1
00:00:00,720 --> 00:00:18,000
Speaker 1: I Am all In, All I Am all In with

2
00:00:18,120 --> 00:00:21,920
Speaker 1: Scott Patterson and I Heart Radio podcast. Hey everybody, it's

3
00:00:21,920 --> 00:00:24,279
Speaker 1: Scott Patterson and this is the I Am All In

4
00:00:24,360 --> 00:00:26,600
Speaker 1: Podcast with I Heart Radio and one of eleven productions.

5
00:00:26,600 --> 00:00:33,360
Speaker 1: And so listen, everybody, We've got a special guest, uh synopsis, sir,

6
00:00:34,440 --> 00:00:38,239
Speaker 1: coming in today to to stand in not permanently, but

7
00:00:38,600 --> 00:00:41,880
Speaker 1: Riley's a little under the weather. She's been brave enough

8
00:00:42,159 --> 00:00:46,080
Speaker 1: and courteous enough and courageous enough to come on today

9
00:00:46,120 --> 00:00:50,680
Speaker 1: to hand it off to the the very capable Danielle

10
00:00:50,760 --> 00:00:53,040
Speaker 1: Romo to do the synopsis. So Riley, go ahead and

11
00:00:53,080 --> 00:00:57,760
Speaker 1: hand it off in your inimitable style to Danielle. I

12
00:00:57,880 --> 00:00:59,800
Speaker 1: just have to say, you guys are in great hands

13
00:00:59,800 --> 00:01:01,480
Speaker 1: to it with Danielle. She's going to give you the

14
00:01:01,520 --> 00:01:06,039
Speaker 1: most beautiful synopsis you've ever heard. So Danielle, take it away.

15
00:01:06,240 --> 00:01:10,920
Speaker 1: I am so nervous. Okay, Season two, episode seven, Like Mother,

16
00:01:11,160 --> 00:01:16,200
Speaker 1: Like Daughter, Air date November two, and here's a synopsis.

17
00:01:16,840 --> 00:01:20,240
Speaker 1: Rory realizes she is perceived as a loner, and her

18
00:01:20,240 --> 00:01:24,199
Speaker 1: reluctant efforts to socialize Lander in the most popular click

19
00:01:24,319 --> 00:01:27,440
Speaker 1: at Chiltern while Laura LII volunteers the inn as a

20
00:01:27,520 --> 00:01:31,640
Speaker 1: venue for children fundraising fashion show, and it's horrified to

21
00:01:31,720 --> 00:01:36,120
Speaker 1: find herself modeling matching outfits with her mother, Emily. How

22
00:01:36,160 --> 00:01:41,319
Speaker 1: did I do? That was darn respectable? I said, it's

23
00:01:41,319 --> 00:01:44,119
Speaker 1: pretty darn good, Riley, and can go back to bed

24
00:01:44,440 --> 00:01:48,200
Speaker 1: and don't be sick for too long, because this Danielle

25
00:01:48,240 --> 00:01:52,680
Speaker 1: romo has potential as a synopsis. I'm coming. I don't

26
00:01:52,720 --> 00:01:55,080
Speaker 1: know about that, but I'll tell you that was pretty tight.

27
00:01:56,880 --> 00:01:59,800
Speaker 1: I'm very impressed. It was amazing a little Nike. Well,

28
00:02:00,480 --> 00:02:03,960
Speaker 1: um right, you're gonna conk oh. You know I can't

29
00:02:04,000 --> 00:02:06,240
Speaker 1: stay away from on lin for too long. Alright, alright,

30
00:02:06,200 --> 00:02:10,480
Speaker 1: I feel better. We are going to break down Like Mother,

31
00:02:10,560 --> 00:02:14,960
Speaker 1: Like Daughter, Season two, Episodes seven. What an episode. I

32
00:02:15,000 --> 00:02:16,920
Speaker 1: think Amy and I are gonna lock horns on this

33
00:02:16,960 --> 00:02:20,160
Speaker 1: one this week. We're gonna lock horns big time. I

34
00:02:20,200 --> 00:02:22,799
Speaker 1: love this episode and I love you in it. But

35
00:02:23,120 --> 00:02:30,079
Speaker 1: that's look that that's great and I appreciate it. Um

36
00:02:30,120 --> 00:02:32,120
Speaker 1: I thought it was. I don't know. Was it a

37
00:02:32,160 --> 00:02:34,200
Speaker 1: little awkward for you at the top? Was it a

38
00:02:34,200 --> 00:02:37,960
Speaker 1: little forced and a little pushed and everything about this

39
00:02:38,000 --> 00:02:41,240
Speaker 1: whole episode. I laughed hysterically the whole time at the

40
00:02:41,280 --> 00:02:44,880
Speaker 1: top of the episode though, So, I mean you told

41
00:02:44,919 --> 00:02:47,440
Speaker 1: me that. You told me that. Uh, when we were

42
00:02:47,520 --> 00:02:49,360
Speaker 1: going back and forth during the week, which we do

43
00:02:49,400 --> 00:02:51,200
Speaker 1: a lot, you said, I love this episode. I can't

44
00:02:51,200 --> 00:02:55,399
Speaker 1: stop laughing. And I thought, is she talking about the episode?

45
00:02:55,440 --> 00:02:59,239
Speaker 1: Because I watched the episode last night and I didn't

46
00:02:59,280 --> 00:03:04,160
Speaker 1: really laugh until Michelle came on. Yeah, the jokes, the

47
00:03:04,240 --> 00:03:07,040
Speaker 1: jokes didn't land with me. In the beginning, between mother

48
00:03:07,080 --> 00:03:09,440
Speaker 1: and daughter, it just seemed like they were doing stick

49
00:03:11,080 --> 00:03:13,440
Speaker 1: It just seemed like it just didn't seem like it

50
00:03:13,520 --> 00:03:15,720
Speaker 1: was real or acting or it was just it felt

51
00:03:15,720 --> 00:03:18,800
Speaker 1: a little sticky to me. And then Michelle came on

52
00:03:18,880 --> 00:03:21,120
Speaker 1: and he did his thing about you know, I'll do

53
00:03:21,160 --> 00:03:23,880
Speaker 1: this favor for you if you get me a cheese,

54
00:03:23,919 --> 00:03:27,840
Speaker 1: American cheese and a Marine cookie and the cookie, and

55
00:03:27,919 --> 00:03:30,680
Speaker 1: that's when I finally laughed. You know, that was pretty

56
00:03:30,680 --> 00:03:35,240
Speaker 1: early on. Yeah, I started cracking up by the time,

57
00:03:36,080 --> 00:03:40,280
Speaker 1: you know, Headmaster Charleston was telling Rory to get some friends,

58
00:03:41,120 --> 00:03:43,520
Speaker 1: and then all that with Laurea la and then she

59
00:03:43,600 --> 00:03:47,000
Speaker 1: has to join the Boosters and then you I mean,

60
00:03:47,080 --> 00:03:50,840
Speaker 1: I'm going so fast, but I was dying laughing when

61
00:03:50,920 --> 00:03:56,280
Speaker 1: the fashion show runaway still thing, and she says I

62
00:03:56,320 --> 00:04:00,720
Speaker 1: loved her work in Pizza but m M, no, great,

63
00:04:00,760 --> 00:04:03,280
Speaker 1: there were some great lines. It's just the whole thing

64
00:04:03,400 --> 00:04:06,040
Speaker 1: just seemed a little I don't know, there was just something.

65
00:04:07,840 --> 00:04:10,960
Speaker 1: Oh my god, you didn't love the end the in

66
00:04:11,040 --> 00:04:13,080
Speaker 1: the diner, so not the very very end, but the

67
00:04:13,200 --> 00:04:16,760
Speaker 1: end with you and Lora Lee going back and forth

68
00:04:16,800 --> 00:04:21,960
Speaker 1: about Eva the booster Mom. But I think it was

69
00:04:22,040 --> 00:04:26,320
Speaker 1: very predictable. I thought that was very, very predictable. That scene,

70
00:04:26,880 --> 00:04:29,760
Speaker 1: of course, was inevitable. There's there's there's a difference between

71
00:04:29,800 --> 00:04:33,760
Speaker 1: inevitable and predictable. Um, I just knew it was coming

72
00:04:33,760 --> 00:04:36,440
Speaker 1: without a shadow of a doubt. I don't want to

73
00:04:36,480 --> 00:04:40,000
Speaker 1: know that it's so on the nose that it's coming.

74
00:04:41,960 --> 00:04:44,760
Speaker 1: I'm being too critical. I'm in a critical mood. And

75
00:04:45,000 --> 00:04:48,599
Speaker 1: it's fine. It makes for great conversation. But I loved

76
00:04:48,600 --> 00:04:52,479
Speaker 1: it from the moment that Brenda Strong, who played this

77
00:04:52,600 --> 00:04:56,840
Speaker 1: single booster Mom, says you're cute and musclely and strong

78
00:04:57,000 --> 00:05:01,440
Speaker 1: or whatever, and Lora La is immediately like w TF,

79
00:05:01,560 --> 00:05:04,720
Speaker 1: Like I don't like this at all. She doesn't even

80
00:05:04,720 --> 00:05:08,440
Speaker 1: know why. Correct, But that's what I love about, right,

81
00:05:08,520 --> 00:05:11,719
Speaker 1: I know her feelings are so deeply buried that she

82
00:05:11,760 --> 00:05:14,000
Speaker 1: doesn't know if I'm a friend or somebody she wants.

83
00:05:14,040 --> 00:05:18,039
Speaker 1: And then I think it's we're friends and she's not

84
00:05:18,120 --> 00:05:20,920
Speaker 1: aware of any feelings that she has, and they don't

85
00:05:20,920 --> 00:05:23,000
Speaker 1: come to the surface very often, and it takes some

86
00:05:23,120 --> 00:05:26,200
Speaker 1: kind of a situation. So you think I'm wrong about that.

87
00:05:27,400 --> 00:05:30,239
Speaker 1: I don't think she's not. She's not sitting around waiting

88
00:05:30,240 --> 00:05:32,160
Speaker 1: for me to ask her out, that's for sure. She's

89
00:05:32,240 --> 00:05:36,679
Speaker 1: not hyper aware that she loves you. But who says

90
00:05:36,760 --> 00:05:41,600
Speaker 1: to their friend, please don't date this person? Zero? People

91
00:05:41,839 --> 00:05:44,960
Speaker 1: say that if they don't have feelings for the person zero.

92
00:05:46,480 --> 00:05:49,719
Speaker 1: I agree, I agree, But I think so here's okay,

93
00:05:49,720 --> 00:05:52,560
Speaker 1: here's what I'm I'm not struggling with it. But you know,

94
00:05:52,600 --> 00:05:56,760
Speaker 1: the realization that Luke and Laurela have the kind of

95
00:05:56,800 --> 00:06:00,800
Speaker 1: a flirtation that is already it's already. They've been married

96
00:06:00,800 --> 00:06:03,800
Speaker 1: for twenty years, and they're sick of each other. There's

97
00:06:03,839 --> 00:06:07,880
Speaker 1: so much familiarity, there's so much comfort between those two

98
00:06:07,960 --> 00:06:10,839
Speaker 1: that they just don't give it damn sort of, you

99
00:06:10,880 --> 00:06:13,400
Speaker 1: know what I mean. There's that yes, yeah, I'm gonna

100
00:06:13,400 --> 00:06:16,840
Speaker 1: go out whatever bum they're out and and and and

101
00:06:16,880 --> 00:06:18,960
Speaker 1: they can argue and he can get lose his temper

102
00:06:19,000 --> 00:06:20,640
Speaker 1: a little bit and she can lose her temper and

103
00:06:20,760 --> 00:06:25,560
Speaker 1: it's okay. There's such a grounded familiarity that it's like

104
00:06:25,600 --> 00:06:30,159
Speaker 1: they've already been married. They are the quintessential old married couple.

105
00:06:30,240 --> 00:06:32,160
Speaker 1: They are they are, they truly are, and that's how

106
00:06:32,160 --> 00:06:36,520
Speaker 1: they treat each other. It's just there's no but with love.

107
00:06:36,640 --> 00:06:42,880
Speaker 1: They're not nasty the scene right right, there's no like

108
00:06:42,920 --> 00:06:45,560
Speaker 1: we're not going to So it's so is it weird

109
00:06:45,880 --> 00:06:48,840
Speaker 1: with with these two Luke and Lorelai where there's a

110
00:06:49,440 --> 00:06:52,600
Speaker 1: there's no honeymoon phase? So we have we have, you know,

111
00:06:52,680 --> 00:06:55,080
Speaker 1: all of this familiarity and all of this. So we're

112
00:06:55,120 --> 00:06:57,320
Speaker 1: friends and it's sort of where we love each other

113
00:06:57,320 --> 00:06:59,600
Speaker 1: but we're not going to acknowledge it. And you know,

114
00:06:59,640 --> 00:07:01,719
Speaker 1: we're very are familiar with each other like friends punching

115
00:07:01,760 --> 00:07:03,320
Speaker 1: each other and they are that kind of thing and

116
00:07:03,320 --> 00:07:05,719
Speaker 1: getting mad at each other and then then we shift

117
00:07:05,760 --> 00:07:08,960
Speaker 1: gears and go into a honeymoon phase. Is that going

118
00:07:09,000 --> 00:07:11,720
Speaker 1: to be any phase? Maybe you're never going to have that,

119
00:07:12,600 --> 00:07:15,040
Speaker 1: you know, I'm just saying if I haven't seen everything,

120
00:07:15,160 --> 00:07:19,040
Speaker 1: because it's like a honeymoon phase is like fake and

121
00:07:19,120 --> 00:07:22,480
Speaker 1: who cares and it's just b s. It's like, these

122
00:07:22,520 --> 00:07:27,080
Speaker 1: two are so real. And I love that Luke pushed

123
00:07:27,120 --> 00:07:30,320
Speaker 1: back on her because a smitten guy like we kind

124
00:07:30,360 --> 00:07:31,640
Speaker 1: of know you are, would have been like, no, I'm

125
00:07:31,640 --> 00:07:33,000
Speaker 1: not gonna date her. Don't worry, I'm gonna date he

126
00:07:33,000 --> 00:07:36,400
Speaker 1: I'm not gonna date her. But instead you're like, excuse me,

127
00:07:36,560 --> 00:07:39,720
Speaker 1: I'll date whoever I want. And it was just so baller.

128
00:07:40,360 --> 00:07:43,840
Speaker 1: And then she's like and you have this little fight

129
00:07:44,240 --> 00:07:47,640
Speaker 1: and then she's like everybody knows how you get back

130
00:07:47,640 --> 00:07:50,640
Speaker 1: to stars Hollow, like everyone. I mean, the whole thing

131
00:07:50,880 --> 00:07:55,520
Speaker 1: was so funny. That was good. It was good. But

132
00:07:56,320 --> 00:08:00,720
Speaker 1: you know who you can ask in the waiting room,

133
00:08:00,800 --> 00:08:03,240
Speaker 1: do you want to reveal who's here? Because you could

134
00:08:03,240 --> 00:08:06,400
Speaker 1: get some Really, she's here already. We didn't even get

135
00:08:06,400 --> 00:08:09,200
Speaker 1: to discuss the episode. We'll come back. We're gonna come back,

136
00:08:10,440 --> 00:08:14,280
Speaker 1: but it's fresh, I know, but this will this will

137
00:08:14,280 --> 00:08:17,560
Speaker 1: help it along. This is if you know, I have

138
00:08:17,640 --> 00:08:20,560
Speaker 1: to get to this. Where's this rundown? She's very impressive,

139
00:08:21,320 --> 00:08:26,000
Speaker 1: very she's like extremely She's got so much I can't

140
00:08:26,040 --> 00:08:28,680
Speaker 1: even read. Her resume is so long and so interesting.

141
00:08:28,680 --> 00:08:30,920
Speaker 1: I can't even get through it. It's like I keep

142
00:08:30,960 --> 00:08:35,880
Speaker 1: stopping going are you kidding me? Wow? Um let's anyway,

143
00:08:35,920 --> 00:08:39,680
Speaker 1: So we've got Brenda Strong coming on. And she played

144
00:08:40,840 --> 00:08:44,160
Speaker 1: Eva and uh like mother, like daughter, and she had

145
00:08:44,160 --> 00:08:47,880
Speaker 1: a couple of really great scenes. And I understand that

146
00:08:47,960 --> 00:08:49,840
Speaker 1: she is getting a note here that she's in the

147
00:08:49,840 --> 00:08:53,400
Speaker 1: waiting room. Can we bring her on? Hi? Brenda, how

148
00:08:53,400 --> 00:08:57,240
Speaker 1: are you doing? Good? Thanks for coming on and playing

149
00:08:57,280 --> 00:09:02,520
Speaker 1: with us. To Emmy nominations and to Screen Actors Guilds Awards. Wow.

150
00:09:04,480 --> 00:09:10,400
Speaker 1: All after we worked together, it was all what happens?

151
00:09:10,559 --> 00:09:14,520
Speaker 1: See what happens? You doing? I'm shoulders a little bit.

152
00:09:14,520 --> 00:09:18,960
Speaker 1: I'm good. Good. It's twenty years ago we did that thing,

153
00:09:19,120 --> 00:09:25,280
Speaker 1: and it seems like yesterday. She does funny because, of course,

154
00:09:25,320 --> 00:09:28,240
Speaker 1: you know, in preparation for this, I watched it again

155
00:09:28,559 --> 00:09:31,080
Speaker 1: and the dialogue just started coming back to me, and

156
00:09:31,160 --> 00:09:33,760
Speaker 1: all my cues started coming back to me. And it's funny,

157
00:09:33,800 --> 00:09:36,240
Speaker 1: how you know, as actors we store these things in

158
00:09:36,280 --> 00:09:42,000
Speaker 1: the recesses of our mind. And Amy Sherman Palladino's dialogue

159
00:09:42,040 --> 00:09:44,560
Speaker 1: is just so snappy, and I remember her telling me

160
00:09:44,679 --> 00:09:49,240
Speaker 1: what a fan of Aaron Sorkin's she was um and

161
00:09:49,240 --> 00:09:52,360
Speaker 1: and also you know, Lauren said that she loved Sports Night.

162
00:09:52,440 --> 00:09:55,079
Speaker 1: So I just felt like immediately they welcomed me into

163
00:09:55,120 --> 00:09:58,520
Speaker 1: that kind of amazing pattern, um, that they would have.

