1 00:00:00,120 --> 00:00:10,119 Speaker 1: Yo, the Iron Rapports Stereo Podcast. We're going live, Okay, 2 00:00:10,320 --> 00:00:15,000 Speaker 1: me and g Moody. The tour continues May nine. We're 3 00:00:15,040 --> 00:00:19,439 Speaker 1: at the Chapel in San Francisco. May eleventh, we're in Seattle. 4 00:00:20,600 --> 00:00:26,639 Speaker 1: At May we are in Vancouver, British Columbia. The show 5 00:00:26,720 --> 00:00:28,920 Speaker 1: is going live. Gee gee, how are you feeling about 6 00:00:28,920 --> 00:00:33,520 Speaker 1: the live shows? Man? I am anxious. I'm ready to go. Yo. 7 00:00:33,960 --> 00:00:36,000 Speaker 1: I love that. I love the stage stuff, man. I 8 00:00:36,080 --> 00:00:38,800 Speaker 1: like interact with the fans and to yo. If you 9 00:00:38,840 --> 00:00:41,800 Speaker 1: want to come see us in San Fran, Seattle or 10 00:00:41,840 --> 00:00:45,600 Speaker 1: in Vancouver, Tickets are available at www. Dot Iron wrapping 11 00:00:45,680 --> 00:00:49,319 Speaker 1: Port Tour dot com. The young shooter Dean Collins will 12 00:00:49,360 --> 00:00:52,199 Speaker 1: be joining us in San Fran. Maybe, if he acts right, 13 00:00:52,200 --> 00:00:54,520 Speaker 1: we'll bring him to Seattle. I don't know. He might 14 00:00:54,600 --> 00:00:57,400 Speaker 1: drive everybody nuts. That's my man. Fifty grand always watch 15 00:00:57,480 --> 00:00:59,880 Speaker 1: us up with his dick in his hands. Go to www. 16 00:01:00,120 --> 00:01:02,760 Speaker 1: Done Iron rappaport toward dot com to see us live 17 00:01:03,120 --> 00:01:09,160 Speaker 1: starting May ninth in San fran at the Chapel. All right, 18 00:01:09,240 --> 00:01:13,000 Speaker 1: this is the Iron Rapports Stereo podcast, coming live and 19 00:01:13,160 --> 00:01:17,720 Speaker 1: direct from the Gloom Tomb. My name is Michael Rappaport. 20 00:01:19,120 --> 00:01:22,240 Speaker 1: That's why they called the podcast The Iron Rapports Stereo Podcast. 21 00:01:22,319 --> 00:01:26,160 Speaker 1: I guess I should probably do you think I should say? 22 00:01:26,240 --> 00:01:31,959 Speaker 1: This is Michael Rappaport. G uh nah, everybody know you now, man, 23 00:01:32,000 --> 00:01:35,280 Speaker 1: You're good, You're good money now? Oh thank you? Uh. 24 00:01:35,440 --> 00:01:37,520 Speaker 1: I feel like I should introduce myself. You should never 25 00:01:37,560 --> 00:01:41,880 Speaker 1: assume everybody knows me. But I'll figure that out later. 26 00:01:43,080 --> 00:01:49,400 Speaker 1: Until we figure that out, my name is Michael Rappaport uh. 27 00:01:49,920 --> 00:01:52,600 Speaker 1: Also known as the Gringo Man Dingle, also known as 28 00:01:52,600 --> 00:01:55,880 Speaker 1: White Mike that's a fact um, also known as bird 29 00:01:56,320 --> 00:02:00,320 Speaker 1: white folks. Um. But I'm most infamous for are being 30 00:02:00,320 --> 00:02:03,640 Speaker 1: known as the green Oman Dingo. Now a nickname that 31 00:02:03,800 --> 00:02:08,919 Speaker 1: was earned, not given. Earned. I earned that fucking name, 32 00:02:09,360 --> 00:02:14,400 Speaker 1: the Greno Man Dingo. Uh. I'm with G Moody. The 33 00:02:14,480 --> 00:02:17,640 Speaker 1: last name rhymes with duty. He is the two thousand 34 00:02:17,639 --> 00:02:20,800 Speaker 1: and fifteen two thousand and sixteen podcast co host of 35 00:02:20,840 --> 00:02:25,600 Speaker 1: the Year uh, an award that was earned, yes, not given. 36 00:02:26,000 --> 00:02:29,120 Speaker 1: Look it up. This is uh the Iron rapp Or 37 00:02:29,200 --> 00:02:31,239 Speaker 1: Stereo Podcast. We are known as the Disco to the 38 00:02:31,280 --> 00:02:37,200 Speaker 1: Malachi Brothers. Um. We've been podcasting of fair sin and 39 00:02:37,280 --> 00:02:39,239 Speaker 1: let's get into it. Um, I want to start the show, 40 00:02:39,320 --> 00:02:44,520 Speaker 1: G just to jump right in, all right. Charlie Murphy, Uh, 41 00:02:44,560 --> 00:02:50,399 Speaker 1: the very unique, very funny, very nice Charlie Murphy, actor, comedian, 42 00:02:51,320 --> 00:02:56,800 Speaker 1: obviously brother of Eddie Murphy UM passed away this week. Um. 43 00:02:56,840 --> 00:02:59,440 Speaker 1: And this is a guy that I knew. I didn't 44 00:02:59,440 --> 00:03:01,560 Speaker 1: know him very well, but I spent good time. I 45 00:03:01,600 --> 00:03:05,440 Speaker 1: hung out with him. I actually met Charlie uh when 46 00:03:05,440 --> 00:03:07,919 Speaker 1: I was doing a movie with Eddie Murphy called Metro, 47 00:03:08,560 --> 00:03:10,840 Speaker 1: And I know you and me G we we loved 48 00:03:10,919 --> 00:03:14,000 Speaker 1: him since. Uh he was in Jungle Fever and he 49 00:03:14,120 --> 00:03:17,280 Speaker 1: was in Mobida Blue Spike Lee Joints. Those might have 50 00:03:17,320 --> 00:03:20,400 Speaker 1: been the first movies he was in love. Charlie Murphy. Man. 51 00:03:20,440 --> 00:03:25,079 Speaker 1: I could listen to that guy talk all day. Yeah. 52 00:03:25,120 --> 00:03:27,160 Speaker 1: He the way he said things, he said it's so 53 00:03:27,320 --> 00:03:30,920 Speaker 1: hard and he had such great timing. And you know, 54 00:03:30,960 --> 00:03:33,799 Speaker 1: he passed away this week. He was probably most well 55 00:03:33,880 --> 00:03:39,240 Speaker 1: known for the Chappelle Show skits, the Rick James kitts 56 00:03:39,960 --> 00:03:42,160 Speaker 1: and all the comings and goings and the stories with 57 00:03:42,280 --> 00:03:46,200 Speaker 1: Rick James. I'm Rick James bitch, and the fighting Rick 58 00:03:46,280 --> 00:03:48,920 Speaker 1: James and slapping Rick James and playing ball with Rick James, 59 00:03:48,920 --> 00:03:51,440 Speaker 1: and you know, I wanted to make sure we we 60 00:03:51,440 --> 00:03:53,480 Speaker 1: we we we took a minute to to to to 61 00:03:53,560 --> 00:03:57,520 Speaker 1: give him the love and the respect that he deserved. 62 00:03:57,560 --> 00:03:59,480 Speaker 1: And again I'm just gonna say, you know, the time 63 00:03:59,520 --> 00:04:02,119 Speaker 1: I spent with just a nice dude like his disposition 64 00:04:02,160 --> 00:04:04,160 Speaker 1: on screen, he seemed like he was like tough and 65 00:04:04,200 --> 00:04:08,400 Speaker 1: sort of you know, sort of like mean, such a 66 00:04:08,520 --> 00:04:12,840 Speaker 1: nice dude, nice to everybody, always was nice to everybody. 67 00:04:12,920 --> 00:04:15,280 Speaker 1: And I think one of the reasons why he didn't, 68 00:04:15,880 --> 00:04:18,600 Speaker 1: you know, sort of have as much success as he 69 00:04:18,680 --> 00:04:23,360 Speaker 1: probably deserved is because he looked just like his brother 70 00:04:23,560 --> 00:04:25,520 Speaker 1: Eddie Murphy. Those are those are shoes to fill. It's 71 00:04:25,520 --> 00:04:30,000 Speaker 1: almost like what it almost like fraternal twins, Like they 72 00:04:30,040 --> 00:04:34,880 Speaker 1: look exactly the like, like identical twins. Um. But but 73 00:04:34,920 --> 00:04:38,080 Speaker 1: the talent was immense and and he carved out a 74 00:04:38,200 --> 00:04:41,560 Speaker 1: really really great name for himself in a reputation for himself. 