1 00:00:00,000 --> 00:00:02,440 Speaker 1: Too Much Information is a production of My Heart Radio. 2 00:00:09,240 --> 00:00:12,479 Speaker 1: Hello everyone, and welcome to Too Much Information, the show 3 00:00:12,520 --> 00:00:15,080 Speaker 1: that brings you the little loan facts and secret histories 4 00:00:15,080 --> 00:00:18,439 Speaker 1: behind your favorite movies, music, TV shows and more. We 5 00:00:18,520 --> 00:00:22,160 Speaker 1: are your VJs of very granular details. My name's Jordan 6 00:00:22,239 --> 00:00:26,200 Speaker 1: run Tug and I'm Alex hegel Am I the Jesse Camp. Probably, 7 00:00:27,560 --> 00:00:29,480 Speaker 1: I guess that would probably make me Kurt Looader as 8 00:00:29,560 --> 00:00:36,480 Speaker 1: being old as he's like now yeah, and cantankerous. Yeah, 9 00:00:36,479 --> 00:00:41,360 Speaker 1: there we go, So I'll take that, okay as you were. Yeah. Well, 10 00:00:41,400 --> 00:00:43,360 Speaker 1: in case you haven't figured it out, we are talking 11 00:00:43,360 --> 00:00:46,199 Speaker 1: about a television staple that sent kids running home from 12 00:00:46,280 --> 00:00:49,680 Speaker 1: school to stand their favorite artists using an innovative system 13 00:00:49,680 --> 00:00:54,280 Speaker 1: of telecommunications. Uh my kidding. I basically grew up in 14 00:00:54,280 --> 00:00:56,840 Speaker 1: the nineteen fifties, so I will always think of this 15 00:00:56,920 --> 00:01:00,280 Speaker 1: as the millennial American band stand. We are talking about 16 00:01:00,280 --> 00:01:03,920 Speaker 1: Total Request Live. Yes, the show were genial. Frat broke 17 00:01:03,960 --> 00:01:07,080 Speaker 1: Carson daily unveiled the ten most requested videos of the day, 18 00:01:07,360 --> 00:01:09,560 Speaker 1: and hung out with his famous friends at the epicenter 19 00:01:09,600 --> 00:01:13,280 Speaker 1: of American entertainment, Times Square. I'd like to say that 20 00:01:13,280 --> 00:01:15,840 Speaker 1: I eagerly tuned into the show every single day, but 21 00:01:15,880 --> 00:01:19,000 Speaker 1: then I would be a liar. That being said, I 22 00:01:19,040 --> 00:01:20,959 Speaker 1: did watch it every now and then with a friend, 23 00:01:21,200 --> 00:01:24,320 Speaker 1: and uh I look back on it. Finally, how about you, Heigel, 24 00:01:24,400 --> 00:01:26,320 Speaker 1: Were you a loyal viewer or had you already been 25 00:01:26,360 --> 00:01:30,800 Speaker 1: corrupted by punk and or jazz? No? I um, I mean, 26 00:01:30,959 --> 00:01:35,560 Speaker 1: I think my period of being into like mainstream music 27 00:01:36,600 --> 00:01:39,440 Speaker 1: at dovetailed with the new metal era of d r OH, 28 00:01:39,560 --> 00:01:42,480 Speaker 1: like I remember. I'm pretty sure I remember seeing like 29 00:01:42,520 --> 00:01:45,240 Speaker 1: fred Durson on it and like like blowing up a boat. 30 00:01:45,720 --> 00:01:48,480 Speaker 1: Well yeah, the spring Break stuff for sure, but but yeah, 31 00:01:48,680 --> 00:01:51,360 Speaker 1: by the time of the like New York Rock revolution 32 00:01:51,520 --> 00:01:54,480 Speaker 1: like whatever that they called that with the Strokes and yeah, 33 00:01:54,520 --> 00:01:56,560 Speaker 1: like that era. I had a really cool older cousin 34 00:01:56,560 --> 00:01:58,800 Speaker 1: who gave me the Stroke CD. And by the time 35 00:01:58,840 --> 00:02:01,040 Speaker 1: like MTV two started it and I started just seeing 36 00:02:01,040 --> 00:02:03,280 Speaker 1: like older stuff, I was like, I'm no interest in 37 00:02:03,320 --> 00:02:06,480 Speaker 1: t r L, not that I ever again really like 38 00:02:06,520 --> 00:02:09,080 Speaker 1: I never called it or anything. I remember like watching 39 00:02:09,160 --> 00:02:12,840 Speaker 1: music videos seeing like the bust of rhymes Janet Jackson 40 00:02:12,919 --> 00:02:15,720 Speaker 1: one remember that way with like with a two one 41 00:02:15,760 --> 00:02:19,800 Speaker 1: thousand technology the liquid metal a little bit. Yeah, I 42 00:02:19,800 --> 00:02:22,840 Speaker 1: mean I mostly just remember the bum bum song is 43 00:02:22,919 --> 00:02:31,720 Speaker 1: honestly my main TRL memory goods. That's appropriate exactly what 44 00:02:31,760 --> 00:02:33,920 Speaker 1: it would have been like eleven twelve around then. Yeah, 45 00:02:34,120 --> 00:02:37,440 Speaker 1: like that, it's perfect er. Oh, it's really interesting to 46 00:02:37,480 --> 00:02:39,079 Speaker 1: me because it's a show that I think could have 47 00:02:39,160 --> 00:02:41,639 Speaker 1: only been as big as it was during a very 48 00:02:41,639 --> 00:02:44,520 Speaker 1: specific era, arguably the ten years that it was on 49 00:02:44,560 --> 00:02:48,960 Speaker 1: TV from eight. And in a sense it was the 50 00:02:49,000 --> 00:02:52,000 Speaker 1: original social media, you know. It was an interactive television 51 00:02:52,000 --> 00:02:54,679 Speaker 1: show that served as a meeting place for teens to 52 00:02:54,720 --> 00:02:57,720 Speaker 1: compare notes and on other teens we're talking about. And 53 00:02:57,720 --> 00:03:00,840 Speaker 1: it was also the last dying gasp of the monoculture 54 00:03:00,919 --> 00:03:04,200 Speaker 1: before it vanished entirely, but not before it gave us 55 00:03:04,360 --> 00:03:08,040 Speaker 1: iconic artists like Britney Spears, Eminem, the Backstreet Boys, in 56 00:03:08,120 --> 00:03:12,480 Speaker 1: Sync and Beyonce, plus unforgettable music videos and some priceless 57 00:03:12,520 --> 00:03:15,280 Speaker 1: TV moments involving a diva and an ice cream cart. 58 00:03:16,240 --> 00:03:19,440 Speaker 1: In an article for The Ringer, Rob Harvela describes TRL 59 00:03:19,560 --> 00:03:23,160 Speaker 1: as quote having an end of empire feel, a dizzy 60 00:03:23,160 --> 00:03:26,280 Speaker 1: ink peak from music television, the music biz, and pop 61 00:03:26,360 --> 00:03:29,960 Speaker 1: music as a whole, just before file sharing, MP three's 62 00:03:30,040 --> 00:03:33,840 Speaker 1: and streaming completely shifted the tectonic plates of entertainment forever. 63 00:03:34,639 --> 00:03:37,240 Speaker 1: And this was especially interesting for me because I started 64 00:03:37,280 --> 00:03:39,840 Speaker 1: working at MTV in their Time Square headquarters just a 65 00:03:39,920 --> 00:03:42,520 Speaker 1: year after t R I was canceled, So I remember 66 00:03:42,520 --> 00:03:45,160 Speaker 1: not only passing the shell of this old studio on 67 00:03:45,200 --> 00:03:47,720 Speaker 1: a daily basis, but also having to grapple with the 68 00:03:47,760 --> 00:03:50,360 Speaker 1: same trend shifts that drove the show off the air 69 00:03:50,400 --> 00:03:52,880 Speaker 1: waves in the first place. Yeah, I mean that's I 70 00:03:52,920 --> 00:03:56,760 Speaker 1: think that's Broadway accurate. I think once Osborne's came on 71 00:03:56,840 --> 00:03:59,680 Speaker 1: and they realized that you could do uh, you know, 72 00:04:00,360 --> 00:04:05,040 Speaker 1: reality TV for cheaper and bigger ratings, that was the end. 73 00:04:05,080 --> 00:04:07,080 Speaker 1: I don't I don't know a lot of file sharing whatever. 74 00:04:07,320 --> 00:04:10,160 Speaker 1: Like I tend to think of MTV as being unmoored 75 00:04:10,240 --> 00:04:13,640 Speaker 1: from the most of the actual music industry. That's fair, 76 00:04:13,720 --> 00:04:15,760 Speaker 1: but I you know, oh, man, you should plot the 77 00:04:15,880 --> 00:04:17,599 Speaker 1: ratings for this with the v m a s because 78 00:04:17,600 --> 00:04:19,240 Speaker 1: then the v m AS hit like an all time 79 00:04:19,279 --> 00:04:25,279 Speaker 1: low recently, I think. So. Yeah, boy, American mono culture. Man, 80 00:04:25,839 --> 00:04:30,440 Speaker 1: what a dizzying, dizzying high. Well a rich text, as 81 00:04:30,480 --> 00:04:33,600 Speaker 1: my friend Alex Higel often says, So we'll talk about 82 00:04:33,640 --> 00:04:36,719 Speaker 1: all that a little later. From the crazy lengths that 83 00:04:36,800 --> 00:04:39,520 Speaker 1: fans went to to get from the sidewalk into the studio, 84 00:04:39,800 --> 00:04:43,320 Speaker 1: to Carson Daly's inexplicable friendship with Kid Rock, the time 85 00:04:43,360 --> 00:04:45,880 Speaker 1: he got verbally abused by Prince, to the time he 86 00:04:45,920 --> 00:04:48,800 Speaker 1: almost got attacked by a Backstreet Boys fan and who 87 00:04:48,920 --> 00:04:51,719 Speaker 1: ultimately won the epic Battle of the boy Bands. Here 88 00:04:51,800 --> 00:05:00,279 Speaker 1: is everything you didn't know about t r L. In eight, 89 00:05:00,600 --> 00:05:04,320 Speaker 1: MTV was at a crossroads music videos, which have been 90 00:05:04,320 --> 00:05:07,080 Speaker 1: the lifeblood of the network since it launched the one 91 00:05:07,200 --> 00:05:11,400 Speaker 1: We're not engaging young audiences anymore. Previously, the network chiefs 92 00:05:11,440 --> 00:05:14,200 Speaker 1: had gotten around this problem by doing genre specific music 93 00:05:14,279 --> 00:05:17,880 Speaker 1: video blocks during the Day Your Headbanger's Ball for metal fans, 94 00:05:17,960 --> 00:05:21,359 Speaker 1: that kind of stuff, and the music scene traditionally reset 95 00:05:21,400 --> 00:05:24,320 Speaker 1: itself with the prevalence of a new genre every few years, 96 00:05:24,360 --> 00:05:27,400 Speaker 1: grunge gangs to wrap stuff like that, which MTV would 97 00:05:27,400 --> 00:05:30,560 Speaker 1: then capitalize on with these programming blocks, thus bringing in 98 00:05:30,600 --> 00:05:33,400 Speaker 1: a fresh influx of fans to MTV and making the 99 00:05:33,440 --> 00:05:38,599 Speaker 1: network relevant again. But by the late nineties, say Kurt 100 00:05:38,640 --> 00:05:42,680 Speaker 1: Cobama's dead Michael Jackson was marred by child sexual abuse allegations, 101 00:05:42,920 --> 00:05:46,919 Speaker 1: and the music scene lacked a signature star. MTV begun 102 00:05:46,920 --> 00:05:50,000 Speaker 1: to shift towards reality TV way back in two with 103 00:05:50,080 --> 00:05:53,240 Speaker 1: the launch of the Real World, and by the biggest 104 00:05:53,240 --> 00:05:56,560 Speaker 1: star on the network was former Playboy centerfold Jenny McCarthy, 105 00:05:56,640 --> 00:05:58,880 Speaker 1: the host of Singled Out, and she left at the 106 00:05:58,960 --> 00:06:01,479 Speaker 1: end of that year, so the network excited about trying 107 00:06:01,480 --> 00:06:04,520 Speaker 1: to revitalize music videos, which they attempted to do with 108 00:06:04,600 --> 00:06:08,440 Speaker 1: two separate shows, both with names that are pretty on 109 00:06:08,520 --> 00:06:12,080 Speaker 1: the nose and pretty forgettable, a countdown request show called 110 00:06:12,120 --> 00:06:15,680 Speaker 1: Total Request and a live show featuring artists, interviews and 111 00:06:15,720 --> 00:06:19,440 Speaker 1: performances called MTV Live. T r L was basically a 112 00:06:19,480 --> 00:06:22,360 Speaker 1: hybrid of these two shows, Total Request and MTV Live 113 00:06:23,920 --> 00:06:29,960 Speaker 1: and Total Request Live Executive Brain. Yeah, so let's go 114 00:06:30,000 --> 00:06:32,680 Speaker 1: over these two shows quickly. Total Request was basically a 115 00:06:32,760 --> 00:06:36,680 Speaker 1: reboot of the show Dial MTV, which ran from and 116 00:06:38,400 --> 00:06:41,360 Speaker 1: this show is really the proto TRL. Viewers request of 117 00:06:41,400 --> 00:06:45,280 Speaker 1: their favorite videos by calling one dial MTV, which, as 118 00:06:45,320 --> 00:06:48,359 Speaker 1: you may recall, was the same line that TRL viewers called, 119 00:06:48,839 --> 00:06:51,159 Speaker 1: and the host would count down the most requested videos 120 00:06:51,160 --> 00:06:53,800 Speaker 1: of the day. And many early MTV brass had a 121 00:06:53,800 --> 00:06:56,680 Speaker 1: background in radio or Top forty. Countdowns were a big 122 00:06:56,720 --> 00:06:59,680 Speaker 1: thing so that, you know, was an easy way to 123 00:06:59,720 --> 00:07:03,440 Speaker 1: fill programming in early MTV. Though they canceled dial in 124 00:07:03,520 --> 00:07:06,680 Speaker 1: TV by they decided to launch a similar show in 125 00:07:06,760 --> 00:07:11,520 Speaker 1: April called Total Request, which is broadcast from MTV's headquarters 126 00:07:11,520 --> 00:07:15,400 Speaker 1: at fifteen fifteen Broadway in Times Square and also in 127 00:07:15,440 --> 00:07:18,239 Speaker 1: the summer months from a beach house at Seaside Heights, 128 00:07:18,280 --> 00:07:23,880 Speaker 1: New Jersey, which predicts another MTV juggernaut, But unlike the 129 00:07:23,920 --> 00:07:28,560 Speaker 1: comparatively lively TRL, these shows were taped, not live, taped 130 00:07:28,840 --> 00:07:31,920 Speaker 1: in an empty, dimly lit set. To help count down 131 00:07:31,960 --> 00:07:34,520 Speaker 1: the ten most requested music videos was a twenty three 132 00:07:34,600 --> 00:07:37,160 Speaker 1: year old former DJ for l A's Mammoth K rock 133 00:07:37,280 --> 00:07:42,520 Speaker 1: radio station named Carson Daily. I genuinely tried to find 134 00:07:42,560 --> 00:07:46,000 Speaker 1: interesting things about his early life, but there's nothing interesting 135 00:07:46,040 --> 00:07:48,800 Speaker 1: about Carson Daily, which is keeping on brand for him. 136 00:07:48,840 --> 00:07:52,600 Speaker 1: I suppose, I just I yeah, he is truly the just, 137 00:07:52,720 --> 00:07:57,760 Speaker 1: the void, the gaping. Maybe that's why he was so 138 00:07:57,800 --> 00:08:00,000 Speaker 1: successful at him and then it failed when they got 139 00:08:00,040 --> 00:08:02,920 Speaker 1: people with real personalities on their Oh yeah, I mean 140 00:08:02,920 --> 00:08:06,760 Speaker 1: it basically made any artists on the show seem vivacious 141 00:08:06,800 --> 00:08:10,000 Speaker 1: and interesting next to him. What was he doing on 142 00:08:10,160 --> 00:08:12,920 Speaker 1: was he on air at k Rock. Yeah, yeah, I 143 00:08:13,000 --> 00:08:14,960 Speaker 1: gotta start as a as a DJ. We'll talk more 144 00:08:15,000 --> 00:08:17,200 Speaker 1: a little later on about his early life, but yeah, 145 00:08:17,240 --> 00:08:20,560 Speaker 1: he was on air personality. Graham and Carson also had 146 00:08:20,560 --> 00:08:22,920 Speaker 1: a hand in the other show the network launched around 147 00:08:22,920 --> 00:08:26,440 Speaker 1: this time, MTV Live, which also included a whole rotating 148 00:08:26,480 --> 00:08:29,520 Speaker 1: cast of VJs, including Toby Andy's I Think That's How 149 00:08:29,520 --> 00:08:32,360 Speaker 1: You Say It and Nanda Lewis and MTV Live started 150 00:08:32,400 --> 00:08:35,640 Speaker 1: its run in September, a full year before t r L, 151 00:08:36,200 --> 00:08:39,199 Speaker 1: and it included performances and interviews, but it didn't include 152 00:08:39,200 --> 00:08:43,719 Speaker 1: a studio audience, which made it seem kind of soulless now. 153 00:08:43,840 --> 00:08:46,640 Speaker 1: MTV Live was filmed a brand new studio at MTV's 154 00:08:46,679 --> 00:08:51,240 Speaker 1: headquarters at fifteen fifteen Broadway, overlooking Times Square below, and 155 00:08:51,280 --> 00:08:53,800 Speaker 1: it had previously been occupied by a bank, but when 156 00:08:53,800 --> 00:08:57,040 Speaker 1: the lease expired, MTV took possession and built what would 157 00:08:57,040 --> 00:09:00,880 Speaker 1: become their flagship studio. Not unlike ABC's Good Morning America 158 00:09:00,960 --> 00:09:04,559 Speaker 1: studios across the street in Times Square. Unlike g m A, 159 00:09:04,920 --> 00:09:08,360 Speaker 1: this new studio I had some issues. It was adjacent 160 00:09:08,400 --> 00:09:11,439 Speaker 1: to the Minskoff Theater and there were sound problems when 161 00:09:11,440 --> 00:09:14,520 Speaker 1: the Minskoff Theater did Mattinee performances of The Lion King 162 00:09:14,600 --> 00:09:19,120 Speaker 1: on Wednesdays. A slightly more serious problem the glass and 163 00:09:19,160 --> 00:09:23,240 Speaker 1: the windows that surrounded the studio. We're not bulletproof, and 164 00:09:23,280 --> 00:09:26,400 Speaker 1: as Tiral co creator Bob kuz Bit later said and 165 00:09:26,400 --> 00:09:30,720 Speaker 1: billboards oral history on the show in bulletproof, glass costs 166 00:09:30,720 --> 00:09:33,720 Speaker 1: so much more. Anytime all these people went and stood 167 00:09:33,720 --> 00:09:36,320 Speaker 1: by the window, you would sort of hold your breath. 168 00:09:37,400 --> 00:09:43,160 Speaker 1: That's grim. Yeah. MTV executive Judie McGrath was equally blunt 169 00:09:43,200 --> 00:09:46,560 Speaker 1: about the bootleg quality of the studio. The ceiling was 170 00:09:46,600 --> 00:09:49,880 Speaker 1: too low, the glass wasn't bulletproof, and the space was noisy. 171 00:09:50,160 --> 00:09:51,960 Speaker 1: But we just blew through all of that and the 172 00:09:52,000 --> 00:09:55,160 Speaker 1: interest of that great window, She told Vulture for their 173 00:09:55,280 --> 00:10:00,720 Speaker 1: oral history in Now. Neither of these summertime experience mental shows, 174 00:10:00,840 --> 00:10:03,760 Speaker 1: MTV Live or Total Request really set the world on fire. 175 00:10:04,320 --> 00:10:07,640 Speaker 1: But Total Request was successful enough and engaging viewers. That 176 00:10:07,679 --> 00:10:10,480 Speaker 1: produces Bob Cusbit and Tony de Santa had the bright 177 00:10:10,520 --> 00:10:13,079 Speaker 1: idea to retool the show by expanding it into an 178 00:10:13,080 --> 00:10:16,599 Speaker 1: hour and combining it with the Anything Can Happen, anarcic 179 00:10:16,679 --> 00:10:21,600 Speaker 1: element of MTV Live. Hence Total Request Live. It's Nama 180 00:10:21,679 --> 00:10:24,800 Speaker 1: Coombo of the two four runners, and it was added 181 00:10:24,840 --> 00:10:28,840 Speaker 1: to the network's lineup in the fall. And it's just funny. 