WEBVTT - Whitney Cummings

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My guest today this comedian writer for Pocket Tour, Whitney Cummings. Okay,

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<v Speaker 1>you said just came from Quimby. What are you doing

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<v Speaker 1>for Quimby? Is this like we're gonna get into the

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<v Speaker 1>nitty gritty, We're gonna get to all kinds of topics, Whitney,

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<v Speaker 1>I was just pitching something to Quimby. That's it's a

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<v Speaker 1>quick bite show to show. Um. Yeah, this is of course,

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<v Speaker 1>uh Katzenberg's new pitch. They made the deal today with

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<v Speaker 1>T Mobile to have millennials, who theoretically don't have long

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<v Speaker 1>attention spans, have little bites on mobile phones. That's right,

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<v Speaker 1>which I believe is already working in other places around

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<v Speaker 1>the world. Right in Asia they sort of have already.

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<v Speaker 1>You know, even though we live in the greatest country

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<v Speaker 1>in the world, a lot of these countries are far

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<v Speaker 1>in adv ants. You know. It's I say, in China

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<v Speaker 1>they do so much more on the phone. Okay, so

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<v Speaker 1>you had a pitch, you say you're pitching one. Was

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<v Speaker 1>pitching something today, um with this wonderful writer who had

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<v Speaker 1>a great idea that was a sort of dystopian satire

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<v Speaker 1>of influencer culture and it's sort of successions set inside

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<v Speaker 1>a lifestyle blog office like a Goop type office. I

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<v Speaker 1>got it. There's a lot of information information sort of

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<v Speaker 1>like you know, commenting on all the sort of products

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<v Speaker 1>of ridiculous products that influencers are trying to sell us.

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<v Speaker 1>And um, so what did the person you pitched to

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<v Speaker 1>have to sen one of my Yes, that's one of

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<v Speaker 1>my favorite people on the planet. Um, he has an

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<v Speaker 1>excellent taste, So I think it might go well. I

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<v Speaker 1>have something else set up there as well with berlante Um,

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<v Speaker 1>so I'm doing a couple of things with them, so

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<v Speaker 1>hopefully this okay. So when you pitch them, since they're

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<v Speaker 1>short episodes, how many episodes would there be? Um, it depends,

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<v Speaker 1>but I think you start with like ten. I believe

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<v Speaker 1>they give you a budget and you can kind of

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<v Speaker 1>break it up based on what makes them sense, and

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<v Speaker 1>then I believe you own your content in two years afterwards.

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<v Speaker 1>I think that's part of Well, that's astounding, certainly in

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<v Speaker 1>the visual entertainment. But what does that mean? What that

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<v Speaker 1>means ultimately that you can do something within the future

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<v Speaker 1>and the music business, what it usually means is you

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<v Speaker 1>license it to somebody else in the future, hopefully it's

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<v Speaker 1>slightly better terms. But right, but so's I can take

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<v Speaker 1>it back and sell it somewhere else, sort syndicated myself

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<v Speaker 1>or put it on my Instagram or something. Well, theoretically,

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<v Speaker 1>let's just assume it's successful, which a lot of this

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<v Speaker 1>stuff is really not. Okay, then you can build you

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<v Speaker 1>tell me, no, you can build an asset. Traditionally in

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<v Speaker 1>this field, doesn't work that way because the talent does

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<v Speaker 1>not own the contents. Uh. But if you build an asset,

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<v Speaker 1>you can sell that for a good amount of money,

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<v Speaker 1>and you can sell it as part of a deal,

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<v Speaker 1>like I'll sell this and I'll also give you something else.

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<v Speaker 1>That's right, that's right. I mean, look, it's the wild

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<v Speaker 1>West out there. You know. I've got a couple of

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<v Speaker 1>things set up in streaming services. They either move lightning

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<v Speaker 1>fast and it doesn't feel real, or glacially slow. You know,

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<v Speaker 1>it's it's well, welcome to Hollywood. Finally figured this business out,

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<v Speaker 1>and then the entire thing changed overnight. You know, there's

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<v Speaker 1>no target anymore. I talked about this to my shrink

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<v Speaker 1>all the time. Okay, you had a certain goal, and

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<v Speaker 1>then they blew up the destination. You know, people used

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<v Speaker 1>to be a comedian, you wanted to get a sitcom.

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<v Speaker 1>I don't know why anybody would want to do that

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<v Speaker 1>anymore because so few people watch. None of them are

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<v Speaker 1>doing well on Netflix, some of the ranch that's my point, Gabrieliers. Yeah, right,

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<v Speaker 1>but when you when you go onto a streaming service,

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<v Speaker 1>inherently your goal is less. You're not think of it

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<v Speaker 1>as a world dominating thing. So therefore, when it's successful,

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<v Speaker 1>you can you know, it's like in the old days.

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<v Speaker 1>I remember Mark Maron, I think it was IFC got

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<v Speaker 1>his own sitcom so we could say this is before

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<v Speaker 1>he was in glow. He said, oh this is so great,

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<v Speaker 1>but nobody is watching right right, It's and it's also

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<v Speaker 1>this crazy thing just as a you know, creator, it

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<v Speaker 1>used to be you made a show for America for

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<v Speaker 1>six years, so we did you know, two book Girls,

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<v Speaker 1>and then you sell it internationally. If it works, now

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<v Speaker 1>you're kind of immediately selling it internationally. You know exact,

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<v Speaker 1>there's no back end. But also as a creator you're

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<v Speaker 1>thinking like, well, is this joke gonna work in Asia?

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<v Speaker 1>Is this joke gonna work in Sweden? Is this two

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<v Speaker 1>inside you know, you want something to go global instantly,

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<v Speaker 1>which I think is part of the reason why television

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<v Speaker 1>is moving towards these Marvel superhero stuff that translates universally

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<v Speaker 1>right away. You know, once you've already built an audience

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<v Speaker 1>with something like two ber Girls, two and a half

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<v Speaker 1>of Man, Big Bang Theory for six years, then you go, Okay,

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<v Speaker 1>this really worked here. Now we get to go to

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<v Speaker 1>China and say, number one show in America and they'll

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<v Speaker 1>take a chance on it. Now it's like, we're not

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<v Speaker 1>giving the number one show in America right away, We're

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<v Speaker 1>giving you one that America is still testing out. Okay,

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<v Speaker 1>but as a creator, do you feel inhibited that you

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<v Speaker 1>must make something that can be consumed around the world.

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<v Speaker 1>I would say my number one concern, if I'm gonna

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<v Speaker 1>be really honest, it seems that's what we're doing here

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<v Speaker 1>is making shows for streaming services and not having the

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<v Speaker 1>ability to make fun of how technology is ruining our lives. Service.

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<v Speaker 1>You have John Oliver who's on HBO, which is owned

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<v Speaker 1>by A T n T, and seemingly every show he

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<v Speaker 1>pokes the bear, you know, he basically goes against a

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<v Speaker 1>T and T so I think on some level, Netflix

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<v Speaker 1>certainly is sophisticate. I'm not saying Disney nor A T

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<v Speaker 1>and T is sophisticated enough to handle that. I was

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<v Speaker 1>sort of like in you know Apple, I you know,

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<v Speaker 1>Apple has no sense of humor about it. Well, I'm

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<v Speaker 1>just I'm just curious, like, are we allowed to do

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<v Speaker 1>a scene where my phone doesn't get reception on? You know?

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<v Speaker 1>It used to be when we were on networks. We

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<v Speaker 1>weren't allowed to say Jesus Christ. We were allowed to

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<v Speaker 1>say God. We weren't allowed to say, you know, curse

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<v Speaker 1>or show nudity. Now are we allowed to not show

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<v Speaker 1>I would doubt it on Apple? If you said I'm

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<v Speaker 1>gonna do the whole show on an Android, they would

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<v Speaker 1>be pissed. Are you allowed to say, like, well, I

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<v Speaker 1>don't know cell phones cause cancer? Are you allowed to

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<v Speaker 1>joke about something like that? Are you That's that's actually general?

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<v Speaker 1>The point is, can you say something specifically anti Apple? Yeah?

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<v Speaker 1>Are you allowed to make jokes, you know, on on something?

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<v Speaker 1>I mean, we consume six hours of content our cellphone,

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<v Speaker 1>not quimber lewed to make a joke on Quimby about

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<v Speaker 1>how social media is the apocalypse and it's bad for

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<v Speaker 1>our brains and it's causing body Just what's your personal

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<v Speaker 1>viewpoint on that. I'm not a scientist on it. Um emotional,

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<v Speaker 1>yea technical. I don't want to pretend to be an

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<v Speaker 1>authority on it because I have a comedian I think

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<v Speaker 1>in hyperbole. I think it's gone. I tell my girlfriend

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<v Speaker 1>that I do. Is she comedian? No? But I talked.

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<v Speaker 1>She always react, yes, that's we just have this. That's

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<v Speaker 1>not exactly what I said. Yeah, she said that's something

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<v Speaker 1>I did annoyed her, and then I said, oh, you

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<v Speaker 1>were piste off because that's not what I said. I said, Well,

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<v Speaker 1>to me, annoy is as heavy as pissed. No, no, no no, yeah.

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<v Speaker 1>I think humans. I think we are designed to find

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<v Speaker 1>flaws and things. We are designed to complain about things. Uh,

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<v Speaker 1>we're designed to um amplify the consequences of things. Okay,

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<v Speaker 1>but let's go back. When something doesn't work, are you

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<v Speaker 1>someone o c is and you're pissed? Uh, something doesn't

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<v Speaker 1>work in terms of well, you know, you get your phone.

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<v Speaker 1>We all have this technical glitch and something doesn't work.

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<v Speaker 1>You're the type, oh this is technology, Oh it'll be

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<v Speaker 1>fine tomorrow, or you say God, I'm so pissed. It

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<v Speaker 1>depends on the circumstances. I mean, if your iPhone doesn't

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<v Speaker 1>work and that's your biggest problem of your day, you

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<v Speaker 1>have a pretty good life. I'm not into that. I'm

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<v Speaker 1>not into that first world problem, not at all. You've

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<v Speaker 1>been bridged longer than I have. Rich It's a whole

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<v Speaker 1>another thing. But my point is people always say, oh,

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<v Speaker 1>two things that make me insane. One is you're better

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<v Speaker 1>than that. Fuck you am. I haven't said that yet. No, No,

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<v Speaker 1>you have about here all the time. Okay, okay, that's

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<v Speaker 1>shaming perfectly. And then you constantly here first world problem.

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<v Speaker 1>That's my problem exactly. I mean when I go up.

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<v Speaker 1>When I grew up, my parents literally said you gotta

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<v Speaker 1>finish what's on your plate because their kids starving. In Europe,

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<v Speaker 1>some guy wrote a who's your parents know? They're not starving?

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<v Speaker 1>It's the only place I think they're doing well. Were

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<v Speaker 1>jumping forgetting that. Today almost no one is starving, And

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<v Speaker 1>I forget the book uh Troy Carter told me to

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<v Speaker 1>read and I have on my kindle. There are a

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<v Speaker 1>lot of women in LA who are starving for different reasons. Yes,

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<v Speaker 1>my choice, but let's go back to technology. Are you

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<v Speaker 1>someone who believes, let's just start with usage as opposed

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<v Speaker 1>to the high level with these guys. Are you are

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<v Speaker 1>you anti social media, addiction to the phone, addiction to screen. No,

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<v Speaker 1>because we've always been addicted to something, and um, you know,

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<v Speaker 1>I think we're also in our echo chamber. I I

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<v Speaker 1>tore all over the country and I am grateful that

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<v Speaker 1>I get to see what real America looks like. And

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<v Speaker 1>I don't walk around. I don't see people walking and

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<v Speaker 1>talking on their phones when I go to Duluth. Um.

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<v Speaker 1>You know, I think that metropolitan cities we tend to

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<v Speaker 1>that up. You literally went to Duluth to do comedy.

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<v Speaker 1>I haven't been to Duluth this year. I was used

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<v Speaker 1>Duluth as a as a job as a Joe blow

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<v Speaker 1>a city exactly. I've actually been okay, but Duluth actually,

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<v Speaker 1>when there, it's like the edge of the world because

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<v Speaker 1>that's where the Edmund Fitzgerald left. You remember the record,

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<v Speaker 1>the Edmund Fitzgerald. And it's on to think about my geography.

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<v Speaker 1>I think it's Lake Superior. They literally can surf, the

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<v Speaker 1>waves are so big. And Deluth is of course on

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<v Speaker 1>my mind because they burned down a synagogue there recently,

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<v Speaker 1>and I happened to be Jewish. But it's like the

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<v Speaker 1>edge of the world is different than like a Pensacola

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<v Speaker 1>I might go to. For like, cities that most La

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<v Speaker 1>New York people don't go to are like Deluth, Pensacola,

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<v Speaker 1>and Toledo. Well, it used to be the whole Pan

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<v Speaker 1>handled Pensacola and the West. Everyone really had no idea

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<v Speaker 1>if I lived with a woman who's from Tallahassee, tallahass

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<v Speaker 1>the seventies. Okay, so, and her father was the richest

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<v Speaker 1>guy in Tallahassee. Okay, so he drove roy is exactly exactly.

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<v Speaker 1>But the point is that was before two thousand Bush

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<v Speaker 1>versus Score and all the controversies. People have a better

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<v Speaker 1>idea of what Tallahassee is now, and it's more cosmao thing,

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<v Speaker 1>But essentially Tallahassee is Georgia. They think they think, you

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<v Speaker 1>know Miami. Yeah, no, people have Southern acts. It's greatly different. Yeah. No,

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<v Speaker 1>I'm not a I'm not super apocalyptic. When it comes

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<v Speaker 1>to the phone stuff. Um, you know, I lean into

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<v Speaker 1>the negative parts of it sometimes for comedic purposes. But

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<v Speaker 1>I'm the stuff that I'm working on now is really

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<v Speaker 1>more like, this is the safest we've ever been. This

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<v Speaker 1>is the most um joyous we've ever been, the most

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<v Speaker 1>convenient our lives have ever been, And all we do

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<v Speaker 1>is is thinking complaint about it. Well, I find it. Know,

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<v Speaker 1>there's the intelligencia of the New York Times, a New Yorker.

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<v Speaker 1>They are constantly printing anti technology articles all the time.

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<v Speaker 1>Screens are fucking everybody up, etcetera. I have a completely

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<v Speaker 1>different viewpoint depends on how you use them. It's like

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<v Speaker 1>any weapon. Really, it's like a knife. You can use

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<v Speaker 1>it to step, so I don't think it's a weapon.

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<v Speaker 1>I mean, in the nineties I had a free subscription

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<v Speaker 1>to a o L through Warner. But when it broke up,

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<v Speaker 1>when you know, when it broke it, basically I was there, Okay,

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<v Speaker 1>I could suddenly communicate with all the like minded people.

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<v Speaker 1>You know, it was it was a good thing. Yeah.

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<v Speaker 1>I think what people don't understand is the phone is

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<v Speaker 1>personalized to the individual. That's that's why we're addicting. I mean,

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<v Speaker 1>I think the things that are problematic are really I mean,

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<v Speaker 1>the algorithms tricky in ways that not of course that

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<v Speaker 1>you might not be seeing news that you should be

0:11:19.960 --> 0:11:23.160
<v Speaker 1>seen exactly. Like that's what that's a high level It's

0:11:23.200 --> 0:11:25.440
<v Speaker 1>like Facebook saying we can take ads that are not

0:11:25.480 --> 0:11:27.480
<v Speaker 1>true and yes, exactly, and it's I'm the type of

0:11:27.480 --> 0:11:30.560
<v Speaker 1>person who's gonna actively seek out news, but a lot

0:11:30.600 --> 0:11:32.520
<v Speaker 1>of people who just you know, I sat down once

0:11:32.559 --> 0:11:35.040
<v Speaker 1>and I had a different c ann page than someone

0:11:35.080 --> 0:11:37.840
<v Speaker 1>I was sitting next to, and Google against different results.

0:11:37.840 --> 0:11:41.040
<v Speaker 1>That was alarming to me. Okay, So when you're not working,

0:11:41.080 --> 0:11:44.160
<v Speaker 1>because this begs the screen question, how do you tend

0:11:44.160 --> 0:11:46.040
<v Speaker 1>to fill the little bit of time you have when

0:11:46.040 --> 0:11:49.240
<v Speaker 1>you're not working. I document whatever I'm doing for social media.

0:11:49.360 --> 0:11:55.680
<v Speaker 1>When I'm not working, I'm not I mean working documenting. Okay,

0:11:55.720 --> 0:11:59.480
<v Speaker 1>but most comedians at the advent of Twitter two thousand ten,

0:11:59.559 --> 0:12:03.440
<v Speaker 1>two thous in eleven, they tweeted at infinitum, like Albert

0:12:03.440 --> 0:12:06.960
<v Speaker 1>Albert Brooks very funny tweeter. Last couple of years hasn't

0:12:06.960 --> 0:12:11.480
<v Speaker 1>tweeted both politics happened, Twitter really became So no, no,

0:12:11.559 --> 0:12:15.280
<v Speaker 1>I'm heavy on politics and I'm heavy on Twitter. My

0:12:15.360 --> 0:12:19.480
<v Speaker 1>question is social media is it? How beneficial is it

0:12:19.559 --> 0:12:24.600
<v Speaker 1>to your career? Credibly unbelievably Okay, which aspect unbelievably selling tickets.

0:12:24.760 --> 0:12:28.560
<v Speaker 1>No, No No, Twitter, Facebook, Snapchat. They all kind of do

0:12:28.679 --> 0:12:31.560
<v Speaker 1>different things. So Twitter used to you. I just mean

0:12:31.960 --> 0:12:35.000
<v Speaker 1>what you tweet about on Twitter, if it's not politically

0:12:35.080 --> 0:12:37.640
<v Speaker 1>or zygeisty driven, it's probably gonna get less traffic. You

0:12:37.640 --> 0:12:39.440
<v Speaker 1>have to be part of whatever the current conversation. How

0:12:39.440 --> 0:12:42.719
<v Speaker 1>many followers on Twitter? A million? Four? You know? So

0:12:42.960 --> 0:12:45.520
<v Speaker 1>I took like two years off when the election because

0:12:45.559 --> 0:12:47.560
<v Speaker 1>I just don't really talk about politics. I don't really

0:12:47.600 --> 0:12:49.640
<v Speaker 1>joke about politics. It's just really not my thing for

0:12:49.679 --> 0:12:54.040
<v Speaker 1>a litany of reasons. Give me two reasons. Um, I

0:12:54.040 --> 0:12:56.880
<v Speaker 1>I'm someone who believes you should know what you're talking

0:12:56.920 --> 0:13:01.240
<v Speaker 1>about when you talk about it. President Andy. Yeah, well look,

0:13:01.400 --> 0:13:04.199
<v Speaker 1>I just for me, I had done it a couple

0:13:04.240 --> 0:13:06.640
<v Speaker 1>of times and it just didn't go particularly well, and

0:13:06.679 --> 0:13:08.680
<v Speaker 1>I was like, this just turns into a more ass

0:13:08.679 --> 0:13:11.880
<v Speaker 1>Well wait, wait, slower, why did it not turn out? Well,

0:13:11.920 --> 0:13:13.880
<v Speaker 1>it was something about it was like a joke about

0:13:13.880 --> 0:13:17.960
<v Speaker 1>Brett Kavanaugh, and it just became not comedy anymore. I'm

0:13:18.080 --> 0:13:20.920
<v Speaker 1>not trying to get in fights with strangers. Okay, but

0:13:21.040 --> 0:13:23.080
<v Speaker 1>let's start from the beginning. Did you think the joke

0:13:23.200 --> 0:13:26.360
<v Speaker 1>was funny? Um? I have to be honest. I think

0:13:26.400 --> 0:13:32.280
<v Speaker 1>it was probably it had an undercurrent of not self righteousness.

0:13:32.320 --> 0:13:35.000
<v Speaker 1>I think I was right my opinion. Okay, My point

0:13:35.040 --> 0:13:36.880
<v Speaker 1>is you have to understand I interact with these people

0:13:36.960 --> 0:13:39.960
<v Speaker 1>all day long. They call it working the rest. If

0:13:40.080 --> 0:13:42.360
<v Speaker 1>I even mentioned Trump's name, I can tell you that

0:13:42.360 --> 0:13:44.920
<v Speaker 1>people who are going to email me that is their agenda.

0:13:45.160 --> 0:13:47.720
<v Speaker 1>But the point is we cannot back down. It's the

0:13:47.760 --> 0:13:51.240
<v Speaker 1>same thing like they they demonized Adam Shift. If I

0:13:51.240 --> 0:13:53.320
<v Speaker 1>was Adam Shift, I'd be out there bitching all day

0:13:53.520 --> 0:13:55.959
<v Speaker 1>instead of going back into my hole. I believe this

0:13:56.000 --> 0:13:58.800
<v Speaker 1>is my personal philosophy. I'm not John Oliver, I'm not

0:13:58.840 --> 0:14:02.160
<v Speaker 1>Bill Maher. You know. I believe it is my business

0:14:02.240 --> 0:14:05.040
<v Speaker 1>to be funny. And if I'm going to give an opinion,

0:14:05.320 --> 0:14:07.400
<v Speaker 1>there needs to be something funny involved in what I'm saying.

0:14:07.559 --> 0:14:10.319
<v Speaker 1>But if you but you can say something funny about politics,

0:14:10.360 --> 0:14:14.920
<v Speaker 1>I can. I can, and I I believe that two

0:14:15.000 --> 0:14:18.440
<v Speaker 1>years ago, saying something funny about politics didn't always end

0:14:18.480 --> 0:14:21.520
<v Speaker 1>in a laugh for everyone? No, But did it end

0:14:21.520 --> 0:14:24.880
<v Speaker 1>in a laugh for a significant portion of the unclear?

0:14:25.080 --> 0:14:30.600
<v Speaker 1>Because Twitter of America's on Twitter, of percent of everyone

0:14:30.640 --> 0:14:33.560
<v Speaker 1>on Twitter, generates of the comments. Okay, but let's not

0:14:33.600 --> 0:14:35.360
<v Speaker 1>make it about Twitter. The interesting thing and I don't

0:14:35.360 --> 0:14:39.320
<v Speaker 1>want to play psychoanalyst here is you talked about television

0:14:39.720 --> 0:14:42.640
<v Speaker 1>saying creatively is what I'm going to do play around

0:14:42.680 --> 0:14:45.960
<v Speaker 1>the world. Now you're talking about Twitter saying what is

0:14:46.000 --> 0:14:48.440
<v Speaker 1>going to give you the negative effect? You are someone

0:14:48.480 --> 0:14:51.520
<v Speaker 1>who is you know, famously said you've been pillar read

0:14:51.800 --> 0:14:55.080
<v Speaker 1>in society. Okay, so to what degree does this now

0:14:55.120 --> 0:14:58.920
<v Speaker 1>make you gun shy? Uh? I think there's a difference

0:14:58.920 --> 0:15:02.000
<v Speaker 1>between gun shy and maybe just sagacious and being smart

0:15:02.040 --> 0:15:04.880
<v Speaker 1>business wise. It used to be we could disagree and

0:15:04.920 --> 0:15:07.120
<v Speaker 1>you can still be a fan of mine. The climate

0:15:07.160 --> 0:15:10.240
<v Speaker 1>two years ago became if we disagree, you wan't follow me,

0:15:10.440 --> 0:15:12.560
<v Speaker 1>you never want to see me again. You might make

0:15:12.600 --> 0:15:15.840
<v Speaker 1>threats about my safety, you might try to docks me

0:15:16.000 --> 0:15:18.960
<v Speaker 1>and turn people on Reddit against me. It used to

0:15:19.000 --> 0:15:20.600
<v Speaker 1>be if you didn't think something was funny, you maybe

0:15:20.600 --> 0:15:22.440
<v Speaker 1>would still follow me. It still comes to your show

0:15:22.560 --> 0:15:27.280
<v Speaker 1>joke didn't hit. Now it's fuck her, everyone go against her.

0:15:27.680 --> 0:15:30.160
<v Speaker 1>It just becomes to me a thing. It's bad business.

0:15:30.200 --> 0:15:33.200
<v Speaker 1>It's bad marketing, absolutely bad business. You have to know

0:15:33.280 --> 0:15:35.960
<v Speaker 1>what the ramifications of something you're sending out is going

0:15:36.040 --> 0:15:38.840
<v Speaker 1>to affect your business, and if you decide to go

0:15:38.880 --> 0:15:42.880
<v Speaker 1>into politics, you better be ready to have ideal with

0:15:42.960 --> 0:15:46.080
<v Speaker 1>this all day every day. Yeah, okay, I find that

0:15:46.120 --> 0:15:50.080
<v Speaker 1>the great majority of people who were biting back don't

0:15:50.200 --> 0:15:53.880
<v Speaker 1>sign off. It's the silent people who signed up interest.

0:15:54.800 --> 0:15:56.680
<v Speaker 1>I tracked my numbers at least once a day, so

0:15:56.760 --> 0:15:59.680
<v Speaker 1>that's multiple time. Today. I'm talking about subscription, which is

0:15:59.680 --> 0:16:02.040
<v Speaker 1>a little bit different from Twitter. And what I find is,

0:16:02.120 --> 0:16:06.080
<v Speaker 1>despite all the bitching, most people don't sign off. So

0:16:06.160 --> 0:16:07.920
<v Speaker 1>I say, to what degree do I want to be

0:16:07.960 --> 0:16:10.080
<v Speaker 1>in here? But they might not buy tickets next time.

0:16:11.680 --> 0:16:14.280
<v Speaker 1>But what you find is a lot of the stuff

0:16:14.320 --> 0:16:16.320
<v Speaker 1>that you do, I mean the nature of what I

0:16:16.360 --> 0:16:19.120
<v Speaker 1>do to a degree what you do is we're at

0:16:19.120 --> 0:16:22.160
<v Speaker 1>the eye of the hurricane. People are talking about us externally.

0:16:22.440 --> 0:16:27.160
<v Speaker 1>We don't really know what's going on. So that I mean, okay,

0:16:27.200 --> 0:16:30.800
<v Speaker 1>I would never send an email to a celebrity. I

0:16:30.880 --> 0:16:35.400
<v Speaker 1>would never tweet back something at all, someone with you know,

0:16:36.800 --> 0:16:39.240
<v Speaker 1>so it takes a special kind of person to do that.

0:16:39.320 --> 0:16:41.280
<v Speaker 1>In addition, is someone I have found I get a

0:16:41.360 --> 0:16:46.240
<v Speaker 1>lot of email. The people who send long, deep emails

0:16:46.320 --> 0:16:49.280
<v Speaker 1>are terrible face to face. They can speak person says

0:16:49.320 --> 0:16:52.640
<v Speaker 1>like one line the people you connect. So it's a

0:16:52.640 --> 0:16:56.040
<v Speaker 1>little for me, I don't like something I've wrestled with

0:16:56.200 --> 0:16:59.000
<v Speaker 1>because that's what they want. They want us to turn

0:16:59.040 --> 0:17:01.280
<v Speaker 1>it to something different totally, which is I think that

0:17:01.720 --> 0:17:05.600
<v Speaker 1>you know, sometimes the best war strategy is a masterful retreat.

0:17:06.000 --> 0:17:09.280
<v Speaker 1>And I think sometimes it's important to know you know

0:17:09.280 --> 0:17:11.000
<v Speaker 1>what to say, and it's important what not to say,

0:17:11.040 --> 0:17:13.200
<v Speaker 1>and want to just stay on the bench and allow

0:17:13.240 --> 0:17:14.879
<v Speaker 1>your work to speak for itself and to not have

0:17:14.920 --> 0:17:17.679
<v Speaker 1>to chime in on everything that's super volatile, and uh,

0:17:17.760 --> 0:17:20.639
<v Speaker 1>the impact and the intention might get conflated. And I

0:17:20.680 --> 0:17:22.439
<v Speaker 1>think right now as comedians, if people want to get

0:17:22.480 --> 0:17:24.800
<v Speaker 1>in the ring and start fighting about politics and maybe

0:17:24.800 --> 0:17:28.639
<v Speaker 1>alienating some of their base or you know, pissing people what,

0:17:28.760 --> 0:17:30.760
<v Speaker 1>it's just a very emotional time and I just try

0:17:30.760 --> 0:17:32.960
<v Speaker 1>to remember my job is to make people laugh, it

0:17:33.200 --> 0:17:35.760
<v Speaker 1>is to unite people, It is to sell tickets, and

0:17:35.760 --> 0:17:37.960
<v Speaker 1>it is my goal to have every type of person

0:17:38.359 --> 0:17:41.080
<v Speaker 1>buying tickets in the same theater. And right now is

0:17:41.119 --> 0:17:43.399
<v Speaker 1>a is a time where you can really um step

0:17:43.440 --> 0:17:46.600
<v Speaker 1>into a hornet's nest by accident. And I think a

0:17:46.600 --> 0:17:48.639
<v Speaker 1>lot of us don't really know how elitist A lot

0:17:48.680 --> 0:17:51.320
<v Speaker 1>of it comes off, and I think elitism in in

0:17:51.480 --> 0:17:54.240
<v Speaker 1>comedy ends up really narrowing the number of people aren

0:17:54.280 --> 0:17:56.600
<v Speaker 1>to buy tickets. Going back to Twitter, so when you

0:17:56.680 --> 0:17:58.159
<v Speaker 1>this is one this is one of the reasons I

0:17:58.200 --> 0:18:00.960
<v Speaker 1>stopped tweeting. I don't have the number of followers you have,

0:18:01.040 --> 0:18:03.600
<v Speaker 1>and certainly my follower account is not going up in

0:18:03.600 --> 0:18:05.840
<v Speaker 1>the last six or eight years when I've essentially not tweeted.

0:18:06.320 --> 0:18:09.199
<v Speaker 1>But I find you tweet and what bothered me and

0:18:09.240 --> 0:18:12.240
<v Speaker 1>I have another way to reach people via email. Uh

0:18:12.400 --> 0:18:16.040
<v Speaker 1>is how few people actually see it? No, I mean

0:18:16.080 --> 0:18:18.440
<v Speaker 1>we it feels so big to us. I mean this

0:18:18.520 --> 0:18:20.879
<v Speaker 1>is really I think when you talk about the negative

0:18:20.920 --> 0:18:23.399
<v Speaker 1>ramifications of social media, it's I think, to me, the

0:18:23.520 --> 0:18:27.879
<v Speaker 1>dysmorphia of think of it feeling like it's happening. You know,

0:18:28.280 --> 0:18:30.879
<v Speaker 1>it's like a front page headline when five people have

0:18:30.960 --> 0:18:34.240
<v Speaker 1>responded to you. You know, it's just this, it's a hallucination. Really,

0:18:34.560 --> 0:18:37.159
<v Speaker 1>it feels you know, if you have ten followers and

0:18:37.200 --> 0:18:40.400
<v Speaker 1>three people respond that's thirty It's thirty percent of your

0:18:40.560 --> 0:18:43.600
<v Speaker 1>It just feels huge, you know, So I think, um, uh,

0:18:43.800 --> 0:18:47.399
<v Speaker 1>we're all inflating and amplifying. The other thing is a

0:18:47.440 --> 0:18:49.800
<v Speaker 1>lot of these people's you know, send you heinous tweets

0:18:49.880 --> 0:18:53.040
<v Speaker 1>or whatever. You look at the follower account one two

0:18:53.040 --> 0:18:56.320
<v Speaker 1>and you say, unless I respond, I've learned helps them

0:18:56.359 --> 0:18:58.320
<v Speaker 1>more than it helps you. And it's just I mean,

0:18:58.480 --> 0:19:00.000
<v Speaker 1>if you walk down the street in a homeless first

0:19:00.000 --> 0:19:01.800
<v Speaker 1>and was like hey and yelled at you, you wouldn't

0:19:01.840 --> 0:19:04.080
<v Speaker 1>engage with them. You'd keep walking. I mean, that's what

0:19:04.119 --> 0:19:06.879
<v Speaker 1>we're doing. We're um, you know. And also look, and

0:19:07.440 --> 0:19:10.679
<v Speaker 1>let's be serious the last year, how many careers have

0:19:10.760 --> 0:19:14.080
<v Speaker 1>you seen get dinged by a old tweet? You know,

0:19:14.359 --> 0:19:18.920
<v Speaker 1>for comedians especially an excellent point because you know, one

0:19:18.960 --> 0:19:21.400
<v Speaker 1>of the marks of an intelligent persons they can change

0:19:21.480 --> 0:19:23.560
<v Speaker 1>their minds. Really a d C they can't change their

0:19:23.560 --> 0:19:26.320
<v Speaker 1>mind I mean, I could never run for politics anybody.

