WEBVTT - Mini Crush #173

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush Monday with me

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<v Speaker 1>Noel Brown. Whoa, whoa, whoa whoa. Take two. Hey, it's

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<v Speaker 1>Mini Crush Monday. Hey, no, how now Brown count I.

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<v Speaker 1>Take three? What's happening? Ready? Ready? Okay, hey, everybody, welcome

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<v Speaker 1>to Mini Crush Monday. It's me Josh Clark. Is this

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<v Speaker 1>that movie? Split switch? Okay? Clip? All right? Take what

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<v Speaker 1>is this for? Take four? That's the sound of a

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<v Speaker 1>new take. It's like a dream sequence. That's what we're

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<v Speaker 1>experiencing right now. Clearly. Al right. Take four? Ready, h Hey, everybody,

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<v Speaker 1>welcome to stuff you should watch. Watch things week. We

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<v Speaker 1>could go with that. Stuff you should watch is the

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<v Speaker 1>closest you've gotten. Alright. Take five? You ready? My alarms

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<v Speaker 1>going off? Everything's all askew. Yeah, I'm ready. I'm ready. Hey, everybody,

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<v Speaker 1>welcome to Ah all right, this is it? Is it?

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<v Speaker 1>Come on? Come on, come on, come on. Twenty Dwarves

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<v Speaker 1>took turns doing push ups on the lawn. Twenty Dwarves

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<v Speaker 1>took turns doing push ups on the lawn. Okay, hey everybody,

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<v Speaker 1>and welcome to Mini Crush. This is the movie Crush

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<v Speaker 1>version on Monday that's very much shorter and it features

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<v Speaker 1>No Brown and me Chuck Bryant. Oh, it's so good

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<v Speaker 1>to be back, Chuck. He just did that over and

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<v Speaker 1>over like family guy style, for thirty minutes. What do

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<v Speaker 1>you call that? There's a name for that kind of joke. Uh,

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<v Speaker 1>that's the thing. But there's the shaggy Dog story, which

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<v Speaker 1>is just like the joke where it's all set up

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<v Speaker 1>and then the punch line is just a nothing, you know.

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<v Speaker 1>I think that's what a shaggy dog story is, like

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<v Speaker 1>the same thing, kind of like The Aristocrats. I think

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<v Speaker 1>The Aristocrats is a shaggy dog story. Did you ever

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<v Speaker 1>see that documentary on the Aristocrats? I did, and I

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<v Speaker 1>think that the thing that I remarked on that most

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<v Speaker 1>people did was that the filthiest version was done by

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<v Speaker 1>Bob Saget. So you think of as clean cut, you know,

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<v Speaker 1>Dad from Full House, but turns out he's a total scumbag. Yeah.

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<v Speaker 1>My brother worked with him and he was actually a

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<v Speaker 1>great guy to work with and um very much filthy

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<v Speaker 1>in real life. Yeah. I I when I say scumbag,

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<v Speaker 1>I mean humor wise. Yeah, Well I'm just gonna lovely. Well,

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<v Speaker 1>there you go. How you doing, man, I'm great, Noel, Uh,

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<v Speaker 1>we have catch up on our list is the first thing.

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<v Speaker 1>And there was some breaking news this morning in real

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<v Speaker 1>time Noll that Amazon acquired MGM Studios. Oh boy, what

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<v Speaker 1>does that mean? No, this is news to me. Yeah,

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<v Speaker 1>it's like eight points five six billion dollars at Amazon.

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<v Speaker 1>They just throw money around like it's money. Yeah. I

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<v Speaker 1>think they said. The big play here was the fact

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<v Speaker 1>that the James Bond franchise is now under the control

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<v Speaker 1>of Amazon. You know what, I saw a thing. It

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<v Speaker 1>was one of those hyperbolic kind of headlines where it's

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<v Speaker 1>like the studios no longer have control of the movie industry. Um,

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<v Speaker 1>and it's because of the streamers. They're the ones. Obviously

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<v Speaker 1>with the pandemic and the way, you know, theaters weren't

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<v Speaker 1>a thing anymore. There's always been this kind of tacit

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<v Speaker 1>understanding of the studios would defer to the theaters and

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<v Speaker 1>and that awards revolved around theatrical releases and that ship matters,

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<v Speaker 1>you know, to studios anyway. But now it's seems like

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<v Speaker 1>the streamers are in control. You've got your HBO Max,

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<v Speaker 1>you've got your Amazon and all that, and it seems

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<v Speaker 1>like they're the ones holding the keys now. And this

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<v Speaker 1>just kind of solidifies it, don't you think. Well, I'll

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<v Speaker 1>tell you what. No. I mean, they are a version

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<v Speaker 1>of the New Studio. And it's like anything else in media,

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<v Speaker 1>you adapt or you fucking die. It's true. You can't

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<v Speaker 1>stop it. You can you can't pout and sit on

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<v Speaker 1>your hands and say, well, this isn't fair. It's like

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<v Speaker 1>all those cab drivers that were upset about Uber and left.

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<v Speaker 1>You know, you gotta adapt. You gotta adapt. Things change, nol.

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<v Speaker 1>You can be left behind or you can roll with

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<v Speaker 1>it in and work in the new system. I think

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<v Speaker 1>I mentioned last episode. I think that I went and

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<v Speaker 1>saw a movie in the theater and I really liked it.

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<v Speaker 1>That's that's the sort of silly thing. I've obviously always

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<v Speaker 1>movies in the theaters are great, you know, I've always

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<v Speaker 1>really loved going to movies in the theater. And I

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<v Speaker 1>I just feel like the release schedule isn't back yet.

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<v Speaker 1>There's like been two movies kind of lingering in the

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<v Speaker 1>theaters this whole time. Today. There's nothing out that's worth it,

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<v Speaker 1>that's we hear um so hopefully that though coming soon,

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<v Speaker 1>I would like to continue that that tradition. Me sad

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<v Speaker 1>that I'm referring to it as a tradition, like it's

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<v Speaker 1>some sort of nostali Remember going to movies in the theater. Yeah,

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<v Speaker 1>I mean I'm ready. I uh, I'm feeling more confident

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<v Speaker 1>about stuff I went to. I don't know if I

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<v Speaker 1>mentioned this. Last time I went to a baseball game

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<v Speaker 1>and that was kind of nice. And uh, Emily and

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<v Speaker 1>I had our first dinner out on a patio last week.

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<v Speaker 1>That was wonderful. We're easing on out there a bit.

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<v Speaker 1>I hear you, man. I've got a couple of work

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<v Speaker 1>trips scheduled obviously, had that Seattle trip was a kind

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<v Speaker 1>of big first push. Um, but yeah, going to Nashville

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<v Speaker 1>for a conference and probably going out to l A

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<v Speaker 1>pretty soon. So I'm looking forward to. Like the work

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<v Speaker 1>isn't saying thou must travel, but they're like, hey, if

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<v Speaker 1>you've got a reason, don't hesitate to to not to

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<v Speaker 1>not do it, to do it, don't hesitate to do it.

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<v Speaker 1>I'm gonna do it. I'm gonna do it, Chuck do it. No,

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<v Speaker 1>I'm I'm gonna make somebody tell me to travel for work. Yeah,

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<v Speaker 1>I have no I'll do it. You want me to

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<v Speaker 1>do it, I have no interest in h I just

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<v Speaker 1>I don't want to. It's I mean, I'm fine to

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<v Speaker 1>get on a plane now because I' vaccinated, but I

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<v Speaker 1>just I don't want to. I've really enjoyed being at

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<v Speaker 1>home and not traveling and being a wait for my family.

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<v Speaker 1>Oh I have to chuck, But I've also reached the

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<v Speaker 1>kind of threshold and I am now sick of my

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<v Speaker 1>family entirely. Well that happens. I'm just kidding. That's a thing. Um, sure,

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<v Speaker 1>it's funny, you really. I know this has been rough

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<v Speaker 1>on some marriages. I've known a couple of people who

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<v Speaker 1>have gotten divorced during this pandemic. It's just it's a

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<v Speaker 1>real test of of your friendship as as a partner.

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<v Speaker 1>You know, like you gotta be friends with who you're

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<v Speaker 1>married to or you're not gonna get through it. Dude.

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<v Speaker 1>I mean, I'm not to play Dr Ruth here anything,

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<v Speaker 1>but I mean it's so important that you just enjoy,

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<v Speaker 1>you know, keeping company with this person, that you have

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<v Speaker 1>things in common that you can actually vibe. Uh. If

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<v Speaker 1>you don't or if it's all based on attraction or

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<v Speaker 1>like sex. Now all that ship goes away when you

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<v Speaker 1>get it doesn't have to go away, you know what

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<v Speaker 1>I'm saying. I just mean if you don't actually enjoy

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<v Speaker 1>the person's company and like just being lazy and sitting

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<v Speaker 1>around and bullshitting and bantering what, there's really not much else.

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<v Speaker 1>Everything else is kind of goes by the wayside eventually,

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<v Speaker 1>you know. So that's right, and not everyone is uh

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<v Speaker 1>is Sting and you know, in their sixties or whatever

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<v Speaker 1>he is can still get down with hot tantra fucking

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<v Speaker 1>for hours at a time. Good. That's what his new album.

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<v Speaker 1>That's what his new album is called, Chuck. That's called

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<v Speaker 1>Hot Tantuck with Sting HDF for the for Walmart and

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<v Speaker 1>the more conservative retailers. Yeah, and the subtitle is you

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<v Speaker 1>got stung by that dick? Good for you? Oh God,

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<v Speaker 1>good for you, Sting. My six life is better than

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<v Speaker 1>it's ever been and I'm approaching seventy. It's note is

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<v Speaker 1>this good for him? Oh? There are? You know, like

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<v Speaker 1>like movie crush, Mini crush, what's the show called again?

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<v Speaker 1>You got me all flummocks chucked? That opening really threw

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<v Speaker 1>me for a loop. I would say, that Mini Crush

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<v Speaker 1>is more important than hot tent trick fucking I think

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<v Speaker 1>that's probably true. It definitely gets better reviews than that

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<v Speaker 1>new Sting record. No, don'tody cared about it. They really

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<v Speaker 1>resented that. Apple just put it on their phones. You know.

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<v Speaker 1>It's like nobody wants that. Uh snol. Do you have

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<v Speaker 1>any more in the in the catchup department? I'm trying

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<v Speaker 1>to think. I got a new synthesizer that I'm really

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<v Speaker 1>excited about. Let's hear about it. That behind you? Is

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<v Speaker 1>that what I'm looking No, that's why I that's an

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<v Speaker 1>old one. That's an eighties Juno one or six from

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<v Speaker 1>Rolland and I got it repaired recently. I have Actually

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<v Speaker 1>our boss Connell gave that to me because he used

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<v Speaker 1>to play it in this band that he was in

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<v Speaker 1>called Adam, which I'm sure you're aware of. Um, and

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<v Speaker 1>I had another one and he saw it in the background.

