WEBVTT - Quetzalcoatl: The Winged Serpent

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot Com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick. And

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<v Speaker 1>today we thought we would treat you to the beginning

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<v Speaker 1>of an early nineteen eighties film trailer. Yeah, before we

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<v Speaker 1>go any further, Uh, take a load of this. For

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<v Speaker 1>ten centuries it has waited m to be awakened, to

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<v Speaker 1>be worshiped again, like a god, to fill the skies,

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<v Speaker 1>to cast its shadow over the earth, to release its fury. Okay,

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<v Speaker 1>so it's October. You know we're doing stuff related to monsters,

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<v Speaker 1>horror movies. What on earth was that? Robert? That was

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<v Speaker 1>a was? It was part of the trailer to Cue

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<v Speaker 1>the Winged Serpent, released in nineteen eighty two, written and

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<v Speaker 1>directed by b movie legend Larry Cohen. Oh the guy

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<v Speaker 1>who made God Told Me To Yeah, also known for

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<v Speaker 1>It's Alive and the Stuff. This particular film, though, is it's,

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<v Speaker 1>in my opinion, a real gym because it's it's nine

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<v Speaker 1>two New York, so it's essentially like late seventies New York. Yeah.

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<v Speaker 1>It it really gets that grimy nous and that doomy nous.

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<v Speaker 1>I've I've been trying to figure out exactly what it

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<v Speaker 1>is about, like late seventies New York in movies, where

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<v Speaker 1>it just there's this grim, fatalistic, doomy kind of cynicism

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<v Speaker 1>that everybody's got where it's like they know the end

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<v Speaker 1>of the world is coming soon. Yeah, I mean what

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<v Speaker 1>part of it is that? I mean, we could do

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<v Speaker 1>you could do a whole episode, the whole podcast series

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<v Speaker 1>just on that vibe. I mean, really, the the HBO

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<v Speaker 1>series The Deuce is kind of attempting to do the

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<v Speaker 1>same thing, looking particular at particular areas of of the

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<v Speaker 1>culture during that time. But yeah, I think there's a

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<v Speaker 1>certain national cynicism, and then there obviously some some major

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<v Speaker 1>issues going on in New York City at the time. Uh.

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<v Speaker 1>This trailer adds a little extra issue to that. Heap

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<v Speaker 1>that being a giant, uh flying serpentine creature that may

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<v Speaker 1>or may not be an Aztec god that is roosting

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<v Speaker 1>somewhere in the city and occasionally a soaring down to

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<v Speaker 1>grab a Sunbathe is off the roofs of New York

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<v Speaker 1>City skyscrapers and window washers, window washers, cops, anybody who

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<v Speaker 1>happens to be up there within reach. Now, essentially this

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<v Speaker 1>creature is a dragon, right, It is a giant, angry

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<v Speaker 1>looking bird lizard thing. I don't really I don't think

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<v Speaker 1>it has feathers, does it. No, it's very very smooth,

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<v Speaker 1>very reptilian. It looks kind of like a winged saua

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<v Speaker 1>pod with enormous eyes. It's a very strange design. But

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<v Speaker 1>it's stopped motions, so every moment you spend with it

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<v Speaker 1>in the film is magic. So this movie is you know,

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<v Speaker 1>it's got that that grimy, nasty, sleazy B movie quality,

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<v Speaker 1>that late seventies Larry Cohen kind of thing. But it's

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<v Speaker 1>also kind of good. It's like, it's got a funny script.

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<v Speaker 1>There's like a great scene where the cops are about

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<v Speaker 1>to storm the nest of the of the dragon creature

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<v Speaker 1>and one of them is just drinking a Budweiser. Yeah,

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<v Speaker 1>it has an ingenious plot because well, I don't know,

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<v Speaker 1>maybe not ingenious, but it has a clever plot that

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<v Speaker 1>I really like for a monster movie. Uh, which, just

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<v Speaker 1>to run through the cast real quick, You've got Candy Clark,

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<v Speaker 1>you have David Carradine, you have Richard Rowntree, David Carradine

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<v Speaker 1>Beta Carotene. Why is it every time I say David Carradine,

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<v Speaker 1>I want to say beta Caroteen. I don't know, he's

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<v Speaker 1>he's just rich in it, I guess. But most importantly,

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<v Speaker 1>you have Michael Moriarty, who's just great at playing a

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<v Speaker 1>down on his luck slee's bag, and he really brings

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<v Speaker 1>it in this movie. Reviews from the year it came

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<v Speaker 1>out pretty much agreed with this him and they were like,

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<v Speaker 1>I don't know about this monster movie, but that Michael

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<v Speaker 1>Moriarty is fabulous, and he is fabulous in it. He

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<v Speaker 1>plays essentially, yeah, this New York sleeves bag who I

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<v Speaker 1>think he's involved in a diamond highst and he flees

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<v Speaker 1>and he ends up stumbling upon the nest of the

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<v Speaker 1>of Q the Winged Serpent, because he just happens to

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<v Speaker 1>climb to the top of the Chrysler building. I don't

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<v Speaker 1>remember why he does that. He's just like, well, I'm

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<v Speaker 1>up here now. But he discovers like where the monster

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<v Speaker 1>that is terrorizing the city is located, where it's egg

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<v Speaker 1>is located, and so what does he do with this

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<v Speaker 1>heroic information? He blackmails the city. I was just right,

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<v Speaker 1>babe me a million dollars and and give me immunity

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<v Speaker 1>for all my crimes or I won't tell you where

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<v Speaker 1>the egg is. Yes, and there there's some other elements

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<v Speaker 1>to the plot that really uh fun as well. That

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<v Speaker 1>there's one scene, and this is in the trailer where

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<v Speaker 1>David Decaradine's police officer character's detective character says, this thing

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<v Speaker 1>has been prayed back into existence. And there's this whole

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<v Speaker 1>plot with like an az Tec cult and ritual murders. Um,

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<v Speaker 1>it's it's it's a fabulously fun film. Now with the

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<v Speaker 1>nod to the to the cult and with Q standing

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<v Speaker 1>in for quetzel Kadal, Uh, it's clear that the beast

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<v Speaker 1>in this film is a monster ified version of the

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<v Speaker 1>ancient meso American god ketzel Coadal. And I think it's

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<v Speaker 1>worth stopping to appreciate that the the original ketsel Coadal,

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<v Speaker 1>the feathered serpent, is not a monster, but is a

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<v Speaker 1>holly magnificent god of the heavens. Right, And it's unfair

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<v Speaker 1>to really do associated with a bunch of blood sacrifice.

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<v Speaker 1>Though we were discussing this little offline before we came

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<v Speaker 1>in here. That's often where a lot of people's imagination

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<v Speaker 1>goes when they are reminded of the Aztec civilization or

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<v Speaker 1>other meso American or or South American civilizations. Yeah, this

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<v Speaker 1>is one thing that I think is is kind of

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<v Speaker 1>sad and unfair that that ancient meso American religions often

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<v Speaker 1>get associated with human sacrifice. And it's not unfair because

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<v Speaker 1>there was no human sacrifice. So there there was, It's

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<v Speaker 1>pretty clear that that was a feature of some ancient

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<v Speaker 1>meso American religion. But what's unfair is that it's like

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<v Speaker 1>meso American religion gets singled out for association with human

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<v Speaker 1>sacrifice when human sacrifice is just everywhere in the ancient world.

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<v Speaker 1>There's evidence that the ancient Greeks probably did human sacrifice,

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<v Speaker 1>the you know, ancient Nordic religions, you know, the Celts

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<v Speaker 1>and the Scandinavians. I mean, everywhere you look, you'll find

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<v Speaker 1>evidence of human sacrifice somewhere back in time. So it's

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<v Speaker 1>not like this was unique to the Mesoamerican religions. So

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<v Speaker 1>in this episode, we're going to mostly talk about the

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<v Speaker 1>religious origins of quetzo Quaddle as well as some of

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<v Speaker 1>the things that it has inspired uh and may have

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<v Speaker 1>inspired yet we're gonna talk a little bit about serpents

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<v Speaker 1>that actually sort of fly through the air. We're also

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<v Speaker 1>going to talk about a particular prehistoric flying creature that

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<v Speaker 1>has been named in the Quetzo kadals honor. But let's

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<v Speaker 1>start with the god itself, quetzal Kadal, the plumed serpent.

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<v Speaker 1>Tell me about this god, Robert. So, in reading a

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<v Speaker 1>bit about the plume serpent god, a number of things

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<v Speaker 1>it became really clear. Um. I was one book I

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<v Speaker 1>picked up was RUDOLPHO Andy as a fictional Lord of

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<v Speaker 1>the Dawn the legend of Quetzo Kwaddle, which is I

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<v Speaker 1>say fictional. Basically, what he attempted to do in this

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<v Speaker 1>book is to provide a narrative, easily read, narrative version

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<v Speaker 1>of Quetzo Quaddle's story. And I actually saw a really

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<v Speaker 1>good user review for this where they pointed out, you know,

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<v Speaker 1>with with Greek myths in particular, it's not just archaeological

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<v Speaker 1>and anthropo anthropological information that we're exposed to as a kid.

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<v Speaker 1>We were exposed to the stories themselves. We get to

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<v Speaker 1>kind of experience the stories as just pure stories. And

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<v Speaker 1>this particular reviewer was saying, you know, I had trouble

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<v Speaker 1>finding that with meso American religions, and this book provided that.

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<v Speaker 1>So in the book itself is is a very good

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<v Speaker 1>I'll mention a little bit more as we go forward,

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<v Speaker 1>but there's an introduction in this book from the University

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<v Speaker 1>of New Mexico's David M. Johnson, and yeah, he does

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<v Speaker 1>a great job of just just rolling through, like what

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<v Speaker 1>was quetzo kaddle, what did what did it stand for?

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<v Speaker 1>And what is our what do we know? What do

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<v Speaker 1>we not know about it? And he points out that

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<v Speaker 1>there's a lot that we do not know about the

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<v Speaker 1>toll Tech Empire. This would be uh, one of the

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<v Speaker 1>empire's proceeding of the Aztec Empire. He says, he said

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<v Speaker 1>that we're only we're only talking the Mesoamerican world roughly

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<v Speaker 1>seven hundred years ago, so we're not going into the

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<v Speaker 1>the the ancient past really uh. He says that we

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<v Speaker 1>know more about Athens of two thousand years ago or

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<v Speaker 1>Hebraic traditions from three thousand years ago. Uh, meso American

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<v Speaker 1>world against seven h years ago, and there's so much

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<v Speaker 1>we don't know. And he says this is largely because

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<v Speaker 1>Spanish friars did what they could to destroy the codices

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<v Speaker 1>of the Aztecs in the Maya. We have to remember

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<v Speaker 1>that the most obvious thing here is that this was

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<v Speaker 1>a world that was invaded by Westerners, by the Spanish,

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<v Speaker 1>by the Portuguese UH and UH, and that the culture

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<v Speaker 1>was ravaged for it. On top of this, the hieroglyphic

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<v Speaker 1>style books of the Aztecs UH were there to apparently

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<v Speaker 1>aid in the memorization of oral literature. So imagine, perhaps

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<v Speaker 1>this is my my read on the scenario. Imagine if

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<v Speaker 1>only the illustrations and the illuminations of Christian stories survived,

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<v Speaker 1>but the Bible did not, or we had you know,

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<v Speaker 1>mostly artwork to go by uh in order to figure

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<v Speaker 1>out what the Greek pantheon consisted of, you know, and

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<v Speaker 1>what the stories were that were associated with those individuals.

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<v Speaker 1>I think that that's just a rough example to sort

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<v Speaker 1>of outline the problems of not having the you know,

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<v Speaker 1>complete access to the information. But so in general, there's

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<v Speaker 1>been a great loss of Mesoamerican literature that was in

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<v Speaker 1>many ways caused by colonialism. Yeah. He pointed out in

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<v Speaker 1>this that only something like sixteen books survive, three Mayan,

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<v Speaker 1>six Wahaka books, and that most of what we know

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<v Speaker 1>about pre conquest culture in Mesoamerica comes from archaeological evidence

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<v Speaker 1>and postconquest scribes and scholars, but quetzo Quaddle seems to

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<v Speaker 1>have existed in this pantheon of meso American culture for

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<v Speaker 1>a while. Is this kind of wind god who creates

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<v Speaker 1>the earth by lifting up the heavens. And he was

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<v Speaker 1>probably a very old god emerging from the beliefs of

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<v Speaker 1>coastal regions associated with shells and wind and sea. The

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<v Speaker 1>the quet soul part of his name refers to a

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<v Speaker 1>rare bird with precious green feathers, feathers used in ceremonial dresses,

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<v Speaker 1>and um At should point out that there you can

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<v Speaker 1>look up pictures of quets as they are like five

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<v Speaker 1>different species of quets als and there, and their feathers

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<v Speaker 1>are quite beautiful. They're found in Mexico in the extreme

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<v Speaker 1>southern United States. Yeah, I think does the Does the

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<v Speaker 1>name refer to their long tail feathers? Is that right?

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<v Speaker 1>I believe so. And these would have been used in

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<v Speaker 1>uh various religious attire. They are beautiful birds. And now

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<v Speaker 1>the cowaddle aspect of the name that refers to a

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<v Speaker 1>snake tied to earth energy fertility in the cyclical nature

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<v Speaker 1>of life. So in this combo UH, this god, we

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<v Speaker 1>have a convergence of earthly and spiritual energy. We have

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<v Speaker 1>a creature of the ground and a creature of the sky,

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<v Speaker 1>both as one, and he went by other names as well.

