1 00:00:02,279 --> 00:00:04,720 Speaker 1: I'm the homegirl that knows a little bit about everything 2 00:00:04,800 --> 00:00:05,640 Speaker 1: and everybody. 3 00:00:06,559 --> 00:00:07,600 Speaker 2: You know, if you don't lie about that. 4 00:00:07,680 --> 00:00:12,240 Speaker 1: Right, Hey, y'all, what's up. It's Lauren lo Rosa and 5 00:00:12,360 --> 00:00:15,480 Speaker 1: this is the latest with Laura l Rosa. This is 6 00:00:15,520 --> 00:00:18,880 Speaker 1: your DELI dig on all things pop culture, entertainment, news, 7 00:00:19,040 --> 00:00:22,520 Speaker 1: and all of the conversations that shake the room. Baby. 8 00:00:22,680 --> 00:00:24,880 Speaker 1: All right, y'all, we are gonna get right on into it. 9 00:00:24,960 --> 00:00:26,759 Speaker 1: I mean, I guess we do. We gotta check in 10 00:00:26,840 --> 00:00:28,800 Speaker 1: behind the scenes of the grind. For all of my 11 00:00:28,840 --> 00:00:32,639 Speaker 1: Lowriders that have been here, all of my Lowriders are 12 00:00:32,640 --> 00:00:35,840 Speaker 1: our listeners, you guys know, behind the scenes of the grind. 13 00:00:36,040 --> 00:00:37,879 Speaker 1: The check in is where we really check in and 14 00:00:37,920 --> 00:00:39,640 Speaker 1: just see how we feeling a little ketchup on like 15 00:00:39,640 --> 00:00:42,280 Speaker 1: what our days been, like all of the things. And 16 00:00:42,320 --> 00:00:44,919 Speaker 1: for all of my new listeners, welcome to the low 17 00:00:44,960 --> 00:00:50,920 Speaker 1: Rider squad. You are now family. Welcome to the community. 18 00:00:50,960 --> 00:00:55,200 Speaker 1: So checking in behind the scenes of the grime. I 19 00:00:55,240 --> 00:00:58,080 Speaker 1: told y'all I'm gonna count down until Christmas break. So 20 00:00:58,280 --> 00:01:02,160 Speaker 1: I am feeling good. I am you know, get it 21 00:01:02,160 --> 00:01:05,800 Speaker 1: on through the week. Today is actually a very eventful day. 22 00:01:06,000 --> 00:01:10,000 Speaker 1: I am slated to go and see Candy from Real 23 00:01:10,080 --> 00:01:13,920 Speaker 1: Housewives of Atlanta on Broadway. I am just praying that 24 00:01:14,000 --> 00:01:16,000 Speaker 1: I make it on time, because if you guys don't 25 00:01:16,000 --> 00:01:17,760 Speaker 1: live in New York or if you've never been to 26 00:01:17,760 --> 00:01:23,360 Speaker 1: a Broadway show, they don't play. They start on time. Okay, 27 00:01:23,520 --> 00:01:27,720 Speaker 1: do you hear me? They start on time. So I'm 28 00:01:27,760 --> 00:01:30,039 Speaker 1: praying that I make it on time because I want 29 00:01:30,080 --> 00:01:32,920 Speaker 1: to bring all of the details, all of the details 30 00:01:32,920 --> 00:01:34,560 Speaker 1: back to you guys. Y'all see what I did, their 31 00:01:34,640 --> 00:01:38,320 Speaker 1: te tails back to you guys on just the play 32 00:01:38,360 --> 00:01:41,399 Speaker 1: and the experience in general and seeing her on Broadway. 33 00:01:42,040 --> 00:01:44,760 Speaker 1: I know when Othello was on Broadway, I wanted to 34 00:01:44,840 --> 00:01:47,920 Speaker 1: go to that play so bad. And I know she 35 00:01:48,080 --> 00:01:50,320 Speaker 1: wasn't in the play, but just because she was a 36 00:01:50,320 --> 00:01:51,880 Speaker 1: part of it. Of course, Denzel was a part of 37 00:01:51,920 --> 00:01:54,120 Speaker 1: the play as well. It was something that I wanted 38 00:01:54,160 --> 00:01:57,200 Speaker 1: to do so bad but didn't make it. So I'm 39 00:01:57,240 --> 00:02:00,440 Speaker 1: excited to go get to see it to be able 40 00:02:00,440 --> 00:02:01,920 Speaker 1: to talk about it. So I'll be bringing you guys 41 00:02:01,960 --> 00:02:05,560 Speaker 