1 00:00:00,960 --> 00:00:04,920 Speaker 1: Look may oh, I see you my own look over 2 00:00:04,960 --> 00:00:11,080 Speaker 1: there is that culture. Yes, goodness, lost culture, ding dog 3 00:00:11,480 --> 00:00:15,520 Speaker 1: Lost cultures called you better relax. I said to sorry, 4 00:00:16,000 --> 00:00:18,320 Speaker 1: and I said, already. These two they come in here 5 00:00:18,320 --> 00:00:22,880 Speaker 1: because they have this. I'm sorry. Sorry, I'm gonna apologize 6 00:00:22,920 --> 00:00:23,880 Speaker 1: on behalf of the other. 7 00:00:24,120 --> 00:00:26,800 Speaker 2: Take it from ding Dong, Take it from ding ready three. 8 00:00:28,240 --> 00:00:34,040 Speaker 1: Ding do Lost culturists calling love television? 9 00:00:35,440 --> 00:00:38,280 Speaker 2: Is that your impression of us love television? 10 00:00:38,560 --> 00:00:43,239 Speaker 1: You do? You do? That's us girl us. This is 11 00:00:43,720 --> 00:00:49,400 Speaker 1: on Taylor Boat. Oh my god, a housewife be like. 12 00:00:48,280 --> 00:00:48,879 Speaker 2: We do that. 13 00:00:49,000 --> 00:00:52,120 Speaker 1: You are ragging hell. But you know what it is. 14 00:00:52,360 --> 00:00:56,040 Speaker 1: There is truth and comedy, bying for comedy, lying for comedy, comedy. 15 00:00:56,160 --> 00:01:01,440 Speaker 1: Title of that. Now, keep going with this is good. 16 00:01:01,480 --> 00:01:02,440 Speaker 1: I want to hear more about. 17 00:01:02,680 --> 00:01:06,480 Speaker 3: Oh god, it's just such a crazy world being me. 18 00:01:07,160 --> 00:01:10,760 Speaker 1: Which one are you? I'm both yeah and I'm playing both. 19 00:01:10,840 --> 00:01:13,440 Speaker 1: I feel this is confusing. I agree. Should we tell 20 00:01:13,440 --> 00:01:17,720 Speaker 1: the people who these girls are? I didn't mean to interrupt. Well, 21 00:01:17,760 --> 00:01:19,800 Speaker 1: these are two doves. I thought you were going to 22 00:01:19,880 --> 00:01:23,039 Speaker 1: say duds. I was like, whoa, there are two doves, 23 00:01:23,040 --> 00:01:28,680 Speaker 1: and that they're white pigeons. Oh my god, whet god, speed. 24 00:01:28,959 --> 00:01:32,600 Speaker 1: You are white pigeons or white Yeah? Yeah, we are 25 00:01:32,720 --> 00:01:38,319 Speaker 1: nasty birds. There's no no mama eat scraps out your hands. 26 00:01:38,319 --> 00:01:42,080 Speaker 1: Something about like pigeon culture. You have to respect them. 27 00:01:42,080 --> 00:01:45,679 Speaker 1: They know they're objective. Girl. They went around the world. 28 00:01:46,600 --> 00:01:52,360 Speaker 1: Any environment survive? Are they in every environment? Well? Cities, Yeah, 29 00:01:54,520 --> 00:01:57,400 Speaker 1: you don't see pigeons in the country. The original city girls. 30 00:01:58,000 --> 00:02:02,400 Speaker 1: You're ready girls them they said city girls, damn figured out. 31 00:02:02,800 --> 00:02:05,600 Speaker 1: Oh my god, when you said that, my mind went 32 00:02:05,640 --> 00:02:08,160 Speaker 1: to city high and now in my head pigeons are saying, 33 00:02:08,280 --> 00:02:10,359 Speaker 1: what would you do if it's some of that at home? 34 00:02:10,720 --> 00:02:13,040 Speaker 1: Remember that song? I do? Remember that's very last cals. 35 00:02:13,200 --> 00:02:15,880 Speaker 1: You could have put that in your entro. I mean, 36 00:02:16,000 --> 00:02:19,880 Speaker 1: great boy, have the vocal zone. Have the vocal zone, 37 00:02:20,000 --> 00:02:23,160 Speaker 1: show it to the camera. Vocal This episode is brought 38 00:02:23,160 --> 00:02:25,880 Speaker 1: to you by vocal Zone. These are some of the 39 00:02:25,919 --> 00:02:28,400 Speaker 1: best lozenges you can get. Right well, this we were 40 00:02:28,400 --> 00:02:31,080 Speaker 1: holding the brick laws and the vocal zone. The vocal 41 00:02:31,160 --> 00:02:33,080 Speaker 1: zone is the past too. Don't forget water, of course, 42 00:02:33,160 --> 00:02:36,000 Speaker 1: and don't forget what original vocal zone you poison. Now 43 00:02:36,000 --> 00:02:37,920 Speaker 1: what do you two do? You guys do a comedy routine? 44 00:02:37,960 --> 00:02:39,200 Speaker 1: We do a comedy routine. 45 00:02:39,240 --> 00:02:43,520 Speaker 3: We have all the nation and the world Doingadvillian Yeah 46 00:02:43,639 --> 00:02:46,680 Speaker 3: for last very sexy comedy. 47 00:02:46,840 --> 00:02:49,240 Speaker 4: Yeah, it's so funny. It's like you're the naked ones 48 00:02:49,280 --> 00:02:51,040 Speaker 4: on stage. But so is the audience in a. 49 00:02:53,400 --> 00:02:55,640 Speaker 1: Mirror now in your comedy, do you feel that you 50 00:02:55,680 --> 00:02:57,960 Speaker 1: hold a mirror up to society? Absolutely? 51 00:02:58,160 --> 00:03:00,200 Speaker 2: Are you driven by more pain in our joy? 52 00:03:00,480 --> 00:03:05,000 Speaker 1: Oh? Yeah, well that was this is Let me tell 53 00:03:05,000 --> 00:03:08,480 Speaker 1: you something. You know what, you guys need bad media training. 54 00:03:08,639 --> 00:03:09,880 Speaker 1: We need media training bad. 55 00:03:10,280 --> 00:03:13,200 Speaker 4: I've been sitting in with these girls and interviews and 56 00:03:13,200 --> 00:03:15,359 Speaker 4: going these girls don't know the things. 57 00:03:15,520 --> 00:03:18,240 Speaker 1: Yeah no, And I'm watching some of the clips and 58 00:03:18,240 --> 00:03:20,520 Speaker 1: it's like, so you will be talking and then you'll 59 00:03:20,520 --> 00:03:24,240 Speaker 1: see Bowen next to you like this right, like he's like, 60 00:03:24,280 --> 00:03:26,560 Speaker 1: oh my god, they're fucking this whole press tor up. 61 00:03:26,800 --> 00:03:27,440 Speaker 2: He'll keep going. 62 00:03:27,760 --> 00:03:30,000 Speaker 1: Can we cut? You're supposed to go? Give? 63 00:03:30,840 --> 00:03:34,679 Speaker 4: I like all the hosts equally. I don't have a favorite, 64 00:03:34,880 --> 00:03:36,720 Speaker 4: and they just fall for it every. 65 00:03:36,520 --> 00:03:37,960 Speaker 1: Time, every time. 66 00:03:38,640 --> 00:03:41,960 Speaker 4: Barbara Walters, should we tell them the listeners, the katies, readers, 67 00:03:41,960 --> 00:03:43,839 Speaker 4: publicist finalists, who these people are? 68 00:03:43,960 --> 00:03:45,960 Speaker 1: Well, can we just check to see that the waivers 69 00:03:46,000 --> 00:03:52,840 Speaker 1: still good? Anyways, this is in agreement, interim agreement. So 70 00:03:52,880 --> 00:03:56,600 Speaker 1: wait with the w G A strike over. Wow, yeah, 71 00:03:57,480 --> 00:03:59,880 Speaker 1: first time you've said that on pod. Yeah, this actually is. 72 00:04:00,200 --> 00:04:02,600 Speaker 1: This is the most current, up to date episode. Well, yeah, 73 00:04:02,600 --> 00:04:05,920 Speaker 1: we're doing it in the present. Current events are happening 74 00:04:05,960 --> 00:04:09,600 Speaker 1: as we speak. Is over. This is the most current 75 00:04:09,640 --> 00:04:12,720 Speaker 1: episode of the podcast yet. And with that being said, 76 00:04:13,200 --> 00:04:15,600 Speaker 1: I think that the big news outside of the strike 77 00:04:15,960 --> 00:04:19,359 Speaker 1: being over is that you guys have a film. And 78 00:04:19,440 --> 00:04:22,919 Speaker 1: I was we were talking earlier about how excited you 79 00:04:22,960 --> 00:04:26,080 Speaker 1: guys are to be hitting in the campaign trail because 80 00:04:26,120 --> 00:04:30,679 Speaker 1: really it's campaign. Yeah, this is the campaign absolutely, yeah, 81 00:04:30,760 --> 00:04:32,960 Speaker 1: I mean not what are the message boards saying, because 82 00:04:33,000 --> 00:04:36,000 Speaker 1: I know you're tapped into the awards prognosticators. Are you 83 00:04:36,040 --> 00:04:39,880 Speaker 1: calling me uncool? No, I'm calling you learning finger on 84 00:04:39,920 --> 00:04:42,440 Speaker 1: the pulses. Here's what I'll say. There was a day 85 00:04:42,440 --> 00:04:44,560 Speaker 1: in the group chat and this is just this is 86 00:04:44,640 --> 00:04:48,039 Speaker 1: just the truth where you guys said we want Meghan 87 00:04:48,120 --> 00:04:50,760 Speaker 1: the Stallion winning an Oscar for her song out Alpha 88 00:04:50,760 --> 00:04:52,719 Speaker 1: the Alpha in the film, and I think I sent 89 00:04:52,800 --> 00:04:56,719 Speaker 1: like fifty texts of like planning out a way that 90 00:04:56,760 --> 00:04:59,719 Speaker 1: it can happen because I do believe and I forwarded 91 00:04:59,760 --> 00:05:03,560 Speaker 1: right to listen to the savant and do this. This 92 00:05:03,680 --> 00:05:06,039 Speaker 1: is me being an actual publicist. It was giving like 93 00:05:06,320 --> 00:05:07,320 Speaker 1: pure knowledge. 94 00:05:07,400 --> 00:05:10,839 Speaker 4: Bank I was like, this is amazing, Matt Rogers, do 95 00:05:11,160 --> 00:05:13,520 Speaker 4: be knowing the prognosticators? 96 00:05:13,839 --> 00:05:15,840 Speaker 1: Can I tell you what's gonna happen? Yeah, you're gonna 97 00:05:15,839 --> 00:05:17,920 Speaker 1: be nominated. You're not gonna win. We know. I think 98 00:05:18,000 --> 00:05:19,920 Speaker 1: that we know we won't win. What I should know, 99 00:05:20,320 --> 00:05:23,640 Speaker 1: But don't be disappointed. Don't be publicly disappointed because that 100 00:05:23,680 --> 00:05:25,440 Speaker 1: would be not cool. Yeah you think it was privately 101 00:05:25,640 --> 00:05:28,159 Speaker 1: really freaking out? Yeah, you privately you should throw a 102 00:05:28,279 --> 00:05:30,880 Speaker 1: huge fit at the Oscars, break some of my own 103 00:05:30,920 --> 00:05:33,960 Speaker 1: objects in my yeah, after your own Yeah, thank you, 104 00:05:34,160 --> 00:05:38,440 Speaker 1: thank you, and start to like blame people around you, 105 00:05:38,520 --> 00:05:40,000 Speaker 1: like you friends and family. 106 00:05:40,040 --> 00:05:41,920 Speaker 2: You fucked up and I are someone. 107 00:05:42,000 --> 00:05:45,560 Speaker 1: And then you should poison Billie Eilish in Phineas, I'm 108 00:05:45,560 --> 00:05:48,960 Speaker 1: gonna got it, scream she's already got one, She's already 109 00:05:49,000 --> 00:05:49,560 Speaker 1: got one. 110 00:05:49,800 --> 00:05:53,719 Speaker 3: Fair really believes, Yeah, he really feels that way. Actor 111 00:05:54,120 --> 00:05:56,880 Speaker 3: gonna get nominated and win for acting. 112 00:05:57,080 --> 00:05:59,039 Speaker 1: So you guys not only wrote the film, but you started. 113 00:05:59,120 --> 00:06:01,120 Speaker 1: We even said our name. Yeah, I said you were 114 00:06:01,200 --> 00:06:03,840 Speaker 1: Josh Sharp and we did it. We did not say. 115 00:06:04,240 --> 00:06:07,480 Speaker 1: We did not say that yet, and N be friends, 116 00:06:07,600 --> 00:06:12,160 Speaker 1: love them and see your ears Josh Sharp and Jackson particular, 117 00:06:12,240 --> 00:06:18,800 Speaker 1: Hello to the friend. I love the envy. I agree, ladies, gentlemen, 118 00:06:18,960 --> 00:06:21,360 Speaker 1: and and be friends and be friends. It goes in 119 00:06:21,400 --> 00:06:24,080 Speaker 1: be friends, ladies, gentlemen, if I'm ranking, and then N 120 00:06:24,160 --> 00:06:25,839 Speaker 1: by enemies. Yeah, and then N be in me. 121 00:06:26,000 --> 00:06:28,560 Speaker 3: Know, it's been fun around on the internet. Is with 122 00:06:28,600 --> 00:06:30,800 Speaker 3: all these floods that have been happening in New York 123 00:06:30,839 --> 00:06:34,479 Speaker 3: and all this dam survivor video getting posted a bunch 124 00:06:34,520 --> 00:06:36,880 Speaker 3: and like girls in New York be like, but it 125 00:06:36,960 --> 00:06:38,600 Speaker 3: is really good to see that little clip of them 126 00:06:38,640 --> 00:06:39,520 Speaker 3: girls in that raft. 127 00:06:40,560 --> 00:06:42,120 Speaker 1: Time I see it, I say, I'm glad to see 128 00:06:42,120 --> 00:06:42,760 Speaker 1: these girls. 129 00:06:43,000 --> 00:06:48,000 Speaker 5: If around myself and positive thing, I'm getting prosperity. 130 00:06:48,680 --> 00:06:53,919 Speaker 1: It's the camera work. And the eagle left. The eagles 131 00:06:54,040 --> 00:06:59,080 Speaker 1: came straight from the from the eagle outcome. I'm sorry 132 00:06:59,120 --> 00:07:02,599 Speaker 1: that was that was really they got ship ship. Sometimes 133 00:07:02,680 --> 00:07:04,880 Speaker 1: things do get a little bit mixed up down there. 134 00:07:05,800 --> 00:07:09,160 Speaker 1: The wires get crossed. Some friend's going all the way 135 00:07:09,160 --> 00:07:10,600 Speaker 1: to the atus, and you know what's funny, A lot 136 00:07:10,600 --> 00:07:12,040 Speaker 1: of people are going to be listening to this episode 137 00:07:12,080 --> 00:07:13,760 Speaker 1: right now, being like, this is so raunchy. Well you 138 00:07:13,800 --> 00:07:16,520 Speaker 1: have seen nothing, honey, because dig's the musical, this is 139 00:07:16,560 --> 00:07:21,160 Speaker 1: your film. This is raunchy. This is really raunchy. Guys, 140 00:07:21,160 --> 00:07:23,360 Speaker 1: didn't get raunchier the second time for you, Matt. Matt 141 00:07:23,360 --> 00:07:27,000 Speaker 1: has seen it twice. Now I've seen it twice. Let's 142 00:07:27,040 --> 00:07:30,080 Speaker 1: just say it's a great rewatch. It goes there. Yeah, 143 00:07:30,120 --> 00:07:33,040 Speaker 1: it really goes there, goes there film. And you're in 144 00:07:33,120 --> 00:07:35,800 Speaker 1: the film as well. I am, I am the film. 145 00:07:36,000 --> 00:07:40,560 Speaker 1: What was the set like? The set was like a family. 146 00:07:40,560 --> 00:07:43,440 Speaker 1: It was small and cheap and shitty, like a family, 147 00:07:43,560 --> 00:07:46,240 Speaker 1: like small, cheap and shitty. And you guys had Megan 148 00:07:46,240 --> 00:07:48,200 Speaker 1: the Stallion for two and a half hours. We had 149 00:07:48,440 --> 00:07:52,160 Speaker 1: two more days two days of actually actually yeah, four days, 150 00:07:52,160 --> 00:07:54,680 Speaker 1: four days wow. And they wanted to do like a 151 00:07:54,680 --> 00:07:56,280 Speaker 1: big run through of the whole movie one of the 152 00:07:56,360 --> 00:07:59,120 Speaker 1: days she was there, and we're like, we can't do that. 153 00:07:59,240 --> 00:08:00,960 Speaker 1: I think we can't. Just to have Megan the Stallion 154 00:08:01,040 --> 00:08:03,080 Speaker 1: sort of sitting in the trail and being like, okay, 155 00:08:03,200 --> 00:08:06,880 Speaker 1: I brought a book. She's reading The Velvet Rage because 156 00:08:06,920 --> 00:08:09,280 Speaker 1: she wants to get to White Gas better. She's like 157 00:08:09,280 --> 00:08:10,800 Speaker 1: I thought I would get to know white gays better. 158 00:08:10,840 --> 00:08:13,240 Speaker 1: I'm reading the Velvet Rage. I'm reading the Velvet Range 159 00:08:13,280 --> 00:08:14,960 Speaker 1: during a stopdown in my trainel while they do the 160 00:08:14,960 --> 00:08:16,080 Speaker 1: whole They're going to go walk through the. 161 00:08:16,040 --> 00:08:18,400 Speaker 2: Whole film physical book, walking around like Bell. 162 00:08:18,720 --> 00:08:21,000 Speaker 1: Yeah, my team at White Gaze, I might as well 163 00:08:21,040 --> 00:08:22,640 Speaker 1: get to know them better. Clip. 164 00:08:24,560 --> 00:08:37,000 Speaker 5: She's like walking around Bonga shea culture number seventeen. 165 00:08:37,200 --> 00:08:43,040 Speaker 1: Bongo bongo bugo. Ah, wow, she should cover that. She 166 00:08:43,040 --> 00:08:46,400 Speaker 1: should cover that. We'll cover that absolutely. She should cover 167 00:08:46,520 --> 00:08:50,480 Speaker 1: Boom of Disney. She should cover bongos. Yeah. 168 00:08:50,600 --> 00:08:53,120 Speaker 2: Do you think she remembers being in your movie? 169 00:08:52,960 --> 00:08:55,160 Speaker 1: We actually wondered if she did, and then when we 170 00:08:55,200 --> 00:08:57,920 Speaker 1: got this year in SNL, she confirmed she did. She confirmed, 171 00:08:57,960 --> 00:09:00,079 Speaker 1: she was like, but truly, it is such a you 172 00:09:00,080 --> 00:09:01,520 Speaker 1: ever dreamed that. We were like, she doesn't know who 173 00:09:01,520 --> 00:09:03,199 Speaker 1: we are, And then we saw her and she was like, 174 00:09:03,240 --> 00:09:03,920 Speaker 1: hey boys. 175 00:09:04,440 --> 00:09:05,760 Speaker 4: What I was saying to her all week was I 176 00:09:05,760 --> 00:09:08,679 Speaker 4: was like, Joshan Aaron are coming this weekend. She goes really, 177 00:09:08,880 --> 00:09:11,880 Speaker 4: and then she sees them at the after party, lights up, 178 00:09:11,920 --> 00:09:13,920 Speaker 4: and then she goes, now there's been a competition. 179 00:09:13,960 --> 00:09:14,720 Speaker 1: Wait what did she say? 180 00:09:14,760 --> 00:09:16,600 Speaker 3: It was like everybody here all week and saying, oh, 181 00:09:16,640 --> 00:09:18,240 Speaker 3: josh Air and Joshnaer they're my best friends, They're my 182 00:09:18,240 --> 00:09:21,640 Speaker 3: best friends. And I said, no, they're my best It was. 183 00:09:21,559 --> 00:09:24,280 Speaker 1: A competition to see who was best friends with Joshnira. 184 00:09:24,440 --> 00:09:26,920 Speaker 1: This is no. At the same time, don't have her number, 185 00:09:26,960 --> 00:09:29,160 Speaker 1: no way to communicate, which I think is how it 186 00:09:29,200 --> 00:09:31,600 Speaker 1: should be. People always like you'll message I'm like, do 187 00:09:31,760 --> 00:09:33,480 Speaker 1: I message her? No? Tell me. 188 00:09:33,520 --> 00:09:36,079 Speaker 3: The next time that's not right is at the Academy Awards. 189 00:09:36,120 --> 00:09:38,640 Speaker 3: At the Academy Awards, when I'm handing her her trophy. 190 00:09:39,040 --> 00:09:42,160 Speaker 1: Yeah, when I'm side stage she comes off of her performance, 191 00:09:42,200 --> 00:09:45,640 Speaker 1: I tell her down, great job, babe, great job. Oh 192 00:09:45,679 --> 00:09:48,680 Speaker 1: my god. You know what's gonna happen. Bowen Yang is 193 00:09:48,720 --> 00:09:52,120 Speaker 1: gonna give the award for Best Original Song. He's gonna 194 00:09:52,160 --> 00:09:54,120 Speaker 1: open the envelope. He's gonna be like, this is my 195 00:09:54,120 --> 00:09:56,480 Speaker 1: impression of bone Yang presenting Let's see it La La 196 00:09:56,559 --> 00:10:03,480 Speaker 1: Land and the Oscar goes to how these things are 197 00:10:04,120 --> 00:10:10,040 Speaker 1: not easy to open. Yeah, my fingers are hmmm. Billie 198 00:10:10,120 --> 00:10:15,040 Speaker 1: Eilish and Phineas for a Barbie featuring that TikTok woman. Yeah. 199 00:10:15,120 --> 00:10:20,120 Speaker 1: The song although enjoyment, Oh enjoyment sheet a special oscar. 200 00:10:20,120 --> 00:10:25,600 Speaker 4: She should get a special oscar, certainly, Oh, definitely, she'd 201 00:10:25,679 --> 00:10:26,600 Speaker 4: put that song on the mound. 202 00:10:26,720 --> 00:10:30,040 Speaker 1: Maybe Billy performs this song as is she does her 203 00:10:30,120 --> 00:10:34,280 Speaker 1: version during in memoriam. Oh, that would be I'm sad again. 204 00:10:34,800 --> 00:10:39,360 Speaker 1: I'm sad again, queensy lock at the Oscars. We must 205 00:10:39,440 --> 00:10:41,600 Speaker 1: get her. She should definitely at least do the red 206 00:10:41,600 --> 00:10:44,960 Speaker 1: carpet and interview everyone coming exactly at the very least, Yeah, 207 00:10:45,120 --> 00:10:49,400 Speaker 1: because they do get like TikTok gloss to do that. 208 00:10:49,440 --> 00:10:52,400 Speaker 1: She's one of the biggest. Do you even understand how 209 00:10:52,440 --> 00:10:54,080 Speaker 1: big she is on the top, She's huge. On the 210 00:10:54,120 --> 00:11:02,320 Speaker 1: talk you have twenty thousand followers I have you are 211 00:11:02,360 --> 00:11:07,600 Speaker 1: covering the camera? Sorry? Out of our shops? Is it 212 00:11:07,679 --> 00:11:15,680 Speaker 1: always visual? Now? Where's the clam squad for the important girls? Now? 213 00:11:16,600 --> 00:11:18,320 Speaker 1: How are you guys transitioning into fall? 214 00:11:19,080 --> 00:11:19,360 Speaker 5: Oh? 215 00:11:20,480 --> 00:11:23,200 Speaker 1: Well, I'm sweating like a damn to horse at the 216 00:11:23,280 --> 00:11:26,199 Speaker 1: race because yeah, it's warm. I was. I got off 217 00:11:26,240 --> 00:11:28,200 Speaker 1: at the wrong station, a station too early because I 218 00:11:28,240 --> 00:11:31,040 Speaker 1: was so excited, so I had to walk really fast 219 00:11:31,040 --> 00:11:32,640 Speaker 1: and I worked up a sweepings to a lot of guys. 220 00:11:32,720 --> 00:11:37,040 Speaker 1: Happens to one station too early. Really, you know, I 221 00:11:37,080 --> 00:11:39,280 Speaker 1: hear that they say that the subway system is going 222 00:11:39,320 --> 00:11:42,840 Speaker 1: to be getting air conditioning. Really, I'll believe that in Taiwan. 