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<v Speaker 1>He was known as Kukulkin in the Yucatan and Guku

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<v Speaker 1>Mats in Guatemala. In devotion to the feathered serpent spread

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<v Speaker 1>as far north as New Mexico and south to Columbia, Peru,

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<v Speaker 1>and Bolivia. And of course outside of this tradition, obviously

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<v Speaker 1>we have to point to the fact that this is

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<v Speaker 1>not the only tradition that involves a winged serpent. You

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<v Speaker 1>encounter feathered serpents and other religions as well, uh and

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<v Speaker 1>in Europe and Asia. And essentially, as we pointed out

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<v Speaker 1>with with Q from the movie, it's it's not that

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<v Speaker 1>different from other ideas of a dragon, a great holy

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<v Speaker 1>winged creature. Now, I don't want to try to over

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<v Speaker 1>smooth or overconform the differences between different mythical beasts from

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<v Speaker 1>around the world, but I am always fascinated by the

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<v Speaker 1>fact that it seems to me, you know, if if

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<v Speaker 1>I'm not over you know, over generalizing that so many

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<v Speaker 1>different cultures have something like a dragon. There's the European dragon,

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<v Speaker 1>the ancient Near Eastern dragon, the Chinese dragon. And then

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<v Speaker 1>if we're saying cuetzel Kadal is in many ways kind

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<v Speaker 1>of like a dragon. Is that? Um? Is that just

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<v Speaker 1>us seeing patterns and things that are objectively not all

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<v Speaker 1>that similar or is that really a pattern? And if so,

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<v Speaker 1>what is it that causes dragon imagery to arise spontaneously

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<v Speaker 1>in so many different cultures around the world. Yeah, I

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<v Speaker 1>mean you can also tie in just the serpentine aspect

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<v Speaker 1>of it. I mean, obviously there are a lot of

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<v Speaker 1>world servants in mythologies, and there's a lot to be

0:13:15.679 --> 0:13:19.560
<v Speaker 1>said about our basically, our our encoded response to the

0:13:19.600 --> 0:13:24.200
<v Speaker 1>side of a snake. Um, if if cats had a

0:13:24.280 --> 0:13:26.560
<v Speaker 1>god of the sky they worshiped, perhaps it would be

0:13:26.600 --> 0:13:32.760
<v Speaker 1>a what is it a cucumber with wings in the sky. Uh.

0:13:32.760 --> 0:13:35.000
<v Speaker 1>And again I yeah, we don't want to over generalize things,

0:13:35.040 --> 0:13:37.040
<v Speaker 1>but I feel like there are certain creatures of the

0:13:37.080 --> 0:13:41.360
<v Speaker 1>Earth that humans have a natural heightened response to. And

0:13:41.400 --> 0:13:45.640
<v Speaker 1>then add you know, several thousand years worth of myth

0:13:45.679 --> 0:13:47.520
<v Speaker 1>building and world building on top of that, and you

0:13:47.600 --> 0:13:49.760
<v Speaker 1>get some curious forms. Well, yeah, I wonder if this

0:13:49.800 --> 0:13:51.760
<v Speaker 1>goes back to something we talked about, like in our

0:13:52.120 --> 0:13:56.679
<v Speaker 1>the First Monster episode, where we discussed the idea what

0:13:56.800 --> 0:14:00.000
<v Speaker 1>types of animal forms would become most embedded in review

0:14:00.000 --> 0:14:03.240
<v Speaker 1>eared in human consciousness, and you would tend to assume

0:14:03.280 --> 0:14:07.280
<v Speaker 1>it might be something like an apex predator or some

0:14:07.440 --> 0:14:11.400
<v Speaker 1>animal representing danger, but then also bringing in qualities that

0:14:11.400 --> 0:14:15.560
<v Speaker 1>we associate with, like intelligence and human characteristics. But also

0:14:15.679 --> 0:14:18.040
<v Speaker 1>just a minute ago, I think you mentioned something about

0:14:18.640 --> 0:14:21.840
<v Speaker 1>the cyclical nature of of the world and of time.

0:14:22.400 --> 0:14:26.240
<v Speaker 1>I figured that had something to do with with the

0:14:26.280 --> 0:14:29.600
<v Speaker 1>ancient Mesoamerican theology we're talking about here, right, Yeah, The

0:14:29.760 --> 0:14:31.840
<v Speaker 1>belief system in ancient Mexico is one in which you

0:14:31.920 --> 0:14:35.920
<v Speaker 1>had various ages that had preceded our own. Each fallen

0:14:35.960 --> 0:14:38.000
<v Speaker 1>age was ruled over by an appropriate god. So we

0:14:38.120 --> 0:14:41.120
<v Speaker 1>at ages of water, ages of fire, each ended by

0:14:41.200 --> 0:14:45.600
<v Speaker 1>disharmony between the forces that must otherwise exist in balance.

0:14:46.120 --> 0:14:51.040
<v Speaker 1>And these were not strictly moral dimensions of good versus evil,

0:14:51.880 --> 0:14:54.920
<v Speaker 1>but forces apparently more akin to Eastern models of yin

0:14:55.000 --> 0:14:59.560
<v Speaker 1>and yang um. Though there is a timeless struggle at

0:14:59.560 --> 0:15:01.240
<v Speaker 1>the heart of this, and it is I think very

0:15:01.280 --> 0:15:04.680
<v Speaker 1>easy to categorize the two players in it into sort

0:15:04.720 --> 0:15:08.720
<v Speaker 1>of a good versus evil interpretation. But then again that's

0:15:08.760 --> 0:15:11.200
<v Speaker 1>our Western minds approaching it too right. You might want

0:15:11.200 --> 0:15:14.080
<v Speaker 1>to put things in the familiar categories and say you've

0:15:14.080 --> 0:15:16.440
<v Speaker 1>got God and the devil, but it's not quite that

0:15:16.480 --> 0:15:21.120
<v Speaker 1>case with what Ketzelkadal and tes Catlee PoCA. Yes, tes

0:15:21.240 --> 0:15:25.560
<v Speaker 1>catlet PoCA, whose name apparently means smoking mirror, referring to

0:15:25.680 --> 0:15:29.360
<v Speaker 1>the obsidian mirrors used in worship. That's so good, So

0:15:29.760 --> 0:15:33.440
<v Speaker 1>it's essentially he's essentially the god of the Black mirror Um.

0:15:33.480 --> 0:15:36.320
<v Speaker 1>Interestingly enough, that black Mirror came up in an episode

0:15:36.320 --> 0:15:40.640
<v Speaker 1>that Christian and I did on John d the the

0:15:40.640 --> 0:15:46.120
<v Speaker 1>the English Um really polymath but also sorcerer. He had

0:15:46.200 --> 0:15:50.920
<v Speaker 1>a mirror that that originated in South America or Mesoamerica.

0:15:51.120 --> 0:15:54.040
<v Speaker 1>What did he use it for? Well, magic, of course, right,

0:15:54.080 --> 0:15:57.200
<v Speaker 1>if you're gonna have a an obsidian mirror of of

0:15:57.240 --> 0:15:59.920
<v Speaker 1>test Catlet PoCA of you're gonna be better be using

0:16:00.000 --> 0:16:03.120
<v Speaker 1>it from magic. But anyway, these these two beings that

0:16:03.200 --> 0:16:05.640
<v Speaker 1>they created the world, It's said, by tearing apart a

0:16:05.640 --> 0:16:09.040
<v Speaker 1>primordial Earth goddess. The world was created from the parts

0:16:09.080 --> 0:16:12.360
<v Speaker 1>of her body out of remorse from the two gods

0:16:13.000 --> 0:16:16.280
<v Speaker 1>for the the for her unfortunate death, and they also

0:16:16.360 --> 0:16:21.040
<v Speaker 1>created man and woman. Um there's an interesting little story

0:16:21.120 --> 0:16:25.000
<v Speaker 1>where um quetzo Quaddle himself has to has to make

0:16:25.000 --> 0:16:29.520
<v Speaker 1>a regular pilgrimage into the land of the Dead, into Michlin,

0:16:30.200 --> 0:16:32.480
<v Speaker 1>and there he has to complete a series of trials

0:16:33.360 --> 0:16:36.200
<v Speaker 1>for its king and queen so that they'll let him

0:16:36.200 --> 0:16:38.640
<v Speaker 1>bring the old bones of the dead back up to

0:16:38.680 --> 0:16:41.520
<v Speaker 1>the surface and then use their ground up substance to

0:16:41.600 --> 0:16:45.640
<v Speaker 1>create the next generation of humans. Yeah, and uh and

0:16:45.800 --> 0:16:49.160
<v Speaker 1>and again. In this we see you know, some models

0:16:49.200 --> 0:16:51.200
<v Speaker 1>here that are present elsewhere in the world, and we're

0:16:51.240 --> 0:16:54.640
<v Speaker 1>reminded of, you know, the harrowing of Hell or or

0:16:55.320 --> 0:16:58.880
<v Speaker 1>the descents into the underworld in in the Greek mythology,

0:16:59.440 --> 0:17:02.080
<v Speaker 1>maybe ice A and o Sirius. Yeah, yeah, this is

0:17:02.120 --> 0:17:05.800
<v Speaker 1>his story as old as human time anyway. On top

0:17:05.800 --> 0:17:10.080
<v Speaker 1>of this, um uh Quetzokado is also a culture bringer,

0:17:10.960 --> 0:17:15.200
<v Speaker 1>so he we associated with architecture, art, and the sacred calendar.

0:17:15.359 --> 0:17:17.919
<v Speaker 1>Yet another theme we see in religions all throughout the

0:17:17.920 --> 0:17:22.120
<v Speaker 1>world the the this ancient figure figure from the gods

0:17:22.200 --> 0:17:28.720
<v Speaker 1>bringing knowledge or customs or culture cultural practices to the humans. Now,

0:17:28.800 --> 0:17:32.800
<v Speaker 1>according to the Johnson um Quatso Kaddle was a major

0:17:32.840 --> 0:17:35.840
<v Speaker 1>object of worship from around two hundred to nine hundred

0:17:35.880 --> 0:17:40.840
<v Speaker 1>sea in the urban center of teoti Wakin, a city

0:17:40.920 --> 0:17:45.640
<v Speaker 1>of Mesoamerican pyramids and some two hundred thousand residents. So

0:17:45.720 --> 0:17:49.640
<v Speaker 1>the toll texts would inherit this city and dominate Mexico

0:17:50.040 --> 0:17:54.359
<v Speaker 1>through the twelfth century, and worship of Katskatdo really took

0:17:54.359 --> 0:17:57.680
<v Speaker 1>off in the tenth century when we have this case

0:17:57.760 --> 0:18:01.080
<v Speaker 1>whether the myth really melded with his tree. He became

0:18:01.119 --> 0:18:06.040
<v Speaker 1>associated with a cultural hero named say A Coddle told

0:18:06.080 --> 0:18:10.000
<v Speaker 1>Pilsen and so so you get this idea that told Piltson,

0:18:10.920 --> 0:18:14.720
<v Speaker 1>this historic figure, by some estimates like the the oldest

0:18:14.920 --> 0:18:20.080
<v Speaker 1>historical figure uh in Mexico. Uh. He becomes merge. We

0:18:20.080 --> 0:18:23.000
<v Speaker 1>we end up merging Getzok Waddle and to Pilsen into

0:18:23.040 --> 0:18:27.680
<v Speaker 1>a single entity. He becomes the incarnation of the feathered God.

0:18:28.040 --> 0:18:30.480
<v Speaker 1>And in doing this, to Piltson becomes a spiritual figure

0:18:30.480 --> 0:18:33.920
<v Speaker 1>of peace uh. And in doing so he all alienates

0:18:33.960 --> 0:18:37.639
<v Speaker 1>the more militaristic segments of society that don't want to

0:18:37.640 --> 0:18:41.520
<v Speaker 1>give up human sacrifice and war, two things that to

0:18:41.680 --> 0:18:44.560
<v Speaker 1>Piltson is opposed to saying, you know, hey, maybe we

0:18:44.560 --> 0:18:46.439
<v Speaker 1>don't need to be at constant war with our neighbors.

0:18:46.480 --> 0:18:49.600
<v Speaker 1>Maybe we don't need to sacrifice human beings. Maybe we

0:18:49.600 --> 0:18:52.960
<v Speaker 1>can just sacrifice I think it's like butterflies and lizards

0:18:52.960 --> 0:18:57.640
<v Speaker 1>and whatnot as opposed to to to humans. Uh and uh,

0:18:57.680 --> 0:18:59.880
<v Speaker 1>And I have to point out and and he's retelling

0:19:00.119 --> 0:19:04.399
<v Speaker 1>this tale because Rudolpho and I is retelling, really is

0:19:04.440 --> 0:19:07.720
<v Speaker 1>concerned with this incarnation of cats cooddle. He does a

0:19:07.760 --> 0:19:09.639
<v Speaker 1>great he has a great way of characterizing this in

0:19:09.680 --> 0:19:13.600
<v Speaker 1>a very believable way, not a xenophobic, barbarian approach, where

0:19:13.640 --> 0:19:15.960
<v Speaker 1>you where you'd be like, oh, one guy saying let's

0:19:15.960 --> 0:19:19.160
<v Speaker 1>not kill everybody, of course, let's do something peaceful instead.

0:19:19.600 --> 0:19:21.720
<v Speaker 1>You know, he's he's putting in a form that feels

0:19:22.800 --> 0:19:26.120
<v Speaker 1>very modern in some respects where where the opposing king

0:19:26.200 --> 0:19:28.920
<v Speaker 1>is saying, look, I mean human sacrifices. What we do.