164
00:09:58,920 --> 00:10:03,520
Speaker 1: And and it was really fun to see the episode again, right,

165
00:10:04,000 --> 00:10:05,439
Speaker 1: that was a fun That was a fun episode. I

166
00:10:05,440 --> 00:10:07,120
Speaker 1: had little problems, but I felt it was a little

167
00:10:07,160 --> 00:10:09,160
Speaker 1: forced in the beginning between mother and daughter. It was

168
00:10:09,200 --> 00:10:11,959
Speaker 1: just getting a little sticky for me. Um. I went

169
00:10:12,000 --> 00:10:13,760
Speaker 1: on to lay back a little more on the acting,

170
00:10:13,840 --> 00:10:19,080
Speaker 1: but it was just so no no Laurel, Laurea, la

171
00:10:19,160 --> 00:10:22,480
Speaker 1: and Rory in the beginning, all the openings, the openings

172
00:10:22,480 --> 00:10:24,600
Speaker 1: are hard, you know, and they do them very well.

173
00:10:24,760 --> 00:10:26,640
Speaker 1: Sometimes they're a little off for me. I don't know,

174
00:10:26,679 --> 00:10:29,840
Speaker 1: I'm being too critical probably, but we also it was

175
00:10:29,880 --> 00:10:33,440
Speaker 1: early on. This was season two. Yeah, yeah, And I

176
00:10:33,440 --> 00:10:35,560
Speaker 1: think I think the problem, you know, I think that

177
00:10:35,640 --> 00:10:38,360
Speaker 1: really comes in with the volume of work that those

178
00:10:38,400 --> 00:10:42,080
Speaker 1: two had to do and feeling like they had to

179
00:10:42,080 --> 00:10:44,960
Speaker 1: be up, up, up all the time and getting the

180
00:10:45,000 --> 00:10:46,880
Speaker 1: note like, hey, maybe it's you know, it's just kind

181
00:10:46,920 --> 00:10:48,760
Speaker 1: of laying there. Can you up the energy and let's

182
00:10:48,840 --> 00:10:50,800
Speaker 1: drink some more coffee? And get some more. So I

183
00:10:50,800 --> 00:10:52,680
Speaker 1: think this is one of the times maybe they drank

184
00:10:52,720 --> 00:10:56,120
Speaker 1: too much coffee. Um and just in the beginning, though,

185
00:10:56,160 --> 00:10:57,760
Speaker 1: just in the beginning, I thought the rest of it

186
00:10:57,840 --> 00:11:02,319
Speaker 1: was masterful. But I'm here to break them down. So

187
00:11:02,440 --> 00:11:04,440
Speaker 1: how did you get the part? Do you remember the

188
00:11:04,480 --> 00:11:09,720
Speaker 1: whole process of that? And I don't. I don't remember

189
00:11:09,840 --> 00:11:12,800
Speaker 1: if it was just a straight offer. I had done

190
00:11:12,880 --> 00:11:16,920
Speaker 1: a series for Warner Brothers previously called The Help, not

191
00:11:17,120 --> 00:11:20,920
Speaker 1: the film to Help, but um, the short lived six

192
00:11:21,000 --> 00:11:25,720
Speaker 1: episode comedy to Help UM. And I think Warner Brothers

193
00:11:25,800 --> 00:11:28,679
Speaker 1: just knew my work and said you'd be great in this.

194
00:11:28,840 --> 00:11:30,960
Speaker 1: And I think Amy and you might work from Sports

195
00:11:31,080 --> 00:11:34,520
Speaker 1: Night and UM, I can't remember if I had already

196
00:11:34,559 --> 00:11:39,120
Speaker 1: done the pilot for Desperate Housewives. I don't think I had. UM,

197
00:11:39,160 --> 00:11:42,280
Speaker 1: So I think it was really just, you know, working

198
00:11:42,280 --> 00:11:44,160
Speaker 1: with Aaron Sorkin kind of gave me some kind of

199
00:11:44,200 --> 00:11:49,040
Speaker 1: stamp of approval. Um, because I don't remember auditioning for it,

200
00:11:49,040 --> 00:11:52,760
Speaker 1: and I usually remember them. I did a lot of them.

201
00:11:52,880 --> 00:11:55,120
Speaker 1: What about what about on set? Who'd you hang out

202
00:11:55,160 --> 00:11:57,840
Speaker 1: with on set? Do you remember? Um? I hung out

203
00:11:57,880 --> 00:12:03,040
Speaker 1: a lot with Lauren um. Uh, you know, I didn't

204
00:12:03,080 --> 00:12:06,240
Speaker 1: have much work with anybody else. I mean, it was

205
00:12:06,360 --> 00:12:10,040
Speaker 1: just that core group of boosters, UM, who I just

206
00:12:10,240 --> 00:12:13,240
Speaker 1: met basically, and then you. Um. It was funny because

207
00:12:13,280 --> 00:12:16,839
Speaker 1: I was watching an episode of Curb Your Enthusiasm UM

208
00:12:16,880 --> 00:12:20,920
Speaker 1: this last season with Julie Bowen, and they were exchanging

209
00:12:21,000 --> 00:12:24,480
Speaker 1: secrets as a first state kind of warm up, and

210
00:12:24,720 --> 00:12:28,160
Speaker 1: one of his secrets was fast route to the Valley

211
00:12:28,440 --> 00:12:30,960
Speaker 1: from the West Side. And I was thinking about the

212
00:12:30,960 --> 00:12:34,600
Speaker 1: directions you gave me at the end of the episode, UM,

213
00:12:34,640 --> 00:12:37,920
Speaker 1: and and how you know, good directions are always hard,

214
00:12:40,000 --> 00:12:42,040
Speaker 1: but I don't you know, I think Lauren was very

215
00:12:42,080 --> 00:12:46,360
Speaker 1: warm with me. Um. You know, the whole the whole

216
00:12:46,400 --> 00:12:48,960
Speaker 1: fashion show thing. It was so funny because people just

217
00:12:49,000 --> 00:12:51,120
Speaker 1: assume because I'm tall, that I modeled, and of course

218
00:12:51,120 --> 00:12:56,360
Speaker 1: I haven't, but I can pretend I did, so UM.

219
00:12:56,360 --> 00:12:59,000
Speaker 1: I thought it was I think that what I remember

220
00:12:59,080 --> 00:13:02,000
Speaker 1: more than anything that episode was the tension of the

221
00:13:02,040 --> 00:13:06,360
Speaker 1: crew with the director. M I don't remember the crew

222
00:13:07,000 --> 00:13:11,040
Speaker 1: really enjoying the direction. And there were a lot of

223
00:13:11,640 --> 00:13:13,520
Speaker 1: There were a lot of cooks in the kitchen. Oh,

224
00:13:13,640 --> 00:13:17,080
Speaker 1: that may may have explained that opening. Yeah, there were

225
00:13:17,080 --> 00:13:19,040
Speaker 1: a lot of cooks in the kitchen on that something

226
00:13:19,200 --> 00:13:22,199
Speaker 1: was off, and I think the crew at one point

227
00:13:22,280 --> 00:13:26,760
Speaker 1: actually left a help wanted sign on his windshield circle.

228
00:13:28,200 --> 00:13:30,320
Speaker 1: It was really bad. It was really bad, and I

229
00:13:30,360 --> 00:13:32,360
Speaker 1: felt so bad for him because, as you know, you know,

230
00:13:32,840 --> 00:13:36,440
Speaker 1: guest stars and guest directors were guests. So our job

231
00:13:36,520 --> 00:13:40,360
Speaker 1: is to come in and do the thing like everyone

232
00:13:40,679 --> 00:13:42,720
Speaker 1: is normally doing the thing, but just add a little

233
00:13:42,760 --> 00:13:45,280
Speaker 1: extra spice. And I think I think there was just

234
00:13:45,640 --> 00:13:48,600
Speaker 1: and you know, it's certainly I have no idea if

235
00:13:48,600 --> 00:13:50,560
Speaker 1: it was any fault of his or if it was

236
00:13:50,600 --> 00:13:54,440
Speaker 1: just the chemistry thing. It wasn't quite jiding. You know

237
00:13:54,520 --> 00:13:57,880
Speaker 1: that that happens from time to time. It does happen.

238
00:13:57,920 --> 00:13:59,960
Speaker 1: I was on another series where we had somebody coming,

239
00:14:00,120 --> 00:14:05,800
Speaker 1: like a celebrated director come in on a single camera comedy,

240
00:14:05,800 --> 00:14:08,719
Speaker 1: and it just that there was so much tension and

241
00:14:09,080 --> 00:14:11,480
Speaker 1: it was just I had to sort of step up

242
00:14:11,520 --> 00:14:13,800
Speaker 1: and say, hey, you know, look, we do this a

243
00:14:13,800 --> 00:14:17,320
Speaker 1: certain way, and we like to block our rehearsals. It's

244
00:14:17,400 --> 00:14:19,280
Speaker 1: sort of, you know, we don't like to be told

245
00:14:19,360 --> 00:14:23,560
Speaker 1: where to go stand. It's not terribly professional. I'm glad

246
00:14:23,600 --> 00:14:26,200
Speaker 1: you have it all thought out, but we like to

247
00:14:26,240 --> 00:14:29,000
Speaker 1: be organic about it and like we'd like to discover it.

248
00:14:29,080 --> 00:14:36,160
Speaker 1: We'd like to discover exactly exactly pretty basic stuff. So yeah,

249
00:14:36,320 --> 00:14:43,800
Speaker 1: that can cause a lot of tension to Yeah, directed,

250
00:14:43,840 --> 00:14:46,440
Speaker 1: did you ever direct any of the episodes? Oh god, no,

251
00:14:47,280 --> 00:14:50,680
Speaker 1: oh no, they wouldn't let me near that show as

252
00:14:50,680 --> 00:14:53,600
Speaker 1: a director after a long run, you know, sometimes actor,

253
00:14:54,000 --> 00:14:57,720
Speaker 1: I don't think anybody ever directed any of those episodes.

254
00:14:58,480 --> 00:15:01,720
Speaker 1: No actors, No, oh I don't. I don't think so, Lauren. No.

255
00:15:02,240 --> 00:15:04,640
Speaker 1: I think if anybody was going to would have been,

256
00:15:05,000 --> 00:15:07,720
Speaker 1: but she didn't and she just had too much on

257
00:15:07,720 --> 00:15:09,720
Speaker 1: her plate. Maybe she wanted to, and she would have

258
00:15:09,720 --> 00:15:13,680
Speaker 1: been wonderful, but um god, I don't recall anybody directing.

259
00:15:14,160 --> 00:15:18,800
Speaker 1: I see this a lot where you know somebody sure

260
00:15:19,640 --> 00:15:22,640
Speaker 1: she Sure she did. I mean she would do three

261
00:15:22,680 --> 00:15:26,080
Speaker 1: or four a season for five season. Yeah, Dan would

262
00:15:26,120 --> 00:15:30,280
Speaker 1: to see exactly exactly They knew exactly what to listen for,

263
00:15:30,480 --> 00:15:33,040
Speaker 1: what the rhythm was, where the jokes were. I mean,

264
00:15:33,080 --> 00:15:37,040
Speaker 1: you can see it in the marvelous Mrs Maisel that

265
00:15:37,040 --> 00:15:42,760
Speaker 1: that signature of theirs is just so evident in the

266
00:15:42,800 --> 00:15:47,840
Speaker 1: work that they continued to refine and do so brilliantly. Um,

267
00:15:47,920 --> 00:15:49,840
Speaker 1: so you know you can you can kind of get

268
00:15:49,920 --> 00:15:54,840
Speaker 1: the voice early on in those years and how it developed.

269
00:15:55,640 --> 00:15:57,600
Speaker 1: It's funny because I went on and worked with the

270
00:15:57,640 --> 00:16:02,320
Speaker 1: costume designer Caroline Marks on Thirteen Reasons Why, and she

271
00:16:02,520 --> 00:16:06,240
Speaker 1: told me that she had designed Um the Father character

272
00:16:06,360 --> 00:16:09,480
Speaker 1: after her own father and had dressed him like she's

273
00:16:09,720 --> 00:16:13,480
Speaker 1: to see her father dress. So it's fun how you know,

274
00:16:13,520 --> 00:16:18,080
Speaker 1: these little threads of relationships kind of crossover. I'm surprised

275
00:16:18,120 --> 00:16:22,160
Speaker 1: we've never worked together again. It was a match made

276
00:16:22,200 --> 00:16:26,440
Speaker 1: in heaven, and there's you know, I don't get it either.

277
00:16:26,720 --> 00:16:29,720
Speaker 1: I mean, I feel like I feel like my interest

278
00:16:29,760 --> 00:16:33,320
Speaker 1: in you kind of sparked her interest and started to

279
00:16:33,400 --> 00:16:35,840
Speaker 1: build that tension. As the years went on. I'm sure

280
00:16:36,520 --> 00:16:40,520
Speaker 1: you know you guys went through lots of incarnations of

281
00:16:40,800 --> 00:16:44,120
Speaker 1: the tension field of the romance we were We were

282
00:16:44,160 --> 00:16:47,120
Speaker 1: just discussing that aspect. Yeah, how we sort of treat

283
00:16:47,120 --> 00:16:49,200
Speaker 1: each other like we've been married for twenty years and

284
00:16:49,200 --> 00:16:52,040
Speaker 1: we're just kind of over it. We're so familiar with

285
00:16:52,080 --> 00:16:56,200
Speaker 1: each other, it's like way past the honeymoon phase and

286
00:16:56,240 --> 00:16:58,680
Speaker 1: we just don't I mean, I I think I wanted

287
00:16:58,680 --> 00:17:00,600
Speaker 1: more than she does. I'm more aware of it and

288
00:17:00,640 --> 00:17:03,960
Speaker 1: more conscious conscious of it, of my feelings for her

289
00:17:03,960 --> 00:17:07,479
Speaker 1: than she is a mind for me, because she's just

290
00:17:07,520 --> 00:17:09,280
Speaker 1: got so much on her plate and she's raising her

291
00:17:09,320 --> 00:17:11,159
Speaker 1: daughter and she's running me in and she's you know,

292
00:17:11,240 --> 00:17:16,080
Speaker 1: trying to cure her h im an empty nest syndrome

293
00:17:16,119 --> 00:17:19,040
Speaker 1: that she will experience. So she needs, you know, she

294
00:17:19,119 --> 00:17:21,760
Speaker 1: wants to have a life herself. So she's out there

295
00:17:21,800 --> 00:17:23,679
Speaker 1: trying to get it. And I don't blame her, but

296
00:17:24,920 --> 00:17:27,640
Speaker 1: I don't think I'm on her mind as much as

297
00:17:27,960 --> 00:17:31,440
Speaker 1: she's on mine. Um, And every once in a while

298
00:17:31,480 --> 00:17:34,840
Speaker 1: she needs that little reminder and she got it right. Um.

299
00:17:34,920 --> 00:17:38,879
Speaker 1: So you so you were part of the Booster fashion show. Um,

300
00:17:39,040 --> 00:17:42,280
Speaker 1: did you have any say in the dress that you

301
00:17:42,320 --> 00:17:47,879
Speaker 1: wore when you were going down the catwalk? Um? Not

302
00:17:48,040 --> 00:17:53,560
Speaker 1: that I recall, you know, So that was that was

303
00:17:53,600 --> 00:18:01,359
Speaker 1: all Brenda costume designer Brenda Maybe. Yeah, I didn't really

304
00:18:01,400 --> 00:18:04,200
Speaker 1: have a say in what I wore, just the fact

305
00:18:04,200 --> 00:18:06,479
Speaker 1: that it fit. And I think she wanted it to

306
00:18:06,560 --> 00:18:09,560
Speaker 1: be a little bit flashier so that the mother daughter

307
00:18:09,680 --> 00:18:12,679
Speaker 1: read suits, you know, the red dresses, kind of the

308
00:18:12,720 --> 00:18:17,040
Speaker 1: Nancy Reagan kind of matching suits would be a little

309
00:18:17,080 --> 00:18:21,520
Speaker 1: more staid. So it would make Lauren's character more uncomfortable

310
00:18:21,560 --> 00:18:25,199
Speaker 1: to have to wear that. Um, and certainly it was

311
00:18:25,520 --> 00:18:29,240
Speaker 1: much more flashy in order to gain your attention in

312
00:18:29,320 --> 00:18:34,760
Speaker 1: some capacity, to make her jealous, even though she didn't

313
00:18:34,840 --> 00:18:40,080
Speaker 1: quite admit to being jealous. Um. Yeah, no, I didn't

314
00:18:40,080 --> 00:18:42,240
Speaker 1: really have any saying that. So it was a very

315
00:18:42,280 --> 00:18:46,560
Speaker 1: short runway right, it was. It was y'all had to

316
00:18:46,600 --> 00:18:50,400
Speaker 1: milk it right and take short steps. Do you think

317
00:18:50,440 --> 00:18:53,800
Speaker 1: anything would have come of Luke and Eva if Laurla

318
00:18:54,000 --> 00:18:58,879
Speaker 1: hadn't said anything at the end? Oh, I think there

319
00:18:58,960 --> 00:19:03,480
Speaker 1: was definitely in ist. Um No, I don't think so.

320
00:19:03,520 --> 00:19:07,000
Speaker 1: I think you you probably you know, there's a lot

321
00:19:07,040 --> 00:19:08,919
Speaker 1: of people that just don't see what's in front of

322
00:19:08,960 --> 00:19:11,360
Speaker 1: them because their mind is somewhere else. And I think

323
00:19:11,400 --> 00:19:14,560
Speaker 1: you were already gone for her in some capacity, so

324
00:19:14,640 --> 00:19:20,880
Speaker 1: no amount of flirting could have um convinced you out otherwise. Um,

325
00:19:21,040 --> 00:19:23,520
Speaker 1: I don't know what you know. I don't know what

326
00:19:23,600 --> 00:19:29,639
Speaker 1: other interest would have been there. Clearly I was interested,

327
00:19:29,840 --> 00:19:32,320
Speaker 1: so I would have I think you put the kabash

328
00:19:32,400 --> 00:19:37,439
Speaker 1: on that, um, But um, what else was it going

329
00:19:37,480 --> 00:19:42,000
Speaker 1: to say? I wanted to talk about just overall how

330
00:19:42,080 --> 00:19:44,959
Speaker 1: much I love the fact that this show was centered

331
00:19:45,000 --> 00:19:48,960
Speaker 1: around women's relationships because so many shows are centered around

332
00:19:49,160 --> 00:19:54,080
Speaker 1: male female relationships, and the fact that it's intergenerational mother daughter,

333
00:19:54,280 --> 00:19:56,760
Speaker 1: and that it skips a generation and that the youngest

334
00:19:57,480 --> 00:20:00,200
Speaker 1: uh female in the family line is really the this

335
00:20:00,440 --> 00:20:05,240
Speaker 1: soul among them, um, and that this kind of rejecting

336
00:20:05,240 --> 00:20:08,720
Speaker 1: the generation that you come from, only to find it

337
00:20:08,680 --> 00:20:12,960
Speaker 1: it's full circle to come back again. Um. And also

338
00:20:13,040 --> 00:20:17,440
Speaker 1: the strength. You know, I love the fact that um,

339
00:20:17,680 --> 00:20:20,480
Speaker 1: strong women are a theme with her, and women trying

340
00:20:20,480 --> 00:20:23,399
Speaker 1: to find who they are and find their own voice

341
00:20:23,600 --> 00:20:28,399
Speaker 1: and be the individual that they are, regardless of the age. UM.