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<v Speaker 1>I was like, well it doesn't work. Well, I have

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<v Speaker 1>this one in my attic. You could have it and

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<v Speaker 1>if it works, you know, then then you'll be in

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<v Speaker 1>a happy boy. And it didn't turn on. But I

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<v Speaker 1>got it repaired, and then I got my other one repairs.

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<v Speaker 1>Now I have one that I am keeping in one

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<v Speaker 1>that I'm selling, but I bought a Sequential Circuits Profit Rev. Two,

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<v Speaker 1>which is the sound chuck of like John Carpenter movie soundtracks.

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<v Speaker 1>So I might have to do like an augmented movie

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<v Speaker 1>crush bumper or some kind of little little diddy with it.

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<v Speaker 1>It sounds so cool, man, it's yeah. I'll tell you

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<v Speaker 1>what you should do, Nold is just just do some

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<v Speaker 1>sort of a thirty second jam audio soundscape and we'll

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<v Speaker 1>just throw it in here somewhere. Okay, all right here,

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<v Speaker 1>it is all right, Oh that's amazing. Well, you'll have

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<v Speaker 1>to make sure our our producer, Mike. Uh did we

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<v Speaker 1>have announce that Mike has taken over the show? Good

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<v Speaker 1>old Mike, love Mike. We maybe have been uh no,

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<v Speaker 1>we did. I pick uped him heavily. I pick up

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<v Speaker 1>him heavily. I'm certain about it about the NPR background

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<v Speaker 1>and and uh right club and all the things that

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<v Speaker 1>he does. Gets do we need to rerecord, have Lauren

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<v Speaker 1>re record our post credit sequence because our credit sequence,

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<v Speaker 1>because she still says Seth is a producer with two producers.

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<v Speaker 1>Ago asked around like yesterday's news. No, that's not what

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<v Speaker 1>happens with yesterday's news, Chuck, yesterday's news gets thrown away,

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<v Speaker 1>nobody passes it around. I get passed around like tomorrow's news,

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<v Speaker 1>tomorrow's sandwiches. I don't know what that means. I don't

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<v Speaker 1>know what any of it means, but I'm happy to

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<v Speaker 1>be here. Um. You had a nice little getaway as well,

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<v Speaker 1>didn't you, with like a family situation some uh some

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<v Speaker 1>camping of some sort. Uh yeah, well, the the family

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<v Speaker 1>camp is complete and all. We had a few friends

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<v Speaker 1>come up and help had a couple of big work days,

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<v Speaker 1>which was a lot of fun. It was funny when

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<v Speaker 1>we were all like they were some kids running around

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<v Speaker 1>and there were some people helping me, you know, those

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<v Speaker 1>all kinds of things to do to kind of finish

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<v Speaker 1>the camp out. And um, Emily was working on some

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<v Speaker 1>stuff and she said, you know, every it was very cute,

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<v Speaker 1>she said, anytime there are a bunch of people like

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<v Speaker 1>working like this in a big fun atmosphere and there's

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<v Speaker 1>music plan. I always think of foot Loose when they're

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<v Speaker 1>putting the prom together. You know, I've never seen Footloose.

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<v Speaker 1>Chuck on it. I'll get on it by by next week.

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<v Speaker 1>Is this so it's like a family, like a plot

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<v Speaker 1>of land or something like how do Yeah, yeah, I've

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<v Speaker 1>talked about a little bit on stuff. You should know.

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<v Speaker 1>I have some land in the mountains with a creek

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<v Speaker 1>on it, and uh my, my dream has always been

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<v Speaker 1>to have sort of a sort of a family camp,

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<v Speaker 1>family and friend camp, and uh, it's getting so crowded

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<v Speaker 1>in Atlanta over the years that it's it's hard to

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<v Speaker 1>go camping on the weekends. If you get up, like

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<v Speaker 1>if you're not up there in the North Torgia Mountains

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<v Speaker 1>on a Thursday, then forget about it. You come up,

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<v Speaker 1>you creep up there on a Friday after work. You

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<v Speaker 1>can't find a camping spot out in the wild unless

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<v Speaker 1>you want to camp right next to some schmucks. So

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<v Speaker 1>I got some land. We uh it was just last

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<v Speaker 1>year was a pop up tent with some stuff stored

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<v Speaker 1>under it. And this year I was finally able to

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<v Speaker 1>get a carpenter to build a pavilion with some shed

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<v Speaker 1>storage and firewood storage and an outhouse that I'm still

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<v Speaker 1>waiting on the composting toilet for it's not finished yet,

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<v Speaker 1>and we we've built a little outdoor kitchen in it

0:12:41.360 --> 0:12:44.560
<v Speaker 1>and picnic tables and we got everything you want. So

0:12:44.600 --> 0:12:47.720
<v Speaker 1>the idea NOL is that everything is kind of there,

0:12:47.800 --> 0:12:50.320
<v Speaker 1>all the cookware, all the stuff that you have to

0:12:50.320 --> 0:12:52.960
<v Speaker 1>tote to take camping. So if people want to go

0:12:53.040 --> 0:12:56.360
<v Speaker 1>camping there, all you do is bring your stuff to sleep,

0:12:56.600 --> 0:12:59.520
<v Speaker 1>your tent and your sleeping bag or whatever you're caught,

0:13:00.160 --> 0:13:02.320
<v Speaker 1>and then whatever food and booze you want to bring,

0:13:02.360 --> 0:13:04.360
<v Speaker 1>and everything else is there to make it super simple

0:13:04.679 --> 0:13:07.000
<v Speaker 1>to just sort of last minute say hey, let's go camping,

0:13:08.040 --> 0:13:09.839
<v Speaker 1>and uh, it's open to you know, if you ever

0:13:09.840 --> 0:13:12.280
<v Speaker 1>want to go camping up there, you can totally use it. Chuck,

0:13:12.720 --> 0:13:14.640
<v Speaker 1>I would love that. I would. I would mainly love to,

0:13:14.760 --> 0:13:16.040
<v Speaker 1>you know, I I would just I want to I

0:13:16.080 --> 0:13:18.280
<v Speaker 1>want to like hang with with with you guys man.

0:13:18.320 --> 0:13:20.600
<v Speaker 1>I want to come like vibe with the with the Bryants.

0:13:20.880 --> 0:13:23.280
<v Speaker 1>Do you want to come camping this weekend? Though? What

0:13:23.320 --> 0:13:25.760
<v Speaker 1>are you doing Memorial Day weekend? I don't actually have

0:13:25.800 --> 0:13:29.240
<v Speaker 1>any any major plans. We got a bunch of people.

0:13:29.320 --> 0:13:32.160
<v Speaker 1>There's like twenty five of us, like six or seven kids.

0:13:34.320 --> 0:13:36.240
<v Speaker 1>Is I will think about it. My kid is actually

0:13:36.280 --> 0:13:39.680
<v Speaker 1>doing a camping thing with her other friend in Tennessee.

0:13:40.120 --> 0:13:42.760
<v Speaker 1>But this weekend. Yeah for a Memorial Day. But let

0:13:42.760 --> 0:13:43.920
<v Speaker 1>me but let me let me think, let me think

0:13:43.920 --> 0:13:47.040
<v Speaker 1>about that. That's really the lovely, lovely thought. And all right,

0:13:47.120 --> 0:13:50.280
<v Speaker 1>really it's out there and there will be like the

0:13:50.320 --> 0:13:52.400
<v Speaker 1>whole band is going. So my drummer is bringing his

0:13:52.600 --> 0:13:54.199
<v Speaker 1>one of those drums that you sit on and play

0:13:54.840 --> 0:13:58.360
<v Speaker 1>and uh and we just you know, we sit around

0:13:58.400 --> 0:14:00.559
<v Speaker 1>by the campfire. All we make some more play guitar,

0:14:00.640 --> 0:14:05.320
<v Speaker 1>we drink. I'll bring my sin Well. We do have power.

0:14:05.360 --> 0:14:07.640
<v Speaker 1>We have solar power at the pavilion. I saw the

0:14:07.640 --> 0:14:09.720
<v Speaker 1>solar power panels on the roof that it's amazing. You

0:14:09.720 --> 0:14:11.640
<v Speaker 1>could bring your fucking synth if you want it. It's

0:14:11.679 --> 0:14:15.720
<v Speaker 1>like synth jam. The dream one day not was to

0:14:15.720 --> 0:14:17.760
<v Speaker 1>have a like a little get a few of my

0:14:17.880 --> 0:14:20.240
<v Speaker 1>musician friends and do a little like weekend hooting nanny

0:14:20.280 --> 0:14:23.840
<v Speaker 1>for real, hoot and a holler. I love it all right.

0:14:23.880 --> 0:14:25.680
<v Speaker 1>So it's out there and if if anyone I finally

0:14:25.720 --> 0:14:27.720
<v Speaker 1>posted some pictures, I'm very proud of it. It looks

0:14:28.160 --> 0:14:31.200
<v Speaker 1>the Chuck the podcaster Instagram. So we have the Bryant

0:14:31.200 --> 0:14:33.640
<v Speaker 1>family camp and it's very sweet that everyone wants to

0:14:33.640 --> 0:14:36.640
<v Speaker 1>go crash the camp and have a movie crushing So

0:14:36.680 --> 0:14:38.920
<v Speaker 1>if you should know events there, but it is closed

0:14:38.960 --> 0:14:42.800
<v Speaker 1>for those activities. God. Sorry, do you have a tent, Noel,

0:14:42.840 --> 0:14:46.440
<v Speaker 1>and sleeping bags and stuff? I don't. Actually I had extras.

0:14:46.680 --> 0:14:49.520
<v Speaker 1>I've even got you hooked up there, amazing. I do

0:14:49.640 --> 0:14:51.400
<v Speaker 1>need to. I want to be a camping guy. I

0:14:51.440 --> 0:14:53.400
<v Speaker 1>want that for myself, so I think I maybe need to.

