1 00:00:02,120 --> 00:00:03,880 Speaker 1: Do you want to be an Actor? 2 00:00:04,800 --> 00:00:12,360 Speaker 2: Let's get your foot inside the door. 3 00:00:15,840 --> 00:00:18,959 Speaker 3: Welcome to Daily Variety, your daily dose of news and 4 00:00:19,000 --> 00:00:23,720 Speaker 3: analysis for entertainment industry insiders. It's Thursday, February twenty six, 5 00:00:23,840 --> 00:00:27,400 Speaker 3: twenty twenty six. I'm your host, Cynthia Littleton. I am 6 00:00:27,440 --> 00:00:30,960 Speaker 3: co editor in chief of Variety alongside Ramin Sutuda. I'm 7 00:00:31,000 --> 00:00:33,680 Speaker 3: in La. He's in New York, and Variety has reporters 8 00:00:33,720 --> 00:00:37,480 Speaker 3: around the world covering the business of entertainment. In today's episode, 9 00:00:37,600 --> 00:00:41,360 Speaker 3: we'll hear from John Brockett, executive producer and showrunner of 10 00:00:41,479 --> 00:00:45,120 Speaker 3: the Actor Awards previously known as the SAG Awards. The 11 00:00:45,159 --> 00:00:48,880 Speaker 3: show airs live on Netflix March first, from the Shrine 12 00:00:48,920 --> 00:00:53,320 Speaker 3: Auditorium in LA Brockett talks about the changes in producing 13 00:00:53,360 --> 00:00:57,440 Speaker 3: the show for Netflix's platform versus the time bound linear 14 00:00:57,520 --> 00:01:01,240 Speaker 3: TV outlet that previously aired the show. He also previews 15 00:01:01,280 --> 00:01:05,759 Speaker 3: this theme of celebrating retro Hollywood glamour, and Yes, host 16 00:01:05,840 --> 00:01:09,080 Speaker 3: Kristen Bell will sing her opening number again. That was 17 00:01:09,080 --> 00:01:11,280 Speaker 3: Bell that you heard in the cold open from last 18 00:01:11,319 --> 00:01:14,560 Speaker 3: year's Actor Awards, singing do you Want to be an Actor? 19 00:01:14,959 --> 00:01:17,959 Speaker 3: Brockett promises that this year's opening number will be just 20 00:01:18,040 --> 00:01:20,479 Speaker 3: as much fun. But before we get to all of that, 21 00:01:20,800 --> 00:01:23,120 Speaker 3: here are a few headlines just in this morning that 22 00:01:23,200 --> 00:01:26,360 Speaker 3: you need to know. Warner Brothers Discovery reported Q four 23 00:01:26,440 --> 00:01:29,959 Speaker 3: earnings early Thursday. The numbers show clear evidence that the 24 00:01:30,040 --> 00:01:33,319 Speaker 3: loss of NBA rights has put a dent in linear 25 00:01:33,400 --> 00:01:37,600 Speaker 3: cable advertising revenue for the company. Overall, Warner Brothers Discovery 26 00:01:37,880 --> 00:01:40,720 Speaker 3: narrowed its loss for the year, and twenty twenty five 27 00:01:40,880 --> 00:01:44,160 Speaker 3: ended with a net gain of nearly fifteen million subscribers 28 00:01:44,160 --> 00:01:48,080 Speaker 3: for HBO Max. David zaslown company held a somewhat awkward 29 00:01:48,120 --> 00:01:51,480 Speaker 3: conference call with Wall Street analysts, talking about the future 30 00:01:51,480 --> 00:01:54,320 Speaker 3: of a company that they will not run for very 31 00:01:54,400 --> 00:01:57,240 Speaker 3: much longer. As usual on these calls, they did not 32 00:01:57,520 --> 00:01:59,960 Speaker 3: address the elephant in the room, which is the same 33 00:02:00,280 --> 00:02:03,240 Speaker 3: process that is hovering over Warner Brothers. They're in a 34 00:02:03,240 --> 00:02:07,360 Speaker 3: tug of war between Netflix and Paramount's guidance on that front. 