75 00:04:41,800 --> 00:04:43,560 Speaker 1: I wanted to tell you this story. So when I 76 00:04:43,640 --> 00:04:48,880 Speaker 1: was doing Metro with Eddie Murphy. Um. I haven't talked 77 00:04:48,880 --> 00:04:51,480 Speaker 1: about this much, but when I was growing up, when 78 00:04:51,560 --> 00:04:55,520 Speaker 1: Eddie Murphy was popping off, I don't know if it 79 00:04:55,560 --> 00:05:00,320 Speaker 1: was like eight two eighty three, maybe two when he 80 00:05:00,360 --> 00:05:03,040 Speaker 1: first started on Saturday Night Live. We don't fact check 81 00:05:03,040 --> 00:05:04,960 Speaker 1: here at the Iron Wrap or Stereo podcast. But when 82 00:05:05,080 --> 00:05:08,200 Speaker 1: Eddie was really like popping off on Saturday Life, I 83 00:05:08,240 --> 00:05:10,080 Speaker 1: mean I was so young that sometimes I would fall 84 00:05:10,080 --> 00:05:13,560 Speaker 1: asleep before the show came on, like staying up to 85 00:05:13,640 --> 00:05:17,560 Speaker 1: eleven thirty like for whatever. Nine eleven twelve year old 86 00:05:17,600 --> 00:05:19,440 Speaker 1: was like, you know, you didn't always do it. You'd 87 00:05:19,480 --> 00:05:22,440 Speaker 1: fall a sleep early, especially because as g can attest, 88 00:05:22,600 --> 00:05:24,800 Speaker 1: we were the type of kids. We weren't on video games. 89 00:05:25,160 --> 00:05:27,880 Speaker 1: We were playing on the phone. We we we were 90 00:05:27,920 --> 00:05:32,080 Speaker 1: out on a Saturday and a Sunday playing something all 91 00:05:32,160 --> 00:05:36,880 Speaker 1: day every day whoops, whooping. I was playing football, I 92 00:05:36,920 --> 00:05:39,839 Speaker 1: mean anything, but were hanging out, walking around, playing in 93 00:05:39,880 --> 00:05:42,760 Speaker 1: the park anything. It was no so when so when 94 00:05:42,800 --> 00:05:46,760 Speaker 1: Saturday evening came, you were tired, stickball, punch ball, all 95 00:05:46,839 --> 00:05:48,960 Speaker 1: kind of ship man hunt, ring a levio. We was 96 00:05:49,040 --> 00:05:52,040 Speaker 1: doing everything back in the day's man. Yeah, you had 97 00:05:52,040 --> 00:05:54,039 Speaker 1: no other choice because your parents didn't want you were 98 00:05:54,040 --> 00:05:57,400 Speaker 1: around and and that's what you did to socialize. That 99 00:05:57,520 --> 00:06:03,200 Speaker 1: being said, I was in love with Eddie Murphy, no Bruno. 100 00:06:03,480 --> 00:06:06,239 Speaker 1: I I loved him like like the rest of the world. 101 00:06:06,240 --> 00:06:09,359 Speaker 1: But I mean, I fucking loved Eddie Murphy like I. 102 00:06:09,800 --> 00:06:12,080 Speaker 1: He's one of the reasons why I wanted to be 103 00:06:12,080 --> 00:06:15,200 Speaker 1: an actor. Like I, he inspired the ship out of 104 00:06:15,200 --> 00:06:19,000 Speaker 1: me before I even wanted to be an actor. But 105 00:06:19,040 --> 00:06:22,840 Speaker 1: then when he came out with Uh Delirious, and then 106 00:06:22,880 --> 00:06:25,000 Speaker 1: he started making the movies in forty eight hours and 107 00:06:25,040 --> 00:06:27,840 Speaker 1: training places. I mean, this guy was was everything to me. 108 00:06:27,920 --> 00:06:30,600 Speaker 1: You remember, I had that little calendar that you get 109 00:06:30,680 --> 00:06:34,599 Speaker 1: from um amusement parks. G I still have a picture 110 00:06:35,120 --> 00:06:38,560 Speaker 1: and what did it say on it? Uh, the next 111 00:06:38,680 --> 00:06:40,800 Speaker 1: Eddie Murphy. I had a picture of it and I 112 00:06:40,839 --> 00:06:42,680 Speaker 1: had put you know, you could put a little thing 113 00:06:42,720 --> 00:06:44,599 Speaker 1: on it, like your name or your your tagline. I 114 00:06:44,600 --> 00:06:46,320 Speaker 1: put the next Eddie Murphy. This is when I had 115 00:06:46,320 --> 00:06:48,719 Speaker 1: decided to be an actor. It's like eighty nine. I 116 00:06:48,760 --> 00:06:51,279 Speaker 1: got it in Virginia. I was down there in Norfork. 117 00:06:51,560 --> 00:06:54,720 Speaker 1: I mean, he he inspired me crazy. So when I 118 00:06:54,800 --> 00:06:58,120 Speaker 1: finally got a chance to work with him on this 119 00:06:58,200 --> 00:07:02,760 Speaker 1: film called Metro, I was in heaven, okay. And I 120 00:07:02,800 --> 00:07:05,120 Speaker 1: got to meet Charlie, and I met Eddie of course, 121 00:07:05,120 --> 00:07:07,719 Speaker 1: and work with him and and and this is tying 122 00:07:07,760 --> 00:07:10,720 Speaker 1: into to Charlie and the Rick James story. So I'm 123 00:07:10,720 --> 00:07:13,720 Speaker 1: working with Eddie Murphy literally every single day. I'm like 124 00:07:14,160 --> 00:07:18,120 Speaker 1: fucking bugging the funk out. I'm bugging. I've already been 125 00:07:18,160 --> 00:07:19,960 Speaker 1: acting for for a good amount of years. I've worked 126 00:07:20,000 --> 00:07:24,040 Speaker 1: with I just came off of Copland and um a 127 00:07:24,080 --> 00:07:25,640 Speaker 1: bunch of stuff, you know. But but I had just 128 00:07:25,680 --> 00:07:28,560 Speaker 1: finished Copland and Eddie Murphy was such a big fan 129 00:07:28,600 --> 00:07:30,800 Speaker 1: of DeNiro. He was asking me all these questions about 130 00:07:31,360 --> 00:07:34,240 Speaker 1: DeNiro and what's he like, as if you know, he 131 00:07:34,320 --> 00:07:36,440 Speaker 1: was a fan. And we would go back and forth 132 00:07:36,440 --> 00:07:38,760 Speaker 1: and me and Eddie Murphy would do lines from Raging Bowl. 133 00:07:38,840 --> 00:07:40,720 Speaker 1: He loved Raging Bull as much as I did. And 134 00:07:40,720 --> 00:07:42,840 Speaker 1: we would just throw lines at each other all day. 135 00:07:43,400 --> 00:07:46,320 Speaker 1: The movie was a disappointment. The movie was was was whack. 136 00:07:46,640 --> 00:07:48,920 Speaker 1: I mean, I think it's a really disappointed movie. It 137 00:07:48,960 --> 00:07:51,480 Speaker 1: was a real disappointment to me because, you know, like 138 00:07:51,520 --> 00:07:53,800 Speaker 1: the banter and that the kind of ship talking that 139 00:07:53,840 --> 00:07:56,160 Speaker 1: you hear me doing here, we were trying to do that. 140 00:07:56,600 --> 00:07:58,400 Speaker 1: The director just was trying to do some other ship. 141 00:07:58,480 --> 00:08:00,880 Speaker 1: He thought he was making seven with Ad Pitt and 142 00:08:00,960 --> 00:08:04,960 Speaker 1: Morgan Free. He's blucking He really was referencing Seven I'm like, yo, 143 00:08:05,200 --> 00:08:07,760 Speaker 1: let me and Eddie live, man, we're freaking on. That's 144 00:08:07,800 --> 00:08:11,600 Speaker 1: beside the ball. So I remember one day we were 145 00:08:11,640 --> 00:08:13,920 Speaker 1: in a car scene and and somehow we we got 146 00:08:13,960 --> 00:08:16,640 Speaker 1: around to talking about Prince. At the time, this is 147 00:08:16,680 --> 00:08:19,040 Speaker 1: like ninety six. I don't remember when we did at 148 00:08:19,600 --> 00:08:23,640 Speaker 1: ninety six, maybe maybe and and maybe a print a 149 00:08:23,640 --> 00:08:26,840 Speaker 1: Prince song came on in the car and and and um. 150 00:08:26,880 --> 00:08:29,800 Speaker 1: You know, Eddie loved music. So he's like dad's talking 151 00:08:29,800 --> 00:08:31,440 Speaker 1: to the song. He's like, yo, he's a genius or 152 00:08:31,480 --> 00:08:34,400 Speaker 1: something like that. And I asked him, did you ever 153 00:08:34,440 --> 00:08:37,440 Speaker 1: meet Prince? And he's like, funck, Yeah, I met Prince. 154 00:08:37,480 --> 00:08:38,679 Speaker 1: You know, I hang out with him and all. And 155 00:08:38,679 --> 00:08:40,640 Speaker 1: I'm like, oh ship, And then you know, I'm just 156 00:08:40,800 --> 00:08:42,400 Speaker 1: he's like and I'm like, I'm like asking if he 157 00:08:42,480 --> 00:08:44,400 Speaker 1: ever met princess? If he's like a schmoll like me, 158 00:08:44,720 --> 00:08:47,360 Speaker 1: who you know, who's like on the fringes, Eddie Murphy. 