182 00:10:28,880 --> 00:10:31,320 Speaker 1: TRL was such a mutt that the show's creators don't 183 00:10:31,320 --> 00:10:37,280 Speaker 1: even appear on trel's Wikipedia page, which is pretty fun. Yeah, right, 184 00:10:37,880 --> 00:10:41,000 Speaker 1: because it really just was like ideas by committee, and 185 00:10:41,040 --> 00:10:43,520 Speaker 1: then those ideas got morphed into other ideas that then 186 00:10:43,559 --> 00:10:46,720 Speaker 1: got combined with the previous ideas. And yeah, it was 187 00:10:46,760 --> 00:10:49,240 Speaker 1: not like somebody was sitting around and had a giant 188 00:10:49,320 --> 00:10:51,520 Speaker 1: light bulb idea. It was just like, let's combine these 189 00:10:51,559 --> 00:10:55,400 Speaker 1: two things. They initially scheduled TRL, which was then known 190 00:10:55,440 --> 00:10:57,680 Speaker 1: by its full title Total Request Live. I think it 191 00:10:57,720 --> 00:11:00,880 Speaker 1: became TRL a few years later. It was scheduled at 192 00:11:00,880 --> 00:11:03,960 Speaker 1: three thirty pm Eastern Standard Time, prime time for kids 193 00:11:04,040 --> 00:11:07,760 Speaker 1: returning home from school. I'm curious if it was live. 194 00:11:08,240 --> 00:11:10,520 Speaker 1: Is it like SNL rules where it's live on the 195 00:11:10,559 --> 00:11:13,280 Speaker 1: East Coast and Central Time, and then it's rebroadcast in 196 00:11:13,400 --> 00:11:16,040 Speaker 1: l A. You know, because l A three hours behind. 197 00:11:16,240 --> 00:11:18,280 Speaker 1: It was broadcasting like twelve in l A. All the 198 00:11:18,360 --> 00:11:20,719 Speaker 1: kids would have been at school. I was unable to 199 00:11:20,760 --> 00:11:23,920 Speaker 1: find anything about that online, but questions for our time. 200 00:11:24,679 --> 00:11:27,360 Speaker 1: But how did the howling void at the center of 201 00:11:27,600 --> 00:11:32,880 Speaker 1: t r L, the blank, endless nothingness of Carson Daily. 202 00:11:33,400 --> 00:11:37,760 Speaker 1: Let's let's shine a brighter light on him. Um Funnily enough, 203 00:11:37,840 --> 00:11:40,760 Speaker 1: he they despite being a known quantity to the studio 204 00:11:40,880 --> 00:11:46,480 Speaker 1: as much as anyone can truly know Carson Daily, they 205 00:11:46,520 --> 00:11:49,720 Speaker 1: were not interested in having him there. Bob Kusbitt told 206 00:11:50,040 --> 00:11:52,760 Speaker 1: Billboard when I said Carson should host t r L, 207 00:11:52,960 --> 00:11:57,320 Speaker 1: there was silence in the room, foreshadowing the rest of 208 00:11:57,360 --> 00:12:01,719 Speaker 1: his career. He was too I can't go. I know. 209 00:12:01,920 --> 00:12:03,640 Speaker 1: That's why I can say this is because I'm totally 210 00:12:03,640 --> 00:12:06,520 Speaker 1: punching up like that dude is he's like NBC. He's 211 00:12:06,559 --> 00:12:09,680 Speaker 1: like an NBC anchor. God, truly, just he's on Today's 212 00:12:09,679 --> 00:12:11,880 Speaker 1: show and he's a co producer of the Voice. Just 213 00:12:12,880 --> 00:12:16,439 Speaker 1: talk about the God, grant me the mediocre white men 214 00:12:16,960 --> 00:12:22,480 Speaker 1: tweet like, just truly failing upwards, because we continued he 215 00:12:22,520 --> 00:12:24,880 Speaker 1: was too whitebread for a lot of the brass. There 216 00:12:24,880 --> 00:12:27,120 Speaker 1: had been talk of, like, let's get Chris Rock to 217 00:12:27,200 --> 00:12:31,400 Speaker 1: host it, which would have been incredible. Paul Sheer, comedian 218 00:12:31,480 --> 00:12:34,199 Speaker 1: creator of the TRL spoof she Er r L, later 219 00:12:34,200 --> 00:12:37,080 Speaker 1: observed Carson needed to be a blank canvas because the 220 00:12:37,120 --> 00:12:40,160 Speaker 1: colors of those celebrities were so vibrant. But the self 221 00:12:40,200 --> 00:12:44,199 Speaker 1: seriousness in retrospect is laughable. That sit down with Marilyn 222 00:12:44,240 --> 00:12:50,920 Speaker 1: Manson was treated like Barbara Walters talking to CADDAFFI. So 223 00:12:51,320 --> 00:12:54,640 Speaker 1: you mentioned, or one of us mentioned earlier that Carson 224 00:12:54,720 --> 00:12:58,640 Speaker 1: Daily was a k Rock DJ Jordan's would is it? 225 00:12:58,640 --> 00:13:01,479 Speaker 1: A Stretcher called k Rock one of the most influential 226 00:13:01,640 --> 00:13:07,400 Speaker 1: radio stations period. I would say so, certainly at least 227 00:13:07,400 --> 00:13:09,400 Speaker 1: have a certain error. I don't know about now, but 228 00:13:09,920 --> 00:13:12,760 Speaker 1: I mean it's certainly in the I would say seventies 229 00:13:12,800 --> 00:13:17,560 Speaker 1: through nineties they were breaking tons of huge bands. Um. 230 00:13:17,559 --> 00:13:21,319 Speaker 1: But before all that, Carson Dalely was grouped by golf Fever. 231 00:13:23,120 --> 00:13:25,480 Speaker 1: But hang on, I'm getting something, my airpiece. We're actually 232 00:13:25,520 --> 00:13:29,560 Speaker 1: getting something. We have something interesting about Carson Dale's. Okay, wait, Sandby, 233 00:13:29,640 --> 00:13:31,280 Speaker 1: it would be amazing if it was like it was 234 00:13:31,320 --> 00:13:33,920 Speaker 1: like a young Carson taught himself to play piano. It's like, No, 235 00:13:34,000 --> 00:13:36,680 Speaker 1: he wanted to be a golfer. Um, yeah, he wanted 236 00:13:36,720 --> 00:13:40,839 Speaker 1: to become a professional golfer. He attended Loyola Marymount University 237 00:13:40,880 --> 00:13:44,160 Speaker 1: on a golf scholarship and got his start in the 238 00:13:44,160 --> 00:13:46,839 Speaker 1: broadcasting world by interning for no other than Jimmy Kimmel, 239 00:13:46,920 --> 00:13:49,920 Speaker 1: who would have been doing Man Show around this time. 240 00:13:50,320 --> 00:13:53,880 Speaker 1: He was a DJ. He was a radio dj. Um. Yeah, 241 00:13:54,000 --> 00:13:57,520 Speaker 1: so he was a friend of the friend of the 242 00:13:57,520 --> 00:14:02,720 Speaker 1: the Dailies Daily, the West Coast Dale. He's the California Dailies. Uh. 243 00:14:02,840 --> 00:14:05,320 Speaker 1: Carson later said on Late Night with Seth Myers, I 244 00:14:05,440 --> 00:14:07,520 Speaker 1: was his intern, and I ended up falling in love 245 00:14:07,559 --> 00:14:09,800 Speaker 1: with radio, and I sort of owe everything I have 246 00:14:09,960 --> 00:14:13,560 Speaker 1: to him. Daily later admitted that he suffered from generalized 247 00:14:13,600 --> 00:14:16,600 Speaker 1: anxiety disorder and said the moments before the cameras were 248 00:14:16,600 --> 00:14:18,720 Speaker 1: set to roll on TRL he would have a hard 249 00:14:18,760 --> 00:14:23,200 Speaker 1: time breathing and become terrified for no apparent reason, which, yeah, 250 00:14:23,480 --> 00:14:25,440 Speaker 1: I mean, how many people were watching this show at 251 00:14:25,440 --> 00:14:29,520 Speaker 1: its peak. That seems like a very reasonable reaction, especially 252 00:14:29,680 --> 00:14:32,760 Speaker 1: when you had, like, I guess there was probably nobody 253 00:14:32,760 --> 00:14:35,520 Speaker 1: who was like, actually dangerous on this show, kid Rock. 254 00:14:37,360 --> 00:14:40,160 Speaker 1: What did Nelly do? I thought? I guess he just 255 00:14:40,200 --> 00:14:42,160 Speaker 1: had a bandage on his eye, which probably means that 256 00:14:42,200 --> 00:14:45,600 Speaker 1: he's less dangerous because he actually got hit. Oh that 257 00:14:45,640 --> 00:14:47,840 Speaker 1: wasn't a real bandage. That was like a total fake thing. 258 00:14:48,280 --> 00:14:50,160 Speaker 1: Oh really, yeah, it was just like a style thing. 259 00:14:50,280 --> 00:14:51,880 Speaker 1: And he said he started I think he started it 260 00:14:51,880 --> 00:14:53,760 Speaker 1: because he had like a ZiT there one day. Are 261 00:14:53,760 --> 00:14:57,880 Speaker 1: you serious. Yeah, he thought it was like a scar 262 00:14:58,000 --> 00:15:00,920 Speaker 1: he was hiding for a deck eight of his career. 263 00:15:01,360 --> 00:15:03,920 Speaker 1: I thought he got attacked. I I don't, I don't know, 264 00:15:04,000 --> 00:15:06,480 Speaker 1: I don't. I oh, it says well, I guess, according 265 00:15:06,520 --> 00:15:12,880 Speaker 1: to Cora, to cover up a basketball injury. Yes, as 266 00:15:13,120 --> 00:15:18,320 Speaker 1: and as Daily's replacement Damium Fayey, Damian Fayey, Sorry, it's 267 00:15:18,360 --> 00:15:21,120 Speaker 1: a typo. As his replacement Damian Faye. He later said, 268 00:15:21,280 --> 00:15:23,800 Speaker 1: when you're on TRL, you're in the middle of Times Square, 269 00:15:23,800 --> 00:15:27,680 Speaker 1: surrounded by four cameras, sixty screaming teenagers, and Shakira's next 270 00:15:27,680 --> 00:15:29,960 Speaker 1: to you or Madonna's next to you. So it's like 271 00:15:30,160 --> 00:15:32,680 Speaker 1: interview her. Pay attention to the kids. Listen if the 272 00:15:32,680 --> 00:15:34,800 Speaker 1: director is talking to you in your ear, take cues 273 00:15:34,840 --> 00:15:37,240 Speaker 1: from the camera. Guy read Q cards. It was way 274 00:15:37,240 --> 00:15:40,120 Speaker 1: more complicated than I was used to. But you know, 275 00:15:40,920 --> 00:15:43,200 Speaker 1: Carson's nerves could have also resulted from the fact that 276 00:15:43,240 --> 00:15:47,320 Speaker 1: he became an immediate punching bag, much like we have. 277 00:15:47,640 --> 00:15:50,880 Speaker 1: We've done something about him wants to bully him. You 278 00:15:50,880 --> 00:15:53,560 Speaker 1: know what it's it's he looks like like a husky 279 00:15:53,640 --> 00:15:57,000 Speaker 1: dog come to life, with those blue eyes and like 280 00:15:57,080 --> 00:16:02,080 Speaker 1: the stubble. He just he yeah, I just yeah, there's what. 281 00:16:02,160 --> 00:16:05,840 Speaker 1: Did he not thought I want to punch a husky? No? No, no, no, 282 00:16:05,960 --> 00:16:09,280 Speaker 1: clarify that. But do people put posters of him up? 283 00:16:09,320 --> 00:16:11,840 Speaker 1: Did people women find him? Well? I guess yeah, because 284 00:16:11,880 --> 00:16:14,480 Speaker 1: he was married. He was engaged to terror read he 285 00:16:14,600 --> 00:16:16,760 Speaker 1: was like, and your beloved Jennifer Love Hewitt. It was 286 00:16:16,760 --> 00:16:21,200 Speaker 1: an engaged to her. But yeah together, yeah, man, good lord? 287 00:16:23,040 --> 00:16:25,320 Speaker 1: Grinding this podcast to a halt? Was this was it 288 00:16:25,440 --> 00:16:28,520 Speaker 1: like second hand stardom? Was it just like basking? And 289 00:16:28,560 --> 00:16:34,640 Speaker 1: they reflected globe must be really nice. No, I don't 290 00:16:34,680 --> 00:16:37,800 Speaker 1: think anybody anyone who's friends with Kid Rock is like, 291 00:16:39,800 --> 00:16:42,560 Speaker 1: was he ever canceled? Whatever happened to Carson Dalely? Like personally, 292 00:16:42,840 --> 00:16:47,680 Speaker 1: I don't think so. Carson Daily arrest, He's never know, 293 00:16:49,000 --> 00:16:53,920 Speaker 1: he's clean, he's clean sign. I just hate that guy. 294 00:16:56,080 --> 00:16:59,480 Speaker 1: He really yeah, he brings out I know, such antipathy. 295 00:17:00,000 --> 00:17:02,760 Speaker 1: Remember this, I don't remember this, this SNL thing, But 296 00:17:03,280 --> 00:17:07,879 Speaker 1: Jimmy Fallon's impression of him was was I'm Carson Daily 297 00:17:07,920 --> 00:17:11,040 Speaker 1: and I'm a big duel, which is rich coming from 298 00:17:11,119 --> 00:17:15,639 Speaker 1: Jimmy Fallon. But yeah yeah. Another man living in a 299 00:17:15,640 --> 00:17:18,240 Speaker 1: glass house who took shots at Carson on the regular 300 00:17:18,320 --> 00:17:21,400 Speaker 1: was fellow DJ and as you call him, humanoid big 301 00:17:21,400 --> 00:17:27,080 Speaker 1: bird Jesse Camp, who would come up to Carson just 302 00:17:27,119 --> 00:17:30,120 Speaker 1: before they would go to the live and say stuff like, hey, man, 303 00:17:30,160 --> 00:17:32,600 Speaker 1: I just saw your mom at albom Path making out 304 00:17:32,640 --> 00:17:37,920 Speaker 1: with John Voight, which is that's good, that is good, 305 00:17:37,680 --> 00:17:42,919 Speaker 1: good John Void. I said, I hate Jimmy Fallon more 306 00:17:42,960 --> 00:17:46,560 Speaker 1: than I hate Carson Daly. Yeah, he saw my day. Yeah, 307 00:17:46,840 --> 00:17:49,639 Speaker 1: I told you I didn't know about this now. Really, 308 00:17:49,720 --> 00:17:51,920 Speaker 1: I don't think we've talked about this. Oh my god. Yeah. 309 00:17:51,960 --> 00:17:54,879 Speaker 1: It was like fall of two thousand seven and I 310 00:17:54,920 --> 00:17:57,639 Speaker 1: got it. Was at m y U studying in the 311 00:17:57,720 --> 00:18:01,040 Speaker 1: Dramatic writing department and for students they gave you discount 312 00:18:01,080 --> 00:18:03,840 Speaker 1: tickets to to Broadway plays and I asked this person 313 00:18:03,920 --> 00:18:06,879 Speaker 1: I like to go with me, and uh, during the intermission, 314 00:18:07,119 --> 00:18:10,240 Speaker 1: she didn't come back, and I was like almost worried, 315 00:18:10,280 --> 00:18:12,480 Speaker 1: and I went into the lobby to look for and 316 00:18:12,920 --> 00:18:16,040 Speaker 1: I see she's talking to somebody and the guy's back 317 00:18:16,160 --> 00:18:19,480 Speaker 1: is to me, and I walk over and right as 318 00:18:19,480 --> 00:18:22,000 Speaker 1: I get there, he turns around and it's Jimmy Fallon 319 00:18:22,720 --> 00:18:26,840 Speaker 1: and he's just offers his greasy hand to me. Uh 320 00:18:26,880 --> 00:18:28,840 Speaker 1: and then uh and then the show. After the show, 321 00:18:28,920 --> 00:18:32,480 Speaker 1: she she went off with him. Was this SNL era 322 00:18:32,640 --> 00:18:35,320 Speaker 1: or late night era? This is oh seven, so this 323 00:18:35,320 --> 00:18:39,840 Speaker 1: would have been pre tonight show but post SNL. Oh Man, 324 00:18:40,119 --> 00:18:46,120 Speaker 1: I'm sorry, Bud, thank you anyway. Jesse Camp later defended 325 00:18:46,920 --> 00:18:49,879 Speaker 1: his actions by saying, I unfairly lumped Carson in with 326 00:18:49,920 --> 00:18:52,600 Speaker 1: the things about late nineties pop culture that I didn't like. 327 00:18:54,280 --> 00:18:56,639 Speaker 1: But you know, as you alluded to earlier, t r 328 00:18:56,840 --> 00:19:00,320 Speaker 1: L was great for Carson, at least his love life. 329 00:19:00,880 --> 00:19:03,800 Speaker 1: He met Jennifer love Hewitt on the show and the 330 00:19:03,800 --> 00:19:06,480 Speaker 1: two of them started dating, and they were so dogged 331 00:19:06,520 --> 00:19:08,679 Speaker 1: by paparazzi because this would have been the height of 332 00:19:08,680 --> 00:19:11,040 Speaker 1: her fan This is I know she last summer era. 333 00:19:11,600 --> 00:19:13,679 Speaker 1: Whenever they went out to bars that she bought him 334 00:19:13,720 --> 00:19:19,080 Speaker 1: a Golden Tea Arcade golf game for his apartment in 335 00:19:19,119 --> 00:19:21,800 Speaker 1: the hopes that they would have quiet moments together playing 336 00:19:21,840 --> 00:19:24,440 Speaker 1: Golden Tea. God, he is just the most boring man 337 00:19:24,480 --> 00:19:27,280 Speaker 1: on the planet. Ah, and then he blew it. Of 338 00:19:27,320 --> 00:19:31,360 Speaker 1: course he did. Of course he did. Couldn't hold onto that. 339 00:19:32,119 --> 00:19:37,520 Speaker 1: Oh my god, that's why I hate him. Uh. When 340 00:19:37,560 --> 00:19:41,840 Speaker 1: they broke up, then uh, he brought that machine and 341 00:19:41,880 --> 00:19:48,280 Speaker 1: now a garish beeping monument to his heartbreak into the 342 00:19:48,400 --> 00:19:51,679 Speaker 1: MTV offices, where it became a popular hangout spot for 343 00:19:51,720 --> 00:19:55,919 Speaker 1: the rest of the staff working on the show. I 344 00:19:56,000 --> 00:19:59,639 Speaker 1: love that he would also get engaged to terror read 345 00:19:59,760 --> 00:20:04,520 Speaker 1: into two thousand then fresh off the meteoric successive American Pie. 346 00:20:04,920 --> 00:20:10,200 Speaker 1: But that didn't last either. And god, yeah, this is yeah, 347 00:20:10,200 --> 00:20:12,520 Speaker 1: he's gross. This is what this is. This is gross. 348 00:20:12,560 --> 00:20:14,479 Speaker 1: More often than not, he could be found at the 349 00:20:14,560 --> 00:20:19,800 Speaker 1: Manhattan Gentleman's Club Scores. She later described to L magazine 350 00:20:19,840 --> 00:20:24,560 Speaker 1: of all publications as an extension of my living room. 351 00:20:24,680 --> 00:20:27,480 Speaker 1: He said. We knew the bartenders, the girls, the owners. 