0:19:29.560 --> 0:19:32.840
<v Speaker 1>We have to have armies, we have to have firm borders,

0:19:32.840 --> 0:19:35.280
<v Speaker 1>we need to expand and get more farmland, we have

0:19:35.400 --> 0:19:39.000
<v Speaker 1>to have war, and uh and uh to Piltson is

0:19:39.320 --> 0:19:43.600
<v Speaker 1>standing in opposition to that, So it represents chaos right,

0:19:43.720 --> 0:19:47.840
<v Speaker 1>often peace is represented as chaos. Yeah, so he's a

0:19:47.840 --> 0:19:51.880
<v Speaker 1>major threat to the establishment. So the story goes that

0:19:53.440 --> 0:19:59.160
<v Speaker 1>the king conspires with three sorcerers to deal with Piltson,

0:19:59.200 --> 0:20:02.400
<v Speaker 1>and one this is the militaristic king. Yes, and one

0:20:02.440 --> 0:20:07.240
<v Speaker 1>of the sorcerers is none other than Ketsok Waddle's arch enemy,

0:20:07.640 --> 0:20:12.919
<v Speaker 1>uh Tescotli PoCA in human form. So they end up

0:20:13.000 --> 0:20:15.919
<v Speaker 1>using a black mirror to tempt to pelts and uh

0:20:16.000 --> 0:20:18.080
<v Speaker 1>they corrupt and in doing so, they corrupt him and

0:20:18.160 --> 0:20:22.280
<v Speaker 1>make him fully carnal, so he like loses his god nature. Yeah,

0:20:22.640 --> 0:20:24.359
<v Speaker 1>it's like a gradual thing, Like they show him the

0:20:24.400 --> 0:20:26.480
<v Speaker 1>mirror and he sees himself and becomes a little vain,

0:20:26.680 --> 0:20:28.840
<v Speaker 1>and uh, then there's a you know, an additional level.

0:20:28.880 --> 0:20:30.600
<v Speaker 1>I think it's so very very much like a rule

0:20:30.640 --> 0:20:33.800
<v Speaker 1>of three type thing. And eventually they bring about his

0:20:33.920 --> 0:20:37.639
<v Speaker 1>downfall and he's you know, fully carnal. And after that

0:20:37.800 --> 0:20:39.920
<v Speaker 1>he he he has been defeated. He lays in a

0:20:39.960 --> 0:20:42.600
<v Speaker 1>stone coffin for four days and then he emerges. He

0:20:42.720 --> 0:20:45.560
<v Speaker 1>departs on a raft of snakes, and then he emolates

0:20:45.640 --> 0:20:50.560
<v Speaker 1>himself and the ashes become rainbow colored birds that ascend

0:20:50.640 --> 0:20:53.719
<v Speaker 1>into the sky, and in doing so ketsok waddle Uh

0:20:53.960 --> 0:20:58.320
<v Speaker 1>passes away from the earth, but he promises to return, however,

0:20:58.800 --> 0:21:01.720
<v Speaker 1>to to reincarnate at some point in the future in

0:21:01.800 --> 0:21:04.399
<v Speaker 1>the year say a Coddle Uh. And this is the

0:21:04.560 --> 0:21:07.959
<v Speaker 1>the Aztec calendar. Okay, So the result of this though, Uh.

0:21:08.080 --> 0:21:09.960
<v Speaker 1>And then again we have the situation where the myth

0:21:10.040 --> 0:21:14.760
<v Speaker 1>and the history are are entangled. But to Pilsen, the

0:21:14.840 --> 0:21:20.119
<v Speaker 1>individual Uh is brought down and society ends up splittering, splintering,

0:21:20.560 --> 0:21:24.240
<v Speaker 1>and then the in doing so, the toll Tech dynasty crumbles. Uh.

0:21:24.440 --> 0:21:28.280
<v Speaker 1>But he remains a messianic figure, driven out in Diosgrace,

0:21:28.520 --> 0:21:32.000
<v Speaker 1>dying in exile, but prophesies to return. Well, that is

0:21:32.040 --> 0:21:34.040
<v Speaker 1>a great story. It makes me want to read this

0:21:34.160 --> 0:21:36.359
<v Speaker 1>book by h. This is this is all from the

0:21:36.480 --> 0:21:38.800
<v Speaker 1>Rudolpho and I a book. Yes, Like I said that,

0:21:38.920 --> 0:21:41.040
<v Speaker 1>the introductions fabricst in the book itself is wonderful too.

0:21:41.040 --> 0:21:43.760
<v Speaker 1>It's short, it's a short read, so I recommend it. Yeah,

0:21:44.000 --> 0:21:46.119
<v Speaker 1>I've got to check that out. But I guess we

0:21:46.200 --> 0:21:47.760
<v Speaker 1>need to take a quick break and then when we

0:21:47.880 --> 0:21:53.439
<v Speaker 1>come back we can explore more about this story. All right,

0:21:53.440 --> 0:21:56.439
<v Speaker 1>we're back, alright, so we started off by talking about

0:21:57.320 --> 0:22:00.359
<v Speaker 1>kind of kind of the crude version of the plumed

0:22:00.400 --> 0:22:03.800
<v Speaker 1>serpent idea as it as it appears in say, slimy

0:22:03.840 --> 0:22:06.600
<v Speaker 1>b movies from the early eighties. And then we got

0:22:06.680 --> 0:22:10.120
<v Speaker 1>into the idea of quetzel Coadal is actually this magnificent

0:22:10.280 --> 0:22:13.840
<v Speaker 1>god from Mesoamerican religion, and Robert you told the story

0:22:14.240 --> 0:22:18.239
<v Speaker 1>from from this excellent sounding book about quetzel coadls uh

0:22:18.720 --> 0:22:22.320
<v Speaker 1>coming down to embody this character in in the History

0:22:22.520 --> 0:22:25.439
<v Speaker 1>of the Empire, and how how all that played out

0:22:25.520 --> 0:22:28.119
<v Speaker 1>when the hero was betrayed and exiled, and the idea

0:22:28.160 --> 0:22:31.120
<v Speaker 1>that he might return. So let's pick up from there.

0:22:31.880 --> 0:22:34.000
<v Speaker 1>All right, well, let's let's jump right in. So one

0:22:34.040 --> 0:22:36.280
<v Speaker 1>of the issues here is that so far we've been

0:22:36.320 --> 0:22:39.600
<v Speaker 1>discussing quetzo Coaddle in a pre Columbian since and we

0:22:39.640 --> 0:22:43.520
<v Speaker 1>say pre Columbian America's were of course talking about before

0:22:43.720 --> 0:22:48.560
<v Speaker 1>the arrival of Columbus, before the arrival of of the

0:22:48.920 --> 0:22:53.760
<v Speaker 1>various western colonial powers, the colonial invaders that would subjugate

0:22:54.080 --> 0:22:58.159
<v Speaker 1>the both continents. And so when this we come to uh,

0:22:58.320 --> 0:23:00.680
<v Speaker 1>an idea we've discussed on the show before, and that

0:23:00.920 --> 0:23:04.359
<v Speaker 1>is UH, the idea of an outside context problem. Now,

0:23:04.440 --> 0:23:06.520
<v Speaker 1>this was a term coined by the late sci Fi

0:23:06.600 --> 0:23:09.640
<v Speaker 1>author E. N. M. Banks to describe a problem faced

0:23:09.680 --> 0:23:14.080
<v Speaker 1>by a civilization um that that has no ability to

0:23:14.200 --> 0:23:18.119
<v Speaker 1>prepare for or scarcely comprehend the problem they're faced with.

0:23:18.400 --> 0:23:21.399
<v Speaker 1>An o CPS is when they refer to it is

0:23:21.520 --> 0:23:25.840
<v Speaker 1>often fatal. In most societies or civilizations only ever encounter

0:23:26.040 --> 0:23:30.320
<v Speaker 1>one of them. The most common example is one civilization

0:23:30.400 --> 0:23:35.000
<v Speaker 1>suddenly encountering another civilization of far greater technological power, such

0:23:35.080 --> 0:23:38.680
<v Speaker 1>as humans encountering an alien species that can travel between

0:23:38.720 --> 0:23:41.639
<v Speaker 1>the stars. But a less extreme version of this, of course,

0:23:42.000 --> 0:23:46.520
<v Speaker 1>could simply be encountering a civilization has much more advanced

0:23:46.600 --> 0:23:51.919
<v Speaker 1>weapons of war. Exactly, for example, beings that are encased

0:23:51.960 --> 0:23:55.280
<v Speaker 1>in iron and traverse the entire oceans and great wooden

0:23:55.400 --> 0:23:58.440
<v Speaker 1>vessels and capture the power of wind to do so,

0:23:59.119 --> 0:24:02.080
<v Speaker 1>whose weapons pierced the air like thunder, and whose very

0:24:02.400 --> 0:24:08.280
<v Speaker 1>very bodies exude a creeping death that cannot be stopped. Uh.

0:24:08.359 --> 0:24:10.520
<v Speaker 1>And in this we have the conquistadors. We have the

0:24:10.640 --> 0:24:13.840
<v Speaker 1>armies of her non Cortes, the conquerors of the Spanish

0:24:13.920 --> 0:24:17.639
<v Speaker 1>Empire that arrived in Mesoamerica. And of course we know

0:24:17.800 --> 0:24:20.400
<v Speaker 1>that the European colonial invaders brought more than one kind

0:24:20.480 --> 0:24:23.840
<v Speaker 1>of warfare. It wasn't just the explicit technologies was like steel,

0:24:24.000 --> 0:24:26.880
<v Speaker 1>armor and swords and guns and stuff. It was also

0:24:26.960 --> 0:24:30.680
<v Speaker 1>biological warfare. So in the case of the Spanish arriving

0:24:31.160 --> 0:24:35.239
<v Speaker 1>in meso America, this is obviously a situation where there

0:24:35.359 --> 0:24:38.880
<v Speaker 1>was a lot of destruction, a lot of cultural descripted destruction.

0:24:38.960 --> 0:24:42.639
<v Speaker 1>This was a catastrophic event for the peoples of the Americas.

0:24:43.080 --> 0:24:48.760
<v Speaker 1>So we mentioned the year, say a Coddle earlier, the

0:24:49.080 --> 0:24:53.480
<v Speaker 1>the year that uh Quetzo ku Waddle was prophesied to return.

0:24:54.160 --> 0:24:58.040
<v Speaker 1>So that year, that year ends up rolling around once more,

0:24:58.440 --> 0:25:02.399
<v Speaker 1>and by Western measure, this the year fifteen nineteen. This

0:25:02.560 --> 0:25:05.879
<v Speaker 1>was the year as well that Cortez arrived. No, so

0:25:05.960 --> 0:25:09.040
<v Speaker 1>you can understand the confusion, right Uh you look and

0:25:09.080 --> 0:25:12.520
<v Speaker 1>you say, well, here, surely this is quetzoquad returned to

0:25:12.680 --> 0:25:15.840
<v Speaker 1>claim his throne, attended to by an unnatural army and

0:25:15.920 --> 0:25:19.960
<v Speaker 1>arriving on what was described as perhaps floating mountains or

0:25:20.000 --> 0:25:23.880
<v Speaker 1>even the four mythic temples of quetsok Waddle. Interesting, now,

0:25:24.040 --> 0:25:27.320
<v Speaker 1>I had heard before the idea that when I say

0:25:27.359 --> 0:25:31.320
<v Speaker 1>Cortez and his armies arrived, that that they were perceived

0:25:31.480 --> 0:25:34.760
<v Speaker 1>as gods. And I didn't know if that was actually

0:25:34.880 --> 0:25:38.520
<v Speaker 1>historically true or historically likely, or if maybe that was

0:25:38.680 --> 0:25:42.240
<v Speaker 1>like an untrue rumor or Spanish tale. Do you have

0:25:42.359 --> 0:25:45.360
<v Speaker 1>do you have a sense of whether that's actually historically accurate? Well,

0:25:45.480 --> 0:25:47.600
<v Speaker 1>it seems to be. There seems again we don't have

0:25:47.680 --> 0:25:49.520
<v Speaker 1>complete knowledge of everything I went down, but there do

0:25:49.560 --> 0:25:51.639
<v Speaker 1>seem to be a few different ways of interpreting this

0:25:52.080 --> 0:25:54.679
<v Speaker 1>from what I've seen so far. So you're dealing primarily

0:25:54.800 --> 0:25:58.679
<v Speaker 1>with UH, with the the ruler makte Zuma the second

0:25:59.119 --> 0:26:03.840
<v Speaker 1>sometimes referred to monte Zuma and UH. And so he's

0:26:04.359 --> 0:26:06.520
<v Speaker 1>he sees this, he sees what's happening, he sees the

0:26:06.960 --> 0:26:10.360
<v Speaker 1>Spanish that have arrived. And you could say that either

0:26:10.480 --> 0:26:12.439
<v Speaker 1>oh well, he and his people think there are gods,

0:26:12.560 --> 0:26:16.600
<v Speaker 1>or perhaps just the the the weirdness of this is

0:26:16.800 --> 0:26:19.720
<v Speaker 1>enough to make them hesitate. You don't know how to RESPONCD.