35 00:02:07,400 --> 00:02:10,480 Speaker 3: We expect more development soon, so keep your eye on 36 00:02:10,560 --> 00:02:14,760 Speaker 3: Variety dot Com and our social platforms. Meanwhile, Adult Swim 37 00:02:14,800 --> 00:02:17,799 Speaker 3: will bring its buddy series Smiling Friends to an end 38 00:02:17,840 --> 00:02:22,120 Speaker 3: after three seasons. The Gen Beta Kids of Variety staffers 39 00:02:22,160 --> 00:02:25,799 Speaker 3: are distraught. Director Park chan Wu has been named president 40 00:02:25,840 --> 00:02:29,120 Speaker 3: of this year's can Film Festival Jury. The seventy ninth 41 00:02:29,240 --> 00:02:32,880 Speaker 3: edition of the world's most famous film festival runs May 42 00:02:32,919 --> 00:02:35,680 Speaker 3: twelfth through twenty third. All of these stories and so 43 00:02:35,800 --> 00:02:38,680 Speaker 3: much more can be found on Variety dot com. Right now, 44 00:02:39,200 --> 00:02:42,680 Speaker 3: we'll hear from Actor Awards executive producer John Brockett Right 45 00:02:42,720 --> 00:02:47,200 Speaker 3: after this message. 46 00:02:48,080 --> 00:02:51,040 Speaker 1: The Actor Awards, presented by sag After, are back and 47 00:02:51,200 --> 00:02:54,760 Speaker 1: live only on Netflix Sunday, March first, at eight pm Eastern, 48 00:02:54,919 --> 00:02:58,359 Speaker 1: five pm Pacific. Award winning actress and producer Kristen Bell 49 00:02:58,520 --> 00:03:01,400 Speaker 1: is back to host again. This is the award show 50 00:03:01,400 --> 00:03:03,680 Speaker 1: that looks just as fun to watch from home as 51 00:03:03,680 --> 00:03:06,120 Speaker 1: it is to a head. Get ready for fun reunions, 52 00:03:06,200 --> 00:03:09,799 Speaker 1: unexpected parians, the iconic I'm An Actor segment, and more. 53 00:03:09,960 --> 00:03:13,440 Speaker 1: And this year there's even a fashion theme reimagining Hollywood 54 00:03:13,440 --> 00:03:15,919 Speaker 1: glamour from the twenties and thirties, so you won't want 55 00:03:15,960 --> 00:03:18,600 Speaker 1: to miss the star studded red carpet pre show hosted 56 00:03:18,600 --> 00:03:21,880 Speaker 1: by Paige Disorbo and Scott Evans. The Actor Awards are 57 00:03:21,960 --> 00:03:25,560 Speaker 1: live only on Netflix Sunday, March first, at eight pm Eastern, 58 00:03:25,680 --> 00:03:27,240 Speaker 1: five pm Pacific. 59 00:03:31,120 --> 00:03:34,040 Speaker 3: And now it's time for conversations with industry leaders about 60 00:03:34,040 --> 00:03:37,080 Speaker 3: news and trends and show business. John Brockett has been 61 00:03:37,080 --> 00:03:40,160 Speaker 3: a producer on most of the Actor Awards and SAG 62 00:03:40,240 --> 00:03:44,520 Speaker 3: Awards ceremonies since the Kudo Cast began in nineteen ninety five. 63 00:03:45,080 --> 00:03:48,520 Speaker 3: He's got great perspective on what makes this one different 64 00:03:48,600 --> 00:03:52,520 Speaker 3: from every other award show. John Brockett, Executive producer and 65 00:03:52,560 --> 00:03:55,440 Speaker 3: showrunner of the Actor Awards. Thanks so much for joining me. 66 00:03:55,640 --> 00:03:58,000 Speaker 2: Thanks for having me. It's good to be here. 67 00:03:58,200 --> 00:03:59,920 Speaker 3: I have no doubt that you are in the face 68 00:04:00,200 --> 00:04:03,120 Speaker 3: of you are living at the Shrine Auditorium now getting 69 00:04:03,240 --> 00:04:06,040 Speaker 3: ready for the big night on March first. Tell me 70 00:04:06,120 --> 00:04:09,680 Speaker 3: you know, every Awards season is a crazy chase and 71 00:04:09,760 --> 