1 00:00:00,160 --> 00:00:02,840 Speaker 1: I need to apologize to you guys, because I said 2 00:00:02,880 --> 00:00:08,080 Speaker 1: one fifteen and I am now eight minutes, nine minutes late. 3 00:00:08,480 --> 00:00:12,640 Speaker 1: That is my I apologize. I'm afraid to say anything, 4 00:00:12,720 --> 00:00:14,880 Speaker 1: and don't. You don't have to say anything. I'm apologizing 5 00:00:14,920 --> 00:00:18,360 Speaker 1: to you, and I'm apologizing to the fans. The ship 6 00:00:18,440 --> 00:00:21,240 Speaker 1: got on the road a little late. That being said, 7 00:00:22,360 --> 00:00:24,439 Speaker 1: a lot of news has happened in between now and 8 00:00:24,520 --> 00:00:29,560 Speaker 1: one o'clock. Jeff Bezos has now stepped down as CEO 9 00:00:29,760 --> 00:00:32,920 Speaker 1: of Amazon. Yeah, why are you so excited about that? 10 00:00:32,960 --> 00:00:34,839 Speaker 1: How does that affect us in anything? Because there's a 11 00:00:34,960 --> 00:00:40,440 Speaker 1: job opening and it could be me. I don't know 12 00:00:40,440 --> 00:00:43,479 Speaker 1: if they're this is America, Jack. I don't know if 13 00:00:43,479 --> 00:00:46,800 Speaker 1: they're hiring actors for the position. But you can try audition, 14 00:00:46,840 --> 00:00:50,160 Speaker 1: maybe set itself to listen. I've seen Ted talk. All 15 00:00:50,200 --> 00:00:53,199 Speaker 1: Ted talk is is somebody getting up on stage and 16 00:00:53,320 --> 00:00:58,960 Speaker 1: convincing you that they are on point with their stuff. 17 00:01:00,680 --> 00:01:03,760 Speaker 1: I love how you struggled for the sentence, on point 18 00:01:04,080 --> 00:01:08,839 Speaker 1: with their stuff, with their stuff. That's like that what's 19 00:01:08,880 --> 00:01:11,880 Speaker 1: his name? The simple guy in the Simpsons when he goes, Lisa, 20 00:01:12,240 --> 00:01:17,880 Speaker 1: do you like stuff? Yes? That's when Ralph Wickham's trying 21 00:01:17,880 --> 00:01:22,080 Speaker 1: to flirt with Lisa. I like stuff, but I know 22 00:01:22,120 --> 00:01:24,560 Speaker 1: what it is. I know how to do that. If 23 00:01:24,560 --> 00:01:27,120 Speaker 1: somebody writes it for me, I got you. I'm an actor, 24 00:01:27,240 --> 00:01:30,679 Speaker 1: That's what I do. I have a theory that running 25 00:01:30,680 --> 00:01:34,759 Speaker 1: Amazon maybe a bit out of your skill set, don't 26 00:01:35,319 --> 00:01:38,199 Speaker 1: I didn't say I wanted to run Amazon. I want 27 00:01:38,240 --> 00:01:43,240 Speaker 1: to be the face of Amazon. How about that? That's 28 00:01:43,280 --> 00:01:46,800 Speaker 1: what I want. I want to be the face of Amazon. 29 00:01:46,880 --> 00:01:52,080 Speaker 1: When you think of toys and packages and deliveries and 30 00:01:52,200 --> 00:01:55,360 Speaker 1: a bunch of jobs for Americans, I want you to 31 00:01:55,400 --> 00:01:58,600 Speaker 1: think of me. Okay, okay, maybe they'll put your face 32 00:01:58,640 --> 00:02:02,160 Speaker 1: on the box if you get the job. That's branding. 33 00:02:02,640 --> 00:02:04,720 Speaker 1: Speaking of your face on things, we should talk about 34 00:02:04,760 --> 00:02:09,040 Speaker 1: this awesome new merch that's in the merch shop for everybody. Hi, everybody, welcome. 35 00:02:09,240 --> 00:02:11,560 Speaker 1: Good to see you, or at least pretend to see you. 36 00:02:13,080 --> 00:02:16,160 Speaker 1: We have these things that are called badge poles. If 37 00:02:16,200 --> 00:02:19,120 Speaker 1: you work in a hospital, or if you work somewhere 38 00:02:19,120 --> 00:02:20,760 Speaker 1: where you have to wear a badge and then you 39 00:02:20,840 --> 00:02:23,120 Speaker 1: have to reach down and put it on some sensor 40 00:02:23,160 --> 00:02:25,720 Speaker 1: to open a door, Well, we have solved it for you. 41 00:02:26,320 --> 00:02:29,919 Speaker 1: We have really dope badge poles from face. They are 42 00:02:30,000 --> 00:02:33,720 Speaker 1: really cool. I got in mind today. I was kind 43 00:02:33,760 --> 00:02:36,200 Speaker 1: of pooh pooing on the idea of the badge pole, 44 00:02:36,600 --> 00:02:39,520 Speaker 1: but it's actually real cool. Even if you don't even 45 00:02:39,560 --> 00:02:42,400 Speaker 1: if you don't have a badge that you need to 46 00:02:42,440 --> 00:02:45,440 Speaker 1: pull on, you can put your keys on it. It's 47 00:02:45,440 --> 00:02:48,240 Speaker 1: almost like I gotta say, and I'm not just saying 48 00:02:48,240 --> 00:02:51,320 Speaker 1: this because we made them. It's a nice fidget toy. 49 00:02:51,440 --> 00:02:53,680 Speaker 1: You know how you used to have the fidget toys. Yeah, 50 00:02:54,280 --> 00:02:56,400 Speaker 1: I have it on my desk and I've been fidgeting 51 00:02:56,400 --> 00:02:58,560 Speaker 1: with it all day. Okay, but you gotta put it down. 52 00:02:58,560 --> 00:03:00,600 Speaker 1: We're doing a podcast. I know, I'm all right. I'm sorry. 53 00:03:00,600 --> 00:03:02,120 Speaker 1: It's like when I ate and people get all upset. 54 00:03:02,320 --> 00:03:04,000 Speaker 1: And then the other thing we have, just in time 55 00:03:04,000 --> 00:03:08,240 Speaker 1: for Valentine's Day, our turk and JD key chains that 56 00:03:08,320 --> 00:03:11,919 Speaker 1: are broken hearts. So your lover or your friend gets 57 00:03:12,000 --> 00:03:14,400 Speaker 1: the half of the heart that's JD your turk, and 58 00:03:14,480 --> 00:03:16,840 Speaker 1: you get the other one and then when together, you 59 00:03:16,919 --> 00:03:19,600 Speaker 1: can press them up against each other and go eagle. 60 00:03:24,160 --> 00:03:26,280 Speaker 1: I like that. There you go, So you go to 61 00:03:26,320 --> 00:03:28,560 Speaker 1: Cotton Bureau dot Com. That's where we have our merch. 62 00:03:28,919 --> 00:03:32,359 Speaker 1: You just search for fake doctors, real friends, and it'll 63 00:03:32,360 --> 00:03:34,800 Speaker 1: bring you to our merch page. We know you guys 64 00:03:34,840 --> 00:03:37,960 Speaker 1: like merch because you seem to buy a lot of it. 65 00:03:38,040 --> 00:03:40,760 Speaker 1: And we have new stuff for Valentine's Day. You know what. 66 00:03:40,800 --> 00:03:43,560 Speaker 1: I love the locket because you know what, it reminds 67 00:03:43,560 --> 00:03:50,240 Speaker 1: me of what betcha he reads? Betcha she so's Maybe 68 00:03:50,280 --> 00:03:54,480 Speaker 1: she's made me a closet of clothes. Maybe they're strict. 69 00:03:55,360 --> 00:04:01,480 Speaker 1: Why shouldn't they be? They're one mistake was given a me. 70 00:04:04,880 --> 00:04:07,840 Speaker 1: Maybe I want to know the audience to know that 71 00:04:07,880 --> 00:04:11,440 Speaker 1: if you know what that is, you either are gay 72 00:04:11,640 --> 00:04:21,240 Speaker 1: or love musicals or both, as is Mike. Here we go. 73 00:04:21,600 --> 00:04:30,080 Speaker 1: So maybe now there's prayer, go ahead, the last one 74 00:04:30,279 --> 00:04:38,120 Speaker 1: of it's kind. Won't you please come get your baby? Baby? 75 00:04:38,680 --> 00:04:46,960 Speaker 1: Let him have it with that note, girl, babe, give 76 00:04:46,960 --> 00:04:53,000 Speaker 1: me a little run. Girl. I don't know if we 77 00:04:53,040 --> 00:04:55,839 Speaker 1: can beat that intro. Let's get into it. Five six seven? 78 00:04:55,839 --> 00:05:12,599 Speaker 1: Ear how about s about a bunch of nurses? Story? Sound? Yeah, 79 00:05:19,360 --> 00:05:22,839 Speaker 1: We're gonna do a shorter show today. You know why why? 80 00:05:23,120 --> 00:05:27,440 Speaker 1: Because I have been affected by negative comments on my Instagram? 81 00:05:27,480 --> 00:05:30,200 Speaker 1: What happened? So what happened. It's because the GT, isn't 82 00:05:30,240 --> 00:05:33,920 Speaker 1: it they? I had people saying the GTS thing was boring. 83 00:05:34,120 --> 00:05:36,080 Speaker 1: I had people saying they didn't want to hear about 84 00:05:36,080 --> 00:05:39,039 Speaker 1: the stock market, and a I'm giving them social media 85 00:05:39,080 --> 00:05:42,160 Speaker 1: because I'm so fucking sick of social media and maybe 86 00:05:42,160 --> 00:05:44,839 Speaker 1: I'm not taking my criticism well today, but we're gonna 87 00:05:44,839 --> 00:05:47,280 Speaker 1: give the people what they want. How many people are 88 00:05:46,920 --> 00:05:49,520 Speaker 1: gonna we're gonna go, We're gonna go right to the show? 89 00:05:50,240 --> 00:05:52,200 Speaker 1: How many people said it was boring? And how many 90 00:05:52,240 --> 00:05:54,080 Speaker 1: people said they didn't want to hear about the stock market? 91 00:05:54,120 --> 00:05:56,320 Speaker 1: I started, I stopped reading it, but there were probably 92 00:05:56,360 --> 00:06:01,560 Speaker 1: like four um stopped doing a GT kombucha ad and 93 00:06:01,640 --> 00:06:05,960 Speaker 1: like maybe three don't talk about the stock market, So 94 00:06:06,040 --> 00:06:11,400 Speaker 1: maybe seven people piss me off? Really yeah, out of 95 00:06:11,800 --> 00:06:15,000 Speaker 1: out of over a million, I love the fact that 96 00:06:15,000 --> 00:06:16,680 Speaker 1: you got to take a break. If anything, now is 97 00:06:16,720 --> 00:06:18,560 Speaker 1: the time to take a break. Well, I am taking 98 00:06:18,560 --> 00:06:21,359 Speaker 1: a Twitter break. I gotta tell you it's you know 99 00:06:21,400 --> 00:06:23,560 Speaker 1: that that documentary. Did you guys watch the documentary? What's 100 00:06:23,560 --> 00:06:27,240 Speaker 1: it called? The Social Dilemma? Is? Yeah? I was really 101 00:06:27,279 --> 00:06:28,920 Speaker 1: if you haven't seen that and you're listening to this, 102 00:06:29,000 --> 00:06:31,400 Speaker 1: please check it out. It's on Was it on Netflix? Yeah? 103 00:06:31,400 --> 00:06:34,880 Speaker 1: I was on Netflix. It's really mind blowing about and Donald, 104 00:06:34,920 --> 00:06:37,200 Speaker 1: I know you watched it. Just about how these these 105 00:06:37,240 --> 00:06:39,680 Speaker 1: these apps were designed to be addictive, and I am 106 00:06:39,800 --> 00:06:43,040 Speaker 1: fully been addicted to time. I'm I'm so addicted, dude, 107 00:06:43,160 --> 00:06:45,760 Speaker 1: I'm so addicted. I'm now paying money on apps. Now. 108 00:06:45,839 --> 00:06:50,080 Speaker 1: It's so bad because you know you're buying shit, buying 109 00:06:50,160 --> 00:06:52,880 Speaker 1: shit on apps, like there'll be video games, and I'm like, 110 00:06:53,080 --> 00:06:58,279 Speaker 1: I really need this power up though. But I'm talking about, 111 00:06:58,320 --> 00:07:01,520 Speaker 1: like I'm talking about, through all this insane news cycle 112 00:07:01,640 --> 00:07:06,039 Speaker 1: between Trump and the pandemic and everything else, I have 113 00:07:06,240 --> 00:07:09,560 Speaker 1: been addicted to Twitter. I just read news NonStop like 114 00:07:09,600 --> 00:07:12,640 Speaker 1: a drug. Just what happened this second? What happened this second? 115 00:07:13,040 --> 00:07:16,280 Speaker 1: And then I watched the documentary and I laughed at myself. 116 00:07:16,280 --> 00:07:18,880 Speaker 1: I'm going, it's just no different than any other addiction. 117 00:07:18,960 --> 00:07:21,920 Speaker 1: I'm fully addicted to this app. And the app is 118 00:07:21,960 --> 00:07:26,360 Speaker 1: so negative and cynical and just a rain cloud. I 119 00:07:26,400 --> 00:07:30,040 Speaker 1: find that I'm then filling my brain with just fucking 120 00:07:30,680 --> 00:07:34,720 Speaker 1: a fire hose of negativity. Well, everybody, I would like 121 00:07:34,760 --> 00:07:39,880 Speaker 1: to stop that. Everybody seems to think that their information 122 00:07:41,040 --> 00:07:44,760 Speaker 1: is the correct information. Where they're getting their information is 123 00:07:44,800 --> 00:07:51,960 Speaker 1: the by it's the information of the gods. It seems 124 00:07:52,040 --> 00:07:56,600 Speaker 1: like my information is so perfect and so on point 125 00:07:56,640 --> 00:08:01,280 Speaker 1: with what I which with what triggers me that I 126 00:08:01,320 --> 00:08:06,280 Speaker 1: can't stop looking at my social media and phones, you 127 00:08:06,280 --> 00:08:09,320 Speaker 1: know what I mean. So my phone, so whatever whatever 128 00:08:09,360 --> 00:08:14,160 Speaker 1: I started, whatever algorithm I created, it's so perfect for 129 00:08:14,320 --> 00:08:17,320 Speaker 1: me now that it's like, like you're talking about, I 130 00:08:17,360 --> 00:08:19,200 Speaker 1: wake up in the morning, I grab my phone, I 131 00:08:19,240 --> 00:08:20,960 Speaker 1: get on the toilet, I grab my phone, you know 132 00:08:20,960 --> 00:08:23,720 Speaker 1: what I mean. Like, it's like it's crazy. And that's 133 00:08:23,760 --> 00:08:26,920 Speaker 1: what and that's what social media is. It's made to 134 00:08:27,040 --> 00:08:30,120 Speaker 1: trigger you to because it sees what you what you 135 00:08:30,600 --> 00:08:33,160 Speaker 1: what you keep tapping on and now you're gonna get 136 00:08:33,160 --> 00:08:35,319 Speaker 1: flooded with. Of course, what I learned on the documentary 137 00:08:35,440 --> 00:08:37,480 Speaker 1: was that even when you're on Instagram, even when you're 138 00:08:37,520 --> 00:08:40,839 Speaker 1: scrolling by things, and let's say, you slow down because 139 00:08:40,880 --> 00:08:43,280 Speaker 1: for me, it's like a camera gadget, let's say, because 140 00:08:43,320 --> 00:08:46,079 Speaker 1: that's what my whole feed is, like puppies and camera gadgets. 141 00:08:46,400 --> 00:08:49,640 Speaker 1: But like you slow down, it's registering, oh, even before 142 00:08:49,640 --> 00:08:52,200 Speaker 1: you clicked on it, it knows that you slow down 143 00:08:52,440 --> 00:08:56,559 Speaker 1: around the area of that camera gadget. And so now 144 00:08:56,600 --> 00:08:58,320 Speaker 1: it's like, you know, they do it great in that 145 00:08:58,360 --> 00:09:00,880 Speaker 1: documentary they show, You're like, Okay, he's he's flowing down 146 00:09:00,880 --> 00:09:03,080 Speaker 1: for the camera gadget. Now let's send him a push 147 00:09:03,120 --> 00:09:07,160 Speaker 1: notification for you know. And it's so true. The Instagram 148 00:09:07,240 --> 00:09:09,400 Speaker 1: has really figured out their algorithm how to sell shit 149 00:09:09,559 --> 00:09:12,640 Speaker 1: to me. Because everything, everything I passed, that's an ad 150 00:09:12,640 --> 00:09:14,280 Speaker 1: I'm like, oh, yeah, they're right. I do kind of 151 00:09:14,280 --> 00:09:16,720 Speaker 1: want that. But I'm not even Instagram is the next 152 00:09:16,720 --> 00:09:19,400 Speaker 1: step I'm starting, because that's at least pictures. I'm starting 153 00:09:19,440 --> 00:09:22,280 Speaker 1: with taking a Twitter break just because I think it's 154 00:09:22,480 --> 00:09:24,440 Speaker 1: I just don't think all that negativity is good for 155 00:09:24,520 --> 00:09:28,080 Speaker 1: my brain personally. But that's where everybody gets their news from. 156 00:09:28,120 --> 00:09:30,199 Speaker 1: Now I know, I gotta find it. I'm trying other 157 00:09:30,240 --> 00:09:33,640 Speaker 1: sources for news. I get taken a break, you know. 158 00:09:33,960 --> 00:09:35,880 Speaker 1: I think Twitter was like, I gotta take a break 159 00:09:35,880 --> 00:09:39,600 Speaker 1: from this. It's not just the Trump talk. It's just 160 00:09:39,640 --> 00:09:42,600 Speaker 1: like anything anything. The whole game, you're the whole game 161 00:09:42,640 --> 00:09:46,880 Speaker 1: of Twitter is who can be more snarky and quippy 162 00:09:47,240 --> 00:09:51,800 Speaker 1: about any topic? And that's fine. I participated and I 163 00:09:52,080 --> 00:09:54,000 Speaker 1: have a lot of followers over there, and I'm sure 164 00:09:54,000 --> 00:09:56,160 Speaker 1: that I'll fucking fall off the wagon and be back 165 00:09:56,200 --> 00:09:58,080 Speaker 1: soon all you lovely people who follow me. That's what 166 00:09:58,080 --> 00:10:00,480 Speaker 1: I'm about to say. At the end of the day, 167 00:10:00,960 --> 00:10:03,720 Speaker 1: the day you know why you have Twitter, and you 168 00:10:03,800 --> 00:10:05,480 Speaker 1: know why you have well, I'll go back to promote 169 00:10:05,520 --> 00:10:07,720 Speaker 1: my wares. I love, I love. It is an amazing 170 00:10:07,760 --> 00:10:09,439 Speaker 1: tool for me to say, hey, guys, I have this 171 00:10:09,440 --> 00:10:11,280 Speaker 1: thing coming out and I and I do it for 172 00:10:11,280 --> 00:10:13,240 Speaker 1: the podcast, I do it for the projects I have 173 00:10:13,320 --> 00:10:16,199 Speaker 1: and that's amazing, and but I just I just find 174 00:10:16,240 --> 00:10:18,520 Speaker 1: I just kind of like that documentary has been sitting 175 00:10:18,520 --> 00:10:20,760 Speaker 1: with me, like over my shoulder, and I've been thinking 176 00:10:20,840 --> 00:10:23,520 Speaker 1: about it. I recently have a friend who's who's taking 177 00:10:23,559 --> 00:10:26,040 Speaker 1: in a February off from booze, and I was thinking 178 00:10:26,040 --> 00:10:28,080 Speaker 1: to myself, I've taken alcohol breaks a bunch too, But 179 00:10:28,080 --> 00:10:29,560 Speaker 1: I thought to myself, you know what, I want to 180 00:10:30,320 --> 00:10:32,760 Speaker 1: take a I'm gonna I'm gonna be inspired by my 181 00:10:32,800 --> 00:10:36,160 Speaker 1: friend and take a Twitter break anyway. I do Black 182 00:10:36,200 --> 00:10:39,840 Speaker 1: History Month, buddy, Happy Black History Month to you, my my, my, 183 00:10:39,840 --> 00:10:43,360 Speaker 1: my African American friend. Okay, do you did you watch 184 00:10:43,440 --> 00:10:45,880 Speaker 1: the show? I told you all to watch um in 185 00:10:45,920 --> 00:10:49,080 Speaker 1: and of itself. You didn't want you. But I know 186 00:10:49,120 --> 00:10:51,559 Speaker 1: about I know about it. I know I know about 187 00:10:51,640 --> 00:10:53,800 Speaker 1: the guy. And I'm not gonna pretend that I did 188 00:10:53,800 --> 00:10:55,720 Speaker 1: watch it, but I know about the guy through Neil 189 00:10:55,760 --> 00:10:59,200 Speaker 1: Patrick Harris, who was like, who who is a big 190 00:10:59,280 --> 00:11:02,720 Speaker 1: time Uh? He's into agians, magic, He's into you know, 191 00:11:02,760 --> 00:11:05,120 Speaker 1: he's into illusions and all that stuff. And we were 192 00:11:05,120 --> 00:11:07,600 Speaker 1: filming a signa commercial together and he was telling me 193 00:11:07,640 --> 00:11:11,600 Speaker 1: about this guy on Broadway who he went to see 194 00:11:11,720 --> 00:11:14,520 Speaker 1: and he had never seen any he had never seen 195 00:11:14,559 --> 00:11:16,760 Speaker 1: the tricks, like any of these tricks. Right. The thing 196 00:11:16,760 --> 00:11:19,040 Speaker 1: with magicians is like they all know each you know, 197 00:11:19,120 --> 00:11:21,320 Speaker 1: for the most part. I don't know if you've ever 198 00:11:21,360 --> 00:11:24,400 Speaker 1: seen the movie The Prestige. Yeah, I love The Prestige, right, 199 00:11:24,640 --> 00:11:29,040 Speaker 1: one of my favorite movies. Everybody, but everybody knows, you know, 200 00:11:29,240 --> 00:11:34,880 Speaker 1: magicians usually know the ins and out of magic. It's 201 00:11:35,040 --> 00:11:39,320 Speaker 1: rare that somebody comes along and makes the magicians and 202 00:11:39,400 --> 00:11:42,600 Speaker 1: the illusionists go, how the hell did he do that? 203 00:11:42,679 --> 00:11:44,840 Speaker 1: You ever watch that show? Do you ever watch that 204 00:11:44,920 --> 00:11:47,959 Speaker 1: show fool Us with Penn and Teller? Oh? Yeah, that 205 00:11:48,040 --> 00:11:50,719 Speaker 1: show was fun. It's a really great show. Donald. You 206 00:11:50,800 --> 00:11:53,480 Speaker 1: might like it. We're Penn and Teller, who obviously the 207 00:11:53,720 --> 00:11:57,240 Speaker 1: pretty darn dialed in magicians who know and anything and everything. 