1 00:00:00,040 --> 00:00:04,760 Speaker 1: Hello, and welcome to this episode of Trendy hand Bads 2 00:00:05,320 --> 00:00:07,480 Speaker 1: that's basically got Fendi. You know, I got the trendy, 3 00:00:07,600 --> 00:00:11,280 Speaker 1: I got the trendy interior. Fendi interior is Fendy? Okay? 4 00:00:11,280 --> 00:00:15,840 Speaker 1: Do people still mess with Fendi? Is everything? Canceled made 5 00:00:15,880 --> 00:00:19,560 Speaker 1: it more popular again. I was watching that. I was 6 00:00:19,600 --> 00:00:22,360 Speaker 1: watching the episode of Bar Rescue, and one of the 7 00:00:22,400 --> 00:00:26,759 Speaker 1: men working at the bar's name was Bendy. And I 8 00:00:26,760 --> 00:00:28,880 Speaker 1: don't know if that's like someone's actual name or if 9 00:00:28,880 --> 00:00:30,360 Speaker 1: he did one of those things like I'm moving to 10 00:00:30,400 --> 00:00:32,720 Speaker 1: a new town and I'm not gonna be Brent anymore. 11 00:00:32,880 --> 00:00:35,680 Speaker 1: I'm gonna be fucking fending and then they'll respect me. 12 00:00:36,200 --> 00:00:40,120 Speaker 1: I'm gonna be Balga. That sounds like the name I 13 00:00:40,159 --> 00:00:42,560 Speaker 1: don't know, Like all the women I love love that name, 14 00:00:42,640 --> 00:00:44,680 Speaker 1: So I think maybe if I changed my name to that, 15 00:00:44,880 --> 00:00:46,240 Speaker 1: then they'll know and I can get out of my 16 00:00:46,320 --> 00:00:51,960 Speaker 1: dad's shadow as the premier dealer of Kia's in southern Nebraska. Now, 17 00:00:52,520 --> 00:00:57,080 Speaker 1: let's get into what's trending on the on God's Internet today. First, up, 18 00:00:57,600 --> 00:01:01,640 Speaker 1: uh chains as in two chain, because the next versus 19 00:01:01,640 --> 00:01:08,800 Speaker 1: battle Ricky Rose versus Titty Boy himself to chains so problematic. 20 00:01:09,160 --> 00:01:11,720 Speaker 1: It's I don't Yeah, it's like one of those things 21 00:01:11,760 --> 00:01:14,160 Speaker 1: were like do we not listen to the lyrics or 22 00:01:14,400 --> 00:01:18,399 Speaker 1: just right, that's just like you're like, we don't need 23 00:01:18,480 --> 00:01:22,479 Speaker 1: Uncle Chello. We already had one with Nellie and Nelly 24 00:01:22,520 --> 00:01:25,440 Speaker 1: and Ludicrous were literally Ludicrous is like making our Kelly 25 00:01:25,520 --> 00:01:28,280 Speaker 1: joke because we're like, sir, and now we're gonna do 26 00:01:28,640 --> 00:01:32,600 Speaker 1: Mr Rick Ross, who's like Molo no Champagne she needs. 27 00:01:33,840 --> 00:01:36,440 Speaker 1: He literally wrote a song about drugging women and was 28 00:01:36,480 --> 00:01:40,080 Speaker 1: like what we told him it was bad? He was like, 29 00:01:40,160 --> 00:01:42,640 Speaker 1: what I did? He almost lose his Rebok deal? Did 30 00:01:42,640 --> 00:01:45,559 Speaker 1: he lose he lost his Rebok deal? Because that didn't Yeah, 31 00:01:45,560 --> 00:01:47,520 Speaker 1: I don't remember. I was working at radio at the 32 00:01:47,520 --> 00:01:49,800 Speaker 1: time and we were like you really thought that okay, 33 00:01:49,960 --> 00:01:53,040 Speaker 1: but you ain't. You know, like I get I get 34 00:01:53,080 --> 00:01:54,920 Speaker 1: the song as you don't need no, but like you 35 00:01:55,000 --> 00:01:57,640 Speaker 1: definitely should eat no if you have some job. Yeah, 36 00:01:57,680 --> 00:01:59,840 Speaker 1: you will have to still respect people's agency to know 37 00:02:00,160 --> 00:02:04,000 Speaker 1: what they're consuming before you, you know, incapacitate them with drugs. Yeah, 38 00:02:04,040 --> 00:02:06,160 Speaker 1: I think it's gonna be a problematic lives. I'm trying 39 00:02:06,160 --> 00:02:09,800 Speaker 1: to think of what I like it's so weird. I'm 40 00:02:09,800 --> 00:02:12,959 