342
00:20:29,600 --> 00:20:33,040
Speaker 1: I just think it's great. UM. So I was happy

343
00:20:33,080 --> 00:20:36,959
Speaker 1: to kind of represent a certain stratosphere of that and

344
00:20:37,040 --> 00:20:39,600
Speaker 1: also be someone who's still obviously this is a woman

345
00:20:39,600 --> 00:20:41,760
Speaker 1: who has money, who has you know, her kids in

346
00:20:41,800 --> 00:20:44,320
Speaker 1: the right schools, and yet she's still looking for a partner.

347
00:20:44,920 --> 00:20:47,800
Speaker 1: So you know, it's just it was nice that the

348
00:20:48,119 --> 00:20:52,120
Speaker 1: show is driven by the women's voices, absolutely, um um,

349
00:20:52,119 --> 00:20:54,240
Speaker 1: and I really appreciate that, and that kind of led

350
00:20:54,320 --> 00:20:57,399
Speaker 1: to Desperate Housewives, which was all driven by the women's voices.

351
00:20:58,280 --> 00:21:02,320
Speaker 1: We're gonna We're gonna get to esperate Housewives for sure. Um,

352
00:21:02,400 --> 00:21:07,920
Speaker 1: well we'll get there. Um, so you have been on Cheers, Dallas,

353
00:21:07,960 --> 00:21:11,320
Speaker 1: Star Trek, twin Peaks, tell me that you're going way back.

354
00:21:11,640 --> 00:21:14,440
Speaker 1: Well you know, I mean, you've got an impressive list

355
00:21:14,480 --> 00:21:19,359
Speaker 1: of credits here. How did you get into acting? You know,

356
00:21:19,440 --> 00:21:23,919
Speaker 1: it's funny. Um, I started out as a dancer. So

357
00:21:24,280 --> 00:21:26,880
Speaker 1: when I was a kid, all of my siblings played

358
00:21:26,960 --> 00:21:30,119
Speaker 1: musical instruments, and my dad was a composer and my

359
00:21:30,160 --> 00:21:34,000
Speaker 1: mom sang, and so we were very musical, very literary family.

360
00:21:34,119 --> 00:21:38,320
Speaker 1: My both my parents, you know, we're highly educated. We

361
00:21:38,320 --> 00:21:39,600
Speaker 1: didn't have a lot of money, but we had a

362
00:21:39,640 --> 00:21:42,399
Speaker 1: lot of love and a lot of you know, books, music,

363
00:21:42,520 --> 00:21:46,000
Speaker 1: live music in the house, lots of books. Um. So

364
00:21:46,160 --> 00:21:48,800
Speaker 1: I started dancing as a as a young girl because

365
00:21:48,800 --> 00:21:50,760
Speaker 1: I didn't want to play an instrument that one of

366
00:21:50,760 --> 00:21:53,320
Speaker 1: my siblings already had picked up, because I knew I

367
00:21:53,400 --> 00:21:56,119
Speaker 1: probably wouldn't be as good. Um. The irony is I

368
00:21:56,200 --> 00:21:59,280
Speaker 1: eventually became a music major and got a musical theater.

369
00:21:59,400 --> 00:22:03,679
Speaker 1: So the dancing led me to singing, and the singing

370
00:22:03,680 --> 00:22:06,600
Speaker 1: and dancing led me to musicals, and I grew up

371
00:22:06,600 --> 00:22:12,600
Speaker 1: watching all the nineteen forties musicals and just loved old Hollywood.

372
00:22:13,200 --> 00:22:15,520
Speaker 1: But I grew up in the woods in the middle

373
00:22:15,520 --> 00:22:19,480
Speaker 1: of the Pacific Northwest, and I didn't know any professional actors.

374
00:22:19,520 --> 00:22:21,959
Speaker 1: I didn't know you could actually do that for a living.

375
00:22:22,160 --> 00:22:23,960
Speaker 1: I thought, well, that's what you do when you're going

376
00:22:24,000 --> 00:22:27,080
Speaker 1: to school to have fun. Um. But my dad was

377
00:22:27,119 --> 00:22:30,480
Speaker 1: a college counselor and he came to see me in

378
00:22:30,560 --> 00:22:35,199
Speaker 1: the Music Man. I was playing Marion and um, and

379
00:22:35,280 --> 00:22:38,919
Speaker 1: my sister, who's very dry, she's a doctor, she's, you know,

380
00:22:39,040 --> 00:22:41,679
Speaker 1: very cut and dry. Um. She was crying and my

381
00:22:41,760 --> 00:22:43,520
Speaker 1: dad looked over at my sister and he looked up

382
00:22:43,560 --> 00:22:46,480
Speaker 1: at me. He goes, there's something going on. She's really

383
00:22:46,480 --> 00:22:49,919
Speaker 1: good at this. So he basically said, you know, if

384
00:22:49,920 --> 00:22:52,120
Speaker 1: you want to do this for a living, I think

385
00:22:52,200 --> 00:22:54,760
Speaker 1: you you could. He gave me what's called a strong

386
00:22:55,320 --> 00:22:59,960
Speaker 1: vocational interest blank and I scored in the hundred percentile

387
00:23:00,160 --> 00:23:02,760
Speaker 1: of performing arts, and so he knew I'd be happy

388
00:23:03,080 --> 00:23:06,200
Speaker 1: doing it, and so I got that little extra push

389
00:23:06,240 --> 00:23:08,359
Speaker 1: that a lot of performers don't get from their parents,

390
00:23:08,359 --> 00:23:10,159
Speaker 1: and their parents tried to talk them out of it.

391
00:23:10,359 --> 00:23:12,960
Speaker 1: My dad just basically said, yeah, I think you're strong

392
00:23:13,080 --> 00:23:17,680
Speaker 1: enough to do this, and um. And then the Oregon

393
00:23:17,760 --> 00:23:22,399
Speaker 1: Shakespeare Company came through and Oregan Shakes performed at my

394
00:23:22,480 --> 00:23:25,639
Speaker 1: high school, and I went, wait a minute, you're not kids.

395
00:23:26,520 --> 00:23:29,439
Speaker 1: There's something to this. So I ended up getting a

396
00:23:29,440 --> 00:23:32,320
Speaker 1: degree in musical theater and later on during Shakespeare and

397
00:23:32,720 --> 00:23:36,840
Speaker 1: all of that, and my husband actually ran Shakespeare Santa

398
00:23:36,880 --> 00:23:43,359
Speaker 1: Monica for Nion eleven years. Um. Yeah, yeah, that was

399
00:23:43,400 --> 00:23:48,960
Speaker 1: how I started. That's interesting. So of all the characters

400
00:23:49,000 --> 00:23:53,280
Speaker 1: you played, which character you most like? Oh? I like

401
00:23:53,359 --> 00:23:58,000
Speaker 1: all my characters, even even the misguided evil ones. But

402
00:23:58,119 --> 00:24:01,239
Speaker 1: which one of you you most like? Oh? Which one

403
00:24:01,280 --> 00:24:10,240
Speaker 1: am I'm as um at the time? Probably Mary Alice,

404
00:24:10,680 --> 00:24:15,680
Speaker 1: I think. Um. I think I was very much Um,

405
00:24:15,720 --> 00:24:19,720
Speaker 1: a woman who took care of her friends and sublimated

406
00:24:19,720 --> 00:24:25,600
Speaker 1: her own needs for others. And Um, ironically had struggled

407
00:24:25,640 --> 00:24:32,359
Speaker 1: with infertility, which Mark Terry weirdly, uh intuited. He didn't

408
00:24:32,400 --> 00:24:34,320
Speaker 1: know I had. He just put it in the script,

409
00:24:34,600 --> 00:24:37,399
Speaker 1: and that became one of the main motives for me

410
00:24:37,520 --> 00:24:40,320
Speaker 1: to adopt this child that I ended up eventually killing

411
00:24:40,720 --> 00:24:45,640
Speaker 1: his mother. Um. And I haven't murdered anyone, so I'm

412
00:24:45,640 --> 00:24:48,879
Speaker 1: not like her in that way. But UM, I think

413
00:24:49,040 --> 00:24:52,560
Speaker 1: I think the loyalty that Mary Alice had, and the

414
00:24:52,600 --> 00:24:58,760
Speaker 1: soulfulness and the humanity and um, the desire to shine

415
00:24:58,840 --> 00:25:02,520
Speaker 1: light on on other people's humanity is probably the closest

416
00:25:02,560 --> 00:25:06,400
Speaker 1: to me. And you voiced over and narrated a hundred

417
00:25:06,440 --> 00:25:09,959
Speaker 1: and eighty episodes of that. Yeah, just a couple. Oh

418
00:25:10,080 --> 00:25:14,119
Speaker 1: my god. It's funny because people who grew up with

419
00:25:14,119 --> 00:25:16,840
Speaker 1: the show said that that they hear my voice in

420
00:25:16,880 --> 00:25:21,240
Speaker 1: their head narrating their life. Did this lead to a

421
00:25:22,440 --> 00:25:25,960
Speaker 1: lot of voiceover work commercial voiceover work? It must have.

422
00:25:26,119 --> 00:25:30,600
Speaker 1: It did initially, Yeah, it did initially. Um, but then

423
00:25:30,640 --> 00:25:32,280
Speaker 1: I found out that there were a lot of people

424
00:25:32,280 --> 00:25:36,840
Speaker 1: out there that were imitating me that we're cheaper to hire.

425
00:25:37,200 --> 00:25:41,320
Speaker 1: So they ended up doing that quite a bit. Um.

426
00:25:41,400 --> 00:25:44,800
Speaker 1: Well that there's got to be some like intellectual property

427
00:25:44,840 --> 00:25:49,560
Speaker 1: property theft cases there, I mean, right, I wish now,

428
00:25:50,040 --> 00:25:52,640
Speaker 1: I mean, can't you like send a cease and desists? Like, hey,

429
00:25:52,960 --> 00:25:58,200
Speaker 1: you know you can't. You can't copy me? That's me? Well, yes,

430
00:25:58,320 --> 00:26:02,600
Speaker 1: and but the care there is owned by Disney actually,

431
00:26:02,920 --> 00:26:08,560
Speaker 1: so I couldn't personally go after them for imitating Mary Alice. Um, right,

432
00:26:08,640 --> 00:26:13,840
Speaker 1: they owned the character. Yeah, but that's your voice, I know.

433
00:26:14,440 --> 00:26:17,320
Speaker 1: I know, and my Weirdly, my voice has always been

434
00:26:17,320 --> 00:26:19,399
Speaker 1: the thing that's most recognizable. And I don't know if

435
00:26:19,400 --> 00:26:22,679
Speaker 1: it's because I was a singer or there's a certain tonality,

436
00:26:22,760 --> 00:26:25,120
Speaker 1: but early on in my career, people would say that

437
00:26:25,480 --> 00:26:28,359
Speaker 1: they'd be in their kitchen and they'd hear my voice

438
00:26:28,400 --> 00:26:30,200
Speaker 1: on a commercial and they know it was me and

439
00:26:30,240 --> 00:26:33,679
Speaker 1: they'd come in. So there's something, there's something in the

440
00:26:33,720 --> 00:26:36,720
Speaker 1: tonality that that resonates with people. I don't know what.

441
00:26:38,280 --> 00:26:42,000
Speaker 1: Don't question it, it works, you know. I met Mark

442
00:26:42,080 --> 00:26:44,239
Speaker 1: Cherry on something he did. What was the series he

443
00:26:44,280 --> 00:26:48,440
Speaker 1: was doing after Desperate? Did he did something after Gid? Yes?

444
00:26:49,640 --> 00:26:54,879
Speaker 1: And I met him on that and I mistake. I thought,

445
00:26:55,080 --> 00:27:00,160
Speaker 1: who's the guy who created American Beauty of the film? Oh?

446
00:27:00,200 --> 00:27:04,119
Speaker 1: That was Alan Ball. I thought that Mark Cherry was

447
00:27:04,200 --> 00:27:09,360
Speaker 1: Alan Ball for some reason, and I started w Ele

448
00:27:09,480 --> 00:27:11,760
Speaker 1: went on to do six ft under the Lauren had

449
00:27:11,800 --> 00:27:14,240
Speaker 1: done right. So I was going on and on in

450
00:27:14,280 --> 00:27:16,640
Speaker 1: the meeting. I was going on and on about American

451
00:27:16,680 --> 00:27:24,600
Speaker 1: Beauty and talk about being unprepared for a meeting. Uh

452
00:27:24,640 --> 00:27:27,280
Speaker 1: and uh. He looked at me and goes, what are

453
00:27:27,280 --> 00:27:34,760
Speaker 1: you talking about? At least he said it I should well,

454
00:27:35,640 --> 00:27:40,840
Speaker 1: didn't you create didn't you write the um American beauty?

455
00:27:40,920 --> 00:27:45,520
Speaker 1: He goes No, said Jesus, I'm sorry. You know, I

456
00:27:45,600 --> 00:27:48,840
Speaker 1: really I appreciate the fact that that's what your brain did,

457
00:27:49,040 --> 00:27:52,200
Speaker 1: because there are certain things in American beauty that are

458
00:27:52,520 --> 00:27:56,560
Speaker 1: very much like Desperate Housewives, like the roses in the

459
00:27:56,560 --> 00:28:01,239
Speaker 1: bath water, the red apple, like there's a there's an

460
00:28:01,240 --> 00:28:06,159
Speaker 1: Americana assion to American beauty that's that kind of hidden

461
00:28:06,280 --> 00:28:09,840
Speaker 1: behind the garage doors. There's a lot of vida stuff

462
00:28:09,840 --> 00:28:12,560
Speaker 1: going on. I totally get why your brain did that, right,

463
00:28:12,880 --> 00:28:15,679
Speaker 1: He didn't. He didn't take it. He didn't take it

464
00:28:15,720 --> 00:28:19,320
Speaker 1: as a compliment. He did not take it that way. Well,

465
00:28:20,480 --> 00:28:23,119
Speaker 1: you know, it's funny because Mark hadn't seen any of

466
00:28:23,160 --> 00:28:26,159
Speaker 1: my work before I got Desperate Housewives either, so you

467
00:28:26,200 --> 00:28:29,760
Speaker 1: know you can't really he said, oh yeah, I saw

468
00:28:29,800 --> 00:28:32,360
Speaker 1: you on a CSI episode and it was like, I've

469
00:28:32,400 --> 00:28:36,600
Speaker 1: been working for thirty years. Okay, see, but that's what

470
00:28:36,680 --> 00:28:39,600
Speaker 1: it takes. Yeah, you know, it's like if you if you,

471
00:28:39,720 --> 00:28:42,280
Speaker 1: if you have this massive body of work, maybe somebody

472
00:28:42,320 --> 00:28:44,880
Speaker 1: will see the right thing one time. You know. It's

473
00:28:44,920 --> 00:28:47,720
Speaker 1: like it's just it's amazing. And now with the amount

474
00:28:47,760 --> 00:28:50,120
Speaker 1: of content out there. I mean, there are people who

475
00:28:50,120 --> 00:28:52,560
Speaker 1: are in the seventh year of a season of something

476
00:28:52,600 --> 00:28:55,239
Speaker 1: that I've never been watched, and I'm like, wow, right,

477
00:28:57,400 --> 00:28:59,920
Speaker 1: they're celebrating their hundred and fiftie episodes like I had

478
00:29:00,040 --> 00:29:02,160
Speaker 1: no idea. I wasn't even aware of the series. There's

479
00:29:02,160 --> 00:29:05,720
Speaker 1: so much contract good God, there's like hundreds and hundreds

480
00:29:05,720 --> 00:29:15,040
Speaker 1: and hundreds of television series. Did you know how big

481
00:29:15,080 --> 00:29:18,560
Speaker 1: the show would become when you began a Desperate Housewines?

482
00:29:18,640 --> 00:29:21,240
Speaker 1: Did you did you have an inkling? You know? It's

483
00:29:21,280 --> 00:29:25,440
Speaker 1: funny because Oprah asked me that same question because she

484
00:29:25,480 --> 00:29:27,960
Speaker 1: had done a little special upon the Lane, and she said,

485
00:29:28,000 --> 00:29:30,200
Speaker 1: you know, did you know it was going to be

486
00:29:30,280 --> 00:29:32,400
Speaker 1: this big of a hit? Would you have killed yourself

487
00:29:32,440 --> 00:29:34,040
Speaker 1: if you knew it was going to be such a

488
00:29:34,120 --> 00:29:36,800
Speaker 1: big And I said, no, of course not. I would

489
00:29:36,800 --> 00:29:39,760
Speaker 1: have called suicide hotline. I could have talked to my friends.