208 00:11:57,400 --> 00:11:59,680 Speaker 1: They have a magician on and the magician does a 209 00:11:59,720 --> 00:12:03,280 Speaker 1: trick and then they confer and if they if they 210 00:12:03,280 --> 00:12:07,400 Speaker 1: can figure out how the magician did it, then you 211 00:12:07,440 --> 00:12:09,480 Speaker 1: didn't win. And if you fool them, then you get 212 00:12:09,520 --> 00:12:12,040 Speaker 1: to open for them in Vegas. That's awesome, you know, 213 00:12:12,080 --> 00:12:14,000 Speaker 1: And it's really cool because they do it in a 214 00:12:14,000 --> 00:12:15,960 Speaker 1: really clever way where they don't want to obviously, if 215 00:12:16,000 --> 00:12:17,559 Speaker 1: they if they know how he did it, they don't 216 00:12:17,600 --> 00:12:20,160 Speaker 1: want to ruin it for everyone, so they'll sort of 217 00:12:20,200 --> 00:12:23,040 Speaker 1: speak in like magician jargon. They'll be like, oh, I'm 218 00:12:23,080 --> 00:12:26,640 Speaker 1: curious if you've ever learned the sailorman switch, and the 219 00:12:26,679 --> 00:12:28,480 Speaker 1: guy I'll kind of smile and they'd be like, hey, 220 00:12:28,559 --> 00:12:30,600 Speaker 1: you got it. So they won't like ruin the trick 221 00:12:30,640 --> 00:12:32,839 Speaker 1: for everyone, but they'll let the magician know that they 222 00:12:32,840 --> 00:12:35,000 Speaker 1: figured it out. They figured it out, you know. They 223 00:12:35,040 --> 00:12:37,400 Speaker 1: taught me my first magic trick Penn and Teller did 224 00:12:37,440 --> 00:12:40,320 Speaker 1: back when I was in junior high school and I 225 00:12:40,360 --> 00:12:43,800 Speaker 1: was doing a television special with Marlow Thomas called Free 226 00:12:43,840 --> 00:12:45,760 Speaker 1: to Be a Family and we got to meet like 227 00:12:45,800 --> 00:12:48,280 Speaker 1: a bunch of people and we'd built a space bridge 228 00:12:48,600 --> 00:12:50,800 Speaker 1: to Russia. And it was like the first time that uh, 229 00:12:51,080 --> 00:12:53,840 Speaker 1: like what we're doing right now is zoom call was done. 230 00:12:53,880 --> 00:12:56,120 Speaker 1: This was back when I was in junior high school. Anyway, 231 00:12:56,160 --> 00:12:57,920 Speaker 1: Free to Be a Family, it was the sequel to 232 00:12:57,960 --> 00:12:59,480 Speaker 1: Free to be You and me, Free to be you 233 00:12:59,520 --> 00:13:03,719 Speaker 1: and me right and so uh And in it, Pinteller 234 00:13:03,840 --> 00:13:06,760 Speaker 1: comes and they teach the kids of America how to 235 00:13:06,800 --> 00:13:08,920 Speaker 1: do a magic trick, and it was the how to 236 00:13:09,000 --> 00:13:12,680 Speaker 1: make the handkerchief disappear in your hand trick. Let me 237 00:13:12,720 --> 00:13:18,040 Speaker 1: tell you something, man. First of all, what amazing, what amazing, 238 00:13:19,800 --> 00:13:22,559 Speaker 1: What an amazing act they had, because I really thought 239 00:13:22,600 --> 00:13:27,440 Speaker 1: that dude was mute up until up until he taught 240 00:13:27,520 --> 00:13:28,839 Speaker 1: us the trick. You know what I mean? I think 241 00:13:29,120 --> 00:13:30,679 Speaker 1: you know what's funny. I once saw their off when 242 00:13:30,720 --> 00:13:32,199 Speaker 1: I was a child. My dad took me to their 243 00:13:32,200 --> 00:13:34,679 Speaker 1: first off Broadway show, and it was weird because he 244 00:13:35,080 --> 00:13:37,480 Speaker 1: I don't think he was mute, Like when he wasn't 245 00:13:37,480 --> 00:13:39,840 Speaker 1: on stage, like they would do a thing where at 246 00:13:39,880 --> 00:13:43,640 Speaker 1: intermission they would chat outside with people, and I think 247 00:13:43,679 --> 00:13:45,880 Speaker 1: he was out there talking. I don't know. I think 248 00:13:45,920 --> 00:13:48,480 Speaker 1: his stick is he only doesn't when he's quote in character. 249 00:13:48,960 --> 00:13:51,400 Speaker 1: Got it? But he that I mean, I used to. 250 00:13:51,800 --> 00:13:54,040 Speaker 1: They were so funny to me, and they were so different, 251 00:13:54,200 --> 00:13:55,880 Speaker 1: and I love that. You know. One of the guys 252 00:13:55,880 --> 00:13:57,920 Speaker 1: had his nails painted. One of his nails was painted. 253 00:13:58,000 --> 00:14:00,520 Speaker 1: I thought that was really cool, you know what I mean. Well, anyway, 254 00:14:00,559 --> 00:14:03,640 Speaker 1: I gotta tell you Donald please and listeners please check 255 00:14:03,679 --> 00:14:07,160 Speaker 1: out I can't probably the most highly recommended thing I'm 256 00:14:07,160 --> 00:14:09,079 Speaker 1: going to give you since we've been doing this podcast. 257 00:14:09,160 --> 00:14:12,120 Speaker 1: It's called In and of Itself. It's on Hulu. It 258 00:14:12,280 --> 00:14:19,160 Speaker 1: is a taped performance of a off Broadway one man show. 259 00:14:20,040 --> 00:14:22,440 Speaker 1: And he is an illusionist and there are illusions, but 260 00:14:22,960 --> 00:14:27,280 Speaker 1: he also is a genius storyteller and he weaves these 261 00:14:27,320 --> 00:14:31,760 Speaker 1: beautiful stories around the illusions and also without spoiling anything 262 00:14:32,520 --> 00:14:35,000 Speaker 1: the editor as Frank Oz directed it. By the way, 263 00:14:35,240 --> 00:14:37,040 Speaker 1: maybe I'll get you to watch it. Maybe I'll get 264 00:14:37,080 --> 00:14:39,880 Speaker 1: you to watch it. You know how I love Frank Oz. Well, 265 00:14:39,880 --> 00:14:42,560 Speaker 1: I maybe listen. I was trying to think of a 266 00:14:42,600 --> 00:14:45,120 Speaker 1: Star Wars connection for you, and I found one. Frank 267 00:14:45,440 --> 00:14:47,840 Speaker 1: directed it. Frank. I know Frank Oz was Yoda and 268 00:14:47,840 --> 00:14:49,840 Speaker 1: everything like that, but it's not that every once ran 269 00:14:49,960 --> 00:14:52,120 Speaker 1: up on Frank Oz and was like, this is angel dust, 270 00:14:52,240 --> 00:14:55,200 Speaker 1: It's PCP. You have any idea what this dust to kids? 271 00:14:55,600 --> 00:14:57,880 Speaker 1: He looked at me like yeah, and he looked at 272 00:14:57,920 --> 00:14:59,880 Speaker 1: me like I was crazy. Yeah, he looked at me 273 00:15:00,120 --> 00:15:02,960 Speaker 1: I was crazy. And I was like, uh, do you 274 00:15:02,960 --> 00:15:04,800 Speaker 1: remember that line? He's like, yeah, I remember that line. 275 00:15:04,800 --> 00:15:08,400 Speaker 1: But dude, you're blowing my mind. And I was like, good, 276 00:15:08,440 --> 00:15:11,960 Speaker 1: I'm glad I'm blowing your mind. That's cool. Anyway, lasting 277 00:15:12,080 --> 00:15:13,960 Speaker 1: last thing I'll say about it is that Frank was 278 00:15:14,000 --> 00:15:16,880 Speaker 1: directed it in such a cool way that they cut 279 00:15:16,960 --> 00:15:20,640 Speaker 1: between multiple performances and it's just a you know, it's 280 00:15:20,640 --> 00:15:24,720 Speaker 1: a really clever way to present the material, and it's 281 00:15:24,760 --> 00:15:27,560 Speaker 1: it's a little bit slow paced at first, so have patience. 282 00:15:27,720 --> 00:15:31,320 Speaker 1: Put your phone away. I'm telling you it is. I 283 00:15:31,360 --> 00:15:33,440 Speaker 1: think it's one of the most beautiful things I've seen 284 00:15:33,440 --> 00:15:36,600 Speaker 1: in a long time. I could not agree. When when 285 00:15:36,720 --> 00:15:39,040 Speaker 1: was the play? When was this? They did like over 286 00:15:39,120 --> 00:15:42,280 Speaker 1: five hundred performance of it. I'm assuming it's so genius. 287 00:15:42,280 --> 00:15:46,240 Speaker 1: I'm assuming that the pandemic must have been the thing 288 00:15:46,320 --> 00:15:48,800 Speaker 1: that closed it, because I don't know how this would 289 00:15:48,800 --> 00:15:51,520 Speaker 1: ever close. Yeah, probably I know my family saw it 290 00:15:51,560 --> 00:15:53,760 Speaker 1: live two years ago. I wish i'd seen it live. 291 00:15:53,800 --> 00:15:56,880 Speaker 1: It really makes you misslive theaters. All right, totally, let's 292 00:15:56,920 --> 00:15:59,560 Speaker 1: segue into the show, Donald, because some people out there 293 00:15:59,680 --> 00:16:02,080 Speaker 1: like us to uh do less of a shoot the 294 00:16:02,080 --> 00:16:04,800 Speaker 1: shit session, and we're gonna give them a special episode today. 295 00:16:05,040 --> 00:16:07,040 Speaker 1: Oh really, So we're gonna do what. We're gonna do 296 00:16:07,120 --> 00:16:10,160 Speaker 1: what the seven haters wanty, We're gonna give the seven 297 00:16:10,240 --> 00:16:12,840 Speaker 1: haters with it, all right, this is for the seven haters. Actually, 298 00:16:12,880 --> 00:16:15,120 Speaker 1: the seven haters probably would like none of the that 299 00:16:15,360 --> 00:16:18,960 Speaker 1: sixteen minutes of talk we just did. Okay, well, you know, 300 00:16:19,120 --> 00:16:21,600 Speaker 1: but from here on out, this is for you seven 301 00:16:21,680 --> 00:16:23,760 Speaker 1: haters out there. Yeah, here's one for you seven haters, 302 00:16:23,920 --> 00:16:25,160 Speaker 1: you know. All right, here we go. I'm not even 303 00:16:25,440 --> 00:16:27,640 Speaker 1: I'm not even gonna time you because that might slow 304 00:16:27,720 --> 00:16:29,600 Speaker 1: down the show for the seven. There we go, There 305 00:16:29,680 --> 00:16:34,680 Speaker 1: we go. Heads. I still want my beat though, I 306 00:16:34,800 --> 00:16:36,840 Speaker 1: still want. By the way, Daniel, that new beat you 307 00:16:36,920 --> 00:16:41,200 Speaker 1: found his fire He's got more. I made DJ. Thank you. No, 308 00:16:41,320 --> 00:16:43,440 Speaker 1: I know you're a DJ, and I know you're good 309 00:16:43,480 --> 00:16:46,520 Speaker 1: at that, but I'm giving you affirmation. I appreciate that. 310 00:16:47,080 --> 00:16:49,200 Speaker 1: Thank you. You should find a way to put I 311 00:16:49,280 --> 00:16:52,120 Speaker 1: appreciate that. On your all your beats from here on out, 312 00:16:52,480 --> 00:16:54,840 Speaker 1: I appreciate Daniel, I have a question for you, like 313 00:16:56,240 --> 00:16:59,400 Speaker 1: another one. I appociate that, Daniel. You know how DJ's 314 00:17:00,040 --> 00:17:03,320 Speaker 1: have or radio DJs have the pad They can hit 315 00:17:03,680 --> 00:17:06,560 Speaker 1: and it will be like sixteen phrases whatever they want, 316 00:17:06,640 --> 00:17:08,240 Speaker 1: like yeah, I could hit it and it would be 317 00:17:08,359 --> 00:17:10,800 Speaker 1: Donald like making something. Can I have one of those 318 00:17:11,800 --> 00:17:15,520 Speaker 1: for our shown? No, I want one, and I wanted 319 00:17:15,600 --> 00:17:18,880 Speaker 1: to somehow um the you know, go into your live 320 00:17:18,960 --> 00:17:24,760 Speaker 1: recording of the show so I can always hit it. Yes, Donald, Yes, dangerous, dangerous, 321 00:17:26,800 --> 00:17:28,399 Speaker 1: And I know Donald's gonna do you want me to 322 00:17:28,480 --> 00:17:30,160 Speaker 1: turn the key. I'm not gonna do it. I'll turn 323 00:17:30,280 --> 00:17:32,240 Speaker 1: my key about it. I'll turn my key on. Now, 324 00:17:32,320 --> 00:17:34,639 Speaker 1: I'll turn it. I'll turn that key for you, but 325 00:17:34,800 --> 00:17:36,960 Speaker 1: only for one the only one thing. I can't abuse it. 326 00:17:37,000 --> 00:17:39,040 Speaker 1: I can't abuse it, cannot abuse it. If you abuse it, 327 00:17:39,119 --> 00:17:40,920 Speaker 1: that ship is out the window. I thought I thought 328 00:17:40,960 --> 00:17:42,639 Speaker 1: you were gonna say that you wanted one two, and 329 00:17:42,680 --> 00:17:45,080 Speaker 1: I knew that would be a bad idea. No, no, no, no, 330 00:17:45,680 --> 00:17:47,560 Speaker 1: I mean I'd be doing beach in the middle of 331 00:17:47,640 --> 00:17:50,320 Speaker 1: the fucking o the fucking podcast. What I want to 332 00:17:50,359 --> 00:17:51,520 Speaker 1: do is I want to do what they do on 333 00:17:51,640 --> 00:17:53,679 Speaker 1: Howard Stern was they have like you know, well they 334 00:17:53,680 --> 00:17:55,159 Speaker 1: have a zillion at this point, but we would have 335 00:17:55,280 --> 00:17:58,920 Speaker 1: like ten or so catchphrase noises and sounds, and we 336 00:17:58,960 --> 00:18:00,399 Speaker 1: could hit it and I could hit it at a 337 00:18:00,400 --> 00:18:03,439 Speaker 1: strategic moment. And we're only doing that for the handle, 338 00:18:03,720 --> 00:18:07,679 Speaker 1: Dan Scandel, why do you look like you abhor this idea? 339 00:18:07,960 --> 00:18:10,080 Speaker 1: I love the idea. I just know that once we 340 00:18:10,200 --> 00:18:12,320 Speaker 1: get into the nitty gritty of actually getting it done, 341 00:18:13,000 --> 00:18:15,440 Speaker 1: it might not be such a popular idea anymore. I 342 00:18:15,600 --> 00:18:17,200 Speaker 1: know people be sticking me hitting the button, but I 343 00:18:17,200 --> 00:18:20,120 Speaker 1: think for a few episodes, great, Well, we'll talk about 344 00:18:20,160 --> 00:18:21,480 Speaker 1: it after the show. Well can't I just put a 345 00:18:21,600 --> 00:18:25,960 Speaker 1: line into my H six zoom recorder. But if you 346 00:18:26,080 --> 00:18:28,440 Speaker 1: want us to hear it, you're gonna have to have 347 00:18:28,600 --> 00:18:31,520 Speaker 1: two lines. Argue it out. This is your specialty. You 348 00:18:31,600 --> 00:18:34,040 Speaker 1: build computers. I know how to I do indeed know 349 00:18:34,119 --> 00:18:35,240 Speaker 1: how to do it. Just get take a lot of 350 00:18:35,240 --> 00:18:36,840 Speaker 1: effort on your part, Zack. I'm just letting you know 351 00:18:37,240 --> 00:18:39,080 Speaker 1: you're gonna have to have the software on your computer. 352 00:18:39,240 --> 00:18:41,000 Speaker 1: That's all I'm saying. I just think what's gonna happen 353 00:18:41,119 --> 00:18:43,560 Speaker 1: is I'm gonna do it for two episodes and then everyone, 354 00:18:43,680 --> 00:18:47,720 Speaker 1: including my seven haters, who are gonna fucking hate it. Well, 355 00:18:47,760 --> 00:18:51,639 Speaker 1: we're doing this for the seven. You're right, you know what, Donald, 356 00:18:51,720 --> 00:18:54,600 Speaker 1: you seven haters are getting a shorter preamble to the 357 00:18:55,000 --> 00:18:58,040 Speaker 1: to the Scrub's recap. But in exchange, I'm getting a 358 00:18:58,119 --> 00:19:01,720 Speaker 1: noise machine or you'll work it out. We'll work it out, 359 00:19:02,440 --> 00:19:07,639 Speaker 1: all right, do Cox and Jordan is still married. Turk's 360 00:19:07,720 --> 00:19:11,000 Speaker 1: jealous of the todd Elliot's the chief and j D's 361 00:19:11,040 --> 00:19:14,960 Speaker 1: the coach. Chief. Karma is the ultimate ass kicker. The 362 00:19:15,040 --> 00:19:17,760 Speaker 1: way it comes back around is very reminiscent of a 363 00:19:17,840 --> 00:19:26,840 Speaker 1: circle Wow brief today. All right, Karma, Well, I don't 364 00:19:26,840 --> 00:19:30,199 Speaker 1: know if the seven haters said to shorten your well, 365 00:19:30,240 --> 00:19:32,119 Speaker 1: they wanted it shorter, they didn't want any of the 366 00:19:32,200 --> 00:19:34,040 Speaker 1: other stuff. So yeah, you know what, you know what, 367 00:19:34,400 --> 00:19:36,760 Speaker 1: since they made us cut fun, they get a shorter 368 00:19:36,960 --> 00:19:41,240 Speaker 1: fucking summaries. Shorter fucking summaries. Those seven has those seven 369 00:19:41,800 --> 00:19:45,400 Speaker 1: you get for Hayden. Oh boy, I think I think 370 00:19:45,480 --> 00:19:48,120 Speaker 1: like one point four million people follow me on Instagram. 