00:04:13,480 Speaker 3: almost a circus like environment in its own in its 72 00:04:13,520 --> 00:04:16,600 Speaker 3: own way, with its own cast of characters and ringleaders 73 00:04:16,640 --> 00:04:18,760 Speaker 3: and all of that. As you get ready here for 74 00:04:18,800 --> 00:04:21,200 Speaker 3: the big show, what stands out to you as some 75 00:04:21,279 --> 00:04:25,160 Speaker 3: of the interesting stories, the quirks, the personalities of this 76 00:04:25,200 --> 00:04:27,880 Speaker 3: award season that you're excited to feature. 77 00:04:27,720 --> 00:04:30,040 Speaker 2: Every award season is one of the things that I 78 00:04:30,080 --> 00:04:32,719 Speaker 2: love about this job is that it does have a 79 00:04:32,720 --> 00:04:36,200 Speaker 2: beginning and middle and end, and so there's this sense 80 00:04:36,240 --> 00:04:39,200 Speaker 2: of build up to award season, going through all the 81 00:04:39,200 --> 00:04:41,480 Speaker 2: different pre events that we have and then all leading 82 00:04:41,600 --> 00:04:44,520 Speaker 2: to the main show. And in this year, in particular 83 00:04:44,640 --> 00:04:46,839 Speaker 2: for our show, we have a couple of new things 84 00:04:46,880 --> 00:04:50,320 Speaker 2: that I'm looking forward to, and one of those big 85 00:04:50,360 --> 00:04:53,920 Speaker 2: things is Harrison Ford receiving the Life Achievement Award, which 86 00:04:53,960 --> 00:04:56,839 Speaker 2: is I think going to be really extraordinary. He is 87 00:04:57,240 --> 00:05:01,680 Speaker 2: a legend and an icon and about the nicest actor 88 00:05:01,760 --> 00:05:04,479 Speaker 2: I've ever met, could not be more lovely, could not 89 00:05:04,560 --> 00:05:05,480 Speaker 2: be more gracious. 90 00:05:06,520 --> 00:05:09,960 Speaker 3: Grace dark cover last July and it was one boy. 91 00:05:10,000 --> 00:05:12,200 Speaker 3: You could not find a copy of that in the office. 92 00:05:12,320 --> 00:05:14,480 Speaker 3: Everybody just wanted their copy. 93 00:05:14,560 --> 00:05:16,800 Speaker 2: I mean, he's the best and that. The other thing 94 00:05:16,839 --> 00:05:19,960 Speaker 2: that we're really excited about is Kristen Bell coming back. 95 00:05:20,160 --> 00:05:23,040 Speaker 2: She is our host's a third time hosting the show, 96 00:05:23,080 --> 00:05:24,640 Speaker 2: second in a row, and one of the things that 97 00:05:24,680 --> 00:05:29,680 Speaker 2: we're leaning into is her hyphen of actor singer and 98 00:05:29,839 --> 00:05:31,919 Speaker 2: we did a great number last year. Our kind of 99 00:05:31,960 --> 00:05:34,440 Speaker 2: goal here is how do we top that, which is 100 00:05:35,400 --> 00:05:37,840 Speaker 2: kind of difficult because last year was so great. I 101 00:05:37,880 --> 00:05:41,040 Speaker 2: can say officially you're the first to know that we 102 00:05:41,080 --> 00:05:43,680 Speaker 2: will be doing an opening number with her again, A 103 00:05:43,800 --> 00:05:46,120 Speaker 2: goal is to kind of like make it even better 104 00:05:46,480 --> 00:05:49,240 Speaker 2: than last year's opening number. But we're really excited about 105 00:05:49,279 --> 00:05:54,400 Speaker 2: it because she's just so charming and funny, and she's 106 00:05:54,480 --> 00:05:56,880 Speaker 2: just the whole package and she can sing what. 107 00:05:57,080 --> 00:05:59,920 Speaker 3: She's a total triple threat. Let me ask you about 108 00:06:00,120 --> 00:06:03,640 Speaker 3: the demands of producing the ceremony and putting on this 109 00:06:03,720 --> 00:06:06,240 Speaker 3: live event. Does it change at all doing it for 110 00:06:06,360 --> 00:06:09,240 Speaker 3: Netflix then doing it for T and T as you 111 00:06:09,360 --> 00:06:11,840 Speaker 3: and others did for years. Are there things that you 112 00:06:11,880 --> 00:06:13,599 Speaker 3: have to think about as a producer that we're not 113 00:06:13,680 --> 00:06:14,839 Speaker 3: thinking about as viewers. 