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Speaker 1: It's with Jenny Garth and Tori Spelling. How you guys,

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Speaker 1: We're back for another episode of nine O two one

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Speaker 1: oh MG with my bestiees Jenny Tuerman. What's up? I

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Speaker 1: like that here? Yeah, you put your arms up? Wait,

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Speaker 1: you guys, what is going on on our social media page?

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Speaker 1: I know. I don't know if I'm more shook as

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Speaker 1: the kids say, by the episode we just watched, or

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Speaker 1: by the Instagram comments. It's getting hot in here, so

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Speaker 1: tick off all your clothes? No sorry, wait, actually like nope, nope,

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Speaker 1: I like, really it's so hot in here? Wait? So

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Speaker 1: we are We have like our private group chat and

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Speaker 1: it was like blowing up last night. We're going back

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Speaker 1: and forth and basically we were like, Amy, welcome to

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Speaker 1: our world. Like, can you do you think you can

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Speaker 1: read a little bit of one of the comments? You? Yeah,

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Speaker 1: you know, I will read it because so here's I've

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Speaker 1: been like all night actually like a little stressed because

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Speaker 1: I really want to ask you guys something, but I'm

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Speaker 1: stressed about how to ask it. What Just asking it

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Speaker 1: not okay because I don't even know if you guys

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Speaker 1: will be able to answer, So it might be a

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Speaker 1: question for everyone listening. Okay, alright, I like it, so okay,

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Speaker 1: so let me read this. I will. I will read

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Speaker 1: this because I mean it's on Instagram and I do

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Speaker 1: read every comment. There was someone that's like, can you

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Speaker 1: really read every comment? And the one thing, I don't

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Speaker 1: know how to use Instagram, so I only know how

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Speaker 1: to be a voidor like I can read everything, but

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Speaker 1: I don't know how. I would like just push repliment.

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Speaker 1: That seems so scary. Okay, so scary, right to do it?

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Speaker 1: Read it? Okay, So I'm gonna read you guys what

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Speaker 1: the person wrote. And like, I also know my voice

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Speaker 1: is annoying. I know that my voice. Everyone's voice is

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Speaker 1: annoying to someone that is that's objective. It's like art.

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Speaker 1: I've annoyed her with my voice for thirty years. Yeah,

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Speaker 1: what do you mean? I see I don't find your

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Speaker 1: voice annoying. I've annoyed myself with my own voice all

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Speaker 1: these years as well. I mean, to be fair, your

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Speaker 1: your voice is pretty like neutral and decent. Yeah, your

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Speaker 1: voice am like you both have you get excited, you're passionate,

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Speaker 1: Like that's being said, you have annoying voice because she

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Speaker 1: isn't like what you're saying, you both have television voices.

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Speaker 1: I'm sure you've done voiceovers. You guys are professionals. My

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Speaker 1: voice is annoying and I but I have heard from

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Speaker 1: a lot of people. So you guys are like my friends.

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Speaker 1: So you're being nice many people. I'm being nice. That's

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Speaker 1: in my wheelhouse. I'm being honest. That's the one thing

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Speaker 1: she will tell it like it is like honestly, like

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Speaker 1: you're a producer, but we have you on every week

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Speaker 1: because you're an uber fan. You have great perspective, and

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Speaker 1: her voice was annoying. We wouldn't want you to be

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Speaker 1: like I mean, I think you'd be as tolerated or

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Speaker 1: you're used to it. But because a lot of people

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Speaker 1: are like, why are you yelling at me? And I'm like,

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Speaker 1: this is just a speaking voice. Okay. So I'm gonna

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Speaker 1: read this and I'm not reading it to like like

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Speaker 1: call the person out or like to my own I

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Speaker 1: have an actual question about this. And I spent an

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Speaker 1: hour and a half thinking about this last night. So

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Speaker 1: what the person wrote was well, first they wrote, Amy

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Speaker 1: should listen how annoying her own voices? Which respect it

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Speaker 1: is all too maybe like take classes. Maybe I can

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Speaker 1: do something. But then she said before she makes fun

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Speaker 1: of Brenda's voice, I wasn't actually making fun of Brenda's voice.

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Speaker 1: I was trying to like do a character. But whatever,

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Speaker 1: stop dissing she Annon. It's really not cool. You're like

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Speaker 1: a middle school or trying to kiss up to the

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Speaker 1: popular girl to like you. You are the one making

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Speaker 1: such a big deal over Kelly and Brenda. Stop putting

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Speaker 1: a wedge between them even more than there is one.

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Speaker 1: We would all love to see everyone get along. Shannon

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Speaker 1: is way cooler than you would ever be. So here's

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Speaker 1: my question for you guys. And I'm being totally serious.

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Speaker 1: Like I I was a little word, I would cry,

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Speaker 1: but I'm gonna not cry. Why would people, and this

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Speaker 1: is not the only person, Why would people assume just

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Speaker 1: because I don't like Brenda that I don't like Shannon.

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Speaker 1: Because they have a lot of uber Fans have a

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Speaker 1: really hard time distinguishing between the characters and actors that

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Speaker 1: played them, which I mean, it's why we love them

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Speaker 1: so much is because they grew up a this show.

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Speaker 1: They feel like it was part of their lives. They

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Speaker 1: feel like, in a way it was their friends. Like

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Speaker 1: so it's hard to distinguish it. So she's just an

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Speaker 1: uber fan and she is like, wow, you sugarman, you're

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Speaker 1: officially in the nineties and West Beverly and you're in

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Speaker 1: our school. You should be walking up and down the hallway, right. Yeah,

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Speaker 1: And and that's what we said last night in the text.

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Speaker 1: We were like, welcome to being a celeb, like welcome

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Speaker 1: being the public eye, welcome to fame. Like everybody's going

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Speaker 1: to either build you up or knock you down. So

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Speaker 1: you've got to decide what you want to focus on.

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Speaker 1: But to answer your question, yeah, I mean, that's part

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Speaker 1: of the reason why Tory and I went the b

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Speaker 1: h N O two in a direction was because there's

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Speaker 1: such a blur between the real people and the characters

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Speaker 1: on this specific show more than I don't know, more

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Speaker 1: than so many other shows. What I was gonna say, Okay,

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Speaker 1: so you guys, I and I really take these comments

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Speaker 1: to heart, Like I don't. I try not to cry.

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Speaker 1: Sometimes I do, but for the most part, I really

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Speaker 1: want to learn from it because more than just like

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Speaker 1: getting to be on the air with you guys, I'm

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Speaker 1: the producer, so it's my job to read those things

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Speaker 1: and take into account. So I really thought hard, like,

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Speaker 1: is there another example I could give of like a

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Speaker 1: character I don't like? And I was like, if I

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Speaker 1: could even think of a person where I'm friends with

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Speaker 1: the person even though I don't like. Okay, And I

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Speaker 1: tried so hard because all I could come up with

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Speaker 1: is like I loved Aiden on Sex in the City,

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Speaker 1: But it doesn't mean I didn't like any of the

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Speaker 1: other boyfriends, or like, I, okay, here's my best one,

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Speaker 1: here's my best wife. I am team Logan. I don't

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Speaker 1: know if you guys know what that means, but it's

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Speaker 1: from Gilmore Girls and Rory had three boyfriends, Jess, Dean,

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Speaker 1: and Logan, and I am full team Logan. But no

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Speaker 1: one's ever been like, why do you hate my log

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Speaker 1: and Amelia. I think that's a guy girl thing. Honestly,

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Speaker 1: I think that that that you're talking about referencing guy characters.

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Speaker 1: What this person's got the beef with is with girl characters.

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Speaker 1: And especially that part of their comment that was like

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Speaker 1: why do you continue to drive a wedge between them

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Speaker 1: something of that nature? Right, That was very fascinating because

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Speaker 1: I don't. I don't think you are driving a wedge

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Speaker 1: between anyone. And also while I'm on it. Uh the

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Speaker 1: part about you sucking up to the popular girls. Hello,

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Speaker 1: Amy is our producer, she is our boss. If anybody

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Speaker 1: should be sucking up, it's us sucking up to her.

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Speaker 1: Let's do it right now. I love you, Amy, I

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Speaker 1: love your voice. Oh my god. If we want our

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Speaker 1: show to go on forever and ever, we come on.

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Speaker 1: And I'm actually not like to me, I'm so glad

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Speaker 1: we're talking about it, and I'm like sweating because I

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Speaker 1: don't want this person waiting for you to think I'm

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Speaker 1: I'm not criticizing them. I accept the comment, and I

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Speaker 1: really want to understand because I don't like Brenda. Like

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Speaker 1: even when we talk about this episode in the beginning

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Speaker 1: half of the episode, I was like, Brenda, she looks

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Speaker 1: amazing and this and this, and then she turns and

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Speaker 1: I had to write, see Brenda's annoying, Like the fact

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Speaker 1: that Brenda dumped Reek like that was annoying. And that's

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Speaker 1: the prevalent storyline right now. Of course you're going to

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Speaker 1: be hyper focused on talking about that storyline. And the

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Speaker 1: reason they wrote it that way is they want it

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Speaker 1: like you're supposed to choose, so you're supposed to invest

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Speaker 1: in it, that's and they get point of it. So

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Speaker 1: we're happy that you have your opinion, and we're happy

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Speaker 1: that this person has their opinion because that's why the

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Speaker 1: people love the show exactly. But it is so interesting

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Speaker 1: that she relines blur turned it to that, why don't

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Speaker 1: you like Shannon? Yeah, which is not Shannon as a person.

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Speaker 1: Maybe I've met Shannon one time, if one time, But

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Speaker 1: the thing is, like my job, I'm friends with Shannon's publicist,

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Speaker 1: Like that's my friends is the person's person? Do you

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Speaker 1: know what I mean? Like I book Shannon anytime she

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Speaker 1: wants anything, anywhere, anytime, whenever she needs anything, and she

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Speaker 1: may know that, but like her publicist, I would, I

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Speaker 1: don't even so that. I mean, it's kind of cool

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Speaker 1: that you probably never have this perspective. You're on the

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Speaker 1: flip side. You're dealing with celebrities, but there are people

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Speaker 1: behind the scenes making it work because she's a producer.

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Speaker 1: And now all of a sudden, you're hyper focus. You're

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Speaker 1: in the limelight and everyone's like talking about you, and

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Speaker 1: now you know, like, oh my god, all these years,

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Speaker 1: this is what all these celebrities are talking about. Remember

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Speaker 1: Jamie Walters, Yes, like he lost his career because and people,

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Speaker 1: he said, people would come up to him in the street.

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Speaker 1: He played Raid Pruett Donna Martin pushed her down the

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Speaker 1: stairs and spoiler sorry season five for example, and people

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Speaker 1: were like, why would you do that to Johnna and

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Speaker 1: like slap him. He's like, Amy, I don't wait, they

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Speaker 1: slapped him. You guys slapped in public one fan. Wow,

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Speaker 1: poor guy. That's so interesting. That's a great example because

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Speaker 1: I was trying so hard to think of a character

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Speaker 1: that I don't like but that I love the actor.

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Speaker 1: But I'm having a hard time like thinking of one

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Speaker 1: like I feel like we spent enough time talking about

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Speaker 1: this quite honestly, I'm sure everyone else because but but

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Speaker 1: but having said that, please keep commenting because it's fascinating, entertaining.

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Speaker 1: It makes Amy cry of Thimes. I laugh and like,

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Speaker 1: I like, I do text these guys, and I because

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Speaker 1: I texted you guys the other morning, like superly, and

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Speaker 1: I'm like, they're they care, like they care they're commenting.

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Speaker 1: So to me, it's like shocking that it's not just

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Speaker 1: the three of us that hear each other like that.

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Speaker 1: Somebody takes a power out of their week to listen

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Speaker 1: it's like, oh my gosh, so many people in our podcast,

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Speaker 1: you guys, and I love those comments because, yeah, it

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Speaker 1: gets people through their week. It gives them something to

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Speaker 1: look forward to. They they feel like they know us,

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Speaker 1: and kind of they do. So it's like we're all

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Speaker 1: hanging out, laughing together, and that's what's so great of

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Speaker 1: this is a conversation we're all having about our show,

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Speaker 1: a favorite show, and like it's just a good time.

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Speaker 1: So let's keep it positive people. I also love if

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Speaker 1: someone hates it but listens, Like if you hate it, like, um,

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Speaker 1: Ben Affleck had a terrible movie. It's called like deep

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Speaker 1: Water in the Water something, and I hate watching it

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Speaker 1: because I'm like, this is such a bad movie that

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Speaker 1: I need to watch it all the way to the end.

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Speaker 1: Like I love Ben Affleck, but it is a bad movie.

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Speaker 1: So also if you're like I hate them, like, let

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Speaker 1: us know what My question is. I wonder if shows

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Speaker 1: now with the new generation, when they watch shows, if

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Speaker 1: they blend characters and actors or if that's kind of

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Speaker 1: generational actor like question the eighties and nineties and early

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Speaker 1: two thousands, I don't know, you know what's crazy. There's okay,

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Speaker 1: First of all public apology. Uh, we have a fan.

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Speaker 1: Her name is Crystal. I called her Crystal because I

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Speaker 1: don't know, I've never heard the word Crystal. I've never

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Speaker 1: heard that name anyway. Sorry, Crystal, I love you. But

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Speaker 1: on some you know, public platforms, she was out it

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Speaker 1: and like made ridiculed for being such a fan. Yes, yes,

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Speaker 1: something something happened. I don't know the specifics, but there

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Speaker 1: was some involvement with the nine to one. Oh Bro

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Speaker 1: came to her defense. This is all stuff that I've

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Speaker 1: heard from my husband because he hears it at the

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Speaker 1: Douglas where Crystal visits at his restaurant all the time.