371 00:19:48,400 --> 00:19:55,680 Speaker 1: Those seven people ruined it for everybody, Um, all right, Donald, No, 372 00:19:55,840 --> 00:19:58,119 Speaker 1: some people would say, just stopped reading your comments, But 373 00:19:59,160 --> 00:20:01,960 Speaker 1: I agree with you. I'm making fun of myself and 374 00:20:02,080 --> 00:20:04,680 Speaker 1: I always give you shit when when when someone roles 375 00:20:04,720 --> 00:20:07,239 Speaker 1: you up, I'm like, so one person out of that man, 376 00:20:07,359 --> 00:20:11,400 Speaker 1: he fucked you up. How about Garrett Donovan as meth guy. 377 00:20:12,680 --> 00:20:16,600 Speaker 1: Very funny and looking very young and smelt I like 378 00:20:16,720 --> 00:20:19,080 Speaker 1: the haircut. I haven't seen Garrett with a hair cut 379 00:20:19,200 --> 00:20:22,360 Speaker 1: like that. And since this, I guess, do you think 380 00:20:22,359 --> 00:20:26,120 Speaker 1: he's gone bald? Garrett? No, no, I think he has. 381 00:20:26,240 --> 00:20:28,120 Speaker 1: I think he had. Oh sorry, we should tell everyone 382 00:20:28,119 --> 00:20:30,399 Speaker 1: who he is. Garrett Donovan is one of our very 383 00:20:30,440 --> 00:20:34,040 Speaker 1: funny writers on the show. He was a partner writing 384 00:20:34,119 --> 00:20:36,879 Speaker 1: partners with Neil Goldman and together they were a very 385 00:20:36,960 --> 00:20:40,560 Speaker 1: funny writing team. And that's him in the beginning of 386 00:20:40,600 --> 00:20:44,040 Speaker 1: this episode, playing a politician who's on meth, who's handcuffed 387 00:20:44,800 --> 00:20:47,280 Speaker 1: to the bench. He can't wave his hand to go 388 00:20:47,400 --> 00:20:52,840 Speaker 1: hey because he's but he's the one math. This episode 389 00:20:52,920 --> 00:20:55,360 Speaker 1: was funny. I laughed a lot. I laughed a couple 390 00:20:55,400 --> 00:20:57,879 Speaker 1: of times. Actually, yeah, once again, Rob Machio steals the 391 00:20:57,920 --> 00:21:01,200 Speaker 1: show in this episode. Once again, Robs, I mean you 392 00:21:01,320 --> 00:21:05,719 Speaker 1: see his whole package. The fat thing about a banana 393 00:21:05,760 --> 00:21:11,119 Speaker 1: hammock is it's just cock and balls wrapped in in 394 00:21:11,240 --> 00:21:13,959 Speaker 1: a little cupboard. But you're just looking at the whole thing. 395 00:21:15,080 --> 00:21:17,560 Speaker 1: Well you can't see it, but yeah, it's I mean 396 00:21:17,600 --> 00:21:20,119 Speaker 1: you can't see the outline of the trunk, but you 397 00:21:20,320 --> 00:21:24,920 Speaker 1: see the mass. Yeah, you see mass. You see with Yes, 398 00:21:25,680 --> 00:21:30,240 Speaker 1: you can tell that Rob is not small length. Oh yeah, 399 00:21:31,040 --> 00:21:34,600 Speaker 1: no he's I think he's Italian. No, he's Italian. But 400 00:21:34,680 --> 00:21:36,360 Speaker 1: we should we should ask I know we did ask 401 00:21:36,440 --> 00:21:37,919 Speaker 1: him on the show, but I'd like to ask him 402 00:21:40,560 --> 00:21:43,600 Speaker 1: what do we have? How do I freeze? Does he 403 00:21:43,680 --> 00:21:46,160 Speaker 1: have a giant cock? Does he have a giant cock? 404 00:21:46,240 --> 00:21:48,879 Speaker 1: Because I don't know what's creating such a mass. I know, 405 00:21:49,000 --> 00:21:52,520 Speaker 1: if you tuck balls and shaft into a tiny thing, 406 00:21:53,240 --> 00:21:59,760 Speaker 1: it looks good. But his looks particularly girth, massive mass massive. 407 00:22:04,160 --> 00:22:06,960 Speaker 1: By the way, by the way, penis aside, his body 408 00:22:07,040 --> 00:22:11,440 Speaker 1: looks amazing. Ripped. He's ripped. It only makes sense that 409 00:22:11,600 --> 00:22:15,200 Speaker 1: after he pulls his heart out. Yes, but wait, before 410 00:22:15,240 --> 00:22:17,120 Speaker 1: you get to that. So he's so, he thinks he's 411 00:22:17,200 --> 00:22:20,520 Speaker 1: he thinks he thinks there's a calendar being shot outside. 412 00:22:20,560 --> 00:22:23,719 Speaker 1: That's what you told them, right, Yeah, there's there's surveyors. 413 00:22:23,840 --> 00:22:28,480 Speaker 1: There's there's surveyors that are surveying something with their surveying equipment, 414 00:22:28,840 --> 00:22:31,200 Speaker 1: and and Don and Turk wants to steal the surgery 415 00:22:31,240 --> 00:22:32,480 Speaker 1: that he supposed to do, so he tells them that 416 00:22:32,480 --> 00:22:36,280 Speaker 1: they're out there shooting the Sacred Heart calendar. And he's 417 00:22:36,320 --> 00:22:38,720 Speaker 1: out there and he's and he's fully oiled up, and 418 00:22:38,880 --> 00:22:41,480 Speaker 1: he's looks slim and and really great, and he goes, 419 00:22:41,560 --> 00:22:44,480 Speaker 1: this is June. And then he turns around and sticks 420 00:22:44,520 --> 00:22:46,400 Speaker 1: his ass out and he goes, here's a little peek 421 00:22:46,440 --> 00:23:01,280 Speaker 1: at July. That's funny. Yeah, yeah, yeah, I forgot though 422 00:23:01,280 --> 00:23:05,399 Speaker 1: that Rob looked so good. Yeah, Rob is freaking you know, 423 00:23:07,080 --> 00:23:09,359 Speaker 1: when you look back at all of this, I remember 424 00:23:09,520 --> 00:23:11,680 Speaker 1: Rob being like, I can't eat that because it'll be 425 00:23:11,800 --> 00:23:14,280 Speaker 1: you know, you know, twenty minutes on a you know, 426 00:23:14,480 --> 00:23:17,600 Speaker 1: three minutes on the lips is thirty years on the hips. 427 00:23:17,640 --> 00:23:19,320 Speaker 1: He would say shit like that, you know what I mean, 428 00:23:19,400 --> 00:23:25,040 Speaker 1: Like right, and if you really he looked like he 429 00:23:25,359 --> 00:23:29,320 Speaker 1: worked out consistently and starved himself. But he's still big 430 00:23:30,000 --> 00:23:31,520 Speaker 1: and you know what I mean, he's still you know, 431 00:23:31,880 --> 00:23:35,639 Speaker 1: like has a big waist and still looks strong, but 432 00:23:35,800 --> 00:23:38,919 Speaker 1: he's slim and fit, like yeah, I don't know how 433 00:23:38,960 --> 00:23:41,959 Speaker 1: old he was at the time, but well done, Rob, 434 00:23:42,440 --> 00:23:44,399 Speaker 1: Yeah he looks great. He did a good job. I mean, 435 00:23:44,480 --> 00:23:46,679 Speaker 1: that's a lot of pressure to be in that tiny 436 00:23:46,720 --> 00:23:48,959 Speaker 1: amount of clothing on national and it is crazy when 437 00:23:49,000 --> 00:23:50,880 Speaker 1: you think about it. You know, I've said this before, 438 00:23:50,920 --> 00:23:54,520 Speaker 1: but when we moved to ABC from NBC to ABC, 439 00:23:54,840 --> 00:23:57,840 Speaker 1: ABC said we couldn't show Rob and his banana hammock anymore. 440 00:23:58,240 --> 00:23:59,760 Speaker 1: And it is pretty crazy when you look at it, 441 00:23:59,800 --> 00:24:02,359 Speaker 1: and I know it's you could say, how is it 442 00:24:02,400 --> 00:24:04,600 Speaker 1: different from a woman in a bikini, But it is 443 00:24:04,640 --> 00:24:07,920 Speaker 1: bizarre to see someone that naked on what was network TV. 444 00:24:08,280 --> 00:24:10,800 Speaker 1: I mean you can see that a male a mail 445 00:24:10,920 --> 00:24:13,440 Speaker 1: that naked on network TV is a little is a 446 00:24:13,480 --> 00:24:16,840 Speaker 1: little bizarre because it's not and it's not what It's 447 00:24:16,880 --> 00:24:20,480 Speaker 1: not that he's in his underwear. It's that we're not 448 00:24:20,640 --> 00:24:25,480 Speaker 1: highlighting that, we're highlighting shaft balls, all of it, Like 449 00:24:25,600 --> 00:24:27,920 Speaker 1: that's what the show, that's what the shot is highlighting. 450 00:24:28,000 --> 00:24:31,040 Speaker 1: And it's covered in a fire material. It's right, fire 451 00:24:31,160 --> 00:24:34,440 Speaker 1: covered balls and shafts all it's made to make. It's 452 00:24:34,560 --> 00:24:38,080 Speaker 1: made to make you not. Nobody's looking at Rob Maschio 453 00:24:38,200 --> 00:24:43,200 Speaker 1: in this and shaft and balls all rolled and all 454 00:24:43,320 --> 00:24:46,360 Speaker 1: rolled into a tight ball. That's enough to stop talking 455 00:24:46,359 --> 00:24:52,600 Speaker 1: about your willing um um. How funny speaking of of 456 00:24:53,160 --> 00:24:58,240 Speaker 1: of homosexuality, How funny. There were nights in the service 457 00:24:58,280 --> 00:25:02,240 Speaker 1: when it didn't seem too gre That ship was hilarious, Perry, 458 00:25:02,560 --> 00:25:04,439 Speaker 1: even if I went that way, And believe me, there 459 00:25:04,440 --> 00:25:06,240 Speaker 1: were knights in the service where it didn't seem that 460 00:25:06,400 --> 00:25:09,080 Speaker 1: was far fetched. Ted isn't my type, Yeah, and then 461 00:25:09,160 --> 00:25:11,680 Speaker 1: Ted goes, I beg to different I've seen in it. 462 00:25:14,720 --> 00:25:16,840 Speaker 1: There were knights in the service where it didn't seem 463 00:25:16,880 --> 00:25:22,720 Speaker 1: all that far fetched. So the so Jordan and Cox 464 00:25:22,800 --> 00:25:27,080 Speaker 1: are still married because of a Ted made of paperwork error. Right, 465 00:25:27,240 --> 00:25:29,960 Speaker 1: and he's still married to his ex wife who's married, 466 00:25:30,040 --> 00:25:34,000 Speaker 1: who is sleeping with his brother, right because his brother 467 00:25:34,080 --> 00:25:40,080 Speaker 1: has a hairpiece. Right, and but kels Kelso goes Mazzel 468 00:25:40,160 --> 00:25:45,639 Speaker 1: tubs all around. Ken Winningham directed this. Did we say that? No? 469 00:25:45,880 --> 00:25:48,880 Speaker 1: Ken Winningham directed this, and we like Ken Winningham a lot. 470 00:25:49,280 --> 00:25:54,000 Speaker 1: He's a very talented director. And it was written by 471 00:25:54,119 --> 00:25:57,720 Speaker 1: Gabrielle Allen. Let's talk about You've been graveled. Donald because 472 00:25:57,760 --> 00:25:59,879 Speaker 1: this is the introduction. There's a few things here that 473 00:25:59,920 --> 00:26:04,040 Speaker 1: are scrubs runners that are introduced here. One of them 474 00:26:04,240 --> 00:26:06,800 Speaker 1: is the You've Been Graveled game? Does this come back? 475 00:26:07,080 --> 00:26:08,600 Speaker 1: I forgot. I don't know. I don't know that it 476 00:26:08,720 --> 00:26:11,480 Speaker 1: comes back, but I will say this, this was this 477 00:26:11,760 --> 00:26:15,240 Speaker 1: was one of those things where Turk and JD are 478 00:26:15,320 --> 00:26:18,440 Speaker 1: really pushing hard for this game to work. Yeah, and 479 00:26:18,560 --> 00:26:20,280 Speaker 1: if it does come back, I don't know if the 480 00:26:20,359 --> 00:26:23,480 Speaker 1: two of them can be the ones that graveled the 481 00:26:23,600 --> 00:26:26,280 Speaker 1: next person like it would have to be somebody like Molly. 482 00:26:26,600 --> 00:26:29,240 Speaker 1: I think maybe Molly gravels somebody. I think it does 483 00:26:29,280 --> 00:26:31,639 Speaker 1: come back. We asked Trevor Ricky. We haven't asked him 484 00:26:31,680 --> 00:26:33,919 Speaker 1: anything in a while, and he's got the signed Funco pops. 485 00:26:34,359 --> 00:26:38,720 Speaker 1: Let's get it, okay, Trevor. In this episode, we learned 486 00:26:38,760 --> 00:26:41,720 Speaker 1: that JD and Turk are trying to get the game 487 00:26:42,119 --> 00:26:45,080 Speaker 1: gravel You've Been Graveled to catch on. Does this come 488 00:26:45,160 --> 00:26:47,600 Speaker 1: back in future episodes? I don't remember if this is 489 00:26:47,640 --> 00:26:52,040 Speaker 1: the only episode where people are graveled. Happy Season four, Donald, Zach, 490 00:26:52,080 --> 00:26:54,520 Speaker 1: Joel and Daniel, j D and Turk have a lot 491 00:26:54,560 --> 00:26:57,119 Speaker 1: of fun games. My personal favorite is coming up in 492 00:26:57,200 --> 00:27:00,440 Speaker 1: a few episodes in My Roommates, but gravel is only 493 00:27:00,520 --> 00:27:03,719 Speaker 1: mentioned in this episode My New Game. But if you're 494 00:27:03,760 --> 00:27:06,760 Speaker 1: looking for more gravel themed hijinks, there's a similar prank 495 00:27:06,800 --> 00:27:09,760 Speaker 1: in My Finale where Doctor Kelso and Donnie replaced Ted's 496 00:27:09,760 --> 00:27:14,960 Speaker 1: coffee with dirt. Thanks Trevor. That and then okay, so 497 00:27:15,840 --> 00:27:21,600 Speaker 1: that ship was hilarious. When Turk finally realizes that JD 498 00:27:21,840 --> 00:27:26,720 Speaker 1: was the one that graveled him, and he says to JD, 499 00:27:27,080 --> 00:27:32,080 Speaker 1: hey man, no, Turk says, I mean, JD says the Turk, Well, 500 00:27:32,119 --> 00:27:35,960 Speaker 1: what about putty pants? No, Plato pants? Yeah, what about 501 00:27:36,000 --> 00:27:38,520 Speaker 1: Plato pants? What the fuck is that game? And then 502 00:27:38,840 --> 00:27:41,399 Speaker 1: I know? And then Turk says, well plato pants became 503 00:27:41,480 --> 00:27:44,560 Speaker 1: all about the money? Yeah? And then hell about backstories? 504 00:27:44,920 --> 00:27:47,120 Speaker 1: I don't know, there's no backstory. It was just something 505 00:27:47,200 --> 00:27:49,720 Speaker 1: that we made up. Right. Then there's two moments. There's 506 00:27:49,720 --> 00:27:52,159 Speaker 1: two moments in this episode that are like I have 507 00:27:52,400 --> 00:27:55,760 Speaker 1: no like so random and then not explained. This is 508 00:27:55,840 --> 00:27:57,560 Speaker 1: one of them. We don't know anything about what Plato 509 00:27:57,640 --> 00:27:59,760 Speaker 1: pants is or why it became all about the money, 510 00:28:00,480 --> 00:28:02,520 Speaker 1: and we'd have no idea what that game is, And 511 00:28:02,640 --> 00:28:04,159 Speaker 1: the other at the end of the episode when in 512 00:28:04,200 --> 00:28:07,960 Speaker 1: the baseball we're at the baseball field. Why am I 513 00:28:08,119 --> 00:28:12,399 Speaker 1: tackled for no reason? And no reason whatsoever whatsoever? And 514 00:28:12,480 --> 00:28:14,920 Speaker 1: the guy doesn't even say sorry, and you don't address it. 515 00:28:15,000 --> 00:28:17,840 Speaker 1: It just happens. And the guy throws the baseball and 516 00:28:17,920 --> 00:28:19,920 Speaker 1: he almost hits me in the face with the baseball, 517 00:28:19,960 --> 00:28:21,879 Speaker 1: and I don't move. It's like, wait, this is a 518 00:28:21,960 --> 00:28:24,800 Speaker 1: weird And then ted you owe me money, which I 519 00:28:24,960 --> 00:28:27,959 Speaker 1: remember you wrote you that, I remember that, I remember 520 00:28:28,040 --> 00:28:29,800 Speaker 1: that that It's funny. I can't believe you remember that. 521 00:28:29,840 --> 00:28:31,760 Speaker 1: I was so proud of that. That was such a 522 00:28:31,840 --> 00:28:34,280 Speaker 1: great joke because it one it closes the show, but 523 00:28:34,320 --> 00:28:38,520 Speaker 1: it was such a I remember thinking, I remember thinking 524 00:28:39,000 --> 00:28:42,800 Speaker 1: that is that reminds me of like my cousin when 525 00:28:42,880 --> 00:28:46,200 Speaker 1: he gets drunk and fucking that is exactly what he 526 00:28:46,200 --> 00:28:49,520 Speaker 1: would say, some dumb shit like that, you owe me money, 527 00:28:49,920 --> 00:28:51,680 Speaker 1: right before he passed out. And you know what it 528 00:28:51,760 --> 00:28:55,760 Speaker 1: really reminds me of, though, what it reminds me of 529 00:28:55,880 --> 00:28:58,160 Speaker 1: a certain night that you and I went out. No, 530 00:28:58,880 --> 00:29:02,800 Speaker 1: I didn't go out. You were at home. Did we 531 00:29:02,920 --> 00:29:06,080 Speaker 1: go out that night? I've got more money than you. 532 00:29:07,160 --> 00:29:10,320 Speaker 1: I've got more money than you. I've got more money 533 00:29:10,360 --> 00:29:12,320 Speaker 1: than all of you, and then passed out right on 534 00:29:12,400 --> 00:29:14,960 Speaker 1: his face. Yeah, Donald, and I knew someone who got 535 00:29:15,040 --> 00:29:17,200 Speaker 1: so hammered. And we were all back at my house 536 00:29:17,280 --> 00:29:20,960 Speaker 1: hanging out, and he was so embarrassingly drunk that he 537 00:29:21,160 --> 00:29:26,000 Speaker 1: was like, we got more money than you, and I 538 00:29:26,080 --> 00:29:30,000 Speaker 1: have got money than you. And he's like pointing at us, 539 00:29:30,640 --> 00:29:34,000 Speaker 1: and then like one Mississippi, two, Mississippi, three, Misissippi, collapsed, 540 00:29:34,840 --> 00:29:36,960 Speaker 1: passes out. That's how he went out. That's how he 541 00:29:37,000 --> 00:29:39,360 Speaker 1: went out. He passes out with his pass Not only 542 00:29:39,400 --> 00:29:41,120 Speaker 1: does he pass out, he passes out with his ass 543 00:29:41,240 --> 00:29:43,520 Speaker 1: up in the air. And then and then Josh goes. 544 00:29:43,520 --> 00:29:48,000 Speaker 1: I wonder what he's dreaming about, and Zach goes, probably 545 00:29:48,000 --> 00:29:53,000 Speaker 1: all of his money. Oh it's so awkward, but um, 546 00:29:53,360 --> 00:29:56,080 Speaker 1: but yeah, I don't know why. For me, it was 547 00:29:56,160 --> 00:29:58,480 Speaker 1: so fun on occasion when I would come up with 548 00:29:58,560 --> 00:30:01,160 Speaker 1: a line on set or one of those guys like 549 00:30:01,400 --> 00:30:04,600 Speaker 1: Sam and just like, oh my god, this would be 550 00:30:04,600 --> 00:30:06,960 Speaker 1: a funny thing for Ted to say before he passed out, 551 00:30:07,400 --> 00:30:10,120 Speaker 1: and then Sam does it and does it's so funny. 552 00:30:10,160 --> 00:30:11,880 Speaker 1: I just remember you and I were belly laughing. It 553 00:30:11,960 --> 00:30:17,400 Speaker 1: was laughing so hard. I owe me money. I remember 554 00:30:17,480 --> 00:30:19,680 Speaker 1: thinking that was such a genius joke too, Like, wow, 555 00:30:19,800 --> 00:30:23,360 Speaker 1: Zach fucking wrote, that's a great that's the first time 556 00:30:23,640 --> 00:30:25,440 Speaker 1: season four. It's the first time he thought I wrote 557 00:30:25,440 --> 00:30:28,080 Speaker 1: a funny joke. No, well, everything else was kind of 558 00:30:28,160 --> 00:30:30,400 Speaker 1: like a button. This is like, this was a joke 559 00:30:30,520 --> 00:30:35,240 Speaker 1: that went on from him pouring the uh the alcohol 560 00:30:35,360 --> 00:30:37,880 Speaker 1: in the thing, and now he's drunk. He's drunk. He's drunk. 