490
00:29:40,360 --> 00:29:44,680
Speaker 1: Um I had an inkling. Uh that that other series

491
00:29:44,680 --> 00:29:47,440
Speaker 1: on Warner Brothers called The Help that I was doing

492
00:29:48,160 --> 00:29:51,400
Speaker 1: was I was actually tied contractually to that when they

493
00:29:51,480 --> 00:29:56,280
Speaker 1: did the original round of auditions and casting for Desperate Housewives,

494
00:29:56,360 --> 00:30:00,600
Speaker 1: So I wasn't available for the original casting. UM. But

495
00:30:00,720 --> 00:30:03,720
Speaker 1: then they recast a couple of characters and one of

496
00:30:03,760 --> 00:30:08,360
Speaker 1: them was Mary Alice Young because they wanted a a

497
00:30:08,480 --> 00:30:13,280
Speaker 1: little bit more of just a different voice than than

498
00:30:13,320 --> 00:30:17,960
Speaker 1: the original cast person cast had. And I was actually

499
00:30:18,040 --> 00:30:21,160
Speaker 1: doing Shakespeare up in Montana at the time. And I

500
00:30:21,280 --> 00:30:24,280
Speaker 1: got the audition and my my managers and my agents said,

501
00:30:24,320 --> 00:30:27,080
Speaker 1: we've heard really good things about this pilot, like this

502
00:30:27,160 --> 00:30:30,240
Speaker 1: is the pilot that everyone wanted to get last season,

503
00:30:31,280 --> 00:30:34,720
Speaker 1: and would you be willing to fly down here for

504
00:30:34,760 --> 00:30:39,560
Speaker 1: an audition? And um, you know this is before we

505
00:30:39,600 --> 00:30:43,960
Speaker 1: ever put ourselves on tape for anything, um pandemic, before

506
00:30:44,000 --> 00:30:47,080
Speaker 1: all of that technology. So I said, yeah, I'm in

507
00:30:47,080 --> 00:30:50,440
Speaker 1: the middle of you know, rehearsals, but I could fly

508
00:30:50,520 --> 00:30:54,960
Speaker 1: down for an audition and um. And so they got

509
00:30:55,000 --> 00:30:58,120
Speaker 1: me the audition and I did. And I walked into

510
00:30:58,120 --> 00:31:01,520
Speaker 1: the room and Mark Jerry was sitting there with Scott

511
00:31:01,600 --> 00:31:05,480
Speaker 1: Jenkin jer and um Jinny Lowry Johnson and you know,

512
00:31:05,520 --> 00:31:08,480
Speaker 1: all the all the people that were involved with the

513
00:31:08,520 --> 00:31:10,960
Speaker 1: show at the time. And he said, I hope you

514
00:31:11,000 --> 00:31:12,720
Speaker 1: don't mind that I'm going to close my eyes and

515
00:31:12,800 --> 00:31:16,040
Speaker 1: just listen to you. And I remember a girl coming

516
00:31:16,120 --> 00:31:18,680
Speaker 1: out of the audition before I had gone in, and

517
00:31:18,760 --> 00:31:22,560
Speaker 1: she said, Oh, they're so nice. They don't even you know,

518
00:31:22,720 --> 00:31:25,200
Speaker 1: don't worry about having it memorized because they all have

519
00:31:25,240 --> 00:31:30,000
Speaker 1: their eyes closed. And I thought, oh, no, I'm going

520
00:31:30,080 --> 00:31:34,200
Speaker 1: to have it memorized because this is still a performance.

521
00:31:35,240 --> 00:31:38,120
Speaker 1: And so um, they closed their eyes and I just

522
00:31:38,160 --> 00:31:41,040
Speaker 1: took them on a journey, um like, my name is

523
00:31:41,120 --> 00:31:44,680
Speaker 1: Mary Alice Young and did the whole thing. And afterwards

524
00:31:44,920 --> 00:31:47,000
Speaker 1: Mark opened his eyes and he just looked at me

525
00:31:47,040 --> 00:31:49,760
Speaker 1: and he said, how long is your contract for for

526
00:31:49,840 --> 00:31:53,480
Speaker 1: the Shakespeare Company? And I thought, oh, that's a good sign.

527
00:31:53,480 --> 00:31:55,760
Speaker 1: And I said, well, I made them get me an

528
00:31:55,840 --> 00:31:59,040
Speaker 1: understudy because I had a feeling something like this would

529
00:31:59,040 --> 00:32:02,760
Speaker 1: happen good And he said, we'll be in touch. And

530
00:32:02,800 --> 00:32:06,840
Speaker 1: then I flew back to do opening night at Midsummer's

531
00:32:06,840 --> 00:32:08,920
Speaker 1: because I was doing two shows. I was doing Summers

532
00:32:08,960 --> 00:32:11,280
Speaker 1: and Much of You about Nothing, and I didn't even

533
00:32:11,320 --> 00:32:16,160
Speaker 1: get to to Mount much Ado. Fully we were doing

534
00:32:16,160 --> 00:32:19,440
Speaker 1: in Rotation and I had to leave before we had

535
00:32:19,440 --> 00:32:22,240
Speaker 1: an opening night for that one, and do the pilots.

536
00:32:22,280 --> 00:32:25,880
Speaker 1: When it happens when you're the most busy, right, Well,

537
00:32:26,200 --> 00:32:31,440
Speaker 1: they say, plan a vacation this was a vacation that

538
00:32:31,520 --> 00:32:33,480
Speaker 1: wasn't really a paid job. It was just something from

539
00:32:33,480 --> 00:32:38,240
Speaker 1: my soul. Um. You know. Every so often Mary Alice

540
00:32:38,280 --> 00:32:40,320
Speaker 1: would be on the screen. Another time she was a

541
00:32:40,360 --> 00:32:42,680
Speaker 1: voice of with Terry Lane. Did you treat the character

542
00:32:42,720 --> 00:32:46,680
Speaker 1: of Mary Alice differently on an off screen? Was there

543
00:32:46,680 --> 00:32:52,320
Speaker 1: a difference? No? Um, Actually, it's it's interesting because I

544
00:32:52,360 --> 00:32:54,960
Speaker 1: had never you know, I'm an actor, I'm not a

545
00:32:55,040 --> 00:32:57,960
Speaker 1: voice actor. So I had to figure out how to

546
00:32:58,040 --> 00:33:01,080
Speaker 1: act this part because it had to be three dimensional

547
00:33:01,160 --> 00:33:06,520
Speaker 1: for me, um, in order to to bring life to it.

548
00:33:06,680 --> 00:33:09,280
Speaker 1: And for me, it was very interactive. Even though the

549
00:33:09,280 --> 00:33:15,080
Speaker 1: other characters couldn't hear me, Um, I was still very

550
00:33:15,160 --> 00:33:19,720
Speaker 1: much involved in shaping things with them, and so the

551
00:33:19,840 --> 00:33:22,600
Speaker 1: process was kind of interesting. We would do a table read,

552
00:33:22,960 --> 00:33:25,480
Speaker 1: just like you do with you know, most sitcoms, because

553
00:33:25,520 --> 00:33:31,440
Speaker 1: Mark had come from that that um, that pattern of preparation,

554
00:33:31,760 --> 00:33:33,400
Speaker 1: because you just want to hear your words out loud,

555
00:33:33,520 --> 00:33:36,240
Speaker 1: you know. UM. So we did the table read, they'd

556
00:33:36,280 --> 00:33:40,200
Speaker 1: go off to film and I'd go down to the

557
00:33:40,320 --> 00:33:45,040
Speaker 1: um Alfred Hitchcock Theater and I would record my voiceover.

558
00:33:45,440 --> 00:33:47,440
Speaker 1: And before I had done that, I would break down

559
00:33:47,480 --> 00:33:50,480
Speaker 1: all my beats, you know, all my intentions, what I

560
00:33:50,480 --> 00:33:53,560
Speaker 1: would want it to do with the line, etcetera, etcetera, etcetera,

561
00:33:53,880 --> 00:33:57,160
Speaker 1: And I do it kind of in the dark literally UM,

562
00:33:57,200 --> 00:34:00,120
Speaker 1: and then the cut would come in and it would

563
00:34:00,160 --> 00:34:05,120
Speaker 1: be UM, either the script supervisor's voice on the cut

564
00:34:05,280 --> 00:34:08,880
Speaker 1: or my voice that had been prerecorded kind of placed throughout.

565
00:34:09,040 --> 00:34:12,760
Speaker 1: And then I'd watch the episode again and I would

566
00:34:14,120 --> 00:34:16,080
Speaker 1: I'm so glad I got a music degree because I

567
00:34:16,120 --> 00:34:18,719
Speaker 1: would find the syncopatient and the rhythm of how to

568
00:34:18,800 --> 00:34:22,320
Speaker 1: tie the line in with what choices the other actors

569
00:34:22,360 --> 00:34:26,080
Speaker 1: had made. And sometimes my intention would totally change from

570
00:34:26,160 --> 00:34:29,920
Speaker 1: the basic you know, in the dark voiceover read to

571
00:34:30,000 --> 00:34:33,359
Speaker 1: them what they were doing. So it became very interactive

572
00:34:33,440 --> 00:34:37,000
Speaker 1: for me. I loved it. I had such a good time. UM.

573
00:34:37,080 --> 00:34:40,960
Speaker 1: And I remember Felicity Hoffman once saying, you know, because

574
00:34:41,120 --> 00:34:43,640
Speaker 1: Mark had her read the Mavo, they called it the

575
00:34:43,640 --> 00:34:47,120
Speaker 1: Mavo Mary Alice voiceover. UM had her read it one

576
00:34:47,120 --> 00:34:50,400
Speaker 1: time because I wasn't there, and she she came away

577
00:34:50,440 --> 00:34:54,400
Speaker 1: and she said, that's a lot harder than it was.

578
00:34:54,520 --> 00:34:57,200
Speaker 1: It was really sweet. It was really sweet that she

579
00:34:57,239 --> 00:35:00,000
Speaker 1: gave me the props on that, because you know people

580
00:35:00,040 --> 00:35:05,960
Speaker 1: though while you're just doing voice over. UM, so we're

581
00:35:05,960 --> 00:35:08,080
Speaker 1: gonna we're getting towards the end here of our time.

582
00:35:08,120 --> 00:35:11,359
Speaker 1: But I want to ask you one last well this

583
00:35:11,400 --> 00:35:13,520
Speaker 1: isn't the last question, but in this in this segment,

584
00:35:13,560 --> 00:35:16,920
Speaker 1: it is where would uh, in your opinion, Eva and

585
00:35:17,040 --> 00:35:22,279
Speaker 1: Luke gone on a date? Had they gone on a date, oh,

586
00:35:22,480 --> 00:35:26,680
Speaker 1: they probably would have thrown it in in um in

587
00:35:26,800 --> 00:35:29,319
Speaker 1: Lauren's face a little bit and gone to the like

588
00:35:29,400 --> 00:35:32,799
Speaker 1: the restaurant at Star Hollow or something, just to kind

589
00:35:32,800 --> 00:35:35,520
Speaker 1: of going going to the Independence in for for lunch,

590
00:35:35,840 --> 00:35:42,920
Speaker 1: maybe gotten really drunk, loud, got got TACKI and you

591
00:35:42,960 --> 00:35:49,319
Speaker 1: know a lot of p D A terrible terrible for

592
00:35:49,320 --> 00:35:53,400
Speaker 1: her to have to be at work. It would have

593
00:35:53,400 --> 00:35:56,120
Speaker 1: been a different series. But anyway, go ahead, totally different,

594
00:35:56,280 --> 00:36:01,440
Speaker 1: totally different. Um, it wouldn't have been as p g um.

595
00:36:01,480 --> 00:36:03,520
Speaker 1: I did want to say. I just came off of

596
00:36:03,640 --> 00:36:05,799
Speaker 1: something that I really loved that I'd love to plug.

597
00:36:06,600 --> 00:36:09,640
Speaker 1: Go ahead. First Street. It's a new series on AMC

598
00:36:10,520 --> 00:36:13,960
Speaker 1: written by Peter Moffatt who Did Your Honor and The

599
00:36:14,080 --> 00:36:18,279
Speaker 1: Night Of and I play a prosecutor opposite Courtney b.

600
00:36:18,440 --> 00:36:24,840
Speaker 1: Vance Man. I love that he's great, great, it's the best.

601
00:36:25,120 --> 00:36:27,480
Speaker 1: He's the best. I want to do everything with him

602
00:36:27,480 --> 00:36:32,160
Speaker 1: now everything. But but it's a socially relevant piece, particularly

603
00:36:32,160 --> 00:36:35,160
Speaker 1: what's going on kind of on the national level, and

604
00:36:35,200 --> 00:36:37,640
Speaker 1: I just can't wait for people to see it. What's

605
00:36:37,760 --> 00:36:42,120
Speaker 1: called again, listening, It's called six stret on a cd um.

606
00:36:42,120 --> 00:36:45,200
Speaker 1: It's a joint production with BBC. Alright, excellent coming out

607
00:36:45,200 --> 00:36:49,480
Speaker 1: in excellent, excellent. Well I wish you only the best

608
00:36:49,520 --> 00:36:52,399
Speaker 1: with that. Thank you very much, Scott. It's so nice

609
00:36:52,440 --> 00:36:55,920
Speaker 1: to see you again. We're not done. We're not done. No,

610
00:36:56,120 --> 00:36:58,040
Speaker 1: we've got it. We've got to do rapid fire. We're

611
00:36:58,120 --> 00:37:01,719
Speaker 1: doing rapid fire, nominate fire. Bunch of questions. If you've

612
00:37:02,040 --> 00:37:03,920
Speaker 1: you've got to rattle off the answers very quickly. You're

613
00:37:03,920 --> 00:37:05,959
Speaker 1: ready and have to go to have to jump quickly?

614
00:37:06,280 --> 00:37:08,560
Speaker 1: H no, no, no, yeah, here we go? Ready? Ready?

615
00:37:08,840 --> 00:37:13,600
Speaker 1: How do you take your coffee with? Can you smell snow?

616
00:37:15,760 --> 00:37:20,000
Speaker 1: Can you are your team? Logan, Jess or Dean? Do

617
00:37:20,040 --> 00:37:28,520
Speaker 1: you even know what that is? Wrong? Answer? But anyway,

618
00:37:28,560 --> 00:37:32,319
Speaker 1: we'll take that. Who's the who's the daddy? Who's who

619
00:37:32,440 --> 00:37:39,560
Speaker 1: knocked up Alexis? I mean Rory? She got pregnant? I

620
00:37:39,600 --> 00:37:43,160
Speaker 1: don't know. In the Netflix series. Yeah, I didn't see it,

621
00:37:44,440 --> 00:37:48,759
Speaker 1: did I? But I heard uh show that you are

622
00:37:48,840 --> 00:37:56,120
Speaker 1: binge watching right now? Oh the Morning showy, So you

623
00:37:56,160 --> 00:37:58,640
Speaker 1: can answer things, I know I could. I could talk

624
00:37:58,680 --> 00:38:02,760
Speaker 1: to you all day. Um, Brenda Strong, what a pleasure,

625
00:38:03,120 --> 00:38:06,840
Speaker 1: great catching up. Thank you, thank you, thank you for

626
00:38:06,920 --> 00:38:10,600
Speaker 1: coming on and all the best on sixty one Street

627
00:38:10,640 --> 00:38:13,759
Speaker 1: on AMC. Yeah. I hope it's I hope it's. I

628
00:38:13,800 --> 00:38:17,040
Speaker 1: hope it's a big hit for you and maybe we'll

629
00:38:17,040 --> 00:38:19,799
Speaker 1: talk real soon. Okay, thank you so much that. Thank

630
00:38:19,840 --> 00:38:22,600
Speaker 1: you so much, Scott, good to see you. Okay, good fun.

631
00:38:22,640 --> 00:38:25,520
Speaker 1: This is such a great show. Thank you doing. Thank you. Okay,

632
00:38:25,560 --> 00:38:34,040
Speaker 1: all right, bye bye, all right. Her, she was great. Huh.

633
00:38:34,239 --> 00:38:39,640
Speaker 1: She is the coolest, right, she does have She does

634
00:38:39,719 --> 00:38:43,399
Speaker 1: have that very distinct voice. You know. I think she mad.

635
00:38:43,960 --> 00:38:47,479
Speaker 1: I think she made such a good point. She did

636
00:38:47,680 --> 00:38:52,600
Speaker 1: push Luke and Lorela together a little bit. She does

637
00:38:52,640 --> 00:38:55,080
Speaker 1: have a soothing boy she does. It's it's like it's

638
00:38:55,120 --> 00:38:57,480
Speaker 1: bottomed down a little, a little lower register, but it's

639
00:38:57,480 --> 00:39:00,919
Speaker 1: still I don't know, a million dollars, they're just there's

640
00:39:00,960 --> 00:39:05,239
Speaker 1: just something so smart about it and so comforting and

641
00:39:05,320 --> 00:39:10,200
Speaker 1: so it's not pretentious. It's not pretentious. Yes, I agree,

642
00:39:10,239 --> 00:39:13,279
Speaker 1: it's warm, it's it's a it's a it's it's an

643
00:39:13,280 --> 00:39:16,200
Speaker 1: interesting combination of things that she brings with her. That's

644
00:39:16,239 --> 00:39:20,040
Speaker 1: her too. I mean people can't see, but her like

645
00:39:20,160 --> 00:39:24,840
Speaker 1: facial expressions are so comforting and she's so this just

646
00:39:25,160 --> 00:39:30,759
Speaker 1: kind enter. Yes, she's very soothing and healing and that's

647
00:39:30,800 --> 00:39:35,960
Speaker 1: what it is. Um. Anyway, we're gonna go into this

648
00:39:36,000 --> 00:39:39,239
Speaker 1: episode a little bit, aren't we. Huh? Yes? Do we

649
00:39:39,320 --> 00:39:41,000
Speaker 1: take a break and then come back and really start

650
00:39:41,120 --> 00:39:43,520
Speaker 1: going off? I think I don't need a break, but

651
00:39:43,560 --> 00:39:46,799
Speaker 1: if you need a break, uh, because I know one

652
00:39:46,840 --> 00:39:50,160
Speaker 1: of your yachts is listing in the dock and you've

653
00:39:50,200 --> 00:39:52,839
Speaker 1: got to call. You need to call Germany and get

654
00:39:52,880 --> 00:39:55,560
Speaker 1: that take care of. All Right, We're gonna take a break, everybody.

655
00:39:55,560 --> 00:40:03,160
Speaker 1: We'll be right back after these words. Yeah, Okay, we're back.

656
00:40:04,160 --> 00:40:06,480
Speaker 1: How did the call with Germany go? The yacht is okay?

657
00:40:06,560 --> 00:40:09,719
Speaker 1: Is it? Is it? Properly? More? Everything's good? Okay, good?