Speaker 1: trying to think of whose songs I like more, but 41 00:02:13,320 --> 00:02:16,320 Speaker 1: I'm kind of like, I'm ambivalent towards both artists, Like, 42 00:02:16,360 --> 00:02:17,880 Speaker 1: you know, they got they got some they got some 43 00:02:18,040 --> 00:02:20,680 Speaker 1: slappers that I like to that I'll play in context, 44 00:02:20,680 --> 00:02:22,080 Speaker 1: you know, the birthday you got, you know, you gotta 45 00:02:22,080 --> 00:02:24,400 Speaker 1: play the birthday song, you know what I mean? That 46 00:02:24,480 --> 00:02:30,040 Speaker 1: was one. That's one that bay I mean again, well, 47 00:02:30,120 --> 00:02:32,239 Speaker 1: what what what do you do with these these catalogs? 48 00:02:32,919 --> 00:02:34,680 Speaker 1: D m X is one who I feel like I 49 00:02:34,680 --> 00:02:37,400 Speaker 1: didn't see his but I know it was epic. But 50 00:02:37,560 --> 00:02:39,320 Speaker 1: that was another artist I was like, can you can 51 00:02:39,440 --> 00:02:42,720 Speaker 1: even his lyrics? Don't none of his lyrics hold up anymore? 52 00:02:42,840 --> 00:02:47,560 Speaker 1: Like that was m was a demon. Also, I just 53 00:02:48,040 --> 00:02:49,359 Speaker 1: I couldn't watch the d m X one. I just 54 00:02:49,400 --> 00:02:51,200 Speaker 1: don't think he has enough hits for me. And you know, 55 00:02:51,280 --> 00:02:53,840 Speaker 1: I love that he yells into the microphone and that 56 00:02:53,919 --> 00:02:56,680 Speaker 1: he's made that a brand. But this one is hard 57 00:02:56,680 --> 00:02:58,480 Speaker 1: because I do like to change music, and I do 58 00:02:58,560 --> 00:03:01,919 Speaker 1: like Rick Ross's music, even though it's like fucking problematically 59 00:03:02,080 --> 00:03:04,080 Speaker 1: hit the radio. Well, yeah, these these ones that like 60 00:03:04,160 --> 00:03:07,120 Speaker 1: have they dominate the radio. DMX was like like he 61 00:03:07,160 --> 00:03:10,000 Speaker 1: had his like five big hits and then everything else 62 00:03:10,080 --> 00:03:12,080 Speaker 1: was for like people who were a grow enough and 63 00:03:12,080 --> 00:03:14,120 Speaker 1: into that agro hip hop that they're like, yo, I 64 00:03:14,120 --> 00:03:18,079 Speaker 1: know all the Earl Simmons bars, I call him for 65 00:03:18,280 --> 00:03:22,720 Speaker 1: saying this, but d m X is the black Eminem. Wow, wait, 66 00:03:22,760 --> 00:03:26,919 Speaker 1: what do you mean? And what's sense? Both just rappers 67 00:03:27,000 --> 00:03:29,560 Speaker 1: who like don't have a lot of radio hits but 68 00:03:29,639 --> 00:03:34,600 Speaker 1: like have a lot of like music that specific subsect 69 00:03:34,639 --> 00:03:38,040 Speaker 1: of the male community loves its. Like, Okay, I like that, 70 00:03:38,920 --> 00:03:42,360 Speaker 1: but I think Eminem I'm going to kill my mom 71 00:03:43,920 --> 00:03:46,280 Speaker 1: just do different other ones like I miss my pit 72 00:03:46,320 --> 00:03:53,200 Speaker 1: Bull and then the one's like fuck I locked my girlfriend. 73 00:03:54,000 --> 00:03:58,680 Speaker 1: Like it's like both two sides of the same going interesting. 74 00:03:58,960 --> 00:04:01,640 Speaker 1: I will just say I paper Eminem has more hits. 75 00:04:01,680 --> 00:04:06,560 Speaker 1: I think on like that. But yeah, but I like 76 00:04:07,040 --> 00:04:09,800 Speaker 1: where You're going, where you're going, you know, like I 77 00:04:09,840 --> 00:04:12,560 Speaker 1: like the thesis of that argument. Um okay. Next is 78 00:04:13,120 --> 00:04:16,000 Speaker 1: this is a very hip hop episode machine Gun Kelly. 