223 00:11:42,920 --> 00:11:45,320 Speaker 1: When I went ten thousand years ago to Taiwan, they 224 00:11:45,360 --> 00:11:46,920 Speaker 1: had a c in there. I'm like, come on, why 225 00:11:46,920 --> 00:11:49,000 Speaker 1: can't we have a C and ours? Well, their batty 226 00:11:49,120 --> 00:11:51,520 Speaker 1: actually actually couldn't handle what happened the other day with 227 00:11:51,559 --> 00:11:53,240 Speaker 1: the rain. So I don't know that we should be 228 00:11:53,280 --> 00:11:54,679 Speaker 1: holding our breath for air conditioning. 229 00:11:55,040 --> 00:11:56,480 Speaker 2: We should be holding our breath because we're gonna be 230 00:11:56,520 --> 00:11:57,079 Speaker 2: under the water. 231 00:11:57,320 --> 00:12:01,040 Speaker 1: Yeah, girl, the era you said that, you said that 232 00:12:01,200 --> 00:12:04,080 Speaker 1: better learn to free dive? Is that what it's called? Sure? Yeah? 233 00:12:04,200 --> 00:12:05,600 Speaker 2: Yeah, yeah when. 234 00:12:05,440 --> 00:12:12,480 Speaker 1: The guys that are the guys gallos k oh. Yeah. 235 00:12:12,760 --> 00:12:16,640 Speaker 1: She was amazing and Titanic, she really was. She was 236 00:12:16,720 --> 00:12:19,360 Speaker 1: star turn wouldn't you say? Oh, man, do you think 237 00:12:19,360 --> 00:12:22,040 Speaker 1: that they invented the phrase star turn from when she 238 00:12:22,200 --> 00:12:25,120 Speaker 1: turned around in the Film's. 239 00:12:24,320 --> 00:12:27,880 Speaker 3: So Good and It's with a hat. Different movie Cinderella 240 00:12:27,960 --> 00:12:31,679 Speaker 3: Live Action, Kate Blanchette reveal Stepmother is a full hat 241 00:12:31,720 --> 00:12:35,160 Speaker 3: turn evil. It's that's a really good star turn. 242 00:12:35,320 --> 00:12:37,880 Speaker 1: Yeah, if you get the opportunity to turn around in 243 00:12:37,920 --> 00:12:41,400 Speaker 1: a hat on screen. You better eat, better eat, you 244 00:12:41,520 --> 00:12:44,040 Speaker 1: better eat. That's actually really good. Better come hungry and 245 00:12:44,120 --> 00:12:47,520 Speaker 1: leave fall. That's really coach number twenty. If you had 246 00:12:47,679 --> 00:12:51,960 Speaker 1: the opportunity to turn around on screaming the hat, you 247 00:12:52,040 --> 00:12:57,520 Speaker 1: better you better come and leave full longest real ever. 248 00:12:58,120 --> 00:13:00,440 Speaker 1: It's one of the longest rules ever. I'mke so by 249 00:13:00,480 --> 00:13:05,480 Speaker 1: the end. Yeah, but important rule. So Nathan Lane must 250 00:13:05,480 --> 00:13:07,360 Speaker 1: have been one of your heroes growing up. What was 251 00:13:07,400 --> 00:13:09,680 Speaker 1: it like to share time with him on set? And 252 00:13:09,920 --> 00:13:13,280 Speaker 1: did he give you any advice? He said, stick with 253 00:13:13,320 --> 00:13:17,920 Speaker 1: it girls, did he No? He honestly mostly said like 254 00:13:18,000 --> 00:13:20,640 Speaker 1: I can't believe you've got me here. You can't believe 255 00:13:20,640 --> 00:13:20,959 Speaker 1: we're doing it. 256 00:13:21,040 --> 00:13:23,280 Speaker 3: No, we love Nathan and we loved working with Nathan 257 00:13:23,280 --> 00:13:24,720 Speaker 3: and we're friends to this very day. 258 00:13:24,960 --> 00:13:30,640 Speaker 1: Wow, you did get some media training, yeah, Nathan was 259 00:13:30,760 --> 00:13:34,920 Speaker 1: The truth is for Nathan when like anytime we were 260 00:13:34,960 --> 00:13:37,240 Speaker 1: just like waiting and we're all, you know, waiting around 261 00:13:37,280 --> 00:13:37,640 Speaker 1: and be like. 262 00:13:37,640 --> 00:13:40,600 Speaker 3: Well, Nathan like list a specific project and be like 263 00:13:40,679 --> 00:13:42,440 Speaker 3: just go and he'd be like well and they just 264 00:13:42,480 --> 00:13:44,200 Speaker 3: talk like you just sit there. 265 00:13:44,280 --> 00:13:47,640 Speaker 1: Yeah. Just father's a yarn father. 266 00:13:48,120 --> 00:13:51,559 Speaker 4: I mean, it was surreal for me at least did 267 00:13:51,559 --> 00:13:54,520 Speaker 4: I think we even talked about this, like, oh, my filter, 268 00:13:55,040 --> 00:13:55,840 Speaker 4: we even talked about this. 269 00:13:55,840 --> 00:14:02,080 Speaker 1: Where unfiltered, I'm unfiltered and don't pop your uncut, unfiltered, 270 00:14:02,240 --> 00:14:08,320 Speaker 1: uncut and unbothered, my spin off and unwell, unfiltered, uncut 271 00:14:08,400 --> 00:14:12,960 Speaker 1: on well and unmoorned from reality and uncle. 272 00:14:14,440 --> 00:14:15,560 Speaker 2: To a beautiful girl. 273 00:14:15,679 --> 00:14:18,880 Speaker 1: If I'm lucky and my sister gets pregnant any day now, 274 00:14:20,600 --> 00:14:22,480 Speaker 1: she doesn't have to be pregnant. I'm working on it. 275 00:14:22,760 --> 00:14:24,280 Speaker 1: She does not have to get pregnant for you to 276 00:14:24,320 --> 00:14:28,640 Speaker 1: be an uncle you're talking about. She could win one 277 00:14:28,680 --> 00:14:32,080 Speaker 1: in a lottery. She could steal one. She could steal 278 00:14:32,120 --> 00:14:36,640 Speaker 1: it anyways, be an uncle. Just take one off the street. 279 00:14:36,840 --> 00:14:39,400 Speaker 1: Of course, you see a kid, but grab it. Rab 280 00:14:40,080 --> 00:14:41,680 Speaker 1: you want to be a parent, you see a kid, 281 00:14:41,720 --> 00:14:45,000 Speaker 1: take it. So obviously, the climate while we're talking about 282 00:14:45,000 --> 00:14:47,720 Speaker 1: taking kids off the street, the climate is really nasty 283 00:14:47,800 --> 00:14:49,960 Speaker 1: right now out there. Are you nervous about releasing this 284 00:14:50,000 --> 00:14:52,800 Speaker 1: film to a very conservative country. 285 00:14:53,640 --> 00:14:57,840 Speaker 3: Yes, yeah, yes, yes, every night I say prayers to 286 00:14:57,880 --> 00:15:00,520 Speaker 3: God that the conservatives will acce the film. 287 00:15:00,560 --> 00:15:03,480 Speaker 1: And as you know, we need this film to recoup. 288 00:15:03,520 --> 00:15:05,280 Speaker 1: We need this film to make three hundred and fifty 289 00:15:05,320 --> 00:15:09,880 Speaker 1: million dollars. That was the budget. That was just Meg, 290 00:15:10,200 --> 00:15:10,960 Speaker 1: That was just me. 291 00:15:11,400 --> 00:15:14,000 Speaker 4: That was for Meg's nails, for her nails and her 292 00:15:14,040 --> 00:15:15,880 Speaker 4: first edition of the Velvet rae. 293 00:15:16,240 --> 00:15:18,440 Speaker 1: Yeah do you want for You had her first EDITIONE 294 00:15:18,520 --> 00:15:22,080 Speaker 1: copy signed by every gay man. It took a lot 295 00:15:22,120 --> 00:15:26,400 Speaker 1: of time. You signed it, right. I literally brought the 296 00:15:26,480 --> 00:15:28,280 Speaker 1: Velvet Rage up in therapy the other day because I 297 00:15:28,280 --> 00:15:30,800 Speaker 1: haven't read it, and my therapist was like, I mean yeah, 298 00:15:30,960 --> 00:15:32,560 Speaker 1: and I was like, why do you say that. She goes, 299 00:15:32,720 --> 00:15:37,160 Speaker 1: it's very it's really for white gas. That's cruel. I 300 00:15:37,200 --> 00:15:39,800 Speaker 1: love that. That's cool, a little bit hot, a little bit, 301 00:15:39,880 --> 00:15:42,240 Speaker 1: she goes, but you know what that for that reason, 302 00:15:42,360 --> 00:15:45,040 Speaker 1: you might get a lot out of it. I was like, okay, 303 00:15:45,400 --> 00:15:47,440 Speaker 1: and then she was like, that'll be four hundred dogs. 304 00:15:47,480 --> 00:15:54,280 Speaker 1: Yeah yeah yeah, Baget Cook. Yeah yeah that's what she said. Yeah, 305 00:15:54,680 --> 00:16:06,360 Speaker 1: Maria me getting mission out of my Finally it's visuals. Yeah, 306 00:16:06,440 --> 00:16:10,760 Speaker 1: see this is the stuff you're missing in our episode. Yeah. Yeah, 307 00:16:10,800 --> 00:16:12,520 Speaker 1: there's so many funny things that happen when you can 308 00:16:12,560 --> 00:16:15,720 Speaker 1: see the performer. Yeah. Speaking of seeing, what were you 309 00:16:15,760 --> 00:16:18,800 Speaker 1: going to say about Nathan Lane and seeing Oh, I was. 310 00:16:18,800 --> 00:16:21,280 Speaker 4: Just going to say they were fun moments in between 311 00:16:21,400 --> 00:16:27,960 Speaker 4: setups in the chair where it was Nathan Meg Melally cameo. Spoiler, 312 00:16:28,040 --> 00:16:30,760 Speaker 4: Nick Offerman spoiler, am I Allogic spoil. 313 00:16:30,880 --> 00:16:34,200 Speaker 1: Yeah. But it was just like and then Amy Joe. 314 00:16:34,760 --> 00:16:37,640 Speaker 1: It was like relative, Aaron's relative, and it was us 315 00:16:37,680 --> 00:16:39,680 Speaker 1: just kind of sitting in the back listening to these 316 00:16:39,680 --> 00:16:42,280 Speaker 1: people talk. It was lovely. It was really fun. That's 317 00:16:42,320 --> 00:16:44,120 Speaker 1: all I had to share. It was the time we 318 00:16:44,120 --> 00:16:47,600 Speaker 1: were at dinner with Nathan and Malally and they were 319 00:16:47,600 --> 00:16:50,160 Speaker 1: both trading Elaine stretch stories and Aaron and I were 320 00:16:50,160 --> 00:16:52,680 Speaker 1: true like grabbing thighs off the table and jerking each 321 00:16:52,720 --> 00:16:57,440 Speaker 1: other off to complete as well multiple loads under the table, disgusting. 322 00:16:57,480 --> 00:16:59,760 Speaker 2: I owe her a cleaning fee, and. 323 00:16:59,840 --> 00:17:05,520 Speaker 1: I spilled, oh my god, well you were spilling tea. 324 00:17:07,080 --> 00:17:09,480 Speaker 1: You guys were spilling come and now you're spilling all 325 00:17:09,480 --> 00:17:11,520 Speaker 1: the secrets on the podcast. I was coming ship so 326 00:17:11,560 --> 00:17:14,160 Speaker 1: that everyone out there, I mean, hopefully it's excited about 327 00:17:14,200 --> 00:17:17,680 Speaker 1: the movie and goes to see it, opening weekend October sixth, 328 00:17:17,760 --> 00:17:20,280 Speaker 1: the New York City, LA and San Francisco and San Francisco, 329 00:17:20,880 --> 00:17:23,720 Speaker 1: San Francisco. I wonder, why why do you think what 330 00:17:23,760 --> 00:17:25,080 Speaker 1: do you think it is. I think it's something to 331 00:17:25,119 --> 00:17:27,840 Speaker 1: do with that bay. Yeah that. I think the film 332 00:17:27,880 --> 00:17:31,240 Speaker 1: has so many illusions and references to Bay Day. It's 333 00:17:31,240 --> 00:17:34,760 Speaker 1: like the Bay and the bridges and bridges, the bridges 334 00:17:35,400 --> 00:17:40,159 Speaker 1: the weekend after expanding to Mandalay Bay. Oh you're kidding, 335 00:17:41,160 --> 00:17:43,960 Speaker 1: You're kidding. Now, eventually are they going to be able 336 00:17:44,000 --> 00:17:45,760 Speaker 1: to see this in the middle of the country on 337 00:17:45,800 --> 00:17:51,560 Speaker 1: the twenty out loud, I can't believe this film is 338 00:17:51,600 --> 00:17:52,080 Speaker 1: even playing. 339 00:17:55,080 --> 00:17:56,160 Speaker 2: It's going to be at the Angelic. 340 00:17:56,240 --> 00:17:58,600 Speaker 1: Wait where are you the real ernest question, where are 341 00:17:58,640 --> 00:17:59,919 Speaker 1: you going to buy a ticket to go see it? 342 00:18:00,560 --> 00:18:02,480 Speaker 1: I don't know that. I want to wait a couple 343 00:18:02,520 --> 00:18:04,400 Speaker 1: weeks to buy a ticket. But well, wait, when does 344 00:18:04,440 --> 00:18:09,000 Speaker 1: this episode come out? This comes out on Wednesday? Oh? Okay, Wednesday. Why? Actually, 345 00:18:09,080 --> 00:18:11,359 Speaker 1: we've been told that the thing that most helps a 346 00:18:11,359 --> 00:18:13,800 Speaker 1: film like this is people coming opening weekend. Yeah, no, 347 00:18:13,840 --> 00:18:17,160 Speaker 1: it's everyone, your your readers know this. So like New York, 348 00:18:17,200 --> 00:18:20,440 Speaker 1: it's playing at the Angelica and sixty sixth Street and 349 00:18:21,280 --> 00:18:28,480 Speaker 1: then uh brookouts brookouts a write that down. That's where 350 00:18:28,480 --> 00:18:31,040 Speaker 1: it's playing downtown draft Land. But we're doing Q and 351 00:18:31,080 --> 00:18:34,480 Speaker 1: as at Angelica Friday and Saturday at eight. Yes, perverts 352 00:18:34,480 --> 00:18:36,720 Speaker 1: could come and shop things. Yeah, I love that. Okay, 353 00:18:36,800 --> 00:18:39,960 Speaker 1: so you don't want the first experience of seeing the 354 00:18:40,000 --> 00:18:41,480 Speaker 1: movie to have Nicole Kimman. 355 00:18:41,280 --> 00:18:43,040 Speaker 2: Before it that. 356 00:18:44,600 --> 00:18:46,520 Speaker 1: Oh, you're right, and that's where I do it. We're 357 00:18:46,520 --> 00:18:49,520 Speaker 1: doing Q and as at the six fifteens. That's true. Yes, yes, yes, 358 00:18:49,560 --> 00:18:50,800 Speaker 1: but I don't know if we'll be able to watch 359 00:18:50,880 --> 00:18:53,320 Speaker 1: We've watched it several times and do still enjoy watching it. 360 00:18:53,359 --> 00:18:54,840 Speaker 1: But now I'm excited to have a break and then 361 00:18:54,880 --> 00:18:57,800 Speaker 1: maybe go like a Tuesday night at eleven Mill fucking Stone. 362 00:18:57,840 --> 00:18:59,760 Speaker 1: I haven't seen it Stone, I haven't seen its day. 363 00:19:00,080 --> 00:19:03,159 Speaker 1: I really want to see it stoned, Oh, tail, I 364 00:19:03,200 --> 00:19:04,919 Speaker 1: may have been a little high the first time I've 365 00:19:04,960 --> 00:19:07,479 Speaker 1: had cocktails and seen it. I haven't been drunk, bunny, 366 00:19:07,720 --> 00:19:10,520 Speaker 1: but I want to go fully stoned. Yeah, because, as 367 00:19:10,600 --> 00:19:12,480 Speaker 1: you know, it's like a bit of it's not explicitly 368 00:19:12,520 --> 00:19:14,919 Speaker 1: a stoner film, but it's certainly readings the stoners that 369 00:19:15,160 --> 00:19:18,840 Speaker 1: enjoy comedy would be enjoying being stoned to watch it. 370 00:19:19,320 --> 00:19:21,240 Speaker 2: Yeah, there's a lot of dumb jokes. 371 00:19:21,400 --> 00:19:24,720 Speaker 1: This one's for the girls that are the freaks, the fags, 372 00:19:24,880 --> 00:19:29,000 Speaker 1: the weird, the quirdo the losers for the ones who 373 00:19:29,080 --> 00:19:35,280 Speaker 1: have always felt scapegoaded Larry wins and delinquents. Larry legitimately, 374 00:19:35,240 --> 00:19:37,119 Speaker 1: he's like, I believe A twenty four needs to know 375 00:19:37,200 --> 00:19:40,160 Speaker 1: to market this film to truant and delinquence. People should 376 00:19:40,200 --> 00:19:43,040 Speaker 1: be skipping. We should encourage students to skip schools and 377 00:19:43,119 --> 00:19:46,399 Speaker 1: smoke cigarettes and cigarettes during this We're like, we passed 378 00:19:46,400 --> 00:19:48,080 Speaker 1: that along, and we did. Literally I did. I got 379 00:19:48,040 --> 00:19:49,840 Speaker 1: screencap sent to A twenty four and they were like, 380 00:19:49,920 --> 00:19:54,120 Speaker 1: totally on it. I mean, maybe my favorite fact about 381 00:19:54,560 --> 00:19:56,399 Speaker 1: like my life over the past two weeks is the 382 00:19:56,440 --> 00:20:00,159 Speaker 1: fact that I got to meet Larry at Sir like 383 00:20:01,320 --> 00:20:04,320 Speaker 1: sex Unit restaurant where your after party was, which was 384 00:20:04,359 --> 00:20:07,359 Speaker 1: an inspired choice because for me, Sir is mostly a museum. 385 00:20:07,440 --> 00:20:10,600 Speaker 1: And wait, when we premiered in Toronto eight twenty four 386 00:20:10,640 --> 00:20:13,840 Speaker 1: chos as are pre party who there another inspired choice. 387 00:20:14,000 --> 00:20:16,800 Speaker 1: So they've been nailing it. I will say they do 388 00:20:16,920 --> 00:20:19,000 Speaker 1: know how to put out a movie. They know how 389 00:20:19,000 --> 00:20:20,359 Speaker 1: to put out a movie. That group. 390 00:20:20,640 --> 00:20:23,000 Speaker 3: That group, I do not that group, and that's a 391 00:20:23,040 --> 00:20:26,960 Speaker 3: bunch of truance, delinquents, freaks and queerness. Don't forget losers 392 00:20:27,080 --> 00:20:30,399 Speaker 3: and loser Yeah, losers, all those who felt scapego to 393 00:20:30,440 --> 00:20:31,400 Speaker 3: their entire life. 394 00:20:31,520 --> 00:20:34,040 Speaker 1: But larryet Sir is an interesting contract. I tell you 395 00:20:34,119 --> 00:20:38,159 Speaker 1: I walk in there's well, it's funny that you say that, 396 00:20:38,200 --> 00:20:41,679 Speaker 1: because in high school you're about to cry. I'm literally 397 00:20:41,680 --> 00:20:45,640 Speaker 1: weeping in high school. I remember my my ap euro 398 00:20:45,720 --> 00:20:49,000 Speaker 1: teacher was like, I went to go see Borat, don't 399 00:20:49,240 --> 00:20:53,680 Speaker 1: go see it. It was like, it was not funny. 400 00:20:53,720 --> 00:20:55,800 Speaker 1: It was the funniest movie I've ever seen. You all 401 00:20:55,840 --> 00:20:57,400 Speaker 1: can't see it. So of course then we all went 402 00:20:57,720 --> 00:21:01,199 Speaker 1: and it was it was very true and delinquents of 403 00:21:01,320 --> 00:21:04,440 Speaker 1: us to be like fifteen and going to see Brat, 404 00:21:04,560 --> 00:21:06,720 Speaker 1: But I hope fifteen year olds see this. That's it. Yeah, 405 00:21:06,960 --> 00:21:10,679 Speaker 1: nasty l kids. I mean again, being earnest set that, 406 00:21:10,720 --> 00:21:12,320 Speaker 1: it's like, who knows how the movie you'll do. It 407 00:21:12,400 --> 00:21:16,040 Speaker 1: might full flop, but it's like if it's somebody's like 408 00:21:16,040 --> 00:21:18,040 Speaker 1: waiting for Guffman, if it's like what it was for 409 00:21:18,080 --> 00:21:20,560 Speaker 1: me at fifteen. If it's that, then it's like god bless. 410 00:21:20,800 --> 00:21:23,280 Speaker 1: Maybe if it's somebody's wet hot, I don't. 411 00:21:23,400 --> 00:21:25,800 Speaker 4: I might not have license to say this being involved, 412 00:21:25,800 --> 00:21:28,800 Speaker 4: but I feel like it will one hundred percent have 413 00:21:29,000 --> 00:21:32,600 Speaker 4: that sort of legacy it's so good and for people 414 00:21:32,600 --> 00:21:36,120 Speaker 4: who don't know Larry Charles directed it, bore out sign 415 00:21:36,160 --> 00:21:38,199 Speaker 4: felled criby enthusiasm one. 416 00:21:38,880 --> 00:21:40,600 Speaker 2: I want to rewatch Bruno. I got to rewatch it 417 00:21:41,520 --> 00:21:42,760 Speaker 2: is funny Bruno is. 418 00:21:42,800 --> 00:21:45,159 Speaker 3: He told some crazy stories about shooting that too, how 419 00:21:45,160 --> 00:21:47,359 Speaker 3: they had to build like an escape tunnel from one 420 00:21:47,400 --> 00:21:49,199 Speaker 3: of the situations because they were like, this is going 421 00:21:49,280 --> 00:21:50,000 Speaker 3: to turn really violent. 422 00:21:50,080 --> 00:21:52,040 Speaker 1: Yeah, I think it was the sex party. No, I 423 00:21:52,040 --> 00:21:54,159 Speaker 1: think it was. Doesn't Bruno like go to like a 424 00:21:54,280 --> 00:21:56,800 Speaker 1: w W E mask? Yes, yes, escape. 425 00:21:58,760 --> 00:22:01,960 Speaker 3: And they filmed things ice. They would do the completely 426 00:22:01,960 --> 00:22:04,320 Speaker 3: new setups and like new situations and the first time 427 00:22:04,359 --> 00:22:06,240 Speaker 3: it got so scary when the second time they built 428 00:22:06,640 --> 00:22:07,719 Speaker 3: an escape chunnel. 429 00:22:08,359 --> 00:22:10,040 Speaker 1: Larry also has a story of because they were like 430 00:22:10,200 --> 00:22:12,800 Speaker 1: showing research and stuff and they went to like cat 431 00:22:12,840 --> 00:22:15,240 Speaker 1: club they like face and you have to like strip 432 00:22:15,320 --> 00:22:18,159 Speaker 1: naked to go in basically other than him, they let 433 00:22:18,240 --> 00:22:19,000 Speaker 1: him keep his clothes on. 434 00:22:19,040 --> 00:22:21,000 Speaker 2: He was like, I think they thought I was a rapie. 435 00:22:21,119 --> 00:22:24,000 Speaker 1: Yeah, he was like, I was walking around fully closed, 436 00:22:24,040 --> 00:22:28,720 Speaker 1: everyone else naked. I'm in a suit and my long beard. 437 00:22:28,760 --> 00:22:32,800 Speaker 1: I think they think I'm a rap I. They're like, you, sir, 438 00:22:32,920 --> 00:22:34,280 Speaker 1: you don't have to hear a man of the cloth. 