0:26:19.720 --> 0:26:21.320
<v Speaker 1>They didn't know how to respond. Yeah, I mean that's

0:26:21.320 --> 0:26:23.840
<v Speaker 1>the problem of an outside context. Problem is that you

0:26:23.960 --> 0:26:26.240
<v Speaker 1>have no context for it, and therefore you don't have

0:26:26.520 --> 0:26:30.440
<v Speaker 1>a response. Uh, and readily available at hand. Wisdom is

0:26:30.520 --> 0:26:35.440
<v Speaker 1>often prudence holding back and you know, not acting hastily, right, So,

0:26:36.080 --> 0:26:38.240
<v Speaker 1>and you also have other factors at work here. We

0:26:38.320 --> 0:26:41.360
<v Speaker 1>mentioned that the disease factor. You also have the fact

0:26:41.440 --> 0:26:45.200
<v Speaker 1>that the invaders are fairly quick to align themselves with

0:26:45.280 --> 0:26:48.439
<v Speaker 1>the enemies of the Aztecs, Like they doesn't take them

0:26:48.480 --> 0:26:50.600
<v Speaker 1>long to figure out like what are the power dynamics

0:26:50.640 --> 0:26:54.600
<v Speaker 1>and how they can exploit the situation. And however it

0:26:54.680 --> 0:26:56.720
<v Speaker 1>ends up exactly playing out. It's clear that, you know,

0:26:56.760 --> 0:27:00.920
<v Speaker 1>the Aztec empires is toppled within two years years uh

0:27:01.320 --> 0:27:05.160
<v Speaker 1>makta Zuma the second becomes a mere prisoner. But there

0:27:05.280 --> 0:27:09.240
<v Speaker 1>wasn't There's another interpretation of events here that I thought

0:27:09.320 --> 0:27:12.760
<v Speaker 1>was fascinating, and that is that Montezuma the Second uh

0:27:13.160 --> 0:27:15.680
<v Speaker 1>was apparently you know, he's worried by the portents of

0:27:15.760 --> 0:27:18.920
<v Speaker 1>doom and in the typical mode of rulers, somewhat paranoid

0:27:18.960 --> 0:27:22.000
<v Speaker 1>about plots against him. And then he meets Cortez and

0:27:22.040 --> 0:27:25.280
<v Speaker 1>his Spanish retinue, who were you know, also in awe

0:27:25.280 --> 0:27:28.240
<v Speaker 1>of this great city. Uh, and they're also that that

0:27:28.280 --> 0:27:31.160
<v Speaker 1>would be to nok Titlain. Yes, and there and again

0:27:31.200 --> 0:27:34.720
<v Speaker 1>they've aligned themselves with with enemies of the Aztec Empire

0:27:34.960 --> 0:27:37.960
<v Speaker 1>and so he ends up presenting Cortes with quote the

0:27:38.040 --> 0:27:42.840
<v Speaker 1>treasure of Quatzokuadle. Okay, so, markte Zuma presents Cortes with

0:27:43.040 --> 0:27:48.679
<v Speaker 1>like a a religiously significant piece of raimond a costume,

0:27:50.320 --> 0:27:55.400
<v Speaker 1>And as explored briefly in Robert Draper's National Geographic Magazine

0:27:55.480 --> 0:28:00.320
<v Speaker 1>article Unbearing the aztec Uh, it's possible too that monte

0:28:00.400 --> 0:28:03.920
<v Speaker 1>Zoom of the second was quote cunningly outfitting Cortez in

0:28:04.000 --> 0:28:10.080
<v Speaker 1>the godly garment of the soon to be sacrificed. So again,

0:28:10.119 --> 0:28:11.920
<v Speaker 1>he doesn't really get into this a lot in this article,

0:28:11.960 --> 0:28:14.760
<v Speaker 1>but think back again to the The Rise and Fall

0:28:14.840 --> 0:28:19.120
<v Speaker 1>of Ketso Kwaddle. Ketzoku Waddle is a king prophesies to return,

0:28:19.760 --> 0:28:22.159
<v Speaker 1>but also a king whose very story is one of

0:28:22.280 --> 0:28:27.359
<v Speaker 1>sacrifice and death. So perhaps the idea is that montag

0:28:27.440 --> 0:28:30.159
<v Speaker 1>Zuma was maybe not so much a fly trapped in

0:28:30.200 --> 0:28:33.119
<v Speaker 1>the web of symbols and myth, but a spider trying

0:28:33.240 --> 0:28:36.879
<v Speaker 1>one last clever trick to ensnare his enemy within the

0:28:36.960 --> 0:28:40.080
<v Speaker 1>trappings of symbol and myth, to turn the people against

0:28:40.240 --> 0:28:44.720
<v Speaker 1>him by essentially laying a trap of religious belief. Interesting.

0:28:45.760 --> 0:28:48.200
<v Speaker 1>I wasn't able to find much else on this this

0:28:48.520 --> 0:28:51.000
<v Speaker 1>read this theory, but I find that fascinating. It reminds

0:28:51.040 --> 0:28:54.960
<v Speaker 1>me of our our episode on ritual regicide, the idea

0:28:55.080 --> 0:28:59.320
<v Speaker 1>that that even rulers can be trapped within this, uh,

0:28:59.440 --> 0:29:02.920
<v Speaker 1>this myth cycle of death and rebirth. Yeah, I haven't

0:29:02.960 --> 0:29:04.920
<v Speaker 1>thought about that episode much recently, but that was a

0:29:04.960 --> 0:29:07.600
<v Speaker 1>really interesting one. You know, we talked about all the

0:29:07.920 --> 0:29:11.280
<v Speaker 1>traditions of the sacrifice of the king. You often think

0:29:11.360 --> 0:29:15.000
<v Speaker 1>of the king sacrificing like you know, other people captured

0:29:15.080 --> 0:29:18.680
<v Speaker 1>enemies or whatever, but sometimes occupying a position of glory

0:29:18.800 --> 0:29:20.800
<v Speaker 1>also puts a target on you, even a even a

0:29:20.880 --> 0:29:24.160
<v Speaker 1>sacred or religious target. Yeah, so that's that's an interesting read.

0:29:24.200 --> 0:29:27.240
<v Speaker 1>In this scenario, obviously that plan, if that was the plan,

0:29:27.880 --> 0:29:32.040
<v Speaker 1>did not work. So what happens after an outside context problem?

0:29:32.080 --> 0:29:34.760
<v Speaker 1>Will you end up with a struggle for cultural survival? Um?

0:29:34.920 --> 0:29:36.200
<v Speaker 1>I mean that's kind of in a way the best

0:29:36.240 --> 0:29:39.600
<v Speaker 1>case scenario, assuming you're not just completely destroyed decimated by

0:29:39.760 --> 0:29:42.400
<v Speaker 1>the encounter and uh. One of the methods by which

0:29:42.480 --> 0:29:45.160
<v Speaker 1>the old ways may be preserved is within the new.

0:29:45.600 --> 0:29:48.520
<v Speaker 1>And we see this tradition of merging the idea of

0:29:48.640 --> 0:29:52.680
<v Speaker 1>Ketzokadal with the apostle St. Thomas from Christian trade editions,

0:29:52.720 --> 0:29:55.600
<v Speaker 1>who is said to have traveled far preaching the Gospel.

0:29:56.200 --> 0:29:58.360
<v Speaker 1>And you see this and this is you know, after

0:29:58.480 --> 0:30:01.320
<v Speaker 1>the fact, this is certainly more and say the uh,

0:30:01.440 --> 0:30:05.240
<v Speaker 1>the seventeenth century, but you see this merging of iconography

0:30:05.280 --> 0:30:11.720
<v Speaker 1>and identity where you have the plumid serpent God essentially

0:30:12.320 --> 0:30:17.640
<v Speaker 1>crossed over with this Christian apostle. And by the seventeenth century,

0:30:17.720 --> 0:30:20.200
<v Speaker 1>writers and priests began to make more of these comparisons,

0:30:20.560 --> 0:30:22.240
<v Speaker 1>and the trend ended up dying back down in the

0:30:22.360 --> 0:30:26.000
<v Speaker 1>nineteenth century. But but it's but it's it's fascinating to

0:30:26.040 --> 0:30:29.160
<v Speaker 1>look at how these two figures became once more, ketzo

0:30:29.240 --> 0:30:33.560
<v Speaker 1>Quaddle became associated merge with a historic individual. You know,

0:30:33.680 --> 0:30:37.080
<v Speaker 1>I'm tempted to think that, I know, the members of

0:30:37.160 --> 0:30:39.960
<v Speaker 1>the Church Jesus Christ of Latter day Saints believe that

0:30:40.240 --> 0:30:44.520
<v Speaker 1>Jesus himself came and preached in the America's right. Yeah, exactly.

0:30:44.600 --> 0:30:47.160
<v Speaker 1>And so you you do see this trend within the

0:30:47.240 --> 0:30:49.400
<v Speaker 1>Church of Jesus Christ of Latter day Saints of some

0:30:49.600 --> 0:30:57.280
<v Speaker 1>individuals reinterpreting Ketzokuaddle as Jesus Christ. This, oddly enough, though,

0:30:57.320 --> 0:30:59.640
<v Speaker 1>I have to point out, has no connection to the

0:30:59.720 --> 0:31:03.680
<v Speaker 1>so called Jesus lizard of southern Mexico and Central America.

0:31:04.200 --> 0:31:06.880
<v Speaker 1>Creatures that also bear the name of our previous topic,

0:31:07.240 --> 0:31:09.920
<v Speaker 1>the basilists, right, the basilist lizards that can run on

0:31:10.000 --> 0:31:12.280
<v Speaker 1>top of the water. Apparently I have nothing to do

0:31:12.480 --> 0:31:17.560
<v Speaker 1>with quetzel kattle. Yeah, they're they're real lizards as opposed

0:31:17.600 --> 0:31:23.200
<v Speaker 1>to mythological snake guy. Now, speaking of reptiles, lizards, snakes,

0:31:23.280 --> 0:31:25.160
<v Speaker 1>all all that kind of stuff. One of the other

0:31:25.440 --> 0:31:28.320
<v Speaker 1>avenues we wanted to explore, the idea of the plumed

0:31:28.360 --> 0:31:33.960
<v Speaker 1>serpent in is stepping out of the specific religious context

0:31:34.080 --> 0:31:36.760
<v Speaker 1>of keutzel Coatl himself, also getting away from the weird

0:31:36.880 --> 0:31:41.560
<v Speaker 1>Larry co and monster version and looking at biology. So, Robert,

0:31:41.640 --> 0:31:43.400
<v Speaker 1>do you want to go to a mental place with

0:31:43.440 --> 0:31:46.680
<v Speaker 1>me to close your eyes and imagine. Imagine you're wandering

0:31:46.840 --> 0:31:49.920
<v Speaker 1>through the jungle in Malaysia. In one nearby tree, you

0:31:50.040 --> 0:31:53.240
<v Speaker 1>notice a snake with a speckled body of black, green

0:31:53.360 --> 0:31:56.480
<v Speaker 1>and gold climbing vertically up the trunk of the tree.

0:31:57.120 --> 0:32:00.080
<v Speaker 1>And it uses it's the scales on its underbelly to

0:32:00.120 --> 0:32:02.480
<v Speaker 1>sort of grip the bark and slowly make its way

0:32:02.560 --> 0:32:05.440
<v Speaker 1>up the tree, and eventually it forks off of the

0:32:05.520 --> 0:32:08.760
<v Speaker 1>main trunk to explore a branch, and you wonder, what's

0:32:08.760 --> 0:32:10.760
<v Speaker 1>it doing up there? Is it looking for something? Maybe

0:32:10.760 --> 0:32:12.840
<v Speaker 1>it's looking for a bird's nest to raid or a

0:32:12.880 --> 0:32:16.000
<v Speaker 1>sleeping bat to eat. And it doesn't find anything on

0:32:16.040 --> 0:32:19.040
<v Speaker 1>the branch, but it keeps following the branch farther and

0:32:19.160 --> 0:32:22.840
<v Speaker 1>farther out, and you're like, where's it going. There's not

0:32:23.000 --> 0:32:25.520
<v Speaker 1>that much branch there, right, And then it goes all

0:32:25.560 --> 0:32:27.360
<v Speaker 1>the way to the tip of the branch and there's

0:32:27.440 --> 0:32:30.000
<v Speaker 1>just nothing nowhere left for it to go. Why is

0:32:30.040 --> 0:32:32.600
<v Speaker 1>it doing that? And you might be wondering this when

0:32:32.640 --> 0:32:35.760
<v Speaker 1>suddenly the snake coils its head off the branch and

0:32:35.920 --> 0:32:39.520
<v Speaker 1>kind of a hanging j shape, and then it dives

0:32:39.600 --> 0:32:43.480
<v Speaker 1>straight off the branch, straight in your direction. So obviously

0:32:43.600 --> 0:32:45.640
<v Speaker 1>you might flinch and take cover right because the snake

0:32:45.760 --> 0:32:48.640
<v Speaker 1>just doves straight at you. But then you realize it's

0:32:48.720 --> 0:32:51.920
<v Speaker 1>not stick. Its path is not following a straight line.

0:32:51.960 --> 0:32:54.800
<v Speaker 1>It's actually not diving straight at you at all, because

0:32:54.840 --> 0:32:58.200
<v Speaker 1>immediately after the snake leaves the branch, it stops plunging

0:32:58.280 --> 0:33:01.360
<v Speaker 1>down at a sharp angle and begins to gliding smoothly

0:33:01.480 --> 0:33:04.280
<v Speaker 1>through the air and a kind of horizontal pattern as

0:33:04.360 --> 0:33:07.480
<v Speaker 1>its body undulates in an S shape, and then finally

0:33:07.520 --> 0:33:10.360
<v Speaker 1>it lands in another tree branch high above your head,

0:33:10.520 --> 0:33:14.000
<v Speaker 1>in a different tree. You have just watched a snake fly.