79 00:04:16,279 --> 00:04:19,000 Speaker 1: He's trending because him and making Fox they have made it. 80 00:04:19,040 --> 00:04:22,360 Speaker 1: I g official, like a referee with the whistle. It's official, 81 00:04:22,440 --> 00:04:27,320 Speaker 1: y'all so good on them? Uh great, I wish I 82 00:04:27,320 --> 00:04:30,599 Speaker 1: had something else, something else? What a rebound honey, because 83 00:04:30,680 --> 00:04:35,560 Speaker 1: wasn't she with like, please put some respect on his name. 84 00:04:35,600 --> 00:04:38,040 Speaker 1: Brian Austin Green from not Beverly Hills nine O, two 85 00:04:38,040 --> 00:04:42,039 Speaker 1: and O for the wash people in the back and 86 00:04:42,120 --> 00:04:46,000 Speaker 1: now see what a man with tattoos all over his body? 87 00:04:46,080 --> 00:04:48,840 Speaker 1: They'm not gonna be together long? Oh no, well I 88 00:04:48,839 --> 00:04:53,440 Speaker 1: don't know what. So she's thirty four, he's thirty. Oh 89 00:04:53,440 --> 00:04:55,520 Speaker 1: I didn't realize he was thirty. Okay, so they're they're 90 00:04:55,520 --> 00:04:58,320 Speaker 1: pretty close in age, so they're yeah, well four years. 91 00:04:58,400 --> 00:05:00,400 Speaker 1: When you're a woman and you date any one who's 92 00:05:00,600 --> 00:05:03,400 Speaker 1: younger than you, get tired of doing it. Yeah, you 93 00:05:03,440 --> 00:05:06,120 Speaker 1: get tired. But also you can control them. Like but 94 00:05:06,160 --> 00:05:08,240 Speaker 1: the older women know, if you get you a little baby, 95 00:05:08,320 --> 00:05:10,120 Speaker 1: you can be like, come on, baby, you don't sit 96 00:05:10,160 --> 00:05:12,000 Speaker 1: in here, like do what I said. And I'm like, 97 00:05:12,040 --> 00:05:15,400 Speaker 1: I'm the baby, tell me what to do. That's funny, though, 98 00:05:15,440 --> 00:05:17,400 Speaker 1: because I feel like every older woman I messed with 99 00:05:17,440 --> 00:05:20,240 Speaker 1: they got rid of me real quick because he was 100 00:05:20,279 --> 00:05:22,320 Speaker 1: giving him a little three ll up. They legs. You know, 101 00:05:22,400 --> 00:05:24,920 Speaker 1: you weren't gonna stay around, I know, and they're like, honestly, 102 00:05:24,960 --> 00:05:26,839 Speaker 1: they're like, he's like they're like, I'm kind of older 103 00:05:26,880 --> 00:05:29,200 Speaker 1: and he's like in college and like I need to 104 00:05:29,200 --> 00:05:33,320 Speaker 1: go out and he has no money. So sorry, I 105 00:05:33,360 --> 00:05:35,760 Speaker 1: definitely see you dating older women in your youth. Like 106 00:05:35,800 --> 00:05:38,440 Speaker 1: that makes so much sense because I'm like, I'm like, yeah, 107 00:05:38,440 --> 00:05:40,960 Speaker 1: I'm an old spirit, you know, girl, Like I'm like that, 108 00:05:41,320 --> 00:05:46,360 Speaker 1: like your whole life is like Lana's already nostalgia, Like 109 00:05:46,440 --> 00:05:49,360 Speaker 1: your life is what Laana Ray lies about her life 110 00:05:49,360 --> 00:05:53,200 Speaker 1: being right right right right. Oh man, man, video games 111 00:05:53,240 --> 00:05:55,880 Speaker 1: would be way different if I wrote that song. Here's 112 00:05:55,920 --> 00:05:58,040 Speaker 1: the last thing I have to say about Who's Going 113 00:05:59,080 --> 00:06:01,240 Speaker 1: is that I always felt bad for her because she's 114 00:06:01,240 --> 00:06:04,039 Speaker 1: so Megan Fox was so beautiful, and I always felt 115 00:06:04,040 --> 00:06:05,680 Speaker 1: bad for her because I guess she has like these 116 00:06:05,680 --> 00:06:09,560 Speaker 1: little weird thumbs, Like friends and people used to fucking 117 00:06:09,640 --> 00:06:14,200 Speaker 1: zoom in on photos of her films. Like it's just 118 00:06:14,279 --> 00:06:16,840 Speaker 1: peak toxic masculinity, you know what I mean. You take 119 00:06:16,880 --> 00:06:19,360 Speaker 1: someone who is like you're looking at them like this 120 00:06:19,440 --> 00:06:21,960 Speaker 1: is the most