658
00:40:09,760 --> 00:40:12,719
Speaker 1: Everything that's good? So did you There's a lot of

659
00:40:12,760 --> 00:40:19,040
Speaker 1: celebrity spottings in this episode. Nicole Eggart, she she's in

660
00:40:19,080 --> 00:40:22,200
Speaker 1: the episode. Yeah, she is, one of the Booster Moms

661
00:40:22,200 --> 00:40:29,120
Speaker 1: with Brenda and Madeline Ziema. She is the little friend

662
00:40:29,840 --> 00:40:34,520
Speaker 1: of Rory's that has the book at the end. Oh sure, sure,

663
00:40:34,600 --> 00:40:38,440
Speaker 1: sure she was an ex puff. She was. She was

664
00:40:38,560 --> 00:40:41,400
Speaker 1: in the like pick to be a puff. Oh she

665
00:40:41,560 --> 00:40:44,319
Speaker 1: was one of those, right, she wasn't a puff, she

666
00:40:44,400 --> 00:40:47,680
Speaker 1: was being puffed right, Yeah, and then she went on

667
00:40:47,719 --> 00:40:51,160
Speaker 1: to do her I loved her on Californication and she's

668
00:40:51,200 --> 00:40:54,279
Speaker 1: done a bazillion show. So those were a couple of

669
00:40:54,280 --> 00:40:59,400
Speaker 1: good spottings in there. Yeah. Um, So let's talk about

670
00:40:59,440 --> 00:41:03,520
Speaker 1: this episode a little bit. Uh um. I mean it's

671
00:41:03,520 --> 00:41:08,520
Speaker 1: an interesting setup, right, I really wanted the Rory puffed,

672
00:41:08,560 --> 00:41:10,520
Speaker 1: getting puffed and getting in that group to be an

673
00:41:10,520 --> 00:41:15,400
Speaker 1: episode of its own. I just I'm watching the episode.

674
00:41:15,480 --> 00:41:18,080
Speaker 1: I'm I want I latched onto that. I'm like, Okay,

675
00:41:18,239 --> 00:41:20,320
Speaker 1: I want to see where this goes. This is interesting.

676
00:41:20,400 --> 00:41:25,680
Speaker 1: Here's my question to you, though, Amy Danielle, please chime

677
00:41:25,760 --> 00:41:28,680
Speaker 1: in the thing that that that I don't get and

678
00:41:28,719 --> 00:41:32,719
Speaker 1: this just maybe chalked this up to seventeen year old knife. Hey,

679
00:41:32,840 --> 00:41:35,719
Speaker 1: what in the world is Rory doing helping Paris on

680
00:41:35,920 --> 00:41:39,560
Speaker 1: any level get into a club that if Paris does

681
00:41:39,600 --> 00:41:42,640
Speaker 1: get in is just gonna use it as a cudgel

682
00:41:42,800 --> 00:41:48,840
Speaker 1: against U. Why is she helping? It's like she's so smart,

683
00:41:49,040 --> 00:41:52,279
Speaker 1: she's such an old soul, as Brenda said, she is

684
00:41:53,160 --> 00:41:55,320
Speaker 1: just as real as it gets. Why all of a

685
00:41:55,400 --> 00:41:58,319
Speaker 1: sudden is she helping Paris? Why is she is? She?

686
00:41:58,760 --> 00:42:01,480
Speaker 1: Is she that compassed it a soul? Daniel? You you

687
00:42:01,560 --> 00:42:03,480
Speaker 1: go first? I have a thought, but you go first.

688
00:42:04,320 --> 00:42:07,200
Speaker 1: I think she just recognizes that she wants it so bad.

689
00:42:07,680 --> 00:42:10,160
Speaker 1: So she's just like if I mean, She's like, I

690
00:42:10,160 --> 00:42:12,399
Speaker 1: don't care about this, but if this girl cares really bad,

691
00:42:12,440 --> 00:42:14,880
Speaker 1: I guess I'll help her. Like I think it's just

692
00:42:15,000 --> 00:42:19,000
Speaker 1: one of those things that she's just feels kind of

693
00:42:19,040 --> 00:42:21,240
Speaker 1: bad and it's like if I can help, I'll help.

694
00:42:21,400 --> 00:42:24,520
Speaker 1: But she's already been burned by her once twice. Now

695
00:42:24,560 --> 00:42:27,080
Speaker 1: this is like third or fourth time she's going to

696
00:42:27,200 --> 00:42:30,799
Speaker 1: trust her again? So nice. I think that Rory has

697
00:42:30,880 --> 00:42:33,359
Speaker 1: so much confidence in herself and it's so nice and

698
00:42:33,480 --> 00:42:36,920
Speaker 1: sees that Paris is just this like hungry, desperate girl,

699
00:42:37,360 --> 00:42:39,719
Speaker 1: and she's like, you know what, I'm so cool that

700
00:42:39,800 --> 00:42:41,640
Speaker 1: I'm just going to help this girl. And I think

701
00:42:41,719 --> 00:42:43,799
Speaker 1: ultimately she's like, you know it's gonna be easier for

702
00:42:43,840 --> 00:42:46,000
Speaker 1: me if I'm friends with this girl. She's it's not

703
00:42:46,040 --> 00:42:50,200
Speaker 1: possible to be friends with her. She's a lunatic, she's certifiable.

704
00:42:50,440 --> 00:42:52,799
Speaker 1: She can't be friends with that. No matter what you do,

705
00:42:52,880 --> 00:42:57,879
Speaker 1: you cannot be friends with that. So obvious. I think

706
00:42:58,000 --> 00:43:01,160
Speaker 1: deep down she isn't mean, she just is so wanting.

707
00:43:01,760 --> 00:43:04,799
Speaker 1: I think I think no, I think deep down she

708
00:43:05,040 --> 00:43:09,000
Speaker 1: is extraordinary. I think she's far more evil, deep down

709
00:43:09,080 --> 00:43:12,239
Speaker 1: than we realize. Really, I don't agree, because you just

710
00:43:12,320 --> 00:43:14,880
Speaker 1: see it. When you can be you can be both.

711
00:43:15,000 --> 00:43:17,560
Speaker 1: You know, she's she can be vulnerable and sweet, and

712
00:43:17,560 --> 00:43:19,359
Speaker 1: there's that side of her. I mean, it depends on

713
00:43:19,400 --> 00:43:23,640
Speaker 1: which how life comes at you, that develops. But don't

714
00:43:23,680 --> 00:43:27,040
Speaker 1: you see it that Rory has the mom that told

715
00:43:27,080 --> 00:43:31,200
Speaker 1: her you're getting kidnapped. Put on these cute pajamas, put

716
00:43:31,239 --> 00:43:34,040
Speaker 1: on some lip gloss so that you look perfect. The

717
00:43:34,080 --> 00:43:38,000
Speaker 1: money's on the table. Harris doesn't barely have a mom.

718
00:43:38,080 --> 00:43:42,799
Speaker 1: She has like the nanny. She looks like Hell. I

719
00:43:42,840 --> 00:43:46,080
Speaker 1: guess it's got the bad nightgown and the great knowing,

720
00:43:47,400 --> 00:43:50,839
Speaker 1: knowing all this. Why are you trusting this girl? Why

721
00:43:50,880 --> 00:43:54,280
Speaker 1: are you talking her up to the puffs. She maybe

722
00:43:54,320 --> 00:43:57,080
Speaker 1: she just didn't realize at the well, no, I mean,

723
00:43:57,120 --> 00:43:59,200
Speaker 1: Paris let her know how powerful the puffs were and

724
00:43:59,280 --> 00:44:02,160
Speaker 1: how exclusive was. Maybe Roy just didn't realize the extent

725
00:44:02,200 --> 00:44:04,560
Speaker 1: of it, and it was like it was like, throw

726
00:44:04,680 --> 00:44:08,680
Speaker 1: this girl a bone like that she's going to use

727
00:44:08,719 --> 00:44:12,360
Speaker 1: against her. God, crush your skull with that bone. Didn't

728
00:44:12,360 --> 00:44:14,800
Speaker 1: you see how much it meant to Paris. I don't care.

729
00:44:15,480 --> 00:44:18,840
Speaker 1: She's she's not She's not redeemable in my book. I'm sorry,

730
00:44:19,719 --> 00:44:23,560
Speaker 1: that's so funny. I disagree. I feel like I feel

731
00:44:23,600 --> 00:44:27,640
Speaker 1: like this one the fans might disagree to. I might

732
00:44:27,680 --> 00:44:31,919
Speaker 1: be on your side. It's happened before. I feel like,

733
00:44:33,280 --> 00:44:36,680
Speaker 1: what's I mean? You gotta you gotta love Paris. You're like,

734
00:44:36,719 --> 00:44:39,640
Speaker 1: you know what, She's so sad. See, this is the

735
00:44:39,680 --> 00:44:42,040
Speaker 1: one time that I is Luke would sit down with

736
00:44:42,160 --> 00:44:45,760
Speaker 1: Rory and say, now, you can't do that. You can't

737
00:44:45,800 --> 00:44:50,080
Speaker 1: give your enemies any kind of ammunition to use against you.

738
00:44:50,160 --> 00:44:53,839
Speaker 1: And this is the ultimate form of AMMO getting her

739
00:44:53,840 --> 00:44:58,160
Speaker 1: into a powerful club, only to have Paris out Rory

740
00:44:58,280 --> 00:45:01,960
Speaker 1: from that club. And it's just a higher purchase destroyer

741
00:45:02,040 --> 00:45:08,160
Speaker 1: from I don't maybe where's Where's this didn't Laurel I

742
00:45:08,280 --> 00:45:12,120
Speaker 1: teach her any self preservation skills or any kind of

743
00:45:12,120 --> 00:45:15,040
Speaker 1: strategic skills. I mean, it's a chess game. But keep

744
00:45:15,080 --> 00:45:21,279
Speaker 1: your friends close, keep your enemies closer. Let's stick talk

745
00:45:21,320 --> 00:45:24,319
Speaker 1: to California. Go talk to that gay. Okay, can we

746
00:45:24,320 --> 00:45:28,600
Speaker 1: talk about But he's so good, he's going on for Paris.

747
00:45:28,719 --> 00:45:31,279
Speaker 1: I mean, are you kidding me? She needs Yeah, she

748
00:45:31,320 --> 00:45:34,680
Speaker 1: needs a little talking to by somebody. I mean, you

749
00:45:34,719 --> 00:45:37,760
Speaker 1: can't just do that. I don't agree. I think Rory's

750
00:45:37,800 --> 00:45:45,400
Speaker 1: playing Paris perfectly, very risky. See, she's such a loner

751
00:45:45,480 --> 00:45:48,600
Speaker 1: that she doesn't care. It does It doesn't have any

752
00:45:48,640 --> 00:45:52,440
Speaker 1: power over She doesn't recognize if you don't recognize somebody's

753
00:45:52,440 --> 00:45:55,000
Speaker 1: power over you, if you're not playing those games, if

754
00:45:55,000 --> 00:45:57,520
Speaker 1: you don't see the consequences, because you don't believe that

755
00:45:57,560 --> 00:46:00,160
Speaker 1: those consequences have any meaning for you, and how what

756
00:46:00,280 --> 00:46:04,319
Speaker 1: you're the path that you're on, then I can see it.

757
00:46:04,480 --> 00:46:09,440
Speaker 1: That's you know, that's how you can advocate for somebody

758
00:46:09,480 --> 00:46:12,439
Speaker 1: like that and really not care. So maybe that's the case.

759
00:46:12,480 --> 00:46:14,399
Speaker 1: I don't know. I think each of these things she's

760
00:46:14,440 --> 00:46:19,040
Speaker 1: winning Paris over, and I think this meant a lot

761
00:46:19,160 --> 00:46:23,920
Speaker 1: to Paris, Well, that was everything. Yeah, I mean Paris's

762
00:46:23,920 --> 00:46:25,960
Speaker 1: face was just like I can't believe I'm sitting here,

763
00:46:26,160 --> 00:46:28,920
Speaker 1: and she mouthed thank you, or like, I can't believe

764
00:46:28,960 --> 00:46:32,840
Speaker 1: you did this. She mouthed that to or like. But

765
00:46:32,920 --> 00:46:35,400
Speaker 1: that was a great That was a great take when

766
00:46:35,280 --> 00:46:37,160
Speaker 1: for the first time she was sitting with the Puff

767
00:46:37,200 --> 00:46:39,839
Speaker 1: didn't know who they were in, Paris walked by, look

768
00:46:40,120 --> 00:46:46,880
Speaker 1: and then backed up. That was good. That was classic.

769
00:46:47,000 --> 00:46:49,840
Speaker 1: That was classic. So I'm going to admit something to

770
00:46:49,880 --> 00:46:54,280
Speaker 1: you guys again and I'm only doing it. I debated

771
00:46:54,280 --> 00:46:56,960
Speaker 1: this last night when I was like preparing for the

772
00:46:57,000 --> 00:46:59,720
Speaker 1: show if I was going to lie about this, But again,

773
00:47:00,080 --> 00:47:05,200
Speaker 1: I think it's important. Whoever is writing this once again

774
00:47:06,640 --> 00:47:11,719
Speaker 1: is accurate because in my high school we had a

775
00:47:11,760 --> 00:47:18,560
Speaker 1: sorority just like the Puffs in high school. Yes, the

776
00:47:19,200 --> 00:47:21,880
Speaker 1: only part I can't remember. And I actually texted a

777
00:47:21,960 --> 00:47:26,480
Speaker 1: friend is I couldn't remember how we got in and

778
00:47:26,560 --> 00:47:31,040
Speaker 1: my friend wrote back tapped and I'm like, what does

779
00:47:31,080 --> 00:47:34,279
Speaker 1: that mean? So we have the same thing and the

780
00:47:34,440 --> 00:47:38,200
Speaker 1: seniors picked the juniors or something like that. So I

781
00:47:38,239 --> 00:47:39,920
Speaker 1: think you were in it when you were a junior

782
00:47:39,920 --> 00:47:44,920
Speaker 1: and a senior and maybe you got tapped. That means

783
00:47:45,640 --> 00:47:48,320
Speaker 1: I am dead. It wasn't called the puffs ares not

784
00:47:48,440 --> 00:47:53,239
Speaker 1: a different name to get into ours? Wait you that

785
00:47:53,280 --> 00:47:56,080
Speaker 1: was in high school? Was that why you were streaking?

786
00:47:56,120 --> 00:48:00,640
Speaker 1: You admitted you you streaked. We streaked a school all assembly.

787
00:48:01,560 --> 00:48:03,240
Speaker 1: We had a street in front of the whole school

788
00:48:03,960 --> 00:48:06,759
Speaker 1: school in order to get in. And there was a

789
00:48:06,800 --> 00:48:11,200
Speaker 1: secret fraternity. Was I just not cool enough because I

790
00:48:11,280 --> 00:48:17,400
Speaker 1: have no recollection of this. Yeah, we had a secret sorority.

791
00:48:17,480 --> 00:48:21,560
Speaker 1: So you guys had a secret fraternity in high school street.

792
00:48:22,040 --> 00:48:25,360
Speaker 1: Did you get busted? I can't remember. Oh yeah, you

793
00:48:25,440 --> 00:48:27,120
Speaker 1: got away with it? Or you got busted? No, no no,

794
00:48:27,280 --> 00:48:32,440
Speaker 1: we got we got yeah, we got trouble. Yeah, you

795
00:48:32,520 --> 00:48:34,320
Speaker 1: were like you all got caught and you're all naked

796
00:48:34,480 --> 00:48:38,200
Speaker 1: or well, well, we ran across the football field. We

797
00:48:38,200 --> 00:48:40,880
Speaker 1: gained access through the woods. There was a hole in

798
00:48:40,920 --> 00:48:43,840
Speaker 1: the fence that boarded the football field. We ran across

799
00:48:43,840 --> 00:48:47,080
Speaker 1: the football field. We jumped at gate. That's where we

800
00:48:47,120 --> 00:48:49,560
Speaker 1: took our clothes off, and then we ran up. We

801
00:48:49,600 --> 00:48:51,920
Speaker 1: went up the outside stairs of the auditorium where they

802
00:48:51,960 --> 00:48:55,320
Speaker 1: where they where they had thetorium was an elevated stage

803
00:48:55,320 --> 00:48:58,759
Speaker 1: and we somebody had Jimmy the door and we ran

804
00:48:58,800 --> 00:49:01,800
Speaker 1: across the stage and that was like your initiation. That

805
00:49:01,880 --> 00:49:03,879
Speaker 1: was the initiation. And we turned around, we ran back,

806
00:49:03,960 --> 00:49:06,360
Speaker 1: We jumped over the fence again. We got our we

807
00:49:06,480 --> 00:49:08,680
Speaker 1: got our clothes on. We ran across the football field

808
00:49:08,680 --> 00:49:10,879
Speaker 1: and we went we went towards the pond, and by

809
00:49:10,920 --> 00:49:13,200
Speaker 1: the time we got out to the street, there were

810
00:49:14,000 --> 00:49:16,160
Speaker 1: We did not have to do something like that. Apparently

811
00:49:16,160 --> 00:49:18,719
Speaker 1: we were tapped, which I don't know what that means,

812
00:49:18,760 --> 00:49:21,239
Speaker 1: but I think we just were like picked and there

813
00:49:21,320 --> 00:49:25,920
Speaker 1: was like thirty girls that were juniors, and they got

814
00:49:25,960 --> 00:49:28,960
Speaker 1: to pick thirty sophomores, and then you were in when

815
00:49:28,960 --> 00:49:31,040
Speaker 1: you were a junior senior. That's kind of all I remember.

816
00:49:31,120 --> 00:49:32,680
Speaker 1: We didn't have to sneak into the school. There was

817
00:49:32,719 --> 00:49:38,799
Speaker 1: no bell ringing. Kidnapping does seem I have like a

818
00:49:38,800 --> 00:49:43,160
Speaker 1: weird recollection, like did that happen? I just can't remember.

819
00:49:43,360 --> 00:49:47,720
Speaker 1: Interesting microcosm for life though, and especially college and especially Harvard.

820
00:49:48,640 --> 00:49:50,640
Speaker 1: He had better get used to that kind of a thing.