0:33:14.800 --> 0:33:17.840
<v Speaker 1>And these snakes are real. This would I can I

0:33:17.920 --> 0:33:20.840
<v Speaker 1>can see, this would be a very alarming thing. Because again,

0:33:20.880 --> 0:33:22.800
<v Speaker 1>if we have an innate fear of snakes and in

0:33:22.920 --> 0:33:24.959
<v Speaker 1>all late well, and even if not a fear, at

0:33:25.000 --> 0:33:28.480
<v Speaker 1>least a hyper awareness to them, like realizing that snakes

0:33:28.640 --> 0:33:32.680
<v Speaker 1>can pose a risk to our mortality. And then here's

0:33:32.720 --> 0:33:35.160
<v Speaker 1>one flying through the air like they they should not

0:33:35.240 --> 0:33:37.200
<v Speaker 1>be able to do. They should be creatures of the ground,

0:33:37.520 --> 0:33:40.080
<v Speaker 1>and this one is seemingly a creature of the air. Yeah,

0:33:40.120 --> 0:33:41.960
<v Speaker 1>I mean, it's it's the thing that should not be

0:33:42.360 --> 0:33:45.440
<v Speaker 1>You could not blame someone for reacting with horror and all.

0:33:46.040 --> 0:33:48.120
<v Speaker 1>But one thing I should be clear about immediately is

0:33:48.160 --> 0:33:50.800
<v Speaker 1>that these types of snakes, I believe they are venomous,

0:33:50.880 --> 0:33:54.040
<v Speaker 1>but not especially venomous, so they're not really dangerous to humans.

0:33:54.240 --> 0:33:56.720
<v Speaker 1>I mean, generally we don't want to promote snake fear

0:33:56.800 --> 0:33:59.480
<v Speaker 1>of any kind, but these especially, they're they're not really

0:33:59.560 --> 0:34:03.040
<v Speaker 1>dangerous humans. So there are five species of snake in

0:34:03.120 --> 0:34:08.200
<v Speaker 1>the genus Chrysopelia, native to South and Southeast Asia, including

0:34:08.239 --> 0:34:14.200
<v Speaker 1>countries like Malaysia, Indonesia, India, South China, Vietnam, Cambodia, loose

0:34:14.280 --> 0:34:18.360
<v Speaker 1>in other places, generally southern and Southeast Asia. They generally

0:34:18.400 --> 0:34:20.399
<v Speaker 1>grow up to about one point two meters or about

0:34:20.440 --> 0:34:24.960
<v Speaker 1>four feet long. And Chrysopelia are the flying snakes, or

0:34:25.120 --> 0:34:28.480
<v Speaker 1>perhaps more appropriately the gliding snakes. Because you've got to

0:34:28.520 --> 0:34:30.680
<v Speaker 1>make that important distinction, I would say usually the way

0:34:30.719 --> 0:34:35.120
<v Speaker 1>we use the word flying means to travel horizontally through

0:34:35.160 --> 0:34:37.759
<v Speaker 1>the air on your own power. You know, it's self

0:34:37.880 --> 0:34:42.239
<v Speaker 1>powered flight in a way that can theoretically continue gaining altitude,

0:34:42.719 --> 0:34:46.640
<v Speaker 1>whereas gliding is using existing momentum. The momentum you've already

0:34:46.680 --> 0:34:50.319
<v Speaker 1>got to travel horizontally through the air without losing altitude

0:34:50.360 --> 0:34:55.560
<v Speaker 1>too fast. Airplanes fly, hang, gliders glide, and these snakes glide.

0:34:55.920 --> 0:34:58.880
<v Speaker 1>So on average, these snakes can cover a horizontal distance

0:34:58.920 --> 0:35:01.719
<v Speaker 1>of about ten or about thirty three ft from a

0:35:01.800 --> 0:35:04.560
<v Speaker 1>branch at a starting height of about nine meters or

0:35:04.560 --> 0:35:07.759
<v Speaker 1>about twenty nine point five feet. Some reports have them

0:35:07.760 --> 0:35:11.520
<v Speaker 1>flying much farther. I read a National Geographic article that

0:35:11.719 --> 0:35:14.080
<v Speaker 1>claimed they've been known to glide up to a hundred

0:35:14.200 --> 0:35:17.399
<v Speaker 1>meters horizontally, but I couldn't determine the source of that claim.

0:35:17.440 --> 0:35:20.239
<v Speaker 1>It seems kind of nuts, but maybe you know, we

0:35:20.280 --> 0:35:23.160
<v Speaker 1>can take it. So in order to fly like that,

0:35:23.360 --> 0:35:26.439
<v Speaker 1>obviously the snakes they can't flap their wings. They don't

0:35:26.520 --> 0:35:28.960
<v Speaker 1>have wings. So what do they do? How do you

0:35:29.280 --> 0:35:32.880
<v Speaker 1>generate the lift to glide like that? And the answer is,

0:35:32.960 --> 0:35:36.000
<v Speaker 1>instead of flapping their wings, they turn their whole body

0:35:36.080 --> 0:35:39.600
<v Speaker 1>into a wing. So wings work, and this would be

0:35:39.640 --> 0:35:42.320
<v Speaker 1>the simple version, by guiding air flow in such a

0:35:42.360 --> 0:35:44.800
<v Speaker 1>way as to generate lift. And generally they do this

0:35:44.960 --> 0:35:49.319
<v Speaker 1>by trying to form a relatively flat, horizontal surface under

0:35:49.360 --> 0:35:52.279
<v Speaker 1>which air can flow and push the flying object up

0:35:52.320 --> 0:35:55.239
<v Speaker 1>against gravity. So if you're a snake and you want

0:35:55.280 --> 0:35:57.800
<v Speaker 1>to turn your snake body into a wing or a

0:35:57.880 --> 0:36:00.600
<v Speaker 1>pseudo wing, one thing you'd probably want to do is

0:36:00.719 --> 0:36:04.480
<v Speaker 1>make yourself as flat and as wide as possible, and

0:36:04.560 --> 0:36:07.320
<v Speaker 1>that's exactly what they do. So in recent years, a

0:36:07.360 --> 0:36:10.759
<v Speaker 1>few studies, often associated with a Virginia tech biologist named

0:36:10.840 --> 0:36:15.480
<v Speaker 1>Jake Soca, have captured and analyzed high speed video of

0:36:15.640 --> 0:36:19.240
<v Speaker 1>the flying snakes, and also made digital and physical models

0:36:19.280 --> 0:36:22.520
<v Speaker 1>based on these analyzes to understand how they glide from

0:36:22.560 --> 0:36:25.040
<v Speaker 1>tree to tree, and what they found is that these

0:36:25.080 --> 0:36:28.920
<v Speaker 1>snakes can literally splay their own ribs out to the

0:36:29.080 --> 0:36:33.800
<v Speaker 1>sides and flatten their body into a semiconcave cross section.

0:36:34.239 --> 0:36:36.880
<v Speaker 1>So imagine a snake. You know, you normally imagine the

0:36:36.920 --> 0:36:39.040
<v Speaker 1>skeleton of a snake has got a backbone and then

0:36:39.160 --> 0:36:43.040
<v Speaker 1>kind of a circle of ribs forming almost a cylinder, right,

0:36:43.800 --> 0:36:47.840
<v Speaker 1>So imagine that C shape of the ribs. Instead spreading

0:36:47.920 --> 0:36:50.800
<v Speaker 1>out like a bird opening its wings, the ribs spread

0:36:50.840 --> 0:36:53.520
<v Speaker 1>out kind of flat, and in doing this, the snake

0:36:53.600 --> 0:36:57.959
<v Speaker 1>can basically double its width. But then it also undulates

0:36:58.040 --> 0:37:01.160
<v Speaker 1>in an S shape as it glides with waves traveling

0:37:01.239 --> 0:37:03.359
<v Speaker 1>down the length of the body, and this also helps

0:37:03.440 --> 0:37:06.520
<v Speaker 1>keep it aloft. So the whole process begins with a

0:37:06.719 --> 0:37:10.080
<v Speaker 1>ballistic dive where the snake reaches off of the off

0:37:10.120 --> 0:37:13.360
<v Speaker 1>of the branch, spreads its ribs and goes flat, gathers

0:37:13.400 --> 0:37:15.880
<v Speaker 1>its body into an S shape, and then it begins

0:37:15.960 --> 0:37:20.640
<v Speaker 1>to wriggle the S shape in large amplitude undulations. And

0:37:20.719 --> 0:37:23.560
<v Speaker 1>this process allows the snake, instead of falling straight toward

0:37:23.600 --> 0:37:27.160
<v Speaker 1>the ground, to glide an angle of about fifteen degrees

0:37:27.239 --> 0:37:30.520
<v Speaker 1>to about thirty five degrees until it floats down at

0:37:30.600 --> 0:37:34.160
<v Speaker 1>its target destination. Speaking to the BBC for an article,

0:37:34.239 --> 0:37:37.120
<v Speaker 1>Soka characterized it as sort of like the animal is

0:37:37.239 --> 0:37:41.800
<v Speaker 1>swimming in air. I could see where that just seeing

0:37:41.880 --> 0:37:45.000
<v Speaker 1>something like that would open the door from mystical interpretations. Yeah,

0:37:45.080 --> 0:37:47.680
<v Speaker 1>you've gotta wonder if somebody saw that in ancient times,

0:37:47.760 --> 0:37:49.520
<v Speaker 1>how would they not come up with some kind of

0:37:49.640 --> 0:37:52.480
<v Speaker 1>dragon based on it or something. Now, of course, this

0:37:52.640 --> 0:37:54.959
<v Speaker 1>is not This is not something that you would find

0:37:55.040 --> 0:37:58.279
<v Speaker 1>in Mesoamerica. So we're not saying that this snake inspired

0:37:58.400 --> 0:38:02.520
<v Speaker 1>the Cutzel Coadal story or anything like that. But you

0:38:02.600 --> 0:38:06.600
<v Speaker 1>can see how similar ideas of flying serpents plumed serpents

0:38:06.719 --> 0:38:09.439
<v Speaker 1>might be inspired by something like this. Now, of course,

0:38:09.520 --> 0:38:12.880
<v Speaker 1>every article about this research also mentions, Robert, can you

0:38:12.920 --> 0:38:15.360
<v Speaker 1>guess what it also mentions in the very last paragraph

0:38:15.440 --> 0:38:18.440
<v Speaker 1>of every one of these articles, snakes on a plane? No,

0:38:19.880 --> 0:38:22.880
<v Speaker 1>what will we use this knowledge of analyzing snake flight

0:38:22.960 --> 0:38:25.840
<v Speaker 1>to do? Oh? Yes, well, that's that's the closing of

0:38:25.880 --> 0:38:29.040
<v Speaker 1>any good science article, right, What are the practical applications?

0:38:29.200 --> 0:38:33.319
<v Speaker 1>Build robots? Always says, build robots. There's so many of these.

0:38:33.719 --> 0:38:37.920
<v Speaker 1>I wish we could just get more science articles that say,

0:38:37.960 --> 0:38:40.920
<v Speaker 1>you know what, it's just great to study snakes, and

0:38:41.040 --> 0:38:43.400
<v Speaker 1>they don't have to justify it at the end by

0:38:43.480 --> 0:38:46.000
<v Speaker 1>saying we will use this knowledge one day to build

0:38:46.080 --> 0:38:49.920
<v Speaker 1>weapons snakes that fly into enemy territory in ways you

0:38:50.000 --> 0:38:53.840
<v Speaker 1>can't possibly imagine. Well, But at the same time, I

0:38:53.880 --> 0:38:55.719
<v Speaker 1>do understand that, you know you you want to end

0:38:55.760 --> 0:38:59.040
<v Speaker 1>on a really strong aw note with the science article

0:38:59.080 --> 0:39:02.320
<v Speaker 1>and and and off times. That's the future applications, that's

0:39:02.320 --> 0:39:05.440
<v Speaker 1>where you find that gold. But these snakes themselves inspire all.

0:39:05.560 --> 0:39:08.120
<v Speaker 1>Look this up. Watch the video as imagine this is

0:39:08.200 --> 0:39:11.400
<v Speaker 1>a snake flying. I mean it's not it's not gaining out,

0:39:11.520 --> 0:39:14.600
<v Speaker 1>but it's gliding tree to tree. It's it's amazing to see.

0:39:15.120 --> 0:39:18.279
<v Speaker 1>This is what's all inspiring. Not to knock people who

0:39:18.320 --> 0:39:21.800
<v Speaker 1>make robots. Making robots is great. I didn't mean to

0:39:22.040 --> 0:39:24.920
<v Speaker 1>come off overly strong there. I'm all, I'm all for robots,

0:39:25.040 --> 0:39:27.600
<v Speaker 1>but come on, you don't have to justify it by

0:39:27.680 --> 0:39:30.800
<v Speaker 1>making robots. You could just study snakes and that'd be great.

