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Speaker 1: All right the Bobby Bones post show, pre show, so big,

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Speaker 1: congratulations to produce A Ready just celebrated its fifteenth wedding anniversary.

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Speaker 1: Thank you, pretty crazy, thank you. Fifteen years a lot.

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Speaker 1: What did you guys do? We didn't do anything. We

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Speaker 1: kind of chilled. We we um, you know, relaxed. We

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Speaker 1: went to had dinner, and then we just sat in

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Speaker 1: the backyard and drank some wine and talked. You know,

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Speaker 1: I think it's cool anniversaries U go back and kind

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Speaker 1: of talk about our relationship and our life and the

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Speaker 1: ups and downs that we've had and the good times

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Speaker 1: and and and also too, I think we kind of

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Speaker 1: came up with an idea we may want We just

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Speaker 1: brought it up, but we may want to do a

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Speaker 1: twenty year like re re wedding renewal, you know, like

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Speaker 1: I just kind of a renewal wedding, have another celebration

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Speaker 1: where we invite people. Hopefully everyone's done with COVID by then,

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Speaker 1: but five years, five years, I'd be kind of cool. Talk. Congratulations,

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Speaker 1: Thank you man. That's awesome. Yeah, as the kids are

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Speaker 1: good at all four of them, A four cancer good man.

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Speaker 1: You know, this is a train wreck every day, like

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Speaker 1: the house is just a wreck every day, But I

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Speaker 1: love it. I wouldn't want it any other way. But

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Speaker 1: sometimes we're just kind of we're trying to figure out

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Speaker 1: how to just kind of make life a little easier

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Speaker 1: for us, and it's not really happening. Here is a

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Speaker 1: military charter plane catching fire over Honolulu. See this. Here

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Speaker 1: you go and take a look at this video. Tense

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Speaker 1: moments above Honolulu when a passenger on this plane spotted

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Speaker 1: what appeared to be flames shooting from the aircraft inside

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Speaker 1: a pitch black cabin as passengers reported hearing sounds of explosions.

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Speaker 1: The Hawaii Department of Transportation and Federal Aviation Administration both

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Speaker 1: confirm an Atlas air Bowing seven sixty seven passenger plane

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Speaker 1: had to turn around after reporting an emergency engine failure,

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Speaker 1: the chaos unfolding just after takeoff from Hickham Air Force Base.

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Speaker 1: DT says the plane land did safely and no injuries

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Speaker 1: were reported. Can you imagine you're flying and you look

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Speaker 1: over and something on fire, like, holy crap, Yeah, I'd

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Speaker 1: be scared. Yeah, that happened to me. One time. I

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Speaker 1: was driving down the road and a big tanker truck

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Speaker 1: behind me caught on fire. That's not an airplane. That's

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Speaker 1: not your airplane. You just want it happened to you

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Speaker 1: totally different. You just saw something on fire. That's when

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Speaker 1: I was driving down the road one day and I

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Speaker 1: saw a house on I was watching a movie and

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Speaker 1: the same thing. Hey, you guys, I'm gonna play some

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Speaker 1: voicemails because we were talking about the post show and

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Speaker 1: if you guys like it when it's longer or shorter,

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Speaker 1: mostly because I was listening to it and I was

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Speaker 1: annoyed at me and I because we wouldn't shut up

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Speaker 1: and get to the show. However, here is Leanne. I

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Speaker 1: love the post show, free show. Please don't make it

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Speaker 1: shorter'd be disappointing. Thank you, you're welcome. Here is the

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Speaker 1: second one. Hi, Bobby, we like the longer post shows.

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Speaker 1: You guys aren't very filtered, and we like it when

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Speaker 1: you guys cuss, not a hardcore cuss. I think it's

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Speaker 1: do you make you human? Um? Okay? Bye? How do

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Speaker 1: I stop recording? Great? Who curses? I don't curse? I know,

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Speaker 1: but in the post show, apprecihow some radio shows do

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Speaker 1: something that I don't quite understand. They do what they

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Speaker 1: call an uncensored podcast or they just get on but

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Speaker 1: then they do it separately. I'm like, if you're gonna

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Speaker 1: do that, put that on your show podcast, like boost

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Speaker 1: your show number. Why why are you spread it out

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Speaker 1: over two podcasts. People don't know where to go to

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Speaker 1: get what. Put it up in that same show podcasts?

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Speaker 1: What we do. We could do this as a whole

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Speaker 1: show and then have a fair amount of streams, but

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Speaker 1: I want the show podcast to be so strong that

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Speaker 1: the company has looks and goes holy crap, and they

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Speaker 1: do most of the time like holy crap, what's happening?

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Speaker 1: Because I'm telling you things that country music digitally don't

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Speaker 1: do that well. Our show podcast thanks to you guys,

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Speaker 1: it does, it does, it's it's sometimes the biggest in

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Speaker 1: the whole company. But we don't. We don't. Only I

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Speaker 1: don't know what. Maybe she doesn't the wrong show you

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Speaker 1: listen to Breakfast Club? Maybe yes, yes, Jack, Wait the

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Speaker 1: ghost showing that I would say is if someone's a

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Speaker 1: dick and I don't even think that's that on the

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Speaker 1: radio show, Like damn, I don't say that. I don't

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Speaker 1: say any think Okay, thanks for making his edgy, right right, yeah, right, right, yeah,

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Speaker 1: I really don't even know what the hell she's talking.

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Speaker 1: All right, here's the here's the next one. Phones, Will

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Speaker 1: you have a short post show? Free show? I get

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Speaker 1: a little irritated, and I like a nice long one.

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Speaker 1: Lots of Joe, class of laughing. Were you guys just

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Speaker 1: being candid talking about whatever spills are from the show.

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Speaker 1: It's actually my favorite part of my drive. I've had

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Speaker 1: about a three hour round I drive every night, and

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Speaker 1: uh yeah, it's fun. That's probably when I laughed the most.

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Speaker 1: To be honest with you, well, I appreciate that your

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Speaker 1: feedback was overwhelmingly you liked the post show. Here's a

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Speaker 1: nu their call or this is talking about my podcast

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Speaker 1: called the Bobby Cast. Good morning Bobby, Good morning studio.

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Speaker 1: I remember, maybe like a year and a half ago,

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Speaker 1: but you were supposed to put out something called the

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Speaker 1: trouble Tape on the Bobby Cast talking about all the

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Speaker 1: scandals and the billboard stuff. I was wondering if y'all

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Speaker 1: ever finished that. All right, thank you, have a good day.

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Speaker 1: We did one episode of the trouble Tapes. Mike, what

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Speaker 1: was that one about the billboards? We have other way

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Speaker 1: and the whole idea Mike was producing these. The whole

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Speaker 1: idea was we were talking about some of the real

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Speaker 1: trouble we've been into. Shouldn't the next one be one

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Speaker 1: Lunchbox went to jail? That's really good times you feel

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Speaker 1: like producing that one? All right, give us a month

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Speaker 1: or so, because it's not just an interview like Mike

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Speaker 1: Talk makes it like a true crime podcast where it's

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Speaker 1: like it cuts to me and I'm like, you know,

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Speaker 1: I don't. It's just one day I woke up and

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Speaker 1: all of a sudden and then they sort of Lunchbox

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Speaker 1: telling his version of the story, not in the same room.

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Speaker 1: So yeah, check out the Bobby cast. We'll do our

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Speaker 1: next trouble tapes on when Lunchbox went to jail in

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Speaker 1: the next month. You can interview me Lunchbox. You should

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Speaker 1: interview our old program director who's in Dallas now, Jay Shannon.

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Speaker 1: That's good. Sure I wasn't here yet. You weren't on

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Speaker 1: the show. Do you remember hearing it down the radio? Yeah?

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Speaker 1: That you can talk about as a listener. And I

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Speaker 1: wonder who else we could talk to me and get

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Speaker 1: the cop on the phone. Could you? You guys probably

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Speaker 1: find out he was a listener of the show, for sure. Yeah,

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Speaker 1: he was talking about in the car is a whole thing.

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Speaker 1: I mean, maybe you could get Dusty black girl GM

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Speaker 1: who didn't fire me when he showed what about the clerk?

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Speaker 1: All right, give us a month, Give us a month

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Speaker 1: maybe before that. Here's one more voicemail. This is Kimberly

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Speaker 1: from Michigan. Hi, Bobby Martin's studio. Me and my girls

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Speaker 1: listening to you every day and were you were just

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Speaker 1: wondering him if schoolbit sees we're growing back? Thanks? Ye? Yeah,

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Speaker 1: his eyebrows he lost them in a bed and so yeah,

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Speaker 1: I tell you, what's your shaved bald head? You really

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Speaker 1: didn't notice that they were gone? Yeah, they didn't look

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Speaker 1: too bad. I actually was pretty impressed with the way

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Speaker 1: I looked. Where are you you looked in the mirror?

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Speaker 1: It was like, damn good. How they growing back. They're

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Speaker 1: actually pretty thick now, not as thick as they used

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Speaker 1: to be. But there is one little patch that I'm

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Speaker 1: concerned about if it's going to come back or not.

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Speaker 1: But so far, I'd say it's it's pretty good. Okay,

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Speaker 1: there you go. Thank you for your calls. You guys

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Speaker 1: hit us up on the voicemail line eight seven seven

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Speaker 1: seventy seven, Bobby eight seven seven seventy seven, Bobby, and

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Speaker 1: just if there's anything that I want to jump into

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Speaker 1: before we get into today's show. Tomorrow, I think we'll

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Speaker 1: get into Eddie being what they call it, Karen, have

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Speaker 1: you heard about this? What he did? Lunchbox has gone

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Speaker 1: full Karen? Eddie did something and I don't know you did.

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Speaker 1: You did go full Karen? Police on your neighbors. Well,

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Speaker 1: they were breaking law. Well i'll tell you tomorrow. We'll

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Speaker 1: tell you what Eddie did and you can make up

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Speaker 1: your mind because it's borderline, right. I mean, you guys

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Speaker 1: think it is okay, So we'll do that tomorrow. Um,

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Speaker 1: I think that's Oh, we get to the Tuesday song.

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Speaker 1: I got reminded we kind of gotta be in the

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Speaker 1: mood for it. Yeah, let's just see me pull it off.

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Speaker 1: N We had a bunch of days off, so we're

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Speaker 1: not completely in the movie because it's just it's been

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Speaker 1: a while too since you sung this. Hung Yeah, yeah,

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Speaker 1: turn that up. Br I don't know do I even

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Speaker 1: feel like doing it? I know it's the best day

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Speaker 1: of the week. You all know it's my time. So

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Speaker 1: I made a song about Tuesday. Still happens. The rhymes

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Speaker 1: the lowest number of crime, just SuperM bingo and night.

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Speaker 1: I don't know how you do a Tuesday. This is

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Speaker 1: how I do mine. The sun comes up, there's a

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Speaker 1: smile in my mouth. Why but goes a lot two days.

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Speaker 1: This is the first thing. I shall free zoomer this

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Speaker 1: morning and every Tuesday. At five, I got my span

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Speaker 1: dx on. It's time to head to the wy Tuesday, Huesday,

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Speaker 1: Housewife's gone boo Tesday. I'm just taking a back Tuesday,

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Speaker 1: we'll come back. It's Tuesday. Is my recycling on the

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Speaker 1: curb as a drive off? Yep, my recycling is on

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Speaker 1: the curb. I mean, Fridays are fine because they're casual

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Speaker 1: and all, but I'm always more productive on my Tuesday

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Speaker 1: conference call my after work plans. I got my spray tan.

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Speaker 1: I'm drinking lemon water out and meet some cayenne pebbles

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Speaker 1: and bam bam. I'm watching c SPAN and then it's

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Speaker 1: tuper one at Sonic with the coney in each and

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Speaker 1: I say to Tuesday, Joe Wayesday, Housewife's going Tuesday. I'm

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Speaker 1: just talking about you. Tesday doing again. Tuesday, brown Cow Goesuesday.

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Speaker 1: Eat some cash Tuesday. I'm just talking back to stay

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Speaker 1: Marti Gras. On a Tuesday, I go to Cromega. On

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Speaker 1: a Tuesday, I'm playing Pokemon on a Tuesday. Came out

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Speaker 1: of my mom. On a Tuesday. Here you go, come on, enjoy,

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Speaker 1: enjoy the Tuesday show. That's more fun, that kind of

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Speaker 1: that's fun. Yeah, goes gonna be that fun fun. Who knew?

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Speaker 1: All right? Enjoy the show by everybody. What's happening everybody.

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Speaker 1: I hope you had a great three day weekend more

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Speaker 1: studio morning. I got home and yesterday I'm just hurting

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Speaker 1: a little bit because that the TV show taping was

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Speaker 1: tough this week, and it's tough every week. But I

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Speaker 1: get home and I had to wear the helmet that

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Speaker 1: I had to wear the commercial dive was forty pounds

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Speaker 1: just a helmet, and there's another fifty or sixty pounds

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Speaker 1: on your back. And so I'm back and I'm whining

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Speaker 1: a little bit to Kaitlin, and she doesn't really handle

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Speaker 1: my whine. She just didn't take it. And so I

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Speaker 1: was like, oh, I can't believe I finally like my

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Speaker 1: whole life, I've been working to get a TV show

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Speaker 1: and it's so hard. I thought it would be much

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Speaker 1: more glamorous they would bring me. She was like, you

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Speaker 1: invented a show called Breaking Bobby Bones where their job

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Speaker 1: is to break you? What did you expect? Good one?

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Speaker 1: And I was like, you know why, that's a great point.

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Speaker 1: Why did not not invent like hanging out with Bobby

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Speaker 1: Bones chill? That wouldn't be as interesting. But I'm just

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Speaker 1: I'm just in bad physically, I'm hurting a little bit. Yeah,

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Speaker 1: I was very physical this week. Um, so I'm glad

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Speaker 1: you made it. Though I won't reveal too much about

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Speaker 1: what I'm doing each week because I do want you

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Speaker 1: to see the episodes because as that, we've taped three

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Speaker 1: episodes now and I really feel like the show is

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Speaker 1: gonna be good because I look, I'm such an idiot,

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Speaker 1: but hey, since they are trying to break you, is

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Speaker 1: it spoiler a little a little bit like that you

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Speaker 1: come back to work the week? Well, I don't think

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Speaker 1: it's killed Bobby because because then we watch it and

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Speaker 1: then we're like, okay, we know he survives this. Well,

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Speaker 1: it's not about me dying. It's about me not being

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Speaker 1: able to pull off these crazy things people do, and

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Speaker 1: it's not just some of stuff don't even that crazy.

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Speaker 1: I don't even understand what commercial divers did. Do you know? Yeah,

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Speaker 1: exactly what did they do? Wait for it? Okay, I

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Speaker 1: won't even google it. I'm gonna wait. But um, I

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Speaker 1: did that. I was in Seattle law weekend, which, by

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Speaker 1: the way, is the farthest place I can possibly go.

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Speaker 1: It was a long trip. Like I'm in Nashville. You

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Speaker 1: can't find a spot in the continental United States is

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Speaker 1: farther than Seattle. So um had a great weekend, very

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Speaker 1: very lucky that the show happened and I lived. But

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Speaker 1: it was a crazy one. It's a crazy one. How

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Speaker 1: was your weekend? Amy? That was really good. I mean

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Speaker 1: we just hung out as a family of the kids.

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Speaker 1: Like our our mo now is hiking and movies. But

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Speaker 1: we did we we do play basketball now. We're a

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Speaker 1: basketball family. Your goal up, it's officially up, and we've

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Speaker 1: got that like new basketballs to have air. We had

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Speaker 1: a few that we realized had no airs. We're all, well,

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Speaker 1: this is no fun. Did you have to go through

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Speaker 1: the ho because you're When I was at your house,

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Speaker 1: USB was like, we gotta put up a basketball goal.

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Speaker 1: But we have to ask the ho to put something on.

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Speaker 1: I think we did and we got approved, I guess,

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Speaker 1: or you just did it and listen that's what I

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Speaker 1: would do, ask for forgiveness. Yeah, no, we we must

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Speaker 1: have gotten improved because it's all so far no notices

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Speaker 1: on our doorstep, so really that I mean, we're just

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Speaker 1: you know, gamers, ballers, now ballers, wait for it. We

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Speaker 1: play horse and nice whatever else an other game. I

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Speaker 1: can't think of the name. Bige you I did, so, yeah,

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Speaker 1: my in laws are in town. So we rented one

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Speaker 1: of those double decker boats, which are awesome by the way.

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Speaker 1: Explain a double decker boat. It's a pontoon, you know.

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Speaker 1: So it's got floats on two big metal tubes or whatever,

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Speaker 1: and it's a flat platform and then it has a

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Speaker 1: two stories and on the top you can either jump off,

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Speaker 1: you know, like kind of like cliff diving a little

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Speaker 1: bit off like I would say, it's probably about two stories,

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Speaker 1: like a two story building balcony. That's how far the

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Speaker 1: jump would be. So all the kids are like, all right,

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Speaker 1: we're jumping off the top or whatever. But my seven

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Speaker 1: year old junior junior, he's the only one not doing it.

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Speaker 1: So all the kids are like, come on, it said,

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Speaker 1: he the adventurous one. Yes, he is the daring one.

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Speaker 1: And he's just looking and he's like, I don't want

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Speaker 1: to do it. I don't want to do it. So

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Speaker 1: we're all kind of come on, come on do it.

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Speaker 1: And I said, look, if I jump, will you do it.

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Speaker 1: He's like, okay, if you jump, I'll do it. I jump.

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Speaker 1: He still won't do it, so I get up there,

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Speaker 1: just pushed him off eddie. He was so mad. He

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Speaker 1: was so mad at me. He was crying when he

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Speaker 1: came back up and he's like, I hate this. That

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Speaker 1: was terrible. I hate this boat, I hate this lake.

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Speaker 1: And I gave him about ten minutes to kind of

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Speaker 1: stop yelling. I said, all right, time to get back

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Speaker 1: on the boat. He's like, no, leave me here, I'm

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Speaker 1: just gonna float away. But eventually ten minutes later he

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Speaker 1: was like he was over it. I don't know about that.

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Speaker 1: I don't know about that. But you know how in

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Speaker 1: life people have big teas and little teas for trauma,

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Speaker 1: like you have. I never heard it referred to as

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Speaker 1: that yet. Well I've heard of this. My therapist likes

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Speaker 1: to call it like little teas and big teas. So

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Speaker 1: big tea would be losing my mother dying big tea.

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Speaker 1: Little tea is that Eddie? We need little teas. I agree,

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Speaker 1: we need little teas, but this is gonna be something

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Speaker 1: that we could be quite traumatic for a child that Eddie.

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Speaker 1: I know, well, you know what like the that's the

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Speaker 1: day I was like, are you still mad at me

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Speaker 1: for pushing you off the boat? And after at night

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Speaker 1: before he went to bay, He's like, no, I'm not mad. Okay,

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Speaker 1: you guys call. This is a great thing for people

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Speaker 1: to hit us up with on their voicemail line. Oh

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Speaker 1: great bad parent, good parent. Yeah, because he wouldn't do it.

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Speaker 1: He said he would also he lied, he said, if

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Speaker 1: you did all right, Eddie, I'm not calling you a

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Speaker 1: bad good parents, bad parent for Eddie throwing a seven

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Speaker 1: year old kid off the boat. Yeah. Life checking on

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Speaker 1: floated our numbers eight seven seven seventy seven Bobby, good parent,

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Speaker 1: bad parent. It was fun though, eight seven seven seventy

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Speaker 1: seven Bobby latchwalks. How's your weekend? Oh? Weekend was great.

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Speaker 1: I mean did yard work and we went on some walks,

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Speaker 1: played in the pool. The weather was great. I mean

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Speaker 1: we didn't really can't really do much with a two

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Speaker 1: year old. They can't do anything. I mean, I really

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Speaker 1: can fill him off a boat. You're good, Yeah, he's seven.

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Speaker 1: Come on. I was listening to Kit Moore talk about

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Speaker 1: the worst job he ever had, and I want to

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Speaker 1: play you this clip. I'd have to say. My worst

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Speaker 1: job ever was lay inside in the South Georgia heat.

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Speaker 1: Nothing worse than that, especially when somebody would think that

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Speaker 1: you were waiting for the next side patch be thrown too,

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Speaker 1: and you got your back turn and all of a sudden,

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Speaker 1: that big old piece of side it's your round on

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Speaker 1: the back. You got nowhere to clean up. You just

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Speaker 1: stuck with dirt on your back for the rest of

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Speaker 1: the day. I laid side briefly at the golf course,

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Speaker 1: which is gonna be mine as we do this. Worst

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Speaker 1: job you ever had, mine was doing maintenance on a

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Speaker 1: golf course. I had to wake up like I do here,

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Speaker 1: you know, butt crack before dawn. But I hated it.

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Speaker 1: At least here. I love this job, so I wake

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Speaker 1: up early. I'll drive into the Hot Springs village. First

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Speaker 1: thing you do is you get the mowers and you

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Speaker 1: mow greens. You rate traps first, and then you mow

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Speaker 1: greens and then I just for five hours would go

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Speaker 1: out and weed, eat and shovel and lay side. It

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Speaker 1: was awful. That being said, I got I bought a

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Speaker 1: bunch of good school clothes. I bought a bass amp. Yeah,

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Speaker 1: it was a terrible job, but I learned a lot

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Speaker 1: from it, and I'm glad I had it. But just

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Speaker 1: a terrible job. You mine physically wasn't demanding, and this

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Speaker 1: job is necessary, nothing against it. But when I had

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Speaker 1: to work the front desk at Gold's gym because I

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Speaker 1: had just finished college and I was twenty two, what

337
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Speaker 1: are you? Twenty two twenty three? And the other front

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00:17:06,800 --> 00:17:10,159
Speaker 1: desks workers were sixteen, you know, So it just and

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Speaker 1: my friends would come in to work out, some from

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Speaker 1: high school that I hadn't seen in years, and they're like, oh,

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Speaker 1: you're back from college. What's up. I'm like, Oh, could

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Speaker 1: you don't forget your talent? Don't forget to scan your

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Speaker 1: thing and get a towel and wipe down your equipment

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Speaker 1: like I just didn't. It wasn't It was hard for me,

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Speaker 1: but overall loved who I worked with and it was

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Speaker 1: super fun. And then it was someone that came in

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Speaker 1: the gym that day a friend from my school that was, like,

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Speaker 1: you should apply for the sales job where I'm working.