1: back that you know, exclusive look into a Broadway night 42 00:02:05,600 --> 00:02:07,440 Speaker 1: with Candy. Birds here on the Latest with Laura La 43 00:02:07,480 --> 00:02:10,680 Speaker 1: Rosa the podcast. But let's go on into some News 44 00:02:10,760 --> 00:02:14,240 Speaker 1: because we are some things that are literally breaking today 45 00:02:14,360 --> 00:02:17,760 Speaker 1: that I want to talk about. So we are talking 46 00:02:17,760 --> 00:02:21,440 Speaker 1: about Sean Combs The Reckoning, which is number one on Netflix, 47 00:02:21,480 --> 00:02:27,120 Speaker 1: and it's reportedly number one on Netflix in forty nine countries. Okay, 48 00:02:27,160 --> 00:02:29,480 Speaker 1: So there are a lot of people talking about this 49 00:02:29,600 --> 00:02:33,680 Speaker 1: documentary and we've been breaking exclusives around it here on 50 00:02:33,680 --> 00:02:35,880 Speaker 1: the Latest with Laura La Rosa, the podcast, but also 51 00:02:36,080 --> 00:02:38,480 Speaker 1: on the Latest with Lona Rosa on The Breakfast Club 52 00:02:38,480 --> 00:02:40,640 Speaker 1: weekday mornings on Power one oh five one here in 53 00:02:40,639 --> 00:02:43,600 Speaker 1: New York or anywhere you know. We've syndicated to so 54 00:02:43,639 --> 00:02:47,320 Speaker 1: many different places, also via the iHeart app. Now, let's 55 00:02:47,360 --> 00:02:51,239 Speaker 1: talk about a story that broke today via Rolling Stone. 56 00:02:51,280 --> 00:02:54,800 Speaker 1: So Rolling Stone posted a statement and to be honest, 57 00:02:55,040 --> 00:02:57,560 Speaker 1: this story broke today. But this is a story that 58 00:02:57,600 --> 00:02:59,320 Speaker 1: we talked about on The Breakfast Club. I want to 59 00:02:59,320 --> 00:03:02,680 Speaker 1: say almost so we could go when the documentary first 60 00:03:02,840 --> 00:03:07,320 Speaker 1: came out, and I want to say it might have 61 00:03:07,400 --> 00:03:11,240 Speaker 1: even been the day that they released the trailer of 62 00:03:11,639 --> 00:03:15,840 Speaker 1: the Netflix documentary. And the reason why I'm pointing that 63 00:03:15,919 --> 00:03:19,440 Speaker 1: out is because in this documentary, for those who have 64 00:03:19,639 --> 00:03:21,640 Speaker 1: not seen it, and for the low riders who have 65 00:03:21,800 --> 00:03:25,840 Speaker 1: seen it, you guys know, and those who have not 66 00:03:25,880 --> 00:03:29,600 Speaker 1: seen it do not know. There is new footage exclusively 67 00:03:29,639 --> 00:03:33,720 Speaker 1: that fifty cent in his production team obtained, which the 68 00:03:33,760 --> 00:03:38,720 Speaker 1: documentary's seen centers itself around. Now. This new footage is 69 00:03:38,760 --> 00:03:41,560 Speaker 1: like day to day, almost like vlog style content of 70 00:03:41,680 --> 00:03:45,360 Speaker 1: Sean Diddy Coombs recording himself the last couple of weeks 71 00:03:45,440 --> 00:03:49,640 Speaker 1: before he actually was taken into custody. So you're getting 72 00:03:49,680 --> 00:03:53,880 Speaker 1: to see everything from private lawyer and attorney phone calls. 73 00:03:54,040 --> 00:03:58,200 Speaker 1: You're getting to see, you know, conversations between him and 74 00:03:58,440 --> 00:04:02,240 Speaker 1: very close friends and family just as things drop, So 75 00:04:02,320 --> 00:04:05,600 Speaker 1: as Don Richard's lawsuit dropped and he's reaching out to 76 00:04:05,680 --> 00:04:09,080 Speaker 1: Khaleena Harper to have her make statements on his behalf, 77 00:04:10,920 --> 00:04:14,760 Speaker 1: him instructing you know, his oldest son justin comes, you know, 78 00:04:15,120 --> 00:04:17,640 Speaker 1: as he's helping him figure things