beautiful woman on the planet, according to 121 00:06:22,040 --> 00:06:24,480 Speaker 1: media is telling us, and then it's me like, well, 122 00:06:24,520 --> 00:06:27,400 Speaker 1: I gotta find something wrong those thumbs. They gotta go 123 00:06:28,320 --> 00:06:31,039 Speaker 1: zoom in on her thumbs. So that they can feel 124 00:06:31,040 --> 00:06:33,760 Speaker 1: good about themselves. Well, you know they're going to make 125 00:06:33,800 --> 00:06:37,520 Speaker 1: a lovely divorce in the future. Yeah, I don't think 126 00:06:37,520 --> 00:06:39,839 Speaker 1: they'll get married. I think she's probably just on the rebound. 127 00:06:39,880 --> 00:06:44,039 Speaker 1: She was married, she's not married, and the way she 128 00:06:44,279 --> 00:06:46,320 Speaker 1: was kind of like they were quarantined, but she was 129 00:06:46,360 --> 00:06:49,280 Speaker 1: just doing her own thing. Like it feels like, I mean, look, 130 00:06:49,320 --> 00:06:51,440 Speaker 1: I don't know. I'll have to I'm going to educate 131 00:06:51,480 --> 00:06:54,120 Speaker 1: myself more in their relationship before I jumped to any conclusions. 132 00:06:54,400 --> 00:06:57,039 Speaker 1: So fox Hive doesn't come from me. Actually, you just 133 00:06:57,040 --> 00:07:00,719 Speaker 1: speculate with no information. Yeah, absolutely, and as we should 134 00:07:00,720 --> 00:07:06,400 Speaker 1: do as podcasters. Next up, Regina King, Ray Zendea, Jeremy Pope. 135 00:07:06,440 --> 00:07:08,640 Speaker 1: There's a lot of there's a lot of people trend 136 00:07:08,680 --> 00:07:12,040 Speaker 1: in because of the Emmy nominations. I personally am it's 137 00:07:12,120 --> 00:07:15,120 Speaker 1: so nice to see Regina King. I hope she wins. 138 00:07:15,840 --> 00:07:19,440 Speaker 1: Watchmen great, give them everything. I think how many nomin 139 00:07:19,520 --> 00:07:24,280 Speaker 1: dominations did you say they got? Lacey? Wow? Honestly, the 140 00:07:24,280 --> 00:07:26,000 Speaker 1: Emmys were like, I mean, do we even need to 141 00:07:26,000 --> 00:07:28,040 Speaker 1: have a show. We could just mail the ease to y'all, 142 00:07:28,040 --> 00:07:31,040 Speaker 1: Like yeah, really, They're like, I don't know if they 143 00:07:31,040 --> 00:07:36,679 Speaker 1: gave him a nomination for everything. They're like sound craft services, 144 00:07:36,680 --> 00:07:41,400 Speaker 1: like yeah, stinkiest p a like stinkiest who had the 145 00:07:41,440 --> 00:07:44,080 Speaker 1: best ending credits? Y'all credits look cute as fun. We're 146 00:07:44,080 --> 00:07:48,200 Speaker 1: gonna give you em for that, like a made up 147 00:07:48,280 --> 00:07:50,600 Speaker 1: category like what's your name? Rachel? Oh, you get an 148 00:07:50,600 --> 00:07:57,920 Speaker 1: Emmy best name? Rachel? Okay, Emmy. Yeah. I mean look 149 00:07:58,280 --> 00:08:01,320 Speaker 1: all the way from you Tube to here Tube to 150 00:08:01,400 --> 00:08:04,080 Speaker 1: the regular tubes. It's always nice to see all these 151 00:08:04,080 --> 00:08:08,840 Speaker 1: people winning. How do we feel black How do we 152 00:08:08,840 --> 00:08:12,200 Speaker 1: feel about Zendia on Euphoria? I think I think we 153 00:08:12,280 --> 00:08:15,800 Speaker 1: have some thoughts. She was great, she was good. Here's 154 00:08:15,840 --> 00:08:18,640 Speaker 1: here's the issue. Was it the range though that we needed? 155 00:08:19,520 --> 00:08:24,000 Speaker 1: If Hunter Schaeffer had been nominated as well, I don't 156 00:08:24,000 --> 00:08:26,320 Speaker 1: think I would feel as bad about the Zendeia thing 157 00:08:26,400 --> 00:08:28,040 Speaker 1: because I think like Zendia is like one of the 158 00:08:28,040 --> 00:08:31,960 Speaker 1: most magnetic beautiful people. I can look at Zendia, look 159 00:08:32,000 --> 00:08:34,120 Speaker 1: at paint dry, and just look at her for hours, 160 00:08:34,120 --> 00:08:37,880 Speaker 1: like she's freaking gorgeous, and um, I think she's super talented. 