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Speaker 1: It's amazing. And I did, and that's when I was

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Speaker 1: selling granted, and then I met you. The gym wasn't

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Speaker 1: your vibe. It wasn't my vibe. No, not at all,

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Speaker 1: so I mean, but it was. It was a good

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Speaker 1: experience for me, and I worked the early morning, so

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Speaker 1: I would have sometimes to be there at five am.

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Speaker 1: Washing dishes was like that for me too. When I

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Speaker 1: had to do that at the restaurant, I hated it.

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Speaker 1: Glad I did it because then I understand what it's

358
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Speaker 1: like to have to wash dishes. And I did the

359
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Speaker 1: move up to washing dishes, but still washing dishes. I

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Speaker 1: was inside and I get to go in it four

361
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Speaker 1: because dinner started at six the restaurant. Yeah, five thirty

362
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Speaker 1: or six. So, Eddie, what's your worst job ever? I mean,

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Speaker 1: the jobs that I had were pretty good. But the

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Speaker 1: worst one I ever had was when I worked for

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Speaker 1: my dad when I was fifteen. He had a business

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Speaker 1: where he would take down utility things like lights and

367
00:18:16,119 --> 00:18:18,719
Speaker 1: light poles or whatever, and he would buy them from

368
00:18:18,760 --> 00:18:21,919
Speaker 1: companies and remake them. So he can sell them into Mexico.

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Speaker 1: He would send me to the warehouse and I had

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Speaker 1: to fix those things and work with a bunch of

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Speaker 1: gang bangers that he hired. And these guys were scary

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Speaker 1: and sometimes they'd fight and I'd be like, oh my gosh,

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Speaker 1: I'd hide in the corner. It's a bad memory, man,

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00:18:34,000 --> 00:18:36,760
Speaker 1: bad memory working with those guys he'd hire gang members. Yeah,

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Speaker 1: they were just kind of the guys that were like

376
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Speaker 1: needed a second chance. But I don't think they were

377
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Speaker 1: doing a second chance. They were still in the gangs.

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Speaker 1: Lunchbock cost job. I would say my worst job was

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Speaker 1: when I worked at Costco, just because I was already

380
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Speaker 1: on the radio at that time, so people would recognize

381
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Speaker 1: me from the radio and then they'd be like, hey,

382
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Speaker 1: you're working at cost thebody. Yeah, dude, I make minimum

383
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Speaker 1: wage over at the radio station, like I gotta pay

384
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Speaker 1: the bills. So I was kind of embarrassing because you're

385
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Speaker 1: a celebrity in town, but at the same time you're

386
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Speaker 1: you're putting their groceries in their car, and it was

387
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Speaker 1: just like, man, this is really awkward. Please he uses

388
00:19:07,280 --> 00:19:10,920
Speaker 1: the word celebrity so loosely. No, No, it's not loose amy.

389
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Speaker 1: When they're recognized, you're like, hey, aren't you the guy

390
00:19:12,800 --> 00:19:16,640
Speaker 1: from the Bibles? Yeah? I am. What's your car? Oh? Here?

391
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Speaker 1: You want to put the eggs up front so I

392
00:19:18,000 --> 00:19:19,960
Speaker 1: don't smash them? I mean, you want to talk about

393
00:19:20,000 --> 00:19:23,840
Speaker 1: a blow to the ego? Oh, I remember that, Morgan.

394
00:19:23,880 --> 00:19:26,320
Speaker 1: You're the last one which worst shot. Probably when I

395
00:19:26,440 --> 00:19:29,840
Speaker 1: was an expo at Buffalo Wild Wings, I would deliver

396
00:19:29,960 --> 00:19:32,400
Speaker 1: food and I'd pick up after people and people who

397
00:19:32,720 --> 00:19:35,280
Speaker 1: ate like messy bone and wings like. It was just

398
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Speaker 1: not a glorious job. And I was trying to be

399
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Speaker 1: a server, so it was like that in between, and

400
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Speaker 1: I was doing it for like a year and a half.

401
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Speaker 1: But I ended up becoming a server, so it worked out. Undo.

402
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Speaker 1: What's your question? Yeah? So Carly Pearce on Instagram deleted

403
00:19:50,440 --> 00:19:53,160
Speaker 1: all of her pictures of her and Michael Ray from

404
00:19:53,760 --> 00:19:57,399
Speaker 1: engagement wedding. There was some people magazine photos that were

405
00:19:57,440 --> 00:19:59,840
Speaker 1: up there. They're all gone, So I was curious, would

406
00:19:59,840 --> 00:20:03,159
Speaker 1: you you delete pictures from Instagram of a marriage that

407
00:20:03,240 --> 00:20:07,560
Speaker 1: went wrong. I didn't live through that situation, so it's

408
00:20:07,600 --> 00:20:09,240
Speaker 1: hard for me to talk about that specifically, but I

409
00:20:09,320 --> 00:20:14,439
Speaker 1: know I haven't deleted anything, even from past x's mostly

410
00:20:14,440 --> 00:20:17,840
Speaker 1: because I'm gonna go back and look at it. I mean,

411
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Speaker 1: I'm not gonna hate on her for it, but I

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Speaker 1: didn't know she deleted all that. Huh. Yeah, she cleaned

413
00:20:22,480 --> 00:20:25,040
Speaker 1: it out. There are pictures from their honeymoon, but it's

414
00:20:25,160 --> 00:20:27,880
Speaker 1: just her in them, so she saved those. He still

415
00:20:27,920 --> 00:20:30,840
Speaker 1: has everything up he does. I wasn't taken one. I

416
00:20:30,920 --> 00:20:34,000
Speaker 1: mean there's hundreds of things on his but nothing. Hers's

417
00:20:34,440 --> 00:20:36,320
Speaker 1: Scotch clean. I wonder if he's like, I'm sorry I

418
00:20:36,359 --> 00:20:41,160
Speaker 1: hadn't leave him a bit? Is really interested in that relationship? Yeah,

419
00:20:41,240 --> 00:20:43,560
Speaker 1: that was kind of your celebrity couple you're following. Huh

420
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Speaker 1: Because I found that thing at the opery where it

421
00:20:45,760 --> 00:20:47,480
Speaker 1: was awkward where they had already broken up but they

422
00:20:47,520 --> 00:20:49,399
Speaker 1: had to perform together. So that kind of got me

423
00:20:49,520 --> 00:20:51,800
Speaker 1: into it. Then I did a tweet, it gained some traction,

424
00:20:51,960 --> 00:20:54,520
Speaker 1: she liked it, and the rest is history. Ray is

425
00:20:54,600 --> 00:20:57,359
Speaker 1: so weird on Instagram because I had to block him

426
00:20:57,359 --> 00:20:58,879
Speaker 1: for a while. Now Eddie's had to do the same thing.

427
00:20:59,160 --> 00:21:02,120
Speaker 1: What well, I'm doing a restrict there's an option there

428
00:21:02,119 --> 00:21:04,720
Speaker 1: to restrict because every time I post him, he does

429
00:21:04,800 --> 00:21:07,120
Speaker 1: a comment. That's trolling, basically, that's what he was doing

430
00:21:07,160 --> 00:21:10,040
Speaker 1: to me. Yes, and he gets hundreds and hundreds of

431
00:21:10,119 --> 00:21:11,959
Speaker 1: likes from it, and I'm like, you're taking away from

432
00:21:12,040 --> 00:21:16,560
Speaker 1: my posts and it is my page. So I restricted

433
00:21:16,640 --> 00:21:19,000
Speaker 1: him where only I can see it and no one

434
00:21:19,080 --> 00:21:21,280
Speaker 1: else can see the comment. But he hasn't posted, he

435
00:21:21,320 --> 00:21:23,320
Speaker 1: hasn't commented in three of my posts. I'm wondering if

436
00:21:23,320 --> 00:21:25,000
Speaker 1: he knows about it. Did you know how you're restricted?

437
00:21:25,160 --> 00:21:27,639
Speaker 1: I do now, but I will continue to comment. I

438
00:21:27,720 --> 00:21:32,680
Speaker 1: hope you enjoy those comments. I look forward to a

439
00:21:32,840 --> 00:21:36,800
Speaker 1: Ray comment. Sometimes I'll be scrolling, like on E News,

440
00:21:37,119 --> 00:21:40,320
Speaker 1: and I'll just see Ray trolling E News or trolling

441
00:21:40,440 --> 00:21:44,280
Speaker 1: sports Center. So you just sit on, you comment and everything.

442
00:21:44,520 --> 00:21:46,959
Speaker 1: It's tough on those because Sports Center it's a lot

443
00:21:47,000 --> 00:21:49,600
Speaker 1: of guys, a lot of sports. So I'm trying to

444
00:21:49,680 --> 00:21:52,399
Speaker 1: get humorous with them. I'm telling you that it's different.

445
00:21:52,440 --> 00:21:54,480
Speaker 1: But yeah, I keep trying with those. Maybe some pop

446
00:21:54,560 --> 00:21:58,000
Speaker 1: culture sites, maybe someday they get some more likes on those.

447
00:22:00,000 --> 00:22:03,879
Speaker 1: Eatist from Nashville in Tullywood Morgan number two thirty second

448
00:22:03,960 --> 00:22:08,000
Speaker 1: Skinny Chelsea Ballerini's Striped album Ballerini is coming this Friday,

449
00:22:08,080 --> 00:22:10,359
Speaker 1: and she shared a clip of the new version of

450
00:22:10,480 --> 00:22:15,359
Speaker 1: her song Homecoming Queen, what If I Sold You the World?

451
00:22:15,520 --> 00:22:21,359
Speaker 1: When Lynn if you start a show Sunday, skin what

452
00:22:21,640 --> 00:22:26,680
Speaker 1: if you? I'm all on the light. I'm a home

453
00:22:27,160 --> 00:22:32,399
Speaker 1: Coming Queen. Chris, Carrie Underwood and Brad Paisley reunited on

454
00:22:32,480 --> 00:22:35,280
Speaker 1: the stage this weekend at an empty Grand Old Opery

455
00:22:35,400 --> 00:22:37,960
Speaker 1: for the opera show. You can watch the full livestream

456
00:22:38,000 --> 00:22:40,240
Speaker 1: at Bobby Bones dot com. Here's a clip of them

457
00:22:40,320 --> 00:22:44,000
Speaker 1: covering Whiskey Lullaby, Well the know that said all of

458
00:22:44,320 --> 00:22:55,880
Speaker 1: her too, I dine when we buried him? Willow Angel

459
00:22:56,040 --> 00:23:06,919
Speaker 1: sang Whiskey Move Bye. Kane Brown and his wife Caitlin

460
00:23:07,000 --> 00:23:09,960
Speaker 1: will be on Netflix's new show Get Organized. With the

461
00:23:10,119 --> 00:23:13,119
Speaker 1: home edit, you can watch them get their pantry organized

462
00:23:13,240 --> 00:23:16,520
Speaker 1: and the episode drops tomorrow. I'm Morgan number two. That's

463
00:23:16,560 --> 00:23:19,760
Speaker 1: You're Skinny Hall. It's time for the good news. Read

464
00:23:23,760 --> 00:23:25,880
Speaker 1: So Brian Schwartz he got laid off from his job

465
00:23:25,960 --> 00:23:28,160
Speaker 1: this summer and he was a former VP of digital

466
00:23:28,200 --> 00:23:30,920
Speaker 1: advertising for a big firm. But he lost his job,

467
00:23:31,000 --> 00:23:31,960
Speaker 1: so he's like, what do I do with all his

468
00:23:32,040 --> 00:23:35,760
Speaker 1: spare time? He started mowing lawns. For the elderly and veterans.

469
00:23:35,800 --> 00:23:38,119
Speaker 1: He started a website called I Want to Mow Your

470
00:23:38,200 --> 00:23:44,240
Speaker 1: Lawn dot com that was already taken. That's genius. Every

471
00:23:44,320 --> 00:23:47,320
Speaker 1: domain supposedly gone and that one was sitting there. Got it. Wow,

472
00:23:47,520 --> 00:23:49,760
Speaker 1: And so he says life's been hard. You know, he's

473
00:23:49,760 --> 00:23:52,119
Speaker 1: got a newborn, a lot of bills are piling up,

474
00:23:52,160 --> 00:23:53,560
Speaker 1: but he still has a lot of time in his hands.

475
00:23:53,560 --> 00:23:54,960
Speaker 1: So he wants to do this to help out. I

476
00:23:55,080 --> 00:23:56,840
Speaker 1: like that guy. That's a good story. That's what it's

477
00:23:56,880 --> 00:24:00,879
Speaker 1: all about. That was tell me something good Bobby Bones

478
00:24:00,920 --> 00:24:05,639
Speaker 1: Show down. Sorry up today. This story comes us from Pennsylvania.

479
00:24:06,160 --> 00:24:08,119
Speaker 1: A twenty two year old man was looking for a

480
00:24:08,240 --> 00:24:10,800
Speaker 1: job when he saw the pizza place said now hiring.

481
00:24:10,920 --> 00:24:13,520
Speaker 1: He went inside said, hey, man, can I get an application?

482
00:24:13,720 --> 00:24:16,119
Speaker 1: Filled it out handed as the worker then pulled out

483
00:24:16,160 --> 00:24:19,639
Speaker 1: a knife and stole the tip jar on the problems.

484
00:24:19,680 --> 00:24:21,399
Speaker 1: He had filled out the application, so they had his

485
00:24:21,520 --> 00:24:25,399
Speaker 1: name that I knew that was coming, and he left

486
00:24:25,480 --> 00:24:29,800
Speaker 1: his backpack with his idea. Get worse at this. I'm

487
00:24:29,880 --> 00:24:31,720
Speaker 1: much blocked out your bone head story of the day

488
00:24:34,560 --> 00:24:38,520
Speaker 1: on the Bobby Bones Show. Now, that's so Clay, Hey

489
00:24:38,720 --> 00:24:40,879
Speaker 1: brother's so good to be here. It's good. It's I'm

490
00:24:40,920 --> 00:24:42,320
Speaker 1: glad to have you here, you know. I know we

491
00:24:42,400 --> 00:24:44,399
Speaker 1: had talked about once. It kind of opened up with

492
00:24:44,480 --> 00:24:46,840
Speaker 1: COVID a little bit. You come up, and I guess

493
00:24:46,880 --> 00:24:48,800
Speaker 1: it has because you're here. Nobody touched you when you

494
00:24:48,840 --> 00:24:51,160
Speaker 1: walked in though, right, no one touched me. I brought

495
00:24:51,240 --> 00:24:54,359
Speaker 1: my mask. It's camel, you know, I got the right here. Well,

496
00:24:54,400 --> 00:24:56,800
Speaker 1: I saw a body walking without a face and I

497
00:24:56,920 --> 00:25:02,679
Speaker 1: was like, get an ammy came on, you know, I'm

498
00:25:02,720 --> 00:25:06,000
Speaker 1: with you, um Clay Walkers here. Which before we kind

499
00:25:06,000 --> 00:25:07,720
Speaker 1: of talk about some of the stuff from back in

500
00:25:07,720 --> 00:25:10,120
Speaker 1: the day. I'm curious about you being on Toby Keats

501
00:25:10,200 --> 00:25:12,639
Speaker 1: label because I saw that that you're now signed to

502
00:25:12,840 --> 00:25:15,679
Speaker 1: a show Dog Records, right right, So so how did

503
00:25:15,760 --> 00:25:19,000
Speaker 1: that come about? Well, Toby and I started out about

504
00:25:19,040 --> 00:25:20,440
Speaker 1: the same time. I think he came out this a

505
00:25:20,800 --> 00:25:23,160
Speaker 1: little bit before I did. But we did shows together

506
00:25:23,920 --> 00:25:26,719
Speaker 1: early on in our careers and always liked each other,

507
00:25:26,880 --> 00:25:31,520
Speaker 1: you know, and uh t K Chemberal his manager as

508
00:25:32,200 --> 00:25:34,560
Speaker 1: you know, as one of them the great managers of

509
00:25:34,680 --> 00:25:38,879
Speaker 1: our of our industry, and it just all jailed, you know.

510
00:25:38,960 --> 00:25:41,920
Speaker 1: We did a few shows with Toby and and t

511
00:25:42,119 --> 00:25:44,040
Speaker 1: K and I talked, and Toby and I talked, said, hey,

512
00:25:44,040 --> 00:25:45,719
Speaker 1: why don't we why don't we put out put out

513
00:25:45,760 --> 00:25:48,119
Speaker 1: a record? And so I started writing with all the

514
00:25:48,200 --> 00:25:50,520
Speaker 1: really great new writers in town and some of the

515
00:25:50,600 --> 00:25:52,960
Speaker 1: guys have been here a while too, and came up

516
00:25:53,000 --> 00:25:55,320
Speaker 1: with some songs that we all felt, you know, were

517
00:25:55,440 --> 00:25:59,920
Speaker 1: viable and could uh could compete uh, and so recorded

518
00:26:00,080 --> 00:26:03,200
Speaker 1: those and it just just worked out great. By the way,

519
00:26:03,240 --> 00:26:05,600
Speaker 1: here's a clip of Clay's new song. We're gonna have

520
00:26:05,680 --> 00:26:07,040
Speaker 1: a play in a little bit, but this is called

521
00:26:07,119 --> 00:26:17,840
Speaker 1: Nita Bar. Sometimes you play that for us later. Oh yeah, absolutely. Well,

522
00:26:17,880 --> 00:26:19,600
Speaker 1: you know, if you come and we talked about this before,

523
00:26:19,880 --> 00:26:22,080
Speaker 1: I was just gonna like throw stuff at you. And

524
00:26:22,200 --> 00:26:24,160
Speaker 1: I think that's the best way. You know, we haven't

525
00:26:24,200 --> 00:26:26,480
Speaker 1: talked about it at all. I mean, this is seriously

526
00:26:26,520 --> 00:26:28,520
Speaker 1: spitballing or shooting from the hip, as you say. But

527
00:26:29,280 --> 00:26:31,360
Speaker 1: you're known as a gun slinger anyway. So well, we're

528
00:26:31,400 --> 00:26:34,040
Speaker 1: all big fans in the room, so it's always awesome

529
00:26:34,080 --> 00:26:35,560
Speaker 1: for us to be able to, you know, to ask

530
00:26:35,640 --> 00:26:38,119
Speaker 1: about things that we wondered about as kids. And so

531
00:26:38,520 --> 00:26:40,800
Speaker 1: if we go back to nineteen ninety three, your first

532
00:26:40,880 --> 00:26:43,119
Speaker 1: number one, What's It to You? Like? Why was that

533
00:26:43,240 --> 00:26:47,000
Speaker 1: put out as the first single? Like? What were you thinking? Well,

534
00:26:47,000 --> 00:26:49,240
Speaker 1: it was gonna be dreaming with my eyes open? And

535
00:26:49,760 --> 00:26:53,840
Speaker 1: we we did back then what's called radio showcases, you know,

536
00:26:53,960 --> 00:26:56,760
Speaker 1: where different radio stations from around the country would come

537
00:26:56,800 --> 00:26:59,720
Speaker 1: into one single place like Dallas or you know, and

538
00:27:00,440 --> 00:27:02,399
Speaker 1: they listened to all the all the songs, and the

539
00:27:02,480 --> 00:27:05,040
Speaker 1: new record played them all in. And when we would

540
00:27:05,080 --> 00:27:07,680
Speaker 1: do What's It to You, we were seeing, you know,

541
00:27:07,960 --> 00:27:12,159
Speaker 1: the industry people, the gatekeepers stand up and cheer, and

542
00:27:12,240 --> 00:27:14,920
Speaker 1: we're like, hey, maybe it should be What's It to You?

543
00:27:15,119 --> 00:27:17,600
Speaker 1: And of course the rest is history. You're telling me

544
00:27:17,680 --> 00:27:19,040
Speaker 1: that you would play that song from a tape or

545
00:27:19,040 --> 00:27:21,120
Speaker 1: a city and people would stand up and cheer. We've

546
00:27:21,200 --> 00:27:25,960
Speaker 1: lost all emotions. No, no, no, no, no, oh you

547
00:27:26,119 --> 00:27:30,480
Speaker 1: do you got a standing ovation from a CD or tape?

548
00:27:30,960 --> 00:27:34,119
Speaker 1: That crazy, That's amazing. I'm gonna put it out of

549
00:27:34,160 --> 00:27:36,840
Speaker 1: a single. Two. Not everybody can be Bobby Bone, Honey,

550
00:27:36,840 --> 00:27:38,399
Speaker 1: You'll never You'll never believe this. I play was It

551
00:27:38,440 --> 00:27:41,560
Speaker 1: to You? On tape? The whole room stood up all right.

552
00:27:43,640 --> 00:27:45,960
Speaker 1: Nineteen ninety three. This is your first ever number one.