352 00:20:27,600 --> 00:20:30,080 Speaker 1: It was where celebrities went to be alone. He claimed 353 00:20:30,119 --> 00:20:32,320 Speaker 1: that he treated the Backstreet Boys to their first trip 354 00:20:32,359 --> 00:20:35,560 Speaker 1: to a strip club, which, um, I don't know if 355 00:20:35,560 --> 00:20:42,640 Speaker 1: I buy that. Went they from Florida. Yeah, Uh. Carson 356 00:20:43,119 --> 00:20:46,520 Speaker 1: Carson's Tirel successor, Damien Faye. He said that Daily's advice 357 00:20:46,600 --> 00:20:49,240 Speaker 1: to him was get in the paper, he tells a 358 00:20:49,240 --> 00:20:52,280 Speaker 1: story about Faye. He tells a story about getting popped 359 00:20:52,320 --> 00:20:55,280 Speaker 1: while he was popped. Papped just makes me say like 360 00:20:55,320 --> 00:21:01,640 Speaker 1: I'm ordering soda in the Midwest getting papped, Uh, well, 361 00:21:02,000 --> 00:21:04,280 Speaker 1: while I with Lindsay Lohan. And the next day he 362 00:21:04,280 --> 00:21:06,719 Speaker 1: was in the makeup room at MTV when Carson burst 363 00:21:06,800 --> 00:21:09,560 Speaker 1: in holding a copy of the New York Posts page 364 00:21:09,600 --> 00:21:12,320 Speaker 1: six section with his picture in it, saying something like 365 00:21:12,359 --> 00:21:15,159 Speaker 1: that's my boy. Uh. And it should come as no 366 00:21:15,240 --> 00:21:19,439 Speaker 1: surprise to people acquainted with the tenor of disgust in 367 00:21:19,520 --> 00:21:23,000 Speaker 1: my voice that one of Carson's dearest friends in the 368 00:21:23,000 --> 00:21:27,960 Speaker 1: world is Kid Rock. And the two of them could 369 00:21:27,960 --> 00:21:31,880 Speaker 1: be seen at the New York City Public Library browsing 370 00:21:31,880 --> 00:21:34,200 Speaker 1: the rare book section. No, of course not. They were 371 00:21:34,240 --> 00:21:39,960 Speaker 1: in the Scores together because there sentient Jersey Shore airbrushed 372 00:21:40,000 --> 00:21:46,040 Speaker 1: T shirts, Laura's ric of Metallica, himself no stranger to 373 00:21:46,880 --> 00:21:52,040 Speaker 1: score to Scores or two being universally he disliked. Once 374 00:21:52,080 --> 00:21:54,359 Speaker 1: approached Kid Rock and asked him what many would feel 375 00:21:54,440 --> 00:21:57,119 Speaker 1: is a logical question, why do you like Carson Daily? 376 00:21:58,080 --> 00:22:01,959 Speaker 1: And Kid rocks response was cool. People stand and judge 377 00:22:01,960 --> 00:22:04,240 Speaker 1: other people. But at the end of the day. The 378 00:22:04,280 --> 00:22:07,520 Speaker 1: people who are themselves and comfortable with themselves are really 379 00:22:07,560 --> 00:22:11,960 Speaker 1: the cool people. Wise words from Mr Rock. Uh. It 380 00:22:12,119 --> 00:22:14,439 Speaker 1: is perhaps fitting that on the final episode of the 381 00:22:14,440 --> 00:22:17,800 Speaker 1: original t r l's run in two thousand and eight, 382 00:22:18,200 --> 00:22:20,920 Speaker 1: Carson passed the mic kid Rock for the last word, 383 00:22:21,119 --> 00:22:25,119 Speaker 1: and Kid Rock responded by belching and saying, I'm really drunk. 384 00:22:25,359 --> 00:22:27,320 Speaker 1: If that's not a fitting epitaph, then damn it. I 385 00:22:27,400 --> 00:22:31,080 Speaker 1: don't know what is. But we are getting ahead of 386 00:22:31,080 --> 00:22:33,840 Speaker 1: ourselves because this is just the beginning. We can't talk 387 00:22:33,840 --> 00:22:37,399 Speaker 1: about the finale before we talk about the premiere. R 388 00:22:37,560 --> 00:22:43,000 Speaker 1: L debut on September four years ago this year from 389 00:22:43,080 --> 00:22:47,040 Speaker 1: MTV's headquarters in Times Square. Much like MTV Live, the 390 00:22:47,080 --> 00:22:49,960 Speaker 1: first year of episodes featured no live audience and the 391 00:22:49,960 --> 00:22:53,360 Speaker 1: streets outside we're not crammed with fans holding up signs. 392 00:22:53,920 --> 00:22:57,240 Speaker 1: MTV executive Judy McGrath later said, when we started t RL, 393 00:22:57,359 --> 00:22:59,880 Speaker 1: it was just Carson, the camera, guys and a Florida. 394 00:23:00,119 --> 00:23:02,840 Speaker 1: There wasn't a studio audience, and we never thought about 395 00:23:02,880 --> 00:23:05,920 Speaker 1: people showing up the Times Square. Do you want to 396 00:23:05,920 --> 00:23:07,920 Speaker 1: play a little here? Did you look ahead? Let's play 397 00:23:07,920 --> 00:23:12,159 Speaker 1: a little game here? I did but no one. I 398 00:23:12,200 --> 00:23:15,760 Speaker 1: would tell you, no one with a million guesses could 399 00:23:15,760 --> 00:23:22,160 Speaker 1: guess the what which of these things doesn't belong? Yes, Okay, 400 00:23:22,200 --> 00:23:24,400 Speaker 1: we're gonna do a little rundown of the first ever 401 00:23:24,520 --> 00:23:31,480 Speaker 1: TRL countdown from the premiere episode September four. The most 402 00:23:31,520 --> 00:23:33,920 Speaker 1: popular one, start with the most podcast. Well, we'll start 403 00:23:33,920 --> 00:23:36,040 Speaker 1: at number one and work our way down. I have 404 00:23:36,080 --> 00:23:38,320 Speaker 1: to say the mix is a pretty good indication of 405 00:23:38,320 --> 00:23:40,960 Speaker 1: the three may genres that would help elevate tr L 406 00:23:41,160 --> 00:23:45,240 Speaker 1: into cultural touchstone status. You've got R and B new 407 00:23:45,280 --> 00:23:49,000 Speaker 1: medal and boy bands. Number one Backstreet Boys, I'll Never 408 00:23:49,000 --> 00:23:51,879 Speaker 1: Break Your Heart. Okay, it's good. Number two and Sync 409 00:23:52,000 --> 00:23:54,200 Speaker 1: tearing up my heart. So right off the bat, you're 410 00:23:54,280 --> 00:23:57,240 Speaker 1: establishing the precedent of the two pre eminent boy bands 411 00:23:57,280 --> 00:23:59,720 Speaker 1: duking out for the first place. I like that. Number 412 00:23:59,720 --> 00:24:03,159 Speaker 1: three Alia featuring Timberland. Are you that somebody and the 413 00:24:03,359 --> 00:24:07,639 Speaker 1: Doctor Doolittle soundtrack? I think so, I believe so. Number 414 00:24:07,640 --> 00:24:11,320 Speaker 1: four Aerosmith Don't want to miss a Thing, our favorite 415 00:24:11,359 --> 00:24:14,639 Speaker 1: slow dance in my high school dance from the Armageddon 416 00:24:14,640 --> 00:24:19,199 Speaker 1: sound Armageddon soundtrack. Absolutely. Number five Will Smith just the 417 00:24:19,280 --> 00:24:22,320 Speaker 1: two of us. Number six Marilyn Manson the Dope Show 418 00:24:23,040 --> 00:24:26,760 Speaker 1: number seven, Usher my Way, Google Dolls Iris from the 419 00:24:26,800 --> 00:24:30,679 Speaker 1: City of Angels. Angels. I accidentally played garized it for 420 00:24:30,800 --> 00:24:33,120 Speaker 1: a for a love letter I wrote to a girl 421 00:24:33,160 --> 00:24:39,520 Speaker 1: once um Monica number nine with the first night, number ten, 422 00:24:40,720 --> 00:24:43,320 Speaker 1: give you a thousand guesses. No one could get this, 423 00:24:43,760 --> 00:24:48,280 Speaker 1: not a single Soul Monster Magnet, space Lord. I remember 424 00:24:48,320 --> 00:24:53,560 Speaker 1: that song. That's how it goes, space Lord. Yeah, it's 425 00:24:53,600 --> 00:24:57,760 Speaker 1: it's like Hesher, It's like Southern rock trending into new metal. 426 00:24:58,040 --> 00:25:03,760 Speaker 1: But no man, I would have guessed, although Biscuit would have. 427 00:25:03,960 --> 00:25:06,560 Speaker 1: This would have been in the middle ground between Faith 428 00:25:07,000 --> 00:25:12,680 Speaker 1: and Nookie. Is my bed. I could have guessed Corn. 429 00:25:12,800 --> 00:25:18,880 Speaker 1: I could have guessed corn Monster Magnet. Good Lord. They'll 430 00:25:18,880 --> 00:25:26,000 Speaker 1: always have that they No one can take that from him. Well, 431 00:25:26,040 --> 00:25:28,199 Speaker 1: it's important to reiterate that t r L launched at 432 00:25:28,200 --> 00:25:31,640 Speaker 1: a time when music videos and consequently MTV were at 433 00:25:31,680 --> 00:25:35,040 Speaker 1: a low point. Terrel creator Bob Cusbit says ratings were 434 00:25:35,080 --> 00:25:38,240 Speaker 1: low and the energy was low, and TRL was crucial 435 00:25:38,240 --> 00:25:41,480 Speaker 1: in revitalizing not just MTV, but the music video is 436 00:25:41,520 --> 00:25:46,479 Speaker 1: an art form. Terrel's viewership peaked in almost eight hundred 437 00:25:46,480 --> 00:25:49,800 Speaker 1: thousand tuning in every day, which to me seems low, 438 00:25:49,880 --> 00:25:51,840 Speaker 1: but I guess that's kind of part for the course 439 00:25:51,920 --> 00:25:55,119 Speaker 1: for basic cable network. And Bob Cusbit said that he 440 00:25:55,200 --> 00:25:58,359 Speaker 1: knew the show was catching on when staffers at MTV 441 00:25:58,480 --> 00:26:01,800 Speaker 1: took an active interest in the Sink versus Backstreet Boys debate, 442 00:26:02,080 --> 00:26:05,200 Speaker 1: and morale had visibly improved, and he knew they were 443 00:26:05,200 --> 00:26:08,000 Speaker 1: on the something big. Another sign that the show was 444 00:26:08,000 --> 00:26:10,440 Speaker 1: a hit was the ever growing crowd of fans outside 445 00:26:10,440 --> 00:26:14,359 Speaker 1: of fifteen Broadway in Times Square. About two weeks after 446 00:26:14,400 --> 00:26:16,960 Speaker 1: t r l's premiere, a young girl camped outside the 447 00:26:17,000 --> 00:26:20,800 Speaker 1: studio with a sign reading, Hey Carson, let me up. Sadly, 448 00:26:20,840 --> 00:26:23,560 Speaker 1: the name of this patient zero TRL fan has been 449 00:26:23,560 --> 00:26:25,399 Speaker 1: lost the time. I would have loved have interviewed her. 450 00:26:25,960 --> 00:26:29,240 Speaker 1: The following week, about thirty fans had gathered, and around 451 00:26:29,240 --> 00:26:31,520 Speaker 1: this time the producers, who have been, you know, taking 452 00:26:31,600 --> 00:26:34,200 Speaker 1: notice of this, started toying with the idea of making 453 00:26:34,200 --> 00:26:37,000 Speaker 1: a live audience a permanent part of the show. And 454 00:26:37,000 --> 00:26:39,399 Speaker 1: the producers pitched this idea of the network brass at 455 00:26:39,440 --> 00:26:42,760 Speaker 1: an off site meeting on Long Island, where they secretly 456 00:26:42,800 --> 00:26:45,320 Speaker 1: shipped a bunch of kids. I probably should have phrased 457 00:26:45,359 --> 00:26:50,679 Speaker 1: that better. Uh sent a bunch of kids to the 458 00:26:50,720 --> 00:26:53,600 Speaker 1: Long Island resort where this meeting was taking place, and 459 00:26:53,640 --> 00:26:56,040 Speaker 1: they had the kids line up with signs outside these 460 00:26:56,040 --> 00:26:59,200 Speaker 1: big windows outside the conference room with the shades pulled down. 461 00:26:59,440 --> 00:27:02,000 Speaker 1: And then at a crucial point during the presentation, the 462 00:27:02,040 --> 00:27:05,800 Speaker 1: producers dramatically lifted the shades and all the MTV executives 463 00:27:05,800 --> 00:27:08,320 Speaker 1: saw all these kids outside with signs and they were 464 00:27:08,359 --> 00:27:14,719 Speaker 1: screaming good kind of screaming. Not the shipping gonys had 465 00:27:14,760 --> 00:27:17,600 Speaker 1: a gun on them. Yeah, And then they opened the 466 00:27:17,640 --> 00:27:19,400 Speaker 1: door to the conference room and all these kids came 467 00:27:19,480 --> 00:27:21,239 Speaker 1: swarming in, and that was their way of kind of 468 00:27:21,440 --> 00:27:24,400 Speaker 1: dramatically illustrating the point that, you know, a live audience 469 00:27:24,400 --> 00:27:29,000 Speaker 1: could really add something to this show. Casting director Courtney 470 00:27:29,080 --> 00:27:31,720 Speaker 1: Mullin was the one responsible for deciding who would and 471 00:27:31,760 --> 00:27:34,239 Speaker 1: who wouldn't make it in off the street, and this 472 00:27:34,359 --> 00:27:37,080 Speaker 1: was tough on days when artists like you know, the 473 00:27:37,119 --> 00:27:39,879 Speaker 1: Backstreet Boys are in sync, we're on the show. On 474 00:27:39,960 --> 00:27:42,280 Speaker 1: these days, Courtney Mullin would arrive at the office in 475 00:27:42,320 --> 00:27:45,000 Speaker 1: the morning to find kids in their parents sleeping on 476 00:27:45,040 --> 00:27:48,000 Speaker 1: the street in the middle of Times Square, desperate to 477 00:27:48,040 --> 00:27:50,280 Speaker 1: stake out a spot for the chance at being allowed 478 00:27:50,320 --> 00:27:53,720 Speaker 1: into the studio with their heroes, and Courtney said, they 479 00:27:53,720 --> 00:27:57,240 Speaker 1: either loved me or hated me. These kids, and considering 480 00:27:57,280 --> 00:28:00,240 Speaker 1: there were upwards of a few thousand people waiting and 481 00:28:00,280 --> 00:28:04,159 Speaker 1: the studio had room for about sixty audience members, she 482 00:28:04,320 --> 00:28:08,760 Speaker 1: dealt with mostly hatred. She devised trivia contests and other 483 00:28:08,800 --> 00:28:11,280 Speaker 1: games to try to ensure that the biggest fans made 484 00:28:11,280 --> 00:28:14,560 Speaker 1: it inside, but this was not always possible, and obviously 485 00:28:14,600 --> 00:28:19,000 Speaker 1: lots of people left the premises disappointed and sometimes enraged. 486 00:28:19,520 --> 00:28:23,040 Speaker 1: Courty told the ringer in I had the parents who'd 487 00:28:23,040 --> 00:28:25,639 Speaker 1: be screaming at me, yelling at me. Don't you understand 488 00:28:25,720 --> 00:28:27,679 Speaker 1: I had to call off work today. I got here 489 00:28:27,720 --> 00:28:30,320 Speaker 1: at one o'clock in the morning. And then there were bribes, 490 00:28:30,480 --> 00:28:33,359 Speaker 1: so many bribes. No matter where the parent worked or 491 00:28:33,400 --> 00:28:35,520 Speaker 1: what they did. They were like, I could get you this, 492 00:28:35,600 --> 00:28:37,920 Speaker 1: I could send you this. They were desperate to make 493 00:28:37,920 --> 00:28:41,160 Speaker 1: sure their kid was happy. And obviously I didn't take anything, 494 00:28:41,400 --> 00:28:43,600 Speaker 1: but it was just so funny the things I was offered. 495 00:28:44,040 --> 00:28:46,360 Speaker 1: She said that the strangest bribe she ever received was 496 00:28:46,400 --> 00:28:52,520 Speaker 1: a year supply of peanut shoes, n the most obscure 497 00:28:52,600 --> 00:28:56,760 Speaker 1: candy known to human guns. Some enterprising fans figured out 498 00:28:56,760 --> 00:28:59,920 Speaker 1: where Carson Daly's office was in the building and rented 499 00:29:00,000 --> 00:29:03,120 Speaker 1: hotel rooms at the Marriott Marquis directly across the street, 500 00:29:03,320 --> 00:29:06,000 Speaker 1: where they would stand naked in the window with signs 501 00:29:06,040 --> 00:29:09,520 Speaker 1: reading we went into TRL. We know you're there, Carson. 502 00:29:09,920 --> 00:29:12,640 Speaker 1: I do wonder how effective that was. I guess is 503 00:29:12,760 --> 00:29:16,320 Speaker 1: very The crowd size outside the TRL studios made Times 504 00:29:16,280 --> 00:29:19,000 Speaker 1: Square even more of a chaotic hell hall than it 505 00:29:19,040 --> 00:29:22,000 Speaker 1: already was. It was essentially a mini New Year's Eve 506 00:29:22,160 --> 00:29:25,560 Speaker 1: every single week day. The screams could get so loud 507 00:29:25,600 --> 00:29:28,480 Speaker 1: that they were audible in the MTV offices on the 508 00:29:28,520 --> 00:29:32,440 Speaker 1: twenty five floor of the building, hours before the show 509 00:29:32,520 --> 00:29:36,040 Speaker 1: Tapic was even set to begin later at tr L VJ, 510 00:29:36,200 --> 00:29:38,960 Speaker 1: Dave Holmes would compare the sounds to quote, being in 511 00:29:39,000 --> 00:29:43,120 Speaker 1: the world's largest exotic bird shop. There's a weird primal 512 00:29:43,200 --> 00:29:45,760 Speaker 1: nature to it where they all hit the same loud 513 00:29:45,840 --> 00:29:48,360 Speaker 1: note at once. It was almost like a mating call. 514 00:29:49,800 --> 00:29:52,000 Speaker 1: And the crowd would get so huge and unruly at 515 00:29:52,080 --> 00:29:55,600 Speaker 1: times that the NYPD would ask TRL producers to lower 516 00:29:55,680 --> 00:29:58,680 Speaker 1: the shades on the studio windows, and a desperate attempt 517 00:29:58,680 --> 00:30:02,520 Speaker 1: at dispersing fans and Tirel's executive producer Tim Healy later 518 00:30:02,560 --> 00:30:05,280 Speaker 1: told the Ringer the fans would wait hours and then 519 00:30:05,280 --> 00:30:07,600 Speaker 1: we would drop the shades and you would hear them 520 00:30:07,600 --> 00:30:10,360 Speaker 1: just it was like air being let out of a balloon, 521 00:30:10,720 --> 00:30:14,600 Speaker 1: this moan outside. I always felt bad for Carson. People 522 00:30:14,640 --> 00:30:16,600 Speaker 1: were pissed, and I think a lot of guests took 523 00:30:16,640 --> 00:30:19,120 Speaker 1: pride when the shade came down. They knew they had 524 00:30:19,200 --> 00:30:22,640 Speaker 1: kind of ground Midtown to a halt, and it quickly 525 00:30:22,720 --> 00:30:25,080 Speaker 1: got to a point where doing events outside the studio 526 00:30:25,120 --> 00:30:28,080 Speaker 1: in the middle of Time Square became impossible. At one 527 00:30:28,080 --> 00:30:30,400 Speaker 1: point early in the show's history, the producer's toy do 528 00:30:30,520 --> 00:30:33,320 Speaker 1: the idea of sneaking jay Z into the Virgin Megastore 529 00:30:33,360 --> 00:30:36,480 Speaker 1: across the street to surprise customers, but the managers of 530 00:30:36,520 --> 00:30:38,840 Speaker 1: the Virgin Megastore quickly put a stop to it because 531 00:30:38,880 --> 00:30:43,400 Speaker 1: they couldn't guarantee jay Z's safety. Tiral producer Brian Terry 532 00:30:43,440 --> 00:30:45,480 Speaker 1: told the Ringer, we had to get back into his 533 00:30:45,680 --> 00:30:49,160 Speaker 1: suv to drive the literally nine tire rotations it would 534 00:30:49,200 --> 00:30:52,440 Speaker 1: take to get from the Virgin Megastore to the TRL studios, 535 00:30:52,720 --> 00:30:55,520 Speaker 1: and it was like the Pope. People were crawling on 536 00:30:55,600 --> 00:30:58,360 Speaker 1: the cars and I'm just like, Holy Jesus, this is 537 00:30:58,400 --> 00:31:01,640 Speaker 1: something else. And many of the producers on the show 538 00:31:01,720 --> 00:31:04,880 Speaker 1: up nice memories of Eminem's two thousand two appearance tied 539 00:31:04,920 --> 00:31:07,960 Speaker 1: to the premiere of eight Mile Terrel. Staffers begged the 540 00:31:08,080 --> 00:31:10,280 Speaker 1: NYPD to allow them to keep the shades up so 541 00:31:10,320 --> 00:31:14,040 Speaker 1: that Eminem could wave to the crowd, who would sprint 542 00:31:14,080 --> 00:31:16,320 Speaker 1: through traffic in the middle of Time Square to try 543 00:31:16,320 --> 00:31:19,240 Speaker 1: to get closer to him, and casting director Courtney Mullen 544 00:31:19,360 --> 00:31:22,760 Speaker 1: later said, I remember how emotionally was literally you could 545 00:31:22,760 --> 00:31:25,520 Speaker 1: see tears in his eyes. It really hit him. I 546 00:31:25,560 --> 00:31:28,040 Speaker 1: think it was chilling to see Times Square like that, 547 00:31:28,280 --> 00:31:30,640 Speaker 1: and just to see he wasn't taking it for granted. 