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Speaker 1: So they she was sharing with him that uh, some

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Speaker 1: some crazy stuff like that had gone down where people somebody,

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Speaker 1: some specific person I'm not sure who it was, was

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Speaker 1: um telling her she was an idiot or something for

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Speaker 1: thinking of them. Yeah, the thinking that we cared about

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Speaker 1: her because I guess you know, maybe she sent the

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Speaker 1: DVD collection and they were like you and you thank

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Speaker 1: her because you love her and if we desperately needed it.

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Speaker 1: But what a jerk that person is to be like

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Speaker 1: what they're like, you're a loser because you love nine

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Speaker 1: O'TO one oh, like you don't. You don't you know,

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Speaker 1: you don't give famous people presents. They don't care. You

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Speaker 1: know what I think it's really about. They're kind of

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Speaker 1: jelly that she actually does have a connection with us personally, yea,

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Speaker 1: specifically you. That's we just d we at his restaurant.

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Speaker 1: Like I have to ask Daron Martin about this, because now,

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Speaker 1: of course he would come to Christ's defense, right anyway,

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Speaker 1: I don't know this and Christmas and like, wow, I'm

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Speaker 1: going to come on in now. We needed the DVDs.

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Speaker 1: We do, we use them, so thanks Christine's. It's really interesting.

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Speaker 1: I mean I I say that like in all seriousness,

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Speaker 1: like it really is. I don't mock it. I'm not

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Speaker 1: judging it because I care about every single comment. I

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Speaker 1: told you, guys, yesterday, I was having this conversation with

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Speaker 1: a Pulitzer Prize winning journalist, like this guy is super smart,

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Speaker 1: way smarter than me, and he was talking about something

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Speaker 1: and I mentioned you guys. I mean he freaked out,

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Speaker 1: and so it's like everybody likes nine out two and O,

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Speaker 1: like this guy is, wait, tell us more about how

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Speaker 1: he freaked out about it. So I was using it

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Speaker 1: as an example because he's working on this project for us,

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Speaker 1: totally different. And I said, blah blah blah, like when

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Speaker 1: I talked to Torri and Jenny and he's like it

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Speaker 1: was like record screech. He goes, what And I'm like,

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Speaker 1: are you mocking me? He was joking. He goes, you know,

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Speaker 1: Tory Spelling and Jenny Garth and I'm like yeah, He's like,

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Speaker 1: is there anyway you could get me their autograph? Like what?

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Speaker 1: Was like, you guys, this guy is well, we're very

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Speaker 1: very popular with the Pulitzer Prisers were people journalists that

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Speaker 1: writes for like NPR, like like people stuff like he

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Speaker 1: writes about like probably like Wars. And I'm like this

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Speaker 1: time when we were talking about Kelly versus Brenda, so

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Speaker 1: he said, I get you an autograph? Like yeah, but

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Speaker 1: I'm like, are you joking with me? Like I thought

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Speaker 1: he was pulling my leg. He's like, I had the

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Speaker 1: sideburns like Brandon. I grew up with my sister watching

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Speaker 1: this like super fan and so kind and so smart

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Speaker 1: and had like the most smart thoughts about the rees.

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Speaker 1: Should we have him on one? We should get his

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Speaker 1: opinion on Kelly asked him, he is team Kelly. I'm

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Speaker 1: not gonna lie, but he had wonderful things to say

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Speaker 1: about Brenda. But he I said, is there any chance

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Speaker 1: you and your sister would come on? So he's asking

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Speaker 1: his sister and then I'll let you guys know. It

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Speaker 1: was so fun, crazy crazy. Yeah, Okay, we are going

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Speaker 1: to dive in to season three episode thirteen, Rebel with

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Speaker 1: a Cause, aired on November eleven. Wait for it, the

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Speaker 1: longest synopsis ever. Steve stays close to Andreae, now confined

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Speaker 1: to a wheelchair with two broken legs, who was keeping

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Speaker 1: on top of the fed's investigation at the school break

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Speaker 1: and of the school break, and he fears that she

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Speaker 1: may find out his criminal secret. Steve gets more worried

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Speaker 1: when the sleazy school janitor Hutchens demands more black Man

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Speaker 1: mind to keep quiet about Steve's copy of the Master Key. Meanwhile,

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Speaker 1: Brenda now dan Riek, freaks out when she sees Dylan

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Speaker 1: dating Kelly. Dylan gets bad news regarding his abilable let's

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Speaker 1: say t score, His frustration peaks, and he hits the road, shocking.

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Speaker 1: Jim's dull work life gets a lift by Dot Dot

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Speaker 1: Dot Dot What Okay, Don't? Directed by Daniel Addius, written

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Speaker 1: by Star Froman, Chris Broncotto, Kenneth Biller, Chip Johansson, and

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Speaker 1: some say Darren Starr. Did you see that comment that

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Speaker 1: they say that Darren Star maybe didn't really write them.

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Speaker 1: He just has his name on everything exactly, or we're

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Speaker 1: looking at the wrong source, but I think his name.

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Speaker 1: He probably gets a writing credit on everything, whether he

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Speaker 1: actually wrote it or off. Some of the episodes, of course,

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Speaker 1: but some say his name and some don't. But this one,

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Speaker 1: just like on air said Star Froman. Well, apparently she

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Speaker 1: had a little help. Okay, I don't know, like rewrites.

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Speaker 1: Maybe maybe that's what it happened. This was a big episode.

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Speaker 1: There were so many storylines going on, Like I was

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Speaker 1: all over the place. Did you like the episode? You

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Speaker 1: guys mean what I did? But I felt like I

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Speaker 1: felt like there was too much going on, Like I

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Speaker 1: wanted to see more of They focus just me, team Brenda,

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Speaker 1: team Kelly. Let's stay on that storyline. Sorry, I got excited.

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Speaker 1: Hit my mic like I'm sorry because it's such a

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Speaker 1: good storyline when it goes to like Steve, where it

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Speaker 1: goes to Andrea or you know, I'm just not I'm

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Speaker 1: like no, no, hurry, hurry, and then sorry, sorry, Jen Earms,

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Speaker 1: and then Jim Walsh. I'm like, I thought that I

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Speaker 1: have to say, let's talk about Dottie first, because the

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Speaker 1: scene with Mr and Mrs Walsh and Brandon discussing Dottie

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Speaker 1: and him's no chance with Dottie. I was laughing out loud,

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Speaker 1: like I thought that was it was cute between the

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Speaker 1: two of them, but I felt like it was really

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Speaker 1: weird when Brandon just walks into the foyer and starts

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Speaker 1: to objectify this grown woman in his doorway, Like, who

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Speaker 1: what young man talks to a grown woman like that?

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Speaker 1: Cindy Crawford, So it must be the Ears what so

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Speaker 1: pol Tricky, Pol Tricky who played Dottie? Um, I don't like.

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Speaker 1: I don't think I met her even then, but went

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Speaker 1: on to be like friends with her later in life,

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Speaker 1: Like I feel like she was at my first wedding

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Speaker 1: in my first husband and yeah, and we've lost touches.

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Speaker 1: He's coming on with us, we're trying to work it out,

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Speaker 1: we're talking to it. Okay. Wait, So I am obsessed

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Speaker 1: because the other nine oton Ho podcast, Pete Ferrarrow was like,

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Speaker 1: oh my god, there's some crazy story that Pol Tricky tells.

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Speaker 1: Do you remember. I was like, no, it's shocking what

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Speaker 1: we're going to hear that? She actually come on, but

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Speaker 1: she had a dentist appointment today or like an appointment,

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Speaker 1: and so were you just working out the schedule? Oh good,

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Speaker 1: it's gonna get juicy something to look forward to people.

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Speaker 1: She is lovely. So I'm sorry, I mean, you want

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Speaker 1: to talk about that Dottie line. I don't. I don't

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Speaker 1: know if I believe Jim. Honestly, I think it's just me,

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Speaker 1: but I'm a little jaded. But when when Jim professes that, uh,

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Speaker 1: you know, when I'm at work, all I think about

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Speaker 1: is work in my family. Right, So, do you think

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Speaker 1: Jim had that little fantasy about Dottie because Mrs Walsh

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Speaker 1: put it in his head. No, No, you think he's

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Speaker 1: been He's kind of like he's not going to do anything,

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Speaker 1: but we think he's got the hots for dots. Well,

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Speaker 1: now maybe he doesn't have the hots for but he's

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Speaker 1: not blind. Yeah, exactly, he's a man like. Yeah, I

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Speaker 1: don't know. It just made me a little upset with

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Speaker 1: my main man. But it was redeemed. All was redeemed

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Speaker 1: when I saw him in the blue robe. With its

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Speaker 1: jes hair smoking out. Oh, I can't what fringiest line

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Speaker 1: was when he's like, sleep with you, I mean sleep

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Speaker 1: on it. I was like, it was so good. I

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Speaker 1: was getting real mad. I was like, what is Donnie

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Speaker 1: moving it on? My man? I was getting so mad

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Speaker 1: for the lines blurred Tory, what do you think of

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Speaker 1: Dottie and Jim? Do you think it's platonic? Yeah? But

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Speaker 1: I think it could go somewhere. But does it? I

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Speaker 1: don't remember now? Oh, I mean we'll see. I liked

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Speaker 1: this scene. I feel like the story Paul Tricky has

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Speaker 1: is regarding Yeah, yeah, yeah, I think so too. Remember

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Speaker 1: that's my excited You're gonna be so excited that day.

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Speaker 1: I liked it because I loved seeing Jim and Cindy interact.

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Speaker 1: I think they have such a real they they seem married,

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Speaker 1: the way he says, what's the matter, honey, And you know,

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Speaker 1: it just seemed the way that was written. The whole

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Speaker 1: thing about it was just really good. I had a

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Speaker 1: hard time listening because I was so distracted by her

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Speaker 1: plaid suit while she's making the fried chicken. Um who

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Speaker 1: wears a plaid sigurt? I mean suit, full suit jacket,

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Speaker 1: and no little shorts, a little take the jacket off.

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Speaker 1: The jack off. If you're gonna get grease splattered on it,

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Speaker 1: come on, that's going to ruin that, I know. And

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Speaker 1: then she wears it for the rest of the episode. Well,

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Speaker 1: Jim is in a row, he's in a different outfit.

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Speaker 1: He comes like, I wonder if it just smells the food,

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Speaker 1: and then he put after shave on. Let's go to

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Speaker 1: iron first, because we want to save the best for

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Speaker 1: the middle. I mean, it's kind of juicy and dramatic,

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Speaker 1: but kind of dumb. Part which part which hacker and

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Speaker 1: they is on the case? Do the fans really come

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Speaker 1: to investigate? The synopsis there through me because it said

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Speaker 1: that the Feds were investigating this. Maybe back then it

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Speaker 1: was a big deal. They had the time apparently to

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Speaker 1: come to school investigate the Wow. Yeah, I don't know.

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Speaker 1: I was really into Hutchins. Yeah, a good character actor,

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Speaker 1: Like what was he and you know he probably was

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Speaker 1: in something back in the Yeah, you're talking about the janitor, right, yes, yeah,

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Speaker 1: I could have watched him for a while. So here's

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Speaker 1: my question. I mean, what a bad dude the janitor is? Right,

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Speaker 1: like that is essentially a teacher at the school and

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Speaker 1: he is blackmailing a child. Is he a teacher? He's

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Speaker 1: not a teacher. I mean, I consider anyone that works

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Speaker 1: in a school is like some sort of faculty, yeah, authority,

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Speaker 1: and he's like literally blackmailing a kid. It's so that

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Speaker 1: guy's shockingly evil for nine O two one, oh, do

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Speaker 1: you know what I mean? Like that's a reister. Yeah.

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Speaker 1: I just I was surprised he took a hundred bucks.

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Speaker 1: I was surprised he didn't want more. It was like,

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Speaker 1: I know, he's like we're good for a now or whatever.

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Speaker 1: I was like. Then he then he wised up and

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Speaker 1: he was like, oh, I see I can get some

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00:24:31,440 --> 00:24:38,560
Speaker 1: more money. It's so inappropriate and like I don't know,

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Speaker 1: I don't buy it, but like, okay, I can suspend

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Speaker 1: whatever disbelief. Is that what they say? I kind of

404
00:24:45,760 --> 00:24:51,560
Speaker 1: appreciate the effort of putting making another storyline, so like, um,

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Speaker 1: what cereal? Like it goes from episode episode episode like

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Speaker 1: it builds, but how much more? What's gonna is somebody

407
00:24:59,600 --> 00:25:02,040
Speaker 1: going to go to jail? The feaser there? What's going

408
00:25:02,080 --> 00:25:04,480
Speaker 1: to happen? Like is it does it keep going? I

409
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Speaker 1: don't know, well and we have the drama of the legacy,

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Speaker 1: but she secretly means, is I hope it ends next?

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Speaker 1: I hope a done? Please tell how many more episodes?

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Speaker 1: And the Brandon knows, Brandon knows. Brandon's like, dude, I

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Speaker 1: know this is like a series arc now, like why

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Speaker 1: and then Andrea wheeling around in a wheelchair. I can't

415
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Speaker 1: put the lengths straight out. That's really gotta be awkward.

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Speaker 1: Getting the do look so hard Because you told me

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Speaker 1: that story last week, I was like, do I see

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Speaker 1: the feet? Do? I seem like is it a cast?

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Speaker 1: And it was just a blank at this time. I

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Speaker 1: don't know. So now though, it is starting to make

421
00:25:42,920 --> 00:25:46,560
Speaker 1: sense why Iron said to you Tori the legacy key

422
00:25:46,640 --> 00:25:50,240
Speaker 1: was such a major thing because I think he considers

423
00:25:50,240 --> 00:25:56,280
Speaker 1: the legacy key this entire yep. Seeing that now, yeah,

424
00:25:56,520 --> 00:26:00,400
Speaker 1: makes sense, makes sense. Done in David, Uh, I didn't

425
00:26:00,400 --> 00:26:02,920
Speaker 1: have a lot to do in this episode. They were

426
00:26:02,960 --> 00:26:04,880
Speaker 1: just kind of like in and out, in and out,

427
00:26:06,080 --> 00:26:10,119
Speaker 1: but still together. They moved the storyline along a lot.