114 00:06:15,040 --> 00:06:18,800 Speaker 2: It has been a fairly significant change between the two. 115 00:06:19,320 --> 00:06:23,040 Speaker 2: One of them is that on Netflix, we're global, so 116 00:06:23,080 --> 00:06:26,560 Speaker 2: we're in one hundred and ninety plus countries right So 117 00:06:27,320 --> 00:06:29,839 Speaker 2: that in itself is a huge scale up in terms 118 00:06:29,880 --> 00:06:35,440 Speaker 2: of reach. So a lot of our approach with Netflix 119 00:06:35,760 --> 00:06:39,159 Speaker 2: has been internally and along with them, is to think 120 00:06:39,160 --> 00:06:44,400 Speaker 2: about how we make this show as easily approachable and 121 00:06:44,680 --> 00:06:49,440 Speaker 2: instantly recognizable to a much larger global audience. We are 122 00:06:49,520 --> 00:06:52,760 Speaker 2: not just playing to the coasts in the middle of 123 00:06:52,800 --> 00:06:55,920 Speaker 2: the country anymore. We are playing globally, and so we 124 00:06:56,000 --> 00:06:58,359 Speaker 2: have to really think about that. And one of the 125 00:06:58,400 --> 00:07:01,520 Speaker 2: things that we're incredibly lucky in terms of Netflix is 126 00:07:01,600 --> 00:07:07,000 Speaker 2: having their marketing team, which is, you know, just they're 127 00:07:07,040 --> 00:07:10,720 Speaker 2: the best team in the business and they truly understand 128 00:07:11,000 --> 00:07:14,640 Speaker 2: the cultural zeitgeist in a way that gives us the 129 00:07:14,760 --> 00:07:19,640 Speaker 2: support to reach audiences domestically and worldwide. 130 00:07:19,880 --> 00:07:22,320 Speaker 3: This is your third year now doing the Actor Awards 131 00:07:22,360 --> 00:07:25,320 Speaker 3: for Netflix. What did you learn in the first couple 132 00:07:25,360 --> 00:07:29,040 Speaker 3: of years about the practicalities of working on Netflix? Are 133 00:07:29,040 --> 00:07:31,080 Speaker 3: you trying to stick to a running time or is 134 00:07:31,120 --> 00:07:32,679 Speaker 3: that a little bit more free flowing. 135 00:07:32,920 --> 00:07:36,400 Speaker 2: It's actually given us much more freedom because you know, 136 00:07:36,440 --> 00:07:39,160 Speaker 2: there was always this pressure that we had to come 137 00:07:39,280 --> 00:07:43,400 Speaker 2: in at eleven o'clock Eastern time, that we could not 138 00:07:43,680 --> 00:07:47,960 Speaker 2: go any later. The goal for us with Netflix was 139 00:07:48,840 --> 00:07:51,600 Speaker 2: let's give the show a little bit of room to breathe, 140 00:07:51,800 --> 00:07:54,960 Speaker 2: and we can do that now. Is do we want 141 00:07:55,000 --> 00:07:58,840 Speaker 2: to go longer? No, there's no one asking for another 142 00:07:59,080 --> 00:08:01,520 Speaker 2: three or three and a half hour award show. In 143 00:08:01,520 --> 00:08:05,120 Speaker 2: my opinion, I love that we're around two hours because 144 00:08:05,200 --> 00:08:08,120 Speaker 2: we're sort of a sprint. We're not a marathon. Like 145 00:08:08,240 --> 00:08:12,720 Speaker 