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Speaker 1: This is me all right.

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Speaker 2: I'm not a athlete. This is my way, this is

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Speaker 2: how I went.

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Speaker 1: That's fucking bad on this Good morning, sweet world, and

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Speaker 1: welcome to the Nodunks podcast on the Athletic Network. It's Monday,

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Speaker 1: March thirtieth. This is film Session, and today we're breaking

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Speaker 1: down the American thriller, uncut gems, some Jay skeets, and

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Speaker 1: alongside me the other power of technology.

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Speaker 3: Tasmelis Tatmelus. The American thriller is here.

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Speaker 1: We got the bearded one, Trey Kirby on the horn.

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Speaker 1: He he the international man of mystery taking it to

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Speaker 1: the Max Leellis friend, and last but not least, the

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Speaker 1: man making the magic happen. It's JD.

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Speaker 4: Hello.

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Speaker 1: There he is, and here we are before we take

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Speaker 1: a long hard look at that opal. Guys, got an

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Speaker 1: email us your NBA questions and comments to No Dunks

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Speaker 1: at the Athletic dot Com. Will be beach stepping later

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Speaker 1: this week, so keep those cues and comments coming in.

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Speaker 1: Follow us on social media both Twitter and Instagram at

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Speaker 1: No dunk Sinc. We had a lot of fun last week,

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Speaker 1: or I guess it was over the weekend doing a

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Speaker 1: bit of a Q and a with you guys out there.

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Speaker 1: I think we got to do that again. And there's

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Speaker 1: some talk about trying to figure out the cards self

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Speaker 1: isolation cards, right.

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Speaker 5: Ley, that's right, Yeah, yeah, I think I think it's

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Speaker 5: gonna work.

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Speaker 2: Yeah.

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Speaker 5: I just have to set it up there and get

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Speaker 5: a pack going and hopefully we can have some fun

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Speaker 5: later in the week.

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Speaker 1: Okay, So keep your eye on that and follow us

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Speaker 1: on Twitter and Instagram, and you know we're on Facebook

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Speaker 1: at facebook dot com, slash no dunks, inc. Well, I

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Speaker 1: guess it's official. We're now on Facebook. Okay, guys. So

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Speaker 1: Uncut Gems released in twenty nineteen. The directors The Safti Brothers,

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Speaker 1: starring Adam Sandler, Lakeith Stanfield, Julia Foxon of course, the

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Speaker 1: reason really why we're tackling this Kevin Garnett. The IMDb synopsis,

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Speaker 1: with his debts mounting and angry collectors closing in a

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Speaker 1: fast talking New York City jeweler risks everything in hopes

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Speaker 1: of staying afloat and alive. Running time about two hours

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Speaker 1: and fifteen minutes. A pretty long movie. Rated R and

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Speaker 1: this was crazy Rotten Tomatoes. The critics score ninety two percent.

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Speaker 1: The audience score fifty two percent. It's quite the difference

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Speaker 1: there between what the critics thought of uncut gems and

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Speaker 1: what the audience sort of thought. But let's hear what

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Speaker 1: you guys think. So my first question, I'm gonna throw

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Speaker 1: this at you first tray, is this even a basketball movie?

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Speaker 2: To me?

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Speaker 6: This is not a basketball movie, but more so a

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Speaker 6: gambling movie about basketball. We're talking about basketball scenes maybe

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Speaker 6: three times in the entire movie, and it's all footage

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Speaker 6: of games that actually happen we're not seeing, you know,

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Speaker 6: Kevin Garnett and Adam Sandler go out there and have

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Speaker 6: a pickup game to determine who gets to take home.

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Speaker 2: The black Opal.

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Speaker 6: That being said, excellent gambling movie, But isn't a basketball movie?

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Speaker 2: Nah, it just has a basketball player in it.

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Speaker 1: Yeah. Does it, like like you're saying, in order it

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Speaker 1: to be a really a basketball movie, does there have

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Speaker 1: to be between the characters that you're following basketball played

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Speaker 1: and not just like television footage. I think that's that's

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Speaker 1: sort of where I draw the line too.

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Speaker 5: But yeah, but what I'll say though, that like the

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Speaker 5: central theme though, you know, revolves around Kevin Garnette and

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Speaker 5: this Opal, and yeah, you know, the big big you know,

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Speaker 5: climax revolves around gambling on a big game of basketball,

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Speaker 5: you know, on an outcome. So I would say it

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Speaker 5: is a basketball movie, even if it's a bit of

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Speaker 5: a you know, a loose connection because there's so many

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Speaker 5: other things going on. But I mean throughout this whole movie,

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Speaker 5: it really kicks off when Kevin Garnette becomes obsessed with

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Speaker 5: this this opal you know.

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Speaker 3: And I will say that there was a layup converted

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Speaker 3: by Adam Sandler.

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Speaker 1: Okay, okay, good backcheck there, task you're right, I sit corrected.

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Speaker 1: That's a good call. There was a shot taken by one.

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Speaker 3: Of the characters, the only shot Deak, the.

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Speaker 6: Only shot, hey, so more than Samuel Jackson did. And

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Speaker 6: coach Carter that got ribbled one time and that's it.

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Speaker 4: He also stole the ball as I.

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Speaker 1: Remember, Yeah, nice little poke from behind there, very Rondel like,

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Speaker 1: actually good good wingspand on Sandler. What do you think, JD?

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Speaker 1: Is it a basketball movie?

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Speaker 4: No? No, no, it's a gambling movie with basketball in it.

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Speaker 1: Did you enjoy the movie?

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Speaker 4: I love the movie?

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Speaker 5: You do?

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Speaker 4: I did? Yeah, I liked it way more than I

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Speaker 4: thought I would. I sat down in a bad mood.

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Speaker 4: I was like, I'm gonna hate this movie. I'm just

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Speaker 4: gonna hate watch this movie. And I don't care because

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Speaker 4: I've heard I've heard so many good things about this

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Speaker 4: and everybody on, all the viewers on Rotten Tomatoes they

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Speaker 4: got it right, I think, and I'm just gonna hate

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Speaker 4: this movie. And the first eleven minutes I'm like, yep,

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Speaker 4: I hate this movie all right. But then I was like, goddamn,

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Speaker 4: this is a good movie.

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Speaker 1: Wait wait when did it change for you?

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Speaker 4: I guess. So the movie starts and and it's, uh,

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Speaker 4: you know, there's the the scene with the mind and

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Speaker 4: the guy who gets hurt, and then we go into

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Speaker 4: the gym and the gem ends up in Adam Sandler's ass,

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Speaker 4: and I thought that was actually cool and I was like, Okay,

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Speaker 4: that's pretty clever. And then and then the score, the

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Speaker 4: the the uh, the score was so irritating. And then

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Speaker 4: I realized at one point, basically it goes for eleven

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Speaker 4: minutes this this this montage basically from the gym into

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Speaker 4: the colonoscopy, and then Adam Sandler was walking into his

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Speaker 4: shop and it's just this non stop stranger Things vangelious.

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Speaker 4: Uh synthy, trippy, synthy thing. And then and then he

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Speaker 4: gets slapped by the the the tough guy right like

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Speaker 4: the guy who's there to collect the Arno's debt. And

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Speaker 4: I was expecting the music to stop, and I'm like, wait,

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Speaker 4: why did the music stop? And the other thing that

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Speaker 4: happens is that the credits are still rolling, So it's

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Speaker 4: like is this the theme of the movie? Like, like

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Speaker 4: what is going on here? And then I realized I'm

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Speaker 4: supposed to hate this. I'm supposed to hate how awful

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Speaker 4: this is making me feel. The tension that it is

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Speaker 4: creating within me is the tension that Adam Sandler's character

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Speaker 4: Howard is feeling. Right, and he gets slapped and I

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Speaker 4: expected the music to sort of stop and like snap

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Speaker 4: him out of it, but it didn't because he had

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Speaker 4: so many plates spinning in the air. Still he had

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Speaker 4: whoever that was? Who was the Was that a rapper

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Speaker 4: in the store at that? In that first scene like

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Speaker 4: that that Damny brings in, there's a he's sort of

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Speaker 4: like a newly signed artist. I sort of got, yeah, maybe.

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Speaker 1: That's what we're supposed to believe. Yeah, that that la

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Speaker 1: Keith Stanfield's character brings them these guys, right, like be

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Speaker 1: it celebrities of some sort, either sports people or music people.

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Speaker 4: Yeah, exactly, so he can't stop spinning those plates, so

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Speaker 4: the music does and stuff. I was like, okay, I'm

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Speaker 4: I'm with it. And then by the end of the movie,

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Speaker 4: I loved the score, like loved it, Like this score

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Speaker 4: is going to go down as this will be imitated

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Speaker 4: moving forward. Wow, it's that.

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Speaker 1: Good because of just the impact it had on your

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Speaker 1: viewing experience of making you feel like you're on edge

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Speaker 1: for exactly, because that's I mean, does everybody agree like

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Speaker 1: you literally are just like wound up like a tight

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Speaker 1: ball for two hours like the characters in the movie.

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Speaker 1: I think, right, yeah, yeah.

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Speaker 6: And I think that's probably why the audience score is

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Speaker 6: so low, because I mean, this is a stressful movie.

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Speaker 2: The score plays into it.

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Speaker 6: The you know, just the volume of the movie, how

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Speaker 6: loud everybody is in the movie, how much yelling there is,

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Speaker 6: how many things are going on, how shaky the camera has.

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Speaker 6: Everything is incredibly stressful. Probably about half the people like

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Speaker 6: having that stress put on their body from watching a movie,

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Speaker 6: and another half do not, which is why you're fifty percent.

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Speaker 4: For the audience.

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Speaker 3: And I think That's probably why the critics number is

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Speaker 3: so high, because it achieved what it was supposed to achieve,

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Speaker 3: because he called it American thriller off the top, and

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Speaker 3: that's what it did exactly. It definite, definitely kept me

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Speaker 3: on the edge of my seat, even when things weren't happening, like,

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Speaker 3: for example, when Adam Sandler goes into New York City

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Speaker 3: and his son has to take a quick dump in

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Speaker 3: the in the neighbor's apartment and he gets into his

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Speaker 3: car they go home. His wife tells him, hey, take

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Speaker 3: the garbage out before you get come back inside, and

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Speaker 3: he pulls the cool dad move of propping both garbage

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Speaker 3: cans up and dragging them both out, And I thought

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Speaker 3: for sure he was going to get hit on the

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Speaker 3: street as he pulled both of those out. I was

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Speaker 3: I was definitely in total suspense every single scene. Nothing

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Speaker 3: happened in that scene, but it did achieve that that

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Speaker 3: thriller vibe. The whole time. I think it failed for

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Speaker 3: me and that I didn't really care what happened to

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Speaker 3: Adam Sandler the character. But maybe maybe that doesn't really matter.

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Speaker 3: Maybe the fact that it is a thriller in that

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Speaker 3: I was riveted the entire time was basically basically the point.

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Speaker 1: Yeah, I like Nora watching this with me too. After

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Speaker 1: it ended, I do like the movie too, and I

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Speaker 1: was like, oh my god, that was a wild two

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Speaker 1: hours and that was crazy, and I mean, we're gonna

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Speaker 1: break it all down. But she was like, but who

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Speaker 1: was I to cheer for? Who do I like in

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Speaker 1: this movie? And it's it is a difficult question. I

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Speaker 1: think it's sort of speaking to what you're saying there, tasked.

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Speaker 1: It's like, I don't really I don't care for Howard's

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Speaker 1: character that much, and then all these henchmen trying to

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Speaker 1: get the money from him, I don't care about them,

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Speaker 1: and even the girlfriend, and like it's like Garnett is

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Speaker 1: the I mean, maybe it's because we're NBA fans too,

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Speaker 1: Like Garnett's fun to root for in this movie, and

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Speaker 1: he's such a great actor, and we'll get to that.

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Speaker 1: But it's like Nora was like, who was I who

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Speaker 1: was the good person in this movie? And maybe that's

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Speaker 1: why some people don't like it as well, that some

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Speaker 1: people sort of need that, I guess in a movie,

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Speaker 1: someone to to root for or to care for, and

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Speaker 1: that sort of does lack I don't lead you sort

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Speaker 1: of agree with.

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Speaker 5: That, yeah, I mean, similar to what JD said. I

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Speaker 5: really didn't like the start of this movie. Like, you know,

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Speaker 5: Adam SAand his character's a bad husband. He's a bad father,

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Speaker 5: bad businessman, bad dresser, bad gambler, everything about him.

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Speaker 1: I thought you would love those shirts he was wearing.

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Speaker 5: Nah man, I was like, oh god, those clothes are awful.

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Speaker 5: I mean, you know, the suit was too big for

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Speaker 5: him as well, when he's walking around there, you know,

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Speaker 5: and not a pair of shorts I can get.

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Speaker 6: Show you in a giant leather jacket like he was

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Speaker 6: wearing most of this movie.

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Speaker 2: You definitely had one of those in nineteen ninety five.

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Speaker 5: Well that may be true. But anyway, getting getting back

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Speaker 5: to the movie. So the funny thing was I hated

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Speaker 5: the movie. I hated him, but then at some point,

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Speaker 5: I don't know why, I started to then cheer for

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Speaker 5: him and hope that he would get things turned around.

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Speaker 5: And he you know, but then when you see him

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Speaker 5: go back into those bad habits, you know, of gambling

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Speaker 5: again and getting how how sort of caught up and

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Speaker 5: how easily he gets sucked into, you know, making these

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Speaker 5: huge bets that have got such a dire consequences if

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Speaker 5: they don't pay off, then you start thinking like, oh, man,

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Speaker 5: I wish you'd learn his lesson this guy, and I

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Speaker 5: wish he'd just calmed down for five minutes. The movie,

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Speaker 5: to me, actually had a bit of a feel of

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Speaker 5: Snatch to it, you know, like the way that they

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Speaker 5: were all fighting over the over the you know, or

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Speaker 5: the Opal just causes so much trouble and you know,

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Speaker 5: there's so much sort of chaos and drama and that

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Speaker 5: non stop you know, like you're saying skitz there with

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Speaker 5: you know, with Nora saying who do you cheer for?