428
00:26:11,520 --> 00:26:14,960
Speaker 1: Just yeah, I didn't there was not anything meat there

429
00:26:15,080 --> 00:26:17,280
Speaker 1: for them this week. I didn't feel like and Donna's

430
00:26:17,320 --> 00:26:21,120
Speaker 1: so interesting. I was thinking about this story because with

431
00:26:21,160 --> 00:26:26,200
Speaker 1: the Kelly Brenda like all that. It's like Donna really

432
00:26:26,359 --> 00:26:32,479
Speaker 1: throughout the series is the peacemaker, the you know, she

433
00:26:32,680 --> 00:26:36,080
Speaker 1: really is trying to you know, the therapist of the group,

434
00:26:36,160 --> 00:26:38,919
Speaker 1: kind of trying to keep everybody. I don't know what

435
00:26:38,920 --> 00:26:44,119
Speaker 1: what the word is for that PTSD. I mean because

436
00:26:44,160 --> 00:26:48,119
Speaker 1: in real life, like it was a little bit of

437
00:26:48,119 --> 00:26:52,000
Speaker 1: that too, like when there would be like offset but

438
00:26:52,160 --> 00:26:57,399
Speaker 1: still on set friction between Jen and Shannon because you

439
00:26:57,440 --> 00:27:00,760
Speaker 1: know we've discussed before we were all friends. They were friends,

440
00:27:00,840 --> 00:27:04,320
Speaker 1: but they too strong personalities and when things would happen

441
00:27:04,840 --> 00:27:07,200
Speaker 1: to areas women, you know, it would and I would

442
00:27:07,200 --> 00:27:10,280
Speaker 1: just be like, it's okay, it's okay, it's okay, it's okay,

443
00:27:10,320 --> 00:27:14,080
Speaker 1: like still like me kind of thing. So it's very Donna,

444
00:27:15,080 --> 00:27:18,040
Speaker 1: very telling. Also what you just said referring back to

445
00:27:18,160 --> 00:27:24,280
Speaker 1: the person that blends Shannon and Brenda, because you all

446
00:27:24,359 --> 00:27:28,360
Speaker 1: do two in some ways, I think we might have

447
00:27:28,400 --> 00:27:34,000
Speaker 1: been more obviously art imitates life imitates art type of

448
00:27:34,040 --> 00:27:41,000
Speaker 1: deal a little bit. Yeah, yeah, yeah, it always felt

449
00:27:41,040 --> 00:27:44,080
Speaker 1: like we were we were with Shannon, not Brenda when

450
00:27:44,119 --> 00:27:48,879
Speaker 1: we were off camera, like it never that, Okay. I

451
00:27:48,920 --> 00:27:54,120
Speaker 1: guess my question would be for Jenny, it's like it

452
00:27:54,200 --> 00:27:57,959
Speaker 1: was hard for you now and over the course of

453
00:27:58,040 --> 00:28:03,320
Speaker 1: the Kelly versus Brenda. You know, I'm team Brenda, and

454
00:28:03,359 --> 00:28:07,159
Speaker 1: it made you feel bad. So does it, Like we

455
00:28:07,160 --> 00:28:10,840
Speaker 1: talked about this this week, it bleeds. So maybe maybe

456
00:28:10,840 --> 00:28:13,240
Speaker 1: you never would have had friction with Shannon if the

457
00:28:13,240 --> 00:28:16,920
Speaker 1: storylines would have been different. I don't know. Maybe not.

458
00:28:18,240 --> 00:28:21,960
Speaker 1: I don't know, because maybe it's inside your body's like

459
00:28:21,960 --> 00:28:25,360
Speaker 1: like you said, you you girls are against each other,

460
00:28:25,960 --> 00:28:30,120
Speaker 1: that's what you're supposed to do, Like yeah, yeah, like

461
00:28:30,200 --> 00:28:32,680
Speaker 1: maybe it infiltrates, Like I don't I don't know. I'm

462
00:28:32,720 --> 00:28:35,320
Speaker 1: being like, maybe we need a therapist. Maybe because we

463
00:28:35,320 --> 00:28:39,440
Speaker 1: were so young and like and so impressionable at that age,

464
00:28:39,840 --> 00:28:42,360
Speaker 1: maybe it did have a deeper impact on us than

465
00:28:42,400 --> 00:28:47,520
Speaker 1: either of us really recognized or want to recognize. Really,

466
00:28:47,560 --> 00:28:49,960
Speaker 1: it's like if someone tells you you're mean, You're mean,

467
00:28:50,000 --> 00:28:52,480
Speaker 1: you two times your friend, you two times your friend.

468
00:28:52,800 --> 00:28:54,560
Speaker 1: You did this, you did this, you did this, you

469
00:28:54,600 --> 00:28:57,040
Speaker 1: did this. At some point you go, I did this.

470
00:28:57,200 --> 00:29:01,160
Speaker 1: I'm a bad person. Yeah, this is gonna go in

471
00:29:01,200 --> 00:29:08,720
Speaker 1: the backyard and eat some worms. Like I suck. I mean,

472
00:29:08,760 --> 00:29:13,720
Speaker 1: I mean, Kelly sucks. But right, but Okay, you said

473
00:29:13,800 --> 00:29:18,120
Speaker 1: I sunk and you don't. But Kelly's I don't think

474
00:29:18,120 --> 00:29:25,520
Speaker 1: she's like but it blurs, it blurs, blurs, it burns,

475
00:29:25,560 --> 00:29:29,600
Speaker 1: it blurs. I don't know, Like Tori, did you ever

476
00:29:29,680 --> 00:29:33,160
Speaker 1: have that same experience maybe with the being the virgin

477
00:29:33,600 --> 00:29:37,080
Speaker 1: or if Donna was the good girl, if Tori Spelling

478
00:29:37,200 --> 00:29:40,760
Speaker 1: was being more of a bad girl, did it mix

479
00:29:40,800 --> 00:29:48,960
Speaker 1: you up? Now? It's interest fair, No, I mean it

480
00:29:49,080 --> 00:29:54,160
Speaker 1: is a part. I mean third season, all the characters

481
00:29:54,200 --> 00:29:58,440
Speaker 1: are getting really highly infused in some way with the

482
00:29:58,480 --> 00:30:01,760
Speaker 1: actual actors. I feel like, m hm, and it's coming

483
00:30:01,760 --> 00:30:07,080
Speaker 1: out more. There's more freedom, I think two okay for

484
00:30:07,240 --> 00:30:11,440
Speaker 1: safety in the job. Now we're relaxed. People are just

485
00:30:11,760 --> 00:30:16,320
Speaker 1: being themselves a little bit more. And yeah, there was

486
00:30:16,480 --> 00:30:20,280
Speaker 1: a few times watching this episode that when I saw

487
00:30:20,400 --> 00:30:23,400
Speaker 1: Shannon playing Brenda, I was like, that felt more Shannon

488
00:30:23,880 --> 00:30:27,120
Speaker 1: then Brenda. There was just a couple of moments and

489
00:30:27,160 --> 00:30:31,840
Speaker 1: I was like, yeah, I'm seeing it come out. I

490
00:30:31,840 --> 00:30:37,440
Speaker 1: could see it. Mh. Wow. Well let's take a good break,

491
00:30:37,480 --> 00:30:39,000
Speaker 1: you guys. I think we should take a break and

492
00:30:39,040 --> 00:30:53,400
Speaker 1: come back and continue on m First of all, how

493
00:30:53,440 --> 00:30:56,280
Speaker 1: hot was Brenda in her opening scene when she walks

494
00:30:56,280 --> 00:30:58,400
Speaker 1: into the school in the boostier with her hair all

495
00:30:58,480 --> 00:31:02,680
Speaker 1: like fell had that hat. She looked like hot mama,

496
00:31:02,840 --> 00:31:07,200
Speaker 1: Like what a voie? Her hair is amazing, amazing hair.

497
00:31:07,960 --> 00:31:13,560
Speaker 1: Oh yeah, always that outfit. I just kept staring at it,

498
00:31:13,640 --> 00:31:16,680
Speaker 1: like I got distracted. It was distracting. But Donna was

499
00:31:16,720 --> 00:31:19,959
Speaker 1: wearing the cutest outfit that totally was stylish today. The

500
00:31:20,000 --> 00:31:22,760
Speaker 1: crop top vest was short, like it was like very

501
00:31:22,800 --> 00:31:27,400
Speaker 1: fashionable today. What are you wearing khakis? It was like

502
00:31:27,440 --> 00:31:31,560
Speaker 1: that commercial. Yeah, she's in khaki and to thigh. You

503
00:31:31,600 --> 00:31:33,560
Speaker 1: know when you get like when you're in a breakup

504
00:31:33,600 --> 00:31:36,520
Speaker 1: and it's like when you get a divorce or whatever,

505
00:31:36,600 --> 00:31:39,640
Speaker 1: you want to look extra hot, like right, and you're

506
00:31:39,640 --> 00:31:42,120
Speaker 1: really after it. Like I knew that. I felt that

507
00:31:42,200 --> 00:31:44,400
Speaker 1: coming in strong and she was like, I'm gonna look

508
00:31:44,480 --> 00:31:49,360
Speaker 1: good in this episode because I need to like show

509
00:31:49,440 --> 00:31:52,240
Speaker 1: him or show them or something, you know. So I

510
00:31:52,280 --> 00:31:54,800
Speaker 1: have one technical question that I thought was really interesting

511
00:31:54,800 --> 00:31:59,240
Speaker 1: about the episode. I think Tori and Brenda, sorry Donna

512
00:31:59,240 --> 00:32:06,960
Speaker 1: and Brenda. See I didn't even flinch, Like, Okay, Donna

513
00:32:07,000 --> 00:32:11,320
Speaker 1: and Brenda are walking and you're walking, you know, through

514
00:32:11,320 --> 00:32:14,080
Speaker 1: the school yard or whatever, and then you walk into

515
00:32:14,080 --> 00:32:16,800
Speaker 1: the classroom, and then it was this really cool segue

516
00:32:16,960 --> 00:32:19,600
Speaker 1: right to Ian and David and I know from the

517
00:32:19,600 --> 00:32:21,360
Speaker 1: West Wing they call it like a walk and talk.

518
00:32:22,360 --> 00:32:25,400
Speaker 1: It's like one shot, so you would not be complicated

519
00:32:25,440 --> 00:32:27,240
Speaker 1: to do, right, do you remember that at all? Like

520
00:32:27,680 --> 00:32:30,920
Speaker 1: you can't mess it up or you screwed them? Yeah?

521
00:32:31,200 --> 00:32:33,440
Speaker 1: I feel like we hated those We were like taken

522
00:32:33,560 --> 00:32:35,479
Speaker 1: so long because they would probably do it like fifty

523
00:32:35,520 --> 00:32:41,240
Speaker 1: million times because there's so many moving parts. There's like wait, sorry,

524
00:32:41,240 --> 00:32:44,920
Speaker 1: I'm backtracking, not really, but Jen, like if you're out

525
00:32:44,960 --> 00:32:47,120
Speaker 1: somewhere you just hear someone randomly say Kelly, do you

526
00:32:47,160 --> 00:32:51,479
Speaker 1: turn around? Oh great question? Um, first I get scared.

527
00:32:55,080 --> 00:32:57,440
Speaker 1: I kind of get like nervous and the hunch of

528
00:32:57,480 --> 00:33:00,240
Speaker 1: my shoulders up a little, and then I had to

529
00:33:00,280 --> 00:33:03,480
Speaker 1: be invisible. Like do you ever feel that feeling of

530
00:33:03,560 --> 00:33:06,600
Speaker 1: like if I just hold really still, it'll go away.

531
00:33:06,880 --> 00:33:11,040
Speaker 1: It'll they won't It won't be about me. Yeah, you

532
00:33:11,400 --> 00:33:15,440
Speaker 1: don't want the attention, you're like, because sometimes people sometimes

533
00:33:15,440 --> 00:33:19,520
Speaker 1: people will do that just to like prove that I am. Like,

534
00:33:19,640 --> 00:33:22,920
Speaker 1: they'll yell out Kelly just to see I do react,

535
00:33:22,960 --> 00:33:26,240
Speaker 1: because if I do react, then it's really me. But

536
00:33:26,560 --> 00:33:28,719
Speaker 1: a lot of the time, they're not talking about me

537
00:33:28,720 --> 00:33:31,960
Speaker 1: at all. They're just talking to somebody else named Kelly.

