my dad to this day, I remember when

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Speaker 1: you said the prick who stole my job. That's still

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Speaker 1: one of the funniest So that and we were just

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Speaker 1: friends after that ever since. He was the only person

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Speaker 1: I knew in Los Angeles at that point other than

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Speaker 1: the cast. So he would show me around and take

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Speaker 1: me out, and it was yeah, thank I thank god

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Speaker 1: for Jason all the time because he was my age

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Speaker 1: and like he was a seasoned pro oh man, Like

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Speaker 1: you didn't even see it in this episode. His acting chops,

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Speaker 1: like his comedy timing, and he I just remember looking

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Speaker 1: up to him as like such an expert and like

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Speaker 1: all things actory like he was such a like Hollywood

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Speaker 1: insider actor. He had been on like everything. He just

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Speaker 1: never turned down a job. He was always booking stuff

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Speaker 1: from I don't even know how old was he when

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Speaker 1: he started. He ended jocks. He was just the first

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Speaker 1: movie that did robots. Well, no, if you think you

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Speaker 1: think he's a pro. This will this will really blow

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Speaker 1: your mind. So I'm not sure you remember this. He

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Speaker 1: replaced somebody that played my best friend. He up the week.

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Speaker 1: He showed up on the day for this and did

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Speaker 1: that for this episode. That was somebody morning he had

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Speaker 1: gotten the script. You guys really buried the lead here.

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Speaker 1: Oh yeah, Jason. He showed up on tape day and

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Speaker 1: did this performance. They did this performance and we were

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Speaker 1: all like, oh, and I think that's probably why I

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Speaker 1: have this like overwhelming like memory of Jason just being

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Speaker 1: a pro. Like he showed And what had happened is

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Speaker 1: they had written it for him because Michael Jacobs had

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Speaker 1: produced Almost Home with Jason. They had written this part

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Speaker 1: literally named the character Jason. But he couldn't do it

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Speaker 1: for whatever reason. And then something happened where he could

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Speaker 1: suddenly do it. His schedule freed up, and so they

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Speaker 1: fired the other guy who had been there all week.

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Speaker 1: Jason came in and started taping, and it was like

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Speaker 1: I knew all of his lines, like, and I just

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Speaker 1: remember being in awe of him. I just remember like thinking,

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Speaker 1: oh my gosh, this is this is how to be

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Speaker 1: was It was also seeing that the differences between him

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Speaker 1: and the other actor. The other actor came in and

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Speaker 1: was playing it like almost angry for and and Jason

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Speaker 1: comes in with all this lightness and his finding jokes

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Speaker 1: where I was like, oh that was a joke, Oh

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Speaker 1: that was a joke, like you're fine, things that the

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Speaker 1: other actor just didn't And it was it turned the

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Speaker 1: whole thing around. And I was like, oh this and

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Speaker 1: any actor who works with somebody really good makes you better.

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Speaker 1: So I know that he like, thank god he was there.

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Speaker 1: I'm sure it made my performance that much better. But

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Speaker 1: he he walked in and he did that on the day. Yeah. Crazy.

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Speaker 1: So other guest cast Stephanie Dicker as Aaron Matt Kirkwood

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Speaker 1: as our photographer, and he was there for all seven years.

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Speaker 1: I wonder how many times he showed up on screen.

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Speaker 1: I was surprised to see him here. I was like, oh,

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Speaker 1: even though I remember he working about this when we

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Speaker 1: get to the scenes, I remember I remember a story

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Speaker 1: about this where he was terrified at one point, I'll

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Speaker 1: tell you. And then Christopher Cayer upcoming Pod Meets World

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Speaker 1: guest as a mall announcer. Um so he was also walks.

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Speaker 1: So he's the voice of the mall announcement. But then

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Speaker 1: he's also very featured on He's a very featured We'll

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Speaker 1: talk about that when we get to it. If I

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Speaker 1: can remember where it is, it's in the mall. Um.

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Speaker 1: So we start our recap in Mr Feenie's classroom, the

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Speaker 1: classes watching a scene from Leave It to Beaver, where

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Speaker 1: Beaver is reciting a poem. Mr Feenie asks the class

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Speaker 1: how they feel June and Ward handled their their family problem,

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Speaker 1: and Sean says they were too perfect. Corey agree, saying

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Speaker 1: it was to TV. To Corey's surprise, Mr Feenie agrees

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Speaker 1: and begins his lesson for the day. He explains that

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Speaker 1: in the fifties, the modern family was seen as a mom,

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Speaker 1: a dad, and two kids. So in this assignment for students,

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Speaker 1: the only four students who speak in the class, of

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Speaker 1: course everybody else read a book or something, are going

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Speaker 1: to become a family, and they're going to work to

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Speaker 1: become ideal family members. So Foene quickly pairs Shawn and

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Speaker 1: Mancus together as brothers in hope of making each other

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Speaker 1: the ideal brother. And then, which is very cute, famous moment,

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Speaker 1: and we also hear ned a rama that's what I

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Speaker 1: wrote down. Okay, I couldn't read my own writing. I

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Speaker 1: thought it said modernization, and like, what does that mean? Exactly?

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Speaker 1: So dated to the most nineties thing I think. I

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Speaker 1: think it's a Optionneider from reference. You say, Nick and Cuppy,

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Speaker 1: is that exactly? Copy? Copy clue? I probably had no clue. Wallet.

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Speaker 1: He probably didn't know what that. But that makes it

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Speaker 1: even more nineties dated because it was taken from a

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Speaker 1: straight up like oh it was. They might as well

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Speaker 1: have been going like we do we do? You say

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Speaker 1: dope later I do that. We'll win into that too. Yeah,

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Speaker 1: there's a whole story behind that as well. Yeah, you're again.

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Speaker 1: This was an important episode for me. It was like

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Speaker 1: it was Ireland and Jason Marsden and it was like

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Speaker 1: a lot about in the butter Oh, we'll get into

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Speaker 1: all that. I'm telling you. This whole leave It to

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Speaker 1: be everything is kind of strange. I didn't remember this

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Speaker 1: at all, Like, actually, because I've heard I feel like,

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Speaker 1: boy we Were has been referred to as kind of

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Speaker 1: leave it to beaver ish or actually, I guess you

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Speaker 1: hear Happy Days more often. People talk about it being

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Speaker 1: like a sort of nineties happy days. But it was

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Speaker 1: interesting that we're like being met a self referential which

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Speaker 1: obviously later when Bill makes this big laugh line at

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Speaker 1: the end, but I was like, I didn't remember this.

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Speaker 1: I thought I'd literally clicked on the wrong thing to

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Speaker 1: start the street. It's like, why is it starting as

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Speaker 1: a black and white TV show? Well, then the Boy

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Speaker 1: Meets World credits start, and I have to tell you,

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Speaker 1: Jensen said before we went to bed. Gotta be honest,

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Speaker 1: the credits are growing on me. Oh, it's like Stockholm syndrome.

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Speaker 1: By the time you've been through fifteen episodes, you kind

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Speaker 1: of need it. Indie let me skip him, and he

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Speaker 1: was like, today we don't. I'm sorry he's not into it,

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Speaker 1: and we only want to know we've we've we've done some.

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Speaker 1: I just didn't get around to like completely additing it.

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Speaker 1: And but you know, it's interesting. He doesn't have much

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Speaker 1: to say anymore. He's much more like he's actually like

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Speaker 1: feeling me about Boy Meets World, right, Like he said, Okay, yeah, well,

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Speaker 1: I hate to tell you this, writer, but and I'm

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Speaker 1: going to do a shameless plug for my other podcast.

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Speaker 1: I hear voices, but I've had a thought of wanting

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Speaker 1: to bring Indian too. I hear voices, to hear him

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Speaker 1: do some voice stuff. He would have so much fun

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Speaker 1: with that. Love to have him just come and play.

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Speaker 1: I think that'd be And that's all he'd have to do,

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Speaker 1: is just come and do voices and sounds and all

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Speaker 1: that stuff. And I think, I think it'd be a

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Speaker 1: ton of fun. So yeah, we'll get to them. So

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Speaker 1: we're in the Boy Meets World credits and then we

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Speaker 1: are at the mall. It's just I want to talk

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Speaker 1: to before we get to the credits. Even Bill writing

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Speaker 1: on the board. I think this is the first time

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Speaker 1: we've seen me right on the board. And it was

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Speaker 1: cool to be like, oh, that's Bill's actual handwriting. It's

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Speaker 1: so funny. I thought that too, because our prop master's

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Speaker 1: handwriting is impeccable. You've seen it in other sets. It's

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Speaker 1: in other another classroom scenes where it's all capital letters,

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Speaker 1: very straight, very even. It was beautiful. And then to

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Speaker 1: see Bill right himself after it's something yeah, and it

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Speaker 1: was kind of tension building. He has like a moment

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Speaker 1: of his yeah, because it's one of those I think

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Speaker 1: it's not just that. If you notice what he does

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Speaker 1: is he stops and looks at the chalk like something's

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Speaker 1: wrong with the chalk, and he adjusts the chalk for

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Speaker 1: the second word. I thought he was just making sure

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Speaker 1: he was spelling it right or something like. But you

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Speaker 1: could just tell, like, you know, it's one of those

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Speaker 1: active things. If you're playing a teacher, you're you're not

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Speaker 1: comfortable writing on a board. Well, he's also talking and writing,

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Speaker 1: and he's talking longer than he's writing, so he's actually

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Speaker 1: writing something on the board that aren't the words coming

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Speaker 1: out of his mouth, which is like using the different

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Speaker 1: had a really hard time with this during Girlmate's World too.

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Speaker 1: He was always a pain. It was like anytime you

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Speaker 1: have to write on the board and talk, it's like

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Speaker 1: it's yeah, it's just a weird brain disconnect. Yeah, do

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Speaker 1: you do stupid question just because you will writer. I

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Speaker 1: guess you would know more because you have a child

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Speaker 1: of this age. Are chalkboard still in use? Is that

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Speaker 1: still a thing? No? Not at all? No, No, interesting.

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Speaker 1: I mean yeah, I mean we have one at our

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Speaker 1: house at that you know, but it's kind of course,

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Speaker 1: but you mean in like a classroom, Yeah, like a

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Speaker 1: classroom setting. Is is there a teacher at a chalkboard anymore?

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Speaker 1: Is that even if? Or smart boards? What's a smart board?

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Speaker 1: Like a screen star trek? Wow? Okay they don't have

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Speaker 1: that in Connecticut, but here, you know what, I got

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Speaker 1: a call from the governor. I know I'm gonna I

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Speaker 1: don't even love is pissed because I really just like

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Speaker 1: making fun of you. Just like making fun of you. Okay,

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Speaker 1: So we are at them all. It is a full

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Speaker 1: mall set up, Eric, and we get the introduction of

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Speaker 1: Jason Marsden there in the food court trying to pick

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Speaker 1: up girls, put him in a hood and throw them

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Speaker 1: on the set. That's what they did. They are playing

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Speaker 1: a game where they pretend not to notice the girls,

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Speaker 1: but really they are very much noticing them, and Jason

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Speaker 1: praised that it will happen. After Jason praised that it

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Speaker 1: will happen to him, a woman, Kathy Ireland playing Alexis,

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Speaker 1: approaches Eric and says she's had her eye on him,

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Speaker 1: and Eric freezes talk about a set up. By the

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Speaker 1: way goes on beat like line for line, what she

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Speaker 1: ends up like this is the classic sitcom set up.