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Speaker 5: It's a little bit like that in Snatch. I feel

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Speaker 5: you're sort of not quite sure who you should be

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Speaker 5: cheering for. And they're all fighting this this one particular

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Speaker 5: element sort of creates so many different storylines and how

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Speaker 5: everyone is just so obsessed by by a diamond or

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Speaker 5: an opal, and so I sort of felt, you know

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Speaker 5: a little bit like that, And just the swearing and

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Speaker 5: the fighting and the bickering and the double crossing and

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Speaker 5: all that sort of stuff. You know, you just you

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Speaker 5: come out of it, you feel kind of dirty. You're like, oh,

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Speaker 5: you know, I just don't trust anybody. I hate that

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Speaker 5: life that they live, you know, that dirty, that dirty

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Speaker 5: underworld of jewelry. You know, you can just imagine it

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Speaker 5: in New York City, what it must be like living

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Speaker 5: in that world, and how cash is king and everyone's

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Speaker 5: just trying to screw each other over. So it was

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Speaker 5: I overall, I liked the movie, but I did go

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Speaker 5: through quite a few different emotions throughout.

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Speaker 1: Right. Yeah, he is such a schmuck, but you are.

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Speaker 1: At times I guess for him, No, you're not. You're

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Speaker 1: not wrong about that. And then I mean, what did

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Speaker 1: what did everybody think about Garnett in his role? Did

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Speaker 1: he like give us one of the best sort of

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Speaker 1: performances by an athlete in a movie that you can

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Speaker 1: think of? Or is it more like we sort of

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Speaker 1: know Garnett having been around him at Turner, like he

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Speaker 1: was just being himself. Of course, he's actually playing Kevin

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Speaker 1: Garnett in the movie for crying out Loud, and that's

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Speaker 1: that energy that Cage brings in the movie is what

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Speaker 1: exactly what we've experienced seeing him limited times around the

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Speaker 1: Turner studios.

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Speaker 2: I think both that's true.

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Speaker 6: I think he was incredible in this movie, and I

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Speaker 6: think he was largely being himself. But you really can't

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Speaker 6: picture another NBA player as that.

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Speaker 2: Just they can't sit.

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Speaker 6: Still energy, the always intense, always competing, always ready to rage,

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Speaker 6: basically Kevin Garnett and just the intensity he brings to

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Speaker 6: like looking at a stone is the intensity you would

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Speaker 6: think he would bring to looking at a stone as

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Speaker 6: a real person, but he does it in the movie

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Speaker 6: There is you know, like they have said that there

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Speaker 6: were other players they considered for this role, Kobe, Amari Stoudemier,

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Speaker 6: Joel Embiid, Like none.

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Speaker 2: Of those guys.

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Speaker 6: Maybe Kobe would have fit for the intensity part, but

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Speaker 6: just like the manic energy that Garnett brings to the role,

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Speaker 6: I think he's perfect for it.

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Speaker 1: Yeah, I can't actually picture any of those other people

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Speaker 1: playing the role that Kag did. Like he said that

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Speaker 1: amped up like I need this, I need this Opal,

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Speaker 1: I need this rock like Embiid. Is interesting because I

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Speaker 1: guess there was the connection that he was like he

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Speaker 1: would have the connection to the African stone right from

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Speaker 1: being like there, you know, which is sort of interesting.

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Speaker 1: And then there's the whole Amari like uh, you know,

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Speaker 1: becoming and adopting Judaism and stuff like that, so there's

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Speaker 1: that angle too, But yeah, they had to do a

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Speaker 1: bunch of re rates until they eventually landed on KG.

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Speaker 4: Something like I'd written sexty drafts in this movie. Yeah crazy.

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Speaker 5: You know, when I was watching KG there, I was thinking,

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Speaker 5: like how much of his scenes were just like react

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Speaker 5: to what the other character is saying. This is the

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Speaker 5: sort of scene we're trying to create, because I don't

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Speaker 5: think he was memorizing words. It certainly didn't look like

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Speaker 5: it looked like you know, as you mentioned there, you

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Speaker 5: know that's KG. Just sort of get him going, get

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Speaker 5: him hyped up, like that scene where it was before

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Speaker 5: Game seven where he came in to close that deal

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Speaker 5: there with Adam Sandler for the for the Opal and

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Speaker 5: he was asking him how much of that cost? And

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Speaker 5: then Adam Sandler kind of really turned it around and

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Speaker 5: put it on him and you could sort of see

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Speaker 5: the shift in momentum in that scene, and I thought

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Speaker 5: that was I thought that was really good because it

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Speaker 5: sort of showed KG, you know, being motivated, being fired up,

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Speaker 5: and someone else bringing out that little energy in him,

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Speaker 5: and I just thought, I thought that's incredible acting. If

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Speaker 5: Kg's going you know, off off a dialogue for that,

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Speaker 5: or if it's just the directors are saying, this is

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Speaker 5: what we want. Just be yourself, because it really, to

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Speaker 5: me looked like, you know, the KG that we used

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Speaker 5: to see around the Turner office is just babbling away

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Speaker 5: to himself, talking himself up and then getting himself into

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Speaker 5: that sort of mood.

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Speaker 1: Yeah. I think it's a bit of both. You know,

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Speaker 1: obviously the dialogue is written to some extent, but there

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Speaker 1: is I've read like parts where Sandler's just throwing at him,

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Speaker 1: Like there's that part where he says who wins in

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Speaker 1: a fight, Ben Wallace or Tony Allen? And I don't

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Speaker 1: think that was in a script. It was just chucked

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Speaker 1: at him. And then like KG without missing a beat,

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Speaker 1: is like TA all the way or something like that,

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Speaker 1: which is a great hypothetical. By the way, Ben Wallace

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Speaker 1: versus Tony Allen, Damn, I don't know who you're taken that.

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Speaker 1: I think Ben Wallace to be honest, but you know,

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Speaker 1: Tony Allen's a dog.

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Speaker 3: I don't know, former teammate, former teammate. It was an

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Speaker 3: easy one that was that was a softball for kJ.

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Speaker 3: I think everything everything in this movie was kind of

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Speaker 3: a softball for KG. He didn't really have a lot

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Speaker 3: of talking lines until that last scene with Adam Sandler

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Speaker 3: in the room there. He they didn't overextend him, And

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Speaker 3: that's credit to the directors and the producers. Theyre just

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Speaker 3: there wasn't a lot of He didn't have to memorize,

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Speaker 3: as least or said there, he didn't have to memorize

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Speaker 3: a lot. It was just KG being KG.

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Speaker 4: He didn't have to act.

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Speaker 3: Really, yeah, he was just playing basketball and then and

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Speaker 3: then he had a postgame interview. I mean that's that

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Speaker 3: was uh, yeah, it was him. As kudos to the

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Speaker 3: director and and and producer for making that happen that way.

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Speaker 1: Was it believable to everyone? Like cag's here in New

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Speaker 1: York on game days while a series is going on

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Speaker 1: that's being played in Boston and Philadelphia. Now I don't

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Speaker 1: have it in front of you, but I I guess

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Speaker 1: they say it. Even at one point they drive to Philly,

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Speaker 1: right like a two hour drive, Like, uh, it was

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Speaker 1: it believable that he could be going to basically the

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Speaker 1: three cities over the span of this movie. No problem

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Speaker 1: with that with for anybody.

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Speaker 6: I would have liked a little bit more scene setting

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Speaker 6: maybe Adam Sandler's like having a bagel, so we know

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Speaker 6: it's actually breakfast time, though, enough time for KG to

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Speaker 6: make it back.

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Speaker 2: I was a little nervous for him.

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Speaker 4: There was a moment where I was like, is this

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Speaker 4: supposed to be in Boston, because it Yeah, it did

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Speaker 4: strike me as weird that he would be in the

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Speaker 4: Diamond District the day of again yeah you know.

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Speaker 5: But yeah, yeah, so I did the I did. I

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Speaker 5: looked on Google and it's a three and a half

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Speaker 5: hour drive back to Boston. Now, he might have a

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Speaker 5: private jet because remember Vince Carter went out to North

365
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Speaker 5: Carolina on Game seven of a big series, but he

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Speaker 5: had the private jet. So I guess it does happen.

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Speaker 5: But you certainly if your doc rivers, you know, you

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Speaker 5: probably want your team to know where your players are.

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Speaker 5: One of your key players and someone said buying buying jewelry,

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Speaker 5: You're probably like, I'm not sure if that's exactly where

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Speaker 5: I want him right now. But yeah, I was, again

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Speaker 5: a bit like JD. I was thinking, like, A they

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Speaker 5: sort of are we supposed to assume this is like

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Speaker 5: he's done, you know, morning shoot around and he's in

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Speaker 5: his own Boston rather than just like, you know, I mean,

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Speaker 5: where is he? But it's sort of yeah, I guess

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Speaker 5: that's maybe just when you're a basketball fan, you just

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Speaker 5: kind of like you asked those questions, But if you're

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Speaker 5: not a super NBA play fan, you probably like, who knows,

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Speaker 5: who cares? You know, I don't know.

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Speaker 3: It's well, speaking about the basketball part, maybe I was

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Speaker 3: a little jaded in the fact that I got to

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Speaker 3: watch a basketball game while watching I mean, yeah, yeah.

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Speaker 3: During this NBA hiatus, I barely watched basketball, but this

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Speaker 3: basically an entire game seven was presented to me, which

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Speaker 3: was pretty neat, and I was watching it with a gambler,

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Speaker 3: So maybe I'm you know, it was fun, but maybe

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Speaker 3: that swayed me into liking it more.

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Speaker 1: I will say, like, credit to you know, to the

390
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Speaker 1: guys that did write this, because whoever did really tapped into,

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Speaker 1: you know, the essence of a true gambler, someone with

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Speaker 1: a real gambling problem. Because early on, when we learned

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Speaker 1: that he's betting on that stuff, first game that Cage's

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Speaker 1: got the opal he's takes, you know, they've swapped it

395
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Speaker 1: for the ring and stuff like that, Howard's freaking out,

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Speaker 1: Sandler's freaking out over the Sixers, going up five to

397
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Speaker 1: zero like early in the game, and that is like,

398
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Speaker 1: that is a true gambling problem. Like you've bet on

399
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Speaker 1: the game and you're doing the classic my Buddy grish

400
00:19:18,680 --> 00:19:20,399
Speaker 1: where the game's over because it's five to nothing in

401
00:19:20,440 --> 00:19:23,040
Speaker 1: a basketball game and he's like, legit panicking because Drew

402
00:19:23,080 --> 00:19:26,280
Speaker 1: Holiday just hit a three. That is that's real. In

403
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Speaker 1: my experience being around some people that might have a

404
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Speaker 1: gambling problem, they're all they're like, oh god, it's already

405
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Speaker 1: over and the you know, the one shot is made.

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Speaker 1: So they nailed that.

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Speaker 5: In my opinion, the stikes they gambling for a little

408
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Speaker 5: more extreme than now pick them payoff that we have

409
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Speaker 5: every month, isn't it really?

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Speaker 1: Oh my god, I can't believe he's throwing into parlays

411
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Speaker 1: the opening tip and I know you're going against Spencer

412
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Speaker 1: Hawes who doesn't have the ups but Jesus Murphy, oh

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Speaker 1: my god, I'd leave that one out of the parlay.

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Speaker 1: But they nailed it both times.

415
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Speaker 6: Yeah, it's either going to be Spencer Hawes or Elton

416
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Speaker 6: Brand doing in the jump. So maybe a smart bet.

417
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Speaker 1: Yeah, yeah, I guess, so, I guess he's uh, he

418
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Speaker 1: seemed to know he knew his basketball, you know that.

419
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Speaker 1: That was believable to me. Like that Howard and his

420
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Speaker 1: sort of family, like with kids and all that they

421
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Speaker 1: were all like huge NBA fans and he was obviously

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Speaker 1: a Knicks fan and stuff like that. I like that part.

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Speaker 3: Jad.

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Speaker 1: Did you have a favorite, like a favorite scene in

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Speaker 1: this movie? You said you enjoyed it overall, but you

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Speaker 1: have one, you know, stick out particular.

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Speaker 4: Yeah, I mean I have a lot of favorite scenes.

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Speaker 4: There's a lot of great movies or a lot of

429
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Speaker 4: great scenes in this movie. I loved the part where

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Speaker 4: it was at this after the satyr, I guess at Dina,

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Speaker 4: which is a Dina Menzel's character. I guess it's her

432
00:20:42,920 --> 00:20:48,080
Speaker 4: her family's passover supper. I guess, yeah, And she's wearing

433
00:20:48,160 --> 00:20:52,360
Speaker 4: her about Mitzvah dress and he basically asks for her

434
00:20:52,400 --> 00:20:53,200
Speaker 4: to take him back.

435
00:20:53,440 --> 00:20:53,720
Speaker 1: Yeah.