548 00:31:30,920 --> 00:31:35,040 Speaker 1: He really really appreciated that moment. That's cute. I'm glad. 549 00:31:35,120 --> 00:31:38,000 Speaker 1: I'd think we got that moment for Eminem. Happy. Eminem 550 00:31:38,040 --> 00:31:41,600 Speaker 1: is my favorite eminem. Um. This is really like my 551 00:31:41,720 --> 00:31:45,160 Speaker 1: memory of of TRL was screaming and sync and Backstreet 552 00:31:45,160 --> 00:31:48,600 Speaker 1: Boys fans and yeah, do you remember like the girls 553 00:31:48,600 --> 00:31:52,560 Speaker 1: in your school like drawing battle lines about this stuff? Yeah? 554 00:31:52,720 --> 00:31:54,840 Speaker 1: I do. Yeah, this is one of the few things 555 00:31:54,840 --> 00:32:00,720 Speaker 1: that I actually like first and memories of in this era. Yeah, Millennium, 556 00:32:00,920 --> 00:32:03,560 Speaker 1: I remember the argument about who's going to sell more 557 00:32:03,760 --> 00:32:09,520 Speaker 1: like like these these versus blur. But yeah, yeah, well yeah, 558 00:32:09,560 --> 00:32:14,360 Speaker 1: but I mean like the people cared obviously say like 559 00:32:14,440 --> 00:32:17,040 Speaker 1: eleven year old girls like going and looking up like 560 00:32:17,080 --> 00:32:20,680 Speaker 1: billboard sales figures at the most. Remember that I mostly 561 00:32:20,720 --> 00:32:22,680 Speaker 1: remember like I don't really care who sells, more like 562 00:32:22,840 --> 00:32:26,720 Speaker 1: they're my favorite. Like end of story. Yeah. So the 563 00:32:26,720 --> 00:32:29,880 Speaker 1: preamble to all that was the two our Backstreet Boys 564 00:32:29,880 --> 00:32:35,000 Speaker 1: special TRL special tied to the release of Millennium, drew 565 00:32:35,120 --> 00:32:38,920 Speaker 1: so many fans that Times Square, the busiest place on 566 00:32:38,960 --> 00:32:43,000 Speaker 1: the Eastern Seaboard, were shut down. This is, you know, 567 00:32:43,080 --> 00:32:46,120 Speaker 1: a pretty easy place to pinpoint the moment at which 568 00:32:46,120 --> 00:32:50,840 Speaker 1: the boy band phenomenon reached critical mass. Millennium obviously entered 569 00:32:50,840 --> 00:32:53,600 Speaker 1: the Billboard two at number one, sold one point one 570 00:32:53,600 --> 00:32:56,840 Speaker 1: million copies in its first week, breaking the previous sound 571 00:32:56,880 --> 00:33:01,960 Speaker 1: scan record held by Garth Brooks uh. And then this 572 00:33:02,000 --> 00:33:04,240 Speaker 1: would happen again a year later with the release of 573 00:33:04,480 --> 00:33:08,440 Speaker 1: in Sync's sophomore album, No Strings Attached, which shattered Millennium's 574 00:33:08,480 --> 00:33:12,800 Speaker 1: first week sales by selling two point four million copies, 575 00:33:13,240 --> 00:33:16,680 Speaker 1: notching a record that lasted fifteen years to be broken. 576 00:33:17,280 --> 00:33:23,800 Speaker 1: In with a Dell and the record Were you a 577 00:33:24,320 --> 00:33:29,000 Speaker 1: Backstreet boy or an in Sync boy? I mean, I 578 00:33:29,040 --> 00:33:31,760 Speaker 1: know need the answers neither, but if you had to know. 579 00:33:31,920 --> 00:33:35,480 Speaker 1: But I I think I liked Backstreet blays more because 580 00:33:35,520 --> 00:33:39,440 Speaker 1: they they the video for Everybody's Backstreet back was like 581 00:33:39,600 --> 00:33:42,520 Speaker 1: partially in a haunted house and as like an Adams 582 00:33:42,840 --> 00:33:45,960 Speaker 1: as like an Adams family person. I was like, that's 583 00:33:45,960 --> 00:33:48,240 Speaker 1: all I need to draw sides like one of them 584 00:33:48,320 --> 00:33:53,320 Speaker 1: is a mummy scams, one of them is a werewolf. 585 00:33:54,360 --> 00:33:58,080 Speaker 1: I'm on those guys side now. Um, I think in 586 00:33:58,160 --> 00:34:00,480 Speaker 1: Sync covered that thing you do and they did some 587 00:34:00,520 --> 00:34:03,480 Speaker 1: p G songs too, and so that kind of enough 588 00:34:03,520 --> 00:34:05,320 Speaker 1: for you. Yeah, that was enough for me and then 589 00:34:05,320 --> 00:34:09,479 Speaker 1: my my girlfriend and her family. My girlfriend's sister has 590 00:34:09,560 --> 00:34:15,279 Speaker 1: seen in Sync slash justin Timberlake. It must be over 591 00:34:15,400 --> 00:34:21,040 Speaker 1: fifty times like Megamega Mega Mega super fan. She got 592 00:34:21,080 --> 00:34:27,120 Speaker 1: some good uh some good bootlegs, Dicks picks for forensics. 593 00:34:28,600 --> 00:34:32,200 Speaker 1: You've really got to hear Tampa Bay's nine Spring of 594 00:34:33,920 --> 00:34:36,799 Speaker 1: But they've convinced me that in Sync has better vocal harmonies. 595 00:34:37,239 --> 00:34:44,000 Speaker 1: I am more complex, I should say that harmonies. Yeah whatever, Yeah, sure, 596 00:34:44,440 --> 00:34:46,719 Speaker 1: I mean we got justin Timberlake out have been sync right, 597 00:34:46,800 --> 00:34:50,040 Speaker 1: so that's probably the they. I mean, obviously they won 598 00:34:50,680 --> 00:34:53,959 Speaker 1: right Backstreet Boys didn't get back Boys are still together though, 599 00:34:54,600 --> 00:35:01,680 Speaker 1: so well that's true. No, um, but they didn't like launch. 600 00:35:01,760 --> 00:35:04,320 Speaker 1: There was like no like like the A J. McClean 601 00:35:04,600 --> 00:35:09,200 Speaker 1: solo career never materialized. I can't believe that dude's name. 602 00:35:09,200 --> 00:35:12,400 Speaker 1: I don't know. Yeah, I'm really impressed Brian Latruelle. He 603 00:35:12,520 --> 00:35:15,239 Speaker 1: was the other one with a goatee. I think he 604 00:35:15,360 --> 00:35:18,560 Speaker 1: was the blond one who looked like he stuffed kids 605 00:35:18,560 --> 00:35:23,320 Speaker 1: in the lockers. We're going to take a quick break, 606 00:35:23,480 --> 00:35:26,000 Speaker 1: but we'll be right back with more too much information 607 00:35:26,040 --> 00:35:40,719 Speaker 1: in just a moment. And this brings us to the 608 00:35:40,719 --> 00:35:43,879 Speaker 1: point at which t r L and the boy band 609 00:35:43,920 --> 00:35:46,040 Speaker 1: that really the teen pop era, And because I remember 610 00:35:46,080 --> 00:35:48,040 Speaker 1: Brittany and Christina on this just as much as them, 611 00:35:48,040 --> 00:35:52,360 Speaker 1: But yeah, the teen pop late nineties, early oughts and 612 00:35:52,480 --> 00:35:57,960 Speaker 1: TRL achieve a perfect like those uh those wasps that 613 00:35:58,040 --> 00:36:01,880 Speaker 1: lay eggs in cat pillars while they're still alive, and 614 00:36:01,920 --> 00:36:04,920 Speaker 1: then they burst into the caterpillar and eat their brains. 615 00:36:06,400 --> 00:36:09,080 Speaker 1: The fish, the fish that are in the shark's teeth, 616 00:36:09,560 --> 00:36:12,040 Speaker 1: clean out the survive on the stuff that like the 617 00:36:12,080 --> 00:36:15,080 Speaker 1: bits of meat in between the Yeah, they achieved a 618 00:36:15,120 --> 00:36:19,080 Speaker 1: perfect symbiosis, which J. C. Schaws A of end Sinc. 619 00:36:19,360 --> 00:36:22,880 Speaker 1: Actually used and not the whole disgusting animal metaphor, but 620 00:36:22,920 --> 00:36:26,880 Speaker 1: he called they said they had a symbiotic relationship. Scholars 621 00:36:26,920 --> 00:36:32,960 Speaker 1: of this period was that Maria Christina Sherman, who are 622 00:36:32,960 --> 00:36:35,080 Speaker 1: you sighting there? Because I know she wrote a book 623 00:36:35,080 --> 00:36:36,479 Speaker 1: about it. She wrote a book of a great book 624 00:36:36,480 --> 00:36:42,680 Speaker 1: about boy bands. Yes, um, I just at totally okay, 625 00:36:41,600 --> 00:36:45,839 Speaker 1: And scholars of this period speculated that sounded better than 626 00:36:45,880 --> 00:36:49,680 Speaker 1: me saying I google around a bit and I feel like, well, 627 00:36:49,719 --> 00:36:53,600 Speaker 1: that's fair. I mean, yeah, it's just interesting because I 628 00:36:53,640 --> 00:36:56,759 Speaker 1: think we had talked about how reality TV may be 629 00:36:57,000 --> 00:36:59,279 Speaker 1: killed killed off TRL, but I think it was really 630 00:36:59,280 --> 00:37:01,360 Speaker 1: more like the assent of hip hop into the mainstream 631 00:37:01,400 --> 00:37:03,879 Speaker 1: because if you look at it, like the conventional arc 632 00:37:03,960 --> 00:37:08,399 Speaker 1: of like mainstream chart narrative, right is like grunge and 633 00:37:08,440 --> 00:37:12,200 Speaker 1: then new metal and teen pop and pop punk and 634 00:37:12,239 --> 00:37:14,239 Speaker 1: then sort of hip hop took over, and then it 635 00:37:14,239 --> 00:37:16,160 Speaker 1: became like hip hop and R and B and then 636 00:37:16,200 --> 00:37:19,640 Speaker 1: like E. D. M influenced stuff, right, Like that's kind 637 00:37:19,640 --> 00:37:23,319 Speaker 1: of the conventional wisdom that that like hip hop and 638 00:37:23,440 --> 00:37:26,160 Speaker 1: R and B became like the dominant things that influenced 639 00:37:26,280 --> 00:37:30,600 Speaker 1: pop and that killed off Rocks influence on pop right, 640 00:37:30,719 --> 00:37:33,480 Speaker 1: And well, I don't know why that would influence t 641 00:37:33,680 --> 00:37:36,800 Speaker 1: R L. I mean it was well because because TRL 642 00:37:36,880 --> 00:37:40,040 Speaker 1: didn't have a monopoly on black music on the air, 643 00:37:40,239 --> 00:37:43,120 Speaker 1: they had BT and competition, and that's that. That was 644 00:37:43,200 --> 00:37:45,040 Speaker 1: kind of where I was going with that. That's an 645 00:37:45,040 --> 00:37:48,560 Speaker 1: interesting point that I because MTV was famously historically racist, 646 00:37:48,640 --> 00:37:51,279 Speaker 1: they didn't they just didn't play black people, so as 647 00:37:52,280 --> 00:37:55,520 Speaker 1: as R and B and I mean for they were 648 00:37:55,560 --> 00:37:57,920 Speaker 1: by this point. But you know, um, everyone's seen that 649 00:37:57,960 --> 00:38:02,160 Speaker 1: thing about David Bowie being like MTV play black artists. Yeah, 650 00:38:02,239 --> 00:38:05,279 Speaker 1: so I think that plays into it. But anyway, their 651 00:38:05,440 --> 00:38:09,120 Speaker 1: dominant cultural moment came with the most Lily Lily Waited 652 00:38:09,280 --> 00:38:15,719 Speaker 1: on Earth teen pop, and scholars of this period speculated 653 00:38:16,239 --> 00:38:18,360 Speaker 1: that had the show launched a year or so earlier 654 00:38:18,840 --> 00:38:22,280 Speaker 1: with your sort of post grunge fallout bands like Semi 655 00:38:22,320 --> 00:38:25,719 Speaker 1: Sonic and Fastball, Uh, it would not have met with 656 00:38:25,760 --> 00:38:30,080 Speaker 1: the same success that it did when they had bands 657 00:38:30,120 --> 00:38:35,359 Speaker 1: like and Sync and Backstreet Boys and degrees. The personality 658 00:38:35,440 --> 00:38:38,879 Speaker 1: driven Groups and the and the Women of the Era. 659 00:38:39,960 --> 00:38:43,640 Speaker 1: Um by fall of the Backstreet Boys and in Syncs 660 00:38:43,800 --> 00:38:49,040 Speaker 1: debut albums had sold a combined thirty million copies. And 661 00:38:49,800 --> 00:38:51,840 Speaker 1: it is Nuts and you can see him on TRL 662 00:38:52,360 --> 00:38:56,000 Speaker 1: every damn day. Very first Countdown on the debut episode 663 00:38:56,000 --> 00:38:58,680 Speaker 1: featured both of those bands, as we counted down earlier, 664 00:38:58,760 --> 00:39:01,239 Speaker 1: battling over the top spot on the chart with I'll 665 00:39:01,280 --> 00:39:03,399 Speaker 1: Never Break Your Heart and tearing up my heart. Two 666 00:39:03,480 --> 00:39:09,000 Speaker 1: hearts two hearts beating is one. Um, that's because didn't 667 00:39:09,000 --> 00:39:10,920 Speaker 1: one of them have I think Brian Latrielle had like 668 00:39:10,960 --> 00:39:16,320 Speaker 1: a like open heart surgery at one point. Yeah. Um. 669 00:39:16,400 --> 00:39:18,719 Speaker 1: Up to that point, MTV hadn't really been paying boy 670 00:39:18,760 --> 00:39:21,840 Speaker 1: band videos and only started once their fans mobilized and 671 00:39:21,920 --> 00:39:25,600 Speaker 1: voted them onto TRL. A. J. McLean later laughed about 672 00:39:25,600 --> 00:39:28,160 Speaker 1: how they quit playing games with my Heart video was 673 00:39:28,280 --> 00:39:30,719 Speaker 1: very much not in line with MTV's image when it 674 00:39:30,760 --> 00:39:33,240 Speaker 1: was first released, saying a bunch of guys in linen 675 00:39:33,280 --> 00:39:35,919 Speaker 1: shirts dancing in the rain showing off their abs wasn't 676 00:39:35,960 --> 00:39:38,760 Speaker 1: gonna happen. But once the fans banded together and forced 677 00:39:38,840 --> 00:39:41,880 Speaker 1: MTV's hand, they didn't have a choice. That is, you know, 678 00:39:42,440 --> 00:39:45,520 Speaker 1: also the like Boys two Men model, but sure A 679 00:39:45,680 --> 00:39:49,680 Speaker 1: j Professor Gale Wald, who teaches English and American studies 680 00:39:49,680 --> 00:39:52,319 Speaker 1: at George Washington University, is quoted as saying that the 681 00:39:52,360 --> 00:39:55,600 Speaker 1: request aspect of TRL allowed quote girls to be able 682 00:39:55,640 --> 00:39:58,400 Speaker 1: to see themselves as the authors of culture. They were 683 00:39:58,440 --> 00:40:01,680 Speaker 1: pulling all the strings. Show became this really fun excuse 684 00:40:01,719 --> 00:40:04,960 Speaker 1: for them to display their consumer power. Damien Faye, he 685 00:40:05,000 --> 00:40:07,359 Speaker 1: said that it was always bad news when he inadvertently 686 00:40:07,440 --> 00:40:10,560 Speaker 1: chose a Backstreet Boys stand to introduce God must have 687 00:40:10,600 --> 00:40:15,920 Speaker 1: spent a little more time on you. Took me a 688 00:40:15,920 --> 00:40:19,960 Speaker 1: second there, Carson. Carson also recalled an incident during a 689 00:40:20,000 --> 00:40:22,880 Speaker 1: Battle of the boy Band's trivia section where a Backstreet 690 00:40:22,880 --> 00:40:26,680 Speaker 1: Boys stand named Tiffany lost and became enraged, saying that 691 00:40:26,719 --> 00:40:30,200 Speaker 1: she was gonna kill her opponent and telling Carson, I'm 692 00:40:30,200 --> 00:40:32,920 Speaker 1: going to kill you too. That was a trick question. 693 00:40:33,440 --> 00:40:37,239 Speaker 1: It's a scary clip. She's like, Oh, those women were insane. Look, 694 00:40:38,320 --> 00:40:40,960 Speaker 1: they were all like this is this is where you 695 00:40:40,960 --> 00:40:43,279 Speaker 1: get Like this is the seeds of stand culture. I 696 00:40:43,280 --> 00:40:45,680 Speaker 1: mean like I know the Beatles and everything, but like 697 00:40:46,360 --> 00:40:49,200 Speaker 1: this is the first place I ever started seeing it before. 698 00:40:49,280 --> 00:40:53,040 Speaker 1: Like in Sullivan stuff was like these girls like you know, 699 00:40:53,160 --> 00:40:55,600 Speaker 1: especially no, I did see it on Sullivan first. Yeah, 700 00:40:56,080 --> 00:40:59,880 Speaker 1: I grew up in the fifties, you though, because at 701 00:40:59,880 --> 00:41:05,120 Speaker 1: the Oology Baby three years four t r L UM, 702 00:41:05,160 --> 00:41:07,720 Speaker 1: as we alluded to earlier, Dave Holmes called the Battle 703 00:41:07,760 --> 00:41:11,200 Speaker 1: of the boy bands in favor. Uh well, he called 704 00:41:11,200 --> 00:41:13,120 Speaker 1: it a watch. He says, the Backstreet Boys are still 705 00:41:13,160 --> 00:41:15,799 Speaker 1: alive and touring, and although n Sync is no more, 706 00:41:15,840 --> 00:41:18,480 Speaker 1: they did produce, he said, the man who is still 707 00:41:18,520 --> 00:41:22,520 Speaker 1: our biggest worldwide cultural phenomenon. I speak, of course, of 708 00:41:22,640 --> 00:41:25,680 Speaker 1: Lance Bass. And then he said, I call it a 709 00:41:25,760 --> 00:41:30,799 Speaker 1: draw fellow. I heart podcast a Lance Bass. Oh really yeah, 710 00:41:30,800 --> 00:41:35,800 Speaker 1: he's he's got a show called Frosted as in frost Tips, 711 00:41:35,840 --> 00:41:39,759 Speaker 1: sits down, interviews, fellow boy banders. Good show, Lance, come 712 00:41:39,800 --> 00:41:43,840 Speaker 1: on our show. We'll do those strings attached like that? 713 00:41:43,960 --> 00:41:47,120 Speaker 1: Is that that is in sync? Right? Yeah? Yeah? Yeah 714 00:41:47,480 --> 00:41:50,760 Speaker 1: um And as we as we mentioned earlier, you cannot 715 00:41:50,760 --> 00:41:52,920 Speaker 1: talk about the teen pop phenomenon and t r O 716 00:41:53,040 --> 00:41:56,760 Speaker 1: without discussing Brittney Spears, who was dubbed the official first 717 00:41:56,920 --> 00:41:59,920 Speaker 1: Lady of t r L during the show's TRL Awards 718 00:42:00,000 --> 00:42:02,520 Speaker 1: in two thousand three, which was the year that she 719 00:42:02,600 --> 00:42:05,040 Speaker 1: performed for the first time on the show, singing in 720 00:42:05,080 --> 00:42:07,319 Speaker 1: the Zone in the middle of Times Square with the 721 00:42:07,440 --> 00:42:13,520 Speaker 1: Yin Yang Twins God while Will Ferrell held up a 722 00:42:13,600 --> 00:42:16,759 Speaker 1: sign from the audience declaring his undying love. There are 723 00:42:16,800 --> 00:42:18,680 Speaker 1: so many things that are bizarre about that sentence. I 724 00:42:18,760 --> 00:42:21,360 Speaker 1: just read until two thousand and three for her to 725 00:42:21,360 --> 00:42:25,320 Speaker 1: perform on the show perform Yeah, she was Yeah. It 726 00:42:25,440 --> 00:42:28,799 Speaker 1: was Will Fell promoting elf I Think Yeah and the 727 00:42:28,880 --> 00:42:34,800 Speaker 1: Yin Yang Twins with the Twins Um. She appeared on 728 00:42:34,840 --> 00:42:37,480 Speaker 1: the show I reported fourteen times over the course of 729 00:42:37,480 --> 00:42:40,359 Speaker 1: its decade long run, initially as a seventeen year old 730 00:42:40,440 --> 00:42:44,200 Speaker 1: on December eight, where she debuted her music video for 731 00:42:44,239 --> 00:42:47,560 Speaker 1: Baby one more time. During future appearances, she would co 732 00:42:47,640 --> 00:42:52,200 Speaker 1: host with Melissa Joan hart Uh Sabrinea the Teenage which 733 00:42:52,680 --> 00:42:54,759 Speaker 1: right she was in the movie Drive Me Crazy, for 734 00:42:54,840 --> 00:42:58,359 Speaker 1: which Britney Spears did the title track. Melissa Joan hart 735 00:42:58,360 --> 00:43:03,239 Speaker 1: manh Uh what else did Britney Spears do. During the 736 00:43:03,280 --> 00:43:07,200 Speaker 1: many appearances on Terraligel with Melissa John harn no Um, 737 00:43:07,719 --> 00:43:10,799 Speaker 1: she discussed her crush on Brad Pitt. She discussed her 738 00:43:10,800 --> 00:43:15,279 Speaker 1: relationship with Justin Timberlake Wause. She the first puppy love boyfriend, 739 00:43:15,440 --> 00:43:19,520 Speaker 1: and she debuted her belly button piercing in two thousand. 