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Speaker 1: Oh please don't make this happen, and yeah, this happens,

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Speaker 1: or please make that a new character being given, like

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Speaker 1: you're the Jason and then they throw him like right

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Speaker 1: into your the setup. You're the guy you're doing that,

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Speaker 1: and it's like he took it ran because that's I mean,

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Speaker 1: normally it's like Eric would be talking and oh, here's

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Speaker 1: my friend Jason, let's kind of introduce him, and instead

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Speaker 1: they just boom, it's Jason. The big laugh there they did, Yeah,

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Speaker 1: which he earned. It was awesome. Yeah. So Alexis introduces

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Speaker 1: herself after calling Eric handsome and Eric forgets his name. Uh.

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Speaker 1: Jason then coughs Eric twice until Eric still doesn't hear it,

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Speaker 1: so he finally just says Eric Eric. Jason tries to

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Speaker 1: talk to her, but she goes right back to Eric

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Speaker 1: to ask if he wants to be a professional model.

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Speaker 1: Jason makes Eric choose between him or Alexis, but Jason

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Speaker 1: quickly realizes the answer what the answer is going to be,

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Speaker 1: and he walks away. You know what I remember, So

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Speaker 1: I remember going to Michael Jacobs and him saying to

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Speaker 1: me why I wasn't going to what we were talking

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Speaker 1: about something? And he said, is there you know, if

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Speaker 1: anything you want? And I said, I'd love to meet

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Speaker 1: a supermodel. Remember saying that I'd love to me. I said,

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Speaker 1: I'd love to meet you sties. Well I know I

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Speaker 1: did because he told me. He came up and he goes,

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Speaker 1: we got you Cathy Ireland. And I was like, what

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Speaker 1: so in the nineties you're like fifteen sixteen, you have

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Speaker 1: supermodels on your wall like that's it was the car Eric,

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Speaker 1: So you actually were very because I said, I was like,

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Speaker 1: oh my god, I get to meet Cathy Ireland. I

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Speaker 1: had a poster of her on my wall like it

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Speaker 1: was the coolest thing. And the day before I was

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Speaker 1: going to meet her, I got this weird breakout thing

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Speaker 1: on my face that like took over part of my face.

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Speaker 1: And throughout the entire week I worked with there just

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00:20:02,040 --> 00:20:06,360
Speaker 1: seemed to progressively get bigger. So it was just like

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Speaker 1: it was that you might have married exactly. I was

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Speaker 1: just remember thinking to myself like like of course, of

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Speaker 1: course it's gotta be there's gotta be something, because it

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Speaker 1: can't all be perfect. It's got to be like boy,

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Speaker 1: but by the way, you had really great skin. I

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Speaker 1: got that week. Um, And I remember Arlene Grayson, God

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Speaker 1: bless her. What like she came into the to the

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Speaker 1: school we were doing something and she walked out and

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Speaker 1: as she walked out, she must have walked by the

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Speaker 1: makeup people and she doesn't didn't know that. I was

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Speaker 1: kind of right behind her, and she leaned in and

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Speaker 1: she's like, don't forget you need to check Will there's

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Speaker 1: something on his face, and then walked But just like,

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Speaker 1: oh man, yeah, Arlene Grayson. Let's explain who Arlene was.

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Speaker 1: We've talked about Arlene. She was our producer and she

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Speaker 1: was so sweet. She passed away at the end of

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Speaker 1: the first season. Yeah, between season one and season two.

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Speaker 1: Somewhere around there was the season one and season two

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Speaker 1: or season two and season time is hard for me,

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Speaker 1: but yeah, I want to say she was there for

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Speaker 1: the second season, wasn't she? Wow? See, I mean I

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Speaker 1: would have said the end the first season. But yeah,

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Speaker 1: I feel like my memory, like I think I've completely

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Speaker 1: collapsed first and seconds of the discovered doing this podcast.

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Speaker 1: So I think she was there the first two. But

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Speaker 1: I created an episode somewhere after she passed where we

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Speaker 1: did it's dedicated to Arlene Grayson. Right, it was season

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Speaker 1: It was either episode one, season two or episode one

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Speaker 1: season three. Yeah, and I know that it was when

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Speaker 1: Lily was gone too, because everyone thought that it was

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Speaker 1: likely she had passed away. We will find out it's

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Speaker 1: either at the beginning of season two or it's at

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Speaker 1: the beginning of season three. So I wonder if that

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Speaker 1: dedication is included on the stream rain. I think it is.

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Speaker 1: I think it's the dan. I know it was one.

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Speaker 1: It was on the part of the credit. Yeah, yeah,

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Speaker 1: I remember that, which which is very sweet, but yeah,

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Speaker 1: it was. She was such a nice one. But yeah,

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Speaker 1: there's Cathy Island and she couldn't have been nicer. Yeah,

424
00:21:58,960 --> 00:22:00,840
Speaker 1: she was the sweetest one in the world. And we

425
00:22:00,880 --> 00:22:02,879
Speaker 1: talked like most of the week and she was just

426
00:22:02,920 --> 00:22:05,280
Speaker 1: really cool. I remember like her being very very cool.

427
00:22:05,480 --> 00:22:08,640
Speaker 1: So her her date of death was June on, which

428
00:22:08,640 --> 00:22:11,359
Speaker 1: means she died between season two and season three. Arlene

429
00:22:11,400 --> 00:22:18,320
Speaker 1: Graca Arlene Okay, so yeah, I'm pretty sure it's between

430
00:22:18,320 --> 00:22:20,080
Speaker 1: season two and season three, but we'll know when we

431
00:22:20,080 --> 00:22:23,240
Speaker 1: get there. Um still no belt by the way to

432
00:22:23,240 --> 00:22:25,200
Speaker 1: get back into the scene to have a belt later

433
00:22:25,359 --> 00:22:28,320
Speaker 1: with your leather not there? Yeah, I know with the

434
00:22:28,400 --> 00:22:32,280
Speaker 1: leather vest. She also a turtlenecks. Okay, we're in the

435
00:22:32,320 --> 00:22:35,719
Speaker 1: Matthews kitchen Corey, Shawn Mincus, and Topanga are working on

436
00:22:35,760 --> 00:22:39,399
Speaker 1: their class assignment. Corey reads the very spiritual script that

437
00:22:39,440 --> 00:22:42,280
Speaker 1: Topanga wrote for him, but Corey says, I'm not a Navajo.

438
00:22:43,240 --> 00:22:46,200
Speaker 1: Corey hands Topanga his script and says his model wife

439
00:22:46,240 --> 00:22:48,680
Speaker 1: won't care how dirty his room gets, and we'll always

440
00:22:48,680 --> 00:22:52,159
Speaker 1: win at video games. She also plays street hockey at

441
00:22:52,160 --> 00:22:56,840
Speaker 1: any time, day or night. The four of you, we're

442
00:22:57,000 --> 00:23:01,560
Speaker 1: so good, so again, and I know we harp on

443
00:23:01,600 --> 00:23:04,159
Speaker 1: this every week. Why you would change that dynamic and

444
00:23:04,160 --> 00:23:06,280
Speaker 1: get rid of Lee? I have not, But the four

445
00:23:06,359 --> 00:23:12,119
Speaker 1: of you are so different and and interesting and work

446
00:23:12,359 --> 00:23:16,280
Speaker 1: so well together with the different personalities that why any

447
00:23:16,320 --> 00:23:18,640
Speaker 1: note would be We've got to change that? I will

448
00:23:18,760 --> 00:23:22,160
Speaker 1: never understand. This is a fun scene. I remember doing

449
00:23:22,160 --> 00:23:23,639
Speaker 1: this too, like once once we were in and I

450
00:23:23,640 --> 00:23:26,800
Speaker 1: was like, oh yeah. This is also the probably the

451
00:23:26,840 --> 00:23:29,920
Speaker 1: most popular Jeff of me I've ever seen on the internet,

452
00:23:30,000 --> 00:23:32,640
Speaker 1: when when you say why don't you just marry Sean? Yeah,

453
00:23:32,680 --> 00:23:34,840
Speaker 1: and you make it come to me with my eyebrow

454
00:23:34,880 --> 00:23:39,360
Speaker 1: going up. I see like see that all over the internet. Yes,

455
00:23:39,520 --> 00:23:41,680
Speaker 1: so much. It's a weird like and I never knew

456
00:23:41,720 --> 00:23:44,080
Speaker 1: which one it was from. It's also a very famous

457
00:23:44,119 --> 00:23:47,800
Speaker 1: line that Ben says the then our children would look

458
00:23:47,840 --> 00:23:51,600
Speaker 1: like courses our children, So it's also it's a very

459
00:23:51,600 --> 00:23:55,320
Speaker 1: famous line because it was an opportunity where if a

460
00:23:55,400 --> 00:23:58,320
Speaker 1: homophobic joke was going to be made, it could have

461
00:23:58,400 --> 00:24:01,560
Speaker 1: been made and it wasn't. And so people have often

462
00:24:01,680 --> 00:24:05,440
Speaker 1: commented that it's like a really great moment for uh,

463
00:24:05,880 --> 00:24:08,520
Speaker 1: for young kids where when she says, you know, ta

464
00:24:08,560 --> 00:24:10,520
Speaker 1: Penga is not asking in a way of like why

465
00:24:10,600 --> 00:24:12,399
Speaker 1: why wouldn't you two guys get married? As if it

466
00:24:12,440 --> 00:24:14,159
Speaker 1: were gross, It's just why don't you marry him? It

467
00:24:14,200 --> 00:24:17,119
Speaker 1: sounds like a good good match. And Corey looks at

468
00:24:17,119 --> 00:24:20,360
Speaker 1: you and there's no like you gross, we're boy, it's

469
00:24:20,359 --> 00:24:23,880
Speaker 1: none of that. It's just our kids would look like horses, um.

470
00:24:23,960 --> 00:24:26,320
Speaker 1: And so people have commented it's like it's a it's

471
00:24:26,320 --> 00:24:30,119
Speaker 1: a famous like I don't understand. I think it's funny

472
00:24:31,040 --> 00:24:34,280
Speaker 1: the idea. I don't know, Yeah, I think maybe because yeah,

473
00:24:34,520 --> 00:24:36,440
Speaker 1: I don't know, I don't know what I just think,

474
00:24:36,600 --> 00:24:39,960
Speaker 1: but it is actually kind of funny where it's like yeah,

475
00:24:40,040 --> 00:24:42,840
Speaker 1: but it's because it's like obviously some sort of kid

476
00:24:42,920 --> 00:24:45,080
Speaker 1: logic like right, but why would your kids look like.

477
00:24:45,840 --> 00:24:47,720
Speaker 1: Is it a reference to the way I look or

478
00:24:47,920 --> 00:24:49,480
Speaker 1: the way he looks like? I don't Is it a

479
00:24:49,560 --> 00:24:52,840
Speaker 1: joke that I'm like, Am I horse faced? Or No? No,

480
00:24:52,960 --> 00:24:54,719
Speaker 1: it is not. I don't think it's not at all.

481
00:24:56,400 --> 00:25:00,359
Speaker 1: I tell you you're just fine, Thank you. No, I no,

482
00:25:00,400 --> 00:25:02,800
Speaker 1: I mean obviously I'm joking like, I don't know. I

483
00:25:02,840 --> 00:25:04,840
Speaker 1: just didn't know, like I guess it's just I don't

484
00:25:04,840 --> 00:25:11,399
Speaker 1: think random, yeah exactly, but I'm asking because um my

485
00:25:11,480 --> 00:25:13,840
Speaker 1: son asked me. Andy was like, what what does that mean?

486
00:25:13,880 --> 00:25:17,760
Speaker 1: I was like, well, I don't know. I don't why

487
00:25:17,760 --> 00:25:20,840
Speaker 1: would your kids look like horses? I'm like, I can't

488
00:25:20,840 --> 00:25:25,880
Speaker 1: help you about manly bone structure. With manly bone structure,

489
00:25:26,080 --> 00:25:30,920
Speaker 1: no feminine d n A in it would be I think.