2: people can get in and have a great entertaining time 146 00:08:12,960 --> 00:08:15,520 Speaker 2: and watch the show and then they're done. It's not 147 00:08:15,800 --> 00:08:20,720 Speaker 2: this long slog of other awards that may not be 148 00:08:20,960 --> 00:08:23,320 Speaker 2: what people want to watch. We're all actors. We're what 149 00:08:23,400 --> 00:08:25,280 Speaker 2: everybody wants to see. That's one of the things that 150 00:08:25,280 --> 00:08:28,240 Speaker 2: we're really leaning into. And as you've probably heard, what 151 00:08:28,240 --> 00:08:30,960 Speaker 2: we've leaned into in terms of the name change, where 152 00:08:31,160 --> 00:08:33,640 Speaker 2: we're you know, with the actor awards of the DNA 153 00:08:33,679 --> 00:08:35,840 Speaker 2: of our show, which is the name of the satuette, 154 00:08:35,840 --> 00:08:38,320 Speaker 2: which is the actor and who we are which is 155 00:08:38,559 --> 00:08:40,920 Speaker 2: all acting categories, and we're all about you know, we're 156 00:08:40,960 --> 00:08:42,480 Speaker 2: the biggest night for actors. 157 00:08:42,679 --> 00:08:45,440 Speaker 3: Do you see the excitement and the audience rise and 158 00:08:45,480 --> 00:08:48,160 Speaker 3: fall very much related to the movies that are in 159 00:08:48,200 --> 00:08:50,600 Speaker 3: the race, or because it's actors, is a little bit 160 00:08:50,600 --> 00:08:52,920 Speaker 3: more impervious to the ups and downs of each year. 161 00:08:53,160 --> 00:08:56,319 Speaker 2: That's one of the ways that make us lucky, regardless 162 00:08:56,760 --> 00:09:00,880 Speaker 2: of it being smaller films are larger film We have 163 00:09:01,400 --> 00:09:03,360 Speaker 2: the actors in the room that we have and we 164 00:09:03,480 --> 00:09:06,120 Speaker 2: typically have. I think our show has the most per 165 00:09:06,160 --> 00:09:08,520 Speaker 2: capita of any awards show because we focus on casts 166 00:09:08,559 --> 00:09:11,480 Speaker 2: and ensembles and that's really tremendous and it gives us 167 00:09:11,480 --> 00:09:15,080 Speaker 2: a huge pool of actors to pull from for bits, 168 00:09:15,080 --> 00:09:17,199 Speaker 2: for presenters, for whatever we want to do. One of 169 00:09:17,240 --> 00:09:21,400 Speaker 2: the great things about focusing on actors to me because 170 00:09:21,400 --> 00:09:23,360 Speaker 2: I you know, I was a theater kid. I wanted 171 00:09:23,400 --> 00:09:25,680 Speaker 2: to be an actor. And I think one of the 172 00:09:25,720 --> 00:09:28,680 Speaker 2: things that I love is that having a dream and 173 00:09:28,880 --> 00:09:31,160 Speaker 2: being able to realize that dream, and that goes across 174 00:09:31,240 --> 00:09:34,040 Speaker 2: so many different jobs or fields, right, It's not just 175 00:09:34,120 --> 00:09:36,240 Speaker 2: about being an actor, and I think it's something that 176 00:09:36,280 --> 00:09:39,520 Speaker 2: everybody can relate to. And I think that's something that 177 00:09:39,679 --> 00:09:42,920 Speaker 2: we love about the show as beginners and the speeches. 178 00:09:42,920 --> 00:09:44,640 Speaker 2: To a lot of the speeches, the winners come up 179 00:09:44,679 --> 00:09:47,360 Speaker 2: and say, like, just hang on a little bit longer, 180 00:09:47,440 --> 00:09:50,000 Speaker 2: because it will happen. And I think that's relatable to 181 00:09:50,480 --> 00:09:51,920 Speaker 2: so many different kinds of people. 