161 00:08:38,080 --> 00:08:41,840 Speaker 1: But Hunter Schaeffer, for me on Euphoria was just doing 162 00:08:42,040 --> 00:08:45,520 Speaker 1: mad work, like she was killing it. So for me, 163 00:08:45,559 --> 00:08:48,080 Speaker 1: it was like her getting snubbed and it's just going 164 00:08:48,120 --> 00:08:50,679 Speaker 1: to Zendeia. For me felt like one of those celebrity 165 00:08:50,800 --> 00:08:53,320 Speaker 1: like jerk off moments where it's like you're the famous 166 00:08:53,320 --> 00:08:55,520 Speaker 1: pretty girl, so we'll give you the nomination because the 167 00:08:55,520 --> 00:08:58,679 Speaker 1: show's about you, Whereas like Hunter, Schaefer actually had so 168 00:08:58,760 --> 00:09:02,000 Speaker 1: much range, she was so dynamic, Whereas I felt like 169 00:09:02,040 --> 00:09:06,079 Speaker 1: Sendaia just honestly red like she was on Heroin the 170 00:09:06,120 --> 00:09:10,320 Speaker 1: whole time, like just so sleepy. Yeah, she it's there. 171 00:09:10,320 --> 00:09:14,960 Speaker 1: Her character Jules in like Euphoria definitely had like the 172 00:09:15,120 --> 00:09:19,920 Speaker 1: most provided someone, like the best arcs and tension and 173 00:09:19,960 --> 00:09:21,920 Speaker 1: there's a lot to mine I think as a character. 174 00:09:22,120 --> 00:09:25,880 Speaker 1: But you also Hunter as a model, and this was 175 00:09:25,920 --> 00:09:28,160 Speaker 1: like one of her first acting roles because I think 176 00:09:28,160 --> 00:09:31,360 Speaker 1: it's her actual very first acting role ever ever ever 177 00:09:32,160 --> 00:09:36,080 Speaker 1: bodied it come on, now, come on now, give it 178 00:09:36,080 --> 00:09:38,480 Speaker 1: to everybody though, but look like season day when you 179 00:09:38,520 --> 00:09:41,800 Speaker 1: know what I mean, Listen, I'm always rooting for everybody black, 180 00:09:41,800 --> 00:09:43,600 Speaker 1: and I'm always going to be reading for Zendaia because 181 00:09:43,679 --> 00:09:46,520 Speaker 1: I've heard from people who've worked with her. Um I 182 00:09:46,559 --> 00:09:47,920 Speaker 1: haven't had the problems to work with her yet, but 183 00:09:47,960 --> 00:09:49,640 Speaker 1: people that I know who've worked with her. She's like 184 00:09:49,679 --> 00:09:52,720 Speaker 1: a constant professional. She's a really sweet person. She's very kind, 185 00:09:52,840 --> 00:09:55,520 Speaker 1: and she's very smart. So I'm always gonna be rooting 186 00:09:55,559 --> 00:09:57,920 Speaker 1: for a black queen. So if we're ever going off 187 00:09:57,960 --> 00:10:01,760 Speaker 1: the art of just the thespian, I think the thespian skills, 188 00:10:02,160 --> 00:10:03,880 Speaker 1: I have to say, you know, I think I was 189 00:10:03,880 --> 00:10:08,160 Speaker 1: a little bit more moved by Jules. Jules is super moving, 190 00:10:08,280 --> 00:10:11,080 Speaker 1: like she Oh, it was just such a complicated character 191 00:10:11,120 --> 00:10:13,600 Speaker 1: and she played it with such authenticity that it was 192 00:10:13,679 --> 00:10:16,640 Speaker 1: just like it was just breathtaking. So, you know, shout 193 00:10:16,640 --> 00:10:18,920 Speaker 1: out to Hunter Shaffer. We love you girl. We don't 194 00:10:18,920 --> 00:10:21,319 Speaker 1: know why the Emmies didn't. That's why you got to 195 00:10:21,320 --> 00:10:23,360 Speaker 1: give out the scammis you know what I mean? I'm 196 00:10:23,360 --> 00:10:25,960 Speaker 1: gonna give out the scam. Okay, I'm gonna I'm amility. 