821
00:49:50,920 --> 00:49:55,400
Speaker 1: And it really, gosh, it really just delineates between you know,

822
00:49:55,480 --> 00:49:59,200
Speaker 1: the loner mentality versus the joiner, right, and and how

823
00:49:59,239 --> 00:50:03,440
Speaker 1: important that is and and I so loved. My favorite

824
00:50:03,440 --> 00:50:05,200
Speaker 1: scene in the whole thing was Roy stood in the

825
00:50:05,280 --> 00:50:12,320
Speaker 1: pajamas and was just nailing um uh, the Headmaster. You

826
00:50:12,600 --> 00:50:14,680
Speaker 1: wanted me to be a joiner, I did it. And

827
00:50:14,719 --> 00:50:17,000
Speaker 1: now you're sitting here giving me a lecture about what

828
00:50:17,040 --> 00:50:18,640
Speaker 1: kind of trouble I'm gonna get into. I mean, are

829
00:50:18,640 --> 00:50:20,399
Speaker 1: you kidding me? And he just backed down. I love

830
00:50:20,480 --> 00:50:24,520
Speaker 1: that scene. She was good. She has such a good

831
00:50:24,520 --> 00:50:26,880
Speaker 1: head on her shoulders, and she is so geared for

832
00:50:26,920 --> 00:50:29,000
Speaker 1: success at such an early age that I don't know

833
00:50:29,040 --> 00:50:32,200
Speaker 1: how it all went wrong? Well, and what about the

834
00:50:32,280 --> 00:50:36,880
Speaker 1: parallel although different because when Lord La goes in to

835
00:50:36,960 --> 00:50:40,640
Speaker 1: see Headmaster Charles, he's like, you don't You're not involved.

836
00:50:40,719 --> 00:50:44,960
Speaker 1: You need to be involved. But she had a different

837
00:50:44,960 --> 00:50:48,120
Speaker 1: experience in that I think she sort of enjoyed it,

838
00:50:48,719 --> 00:50:53,520
Speaker 1: and she was so successful at what she did, and

839
00:50:53,920 --> 00:50:57,160
Speaker 1: it bonded Emily and Laura. I mean to me that

840
00:50:57,400 --> 00:51:02,960
Speaker 1: I laughed so hard at em doing her fashion modeling,

841
00:51:03,280 --> 00:51:06,360
Speaker 1: and I laughed. I watched that episode twice because I

842
00:51:06,400 --> 00:51:09,520
Speaker 1: love it so much. And then Laurel I looking at

843
00:51:09,520 --> 00:51:13,040
Speaker 1: her mom like, what in the hell are you doing? Okay,

844
00:51:15,520 --> 00:51:18,800
Speaker 1: But it spawned the most poignant line of the whole

845
00:51:19,280 --> 00:51:22,800
Speaker 1: episode when when Emily was so pleased and she says, interesting,

846
00:51:22,840 --> 00:51:25,399
Speaker 1: how you're fitting into a world that you ran away from.

847
00:51:26,400 --> 00:51:33,040
Speaker 1: I mean, just wow wow. Um. And it's true. You

848
00:51:33,080 --> 00:51:35,920
Speaker 1: do have to get involved. You have to get parents

849
00:51:35,920 --> 00:51:37,680
Speaker 1: have to get involved in their kids school. It's just

850
00:51:38,360 --> 00:51:42,040
Speaker 1: it has to be done. Um. And if you don't

851
00:51:42,080 --> 00:51:43,799
Speaker 1: do it, it's going to affect your kid in there

852
00:51:43,800 --> 00:51:46,439
Speaker 1: a percent, right about that, because you know, we're very

853
00:51:46,480 --> 00:51:50,640
Speaker 1: involved in our kids school. We have to be. We're

854
00:51:50,640 --> 00:51:54,440
Speaker 1: a little too involved. Well, I do see a turkey

855
00:51:54,560 --> 00:51:59,680
Speaker 1: drawing behind you. That's my that's my guy. That's my guy.

856
00:52:00,440 --> 00:52:04,520
Speaker 1: No parents do. It's true. And then it's that fine

857
00:52:04,560 --> 00:52:08,240
Speaker 1: line of like being that weird, freaky parent that's too involved,

858
00:52:08,360 --> 00:52:11,080
Speaker 1: or the lower lie that it wasn't doing anything. It's

859
00:52:11,080 --> 00:52:17,560
Speaker 1: that weird dance of yeah my mission. Yeah. They portray

860
00:52:17,680 --> 00:52:21,760
Speaker 1: this Stuffs super accurate, even though it seems high falutin.

861
00:52:21,840 --> 00:52:25,160
Speaker 1: It's like it's not. And I really you know, I

862
00:52:25,200 --> 00:52:28,160
Speaker 1: love those girls. I love the Puffs. That's the I

863
00:52:28,160 --> 00:52:33,719
Speaker 1: want to see that movie, The Puffs. I love the Puffs.

864
00:52:34,200 --> 00:52:37,000
Speaker 1: I mean that to keep up that level of dialogue

865
00:52:37,000 --> 00:52:39,680
Speaker 1: and snobbery, that's a film I want to see. I

866
00:52:39,719 --> 00:52:42,279
Speaker 1: want to see that. And yes, the ping ponging at

867
00:52:42,280 --> 00:52:45,480
Speaker 1: that table. I mean, I love when the girls like,

868
00:52:45,680 --> 00:52:49,520
Speaker 1: don't name is Lem And then she says to Rory

869
00:52:49,640 --> 00:52:53,399
Speaker 1: like interesting name and Rory's like, well, m can I say?

870
00:52:53,840 --> 00:52:57,080
Speaker 1: It's just like Rory is so like, I'm I don't

871
00:52:57,080 --> 00:52:59,560
Speaker 1: even care about you, fools, I'm not trying to impress you.

872
00:53:00,239 --> 00:53:06,360
Speaker 1: What can I say? Right? Um? Yeah? Very interesting episode,

873
00:53:06,640 --> 00:53:12,320
Speaker 1: very interesting? Um what else can we on earthen this? Yeah? Well,

874
00:53:12,360 --> 00:53:15,400
Speaker 1: I mean Luke. I think there's some real important stuff

875
00:53:15,400 --> 00:53:18,840
Speaker 1: here for Luke, because one is he comes with his

876
00:53:18,880 --> 00:53:22,960
Speaker 1: toolbox Burt to save the day when the you know,

877
00:53:23,400 --> 00:53:27,239
Speaker 1: runway is tilting, and I love that she says toolbox

878
00:53:27,360 --> 00:53:30,280
Speaker 1: dirty or whatever. Some there was some real quick line.

879
00:53:30,719 --> 00:53:34,000
Speaker 1: Why why is that line there? Why is she saying

880
00:53:34,600 --> 00:53:37,840
Speaker 1: how she Why is she saying this? You don't like

881
00:53:37,960 --> 00:53:40,839
Speaker 1: that line but I do. I love it? But why

882
00:53:40,960 --> 00:53:44,719
Speaker 1: is she saying it is okay? But why is the

883
00:53:45,160 --> 00:53:50,160
Speaker 1: Why is the character saying this to him? She's supposed

884
00:53:50,200 --> 00:53:53,120
Speaker 1: to not really be aware, according to my premise that

885
00:53:53,280 --> 00:53:55,759
Speaker 1: she has feelings for him. Why is she even saying

886
00:53:55,800 --> 00:53:58,600
Speaker 1: that to him? Because it's so like second nature to

887
00:53:58,640 --> 00:54:04,600
Speaker 1: her because she has has feelings. She's so utterly lost

888
00:54:04,680 --> 00:54:08,160
Speaker 1: patience with this guy, Like, get off the pot and

889
00:54:08,280 --> 00:54:10,960
Speaker 1: ask me out, pal, what's going on? Is that? What

890
00:54:11,000 --> 00:54:14,080
Speaker 1: it is? No? I don't think so. I think so

891
00:54:14,120 --> 00:54:16,799
Speaker 1: why the florty florty? Oh dirty? You know what is that?

892
00:54:16,920 --> 00:54:22,120
Speaker 1: Because you're like so cute and she likes like Luke

893
00:54:22,480 --> 00:54:29,319
Speaker 1: is a total babe, and so she's completely objectifying the guy. No,

894
00:54:29,960 --> 00:54:32,719
Speaker 1: she just likes you, but she's just not ready to

895
00:54:32,920 --> 00:54:36,319
Speaker 1: like go there yet. You don't have any relationships. Well

896
00:54:36,360 --> 00:54:39,160
Speaker 1: you're like a married guy now. But like so, there

897
00:54:39,200 --> 00:54:42,080
Speaker 1: are no other qualities that she covets about this character

898
00:54:42,160 --> 00:54:47,680
Speaker 1: other than you think he's cute. Everything about the end okay,

899
00:54:47,800 --> 00:54:53,320
Speaker 1: the loyalty, the friendship, suffering inside the guy she calls

900
00:54:53,360 --> 00:54:56,279
Speaker 1: for everything. Can you help me fix the runway? My

901
00:54:56,360 --> 00:54:58,600
Speaker 1: father's in the hospital. I need you, I need you

902
00:54:58,640 --> 00:55:00,640
Speaker 1: for this, I need you for this. Wants to help

903
00:55:00,680 --> 00:55:03,560
Speaker 1: you with Jess. Interesting Jess wasn't in this episode. But

904
00:55:04,440 --> 00:55:06,520
Speaker 1: how does a woman like that thinks that she can

905
00:55:06,600 --> 00:55:09,319
Speaker 1: even have a relationship with a guy like that? They

906
00:55:09,520 --> 00:55:11,720
Speaker 1: like they describe him in the beginning, is Mr Manos

907
00:55:11,719 --> 00:55:16,879
Speaker 1: Alabas positive. You think that's a positive. I mean, she's

908
00:55:16,920 --> 00:55:19,879
Speaker 1: the most verbal human being in the world, and here

909
00:55:19,920 --> 00:55:23,480
Speaker 1: I'm like, Luke, No, he's not. Yes. Look at the

910
00:55:23,480 --> 00:55:27,640
Speaker 1: scene at the end. He this is why she loves it,

911
00:55:27,640 --> 00:55:30,080
Speaker 1: because because he can spar with her when he wants to,

912
00:55:31,200 --> 00:55:35,160
Speaker 1: and he pushes back. He doesn't just go like we

913
00:55:35,200 --> 00:55:38,080
Speaker 1: talked about in the beginning of this episode. He doesn't say,

914
00:55:38,880 --> 00:55:42,200
Speaker 1: don't worry Lorala, like I'm not going out with her.

915
00:55:43,160 --> 00:55:46,680
Speaker 1: He lets her spin and pushes back like the nerve

916
00:55:46,800 --> 00:55:48,960
Speaker 1: of you to tell me who I can and can't date,

917
00:55:49,200 --> 00:55:52,120
Speaker 1: and doesn't whole think knowing full well he doesn't want

918
00:55:52,120 --> 00:55:56,920
Speaker 1: to date Eva, he wants Lorela. It's genius and it's

919
00:55:57,040 --> 00:55:59,839
Speaker 1: so real. I think these two piss each other off

920
00:56:00,520 --> 00:56:03,920
Speaker 1: in a way that love each other. But that's the love, right,

921
00:56:03,960 --> 00:56:07,040
Speaker 1: I mean, you can't get piste off unless you have

922
00:56:07,120 --> 00:56:09,520
Speaker 1: these deep feelings for somebody, you know what. They love

923
00:56:09,560 --> 00:56:14,600
Speaker 1: each other. In my opinion, they are completely who they

924
00:56:14,640 --> 00:56:19,279
Speaker 1: are with each other. They let they let they let

925
00:56:19,320 --> 00:56:22,319
Speaker 1: each other be who they really are. Yet they would

926
00:56:22,520 --> 00:56:26,560
Speaker 1: never be that vulnerable to say I really don't think

927
00:56:26,640 --> 00:56:31,239
Speaker 1: you should date this children mom with anybody else she

928
00:56:31,280 --> 00:56:33,800
Speaker 1: has to say, like, you know, I just think I

929
00:56:33,800 --> 00:56:36,160
Speaker 1: don't want to mix this with that, when you know

930
00:56:36,239 --> 00:56:39,560
Speaker 1: she's just she's not being totally raw and saying like

931
00:56:39,680 --> 00:56:41,480
Speaker 1: I'm going to be so jealous if you date her,

932
00:56:41,680 --> 00:56:44,480
Speaker 1: but she's still doing the thing to say, I really

933
00:56:44,480 --> 00:56:46,680
Speaker 1: don't think you should. So they're both confused as to

934
00:56:46,719 --> 00:56:51,359
Speaker 1: whether their friends or boyfriend and girlfriend like they It's

935
00:56:51,400 --> 00:56:53,680
Speaker 1: like there there's two lanes that they travel and they

936
00:56:53,719 --> 00:56:58,160
Speaker 1: sometimes they one is in the boyfriend girlfriend lane, the

937
00:56:58,160 --> 00:56:59,919
Speaker 1: other ones in the friendship lane, and there's a tench

938
00:57:00,239 --> 00:57:05,840
Speaker 1: right confused normal. I think most married, successful married couples

939
00:57:05,920 --> 00:57:10,000
Speaker 1: often start out this way, Danielle, did you and your

940
00:57:10,080 --> 00:57:13,240
Speaker 1: husband John, who I believe we're friends before you got married,

941
00:57:13,360 --> 00:57:17,400
Speaker 1: do this? Yes? And my husband John was very much

942
00:57:17,520 --> 00:57:21,800
Speaker 1: luke in this relationship where he had a crush on

943
00:57:21,880 --> 00:57:26,800
Speaker 1: me for a little while and then finally figured it out.

944
00:57:27,720 --> 00:57:32,080
Speaker 1: How did you go from friends to next level? Well,

945
00:57:32,960 --> 00:57:36,920
Speaker 1: this is just t m I whatever. He told me

946
00:57:36,960 --> 00:57:39,640
Speaker 1: he really liked me, and then I said, I'm so sorry,

947
00:57:39,640 --> 00:57:41,280
Speaker 1: you're just like my best friend. I don't want to

948
00:57:41,360 --> 00:57:45,440
Speaker 1: cross that that line. And then we were at a

949
00:57:45,480 --> 00:57:50,120
Speaker 1: club and some girl was flirting with him and I

950
00:57:50,200 --> 00:57:52,280
Speaker 1: and then it was it was out of a movie,

951
00:57:52,360 --> 00:57:54,520
Speaker 1: you guys, It was out of this episode of Guilt.

952
00:57:55,280 --> 00:57:58,520
Speaker 1: I really went into them on the dance floor, went

953
00:57:58,600 --> 00:58:01,760
Speaker 1: like this, turn to John and was like yeah, I

954
00:58:01,800 --> 00:58:03,800
Speaker 1: think I like you can we go on a date

955
00:58:04,080 --> 00:58:11,200
Speaker 1: and and then yeah, and now we're married. Oh my god,

956
00:58:12,160 --> 00:58:15,880
Speaker 1: from this episode, because Eva is the girl that you

957
00:58:15,960 --> 00:58:21,479
Speaker 1: saw flirting with your husband. Totally totally, I mean, how

958
00:58:22,640 --> 00:58:25,720
Speaker 1: how epic is the line when Laurel I says he's

959
00:58:25,760 --> 00:58:28,920
Speaker 1: talking to Luke about even he's all she goes. She

960
00:58:29,000 --> 00:58:32,840
Speaker 1: mentioned earlier that you don't make her, you know, gag

961
00:58:38,440 --> 00:58:42,480
Speaker 1: this one. This cred a whole scene, make her Mrs

962
00:58:42,520 --> 00:58:48,760
Speaker 1: Backwards baseball cap. I mean that whole scene. God, I

963
00:58:48,760 --> 00:58:50,200
Speaker 1: think I'm getting to the point where I want to

964
00:58:50,240 --> 00:58:54,520
Speaker 1: smack both of them and just oh that's so funny together.

965
00:58:54,600 --> 00:58:58,320
Speaker 1: I couldn't get together. No, I'm ready to keep it.

966
00:58:58,640 --> 00:59:01,680
Speaker 1: This is where the fans were losing their minds because

967
00:59:01,680 --> 00:59:04,120
Speaker 1: it's like it's enough already get together, and they still

968
00:59:04,120 --> 00:59:05,640
Speaker 1: have to We still have to wait a couple more

969
00:59:05,680 --> 00:59:10,760
Speaker 1: seasons for this to happen. Right, good good? I could

970
00:59:10,760 --> 00:59:14,800
Speaker 1: watch this. I could watch that talk about milk and

971
00:59:14,880 --> 00:59:20,200
Speaker 1: that can Mrs Backward Baseball Chap. I mean, it's that's

972
00:59:20,240 --> 00:59:22,360
Speaker 1: a lot of milk coming out of this cow. I

973
00:59:22,440 --> 00:59:26,520
Speaker 1: tell you they're milking that. Um. I love that Emily

974
00:59:26,560 --> 00:59:29,360
Speaker 1: Gilmore had a barbecue and those two go right for

975
00:59:29,400 --> 00:59:32,200
Speaker 1: the corn on the stick and are just like sitting

976
00:59:32,240 --> 00:59:36,800
Speaker 1: outside ready to just be stoked on their barbecue. It's

977
00:59:36,840 --> 00:59:41,000
Speaker 1: so good funny. And notice notice the wardrobe and now

978
00:59:41,040 --> 00:59:45,560
Speaker 1: that we're like all wardrobe Emily's wardrobe in that scene

979
00:59:45,640 --> 00:59:49,080
Speaker 1: with that caller on our shirt, totally very queen should

980
00:59:49,120 --> 00:59:52,360
Speaker 1: we act queenly? Very queenly? I feel like we have

981
00:59:52,440 --> 00:59:56,480
Speaker 1: to add something moving forward now our favorite fashion piece

982
00:59:56,520 --> 01:00:01,480
Speaker 1: of the episode, because hands down mine was gloralized blue

983
01:00:02,040 --> 01:00:06,320
Speaker 1: button down blouse. I even think I remember watching this

984
01:00:06,400 --> 01:00:09,520
Speaker 1: and twenty years ago trying to find this bloss and

985
01:00:09,520 --> 01:00:13,120
Speaker 1: it had like roughly sort of tuxedo e ish, kind

986
01:00:13,120 --> 01:00:15,680
Speaker 1: of seventies tuxedo e ish going down here and then

987
01:00:15,680 --> 01:00:19,280
Speaker 1: on the sleeves the cuff also had the ruffles and

988
01:00:19,320 --> 01:00:22,120
Speaker 1: it was light blue and button down with like pearl buttons.

989
01:00:22,200 --> 01:00:27,560
Speaker 1: In this episode, yes, I am obsessed with that shirt

990
01:00:27,640 --> 01:00:32,280
Speaker 1: she was wearing obsessed. Yes, everybody moving forward. You have

991
01:00:32,320 --> 01:00:35,040
Speaker 1: to pick your favorite fashion. No, for me, it's Emily's

992
01:00:35,680 --> 01:00:39,960
Speaker 1: white shirt with the that flared out collar because that's her.