436
00:20:53,720 --> 00:20:56,040
Speaker 4: And there's a moment where you where you know, he

437
00:20:56,119 --> 00:20:59,000
Speaker 4: sort of puts on his his cute face and she

438
00:20:59,200 --> 00:21:02,200
Speaker 4: just rejects him at right, And it's just it's one

439
00:21:02,240 --> 00:21:05,080
Speaker 4: of the I love her in that character, and I

440
00:21:05,160 --> 00:21:07,880
Speaker 4: just love what she says to him, basically, you've got

441
00:21:07,920 --> 00:21:11,120
Speaker 4: you are the most annoying person that I've ever met,

442
00:21:11,760 --> 00:21:16,560
Speaker 4: and your face is stupid, and like, we don't know

443
00:21:16,640 --> 00:21:20,359
Speaker 4: exactly what he did to her, but obviously it was

444
00:21:20,880 --> 00:21:24,840
Speaker 4: it was not good. And uh, and there's a lot

445
00:21:24,880 --> 00:21:26,720
Speaker 4: of and there's a lot of a lot of things

446
00:21:26,720 --> 00:21:28,760
Speaker 4: happening in that scene that I just love, like the

447
00:21:29,160 --> 00:21:32,280
Speaker 4: fact that you know, he just basically threw out his

448
00:21:32,560 --> 00:21:36,000
Speaker 4: younger girlfriend and then he sees his wife wearing this

449
00:21:36,320 --> 00:21:40,040
Speaker 4: dress that's basically for a young woman, like she still

450
00:21:40,040 --> 00:21:42,919
Speaker 4: fits into it. So it's like, oh, maybe I'll just

451
00:21:42,960 --> 00:21:46,600
Speaker 4: go back to her, and and uh, you know, and

452
00:21:46,640 --> 00:21:50,359
Speaker 4: this this sort of theme where everybody in this movie

453
00:21:50,400 --> 00:21:55,040
Speaker 4: is an uncut gem quote unquote, and uh, Howard is one,

454
00:21:55,080 --> 00:21:59,840
Speaker 4: and certainly Dina is one, and basically you can lose

455
00:22:00,680 --> 00:22:03,760
Speaker 4: they all lose their lusters sort of thing, you know

456
00:22:03,760 --> 00:22:08,000
Speaker 4: what I mean? Over time Howard to Dina definitely, it's

457
00:22:08,080 --> 00:22:10,520
Speaker 4: like this guy's just a rock, He's no gem, right

458
00:22:10,600 --> 00:22:14,360
Speaker 4: And then for her, for him, he's like she did

459
00:22:14,400 --> 00:22:16,720
Speaker 4: lose her luster, but oh wait, she's just shined up

460
00:22:16,760 --> 00:22:19,879
Speaker 4: in this young girl's dress, so you know, maybe I

461
00:22:19,920 --> 00:22:23,000
Speaker 4: should go back to her. And it's uh, that's just

462
00:22:23,040 --> 00:22:25,760
Speaker 4: one of many scenes where where that theme is played out.

463
00:22:25,760 --> 00:22:27,560
Speaker 4: But I just I just love that scene between the

464
00:22:27,600 --> 00:22:27,840
Speaker 4: two of.

465
00:22:27,840 --> 00:22:30,840
Speaker 3: Them, like Manzell was frozen in time.

466
00:22:31,160 --> 00:22:35,199
Speaker 2: Oh, Dassy, you know?

467
00:22:36,600 --> 00:22:37,760
Speaker 1: Did you?

468
00:22:37,920 --> 00:22:38,199
Speaker 3: Did you?

469
00:22:38,240 --> 00:22:38,840
Speaker 1: Guys? Did you?

470
00:22:38,880 --> 00:22:39,040
Speaker 3: Guys?

471
00:22:39,240 --> 00:22:42,000
Speaker 1: Like speaking of relationships, you're talking about Howard with his

472
00:22:42,960 --> 00:22:44,720
Speaker 1: wife or ex wife or whatever you want to call her.

473
00:22:45,440 --> 00:22:50,600
Speaker 1: Did you find the relationship believable between Julia and Howard?

474
00:22:50,920 --> 00:22:54,720
Speaker 1: Like like they're set up and how they like could

475
00:22:54,760 --> 00:22:57,359
Speaker 1: you imagine how they would come together? Was that believable

476
00:22:57,400 --> 00:22:57,920
Speaker 1: to everybody?

477
00:23:00,359 --> 00:23:03,360
Speaker 4: To me, that's the one problem I had with the movie.

478
00:23:04,280 --> 00:23:06,439
Speaker 4: I think that it is believable, and by the end

479
00:23:06,520 --> 00:23:10,320
Speaker 4: of it the movie, I I definitely think that Julia

480
00:23:10,359 --> 00:23:15,400
Speaker 4: was loved and was in love with Howard and vice versa,

481
00:23:15,520 --> 00:23:19,760
Speaker 4: but it was hard to tell what she saw in him.

482
00:23:19,960 --> 00:23:24,480
Speaker 4: You know, there's he's he is. He is an anti

483
00:23:24,560 --> 00:23:27,679
Speaker 4: hero for sure, but it's hard to see you know,

484
00:23:27,720 --> 00:23:32,560
Speaker 4: he's and other than Adam Sandler himself shining through this character,

485
00:23:33,000 --> 00:23:37,560
Speaker 4: there was very very little of the charming, funny guy

486
00:23:37,600 --> 00:23:42,480
Speaker 4: who could who could convince a young hot girl like

487
00:23:42,520 --> 00:23:45,000
Speaker 4: that to go with him at his age? You know?

488
00:23:45,320 --> 00:23:47,840
Speaker 4: And and I guess I wanted to see more more

489
00:23:47,880 --> 00:23:51,480
Speaker 4: of that, like the like like like a lot, just

490
00:23:51,600 --> 00:23:56,000
Speaker 4: some more redeeming qualities like a Tony soprano or name

491
00:23:56,200 --> 00:23:59,600
Speaker 4: any other anti hero, you know, Like that's what I

492
00:23:59,600 --> 00:24:00,399
Speaker 4: wanted to see.

493
00:24:01,760 --> 00:24:05,320
Speaker 3: Yeah, I agree. It seemed like the beginning scenes before

494
00:24:05,359 --> 00:24:09,439
Speaker 3: we knew the relationship. You know, when she was lying

495
00:24:09,480 --> 00:24:12,560
Speaker 3: in that apartment and he was texting her, I thought

496
00:24:12,840 --> 00:24:17,720
Speaker 3: that her her company was paid for and it never

497
00:24:17,880 --> 00:24:20,320
Speaker 3: was never really sore to Yeah, I agree with you.

498
00:24:21,840 --> 00:24:25,560
Speaker 5: Yeah, I just thought she was kind of convinced or

499
00:24:25,920 --> 00:24:29,040
Speaker 5: thought that he had more money and more power, and

500
00:24:29,080 --> 00:24:31,239
Speaker 5: that was what she was kind of attracted to that,

501
00:24:31,280 --> 00:24:34,080
Speaker 5: you know, he was this high end jeweler, even though

502
00:24:34,680 --> 00:24:37,359
Speaker 5: he kind of wasn't really that wealthy and wasn't really

503
00:24:37,400 --> 00:24:39,840
Speaker 5: that powerful, but you know, a young woman kind of

504
00:24:40,160 --> 00:24:44,000
Speaker 5: just believed that he was. And you know that's how

505
00:24:44,040 --> 00:24:46,080
Speaker 5: she sort of because she was adamant. She wanted to

506
00:24:46,080 --> 00:24:48,080
Speaker 5: stay with him when he tried to keep breaking up

507
00:24:48,119 --> 00:24:49,720
Speaker 5: with her and stuff, and then she gets the tattoo

508
00:24:49,760 --> 00:24:52,480
Speaker 5: and everything, and it's just to me almost like she's

509
00:24:52,480 --> 00:24:55,640
Speaker 5: maybe trying to convince herself that, like, you know, he's

510
00:24:55,680 --> 00:24:58,560
Speaker 5: not perfect, but stick with him because he's you know,

511
00:24:58,640 --> 00:25:01,439
Speaker 5: he's connected and he's going to be one day. You know,

512
00:25:01,480 --> 00:25:04,600
Speaker 5: because when when she is watching the game, when she's

513
00:25:04,640 --> 00:25:06,480
Speaker 5: just laid that big bed for him, you know, you

514
00:25:06,520 --> 00:25:08,600
Speaker 5: could see how excited she was. So I think she

515
00:25:08,680 --> 00:25:10,960
Speaker 5: thinks that's more likely what their life is gonna be

516
00:25:11,320 --> 00:25:14,080
Speaker 5: if they were to be together, rather than you know,

517
00:25:14,240 --> 00:25:17,240
Speaker 5: him always running from debt collectors and always trying to hide.

518
00:25:17,240 --> 00:25:19,640
Speaker 5: In the end, he's gonna be this big, wealthy gambler.

519
00:25:19,680 --> 00:25:23,680
Speaker 5: But ultimately us watching it alike, no, that's not gonna

520
00:25:23,680 --> 00:25:25,920
Speaker 5: be well, yeah, happen. He's gonna screw you over.

521
00:25:27,600 --> 00:25:30,320
Speaker 1: Trey. Do you have a favorite scene in this movie?

522
00:25:30,800 --> 00:25:33,359
Speaker 6: Uh, when KG first shows up to the jewelry story

523
00:25:33,400 --> 00:25:36,280
Speaker 6: if that was an incredible scene just I mean, that's

524
00:25:36,280 --> 00:25:39,000
Speaker 6: where you have the Tony Allen over Ben Wallace talk.

525
00:25:39,119 --> 00:25:42,400
Speaker 6: He's freaking out about seeing this gremlin chain. He's also

526
00:25:42,440 --> 00:25:45,480
Speaker 6: wearing a leather jacket that is just covered in NBA patches,

527
00:25:45,800 --> 00:25:48,159
Speaker 6: like they're black patches, so you can't really tell, but

528
00:25:48,200 --> 00:25:51,080
Speaker 6: it's like there's a Piston's logo on there for sure,

529
00:25:51,160 --> 00:25:53,159
Speaker 6: which is very funny to see somebody actually wearing a

530
00:25:53,240 --> 00:25:56,080
Speaker 6: just NBA jacket. But I just felt like once he

531
00:25:56,160 --> 00:25:58,240
Speaker 6: popped in there, You're like, this movie is on.

532
00:25:58,800 --> 00:26:00,320
Speaker 2: He's so obsessed with the stone.

533
00:26:00,320 --> 00:26:02,200
Speaker 6: There's so many good lines in there, from a stone

534
00:26:02,240 --> 00:26:04,960
Speaker 6: to a stone, you know Gardnet's a stone, right, yeah, yeah,

535
00:26:05,640 --> 00:26:08,119
Speaker 6: dinosaur Stone. I just thought it was great. I just

536
00:26:08,160 --> 00:26:11,160
Speaker 6: thought seeing his energy in there in that tiny little

537
00:26:11,200 --> 00:26:16,760
Speaker 6: room with Adam Sandler, with the Loan shark enforcers who

538
00:26:16,760 --> 00:26:18,640
Speaker 6: are just there kind of hanging out, and you've got

539
00:26:18,640 --> 00:26:21,040
Speaker 6: that little bit of a beef right when Sandler's coming

540
00:26:21,080 --> 00:26:21,760
Speaker 6: back to the room.

541
00:26:22,080 --> 00:26:24,040
Speaker 2: Then finally the gem shows up. I just thought that

542
00:26:24,200 --> 00:26:25,320
Speaker 2: was an awesome scene.

543
00:26:25,400 --> 00:26:27,359
Speaker 4: And that's just Is that the same scene where he

544
00:26:27,440 --> 00:26:28,639
Speaker 4: breaks the case from me?

545
00:26:28,720 --> 00:26:28,920
Speaker 7: Yeah?

546
00:26:28,920 --> 00:26:31,600
Speaker 1: Exactly, Yeah, And I was so like that part. I

547
00:26:31,640 --> 00:26:34,960
Speaker 1: love that part because throughout that crazy manic scene, Yes,

548
00:26:35,040 --> 00:26:38,120
Speaker 1: Sandler keeps saying, Howard keeps saying, watch the glass, KG,

549
00:26:38,280 --> 00:26:39,920
Speaker 1: watch the glass, get your arms off the glass. And

550
00:26:40,160 --> 00:26:42,320
Speaker 1: I sort of was like in the moment, going like, Okay,

551
00:26:42,400 --> 00:26:44,239
Speaker 1: just relax. I don't know why you keep saying that.

552
00:26:44,280 --> 00:26:45,879
Speaker 1: And then then of course it pays off with the

553
00:26:46,160 --> 00:26:48,840
Speaker 1: shattering of KG just putting too much pressure on it,

554
00:26:48,880 --> 00:26:51,960
Speaker 1: and it is actually have you guys ever been to

555
00:26:52,400 --> 00:26:56,840
Speaker 1: like like a jewelry place like that, like that type

556
00:26:56,880 --> 00:26:58,520
Speaker 1: of place where you have to get buzzed in through

557
00:26:58,520 --> 00:27:01,119
Speaker 1: those sort of man trap doors. Anyone of you guys

558
00:27:01,119 --> 00:27:03,560
Speaker 1: here been in one of those places now?

559
00:27:04,040 --> 00:27:05,320
Speaker 2: Still working way up?

560
00:27:05,400 --> 00:27:05,480
Speaker 1: Bro?

561
00:27:06,440 --> 00:27:09,040
Speaker 5: Yeah, well I haven't been in one like that with

562
00:27:09,080 --> 00:27:11,320
Speaker 5: a jewelry store. But when I was in New York City,

563
00:27:11,320 --> 00:27:13,399
Speaker 5: I was trying to buy a video camera once for

564
00:27:13,440 --> 00:27:16,359
Speaker 5: New Year's Eve, and I felt that same sort of

565
00:27:16,400 --> 00:27:19,959
Speaker 5: intimidation and sort of bullying in from the shop keeper

566
00:27:20,280 --> 00:27:22,840
Speaker 5: because they really really wanted to sell me a video camera,

567
00:27:22,920 --> 00:27:24,720
Speaker 5: and it was like it was like four hundred dollars.

568
00:27:24,760 --> 00:27:26,520
Speaker 5: This was for New Years even ninety to ninety nine.

569
00:27:26,520 --> 00:27:28,040
Speaker 5: I wanted to capture it, you know. I was like, Ah,

570
00:27:28,080 --> 00:27:29,040
Speaker 5: this is going to be amazing.

571
00:27:29,720 --> 00:27:31,640
Speaker 1: But we just we couldn't.

572
00:27:31,400 --> 00:27:33,680
Speaker 5: Quite get to the right price because they basically had

573
00:27:33,720 --> 00:27:36,119
Speaker 5: sold me one for about four hundred and fifty bucks,

574
00:27:36,440 --> 00:27:38,520
Speaker 5: and just before he closed the deal, he said, you know,

575
00:27:38,640 --> 00:27:40,080
Speaker 5: you can get a better quality one for like one

576
00:27:40,119 --> 00:27:42,439
Speaker 5: hundred hundred and fifty bucks more, and he pulled that

577
00:27:42,480 --> 00:27:45,199
Speaker 5: one out and I saw the difference. I saw the

578
00:27:45,240 --> 00:27:47,199
Speaker 5: difference in the quality, and I was like, well, I

579
00:27:47,200 --> 00:27:49,280
Speaker 5: don't want this four hundred and fifty dollars one anymore.