439 00:22:34,320 --> 00:22:36,800 Speaker 1: You don't have to take off your club, but well instead, 440 00:22:37,480 --> 00:22:40,760 Speaker 1: just as you are. Larry has incredible stories. You just 441 00:22:42,480 --> 00:22:44,200 Speaker 1: I tried to pick up your key, and that was 442 00:22:44,800 --> 00:22:45,880 Speaker 1: you tried to pick a meet key. 443 00:22:45,960 --> 00:22:48,400 Speaker 2: Yeah, Matt Roger, do you think that I sing very high? 444 00:22:49,040 --> 00:22:52,199 Speaker 1: I think? Are you singing it very high? You just 445 00:22:54,680 --> 00:22:57,600 Speaker 1: you They need to think I'm a good singer. And 446 00:23:01,280 --> 00:23:05,840 Speaker 1: this Friday, wink you really do slay. Oh my god, 447 00:23:05,960 --> 00:23:07,600 Speaker 1: it's not just a big Friday for you. In fact, 448 00:23:07,600 --> 00:23:10,000 Speaker 1: I'm still it's a big Friday. I'm gonna come in. 449 00:23:10,080 --> 00:23:13,120 Speaker 1: I'm gonna be like, hey, shut the film down high 450 00:23:13,480 --> 00:23:16,160 Speaker 1: every projector they really don't know yet what it is, right, 451 00:23:16,800 --> 00:23:20,359 Speaker 1: they don't know. That's fun. If you're listening to this 452 00:23:20,440 --> 00:23:22,280 Speaker 1: on the fourth, you'll know in two days on your 453 00:23:22,359 --> 00:23:25,240 Speaker 1: way today you've got your ear pods. 454 00:23:25,240 --> 00:23:27,119 Speaker 2: Then he wanted to call it the identical Time, Know 455 00:23:27,160 --> 00:23:27,399 Speaker 2: me too? 456 00:23:27,840 --> 00:23:30,360 Speaker 1: I call it twins. Always said that the director's cut, 457 00:23:30,440 --> 00:23:33,679 Speaker 1: like twenty years, same movie, just called fucking yeah, just 458 00:23:33,680 --> 00:23:35,639 Speaker 1: when the culture will let us call it yeah in 459 00:23:35,720 --> 00:23:38,919 Speaker 1: twenty gorgeous years? Was it always going to change the 460 00:23:38,960 --> 00:23:41,280 Speaker 1: title because for people that don't know. It was originally 461 00:23:41,359 --> 00:23:44,720 Speaker 1: a UCB show called Fucking Identical Corract and it was 462 00:23:44,800 --> 00:23:47,119 Speaker 1: sort of which I think we've discussed many times on 463 00:23:47,160 --> 00:23:52,400 Speaker 1: the podcast Watershed. Oh yeah, water Stage Production did want 464 00:23:52,440 --> 00:23:54,400 Speaker 1: to call it Fucking Identical Twins, and it only changed 465 00:23:54,440 --> 00:23:56,240 Speaker 1: sort of very late in the game when they were like, 466 00:23:56,320 --> 00:23:58,800 Speaker 1: theaters will not show it. I think they were likemcs 467 00:23:58,840 --> 00:24:02,399 Speaker 1: were like, no, the Eagle is saying. I think they 468 00:24:02,440 --> 00:24:04,280 Speaker 1: might have suspected, but I think they were hoping we 469 00:24:04,359 --> 00:24:06,480 Speaker 1: might be able to put enough asterisks or something. That's 470 00:24:06,560 --> 00:24:07,200 Speaker 1: funny to hear that. 471 00:24:07,200 --> 00:24:09,399 Speaker 3: They were like in France though, they'll like add sex 472 00:24:09,440 --> 00:24:11,840 Speaker 3: to the titles of movies. When you do like international 473 00:24:11,840 --> 00:24:15,840 Speaker 3: distribution of your they're like, it should be frozen Penis 474 00:24:17,400 --> 00:24:21,800 Speaker 3: Penis Penis to frozen. Are you excited for Wish? 475 00:24:21,920 --> 00:24:31,639 Speaker 1: No? What wish? Just Disney Disney A yeah, wait, what 476 00:24:31,720 --> 00:24:32,160 Speaker 1: is it about? 477 00:24:32,359 --> 00:24:35,080 Speaker 3: It's just like it's about a wish. The thing I'm 478 00:24:35,119 --> 00:24:37,920 Speaker 3: excited about is the animation stuff. Oh yeah, they're mixing 479 00:24:38,280 --> 00:24:40,920 Speaker 3: computer and animation with two D hands. 480 00:24:41,000 --> 00:24:42,960 Speaker 1: I do think that's great. I will I want a 481 00:24:42,960 --> 00:24:45,920 Speaker 1: little more to d up in my gig. I'm gonna 482 00:24:45,920 --> 00:24:48,800 Speaker 1: take a risk here and say this. She performed like 483 00:24:49,240 --> 00:24:51,879 Speaker 1: the song at D twenty three at some point or 484 00:24:51,920 --> 00:24:54,080 Speaker 1: at some like Disney thing like, she performed like the 485 00:24:54,119 --> 00:24:57,359 Speaker 1: song twenty three, and I was like, I was like, 486 00:24:58,040 --> 00:25:00,520 Speaker 1: that song doesn't write a start with me. It was 487 00:25:00,520 --> 00:25:03,199 Speaker 1: a songwriters I don't know, and I feel sad, but 488 00:25:03,400 --> 00:25:08,080 Speaker 1: I feel sad. I don't want to but something, who 489 00:25:08,119 --> 00:25:11,240 Speaker 1: ever has written it, I've enjoyed ninety eight percent. Oh 490 00:25:11,240 --> 00:25:13,000 Speaker 1: my god. And maybe just out of context, maybe when 491 00:25:13,040 --> 00:25:18,119 Speaker 1: you see this, maybe it was a little sidekicks swimman 492 00:25:18,200 --> 00:25:20,439 Speaker 1: next to her and you hear that Mermaid song out 493 00:25:20,480 --> 00:25:22,920 Speaker 1: of context? Yeah, yeah, did you put her under the sea? 494 00:25:23,200 --> 00:25:25,399 Speaker 1: I get it. I usually like when I first hear 495 00:25:25,480 --> 00:25:27,480 Speaker 1: these songs, like if it's good, I love it. Like 496 00:25:27,520 --> 00:25:28,800 Speaker 1: I think I loved how Far. 497 00:25:28,680 --> 00:25:29,480 Speaker 2: I'll Go right away. 498 00:25:29,560 --> 00:25:30,240 Speaker 1: I loved how Far. 499 00:25:36,640 --> 00:25:39,320 Speaker 2: It's really a dirt one of the great Disney dirtches. 500 00:25:40,320 --> 00:25:42,760 Speaker 1: It's a prayer when she fucking in Act three of 501 00:25:42,800 --> 00:25:47,320 Speaker 1: that movie when she's jumping off the raft and you yeah, 502 00:25:47,359 --> 00:25:52,440 Speaker 1: that's a slash. Oh yeah, no, she down maa ate, 503 00:25:52,840 --> 00:25:58,040 Speaker 1: she came hungry and left full. Let's just say back 504 00:25:58,080 --> 00:26:03,159 Speaker 1: to poop after mamana'ates so hard and she had poop. 505 00:26:03,240 --> 00:26:05,520 Speaker 1: Later on, she pooped out of her dick hole. I 506 00:26:05,560 --> 00:26:11,720 Speaker 1: don't like this. You read The Eagle last night. You 507 00:26:11,800 --> 00:26:23,040 Speaker 1: got it all out of here? Are you guys more 508 00:26:23,080 --> 00:26:26,560 Speaker 1: self conscious about being gay or gross? Gay? 509 00:26:26,840 --> 00:26:27,040 Speaker 6: Yeah? 510 00:26:29,200 --> 00:26:34,879 Speaker 1: Gay? Well the movie's coming out so gross. Day is tacky. 511 00:26:34,920 --> 00:26:38,720 Speaker 1: You're wearing a rainbow flag and you love damn you know. 512 00:26:39,640 --> 00:26:42,440 Speaker 1: Megan the Stallion, she actually just left. We had her 513 00:26:43,160 --> 00:26:46,520 Speaker 1: was here on the way out and she was walking 514 00:26:46,560 --> 00:26:48,879 Speaker 1: in the last page. She turned the last page of 515 00:26:48,920 --> 00:26:50,560 Speaker 1: alver Age and said she threw it to the ground 516 00:26:50,560 --> 00:26:51,520 Speaker 1: and said, tacky book. 517 00:26:52,240 --> 00:26:54,480 Speaker 3: Have you you seen Pride and Prejudice starring here nightly? 518 00:26:54,760 --> 00:26:56,760 Speaker 3: H Yeah, how the movie opens. She's like walking around 519 00:26:56,760 --> 00:26:58,600 Speaker 3: reading like bell and then she finishes the book and 520 00:26:58,600 --> 00:27:01,240 Speaker 3: she just like puts it to her chat. That's what 521 00:27:01,280 --> 00:27:04,120 Speaker 3: Meg Didie. 522 00:27:04,160 --> 00:27:08,800 Speaker 1: She goes, she said gently put it to her chest 523 00:27:08,880 --> 00:27:11,560 Speaker 1: and said, tay, what was the last book you read? 524 00:27:11,560 --> 00:27:12,640 Speaker 1: Because this is a true reader. 525 00:27:12,680 --> 00:27:15,439 Speaker 3: I've been but I've been in a bad reading slump 526 00:27:15,520 --> 00:27:17,440 Speaker 3: due to the press site, due to the press. But 527 00:27:17,840 --> 00:27:20,159 Speaker 3: I am almost done with The Virgin Suicides, which I've 528 00:27:20,160 --> 00:27:25,439 Speaker 3: never I never seen the movie. I'm excited because you 529 00:27:25,480 --> 00:27:26,280 Speaker 3: know I love Kirsten. 530 00:27:26,600 --> 00:27:29,600 Speaker 1: We grew up with her. Yeah, absolutely, I mean she 531 00:27:29,640 --> 00:27:31,440 Speaker 1: didn't grow up with me, but I come with her. 532 00:27:31,960 --> 00:27:37,760 Speaker 1: Isn't that funny together? But I do feel like if 533 00:27:37,760 --> 00:27:41,960 Speaker 1: she came in here, she would feel immediately supportive. Jesse 534 00:27:42,040 --> 00:27:47,520 Speaker 1: Plemons types rank us in terms of who's the most 535 00:27:47,600 --> 00:27:52,360 Speaker 1: Jesse Plemmons to least reverse what's starting from the least 536 00:27:52,400 --> 00:27:57,200 Speaker 1: least like Jesse least got them moves like Jagger got them, 537 00:27:57,280 --> 00:28:00,880 Speaker 1: least got them movements. I got them, was like Clemens. 538 00:28:00,880 --> 00:28:05,200 Speaker 1: I got them, was like Clemens. 539 00:28:05,560 --> 00:28:07,359 Speaker 4: There's an episode of Grades and Anamy that Jesse Clemmons 540 00:28:07,400 --> 00:28:11,280 Speaker 4: is in. It has the Aaron's length of hair. Oh 541 00:28:11,440 --> 00:28:14,399 Speaker 4: so I'm most You're most? So number one is you 542 00:28:15,400 --> 00:28:15,800 Speaker 4: is Aaron? 543 00:28:15,880 --> 00:28:18,560 Speaker 1: Wow? This is a huge honor. So have you me? 544 00:28:19,560 --> 00:28:22,520 Speaker 2: I have not met Kirsten Dunce No. 545 00:28:23,880 --> 00:28:24,320 Speaker 1: Refused. 546 00:28:24,960 --> 00:28:27,800 Speaker 3: Maybe someone I would accidentally against my will, Like if 547 00:28:27,800 --> 00:28:28,960 Speaker 3: I saw her on the street, be. 548 00:28:28,920 --> 00:28:30,280 Speaker 5: Like Kirsta, but I wouldn't. 549 00:28:30,320 --> 00:28:32,800 Speaker 3: I wouldn't want to, and then my body would just 550 00:28:32,880 --> 00:28:35,240 Speaker 3: like that doctor Duncet, doctor Dunst. 551 00:28:35,600 --> 00:28:38,160 Speaker 1: I'd be interacted on Twitter. Maybe that makes me number 552 00:28:38,200 --> 00:28:42,360 Speaker 1: two because I'm an interaction with her, so that like, 553 00:28:42,400 --> 00:28:44,640 Speaker 1: that's kind of like interacting with him. Definitely your number two. 554 00:28:44,680 --> 00:28:45,920 Speaker 2: What was the interaction I wanted? 555 00:28:46,120 --> 00:28:48,640 Speaker 1: Well, she we did a game on game show when 556 00:28:48,680 --> 00:28:52,280 Speaker 1: it was on Quibbi called Respect Kirsten, and it was 557 00:28:52,360 --> 00:28:54,960 Speaker 1: just they had to name Kirsten Duns facts as much 558 00:28:55,000 --> 00:28:58,200 Speaker 1: as they could in thirty seconds. And she saw it 559 00:28:58,240 --> 00:29:01,360 Speaker 1: and reposted it and that's huge. I think even did 560 00:29:01,360 --> 00:29:05,360 Speaker 1: an emoji like mind blown or something that was good. 561 00:29:05,360 --> 00:29:08,080 Speaker 1: That was a good interaction with your That's a great interaction. Yeah, 562 00:29:08,880 --> 00:29:11,800 Speaker 1: so that makes you the second most, like jest Jess. Yeah, yeah, 563 00:29:12,400 --> 00:29:13,240 Speaker 1: between you guys. 564 00:29:13,320 --> 00:29:16,040 Speaker 4: Wow, I could see Josh in an episode of Fargo. 565 00:29:16,680 --> 00:29:17,800 Speaker 2: Okay, sure. 566 00:29:18,400 --> 00:29:21,160 Speaker 4: Mostly I think I'm the least like you're the least. 567 00:29:21,240 --> 00:29:23,040 Speaker 4: I have no similarities to plumbing. 568 00:29:23,080 --> 00:29:25,080 Speaker 1: I think you so well. You scan them. 569 00:29:25,200 --> 00:29:27,480 Speaker 2: You're actor star your sketch comedian. 570 00:29:27,480 --> 00:29:28,560 Speaker 1: I'm a sketch comedian. 571 00:29:28,760 --> 00:29:31,200 Speaker 2: Women's is an actor and we're actors in your sketch comedian. 572 00:29:31,480 --> 00:29:35,000 Speaker 1: That's true. You put on wigs and say filth late 573 00:29:35,000 --> 00:29:39,320 Speaker 1: at night on television six Yeah, dan Ackroyd. Sometimes they 574 00:29:39,560 --> 00:29:42,400 Speaker 1: felt that doesn't even make it into they tossed it 575 00:29:42,440 --> 00:29:42,959 Speaker 1: on YouTube. 576 00:29:43,000 --> 00:29:45,760 Speaker 2: That seems inefficient. That doesn't seem like gosh. 577 00:29:45,800 --> 00:29:48,680 Speaker 1: I would agree. I just got it's from A twenty four. 578 00:29:48,880 --> 00:29:51,120 Speaker 1: They said they're going to toss the movie on YouTube. Oh, 579 00:29:53,720 --> 00:29:59,200 Speaker 1: we're going to toss this on YouTube. Guy, Well, people's 580 00:29:59,200 --> 00:30:03,360 Speaker 1: app exactly a lot of people get really big from you. 581 00:30:03,480 --> 00:30:07,240 Speaker 1: As Miranda Sing. We could be the next Miranda Sings. Yeah, 582 00:30:07,840 --> 00:30:12,200 Speaker 1: what is your comment on the controversy. We watched that 583 00:30:12,280 --> 00:30:15,480 Speaker 1: in Fire Island, the whole that we watched, the whole 584 00:30:15,520 --> 00:30:18,840 Speaker 1: apology video, the song. Oh yeah, the apology video was dark, 585 00:30:19,000 --> 00:30:21,120 Speaker 1: ten ten and a half minute. Mary launched it all 586 00:30:21,560 --> 00:30:26,920 Speaker 1: very long. Pat Reagan left like living fact. 587 00:30:27,000 --> 00:30:29,000 Speaker 2: She's referencing, Oh wait. 588 00:30:29,120 --> 00:30:31,800 Speaker 1: Was he like up to date on the h He 589 00:30:31,840 --> 00:30:34,160 Speaker 1: was up to date on the scandal, And she tod, 590 00:30:34,320 --> 00:30:36,320 Speaker 1: I'm more of a mister beast guy when it comes 591 00:30:36,320 --> 00:30:40,280 Speaker 1: to youtubey. I don't know her. Anyone follow Laura in 592 00:30:40,320 --> 00:30:42,360 Speaker 1: the Kitchen. Laura in the Kitchen. 593 00:30:42,120 --> 00:30:44,760 Speaker 4: Is the Rachel Ray of YouTube. She's making the quick 594 00:30:44,800 --> 00:30:47,040 Speaker 4: little meals. Oh what's your favorite thing that she's made? 595 00:30:49,280 --> 00:30:53,440 Speaker 1: And least favorite? What's the most like Jesse Plemon she's made? 596 00:30:53,600 --> 00:30:57,200 Speaker 1: She has made Oh my god, most like. 597 00:30:57,640 --> 00:31:01,080 Speaker 3: What's the dish that's most like Jessemen that Laura in 598 00:31:01,120 --> 00:31:02,080 Speaker 3: the kitchen has made. 599 00:31:02,120 --> 00:31:05,800 Speaker 1: Yout beef stew. You just love be I just love 600 00:31:05,840 --> 00:31:08,840 Speaker 1: beef like I love Jesse Plemmons. Maybe you're like Jesse 601 00:31:09,000 --> 00:31:13,720 Speaker 1: in that way. It's flipped. We did it wrong. I'm 602 00:31:13,760 --> 00:31:16,560 Speaker 1: the least like you're the least. Can I say? I 603 00:31:16,560 --> 00:31:23,600 Speaker 1: actually feel not like Jesse Plemmons wise, totally different skill set. 604 00:31:25,000 --> 00:31:27,200 Speaker 1: I just don't think I'm like Jesse. He's in Game Night. 605 00:31:27,280 --> 00:31:31,840 Speaker 1: That's comedy. That's comedy's funny. I just I don't know 606 00:31:31,840 --> 00:31:33,560 Speaker 1: if I do what he did in the Power of 607 00:31:33,600 --> 00:31:36,080 Speaker 1: the Dog. I think I'm more. Yeah, I think we're 608 00:31:36,120 --> 00:31:38,640 Speaker 1: all more. To be honest with you, actually, I think 609 00:31:38,640 --> 00:31:42,880 Speaker 1: I'm the most Benedict. And I'm curious to know. I'm 610 00:31:42,880 --> 00:31:46,880 Speaker 1: trying to downstairs and then you're strumming the guitar menacingly from. 611 00:31:46,720 --> 00:31:51,280 Speaker 3: The become a fun woman at the restaurant in the beginning, Oh, 612 00:31:51,720 --> 00:31:54,240 Speaker 3: having a nice time, and it's like this is awkward. 613 00:31:54,680 --> 00:31:55,360 Speaker 1: Remember they leave. 614 00:31:55,600 --> 00:31:57,440 Speaker 2: I think I'm a female director. 615 00:32:00,320 --> 00:32:00,680 Speaker 1: Champion. 616 00:32:00,760 --> 00:32:02,240 Speaker 2: Didn't we talk about her the room? 617 00:32:02,440 --> 00:32:06,080 Speaker 1: Wow? We love that woman. We love that woman and 618 00:32:06,120 --> 00:32:08,360 Speaker 1: her artistry, and I feel like it's been a long 619 00:32:08,480 --> 00:32:10,120 Speaker 1: enough time now where I can say that I was 620 00:32:10,120 --> 00:32:12,120 Speaker 1: at the Critics Choice Awards that she was at the 621 00:32:12,120 --> 00:32:14,320 Speaker 1: ear power of the dog and she was busting it 622 00:32:14,480 --> 00:32:18,040 Speaker 1: down at that after part. Do you remember, I remember 623 00:32:18,640 --> 00:32:23,040 Speaker 1: we were with our oscars very Eagles like Night, the 624 00:32:23,080 --> 00:32:26,440 Speaker 1: Eagles like the Eagle like Night. Basically that was like 625 00:32:26,440 --> 00:32:33,160 Speaker 1: if Hollywood went to the Who was fucking Williams and 626 00:32:33,160 --> 00:32:33,960 Speaker 1: Andrew Garfield? 627 00:32:34,760 --> 00:32:37,040 Speaker 2: Wow, they've had sparks for years? 628 00:32:37,280 --> 00:32:39,719 Speaker 3: Well they is anyone ever spoken on the fact that 629 00:32:39,760 --> 00:32:41,360 Speaker 3: Andrew Garfield's last name is Garfield? 630 00:32:41,360 --> 00:32:45,680 Speaker 1: Which is that cat? Yeah? I'm sure, I'm s time 631 00:32:45,760 --> 00:32:48,080 Speaker 1: I hear his name, I think of the Orange does 632 00:32:48,320 --> 00:32:50,800 Speaker 1: What does that make you think of the man? Just 633 00:32:51,040 --> 00:32:53,920 Speaker 1: it's silly, silly, It's plain silly. 634 00:32:54,080 --> 00:32:55,880 Speaker 3: I think of him, I think of Odie, I think 635 00:32:55,920 --> 00:32:57,720 Speaker 3: of Laadi. 636 00:32:57,800 --> 00:33:00,880 Speaker 2: What if his name is Andrew Andrew normal? 637 00:33:01,160 --> 00:33:06,520 Speaker 1: Here's my impression of Andrew Garfield being asked about this. Okay, okay, well, 638 00:33:06,560 --> 00:33:10,600 Speaker 1: at first it was actually quite annoying because this is 639 00:33:10,760 --> 00:33:14,200 Speaker 1: all all all wrong, This secondary is wrong. Primary school 640 00:33:15,120 --> 00:33:18,120 Speaker 1: people would they would say Goldfield, Goldfield, and I would 641 00:33:18,160 --> 00:33:21,360 Speaker 1: just I mean logic to cats, which people don't know 642 00:33:22,360 --> 00:33:24,920 Speaker 1: very high sort of reminded me of cats. Okay, I 643 00:33:24,920 --> 00:33:26,840 Speaker 1: hate to say this is sort of a Jesse plemmons. 644 00:33:27,360 --> 00:33:29,840 Speaker 1: Are you You are so dialed in in a full 645 00:33:29,920 --> 00:33:32,120 Speaker 1: Clemens perfect Clemens. 646 00:33:33,720 --> 00:33:33,920 Speaker 5: Put. 647 00:33:33,920 --> 00:33:35,280 Speaker 1: This effected my mind blown. 648 00:33:36,280 --> 00:33:38,520 Speaker 2: Kirsten Dunst tweet, Sorry I. 649 00:33:38,600 --> 00:33:42,520 Speaker 1: Did take it's going to cost ten thousand. When are 650 00:33:42,560 --> 00:33:45,720 Speaker 1: you worried about the budget? I was always spending rich 651 00:33:46,440 --> 00:33:52,200 Speaker 1: rich rich evil white rich man. I'm feeling velvet rage 652 00:33:52,200 --> 00:33:55,200 Speaker 1: at you, velvet rage. 653 00:33:55,200 --> 00:33:57,360 Speaker 2: I'm feeling velvet rage. 654 00:33:57,200 --> 00:33:59,720 Speaker 1: Burning velvet. I'm burning velvet. 655 00:34:00,400 --> 00:34:03,840 Speaker 2: Planning n Taylor Bow was fun. 656 00:34:04,360 --> 00:34:07,240 Speaker 1: It's really fun. I was so tired, like of course, 657 00:34:07,240 --> 00:34:09,360 Speaker 1: I couldn't have done. I was with Whitaker seeing Princess 658 00:34:09,400 --> 00:34:12,359 Speaker 1: the my Rudolph Prince cover. Oh my god, so fun. 659 00:34:12,400 --> 00:34:13,440 Speaker 1: I heard she did an impression. 660 00:34:13,600 --> 00:34:17,160 Speaker 4: Mine did an impression of something like an abstract concept. 661 00:34:17,280 --> 00:34:20,080 Speaker 1: You lip sinks the actually lip thinks. That's a good 662 00:34:20,600 --> 00:34:24,040 Speaker 1: It was really good. It's really funny. My falsetto is. 663 00:34:24,080 --> 00:34:28,480 Speaker 1: It's really good. I mean. She also did a classic 664 00:34:28,560 --> 00:34:31,359 Speaker 1: bit where like at a break between a song, her 665 00:34:31,360 --> 00:34:33,680 Speaker 1: partner gave her like a banana phone and she was 666 00:34:33,760 --> 00:34:37,120 Speaker 1: just like I was gonna say her best friend who 667 00:34:37,200 --> 00:34:38,680 Speaker 1: she's in the band with, whose name? I forgot? Her 668 00:34:38,680 --> 00:34:41,200 Speaker 1: best friend better be her husband? Thank you say that 669 00:34:41,200 --> 00:34:42,960 Speaker 1: that better had been in her vows. 670 00:34:42,960 --> 00:34:46,440 Speaker 4: My best friend, my confidence, and you will hand me 671 00:34:46,440 --> 00:34:48,080 Speaker 4: a banana phone at my shows. 672 00:34:48,480 --> 00:34:51,000 Speaker 1: It's a classic Maya bit. She answers the phone and goes, 673 00:34:51,239 --> 00:34:54,640 Speaker 1: the fuck do you want? I'm brizzy, putting an R 674 00:34:54,680 --> 00:34:58,040 Speaker 1: in a word is very room, I'm prettyzzy, very Brian 675 00:34:58,120 --> 00:35:03,480 Speaker 1: Jordan Alvarez where they are, I'm brizzy, I said, my Brizzy. 676 00:35:03,800 --> 00:35:05,960 Speaker 1: I think welt might be the funniest thing. 677 00:35:06,080 --> 00:35:09,760 Speaker 4: Well, I finally heard that sitting song for the first 678 00:35:09,760 --> 00:35:17,479 Speaker 4: time is so beautiful. J Ma tj mat I mean Brian. 679 00:35:17,520 --> 00:35:20,160 Speaker 4: Jordan Navarez was also at Sex Unique Restaurant the night 680 00:35:20,200 --> 00:35:21,360 Speaker 4: of the premiere. 