0:14:53.480 --> 0:14:55.600
<v Speaker 1>I did just buy a really cool bike. I haven't

0:14:55.640 --> 0:14:57.000
<v Speaker 1>had a bike in a long time, and I bought

0:14:57.040 --> 0:14:59.200
<v Speaker 1>a nice trek bike off a dude off of craigs

0:14:59.320 --> 0:15:02.600
<v Speaker 1>or Facebook, uh marketplace nice, trying to try to get

0:15:02.760 --> 0:15:04.480
<v Speaker 1>get it back into shape. Check now that we're like,

0:15:04.520 --> 0:15:06.560
<v Speaker 1>you know, humans again. I ordered a bike to Nolan's

0:15:06.600 --> 0:15:08.760
<v Speaker 1>coming in. Uh it was back ordered, so it's coming

0:15:08.760 --> 0:15:12.680
<v Speaker 1>in like mid June, late Junice. Alright, Noel, what the

0:15:12.720 --> 0:15:14.480
<v Speaker 1>invite is out there? And if you don't come this weekend,

0:15:14.640 --> 0:15:17.320
<v Speaker 1>we we should just get together another weekend. Yeah, because

0:15:17.680 --> 0:15:27.880
<v Speaker 1>it's a lot of great fun. I can't wait. All right,

0:15:28.120 --> 0:15:31.040
<v Speaker 1>So Noel, we're gonna do a little something now called

0:15:31.960 --> 0:15:40.720
<v Speaker 1>nos Holes Star WHOA. I wasn't ready for this, Chuck,

0:15:40.840 --> 0:15:42.920
<v Speaker 1>I sprung it on you. I've been filling a lot

0:15:43.000 --> 0:15:48.040
<v Speaker 1>he sprung one of my wholes sprung a leak. Gross. Okay, Now,

0:15:48.040 --> 0:15:49.800
<v Speaker 1>of course I'm looking around. I don't even think I

0:15:49.800 --> 0:15:54.160
<v Speaker 1>have a pencil. That's okay. That is that is troublesome, though,

0:15:54.160 --> 0:15:58.000
<v Speaker 1>because that's my traditional way. I gotta have a pencil. No,

0:15:58.160 --> 0:16:00.480
<v Speaker 1>I'll just do it on the computer. That's fine. You

0:16:00.520 --> 0:16:03.800
<v Speaker 1>hate that, though, chuck um, No, I don't. Why don't

0:16:03.800 --> 0:16:06.880
<v Speaker 1>I have a pencil down here? What am I digital? Man?

0:16:07.360 --> 0:16:13.360
<v Speaker 1>That's what I'm saying. I like you an alright, no pencil,

0:16:13.840 --> 0:16:15.920
<v Speaker 1>all right, I'm looking all around this basement. Not a pencil,

0:16:15.920 --> 0:16:19.440
<v Speaker 1>behead all right. No, We're going with a category this

0:16:19.520 --> 0:16:22.800
<v Speaker 1>week that I don't know if we've done before. The

0:16:22.840 --> 0:16:25.000
<v Speaker 1>categories get thin with movies after a while, you know,

0:16:25.040 --> 0:16:28.320
<v Speaker 1>sometimes repeat. But we're gonna go with thrillers. No thriller

0:16:28.400 --> 0:16:33.000
<v Speaker 1>movies from all thrillers. Like the music the music video thriller.

0:16:33.080 --> 0:16:36.040
<v Speaker 1>That's what this is about. No, it's not about that thriller.

0:16:36.200 --> 0:16:41.560
<v Speaker 1>The genre, got it. Uh, And let's go ahead here.

0:16:41.680 --> 0:16:46.800
<v Speaker 1>Let me open up another document so I can worry

0:16:46.840 --> 0:16:51.040
<v Speaker 1>exactly keep scoring before we continue. Do you personally feel

0:16:51.480 --> 0:16:54.840
<v Speaker 1>like there is a distinction between the thriller and the

0:16:54.920 --> 0:17:00.960
<v Speaker 1>horror But but, but, but the movie featured in the

0:17:01.040 --> 0:17:08.560
<v Speaker 1>music video Thriller is clearly a horror horror. Yeah, that's

0:17:08.560 --> 0:17:10.880
<v Speaker 1>what you called it. But but don't you agree, don't

0:17:10.880 --> 0:17:14.040
<v Speaker 1>you know that's a little bit uh mixed sending mixed messages.

0:17:14.520 --> 0:17:16.960
<v Speaker 1>I think Michael Jackson sent a lot of mixed messages here,

0:17:16.960 --> 0:17:20.080
<v Speaker 1>and it's probably fair. That's probably fair, all right, Chuck,

0:17:20.119 --> 0:17:21.080
<v Speaker 1>I got that out of the way. I just had

0:17:21.080 --> 0:17:23.720
<v Speaker 1>to pull pull you there. I'm ready, all right, I've

0:17:23.760 --> 0:17:27.080
<v Speaker 1>got my yes column and my no column, and we're

0:17:27.119 --> 0:17:31.680
<v Speaker 1>gonna go ahead, Noll and start with a little movie

0:17:31.720 --> 0:17:37.879
<v Speaker 1>called Memento. Okay, oh yeah, I'm sorry. I forgot how

0:17:37.880 --> 0:17:41.240
<v Speaker 1>this game works. I've seen Momento, Yes, all right, I

0:17:41.280 --> 0:17:43.840
<v Speaker 1>figured that as as simple as that. Yes, there's some

0:17:43.920 --> 0:17:46.040
<v Speaker 1>gimmes here early on. No, but you know, as usual,

0:17:46.440 --> 0:17:47.960
<v Speaker 1>that's how you throw me off. And then all of

0:17:48.000 --> 0:17:52.040
<v Speaker 1>a sudden, The goal when I designed the game is

0:17:52.040 --> 0:17:55.920
<v Speaker 1>not to stump you entirely, when I designed the game, Noll,

0:17:56.119 --> 0:17:59.280
<v Speaker 1>is not to stump you into Now, Chuck, I really didn't.

0:17:59.320 --> 0:18:01.240
<v Speaker 1>I didn't cry, and the second time I did a

0:18:01.280 --> 0:18:04.000
<v Speaker 1>lot better. So I made up for my first horrible

0:18:04.560 --> 0:18:09.640
<v Speaker 1>almost entirely Japanese. Bless you a version, thank you. Let's

0:18:09.920 --> 0:18:11.800
<v Speaker 1>we should leave that in. Yeah, let's let's pick I'm

0:18:11.800 --> 0:18:15.760
<v Speaker 1>a human being. If you uh oh yeah, if you

0:18:16.200 --> 0:18:19.760
<v Speaker 1>prick me, I also believe, um, yeah, let's go all right.

0:18:20.480 --> 0:18:24.040
<v Speaker 1>Number two. No, it's a little thriller about a head

0:18:24.080 --> 0:18:31.639
<v Speaker 1>in a box bar bar. Wow, you just look so

0:18:31.720 --> 0:18:33.640
<v Speaker 1>much like Brad Pitt when you did that. Thanks Chuck.

0:18:34.000 --> 0:18:36.160
<v Speaker 1>It's a it's a thing I do. Um. That would

0:18:36.160 --> 0:18:39.879
<v Speaker 1>be the movie. I believe. It's called eight, uh not

0:18:40.000 --> 0:18:44.359
<v Speaker 1>quite seven eight nine the first set okay, seven go

0:18:44.440 --> 0:18:48.560
<v Speaker 1>backwards seven alright, No, that's two in the yes category.

0:18:49.160 --> 0:18:53.160
<v Speaker 1>Uh nol. Number three it's a little movies starring Mr

0:18:53.280 --> 0:18:58.600
<v Speaker 1>yake Yellenhall called Nightcrawler. Yeah. I love that one. He's

0:18:58.640 --> 0:19:04.560
<v Speaker 1>the he's like a crime scene paparazzi. Basically, one might

0:19:04.560 --> 0:19:09.200
<v Speaker 1>say a crime scene addict, a photog. There's a great

0:19:09.240 --> 0:19:11.840
<v Speaker 1>sequence in that movie where he like screams himself in

0:19:11.880 --> 0:19:13.600
<v Speaker 1>the mirror and I think he smashes the mirror and

0:19:13.640 --> 0:19:15.679
<v Speaker 1>I think that was improv and he actually hurt himself.

0:19:17.720 --> 0:19:20.159
<v Speaker 1>He also got real gaunt and weird looking for that role.

0:19:20.280 --> 0:19:24.159
<v Speaker 1>Don't you think yeah, I think Yake can. He can

0:19:24.240 --> 0:19:27.359
<v Speaker 1>change his appearance quite dressed. He can. He's quite He's

0:19:27.400 --> 0:19:28.760
<v Speaker 1>one of the he's one of the greats. I like

0:19:28.800 --> 0:19:32.239
<v Speaker 1>that guy. All right, No, we are going to move

0:19:32.280 --> 0:19:36.280
<v Speaker 1>on to another little movie about a girl that's gone

0:19:36.880 --> 0:19:40.600
<v Speaker 1>and it's called Gone Girl. Hmm good the Goodbye Girl.

0:19:41.280 --> 0:19:44.639
<v Speaker 1>Um yeah, yeah, that was that. That's a good one. Um. Okay,

0:19:44.960 --> 0:19:47.120
<v Speaker 1>there's that sequence at the end with what's his name,

0:19:47.720 --> 0:19:51.400
<v Speaker 1>Doogie Howser where he just gets yeah, just she bleeds

0:19:51.400 --> 0:19:54.800
<v Speaker 1>all over her. I know he was. I quite enjoyed

0:19:54.800 --> 0:19:58.000
<v Speaker 1>that movie. I read the book as well. That's good. Alright,

0:19:58.000 --> 0:20:01.959
<v Speaker 1>nol boy, you're smoking it. Mm hmmmm. Like a thriller.

0:20:02.320 --> 0:20:04.359
<v Speaker 1>We're gonna go back in time a bit to the

0:20:04.400 --> 0:20:08.760
<v Speaker 1>nineteen eighties. It's a little movie called Fatal Attraction. I

0:20:08.840 --> 0:20:12.560
<v Speaker 1>have not seen Fatal Attraction. We talked about this before.

0:20:14.000 --> 0:20:18.920
<v Speaker 1>That's the one, right, Glenn Close. Yes, And who's thee

0:20:19.280 --> 0:20:22.400
<v Speaker 1>who she fatally attracted to? Michael Douglas. That's why it's

0:20:22.400 --> 0:20:26.240
<v Speaker 1>confusing because he was also in basic instincts very true,

0:20:26.600 --> 0:20:32.120
<v Speaker 1>and those are both kind of erotic, you know, uh, thrillers,

0:20:32.119 --> 0:20:36.840
<v Speaker 1>erotic thrillers. That's yeah, they're sexy thrillers. Fatal Attraction better

0:20:36.880 --> 0:20:41.919
<v Speaker 1>than Basic Instinct if you're talking just quality movie. Basic

0:20:41.960 --> 0:20:46.280
<v Speaker 1>Instinct is still pretty fun though. All Right, all right, Noel,

0:20:46.359 --> 0:20:49.439
<v Speaker 1>that's your first. No Next up, Noel, we have a

0:20:49.480 --> 0:20:58.679
<v Speaker 1>movie about a band backstage being tormented Nazi skinheads. It's

0:20:58.720 --> 0:21:01.440
<v Speaker 1>called Green Room of It. I've I've watched a couple

0:21:01.440 --> 0:21:03.639
<v Speaker 1>of times. I think it's excellent. We I know you.