159 00:08:47,679 --> 00:08:50,040 Speaker 1: So Eddie Eddie telling yo, and he could play ball, 160 00:08:50,080 --> 00:08:52,080 Speaker 1: and I'm like, word, He's like, I was like, basketball 161 00:08:52,080 --> 00:08:54,319 Speaker 1: is a yeah, yo, Princess got game, Princess nice. And 162 00:08:54,360 --> 00:08:57,319 Speaker 1: I was like, get the funk out of here. And 163 00:08:57,679 --> 00:09:01,800 Speaker 1: I told you this story before and and and he's like, no, 164 00:09:01,880 --> 00:09:03,600 Speaker 1: I'm telling you man. He goes yo. We went out 165 00:09:03,600 --> 00:09:06,400 Speaker 1: to his house. We were in Minnesota, and it was me, Charlie. 166 00:09:06,440 --> 00:09:09,839 Speaker 1: He always said Charlie. He never said Charlie. Eddie called 167 00:09:09,880 --> 00:09:12,760 Speaker 1: his brother Charlie. He said, was he Charlie, And it 168 00:09:12,880 --> 00:09:14,320 Speaker 1: was you know this one and that one. And we 169 00:09:14,360 --> 00:09:15,920 Speaker 1: got to his crib and he was like, yeah, we're 170 00:09:15,920 --> 00:09:20,120 Speaker 1: gonna play ball, and he said, you know, Charlie was like, man, 171 00:09:20,200 --> 00:09:21,680 Speaker 1: get the funk out of here. You know, he talked 172 00:09:21,720 --> 00:09:24,520 Speaker 1: that New York funk at y'all can't play ball. And 173 00:09:24,600 --> 00:09:27,240 Speaker 1: Charlie uh was like, yeah, we're gonna. We go ahead, 174 00:09:27,240 --> 00:09:29,640 Speaker 1: We're gonna, We're gonna play and Prince was like, yeah, 175 00:09:29,640 --> 00:09:32,840 Speaker 1: I'm ready. And then Charlie said, funk, We're gonna play 176 00:09:32,880 --> 00:09:36,600 Speaker 1: shirts first blouses. And Eddie told me that story. So 177 00:09:36,679 --> 00:09:39,560 Speaker 1: when Dave Chappelle hooked up with Charlie Murphy and they 178 00:09:39,600 --> 00:09:43,080 Speaker 1: were doing the Chapelle's Swords Show and Charlie Murphy was 179 00:09:43,120 --> 00:09:46,080 Speaker 1: telling his true Hollywood stories, I had already heard the 180 00:09:46,160 --> 00:09:49,920 Speaker 1: story from Eddie Murphy's mouth. And when Charlie was telling 181 00:09:49,960 --> 00:09:52,000 Speaker 1: that story on the Dave Chappelle Show. I knew the 182 00:09:52,000 --> 00:09:54,800 Speaker 1: punch line because Eddie had already told me about it, 183 00:09:55,120 --> 00:09:58,560 Speaker 1: and you know, it was just something I never I 184 00:09:58,600 --> 00:10:00,840 Speaker 1: never forgot because it was I was hearing Eddie Murphy 185 00:10:00,840 --> 00:10:04,680 Speaker 1: talk about Prince and playing ball with Prince with his 186 00:10:04,760 --> 00:10:07,800 Speaker 1: brother Charlie, and uh, you know, that's my little Charlie 187 00:10:07,880 --> 00:10:10,080 Speaker 1: Murphy story. So I wanted to just make sure that 188 00:10:10,120 --> 00:10:13,720 Speaker 1: we we we shouted him out, and you know, yeah, 189 00:10:13,840 --> 00:10:17,040 Speaker 1: it's a shame, young dude fifty seven years old. Um, 190 00:10:17,280 --> 00:10:19,600 Speaker 1: it's Iron Rapports Stereo Pockets. Listen to a little funk 191 00:10:20,040 --> 00:10:25,319 Speaker 1: and we're gonna be right back. 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Let's start with h Tony Romo being 210 00:11:37,559 --> 00:11:42,080 Speaker 1: paraded around as if he won ten super Bowl. Tony 211 00:11:42,160 --> 00:11:45,360 Speaker 1: Romo being paraded around is if he found the cure 212 00:11:45,400 --> 00:11:49,480 Speaker 1: for fucking cancer. Yeah, well, what is going on in Dallas? 213 00:11:49,960 --> 00:11:55,360 Speaker 1: Tony Romo? He he ain't no superhero, He ain't Aquaman, 214 00:11:56,280 --> 00:12:01,720 Speaker 1: he Superman. He wasn't even Troy eight Man. This dude was. 215 00:12:01,880 --> 00:12:06,120 Speaker 1: He was a good quarterback, but he wasn't Brett Farv 216 00:12:06,559 --> 00:12:10,520 Speaker 1: Tom Brady. He wasn't even round your store back. He's 217 00:12:10,559 --> 00:12:14,559 Speaker 1: not even Eli Manning. I don't know what the big 218 00:12:14,760 --> 00:12:17,720 Speaker 1: the big Shenanigans are over. Tony Romo. Yo, he had 219 00:12:17,760 --> 00:12:22,240 Speaker 1: a good career. Unfortunately the injuries caught up with him, 220 00:12:22,280 --> 00:12:24,800 Speaker 1: and that's it. Fourteen years is an n NFL quarterback. 221 00:12:24,840 --> 00:12:28,600 Speaker 1: That's a that's a blessing. You know, that's a blessing. 222 00:12:29,240 --> 00:12:31,800 Speaker 1: Your your time is over. The guy had broken backs 223 00:12:31,840 --> 00:12:35,720 Speaker 1: and kept coming back broken backs and serious injuries, and 224 00:12:35,760 --> 00:12:38,280 Speaker 1: then they got there parading him around like he was 225 00:12:38,360 --> 00:12:44,520 Speaker 1: that dude. He was not that dude. Never, yo. Never. 226 00:12:44,880 --> 00:12:50,480 Speaker 1: The guy is known, he's notorious for um choking in 227 00:12:50,559 --> 00:12:53,960 Speaker 1: the big moments. So how is he able to get 228 00:12:54,000 --> 00:12:58,559 Speaker 1: paraded around as if he won mad playoff games? He 229 00:12:58,640 --> 00:13:02,920 Speaker 1: got him to the yo. This dude don't deserve that, 230 00:13:03,160 --> 00:13:06,960 Speaker 1: like some some popmobile type ship where he just now 231 00:13:07,000 --> 00:13:10,520 Speaker 1: you're on the Dallas Mavericks and did you you you 232 00:13:10,520 --> 00:13:12,320 Speaker 1: you on the Dallas Mavericks And they're like, well, he 233 00:13:12,400 --> 00:13:14,480 Speaker 1: was a good guy. I'm a good fucking guy. I 234 00:13:14,480 --> 00:13:16,800 Speaker 1: don't see the Knicks suit me up in the last 235 00:13:17,360 --> 00:13:20,560 Speaker 1: meaningless game and down here against the Sixers. I'm a 236 00:13:20,559 --> 00:13:23,840 Speaker 1: good fucking guy. I'm on the public front lines taking 237 00:13:23,920 --> 00:13:28,360 Speaker 1: hits every day for the Knicks. This is professional basketball. 238 00:13:28,640 --> 00:13:33,520 Speaker 1: Mark Cuban. You are bugging my man. You're you made 239 00:13:33,720 --> 00:13:35,959 Speaker 1: and you made a documentary about the Knicks and they 240 00:13:36,040 --> 00:13:40,320 Speaker 1: still don't have no have you suit up? Gerald Moody, 241 00:13:40,400 --> 00:13:44,200 Speaker 1: as God is my witness. I have actual fucking dreams, 242 00:13:44,320 --> 00:13:46,960 Speaker 1: and I'm not talking about day dreams. I'm talking about 243 00:13:47,040 --> 00:13:52,160 Speaker 1: dreams while you're sleeping at forty seven years old, that 244 00:13:52,320 --> 00:13:54,520 Speaker 1: I still get a chance to play for the Knicks. 245 00:13:54,559 --> 00:13:57,320 Speaker 1: I never got offered to be on the layup line 246 00:13:57,320 --> 00:13:59,320 Speaker 1: and to do all that flash. They never give me 247 00:13:59,360 --> 00:14:03,439 Speaker 1: any fucking uniforms. They don't give a ship. And Tony Romo, 248 00:14:03,760 --> 00:14:06,240 Speaker 1: he's he's signed for the Mavericks for one day and 249 00:14:06,280 --> 00:14:08,040 Speaker 1: he wants to get it in there. They're yucking it 250 00:14:08,120 --> 00:14:13,840 Speaker 1: up and they're hooting. Hollerand Yo, Bret Farve, Tom Brady, 251 00:14:14,040 --> 00:14:18,320 Speaker 1: the great quarterbacks. You you you at certain points in 252 00:14:18,360 --> 00:14:22,320 Speaker 1: the game, Dan Reno, these dudes, Joe Montana, you would 253 00:14:22,320 --> 00:14:25,960 Speaker 1: wait for them to lead their team and catch up. 254 00:14:27,160 --> 00:14:30,120 Speaker 1: With Tony Romo. You would wait for him to lead 255 00:14:30,160 --> 00:14:35,320 Speaker 1: his team and funk up. It happens time and time again. 