681 00:35:21,640 --> 00:35:25,920 Speaker 1: Yes, what a good vibe, Yeah, great gold vibes. Great 682 00:35:25,960 --> 00:35:29,719 Speaker 1: what oldies? Oh great old great old That was like 683 00:35:29,760 --> 00:35:31,799 Speaker 1: on the radio when I grew up. I remember I 684 00:35:31,840 --> 00:35:35,560 Speaker 1: remember B one O three or something. Yeah, could very 685 00:35:35,600 --> 00:35:37,960 Speaker 1: well be that could very well very well be that 686 00:35:38,360 --> 00:35:44,799 Speaker 1: something else one hundred remember that one light fow y'all 687 00:35:44,840 --> 00:35:49,480 Speaker 1: are and Matt Rogers keys and there we are picking high. 688 00:35:49,719 --> 00:35:52,480 Speaker 1: That's a bow and key. You'd be shocked at how 689 00:35:52,520 --> 00:35:59,520 Speaker 1: low I can get. I can do it too, Raine, No, 690 00:36:01,800 --> 00:36:06,240 Speaker 1: did you do? Did down? What are you singing? 691 00:36:06,800 --> 00:36:07,640 Speaker 2: In the Survivor theme? 692 00:36:13,040 --> 00:36:17,319 Speaker 1: Let him Go? He did the other night and we 693 00:36:17,520 --> 00:36:20,960 Speaker 1: sang Patrick Rogers saying he wasn't man enough for me. 694 00:36:21,800 --> 00:36:24,320 Speaker 1: And we both have portray We both have stories about 695 00:36:24,320 --> 00:36:26,160 Speaker 1: how our mothers when we were little, we would do 696 00:36:26,400 --> 00:36:28,640 Speaker 1: that song and my mom used to say, I have 697 00:36:28,719 --> 00:36:31,680 Speaker 1: to put him on Rosie. She wanted to put me 698 00:36:31,719 --> 00:36:35,160 Speaker 1: on Rosie o' donald doing my Tony Brax so good 699 00:36:35,239 --> 00:36:44,840 Speaker 1: on and would have cut up. Oh yeah, yeah, he 700 00:36:44,920 --> 00:36:48,280 Speaker 1: was on Rosie as a Harry Potter expert. Whoa Rosie 701 00:36:48,320 --> 00:36:51,440 Speaker 1: was on when Harry Potter was on? Oh yeah, I 702 00:36:51,440 --> 00:36:57,840 Speaker 1: forget how old Harry Potter is because old? Can we 703 00:36:58,080 --> 00:37:00,960 Speaker 1: reach your old? Al crazy? This is one of the 704 00:37:01,040 --> 00:37:02,960 Speaker 1: really means we can share this. I just want to 705 00:37:03,120 --> 00:37:07,839 Speaker 1: say I love this artist. We talk worshipless artist. This 706 00:37:07,920 --> 00:37:10,400 Speaker 1: is as a casting director. I was talking as a 707 00:37:10,440 --> 00:37:13,360 Speaker 1: cast There is apparently a rumor that there's going to 708 00:37:13,360 --> 00:37:15,759 Speaker 1: be a revival of the Sound of Music, and we 709 00:37:15,760 --> 00:37:18,239 Speaker 1: were all saying, who will play Maria the lead, the nun, 710 00:37:18,280 --> 00:37:23,440 Speaker 1: the Julie Andrews part carry. People are tossing out ideas. 711 00:37:23,480 --> 00:37:26,160 Speaker 3: We were talking about how amazing that revival of Into 712 00:37:26,160 --> 00:37:28,840 Speaker 3: the Woods was, and Matt Rogers says, what about Sarah 713 00:37:28,840 --> 00:37:30,120 Speaker 3: burrellas for Maria? 714 00:37:30,239 --> 00:37:32,760 Speaker 2: And I said old altoe and everyone. 715 00:37:32,440 --> 00:37:33,400 Speaker 1: Fell to the ground. 716 00:37:33,440 --> 00:37:35,600 Speaker 2: It was the nextiest reason. 717 00:37:36,239 --> 00:37:39,960 Speaker 3: Is the character is a young soprano and Sarah is 718 00:37:40,040 --> 00:37:42,160 Speaker 3: so young but not eighteen. 719 00:37:42,440 --> 00:37:48,560 Speaker 1: Sarah is not Maria, and I worshiped Sarah. We would 720 00:37:48,640 --> 00:37:54,799 Speaker 1: suck Sarah's toad. I would suck her toe absolute. She 721 00:37:54,920 --> 00:37:58,759 Speaker 1: seems fun. Have you interacted with her? But you hear 722 00:37:58,800 --> 00:38:01,560 Speaker 1: the Biden thing? Did you hear the Broadway for Biden's 723 00:38:02,320 --> 00:38:02,640 Speaker 1: that night? 724 00:38:02,760 --> 00:38:04,440 Speaker 3: So she there was this big concept a lot of 725 00:38:04,440 --> 00:38:07,080 Speaker 3: Broadway stars singing for Joe Biden, and then a bunch 726 00:38:07,120 --> 00:38:09,600 Speaker 3: of climb Hunter Hunter for a Hunter. 727 00:38:09,800 --> 00:38:12,719 Speaker 2: They called songs for Hunter. It's for Hunter. 728 00:38:12,960 --> 00:38:17,920 Speaker 1: Yeah, they all sing the York song Hunter. It was amazing. Yeah. No, 729 00:38:18,040 --> 00:38:21,040 Speaker 1: and Sarah's singing over the Rainbow first song opening the concert, 730 00:38:21,040 --> 00:38:23,480 Speaker 1: and then a bunch of climate protesters come in and like, 731 00:38:23,560 --> 00:38:27,160 Speaker 1: you know, are protesting. She pro just sings through it 732 00:38:27,200 --> 00:38:28,960 Speaker 1: and then like makes a bunch of jokes afterwards, but 733 00:38:29,120 --> 00:38:33,560 Speaker 1: was also celebrating the protest. Everyone was like chic, gorgeous, stunning, 734 00:38:33,600 --> 00:38:35,640 Speaker 1: and only an old alto could do that. 735 00:38:36,719 --> 00:38:40,680 Speaker 3: You would have buckled, buckled under the pressure, lost her voice, 736 00:38:40,719 --> 00:38:46,120 Speaker 3: never sang again. It would have been terrible. What was 737 00:38:46,160 --> 00:38:47,719 Speaker 3: Aaron and I favorite joke to do on set? 738 00:38:49,760 --> 00:38:55,759 Speaker 1: I got it? My bit that I do is I 739 00:38:55,800 --> 00:39:01,000 Speaker 1: have COVID. I'm feeling symptoms. It's like it's a hot 740 00:39:01,680 --> 00:39:04,680 Speaker 1: I think I might be having some. And the period 741 00:39:04,760 --> 00:39:10,600 Speaker 1: is I have COVID. I have COVID. COVID. Honey, is 742 00:39:10,640 --> 00:39:15,160 Speaker 1: this covido? Wow? Like hot? Under the shirts? I have 743 00:39:15,200 --> 00:39:20,640 Speaker 1: om cron What do you say it? Just like you 744 00:39:21,000 --> 00:39:23,759 Speaker 1: nowhere we sang live right right right, I've done it, 745 00:39:24,680 --> 00:39:27,760 Speaker 1: of course, just like you white making light of COVID 746 00:39:27,880 --> 00:39:31,880 Speaker 1: nineteen dare you other races suffer? I think it's a 747 00:39:32,080 --> 00:39:36,640 Speaker 1: hilarious sickness. Your rageous velant rights velvet. You are beat 748 00:39:36,760 --> 00:39:43,280 Speaker 1: red black velvet, black velvet, please, the black velveteen rabbit 749 00:39:43,480 --> 00:39:48,240 Speaker 1: is something there, rage bit velveteen rage bit velvet. That's good, 750 00:39:48,600 --> 00:39:54,920 Speaker 1: that's so good, really, yeah, velveteen rage. So it's just 751 00:39:54,960 --> 00:39:56,120 Speaker 1: a Faggy Little Toy. 752 00:39:56,640 --> 00:39:59,560 Speaker 3: Yeah, more at the end, it's just like Frosty Vibess 753 00:39:59,560 --> 00:40:02,080 Speaker 3: a million. I know the tale, but I've forgotten, so 754 00:40:02,120 --> 00:40:04,600 Speaker 3: I guess I don't attend the tale. 755 00:40:04,800 --> 00:40:10,080 Speaker 1: Wait did you hear the who is it? The rumor 756 00:40:10,200 --> 00:40:13,200 Speaker 1: is Nicki Minaj is gonna play Missus love It And 757 00:40:13,239 --> 00:40:16,839 Speaker 1: that's another old She has an album coming out. Look 758 00:40:17,760 --> 00:40:20,160 Speaker 1: if she just in the middle like of this album 759 00:40:20,560 --> 00:40:23,640 Speaker 1: was like, I'm gonna do Sweeney Talks. I'm doing Weeks 760 00:40:23,640 --> 00:40:27,200 Speaker 1: at Fleet Street. She delays her album. This is more important. Well. 761 00:40:27,239 --> 00:40:29,759 Speaker 4: The rumor on dim Wall was that they're trying to 762 00:40:29,800 --> 00:40:32,200 Speaker 4: turn it into a Chicago thing where it's stunt casting 763 00:40:32,320 --> 00:40:35,760 Speaker 4: every life time. I'm saying, with a song time show, 764 00:40:35,840 --> 00:40:39,600 Speaker 4: you cannot bring in like three hours. 765 00:40:40,400 --> 00:40:44,560 Speaker 1: I'm happy I eat. I really, could you know what 766 00:40:44,640 --> 00:40:51,759 Speaker 1: I like to do? Mister Tom Actually he said the 767 00:40:51,800 --> 00:40:56,759 Speaker 1: worst pison London. I make him, I take him. It's 768 00:40:56,840 --> 00:41:02,440 Speaker 1: just acapella, completely out of him. Oh my, and he 769 00:41:02,640 --> 00:41:05,239 Speaker 1: was beautiful. I would love to see Nicki Minaj take 770 00:41:05,280 --> 00:41:08,839 Speaker 1: on the role. It's actually one of the craziest things 771 00:41:08,840 --> 00:41:10,960 Speaker 1: I've ever heard. So basically I think it was on 772 00:41:11,040 --> 00:41:14,800 Speaker 1: Doumois it was like an a list rapper slash voice 773 00:41:14,840 --> 00:41:20,440 Speaker 1: actress me Grammy nominated a list actor, And I'm like, Okay, 774 00:41:20,719 --> 00:41:25,120 Speaker 1: who else is like Jesse Plemons? Yeah, if she books 775 00:41:25,120 --> 00:41:28,000 Speaker 1: Sweeney Todd, she is the most Jesse Plemmons out of 776 00:41:28,000 --> 00:41:31,600 Speaker 1: all of us, all of us. Jesse is Sweeney, Jesse Sweeney. 777 00:41:32,160 --> 00:41:34,160 Speaker 1: I would see that he could learn, he could learn. 778 00:41:34,200 --> 00:41:36,200 Speaker 1: I bet it's one of those things where it's like, oh, 779 00:41:36,400 --> 00:41:38,480 Speaker 1: it's like an actor who pretends they can't sing, then 780 00:41:38,560 --> 00:41:40,640 Speaker 1: they can, and then they're really good at singing. I'm 781 00:41:40,640 --> 00:41:43,279 Speaker 1: sure he could do it so well. It's like a 782 00:41:43,320 --> 00:41:46,319 Speaker 1: really good singer that they don't use it. We don't 783 00:41:46,320 --> 00:41:52,719 Speaker 1: know has used it many times, but whenever that vibrato pops, forget. Like, 784 00:41:52,800 --> 00:41:55,200 Speaker 1: I mean, did you see that video of Meryl Streep 785 00:41:55,280 --> 00:41:57,919 Speaker 1: singing on Only Murders in the Building. I mean, I watch, 786 00:41:58,040 --> 00:42:01,840 Speaker 1: I'm watching the season. You love the show, Go ahead, 787 00:42:03,400 --> 00:42:08,239 Speaker 1: I love the show. Adam Shankman's listening compliment it is 788 00:42:08,360 --> 00:42:11,880 Speaker 1: it is out of control Merrill singing on It's so funny. 789 00:42:11,960 --> 00:42:14,399 Speaker 1: I mean, it's like she is good. It's just like 790 00:42:14,920 --> 00:42:16,880 Speaker 1: speaking of out of control because I believe it was 791 00:42:16,960 --> 00:42:19,399 Speaker 1: you guys, that I first tortured with the Morning Show 792 00:42:19,480 --> 00:42:24,719 Speaker 1: years ago. Have you been keeping up? Oh no, I 793 00:42:25,160 --> 00:42:27,960 Speaker 1: haven't watched season There has been a cyber attack. Watch 794 00:42:28,120 --> 00:42:30,360 Speaker 1: while ree was in space. I watched season two and 795 00:42:30,400 --> 00:42:32,440 Speaker 1: I was gagged. So let me just say what's happened 796 00:42:32,440 --> 00:42:36,040 Speaker 1: so far. While Reese was in Spaceler. She decided to 797 00:42:36,040 --> 00:42:38,440 Speaker 1: do it the last minute because Jennifer Anison couldn't do it, 798 00:42:38,480 --> 00:42:40,279 Speaker 1: couldn't go to space. She couldn't go to space. She 799 00:42:40,320 --> 00:42:44,400 Speaker 1: had to be missus Lovett country girl gotta go to 800 00:42:44,480 --> 00:42:48,160 Speaker 1: space again. Reese goes to space while she's in space 801 00:42:48,200 --> 00:42:51,080 Speaker 1: as a cyber attack, and a video of her like 802 00:42:51,120 --> 00:42:55,719 Speaker 1: diddling herself. Everything you're saying is real, and then they 803 00:42:55,719 --> 00:42:58,160 Speaker 1: have to like pay to like get it covered up 804 00:42:58,280 --> 00:43:01,320 Speaker 1: or whatever. And now John from place like an Elon 805 00:43:01,440 --> 00:43:04,919 Speaker 1: Musk type, who's gonna like Jennifer Jennifer Aniston and also 806 00:43:05,040 --> 00:43:07,279 Speaker 1: like by the company and like it's just now it's 807 00:43:07,320 --> 00:43:09,399 Speaker 1: like all over the place, and like, by the way, 808 00:43:09,640 --> 00:43:11,799 Speaker 1: this last episode, the gretel Lee of it all, that 809 00:43:11,920 --> 00:43:16,120 Speaker 1: was cuockle bananas. When the waitress did what she was 810 00:43:16,360 --> 00:43:17,880 Speaker 1: When the waitress did what she had to do, that 811 00:43:18,000 --> 00:43:21,759 Speaker 1: was a point, but that was the one she had 812 00:43:21,800 --> 00:43:25,880 Speaker 1: to do. It was beyond let's just say this, men 813 00:43:25,920 --> 00:43:26,560 Speaker 1: are pigs. 814 00:43:27,000 --> 00:43:30,279 Speaker 4: Men are pigs, and that's the thesis statement of the god. 815 00:43:30,800 --> 00:43:34,000 Speaker 1: I learned again, spoiler, I learned that you told me 816 00:43:34,040 --> 00:43:35,319 Speaker 1: that Steve Carrell. 817 00:43:35,120 --> 00:43:38,279 Speaker 4: Drove off, Yeah, drives off a cleff and dies. It's 818 00:43:38,400 --> 00:43:41,000 Speaker 4: because Jennifer Aniston was flashing her high beams on the 819 00:43:41,000 --> 00:43:41,719 Speaker 4: opposite lane. 820 00:43:42,400 --> 00:43:47,200 Speaker 1: That's particular man slob incredible bush. That's a Laura bush 821 00:43:47,200 --> 00:43:52,560 Speaker 1: on somebody for Laura, somebody that's in the know, Like, 822 00:43:52,800 --> 00:43:54,400 Speaker 1: I don't know what happened in the season, but a 823 00:43:54,400 --> 00:43:56,520 Speaker 1: friend of mine knows what happens at the end of 824 00:43:56,560 --> 00:43:58,239 Speaker 1: the season of The Morning Show and said, it's by 825 00:43:58,280 --> 00:44:00,760 Speaker 1: far the craziest thing that's ever happened on the show. 826 00:44:01,080 --> 00:44:04,400 Speaker 1: And I was like, what what recent gen fuck? And 827 00:44:04,440 --> 00:44:08,040 Speaker 1: their eyes like glossed over and they go, it's on 828 00:44:08,080 --> 00:44:11,399 Speaker 1: the level of that crazy, So I cannot gloss over 829 00:44:11,480 --> 00:44:14,239 Speaker 1: in a good glow like like they couldn't believe I 830 00:44:14,280 --> 00:44:16,440 Speaker 1: was guessing that, And they were like, the thing is like, 831 00:44:16,480 --> 00:44:19,200 Speaker 1: your guys, like you are so bies thing you could 832 00:44:19,200 --> 00:44:21,480 Speaker 1: think of. I'm imagina, this is what I'm imagining have 833 00:44:21,520 --> 00:44:23,440 Speaker 1: you ever Are you familiar with the X Men franchise 834 00:44:23,480 --> 00:44:26,560 Speaker 1: starring Halle Berry. I'm imagining when her eyes go white 835 00:44:27,680 --> 00:44:29,480 Speaker 1: when he got star Yeah. 836 00:44:29,560 --> 00:44:30,879 Speaker 2: Yeah, you know what happens. 837 00:44:33,480 --> 00:44:34,200 Speaker 1: Everything. 838 00:44:35,560 --> 00:44:39,680 Speaker 4: That's an iconic moment. Brian Singer, you did that. 839 00:44:39,800 --> 00:44:42,359 Speaker 2: You went there, honey, and I loved it. 840 00:44:42,640 --> 00:44:46,680 Speaker 1: You went there, King King, I know, thank you surprised, 841 00:44:46,719 --> 00:44:51,359 Speaker 1: but I know who you are personal and I did 842 00:44:51,400 --> 00:44:54,400 Speaker 1: you still love Usual Suspects too? Oh? Sure that was 843 00:44:54,400 --> 00:44:55,080 Speaker 1: like a boy movie? 844 00:44:55,400 --> 00:44:56,960 Speaker 2: What happened to him? Brian? 845 00:44:59,320 --> 00:45:03,759 Speaker 1: More fine? And any of which is scary owns on 846 00:45:03,800 --> 00:45:05,839 Speaker 1: the island, I'm sure, and it's having a great time 847 00:45:05,880 --> 00:45:07,360 Speaker 1: on it. He's gonna like our movie. 848 00:45:07,400 --> 00:45:11,440 Speaker 2: Unfortunately, Well all the gay scene, well. 849 00:45:14,080 --> 00:45:16,200 Speaker 4: This is Brian saying the closest thing we have to do 850 00:45:16,200 --> 00:45:18,640 Speaker 4: with gay Epstein something like that. 851 00:45:18,960 --> 00:45:22,640 Speaker 1: He's wrong parties for young I have a legal note. 852 00:45:22,960 --> 00:45:27,480 Speaker 1: Brian Singer denies the accusation of thank you, thank you 853 00:45:27,560 --> 00:45:32,000 Speaker 1: for that having parties. Brian's actually never touched water Y 854 00:45:34,160 --> 00:45:34,800 Speaker 1: this episode. 855 00:45:34,840 --> 00:45:37,400 Speaker 4: For evidence, we have to put a legal disclaimer like that, 856 00:45:37,800 --> 00:45:38,440 Speaker 4: he denies. 857 00:45:38,600 --> 00:45:41,080 Speaker 1: I can't wait to see y'all in court, and can 858 00:45:41,120 --> 00:45:42,920 Speaker 1: I say something? I want to be a witness on 859 00:45:43,000 --> 00:45:45,600 Speaker 1: the stand at some point, and it would be so good. 860 00:45:45,480 --> 00:45:48,400 Speaker 3: At bringing this up something we've sort of erased. That 861 00:45:48,520 --> 00:45:50,480 Speaker 3: was the best thing that ever happened was Gwyneth Paltrow 862 00:45:50,520 --> 00:45:53,040 Speaker 3: and Oh my god, why. 863 00:45:52,960 --> 00:45:57,360 Speaker 1: Aren't we That was this year? That was this calendar. 864 00:45:57,440 --> 00:45:57,680 Speaker 5: Cool. 865 00:45:58,320 --> 00:46:00,560 Speaker 1: It's definitely a moment in culture. And then when she 866 00:46:00,800 --> 00:46:02,920 Speaker 1: left and said I wish, I wish, that's what I mean. 867 00:46:03,160 --> 00:46:06,480 Speaker 1: The moment and the lawyer talking to her, the lawyer 868 00:46:06,560 --> 00:46:11,759 Speaker 1: gagging over her was so insane. I am gagging for you. Faga. Yeah, 869 00:46:12,000 --> 00:46:13,920 Speaker 1: there needs to be a documentary on Netflix about that. 870 00:46:13,960 --> 00:46:16,520 Speaker 1: They have like be heard on Netflix and I'm like, okay, 871 00:46:16,920 --> 00:46:21,520 Speaker 1: And also I'm doing press for the Supermodels documentaries. Started 872 00:46:21,560 --> 00:46:26,320 Speaker 1: it watch it's I love those women, those women I 873 00:46:26,400 --> 00:46:32,840 Speaker 1: love She's so cool, age crazy. Somebody was like posting 874 00:46:32,880 --> 00:46:36,440 Speaker 1: a video from a show that she was walking in 875 00:46:36,760 --> 00:46:40,040 Speaker 1: and I was like, wow, she looks the exactly have 876 00:46:40,120 --> 00:46:41,800 Speaker 1: you thought about booking all four of them together on 877 00:46:41,880 --> 00:46:46,520 Speaker 1: this podcast? Linda is holding out, she doesn't want to 878 00:46:46,560 --> 00:46:48,440 Speaker 1: do the podcast. She doesn't to the podcast. I don't 879 00:46:48,480 --> 00:46:53,920 Speaker 1: really feel like you're Jesse Plemons too, because that was 880 00:46:54,840 --> 00:46:59,320 Speaker 1: on you sound like Linda evangelista sound like a model, 881 00:47:00,280 --> 00:47:04,200 Speaker 1: like a lot all they should have been should definitely 882 00:47:04,560 --> 00:47:07,799 Speaker 1: judge drag Race After that, I consolutely, Oh yeah, that's 883 00:47:07,840 --> 00:47:10,360 Speaker 1: like the most iconic untucked moment when you say, or 884 00:47:10,400 --> 00:47:13,799 Speaker 1: one of them, little girl, little girl, little girl, that's 885 00:47:13,880 --> 00:47:15,600 Speaker 1: up there. You guys were making fun of us for, 886 00:47:15,760 --> 00:47:19,280 Speaker 1: you know, liking housewives earlier. But there is a window 887 00:47:19,360 --> 00:47:21,719 Speaker 1: now that's open for y'all to really jump in now 888 00:47:21,760 --> 00:47:27,000 Speaker 1: that we've or New Yorkiness sir like you guys, you 889 00:47:27,080 --> 00:47:30,160 Speaker 1: guys like you get it right. It's like, oh, I 890 00:47:30,239 --> 00:47:32,760 Speaker 1: get it, I get it. It's a lot I understand. 891 00:47:32,760 --> 00:47:34,680 Speaker 1: I mean, I couldn't believe going in the back of 892 00:47:34,840 --> 00:47:38,080 Speaker 1: the restaurant to really see where Ariano Maddox was born 893 00:47:38,160 --> 00:47:41,880 Speaker 1: in that back bar, and it's you're working, right, You 894 00:47:41,920 --> 00:47:43,800 Speaker 1: were working. You were a line cook that night. You 895 00:47:43,840 --> 00:47:47,240 Speaker 1: were at the Crab practically at Brooklyn Crab. Oh yeah, slinging, 896 00:47:47,760 --> 00:47:51,880 Speaker 1: flinging shells left right to frow up down, how you go, 897 00:47:52,520 --> 00:47:54,799 Speaker 1: That's pretty much what I was doing. Did you see 898 00:47:54,880 --> 00:47:57,400 Speaker 1: arionomatics on Dancing with the Stars? I did, she did 899 00:47:57,960 --> 00:48:03,040 Speaker 1: down wall doing. He was voted out really how quickly 900 00:48:03,200 --> 00:48:06,319 Speaker 1: immediately the first love him. I don't see him as 901 00:48:06,320 --> 00:48:09,120 Speaker 1: a dancer, but not fair necessarily. You know what he did? 902 00:48:09,200 --> 00:48:11,919 Speaker 1: He had fun well, and that's good. It's like sort 903 00:48:11,960 --> 00:48:14,080 Speaker 1: of like you can either go one of two ways 904 00:48:14,120 --> 00:48:17,880 Speaker 1: on dancing or either excellent and serf count or be 905 00:48:18,000 --> 00:48:20,200 Speaker 1: like you can come having fun, you can come hungry. 