out, which a lot 79 00:04:17,680 --> 00:04:19,800 Speaker 1: of people honestly did not take well to seeing. People 80 00:04:19,880 --> 00:04:22,680 Speaker 1: felt like it was pretty insane to see him instructing 81 00:04:22,720 --> 00:04:25,840 Speaker 1: his son to you know, take so much honest and 82 00:04:26,000 --> 00:04:30,000 Speaker 1: leadership and figuring out Diddy's mess because it wasn't his 83 00:04:30,120 --> 00:04:33,760 Speaker 1: son's mess to figure out. But I mean, look that 84 00:04:33,920 --> 00:04:37,280 Speaker 1: conversation to me, I think is one that you'll never 85 00:04:37,440 --> 00:04:39,920 Speaker 1: have a fair back and forth about because when it 86 00:04:39,960 --> 00:04:42,320 Speaker 1: comes to Diddy's children in the role that they should 87 00:04:42,360 --> 00:04:43,800 Speaker 1: or should not play, because at the end of the day, 88 00:04:43,800 --> 00:04:46,680 Speaker 1: this is their father, and for some of his kids, 89 00:04:46,880 --> 00:04:49,240 Speaker 1: he's literally all he has left. So you know, they're 90 00:04:49,279 --> 00:04:52,440 Speaker 1: fighting tooth and nail to have their dad, the same 91 00:04:52,440 --> 00:04:54,039 Speaker 1: way he's fighting tooth and nail to be able to 92 00:04:54,040 --> 00:04:55,560 Speaker 1: be with his kids and to you know, be able 93 00:04:55,560 --> 00:04:59,320 Speaker 1: to get back to his life. But Rolling Stone posted 94 00:04:59,360 --> 00:05:04,800 Speaker 1: a statement from the videographer who was Diddy's dated day videographer. Now, 95 00:05:04,839 --> 00:05:07,919 Speaker 1: a few weeks ago, I told you guys that this 96 00:05:08,080 --> 00:05:11,200 Speaker 1: videographer in question and it was not on the record 97 00:05:11,279 --> 00:05:14,039 Speaker 1: statement that there was a videographer and question who was 98 00:05:14,040 --> 00:05:17,640 Speaker 1: Diddy's day to day like main videographer, that he had 99 00:05:18,000 --> 00:05:21,159 Speaker 1: proper paperwork and contract, like you know, certain things set 100 00:05:21,279 --> 00:05:25,919 Speaker 1: up with right. And because when I saw this exclusive footage, 101 00:05:25,920 --> 00:05:28,840 Speaker 1: I'm like, how does a man as famous and as 102 00:05:28,920 --> 00:05:33,000 Speaker 1: business savvy and as business successful as Sean Diddy comb's 103 00:05:33,040 --> 00:05:37,760 Speaker 1: not paperwork up any videographer, photographer, just anybody in his 104 00:05:37,839 --> 00:05:41,520 Speaker 1: presence recording such you know, private moments. And I was 105 00:05:41,600 --> 00:05:45,760 Speaker 1: told then that he has a main person who follows 106 00:05:45,839 --> 00:05:47,760 Speaker 1: him around and was following him around because he was 107 00:05:47,760 --> 00:05:50,760 Speaker 1: in a conversation with the Netflix himself to do his 108 00:05:50,800 --> 00:05:56,200 Speaker 1: own documentary, but that fell through the conversation with Netflix, 109 00:05:56,320 --> 00:06:00,880 Speaker 1: and the main videographer who normally records him was out 110 00:06:00,880 --> 00:06:03,559 Speaker 1: of town for some days, so they sent a third 111 00:06:03,600 --> 00:06:07,000 Speaker 1: party to record. Now, at the time, Diddy's legal team 112 00:06:07,080 --> 00:06:10,839 Speaker 1: did not know if the third party had been properly paid, 113 00:06:10,920 --> 00:06:12,600 Speaker 1: and you know, there was a lot of things up 114 00:06:12,600 --> 00:06:14,279 Speaker 1: in the air that they were still trying to figure out. 115 00:06:14,960 --> 00:06:17,800 Speaker 1: But they had told me then that you know, this 116 00:06:17,839 --> 00:06:20,680 Speaker 1: is what happened, and