561 00:30:38,320 --> 00:30:41,840 Speaker 1: He drank the booze so fast because literally it's like 562 00:30:41,920 --> 00:30:47,440 Speaker 1: a minute after he said something like I go thirsty ted, 563 00:30:47,520 --> 00:30:50,920 Speaker 1: he goes, it makes the tears taste less bitter, right, 564 00:30:53,640 --> 00:31:00,440 Speaker 1: and then he's drunk quick. Really not much of a drinker, 565 00:31:00,520 --> 00:31:03,120 Speaker 1: but he really pounds down in that fucking vodka. Hey, um, 566 00:31:03,600 --> 00:31:06,800 Speaker 1: I laughed a lot at when I'm walking on the street. 567 00:31:07,040 --> 00:31:08,560 Speaker 1: This is the episode if you haven't watched it, where 568 00:31:08,600 --> 00:31:11,000 Speaker 1: Jad's obsessed with being co chief and he wants to 569 00:31:11,080 --> 00:31:14,440 Speaker 1: be the real, just regular chief and he's had these 570 00:31:14,640 --> 00:31:17,320 Speaker 1: he has his business cards and he goes, I'm trying 571 00:31:17,360 --> 00:31:19,280 Speaker 1: not to make it about me, you know, unless there's 572 00:31:19,320 --> 00:31:25,640 Speaker 1: someone I could doink As he's handing this is the 573 00:31:25,720 --> 00:31:29,880 Speaker 1: first time I think that we hear the scooter referred 574 00:31:29,880 --> 00:31:37,840 Speaker 1: to as Sasha. No, no, just is it? Yeah? I 575 00:31:37,880 --> 00:31:40,920 Speaker 1: think so because this is report to Sasha. I guess 576 00:31:40,960 --> 00:31:45,000 Speaker 1: that's in your show, right, um? I forgot whereas gets. 577 00:31:45,640 --> 00:31:47,600 Speaker 1: By the way, my episode's coming up, the one that 578 00:31:47,640 --> 00:31:49,480 Speaker 1: I directed that you all know is the best episode 579 00:31:49,480 --> 00:31:52,280 Speaker 1: in the Scrub's history. It's coming up very soon. I 580 00:31:52,400 --> 00:31:57,000 Speaker 1: just looked at the Majigi and it says four oh eight. 581 00:31:57,080 --> 00:31:58,880 Speaker 1: I always thought, for some reason it was fifth season, 582 00:31:58,960 --> 00:32:02,160 Speaker 1: but it's not. It's the episode of season four. Well, 583 00:32:02,840 --> 00:32:05,000 Speaker 1: so it has to be our little, our little, our 584 00:32:05,080 --> 00:32:10,200 Speaker 1: little spreadsheet that Joel made, says Zach Braft, director, are 585 00:32:10,240 --> 00:32:12,479 Speaker 1: you a good surgeon? By the way, I don't think. 586 00:32:12,520 --> 00:32:14,640 Speaker 1: I don't know that Turk is a good surgeon? I 587 00:32:14,680 --> 00:32:16,880 Speaker 1: wrote down today, I wrote down in this episode, is 588 00:32:16,920 --> 00:32:19,640 Speaker 1: Turk a good surgeon? I don't know. That doesn't seem 589 00:32:19,680 --> 00:32:22,600 Speaker 1: like you're great? And no, I think he's a good Okay, 590 00:32:22,800 --> 00:32:24,920 Speaker 1: I don't know that he's a good surgeon. I'll say 591 00:32:24,960 --> 00:32:27,360 Speaker 1: that I do know that Todd's a better surgeon. Todd 592 00:32:27,520 --> 00:32:30,600 Speaker 1: is probably the best surgeon in the He is the 593 00:32:30,760 --> 00:32:34,720 Speaker 1: best surgeon in the hospital. And Turk is very very 594 00:32:35,160 --> 00:32:38,080 Speaker 1: very jealous of it, right, But I mean you literally 595 00:32:38,200 --> 00:32:43,320 Speaker 1: sew your gown to the patient in this episode. It's 596 00:32:43,360 --> 00:32:48,040 Speaker 1: happened before. I'm sure. I'm sure it's happened before. The people. 597 00:32:48,480 --> 00:32:52,600 Speaker 1: You know, nobody's perfect. I heard of a story of 598 00:32:53,200 --> 00:32:57,760 Speaker 1: some some surgeon had they were cutting some tube and 599 00:32:58,080 --> 00:33:01,320 Speaker 1: they they had like the covering down on the person's body, 600 00:33:01,400 --> 00:33:04,680 Speaker 1: and they were cutting the tube on the cloth or 601 00:33:04,720 --> 00:33:07,160 Speaker 1: whatever it is that covers the person's body, and when 602 00:33:07,160 --> 00:33:10,160 Speaker 1: they were cleaning up, they saw that the knife had 603 00:33:10,200 --> 00:33:15,840 Speaker 1: gone through to the person's leg. That sounds horrible, man. 604 00:33:16,440 --> 00:33:17,800 Speaker 1: I mean, you know, I'm sure she like that happens 605 00:33:17,840 --> 00:33:21,240 Speaker 1: all the time. And then you know they're like, um, yeah, hey, 606 00:33:21,400 --> 00:33:24,320 Speaker 1: for free, we uh took a little benign tumor out 607 00:33:24,360 --> 00:33:28,400 Speaker 1: of your leg. All good god? Oh they lied. No, 608 00:33:28,560 --> 00:33:29,840 Speaker 1: I don't know that that's the end of the story. 609 00:33:29,880 --> 00:33:33,240 Speaker 1: I'm saying. I wonder if that's what people do. They're like, hey, 610 00:33:33,320 --> 00:33:36,240 Speaker 1: we saw something on your leg that was a little sketchy, 611 00:33:36,320 --> 00:33:39,240 Speaker 1: so don't worry. For free, we took it out, didn't 612 00:33:39,280 --> 00:33:41,800 Speaker 1: We have a moral episode one of those episodes where 613 00:33:41,880 --> 00:33:45,840 Speaker 1: Turk made a mistake and then went and told the yeah, 614 00:33:45,880 --> 00:33:50,160 Speaker 1: we just passed that. Yeah, you were like yeah, And 615 00:33:50,680 --> 00:33:52,160 Speaker 1: when we were recording that, I was like, I don't 616 00:33:52,160 --> 00:33:54,280 Speaker 1: know if they just go and admit that they fucked 617 00:33:54,360 --> 00:33:57,040 Speaker 1: up like that? Well, what do I know? Is the 618 00:33:57,160 --> 00:34:01,640 Speaker 1: caller here, Joel, let's invite the person in here. You 619 00:34:01,680 --> 00:34:03,800 Speaker 1: want to go to break first? Oh? Sorry, We're gonna 620 00:34:03,800 --> 00:34:06,080 Speaker 1: go to break everybody and we come back. We've got 621 00:34:06,160 --> 00:34:10,440 Speaker 1: a very exciting caller. Um, Joel, do we have any 622 00:34:10,480 --> 00:34:14,280 Speaker 1: presidents to give away? Uh? He could be our February 623 00:34:14,360 --> 00:34:17,880 Speaker 1: giveaway if you like. Yeah, I have so much leftover 624 00:34:18,040 --> 00:34:20,439 Speaker 1: merch from my different projects. I was thinking we could 625 00:34:20,440 --> 00:34:24,600 Speaker 1: also give away my old merchu. I think that work 626 00:34:25,040 --> 00:34:28,279 Speaker 1: I have, I wish I have, wish I was here 627 00:34:28,680 --> 00:34:32,680 Speaker 1: records love that? Oh god, I think this guy. Yeah, 628 00:34:32,719 --> 00:34:36,839 Speaker 1: I got Vinyl, Uh, wish I was here and Garden 629 00:34:36,880 --> 00:34:40,840 Speaker 1: States soundtracks. You should send that to Daniel he'd like that, 630 00:34:41,160 --> 00:34:46,279 Speaker 1: And to Joel Daniel, I didn't know a like. Look, 631 00:34:46,360 --> 00:34:48,319 Speaker 1: I mean, you know, we can save this for later. 632 00:34:48,440 --> 00:34:50,920 Speaker 1: But I've purposely not tried to fan boy as much 633 00:34:50,960 --> 00:34:53,279 Speaker 1: as possible. But surely you two know I literally grew 634 00:34:53,440 --> 00:34:56,000 Speaker 1: up watching Scrubs. Garden State is one of my favorite 635 00:34:56,000 --> 00:34:58,800 Speaker 1: and my family's favorite movies. The soundtrack is like a 636 00:34:58,920 --> 00:35:01,360 Speaker 1: soundtrack of our It is one of our family's favorite 637 00:35:01,360 --> 00:35:03,440 Speaker 1: soundtracks of all time. We don't need to go into 638 00:35:03,480 --> 00:35:08,000 Speaker 1: this right now, but like we can, we can. Why 639 00:35:08,000 --> 00:35:10,560 Speaker 1: are you sicking your head? Is all I'm hearing. All 640 00:35:10,600 --> 00:35:14,000 Speaker 1: I hear right now is dear Slim, I wrote you, 641 00:35:14,080 --> 00:35:16,400 Speaker 1: but you still in calling. I love. I sell my 642 00:35:16,520 --> 00:35:19,279 Speaker 1: painter and my home phone at the bottom. I sent 643 00:35:19,360 --> 00:35:21,640 Speaker 1: two letters back in autumn. You must not have got him. 644 00:35:21,960 --> 00:35:24,680 Speaker 1: There probably was a problem at the post office or something. 645 00:35:25,880 --> 00:35:30,160 Speaker 1: Sometimes sometimes too sloppy when my job. All right, but 646 00:35:30,280 --> 00:35:34,359 Speaker 1: anyway from my chest on that. Now we'll be right 647 00:35:34,400 --> 00:35:38,360 Speaker 1: back with with my my super fan and Joel and Daniel, 648 00:35:38,600 --> 00:35:50,680 Speaker 1: right back and we're bad, Daniel, Yes, this is gonna 649 00:35:50,719 --> 00:35:57,239 Speaker 1: be yours, Oh my god. And it's eighty graham n 650 00:35:57,360 --> 00:36:01,080 Speaker 1: dear mister, I'm too good to call her. All right, 651 00:36:01,239 --> 00:36:03,920 Speaker 1: my fans, this will be the last time that I 652 00:36:04,080 --> 00:36:07,760 Speaker 1: ever one hundred and eighty Grahams. That's good for record, 653 00:36:08,000 --> 00:36:12,680 Speaker 1: that record right a vinyl right THC. I'm so touched, 654 00:36:12,760 --> 00:36:15,279 Speaker 1: Thank you man, thank you. And it's been six months 655 00:36:15,320 --> 00:36:19,840 Speaker 1: and still no word. I don't deserve it. Inside is 656 00:36:19,840 --> 00:36:23,440 Speaker 1: a personal letter for me, Daniel. Oh there it is, 657 00:36:23,840 --> 00:36:27,000 Speaker 1: there it is. Oh God, he knows you, he knows 658 00:36:27,160 --> 00:36:32,839 Speaker 1: He wrote the last two letters perfect between. I had 659 00:36:32,880 --> 00:36:36,200 Speaker 1: this interesting story about this. Um, this crane were standing 660 00:36:36,280 --> 00:36:40,520 Speaker 1: on the flower was actually graffiti that was there way 661 00:36:40,800 --> 00:36:43,640 Speaker 1: and this didn't say New Jersey. It said um some 662 00:36:43,800 --> 00:36:47,600 Speaker 1: other some crane branding. But they changed it to New Jersey. Nice. 663 00:36:48,040 --> 00:36:51,359 Speaker 1: That's gorgeous. Thank you so much for how many? How many? 664 00:36:51,360 --> 00:36:56,479 Speaker 1: How many black people win the soundtrack? Um? Not many. 665 00:36:58,200 --> 00:37:01,680 Speaker 1: There doesn't appear to be any African Americans on the soundtrack. 666 00:37:01,719 --> 00:37:03,799 Speaker 1: You didn't even have met the man on the soundtrack? Man, 667 00:37:04,000 --> 00:37:07,320 Speaker 1: my god, at what point in the movie. I'm just 668 00:37:07,640 --> 00:37:10,799 Speaker 1: I'm just put this is. This is how I got 669 00:37:10,840 --> 00:37:13,359 Speaker 1: out of having to read the script. I just want 670 00:37:15,120 --> 00:37:17,440 Speaker 1: all right, Daniel, and we'll give that to you and 671 00:37:17,480 --> 00:37:20,160 Speaker 1: maybe we'll give it to us. That's really awesome, dude, 672 00:37:20,200 --> 00:37:23,920 Speaker 1: that's we're letting him in. Anthony, Anthony Balistrari. I believe 673 00:37:24,280 --> 00:37:32,680 Speaker 1: what's up? Anthony? Welcome thunderous applause Daniel for Anthony, Alice 674 00:37:32,880 --> 00:37:35,239 Speaker 1: and heavy. All right, there you go, you got it, 675 00:37:35,320 --> 00:37:39,640 Speaker 1: you got it. I don't but have you ever done 676 00:37:39,680 --> 00:37:46,040 Speaker 1: Oprah voice with an Italian last name? Donald Italian? So 677 00:37:47,719 --> 00:37:50,879 Speaker 1: welcome to the program sir, How are you? I'm great, 678 00:37:50,920 --> 00:37:52,560 Speaker 1: I'm great. How are you? Where are you? Calling in 679 00:37:52,719 --> 00:37:57,279 Speaker 1: from a arbor, Michigan? Well, well, and arbor in the house. 680 00:37:57,320 --> 00:37:59,839 Speaker 1: It's cold there. I'm gonna hold up, I'm gonna hold 681 00:37:59,920 --> 00:38:02,319 Speaker 1: up my hand. Where are you here? Zack? You got 682 00:38:02,360 --> 00:38:04,359 Speaker 1: it right? But it's right, okay. This is how they 683 00:38:04,400 --> 00:38:06,120 Speaker 1: tell you in Michigan. You hold up your hand and 684 00:38:06,200 --> 00:38:08,600 Speaker 1: he's right here. You're right. Every Michigan or I've met 685 00:38:08,640 --> 00:38:11,640 Speaker 1: has done that same thing. It's I'm sorry, you know what. 686 00:38:11,840 --> 00:38:13,959 Speaker 1: I just did that, the same thing. You know. Whenever 687 00:38:13,960 --> 00:38:15,920 Speaker 1: I tell me I'm from Jersey, they say what exit? 688 00:38:16,080 --> 00:38:17,880 Speaker 1: And I just hate that, And I just did it 689 00:38:17,920 --> 00:38:19,759 Speaker 1: to you. I did the hand thing from Michigan. I'm 690 00:38:19,800 --> 00:38:23,440 Speaker 1: sorry now, folks from Jersey and they tell me there's 691 00:38:23,440 --> 00:38:26,360 Speaker 1: a central Jersey that people not from Jersey don't know about. 692 00:38:26,680 --> 00:38:30,560 Speaker 1: Jersey's huge and people don't know much about it. You 693 00:38:30,640 --> 00:38:34,560 Speaker 1: know what I hate about people's shit about Jersey. Excuse 694 00:38:34,640 --> 00:38:38,560 Speaker 1: my my digression, but you know, people give This was 695 00:38:38,680 --> 00:38:40,320 Speaker 1: kind of one of the points of Garden State was like, 696 00:38:40,360 --> 00:38:42,040 Speaker 1: I wanted to show how beautiful it was. People. It's 697 00:38:42,080 --> 00:38:43,680 Speaker 1: the Garden State. I mean, that's why they call it. 698 00:38:44,000 --> 00:38:46,120 Speaker 1: People fly into Newark. It's one of the biggest international 699 00:38:46,160 --> 00:38:49,399 Speaker 1: airports in the world. Newark is our industrial area where 700 00:38:49,800 --> 00:38:51,560 Speaker 1: you know, it's a city, but obviously the airport is 701 00:38:51,680 --> 00:38:54,200 Speaker 1: the industrial park. So you land and people are like, 702 00:38:54,320 --> 00:38:59,960 Speaker 1: this is Jersey. Ah, Jersey's beautiful. I bet, I bet 703 00:39:00,200 --> 00:39:02,800 Speaker 1: end of Tyrade, end of Tyree. You know, I like 704 00:39:02,960 --> 00:39:05,960 Speaker 1: the industrial part of Jersey. I'm gonna be honest with you. Yeah, 705 00:39:06,000 --> 00:39:08,239 Speaker 1: you spent some time there. I spent quite a bit 706 00:39:08,280 --> 00:39:15,000 Speaker 1: of time there, like almost eight nine months there. And uh, 707 00:39:15,680 --> 00:39:18,680 Speaker 1: I love Jersey and shout out to shout out to 708 00:39:18,880 --> 00:39:21,160 Speaker 1: Jersey and shout out to the whole tri state area. 709 00:39:21,200 --> 00:39:23,560 Speaker 1: How about Yeah, well, I think we shoun just give Jersey, 710 00:39:23,680 --> 00:39:27,279 Speaker 1: shout out Michigan. Shout out Michigan, especially since we're giving 711 00:39:27,320 --> 00:39:31,960 Speaker 1: out these gifts from here. But it's nice. Um, all right, Anthony, 712 00:39:32,160 --> 00:39:36,000 Speaker 1: do you have a question for us? Well, first, for 713 00:39:36,120 --> 00:39:38,560 Speaker 1: a specific reason. All right, Anthony Wright in for yours, 714 00:39:38,560 --> 00:39:41,640 Speaker 1: tell us about your specific reason. It's sorry, Joel, I did, Yeah, 715 00:39:41,719 --> 00:39:44,040 Speaker 1: you know, Joel, and I were talking beforehand, I thought 716 00:39:44,040 --> 00:39:47,600 Speaker 1: I might just read out my email. Um, you'll be 717 00:39:47,640 --> 00:39:49,600 Speaker 1: the first call you've ever had read an email, but 718 00:39:49,680 --> 00:39:56,160 Speaker 1: I'm going to approve it. Turn your key, sir, turn. 719 00:39:58,040 --> 00:40:00,160 Speaker 1: So I said, Hey, Joel, you know I've got I 720 00:40:00,239 --> 00:40:03,360 Speaker 1: just got done listening to episode four or one my 721 00:40:03,680 --> 00:40:05,920 Speaker 1: Old Friend's New Friend with Heather Graham that was at 722 00:40:06,000 --> 00:40:09,479 Speaker 1: Leased today. Your caller, the pharmacist tech, mentioned something about 723 00:40:09,520 --> 00:40:12,719 Speaker 1: the Fiser vaccine, which was not true, so I wanted 724 00:40:12,760 --> 00:40:15,160 Speaker 1: to offer some clarification for you Donald and the rest 725 00:40:15,160 --> 00:40:18,480 Speaker 1: of the fans. Though she was correct in saying that 726 00:40:19,000 --> 00:40:23,279 Speaker 1: historically many vaccines are prepared using embryonated chicken eggs. These 727 00:40:23,360 --> 00:40:26,840 Speaker 1: new mRNA vaccines produced by Fiser and Maderna are not 728 00:40:26,960 --> 00:40:30,800 Speaker 1: made that way. So I then provided Joel and the 729 00:40:30,840 --> 00:40:34,439 Speaker 1: email a couple of different excerpts from from documents saying 730 00:40:35,080 --> 00:40:38,439 Speaker 1: that these mRNA vaccines are made in a self free way, 731 00:40:39,239 --> 00:40:42,400 Speaker 1: so they're not So you needn't you needn't worry. You 732 00:40:42,520 --> 00:40:44,680 Speaker 1: want us to broadcast to all over the world, which 733 00:40:44,719 --> 00:40:46,200 Speaker 1: we can do for you now, thank you for this 734 00:40:46,320 --> 00:40:49,319 Speaker 1: public service that you needn't worry if you have an 735 00:40:49,360 --> 00:40:53,279 Speaker 1: egg allergy about these vaccines. Yeah, I would say no, 736 00:40:53,400 --> 00:40:56,880 Speaker 1: there's there's basically no egg. There's no egg in it 737 00:40:56,960 --> 00:40:59,360 Speaker 1: at all. So okay, yes, I call on Donald go, 738 00:40:59,560 --> 00:41:02,239 Speaker 1: I have I have a question now. Okay, So now 739 00:41:03,760 --> 00:41:05,719 Speaker 1: do you know about vaccine or is this just something 740 00:41:05,800 --> 00:41:08,360 Speaker 1: that you know that this vaccine doesn't have? Yeah, you know, 741 00:41:08,400 --> 00:41:11,520 Speaker 1: I'm about chemist. I know quite a few things about 742 00:41:11,560 --> 00:41:14,200 Speaker 1: a lot of stuff. I know stuff about vaccines. I'm 743 00:41:14,480 --> 00:41:16,479 Speaker 1: I'm not an expert, but I can tell you maybe 744 00:41:16,520 --> 00:41:19,640 Speaker 1: some stuff. Yeah, here's my question. Right, hear that Johnson 745 00:41:19,680 --> 00:41:24,040 Speaker 1: and Johnson's vaccine is coming out and it's DNA based. 