0:19:26.359 --> 0:19:28.560
<v Speaker 1>You'd have to be squeaky clean. That's right. We're just

0:19:28.560 --> 0:19:31.199
<v Speaker 1>getting to the point. You could even smoke dope and

0:19:31.240 --> 0:19:33.360
<v Speaker 1>become president, That's right. And I you know, I by

0:19:33.560 --> 0:19:38.240
<v Speaker 1>ep the Rosanne reboot. I I know what Twitter can do,

0:19:38.280 --> 0:19:40.560
<v Speaker 1>you know, so I try to be sagacious with what

0:19:40.600 --> 0:19:42.520
<v Speaker 1>I tweet, careful with what I tweet. And just go

0:19:42.640 --> 0:19:44.679
<v Speaker 1>you know, what is it worth it? Okay, what was

0:19:44.760 --> 0:19:48.240
<v Speaker 1>your take on it? Was it predictable that Roseanne would

0:19:48.240 --> 0:19:52.639
<v Speaker 1>go off the rails? Um? You know, I don't know why.

0:19:52.680 --> 0:19:55.480
<v Speaker 1>I still don't have an incisive answer to this question

0:19:55.520 --> 0:19:58.440
<v Speaker 1>because I think that that particular tweet, I don't think

0:19:58.440 --> 0:20:02.399
<v Speaker 1>anyone could have predicted. It was almost if you asked

0:20:02.400 --> 0:20:05.280
<v Speaker 1>someone to write the worst tweet you could write, we

0:20:05.320 --> 0:20:08.679
<v Speaker 1>couldn't have come up with it. Um. So you know

0:20:08.720 --> 0:20:10.880
<v Speaker 1>there were deaf Obviously, I had not seen the old

0:20:10.920 --> 0:20:13.960
<v Speaker 1>tweets from years ago that we're surfacing and you know,

0:20:14.000 --> 0:20:16.600
<v Speaker 1>they were going up, they were coming down, and um,

0:20:16.720 --> 0:20:20.639
<v Speaker 1>I didn't it was that was like a biblical level tragedy.

0:20:20.960 --> 0:20:22.800
<v Speaker 1>I didn't think it was. Okay, let's go to the end.

0:20:23.119 --> 0:20:26.200
<v Speaker 1>Do you think the show should have been canceled? Uh, well,

0:20:26.280 --> 0:20:32.080
<v Speaker 1>it's it's still on without her. Um. Yeah, I mean

0:20:32.080 --> 0:20:34.560
<v Speaker 1>that was right. You can't mean we get to the point.

0:20:34.640 --> 0:20:39.560
<v Speaker 1>You know, this is kind of like, uh, Louis c K. Okay, no, no, no,

0:20:39.600 --> 0:20:43.080
<v Speaker 1>what I'm trying to say. Louis c. K admitted it,

0:20:44.359 --> 0:20:48.520
<v Speaker 1>and there's a certain segment of the population says, forget it.

0:20:48.800 --> 0:20:51.760
<v Speaker 1>He has judged on the same level of Weinstein, So

0:20:51.840 --> 0:20:55.120
<v Speaker 1>shouldn't there be a sliding scale to a degree? This

0:20:55.200 --> 0:20:58.080
<v Speaker 1>is a This will be a five hour conversation. If

0:20:58.080 --> 0:21:01.040
<v Speaker 1>I take that out, I can speak to Rose and Um,

0:21:01.080 --> 0:21:03.119
<v Speaker 1>I think there's a lot of stuff around Louis that

0:21:03.600 --> 0:21:06.919
<v Speaker 1>you and I don't know. Um that maybe they know

0:21:06.960 --> 0:21:08.679
<v Speaker 1>more than we do, et cetera. So I'm gonna not

0:21:08.760 --> 0:21:11.080
<v Speaker 1>weigh in on that because I'm not an expert on it. Um,

0:21:11.119 --> 0:21:12.919
<v Speaker 1>there's a lot of stuff A lot of us don't know.

0:21:13.160 --> 0:21:16.080
<v Speaker 1>For all of the claims that you know, uh that

0:21:16.160 --> 0:21:18.560
<v Speaker 1>we're hearing about a lot of this stuff. You know,

0:21:18.600 --> 0:21:19.879
<v Speaker 1>we don't know about all the things that have been

0:21:19.880 --> 0:21:22.040
<v Speaker 1>settled and all the things that haven't been public, you know,

0:21:22.119 --> 0:21:24.440
<v Speaker 1>and all the things that may come out. I mean,

0:21:24.720 --> 0:21:26.600
<v Speaker 1>you know, you have a ton of money. Let's say

0:21:26.640 --> 0:21:29.520
<v Speaker 1>you are you gonna put your money on someone who

0:21:29.520 --> 0:21:31.720
<v Speaker 1>has a history of doing this, because then moving forward,

0:21:31.760 --> 0:21:33.400
<v Speaker 1>what else is going to come out of this? Pandora's

0:21:33.440 --> 0:21:36.680
<v Speaker 1>I agree, But it's more interesting when it's public perception.

0:21:37.040 --> 0:21:39.760
<v Speaker 1>When the people, uh yeah, I went, I toured around

0:21:39.760 --> 0:21:42.479
<v Speaker 1>the country after the Rosean thing, and people go, what

0:21:42.520 --> 0:21:44.560
<v Speaker 1>happened to Roseanne, Is she okay? I was like, you

0:21:44.600 --> 0:21:48.240
<v Speaker 1>didn't hear me? There was not only some people that

0:21:48.280 --> 0:21:50.760
<v Speaker 1>didn't hear about it, but then you know half the

0:21:50.760 --> 0:21:53.719
<v Speaker 1>people are like, A, she's crazy. Ever knew she was crazy?

0:21:53.800 --> 0:21:56.359
<v Speaker 1>That's just Roseanne? And what's the Just move on, you know.

0:21:56.400 --> 0:22:03.199
<v Speaker 1>But look, we cannot forget the It's ABC is Disney,

0:22:03.320 --> 0:22:07.959
<v Speaker 1>they sell mouse ears. I understand children. I understand that.

0:22:08.960 --> 0:22:11.159
<v Speaker 1>Will you amount of money you're getting, you can't post

0:22:11.200 --> 0:22:14.000
<v Speaker 1>it like that. It's not a lot to ask, but no.

0:22:14.160 --> 0:22:17.680
<v Speaker 1>But the more interesting thing to me is the discussion

0:22:18.320 --> 0:22:21.280
<v Speaker 1>in the media and in board rooms. To what degree

0:22:21.320 --> 0:22:25.440
<v Speaker 1>is that in touch with the people on the street. Um,

0:22:25.480 --> 0:22:27.760
<v Speaker 1>you know you've met some of the people on the street.

0:22:28.119 --> 0:22:30.800
<v Speaker 1>We shouldn't always be in touch, but there's we shouldn't

0:22:31.160 --> 0:22:37.320
<v Speaker 1>stoop to the level that might uh appease something different.

0:22:37.440 --> 0:22:40.680
<v Speaker 1>I'm saying that I believe in doing what you want,

0:22:40.680 --> 0:22:42.600
<v Speaker 1>and of course, if you have people you're working for,

0:22:42.800 --> 0:22:46.359
<v Speaker 1>that's another issue. But a lot of times what they're concerned,

0:22:46.359 --> 0:22:48.919
<v Speaker 1>there's a lot of history where they say, we have complaints,

0:22:49.119 --> 0:22:52.080
<v Speaker 1>we took the show off the year ten people complaints

0:22:52.119 --> 0:22:54.760
<v Speaker 1>he's on a network show, or they had a campaign,

0:22:55.160 --> 0:22:57.399
<v Speaker 1>there's no perspective. But let me go back to and

0:22:57.440 --> 0:22:59.320
<v Speaker 1>I think that also. I mean, look, you've from what

0:22:59.359 --> 0:23:01.960
<v Speaker 1>I understand that had companies and employed people. I mean,

0:23:02.440 --> 0:23:04.880
<v Speaker 1>if you are running one of the most valuable brands

0:23:04.920 --> 0:23:08.399
<v Speaker 1>in the world, Disney, and you have someone tweets something

0:23:08.480 --> 0:23:11.720
<v Speaker 1>racist and you have Shonda Rhymes and Kenya Barriss is

0:23:11.760 --> 0:23:15.400
<v Speaker 1>two of your biggest money it's just it's it's forget

0:23:15.400 --> 0:23:19.440
<v Speaker 1>the mortal issue and the integrity issue and the class

0:23:19.640 --> 0:23:23.680
<v Speaker 1>having class I mean issue. Um, it's also just bad business. Okay,

0:23:23.680 --> 0:23:25.440
<v Speaker 1>But let's go back to social media. So you're heavy

0:23:25.480 --> 0:23:28.680
<v Speaker 1>on Twitter. How about on the other platform, Instagram. I

0:23:28.680 --> 0:23:31.120
<v Speaker 1>would say I'm the most engaged because Twitter is very

0:23:31.160 --> 0:23:33.679
<v Speaker 1>much sort of a verbal platform. It's very much you

0:23:33.720 --> 0:23:35.520
<v Speaker 1>have to get the hashtag and you know, there's it's

0:23:35.560 --> 0:23:37.400
<v Speaker 1>more time sensitive. You have to respond to something that's

0:23:37.400 --> 0:23:40.840
<v Speaker 1>happening right this second, and evergreen jokes don't always hit

0:23:40.840 --> 0:23:43.240
<v Speaker 1>as well as something topical. Um, so I'm in and

0:23:43.240 --> 0:23:45.040
<v Speaker 1>out on there. Not the best place to sell tickets

0:23:45.040 --> 0:23:48.440
<v Speaker 1>honestly anymore, in terms of ticket leaks. Just a couple

0:23:48.480 --> 0:23:50.399
<v Speaker 1>of things. How many how many followers do you have

0:23:50.480 --> 0:23:54.280
<v Speaker 1>on Instagram, I have, okay, and how often do you

0:23:54.359 --> 0:23:57.119
<v Speaker 1>post on either of these platforms? I would say Instagram

0:23:57.480 --> 0:23:59.639
<v Speaker 1>is twice a day, usually a video day and a

0:23:59.640 --> 0:24:01.840
<v Speaker 1>photo day, except on weekends because I can look at

0:24:01.840 --> 0:24:04.879
<v Speaker 1>the metrics and see that my followers mostly look at

0:24:04.880 --> 0:24:08.200
<v Speaker 1>Instagram during work during the week days, which is why

0:24:08.200 --> 0:24:10.639
<v Speaker 1>you always want to subtitle your videos and look at

0:24:10.640 --> 0:24:14.240
<v Speaker 1>your metrics, and then Instagram stories I do. I would

0:24:14.280 --> 0:24:16.240
<v Speaker 1>say like five or six of those a day. So

0:24:16.320 --> 0:24:19.840
<v Speaker 1>what works? They all work for different demographics, and they

0:24:19.840 --> 0:24:22.800
<v Speaker 1>all work for different reasons and different things. So Facebook

0:24:22.960 --> 0:24:26.920
<v Speaker 1>is more for an older demographic and for the targeted

0:24:26.920 --> 0:24:30.159
<v Speaker 1>ads that are selling tickets. Instagram works more for instant

0:24:30.240 --> 0:24:34.000
<v Speaker 1>engagement and like selling things like merch or tickets and

0:24:34.200 --> 0:24:36.959
<v Speaker 1>targeted Facebook ads are great for localized and I actually

0:24:37.000 --> 0:24:38.760
<v Speaker 1>just um, you're gonna love this. Have you heard of this?

0:24:38.920 --> 0:24:42.520
<v Speaker 1>Um this new app where people can text you directly? Yes?

0:24:43.000 --> 0:24:45.560
<v Speaker 1>Tell my audience, yes, So there's this new app. You've

0:24:45.600 --> 0:24:48.920
<v Speaker 1>probably seen it on my Instagram. If you guys follow me, um, uh,

0:24:49.000 --> 0:24:52.760
<v Speaker 1>your you've got They're probably like, who uh that they

0:24:52.800 --> 0:24:57.800
<v Speaker 1>can You can now directly text celebrities, people touring and

0:24:57.840 --> 0:24:59.960
<v Speaker 1>we can actually see your text and text you back.

0:25:00.040 --> 0:25:02.359
<v Speaker 1>This is a company called Community. It does not sell

0:25:02.400 --> 0:25:06.800
<v Speaker 1>your data, which is wild and um and we can

0:25:06.840 --> 0:25:11.879
<v Speaker 1>basically collated by age and uh state. So when I

0:25:11.920 --> 0:25:13.920
<v Speaker 1>come to your town, I can text your phone directly

0:25:13.960 --> 0:25:16.080
<v Speaker 1>and say hey, I met the Majestic Theater tonight at

0:25:16.160 --> 0:25:19.520
<v Speaker 1>eight o'clock instead of relying on a main feed post,

0:25:19.640 --> 0:25:21.560
<v Speaker 1>which is probably not going to make the algorithm anyway.

0:25:21.600 --> 0:25:22.800
<v Speaker 1>But a lot of people don't know that if you

0:25:22.800 --> 0:25:24.200
<v Speaker 1>don't get a certain amount of likes in a certain

0:25:24.200 --> 0:25:26.439
<v Speaker 1>amount of time, your post is not going to make

0:25:26.480 --> 0:25:29.080
<v Speaker 1>the algorithm. So you can be posting about going to Duluth,

0:25:29.440 --> 0:25:32.000
<v Speaker 1>for example, all day long, and people in Duluth might

0:25:32.040 --> 0:25:34.439
<v Speaker 1>not even see it. So this is the current issue

0:25:34.440 --> 0:25:36.840
<v Speaker 1>with people that are touring is you go to Houston,

0:25:37.080 --> 0:25:39.120
<v Speaker 1>you do five thousand seats, You go to the airport

0:25:39.160 --> 0:25:40.800
<v Speaker 1>the next day and someone goes, oh my god, when

0:25:40.800 --> 0:25:41.960
<v Speaker 1>are you com mees? I love you, I'm such a

0:25:42.000 --> 0:25:43.959
<v Speaker 1>big fan, what are you doing in town? And you're like, well,

0:25:43.960 --> 0:25:45.240
<v Speaker 1>if you're such a big fan, how did you not

0:25:45.359 --> 0:25:48.000
<v Speaker 1>know that I was all these people, especially in the

0:25:48.000 --> 0:25:50.240
<v Speaker 1>big city where there's multiple events, And oh, finally, yeah,

0:25:50.280 --> 0:25:52.919
<v Speaker 1>you probably wouldn't have gone anywhere, but it was. But

0:25:53.000 --> 0:25:55.159
<v Speaker 1>I posted on Facebook, I post on Twitter, I posted

0:25:55.160 --> 0:25:56.919
<v Speaker 1>on my main feet, I posted to my stories, but

0:25:57.000 --> 0:26:00.960
<v Speaker 1>nobody saw it. And this And because comedians for longest time,

0:26:01.000 --> 0:26:04.639
<v Speaker 1>we're relying on email databases. People change their email, they

0:26:04.720 --> 0:26:06.800
<v Speaker 1>usually don't change their number. So this is the way

0:26:06.800 --> 0:26:08.720
<v Speaker 1>to get to you right away. I can text you

0:26:08.800 --> 0:26:13.200
<v Speaker 1>instead of blasting all my followers for Orlando, I can

0:26:13.240 --> 0:26:16.439
<v Speaker 1>just text Orlando people directly. Um, which is this is

0:26:16.640 --> 0:26:17.840
<v Speaker 1>a godsend and I think it is going to be

0:26:17.840 --> 0:26:19.919
<v Speaker 1>major leagus. Let's go back a few chapters. What was

0:26:19.960 --> 0:26:24.320
<v Speaker 1>your experience at PEN? Oh? Great question. I it was

0:26:24.400 --> 0:26:27.080
<v Speaker 1>very expensive. Um, so how did you pay for us? So?

0:26:27.160 --> 0:26:29.800
<v Speaker 1>I paid for it by doing a QVC in Westchester.

0:26:30.359 --> 0:26:33.920
<v Speaker 1>I did QVC where I modeled self Tanner UH and

0:26:34.440 --> 0:26:38.720
<v Speaker 1>UH track suits, and I did informal modeling at King

0:26:38.720 --> 0:26:41.400
<v Speaker 1>of Prussia Mall. I would walk around in wedding dresses

0:26:41.760 --> 0:26:44.560
<v Speaker 1>and I had to pay off my loans which took

0:26:44.560 --> 0:26:47.720
<v Speaker 1>cares and I did it in three years, so it

0:26:47.760 --> 0:26:51.240
<v Speaker 1>was cheaper. Okay, When you went to PEN, how expensive

0:26:51.359 --> 0:26:55.560
<v Speaker 1>was it? I mean, wasn't it forty something Okay, so

0:26:55.600 --> 0:26:58.399
<v Speaker 1>you went. They didn't give you any financial lead. No,

0:26:58.480 --> 0:27:01.480
<v Speaker 1>they gave me some. They gave me um My mom's

0:27:01.680 --> 0:27:04.960
<v Speaker 1>boyfriend helped, and then I had some loans. Okay, how'd

0:27:04.960 --> 0:27:09.439
<v Speaker 1>you get the gig? QVC? I was worked when I

0:27:09.480 --> 0:27:11.680
<v Speaker 1>was in d C in high school in Washington, d C.

0:27:11.840 --> 0:27:15.399
<v Speaker 1>I would do informal modeling at Bloomingdale's Tyson's Corner and

0:27:15.560 --> 0:27:19.240
<v Speaker 1>White Flint and some magazine stuff. And then I got

0:27:19.240 --> 0:27:23.480
<v Speaker 1>a local agent in Philadelphia called Reinhart Modeling Agency, and

0:27:23.680 --> 0:27:26.520
<v Speaker 1>I would work at King of Prussia Mall, walking around

0:27:26.720 --> 0:27:30.040
<v Speaker 1>and they got me an audition, and I'm very telegenic.

0:27:30.080 --> 0:27:34.520
<v Speaker 1>I don't know if you noticed absolutely here, But was

0:27:34.560 --> 0:27:36.879
<v Speaker 1>this a dream of yours? Or is this just some

0:27:36.920 --> 0:27:41.920
<v Speaker 1>way to make money? Money? Was a dream of mine having? Okay,

0:27:41.920 --> 0:27:43.919
<v Speaker 1>so you go to Penn. Did you always want to

0:27:43.920 --> 0:27:47.280
<v Speaker 1>go to pen? I didn't. I wanted to go to

0:27:47.320 --> 0:27:49.600
<v Speaker 1>Stanford actually, and I don't even know why. I always

0:27:49.600 --> 0:27:52.480
<v Speaker 1>had this draw to California to tech. I wanted to

0:27:52.480 --> 0:27:56.200
<v Speaker 1>go to Stanford. I didn't get into Stanford early decision,

0:27:56.720 --> 0:28:00.119
<v Speaker 1>didn't get in, but then got into Pen and and

0:28:00.720 --> 0:28:04.480
<v Speaker 1>uh Annaberg. I wanted to major in communications. I still

0:28:04.520 --> 0:28:07.480
<v Speaker 1>don't even know what it is. Uh does anyone? But

0:28:07.720 --> 0:28:11.280
<v Speaker 1>I think communications at Annaberg a Penn accidentally was the

0:28:11.320 --> 0:28:14.879
<v Speaker 1>perfect education for a comedian because all they did was

0:28:14.920 --> 0:28:18.560
<v Speaker 1>tear apart and analyzed media. I took this UH class

0:28:18.600 --> 0:28:20.520
<v Speaker 1>with Joe Turou where all they did was talk about

0:28:20.520 --> 0:28:23.320
<v Speaker 1>how advertising influences our brains. It was basically the way

0:28:23.320 --> 0:28:26.520
<v Speaker 1>comedians evaluate the world. How is it? You know? Nature

0:28:26.560 --> 0:28:30.280
<v Speaker 1>and nurture? And do does do video games cause violence?

0:28:30.320 --> 0:28:31.760
<v Speaker 1>Like all the kind of things that you would explore

0:28:31.800 --> 0:28:34.280
<v Speaker 1>as a comedian and so um, well, you know, I

0:28:34.320 --> 0:28:36.520
<v Speaker 1>went to college and I found the most I learned

0:28:36.560 --> 0:28:39.560
<v Speaker 1>was outside the classroom. So you were a Penn Did

0:28:39.560 --> 0:28:42.640
<v Speaker 1>you fit in? No? Not at all. I worked in

0:28:42.760 --> 0:28:47.640
<v Speaker 1>New York, uh two days a week modeling bridesmaids and

0:28:47.800 --> 0:28:50.080
<v Speaker 1>wedding gowns. So I was only at Penn three days

0:28:50.120 --> 0:28:51.880
<v Speaker 1>a week, and I would do classes nine hours a day,

0:28:51.880 --> 0:28:53.400
<v Speaker 1>three days a week, and then I'd be working in

0:28:53.440 --> 0:28:55.000
<v Speaker 1>New York. Okay, So the first year you lived in

0:28:55.000 --> 0:28:58.480
<v Speaker 1>the dorm, uh No, I lived off campus all three years.

0:28:58.520 --> 0:29:00.880
<v Speaker 1>All three years I lived off campus on eighteenth and

0:29:00.960 --> 0:29:04.040
<v Speaker 1>JFK and Philly. So did you have any friends at

0:29:04.080 --> 0:29:05.760
<v Speaker 1>pen I had a couple of friends. I have two

0:29:05.840 --> 0:29:09.000
<v Speaker 1>very good friends. One you might know she wrote a

0:29:09.000 --> 0:29:11.200
<v Speaker 1>book called Meet Me in the Bathroom that is about

0:29:11.240 --> 0:29:13.160
<v Speaker 1>the music scene in New York in two thousand four.

0:29:13.320 --> 0:29:16.320
<v Speaker 1>What's your name, Lizzie Goodman? I know that I don't know, Yeah,

0:29:16.320 --> 0:29:18.240
<v Speaker 1>Elizabeth Goodman. She wrote this brilliant book called Meet Me

0:29:18.240 --> 0:29:19.840
<v Speaker 1>in the Bathroom. We would go to New York and

0:29:19.920 --> 0:29:22.760
<v Speaker 1>like party with like the Vines and the Strokes and

0:29:22.800 --> 0:29:25.080
<v Speaker 1>all the those and all the cool bands. And she

0:29:25.160 --> 0:29:26.479
<v Speaker 1>ended up writing a book about it that I think

0:29:26.560 --> 0:29:29.160
<v Speaker 1>is getting a TV show. Um, so she's out here now.

0:29:29.240 --> 0:29:30.800
<v Speaker 1>And then another girlfriend. Mind. So I had like two

0:29:30.880 --> 0:29:33.520
<v Speaker 1>or three friends at penn Um, but not much. I

0:29:33.560 --> 0:29:35.920
<v Speaker 1>was working and I was you know anyone that knows me? Now,

0:29:36.000 --> 0:29:40.080
<v Speaker 1>let's go back at chapter You're from d C. Okay,

0:29:40.080 --> 0:29:43.000
<v Speaker 1>how many kids in the family? Three? And where are

0:29:43.040 --> 0:29:44.360
<v Speaker 1>you in the higher wark that I know of? I

0:29:44.360 --> 0:29:46.640
<v Speaker 1>haven't done my twenty three and me I am the youngest.

0:29:46.800 --> 0:29:49.320
<v Speaker 1>Would you wait, let's start? Would you do you know?

0:29:49.640 --> 0:29:53.040
<v Speaker 1>I absolutely would. I just did the National Geographic version

0:29:53.080 --> 0:29:54.560
<v Speaker 1>of it. I did the twenty three of me one

0:29:54.640 --> 0:30:00.280
<v Speaker 1>and I didn't spit in it right and think there

0:30:00.320 --> 0:30:04.520
<v Speaker 1>was a special I failed that test. I am so look,

0:30:04.640 --> 0:30:08.680
<v Speaker 1>I am the first person to you know, you sort

0:30:08.680 --> 0:30:11.000
<v Speaker 1>of dive in all this stuff. I am so not

0:30:11.880 --> 0:30:14.120
<v Speaker 1>terrified of by I just think we have you know,

0:30:14.160 --> 0:30:16.600
<v Speaker 1>we've gotten so paranoid about all this stuff. Okay, But

0:30:16.640 --> 0:30:19.880
<v Speaker 1>as I say, if you do it and correctly, how

0:30:19.880 --> 0:30:22.680
<v Speaker 1>do you feel, other than finding out about certain health issues,

0:30:22.960 --> 0:30:26.040
<v Speaker 1>how do you feel about people all over the world

0:30:26.080 --> 0:30:28.720
<v Speaker 1>being interacting with you and saying I'm related to you.

0:30:28.800 --> 0:30:32.800
<v Speaker 1>I will do absolutely anything if I can sublimate it

0:30:32.840 --> 0:30:35.320
<v Speaker 1>into a joke or TV show idea or movie idea.

0:30:35.400 --> 0:30:37.800
<v Speaker 1>I love taking risks like this. I would love to

0:30:37.840 --> 0:30:40.760
<v Speaker 1>have that was your reason to do it? Yeah? Absolutely,

0:30:40.840 --> 0:30:43.480
<v Speaker 1>So what else have you done like that? I when

0:30:43.720 --> 0:30:45.440
<v Speaker 1>when I first moved to l A, I first got

0:30:45.440 --> 0:30:47.840
<v Speaker 1>a check. I was doing a It was like almost

0:30:47.840 --> 0:30:50.320
<v Speaker 1>the first sponsored content deals that was happening. I did

0:30:50.320 --> 0:30:53.120
<v Speaker 1>a talk show for Lexus in one of the new

0:30:53.200 --> 0:30:55.520
<v Speaker 1>Lexus cars. It was like the first gig that really

0:30:55.560 --> 0:30:58.520
<v Speaker 1>made me. VICE was doing it and I got twenty

0:30:58.920 --> 0:31:01.960
<v Speaker 1>dollars in episode. I did five episodes. I finally had money.

0:31:02.280 --> 0:31:06.960
<v Speaker 1>I got Alexis hybrid and was that on top on

0:31:07.120 --> 0:31:10.000
<v Speaker 1>top of they gave me like a lease or something,

0:31:10.440 --> 0:31:12.360
<v Speaker 1>but then I had to pay it after something, and

0:31:12.400 --> 0:31:14.280
<v Speaker 1>then I didn't know about taxes, by the way, so

0:31:14.400 --> 0:31:17.800
<v Speaker 1>I spent it all. I didn't know my owned money,

0:31:17.840 --> 0:31:20.600
<v Speaker 1>so I lost money on that. UM and I went

0:31:20.640 --> 0:31:22.960
<v Speaker 1>to the gas station and I filled up the hybrid

0:31:23.040 --> 0:31:26.480
<v Speaker 1>with diesel fuel by accident, because I thought the green

0:31:26.600 --> 0:31:30.560
<v Speaker 1>meant like green, like healthy guys, it's like good for

0:31:30.600 --> 0:31:33.240
<v Speaker 1>the environment. Was twenty six years old, right, and it

0:31:33.360 --> 0:31:36.520
<v Speaker 1>totally destroyed the car, and I wrote this awesome bit

0:31:36.560 --> 0:31:38.520
<v Speaker 1>about it, and from then on out, I was like,

0:31:38.560 --> 0:31:40.400
<v Speaker 1>the biggest disasters of my life are what are going

0:31:40.440 --> 0:31:42.680
<v Speaker 1>to pay my bills? In terms of being a stand up,

0:31:42.720 --> 0:31:44.840
<v Speaker 1>I have this. I'm crazy lucky that I could have

0:31:44.840 --> 0:31:46.400
<v Speaker 1>this job. That the worst things that happened to me

0:31:46.520 --> 0:31:49.280
<v Speaker 1>end up being great jokes. Okay, another worst thing that

0:31:49.360 --> 0:31:52.480
<v Speaker 1>ever happened to Um? Oh gosh, well, I mean every

0:31:52.480 --> 0:31:55.440
<v Speaker 1>breakup ever, the worst dates of my life are my

0:31:55.480 --> 0:31:58.160
<v Speaker 1>best jokes. The most humiliating moments of my life. Okay,

0:31:58.160 --> 0:32:01.280
<v Speaker 1>but now you're engaged, right, I know, So how did

0:32:01.560 --> 0:32:05.200
<v Speaker 1>you me went? I go to everybody's Wikipedia. I mean,

0:32:05.240 --> 0:32:06.960
<v Speaker 1>I know you from Howard starting on I know other

0:32:07.000 --> 0:32:09.800
<v Speaker 1>things about you're in the news, but I did Actually

0:32:09.800 --> 0:32:14.400
<v Speaker 1>I didn't know that. Uh told me. Oh my goodness,

0:32:14.480 --> 0:32:18.160
<v Speaker 1>No way, I was something with Nicky Glazer. Maybe not. No,

0:32:18.800 --> 0:32:21.320
<v Speaker 1>I was listening to that. Bobbaue did not tell me,

0:32:21.320 --> 0:32:24.080
<v Speaker 1>although I saw him the other week. Nicky Glazer was

0:32:24.120 --> 0:32:28.400
<v Speaker 1>on Joe Rogan. Uh, and she talked about you being engaged.

0:32:28.400 --> 0:32:31.640
<v Speaker 1>That's how I know. Yeah, it's like three hour episodes.

0:32:32.200 --> 0:32:36.680
<v Speaker 1>Say yeah, no, I I, um, that's so funny. Yeah. No, Look,

0:32:36.760 --> 0:32:38.760
<v Speaker 1>I every day I'm like, can I just go on

0:32:38.800 --> 0:32:41.320
<v Speaker 1>a couple of dates. I won't kiss them or make

0:32:41.440 --> 0:32:44.280
<v Speaker 1>I just need some more material. You know is a comic.

0:32:44.360 --> 0:32:48.440
<v Speaker 1>I'm just I am obsessed with Let's try. Let's fine

0:32:48.440 --> 0:32:50.760
<v Speaker 1>for Kate. You know, looking for Mr Wright and you

0:32:50.760 --> 0:32:55.000
<v Speaker 1>know is a little bit different from looking for material. Okay,

0:32:55.240 --> 0:33:01.920
<v Speaker 1>So prior to meeting Mr Wright, how often did you date? Um?

0:33:02.320 --> 0:33:05.280
<v Speaker 1>I am as as anyone that knows me who's listening.

0:33:05.400 --> 0:33:08.560
<v Speaker 1>I do stand up every night, three or four spots tonight.

0:33:08.880 --> 0:33:13.560
<v Speaker 1>Are there Comedy Store. They have three rooms. Best club

0:33:13.600 --> 0:33:16.440
<v Speaker 1>in the country. Laugh Factory, Improv than all these other

0:33:16.480 --> 0:33:19.880
<v Speaker 1>little anelka. So I'm working all the time at night.

0:33:19.960 --> 0:33:23.760
<v Speaker 1>So I've never been a person that puts relationships first. Um.