they're still, to be honest with you, 117 00:06:20,760 --> 00:06:23,760 Speaker 1: trying to figure out where the legal liability lies. Is 118 00:06:23,760 --> 00:06:27,200 Speaker 1: it with Netflix? Because Netflix, you know, when I released 119 00:06:27,200 --> 00:06:30,560 Speaker 1: the story, gave me a statement saying they obtained everything 120 00:06:30,640 --> 00:06:33,720 Speaker 1: legally and anything outside of that is just a false 121 00:06:33,800 --> 00:06:35,520 Speaker 1: narrative that they're not basically, they're not going to feed 122 00:06:35,560 --> 00:06:36,880 Speaker 1: it to And I'll read you guys a Netflix a 123 00:06:36,920 --> 00:06:40,200 Speaker 1: statement so that I'm not summing it up that it's exact. 124 00:06:40,640 --> 00:06:45,680 Speaker 1: But today the videographer and question put a statement out 125 00:06:45,760 --> 00:06:48,240 Speaker 1: on the record, on the record, meaning he attached his 126 00:06:48,320 --> 00:06:50,600 Speaker 1: name and his identity to it. So he says, for 127 00:06:50,640 --> 00:06:53,240 Speaker 1: over two years, we have been working on a project 128 00:06:53,279 --> 00:06:56,240 Speaker 1: profiling Sean Diddy Combs. The footage in question was not 129 00:06:56,279 --> 00:07:00,520 Speaker 1: released by me or anyone authorized to handle Sean colmbsterials. 130 00:07:00,920 --> 00:07:03,039 Speaker 1: It was by a third party who covered for me 131 00:07:03,160 --> 00:07:05,760 Speaker 1: for three days while I was out of state. This 132 00:07:05,839 --> 00:07:09,160 Speaker 1: incident had nothing to do with any feed dispute or 133 00:07:09,360 --> 00:07:12,520 Speaker 1: contract issue. The actions of the parties involved reflect the 134 00:07:12,560 --> 00:07:16,240 Speaker 1: lack of integrity every storyteller should have hold. Taking footage 135 00:07:16,240 --> 00:07:18,680 Speaker 1: intended for our project to advance a narrative that was 136 00:07:18,720 --> 00:07:22,960 Speaker 1: not our own is both unethical and unacceptable. Michael, his 137 00:07:23,040 --> 00:07:27,240 Speaker 1: name is Michael Arberleze or Michael Arbalized, and he gave 138 00:07:27,280 --> 00:07:30,760 Speaker 1: that statement to Rolling Stone, but and then Diddy's team 139 00:07:31,000 --> 00:07:34,240 Speaker 1: sent it out wide. Right again, this is something that 140 00:07:34,320 --> 00:07:38,480 Speaker 1: I told the world about a week or so ago. 141 00:07:39,200 --> 00:07:41,800 Speaker 1: The only difference is that now he's going on the record, 142 00:07:41,840 --> 00:07:44,960 Speaker 1: which I will say. The reason why you know, I 143 00:07:45,000 --> 00:07:47,920 Speaker 1: think this is being disgusted again, even though we've already 144 00:07:47,920 --> 00:07:49,840 Speaker 1: had this conversation, is because now when you go on 145 00:07:49,960 --> 00:07:52,760 Speaker 1: record and you put someone else in front of this 146 00:07:52,840 --> 00:07:57,600 Speaker 1: statement besides Diddy or Diddy's publicist. It's like, Okay, somebody 147 00:07:57,640 --> 00:07:59,040 Speaker 1: else is willing to stand in front of the gun 148 00:07:59,040 --> 00:08:01,480 Speaker 1: and take the bullet, regardless if you feel like he's 149 00:08:01,520 --> 00:08:05,720 Speaker 1: being pushed to, you know, allegedly by Diddy's team or whatever, 150 00:08:05,880 --> 00:08:07,680 Speaker 1: if you think this is a PR cleanup or whatever. 