553
00:27:46,080 --> 00:27:47,320
Speaker 1: Would you give us a little bit of what's it

554
00:27:47,400 --> 00:27:49,000
Speaker 1: to you? Sure? Let's see if we stand up a

555
00:27:49,040 --> 00:28:03,679
Speaker 1: chair once over? No pressure, no pressure? What's that? Hi?

556
00:28:03,960 --> 00:28:10,479
Speaker 1: Hear angel singing telling me to make my move. Listen

557
00:28:10,640 --> 00:28:15,159
Speaker 1: to it, their voices ringing. Baby, if you feel it,

558
00:28:15,880 --> 00:28:20,280
Speaker 1: get in the groom. Love is a rhythm of too

559
00:28:20,560 --> 00:28:26,479
Speaker 1: heart beating, pounding out a message, steady and true. Talk

560
00:28:26,720 --> 00:28:31,000
Speaker 1: to me, baby, tell me what you're feeling. I know

561
00:28:31,119 --> 00:28:35,960
Speaker 1: what love is. What's it to you? I love? Yeah,

562
00:28:36,040 --> 00:28:38,520
Speaker 1: I had buzz. I can't stand up when you know

563
00:28:38,600 --> 00:28:42,440
Speaker 1: Bobby would start me out on the highest song first? Right,

564
00:28:43,200 --> 00:28:48,240
Speaker 1: but now you can lose play faces, bright Red? But

565
00:28:48,480 --> 00:28:52,520
Speaker 1: does it there? That's to me? There were some notes

566
00:28:52,600 --> 00:28:55,360
Speaker 1: that were different than how I remember hearing it. But

567
00:28:55,440 --> 00:28:57,720
Speaker 1: do you change it out? Because you know, just for

568
00:28:57,840 --> 00:29:01,280
Speaker 1: your just give it a little something different since your no,

569
00:29:01,560 --> 00:29:04,800
Speaker 1: you just pointed out, um the obvious. You know that

570
00:29:05,000 --> 00:29:08,160
Speaker 1: my tone nails did not match my fingernail polish because

571
00:29:08,760 --> 00:29:11,880
Speaker 1: I actually never play that song. I just sing it,

572
00:29:12,040 --> 00:29:14,400
Speaker 1: you know, held a microphone. So I just noticed I

573
00:29:14,440 --> 00:29:16,320
Speaker 1: played a couple of wrong chords, and I'm like, I

574
00:29:18,080 --> 00:29:25,600
Speaker 1: notice that, Amy, please really, bright Red? I thought it

575
00:29:25,680 --> 00:29:29,240
Speaker 1: was an artistic thing where you change it up, because

576
00:29:29,320 --> 00:29:31,760
Speaker 1: for me, I was I was singing along and not

577
00:29:31,960 --> 00:29:34,880
Speaker 1: allow but I was doing lets one more time, you

578
00:29:36,280 --> 00:29:43,800
Speaker 1: can do good? It was bad. I said, it's different.

579
00:29:43,920 --> 00:29:45,760
Speaker 1: You said, good news is we have a full show

580
00:29:45,800 --> 00:29:49,360
Speaker 1: to make up for him. A clay Walker's here. Um,

581
00:29:49,480 --> 00:29:52,360
Speaker 1: let's go. I'm interested in if I can make a

582
00:29:52,440 --> 00:29:55,880
Speaker 1: living because Alan Jackson wrote that song, right, yeah, And

583
00:29:56,000 --> 00:29:58,600
Speaker 1: so how do you get an Alan Jackson song? And

584
00:29:59,360 --> 00:30:03,920
Speaker 1: why didn't Alan Jackson recorded because it's such a jam. Well,

585
00:30:04,400 --> 00:30:08,280
Speaker 1: here's the thing too, and we get as songwriters you

586
00:30:08,440 --> 00:30:11,720
Speaker 1: never really know, you know if every song your write's

587
00:30:11,720 --> 00:30:12,960
Speaker 1: going to be a hit, you know, and they're not

588
00:30:13,080 --> 00:30:16,400
Speaker 1: all hits, but you demo them. You In other words,

589
00:30:16,440 --> 00:30:18,000
Speaker 1: you might you write a song and then you have

590
00:30:18,440 --> 00:30:21,120
Speaker 1: something to record it with and you have it there

591
00:30:21,240 --> 00:30:24,000
Speaker 1: so you can remember it. And he wrote this song

592
00:30:24,120 --> 00:30:26,600
Speaker 1: with another with a couple of other writers, one of

593
00:30:26,640 --> 00:30:28,440
Speaker 1: them me and Keith Steve All who was his producer

594
00:30:28,480 --> 00:30:33,320
Speaker 1: at the time still is. And so whatever, Alan decided, Hey,

595
00:30:33,360 --> 00:30:34,840
Speaker 1: these are my best songs. I'm not going to put

596
00:30:34,920 --> 00:30:38,080
Speaker 1: these other ones on my CD or on my album.

597
00:30:39,040 --> 00:30:42,520
Speaker 1: Those get pitched out to other artists, and so I

598
00:30:42,720 --> 00:30:44,880
Speaker 1: heard the song and it's Alan's voice on it, and

599
00:30:45,720 --> 00:30:48,280
Speaker 1: my producer at the time, James Stroud, played it from

600
00:30:48,280 --> 00:30:50,280
Speaker 1: me and he goes like, I don't know. Like I said, James,

601
00:30:50,360 --> 00:30:53,400
Speaker 1: that's a smash. That's a mega smash, you know. And

602
00:30:53,480 --> 00:30:55,240
Speaker 1: I'm a writer and I write a lot of my

603
00:30:55,320 --> 00:30:59,200
Speaker 1: own songs, and that song resonated with me, and I said,

604
00:30:59,280 --> 00:31:00,760
Speaker 1: not only is it just as I wanted as a

605
00:31:00,800 --> 00:31:04,400
Speaker 1: first single and the album title. And so Alan Jackson

606
00:31:04,480 --> 00:31:09,320
Speaker 1: played in my hometown of Beaumont on the show and

607
00:31:09,480 --> 00:31:11,800
Speaker 1: he actually knows I'm from there, I guess, and he

608
00:31:12,000 --> 00:31:14,440
Speaker 1: played if I could make a living. The place went crazy,

609
00:31:14,560 --> 00:31:16,000
Speaker 1: you know, I had friends or with the concert, and

610
00:31:16,000 --> 00:31:17,760
Speaker 1: he said, you're not gonna believe this, you know, how

611
00:31:17,800 --> 00:31:19,680
Speaker 1: can he do that? Or go well, he wrote it,

612
00:31:19,840 --> 00:31:25,320
Speaker 1: he can do it, betoum because it's it happened a

613
00:31:25,360 --> 00:31:27,480
Speaker 1: bit with Stapleton for a bunch of years here, not

614
00:31:27,560 --> 00:31:29,920
Speaker 1: so much now, but he would know as a songwriter

615
00:31:30,000 --> 00:31:32,200
Speaker 1: in town. But his voice would be on the track

616
00:31:32,320 --> 00:31:34,600
Speaker 1: on the on the demo, and it makes it sound

617
00:31:34,720 --> 00:31:37,360
Speaker 1: even better when Stapleton singing it. I wonder if when

618
00:31:37,400 --> 00:31:39,320
Speaker 1: Alan Jackson was singing the demo for a little bit

619
00:31:39,360 --> 00:31:41,520
Speaker 1: that it was Alan Jackson singing it. You're like, dang,

620
00:31:42,000 --> 00:31:46,040
Speaker 1: this is cool. No. I was like, I certainly can't

621
00:31:46,040 --> 00:31:49,000
Speaker 1: sing it better than him, but hopefully no one ever

622
00:31:49,080 --> 00:31:51,560
Speaker 1: hears Alan sing it. You know. It's uh, that's that's

623
00:31:51,600 --> 00:31:52,720
Speaker 1: what I went with it a vame. You would have

624
00:31:52,720 --> 00:31:54,280
Speaker 1: heard him, and she probably would have said for the best.

625
00:31:54,880 --> 00:31:59,760
Speaker 1: You know, all right, that's a joke. He's gonna do

626
00:31:59,800 --> 00:32:02,040
Speaker 1: this hatless. I know, I was gonna have whatever happens,

627
00:32:02,240 --> 00:32:04,640
Speaker 1: just say nothing. This is having a good time. We

628
00:32:04,760 --> 00:32:07,680
Speaker 1: are hap time. I really enjoyed it. I just thought

629
00:32:08,200 --> 00:32:10,600
Speaker 1: that he was mixing it up because he got tired

630
00:32:10,640 --> 00:32:13,360
Speaker 1: of playing it the old way. Okay, if I can

631
00:32:13,440 --> 00:32:15,920
Speaker 1: make a living from nineteen ninety four clay Walker's here,

632
00:32:15,920 --> 00:32:17,600
Speaker 1: he gets a little bit of that one. Oh yeah,

633
00:32:18,840 --> 00:32:21,320
Speaker 1: If I can make a living out of loving you,

634
00:32:21,960 --> 00:32:24,480
Speaker 1: I'd be a million name in a week or two.

635
00:32:24,880 --> 00:32:27,480
Speaker 1: I'd been doing what I love and love and want

636
00:32:27,480 --> 00:32:29,840
Speaker 1: to do. If I can make a living out of

637
00:32:29,960 --> 00:32:36,440
Speaker 1: loving you. Early every morning when the sun comes up,

638
00:32:36,720 --> 00:32:40,640
Speaker 1: I'm punching that clock on the wall and breaking my

639
00:32:40,880 --> 00:32:44,000
Speaker 1: back just to make a pluck I'm wishing I was

640
00:32:44,120 --> 00:32:49,280
Speaker 1: in your arm. If I can make a living out

641
00:32:49,440 --> 00:32:53,240
Speaker 1: loving you, I'd be a millionnaire in a week or two.

642
00:32:53,640 --> 00:32:56,040
Speaker 1: I've been doing what I love and love and what

643
00:32:56,240 --> 00:33:01,280
Speaker 1: to do. I can make a living out of loving you. Yeah,

644
00:33:01,520 --> 00:33:05,080
Speaker 1: that was awesome. That's three chords in the truth, Bobby,

645
00:33:05,200 --> 00:33:06,480
Speaker 1: is a little bit easier than what's it to you?

646
00:33:06,600 --> 00:33:11,480
Speaker 1: You know, you have six kids? Huh yeah, true? Yeah,

647
00:33:11,560 --> 00:33:13,800
Speaker 1: to think about that, well, I was thinking there's one

648
00:33:13,840 --> 00:33:15,080
Speaker 1: on the way too. Yeah, but you're about to have

649
00:33:15,160 --> 00:33:18,120
Speaker 1: seven in January, right, we have six kids? Yeah? What

650
00:33:18,320 --> 00:33:21,880
Speaker 1: kind of minivan was that? Well? You know when I

651
00:33:21,920 --> 00:33:24,040
Speaker 1: look out in my pastoring of some of the mill

652
00:33:24,120 --> 00:33:26,120
Speaker 1: horses or geldings, and you know, and you look out

653
00:33:26,160 --> 00:33:28,160
Speaker 1: in the cow pasture and you just have one bull.

654
00:33:28,320 --> 00:33:32,880
Speaker 1: You know, I'm a breeder. It's just that simple. Holy

655
00:33:33,000 --> 00:33:36,640
Speaker 1: crab man. So you have your seventh kid coming. How

656
00:33:36,640 --> 00:33:39,360
Speaker 1: do you feel about a new baby? I feel great

657
00:33:39,360 --> 00:33:42,040
Speaker 1: about it. You know. The kids are the greatest thing

658
00:33:42,120 --> 00:33:44,800
Speaker 1: on earth, you know. And being a mom too, you know,

659
00:33:44,880 --> 00:33:47,640
Speaker 1: I've been able to watch my wife Jessica be like

660
00:33:47,800 --> 00:33:53,280
Speaker 1: the greatest mom. It's the most unselfish. Yeah, I mean

661
00:33:53,320 --> 00:33:57,560
Speaker 1: I think women have the toughest jobs, and they they

662
00:33:57,640 --> 00:33:59,719
Speaker 1: do it with grace, you know, especially people like her.

663
00:33:59,800 --> 00:34:02,560
Speaker 1: I'm blowing away, you know. She she gives life, she

664
00:34:02,720 --> 00:34:06,320
Speaker 1: defends life, and she makes these great babies. Our kids

665
00:34:06,320 --> 00:34:13,120
Speaker 1: are you know, pretty much perfect citizens? No, no, they're not.

666
00:34:16,520 --> 00:34:20,279
Speaker 1: Can we send ours? All? Right? Clay Walker is here.

667
00:34:20,400 --> 00:34:22,239
Speaker 1: Let's do a more before take a break. Let's do

668
00:34:22,440 --> 00:34:25,680
Speaker 1: let's go nineteen ninety four. This woman and this man

669
00:34:26,800 --> 00:34:29,920
Speaker 1: kind of our first ballady song that we're gonna do here,

670
00:34:30,480 --> 00:34:32,680
Speaker 1: like Clay Walker getting a little lovey dovey. How do

671
00:34:32,680 --> 00:34:35,960
Speaker 1: you feel about putting out a song like this exactly

672
00:34:36,000 --> 00:34:38,560
Speaker 1: the way you just described it? You know, these big

673
00:34:38,640 --> 00:34:43,440
Speaker 1: ballads have always been where my heart is, you know,

674
00:34:43,440 --> 00:34:45,400
Speaker 1: I mean I love country music period, But man, you

675
00:34:45,480 --> 00:34:54,799
Speaker 1: get to sing a song like this when I been

676
00:34:55,000 --> 00:34:59,320
Speaker 1: trying so hard just to talk to you. Havn't heard

677
00:34:59,640 --> 00:35:08,759
Speaker 1: half for what you want me to. I've heard so

678
00:35:09,040 --> 00:35:12,879
Speaker 1: bad over where we've been. I don't know how I'm

679
00:35:12,920 --> 00:35:23,800
Speaker 1: i to go back there again. I know what I

680
00:35:23,960 --> 00:35:30,359
Speaker 1: want to say. Can I get it through to you now?

681
00:35:31,080 --> 00:35:37,080
Speaker 1: In some other way? Like there was this warmer and

682
00:35:37,320 --> 00:35:42,359
Speaker 1: there was this man. It was this moment they had

683
00:35:42,440 --> 00:35:47,319
Speaker 1: a chance to hold only what they had. Why could

684
00:35:47,400 --> 00:35:54,120
Speaker 1: they be so in love? You still never see? Now?

685
00:35:54,320 --> 00:36:00,160
Speaker 1: Nothing could be said then this woman, this woman in

686
00:36:00,400 --> 00:36:09,400
Speaker 1: this man. Oh, that's awesome. Man. That might be my favorite.

687
00:36:09,560 --> 00:36:13,239
Speaker 1: That might that might be my favorite. It is mine.

688
00:36:13,480 --> 00:36:16,480
Speaker 1: It's I love doing that song every night. You know,

689
00:36:16,560 --> 00:36:18,880
Speaker 1: it's just got a soulfulness stood. Where does that go

690
00:36:18,960 --> 00:36:23,759
Speaker 1: on the set list? It goes near the end. But

691
00:36:23,880 --> 00:36:26,200
Speaker 1: I've been the last few shows that we did, which

692
00:36:26,239 --> 00:36:29,400
Speaker 1: has been a minute. Um, we've ended the night with

693
00:36:29,560 --> 00:36:33,160
Speaker 1: that song. And my agent, Nick Minama said, and I

694
00:36:33,200 --> 00:36:34,759
Speaker 1: don't think that we just blow people's mind if you

695
00:36:34,840 --> 00:36:36,520
Speaker 1: just do this one last. I'm like, we always end

696
00:36:36,560 --> 00:36:39,320
Speaker 1: on an up tempo. No, we started ending with that

697
00:36:39,400 --> 00:36:42,000
Speaker 1: song right there, and it was like anybody's walking out crying.

698
00:36:45,080 --> 00:36:47,120
Speaker 1: All right, Well, we're gonna take a break. Clay Walker's here.

699
00:36:47,280 --> 00:36:48,920
Speaker 1: We're gonna do two things We're gonna when we come back.

700
00:36:49,080 --> 00:36:51,360
Speaker 1: I'm probably gonna request hypnotize the Moon just as it

701
00:36:51,400 --> 00:36:53,799
Speaker 1: heads up. I'm gonna have you play your new song too,

702
00:36:53,840 --> 00:36:56,880
Speaker 1: because it's really good. Not that I'm surprised, but a

703
00:36:56,920 --> 00:36:59,040
Speaker 1: little bit I'm surprised. I'm surprise when anybody brings good

704
00:36:59,040 --> 00:37:00,520
Speaker 1: stuff in because it's so hard to me good music

705
00:37:00,600 --> 00:37:03,200
Speaker 1: now because you feel like everything's already been done. But

706
00:37:04,120 --> 00:37:05,920
Speaker 1: it's it's really cool. The new song is really cool too.

707
00:37:06,800 --> 00:37:08,440
Speaker 1: It's like you having to come in, you know, and

708
00:37:09,160 --> 00:37:11,400
Speaker 1: and beat the last show that you did. You know

709
00:37:11,560 --> 00:37:13,200
Speaker 1: that you feel like it was great. You got to

710
00:37:14,400 --> 00:37:16,520
Speaker 1: you gotta plan for it, Ryan, see if you can

711
00:37:16,560 --> 00:37:20,399
Speaker 1: do it. Well, I'm a friend. We're now the second

712
00:37:20,440 --> 00:37:21,920
Speaker 1: segment where we're gonna do a couple of things. We're

713
00:37:21,920 --> 00:37:24,000
Speaker 1: gonna play a couple more requests from me because that's

714
00:37:24,080 --> 00:37:26,160
Speaker 1: I'm very selfish when it comes to when it comes

715
00:37:26,200 --> 00:37:29,000
Speaker 1: to people that I loved listening to like it. Let's

716
00:37:29,000 --> 00:37:30,839
Speaker 1: just me, me me. It's the only time I really

717
00:37:30,880 --> 00:37:32,719
Speaker 1: get to be selfish at this job. So we're gonna

718
00:37:32,719 --> 00:37:34,080
Speaker 1: do that. I'm gonna have you play the new song.

719
00:37:34,280 --> 00:37:36,120
Speaker 1: But I also have some questions because I've been watching

720
00:37:36,200 --> 00:37:38,520
Speaker 1: Yellowstone a little bit. I guess I'm caught up on

721
00:37:38,600 --> 00:37:40,600
Speaker 1: yellow Yeah, you're done. You have you watched it at all?

722
00:37:41,080 --> 00:37:43,640
Speaker 1: All except this season? Okay, I'm excited. I'm gonna binge

723
00:37:43,719 --> 00:37:46,839
Speaker 1: watch it. You know, I like watch it like me too? Yeah,

724
00:37:47,000 --> 00:37:49,040
Speaker 1: so I just finished season three, you're about to get

725
00:37:49,040 --> 00:37:52,120
Speaker 1: into it, and so you know there were horses around

726
00:37:52,120 --> 00:37:54,080
Speaker 1: a little bit, but you ride horses, and I wonder,

727
00:37:54,120 --> 00:37:56,640
Speaker 1: as someone who writes songs but also rides horses, if

728
00:37:56,680 --> 00:37:58,120
Speaker 1: you're out on a horse and you get a song

729
00:37:58,239 --> 00:37:59,799
Speaker 1: idea and you have nothing in your pocket to save

730
00:37:59,840 --> 00:38:02,120
Speaker 1: the idea, well, how do you remember a song idea

731
00:38:02,160 --> 00:38:05,560
Speaker 1: when you're out riding a horse? Where in the hell

732
00:38:05,600 --> 00:38:07,800
Speaker 1: would you even think of something? I mean, it's crazy,

733
00:38:08,640 --> 00:38:11,319
Speaker 1: but come on, I'm fired all the time. Yeah, when

734
00:38:11,320 --> 00:38:14,080
Speaker 1: you're out in the field when I'm riding horses, though,

735
00:38:14,400 --> 00:38:17,440
Speaker 1: you know, when you got twelve or thirteen hundred pounds,

736
00:38:17,800 --> 00:38:19,640
Speaker 1: you know that you're that you're riding on top of

737
00:38:19,760 --> 00:38:23,880
Speaker 1: I mean, you're kind of thinking about um keeping it

738
00:38:23,920 --> 00:38:27,319
Speaker 1: all together. So the song I had, I guess if

739
00:38:27,320 --> 00:38:28,800
Speaker 1: you came up with the song, you just have to

740
00:38:29,200 --> 00:38:31,880
Speaker 1: have to hum it into me. If you can remember

741
00:38:31,920 --> 00:38:35,200
Speaker 1: a song idea, then it's worthy of riding. But if

742
00:38:35,239 --> 00:38:38,319
Speaker 1: you forget it, somebody else would forget it that easy

743
00:38:38,360 --> 00:38:40,360
Speaker 1: as well. Dang, I've forgotten all my good ideas and

744
00:38:40,480 --> 00:38:42,520
Speaker 1: a bunch of great ones. I forgot it wrong. Yeah, yeah, yeah,

745
00:38:42,680 --> 00:38:44,000
Speaker 1: tell me if this is true. I used to work

746
00:38:44,040 --> 00:38:47,360
Speaker 1: at Super a motel and you're doing music, but you

747
00:38:47,480 --> 00:38:49,680
Speaker 1: decided to after your shift to go to a local

748
00:38:49,760 --> 00:38:52,919
Speaker 1: radio station and drop off a tape that happened it's true, yes, okay,

749
00:38:53,000 --> 00:38:55,480
Speaker 1: So and what was on that tape a song that

750
00:38:55,520 --> 00:39:01,279
Speaker 1: I've written, um and the DJU. You want the whole story,

751
00:39:01,400 --> 00:39:04,520
Speaker 1: just give me the story. So I was working the

752
00:39:04,600 --> 00:39:08,319
Speaker 1: graveyard shift and it was slow, and so the radio

753
00:39:08,360 --> 00:39:11,200
Speaker 1: station was probably three miles from the Super eight, and

754
00:39:11,280 --> 00:39:13,279
Speaker 1: so I got in the car and drove down there

755
00:39:13,320 --> 00:39:16,480
Speaker 1: and I knocked on the door and nobody answered, and

756
00:39:16,520 --> 00:39:18,280
Speaker 1: so I went around to the other side of the building.