490
00:25:31,000 --> 00:25:33,440
Speaker 1: I think that's what he was thinking. I don't really know,

491
00:25:33,920 --> 00:25:38,600
Speaker 1: but completely unrelated. Do you want to carrot writer? Yeah,

492
00:25:39,480 --> 00:25:44,919
Speaker 1: just remember Daniel, we've talked about this. Hold your fingers background.

493
00:25:42,840 --> 00:25:53,600
Speaker 1: Just don't care about carrots. So Mincus gives Seawan forty

494
00:25:53,640 --> 00:25:56,200
Speaker 1: pages of how a brother would act, and Sean throws

495
00:25:56,240 --> 00:25:58,959
Speaker 1: it away very rude. I love what says I love

496
00:25:59,000 --> 00:26:01,919
Speaker 1: because because I have friends that are only children and

497
00:26:02,000 --> 00:26:03,560
Speaker 1: they do dream about what it would be like to

498
00:26:03,600 --> 00:26:05,199
Speaker 1: have a sibling. So I love that they threw that

499
00:26:05,240 --> 00:26:07,280
Speaker 1: in where it's like I thought about this a lot

500
00:26:07,359 --> 00:26:11,240
Speaker 1: of how I want to talk a brother and sister.

501
00:26:11,960 --> 00:26:21,399
Speaker 1: Oh well, then Eric walks in. Eric walks in, He

502
00:26:21,440 --> 00:26:23,919
Speaker 1: poses on the countertop, and he says, don't hate me

503
00:26:24,000 --> 00:26:28,600
Speaker 1: because I'm beautiful, which is arguably my my most famous

504
00:26:28,680 --> 00:26:31,600
Speaker 1: Jeff of all time. Is this is of the don't

505
00:26:31,640 --> 00:26:35,960
Speaker 1: hate me because I'm beautiful. Yeah, this is an important scene. Yeah,

506
00:26:36,080 --> 00:26:38,240
Speaker 1: and Will the way you come in, the way you

507
00:26:38,440 --> 00:26:43,960
Speaker 1: throw yourself onto the counter, it's so natural and so easy.

508
00:26:44,000 --> 00:26:46,960
Speaker 1: I really buy that you live in that house, like

509
00:26:47,000 --> 00:26:50,440
Speaker 1: I buy that you're that you live there. Oh that's good. Yeah,

510
00:26:50,440 --> 00:26:51,920
Speaker 1: I love it. That's that's This was a lot of

511
00:26:51,920 --> 00:26:54,280
Speaker 1: if I remember this, I remember this whole episode was

512
00:26:54,320 --> 00:26:56,880
Speaker 1: so much fun doing so. Eric says he was discovered

513
00:26:56,920 --> 00:26:59,160
Speaker 1: at the mall, but Corey, Shawn and Topanga tell Eric

514
00:26:59,200 --> 00:27:02,439
Speaker 1: he got scam, but Minca says, no, it's not a scam.

515
00:27:02,680 --> 00:27:06,760
Speaker 1: He was also discovered at the mall, and then Eric

516
00:27:06,840 --> 00:27:10,720
Speaker 1: realizes he did in fact get scammed. So that is

517
00:27:10,800 --> 00:27:13,720
Speaker 1: we were at the table read and just I wasn't

518
00:27:13,760 --> 00:27:16,879
Speaker 1: even sure I said it out loud. When Minka says

519
00:27:16,920 --> 00:27:20,120
Speaker 1: I too, I just went, don't like and the explore

520
00:27:20,200 --> 00:27:22,840
Speaker 1: room exploded. And it was in the script when we

521
00:27:22,880 --> 00:27:24,879
Speaker 1: got back to the stage like they actually was the

522
00:27:24,920 --> 00:27:28,480
Speaker 1: first time. I remember just randomly adding something at a

523
00:27:28,480 --> 00:27:31,240
Speaker 1: table read and then it made it and I was like,

524
00:27:31,240 --> 00:27:33,320
Speaker 1: oh man, it's in this like I did that. I

525
00:27:33,359 --> 00:27:35,359
Speaker 1: did that word, and so it was ended up in

526
00:27:35,400 --> 00:27:38,280
Speaker 1: the script. And then Rusty did it during the table

527
00:27:38,480 --> 00:27:41,440
Speaker 1: or during the run through. He added his and they

528
00:27:41,520 --> 00:27:45,800
Speaker 1: laughed again and they added that as well. Did it

529
00:27:45,840 --> 00:27:48,439
Speaker 1: was soaked? But I remember that, Yes, I remember there.

530
00:27:48,920 --> 00:27:51,520
Speaker 1: But then there's also the I'll be back reference. Yes,

531
00:27:51,800 --> 00:27:58,720
Speaker 1: little sports and action. Yeah, that was great, And they

532
00:27:58,840 --> 00:28:03,280
Speaker 1: come in the parents men, and I was so honored that.

533
00:28:03,320 --> 00:28:05,119
Speaker 1: Then when they're pulled out of the kitchen, not to

534
00:28:05,160 --> 00:28:06,680
Speaker 1: jump ahead a little bit, but when they're pulled out

535
00:28:06,680 --> 00:28:10,479
Speaker 1: of the kitchen, it's a conversation about Eric. It's it's

536
00:28:10,480 --> 00:28:18,280
Speaker 1: about parenting. Eric exists, Daddy sees Meddy TV, daddy sees me.

537
00:28:18,880 --> 00:28:20,800
Speaker 1: So yeah, it goes like, oh, well, they're having it's

538
00:28:20,800 --> 00:28:22,360
Speaker 1: like not about the star of the show. They're having

539
00:28:22,400 --> 00:28:24,920
Speaker 1: a private conversation about one of their other kids. Okay,

540
00:28:25,000 --> 00:28:27,280
Speaker 1: now now you feel seen, So now we don't have

541
00:28:27,320 --> 00:28:29,159
Speaker 1: to hear about it for a few episodes. Maybe that

542
00:28:29,200 --> 00:28:34,200
Speaker 1: you're seen now, Yeah, I think that's a whole different story.

543
00:28:34,240 --> 00:28:37,560
Speaker 1: So Morgan walks in and she has the greatest eagle

544
00:28:37,640 --> 00:28:40,160
Speaker 1: starter jacket. It's got to be so small, but I

545
00:28:40,240 --> 00:28:43,480
Speaker 1: want that jacket she's wearing. Um and she says, Eric,

546
00:28:43,480 --> 00:28:45,880
Speaker 1: girls are going to dump you all your life, so

547
00:28:46,040 --> 00:28:48,160
Speaker 1: get over it, because she thinks that's why you're face

548
00:28:48,240 --> 00:28:51,720
Speaker 1: down on the counter. Corey snitches, and Alan and Amy

549
00:28:51,760 --> 00:28:55,400
Speaker 1: find out that Eric spent ninety dollars on modeling photos.

550
00:28:55,480 --> 00:28:57,960
Speaker 1: Amy pulls Alan outside to explain that Eric should be

551
00:28:58,000 --> 00:28:59,840
Speaker 1: able to make his own mistakes with his own money.

552
00:29:00,120 --> 00:29:04,040
Speaker 1: Amy says, trust your child and let them fail. Eric

553
00:29:04,240 --> 00:29:06,640
Speaker 1: comes out and he says he feels awful. He's going

554
00:29:06,680 --> 00:29:08,720
Speaker 1: to go back to the mall and he's getting his

555
00:29:08,960 --> 00:29:15,040
Speaker 1: money back. Dun dudan. So then we are at the mall.

556
00:29:15,240 --> 00:29:17,479
Speaker 1: Eric and Jason return. They're ready to get a refund

557
00:29:17,520 --> 00:29:20,320
Speaker 1: for the scam. But before he gets really into it, oh,

558
00:29:20,360 --> 00:29:22,960
Speaker 1: so he actually he hands his wallet to Jason. He says,

559
00:29:22,960 --> 00:29:26,200
Speaker 1: please don't let me give her any more of my money?

560
00:29:26,400 --> 00:29:30,840
Speaker 1: So cute, and he sure enough is Um seems to

561
00:29:30,880 --> 00:29:34,160
Speaker 1: be swayed by her beauty. Alexis asks Eric if he

562
00:29:34,200 --> 00:29:36,760
Speaker 1: wants a modeling job at the mall that pays fifty

563
00:29:36,800 --> 00:29:40,200
Speaker 1: dollars and if he does well, they may ask him back.

564
00:29:40,200 --> 00:29:42,400
Speaker 1: Because my first thought was, well, fifty dollars isn't even

565
00:29:42,400 --> 00:29:48,320
Speaker 1: the nine. But the idea of it's my first and

566
00:29:48,360 --> 00:29:50,000
Speaker 1: if I do really well, they're going to pay me

567
00:29:50,080 --> 00:29:52,800
Speaker 1: that all the time is probably a little more alluring.

568
00:29:52,880 --> 00:29:57,480
Speaker 1: So he realizes maybe it's not a scam um. Yes,

569
00:29:57,560 --> 00:30:01,680
Speaker 1: that was Cathy Ireland's second scene, right, yeah, Okay, she's

570
00:30:01,720 --> 00:30:03,840
Speaker 1: in three scenes, but it's like I remembered her like

571
00:30:04,000 --> 00:30:05,720
Speaker 1: dominating the scene. She'd like walk in and say a

572
00:30:05,760 --> 00:30:07,240
Speaker 1: few things, and then she left, and I was like, oh,

573
00:30:07,320 --> 00:30:09,240
Speaker 1: is that is that hit for the whole scene? Like

574
00:30:09,400 --> 00:30:12,520
Speaker 1: I remembered it being this whole year tea. Yes, it

575
00:30:12,720 --> 00:30:15,760
Speaker 1: was like Kathy Ireland I was. I would go home

576
00:30:15,840 --> 00:30:19,400
Speaker 1: from the set to a poster size Kathy Ireland on

577
00:30:19,440 --> 00:30:23,040
Speaker 1: the wall of apartment. So in the apartment you had

578
00:30:23,040 --> 00:30:27,040
Speaker 1: a Kathy Ireland poster. Do you really think that's true? No, yes,

579
00:30:27,080 --> 00:30:38,080
Speaker 1: I did. Did you did you have her sign it? Now? Did? Like? No? No? No?

580
00:30:38,080 --> 00:30:40,000
Speaker 1: Nor do? We go to run away to a brick

581
00:30:40,000 --> 00:30:42,680
Speaker 1: split level on Oak Street. So then we're back in

582
00:30:42,680 --> 00:30:45,200
Speaker 1: the Matthews living room. Cory is reading a book titled

583
00:30:45,320 --> 00:30:48,760
Speaker 1: The Navajo Way, and he talks to his parents about marriage.

584
00:30:49,320 --> 00:30:52,600
Speaker 1: What's the grown writer? All the Navajo stuff. We'll get

585
00:30:52,600 --> 00:30:54,280
Speaker 1: to it when we get to the head dress. Oh

586
00:30:54,360 --> 00:30:58,360
Speaker 1: that's yeahs Eric walks in and says, not only was

587
00:30:58,400 --> 00:31:00,880
Speaker 1: he not scammed, he's leaving his job at the store

588
00:31:00,920 --> 00:31:03,000
Speaker 1: and he is going to be a full time model.

589
00:31:03,080 --> 00:31:06,640
Speaker 1: He hands Alan his apron back. Alan, who wanted to

590
00:31:06,680 --> 00:31:09,360
Speaker 1: step in, tries to be calm, but Amy says she's

591
00:31:09,400 --> 00:31:11,680
Speaker 1: letting Alan out of his cage. He can go ahead

592
00:31:11,720 --> 00:31:15,560
Speaker 1: and get mad now, and Alan throws the newspaper over

593
00:31:15,600 --> 00:31:18,680
Speaker 1: his head and jumps up and runs out of the room.