151 00:08:07,680 --> 00:08:10,080 Speaker 1: It's just different when someone is willing to stand on 152 00:08:10,160 --> 00:08:14,600 Speaker 1: what is being said. I will tell you, guys, I 153 00:08:14,640 --> 00:08:16,520 Speaker 1: did reach back out to Netflix and I said, hey, 154 00:08:16,880 --> 00:08:19,600 Speaker 1: I know I reached out to you guys some time 155 00:08:19,640 --> 00:08:24,680 Speaker 1: ago on this statement. But he's now come out on 156 00:08:24,720 --> 00:08:27,280 Speaker 1: the record and he's standing on it, and he's doubling down, 157 00:08:27,800 --> 00:08:29,280 Speaker 1: and I want to read you, guys the statement that 158 00:08:29,320 --> 00:08:31,640 Speaker 1: Netflix gave me. So. Netflix gave me this statement on 159 00:08:31,920 --> 00:08:35,920 Speaker 1: December third, So they said the claims being made about 160 00:08:35,960 --> 00:08:38,440 Speaker 1: Sean Combs the reckoning are false. The project has no 161 00:08:38,559 --> 00:08:41,720 Speaker 1: ties to any past conversations between Seawan Combs and Netflix. 162 00:08:42,040 --> 00:08:44,440 Speaker 1: The footage of Colmes leading up to his indictment and 163 00:08:44,520 --> 00:08:47,120 Speaker 1: arrests were legally obtained. This is not a hit piece 164 00:08:47,200 --> 00:08:50,720 Speaker 1: or an act of retribution. Curtis Jackson is an executive producer, 165 00:08:50,760 --> 00:08:53,200 Speaker 1: but does not have creative control. No one was paid 166 00:08:53,240 --> 00:08:56,160 Speaker 1: to participate, you know, and moving forward again. I reached 167 00:08:56,160 --> 00:08:57,599 Speaker 1: out to Netflix and see if there was anything that 168 00:08:57,640 --> 00:09:00,560 Speaker 1: they wanted to update and say in response, you know, 169 00:09:00,600 --> 00:09:02,600 Speaker 1: since this is back out there again and haven't heard 170 00:09:02,760 --> 00:09:05,320 Speaker 1: anything back yet. And I called Diddy's team back and 171 00:09:05,360 --> 00:09:08,439 Speaker 1: I said, you know, I understand that, you know, re 172 00:09:08,440 --> 00:09:12,520 Speaker 1: releasing a statement and having you know, now this videographer 173 00:09:12,520 --> 00:09:15,040 Speaker 1: who's willing to put his face and his name out 174 00:09:15,040 --> 00:09:17,720 Speaker 1: there on it. I understand that right now you guys 175 00:09:17,760 --> 00:09:21,800 Speaker 1: are basically attempting to poke holes and the legality of 176 00:09:21,840 --> 00:09:24,040 Speaker 1: what they obtained because you want to take legal action 177 00:09:24,120 --> 00:09:25,800 Speaker 1: of your own to ask them. I said, you know, 178 00:09:26,200 --> 00:09:29,320 Speaker 1: are you guys planning legal action? And so what does 179 00:09:29,360 --> 00:09:31,920 Speaker 1: that look like? Toma? I was told that there are 180 00:09:32,080 --> 00:09:35,520 Speaker 1: conversations about a lawsuit, which we know though because they 181 00:09:35,559 --> 00:09:37,640 Speaker 1: sent a cease and desist, but to be able to say, 182 00:09:37,679 --> 00:09:39,240 Speaker 1: because you can send a seat to desist and have 183 00:09:39,320 --> 00:09:41,760 Speaker 1: some conversations and then back off, right. But when I 184 00:09:41,760 --> 00:09:44,199 Speaker 1: saw this statement, I said, oh, conversations behind the scenes 185 00:09:44,240 --> 00:09:47,720 Speaker 1: between Netflix and Diddy's team must not be going well 186 00:09:47,800 --> 00:09:49,880 Speaker 1: or they're not happening at all. So I'm like, are 187 00:09:49,880 --> 00:09:53,320 Speaker 1: you guys planning a lawsuit? Still? At this point, and 188 00:09:53,360 --> 00:09:58,319 Speaker 1: they said there are conversations about potential lawsuits because at 189 00:09:58,320 --> 00:10:00,920 Speaker 1: this point Netflix has not responded at all to their 190 00:10:00,960 --> 00:10:03,320 Speaker 1: seats and desists. There has been no conversation since the 191 00:10:03,360 --> 00:10:07,359 Speaker 1: cease and desist was since between Diddy's team and Netflix. 