580
00:27:49,280 --> 00:27:51,119
Speaker 5: But I'm not paying six hundred bucks either, because I

581
00:27:51,119 --> 00:27:54,720
Speaker 5: can't afford that. And the guy got really really pissed

582
00:27:54,760 --> 00:27:56,719
Speaker 5: off at me, you know, like what else you want

583
00:27:56,760 --> 00:27:57,800
Speaker 5: me to show you? What else you want me to

584
00:27:57,840 --> 00:27:59,600
Speaker 5: do to get the deal and stuff? And I was

585
00:27:59,640 --> 00:28:02,040
Speaker 5: just like and I just had to. I ran and

586
00:28:02,080 --> 00:28:04,520
Speaker 5: I was like, man, I felt like I didn't think

587
00:28:04,520 --> 00:28:06,440
Speaker 5: I was gonna get whacked, but I didn't run to

588
00:28:06,480 --> 00:28:07,360
Speaker 5: be around there any long.

589
00:28:07,359 --> 00:28:12,879
Speaker 1: Guy. Yeah, it's it is weird. I've been when I

590
00:28:12,960 --> 00:28:17,760
Speaker 1: was buying an engagement ring for Norah. I've said it before.

591
00:28:18,000 --> 00:28:20,800
Speaker 1: Nora's Armenian and so she has an uncle that's an

592
00:28:20,880 --> 00:28:24,160
Speaker 1: Armenian jeweler and in Toronto, so not New York City,

593
00:28:24,200 --> 00:28:28,480
Speaker 1: but like this, like this the building dynamic and again

594
00:28:28,520 --> 00:28:31,359
Speaker 1: those like double doors to get in, the bulletproof doors

595
00:28:31,400 --> 00:28:34,320
Speaker 1: and all this, and like there's another jeweler down the

596
00:28:34,720 --> 00:28:38,160
Speaker 1: hallway and all that, Like that's spot on exactly how

597
00:28:38,160 --> 00:28:41,160
Speaker 1: it was like in my weird experience of going with

598
00:28:41,640 --> 00:28:45,440
Speaker 1: her uncle to buy a buy a ring from a

599
00:28:45,480 --> 00:28:47,840
Speaker 1: guy he knows, who knows this guy, And it's gonna

600
00:28:47,840 --> 00:28:49,880
Speaker 1: be a great deal. And I just sat there the

601
00:28:50,080 --> 00:28:52,240
Speaker 1: entire time like they were all speaking in Armenia, and

602
00:28:52,280 --> 00:28:54,840
Speaker 1: I had really no idea what was going on. I

603
00:28:54,880 --> 00:28:56,600
Speaker 1: was just like, well, who am I giving my money to?

604
00:28:57,120 --> 00:28:59,239
Speaker 1: Just point me in the right direction. But it is

605
00:28:59,800 --> 00:29:03,200
Speaker 1: it was exactly like that, at least the back room

606
00:29:03,280 --> 00:29:06,080
Speaker 1: sort of dynamics of what they were getting at here

607
00:29:06,080 --> 00:29:10,360
Speaker 1: and uncut JEMs. So they nailed that perfectly too. Task.

608
00:29:10,400 --> 00:29:13,640
Speaker 1: Do you have a favorite scene in this movie Favorite?

609
00:29:14,200 --> 00:29:19,080
Speaker 3: Yeah? I mean I hated the Weekend's contribution to this

610
00:29:19,160 --> 00:29:21,880
Speaker 3: movie Favorite because I hated it. First of all, it

611
00:29:21,920 --> 00:29:25,360
Speaker 3: was weird in that they they they're you know, we're

612
00:29:25,440 --> 00:29:29,000
Speaker 3: tracking back whatever it is a decade here and saying, oh,

613
00:29:29,040 --> 00:29:31,280
Speaker 3: this Weekend guy, he's up and coming. He might be big,

614
00:29:31,640 --> 00:29:35,760
Speaker 3: even though he's from Canada, even though he's from Canada exactly,

615
00:29:36,200 --> 00:29:39,200
Speaker 3: And so okay, I guess that's just a reel in

616
00:29:39,320 --> 00:29:42,560
Speaker 3: a star into your movie credits. Yeah, sure, fine, But

617
00:29:42,640 --> 00:29:45,600
Speaker 3: then they do nothing with him. He basically says I

618
00:29:45,640 --> 00:29:48,160
Speaker 3: need a black light, and then he has three songs,

619
00:29:48,360 --> 00:29:52,400
Speaker 3: he has three lines of a song, and then he's

620
00:29:52,400 --> 00:29:57,680
Speaker 3: in the bathroom, and I guess it is accurate in

621
00:29:57,720 --> 00:29:59,400
Speaker 3: that he was an up and coming star and the

622
00:29:59,440 --> 00:30:02,760
Speaker 3: security guard didn't really care about guarding his bathroom door.

623
00:30:02,840 --> 00:30:04,880
Speaker 3: So I guess that's fairly accurate. But I just I

624
00:30:04,920 --> 00:30:07,520
Speaker 3: was surprised that they didn't do anything with Abel. I

625
00:30:07,800 --> 00:30:09,760
Speaker 3: think he could, he could pull something off a little

626
00:30:09,800 --> 00:30:13,040
Speaker 3: bit more. He is, he's he's capable of acting. But

627
00:30:13,760 --> 00:30:17,400
Speaker 3: all in all, so I told you the scene I hated.

628
00:30:18,120 --> 00:30:22,440
Speaker 3: I think I don't know him in the trunk was fine,

629
00:30:22,560 --> 00:30:25,800
Speaker 3: I was, you know, I hated the fact that he's

630
00:30:25,840 --> 00:30:28,720
Speaker 3: had his school play and the hitmen are there to

631
00:30:29,240 --> 00:30:31,880
Speaker 3: do their their business and he goes out into the

632
00:30:31,920 --> 00:30:35,080
Speaker 3: hallway and he tries to whack the hitman and run.

633
00:30:35,680 --> 00:30:38,160
Speaker 3: I immediately think, what is what is he? What is

634
00:30:38,160 --> 00:30:41,040
Speaker 3: he trying to accomplish there? But it plays into Adam

635
00:30:41,400 --> 00:30:45,040
Speaker 3: and Adam Sandler's character's dumbness in a way, and uh,

636
00:30:45,400 --> 00:30:47,800
Speaker 3: and it all pays off, Like I didn't think they

637
00:30:47,840 --> 00:30:50,520
Speaker 3: tried to overextend Adam Sandler as well, Like they just

638
00:30:50,560 --> 00:30:52,360
Speaker 3: made him dumb and dumb and dumb, and they didn't

639
00:30:52,360 --> 00:30:55,440
Speaker 3: really try and do the whole circle back and try

640
00:30:55,480 --> 00:30:57,400
Speaker 3: and redeem him. And that's why I don't think anyone

641
00:30:57,480 --> 00:31:00,520
Speaker 3: really cared about him or cheered for him, And so

642
00:31:00,560 --> 00:31:04,480
Speaker 3: that that scene in that theater was really stupid. Why

643
00:31:04,560 --> 00:31:06,920
Speaker 3: is he does he think he can like hit two

644
00:31:07,040 --> 00:31:10,040
Speaker 3: hit men? There's two of them there and run. I

645
00:31:10,080 --> 00:31:12,920
Speaker 3: mean that's but but that's Adam Sandlors's character. So that

646
00:31:12,960 --> 00:31:13,240
Speaker 3: was fun.

647
00:31:13,360 --> 00:31:13,840
Speaker 5: That was fun.

648
00:31:13,920 --> 00:31:17,120
Speaker 1: Yeah. I have the one like problem I had throughout

649
00:31:17,120 --> 00:31:19,680
Speaker 1: the movie was a little bit of like who was

650
00:31:19,880 --> 00:31:25,200
Speaker 1: in control of like getting the money from Howard, like

651
00:31:25,200 --> 00:31:28,160
Speaker 1: like Arnold and then those other guys with him, do

652
00:31:28,240 --> 00:31:30,640
Speaker 1: you know what I mean? Like that part was a

653
00:31:30,680 --> 00:31:32,840
Speaker 1: little strange to me at times, Like Arnold was the

654
00:31:33,120 --> 00:31:36,200
Speaker 1: he's the loan shark who was also his brother in law, right,

655
00:31:36,880 --> 00:31:39,360
Speaker 1: and then I think their names were like Phil and Nico,

656
00:31:39,480 --> 00:31:41,760
Speaker 1: like the two you know, the the muscle. I guess

657
00:31:42,680 --> 00:31:47,440
Speaker 1: they are they working for Arnold? Are they working alongside Arnold?

658
00:31:47,480 --> 00:31:49,040
Speaker 1: Are they their own thing? Do you know what I mean?

659
00:31:49,200 --> 00:31:54,360
Speaker 4: That was my impression that he had hired them to

660
00:31:54,800 --> 00:31:59,320
Speaker 4: basically collect on Howard? Right, yeah, but then they he

661
00:31:59,480 --> 00:32:02,120
Speaker 4: loses can troll of them? Yes, Okay, And I think

662
00:32:02,160 --> 00:32:05,680
Speaker 4: that getting back to the theater scene, I think that

663
00:32:05,960 --> 00:32:12,200
Speaker 4: you are right task until but but when that scene happens,

664
00:32:12,240 --> 00:32:17,360
Speaker 4: you don't realize that Arnou is Howard's brother in law. Right,

665
00:32:17,840 --> 00:32:19,520
Speaker 4: even when they're in the car, he's like, don't say

666
00:32:19,520 --> 00:32:21,160
Speaker 4: my name, don't say my name. And then it's a

667
00:32:21,200 --> 00:32:27,880
Speaker 4: great performance from Eric boguson is his names anyway? As

668
00:32:27,880 --> 00:32:31,520
Speaker 4: as as Arnaut just on his face, he's just like,

669
00:32:31,720 --> 00:32:35,440
Speaker 4: I feel terrible about this, that it's come to this,

670
00:32:35,640 --> 00:32:38,600
Speaker 4: and you sort of you know that there's a history

671
00:32:38,640 --> 00:32:40,600
Speaker 4: between them, but you you have no idea what the

672
00:32:40,680 --> 00:32:44,640
Speaker 4: relationship between them is until he shows up at the Satyr, right,

673
00:32:46,320 --> 00:32:49,240
Speaker 4: in which case it kind of does make sense to him.

674
00:32:49,360 --> 00:32:54,120
Speaker 4: I don't think that that Howard would have felt the

675
00:32:54,120 --> 00:32:58,840
Speaker 4: the threat of hitmen or or or collectors because it's

676
00:32:58,880 --> 00:33:00,600
Speaker 4: he it's my brother in law. What what is he

677
00:33:00,640 --> 00:33:02,600
Speaker 4: gonna do to me? Is he gonna kill me? He's

678
00:33:02,600 --> 00:33:05,720
Speaker 4: gonna humiliate me? And he does he by putting him,

679
00:33:05,880 --> 00:33:08,560
Speaker 4: which explains why they they they took him back to

680
00:33:08,640 --> 00:33:11,120
Speaker 4: his own car and put him naked in his own

681
00:33:11,200 --> 00:33:15,280
Speaker 4: trunk because he is a family member. It's not like

682
00:33:15,440 --> 00:33:21,600
Speaker 4: he's just a random degenerate gambler that that there's gonna

683
00:33:21,640 --> 00:33:23,840
Speaker 4: be consequences if he hurts him. Too badly, I guess,

684
00:33:23,960 --> 00:33:24,760
Speaker 4: is what I'm trying to say.

685
00:33:24,840 --> 00:33:27,520
Speaker 3: Yeah, yeah, And I did find it cool in the end.

686
00:33:27,760 --> 00:33:31,600
Speaker 3: Brother in law was sort of cheering along with Adam

687
00:33:31,680 --> 00:33:35,360
Speaker 3: Sandler in that championship in the in the game seven

688
00:33:36,040 --> 00:33:38,719
Speaker 3: bet he was. He was looking on and wondering and

689
00:33:38,760 --> 00:33:41,160
Speaker 3: saying like, are they winning? And he was kind of

690
00:33:41,160 --> 00:33:44,560
Speaker 3: into it, which was which was neat. He barely said anything,

691
00:33:45,160 --> 00:33:48,080
Speaker 3: but you know, through his body language even at that

692
00:33:48,320 --> 00:33:52,640
Speaker 3: the dinner like he was uh, he was sympathizing with

693
00:33:52,720 --> 00:33:54,600
Speaker 3: him a little bit. So that was you know, to

694
00:33:54,600 --> 00:33:57,840
Speaker 3: see that human element without without the power of it

695
00:33:57,920 --> 00:34:00,000
Speaker 3: was just the power of body language. It really wasn't

696
00:34:00,080 --> 00:34:01,040
Speaker 3: many lines. It was good.

697
00:34:01,440 --> 00:34:04,920
Speaker 1: I love that those guys are no and then the

698
00:34:04,960 --> 00:34:07,680
Speaker 1: two guys Fill and Nico they are. They are caught

699
00:34:07,880 --> 00:34:10,719
Speaker 1: in that little again, that little cage, that little man trap,

700
00:34:10,719 --> 00:34:12,600
Speaker 1: whatever the hell it's called. The part where you've got

701
00:34:12,600 --> 00:34:14,160
Speaker 1: to go through like a couple of doors to get

702
00:34:14,160 --> 00:34:17,080
Speaker 1: into a place like this. I love that because earlier

703
00:34:17,120 --> 00:34:18,960
Speaker 1: in the movie, and we talked about it, like every

704
00:34:19,040 --> 00:34:21,120
Speaker 1: damn scene puts you on edge in this movie, just

705
00:34:21,239 --> 00:34:24,279
Speaker 1: complete ride where you're just your nerves are shot. There's

706
00:34:24,320 --> 00:34:28,160
Speaker 1: that scene where the door won't open mm hmm, and

707
00:34:28,200 --> 00:34:30,319
Speaker 1: I was like the whole time, like I'm like, this

708
00:34:30,520 --> 00:34:33,239
Speaker 1: is sort of completely pointless, like they're just trying to

709
00:34:33,280 --> 00:34:36,480
Speaker 1: create more tension. There's buzzing and everybody's yelling and like

710
00:34:36,520 --> 00:34:39,359
Speaker 1: let me in, knocking on the wad buzz buzz, like

711
00:34:39,600 --> 00:34:41,520
Speaker 1: if they're just like building up tension and tension. And

712
00:34:41,560 --> 00:34:44,400
Speaker 1: I was sort of like, okay, fine, but this seems

713
00:34:44,440 --> 00:34:46,800
Speaker 1: sort of pointless that we're trying to get these guys

714
00:34:46,840 --> 00:34:48,960
Speaker 1: like through this second door, you know what I mean.