0:33:23.800 --> 0:33:25.920
<v Speaker 1>And I say that with love because it's just I

0:33:25.920 --> 0:33:28.080
<v Speaker 1>can only make relationships work when I'm able to put

0:33:28.600 --> 0:33:32.760
<v Speaker 1>that first. Okay, So let's just say subsequent to pen

0:33:33.840 --> 0:33:38.000
<v Speaker 1>did you have any serious relationships to until now? Um?

0:33:38.160 --> 0:33:40.840
<v Speaker 1>I thought they were serious. You think they're serious when

0:33:40.840 --> 0:33:43.240
<v Speaker 1>you're in them. And did you live with somebody? Yeah,

0:33:43.280 --> 0:33:45.200
<v Speaker 1>I've lived with the I lived someone for a couple

0:33:45.240 --> 0:33:47.240
<v Speaker 1>of years before that. And how did you meet in

0:33:47.400 --> 0:33:50.400
<v Speaker 1>that person? What they do? We They were a writer,

0:33:50.960 --> 0:33:53.479
<v Speaker 1>big TV writer. I dated a big director. I mean

0:33:53.520 --> 0:33:57.960
<v Speaker 1>I've dated you know, people in this field. Um, and

0:33:58.120 --> 0:34:00.680
<v Speaker 1>was lucky to actually learn from them too. I was

0:34:00.800 --> 0:34:02.640
<v Speaker 1>very like, don't date anyone in Hollywood, and You're like, no,

0:34:02.720 --> 0:34:04.720
<v Speaker 1>why these are the people in work. It's like, don't

0:34:04.800 --> 0:34:06.600
<v Speaker 1>date anybody at the company. Of course, that's where else

0:34:06.600 --> 0:34:08.360
<v Speaker 1>you gonna be. Yeah, where else you're gonna meet people.

0:34:08.400 --> 0:34:10.960
<v Speaker 1>And like, I want to be able to talk through

0:34:10.960 --> 0:34:14.520
<v Speaker 1>all this stuff. I dated a in anesthesiologists like three

0:34:14.600 --> 0:34:17.160
<v Speaker 1>years ago, and I remembered I had a development deal

0:34:17.239 --> 0:34:19.720
<v Speaker 1>or a show at HBO and I had the table

0:34:19.760 --> 0:34:21.080
<v Speaker 1>read the next day and I was like working on

0:34:21.160 --> 0:34:22.640
<v Speaker 1>at memorizing and He's like, what's the big deal, It's

0:34:22.680 --> 0:34:27.720
<v Speaker 1>just a table read and let's not just like oh,

0:34:27.719 --> 0:34:30.800
<v Speaker 1>like I I now see the value of your question.

0:34:31.200 --> 0:34:34.920
<v Speaker 1>How did you meet an anesthesiologist? He I dated him

0:34:34.960 --> 0:34:37.839
<v Speaker 1>when I was in college, when I was nineteen. It

0:34:37.960 --> 0:34:42.279
<v Speaker 1>was he lives in Portland. Is wonderful I had dated

0:34:42.560 --> 0:34:45.920
<v Speaker 1>I once I've realized people knew I had money, or

0:34:45.960 --> 0:34:49.520
<v Speaker 1>that I had I was gold digged a couple of times,

0:34:49.760 --> 0:34:52.960
<v Speaker 1>or I had really yeah, did these people even have jobs?

0:34:53.080 --> 0:34:55.400
<v Speaker 1>Or they were like between gigs or what. It was

0:34:55.480 --> 0:34:57.399
<v Speaker 1>just this thing where I was like they I get

0:34:57.440 --> 0:35:00.719
<v Speaker 1>people that like guys that want to be comedians and

0:35:00.760 --> 0:35:04.360
<v Speaker 1>they think dating me like will help them, or just

0:35:04.400 --> 0:35:06.040
<v Speaker 1>a couple of guys where I realized like, oh, no,

0:35:06.160 --> 0:35:08.520
<v Speaker 1>you want to be a writer, or you don't have money.

0:35:08.600 --> 0:35:11.000
<v Speaker 1>And someone asked me to pay their student loans, Like

0:35:11.080 --> 0:35:15.960
<v Speaker 1>it was just did you pay this? I have? Yeah,

0:35:16.600 --> 0:35:20.520
<v Speaker 1>USC does have some of my money? How does someone

0:35:20.640 --> 0:35:23.120
<v Speaker 1>pitch I didn't have to pay Rick Singer? It was

0:35:24.920 --> 0:35:29.319
<v Speaker 1>how does someone pay my student loan? It's more of

0:35:29.360 --> 0:35:31.200
<v Speaker 1>a like it was more of a if I'm gonna

0:35:31.200 --> 0:35:33.160
<v Speaker 1>be honest, maybe I'm the monster in the story here.

0:35:33.280 --> 0:35:36.120
<v Speaker 1>It was more like I'm working this. He was working

0:35:36.160 --> 0:35:39.399
<v Speaker 1>some crazy job that like kept until two in the morning,

0:35:39.480 --> 0:35:40.400
<v Speaker 1>and I was like, well, I have to go to

0:35:40.440 --> 0:35:42.960
<v Speaker 1>bed at midnight, so you can't do this and this

0:35:43.160 --> 0:35:44.480
<v Speaker 1>was and I was like, I'll just pay for it.

0:35:44.880 --> 0:35:47.080
<v Speaker 1>Let's make it go away because I have to sleep. Okay,

0:35:47.120 --> 0:35:49.920
<v Speaker 1>but let's go back because it's a little great. So

0:35:50.000 --> 0:35:53.080
<v Speaker 1>you had a couple of live in relationships. How long

0:35:53.120 --> 0:35:57.000
<v Speaker 1>did they last? One was two years? I guess it

0:35:57.120 --> 0:36:00.319
<v Speaker 1>was just one live in one and and l A

0:36:00.719 --> 0:36:02.720
<v Speaker 1>and that person to the you want to talk about

0:36:02.719 --> 0:36:05.920
<v Speaker 1>what was his gig? Uh? He is a writer, a

0:36:06.000 --> 0:36:10.359
<v Speaker 1>movie writer. Okay, why did it end? I was young

0:36:10.440 --> 0:36:15.600
<v Speaker 1>and stupid. It's twenty seven. Uh, and I got I

0:36:15.600 --> 0:36:17.920
<v Speaker 1>had a TV show and was doing two TV shows

0:36:17.920 --> 0:36:20.560
<v Speaker 1>and it was just you know, Okay, was it you

0:36:20.560 --> 0:36:23.440
<v Speaker 1>were doing TV shows and you did not have time

0:36:23.520 --> 0:36:25.880
<v Speaker 1>for him, or you wanted the perks of having to

0:36:26.080 --> 0:36:28.799
<v Speaker 1>TV shows you wanted to trade up? So oh no, no,

0:36:28.840 --> 0:36:31.000
<v Speaker 1>I don't think it was that. I think I just uh,

0:36:31.120 --> 0:36:35.400
<v Speaker 1>you know, was still I was just not. Uh. I

0:36:35.440 --> 0:36:39.920
<v Speaker 1>also had not started my recovery journey, um, which anyone

0:36:39.960 --> 0:36:41.880
<v Speaker 1>that knows me knows, I'm gonna tell step program. And

0:36:41.920 --> 0:36:44.560
<v Speaker 1>I worked a pretty hard allan On program now and

0:36:44.600 --> 0:36:47.440
<v Speaker 1>I wrote a whole book about codependence and love, addiction

0:36:47.600 --> 0:36:50.319
<v Speaker 1>and all that stuff. So I also was, you know,

0:36:50.400 --> 0:36:55.120
<v Speaker 1>in my in my addiction. Okay, so you were a drinker? Nope,

0:36:55.320 --> 0:36:59.239
<v Speaker 1>alan On? So an all On? Yeah, so everybody you

0:36:59.239 --> 0:37:02.920
<v Speaker 1>were involved at so we've had some sort of addiction problem. Um,

0:37:05.200 --> 0:37:09.000
<v Speaker 1>No he wasn't. So what motivated you to go to

0:37:09.040 --> 0:37:11.840
<v Speaker 1>alan On? Um? I have a lot of alcoholism and

0:37:11.840 --> 0:37:14.400
<v Speaker 1>mental illness in my family. Um. The first time I

0:37:14.480 --> 0:37:18.920
<v Speaker 1>got TV show, I realized that I had some blind

0:37:18.920 --> 0:37:23.360
<v Speaker 1>spots in terms of leadership and the inability to tolerate

0:37:23.360 --> 0:37:26.920
<v Speaker 1>the discomfort of others. It was impossible to fire people,

0:37:27.200 --> 0:37:30.640
<v Speaker 1>it was impossible to give notes. I wanted people to

0:37:30.719 --> 0:37:36.080
<v Speaker 1>like me. Um, I was doing everybody else's jobs for them. Um.

0:37:36.120 --> 0:37:40.719
<v Speaker 1>I was addicted to control. So how do you deal

0:37:40.760 --> 0:37:44.640
<v Speaker 1>with the concept with the insight about wanting to everybody

0:37:44.680 --> 0:37:48.000
<v Speaker 1>to like you? You deal with it when you realize

0:37:48.000 --> 0:37:50.959
<v Speaker 1>I'm three scripts behind because I've spent more time trying

0:37:50.960 --> 0:37:54.160
<v Speaker 1>to make sure this employee likes me instead of I

0:37:54.200 --> 0:37:56.799
<v Speaker 1>understand you'll understand that, But how do you deal with

0:37:56.840 --> 0:38:00.479
<v Speaker 1>the confrontation now? Now I'm very clear or in direct

0:38:00.520 --> 0:38:03.360
<v Speaker 1>about it, after you know, eight years in a program.

0:38:03.360 --> 0:38:05.040
<v Speaker 1>But it used to be like no, no, I love it.

0:38:05.080 --> 0:38:06.759
<v Speaker 1>I love it, and then I change it, and then

0:38:07.239 --> 0:38:09.440
<v Speaker 1>you go, well, no, they wanted to change it. You

0:38:09.520 --> 0:38:12.560
<v Speaker 1>blame someone else. And what do you say now now

0:38:13.360 --> 0:38:16.919
<v Speaker 1>if I even hire someone that is a mismatch, which

0:38:16.920 --> 0:38:18.560
<v Speaker 1>I used to do all the time because I used

0:38:18.560 --> 0:38:22.000
<v Speaker 1>to sort of hire for all the wrong reasons. It

0:38:22.120 --> 0:38:23.800
<v Speaker 1>used to sort of be like we have great chemistry,

0:38:23.880 --> 0:38:27.799
<v Speaker 1>or we get along really well, or um, like we

0:38:27.880 --> 0:38:30.040
<v Speaker 1>say in in program, is like they're a Christmas tree.

0:38:30.040 --> 0:38:32.319
<v Speaker 1>They light you up, they're activating some kind of And

0:38:32.360 --> 0:38:36.440
<v Speaker 1>when do you realize you made a bad choice? Um,

0:38:36.520 --> 0:38:39.160
<v Speaker 1>when you feel any kind of adrenaline around the person,

0:38:39.360 --> 0:38:41.600
<v Speaker 1>or when your behavior starts to change around the person,

0:38:41.680 --> 0:38:44.000
<v Speaker 1>or when you start being inauthentic around them, like how

0:38:44.040 --> 0:38:46.640
<v Speaker 1>was your weekind it was? When you start being faked,

0:38:47.360 --> 0:38:50.319
<v Speaker 1>it's usually when I know that I've recreated my childhood circumstance.

0:38:56.280 --> 0:38:59.200
<v Speaker 1>Do you ever have that kind of experience with someone

0:38:59.239 --> 0:39:01.319
<v Speaker 1>over great and have it work out they're good at

0:39:01.320 --> 0:39:08.400
<v Speaker 1>their job. Yes, yes, yes, I m M, yes, I

0:39:08.440 --> 0:39:10.560
<v Speaker 1>think you can do that now. I didn't. There's a

0:39:10.600 --> 0:39:12.480
<v Speaker 1>couple of staffs I have I've worked with recently that

0:39:12.520 --> 0:39:15.560
<v Speaker 1>I didn't put together myself. But I am confident now

0:39:15.600 --> 0:39:17.480
<v Speaker 1>that yes, I can have chemistry with someone but also

0:39:17.560 --> 0:39:19.200
<v Speaker 1>go like I have the ability to tell you know

0:39:19.320 --> 0:39:21.360
<v Speaker 1>and I don't. I'm not walking on eggshells around a

0:39:21.400 --> 0:39:24.480
<v Speaker 1>personality disorder, narcissism or an ego or whatever thing that

0:39:24.520 --> 0:39:26.919
<v Speaker 1>I'm magnetically attracted to because I grew up around Okay,

0:39:26.920 --> 0:39:29.160
<v Speaker 1>but let's let's go back to the dating thing and

0:39:29.120 --> 0:39:31.840
<v Speaker 1>then we'll get back to allen on after that. It

0:39:31.880 --> 0:39:33.560
<v Speaker 1>is way more personal than I thought I was gonna be.

0:39:34.719 --> 0:39:36.520
<v Speaker 1>It wasn't prevared. I thought this is gonna be like

0:39:36.600 --> 0:39:40.839
<v Speaker 1>a business. This is your life and this is our life.

0:39:40.840 --> 0:39:45.040
<v Speaker 1>But in any event, so you have that individual as

0:39:45.080 --> 0:39:48.959
<v Speaker 1>an attractive woman in a visual business, I would think

0:39:49.000 --> 0:39:51.560
<v Speaker 1>that you get hit on an asked out on dates

0:39:51.560 --> 0:39:55.719
<v Speaker 1>on a regular basis. I really don't. I Uh, it's

0:39:55.760 --> 0:40:00.759
<v Speaker 1>so funny, like all of the like is in this

0:40:00.840 --> 0:40:02.720
<v Speaker 1>business that are notorious for dating a lot of people

0:40:03.480 --> 0:40:06.279
<v Speaker 1>I would like go out with and then would be like,

0:40:06.320 --> 0:40:08.520
<v Speaker 1>so what do you do? Like where do you invest?

0:40:08.760 --> 0:40:11.440
<v Speaker 1>Like I become a sexual very quickly because I'm not

0:40:11.560 --> 0:40:15.360
<v Speaker 1>very good at all that and uh, I'm not just

0:40:15.400 --> 0:40:17.560
<v Speaker 1>good at understanding if someone's flirting with me or if

0:40:17.560 --> 0:40:20.000
<v Speaker 1>someone's interested to me. And I was always going off

0:40:20.000 --> 0:40:21.680
<v Speaker 1>and doing stand up at six thirty at night. It

0:40:21.760 --> 0:40:24.920
<v Speaker 1>was okay, but if you're on the date with that person,

0:40:25.000 --> 0:40:27.719
<v Speaker 1>so you're what is your go to thing to do

0:40:27.800 --> 0:40:32.640
<v Speaker 1>on an uncomfortable date? Oh, an uncomfortable date? Um? Many

0:40:32.640 --> 0:40:34.680
<v Speaker 1>do you do? You pick up the conversation? Do you

0:40:34.680 --> 0:40:39.160
<v Speaker 1>feel that's your responsibility? Uh? Yeah, I'm kind of remember

0:40:39.200 --> 0:40:42.359
<v Speaker 1>that first or maybe it's the third episode of The

0:40:42.400 --> 0:40:44.400
<v Speaker 1>English Office when he went on that bad date and

0:40:44.440 --> 0:40:46.000
<v Speaker 1>he's actually I didn't see it, but keep going, Oh

0:40:46.000 --> 0:40:52.319
<v Speaker 1>my goodness, certain things you know? Yeah, I mean and

0:40:52.440 --> 0:40:55.000
<v Speaker 1>uh he said, uh something like asked me anything, I

0:40:55.000 --> 0:40:57.400
<v Speaker 1>can talk about anything? How's that before stomach? It's just

0:40:57.440 --> 0:40:59.880
<v Speaker 1>this great thing. I can pretty much talk to anyone

0:41:00.120 --> 0:41:03.000
<v Speaker 1>and even if it but I'm talking about when you

0:41:03.080 --> 0:41:08.360
<v Speaker 1>feel uncomfortable, do you fill the whole? Uh? That's in

0:41:08.400 --> 0:41:12.239
<v Speaker 1>search joke here, Um, when I feel uncomfortable, yes, if

0:41:12.280 --> 0:41:14.560
<v Speaker 1>you give me ten, I'll give you ninety. Are used to.

0:41:14.640 --> 0:41:18.080
<v Speaker 1>Now that I'm recovery, I'm now able to just go like, okay,

0:41:18.120 --> 0:41:20.319
<v Speaker 1>I feel like this isn't going great? Should we call it? Like?

0:41:20.360 --> 0:41:25.840
<v Speaker 1>I can do that now? Right? Okay? But once again, okay,

0:41:25.840 --> 0:41:27.560
<v Speaker 1>so you went to recovery? How long you go to

0:41:27.640 --> 0:41:31.000
<v Speaker 1>alan on? About eight years? Okay? What was the final

0:41:31.080 --> 0:41:33.880
<v Speaker 1>thing that's says? A miracle? It's a miracle, I I

0:41:34.200 --> 0:41:37.600
<v Speaker 1>it's a brilliant way to reparent. And I also I

0:41:37.640 --> 0:41:39.319
<v Speaker 1>wasn't able to say no, that's the other thing I'm

0:41:39.320 --> 0:41:41.960
<v Speaker 1>doing every no. But I'm asking what was the trigger

0:41:41.960 --> 0:41:44.239
<v Speaker 1>that finally made you go? Um? I have a lot

0:41:44.239 --> 0:41:48.640
<v Speaker 1>of family in uh struggling with alcoholism and addiction, and

0:41:48.680 --> 0:41:51.840
<v Speaker 1>I was martyring myself and you know, paying for rehabs

0:41:51.880 --> 0:41:54.000
<v Speaker 1>and you know it was making my life on me. Okay,

0:41:54.000 --> 0:41:56.279
<v Speaker 1>so let's go back. You're the youngest child, yes, sir,

0:41:57.200 --> 0:42:02.840
<v Speaker 1>to me, your two other siblings much older older sister

0:42:02.960 --> 0:42:05.359
<v Speaker 1>and older brother who lives in London. But how much

0:42:05.400 --> 0:42:07.960
<v Speaker 1>older are I'm sorry? A year and a half and

0:42:08.000 --> 0:42:11.680
<v Speaker 1>then I am a mistake it's known uh sort of

0:42:11.719 --> 0:42:13.520
<v Speaker 1>like a joke in the family, UM, which I think

0:42:13.600 --> 0:42:17.000
<v Speaker 1>is part of the achiever complex. The I was never

0:42:17.360 --> 0:42:18.920
<v Speaker 1>asked to be here and I need to earn my

0:42:19.000 --> 0:42:21.720
<v Speaker 1>keep type thing. And I always sort of had that psyche.

0:42:21.920 --> 0:42:24.560
<v Speaker 1>And then my brother uh lives in London. He's a

0:42:24.600 --> 0:42:27.920
<v Speaker 1>half brother who's older. I think he's forty five. Okay,

0:42:27.960 --> 0:42:30.040
<v Speaker 1>so you grew up under what kind of circumstances were

0:42:30.080 --> 0:42:32.120
<v Speaker 1>all of you under the same roof with two parents

0:42:32.200 --> 0:42:33.840
<v Speaker 1>or what happened? Yes? Yeah for the most part. No,

0:42:33.960 --> 0:42:36.560
<v Speaker 1>my parents split when I was younger, um, and it

0:42:36.600 --> 0:42:38.640
<v Speaker 1>was you know, two parents who were worked a lot more,

0:42:38.719 --> 0:42:41.160
<v Speaker 1>very busy. I had to work very hard to get attention. UM.

0:42:41.160 --> 0:42:43.680
<v Speaker 1>I developed a sort of entertainer complex. I developed the

0:42:43.680 --> 0:42:45.360
<v Speaker 1>ability to shape shift or in a good mood, if

0:42:45.400 --> 0:42:47.319
<v Speaker 1>you're in a bad mood, do you need funny, do

0:42:47.360 --> 0:42:49.359
<v Speaker 1>you need you know? Responsible? Do you need to cook?

0:42:49.400 --> 0:42:53.160
<v Speaker 1>You know? I kind of um became a parent uh

0:42:53.239 --> 0:42:55.200
<v Speaker 1>at a very young age in a way and very

0:42:55.320 --> 0:42:58.640
<v Speaker 1>um uh self contained. UM. I was alone a lot

0:42:58.680 --> 0:43:00.600
<v Speaker 1>as a kid, and how to entertain myself and I

0:43:00.719 --> 0:43:03.319
<v Speaker 1>checked out using fantasy. I spent a lot of time

0:43:03.360 --> 0:43:06.840
<v Speaker 1>in my room, writing stories and interviewing myself and putting

0:43:06.840 --> 0:43:10.480
<v Speaker 1>on plays for myself and you know, um, writing scripts.

0:43:10.600 --> 0:43:13.840
<v Speaker 1>I wrote a spec for Animaniacs when I was eleven.

0:43:14.840 --> 0:43:19.000
<v Speaker 1>They never got it. I wrote it in a notebook. Um,

0:43:19.239 --> 0:43:20.799
<v Speaker 1>I didn't even know that's what I was doing. I

0:43:20.840 --> 0:43:22.960
<v Speaker 1>was like, I'm writing an episode of this show. It

0:43:23.040 --> 0:43:25.960
<v Speaker 1>was my favorite show. Um. I would make music videos

0:43:26.000 --> 0:43:28.520
<v Speaker 1>like I was. You know, I had to keep myself entertained.

0:43:28.520 --> 0:43:31.759
<v Speaker 1>But I definitely okay, but you were shape shifting. Were

0:43:31.760 --> 0:43:34.080
<v Speaker 1>you getting a good reaction or no matter what you did,

0:43:34.160 --> 0:43:36.279
<v Speaker 1>it didn't work. I think the thing that got the

0:43:36.320 --> 0:43:41.040
<v Speaker 1>most attention was achievements and my dad valued Uh this

0:43:41.080 --> 0:43:45.040
<v Speaker 1>is your step is my actual dad value? Contact did

0:43:45.080 --> 0:43:48.360
<v Speaker 1>you have with your actual a lot um? And what

0:43:48.520 --> 0:43:53.040
<v Speaker 1>did he get remarried? Yes, many times his his I

0:43:53.080 --> 0:43:56.680
<v Speaker 1>got his attention when I achieved. Um. He comes from Virginia,

0:43:56.719 --> 0:44:00.320
<v Speaker 1>West Virginia, lower class. For him, achievement was everything. Getting

0:44:00.320 --> 0:44:03.080
<v Speaker 1>into a good college, um was everything. So for me

0:44:03.200 --> 0:44:05.680
<v Speaker 1>to have the best grades half straight a's, that was it.

0:44:05.680 --> 0:44:08.400
<v Speaker 1>And I've had developed a sort of perfectionism. Okay, So

0:44:08.440 --> 0:44:11.480
<v Speaker 1>what was your experience in school? Were you the genius

0:44:11.480 --> 0:44:13.600
<v Speaker 1>that girls didn't want to talk to or what. No.

0:44:13.880 --> 0:44:18.200
<v Speaker 1>I was the person who wasn't always naturally smart. So

0:44:18.880 --> 0:44:22.399
<v Speaker 1>my tactic was outwork everyone. Okay, work harder than okay,

0:44:22.440 --> 0:44:25.279
<v Speaker 1>but you achieve good results. But how did you fit

0:44:25.320 --> 0:44:28.160
<v Speaker 1>in amongst the or thirty kids in class? Not well?

0:44:28.200 --> 0:44:32.560
<v Speaker 1>I was not particularly I was not particularly popular. I

0:44:32.560 --> 0:44:37.040
<v Speaker 1>think I hate when people say that always that's right now.

0:44:37.080 --> 0:44:40.520
<v Speaker 1>I was in a very clicky Catholic school UM called

0:44:40.760 --> 0:44:43.840
<v Speaker 1>UH outside of d C, I was in a couple

0:44:43.920 --> 0:44:46.760
<v Speaker 1>but UM. Then when I graduated from and I actually

0:44:46.800 --> 0:44:49.520
<v Speaker 1>lived in Roanoke, Virginia for a couple of years with

0:44:49.560 --> 0:44:52.040
<v Speaker 1>my aunts, and then I transferred back sophomore year of

0:44:52.120 --> 0:44:53.800
<v Speaker 1>high school. So I was the weirdo that was like

0:44:53.840 --> 0:44:56.000
<v Speaker 1>had the wrong uniform and I was like walking in

0:44:56.120 --> 0:44:58.200
<v Speaker 1>when all the girls were friends. And but I was

0:44:58.239 --> 0:44:59.920
<v Speaker 1>good at basketball and I was really good at volleyball,

0:45:00.040 --> 0:45:01.800
<v Speaker 1>so I was kind of like a sports girl person.

0:45:02.080 --> 0:45:03.560
<v Speaker 1>But I was very much on my own. I had

0:45:03.600 --> 0:45:06.360
<v Speaker 1>one friend named Lee Stitzer, who was like a goth girl,

0:45:06.480 --> 0:45:08.320
<v Speaker 1>and we would like hang out, and you know, I

0:45:08.360 --> 0:45:10.520
<v Speaker 1>also had all sorts of you know, eating disorders, so

0:45:10.560 --> 0:45:13.239
<v Speaker 1>I was very like isolated and weird that way. I

0:45:13.280 --> 0:45:15.040
<v Speaker 1>was modeling at the time, so I was gone for

0:45:15.040 --> 0:45:16.520
<v Speaker 1>a couple of days at a time. I did not

0:45:16.600 --> 0:45:20.680
<v Speaker 1>really How did you feel internally? Um? Numb. I didn't

0:45:20.680 --> 0:45:23.600
<v Speaker 1>really feel much until my MIDSI feel you didn't yearn

0:45:23.680 --> 0:45:25.839
<v Speaker 1>to be a member of the group. I think that I,

0:45:26.160 --> 0:45:28.759
<v Speaker 1>um know, I never thought that I could really fit in.

0:45:28.800 --> 0:45:31.839
<v Speaker 1>I didn't really. I just tried to succeed. Okay, so

0:45:31.920 --> 0:45:35.240
<v Speaker 1>you succeeded. You got into pen where basically you worked,

0:45:35.280 --> 0:45:38.000
<v Speaker 1>and you did it in three years. So now that

0:45:38.160 --> 0:45:40.960
<v Speaker 1>you're adult life, are you someone who now fits in

0:45:41.040 --> 0:45:44.560
<v Speaker 1>or is that still an issue? Huh? I think that

0:45:44.840 --> 0:45:47.560
<v Speaker 1>you know, it's interesting because I think we're in one

0:45:47.560 --> 0:45:51.719
<v Speaker 1>of the only towns where having approval from strangers and

0:45:51.800 --> 0:45:54.200
<v Speaker 1>fitting in or kind of synonymous. It's hard to tell

0:45:54.320 --> 0:45:57.680
<v Speaker 1>sometimes because you can show at a party and everyone's like, wait, wait, wait,

0:45:57.880 --> 0:46:00.840
<v Speaker 1>but but we might not hang out me. You know,

0:46:01.000 --> 0:46:03.440
<v Speaker 1>I don't know. I know a million people. If I

0:46:03.480 --> 0:46:05.759
<v Speaker 1>fit in, I don't know why. I don't know if

0:46:05.800 --> 0:46:10.600
<v Speaker 1>it's because of may effervescent or you're you. Something happened

0:46:10.600 --> 0:46:13.319
<v Speaker 1>to you, either positive or negative that you want to

0:46:13.360 --> 0:46:17.799
<v Speaker 1>share other than your boyfriend fiance. How many other people

0:46:17.840 --> 0:46:21.920
<v Speaker 1>can you call when I what something it's specially good

0:46:21.960 --> 0:46:28.560
<v Speaker 1>or especially bad happens, not family member friends, It depends.

0:46:28.680 --> 0:46:32.680
<v Speaker 1>I don't share good news normally I have Uh, I

0:46:32.719 --> 0:46:38.120
<v Speaker 1>would say for people that I for, I would say

0:46:38.160 --> 0:46:42.560
<v Speaker 1>like family people And Okay, so, so at this late date,

0:46:42.920 --> 0:46:48.200
<v Speaker 1>do you feel very singular or embedded? Singular or embedded

0:46:48.320 --> 0:46:53.120
<v Speaker 1>embedded in with entrench do you mean exactly? I'm it's

0:46:53.120 --> 0:46:57.080
<v Speaker 1>tricky because I am such a lone, weirdo wolf type person.

0:46:57.200 --> 0:47:00.000
<v Speaker 1>I mean, I'll be on tour for you know, six months,

0:47:00.040 --> 0:47:01.640
<v Speaker 1>and I won't be able to see anyone for six months,

0:47:01.680 --> 0:47:03.560
<v Speaker 1>and then I hop I pop back in. I'm like, hey, guys,

0:47:03.600 --> 0:47:05.719
<v Speaker 1>what's up there? Like you missed three weddings? Like what

0:47:05.880 --> 0:47:08.600
<v Speaker 1>is you know? It's most of my really close friends

0:47:08.640 --> 0:47:11.839
<v Speaker 1>are comedians who we know that we can sort of

0:47:11.840 --> 0:47:14.359
<v Speaker 1>not see each other for three months but have lost

0:47:14.400 --> 0:47:17.160
<v Speaker 1>no time or credit or there's no like scorekeeping in

0:47:17.160 --> 0:47:19.759
<v Speaker 1>our friendships. So most of my my tightest friendships are

0:47:19.760 --> 0:47:22.320
<v Speaker 1>with people that have the same lifestyle. Okay, let's go

0:47:22.360 --> 0:47:24.480
<v Speaker 1>back to the relationship thing. Did you have relationships in

0:47:24.560 --> 0:47:27.640
<v Speaker 1>high school? You are like Howard, You're It is like

0:47:27.680 --> 0:47:31.200
<v Speaker 1>being because it's like zig zag. It's like there's there's

0:47:31.280 --> 0:47:34.920
<v Speaker 1>no way to get with you. I have a I

0:47:35.040 --> 0:47:37.000
<v Speaker 1>told you I didn't get these sleep last night. I

0:47:37.040 --> 0:47:40.759
<v Speaker 1>told you I had migrated, and you were like, perfect, Okay,

0:47:40.840 --> 0:47:43.120
<v Speaker 1>I'll roll with that. It's good. You're very You're just

0:47:43.239 --> 0:47:46.600
<v Speaker 1>your brain and works so fast. Okay, So relationships. Did

0:47:46.600 --> 0:47:50.320
<v Speaker 1>you have relationships in high school? No friendships? No? No,

0:47:50.360 --> 0:47:55.040
<v Speaker 1>I'm talking about boy girl No no, I mean yes,

0:47:55.120 --> 0:47:57.960
<v Speaker 1>but nothing real. So when did you lose your virginity? Oh? Wow?

0:47:58.360 --> 0:48:01.399
<v Speaker 1>Does he always ask this to people? Does he ask

0:48:01.480 --> 0:48:03.800
<v Speaker 1>this question to you? Don't have to answer anything. This

0:48:05.760 --> 0:48:08.600
<v Speaker 1>is a wild show. I think I was fifteen. I

0:48:08.600 --> 0:48:14.040
<v Speaker 1>would say, okay, so you had enough relationship to it's

0:48:14.040 --> 0:48:16.560
<v Speaker 1>not a young we're That's not what I'm finding. I'm

0:48:16.560 --> 0:48:21.400
<v Speaker 1>trying to I come from Kavanaugh Country. Well that was

0:48:21.440 --> 0:48:27.640
<v Speaker 1>that your Marylands tak advantage of you know? How dare

0:48:27.640 --> 0:48:32.359
<v Speaker 1>you accuse him? Um? No, I didn't. I didn't. I don't.

0:48:32.560 --> 0:48:34.719
<v Speaker 1>I wasn't. I didn't go to parties like that. I

0:48:34.800 --> 0:48:37.759
<v Speaker 1>was like a sports dork and I lived with my mom.