192 00:10:08,240 --> 00:10:11,640 Speaker 1: Diddy team, of course, is doubling down on their allegation 193 00:10:11,679 --> 00:10:15,000 Speaker 1: that the filmmaker did not obtain the footage legally. So 194 00:10:15,040 --> 00:10:18,600 Speaker 1: what they're saying is that Netflix can claim that they 195 00:10:18,679 --> 00:10:22,920 Speaker 1: obtained the footage legally in how they went about it 196 00:10:23,000 --> 00:10:26,360 Speaker 1: from the filmmaker who had it, but Diddy team is 197 00:10:26,400 --> 00:10:30,480 Speaker 1: saying that filmmaker didn't have legal right to even license 198 00:10:30,559 --> 00:10:33,360 Speaker 1: or sell it to Netflix in the first place. But 199 00:10:34,480 --> 00:10:37,840 Speaker 1: I would be very surprised if an organization as big 200 00:10:38,360 --> 00:10:42,320 Speaker 1: dealing with as much media content and licensing as they do, 201 00:10:42,960 --> 00:10:46,080 Speaker 1: you know, I'm assuming daily as a Netflix, I would 202 00:10:46,080 --> 00:10:49,720 Speaker 1: be very surprised if they went about this the wrong 203 00:10:49,720 --> 00:10:52,400 Speaker 1: way legally. I think Diddy's team is fighting a very 204 00:10:52,480 --> 00:10:55,880 Speaker 1: uphill battle here. I mean, it's not impossible, right because 205 00:10:56,280 --> 00:10:58,760 Speaker 1: you would also think that someone like a Sean Colmes 206 00:10:59,480 --> 00:11:01,800 Speaker 1: would have, you know, dotted his eyes and crossed his 207 00:11:01,840 --> 00:11:04,440 Speaker 1: t's when it came to especially knowing what this footage 208 00:11:04,480 --> 00:11:06,520 Speaker 1: is and how sensitive it is and how sensitive of 209 00:11:06,559 --> 00:11:09,880 Speaker 1: a time legally in his life this is for him. 210 00:11:09,920 --> 00:11:13,280 Speaker 1: But obviously something went wrong somewhere. So right now we're 211 00:11:13,320 --> 00:11:15,559 Speaker 1: watching a battle between the two trying to figure out 212 00:11:15,720 --> 00:11:20,400 Speaker 1: where where the liability lies. Did Diddy mess up legally 213 00:11:20,480 --> 00:11:23,800 Speaker 1: and not you know, contract everyone the way because at 214 00:11:23,800 --> 00:11:26,200 Speaker 1: first we thought that this was a money issue. The 215 00:11:26,280 --> 00:11:28,640 Speaker 1: videographer is now saying, no, this is not a money issue. 216 00:11:29,720 --> 00:11:33,200 Speaker 1: This is an ethic you know. And then the legality issue. 217 00:11:33,280 --> 00:11:35,160 Speaker 1: Right so Diddy seem is trying to figure out if 218 00:11:35,400 --> 00:11:37,440 Speaker 1: they do move for what a laws to right now 219 00:11:37,480 --> 00:11:39,200 Speaker 1: what they're trying to discover, but it's kind of hard 220 00:11:39,200 --> 00:11:41,680 Speaker 1: for them to get an answer to or to get 221 00:11:41,679 --> 00:11:44,960 Speaker 1: a It's kind of hard for them to figure it 222 00:11:44,960 --> 00:11:48,079 Speaker 1: out because they're not having conversations with Netflix, Like Netflix 223 00:11:48,120 --> 00:11:50,719 Speaker 1: is not responding to them. It's who legally would they 224 00:11:50,760 --> 00:11:53,280 Speaker 1: even go after? Is it the filmmaker who was with Diddy, 225 00:11:53,640 --> 00:11:56,719 Speaker 1: like his main filmmaker who contracted the third party? Is 226 00:11:56,760 --> 00:12:01,000 Speaker 1: it the third party videoographer? Or is it Netflix? And 227 00:12:01,200 --> 00:12:03,120 Speaker 1: I'm like, well, what do you guys do? Because what 228 00:12:03,160 --> 00:12:05,040 Speaker 1: if they just never