906 00:48:21,239 --> 00:48:23,200 Speaker 1: The better leave full, You better leave full. I think 907 00:48:23,239 --> 00:48:24,920 Speaker 1: the worst thing that could ever happen. And not to 908 00:48:25,120 --> 00:48:27,480 Speaker 1: shame people for trying hard at things, but if you 909 00:48:27,680 --> 00:48:31,040 Speaker 1: really came hungry and then flopped, like if you were 910 00:48:31,080 --> 00:48:34,360 Speaker 1: like it and I was like dancing, it's Matt Rogers 911 00:48:34,480 --> 00:48:40,839 Speaker 1: with his partner lavinskay ya wow, and then you see 912 00:48:40,880 --> 00:48:46,680 Speaker 1: my galvanized face, like galvanized face? Would you would be on? 913 00:48:47,320 --> 00:48:49,000 Speaker 1: I would say, really, I would not do it. I 914 00:48:49,080 --> 00:48:51,840 Speaker 1: wish you would say, did you do you did Celebrity Jeopardy? 915 00:48:52,080 --> 00:48:53,160 Speaker 1: I did the jeopardy. 916 00:48:53,640 --> 00:48:54,760 Speaker 2: I'm terrified of celebrity. 917 00:48:54,800 --> 00:48:58,720 Speaker 1: Do you did? Good? Idea? I'm doing something else upcoming, 918 00:48:58,920 --> 00:49:05,279 Speaker 1: which it's very No, you're gonna hear you can't announce sleep. Okay, ready, 919 00:49:05,320 --> 00:49:12,400 Speaker 1: here's what I'm doing. No, actually that's wait, that's awesome. 920 00:49:12,480 --> 00:49:16,359 Speaker 1: You get to meet I literally am we gotta cut 921 00:49:16,400 --> 00:49:18,200 Speaker 1: this hat. That's incredible. Just don't cut it out. Just 922 00:49:18,280 --> 00:49:20,840 Speaker 1: bette a ton of beep it, just beep it. We 923 00:49:21,040 --> 00:49:24,640 Speaker 1: all we've been saying is sorrows. 924 00:49:28,560 --> 00:49:31,759 Speaker 4: We do need y'all's opinion on Season two of The 925 00:49:31,840 --> 00:49:33,839 Speaker 4: Traders casting haven't. 926 00:49:34,080 --> 00:49:36,000 Speaker 3: I haven't seen it yet, but I've been watching The 927 00:49:36,080 --> 00:49:38,320 Speaker 3: Australian Trade. I mean, I've seen The Traders, but not 928 00:49:38,400 --> 00:49:40,600 Speaker 3: season two. Are we gonna be the ones to tell 929 00:49:40,640 --> 00:49:42,520 Speaker 3: you this? Tell me you don't know the cast? 930 00:49:42,960 --> 00:49:47,520 Speaker 1: Is it? Who is it? And they're gonna only have 931 00:49:47,640 --> 00:49:49,200 Speaker 1: one of them be a Trader? I don't think either 932 00:49:49,200 --> 00:49:51,399 Speaker 1: of them. Are You think it's too easy? It's such 933 00:49:51,400 --> 00:49:54,800 Speaker 1: an easy and just like, is it still half and halfway? 934 00:49:54,840 --> 00:49:55,440 Speaker 1: Is it all reality? 935 00:49:55,800 --> 00:49:58,239 Speaker 3: That's much better because they were doing a good job 936 00:49:58,280 --> 00:49:59,400 Speaker 3: of being like, well one of them has to be 937 00:49:59,480 --> 00:49:59,880 Speaker 3: reality star. 938 00:50:00,760 --> 00:50:02,680 Speaker 1: You're able to be like they have to, So this 939 00:50:02,800 --> 00:50:03,080 Speaker 1: is better. 940 00:50:03,160 --> 00:50:05,320 Speaker 4: The math was a little bit more like Transparent, but 941 00:50:05,520 --> 00:50:10,799 Speaker 4: oh harvity Sandra and they're Phedra Peppermint. 942 00:50:12,320 --> 00:50:14,600 Speaker 1: Survivor. I didn't watch season and partly because it was 943 00:50:14,640 --> 00:50:16,560 Speaker 1: the mix of people. It's like, doesn't seem fun all? Really, 944 00:50:17,239 --> 00:50:19,120 Speaker 1: I want to watch season two. There's like a lot 945 00:50:19,160 --> 00:50:22,080 Speaker 1: of there's like c t from like the Challenge, Oh wow, 946 00:50:22,360 --> 00:50:28,680 Speaker 1: fuckingas the housewives. They shows are also they picked the 947 00:50:28,719 --> 00:50:33,840 Speaker 1: most insane best people. Larcas Sandra would be a really good, 948 00:50:34,280 --> 00:50:38,160 Speaker 1: faithful like definitely she'd be like, you're lying, you're lying, 949 00:50:38,280 --> 00:50:40,480 Speaker 1: you know, like she truly when they'll kill her to 950 00:50:40,600 --> 00:50:44,839 Speaker 1: think about her really believing something sets me on Jesse. 951 00:50:45,040 --> 00:50:46,000 Speaker 1: I can get loud too. 952 00:50:46,320 --> 00:50:50,080 Speaker 2: From Jesse Clemmon's conviction. 953 00:50:50,200 --> 00:50:53,120 Speaker 1: I can get loud to what the fuck? And the 954 00:50:53,280 --> 00:50:56,480 Speaker 1: only one that when fair Play's grandmother died, quote unquote, 955 00:50:56,520 --> 00:51:04,800 Speaker 1: she was like, he's lying, Sandra, and it's me, Sassy 956 00:51:04,840 --> 00:51:07,680 Speaker 1: Sandra from Survivor. I heard you have a new job 957 00:51:07,800 --> 00:51:10,239 Speaker 1: Saturdayight Live. I hope that your legacy on that show 958 00:51:10,360 --> 00:51:14,279 Speaker 1: is like mine. On Survivor birthday, my manager got me 959 00:51:14,400 --> 00:51:17,480 Speaker 1: when my book came out, a cameo for driving. At 960 00:51:17,480 --> 00:51:19,040 Speaker 1: the end of it, she's like, she's not even on 961 00:51:19,160 --> 00:51:21,920 Speaker 1: the season, She's just doing And then she's like Survivor 962 00:51:22,000 --> 00:51:28,000 Speaker 1: Wednesday's eight s thank you, bamn damn. By the way, 963 00:51:28,760 --> 00:51:31,680 Speaker 1: season just started. Oh yeah, have we seen I've seen 964 00:51:31,760 --> 00:51:34,839 Speaker 1: season with a panic attack. These girls need meds. These 965 00:51:35,000 --> 00:51:41,680 Speaker 1: girls called have reflux, bring your meds because you can, right, 966 00:51:42,040 --> 00:51:46,840 Speaker 1: I'm sure. Yeah, they like whatever, everyone's having a panic attack. 967 00:51:47,040 --> 00:51:48,880 Speaker 1: Fair Play didn't get his meds when he was on 968 00:51:49,640 --> 00:51:52,920 Speaker 1: Oh Micronesia because he needed Viking in because he just 969 00:51:53,000 --> 00:51:55,880 Speaker 1: had like a big peat injury. So people are like 970 00:51:55,960 --> 00:51:56,880 Speaker 1: he was so weird. 971 00:51:56,960 --> 00:52:01,120 Speaker 2: It was like, yeah, I mean have been did ahead transplant? 972 00:52:01,400 --> 00:52:03,800 Speaker 2: You needed a new brain? This season, a lot of 973 00:52:03,880 --> 00:52:04,799 Speaker 2: these girls are young. 974 00:52:05,239 --> 00:52:08,000 Speaker 4: No problem, although I do think that does shift the 975 00:52:08,080 --> 00:52:10,240 Speaker 4: vibe a little bit because it's nice to have people 976 00:52:10,239 --> 00:52:11,080 Speaker 4: who remember. 977 00:52:10,880 --> 00:52:13,120 Speaker 1: Watching the first season and they were like full grown adults. Yeah, 978 00:52:13,160 --> 00:52:13,680 Speaker 1: there are. 979 00:52:13,600 --> 00:52:15,799 Speaker 3: A lot of super fans, which was fun, but also 980 00:52:15,880 --> 00:52:17,879 Speaker 3: it's like y'all need to smoke a joint. 981 00:52:19,200 --> 00:52:24,560 Speaker 1: I would like, I'm not seeing enough hot people. It 982 00:52:25,239 --> 00:52:26,840 Speaker 1: is a little bit. They didn't do a ton of 983 00:52:26,880 --> 00:52:29,560 Speaker 1: hots this season, no offense to all those gorgeous bodies 984 00:52:29,600 --> 00:52:31,720 Speaker 1: out there, or they didn't do a ton of hots. 985 00:52:31,960 --> 00:52:33,719 Speaker 4: Some seasons they do like all hots. I'm just not 986 00:52:33,800 --> 00:52:36,480 Speaker 4: seeing stark quality. And that's my thing is I'm not 987 00:52:36,600 --> 00:52:39,000 Speaker 4: seeing star quality. I know the one that quit, I 988 00:52:39,120 --> 00:52:40,919 Speaker 4: was like, I mean crazy, but I loved her. 989 00:52:41,239 --> 00:52:41,840 Speaker 1: Well, I do. 990 00:52:42,000 --> 00:52:43,800 Speaker 4: I do think The only one who has potential is 991 00:52:43,840 --> 00:52:45,920 Speaker 4: that girl who is not telling anyone that she's an attorney. 992 00:52:46,600 --> 00:52:49,200 Speaker 1: Hearing she was an attorney, she was good. Yeah, there's 993 00:52:49,239 --> 00:52:51,399 Speaker 1: too many lawyers and they're all having panic attacks. Yes, 994 00:52:51,680 --> 00:52:52,279 Speaker 1: I hope for. 995 00:52:52,440 --> 00:52:55,640 Speaker 3: I hope for, but didn't want. Australian Traders is really good. 996 00:52:55,680 --> 00:52:58,200 Speaker 3: We can change the subject, Josh, Australian. 997 00:52:58,280 --> 00:53:01,120 Speaker 1: But I love to listen. I learned I have Australian Traders. 998 00:53:01,120 --> 00:53:04,440 Speaker 1: I watched television Australian Survivor. 999 00:53:05,360 --> 00:53:08,200 Speaker 4: Down now y'all talk us through the stamina chips because 1000 00:53:08,239 --> 00:53:10,160 Speaker 4: I cannot sit through that much. 1001 00:53:10,320 --> 00:53:12,200 Speaker 1: Telli. It is so many episodes. 1002 00:53:13,480 --> 00:53:14,440 Speaker 2: They're all really good. 1003 00:53:14,800 --> 00:53:17,879 Speaker 3: It's something that you put on, like, oh, I'm gonna 1004 00:53:17,880 --> 00:53:19,440 Speaker 3: go to bed, I'll start an episode. 1005 00:53:19,480 --> 00:53:19,840 Speaker 1: You watch it. 1006 00:53:19,960 --> 00:53:21,759 Speaker 2: I can be on my phone, Yeah, you can be here. 1007 00:53:21,760 --> 00:53:24,120 Speaker 1: You know. It's especially during a challenge. It's like, but 1008 00:53:24,239 --> 00:53:27,320 Speaker 1: sometimes the challenges I'm going ooh, and sometimes there's some 1009 00:53:27,400 --> 00:53:33,200 Speaker 1: game happening in uh huh, little little stratagem. I'm wondering 1010 00:53:33,280 --> 00:53:35,200 Speaker 1: what they'll do for the second season of US Traders, 1011 00:53:35,239 --> 00:53:36,440 Speaker 1: if they'll like keep that. 1012 00:53:36,920 --> 00:53:39,440 Speaker 4: I think they gotta thrown a few more like bits 1013 00:53:39,520 --> 00:53:42,720 Speaker 4: and bobs like little maneuvers, like as an insurance policy 1014 00:53:42,800 --> 00:53:44,440 Speaker 4: against Sandra being kicked out too. 1015 00:53:44,520 --> 00:53:48,560 Speaker 3: So yeah, so Australia, this is in the week, come on, 1016 00:53:48,640 --> 00:53:51,759 Speaker 3: come on, we got Australian traders had shield challenges that 1017 00:53:51,800 --> 00:53:55,000 Speaker 3: you could win like immunity necklaces, whereas in the American 1018 00:53:55,040 --> 00:53:57,200 Speaker 3: when the shield challenges were more random, like you would 1019 00:53:57,280 --> 00:53:59,880 Speaker 3: like randomly get the shield. And that was actually in 1020 00:54:00,000 --> 00:54:02,320 Speaker 3: interesting because then that would also put you up for 1021 00:54:02,400 --> 00:54:03,960 Speaker 3: suspicion if they're like, oh, well he thinks he really 1022 00:54:04,040 --> 00:54:07,040 Speaker 3: needs a shield, maybe he's a crater. But you were safe, 1023 00:54:07,080 --> 00:54:09,120 Speaker 3: so it was very like it was interesting. But everyone 1024 00:54:09,160 --> 00:54:10,200 Speaker 3: wants to be safe. 1025 00:54:10,080 --> 00:54:12,440 Speaker 1: Yes, because you also you're safe from banishment and murder 1026 00:54:12,520 --> 00:54:15,359 Speaker 1: that night, and so you're like very safe. But people 1027 00:54:15,360 --> 00:54:17,920 Speaker 1: are like to see that. You agree that being a 1028 00:54:18,000 --> 00:54:22,960 Speaker 1: really good trader would make them the most Jesse Plemmons, Absolutely, yeah, absolute. 1029 00:54:22,960 --> 00:54:27,040 Speaker 1: You have to be a chameleon like mister Plemmons civilian. 1030 00:54:27,239 --> 00:54:29,520 Speaker 1: By the way, I don't believe that Seri is still 1031 00:54:29,560 --> 00:54:31,520 Speaker 1: in the Big Brotherhouse. Oh they're fools. 1032 00:54:31,920 --> 00:54:32,560 Speaker 5: It isn't. 1033 00:54:34,840 --> 00:54:37,160 Speaker 1: And do people know yet? Oh I don't. 1034 00:54:37,719 --> 00:54:41,640 Speaker 3: Some someone knew instantly and then other than her. Nobody knew, 1035 00:54:42,040 --> 00:54:44,200 Speaker 3: and then they tell them every time. Julie tells them 1036 00:54:44,200 --> 00:54:46,840 Speaker 3: every time. What would you say if I told you 1037 00:54:47,080 --> 00:54:49,640 Speaker 3: there was a relationship going on in the house and everyone, 1038 00:54:50,200 --> 00:54:52,440 Speaker 3: and then they're like, oh, yeah, these two are making out. 1039 00:54:52,520 --> 00:54:56,239 Speaker 1: She's like no. And then when you think of her, Bob, 1040 00:54:56,840 --> 00:55:00,920 Speaker 1: I think it's wild. Wait, I didn't I didn't know 1041 00:55:01,040 --> 00:55:04,480 Speaker 1: she was a Sumner Redstone gur What is that? Sumner 1042 00:55:04,520 --> 00:55:10,480 Speaker 1: Redstone was the vampire that you viacom d yea yeah, yea, yeah, yeah. 1043 00:55:10,520 --> 00:55:13,360 Speaker 1: I mean now she really likes the CEO, one of 1044 00:55:13,400 --> 00:55:16,520 Speaker 1: the most nefarious people out there, and now she's got 1045 00:55:16,600 --> 00:55:19,799 Speaker 1: her book. But first God and now she's like her 1046 00:55:19,840 --> 00:55:25,520 Speaker 1: whole thing is I'm hugely religious. I love God. First, 1047 00:55:26,239 --> 00:55:30,800 Speaker 1: wow Sumner, Oh my god, wait Les Moonville. Oh and 1048 00:55:30,880 --> 00:55:31,680 Speaker 1: then less. 1049 00:55:31,680 --> 00:55:34,600 Speaker 3: Sumner is well he's dead now, but he is actually 1050 00:55:34,880 --> 00:55:36,279 Speaker 3: no status. 1051 00:55:36,600 --> 00:55:40,920 Speaker 1: Wait, this is what we're working with. Oh my oh yeah, 1052 00:55:42,600 --> 00:55:46,000 Speaker 1: giving and look up Sumner. This is giving like in 1053 00:55:46,160 --> 00:55:50,239 Speaker 1: the valley, like garage sale. I think, while I love it, 1054 00:55:50,440 --> 00:55:53,719 Speaker 1: that top is also the top is really crazy. Yeah, 1055 00:55:53,800 --> 00:55:56,880 Speaker 1: oh my god, Julie, what are you doing? I mean, Julie, 1056 00:55:57,320 --> 00:55:59,200 Speaker 1: what are you doing? But she's now out there being 1057 00:55:59,239 --> 00:56:01,520 Speaker 1: like I was chased off the show. It's like, uh, 1058 00:56:01,920 --> 00:56:05,520 Speaker 1: did we forget what happened? Like talk? Oh because of 1059 00:56:06,040 --> 00:56:09,000 Speaker 1: because of Blass? Yeah yeah, no, no, totally. She is. 1060 00:56:09,239 --> 00:56:11,560 Speaker 1: Her whole thing now is like I was a victim 1061 00:56:12,320 --> 00:56:15,520 Speaker 1: yeah blah blah. Yeah, and that's why she's found God, 1062 00:56:15,719 --> 00:56:17,600 Speaker 1: that's why she's done gotten. Yeah. She's like two of 1063 00:56:17,680 --> 00:56:21,080 Speaker 1: my tablemates whatever you call them, colleagues, like refused to 1064 00:56:21,280 --> 00:56:22,960 Speaker 1: go on with me and they drove me off the show. 1065 00:56:23,000 --> 00:56:25,560 Speaker 1: It's like, I think your husband's behavior may have driven 1066 00:56:25,640 --> 00:56:29,560 Speaker 1: you off the show, Queen God. You can blame him, yeah, 1067 00:56:29,680 --> 00:56:31,839 Speaker 1: if you wanted to. We have a long standing feud 1068 00:56:31,840 --> 00:56:33,640 Speaker 1: with Julie Chen move as that she doesn't know about 1069 00:56:34,960 --> 00:56:37,480 Speaker 1: because she actually shaded us on The Talk for real. 1070 00:56:37,560 --> 00:56:40,279 Speaker 2: Actually for real, you remember this the pod which it 1071 00:56:40,440 --> 00:56:41,800 Speaker 2: was it was our interview. 1072 00:56:42,040 --> 00:56:46,000 Speaker 1: It was so we interviewed Tracy Morgan at Vulturefest and 1073 00:56:46,200 --> 00:56:49,279 Speaker 1: he went off on this weird thing where I literally asked, like, 1074 00:56:49,480 --> 00:56:51,320 Speaker 1: Tiffany had to she worked at Tiffany how what was 1075 00:56:51,360 --> 00:56:53,440 Speaker 1: that like? And he was like, we're not going to 1076 00:56:53,520 --> 00:56:55,719 Speaker 1: talk about Tiffany. He's like, if you're going to ask 1077 00:56:55,760 --> 00:56:58,399 Speaker 1: about Tiffany, ask about Cedric, asked about other people, ask 1078 00:56:58,440 --> 00:56:59,360 Speaker 1: about craft services. 1079 00:56:59,480 --> 00:57:01,000 Speaker 4: I go on I shop on SID I remember I 1080 00:57:01,040 --> 00:57:04,720 Speaker 4: rememorized everybody's name, asked about those people. We were like, okay, imagine, 1081 00:57:05,600 --> 00:57:07,160 Speaker 4: please tell us about craft services. 1082 00:57:08,719 --> 00:57:11,440 Speaker 2: What what did you have on Tuesday? And it was 1083 00:57:11,560 --> 00:57:13,919 Speaker 2: so unclear whether or not he was kidding because it's 1084 00:57:14,320 --> 00:57:15,280 Speaker 2: so crazy. 1085 00:57:15,680 --> 00:57:19,560 Speaker 1: Is this pre or post crash? Post? This is the movie? 1086 00:57:20,120 --> 00:57:20,720 Speaker 1: The movie. 1087 00:57:22,360 --> 00:57:25,520 Speaker 2: Best picture of her crash? Okay, that puts it really 1088 00:57:26,800 --> 00:57:27,280 Speaker 2: so Julie. 1089 00:57:28,440 --> 00:57:31,480 Speaker 1: This clip like goes viral of him like saying dressing 1090 00:57:31,560 --> 00:57:34,240 Speaker 1: you down and Julie Chen Moon best on the tacos. 1091 00:57:34,320 --> 00:57:36,880 Speaker 1: I thought it was really rude of the interviewers. You 1092 00:57:37,000 --> 00:57:38,640 Speaker 1: have the star sitting right there. Why are you asking 1093 00:57:38,720 --> 00:57:41,040 Speaker 1: about the coast star. I'm like, Julie Chen moonvest have 1094 00:57:41,240 --> 00:57:44,240 Speaker 1: you in your years as a journalist never asked after 1095 00:57:44,400 --> 00:57:46,720 Speaker 1: in a film about a co star? Please? Like, if 1096 00:57:46,760 --> 00:57:50,080 Speaker 1: you can prove that to me the tape she sucks man, 1097 00:57:50,520 --> 00:57:52,840 Speaker 1: roll the tape every interview. Julie's going tell me of 1098 00:57:52,920 --> 00:57:55,960 Speaker 1: craft service. She's on the right side of She has 1099 00:57:56,040 --> 00:57:59,080 Speaker 1: the name every crew member, now brutal. 1100 00:57:59,320 --> 00:58:03,320 Speaker 2: Name every crew now list every lunch. 1101 00:58:03,760 --> 00:58:06,400 Speaker 1: She was like, I we agree. They really should have 1102 00:58:06,400 --> 00:58:08,040 Speaker 1: asked about craft services if they were going to ask 1103 00:58:08,080 --> 00:58:12,960 Speaker 1: about Tiffany shut Oh my god, truly I love her 1104 00:58:14,120 --> 00:58:17,120 Speaker 1: the hair and the hair looks great. Congrats on the cot. 1105 00:58:17,440 --> 00:58:21,480 Speaker 4: Yeah, you will never be Connie Chunk. You will never 1106 00:58:21,560 --> 00:58:23,600 Speaker 4: be enough Michelle. 1107 00:58:23,680 --> 00:58:25,880 Speaker 1: Yo, did you see? Actually, well, did you see? This 1108 00:58:26,000 --> 00:58:27,240 Speaker 1: is years and years and years ago. It was like 1109 00:58:27,280 --> 00:58:29,520 Speaker 1: Barbara Walsers last day on the View, and they brought 1110 00:58:29,520 --> 00:58:33,640 Speaker 1: out literally every female anchor to like say goodbye, and 1111 00:58:34,120 --> 00:58:35,880 Speaker 1: everyone was there exceptibly Chad Moonvest. 1112 00:58:36,320 --> 00:58:39,720 Speaker 2: They were like, no, not her, when was her era? 1113 00:58:40,160 --> 00:58:40,560 Speaker 1: What do you mean? 1114 00:58:40,720 --> 00:58:46,840 Speaker 4: Barbara was like every every lady, every lady journalist, Wow, 1115 00:58:47,640 --> 00:58:49,080 Speaker 4: including Bradley Jacks. 1116 00:58:49,120 --> 00:58:54,280 Speaker 2: And so now there's there's a new anchor whose name 1117 00:58:54,360 --> 00:58:54,720 Speaker 2: is Chris. 1118 00:58:54,920 --> 00:58:56,640 Speaker 1: So. I think they're doing a thing where all the 1119 00:58:57,000 --> 00:59:02,200 Speaker 1: girls on the show. Bradley who is the actress that 1120 00:59:02,360 --> 00:59:06,880 Speaker 1: Nicole Bahari? Wonderful? She's really good, very good. Congrats yeahs her. 1121 00:59:07,400 --> 00:59:11,080 Speaker 1: So why wasn't she in your mood? We begged, we 1122 00:59:11,200 --> 00:59:14,280 Speaker 1: want her to you please ask me about craft service? 1123 00:59:14,600 --> 00:59:17,439 Speaker 1: Asked me about craft services. How was it on the movie? 1124 00:59:17,560 --> 00:59:19,640 Speaker 1: I don't remember. It was good good. 1125 00:59:19,720 --> 00:59:22,640 Speaker 3: Yeah, yeah, just like all craft services, like one day's bad. 1126 00:59:22,960 --> 00:59:25,600 Speaker 3: In a week, it's like one day's bad, two days medium, 1127 00:59:25,920 --> 00:59:26,600 Speaker 3: two days good. 1128 00:59:26,920 --> 00:59:28,760 Speaker 4: Actually, the table was wonderful. They had a lot of 1129 00:59:28,840 --> 00:59:32,160 Speaker 4: little fruit snatched and oh yeah, and I don't mean 1130 00:59:32,400 --> 00:59:33,920 Speaker 4: that's such a drag c. I just feel like that, 1131 00:59:33,960 --> 00:59:36,840 Speaker 4: don't get it twisted. I didn't eat and that's. 1132 00:59:36,720 --> 00:59:39,880 Speaker 1: Why I look, did you go on the Beyonce Dream Girls. 