594
00:31:19,080 --> 00:31:20,960
Speaker 1: I love all this stuff, all this all the Alan

595
00:31:21,000 --> 00:31:23,840
Speaker 1: Amy stuff. I think it gets great to watch these

596
00:31:24,600 --> 00:31:28,200
Speaker 1: I'm trying not to keep saying how good they are

597
00:31:28,240 --> 00:31:30,680
Speaker 1: so good, but I also just think that it's it's

598
00:31:30,840 --> 00:31:36,320
Speaker 1: so nice that the show makes their parenting a constant discussion.

599
00:31:36,520 --> 00:31:39,000
Speaker 1: And I really, I mean I'm assuming this goes on

600
00:31:39,080 --> 00:31:42,600
Speaker 1: for at least a while, But I mean I forgot

601
00:31:42,640 --> 00:31:44,520
Speaker 1: about this element of our show, you know, because as

602
00:31:44,520 --> 00:31:47,480
Speaker 1: the show went on, we became basically adults on the show,

603
00:31:47,520 --> 00:31:49,520
Speaker 1: like our characters were so so that's what I remember,

604
00:31:49,720 --> 00:31:52,720
Speaker 1: is like, you know Alan, but all this stuff about

605
00:31:52,760 --> 00:31:54,920
Speaker 1: them not knowing what to do and how to be

606
00:31:55,000 --> 00:31:57,840
Speaker 1: a parent, Like, I just love it because that's all

607
00:31:57,880 --> 00:32:00,960
Speaker 1: you're doing as a parent constantly. It's looking at each

608
00:32:01,000 --> 00:32:02,480
Speaker 1: other being like, I don't know what to do. What

609
00:32:02,520 --> 00:32:03,720
Speaker 1: do you think we should do? Well, I think we

610
00:32:03,760 --> 00:32:05,720
Speaker 1: should do this, And like, I just love this dynamic.

611
00:32:05,720 --> 00:32:08,480
Speaker 1: It's super fun and of course they're good actors. But

612
00:32:08,520 --> 00:32:10,120
Speaker 1: I just forgot all of this, you know, Like if

613
00:32:10,120 --> 00:32:12,720
Speaker 1: you ask itself about this episode, I would never remember.

614
00:32:12,960 --> 00:32:15,520
Speaker 1: But it's a full storyline. It's like they're dynamic and

615
00:32:15,640 --> 00:32:17,640
Speaker 1: who's right and who's wrong and they go back and forth.

616
00:32:17,800 --> 00:32:20,640
Speaker 1: They both have good points, like they're not idiots, Like

617
00:32:20,680 --> 00:32:23,800
Speaker 1: it's not like idiot Dad, which I feel like is

618
00:32:23,880 --> 00:32:28,520
Speaker 1: the the sitcom trope, right, it's of course, and Marge

619
00:32:28,520 --> 00:32:31,280
Speaker 1: knows everything, um, and I feel like that's all that's

620
00:32:31,440 --> 00:32:34,720
Speaker 1: kind of been the pattern throughout television history, and in

621
00:32:34,720 --> 00:32:36,680
Speaker 1: our case, like no, they both they get to be

622
00:32:36,720 --> 00:32:40,080
Speaker 1: funny without one of them being a complete butt of

623
00:32:40,080 --> 00:32:42,680
Speaker 1: the joke, and that is just great. Well, the other

624
00:32:42,720 --> 00:32:44,520
Speaker 1: reason none of us remember this because I was there

625
00:32:44,560 --> 00:32:46,160
Speaker 1: with you guys at this time, was anytime it was

626
00:32:46,200 --> 00:32:48,479
Speaker 1: just adults in a scene, we were in school. Yeah,

627
00:32:48,720 --> 00:32:51,040
Speaker 1: so we didn't watch this. They wouldn't watch them rehearsing

628
00:32:51,120 --> 00:32:52,280
Speaker 1: or any of that stuff. That was like they do

629
00:32:52,320 --> 00:32:54,000
Speaker 1: three adult scenes in a row, and so it's like,

630
00:32:54,000 --> 00:32:56,760
Speaker 1: all right, go grabbing our school kind of thing. Um. So,

631
00:32:56,840 --> 00:32:58,280
Speaker 1: you know, other than seeing it in a run through,

632
00:32:58,440 --> 00:33:00,880
Speaker 1: we never we weren't there to beat the things in. So, yeah,

633
00:33:00,920 --> 00:33:05,000
Speaker 1: it was strange. I had zero memory of this entire episode. Again,

634
00:33:05,640 --> 00:33:08,960
Speaker 1: really zero, even when you're wearing the Phillies outfit and

635
00:33:09,000 --> 00:33:13,800
Speaker 1: pretending to be I have a moment that maybe my

636
00:33:13,880 --> 00:33:16,800
Speaker 1: favorite moment of the season later when we get to it,

637
00:33:16,840 --> 00:33:19,360
Speaker 1: but I uh did not remember it at all, not

638
00:33:19,480 --> 00:33:22,480
Speaker 1: even one bit. I just and I don't know why

639
00:33:22,600 --> 00:33:25,600
Speaker 1: I did remember this one. This is important to me, Yeah,

640
00:33:25,640 --> 00:33:27,560
Speaker 1: this is an important one. But yeah, you were great

641
00:33:27,560 --> 00:33:32,120
Speaker 1: in this, I thought all across the board as we're now,

642
00:33:32,200 --> 00:33:38,240
Speaker 1: what is this episode something like that, all the acting

643
00:33:38,320 --> 00:33:41,800
Speaker 1: is getting better. Yeah, yeah, we're starting to be more comfortable. Yes,

644
00:33:41,920 --> 00:33:44,120
Speaker 1: you can. It's you can really start to see it now.

645
00:33:44,160 --> 00:33:45,560
Speaker 1: This is what I was excited about it. I wonder

646
00:33:45,560 --> 00:33:48,920
Speaker 1: what I'm going to start noticing that we're like, I'll

647
00:33:48,960 --> 00:33:51,200
Speaker 1: speak for myself that I'm starting to mellow and lean

648
00:33:51,240 --> 00:33:53,720
Speaker 1: into it a bit. And it's now starting to happen

649
00:33:53,720 --> 00:33:56,200
Speaker 1: where it's like, okay, starting to get there a little bits,

650
00:33:56,560 --> 00:33:59,520
Speaker 1: the characters are established or not, you know. I mean,

651
00:33:59,520 --> 00:34:01,920
Speaker 1: even like Seene in the kitchen, we don't have to

652
00:34:02,880 --> 00:34:06,960
Speaker 1: keep excusing why minkus and to Panga in the scene.

653
00:34:07,120 --> 00:34:08,600
Speaker 1: You know, it's we're not I mean, I still make

654
00:34:08,640 --> 00:34:10,799
Speaker 1: the nerd a rama jokes. I whish that was you know,

655
00:34:10,840 --> 00:34:13,520
Speaker 1: But eventually I'm assuming that just goes away because it's like,

656
00:34:13,840 --> 00:34:15,360
Speaker 1: we know who each other are. We don't have to

657
00:34:15,440 --> 00:34:18,040
Speaker 1: keep explaining to the audience and this is who this

658
00:34:18,160 --> 00:34:20,040
Speaker 1: character is. We're just able to be in the scene

659
00:34:20,040 --> 00:34:22,120
Speaker 1: togive him it's funny, um, and then take it to

660
00:34:22,160 --> 00:34:23,880
Speaker 1: the next level, which we do in the classroom scene

661
00:34:23,920 --> 00:34:32,600
Speaker 1: coming up, where we basically imitate one another, which yeah,

662
00:34:33,719 --> 00:34:36,319
Speaker 1: hey everyone, it's Scott Patterson from the I Am all

663
00:34:36,400 --> 00:34:38,680
Speaker 1: In Podcast. Be sure to tune into the I Am

664
00:34:38,719 --> 00:34:41,440
Speaker 1: all In Podcast and check out my one on one

665
00:34:41,480 --> 00:34:45,640
Speaker 1: interview with the one and only Jared Pedalleci. We catch

666
00:34:45,719 --> 00:34:49,040
Speaker 1: up on his experience as a series regular on Gilmore Girls,

667
00:34:49,520 --> 00:34:52,520
Speaker 1: what it was like playing teenage heartthrob Dean Forrester, as

668
00:34:52,520 --> 00:34:56,080
Speaker 1: well as his successful career following, and of course we

669
00:34:56,120 --> 00:34:58,759
Speaker 1: couldn't let him go without asking him the question that

670
00:34:58,880 --> 00:35:02,080
Speaker 1: is on everyone's mind. Is he Team Dean, Team Jess

671
00:35:02,200 --> 00:35:04,719
Speaker 1: or team Logan. Head on over to the I Am

672
00:35:04,760 --> 00:35:13,160
Speaker 1: all In Podcast to listen now. So it continues into

673
00:35:13,200 --> 00:35:15,839
Speaker 1: the Matthews family living room. Alan and Amy tell Eric

674
00:35:15,880 --> 00:35:17,719
Speaker 1: he is not going to quit his steady job for

675
00:35:17,800 --> 00:35:20,399
Speaker 1: one modeling job. They want Eric to really think about

676
00:35:20,400 --> 00:35:22,760
Speaker 1: what he wants to do, take your time, and decide

677
00:35:22,760 --> 00:35:26,120
Speaker 1: with logic. So Eric thinks for a second and proudly says,

678
00:35:26,560 --> 00:35:30,400
Speaker 1: I want to be a supermodel. Alan gives us a

679
00:35:30,400 --> 00:35:35,240
Speaker 1: home or Simpson dough and Uh surprisingly says okay. Corey

680
00:35:35,280 --> 00:35:37,440
Speaker 1: asks if they're just gonna let Eric walk away like

681
00:35:37,520 --> 00:35:39,880
Speaker 1: that and says that Eric is making a huge mistake.

682
00:35:40,040 --> 00:35:42,120
Speaker 1: Alan says yes he is, but they are going to

683
00:35:42,200 --> 00:35:45,040
Speaker 1: let him make his own mistakes. Corey then asks, well,

684
00:35:45,080 --> 00:35:47,080
Speaker 1: if you're going to make one horrible mistake, maybe I

685
00:35:47,080 --> 00:35:48,799
Speaker 1: can go spend the night at Shawn's house on a

686
00:35:48,840 --> 00:35:53,200
Speaker 1: school night if and uh, he says absolutely not. Corey asks,

687
00:35:53,200 --> 00:35:54,880
Speaker 1: how is he ever going to know how to be

688
00:35:54,920 --> 00:35:58,600
Speaker 1: a model father if the rules keep changing? And Alan says,

689
00:35:59,080 --> 00:36:03,320
Speaker 1: ask your wife. Lots of eyebrow raising in this scene,

690
00:36:03,560 --> 00:36:09,560
Speaker 1: and in this episode very dramatic does and Eric does

691
00:36:09,600 --> 00:36:15,560
Speaker 1: a very dramatic eyebrow raise and then the right an

692
00:36:15,560 --> 00:36:19,959
Speaker 1: eyebrow kick. And it was and this is before the Rock,

693
00:36:20,160 --> 00:36:24,719
Speaker 1: So I think we start think we started the rock. Yeah,

694
00:36:24,760 --> 00:36:26,520
Speaker 1: we started it. We started with the way that you

695
00:36:26,560 --> 00:36:29,200
Speaker 1: and I Daniell figured out that we essentially started selfies.

696
00:36:29,400 --> 00:36:31,320
Speaker 1: We discovered the selfie we have we have a picture

697
00:36:31,360 --> 00:36:33,680
Speaker 1: of that. Yeah, we have the actual picture with a

698
00:36:33,680 --> 00:36:37,759
Speaker 1: film camera and us us holding me are Yeah, we're

699
00:36:37,800 --> 00:36:40,520
Speaker 1: taking a selfie the people's eyebrow. Okay, we invented that.