0:39:31.160 --> 0:39:34.279
<v Speaker 1>I can get behind that. One more thing, of course,

0:39:34.320 --> 0:39:37.520
<v Speaker 1>to mention is that there are of course also flying lizards. Again,

0:39:37.640 --> 0:39:39.440
<v Speaker 1>if you want to go in the sort of flying

0:39:39.520 --> 0:39:42.840
<v Speaker 1>reptile direction. Again, this would be gliding, not flying. But

0:39:42.960 --> 0:39:46.239
<v Speaker 1>the draco lizards of the Draco genus are also found

0:39:46.280 --> 0:39:49.000
<v Speaker 1>in Southeast Asia, and they've got rib flaps that fold

0:39:49.080 --> 0:39:50.960
<v Speaker 1>up against the body when not in use, but they

0:39:50.960 --> 0:39:53.520
<v Speaker 1>can be spread out to form a wing and allow

0:39:53.640 --> 0:39:57.040
<v Speaker 1>the lizard to glide between trees. Now, the thing I

0:39:57.160 --> 0:39:59.600
<v Speaker 1>was wondering is why would snakes and lizards need to

0:39:59.640 --> 0:40:04.399
<v Speaker 1>glie between trees? What's useful about that? And so there

0:40:04.440 --> 0:40:06.640
<v Speaker 1>I think there are a couple of hypotheses. One is

0:40:06.680 --> 0:40:08.719
<v Speaker 1>that once you're already up in a tree and you

0:40:08.760 --> 0:40:10.600
<v Speaker 1>want to get in another tree, it might take less

0:40:10.760 --> 0:40:13.279
<v Speaker 1>energy to glide to another tree than to climb down

0:40:13.320 --> 0:40:15.440
<v Speaker 1>and climb back up. That makes sense. But then the

0:40:15.520 --> 0:40:18.240
<v Speaker 1>other thing, that maybe the bigger thing, is that crossing

0:40:18.320 --> 0:40:21.800
<v Speaker 1>the forest floor exposes you to large predators. The forest

0:40:21.880 --> 0:40:24.680
<v Speaker 1>floor is the danger zone. Once you're up in a tree,

0:40:24.760 --> 0:40:27.640
<v Speaker 1>you're safer. So once you are in the safety of

0:40:27.680 --> 0:40:29.640
<v Speaker 1>a tree, it would be much better if you could

0:40:29.719 --> 0:40:32.360
<v Speaker 1>glide from tree to tree instead of having to go

0:40:32.480 --> 0:40:34.960
<v Speaker 1>back down across the forest floor and maybe get picked

0:40:35.040 --> 0:40:36.840
<v Speaker 1>up by a leopard along the way. Now, this might

0:40:36.920 --> 0:40:38.520
<v Speaker 1>not be a factor, but it also seems like if

0:40:38.760 --> 0:40:42.560
<v Speaker 1>something were perhaps following you or stalking you. Um, you know,

0:40:42.680 --> 0:40:44.319
<v Speaker 1>this is a great way to escape them. From one

0:40:44.360 --> 0:40:46.319
<v Speaker 1>tree to the other. You can glide and it can't

0:40:46.800 --> 0:40:48.640
<v Speaker 1>if there's a monkey in the tree that wants to

0:40:48.719 --> 0:40:51.279
<v Speaker 1>eat you. You know, you can glide farther than that

0:40:51.400 --> 0:40:54.080
<v Speaker 1>monkey can jump potentially. Yeah, though some of those monkeys

0:40:54.120 --> 0:40:57.000
<v Speaker 1>can jump. Right, all right, we need to take a

0:40:57.080 --> 0:40:59.240
<v Speaker 1>quick break. When when we come back, we will discuss

0:40:59.600 --> 0:41:02.480
<v Speaker 1>the key of the beastly flyers of the ancient past,

0:41:02.920 --> 0:41:10.000
<v Speaker 1>the pterosaurs. Than all right, we're back, Robert, take me

0:41:10.239 --> 0:41:13.759
<v Speaker 1>to the pterosaurs. All right, Well, we're talking about one

0:41:13.880 --> 0:41:16.120
<v Speaker 1>particular terras, so we're all familiar with pterosaurs. I think

0:41:16.120 --> 0:41:19.400
<v Speaker 1>at this point these are the the flying creatures of

0:41:19.719 --> 0:41:24.080
<v Speaker 1>the prehistoric world, the flying lizards of the prehistoric world,

0:41:24.320 --> 0:41:27.839
<v Speaker 1>not dinosaurs, right, not dinosaurs. You call him dinosaur, your

0:41:27.880 --> 0:41:30.440
<v Speaker 1>six year old will correct you. Um, I have I

0:41:30.520 --> 0:41:33.160
<v Speaker 1>have had this happened before, because sometimes that you do

0:41:33.320 --> 0:41:36.640
<v Speaker 1>just sort of like a like a like non scientifically,

0:41:36.719 --> 0:41:39.759
<v Speaker 1>you just refer to everything from the dinosaur age as

0:41:39.800 --> 0:41:44.040
<v Speaker 1>a dinosaur, and uh, yeah, it's inaccurate to call everything

0:41:44.480 --> 0:41:48.279
<v Speaker 1>a dinosaur. So the the king or one of the

0:41:48.400 --> 0:41:53.320
<v Speaker 1>kings of the of the pterosaurs was undisputably a creature

0:41:53.400 --> 0:41:57.680
<v Speaker 1>that is that now bears the name Ketsokadalus, and you'll

0:41:57.719 --> 0:42:01.120
<v Speaker 1>never guess what he's named. He's an himed after Ketsoquaddle,

0:42:01.200 --> 0:42:04.760
<v Speaker 1>the the the meso American snake god. Robert. You actually

0:42:04.840 --> 0:42:08.800
<v Speaker 1>did a reading from a children's book on the podcast

0:42:08.880 --> 0:42:11.480
<v Speaker 1>one time that had a great little, you know, sub

0:42:11.640 --> 0:42:15.200
<v Speaker 1>story about Ketzel Coatless and it ended with this this,

0:42:15.800 --> 0:42:19.800
<v Speaker 1>I am Ketzel Coatlas. Yes, I forget the author's name offhand,

0:42:19.840 --> 0:42:21.320
<v Speaker 1>but if you do a search for I am Ketzo

0:42:21.400 --> 0:42:26.879
<v Speaker 1>Coatless or I am I think there's one on Diplodocus

0:42:26.920 --> 0:42:29.960
<v Speaker 1>as well, but they're all, like really, they're all really

0:42:30.000 --> 0:42:33.399
<v Speaker 1>good children's books about dinosaurs that do not candy coat

0:42:34.120 --> 0:42:36.520
<v Speaker 1>the life and death nature of of a of a

0:42:36.680 --> 0:42:41.360
<v Speaker 1>prehistar creature's life. So we're talking about as far as

0:42:41.440 --> 0:42:45.640
<v Speaker 1>Ketzkatless goes. We're talking about the Cretaceous period, and we're

0:42:45.640 --> 0:42:49.440
<v Speaker 1>talking about the region that is now known as North America.

0:42:50.320 --> 0:42:54.280
<v Speaker 1>First fossils were discovered in Texas in the early nineteen seventies,

0:42:54.840 --> 0:42:59.520
<v Speaker 1>and this this creature was apparently just a flying monster.

0:43:00.200 --> 0:43:04.960
<v Speaker 1>This thing was incredibly huge. Uh. The estimated wingspan, and

0:43:05.040 --> 0:43:06.960
<v Speaker 1>this is something that's changed over the years, that was

0:43:07.040 --> 0:43:09.440
<v Speaker 1>higher than they kind of kind of scaled back, but

0:43:10.600 --> 0:43:14.160
<v Speaker 1>current data seems to put it estimated at around thirty

0:43:14.239 --> 0:43:16.800
<v Speaker 1>three to thirty six ft or ten to eleven meters.

0:43:17.640 --> 0:43:22.360
<v Speaker 1>That's roughly the wingspan of a mid sized airplane. For instance, Uh,

0:43:22.560 --> 0:43:25.760
<v Speaker 1>the World War two US fighter P fifty one Mustang

0:43:26.080 --> 0:43:28.400
<v Speaker 1>that had a wingspan of thirty seven ft or eleven

0:43:28.440 --> 0:43:31.680
<v Speaker 1>point twenty eight ms. The swept wing span of an

0:43:31.719 --> 0:43:34.719
<v Speaker 1>F FOURT Team Tomcat. That's the uh, the fighter plane

0:43:34.760 --> 0:43:37.759
<v Speaker 1>from top gun for anybody who can make that connection, Uh,

0:43:38.080 --> 0:43:40.840
<v Speaker 1>that has a swept wingspan of thirty eight feet or

0:43:40.880 --> 0:43:44.520
<v Speaker 1>eleven point fifty five What has swept me? So the

0:43:44.719 --> 0:43:47.880
<v Speaker 1>the F fourteen can fly with its wings in a

0:43:47.960 --> 0:43:51.440
<v Speaker 1>swept position or in an extended position. I see when

0:43:51.719 --> 0:43:54.799
<v Speaker 1>when it becomes sort of streamlined. Yeah, okay, Yeah. There

0:43:54.880 --> 0:43:57.520
<v Speaker 1>was a great g I Joe toy airplane that was

0:43:57.640 --> 0:44:00.800
<v Speaker 1>essentially an F fourteen, uh, and it had wings that

0:44:00.920 --> 0:44:03.920
<v Speaker 1>moved like that. That's my main connection with it. So

0:44:04.160 --> 0:44:07.040
<v Speaker 1>compared to other things that fly and have wings. This

0:44:07.239 --> 0:44:11.400
<v Speaker 1>thing was an absolute beast, absolutely. I mean, even if

0:44:11.440 --> 0:44:14.640
<v Speaker 1>it's on the ground, this was a huge creature. So

0:44:14.760 --> 0:44:18.000
<v Speaker 1>in a bipedal stance, it would have stood roughly three

0:44:18.120 --> 0:44:21.200
<v Speaker 1>meters or nine point eight feet tall, and it may

0:44:21.239 --> 0:44:25.680
<v Speaker 1>have scrambled around and like this kind of quadripue quadropedal stance. However,

0:44:25.800 --> 0:44:27.799
<v Speaker 1>much like a bat. Have you ever seen it? Um?

0:44:28.480 --> 0:44:30.680
<v Speaker 1>Bats crawled, bats crawl or some of the I think

0:44:30.680 --> 0:44:34.640
<v Speaker 1>there's creepy. Look, it's creepy. Yeah, there's one particular I

0:44:34.719 --> 0:44:37.080
<v Speaker 1>believe there's even one particular species of bad it's primary

0:44:37.120 --> 0:44:40.719
<v Speaker 1>primarily ground based. Uh, and it is. It's kind of

0:44:40.719 --> 0:44:43.000
<v Speaker 1>creepy to look at. So this thing might have scrambled

0:44:43.000 --> 0:44:46.520
<v Speaker 1>around like that, But by many estimates, including Ruta and

0:44:46.640 --> 0:44:50.720
<v Speaker 1>bent On in Evolution of morpheological Disparity in Terra Sours

0:44:50.760 --> 0:44:54.440
<v Speaker 1>from two thousand eleven, this mighty flying beast would have

0:44:54.520 --> 0:44:58.040
<v Speaker 1>probably stood roughly as tall as a modern day giraffe,

0:44:58.440 --> 0:45:00.880
<v Speaker 1>but with just a far larger head. Yeah, kind of

0:45:00.920 --> 0:45:04.200
<v Speaker 1>like giraffe with with like a screwed up lizard like

0:45:04.360 --> 0:45:09.160
<v Speaker 1>pelican head. Yeah, like this great squatting winged beast. Just

0:45:09.280 --> 0:45:12.160
<v Speaker 1>imagine that thing looming over you. I feel like this

0:45:12.520 --> 0:45:14.960
<v Speaker 1>thing should be right up there with the Tarandosaurus rex.

0:45:15.120 --> 0:45:19.319
<v Speaker 1>You know, people should appreciated them on the same level. Yeah,

0:45:19.360 --> 0:45:23.120
<v Speaker 1>I mean, I really, it's it's amazing. It is. I mean,

0:45:23.200 --> 0:45:26.320
<v Speaker 1>it's it's I mean, certainly all the terosaurs are amazing creatures.

0:45:26.600 --> 0:45:29.560
<v Speaker 1>To look back on this, this evolved mode of flying

0:45:29.719 --> 0:45:31.960
<v Speaker 1>that that again is is a little bit different from

0:45:33.160 --> 0:45:35.680
<v Speaker 1>from birds or bats. It is like we have essentially

0:45:35.760 --> 0:45:39.040
<v Speaker 1>three modes of vertebrate flight that evolved, and this is

0:45:39.120 --> 0:45:43.200
<v Speaker 1>one of them. And that's talking about powered flight, not correct. Uh,

0:45:43.400 --> 0:45:45.279
<v Speaker 1>you know, and thinking about this, you know, like again,

0:45:45.320 --> 0:45:47.120
<v Speaker 1>it would have it would have seemed like a god

0:45:47.200 --> 0:45:48.960
<v Speaker 1>if you were able to see it. And uh, I

0:45:49.239 --> 0:45:53.640
<v Speaker 1>can't help but think of Edgar Rice Burrows. Uh pellucidar

0:45:53.680 --> 0:45:56.640
<v Speaker 1>I believe is the pronunciation. Uh, a series of books

0:45:56.680 --> 0:46:00.200
<v Speaker 1>that's a setting that he did them. I haven't haven't either,

0:46:00.280 --> 0:46:02.040
<v Speaker 1>but I was introduced to them just by some of

0:46:02.120 --> 0:46:05.560
<v Speaker 1>the art. Initially, they feature a psychic master race of

0:46:05.640 --> 0:46:09.719
<v Speaker 1>flying reptiles called the Mahars, and they pop up. They

0:46:09.760 --> 0:46:12.440
<v Speaker 1>also pop up in the nineteen seventies six movie At

0:46:12.520 --> 0:46:17.520
<v Speaker 1>the Earth's Core starring Peter Cushing. Yes, Doug McClure, oh boy,

0:46:17.800 --> 0:46:21.160
<v Speaker 1>and Caroline Monroe. Wow, I've got to see that. How

0:46:21.200 --> 0:46:23.520
<v Speaker 1>have I not? Well, I'll tell you. It's actually one

0:46:23.560 --> 0:46:26.480
<v Speaker 1>of the movies in the most recent Mystery Science Theater

0:46:26.560 --> 0:46:29.960
<v Speaker 1>three thousands serially season, So that all star cast, that

0:46:30.080 --> 0:46:33.000
<v Speaker 1>all star cast. If you want to see see Peter

0:46:33.080 --> 0:46:36.239
<v Speaker 1>Cushing just totally misused in a film, this is a

0:46:36.280 --> 0:46:39.040
<v Speaker 1>great place to find it. Peter Cushing was misused in

0:46:39.120 --> 0:46:42.600
<v Speaker 1>about nine percent of the films he was in, but

0:46:42.800 --> 0:46:45.319
<v Speaker 1>this one especially because you got Doug McClure in there

0:46:45.360 --> 0:46:47.200
<v Speaker 1>to play kind of a goofus, which he did well.