757
00:39:18,280 --> 00:39:20,480
Speaker 1: I knocked on the window, and then I guess I

758
00:39:20,560 --> 00:39:22,000
Speaker 1: climbed up on the side of the wall and there

759
00:39:22,080 --> 00:39:23,960
Speaker 1: was like a little bitty tiny window. It was kight

760
00:39:24,160 --> 00:39:27,040
Speaker 1: ninety seven KYD and I started banging on this one

761
00:39:27,080 --> 00:39:29,440
Speaker 1: window and that was the actual to the where the

762
00:39:29,520 --> 00:39:32,920
Speaker 1: guy was, you know, DJ, and his name was Gary Hayes.

763
00:39:33,719 --> 00:39:37,000
Speaker 1: And I guess he finally heard me, and he came

764
00:39:37,040 --> 00:39:39,359
Speaker 1: around to the door and it's like two in the morning,

765
00:39:39,440 --> 00:39:43,080
Speaker 1: three in the morning. He does the door when real fast,

766
00:39:43,120 --> 00:39:45,960
Speaker 1: you know, he goes what and I'm like terrified. You

767
00:39:46,040 --> 00:39:48,400
Speaker 1: know this big old guy, you big big guy. And

768
00:39:48,600 --> 00:39:51,640
Speaker 1: he goes up, what do you want? And I'm standing

769
00:39:51,680 --> 00:39:54,279
Speaker 1: there this little real to real back then it was

770
00:39:54,480 --> 00:39:56,560
Speaker 1: you made this, and it was, you know, on sixteen

771
00:39:56,600 --> 00:39:59,160
Speaker 1: inches per second kind of thing. Only a true radio

772
00:39:59,160 --> 00:40:02,640
Speaker 1: gave knew what I'm talking about. And he says, what

773
00:40:02,840 --> 00:40:04,799
Speaker 1: is this. I said, it's my song, and he goes,

774
00:40:05,880 --> 00:40:07,840
Speaker 1: oh my gosh. He goes, come on in. So I

775
00:40:08,080 --> 00:40:10,000
Speaker 1: went in, and he takes me over to the studio

776
00:40:10,080 --> 00:40:13,880
Speaker 1: and he cues it up and he plays it and

777
00:40:14,000 --> 00:40:16,120
Speaker 1: he records accords it to this thing that looks like

778
00:40:16,160 --> 00:40:18,799
Speaker 1: an eight track called cart and this is the way

779
00:40:18,960 --> 00:40:20,880
Speaker 1: the radio stations used to be run, you know. And

780
00:40:20,960 --> 00:40:22,799
Speaker 1: so he records it and he goes, man, he goes,

781
00:40:23,360 --> 00:40:26,239
Speaker 1: it's really nice. He goes, I'm surprised, he said. He said,

782
00:40:26,239 --> 00:40:28,520
Speaker 1: I can't play it. He said, we are a reporting

783
00:40:28,600 --> 00:40:30,520
Speaker 1: station and I didn't even know what that man. He said,

784
00:40:30,520 --> 00:40:33,160
Speaker 1: I can't play it, he said, but it is good.

785
00:40:33,400 --> 00:40:35,200
Speaker 1: And he handed me my real back and I went out.

786
00:40:35,840 --> 00:40:37,440
Speaker 1: I was driving down the road and he comes back

787
00:40:37,480 --> 00:40:39,200
Speaker 1: on the air and he goes, man, ladies and gentlemen.

788
00:40:39,239 --> 00:40:42,480
Speaker 1: He goes, I might get fired over this, he said,

789
00:40:42,520 --> 00:40:44,839
Speaker 1: but you know, there's the Buddy Holly story and blah

790
00:40:44,840 --> 00:40:48,200
Speaker 1: blah blah. And he goes, here's a local kid, Clay Walker,

791
00:40:48,360 --> 00:40:51,399
Speaker 1: who wrote this song, and he plays it and it's

792
00:40:51,480 --> 00:40:53,920
Speaker 1: on the radio. And I mean, I'm poor. I'm like,

793
00:40:54,040 --> 00:40:56,719
Speaker 1: I'm just shaking. I mean, I'm literally just just shake.

794
00:40:56,880 --> 00:40:59,719
Speaker 1: I can't even believe it, because what the airwaves do

795
00:41:00,520 --> 00:41:03,759
Speaker 1: two people in general, just the listeners. You know. I've

796
00:41:03,760 --> 00:41:06,839
Speaker 1: always been a radio fan, you know, like everybody else.

797
00:41:06,920 --> 00:41:10,640
Speaker 1: And to hear my own self on there freaked me out.

798
00:41:11,040 --> 00:41:12,880
Speaker 1: And I said, man, that's all I wanted for the

799
00:41:12,920 --> 00:41:15,279
Speaker 1: rest of my life, you know. And so I'm on here,

800
00:41:15,360 --> 00:41:17,960
Speaker 1: you know, And congrats to you. I know, people suck

801
00:41:18,080 --> 00:41:19,239
Speaker 1: up to you all the time because you're a big

802
00:41:19,239 --> 00:41:21,239
Speaker 1: shot and all that. But I gotta tell you, man,

803
00:41:21,320 --> 00:41:24,120
Speaker 1: it's hard to make it in the music business. It's

804
00:41:24,200 --> 00:41:26,440
Speaker 1: even harder to make it in the radio business. You

805
00:41:26,640 --> 00:41:28,960
Speaker 1: have knocked it out of the parks. Well that's very kind.

806
00:41:29,080 --> 00:41:31,239
Speaker 1: Well that's crazy. And you still remember his name. Good

807
00:41:31,360 --> 00:41:33,680
Speaker 1: good for good for you for and look what you're

808
00:41:33,680 --> 00:41:35,400
Speaker 1: about to do for me. I'm about to be famous.

809
00:41:35,440 --> 00:41:37,080
Speaker 1: I'm about to break up. I'm about to break a

810
00:41:37,120 --> 00:41:39,920
Speaker 1: new artist. Clay Walker. Everybody, first time you heard of

811
00:41:42,640 --> 00:41:44,800
Speaker 1: But I have a question about what was his name? Gary?

812
00:41:45,040 --> 00:41:48,160
Speaker 1: Gary Hayes. Okay, Gary Hayes. So once you did make

813
00:41:48,239 --> 00:41:51,160
Speaker 1: it and you were all over the radio, did you

814
00:41:51,320 --> 00:41:53,520
Speaker 1: did you ever talk to him again? Or was he

815
00:41:53,560 --> 00:41:56,520
Speaker 1: ever like, oh my gosh, this kid made it. He died? Oh,

816
00:41:56,760 --> 00:42:01,440
Speaker 1: Amy walks us into the best Boy. I'm leaving. But

817
00:42:01,640 --> 00:42:05,440
Speaker 1: when Amy Amy's over too on the clay Walker Interviews

818
00:42:06,400 --> 00:42:10,840
Speaker 1: plays getting up and walking out of the room, I

819
00:42:11,040 --> 00:42:16,600
Speaker 1: do I do hyletize the moon another one if I'm

820
00:42:16,600 --> 00:42:19,400
Speaker 1: putting it into my top two or three, this is

821
00:42:19,480 --> 00:42:21,560
Speaker 1: one for me that I just love. I don't know

822
00:42:21,560 --> 00:42:23,520
Speaker 1: if it's because it reminds me of where I was

823
00:42:23,560 --> 00:42:26,160
Speaker 1: as a teenager, or if it's because I just love

824
00:42:26,239 --> 00:42:30,400
Speaker 1: clay Walker ballads. No, and I love I love the

825
00:42:30,440 --> 00:42:32,479
Speaker 1: ballads too. I think people know when you like something

826
00:42:32,520 --> 00:42:34,640
Speaker 1: a lot. I love the ballads. You know, you can't play,

827
00:42:34,920 --> 00:42:37,759
Speaker 1: you know, fifteen slow songs in the show though, you know,

828
00:42:37,840 --> 00:42:40,000
Speaker 1: unless you're very manlow, you know, so you gotta you

829
00:42:40,120 --> 00:42:43,560
Speaker 1: gotta have the up tempos. But I really love the ballads.

830
00:42:43,560 --> 00:42:49,799
Speaker 1: So this song uh was written by Steve Dorff, and UH.

831
00:42:50,480 --> 00:42:52,920
Speaker 1: I remember getting this song thinking, oh my gosh, this

832
00:42:53,080 --> 00:42:55,439
Speaker 1: is this is such a great song. And I didn't

833
00:42:55,480 --> 00:42:57,439
Speaker 1: write her to wish they would have, but here goes

834
00:43:00,400 --> 00:43:07,080
Speaker 1: she knew. She called my eye and that was all

835
00:43:07,360 --> 00:43:16,880
Speaker 1: he too. Ain't it strange? How forever change with just

836
00:43:17,400 --> 00:43:25,600
Speaker 1: wander look the magic feel dum night. She touched my

837
00:43:25,840 --> 00:43:32,520
Speaker 1: soul like no wan else. It's the way that woman

838
00:43:33,040 --> 00:43:43,239
Speaker 1: made me feel. Let me talk into myself. WHOA. You

839
00:43:43,520 --> 00:43:48,400
Speaker 1: better run for cover, You better hide your heart because

840
00:43:48,600 --> 00:43:52,800
Speaker 1: once you start to love it, you know you never stopped.

841
00:43:53,400 --> 00:43:57,920
Speaker 1: She shines like a diamond when she walks into room.

842
00:43:59,480 --> 00:44:08,480
Speaker 1: She charm stops, hypnotize the moon. Nice. That's so good man,

843
00:44:08,960 --> 00:44:12,239
Speaker 1: play a walk. I'm gonna ask for a walt more.

844
00:44:12,560 --> 00:44:14,880
Speaker 1: And you know what's crazy about your career that you

845
00:44:14,920 --> 00:44:16,719
Speaker 1: don't see a lot of artists is that you know

846
00:44:16,760 --> 00:44:19,359
Speaker 1: your first hits at ninety three, you had she won't

847
00:44:19,360 --> 00:44:22,040
Speaker 1: belong along in two thousand and nine like that. That's

848
00:44:22,160 --> 00:44:24,080
Speaker 1: quite the run there. I mean to be able to

849
00:44:24,239 --> 00:44:26,040
Speaker 1: have a number one in nineteen ninety three and then

850
00:44:26,080 --> 00:44:28,040
Speaker 1: put out this jam in two thousand and nine like

851
00:44:28,480 --> 00:44:30,920
Speaker 1: good for you? I mean, how'd you do that when

852
00:44:31,040 --> 00:44:34,440
Speaker 1: whenever this song hits, had you been up? Or was

853
00:44:34,480 --> 00:44:38,720
Speaker 1: that kind of a regrab? I think in this town

854
00:44:39,400 --> 00:44:42,879
Speaker 1: you're always regrabbing, you know. There there's there's all kind

855
00:44:42,920 --> 00:44:47,360
Speaker 1: of opposition, you know, and and there's support too, you know.

856
00:44:47,440 --> 00:44:49,960
Speaker 1: I think you gotta have the song. The big songs

857
00:44:50,040 --> 00:44:52,480
Speaker 1: are gonna make it and they find their way somehow

858
00:44:52,960 --> 00:44:56,640
Speaker 1: to the top. And now I think that's fair. And um,

859
00:44:58,680 --> 00:45:02,600
Speaker 1: I wanted to say opposition. There's there's age, there's there's

860
00:45:02,640 --> 00:45:05,600
Speaker 1: a new artist, there's there's all kinds of competition out there.

861
00:45:05,640 --> 00:45:07,360
Speaker 1: So you gotta have you gotta have something great. But

862
00:45:07,400 --> 00:45:09,120
Speaker 1: I look at George Strait and I'm like, you know, what,

863
00:45:09,840 --> 00:45:13,200
Speaker 1: what does he have? Like sixty number one? Something crazy?

864
00:45:13,280 --> 00:45:16,040
Speaker 1: You know? And and uh still sings great, looks great,

865
00:45:16,160 --> 00:45:18,840
Speaker 1: still does great shows. And and so I think we

866
00:45:18,920 --> 00:45:21,800
Speaker 1: all need something to look to, you know. And I

867
00:45:21,880 --> 00:45:23,799
Speaker 1: think some of the younger artists that are out right

868
00:45:23,840 --> 00:45:26,160
Speaker 1: now look to me in some ways, you know. And

869
00:45:26,600 --> 00:45:29,239
Speaker 1: I think if I have another hit, I think it

870
00:45:29,360 --> 00:45:31,719
Speaker 1: inspires them to know that they could do it too.

871
00:45:31,920 --> 00:45:36,480
Speaker 1: But to your point, Um, that song right there was

872
00:45:36,920 --> 00:45:39,239
Speaker 1: was gonna make it, and it didn't have a lot

873
00:45:39,280 --> 00:45:41,520
Speaker 1: of support coming out of the gate. And that's how

874
00:45:41,520 --> 00:45:43,960
Speaker 1: I know it's a great song. It just it just

875
00:45:44,239 --> 00:45:46,399
Speaker 1: radio said, hey, this is a song for us. When

876
00:45:46,440 --> 00:45:48,160
Speaker 1: I say support, we didn't have a lot of money

877
00:45:48,200 --> 00:45:51,200
Speaker 1: to support it and spend money, just promoted and things

878
00:45:51,239 --> 00:45:54,520
Speaker 1: like that. And this song would have made it because

879
00:45:54,719 --> 00:45:57,200
Speaker 1: on its own merit and radio radio folks like you

880
00:45:57,480 --> 00:46:00,680
Speaker 1: really loved it. Two thousand and nine, The last request

881
00:46:00,760 --> 00:46:12,840
Speaker 1: from me, She won't be lonely long from Claywalker. Something

882
00:46:12,920 --> 00:46:20,200
Speaker 1: about the way she's wearing her dress a little titter.

883
00:46:21,040 --> 00:46:27,880
Speaker 1: Something about the way she's staring. She's looking to start

884
00:46:28,040 --> 00:46:37,399
Speaker 1: a fire. Something about the way she's dancing and drinking. Chill, patrollme.

885
00:46:38,520 --> 00:46:43,399
Speaker 1: If she's long and now she won't be alone and long,

886
00:46:44,239 --> 00:46:49,439
Speaker 1: giving help the fool who did a wrong. It's too late,

887
00:46:49,840 --> 00:46:54,480
Speaker 1: too bad, she's too far gone. He should have thought

888
00:46:54,680 --> 00:47:00,920
Speaker 1: that before he left her on along. If she's long

889
00:47:01,160 --> 00:47:15,440
Speaker 1: and now she won't be long. There's something about the

890
00:47:15,680 --> 00:47:22,080
Speaker 1: way she's blushing. You can tell she isn't the should

891
00:47:22,800 --> 00:47:28,560
Speaker 1: you let you though? She's up to something she's never

892
00:47:29,280 --> 00:47:36,920
Speaker 1: done before. Tonight she wants to hold stranger, but night

893
00:47:37,160 --> 00:47:42,800
Speaker 1: the one at harm. If she's long and now, she

894
00:47:43,040 --> 00:47:49,399
Speaker 1: won't be alonely long even help the fool you didner Long,

895
00:47:50,160 --> 00:47:55,000
Speaker 1: it's too late, too bad, she's too far gone. He

896
00:47:55,160 --> 00:47:59,680
Speaker 1: should have thought it there before he left her all along.

897
00:48:01,520 --> 00:48:10,080
Speaker 1: If she's loanding now, Lord, if she's loanding now, if

898
00:48:10,160 --> 00:48:15,759
Speaker 1: she's loanding now, she won't be lonely alone. Come on,

899
00:48:16,880 --> 00:48:20,680
Speaker 1: that's awesome, man, that isn't great? And what a great

900
00:48:20,719 --> 00:48:22,720
Speaker 1: crowd we are. Let me just give us are super

901
00:48:22,800 --> 00:48:25,560
Speaker 1: We are just an amazing group taking it in here.

902
00:48:25,840 --> 00:48:28,200
Speaker 1: We're so happy right now. So here's the question I

903
00:48:28,280 --> 00:48:30,239
Speaker 1: have for you. When we talked about this earlier. You

904
00:48:30,320 --> 00:48:33,440
Speaker 1: have this new song called Nita bar Sometimes so the

905
00:48:33,760 --> 00:48:37,480
Speaker 1: production on it amazing, like your producer did a great

906
00:48:37,520 --> 00:48:39,759
Speaker 1: job of the song. It's also so I'm asking you.

907
00:48:39,840 --> 00:48:43,439
Speaker 1: Would you rather me play the full song like people

908
00:48:43,480 --> 00:48:45,160
Speaker 1: can hear it, or would you rather play it in

909
00:48:45,239 --> 00:48:48,200
Speaker 1: her live because I'll do either one. I'd rather you

910
00:48:48,320 --> 00:48:50,560
Speaker 1: played the full song. Let's spend, let's go. I'm scared

911
00:48:50,600 --> 00:48:56,440
Speaker 1: of the scrutiny. Hey, I want it, I mean, and

912
00:48:56,800 --> 00:48:59,640
Speaker 1: thanks for saying that about the production. Jared Boyer was

913
00:48:59,719 --> 00:49:02,200
Speaker 1: one of the writers co writers on the song, uh

914
00:49:03,360 --> 00:49:08,600
Speaker 1: who did awesome and he co produced it with Michael Knox,

915
00:49:08,920 --> 00:49:11,160
Speaker 1: who's uh, you know, knocking out of the Park with

916
00:49:11,280 --> 00:49:14,720
Speaker 1: Jason Aldeen. So we've got the sounds right and it matters,

917
00:49:14,840 --> 00:49:16,239
Speaker 1: you know. I feel like this is a blend. This

918
00:49:16,400 --> 00:49:19,719
Speaker 1: is a great, great blend of stuff that I've done

919
00:49:19,719 --> 00:49:23,600
Speaker 1: in the past moving forward. And uh, the song's fun too,

920
00:49:23,760 --> 00:49:25,359
Speaker 1: you know. I mean I've been I've been drinking at

921
00:49:25,400 --> 00:49:29,480
Speaker 1: home alone, you know, and I missed my buddies. I'm

922
00:49:29,480 --> 00:49:31,680
Speaker 1: miss being able to go out to a bar safely,

923
00:49:31,880 --> 00:49:34,480
Speaker 1: you know, and go over to Losers and have a

924
00:49:34,560 --> 00:49:37,120
Speaker 1: beer you know with you Yeah, because you know me

925
00:49:37,680 --> 00:49:42,680
Speaker 1: big old beer. Oh yeah, all right, listen, Clay, I'm

926
00:49:42,719 --> 00:49:44,759
Speaker 1: gonna play this song. Let me say I'm a big fan.

927
00:49:44,840 --> 00:49:46,320
Speaker 1: We've all we're all big fans in this room. So

928
00:49:46,320 --> 00:49:49,600
Speaker 1: it's always a thrill on people that we um really

929
00:49:49,680 --> 00:49:52,120
Speaker 1: treasures as artists. And your songs remind me a different

930
00:49:52,120 --> 00:49:53,680
Speaker 1: place in my life. Like honestly, as you play all

931
00:49:53,680 --> 00:49:55,360
Speaker 1: those songs, like I know where I was at that

932
00:49:55,600 --> 00:49:57,239
Speaker 1: stage of my life, and I hope that's a huge

933
00:49:57,239 --> 00:50:00,560
Speaker 1: confidence you. It's like it's like Doug in to to

934
00:50:00,719 --> 00:50:02,799
Speaker 1: Who I Am. Listen to the Kissing ninety six here

935
00:50:02,800 --> 00:50:05,480
Speaker 1: and Clay Walker, you know, from All All ninety three

936
00:50:05,480 --> 00:50:08,440
Speaker 1: to you Know ninety six two thousand and nine. I

937
00:50:08,480 --> 00:50:10,960
Speaker 1: was a little older, but I love that song because

938
00:50:10,960 --> 00:50:13,480
Speaker 1: it was like you coming back, what was your favorite

939
00:50:13,520 --> 00:50:16,640
Speaker 1: one to sing? This woman's man it still is, yeah,

940
00:50:16,840 --> 00:50:20,600
Speaker 1: And there was this oneman and there was this man

941
00:50:21,680 --> 00:50:24,360
Speaker 1: that one. Oh. I like the little crack yeah, crack it.

942
00:50:24,400 --> 00:50:26,160
Speaker 1: It's this a little artistic thing. I take. Amy doesn't

943
00:50:26,160 --> 00:50:27,840
Speaker 1: like it. She hate three for the artistic part of it.

944
00:50:28,239 --> 00:50:31,640
Speaker 1: But yeah, you know, there's a there's a growl in

945
00:50:31,719 --> 00:50:34,120
Speaker 1: that song that I didn't get to do because we

946
00:50:34,160 --> 00:50:36,000
Speaker 1: only got a verse in the chorus, you know, but

947
00:50:36,280 --> 00:50:39,040
Speaker 1: a growl. Yeah, it's kind of like a little growley thing.

948
00:50:40,719 --> 00:50:43,319
Speaker 1: All right, listen, we're gonna play it now. Follow Clay

949
00:50:43,400 --> 00:50:46,239
Speaker 1: on Instagram official, Clay Walker on Twitter at Clay one.