715
00:34:49,520 --> 00:34:51,400
Speaker 1: But then it paid off, like there was there was

716
00:34:51,440 --> 00:34:53,400
Speaker 1: a reason why they did that, and then it was

717
00:34:53,440 --> 00:34:55,319
Speaker 1: that he could then trap those guys in there. So

718
00:34:55,800 --> 00:34:57,960
Speaker 1: I was like upset. I remember, like in real time,

719
00:34:58,120 --> 00:35:00,440
Speaker 1: like Okay, you didn't really need to do that, guys.

720
00:35:00,560 --> 00:35:03,080
Speaker 1: And then of course it was perfectly played, so I

721
00:35:03,120 --> 00:35:04,320
Speaker 1: was like, oh, kudles.

722
00:35:04,000 --> 00:35:07,120
Speaker 4: Yeah, it's the vegetable in general was a great device

723
00:35:07,200 --> 00:35:10,440
Speaker 4: throughout the movie, but that scene, and that's the most

724
00:35:10,480 --> 00:35:13,439
Speaker 4: stressful scene to watch for me, especially when he brings

725
00:35:13,440 --> 00:35:16,439
Speaker 4: the hammer out and starts banging on it and they're

726
00:35:16,480 --> 00:35:20,480
Speaker 4: all like, oh, my ears, you know, yeah, it's it's great.

727
00:35:20,760 --> 00:35:23,640
Speaker 3: Yeah, and my kids were crying their asses off during

728
00:35:23,680 --> 00:35:27,080
Speaker 3: that scene, meaning it was definitely tense, like they had

729
00:35:27,400 --> 00:35:30,920
Speaker 3: they had no idea what's happening, but it translated even

730
00:35:31,239 --> 00:35:32,000
Speaker 3: to infants.

731
00:35:33,800 --> 00:35:36,840
Speaker 1: I mean, we are we are on an incredible streak

732
00:35:37,000 --> 00:35:39,560
Speaker 1: of movies here in film sessions where there is a

733
00:35:39,600 --> 00:35:42,120
Speaker 1: lot of yelling and a lot of loud noises. Yeah,

734
00:35:42,280 --> 00:35:44,560
Speaker 1: because White Man can't jump, there's a lot of yelling.

735
00:35:45,040 --> 00:35:47,360
Speaker 1: Coach Carter, there's a lot of yelling. And this we

736
00:35:47,440 --> 00:35:51,120
Speaker 1: continued our theme here. You know, unbeknownst to us that man,

737
00:35:51,200 --> 00:35:52,920
Speaker 1: holy crap, is this movie loud?

738
00:35:52,960 --> 00:35:55,560
Speaker 6: Like you guys said, wait until we get to airbuton

739
00:35:55,600 --> 00:35:57,640
Speaker 6: the dog's apartment, like crazy.

740
00:35:57,960 --> 00:36:02,000
Speaker 1: Someone shoot that dog. There was one other thing I

741
00:36:02,080 --> 00:36:04,359
Speaker 1: just didn't really love about the movie because I thought

742
00:36:04,400 --> 00:36:07,520
Speaker 1: it was a little like, what's the point those two

743
00:36:08,440 --> 00:36:11,200
Speaker 1: those two guys that look sort of similar, like those

744
00:36:11,239 --> 00:36:15,759
Speaker 1: wild hair, white haired guys that were I guess what,

745
00:36:16,000 --> 00:36:18,239
Speaker 1: just other guys trying to like collect their money and

746
00:36:18,280 --> 00:36:21,879
Speaker 1: stuff like that. Yeah from Howard. Okay, that's fine, because

747
00:36:21,880 --> 00:36:24,040
Speaker 1: you want to sort of get a cross that he's

748
00:36:24,040 --> 00:36:25,879
Speaker 1: such a schmuck and he's got all these things going,

749
00:36:25,920 --> 00:36:27,719
Speaker 1: all these plates in the air spinning, like you said, JD.

750
00:36:28,160 --> 00:36:32,560
Speaker 1: But those guys, they didn't really have any sort of payoff.

751
00:36:32,640 --> 00:36:35,000
Speaker 1: I actually thought they were going to at the end

752
00:36:35,040 --> 00:36:37,480
Speaker 1: when there was the exchange of the money and Howard's like, Julia,

753
00:36:37,600 --> 00:36:41,040
Speaker 1: go bet, like take them take the helicopter and go bet.

754
00:36:41,640 --> 00:36:43,920
Speaker 1: I thought one of those guys was gonna screw it up,

755
00:36:44,960 --> 00:36:48,080
Speaker 1: like the process of it all. But he did it.

756
00:36:48,239 --> 00:36:51,279
Speaker 1: He was She was like, just go away, and She's like,

757
00:36:51,680 --> 00:36:53,319
Speaker 1: I don't know if anybody else thought of what they

758
00:36:53,360 --> 00:36:56,200
Speaker 1: thought about those two, those two wild haired guys that

759
00:36:56,280 --> 00:36:59,399
Speaker 1: looked like a very weird versions of the twins from

760
00:36:59,400 --> 00:37:01,919
Speaker 1: the Matrix. It's the strangest version of them.

761
00:37:02,160 --> 00:37:02,279
Speaker 5: Well.

762
00:37:02,320 --> 00:37:04,359
Speaker 3: I definitely thought something was happening with that guy who

763
00:37:04,400 --> 00:37:06,160
Speaker 3: was chasing her down in the hallway too, But I

764
00:37:06,160 --> 00:37:10,000
Speaker 3: guess that's another example of God. Every scene could be

765
00:37:10,719 --> 00:37:13,440
Speaker 3: could have some huge event to it, and we felt

766
00:37:13,440 --> 00:37:16,040
Speaker 3: like I felt every single moment, yes, something was gonna happen.

767
00:37:16,080 --> 00:37:20,560
Speaker 3: But there's always those guys that don't have enough conviction

768
00:37:20,680 --> 00:37:23,279
Speaker 3: to do anything. So yeah, I played it was a

769
00:37:23,320 --> 00:37:24,520
Speaker 3: character type. I guess.

770
00:37:26,120 --> 00:37:28,440
Speaker 6: The biggest issue I had with the entire movie is

771
00:37:28,480 --> 00:37:32,360
Speaker 6: that it's based around the second round of Philadelphia versus

772
00:37:32,360 --> 00:37:35,240
Speaker 6: Boston Celtics. There's even a line from Sandler where he says,

773
00:37:35,360 --> 00:37:37,640
Speaker 6: they're not even supposed to be there, because they're not.

774
00:37:37,920 --> 00:37:40,920
Speaker 6: This happened immediately after Derreck Rose blew his knee out

775
00:37:40,920 --> 00:37:43,920
Speaker 6: for the Bulls in the twenty twelve playoffs, So the Sixers,

776
00:37:43,960 --> 00:37:46,360
Speaker 6: as an eight seed, move on to play at the

777
00:37:46,360 --> 00:37:49,000
Speaker 6: Balls were three and one against Boston that season, best

778
00:37:49,040 --> 00:37:51,120
Speaker 6: record in the league. They weren't supposed to be there,

779
00:37:51,360 --> 00:37:53,160
Speaker 6: No wonder Sandler was betting on the Celtics.

780
00:37:53,520 --> 00:37:56,880
Speaker 1: Yeah, I guess, so that's right. That's a great point,

781
00:37:57,480 --> 00:37:59,279
Speaker 1: was that they were the eighth seed. Yeah, that's right,

782
00:37:59,320 --> 00:38:01,320
Speaker 1: that's exactly right. Yeah, I mean they were starting Spencer

783
00:38:01,400 --> 00:38:05,680
Speaker 1: has Yeah, yeah, No, you're not wrong, You're not wrong.

784
00:38:07,120 --> 00:38:10,800
Speaker 1: Any other like random sort of observations from this movie

785
00:38:10,880 --> 00:38:12,319
Speaker 1: Leegue Got anything that's stuck out you.

786
00:38:13,040 --> 00:38:15,279
Speaker 5: Not really just you know, sort of going back to

787
00:38:15,320 --> 00:38:17,759
Speaker 5: the start, Like I felt like that first scene just

788
00:38:17,800 --> 00:38:20,479
Speaker 5: never really ended. In not the first scene, but when

789
00:38:20,719 --> 00:38:23,040
Speaker 5: when it starts, it just feels like you've been watching

790
00:38:23,040 --> 00:38:25,360
Speaker 5: it for like, you know, an hour or so, and

791
00:38:25,520 --> 00:38:28,279
Speaker 5: it's like, oh man, this is just like that you

792
00:38:28,320 --> 00:38:30,800
Speaker 5: know it's that there's one really long day at work

793
00:38:31,360 --> 00:38:34,360
Speaker 5: where he's just you know, got angry customers, he doesn't

794
00:38:34,400 --> 00:38:37,200
Speaker 5: know what he's doing, is disorganized, he's chaotic, but he's

795
00:38:37,200 --> 00:38:40,239
Speaker 5: still trying to get the get the win. You know,

796
00:38:40,280 --> 00:38:42,120
Speaker 5: he's still looking for that big payoff. And then when

797
00:38:42,120 --> 00:38:44,200
Speaker 5: it when it turns up in the in the fish,

798
00:38:44,560 --> 00:38:46,080
Speaker 5: you know that that's when he thinks all of his

799
00:38:46,160 --> 00:38:49,080
Speaker 5: problems are solved. And you're just sort of like, you think,

800
00:38:49,120 --> 00:38:51,279
Speaker 5: this is why he's in such a mess with his

801
00:38:51,400 --> 00:38:54,239
Speaker 5: whole life, because he can't organize or he can't keep

802
00:38:54,280 --> 00:38:57,359
Speaker 5: anything under control. But he's just looking for that quick

803
00:38:57,480 --> 00:39:01,040
Speaker 5: rich like finally I've made my you know, I've got

804
00:39:01,080 --> 00:39:04,160
Speaker 5: my I've got my big payoff here or payday. And

805
00:39:04,200 --> 00:39:06,640
Speaker 5: then and then later on when you see when the

806
00:39:06,880 --> 00:39:10,160
Speaker 5: evaluation is way less than what he thought it was

807
00:39:10,200 --> 00:39:12,080
Speaker 5: going to be, and he gets so angry in the

808
00:39:12,080 --> 00:39:14,319
Speaker 5: hotel lobby there and he starts just going off at

809
00:39:14,360 --> 00:39:16,960
Speaker 5: the girls and he's like, this is you know, this

810
00:39:17,040 --> 00:39:18,759
Speaker 5: is wrong, this is bullshit. Get her on the phone

811
00:39:18,840 --> 00:39:21,279
Speaker 5: right now, and you just again like, to me, it

812
00:39:21,360 --> 00:39:24,799
Speaker 5: ties back to just how he has no control over

813
00:39:24,840 --> 00:39:29,439
Speaker 5: what he's doing he's just impulsive and reactionary. And that's

814
00:39:29,480 --> 00:39:32,840
Speaker 5: why it's so frustrating for me, because you don't cheer

815
00:39:32,880 --> 00:39:35,319
Speaker 5: for him, you know, because you just think, why don't

816
00:39:35,320 --> 00:39:37,319
Speaker 5: you just can't you just get anything in your life

817
00:39:37,360 --> 00:39:42,160
Speaker 5: straightened out properly first, you know, like, like I say,

818
00:39:42,280 --> 00:39:45,160
Speaker 5: like he's cheating. He's cheating on his on his wife

819
00:39:45,360 --> 00:39:47,680
Speaker 5: and his son when his son needs to take a dump,

820
00:39:47,960 --> 00:39:50,920
Speaker 5: you know, and the guy basically, you know, his neighbor

821
00:39:51,000 --> 00:39:55,160
Speaker 5: basically says, you know, dobs on him and says, you know,

822
00:39:55,280 --> 00:39:57,959
Speaker 5: your your dad's your dad's got a mistress in there.

823
00:39:58,080 --> 00:39:59,759
Speaker 5: And even in that scene, he starts sort of yelling

824
00:39:59,800 --> 00:40:02,280
Speaker 5: at his son saying, don't listen to him, because again,

825
00:40:02,800 --> 00:40:06,280
Speaker 5: he just doesn't know how to keep anything under any

826
00:40:06,320 --> 00:40:10,240
Speaker 5: sort of like control. It's just all it's just all crazy,

827
00:40:10,239 --> 00:40:12,520
Speaker 5: and it's all it's all going to blow up in

828
00:40:12,560 --> 00:40:15,880
Speaker 5: his face and it tends to do that the whole time.

829
00:40:16,000 --> 00:40:19,640
Speaker 5: So you sort of just want him to learn his

830
00:40:19,760 --> 00:40:21,719
Speaker 5: lesson at some point, but he never really does.

831
00:40:22,200 --> 00:40:22,359
Speaker 3: Lee.

832
00:40:22,400 --> 00:40:24,120
Speaker 1: I want to know, though, do you believe in the

833
00:40:24,160 --> 00:40:25,919
Speaker 1: power of a gem? Are you a gem?

834
00:40:26,000 --> 00:40:26,280
Speaker 2: Man?

835
00:40:27,400 --> 00:40:30,359
Speaker 5: Well, after watching kg's performance, I think maybe I am yeah,

836
00:40:30,520 --> 00:40:33,520
Speaker 5: because you know, he was a great character for that.

837
00:40:33,680 --> 00:40:35,360
Speaker 5: Just to see him just obsessed with it in the

838
00:40:35,400 --> 00:40:38,000
Speaker 5: locker room at halftime, wasn't it as well? I think

839
00:40:38,040 --> 00:40:40,359
Speaker 5: of the game where you can get Doc Rivers kind

840
00:40:40,360 --> 00:40:40,840
Speaker 5: of talking.