0:46:47.280 --> 0:46:50.560
<v Speaker 1>I love Doug McClure. Yeah, he's the classic mid century

0:46:50.640 --> 0:46:53.920
<v Speaker 1>movie lug. Yeah. But then Peter Cushing also kind of

0:46:54.000 --> 0:46:57.400
<v Speaker 1>plays a dufus, so it's I think he's a scientist dufus.

0:46:57.520 --> 0:46:59.840
<v Speaker 1>And then you have like two different levels of dufus

0:47:00.080 --> 0:47:03.440
<v Speaker 1>going up against stuff forces they can how should comprehend

0:47:03.600 --> 0:47:06.520
<v Speaker 1>How sharp are his cheekbones in it? Does he cut

0:47:06.600 --> 0:47:08.440
<v Speaker 1>anything with them? I don't know. They might have been

0:47:08.520 --> 0:47:10.560
<v Speaker 1>dulling a bit by that point, I have to say,

0:47:11.400 --> 0:47:13.920
<v Speaker 1>But but he's still it's still Peter Cushing, So it's

0:47:13.960 --> 0:47:16.480
<v Speaker 1>still a lot of fun. But you have these kind

0:47:16.560 --> 0:47:22.439
<v Speaker 1>of wretched looking Terra Sar mahar Uh creatures that show

0:47:22.520 --> 0:47:25.680
<v Speaker 1>up in the film. There's also a I think it's

0:47:25.680 --> 0:47:28.200
<v Speaker 1>a Boris file a Jo painting that was done for

0:47:28.280 --> 0:47:30.879
<v Speaker 1>one of these book covers that has a of course,

0:47:31.160 --> 0:47:34.279
<v Speaker 1>like a scantily clad woman, uh. And there's this terrace

0:47:34.320 --> 0:47:37.319
<v Speaker 1>star creature, one of these Mahars creeping up on her

0:47:37.680 --> 0:47:40.800
<v Speaker 1>to snatch her away, because you know, it's Edgar Rice Burrows.

0:47:40.880 --> 0:47:44.120
<v Speaker 1>That's that's kind of the plot. And I can't help

0:47:44.160 --> 0:47:47.439
<v Speaker 1>but assume that the Mahars also inspired the Savage Land

0:47:47.600 --> 0:47:50.600
<v Speaker 1>Mutants saw On from the X Men comics. Not saar

0:47:50.719 --> 0:47:53.040
<v Speaker 1>On from Lord of the Rings, but the what is

0:47:53.120 --> 0:47:56.440
<v Speaker 1>essentially like a Terra Saar human ooid that the Mutants

0:47:56.760 --> 0:47:59.480
<v Speaker 1>battle in those comic books. Okay, so what else do

0:47:59.560 --> 0:48:02.520
<v Speaker 1>we know out this creature, the quetzal Katlas? All right, Well,

0:48:02.560 --> 0:48:04.600
<v Speaker 1>in a way, it's fitting that the creature is named

0:48:04.680 --> 0:48:06.759
<v Speaker 1>for a god with so much mystery around it, because

0:48:06.800 --> 0:48:11.480
<v Speaker 1>a lot of mystery remains surrounding this massive, winged prehistoric creature.

0:48:11.840 --> 0:48:13.520
<v Speaker 1>And this, of course is part of the course with

0:48:13.680 --> 0:48:17.400
<v Speaker 1>fossil remains, paleontologists have to solve the riddle of the

0:48:17.480 --> 0:48:20.200
<v Speaker 1>remains as best they can. We have all these you know,

0:48:20.320 --> 0:48:23.000
<v Speaker 1>massive gaps in the in the in the fossil record,

0:48:23.080 --> 0:48:25.399
<v Speaker 1>and that's just part of trying to understand the past

0:48:25.480 --> 0:48:29.200
<v Speaker 1>through fossils. We have, I think, based on I think

0:48:29.239 --> 0:48:33.000
<v Speaker 1>current data, we have I think only one adult Quetzo

0:48:33.080 --> 0:48:36.800
<v Speaker 1>katlas fossil to go off of, and it's only wing fragments.

0:48:37.280 --> 0:48:42.960
<v Speaker 1>The other specimens have been like smaller, like younger um specimens.

0:48:44.160 --> 0:48:46.759
<v Speaker 1>So we we've seen a wide range of estimates than

0:48:46.800 --> 0:48:50.719
<v Speaker 1>regarding the flying or gliding abilities of the Ketzo katlas,

0:48:51.560 --> 0:48:54.279
<v Speaker 1>a creature with more of an inland range than many

0:48:54.320 --> 0:48:57.120
<v Speaker 1>of its flying relatives, So we don't know exactly. We

0:48:57.200 --> 0:49:01.080
<v Speaker 1>don't know for sure to what extent it flew exactly.

0:49:01.600 --> 0:49:04.759
<v Speaker 1>For instance, Donald M. Henderson went so far in his

0:49:04.880 --> 0:49:08.279
<v Speaker 1>two thousand nine Journal Vertebrate Paleontology article to wonder if

0:49:08.320 --> 0:49:11.879
<v Speaker 1>it could fly at all. He argued that given its

0:49:12.000 --> 0:49:15.960
<v Speaker 1>estimated body mass, this was maybe a flightless creature. Oh yeah,

0:49:16.040 --> 0:49:20.759
<v Speaker 1>it might be like the ostrich of pterosaurs or something. Um. Yeah,

0:49:20.840 --> 0:49:23.640
<v Speaker 1>you always have to wonder, because I mean, so there

0:49:23.680 --> 0:49:28.239
<v Speaker 1>are limits on the size that an organism could reasonably

0:49:28.360 --> 0:49:30.680
<v Speaker 1>be expected to fly. Right. You know, you might wonder

0:49:30.840 --> 0:49:34.080
<v Speaker 1>like how come dragons don't exist? What why don't we

0:49:34.280 --> 0:49:37.960
<v Speaker 1>see birds with a hundred foot wingspan? And I think

0:49:38.160 --> 0:49:39.880
<v Speaker 1>part of that has to do with like how how

0:49:40.120 --> 0:49:43.719
<v Speaker 1>mass scales up with relationship to volume. Right, Like, one

0:49:43.760 --> 0:49:46.400
<v Speaker 1>of the reasons you can't get super giant creatures is

0:49:46.480 --> 0:49:49.920
<v Speaker 1>that would be cooling problems with like the surface area

0:49:50.120 --> 0:49:53.000
<v Speaker 1>of the giant creature, how much stuff it's got inside

0:49:53.080 --> 0:49:56.600
<v Speaker 1>it um And you would probably encounter similar problems when

0:49:56.640 --> 0:49:59.880
<v Speaker 1>you keep trying to scale up bigger and bigger flying organism.

0:50:00.360 --> 0:50:02.719
<v Speaker 1>As the mass keeps going up, it's going to take

0:50:02.800 --> 0:50:05.840
<v Speaker 1>more and more power to lift that mass off the ground.

0:50:06.320 --> 0:50:09.960
<v Speaker 1>And you know, well you can. You can generate lift

0:50:10.000 --> 0:50:12.680
<v Speaker 1>in multiple ways. You can have bigger wings, but eventually,

0:50:12.800 --> 0:50:16.239
<v Speaker 1>like you'd run into structural problems like where bones would

0:50:16.280 --> 0:50:18.360
<v Speaker 1>not be strong enough to support the wings at a

0:50:18.400 --> 0:50:21.560
<v Speaker 1>certain amount of you know, size and weight. Or you

0:50:21.640 --> 0:50:24.800
<v Speaker 1>could have more powerful muscles to flap them harder and faster,

0:50:24.960 --> 0:50:27.360
<v Speaker 1>but eventually you might run into fuel problems. I mean,

0:50:27.560 --> 0:50:31.120
<v Speaker 1>they're just physics limits on how big a flying organism

0:50:31.200 --> 0:50:33.320
<v Speaker 1>can get. And you know, I have to say that

0:50:33.560 --> 0:50:38.040
<v Speaker 1>a flightless catsl co outless is terrifying in its own way,

0:50:38.080 --> 0:50:40.360
<v Speaker 1>because here it would be a situation where here's a

0:50:40.400 --> 0:50:42.680
<v Speaker 1>creature that is like I don't have to fly anymore

0:50:43.040 --> 0:50:45.480
<v Speaker 1>because I'm enormous, and I will just eat you with

0:50:45.600 --> 0:50:48.359
<v Speaker 1>my toothless beak. I would just gobble you up. I mean,

0:50:48.400 --> 0:50:51.319
<v Speaker 1>I want this is not based on evidence, is just speculating.

0:50:51.520 --> 0:50:54.480
<v Speaker 1>I wonder if you could also imagine something like a chicken,

0:50:54.719 --> 0:50:57.960
<v Speaker 1>where it's not a flying bird, but it's a bird

0:50:58.040 --> 0:51:00.319
<v Speaker 1>that can sort of like use wings to it off

0:51:00.400 --> 0:51:02.600
<v Speaker 1>the ground for a short period of time. I mean

0:51:03.160 --> 0:51:05.960
<v Speaker 1>you wonder about like maybe it doesn't sustain flight, but

0:51:06.040 --> 0:51:08.760
<v Speaker 1>it's sort of like hops up and flies very briefly

0:51:08.800 --> 0:51:11.800
<v Speaker 1>in order to swoop down and pounce something. Right, But

0:51:11.920 --> 0:51:13.680
<v Speaker 1>this is not the only argument that you have the

0:51:13.840 --> 0:51:15.719
<v Speaker 1>the other end of the spectrum, For instance, where a

0:51:15.800 --> 0:51:21.280
<v Speaker 1>British paleontologist Mark Witten, working with biomechanics researcher Mike Habib,

0:51:21.800 --> 0:51:25.319
<v Speaker 1>modeled the creature in two and argued that he could

0:51:25.360 --> 0:51:27.600
<v Speaker 1>fly up to eighty miles an hour or a hundred

0:51:27.600 --> 0:51:30.319
<v Speaker 1>and twenty eight kilometers per hour for seven to ten

0:51:30.480 --> 0:51:33.719
<v Speaker 1>days at altitudes of fifteen thousand feet or four point

0:51:33.760 --> 0:51:37.200
<v Speaker 1>six kilometers, with a maximum range of between eight thousand

0:51:37.320 --> 0:51:40.400
<v Speaker 1>and twelve thousand miles. That's up to nineteen thousand, three

0:51:40.480 --> 0:51:44.000
<v Speaker 1>hundred and twelve kilometers. Wow, so that's some range. Yeah,

0:51:44.160 --> 0:51:46.520
<v Speaker 1>that is so if you're a flint stone and you

0:51:46.600 --> 0:51:48.920
<v Speaker 1>want to ride a dinosaur for like a for a

0:51:49.200 --> 0:51:52.240
<v Speaker 1>transoceanic flight, this is the one you want to snag.

0:51:52.760 --> 0:51:55.640
<v Speaker 1>You know, it's not a dinosaur, sorry, a pterosaur quetzo

0:51:55.719 --> 0:51:59.680
<v Speaker 1>koitles air. But then we also have more balanced to

0:51:59.760 --> 0:52:03.240
<v Speaker 1>pro just falling in between these two. For instance, paleobiologist

0:52:03.360 --> 0:52:07.440
<v Speaker 1>David Unwin believes that the creatures could certainly fly, but

0:52:07.600 --> 0:52:10.200
<v Speaker 1>we don't really have a lot else to go on. Again,

0:52:10.280 --> 0:52:13.200
<v Speaker 1>think to the limited fossils we talked about earlier. He

0:52:14.000 --> 0:52:17.440
<v Speaker 1>argues that the distance estimates here might be just premature.

0:52:19.080 --> 0:52:20.840
<v Speaker 1>It's also been argued in some of these models that

0:52:20.920 --> 0:52:23.040
<v Speaker 1>the creature, if it could fly, you know, it could

0:52:23.080 --> 0:52:27.360
<v Speaker 1>probably get aloft via a high powered four legged pounce

0:52:27.440 --> 0:52:30.360
<v Speaker 1>into the air, which I have to say that is

0:52:30.600 --> 0:52:33.719
<v Speaker 1>alone is just amazing to try and envision, imagine this

0:52:33.880 --> 0:52:37.560
<v Speaker 1>massive dump truck of a creature just launching into the air.

0:52:37.719 --> 0:52:41.440
<v Speaker 1>And then flapping like crazy and uh, descending a winged

0:52:41.520 --> 0:52:45.480
<v Speaker 1>giraffe with a giant pelican head, leaping into the clouds

0:52:46.000 --> 0:52:48.160
<v Speaker 1>and then once it's once it's up or or once

0:52:48.200 --> 0:52:51.560
<v Speaker 1>it lands again, the question is, well, what does it eat? Well,

0:52:52.280 --> 0:52:55.560
<v Speaker 1>one theory the answer is you, well, yes, if we were,

0:52:55.640 --> 0:52:57.600
<v Speaker 1>if we were around, that would that would probably be

0:52:57.719 --> 0:53:00.600
<v Speaker 1>a possibility. But one theory was that it was a

0:53:00.680 --> 0:53:03.359
<v Speaker 1>scavenger and it used its long beak to like dig

0:53:03.440 --> 0:53:08.160
<v Speaker 1>into dino corpses, which would also seem to work given

0:53:08.200 --> 0:53:10.320
<v Speaker 1>their inland range. You know, so this is not a

0:53:10.360 --> 0:53:12.520
<v Speaker 1>thing that's going out and needing a lot of sea creatures.