0:21:03.720 --> 0:21:06.840
<v Speaker 1>We both love that movie Blue Ruin that the filmmaker

0:21:06.920 --> 0:21:09.600
<v Speaker 1>made previously, correct, and I think that's a better film.

0:21:09.680 --> 0:21:13.480
<v Speaker 1>But I really like Green Room too. Agreed. Tough movies,

0:21:13.560 --> 0:21:16.600
<v Speaker 1>you know, if you're a little squeamish, Oh god, they're

0:21:16.600 --> 0:21:20.399
<v Speaker 1>both very taut, tense thrillers, and and they've got a

0:21:20.400 --> 0:21:22.920
<v Speaker 1>lot of a lot of a lot of nasty limb

0:21:22.960 --> 0:21:27.840
<v Speaker 1>damage and things happening to people, and limit image is tough. Yeah, alright, No,

0:21:28.000 --> 0:21:33.159
<v Speaker 1>you're doing great. Number seven's a movie that featured another

0:21:33.680 --> 0:21:40.640
<v Speaker 1>drastic body transformation, featuring Christian Bale as a gaunt mechanic.

0:21:41.000 --> 0:21:47.960
<v Speaker 1>It's called Gaunt Girl. It's called Very Nice the Machinist Chuck.

0:21:48.000 --> 0:21:51.360
<v Speaker 1>I have have spotty memories of this movie, which implies

0:21:51.480 --> 0:21:53.560
<v Speaker 1>to me that I watched it on TV and half

0:21:53.560 --> 0:21:57.040
<v Speaker 1>paid attention, So I think I get I gotta give

0:21:57.040 --> 0:21:59.480
<v Speaker 1>it a note, Chuck. If I'm getting completely honest, you know,

0:21:59.760 --> 0:22:03.560
<v Speaker 1>I want to honor the game, the game machine. This

0:22:03.680 --> 0:22:06.879
<v Speaker 1>is good. The one where he kind of doesn't know

0:22:06.920 --> 0:22:10.240
<v Speaker 1>what's real. He's sort of losing it and a paranoid,

0:22:10.480 --> 0:22:12.840
<v Speaker 1>schizophrenic kind of vibe. Is that the deal, Like he's

0:22:12.840 --> 0:22:15.480
<v Speaker 1>sort of you know what, I'm having trouble remembering now,

0:22:15.520 --> 0:22:18.240
<v Speaker 1>but yes, But I did see The Machinist and it

0:22:18.280 --> 0:22:19.880
<v Speaker 1>was one of those movies it's like, you know, it's

0:22:19.880 --> 0:22:22.320
<v Speaker 1>fairly disturbing, So I think you can put it out

0:22:22.320 --> 0:22:25.200
<v Speaker 1>of your brain in a certain way, and I think

0:22:25.200 --> 0:22:27.639
<v Speaker 1>that's what happened to me. You're having a topo, Chico.

0:22:28.000 --> 0:22:30.960
<v Speaker 1>I love a topo Chuck. Oh boy, the physiest of

0:22:30.960 --> 0:22:35.280
<v Speaker 1>all fizzy waters, the best level of fizz and fizz.

0:22:36.000 --> 0:22:37.640
<v Speaker 1>I love it. It's a good in a mixed drink.

0:22:37.760 --> 0:22:40.600
<v Speaker 1>Is a mixer? Well then then really quickly, not to

0:22:40.680 --> 0:22:43.439
<v Speaker 1>derail the game, but super quickly. There's a one of

0:22:43.440 --> 0:22:47.040
<v Speaker 1>the first bars that opened in a comfortable outdoor manner

0:22:47.160 --> 0:22:50.000
<v Speaker 1>as a local place called nine Storia here in Atlanta,

0:22:50.600 --> 0:22:53.600
<v Speaker 1>which we all love. But they have they have a

0:22:53.680 --> 0:22:55.800
<v Speaker 1>drink and Cabbage Town. They have a drink called ranch

0:22:55.880 --> 0:22:58.800
<v Speaker 1>Water and they literally take a Topo Chico and pour

0:22:58.840 --> 0:23:01.520
<v Speaker 1>a little bit of it out and and add tequila

0:23:01.680 --> 0:23:04.880
<v Speaker 1>and fresh lime. And that is my favorite drink right now.

0:23:04.920 --> 0:23:07.160
<v Speaker 1>And I've been making them at home. Um, and then

0:23:07.200 --> 0:23:11.200
<v Speaker 1>you should too, Crushers. It's a great, great movie drink. Yeah.

0:23:11.359 --> 0:23:13.920
<v Speaker 1>And you know, if you're you want a little alcoholic

0:23:13.960 --> 0:23:16.359
<v Speaker 1>beverage and you're trying to skimp on the calories, it's

0:23:16.400 --> 0:23:18.120
<v Speaker 1>a good way. That's what I'm doing. That said, I'm

0:23:18.119 --> 0:23:20.960
<v Speaker 1>doing no sugar. It's also keyto friendly if you're into

0:23:21.000 --> 0:23:23.600
<v Speaker 1>that vibe and very few carbs. So I love it.

0:23:23.640 --> 0:23:27.240
<v Speaker 1>That is my recommendation for a cocktail. All right. No, uh,

0:23:27.440 --> 0:23:29.520
<v Speaker 1>we are moving on to the next one on the list,

0:23:29.560 --> 0:23:33.080
<v Speaker 1>which is a movie that was kind of a smaller,

0:23:33.400 --> 0:23:36.760
<v Speaker 1>somewhat overlooked film, but it's quite a nice reputation on

0:23:36.880 --> 0:23:42.200
<v Speaker 1>the streaming services called The Invitation. Oh, I gotta google

0:23:42.240 --> 0:23:45.000
<v Speaker 1>this real quick because it doesn't ring a bell, which

0:23:45.040 --> 0:23:51.679
<v Speaker 1>probably means I haven't seen it. Uh. The Invitation from

0:23:51.720 --> 0:23:55.760
<v Speaker 1>directed by Karen Kusama. I do not know this film

0:23:55.800 --> 0:23:58.440
<v Speaker 1>at all. Yeah, it's listed as a horror film online,

0:23:58.480 --> 0:24:00.359
<v Speaker 1>but I take at you with that. It gets in

0:24:00.400 --> 0:24:03.640
<v Speaker 1>the thriller category. Even the cover looks thriller city. It's

0:24:03.680 --> 0:24:06.479
<v Speaker 1>like a glass of red wine and a dude standing

0:24:06.480 --> 0:24:10.399
<v Speaker 1>by himself. It's the back dinner party gone wrong. Uh.

0:24:10.440 --> 0:24:13.280
<v Speaker 1>And I don't want to give away anything else. No,

0:24:13.400 --> 0:24:16.000
<v Speaker 1>it sounds very good movie. I'll check it out, all right.

0:24:16.160 --> 0:24:22.480
<v Speaker 1>The invitation overlooked, all right, No it is five to three. Okay,

0:24:22.800 --> 0:24:24.240
<v Speaker 1>all right, we're gonna go back in time a little

0:24:24.280 --> 0:24:26.480
<v Speaker 1>bit more too, to a sort of a high class

0:24:26.520 --> 0:24:33.120
<v Speaker 1>thriller from director Anthony Mingela the talented Mr Ripley. Yeah.

0:24:33.160 --> 0:24:36.239
<v Speaker 1>I like that one quite a lot. Actually, Okay, I

0:24:36.280 --> 0:24:41.520
<v Speaker 1>remember I distinctly remember feeling irritated at Jude Law's character

0:24:41.880 --> 0:24:45.360
<v Speaker 1>and almost feeling like Ripley was justified in his retribution.

0:24:45.680 --> 0:24:47.399
<v Speaker 1>But then, you know, he sort of took it too far,

0:24:47.920 --> 0:24:49.919
<v Speaker 1>because it's like, you know, they like they brought him on,

0:24:50.200 --> 0:24:53.160
<v Speaker 1>they paid his way, they gave him everything and made

0:24:53.200 --> 0:24:55.080
<v Speaker 1>him feel like a million bucks, and then they totally

0:24:55.080 --> 0:24:57.360
<v Speaker 1>were like, you know what, we're kind of done with you.

0:24:58.000 --> 0:24:59.920
<v Speaker 1>And that's not a good feeling. And that's enough to

0:25:00.080 --> 0:25:04.000
<v Speaker 1>make anybody even not like verging on, you know, psychotic. Uh,

0:25:04.400 --> 0:25:08.000
<v Speaker 1>at least get their feelings hurt. Agreed, agreed? All right,

0:25:08.040 --> 0:25:10.959
<v Speaker 1>Now we're moving on two. Number ten. A movie that

0:25:11.000 --> 0:25:13.280
<v Speaker 1>was out I think last year, maybe the year before,

0:25:14.080 --> 0:25:19.200
<v Speaker 1>called A Simple Favor, My goodness, gracious, Chuck, I don't

0:25:19.200 --> 0:25:25.680
<v Speaker 1>believe so alright, features the very lovely Blake Lively and

0:25:25.720 --> 0:25:29.040
<v Speaker 1>the very lovely an A. Kendrick. Oh yeah, they're both

0:25:29.440 --> 0:25:32.440
<v Speaker 1>featured in full loveliness on the cover. Yep. Good movie.

0:25:33.320 --> 0:25:39.239
<v Speaker 1>Somewhat overlooked. Alright, No, it is uh six to four, uh,

0:25:39.400 --> 0:25:41.760
<v Speaker 1>six in my favor, right, six in my favor six

0:25:41.800 --> 0:25:45.320
<v Speaker 1>in year favorite. We have a movie starring Mr Jason

0:25:45.320 --> 0:25:52.359
<v Speaker 1>Bateman called The Gift well Ship, look it up. I

0:25:52.440 --> 0:25:56.800
<v Speaker 1>am a lot of these thrillers have very innocuous names. Yeah,

0:25:56.840 --> 0:25:58.520
<v Speaker 1>that's why. That's why I'm having to look them up.