0:48:40.080 --> 0:48:43.319
<v Speaker 1>Did you like sports and stop about today? I was

0:48:43.480 --> 0:48:46.280
<v Speaker 1>very good at basketball, like when and played in Europe,

0:48:46.480 --> 0:48:48.759
<v Speaker 1>Like really, hey you yeah it was? It was My

0:48:48.800 --> 0:48:52.040
<v Speaker 1>whole life was playing basketball. And then I, you know,

0:48:52.280 --> 0:48:55.000
<v Speaker 1>I was also modeling to make money and I started,

0:48:55.200 --> 0:48:58.560
<v Speaker 1>you know, sort of leaning into the eating disorders associated

0:48:58.520 --> 0:49:01.920
<v Speaker 1>with botteling, and I stopped being able to play basketball. Okay,

0:49:02.000 --> 0:49:04.040
<v Speaker 1>so do you take a sports today. I have a

0:49:04.080 --> 0:49:07.520
<v Speaker 1>sport court at my home and occasionally for Instagram, I

0:49:07.560 --> 0:49:10.879
<v Speaker 1>will play basketball just to prove to people that I can,

0:49:10.920 --> 0:49:12.319
<v Speaker 1>because no one believes that I can. I did an

0:49:12.360 --> 0:49:14.840
<v Speaker 1>episode of a TV show that I did for NBC

0:49:15.040 --> 0:49:17.360
<v Speaker 1>where my character was really good at basketball, and everyone's like,

0:49:17.440 --> 0:49:19.040
<v Speaker 1>is that c G? I was that put In and

0:49:19.080 --> 0:49:21.439
<v Speaker 1>put you know. So I'll do it sometimes just around

0:49:21.440 --> 0:49:23.200
<v Speaker 1>my house anything else. You are? You a person who

0:49:23.239 --> 0:49:25.200
<v Speaker 1>works out? I used to work out a lot, but

0:49:25.320 --> 0:49:29.840
<v Speaker 1>this past year I was touring so brutally that I

0:49:29.880 --> 0:49:32.200
<v Speaker 1>was getting sick a lot. Um. You know, this whole

0:49:32.280 --> 0:49:35.399
<v Speaker 1>stand up touring road dog thing is really it's cute

0:49:35.400 --> 0:49:38.160
<v Speaker 1>when you're twenty five, when thirty six, it's not a joke.

0:49:38.640 --> 0:49:40.800
<v Speaker 1>So I started getting sick a lot, and I stopped

0:49:40.800 --> 0:49:42.920
<v Speaker 1>working out as much. Um. For a couple of reasons.

0:49:43.280 --> 0:49:47.000
<v Speaker 1>This exciting thing happened where like women with different sort

0:49:47.000 --> 0:49:49.200
<v Speaker 1>of shapes and sizes can be on television. This happened

0:49:49.239 --> 0:49:53.120
<v Speaker 1>like a year ago. I stopped feeling this pressure, you know,

0:49:53.320 --> 0:49:56.560
<v Speaker 1>to be in like incredible shape all the time, and

0:49:56.600 --> 0:49:58.360
<v Speaker 1>I found like this kind of a waste of my energy.

0:49:58.440 --> 0:50:01.120
<v Speaker 1>This three hours like door to door to a trainer thing.

0:50:01.200 --> 0:50:04.960
<v Speaker 1>It's right, it's crazy. Okay, So once again, how did

0:50:04.960 --> 0:50:09.080
<v Speaker 1>you meet your fiance? Wow? An app called Riya Uh.

0:50:09.120 --> 0:50:11.600
<v Speaker 1>It is like Tinder for people in the business. Have

0:50:11.680 --> 0:50:14.880
<v Speaker 1>you not heard of ria? How are you? Okay? I

0:50:15.400 --> 0:50:18.080
<v Speaker 1>heard of it? I had Okay, so you have a

0:50:18.160 --> 0:50:21.520
<v Speaker 1>girlfriend though? Yes, since I had a free uh subscription

0:50:21.600 --> 0:50:25.240
<v Speaker 1>to a o L in the late nineties, I lived online.

0:50:25.239 --> 0:50:28.440
<v Speaker 1>Why does he say phrase is a joke of free subscription?

0:50:28.480 --> 0:50:31.000
<v Speaker 1>What it was in ten dollars? No, that was when

0:50:31.040 --> 0:50:34.360
<v Speaker 1>everybody paid by the minute. You're not you know, you're right?

0:50:34.680 --> 0:50:37.879
<v Speaker 1>Oh my god, because one time I borrowed my friend

0:50:37.960 --> 0:50:42.600
<v Speaker 1>Dave Lairs. Um, he probably listened to your podcast, uh,

0:50:42.680 --> 0:50:46.600
<v Speaker 1>and it was like four thousand dollars. Oh my god.

0:50:48.920 --> 0:50:50.520
<v Speaker 1>Once year, at the year two thousand, it was all

0:50:50.560 --> 0:50:53.000
<v Speaker 1>you can eat. That's different. So the bottom line is

0:50:53.120 --> 0:50:55.160
<v Speaker 1>I checked out all those things. Love it a O

0:50:55.360 --> 0:50:57.520
<v Speaker 1>l if I could, if I could find my account.

0:50:57.520 --> 0:51:00.759
<v Speaker 1>I was so early on match dot com at I

0:51:00.800 --> 0:51:03.680
<v Speaker 1>have a lifetime account. Whereas you should treat yourself to

0:51:04.000 --> 0:51:07.560
<v Speaker 1>takeing andandera riah. It's an it's not invitation only, but

0:51:07.600 --> 0:51:10.080
<v Speaker 1>you have to be approved by a board. And it's

0:51:10.120 --> 0:51:13.600
<v Speaker 1>lots of celebrities like John Cusack is on it. I'm

0:51:13.640 --> 0:51:17.640
<v Speaker 1>calling him out, Uh, lots of like it's like all

0:51:17.680 --> 0:51:19.160
<v Speaker 1>the men in Hollywood. I feel like I've been trying

0:51:19.160 --> 0:51:22.160
<v Speaker 1>to avoid for the past fifteen years, all in one place. No,

0:51:22.280 --> 0:51:24.360
<v Speaker 1>but I find a fact I got into so early.

0:51:25.160 --> 0:51:27.560
<v Speaker 1>It was when the in the nineties and the earlier

0:51:27.560 --> 0:51:29.480
<v Speaker 1>part of the century. That was when people still had

0:51:29.480 --> 0:51:33.560
<v Speaker 1>a fantasy that they could meet the right person. It's

0:51:34.040 --> 0:51:36.520
<v Speaker 1>not knowing that in almost all these cases the problems

0:51:36.600 --> 0:51:39.920
<v Speaker 1>with themselves, okay, whereas now it's totally different. It's a

0:51:40.040 --> 0:51:42.440
<v Speaker 1>you know, it's a known way, and people go, I

0:51:42.480 --> 0:51:44.279
<v Speaker 1>love it. I think it's great. I you know, I

0:51:44.680 --> 0:51:47.120
<v Speaker 1>get I think there's a certain point in your career

0:51:47.360 --> 0:51:50.040
<v Speaker 1>just I mean, I'm so pro meeting online. It's crazy.

0:51:50.080 --> 0:51:52.400
<v Speaker 1>So did you try other apps before that? I was

0:51:52.400 --> 0:51:54.279
<v Speaker 1>on Tinder as a joke to write jokes about it,

0:51:54.360 --> 0:51:56.520
<v Speaker 1>and I got on like Grinder to like see what

0:51:56.520 --> 0:51:59.560
<v Speaker 1>it was forgetting grinder, which is gay if we start

0:51:59.600 --> 0:52:01.680
<v Speaker 1>on tin. Did you actually go on any dates with

0:52:01.719 --> 0:52:04.480
<v Speaker 1>those people? No? I went on one tender date, like

0:52:04.640 --> 0:52:06.479
<v Speaker 1>I was going through just writing jokes about it because

0:52:06.480 --> 0:52:07.879
<v Speaker 1>it had just come out. I had this whole chunk

0:52:07.920 --> 0:52:10.520
<v Speaker 1>in my third stand up special about it, and so

0:52:10.719 --> 0:52:13.479
<v Speaker 1>I was on it. I didn't like see a cute

0:52:13.480 --> 0:52:14.759
<v Speaker 1>guy on there that I was like, I feel like

0:52:14.760 --> 0:52:17.879
<v Speaker 1>I know him somehow. And we started flirting and he's

0:52:17.880 --> 0:52:20.080
<v Speaker 1>like can we meet? And I was like sure, Like

0:52:20.200 --> 0:52:22.399
<v Speaker 1>why not? You know, like I'm at the comedy store,

0:52:22.440 --> 0:52:25.920
<v Speaker 1>come by, like there'll be people around. He can't murder me.

0:52:26.480 --> 0:52:29.480
<v Speaker 1>And he showed up and he was like, oh my god.

0:52:29.520 --> 0:52:31.480
<v Speaker 1>I didn't think it would really be you. And I

0:52:31.520 --> 0:52:34.239
<v Speaker 1>was like what, Like he thought it was understanding. He

0:52:34.239 --> 0:52:37.640
<v Speaker 1>thought it was a joke or something, and I realized, like, crap,

0:52:37.680 --> 0:52:39.840
<v Speaker 1>I probably can't do this. So how did you decide

0:52:39.880 --> 0:52:43.600
<v Speaker 1>to go on royal Um? A friend of mine was

0:52:43.840 --> 0:52:47.520
<v Speaker 1>on it and she uh, and I was like looking

0:52:47.560 --> 0:52:50.960
<v Speaker 1>at it and I was like, Okay, why not well,

0:52:51.040 --> 0:52:57.320
<v Speaker 1>how desirous were you of meeting Mr Wright? Um? Pretty,

0:52:57.440 --> 0:53:02.360
<v Speaker 1>I mean that's pretty programmed into my you know, wish list. Um.

0:53:03.480 --> 0:53:07.000
<v Speaker 1>You know, for me, I think that relationships. I'm gonna

0:53:07.080 --> 0:53:09.799
<v Speaker 1>this is gonna sound sociopathic or like mercenary or something.

0:53:09.840 --> 0:53:13.879
<v Speaker 1>But UM, I think that healthy, stable, romantic relationships are

0:53:13.880 --> 0:53:17.920
<v Speaker 1>a great business decision. Um. The chaos of dating and

0:53:18.040 --> 0:53:22.879
<v Speaker 1>uncertainty and you know, um, it's not appealing to me. Um.

0:53:22.920 --> 0:53:24.480
<v Speaker 1>I look at a lot of people whose careers I

0:53:24.520 --> 0:53:28.520
<v Speaker 1>really admire, and they have very stable, borderline boring home

0:53:28.600 --> 0:53:31.120
<v Speaker 1>lives so that they can have energy available for their

0:53:31.160 --> 0:53:35.680
<v Speaker 1>creative endeavors. And I have enough um risk and uh,

0:53:36.440 --> 0:53:40.719
<v Speaker 1>chaos and pain and vicissitudes in my professional life. I

0:53:40.760 --> 0:53:42.480
<v Speaker 1>don't want him in my personal life. Well, it's very

0:53:42.480 --> 0:53:46.200
<v Speaker 1>interesting because David Brooks he wrote a whole book or

0:53:46.320 --> 0:53:50.080
<v Speaker 1>article saying, who you marry is the most important decision

0:53:50.160 --> 0:53:55.359
<v Speaker 1>that he divorced his wife Brooks. If that's a real

0:53:55.440 --> 0:53:58.480
<v Speaker 1>Hollywood answer, No, David Brooks from The New York Times

0:53:59.560 --> 0:54:03.480
<v Speaker 1>A long time I that's wild. Yeah, No, there's is

0:54:03.480 --> 0:54:06.560
<v Speaker 1>it a flowbear quote? Be boring in your personal life

0:54:06.560 --> 0:54:10.200
<v Speaker 1>so you can be violent in your creative life. Something

0:54:10.280 --> 0:54:12.719
<v Speaker 1>I just find that. You know, and I know a

0:54:12.760 --> 0:54:16.920
<v Speaker 1>couple of people in arrange marriages. They're good, man. I

0:54:17.000 --> 0:54:20.040
<v Speaker 1>can't just throw that out there. I'm I would believe

0:54:20.080 --> 0:54:25.120
<v Speaker 1>in that now, like where okay, by whom South Asians

0:54:25.560 --> 0:54:30.880
<v Speaker 1>have to say that? Not conventional white white people in America? Okay,

0:54:31.080 --> 0:54:35.240
<v Speaker 1>but now am a somewhat of a believer in arrange marriages.

0:54:35.320 --> 0:54:38.799
<v Speaker 1>Not literally, I think you should marry someone who has

0:54:38.840 --> 0:54:41.839
<v Speaker 1>the same frame of reference. Okay, I can't believe you

0:54:41.880 --> 0:54:43.360
<v Speaker 1>just said that. I almost wrote a joke about that

0:54:43.360 --> 0:54:44.719
<v Speaker 1>because I dated a guy who is older than me,

0:54:44.760 --> 0:54:46.680
<v Speaker 1>and he always want to listen to Robert Plant and

0:54:46.719 --> 0:54:49.040
<v Speaker 1>I didn't know any of the songs, Like, is that

0:54:49.080 --> 0:54:51.600
<v Speaker 1>what you mean? Like this one element? But that's we

0:54:51.640 --> 0:54:55.000
<v Speaker 1>didn't know the same That's like the classic guy mary,

0:54:55.120 --> 0:54:57.200
<v Speaker 1>you know, getting involved with someone much younger. What then

0:54:57.280 --> 0:55:00.560
<v Speaker 1>do you talk about that is? I mean, it just

0:55:00.719 --> 0:55:02.799
<v Speaker 1>was more like in the in the car, I want

0:55:02.800 --> 0:55:05.480
<v Speaker 1>to turn up Robin and saying to the top of

0:55:05.520 --> 0:55:07.600
<v Speaker 1>my lungs, and then he wants to and it's just

0:55:07.640 --> 0:55:10.439
<v Speaker 1>like it's just a road trips. Okay, but I'm really

0:55:10.480 --> 0:55:13.520
<v Speaker 1>talking about something different. Okay, I came from a family.

0:55:14.120 --> 0:55:16.799
<v Speaker 1>My parents are good plenty. My father died long time ago.

0:55:16.840 --> 0:55:21.440
<v Speaker 1>My mother's ninety two. And Connecticut. I did google you, Oh,

0:55:21.440 --> 0:55:24.000
<v Speaker 1>I did google middle Bar That's why I went to

0:55:24.040 --> 0:55:25.920
<v Speaker 1>college in Vermont. But I grew up in a you know,

0:55:26.000 --> 0:55:28.440
<v Speaker 1>melting pop culture, went to public high school, but it

0:55:28.480 --> 0:55:30.680
<v Speaker 1>was fifty miles from New York, so it was all

0:55:30.719 --> 0:55:33.360
<v Speaker 1>New York media. Can I ask you a gossipy question

0:55:34.480 --> 0:55:37.640
<v Speaker 1>out do you know Jim Burrows? I know who that is?

0:55:37.719 --> 0:55:40.040
<v Speaker 1>I don't know, okay, because apparently he owns more of

0:55:40.120 --> 0:55:43.160
<v Speaker 1>Vermont than the state of Vermont. Well, when I went

0:55:43.200 --> 0:55:45.560
<v Speaker 1>to Vermont, it was still right, it was before it

0:55:45.600 --> 0:55:49.280
<v Speaker 1>turned left because everybody moved there back to the land movement,

0:55:49.600 --> 0:55:51.880
<v Speaker 1>and people were there and stayed there, like my college

0:55:51.960 --> 0:55:55.279
<v Speaker 1>roommates stayed. There's a wonderful club in Burlington. Right when

0:55:55.280 --> 0:55:57.719
<v Speaker 1>I went to Burlington, they had one, you know, that

0:55:58.040 --> 0:56:01.319
<v Speaker 1>was thirty five miles north of Middlebury. So I would

0:56:01.320 --> 0:56:03.600
<v Speaker 1>go there to buy records because you could buy them discount.

0:56:04.239 --> 0:56:07.319
<v Speaker 1>But this was before Ben and Jerry's was before it

0:56:07.360 --> 0:56:10.319
<v Speaker 1>was hip. Burlington was not a hip. My brother went

0:56:10.360 --> 0:56:13.920
<v Speaker 1>to university Everymont, right, I mean I went to college

0:56:13.920 --> 0:56:16.800
<v Speaker 1>in the dark ages, in that there was no internet

0:56:17.360 --> 0:56:20.759
<v Speaker 1>and there was only one snowy TV station, and I

0:56:20.920 --> 0:56:25.200
<v Speaker 1>missed those I missed if I missed four TV stations,

0:56:25.960 --> 0:56:28.480
<v Speaker 1>now that I just had to pitch to fourteen streamers.

0:56:28.520 --> 0:56:31.040
<v Speaker 1>But the interesting thing was you were going to college.

0:56:31.080 --> 0:56:33.160
<v Speaker 1>When I went there, there's eighteen hundred people. Now it's

0:56:33.160 --> 0:56:37.080
<v Speaker 1>like dred and it's like it stunted you in so

0:56:37.120 --> 0:56:40.080
<v Speaker 1>many ways. Saw the same people all the time. They

0:56:40.120 --> 0:56:42.640
<v Speaker 1>were like your brother and sister relationships, you were rare,

0:56:43.040 --> 0:56:46.280
<v Speaker 1>You lived on campus, you never read to expectancy was long,

0:56:46.920 --> 0:56:49.920
<v Speaker 1>sounds awful, And if I had to do it all

0:56:49.960 --> 0:56:51.799
<v Speaker 1>over again, I wouldn't go there. But no, I am

0:56:51.920 --> 0:56:57.120
<v Speaker 1>from Connecticut, interrupted you. So uh. But going back to

0:56:57.320 --> 0:56:59.840
<v Speaker 1>the oh, when I said, from the same thing, some

0:57:00.000 --> 0:57:05.120
<v Speaker 1>of these criteria same income, same level of education, parents,

0:57:05.160 --> 0:57:08.160
<v Speaker 1>staying together, these are critical things. It's like the woman

0:57:08.239 --> 0:57:12.839
<v Speaker 1>I was married to, sure mother had been married multiple times,

0:57:12.880 --> 0:57:16.000
<v Speaker 1>and the father left one woman while we were there.

0:57:16.200 --> 0:57:18.360
<v Speaker 1>So the fact that she left me, that was part

0:57:18.440 --> 0:57:23.760
<v Speaker 1>of the d n A. So also like I did.

0:57:26.080 --> 0:57:28.040
<v Speaker 1>Daniel Glass, who's a guy. At the time, he ran

0:57:28.120 --> 0:57:30.800
<v Speaker 1>a company called SPK Records. That was Wilson Phillips a

0:57:30.840 --> 0:57:35.560
<v Speaker 1>million other people, and I did, okay, well, this was

0:57:35.600 --> 0:57:38.400
<v Speaker 1>their very first appearance at that convention the end of

0:57:38.840 --> 0:57:43.520
<v Speaker 1>eighty nine in uh the desert. But in any event,

0:57:44.320 --> 0:57:48.240
<v Speaker 1>um the he said he needed three things to work

0:57:48.280 --> 0:57:51.800
<v Speaker 1>at SPK records. You had to really want to work

0:57:51.840 --> 0:57:54.280
<v Speaker 1>at SPK records. You had to work retail because that's

0:57:54.280 --> 0:57:56.800
<v Speaker 1>where the transaction took place. And you had to have

0:57:56.800 --> 0:57:59.800
<v Speaker 1>graduated from college. Now I have a law degree on

0:58:00.000 --> 0:58:02.440
<v Speaker 1>I got to play education. But I nailed, you know,

0:58:02.600 --> 0:58:04.760
<v Speaker 1>Daniel Leader, and I said, listen, we live in a

0:58:04.920 --> 0:58:07.600
<v Speaker 1>we work in a business. David Geffen Irving as off

0:58:07.760 --> 0:58:10.720
<v Speaker 1>they didn't finish college. He goes, No, it's not about

0:58:10.720 --> 0:58:14.200
<v Speaker 1>what you learn in college. It shows you can complete something.

0:58:15.240 --> 0:58:19.960
<v Speaker 1>And these are really important criteria. So it shows that

0:58:20.080 --> 0:58:23.439
<v Speaker 1>you have money to finish college. It shows that your

0:58:23.480 --> 0:58:26.320
<v Speaker 1>parents are rich. Well need let's just say college is

0:58:26.400 --> 0:58:29.320
<v Speaker 1>much more expensive even you know, with adjusted dollars. I

0:58:29.360 --> 0:58:33.840
<v Speaker 1>mean it's becoming eugenics program exactly. Well. Also, who you

0:58:33.880 --> 0:58:38.160
<v Speaker 1>meet in college, well, I guess this is my network. Yeah, exactly.

0:58:38.200 --> 0:58:39.880
<v Speaker 1>I didn't go to one of those colleges or it

0:58:39.960 --> 0:58:45.080
<v Speaker 1>was before that era. Um. But the point being that

0:58:46.120 --> 0:58:50.000
<v Speaker 1>certain similarities I think are better when you then encounter

0:58:50.160 --> 0:58:52.320
<v Speaker 1>the world. When you talk about that original team thing

0:58:52.520 --> 0:58:54.400
<v Speaker 1>and the way we originally do it is we go

0:58:54.440 --> 0:58:56.840
<v Speaker 1>to a bar, we go to a party, we meet somebody.

0:58:56.880 --> 0:59:00.400
<v Speaker 1>It's based on looks, conversation, all these other things, mega

0:59:00.720 --> 0:59:02.920
<v Speaker 1>lack of other people you've met, you know. I think

0:59:02.960 --> 0:59:06.360
<v Speaker 1>now that there's there's this sort of you know, you know,

0:59:06.400 --> 0:59:10.040
<v Speaker 1>I mean, the the age of people losing the virginity

0:59:10.160 --> 0:59:13.480
<v Speaker 1>is going up. I noticed that, it's wild, but you didn't.

0:59:14.440 --> 0:59:18.320
<v Speaker 1>Also you notice that day I understand. But the other

0:59:18.360 --> 0:59:22.440
<v Speaker 1>thing about it is the more educated you are, the

0:59:22.520 --> 0:59:24.760
<v Speaker 1>less chance that you will get divorced, and the more

0:59:24.840 --> 0:59:27.360
<v Speaker 1>chance you will even get married, especially in today, in

0:59:27.400 --> 0:59:30.320
<v Speaker 1>today's world, we can have children without being married. Yeah.

0:59:30.480 --> 0:59:33.520
<v Speaker 1>I mean, look, you you are a master of the

0:59:33.600 --> 0:59:36.720
<v Speaker 1>law and of the five I mean marriages of wild

0:59:37.400 --> 0:59:41.520
<v Speaker 1>you know thing, and you know it behooves you in

0:59:41.560 --> 0:59:46.400
<v Speaker 1>some ways economically if you stay together. Okay, the person

0:59:46.600 --> 0:59:50.000
<v Speaker 1>you're engaged, who have they been married before? Okay? How

0:59:50.040 --> 0:59:52.920
<v Speaker 1>old is this guy? My age seven? Okay? And what

0:59:52.960 --> 0:59:56.800
<v Speaker 1>does he do for a living? Okay? So how many frogs.

0:59:56.800 --> 1:00:00.640
<v Speaker 1>Did you have to kiss before you make um? Uh

1:00:01.120 --> 1:00:05.360
<v Speaker 1>plenty plenty five twenty. I'm talking about once you join

1:00:05.440 --> 1:00:07.080
<v Speaker 1>the ap? What is what I would saying, what does

1:00:07.160 --> 1:00:12.280
<v Speaker 1>kissing frog mean? These days? I went on on Rya actually,

1:00:12.320 --> 1:00:14.320
<v Speaker 1>believe it or not, so many people were sending me

1:00:14.400 --> 1:00:17.440
<v Speaker 1>resumes and asking me for jobs that it like I

1:00:17.520 --> 1:00:19.520
<v Speaker 1>ended up meeting a couple of people that end up

1:00:19.560 --> 1:00:21.960
<v Speaker 1>being like platonic friends. There was one guy on there

1:00:22.000 --> 1:00:24.800
<v Speaker 1>that like invented some web browser and I was like, hey, like,

1:00:25.640 --> 1:00:27.000
<v Speaker 1>you know, do you want to just get a drink

1:00:27.040 --> 1:00:29.240
<v Speaker 1>and can I ask you some financial advice? And I

1:00:29.280 --> 1:00:31.160
<v Speaker 1>asked him like who we invested with and stuff. So

1:00:31.200 --> 1:00:33.760
<v Speaker 1>I ended up just sort of like meeting some really

1:00:33.800 --> 1:00:37.240
<v Speaker 1>interesting people on there. But I don't know off Rya,

1:00:37.400 --> 1:00:41.600
<v Speaker 1>maybe one he was maybe the second guy. Yeah, you're

1:00:41.640 --> 1:00:43.600
<v Speaker 1>texting with a lot, but you're not meeting up with

1:00:43.640 --> 1:00:45.280
<v Speaker 1>a lot. I was in post production on a movie

1:00:45.280 --> 1:00:47.360
<v Speaker 1>at the time, and I was so bored in the

1:00:47.480 --> 1:00:49.480
<v Speaker 1>editing room that I was like, right, was like a

1:00:49.560 --> 1:00:51.600
<v Speaker 1>video game. I was just texting with everybody and not

1:00:51.640 --> 1:00:53.640
<v Speaker 1>actually going out with anyone. Okay, so how did you

1:00:53.680 --> 1:00:56.400
<v Speaker 1>connect with your fiance? He was in New York. Um,

1:00:56.440 --> 1:00:59.160
<v Speaker 1>and I was. I very much felt like, Okay, the

1:00:59.200 --> 1:01:00.800
<v Speaker 1>person that I'm going to a date next is not

1:01:00.880 --> 1:01:05.800
<v Speaker 1>in l A like I know everyone. So no from

1:01:05.880 --> 1:01:08.760
<v Speaker 1>he was he's from Kentucky and them was in New York, Tucky.

1:01:08.840 --> 1:01:14.000
<v Speaker 1>He's from advert from Kentucky. So Kentucky like backwoods like backwoods? Yes,

1:01:14.120 --> 1:01:18.640
<v Speaker 1>backwoods Kentucky. What did his parents do for a living? Um? Uh?

1:01:18.680 --> 1:01:24.640
<v Speaker 1>One was made documentaries, okay, and advertising. It's okay. So

1:01:24.640 --> 1:01:27.920
<v Speaker 1>he's in New York and then in New York and

1:01:28.040 --> 1:01:30.800
<v Speaker 1>we I'm good in small doses in the beginning. I

1:01:30.840 --> 1:01:33.800
<v Speaker 1>also have an addictive personality, and if you're in the

1:01:33.840 --> 1:01:36.320
<v Speaker 1>same city, we might just too much, too fast and

1:01:36.360 --> 1:01:38.200
<v Speaker 1>blow it up. Well, how many times have you hurting

1:01:38.200 --> 1:01:40.800
<v Speaker 1>your life? You're too much for people? Many I can

1:01:40.880 --> 1:01:45.800
<v Speaker 1>tell that? Really, come on, Okay, So I haven't heard

1:01:45.840 --> 1:01:50.000
<v Speaker 1>it from I've only heard it from guys in relationships

1:01:50.000 --> 1:01:53.080
<v Speaker 1>who are losing an argument. I haven't heard it from like,

1:01:53.160 --> 1:01:55.080
<v Speaker 1>let me let me ask you. Are you capable of

1:01:55.120 --> 1:01:59.280
<v Speaker 1>losing an argument in a relationship? Um, But that's a

1:01:59.320 --> 1:02:02.919
<v Speaker 1>loaded question. My dad was a lawyer, and it's very

1:02:02.960 --> 1:02:05.280
<v Speaker 1>hard for me too. I I don't like to lose.

1:02:06.640 --> 1:02:10.240
<v Speaker 1>I have my answer, But I do know that capitulating

1:02:10.240 --> 1:02:13.840
<v Speaker 1>and apologizing is often actually winning, So I don't I

1:02:13.880 --> 1:02:16.720
<v Speaker 1>don't know if I learn that in the Yes, I

1:02:17.080 --> 1:02:18.920
<v Speaker 1>get you know, winning sometimes the best way to win

1:02:18.960 --> 1:02:22.240
<v Speaker 1>a war as a masterful retreat. Um, And I can

1:02:22.400 --> 1:02:24.560
<v Speaker 1>own it when I don't think that losing an argument

1:02:24.600 --> 1:02:26.760
<v Speaker 1>means admitting you were wrong. You know a lot of

1:02:26.760 --> 1:02:30.880
<v Speaker 1>times it's me admitting like, hey, I shouldn't have handled it,

1:02:30.920 --> 1:02:32.840
<v Speaker 1>that I shouldn't have done that, I'm sorry my back. Okay,

1:02:32.840 --> 1:02:34.960
<v Speaker 1>So let's go back to your fiance. So you're on

1:02:34.960 --> 1:02:37.320
<v Speaker 1>the west coast, he's on the East coast, and so

1:02:37.360 --> 1:02:41.120
<v Speaker 1>how do you ultimately connect over Riah? Then we started texting,

1:02:41.280 --> 1:02:43.560
<v Speaker 1>and Um, I was back and forth. I was writing

1:02:43.560 --> 1:02:45.200
<v Speaker 1>a book at the time, and I was back and

1:02:45.240 --> 1:02:47.320
<v Speaker 1>forth from New York. I like rented a place in

1:02:47.320 --> 1:02:49.400
<v Speaker 1>New York and I had this sort of like romantic

1:02:50.200 --> 1:02:52.520
<v Speaker 1>vision of writing a book in New York and that's

1:02:52.520 --> 1:02:54.400
<v Speaker 1>where I was going to get my creative inspiration. So

1:02:54.520 --> 1:02:57.120
<v Speaker 1>I was there and saw like every two weeks for

1:02:57.560 --> 1:03:03.720
<v Speaker 1>like a year, and who was into who first? Um

1:03:03.760 --> 1:03:08.640
<v Speaker 1>it seemed mutual. UM, I think it was mutual. Okay,

1:03:08.680 --> 1:03:14.840
<v Speaker 1>maybe on dating apps works that way people in real life. No,

1:03:15.360 --> 1:03:19.160
<v Speaker 1>you know, I think it was mutual. Um, I've definitely

1:03:20.280 --> 1:03:24.320
<v Speaker 1>I'm very clear when I'm interested in something, and I

1:03:24.320 --> 1:03:25.840
<v Speaker 1>don't like to waste time or play games. So I'm

1:03:25.840 --> 1:03:28.080
<v Speaker 1>sure ostensibly I came off a little more like are

1:03:28.080 --> 1:03:29.480
<v Speaker 1>we doing this and we're not doing this because I

1:03:29.520 --> 1:03:31.560
<v Speaker 1>don't have time to be in this in between? And Okay,

1:03:31.600 --> 1:03:33.440
<v Speaker 1>so then you have a relationship, how do you decide

1:03:33.480 --> 1:03:36.160
<v Speaker 1>you want to continue with theoretically for all time? Um,

1:03:36.360 --> 1:03:39.920
<v Speaker 1>I'm pretty uh. For me, it's like if if within

1:03:39.960 --> 1:03:43.800
<v Speaker 1>a year, if there's you know, it's not going well,

1:03:43.800 --> 1:03:46.520
<v Speaker 1>I'm pretty good about being like, I'm gonna call it. Um.

1:03:46.560 --> 1:03:48.400
<v Speaker 1>I love what I do. There's a lot of things

1:03:48.400 --> 1:03:50.560
<v Speaker 1>I want to do, so I don't really sit around

1:03:50.600 --> 1:03:53.440
<v Speaker 1>and like wait for something to fizzle or work out.