950
00:50:46,480 --> 00:50:52,719
Speaker 1: Follow Amy following that's a joy. I'm Amy, I love.

951
00:50:53,120 --> 00:50:55,360
Speaker 1: I can't look at you anymore. It's never gonna be

952
00:50:55,440 --> 00:50:57,879
Speaker 1: the same, It'll only be better. This is my first

953
00:50:57,960 --> 00:51:01,160
Speaker 1: time meeting nothing. This is how it is. This is great, No,

954
00:51:01,320 --> 00:51:05,359
Speaker 1: this is wonderful. Nita Bar sometimes from clay Walker. What's up?

955
00:51:05,360 --> 00:51:07,200
Speaker 1: You're putting more out? Soon? You got some more stuff?

956
00:51:07,239 --> 00:51:10,040
Speaker 1: Oh yeah, we're coming behind that loaded for bear. There

957
00:51:10,200 --> 00:51:13,320
Speaker 1: there's there's some great. So there's another one called catching

958
00:51:13,400 --> 00:51:16,719
Speaker 1: up with an old Memory. That one right there, you're

959
00:51:16,760 --> 00:51:18,440
Speaker 1: gonna have something to say about it. You got the

960
00:51:18,480 --> 00:51:21,320
Speaker 1: bar song? Great for now, I'm ready for it. Have

961
00:51:21,360 --> 00:51:22,920
Speaker 1: a smash on that one, and then come behind it

962
00:51:22,960 --> 00:51:25,399
Speaker 1: with another big smash and maybe I get a second

963
00:51:25,440 --> 00:51:27,719
Speaker 1: shot second bye to the Apple doing a show here,

964
00:51:27,760 --> 00:51:29,719
Speaker 1: and maybe I'll play What's it to you? Perfect for

965
00:51:29,800 --> 00:51:34,640
Speaker 1: amy and nice. That's all right, Here we go Nita

966
00:51:34,680 --> 00:51:38,000
Speaker 1: Bar sometimes from clay Walker areas play walker. Thanks for

967
00:51:38,080 --> 00:51:41,560
Speaker 1: coming in. Man, you had to guess what the most

968
00:51:41,600 --> 00:51:45,720
Speaker 1: popular name for a girl is last year babies. Oh Emma.

969
00:51:46,239 --> 00:51:49,680
Speaker 1: Emma was here before. Okay, yeah, Emma was number one,

970
00:51:49,719 --> 00:51:53,480
Speaker 1: but it has now been taken over by Olivia. Cute. Yeah,

971
00:51:53,520 --> 00:51:55,920
Speaker 1: I like it. Sometimes it's like the number one name

972
00:51:56,000 --> 00:51:57,560
Speaker 1: for a boy a star dust and I'm like, who

973
00:51:57,960 --> 00:52:01,760
Speaker 1: would inger star duck? But yeah, Olivia, which is great.

974
00:52:02,560 --> 00:52:06,640
Speaker 1: Emma is it two, Ava which is at three, Sophia

975
00:52:06,840 --> 00:52:09,120
Speaker 1: is at four, and Isabella, which is at five, I

976
00:52:09,239 --> 00:52:11,799
Speaker 1: love all those. It's interesting because those are all grandma names,

977
00:52:12,160 --> 00:52:15,560
Speaker 1: Like you're seeing them kind of circle back around, like

978
00:52:16,320 --> 00:52:20,719
Speaker 1: if I had a girl, like my grandmother was named

979
00:52:20,719 --> 00:52:24,799
Speaker 1: Hazel and she adopted me. It was also Caitlin's grandmother

980
00:52:25,760 --> 00:52:30,040
Speaker 1: and so but I would have named Hazel. But as

981
00:52:30,040 --> 00:52:32,120
Speaker 1: a kid, I thought Hazel was the old woman. This

982
00:52:32,280 --> 00:52:34,640
Speaker 1: name I've ever heard. But I think now it's coming back,

983
00:52:34,640 --> 00:52:36,080
Speaker 1: at least in my mind, that name is coming back

984
00:52:36,080 --> 00:52:38,279
Speaker 1: a little bit. Do you think so, I think or

985
00:52:38,280 --> 00:52:43,160
Speaker 1: still a woman named no I like it, Bertha. I

986
00:52:43,200 --> 00:52:45,440
Speaker 1: don't know. I'm there with that, but a lot of

987
00:52:45,520 --> 00:52:47,520
Speaker 1: times it takes me a minute. Even with fashion trends,

988
00:52:47,560 --> 00:52:51,120
Speaker 1: I'm a year behind. Okay, so boys names, what's number one?

989
00:52:51,560 --> 00:52:55,480
Speaker 1: Just it's gonna be something a little trendy. Well, the

990
00:52:55,600 --> 00:52:57,640
Speaker 1: Evan was the first one in my head. No, it's

991
00:52:57,640 --> 00:53:01,560
Speaker 1: actually start used. I was right. Liam isn't number one,

992
00:53:02,360 --> 00:53:06,120
Speaker 1: Noah is at number two, all of her is at three,

993
00:53:06,440 --> 00:53:09,239
Speaker 1: William is at four, and Elijah is five. Four of

994
00:53:09,280 --> 00:53:11,320
Speaker 1: those are old man names. Are Bible names, you know.

995
00:53:11,640 --> 00:53:13,080
Speaker 1: But a Bible name is an old man name. It

996
00:53:13,120 --> 00:53:15,160
Speaker 1: gets no older than men in the Bible. That's it.

997
00:53:15,440 --> 00:53:19,720
Speaker 1: We don't get any older than that. You're a Amy's

998
00:53:19,760 --> 00:53:22,439
Speaker 1: pile of stories. So a group of girls, they're gonna

999
00:53:22,440 --> 00:53:24,800
Speaker 1: get their chance to make a case in front of

1000
00:53:24,840 --> 00:53:27,000
Speaker 1: a judge as to why they should be able to

1001
00:53:27,080 --> 00:53:30,000
Speaker 1: play tackle football in Utah. They of course should be

1002
00:53:30,000 --> 00:53:34,120
Speaker 1: able to play tackle football. Absolutely, if you can make

1003
00:53:34,160 --> 00:53:36,319
Speaker 1: the team, go and make the team. Now, I don't

1004
00:53:36,360 --> 00:53:40,160
Speaker 1: think that they should be giving any special liberty. You know, well,

1005
00:53:40,200 --> 00:53:41,800
Speaker 1: you're a girl, so we're gonna make it easier for

1006
00:53:41,880 --> 00:53:43,960
Speaker 1: you know, But of course they should be able to play.

1007
00:53:44,360 --> 00:53:47,000
Speaker 1: I know girls when I was younger that could have played.

1008
00:53:48,000 --> 00:53:51,680
Speaker 1: There were girls we played Sparkman High School. There was

1009
00:53:51,680 --> 00:53:53,279
Speaker 1: a girl that played defensive end for them. She was

1010
00:53:53,280 --> 00:53:55,040
Speaker 1: like a third string, but she got in and every

1011
00:53:55,120 --> 00:53:56,680
Speaker 1: dude in our team was scared of death that she

1012
00:53:57,520 --> 00:53:59,319
Speaker 1: Not that they were scared of her, but they were

1013
00:53:59,360 --> 00:54:01,000
Speaker 1: scared that she was gonna make a play on them

1014
00:54:01,400 --> 00:54:05,040
Speaker 1: and then it will be on film. So absolutely, a

1015
00:54:05,120 --> 00:54:07,520
Speaker 1: girl is strong enough and fast enough same as a guy,

1016
00:54:08,000 --> 00:54:09,960
Speaker 1: let her play football. What if a girl wanted to

1017
00:54:10,000 --> 00:54:12,520
Speaker 1: play in the NFL. Great, if she's good enough, I

1018
00:54:12,560 --> 00:54:15,359
Speaker 1: don't care what sex you are. If she's good enough,

1019
00:54:15,760 --> 00:54:17,239
Speaker 1: she should be able to play. So do you think

1020
00:54:17,280 --> 00:54:20,040
Speaker 1: that doesn't work out or that's not applying like in

1021
00:54:20,239 --> 00:54:24,000
Speaker 1: basketball because there are girl basketball teams and boy basketball teams,

1022
00:54:24,040 --> 00:54:29,239
Speaker 1: there's no real girls school football teams. Yes, in a way,

1023
00:54:29,880 --> 00:54:32,200
Speaker 1: I would say that though that if there was a

1024
00:54:32,400 --> 00:54:35,160
Speaker 1: woman who was a good enough basketball player, she would

1025
00:54:35,200 --> 00:54:42,839
Speaker 1: play in the NBA. Yeah okay, but Mea'm mostly men

1026
00:54:43,760 --> 00:54:48,440
Speaker 1: get a lot stronger just generally speaking, we're bigger, and

1027
00:54:48,600 --> 00:54:52,640
Speaker 1: we kind of outside most women. But not at all. No,

1028
00:54:52,760 --> 00:54:54,800
Speaker 1: I agree, I hear what you're saying. I'm just genuinely

1029
00:54:54,840 --> 00:54:57,480
Speaker 1: curious because I mean with football and these girls having

1030
00:54:57,520 --> 00:55:00,120
Speaker 1: to put their case out, there's no girls foot all

1031
00:55:00,160 --> 00:55:02,719
Speaker 1: team at schools, so they should they should have somewhere

1032
00:55:02,719 --> 00:55:04,400
Speaker 1: to play if they want to play. I advocate for

1033
00:55:04,760 --> 00:55:07,600
Speaker 1: women having a shot to do anything the guys do. Yeah, okay,

1034
00:55:07,719 --> 00:55:09,719
Speaker 1: quarter peace, standing up, have at it. Maybe tough for

1035
00:55:09,800 --> 00:55:13,799
Speaker 1: you now they've invented for that, all right, what else?

1036
00:55:13,880 --> 00:55:17,400
Speaker 1: Got so? Dolly Pardon says that she has never been

1037
00:55:17,480 --> 00:55:20,759
Speaker 1: in a fight with her husband Carl Deane, like, not ever.

1038
00:55:20,960 --> 00:55:23,279
Speaker 1: Fifty four years of marriage and they have not fought.

1039
00:55:23,360 --> 00:55:25,120
Speaker 1: Here's her talking about it. My husband and I have

1040
00:55:25,280 --> 00:55:27,920
Speaker 1: never fought. We've never biggered, met and force because I

1041
00:55:28,000 --> 00:55:30,479
Speaker 1: never wanted us to say bad things that we would

1042
00:55:30,480 --> 00:55:33,560
Speaker 1: have to remember. But we'll just kind of walk off

1043
00:55:33,719 --> 00:55:35,880
Speaker 1: or go do something else and you know, kind of

1044
00:55:35,960 --> 00:55:38,720
Speaker 1: let that die down. I have to work at anything.

1045
00:55:38,960 --> 00:55:41,959
Speaker 1: Marriage is a is a business too. Yeah. She said

1046
00:55:42,000 --> 00:55:44,840
Speaker 1: that she treats her marriage like a business partnership, and

1047
00:55:45,000 --> 00:55:47,520
Speaker 1: she that's how she handles business. So that's how she

1048
00:55:47,640 --> 00:55:49,399
Speaker 1: handles her marriage. And I was like, oh, dang, I've

1049
00:55:49,440 --> 00:55:51,279
Speaker 1: only been married fourteen years and I'm how lots of

1050
00:55:51,320 --> 00:55:57,719
Speaker 1: wits shoot. So there's a guy who gets paid to

1051
00:55:57,840 --> 00:56:01,839
Speaker 1: go to people's funerals and settle scores or take care

1052
00:56:01,880 --> 00:56:04,920
Speaker 1: of things or tell secrets after the loved one or

1053
00:56:04,960 --> 00:56:07,640
Speaker 1: the person has passed on. So it's like, hey, go

1054
00:56:07,840 --> 00:56:09,600
Speaker 1: take after I die. You can go ahead and tell

1055
00:56:09,600 --> 00:56:12,680
Speaker 1: some people this, or he says. People also hire him

1056
00:56:13,040 --> 00:56:16,280
Speaker 1: to get rid of things like money, drugs, or guns

1057
00:56:16,320 --> 00:56:18,440
Speaker 1: if they don't want their family or friends to find

1058
00:56:19,200 --> 00:56:20,520
Speaker 1: If I die, you got to take care of this

1059
00:56:20,600 --> 00:56:22,000
Speaker 1: for me because I don't want people to find it.

1060
00:56:22,160 --> 00:56:24,600
Speaker 1: He's basically a fix it guy, yes, and you pay

1061
00:56:24,719 --> 00:56:28,359
Speaker 1: him as you're dying, Like ten thousand dollars right yep,

1062
00:56:28,800 --> 00:56:30,680
Speaker 1: and then he goes and takes care of whatever crap

1063
00:56:30,760 --> 00:56:33,279
Speaker 1: you need. The thing is, here's why this job could

1064
00:56:33,320 --> 00:56:36,319
Speaker 1: be perfect. You could be paid. He dies, he don't

1065
00:56:36,320 --> 00:56:38,680
Speaker 1: know if he didn't do it, exactly you have ten

1066
00:56:38,719 --> 00:56:40,680
Speaker 1: thousand bucks a pop. Nobody ever knows you didn't do it.

1067
00:56:40,719 --> 00:56:41,960
Speaker 1: I don't even have to go to the funeral. You

1068
00:56:42,080 --> 00:56:46,239
Speaker 1: just chill because the person's dead, exactly right. And if

1069
00:56:46,239 --> 00:56:48,120
Speaker 1: it sounds like it's something out of a movie, well

1070
00:56:48,440 --> 00:56:50,759
Speaker 1: it's going to be. Because the guy, his name is Bill,

1071
00:56:50,840 --> 00:56:52,760
Speaker 1: he just signed a deal to have his life develop

1072
00:56:52,840 --> 00:56:55,239
Speaker 1: into a film, slash or TV show. They don't know

1073
00:56:55,320 --> 00:56:57,160
Speaker 1: what they're going to do with it yet, but that's interesting.

1074
00:56:57,239 --> 00:56:59,160
Speaker 1: I saw that new story this weekend. I thought, dang,

1075
00:56:59,520 --> 00:57:01,600
Speaker 1: what ap Not just what did you have to be

1076
00:57:01,640 --> 00:57:04,440
Speaker 1: able to do it, but to think about that create

1077
00:57:04,600 --> 00:57:07,759
Speaker 1: that low lane for you to yeah, and then be

1078
00:57:07,840 --> 00:57:09,160
Speaker 1: able to pull it off with bothing. How do you

1079
00:57:09,200 --> 00:57:12,200
Speaker 1: advertise he's a private investigator by trade, like that's what

1080
00:57:12,320 --> 00:57:14,280
Speaker 1: he has been doing? And I think, yeah, he probably

1081
00:57:14,320 --> 00:57:18,320
Speaker 1: just saw a business opportunity and then jumped at it.

1082
00:57:18,360 --> 00:57:21,640
Speaker 1: And you're right, who knows if he's actually do anything

1083
00:57:21,720 --> 00:57:24,280
Speaker 1: with it. All right, all right, I made me. That's

1084
00:57:24,320 --> 00:57:28,919
Speaker 1: my pile. That was Amy's pile of stories. It's time

1085
00:57:29,000 --> 00:57:36,560
Speaker 1: for the good news. Over the weekend, a child and

1086
00:57:36,760 --> 00:57:39,680
Speaker 1: Alaska needed to be meta back to Anchorage, Alaska. They

1087
00:57:39,680 --> 00:57:42,920
Speaker 1: were in a small village, so Anchorage Hospital sends a plane.

1088
00:57:43,280 --> 00:57:45,880
Speaker 1: Only problem is the runway in this village didn't have

1089
00:57:45,920 --> 00:57:48,520
Speaker 1: any lights that were working on the runway, so they're like,

1090
00:57:48,560 --> 00:57:51,120
Speaker 1: what are we gonna do. Some neighbor found out it's

1091
00:57:51,200 --> 00:57:53,720
Speaker 1: middle of night, called everyone in the village. They drove

1092
00:57:53,880 --> 00:57:56,800
Speaker 1: their cars to the little landing strip and lit it

1093
00:57:56,920 --> 00:58:00,480
Speaker 1: up with their car headlights. Is it really crazy? Picture two?

1094
00:58:01,400 --> 00:58:03,240
Speaker 1: I have goose bumps. I haven't even seen the picture. Yeah,

1095
00:58:03,240 --> 00:58:05,280
Speaker 1: And the plane lands, gets the kid on board, and

1096
00:58:05,400 --> 00:58:07,080
Speaker 1: then takes off all in the middle of the night

1097
00:58:07,120 --> 00:58:09,040
Speaker 1: because everyone in the village came out with their cars

1098
00:58:09,240 --> 00:58:13,120
Speaker 1: in a while. That's awesome. There you go about That

1099
00:58:13,520 --> 00:58:17,400
Speaker 1: was tell me something good. Good for old Thomas Rhett.

1100
00:58:17,560 --> 00:58:19,640
Speaker 1: That song b a Light went number one this last week,

1101
00:58:19,680 --> 00:58:22,439
Speaker 1: and I know that was important to him because him

1102
00:58:22,600 --> 00:58:25,120
Speaker 1: and his songwriter friends who wrote that song, they donated

1103
00:58:25,160 --> 00:58:27,640
Speaker 1: all the money to folks in the music industry, like

1104
00:58:27,760 --> 00:58:31,880
Speaker 1: bands like bass players, guitar players, tech guys, because they're

1105
00:58:31,880 --> 00:58:36,080
Speaker 1: not making any money touring and that their entire livelihood

1106
00:58:36,120 --> 00:58:38,120
Speaker 1: was taken from them, the ability to make money, and

1107
00:58:38,200 --> 00:58:40,320
Speaker 1: so they wrote that song donated all the money. And

1108
00:58:40,320 --> 00:58:43,560
Speaker 1: then I went number one amazing and what a good

1109
00:58:43,560 --> 00:58:47,200
Speaker 1: appearance on Friday's show huh So good trs and number

1110
00:58:47,240 --> 00:58:49,440
Speaker 1: one at number two Luke Combs e loving on You.

1111
00:58:52,720 --> 00:58:55,920
Speaker 1: This song only took eleven weeks to get to number two,

1112
00:58:56,040 --> 00:58:59,480
Speaker 1: which is so fast on a music show. I don't

1113
00:58:59,520 --> 00:59:01,240
Speaker 1: even know it well enough yet. And that's already there,

1114
00:59:01,360 --> 00:59:05,560
Speaker 1: just probably moving a little too fast, meaning it's gonna

1115
00:59:05,560 --> 00:59:07,880
Speaker 1: be gone before we really really know it, like we

1116
00:59:07,920 --> 00:59:13,480
Speaker 1: should spend a little we should hm, you know, savorite favorite,

1117
00:59:13,760 --> 00:59:16,920
Speaker 1: you know, invest little into it. Number three is Liebrace

1118
00:59:17,000 --> 00:59:20,280
Speaker 1: one of them girls. One of the number one hip

1119
00:59:20,280 --> 00:59:26,200
Speaker 1: hop song is little Baby, the Bigger Picture Baby, No

1120
00:59:26,440 --> 00:59:33,560
Speaker 1: Low Baby, it does cousin and then finally that's not true,

1121
00:59:33,600 --> 00:59:37,000
Speaker 1: by the way, that's not true. And then finally the

1122
00:59:37,120 --> 00:59:41,920
Speaker 1: number one dance song Joel Corey featuring in many K

1123
00:59:42,440 --> 00:59:59,800
Speaker 1: Here's Head and Heart because I'm from Okay. That's a

1124
01:00:00,000 --> 01:00:01,880
Speaker 1: by blessed the number one songs this week. Let's go

1125
01:00:01,920 --> 01:00:08,560
Speaker 1: over to Amy Now with The Morning Corny. The Morning Corny.

1126
01:00:09,200 --> 01:00:12,680
Speaker 1: Why don't ants get sick? Why don't ants get sick

1127
01:00:12,760 --> 01:00:19,600
Speaker 1: because they have little antibodies? Okay, I'm pretty good. That

1128
01:00:19,920 --> 01:00:24,600
Speaker 1: was The Morning Corny. Here's a call from Brian in Fresno, California.

1129
01:00:25,240 --> 01:00:29,440
Speaker 1: Me and my cousin got into a dispute about cream.

1130
01:00:29,640 --> 01:00:32,720
Speaker 1: When you eat peanut butter, it feels creamy in your mouth,

1131
01:00:32,800 --> 01:00:34,760
Speaker 1: and he says no, when you eat peanut butter, it

1132
01:00:34,920 --> 01:00:37,400
Speaker 1: tastes peanut buttery and creamy at the end. So I

1133
01:00:37,480 --> 01:00:39,640
Speaker 1: just wanted to get your opinion. I wanted to know

1134
01:00:39,960 --> 01:00:42,840
Speaker 1: do you think cream is a flavor or do you

1135
01:00:42,960 --> 01:00:46,120
Speaker 1: think it's a texture? I say texture. I just want

1136
01:00:46,160 --> 01:00:48,120
Speaker 1: to get down to the bottom of this solid Well,

1137
01:00:48,160 --> 01:00:51,000
Speaker 1: we are the show to call about stupid topics. They

1138
01:00:51,040 --> 01:00:54,320
Speaker 1: were drinking, for sure the show. If you want us

1139
01:00:54,400 --> 01:00:56,840
Speaker 1: to invest some time talking about something completely dumb, this

1140
01:00:57,040 --> 01:01:00,240
Speaker 1: is where you come. It's unanimous, right, No, it's both

1141
01:01:00,280 --> 01:01:02,360
Speaker 1: because the cream is actually a flavor, like you can

1142
01:01:02,440 --> 01:01:05,040
Speaker 1: get no, no, no, you can get a cream flavor okay,

1143
01:01:05,440 --> 01:01:08,760
Speaker 1: like orange soda cream. But you go you can get cream,

1144
01:01:08,840 --> 01:01:11,320
Speaker 1: but but it's also a texture. I think it's both. Okay,

1145
01:01:11,720 --> 01:01:14,440
Speaker 1: I thought it was just texture. There. You can get

1146
01:01:14,760 --> 01:01:17,720
Speaker 1: a cream flavor, sure, like snow cone stands. I've seen

1147
01:01:17,800 --> 01:01:20,560
Speaker 1: that with cream on it, but that's literally sugar cream.