1133 00:59:40,800 --> 00:59:45,320 Speaker 1: I've been on that. I only drink cayenne water. Oh 1134 00:59:45,400 --> 00:59:50,160 Speaker 1: that was that's like seventies. Yeah, it was like Beyonce 1135 00:59:50,360 --> 00:59:52,120 Speaker 1: lost what how much weight did she lose? It was 1136 00:59:52,120 --> 00:59:54,040 Speaker 1: like she had to be like Diana Ross skinny. So 1137 00:59:54,120 --> 00:59:56,760 Speaker 1: she did that insane diet which was literally just like 1138 00:59:56,840 --> 01:00:00,120 Speaker 1: it was like pep. It's like water and honeys and 1139 01:00:00,160 --> 01:00:04,640 Speaker 1: her scars. You understand Nick Thick because before she said, 1140 01:00:05,040 --> 01:00:09,480 Speaker 1: you know what I'm not about cow Tow did pressures. 1141 01:00:09,800 --> 01:00:13,200 Speaker 1: When she did press when I do like watching an 1142 01:00:13,240 --> 01:00:15,200 Speaker 1: old Beyonce interview, and you know what the most iconic 1143 01:00:15,320 --> 01:00:17,640 Speaker 1: thing is is when Beyonce would do like red carpet 1144 01:00:17,680 --> 01:00:20,240 Speaker 1: stuff for the vm as. She's like, I'm Beyonce and 1145 01:00:20,400 --> 01:00:24,360 Speaker 1: I am here with the amazing pink and it's like, girl, 1146 01:00:24,520 --> 01:00:29,160 Speaker 1: yeah you and I'm I'm so inspired by you. I mean, 1147 01:00:29,560 --> 01:00:33,320 Speaker 1: that is a skill. I couldn't that horrible at that ship. 1148 01:00:33,360 --> 01:00:35,640 Speaker 1: I could never you're talking about you do that regularly 1149 01:00:35,760 --> 01:00:40,040 Speaker 1: on this podcast with on a carpet though it's a 1150 01:00:40,160 --> 01:00:43,200 Speaker 1: different friend. You guys have done that. 1151 01:00:44,040 --> 01:00:46,840 Speaker 2: Actually, well not the interview. Have you been an interview 1152 01:00:46,880 --> 01:00:47,760 Speaker 2: on her carpet? 1153 01:00:48,360 --> 01:00:50,560 Speaker 4: Oh god, no, they would never ask me not to 1154 01:00:50,560 --> 01:00:52,520 Speaker 4: blow up this voice spop. You know who's who's really 1155 01:00:52,560 --> 01:00:56,800 Speaker 4: good at that? In la Ben Leary? Ben Leary, he 1156 01:00:56,920 --> 01:00:59,880 Speaker 4: was good running. He's part of the twenty four fan left. 1157 01:01:00,080 --> 01:01:01,520 Speaker 1: Oh really, yeah, you got a job there. 1158 01:01:01,640 --> 01:01:03,840 Speaker 4: Gave them an excellent idea to cover up backpack and 1159 01:01:03,880 --> 01:01:06,800 Speaker 4: whispers genital area when they're seated. 1160 01:01:07,040 --> 01:01:09,440 Speaker 1: I hated that idea. I want their little dickies out. 1161 01:01:09,520 --> 01:01:13,280 Speaker 1: I know they do have little dickeys. I think this 1162 01:01:13,480 --> 01:01:16,920 Speaker 1: movie goes far enough as it is. This movie goes 1163 01:01:17,160 --> 01:01:20,640 Speaker 1: very far as it really, very very every bound. Uh 1164 01:01:20,720 --> 01:01:32,800 Speaker 1: huh wait we have been funny? What we've been funny? 1165 01:01:33,200 --> 01:01:36,840 Speaker 1: What this podcast? Oh my god, we're talking about reality 1166 01:01:36,840 --> 01:01:39,400 Speaker 1: TV for a while. Okay, okay, about a second, are 1167 01:01:39,480 --> 01:01:42,959 Speaker 1: you actually having a genuine moment of insecurity. Oh honey, 1168 01:01:43,000 --> 01:01:45,479 Speaker 1: I've never been insecure. I just want to make sure 1169 01:01:45,560 --> 01:01:48,480 Speaker 1: we're funny. Look at us. You hit play on this podcast, 1170 01:01:48,600 --> 01:01:51,640 Speaker 1: It's already funny. Look at our faces in that Look 1171 01:01:51,640 --> 01:01:55,120 Speaker 1: at our This is already funny. This is immediately funny. 1172 01:01:55,280 --> 01:01:57,280 Speaker 1: When you see this, you say, I'm gonna click on 1173 01:01:57,360 --> 01:01:58,080 Speaker 1: that for a good time. 1174 01:01:58,160 --> 01:02:00,560 Speaker 2: Guys should a cloud car pool and look at him? 1175 01:02:00,600 --> 01:02:02,520 Speaker 1: Go home this cuature. You know what we said right 1176 01:02:02,520 --> 01:02:05,120 Speaker 1: before this was taken, bone goes bitch, we're not new 1177 01:02:05,200 --> 01:02:07,120 Speaker 1: to this. I said, we're true to this, and then 1178 01:02:07,160 --> 01:02:11,120 Speaker 1: we snapped this. I think I should cover pure honey Beyonce, 1179 01:02:11,240 --> 01:02:13,400 Speaker 1: this pure honey, but change the words to don't be 1180 01:02:13,560 --> 01:02:16,840 Speaker 1: funny with my funny, honey, or don't be funny with 1181 01:02:16,920 --> 01:02:21,480 Speaker 1: my funny funny. Don't be funny with my funny funny. 1182 01:02:21,920 --> 01:02:24,880 Speaker 1: What is your favorite Beyonce moment from her career from 1183 01:02:24,920 --> 01:02:25,440 Speaker 1: her career? 1184 01:02:25,640 --> 01:02:28,240 Speaker 3: Yeah, oh, still am not over. This is just on 1185 01:02:28,400 --> 01:02:31,120 Speaker 3: the record. I'm not over the bridge of get me bodied. 1186 01:02:31,240 --> 01:02:34,080 Speaker 3: I'm still shaken. The first time I heard that was like, 1187 01:02:34,200 --> 01:02:37,200 Speaker 3: what the hell? And I've never recovered Uh huh, you 1188 01:02:37,320 --> 01:02:37,760 Speaker 3: mean like the. 1189 01:02:45,520 --> 01:02:56,120 Speaker 1: You can get cross to me to the beat nobody 1190 01:02:57,320 --> 01:03:01,200 Speaker 1: such a man that I'm so over, Oh my god. 1191 01:03:01,520 --> 01:03:03,439 Speaker 1: To also speak of a time during that very album 1192 01:03:03,520 --> 01:03:06,880 Speaker 1: cycle that she also growled and screamed. My favorite Beyonce 1193 01:03:07,120 --> 01:03:09,800 Speaker 1: song and moment of her career is from the VMA 1194 01:03:09,920 --> 01:03:14,000 Speaker 1: is when she did writing a lot. If I say 1195 01:03:14,520 --> 01:03:16,360 Speaker 1: checked on your arm, I will say a moment that 1196 01:03:16,440 --> 01:03:18,440 Speaker 1: this reallyk act me, because it was like you got me. 1197 01:03:18,560 --> 01:03:20,840 Speaker 1: Gal was in Lemonade when she throws the ring at 1198 01:03:20,880 --> 01:03:24,560 Speaker 1: the camera and she announced a divorce. Yeah, and fifteen 1199 01:03:24,600 --> 01:03:31,160 Speaker 1: minutes later like, okay, it's a film. Okay, so. 1200 01:03:33,680 --> 01:03:37,080 Speaker 2: Okay, so it's scripted. I understand it's a scripted piece. 1201 01:03:37,120 --> 01:03:38,120 Speaker 2: It's a film piece. 1202 01:03:38,480 --> 01:03:40,920 Speaker 1: But her throwing that ring was that that was your 1203 01:03:40,960 --> 01:03:43,080 Speaker 1: favorite moment in her career and someone about you bo 1204 01:03:43,440 --> 01:03:47,320 Speaker 1: for me, I think yang. I think it's in Austin 1205 01:03:47,360 --> 01:03:50,920 Speaker 1: Powers gold Member. She is good Nathan Lane and that 1206 01:03:51,200 --> 01:03:54,240 Speaker 1: he Nathan Lane and that sinking to Beyonce's words, Yes, 1207 01:03:54,760 --> 01:03:57,240 Speaker 1: very what it was like to be on set with Beyonce. 1208 01:03:57,480 --> 01:03:59,600 Speaker 1: That might have been when we didn't got it. We 1209 01:03:59,680 --> 01:04:01,200 Speaker 1: were like, tell us about the man who came to 1210 01:04:01,240 --> 01:04:06,480 Speaker 1: dinner with Harriet Harris, I'm smart, We're gay, you know, Harris, Harriet, Harris, 1211 01:04:07,960 --> 01:04:12,000 Speaker 1: Harriet Sandsom, Harris Sandsom, Harris. Wait? Is this the same actress? 1212 01:04:12,240 --> 01:04:14,760 Speaker 1: The one who she just did the Paul Thomas Anderson 1213 01:04:14,960 --> 01:04:18,160 Speaker 1: she plays like the casting character everybody loves? Yes? Was 1214 01:04:18,240 --> 01:04:22,120 Speaker 1: she also Martha Huber's sister in Desperate Housewives? 1215 01:04:23,840 --> 01:04:27,320 Speaker 2: Housewives? But maybe she was in Thirdly mounter Mille. 1216 01:04:27,400 --> 01:04:28,880 Speaker 1: But I want to believe you. I think I'm right. 1217 01:04:29,120 --> 01:04:30,640 Speaker 1: I think you're all right. I think you are right. 1218 01:04:30,760 --> 01:04:31,320 Speaker 1: I think you're right. 1219 01:04:31,480 --> 01:04:35,160 Speaker 4: In Goldmember, she she says, I'm foxy Cleopatra and the 1220 01:04:35,280 --> 01:04:36,000 Speaker 4: beautiful line. 1221 01:04:35,880 --> 01:04:40,240 Speaker 1: Reading, and I'm a whole lot of women that beautiful. 1222 01:04:40,240 --> 01:04:42,040 Speaker 1: Do you remember her other famous line from the film, 1223 01:04:43,480 --> 01:04:46,760 Speaker 1: I'm asking you test this is a pop quick. I 1224 01:04:46,800 --> 01:04:49,400 Speaker 1: actually wasn't. I wasn't going to wait, I'm testing you. 1225 01:04:49,920 --> 01:04:52,040 Speaker 1: What's the other line? Unfortunately, you're the one on the 1226 01:04:52,120 --> 01:04:57,680 Speaker 1: chopping lock shazam. Why didn't you say that on the mic? 1227 01:04:58,000 --> 01:05:01,480 Speaker 1: Because I want you to have the you can share 1228 01:05:01,520 --> 01:05:03,640 Speaker 1: the spotlight. Oh my god, I don't mind the light 1229 01:05:03,760 --> 01:05:08,000 Speaker 1: being on you, do you know what I mean? Yeah? 1230 01:05:08,320 --> 01:05:10,640 Speaker 1: That's I remember that part. That was really good. Yeah, 1231 01:05:10,720 --> 01:05:12,919 Speaker 1: I think those are, without a doubt, the four best 1232 01:05:12,960 --> 01:05:16,920 Speaker 1: elements of her career, absolutely Shazam, wring me alarm, the 1233 01:05:17,000 --> 01:05:21,400 Speaker 1: get me bodied bridge and throwing those are them? Super 1234 01:05:21,440 --> 01:05:24,640 Speaker 1: Bowl found Dead, super Bowl found super Bowls. Renaissance not 1235 01:05:24,720 --> 01:05:28,200 Speaker 1: even mentioned, no unmentioned on the podcast would be recncy bias. 1236 01:05:29,440 --> 01:05:31,280 Speaker 1: It would be a recency bias to say that the 1237 01:05:31,360 --> 01:05:34,000 Speaker 1: Renaissance World Tour was the best thing Beyonce has ever done. 1238 01:05:34,080 --> 01:05:37,080 Speaker 1: Shut up, shut recency bias bias. 1239 01:05:37,160 --> 01:05:38,920 Speaker 2: Can I say, do you already have your tickets to 1240 01:05:39,040 --> 01:05:40,880 Speaker 2: Taylor at AMC and can I go with you? 1241 01:05:42,000 --> 01:05:44,160 Speaker 1: You would go? I would go, Absolutely, you would go. 1242 01:05:44,600 --> 01:05:44,920 Speaker 1: I would go. 1243 01:05:45,080 --> 01:05:45,760 Speaker 6: I hadn't. 1244 01:05:45,840 --> 01:05:48,640 Speaker 1: I haven't gotten tickets yet, tickets. I want to be hard. 1245 01:05:48,680 --> 01:05:50,200 Speaker 1: I think it's gonna be a couple of weeks in. 1246 01:05:50,320 --> 01:05:51,680 Speaker 4: But the two of you all, I remember on this 1247 01:05:51,800 --> 01:05:53,960 Speaker 4: most recent Fire Island trip, we were not involved in 1248 01:05:54,000 --> 01:05:56,040 Speaker 4: the conversation. I think it was a YouTube talking to 1249 01:05:56,080 --> 01:05:59,360 Speaker 4: Whittaker or someone being like, you know, sometimes there's a 1250 01:05:59,360 --> 01:06:02,440 Speaker 4: tailor moment that really that gets me and goes. I 1251 01:06:02,480 --> 01:06:04,960 Speaker 4: have respect for Taylor, but I think y'all respond to 1252 01:06:05,040 --> 01:06:06,439 Speaker 4: like the ever more folklore ship. 1253 01:06:06,840 --> 01:06:09,400 Speaker 1: I do love it but I still love nineteen eighty nine. Okay, 1254 01:06:09,520 --> 01:06:12,920 Speaker 1: that's this is my impression of Josh Sharp. No, I'm 1255 01:06:13,080 --> 01:06:19,400 Speaker 1: covering yeah, appalatching Girl, appleatchin Girl. Yeah, Appalatching Girl, Mountain Girl, 1256 01:06:19,480 --> 01:06:23,680 Speaker 1: Mountain Girl. You're like, this is me, Try girl, I 1257 01:06:23,880 --> 01:06:27,920 Speaker 1: just want but I would love to go take announcement 1258 01:06:28,000 --> 01:06:29,439 Speaker 1: on Friday, the announcement on Friday. 1259 01:06:29,440 --> 01:06:29,840 Speaker 5: This is me. 1260 01:06:30,080 --> 01:06:33,120 Speaker 1: Try wait going seeing the tour. If it was just 1261 01:06:33,280 --> 01:06:36,800 Speaker 1: easier to very I love her, but that's a lot. 1262 01:06:36,880 --> 01:06:40,080 Speaker 1: You know, you have to really just asked me. You know, 1263 01:06:40,280 --> 01:06:42,240 Speaker 1: I just will get tickets. Yeah, that's true, but it's 1264 01:06:42,280 --> 01:06:44,520 Speaker 1: not even that I would go to MetLife. Yeah, it's 1265 01:06:44,560 --> 01:06:47,120 Speaker 1: the whole old thing. You gotta get on a fucking 1266 01:06:47,240 --> 01:06:47,840 Speaker 1: bus or what. 1267 01:06:48,280 --> 01:06:50,200 Speaker 2: Yeah, yeah, bus is the way to you. 1268 01:06:50,360 --> 01:06:52,600 Speaker 1: At AMC seems slight to me. It's slave and I'll 1269 01:06:52,600 --> 01:06:54,720 Speaker 1: be seeing Renaissance of course many times over at the AMC. 1270 01:06:56,080 --> 01:06:59,200 Speaker 4: Enough time has passed now for us to ask, because 1271 01:06:59,200 --> 01:07:00,560 Speaker 4: I remember when the album came out. 1272 01:07:00,640 --> 01:07:02,680 Speaker 1: When did we know culture was for us? Yes, it 1273 01:07:02,840 --> 01:07:05,520 Speaker 1: was within our friends. We were like, where does this 1274 01:07:05,640 --> 01:07:09,240 Speaker 1: rank among your Beyonce album? Renaissance It's it's still top. 1275 01:07:09,920 --> 01:07:12,439 Speaker 4: I still think recency bias aside, I know it's still 1276 01:07:12,440 --> 01:07:15,480 Speaker 4: the while over a year, the thing that I can 1277 01:07:15,760 --> 01:07:19,440 Speaker 4: that for and to me right now, Renaissance I like 1278 01:07:19,520 --> 01:07:21,680 Speaker 4: more than four, but I love for it because Renaissance four, 1279 01:07:21,800 --> 01:07:26,560 Speaker 4: then maybe Lemonade, then titled and then self titled. 1280 01:07:26,600 --> 01:07:29,600 Speaker 1: See that. Obviously she has tons and tons and tons 1281 01:07:29,640 --> 01:07:31,560 Speaker 1: of eleven out of tens, but like for me, it's 1282 01:07:31,600 --> 01:07:33,880 Speaker 1: like again, we were at karaoke the other night and 1283 01:07:33,960 --> 01:07:37,160 Speaker 1: I did partition and just watching the music video from 1284 01:07:37,160 --> 01:07:39,600 Speaker 1: a partition, I remember how I felt came out. I 1285 01:07:39,720 --> 01:07:45,200 Speaker 1: was like this one the roller rink and the change everything. Yeah, 1286 01:07:45,880 --> 01:07:48,520 Speaker 1: just like every single and I love even like the 1287 01:07:48,600 --> 01:07:50,960 Speaker 1: weirder tracks on that album. I love. The only one 1288 01:07:51,000 --> 01:07:53,479 Speaker 1: I don't love is Superpower. I like it the Frank 1289 01:07:53,520 --> 01:07:55,560 Speaker 1: ohin of it all. So many people love it. I 1290 01:07:55,640 --> 01:07:58,120 Speaker 1: love it, and that's okay. That's the reason why I 1291 01:07:58,240 --> 01:08:02,240 Speaker 1: feel like recently bias. I know Renaissances Tops is because 1292 01:08:02,240 --> 01:08:04,560 Speaker 1: it's like, this is me and it's my favorite type 1293 01:08:04,600 --> 01:08:06,960 Speaker 1: of music. Like, I'm not brand new to this genre, 1294 01:08:07,360 --> 01:08:09,400 Speaker 1: so you made the album that is gonna be the 1295 01:08:09,480 --> 01:08:11,800 Speaker 1: most for me. It's gonna stay that way, yeap, Like 1296 01:08:11,840 --> 01:08:13,680 Speaker 1: in two years I'm gonna be like I'm over house 1297 01:08:13,800 --> 01:08:16,240 Speaker 1: music now exactly. Oh. So it's it's like such a 1298 01:08:16,560 --> 01:08:19,200 Speaker 1: rich texture, like if you listen to even just like 1299 01:08:19,439 --> 01:08:22,120 Speaker 1: incredibly produced the other day and I was incredibly produced. 1300 01:08:22,200 --> 01:08:25,000 Speaker 1: Her performance of that song is like, right, I mean 1301 01:08:25,280 --> 01:08:28,840 Speaker 1: incredibly produced, so fucking incredible every aspect. I think it's 1302 01:08:28,840 --> 01:08:31,040 Speaker 1: her best produced album. It's like you, you nailed the 1303 01:08:31,120 --> 01:08:33,840 Speaker 1: assignment better than anything, and the assignment is my favorite 1304 01:08:33,880 --> 01:08:35,400 Speaker 1: type of assignment, So it's like it's gonna be my 1305 01:08:35,479 --> 01:08:40,000 Speaker 1: favorite would you say? And I'm being so serious, Oh 1306 01:08:40,120 --> 01:08:44,479 Speaker 1: bitch that she understood the assignment absolutely, I would say, 1307 01:08:44,760 --> 01:08:47,640 Speaker 1: hear me out. She came and the state of her 1308 01:08:47,680 --> 01:08:50,800 Speaker 1: stomach was hungry, do you understand? And then no, I 1309 01:08:50,880 --> 01:08:54,479 Speaker 1: don't that she it was as if she had not 1310 01:08:54,600 --> 01:08:58,599 Speaker 1: eaten in days, even weeks. She've been drinking cayenne water. 1311 01:08:58,800 --> 01:08:59,760 Speaker 2: Oh my god. 1312 01:09:00,120 --> 01:09:03,719 Speaker 1: Mother showed up to the studio said, Jovah, you're gonna 1313 01:09:03,760 --> 01:09:07,280 Speaker 1: have to cook me something solid foods. I'm starve. I'm 1314 01:09:07,320 --> 01:09:08,280 Speaker 1: off the Dina diet. 1315 01:09:08,360 --> 01:09:13,040 Speaker 2: I'm off the Dina. I want my death throw meal. 1316 01:09:13,800 --> 01:09:17,000 Speaker 1: She was like us before we took that picture, exactly, 1317 01:09:17,120 --> 01:09:20,839 Speaker 1: she said, she said, meeting three. Come about meeting twelve. 1318 01:09:21,160 --> 01:09:25,280 Speaker 1: I want sides, Mama, I'm eating. I want twelve sides. 1319 01:09:25,320 --> 01:09:29,320 Speaker 1: I'm eating. Mother said, I'm eating a coursed meal tonight. 1320 01:09:29,439 --> 01:09:32,080 Speaker 1: She said, I have breakfast, Honey. I want to know. 1321 01:09:32,200 --> 01:09:40,320 Speaker 1: That's courses I'm having. I want that. 1322 01:09:40,760 --> 01:09:43,280 Speaker 2: I want to open a Michelin restaurant. That's breakfast. 1323 01:09:43,360 --> 01:09:51,280 Speaker 1: Yes, that is actually all day, that's all days. An 1324 01:09:51,280 --> 01:09:54,240 Speaker 1: October sun burned. He was on a boat last on 1325 01:09:54,320 --> 01:09:56,240 Speaker 1: a boat last night and he got burned. And then 1326 01:09:56,280 --> 01:09:59,920 Speaker 1: at the Eagle they had UV everywhere. What was the scene. 1327 01:10:00,240 --> 01:10:03,640 Speaker 1: You don't have the name name, but what was there? 1328 01:10:03,800 --> 01:10:05,720 Speaker 2: Famous people there? There's anyone famous there? 1329 01:10:05,760 --> 01:10:09,280 Speaker 1: I didn't see any famous? Yeah, not to you famous? Yea? 1330 01:10:09,880 --> 01:10:13,439 Speaker 1: Oh sorry? Was there? Oh sure yeah sure? She was 1331 01:10:13,439 --> 01:10:17,680 Speaker 1: there all night, sax still and strike. She's was over 1332 01:10:17,720 --> 01:10:19,680 Speaker 1: at the bar like with her friends, just sort of 1333 01:10:19,720 --> 01:10:23,519 Speaker 1: like this chatting but sibing to the music, like fiving 1334 01:10:23,560 --> 01:10:26,240 Speaker 1: to the music, like Tom getting fucked in the corner. 1335 01:10:27,360 --> 01:10:29,200 Speaker 2: Sorry, comes for the music? 1336 01:10:30,040 --> 01:10:34,040 Speaker 1: Is the most like Tom Holland, of them, who's the 1337 01:10:34,120 --> 01:10:37,640 Speaker 1: most bendy? I'm a bit I've been playing spider Man 1338 01:10:37,680 --> 01:10:42,800 Speaker 1: Miles Morales on the PlayStation it's very fun because I'm 1339 01:10:42,800 --> 01:10:44,960 Speaker 1: getting ready for the sequel where you get to play 1340 01:10:45,000 --> 01:10:45,879 Speaker 1: as both Peter. 1341 01:10:45,760 --> 01:10:49,400 Speaker 4: And Miles and then Venom Spider Versing. It's Spider Versing 1342 01:10:49,439 --> 01:10:51,680 Speaker 4: and then So the first games was just Manhattan. Now 1343 01:10:51,720 --> 01:10:54,720 Speaker 4: you can do Brooklyn and Queens because that's Miles as 1344 01:10:54,720 --> 01:10:56,920 Speaker 4: ship Brooklyn visions down, Brooklyn Down. 1345 01:10:57,160 --> 01:11:00,519 Speaker 1: Can you go to Long Island City, it's Queen Queens, Yes, darling, 1346 01:11:01,680 --> 01:11:08,360 Speaker 1: you can enjoy the sixth Burrow Line City. Well, well, 1347 01:11:08,760 --> 01:11:10,280 Speaker 1: where is a light? Wait? Did you hear in the 1348 01:11:10,360 --> 01:11:16,920 Speaker 1: floods of seal escaped swimming around because we haven't found 1349 01:11:16,920 --> 01:11:21,519 Speaker 1: her yet, actually on its own went back to the enclosure. Well, 1350 01:11:21,560 --> 01:11:24,839 Speaker 1: that's that's who. Yeah, but it did. It was exploring. 1351 01:11:24,920 --> 01:11:28,240 Speaker 1: That's that's Stockholm syndrome. Just imagine you're on Central Park 1352 01:11:28,280 --> 01:11:32,560 Speaker 1: West with your daughter Lafayette, walking her to preschool, and 1353 01:11:32,640 --> 01:11:39,120 Speaker 1: then a seal art and you'd say Francisco. 