538
00:33:32,520 --> 00:33:36,200
Speaker 1: But I but first, like gut, it's like when someone says, mom,

539
00:33:36,240 --> 00:33:38,600
Speaker 1: you always turn it's not your kid, like, so I'm

540
00:33:38,600 --> 00:33:40,840
Speaker 1: just saying, like, if you just hear like Kellarie, like

541
00:33:41,200 --> 00:33:44,360
Speaker 1: for just a second, even in your head, like do

542
00:33:44,400 --> 00:33:48,440
Speaker 1: you do you? Oh, if someone says Donna anywhere and

543
00:33:48,480 --> 00:33:50,440
Speaker 1: they're just like, it's a girl named Donna, I always

544
00:33:50,480 --> 00:33:56,200
Speaker 1: like I'll respond to Tory Donna mom, like what I like, yeah,

545
00:33:56,760 --> 00:34:00,120
Speaker 1: I turn around. Yeah, it's definitely something that perks are

546
00:34:00,120 --> 00:34:05,040
Speaker 1: ears up and you're like, okay, yeah, you guys, this

547
00:34:05,120 --> 00:34:09,480
Speaker 1: is crazy pisis because we're proving our own points. Oh

548
00:34:09,520 --> 00:34:20,840
Speaker 1: my god, where geniuses like we I mean surprise. So

549
00:34:22,400 --> 00:34:33,839
Speaker 1: I guess we need to start with Jenny, who who that? Okay,

550
00:34:34,480 --> 00:34:36,840
Speaker 1: I want to know how you were feeling last night

551
00:34:36,960 --> 00:34:39,960
Speaker 1: or this morning whenever you watched it right after, like

552
00:34:40,040 --> 00:34:43,200
Speaker 1: how your body felt, like how you're emotional. Not Kelly,

553
00:34:43,239 --> 00:34:47,960
Speaker 1: but like Jenny Garth. I had so much anxiety watching

554
00:34:48,000 --> 00:34:52,840
Speaker 1: this episode, like physical shortness of breath, like someone is

555
00:34:52,840 --> 00:34:56,160
Speaker 1: sitting on my chest, that kind of feeling. I was

556
00:34:56,200 --> 00:34:58,799
Speaker 1: so nervous and just like I just have notes all

557
00:34:58,840 --> 00:35:01,360
Speaker 1: over my favorite I have anxiety, I have anxiety, I

558
00:35:01,400 --> 00:35:04,880
Speaker 1: have any But it got me going, like I was,

559
00:35:05,000 --> 00:35:11,279
Speaker 1: it was stressful and I'm and it was it was

560
00:35:11,360 --> 00:35:14,319
Speaker 1: something so sweet and beautiful about it, but then there

561
00:35:14,360 --> 00:35:21,719
Speaker 1: was something so ugly and embarrassing and and like what

562
00:35:21,840 --> 00:35:24,799
Speaker 1: I don't want to ever be and I doesn't want

563
00:35:24,840 --> 00:35:28,160
Speaker 1: to see Kelly having to be in that position or Brenda.

564
00:35:28,840 --> 00:35:31,759
Speaker 1: It was just really messed up, just so messed up.

565
00:35:31,920 --> 00:35:35,600
Speaker 1: And also I felt like this guy he might be real,

566
00:35:35,680 --> 00:35:39,840
Speaker 1: real cute, but is he really worth this, like destroying

567
00:35:39,840 --> 00:35:46,239
Speaker 1: a friendship or and also the way he's acting like

568
00:35:48,800 --> 00:35:52,399
Speaker 1: it didn't seem to matter to him, and the way

569
00:35:52,440 --> 00:35:57,480
Speaker 1: he leaves m hmm, it's just what he does, right,

570
00:35:57,520 --> 00:36:02,280
Speaker 1: he walks out cowardly. It's just cowardly. And it started

571
00:36:02,360 --> 00:36:08,480
Speaker 1: like as a woman, Yeah, I really recognized how lost

572
00:36:08,560 --> 00:36:11,680
Speaker 1: a mix up in this emotion. These two girls were

573
00:36:12,680 --> 00:36:18,080
Speaker 1: about a guy who really didn't deserve it. Oh, Heavy Tory,

574
00:36:18,160 --> 00:36:20,000
Speaker 1: what about you? I mean I'd love to ask you

575
00:36:20,040 --> 00:36:24,040
Speaker 1: the same question, how you felt like as the credits rolled,

576
00:36:25,440 --> 00:36:29,239
Speaker 1: so I've been like truly invested, you know, obviously I

577
00:36:29,360 --> 00:36:30,880
Speaker 1: used to. Like back the day, I was always like,

578
00:36:30,920 --> 00:36:33,680
Speaker 1: oh my god, like Brenda and Dylan, they were an

579
00:36:33,800 --> 00:36:37,600
Speaker 1: ultimate couple, like I want that when I get older.

580
00:36:37,719 --> 00:36:40,160
Speaker 1: And then rewatching it, I was like, you know what

581
00:36:40,200 --> 00:36:42,759
Speaker 1: they had, they just weren't meant to be. Maybe they

582
00:36:42,760 --> 00:36:47,800
Speaker 1: were like on some level soulmates some but not this lifetime,

583
00:36:47,880 --> 00:36:50,759
Speaker 1: not meant to be or right now, maybe somewhere down

584
00:36:50,760 --> 00:36:54,760
Speaker 1: the road, um, but you know. And then Kelly and Dylan,

585
00:36:54,840 --> 00:36:57,919
Speaker 1: I was like, yes, yes, yes, So I just love

586
00:36:58,040 --> 00:37:00,880
Speaker 1: them together. I love the chemistry, I love everything about them.

587
00:37:00,920 --> 00:37:03,560
Speaker 1: This week, I had a hard time staying focused on

588
00:37:03,600 --> 00:37:06,640
Speaker 1: the storyline because I was so I felt nervous every

589
00:37:06,680 --> 00:37:09,200
Speaker 1: scene I was taken out because I felt nervous for

590
00:37:09,360 --> 00:37:14,919
Speaker 1: gents reaction. To be honest, for my reaction. Now, yeah,

591
00:37:16,000 --> 00:37:20,759
Speaker 1: the discuss I really did. Each time I was like, oh, man, like, yeah,

592
00:37:20,760 --> 00:37:22,440
Speaker 1: it was hard to She's not going to be happy

593
00:37:22,480 --> 00:37:25,760
Speaker 1: about this, She's that this is gonna hurt her soul. Like, yeah,

594
00:37:25,760 --> 00:37:27,080
Speaker 1: it was hard. It was hard for me to watch.

595
00:37:27,200 --> 00:37:29,640
Speaker 1: One of the conversations, Tory, that's very interesting you brought

596
00:37:29,719 --> 00:37:33,400
Speaker 1: that up. One of the conversations going on on social

597
00:37:34,239 --> 00:37:37,960
Speaker 1: is are you seeing it differently as you're rewatching it,

598
00:37:38,120 --> 00:37:43,600
Speaker 1: like these guys watching are saying back then in the

599
00:37:43,680 --> 00:37:48,160
Speaker 1: nineties they were team Brenda and watching it now they

600
00:37:48,200 --> 00:37:50,520
Speaker 1: are team Kelly. And I'm sure the reverse is true too.

601
00:37:50,600 --> 00:37:55,080
Speaker 1: So Jenny, for you, when you were doing it, what

602
00:37:55,160 --> 00:37:58,000
Speaker 1: was your experience versus now watching it? Like, when you

603
00:37:58,040 --> 00:38:00,200
Speaker 1: were doing it, did you feel any of the things

604
00:38:00,200 --> 00:38:06,920
Speaker 1: you're feeling now? It was just true what you're probably feeling.

605
00:38:06,920 --> 00:38:10,719
Speaker 1: Other things like not not related to this topic. I was.

606
00:38:11,040 --> 00:38:13,759
Speaker 1: I mean when I was working with Luke, when we

607
00:38:13,760 --> 00:38:16,319
Speaker 1: were shooting those scenes, like the scenes at the observatory,

608
00:38:16,360 --> 00:38:22,440
Speaker 1: which I had totally forgotten about, amazing classic scene. Um

609
00:38:22,800 --> 00:38:27,760
Speaker 1: I was. I could tell. I could remember how special

610
00:38:27,840 --> 00:38:31,920
Speaker 1: that time was and how um good it felt to

611
00:38:32,000 --> 00:38:34,600
Speaker 1: be working just with him and for he and I

612
00:38:34,680 --> 00:38:38,440
Speaker 1: to be to get to have that time together. I

613
00:38:38,480 --> 00:38:43,040
Speaker 1: remember really loving, right, did you, because can you remember

614
00:38:43,080 --> 00:38:45,680
Speaker 1: it all? Like you must have had multiple days up

615
00:38:45,719 --> 00:38:47,920
Speaker 1: there just the two of you, because none of the

616
00:38:47,960 --> 00:38:49,880
Speaker 1: rest of the cast was there or would have been there.

617
00:38:49,880 --> 00:38:52,560
Speaker 1: It would just be you guys with the crew because

618
00:38:52,600 --> 00:38:58,000
Speaker 1: that was the Griffith absorbing observatory. That was it, which

619
00:38:58,120 --> 00:39:02,520
Speaker 1: is thus Rebel with a Cause, because in Rebel Without

620
00:39:02,520 --> 00:39:06,719
Speaker 1: a Cause with James Dean, there was a big observatory Natalie, what, oh,

621
00:39:06,760 --> 00:39:11,880
Speaker 1: that's great knowledge, Tori. I didn't realize that. Yeah, it

622
00:39:12,040 --> 00:39:16,400
Speaker 1: was just what it felt like time was standing like

623
00:39:16,640 --> 00:39:19,120
Speaker 1: time was standing still when we were doing that stuff,

624
00:39:19,120 --> 00:39:24,000
Speaker 1: like it was like frozen and I had forgotten all

625
00:39:24,040 --> 00:39:28,400
Speaker 1: about it, and now watching it, I remember how it felt.

626
00:39:28,400 --> 00:39:34,239
Speaker 1: And it was all the things. It was good and

627
00:39:34,280 --> 00:39:38,200
Speaker 1: bad and confusing and exciting and terrifying and you know,

628
00:39:40,280 --> 00:39:44,040
Speaker 1: but then there was also that like the factor reality

629
00:39:44,080 --> 00:39:46,160
Speaker 1: of going and doing the scene in the restaurant where

630
00:39:47,520 --> 00:39:51,160
Speaker 1: Kelly and Dylan are are having a weird dessert moment,

631
00:39:51,400 --> 00:39:57,120
Speaker 1: like what what was happening with that chocolate mouse? The

632
00:39:57,200 --> 00:40:01,640
Speaker 1: history of why she eat she can't have a bite

633
00:40:01,680 --> 00:40:05,680
Speaker 1: of dessert? Oh I shouldn't girl eat the dessert. And

634
00:40:05,719 --> 00:40:07,680
Speaker 1: then you go a tiny bit and he literally gave

635
00:40:07,760 --> 00:40:12,880
Speaker 1: you like like a pin dot. Oh my gosh. That

636
00:40:13,000 --> 00:40:16,799
Speaker 1: means that makes me think like it would have been

637
00:40:16,840 --> 00:40:20,759
Speaker 1: so luke to like smashing your face. But we're like, yeah,

638
00:40:20,840 --> 00:40:22,759
Speaker 1: I'm just just kidding. And then you guys would like

639
00:40:23,000 --> 00:40:28,839
Speaker 1: be like happy um or actually you would, you would

640
00:40:28,840 --> 00:40:31,120
Speaker 1: have done that first, right, But if there was just

641
00:40:31,200 --> 00:40:33,160
Speaker 1: a pin dot, I feel like, was he giving you

642
00:40:33,200 --> 00:40:34,960
Speaker 1: too much? At first? I wonder if there was like

643
00:40:35,040 --> 00:40:38,319
Speaker 1: some like something back and forth like can you not

644
00:40:38,520 --> 00:40:41,000
Speaker 1: give me so much food? I'm trying I have to

645
00:40:41,040 --> 00:40:43,480
Speaker 1: talk like why. He probably thought it was funny, probably,

646
00:40:43,600 --> 00:40:46,400
Speaker 1: and then finally he's like, ok ok wait before the drama,

647
00:40:46,680 --> 00:40:51,960
Speaker 1: when you watch yourself with that really like beautiful, amazing

648
00:40:52,080 --> 00:40:54,919
Speaker 1: shot with l A behind you, and you guys must

649
00:40:54,920 --> 00:40:57,400
Speaker 1: have been kissing for hours and hours and hours because

650
00:40:57,440 --> 00:41:01,120
Speaker 1: obviously it's like a seven minute kissing scene, so that

651
00:41:01,200 --> 00:41:06,080
Speaker 1: probably took days. What are you watching? One day took

652
00:41:06,120 --> 00:41:09,640
Speaker 1: one night, one night, it was nine days of kissing.

653
00:41:10,440 --> 00:41:12,400
Speaker 1: What do you think when you're because I'm trying to

654
00:41:12,440 --> 00:41:14,840
Speaker 1: think as a fan, what I'm thinking when I'm watching

655
00:41:14,880 --> 00:41:19,120
Speaker 1: the makeout? What are you thinking? Because it's you? I

656
00:41:19,880 --> 00:41:27,080
Speaker 1: mean at that time in my life. Now, okay, both

657
00:41:27,080 --> 00:41:28,600
Speaker 1: both both both people are gonna kill me if you

658
00:41:28,600 --> 00:41:31,600
Speaker 1: don't do both both. I mean, I was into it,

659
00:41:32,160 --> 00:41:35,399
Speaker 1: we were filming it. I'm not gonna lie. I wasn't

660
00:41:35,440 --> 00:41:38,880
Speaker 1: thinking about much other than I'm like, you have to

661
00:41:38,880 --> 00:41:41,000
Speaker 1: think because there's a part where your legs are like

662
00:41:41,239 --> 00:41:45,120
Speaker 1: so beautifully crossed while you're making out on that ledge.

663
00:41:45,600 --> 00:41:48,960
Speaker 1: Are they like going okay? Or were you guys kind

664
00:41:48,960 --> 00:41:52,440
Speaker 1: of just doing your thing? We were just kind of

665
00:41:52,440 --> 00:41:57,760
Speaker 1: doing I'm pretty sure. And at the hands, the hands

666
00:41:57,760 --> 00:42:03,200
Speaker 1: to the yes and the hair like, so, what do

667
00:42:03,280 --> 00:42:05,840
Speaker 1: you think when you're watching it now? Because really blushed.

668
00:42:05,880 --> 00:42:11,320
Speaker 1: I don't know why because it was major was major beauty.