0:25:58.960 --> 0:26:04.520
<v Speaker 1>The Gifts Wait, directed by Joel Edgerton, starring Joel Edgerton

0:26:04.600 --> 0:26:08.600
<v Speaker 1>as well. I see The Gift good movie, nol good

0:26:08.600 --> 0:26:11.240
<v Speaker 1>thriller Gordo. There's a character named Gordo in at which

0:26:11.280 --> 0:26:15.720
<v Speaker 1>I love. Alright, six to five. Things are evening out

0:26:15.720 --> 0:26:19.879
<v Speaker 1>here as oh boy, alright, next up number twelve. We

0:26:19.920 --> 0:26:21.880
<v Speaker 1>have a movie, a bit of a mystery, a bit

0:26:21.880 --> 0:26:24.680
<v Speaker 1>of a thriller, a bit of Clint Eastwood, a bit

0:26:24.680 --> 0:26:30.400
<v Speaker 1>of Sean Pinn. Mystic River, Yes, saw Mystic River. Saw

0:26:31.080 --> 0:26:34.840
<v Speaker 1>Wait a minute, wasn't there a flipping? Another movie called

0:26:34.880 --> 0:26:40.560
<v Speaker 1>The Gift with Blanchette and Giovanni Ribizi, and it was

0:26:40.600 --> 0:26:44.720
<v Speaker 1>directed by Sam Ramy Okay, Chuck, I saw that Gift,

0:26:45.200 --> 0:26:47.239
<v Speaker 1>was saw that The Gift, and that is to me,

0:26:47.359 --> 0:26:50.760
<v Speaker 1>the more known the Gift. I feel like you gotta

0:26:50.760 --> 0:26:54.119
<v Speaker 1>give me that one on a technicality. Yeah, that's not

0:26:54.200 --> 0:26:56.239
<v Speaker 1>the movie I was thinking about. Damn it all right.

0:26:56.600 --> 0:26:58.880
<v Speaker 1>It was a good movie, though, wasn't it. Yeah? Another

0:26:58.920 --> 0:27:01.760
<v Speaker 1>thriller Katie Holmes. I think I know I know Katie

0:27:01.760 --> 0:27:04.680
<v Speaker 1>Holmes because she goes full nude in that one. That

0:27:04.800 --> 0:27:07.359
<v Speaker 1>is the memory that I have with that film. I

0:27:07.400 --> 0:27:11.920
<v Speaker 1>forgot about that. Okey dokey. We are moving right along then,

0:27:12.040 --> 0:27:18.960
<v Speaker 1>noll to number thirteen. Another movie starring Sharon Stone, Sliver, Sliver,

0:27:19.920 --> 0:27:24.920
<v Speaker 1>the poor Man's Basic Instincts. That one was who was

0:27:24.960 --> 0:27:28.399
<v Speaker 1>in that what's the dude's name? I don't know? Was

0:27:28.400 --> 0:27:31.400
<v Speaker 1>that a what's his face? Because it definitely was what's

0:27:31.440 --> 0:27:35.080
<v Speaker 1>his face? Was that a Baldwin? It was a Baldwin.

0:27:35.480 --> 0:27:39.119
<v Speaker 1>Was it a Billy Baldwin? It was Billy Baldwin, b

0:27:39.280 --> 0:27:47.679
<v Speaker 1>B William Yeah, exactly. Remember Body of Evidence Chuck with

0:27:47.800 --> 0:27:51.639
<v Speaker 1>Madonna and Willem Dafoe. I do know, but have you

0:27:51.680 --> 0:27:54.439
<v Speaker 1>seen Sliver? I don't think I saw Sliver, Jeff, I

0:27:54.480 --> 0:27:56.879
<v Speaker 1>bet I watched it on like skinn a Max, just

0:27:56.960 --> 0:28:02.359
<v Speaker 1>like fast forwarding for like the steamy scenes. It holds.

0:28:02.680 --> 0:28:06.240
<v Speaker 1>It doesn't count. It holds a strong eleven percent on

0:28:06.320 --> 0:28:09.600
<v Speaker 1>Rotten Tomatoes. Yeah, it was supposed to be pretty bad. Yeah, alright,

0:28:09.600 --> 0:28:12.280
<v Speaker 1>no old number fourteen. It's a movie called Body of Evidence.

0:28:12.320 --> 0:28:14.960
<v Speaker 1>Believe it or not? Oh shit, really real? Yeah, I

0:28:15.000 --> 0:28:17.960
<v Speaker 1>definitely saw that one. I the steamy scenes and that

0:28:18.040 --> 0:28:20.240
<v Speaker 1>one were so good at justified watching the whole movie.

0:28:20.840 --> 0:28:25.040
<v Speaker 1>Um yeah, there's like candle wax dripping and stuff and like,

0:28:25.080 --> 0:28:27.359
<v Speaker 1>you know, nothing sexier than candle wax, right O, God,

0:28:27.440 --> 0:28:31.399
<v Speaker 1>I know seriously, Uh yeah, I saw. I saw it

0:28:31.440 --> 0:28:34.359
<v Speaker 1>and I actually listened to they did. Um how did

0:28:34.359 --> 0:28:37.560
<v Speaker 1>this get made? On it? As well? Recently? And um

0:28:38.280 --> 0:28:40.760
<v Speaker 1>that's how I realized I know every single one of

0:28:40.760 --> 0:28:43.240
<v Speaker 1>these beats they're talking about because it's like, I think

0:28:43.320 --> 0:28:47.800
<v Speaker 1>she's a psychiatrist or something, and like is accused of

0:28:47.880 --> 0:28:51.520
<v Speaker 1>having murdered her husband. And William Dafoe is the detective

0:28:51.600 --> 0:28:53.920
<v Speaker 1>investigating in and he somehow gets wrapped up in her

0:28:54.040 --> 0:28:58.640
<v Speaker 1>very responsibly. Um, you know, in this trist and I

0:28:58.640 --> 0:29:02.080
<v Speaker 1>don't remember exactly what happens, but I don't. That's fine,

0:29:02.160 --> 0:29:05.080
<v Speaker 1>nobody remembers. There was also a Final Analysis, which is

0:29:05.080 --> 0:29:08.120
<v Speaker 1>another one of that crop of erotic thrillers around. There

0:29:08.160 --> 0:29:13.360
<v Speaker 1>was a spate of those in that era. Was in

0:29:13.480 --> 0:29:17.040
<v Speaker 1>all of them, well except for Madonna's. Yeah, it could

0:29:17.040 --> 0:29:21.560
<v Speaker 1>have been Charon Stone, though Kim Basinger was in uh

0:29:21.720 --> 0:29:27.240
<v Speaker 1>Final Analysis. She should be in more movies. She's great,

0:29:28.600 --> 0:29:32.840
<v Speaker 1>all right, No, moving on. Number fifteen, political thriller, military thriller,

0:29:33.200 --> 0:29:36.840
<v Speaker 1>A little movie starring Kevin Costner and Gene Hackman. Very

0:29:36.840 --> 0:29:40.240
<v Speaker 1>good movie called No Way Out. Damnit, Chuck. Why couldn't

0:29:40.240 --> 0:29:42.520
<v Speaker 1>it have been the General's Daughter or something like that,

0:29:42.600 --> 0:29:48.720
<v Speaker 1>because that's not good. No way, there's no like prerequisite

0:29:48.720 --> 0:29:51.200
<v Speaker 1>that these picks have to be good. Um No, I

0:29:51.240 --> 0:29:54.840
<v Speaker 1>haven't seen No Way Out, Chuck. Right, No, it's getting tight,

0:29:54.880 --> 0:29:56.840
<v Speaker 1>you am? I am I losing now notes eight to

0:29:56.960 --> 0:29:59.880
<v Speaker 1>seven in your favorite coming to the final stretch Here

0:30:00.000 --> 0:30:03.880
<v Speaker 1>for the last what do you do for five? Uh? Noel?

0:30:04.000 --> 0:30:06.000
<v Speaker 1>The next movie is a movie I've ragged on many,

0:30:06.040 --> 0:30:09.680
<v Speaker 1>many times because of the glaring list of plot holes,

0:30:09.800 --> 0:30:13.760
<v Speaker 1>wherein if any of these characters just picked up a

0:30:13.800 --> 0:30:17.240
<v Speaker 1>cell phone, there would be no movie. M wicker Park

0:30:19.000 --> 0:30:21.440
<v Speaker 1>they didn't have But they didn't have cell phones, did they? Well,

0:30:21.800 --> 0:30:24.080
<v Speaker 1>they did right on the cusp of that was like,

0:30:24.280 --> 0:30:28.880
<v Speaker 1>you know, Nokia brick type phones, probably wicker Park, Nycy,

0:30:28.960 --> 0:30:32.239
<v Speaker 1>wicker Park, check Park. It's funny. I looked it up

0:30:32.240 --> 0:30:34.680
<v Speaker 1>this morning because I was like, I'm not the only

0:30:34.720 --> 0:30:37.680
<v Speaker 1>one who thought this, right. If you just google Wickle Wickle,

0:30:37.880 --> 0:30:41.920
<v Speaker 1>wicker Park cell phone, there's so many articles in reviews.

0:30:43.120 --> 0:30:45.880
<v Speaker 1>All they had to do was makeuphone call. I mean

0:30:45.880 --> 0:30:47.400
<v Speaker 1>not none of you know what he cares about spoilers,

0:30:47.400 --> 0:30:50.120
<v Speaker 1>but can you briefly explain why it hinges on that

0:30:50.240 --> 0:30:52.200
<v Speaker 1>or how it would have solved? I can't even remember. Man,

0:30:52.240 --> 0:30:54.200
<v Speaker 1>it was so bad. It was like there was a

0:30:54.240 --> 0:30:57.840
<v Speaker 1>guy who liked a lady, but then she disappears and

0:30:57.880 --> 0:31:01.200
<v Speaker 1>there's another lady with the same name wearing the same clothes,

0:31:01.280 --> 0:31:04.560
<v Speaker 1>and it's like what reality is he in? And and

0:31:04.960 --> 0:31:09.440
<v Speaker 1>misconnections and stuff, but like it all falls apart because

0:31:09.440 --> 0:31:13.480
<v Speaker 1>of phone technology existing in the world and the whole

0:31:13.480 --> 0:31:15.520
<v Speaker 1>time you're going like, just make it that call and

0:31:15.560 --> 0:31:17.680
<v Speaker 1>you can make that call. Yeah, there's literally an article

0:31:18.720 --> 0:31:23.680
<v Speaker 1>it just says wicker Park characters need to answer their selves. Right,

0:31:23.760 --> 0:31:27.160
<v Speaker 1>there's a bunch of those so bad, so bad? Alright, no,

0:31:27.520 --> 0:31:30.840
<v Speaker 1>the final four. You are good at this. You are

0:31:30.920 --> 0:31:32.760
<v Speaker 1>good at this, my friend, I'm good at creating the

0:31:32.840 --> 0:31:37.120
<v Speaker 1>drama of love it right, go either way, could go

0:31:37.200 --> 0:31:42.520
<v Speaker 1>either way. A movie where in the classic iconic line

0:31:43.080 --> 0:31:46.440
<v Speaker 1>is it safe would be called Marathon Man. I've seen

0:31:46.440 --> 0:31:49.880
<v Speaker 1>the Marathon many Is that one with Arld Schwarzeneggerry gets

0:31:49.880 --> 0:31:52.800
<v Speaker 1>attacked with that dude with the hockey stick and the

0:31:52.840 --> 0:31:55.720
<v Speaker 1>flamethrower and all that. Right, No, no, that's the running Man.