197 00:10:26,120 --> 00:10:28,800 Speaker 1: You start to send me your bank account, unter, send 198 00:10:28,840 --> 00:10:32,120 Speaker 1: me your bank account. You're gonna send them They're like, look, 199 00:10:32,120 --> 00:10:36,080 Speaker 1: they're about worth the savings and that ship, so don't 200 00:10:36,080 --> 00:10:39,480 Speaker 1: just will extract money from your account for ship and handling, 201 00:10:39,840 --> 00:10:42,240 Speaker 1: which will be about ten grand. Yeah, I know you 202 00:10:42,320 --> 00:10:45,400 Speaker 1: got it. Come on, I se I know what those 203 00:10:45,400 --> 00:10:49,280 Speaker 1: sagmentimums are don't play with met Hbo and it's a 204 00:10:49,280 --> 00:10:52,960 Speaker 1: one hour okay, so it actually just went up. So say, 205 00:10:53,600 --> 00:10:55,360 Speaker 1: I just want to say this before while we're on 206 00:10:55,360 --> 00:10:59,839 Speaker 1: this conversation, that the Emmies calendar is like from June. 207 00:11:00,120 --> 00:11:03,800 Speaker 1: The show has to premiere from June one to May 208 00:11:03,880 --> 00:11:07,560 Speaker 1: thirty one to be able to qualify for the Emmys. 209 00:11:07,640 --> 00:11:10,160 Speaker 1: So if you're thinking about shows like I May Destroy You, 210 00:11:10,240 --> 00:11:12,880 Speaker 1: which obviously is like so transformative. I love MICHAELA. Cole, 211 00:11:12,960 --> 00:11:15,680 Speaker 1: I literally lived for her. Um if you're thinking about 212 00:11:15,679 --> 00:11:18,160 Speaker 1: shows like that, like, just know that Big Little Lies 213 00:11:19,120 --> 00:11:21,920 Speaker 1: did come out a while ago, but it still falls 214 00:11:22,080 --> 00:11:25,240 Speaker 1: within that period. And that's why you're seeing older shows 215 00:11:26,200 --> 00:11:28,600 Speaker 1: on the Emmy's nomination list, and that's why you're not 216 00:11:28,640 --> 00:11:31,160 Speaker 1: seeing newer shows. So don't think that those shows got shaded. 217 00:11:31,200 --> 00:11:32,880 Speaker 1: They're just like they have to wait their turn. It's 218 00:11:32,880 --> 00:11:36,000 Speaker 1: going to be another year, yeah, and they'll get theirs. 219 00:11:36,040 --> 00:11:37,360 Speaker 1: But I think that's why they a lot of people, 220 00:11:37,480 --> 00:11:39,160 Speaker 1: I'm sure they look at the calendar just like they 221 00:11:39,200 --> 00:11:40,600 Speaker 1: do in movies and being like, okay, is this the 222 00:11:40,640 --> 00:11:41,959 Speaker 1: year we want to do? Okay, so we push it 223 00:11:42,000 --> 00:11:43,800 Speaker 1: a little bit. That way we're not dealing with these 224 00:11:43,840 --> 00:11:47,720 Speaker 1: shows that just came out. Because the drama categories this year, Oh, 225 00:11:47,760 --> 00:11:51,920 Speaker 1: they're a bit like comedy, it's very soft, like it's 226 00:11:51,960 --> 00:11:55,480 Speaker 1: just like nobody was really doing great comedies. But drama, 227 00:11:55,600 --> 00:12:00,000 Speaker 1: we're talking like, okay, limited series, drama alone, little fires everywhere, 228 00:12:00,720 --> 00:12:05,680 Speaker 1: Miss America, Watchman. They're all in a category up against 229 00:12:05,679 --> 00:12:07,800 Speaker 1: each other, and that's not just it. And then you're 230 00:12:07,800 --> 00:12:12,160 Speaker 1: talking regular dramas. You got succession, you got like there's 231 00:12:12,400 --> 00:12:16,480 Speaker 1: it's a great fucking year for drama. Like these categories 232 00:12:16,480 --> 00:12:20,280 Speaker 1: are honestly a little impossible. Yeah, like like you got 233 00:12:20,360 --> 00:12:23,360 Speaker 1: Laura Dern you guys, I feel like what in comedy, 234 00:12:23,360 --> 00:12:25,400 Speaker 1: Like Ramy is like the one thing I can just say, 235 00:12:25,600 --> 00:12:29,240 Speaker 1: like instinctively, like I'm like, I feel like they have 236 00:12:29,840 --> 00:12:31,400 