669
00:42:11,360 --> 00:42:13,479
Speaker 1: They had a lot of chemistry, that's for sure, those

670
00:42:13,520 --> 00:42:19,240
Speaker 1: two kids, I mean, I guess. And then the kissing

671
00:42:19,239 --> 00:42:21,960
Speaker 1: in the restaurant over the table, I mean, this entire

672
00:42:22,000 --> 00:42:26,839
Speaker 1: episode is like Kelly and Dylan kissing. Yeah, And as

673
00:42:27,080 --> 00:42:29,360
Speaker 1: I'm watching it, I'm like, I want them to keep kissing,

674
00:42:29,400 --> 00:42:33,200
Speaker 1: Like I as a person watching the show fan, I

675
00:42:33,239 --> 00:42:38,960
Speaker 1: want to see more of that because I like it same. Okay,

676
00:42:39,080 --> 00:42:41,680
Speaker 1: I have a question, what do you think would have

677
00:42:41,800 --> 00:42:49,880
Speaker 1: happened had Dylan and Kelly not bumped into Brenda and Reek? Like, question,

678
00:42:50,760 --> 00:42:54,040
Speaker 1: what do you think would have and should have? M

679
00:42:54,320 --> 00:42:57,759
Speaker 1: m both of you? They probably well, he said come

680
00:42:57,800 --> 00:43:01,320
Speaker 1: home with me, spend the night with me, Kelly, that

681
00:43:01,320 --> 00:43:03,320
Speaker 1: that would have that would have gone They would have

682
00:43:03,400 --> 00:43:07,319
Speaker 1: gone home and done things. I think so too, Yeah,

683
00:43:07,560 --> 00:43:10,400
Speaker 1: things are I think it would have done it for sure,

684
00:43:11,719 --> 00:43:14,480
Speaker 1: which I was like, whoa, Kelly, slow your roll, like,

685
00:43:15,800 --> 00:43:18,640
Speaker 1: slow it down. I really wanted. I wrote down, whoa,

686
00:43:18,719 --> 00:43:21,600
Speaker 1: she's really moving fast, but she wan't. Then she says

687
00:43:21,840 --> 00:43:25,520
Speaker 1: she wants to take it slow. Yeah. So at the observatory,

688
00:43:25,560 --> 00:43:27,440
Speaker 1: why they're it was so weird because I was like,

689
00:43:27,920 --> 00:43:29,400
Speaker 1: what do you think is going to happen here? Like,

690
00:43:29,520 --> 00:43:32,320
Speaker 1: it's not like like you guys are gonna have sex right observatory.

691
00:43:32,520 --> 00:43:37,960
Speaker 1: They're wait wait, wait, wait, gotta stop them, like, and

692
00:43:38,000 --> 00:43:40,719
Speaker 1: they're so dressed fancy. And also this is those moments

693
00:43:40,719 --> 00:43:42,640
Speaker 1: where I'm like, this is not high school, Like, no

694
00:43:42,800 --> 00:43:45,479
Speaker 1: to high school kids go to that fancy, five star

695
00:43:45,560 --> 00:43:48,399
Speaker 1: restaurant and eat Like I was thinking the same thing.

696
00:43:48,440 --> 00:43:51,480
Speaker 1: But then I was thinking, they're both really rich, like

697
00:43:51,520 --> 00:43:57,040
Speaker 1: they they're both comfortable with that kind of excess because

698
00:43:57,160 --> 00:44:00,320
Speaker 1: that's with the life that they've lived. And so it

699
00:44:00,360 --> 00:44:02,200
Speaker 1: didn't make It didn't bother me so much that they

700
00:44:02,200 --> 00:44:05,840
Speaker 1: were at a fancy, grown up restaurant. It was weird

701
00:44:06,840 --> 00:44:11,040
Speaker 1: that you called it growning all grown up. It was

702
00:44:11,080 --> 00:44:13,480
Speaker 1: weird that he was wearing a tie. That was a

703
00:44:13,480 --> 00:44:17,040
Speaker 1: little weird. High schoolers say spend the night with me?

704
00:44:18,680 --> 00:44:21,520
Speaker 1: What what? What What would what would he have said? A

705
00:44:21,600 --> 00:44:26,719
Speaker 1: high school kid does not say spend the night with me? Well,

706
00:44:26,719 --> 00:44:29,239
Speaker 1: first of all, high school kids don't have houses like

707
00:44:29,320 --> 00:44:35,680
Speaker 1: he has with no parents. High school kids have curfews

708
00:44:35,719 --> 00:44:37,359
Speaker 1: and they have to be home by like I think

709
00:44:37,400 --> 00:44:44,359
Speaker 1: twelve fifteen. Still, because like, how was Kelly spending the night?

710
00:44:44,400 --> 00:44:47,400
Speaker 1: Like you have a mom, Like that is a question,

711
00:44:47,520 --> 00:44:49,680
Speaker 1: like you're just allowed. You would probably lie and say

712
00:44:49,719 --> 00:44:52,600
Speaker 1: I stayed at Grinda's house or Downa's house, but the

713
00:44:52,640 --> 00:44:57,240
Speaker 1: irony of that would have been But I was like, wow,

714
00:44:58,920 --> 00:45:03,520
Speaker 1: that is really um difficult to do. When they get

715
00:45:03,560 --> 00:45:06,680
Speaker 1: up from the restaurant table and they're walking and kissing

716
00:45:06,719 --> 00:45:09,839
Speaker 1: and walking, well, how do you that? Loo was really

717
00:45:09,880 --> 00:45:12,879
Speaker 1: complicated to kind of walk straight ahead but be kiss

718
00:45:12,920 --> 00:45:15,680
Speaker 1: they at the same time. Very weird and obviously we

719
00:45:15,800 --> 00:45:18,880
Speaker 1: knew you were going to bump into them. But also really,

720
00:45:18,920 --> 00:45:22,400
Speaker 1: there's four bajillion restaurants in l A, Like, come on, really,

721
00:45:22,880 --> 00:45:26,200
Speaker 1: but it's meant to me. It was startling, even though

722
00:45:26,200 --> 00:45:28,600
Speaker 1: I knew it was like a chasscare, I was like,

723
00:45:28,600 --> 00:45:32,840
Speaker 1: oh god, oh, I mean there was so many moments

724
00:45:32,880 --> 00:45:36,360
Speaker 1: in this episode, like there were so many just lines

725
00:45:36,920 --> 00:45:41,000
Speaker 1: that we're hard for me, like when he said, uh,

726
00:45:41,200 --> 00:45:43,240
Speaker 1: the first one was like what he said to Kelly,

727
00:45:43,280 --> 00:45:46,280
Speaker 1: we don't have to hide it anymore, And I thought,

728
00:45:47,560 --> 00:45:52,160
Speaker 1: why I'm so confused. I was so confused because I

729
00:45:52,320 --> 00:45:56,279
Speaker 1: hadn't really been hiding it. I've just been like stuffing it,

730
00:45:57,400 --> 00:46:00,839
Speaker 1: and he wasn't hiding anything because he was just back

731
00:46:00,880 --> 00:46:05,400
Speaker 1: with Brenda. Well, and did you notice they kissed at school?

732
00:46:06,160 --> 00:46:08,320
Speaker 1: That I was going to say that that really felt

733
00:46:08,360 --> 00:46:12,840
Speaker 1: so wrong. Everybody could have seen them. Everyone could everyone

734
00:46:12,960 --> 00:46:18,280
Speaker 1: was out there. It's not where was everyone? They see everything,

735
00:46:18,440 --> 00:46:21,799
Speaker 1: like there's no other characters around, and it's not like

736
00:46:21,920 --> 00:46:25,280
Speaker 1: the other kids in school don't know what other kids

737
00:46:25,280 --> 00:46:29,600
Speaker 1: are dating. So like, even if Brenda and Donna weren't around,

738
00:46:29,760 --> 00:46:32,680
Speaker 1: like all the other kids would have been like, did

739
00:46:32,719 --> 00:46:35,799
Speaker 1: you just see Dolan and Kelly kissing in the quade?

740
00:46:37,000 --> 00:46:41,000
Speaker 1: Is that travels fast? Does it happen that quickly? Like

741
00:46:41,120 --> 00:46:43,440
Speaker 1: less than forty eight hours? They were both like moving

742
00:46:43,440 --> 00:46:50,279
Speaker 1: on to somebody else. Yeah, because I think Donna even

743
00:46:50,360 --> 00:46:55,240
Speaker 1: acknowledges that with with Brenda. Yeah she did, was Donna?

744
00:46:56,880 --> 00:47:03,120
Speaker 1: Mm hmm? All then a also then he said, well,

745
00:47:03,400 --> 00:47:07,239
Speaker 1: first then she says to Kelly, no, he's free to

746
00:47:07,280 --> 00:47:09,719
Speaker 1: go out with whoever he wants. But she didn't know

747
00:47:10,560 --> 00:47:16,160
Speaker 1: that she was talking about Kelly, right, and nobody says

748
00:47:16,200 --> 00:47:20,239
Speaker 1: that intending that their best friend is included in that.

749
00:47:21,239 --> 00:47:25,879
Speaker 1: So I do feel for Brenda. Look, I was sort

750
00:47:25,920 --> 00:47:30,359
Speaker 1: of understanding Brenda throughout this episode. She was trying to

751
00:47:30,400 --> 00:47:33,520
Speaker 1: take the high road and trying to say to Dylan, like,

752
00:47:34,239 --> 00:47:36,400
Speaker 1: do you you should date who you want? I'm going

753
00:47:36,440 --> 00:47:38,360
Speaker 1: to date, like this is our whole point. But I

754
00:47:38,440 --> 00:47:42,800
Speaker 1: don't think her intention was ever meaning including my best friend.

755
00:47:44,040 --> 00:47:48,680
Speaker 1: I understood why she was so heartbroken when she bumping

756
00:47:49,080 --> 00:47:51,080
Speaker 1: I mean, that's it's one thing to say that, but

757
00:47:51,120 --> 00:47:53,359
Speaker 1: then for her to find out that he was had

758
00:47:53,400 --> 00:47:55,760
Speaker 1: moved right on to anybody else would have been hurtful,

759
00:47:57,160 --> 00:48:00,920
Speaker 1: because there's difference since saying in and actually living it.

760
00:48:01,000 --> 00:48:05,879
Speaker 1: But hey, yeah, for Tivy, Kelly was like, oh my god. Yeah,

761
00:48:05,920 --> 00:48:07,640
Speaker 1: I mean, I guess we have to think about this.

762
00:48:08,160 --> 00:48:12,279
Speaker 1: She's out with Rick and and Dylan acknowledges it. He

763
00:48:12,480 --> 00:48:15,000
Speaker 1: was the guy that gave her the tour in France,

764
00:48:15,200 --> 00:48:20,279
Speaker 1: that she kissed in France, so he is also right

765
00:48:20,560 --> 00:48:26,520
Speaker 1: to be sort of irritated, like he's from because she's

766
00:48:26,560 --> 00:48:33,040
Speaker 1: moved on so fast. So just like Brenda is right

767
00:48:33,120 --> 00:48:36,959
Speaker 1: to be hurt, so is Dylan. Yeah, but because there

768
00:48:37,320 --> 00:48:39,000
Speaker 1: if they're going to stand there and be so hurt,

769
00:48:39,360 --> 00:48:43,160
Speaker 1: like get back together, Like I was like, I didn't

770
00:48:43,160 --> 00:48:47,120
Speaker 1: feel for him though, like he's making himself not very vulnerable. Yeah,

771
00:48:47,120 --> 00:48:49,320
Speaker 1: he was kind of jerky about it. Yeah, what the

772
00:48:49,400 --> 00:48:52,360
Speaker 1: writing is? What did you both think when he said

773
00:48:52,920 --> 00:48:55,400
Speaker 1: you broke up with me? And then Kelly was very

774
00:48:55,480 --> 00:49:01,160
Speaker 1: hurt by that. Yeah, that's like a private discussion that

775
00:49:01,280 --> 00:49:03,080
Speaker 1: you probably don't want to have in front of your

776
00:49:04,440 --> 00:49:09,759
Speaker 1: future fling. Yeah, how rude. Yeah, and Kelly makes a

777
00:49:09,760 --> 00:49:12,200
Speaker 1: great point when she's back at Dylan saying I feel

778
00:49:12,239 --> 00:49:15,200
Speaker 1: like second choice and he's like, you're not, but she's like,

779
00:49:15,760 --> 00:49:18,239
Speaker 1: I don't know that. Well, what about when when they

780
00:49:18,239 --> 00:49:21,920
Speaker 1: were in the school hallway and they have their was

781
00:49:21,960 --> 00:49:25,640
Speaker 1: in the hallway where they meet up. Yeah, uh, where

782
00:49:26,760 --> 00:49:29,719
Speaker 1: Kelly goes over to talk to Brenda, which I thought

783
00:49:29,760 --> 00:49:35,520
Speaker 1: was really brave, and then then it gets heated and

784
00:49:35,520 --> 00:49:38,480
Speaker 1: Brenda says, well, at least I wasn't like second choice

785
00:49:38,600 --> 00:49:41,440
Speaker 1: or sloppy seconds or whatever she said, And then Kelly

786
00:49:41,440 --> 00:49:46,439
Speaker 1: says neither was I, And at that moment I was like, wait, yeah,

787
00:49:46,480 --> 00:49:50,719
Speaker 1: you're early. Yeah you well, I think to me, I

788
00:49:50,800 --> 00:49:54,080
Speaker 1: understood that because he picked her over Brenda. He was

789
00:49:54,160 --> 00:49:57,279
Speaker 1: with Brenda in the summer, they weren't broken up, and

790
00:49:57,320 --> 00:50:01,520
Speaker 1: he picked Kelly. I don't think Kelly is second choice,

791
00:50:03,560 --> 00:50:10,640
Speaker 1: but she's just the next choice. M M. I don't know.