841
00:40:41,160 --> 00:40:42,879
Speaker 2: Yeah, I was wondering about that. I couldn't talk.

842
00:40:42,960 --> 00:40:45,279
Speaker 6: That was actually Dark Rivers or Lee doing a Doc

843
00:40:45,400 --> 00:40:46,359
Speaker 6: Rivers impersonation.

844
00:40:49,440 --> 00:40:51,800
Speaker 4: Was Dark Rivers in the in the credits, just the

845
00:40:51,880 --> 00:40:52,399
Speaker 4: voice though.

846
00:40:52,600 --> 00:40:54,759
Speaker 1: They I think that this Afte Brothers reached out to

847
00:40:54,840 --> 00:40:56,960
Speaker 1: him and said, we're not going to rate you like

848
00:40:57,000 --> 00:41:00,560
Speaker 1: a halftime speech, but we remember that there was word

849
00:41:00,640 --> 00:41:04,759
Speaker 1: that Rivers had some sort of speech where like we're cockroaches,

850
00:41:04,800 --> 00:41:06,920
Speaker 1: they can't kill us, Like that was an actual speech

851
00:41:06,920 --> 00:41:09,000
Speaker 1: that he had said in real life. So they said, like,

852
00:41:09,040 --> 00:41:10,920
Speaker 1: maybe you can do some variation of that or like

853
00:41:11,040 --> 00:41:13,960
Speaker 1: basically just rate whatever you want. We really liked the

854
00:41:14,000 --> 00:41:15,799
Speaker 1: sound of that one, and I guess that's what Doc

855
00:41:15,840 --> 00:41:17,640
Speaker 1: did and then voiced it. He sort of just did

856
00:41:17,680 --> 00:41:20,880
Speaker 1: another version of that. But yeah, so you don't really

857
00:41:21,520 --> 00:41:23,320
Speaker 1: but you don't have any gems in your house, do you?

858
00:41:23,480 --> 00:41:27,840
Speaker 5: Ly not that I know of? No, A few diamonds

859
00:41:27,840 --> 00:41:31,680
Speaker 5: in Rosanna's jewelry. There but oh, okay, no, no, But

860
00:41:31,719 --> 00:41:34,240
Speaker 5: the thing is with Kevin Garnett, I'm interested to see

861
00:41:34,280 --> 00:41:38,680
Speaker 5: now what role he takes next because I can sort

862
00:41:38,719 --> 00:41:40,840
Speaker 5: of see him being like a standover man, like a

863
00:41:41,320 --> 00:41:45,200
Speaker 5: hitman himself, you know, like someone bringing along him. Remember again,

864
00:41:45,400 --> 00:41:48,360
Speaker 5: sort of referencing Snatch. Remember Vinnie Jones who played Bullet

865
00:41:48,360 --> 00:41:51,680
Speaker 5: tooth Tony. Yeah, you know, he was a former British

866
00:41:51,719 --> 00:41:54,720
Speaker 5: soccer player and he actually acted really well in Snatch.

867
00:41:54,960 --> 00:41:56,600
Speaker 5: And I can sort of see KG taking on a

868
00:41:56,680 --> 00:41:58,880
Speaker 5: role like that as well, you know, like being a

869
00:41:58,920 --> 00:42:02,440
Speaker 5: tough guy because he's got right. Look, he's big, he's intimidating,

870
00:42:02,840 --> 00:42:04,799
Speaker 5: put a gun in his hand. I think kJ would,

871
00:42:05,280 --> 00:42:08,640
Speaker 5: you know, slot into that role pretty effortlessly. So I'm

872
00:42:08,680 --> 00:42:10,719
Speaker 5: interested to say what role he does take next.

873
00:42:12,000 --> 00:42:14,200
Speaker 1: Did you know that seventy five percent of us are

874
00:42:14,200 --> 00:42:19,120
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875
00:42:19,239 --> 00:42:23,480
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876
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877
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879
00:42:36,840 --> 00:42:40,120
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880
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881
00:42:46,200 --> 00:42:49,359
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882
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883
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884
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885
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887
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890
00:43:20,920 --> 00:43:24,680
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00:43:24,800 --> 00:43:27,680
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892
00:43:27,760 --> 00:43:30,279
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893
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894
00:43:34,760 --> 00:43:39,160
Speaker 1: All one word stay hydrated. I had closed captioning on

895
00:43:39,320 --> 00:43:41,239
Speaker 1: for this movie. We just we had it on for

896
00:43:41,320 --> 00:43:44,200
Speaker 1: something prior, some British show I'm sure Nara was watching

897
00:43:44,239 --> 00:43:47,120
Speaker 1: where you sometimes are helped to have the closed captioning on.

898
00:43:47,440 --> 00:43:50,240
Speaker 1: We just didn't turn it off. There was a couple

899
00:43:50,800 --> 00:43:54,600
Speaker 1: funny like mistakes. Every when Howard kept saying He's got

900
00:43:54,640 --> 00:43:57,719
Speaker 1: the jam, he's be saying he's got the gem, He's

901
00:43:57,760 --> 00:44:00,960
Speaker 1: got the gem. It kept being written on the screen

902
00:44:01,000 --> 00:44:04,680
Speaker 1: as he's got the jam. For some reason. I got

903
00:44:04,680 --> 00:44:06,080
Speaker 1: a kick out. I mean, it just said it a

904
00:44:06,080 --> 00:44:08,400
Speaker 1: million times, He's got the jam. And then Amari whoever

905
00:44:08,520 --> 00:44:10,359
Speaker 1: was doing it, they didn't know how to spell a mari'

906
00:44:10,360 --> 00:44:12,919
Speaker 1: stadamaier because Amari's name is like dropped once or twice

907
00:44:12,920 --> 00:44:14,840
Speaker 1: in this movie, and every time it was a m

908
00:44:15,440 --> 00:44:17,960
Speaker 1: r I instead of the E on the end. So

909
00:44:17,960 --> 00:44:21,880
Speaker 1: it was a very small observation from the closed captioning.

910
00:44:21,400 --> 00:44:26,680
Speaker 6: World more close captioning crew over here as well. But yeah,

911
00:44:26,719 --> 00:44:28,920
Speaker 6: I would I would feel sorry for the closed captioners

912
00:44:28,920 --> 00:44:30,560
Speaker 6: to actually have to.

913
00:44:30,200 --> 00:44:32,240
Speaker 2: Keep up with the speed of this dialogue.

914
00:44:32,800 --> 00:44:35,799
Speaker 1: Yeah they almost. In fact, yeah, there were parts that

915
00:44:35,840 --> 00:44:38,680
Speaker 1: they didn't even care to put in because there was

916
00:44:38,719 --> 00:44:40,799
Speaker 1: like too much talking going on. So like, I don't

917
00:44:40,840 --> 00:44:41,719
Speaker 1: worry about that line.

918
00:44:42,080 --> 00:44:44,800
Speaker 2: I love to see an indistinct talking on the close captions.

919
00:44:45,120 --> 00:44:49,400
Speaker 1: Great. Also, this was I don't know about you guys.

920
00:44:50,320 --> 00:44:53,080
Speaker 1: It was. When I first looked, it was supposed to

921
00:44:53,080 --> 00:44:55,400
Speaker 1: be four ninety nine to rent this thing, but it

922
00:44:55,440 --> 00:44:58,799
Speaker 1: was a reduced price down to two ninety nine, so

923
00:44:58,840 --> 00:45:01,600
Speaker 1: I actually took the two I saved, and I did

924
00:45:02,000 --> 00:45:05,160
Speaker 1: like a five marble play on Sunday's Marbula one race.

925
00:45:05,920 --> 00:45:08,880
Speaker 1: I lost it all, but hey, what a what a

926
00:45:09,000 --> 00:45:11,680
Speaker 1: deal save in two bucks. I don't know about you, guys.

927
00:45:12,400 --> 00:45:13,480
Speaker 4: I don't know if I got a deal.

928
00:45:13,560 --> 00:45:16,560
Speaker 1: Actually, I couldn't believe it was so pumped. I also

929
00:45:16,760 --> 00:45:21,560
Speaker 1: loved that they, even though they're Knicks fans, the Saftie brothers,

930
00:45:21,719 --> 00:45:24,840
Speaker 1: I love that they got in a rip on James

931
00:45:24,840 --> 00:45:30,080
Speaker 1: Dolan like they couldn't resist, just so perfectly played.

932
00:45:30,280 --> 00:45:30,840
Speaker 2: It was funny.

933
00:45:30,880 --> 00:45:33,640
Speaker 6: Also in the same in the same conversation love to

934
00:45:33,680 --> 00:45:36,760
Speaker 6: hear a little Chris paul is overrated talk from twenty twelve,

935
00:45:37,280 --> 00:45:39,279
Speaker 6: I was one hundred percent on board with their But

936
00:45:39,440 --> 00:45:41,600
Speaker 6: I do think that this does make a little bit

937
00:45:41,719 --> 00:45:45,160
Speaker 6: of a nice advertisement for gambling, because you saw four

938
00:45:45,200 --> 00:45:48,560
Speaker 6: guys trapped in a room going crazy over a game

939
00:45:48,600 --> 00:45:52,200
Speaker 6: that was eighty five to seventy five. He made three pointers,

940
00:45:52,440 --> 00:45:54,640
Speaker 6: like this was a terrible game. That they're watching but

941
00:45:54,680 --> 00:45:55,839
Speaker 6: they're going crazy for it.

942
00:45:56,480 --> 00:45:58,319
Speaker 1: Yeah, you're not wrong. I kept thinking that too. I

943
00:45:58,320 --> 00:46:01,400
Speaker 1: was like, what do I remember from the Sixers Celtic

944
00:46:01,520 --> 00:46:05,000
Speaker 1: series that way back it being a real series, and

945
00:46:05,040 --> 00:46:09,600
Speaker 1: I I couldn't really remember much because I don't think

946
00:46:09,600 --> 00:46:13,600
Speaker 1: it was that entertaining, despite going long, despite going all

947
00:46:13,640 --> 00:46:15,919
Speaker 1: the way to seven games, I don't remember a lot

948
00:46:15,920 --> 00:46:20,279
Speaker 1: of super close games within the series. Maybe I'm wrong.

949
00:46:20,320 --> 00:46:23,920
Speaker 1: I don't know if any first Oh so I didn't

950
00:46:23,960 --> 00:46:26,400
Speaker 1: remember that to save my life, because I did read

951
00:46:26,800 --> 00:46:28,719
Speaker 1: when they were having to do all these like rewrites

952
00:46:28,719 --> 00:46:32,160
Speaker 1: of the script the Afti brothers, like, you know, because

953
00:46:32,200 --> 00:46:33,640
Speaker 1: once it was it was going to be Embiat and

954
00:46:33,640 --> 00:46:34,880
Speaker 1: then or it was going to be a Mari and

955
00:46:34,920 --> 00:46:36,640
Speaker 1: it was going to be Kobe. So like when it

956
00:46:36,680 --> 00:46:39,760
Speaker 1: was changing from you know, potential sort of NBA player

957
00:46:39,760 --> 00:46:42,000
Speaker 1: to NBA player, they had to be like, well, when

958
00:46:42,120 --> 00:46:45,120
Speaker 1: is a realistic part where the guy has a really

959
00:46:45,200 --> 00:46:46,759
Speaker 1: good game and then he has a really bad game

960
00:46:46,800 --> 00:46:48,480
Speaker 1: and then another really good game, because that's sort of

961
00:46:48,520 --> 00:46:50,680
Speaker 1: what happens with the opal, right, So they were like

962
00:46:51,080 --> 00:46:56,000
Speaker 1: sort of struggling to find like a garnet stretch where

963
00:46:56,000 --> 00:46:57,840
Speaker 1: it was like he was good and then bad and

964
00:46:57,880 --> 00:46:59,759
Speaker 1: then good and then like this is where they sort

965
00:46:59,800 --> 00:47:03,280
Speaker 1: of you know, they they fell on that playoff series

966
00:47:03,320 --> 00:47:05,200
Speaker 1: because he did have that sort of one clunker of

967
00:47:05,239 --> 00:47:07,160
Speaker 1: a game, because the otherwise he had a really good year.

968
00:47:08,080 --> 00:47:08,279
Speaker 4: One.

969
00:47:08,360 --> 00:47:10,839
Speaker 5: One other thing that was kind of interesting was Mike

970
00:47:10,880 --> 00:47:13,680
Speaker 5: Francesca getting a car in there.

971
00:47:13,920 --> 00:47:14,440
Speaker 1: He was great.

972
00:47:15,280 --> 00:47:16,960
Speaker 5: Yeah, I said, did I because I watched it and

973
00:47:17,000 --> 00:47:18,920
Speaker 5: I said, gee, that looks like that that you know

974
00:47:19,000 --> 00:47:21,319
Speaker 5: New York guy. I didn't know, you know, and I thought,

975
00:47:21,680 --> 00:47:23,799
Speaker 5: and then afterwards, I'm like, oh, it isn't he I mean,

976
00:47:24,040 --> 00:47:27,480
Speaker 5: he's you know, that's incredible. But but he was good,

977
00:47:27,480 --> 00:47:32,000
Speaker 5: and I just thought, you know, again, pretty well cast.

978
00:47:32,160 --> 00:47:34,120
Speaker 5: I thought everyone, you know, they did seem to do

979
00:47:34,120 --> 00:47:36,640
Speaker 5: a good job this after Brothers getting the right characters there,

980
00:47:37,040 --> 00:47:39,360
Speaker 5: you know, they were they were kind of believable because

981
00:47:39,360 --> 00:47:42,080
Speaker 5: you had, you know, the New Yorkers, the street New Yorkers,

982
00:47:42,080 --> 00:47:44,359
Speaker 5: and you know, they're all they're all shifty, and they're

983
00:47:44,400 --> 00:47:47,239
Speaker 5: all a little bit untrustworthy, but if there's a chance

984
00:47:47,239 --> 00:47:49,000
Speaker 5: they can make a few bucks, then they're all willing

985
00:47:49,040 --> 00:47:49,440
Speaker 5: to listen.