1148
01:01:21,440 --> 01:01:24,520
Speaker 1: Now I'm being thinking, I'm gonna save both. I think

1149
01:01:24,520 --> 01:01:28,760
Speaker 1: it's a cream flavor. And what about creamy? Creamy is

1150
01:01:28,800 --> 01:01:32,760
Speaker 1: the texture? Oh? Maybe that solves it. It doesn't though,

1151
01:01:33,280 --> 01:01:38,200
Speaker 1: because butter cream so Amy haven't done a prank call

1152
01:01:38,240 --> 01:01:40,920
Speaker 1: in how many years? I mean, it's been a long time.

1153
01:01:41,000 --> 01:01:42,400
Speaker 1: I feel like the last time I did anything like

1154
01:01:42,520 --> 01:01:45,680
Speaker 1: pranky was when I wore a mic to the mall

1155
01:01:46,440 --> 01:01:49,560
Speaker 1: and would go into shops and Lunchbox would tell me

1156
01:01:49,680 --> 01:01:51,240
Speaker 1: what to say and I would go in and say

1157
01:01:51,280 --> 01:01:54,000
Speaker 1: something funny like here. Or we did at a maternity

1158
01:01:54,040 --> 01:01:55,960
Speaker 1: store once, I think, but I wasn't pregnant, but I

1159
01:01:56,040 --> 01:01:59,400
Speaker 1: wanted to buy maternity sheeans. I don't know. I think

1160
01:01:59,440 --> 01:02:01,360
Speaker 1: it's the last I did it, and that was maybe

1161
01:02:01,640 --> 01:02:04,680
Speaker 1: two thousand and eleven. And that wasn't even a call now,

1162
01:02:04,760 --> 01:02:07,280
Speaker 1: that was an in person prank. Well, we sit around

1163
01:02:07,280 --> 01:02:11,160
Speaker 1: and think of a lot of these prank calls and Daniel,

1164
01:02:11,240 --> 01:02:13,560
Speaker 1: who comes with a lot of the concepts of prank

1165
01:02:13,560 --> 01:02:14,680
Speaker 1: calls on this show. For you should be from the

1166
01:02:14,680 --> 01:02:16,400
Speaker 1: Tying Daniel Show, was like, why don't we get Amy

1167
01:02:16,440 --> 01:02:18,680
Speaker 1: to do one? And so whenever this came to you

1168
01:02:19,040 --> 01:02:22,280
Speaker 1: were like, oh boy, well I just thought I feel

1169
01:02:22,280 --> 01:02:25,280
Speaker 1: a little rusty. So I'm glad I got one under

1170
01:02:25,280 --> 01:02:27,160
Speaker 1: the bell and if I could do more, maybe I'll

1171
01:02:27,200 --> 01:02:29,560
Speaker 1: get better. But it's probably not that good. All right,

1172
01:02:29,600 --> 01:02:31,240
Speaker 1: here we go. This is Eddie. Have you heard this.

1173
01:02:32,000 --> 01:02:33,960
Speaker 1: This is Amy calling a grocery store asking for some

1174
01:02:34,000 --> 01:02:36,080
Speaker 1: help with their milkbone cookie, saying that her kids can't

1175
01:02:36,120 --> 01:02:39,360
Speaker 1: chew them. She tried soaking a milk it's still not working.

1176
01:02:39,600 --> 01:02:41,960
Speaker 1: You get her dogs, all right, let's see how it goes.

1177
01:02:45,440 --> 01:02:48,800
Speaker 1: I have a question about the milkbone cookies that you sell,

1178
01:02:49,160 --> 01:02:52,440
Speaker 1: the milk cookies for dogs. Well, no, I've been feeding

1179
01:02:52,480 --> 01:02:55,680
Speaker 1: them to my kids and they're really hard. Milkbone yeah,

1180
01:02:55,760 --> 01:02:58,160
Speaker 1: yeah yeah, And I was soaking them in milk to

1181
01:02:58,320 --> 01:03:00,880
Speaker 1: make them soft. But there's so hard and my kids

1182
01:03:00,920 --> 01:03:03,520
Speaker 1: can't choo them. Milk bone cookie. Yeah. I bought them

1183
01:03:03,560 --> 01:03:05,520
Speaker 1: from your store and my kids can't choo them. I

1184
01:03:05,560 --> 01:03:08,200
Speaker 1: don't know if I'm doing it wrong, Like I'm soaking

1185
01:03:08,280 --> 01:03:09,960
Speaker 1: them in whole milk right now. But I could do

1186
01:03:10,080 --> 01:03:13,920
Speaker 1: almond milk, I guess. Yeah. So, and you're telling me

1187
01:03:14,000 --> 01:03:17,720
Speaker 1: that the name of him is called milkbone. Milk bone, yes, ma'am.

1188
01:03:17,760 --> 01:03:20,280
Speaker 1: The only thing, but the only thing I know milkbone

1189
01:03:20,400 --> 01:03:23,640
Speaker 1: is is for dog biscuits. Dog biscuits, yes, ma'am. Is

1190
01:03:23,680 --> 01:03:26,040
Speaker 1: it a red box? But well yeah, it's a red

1191
01:03:26,080 --> 01:03:28,400
Speaker 1: box all right. But you can't I can't feed them

1192
01:03:28,400 --> 01:03:30,360
Speaker 1: to my kids, all right, ma'am. I'm gonna go, Okay,

1193
01:03:30,400 --> 01:03:33,480
Speaker 1: do you have a wonderful thing? Oh, I's not that.

1194
01:03:33,720 --> 01:03:36,440
Speaker 1: It's pretty good. It's pretty good. No. I laughed like

1195
01:03:36,640 --> 01:03:41,160
Speaker 1: you did, laughing at I know, And that's like when

1196
01:03:41,200 --> 01:03:43,880
Speaker 1: you're pranking. You got to hold it together. So then

1197
01:03:44,000 --> 01:03:46,360
Speaker 1: Lunchbox jumps on and calls the guy back as her husband.

1198
01:03:46,440 --> 01:03:51,320
Speaker 1: Oh yeah, can I help you? Oh yeah, man, my

1199
01:03:51,440 --> 01:03:54,080
Speaker 1: wife just called about the Milkbone cookies and she said

1200
01:03:54,120 --> 01:03:56,000
Speaker 1: you hung up on her. No, I didn't hang up

1201
01:03:56,040 --> 01:03:58,680
Speaker 1: with her. Oh well, I guess she got confused. So

1202
01:03:58,800 --> 01:04:01,240
Speaker 1: she yeah, she just shipped her tooth on one of

1203
01:04:01,240 --> 01:04:04,520
Speaker 1: the milkbone cookies. And she's like, I bought cookies and

1204
01:04:04,560 --> 01:04:06,800
Speaker 1: they're put them in the cookie jar and then bring

1205
01:04:06,840 --> 01:04:08,800
Speaker 1: them back with me and attle talking person, which you'll

1206
01:04:08,840 --> 01:04:10,360
Speaker 1: take care of the best way we can do. We

1207
01:04:10,440 --> 01:04:13,400
Speaker 1: bring the tooth in also, sure, I mean, do you

1208
01:04:13,480 --> 01:04:15,240
Speaker 1: have a dinnist? Do you guys have a company dinnist

1209
01:04:15,240 --> 01:04:16,560
Speaker 1: that you're gonna send us to? How do we get

1210
01:04:16,600 --> 01:04:18,680
Speaker 1: this fixed? Sir? Just come on and we'll talk to you.

1211
01:04:18,800 --> 01:04:22,320
Speaker 1: Then he's onto your game. I feel I feel like

1212
01:04:22,400 --> 01:04:24,640
Speaker 1: he's onto you. And now did you have morgan? Um?

1213
01:04:24,760 --> 01:04:31,120
Speaker 1: Two calls the daughter, the whole family calls all of us.

1214
01:04:31,400 --> 01:04:33,480
Speaker 1: The mailman, Ray calls, and that's not the mailman, And

1215
01:04:33,520 --> 01:04:36,920
Speaker 1: it's true. I just walk by. I watched two movies

1216
01:04:36,960 --> 01:04:39,960
Speaker 1: over the weekend. I watched nineteen seventeen. That's the name

1217
01:04:39,960 --> 01:04:43,080
Speaker 1: of that movie. That's good. Huh, it's pretty good. Yeah,

1218
01:04:43,200 --> 01:04:45,840
Speaker 1: I was watching on the airplane though. What is it about?

1219
01:04:46,080 --> 01:04:49,120
Speaker 1: It's about these two guys. They're told, hey, you need

1220
01:04:49,160 --> 01:04:51,280
Speaker 1: to cross enemy lines and get over to our other people,

1221
01:04:52,160 --> 01:04:54,440
Speaker 1: and you need to make sure that they know not

1222
01:04:54,600 --> 01:04:56,160
Speaker 1: to go forward with the mission because if they do,

1223
01:04:56,240 --> 01:04:58,600
Speaker 1: they're gonna die. There's an ambush waiting on them. And

1224
01:04:58,760 --> 01:05:02,640
Speaker 1: so it's the story of these two guys in one night.

1225
01:05:02,800 --> 01:05:05,280
Speaker 1: Because the camera neverick breaks. I think it does a

1226
01:05:05,320 --> 01:05:08,320
Speaker 1: couple of times, but it's one scene. I heard about

1227
01:05:08,360 --> 01:05:10,880
Speaker 1: that fielding in this and so they have to get

1228
01:05:10,920 --> 01:05:13,800
Speaker 1: to the other end and things happen. One of them's

1229
01:05:14,280 --> 01:05:16,240
Speaker 1: a brother of somebody on the other side. Anyway, did

1230
01:05:16,240 --> 01:05:18,760
Speaker 1: it happen in nineteen seventeen, I believe so that was

1231
01:05:18,840 --> 01:05:22,400
Speaker 1: the war? Okay, So I watched it. I would give

1232
01:05:22,400 --> 01:05:25,480
Speaker 1: it three out of five. It's pretty good, solid, but again, airplane,

1233
01:05:25,520 --> 01:05:28,520
Speaker 1: you just hear it just hits different on an airplane.

1234
01:05:29,160 --> 01:05:33,800
Speaker 1: It's loud out there, had headphones, a small screen. You

1235
01:05:33,920 --> 01:05:36,320
Speaker 1: liked it, though, I did man have given nineteen seventeen.

1236
01:05:36,360 --> 01:05:38,080
Speaker 1: I would give it three and a half maybe, I mean, yeah,

1237
01:05:38,120 --> 01:05:40,920
Speaker 1: three and a half because I enjoyed it. Interesting, great storyline.

1238
01:05:40,920 --> 01:05:44,320
Speaker 1: Think your husband would like it. Okay, well, what do

1239
01:05:44,360 --> 01:05:45,920
Speaker 1: you give it? And it won like Best Picture or

1240
01:05:45,960 --> 01:05:48,800
Speaker 1: something last year, so one of those big awards. Um,

1241
01:05:48,840 --> 01:05:51,760
Speaker 1: I give it three out of five. I also watched

1242
01:05:51,800 --> 01:05:54,320
Speaker 1: Bill and Ted the new one. Oh, come on, Kaitlin

1243
01:05:54,360 --> 01:05:55,720
Speaker 1: watched it too. We watch it at the same time.

1244
01:05:56,040 --> 01:05:59,760
Speaker 1: And if you love the original, you'll really like this one. Okay,

1245
01:05:59,800 --> 01:06:02,840
Speaker 1: if you didn't, you probably won't because I think Kitlin

1246
01:06:02,960 --> 01:06:05,720
Speaker 1: was like I don't even know what's happening here. But

1247
01:06:06,000 --> 01:06:08,600
Speaker 1: I would give that just because I loved it as

1248
01:06:08,640 --> 01:06:12,880
Speaker 1: a kid. Four out of five. Wow. If I didn't

1249
01:06:12,920 --> 01:06:17,280
Speaker 1: love it, probably three as a kid. Yeah, it's tough

1250
01:06:17,360 --> 01:06:20,480
Speaker 1: to watch if you don't understand. Instead of going to

1251
01:06:21,040 --> 01:06:26,200
Speaker 1: re grab historical figures for a presentation, which is the

1252
01:06:26,280 --> 01:06:29,040
Speaker 1: first one, they go back in time and they're grabbing

1253
01:06:29,200 --> 01:06:34,040
Speaker 1: historical music, play like you would like it Armstrong to

1254
01:06:34,120 --> 01:06:38,880
Speaker 1: make a band? Yeah, pretty cool? Mozar. Yeah, I watched

1255
01:06:38,920 --> 01:06:40,360
Speaker 1: it with the kids this weekend and they loved it.

1256
01:06:40,440 --> 01:06:42,720
Speaker 1: What do you think we well, we having just watched

1257
01:06:42,760 --> 01:06:44,760
Speaker 1: the first one the last weekend and then this one

1258
01:06:44,880 --> 01:06:47,080
Speaker 1: kind of back to back. We loved it. I thought

1259
01:06:47,120 --> 01:06:51,880
Speaker 1: it was great, so and my kids probably give it

1260
01:06:51,960 --> 01:06:55,080
Speaker 1: five stars. Hey, Miked, did you ever watch the thirty

1261
01:06:55,160 --> 01:06:58,400
Speaker 1: dollars Disney plus Mulan? Yeah? I watched it over the weekend.

1262
01:06:59,240 --> 01:07:01,480
Speaker 1: How was it? It was good, not great. I don't

1263
01:07:01,520 --> 01:07:04,680
Speaker 1: think it's worth thirty bucks. So if you wait till December,

1264
01:07:04,800 --> 01:07:06,520
Speaker 1: you watch it free on Disney Play. Yeah, I say

1265
01:07:06,520 --> 01:07:09,080
Speaker 1: wait for Detember and Ray said he watched The Rest

1266
01:07:09,120 --> 01:07:11,680
Speaker 1: and not a movie, but the Rascal Flats Guys Netflix show. Yeah,

1267
01:07:11,760 --> 01:07:15,760
Speaker 1: Jay de Marcus DeMarcus Family Rules. Yeah, they would try

1268
01:07:15,760 --> 01:07:18,400
Speaker 1: to go that reality route. Yeah, it's kind of lacking

1269
01:07:18,440 --> 01:07:20,240
Speaker 1: a little bit. I was like three episodes in. I

1270
01:07:20,240 --> 01:07:22,280
Speaker 1: don't know if I'm gonna continue. I'm not gonna make

1271
01:07:22,320 --> 01:07:24,040
Speaker 1: it through the whole first season. You don't like it, Oh,

1272
01:07:24,080 --> 01:07:25,840
Speaker 1: it's a lot of their kids. I mean, their kids

1273
01:07:25,880 --> 01:07:29,400
Speaker 1: are cute, They're great. But we've seen every reality show possible.

1274
01:07:29,440 --> 01:07:32,240
Speaker 1: Can there be another one? I did finish Last Chance

1275
01:07:32,280 --> 01:07:35,280
Speaker 1: to you, Laney. It ended up being pretty good finishing

1276
01:07:35,360 --> 01:07:38,240
Speaker 1: people sending to go watch the earlier seasons though. But

1277
01:07:38,400 --> 01:07:40,480
Speaker 1: I did watch that, watched a lot of that. Has

1278
01:07:40,480 --> 01:07:42,920
Speaker 1: a long flight to Seattle, so watch a bunch of stuff.

1279
01:07:43,080 --> 01:07:44,600
Speaker 1: I did see two and I meant to mention this.

1280
01:07:44,680 --> 01:07:48,560
Speaker 1: On Friday. There was this guy. He's in Nebraska's name

1281
01:07:48,680 --> 01:07:52,440
Speaker 1: is Andre Christensen. He made a passionate plea to Lincoln

1282
01:07:52,520 --> 01:07:56,320
Speaker 1: City Council to rename boneless chicken wings because they are not,

1283
01:07:56,520 --> 01:08:00,120
Speaker 1: in fact wings from a chicken. Here you go own

1284
01:08:00,160 --> 01:08:02,880
Speaker 1: to nice family restaurants and I see people throwing this

1285
01:08:03,080 --> 01:08:05,720
Speaker 1: name around and pretending as though everything is just fine.

1286
01:08:06,440 --> 01:08:10,320
Speaker 1: I'm talking about boneless chicken wings. I propose that we

1287
01:08:10,400 --> 01:08:13,360
Speaker 1: as a city removed the excuse me I'm trying to hear.

1288
01:08:15,760 --> 01:08:18,360
Speaker 1: I propose that we rename boneless wings in the city

1289
01:08:18,400 --> 01:08:22,160
Speaker 1: of Lincoln. We can call them Buffalo style chicken tenders.

1290
01:08:22,680 --> 01:08:25,120
Speaker 1: We can call them what tenders. We can call them

1291
01:08:25,200 --> 01:08:29,040
Speaker 1: saucy nugs or trash. We can take these steps and

1292
01:08:29,160 --> 01:08:32,160
Speaker 1: show the country that where we stand and that we

1293
01:08:32,240 --> 01:08:36,320
Speaker 1: understand that we've been living alive for far too long. Funny,

1294
01:08:37,439 --> 01:08:39,439
Speaker 1: I like it. I knew he'd get the video from

1295
01:08:39,479 --> 01:08:44,400
Speaker 1: the city council Beard. They aren't. I mean when I

1296
01:08:44,520 --> 01:08:47,519
Speaker 1: was younger and I wondered how they got they just

1297
01:08:47,760 --> 01:08:49,479
Speaker 1: I thought they were the wings and they just pulled

1298
01:08:49,520 --> 01:08:52,639
Speaker 1: the bones out. But it's really that they just form

1299
01:08:52,720 --> 01:08:55,040
Speaker 1: everything together like a nugget, and it's in the shape

1300
01:08:55,080 --> 01:08:57,720
Speaker 1: of a wing. The other ones that I would do,

1301
01:08:57,760 --> 01:08:59,320
Speaker 1: if I were to go in and come on give

1302
01:08:59,360 --> 01:09:01,400
Speaker 1: the same kind of speeches I would do. Why had

1303
01:09:01,400 --> 01:09:03,880
Speaker 1: a hot dog buns coming packages of ten but hot

1304
01:09:03,960 --> 01:09:07,880
Speaker 1: dogs coming eight? Yeah, that is good, I'd do that one.

1305
01:09:09,000 --> 01:09:11,960
Speaker 1: I think we should have some sort of ordinance city ordinance.

1306
01:09:12,040 --> 01:09:13,800
Speaker 1: I don't want it to be federal. I like a

1307
01:09:13,880 --> 01:09:17,200
Speaker 1: small government that if you spoil a movie or a

1308
01:09:17,240 --> 01:09:20,040
Speaker 1: TV show for someone, that's a fine. Oh Amy, let's

1309
01:09:20,200 --> 01:09:23,800
Speaker 1: find people that spoil because what I'm gonna go to jail? Yeah,

1310
01:09:26,280 --> 01:09:28,280
Speaker 1: Home Alone is not a Christmas movie. It just happens

1311
01:09:28,280 --> 01:09:31,479
Speaker 1: at Christmas. I'd definitely be out there doing that one.

1312
01:09:32,400 --> 01:09:34,240
Speaker 1: Um so all right. I saw that. And then there

1313
01:09:34,320 --> 01:09:38,400
Speaker 1: was a guy too, a Virginia guy who bought twenty

1314
01:09:38,479 --> 01:09:41,439
Speaker 1: lottery tickets with the same number and one twenty times

1315
01:09:41,640 --> 01:09:44,880
Speaker 1: it was five thousand bucks. Is if you won? And

1316
01:09:44,960 --> 01:09:47,880
Speaker 1: so they want one hundred thousand dollars? Isn't that crazy?

1317
01:09:48,200 --> 01:09:51,800
Speaker 1: Tony Miles of South Boston told Virginia lottery officials he

1318
01:09:51,880 --> 01:09:54,880
Speaker 1: bought twenty tickets for the August twenty second Pick four

1319
01:09:54,960 --> 01:09:57,200
Speaker 1: night drawing, and all twenty of them with the same

1320
01:09:57,280 --> 01:10:00,720
Speaker 1: number hit for five thousand bucks. Because I would be

1321
01:10:00,760 --> 01:10:03,520
Speaker 1: the guy that goes, okay, let me diversify my portfolio

1322
01:10:03,960 --> 01:10:05,960
Speaker 1: and just get all different numbers, have a better shot.

1323
01:10:06,479 --> 01:10:09,360
Speaker 1: He went twenty straight. It made one hundred thousand bucks.

1324
01:10:09,400 --> 01:10:11,200
Speaker 1: We think about that lunch box. It makes me so

1325
01:10:11,360 --> 01:10:13,080
Speaker 1: jealous at me, But I don't know why you would

1326
01:10:13,080 --> 01:10:15,360
Speaker 1: play the same numbers. That just seems stupid. But for

1327
01:10:15,520 --> 01:10:17,960
Speaker 1: that reason, it's real smart. I'm on try it now.

1328
01:10:18,000 --> 01:10:20,280
Speaker 1: Are you still playing the lottery? Yeah? Still playing the lottery.