1:03:53.440 --> 1:03:54.880
<v Speaker 1>I kind of tend to So how come he hasn't

1:03:54.880 --> 1:03:57.280
<v Speaker 1>been married till he was thirty seven or you don't know?

1:03:57.400 --> 1:04:01.680
<v Speaker 1>I think that that's a is that late? Well, they say,

1:04:01.720 --> 1:04:04.320
<v Speaker 1>they say, don't marry a guy over forty who's never

1:04:04.320 --> 1:04:06.840
<v Speaker 1>been married because he's set in his ways. Okay, but

1:04:07.800 --> 1:04:11.640
<v Speaker 1>these are you know in the year you know, nged marriage.

1:04:12.240 --> 1:04:17.160
<v Speaker 1>But as I say, so, thirty seven is within the limit. Okay,

1:04:17.200 --> 1:04:20.760
<v Speaker 1>but but it is still high. So it makes me wonder.

1:04:21.160 --> 1:04:24.360
<v Speaker 1>You know, he's not in a negative way, but his identity.

1:04:24.440 --> 1:04:27.400
<v Speaker 1>Well that's interesting because I also if I'm with someone

1:04:27.400 --> 1:04:29.760
<v Speaker 1>who's already been engaged or married, I'm like, well, they

1:04:29.840 --> 1:04:33.680
<v Speaker 1>proposed everyone, but specially I know someone like that, Yeah,

1:04:33.720 --> 1:04:37.920
<v Speaker 1>who thinks the way he proposed to like three women

1:04:37.960 --> 1:04:40.280
<v Speaker 1>before he married the first wife. Whatever. I know a

1:04:40.320 --> 1:04:43.200
<v Speaker 1>guy who is a very successful movie person who's been

1:04:43.240 --> 1:04:46.000
<v Speaker 1>engaged many times. In his theory is it's just a ring.

1:04:47.360 --> 1:04:52.320
<v Speaker 1>It'll make things copasetic. Guy, I don't, don't. I'm just

1:04:52.400 --> 1:04:58.160
<v Speaker 1>saying that person ever been married is now. Yeah. But right,

1:04:58.960 --> 1:05:03.040
<v Speaker 1>my guests, I'm not a big like you know, I'm

1:05:03.080 --> 1:05:05.440
<v Speaker 1>just want to be able to do what I do

1:05:05.520 --> 1:05:10.600
<v Speaker 1>in an effective way, and um, marriage just you know,

1:05:10.840 --> 1:05:14.640
<v Speaker 1>it's it's good. I also need walls around me, Okay,

1:05:14.760 --> 1:05:18.680
<v Speaker 1>but I'm trying to understand primarily why you're attracted. And

1:05:18.720 --> 1:05:22.280
<v Speaker 1>what I'm hearing now is either there's a reluctant or

1:05:22.320 --> 1:05:25.520
<v Speaker 1>our lack of knowledge in terms of where he's coming from. No.

1:05:25.680 --> 1:05:31.480
<v Speaker 1>I think he's just in an awesome and incredibly kind

1:05:31.640 --> 1:05:36.000
<v Speaker 1>and down to be with someone who's unconventional and gone

1:05:36.040 --> 1:05:39.200
<v Speaker 1>most of the time. So where you going to ultimately live?

1:05:39.880 --> 1:05:43.240
<v Speaker 1>I just bought a house in Wooden Hills, California. How

1:05:43.240 --> 1:05:44.880
<v Speaker 1>do you like to feel about living in the valley?

1:05:44.920 --> 1:05:47.520
<v Speaker 1>I love it. I'm obsessed with it. I wanted four

1:05:47.560 --> 1:05:50.680
<v Speaker 1>acres and to not see one house and my home

1:05:50.680 --> 1:05:54.280
<v Speaker 1>anywhere else would be forty million dollars, So I'm upset.

1:05:54.320 --> 1:05:57.120
<v Speaker 1>It's basically too Panga. I wanted to live into Panga Canyon.

1:05:57.320 --> 1:06:00.680
<v Speaker 1>So it's south of the boulevards. Is that what it is?

1:06:00.680 --> 1:06:03.760
<v Speaker 1>Is it? Yeah? I'm up in the hills, like to

1:06:03.840 --> 1:06:06.360
<v Speaker 1>Panga Hills, basically what it's called Woodland Hills. I love

1:06:06.400 --> 1:06:10.240
<v Speaker 1>it over there. Um, I like a good deal, and

1:06:10.360 --> 1:06:11.880
<v Speaker 1>I just think a lot of stuff around he's just

1:06:11.880 --> 1:06:15.200
<v Speaker 1>a bad deal, and I don't like noise. Okay. Is

1:06:15.200 --> 1:06:19.120
<v Speaker 1>there a gated community, yes, sir? Okay, So he's moved

1:06:19.160 --> 1:06:22.040
<v Speaker 1>out here, and is he working? Yes, yes, sir, he

1:06:22.040 --> 1:06:25.520
<v Speaker 1>works for Vice. And so it would sound like financially

1:06:25.560 --> 1:06:28.760
<v Speaker 1>you're more successful than he is. Um, you could say that, yes,

1:06:29.120 --> 1:06:32.600
<v Speaker 1>and so so you can you're gonna get a pre nap. Yes,

1:06:33.440 --> 1:06:36.480
<v Speaker 1>but he comes from his family. You know he wants it.

1:06:36.480 --> 1:06:40.000
<v Speaker 1>There's no question about it, no awkwardness whatsoever. But is

1:06:40.000 --> 1:06:44.440
<v Speaker 1>there awkwardness that you earn more money than he does. No, weirdly,

1:06:44.720 --> 1:06:46.720
<v Speaker 1>because he pays for all his own stuff and really

1:06:46.720 --> 1:06:48.400
<v Speaker 1>goes out of his way to be like, I'm covering

1:06:48.440 --> 1:06:52.000
<v Speaker 1>this and he's just very um traditional is not the word,

1:06:52.080 --> 1:06:55.240
<v Speaker 1>but gets ahead of that. There's never been a weird

1:06:55.320 --> 1:06:57.840
<v Speaker 1>conversation about that. And then I think a really good

1:06:57.880 --> 1:07:00.560
<v Speaker 1>life hack for this is when we go on trips.

1:07:00.720 --> 1:07:03.640
<v Speaker 1>Because I get paid to post on social media, We'll

1:07:03.680 --> 1:07:05.880
<v Speaker 1>do like a free room for me to post on

1:07:05.920 --> 1:07:08.480
<v Speaker 1>social It doesn't feel like I'm like paying for trips

1:07:08.520 --> 1:07:11.200
<v Speaker 1>and I feel cooky. And you plan to have children,

1:07:11.560 --> 1:07:13.040
<v Speaker 1>I think so. I froze my eggs when I was

1:07:13.080 --> 1:07:15.480
<v Speaker 1>thirty three, which is a really good decision on my part,

1:07:15.480 --> 1:07:17.320
<v Speaker 1>if I may say so myself. I did it just

1:07:17.400 --> 1:07:21.280
<v Speaker 1>out of just fear alone. And then I'll probably end

1:07:21.360 --> 1:07:23.840
<v Speaker 1>up freezing embryos in the next couple of years. But

1:07:23.880 --> 1:07:25.640
<v Speaker 1>I don't want to do it right now. So what

1:07:25.680 --> 1:07:27.200
<v Speaker 1>would be the right age to have a kid. I

1:07:27.240 --> 1:07:29.360
<v Speaker 1>want to do in like two years maybe, Okay, that's

1:07:29.400 --> 1:07:31.520
<v Speaker 1>not far Okay, thirty seven, So I'm pushing I mean,

1:07:31.560 --> 1:07:34.200
<v Speaker 1>I'm definitely pushing it. That's why I ask. And whether

1:07:34.280 --> 1:07:36.400
<v Speaker 1>that was a motivation to get married, I don't. There's

1:07:36.440 --> 1:07:38.840
<v Speaker 1>just a gold rush in touring right now, and I

1:07:39.840 --> 1:07:42.760
<v Speaker 1>want to tour again and I uh in the next year,

1:07:42.800 --> 1:07:44.560
<v Speaker 1>and I don't want to do it pregnant. So how

1:07:44.600 --> 1:07:46.640
<v Speaker 1>many dates a year are you doing now? I'm probably

1:07:46.640 --> 1:07:51.120
<v Speaker 1>going to do a tour in March. Uh maybe? And

1:07:51.160 --> 1:07:55.000
<v Speaker 1>what kind of buildings do you play? I'll just do theaters, okay.

1:07:55.200 --> 1:07:57.960
<v Speaker 1>And as I say, you know, most musicians would say

1:07:58.000 --> 1:08:00.000
<v Speaker 1>they do it for the one or two hours on stage.

1:08:00.040 --> 1:08:02.920
<v Speaker 1>You with the same viewpoint? Uh oh, I see. You

1:08:02.920 --> 1:08:05.760
<v Speaker 1>mean you get paid to travel, not to perform. Yeah.

1:08:05.760 --> 1:08:09.080
<v Speaker 1>Oh no. I I live for stand up. Um. It's

1:08:09.120 --> 1:08:11.040
<v Speaker 1>one of the only things that brings me real joy

1:08:11.240 --> 1:08:15.520
<v Speaker 1>and I love doing it for people that are in um,

1:08:15.720 --> 1:08:18.679
<v Speaker 1>other cities, other places. What do you think of weird

1:08:18.720 --> 1:08:22.960
<v Speaker 1>stand up is today? In general? Couldn't be a more

1:08:23.800 --> 1:08:29.920
<v Speaker 1>um exciting, uh, the truth place to be and not

1:08:30.000 --> 1:08:33.040
<v Speaker 1>to mention, lucrative and bigger than ever, right, you know?

1:08:33.080 --> 1:08:36.040
<v Speaker 1>I mean there's definitely, like, you know, comedians, you'll hear

1:08:36.120 --> 1:08:39.360
<v Speaker 1>us complaining in the green room about who's this YouTube

1:08:39.439 --> 1:08:42.479
<v Speaker 1>star who's playing that theater? And wow, why is that

1:08:42.640 --> 1:08:47.120
<v Speaker 1>podcast guy selling out this you know venue there. There's

1:08:47.120 --> 1:08:48.519
<v Speaker 1>always gonna be that sort of stuff. But I think

1:08:48.560 --> 1:08:52.559
<v Speaker 1>that just because of podcasting and social media, Um, people

1:08:52.560 --> 1:08:54.760
<v Speaker 1>are it used to be like there's five slots on

1:08:54.760 --> 1:08:56.960
<v Speaker 1>Comedy Central, there's you know, if you don't get to

1:08:56.960 --> 1:08:59.240
<v Speaker 1>tonight show, you don't get to sell tickets. Now it's like,

1:08:59.720 --> 1:09:01.720
<v Speaker 1>you know, different points of views are propping up and

1:09:01.720 --> 1:09:04.960
<v Speaker 1>people are getting famous that deserve it. So what's the

1:09:05.040 --> 1:09:08.400
<v Speaker 1>ultimate target, the ultimate goal for you? Um, I'm actually

1:09:08.439 --> 1:09:10.599
<v Speaker 1>starting a podcast in a couple of weeks and I'm

1:09:10.680 --> 1:09:13.840
<v Speaker 1>very excited about it. Um, that podcast look like I

1:09:13.920 --> 1:09:16.719
<v Speaker 1>was very trepidacious about it for a long time. Um,

1:09:16.760 --> 1:09:19.000
<v Speaker 1>it's gonna just sort of be whatever fascinates me. It's

1:09:19.040 --> 1:09:21.400
<v Speaker 1>gonna be scientists, it's gonna be artists, it's gonna be therapists,

1:09:21.400 --> 1:09:24.200
<v Speaker 1>it's gonna be comedians, it's gonna be beauty X like

1:09:24.240 --> 1:09:26.880
<v Speaker 1>anything that I'm sort of curious about because I spend

1:09:26.880 --> 1:09:29.080
<v Speaker 1>all this time with these like incredibly smart people, and

1:09:29.120 --> 1:09:31.599
<v Speaker 1>I realized I'm not Why aren't I? Why don't other

1:09:31.640 --> 1:09:34.160
<v Speaker 1>people get to listen to this? Um? So that's part

1:09:34.200 --> 1:09:37.040
<v Speaker 1>of your life, you know, As I say, you seek

1:09:37.080 --> 1:09:39.479
<v Speaker 1>out these people were experts in their area. Yeah, I

1:09:39.520 --> 1:09:41.800
<v Speaker 1>just I like to surround myself with people that are

1:09:41.840 --> 1:09:45.080
<v Speaker 1>just generally better than me. Um uh. Maybe it's just

1:09:45.200 --> 1:09:47.120
<v Speaker 1>me being insecure or something. But I made a movie

1:09:47.160 --> 1:09:49.000
<v Speaker 1>about neurology, and I end up spending all this time

1:09:49.000 --> 1:09:53.080
<v Speaker 1>with these incredible neurologists. Um. And they were just telling

1:09:53.120 --> 1:09:54.320
<v Speaker 1>me all this mind blowing stuff, and I was like,

1:09:54.320 --> 1:09:56.920
<v Speaker 1>why are we recording? This? Is crazy? And have my

1:09:57.000 --> 1:09:59.960
<v Speaker 1>friends are unbelievably be brilliant comedians and when we're hanging

1:10:00.040 --> 1:10:01.400
<v Speaker 1>out in the hallway and we're like, why are we

1:10:01.439 --> 1:10:04.040
<v Speaker 1>recording all this? You know? So it's really very simple,

1:10:04.240 --> 1:10:06.479
<v Speaker 1>just the people I find fascinating and funny. Okay, but

1:10:06.520 --> 1:10:11.800
<v Speaker 1>like in a bigger goal, Okay, what's your ultimate destination? UM?

1:10:11.960 --> 1:10:13.920
<v Speaker 1>To be able to continue doing stand up and to

1:10:14.439 --> 1:10:16.240
<v Speaker 1>um never have to take a job that I don't

1:10:16.240 --> 1:10:19.120
<v Speaker 1>want to take for money. But it's not like world domination.

1:10:19.160 --> 1:10:21.320
<v Speaker 1>You want everybody in America to know your name or

1:10:21.360 --> 1:10:24.880
<v Speaker 1>something like that. Do people talk like that. Musicians absolutely do,

1:10:25.360 --> 1:10:27.680
<v Speaker 1>really absolutely, they say like, I want to be a

1:10:27.720 --> 1:10:29.840
<v Speaker 1>household name, well what I had. It really started with

1:10:29.880 --> 1:10:32.360
<v Speaker 1>the police because the guys in the police, well the

1:10:32.400 --> 1:10:34.919
<v Speaker 1>manager and the drummer, their father was in the CIA,

1:10:35.560 --> 1:10:38.880
<v Speaker 1>so they had lived in all these different locations. So

1:10:39.040 --> 1:10:43.160
<v Speaker 1>the manager said, ultimately, why don't we tour all these

1:10:43.200 --> 1:10:46.599
<v Speaker 1>places which no one else did. We'll go to India,

1:10:46.640 --> 1:10:48.960
<v Speaker 1>will go to Africa, We'll go to all these places.

1:10:49.200 --> 1:10:51.960
<v Speaker 1>And literally, you know, that's the early eighties, late seventies,

1:10:52.000 --> 1:10:54.759
<v Speaker 1>early eighties, but by time they're on MTV, that became

1:10:54.800 --> 1:10:57.360
<v Speaker 1>the goal, and of course the paradigm is completely shifted.

1:10:57.560 --> 1:11:00.360
<v Speaker 1>You would make a record and the goal that you

1:11:00.360 --> 1:11:01.800
<v Speaker 1>would be on tour. First it was two and a

1:11:01.800 --> 1:11:03.439
<v Speaker 1>half years, then it turned to three or four years

1:11:03.520 --> 1:11:05.880
<v Speaker 1>because you would go to every market and pick up

1:11:05.880 --> 1:11:08.840
<v Speaker 1>the money. Certainly as results of MTV. Up until like

1:11:08.880 --> 1:11:13.400
<v Speaker 1>the year, MTV was in every territory, so you were

1:11:13.439 --> 1:11:16.080
<v Speaker 1>either on MTV or you weren't, and if you were

1:11:16.120 --> 1:11:20.519
<v Speaker 1>on MTV, everybody around the world knew you. Okay, paradigm

1:11:20.640 --> 1:11:24.920
<v Speaker 1>is completely shifted, and people can't rest with that because

1:11:25.720 --> 1:11:27.960
<v Speaker 1>I realized this. Like seven or eight years ago. The

1:11:27.960 --> 1:11:29.640
<v Speaker 1>Empire State of Mind was a big hit and a

1:11:29.640 --> 1:11:31.559
<v Speaker 1>friend of mine was doing the tour and he goes,

1:11:31.760 --> 1:11:34.559
<v Speaker 1>I said, you know that means nothing in l A.

1:11:34.800 --> 1:11:37.320
<v Speaker 1>Forget that the song is about New York. Okay. So

1:11:37.360 --> 1:11:39.720
<v Speaker 1>we have all of these acts except for the TikTok

1:11:39.840 --> 1:11:43.160
<v Speaker 1>interaction with Little nas X. We have all these acts

1:11:43.160 --> 1:11:48.120
<v Speaker 1>that are paraded in the channels that theoretically give you

1:11:48.320 --> 1:11:51.320
<v Speaker 1>reach that are not that big. You look at tell

1:11:51.360 --> 1:11:53.400
<v Speaker 1>us we wrote a song about me. It's a dangerous subject.

1:11:53.479 --> 1:11:55.439
<v Speaker 1>But this record is a complete stiff. But if you

1:11:55.439 --> 1:11:58.960
<v Speaker 1>went back to nine, which was a big hit, everyone

1:11:59.080 --> 1:12:02.800
<v Speaker 1>knew the song We're never ever getting back together. You

1:12:02.880 --> 1:12:06.120
<v Speaker 1>ask somebody sing another song, they can't. There's a small

1:12:06.360 --> 1:12:09.400
<v Speaker 1>segment who are fans. So if you go back to

1:12:09.400 --> 1:12:12.360
<v Speaker 1>what I'm saying, it's like perfect, I say, David Brooks,

1:12:12.600 --> 1:12:15.040
<v Speaker 1>you think of the movie Guy. Okay, it's like the

1:12:15.080 --> 1:12:17.240
<v Speaker 1>New York Times. So when people, I mean, I find

1:12:17.240 --> 1:12:18.880
<v Speaker 1>this myself, I used to think, well, if it was

1:12:18.920 --> 1:12:20.600
<v Speaker 1>written in the New York Times, it was written in

1:12:20.640 --> 1:12:22.920
<v Speaker 1>these places. People are aware of it. They are not,

1:12:23.560 --> 1:12:27.200
<v Speaker 1>So the destination becomes different. So we're all on our

1:12:27.200 --> 1:12:30.120
<v Speaker 1>own vertical. But the result of what's happened about the

1:12:30.120 --> 1:12:32.280
<v Speaker 1>seven eight a year, the last seven or eight years,

1:12:32.320 --> 1:12:35.880
<v Speaker 1>there's internet cacophony such that it is harder than ever

1:12:36.040 --> 1:12:40.360
<v Speaker 1>to grow your audience because the audience is inundated with messages,

1:12:40.760 --> 1:12:44.080
<v Speaker 1>and what ultimately makes them connect is when they hear

1:12:44.080 --> 1:12:46.680
<v Speaker 1>it from a trusted source as a purveyor. You're not

1:12:46.720 --> 1:12:51.519
<v Speaker 1>really sure who those trusted sources are. It's that little

1:12:51.800 --> 1:12:53.400
<v Speaker 1>well as I say, but you don't know which person.

1:12:53.439 --> 1:12:55.800
<v Speaker 1>You can't say, oh, this particular person is the person

1:12:55.880 --> 1:12:58.160
<v Speaker 1>I need. And so it's funny. I mean, it's like,

1:12:58.560 --> 1:13:01.679
<v Speaker 1>you know, being on latent I TV. I never watched

1:13:01.760 --> 1:13:04.040
<v Speaker 1>Late Night. I just did two weeks of I'm sorry,

1:13:04.080 --> 1:13:07.360
<v Speaker 1>two months of press and still unsure what moved the

1:13:07.400 --> 1:13:09.880
<v Speaker 1>needle on my stand up special. I did three talk shows,

1:13:10.080 --> 1:13:13.000
<v Speaker 1>fifteen podcast, Today's Show. It was just like you have

1:13:13.080 --> 1:13:15.320
<v Speaker 1>to do all of it and just hope something sticks.

1:13:15.640 --> 1:13:17.599
<v Speaker 1>It used to be you do Howard Stern, you do Letterman,

1:13:17.640 --> 1:13:20.240
<v Speaker 1>you do Kim All your Ellen, and you're done. Well.

1:13:20.280 --> 1:13:23.120
<v Speaker 1>I'm at this point in time. I think I went

1:13:23.120 --> 1:13:26.040
<v Speaker 1>through this with Howard in his book, He's speaking to

1:13:26.080 --> 1:13:29.920
<v Speaker 1>his audience so dramatically, it's his act, my act whatever

1:13:30.160 --> 1:13:32.680
<v Speaker 1>is very unique. If you're not into it, you hate it,

1:13:32.720 --> 1:13:34.720
<v Speaker 1>that's right. And there's also there It used to be

1:13:34.760 --> 1:13:38.000
<v Speaker 1>like I kind of know these famous people. Now it's

1:13:38.280 --> 1:13:40.720
<v Speaker 1>you either have never heard of someone or you know

1:13:40.760 --> 1:13:43.439
<v Speaker 1>what they had for breakfast exactly. So now when I

1:13:43.479 --> 1:13:46.160
<v Speaker 1>do shows, it used to be like, yeah, my wife

1:13:46.160 --> 1:13:48.600
<v Speaker 1>likes you, and now I'm on stage of people like

1:13:48.640 --> 1:13:52.680
<v Speaker 1>how's your knee? It's people that know me so intimately

1:13:53.560 --> 1:13:55.760
<v Speaker 1>and will buy anything. You know, it's a it's a

1:13:55.800 --> 1:13:59.599
<v Speaker 1>more passionate audio, but it's you know, less of how

1:13:59.600 --> 1:14:02.640
<v Speaker 1>do you can as the as the purveyor how do

1:14:02.680 --> 1:14:06.479
<v Speaker 1>you feel about that? I mean quality versus quantity of fans?

1:14:06.479 --> 1:14:09.200
<v Speaker 1>I mean that's always the question is if you know,

1:14:09.320 --> 1:14:12.160
<v Speaker 1>fifty million people know you, but they won't pay sixty

1:14:12.200 --> 1:14:16.160
<v Speaker 1>dollars to see you, you know, what is that? How

1:14:16.200 --> 1:14:18.639
<v Speaker 1>is that useful? You know, if if people just yes,

1:14:18.720 --> 1:14:22.040
<v Speaker 1>But that's a math equation that there's the emotional angle,

1:14:22.040 --> 1:14:24.920
<v Speaker 1>which is totally different. Yeah for me. I mean, you know,

1:14:25.120 --> 1:14:28.760
<v Speaker 1>there's obviously like a bigger moral calling and um, you know,

1:14:29.320 --> 1:14:31.479
<v Speaker 1>well moral is a whole another thing. Yeah, exactly, So

1:14:31.520 --> 1:14:33.160
<v Speaker 1>I'm not sort of like getting into that. I think

1:14:33.160 --> 1:14:35.680
<v Speaker 1>for me, like the goal is to reach the maximum

1:14:35.720 --> 1:14:38.479
<v Speaker 1>number of people. Well, are you say, hey, I'd like

1:14:38.520 --> 1:14:42.679
<v Speaker 1>to sell out Madison Square Garden. Yeah, okay, but it's harder.

1:14:43.200 --> 1:14:46.200
<v Speaker 1>That's a kind of funny thing with Sebastian Maniscalco, whom

1:14:46.200 --> 1:14:51.160
<v Speaker 1>I don't find funny. Dare I vehemently disagree. The only

1:14:51.200 --> 1:14:52.760
<v Speaker 1>thing he did that I thought was funny when he

1:14:52.800 --> 1:14:54.600
<v Speaker 1>was talking about how you can't drop by anymore. I

1:14:54.640 --> 1:14:57.720
<v Speaker 1>love that. That was the Entimates game, right right. But

1:14:58.320 --> 1:15:00.719
<v Speaker 1>the point is people say, well, he's sold three Madison

1:15:00.760 --> 1:15:02.720
<v Speaker 1>Square Gardens. This is when he was announced for the

1:15:02.800 --> 1:15:05.360
<v Speaker 1>MPTV Video Music Works, which he bombed and hurt his career.

1:15:05.600 --> 1:15:07.000
<v Speaker 1>Used to be you couldn't even hurt your career. The

1:15:07.000 --> 1:15:09.840
<v Speaker 1>exposure be enough. But it's like Maroon five doing the

1:15:10.040 --> 1:15:13.360
<v Speaker 1>Super Bowl actually worked against him. Okay, they say, hey,

1:15:13.439 --> 1:15:16.160
<v Speaker 1>you know he did three medicines because of the Kaepernick thing.

1:15:16.200 --> 1:15:19.559
<v Speaker 1>I don't remember. Maroon five was on and they were

1:15:19.600 --> 1:15:22.200
<v Speaker 1>basically bad, and they were involved in all these things.

1:15:22.200 --> 1:15:25.120
<v Speaker 1>It used to be you got the exposure, okay, and

1:15:25.160 --> 1:15:27.560
<v Speaker 1>you put the tickets on sale. The next day. But

1:15:27.760 --> 1:15:30.559
<v Speaker 1>everybody knows who you are. But I also think, you know,

1:15:30.680 --> 1:15:34.160
<v Speaker 1>I mean this passion thing. It's like, you know, he's

1:15:34.200 --> 1:15:37.200
<v Speaker 1>got a very specific demographic, like you said, like his

1:15:37.240 --> 1:15:41.360
<v Speaker 1>demographic will go see him four nights in a row

1:15:41.439 --> 1:15:46.360
<v Speaker 1>that I know that most other people don't. They don't

1:15:46.439 --> 1:15:48.600
<v Speaker 1>understand that. It's like fish Fish will play one or

1:15:48.640 --> 1:15:50.680
<v Speaker 1>two weeks in Madison's were Guard at the end of

1:15:50.680 --> 1:15:53.320
<v Speaker 1>the year. We now know that. But if you read

1:15:53.360 --> 1:15:55.639
<v Speaker 1>the New York Times or you read that, the people

1:15:55.800 --> 1:15:58.439
<v Speaker 1>who think they know what's going on, they have no idea.

1:15:59.040 --> 1:16:01.679
<v Speaker 1>This is what's so fascinating to make. Yeah, well there's

1:16:01.680 --> 1:16:11.360
<v Speaker 1>the I mean the Emmy's how many people watch them? Yeah,

1:16:11.439 --> 1:16:14.000
<v Speaker 1>there's the blogger critical look as someone that comes from

1:16:14.000 --> 1:16:17.439
<v Speaker 1>the multicam world, which is multi caamras when people actually

1:16:17.479 --> 1:16:19.720
<v Speaker 1>watch but critics hate him, and we spend all our

1:16:19.720 --> 1:16:22.840
<v Speaker 1>time trying to get approval from thirty critics instead of

1:16:24.040 --> 1:16:26.720
<v Speaker 1>fifty million people. There is a point where you have

1:16:26.760 --> 1:16:28.600
<v Speaker 1>to decide do I want the cool kids to like me,

1:16:28.760 --> 1:16:30.960
<v Speaker 1>or do I want to be Walmart? Do I want

1:16:30.960 --> 1:16:35.599
<v Speaker 1>to be the boutique store. Were the Emmy rating shitty

1:16:35.680 --> 1:16:38.880
<v Speaker 1>because of the programming and other channels post. You know,

1:16:39.040 --> 1:16:42.839
<v Speaker 1>I think that this total overcorrection of we're so afraid

1:16:42.880 --> 1:16:45.200
<v Speaker 1>that someone's gonna be problematic because we're listening to this

1:16:45.280 --> 1:16:48.719
<v Speaker 1>two percent of the on Twitter, and we're so afraid

1:16:48.760 --> 1:16:53.760
<v Speaker 1>of offending somebody with our host choice because everyone's problematic

1:16:53.800 --> 1:16:56.840
<v Speaker 1>now ended up. I think it's my knee jerk. We

1:16:56.920 --> 1:16:59.240
<v Speaker 1>actually was a little bit different. When you're a little

1:16:59.280 --> 1:17:03.960
<v Speaker 1>too young for this and Kurt Cobain off off himself. Okay, uh,

1:17:04.040 --> 1:17:07.000
<v Speaker 1>the guy in sixty minutes, the crusty guy, his name

1:17:07.000 --> 1:17:09.320
<v Speaker 1>will come to me in a second. He wrote, what

1:17:09.400 --> 1:17:12.960
<v Speaker 1>a waste of life whatever. Eddie Rosenblatt was president of

1:17:12.960 --> 1:17:15.040
<v Speaker 1>the record company, and I spoke with him the next

1:17:15.080 --> 1:17:18.599
<v Speaker 1>day and he said something which really is always stuck

1:17:18.600 --> 1:17:22.120
<v Speaker 1>with me. He says, movies, when done right, are larger

1:17:22.160 --> 1:17:26.639
<v Speaker 1>than life. Music, when done right, is life itself. So

1:17:26.720 --> 1:17:29.360
<v Speaker 1>this speaks to your point about the knee, etcetera. When

1:17:29.479 --> 1:17:32.599
<v Speaker 1>you when people go to see you, they're not going

1:17:32.760 --> 1:17:35.439
<v Speaker 1>for a night of entertainment of good jokes. They want

1:17:35.439 --> 1:17:39.320
<v Speaker 1>to see you because you are the act. Because if

1:17:39.360 --> 1:17:41.880
<v Speaker 1>they watch on Netflix learning to get Better seats quite frankly, okay,

1:17:41.920 --> 1:17:43.920
<v Speaker 1>then but knowing I'm in the room and I can

1:17:43.960 --> 1:17:46.040
<v Speaker 1>yell something out and I'll respond to them. And also

1:17:46.160 --> 1:17:47.760
<v Speaker 1>we got to be smart. Now. You know we're doing

1:17:47.800 --> 1:17:50.000
<v Speaker 1>meet and greets after the shows. You're getting a picture

1:17:50.040 --> 1:17:52.760
<v Speaker 1>with my robot. You know, I'm signing a book like

1:17:52.840 --> 1:17:55.080
<v Speaker 1>it's the But the other thing is you are the

1:17:55.120 --> 1:17:59.519
<v Speaker 1>act all of your new roses, predilections, etcetera. Actors. It's

1:17:59.560 --> 1:18:02.120
<v Speaker 1>not the who gives a funk? They're an actor. So

1:18:02.200 --> 1:18:04.679
<v Speaker 1>why should I watch the Emmy's to see someone? It's

1:18:04.680 --> 1:18:07.719
<v Speaker 1>really somebody else's shows, right, That's one of the reasons.

1:18:08.280 --> 1:18:13.160
<v Speaker 1>And I think, you know, look like I you know, um,

1:18:13.800 --> 1:18:15.800
<v Speaker 1>the people that know me know I'm as you know,

1:18:16.120 --> 1:18:20.639
<v Speaker 1>pretty Um. I'm trying to think of a word that's

1:18:20.760 --> 1:18:22.960
<v Speaker 1>not going to be charged. Maybe progressive, it's just a

1:18:22.960 --> 1:18:25.840
<v Speaker 1>good word. If we're going to use the Emmys to

1:18:25.840 --> 1:18:30.639
<v Speaker 1>to lecture people about what they should be doing with

1:18:30.720 --> 1:18:35.559
<v Speaker 1>their votes, are there, whatever, it's it's just really it's

1:18:35.600 --> 1:18:39.519
<v Speaker 1>not an entertainment show. It's a celebrities or lecturing everybody.