986
00:47:49,520 --> 00:47:53,040
Speaker 1: So yeah, I was disappointed. We never I don't think

987
00:47:53,080 --> 00:47:57,080
Speaker 1: we ever heard someone say I'm walking here. We never

988
00:47:57,120 --> 00:47:59,680
Speaker 1: got one I'm walking here that would have put it

989
00:47:59,680 --> 00:48:03,400
Speaker 1: over there for me before we make you know, before

990
00:48:03,440 --> 00:48:06,640
Speaker 1: we score this. Are there any other notes from this

991
00:48:06,719 --> 00:48:08,760
Speaker 1: movie that you guys want to throw out there, either questions,

992
00:48:08,800 --> 00:48:11,200
Speaker 1: you had, favorite scenes, just random observations.

993
00:48:11,360 --> 00:48:14,920
Speaker 6: I thought it was great hearing the twenty twelve iPhone

994
00:48:15,000 --> 00:48:17,520
Speaker 6: ring again and been a long time since I've heard that,

995
00:48:20,320 --> 00:48:24,200
Speaker 6: But what a throwback really really set the scene. And yeah,

996
00:48:24,239 --> 00:48:27,279
Speaker 6: the Weekend scene was kind of kind of weird. I guess,

997
00:48:27,360 --> 00:48:29,160
Speaker 6: just driving a little bit more drama there. But it

998
00:48:29,200 --> 00:48:31,960
Speaker 6: did remind me a little bit of when Tony Parker

999
00:48:32,000 --> 00:48:34,439
Speaker 6: got his eyes all destroyed because there was a fight

1000
00:48:34,480 --> 00:48:38,239
Speaker 6: between Drake and Chris Brown at a night club. I

1001
00:48:38,239 --> 00:48:40,320
Speaker 6: suppose this is how that sort of thing happens.

1002
00:48:41,040 --> 00:48:43,920
Speaker 1: Yeah, Yeah, And I think Task was spot on in saying,

1003
00:48:44,000 --> 00:48:47,040
Speaker 1: like they found out that the Weekend was interested being

1004
00:48:47,080 --> 00:48:49,520
Speaker 1: in the movie, so they're like, well, let's just put

1005
00:48:49,560 --> 00:48:51,600
Speaker 1: him in the movie and we'll, you know, even if

1006
00:48:51,640 --> 00:48:54,919
Speaker 1: he doesn't have a you know, a key part here

1007
00:48:54,920 --> 00:48:57,239
Speaker 1: in this movie, who cares we get you get to

1008
00:48:57,239 --> 00:48:59,240
Speaker 1: put him on the marquee and people might be interested

1009
00:48:59,280 --> 00:49:01,240
Speaker 1: to see him and he was line and he's playing himself,

1010
00:49:02,120 --> 00:49:04,960
Speaker 1: but there was it was sort of not really didn't

1011
00:49:05,040 --> 00:49:08,120
Speaker 1: drive the didn't drive the plot that much having him

1012
00:49:08,120 --> 00:49:08,399
Speaker 1: in it.

1013
00:49:08,360 --> 00:49:10,600
Speaker 4: But it kind of did for me, to be honest, Yeah,

1014
00:49:10,760 --> 00:49:16,080
Speaker 4: just because well because uh, I read an article, like

1015
00:49:16,440 --> 00:49:18,440
Speaker 4: I don't know where I read it, but it basically

1016
00:49:18,480 --> 00:49:22,200
Speaker 4: compared like the gambling aspect or the gems in this

1017
00:49:22,320 --> 00:49:26,719
Speaker 4: movie to uh to like the gold sickness that the

1018
00:49:26,880 --> 00:49:30,080
Speaker 4: Dwarfs feel in in the Hobbit, if you guys have

1019
00:49:30,160 --> 00:49:34,000
Speaker 4: seen that or read it, and it just makes them crazy, right,

1020
00:49:34,080 --> 00:49:38,080
Speaker 4: like they become obsessed with it. And there's a there's

1021
00:49:38,120 --> 00:49:40,480
Speaker 4: a theme here and I can't quite put my finger

1022
00:49:40,520 --> 00:49:42,719
Speaker 4: on it because I'm not that smart, but there's the

1023
00:49:43,320 --> 00:49:49,959
Speaker 4: way that Howard and Julia specifically they act around celebrities,

1024
00:49:50,040 --> 00:49:52,319
Speaker 4: around status, you know what I mean. As soon as

1025
00:49:52,360 --> 00:49:56,520
Speaker 4: KG walks into the shop, Howard is like, all right,

1026
00:49:56,840 --> 00:49:59,719
Speaker 4: Cag's here, and he's just sort of like dazzled by him.

1027
00:49:59,760 --> 00:50:02,399
Speaker 4: He he looks at KG the way Cage looks at

1028
00:50:02,400 --> 00:50:07,239
Speaker 4: that stone, you know. And uh and Julia, who is

1029
00:50:08,040 --> 00:50:10,920
Speaker 4: as it's as we sort of established by the end,

1030
00:50:10,960 --> 00:50:12,880
Speaker 4: like she gets Howard's name tattooed on her ass, for

1031
00:50:12,960 --> 00:50:17,200
Speaker 4: christ sakes. So she loves him, but she is she's

1032
00:50:17,280 --> 00:50:21,160
Speaker 4: being seduced by this guy who's about to blow up,

1033
00:50:21,239 --> 00:50:24,640
Speaker 4: right like he is. He is a he's a celebrity,

1034
00:50:24,680 --> 00:50:28,080
Speaker 4: he is he is a diamond, right like he is.

1035
00:50:28,680 --> 00:50:31,960
Speaker 4: She she gets seduced by him, basically, and it seems

1036
00:50:31,960 --> 00:50:34,839
Speaker 4: as though she's she's very much like no, don't touch no,

1037
00:50:34,840 --> 00:50:37,839
Speaker 4: no touching, no touching, no touching. But there is sort

1038
00:50:37,880 --> 00:50:40,160
Speaker 4: of a subtext there that if this goes on much

1039
00:50:40,200 --> 00:50:42,440
Speaker 4: longer and they do enough coke, well there's going to

1040
00:50:42,480 --> 00:50:47,000
Speaker 4: be some touching. Yeah, yeah, and and and and it

1041
00:50:47,160 --> 00:50:51,200
Speaker 4: was it's a great catalyst for for Howard to blow

1042
00:50:51,280 --> 00:50:54,399
Speaker 4: up and basically kick her out. And then she's if

1043
00:50:54,440 --> 00:50:57,360
Speaker 4: she gets kicked out, she loses everything. She has no family,

1044
00:50:57,440 --> 00:51:00,719
Speaker 4: she has nowhere to live. And it just makes the

1045
00:51:00,800 --> 00:51:05,160
Speaker 4: steaks that much bigger for Julia. So I was fine

1046
00:51:05,160 --> 00:51:07,800
Speaker 4: with the weekend scene, and also KG and the Weekend

1047
00:51:08,360 --> 00:51:11,279
Speaker 4: they sort of, you know, they're kind of dicks in

1048
00:51:11,320 --> 00:51:14,360
Speaker 4: a way, like like no fault of their own, I guess.

1049
00:51:14,400 --> 00:51:17,400
Speaker 4: But KG just walks into the into the end of

1050
00:51:17,440 --> 00:51:20,480
Speaker 4: the place. He looks at everything, he leans on the

1051
00:51:20,719 --> 00:51:24,160
Speaker 4: he leans on the the glass case, it breaks, and

1052
00:51:24,200 --> 00:51:26,200
Speaker 4: he still has the balls to say, Hey, loan me

1053
00:51:26,360 --> 00:51:30,480
Speaker 4: that potentially million dollar opal because I want to have

1054
00:51:30,560 --> 00:51:33,600
Speaker 4: it when I go play tonight. And you know, the

1055
00:51:33,640 --> 00:51:36,160
Speaker 4: weekend at the club is just like, you know what,

1056
00:51:36,239 --> 00:51:38,160
Speaker 4: I'm not I'm not playing until there's black lights. We

1057
00:51:38,239 --> 00:51:40,320
Speaker 4: talked about black lights and then and if there's no

1058
00:51:40,400 --> 00:51:42,360
Speaker 4: black lights, I'm not I'm not performing, right, And this

1059
00:51:42,480 --> 00:51:44,759
Speaker 4: is kind of a dick thing to do, you know,

1060
00:51:46,040 --> 00:51:47,680
Speaker 4: saying exactly exactly.

1061
00:51:48,160 --> 00:51:51,880
Speaker 1: Whatever they say goes and everybody just bows down and like, yes, yes, nope, exactly,

1062
00:51:51,880 --> 00:51:54,600
Speaker 1: we'll make that happen for you, right, that's fair.

1063
00:51:54,719 --> 00:51:57,480
Speaker 4: And so yeah, I don't I'm not sure. I'm not

1064
00:51:57,520 --> 00:51:59,200
Speaker 4: sure what the Aftes are trying to say there, but

1065
00:51:59,280 --> 00:52:02,759
Speaker 4: there's something there and I kind of liked the I

1066
00:52:02,880 --> 00:52:07,800
Speaker 4: like the the parallels between the diamond, the precious stones

1067
00:52:07,840 --> 00:52:09,839
Speaker 4: and celebrity and status and all that.

1068
00:52:09,960 --> 00:52:11,760
Speaker 1: And yeah, the only problem with that is like, Okay,

1069
00:52:11,800 --> 00:52:13,520
Speaker 1: the weekend's on the come up at this point in

1070
00:52:13,520 --> 00:52:19,600
Speaker 1: the movie. But Trinidad James is right there. Yeah, see

1071
00:52:19,680 --> 00:52:21,759
Speaker 1: you just dropped a who on me. You don't even know.

1072
00:52:22,400 --> 00:52:24,600
Speaker 1: Oh my goodness, he would have been big around that time,

1073
00:52:24,600 --> 00:52:25,439
Speaker 1: wouldn't he have TK?

1074
00:52:25,560 --> 00:52:27,000
Speaker 6: I don't know that would have been around I mean

1075
00:52:27,040 --> 00:52:30,359
Speaker 6: twenty twelve was when all gold everything dropped, for sure.

1076
00:52:31,040 --> 00:52:32,840
Speaker 6: But they had to repeat the song in it so

1077
00:52:32,880 --> 00:52:34,799
Speaker 6: that you remembered what song they were talking about.

1078
00:52:34,880 --> 00:52:35,640
Speaker 2: Who this guy was?

1079
00:52:35,960 --> 00:52:38,320
Speaker 1: Yeah, that's right, all right, So let's.

1080
00:52:38,120 --> 00:52:42,040
Speaker 5: Uh, Trindad James. Was that one of those jumpman runs

1081
00:52:42,120 --> 00:52:42,919
Speaker 5: during the Old that week?

1082
00:52:42,920 --> 00:52:45,680
Speaker 1: Absolutely, he's got a pretty good shot if I remember craft. Yeah,

1083
00:52:45,719 --> 00:52:47,120
Speaker 1: he's not bad. He's not bad.

1084
00:52:47,120 --> 00:52:49,680
Speaker 2: It was in New Orleans, Yeah, ask Lane Whitaker about it.

1085
00:52:49,680 --> 00:52:51,480
Speaker 2: I remember him hitting the jumper right in his face.

1086
00:52:51,719 --> 00:52:54,320
Speaker 2: It might have been twenty twelve, Yeah.

1087
00:52:54,360 --> 00:52:58,120
Speaker 5: It might be, Yeah, twenty fourteen, it would have been.

1088
00:52:58,400 --> 00:53:00,759
Speaker 5: If it was New Orleans were out there. I think

1089
00:53:01,200 --> 00:53:03,239
Speaker 5: I think it was. I think it was. Yeah.

1090
00:53:03,400 --> 00:53:06,279
Speaker 1: Okay, so let's let's score this. I mean, you can

1091
00:53:06,320 --> 00:53:09,200
Speaker 1: go whatever it is you want to score it out of,

1092
00:53:09,960 --> 00:53:12,840
Speaker 1: and whatever your scale is, tas Wan, you get a started.

1093
00:53:12,880 --> 00:53:14,000
Speaker 1: What are you scoring this thing?

1094
00:53:14,120 --> 00:53:16,600
Speaker 3: I'm giving it nine opals out of ten opals?

1095
00:53:16,800 --> 00:53:19,200
Speaker 1: Okay, Okay, you liked.

1096
00:53:19,080 --> 00:53:21,759
Speaker 4: It better than I thought you did. I let on.

1097
00:53:21,960 --> 00:53:27,040
Speaker 3: Yeah, I was into it. I mean no, no, no, no,

1098
00:53:28,040 --> 00:53:30,120
Speaker 3: it got me. It got it got me in terms

1099
00:53:30,120 --> 00:53:32,080
Speaker 3: of being on the edge of my seat the entire time.

1100
00:53:32,840 --> 00:53:35,239
Speaker 3: I didn't and I was again, I wasn't invested in

1101
00:53:35,320 --> 00:53:39,160
Speaker 3: Adam Sandler's stock at all, like the fact that, and

1102
00:53:39,200 --> 00:53:43,799
Speaker 3: I think and I understand people, uh people need that.

1103
00:53:43,880 --> 00:53:45,440
Speaker 3: But in the end, yeah, he got shot right in

1104
00:53:45,480 --> 00:53:51,399
Speaker 3: the forehead. I didn't care, and so but yeah, I guess,

1105
00:53:51,480 --> 00:53:53,600
Speaker 3: I guess I just didn't have high expectations going in,

1106
00:53:54,000 --> 00:53:59,120
Speaker 3: like I'm not never going to rewatch this, but I

1107
00:53:59,160 --> 00:54:01,640
Speaker 3: was thrilled. I can't deny it one thing.

1108
00:54:01,640 --> 00:54:03,680
Speaker 1: With the oples he said there, you're scoring at nine

1109
00:54:03,719 --> 00:54:07,400
Speaker 1: out of ten. Do you think, like, did Howard know

1110
00:54:08,400 --> 00:54:12,960
Speaker 1: instinctively that KG was gonna love the opal or was

1111
00:54:12,960 --> 00:54:14,839
Speaker 1: it just like, let's just throw this at the wall

1112
00:54:14,840 --> 00:54:15,720
Speaker 1: and see if it sticks.