Speaker 1: that has to be nominated. I'm sure it was. I 237 00:12:31,400 --> 00:12:33,920 Speaker 1: didn't even look through there, but Rammy is nominated and 238 00:12:33,960 --> 00:12:37,160 Speaker 1: it's now the first Muslim show to ever be nominated 239 00:12:37,160 --> 00:12:40,000 Speaker 1: for an Emmy, and that was a big thing. Uh. 240 00:12:40,400 --> 00:12:42,400 Speaker 1: Here's the thing about Ramy though, it feels like Brooklyn 241 00:12:42,440 --> 00:12:43,840 Speaker 1: nin nine to me, where I feel like people are 242 00:12:43,840 --> 00:12:46,200 Speaker 1: just like watch the show, come on, watch it, Like 243 00:12:46,240 --> 00:12:49,320 Speaker 1: I feel like it's very much like the studio has 244 00:12:49,360 --> 00:12:51,920 Speaker 1: a lot of power. You know, it depends on how 245 00:12:51,960 --> 00:12:53,840 Speaker 1: you got Yeah. I just got into it because I know, 246 00:12:53,960 --> 00:12:56,320 Speaker 1: and it was like check it out. Uh, And then 247 00:12:56,360 --> 00:12:58,480 Speaker 1: I watched it and I was like, oh fuck yeah. 248 00:12:58,720 --> 00:13:00,680 Speaker 1: And then like then like the seid can Dairy wave 249 00:13:00,760 --> 00:13:02,400 Speaker 1: hit where I think it sort of reached that tipping 250 00:13:02,400 --> 00:13:03,839 Speaker 1: point where a lot of people have watched it. I 251 00:13:03,880 --> 00:13:06,959 Speaker 1: haven't seen the second season yet, which I know it 252 00:13:07,040 --> 00:13:09,520 Speaker 1: is just as good everybody's saying, so I gotta watch. 253 00:13:09,600 --> 00:13:12,040 Speaker 1: And one last thing about the Emmys before we move on, 254 00:13:12,920 --> 00:13:18,880 Speaker 1: another big snub Reese Witherspoon. It's trending right now. The 255 00:13:18,920 --> 00:13:22,400 Speaker 1: internet is not happy on Twitter about Reese Witherspoon being 256 00:13:22,440 --> 00:13:26,880 Speaker 1: nominated for an Emmy. Wait for a little fires, yes 257 00:13:27,320 --> 00:13:31,280 Speaker 1: and you believe good. Oh. I don't know why. When 258 00:13:31,320 --> 00:13:33,160 Speaker 1: I watched it, I just like sort of looked at 259 00:13:33,200 --> 00:13:35,360 Speaker 1: her as like an actual, just like white person in 260 00:13:35,440 --> 00:13:37,680 Speaker 1: reality who I didn't want to do. I was like, 261 00:13:38,320 --> 00:13:41,160 Speaker 1: and maybe that's why it's good acting. But Miles, you 262 00:13:41,200 --> 00:13:43,120 Speaker 1: have to, okay, you have to take into account that 263 00:13:43,160 --> 00:13:47,360 Speaker 1: Reese Witherspoon and are friends. Okay, anybody Beyonce approved anybody 264 00:13:47,360 --> 00:13:50,280 Speaker 1: who gets an Ivy park if you got the box 265 00:13:50,360 --> 00:13:53,199 Speaker 1: with the rack, not just a little the cardboard box 266 00:13:53,240 --> 00:13:56,439 Speaker 1: of full on the box box. And she did a 267 00:13:56,520 --> 00:13:59,320 Speaker 1: whole video. She don't get no money for promoting Briance brand. 268 00:13:59,400 --> 00:14:02,320 Speaker 1: That's just how much she love. We're doing a whole video. 269 00:14:02,360 --> 00:14:04,680 Speaker 1: I'm gonna come out in the box in different outfits. 270 00:14:04,840 --> 00:14:07,839 Speaker 1: I was like, Grace, you are my sis. I love you. 271 00:14:08,000 --> 00:14:10,480 Speaker 1: So when I saw her being this super problematic white woman, 272 00:14:10,480 --> 00:14:11,640 Speaker 1: I was like, I know that's not who she is 273 00:14:11,679 --> 00:14:14,319 Speaker 1: in real life, and damn is killing And that's range 274 00:14:14,480 --> 00:14:17,680 Speaker 1: right there, because this woman I'm seeing on the screen 275 00:14:17,720 --> 00:14:21,680 Speaker 1: would not be fucking with Beyonce, like I know, she 276 00:14:21,760 --> 