1:18:39.640 --> 1:18:42.000
<v Speaker 1>I understand your point, but I think it's a very

1:18:42.000 --> 1:18:45.920
<v Speaker 1>small audience that's reacting heavily to that. Is that most

1:18:45.960 --> 1:18:48.360
<v Speaker 1>people are deciding whether or not to watch the Emmys.

1:18:48.400 --> 1:18:50.479
<v Speaker 1>They just want to see the dresses you're wearing. They

1:18:50.479 --> 1:18:52.280
<v Speaker 1>want to see a funny show. They want to see

1:18:52.400 --> 1:18:55.800
<v Speaker 1>Seth McFarland dance tap dance. They want to see Tina

1:18:55.840 --> 1:18:59.200
<v Speaker 1>fey and and Amy Poehler be funny. Okay, So, speaking

1:18:59.200 --> 1:19:04.479
<v Speaker 1>of all those games in the varying verticals, movies, television, books,

1:19:04.640 --> 1:19:06.479
<v Speaker 1>who do you think is knocking it out of the park?

1:19:06.640 --> 1:19:09.759
<v Speaker 1>Who are your favorites? Who are your favorites? Sebastian manis

1:19:10.200 --> 1:19:17.639
<v Speaker 1>of course. Um Ali Wong is killing it? Um Uh.

1:19:17.720 --> 1:19:20.600
<v Speaker 1>John Mulaney, I think it is really smart about the

1:19:20.640 --> 1:19:22.479
<v Speaker 1>choices that he saw him in that play with the

1:19:22.479 --> 1:19:28.759
<v Speaker 1>other guy. But I'm I haven't been turned on solely

1:19:28.800 --> 1:19:30.800
<v Speaker 1>by his specials yet. I know I'm the only thing.

1:19:31.080 --> 1:19:35.080
<v Speaker 1>It's okay, it's um. I can disagree with you and

1:19:35.080 --> 1:19:37.720
<v Speaker 1>we can consist, but the only thing is everyone is

1:19:37.720 --> 1:19:44.519
<v Speaker 1>against me on this um and Uh. I love Jim Jeffries. Um.

1:19:45.600 --> 1:19:47.200
<v Speaker 1>I think he's really good at knowing how to do

1:19:47.280 --> 1:19:49.800
<v Speaker 1>what he does and leaning his strengths. Bill Burr, I

1:19:49.840 --> 1:19:51.960
<v Speaker 1>love the way he just does what he wants to do,

1:19:52.160 --> 1:19:53.800
<v Speaker 1>and he's like, I'm not going to do five D

1:19:53.920 --> 1:19:55.719
<v Speaker 1>talk shows to promote him. To let the work speak

1:19:55.720 --> 1:20:01.960
<v Speaker 1>for itself. Um, his touring business is unbelievable. Um Uh.

1:20:02.160 --> 1:20:06.160
<v Speaker 1>Other people in TV, you create TV shows? What TV

1:20:06.200 --> 1:20:09.439
<v Speaker 1>shows do you watch? I watched Succession obviously because I'm

1:20:09.479 --> 1:20:12.400
<v Speaker 1>not a monster. Um. I watched a lot of things

1:20:12.439 --> 1:20:13.880
<v Speaker 1>that I know I have to watch, Like there's a

1:20:13.920 --> 1:20:16.040
<v Speaker 1>lot of like homework viewing of this is whatever. Forget

1:20:16.080 --> 1:20:18.920
<v Speaker 1>that when when you actually do watch of your own choice,

1:20:19.080 --> 1:20:22.000
<v Speaker 1>and so many of my friends do. I end up

1:20:22.000 --> 1:20:23.800
<v Speaker 1>watching because I have to, and then I have enjoying it.

1:20:23.840 --> 1:20:26.280
<v Speaker 1>Like I just watched Dead to Me, I just loved it. Listen.

1:20:27.000 --> 1:20:29.840
<v Speaker 1>Lisz Feldman was on Two Brook Girls and uh, it's

1:20:29.920 --> 1:20:33.439
<v Speaker 1>just unbelievable, unstoppable. Um Russian doll a friend of mine

1:20:33.479 --> 1:20:37.599
<v Speaker 1>made uh Leslie and Natasha. I was just blown away.

1:20:38.200 --> 1:20:39.720
<v Speaker 1>Someone who's had to make stuff. I was just like,

1:20:40.000 --> 1:20:44.479
<v Speaker 1>the editing on this alone is causing me agit. Um Uh.

1:20:44.720 --> 1:20:48.240
<v Speaker 1>Other things that I watched I watch all specials, um

1:20:48.479 --> 1:20:50.680
<v Speaker 1>for obvious reasons. I watched a lot of documentaries, a

1:20:50.680 --> 1:20:53.599
<v Speaker 1>lot of documentaries series. I was watching that Abstract show

1:20:53.680 --> 1:20:57.479
<v Speaker 1>which is like that interview art show on Netflix, which

1:20:57.479 --> 1:20:59.160
<v Speaker 1>I found really interesting. I watched a lot of stuff

1:20:59.160 --> 1:21:02.680
<v Speaker 1>about robots because I have one, which root. I have

1:21:02.720 --> 1:21:05.640
<v Speaker 1>a robot that looks like me. Um, that's at the

1:21:05.680 --> 1:21:07.960
<v Speaker 1>end of my special. Um, i'll show it to you.

1:21:08.520 --> 1:21:11.880
<v Speaker 1>But this is audio, so you can into you just

1:21:11.960 --> 1:21:15.439
<v Speaker 1>so we can get your reaction on audio. So she um,

1:21:15.479 --> 1:21:20.519
<v Speaker 1>you know, is constantly being updated. And I'm sorry, trying

1:21:20.520 --> 1:21:22.640
<v Speaker 1>to learn as much as I can about robotics. And

1:21:22.880 --> 1:21:25.400
<v Speaker 1>that's question the future robotics in entertainment because you know,

1:21:25.400 --> 1:21:28.040
<v Speaker 1>everybody has a robot, you know, three months later it's

1:21:28.080 --> 1:21:32.160
<v Speaker 1>on a date if I'm asking one. So what does

1:21:32.200 --> 1:21:35.000
<v Speaker 1>your robot do that? She can talk, she can have

1:21:35.120 --> 1:21:38.479
<v Speaker 1>extemporarius conversations, she can make Instagram content, which is usually

1:21:38.479 --> 1:21:39.840
<v Speaker 1>what I use her for because I don't want to

1:21:39.880 --> 1:21:42.000
<v Speaker 1>have to do it all because I get embarrassed. Um.

1:21:42.040 --> 1:21:44.000
<v Speaker 1>But she's at the end, at the end of my special,

1:21:44.040 --> 1:21:46.000
<v Speaker 1>and she's going to start like touring and giving her

1:21:46.040 --> 1:21:48.200
<v Speaker 1>own talks. It but she's going to go by herself.

1:21:48.280 --> 1:21:50.519
<v Speaker 1>Yeah yeah, she's she has an agent at U t

1:21:50.680 --> 1:21:52.840
<v Speaker 1>A and she is going to go to speak at

1:21:52.880 --> 1:21:55.200
<v Speaker 1>colleges and tech conferences. Okay, So how did you get

1:21:55.240 --> 1:21:57.240
<v Speaker 1>into this? I got into this because in this last

1:21:57.240 --> 1:21:59.759
<v Speaker 1>special I ended up writing a lot about sex, robots

1:21:59.760 --> 1:22:01.680
<v Speaker 1>and butts in general. I'd like forty minutes in my

1:22:01.720 --> 1:22:05.120
<v Speaker 1>last special about it, and then I wadn't watch. But yeah,

1:22:05.160 --> 1:22:11.280
<v Speaker 1>but that shows that I obviously clearly um. But basically

1:22:11.400 --> 1:22:14.639
<v Speaker 1>I just watched watched the special and you guys will see.

1:22:14.640 --> 1:22:19.160
<v Speaker 1>I don't want to spoil it, okay. And books, reading, magazines, newspapers.

1:22:19.160 --> 1:22:23.120
<v Speaker 1>What do you read? Books, magazines, newspapers. I do try

1:22:23.160 --> 1:22:25.400
<v Speaker 1>to read books. Just got roon in Pharaoh's new book

1:22:25.400 --> 1:22:28.240
<v Speaker 1>Cannot Wait to Dig in Anything. Joe Rogan tells me

1:22:28.280 --> 1:22:32.280
<v Speaker 1>to read. I read, um, anything human nature, technology, what

1:22:32.400 --> 1:22:35.759
<v Speaker 1>social media is doing to our brains. Um is usually

1:22:35.800 --> 1:22:38.559
<v Speaker 1>anything that I can write material about. So are you?

1:22:39.840 --> 1:22:42.479
<v Speaker 1>I read one called The Shallows just now, which is

1:22:42.520 --> 1:22:44.920
<v Speaker 1>about how the Internet is changing our brains like that

1:22:45.000 --> 1:22:48.000
<v Speaker 1>basically the way. So you're into reading nonfiction? Nonfiction? Oh

1:22:48.040 --> 1:22:51.240
<v Speaker 1>only yeah, nonfiction. I'm actually about to pitch Gary Steinart's

1:22:51.280 --> 1:22:53.439
<v Speaker 1>new books Super Sad, True Love Store his new book

1:22:53.479 --> 1:22:56.360
<v Speaker 1>what am I saying? Like success? No? Like success? That

1:22:56.439 --> 1:22:57.760
<v Speaker 1>was the best book I've read in like three or

1:22:57.800 --> 1:23:01.920
<v Speaker 1>four year to books ago. He wrote Super Sad True

1:23:01.960 --> 1:23:04.439
<v Speaker 1>Love Story, which is the most brilliant, brilliant books I've

1:23:04.439 --> 1:23:07.479
<v Speaker 1>ever read. Um, it was being developed. It's a drama,

1:23:07.479 --> 1:23:09.679
<v Speaker 1>which I think it should be a half hour comedy.

1:23:09.720 --> 1:23:11.760
<v Speaker 1>So we're pitching that um soon. That was like the

1:23:11.840 --> 1:23:13.960
<v Speaker 1>last nonfiction book I read at night was so good

1:23:13.960 --> 1:23:15.840
<v Speaker 1>I didn't want to read another. Well, obviously you're full

1:23:15.840 --> 1:23:19.880
<v Speaker 1>of energy if your home alone or you like, is upbeat. Um,

1:23:20.160 --> 1:23:22.920
<v Speaker 1>I conserve my energy. And I'm really boring, but I'm

1:23:22.960 --> 1:23:24.760
<v Speaker 1>on your podcast and I want to make sure that

1:23:24.800 --> 1:23:27.719
<v Speaker 1>I'm good. I mean, how's your mental story will collapse

1:23:27.800 --> 1:23:30.000
<v Speaker 1>when I get in your mental state? Are you someone

1:23:30.040 --> 1:23:33.760
<v Speaker 1>who's tends to be happy tends to be depressed? Um?

1:23:33.800 --> 1:23:37.240
<v Speaker 1>You know. Usually I'm just gonna be honest with you.

1:23:37.280 --> 1:23:41.240
<v Speaker 1>I think in comedy you're as happy is your last set.

1:23:41.960 --> 1:23:43.360
<v Speaker 1>So if I have a great set, I'm in a

1:23:43.360 --> 1:23:45.960
<v Speaker 1>good mood. If I have okay, So, if there's seven

1:23:46.040 --> 1:23:50.240
<v Speaker 1>nights in a week, how many are you working tonight? Yes, sir,

1:23:51.040 --> 1:23:52.599
<v Speaker 1>get the last factory in the comedy story. And I'm

1:23:52.600 --> 1:23:55.320
<v Speaker 1>working on new material, and new material is always like

1:23:55.320 --> 1:23:59.280
<v Speaker 1>like a you know, trudge through quicksand and um, you

1:23:59.280 --> 1:24:02.360
<v Speaker 1>know my mood is I'm not gonna lie greatly impacted

1:24:02.360 --> 1:24:07.200
<v Speaker 1>by So just one thing you're working on now, I'm

1:24:07.240 --> 1:24:13.240
<v Speaker 1>working on. I'm coming for the ballet, and I'm coming

1:24:13.280 --> 1:24:15.760
<v Speaker 1>for charities that I think are scams. I have a

1:24:15.760 --> 1:24:17.840
<v Speaker 1>bit about some charities that I think is okay, give

1:24:17.840 --> 1:24:20.160
<v Speaker 1>me your take on balt because my parents dragged me

1:24:20.680 --> 1:24:23.160
<v Speaker 1>finally said, I think it's great. I just the bit

1:24:23.200 --> 1:24:25.120
<v Speaker 1>i'm working on. I'm not gonna do a comedy in

1:24:25.160 --> 1:24:29.040
<v Speaker 1>front of nobody in this cement room, but I do.

1:24:29.479 --> 1:24:30.920
<v Speaker 1>I'm just working on a bit that I think is

1:24:30.960 --> 1:24:33.040
<v Speaker 1>an interesting conceit of, Like I think anything should go

1:24:33.080 --> 1:24:35.599
<v Speaker 1>away if you couldn't pitch it today as a new idea,

1:24:36.439 --> 1:24:39.880
<v Speaker 1>Like if you're going to pitch ballet today, it's going

1:24:39.920 --> 1:24:42.679
<v Speaker 1>to be awkward. It's an exactly how about base Blake

1:24:42.760 --> 1:24:44.679
<v Speaker 1>put in the same category, you know what you really

1:24:44.680 --> 1:24:47.160
<v Speaker 1>could we have? What is that? It's just a bunch

1:24:47.160 --> 1:24:51.400
<v Speaker 1>of guys in their forties who might kind of work out.

1:24:51.479 --> 1:24:53.599
<v Speaker 1>I think older than that. I don't know enough about

1:24:53.600 --> 1:24:55.680
<v Speaker 1>baseball that even pitch it as a joke. I'll have

1:24:55.720 --> 1:24:57.200
<v Speaker 1>to learn, because that is a good one. Well, you

1:24:57.280 --> 1:24:59.160
<v Speaker 1>know exactly, and there's a number of things you know

1:24:59.200 --> 1:25:01.559
<v Speaker 1>from that our past say that people are reminiscing about.

1:25:01.840 --> 1:25:04.439
<v Speaker 1>It's like Trump go back to you know what once was?

1:25:04.960 --> 1:25:07.439
<v Speaker 1>What was wasn't so great? Yeah, right, right, right, let's

1:25:07.479 --> 1:25:10.200
<v Speaker 1>go back to coal mining exactly, Black Line. Well, at

1:25:10.240 --> 1:25:13.519
<v Speaker 1>least I had a job. Yeah, the nostalgia of not

1:25:13.600 --> 1:25:17.599
<v Speaker 1>having antibiotics. Um, but that and then a lot about

1:25:17.640 --> 1:25:20.759
<v Speaker 1>how I were obsessed with privacy. Now all of a sudden,

1:25:20.760 --> 1:25:23.880
<v Speaker 1>and you know, I mean, my phone number is getting leaked.

1:25:23.880 --> 1:25:25.960
<v Speaker 1>It's like I remember the days when we used to

1:25:26.040 --> 1:25:29.479
<v Speaker 1>have a book right full of numbers and addresses, and

1:25:29.520 --> 1:25:33.240
<v Speaker 1>they would just throw it at your house. They were

1:25:33.240 --> 1:25:35.799
<v Speaker 1>all over the street. Do you remember phone books everywhere?

1:25:35.800 --> 1:25:39.080
<v Speaker 1>I mean we used to like that. Listen, did you

1:25:39.120 --> 1:25:42.080
<v Speaker 1>watch a breaking bad movie? No, I haven't seen it yet.

1:25:42.479 --> 1:25:45.920
<v Speaker 1>It's not great. But the only thing what do you like? Oh?

1:25:46.000 --> 1:25:49.000
<v Speaker 1>I like a lot of stuff. Okay. It's like, you know,

1:25:49.040 --> 1:25:50.720
<v Speaker 1>if you read the New York Times book review, and

1:25:50.720 --> 1:25:53.280
<v Speaker 1>they always be what are you reading? People always up

1:25:53.320 --> 1:25:56.400
<v Speaker 1>pick up obscure stuff to look good. So there are

1:25:56.439 --> 1:25:58.800
<v Speaker 1>a couple of obscure things. But I'll say I loved

1:25:59.000 --> 1:26:01.280
<v Speaker 1>most of this ship. I want I binge. I don't

1:26:01.280 --> 1:26:05.200
<v Speaker 1>watch when it's on. Okay, okay, So like the Americans,

1:26:05.240 --> 1:26:07.479
<v Speaker 1>I thought was great, brilliant. One of those shows that

1:26:07.640 --> 1:26:15.000
<v Speaker 1>ultimately gets better. The documentary about the Bogwan on Netflix, right, okay?

1:26:15.040 --> 1:26:18.120
<v Speaker 1>The one about the nun before that, that was really good.

1:26:18.160 --> 1:26:20.439
<v Speaker 1>The nun who got killed, Oh you gotta watch. You

1:26:20.479 --> 1:26:23.160
<v Speaker 1>know that I killed the nunther got killed? And you

1:26:23.200 --> 1:26:27.479
<v Speaker 1>know it was the U in Baltimore. God, I can't

1:26:27.520 --> 1:26:29.240
<v Speaker 1>remember the name. I don't know. Did you ever see

1:26:29.240 --> 1:26:31.800
<v Speaker 1>the woman who wasn't there or the impostor which one

1:26:31.840 --> 1:26:34.000
<v Speaker 1>is the impols older? That's the I don't want to

1:26:34.080 --> 1:26:37.440
<v Speaker 1>spoil it for everyone. The guy who was from Melbania

1:26:37.479 --> 1:26:39.960
<v Speaker 1>and he ended up going to Dallas as a missing kid?

1:26:41.000 --> 1:26:42.240
<v Speaker 1>Is that one I did? I thought you were talking

1:26:42.240 --> 1:26:44.080
<v Speaker 1>about one of the Rockefellers, you know, you know the

1:26:44.080 --> 1:26:46.519
<v Speaker 1>guy who faked being a Rockefeller. Oh yeah, amazing. I

1:26:46.520 --> 1:26:52.000
<v Speaker 1>love that Charlatan body snatching. But my number one recommendation

1:26:52.040 --> 1:26:54.960
<v Speaker 1>when it comes to television is Happy Valley. If you

1:26:54.960 --> 1:26:59.160
<v Speaker 1>watched Happy Valley, Happy Valleys an English show, the woman

1:26:59.280 --> 1:27:01.960
<v Speaker 1>is on it, you see before she's the most successful.

1:27:02.040 --> 1:27:05.519
<v Speaker 1>This is a drama Happy Valley. Yes it's an English

1:27:05.520 --> 1:27:07.519
<v Speaker 1>b BBC show, but it's on She's one of the

1:27:07.520 --> 1:27:11.200
<v Speaker 1>most successful what TV? She is literally the most successful

1:27:11.240 --> 1:27:21.280
<v Speaker 1>TV actress in the UK. Uh this? Uh? Katherine who her? Absolutely? Really?

1:27:22.040 --> 1:27:23.920
<v Speaker 1>I didn't know that. Sorry, you guys aren't seeing this?

1:27:24.400 --> 1:27:27.479
<v Speaker 1>Um well read her name. It came on. I cannot

1:27:27.520 --> 1:27:28.960
<v Speaker 1>wait to see it. I thought you were going to say,

1:27:29.000 --> 1:27:32.599
<v Speaker 1>like Katherine Tait or something. Um No, I watched everything.

1:27:32.640 --> 1:27:35.120
<v Speaker 1>I have to watch the homework stuff. I watched clips

1:27:35.200 --> 1:27:38.720
<v Speaker 1>usually the next day. Um, I want to go one more.

1:27:38.880 --> 1:27:41.040
<v Speaker 1>This is an agent to turn me onto this. There's

1:27:41.080 --> 1:27:46.280
<v Speaker 1>a French show about the town in Uh, France during

1:27:46.320 --> 1:27:49.240
<v Speaker 1>the Second World War called a French Village. If these

1:27:49.240 --> 1:27:52.639
<v Speaker 1>are like sixty five episodes, it's great, okay, But then

1:27:52.640 --> 1:27:56.360
<v Speaker 1>it turned me onto another show. That show has deeper meaning. Okay.

1:27:56.520 --> 1:27:59.040
<v Speaker 1>There's a show called Spiral. It's a French cop show.

1:27:59.080 --> 1:28:03.799
<v Speaker 1>Where are this wild French cop show on Amazon? Phenomenal? Okay,

1:28:04.640 --> 1:28:07.479
<v Speaker 1>so like six seasons? Did you watch The Bodyguard? Are

1:28:07.479 --> 1:28:10.639
<v Speaker 1>you like that? And I watched all that? But this

1:28:10.720 --> 1:28:13.479
<v Speaker 1>is that's good? This is a like a level above

1:28:13.760 --> 1:28:16.240
<v Speaker 1>now as I say this Spiral, which is a co

1:28:16.320 --> 1:28:21.160
<v Speaker 1>production between Canal Plues in the BBC. You know, it's

1:28:21.479 --> 1:28:23.920
<v Speaker 1>I watched because these actresses and actors. We've seen him

1:28:23.920 --> 1:28:27.080
<v Speaker 1>in other shows and it gets better every season. But

1:28:27.160 --> 1:28:29.640
<v Speaker 1>you know, it's like watching a cop show in an

1:28:29.640 --> 1:28:32.599
<v Speaker 1>American DV if the actors were moving, you know, much

1:28:32.640 --> 1:28:35.240
<v Speaker 1>more skilled and there was war time put into it.

1:28:35.240 --> 1:28:38.080
<v Speaker 1>It is nice to watch actors that I don't recognize

1:28:38.080 --> 1:28:40.559
<v Speaker 1>at all. There's something just I think that for me

1:28:40.600 --> 1:28:42.280
<v Speaker 1>the experience of watching television. I don't know if this

1:28:42.320 --> 1:28:44.840
<v Speaker 1>happens to you with music or whatever. It's like, oh God,

1:28:44.840 --> 1:28:47.600
<v Speaker 1>I auditioned for that, or I know that actor, Like

1:28:47.680 --> 1:28:49.720
<v Speaker 1>it's just it really does take the magic out of

1:28:49.800 --> 1:28:53.960
<v Speaker 1>that Meryl Streep. I always see Meryl Streep acting. It's like, yeah,

1:28:54.040 --> 1:28:56.599
<v Speaker 1>she can act, but it's always Meryl Streep. You know,

1:28:57.320 --> 1:28:58.880
<v Speaker 1>I can't get into it. It is like and then

1:28:58.920 --> 1:29:01.760
<v Speaker 1>I'm like, after like making enough movie and TV, I'm

1:29:01.760 --> 1:29:03.760
<v Speaker 1>always like that was a d R, Like, oh that's

1:29:03.760 --> 1:29:08.800
<v Speaker 1>a I can tell when something my fiance hates me.

1:29:08.960 --> 1:29:10.719
<v Speaker 1>It's like when they pick up the cup to drink

1:29:10.760 --> 1:29:14.400
<v Speaker 1>and you know it's totally or when they turn their head,

1:29:14.439 --> 1:29:15.760
<v Speaker 1>and it's like, well, I guess I'll cut you lighter.

1:29:17.520 --> 1:29:19.840
<v Speaker 1>Who mixed this? Okay? A couple of other things. This

1:29:19.880 --> 1:29:22.519
<v Speaker 1>is an old documentary, but legendary. Did you see capturing

1:29:22.560 --> 1:29:27.360
<v Speaker 1>the Freedman's okay? And then did you see the one

1:29:27.400 --> 1:29:30.000
<v Speaker 1>with triplets? What were they called? Oh? Yes, of course.

1:29:30.120 --> 1:29:36.439
<v Speaker 1>I was in a hotel room in Michigan screaming. Where

1:29:36.560 --> 1:29:39.200
<v Speaker 1>was I? I I don't remember. It was mind blow. Those

1:29:39.200 --> 1:29:43.559
<v Speaker 1>people who don't know. It's about three you know, Jewish

1:29:43.560 --> 1:29:45.800
<v Speaker 1>babies in the Jewish family services, and I could say

1:29:45.840 --> 1:29:48.560
<v Speaker 1>this Jewish who are separated at birth and then reconnect.

1:29:48.800 --> 1:29:52.880
<v Speaker 1>That's it is. I was a dog, even though there's

1:29:52.880 --> 1:29:55.400
<v Speaker 1>people like the twists are crazy. I knew twists were

1:29:55.439 --> 1:29:58.120
<v Speaker 1>coming and it just blew my mind. Loved it, especially

1:29:58.160 --> 1:30:00.840
<v Speaker 1>at the end. What's the one in Florida? The guy

1:30:00.920 --> 1:30:04.519
<v Speaker 1>used to take the photographs and he died. That's another.

1:30:04.720 --> 1:30:08.360
<v Speaker 1>Listen to the Ted Bundy tapes. Ted Bundy was alive

1:30:08.720 --> 1:30:11.320
<v Speaker 1>and killing people. Where my girlfriend from tallahasse He was

1:30:11.360 --> 1:30:13.720
<v Speaker 1>so I was very familiar. It's like escaping Dana Mora.

1:30:13.880 --> 1:30:15.919
<v Speaker 1>I'm not watching that. I read about it the newspaper.

1:30:16.840 --> 1:30:20.280
<v Speaker 1>My god, that's so funny. I'm so fascinated by the

1:30:20.280 --> 1:30:23.240
<v Speaker 1>the idea of releasing ted, But there's just what is

1:30:23.280 --> 1:30:25.160
<v Speaker 1>going on with us that we want to hear? This

1:30:26.160 --> 1:30:29.160
<v Speaker 1>is it? Is it? Are we getting into this weird

1:30:29.640 --> 1:30:36.320
<v Speaker 1>Roman colosseum entertainment like late stage late stage capitalism. Just

1:30:36.400 --> 1:30:39.960
<v Speaker 1>watching I mean Twitter now really is the new colosseum,

1:30:40.080 --> 1:30:43.880
<v Speaker 1>watching people get humiliated and detracted and taken down and abused,

1:30:43.880 --> 1:30:47.000
<v Speaker 1>and we're just piling on and and some of this

1:30:47.160 --> 1:30:50.120
<v Speaker 1>entertainment is like I don't need to see that. Well,

1:30:50.160 --> 1:30:53.280
<v Speaker 1>you know, the change was in when we are the

1:30:53.320 --> 1:30:57.240
<v Speaker 1>Irhana hostage situation. That's when it flipped from the Vietnam

1:30:57.280 --> 1:31:01.160
<v Speaker 1>era Let's question America to American do no Wrong, and

1:31:01.200 --> 1:31:04.719
<v Speaker 1>now we have two camps and it's like really crazy.

1:31:04.720 --> 1:31:08.200
<v Speaker 1>But there was one other show, the Hassan Special, so

1:31:08.320 --> 1:31:10.439
<v Speaker 1>he's so great, you know, the one where he talks

1:31:10.479 --> 1:31:14.840
<v Speaker 1>about growing up in Sacramento. That was unbelievab brilliant. He's

1:31:14.880 --> 1:31:17.479
<v Speaker 1>so brilliant. There's also I'd missed, just since we're talking

1:31:17.520 --> 1:31:20.280
<v Speaker 1>about this anyway, to not mention V because I remember

1:31:20.320 --> 1:31:23.559
<v Speaker 1>listening to the showrunner of Veep, I think on the

1:31:23.680 --> 1:31:26.320
<v Speaker 1>NPR something talking about how because of what's going on

1:31:26.320 --> 1:31:31.400
<v Speaker 1>in the news, it's so hard to uh right jokes

1:31:31.840 --> 1:31:34.960
<v Speaker 1>because everything's you can't Like they had like a p

1:31:35.120 --> 1:31:37.920
<v Speaker 1>tape joke and then it was in the news. It

1:31:38.000 --> 1:31:40.240
<v Speaker 1>was just like, how do you write comedy in this

1:31:40.320 --> 1:31:44.360
<v Speaker 1>space with how outrageous the news has become. It's actually

1:31:44.400 --> 1:31:46.760
<v Speaker 1>really becoming a problem for comedy. I mean, you know,

1:31:46.800 --> 1:31:48.639
<v Speaker 1>people want to say comedy is easier than ever now

1:31:48.680 --> 1:31:50.800
<v Speaker 1>these jokes just right themselves. Like, first of all, the

1:31:50.800 --> 1:31:52.759
<v Speaker 1>stuff isn't funny. No one wants to hear about Trump

1:31:52.760 --> 1:31:55.280
<v Speaker 1>on stage. I don't want us to hear about this, really, nobody,

1:31:55.880 --> 1:31:57.679
<v Speaker 1>no one wants to hear about it. Can you see

1:31:58.080 --> 1:32:00.400
<v Speaker 1>you can you hear an audible X tail in the

1:32:00.479 --> 1:32:03.880
<v Speaker 1>room if it comes up? Okay, what all are at capacity?

1:32:03.960 --> 1:32:08.639
<v Speaker 1>What is uh contemporaneous in culture that is good material?

1:32:08.920 --> 1:32:11.080
<v Speaker 1>I think, you know, I I think that this, like

1:32:11.760 --> 1:32:13.880
<v Speaker 1>you know, and I don't say this in a pejorative way.

1:32:13.960 --> 1:32:16.360
<v Speaker 1>I'm not like a PC culture is ruining comedy people

1:32:16.520 --> 1:32:20.639
<v Speaker 1>person at all, But I do think that we tend

1:32:20.680 --> 1:32:24.280
<v Speaker 1>to be responding to the narrative of like blogger culture

1:32:24.360 --> 1:32:26.360
<v Speaker 1>instead of what America actually wants. To hear about. So

1:32:26.520 --> 1:32:28.600
<v Speaker 1>I see a lot of common comedians going like, we

1:32:28.640 --> 1:32:31.040
<v Speaker 1>are not allowed to see Trinity anymore. It's like everyone's like,

1:32:31.040 --> 1:32:35.040
<v Speaker 1>what we're not like most people don't't know what you're

1:32:35.120 --> 1:32:38.679
<v Speaker 1>talking about exactly. We have to say they now instead

1:32:38.720 --> 1:32:42.439
<v Speaker 1>of him, her, and everyone's like, I don't have health

1:32:42.479 --> 1:32:46.800
<v Speaker 1>insurance asking about this is why SNL is so bad.

1:32:46.840 --> 1:32:49.960
<v Speaker 1>There's no shared culture. Never mind that they can't get

1:32:49.960 --> 1:32:55.439
<v Speaker 1>to a joke at the end. Problem. I love SNL.

1:32:55.479 --> 1:32:56.680
<v Speaker 1>It's like the Rock and Roll Hall of Fame. They

1:32:56.680 --> 1:33:01.080
<v Speaker 1>should have closed different. I'm fascinating. What I'm what I'm

1:33:01.120 --> 1:33:04.640
<v Speaker 1>fascinated now is we have talked long enough, not intentionally,

1:33:05.120 --> 1:33:08.920
<v Speaker 1>that it's not that your personality has changed, your presentation

1:33:08.960 --> 1:33:13.479
<v Speaker 1>has changed because you know, hearing you on the RAF,

1:33:14.840 --> 1:33:18.400
<v Speaker 1>it's because you come in when you're on Howard, it's

1:33:18.439 --> 1:33:21.080
<v Speaker 1>like joke joke, and I feel like I'm always so

1:33:21.120 --> 1:33:25.040
<v Speaker 1>boring on Howard, whether or not you are, which I

1:33:25.120 --> 1:33:28.040
<v Speaker 1>don't think you are. The point is you are very quick.