1113
00:54:17,440 --> 00:54:17,960
Speaker 2: Good question.

1114
00:54:18,320 --> 00:54:21,440
Speaker 6: Maybe he's just assuming this is and everybody's gonna love

1115
00:54:21,440 --> 00:54:21,799
Speaker 6: this thing.

1116
00:54:22,040 --> 00:54:24,799
Speaker 1: Yeah, yeah, maybe, and it was just like a coincidence.

1117
00:54:24,840 --> 00:54:27,239
Speaker 1: It's only a coincidence that had just arrived when KG

1118
00:54:27,480 --> 00:54:27,879
Speaker 1: was there.

1119
00:54:28,120 --> 00:54:29,000
Speaker 4: Yeah, and that.

1120
00:54:29,040 --> 00:54:30,879
Speaker 1: He's like, oh my god, Yeah, everybody got to check

1121
00:54:30,880 --> 00:54:32,839
Speaker 1: this out. Don't leave, KG, don't leave, You're gonna want

1122
00:54:32,840 --> 00:54:34,600
Speaker 1: to see this. Yeah, maybe it was more like, let

1123
00:54:34,640 --> 00:54:37,040
Speaker 1: me just show everybody this thing that I got for

1124
00:54:37,120 --> 00:54:39,200
Speaker 1: obviously much cheaper than what I think is gonna be

1125
00:54:39,200 --> 00:54:40,719
Speaker 1: a million dollar gem. Yeah.

1126
00:54:40,800 --> 00:54:41,960
Speaker 4: I think it was just showing off.

1127
00:54:42,120 --> 00:54:45,239
Speaker 1: Yeah, yeah for KG, and then KG just fell in

1128
00:54:45,280 --> 00:54:48,920
Speaker 1: love with it. It was a nice stone, no doubt. Okay, Lee,

1129
00:54:48,960 --> 00:54:49,799
Speaker 1: why don't you score this?

1130
00:54:50,560 --> 00:54:50,799
Speaker 4: Yeah?

1131
00:54:50,840 --> 00:54:53,799
Speaker 5: Well, given the crazy gambling angle, I'm gonna give it

1132
00:54:54,120 --> 00:55:02,400
Speaker 5: three kemp Stewets out of four. I feel.

1133
00:55:04,280 --> 00:55:06,600
Speaker 4: I would have loved to see cam Stewart in this movie.

1134
00:55:06,800 --> 00:55:09,880
Speaker 1: Oh I can't start. Came at the even if it

1135
00:55:09,920 --> 00:55:13,240
Speaker 1: was at the casino, would have been perfect. Oh my god.

1136
00:55:15,560 --> 00:55:18,800
Speaker 5: Yeah, I consider see him easily being a friend of

1137
00:55:18,800 --> 00:55:20,640
Speaker 5: of Howie's there, so oh.

1138
00:55:20,600 --> 00:55:24,400
Speaker 6: Yeah, maybe Howie gets away, he goes on an island vacation,

1139
00:55:24,560 --> 00:55:26,000
Speaker 6: shows up at a resort.

1140
00:55:25,840 --> 00:55:32,240
Speaker 1: Swim up looking ahead. Alright, so three out of four

1141
00:55:33,200 --> 00:55:36,640
Speaker 1: cam Stewart's for Lee. What what do you got GD?

1142
00:55:37,719 --> 00:55:40,000
Speaker 4: I'm sticking with my bibbleheads. It's a four out of

1143
00:55:40,040 --> 00:55:41,160
Speaker 4: five bibbleheads.

1144
00:55:43,040 --> 00:55:43,239
Speaker 5: Yeah.

1145
00:55:43,320 --> 00:55:47,800
Speaker 4: I liked it. It was great. I loved the the

1146
00:55:48,120 --> 00:55:51,759
Speaker 4: gems theme. I loved the gambling theme. Everything, everything is

1147
00:55:51,800 --> 00:55:56,360
Speaker 4: a gamble for for Howard, he always has to be gambling,

1148
00:55:56,360 --> 00:55:59,200
Speaker 4: that's it, like whether he's gambling on a game or

1149
00:55:59,239 --> 00:56:02,439
Speaker 4: whether he's by an opal from Ethiopia, and he doesn't

1150
00:56:02,480 --> 00:56:04,680
Speaker 4: know exactly how much he's gonna get for It could

1151
00:56:04,719 --> 00:56:06,560
Speaker 4: be a million dollars turned out to be one hundred

1152
00:56:06,560 --> 00:56:09,680
Speaker 4: and sixty five thousand dollars. But and just I thought

1153
00:56:09,680 --> 00:56:13,040
Speaker 4: the ending was great as well, when when we fly

1154
00:56:13,120 --> 00:56:15,920
Speaker 4: through that bullet hole and we end up we end

1155
00:56:16,000 --> 00:56:18,080
Speaker 4: up looking at the universe as the credits roll.

1156
00:56:18,400 --> 00:56:21,520
Speaker 1: That's right, that's right. Okay, so good score from JD

1157
00:56:21,640 --> 00:56:22,760
Speaker 1: as well, Trey.

1158
00:56:23,840 --> 00:56:26,400
Speaker 6: I'm in the gambling world as well. I'm giving this

1159
00:56:26,680 --> 00:56:32,160
Speaker 6: five out of six parlay bets. Hit really been enjoying

1160
00:56:32,200 --> 00:56:35,960
Speaker 6: this run of degenerate contents. It's going into the quarantine.

1161
00:56:36,120 --> 00:56:38,520
Speaker 6: White men can't jump. You've got this, And I mean

1162
00:56:38,600 --> 00:56:41,160
Speaker 6: Tiger King is like just a whole bunch of degenerates

1163
00:56:41,200 --> 00:56:43,719
Speaker 6: people trying to scheme and scan their way.

1164
00:56:43,520 --> 00:56:46,799
Speaker 2: To a higher status. I feel like that's probably.

1165
00:56:46,520 --> 00:56:48,600
Speaker 6: What we're all doing right now, figuring out ways to

1166
00:56:48,960 --> 00:56:51,000
Speaker 6: make our lives better without trying that hard.

1167
00:56:51,440 --> 00:56:53,680
Speaker 1: That's right. I'll go back to the shop and I'll

1168
00:56:53,680 --> 00:57:00,200
Speaker 1: give it four Furby necklaces out of five, which I

1169
00:57:00,239 --> 00:57:02,560
Speaker 1: guess you can buy. You can actually buy one of

1170
00:57:02,560 --> 00:57:05,360
Speaker 1: those Furby necklaces I saw on I think stock x,

1171
00:57:05,400 --> 00:57:07,759
Speaker 1: like for one thousand dollars, So I don't know what

1172
00:57:07,880 --> 00:57:10,400
Speaker 1: Howard was selling his for in the shop. But I

1173
00:57:10,440 --> 00:57:12,239
Speaker 1: did like this movie too. It sounds like we all

1174
00:57:12,320 --> 00:57:15,160
Speaker 1: actually really you know, enjoyed it. And this was one

1175
00:57:15,200 --> 00:57:17,280
Speaker 1: when we were saying we were gonna watch. There were

1176
00:57:17,360 --> 00:57:19,600
Speaker 1: people Again. I know I say this it feels like

1177
00:57:19,640 --> 00:57:21,040
Speaker 1: every time with every movie you're about to do, but

1178
00:57:21,040 --> 00:57:22,320
Speaker 1: it did feel like there are people like, oh, I

1179
00:57:22,360 --> 00:57:25,919
Speaker 1: love this movie. It's a wild ride. And then there's people, yeah,

1180
00:57:26,000 --> 00:57:28,200
Speaker 1: like I guess we saw from the audience score on

1181
00:57:28,280 --> 00:57:31,320
Speaker 1: Rotten Tomatoes that are just like, ugh, this movie is

1182
00:57:31,360 --> 00:57:33,440
Speaker 1: not for me. I just there's no one to root for.

1183
00:57:33,960 --> 00:57:36,000
Speaker 1: I don't want to feel that way for two hours

1184
00:57:36,560 --> 00:57:39,920
Speaker 1: and you know why am I cheering for degenerate Gambler?

1185
00:57:40,000 --> 00:57:41,880
Speaker 1: And yeah, and that they don't like it?

1186
00:57:41,920 --> 00:57:42,640
Speaker 2: But I was.

1187
00:57:43,240 --> 00:57:46,120
Speaker 1: I was all in for that fun, fun two hours

1188
00:57:46,160 --> 00:57:50,280
Speaker 1: just living on the edge with tip balls and jumpers

1189
00:57:50,320 --> 00:57:52,800
Speaker 1: from KG from the elbow. I was living and dying.

1190
00:57:52,960 --> 00:57:54,520
Speaker 1: It was nice to have some basketball in our life

1191
00:57:54,600 --> 00:57:55,320
Speaker 1: like Testa too.

1192
00:57:55,640 --> 00:57:57,800
Speaker 4: All right, So yeah, I looked up how much it

1193
00:57:58,000 --> 00:58:01,120
Speaker 4: would cost to get a blade from from New York

1194
00:58:01,160 --> 00:58:04,560
Speaker 4: to the mohegan Son just because I was curious. Yeah,

1195
00:58:04,600 --> 00:58:08,080
Speaker 4: and it's like between five and eight hundred dollars. But

1196
00:58:08,160 --> 00:58:10,920
Speaker 4: the point, the reason I'm bringing it up, Lee, is

1197
00:58:10,960 --> 00:58:14,080
Speaker 4: because now all I get in my Instagram feeds is

1198
00:58:14,880 --> 00:58:18,680
Speaker 4: ads for taking a blade helicopter. It's somewhere.

1199
00:58:19,880 --> 00:58:23,880
Speaker 1: Wow really Yeah, yeah.

1200
00:58:23,760 --> 00:58:26,440
Speaker 4: I guess it's slow time for them right now, because ye.

1201
00:58:26,680 --> 00:58:29,440
Speaker 5: Stand, home hasn't made a good year. I would tell

1202
00:58:29,440 --> 00:58:29,720
Speaker 5: you for.

1203
00:58:29,760 --> 00:58:32,240
Speaker 1: Them, no, no, for sure. All right, So let's what

1204
00:58:32,320 --> 00:58:34,080
Speaker 1: we think of this movie on cut gentsle's hear from

1205
00:58:34,120 --> 00:58:37,000
Speaker 1: you guys. Holler at us on Twitter at no dunks

1206
00:58:37,040 --> 00:58:39,200
Speaker 1: in Cash, tag no dunks with your takes on the

1207
00:58:39,200 --> 00:58:40,760
Speaker 1: movie or how you would score it if you're a

1208
00:58:40,760 --> 00:58:43,520
Speaker 1: fan of it or not. Later today, I'm gonna talk

1209
00:58:43,520 --> 00:58:47,120
Speaker 1: to Hall of Famer David Aldridge about his proposal for

1210
00:58:47,200 --> 00:58:51,040
Speaker 1: resetting the NBA postseason and actually a sort of slick

1211
00:58:51,040 --> 00:58:53,840
Speaker 1: way to engage some of the lottery teams. He has

1212
00:58:53,880 --> 00:58:56,320
Speaker 1: an article up on The Athletic and I want to

1213
00:58:56,320 --> 00:58:58,560
Speaker 1: pick his brain about how he made some of the

1214
00:58:58,600 --> 00:59:01,040
Speaker 1: decisions or proposals that he was thrown out in that article,

1215
00:59:01,080 --> 00:59:03,400
Speaker 1: So we'll talk to him later today on Monday. On Tuesday,

1216
00:59:03,400 --> 00:59:06,000
Speaker 1: we've got a brand new edition of Squad. Guys, we're

1217
00:59:06,040 --> 00:59:10,800
Speaker 1: gonna be drafting our all sitcom team. This one could

1218
00:59:10,840 --> 00:59:12,680
Speaker 1: be a lot of fun. Yeah, we got some fun

1219
00:59:12,680 --> 00:59:16,120
Speaker 1: categories where we're zeroing in on just sitcoms. I can't

1220
00:59:16,160 --> 00:59:19,280
Speaker 1: wait to already argue with you guys about what is

1221
00:59:19,320 --> 00:59:21,280
Speaker 1: a sitcom and what is it I can already see

1222
00:59:21,320 --> 00:59:24,840
Speaker 1: that coming. And then on Wednesday, we're gonna hit the

1223
00:59:24,840 --> 00:59:27,000
Speaker 1: beach to answer your questions and your comments. As I

1224
00:59:27,000 --> 00:59:28,600
Speaker 1: said off the top of the show, so keep your

1225
00:59:29,160 --> 00:59:32,120
Speaker 1: keep those coming. No dunks at the Athletic dot Com. Thursday,

1226
00:59:32,120 --> 00:59:34,800
Speaker 1: we got the No Bust Survivor podcast, and we got

1227
00:59:34,840 --> 00:59:36,920
Speaker 1: a couple other things in store here too, So it's

1228
00:59:36,920 --> 00:59:38,880
Speaker 1: gonna be a very busy week hopefully from us as

1229
00:59:38,920 --> 00:59:41,520
Speaker 1: we jump on the phone here and make the podcast

1230
00:59:41,520 --> 00:59:42,880
Speaker 1: for you guys. Clipper Bros.

1231
00:59:43,280 --> 00:59:45,760
Speaker 6: You heard it here first, have a great time, turn up,

1232
00:59:45,920 --> 00:59:47,560
Speaker 6: love you guys awesome.

1233
00:59:47,560 --> 00:59:50,240
Speaker 3: Thanks for joining us, and remember they say you can

1234
00:59:50,280 --> 00:59:53,760
Speaker 3: see the whole universe in opals.

1235
00:59:53,680 --> 01:00:03,680
Speaker 7: Embrace the day people, and you happy every minute.

1236
01:00:06,640 --> 01:00:09,400
Speaker 1: It's been so long that you're the one.

1237
01:00:09,320 --> 01:00:10,280
Speaker 4: I've waiting for.

1238
01:00:12,280 --> 01:00:16,200
Speaker 7: It's happened already. It's gonna be grippy.