792
00:50:10,760 --> 00:50:14,919
Speaker 1: I see that made a old difference. It's painful. Like, honestly, though,

793
00:50:16,920 --> 00:50:23,239
Speaker 1: what about what about this line? Sometimes when you really

794
00:50:23,280 --> 00:50:27,959
Speaker 1: care about someone, honesty isn't always the best policy. That's

795
00:50:28,440 --> 00:50:32,839
Speaker 1: I got very upset because you automatically like bring it

796
00:50:32,880 --> 00:50:36,359
Speaker 1: into your own life. You can't help not. You're like, yeah,

797
00:50:36,360 --> 00:50:38,279
Speaker 1: I don't want that. I don't want that, like and

798
00:50:38,400 --> 00:50:40,760
Speaker 1: they're like, oh, it's just it's just a TV show,

799
00:50:41,480 --> 00:50:43,920
Speaker 1: not about me, but right, Yeah. But then if you

800
00:50:44,000 --> 00:50:45,799
Speaker 1: think about it, like, has there ever been a time

801
00:50:45,840 --> 00:50:48,799
Speaker 1: when you were dishonest because telling the person that you

802
00:50:49,640 --> 00:50:51,719
Speaker 1: care about would be so hurtful to them and have

803
00:50:51,760 --> 00:50:57,840
Speaker 1: such a negative impact on them. Yeah, of course, but

804
00:50:58,280 --> 00:51:00,520
Speaker 1: when you hear it, you always think about it first,

805
00:51:00,560 --> 00:51:03,799
Speaker 1: probably as like if that was done to me, But

806
00:51:03,840 --> 00:51:05,440
Speaker 1: then if you think about it, you're like, well I've

807
00:51:05,480 --> 00:51:11,040
Speaker 1: done that. Yeah. Uh so Tori in this you have

808
00:51:11,320 --> 00:51:18,680
Speaker 1: done like if you're everybody, what would you have done? Pressure? Yeah,

809
00:51:19,000 --> 00:51:21,520
Speaker 1: like I would love to know that. And Jenny has

810
00:51:22,000 --> 00:51:25,560
Speaker 1: like all of them once? Yeah, like should they have

811
00:51:26,280 --> 00:51:34,000
Speaker 1: told Brenda like should they like who? What is the answer? Yeah?

812
00:51:35,600 --> 00:51:37,960
Speaker 1: I don't know the answer. Well I know, but what's

813
00:51:37,960 --> 00:51:41,239
Speaker 1: gonna happen? But okay, so I don't know. I don't know.

814
00:51:41,480 --> 00:51:46,520
Speaker 1: But the kiss at school, going out to dinner so risky,

815
00:51:46,520 --> 00:51:49,200
Speaker 1: like Peach, I don't know. It all felt really wrong.

816
00:51:49,360 --> 00:51:52,560
Speaker 1: It felt like okay, too fast, right, so yeah, but

817
00:51:52,680 --> 00:51:55,080
Speaker 1: so typical of our show. But so I guess I

818
00:51:55,120 --> 00:52:01,400
Speaker 1: was like, oh, yeah, you're good, but know they're smarter

819
00:52:01,480 --> 00:52:04,239
Speaker 1: than that. Yeah, Jenny, what about you? What would you

820
00:52:04,239 --> 00:52:08,680
Speaker 1: have liked to have seen if this were real life? Maybe?

821
00:52:08,719 --> 00:52:10,480
Speaker 1: I don't know. I would have liked to see the

822
00:52:10,560 --> 00:52:15,239
Speaker 1: dust settle a little bit and um, give everybody a

823
00:52:15,280 --> 00:52:18,800
Speaker 1: minute to just sort of get their bearings about them

824
00:52:18,880 --> 00:52:22,080
Speaker 1: and make choices based on on that, rather than it

825
00:52:22,160 --> 00:52:26,440
Speaker 1: felt like their their choices were kind of for the

826
00:52:26,440 --> 00:52:31,360
Speaker 1: wrong reasons. A little bit on Dylan's part and maybe

827
00:52:31,400 --> 00:52:35,200
Speaker 1: on Brenda's part was it weird that Brenda started literally

828
00:52:35,280 --> 00:52:37,880
Speaker 1: dating Rick right away. I mean he's over at the

829
00:52:37,920 --> 00:52:41,520
Speaker 1: house picking her up and just bonding with Jim and

830
00:52:41,520 --> 00:52:44,359
Speaker 1: Cindy and then clearly over for dinner the next night

831
00:52:44,520 --> 00:52:46,239
Speaker 1: or I don't know if it was two nights, but

832
00:52:46,239 --> 00:52:48,920
Speaker 1: probably the next night. Do we judge that? What do

833
00:52:48,920 --> 00:52:55,640
Speaker 1: we think of that? Can we call him? It was

834
00:52:55,719 --> 00:53:01,560
Speaker 1: like three words? So think about Dylan maybe brooding, but

835
00:53:01,600 --> 00:53:04,319
Speaker 1: at least he's not boring or something like Yeah, I

836
00:53:04,320 --> 00:53:07,560
Speaker 1: think it's interesting that we're so critical of Dylan and Kelly.

837
00:53:07,600 --> 00:53:11,880
Speaker 1: But does Brenda get a pass, like for just going

838
00:53:11,880 --> 00:53:14,960
Speaker 1: out with Rick? Like literally she's very serious with Rick.

839
00:53:15,200 --> 00:53:19,160
Speaker 1: Ish for me, I just I love Dylan and Kelly

840
00:53:19,200 --> 00:53:22,880
Speaker 1: together so much that I wanted it to play out longer.

841
00:53:23,160 --> 00:53:25,839
Speaker 1: That you can't always get what you want and like

842
00:53:26,800 --> 00:53:30,120
Speaker 1: hiding it more and the like that they feel, and

843
00:53:30,160 --> 00:53:32,520
Speaker 1: maybe it's getting more and more. Like maybe that kiss,

844
00:53:33,200 --> 00:53:35,360
Speaker 1: let's say it's like happened at school, but it was

845
00:53:35,400 --> 00:53:38,560
Speaker 1: like there was a worry about it, like it can't

846
00:53:38,600 --> 00:53:41,160
Speaker 1: happen because we all know you want what you can't have,

847
00:53:41,320 --> 00:53:44,719
Speaker 1: Like that's human nature, at least when you're young. So

848
00:53:44,840 --> 00:53:46,839
Speaker 1: like as a fan, Like, I just wanted to see

849
00:53:46,840 --> 00:53:49,120
Speaker 1: that play out a little bit more rather than Okay,

850
00:53:49,120 --> 00:53:52,320
Speaker 1: Brenda Dylan are broken up, Okay, Kelly Dillon together. Yeah,

851
00:53:52,719 --> 00:53:57,759
Speaker 1: like I wanted more time in there. Yeah, still like observatory. Fine,

852
00:53:57,800 --> 00:54:01,200
Speaker 1: because it's just them, we can say like amongst everyone

853
00:54:01,280 --> 00:54:03,239
Speaker 1: like it. I didn't like it. I thought David was

854
00:54:03,360 --> 00:54:06,440
Speaker 1: very sweet once again to his sister. You know, he

855
00:54:06,520 --> 00:54:12,320
Speaker 1: was wearing the full Ronald McDonald outfit. Likely he loves stripes,

856
00:54:13,560 --> 00:54:16,360
Speaker 1: but he was very sweet. You know, he's not judging

857
00:54:16,440 --> 00:54:20,560
Speaker 1: the situation. And he really said to Kelly, like he

858
00:54:20,680 --> 00:54:24,359
Speaker 1: likes you. He cares about you. Do you know you're

859
00:54:24,360 --> 00:54:26,120
Speaker 1: in the bed with the big red T shirt on?

860
00:54:27,080 --> 00:54:30,200
Speaker 1: He says, I'm thinking. Sorry, he says, I'm not sure

861
00:54:30,239 --> 00:54:32,160
Speaker 1: that's how Dylan sees it or something like that. But

862
00:54:32,520 --> 00:54:36,240
Speaker 1: how does he know? That's my question? How does David?

863
00:54:36,320 --> 00:54:42,040
Speaker 1: No intuitive dude, But he's just very sweet. He's very

864
00:54:42,239 --> 00:54:47,239
Speaker 1: brotherly to Kelly now and I like the senior relationship.

865
00:54:51,080 --> 00:54:54,600
Speaker 1: So then what about Dylan just taken off rebel with

866
00:54:54,680 --> 00:55:01,520
Speaker 1: a cause that pissed me off. Yeah, that just really

867
00:55:02,840 --> 00:55:10,200
Speaker 1: piss me off. Is he in next week? I'm sure you? Yeah,

868
00:55:10,280 --> 00:55:14,960
Speaker 1: I think, so, are you sure? No, I can't remember.

869
00:55:15,239 --> 00:55:17,920
Speaker 1: I honestly have no idea, but I would think, so,

870
00:55:18,040 --> 00:55:20,680
Speaker 1: how can they just do that? And then I don't know,

871
00:55:20,719 --> 00:55:23,360
Speaker 1: it was just so like, oh, comedia, Oh I'm just

872
00:55:23,400 --> 00:55:24,719
Speaker 1: gonna take off for a while. I was like, oh,

873
00:55:24,800 --> 00:55:26,640
Speaker 1: maybe he had to film something else. I don't know.

874
00:55:27,400 --> 00:55:32,600
Speaker 1: I was silly, but that was my instinct. I am

875
00:55:32,600 --> 00:55:37,480
Speaker 1: starting to really see the best friend nous between Brandon

876
00:55:37,520 --> 00:55:41,279
Speaker 1: and Dylan, and I like that a lot because I

877
00:55:41,320 --> 00:55:45,560
Speaker 1: really have been missing that lately. You know, that's his

878
00:55:45,640 --> 00:55:48,719
Speaker 1: last stop. That's where he goes like and Brandon says,

879
00:55:48,800 --> 00:55:51,640
Speaker 1: like you're driving out of school, like they I really

880
00:55:51,840 --> 00:55:54,920
Speaker 1: have always liked that relationship because at that point, Brandon

881
00:55:55,000 --> 00:56:02,719
Speaker 1: doesn't know about the Kelly Brenda the thing, doesn't noe.

882
00:56:03,680 --> 00:56:06,799
Speaker 1: That would be a conversation that they would probably need

883
00:56:06,840 --> 00:56:10,280
Speaker 1: to have mm hmm is to talk about as bros.

884
00:56:10,360 --> 00:56:16,600
Speaker 1: You know, like this happen a weird moment because I

885
00:56:16,640 --> 00:56:18,960
Speaker 1: know I just watched this episode, like literally last night,

886
00:56:20,400 --> 00:56:24,840
Speaker 1: does does do Brenda and Reek bump into Kelly and Dylan?

887
00:56:25,440 --> 00:56:29,120
Speaker 1: And then the next night Rick comes over for dinner

888
00:56:29,239 --> 00:56:32,080
Speaker 1: like she wasn't I don't think so I think you

889
00:56:32,080 --> 00:56:35,080
Speaker 1: see them. He takes her home that night, right, but

890
00:56:35,120 --> 00:56:37,840
Speaker 1: then she breaks up with him. Oh, you're right. I

891
00:56:37,880 --> 00:56:40,480
Speaker 1: thought it was two different. Yeah, that is a little weird.

892
00:56:40,560 --> 00:56:43,640
Speaker 1: Like she goes through this trauma like as a teenager,

893
00:56:43,680 --> 00:56:45,680
Speaker 1: I would have been in my bed with the covers

894
00:56:45,719 --> 00:56:48,880
Speaker 1: over my head for days. So she has this traumatic

895
00:56:48,920 --> 00:56:52,040
Speaker 1: experience and then the next night he comes over for

896
00:56:52,320 --> 00:56:56,719
Speaker 1: family dinner. It's kind of weird. It was really funny though,

897
00:56:56,719 --> 00:57:00,640
Speaker 1: and he was uh, they were talking about stuff no

898
00:57:00,680 --> 00:57:03,920
Speaker 1: one cares about him and Jim and then the just

899
00:57:04,040 --> 00:57:09,319
Speaker 1: the look on Brenda's face was like, really cracked me

900
00:57:09,400 --> 00:57:12,799
Speaker 1: up because it felt so real. I thought the whole

901
00:57:12,840 --> 00:57:16,280
Speaker 1: scene Shannon was like a great actress because there's the crying,

902
00:57:16,360 --> 00:57:19,280
Speaker 1: which was really good, and then he kind of goes

903
00:57:19,320 --> 00:57:21,560
Speaker 1: to hug her and she makes the face that is

904
00:57:21,600 --> 00:57:24,840
Speaker 1: the exact face you would actually make in that situation.

905
00:57:24,880 --> 00:57:27,400
Speaker 1: I was like, whoa, she nailed it. So is this

906
00:57:27,480 --> 00:57:29,200
Speaker 1: that's the breakup scene? And when then we don't see

907
00:57:29,200 --> 00:57:33,280
Speaker 1: Reek anymore? Well, okay, now then I'm confused because when

908
00:57:33,320 --> 00:57:36,640
Speaker 1: Dean was on or at some point there was a

909
00:57:36,640 --> 00:57:42,360
Speaker 1: conversation with us that he had to do singing with Jim.

910
00:57:42,440 --> 00:57:44,880
Speaker 1: They cut it. He referenced it, So I don't know

911
00:57:44,880 --> 00:57:47,520
Speaker 1: if they cut it because it's on Amazon and they

912
00:57:47,560 --> 00:57:49,440
Speaker 1: couldn't clear the music, or if it was on the

913
00:57:49,480 --> 00:57:51,720
Speaker 1: cutting room floor, because remember he comes down the stairs

914
00:57:51,720 --> 00:57:53,040
Speaker 1: and he's like, I never thought I would be sing

915
00:57:53,120 --> 00:57:56,280
Speaker 1: with your dad tonied like in the original airing? Was

916
00:57:56,320 --> 00:57:58,360
Speaker 1: that in? I don't know. I kind of feel like

917
00:57:58,400 --> 00:58:01,120
Speaker 1: there was a scene where they were both singing at

918
00:58:01,160 --> 00:58:04,320
Speaker 1: the piano. Yeah. I think Amazon had to cut it

919
00:58:04,360 --> 00:58:08,160
Speaker 1: because we all watched on Amazon, right Hulu hul oh,

920
00:58:08,360 --> 00:58:10,360
Speaker 1: I watched on Amazon. It wasn't in the Amazon either.