1:33:28.040 --> 1:33:30.439
<v Speaker 1>They don't come any quicker than you. So I think

1:33:30.479 --> 1:33:33.559
<v Speaker 1>that you know, being a male involved with you probably

1:33:33.680 --> 1:33:43.720
<v Speaker 1>very challenging, and I think very challenging that's where you're

1:33:43.720 --> 1:33:46.919
<v Speaker 1>asking me so much. I would think that your boyfriend

1:33:46.920 --> 1:33:49.720
<v Speaker 1>doesn't speak that much. He's capable of speaking, but he's

1:33:50.000 --> 1:33:53.640
<v Speaker 1>not dominating the conversation. He's I'm actually pretty beta in

1:33:53.760 --> 1:33:56.360
<v Speaker 1>my relationships. I don't want to have to be in charge.

1:33:57.280 --> 1:34:01.080
<v Speaker 1>That's not what I was saying. Okay, what I was

1:34:01.120 --> 1:34:03.400
<v Speaker 1>saying in terms of it's like, you see the debate

1:34:03.479 --> 1:34:05.719
<v Speaker 1>every week that this person spoke this much, this person

1:34:05.800 --> 1:34:08.680
<v Speaker 1>spoke that much. I would assume that you do the

1:34:08.720 --> 1:34:14.400
<v Speaker 1>great majority of speaking. Forget what the underlying nuances. I

1:34:14.439 --> 1:34:16.240
<v Speaker 1>see where, I see where you're going. And I also

1:34:16.360 --> 1:34:19.200
<v Speaker 1>think that he's a guy who can accept you wards

1:34:19.240 --> 1:34:23.839
<v Speaker 1>at all, which most other people cannot. M how dare you? Um?

1:34:24.080 --> 1:34:26.120
<v Speaker 1>When you find the right guy, it's like a needle

1:34:26.160 --> 1:34:28.519
<v Speaker 1>in a haystack. Not everybody can accept me either. You

1:34:28.600 --> 1:34:31.280
<v Speaker 1>got to find somewhere kind of meat. But I'm also

1:34:31.360 --> 1:34:33.960
<v Speaker 1>believe it or not. Our biggest complaint in our relationship

1:34:34.000 --> 1:34:36.280
<v Speaker 1>is really more we don't talk enough because I'm always working.

1:34:36.320 --> 1:34:38.800
<v Speaker 1>I'm actually but you don't talk enough that you don't

1:34:38.800 --> 1:34:42.479
<v Speaker 1>talk about important personal subject It's like, okay, we're doing this,

1:34:42.479 --> 1:34:44.000
<v Speaker 1>we're doing that with the book the flo it's a

1:34:44.000 --> 1:34:46.679
<v Speaker 1>lot like I am not very like delicate, and let's

1:34:46.680 --> 1:34:48.679
<v Speaker 1>talk about every little thing. I'm like, it's fine, there's

1:34:48.680 --> 1:34:50.320
<v Speaker 1>no point in our So are you the guy in

1:34:50.360 --> 1:34:53.600
<v Speaker 1>the relationship. I don't know what that means because I'm not.

1:34:53.720 --> 1:34:56.840
<v Speaker 1>My girlfriend is the guy I would like to get touched.

1:34:56.840 --> 1:34:58.720
<v Speaker 1>You're not going to break up? There's no point in

1:34:58.800 --> 1:35:01.559
<v Speaker 1>having this fight. Win take it like, I'm very like

1:35:01.600 --> 1:35:04.400
<v Speaker 1>that that's hard. It's just we're not going to break up.

1:35:05.040 --> 1:35:08.400
<v Speaker 1>If we're not. If we are, we're not. Let okay

1:35:08.439 --> 1:35:12.639
<v Speaker 1>forgetting on the time, but don't don't. Don't people at

1:35:12.680 --> 1:35:15.800
<v Speaker 1>some point need to be heard. I got you, we

1:35:15.920 --> 1:35:18.040
<v Speaker 1>got the rest of our lives. Let me know. Can

1:35:18.080 --> 1:35:19.720
<v Speaker 1>we do next? Can we put a pin in it? Like,

1:35:19.800 --> 1:35:22.559
<v Speaker 1>I'm just very like, so wait, So let's assume I'm

1:35:22.600 --> 1:35:25.439
<v Speaker 1>your boyfriend and you're running out the door. Yeah, at

1:35:25.479 --> 1:35:27.719
<v Speaker 1>what point do I get my time? What do you need?

1:35:29.200 --> 1:35:32.360
<v Speaker 1>I don't need anything. I just need friends. Show that

1:35:32.439 --> 1:35:35.960
<v Speaker 1>he just recommended me on the podcast. I just need

1:35:36.040 --> 1:35:39.200
<v Speaker 1>you to understand me and hear what's going on. So

1:35:39.560 --> 1:35:41.880
<v Speaker 1>I feel like that we're connected. Okay, Well, I'm not

1:35:41.960 --> 1:35:43.679
<v Speaker 1>in a place to hear it right now because I'm distracted.

1:35:43.680 --> 1:35:45.840
<v Speaker 1>Can we do it at a time where I'm more available? Okay,

1:35:45.880 --> 1:35:49.040
<v Speaker 1>so let me help my book. When is that your book? Well,

1:35:49.240 --> 1:35:52.720
<v Speaker 1>you sound like like your palm pilot. That's a that's

1:35:52.720 --> 1:35:55.600
<v Speaker 1>a phrase. Okay, we still talk about records, you know,

1:35:55.680 --> 1:35:57.599
<v Speaker 1>instead of trying. I'm also big on the three day

1:35:57.680 --> 1:36:00.240
<v Speaker 1>rule of if we're hot and emotional about something, let's

1:36:00.240 --> 1:36:04.759
<v Speaker 1>talk about it in three days. Great days, three days,

1:36:04.800 --> 1:36:07.559
<v Speaker 1>three days. You know today's world where someone gets killed

1:36:07.560 --> 1:36:09.760
<v Speaker 1>and it's not even news in the afternoon. If we

1:36:09.800 --> 1:36:13.120
<v Speaker 1>have an argument, I haven't even remember emotional and three

1:36:13.200 --> 1:36:15.439
<v Speaker 1>days with this might be a different conversation. Let's have

1:36:15.479 --> 1:36:18.519
<v Speaker 1>three days. But the world runs on emotions, is like

1:36:18.640 --> 1:36:22.479
<v Speaker 1>the line. I think inherently it does. But that's like Twitter.

1:36:22.520 --> 1:36:25.400
<v Speaker 1>People are offended, you know, that's like training and all

1:36:25.400 --> 1:36:28.080
<v Speaker 1>this other stuff. Not everyone's offended by it. But yes,

1:36:28.400 --> 1:36:32.000
<v Speaker 1>uh you know for me, I just I have learned.

1:36:32.760 --> 1:36:35.280
<v Speaker 1>I'm very economical with my time, and I think arguing

1:36:35.439 --> 1:36:39.840
<v Speaker 1>while emotional, arguing well intoxicated on a dress, three days

1:36:39.840 --> 1:36:43.720
<v Speaker 1>have passed. You are living three days past, because in

1:36:43.720 --> 1:36:46.160
<v Speaker 1>three days I can probably go you know what that was?

1:36:46.240 --> 1:36:49.880
<v Speaker 1>My fault. Right now, I'm gonna be defensive. I'm gonna

1:36:51.160 --> 1:36:54.320
<v Speaker 1>you're gonna be dismissing, and I got it. Three days later,

1:36:54.439 --> 1:36:59.200
<v Speaker 1>you're gonna say it's mindful. Gotta go. Maybe, Look, we

1:36:59.240 --> 1:37:01.960
<v Speaker 1>have a shared calendar there, you know, we have a thing. Don't.

1:37:02.200 --> 1:37:05.160
<v Speaker 1>Let's not fight twenty minutes before I have to drive

1:37:05.200 --> 1:37:08.800
<v Speaker 1>to this podcast. I'm already laid for, and um, you know,

1:37:08.920 --> 1:37:13.600
<v Speaker 1>he's very he's he's uh. I'm lucky and so is

1:37:14.200 --> 1:37:17.000
<v Speaker 1>even it's an afternoon. Is there any like date nights

1:37:17.080 --> 1:37:19.920
<v Speaker 1>at certain times when it's all when I'm not running anywhere,

1:37:20.080 --> 1:37:23.040
<v Speaker 1>so we can talk. Yeah, of course I don't. We

1:37:23.080 --> 1:37:25.920
<v Speaker 1>don't not talk, you know. I just my thing is like,

1:37:26.000 --> 1:37:29.280
<v Speaker 1>I don't I don't need to get in little emotional

1:37:29.880 --> 1:37:32.639
<v Speaker 1>fights all the time to feel alive or I don't

1:37:32.760 --> 1:37:36.559
<v Speaker 1>conflate that with passion anymore. Okay, playing the psychiatrist where

1:37:36.640 --> 1:37:39.280
<v Speaker 1>you grew up and you said you took care of yourself,

1:37:39.760 --> 1:37:42.960
<v Speaker 1>your needs are very low on that level. It depends

1:37:42.960 --> 1:37:44.680
<v Speaker 1>on who I'm in a relationship with, you know. I mean,

1:37:44.680 --> 1:37:47.599
<v Speaker 1>I'm sure you're into like attachment styles and strategies and stuff.

1:37:47.640 --> 1:37:50.439
<v Speaker 1>If I'm with someone who is avoidant, I get very needy.

1:37:50.479 --> 1:37:52.760
<v Speaker 1>And yeah, so it's sort of like if I'm with

1:37:52.800 --> 1:37:56.599
<v Speaker 1>somebody who's unavailable, I mean before recovery, it would trigger

1:37:56.640 --> 1:37:58.600
<v Speaker 1>my abandonment ship and I would be needy and what

1:37:58.600 --> 1:38:00.840
<v Speaker 1>are you doing? And then and and when I'm with

1:38:00.880 --> 1:38:03.880
<v Speaker 1>someone who's self contained and healthy, I as a result,

1:38:03.880 --> 1:38:06.240
<v Speaker 1>I'm able to be self, which is where you are now. Yeah,

1:38:06.520 --> 1:38:08.880
<v Speaker 1>so that's great. Don't be with someone who triggers all

1:38:08.920 --> 1:38:12.160
<v Speaker 1>your ship and makes you fine. WHOA. I think your

1:38:12.200 --> 1:38:14.559
<v Speaker 1>other point is better than that. I think you should

1:38:14.560 --> 1:38:20.040
<v Speaker 1>know you better than that. Very good. No, I think

1:38:20.080 --> 1:38:22.559
<v Speaker 1>that most people are not in touch with their own

1:38:22.600 --> 1:38:25.400
<v Speaker 1>issues enough. Yeah, I'm lucky that I have someone who's

1:38:25.400 --> 1:38:28.200
<v Speaker 1>he's you know, can see himself. And no, but as

1:38:28.200 --> 1:38:30.840
<v Speaker 1>I say, you forgetting that just specifically you say, don't

1:38:30.840 --> 1:38:34.120
<v Speaker 1>get yourself in situations. Most people don't know well enough

1:38:34.200 --> 1:38:39.120
<v Speaker 1>what triggers that, And then the older they get, the

1:38:39.200 --> 1:38:42.000
<v Speaker 1>more they're wary of going into a bad space, so

1:38:42.040 --> 1:38:44.000
<v Speaker 1>they don't do that. Yeah, I think it's important to

1:38:44.000 --> 1:38:45.920
<v Speaker 1>really just own your ship. And I sort of I

1:38:46.040 --> 1:38:48.559
<v Speaker 1>know the wounds and I know what my deficiencies are,

1:38:48.600 --> 1:38:49.840
<v Speaker 1>and I'm able to go. You know what if I

1:38:49.840 --> 1:38:52.160
<v Speaker 1>have this conversation with you now, I'm gonna get defensive

1:38:52.160 --> 1:38:54.240
<v Speaker 1>and my ego is gonna get involved, and I'm rushed

1:38:54.240 --> 1:38:55.760
<v Speaker 1>and I haven't eaten today and I didn't sleep. But

1:38:56.120 --> 1:38:57.760
<v Speaker 1>can we please do this in three days where I'll

1:38:57.800 --> 1:39:01.280
<v Speaker 1>be fair. Let's talking about something really a board? Did

1:39:01.280 --> 1:39:04.120
<v Speaker 1>you actually feel that earthquake? Lass night? I did? Do

1:39:04.160 --> 1:39:06.360
<v Speaker 1>you think I lied to you? No? No, no, I'm

1:39:07.360 --> 1:39:10.080
<v Speaker 1>I didn't think you lied. There was an earthquake. I wasn't.

1:39:10.600 --> 1:39:13.439
<v Speaker 1>I was not asleep yet even I was thrust for

1:39:13.520 --> 1:39:17.639
<v Speaker 1>it Hills, yes, Woodland Hills. It wasn't the Center Compton,

1:39:18.560 --> 1:39:20.559
<v Speaker 1>it was, yes, But it was like very deep, I

1:39:20.600 --> 1:39:24.360
<v Speaker 1>guess because I normally feel all this ship. It was

1:39:24.439 --> 1:39:26.240
<v Speaker 1>like it was I don't know if it's just my

1:39:26.320 --> 1:39:28.360
<v Speaker 1>house or something. I don't know, but I was like

1:39:28.520 --> 1:39:30.760
<v Speaker 1>thrust up. I also have like a little chandelier that

1:39:30.800 --> 1:39:32.639
<v Speaker 1>I was able to see right, and I have dogs,

1:39:32.680 --> 1:39:34.960
<v Speaker 1>and there's animals and there's coyotes and ships. So I

1:39:35.000 --> 1:39:36.880
<v Speaker 1>was like up and I couldn't come back to sleep

1:39:36.920 --> 1:39:39.960
<v Speaker 1>for some reason. Scott, how we shake me to my core?

1:39:40.120 --> 1:39:43.280
<v Speaker 1>How long did it shake? For? Two seconds? It was

1:39:43.360 --> 1:39:46.200
<v Speaker 1>very short. I didn't. I still not over the ninety

1:39:46.200 --> 1:39:49.240
<v Speaker 1>four earthquake. I wasn't here, but it seemed like it

1:39:49.280 --> 1:39:51.680
<v Speaker 1>was traumatizing. I'm a late night but not quite as

1:39:51.760 --> 1:39:54.120
<v Speaker 1>late night as I was then. But you know, it

1:39:54.200 --> 1:39:56.000
<v Speaker 1>was like at four twenty in the morning, and I

1:39:56.040 --> 1:39:58.479
<v Speaker 1>had been in bed for like five minutes, and it

1:39:58.560 --> 1:40:01.479
<v Speaker 1>was like a seven forty seven than was flying ten

1:40:01.560 --> 1:40:04.760
<v Speaker 1>ft above my house. What happened in your damage, Well,

1:40:04.800 --> 1:40:06.479
<v Speaker 1>the first thing I did was I ran out of

1:40:06.479 --> 1:40:09.599
<v Speaker 1>the house where I wasn't wearing any clothes, and my

1:40:09.680 --> 1:40:13.200
<v Speaker 1>neighbors were dealing with me. I thought I was gonna die,

1:40:13.520 --> 1:40:17.240
<v Speaker 1>so I ran out of that that ran out of

1:40:17.280 --> 1:40:22.280
<v Speaker 1>the house, and the the insulators on the on the

1:40:22.320 --> 1:40:25.400
<v Speaker 1>telephone poles, they were blowing up and the world was shaking.

1:40:25.439 --> 1:40:28.599
<v Speaker 1>I literally couldn't stand up straight. And then my neighbors

1:40:28.640 --> 1:40:31.280
<v Speaker 1>came out and we talked to I was wearing nothing,

1:40:31.800 --> 1:40:34.120
<v Speaker 1>and then we talked like I was fully closed. Everybody

1:40:34.160 --> 1:40:39.280
<v Speaker 1>was completely shot in shock. Huh, so are your neighbors.

1:40:39.320 --> 1:40:41.320
<v Speaker 1>I bet you live in a fancy neighborhood, not at

1:40:41.360 --> 1:40:44.519
<v Speaker 1>that time, but in any event, uh. And then it

1:40:44.520 --> 1:40:47.120
<v Speaker 1>shook for the following month, really pushed me over, I

1:40:47.160 --> 1:40:49.680
<v Speaker 1>mean really fucked me up. I did a lot of damage, right,

1:40:49.720 --> 1:40:52.760
<v Speaker 1>didn't take points. Yeah, but it shook. Ironically it was

1:40:52.960 --> 1:40:55.160
<v Speaker 1>epicenter with north Ridge, but like if you were in

1:40:55.200 --> 1:40:58.640
<v Speaker 1>Beverly Hills you were basically much better. But where I

1:40:58.760 --> 1:41:00.960
<v Speaker 1>and Woodland Hills was actually pretty good because my sister

1:41:01.000 --> 1:41:04.759
<v Speaker 1>lived there at the time. But in uh, Santa Monica,

1:41:05.200 --> 1:41:08.080
<v Speaker 1>buildings fell apart and everything. It was just you know,

1:41:08.120 --> 1:41:12.160
<v Speaker 1>the freeway broken half. It's a nightmare. It's really a

1:41:12.200 --> 1:41:15.360
<v Speaker 1>living nightmare. And word do as they say, Well, I'm

1:41:15.400 --> 1:41:18.800
<v Speaker 1>not going to move away live Well, I did live

1:41:18.800 --> 1:41:20.720
<v Speaker 1>in Santa Monica. Now I live with my girlfriend in

1:41:20.760 --> 1:41:26.160
<v Speaker 1>Sherman Oaks, you know, okay, in the hills. So because

1:41:26.160 --> 1:41:27.599
<v Speaker 1>you gotta be able to drive to the west side.

1:41:27.640 --> 1:41:29.120
<v Speaker 1>This is like an argument. I would like to live

1:41:29.120 --> 1:41:31.040
<v Speaker 1>on the west side. She doesn't. I don't know where

1:41:31.040 --> 1:41:32.680
<v Speaker 1>I live or whether what side it's on, but I

1:41:32.760 --> 1:41:35.760
<v Speaker 1>love it. Well, the thing about now is it's like

1:41:35.880 --> 1:41:38.360
<v Speaker 1>we're behind the screen. I could be behind the screen anywhere,

1:41:38.400 --> 1:41:40.760
<v Speaker 1>it doesn't really matter. That's true, that's correct. I know

1:41:40.800 --> 1:41:43.839
<v Speaker 1>I FaceTime meetings. I don't I don't go to meetings anymore.

1:41:44.760 --> 1:41:47.479
<v Speaker 1>I usually do them over FaceTime or calls. Okay, I

1:41:47.520 --> 1:41:50.960
<v Speaker 1>think we've covered anything you have to say. Um, I

1:41:51.000 --> 1:41:53.680
<v Speaker 1>don't think so. I don't think so. I don't know

1:41:53.720 --> 1:41:56.519
<v Speaker 1>what I was really walking into here. How is this

1:41:56.600 --> 1:41:59.920
<v Speaker 1>different from other other we'll call it an interview that

1:42:00.040 --> 1:42:05.240
<v Speaker 1>other with other people. You are intense in a good way,

1:42:05.560 --> 1:42:09.040
<v Speaker 1>in a good way. It's definitely more personal than I anticipated.

1:42:09.040 --> 1:42:10.559
<v Speaker 1>I don't. I thought we were gonna be like talking

1:42:10.600 --> 1:42:13.360
<v Speaker 1>about like I don't. I don't know for I thought

1:42:13.360 --> 1:42:16.080
<v Speaker 1>we're really talking about like business. Well, one thing I

1:42:16.080 --> 1:42:18.400
<v Speaker 1>don't want your personal life is your business, right. But

1:42:18.520 --> 1:42:20.280
<v Speaker 1>one thing I don't want to do is asked the

1:42:20.320 --> 1:42:23.280
<v Speaker 1>same fucking questions everybody else. As I was dreading you

1:42:23.320 --> 1:42:25.200
<v Speaker 1>asking me if it's harder to be a woman in comedy,

1:42:25.280 --> 1:42:27.920
<v Speaker 1>I was waiting for how did you get started? I

1:42:28.040 --> 1:42:30.320
<v Speaker 1>was waiting for, like, when did what was your first thing?

1:42:30.400 --> 1:42:33.519
<v Speaker 1>So this has been a complete delife, trust me to

1:42:33.720 --> 1:42:37.120
<v Speaker 1>complete departure completely surprising and definitely shook me out of

1:42:37.160 --> 1:42:40.040
<v Speaker 1>my three hours sleep that I almost I did try

1:42:40.040 --> 1:42:42.559
<v Speaker 1>to reschedule you guys, and he wouldn't let me. No,

1:42:43.240 --> 1:42:45.600
<v Speaker 1>I've learned, you do it now. It was wild. He

1:42:45.680 --> 1:42:47.920
<v Speaker 1>was like, I'm in Santa Monica. I was like, Oh,

1:42:47.960 --> 1:42:49.439
<v Speaker 1>this is gonna be a this is gonna be a

1:42:49.560 --> 1:42:52.840
<v Speaker 1>slam dunk. I was like, I haven't slept much. I'm

1:42:52.880 --> 1:42:55.760
<v Speaker 1>getting a migraine. I want to be an optimal You

1:42:55.800 --> 1:42:58.599
<v Speaker 1>seem scary. Let me do this when I've rested more.

1:42:58.600 --> 1:43:02.400
<v Speaker 1>And he's like, nah, today it works, Listen I have.

1:43:03.120 --> 1:43:04.759
<v Speaker 1>I was like, I have a migrant. I even slept

1:43:04.800 --> 1:43:06.560
<v Speaker 1>for three hours. Can I please do it when I

1:43:06.760 --> 1:43:10.360
<v Speaker 1>can be my best self? He's like, see it, don't listen.

1:43:10.400 --> 1:43:14.880
<v Speaker 1>I've had this Like, you know, I fly a lot

1:43:15.640 --> 1:43:18.120
<v Speaker 1>outside business, and I found if somebody will come to

1:43:18.200 --> 1:43:20.680
<v Speaker 1>India and six months and then you say, well, you

1:43:20.720 --> 1:43:22.760
<v Speaker 1>know six months isn't really that because all we're gonna

1:43:22.760 --> 1:43:25.360
<v Speaker 1>do it again next year. You better go now because

1:43:25.400 --> 1:43:28.120
<v Speaker 1>anything could happen. I mean you were available today. You

1:43:28.160 --> 1:43:29.519
<v Speaker 1>know you could be hit by a bus and we

1:43:29.560 --> 1:43:31.120
<v Speaker 1>could never do it, or you could have to go

1:43:31.160 --> 1:43:32.840
<v Speaker 1>to New York. You were too excited about me being

1:43:32.920 --> 1:43:35.040
<v Speaker 1>hit by a bus first of all. Second, are you

1:43:35.080 --> 1:43:40.160
<v Speaker 1>team Scooter Braun? Uh? I would probably I'm not a

1:43:40.280 --> 1:43:43.080
<v Speaker 1>verse two Interviewing Scooter Braun. Why why did you just

1:43:43.200 --> 1:43:47.120
<v Speaker 1>mean like team that whole? I'm just now I have

1:43:47.200 --> 1:43:51.000
<v Speaker 1>just a couple's music questions. Your music I a member

1:43:51.040 --> 1:43:53.200
<v Speaker 1>of his group? Is that what you're saying? Like Team

1:43:53.360 --> 1:43:57.440
<v Speaker 1>Taylor or Team Scooter? Wasn't that the duel? Oh you're talking? Okay,

1:43:57.840 --> 1:44:00.760
<v Speaker 1>she wrote a song about me, so anything I say

1:44:00.960 --> 1:44:04.920
<v Speaker 1>has to be waited that way. So she is wrong

1:44:05.000 --> 1:44:07.640
<v Speaker 1>on this issue. What do you think I don't know

1:44:07.760 --> 1:44:10.880
<v Speaker 1>enough about it? Well, it's very simple. She he owned

1:44:10.880 --> 1:44:12.160
<v Speaker 1>the music and she wanted to buy it back, and

1:44:12.200 --> 1:44:14.320
<v Speaker 1>he wouldn't let her know. That's not the way it is.

1:44:14.920 --> 1:44:18.800
<v Speaker 1>Somebody owns one of your TV shows, We're gonna use

1:44:18.840 --> 1:44:21.479
<v Speaker 1>easier numbers because TV is so much more expensive. Is

1:44:21.479 --> 1:44:25.680
<v Speaker 1>it like packaging? Somebody owns your TV shows. Let's just

1:44:25.720 --> 1:44:29.599
<v Speaker 1>for the sake of discussion, call it twenty episodes at

1:44:29.600 --> 1:44:34.439
<v Speaker 1>ten million dollars a piece. That's two million dollars, and

1:44:34.520 --> 1:44:39.200
<v Speaker 1>they tell you we're gonna sell it. Okay, Okay. Now,

1:44:39.360 --> 1:44:44.240
<v Speaker 1>let's also assume that you're worth seven million dollars. Okay,

1:44:45.120 --> 1:44:49.200
<v Speaker 1>so you could always step it and buy it, so

1:44:49.560 --> 1:44:52.920
<v Speaker 1>you can't complain when everyone knows and you personally know,

1:44:53.080 --> 1:44:55.080
<v Speaker 1>and your father is on the board of the record

1:44:55.080 --> 1:44:57.880
<v Speaker 1>company where they are discussing whether to sell it or not.

1:44:58.960 --> 1:45:02.479
<v Speaker 1>You could have bought it, okay, So when they sell

1:45:02.520 --> 1:45:05.800
<v Speaker 1>it to anybody, how the fund can you complain? And

1:45:05.840 --> 1:45:09.000
<v Speaker 1>as far as it being Scooter braun see this is okay.

1:45:09.240 --> 1:45:13.200
<v Speaker 1>By the way, I don't know. Okay, No, but you

1:45:13.600 --> 1:45:18.360
<v Speaker 1>expressed earlier that you are aware of your audience and

1:45:18.400 --> 1:45:22.439
<v Speaker 1>how you come across. She is not. So she could

1:45:22.479 --> 1:45:26.360
<v Speaker 1>do one of two things. She could own her identity,

1:45:26.479 --> 1:45:28.720
<v Speaker 1>or she could go away for a while, go to

1:45:28.800 --> 1:45:31.080
<v Speaker 1>college and actually learn there. A number of actors and

1:45:31.080 --> 1:45:34.120
<v Speaker 1>actresses have actually done that. See see how that is.

1:45:34.280 --> 1:45:37.360
<v Speaker 1>But especially look at you know, Britney Spears. She's like,

1:45:37.400 --> 1:45:40.599
<v Speaker 1>you know, you know, a hollowed out person. So when

1:45:40.600 --> 1:45:43.040
<v Speaker 1>you've been famous for a young age, you are not

1:45:43.200 --> 1:45:45.120
<v Speaker 1>in touch with the world. So when you go back

1:45:45.160 --> 1:45:47.840
<v Speaker 1>to Twitter every day, I got people emailing me that

1:45:47.840 --> 1:45:50.400
<v Speaker 1>I'm an asshole and tweeting that I'm an asshole all

1:45:50.400 --> 1:45:52.559
<v Speaker 1>the Taylor Swift. If I even mentioned her name, the

1:45:52.600 --> 1:45:56.439
<v Speaker 1>tweets come down. Okay, But forgetting Taylors. How come she

1:45:56.600 --> 1:46:00.120
<v Speaker 1>of all people doesn't know not to fucking respond? She

1:46:00.240 --> 1:46:02.879
<v Speaker 1>is so un educating this issue. She had her squad,

1:46:03.200 --> 1:46:05.800
<v Speaker 1>she tried to bring everybody in. Then people read it

1:46:05.840 --> 1:46:08.880
<v Speaker 1>as fake. It's like I know all this ship and

1:46:08.920 --> 1:46:13.559
<v Speaker 1>I'm like a Zilient as famous as you. I don't

1:46:13.560 --> 1:46:16.040
<v Speaker 1>know anything. No, no, no, it's got nothing to do.

1:46:16.160 --> 1:46:19.320
<v Speaker 1>You know that there are certain things you can say

1:46:19.360 --> 1:46:22.320
<v Speaker 1>on social media that people are gonna really blast you about.

1:46:22.880 --> 1:46:25.280
<v Speaker 1>I appreciated that she did ask people to register to

1:46:25.360 --> 1:46:28.040
<v Speaker 1>vote that I totally agree and I'm very positive. No,

1:46:28.240 --> 1:46:31.960
<v Speaker 1>My point is, you know certain triggers that you that

1:46:32.080 --> 1:46:35.160
<v Speaker 1>you could post online. You choose whether to say them

1:46:35.240 --> 1:46:38.439
<v Speaker 1>or not. And when you put one of those triggers

1:46:38.560 --> 1:46:41.160
<v Speaker 1>and you get the negative blowback, you said, I chose

1:46:41.200 --> 1:46:43.800
<v Speaker 1>to do it. I expect it. Whatever you don't put

1:46:43.800 --> 1:46:50.479
<v Speaker 1>it on, go how did this happen? That you're in

1:46:50.520 --> 1:46:53.519
<v Speaker 1>the game, you have to play by the game of

1:46:53.520 --> 1:46:56.479
<v Speaker 1>the game. The other thing that she doesn't understand, and

1:46:56.520 --> 1:46:58.559
<v Speaker 1>I don't want to put this as a takedown of her,

1:46:59.040 --> 1:47:02.040
<v Speaker 1>is she the parent I'm shifted and she didn't understand.

1:47:02.479 --> 1:47:06.080
<v Speaker 1>Now we have metrics Spotify top fifty on your for

1:47:06.120 --> 1:47:08.880
<v Speaker 1>those people don't know, on your computer version, not on

1:47:08.920 --> 1:47:12.120
<v Speaker 1>the handheld version. If you hover your mouse over those lines.

1:47:12.160 --> 1:47:14.080
<v Speaker 1>At the end, they will tell you how many streams

1:47:14.160 --> 1:47:16.639
<v Speaker 1>that track has. They also give you like the first

1:47:16.680 --> 1:47:20.519
<v Speaker 1>five or ten on the app. So the game has

1:47:20.600 --> 1:47:25.240
<v Speaker 1>shifted to how many streams you have on Spotify, not sales.

1:47:25.960 --> 1:47:29.400
<v Speaker 1>So she has this world domination. I think I'll be

1:47:29.439 --> 1:47:33.280
<v Speaker 1>in every every TV show, every news magazine, and that

1:47:33.320 --> 1:47:35.479
<v Speaker 1>will make it. It It doesn't work that way anymore because

1:47:35.520 --> 1:47:38.679
<v Speaker 1>we can look at the streams. Are people actually listening?

1:47:39.280 --> 1:47:41.400
<v Speaker 1>So now I'm sure you don't follow with that closely.

1:47:41.560 --> 1:47:43.560
<v Speaker 1>But she's doing all kinds of things that used to

1:47:43.600 --> 1:47:46.720
<v Speaker 1>be beneath her. She did an NPR tiny desk concert,

1:47:47.080 --> 1:47:51.000
<v Speaker 1>she did a singing something in Texas Stadium or maybe

1:47:51.040 --> 1:47:53.680
<v Speaker 1>the Nashville Predators. None of this. I don't want to

1:47:53.680 --> 1:47:55.680
<v Speaker 1>make this about Taylor Swift because believe me already, I'm

1:47:55.680 --> 1:47:58.200
<v Speaker 1>gonna get it you. I'm a student of the game.

1:47:58.520 --> 1:48:01.559
<v Speaker 1>You're a student of your game. Okay, the corporation owns it.

1:48:01.760 --> 1:48:04.679
<v Speaker 1>If I'm doing my own thing, I'm totally controlled what works.

1:48:04.720 --> 1:48:07.040
<v Speaker 1>What were I make a choice? So you're making all

1:48:07.040 --> 1:48:10.320
<v Speaker 1>these within that you set yourself free, but you don't

1:48:10.360 --> 1:48:13.840
<v Speaker 1>say interested in politics today, I'm gonna go do an

1:48:13.840 --> 1:48:17.320
<v Speaker 1>hour politics and say, how did the negative blowback happen?