1329
01:10:20,400 --> 01:10:23,400
Speaker 1: What do you do each week? I spent well, every paycheck,

1330
01:10:23,479 --> 01:10:25,760
Speaker 1: I spend one hundred dollars on scratch offs, and then

1331
01:10:25,800 --> 01:10:29,599
Speaker 1: I do the Mega Millions and the powerball every week.

1332
01:10:29,640 --> 01:10:32,000
Speaker 1: I put I spent about ten bucks on each one.

1333
01:10:32,439 --> 01:10:35,560
Speaker 1: So each week you're spending total about one hundred and

1334
01:10:35,600 --> 01:10:38,160
Speaker 1: twenty bucks on hundred twenty five bulls. Oh wow, goodness,

1335
01:10:38,479 --> 01:10:41,160
Speaker 1: and you have two kids, two kids and a wife

1336
01:10:42,560 --> 01:10:45,800
Speaker 1: on some of those right, Well, I mean, winn nothing big,

1337
01:10:49,320 --> 01:10:51,960
Speaker 1: five dollars here, ten dollars there. But I'm not hitting

1338
01:10:51,960 --> 01:10:54,400
Speaker 1: anything big yet, but it's coming. Like this guy he

1339
01:10:54,520 --> 01:10:57,280
Speaker 1: kept playing one hundred thousand. Does he inspire you or

1340
01:10:57,320 --> 01:11:01,400
Speaker 1: irritate you? Both? Like? I hate him for it? But

1341
01:11:01,439 --> 01:11:03,160
Speaker 1: then I'm like, it's a good strategy. I'm gonna try

1342
01:11:03,200 --> 01:11:07,120
Speaker 1: that today. You're gonna go buy twenty the same number? Yeah?

1343
01:11:07,160 --> 01:11:08,720
Speaker 1: Why not? I mean if it worked for him, I

1344
01:11:08,760 --> 01:11:11,000
Speaker 1: mean it must work. Keep us posted. I hope one

1345
01:11:11,040 --> 01:11:13,400
Speaker 1: day we're reading a story about you and that you

1346
01:11:13,520 --> 01:11:16,080
Speaker 1: have won. He's been telling us for about thirteen years

1347
01:11:16,160 --> 01:11:18,120
Speaker 1: now that one day it's going to be him and

1348
01:11:18,160 --> 01:11:20,120
Speaker 1: he's gonna leave this show. Oh yeah, because you'll read

1349
01:11:20,160 --> 01:11:21,559
Speaker 1: about it in the paper. I won't even come back.

1350
01:11:22,080 --> 01:11:24,599
Speaker 1: But every day we look and he's still sitting right

1351
01:11:24,680 --> 01:11:29,360
Speaker 1: over there. Did you say the story about doctor Dre's

1352
01:11:29,400 --> 01:11:32,639
Speaker 1: wife needing two million dollars a month? No, but isn't

1353
01:11:32,680 --> 01:11:37,160
Speaker 1: he the richest Yeah, made in the world, a billion

1354
01:11:37,240 --> 01:11:42,479
Speaker 1: dollars off of beats. Yeah. So, but his wife, Nicole Young,

1355
01:11:43,280 --> 01:11:46,400
Speaker 1: says she has become accustomed to an incredibly lavish lifestyle.

1356
01:11:46,800 --> 01:11:49,600
Speaker 1: Asking for two million a month, Yeah, but that's what

1357
01:11:49,680 --> 01:11:54,200
Speaker 1: she's a month. Yeah, it seems crazy, but that's like

1358
01:11:54,680 --> 01:11:57,240
Speaker 1: a normal person maybe asking for twenty bucks. This is

1359
01:11:57,360 --> 01:12:00,880
Speaker 1: not normal in anyway. According to legal documents obtained by TMZ,

1360
01:12:01,280 --> 01:12:03,320
Speaker 1: doctor dre soon to be ex wife, has provided a

1361
01:12:03,360 --> 01:12:06,759
Speaker 1: list of monthly expenses that explains why she needs one million,

1362
01:12:06,880 --> 01:12:09,679
Speaker 1: nine hundred thirty six thousand, three hundred ninety nine dollars

1363
01:12:09,760 --> 01:12:12,599
Speaker 1: in spousal support a month. Are you ready? I'm ready?

1364
01:12:12,760 --> 01:12:15,680
Speaker 1: I need to hear broken down. Here we go. Laundry

1365
01:12:15,760 --> 01:12:20,000
Speaker 1: and cleaning ten thousand dollars a month, my new clothes.

1366
01:12:20,040 --> 01:12:23,880
Speaker 1: Her housekeeper is getting one over on her clothes a

1367
01:12:24,040 --> 01:12:27,960
Speaker 1: month one hundred and thirty five thousand dollars. How do

1368
01:12:28,000 --> 01:12:30,320
Speaker 1: you feel now about your No, No, I'm not saying

1369
01:12:30,400 --> 01:12:34,280
Speaker 1: this is rational, but in her world this is one

1370
01:12:34,400 --> 01:12:39,080
Speaker 1: hundred and thirty five thousand dollars a month. Seems crazy.

1371
01:12:39,360 --> 01:12:43,840
Speaker 1: Keep going education, tuition and living expenses sixty thousand dollars

1372
01:12:43,880 --> 01:12:45,519
Speaker 1: a month. She may be going back to school. I

1373
01:12:45,520 --> 01:12:49,960
Speaker 1: don't know. Entertainment nine hundred thousand dollars a month. Oh wow,

1374
01:12:50,280 --> 01:12:53,360
Speaker 1: Netflix s to heck of a subscription. She paying for

1375
01:12:53,400 --> 01:12:56,800
Speaker 1: everyone in town. Now I'm thinking like lavish dinners maybe

1376
01:12:56,920 --> 01:13:03,000
Speaker 1: and some fancy drinks alo nine hundred thousand not even

1377
01:13:03,040 --> 01:13:05,800
Speaker 1: a year, which I'll we go like wow a month.

1378
01:13:07,120 --> 01:13:11,000
Speaker 1: Charitable contributions one twenty five thousand dollars a month, just

1379
01:13:11,120 --> 01:13:12,840
Speaker 1: to look better. Should have knocked that one out a

1380
01:13:12,880 --> 01:13:17,200
Speaker 1: little bit a little more. Yeah, Mortgage one hundred thousand

1381
01:13:17,240 --> 01:13:25,080
Speaker 1: dollars a month, okay, and telephone cell phone twenty thousand

1382
01:13:25,080 --> 01:13:28,400
Speaker 1: dollars a month. That's how much who's she calling? She

1383
01:13:28,439 --> 01:13:30,320
Speaker 1: should she lay off on nine hundred numbers because that

1384
01:13:30,439 --> 01:13:35,280
Speaker 1: is expensive who has I don't know what is in

1385
01:13:35,439 --> 01:13:38,600
Speaker 1: purchase apps? Oh right, right, she plays a lot of

1386
01:13:38,680 --> 01:13:43,120
Speaker 1: candy crap in that purchases or whatever you say in

1387
01:13:43,240 --> 01:13:45,840
Speaker 1: that wild Yeah, that is nuts. I can't believe that,

1388
01:13:46,080 --> 01:13:50,680
Speaker 1: but she's become accustomed. Bobby women are crazy. No, he

1389
01:13:50,840 --> 01:13:54,320
Speaker 1: probably spends that every month, not standing by lunchboxes. Statement,

1390
01:13:55,560 --> 01:13:59,639
Speaker 1: reading that someone wants two million a month just seems crazy.

1391
01:13:59,680 --> 01:14:02,479
Speaker 1: I don't know their situation. I don't know how, I

1392
01:14:02,520 --> 01:14:05,240
Speaker 1: don't know. I'm not sure the rules on California. But

1393
01:14:05,360 --> 01:14:07,760
Speaker 1: he's worth eight hundred million dollars, right, I mean, think

1394
01:14:07,800 --> 01:14:11,680
Speaker 1: of what he is worth. That not her, but he

1395
01:14:12,479 --> 01:14:15,519
Speaker 1: same thing with Jeff Bezos. He couldn't have gotten to

1396
01:14:15,560 --> 01:14:18,200
Speaker 1: the point where he is if she didn't decide I'm

1397
01:14:18,240 --> 01:14:20,000
Speaker 1: going to do the other side of this team work

1398
01:14:20,240 --> 01:14:22,439
Speaker 1: and make sure the kids are raised. Yeah, she made

1399
01:14:22,560 --> 01:14:24,959
Speaker 1: with him when he was selling books out of the garage.

1400
01:14:25,320 --> 01:14:28,679
Speaker 1: Who doctor Dre was selling books? No, Jeff Bezos's wife.

1401
01:14:30,120 --> 01:14:33,040
Speaker 1: That's how Amazon started. Everything starts out of a garage.

1402
01:14:33,520 --> 01:14:35,439
Speaker 1: Yeah yeah, yeah, yeah, but again, let me le miss

1403
01:14:35,479 --> 01:14:38,640
Speaker 1: this one more time a month for entertainment. Yeah, she

1404
01:14:38,720 --> 01:14:40,600
Speaker 1: could at least told us, like what she's doing with

1405
01:14:41,000 --> 01:14:44,360
Speaker 1: for entertainment. The five foods you should never reheat in

1406
01:14:44,400 --> 01:14:48,040
Speaker 1: the microwave Is it interesting to you, Yes, because you're

1407
01:14:48,080 --> 01:14:49,760
Speaker 1: now a microwave person. You have one at your house.

1408
01:14:50,479 --> 01:14:52,280
Speaker 1: You said you'd never use one, but it was built

1409
01:14:52,320 --> 01:14:55,760
Speaker 1: into the wall of your new house. Doctor Dre's wife

1410
01:14:56,479 --> 01:14:58,599
Speaker 1: microwave built into the I didn't do it. The previous

1411
01:14:58,680 --> 01:15:01,519
Speaker 1: owners did it all. So I will say, I've let

1412
01:15:01,600 --> 01:15:04,679
Speaker 1: go a lot of my fear of microwave, So please

1413
01:15:05,000 --> 01:15:07,639
Speaker 1: well was the fear. I had a lot of fear

1414
01:15:07,680 --> 01:15:11,600
Speaker 1: around food and microwave, and I tried to just nutrients

1415
01:15:11,640 --> 01:15:14,240
Speaker 1: and ingredients and things that I thought would be toxic

1416
01:15:14,360 --> 01:15:15,960
Speaker 1: for me. I had a fear and I've had to

1417
01:15:16,040 --> 01:15:19,400
Speaker 1: let a lot of it go. Number five steak. Never

1418
01:15:19,479 --> 01:15:21,920
Speaker 1: reheat steak in the microwave because it will make it chewy.

1419
01:15:22,120 --> 01:15:24,200
Speaker 1: They say, first slice it up, then and then add

1420
01:15:24,240 --> 01:15:26,120
Speaker 1: oil to a pan and cook it over medium until

1421
01:15:26,120 --> 01:15:28,800
Speaker 1: it's hot enough. Here's the thing that takes too much time, Like,

1422
01:15:28,880 --> 01:15:32,599
Speaker 1: I'd rather have lesser quality steak than waiting seventeen minutes

1423
01:15:32,680 --> 01:15:37,400
Speaker 1: to do a Thanksgiving dinner with it. Number four never

1424
01:15:37,520 --> 01:15:41,400
Speaker 1: reheat spaghetti. Why what just toss it in a pot

1425
01:15:41,479 --> 01:15:43,439
Speaker 1: and cook it over medium heat. If it's too thick,

1426
01:15:43,520 --> 01:15:46,559
Speaker 1: add a little bit of water in some seasoning. Number

1427
01:15:46,600 --> 01:15:49,280
Speaker 1: three French fries. They will never taste as good as

1428
01:15:49,320 --> 01:15:51,479
Speaker 1: they were fresh. But the best way to do it

1429
01:15:51,640 --> 01:15:54,560
Speaker 1: is a pan with oil. Really, not even back in

1430
01:15:54,640 --> 01:16:03,599
Speaker 1: the oven. Okay, Amy, your story, I found it, I thought. Okay.

1431
01:16:04,160 --> 01:16:07,320
Speaker 1: Number two fried chicken. Instead of the microwave us a

1432
01:16:07,360 --> 01:16:10,160
Speaker 1: baking sheet or pan cover with foil. Cook it in

1433
01:16:10,200 --> 01:16:13,080
Speaker 1: the oven for about at three seventy five for ten minutes,

1434
01:16:13,320 --> 01:16:15,400
Speaker 1: then remove the foil and keep cooking until the skin

1435
01:16:15,439 --> 01:16:18,400
Speaker 1: gets crispy again. Okay. Sometimes I'll watch these sitcoms from

1436
01:16:18,400 --> 01:16:21,160
Speaker 1: the nineties two thousands and they're like, Okay, if we

1437
01:16:21,240 --> 01:16:24,679
Speaker 1: cook this at two hundred degrees for an hour, it'll

1438
01:16:24,680 --> 01:16:26,080
Speaker 1: be done. But we don't have much time. Let's cook

1439
01:16:26,080 --> 01:16:28,280
Speaker 1: get a four hundred for thirty minutes. And I'm like

1440
01:16:28,320 --> 01:16:30,559
Speaker 1: those idiots. But then I've called myself in roll of situations,

1441
01:16:30,600 --> 01:16:33,479
Speaker 1: going well, if I go up thirty three percent, I

1442
01:16:33,520 --> 01:16:35,280
Speaker 1: can get this done twin And you can't do that.

1443
01:16:36,400 --> 01:16:39,200
Speaker 1: Do you ever do that to cut corners? Of course?

1444
01:16:40,160 --> 01:16:42,720
Speaker 1: And your number one thing you should never reheat in

1445
01:16:42,760 --> 01:16:52,000
Speaker 1: the microwave pizza. Some foods don't do well in the

1446
01:16:52,080 --> 01:16:54,960
Speaker 1: microwave pizzas. One of them, it's if it's one or

1447
01:16:55,000 --> 01:16:57,120
Speaker 1: two slices, read them in a pan on the stove

1448
01:16:57,160 --> 01:16:59,720
Speaker 1: over medium heat, which they say it's quickly. That's a

1449
01:16:59,800 --> 01:17:02,759
Speaker 1: quick one. If it's more than a couple of pieces

1450
01:17:03,360 --> 01:17:05,880
Speaker 1: three seventy five, put in the oven. But I didn't

1451
01:17:05,880 --> 01:17:08,160
Speaker 1: know you can just put in a pan. But that's

1452
01:17:08,280 --> 01:17:11,599
Speaker 1: they say, that's quick. Interesting, like if your arguments quick, oh,

1453
01:17:11,600 --> 01:17:14,280
Speaker 1: you gotta do stam in a pan. So now I'm

1454
01:17:14,400 --> 01:17:18,280
Speaker 1: hungry for pizza. I had ice cream three out of

1455
01:17:18,320 --> 01:17:21,280
Speaker 1: four days this weekend. Uncharacteristic of me. I had a

1456
01:17:21,360 --> 01:17:23,479
Speaker 1: bunch of I had the best fish I've ever had

1457
01:17:23,520 --> 01:17:26,160
Speaker 1: in my life at a restaurant in Seattle. Kind it

1458
01:17:26,400 --> 01:17:29,960
Speaker 1: was a sea bass. I'm not a fish guy. What heavy?

1459
01:17:33,600 --> 01:17:36,320
Speaker 1: It was a sea bass and Kaylen ordered it, and

1460
01:17:36,479 --> 01:17:39,479
Speaker 1: I had ordered. I like oysters. She doesn't like oysters

1461
01:17:39,520 --> 01:17:41,599
Speaker 1: that way that much. I like oysters, and I had

1462
01:17:41,960 --> 01:17:46,360
Speaker 1: they had some grilled octopus there. Oh yeah it was good. Okay,

1463
01:17:46,760 --> 01:17:49,600
Speaker 1: my daughter loves squirrel doctorpus. Yeah it's good. And we

1464
01:17:49,680 --> 01:17:51,600
Speaker 1: were on the you know, we're on the coast, so

1465
01:17:51,720 --> 01:17:54,800
Speaker 1: you know that stuff's fresh, fresh aff as they say,

1466
01:17:56,280 --> 01:17:58,840
Speaker 1: And so we ordered that. And then Kaitlin loves fish,

1467
01:17:58,880 --> 01:18:00,640
Speaker 1: eats fish all the time she got see basket. I

1468
01:18:00,680 --> 01:18:02,360
Speaker 1: was like, let me ask me that it was the

1469
01:18:02,400 --> 01:18:04,840
Speaker 1: best fish I ever had in my life. Local. I

1470
01:18:04,880 --> 01:18:06,679
Speaker 1: don't know if they caught it outside, but I would

1471
01:18:06,680 --> 01:18:09,840
Speaker 1: assume if you live near the water. It's local. It's great.

1472
01:18:09,960 --> 01:18:13,840
Speaker 1: But just a wonderful town that Seattle it is. It's

1473
01:18:13,920 --> 01:18:20,880
Speaker 1: time for the good news. So when this kid, Brady,

1474
01:18:20,960 --> 01:18:24,160
Speaker 1: found out that police dogs don't automatically get bulletproof vests,

1475
01:18:24,600 --> 01:18:26,400
Speaker 1: he was worried about him not being as protected as

1476
01:18:26,400 --> 01:18:29,240
Speaker 1: their handlers. So the then eight year old kid from

1477
01:18:29,280 --> 01:18:32,000
Speaker 1: Ohio decided to do something to change that. He started

1478
01:18:32,080 --> 01:18:36,000
Speaker 1: Brady's K nine Fund, a nonprofit to provide bulletproof vests

1479
01:18:36,400 --> 01:18:40,599
Speaker 1: for police and military dogs. Isn't that wild? Isn't that crazy?

1480
01:18:40,800 --> 01:18:44,960
Speaker 1: All that? First of all, that dogs don't get something stinks.

1481
01:18:45,160 --> 01:18:46,800
Speaker 1: But secondly, it took this kid to be able to

1482
01:18:46,800 --> 01:18:49,160
Speaker 1: see it. In the last two years he's now ten,

1483
01:18:49,680 --> 01:18:53,280
Speaker 1: he's managed to raise three hundred and fifteen thousand dollars.

1484
01:18:55,040 --> 01:18:57,880
Speaker 1: He has supplied almost three hundred dogs with vests in

1485
01:18:57,920 --> 01:19:01,080
Speaker 1: twenty three states and then helped military dogs in Afghanistan too.

1486
01:19:02,680 --> 01:19:05,880
Speaker 1: That kid, that's crazy. That would be something. At first

1487
01:19:05,920 --> 01:19:09,000
Speaker 1: I thought eighteen dollars. I was like, oh, that's cute.

1488
01:19:09,640 --> 01:19:15,520
Speaker 1: It wasn't eliminated. And then yeah, shout out Brady Snakovsky,

1489
01:19:15,600 --> 01:19:18,280
Speaker 1: that's awesome, man, that's what it's all about. That was

1490
01:19:18,320 --> 01:19:23,360
Speaker 1: tell me something good. This video is funny, but only

1491
01:19:23,400 --> 01:19:25,960
Speaker 1: because the guy is okay. The guy jumped out of

1492
01:19:26,000 --> 01:19:29,400
Speaker 1: a plane with his sky diving instructor and he passed out.

1493
01:19:29,640 --> 01:19:34,880
Speaker 1: Oh no, right, as he chokes that, and so they jump,

1494
01:19:35,320 --> 01:19:39,320
Speaker 1: he goes limp. The instructor has things under control, obviously.

1495
01:19:39,960 --> 01:19:43,400
Speaker 1: Here they are mid air. After he passed out. He

1496
01:19:49,680 --> 01:19:52,080
Speaker 1: woke up and he was falling and he starts screaming,

1497
01:19:52,120 --> 01:19:54,160
Speaker 1: oh that was that was him. Here it is again

1498
01:19:54,320 --> 01:19:56,120
Speaker 1: the first parts he started to going hey, and then

1499
01:19:56,160 --> 01:20:06,639
Speaker 1: you hear the rest. Imagine you lose consciousness because you're

1500
01:20:06,640 --> 01:20:08,719
Speaker 1: so freaked out, and when you wake up, it doesn't

1501
01:20:08,720 --> 01:20:10,040
Speaker 1: matter where you are. It takes a second any way

1502
01:20:10,040 --> 01:20:12,200
Speaker 1: to adjust and see your surroundings and you're like, oh, what,

1503
01:20:12,320 --> 01:20:16,280
Speaker 1: what's that happen? And then you're barreling towards your death.

1504
01:20:17,680 --> 01:20:21,000
Speaker 1: But it was a happy landing. They said, if twenty

1505
01:20:21,040 --> 01:20:24,599
Speaker 1: twenty was skydiving, there you go. That's it right there.

1506
01:20:24,640 --> 01:20:26,720
Speaker 1: Amy is that a little trauma or big trauma. That's

1507
01:20:27,200 --> 01:20:31,960
Speaker 1: a little tea. It could be a medium how it

1508
01:20:32,000 --> 01:20:35,360
Speaker 1: affects the person. Hated skydiving every part of it. They

1509
01:20:35,400 --> 01:20:38,439
Speaker 1: thought I was gonna hijack the plane. What well, because

1510
01:20:38,520 --> 01:20:42,840
Speaker 1: what happened was I hate heights, like the scariest thing

1511
01:20:42,920 --> 01:20:45,320
Speaker 1: to your heights. And so I was so scared and

1512
01:20:45,520 --> 01:20:47,000
Speaker 1: I said, you know, I got to attack this fear.