921
00:58:10,800 --> 00:58:16,200
Speaker 1: M weird from our crack staff is going to have

922
00:58:16,280 --> 00:58:19,880
Speaker 1: to watch it on the DVDs. Thanks to Crystal, we

923
00:58:20,000 --> 00:58:23,040
Speaker 1: have them. I wanted to see that scene though it

924
00:58:23,040 --> 00:58:25,360
Speaker 1: would have it would have been good. But then, yeah,

925
00:58:25,400 --> 00:58:28,280
Speaker 1: she was just waiting downstairs for him and he was

926
00:58:28,400 --> 00:58:32,680
Speaker 1: up in her dad's bedroom basically at the piano. Do

927
00:58:32,720 --> 00:58:35,320
Speaker 1: you think it would be a turn off like it

928
00:58:35,400 --> 00:58:38,520
Speaker 1: was to her or would you like it that your

929
00:58:38,560 --> 00:58:40,880
Speaker 1: family's bonding with the boyfriends so much because that's been

930
00:58:40,920 --> 00:58:45,840
Speaker 1: such an issue with Dylan. I feel like if she

931
00:58:45,920 --> 00:58:48,040
Speaker 1: really was into him, she would have liked it more,

932
00:58:48,120 --> 00:58:50,439
Speaker 1: But I don't think she was that into him from

933
00:58:50,480 --> 00:58:53,720
Speaker 1: the He was just ever Yeah, No, he was just

934
00:58:54,080 --> 00:58:58,800
Speaker 1: something to fill her, a catalyst for which I also

935
00:58:58,960 --> 00:59:04,120
Speaker 1: find totally because as like a human girl, if you're like, um,

936
00:59:04,160 --> 00:59:07,520
Speaker 1: I'm in high school and the hottest dude, because like, look,

937
00:59:07,560 --> 00:59:10,240
Speaker 1: Dean Kane is a hot dude. U c l A

938
00:59:10,800 --> 00:59:16,600
Speaker 1: likes me. I think I've been into that, Like, don't

939
00:59:16,640 --> 00:59:18,640
Speaker 1: you want to be like a girl? You're some seventeen

940
00:59:18,680 --> 00:59:25,000
Speaker 1: year old fool breaking with Dylan, isn't she well that

941
00:59:25,520 --> 00:59:27,960
Speaker 1: to take away from the phone at the end when

942
00:59:28,000 --> 00:59:32,160
Speaker 1: she calls him, I felt like she was calling him

943
00:59:32,200 --> 00:59:35,439
Speaker 1: because she missed him, or she was so sad. Mm hmm.

944
00:59:36,560 --> 00:59:38,560
Speaker 1: Well how would you get over someone that quick? You

945
00:59:38,600 --> 00:59:42,360
Speaker 1: wouldn't after two years the love of your life so far.

946
00:59:43,080 --> 00:59:47,840
Speaker 1: I don't know. It doesn't work like that. It's don't

947
00:59:47,840 --> 00:59:49,640
Speaker 1: you guys think this is a hot mess. It is

948
00:59:49,680 --> 00:59:52,840
Speaker 1: a hot mess. Yeah it is, and I'm there for

949
00:59:52,960 --> 00:59:55,520
Speaker 1: it and I want to know what's going to happen next.

950
00:59:56,920 --> 00:59:58,880
Speaker 1: Let's take a break and come back with fashion. You guys,

951
01:00:00,040 --> 01:00:13,880
Speaker 1: m m, you don't remember what's coming. I know, I

952
01:00:13,920 --> 01:00:17,440
Speaker 1: don't remember what's coming dude? What's wrong with you? Guys?

953
01:00:17,480 --> 01:00:20,240
Speaker 1: Like it's so gnarly. I don't know if it's next

954
01:00:20,280 --> 01:00:24,680
Speaker 1: week or the week after, but like, oh god, I too,

955
01:00:25,240 --> 01:00:29,600
Speaker 1: I've blocked it from my memory banks coming up, right,

956
01:00:29,920 --> 01:00:34,600
Speaker 1: that's how traumatic it is. I mean, probably some bajillion

957
01:00:34,680 --> 01:00:39,760
Speaker 1: views on YouTube that scene. It's like iconic. You know,

958
01:00:40,440 --> 01:00:43,120
Speaker 1: you know Tor and I know I do not know

959
01:00:43,160 --> 01:00:46,280
Speaker 1: what you're talking about. What's saying? How do you not know?

960
01:00:46,600 --> 01:00:50,840
Speaker 1: Because like it's like probably one of the most I

961
01:00:50,880 --> 01:00:53,440
Speaker 1: don't want to say iconic moment because it's so brutal.

962
01:00:54,720 --> 01:00:57,520
Speaker 1: I still know when you see it, you'll know you're like, oh,

963
01:00:57,640 --> 01:01:00,080
Speaker 1: of course, I just got away the things that I do.

964
01:01:00,080 --> 01:01:02,720
Speaker 1: You guys, don't do this to me, Like I have

965
01:01:02,760 --> 01:01:07,160
Speaker 1: to do my breathing hold on the scene with Kelly

966
01:01:07,320 --> 01:01:11,440
Speaker 1: and Dylan and Brenda Yea, the one at the restaurant. No,

967
01:01:11,760 --> 01:01:15,320
Speaker 1: it's coming up? Is it in the next episode? Well,

968
01:01:15,560 --> 01:01:18,120
Speaker 1: it's either next week or the week after. I mean

969
01:01:18,520 --> 01:01:21,680
Speaker 1: at the front door. This is the theory. In theory though,

970
01:01:22,040 --> 01:01:25,040
Speaker 1: think about it, Like, you guys are now together, Like

971
01:01:25,120 --> 01:01:28,560
Speaker 1: at some point, is she going to find out who

972
01:01:28,600 --> 01:01:31,920
Speaker 1: he was with over the summer. This is not bringing

973
01:01:32,080 --> 01:01:36,280
Speaker 1: anything back to Hu. I got nothingnt front door. You

974
01:01:36,280 --> 01:01:38,800
Speaker 1: guys going to walk on down the front but nothing.

975
01:01:40,600 --> 01:01:45,240
Speaker 1: I'm sure when I see it. Wait, what about what

976
01:01:45,280 --> 01:01:48,040
Speaker 1: about that line? Uh? If it looks like a duck

977
01:01:48,600 --> 01:01:52,120
Speaker 1: and it quacks like what was if it walks like

978
01:01:52,200 --> 01:01:55,120
Speaker 1: a duck and talks like a duck? I was always

979
01:01:55,160 --> 01:01:56,600
Speaker 1: told if it walks like a duck and talks like

980
01:01:56,640 --> 01:02:01,360
Speaker 1: a duck, it's a duck. Go to hell, Go to Hell. Yeah.

981
01:02:01,440 --> 01:02:06,680
Speaker 1: I loved your go to Hell, but that if I Okay,

982
01:02:07,120 --> 01:02:09,640
Speaker 1: I feel like, why did Shannon in that moment not

983
01:02:09,720 --> 01:02:12,280
Speaker 1: say can I say something that teens really say? Like

984
01:02:12,960 --> 01:02:18,240
Speaker 1: this is a big moment, so true tory, like fight

985
01:02:18,320 --> 01:02:20,240
Speaker 1: for that, that's what you need to fight for. Like

986
01:02:20,680 --> 01:02:22,880
Speaker 1: line like that. I was literally trying to wrap my

987
01:02:22,880 --> 01:02:26,439
Speaker 1: head around it. It was so bizarre, if you see.

988
01:02:26,480 --> 01:02:28,920
Speaker 1: I think the most iconic line in this episode is

989
01:02:28,960 --> 01:02:33,280
Speaker 1: when Dylan says anywhere but here. Oh at the end

990
01:02:34,080 --> 01:02:36,479
Speaker 1: when he's in the school leaving after Mrs Teasley says

991
01:02:36,560 --> 01:02:40,000
Speaker 1: like he lost his case or whatever, and then someone says,

992
01:02:40,040 --> 01:02:43,200
Speaker 1: where are you going? Either you do or Brenda? Anywhere

993
01:02:43,240 --> 01:02:45,680
Speaker 1: but here? That's like icon I love it that the

994
01:02:46,160 --> 01:02:49,960
Speaker 1: writers like had the depth to make you know how

995
01:02:50,520 --> 01:02:54,800
Speaker 1: in life you you are fight or flight? Yeah, you're

996
01:02:54,840 --> 01:02:59,160
Speaker 1: one or the other, you know, And they they gave

997
01:02:59,200 --> 01:03:02,880
Speaker 1: that character depth all the way down to that level.

998
01:03:03,760 --> 01:03:07,439
Speaker 1: He's a he flies, he's he hits the road when

999
01:03:07,480 --> 01:03:11,200
Speaker 1: she hits the fan. Yeah, and it tracks with the character.

1000
01:03:11,320 --> 01:03:14,400
Speaker 1: It's what that guy would do. Yeah. I thought that

1001
01:03:14,480 --> 01:03:18,200
Speaker 1: was really cool, just like acknowledging the depth of that

1002
01:03:18,320 --> 01:03:24,400
Speaker 1: character that they created. I actually feel bad for him.

1003
01:03:24,440 --> 01:03:26,120
Speaker 1: I know it's sort of like a B story or

1004
01:03:26,160 --> 01:03:29,520
Speaker 1: a C story whatever about the S A T thing. Yeah, same,

1005
01:03:30,080 --> 01:03:32,440
Speaker 1: But who do you feel bad about? Oh, Dylan. I

1006
01:03:32,520 --> 01:03:34,840
Speaker 1: feel bad that they don't believe him, and he wants

1007
01:03:34,920 --> 01:03:38,080
Speaker 1: everyone to believe him, and I think that's sort of yeah, Okay,

1008
01:03:38,080 --> 01:03:40,080
Speaker 1: they don't believe it. But they didn't have a record

1009
01:03:40,080 --> 01:03:43,480
Speaker 1: of him signing in. So why is that? I forgot

1010
01:03:43,480 --> 01:03:45,840
Speaker 1: So he signed in, but they don't be he came late,

1011
01:03:45,880 --> 01:03:47,680
Speaker 1: he signed it, and so they don't have a They

1012
01:03:47,680 --> 01:03:51,360
Speaker 1: can't match the signature. I prove that it wasn't because

1013
01:03:51,400 --> 01:03:55,280
Speaker 1: the just as someone faked it and took it for him,

1014
01:03:56,360 --> 01:03:59,280
Speaker 1: signed an infliptence and they don't have another signature to

1015
01:03:59,360 --> 01:04:03,880
Speaker 1: prove it. But like they that's just sort of a

1016
01:04:04,160 --> 01:04:08,240
Speaker 1: like a secondary story, but it's brutal, like as as

1017
01:04:08,280 --> 01:04:11,880
Speaker 1: that character, that's major what's happening to him with that?

1018
01:04:12,560 --> 01:04:18,840
Speaker 1: And I think that really divided Dylan and Brenda. It

1019
01:04:18,960 --> 01:04:22,320
Speaker 1: seems trivial, I guess, but when you really think about it,

1020
01:04:22,320 --> 01:04:25,439
Speaker 1: he's a character. He's like, this is you're talking about

1021
01:04:25,480 --> 01:04:28,520
Speaker 1: my character. I don't lie, don't cheat this He kind

1022
01:04:28,520 --> 01:04:32,439
Speaker 1: of does, but you know what, but he didn't cheat

1023
01:04:32,440 --> 01:04:37,840
Speaker 1: on the test, so and Brenda believes him, but she's like,

1024
01:04:37,920 --> 01:04:41,080
Speaker 1: just take the test again. Where he's saying, on principle,

1025
01:04:41,640 --> 01:04:44,439
Speaker 1: I am a man of principle. I didn't do this,

1026
01:04:44,960 --> 01:04:48,360
Speaker 1: and I want everyone to defend me and believe me.

1027
01:04:48,720 --> 01:04:51,720
Speaker 1: I listen, I'm a person who stands on principle a lot,

1028
01:04:52,360 --> 01:04:56,640
Speaker 1: and it is a lonely fight. Like you have to

1029
01:04:57,440 --> 01:05:02,000
Speaker 1: you really need to evaluate that because your principles, at

1030
01:05:02,000 --> 01:05:03,440
Speaker 1: the end of the day, are not the same as

1031
01:05:03,440 --> 01:05:08,160
Speaker 1: someone else's principles. So when you're I've realized, like when

1032
01:05:08,200 --> 01:05:10,720
Speaker 1: I'm standing on my principles, like on my high horse,

1033
01:05:11,240 --> 01:05:15,000
Speaker 1: it's like it's a lonely place you're going to fall,

1034
01:05:15,040 --> 01:05:18,680
Speaker 1: and you're going to be alone because everybody's got a

1035
01:05:18,680 --> 01:05:23,160
Speaker 1: different principle or a different way of seeing something. Yeah. Yeah,

1036
01:05:23,240 --> 01:05:27,439
Speaker 1: it's a great, great point. I heard nothing you said,

1037
01:05:27,480 --> 01:05:29,600
Speaker 1: because is there someone picking up poop in your backyard

1038
01:05:29,720 --> 01:05:33,080
Speaker 1: right now? There's either your husband or a murderer in

1039
01:05:33,120 --> 01:05:37,320
Speaker 1: your window right now, my husband. Let's hope he is

1040
01:05:37,360 --> 01:05:44,160
Speaker 1: picking up doction. Listen, you need to run. Okay, I

1041
01:05:44,200 --> 01:05:46,440
Speaker 1: have a question about First of all, I know I

1042
01:05:46,480 --> 01:05:47,919
Speaker 1: need to work on that. You're not supposed to say

1043
01:05:47,920 --> 01:05:49,800
Speaker 1: I have a question. You're supposed to just ask the question.