1:48:17.760 --> 1:48:20.760
<v Speaker 1>What happened here? I might say, like Neil Young has

1:48:20.760 --> 1:48:22.880
<v Speaker 1>done intentionally a number of times. He killed his career.

1:48:23.240 --> 1:48:26.000
<v Speaker 1>You have this album Harvest sold out arenas and didn't

1:48:26.000 --> 1:48:29.080
<v Speaker 1>play any of it, played all new rocky music, So

1:48:29.160 --> 1:48:31.840
<v Speaker 1>he intentionally wanted to do that. I had a one

1:48:31.840 --> 1:48:34.280
<v Speaker 1>time I went to Lauren Hill, who's my favorite favorite,

1:48:34.640 --> 1:48:38.200
<v Speaker 1>and she did and this is not blamed. Who did

1:48:38.200 --> 1:48:40.479
<v Speaker 1>you say? Lauren Hill? And I She's be able to

1:48:40.520 --> 1:48:42.439
<v Speaker 1>do whatever the hell she wants. I want to be

1:48:42.479 --> 1:48:44.800
<v Speaker 1>able to do whatever. Comedians are different is we have

1:48:44.880 --> 1:48:47.120
<v Speaker 1>to play new we have to do new stuff. You

1:48:47.160 --> 1:48:49.080
<v Speaker 1>haven't heard. You don't want to hear the hits. You

1:48:49.160 --> 1:48:52.479
<v Speaker 1>come to hear new stuff. And I remember Lauren Hill

1:48:52.520 --> 1:48:54.719
<v Speaker 1>did some of the you want to go and sing along,

1:48:54.800 --> 1:48:57.759
<v Speaker 1>but that artist has sung the song fifty million times

1:48:57.800 --> 1:48:59.559
<v Speaker 1>and might not want to do, you know, And she

1:48:59.720 --> 1:49:02.640
<v Speaker 1>did had a couple of her songs like in a

1:49:02.720 --> 1:49:05.880
<v Speaker 1>different way, and we were all like, we can't sing along.

1:49:06.120 --> 1:49:08.120
<v Speaker 1>It was just like, well, it's an interesting thing because

1:49:08.120 --> 1:49:11.679
<v Speaker 1>it used to be you could promote that you're doing

1:49:11.720 --> 1:49:14.360
<v Speaker 1>new material to scare off those people. But for the

1:49:14.400 --> 1:49:17.600
<v Speaker 1>same reason, you can't reach everybody with any message today

1:49:17.680 --> 1:49:19.680
<v Speaker 1>like Todd Rummand did that. He said I'm doing this

1:49:19.760 --> 1:49:23.040
<v Speaker 1>material and people came and they were pissed. Anyway, people

1:49:23.080 --> 1:49:25.479
<v Speaker 1>ask for their money back. If they don't, usually don't.

1:49:25.479 --> 1:49:28.000
<v Speaker 1>They really just go online and bitch or tell their friends.

1:49:28.040 --> 1:49:31.800
<v Speaker 1>But what ultimately is the point is if you want

1:49:31.800 --> 1:49:34.840
<v Speaker 1>to trade on your old material, you have to play it.

1:49:35.080 --> 1:49:37.120
<v Speaker 1>Did you talk to anybody in these whos we're talking

1:49:37.120 --> 1:49:39.160
<v Speaker 1>to Mick Jones, a foreigner the other day, you have

1:49:39.320 --> 1:49:42.160
<v Speaker 1>to play five or six songs. Jimmy Buffett, he's got

1:49:42.200 --> 1:49:44.840
<v Speaker 1>a certain day, tells them like, you know, not the

1:49:44.920 --> 1:49:47.439
<v Speaker 1>Core eight or something. They have to play and you

1:49:47.600 --> 1:49:50.120
<v Speaker 1>have put yourself in that, or you can start over

1:49:50.200 --> 1:49:53.519
<v Speaker 1>in clubs trying to make it. Garth Brooks tried to

1:49:53.560 --> 1:49:56.320
<v Speaker 1>do this. He even changed his name because Garth Books

1:49:57.160 --> 1:50:00.439
<v Speaker 1>Garth Books is once again you're young or so. He

1:50:00.479 --> 1:50:02.800
<v Speaker 1>put on an album called Chris Kains. He wanted to

1:50:02.800 --> 1:50:04.880
<v Speaker 1>make it as a rock star because really his show

1:50:04.960 --> 1:50:09.320
<v Speaker 1>was rock Okay, he was rejected. People want wanted uh

1:50:09.479 --> 1:50:11.640
<v Speaker 1>Garth and he went back to being Garth. But it

1:50:11.760 --> 1:50:14.280
<v Speaker 1>was clear what he was doing. Yeah, you know, I'm

1:50:14.360 --> 1:50:17.479
<v Speaker 1>changing my identity. You're either in a hard to evolve. Yeah,

1:50:17.479 --> 1:50:20.000
<v Speaker 1>I mean it is interesting like when I am touring,

1:50:20.000 --> 1:50:22.479
<v Speaker 1>like I'm doing stuff that's not about relationships or dating,

1:50:22.640 --> 1:50:24.280
<v Speaker 1>and and I sort of look out and I sail

1:50:24.320 --> 1:50:26.400
<v Speaker 1>these bachelor parties and girls nights and I'm like, gos

1:50:26.400 --> 1:50:30.200
<v Speaker 1>shit exactly gonna work? Yeah, yeah, you work so hard

1:50:30.240 --> 1:50:32.760
<v Speaker 1>to get a certain uh fan base, then you get them.

1:50:32.800 --> 1:50:36.639
<v Speaker 1>You gotta you know. I went to this doubleheader tour.

1:50:36.680 --> 1:50:39.400
<v Speaker 1>They played ballparks at this point, it's almost like fourteen

1:50:39.439 --> 1:50:41.880
<v Speaker 1>years ago, and it was Brian Adams and Deaf Leopard

1:50:42.400 --> 1:50:45.840
<v Speaker 1>and they would switch headliners each night. So we're in

1:50:45.880 --> 1:50:50.720
<v Speaker 1>Minneapolis and Brian has to play during the day. If

1:50:50.760 --> 1:50:53.160
<v Speaker 1>you're a rock act, that's death. Like the Rolling Stares,

1:50:53.160 --> 1:50:55.680
<v Speaker 1>They're never gonna play during the day. Okay, he got

1:50:55.680 --> 1:50:57.760
<v Speaker 1>on the audience wasn't reacting. I'm standing on the side

1:50:57.800 --> 1:51:00.280
<v Speaker 1>of the stage. He literally took the set list and

1:51:00.320 --> 1:51:02.120
<v Speaker 1>tore it in half and looked at everybody in the

1:51:02.120 --> 1:51:05.720
<v Speaker 1>band and then proceeded to win the people over, like

1:51:05.920 --> 1:51:08.200
<v Speaker 1>do it as I say. And I said, that's a

1:51:08.240 --> 1:51:10.479
<v Speaker 1>master at work. But it's the same thing. You know,

1:51:10.760 --> 1:51:12.760
<v Speaker 1>you don't want to have a show. You want to

1:51:12.760 --> 1:51:16.080
<v Speaker 1>have a show, said, I did everything I could. Oh well, yeah,

1:51:16.120 --> 1:51:17.880
<v Speaker 1>I mean you've seen Bill Bird at that OPI and

1:51:17.880 --> 1:51:21.040
<v Speaker 1>Anthony video where he they were booing him this open

1:51:21.080 --> 1:51:23.160
<v Speaker 1>Anthony crowd and then he turns it into killing. It's

1:51:23.439 --> 1:51:30.120
<v Speaker 1>it's literally the greatest most uh uh, I mean, like

1:51:30.280 --> 1:51:34.439
<v Speaker 1>comedy hero, Okay, say any other music questions. I just

1:51:34.560 --> 1:51:38.640
<v Speaker 1>I mean I've I'm really fascinated by just all the

1:51:38.680 --> 1:51:41.800
<v Speaker 1>ship and you know, well, thank you, but this is

1:51:41.840 --> 1:51:43.479
<v Speaker 1>your It sounds like you came in with a list

1:51:43.560 --> 1:51:46.880
<v Speaker 1>of questions. No, I'm just I'm fascinated by all this ship.

1:51:47.040 --> 1:51:50.240
<v Speaker 1>It's just it's wild. Well, the point is committe, okay,

1:51:50.320 --> 1:51:54.120
<v Speaker 1>I used to relate there are errors gay music as

1:51:54.120 --> 1:51:56.280
<v Speaker 1>a results of the Beatles, etcetera. That's where you went

1:51:56.320 --> 1:52:00.360
<v Speaker 1>from truth, and that's FM radio comedy. Is you go

1:52:00.479 --> 1:52:04.839
<v Speaker 1>for truth? It started really forget the comedy boom on cable,

1:52:04.920 --> 1:52:08.519
<v Speaker 1>with the improv online whatever. The Simpsons had a more

1:52:08.640 --> 1:52:12.040
<v Speaker 1>incisiul kind I'm try you know, they could they could

1:52:12.120 --> 1:52:14.120
<v Speaker 1>look at it and pope fun in ways that no

1:52:14.120 --> 1:52:17.360
<v Speaker 1>one else would. So you felt like only cart exactly,

1:52:17.520 --> 1:52:21.519
<v Speaker 1>only cartoon characters to do that. So comedians that's one

1:52:21.520 --> 1:52:24.240
<v Speaker 1>of the reasons why comedy is so happy. They're speaking

1:52:24.240 --> 1:52:27.760
<v Speaker 1>truth in a world of complete bullshit. It's funny because

1:52:27.760 --> 1:52:30.920
<v Speaker 1>it's you know, everyone's like PCs culture is ruining comedy

1:52:30.920 --> 1:52:33.280
<v Speaker 1>and he's making it better because now it's like you

1:52:33.360 --> 1:52:36.080
<v Speaker 1>say something that's incendi or and it's like boom, it's

1:52:36.120 --> 1:52:38.559
<v Speaker 1>like three times the reaction. How do you feel about

1:52:38.560 --> 1:52:42.320
<v Speaker 1>people recording your shows? You use yonder but always yeah, always,

1:52:42.320 --> 1:52:44.280
<v Speaker 1>not like at the comedy store and stuff. When I'm around,

1:52:44.280 --> 1:52:47.120
<v Speaker 1>I also am not like saying stuff that's I'm not

1:52:47.720 --> 1:52:50.519
<v Speaker 1>I don't do that really. Um, it's more just annoying

1:52:50.520 --> 1:52:52.120
<v Speaker 1>because if someone puts it up, you're like, if it

1:52:52.160 --> 1:52:53.200
<v Speaker 1>gets a lot of you, I don't want to put

1:52:53.240 --> 1:52:54.800
<v Speaker 1>it in in my special. It's just more like it's or

1:52:54.880 --> 1:52:57.080
<v Speaker 1>just like you don't want anyone to hear before it's ready.

1:52:57.200 --> 1:53:00.360
<v Speaker 1>How about Michael Richards, should he be uh gone forever?

1:53:01.960 --> 1:53:06.559
<v Speaker 1>I mean he never really did stay exact exactly. It's

1:53:06.560 --> 1:53:10.800
<v Speaker 1>more like let comics do it. It's you know, stand

1:53:10.840 --> 1:53:15.920
<v Speaker 1>ups hard exactly, it's really hard and um, and also

1:53:15.960 --> 1:53:19.080
<v Speaker 1>you have to suck before you're good. That's right, and uh,

1:53:19.280 --> 1:53:21.280
<v Speaker 1>you know it was that to me was someone who

1:53:21.400 --> 1:53:26.120
<v Speaker 1>was not in control of That's a perfect answer, lack

1:53:26.120 --> 1:53:28.880
<v Speaker 1>of training and being in that We're we've all been

1:53:28.880 --> 1:53:32.240
<v Speaker 1>in situations like that before and it revealed sort of

1:53:32.479 --> 1:53:34.120
<v Speaker 1>a lot about sort of his character the way that

1:53:34.120 --> 1:53:36.080
<v Speaker 1>he handled it. Um. But I mean if he works

1:53:36.120 --> 1:53:38.160
<v Speaker 1>as an actor, that's none of my business. Okay, But

1:53:38.360 --> 1:53:40.840
<v Speaker 1>in terms of when ne' on stage and you're trying

1:53:40.840 --> 1:53:44.080
<v Speaker 1>out new material, it is you know, That's what people

1:53:44.080 --> 1:53:45.960
<v Speaker 1>don't realize that you have two things going on at once.

1:53:46.000 --> 1:53:49.080
<v Speaker 1>You're thinking and you're talking, but it's old materially you

1:53:49.080 --> 1:53:51.439
<v Speaker 1>know by heart, but new materially. Do you ever get

1:53:51.439 --> 1:53:53.320
<v Speaker 1>caught up we're saying, Okay, this is going to be

1:53:53.360 --> 1:53:56.120
<v Speaker 1>like a dangerous spot. Yeah, totally, but you sort of

1:53:56.280 --> 1:53:59.160
<v Speaker 1>cushion it sandwich of between stuff that you know does work,

1:53:59.240 --> 1:54:01.920
<v Speaker 1>so that you've got lifeline and you know something's about

1:54:01.920 --> 1:54:05.200
<v Speaker 1>to kill if that you know gets a little shaky. Um,

1:54:05.320 --> 1:54:07.360
<v Speaker 1>so you sort of pepper the new stuff in stuff

1:54:07.360 --> 1:54:09.960
<v Speaker 1>that you're I'm trying to say, is something saying something

1:54:10.000 --> 1:54:14.000
<v Speaker 1>that maybe you shouldn't say? I don't. Um, Yeah, like

1:54:14.040 --> 1:54:17.760
<v Speaker 1>I was just doing this big thing on uh, like

1:54:17.800 --> 1:54:23.200
<v Speaker 1>the Catholic church stuff and how nobody cares about the kids,

1:54:23.240 --> 1:54:25.200
<v Speaker 1>like all the meat too stuff. There was no markin,

1:54:25.200 --> 1:54:27.519
<v Speaker 1>there's no marchins, there's no hashtags, like no one cares

1:54:27.520 --> 1:54:31.799
<v Speaker 1>about the Yeah, there's no markin. There's no pr closet,

1:54:31.880 --> 1:54:35.680
<v Speaker 1>tiny dick hat like there's nothing, and um it. It

1:54:35.880 --> 1:54:39.240
<v Speaker 1>sometimes goes either either way and can get really awkward.

1:54:39.280 --> 1:54:41.160
<v Speaker 1>But the bit is kind of about how awkward it

1:54:41.200 --> 1:54:43.640
<v Speaker 1>gets when you bring that up, like why everyone's so

1:54:43.640 --> 1:54:46.640
<v Speaker 1>embarrassed to address it or acknowledge of course that it's happening,

1:54:46.680 --> 1:54:49.040
<v Speaker 1>the shame involved that it's like really one of the

1:54:49.080 --> 1:54:53.640
<v Speaker 1>most off limits subjects, um, the Catholic church stuff. So

1:54:53.760 --> 1:54:57.680
<v Speaker 1>that's that's either either kills or is like very awkward.

1:54:57.800 --> 1:55:01.000
<v Speaker 1>I was at the comedy store some week because we

1:55:01.000 --> 1:55:03.480
<v Speaker 1>were talking about doing something with the guy Richard. What's

1:55:03.560 --> 1:55:06.600
<v Speaker 1>you know the guy? He loud his name but you

1:55:06.600 --> 1:55:09.000
<v Speaker 1>would know him, So what did he do? He was

1:55:09.240 --> 1:55:11.640
<v Speaker 1>he was a comedian, but then he the guy wears

1:55:11.640 --> 1:55:16.720
<v Speaker 1>Glassard Richard Fuck, but no, no, I know Richard Lewis.

1:55:16.720 --> 1:55:19.000
<v Speaker 1>The only thing about Richard Lewis is you know Richard

1:55:19.040 --> 1:55:22.920
<v Speaker 1>Lewis funny. He's the same guy off the State. I

1:55:23.080 --> 1:55:27.640
<v Speaker 1>think it's an act experience. I can't believe it. A

1:55:27.680 --> 1:55:31.760
<v Speaker 1>comedian named Richard. It'll come back Richard. His last name

1:55:31.800 --> 1:55:34.240
<v Speaker 1>are fuck it is, you know who it is. But

1:55:34.320 --> 1:55:37.400
<v Speaker 1>that's not important. We're talking about doing something. So the

1:55:37.560 --> 1:55:41.080
<v Speaker 1>comedy store on a weeknight. Okay, all of a sudden,

1:55:41.280 --> 1:55:44.680
<v Speaker 1>like ten thirty at night, Richard Pryor comes on. Oh,

1:55:44.760 --> 1:55:52.200
<v Speaker 1>this is a long time ago. Richard Pryor comes on. Okay,

1:55:52.360 --> 1:55:56.360
<v Speaker 1>and this is not long after he burned himself up. Okay.

1:55:56.720 --> 1:55:59.720
<v Speaker 1>He lights a match and he starts, he starts telling

1:55:59.800 --> 1:56:02.680
<v Speaker 1>rich your prior jokes, all the jokes that people said.

1:56:02.880 --> 1:56:06.640
<v Speaker 1>When you touch the taboo, that's where the greatest laughs are.

1:56:06.920 --> 1:56:09.560
<v Speaker 1>And that's the greatest insect because it makes people challenge

1:56:09.600 --> 1:56:12.840
<v Speaker 1>their preconceptions. And it's also just comedy is surprised. It's

1:56:12.880 --> 1:56:14.720
<v Speaker 1>the thing no one else will say that everyone's thinking,

1:56:14.760 --> 1:56:17.440
<v Speaker 1>and the most surprising thing and the most artful way.

1:56:17.520 --> 1:56:19.800
<v Speaker 1>So I think it's just more exciting than ever to

1:56:19.840 --> 1:56:21.640
<v Speaker 1>do stand up right now. I also don't need to

1:56:21.680 --> 1:56:24.600
<v Speaker 1>say tranny, I don't need to say act like. I

1:56:24.640 --> 1:56:27.720
<v Speaker 1>don't think let's stay. The recent Chappelle's special, We're not

1:56:27.960 --> 1:56:33.080
<v Speaker 1>forget the political ship. Okay, you find it funny. Chappelle's

1:56:33.080 --> 1:56:36.480
<v Speaker 1>a genius, and um, I don't have to agree with

1:56:36.520 --> 1:56:38.920
<v Speaker 1>something to think it's funny. Now, I'm just talking in

1:56:39.040 --> 1:56:41.560
<v Speaker 1>terms of sheer laughs. Did you watch the last special?

1:56:42.320 --> 1:56:45.640
<v Speaker 1>Did you find it as funny laughing as previous work

1:56:45.680 --> 1:56:49.480
<v Speaker 1>of his. Well, I think there's always you know, I

1:56:49.520 --> 1:56:53.360
<v Speaker 1>think there's it's there's always it's weird. It's like things

1:56:53.400 --> 1:56:55.920
<v Speaker 1>are funny at certain times for different reasons all the time.

1:56:55.960 --> 1:56:57.840
<v Speaker 1>You know, there was definitely some cringe moments, but I

1:56:57.880 --> 1:57:01.400
<v Speaker 1>think that's okay. Now the cringe moment, I think, I

1:57:01.840 --> 1:57:08.520
<v Speaker 1>think I can go like the comics. I understand. I'm

1:57:08.520 --> 1:57:10.720
<v Speaker 1>not talking about cringe at all. I'm not talking about

1:57:10.760 --> 1:57:14.120
<v Speaker 1>touching the third rail. Yeah, I am talking about Now

1:57:14.200 --> 1:57:18.280
<v Speaker 1>that he's acclaimed as Chappelle, it gives him more room

1:57:18.400 --> 1:57:21.640
<v Speaker 1>to stretch out, and he is. You know, it comes

1:57:21.680 --> 1:57:23.920
<v Speaker 1>out with the outfit that says the Sea on it

1:57:23.960 --> 1:57:27.120
<v Speaker 1>and all this other stuff. I find that the stories

1:57:27.320 --> 1:57:30.760
<v Speaker 1>are dragged out a little bit more so. The last

1:57:30.840 --> 1:57:33.120
<v Speaker 1>are not as frequent as they used to be. That's

1:57:33.160 --> 1:57:39.080
<v Speaker 1>all I'm saying the subject matter different subject. I think,

1:57:39.480 --> 1:57:41.800
<v Speaker 1>you know, I think he's a genius, and you know,

1:57:41.920 --> 1:57:46.840
<v Speaker 1>I I hope one day I'm able to change my

1:57:46.920 --> 1:57:49.680
<v Speaker 1>style if I want to, you know, I think, I

1:57:49.720 --> 1:57:51.960
<v Speaker 1>just think and maybe you know, as a comedian, I'm

1:57:52.000 --> 1:57:56.280
<v Speaker 1>not just consumer of comedy. I love watching him evolve.

1:57:56.320 --> 1:57:59.560
<v Speaker 1>And I know what it takes bravery wise to let

1:57:59.560 --> 1:58:03.520
<v Speaker 1>a joke drag out, you know, I know how. I

1:58:03.560 --> 1:58:05.800
<v Speaker 1>know how easy it is for him to write a joke,

1:58:05.920 --> 1:58:07.760
<v Speaker 1>so I know if he wanted a joke to be there,

1:58:07.760 --> 1:58:10.640
<v Speaker 1>it would be there. So for me, whatever he's doing,

1:58:10.720 --> 1:58:14.240
<v Speaker 1>I know that it's intentional, and I know that he's

1:58:14.240 --> 1:58:17.240
<v Speaker 1>clearly built. Like I remember seeing him at Montreal. This

1:58:17.400 --> 1:58:20.360
<v Speaker 1>is like ten years ago or something at some theater

1:58:20.560 --> 1:58:25.440
<v Speaker 1>and he was I remember like between jokes, we were

1:58:25.480 --> 1:58:27.400
<v Speaker 1>all on the edge of our seat. Like the tension

1:58:27.480 --> 1:58:31.320
<v Speaker 1>that he builds with silence is such a big part

1:58:31.360 --> 1:58:33.840
<v Speaker 1>of what he does. And then when the joke hits,

1:58:33.880 --> 1:58:37.280
<v Speaker 1>it's even bigger because you're like releasing. You know, he

1:58:37.400 --> 1:58:40.360
<v Speaker 1>really stresses you out with his use of silence, and

1:58:40.400 --> 1:58:43.440
<v Speaker 1>I think a really exciting it's almost like performance art

1:58:43.960 --> 1:58:48.080
<v Speaker 1>um and uh, it adds an intensity that a lot

1:58:48.160 --> 1:58:51.120
<v Speaker 1>of you know, I'm I'm very like, I'm gonna make

1:58:51.160 --> 1:58:53.560
<v Speaker 1>you laugh every twenty seconds because I don't lose you

1:58:53.600 --> 1:58:57.240
<v Speaker 1>and I don't. I'm insecure, and I know my jokes permitted.

1:58:57.280 --> 1:58:59.400
<v Speaker 1>I got, you know, And I think because we know

1:58:59.480 --> 1:59:01.960
<v Speaker 1>he's such a joke writer. When there's not a joke there,

1:59:02.160 --> 1:59:04.880
<v Speaker 1>we know there's I believe there's like well staying with

1:59:04.920 --> 1:59:09.560
<v Speaker 1>you know, George Carlin famously changed his act. So Carlin

1:59:10.120 --> 1:59:13.320
<v Speaker 1>prior to what degree are they seen as because Bill

1:59:13.360 --> 1:59:15.520
<v Speaker 1>Cosby has been torn down for what you know, let's

1:59:15.560 --> 1:59:18.640
<v Speaker 1>not even go there. But are they forgotten amongst the

1:59:18.640 --> 1:59:21.280
<v Speaker 1>comedy world or giants? No, not in the slightest. I mean,

1:59:21.280 --> 1:59:23.840
<v Speaker 1>there was just a Carlin clip going around the other

1:59:23.920 --> 1:59:28.320
<v Speaker 1>day all over social media about like PC culture on

1:59:28.440 --> 1:59:31.880
<v Speaker 1>Larry King. I believe, um, you know, his bits are

1:59:31.880 --> 1:59:34.720
<v Speaker 1>still you know, very much I think relevant in the

1:59:34.760 --> 1:59:39.560
<v Speaker 1>comedy community. But the comedy community they still respect him. Yes, yes,

1:59:39.760 --> 1:59:42.000
<v Speaker 1>Like when said like and I think that the bar

1:59:42.120 --> 1:59:46.040
<v Speaker 1>for a great special, Like I remember, um, comedy comedian

1:59:46.080 --> 1:59:48.080
<v Speaker 1>I Revere called me and was like, yeah, that felt

1:59:48.120 --> 1:59:50.440
<v Speaker 1>like that jokes like a Carlin joke, Like that's sort

1:59:50.480 --> 1:59:53.560
<v Speaker 1>of the gold standard. Exactly, it's the gold standard. And

1:59:55.400 --> 1:59:57.760
<v Speaker 1>that's I think when you're writing. I mean, at least

1:59:57.760 --> 1:59:59.440
<v Speaker 1>for me as a comedian, I'm like, oh, George Carlin

1:59:59.520 --> 2:00:01.880
<v Speaker 1>right about now, like you we it's always in the

2:00:01.920 --> 2:00:06.040
<v Speaker 1>back of my mind, so you know, putting my foot

2:00:06.040 --> 2:00:09.800
<v Speaker 1>in my mouth one more of the time, uh, Billy Uh.

2:00:09.960 --> 2:00:13.800
<v Speaker 1>Bill Maherr was on Howard recently, within the last three

2:00:13.840 --> 2:00:17.520
<v Speaker 1>months whatever, So that's why Howard did Bill maher last week,

2:00:17.960 --> 2:00:20.680
<v Speaker 1>and Howard asked, who do you think of the great

2:00:20.680 --> 2:00:23.760
<v Speaker 1>comedians out there? Okay? And Bill maher said he thought

2:00:23.760 --> 2:00:26.680
<v Speaker 1>he was the best. Let's not even go there. Okay,

2:00:26.840 --> 2:00:29.080
<v Speaker 1>the question obviously takes a certain amount of huts, but

2:00:29.120 --> 2:00:31.680
<v Speaker 1>to say you're the best. But he had gone on

2:00:32.080 --> 2:00:37.160
<v Speaker 1>that's certain number of his king He was dead fucking serious.

2:00:37.520 --> 2:00:39.760
<v Speaker 1>But he had said earlier in the interview that some

2:00:39.800 --> 2:00:43.680
<v Speaker 1>of his jokes are written by other people. What's your

2:00:43.760 --> 2:00:48.880
<v Speaker 1>viewpoint on that? Look, I I that's not the requirement

2:00:49.040 --> 2:00:51.800
<v Speaker 1>to write your own jokes, you know. For I used

2:00:51.800 --> 2:00:54.280
<v Speaker 1>to write jokes for other comics. That's really how I started.

2:00:54.400 --> 2:00:56.560
<v Speaker 1>So I paid my bills, so good for those comics

2:00:56.560 --> 2:01:01.360
<v Speaker 1>that are getting that money. UM, I don't know. I

2:01:01.400 --> 2:01:04.160
<v Speaker 1>don't have a judgment around it. That is what it is.

2:01:04.240 --> 2:01:06.960
<v Speaker 1>It's not what I would personally do and do. Okay,

2:01:07.120 --> 2:01:09.560
<v Speaker 1>So when you write, okay, do you sit down with

2:01:09.600 --> 2:01:11.040
<v Speaker 1>a pad of paper or do you take a shower

2:01:11.160 --> 2:01:14.680
<v Speaker 1>and something comes computer? Writing every premise, everything I can

2:01:14.720 --> 2:01:17.000
<v Speaker 1>think of. They don't have to be jokes, yet go

2:01:17.080 --> 2:01:19.680
<v Speaker 1>for a hike writing them in my phone. I have

2:01:19.880 --> 2:01:23.280
<v Speaker 1>pages and pages and pages and not funny things that

2:01:23.400 --> 2:01:27.600
<v Speaker 1>I called down, start building, start highlighting, start Okay. So

2:01:27.640 --> 2:01:29.480
<v Speaker 1>there's never writer's block. You can sit in front of

2:01:29.480 --> 2:01:31.800
<v Speaker 1>the computer. You always have something. I mean, there's definitely,

2:01:31.800 --> 2:01:36.960
<v Speaker 1>like you know, sitting around calling people, running it by people, brainstorming.

2:01:37.600 --> 2:01:41.280
<v Speaker 1>But I make myself write everything down that's not funny

2:01:41.360 --> 2:01:44.520
<v Speaker 1>and then figure out why it's funny. Okay. We could

2:01:44.560 --> 2:01:47.080
<v Speaker 1>go on for good, but I don't want to hold you.

2:01:47.600 --> 2:01:50.680
<v Speaker 1>I have to go sleep. Exactly. You've been wonderful, You've

2:01:50.680 --> 2:01:53.560
<v Speaker 1>been very open, Whitney, Thank you so much for doing

2:01:53.600 --> 2:01:57.360
<v Speaker 1>the pod. Thank you. I'm nervous by Kendall Astro, who

2:01:57.400 --> 2:01:59.280
<v Speaker 1>was on this podcast, was like I did his podcast

2:01:59.320 --> 2:02:02.160
<v Speaker 1>and then all these industry insiders hurt it and it's

2:02:02.200 --> 2:02:05.480
<v Speaker 1>a very big podcast. That's not how she sounds. But no,

2:02:05.520 --> 2:02:11.000
<v Speaker 1>but I met Kendall the reason she's I met Kendall

2:02:11.880 --> 2:02:13.960
<v Speaker 1>Summit series, which is a whole another thing now, but

2:02:14.000 --> 2:02:15.680
<v Speaker 1>this is like six years ago. They have a place

2:02:15.720 --> 2:02:18.600
<v Speaker 1>in you Smartest Ship. And she was the first person

2:02:18.600 --> 2:02:21.560
<v Speaker 1>who told me she was going to do a snapchat story.

2:02:22.000 --> 2:02:25.240
<v Speaker 1>That's what really wrung. Mendell is one of my favorite

2:02:25.240 --> 2:02:27.560
<v Speaker 1>people that I've ever worked with. And it's been brief

2:02:27.600 --> 2:02:30.600
<v Speaker 1>and she goes, here's what's working, Here's what's not working.

2:02:31.880 --> 2:02:33.520
<v Speaker 1>She does, you need to get the new iPhone. You

2:02:33.560 --> 2:02:36.640
<v Speaker 1>cannot be posting on a freaking iPhone five like she noticed,

2:02:36.640 --> 2:02:39.880
<v Speaker 1>because I have, because I noticed. She's like, you gotta

2:02:39.920 --> 2:02:42.520
<v Speaker 1>hashtet like. She is so savvy and smart and clear

2:02:42.560 --> 2:02:45.360
<v Speaker 1>and direct and not you know, I I really want

2:02:45.400 --> 2:02:46.800
<v Speaker 1>to work with people who don't walk on egg shells

2:02:46.840 --> 2:02:50.200
<v Speaker 1>around my feelings. She will give me feedback. Um, she

2:02:50.360 --> 2:02:54.080
<v Speaker 1>is so solution results oriented. I just she's she's one

2:02:54.080 --> 2:02:56.200
<v Speaker 1>of the good ones for those people don't know. She's

2:02:56.240 --> 2:02:58.560
<v Speaker 1>a social media agent and more at U t A

2:02:58.840 --> 2:03:02.200
<v Speaker 1>in any event, and she was on the podcast. Absolutely

2:03:02.400 --> 2:03:04.120
<v Speaker 1>you can look her up in the back story. He's

2:03:04.120 --> 2:03:06.040
<v Speaker 1>going to handle the social media for this one, i'd

2:03:06.040 --> 2:03:09.320
<v Speaker 1>imagine to make sure you guys listening. Okay, Whitney, thanks

2:03:09.320 --> 2:03:12.160
<v Speaker 1>so much, Thank you. Next time spot left set