182 00:09:52,360 --> 00:09:55,320 Speaker 3: Where are you as the show is unfolding? Are you 183 00:09:55,440 --> 00:09:58,559 Speaker 3: in a truck control room somewhere? Are you backstage in 184 00:09:58,600 --> 00:10:00,360 Speaker 3: the wings? Do you move all over the place? 185 00:10:00,600 --> 00:10:01,280 Speaker 1: A little bit? 186 00:10:01,440 --> 00:10:05,080 Speaker 2: Moving, a little bit moving primarily our production partner, Silent 187 00:10:05,080 --> 00:10:08,760 Speaker 2: House Production. So I have this great team, Mark Brocco, 188 00:10:08,840 --> 00:10:12,600 Speaker 2: Linda Geeren has how been Janine White are a really 189 00:10:12,720 --> 00:10:16,240 Speaker 2: wonderful part of our team. So we sort of split 190 00:10:16,280 --> 00:10:18,200 Speaker 2: ourselves up. While I do move around a little bit 191 00:10:18,240 --> 00:10:21,400 Speaker 2: I'm primarily at the producer's table, just off stage. I 192 00:10:21,960 --> 00:10:24,320 Speaker 2: like to be kind of in the room where it 193 00:10:24,440 --> 00:10:27,640 Speaker 2: happens mostly. And then we have one of our other EPs, 194 00:10:27,720 --> 00:10:30,600 Speaker 2: Linda Geeren, who's in the truck with our director, Bess Helpman, 195 00:10:30,720 --> 00:10:34,079 Speaker 2: and Mark Brocco, and I are are are backstage, you know, 196 00:10:34,280 --> 00:10:36,559 Speaker 2: right off stage at the producer's table. 197 00:10:37,640 --> 00:10:39,880 Speaker 3: What do you consider to be a home run for 198 00:10:39,920 --> 00:10:42,839 Speaker 3: the show. What are the metrics that Netflix really cares about. 199 00:10:43,040 --> 00:10:49,920 Speaker 2: I can't necessarily speak for Netflix, but obviously viewership engagement 200 00:10:50,040 --> 00:10:53,959 Speaker 2: is very important. What I'm focused on is, along with 201 00:10:54,000 --> 00:10:56,840 Speaker 2: our silent house team, is making sure that we produce 202 00:10:57,240 --> 00:11:00,200 Speaker 2: the best and most entertaining show possible have. 203 00:11:00,440 --> 00:11:02,880 Speaker 3: Of course, the megaphone of social media will let you 204 00:11:02,960 --> 00:11:05,240 Speaker 3: know in progress how it's going. 205 00:11:05,320 --> 00:11:06,640 Speaker 2: Is that something in real time? 206 00:11:07,160 --> 00:11:09,560 Speaker 3: But do you just in the moment, I'm guessing you 207 00:11:09,640 --> 00:11:10,720 Speaker 3: just have to tune that out. 208 00:11:10,840 --> 00:11:13,360 Speaker 2: I mean, we always have. We have an incredible in 209 00:11:13,520 --> 00:11:18,400 Speaker 2: house PR, marketing, and social team who do track literally everything. 210 00:11:18,440 --> 00:11:20,480 Speaker 2: But in the moment, no, I can't think about that. 211 00:11:20,600 --> 00:11:22,480 Speaker 2: I just have to keep thinking about the next beat 212 00:11:22,520 --> 00:11:22,920 Speaker 2: of the show. 213 00:11:23,240 --> 00:11:25,840 Speaker 3: Anything else, any hints that you can give us about 214 00:11:25,840 --> 00:11:26,560 Speaker 3: this year's show. 215 00:11:26,760 --> 00:11:28,679 Speaker 2: One of the things that we're really excited about is 216 00:11:29,160 --> 00:11:32,559 Speaker 2: our red carpet theme, which is reimagining Hollywood glamour from 217 00:11:32,559 --> 00:11:35,760 Speaker 2: the twenties. So from the red carpet to the show 218 00:11:35,800 --> 00:11:39,560 Speaker 2: on the stage to our gala post show, there is 219 00:11:39,800 --> 00:11:42,800 Speaker 2: a sort of top to tail feeling with this theme. 