993
01:00:40,160 --> 01:00:43,160
Speaker 1: That that was you know that that harkens back to

994
01:00:44,320 --> 01:00:49,440
Speaker 1: you know, Scottish and British queens, that kind of look. Um, Danielle,

995
01:00:49,440 --> 01:00:52,960
Speaker 1: did you have a favorite, I'll say Rory's cake pajamas,

996
01:00:53,520 --> 01:00:57,160
Speaker 1: the Nick and Nora Nick and Nora pjs. Those were big.

997
01:00:58,320 --> 01:01:00,480
Speaker 1: I wonder if they're still around. I want to that up.

998
01:01:01,160 --> 01:01:05,880
Speaker 1: Keep talking while I find out. And how many moons ago, Danielle,

999
01:01:06,080 --> 01:01:10,000
Speaker 1: was this this event that took place with your husband

1000
01:01:10,040 --> 01:01:14,120
Speaker 1: on the dance floor with her? We've been together ten years?

1001
01:01:14,160 --> 01:01:20,720
Speaker 1: Oh my god, ten years ago a long time ago. Yeah. Yeah.

1002
01:01:21,160 --> 01:01:24,320
Speaker 1: When we all realize we're just doing parts of episodes

1003
01:01:24,360 --> 01:01:32,680
Speaker 1: of Gilmore Girls, we're all just living and somebody's taking notes,

1004
01:01:33,400 --> 01:01:36,960
Speaker 1: it's not as easy to find Nick and Nora pajamas

1005
01:01:36,560 --> 01:01:45,640
Speaker 1: as it used to be. Should we do a little

1006
01:01:45,640 --> 01:01:48,160
Speaker 1: pop culture? Although I know it's going to be sad

1007
01:01:48,200 --> 01:01:52,040
Speaker 1: for everybody because Danielle's filling it. Let's do everyone, No,

1008
01:01:52,040 --> 01:01:57,240
Speaker 1: no, no no, your best shot. I'm gonna give it my

1009
01:01:57,280 --> 01:02:00,560
Speaker 1: best shot. Don't write a bad review about me, Just

1010
01:02:00,560 --> 01:02:02,920
Speaker 1: just don't. Don't try to look. Let me give you

1011
01:02:02,960 --> 01:02:05,720
Speaker 1: some advice here, let me give you some advice. Don't

1012
01:02:05,760 --> 01:02:08,840
Speaker 1: try to fill Riley's shoes. Just wear your own. Just

1013
01:02:08,880 --> 01:02:11,160
Speaker 1: wear your own shoes as long as some of you,

1014
01:02:11,280 --> 01:02:12,720
Speaker 1: As long as you wear in your shoes, you're good.

1015
01:02:12,960 --> 01:02:15,520
Speaker 1: Put in my own by all means, feel free to

1016
01:02:15,520 --> 01:02:20,280
Speaker 1: write a review of Danielle's because I get so much joy. People.

1017
01:02:20,680 --> 01:02:23,200
Speaker 1: I am reading all the Instagram comments and I read

1018
01:02:23,240 --> 01:02:26,440
Speaker 1: all the reviews. I love all of it, especially when

1019
01:02:26,440 --> 01:02:31,600
Speaker 1: you're like I hate Amy. Okay, here we go. This

1020
01:02:31,680 --> 01:02:34,960
Speaker 1: is Danielle. Wait, hold on, noe, Hi, No, how does

1021
01:02:35,040 --> 01:02:41,560
Speaker 1: Riley start it? I'm Danielle st Riley. Hi, I'm Riley.

1022
01:02:41,600 --> 01:02:44,880
Speaker 1: She doesn't say she's day Okay, no, but Hi, I'm

1023
01:02:44,960 --> 01:02:49,320
Speaker 1: Danielle filling in for Riley. And this is your pop culture. Okay.

1024
01:02:49,880 --> 01:02:52,760
Speaker 1: Laura Lee says maybe he has a secret, maybe he's

1025
01:02:52,800 --> 01:02:55,720
Speaker 1: got a little chippy stowed away in Mount Pilot. And

1026
01:02:55,720 --> 01:02:57,720
Speaker 1: this is when Loraa Lee talks about Luke to Rory

1027
01:02:57,760 --> 01:03:01,120
Speaker 1: in the diner. That's gotta be that's gotta be. Andy

1028
01:03:01,120 --> 01:03:06,600
Speaker 1: Griffith show yep, I'm looking for I didn't even look,

1029
01:03:06,640 --> 01:03:09,720
Speaker 1: Thank you very much. Mount Pilot is a fictional town

1030
01:03:09,760 --> 01:03:12,440
Speaker 1: in The Andy Griffith Show. The Andy Griffith Show ran

1031
01:03:12,480 --> 01:03:16,440
Speaker 1: on CBS from nineteen sixty eight. During the time of

1032
01:03:16,440 --> 01:03:19,439
Speaker 1: the show, Andy has visited three times by the fun

1033
01:03:19,560 --> 01:03:23,000
Speaker 1: Girls Skippy and Daphne. Each time they cause trouble. It

1034
01:03:23,040 --> 01:03:26,800
Speaker 1: seems they are who Lorela is referencing to a little

1035
01:03:26,840 --> 01:03:29,680
Speaker 1: bit of trivia. Ron Howard, who later became so wellknown

1036
01:03:29,760 --> 01:03:33,680
Speaker 1: for being Richie Cunningham, played Andy Griffith's son on the show,

1037
01:03:33,720 --> 01:03:38,160
Speaker 1: and his character's name was Opie. A little chippy is

1038
01:03:38,200 --> 01:03:42,280
Speaker 1: not the most appropriate thing to say, so I'll just

1039
01:03:42,760 --> 01:03:47,480
Speaker 1: put that out there. Who means it means a promiscuous woman,

1040
01:03:47,520 --> 01:03:51,439
Speaker 1: little chippy? Huh? Who said? Who said that about? It's

1041
01:03:51,520 --> 01:03:53,480
Speaker 1: that's what she says. She says, I think he's got

1042
01:03:53,560 --> 01:03:57,920
Speaker 1: a little chippy in Mount Pilot? Is it Mount Pilot?

1043
01:03:58,600 --> 01:04:03,360
Speaker 1: But that's what? So what It's okay, it's Laurela saying it.

1044
01:04:04,120 --> 01:04:08,720
Speaker 1: I know it's a little unappropriate. I don't know speaking

1045
01:04:08,720 --> 01:04:13,440
Speaker 1: of a chippy. Mry says, suddenly, I'm living with Jaja

1046
01:04:13,480 --> 01:04:20,440
Speaker 1: Gabor when a chippy kind of half chippy half chippy.

1047
01:04:21,920 --> 01:04:24,360
Speaker 1: And this is when Laurela goes on about the batteries

1048
01:04:24,680 --> 01:04:28,040
Speaker 1: and um, what she wouldn't do with them? So jo

1049
01:04:28,200 --> 01:04:33,120
Speaker 1: jabar boys. Pause, Scott, let me tell you this. Danielle

1050
01:04:33,120 --> 01:04:38,400
Speaker 1: and I had to practice saying with nine times what

1051
01:04:38,680 --> 01:04:47,080
Speaker 1: at first daniel called her za yea. She was very

1052
01:04:47,160 --> 01:04:51,400
Speaker 1: comark practice. She was extremely famous in the sixties and seventies.

1053
01:04:52,440 --> 01:04:54,680
Speaker 1: She was she was. She was a twin sister. There

1054
01:04:54,720 --> 01:04:58,720
Speaker 1: was Joja and there was Eva, Hungarian bombshell sisters. Yeah,

1055
01:04:58,720 --> 01:05:03,520
Speaker 1: they were hello, darling, they were on they were on

1056
01:05:03,560 --> 01:05:05,680
Speaker 1: Wait a minute, they were on green acre. She was

1057
01:05:05,680 --> 01:05:10,000
Speaker 1: on green acres. So that's what I was. That's what

1058
01:05:10,120 --> 01:05:13,280
Speaker 1: I was trying to remember. I'm looking that up. She married,

1059
01:05:14,440 --> 01:05:17,120
Speaker 1: it was Ava, married a farmer and she lived on

1060
01:05:17,160 --> 01:05:19,720
Speaker 1: a farm. But she was like, you know, miss she

1061
01:05:19,800 --> 01:05:22,320
Speaker 1: was fancy. She was fancy, Miss lux of the world.

1062
01:05:22,400 --> 01:05:25,520
Speaker 1: Eddie Albert and it was Ava, not who was on

1063
01:05:25,600 --> 01:05:28,880
Speaker 1: green acre, but yes, I knew it. Eddie Albert gave

1064
01:05:28,920 --> 01:05:36,960
Speaker 1: one of the best dramatic dramatic comedy drama performances in

1065
01:05:39,640 --> 01:05:44,480
Speaker 1: the Charles Groden's Civil Shepherd film called The Name Escapes Me.

1066
01:05:44,600 --> 01:05:47,720
Speaker 1: But they did a remake of it. Only Charles Groden

1067
01:05:47,760 --> 01:05:51,560
Speaker 1: film I can name. Is that one about the dog? No? No,

1068
01:05:51,560 --> 01:05:54,560
Speaker 1: no, no no no. There was a movie where Charles Groden,

1069
01:05:54,760 --> 01:05:57,080
Speaker 1: and we're getting off the subject here, but there's a

1070
01:05:57,120 --> 01:06:01,960
Speaker 1: movie where Charles Groden gotten married, read to a woman

1071
01:06:02,000 --> 01:06:03,680
Speaker 1: in New York City, went on her went on their

1072
01:06:03,720 --> 01:06:08,240
Speaker 1: honeymoon to Florida, right to Miami, and he met an

1073
01:06:08,280 --> 01:06:14,240
Speaker 1: eighteen year old Sybil Shepherd. Are you talking about Beethoven? No, no,

1074
01:06:14,480 --> 01:06:17,439
Speaker 1: you're talking about Beetho. What's what's the movie? I'm talking about?

1075
01:06:17,480 --> 01:06:21,880
Speaker 1: What's the name? Find the movie? I am talking about Beethoven.

1076
01:06:22,200 --> 01:06:25,520
Speaker 1: I think Charles Grodan died, so r I p God

1077
01:06:25,600 --> 01:06:28,800
Speaker 1: rest his soul. But Beethoven? What was what was the film?

1078
01:06:28,880 --> 01:06:32,800
Speaker 1: It was a Mike nick It was a Mike Nichols film. Brilliant.

1079
01:06:33,680 --> 01:06:37,000
Speaker 1: The Heartbreak Kids, The Heartbreak Kid, the original version of

1080
01:06:37,000 --> 01:06:42,520
Speaker 1: the heart The original film is so searingly painful and funny.

1081
01:06:42,680 --> 01:06:48,800
Speaker 1: And Eddie Albert played Cibil Shepherd's father from Minnesota, and

1082
01:06:48,880 --> 01:06:53,200
Speaker 1: the scene of them sitting at the dinner table, Eddie

1083
01:06:53,240 --> 01:06:59,600
Speaker 1: Albert questioning who this man was the wife, He goes, sir,

1084
01:06:59,680 --> 01:07:02,360
Speaker 1: sir know I met your daughter on the beach and

1085
01:07:02,360 --> 01:07:06,200
Speaker 1: and uh, you know, I I became quite enamored. And

1086
01:07:06,320 --> 01:07:09,920
Speaker 1: uh and you know, I've just gotten married and my

1087
01:07:09,960 --> 01:07:12,920
Speaker 1: wife are down here on our honeymoon, and I'm going

1088
01:07:12,960 --> 01:07:14,720
Speaker 1: to break up with my wife because I fell in

1089
01:07:14,720 --> 01:07:16,880
Speaker 1: love with your daughter and he's just Eddie. Albert just

1090
01:07:16,920 --> 01:07:20,040
Speaker 1: looks at her like, what did you just say, young man?

1091
01:07:20,960 --> 01:07:23,400
Speaker 1: What did you It's going to kill him at the

1092
01:07:23,400 --> 01:07:26,760
Speaker 1: dinner table. Eddie was a very fine actor anyway, he

1093
01:07:26,840 --> 01:07:30,040
Speaker 1: was the star of Green Acres with telling us about

1094
01:07:30,720 --> 01:07:34,520
Speaker 1: that's never going to make the final and I won't

1095
01:07:34,560 --> 01:07:36,720
Speaker 1: make it. I just have a feeling he's not gonna

1096
01:07:36,760 --> 01:07:38,800
Speaker 1: make it because I think at the end of that

1097
01:07:38,840 --> 01:07:41,040
Speaker 1: story is like the fingers were going down the side

1098
01:07:41,040 --> 01:07:47,080
Speaker 1: of the cliff and we're keeping it all So Amy

1099
01:07:47,080 --> 01:07:49,400
Speaker 1: and I were doing research about this. We were we

1100
01:07:49,400 --> 01:07:52,320
Speaker 1: were Amy had said, she's kind of like the Paris

1101
01:07:52,360 --> 01:07:57,280
Speaker 1: Hilton of that time, but more but then yeah, okay, right,

1102
01:07:57,360 --> 01:08:00,720
Speaker 1: maybe a little, but then wait for it. And what

1103
01:08:00,760 --> 01:08:04,440
Speaker 1: we found out that Jojo was married to Conrad Hilton

1104
01:08:06,000 --> 01:08:08,919
Speaker 1: and he had changed her name to Georgia, claiming he

1105
01:08:09,520 --> 01:08:13,280
Speaker 1: couldn't and wouldn't pronounce her Hungarian first name, So was

1106
01:08:13,480 --> 01:08:20,560
Speaker 1: Conrad Hilton, Paris's grandfather, grandfather who started the whole Hilton franchise.

1107
01:08:21,280 --> 01:08:28,800
Speaker 1: So weird um trivia there? Okay, next one, Lorelai says, yeah,

1108
01:08:28,880 --> 01:08:31,040
Speaker 1: look that Albert. Give me a soda. And this is

1109
01:08:31,040 --> 01:08:33,439
Speaker 1: when Rory comes into the kitchen asking what happened with

1110
01:08:33,479 --> 01:08:37,240
Speaker 1: the headmaster. Fat Albert and the Cosby Kids is an

1111
01:08:37,280 --> 01:08:42,320
Speaker 1: American animated television series created, produced, and hosted by Bill Cosby,

1112
01:08:42,360 --> 01:08:45,280
Speaker 1: who also lent his voice to a number of characters,

1113
01:08:45,280 --> 01:08:49,599
Speaker 1: including Fat Albert. In two thousand four. Keenan Thompson played

1114
01:08:49,640 --> 01:08:53,839
Speaker 1: Fat Albert in that film, and fun fact, Denise Richards

1115
01:08:53,840 --> 01:08:56,800
Speaker 1: filmed a cameo as a store stale saleswoman and was

1116
01:08:56,840 --> 01:09:00,000
Speaker 1: seen in the original trailer, but her scene was actually

1117
01:09:00,120 --> 01:09:03,160
Speaker 1: deleted from the final cut. Do you know do you

1118
01:09:03,240 --> 01:09:07,760
Speaker 1: know the fat Albert, the famous fat Albert Lyne? Can

1119
01:09:07,800 --> 01:09:10,719
Speaker 1: you can you do fat Albert? Can you do? Every

1120
01:09:10,880 --> 01:09:21,840
Speaker 1: used to this? Right? Wow? I mean you know we're

1121
01:09:21,920 --> 01:09:25,680
Speaker 1: dropping some names here today, aren't we. I got some

1122
01:09:25,680 --> 01:09:28,840
Speaker 1: more names for you. So this is when Rory is

1123
01:09:28,880 --> 01:09:32,120
Speaker 1: chatting with the Puffs at lunch. Rory says, Sandra Day

1124
01:09:32,120 --> 01:09:35,280
Speaker 1: O'Connor was a puff and Francy goes, well, no, well,

1125
01:09:35,520 --> 01:09:38,439
Speaker 1: no one has proof. It's just folklore. Ivy then says,

1126
01:09:38,520 --> 01:09:41,120
Speaker 1: like snow White and Rosie Red and Rory goes or

1127
01:09:41,160 --> 01:09:45,400
Speaker 1: Maria carries crack up um so Sandrady O'Connor. We don't

1128
01:09:45,400 --> 01:09:48,720
Speaker 1: consider pop culture because she was a historical figure, but

1129
01:09:48,880 --> 01:09:53,000
Speaker 1: we will talk about snow White. Mri carry snow White

1130
01:09:53,000 --> 01:09:55,479
Speaker 1: and Rosy Red is a German fairy tale. The snow

1131
01:09:55,479 --> 01:09:57,719
Speaker 1: White in the original story is not the same character

1132
01:09:57,760 --> 01:09:59,479
Speaker 1: as the one in snow White in the Seven Dwarves.

1133
01:10:00,000 --> 01:10:03,240
Speaker 1: Mary Carey, I think everyone who's who she is, um,

1134
01:10:03,240 --> 01:10:06,200
Speaker 1: but the reference could be referencing her breakdown on Total

1135
01:10:06,240 --> 01:10:09,519
Speaker 1: Request Live back in two thousand one, and you are

1136
01:10:09,520 --> 01:10:11,880
Speaker 1: about to hear her iconic song All I Want for

1137
01:10:11,960 --> 01:10:17,000
Speaker 1: Christmas is you for the rest of December. Get ready.

1138
01:10:20,120 --> 01:10:23,320
Speaker 1: You can't get away from it. It's like you can't

1139
01:10:23,360 --> 01:10:25,600
Speaker 1: get away from that song or Kevin Hart. You just

1140
01:10:25,720 --> 01:10:28,400
Speaker 1: every time you turn around, there's Kevin Hart you can't

1141
01:10:28,439 --> 01:10:31,240
Speaker 1: get away from. I often ask myself, how is that

1142
01:10:31,280 --> 01:10:36,360
Speaker 1: guy doing so many things like he is? He's got

1143
01:10:36,360 --> 01:10:42,599
Speaker 1: to be three of them, right, totally, totally next one.