0:31:55.920 --> 0:31:58.240
<v Speaker 1>God damn no. I've also seen the Marathon Man. Have

0:31:58.360 --> 0:32:01.560
<v Speaker 1>you who's in it? I have? It's Dustin Hoffman and

0:32:01.760 --> 0:32:06.000
<v Speaker 1>h Sir Lawrence Olivier, alright, who plays the dentist who

0:32:06.120 --> 0:32:10.440
<v Speaker 1>is like a Nazi war criminal dentist. Um, all right,

0:32:10.720 --> 0:32:13.880
<v Speaker 1>it's been a long time, but Yeah, it's definitely alright,

0:32:13.920 --> 0:32:16.959
<v Speaker 1>No old last three, None of the Wire Hot classic

0:32:17.000 --> 0:32:20.920
<v Speaker 1>movie from frances Ford Coppola and Gene Heckman. It's called

0:32:20.920 --> 0:32:24.160
<v Speaker 1>The Conversation. Love It, Love It. Uh. I don't know

0:32:24.200 --> 0:32:27.000
<v Speaker 1>why I saw that when I was in college. Um,

0:32:27.080 --> 0:32:29.480
<v Speaker 1>that one really stuck with me. Something about it was

0:32:29.520 --> 0:32:32.840
<v Speaker 1>just I thought was really neat, Like, yeah, it's like

0:32:33.000 --> 0:32:34.720
<v Speaker 1>it's one of those things where I think it's one

0:32:34.760 --> 0:32:37.040
<v Speaker 1>of those things where it's like an unreliable narrator type

0:32:37.080 --> 0:32:40.200
<v Speaker 1>situation where you're not sure. He gets so in his

0:32:40.280 --> 0:32:44.160
<v Speaker 1>head about surveillance and about he thinks he's being surveilled,

0:32:44.640 --> 0:32:46.680
<v Speaker 1>and then the movie kind of ends with him sort

0:32:46.680 --> 0:32:49.040
<v Speaker 1>of not knowing if he's like totally insane or not. Right.

0:32:49.120 --> 0:32:50.920
<v Speaker 1>Isn't that kind of the way it goes? I think

0:32:50.920 --> 0:32:56.280
<v Speaker 1>it is. Yeah, roughly excellent, excellent movie. Early early uh

0:32:56.320 --> 0:33:01.480
<v Speaker 1>Harrison Ford appearance was he I guess he's in it

0:33:01.480 --> 0:33:03.880
<v Speaker 1>for a minute. He plays somebody's like assistant or something

0:33:03.920 --> 0:33:07.440
<v Speaker 1>like that, but he's I believe it's pre Han solo.

0:33:07.920 --> 0:33:10.520
<v Speaker 1>He also had a very very small part in Apocalypse Now.

0:33:10.640 --> 0:33:15.440
<v Speaker 1>So Francis work Coppla he was on his radar early on. Alright, no,

0:33:15.760 --> 0:33:19.200
<v Speaker 1>last two. You're up ten to eight, so the worst

0:33:19.240 --> 0:33:21.200
<v Speaker 1>you can do is equalize if you with on these

0:33:21.240 --> 0:33:24.560
<v Speaker 1>final two. Let's see what happens. Number nineteen a movie

0:33:24.640 --> 0:33:27.760
<v Speaker 1>from Brian to Palma, very steamy, called a Body Double.

0:33:28.760 --> 0:33:33.120
<v Speaker 1>Mm hmmm, Nope, no, and I'm not sure again. All

0:33:33.120 --> 0:33:35.760
<v Speaker 1>of these movies have the most generic titles. Who is

0:33:35.800 --> 0:33:41.160
<v Speaker 1>in this one? Body double? Is? Is that? Is that

0:33:41.200 --> 0:33:44.520
<v Speaker 1>Michael Douglas? Nope? No, who is this? No? I haven't

0:33:44.560 --> 0:33:48.320
<v Speaker 1>seen body double, Chuck, I haven't seen Body double. Good movie, dude.

0:33:48.320 --> 0:33:51.320
<v Speaker 1>Even the poster is steamy. It's like a dude creeping through,

0:33:51.360 --> 0:33:54.360
<v Speaker 1>like a silhouette of a dude doing that classic peeking

0:33:54.360 --> 0:33:57.920
<v Speaker 1>through the blind situation, and a topless woman it appears

0:33:57.920 --> 0:34:00.640
<v Speaker 1>to inexplicably be in the throes of ecstasy. I'll buy

0:34:00.640 --> 0:34:06.440
<v Speaker 1>yourself just standing there kind of cradling her her bosom.

0:34:06.840 --> 0:34:08.279
<v Speaker 1>You should have your own show where you just like

0:34:08.320 --> 0:34:12.480
<v Speaker 1>described movie posters. Oh, it's funny. It's it's apparently a

0:34:12.520 --> 0:34:16.600
<v Speaker 1>direct homage to Alfred Hitchcock, were Window Vertigo and for

0:34:16.800 --> 0:34:20.239
<v Speaker 1>Murder all that very void? Just really coolly. Have you

0:34:20.320 --> 0:34:22.400
<v Speaker 1>heard about this new movie that apparently went through some

0:34:22.480 --> 0:34:25.040
<v Speaker 1>kind of development. Hell, and it's now on Netflix and

0:34:25.080 --> 0:34:27.360
<v Speaker 1>it's called Like the Woman in the Window and it

0:34:27.440 --> 0:34:29.760
<v Speaker 1>also is a homage to all this stuff. But apparently

0:34:29.760 --> 0:34:32.799
<v Speaker 1>it is hot garbage. It's got Amy Adams in it,

0:34:32.840 --> 0:34:35.359
<v Speaker 1>who I think we both love. But it's it's very,

0:34:35.640 --> 0:34:38.279
<v Speaker 1>very poorly reviewed. Um. I would like to see it

0:34:38.360 --> 0:34:41.080
<v Speaker 1>just to see if it lives up to the negative hype. Yeah,

0:34:41.239 --> 0:34:44.080
<v Speaker 1>negative hype. Good band name. That's a pretty good band name,

0:34:44.120 --> 0:34:46.560
<v Speaker 1>all right, nol last one, you either equalize or you win,

0:34:48.520 --> 0:34:53.799
<v Speaker 1>basically instinct. I have seen that one. All right, Look

0:34:53.840 --> 0:34:59.040
<v Speaker 1>at you can buy Squeaking by by the skin of

0:34:59.080 --> 0:35:03.279
<v Speaker 1>my teeth pants. I don't even know what that means. Well,

0:35:03.320 --> 0:35:05.279
<v Speaker 1>what is the skin of the teeth or seat of

0:35:05.280 --> 0:35:08.239
<v Speaker 1>the pants even mean, Chuck, I mean teeth don't have skin.

0:35:08.360 --> 0:35:11.640
<v Speaker 1>That's the gums. Okay, that's the gums. I never really

0:35:11.640 --> 0:35:14.840
<v Speaker 1>thought about that. That makes no sense, Chuck. That was

0:35:14.880 --> 0:35:16.799
<v Speaker 1>a very well designed game, my friend. It was a

0:35:16.840 --> 0:35:19.000
<v Speaker 1>very well designed game. It was a squeaker. But you

0:35:19.280 --> 0:35:29.040
<v Speaker 1>you did it. No, we're going to finish up this

0:35:29.080 --> 0:35:34.240
<v Speaker 1>week with stream this. I'll go first. We I believe

0:35:34.280 --> 0:35:36.399
<v Speaker 1>I mentioned that we started. I'll be Gone in the Dark.

0:35:36.480 --> 0:35:39.000
<v Speaker 1>We'd finished I'll Be Gone in the Dark two nights ago,

0:35:39.719 --> 0:35:43.279
<v Speaker 1>the great documentary on HBO Max about the Golden State

0:35:43.360 --> 0:35:48.040
<v Speaker 1>Killer and Michelle the late Michelle McNamara's dogged pursuit of

0:35:48.080 --> 0:35:52.080
<v Speaker 1>Said serial Killer and book un Said serial Killer, and

0:35:52.200 --> 0:35:57.160
<v Speaker 1>the way it weaves in her story with her experience

0:35:57.320 --> 0:36:00.440
<v Speaker 1>as well as the true crime piece is in rawling

0:36:00.600 --> 0:36:04.840
<v Speaker 1>and gripping and tragic in every way imaginable. Didn't she

0:36:04.880 --> 0:36:08.160
<v Speaker 1>have like a secret drug problem? Yeah, I mean, let's

0:36:08.239 --> 0:36:12.640
<v Speaker 1>let's go ahead and say if spoiler coming up here, Yes,

0:36:12.920 --> 0:36:17.600
<v Speaker 1>she she did. It was Patton Oswalt's wife, and um,

0:36:17.640 --> 0:36:21.440
<v Speaker 1>she she did. She had a largely because of this case.

0:36:21.480 --> 0:36:24.360
<v Speaker 1>She was taking things to get her up and to

0:36:24.400 --> 0:36:26.520
<v Speaker 1>get her motivated. She was taking things to bring her

0:36:26.520 --> 0:36:29.560
<v Speaker 1>down and allow her to sleep through the nightmares. And

0:36:30.160 --> 0:36:35.040
<v Speaker 1>it was an accidental overdose of drug cocktail and uh,

0:36:35.520 --> 0:36:38.840
<v Speaker 1>tragically she passed before the book was finished, and Patton

0:36:38.840 --> 0:36:42.640
<v Speaker 1>Oswalt helped to oversee the completion of that book. And uh,

0:36:42.760 --> 0:36:45.040
<v Speaker 1>it's just brutal in every way, and that story is

0:36:45.080 --> 0:36:47.960
<v Speaker 1>brutal in The Golden State Killer and really focusing, it's

0:36:47.960 --> 0:36:52.000
<v Speaker 1>a very victim focused True Crime Peace UH and seeing

0:36:52.200 --> 0:36:54.920
<v Speaker 1>the final episodes of that with the survivors coming together

0:36:55.520 --> 0:37:01.440
<v Speaker 1>after his arrest and conviction is just really touching, moving,

0:37:01.719 --> 0:37:03.920
<v Speaker 1>brutal stuff to watch. And I haven't seen it yet.

0:37:04.000 --> 0:37:07.280
<v Speaker 1>I obviously want to very much, especially knowing that detail.