256 00:14:35,800 --> 00:14:38,520 Speaker 1: And then he ousted my man, Phil Simms, who has 257 00:14:38,600 --> 00:14:40,920 Speaker 1: two rings. One time he didn't make it to the 258 00:14:40,920 --> 00:14:42,560 Speaker 1: Super Bowl because he was hurt. But he got them 259 00:14:42,680 --> 00:14:46,160 Speaker 1: rings and things, two rings and things. Yeah, he did 260 00:14:46,200 --> 00:14:50,360 Speaker 1: his thing. As if Tony Romo is gonna come in 261 00:14:50,360 --> 00:14:52,960 Speaker 1: there and and be be able to announce, Jim Nance 262 00:14:53,080 --> 00:14:54,720 Speaker 1: is gonna be like, what the funk are you talking about? 263 00:14:54,720 --> 00:14:57,640 Speaker 1: Tony Romo was like, I feel like cam My Fumble here, 264 00:14:57,720 --> 00:14:59,280 Speaker 1: but like, how do you know that he will? That's 265 00:14:59,360 --> 00:15:01,560 Speaker 1: what I would have done, motherfucker, we're not talking about 266 00:15:01,560 --> 00:15:06,080 Speaker 1: you call a game man. Jim Nance is gonna be like, 267 00:15:06,200 --> 00:15:09,640 Speaker 1: we know what you did. You know Tony Romo was 268 00:15:09,680 --> 00:15:12,120 Speaker 1: gonna make a mistake, but not everybody's doing that ship 269 00:15:12,360 --> 00:15:16,200 Speaker 1: the carting this guy around like like he he he 270 00:15:16,280 --> 00:15:19,360 Speaker 1: was the reason for world peace. He is this week's 271 00:15:19,600 --> 00:15:23,120 Speaker 1: famous white person with no lips. That's the respect we 272 00:15:23,200 --> 00:15:25,840 Speaker 1: give you. Just because he he had his He had 273 00:15:25,840 --> 00:15:28,800 Speaker 1: a couple of dates with some big time chicks, doesn't 274 00:15:28,840 --> 00:15:32,160 Speaker 1: mean you big time Tony Romo. And somebody said, oh, 275 00:15:32,240 --> 00:15:35,239 Speaker 1: he should be on your stick Man list. I was like, motherfucker, 276 00:15:35,400 --> 00:15:39,040 Speaker 1: are you First of all, don't tell me who should 277 00:15:39,080 --> 00:15:41,520 Speaker 1: be on the stick Man list Number one, number two 278 00:15:41,800 --> 00:15:43,760 Speaker 1: just because you had a couple of days in the 279 00:15:43,800 --> 00:15:47,800 Speaker 1: sun with Jessica Simpson and and and some other country singers. 280 00:15:47,960 --> 00:15:50,720 Speaker 1: That ain't no stick man list you're supposed to do that. 281 00:15:50,760 --> 00:15:53,960 Speaker 1: You're a quarterback for the Dallas Cowboys, and that's all 282 00:15:54,040 --> 00:15:56,000 Speaker 1: you pulled off for fourteen years. I know he got 283 00:15:56,040 --> 00:15:58,720 Speaker 1: married young, but you ain't no stick man. You ain't 284 00:15:58,720 --> 00:16:02,440 Speaker 1: no Coxman. You ain't no Burgess. Meredith, you ain't know 285 00:16:02,760 --> 00:16:05,640 Speaker 1: Warren Beatti, and have you in the discussion. You're not 286 00:16:05,680 --> 00:16:08,080 Speaker 1: even know Joe Willie Nameeth. You know what kind of 287 00:16:08,160 --> 00:16:12,640 Speaker 1: damage Joe Willie Nameeth did up and down Broadway at 288 00:16:12,680 --> 00:16:16,320 Speaker 1: Madison Avenue during the sixties and the early seventies. Joe 289 00:16:16,360 --> 00:16:19,920 Speaker 1: Willie Nameeth with the fur coat. That is a stickman. 290 00:16:20,240 --> 00:16:23,720 Speaker 1: That is a coxman. Talk to me about Tony Romo 291 00:16:23,960 --> 00:16:28,720 Speaker 1: being a cocksman, Tony Romo being a stickman, and Joe 292 00:16:28,840 --> 00:16:33,520 Speaker 1: Namath when at Susie Colberg ESPN. So he was doing 293 00:16:33,600 --> 00:16:37,960 Speaker 1: stickman ship way up into his seventies. What he did 294 00:16:38,000 --> 00:16:42,080 Speaker 1: in New York. Then we're talking about world class coxman work. 295 00:16:43,160 --> 00:16:47,480 Speaker 1: Super Bowl for the New York Jets, the unheralded underdog 296 00:16:47,560 --> 00:16:50,560 Speaker 1: New York Jets. He had the cleft chin, the nice hair, 297 00:16:50,960 --> 00:16:53,760 Speaker 1: the laid back swag, and he was throwing the rock 298 00:16:53,840 --> 00:16:56,880 Speaker 1: down the field. He wasn't getting no interceptions. He's out 299 00:16:56,920 --> 00:17:00,480 Speaker 1: there playing. He's playing with like a fucking I A 300 00:17:00,560 --> 00:17:07,760 Speaker 1: softass T shirt is a helmet, yeah, Clark Coxman, this 301 00:17:07,800 --> 00:17:10,320 Speaker 1: is a man who racked up numbers on the field 302 00:17:10,600 --> 00:17:12,600 Speaker 1: and off the field. I don't hear no more about 303 00:17:12,880 --> 00:17:17,960 Speaker 1: Tony fucking Romo. Tony fucking Tony bologny ge. Tony Romo 304 00:17:18,800 --> 00:17:23,119 Speaker 1: is equivalent to like Randy Whitman in the NBA, like you, 305 00:17:23,440 --> 00:17:26,560 Speaker 1: you're not a star be you. You own the team 306 00:17:26,600 --> 00:17:28,959 Speaker 1: and you fucking up when we need you the most. 307 00:17:29,400 --> 00:17:32,080 Speaker 1: So you're not even. They're not even Steve Kerr as 308 00:17:32,080 --> 00:17:34,480 Speaker 1: a player. Steve Kerr knocked down shots to get them 309 00:17:34,480 --> 00:17:37,840 Speaker 1: the rings and things. Yeah, that's why I didn't That's 310 00:17:37,840 --> 00:17:40,879 Speaker 1: why I didn't call him. Yo, this guy is getting 311 00:17:40,920 --> 00:17:44,480 Speaker 1: too much props. How many playoff games that this dude 312 00:17:44,520 --> 00:17:47,600 Speaker 1: winning fourteen years? Yeah, I don't factor one, but there 313 00:17:47,680 --> 00:17:49,879 Speaker 1: they weren't a lot. He's more famous for the games 314 00:17:49,880 --> 00:17:51,679 Speaker 1: he lost and the way he lost him And it 315 00:17:51,760 --> 00:17:54,480 Speaker 1: wasn't like he was like one of those dudes on 316 00:17:54,520 --> 00:17:57,320 Speaker 1: a bad team and he was doing work he was 317 00:17:57,400 --> 00:17:59,800 Speaker 1: the reason why the Dallas Cowboys didn't get to the 318 00:18:00,119 --> 00:18:02,879 Speaker 1: X level. And you parade in this dude around and 319 00:18:02,960 --> 00:18:08,280 Speaker 1: the popemobile. Get the funk outta here, Yo, This really 320 00:18:08,320 --> 00:18:10,480 Speaker 1: bothered me today. We talked about this the other day 321 00:18:10,480 --> 00:18:14,280 Speaker 1: and everybody's seen it. This doctor on the flight from 322 00:18:14,400 --> 00:18:20,399 Speaker 1: United Airlines to United Airlines Chicago to Louisville, who was 323 00:18:20,480 --> 00:18:25,520 Speaker 1: dragged off the plane. Yeah, it's become like national news. Listen, 324 00:18:25,720 --> 00:18:28,240 Speaker 1: we made jokes about it. Obviously this is this is 325 00:18:28,280 --> 00:18:31,680 Speaker 1: a bad incident. Okay, obviously this was handled completely wrong. 