00:14:25,960 Speaker 1: would be jealous of you, support our queen. So I 277 00:14:26,120 --> 00:14:28,120 Speaker 1: do think that they're wrong. I think that the Emmies 278 00:14:28,120 --> 00:14:30,200 Speaker 1: are wrong for not giving Reese that not because she 279 00:14:30,280 --> 00:14:33,120 Speaker 1: was so good. Again a scammy, that's really what it is. 280 00:14:33,160 --> 00:14:37,640 Speaker 1: Then send her, send me your addressing, the last four 281 00:14:37,640 --> 00:14:40,040 Speaker 1: of your social uh, and the street that you were 282 00:14:40,040 --> 00:14:43,280 Speaker 1: born on, Thank you so much. And then lastly, Bailey Island, 283 00:14:43,320 --> 00:14:46,120 Speaker 1: Maine is trending because there was apparently a shark attack 284 00:14:46,720 --> 00:14:50,360 Speaker 1: uh where someone died in a shark attack off the 285 00:14:50,400 --> 00:14:53,040 Speaker 1: coast of Maine. So that's why that is trending, and 286 00:14:53,080 --> 00:14:57,880 Speaker 1: that is very very very unfortunate and freaky. I fucking 287 00:14:57,880 --> 00:15:01,560 Speaker 1: hate the idea of sharks and ship. Like sometimes when 288 00:15:01,560 --> 00:15:04,080 Speaker 1: you're getting that ocean water, if I can't feel the bottom, 289 00:15:04,160 --> 00:15:06,840 Speaker 1: sometimes I'm like, the sharks are just the right there, bro, 290 00:15:06,960 --> 00:15:11,800 Speaker 1: they're laughing at me, laughing at you. Also, I will say, guys, 291 00:15:11,840 --> 00:15:14,600 Speaker 1: you have to watch. Obviously, shark attacks are like this 292 00:15:14,680 --> 00:15:18,520 Speaker 1: kind of weird, rare thing that unfortunately some people are unlucky. 293 00:15:18,560 --> 00:15:21,720 Speaker 1: But there has been an influx of them happening because 294 00:15:21,760 --> 00:15:24,720 Speaker 1: there isn't as much foot traffic on beaches because of COVID, 295 00:15:25,200 --> 00:15:27,600 Speaker 1: So if you live near a beach, it's been they've 296 00:15:27,640 --> 00:15:29,760 Speaker 1: they've been talking about it, at least in Los Angeles, 297 00:15:29,800 --> 00:15:32,040 Speaker 1: where like the shark attacks have kind of gone up 298 00:15:32,040 --> 00:15:33,840 Speaker 1: because the sharks are swimming closer to shore than they 299 00:15:33,840 --> 00:15:36,080 Speaker 1: normally would because they're like where they are, where they are, 300 00:15:36,120 --> 00:15:39,120 Speaker 1: where they are where they there's normally tons of surfers 301 00:15:39,120 --> 00:15:41,800 Speaker 1: and swimmers, so that's kind of always pushed the wildlife 302 00:15:41,800 --> 00:15:44,160 Speaker 1: back and with COVID and the beach is being empty 303 00:15:44,200 --> 00:15:46,440 Speaker 1: for so long. Now the sharks are just like up 304 00:15:46,440 --> 00:15:49,600 Speaker 1: on the So just pull up with some underwater speakers 305 00:15:49,600 --> 00:15:52,600 Speaker 1: along the coast and blast Rick Ross, Chevy Ride and 306 00:15:52,680 --> 00:15:55,440 Speaker 1: High Remix would push a t okay because if he 307 00:15:55,480 --> 00:15:57,720 Speaker 1: claimed king and he claimed best, then I guess you 308 00:15:57,760 --> 00:16:01,520 Speaker 1: can call me God great opening Ryan from that song. Uh. 309 00:16:02,720 --> 00:16:05,680 Speaker 1: Thank you so much Lacy for joining me today. Uh, 310 00:16:05,680 --> 00:16:08,280 Speaker 1: and I guess I'll maybe checking with you tomorrow. Who's 311 00:16:08,440 --> 00:16:12,080 Speaker 1: who a little more exite geist? All right, until then, 312 00:16:12,120 --> 00:16:15,840 Speaker 1: you'll be well be safe between wash your hands, wear 313 00:16:15,880 --> 00:16:19,000 Speaker 1: a mask, uh, and kick white supremacy and ask if 314 00:16:19,080 --> 00:16:19,800 Speaker 1: you talk to soon a