740 00:43:20,400 --> 00:43:24,920 Speaker 1: Remember that, and that was a thing, Um, you pulled 741 00:43:24,920 --> 00:43:28,080 Speaker 1: a particularly why do either of us have to read 742 00:43:28,080 --> 00:43:33,800 Speaker 1: this sentence? Method Man of Woutang Clan and The Wire recalled, 743 00:43:34,880 --> 00:43:37,560 Speaker 1: he's great in the wire. Uh, let's great on t 744 00:43:37,719 --> 00:43:40,320 Speaker 1: r L as we'll find out. Yes, he recalled crossing 745 00:43:40,320 --> 00:43:43,440 Speaker 1: paths with Brittany during appearance on the show as they 746 00:43:43,480 --> 00:43:46,480 Speaker 1: posed for a picture after filming wrapped. He says that 747 00:43:46,520 --> 00:43:49,080 Speaker 1: he leaned over and whispered into Britney's ears. You got 748 00:43:49,080 --> 00:43:52,520 Speaker 1: a fat ass for a white girl. You got a 749 00:43:52,520 --> 00:43:55,520 Speaker 1: fat ass for a white girl. You got a fat 750 00:43:55,560 --> 00:44:02,719 Speaker 1: ass for a white girl. Take you you you got 751 00:44:02,719 --> 00:44:05,640 Speaker 1: a fat ass for a white girl. You got we're 752 00:44:05,680 --> 00:44:10,479 Speaker 1: going for lunch. You got a fat You got fat 753 00:44:10,520 --> 00:44:16,239 Speaker 1: ass for white girl. You got a fat ass for 754 00:44:16,239 --> 00:44:25,120 Speaker 1: a white girl. Brittany. Ever, the professional waited until the 755 00:44:25,160 --> 00:44:30,520 Speaker 1: photo was taken before replying, thank you, so God, bless 756 00:44:30,600 --> 00:44:37,160 Speaker 1: your heart. That's an incredible Brittany Britney impression, and method 757 00:44:37,200 --> 00:44:41,239 Speaker 1: Man offered a polite You're welcome, like Frost Nixon of 758 00:44:41,320 --> 00:44:46,360 Speaker 1: the Odds, um recalling the meeting on Wrap Fix in 759 00:44:46,360 --> 00:44:49,359 Speaker 1: two thousand eleven, Method meant he said that he meant 760 00:44:49,360 --> 00:44:52,080 Speaker 1: it as a compliment. You know, I'm telling the truth, Brittany. 761 00:44:52,320 --> 00:44:54,160 Speaker 1: I think that's a documentary that came out in like 762 00:44:54,239 --> 00:44:58,799 Speaker 1: twenty eleven or twelve called the TRL Decade that I 763 00:44:58,840 --> 00:45:02,399 Speaker 1: think VH one, the k docs imprint put out, which 764 00:45:02,440 --> 00:45:04,319 Speaker 1: has now been like scrubbed from the internet. I was 765 00:45:04,320 --> 00:45:06,080 Speaker 1: trying to find it in preparation for this, but it 766 00:45:06,160 --> 00:45:08,920 Speaker 1: was a really good documentary and I think Method Mans 767 00:45:09,200 --> 00:45:11,160 Speaker 1: is one of the talking heads on there, and he's very, 768 00:45:11,320 --> 00:45:17,879 Speaker 1: very proudly recounts this anecdote. Boy, well, this incident, unsavory 769 00:45:17,880 --> 00:45:22,080 Speaker 1: as it is, brings us to another crucial point. It's important, 770 00:45:22,800 --> 00:45:27,040 Speaker 1: so so deeply important to remember that popular music in 771 00:45:27,080 --> 00:45:29,680 Speaker 1: the late nineties and early two thousand's was so much 772 00:45:29,719 --> 00:45:33,240 Speaker 1: more than the teen pop craze. Terrel boasted an impressive 773 00:45:33,320 --> 00:45:36,200 Speaker 1: array of music, from Lincoln Park and my Chemical Romance 774 00:45:36,200 --> 00:45:38,399 Speaker 1: and Avril Levine to R and B and hip hop 775 00:45:38,400 --> 00:45:41,560 Speaker 1: acts like jay Z Diddy, Maraah, Harry and Destiny's Child, 776 00:45:42,040 --> 00:45:44,600 Speaker 1: new metal and pop punk acts especially. It took a 777 00:45:44,760 --> 00:45:48,840 Speaker 1: perverse pleasure in appearing on TRL. Derek Whibbley of Some 778 00:45:49,040 --> 00:45:52,160 Speaker 1: forty one likened it to quote, planting our flag on 779 00:45:52,320 --> 00:45:55,040 Speaker 1: enemy ground. I remember the very first time we were 780 00:45:55,040 --> 00:45:57,239 Speaker 1: on t R l oh Town or something like that 781 00:45:57,320 --> 00:45:59,240 Speaker 1: was on there, and I remember we were just making 782 00:45:59,280 --> 00:46:00,839 Speaker 1: fun of them as we were about to come out 783 00:46:00,920 --> 00:46:03,359 Speaker 1: or something. So that was just the vibe for us 784 00:46:03,400 --> 00:46:05,120 Speaker 1: to go on there and sort of spit in the 785 00:46:05,160 --> 00:46:07,759 Speaker 1: face of everybody else. Of all the pop bands that 786 00:46:07,800 --> 00:46:10,920 Speaker 1: were on there. Show creator Bob qus bit like in 787 00:46:11,000 --> 00:46:14,279 Speaker 1: the Metal versus boy band face off to quote the 788 00:46:14,320 --> 00:46:18,800 Speaker 1: Heels Versus the baby Faces, and pro wrestling. Taylor Hanson 789 00:46:19,120 --> 00:46:23,399 Speaker 1: of The Hanson Hanson's recall sitting in the TRL green 790 00:46:23,520 --> 00:46:28,640 Speaker 1: room chowing down on checks mix with Fred Durst. How yeah, 791 00:46:28,680 --> 00:46:31,800 Speaker 1: it's quite an image, quite a juxtaposition, but he noted 792 00:46:31,800 --> 00:46:34,200 Speaker 1: how not weird it was because quote, the thing about 793 00:46:34,200 --> 00:46:37,200 Speaker 1: those situations is we all have the same job. We 794 00:46:37,280 --> 00:46:40,319 Speaker 1: tour and we play music. Many of these meetings were 795 00:46:40,320 --> 00:46:43,280 Speaker 1: preserved thanks to the in studio photo booth that served 796 00:46:43,280 --> 00:46:45,279 Speaker 1: as a sort of visual guest book for t R 797 00:46:45,440 --> 00:46:48,000 Speaker 1: l Over the course of the ten seasons, over two 798 00:46:48,400 --> 00:46:52,360 Speaker 1: celebrities popped in, ranging from Insane Clown Posse and Cisco 799 00:46:52,760 --> 00:46:57,240 Speaker 1: to Muhammad Ali and John McCain, sadly, I don't believe together. 800 00:46:57,440 --> 00:47:01,840 Speaker 1: I was gonna say no, I don't think so often together. 801 00:47:03,239 --> 00:47:08,480 Speaker 1: Do a funny one now, And if you're interested in 802 00:47:08,560 --> 00:47:11,680 Speaker 1: such early two thousand's oddities, the best images have been 803 00:47:11,719 --> 00:47:14,520 Speaker 1: compiled into a coffee table book, which I believe is 804 00:47:14,520 --> 00:47:18,000 Speaker 1: available on eBay. Did you know that the n y 805 00:47:18,160 --> 00:47:21,000 Speaker 1: p D broke up the Insane Clown Posse the Juggalos 806 00:47:21,560 --> 00:47:25,920 Speaker 1: on t RL. Yeah, why this isn't two thousand when 807 00:47:26,080 --> 00:47:28,520 Speaker 1: they were trying to get a single called Let's Go 808 00:47:28,640 --> 00:47:31,960 Speaker 1: All the Way and MTV agreed to play it once 809 00:47:32,239 --> 00:47:35,239 Speaker 1: in the evening, and then they decided to mobilize the 810 00:47:35,320 --> 00:47:37,799 Speaker 1: Juggalos to get it on t r L. Mobilizing the 811 00:47:37,840 --> 00:47:40,880 Speaker 1: Juggalos is never a good thing. Nearly four hundred i 812 00:47:41,000 --> 00:47:43,400 Speaker 1: c P fans standing outside of t r L with 813 00:47:43,480 --> 00:47:47,680 Speaker 1: signs supporting the duo and viacom and the NYPD cleared 814 00:47:47,719 --> 00:47:52,320 Speaker 1: all of them off and got into altercations with the police. 815 00:47:53,320 --> 00:47:56,880 Speaker 1: All telephone requests for the video to be played were ignored, 816 00:47:57,040 --> 00:47:59,880 Speaker 1: and Insane Clown Posse were never mentioned again during the show. 817 00:48:00,560 --> 00:48:03,520 Speaker 1: MTV later informed the group's label, Island Records, that the 818 00:48:03,560 --> 00:48:07,840 Speaker 1: heads of the network must choose the band first before 819 00:48:07,840 --> 00:48:10,320 Speaker 1: it can become eligible to be featured on t r L. 820 00:48:12,320 --> 00:48:14,000 Speaker 1: So there you have it, the t r L I 821 00:48:14,160 --> 00:48:18,719 Speaker 1: C P feud. Well, we discussed fred Durst a moment ago, 822 00:48:18,840 --> 00:48:21,480 Speaker 1: and we cannot mention the limp biscuit front and without 823 00:48:21,520 --> 00:48:24,319 Speaker 1: discussing his most memorable moment on t r L, which 824 00:48:24,400 --> 00:48:28,040 Speaker 1: took place a Memorial Day when he kicked off the 825 00:48:28,040 --> 00:48:31,280 Speaker 1: summer by blowing up a sail boat in the middle 826 00:48:31,320 --> 00:48:34,399 Speaker 1: of his performance of Nookie. You're all ready to blow 827 00:48:34,440 --> 00:48:38,399 Speaker 1: this boat up? Do you remember this? Actually? I do? 828 00:48:39,600 --> 00:48:42,000 Speaker 1: Really yeah? Well, I mean I was a pyro. It 829 00:48:42,120 --> 00:48:44,200 Speaker 1: was a little good so yeah, so this was interesting 830 00:48:44,200 --> 00:48:48,160 Speaker 1: to me. Yeah. Uh. This was shot on location at 831 00:48:48,200 --> 00:48:51,480 Speaker 1: the Isle of MTV, a k a of the Bahamas, 832 00:48:51,640 --> 00:48:53,279 Speaker 1: and the whole deal was at the crowd and the 833 00:48:53,280 --> 00:48:55,920 Speaker 1: TRL team were now stranded on the island for the 834 00:48:55,920 --> 00:48:59,640 Speaker 1: summer because he blew this boat up. Um. Perhaps not quicidentally, 835 00:49:00,040 --> 00:49:04,359 Speaker 1: this was also the summer of Woodstock, so where fred 836 00:49:04,440 --> 00:49:08,359 Speaker 1: Durst went, explosions and fire followed. And now as we're 837 00:49:08,400 --> 00:49:11,440 Speaker 1: move into our celebrity incident grab bag segment of our 838 00:49:11,480 --> 00:49:15,440 Speaker 1: TRL episode. I also want to recognize Corn, whose videos 839 00:49:15,480 --> 00:49:19,000 Speaker 1: were so reliably stalled at the number three spot, often 840 00:49:19,040 --> 00:49:22,480 Speaker 1: behind boy bands that produces on Tarrell nicknames number three 841 00:49:22,600 --> 00:49:26,759 Speaker 1: the Corn spot on the Countdown, and there were such 842 00:49:26,800 --> 00:49:29,399 Speaker 1: mainstays that they were invited to the TRL three hour 843 00:49:29,560 --> 00:49:32,520 Speaker 1: finale in two thousand and eight, where they are approached 844 00:49:32,520 --> 00:49:35,759 Speaker 1: by an eighteen year old Taylor Swift, who asked them 845 00:49:35,800 --> 00:49:39,359 Speaker 1: to sign her commemorative yearbook by gushing I'm a huge 846 00:49:39,400 --> 00:49:44,520 Speaker 1: Corn fan, which is second only to me interviewing Corn 847 00:49:44,640 --> 00:49:48,880 Speaker 1: a few years ago and saying something similar and equally disingenuous. 848 00:49:50,160 --> 00:49:52,160 Speaker 1: Did you say you were a huge Corn fan? I 849 00:49:52,160 --> 00:49:55,319 Speaker 1: didn't say huge, I said, hey, I would have never 850 00:49:55,360 --> 00:50:00,160 Speaker 1: said that. Oh man, I cannot think of have a 851 00:50:00,160 --> 00:50:02,520 Speaker 1: funnier band for you to interview. Was it on Zoomer 852 00:50:02,560 --> 00:50:06,719 Speaker 1: in person so you can listen to it? No, I 853 00:50:06,840 --> 00:50:11,120 Speaker 1: just I was hoping it was in the studio. Are 854 00:50:11,160 --> 00:50:16,040 Speaker 1: they scary to you? Know? They weren't most I remember 855 00:50:16,040 --> 00:50:23,480 Speaker 1: being frightened of them. Oh yeah, yeah, absolutely, Oh my god. Yeah. 856 00:50:23,560 --> 00:50:26,239 Speaker 1: Well that's the thing about like both metal fans and 857 00:50:26,320 --> 00:50:30,000 Speaker 1: metal bands. I remember in one of my last assignments 858 00:50:30,040 --> 00:50:33,279 Speaker 1: at VH one. So it would have been like I 859 00:50:33,320 --> 00:50:37,399 Speaker 1: went on a motor Heads motor boat metal cruise as 860 00:50:37,520 --> 00:50:42,399 Speaker 1: like the soul non metal head on the ship, and 861 00:50:42,440 --> 00:50:46,440 Speaker 1: I was terrified and I looked so obviously lost and 862 00:50:46,480 --> 00:50:49,759 Speaker 1: out of place that I just was immediately. I felt 863 00:50:49,760 --> 00:50:51,480 Speaker 1: like I was like a ward of the state on 864 00:50:51,560 --> 00:50:56,840 Speaker 1: this ship. Were so sweet, so sweet. Oh my god, 865 00:50:57,200 --> 00:51:01,239 Speaker 1: I learned so much. Yeah, it was really cool. And 866 00:51:01,320 --> 00:51:03,640 Speaker 1: if you'd slayer on that, and Carrie King was a 867 00:51:03,640 --> 00:51:07,400 Speaker 1: big sweetheart. Yeah it was nice anyway, but let me 868 00:51:07,440 --> 00:51:11,839 Speaker 1: diet actually interview, let me too. He uh. He gave 869 00:51:11,920 --> 00:51:14,040 Speaker 1: up in the interest of health. He gave up his 870 00:51:14,120 --> 00:51:18,200 Speaker 1: trademark whiskey and coke in favor of something more healthy, 871 00:51:18,280 --> 00:51:23,000 Speaker 1: which was yeah, screw drivers. I remember reading about that. 872 00:51:23,480 --> 00:51:29,080 Speaker 1: God bless oh Man. Anyway, Now we're going to run 873 00:51:29,120 --> 00:51:31,600 Speaker 1: down some of the most memorable moments from tr l's 874 00:51:31,600 --> 00:51:35,520 Speaker 1: glory years in no particular order. Did His appearances on 875 00:51:35,600 --> 00:51:38,400 Speaker 1: Tirel were always memorable, and he was usually down for 876 00:51:38,440 --> 00:51:41,400 Speaker 1: whatever because his offices at the time were directly across 877 00:51:41,440 --> 00:51:44,319 Speaker 1: the street in Times Square and Tierra co creator Bob 878 00:51:44,400 --> 00:51:47,960 Speaker 1: Cusbit recalls calling him a moment's notice once and saying 879 00:51:48,000 --> 00:51:50,160 Speaker 1: to him, Hey, we want to play a game where 880 00:51:50,160 --> 00:51:52,400 Speaker 1: we spin the wheel like Wheel of Fortune, and it 881 00:51:52,520 --> 00:51:55,240 Speaker 1: lands on your office, and we moved the entire Tierral 882 00:51:55,320 --> 00:52:00,799 Speaker 1: audience across the street Tier office. His response sold, but 883 00:52:01,480 --> 00:52:04,240 Speaker 1: for my money did. His most memorable appearance took place 884 00:52:04,239 --> 00:52:08,279 Speaker 1: on October two thousand three, when he was supposedly in 885 00:52:08,320 --> 00:52:10,480 Speaker 1: the midst of training for the New York City Marathon, 886 00:52:11,160 --> 00:52:14,759 Speaker 1: and rather than compromise his busy exercise regimen, he spent 887 00:52:14,800 --> 00:52:18,880 Speaker 1: the entire hour long episode on a treadmill, randomly shouting 888 00:52:18,880 --> 00:52:21,880 Speaker 1: out the names of products he was endorsing, while fellow 889 00:52:21,920 --> 00:52:24,480 Speaker 1: guests Britney Spears, wiped the sweat from his brow with 890 00:52:24,520 --> 00:52:29,200 Speaker 1: a towel. We just we don't get television like that anymore. 891 00:52:28,440 --> 00:52:31,719 Speaker 1: That's good. Yeah. His commitment to the bid was so 892 00:52:31,840 --> 00:52:35,200 Speaker 1: total that he kept jogging even during commercial breaks. Do 893 00:52:35,200 --> 00:52:36,479 Speaker 1: you know what his time in the New York City 894 00:52:36,480 --> 00:52:40,359 Speaker 1: Marathon was? I don't know. Four hours, fourteen minutes and 895 00:52:40,360 --> 00:52:46,520 Speaker 1: fifty four seconds. That sounds fast for It's not terrible. 896 00:52:46,800 --> 00:52:49,799 Speaker 1: Do you know what he's his His goal was to 897 00:52:49,800 --> 00:52:52,880 Speaker 1: finish in under four hours, which he did not, but 898 00:52:53,000 --> 00:52:55,400 Speaker 1: his and his other goal. This is according to Billboard 899 00:52:55,640 --> 00:52:57,920 Speaker 1: in in two thousand three, his other goal was to 900 00:52:58,000 --> 00:53:01,640 Speaker 1: beat Oprah Winfrey's time when she ran the U. S. 901 00:53:01,680 --> 00:53:06,640 Speaker 1: Marine Corps Marathon, and her time was four hours twenty 902 00:53:06,680 --> 00:53:10,040 Speaker 1: nine minutes. So he succeeded in half of his goals. 