326 00:18:32,240 --> 00:18:35,040 Speaker 1: But g Moody, I turned on the TV this morning, 327 00:18:35,080 --> 00:18:40,399 Speaker 1: on every fucking channel, every channel, this dude and his 328 00:18:40,520 --> 00:18:45,040 Speaker 1: lawyer and talking about his lawsuit as if as if 329 00:18:45,080 --> 00:18:49,480 Speaker 1: this was like a monumental occasion, like this was big news. Yo. 330 00:18:49,840 --> 00:18:52,440 Speaker 1: They asked money to leave, he didn't leave. He got 331 00:18:52,480 --> 00:18:54,879 Speaker 1: smacked around a little bit. Now you're talking about you 332 00:18:54,920 --> 00:18:59,240 Speaker 1: lost teeth, you gotta busted news, busted sinus system and 333 00:18:59,280 --> 00:19:03,760 Speaker 1: all that. My man cut the bullshit. And it turns 334 00:19:03,800 --> 00:19:10,640 Speaker 1: out that this doctor Dow that's his name, He fleed 335 00:19:11,080 --> 00:19:14,600 Speaker 1: Vietnam in nineteen seventy five one Saigon fell and he 336 00:19:14,680 --> 00:19:17,320 Speaker 1: was on a boat. He fleed Vietnam on a boat, 337 00:19:17,800 --> 00:19:21,480 Speaker 1: and he said that being dragged off the plane was 338 00:19:21,520 --> 00:19:24,800 Speaker 1: worse than fleeing Vietnam on a boat. Listen, motherfuck him. 339 00:19:25,000 --> 00:19:27,760 Speaker 1: We know you're gonna get a lawsuit, all right, but 340 00:19:27,840 --> 00:19:31,280 Speaker 1: cut the bullshit, man, How could that getting your little 341 00:19:31,280 --> 00:19:35,680 Speaker 1: lip busted on a plane? Obviously was upsetting. Obviously he 342 00:19:35,760 --> 00:19:39,119 Speaker 1: was probably scary. But they told you to get up, 343 00:19:39,280 --> 00:19:42,040 Speaker 1: Dr Dow. Why didn't you just get the funk up? Now, 344 00:19:42,359 --> 00:19:45,159 Speaker 1: get your money? And I don't understand why this has 345 00:19:45,240 --> 00:19:48,960 Speaker 1: become national fucking news. It's not like, uh, like there's 346 00:19:49,000 --> 00:19:52,199 Speaker 1: some craziness going on where where people are getting dragged 347 00:19:52,200 --> 00:19:55,879 Speaker 1: off planes, you know where there's craziness going on in 348 00:19:55,960 --> 00:19:59,000 Speaker 1: the streets with people getting shot and there, asked kicked 349 00:19:59,000 --> 00:20:02,520 Speaker 1: by the police all the fucking time. Yo, I called 350 00:20:02,520 --> 00:20:04,680 Speaker 1: for it, I asked for it. I said it didn't exist, 351 00:20:04,920 --> 00:20:09,919 Speaker 1: Gie Moody. Yeah. And and those police officers in Colorado 352 00:20:10,040 --> 00:20:14,080 Speaker 1: were about about it. A twenty two year old woman, 353 00:20:14,280 --> 00:20:19,560 Speaker 1: white woman with red hair, cute nice, was body slammed, 354 00:20:21,040 --> 00:20:25,640 Speaker 1: body slammed in Colorado the other day. That was more 355 00:20:25,720 --> 00:20:28,520 Speaker 1: scary than what they did to Dr Dow. No, disrespect 356 00:20:28,520 --> 00:20:31,480 Speaker 1: to Dr Dow. But they slammed this young girl to 357 00:20:31,560 --> 00:20:35,240 Speaker 1: the ground, thin white, because she's like pounds. They could 358 00:20:35,280 --> 00:20:39,080 Speaker 1: have busted her face, broken her ribs. It's like a 359 00:20:39,119 --> 00:20:45,160 Speaker 1: little blurb. Hey. I sighed with the cops grabbing money 360 00:20:45,160 --> 00:20:49,440 Speaker 1: off the plane. Um, I sighed with them. They told 361 00:20:49,480 --> 00:20:53,600 Speaker 1: him you're gonna be randomly selected, and we select you 362 00:20:54,280 --> 00:20:56,960 Speaker 1: to be removed. You know, you have to get off 363 00:20:56,960 --> 00:20:59,639 Speaker 1: the plane. And you don't get off, then we got 364 00:20:59,760 --> 00:21:02,760 Speaker 1: a physically take you off. And if your head hits 365 00:21:02,800 --> 00:21:06,800 Speaker 1: the arm rest and all that, that's incidental. Get off 366 00:21:06,800 --> 00:21:11,480 Speaker 1: the plane, that's incidental contact. Duke, that that's it that 367 00:21:11,680 --> 00:21:15,320 Speaker 1: it's not You were being unruly. You didn't want to leave, 368 00:21:15,480 --> 00:21:18,120 Speaker 1: so we gotta physically remove you, and you don't get 369 00:21:18,119 --> 00:21:23,880 Speaker 1: to determine how physical it's gonna. Get off the plane, Duke, 370 00:21:24,200 --> 00:21:26,960 Speaker 1: What would you get the fun up off the plane? Yo? Doc, 371 00:21:27,240 --> 00:21:29,800 Speaker 1: Doc down, Get the funk up off the plane? Man? 372 00:21:30,720 --> 00:21:33,280 Speaker 1: Fuck you think this is money? Yeah, you don't. You 373 00:21:33,280 --> 00:21:36,640 Speaker 1: don't make the rules. They selected you. Either you get 374 00:21:36,720 --> 00:21:39,160 Speaker 1: up or we're gonna get your ass something. That that's 375 00:21:39,200 --> 00:21:42,320 Speaker 1: what it is. I side with the cops. Word, I'm 376 00:21:42,320 --> 00:21:44,840 Speaker 1: sorry you got your lip bus here, here's five grand. 377 00:21:44,840 --> 00:21:48,119 Speaker 1: Take a fucking walk. Now, this is national news, every 378 00:21:48,160 --> 00:21:51,160 Speaker 1: fucking news channel. Come on me so much, sha, we're 379 00:21:51,160 --> 00:21:57,800 Speaker 1: bombing places. There's bombs was going on g while they 380 00:21:58,280 --> 00:22:05,000 Speaker 1: the bombs were being set off across the world. Yeah, man, yo, money, 381 00:22:05,040 --> 00:22:08,840 Speaker 1: you got himmed up, that's what it is. And get 382 00:22:08,880 --> 00:22:10,600 Speaker 1: off the plane. When they tell you, yo, we pick 383 00:22:10,680 --> 00:22:13,560 Speaker 1: you up, you gotta go. You can't negotiate with the 384 00:22:13,600 --> 00:22:17,439 Speaker 1: motherfucker's there's there's a police joke. They hammed you up 385 00:22:17,480 --> 00:22:21,520 Speaker 1: really nice. Okay, you you yo, You're lucky. It wasn't 386 00:22:21,560 --> 00:22:24,000 Speaker 1: worse money. It was using the Rodney King ship. You 387 00:22:24,080 --> 00:22:26,199 Speaker 1: got a little fucking busted lip. Man, Go get some 388 00:22:26,240 --> 00:22:28,680 Speaker 1: stitches in your ship. Keeping moving, duke. And the next 389 00:22:28,720 --> 00:22:30,480 Speaker 1: time they tell you to get the funk up, get 390 00:22:30,520 --> 00:22:34,080 Speaker 1: the funk up money. Yeah, and now now he's gonna 391 00:22:34,520 --> 00:22:38,440 Speaker 1: Now he's gonna form some Vietnam. Vietnamese lives matter. Now 392 00:22:38,600 --> 00:22:44,280 Speaker 1: some bullshit about planes and ship funk outta here, yo. 393 00:22:44,960 --> 00:22:49,399 Speaker 1: The jokes. The Joker's Jinks Roller Coaster and Washington d 394 00:22:49,480 --> 00:22:55,320 Speaker 1: C stopped in mid ride today with twenty people on it. 395 00:22:55,880 --> 00:23:00,000 Speaker 1: The Joker's Jinks Roller coaster at an amusement park and Washington, 396 00:23:00,119 --> 00:23:03,119 Speaker 1: d C. I don't funk with amusing parks. Are you 397 00:23:03,160 --> 00:23:05,920 Speaker 1: with roller coasters and all that? G Oh hell no. 398 00:23:06,280 --> 00:23:09,119 Speaker 1: I went on the Thunderbolt and Corney Allen in the 399 00:23:09,240 --> 00:23:12,040 Speaker 1: nineteen seventy nine and almost fell out of the ship. 400 00:23:12,480 --> 00:23:15,040 Speaker 1: So I've been I've been a It was like a phobia. 401 00:23:15,119 --> 00:23:17,040 Speaker 1: Now I get I get scared when I see them 402 00:23:17,119 --> 00:23:19,840 Speaker 1: fucking roller coasters. Yeah, I don't. I don't mess with that. 403 00:23:20,200 --> 00:23:22,000 Speaker 1: And and this is one of the reasons they had 404 00:23:22,040 --> 00:23:25,920 Speaker 1: to get the helicopters, the the rescue workers to get 405 00:23:25,920 --> 00:23:28,359 Speaker 1: them front. They were at the peak of it, hundreds 406 00:23:28,400 --> 00:23:31,520 Speaker 1: of feet in the air, stuck. Can you imagine, you know, 407 00:23:31,560 --> 00:23:35,360 Speaker 1: I would have beend g yo. You know I'm theatrical. 408 00:23:35,520 --> 00:23:39,840 Speaker 1: I literally would have been yo. I would have been crying. 