700
00:36:40,719 --> 00:36:43,319
Speaker 1: I'm glad we did that. So much like much like

701
00:36:43,400 --> 00:36:46,600
Speaker 1: Lindsay Ridgeway invented this podcast, we invented the selfie. That

702
00:36:47,200 --> 00:36:51,040
Speaker 1: is correct. So Mr Feenie's classroom to Pengga is wearing

703
00:36:51,040 --> 00:36:53,040
Speaker 1: a Phillies jersey and I don't know what was going

704
00:36:53,040 --> 00:36:55,520
Speaker 1: on with my hair, but my hair is absolutely wild.

705
00:36:55,600 --> 00:36:58,000
Speaker 1: It looks like it's cool. It is cool, but it

706
00:36:58,160 --> 00:37:01,720
Speaker 1: is wild. It's like at the ends are like sticking

707
00:37:01,800 --> 00:37:05,680
Speaker 1: up in crazy directions. It was really really crazy that

708
00:37:05,840 --> 00:37:09,279
Speaker 1: Corey has a Native American head dress on. Sean is

709
00:37:09,320 --> 00:37:13,560
Speaker 1: adorably dressed like Minkus, and Mincus is dressed like Sean

710
00:37:13,719 --> 00:37:18,359
Speaker 1: and many baggy layers. So would you like to talk

711
00:37:18,400 --> 00:37:20,920
Speaker 1: about the head dress? No, we don't need to. I

712
00:37:21,000 --> 00:37:25,799
Speaker 1: just think not something you would do nowadays. Thankful this

713
00:37:25,880 --> 00:37:28,759
Speaker 1: was an error where the Halloween costume of being a

714
00:37:28,840 --> 00:37:32,560
Speaker 1: Native American was totally something people did. Yeah, you know,

715
00:37:32,800 --> 00:37:34,440
Speaker 1: but you would never see that on a TV show now.

716
00:37:35,800 --> 00:37:39,000
Speaker 1: I wouldn't show it now. Um, can we talk a

717
00:37:39,080 --> 00:37:43,600
Speaker 1: bit about how good writer first you are as the

718
00:37:43,680 --> 00:37:48,280
Speaker 1: quote unquote nerd. You are so stinking adorable. It was great.

719
00:37:49,000 --> 00:37:51,680
Speaker 1: I shouldn't dress like that more often. It's actually fitting.

720
00:37:51,840 --> 00:37:53,799
Speaker 1: You know. What's funny is that it's the first time

721
00:37:53,840 --> 00:38:00,080
Speaker 1: you realize how thin you are because your clothes are it.

722
00:38:00,360 --> 00:38:04,120
Speaker 1: I looked you're wearing a layer. How small he is

723
00:38:06,560 --> 00:38:09,520
Speaker 1: but then me picking up on that and and playing

724
00:38:09,560 --> 00:38:12,319
Speaker 1: you and putting his hands through his hair, like doing

725
00:38:12,320 --> 00:38:15,560
Speaker 1: the hand suited hair and everything. Not enough hair to

726
00:38:15,600 --> 00:38:17,520
Speaker 1: do it, but he's just doing it. And what about

727
00:38:17,600 --> 00:38:21,719
Speaker 1: Lee with no glasses? A big difference in seeing his

728
00:38:21,760 --> 00:38:26,280
Speaker 1: face without the glasses on. It was really really funny.

729
00:38:26,360 --> 00:38:28,759
Speaker 1: I remember doing this. I remember having so much fun

730
00:38:28,800 --> 00:38:33,160
Speaker 1: doing this. I don't, Oh my god, because you kill me.

731
00:38:34,120 --> 00:38:39,719
Speaker 1: You know, it's like one that ever, Oh my god,

732
00:38:39,960 --> 00:38:42,520
Speaker 1: because it's a call back, right, I mean, it's just

733
00:38:42,680 --> 00:38:45,440
Speaker 1: I just love how Corey is such a specific voice,

734
00:38:45,520 --> 00:38:47,239
Speaker 1: you know that's been built up that. I mean, we

735
00:38:47,280 --> 00:38:50,520
Speaker 1: all do, I guess, but that one is I get

736
00:38:50,680 --> 00:38:55,320
Speaker 1: like Corey school No, when the hair my hair. It's

737
00:38:55,320 --> 00:38:57,680
Speaker 1: such a good call back. Oh my god. Yeah, it's

738
00:38:57,680 --> 00:38:59,840
Speaker 1: a great it is a it's a it's a funny callback.

739
00:39:00,080 --> 00:39:02,080
Speaker 1: And you're you're right. It's that Corey is such a

740
00:39:02,080 --> 00:39:04,560
Speaker 1: specific voice, you know right away, Okay, she's doing the

741
00:39:04,600 --> 00:39:07,600
Speaker 1: Corey as a dad um so yeah, ta Panga as

742
00:39:07,680 --> 00:39:10,279
Speaker 1: the perfect mom says Sean cannot get a tattoo, and

743
00:39:10,320 --> 00:39:13,000
Speaker 1: Ben says a tattoo will be a perfect creative outlet.

744
00:39:13,400 --> 00:39:17,960
Speaker 1: Minkus rips open his shirt and exposes a massive dragon

745
00:39:18,120 --> 00:39:22,040
Speaker 1: chess tattoo. It's a little like ben Afflecks back tattoo,

746
00:39:22,320 --> 00:39:33,360
Speaker 1: but just chess. Get it together. He's so he's looking down,

747
00:39:33,719 --> 00:39:36,000
Speaker 1: just trying to hold and got that. I wonder if

748
00:39:36,000 --> 00:39:38,920
Speaker 1: that's because well, I wondered, like that must have we'd

749
00:39:38,960 --> 00:39:41,600
Speaker 1: been rehearsing all week, but we had never Actually I

750
00:39:41,640 --> 00:39:44,520
Speaker 1: bet we never tattoo probably, and I bet you he

751
00:39:44,560 --> 00:39:46,560
Speaker 1: had kept it hidden, and they kept it hidden from

752
00:39:46,600 --> 00:39:50,680
Speaker 1: us until that. Exactly you. Lee is so excited to

753
00:39:50,680 --> 00:39:52,919
Speaker 1: be he's so excited to be doing it, and all

754
00:39:52,960 --> 00:39:56,560
Speaker 1: of our reactions right or your reaction to it, feels

755
00:39:57,040 --> 00:40:02,480
Speaker 1: very genuine. And I think maybe my favorite read I've

756
00:40:02,520 --> 00:40:06,280
Speaker 1: heard myself do on the show comes when to Penga

757
00:40:06,360 --> 00:40:12,520
Speaker 1: says Stewart a tattoo. It speaks to me speaks. The

758
00:40:12,600 --> 00:40:17,000
Speaker 1: way I say it speaks to me is like it's

759
00:40:17,040 --> 00:40:21,680
Speaker 1: like she is so confused by what she's feeling. And

760
00:40:21,960 --> 00:40:24,600
Speaker 1: I died laughing. I had to watch it twice because

761
00:40:24,600 --> 00:40:29,040
Speaker 1: I thought it was oh man, it just me up.

762
00:40:32,440 --> 00:40:34,319
Speaker 1: It looks like he's got a belt on. That's guy.

763
00:40:34,400 --> 00:40:35,960
Speaker 1: Like they had to pull it over and put a

764
00:40:36,000 --> 00:40:39,840
Speaker 1: new holes, Yeah, you're such a little guy. I'm just

765
00:40:39,880 --> 00:40:43,360
Speaker 1: going back a second, you know, when you imitate Corey.

766
00:40:43,400 --> 00:40:45,000
Speaker 1: I just want to point out, like I think, what

767
00:40:45,160 --> 00:40:48,040
Speaker 1: is so nice about this episode and this scene in particular,

768
00:40:48,560 --> 00:40:53,400
Speaker 1: is it's finally, Corey is not the normal one. Corey

769
00:40:53,520 --> 00:40:57,360
Speaker 1: is not centered in the like we are all. We

770
00:40:57,440 --> 00:40:59,640
Speaker 1: all have a different perspective, we all have a different

771
00:40:59,640 --> 00:41:02,880
Speaker 1: perspect on each other's character. And it's one of the

772
00:41:02,880 --> 00:41:04,799
Speaker 1: first times that the show is not just saying, well,

773
00:41:04,840 --> 00:41:08,839
Speaker 1: Corey's obviously the basic. You know, Corey is also a

774
00:41:08,920 --> 00:41:11,719
Speaker 1: voice that gets made fun of by Topanga and like

775
00:41:11,760 --> 00:41:13,719
Speaker 1: a voice that then the show. So it's sort of

776
00:41:13,760 --> 00:41:16,239
Speaker 1: like we're all equal in this matrix of characters that

777
00:41:16,320 --> 00:41:18,520
Speaker 1: kind of are looking at each other. And I really

778
00:41:19,160 --> 00:41:22,239
Speaker 1: I enjoyed that so much, and I think we all

779
00:41:22,320 --> 00:41:24,480
Speaker 1: enjoyed it as actors too. You can kind of feel it,

780
00:41:24,640 --> 00:41:26,200
Speaker 1: and it's a much better way for the show to go.

781
00:41:26,239 --> 00:41:28,520
Speaker 1: And I just wanted to point that out because like

782
00:41:28,719 --> 00:41:30,920
Speaker 1: I knew, something like shifted in my brain when I

783
00:41:31,000 --> 00:41:33,160
Speaker 1: was watching this. I was like, this feels better, feels

784
00:41:33,280 --> 00:41:36,600
Speaker 1: like we're all sections, We're actually gonna end up working together.

785
00:41:36,680 --> 00:41:39,520
Speaker 1: I don't remember writer having this many scenes with you

786
00:41:39,560 --> 00:41:43,319
Speaker 1: already like where where where? And you later when you

787
00:41:43,360 --> 00:41:45,719
Speaker 1: come into the mall, when you're talking to Jason, it's like, hey,

788
00:41:45,760 --> 00:41:48,279
Speaker 1: like everybody knew everybody and was we were all part

789
00:41:48,360 --> 00:41:50,560
Speaker 1: of the group. That's when it started to like really

790
00:41:50,560 --> 00:41:52,040
Speaker 1: feel good for me because it was like, oh, now

791
00:41:52,080 --> 00:41:55,680
Speaker 1: everybody's kind of working together, and yeah it was. It was. Yeah,

792
00:41:56,000 --> 00:41:59,719
Speaker 1: And imagine how comfortablely was with all of us and

793
00:41:59,760 --> 00:42:02,080
Speaker 1: feeling like Indian and then in just a few short

794
00:42:02,120 --> 00:42:08,120
Speaker 1: episodes he gets fired. Oh just wow, he does. And

795
00:42:08,120 --> 00:42:10,240
Speaker 1: I still don't get how you look at that, especially

796
00:42:10,280 --> 00:42:12,319
Speaker 1: that kitchen scene. How you look at that and go

797
00:42:12,640 --> 00:42:14,800
Speaker 1: that needs to be changed. We need these people to

798
00:42:14,840 --> 00:42:17,359
Speaker 1: be older. Yeah, okay, well that's fine. Make them older.