0:37:07.600 --> 0:37:09.920
<v Speaker 1>But like the whole drug addiction side of it, I

0:37:09.920 --> 0:37:14.080
<v Speaker 1>think is really interesting because a loved one could have,

0:37:14.560 --> 0:37:16.680
<v Speaker 1>you know, a drug problem like that, and maybe you're

0:37:16.680 --> 0:37:18.840
<v Speaker 1>aware of it. It's not like they're completely hiding it,

0:37:19.040 --> 0:37:21.120
<v Speaker 1>but you're like, oh, it's under control, or oh they're

0:37:21.160 --> 0:37:23.000
<v Speaker 1>doing it for a reason, or this, that and the other.

0:37:23.160 --> 0:37:25.719
<v Speaker 1>But it's very easy to normalize that and let that go.

0:37:26.239 --> 0:37:28.279
<v Speaker 1>And I would just say look out for your loved ones.

0:37:28.360 --> 0:37:31.279
<v Speaker 1>If you see red flags, you know, I think, make

0:37:31.320 --> 0:37:34.800
<v Speaker 1>sure make sure they're okay. Exactly the case here. Uh

0:37:35.040 --> 0:37:37.160
<v Speaker 1>and pat nonsall even talked about it, like, you know,

0:37:37.920 --> 0:37:39.640
<v Speaker 1>who doesn't have friends are like, oh I need a

0:37:39.680 --> 0:37:42.960
<v Speaker 1>couple of Zanex to calm down, and I need an

0:37:44.000 --> 0:37:47.160
<v Speaker 1>uh an ambient and then you know, and or an

0:37:47.200 --> 0:37:50.359
<v Speaker 1>adderall to get me up or whatever. I might be

0:37:50.360 --> 0:37:54.200
<v Speaker 1>confusing the drugs, but Ada is up one, okay, um,

0:37:54.280 --> 0:37:56.359
<v Speaker 1>And it's very easy to normalize that and be like, oh, well,

0:37:56.400 --> 0:37:57.880
<v Speaker 1>someone's working on a book and then just need a

0:37:57.880 --> 0:38:01.720
<v Speaker 1>little extra help. And but then they're other secret drugs

0:38:02.280 --> 0:38:05.600
<v Speaker 1>because you get, um, the plateau and you need something

0:38:05.640 --> 0:38:08.640
<v Speaker 1>more and then it gets out of hand and it's uh,

0:38:08.680 --> 0:38:13.839
<v Speaker 1>it's very, very, very sad what happened to Michelle right on? Well,

0:38:13.880 --> 0:38:18.680
<v Speaker 1>I definitely will I'm gonna make some mental emotional space

0:38:18.800 --> 0:38:20.600
<v Speaker 1>for that one, because I know it's it sounds like

0:38:20.600 --> 0:38:23.480
<v Speaker 1>a lot, but I'm very fascinating with the case and

0:38:23.520 --> 0:38:26.120
<v Speaker 1>obviously that that part of the story is is fascinating

0:38:26.160 --> 0:38:28.920
<v Speaker 1>as well. Totally so we um. We also have been

0:38:28.960 --> 0:38:31.520
<v Speaker 1>doing a little palate cleansing because those episodes were so rough,

0:38:32.000 --> 0:38:34.719
<v Speaker 1>rewatching some of what we do in the shadows here

0:38:34.719 --> 0:38:37.719
<v Speaker 1>and there for some yucks. And then uh, last night,

0:38:37.800 --> 0:38:40.240
<v Speaker 1>nol I watched The Army of the Dead by myself

0:38:40.239 --> 0:38:43.040
<v Speaker 1>because Emily had to sleep super early. I watched it too.

0:38:44.000 --> 0:38:48.720
<v Speaker 1>It's so stupid. Um, it's fine, It's it is as advertised.

0:38:48.719 --> 0:38:51.680
<v Speaker 1>It is exactly what a movie called Army of the

0:38:51.760 --> 0:38:55.600
<v Speaker 1>Dead about a heist and a zombie ridden Las Vegas

0:38:55.680 --> 0:38:59.480
<v Speaker 1>would be. Um. I think I've mentioned my favorite online

0:38:59.480 --> 0:39:02.000
<v Speaker 1>movie review years are these dudes from Minnesota. You go

0:39:02.040 --> 0:39:04.120
<v Speaker 1>by Red Letter Media and they have a show called

0:39:04.160 --> 0:39:07.000
<v Speaker 1>half in the Bag and it's just great, super snarky. Um.

0:39:07.040 --> 0:39:09.880
<v Speaker 1>But they point out, and I would put this to

0:39:09.960 --> 0:39:13.719
<v Speaker 1>you Chuck and the Crushers, that it is very much

0:39:13.880 --> 0:39:17.160
<v Speaker 1>a one to one rip off of aliens. Oh really,

0:39:18.040 --> 0:39:21.080
<v Speaker 1>just not like obviously there's not aliens, but there's there.

0:39:21.160 --> 0:39:23.120
<v Speaker 1>It's aliens. I haven't seen it in a long time.

0:39:23.160 --> 0:39:26.600
<v Speaker 1>But it's like a rich financier pays them to go

0:39:26.680 --> 0:39:29.960
<v Speaker 1>to this place that's infested with aliens to get some

0:39:30.040 --> 0:39:34.600
<v Speaker 1>kind of payload. Um. And there's a you know, caretaker

0:39:34.719 --> 0:39:38.000
<v Speaker 1>situation with Newt and and Sigourney Weaver's character, as there

0:39:38.080 --> 0:39:41.200
<v Speaker 1>is with Drax and his daughter. Um, there's the same

0:39:41.320 --> 0:39:44.080
<v Speaker 1>rich person sending them into zombie infested thing, which is

0:39:44.160 --> 0:39:47.279
<v Speaker 1>the equivalent of the ship that they're going into to

0:39:47.400 --> 0:39:50.320
<v Speaker 1>get whatever payload it is. And there's the bad white

0:39:50.360 --> 0:39:54.279
<v Speaker 1>guy who double crosses everybody who is Paul Riser and

0:39:54.280 --> 0:39:57.439
<v Speaker 1>and aliens. And it's uh, that weird looking dude from

0:39:57.719 --> 0:40:01.480
<v Speaker 1>Deadwood in the and it's great, he's awesome, but you

0:40:02.200 --> 0:40:04.439
<v Speaker 1>know he's not going to be like a straight He's

0:40:04.440 --> 0:40:06.560
<v Speaker 1>got that he's got that cock eyed kind of like

0:40:06.719 --> 0:40:10.440
<v Speaker 1>you know, look to No, he's not um but I

0:40:10.760 --> 0:40:12.600
<v Speaker 1>would ask you to maybe like looking into that a

0:40:12.600 --> 0:40:14.120
<v Speaker 1>little bit. Maybe there's an article or something. But I

0:40:14.480 --> 0:40:16.960
<v Speaker 1>they make a side by side comparison, and it really

0:40:17.040 --> 0:40:19.520
<v Speaker 1>is even the way the helicopter rescues them at the end,

0:40:20.160 --> 0:40:23.319
<v Speaker 1>um uh. And they point out that, like where Aliens

0:40:23.360 --> 0:40:26.239
<v Speaker 1>gets all the tension building right and gets all the

0:40:26.320 --> 0:40:29.399
<v Speaker 1>character development right, you know, Army of the Dead really

0:40:29.400 --> 0:40:32.960
<v Speaker 1>doesn't have any of that. All the headshots land perfectly

0:40:33.000 --> 0:40:36.560
<v Speaker 1>every time. There's very little tension, there's very little concern

0:40:37.360 --> 0:40:40.120
<v Speaker 1>for the characters well being, you know what I mean. Yeah,

0:40:40.200 --> 0:40:43.400
<v Speaker 1>I'll tell you what. No, I it was fine. I

0:40:43.480 --> 0:40:45.840
<v Speaker 1>watched it. I like the Gore. I thought it was

0:40:45.920 --> 0:40:49.520
<v Speaker 1>totally some fun effective use of of gore. But you

0:40:49.520 --> 0:40:51.879
<v Speaker 1>know what, in the end, I don't know that I've

0:40:51.880 --> 0:40:57.279
<v Speaker 1>ever seen a filmmaker be more consistently just mediocre to

0:40:57.440 --> 0:41:00.520
<v Speaker 1>not rate is Zack Snyder. I That's what I've always thought,

0:41:00.640 --> 0:41:04.160
<v Speaker 1>and get really big, big movies. He is the very

0:41:04.239 --> 0:41:08.520
<v Speaker 1>definition of style over substance. Yeah, he's got this look

0:41:08.680 --> 0:41:10.480
<v Speaker 1>and he knows how to nail it. He's got this

0:41:10.640 --> 0:41:15.040
<v Speaker 1>SloMo hyper stylized, big music, sequence, set pieces and all

0:41:15.040 --> 0:41:18.759
<v Speaker 1>that ship, but like very little character development and very

0:41:18.800 --> 0:41:20.880
<v Speaker 1>little story and plot, like this is the you know,

0:41:20.880 --> 0:41:22.600
<v Speaker 1>you could you could sum this story up on the

0:41:22.600 --> 0:41:25.920
<v Speaker 1>back of a cocktail napkin. I means, yeah, yeah, I agreed,

0:41:26.040 --> 0:41:29.200
<v Speaker 1>and I hated the music. An Army of the Dead,

0:41:29.680 --> 0:41:33.759
<v Speaker 1>all the covers, all the little whimsical ethereal covers of

0:41:33.760 --> 0:41:37.200
<v Speaker 1>these classic songs did it. And then at the end

0:41:38.239 --> 0:41:42.920
<v Speaker 1>he literally used zombie bombie by being on the nose.

0:41:43.040 --> 0:41:46.759
<v Speaker 1>Who's the band the Cranberries, Yeah, the Cranberries. It was

0:41:46.840 --> 0:41:49.920
<v Speaker 1>just yeah, that was actually I didn't think it was

0:41:49.920 --> 0:41:52.759
<v Speaker 1>a waste of time or anything. I'm glad I watched it.