respond to you because you don't 229 00:12:05,080 --> 00:12:07,320 Speaker 1: have to respond to a cease and desist, and they're 230 00:12:07,360 --> 00:12:08,719 Speaker 1: you know, they're like, well, then we could just move 231 00:12:08,720 --> 00:12:10,840 Speaker 1: forward legally, take it to court, and legally they would 232 00:12:10,880 --> 00:12:12,640 Speaker 1: be demanded to respond and they would have to go 233 00:12:12,720 --> 00:12:15,280 Speaker 1: from there. So we'll see how this plays out. But 234 00:12:15,320 --> 00:12:17,640 Speaker 1: in the meantime, I don't know if y'all saw, you know, 235 00:12:17,760 --> 00:12:19,719 Speaker 1: all of the means and the he he ha ha 236 00:12:19,960 --> 00:12:24,120 Speaker 1: about fifty Cent doing that ABC interview with Robin Roberts 237 00:12:24,200 --> 00:12:28,480 Speaker 1: to roll out his project because ABC is able to 238 00:12:28,520 --> 00:12:33,120 Speaker 1: be streamed in the prisons because it's you know, they 239 00:12:33,160 --> 00:12:38,240 Speaker 1: get that like broadcast. They can watch certain broadcasts television stations, right, 240 00:12:38,880 --> 00:12:41,600 Speaker 1: So I asked about that. I'm like, look, I know, 241 00:12:41,679 --> 00:12:44,800 Speaker 1: y'all got a lot of other things to deal with, 242 00:12:45,040 --> 00:12:47,760 Speaker 1: but I've been seeing this and I'm just wondering, what 243 00:12:47,840 --> 00:12:50,679 Speaker 1: is the validity of this, like because fifty cent just 244 00:12:50,760 --> 00:12:53,240 Speaker 1: spoke about it. So fifty cent did an interview where 245 00:12:53,320 --> 00:12:56,840 Speaker 1: he spoke about it and spoke about you know, the 246 00:12:56,840 --> 00:13:00,880 Speaker 1: fact that people were calling him petty for doing the interview, 247 00:13:01,679 --> 00:13:02,880 Speaker 1: was speaking to gold Derby. 248 00:13:03,040 --> 00:13:04,959 Speaker 2: It did characterize it as a hit piece in the 249 00:13:05,040 --> 00:13:07,040 Speaker 2: very beginning. Is because they didn't get a chance to 250 00:13:07,080 --> 00:13:09,160 Speaker 2: watch it, you know when they were saying that, and 251 00:13:09,200 --> 00:13:11,240 Speaker 2: then after they say it, you see everyone's changed their 252 00:13:11,280 --> 00:13:13,400 Speaker 2: mind and it becomes the number one dog. 253 00:13:14,080 --> 00:13:16,120 Speaker 3: But also someone calling it a hip piece was a 254 00:13:16,120 --> 00:13:21,160 Speaker 3: statement from Diddy's team. So I mean, what's your response 255 00:13:21,200 --> 00:13:23,320 Speaker 3: to Diddy seem of course they're going to probably have 256 00:13:23,360 --> 00:13:27,040 Speaker 3: an opinion, And then what's your opinion on people that 257 00:13:27,200 --> 00:13:29,080 Speaker 3: just say that you're petty? Are you petty? 258 00:13:29,400 --> 00:13:31,920 Speaker 2: I accept that, I'll take that out wear that I'm fine, 259 00:13:32,160 --> 00:13:35,400 Speaker 2: you know, like I have antics that I've become comfortable 260 00:13:36,000 --> 00:13:38,760 Speaker 2: on social media because of the usage of social media. 261 00:13:39,240 --> 00:13:40,640 Speaker 1: That's just that, you. 262 00:13:40,559 --> 00:13:41,959 Speaker 2: Know what I mean. Like, but when they look at 263 00:13:43,440 --> 00:13:49,840 Speaker 2: they'll say, me deciding to go on ABC, it's petty 264 00:13:49,920 --> 00:13:53,959 Speaker 2: The Morning Shows the biggest show these people they came 265 00:13:54,080 --> 00:13:57,560 Speaker 2: they came from. It's a great opportunity to be on 266 00:13:57,600 --> 00:14:00,240 Speaker 2: that actual platform. And then but they looked at it 267 00:14:00,120 --> 00:14:04,160 Speaker 2: it further and said, it's airing in prison. So this 268 00:14:04,200 --> 00:14:07,400 Speaker 2: would be why I would like to do that, And 269 00:14:07,559 --> 00:14:10,840 Speaker 2: it didn't come across as a reason not to. Of 270 00:14:10,880 --> 00:14:12,680 Speaker 2: course I was aware that it would be airing. 