1513
01:20:47,040 --> 01:20:49,200
Speaker 1: And so I drive to the skydiving place by myself

1514
01:20:49,760 --> 01:20:51,800
Speaker 1: and I say, hey, I'm here to skydive. They said, no,

1515
01:20:52,000 --> 01:20:54,880
Speaker 1: no groups here, and you had a book at an advance.

1516
01:20:54,920 --> 01:20:57,160
Speaker 1: I'm no group, I'm by myself. They were. They gave

1517
01:20:57,200 --> 01:20:58,280
Speaker 1: me side. I like, what are you trying to do

1518
01:20:58,320 --> 01:21:00,360
Speaker 1: if they're by yourself? Like they thought I was doing

1519
01:21:00,439 --> 01:21:02,760
Speaker 1: some suspicious up there. Yeah, So I told him why

1520
01:21:03,160 --> 01:21:04,880
Speaker 1: and they were like okay. So they matched me with

1521
01:21:05,040 --> 01:21:09,080
Speaker 1: an instructor and I jumped. It was awful, and then

1522
01:21:09,400 --> 01:21:11,920
Speaker 1: I had it saved on DVD and pictures because this

1523
01:21:11,960 --> 01:21:13,920
Speaker 1: has been ten years or so and whenever my house

1524
01:21:14,040 --> 01:21:17,160
Speaker 1: was broken into, they stole that dang of everything. To

1525
01:21:17,240 --> 01:21:19,360
Speaker 1: still they stole all that stuff. Well you had it

1526
01:21:19,439 --> 01:21:23,280
Speaker 1: inside your PlayStation. PlayStation Okay, well now it makes sense.

1527
01:21:23,360 --> 01:21:26,120
Speaker 1: I mean it's more dramatic if I'm just like some

1528
01:21:27,160 --> 01:21:29,519
Speaker 1: skydiving video I'm taking. I think that before they were

1529
01:21:30,120 --> 01:21:31,599
Speaker 1: you have one objective, get this guy out a video,

1530
01:21:31,800 --> 01:21:36,360
Speaker 1: get out. I think they wanted the PlayStation. Non. An

1531
01:21:36,400 --> 01:21:38,439
Speaker 1: eighteen year old guy of Virginia posted a video after

1532
01:21:38,479 --> 01:21:41,640
Speaker 1: he got a tattoo that covers his entire forearm. The

1533
01:21:41,720 --> 01:21:45,519
Speaker 1: tattoo said dream chaser. Then he realized the tattoo artists

1534
01:21:45,560 --> 01:21:48,920
Speaker 1: did it backwards, so it only looks right in the mirror.

1535
01:21:49,680 --> 01:21:51,719
Speaker 1: Here's a clip of the video he posted online showing

1536
01:21:51,720 --> 01:21:54,120
Speaker 1: off his tattoo. See'all think y'all having a bad day.

1537
01:21:54,479 --> 01:21:57,599
Speaker 1: I just win got this tattoo for two hundred dollars

1538
01:21:57,920 --> 01:22:01,280
Speaker 1: and one to realize the dude put it on backwards,

1539
01:22:01,840 --> 01:22:04,160
Speaker 1: so now I can only read it through a mirror

1540
01:22:04,240 --> 01:22:10,519
Speaker 1: and people can't see it. How though, do you not

1541
01:22:10,800 --> 01:22:13,360
Speaker 1: notice it while it's happening. I've got a few tattoos

1542
01:22:13,400 --> 01:22:16,800
Speaker 1: I'm watching. Oh, I close my eyes. I mean find

1543
01:22:16,840 --> 01:22:18,600
Speaker 1: her tiny. But I just stick out my arm and

1544
01:22:18,680 --> 01:22:20,400
Speaker 1: I'm like, okay, do what you gotta do. And I

1545
01:22:20,439 --> 01:22:23,800
Speaker 1: don't look, but don't they they put it on, you

1546
01:22:23,880 --> 01:22:27,479
Speaker 1: get to look at it before they draw put on

1547
01:22:27,520 --> 01:22:29,320
Speaker 1: your arm. They go, okay, would you like how it looks?

1548
01:22:29,760 --> 01:22:32,800
Speaker 1: Last chance? So if if if the guy went well

1549
01:22:32,840 --> 01:22:36,840
Speaker 1: it says a wrest are heead mid dude? He maybe

1550
01:22:36,880 --> 01:22:39,800
Speaker 1: would have told the guy instead of dream Chaser that

1551
01:22:39,920 --> 01:22:41,760
Speaker 1: was backwards. That runs me of Caitlin and how she

1552
01:22:41,840 --> 01:22:46,600
Speaker 1: can spell everything backwards. Yeah, it is weird. Here you go.

1553
01:22:46,720 --> 01:22:49,760
Speaker 1: This is Karen from Maryland. We are getting our first

1554
01:22:49,880 --> 01:22:53,160
Speaker 1: puppy ever, and I wanted to know if you could

1555
01:22:53,320 --> 01:22:55,439
Speaker 1: tell me some of the best products that you have

1556
01:22:55,600 --> 01:22:58,400
Speaker 1: for your dog, or if the show could share any

1557
01:22:58,520 --> 01:23:00,920
Speaker 1: information on what we should do for the puppy. So

1558
01:23:01,120 --> 01:23:04,320
Speaker 1: any information you have would be helpful. Thank you. Oh

1559
01:23:04,439 --> 01:23:09,680
Speaker 1: my puppy pads and a ton of them, put them

1560
01:23:09,720 --> 01:23:12,920
Speaker 1: all over the place. Mine's not so much a brand,

1561
01:23:13,000 --> 01:23:15,599
Speaker 1: but Amy had sent Kaitlin and I this thing where

1562
01:23:15,600 --> 01:23:18,000
Speaker 1: you I put on my Instagram yesterday. When you feed

1563
01:23:18,040 --> 01:23:20,639
Speaker 1: your dog, you move it over, so if two people

1564
01:23:20,640 --> 01:23:23,000
Speaker 1: are feeding the dog, you know, yeah, We can preput

1565
01:23:23,000 --> 01:23:24,320
Speaker 1: that on our Facebook page though, if you want to

1566
01:23:24,320 --> 01:23:25,479
Speaker 1: see what that is. We don't have a deal with

1567
01:23:25,560 --> 01:23:27,160
Speaker 1: them or anything. It's a good idea. Oh no, I

1568
01:23:27,200 --> 01:23:30,719
Speaker 1: just found it on Amazon. Yeah, Purina is my favorite

1569
01:23:30,760 --> 01:23:33,479
Speaker 1: dog food. But again, if you've never had a puppy

1570
01:23:33,600 --> 01:23:36,360
Speaker 1: to learn all this stuff yourself. Puppies are tough. Yeah,

1571
01:23:36,439 --> 01:23:39,600
Speaker 1: they're cute. They may be tougher than cute though. I

1572
01:23:39,760 --> 01:23:43,120
Speaker 1: like the brand, the cone k or that thing you

1573
01:23:43,200 --> 01:23:46,120
Speaker 1: could that ball. You can stick ball. You can stick

1574
01:23:46,200 --> 01:23:49,000
Speaker 1: peanut butter inside and it'll keep the puppy occupied, something

1575
01:23:49,040 --> 01:23:51,080
Speaker 1: to chew on and lick the peanut butter for it

1576
01:23:51,280 --> 01:23:53,479
Speaker 1: could last hours. Because you're the puppies are going on

1577
01:23:53,560 --> 01:23:55,680
Speaker 1: to chew everything in your house, you might as well

1578
01:23:55,720 --> 01:23:58,200
Speaker 1: give them something to chew that is chewable for them.

1579
01:23:58,320 --> 01:24:00,200
Speaker 1: Just remember about puppies. You'll buy them a lot out

1580
01:24:00,240 --> 01:24:02,240
Speaker 1: of things. I'm expensive, some not. They never want to

1581
01:24:02,240 --> 01:24:04,160
Speaker 1: play with the things that cost the most. They only

1582
01:24:04,200 --> 01:24:06,439
Speaker 1: want to tear out the things that cost you the most.

1583
01:24:06,680 --> 01:24:10,760
Speaker 1: They aren't for dogs. Good luck. I'm a big dog guy,

1584
01:24:10,840 --> 01:24:13,080
Speaker 1: But puppies are tough. You know. Kaylin's been talking about Hey,

1585
01:24:13,120 --> 01:24:15,519
Speaker 1: let's get another dog. She wants to get a puppy,

1586
01:24:16,160 --> 01:24:18,479
Speaker 1: and I'm like, let's just go adopt an older dog.

1587
01:24:19,320 --> 01:24:21,240
Speaker 1: We have enough space for one now because we love

1588
01:24:21,320 --> 01:24:24,280
Speaker 1: on five acres. And she's like, as you get a dog,

1589
01:24:24,360 --> 01:24:26,559
Speaker 1: Stanley has a friend, we don't have to. And I'm

1590
01:24:26,760 --> 01:24:28,719
Speaker 1: on the road so much, you know, doing the show.

1591
01:24:29,720 --> 01:24:32,719
Speaker 1: But um, yeah, puppies are tough, They're cute, they lure

1592
01:24:32,800 --> 01:24:36,479
Speaker 1: you in, but then it's just so much work. Holy crap.

1593
01:24:36,760 --> 01:24:39,680
Speaker 1: Speaking of dogs here as lunchbox. Lunchbox, you called a

1594
01:24:39,800 --> 01:24:41,720
Speaker 1: pet store, Yeah, I called a pet store and I

1595
01:24:41,800 --> 01:24:44,360
Speaker 1: asked them that I'm having problems biting my nails. Do

1596
01:24:44,439 --> 01:24:46,560
Speaker 1: they have one of those cones for humans? You know

1597
01:24:46,680 --> 01:24:48,880
Speaker 1: the how dogs get the cones? Yea, they put around

1598
01:24:48,880 --> 01:24:50,200
Speaker 1: their neck. Yeah, so I was wondering if they got

1599
01:24:50,280 --> 01:24:55,439
Speaker 1: them an adult size, right, thank you? This is speaking.

1600
01:24:55,520 --> 01:24:57,400
Speaker 1: How can I help you in your pet today? I mean,

1601
01:24:57,479 --> 01:25:01,120
Speaker 1: for some reason, I cannot quit biting my fingernails, like

1602
01:25:01,560 --> 01:25:04,320
Speaker 1: I just they're like a delicious snack and every time

1603
01:25:04,360 --> 01:25:06,280
Speaker 1: I look out, I'm like, and I gotta chew them.

1604
01:25:06,560 --> 01:25:08,320
Speaker 1: So I was wondering if you have one of those

1605
01:25:08,439 --> 01:25:13,040
Speaker 1: cones that I could get the dog yeah, you know

1606
01:25:13,120 --> 01:25:15,560
Speaker 1: those cones, you know what I'm talking about. Yeah, we

1607
01:25:15,640 --> 01:25:18,599
Speaker 1: have a bunch of those yet. Yeah, but would they

1608
01:25:18,680 --> 01:25:21,280
Speaker 1: work on me? Would they stop me from biting my fingernails?

1609
01:25:21,280 --> 01:25:24,880
Speaker 1: Because that's I'm not sure. You should give it a try,

1610
01:25:25,240 --> 01:25:27,080
Speaker 1: Like what's I mean? I need to know if it's

1611
01:25:27,080 --> 01:25:29,680
Speaker 1: gonna fit me, you know what I mean? Like, because yeah,

1612
01:25:29,720 --> 01:25:32,120
Speaker 1: we have we have some for like some pretty large

1613
01:25:32,640 --> 01:25:36,880
Speaker 1: some pretty large shock Yeah, because Andy, have you ever

1614
01:25:37,000 --> 01:25:39,960
Speaker 1: tried one to stop you from like itchen or biting? Haven't?

1615
01:25:41,040 --> 01:25:42,439
Speaker 1: Is that a common thing? Because I just want to

1616
01:25:42,439 --> 01:25:43,840
Speaker 1: make sure it works. I don't want to. I don't

1617
01:25:43,880 --> 01:25:48,080
Speaker 1: think so. I definitely never had that question before. Is

1618
01:25:48,120 --> 01:25:55,240
Speaker 1: there anything else I can help you with? Itching or biting? All? Right? There?

1619
01:25:55,280 --> 01:25:58,160
Speaker 1: Do you go? Also, Eddie, you went to your son

1620
01:25:58,560 --> 01:26:00,519
Speaker 1: I did? Yeah, Hey, because I wanted him to do

1621
01:26:00,560 --> 01:26:03,680
Speaker 1: a prank call. Yes, And this is me asking him

1622
01:26:03,840 --> 01:26:06,759
Speaker 1: what he thinks about doing the prank call. Okay, okay,

1623
01:26:06,840 --> 01:26:08,920
Speaker 1: hear me out. So Bobby wants you to do a

1624
01:26:09,000 --> 01:26:11,760
Speaker 1: prank call where you call a liquor store if you

1625
01:26:11,920 --> 01:26:14,640
Speaker 1: tell them with your little voice that you're having a

1626
01:26:14,720 --> 01:26:16,559
Speaker 1: party with your friends and you're trying to find out

1627
01:26:16,600 --> 01:26:18,800
Speaker 1: what kind of liquor to buy? Can you do it? No?

1628
01:26:19,240 --> 01:26:22,840
Speaker 1: Why not? They're gonna arrest me. If they're not, I'll

1629
01:26:22,880 --> 01:26:26,439
Speaker 1: get into trouble with who I don't know, the bartender guy.

1630
01:26:26,680 --> 01:26:30,200
Speaker 1: What do you mean, the guys selling? What's what kind

1631
01:26:30,240 --> 01:26:32,599
Speaker 1: of trouble? I don't know. They're gonna call the cops.

1632
01:26:33,040 --> 01:26:35,599
Speaker 1: Call the cops and tell them what some little kid

1633
01:26:35,720 --> 01:26:39,240
Speaker 1: is trying to kids trying to buy a liquor and

1634
01:26:39,360 --> 01:26:42,080
Speaker 1: it's embarrassing. How much money would Bobby have to give

1635
01:26:42,120 --> 01:26:49,840
Speaker 1: you to do it? Okay, you take this back down. Okay,

1636
01:26:49,920 --> 01:26:54,200
Speaker 1: here we go. Fifty dollars if he pulls off the

1637
01:26:54,240 --> 01:26:57,839
Speaker 1: prank call. Okay, cash money, cash, the whole cold hardcat

1638
01:26:57,920 --> 01:27:00,679
Speaker 1: called cash money. I give it to him in ones, two,

1639
01:27:01,280 --> 01:27:03,960
Speaker 1: two twenties, two fives, whatever he wants. Okay, I'll give

1640
01:27:04,000 --> 01:27:09,040
Speaker 1: it to him a VC virtual cards whatever I might

1641
01:27:09,200 --> 01:27:10,920
Speaker 1: keep those. Take it to him and see if he

1642
01:27:11,000 --> 01:27:13,599
Speaker 1: wants fifty bucks. Fifty bucks to do the prank call?

1643
01:27:14,840 --> 01:27:17,439
Speaker 1: How funny would that be? Though? Eddie's kids voice going,

1644
01:27:17,640 --> 01:27:20,559
Speaker 1: hey man, I guess the friends coming over. We don't

1645
01:27:20,560 --> 01:27:23,360
Speaker 1: want our parents to know, how Like, what's the good vodka?

1646
01:27:23,760 --> 01:27:25,439
Speaker 1: I'm struggling with it because I want him to do

1647
01:27:25,520 --> 01:27:27,920
Speaker 1: it so bad, but he just like, I'm gonna get

1648
01:27:27,960 --> 01:27:31,680
Speaker 1: in trouble. Tomorrow on the show, you guys can call

1649
01:27:31,720 --> 01:27:33,320
Speaker 1: and leave us your opinions on this. By the way,

1650
01:27:33,360 --> 01:27:36,040
Speaker 1: tomorrow on the show, we have an email from a

1651
01:27:36,120 --> 01:27:39,480
Speaker 1: listener who said that they have someone in the neighborhood

1652
01:27:39,520 --> 01:27:42,320
Speaker 1: that was not not cleaning up their poop after their dog.

1653
01:27:42,520 --> 01:27:44,680
Speaker 1: They're walking around now, so I think what they did

1654
01:27:44,720 --> 01:27:47,760
Speaker 1: is they took a picture of him posted online and said,

1655
01:27:48,360 --> 01:27:51,120
Speaker 1: all right, here's the person. Like, right or wrong to

1656
01:27:51,240 --> 01:27:54,200
Speaker 1: do that? Leave a voicemail let us know. I'll give

1657
01:27:54,200 --> 01:27:56,479
Speaker 1: you the whole story tomorrow about this time. Eight seven

1658
01:27:56,600 --> 01:27:59,840
Speaker 1: seven seventy seven, Bobby, right or wrong to do that?

1659
01:28:00,160 --> 01:28:03,280
Speaker 1: All right? Andy, it doesn't mean when you say that

1660
01:28:03,320 --> 01:28:07,320
Speaker 1: you're working on becoming a family focused family, I don't

1661
01:28:07,360 --> 01:28:12,679
Speaker 1: know the lingo. Well. I heard that there's kid focused,

1662
01:28:13,280 --> 01:28:16,080
Speaker 1: parent focused, and then family focused. There's the kind of

1663
01:28:16,120 --> 01:28:19,000
Speaker 1: the three options. And we were kind of a little

1664
01:28:19,040 --> 01:28:20,479
Speaker 1: bit of kid focus when we need to be our

1665
01:28:20,560 --> 01:28:23,120
Speaker 1: parent focused. But we weren't operating together as a family,

1666
01:28:23,200 --> 01:28:26,759
Speaker 1: like sitting down having meetings talking about all the different

1667
01:28:26,800 --> 01:28:30,560
Speaker 1: activities from Okay, this is you. So Shara wants to

1668
01:28:30,600 --> 01:28:32,880
Speaker 1: play soccer. Okay, how are we going to make that happen?

1669
01:28:33,000 --> 01:28:35,880
Speaker 1: Does that fit into everybody's schedule? How can we support this?

1670
01:28:35,960 --> 01:28:39,160
Speaker 1: And even our son, how can he help support Stashira

1671
01:28:39,280 --> 01:28:42,800
Speaker 1: and her soccer and scheduling? And it really is making

1672
01:28:42,840 --> 01:28:45,840
Speaker 1: decisions like that as a family and my husband and

1673
01:28:45,880 --> 01:28:49,320
Speaker 1: I communicating more on where we are with our week

1674
01:28:49,400 --> 01:28:51,439
Speaker 1: and maybe even where we are with our day. Like

1675
01:28:51,600 --> 01:28:54,200
Speaker 1: if I'm oh, I've had tons of stuff having me,

1676
01:28:54,240 --> 01:28:56,280
Speaker 1: I'm super stressed. Maybe something happened with my dad and

1677
01:28:56,360 --> 01:28:59,479
Speaker 1: I'm operating at twenty percent, then he can say, Okay,

1678
01:28:59,600 --> 01:29:02,320
Speaker 1: I got you. I have the other eighty percent. Or

1679
01:29:02,360 --> 01:29:04,559
Speaker 1: if he's operating at twenty percent two then we meet

1680
01:29:04,600 --> 01:29:07,240
Speaker 1: as a family. We decide we're going to do take out.

1681
01:29:07,240 --> 01:29:09,320
Speaker 1: We're not going to cook, We're not gonna I just

1682
01:29:09,400 --> 01:29:11,680
Speaker 1: heard Burnet Brown talking about this for her family and

1683
01:29:11,800 --> 01:29:13,960
Speaker 1: it really tried it. Yeah, it sounds like a lot

1684
01:29:14,000 --> 01:29:16,519
Speaker 1: of work. Well it is, but I think you're it

1685
01:29:16,720 --> 01:29:18,720
Speaker 1: is in the beginning, But then I think you're all

1686
01:29:18,840 --> 01:29:20,640
Speaker 1: better for it in the long run because you all

1687
01:29:20,760 --> 01:29:22,960
Speaker 1: know what to expect. And that's another thing we're working

1688
01:29:23,000 --> 01:29:26,520
Speaker 1: on big time in our family is consistency and predictability.

1689
01:29:26,760 --> 01:29:29,719
Speaker 1: And right now we're just kind of a law like, Okay,

1690
01:29:29,800 --> 01:29:32,680
Speaker 1: we survived today, what's tomorrow. But if we sit down

1691
01:29:32,720 --> 01:29:35,400
Speaker 1: and we have these family focused meetings and everybody knows

1692
01:29:35,520 --> 01:29:39,479
Speaker 1: what to expect, then I think that we will be

1693
01:29:39,600 --> 01:29:41,880
Speaker 1: functioning better as a family. And so that's very new

1694
01:29:41,920 --> 01:29:44,320
Speaker 1: to us. We have just been in survival mode and

1695
01:29:44,400 --> 01:29:46,200
Speaker 1: I'm over it. I say this in a loving way.

1696
01:29:46,240 --> 01:29:49,240
Speaker 1: Today September eighth, Yes, in one month. I'll check in

1697
01:29:49,360 --> 01:29:52,479
Speaker 1: on you. Please do you're still having these meetings. I

1698
01:29:52,520 --> 01:29:54,280
Speaker 1: would like for you too. And the meetings are all

1699
01:29:54,320 --> 01:29:57,080
Speaker 1: the time, just once a week to set up the

1700
01:29:57,120 --> 01:29:59,600
Speaker 1: week and the expectations for the week and how we

1701
01:29:59,680 --> 01:30:03,320
Speaker 1: can support each other. I hope it works. It'll be awesome.

1702
01:30:03,560 --> 01:30:06,639
Speaker 1: We'll see what happens. Check in. Sorry by everybody, Come

1703
01:30:06,680 --> 01:30:08,840
Speaker 1: on show. Yeah,