0:41:52.760 --> 0:41:54.799
<v Speaker 1>It was fun and I like a good heist. But

0:41:55.000 --> 0:41:56.680
<v Speaker 1>then you know, again, in the in the Red Letter

0:41:56.880 --> 0:41:59.160
<v Speaker 1>or the Half in the Bag, they talk about how

0:41:59.200 --> 0:42:04.280
<v Speaker 1>like Okay, Oceans eleven characters are fun and smart and funny,

0:42:04.600 --> 0:42:07.080
<v Speaker 1>and their challenges that they have to overcome and they

0:42:07.080 --> 0:42:08.879
<v Speaker 1>have to bob and weave and kind of figure out

0:42:08.880 --> 0:42:11.920
<v Speaker 1>their way through the next challenge. This one, there's very

0:42:11.960 --> 0:42:14.920
<v Speaker 1>little of that. You know, It's it's it's very and

0:42:14.960 --> 0:42:17.200
<v Speaker 1>when you're doing a heist movie. In a safe cracking movie,

0:42:17.280 --> 0:42:20.480
<v Speaker 1>part of the fun is designing a really sort of elaborate,

0:42:20.560 --> 0:42:24.759
<v Speaker 1>fun safe cracking sequence when they sort of did not

0:42:24.920 --> 0:42:27.600
<v Speaker 1>really traps, just like a guy that had to listen

0:42:28.120 --> 0:42:30.120
<v Speaker 1>to the safe and turn. There were the traps though

0:42:30.120 --> 0:42:31.840
<v Speaker 1>they were the traps. They had to use the zombie

0:42:31.920 --> 0:42:34.440
<v Speaker 1>to like trip the traps. But like that part. I

0:42:34.520 --> 0:42:36.319
<v Speaker 1>did like that part. That's what I'm saying that part.

0:42:36.760 --> 0:42:38.920
<v Speaker 1>That part was the dart shot in the zombie that

0:42:38.960 --> 0:42:41.799
<v Speaker 1>was exactly that part was pretty fun. So they had

0:42:41.840 --> 0:42:44.600
<v Speaker 1>had a few moments. But you know, it's because we're

0:42:44.600 --> 0:42:48.320
<v Speaker 1>so goddamn Star for Entertainment that we've been watching these movies.

0:42:48.680 --> 0:42:53.080
<v Speaker 1>Did you watch the Snyder cut the still haven't? It

0:42:53.160 --> 0:42:56.000
<v Speaker 1>was fine, very long, Um, But I'm with you, man,

0:42:56.000 --> 0:42:58.239
<v Speaker 1>I've always felt this way about Zack. He seems like

0:42:58.280 --> 0:43:00.640
<v Speaker 1>a really lovely guy. Though I will say that, like

0:43:00.640 --> 0:43:04.400
<v Speaker 1>every interview I watched him, he's just so purely, earnestly

0:43:04.560 --> 0:43:07.279
<v Speaker 1>into doing what he does, and I really appreciate that

0:43:07.320 --> 0:43:09.600
<v Speaker 1>about him. And obviously he had a you know, tragedy

0:43:09.680 --> 0:43:13.520
<v Speaker 1>with his his daughter's uh taking her own life. Um,

0:43:13.560 --> 0:43:15.680
<v Speaker 1>and that's what led to you know, him having to

0:43:15.719 --> 0:43:18.759
<v Speaker 1>depart from the Justice League movie in the first place.

0:43:18.800 --> 0:43:21.160
<v Speaker 1>But he just seems like a real good guy. Um,

0:43:21.800 --> 0:43:23.200
<v Speaker 1>did you work too? You know, if you're easy to

0:43:23.200 --> 0:43:26.160
<v Speaker 1>work with, the studios like you and his movies make money,

0:43:26.200 --> 0:43:28.839
<v Speaker 1>then maybe they don't care if they're not the most

0:43:28.880 --> 0:43:32.319
<v Speaker 1>well reviewed. You know. He's also weirdly best friends with

0:43:32.440 --> 0:43:36.440
<v Speaker 1>Christopher Nolan. Oh really, they like really really close and

0:43:36.440 --> 0:43:39.959
<v Speaker 1>like apparently Christopher. I think there's a family connection even

0:43:39.960 --> 0:43:43.080
<v Speaker 1>like Christopher is married to his sister or like somebody

0:43:43.080 --> 0:43:46.000
<v Speaker 1>who's he's related to. Um. But Christopher apparently told him

0:43:46.320 --> 0:43:52.040
<v Speaker 1>don't watch the Justice League cut that. What's his face? Did? Um?

0:43:52.120 --> 0:43:55.399
<v Speaker 1>Who's the the guy that did like Dido John Sweden? Yeah,

0:43:55.400 --> 0:43:57.799
<v Speaker 1>he said don't watch it, just don't do it, um,

0:43:57.840 --> 0:44:01.360
<v Speaker 1>because he apparently it just they took in a direction

0:44:01.400 --> 0:44:04.359
<v Speaker 1>that was not what he intended at all. But um, yeah,

0:44:04.520 --> 0:44:07.160
<v Speaker 1>I'm with you, Chuck. I definitely enjoyed it for what

0:44:07.200 --> 0:44:10.080
<v Speaker 1>it was. I like zombie tigers. That's pretty cool. Yeah.

0:44:10.160 --> 0:44:13.040
<v Speaker 1>I wonder if if Zack Snyder ever calls up Christopher

0:44:13.120 --> 0:44:16.560
<v Speaker 1>or maybe even text Christopher Nolan and says, hey, man,

0:44:17.040 --> 0:44:19.960
<v Speaker 1>how do you make a good movie? Yeah? That's pretty

0:44:19.960 --> 0:44:21.759
<v Speaker 1>poigny question. That'd be hard. Where do I? Where do

0:44:21.800 --> 0:44:24.800
<v Speaker 1>I start? Zachary, where do I start? What have you

0:44:24.840 --> 0:44:29.560
<v Speaker 1>been watching the whole You got anything to stream? Well? Uh? Yeah,

0:44:29.840 --> 0:44:31.759
<v Speaker 1>so I watched a movie on the plane, um, when

0:44:31.800 --> 0:44:34.920
<v Speaker 1>I was coming back from from Seattle. Uh. And it's

0:44:34.920 --> 0:44:38.160
<v Speaker 1>actually Christopher Nolan movie called tenant Um. So I have

0:44:40.000 --> 0:44:43.560
<v Speaker 1>no idea what that movie is about. That's whatever I mean, really,

0:44:43.640 --> 0:44:46.200
<v Speaker 1>and I tried, but but the thing that there were

0:44:46.239 --> 0:44:48.000
<v Speaker 1>some things about it they were cool, But it's one

0:44:48.040 --> 0:44:51.000
<v Speaker 1>of those things where there it's so cryptic and like

0:44:51.200 --> 0:44:54.320
<v Speaker 1>esoteric and like the whole device of what the movie is,

0:44:54.360 --> 0:44:56.960
<v Speaker 1>what the plot driving. Like technology, you know, you always

0:44:56.960 --> 0:44:59.120
<v Speaker 1>have to have some kind of like little little twisty

0:44:59.320 --> 0:45:01.840
<v Speaker 1>like time travel only device or whatever it like. It

0:45:01.960 --> 0:45:04.400
<v Speaker 1>like doesn't make sense to the point where you feel

0:45:04.440 --> 0:45:08.600
<v Speaker 1>like you missed something and that you're like stupid, And

0:45:08.680 --> 0:45:10.839
<v Speaker 1>that's not a good place to put your audience, John,

0:45:11.080 --> 0:45:13.800
<v Speaker 1>you know what I mean. I think it was Sherry

0:45:13.880 --> 0:45:17.319
<v Speaker 1>who used to work with in social media. I do too.

0:45:17.400 --> 0:45:19.360
<v Speaker 1>I love Sherry. Hi, Sherry you if you listen to

0:45:19.360 --> 0:45:23.600
<v Speaker 1>the show. Um. She pointed out that it's like keeping

0:45:23.640 --> 0:45:27.439
<v Speaker 1>your audience in the dark to this degree is like

0:45:28.400 --> 0:45:31.400
<v Speaker 1>damaging to to to the way people are able to

0:45:31.480 --> 0:45:34.120
<v Speaker 1>enjoy your movie. It's one thing if it's like Donnie

0:45:34.160 --> 0:45:36.239
<v Speaker 1>Darko or maybe that doesn't quite all add up, But

0:45:36.280 --> 0:45:38.120
<v Speaker 1>this one it was like none of it added up.

0:45:38.560 --> 0:45:42.680
<v Speaker 1>It's like, why is everyone backwards? I don't understand. Is

0:45:42.719 --> 0:45:45.360
<v Speaker 1>it like their doppelganger? I just don't get it, and

0:45:45.640 --> 0:45:48.160
<v Speaker 1>I wanted to, and it was all so long. Um,

0:45:48.200 --> 0:45:51.279
<v Speaker 1>I'll watch it. Uh, I'll try and get it in

0:45:51.320 --> 0:45:54.840
<v Speaker 1>before our next mini and maybe I can offer my perspective.

0:45:54.880 --> 0:45:56.839
<v Speaker 1>I'd love to grab with you, Chuck, because I feel

0:45:56.840 --> 0:46:00.279
<v Speaker 1>like you're gonna be roughly on the same page. But also,

0:46:00.320 --> 0:46:02.719
<v Speaker 1>when you watch a movie on a plane, you're not

0:46:02.760 --> 0:46:05.279
<v Speaker 1>really giving it your full You know it's full do

0:46:05.480 --> 0:46:07.320
<v Speaker 1>so I will give it that, but you know, I

0:46:07.360 --> 0:46:09.160
<v Speaker 1>still think I probably feel the same way. Yeah, that

0:46:09.320 --> 0:46:13.320
<v Speaker 1>seatback is not an ideal experience. All right, nol, you

0:46:13.400 --> 0:46:16.879
<v Speaker 1>got anything else, Let's let's move on to number two.

0:46:17.160 --> 0:46:19.360
<v Speaker 1>All right? Uh, Well that is it for us everyone,

0:46:19.920 --> 0:46:22.680
<v Speaker 1>And I hope you had an enjoyable experience listening to

0:46:22.719 --> 0:46:25.839
<v Speaker 1>this little episode, and hope everyone is doing great and

0:46:25.880 --> 0:46:29.799
<v Speaker 1>are being their best selves and uh and healthy and

0:46:29.840 --> 0:46:32.320
<v Speaker 1>happy and have a good week. You're gonna flood the

0:46:32.360 --> 0:46:37.680
<v Speaker 1>outro to chotcom purpose Shut Up Movie. Crash is produced

0:46:37.680 --> 0:46:40.400
<v Speaker 1>and written by Charles Bryant and Roel Brown, edited and

0:46:40.440 --> 0:46:43.840
<v Speaker 1>engineered by Seth Nicholas Johnson, and scored by Noel Brown

0:46:44.040 --> 0:46:47.120
<v Speaker 1>here in our home studio at Pontstey Market, Atlanta, Georgia.

0:46:47.280 --> 0:46:50.320
<v Speaker 1>For i Heart Radio. For more podcasts for my heart Radio,

0:46:50.400 --> 0:46:53.279
<v Speaker 1>visit the iHeart Radio app, Apple Podcast, or wherever you

0:46:53.320 --> 0:46:54.520
<v Speaker 1>listen to your favorite shows.