409 00:23:40,480 --> 00:23:42,400 Speaker 1: You'd come up there, they have been like, what's wrong 410 00:23:42,480 --> 00:23:46,440 Speaker 1: with this dude? I would have been fucking crying, Yeah, 411 00:23:46,680 --> 00:23:48,199 Speaker 1: I would. I would have felt like I was a 412 00:23:48,320 --> 00:23:52,639 Speaker 1: death door. Those rides are not fun, you know. It 413 00:23:52,800 --> 00:23:58,600 Speaker 1: is when the Miami Heat grind it out and pop 414 00:23:58,640 --> 00:24:03,760 Speaker 1: it out all all the way to the last night 415 00:24:04,240 --> 00:24:07,800 Speaker 1: of the regular season in the NBA they had a 416 00:24:07,840 --> 00:24:12,320 Speaker 1: sliver of hope. They one thing could have went one 417 00:24:12,359 --> 00:24:14,600 Speaker 1: way in one game, they would have made it to 418 00:24:14,600 --> 00:24:18,320 Speaker 1: the playoffs. But you didn't. And you know who's happy. 419 00:24:18,840 --> 00:24:24,200 Speaker 1: I'm fucking happy. You guys ain't doing ship. The good 420 00:24:24,200 --> 00:24:29,000 Speaker 1: old days are over, you fox. Yeah, like all these 421 00:24:29,000 --> 00:24:32,400 Speaker 1: people on social media like, well, asshole, at least we 422 00:24:32,400 --> 00:24:35,440 Speaker 1: were close the Knicks. Uh, you know, you guys weren't 423 00:24:35,440 --> 00:24:39,760 Speaker 1: even close. This ain't horseshoes, you fuck you. Close don't 424 00:24:39,760 --> 00:24:43,320 Speaker 1: matter in basketball. Close don't matter in the NBA playoffs. 425 00:24:43,440 --> 00:24:48,200 Speaker 1: Pack your ship up, get your white silk shirts out. Okay, 426 00:24:48,920 --> 00:24:52,560 Speaker 1: snort up a little bath salt, go to the nightclub 427 00:24:52,800 --> 00:24:55,000 Speaker 1: and dance it off to some E. D M you 428 00:24:55,080 --> 00:24:59,240 Speaker 1: Miami heat fux. You you ain't making it the playoffs. Okay, 429 00:24:59,400 --> 00:25:02,840 Speaker 1: Alonso Morning ain't there, d Wade ain't there, and Bron 430 00:25:02,880 --> 00:25:06,120 Speaker 1: ain't there. The fucking party is over. And as soon 431 00:25:06,160 --> 00:25:08,040 Speaker 1: as pat Riley leaves, you guys are gonna go to 432 00:25:08,320 --> 00:25:14,240 Speaker 1: you're gonna be smithereens right, you're still sucking with Miami. 433 00:25:14,359 --> 00:25:18,320 Speaker 1: Lebron isn't damn man. Listen, you guys, you guys, You 434 00:25:18,359 --> 00:25:20,960 Speaker 1: guys didn't come to the games. When he was there. 435 00:25:21,000 --> 00:25:24,560 Speaker 1: You you left the whole the Miami Heat fans. I 436 00:25:24,600 --> 00:25:27,280 Speaker 1: lost respect for the Miami Heat fans when you walked 437 00:25:27,400 --> 00:25:32,760 Speaker 1: out and you missed collectively the Ray Allen shot versus 438 00:25:32,760 --> 00:25:34,600 Speaker 1: the Spurs, and I believe it was what was it 439 00:25:34,680 --> 00:25:37,520 Speaker 1: two thousand thirteen? You missed that, you dumb fox, and 440 00:25:37,560 --> 00:25:41,080 Speaker 1: you came running back into the arena dressed in all 441 00:25:41,200 --> 00:25:44,040 Speaker 1: white silk shirts trying to get in, and they were like, no, 442 00:25:44,359 --> 00:25:48,120 Speaker 1: your fucking bath salt sniffing fox, You're not allowed back 443 00:25:48,160 --> 00:25:52,600 Speaker 1: in the arena. You ain't real fans. You're holding that 444 00:25:52,640 --> 00:25:55,560 Speaker 1: ship against the fucking You're You're a crazy guy, man. 445 00:25:55,840 --> 00:25:59,040 Speaker 1: You're like DeNiro on that baseball ship. You're fucking crazy ball. 446 00:25:59,119 --> 00:26:01,560 Speaker 1: Fuck this it is what it is. You know what 447 00:26:01,640 --> 00:26:04,199 Speaker 1: else is going on in sports? This has nothing to 448 00:26:04,240 --> 00:26:08,720 Speaker 1: do with sports. New York Mets baseball season is started. 449 00:26:09,119 --> 00:26:11,520 Speaker 1: You know, you said you're a big time a hockey fan. 450 00:26:12,240 --> 00:26:15,639 Speaker 1: Obviously we love NBA. Jordan Winter and Miles Davis, the 451 00:26:15,720 --> 00:26:22,760 Speaker 1: producer Exhordinaires, they they love baseball, Okay, But Jose Reus, 452 00:26:23,520 --> 00:26:26,840 Speaker 1: Jose Reyus New York Mets. You hear about what he 453 00:26:26,920 --> 00:26:29,880 Speaker 1: kind of ship he's in. Yeah, he got a lot 454 00:26:29,880 --> 00:26:33,480 Speaker 1: of baby mama drama. Man's ship. Man, you gotta your loaf, 455 00:26:33,560 --> 00:26:37,280 Speaker 1: pro teck your loaf. Yo, he's out here. He got mistresses, 456 00:26:37,440 --> 00:26:43,639 Speaker 1: he got babies with mistresses. He's paying. He's married, Okay, 457 00:26:43,680 --> 00:26:45,600 Speaker 1: and he has he has a mistress who had a 458 00:26:45,640 --> 00:26:49,359 Speaker 1: baby with who he was parading around on the low 459 00:26:50,080 --> 00:26:54,720 Speaker 1: for months with. And she's bad. Christina Sanchez. He sort 460 00:26:54,720 --> 00:26:58,399 Speaker 1: of pictures off her. She was yeah, yeah, yeah, you 461 00:26:58,480 --> 00:27:02,120 Speaker 1: know you jose yo. Man, you you only live once, man. 462 00:27:02,200 --> 00:27:04,800 Speaker 1: Just take care of them kids, man, do the right thing. Man. 463 00:27:04,840 --> 00:27:07,840 Speaker 1: You you skied it. Now you gotta deal with it. Yeah, 464 00:27:07,880 --> 00:27:10,159 Speaker 1: you skied it now. Now. Now your bank account is 465 00:27:10,160 --> 00:27:13,479 Speaker 1: gonna be depleted because he's paying eleven thousand, five hundred 466 00:27:13,480 --> 00:27:17,320 Speaker 1: a month. She's trying to get forty grand a month 467 00:27:17,560 --> 00:27:20,560 Speaker 1: for this reason and that reason. Yo. That child support 468 00:27:21,080 --> 00:27:25,600 Speaker 1: is no joke. Okay, his wife is bad too, yo, Josey, 469 00:27:25,760 --> 00:27:28,920 Speaker 1: jose us. He's no joke. But you're gonna be swinging 470 00:27:28,920 --> 00:27:31,119 Speaker 1: that back to your fifty. My man, you're gonna be 471 00:27:31,119 --> 00:27:34,520 Speaker 1: paying a child support. The judge don't want to hear nothing. 472 00:27:35,000 --> 00:27:37,199 Speaker 1: You played for the New York Mets when they go 473 00:27:37,240 --> 00:27:39,520 Speaker 1: in there and see Christina Sanchez was trying to get 474 00:27:39,560 --> 00:27:42,200 Speaker 1: that money. The judge is gonna topple over because she's 475 00:27:42,240 --> 00:27:46,240 Speaker 1: a Oh man, you're gonna be he gonna be funding 476 00:27:46,320 --> 00:27:49,520 Speaker 1: his whole village back in the Dominican Republic. The lady's 477 00:27:49,520 --> 00:27:52,160 Speaker 1: gonna the lady's gonna kill him. Man, you're gonna keep 478 00:27:52,160 --> 00:27:55,040 Speaker 1: you gotta keep playing. Baseball pays a lot of money. 479 00:27:55,040 --> 00:28:00,399 Speaker 1: You gotta just keep healthy and play until bock it 480 00:28:00,440 --> 00:28:03,400 Speaker 1: to the wheels come off, because Yo, you're gonna be paying. 