746 00:41:24,719 --> 00:41:27,520 Speaker 1: What is the difference between DNA based and what does 747 00:41:27,600 --> 00:41:33,600 Speaker 1: that mean and the difference between what Fiser and Maderna is. Sure. Yeah, 748 00:41:34,000 --> 00:41:35,759 Speaker 1: you know I can speak more on the MR and 749 00:41:35,800 --> 00:41:38,359 Speaker 1: A vaccines because you know, in the last twenty four 750 00:41:38,360 --> 00:41:40,120 Speaker 1: hours I've tried to read out quite a bit more 751 00:41:40,160 --> 00:41:43,200 Speaker 1: on them. But the Johnson and Johnson vaccine is is 752 00:41:43,239 --> 00:41:45,719 Speaker 1: something different. It's not this new technology, however, it is 753 00:41:45,800 --> 00:41:49,080 Speaker 1: something that is it's not an old old technology as well. 754 00:41:49,640 --> 00:41:54,400 Speaker 1: They're using an aa V vector, so this is another virus. However, 755 00:41:54,560 --> 00:41:58,160 Speaker 1: it doesn't cause any disease in humans, and so they're 756 00:41:58,200 --> 00:42:02,200 Speaker 1: just using that same system too, in some viral DNA 757 00:42:02,600 --> 00:42:06,279 Speaker 1: into sales in order to create that immunological response. And 758 00:42:06,360 --> 00:42:10,680 Speaker 1: the Johnson Johnson one is coming out, right, it's it's happening. Yeah. 759 00:42:10,760 --> 00:42:13,200 Speaker 1: I think you know that they're probably applying for their 760 00:42:13,239 --> 00:42:15,640 Speaker 1: EUA somewhat soon. So I think their data is coming 761 00:42:15,680 --> 00:42:17,759 Speaker 1: out and then it looks pretty good. The last time 762 00:42:17,760 --> 00:42:20,080 Speaker 1: I checked, it wasn't as effective as these mr Anda ones, 763 00:42:20,160 --> 00:42:23,719 Speaker 1: but still definitely useful, especially because it's not stored in 764 00:42:23,800 --> 00:42:25,600 Speaker 1: the same way it can be stored at. Oh you 765 00:42:25,640 --> 00:42:28,400 Speaker 1: don't need the freezing cold you don't need the freezing 766 00:42:28,440 --> 00:42:32,840 Speaker 1: cold freezer special freezer thing. Yeah, that's right. What's your opinion, Anthony, 767 00:42:32,960 --> 00:42:37,640 Speaker 1: on whether the government should be giving out all the 768 00:42:37,760 --> 00:42:41,319 Speaker 1: second doses as as they come in or holding them back, 769 00:42:41,320 --> 00:42:44,879 Speaker 1: because that seems to be a point of contention these days. Yeah. 770 00:42:45,000 --> 00:42:48,040 Speaker 1: So I think we should really stick with what that 771 00:42:48,239 --> 00:42:50,800 Speaker 1: first authorization much said, which was that we should have 772 00:42:50,920 --> 00:42:53,239 Speaker 1: two doses separated by this amount of time, because that's 773 00:42:53,280 --> 00:42:55,520 Speaker 1: where all that data was showing. You know, they have 774 00:42:56,160 --> 00:42:58,759 Speaker 1: some data showing, you know, how effective it is with 775 00:42:59,000 --> 00:43:01,520 Speaker 1: just one dose, but that you know, they were only 776 00:43:01,680 --> 00:43:04,440 Speaker 1: tracking a certain amount of people like that, and that 777 00:43:04,560 --> 00:43:06,239 Speaker 1: was because you know, those people didn't show up for 778 00:43:06,280 --> 00:43:09,160 Speaker 1: their second dose or whatever, So that that's a much 779 00:43:09,280 --> 00:43:12,200 Speaker 1: smaller amount of people. We have much more data showing that, yes, 780 00:43:12,320 --> 00:43:14,960 Speaker 1: two doses can be this effective. And I think, I know, 781 00:43:15,080 --> 00:43:17,160 Speaker 1: but the trick is that, like you've got to the 782 00:43:17,320 --> 00:43:22,279 Speaker 1: logistics of planning to withhold these doses even though there's 783 00:43:22,280 --> 00:43:25,759 Speaker 1: a line around the corner, because everyone needs their second dose. 784 00:43:25,840 --> 00:43:28,279 Speaker 1: We got we gotta count on the fact if we 785 00:43:28,400 --> 00:43:31,160 Speaker 1: give these out that the second doses for the people 786 00:43:31,160 --> 00:43:33,439 Speaker 1: that already got their first dose will be back in time. 787 00:43:33,600 --> 00:43:35,840 Speaker 1: You know. That's that's a lot of trust in the 788 00:43:36,040 --> 00:43:38,680 Speaker 1: in the system. You're right, it's a crazy thing. It's 789 00:43:38,719 --> 00:43:41,000 Speaker 1: a crazy thing that we're even suggesting that we can do. 790 00:43:41,280 --> 00:43:43,600 Speaker 1: You know that the fact that we can sort of say, oh, 791 00:43:43,680 --> 00:43:46,120 Speaker 1: we're going to try and make all these things and 792 00:43:46,160 --> 00:43:48,480 Speaker 1: send them out to all these people, that's that's a 793 00:43:48,560 --> 00:43:51,600 Speaker 1: logistical nightmare. I can't even think about, you know, what 794 00:43:51,680 --> 00:43:53,759 Speaker 1: it would take to do something like this. Well, they 795 00:43:53,800 --> 00:43:56,759 Speaker 1: haven't quite dumb. They haven't figured I'm about to say, 796 00:43:56,760 --> 00:43:58,680 Speaker 1: they haven't figured it out. The rollout. I'm gonna be 797 00:43:58,719 --> 00:44:01,680 Speaker 1: honest with you, in my opinion, slows. I think it's 798 00:44:01,719 --> 00:44:04,319 Speaker 1: been very slow, as I think it's been especially slow 799 00:44:04,480 --> 00:44:09,120 Speaker 1: in African American communities and in Latino American communities. And 800 00:44:09,600 --> 00:44:11,120 Speaker 1: you know what I mean, Like if you look at 801 00:44:11,239 --> 00:44:15,160 Speaker 1: the data, it shows that white Americans are getting vaccine 802 00:44:16,440 --> 00:44:20,560 Speaker 1: a lot more than minorities in America, and that's that's 803 00:44:20,719 --> 00:44:24,400 Speaker 1: that's crazy to me. But as well, I understand that Anthony, 804 00:44:24,480 --> 00:44:28,160 Speaker 1: there wasn't really a federal plan, I mean, the previous 805 00:44:28,160 --> 00:44:31,319 Speaker 1: administration and just said to the states, like figure it out, 806 00:44:31,480 --> 00:44:34,359 Speaker 1: right now they have to turn and build a federal infrastructure. 807 00:44:34,760 --> 00:44:36,439 Speaker 1: I know that they are. I know that they asked 808 00:44:36,480 --> 00:44:41,680 Speaker 1: for military help manpower to help distribute vaccines. Don't you 809 00:44:41,760 --> 00:44:43,720 Speaker 1: think that will make it a little bit more organize 810 00:44:43,800 --> 00:44:46,759 Speaker 1: those zac Like i've in some ways, this is one 811 00:44:46,800 --> 00:44:48,759 Speaker 1: of the first time where it's like I kind of 812 00:44:49,360 --> 00:44:54,200 Speaker 1: wouldn't mind having you know, military medical personnel. No, I'm 813 00:44:54,480 --> 00:44:58,000 Speaker 1: I'm all for it. Do something, do something. We're we're 814 00:44:58,080 --> 00:45:03,440 Speaker 1: this incredibly rich country. We and like more money times 815 00:45:03,520 --> 00:45:06,600 Speaker 1: one hundred than anybody else does in the military. Use 816 00:45:07,280 --> 00:45:09,480 Speaker 1: them for something that's actually not going to put men 817 00:45:09,520 --> 00:45:12,879 Speaker 1: and women's life in danger, use them in any way, Well, 818 00:45:12,880 --> 00:45:15,000 Speaker 1: their life is going to still be in danger. It's 819 00:45:15,080 --> 00:45:19,120 Speaker 1: COVID man, So they're still risking catching COVID and dying 820 00:45:19,280 --> 00:45:22,200 Speaker 1: from cokay, And of course I'm just saying they're not 821 00:45:22,320 --> 00:45:24,839 Speaker 1: We're not sending them off to a foreign waders, saying 822 00:45:24,960 --> 00:45:28,160 Speaker 1: let's help heal the help them unbuild the country. Understood. 823 00:45:28,239 --> 00:45:30,360 Speaker 1: You know, it's important to note that that progress is 824 00:45:30,400 --> 00:45:32,560 Speaker 1: being made. You know, I'm from San Diego and I 825 00:45:32,640 --> 00:45:35,000 Speaker 1: lived there all my life before I turned eighteen, and 826 00:45:35,160 --> 00:45:37,360 Speaker 1: so I try to keep my my ear down at 827 00:45:37,360 --> 00:45:40,000 Speaker 1: what's happening down there. And they're setting up these huge 828 00:45:40,160 --> 00:45:44,839 Speaker 1: vaccine deployment things. There's one in Pecco, the place where 829 00:45:44,840 --> 00:45:47,960 Speaker 1: the Padres play. There's there's more being made all the time. 830 00:45:48,040 --> 00:45:49,640 Speaker 1: They want to do five thousand gosts a day. And 831 00:45:49,960 --> 00:45:53,680 Speaker 1: although that's not fast enough, it's something right, it's getting out. No, 832 00:45:54,120 --> 00:45:57,000 Speaker 1: didn't they set something up like that here at Dodger Stadium. No, 833 00:45:57,239 --> 00:46:02,279 Speaker 1: there's one in rivers Side. Riverside has the you don't 834 00:46:02,360 --> 00:46:04,279 Speaker 1: have All you have to do is make an appointment 835 00:46:04,320 --> 00:46:08,320 Speaker 1: and live in the Riverside area. It's a mass vaccination 836 00:46:08,880 --> 00:46:12,279 Speaker 1: uh spot in California, in Riverside, Caloria. You still got 837 00:46:12,360 --> 00:46:16,440 Speaker 1: to be over sixty five. No, it's anybody who wants 838 00:46:16,480 --> 00:46:20,279 Speaker 1: to get vaccinated that lives in the city of Riverside, 839 00:46:20,320 --> 00:46:24,279 Speaker 1: in the County of Riverside. Really, yeahses, I thought I 840 00:46:24,360 --> 00:46:28,560 Speaker 1: thought we had made a national rule that So what's happening. 841 00:46:28,640 --> 00:46:31,560 Speaker 1: So what's happening is that doses are being sent to 842 00:46:31,640 --> 00:46:34,960 Speaker 1: the state from now. Remember this is what I'm reading 843 00:46:35,200 --> 00:46:37,080 Speaker 1: here and not reading. This is what I'm seeing on 844 00:46:37,200 --> 00:46:40,520 Speaker 1: the news, So please do It's on the news, and 845 00:46:40,600 --> 00:46:43,200 Speaker 1: I'm quoting the news, So please don't jump on me 846 00:46:43,680 --> 00:46:46,400 Speaker 1: if you feel like I've misquoted somebody. Wow, we have 847 00:46:46,440 --> 00:46:49,040 Speaker 1: Anthony here to clarify any fuck up you make. No, 848 00:46:50,840 --> 00:46:53,160 Speaker 1: don't do that to him. That's not it's not right. 849 00:46:53,280 --> 00:46:55,640 Speaker 1: It's not right. Nobody deserves that prost. We should have 850 00:46:55,719 --> 00:46:59,040 Speaker 1: real GD back on because mister dials. So. But check 851 00:46:59,120 --> 00:47:01,320 Speaker 1: this out. So check this out. This is what's happening 852 00:47:01,520 --> 00:47:06,120 Speaker 1: across America with this rollout. Some places are set up 853 00:47:06,280 --> 00:47:11,280 Speaker 1: to deliver vaccine by appointment to the elderly. What happens 854 00:47:11,480 --> 00:47:16,040 Speaker 1: is this happened in La in Los Angeles County at 855 00:47:16,440 --> 00:47:18,560 Speaker 1: they were supposed to go till let's say it was 856 00:47:18,680 --> 00:47:21,440 Speaker 1: from eight o'clock in the morning to eight o'clock in 857 00:47:21,440 --> 00:47:25,680 Speaker 1: the night. They were doing their due diligence and giving 858 00:47:25,719 --> 00:47:29,520 Speaker 1: the vaccine to everyone that had the appointment, and at 859 00:47:29,640 --> 00:47:35,799 Speaker 1: seven o'clock somebody shows up with five hundred more vaccine 860 00:47:36,560 --> 00:47:41,440 Speaker 1: of containers of vaccine, and it's like, here, we've got 861 00:47:41,520 --> 00:47:44,759 Speaker 1: more vaccine. Now they don't have an appointment. These things 862 00:47:44,800 --> 00:47:48,680 Speaker 1: are gonna run out, They're gonna they're gonna expire. Yeah, 863 00:47:49,239 --> 00:47:51,480 Speaker 1: what do you do? This guy runs out into the 864 00:47:51,600 --> 00:47:56,320 Speaker 1: street and starts giving vaccine to people walking down the street. 865 00:47:56,840 --> 00:47:59,440 Speaker 1: If they're giving out vaccine and they're not carrying out 866 00:48:00,160 --> 00:48:02,880 Speaker 1: how it's being or not transported, but how it's being 867 00:48:02,960 --> 00:48:05,279 Speaker 1: taken care of, how it's being administered, If they're not 868 00:48:05,680 --> 00:48:08,680 Speaker 1: putting the infrastructure into place, what do you expect people 869 00:48:08,760 --> 00:48:10,880 Speaker 1: to do. So the City of Riverside, it seems like 870 00:48:10,960 --> 00:48:13,279 Speaker 1: it's like, look, if we have this vaccine, let's give 871 00:48:13,320 --> 00:48:16,480 Speaker 1: it away. Let's not throw it out. I've heard that. 872 00:48:16,719 --> 00:48:21,080 Speaker 1: I've heard anecdotally some stories about LA where there's distribution centers, 873 00:48:21,120 --> 00:48:24,520 Speaker 1: Like you're saying that run out of Senior citizen appointments 874 00:48:24,600 --> 00:48:26,000 Speaker 1: or run out of you know, all the people that 875 00:48:26,080 --> 00:48:29,000 Speaker 1: are eligible in whatever this is called one? Are we 876 00:48:29,080 --> 00:48:31,040 Speaker 1: in one? B? Is that what we're in now? I 877 00:48:31,120 --> 00:48:33,320 Speaker 1: don't know. I think it's called like whatever this is 878 00:48:33,400 --> 00:48:37,200 Speaker 1: like it's like supermarket workers, frontline workers, healthcare workers, and 879 00:48:37,480 --> 00:48:40,280 Speaker 1: everyone over sixty five, and so they don't have anyone 880 00:48:40,320 --> 00:48:42,680 Speaker 1: like you're saying, and so people are like lining up 881 00:48:42,840 --> 00:48:47,080 Speaker 1: like it's like a sneaker store or or supreme and 882 00:48:47,320 --> 00:48:50,680 Speaker 1: and waiting to be like, you know, you're gonna throw 883 00:48:50,719 --> 00:48:52,840 Speaker 1: them away? Can I get one of those? And so 884 00:48:52,960 --> 00:48:55,719 Speaker 1: that's become like a like a thing people are doing. 885 00:48:55,719 --> 00:48:58,040 Speaker 1: They're like waiting, and some days they don't get it, 886 00:48:58,120 --> 00:49:00,200 Speaker 1: some days they do. There are a bunch of is 887 00:49:00,200 --> 00:49:01,600 Speaker 1: there are a bunch of ways that you can get 888 00:49:01,680 --> 00:49:07,120 Speaker 1: vaccine and not be you know, a senior or there 889 00:49:07,160 --> 00:49:09,920 Speaker 1: are a bunch of ways I've I've you can volunteer 890 00:49:10,320 --> 00:49:15,279 Speaker 1: from what I understand, at the sites and watch, you know, 891 00:49:16,440 --> 00:49:22,560 Speaker 1: observe people administering. That feels like that feels like trying 892 00:49:22,600 --> 00:49:25,520 Speaker 1: to do something to get it feels I don't know, 893 00:49:25,600 --> 00:49:27,800 Speaker 1: a bit sketchy to me, Like you're like you're cutting 894 00:49:27,880 --> 00:49:31,200 Speaker 1: whereas whereas like we're in a line because they're gonna 895 00:49:31,239 --> 00:49:34,480 Speaker 1: go bad and no one's here. Feels like you're not cutting. 896 00:49:34,520 --> 00:49:36,439 Speaker 1: Do you know what I mean? I don't think I don't. 897 00:49:36,960 --> 00:49:39,440 Speaker 1: That's the thing though, the way it's being rolled out 898 00:49:39,600 --> 00:49:43,920 Speaker 1: right now, I don't know that. It feels like even 899 00:49:44,000 --> 00:49:46,600 Speaker 1: the government seems to be like survival of the fittest 900 00:49:46,760 --> 00:49:48,960 Speaker 1: because they're not. They don't give a crap on who's 901 00:49:49,440 --> 00:49:51,920 Speaker 1: or it feels like that. That's what it feels like 902 00:49:52,000 --> 00:49:55,520 Speaker 1: when you watch the news and you're given the information 903 00:49:55,680 --> 00:49:57,920 Speaker 1: from the news, That's what it feels like. It feels 904 00:49:57,960 --> 00:50:02,840 Speaker 1: like we aren't the country isn't doing enough to protect 905 00:50:03,200 --> 00:50:06,560 Speaker 1: people from COVID. That's what it feels like. That's the 906 00:50:06,719 --> 00:50:09,799 Speaker 1: narrative that the important thing is that these vaccines were 907 00:50:09,880 --> 00:50:14,080 Speaker 1: made in order to protect people from the risk of 908 00:50:14,120 --> 00:50:17,560 Speaker 1: it getting this disease, and everyone that is at a risk, 909 00:50:17,640 --> 00:50:19,680 Speaker 1: which are is mostly older people, but people that have 910 00:50:19,800 --> 00:50:22,320 Speaker 1: pre existing conditions, they should be able to get it 911 00:50:22,560 --> 00:50:25,759 Speaker 1: as quickly as possible. Well, we know somebody who didn't 912 00:50:25,800 --> 00:50:29,240 Speaker 1: have a pre pre existing condition and he passed away 913 00:50:29,800 --> 00:50:34,400 Speaker 1: from uh, from COVID, And you know what I mean, 914 00:50:34,520 --> 00:50:36,640 Speaker 1: Like and he was forty years old and healthy and 915 00:50:37,160 --> 00:50:41,040 Speaker 1: years and trainer. And so it's like, if it's available 916 00:50:41,480 --> 00:50:43,279 Speaker 1: and other people don't want it, to give it to 917 00:50:43,320 --> 00:50:45,520 Speaker 1: the people who do It's it's just that simple, you know. 918 00:50:45,840 --> 00:50:48,960 Speaker 1: Um yeah, yeah, all right, let's some segue because we've 919 00:50:48,960 --> 00:50:50,640 Speaker 1: got a long time on this and we're trying to 920 00:50:50,680 --> 00:50:52,279 Speaker 1: we're trying to do a show for the haters. So 921 00:50:52,400 --> 00:50:53,800 Speaker 1: we got we're doing a show for the haters. And 922 00:50:53,840 --> 00:50:55,400 Speaker 1: I feel like right now we're talking to all the 923 00:50:55,480 --> 00:51:07,160 Speaker 1: lovers out there, you know, but we worry about it. 924 00:51:07,280 --> 00:51:09,360 Speaker 1: Don't worry about it. The haters want us to speak 925 00:51:09,560 --> 00:51:12,719 Speaker 1: things up and talk about things that the haters want, 926 00:51:12,880 --> 00:51:16,600 Speaker 1: the real true has, The real true haters just want 927 00:51:16,640 --> 00:51:20,000 Speaker 1: Donald and I to solely talk about Scrubs and spend 928 00:51:20,920 --> 00:51:24,320 Speaker 1: ninety minutes dissecting the episode. Now, Donal and I wouldn't 929 00:51:24,360 --> 00:51:26,520 Speaker 1: do this show if that were the rules, because we 930 00:51:26,560 --> 00:51:29,719 Speaker 1: would find it quite boring. What we enjoy is the 931 00:51:29,840 --> 00:51:33,600 Speaker 1: pattern and laughing like we do as friends, as Turk 932 00:51:33,640 --> 00:51:36,800 Speaker 1: and j D did on Scrubs. Because m seven of 933 00:51:36,960 --> 00:51:40,560 Speaker 1: my Instagram commentars got in my head, we're giving them one. 934 00:51:40,680 --> 00:51:43,080 Speaker 1: We're trying to we're making a show for the haters. 