271 00:14:13,679 --> 00:14:16,319 Speaker 3: What do you think about like a possibility of him 272 00:14:16,720 --> 00:14:18,920 Speaker 3: having some sort of comeback when he gets out of prison. 273 00:14:18,960 --> 00:14:21,119 Speaker 3: Do you think that's a possibility. 274 00:14:21,760 --> 00:14:23,400 Speaker 2: I'm not a comeback like in music. 275 00:14:23,880 --> 00:14:25,920 Speaker 3: Yeah, just I mean, w are people going to just 276 00:14:25,920 --> 00:14:26,520 Speaker 3: be over this? 277 00:14:27,520 --> 00:14:27,680 Speaker 1: Well? 278 00:14:27,680 --> 00:14:31,520 Speaker 2: I don't think he'll have a comeback with people aware 279 00:14:31,640 --> 00:14:36,040 Speaker 2: that he's behind it. I do think that his passion 280 00:14:36,080 --> 00:14:37,920 Speaker 2: for music may allow him to go back to make 281 00:14:38,000 --> 00:14:42,280 Speaker 2: music because he knows that's what he knows, right, And 282 00:14:43,080 --> 00:14:46,160 Speaker 2: you can do it and again without meeting the record company, 283 00:14:47,320 --> 00:14:50,120 Speaker 2: like the artists of meeting the audience before they meet 284 00:14:50,120 --> 00:14:52,640 Speaker 2: the record company now, so you could do those things 285 00:14:52,680 --> 00:14:57,280 Speaker 2: and develop things of value, and when the company is interested, 286 00:14:57,400 --> 00:14:59,000 Speaker 2: you end up making the deal. But they don't know 287 00:14:59,040 --> 00:15:01,480 Speaker 2: that they did the deal with the public doesn't know 288 00:15:01,520 --> 00:15:03,280 Speaker 2: they to deal with him, you know what I'm saying. 289 00:15:03,320 --> 00:15:05,160 Speaker 2: So he would be able to do that, but I 290 00:15:05,200 --> 00:15:09,120 Speaker 2: don't see him like publicly people supporting them, and. 291 00:15:09,120 --> 00:15:12,880 Speaker 1: Diddy's team says, I can't guarantee that he watched it. 292 00:15:13,120 --> 00:15:16,840 Speaker 1: You know, he hasn't mentioned it, but yes, he could 293 00:15:16,840 --> 00:15:18,320 Speaker 1: have watched it if he wanted to. But I can't 294 00:15:18,320 --> 00:15:21,000 Speaker 1: guarantee that he did, and he didn't mention it to us. 295 00:15:21,040 --> 00:15:25,280 Speaker 1: But it's just the way that fifty cent is calculated 296 00:15:25,400 --> 00:15:28,360 Speaker 1: is like insane, Like it's really insane. But we'll be 297 00:15:28,360 --> 00:15:30,960 Speaker 1: back with more because obviously this is gonna flush yourself out. 298 00:15:31,240 --> 00:15:34,040 Speaker 1: I'm gonna go back and get a Netflix before the 299 00:15:34,160 --> 00:15:36,280 Speaker 1: night ends, and hopefully i'll get something so I'll keep 300 00:15:36,280 --> 00:15:39,080 Speaker 1: you guys updated. I appreciate you guys for tuning in 301 00:15:39,120 --> 00:15:42,120 Speaker 1: that there's been another episode of the Latest with Lauren 302 00:15:42,200 --> 00:15:45,760 Speaker 1: l Rosa. Y'all could be anywhere with anybody talking about 303 00:15:45,800 --> 00:15:48,040 Speaker 1: all of these topics that y'all choose to be right 304 00:15:48,160 --> 00:15:51,640 Speaker 1: here with me on the Latest with Laura de Rosa, 305 00:15:51,920 --> 00:15:54,120 Speaker 1: my Low Riders. I appreciate you guys for that, and 306 00:15:54,160 --> 00:15:56,080 Speaker 1: I'll catch you in my next episode.