481 00:28:03,440 --> 00:28:05,600 Speaker 1: You can be paying your mistress. And I'm sure he's 482 00:28:05,600 --> 00:28:07,920 Speaker 1: got some other mistresses. And I'm not trying to try 483 00:28:07,920 --> 00:28:11,200 Speaker 1: to snitch on him, yo, but Yo, my man freaks off. Okay, 484 00:28:11,240 --> 00:28:13,800 Speaker 1: so I'm not coming I'm not condoning cheating. But if 485 00:28:13,800 --> 00:28:16,080 Speaker 1: you're gonna do it, do it like jose Reyus, because 486 00:28:16,080 --> 00:28:19,800 Speaker 1: he got himself a bricklayer on the side. She's bad, yo, Yo. 487 00:28:20,840 --> 00:28:25,040 Speaker 1: Jose Reys is a Dominican stick man, no doubt. And 488 00:28:25,080 --> 00:28:27,960 Speaker 1: this is just the ones we know about. Yo. Jose 489 00:28:28,119 --> 00:28:30,720 Speaker 1: Reyus of the New York Mets is about it, about it, 490 00:28:31,000 --> 00:28:33,760 Speaker 1: and and his his mistress, she's bout it about it. 491 00:28:33,800 --> 00:28:36,919 Speaker 1: Too about it. Yo, she she got eleven thousand, five 492 00:28:37,000 --> 00:28:38,600 Speaker 1: hundred of the month. She wants it boost it up 493 00:28:38,640 --> 00:28:44,040 Speaker 1: to forty one jeez a month. Oh, they're gonna probably 494 00:28:44,080 --> 00:28:47,680 Speaker 1: try a happy medium somewhere. The judge gonna give her 495 00:28:47,680 --> 00:28:50,480 Speaker 1: that because because she's bad. If I was the judge 496 00:28:50,480 --> 00:28:52,080 Speaker 1: and I've seen her come in the court room, I'll 497 00:28:52,120 --> 00:28:54,960 Speaker 1: be like, you're gonna get whatever you want. The judge 498 00:28:55,000 --> 00:28:59,720 Speaker 1: is gonna try to skeep. Yeah, but this tells you 499 00:29:00,080 --> 00:29:05,160 Speaker 1: that I advocate getting snipped. If you if you're about 500 00:29:05,200 --> 00:29:09,200 Speaker 1: to go into the league, get snipped. Don't do it 501 00:29:09,240 --> 00:29:14,040 Speaker 1: to yourself. Man, don't be out here Sean kemping wilding out. Yeah, 502 00:29:14,080 --> 00:29:16,280 Speaker 1: that's that's what that should be part of the contract. 503 00:29:16,800 --> 00:29:18,640 Speaker 1: And this is a message to all the young men 504 00:29:18,680 --> 00:29:22,880 Speaker 1: out there, okay, because this could happen too. Yeah. My 505 00:29:23,000 --> 00:29:26,440 Speaker 1: man from China, he's from southern China. He was freaking 506 00:29:26,440 --> 00:29:31,200 Speaker 1: off having that intimacy with his wife. Forty two year 507 00:29:31,240 --> 00:29:36,320 Speaker 1: old dude. Yo, my man broke his dick, duke. Oh 508 00:29:36,480 --> 00:29:41,560 Speaker 1: how just from skeeting, just from fundamental freaking off. Man. 509 00:29:41,840 --> 00:29:45,680 Speaker 1: He wasn't doing anything weird, anything unusual, He just he 510 00:29:45,840 --> 00:29:47,480 Speaker 1: just was. He was you know what he was doing. 511 00:29:47,480 --> 00:29:50,280 Speaker 1: He was sugar dick and probably he was sugar dicken, 512 00:29:50,720 --> 00:29:54,320 Speaker 1: and you know it happens. It's like yo, ball players 513 00:29:54,600 --> 00:29:58,480 Speaker 1: they tear their achilles. My man from China, Yo, he 514 00:29:58,560 --> 00:30:02,440 Speaker 1: was sugar dicken and boom, he broke his den and 515 00:30:02,480 --> 00:30:04,640 Speaker 1: he had to go to the doctor. They call it 516 00:30:04,760 --> 00:30:08,680 Speaker 1: eggplant deform and it ship swallowed up. He had purple 517 00:30:08,760 --> 00:30:11,040 Speaker 1: bruising on his loaf. And I want to just just 518 00:30:11,040 --> 00:30:15,440 Speaker 1: wish him a smooth uh and and healthy and and 519 00:30:15,520 --> 00:30:20,920 Speaker 1: you know, speedy recovery, you know, godspeed, Yeah, yeah, please man. Yo. 520 00:30:21,560 --> 00:30:25,560 Speaker 1: They said in the paper he was aggressive. They said 521 00:30:26,920 --> 00:30:30,320 Speaker 1: he was aggressive and it just snapped. Na. Na, you 522 00:30:30,360 --> 00:30:33,720 Speaker 1: see we're reading contracting. They want to do that because 523 00:30:33,760 --> 00:30:36,600 Speaker 1: they want to try to make it seem like uh, 524 00:30:36,640 --> 00:30:38,680 Speaker 1: they want to try. This is how they paint the picture. Try. 525 00:30:38,720 --> 00:30:40,960 Speaker 1: The media tries to pull the wool over your eyes. 526 00:30:42,360 --> 00:30:44,600 Speaker 1: I heard and I read, and my sources told me 527 00:30:44,640 --> 00:30:47,840 Speaker 1: that my man was just sugar dicken, just straight sugar dicken, 528 00:30:48,200 --> 00:30:51,120 Speaker 1: and just something went wrong. Yo. You see great athletes, 529 00:30:51,240 --> 00:30:53,320 Speaker 1: you know, like they're in shape. Boom they tear them. 530 00:30:53,320 --> 00:30:55,800 Speaker 1: Menis because he like what happened. It could happen. This 531 00:30:55,840 --> 00:30:57,840 Speaker 1: is a message to all the young skeeters out there 532 00:30:57,840 --> 00:30:59,920 Speaker 1: and the young shooters out there. They want to be coxman. 533 00:31:00,080 --> 00:31:04,080 Speaker 1: Got wanna be stick man. Yo, when you unfold the loaf, 534 00:31:04,240 --> 00:31:10,240 Speaker 1: just know anything can happen, Anything can happen. Yeah, um, 535 00:31:10,360 --> 00:31:15,400 Speaker 1: what else is going on? G I see uh? I 536 00:31:15,480 --> 00:31:20,640 Speaker 1: see Ms Janet, Mrs Janet Jackson? Is is is milling 537 00:31:20,680 --> 00:31:23,840 Speaker 1: about in London now that she's not with my man 538 00:31:24,000 --> 00:31:28,120 Speaker 1: from Qatar, that billionaire. So marriage broke up? I see her? 539 00:31:28,840 --> 00:31:36,320 Speaker 1: She said it was cultural differences and she needed her freedom. 540 00:31:36,480 --> 00:31:42,640 Speaker 1: Janet Jackson of the Jackson Family, Rhythm Nation. Janet Jackson. 541 00:31:42,720 --> 00:31:46,400 Speaker 1: She was married to some billionaire from She tried to 542 00:31:46,440 --> 00:31:48,360 Speaker 1: do the Mariah carry. I don't know why these pop 543 00:31:48,360 --> 00:31:52,120 Speaker 1: singers they do this in themselves. And now as she 544 00:31:52,160 --> 00:31:54,480 Speaker 1: had a baby and now she's divorcing and what was he? 545 00:31:54,600 --> 00:31:58,960 Speaker 1: What was the guy's deal? Oh sare's some cultural ship man? 546 00:31:59,000 --> 00:32:01,760 Speaker 1: You know, you know that was a Muslim and you 547 00:32:01,800 --> 00:32:05,160 Speaker 1: know women can't do ship man. You gotta you know, 548 00:32:05,200 --> 00:32:07,480 Speaker 1: you gotta have that hijab on your head when you 549 00:32:07,560 --> 00:32:12,760 Speaker 1: come out. You know, I think it's probably shipped like that, 550 00:32:12,840 --> 00:32:16,920 Speaker 1: you know, Janet's like, Jane's from Gary, Indiana. Man. People 551 00:32:16,960 --> 00:32:21,600 Speaker 1: think she from the hood ship man, Yo, that's true. 552 00:32:21,760 --> 00:32:24,880 Speaker 1: The Jacksons are from Gary, Indiana. Yo. You you you 553 00:32:24,960 --> 00:32:27,640 Speaker 1: might have an impression in your head that it's like, 554 00:32:27,680 --> 00:32:30,240 Speaker 1: you know, like the Waltons out there in Gary, Indiana. 