799
00:42:17,360 --> 00:42:19,719
Speaker 1: And how do you not make one joke about how

800
00:42:19,760 --> 00:42:22,560
Speaker 1: he hasn't grown at all? And then you're done. Then

801
00:42:22,560 --> 00:42:24,319
Speaker 1: you've got You've got so much to do that. Yeah,

802
00:42:24,360 --> 00:42:26,720
Speaker 1: that's I don't know, it's a shame to me. Corey

803
00:42:26,760 --> 00:42:29,080
Speaker 1: says they had their family discussion and Mink has broke

804
00:42:29,160 --> 00:42:31,720
Speaker 1: the rules of no tattoo. Phoenie says, well, that's exactly

805
00:42:31,760 --> 00:42:34,520
Speaker 1: what happens in real families. There is no model household

806
00:42:34,520 --> 00:42:37,120
Speaker 1: and no model parents. To Penga says you can only

807
00:42:37,200 --> 00:42:39,840
Speaker 1: judge a family by how much love is in the household,

808
00:42:40,200 --> 00:42:44,040
Speaker 1: and Phoenie explains that TV families aren't real. Corey understands

809
00:42:44,080 --> 00:42:46,360
Speaker 1: that anyone can sound perfect when you have the best

810
00:42:46,400 --> 00:42:50,400
Speaker 1: writers in Hollywood scripting your words, and then Phoenie pauses

811
00:42:50,440 --> 00:42:54,399
Speaker 1: and says, I wouldn't know. I wouldn't know of our

812
00:42:54,440 --> 00:42:58,920
Speaker 1: first big meta joke, our first first modern self reference.

813
00:42:59,600 --> 00:43:02,520
Speaker 1: I would no, I wouldn't know, which is great. And

814
00:43:02,560 --> 00:43:04,480
Speaker 1: then we are back at the mall. Eric has a

815
00:43:04,520 --> 00:43:06,759
Speaker 1: girl on each arm as he shows up dressed in

816
00:43:06,840 --> 00:43:12,880
Speaker 1: all black, a black turtleneck, a leather vest, belt, and

817
00:43:12,920 --> 00:43:15,600
Speaker 1: I think belt. The first time Eric wears a belt.

818
00:43:15,640 --> 00:43:19,320
Speaker 1: Apparently it's only for models. Models only models were belts.

819
00:43:19,360 --> 00:43:21,160
Speaker 1: What am I a supermodel? You want me to belt?

820
00:43:22,400 --> 00:43:25,160
Speaker 1: And uh, I think you have like leather cowboy boots on.

821
00:43:25,840 --> 00:43:29,040
Speaker 1: I probably don't recall, but I imagine. So you're there

822
00:43:29,080 --> 00:43:31,400
Speaker 1: for your model photo shoot. Jason, who is the self

823
00:43:32,000 --> 00:43:35,279
Speaker 1: self proclaimed happy sidekick, is told to make sure the

824
00:43:35,280 --> 00:43:37,560
Speaker 1: girls are still there at four PM for a shoot,

825
00:43:37,640 --> 00:43:43,640
Speaker 1: and then we do an optical flip and Eric so,

826
00:43:43,840 --> 00:43:45,720
Speaker 1: first of all, so we were talking about Matt Kirkwood,

827
00:43:45,719 --> 00:43:48,799
Speaker 1: who's there, who plays the photographer. So he was our

828
00:43:48,840 --> 00:43:51,120
Speaker 1: stand in very briefly for people to know what a

829
00:43:51,160 --> 00:43:53,120
Speaker 1: stand in is. When we had to go to school

830
00:43:53,239 --> 00:43:55,479
Speaker 1: or you had something to do, um, they would still

831
00:43:55,480 --> 00:43:58,000
Speaker 1: rehearse the scenes without you, and we had other actors

832
00:43:58,040 --> 00:44:00,239
Speaker 1: that were there that were phenomenal and they would help

833
00:44:00,280 --> 00:44:02,640
Speaker 1: block the scenes with you and they would come in

834
00:44:02,680 --> 00:44:05,840
Speaker 1: and they would take your your part essentially while you

835
00:44:05,880 --> 00:44:08,000
Speaker 1: were gone doing something, so they could light or they

836
00:44:08,000 --> 00:44:10,480
Speaker 1: could block, or they could you know, shoot however, set

837
00:44:10,520 --> 00:44:13,560
Speaker 1: up cameras however you wanted to do it. And Matt

838
00:44:13,640 --> 00:44:15,440
Speaker 1: Kirkwood was one of those actors who was there with

839
00:44:15,520 --> 00:44:19,319
Speaker 1: us for all seven seasons. Great guy, and so they

840
00:44:19,400 --> 00:44:23,719
Speaker 1: said he was essentially when you would have smaller roles

841
00:44:23,760 --> 00:44:25,400
Speaker 1: like this, a lot of times they would jump in

842
00:44:25,880 --> 00:44:29,680
Speaker 1: the the stand ins to do them during run through

843
00:44:29,760 --> 00:44:32,960
Speaker 1: or something like that. Jumped as the photographer. So to

844
00:44:33,040 --> 00:44:36,399
Speaker 1: save money, guest cast, when you have a smaller part,

845
00:44:36,719 --> 00:44:38,880
Speaker 1: you're not there for all five days of rehearsal, they

846
00:44:38,880 --> 00:44:40,560
Speaker 1: don't want to pay you for all five days, so

847
00:44:40,600 --> 00:44:42,400
Speaker 1: they may pay you for two or three days. So

848
00:44:42,440 --> 00:44:44,239
Speaker 1: you come in like one day for a run through,

849
00:44:44,239 --> 00:44:45,600
Speaker 1: and then you're there to tape your scene and you

850
00:44:45,640 --> 00:44:47,719
Speaker 1: go home. So during the week, when you still need

851
00:44:47,760 --> 00:44:49,719
Speaker 1: to rehearse that scene, the stand in will jump in

852
00:44:49,800 --> 00:44:52,920
Speaker 1: and be that character, which then sometimes leads to them

853
00:44:52,960 --> 00:44:55,560
Speaker 1: getting the job getting the job. So Matt got the job.

854
00:44:55,640 --> 00:44:58,000
Speaker 1: He was all excited and you saw he had that

855
00:44:58,120 --> 00:45:02,600
Speaker 1: really long, flowing hair. He he looks exactly like her photographers.

856
00:45:02,920 --> 00:45:06,719
Speaker 1: So through the whole week rehearsal everything, he has his

857
00:45:06,760 --> 00:45:09,040
Speaker 1: hair like that, and then we go to shoot and

858
00:45:09,080 --> 00:45:11,440
Speaker 1: he comes out and the hair people had put his

859
00:45:11,520 --> 00:45:14,760
Speaker 1: hair up in a ponytail, and we're about to shoot

860
00:45:14,760 --> 00:45:17,319
Speaker 1: and I hear Michael off camera, way, what the hell's going?

861
00:45:17,640 --> 00:45:19,960
Speaker 1: What the but and walks on stage and it's like

862
00:45:20,280 --> 00:45:22,719
Speaker 1: all week I'm watching this guy's got this great long hair.

863
00:45:22,920 --> 00:45:26,120
Speaker 1: Who did this? Who did? And so Matt is sitting

864
00:45:26,160 --> 00:45:28,120
Speaker 1: there like, oh my god, what what's going to happen?

865
00:45:28,640 --> 00:45:31,200
Speaker 1: And he's going to get fired. They run in, they

866
00:45:31,239 --> 00:45:33,279
Speaker 1: redo his heir, he walks out. We finished the first

867
00:45:33,320 --> 00:45:34,560
Speaker 1: take and he came over and he's like, I thought

868
00:45:34,560 --> 00:45:35,920
Speaker 1: I thought he's gonna fire me. I thought he was

869
00:45:35,920 --> 00:45:37,919
Speaker 1: gonna fire me right there. I thought I was, I thought,

870
00:45:37,960 --> 00:45:39,480
Speaker 1: and I was like, no, I think he was just

871
00:45:39,520 --> 00:45:41,400
Speaker 1: mad because your hair. But I will never forget that,

872
00:45:41,440 --> 00:45:44,760
Speaker 1: like you watched the color drain from his face because

873
00:45:44,760 --> 00:45:47,640
Speaker 1: he thought he had done something wrong even though Michael

874
00:45:47,680 --> 00:45:50,839
Speaker 1: wasn't yelling at him, he was yelling about him, but

875
00:45:50,880 --> 00:45:55,040
Speaker 1: it was still like he was terrified. He was terrified,

876
00:45:55,080 --> 00:45:57,399
Speaker 1: So that I remember that specifically, Like it was hard

877
00:45:57,440 --> 00:45:59,959
Speaker 1: to get fired on our show, So yeah, this is true. Also,

878
00:46:00,200 --> 00:46:04,799
Speaker 1: guys yelling on sets not great, not an idea, not

879
00:46:04,880 --> 00:46:07,200
Speaker 1: a nice thing to do, not a nice Now we

880
00:46:07,280 --> 00:46:09,080
Speaker 1: got used to, right though. It's a shame that you

881
00:46:09,120 --> 00:46:12,359
Speaker 1: just I used to think that was totally normal. I know. Yeah,

882
00:46:12,680 --> 00:46:16,279
Speaker 1: I just noticed after in order for a set to

883
00:46:16,360 --> 00:46:18,920
Speaker 1: be creative, people had to be yelling at each other

884
00:46:18,960 --> 00:46:22,680
Speaker 1: and screaming about things, which is absolutely not the case true,

885
00:46:22,680 --> 00:46:25,920
Speaker 1: but it was certainly true in our case. I hear

886
00:46:25,960 --> 00:46:28,200
Speaker 1: about that now, that same kind of argument being made

887
00:46:28,200 --> 00:46:31,840
Speaker 1: just on a weird tangent about kitchens what like like

888
00:46:31,920 --> 00:46:36,120
Speaker 1: restaurant like restaurant kitchen. Yeah, it's totally it's the chef

889
00:46:36,160 --> 00:46:37,680
Speaker 1: is yelling all the time. Then you get other chefs

890
00:46:37,680 --> 00:46:39,880
Speaker 1: that are like you absolutely don't have to do do

891
00:46:39,960 --> 00:46:42,200
Speaker 1: not have to do that. You can have creative differences

892
00:46:42,360 --> 00:46:45,360
Speaker 1: and settle them lightly. And yeah, you can also be

893
00:46:45,400 --> 00:46:48,040
Speaker 1: a leader and be in charge without screaming and people,

894
00:46:48,040 --> 00:46:50,520
Speaker 1: Oh my god, yeah, absolutely the amount of directors I've

895
00:46:50,520 --> 00:46:53,520
Speaker 1: worked with who have proven that over the years. But

896
00:46:53,640 --> 00:46:55,560
Speaker 1: you know, at this age, I did not understand that.

897
00:46:55,600 --> 00:46:58,319
Speaker 1: I thought I thought yelling and stomping your foot and

898
00:46:58,360 --> 00:47:01,400
Speaker 1: screaming about how correct you were was a sign of

899
00:47:01,719 --> 00:47:04,719
Speaker 1: tortured genius of some sort, or like the way that

900
00:47:04,840 --> 00:47:08,560
Speaker 1: you know, you communicated your message when it's actually just

901
00:47:08,760 --> 00:47:11,879
Speaker 1: kind of a weakness, that's all. It is, the greatest weakness. Yeah,

902
00:47:12,000 --> 00:47:14,879
Speaker 1: it's yeah, but that's well, so that's what. Yeah, that's

903
00:47:14,880 --> 00:47:16,759
Speaker 1: what happened. And the poor man thought he was gonna

904
00:47:16,760 --> 00:47:18,439
Speaker 1: be fired because they put his hand in pony down,

905
00:47:18,520 --> 00:47:20,719
Speaker 1: because that's what happens when you were screaming on the set.

906
00:47:20,840 --> 00:47:23,040
Speaker 1: And if you've heard us talk about the optical flip,

907
00:47:23,120 --> 00:47:26,399
Speaker 1: this is a perfect example of it. Make sure they're

908
00:47:26,440 --> 00:47:28,920
Speaker 1: here when I model, and then we optical flip and

909
00:47:28,960 --> 00:47:31,560
Speaker 1: he's dressed as a lobster and noticed the hands like

910
00:47:31,560 --> 00:47:35,680
Speaker 1: they're just indict, indicate when you're going to come back,

911
00:47:36,960 --> 00:47:41,840
Speaker 1: which was the hottest costume. It was like I was

912
00:47:41,960 --> 00:47:45,440
Speaker 1: sweating profusely. My face turned bright red, like the lobster.