935 00:51:43,239 --> 00:51:46,680 Speaker 1: They're gonna get one, get one episode out of nine seasons. 936 00:51:46,800 --> 00:51:50,040 Speaker 1: What's that? This actually comes right into the question that 937 00:51:50,120 --> 00:51:53,719 Speaker 1: I had Antony. They would play Anthony perfect, Anthony would 938 00:51:53,719 --> 00:51:58,719 Speaker 1: be great? Does that even play ante? Anthony would be great? 939 00:51:59,440 --> 00:52:02,200 Speaker 1: I hear I hear Antoine sometimes and my family calls 940 00:52:02,239 --> 00:52:04,960 Speaker 1: me aunts an tz. Anthony's one of those names where 941 00:52:04,960 --> 00:52:08,239 Speaker 1: you can pick from a myriad of nicknames, like William. Oh, 942 00:52:08,320 --> 00:52:12,160 Speaker 1: but not Tony though A thousand percent not Tony. All right, 943 00:52:12,280 --> 00:52:15,640 Speaker 1: thank you all terrible? What about ants? Answer is great? 944 00:52:15,719 --> 00:52:18,680 Speaker 1: That's awesome. Go ahead, man, ask what's your question? So 945 00:52:19,000 --> 00:52:21,400 Speaker 1: you know, I wanted it to be somewhat thought provoking, 946 00:52:21,480 --> 00:52:24,759 Speaker 1: so I tried to Joel. Joel only gave me like 947 00:52:24,840 --> 00:52:31,440 Speaker 1: twenty hours to come up with a question, not even 948 00:52:31,560 --> 00:52:34,320 Speaker 1: less than I probably twell, go ahead anyway. This question 949 00:52:35,040 --> 00:52:37,600 Speaker 1: is for all you guys, um and it came from 950 00:52:38,560 --> 00:52:42,680 Speaker 1: a recent argument, loving but somewhat heated argument between me 951 00:52:42,719 --> 00:52:44,279 Speaker 1: and my best friend, who, of course I have to 952 00:52:44,280 --> 00:52:48,000 Speaker 1: shout out. His name's Matthew Sorrow. He is the JD, 953 00:52:48,360 --> 00:52:51,439 Speaker 1: the JD to my turken. Yeah, I love that, your brother, 954 00:52:51,880 --> 00:52:55,799 Speaker 1: I love Yeah. We took a we we dressed up 955 00:52:55,800 --> 00:52:57,680 Speaker 1: as Halloween and I was I was Turkey, he was. 956 00:52:57,880 --> 00:53:00,879 Speaker 1: But you didn't do black face. I didn't not do blackface. Okay, 957 00:53:01,080 --> 00:53:03,759 Speaker 1: the picture graduate. Every every year Donald has to warn 958 00:53:03,800 --> 00:53:06,919 Speaker 1: people do a public service announcement. You're welcome to play Turk. 959 00:53:07,160 --> 00:53:11,279 Speaker 1: Please don't face yourself. All right, go ahead. Uh So 960 00:53:11,840 --> 00:53:16,520 Speaker 1: the question is is about modern criticism? Um So, it 961 00:53:16,640 --> 00:53:21,759 Speaker 1: seems like increasingly these days, audiences feel like they have 962 00:53:22,360 --> 00:53:25,080 Speaker 1: a sense of ownership over the content that they love. 963 00:53:25,360 --> 00:53:28,480 Speaker 1: So audiences will, you know, they'll fall in love with 964 00:53:28,560 --> 00:53:31,439 Speaker 1: a movie or a show or a video game or whatever, 965 00:53:32,400 --> 00:53:36,120 Speaker 1: and and then there's some time and the next episode 966 00:53:36,200 --> 00:53:38,080 Speaker 1: or the next movie or the next season comes out, 967 00:53:38,880 --> 00:53:41,920 Speaker 1: and if the plot points or the character arcs or 968 00:53:41,960 --> 00:53:45,080 Speaker 1: something doesn't fall out the way that that audience member 969 00:53:45,120 --> 00:53:48,600 Speaker 1: particularly wanted it to, then they now feel like that 970 00:53:48,760 --> 00:53:51,840 Speaker 1: content is trash. You know, it's not what they wanted it. 971 00:53:52,160 --> 00:53:54,319 Speaker 1: It was bad, it was unpoorly. You know. There's lots 972 00:53:54,360 --> 00:53:56,400 Speaker 1: of examples of this, right, like, uh, you know the 973 00:53:56,520 --> 00:54:00,239 Speaker 1: Last of Us Part two, which was that you were 974 00:54:00,280 --> 00:54:03,080 Speaker 1: going to say that the last I was like, I 975 00:54:03,200 --> 00:54:04,640 Speaker 1: wonder if this is based on the Last of Us 976 00:54:04,680 --> 00:54:07,800 Speaker 1: Part two. It's not just based on that. Uh, you know, 977 00:54:07,840 --> 00:54:10,719 Speaker 1: the Rise of Skywalker is a movie example, the last 978 00:54:10,960 --> 00:54:16,960 Speaker 1: hold on I think, I think, I know, interms of television, 979 00:54:17,120 --> 00:54:20,239 Speaker 1: the last season of Game of Thrones, right, it just 980 00:54:20,320 --> 00:54:23,200 Speaker 1: really really really hit it. So to me, you know 981 00:54:23,280 --> 00:54:25,839 Speaker 1: where I fall on this is that, uh, it takes 982 00:54:25,880 --> 00:54:28,800 Speaker 1: away some of the agency that the creator has to 983 00:54:29,000 --> 00:54:30,880 Speaker 1: create their artwork in the way that they want. So 984 00:54:30,960 --> 00:54:34,359 Speaker 1: when people take this perspective that I would rather as 985 00:54:34,440 --> 00:54:37,800 Speaker 1: something else have happened, So therefore you made the wrong decision. 986 00:54:38,239 --> 00:54:41,839 Speaker 1: I think that's that that's somehow SIT's wrong with me. However, Alternatively, 987 00:54:41,880 --> 00:54:44,759 Speaker 1: other people, you know, they feel like audiences should be 988 00:54:44,840 --> 00:54:46,719 Speaker 1: catered to because that's what this is for. This is 989 00:54:46,760 --> 00:54:49,840 Speaker 1: for their entertainment. And so I wanted the opinion of 990 00:54:49,880 --> 00:54:52,920 Speaker 1: you guys, as artists and creators, which you all are, um, 991 00:54:53,280 --> 00:54:55,440 Speaker 1: just to think, maybe how do you feel do you 992 00:54:55,480 --> 00:54:58,200 Speaker 1: see this trend happening? What do you feel about this 993 00:54:58,440 --> 00:55:02,879 Speaker 1: this type of problem? So so I am I love 994 00:55:03,000 --> 00:55:05,320 Speaker 1: that this is the type of conversation that I like 995 00:55:05,480 --> 00:55:07,239 Speaker 1: to have, and I wish a lot of people had 996 00:55:07,320 --> 00:55:09,719 Speaker 1: conversations like this because I think maybe a lot of 997 00:55:09,800 --> 00:55:12,520 Speaker 1: the things that happen, a lot of the bullying that happens, 998 00:55:12,560 --> 00:55:15,360 Speaker 1: a lot of the I don't want to say hatred, 999 00:55:15,440 --> 00:55:19,360 Speaker 1: but that's what it is that comes from people's emotions 1000 00:55:19,400 --> 00:55:22,800 Speaker 1: and investing and when they invest in movies and stuff 1001 00:55:22,880 --> 00:55:26,839 Speaker 1: like that. If it's talked about, we can we can 1002 00:55:26,920 --> 00:55:30,319 Speaker 1: solve all of these problems. So I am one who 1003 00:55:30,400 --> 00:55:33,759 Speaker 1: believes that the audience does have some ownership. And I 1004 00:55:33,880 --> 00:55:36,120 Speaker 1: feel like if you create something and you put it 1005 00:55:36,200 --> 00:55:38,600 Speaker 1: out there, you're doing it so that the audience can 1006 00:55:38,680 --> 00:55:40,800 Speaker 1: feel like they do have a bit of ownership in it. 1007 00:55:41,000 --> 00:55:45,200 Speaker 1: And I think that's what makes And I'm going to 1008 00:55:45,239 --> 00:55:47,520 Speaker 1: bring this up because it's one of my favorite things 1009 00:55:47,560 --> 00:55:52,080 Speaker 1: in the world with Star Wars. I love that Lucasfilm 1010 00:55:52,239 --> 00:55:55,560 Speaker 1: and them give you ownership, like give a lot of 1011 00:55:55,600 --> 00:56:01,360 Speaker 1: the fans ownership in from fan film to theory to whatever. 1012 00:56:02,040 --> 00:56:05,480 Speaker 1: I love that. Now where it gets a little dicey, though, 1013 00:56:05,719 --> 00:56:10,799 Speaker 1: is when things don't go your way as a as 1014 00:56:11,120 --> 00:56:17,960 Speaker 1: a self proclaimed owner of whatever it is. Um, I'm 1015 00:56:18,040 --> 00:56:20,440 Speaker 1: of the I'm of the feeling that if it's if 1016 00:56:20,480 --> 00:56:27,520 Speaker 1: it's good, it doesn't matter. So uh where So, Like 1017 00:56:28,880 --> 00:56:34,480 Speaker 1: I have issues with the last Jedi. I still think 1018 00:56:34,520 --> 00:56:37,760 Speaker 1: it's a good movie. I just don't think it fits 1019 00:56:38,000 --> 00:56:45,600 Speaker 1: in the Star Wars, the Star Wars Skywalker Saga. Do 1020 00:56:45,760 --> 00:56:49,480 Speaker 1: I hate the Wars? I can't wait. We don't have 1021 00:56:49,560 --> 00:56:53,200 Speaker 1: time here, but one day, do I do? I hate 1022 00:56:53,239 --> 00:56:56,719 Speaker 1: the Last Jedi? No, I love the Last Jedi. I 1023 00:56:56,840 --> 00:56:59,680 Speaker 1: just don't think it fits. And I think because of that, 1024 00:57:00,280 --> 00:57:06,160 Speaker 1: the Rise of Skywalker suffered. That's me personally. I'm allowed 1025 00:57:06,200 --> 00:57:09,279 Speaker 1: to think that. I'm allowed to have that opinion. It's 1026 00:57:09,400 --> 00:57:13,360 Speaker 1: my opinion, that's all it is. But you're probably not 1027 00:57:13,560 --> 00:57:17,560 Speaker 1: the guy who's on a board or on Twitter trashing. 1028 00:57:17,680 --> 00:57:22,000 Speaker 1: It's so hard that well, it goes a little too far. 1029 00:57:22,160 --> 00:57:25,080 Speaker 1: Then people become bullies and stuff like that. And that 1030 00:57:25,120 --> 00:57:27,920 Speaker 1: happens and and and that's where it goes too far. 1031 00:57:28,160 --> 00:57:31,040 Speaker 1: You know. What happened to some of the actors from 1032 00:57:31,120 --> 00:57:34,920 Speaker 1: Star Wars is horrible and should have never happened. That 1033 00:57:35,040 --> 00:57:39,600 Speaker 1: girl should have never Kelly Marie Trand was bullied. Uh, 1034 00:57:40,880 --> 00:57:45,040 Speaker 1: i'med best, you know what I mean? You know, either 1035 00:57:46,560 --> 00:57:49,560 Speaker 1: Daisy Ridley like she's no longer on social media because 1036 00:57:49,600 --> 00:57:53,640 Speaker 1: of it. Yeah, um, and it's because and I think 1037 00:57:53,720 --> 00:57:59,280 Speaker 1: it's because uh, you know, fans want to be heard, 1038 00:58:00,000 --> 00:58:05,200 Speaker 1: and when people conflict, when people fight back, when there's pushback, 1039 00:58:05,720 --> 00:58:08,440 Speaker 1: then it becomes a I don't know, man, everyone, I 1040 00:58:08,480 --> 00:58:10,160 Speaker 1: don't know, man, I don't know how to I don't know. 1041 00:58:10,320 --> 00:58:13,680 Speaker 1: This is a great thought provoking question. I feel like 1042 00:58:13,920 --> 00:58:18,280 Speaker 1: ownership in something. I think ownership in something is is 1043 00:58:19,400 --> 00:58:21,360 Speaker 1: that's how you know you have a hit. When people 1044 00:58:21,440 --> 00:58:23,160 Speaker 1: are like I feel like I'm a part of this. 1045 00:58:23,640 --> 00:58:25,800 Speaker 1: You know you've struck a nerve, you know what I mean. 1046 00:58:27,400 --> 00:58:30,680 Speaker 1: I know it's a bit self destructive. It can be 1047 00:58:30,760 --> 00:58:35,560 Speaker 1: self destructive. You can destroy the things you like. Like 1048 00:58:35,680 --> 00:58:38,000 Speaker 1: I worry for Bill. I'm sure, I'm sure Ted Lasso 1049 00:58:38,080 --> 00:58:40,640 Speaker 1: season two is gonna be amazing, right, But there's so 1050 00:58:41,200 --> 00:58:45,240 Speaker 1: much hype and pressure for him to deliver, for him 1051 00:58:45,240 --> 00:58:50,280 Speaker 1: and Jason to deliver something as good or better that 1052 00:58:50,560 --> 00:58:52,400 Speaker 1: you just you just can't help it. Go. Oh God, 1053 00:58:52,520 --> 00:58:55,120 Speaker 1: season two. I hope that they don't get and I 1054 00:58:55,200 --> 00:58:57,880 Speaker 1: can just picture like people being like no through and 1055 00:58:58,320 --> 00:59:02,160 Speaker 1: fighting sucks, and it's well, you know, it's a high 1056 00:59:02,200 --> 00:59:05,160 Speaker 1: class problem. You've created something that are so passionate about. 1057 00:59:05,520 --> 00:59:09,040 Speaker 1: But but it also is like it's it's very hard 1058 00:59:09,200 --> 00:59:14,760 Speaker 1: to once people like something so much to still create 1059 00:59:14,880 --> 00:59:18,320 Speaker 1: in that space without offending some portion of the audience, 1060 00:59:19,640 --> 00:59:21,280 Speaker 1: and you have to care about that. You need to 1061 00:59:21,480 --> 00:59:24,360 Speaker 1: worry your offending. I just jump in here real quick. 1062 00:59:24,640 --> 00:59:27,520 Speaker 1: The point is the fans don't know what they want, 1063 00:59:28,960 --> 00:59:31,320 Speaker 1: and it's a problem because sometimes fans think that they 1064 00:59:31,440 --> 00:59:34,440 Speaker 1: have ownership to the extent that they know how a 1065 00:59:34,520 --> 00:59:37,400 Speaker 1: story should unfold, instead of sitting back and going, this 1066 00:59:37,480 --> 00:59:39,280 Speaker 1: is how I'd like the story too unfold. This is 1067 00:59:39,320 --> 00:59:41,680 Speaker 1: why I'm such a promoter of fan fiction and fan fiction. 1068 00:59:41,840 --> 00:59:43,760 Speaker 1: Anything you want to happen can happen, and you can 1069 00:59:43,800 --> 00:59:47,680 Speaker 1: grove that in that own space, but you you can't 1070 00:59:47,800 --> 00:59:51,200 Speaker 1: possibly I a writer and a critic, don't know what 1071 00:59:51,320 --> 00:59:53,760 Speaker 1: I want from a show like I have ideas, I 1072 00:59:53,840 --> 00:59:56,040 Speaker 1: have thoughts about it, but what I want is to 1073 00:59:56,120 --> 00:59:58,840 Speaker 1: be surprised, and I cannot manufacture that surprise by guessing 1074 00:59:58,840 --> 01:00:00,840 Speaker 1: what's going to happen at the end. And you want 1075 01:00:00,920 --> 01:00:03,640 Speaker 1: a creator, especially if we're going to talk about franchises 1076 01:00:03,720 --> 01:00:06,640 Speaker 1: or big tent pole things that like have this longevity 1077 01:00:06,720 --> 01:00:10,880 Speaker 1: and an established tone and feel like we live in 1078 01:00:10,960 --> 01:00:13,760 Speaker 1: these worlds. Sometimes hours were rewatching these movies. We know 1079 01:00:13,880 --> 01:00:17,320 Speaker 1: every detail and so we are invested in them as 1080 01:00:17,360 --> 01:00:20,120 Speaker 1: if they are. You know, for some of us, it's 1081 01:00:20,160 --> 01:00:23,760 Speaker 1: like sports, like we know the players, we understand the 1082 01:00:23,880 --> 01:00:25,400 Speaker 1: rules of the world and how it works, and so 1083 01:00:25,520 --> 01:00:27,680 Speaker 1: we get very enveloped in like if it doesn't follow 1084 01:00:27,720 --> 01:00:30,240 Speaker 1: those rules, it's hard to understand. What I think is 1085 01:00:30,280 --> 01:00:34,280 Speaker 1: happening right now for fans is there's a new We've 1086 01:00:34,320 --> 01:00:37,680 Speaker 1: reached a new platitude of a fandom. Right before, if 1087 01:00:37,720 --> 01:00:39,760 Speaker 1: you liked a movie, you liked a movie, yeah the poster, 1088 01:00:40,160 --> 01:00:41,760 Speaker 1: maybe you saw it when it came to an old 1089 01:00:41,840 --> 01:00:44,760 Speaker 1: theater and was rerunning. That was it. Now if you 1090 01:00:44,880 --> 01:00:46,400 Speaker 1: like a movie or a TV show or a comic 1091 01:00:46,520 --> 01:00:49,440 Speaker 1: or a franchise, there's like all this history involved in 1092 01:00:49,760 --> 01:00:52,640 Speaker 1: this very long legacy, and there are now new people 1093 01:00:52,680 --> 01:00:54,880 Speaker 1: allowed to tell those stories, right. And when you have 1094 01:00:55,000 --> 01:00:57,320 Speaker 1: new people coming in to tell these stories, what they're 1095 01:00:57,400 --> 01:00:59,800 Speaker 1: looking for is something that they got out of the 1096 01:01:00,080 --> 01:01:04,440 Speaker 1: original fandom that wasn't at the surface. Right, So what 1097 01:01:04,560 --> 01:01:06,840 Speaker 1: I love about Batman isn't necessarily Batman. He's like a 1098 01:01:07,040 --> 01:01:08,960 Speaker 1: rich white guy going out to kick ass. I like 1099 01:01:09,080 --> 01:01:12,040 Speaker 1: all his sidekicks who created a family for him and like, 1100 01:01:12,520 --> 01:01:15,600 Speaker 1: and that becomes his like main thing that he has 1101 01:01:15,640 --> 01:01:17,720 Speaker 1: to focus on is his family not going to kill 1102 01:01:17,800 --> 01:01:19,840 Speaker 1: the bad guys. Now, that's different than what Batman was 1103 01:01:19,880 --> 01:01:22,320 Speaker 1: intended for, but it's no. It doesn't mean any less 1104 01:01:22,320 --> 01:01:23,560 Speaker 1: of a fan. Makes me a different kind of fan. 1105 01:01:23,640 --> 01:01:25,760 Speaker 1: It makes me a fan who has a problem enjoying 1106 01:01:26,160 --> 01:01:29,360 Speaker 1: a modern Batman movie. Right. That doesn't mean I don't 1107 01:01:29,400 --> 01:01:30,800 Speaker 1: like it. It just means it's different, and we as 1108 01:01:30,840 --> 01:01:33,000 Speaker 1: fans have to accept that there are two different roads 1109 01:01:33,080 --> 01:01:35,640 Speaker 1: now and we have to appreciate those two roads. That 1110 01:01:35,840 --> 01:01:37,760 Speaker 1: was my question. If you take that away, is it's 1111 01:01:37,760 --> 01:01:40,640 Speaker 1: still a good Batman movie in your eyes? If I 1112 01:01:40,720 --> 01:01:42,960 Speaker 1: take yeah, because it's still Batman. It's still the core 1113 01:01:43,080 --> 01:01:45,640 Speaker 1: Batman that people can enjoy. I don't need to like 1114 01:01:45,800 --> 01:01:47,640 Speaker 1: it to know that there's a fan base for it 1115 01:01:47,720 --> 01:01:49,080 Speaker 1: and they freaking love it and they get a lot 1116 01:01:49,080 --> 01:01:51,520 Speaker 1: of it. If you like Batman holding a gun power 1117 01:01:51,600 --> 01:01:54,200 Speaker 1: to human, that's all you like. You can enjoy that. 1118 01:01:54,400 --> 01:01:57,000 Speaker 1: There's no problem with that. I hate it. I hate 1119 01:01:57,040 --> 01:01:59,080 Speaker 1: it so much. I don't think Batman ever would touch 1120 01:01:59,120 --> 01:02:02,000 Speaker 1: a gun. It's weird to me. But there's other content 1121 01:02:02,080 --> 01:02:03,840 Speaker 1: for me to enjoy and I don't have to tear 1122 01:02:03,920 --> 01:02:06,400 Speaker 1: down a filmmaker or his vision in the same way 1123 01:02:06,440 --> 01:02:11,160 Speaker 1: I don't like them or drive him off Twitter, exactly, exactly. 