555 00:32:30,400 --> 00:32:36,320 Speaker 1: Gary Indiana is a notorious ship hole andcorious, tough, hard 556 00:32:36,440 --> 00:32:40,920 Speaker 1: nosed bottom of the bottom hood. And the Jacksons are 557 00:32:40,960 --> 00:32:43,280 Speaker 1: from there. That did they say the Bradies and ship 558 00:32:43,640 --> 00:32:45,400 Speaker 1: like they might have tried to lack like they were 559 00:32:45,400 --> 00:32:48,080 Speaker 1: the Bradies, but this wasn't like you know, some motown 560 00:32:48,120 --> 00:32:51,160 Speaker 1: package ship. They came from a tough place. And Janet 561 00:32:51,720 --> 00:32:57,480 Speaker 1: it's from She's basically a hood chick, yo. And yeah, 562 00:32:57,560 --> 00:33:00,760 Speaker 1: you you go out there and you gotta you gotta 563 00:33:00,840 --> 00:33:04,040 Speaker 1: adhere to Derrick culture. And you know they ain't letting 564 00:33:04,040 --> 00:33:07,160 Speaker 1: you drive. Da ain't let you. You can't be outside 565 00:33:07,160 --> 00:33:10,840 Speaker 1: with your arms out, You can't go to the pool, yo. 566 00:33:11,080 --> 00:33:13,360 Speaker 1: This woman from America, man. And of course that she 567 00:33:13,440 --> 00:33:15,680 Speaker 1: was gonna she's gonna get tired of that ship. And 568 00:33:15,720 --> 00:33:17,800 Speaker 1: then he had her out there and like the high 569 00:33:17,880 --> 00:33:20,680 Speaker 1: end Gucci her jibs. You look at the picture. She 570 00:33:20,760 --> 00:33:22,920 Speaker 1: was a jibbed up Janet Jackson like she didn't have 571 00:33:22,960 --> 00:33:25,440 Speaker 1: the fool like you know, like you know, the full 572 00:33:25,480 --> 00:33:27,840 Speaker 1: thing over her face. But she was, she was rocking it. 573 00:33:27,840 --> 00:33:30,840 Speaker 1: We're talking about Janet Jackson Rhythm Nation, the girl who 574 00:33:30,960 --> 00:33:35,520 Speaker 1: sang control got my own life, I'm gonna make my 575 00:33:35,520 --> 00:33:40,080 Speaker 1: own motherfucking decisions. That that chick. She was dancing on 576 00:33:40,120 --> 00:33:43,240 Speaker 1: the chair with the jeans and all that. Yo, Yo, 577 00:33:43,520 --> 00:33:45,880 Speaker 1: you gotta dust yourself off and come back Janet, because 578 00:33:45,960 --> 00:33:48,960 Speaker 1: you you you need to come back on that, miss Jackson. 579 00:33:49,000 --> 00:33:51,479 Speaker 1: If your nasty ship you get, get your get your 580 00:33:51,480 --> 00:33:56,240 Speaker 1: mind right, Janet, hold your head. You you're bugging yeah. 581 00:33:56,280 --> 00:34:00,400 Speaker 1: But but no, no, she she came up. She got 582 00:34:00,400 --> 00:34:05,479 Speaker 1: five hundred mill from a pre nup. So I fucked 583 00:34:05,480 --> 00:34:18,719 Speaker 1: that nick. Oh shit, yo, five five hundred million, damn Yo. 584 00:34:19,800 --> 00:34:22,040 Speaker 1: But her jack she said, I know, she probably would. 585 00:34:22,040 --> 00:34:25,520 Speaker 1: You know, Janet Jackson is a black woman. So this 586 00:34:25,640 --> 00:34:29,000 Speaker 1: motherfucker said, you can't be outside with without you jack 587 00:34:29,480 --> 00:34:32,160 Speaker 1: I know. Janet probably was like, I think I ain't 588 00:34:32,200 --> 00:34:35,160 Speaker 1: wearing then I just got my head, did man. It's 589 00:34:35,200 --> 00:34:36,839 Speaker 1: you know what I'm saying, It's it's hot as fish. 590 00:34:36,880 --> 00:34:39,560 Speaker 1: Crease out this bit. You know the Black Ship came out. 591 00:34:39,680 --> 00:34:43,200 Speaker 1: That's the cultural differences I'm saying, right, that's that's that's 592 00:34:43,200 --> 00:34:47,640 Speaker 1: what the year you read in between the lines. Yeah, 593 00:34:48,000 --> 00:34:50,800 Speaker 1: you know, the people have spoken. We are a five 594 00:34:51,160 --> 00:34:54,880 Speaker 1: star podcast. We've even got soft ass T shirts to 595 00:34:54,920 --> 00:34:57,160 Speaker 1: prove it. Anytime you hear something on the I M 596 00:34:57,239 --> 00:35:01,360 Speaker 1: Rappaport podcast that is five star wars, go to iTunes 597 00:35:01,600 --> 00:35:04,880 Speaker 1: and give us five star reviews. You could do it 598 00:35:04,880 --> 00:35:07,120 Speaker 1: as many times you want. Leave us a review. We 599 00:35:07,239 --> 00:35:11,239 Speaker 1: see everything, ask a question, I llow us whatever you want. 600 00:35:11,600 --> 00:35:14,520 Speaker 1: Hit up iTunes, give us a review, the good, the bad, 601 00:35:14,600 --> 00:35:17,600 Speaker 1: the indifferent, whatever you want. We want to take over iTunes. 602 00:35:17,719 --> 00:35:20,160 Speaker 1: They still don't show us the love we deserve. You 603 00:35:20,400 --> 00:35:23,800 Speaker 1: All soft dess Iron Rapports Stereo podcast teachers are available 604 00:35:23,800 --> 00:35:26,480 Speaker 1: at district lines dot com, Forward slash iron Wrap Report. 605 00:35:26,880 --> 00:35:30,400 Speaker 1: We got the five star Stereo podcast t the Iron 606 00:35:30,440 --> 00:35:34,040 Speaker 1: Rapports Stereo Podcast, Zip up and pull over hoodies, the 607 00:35:34,080 --> 00:35:37,640 Speaker 1: full Iverson T shirt, the Stickman T shirt collection, the 608 00:35:37,840 --> 00:35:40,640 Speaker 1: I Don't fact Check the hard Body Karate T shirt 609 00:35:40,680 --> 00:35:42,960 Speaker 1: for men and women. Go to district lines dot com, 610 00:35:43,000 --> 00:35:49,319 Speaker 1: Forward slash I am rapp Report yo Ge you're in 611 00:35:49,360 --> 00:35:51,799 Speaker 1: New York every day. I'm in l a lot. What's 612 00:35:51,800 --> 00:35:55,919 Speaker 1: going on in the trains? Many they have a lady, 613 00:35:56,239 --> 00:35:59,200 Speaker 1: a lady got her head caught in the train the 614 00:35:59,239 --> 00:36:03,440 Speaker 1: other day, and nobody did anything. Man, you you you know, 615 00:36:03,640 --> 00:36:06,400 Speaker 1: you know where we at, you know what city this is. 616 00:36:06,440 --> 00:36:09,239 Speaker 1: That could be some some hustle ship. You know what 617 00:36:09,239 --> 00:36:12,520 Speaker 1: I'm saying, Like, that's why nobody. Uh, that's how New 618 00:36:12,600 --> 00:36:16,000 Speaker 1: York people are. You're not supposed to because everybody's a suspect. 619 00:36:16,400 --> 00:36:19,640 Speaker 1: Everybody's on the take. So that's why they didn't do nothing. 620 00:36:19,840 --> 00:36:23,200 Speaker 1: You don't know what that is. And then after this, 621 00:36:24,360 --> 00:36:27,719 Speaker 1: a woman attacked uh and m T a work on 622 00:36:27,760 --> 00:36:29,680 Speaker 1: the L train, which is the train that I always 623 00:36:29,760 --> 00:36:33,240 Speaker 1: used to take out to Brooklyn to see G Moody 624 00:36:33,280 --> 00:36:37,520 Speaker 1: on Browns with two five am. Uh. The m T, 625 00:36:37,680 --> 00:36:39,560 Speaker 1: a worker on the chain was attacked for being a 626 00:36:39,640 --> 00:36:42,840 Speaker 1: snitch by a man because they was pissing on the 627 00:36:42,880 --> 00:36:46,560 Speaker 1: training between cars. First of all, duke, you know, your dumbass, 628 00:36:46,800 --> 00:36:49,640 Speaker 1: you're pissing on the training between cars. You know, pisces 629 00:36:49,680 --> 00:36:55,040 Speaker 1: flying all over you. Right, I've done that when I 630 00:36:55,080 --> 00:36:57,920 Speaker 1: was a kid. It's stupid. The pistes flies back on 631 00:36:58,080 --> 00:37:01,239 Speaker 1: you no matter how you go, you'd loaf and then 632 00:37:01,400 --> 00:37:03,319 Speaker 1: the m t A working tells the coptain. Then they 633 00:37:03,360 --> 00:37:05,359 Speaker 1: beat him up. Come on this SAT the eighties, man, 634 00:37:05,400 --> 00:37:08,560 Speaker 1: New York. We're better than that, all right. Gee, let's 635 00:37:08,600 --> 00:37:11,480 Speaker 1: it man, that's it. We're done. We're shutting it down. 636 00:37:11,560 --> 00:37:14,960 Speaker 1: That's it. That's It's the Iron Rapports Stereo Podcast again. 637 00:37:15,920 --> 00:37:19,360 Speaker 1: We're going to be on tour May nine, San Francisco 638 00:37:19,400 --> 00:37:24,280 Speaker 1: at the Chapel, May eleven, and Seattle May thirteen in Vancouver, 639 00:37:24,320 --> 00:37:27,680 Speaker 1: British Columbia. Tickets are available at www dot Iron rapport 640 00:37:27,719 --> 00:37:29,920 Speaker 1: tour dot com. He is G. Moody. The last same 641 00:37:30,000 --> 00:37:32,440 Speaker 1: runs with duty. I am Michael rappaport a k the 642 00:37:32,440 --> 00:37:35,640 Speaker 1: Greeno Man Dingo and this is the Iron Rapports Stereo Podcast, 643 00:37:35,680 --> 00:37:44,560 Speaker 1: the only non vact checking podcast in the world. We're done.