903 00:53:12,280 --> 00:53:15,359 Speaker 1: On the men's winner did two hours ten minutes, so 904 00:53:15,600 --> 00:53:19,319 Speaker 1: did he was a little under double that, so still 905 00:53:19,320 --> 00:53:22,000 Speaker 1: pretty good all things considered. I was gonna say, did 906 00:53:22,080 --> 00:53:25,799 Speaker 1: Joe Strummer win the marathon or not win? Did Joe 907 00:53:25,800 --> 00:53:29,879 Speaker 1: Strummer finish the marathon when he went to Paris? Paris? Yeah? 908 00:53:30,120 --> 00:53:32,280 Speaker 1: Was this when he like ran away? Like Joe Strummer 909 00:53:32,360 --> 00:53:35,360 Speaker 1: just like vanished for a period and then he surfaced 910 00:53:35,360 --> 00:53:38,920 Speaker 1: in Paris having trained around the Paris Marathon. Um it 911 00:53:39,000 --> 00:53:43,640 Speaker 1: says he ran it after drinking ten beers. But yeah, 912 00:53:43,640 --> 00:53:46,120 Speaker 1: he vanished from being in the clash. He apparently ran 913 00:53:46,200 --> 00:53:49,800 Speaker 1: in twice in the London marathon. Oh he didn't finish 914 00:53:49,880 --> 00:53:57,400 Speaker 1: the Paris one. Ah, just applying quitter mm hmm, calling 915 00:53:57,480 --> 00:54:02,960 Speaker 1: Joe Strummer a quitter m well. An appearance that was 916 00:54:03,000 --> 00:54:06,080 Speaker 1: even more surreal on tr L simply by virtue of 917 00:54:06,160 --> 00:54:12,040 Speaker 1: his presence was when Prince dropped by in Apparently Prince, 918 00:54:12,320 --> 00:54:15,319 Speaker 1: or rather the artist formerly known as Prince, wasn't really 919 00:54:15,360 --> 00:54:17,640 Speaker 1: feeling it either, because he showed up to promoter his 920 00:54:17,719 --> 00:54:21,680 Speaker 1: album Rave unto the Joy Fantastic, ten minutes before the 921 00:54:21,719 --> 00:54:25,320 Speaker 1: show was about to end, and considering the entire episode 922 00:54:25,320 --> 00:54:28,440 Speaker 1: of TRL was supposed to be dedicated just to him, 923 00:54:28,440 --> 00:54:32,200 Speaker 1: this caused some problems. Dave Holmes remembers him showing up 924 00:54:32,200 --> 00:54:35,480 Speaker 1: with a massive entourage, including a guy who sold jobs, 925 00:54:35,480 --> 00:54:38,239 Speaker 1: seemed to be holding a massive plastic tub that had 926 00:54:38,239 --> 00:54:41,080 Speaker 1: previously been used to hold cheese balls or something, but 927 00:54:41,120 --> 00:54:43,200 Speaker 1: instead now it had a handwritten sign on it that 928 00:54:43,239 --> 00:54:45,799 Speaker 1: said swear jar and if he took the Lord's name 929 00:54:45,840 --> 00:54:49,279 Speaker 1: in vain, you had to throw some coins in and 930 00:54:49,360 --> 00:54:51,440 Speaker 1: the interview with Carson Daley and Prince got off to 931 00:54:51,440 --> 00:54:54,120 Speaker 1: an awkward start when Carson dared to say to Prince, 932 00:54:54,400 --> 00:54:56,440 Speaker 1: you know we're expecting you a little earlier, so there's 933 00:54:56,480 --> 00:54:58,040 Speaker 1: a lot we have to get through. We don't have 934 00:54:58,040 --> 00:55:01,720 Speaker 1: a lot of time, and Prince said, I don't use time, 935 00:55:02,960 --> 00:55:05,680 Speaker 1: and Carson, to his credit, had a good response, so 936 00:55:05,680 --> 00:55:08,840 Speaker 1: what do you use? And Prince pause for a moment 937 00:55:08,880 --> 00:55:13,120 Speaker 1: before replying truth, don't ever try and get a staring contest. 938 00:55:14,120 --> 00:55:19,640 Speaker 1: Prince not blink and Carson, I mean clearly admired Prince 939 00:55:19,680 --> 00:55:22,239 Speaker 1: and he was obviously embarrassed, and he was presenting, you know, 940 00:55:22,280 --> 00:55:25,920 Speaker 1: an artist of Prince's stature on a teen centric music show, 941 00:55:26,200 --> 00:55:28,880 Speaker 1: and he tried his best to gas Princes up by saying, 942 00:55:28,920 --> 00:55:31,759 Speaker 1: you know what an age of disposable music. It's great 943 00:55:31,800 --> 00:55:35,000 Speaker 1: to have, and then Prince immediately cuts him off an 944 00:55:35,000 --> 00:55:38,000 Speaker 1: age of what Carson tried to explain himself, you know, 945 00:55:38,080 --> 00:55:40,080 Speaker 1: an age when music seems to come and go or 946 00:55:40,200 --> 00:55:43,080 Speaker 1: music lasts for a couple of weeks sometimes, to which 947 00:55:43,080 --> 00:55:45,680 Speaker 1: Prince hit back with you don't promote any of that 948 00:55:45,800 --> 00:55:50,560 Speaker 1: disposable music too, And from this point on, Prince spent 949 00:55:50,600 --> 00:55:54,120 Speaker 1: the reminder of the interview pushing Carson's buttons, asking him 950 00:55:54,160 --> 00:55:57,960 Speaker 1: stuff like do you like the music you're playing? And 951 00:55:58,040 --> 00:56:01,680 Speaker 1: you know this makes me admire cars and because beyond 952 00:56:01,800 --> 00:56:04,680 Speaker 1: live TV and have an artist like Prince coming for you, 953 00:56:05,000 --> 00:56:07,360 Speaker 1: and that's not easy, but he handled it like a champ. 954 00:56:07,440 --> 00:56:09,840 Speaker 1: He said, Hey, man, if I'm the bartender and I 955 00:56:09,840 --> 00:56:12,200 Speaker 1: don't like Jack and Cokes, I still have to serve 956 00:56:12,239 --> 00:56:15,239 Speaker 1: it up to people because that's my job. It's it's 957 00:56:15,239 --> 00:56:18,879 Speaker 1: a good response. As trl's profile grew bigger, it became 958 00:56:18,920 --> 00:56:22,239 Speaker 1: a semi mandatory press stop for artists and it attracted 959 00:56:22,239 --> 00:56:25,439 Speaker 1: a number of divas. Prince was just one of them. 960 00:56:25,960 --> 00:56:29,840 Speaker 1: Damian Fayhey recalled a stressful appearance by Madonna early in 961 00:56:29,880 --> 00:56:32,760 Speaker 1: his tenure on the show, and prior to this, Madonna 962 00:56:32,800 --> 00:56:35,359 Speaker 1: had requested Carson to do all of her interviews and 963 00:56:35,400 --> 00:56:38,680 Speaker 1: if not him, with some old school MTV News mainstay 964 00:56:38,760 --> 00:56:41,799 Speaker 1: like John Norris or Kurt Loder, because they were, you know, 965 00:56:41,880 --> 00:56:45,440 Speaker 1: old friends from the eighties when Madonna was just starting out. Instead, 966 00:56:45,560 --> 00:56:47,799 Speaker 1: this time around, she was stuck with a new guy, 967 00:56:47,920 --> 00:56:52,160 Speaker 1: Damian Fayhey, and she was reportedly very against it, and 968 00:56:52,400 --> 00:56:54,719 Speaker 1: MTV had to work very hard to convince her to 969 00:56:54,800 --> 00:56:57,640 Speaker 1: let him to do the interview. Damian told a story 970 00:56:57,640 --> 00:56:59,840 Speaker 1: in an interview with E News in two thousand eighteen. 971 00:57:00,239 --> 00:57:03,640 Speaker 1: But Donna comes backstage with her ten person entourage. There's 972 00:57:03,640 --> 00:57:06,200 Speaker 1: a person employed in her entourage and their only job 973 00:57:06,239 --> 00:57:09,239 Speaker 1: appeared to be just to hold a bottle of champagne 974 00:57:09,560 --> 00:57:12,440 Speaker 1: and the poor champagne into champagne flutes. Just before she 975 00:57:12,480 --> 00:57:15,000 Speaker 1: goes on television so I went up to her to 976 00:57:15,040 --> 00:57:17,320 Speaker 1: break the ice and said, Hi, I'm Damien. It's an 977 00:57:17,320 --> 00:57:20,200 Speaker 1: honor to get to do this. I'm really really nervous, 978 00:57:20,240 --> 00:57:22,520 Speaker 1: just to let you know off the bat, and she said, 979 00:57:22,560 --> 00:57:25,520 Speaker 1: I'm really nervous too. I get so nervous doing these things, 980 00:57:25,760 --> 00:57:27,920 Speaker 1: and that's why the champagne. Do you want to glass 981 00:57:27,920 --> 00:57:31,479 Speaker 1: of champagne? And I said, from your champagne person, yeah sure, 982 00:57:31,920 --> 00:57:34,120 Speaker 1: And so I drank a glass of champagne with Madonna 983 00:57:34,160 --> 00:57:37,320 Speaker 1: before I went out. But Donna was not alone. Executive 984 00:57:37,320 --> 00:57:40,240 Speaker 1: producer Tim Healy told the ringer, a lot of celebrities 985 00:57:40,240 --> 00:57:42,560 Speaker 1: are a little bit intimidated by coming on TRL for 986 00:57:42,600 --> 00:57:45,360 Speaker 1: a couple of reasons. One, it was live, and too, 987 00:57:45,480 --> 00:57:48,280 Speaker 1: You're standing in front of a studio audience of screaming girls, 988 00:57:48,360 --> 00:57:50,320 Speaker 1: and nobody wants to come off as out of touch. 989 00:57:50,720 --> 00:57:52,680 Speaker 1: A lot of them came in with an attitude of 990 00:57:52,920 --> 00:57:54,480 Speaker 1: help me, I don't want to go out there and 991 00:57:54,520 --> 00:57:57,920 Speaker 1: look lame. One of those who did, in fact go 992 00:57:57,960 --> 00:58:01,480 Speaker 1: out there and look lamb was, unfortunately, Selene Dion, who 993 00:58:01,560 --> 00:58:04,320 Speaker 1: was cited by several TRL insiders as one of the 994 00:58:04,360 --> 00:58:08,920 Speaker 1: most awkward guests in the show's history. Comedian Paul Sheer said, quote, 995 00:58:09,120 --> 00:58:11,760 Speaker 1: the audience is just not into her at all. She's 996 00:58:11,800 --> 00:58:14,400 Speaker 1: making jokes like a dad who's like, hey guys, I 997 00:58:14,520 --> 00:58:19,040 Speaker 1: drink beer too. And this is also weird because she 998 00:58:19,080 --> 00:58:21,240 Speaker 1: would have been like thirty at this time. She was 999 00:58:21,280 --> 00:58:26,040 Speaker 1: born in nineteen, so she wasn't like, you know, she's 1000 00:58:26,240 --> 00:58:29,160 Speaker 1: five years longer than us now, but Canada thirty is 1001 00:58:29,200 --> 00:58:39,320 Speaker 1: like us. No, okay, that's fair among them. Sure. Among 1002 00:58:39,440 --> 00:58:43,720 Speaker 1: the fellow nerves stricken celebrities was Brad Pitt, who reportedly 1003 00:58:43,800 --> 00:58:48,000 Speaker 1: paced backstage absolutely terrified prior to being shoved out in 1004 00:58:48,040 --> 00:58:51,120 Speaker 1: front of the camera. Brad Pitt's five years older than 1005 00:58:51,160 --> 00:58:56,520 Speaker 1: Selene dion's' that weird, right? I know? There were some 1006 00:58:56,600 --> 00:59:00,640 Speaker 1: very willing celebrities who were turned down. One of them 1007 00:59:00,720 --> 00:59:03,960 Speaker 1: was Harrison Ford. Of all people who would have been 1008 00:59:03,960 --> 00:59:09,040 Speaker 1: doing what exactly six days, seven seven nights. Yeah, I 1009 00:59:09,080 --> 00:59:14,000 Speaker 1: guess that seems like an MTV friendly thing. According to 1010 00:59:14,120 --> 00:59:17,000 Speaker 1: Bob Cuspitt, Harrison Ford wanted to come on. We were 1011 00:59:17,000 --> 00:59:19,240 Speaker 1: all massive fans, but we knew the kid who wanted 1012 00:59:19,280 --> 00:59:23,040 Speaker 1: to see Justin Timberlake might not buy into Harrison. How 1013 00:59:23,040 --> 00:59:26,840 Speaker 1: do you feel about that? You're a Big Star Wars fan. Um, No, 1014 00:59:27,000 --> 00:59:30,040 Speaker 1: I guess that's scans. When did the movies come back out? 1015 00:59:30,840 --> 00:59:34,840 Speaker 1: They were re released in nineties. No that the prequel is. 1016 00:59:35,560 --> 00:59:39,320 Speaker 1: The re release was seven. But I mean, come on, 1017 00:59:39,560 --> 00:59:47,760 Speaker 1: there's Air Force one, there's there's a fugitive rules. I 1018 00:59:47,760 --> 00:59:50,800 Speaker 1: can't believe you're laughing desperate with the idea of like 1019 00:59:50,840 --> 00:59:56,400 Speaker 1: a teeny bopper holding up a sign that's like, Harrison Poor, 1020 00:59:56,520 --> 00:59:59,320 Speaker 1: I'll be your fugitive. You have to admit he's not 1021 00:59:59,400 --> 01:00:03,640 Speaker 1: a very He's not. That's that's accurate to me. I 1022 01:00:03,720 --> 01:00:08,000 Speaker 1: disagree with. Okay, even more confusing, Mel Gibson was invited 1023 01:00:08,120 --> 01:00:10,400 Speaker 1: onto the show. See that's what I mean. I mean, 1024 01:00:10,600 --> 01:00:12,120 Speaker 1: I mean maybe it was just must have been what 1025 01:00:12,120 --> 01:00:14,280 Speaker 1: women want era, but I was gonna say it had 1026 01:00:14,280 --> 01:00:17,440 Speaker 1: to have been for what women want? Oh man um. 1027 01:00:17,520 --> 01:00:20,600 Speaker 1: And he found it challenging to connect with the teen 1028 01:00:20,640 --> 01:00:24,760 Speaker 1: audience and was in any monosyllabic mood the entire time. 1029 01:00:25,600 --> 01:00:28,040 Speaker 1: For one of the recurring bits on the show, producers 1030 01:00:28,080 --> 01:00:31,400 Speaker 1: asked him to draw a self portrait, and he complied, 1031 01:00:31,840 --> 01:00:37,080 Speaker 1: but underneath wrote, I offer you my decrepit soul, which 1032 01:00:37,680 --> 01:00:40,520 Speaker 1: that feels like a mean thing, but as close as 1033 01:00:40,560 --> 01:00:42,480 Speaker 1: I'm going to get to Mel Gibson. Everyone you know, 1034 01:00:42,520 --> 01:00:45,520 Speaker 1: by the way, quickly distance myself there. And speaking of 1035 01:00:45,560 --> 01:00:49,800 Speaker 1: decrepit souls, friend of the pod, decrepit souls, Damien Faye. 1036 01:00:49,840 --> 01:00:51,960 Speaker 1: He may have shared a nice little moment with Madonna, 1037 01:00:51,960 --> 01:00:54,960 Speaker 1: but he has less fond memories of Donald Trump's appearance 1038 01:00:55,000 --> 01:00:57,520 Speaker 1: on the show at the peak of Apprentice mania, they 1039 01:00:57,520 --> 01:00:59,800 Speaker 1: were shooting a comedy bit for Cold Open where Trump 1040 01:00:59,920 --> 01:01:03,160 Speaker 1: was firing the camera guy and he basically acted like 1041 01:01:03,200 --> 01:01:06,760 Speaker 1: a tyrant for real. Damien Fahey later told Billboard before 1042 01:01:06,800 --> 01:01:09,040 Speaker 1: we started, Trump goes, no, no, no, no no, no, this 1043 01:01:09,080 --> 01:01:11,040 Speaker 1: isn't happening. I need that camera to stand out on 1044 01:01:11,040 --> 01:01:13,600 Speaker 1: an Apple box. I don't like a low camera. He 1045 01:01:13,640 --> 01:01:15,720 Speaker 1: said something about how it didn't make him look good. 1046 01:01:16,080 --> 01:01:19,320 Speaker 1: I remember this phrase specifically. I'm a guy who likes 1047 01:01:19,360 --> 01:01:22,440 Speaker 1: a high camera. That's not a thing. He was a 1048 01:01:22,440 --> 01:01:27,920 Speaker 1: total egomaniac monster. On a similar note, we cannot forget 1049 01:01:27,920 --> 01:01:30,920 Speaker 1: the moment when Ben Affleck sexually assaulted the host Hillary 1050 01:01:30,920 --> 01:01:38,800 Speaker 1: Burton on camera in front of the live audience. Tom 1051 01:01:38,840 --> 01:01:46,160 Speaker 1: Cruise he came by the show in two thousand and three, 1052 01:01:46,280 --> 01:01:52,600 Speaker 1: and uh when hard for Joss Stone, the Bronze medalist 1053 01:01:52,760 --> 01:01:56,480 Speaker 1: of British white soul singers. She was before him all 1054 01:01:56,560 --> 01:02:00,160 Speaker 1: though thin well I mean of that class. Well I 1055 01:02:00,240 --> 01:02:04,960 Speaker 1: was gonna say Dusty Street thanks to different Um, yeah, 1056 01:02:05,000 --> 01:02:08,520 Speaker 1: I guess that's true anyway. Uh. The day following his appearance, 1057 01:02:08,560 --> 01:02:10,800 Speaker 1: the MTV office has got a giant box full of 1058 01:02:11,080 --> 01:02:14,760 Speaker 1: john Stone's debut CD with a note reading something like 1059 01:02:15,080 --> 01:02:19,760 Speaker 1: check it out, love Tom Cruise, Like they wouldn't have 1060 01:02:19,800 --> 01:02:24,960 Speaker 1: had those. That's that's what I love. This would be like, yeah, 1061 01:02:25,000 --> 01:02:29,040 Speaker 1: they probably don't have those. Um, let me let me 1062 01:02:29,120 --> 01:02:32,720 Speaker 1: go up and beyond for them. A couple of days later, 1063 01:02:32,720 --> 01:02:38,520 Speaker 1: with one of Shelly miskab Just Fingers VJ la La 1064 01:02:38,640 --> 01:02:41,200 Speaker 1: Anthony recalled that Tom asked her to teach him to 1065 01:02:41,200 --> 01:02:47,040 Speaker 1: TRK on air. Okay, yeah, it seems like something you'd try. Uh. 1066 01:02:47,120 --> 01:02:49,520 Speaker 1: He was very down in this era. I feel like 1067 01:02:49,720 --> 01:02:51,960 Speaker 1: with anything, he feel like he was just down to 1068 01:02:52,040 --> 01:02:54,160 Speaker 1: go on TV and do whatever Like this was. This 1069 01:02:54,200 --> 01:02:56,880 Speaker 1: is prime couch jumping era, I believe. Yeah, I guess 1070 01:02:56,880 --> 01:02:59,960 Speaker 1: that's true. Um. As the boy band craze began to 1071 01:03:00,040 --> 01:03:02,520 Speaker 1: fade a few years into the New Millennium, MTV began 1072 01:03:02,560 --> 01:03:05,880 Speaker 1: to focus more on hip hop, Nellie's fifty eminem and 1073 01:03:05,920 --> 01:03:09,040 Speaker 1: of course, jay Z jay Z and Beyonce made what 1074 01:03:09,160 --> 01:03:11,760 Speaker 1: many scholars of the era believed to be their debut 1075 01:03:11,800 --> 01:03:14,280 Speaker 1: as a couple during a November two thousand two episode 1076 01:03:14,280 --> 01:03:16,240 Speaker 1: of t r O when they performed Oh three Bonnie 1077 01:03:16,280 --> 01:03:20,840 Speaker 1: and Clyde in semi matching denim out outfits, which may 1078 01:03:20,920 --> 01:03:23,040 Speaker 1: or may not have been a nod to Justin Brittany's 1079 01:03:23,200 --> 01:03:28,240 Speaker 1: iconic denim cow person look cow Poke Look, which was 1080 01:03:28,320 --> 01:03:30,000 Speaker 1: not at the mt V v M as that was 1081 01:03:30,040 --> 01:03:33,760 Speaker 1: at the American Music Awards. Destiny's Child made their farewell 1082 01:03:33,800 --> 01:03:36,080 Speaker 1: appearance on a two thousand five episode of t r L. 1083 01:03:36,400 --> 01:03:39,520 Speaker 1: They had announced the breakup during a stop in Spain 1084 01:03:39,680 --> 01:03:43,200 Speaker 1: on their tour supporting their album Destiny Fulfilled, admitting that 1085 01:03:43,200 --> 01:03:45,600 Speaker 1: that title was not an accident, and then they sent 1086 01:03:45,640 --> 01:03:48,560 Speaker 1: a follow up letter to MTV explaining the decision, before 1087 01:03:48,560 --> 01:03:51,160 Speaker 1: stopping with TRL to say goodbye to fans who were 1088 01:03:51,200 --> 01:03:54,479 Speaker 1: given an opportunity to tell what this meant to them. 1089 01:03:54,640 --> 01:03:57,480 Speaker 1: One young woman named Dominique gave a tearful things to 1090 01:03:57,520 --> 01:04:00,480 Speaker 1: the group for inspiring her to dance and pursue dreams 1091 01:04:00,480 --> 01:04:05,160 Speaker 1: in college. M that's nice even because like it's Terry. 