1354 01:11:39,920 --> 01:11:45,000 Speaker 2: You'd say, only in New York. Now no, you wouldn't 1355 01:11:45,040 --> 01:11:45,360 Speaker 2: say that. 1356 01:11:45,720 --> 01:11:47,519 Speaker 1: You'd say only in New York. I gotta get a 1357 01:11:47,560 --> 01:11:51,679 Speaker 1: bagel in New York. But you don't realize how good 1358 01:11:51,720 --> 01:11:56,920 Speaker 1: we have it here bagel Wise any other place, try 1359 01:11:57,000 --> 01:12:00,400 Speaker 1: going somewhere else, any somewhere else. Okay, let's just say it. 1360 01:12:01,360 --> 01:12:03,800 Speaker 1: I wouldn't go to have a pizza in Florida, you 1361 01:12:03,840 --> 01:12:06,320 Speaker 1: know what I'm saying, No, ma'am, I have a gator 1362 01:12:06,439 --> 01:12:08,720 Speaker 1: stick exactly. Did you hear that won't come to New 1363 01:12:08,800 --> 01:12:11,880 Speaker 1: York for a gator stick either. Animals being places they 1364 01:12:11,920 --> 01:12:14,439 Speaker 1: shouldn't respect. There was a bear in the Magic Kingdom, 1365 01:12:15,200 --> 01:12:16,960 Speaker 1: well kind there was. I think it was a black 1366 01:12:17,920 --> 01:12:22,240 Speaker 1: those the country bears. And apparently this is not the 1367 01:12:22,320 --> 01:12:24,479 Speaker 1: first time the wild animals have been found in the park. 1368 01:12:24,600 --> 01:12:29,360 Speaker 1: Apparently one time there was a calligator got eaten. That's 1369 01:12:29,400 --> 01:12:33,760 Speaker 1: no hunting. Yeah, oh, you didn't know this, but it 1370 01:12:33,880 --> 01:12:36,240 Speaker 1: was like a three year old boy. Oh my god, 1371 01:12:36,439 --> 01:12:38,280 Speaker 1: it's a grand Floridian. Really. 1372 01:12:38,360 --> 01:12:40,639 Speaker 4: When we went to Chide last time, I was stoned 1373 01:12:40,680 --> 01:12:42,200 Speaker 4: in the park and all I could do in my 1374 01:12:42,360 --> 01:12:46,400 Speaker 4: state was imagine myself as the child going into the 1375 01:12:46,479 --> 01:12:47,160 Speaker 4: mouth of a cross. 1376 01:12:47,560 --> 01:12:51,920 Speaker 1: I was like, this is that's all the different drug. Absolutely, 1377 01:12:52,240 --> 01:12:54,880 Speaker 1: that's one of the most harrowing things I've ever heard. 1378 01:12:54,960 --> 01:12:57,719 Speaker 1: It's so well. I bet they got tickets to Wish 1379 01:12:58,840 --> 01:13:01,439 Speaker 1: the family. Let's just say this, They're going to see 1380 01:13:01,520 --> 01:13:07,000 Speaker 1: Wish whenever they were DearS. That family is actually hooked 1381 01:13:07,080 --> 01:13:09,800 Speaker 1: up with park tickets for life. The family want to 1382 01:13:10,040 --> 01:13:14,720 Speaker 1: wish to discuss. That's why the gator took matters. Yeah, 1383 01:13:14,800 --> 01:13:18,800 Speaker 1: well the family was inside. No, this is so bad. 1384 01:13:18,840 --> 01:13:21,360 Speaker 1: We just we can't talk about the family. They've lost 1385 01:13:21,400 --> 01:13:25,760 Speaker 1: a child. That's awful. So this black bear was at Disney, Yeah, 1386 01:13:26,240 --> 01:13:30,559 Speaker 1: flash pack. Apparently he was in Frontier Mickey Plus tomorrow 1387 01:13:30,640 --> 01:13:33,040 Speaker 1: and that would have been ridiculous. No bears in tomorrow. 1388 01:13:33,120 --> 01:13:38,760 Speaker 1: He've extincted be Teerland. Maybe. Yeah, that's what I said. Good, good, 1389 01:13:38,960 --> 01:13:40,960 Speaker 1: That's what i'd said prior. Good, and that's what I 1390 01:13:41,040 --> 01:13:45,160 Speaker 1: listened to much later. That's actually what I just said prior, 1391 01:13:45,240 --> 01:13:47,120 Speaker 1: and I listened to it, but a little bit late. Prior. 1392 01:13:47,200 --> 01:13:52,560 Speaker 1: From Angels in America Parastrika Striker, they would lay it 1393 01:13:52,680 --> 01:13:55,120 Speaker 1: all gone back bank up. 1394 01:13:55,080 --> 01:13:57,240 Speaker 2: One day to basically do arms like a fucking octopus. 1395 01:13:57,280 --> 01:13:59,000 Speaker 1: And he just like did it. Well, what's this? What's 1396 01:13:59,040 --> 01:13:59,439 Speaker 1: this thing? 1397 01:14:00,160 --> 01:14:03,880 Speaker 3: Cones says when he because he's being earnest with her 1398 01:14:03,880 --> 01:14:05,559 Speaker 3: and then he like tricks her. He would go into 1399 01:14:05,600 --> 01:14:08,600 Speaker 3: that sometimes and he alsoud say, that's all hitler. But 1400 01:14:08,760 --> 01:14:11,240 Speaker 3: he did that from producers. It's crazy to have him 1401 01:14:11,280 --> 01:14:13,800 Speaker 3: like fully go into the line and he can drop 1402 01:14:13,840 --> 01:14:15,120 Speaker 3: it and then you hear him talk and you're like, 1403 01:14:15,320 --> 01:14:16,200 Speaker 3: this is timone. 1404 01:14:16,520 --> 01:14:19,000 Speaker 2: Yeah that's crazy. Well, yeah, there's a day I'll never forget. 1405 01:14:19,080 --> 01:14:19,840 Speaker 2: He comes on the set. 1406 01:14:19,960 --> 01:14:23,599 Speaker 1: It's like Nathan Malalley, Larry and then us like legends 1407 01:14:23,760 --> 01:14:25,680 Speaker 1: and this is just small talk to them. Nathan goes, oh, 1408 01:14:25,760 --> 01:14:29,439 Speaker 1: by the way, Larry mel Brooks says hello, of course, 1409 01:14:29,520 --> 01:14:31,720 Speaker 1: and then Larry's like, oh, mel Brooks, you don't have 1410 01:14:31,920 --> 01:14:34,400 Speaker 1: I've always felt should I say this story? We must? 1411 01:14:34,640 --> 01:14:37,519 Speaker 1: That's enough, that's enough, that's enough. They fucked. 1412 01:14:37,560 --> 01:14:39,040 Speaker 2: I guess they all love mel Brooks. 1413 01:14:39,120 --> 01:14:42,040 Speaker 1: Yeah exactly. But it was gonna be a read but 1414 01:14:42,400 --> 01:14:46,519 Speaker 1: oh no, well read, it was reading us. Somehow we 1415 01:14:46,640 --> 01:14:49,840 Speaker 1: got involved. Why are you tracking us? You know where 1416 01:14:49,840 --> 01:14:51,840 Speaker 1: the interviewers? This is not good mean to ask about 1417 01:14:52,040 --> 01:14:55,640 Speaker 1: You have not yet asked us about craft services? You 1418 01:14:55,720 --> 01:14:57,120 Speaker 1: know you did. He said, what was your favor? What 1419 01:14:57,240 --> 01:15:04,320 Speaker 1: was your favorite? What was your favor? You know you've 1420 01:15:04,360 --> 01:15:06,920 Speaker 1: already shown us up by doing a better intro than 1421 01:15:06,960 --> 01:15:09,200 Speaker 1: we ever could. We were amazing. What were other alt 1422 01:15:09,360 --> 01:15:13,280 Speaker 1: titles of this podcast? Oh? Great, I can't remember them. 1423 01:15:13,600 --> 01:15:17,519 Speaker 1: I literally don't remember anything it was, it was gonna 1424 01:15:17,520 --> 01:15:23,200 Speaker 1: be It was and Bo's jamboree. Honey, jamboree. That doesn't 1425 01:15:23,240 --> 01:15:25,920 Speaker 1: sound like a good sound. Why why would you think 1426 01:15:25,960 --> 01:15:28,439 Speaker 1: that was? Were we episode four? We were early in 1427 01:15:28,520 --> 01:15:34,400 Speaker 1: the apartment, just like that's huge? Actually it was episode 1428 01:15:35,600 --> 01:15:38,360 Speaker 1: was then Dave Mazzoni, then Sudy must have been early 1429 01:15:38,520 --> 01:15:40,960 Speaker 1: maybe you guys, and then it was you guys. Wow. 1430 01:15:41,560 --> 01:15:46,160 Speaker 1: I have a question. How have we changed that? Hunger 1431 01:15:47,280 --> 01:15:53,120 Speaker 1: but meaning more hung not hungry, hunger, taller, taller, gentler. 1432 01:15:57,000 --> 01:16:00,400 Speaker 1: Y'all haven't changed one bit, poor money, rich, and we 1433 01:16:00,520 --> 01:16:04,200 Speaker 1: want you to start start changing, start changing. I'm trying, 1434 01:16:04,840 --> 01:16:10,160 Speaker 1: am I'm on the diet. Wait, is this the dream 1435 01:16:10,200 --> 01:16:12,719 Speaker 1: I had? They are bringing back dream Girl? Yes? Apparently 1436 01:16:13,640 --> 01:16:21,679 Speaker 1: of course we're going old young also is coming backwards? 1437 01:16:21,680 --> 01:16:23,320 Speaker 1: I really want to see. Is the Wiz me too? 1438 01:16:23,720 --> 01:16:23,920 Speaker 5: Yeah? 1439 01:16:25,880 --> 01:16:29,479 Speaker 1: And I also I love that they're doing it on 1440 01:16:29,600 --> 01:16:33,600 Speaker 1: tour and then Broadway. That's like that. I think it. 1441 01:16:33,880 --> 01:16:35,920 Speaker 1: Candice and Wendy from Potomac actually went the other night 1442 01:16:35,960 --> 01:16:38,280 Speaker 1: because I guess Candy produces it so that she invited them, 1443 01:16:38,520 --> 01:16:40,000 Speaker 1: and I guess they're doing it. They were doing it 1444 01:16:40,080 --> 01:16:42,679 Speaker 1: in Baltimore. Oh great, Yeah, so I think there probably 1445 01:16:42,800 --> 01:16:45,400 Speaker 1: is reviews for it. I would love to see the 1446 01:16:45,400 --> 01:16:47,519 Speaker 1: Wiz famously. The last time I saw the Wiz on 1447 01:16:47,600 --> 01:16:51,679 Speaker 1: stage was in my own high school, like mostly white 1448 01:16:52,080 --> 01:16:56,080 Speaker 1: white high school doing the Wish because there's no like 1449 01:16:56,200 --> 01:16:59,160 Speaker 1: bad words, right right, high schoolers like to do it. 1450 01:16:59,200 --> 01:17:01,840 Speaker 1: It is a fun show. Yeah, good song. You got 1451 01:17:01,880 --> 01:17:03,800 Speaker 1: a little girl that can sing, You better be doing 1452 01:17:03,840 --> 01:17:09,479 Speaker 1: the Whiz. Yeah, Jasmine Sullivan down, Jasmin. That's what YouTube 1453 01:17:09,520 --> 01:17:15,080 Speaker 1: was invented for. Absolutely started Marl's Color the Wind. Yeah, 1454 01:17:15,600 --> 01:17:18,720 Speaker 1: Marlin's special thanks in the movie Oh my God. She 1455 01:17:19,920 --> 01:17:22,439 Speaker 1: came out in l A and sang, you know, for 1456 01:17:22,520 --> 01:17:25,560 Speaker 1: free anyone, like free when we did it at uc B, 1457 01:17:25,760 --> 01:17:28,519 Speaker 1: So like Henry's special things, like anyone that we never 1458 01:17:28,680 --> 01:17:29,680 Speaker 1: got paid. 1459 01:17:29,439 --> 01:17:32,360 Speaker 4: To like help us when we were all Eddie Cooper, 1460 01:17:33,040 --> 01:17:35,519 Speaker 4: that's your Tracy Morgan moment of I remember all the 1461 01:17:35,520 --> 01:17:36,599 Speaker 4: people who did this for free. 1462 01:17:36,800 --> 01:17:42,479 Speaker 1: Yeah, see Julie, see Julie. But yeah, Marla is there 1463 01:17:42,600 --> 01:17:44,240 Speaker 1: before we get into I don't think so, honey. I 1464 01:17:44,320 --> 01:17:48,360 Speaker 1: want to give you guys to just express gratitude. I mean, 1465 01:17:48,720 --> 01:17:50,720 Speaker 1: do you want me to earnestly do because we I 1466 01:17:50,880 --> 01:17:53,160 Speaker 1: can't you want me to earnestly do we do? We 1467 01:17:53,280 --> 01:17:55,360 Speaker 1: feel an immense amount of gratitude to this moment in 1468 01:17:55,400 --> 01:17:57,360 Speaker 1: our lives. I can't believe this movie got made. I 1469 01:17:57,400 --> 01:17:59,800 Speaker 1: can't believe it's coming out. I can't believe how. Let 1470 01:17:59,880 --> 01:18:01,920 Speaker 1: me actually be ernest and say, I can't believe how 1471 01:18:01,960 --> 01:18:05,080 Speaker 1: supportive you both have been of this picture and this project. 1472 01:18:05,479 --> 01:18:08,880 Speaker 1: And Bowen, I'll highlight in particular, has been like doing 1473 01:18:09,000 --> 01:18:11,120 Speaker 1: press with us, going above and beyond for our little 1474 01:18:11,200 --> 01:18:13,439 Speaker 1: you know, chicken ship, gay dumb movie. You know, it's 1475 01:18:13,560 --> 01:18:16,000 Speaker 1: just like I appreciate you both in a great way 1476 01:18:16,160 --> 01:18:19,080 Speaker 1: when you could be on a boat with mourn YouTube 1477 01:18:19,240 --> 01:18:24,280 Speaker 1: instead to do press for begging him together, I could 1478 01:18:24,280 --> 01:18:26,560 Speaker 1: be a Mandalay Bay where the movie is opening on 1479 01:18:26,640 --> 01:18:32,080 Speaker 1: the twenties. You two are the best in the biz, 1480 01:18:32,280 --> 01:18:35,599 Speaker 1: the best in our hearts, the best in the world. Really, 1481 01:18:35,880 --> 01:18:38,080 Speaker 1: and katies and readers, we need you actually this weekend 1482 01:18:41,520 --> 01:18:45,160 Speaker 1: when it goes wide and you can go. But yes, 1483 01:18:45,280 --> 01:18:48,880 Speaker 1: see the film San Francisco. I bet it's playing at 1484 01:18:48,920 --> 01:18:53,760 Speaker 1: the Castro. Why do you say that? Pig Pig and 1485 01:18:53,880 --> 01:19:05,920 Speaker 1: the Los Angeles, California and New York, New York. Now 1486 01:19:06,400 --> 01:19:09,240 Speaker 1: to sort of shift the focus back to us for 1487 01:19:09,320 --> 01:19:12,160 Speaker 1: a second. We have this podcast and every single week 1488 01:19:12,240 --> 01:19:14,560 Speaker 1: we do a segment I don't think so honey, and 1489 01:19:14,680 --> 01:19:17,719 Speaker 1: it's we take one minute, one minute to rail against 1490 01:19:17,760 --> 01:19:21,640 Speaker 1: something in culture and rantom just you know, really just 1491 01:19:21,720 --> 01:19:25,280 Speaker 1: take something to test bothering grinding urger. So this is 1492 01:19:25,320 --> 01:19:27,800 Speaker 1: my I don't think so honey, Good Matt Rogers, I 1493 01:19:27,840 --> 01:19:30,519 Speaker 1: don't think Sony. As time starts, I don't think so honey. 1494 01:19:30,600 --> 01:19:35,320 Speaker 1: How quickly seemingly Ranch has taken over the media, I 1495 01:19:35,360 --> 01:19:37,640 Speaker 1: will say, I do think so honey, Travis Kelsey and 1496 01:19:37,720 --> 01:19:40,599 Speaker 1: tell herself being what they are, because I have to say, 1497 01:19:40,760 --> 01:19:42,760 Speaker 1: this guy has to be the best nut of her life. 1498 01:19:42,920 --> 01:19:46,439 Speaker 1: When you look at that man, holy shit, Like this 1499 01:19:46,840 --> 01:19:51,040 Speaker 1: is a hot guy, and I wish that for her. 1500 01:19:51,160 --> 01:19:58,599 Speaker 1: I I will say, the seemingly Ranch takeover so thirty seconds. 1501 01:19:58,600 --> 01:20:00,679 Speaker 1: It's happened so quickly, like it was she was fucking 1502 01:20:00,680 --> 01:20:02,799 Speaker 1: on the subway today and I was so shook. It's everywhere. 1503 01:20:03,000 --> 01:20:05,800 Speaker 1: The posters for simularly Ranch are everywhere, and I'm like, 1504 01:20:05,880 --> 01:20:09,360 Speaker 1: and that is like it's a little fixed, a little 1505 01:20:09,400 --> 01:20:12,120 Speaker 1: made up, Because how quickly they were able to make 1506 01:20:12,240 --> 01:20:16,560 Speaker 1: and like distribute of ketchup and seemingly ranch. Huh, I 1507 01:20:16,640 --> 01:20:19,800 Speaker 1: believe it's Hines Tins. Yeah. I was like, I respect it. 1508 01:20:19,960 --> 01:20:22,040 Speaker 1: But also now I'm like, now, hold on a second, 1509 01:20:22,080 --> 01:20:25,519 Speaker 1: I'm seeing the pepsi cans. I was like, this is 1510 01:20:25,720 --> 01:20:28,640 Speaker 1: everywhere and I don't know, ketchup and seemilarly ranch and 1511 01:20:28,720 --> 01:20:30,360 Speaker 1: as one I kind of like to dip and mix. 1512 01:20:30,439 --> 01:20:32,439 Speaker 1: I don't know. And that's one minute. Wow. 1513 01:20:32,960 --> 01:20:36,920 Speaker 4: So Taylor Swift went to a Chiefs game last week. 1514 01:20:37,040 --> 01:20:39,120 Speaker 4: But last week she's made football popular. 1515 01:20:39,200 --> 01:20:41,800 Speaker 2: She yes, and so she's made popular team. 1516 01:20:42,439 --> 01:20:47,960 Speaker 4: I'm so sorry the Kansas City guys, guys, my friends 1517 01:20:48,200 --> 01:20:53,160 Speaker 4: shed She was in her little VIP area with a 1518 01:20:53,200 --> 01:20:56,240 Speaker 4: little plate of chicken tenders for her and she leans 1519 01:20:56,280 --> 01:20:58,320 Speaker 4: over to take a picture with a group of fans 1520 01:20:58,920 --> 01:21:01,800 Speaker 4: and then someone posts this photo, a cropped photo on 1521 01:21:01,960 --> 01:21:05,400 Speaker 4: Twitter saying here's Taylor Swip with the fan next to 1522 01:21:05,520 --> 01:21:10,599 Speaker 4: a plate of chicken tenders with ketchup and seemingly ranch ranch, 1523 01:21:11,120 --> 01:21:12,439 Speaker 4: and then that kind of you know, there was a 1524 01:21:12,520 --> 01:21:16,480 Speaker 4: meme take off from there of like l L seemingly. 1525 01:21:16,240 --> 01:21:17,040 Speaker 1: Ranch, like you know. 1526 01:21:17,360 --> 01:21:19,880 Speaker 4: My favorite was a quote tweet of someone saying, wow, 1527 01:21:20,040 --> 01:21:22,280 Speaker 4: I don't know what I would have done without this information, 1528 01:21:22,560 --> 01:21:26,599 Speaker 4: kill myself probably Like it's like, for some reason, seemingly 1529 01:21:26,680 --> 01:21:30,280 Speaker 4: Ranch really took off a beautiful musicality, seemingly Ranch. 1530 01:21:32,640 --> 01:21:34,800 Speaker 1: And so now they've made a product. So now Hines 1531 01:21:34,840 --> 01:21:38,200 Speaker 1: has come out with But my thing is called seemingly Ranch, 1532 01:21:38,280 --> 01:21:41,560 Speaker 1: ketchup and seemingly Ranch, which blend. It's immens. But I 1533 01:21:41,640 --> 01:21:44,880 Speaker 1: think they've had this product in their product line. Isn't 1534 01:21:44,880 --> 01:21:49,360 Speaker 1: that one thousand Island? Yeah, my ignorance is showing it 1535 01:21:49,439 --> 01:21:52,160 Speaker 1: maybe mayonnaise and ketch Yes, yes, yes, it's that. It's that. 1536 01:21:52,240 --> 01:21:54,519 Speaker 1: But I think Ranch and ketchup as a combined has 1537 01:21:54,680 --> 01:21:58,240 Speaker 1: been around this truth. Not new to this truth. But 1538 01:21:58,320 --> 01:22:00,840 Speaker 1: it is suspicious how within a week posters are up 1539 01:22:00,840 --> 01:22:05,000 Speaker 1: on the subway. It's crazy, is covered in ketchup and 1540 01:22:05,000 --> 01:22:07,240 Speaker 1: sim oh, I can't wait to see Yeah, I can't 1541 01:22:07,240 --> 01:22:16,920 Speaker 1: wait to see the world. It's very very that it's right. Yeah, 1542 01:22:17,040 --> 01:22:25,040 Speaker 1: maya aya, what's another one? That's another spooky shoween? This 1543 01:22:25,120 --> 01:22:28,840 Speaker 1: is the season, I don't think so, honey, it went great. 1544 01:22:30,720 --> 01:22:34,800 Speaker 1: Shark that's a famous one. All right, So this is 1545 01:22:34,880 --> 01:22:36,920 Speaker 1: one of my favorite moments every week because it's Bowen 1546 01:22:36,960 --> 01:22:38,560 Speaker 1: I don't think so. Honey always knocks it out of 1547 01:22:38,560 --> 01:22:40,920 Speaker 1: the far. He always comes with something ready to go 1548 01:22:41,080 --> 01:22:45,920 Speaker 1: and prepared, and I know he remembers today and my 1549 01:22:46,200 --> 01:22:49,840 Speaker 1: best friend. I love him so and he's so great 1550 01:22:49,880 --> 01:22:51,760 Speaker 1: in the movie. You're so good in the film. Really 1551 01:22:52,360 --> 01:22:57,560 Speaker 1: you played God. So funny God and God that was 1552 01:22:57,640 --> 01:22:59,479 Speaker 1: ever every they said it in the same way too, 1553 01:22:59,640 --> 01:23:04,960 Speaker 1: So God, God, big shoes. I have to be like, yeah, 1554 01:23:05,640 --> 01:23:07,680 Speaker 1: like a hundred times in a row, can I be 1555 01:23:07,760 --> 01:23:12,519 Speaker 1: you doing pressing? You interview me so bowen? Yes, God crazy, 1556 01:23:13,960 --> 01:23:17,679 Speaker 1: I mean so fun. You know that I'm a blast 1557 01:23:17,760 --> 01:23:20,400 Speaker 1: and you know, obviously, how did you prepare? Well, first 1558 01:23:20,400 --> 01:23:22,160 Speaker 1: of all, I must say, God is God, I am not, 1559 01:23:23,479 --> 01:23:30,880 Speaker 1: and I basically prepared. I was reading the scripture. I 1560 01:23:31,000 --> 01:23:34,760 Speaker 1: don't have to read you like a scripture. That's good. 1561 01:23:34,880 --> 01:23:35,280 Speaker 5: There you go. 1562 01:23:36,000 --> 01:23:38,880 Speaker 2: But we had a lot of fun and old friends. 1563 01:23:39,400 --> 01:23:43,040 Speaker 1: Yeah, started actually started in the basement. And when I 1564 01:23:43,080 --> 01:23:44,680 Speaker 1: found out that they were I mean, of course I 1565 01:23:44,800 --> 01:23:46,599 Speaker 1: was gonna support the project in the way, but then 1566 01:23:46,640 --> 01:23:47,840 Speaker 1: they asked me to be in it, and I was 1567 01:23:48,000 --> 01:23:49,479 Speaker 1: just like, I mean, I was over the moon, and 1568 01:23:49,640 --> 01:23:51,200 Speaker 1: every day was a lot of fun and just to 1569 01:23:51,479 --> 01:23:53,640 Speaker 1: just get the opportunity to meet Nathan And actually I 1570 01:23:53,760 --> 01:23:55,640 Speaker 1: lived across the street from Josh during a lot of 1571 01:23:55,680 --> 01:23:57,559 Speaker 1: the process of filmmaking, so I was hearing a lot 1572 01:23:57,560 --> 01:24:01,320 Speaker 1: of updates and he's just amazing that it's yeah, and 1573 01:24:01,400 --> 01:24:03,800 Speaker 1: you know, you know, during COVID it was tough because 1574 01:24:03,840 --> 01:24:06,560 Speaker 1: it was every single day testing and uh, you know, 1575 01:24:06,640 --> 01:24:10,439 Speaker 1: it was very Julie Goes. I asked about craft. Yeah, 1576 01:24:10,760 --> 01:24:13,800 Speaker 1: what are you battling all about? This is Bowen and 1577 01:24:13,880 --> 01:24:16,160 Speaker 1: Yi's I don't think soney, his time starts now. I 1578 01:24:16,200 --> 01:24:18,080 Speaker 1: don't think so, honey, getting up to piss in the 1579 01:24:18,120 --> 01:24:23,479 Speaker 1: middle of the night. I was sleeping me and I'm 1580 01:24:23,520 --> 01:24:26,160 Speaker 1: meaning to piss, but then, as like a grandpa, thy 1581 01:24:26,280 --> 01:24:28,000 Speaker 1: might ask you, like a grandpa, Okay, I'm needing. 