913
00:47:45,760 --> 00:47:48,920
Speaker 1: It was so hot because they sat me then up

914
00:47:48,920 --> 00:47:51,799
Speaker 1: on that butter thing while they were lighting, and I

915
00:47:51,800 --> 00:47:54,440
Speaker 1: couldn't move because now I'm stuck in the suit in

916
00:47:54,480 --> 00:48:01,000
Speaker 1: the but but was the photographer so so it was.

917
00:48:01,600 --> 00:48:05,480
Speaker 1: But so here's my question. So I'm the lobster, right right.

918
00:48:06,040 --> 00:48:11,040
Speaker 1: I see Corey and Sean come into the mall. Correct,

919
00:48:11,920 --> 00:48:14,680
Speaker 1: So I go, oh no, and I run and I

920
00:48:14,800 --> 00:48:20,880
Speaker 1: hide behind something to then call them over right and

921
00:48:21,239 --> 00:48:23,520
Speaker 1: stand up and talk to them. Correct. It makes no

922
00:48:23,600 --> 00:48:25,840
Speaker 1: sense at all. So it feels like somebody. It feels

923
00:48:25,880 --> 00:48:28,520
Speaker 1: like something got caught, like it got cut. It feels

924
00:48:28,560 --> 00:48:33,040
Speaker 1: like there was something in that scene. I just wanted.

925
00:48:33,280 --> 00:48:36,919
Speaker 1: They wanted the joke of us not recognizing him because

926
00:48:36,960 --> 00:48:42,640
Speaker 1: we say something like who's that? Yeah, the name. But

927
00:48:42,680 --> 00:48:44,560
Speaker 1: I'm like, I was like, white, Why was I hiding

928
00:48:44,560 --> 00:48:46,680
Speaker 1: if I'm calling them over and then then I just

929
00:48:46,719 --> 00:48:48,640
Speaker 1: stand up and I'm having a normal conversation. It's like,

930
00:48:48,680 --> 00:48:51,200
Speaker 1: what was the on that move? Maybe you're also hiding

931
00:48:51,200 --> 00:48:55,040
Speaker 1: from the girls. Maybe you see them and you go, Okay,

932
00:48:55,040 --> 00:48:56,799
Speaker 1: I'm gonna hide because I don't want the girls to

933
00:48:56,800 --> 00:48:58,319
Speaker 1: see me. But then as soon as the guys get

934
00:48:58,360 --> 00:49:00,080
Speaker 1: as soon as Corey and Sean get closer to me,

935
00:49:00,120 --> 00:49:02,000
Speaker 1: I'll call them over to have them get rid of

936
00:49:02,040 --> 00:49:03,799
Speaker 1: the girls. So let's pretend to Let's go with that.

937
00:49:03,920 --> 00:49:06,879
Speaker 1: Let's go with that. So you yell, Eric Gills I quit.

938
00:49:06,960 --> 00:49:09,520
Speaker 1: Alexis says he can't quit because he signs a contract.

939
00:49:09,560 --> 00:49:13,440
Speaker 1: And this is where Christopher Cayer walks by. Korey and

940
00:49:13,480 --> 00:49:15,160
Speaker 1: Sean show up and they start to make fun of

941
00:49:15,200 --> 00:49:18,120
Speaker 1: the lobster costume, only to find out it's Eric in

942
00:49:18,200 --> 00:49:21,080
Speaker 1: the lobster coster. Eric. Eric says he needs help getting

943
00:49:21,160 --> 00:49:22,840
Speaker 1: rid of the two girls he invited to the shoot.

944
00:49:22,880 --> 00:49:27,080
Speaker 1: Sean says he hopes they brought slaw. Very funny line.

945
00:49:27,480 --> 00:49:29,799
Speaker 1: It's actually a funny line. Yeah, it's pretty good. And

946
00:49:29,840 --> 00:49:34,760
Speaker 1: then Eric claws strangles Sean, which I funny. I remember

947
00:49:34,800 --> 00:49:37,640
Speaker 1: that I learned a lot about this episode. You think

948
00:49:37,680 --> 00:49:40,160
Speaker 1: I would remember this giant clog right around my neck,

949
00:49:40,239 --> 00:49:43,640
Speaker 1: But it was very funny, very funny. I will send

950
00:49:43,680 --> 00:49:47,239
Speaker 1: for for all of the um uh Pod meets World

951
00:49:47,239 --> 00:49:49,400
Speaker 1: people on our Instagram and all that kind of stuff.

952
00:49:49,440 --> 00:49:55,839
Speaker 1: I have the original um wardrobe fitting UM roids of

953
00:49:55,880 --> 00:50:00,200
Speaker 1: me in the stuff they were in. When I went

954
00:50:00,280 --> 00:50:03,520
Speaker 1: and cleared out my my desk drawer at home in Connecticut,

955
00:50:03,520 --> 00:50:05,080
Speaker 1: I was were clearing, I was clearing stuff out of

956
00:50:05,080 --> 00:50:07,600
Speaker 1: my bedroom. I found this treasure trove of all this

957
00:50:07,719 --> 00:50:10,160
Speaker 1: old stuff. I found my original which I have pictures

958
00:50:10,200 --> 00:50:14,800
Speaker 1: of two the original sides for my very first Eric audition,

959
00:50:15,440 --> 00:50:17,920
Speaker 1: have them so I had. Also, I still have all

960
00:50:17,920 --> 00:50:20,799
Speaker 1: those polaroids of me and the lobster outfit. So we'll

961
00:50:20,800 --> 00:50:23,439
Speaker 1: make sure that we put that up. Um. But yeah,

962
00:50:23,480 --> 00:50:26,080
Speaker 1: that was it was so hot and then they put

963
00:50:26,120 --> 00:50:27,920
Speaker 1: me up on the butter thing. Do you think they

964
00:50:27,960 --> 00:50:31,520
Speaker 1: have this lobster costume in the Disney archive? I think, well,

965
00:50:31,520 --> 00:50:33,480
Speaker 1: you know what's funny, I've seen this thing. I don't

966
00:50:33,480 --> 00:50:38,640
Speaker 1: know what show it was, but I've seen this exact costume. Yes,

967
00:50:38,840 --> 00:50:40,400
Speaker 1: like and I know it's the same one. It's like

968
00:50:40,440 --> 00:50:43,200
Speaker 1: I was in that. Yeah, I've worn that before. I've

969
00:50:43,200 --> 00:50:46,200
Speaker 1: worn that. So Corey and Sean tell Jason and the

970
00:50:46,200 --> 00:50:48,760
Speaker 1: two girls that Eric is a bit under the water.

971
00:50:48,960 --> 00:50:53,960
Speaker 1: I mean weather an announcement comes on to win a

972
00:50:54,000 --> 00:50:57,200
Speaker 1: free lobster dinner from Larry's lobster locker. The girls tell

973
00:50:57,280 --> 00:51:00,880
Speaker 1: Jason they want him to win them the lobster, and

974
00:51:01,080 --> 00:51:03,000
Speaker 1: it is revealed that in order to win the dinner,

975
00:51:03,080 --> 00:51:06,799
Speaker 1: you have to dunk a lobster a k Eric in

976
00:51:06,880 --> 00:51:10,480
Speaker 1: a dunk tank full of butter. At that exact moment,

977
00:51:10,480 --> 00:51:13,799
Speaker 1: Morgan and Amy walked by and Morgan yells Eric, Eric,

978
00:51:13,920 --> 00:51:17,920
Speaker 1: that's my brother Eric, and then every realized. Everyone realizes

979
00:51:18,000 --> 00:51:22,720
Speaker 1: this is Eric's big modeling job. Yes, hey, it's fifty bucks.

980
00:51:22,760 --> 00:51:25,160
Speaker 1: Fifty bucks is fifty bucks as far as I'm concerned.

981
00:51:25,719 --> 00:51:27,920
Speaker 1: When when when he dunks me, which we're gonna get to,

982
00:51:28,680 --> 00:51:33,920
Speaker 1: it floated like the suit was buoyant, right, So you

983
00:51:34,040 --> 00:51:36,799
Speaker 1: see me kind of flailing around because I'm trying to

984
00:51:37,000 --> 00:51:44,480
Speaker 1: dunk myself in the water. I couldn't, did you, Yes, yeah, yeah, yeah,

985
00:51:44,520 --> 00:51:46,400
Speaker 1: we went in, went in once, but the but the

986
00:51:46,440 --> 00:51:48,799
Speaker 1: suit was buoyant, so it was like I wasn't I

987
00:51:48,840 --> 00:51:51,760
Speaker 1: wasn't underwater, So I'm like trying to like get myself

988
00:51:51,840 --> 00:51:54,920
Speaker 1: under the butter. Uh. It was crazy, Yeah, because you

989
00:51:54,920 --> 00:51:56,880
Speaker 1: can't rehearse that you do that one You remember who

990
00:51:57,000 --> 00:51:59,919
Speaker 1: through the baseball I don't think it was Jason, because

991
00:52:00,040 --> 00:52:02,279
Speaker 1: Da and I've thrown things back and forth into each other,

992
00:52:02,320 --> 00:52:05,759
Speaker 1: and that that wasn't it's it's it's it's an isolated

993
00:52:05,760 --> 00:52:08,279
Speaker 1: shot of the baseball hitting the thing. And I will

994
00:52:08,360 --> 00:52:11,040
Speaker 1: bet it was like David Trainer or it was one

995
00:52:11,080 --> 00:52:14,040
Speaker 1: of the producers or something like that. Yeah, somebody definitely

996
00:52:14,239 --> 00:52:16,839
Speaker 1: wanted to do it. Yeah, I'm sure the girls say

997
00:52:16,880 --> 00:52:19,640
Speaker 1: how embarrassing, and they encouraged Jason to dunk him, even

998
00:52:19,640 --> 00:52:22,919
Speaker 1: though Eric begs him not to. Jason dunks him right

999
00:52:22,960 --> 00:52:26,759
Speaker 1: in the butter on his first try, and it was

1000
00:52:26,840 --> 00:52:28,880
Speaker 1: cute to see you kind of floundering in that butter

1001
00:52:29,280 --> 00:52:31,120
Speaker 1: trying to get point. I actually didn't. I mean, I

1002
00:52:31,120 --> 00:52:32,920
Speaker 1: figured you'd only done it once, but I didn't think

1003
00:52:32,960 --> 00:52:36,640
Speaker 1: it was because the the suit was buoyant. I just thought, yeah,

1004
00:52:36,680 --> 00:52:38,720
Speaker 1: you get one chance to do this, you better really

1005
00:52:38,760 --> 00:52:40,799
Speaker 1: live it up. That look at me, I'm actually in

1006
00:52:40,840 --> 00:52:42,719
Speaker 1: the butter. Go ahead and play around in there, because

1007
00:52:42,719 --> 00:52:45,160
Speaker 1: you're gonna do this once. So we're back in the

1008
00:52:45,160 --> 00:52:47,720
Speaker 1: Matthews kitchen. Eric is cleaning, and as soon as Alan

1009
00:52:47,760 --> 00:52:50,520
Speaker 1: walks in, Eric pretends to work back at the grocery store.

1010
00:52:50,800 --> 00:52:52,799
Speaker 1: Allen says he gets it and he can tell that

1011
00:52:52,920 --> 00:52:55,520
Speaker 1: Eric really wants his job back, but unfortunately he already

1012
00:52:55,560 --> 00:52:58,560
Speaker 1: filled the position. Alan says he can't fire someone just

1013
00:52:58,600 --> 00:53:01,960
Speaker 1: because Eric suddenly wants his dog back, and Eric gives

1014
00:53:02,000 --> 00:53:04,160
Speaker 1: an example from when he was little and they'd play monopoly.