1092 01:04:05,240 --> 01:04:07,400 Speaker 1: It's just like the most emotional I've ever seen her. 1093 01:04:08,720 --> 01:04:11,640 Speaker 1: M hm. Can I say that is that? I don't 1094 01:04:11,640 --> 01:04:17,360 Speaker 1: know if it's true. Well, it's impossible to underestimate tr 1095 01:04:17,480 --> 01:04:21,000 Speaker 1: l's role in launching Eminem. They debuted his video for 1096 01:04:21,200 --> 01:04:25,280 Speaker 1: My Name Is on January one, setting the stage for 1097 01:04:25,320 --> 01:04:28,360 Speaker 1: his first appearance on the show six weeks later. And 1098 01:04:28,400 --> 01:04:31,080 Speaker 1: this was a pivotal moment in r l's history because 1099 01:04:31,120 --> 01:04:34,080 Speaker 1: it showed that this platform had the power not merely 1100 01:04:34,120 --> 01:04:38,760 Speaker 1: to launch prepackaged teen acts, but also more controversial artists 1101 01:04:38,800 --> 01:04:41,160 Speaker 1: that are kind of a harder sell to the public 1102 01:04:41,200 --> 01:04:45,760 Speaker 1: at large. Eminem had a complicated relationship with t r L. Well, 1103 01:04:45,760 --> 01:04:48,840 Speaker 1: he appreciated that allowed him to interact with fans, hence 1104 01:04:48,880 --> 01:04:52,120 Speaker 1: his tearful response to seeing the crowds that line Times Square. 1105 01:04:52,600 --> 01:04:55,440 Speaker 1: He was also uncomfortable with the show biz element of it. 1106 01:04:55,920 --> 01:04:58,760 Speaker 1: Damien Faye he later said, I remember Eminem sitting on 1107 01:04:58,760 --> 01:05:01,040 Speaker 1: the couch by himself, sort of head down, like he 1108 01:05:01,040 --> 01:05:03,760 Speaker 1: didn't want to talk to anybody. I was just like, Oh, 1109 01:05:03,800 --> 01:05:05,640 Speaker 1: that's a man who doesn't want to talk to anyone. 1110 01:05:05,880 --> 01:05:07,400 Speaker 1: So I think I'm just going to leave him alone, 1111 01:05:07,840 --> 01:05:10,440 Speaker 1: but then you know, he gets out there and he's debonair. 1112 01:05:11,360 --> 01:05:14,360 Speaker 1: Eminem even took over hosting duties in two thousand to 1113 01:05:14,360 --> 01:05:18,240 Speaker 1: promote the release of The Marshall Mathers LP, memorably banishing 1114 01:05:18,280 --> 01:05:22,640 Speaker 1: Carson Daily to the sidewalk outside. And also he showed 1115 01:05:22,640 --> 01:05:26,720 Speaker 1: off his uh Olympic class self deprecation by telling fans 1116 01:05:26,760 --> 01:05:31,440 Speaker 1: my album sucks. I appreciate that. Emma and I'm famously 1117 01:05:31,480 --> 01:05:34,400 Speaker 1: started lyrical feuse with many of the t r O 1118 01:05:34,560 --> 01:05:38,280 Speaker 1: heavy hitters Britney Spears, Christina AGUILERALYMP Biscuit, to name but 1119 01:05:38,320 --> 01:05:40,880 Speaker 1: a few. But he used his time on Tarrel to 1120 01:05:40,960 --> 01:05:44,280 Speaker 1: start a real life feud with Mark Wahlberg, which is 1121 01:05:44,320 --> 01:05:47,920 Speaker 1: something that I truly don't remember, but apparently Mark Wahlberg 1122 01:05:48,000 --> 01:05:50,000 Speaker 1: was in the midst of trying to launch his acting 1123 01:05:50,080 --> 01:05:53,120 Speaker 1: career in This must have been just after Boogie Nights 1124 01:05:53,440 --> 01:05:56,120 Speaker 1: and he really wanted to separate himself from his Marky 1125 01:05:56,200 --> 01:05:59,120 Speaker 1: Mark and the Funky Bunch rap career in the early nineties. 1126 01:05:59,640 --> 01:06:01,919 Speaker 1: Emma m was not going to let this rebrand fly. 1127 01:06:03,040 --> 01:06:05,400 Speaker 1: When Mark asked where he should stand when he came 1128 01:06:05,440 --> 01:06:08,480 Speaker 1: onto the live TV set, Eminem told him, We'll just 1129 01:06:08,560 --> 01:06:12,240 Speaker 1: all stand together like a happy, fun bunch, which was 1130 01:06:12,280 --> 01:06:15,120 Speaker 1: just a little too close to comfort to Mark's rap past. 1131 01:06:15,840 --> 01:06:18,840 Speaker 1: A close listen to the interview will reveal Mark muttering 1132 01:06:19,000 --> 01:06:23,720 Speaker 1: acid under his breath. Eminem would take another dig at 1133 01:06:23,840 --> 01:06:27,120 Speaker 1: marky Mark on his two thousand Marshall Matthews LP track 1134 01:06:27,480 --> 01:06:31,000 Speaker 1: Drug ballad, which features the line back with Mark Wahlberg 1135 01:06:31,120 --> 01:06:36,959 Speaker 1: was markis Mark followed by a homophobic slur Amazingally, Mark 1136 01:06:37,000 --> 01:06:40,280 Speaker 1: Wilberg back down. Not something that I ever expected Mark 1137 01:06:40,280 --> 01:06:43,000 Speaker 1: Wahlberg to do, And in two thousands seventeen interview with 1138 01:06:43,040 --> 01:06:45,600 Speaker 1: g Q, he said, Eminem is a very cool guy, 1139 01:06:45,760 --> 01:06:48,280 Speaker 1: very talented. Yes, I did not give him credit for 1140 01:06:48,320 --> 01:06:50,280 Speaker 1: that a very long time ago, but I was a 1141 01:06:50,320 --> 01:06:52,960 Speaker 1: hater because he was a better rapper than me, which 1142 01:06:53,040 --> 01:06:58,120 Speaker 1: is true. But the TRL crowd loved markis Mark. Vanessa Manilo, 1143 01:06:58,240 --> 01:07:00,840 Speaker 1: who met her husband Nicholas Shay and she was a 1144 01:07:00,880 --> 01:07:03,120 Speaker 1: VJ on the show between two thousand five and two 1145 01:07:03,160 --> 01:07:06,480 Speaker 1: thousand and six, recalled interviewing Mark Wahlberg when a girl 1146 01:07:06,520 --> 01:07:09,840 Speaker 1: in the audience rushed the stage during a live broadcast 1147 01:07:10,200 --> 01:07:13,120 Speaker 1: and checked Vanessa out of the way. She told the 1148 01:07:13,200 --> 01:07:16,480 Speaker 1: news and all of a sudden, I'm interviewing Mark Wallberg 1149 01:07:16,560 --> 01:07:18,720 Speaker 1: and you hear this thump, and both of us looked 1150 01:07:18,720 --> 01:07:21,480 Speaker 1: to the left, and this girl jumped out of the bleachers. 1151 01:07:21,880 --> 01:07:25,120 Speaker 1: I run behind Mark Wahlberg. Later on, everybody made fun 1152 01:07:25,120 --> 01:07:27,560 Speaker 1: of me. They said, it's your show, you should protect him. 1153 01:07:27,760 --> 01:07:30,520 Speaker 1: But I'm like, he's Marky Mark. The guy has a 1154 01:07:30,560 --> 01:07:32,880 Speaker 1: thirty pack and muscles. What am I going to do 1155 01:07:32,960 --> 01:07:36,000 Speaker 1: to protect him? So I ran behind him. This woman 1156 01:07:36,080 --> 01:07:38,120 Speaker 1: jumps up and hockey checks me out of the way, 1157 01:07:38,200 --> 01:07:41,680 Speaker 1: and then just bear hugs him and again he's Mark Wahlberg. 1158 01:07:41,760 --> 01:07:44,800 Speaker 1: But he couldn't pull her grip off of him, and 1159 01:07:44,840 --> 01:07:46,640 Speaker 1: I was like, we're going for a short break, We'll 1160 01:07:46,680 --> 01:07:49,800 Speaker 1: be right back by. Security had to pride this woman 1161 01:07:49,840 --> 01:07:52,560 Speaker 1: off of him, and MTV tried to persuade Mark the 1162 01:07:52,640 --> 01:07:56,640 Speaker 1: press charges, but he refused, and as Mark later admitted 1163 01:07:56,680 --> 01:07:59,040 Speaker 1: during his final TRL appearance in two thousand and eight, 1164 01:07:59,320 --> 01:08:02,640 Speaker 1: he wasn't other by the encounter except for one minor detail. 1165 01:08:03,560 --> 01:08:06,040 Speaker 1: He said, quote, but one thing that was disturbing was 1166 01:08:06,120 --> 01:08:08,080 Speaker 1: she had a pin on that said God is not 1167 01:08:08,240 --> 01:08:12,960 Speaker 1: real and I still pray for her. That's really the 1168 01:08:13,000 --> 01:08:18,280 Speaker 1: best quotequota of this We're going to take a quick break, 1169 01:08:18,479 --> 01:08:21,000 Speaker 1: but we'll be right back with more too much information 1170 01:08:21,040 --> 01:08:38,800 Speaker 1: in just a moment, And now we've arrived. Surely must 1171 01:08:38,840 --> 01:08:43,839 Speaker 1: be the most infamous moment t r L history ju 1172 01:08:44,600 --> 01:08:47,360 Speaker 1: when t r L Studios had an unexpected visitor in 1173 01:08:47,400 --> 01:08:50,559 Speaker 1: the form of Mariah Carey. Over the last twenty years, 1174 01:08:50,560 --> 01:08:56,040 Speaker 1: this moment has earned a justifiable probably reputation as the 1175 01:08:56,160 --> 01:08:58,800 Speaker 1: native of her mental health struggles during the Glitter era. 1176 01:08:59,520 --> 01:09:03,880 Speaker 1: And um, what's actually I was gonna say, It's not 1177 01:09:04,280 --> 01:09:07,120 Speaker 1: like I guess maybe we've just become so desensitized to 1178 01:09:08,120 --> 01:09:13,559 Speaker 1: uh on air mental illness. Yeah, especially with social media. Now, Yeah, 1179 01:09:13,600 --> 01:09:15,880 Speaker 1: I mean, well, I don't know, do you want to 1180 01:09:15,920 --> 01:09:18,840 Speaker 1: expand on that? Um, I mean I don't know. This 1181 01:09:18,960 --> 01:09:23,479 Speaker 1: is pre any wine house, pre Britney Spears, pre Paris Hilton, 1182 01:09:23,520 --> 01:09:26,720 Speaker 1: Lindsay Lohan struggling with substance abuse problems. I mean yeah, 1183 01:09:26,880 --> 01:09:31,640 Speaker 1: it just feels like, I don't know. She kind of 1184 01:09:31,680 --> 01:09:35,000 Speaker 1: did something a little cookie but like within the realm 1185 01:09:35,040 --> 01:09:37,960 Speaker 1: of like I don't know, giving out ice cream the fans. 1186 01:09:38,680 --> 01:09:41,519 Speaker 1: I don't know, And she took off a T shirt 1187 01:09:41,600 --> 01:09:44,439 Speaker 1: to reveal another shirt underneath, Like I don't know, it 1188 01:09:44,560 --> 01:09:46,880 Speaker 1: just kind of seems like, all right, I mean, I'm 1189 01:09:46,920 --> 01:09:49,640 Speaker 1: sad that as well. Here in a moment she like 1190 01:09:49,760 --> 01:09:52,880 Speaker 1: was getting three hours asleep at this time and suffered 1191 01:09:52,880 --> 01:09:57,120 Speaker 1: from severe insomnia as a result of what was most 1192 01:09:57,160 --> 01:10:00,639 Speaker 1: certainly undiagnosed by polar disorder at that time. But yeah, 1193 01:10:00,680 --> 01:10:04,320 Speaker 1: in terms of what she did, not that crazy. Yeah, 1194 01:10:04,439 --> 01:10:06,439 Speaker 1: for those of you who do not remember the moment, 1195 01:10:06,960 --> 01:10:09,960 Speaker 1: Carson is getting ready to cut to commercial and then 1196 01:10:10,000 --> 01:10:14,439 Speaker 1: he hears Mariah offstage singing lover Boy and says, with 1197 01:10:14,560 --> 01:10:17,960 Speaker 1: genuine belider min, what the hell is that? It's pretty 1198 01:10:18,000 --> 01:10:21,960 Speaker 1: cret that's actually my favorite part. And then Mariah comes 1199 01:10:21,960 --> 01:10:24,639 Speaker 1: on stage pushing her ice cream cart, hugs a bunch 1200 01:10:24,640 --> 01:10:27,080 Speaker 1: of fans, waves to the crowd, takes off her T shirt, 1201 01:10:27,360 --> 01:10:30,439 Speaker 1: which has another T shirt under it, tells Carson, every 1202 01:10:30,479 --> 01:10:33,280 Speaker 1: now and then, somebody needs a little therapy, and today 1203 01:10:33,320 --> 01:10:35,920 Speaker 1: is that moment for me. And then she talks a 1204 01:10:35,960 --> 01:10:39,439 Speaker 1: little bit about ice cream. She's saying, ice cream is important, 1205 01:10:40,080 --> 01:10:42,679 Speaker 1: the little things. You can have drama all day long whatever. 1206 01:10:42,720 --> 01:10:44,680 Speaker 1: We all do these things. But the problem is if 1207 01:10:44,680 --> 01:10:47,160 Speaker 1: you don't have ice cream in your life, sometimes you 1208 01:10:47,240 --> 01:10:49,240 Speaker 1: might just go a little bit crazy. She just wanted 1209 01:10:49,240 --> 01:10:51,599 Speaker 1: a little sweet this in her life. It's like actually 1210 01:10:51,640 --> 01:10:55,800 Speaker 1: pretty tender when you step backs that line from Psycho, Well, 1211 01:10:55,840 --> 01:11:00,000 Speaker 1: do we all go a little crazy sometimes? God? Uh, 1212 01:11:00,040 --> 01:11:02,519 Speaker 1: she wanted to tell Carson, I just went one day 1213 01:11:02,600 --> 01:11:04,519 Speaker 1: off when I can go swimming and eat ice cream 1214 01:11:04,560 --> 01:11:06,840 Speaker 1: and look at rainbows and maybe like learn how to 1215 01:11:06,920 --> 01:11:11,000 Speaker 1: ride a bicycle. She told another interview around the same 1216 01:11:11,000 --> 01:11:13,519 Speaker 1: time period that she saw from insomnia was getting about 1217 01:11:13,560 --> 01:11:16,439 Speaker 1: three hours of sleep at night, as you mentioned, a 1218 01:11:16,439 --> 01:11:19,280 Speaker 1: probably symptom of her bipolar disorder that she discussed with 1219 01:11:19,320 --> 01:11:22,920 Speaker 1: People magazine in She had been on TRL just two 1220 01:11:22,920 --> 01:11:27,559 Speaker 1: weeks earlier to promote the upcoming soundtrack to the film Glitter. 1221 01:11:27,640 --> 01:11:30,800 Speaker 1: Were they released on the same time? I thought they were. 1222 01:11:31,800 --> 01:11:34,240 Speaker 1: I thought they I think because I think what happened 1223 01:11:34,280 --> 01:11:36,760 Speaker 1: was after this incident, they actually delayed the release of 1224 01:11:37,040 --> 01:11:40,520 Speaker 1: Glitter by three weeks pretty much as a direct response 1225 01:11:40,600 --> 01:11:44,479 Speaker 1: to this incident. Um And so they when she showed 1226 01:11:44,520 --> 01:11:46,080 Speaker 1: up this time around, they had to figure out what 1227 01:11:46,080 --> 01:11:48,960 Speaker 1: they wanted to do differently. Producer Dieger Connelly told the 1228 01:11:49,000 --> 01:11:51,080 Speaker 1: ringer it was sort of like, Okay, how does this 1229 01:11:51,120 --> 01:11:53,640 Speaker 1: appearance become different than her being here? Last week or 1230 01:11:53,640 --> 01:11:55,840 Speaker 1: two weeks ago or whatever. Oh, you could bring ice 1231 01:11:55,880 --> 01:11:57,960 Speaker 1: cream out in surprise the fans. They won't know that 1232 01:11:57,960 --> 01:12:00,320 Speaker 1: you're here. It's special. And it kind of grew out 1233 01:12:00,360 --> 01:12:02,200 Speaker 1: of that idea that kind of mixing it up. This 1234 01:12:02,240 --> 01:12:05,000 Speaker 1: was more spontaneous. I actually think, frankly, as we were 1235 01:12:05,000 --> 01:12:07,040 Speaker 1: watching it, I don't think that we would have anticipated 1236 01:12:07,120 --> 01:12:10,240 Speaker 1: talking about it fifteen years later. It seemed like, oh, fun, 1237 01:12:10,280 --> 01:12:13,000 Speaker 1: this is interesting, this is different. It wasn't like, oh 1238 01:12:13,040 --> 01:12:16,800 Speaker 1: my god, what's happening. But days after the appearance, Carrie 1239 01:12:16,880 --> 01:12:20,200 Speaker 1: had begun posting troubling voice notes to her website. One 1240 01:12:20,240 --> 01:12:22,720 Speaker 1: of them read, I'm trying to understand things in life 1241 01:12:22,800 --> 01:12:24,599 Speaker 1: right now, so I don't really feel that I should 1242 01:12:24,640 --> 01:12:27,000 Speaker 1: be doing music right now. What I'd like to do 1243 01:12:27,080 --> 01:12:28,840 Speaker 1: is just take a little break or at least get 1244 01:12:28,840 --> 01:12:31,880 Speaker 1: one night of sleep without someone popping up about a video. 1245 01:12:32,040 --> 01:12:34,080 Speaker 1: All I really want is to just be me, and 1246 01:12:34,120 --> 01:12:35,799 Speaker 1: that's what I should have done in the first place. 