1044
01:05:49,880 --> 01:05:52,760
Speaker 1: So here's my question. Did you guys see that there

1045
01:05:52,760 --> 01:05:56,600
Speaker 1: were two Star Trek jokes in this episode? And each

1046
01:05:56,640 --> 01:05:59,960
Speaker 1: one flew over my head and I should have gone back.

1047
01:06:00,440 --> 01:06:04,000
Speaker 1: There was a Star Trek joke between David and Iron,

1048
01:06:04,160 --> 01:06:07,360
Speaker 1: maybe because of his First of all, I just did

1049
01:06:07,400 --> 01:06:11,080
Speaker 1: it again David and Steve Stripe. Sure, And then there

1050
01:06:11,160 --> 01:06:16,000
Speaker 1: was a Star Trek joke. No, I don't know that.

1051
01:06:16,080 --> 01:06:18,760
Speaker 1: Those I didn't ever get. I still don't because not

1052
01:06:18,800 --> 01:06:22,560
Speaker 1: a Star Trek fan. But even when Luke was doing

1053
01:06:22,640 --> 01:06:29,920
Speaker 1: that awful impersonation of someone on Star Trek, I I

1054
01:06:29,960 --> 01:06:33,760
Speaker 1: didn't get it. But the guys, do you remember that tour?

1055
01:06:33,800 --> 01:06:35,840
Speaker 1: They used to just they used to talk like the

1056
01:06:35,880 --> 01:06:38,920
Speaker 1: Star Trek guys all the time. I loved imitating William

1057
01:06:38,960 --> 01:06:41,240
Speaker 1: Shatner like it was. It was a big why it's

1058
01:06:41,280 --> 01:06:47,200
Speaker 1: in there? Yeah yeah, maybe yeah, no way. And then

1059
01:06:47,240 --> 01:06:51,080
Speaker 1: I noticed Steve has finally unbuttoned know where air ties

1060
01:06:51,160 --> 01:06:56,280
Speaker 1: you guys? The air time phase has maybe passed, which

1061
01:06:56,280 --> 01:06:59,440
Speaker 1: is very exciting. I think so too, because he has

1062
01:06:59,560 --> 01:07:05,040
Speaker 1: two scenes with a shirt unbutton noticed. Noticed, Thank god,

1063
01:07:05,360 --> 01:07:11,240
Speaker 1: fashion moment for you, missy. Oh well, I love that

1064
01:07:11,400 --> 01:07:16,120
Speaker 1: Kelly and Brenda both wear black dresses and like they

1065
01:07:16,120 --> 01:07:18,760
Speaker 1: were just very different black dresses. I love them both,

1066
01:07:18,800 --> 01:07:24,520
Speaker 1: but I was like, I was loving that, um you

1067
01:07:24,600 --> 01:07:26,800
Speaker 1: know again there was more plaid. I hated Luke's too.

1068
01:07:27,200 --> 01:07:30,400
Speaker 1: I was a platy. Right, it's really bad. I'm not fitting.

1069
01:07:30,560 --> 01:07:33,680
Speaker 1: I just like and he and he also donned the

1070
01:07:34,080 --> 01:07:40,600
Speaker 1: Canadian tuxedo a jean jacket with the if anyone could rocket,

1071
01:07:40,640 --> 01:07:44,040
Speaker 1: it would be him, like I can pass. Brenda won

1072
01:07:44,160 --> 01:07:49,960
Speaker 1: it with the opening outfit. Good. It needed like a

1073
01:07:50,040 --> 01:07:53,200
Speaker 1: song to go with it, like really send it over

1074
01:07:53,240 --> 01:07:59,560
Speaker 1: the edge. Jim in the robe. Dottie is a cutie

1075
01:07:59,600 --> 01:08:02,880
Speaker 1: I'm not a line. Dottie had like a cool, you know,

1076
01:08:03,480 --> 01:08:08,720
Speaker 1: work dress. Um, the girls were out at work. That's

1077
01:08:08,760 --> 01:08:21,679
Speaker 1: when I was like, hello, Dundy to tease right exactly.

1078
01:08:22,880 --> 01:08:25,639
Speaker 1: David's Ronald McDonald. I mean he was wearing bright red

1079
01:08:25,720 --> 01:08:28,800
Speaker 1: pants and it's a right yellow shirt and then but

1080
01:08:28,840 --> 01:08:32,680
Speaker 1: then also an umpire outfit one time, like he was

1081
01:08:32,720 --> 01:08:35,640
Speaker 1: wearing black and white stripe. Even you were in a

1082
01:08:36,360 --> 01:08:38,599
Speaker 1: black You were in a scene with him, and I

1083
01:08:38,640 --> 01:08:42,320
Speaker 1: honestly felt as if you when you looked over at him,

1084
01:08:42,720 --> 01:08:45,120
Speaker 1: you were like what are you wearing? Like I could

1085
01:08:45,120 --> 01:08:50,120
Speaker 1: feel really like you didn't like it either. Do you

1086
01:08:50,120 --> 01:08:52,320
Speaker 1: ever do that when you're with you, like your significant

1087
01:08:52,320 --> 01:09:00,400
Speaker 1: other someone and you look and you're like, wow, okay, yeah,

1088
01:09:00,680 --> 01:09:04,360
Speaker 1: that's the man I love. I also laughed because there's

1089
01:09:04,360 --> 01:09:06,679
Speaker 1: a scene where it's Dylan in a white T shirt

1090
01:09:06,720 --> 01:09:09,240
Speaker 1: with a button down over and Brandon's in a white

1091
01:09:09,360 --> 01:09:14,759
Speaker 1: T shirt, like same stylist, like the same outfit, just different.

1092
01:09:15,080 --> 01:09:20,439
Speaker 1: They weren't bff. So boys can do it too. Oh

1093
01:09:20,479 --> 01:09:23,080
Speaker 1: my gosh. Next week's episode, I'm really excited to see

1094
01:09:23,120 --> 01:09:27,800
Speaker 1: what happens. Next episode is season three, episode fourteen, Wild Horses.

1095
01:09:29,680 --> 01:09:33,679
Speaker 1: Before we hang up. Yeah, are we in like party line?

1096
01:09:34,680 --> 01:09:37,160
Speaker 1: Remember you used to call it try line when we

1097
01:09:37,200 --> 01:09:40,760
Speaker 1: had landlines. This is the only part, well not the

1098
01:09:40,800 --> 01:09:44,600
Speaker 1: only part, but one of the reasons Brenda made me

1099
01:09:44,640 --> 01:09:48,160
Speaker 1: a little cookie cuckoo in this episode is when she's

1100
01:09:48,200 --> 01:09:51,599
Speaker 1: talking about Rick and she says, and he's crazy about me?

1101
01:09:52,840 --> 01:09:56,400
Speaker 1: Is that annoying? It's almost braggy or do you guys

1102
01:09:56,520 --> 01:09:58,960
Speaker 1: not care? I thought it was braggy. Well he was,

1103
01:09:59,800 --> 01:10:04,120
Speaker 1: so she ain't lying. But have you ever said that, like,

1104
01:10:05,360 --> 01:10:09,480
Speaker 1: especially not a teenager now, but sometimes teenagers at least nowadays,

1105
01:10:09,960 --> 01:10:13,759
Speaker 1: like their front is very like confident, like you look great,

1106
01:10:13,840 --> 01:10:15,920
Speaker 1: I know, and you're like, oh my god, I would

1107
01:10:15,920 --> 01:10:18,000
Speaker 1: never say that. Like teens say that all the time,

1108
01:10:19,200 --> 01:10:21,719
Speaker 1: and it's like, but do they really feel that way

1109
01:10:21,880 --> 01:10:26,200
Speaker 1: or like it's just like they're trying something like he's

1110
01:10:26,240 --> 01:10:29,080
Speaker 1: crazy about me? But like and then I thought it

1111
01:10:29,200 --> 01:10:32,920
Speaker 1: was interesting. I'll take y'all, I'll let it go. When

1112
01:10:33,479 --> 01:10:37,160
Speaker 1: there's a very subtle line when Brenda says to Kelly,

1113
01:10:37,360 --> 01:10:41,000
Speaker 1: you've known Dylan forever, what do you think? And it's

1114
01:10:41,040 --> 01:10:44,920
Speaker 1: like interesting they wrote that in just to re iterate,

1115
01:10:45,040 --> 01:10:48,160
Speaker 1: like we get that a lot now that like they

1116
01:10:48,200 --> 01:10:51,599
Speaker 1: have the history and that's what's drawing them to each other,

1117
01:10:51,640 --> 01:10:55,120
Speaker 1: which I just think is important. Yes, they do know

1118
01:10:55,160 --> 01:10:57,960
Speaker 1: each other. I think that's the backbone of their relationship.

1119
01:10:58,040 --> 01:11:03,360
Speaker 1: Is there familiarity with each other and the circum Why

1120
01:11:03,360 --> 01:11:06,200
Speaker 1: am I chopped liver? What do you mean? Yeah, that's

1121
01:11:06,200 --> 01:11:09,599
Speaker 1: a great point. Haven't I known you guys forever? Yeah,

1122
01:11:10,160 --> 01:11:13,960
Speaker 1: but you're not in the love triangle, I know. I

1123
01:11:14,040 --> 01:11:16,240
Speaker 1: just wish she had been like, well, you guys have

1124
01:11:16,360 --> 01:11:21,080
Speaker 1: known Dylan forever, and then Kelly's like takes it personally

1125
01:11:21,080 --> 01:11:23,800
Speaker 1: because it's about you guys. I don't know. I was

1126
01:11:23,840 --> 01:11:25,599
Speaker 1: just weird. I was like, I'm sure they've all gone

1127
01:11:25,600 --> 01:11:27,600
Speaker 1: to school together, like probably the three of them. I

1128
01:11:27,680 --> 01:11:29,720
Speaker 1: don't know. Donna has been there the whole time as well.

1129
01:11:29,760 --> 01:11:31,920
Speaker 1: I know they've said it before, but it was like,

1130
01:11:32,200 --> 01:11:34,439
Speaker 1: you and Dylan have a scene together, not anyone else.

1131
01:11:34,960 --> 01:11:37,479
Speaker 1: And you were in that scene when she said that, right, yeah,

1132
01:11:37,640 --> 01:11:40,599
Speaker 1: standing right there like right, like yeah, they knew nothing.

1133
01:11:43,160 --> 01:11:45,840
Speaker 1: And poor johnas like I was, I've been there for

1134
01:11:45,880 --> 01:11:48,160
Speaker 1: like the last ten years, two since preschool. Cool story

1135
01:11:48,160 --> 01:11:56,479
Speaker 1: of my life exactly, Hey guys, here us Poor Johna's

1136
01:11:56,520 --> 01:12:01,800
Speaker 1: like whatever, whatever, catching season ten bitches. It's like, I'm

1137
01:12:01,800 --> 01:12:04,960
Speaker 1: gonna trying to get the two fifty dollars to turn

1138
01:12:05,000 --> 01:12:09,439
Speaker 1: in whoever the hacker is. Whoa. The Feds are really

1139
01:12:09,479 --> 01:12:14,280
Speaker 1: bringing it so fun. You guys loved it, loved it.

1140
01:12:15,240 --> 01:12:18,040
Speaker 1: It's scared for the Instagram. But I'll be reading it

1141
01:12:18,080 --> 01:12:21,600
Speaker 1: all I'm so excited to read it. I read it

1142
01:12:21,640 --> 01:12:25,599
Speaker 1: to Amy. By the way, you guys give Amy some

1143
01:12:25,640 --> 01:12:32,040
Speaker 1: props in love too, Like they're so nice. They make

1144
01:12:32,080 --> 01:12:34,960
Speaker 1: my whole life literally. But more often than not, when

1145
01:12:35,840 --> 01:12:38,120
Speaker 1: when people hate hate someone or they have a problem

1146
01:12:38,200 --> 01:12:40,479
Speaker 1: with them, they'll say it. And people people love, there's

1147
01:12:40,520 --> 01:12:43,280
Speaker 1: more love always, but some people say it. But if

1148
01:12:43,280 --> 01:12:45,000
Speaker 1: you love someone, you don't always think to say it.

1149
01:12:45,760 --> 01:12:47,760
Speaker 1: You're just like, huh, it's great. I love it. Well,

1150
01:12:47,760 --> 01:12:51,719
Speaker 1: they love you, guys, they do you know what? Amy?

1151
01:12:51,800 --> 01:12:55,240
Speaker 1: I love you, Tori, I love you. I love you,

1152
01:12:55,320 --> 01:13:02,679
Speaker 1: Jennifer Eve, Amy. What's your middle name? Amy? Oh my god, if,

1153
01:13:04,479 --> 01:13:06,439
Speaker 1: oh my god, I just made my day. I love you, guys.

1154
01:13:06,680 --> 01:13:09,559
Speaker 1: In the iconic words, in the iconic words of Jim Walsh,

1155
01:13:10,040 --> 01:13:11,760
Speaker 1: I want to sleep with you. I mean sleep on it.

1156
01:13:14,240 --> 01:13:17,920
Speaker 1: We AB's realize your initials are a s S, I

1157
01:13:17,960 --> 01:13:22,680
Speaker 1: know it's not okay on that goodbye. People love you.