1144
01:10:42,720 --> 01:10:45,719
Speaker 1: Rory goes, I'll tell you she's a regular, Gary mule Deer,

1145
01:10:46,040 --> 01:10:48,400
Speaker 1: and this is when Rory tells the Puffs all about

1146
01:10:48,479 --> 01:10:52,160
Speaker 1: paris Um so. Gary mule Deer is an American comedian

1147
01:10:52,240 --> 01:10:56,000
Speaker 1: and country musician. Mule Deer was once roommates with comedian

1148
01:10:56,120 --> 01:10:59,840
Speaker 1: Steve Martin and musician Michael Johnson. He has performed on

1149
01:11:00,000 --> 01:11:05,320
Speaker 1: three major concert stage in the country. Rory goes, I

1150
01:11:05,439 --> 01:11:08,800
Speaker 1: end up here with the yah Ya Sisterhood, and Rory

1151
01:11:08,840 --> 01:11:10,800
Speaker 1: is telling head Master why she was in this situation

1152
01:11:10,880 --> 01:11:14,519
Speaker 1: she was in with the puffs Um. Divine Secrets of

1153
01:11:14,560 --> 01:11:18,920
Speaker 1: the Yaya Sisterhood is novel written by Rebecca Wells that

1154
01:11:19,000 --> 01:11:22,759
Speaker 1: the two thousand two film stars Sandra Bull like Ellen

1155
01:11:22,800 --> 01:11:26,360
Speaker 1: Burston and James Gardner, and The Divine Secrets of the

1156
01:11:26,439 --> 01:11:29,719
Speaker 1: Yaya Sisterhood has been compared to Desperate Housewives, which circles

1157
01:11:29,760 --> 01:11:36,479
Speaker 1: back nicely to our guest today, Brenda. Rory goes, great movie.

1158
01:11:36,479 --> 01:11:39,720
Speaker 1: Oh wait, that was coming home, sorry, And this is

1159
01:11:39,720 --> 01:11:42,400
Speaker 1: when the posts we're getting to know Rory Coming Home

1160
01:11:42,560 --> 01:11:46,680
Speaker 1: is in seventy eight American romantic drama war film, the

1161
01:11:46,720 --> 01:11:49,360
Speaker 1: opening scene where the vets in the hospital are talking

1162
01:11:49,479 --> 01:11:53,800
Speaker 1: was actually unscripted. They were real Viet Nom that's discussing

1163
01:11:53,840 --> 01:11:56,960
Speaker 1: their own views about the rule the war. John Voight

1164
01:11:57,120 --> 01:12:00,839
Speaker 1: was supposed to have added to the dialogue out of respect,

1165
01:12:00,920 --> 01:12:06,360
Speaker 1: he stayed silent and listened. Um. Next one, Uh, this

1166
01:12:06,439 --> 01:12:09,800
Speaker 1: is with Lora Lae. She says. I told him that

1167
01:12:09,880 --> 01:12:12,120
Speaker 1: he was completely out of line with this treatment of you,

1168
01:12:12,240 --> 01:12:14,200
Speaker 1: that you are not alone of freak. You have plenty

1169
01:12:14,240 --> 01:12:16,479
Speaker 1: of friends, and you don't own a long black leather

1170
01:12:16,560 --> 01:12:23,160
Speaker 1: matrix coat. And as everyone knows, Um The Matrix is

1171
01:12:23,200 --> 01:12:27,960
Speaker 1: an iconic action film from Kim Barrett is an Australian

1172
01:12:28,000 --> 01:12:31,800
Speaker 1: costume designer and she was a regular collaborator with the

1173
01:12:31,960 --> 01:12:35,040
Speaker 1: Wowskis and was a costume designer for the Matrix films.

1174
01:12:35,439 --> 01:12:38,439
Speaker 1: Kiana Reeves was dressed in tight fitting clothing to make

1175
01:12:38,520 --> 01:12:43,200
Speaker 1: him feel more confined in everyday life. Um and Kiana Reeves,

1176
01:12:43,240 --> 01:12:48,479
Speaker 1: Joe Pantoliano and Laurence Fishburne are weirdly all left handed

1177
01:12:49,360 --> 01:12:52,640
Speaker 1: and last one in fact about The Matrix. Leonardo DiCaprio

1178
01:12:52,760 --> 01:12:55,720
Speaker 1: turned down the role and David Swimmer was also a

1179
01:12:55,720 --> 01:12:58,800
Speaker 1: front runner for the role of Neo. Did you tell

1180
01:12:58,840 --> 01:13:00,720
Speaker 1: the part that Kiana Reeves gave of, like everyone a

1181
01:13:00,720 --> 01:13:04,519
Speaker 1: million dollars. More than that, he gave away so many.

1182
01:13:04,560 --> 01:13:09,120
Speaker 1: He gave away million dollars to the crew. I love

1183
01:13:09,200 --> 01:13:12,080
Speaker 1: Kiana Reeves so much. Oh my god, Speed is like

1184
01:13:12,120 --> 01:13:17,639
Speaker 1: my one of my top five ever movies. And Leonardo

1185
01:13:17,680 --> 01:13:22,200
Speaker 1: DiCaprio gets offered everything first, and he was actually in

1186
01:13:22,240 --> 01:13:24,639
Speaker 1: this episode two. There was a shout out to Leonardo

1187
01:13:24,680 --> 01:13:29,080
Speaker 1: DiCaprio in um this episode. Can you imagine all the

1188
01:13:29,160 --> 01:13:32,680
Speaker 1: films that he's offered, And he has to say no

1189
01:13:32,840 --> 01:13:37,960
Speaker 1: to Danielle your no, Riley, But you're not terrible. I'm

1190
01:13:37,960 --> 01:13:42,400
Speaker 1: not bad. I'm telling you, man, She's terrible. Got a

1191
01:13:42,400 --> 01:13:44,880
Speaker 1: little boring there at one point I forget which one

1192
01:13:44,920 --> 01:13:47,559
Speaker 1: where I was like, this is boring. But otherwise, good job,

1193
01:13:52,840 --> 01:13:58,360
Speaker 1: and you're gonna let me go faster. Rory says, there's

1194
01:13:58,360 --> 01:14:00,360
Speaker 1: a bad draft over here where I used They say,

1195
01:14:00,439 --> 01:14:02,519
Speaker 1: it's kind of like a big downward gusts. It's not

1196
01:14:02,600 --> 01:14:06,880
Speaker 1: exactly Toto. We're not in Kansas anymore, obviously, Toto. She's

1197
01:14:06,880 --> 01:14:10,400
Speaker 1: referencing the dog in the Wizard of oz Um. Toto

1198
01:14:10,560 --> 01:14:13,920
Speaker 1: was a dog named was a dog named Terry, and

1199
01:14:14,040 --> 01:14:18,160
Speaker 1: Terry was a Terrier weird fun fact, Terry the Terrier

1200
01:14:18,240 --> 01:14:20,559
Speaker 1: earned a hundred and twenty five dollars a week on

1201
01:14:20,600 --> 01:14:24,280
Speaker 1: the set of Wizard of Oz, compared to Judy Garland,

1202
01:14:24,280 --> 01:14:28,080
Speaker 1: who made five. It was pretty well paid back then.

1203
01:14:28,640 --> 01:14:31,760
Speaker 1: But if I was getting paid five dollars and the

1204
01:14:31,840 --> 01:14:36,719
Speaker 1: dog was getting paid one likes, the dog was getting

1205
01:14:36,720 --> 01:14:41,240
Speaker 1: well paid. Twenty five a week was like in today's money,

1206
01:14:41,320 --> 01:14:43,920
Speaker 1: that's like five six seven thousand bucks a week. I know.

1207
01:14:44,080 --> 01:14:47,519
Speaker 1: That's what guys huge. That's why the dog was paid

1208
01:14:47,560 --> 01:14:51,960
Speaker 1: well huge. Judy Garland maybe not so much. Yes, I

1209
01:14:51,960 --> 01:14:55,440
Speaker 1: would be kind of upset if I was. Judy terrifies

1210
01:14:55,520 --> 01:14:59,240
Speaker 1: me still. The Wicked Witch of the West, the Green

1211
01:14:59,320 --> 01:15:06,120
Speaker 1: One when I was a kid, that gave me nightmares too.

1212
01:15:06,800 --> 01:15:09,439
Speaker 1: So that's one of my first memories of like having it.

1213
01:15:09,600 --> 01:15:13,360
Speaker 1: That's my first movie of like being afraid. The guy

1214
01:15:13,439 --> 01:15:16,880
Speaker 1: could not look that in the Incredible Whole, anything in

1215
01:15:17,000 --> 01:15:19,600
Speaker 1: Green was real. It was that. And to Kill a

1216
01:15:19,600 --> 01:15:23,280
Speaker 1: Mockingbird Robert Duval that scared you scared, grab out of

1217
01:15:23,560 --> 01:15:30,519
Speaker 1: the whole. Okay, two more guys with it? Luke says,

1218
01:15:30,560 --> 01:15:34,439
Speaker 1: where's Barry manilow Um. Barry wrote the like a good

1219
01:15:34,439 --> 01:15:37,439
Speaker 1: neighbor State Farm jingle. I don't know if anybody knows that,

1220
01:15:37,479 --> 01:15:40,120
Speaker 1: but if you don't know, you do. Um. He receive

1221
01:15:40,200 --> 01:15:44,200
Speaker 1: multiple Grammy nominations, but Copacabana earned him his only Grammy

1222
01:15:44,200 --> 01:15:48,040
Speaker 1: award in nineteen seventy nine. Um. Weirdly, this past summer,

1223
01:15:48,120 --> 01:15:51,160
Speaker 1: Gary performed at CNN and White Or New York City

1224
01:15:51,240 --> 01:15:54,800
Speaker 1: Homecoming concert. He was about to sing, I made it

1225
01:15:54,840 --> 01:15:59,160
Speaker 1: through the rain, and it started to rain, and it

1226
01:15:59,360 --> 01:16:04,120
Speaker 1: literally ancel of the concerts. The behind the scenes that

1227
01:16:04,200 --> 01:16:07,120
Speaker 1: day of that concert was better than the concert because they,

1228
01:16:07,160 --> 01:16:11,920
Speaker 1: like just CNN just started like face timing Anderson Cooper

1229
01:16:11,960 --> 01:16:16,360
Speaker 1: in the studio from like dressing rooms. It was so good. Okay.

1230
01:16:16,479 --> 01:16:18,880
Speaker 1: Last one, Paris says, maybe someday I'll stumble into a

1231
01:16:18,920 --> 01:16:22,799
Speaker 1: Disney movie and suddenly be transported into your body. Obviously

1232
01:16:22,920 --> 01:16:25,960
Speaker 1: she's talking about Freaky Friday. Uh. Freaky Friday is in

1233
01:16:26,040 --> 01:16:30,799
Speaker 1: nineteen seventies six fantasy comedy film starring Jodie Foster. Um.

1234
01:16:30,800 --> 01:16:32,920
Speaker 1: Freaky Friday was made in two thousand three with Jamie

1235
01:16:32,960 --> 01:16:36,479
Speaker 1: Lee Curtis and Lindsay Lohan. Um. There's this one scene

1236
01:16:36,520 --> 01:16:39,800
Speaker 1: where they're auditioning to be part of a concert. And

1237
01:16:41,040 --> 01:16:43,920
Speaker 1: you um might have missed this because I missed it,

1238
01:16:43,960 --> 01:16:47,040
Speaker 1: and Amy reminded me it was to be a part

1239
01:16:47,040 --> 01:16:51,880
Speaker 1: of iHeart Radio's iconic Wingo Tango concert. So bringing it

1240
01:16:51,920 --> 01:16:56,320
Speaker 1: back to the iHeart Radio family. Really fun fact um there.

1241
01:16:56,520 --> 01:16:59,280
Speaker 1: And then last fun fact for Freaky Friday. When Jamie

1242
01:16:59,360 --> 01:17:02,360
Speaker 1: Lee Curtis found out that Lindsay Lohan um was going

1243
01:17:02,400 --> 01:17:04,719
Speaker 1: to be playing her daughter and that she had started

1244
01:17:04,800 --> 01:17:07,200
Speaker 1: the parent trap, she asked, which twin did you play,

1245
01:17:07,680 --> 01:17:13,360
Speaker 1: not knowing that Lohan performed both. And that's your pop

1246
01:17:13,360 --> 01:17:17,920
Speaker 1: culture guys, little along, Danielle, little long. But here's my

1247
01:17:17,960 --> 01:17:20,280
Speaker 1: favorite lines. Here's my favorite lines I have with you.

1248
01:17:21,120 --> 01:17:22,960
Speaker 1: I told you not to become a socio, but you

1249
01:17:23,000 --> 01:17:26,000
Speaker 1: didn't listen. Lord La said that I loved your work

1250
01:17:26,000 --> 01:17:29,479
Speaker 1: in Pizza Lora La also said that Lorala also said

1251
01:17:29,680 --> 01:17:33,240
Speaker 1: she mentioned earlier that you didn't make her you know, gag.

1252
01:17:33,600 --> 01:17:35,120
Speaker 1: Then you two get in the heated fight and she

1253
01:17:35,160 --> 01:17:38,800
Speaker 1: says make her mrs Backwards baseball cap for all I care.

1254
01:17:39,000 --> 01:17:42,120
Speaker 1: I loved that, And then I love Rory's line of well, um,

1255
01:17:42,320 --> 01:17:44,519
Speaker 1: what can you say? I mean this? I could have

1256
01:17:44,560 --> 01:17:48,879
Speaker 1: had one favorite, Danielle, go ahead, I had the backwards

1257
01:17:48,920 --> 01:17:51,960
Speaker 1: baseball cap one, but I always come prepared with the backup.

1258
01:17:52,040 --> 01:17:55,600
Speaker 1: So mine is from Michelle and he says, I'm not

1259
01:17:55,640 --> 01:17:59,559
Speaker 1: speaking of Carol. She ate my low fat cheese. Okay,

1260
01:18:00,040 --> 01:18:04,320
Speaker 1: mine are I'm gonna say my favorite line this whole

1261
01:18:04,320 --> 01:18:09,240
Speaker 1: thing was my line thank you very much. When Laurel

1262
01:18:09,320 --> 01:18:12,400
Speaker 1: I says, oh, Luke, can you give us some service?

1263
01:18:12,400 --> 01:18:16,479
Speaker 1: He said, keep your pants on? Yes, I made me laugh,

1264
01:18:16,600 --> 01:18:18,920
Speaker 1: it did? It made me laugh? Uh? And not to

1265
01:18:18,960 --> 01:18:24,240
Speaker 1: find their relationship. My second favorite was Michelle with the

1266
01:18:26,080 --> 01:18:28,280
Speaker 1: when they're negotiating on the phone. I'll do it if

1267
01:18:28,280 --> 01:18:32,200
Speaker 1: you get me some American cheese. The cheese American cheese. Um,

1268
01:18:32,240 --> 01:18:36,240
Speaker 1: what is it a mango cookie or a meringue cookie?

1269
01:18:36,920 --> 01:18:40,360
Speaker 1: I don't know. One of those funny lines, look at it.

1270
01:18:40,560 --> 01:18:43,599
Speaker 1: I like that. Danielle and I have to write our

1271
01:18:43,640 --> 01:18:46,880
Speaker 1: lines down, but Scott, being that he's an actor, can

1272
01:18:46,920 --> 01:18:50,360
Speaker 1: do them from his head. Guys listening, I'm telling you

1273
01:18:50,520 --> 01:18:54,439
Speaker 1: every single episode you've heard, Scott can remember the line

1274
01:18:54,560 --> 01:18:57,759
Speaker 1: and doesn't look at notes, whereas DANIELLEO like rustling paper,

1275
01:18:57,880 --> 01:19:00,479
Speaker 1: is going through emails to find our written out A lot.

1276
01:19:00,800 --> 01:19:02,880
Speaker 1: It was a little behind the scenes. We called that

1277
01:19:03,000 --> 01:19:10,040
Speaker 1: bts daniel maybe if you can, but that was good

1278
01:19:10,120 --> 01:19:18,120
Speaker 1: signs completely and it was the most insightful thing she's

1279
01:19:18,120 --> 01:19:22,160
Speaker 1: ever said. What I was trying to say is I

1280
01:19:22,200 --> 01:19:25,120
Speaker 1: also have to rewind the episode ten dred different times

1281
01:19:25,160 --> 01:19:28,759
Speaker 1: just to make sure I got the quote right. Same, same, Danielle.

1282
01:19:32,439 --> 01:19:35,560
Speaker 1: All right, everybody, that's gonna that's gonna wrap this episode

1283
01:19:36,920 --> 01:19:41,960
Speaker 1: a little along. But Brenda was great, and what are

1284
01:19:42,000 --> 01:19:44,559
Speaker 1: you gonna do? You know when you got her Brenda strong?

1285
01:19:44,640 --> 01:19:47,200
Speaker 1: How are you going to top that? And we're sitting

1286
01:19:47,240 --> 01:19:49,160
Speaker 1: here desperately trying to top it. Do you want me

1287
01:19:49,160 --> 01:19:52,880
Speaker 1: to tell you who the special guests are next week? Yeah? Sure,

1288
01:19:53,080 --> 01:19:58,559
Speaker 1: your friends Matt Matt and Angela Lanter. Oh cool, Yes,

1289
01:19:58,720 --> 01:20:02,280
Speaker 1: Oh that's really cool. Find out why that's really cool?

1290
01:20:02,320 --> 01:20:05,840
Speaker 1: Special affinity for for Angela and Matte. Oh I love

1291
01:20:05,880 --> 01:20:11,120
Speaker 1: these I love these guys. Um anyway, uh so next

1292
01:20:11,200 --> 01:20:13,680
Speaker 1: week the ins and outs of INNS. We'll get into it.

1293
01:20:13,760 --> 01:20:17,160
Speaker 1: Thank you, everybody, uh for down loaning. You're the best

1294
01:20:17,240 --> 01:20:50,519
Speaker 1: fans on the planet. Stay safe, We'll see you next time. Hey, everybody,

1295
01:20:50,520 --> 01:20:53,840
Speaker 1: and don't forget follow us on Instagram at I Am

1296
01:20:53,920 --> 01:20:57,920
Speaker 1: all In Podcast and email us at Gilmore at I

1297
01:20:58,120 --> 01:21:01,320
Speaker 1: Heart Radio dot com. Oh, you get more fans. If

1298
01:21:01,320 --> 01:21:03,320
Speaker 1: you're looking for the best cup of coffee in the world,

1299
01:21:03,360 --> 01:21:07,280
Speaker 1: go to my website for my company, scott ep dot com.

1300
01:21:07,400 --> 01:21:09,559
Speaker 1: S C O T. T y P dot com, scott

1301
01:21:09,560 --> 01:21:22,559
Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.