1124 01:02:11,240 --> 01:02:13,640 Speaker 1: We have to allow space for all of our like 1125 01:02:14,520 --> 01:02:16,560 Speaker 1: in the way that comic books has done really well 1126 01:02:16,640 --> 01:02:18,439 Speaker 1: over the years, which is to say, if you don't 1127 01:02:18,440 --> 01:02:22,360 Speaker 1: like a creator's vision, that's fine, don't buy it. It's different, right, 1128 01:02:22,400 --> 01:02:24,480 Speaker 1: It's different, and it doesn't make it wrong or bad. 1129 01:02:24,600 --> 01:02:26,960 Speaker 1: It's just different, and we can enjoy the different iterations 1130 01:02:27,000 --> 01:02:30,840 Speaker 1: of the characters. Keepin. Years ago, no one had all 1131 01:02:30,960 --> 01:02:35,840 Speaker 1: this ability to scream to the heavens everything. Yeah. I mean, 1132 01:02:35,960 --> 01:02:41,320 Speaker 1: this whole everyone can opine thing has created uh, you know, 1133 01:02:41,600 --> 01:02:48,720 Speaker 1: it has created this issue. Well, I mean it's it's 1134 01:02:48,800 --> 01:02:51,600 Speaker 1: one of it's one of the most interesting and one 1135 01:02:51,680 --> 01:02:55,440 Speaker 1: of my I don't I don't hate it. I love 1136 01:02:55,480 --> 01:02:58,520 Speaker 1: the fact that there's all this dialogue. I do hate 1137 01:02:58,560 --> 01:03:00,400 Speaker 1: the bullying, but I love the fact that there's all 1138 01:03:00,440 --> 01:03:04,200 Speaker 1: of this dialogue about you know, a project that seemed 1139 01:03:04,200 --> 01:03:06,240 Speaker 1: to be one of my favorite things, that seemed to 1140 01:03:06,320 --> 01:03:09,720 Speaker 1: be uh you know, the argument was it's the same 1141 01:03:09,800 --> 01:03:12,000 Speaker 1: thing over and over again, and then when it was 1142 01:03:12,080 --> 01:03:15,800 Speaker 1: given something different, it shifted people. You know, it made 1143 01:03:15,840 --> 01:03:18,520 Speaker 1: people go the wrong way. It made a lot of 1144 01:03:18,560 --> 01:03:20,160 Speaker 1: people go a different way. It made a lot of people, 1145 01:03:20,160 --> 01:03:23,400 Speaker 1: you know, it switched everybody up. I really seven to 1146 01:03:23,480 --> 01:03:27,360 Speaker 1: eight you mean yeah? I well, yeah, seven to eight, 1147 01:03:27,560 --> 01:03:29,720 Speaker 1: two nine, all of it, you know what I mean? 1148 01:03:29,920 --> 01:03:32,760 Speaker 1: It isn't Star Wars a good example of U. Ryan 1149 01:03:32,880 --> 01:03:35,520 Speaker 1: Johnson came out and made a film that was challenging everyone. 1150 01:03:35,800 --> 01:03:39,320 Speaker 1: Everyone screamed at it, so then they overcorrected and went 1151 01:03:39,400 --> 01:03:42,320 Speaker 1: back to like just a loyal fans. That's a perfect 1152 01:03:42,400 --> 01:03:45,480 Speaker 1: example of it. And I think, so here's the thing. 1153 01:03:46,320 --> 01:03:50,600 Speaker 1: It wasn't what a lot of fans wanted. That being said, 1154 01:03:50,840 --> 01:03:53,920 Speaker 1: it was still made and there's a great story that 1155 01:03:54,040 --> 01:03:58,320 Speaker 1: could have happened afterwards. But there was such an uprising 1156 01:03:58,440 --> 01:04:01,600 Speaker 1: with the fans and such an argument with the fans 1157 01:04:02,120 --> 01:04:05,520 Speaker 1: that uh that that that you know, it's split, it's 1158 01:04:05,520 --> 01:04:07,640 Speaker 1: split Star Wars in half. But it was like it's 1159 01:04:07,680 --> 01:04:10,000 Speaker 1: almost like a civil war that's going on or that 1160 01:04:10,240 --> 01:04:14,200 Speaker 1: was going on, and uh that they tried to correct it, 1161 01:04:15,120 --> 01:04:18,080 Speaker 1: and I think maybe that was I think maybe that 1162 01:04:18,160 --> 01:04:20,000 Speaker 1: was a bad movie. I still love Star Wars. I 1163 01:04:20,080 --> 01:04:23,120 Speaker 1: still I still watched The Rise of Skywalker. I still 1164 01:04:23,200 --> 01:04:27,480 Speaker 1: watched The Last Jedi I still you know, I'm Me 1165 01:04:27,600 --> 01:04:30,680 Speaker 1: and Joel talk about it all the time. Fans might 1166 01:04:30,760 --> 01:04:34,320 Speaker 1: not know exactly what they want. They might think they 1167 01:04:34,400 --> 01:04:36,720 Speaker 1: know what they Yeah, I agree with Joel. They might not. 1168 01:04:36,920 --> 01:04:40,640 Speaker 1: They might think they know what they want, but that's 1169 01:04:41,200 --> 01:04:44,479 Speaker 1: not necessarily going to be satisfying to them. It's comfort food. 1170 01:04:44,640 --> 01:04:48,320 Speaker 1: It's comforting to just have something that's familiar. It's like 1171 01:04:48,440 --> 01:04:51,640 Speaker 1: anything you tried that's different. You tighten up and you go, oh, 1172 01:04:51,720 --> 01:04:54,000 Speaker 1: this is different, this isn't what I know, and and 1173 01:04:54,400 --> 01:04:56,840 Speaker 1: I want the comfort. I want the safe thing. And 1174 01:04:56,920 --> 01:04:59,040 Speaker 1: it also depends on how you think of movies and 1175 01:04:59,160 --> 01:05:01,560 Speaker 1: stuff like that. You have to be invested. That's the 1176 01:05:01,600 --> 01:05:05,960 Speaker 1: only way you can get to this level of fandom. Um, 1177 01:05:06,000 --> 01:05:09,919 Speaker 1: all right, well that was a very thought provoking question. Um, look, 1178 01:05:10,040 --> 01:05:11,880 Speaker 1: I think we need to we need to kind of 1179 01:05:12,200 --> 01:05:14,320 Speaker 1: end it because we're doing a short show today for 1180 01:05:14,560 --> 01:05:15,960 Speaker 1: for the hater. You don't want to try and fix 1181 01:05:16,040 --> 01:05:17,920 Speaker 1: his life? Do you have a fix your life problem? 1182 01:05:18,440 --> 01:05:22,440 Speaker 1: Of course, I was gonna be at stought revoked start 1183 01:05:22,920 --> 01:05:26,080 Speaker 1: though I can't. I can't even I can't even think 1184 01:05:26,240 --> 01:05:28,560 Speaker 1: right now, not even once. One of my buttons on 1185 01:05:28,640 --> 01:05:30,600 Speaker 1: the on the new thing we're getting is gonna be weed, 1186 01:05:30,720 --> 01:05:37,000 Speaker 1: not even once. I hate you, all right, You're Sammy Sam. 1187 01:05:37,280 --> 01:05:39,440 Speaker 1: I hate you all right, A quick fix your life, 1188 01:05:39,480 --> 01:05:44,160 Speaker 1: so go ahead, all right. So you know, I'm a 1189 01:05:44,280 --> 01:05:49,479 Speaker 1: young or relatively young, single guy, and I work a lot, 1190 01:05:50,040 --> 01:05:53,120 Speaker 1: and um, you know, I'm in graduate school. I I 1191 01:05:53,200 --> 01:05:56,160 Speaker 1: lived in Silicon Valley before I moved out here to Michigan. 1192 01:05:56,240 --> 01:05:58,280 Speaker 1: And there's this culture of working all the time, work 1193 01:05:58,320 --> 01:06:01,400 Speaker 1: with work, and I'm in this PhD program at this 1194 01:06:01,920 --> 01:06:05,000 Speaker 1: big R one university like University of Michigan, and it's 1195 01:06:05,040 --> 01:06:07,440 Speaker 1: just the same, you know, your work, work, work, And 1196 01:06:07,680 --> 01:06:10,000 Speaker 1: I see myself kind of barreling down this career path 1197 01:06:10,160 --> 01:06:13,960 Speaker 1: of you know, having all this work in my life 1198 01:06:14,000 --> 01:06:15,880 Speaker 1: where I'm sort of pushing away the other things. So 1199 01:06:16,000 --> 01:06:19,480 Speaker 1: I can see how and this would be my mom's opinion, 1200 01:06:19,560 --> 01:06:21,919 Speaker 1: which she's made vocal before many times, that I don't 1201 01:06:21,960 --> 01:06:24,080 Speaker 1: give myself enough time to dedicate to like the non 1202 01:06:24,600 --> 01:06:26,600 Speaker 1: work life portions of my life, you know, like the 1203 01:06:26,720 --> 01:06:30,280 Speaker 1: romantic life or hobbies or other work life balance sorts 1204 01:06:30,280 --> 01:06:31,640 Speaker 1: of things. So I know that you guys have both 1205 01:06:31,800 --> 01:06:35,600 Speaker 1: navigated these careers where you know there's seasons I'm sure 1206 01:06:35,680 --> 01:06:37,720 Speaker 1: where You've got these times where you're not doing much, 1207 01:06:37,760 --> 01:06:39,880 Speaker 1: but then there are seasons where you're working all the time. 1208 01:06:40,880 --> 01:06:43,960 Speaker 1: In those seasons, how do you still find that balance? 1209 01:06:44,000 --> 01:06:47,240 Speaker 1: You know, how do you still make time for rancial 1210 01:06:47,280 --> 01:06:50,960 Speaker 1: relationships or other things? You have to choose it because 1211 01:06:51,000 --> 01:06:53,240 Speaker 1: this is all you got. I mean, I always come 1212 01:06:53,240 --> 01:06:55,080 Speaker 1: at it from the point of view I don't believe 1213 01:06:55,080 --> 01:06:57,520 Speaker 1: in an afterlife, So this is all I got. Okay, 1214 01:06:57,640 --> 01:07:01,040 Speaker 1: I'm forty five years old. If I if I'm lucky, 1215 01:07:01,120 --> 01:07:03,280 Speaker 1: let's say I make it to night, let's call it ninety. 1216 01:07:03,400 --> 01:07:07,040 Speaker 1: So I got forty five solid years. That's and then 1217 01:07:07,080 --> 01:07:09,200 Speaker 1: that's it. Then they shovel me in the ground. What 1218 01:07:09,320 --> 01:07:12,160 Speaker 1: are you going to do with that time? Of course, 1219 01:07:12,320 --> 01:07:15,240 Speaker 1: pursue your dreams and your goals like you are, But 1220 01:07:15,680 --> 01:07:18,160 Speaker 1: do you want your one experience on earth not to 1221 01:07:18,320 --> 01:07:22,720 Speaker 1: have love, not to have travel, not to have adventure? Um, 1222 01:07:22,880 --> 01:07:25,480 Speaker 1: you're it's sound, you're very smart. Obviously you're going to 1223 01:07:25,720 --> 01:07:28,240 Speaker 1: achieve all your your career goals. I don't think anyone 1224 01:07:28,320 --> 01:07:30,880 Speaker 1: listening could have any doubts about that. But the question 1225 01:07:30,960 --> 01:07:32,960 Speaker 1: you have to ask yourself is what else do you 1226 01:07:33,080 --> 01:07:35,800 Speaker 1: want your life to be about? And it's about dedicating 1227 01:07:35,920 --> 01:07:39,440 Speaker 1: time to that, making it a make, committing choosing to 1228 01:07:39,600 --> 01:07:45,080 Speaker 1: making time for it. Joy. Sure, Donald, that's tough. Um, 1229 01:07:46,960 --> 01:07:49,320 Speaker 1: Zach and I got into an argument over stuff. We 1230 01:07:49,400 --> 01:07:54,240 Speaker 1: get into arguments over things like no, it's it's it's 1231 01:07:54,280 --> 01:08:01,640 Speaker 1: it's quite all right. Uh. You know, uh, work is 1232 01:08:02,680 --> 01:08:05,800 Speaker 1: very very important, and I get that. I'm one of 1233 01:08:05,840 --> 01:08:11,080 Speaker 1: the people who hates the fact that work is so 1234 01:08:11,840 --> 01:08:16,360 Speaker 1: important in making it so that I can have the 1235 01:08:16,479 --> 01:08:19,360 Speaker 1: things I want. But I get I get the fact 1236 01:08:19,479 --> 01:08:24,800 Speaker 1: I get work hard and you achieve things. But I 1237 01:08:24,960 --> 01:08:28,360 Speaker 1: hate that. Okay, here's the thing. Here's the thing. I 1238 01:08:28,560 --> 01:08:33,920 Speaker 1: hate that I'm defined by how hard I work. I 1239 01:08:34,120 --> 01:08:38,639 Speaker 1: think that is. I think that is in a lot 1240 01:08:38,680 --> 01:08:41,559 Speaker 1: of ways, bullshit I think I should be. I don't 1241 01:08:41,600 --> 01:08:43,920 Speaker 1: think I should be defined by anyone. I feel like, 1242 01:08:44,000 --> 01:08:45,680 Speaker 1: if you are going to judge me, judge me by 1243 01:08:45,720 --> 01:08:48,080 Speaker 1: how I'm hard. I love my family, Judge me by 1244 01:08:48,120 --> 01:08:54,479 Speaker 1: how hard I here's my daughter. Right comes in listeners. 1245 01:08:55,760 --> 01:08:57,960 Speaker 1: Right as he said that, Wilder came in for a hug. 1246 01:08:58,520 --> 01:09:02,240 Speaker 1: We're almost done. Okay, guys, my kid is going to 1247 01:09:02,400 --> 01:09:07,599 Speaker 1: college today. He is Oh my god, he is leaving. 1248 01:09:08,160 --> 01:09:11,559 Speaker 1: He is leaving the Homestead to go way to college. 1249 01:09:11,760 --> 01:09:15,240 Speaker 1: That's exciting. Somewhere in California. Somewhere in California he can't 1250 01:09:15,320 --> 01:09:18,920 Speaker 1: leave ulations. That's exciting. Yeah, he's going to art school 1251 01:09:18,960 --> 01:09:23,479 Speaker 1: and he's you're getting your first nest moment. Yeah, it's 1252 01:09:23,520 --> 01:09:26,880 Speaker 1: really it's pretty crazy. Only eleven more took a while 1253 01:09:26,920 --> 01:09:30,040 Speaker 1: with all them kids. Yeah, well, Anthony, I don't know 1254 01:09:30,120 --> 01:09:33,200 Speaker 1: you like that. First of all, you're getting a little 1255 01:09:33,200 --> 01:09:40,320 Speaker 1: too comfortable taking shots at the host started. So that's 1256 01:09:40,360 --> 01:09:44,880 Speaker 1: too much ownership, too much ownership right there. Anthony sounds 1257 01:09:44,920 --> 01:09:47,479 Speaker 1: like as like Donaldson have a problem with that. That Anthony. 1258 01:09:48,880 --> 01:09:51,240 Speaker 1: I love it. I love Anthony's putting his feet up 1259 01:09:51,280 --> 01:09:54,960 Speaker 1: on the desk and ship. I love that. As he 1260 01:09:55,040 --> 01:09:58,040 Speaker 1: should or as he should Listen, we gotta go, Anthony, 1261 01:09:58,080 --> 01:10:00,560 Speaker 1: because we're trying to to to appea our haters and 1262 01:10:00,600 --> 01:10:06,280 Speaker 1: do a shorter shot. You're a lovely You're a lovely man. Thanks, guys, 1263 01:10:06,840 --> 01:10:09,680 Speaker 1: you're a very thought provoking guest. Don't feel bad if 1264 01:10:09,800 --> 01:10:11,760 Speaker 1: some of the Star Wars stuff is cut out, because 1265 01:10:11,760 --> 01:10:13,600 Speaker 1: I don't want them Lucasfilm to be mad at me. 1266 01:10:13,840 --> 01:10:17,599 Speaker 1: Oh my god, oh he said, you honor me, Daniel. 1267 01:10:17,640 --> 01:10:20,479 Speaker 1: He is a super fan. By the way, that's gonna 1268 01:10:20,479 --> 01:10:21,920 Speaker 1: be a By the way, you saying you honor me 1269 01:10:22,080 --> 01:10:24,160 Speaker 1: is gonna be another button on my path. Like you 1270 01:10:24,280 --> 01:10:27,160 Speaker 1: honor me, you wannor me, Daniel, I need one also 1271 01:10:27,200 --> 01:10:28,640 Speaker 1: that has a little record thing so I can be 1272 01:10:29,760 --> 01:10:33,559 Speaker 1: honor me, honor me? How much you want your dad's 1273 01:10:33,640 --> 01:10:35,519 Speaker 1: how much you want your I just want to fall 1274 01:10:35,600 --> 01:10:39,479 Speaker 1: on DJ rig here all right, Uh, Anthony, good luck 1275 01:10:39,520 --> 01:10:43,000 Speaker 1: in your pursuits. Oh, thank you, guys. We have no doubt. 1276 01:10:43,040 --> 01:10:46,879 Speaker 1: I wanted to plug a couple of things, if you can. Unway, 1277 01:10:47,280 --> 01:10:49,599 Speaker 1: I got a professional Twitter, as one does these days. 1278 01:10:49,640 --> 01:10:51,560 Speaker 1: So if you guys wanted to shout that out, So 1279 01:10:51,680 --> 01:10:54,760 Speaker 1: that's at a ballast underscore kem bio so a b 1280 01:10:55,120 --> 01:10:58,479 Speaker 1: a l I s t underscore kem bioca. Especially if 1281 01:10:58,560 --> 01:11:02,360 Speaker 1: you're a young lady looking for a PhD candidate. I 1282 01:11:02,400 --> 01:11:06,320 Speaker 1: wouldn't disagree with you might and might live near Michigan. 