220 00:11:42,960 --> 00:11:45,800 Speaker 2: We're really excited to see how this is implemented by 221 00:11:45,800 --> 00:11:47,360 Speaker 2: the talent on the stage. 222 00:11:47,400 --> 00:11:50,400 Speaker 3: I'll be looking for those drop waste dresses. I love 223 00:11:50,480 --> 00:11:53,240 Speaker 3: that era. I watch Turner classic movies sometimes and just 224 00:11:53,320 --> 00:11:56,480 Speaker 3: pause to look at the fashions and also the shoes. 225 00:11:56,760 --> 00:11:59,240 Speaker 2: That's kind of part of what our approach is with 226 00:11:59,360 --> 00:12:04,199 Speaker 2: the show. That here is escapism, Like just sit back 227 00:12:04,520 --> 00:12:07,720 Speaker 2: for two hours, enjoy this three hours if you include 228 00:12:07,720 --> 00:12:10,680 Speaker 2: a red carpet show, Enjoy all the moments on the carpet, 229 00:12:10,760 --> 00:12:13,480 Speaker 2: Enjoy the moments from the show. Get away from thinking 230 00:12:13,480 --> 00:12:16,720 Speaker 2: about what's going on in the world, and just enjoy 231 00:12:16,760 --> 00:12:19,360 Speaker 2: this night of TV on Netflix Live on Netflix. 232 00:12:20,200 --> 00:12:23,120 Speaker 3: You heard it from John, all right, thank you so much. 233 00:12:22,960 --> 00:12:24,880 Speaker 2: Good luck, Thanks Cynthia. This is a pleasure. 234 00:12:29,760 --> 00:12:32,440 Speaker 3: As we close out today's episode, here's a few things 235 00:12:32,440 --> 00:12:35,040 Speaker 3: we're watching for March one brings the Dawn of the 236 00:12:35,160 --> 00:12:39,199 Speaker 3: Yellowstone spin off The Marshals for CBS. I hope someone 237 00:12:39,280 --> 00:12:41,840 Speaker 3: wrote in a hat tip to one Marshall Dylan. On 238 00:12:41,920 --> 00:12:46,199 Speaker 3: the same night, CNN premieres the four part documentary Disaster 239 00:12:46,440 --> 00:12:50,079 Speaker 3: the Chernobyl Meltdown. Those of us who lived through Chernobyl 240 00:12:50,160 --> 00:12:53,079 Speaker 3: will never not be fascinated by the history of it. 241 00:12:53,640 --> 00:12:57,960 Speaker 3: Just ask Craig Mason. Also coming March first on Fox Sports, 242 00:12:58,080 --> 00:13:01,920 Speaker 3: is You See La. It's a documentary from Hello Sunshine 243 00:13:02,200 --> 00:13:05,880 Speaker 3: about the UCLA women's basketball team and the amazing run 244 00:13:05,960 --> 00:13:08,640 Speaker 3: they had last year to the final four games of 245 00:13:08,679 --> 00:13:12,120 Speaker 3: March Madness. Big WNBA Stars of the future to watch 246 00:13:12,160 --> 00:13:15,319 Speaker 3: on that squad before we go. Congrats to Debora Kaufman. 247 00:13:15,720 --> 00:13:19,920 Speaker 3: She's joined Support Studios as Chief of Global Content, overseeing 248 00:13:19,960 --> 00:13:23,800 Speaker 3: all creative development for the Tel Aviv based production company. 249 00:13:23,960 --> 00:13:26,480 Speaker 3: She comes to Suppor after more than ten years with 250 00:13:26,640 --> 00:13:30,800 Speaker 3: Legendary Entertainment, where she was Senior Vice president of Literary Affairs. 251 00:13:31,080 --> 00:13:34,280 Speaker 3: Thanks for listening. This episode was written and reported by 252 00:13:34,320 --> 00:13:38,840 Speaker 3: me Cynthia Littleton, Styx Nix Hick Picks. Please leave us 253 00:13:38,840 --> 00:13:41,440 Speaker 3: a review at the podcast platform of your choice, and 254 00:13:41,520 --> 00:13:47,240 Speaker 3: please tune in Monday for another episode of Daily Variety