1015
00:53:04,280 --> 00:53:06,560
Speaker 1: Eric would land on boardwalk with hotels, and rather than

1016
00:53:06,600 --> 00:53:09,160
Speaker 1: make him pay, Alan would let him roll again, and

1017
00:53:09,200 --> 00:53:11,239
Speaker 1: Alan says, well, you're not little anymore. You wanted to

1018
00:53:11,239 --> 00:53:13,960
Speaker 1: make your own decisions, live your own life. I let you.

1019
00:53:14,719 --> 00:53:17,279
Speaker 1: Eric asks if he can be little again. Alan says

1020
00:53:17,280 --> 00:53:19,360
Speaker 1: he won't always be there to help, but Eric begs

1021
00:53:19,400 --> 00:53:21,680
Speaker 1: and Alan eventually caves and says he can work the

1022
00:53:21,800 --> 00:53:25,600
Speaker 1: night and weekend shift, which is his old job. I

1023
00:53:25,640 --> 00:53:30,239
Speaker 1: like that there were consequences that you can have your

1024
00:53:30,320 --> 00:53:33,319
Speaker 1: job back, and I forgot about that. So beautiful, I

1025
00:53:33,320 --> 00:53:37,480
Speaker 1: mean because really also, I like that Alan really did

1026
00:53:37,560 --> 00:53:40,800
Speaker 1: follow through, not just with I know he's going to

1027
00:53:40,880 --> 00:53:43,280
Speaker 1: regret this, so I'm just not going to hire someone else.

1028
00:53:43,800 --> 00:53:46,080
Speaker 1: It really was like, I know he's gonna want his

1029
00:53:46,120 --> 00:53:49,600
Speaker 1: old job back, but I really am like, no, you

1030
00:53:49,600 --> 00:53:51,200
Speaker 1: can take your old job back. It was just it

1031
00:53:51,280 --> 00:53:53,680
Speaker 1: was so it's so good. I thought so too. I

1032
00:53:53,719 --> 00:53:56,640
Speaker 1: liked it a lot um and so there goes his

1033
00:53:56,680 --> 00:53:58,960
Speaker 1: love life because there goes the nights and weekends. Corey

1034
00:53:59,000 --> 00:54:01,440
Speaker 1: and Alan bond about how being a father isn't always

1035
00:54:01,440 --> 00:54:04,160
Speaker 1: about stepping in. Corey says, it's about letting your child

1036
00:54:04,239 --> 00:54:07,279
Speaker 1: make their own mistakes, like getting a tattoo, and then

1037
00:54:07,320 --> 00:54:09,920
Speaker 1: Alan gets very scared the Corey made a mistake with

1038
00:54:09,960 --> 00:54:12,800
Speaker 1: the tattoo, and it ends with them like joke wrestling

1039
00:54:12,880 --> 00:54:17,680
Speaker 1: with Alan desperately looking for Corey's tattoo, which was very cute. Writer,

1040
00:54:17,760 --> 00:54:19,239
Speaker 1: or did you say anything through there? Because I just

1041
00:54:19,320 --> 00:54:23,279
Speaker 1: realized now that you were frozen, would you let's I'd

1042
00:54:23,280 --> 00:54:24,680
Speaker 1: like to hear what you had to say. I just

1043
00:54:24,800 --> 00:54:28,120
Speaker 1: like that that Will's character is really a part of

1044
00:54:28,160 --> 00:54:30,520
Speaker 1: the family. I mean, you basically the a storyline, and

1045
00:54:30,640 --> 00:54:33,160
Speaker 1: I feel like the show is giving you know, your

1046
00:54:33,160 --> 00:54:36,719
Speaker 1: whole bit, like showing him around the kitchen as if

1047
00:54:36,719 --> 00:54:39,680
Speaker 1: it's the grocery store. It's like you're driving this scene

1048
00:54:39,680 --> 00:54:42,160
Speaker 1: and you're the a storyline in this episode. And I

1049
00:54:42,200 --> 00:54:43,719
Speaker 1: just love that, And I love that the show is

1050
00:54:43,760 --> 00:54:46,080
Speaker 1: moving a little bit away from Corey's perspective. It still

1051
00:54:46,080 --> 00:54:47,560
Speaker 1: has been at the end of the scene and that

1052
00:54:47,920 --> 00:54:51,719
Speaker 1: great little banterything. But really this is this is an

1053
00:54:51,760 --> 00:54:55,360
Speaker 1: episode about Alan and you you know, and Amy likes.

1054
00:54:55,600 --> 00:54:58,040
Speaker 1: It's just nice to see the show expanding its world.

1055
00:54:58,520 --> 00:55:01,640
Speaker 1: Um yeah, I really it's a It was a big

1056
00:55:01,800 --> 00:55:04,480
Speaker 1: ensemble episode, which was really nice. And I was always

1057
00:55:04,560 --> 00:55:07,040
Speaker 1: especially at this time, I was always so nervous about

1058
00:55:07,040 --> 00:55:10,879
Speaker 1: working with with um Rusty, just because he was like, yeah, man,

1059
00:55:10,920 --> 00:55:12,319
Speaker 1: I was. It was such a pro and we didn't

1060
00:55:12,360 --> 00:55:14,880
Speaker 1: know each other very well, and it was, um, you know,

1061
00:55:15,120 --> 00:55:17,480
Speaker 1: hang out and suspected he didn't think you were a

1062
00:55:17,480 --> 00:55:21,080
Speaker 1: good actor. I I more than suspected. I'm pretty sure

1063
00:55:21,160 --> 00:55:22,480
Speaker 1: he did not think I was a good like he

1064
00:55:22,520 --> 00:55:25,080
Speaker 1: didn't respect me as an actor. Um. And I don't

1065
00:55:25,160 --> 00:55:28,560
Speaker 1: necessarily blame him for that in the beginning, because towards

1066
00:55:28,640 --> 00:55:31,160
Speaker 1: the towards the middle and the end, Rusty and I

1067
00:55:31,200 --> 00:55:33,359
Speaker 1: were thick as thieves as actors. I mean we were

1068
00:55:33,600 --> 00:55:36,080
Speaker 1: all that. We we we were two people that couldn't

1069
00:55:36,080 --> 00:55:38,920
Speaker 1: get through the scene either. Um. But yeah, no, so

1070
00:55:39,040 --> 00:55:40,920
Speaker 1: I I don't think he did respect me at the beginning,

1071
00:55:40,960 --> 00:55:43,359
Speaker 1: and that's again some some actors you have to earn

1072
00:55:43,520 --> 00:55:46,920
Speaker 1: their respect, um And I think I did, But it did.

1073
00:55:46,960 --> 00:55:48,799
Speaker 1: It wasn't right away, you know, so it was. It

1074
00:55:48,840 --> 00:55:50,600
Speaker 1: was great to get to work with him and get

1075
00:55:50,600 --> 00:55:53,560
Speaker 1: better because he was really good. Well, we get another

1076
00:55:53,640 --> 00:55:56,480
Speaker 1: Cathy Ireland scene in the tag at the mall, Corey

1077
00:55:56,560 --> 00:55:58,440
Speaker 1: is trying to pose in front of Alexis to get

1078
00:55:58,480 --> 00:56:02,160
Speaker 1: her attention and become a model himself. She asks if

1079
00:56:02,200 --> 00:56:05,080
Speaker 1: Corey is lost and says that she is not interested

1080
00:56:05,080 --> 00:56:07,399
Speaker 1: in his services. When Corey asks why not, she says,

1081
00:56:07,520 --> 00:56:12,640
Speaker 1: do you have ninety dollars? And then Corey walks away. Um, yeah,

1082
00:56:13,360 --> 00:56:19,080
Speaker 1: third time, I feel like this tag could have been better.

1083
00:56:19,239 --> 00:56:21,600
Speaker 1: I feel like it. I don't know, I feel like

1084
00:56:21,640 --> 00:56:24,160
Speaker 1: there was I don't know. I see, it could have

1085
00:56:24,200 --> 00:56:27,840
Speaker 1: just been Ben flexing. It would have just let flex

1086
00:56:27,880 --> 00:56:29,920
Speaker 1: in front of and she never even looks up, and

1087
00:56:29,960 --> 00:56:32,080
Speaker 1: she never even looks up. Yeah, that would have been funny. Yeah.

1088
00:56:32,200 --> 00:56:36,319
Speaker 1: And guys, our first live show is next weekend. Are

1089
00:56:36,320 --> 00:56:39,680
Speaker 1: you excited about that? Right? Yes? You forgot about it? Huh.

1090
00:56:39,880 --> 00:56:42,239
Speaker 1: You better have your hotel book and you better have

1091
00:56:42,320 --> 00:56:45,760
Speaker 1: your transportation there. Well, you guys keep telling me someday

1092
00:56:46,040 --> 00:56:47,600
Speaker 1: You're like, hey, when we get closer, we'll tell you

1093
00:56:47,640 --> 00:56:50,200
Speaker 1: where it is. You haven't actually told me where it

1094
00:56:50,280 --> 00:56:52,160
Speaker 1: is because we haven't worked out the security, and I

1095
00:56:52,200 --> 00:56:55,400
Speaker 1: am very I just don't get You're going to laugh

1096
00:56:55,600 --> 00:56:58,759
Speaker 1: until front page New York Times. You watch well, no, hey,

1097
00:56:59,280 --> 00:57:04,279
Speaker 1: eighth page our time spot under the fold um. But

1098
00:57:04,400 --> 00:57:06,480
Speaker 1: now someday you'll tell me where we're going and or

1099
00:57:06,520 --> 00:57:09,319
Speaker 1: I'll hear that the show was great. Check if there

1100
00:57:09,360 --> 00:57:12,040
Speaker 1: are still tickets available at ticketmaster dot com. Thank you

1101
00:57:12,080 --> 00:57:14,120
Speaker 1: guys for listening. This has been Pod Meats World. You

1102
00:57:14,160 --> 00:57:16,640
Speaker 1: can follow us on Instagram at pod Meats World Show.

1103
00:57:16,880 --> 00:57:19,240
Speaker 1: You can email us at Pod Meets World Show at

1104
00:57:19,280 --> 00:57:23,880
Speaker 1: gmail dot com, and we have got March March pod

1105
00:57:23,920 --> 00:57:27,120
Speaker 1: Meets World Show dot com. Thank you all for listening.

1106
00:57:27,680 --> 00:57:32,520
Speaker 1: We love you all. Pod dismissed. Pod Meets Worlds an

1107
00:57:32,520 --> 00:57:35,960
Speaker 1: I heart podcast produced and hosted by Danielle Fischel, Wilfred

1108
00:57:36,120 --> 00:57:39,840
Speaker 1: l and Writer Strong Executive producers Jensen Carp and Amy Sugarman.

1109
00:57:40,000 --> 00:57:43,520
Speaker 1: Executive in charge of production, Danielle Romo, producer and editor,

1110
00:57:43,600 --> 00:57:47,800
Speaker 1: Tara suit Backs, producer, Jackie Rodriguez, engineer and Boy Meets

1111
00:57:47,800 --> 00:57:50,680
Speaker 1: World super fan Easton Allen. Our theme song is by

1112
00:57:50,760 --> 00:57:53,840
Speaker 1: Kyle Morton of Typhoon. You can follow us on Instagram

1113
00:57:53,880 --> 00:57:56,360
Speaker 1: at pod meets World Show, or email us at pod

1114
00:57:56,400 --> 00:57:58,800
Speaker 1: meets World Show at gmail dot com.