1582 01:24:28,040 --> 01:24:30,000 Speaker 2: I'm needing to piss, but then I'm also thirsty. 1583 01:24:30,520 --> 01:24:33,760 Speaker 1: Why wait a minute, body, body keep the water in 1584 01:24:33,880 --> 01:24:36,920 Speaker 1: and up here, not down there. I gotta get rid 1585 01:24:36,920 --> 01:24:39,320 Speaker 1: of it and then drink more. How did that work? 1586 01:24:39,840 --> 01:24:40,880 Speaker 2: How did that work? 1587 01:24:41,000 --> 01:24:42,760 Speaker 1: How did it work? How did that work? How did it? 1588 01:24:43,000 --> 01:24:46,519 Speaker 4: And I'm saying, my blood, I know it's big, and 1589 01:24:46,600 --> 01:24:49,479 Speaker 4: I know the prostate is not inflamed, so then why 1590 01:24:49,560 --> 01:24:51,880 Speaker 4: am I having to piss all the time. Girl, the 1591 01:24:51,920 --> 01:24:54,920 Speaker 4: prostate ain't getting stimulated. It's been a minute. Hello, Hello, 1592 01:24:55,439 --> 01:24:57,040 Speaker 4: you don't even stimiliate the eagle. 1593 01:24:57,200 --> 01:24:59,040 Speaker 1: Get the to the eagle. Well, honey, I don't have 1594 01:24:59,120 --> 01:25:02,320 Speaker 1: the stamina like you girls. Do you velvet rage whites, 1595 01:25:02,840 --> 01:25:04,599 Speaker 1: and you're staying up till four in the morning going 1596 01:25:04,640 --> 01:25:07,200 Speaker 1: to the eagle. My Instagram bio velvet ridge whites. 1597 01:25:07,680 --> 01:25:09,080 Speaker 4: You know what, getting up to pee in the middle 1598 01:25:09,120 --> 01:25:11,000 Speaker 4: of my second I remember not doing this as much 1599 01:25:11,000 --> 01:25:12,560 Speaker 4: as a kid, and I guess I am grandpa on it. 1600 01:25:14,080 --> 01:25:20,679 Speaker 1: Yeah, every single morning. Is it a huge ship? It's 1601 01:25:20,760 --> 01:25:23,680 Speaker 1: not a huge shit, it's a huge piss. Yeah. I 1602 01:25:23,760 --> 01:25:26,240 Speaker 1: have a thing where I sip of coffee and wow, 1603 01:25:26,320 --> 01:25:30,040 Speaker 1: oh yeah yeah, and I dream that I'm pissing, and 1604 01:25:30,120 --> 01:25:31,680 Speaker 1: then I wake up and then I'm like, I have 1605 01:25:31,800 --> 01:25:35,560 Speaker 1: to go. I'm about to wet the bed. I have 1606 01:25:35,680 --> 01:25:37,599 Speaker 1: to man the body. I commend the body for having 1607 01:25:37,600 --> 01:25:39,880 Speaker 1: a dreaming about pissing it. Yeah, you like, wake up, faggot. 1608 01:25:40,240 --> 01:25:42,200 Speaker 1: Yeah you about to bust. You about to bust. But 1609 01:25:42,240 --> 01:25:45,000 Speaker 1: I hate that totally. It's so rude. You have to 1610 01:25:45,080 --> 01:25:47,120 Speaker 1: peece so bad. You're dreaming about peeing and then you 1611 01:25:47,160 --> 01:25:48,880 Speaker 1: wake up and you're like, thank god, this thing can 1612 01:25:49,040 --> 01:25:51,360 Speaker 1: stay close. If you're dreaming about peing, it's a miracle 1613 01:25:51,400 --> 01:25:51,760 Speaker 1: that you're not. 1614 01:25:51,920 --> 01:25:52,280 Speaker 6: Just I know. 1615 01:25:53,040 --> 01:25:55,000 Speaker 1: And every time I wake up and you realize it 1616 01:25:55,120 --> 01:25:56,560 Speaker 1: was like, oh, I'm not actually peeing it like you 1617 01:25:56,680 --> 01:25:59,439 Speaker 1: better go now, and you're in danger. Ever pissed the 1618 01:25:59,479 --> 01:26:07,960 Speaker 1: bed for a child, No, rewore so disrespect. You came 1619 01:26:08,000 --> 01:26:11,280 Speaker 1: in here not media trained, and this has been one 1620 01:26:11,280 --> 01:26:13,559 Speaker 1: of the hardest interviews that we've ever done. And we've 1621 01:26:13,560 --> 01:26:15,680 Speaker 1: been touching each other the whole time. This is ridiculous, 1622 01:26:15,720 --> 01:26:19,040 Speaker 1: and we're not doing this anymore, not operating under a facade. 1623 01:26:19,360 --> 01:26:22,040 Speaker 1: Is you did not come prepared for that podcast today. 1624 01:26:22,080 --> 01:26:24,200 Speaker 1: You came without media training and now you're telling me 1625 01:26:24,400 --> 01:26:27,360 Speaker 1: my history. You don't know my history. Once you're a 1626 01:26:27,400 --> 01:26:28,800 Speaker 1: potty trained you never beat the bed. 1627 01:26:29,160 --> 01:26:31,519 Speaker 2: This is ridiculous. You did not specify that. 1628 01:26:31,600 --> 01:26:33,240 Speaker 1: I'm not new to this. I'm true to this. I 1629 01:26:33,360 --> 01:26:36,080 Speaker 1: have never once pissed the bed. You did not specify 1630 01:26:36,160 --> 01:26:39,160 Speaker 1: the post potty training. This is just it can't be 1631 01:26:39,520 --> 01:26:43,599 Speaker 1: It can't be true. You don't know anything about Katrina 1632 01:26:43,640 --> 01:26:47,360 Speaker 1: on the line. Actually they're in Dublin. Okay, she doesn't 1633 01:26:47,360 --> 01:26:55,240 Speaker 1: have an international travel pass car emergency emergency, please pick up. Yeah, 1634 01:26:55,320 --> 01:26:59,120 Speaker 1: let me panic. My mother let me was doing a bit. Well, 1635 01:26:59,280 --> 01:27:02,080 Speaker 1: you know what, it's just disrespectful because she gave birth 1636 01:27:02,160 --> 01:27:05,800 Speaker 1: to me. Okay, this she might have stolen you or 1637 01:27:05,840 --> 01:27:09,760 Speaker 1: adopted you. My mother is my mother. There's more than 1638 01:27:09,800 --> 01:27:12,000 Speaker 1: one way to be a mother. There's more than one 1639 01:27:12,000 --> 01:27:14,760 Speaker 1: way to give an adopted mother not a mother. Say that, 1640 01:27:15,080 --> 01:27:18,880 Speaker 1: no they're not, And thank you for finally getting me here, 1641 01:27:19,479 --> 01:27:21,960 Speaker 1: because I've been waiting to say it into a microphone. 1642 01:27:22,040 --> 01:27:25,439 Speaker 1: I'm coming out. I don't think adopted mothers are real mothers. Okay, 1643 01:27:26,080 --> 01:27:28,760 Speaker 1: there we go. Fifteen minutes on the clock. We're doing it. 1644 01:27:29,360 --> 01:27:34,320 Speaker 1: Here's why. Fourteen minutes, fifty second sharps. I don't think 1645 01:27:34,920 --> 01:27:38,000 Speaker 1: I can go. I have one yo is Aaron Jackson's 1646 01:27:38,040 --> 01:27:39,800 Speaker 1: I don't think so high and he wants to do 1647 01:27:40,200 --> 01:27:43,599 Speaker 1: adopted mothers are not mothers. I should and his time 1648 01:27:43,680 --> 01:27:44,200 Speaker 1: starts now. 1649 01:27:44,600 --> 01:27:45,679 Speaker 2: I don't think so. Honey. 1650 01:27:45,920 --> 01:27:52,240 Speaker 1: The yogurt cap this morning, cutting my finger open, Why 1651 01:27:52,320 --> 01:27:56,160 Speaker 1: are you a sword opener of yogurt? And I had 1652 01:27:56,200 --> 01:27:59,160 Speaker 1: a big new one because I'm not doing single. I'm 1653 01:27:59,240 --> 01:28:03,400 Speaker 1: saving the planet myself a big one I open up, 1654 01:28:03,439 --> 01:28:07,120 Speaker 1: I cut up, bleed, you can see. And I need 1655 01:28:07,280 --> 01:28:11,040 Speaker 1: these fingers. An I'm an ape. I need these eye 1656 01:28:11,080 --> 01:28:14,120 Speaker 1: of all this purpose, and I need these fingers to 1657 01:28:14,160 --> 01:28:16,880 Speaker 1: get around. I need the blood to keep my heart going. 1658 01:28:17,600 --> 01:28:23,120 Speaker 1: On your phone, finger blasts, my guys, I need these fingers, 1659 01:28:23,240 --> 01:28:25,320 Speaker 1: I don't think somebody. And then the yogurt. I'm just 1660 01:28:25,360 --> 01:28:28,120 Speaker 1: trying to eat you. Why are you this? Why are 1661 01:28:28,160 --> 01:28:31,600 Speaker 1: you this way? Why? Jagged nasty yogurt? And then a 1662 01:28:31,640 --> 01:28:34,400 Speaker 1: piece of paper on top of that, covered in yogurt. 1663 01:28:34,520 --> 01:28:37,920 Speaker 1: I got blood everywhere. It makes me say, I don't 1664 01:28:38,040 --> 01:28:42,920 Speaker 1: I think to honey, I hate it. One minute another class, 1665 01:28:44,160 --> 01:28:46,519 Speaker 1: ask me where I got Did you get that last night? 1666 01:28:46,800 --> 01:28:50,000 Speaker 1: Julius on the toilet paper dispenser because it's also got jagged. 1667 01:28:51,000 --> 01:28:53,479 Speaker 2: I was pulling out a sheet of toilet paper and 1668 01:28:53,560 --> 01:28:54,040 Speaker 2: it cut me. 1669 01:28:54,160 --> 01:28:56,120 Speaker 1: And I'm carrying band aids around in my pocket like 1670 01:28:56,160 --> 01:28:58,600 Speaker 1: I'm a World War two nerves, you know, honestly, like 1671 01:28:58,600 --> 01:29:07,960 Speaker 1: I'm rosy. The riveters nurse, big muscles, nurse riveting up 1672 01:29:08,000 --> 01:29:11,240 Speaker 1: my wounds. I did notice earlier that you have blood 1673 01:29:11,280 --> 01:29:20,680 Speaker 1: on it, because I keeps flying off. I have another too, 1674 01:29:20,840 --> 01:29:23,960 Speaker 1: because I'm also wounded. I'm so sorry that happened. Now, 1675 01:29:24,280 --> 01:29:26,400 Speaker 1: what was the flavor of the yogurt? Then? Blood? Vanilla? 1676 01:29:29,320 --> 01:29:30,240 Speaker 1: And I put what do you need? 1677 01:29:30,320 --> 01:29:33,320 Speaker 3: You need this, we'll tickets if you're opening. It was 1678 01:29:33,400 --> 01:29:35,240 Speaker 3: plain and I put honey and granola in it. Oh 1679 01:29:35,360 --> 01:29:37,840 Speaker 3: that's so nice. And a little bit late because of this, 1680 01:29:38,240 --> 01:29:39,439 Speaker 3: because I all of a sudden I have. 1681 01:29:39,520 --> 01:29:41,720 Speaker 1: Read you have to wash the wound, and we had 1682 01:29:41,760 --> 01:29:48,680 Speaker 1: to go then at the e R Well, I just 1683 01:29:49,080 --> 01:29:51,519 Speaker 1: plane hated it. But you know what, trying to open 1684 01:29:51,560 --> 01:29:53,400 Speaker 1: a yogurt. Blood don't got to go there either. 1685 01:29:53,920 --> 01:29:55,400 Speaker 2: That's the other thing. You've got to go to my 1686 01:29:55,479 --> 01:29:56,400 Speaker 2: boner and keep it up. 1687 01:29:56,520 --> 01:30:03,599 Speaker 1: That's what I gotta fill that partilage. My word, Now 1688 01:30:03,680 --> 01:30:07,840 Speaker 1: that's you said. Finger blasting guys, plural, My guys, My guys, 1689 01:30:08,040 --> 01:30:10,920 Speaker 1: my guys. We know he'd be around. I've met one 1690 01:30:11,040 --> 01:30:13,679 Speaker 1: or two people in my life. I finger blast my guys. 1691 01:30:13,720 --> 01:30:21,000 Speaker 1: But first God, God, but burst and the words of God. First, Josh, 1692 01:30:21,400 --> 01:30:28,200 Speaker 1: I don't think something. Josh Sharp now says he has 1693 01:30:28,360 --> 01:30:30,679 Speaker 1: one and he's excited, smiling. 1694 01:30:30,880 --> 01:30:32,080 Speaker 2: More good posture. 1695 01:30:33,120 --> 01:30:38,920 Speaker 1: Racket it up. You guys both looked pretty good on camera. Hunt. 1696 01:30:38,960 --> 01:30:40,360 Speaker 1: Oh you're both hunked. 1697 01:30:41,720 --> 01:30:45,439 Speaker 2: I said, I want to kiss Oh my god, you 1698 01:30:46,160 --> 01:30:46,960 Speaker 2: they're my friends. 1699 01:30:47,479 --> 01:30:50,200 Speaker 1: I can't. You can kiss us, okay, kiss us. This 1700 01:30:50,320 --> 01:30:51,920 Speaker 1: is Josh Shapes. I don't think so, honey. As time 1701 01:30:52,000 --> 01:30:53,559 Speaker 1: starts now, I don't think so, honey. 1702 01:30:53,720 --> 01:30:55,640 Speaker 2: My wife only gives me a head on my birthday. 1703 01:30:55,920 --> 01:30:59,400 Speaker 1: Damn it. Only give me a head on my birthday, bitch, 1704 01:31:00,280 --> 01:31:02,960 Speaker 1: that gorgeous bitch, and only when the birthday fall on 1705 01:31:03,000 --> 01:31:07,760 Speaker 1: a weekendday. Birthday, she says. No, get down there and 1706 01:31:07,880 --> 01:31:11,800 Speaker 1: suck that hug. I only turns turned my next year, 1707 01:31:11,960 --> 01:31:15,559 Speaker 1: but once a year. Y, I got a nut. Sure, 1708 01:31:15,760 --> 01:31:19,160 Speaker 1: this is shirt bety. You eat her out all the time. 1709 01:31:19,200 --> 01:31:23,320 Speaker 1: I eat her out every day but her birth eating 1710 01:31:23,320 --> 01:31:26,559 Speaker 1: out my jerk bitch wife, every damn day but her birthday. 1711 01:31:26,680 --> 01:31:29,639 Speaker 1: Why because birthday I'm cooking her every course, breakfast, lunch, 1712 01:31:30,360 --> 01:31:35,120 Speaker 1: your Michelin in my Michelin restaurant called the Day, knives out, 1713 01:31:35,360 --> 01:31:40,120 Speaker 1: knives out, knives out. Honey, listen seconds when I wake 1714 01:31:40,200 --> 01:31:42,160 Speaker 1: up on my birthday every day since I was born, 1715 01:31:42,360 --> 01:31:47,920 Speaker 1: hard as rocks, needing my colm to come outny five seconds, honey, 1716 01:31:48,040 --> 01:31:51,759 Speaker 1: don't be a dang jerk. Suck me off. It's my birthday, birthday, 1717 01:31:51,840 --> 01:31:54,360 Speaker 1: two cocks. Only when the. 1718 01:31:54,360 --> 01:32:01,120 Speaker 6: Birthday on weekends, you're headed to divorce core if I 1719 01:32:01,280 --> 01:32:05,360 Speaker 6: had to at least a trial separation, Yeah, separation. 1720 01:32:05,520 --> 01:32:08,040 Speaker 1: Maybe she'll see the arrow from Yeah, maybe that throat 1721 01:32:08,040 --> 01:32:12,639 Speaker 1: will get a little thirsty. I'm so sorry. Sorry, don't 1722 01:32:12,640 --> 01:32:15,719 Speaker 1: get it twisted. We love each other and it's about companions, 1723 01:32:16,000 --> 01:32:18,840 Speaker 1: about but you might need Laura Dern from Marriage Story 1724 01:32:19,320 --> 01:32:22,439 Speaker 1: Laura to get up. I know that a lot of 1725 01:32:22,479 --> 01:32:25,000 Speaker 1: people say sometimes love is not enough, love is not enough. 1726 01:32:25,280 --> 01:32:28,040 Speaker 1: But I feel that if you have enough respect for someone, 1727 01:32:28,520 --> 01:32:30,320 Speaker 1: and if you have a common ground, and you have, 1728 01:32:30,600 --> 01:32:33,799 Speaker 1: of course two beautiful daughters. What are their names, Hyundai 1729 01:32:33,960 --> 01:32:41,519 Speaker 1: and Lantra and Sonata? Yeah, and that they're so beautiful 1730 01:32:43,520 --> 01:32:47,920 Speaker 1: Hya ger Ya Kaya Gerber. It look like kya Gerber. 1731 01:32:48,160 --> 01:32:53,680 Speaker 1: Who's smarter, Honey, Sonata Altra? Sonata is smarter, but Alantra 1732 01:32:54,080 --> 01:33:00,840 Speaker 1: has big old tips and she loves sucking Trump like this. 1733 01:33:01,439 --> 01:33:03,560 Speaker 1: How do you feel about that? Feel good? He was 1734 01:33:03,600 --> 01:33:06,360 Speaker 1: the president for me and he might be again. Now 1735 01:33:06,400 --> 01:33:08,479 Speaker 1: I'm so shook. I don't want to think about it. 1736 01:33:08,640 --> 01:33:13,000 Speaker 1: You didn't think about Oh no, I don't know. I 1737 01:33:13,040 --> 01:33:15,479 Speaker 1: don't know if we can take it seemingly ranched cheatoh, 1738 01:33:15,800 --> 01:33:18,640 Speaker 1: seemingly you know, seemingly cheato. I just don't think we 1739 01:33:18,720 --> 01:33:20,720 Speaker 1: can take another four years of Trump. I don't thank 1740 01:33:20,720 --> 01:33:23,200 Speaker 1: you guys so much for being on the podcast. Wait 1741 01:33:23,240 --> 01:33:26,400 Speaker 1: a minute. Who's Who's Linda? Who's Naomi? Who's Christie? 1742 01:33:28,520 --> 01:33:31,080 Speaker 3: Oh my god, Okay, I'm gonna say. I think I'm 1743 01:33:31,160 --> 01:33:34,960 Speaker 3: Cindy cropperd hair and her hair and my hair, So 1744 01:33:35,080 --> 01:33:35,880 Speaker 3: I'll take. 1745 01:33:36,040 --> 01:33:38,559 Speaker 1: I think you're Linda, right, Naomi? I was really Oh 1746 01:33:38,600 --> 01:33:44,240 Speaker 1: you're Naomi, I'm Linda. Yeah, okay, christ you are. 1747 01:33:45,280 --> 01:33:47,120 Speaker 3: You know Christia kind of kept a lot of them 1748 01:33:47,160 --> 01:33:49,080 Speaker 3: together in the early days, and I think I think 1749 01:33:49,120 --> 01:33:50,040 Speaker 3: you're okay. 1750 01:33:50,160 --> 01:33:54,240 Speaker 1: Josh is the Glory social chair feels right? Oh that's nice. 1751 01:33:55,120 --> 01:33:59,280 Speaker 1: Apple will do us next Apple? Supermodels? 1752 01:33:59,760 --> 01:33:59,800 Speaker 6: No? 1753 01:34:02,560 --> 01:34:05,360 Speaker 2: Is that the themesn knows. I was such a young girl. 1754 01:34:06,439 --> 01:34:09,040 Speaker 2: George Michael, Oh, they're the girls. 1755 01:34:09,360 --> 01:34:13,080 Speaker 1: We only watched the first half we watched. They had 1756 01:34:13,080 --> 01:34:16,360 Speaker 1: a beautiful Girls, Donna tellverse because you know they did 1757 01:34:16,400 --> 01:34:20,040 Speaker 1: the runway to that song and they were like the 1758 01:34:20,040 --> 01:34:21,880 Speaker 1: guard get the girds, Get the beautiful girls. Has a runway, 1759 01:34:22,120 --> 01:34:27,479 Speaker 1: Get the beautiful get the guards. Get their beard about 1760 01:34:27,600 --> 01:34:32,040 Speaker 1: one of them. So about the beautiful little girl. This 1761 01:34:32,160 --> 01:34:34,720 Speaker 1: is my Donna tell evers, this is really green. It's 1762 01:34:35,280 --> 01:34:37,200 Speaker 1: Christy goes no. That was iconic. 1763 01:34:38,240 --> 01:34:40,519 Speaker 2: And she didn't like bat it around. No, no, no, 1764 01:34:40,760 --> 01:34:44,839 Speaker 2: like she was like that was like Christie, so like, christ. 1765 01:34:44,880 --> 01:34:50,559 Speaker 1: Meet us, please meet us. We love your girl. If 1766 01:34:50,560 --> 01:34:53,040 Speaker 1: you're getting the musical, I will then mow you for 1767 01:34:53,160 --> 01:34:56,519 Speaker 1: your Tickett Whitakerton, we were talking last night about the 1768 01:34:56,560 --> 01:34:58,360 Speaker 1: Super Bowls because all I can talk about and he 1769 01:34:58,560 --> 01:35:00,200 Speaker 1: was like, when I was a little boy. 1770 01:35:00,360 --> 01:35:05,080 Speaker 3: Christy Turlington was the girls like being so gay and 1771 01:35:05,560 --> 01:35:11,640 Speaker 3: Christie loves Christy like almost like Christy meet us. 1772 01:35:11,680 --> 01:35:16,400 Speaker 1: Please. Well, this has been so much fun, and congrats 1773 01:35:16,439 --> 01:35:18,519 Speaker 1: on the film, and I hope that it does all 1774 01:35:18,600 --> 01:35:20,960 Speaker 1: the success and I hope that lots of people get 1775 01:35:21,000 --> 01:35:22,800 Speaker 1: to see it. I hope it's just great this opening week. 1776 01:35:23,080 --> 01:35:25,439 Speaker 1: And you'll sign our form to say that we're media trained. Now, 1777 01:35:25,520 --> 01:35:27,840 Speaker 1: this was our media training. Yeah, we needed to put 1778 01:35:27,880 --> 01:35:31,560 Speaker 1: in the hours. In good conscience, cannot do that. I 1779 01:35:31,640 --> 01:35:35,439 Speaker 1: can't in good conscience allowed you guys to continue and 1780 01:35:35,600 --> 01:35:37,680 Speaker 1: we all all as journalists talk to each other and 1781 01:35:37,760 --> 01:35:41,200 Speaker 1: so we're definitely getting on the horn tomorrow. We were 1782 01:35:41,240 --> 01:35:42,599 Speaker 1: supposed to do pressed with this week? 1783 01:35:42,880 --> 01:35:44,719 Speaker 2: Was crafty at the journalism office. 1784 01:35:45,640 --> 01:35:46,519 Speaker 1: It's a lot of nuts. 1785 01:35:46,560 --> 01:35:49,240 Speaker 2: It's a lot, don't They don't give a damn that allergy. 1786 01:35:49,360 --> 01:35:52,160 Speaker 1: No, In fact, I think it's targeted because I have 1787 01:35:52,240 --> 01:35:53,360 Speaker 1: a severe Nott allergy. 1788 01:35:53,479 --> 01:35:55,640 Speaker 2: Well, was there a scoop there, journalist? 1789 01:35:55,880 --> 01:35:58,680 Speaker 4: There could be We're gonna write, We're gonna write, We're 1790 01:35:58,680 --> 01:36:00,559 Speaker 4: gonna write, we're gonna write, gonna report. 1791 01:36:00,640 --> 01:36:03,800 Speaker 1: Now you can and now we can strike? Is over? War? 1792 01:36:03,920 --> 01:36:09,160 Speaker 1: Is over rest in peace? Diane Feinstein. We end every 1793 01:36:09,200 --> 01:36:16,160 Speaker 1: episode with the song you better word, come do it well, 1794 01:36:17,400 --> 01:36:30,679 Speaker 1: thing on the runway. They made you work until you draw. 1795 01:36:32,200 --> 01:36:37,479 Speaker 1: They should have let Diane Finstein just gracefully bye bye,