0:53:13.440 --> 0:53:17.520
<v Speaker 1>But perhaps it's flying over vast distances and encountering dead

0:53:17.560 --> 0:53:20.719
<v Speaker 1>dinosaurs and it can go down and feast. Uh. And

0:53:20.840 --> 0:53:24.600
<v Speaker 1>of course flying is an attractive foraging strategy for scavengers, right, Yeah,

0:53:24.640 --> 0:53:27.480
<v Speaker 1>you have a tremendous ability to to take in the

0:53:27.560 --> 0:53:30.759
<v Speaker 1>surrounding the region. But they also could have skimmed fish

0:53:30.880 --> 0:53:34.560
<v Speaker 1>from freshwater lakes and rivers. That's one theory, but it's

0:53:34.560 --> 0:53:36.919
<v Speaker 1>also been pointed out that they likely lacked the next

0:53:36.960 --> 0:53:40.319
<v Speaker 1>structure and jaw to really carry that out. A more

0:53:40.480 --> 0:53:43.160
<v Speaker 1>likely hypothesis apparently is that they fed much like a

0:53:43.239 --> 0:53:48.280
<v Speaker 1>modern stork, stalking shorelines for large and small prey alike.

0:53:49.200 --> 0:53:51.200
<v Speaker 1>And uh, I have to say that that is a

0:53:51.320 --> 0:53:54.760
<v Speaker 1>terrifying possibility, because if you've ever seen footage of storks

0:53:54.880 --> 0:53:58.840
<v Speaker 1>engaging in this sort of terrestrial hunting practice, uh, it

0:53:59.000 --> 0:54:02.320
<v Speaker 1>can be it can be pretty horrifying. I accidentally showed

0:54:02.560 --> 0:54:04.160
<v Speaker 1>some footage from a documentary I want to say it

0:54:04.239 --> 0:54:08.719
<v Speaker 1>was a Disney's Flamingo documentary, uh, to my son, and

0:54:09.080 --> 0:54:10.680
<v Speaker 1>he was younger at the time, and there's a scene

0:54:10.719 --> 0:54:14.000
<v Speaker 1>where the stork just is stalking the shore and gobbling

0:54:14.080 --> 0:54:18.279
<v Speaker 1>up live flamingo chicks. Yeah, it's it's absolutely horrifying. After

0:54:18.360 --> 0:54:21.279
<v Speaker 1>he saw that, uh, there was some some later point

0:54:21.480 --> 0:54:24.040
<v Speaker 1>we'd forgotten about it, and then we tried to show

0:54:24.120 --> 0:54:26.000
<v Speaker 1>him a cartoon that has, you know, the typical like

0:54:26.120 --> 0:54:28.719
<v Speaker 1>stork and baby motif. It might have been in one

0:54:28.760 --> 0:54:31.839
<v Speaker 1>of the Pixar shorts, and he was instantly not having

0:54:31.880 --> 0:54:33.920
<v Speaker 1>any of it. He's like, I know what storks are about,

0:54:34.400 --> 0:54:36.120
<v Speaker 1>and you're not going to show me this this, uh,

0:54:36.239 --> 0:54:40.160
<v Speaker 1>this short film that involves human babies and storks, because

0:54:40.200 --> 0:54:42.279
<v Speaker 1>I know what's going to happen that baby is gonna

0:54:42.320 --> 0:54:45.560
<v Speaker 1>get gobbled. No. I mean we we try to present

0:54:45.680 --> 0:54:49.440
<v Speaker 1>a level headed view of predation in nature, but sometimes

0:54:49.600 --> 0:54:52.320
<v Speaker 1>you just do have a visceral emotional reaction. And I

0:54:52.400 --> 0:54:54.440
<v Speaker 1>know exactly what you're talking about. I haven't seen storks,

0:54:54.520 --> 0:54:57.400
<v Speaker 1>but I've seen video of UM. I believe it's in

0:54:57.560 --> 0:55:02.959
<v Speaker 1>U some David Attenborough near rated documentary UM that had

0:55:03.160 --> 0:55:08.840
<v Speaker 1>not storks but pelicans eating baby birds. Just horrifying. Watch it.

0:55:08.960 --> 0:55:11.520
<v Speaker 1>Like the way they don't blink, They just got these

0:55:11.600 --> 0:55:15.279
<v Speaker 1>big lower beak areas and they just scoop up the

0:55:15.320 --> 0:55:18.080
<v Speaker 1>baby birds in and they're like wings and legs poking

0:55:18.120 --> 0:55:21.680
<v Speaker 1>out of their mouth and stuff. Is just horrible, frightful.

0:55:22.200 --> 0:55:24.959
<v Speaker 1>So I'm sorry, now I shouldn't apply that moralistic tone

0:55:25.000 --> 0:55:27.160
<v Speaker 1>to nature, but like it. It is hard to watch.

0:55:27.520 --> 0:55:29.840
<v Speaker 1>But here's the question with the quetzo quatless. Would it

0:55:29.880 --> 0:55:33.160
<v Speaker 1>be able to scoop sunbathers up from a New York rooftops.

0:55:34.000 --> 0:55:35.839
<v Speaker 1>I would say probably not. I think it would need

0:55:35.880 --> 0:55:38.560
<v Speaker 1>to land in Central Park where it would still have

0:55:38.640 --> 0:55:41.759
<v Speaker 1>plenty to eat. It could attack picnickers and like young

0:55:41.880 --> 0:55:45.920
<v Speaker 1>people making out on blankets. Um, you know, school groups

0:55:45.960 --> 0:55:48.759
<v Speaker 1>that have arrived there to play soccer, whatnot. There's so

0:55:48.920 --> 0:55:51.240
<v Speaker 1>much to eat in Central Park. Hey, we've seen pizza

0:55:51.320 --> 0:55:55.360
<v Speaker 1>at now you get pizza ketsel coatlas exactly, just the

0:55:55.640 --> 0:55:58.200
<v Speaker 1>junk food. It doesn't need to even deal with live pray.

0:55:58.520 --> 0:56:00.120
<v Speaker 1>All right. Well, as we begin to close thing is

0:56:00.120 --> 0:56:02.600
<v Speaker 1>out here, I do want to mention that there there,

0:56:03.160 --> 0:56:06.600
<v Speaker 1>Ketzo Quaddle has has survived to a certain extent or

0:56:06.640 --> 0:56:08.880
<v Speaker 1>re emerged in culture. It hasn't been like the complete

0:56:09.320 --> 0:56:14.840
<v Speaker 1>second Coming that was perhaps prophesized, but he remains a

0:56:15.000 --> 0:56:18.880
<v Speaker 1>figure of interest, and sometimes you actually see physical, like

0:56:19.040 --> 0:56:23.120
<v Speaker 1>new physical manifestations of him. There's a really cool Ketzo

0:56:23.200 --> 0:56:27.040
<v Speaker 1>Quaddle statue in San Jose, California, for instance. I have

0:56:27.120 --> 0:56:29.360
<v Speaker 1>not seen it in person yet, but I was reading

0:56:29.400 --> 0:56:32.920
<v Speaker 1>about it on Atlice Obscura and it points out that

0:56:33.000 --> 0:56:37.120
<v Speaker 1>it's downtown, it's very Aztecan style, and it was controversial

0:56:37.320 --> 0:56:39.680
<v Speaker 1>back in the nineties as it cost about half a

0:56:39.719 --> 0:56:43.200
<v Speaker 1>million dollars. And also some Christian fundamentalists claimed that this

0:56:43.480 --> 0:56:46.759
<v Speaker 1>was this was gonna be a place of where you know,

0:56:46.800 --> 0:56:49.680
<v Speaker 1>people were gonna worship a bloodthirsty god. Oh yeah. They

0:56:49.719 --> 0:56:52.120
<v Speaker 1>were saying that they were going to be human sacrifices.

0:56:52.280 --> 0:56:55.840
<v Speaker 1>The statue, which, of course, based on everything we've discussed

0:56:56.600 --> 0:56:58.719
<v Speaker 1>regarding this god, that was not going to be the case,

0:56:59.600 --> 0:57:02.440
<v Speaker 1>or if it us, it would have been very misinformed

0:57:02.840 --> 0:57:06.600
<v Speaker 1>cultist showing up there. Meanwhile, other critics just argued that

0:57:06.640 --> 0:57:09.319
<v Speaker 1>it was a religious sculpture on public grounds and then

0:57:09.360 --> 0:57:12.799
<v Speaker 1>shouldn't be allowed. But then there's the criticism that they

0:57:12.880 --> 0:57:17.320
<v Speaker 1>say that the sculpture kind of looks like coiled dog poop. Well,

0:57:17.440 --> 0:57:20.640
<v Speaker 1>I guess coiled serpents sometimes do. Yeah. Well, it's pointed

0:57:20.680 --> 0:57:23.480
<v Speaker 1>out on Atlas Obscura, and there is no author attributed

0:57:23.520 --> 0:57:27.640
<v Speaker 1>on this particular article. The positioning here isn't crazy, especially

0:57:27.720 --> 0:57:31.120
<v Speaker 1>when you look at some of the architectural motifs of

0:57:31.200 --> 0:57:34.800
<v Speaker 1>say the Aztecs of Quetzo, kadal Uh and Uh. It

0:57:34.880 --> 0:57:38.640
<v Speaker 1>also matches up with this description that of the God

0:57:38.760 --> 0:57:41.960
<v Speaker 1>that D. H. Lawrence made in his ninety six novel

0:57:42.240 --> 0:57:46.720
<v Speaker 1>The Plume Serpent, where he describes quote, snakes coiled like excrements,

0:57:46.760 --> 0:57:51.200
<v Speaker 1>snakes feigned and feathered beyond all dreams of dread. I

0:57:51.240 --> 0:57:55.320
<v Speaker 1>have not ventured into that D. H. Lawrence book. Lawrence's novel,

0:57:55.360 --> 0:57:58.360
<v Speaker 1>by the way, concerns the Mexican Revolution and a cult

0:57:58.400 --> 0:58:01.120
<v Speaker 1>attempting to revive the older legion of Mexico, and he

0:58:01.160 --> 0:58:05.040
<v Speaker 1>apparently wanted to title the book Quetzo Quaddle, but his

0:58:05.160 --> 0:58:09.280
<v Speaker 1>publishers disagreed. I can see why, like nobody's going to

0:58:09.360 --> 0:58:12.400
<v Speaker 1>be able to pronounce that. Well, it's probably one of

0:58:12.440 --> 0:58:14.760
<v Speaker 1>the reasons. Probably Larry Cohen's film was called Q or

0:58:14.840 --> 0:58:18.400
<v Speaker 1>Q The Wing Serpent, Right. Yeah. One other point of

0:58:18.440 --> 0:58:21.120
<v Speaker 1>possible interest, I haven't wait, wait a minute, do you

0:58:21.240 --> 0:58:24.480
<v Speaker 1>think that Larry Cohen's movie was in any way based

0:58:24.560 --> 0:58:28.280
<v Speaker 1>on the D. H. Lawrence novel. I have not read

0:58:28.320 --> 0:58:32.280
<v Speaker 1>anything to suggest that it was, um and I would

0:58:32.320 --> 0:58:34.120
<v Speaker 1>say that no, it's probably not, but in it maybe

0:58:34.320 --> 0:58:36.320
<v Speaker 1>maybe so in a very Larry Cohen kind of way,

0:58:37.600 --> 0:58:40.520
<v Speaker 1>like you picked up on like cultists bringing back an

0:58:40.520 --> 0:58:42.640
<v Speaker 1>old religion. Let's get a giant monster in there, and

0:58:42.680 --> 0:58:45.480
<v Speaker 1>you've got a movie. On another literary note, I'm very

0:58:45.520 --> 0:58:47.320
<v Speaker 1>interested to check out. I haven't read these yet, but

0:58:47.760 --> 0:58:51.520
<v Speaker 1>the author Alliotte de Bodard wrote the Obsidian and Blood Trilogy,

0:58:51.840 --> 0:58:54.120
<v Speaker 1>a trilogy of books that I've seen described as a

0:58:54.440 --> 0:58:58.479
<v Speaker 1>like pre Columbian as tech noir. Oh that sounds cool. Yeah,

0:58:58.720 --> 0:59:00.920
<v Speaker 1>So I'm I'm interested in that out and again I

0:59:01.040 --> 0:59:05.440
<v Speaker 1>wanna say that an I is book that a reference

0:59:05.440 --> 0:59:07.760
<v Speaker 1>at the top of the podcast is an excellently read,

0:59:07.880 --> 0:59:11.400
<v Speaker 1>is an excellent read and readily available in like you know,

0:59:11.560 --> 0:59:15.560
<v Speaker 1>kindle and physical format however you like to read your books. Awesome.

0:59:15.600 --> 0:59:17.360
<v Speaker 1>I think I'll be checking that one out all right.

0:59:17.440 --> 0:59:21.040
<v Speaker 1>So there you have it. We've gone from B movie

0:59:21.120 --> 0:59:27.480
<v Speaker 1>monsters to uh meso American gods, two prehistoric creatures, uh

0:59:27.880 --> 0:59:31.200
<v Speaker 1>flying snakes. What more could you ask for? Well, you

0:59:31.240 --> 0:59:34.600
<v Speaker 1>could ask for more monster science content, which we will

0:59:34.640 --> 0:59:36.240
<v Speaker 1>be bringing to you for the rest of the month.

0:59:36.560 --> 0:59:38.880
<v Speaker 1>That's right, you can check out all these episodes stuff

0:59:38.880 --> 0:59:40.520
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0:59:40.560 --> 0:59:43.120
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0:59:43.120 --> 0:59:45.400
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