1283 01:11:07,080 --> 01:11:09,120 Speaker 1: I just followed all you guys this morning on Twitter 1284 01:11:09,280 --> 01:11:13,040 Speaker 1: and followed Donald on Instagram as well. Thank you very much, 1285 01:11:13,120 --> 01:11:17,800 Speaker 1: seven but only nobody that's only between you and me. 1286 01:11:18,720 --> 01:11:21,840 Speaker 1: Thank you. Also, you know, I wanted to say that 1287 01:11:22,000 --> 01:11:25,760 Speaker 1: scientific communication is really tough. You know, the biggest story 1288 01:11:25,800 --> 01:11:27,479 Speaker 1: in the world right now is a science story, and 1289 01:11:27,560 --> 01:11:29,360 Speaker 1: there's people out there that are really trying to do 1290 01:11:29,479 --> 01:11:32,680 Speaker 1: that and disseminate information in a good way. And it's 1291 01:11:32,720 --> 01:11:34,280 Speaker 1: really hard, but there are people out there that do it. 1292 01:11:34,360 --> 01:11:38,080 Speaker 1: So if I could point everybody to this Weekend Virology, 1293 01:11:38,439 --> 01:11:42,479 Speaker 1: which is a podcast as well as a YouTube channel 1294 01:11:43,080 --> 01:11:46,680 Speaker 1: which is hosted by a virology professor at Columbia, and 1295 01:11:46,760 --> 01:11:49,360 Speaker 1: it's a group of professors that get around and talk 1296 01:11:49,400 --> 01:11:52,920 Speaker 1: about their virologists and immunologists that talk about everything that's 1297 01:11:52,920 --> 01:11:55,760 Speaker 1: happening right now. And it's really good science talking and 1298 01:11:55,880 --> 01:11:57,960 Speaker 1: it can be a little bit tough at times, but 1299 01:11:58,040 --> 01:12:01,479 Speaker 1: they've got non scientists that list and it's great information 1300 01:12:01,560 --> 01:12:06,160 Speaker 1: that I really I've been listening to lots of podcast lately, 1301 01:12:06,240 --> 01:12:08,800 Speaker 1: and I'll add that to my mix. Thank you. Andy 1302 01:12:08,880 --> 01:12:12,320 Speaker 1: Slavitt is also a great follow. Andy Slavitt is now 1303 01:12:13,360 --> 01:12:15,680 Speaker 1: I think one of Biden's people in charge of the 1304 01:12:15,880 --> 01:12:18,960 Speaker 1: COVID response and he's a super smart guy on Twitter 1305 01:12:19,360 --> 01:12:22,559 Speaker 1: all about everything. All right, Anthony, thank you so much. 1306 01:12:22,720 --> 01:12:25,559 Speaker 1: And those are that's a new section called Anthony's Plugs. 1307 01:12:27,439 --> 01:12:29,760 Speaker 1: We're gonna have it in every episode, Anthony will come 1308 01:12:29,800 --> 01:12:33,400 Speaker 1: back on and plug something. Just your friendly neighborhood bio 1309 01:12:33,479 --> 01:12:36,800 Speaker 1: chemists trying to love it. Send good vibes. All right, sir, 1310 01:12:36,960 --> 01:12:47,320 Speaker 1: thanks for coming on. Thank you, take you bye. All right, 1311 01:12:47,479 --> 01:12:49,280 Speaker 1: Well that was nice. Donald. Let's talk a little bit 1312 01:12:49,280 --> 01:12:51,080 Speaker 1: more about the show, because there's almost some funny stuff 1313 01:12:51,080 --> 01:12:52,960 Speaker 1: we haven't talked about. There are quite a few things 1314 01:12:53,040 --> 01:12:57,160 Speaker 1: that we haven't talked about. Marty returns the janitor sidekick. 1315 01:12:57,520 --> 01:13:00,479 Speaker 1: They probably played one of the best pranks on you. Yes, 1316 01:13:01,320 --> 01:13:06,519 Speaker 1: very good. Um the janitor. The janitor breaks the broom 1317 01:13:06,560 --> 01:13:08,440 Speaker 1: in half, and I'm like, oh, you're trying to be intimidating. 1318 01:13:08,520 --> 01:13:10,519 Speaker 1: Why he goes, no, I needed to break the broom 1319 01:13:10,560 --> 01:13:13,320 Speaker 1: in half, and like, what possible reason could you have 1320 01:13:13,520 --> 01:13:16,680 Speaker 1: for breaking the broom in half? And in walks Marty's 1321 01:13:16,720 --> 01:13:23,240 Speaker 1: up broup. Thanks thanks bra Yea. By the way, it 1322 01:13:23,320 --> 01:13:26,840 Speaker 1: was the perfect size for him. It was a perfect size. Yeah. Yeah. 1323 01:13:27,560 --> 01:13:30,400 Speaker 1: And then he's but to make the joke work, he 1324 01:13:30,600 --> 01:13:32,439 Speaker 1: has to sweep in the You have to see him 1325 01:13:32,720 --> 01:13:34,880 Speaker 1: sweep with it. Yeah, but he's sweeping the carpet, which 1326 01:13:34,920 --> 01:13:38,160 Speaker 1: is the plastic meal thing. Why am I sweeping the carpet. 1327 01:13:38,320 --> 01:13:42,120 Speaker 1: Why am I mopping the carpet? Um? All right, so 1328 01:13:42,479 --> 01:13:45,559 Speaker 1: that was funny and um I laughed at um when 1329 01:13:45,640 --> 01:13:48,280 Speaker 1: he when Todd pulls his heart out in a fantasy 1330 01:13:49,080 --> 01:13:52,679 Speaker 1: to give to the patient just as he's dying, he says, 1331 01:13:53,080 --> 01:13:59,240 Speaker 1: I'm gay. Makes sense, makes sense? Yeah, Well we know 1332 01:13:59,360 --> 01:14:02,680 Speaker 1: that he's fluid, as the kids say, well we know that. Well, 1333 01:14:02,920 --> 01:14:06,240 Speaker 1: we know that he likes he wants to know about 1334 01:14:06,320 --> 01:14:08,960 Speaker 1: Turk's package all the time. Yes, but I think it's 1335 01:14:08,960 --> 01:14:10,840 Speaker 1: safe to say we've we've talked about on the show 1336 01:14:10,960 --> 01:14:13,400 Speaker 1: that the Todd is the Tod That's what it is. 1337 01:14:13,560 --> 01:14:15,280 Speaker 1: How cute my dog is, right or anything and everything? 1338 01:14:15,920 --> 01:14:17,439 Speaker 1: Are you looking how cute my dog is? Right now? 1339 01:14:18,200 --> 01:14:21,080 Speaker 1: So cute dog is not cute? That dog is so 1340 01:14:21,400 --> 01:14:25,920 Speaker 1: ugly the dog you said, the dog look up like, 1341 01:14:26,000 --> 01:14:30,599 Speaker 1: what the fuck you say about me? Say about Oh 1342 01:14:30,960 --> 01:14:34,920 Speaker 1: my god, beautiful? He is a very you have a 1343 01:14:35,040 --> 01:14:39,600 Speaker 1: very beautiful dog. Um Um, coolio, Sarah says, Coolio, and 1344 01:14:39,800 --> 01:14:45,639 Speaker 1: Kelsa goes Coulio. Indeed, Coulio, Indeed, I want to talk 1345 01:14:45,680 --> 01:14:48,719 Speaker 1: about Cox and Jordan in this episode. Go ahead, because 1346 01:14:48,760 --> 01:14:51,160 Speaker 1: they have a very interesting storyline there in the beginning 1347 01:14:51,160 --> 01:14:53,439 Speaker 1: of the show, they're all happy, go lucky and they're 1348 01:14:53,479 --> 01:14:57,920 Speaker 1: loving the fact that they're just there's no real there's commitment, 1349 01:14:58,000 --> 01:15:00,320 Speaker 1: but there's no there's nothing hanging over with them. And 1350 01:15:00,320 --> 01:15:02,880 Speaker 1: then they find out that they're still married. She finds 1351 01:15:02,920 --> 01:15:05,320 Speaker 1: their old wedding rings and she presents them to him 1352 01:15:05,520 --> 01:15:06,920 Speaker 1: and he said, are you kidding me? I love this, 1353 01:15:06,960 --> 01:15:08,719 Speaker 1: I'm going to wear this for the rest of my life. 1354 01:15:09,040 --> 01:15:13,040 Speaker 1: And it sends them down a spiral of I don't 1355 01:15:13,080 --> 01:15:14,760 Speaker 1: know if I can do this for the rest of 1356 01:15:14,840 --> 01:15:17,880 Speaker 1: my life. Yeah, well it really articulates. Well, I think 1357 01:15:18,040 --> 01:15:20,880 Speaker 1: that when you put a wedding ring on someone, the 1358 01:15:21,080 --> 01:15:24,800 Speaker 1: differences you're saying for the rest of our lives. And 1359 01:15:25,200 --> 01:15:28,080 Speaker 1: they were perfectly fine and getting along without the pressure 1360 01:15:28,160 --> 01:15:31,800 Speaker 1: of for the rest of your life. Right the second 1361 01:15:31,840 --> 01:15:34,080 Speaker 1: they had that pressure back, they were like fuck, they 1362 01:15:34,120 --> 01:15:36,879 Speaker 1: were all all out of whack. So they hold a divorce. 1363 01:15:37,320 --> 01:15:39,920 Speaker 1: They have a ceremonial divorce and invite people to come 1364 01:15:39,960 --> 01:15:43,320 Speaker 1: watch them get divorced. And that's why Ted's getting drunk 1365 01:15:43,360 --> 01:15:45,920 Speaker 1: at the end of the show, right, Yeah, exactly, because 1366 01:15:45,960 --> 01:15:47,400 Speaker 1: it's the after party. Or are you about to say 1367 01:15:47,439 --> 01:15:50,760 Speaker 1: you like what I like being married? I enjoy it. 1368 01:15:50,960 --> 01:15:54,840 Speaker 1: I enjoy I like it. It's a lot of fun. 1369 01:15:54,920 --> 01:15:57,680 Speaker 1: You found a good partner, you know, and it's not 1370 01:15:57,760 --> 01:16:02,160 Speaker 1: always that way, but I truly joy Uh. My wife, 1371 01:16:02,479 --> 01:16:05,439 Speaker 1: I think you got I think you got singleness out 1372 01:16:05,479 --> 01:16:08,840 Speaker 1: of your system. You know, I was a serial data 1373 01:16:08,920 --> 01:16:11,120 Speaker 1: for a really long time, and I don't know that 1374 01:16:11,200 --> 01:16:15,599 Speaker 1: I was ever really single single. I am for sure 1375 01:16:16,240 --> 01:16:19,920 Speaker 1: married now, and I think I've got the dating out 1376 01:16:19,960 --> 01:16:23,519 Speaker 1: of my system. I love I love what me and 1377 01:16:23,640 --> 01:16:26,400 Speaker 1: my wife have and how we and I think I 1378 01:16:26,520 --> 01:16:29,640 Speaker 1: think if you have that, and you know, for us, 1379 01:16:29,920 --> 01:16:32,200 Speaker 1: we like the feeling of being married. We like the 1380 01:16:32,960 --> 01:16:35,559 Speaker 1: statement that it makes for us to us to each other. 1381 01:16:36,080 --> 01:16:38,599 Speaker 1: But whatever, but whatever it is that you believe, whatever 1382 01:16:38,720 --> 01:16:40,880 Speaker 1: makes love work for you, you stick to it, right, 1383 01:16:41,000 --> 01:16:43,360 Speaker 1: And that's what Jordan and Cox do at the end 1384 01:16:43,400 --> 01:16:45,280 Speaker 1: of the show. I think they show a good example 1385 01:16:45,320 --> 01:16:47,360 Speaker 1: of a couple. It's like, we don't do We just 1386 01:16:47,400 --> 01:16:49,280 Speaker 1: don't like the word married. It sucks us up. We 1387 01:16:49,400 --> 01:16:52,759 Speaker 1: just we'd rather just not be married. It ain't for everyone, 1388 01:16:52,960 --> 01:16:55,479 Speaker 1: It really isn't forever. Let's talk about those raw outfits 1389 01:16:56,560 --> 01:16:59,840 Speaker 1: from the movie from any raw Yeah, No, I don't remember. 1390 01:17:00,000 --> 01:17:02,640 Speaker 1: Are those the exact replicas, because I remember that was 1391 01:17:02,720 --> 01:17:06,160 Speaker 1: the style ish, But I think I think it's a replica. 1392 01:17:06,600 --> 01:17:08,880 Speaker 1: I really love the fact that we are having trouble 1393 01:17:08,960 --> 01:17:11,559 Speaker 1: walking around. That's so funny we can't walk. And then 1394 01:17:11,680 --> 01:17:15,880 Speaker 1: I really love your take on the word raw at 1395 01:17:15,920 --> 01:17:18,519 Speaker 1: the end of the joke, no wonder Eddie Murphy called 1396 01:17:18,560 --> 01:17:24,240 Speaker 1: it raw. I go, I go, he said, I'm chafing. 1397 01:17:25,280 --> 01:17:28,720 Speaker 1: Now I know why Eddie called it raw. But you 1398 01:17:28,840 --> 01:17:30,960 Speaker 1: added a little bit more to the raw at the end. 1399 01:17:32,080 --> 01:17:37,479 Speaker 1: You were like rowe called it raw, and then I 1400 01:17:37,840 --> 01:17:41,479 Speaker 1: and then I go to find I go, Carla ty powder. 1401 01:17:43,080 --> 01:17:45,160 Speaker 1: But the way we walk in those outfits is so funny. 1402 01:17:45,160 --> 01:17:48,760 Speaker 1: They should have brought those back. Oh, man, didn't we? 1403 01:17:49,320 --> 01:17:50,920 Speaker 1: We didn't do it that again, didn't we? No? I 1404 01:17:50,920 --> 01:17:55,200 Speaker 1: don't think we. How about um when Elliott's go, oh, 1405 01:17:55,280 --> 01:17:59,200 Speaker 1: look at poor Elliott riding a tandem bike alone. I 1406 01:18:00,080 --> 01:18:02,640 Speaker 1: be the saddest, the loneliest site you can see, is 1407 01:18:02,720 --> 01:18:07,559 Speaker 1: someone riding a tandem bike alone. You don't that that's 1408 01:18:07,600 --> 01:18:09,479 Speaker 1: a judging a book, bites cup. You don't know that 1409 01:18:09,560 --> 01:18:13,240 Speaker 1: person's circumstance. Why why are they riding and tandem bike alone? 1410 01:18:13,240 --> 01:18:16,120 Speaker 1: And alone? Well? In Elliot's. In Elliot's case, it was 1411 01:18:16,160 --> 01:18:18,120 Speaker 1: the car broke down and that was the only bike 1412 01:18:18,200 --> 01:18:21,760 Speaker 1: that she had available to her. Yeah, it'd be funny. 1413 01:18:21,760 --> 01:18:23,320 Speaker 1: It would be even more sad if you could ride 1414 01:18:23,360 --> 01:18:33,400 Speaker 1: the tandem bike alone from the back book that would 1415 01:18:33,479 --> 01:18:38,680 Speaker 1: make it deem even more loadsome I don't even I 1416 01:18:38,680 --> 01:18:40,280 Speaker 1: don't even want to take the lead. I just want 1417 01:18:40,320 --> 01:18:42,519 Speaker 1: to be miserable in the back. By the way, I 1418 01:18:42,560 --> 01:18:45,400 Speaker 1: would love a tandem bike you could ride alone from behind. 1419 01:18:45,479 --> 01:18:47,120 Speaker 1: That would be so funny to watch. You just need 1420 01:18:47,200 --> 01:18:50,040 Speaker 1: to adjust the steering to the back to the middle 1421 01:18:50,240 --> 01:18:53,320 Speaker 1: to however it would be. Um. Yeah, so then I 1422 01:18:53,360 --> 01:18:55,840 Speaker 1: get tackled. I didn't know why that happened. Although it 1423 01:18:56,040 --> 01:19:00,960 Speaker 1: was funny, I just had no idea why it happened. Um, 1424 01:19:01,040 --> 01:19:04,960 Speaker 1: and that's it. That's the show. Yeah. Well I was 1425 01:19:04,960 --> 01:19:07,360 Speaker 1: gonna say that the real one ends with beck song 1426 01:19:07,600 --> 01:19:10,320 Speaker 1: lost cause, but I had something else on my on 1427 01:19:10,439 --> 01:19:14,240 Speaker 1: my one on iTunes for for some copyright reasons, thanks 1428 01:19:14,240 --> 01:19:19,160 Speaker 1: a lot, Randall. Um, that's our show, everybody, Um, we 1429 01:19:19,280 --> 01:19:21,880 Speaker 1: did it. No, that's our show. For the hater that's 1430 01:19:21,920 --> 01:19:25,400 Speaker 1: our show, haters, yeah but one. But we still digress. 1431 01:19:25,520 --> 01:19:28,080 Speaker 1: But for those of you who who write mean comments 1432 01:19:28,120 --> 01:19:30,880 Speaker 1: to Donald and I saying that we digress too much. 1433 01:19:31,760 --> 01:19:34,479 Speaker 1: That's as minimum as it's gonna get. That's as minimal 1434 01:19:34,520 --> 01:19:36,479 Speaker 1: as it's gonna get. And we did an hour thirty 1435 01:19:37,720 --> 01:19:40,000 Speaker 1: and that's it. That's the one time we're gonna do that. 1436 01:19:40,160 --> 01:19:43,479 Speaker 1: In nine seasons, we do this, Okay, right you? Well? Yes, 1437 01:19:45,920 --> 01:19:47,960 Speaker 1: I really liked that. I really I feel like we 1438 01:19:48,000 --> 01:19:50,519 Speaker 1: should hang up and then catch up more because we 1439 01:19:50,680 --> 01:19:53,000 Speaker 1: we We just didn't do enough of it and I 1440 01:19:53,160 --> 01:19:55,800 Speaker 1: need more of it from you. Well, do you want 1441 01:19:55,840 --> 01:19:58,400 Speaker 1: to We can always get off the We could always 1442 01:19:58,439 --> 01:20:00,560 Speaker 1: get off the line. No, I don't want to. This 1443 01:20:00,720 --> 01:20:03,400 Speaker 1: is for the haters. I'm gonna I'll call you privately, Okay. 1444 01:20:03,680 --> 01:20:05,080 Speaker 1: I want to talk to you. I want to talk 1445 01:20:05,080 --> 01:20:07,280 Speaker 1: to you about some movies I saw. I want to 1446 01:20:07,320 --> 01:20:10,880 Speaker 1: do some impressions for you. Have seen any movie. I 1447 01:20:10,920 --> 01:20:14,280 Speaker 1: want to tell you the craziest story you've ever heard. Sorry, 1448 01:20:14,320 --> 01:20:15,840 Speaker 1: guys that can't tell them the show, But I have 1449 01:20:15,920 --> 01:20:19,320 Speaker 1: the craziest bit of gossip for you. Yeah, I can't 1450 01:20:19,720 --> 01:20:22,360 Speaker 1: wait to hear it. You're not gonna believe it. I 1451 01:20:22,479 --> 01:20:25,600 Speaker 1: ran I ran into I ran into Brad Pitt. No, 1452 01:20:26,760 --> 01:20:29,599 Speaker 1: I did. He's listening to the podcast and he wants 1453 01:20:29,640 --> 01:20:33,240 Speaker 1: I gonna say this story, I'll say, I'll tell you. Um, 1454 01:20:33,479 --> 01:20:36,160 Speaker 1: all right, guys, we love you. Um. Hey, for Valentine's Day, 1455 01:20:36,200 --> 01:20:39,840 Speaker 1: this is a very cheap slash funny present for your lover. Uh. 1456 01:20:40,040 --> 01:20:43,880 Speaker 1: It's a Turk and JD split heart key chains. Um. 1457 01:20:44,040 --> 01:20:46,519 Speaker 1: They're available at a Cotton Bureau dot com. And then 1458 01:20:46,600 --> 01:20:48,960 Speaker 1: just search for fake doctor's real friends. And of course 1459 01:20:49,000 --> 01:20:50,840 Speaker 1: if you work in a job like a hospital where 1460 01:20:50,840 --> 01:20:53,519 Speaker 1: you need a badge pull, we made them for you. 1461 01:20:54,160 --> 01:20:57,240 Speaker 1: We uh, we love you. Check Out that show I 1462 01:20:57,360 --> 01:20:59,360 Speaker 1: told you about on Hulu. It's really good in and 1463 01:20:59,479 --> 01:21:02,479 Speaker 1: of itself. Donald, I'll call you in a moment. We'll 1464 01:21:02,520 --> 01:21:04,479 Speaker 1: catch up. I'll tell you the Brad Pitt story. Dude, 1465 01:21:04,479 --> 01:21:06,439 Speaker 1: I got something to tell you too. It's gonna be great. Okay. 1466 01:21:06,520 --> 01:21:09,320 Speaker 1: By the way, I'm I'm I'm pregnant, but I don't 1467 01:21:09,320 --> 01:21:12,120 Speaker 1: want to tell everyone on the show, so I'm gonna 1468 01:21:12,200 --> 01:21:18,559 Speaker 1: tell you in private. You know, you know it's probably 1469 01:21:18,600 --> 01:21:20,599 Speaker 1: I don't mean I don't I don't mean my partner's pregnant. 1470 01:21:20,640 --> 01:21:23,080 Speaker 1: I mean I am pregnant. Well, you know it's probably 1471 01:21:23,120 --> 01:21:25,240 Speaker 1: gonna be an ass baby. Then yes, I want to 1472 01:21:25,240 --> 01:21:26,760 Speaker 1: tell you about I've already talked to the doctor about 1473 01:21:26,760 --> 01:21:29,200 Speaker 1: how I'm going to deliver through my rector. Six seven, 1474 01:21:29,280 --> 01:21:35,719 Speaker 1: eight stories about show me about a bunch of doctor nurses, 1475 01:21:38,080 --> 01:21:47,200 Speaker 1: said he's the stories so yetto around here, yetto around here. 1476 01:21:51,840 --> 01:21:51,880 Speaker 1: M