1247 01:12:36,240 --> 01:12:38,360 Speaker 1: I don't say this much, but guess what, I don't 1248 01:12:38,360 --> 01:12:41,839 Speaker 1: take care of myself. Her management quickly scrubbed the messages 1249 01:12:41,880 --> 01:12:45,200 Speaker 1: from her website, commenting that she was obviously exhausted and 1250 01:12:45,240 --> 01:12:48,920 Speaker 1: not thinking clearly when she posted them. Within days of 1251 01:12:48,960 --> 01:12:51,639 Speaker 1: the t r L appearance, Carrie's publicist had told MTV 1252 01:12:51,800 --> 01:12:55,919 Speaker 1: that she was hospitalized in Connecticut with extreme exhaustion, remaining 1253 01:12:55,920 --> 01:12:58,400 Speaker 1: in a doctor's care for two weeks, and she stayed 1254 01:12:58,400 --> 01:13:01,120 Speaker 1: out of the spotlight for months after and as you mentioned, 1255 01:13:01,360 --> 01:13:04,760 Speaker 1: the release of Glitter was delayed for three weeks to 1256 01:13:05,120 --> 01:13:12,240 Speaker 1: nine eleven. I think a little afternoun eleven. Well back 1257 01:13:12,280 --> 01:13:15,240 Speaker 1: to the music. Mariah Carey has more than her share 1258 01:13:15,240 --> 01:13:18,320 Speaker 1: of music chart milestones over the years, including the record 1259 01:13:18,360 --> 01:13:20,920 Speaker 1: for the most number ones by a solo artist, so 1260 01:13:21,000 --> 01:13:23,320 Speaker 1: this seems like a good way as any to transition 1261 01:13:23,400 --> 01:13:27,360 Speaker 1: into trl's heaviest hitters. The producers of the show found 1262 01:13:27,400 --> 01:13:29,679 Speaker 1: that one of the hazards of having a daily request 1263 01:13:29,720 --> 01:13:32,479 Speaker 1: countdown show was at the same songs were topping the 1264 01:13:32,560 --> 01:13:35,320 Speaker 1: chart week after week after week. To ensure a little 1265 01:13:35,320 --> 01:13:38,240 Speaker 1: more variety, they instituted a rule than any video that 1266 01:13:38,320 --> 01:13:40,960 Speaker 1: spent sixty five days on the countdown was to be 1267 01:13:41,040 --> 01:13:44,640 Speaker 1: sent to the video retirement home. And as much as 1268 01:13:44,640 --> 01:13:47,400 Speaker 1: I'd love to give you a moneyball like stat breakdown 1269 01:13:47,600 --> 01:13:50,400 Speaker 1: of all the retired videos and the longest running Tier 1270 01:13:50,400 --> 01:13:54,599 Speaker 1: al chart records. It was actually pretty hard to run 1271 01:13:54,680 --> 01:13:58,240 Speaker 1: these numbers down. The most detailed sites are actually old 1272 01:13:58,320 --> 01:14:01,840 Speaker 1: Geo Cities or Angel five pages that stop around two 1273 01:14:01,840 --> 01:14:04,920 Speaker 1: thousand four and it appears that many of the other 1274 01:14:05,000 --> 01:14:08,200 Speaker 1: fan sites devoted to telling these stats have followen Victim 1275 01:14:08,240 --> 01:14:13,120 Speaker 1: to the dreaded digital rot uh So I believe I 1276 01:14:13,160 --> 01:14:16,040 Speaker 1: can't say this was absolute certainty, but I think there 1277 01:14:16,040 --> 01:14:19,200 Speaker 1: were a hundred and sixty five videos that were retired 1278 01:14:19,240 --> 01:14:22,920 Speaker 1: and honorably removed from TERRL competition. But again I have 1279 01:14:22,960 --> 01:14:26,320 Speaker 1: been unable to definitively peck that. However, I have been 1280 01:14:26,360 --> 01:14:29,400 Speaker 1: able to confirm that the longest running number one in 1281 01:14:29,479 --> 01:14:32,280 Speaker 1: tr L history is Shape of My Heart by the 1282 01:14:32,320 --> 01:14:35,680 Speaker 1: Backstreet Boys, which ran for sixty one days at the 1283 01:14:35,720 --> 01:14:38,439 Speaker 1: top of the charts. And this is according to grimmy 1284 01:14:38,520 --> 01:14:41,080 Speaker 1: dot com and MTV dot com, who also state that 1285 01:14:41,120 --> 01:14:44,360 Speaker 1: Backstreet Boys have five of the six longest running video 1286 01:14:44,439 --> 01:14:47,759 Speaker 1: number ones of all time. The silver medal is Larger 1287 01:14:47,800 --> 01:14:51,599 Speaker 1: than Life, and a Backstreet Boys fan site have said 1288 01:14:51,640 --> 01:14:54,080 Speaker 1: that they have ten different number one songs on t 1289 01:14:54,240 --> 01:14:56,840 Speaker 1: r L. Other long running number ones on t r 1290 01:14:57,000 --> 01:14:59,200 Speaker 1: L are Bye Bye Bye by in Sync, which comes 1291 01:14:59,200 --> 01:15:03,000 Speaker 1: in at number three. Yeah, by Usher featuring Little John 1292 01:15:03,000 --> 01:15:07,360 Speaker 1: and Ludacrous hit the top spot thirty times, and the 1293 01:15:07,479 --> 01:15:11,679 Speaker 1: anthem by Good Charlotte was number one for twenty nine days. 1294 01:15:12,280 --> 01:15:15,519 Speaker 1: That is strange. I don't remember the Anthems being that 1295 01:15:15,560 --> 01:15:18,240 Speaker 1: big of a song, but okay, yeah, I would have 1296 01:15:18,240 --> 01:15:21,519 Speaker 1: thought it was put that obnoxious song. Lifestyle is rich 1297 01:15:21,600 --> 01:15:26,240 Speaker 1: and famous. Yeah yeah, yeah, yeah, Well we can't talk 1298 01:15:26,240 --> 01:15:31,200 Speaker 1: about RL video retirement without mentioning the bum bum song. Yes, 1299 01:15:31,400 --> 01:15:34,519 Speaker 1: Tom Green's absurdist asked anthem hit the top spot on 1300 01:15:34,560 --> 01:15:40,040 Speaker 1: August after just five days on tr L, and no 1301 01:15:40,120 --> 01:15:42,600 Speaker 1: sooner did it hit number one? Did Tom opt to 1302 01:15:42,640 --> 01:15:46,280 Speaker 1: retire the video, telling tr L quote it's not fair 1303 01:15:46,320 --> 01:15:51,160 Speaker 1: to ninety eight decrees. However, years later, in his autobiography 1304 01:15:51,320 --> 01:15:54,759 Speaker 1: Hollywood Causes Cancer, Tom revealed that he had been pressured 1305 01:15:54,800 --> 01:15:58,120 Speaker 1: to withdraw the video because that next week's shows had 1306 01:15:58,160 --> 01:16:01,799 Speaker 1: been pre taped on location and and the producers didn't 1307 01:16:01,800 --> 01:16:04,519 Speaker 1: think to include the bum Bumps song and its rotation 1308 01:16:04,800 --> 01:16:07,600 Speaker 1: when they taped them in advance. So in order to 1309 01:16:07,600 --> 01:16:10,599 Speaker 1: preserve the illusion that t RL was a completely live show, 1310 01:16:11,080 --> 01:16:14,280 Speaker 1: Tom had to take a dive, and then Drew Barrymore 1311 01:16:14,360 --> 01:16:20,800 Speaker 1: left him tough breaks all around. Well. Speaking of retirement, 1312 01:16:21,200 --> 01:16:23,760 Speaker 1: we got to talk about Carson Daily stepping down as 1313 01:16:23,760 --> 01:16:26,759 Speaker 1: the host of TRL. He remained with the show until 1314 01:16:26,760 --> 01:16:29,840 Speaker 1: two thousand three, it's fifth year of existence, by which 1315 01:16:29,880 --> 01:16:32,320 Speaker 1: point he gotten basically too busy trying to make the 1316 01:16:32,400 --> 01:16:36,160 Speaker 1: leap from teen TV to late night adult television with 1317 01:16:36,320 --> 01:16:39,600 Speaker 1: NBC's Last Call with Carson Daily, which ran from January 1318 01:16:40,760 --> 01:16:44,680 Speaker 1: all the way until May, and then he parlayed that 1319 01:16:44,760 --> 01:16:48,400 Speaker 1: into a correspondent gig on The Today Show and producing 1320 01:16:48,479 --> 01:16:51,679 Speaker 1: and hosting The Voice, as well as an occasional NBC 1321 01:16:51,880 --> 01:16:56,120 Speaker 1: New Year's Eve hosts. So he did good. Carson explained 1322 01:16:56,160 --> 01:16:58,080 Speaker 1: his reasons for leaving t r L an interview with 1323 01:16:58,120 --> 01:17:02,439 Speaker 1: E News, and I left because MTV really made a 1324 01:17:02,479 --> 01:17:05,400 Speaker 1: decision to stop focusing on music, and that's why I 1325 01:17:05,479 --> 01:17:08,680 Speaker 1: was there. So in my time, I'll always cherish it 1326 01:17:08,800 --> 01:17:11,040 Speaker 1: for the artists that we were able to break. We 1327 01:17:11,120 --> 01:17:13,400 Speaker 1: took My Name is the M and M Video pretty 1328 01:17:13,479 --> 01:17:16,200 Speaker 1: much away from the music department, and TIREL owned it 1329 01:17:16,280 --> 01:17:18,680 Speaker 1: and stood behind Eminem who we felt was going to 1330 01:17:18,760 --> 01:17:22,639 Speaker 1: be an important artist when even MTV wouldn't. Those sorts 1331 01:17:22,640 --> 01:17:25,360 Speaker 1: of things are things I'm really proud of. I always 1332 01:17:25,360 --> 01:17:27,439 Speaker 1: wanted t r L to feel like my home, even 1333 01:17:27,439 --> 01:17:30,240 Speaker 1: if it was videos MTV wasn't playing. I wanted to 1334 01:17:30,280 --> 01:17:32,280 Speaker 1: make sure that artists knew that t r L was 1335 01:17:32,320 --> 01:17:35,479 Speaker 1: their home and it had that feel, and then I 1336 01:17:35,479 --> 01:17:38,960 Speaker 1: stopped watching. So when Carson left in two thousand and three, 1337 01:17:39,040 --> 01:17:42,759 Speaker 1: this left MTV executives with the unenviable task of finding 1338 01:17:42,800 --> 01:17:47,280 Speaker 1: a new TRL host, and apparently they initially considered Nick Cannon. 1339 01:17:47,320 --> 01:17:49,479 Speaker 1: They tried to get him on board as the new Carson, 1340 01:17:49,800 --> 01:17:51,639 Speaker 1: but he was too busy trying to get his movie 1341 01:17:51,640 --> 01:17:55,200 Speaker 1: career off the ground. Which was he in Drumline? I'm 1342 01:17:55,200 --> 01:17:57,280 Speaker 1: trying to remember what he was in. Yeah, that's kind 1343 01:17:57,280 --> 01:18:00,719 Speaker 1: of all I remember. Tyrrell co creator Tony De Santo 1344 01:18:00,880 --> 01:18:03,719 Speaker 1: later said when Carson left the show, I was reluctant 1345 01:18:03,760 --> 01:18:05,800 Speaker 1: to replace him because I thought, no matter how good 1346 01:18:05,840 --> 01:18:10,000 Speaker 1: any host was stepping into that role and invite immediate comparisons, 1347 01:18:10,240 --> 01:18:11,920 Speaker 1: and knowing that it takes a while for a host 1348 01:18:11,960 --> 01:18:13,680 Speaker 1: to get into a rhythm on a show like this, 1349 01:18:14,000 --> 01:18:17,200 Speaker 1: I didn't want to undo negative attention to derail that process. 1350 01:18:17,840 --> 01:18:19,600 Speaker 1: The show, of course, had to go on, So what 1351 01:18:19,640 --> 01:18:22,479 Speaker 1: I decided then was not to replace Carson with a host, 1352 01:18:22,800 --> 01:18:25,599 Speaker 1: but rather have tr L reconfigured to be hosted by 1353 01:18:25,600 --> 01:18:29,439 Speaker 1: an ensemble, each bringing something new to the table. And 1354 01:18:29,479 --> 01:18:32,840 Speaker 1: that's when you get Damian Fayhey, Hillary Burton, Vanessa La 1355 01:18:32,840 --> 01:18:36,160 Speaker 1: Shay who was then known as Vanessa Manilo Quidas, who 1356 01:18:36,200 --> 01:18:41,240 Speaker 1: I don't I'm not, I'm not familiar. It was then 1357 01:18:41,240 --> 01:18:45,360 Speaker 1: known as La La Basquez, and Susie Castillo. I don't 1358 01:18:45,360 --> 01:18:49,200 Speaker 1: remember her either. Despite this whole hosting by committee edict, 1359 01:18:49,280 --> 01:18:52,439 Speaker 1: Damian Fayhey was basically seen as Carson two point oh, 1360 01:18:52,479 --> 01:18:55,400 Speaker 1: and he admitted as much later, telling the News, I 1361 01:18:55,479 --> 01:18:58,320 Speaker 1: was seen by other people as Carson's leaving. This is 1362 01:18:58,360 --> 01:19:00,960 Speaker 1: the new white guy with the exact aim facial hair, 1363 01:19:01,040 --> 01:19:03,160 Speaker 1: on the same height as Carson. He's going to be 1364 01:19:03,200 --> 01:19:06,880 Speaker 1: the next Carson. And this fostered a bit of competition 1365 01:19:06,920 --> 01:19:09,840 Speaker 1: between the VJs, which was stopping short of it all 1366 01:19:09,880 --> 01:19:13,240 Speaker 1: out feud seemed to add kind of a weird energy 1367 01:19:13,280 --> 01:19:20,559 Speaker 1: to the set, a sexual one. It's It's generally accepted 1368 01:19:20,560 --> 01:19:23,440 Speaker 1: that the glory days of TRL ended with Carson's departure 1369 01:19:23,720 --> 01:19:26,600 Speaker 1: in two thousand three. Backstraight Boys were on decline and 1370 01:19:26,680 --> 01:19:30,559 Speaker 1: SYNC had already broken up and perhaps most importantly, the 1371 01:19:30,600 --> 01:19:33,920 Speaker 1: Internet was becoming more prevalent, making it easy to access music, 1372 01:19:34,360 --> 01:19:36,800 Speaker 1: and then, following the launch of YouTube in February of 1373 01:19:36,840 --> 01:19:40,639 Speaker 1: two five videos, instantly you no longer had to call 1374 01:19:40,720 --> 01:19:42,760 Speaker 1: into a TV network to see your favorite video. Oh 1375 01:19:42,800 --> 01:19:44,360 Speaker 1: you had to do was Google it or go to 1376 01:19:44,400 --> 01:19:48,880 Speaker 1: their MySpace. My Space, yeah, because yeah, that would that 1377 01:19:48,880 --> 01:19:52,280 Speaker 1: would probably be the other thing. Oh yeah, no, just 1378 01:19:52,320 --> 01:19:55,400 Speaker 1: because my Space, like my high school band experience was 1379 01:19:55,479 --> 01:19:58,639 Speaker 1: like getting in touch with like bands on my Space, 1380 01:19:58,720 --> 01:20:02,879 Speaker 1: like the like no d I Y punk my Space 1381 01:20:02,920 --> 01:20:06,400 Speaker 1: thing was huge because you remember, like my Space had 1382 01:20:06,600 --> 01:20:09,719 Speaker 1: so much music linked into it that Facebook didn't, um, 1383 01:20:09,800 --> 01:20:12,320 Speaker 1: because you could have songs playing and you could you know, 1384 01:20:12,400 --> 01:20:15,360 Speaker 1: you have all the customizing of the page. So you 1385 01:20:15,400 --> 01:20:18,439 Speaker 1: don't know, not a thing for you. Yeah, I didn't really. 1386 01:20:18,840 --> 01:20:21,000 Speaker 1: I didn't have a my Space, which I'm sure is 1387 01:20:21,080 --> 01:20:24,640 Speaker 1: shocking to no one. Um, So I didn't really know 1388 01:20:24,680 --> 01:20:26,200 Speaker 1: what you could and couldn't do with it. I mean, 1389 01:20:26,360 --> 01:20:29,439 Speaker 1: the most that I really knew as a way to 1390 01:20:29,479 --> 01:20:32,080 Speaker 1: personalize your social media at that point with any being 1391 01:20:32,120 --> 01:20:37,120 Speaker 1: related to music was you know, away messages with song lyrics. Now, 1392 01:20:37,160 --> 01:20:39,080 Speaker 1: I remember being a big thing of like bands that 1393 01:20:39,120 --> 01:20:42,080 Speaker 1: were coming to like the all ages venue, you know, 1394 01:20:42,120 --> 01:20:44,600 Speaker 1: like finding out that they were on my Space and 1395 01:20:44,640 --> 01:20:47,280 Speaker 1: like in charge of their own site, you know, and 1396 01:20:47,320 --> 01:20:49,479 Speaker 1: people like, I mean this is like that kind of 1397 01:20:49,640 --> 01:20:53,639 Speaker 1: rings a bell, like he doesn't four five yeah yeah um, 1398 01:20:53,720 --> 01:20:56,040 Speaker 1: and then finding out that they used it to scam 1399 01:20:56,120 --> 01:21:00,479 Speaker 1: underage girls. Um. In a sense, MTV was a victim 1400 01:21:00,520 --> 01:21:03,320 Speaker 1: of its own I want my MTV ethos. The public 1401 01:21:03,360 --> 01:21:06,439 Speaker 1: wanted what it wanted when it wanted it. This sowed 1402 01:21:06,479 --> 01:21:09,439 Speaker 1: the seeds for kids no longer using linear television at all, 1403 01:21:09,560 --> 01:21:13,160 Speaker 1: but consuming media on demand on their computers and eventually phones, 1404 01:21:13,680 --> 01:21:16,800 Speaker 1: eliminating the appeal for a show that aired one specific time. 1405 01:21:17,240 --> 01:21:19,640 Speaker 1: Even t r l's ability to premier music videos was 1406 01:21:19,720 --> 01:21:23,960 Speaker 1: undercut by videos frequently leaking online, eliminating any urgency to 1407 01:21:24,000 --> 01:21:26,479 Speaker 1: tune into the show. By the time You Two had 1408 01:21:26,520 --> 01:21:29,840 Speaker 1: launched in two thousand five, trl's viewership sagged to four 1409 01:21:29,920 --> 01:21:32,160 Speaker 1: hundred thousand, half of what it had been in its 1410 01:21:32,200 --> 01:21:35,800 Speaker 1: prime six years earlier. To put that in perspective, at 1411 01:21:35,800 --> 01:21:40,120 Speaker 1: the time The Hills was getting four million or ten 1412 01:21:40,240 --> 01:21:43,760 Speaker 1: times t r l's numbers, and then Osborne's was what 1413 01:21:43,920 --> 01:21:49,559 Speaker 1: two thousand one too. That would Yeah, that's the other 1414 01:21:49,600 --> 01:21:52,439 Speaker 1: big thing at this time. TRL didn't exactly do themselves 1415 01:21:52,439 --> 01:21:54,800 Speaker 1: any favors when they stopped playing full music videos around 1416 01:21:54,800 --> 01:21:56,920 Speaker 1: the time, which brought back the old cries of why 1417 01:21:56,960 --> 01:22:00,080 Speaker 1: is an MTV playing music. They also instituted change is 1418 01:22:00,120 --> 01:22:02,519 Speaker 1: in the video selection process in two thousand six, as 1419 01:22:02,520 --> 01:22:06,240 Speaker 1: the longtime phone hotline was discontinued and voting was limited 1420 01:22:06,240 --> 01:22:10,040 Speaker 1: to registered members of MTV dot com. That was a 1421 01:22:10,080 --> 01:22:13,280 Speaker 1: great decision, Damien Fahey later said, there were a lot 1422 01:22:13,280 --> 01:22:15,880 Speaker 1: of these meetings. We're not getting the ratings we used 1423 01:22:15,880 --> 01:22:19,160 Speaker 1: to get. Kids want the multi screen, multi platform experience. 1424 01:22:19,560 --> 01:22:21,719 Speaker 1: Once we started trying to make the show like the Internet, 1425 01:22:21,880 --> 01:22:26,640 Speaker 1: I said, oh god, this isn't good, smart man. The 1426 01:22:26,680 --> 01:22:28,479 Speaker 1: only other thing that t r O really had going 1427 01:22:28,560 --> 01:22:30,599 Speaker 1: for it was the chance to see your favorite artists 1428 01:22:30,640 --> 01:22:34,000 Speaker 1: relatively unfiltered during their interviews, and this was overtaken by 1429 01:22:34,000 --> 01:22:37,720 Speaker 1: the increasingly prevalent reality shows on MTV, which, as we 1430 01:22:37,720 --> 01:22:41,120 Speaker 1: mentioned on our episode about the Osbourne, was they're doing. 1431 01:22:41,960 --> 01:22:44,920 Speaker 1: By the mid two thousand's, MTV began de emphasizing music 1432 01:22:44,920 --> 01:22:47,840 Speaker 1: and music videos in favor of original reality programming. That 1433 01:22:47,920 --> 01:22:51,880 Speaker 1: signaled their attempts at becoming a lifestyle network. These shows 1434 01:22:51,880 --> 01:22:53,920 Speaker 1: were doing ten times the numbers that t r A 1435 01:22:54,080 --> 01:22:56,840 Speaker 1: was getting. Hence the glood of things like My Super 1436 01:22:56,880 --> 01:23:01,800 Speaker 1: Sweet Sixteen, Laguna Beach, The Real Orange County, Making the Band, 1437 01:23:02,000 --> 01:23:05,080 Speaker 1: and of course Jersey. Sure, but impart remember that YouTube 1438 01:23:05,120 --> 01:23:08,080 Speaker 1: wasn't just a delivery mechanism for labels, but also a 1439 01:23:08,120 --> 01:23:11,120 Speaker 1: platform for creators. Yes, and this is when you get 1440 01:23:11,160 --> 01:23:15,320 Speaker 1: the era of the clickbait music video, When basically bands 1441 01:23:15,320 --> 01:23:17,800 Speaker 1: are taking their reins of their own video creation and 1442 01:23:17,840 --> 01:23:20,400 Speaker 1: distribution into their own hands. You get stuff like Okay 1443 01:23:20,439 --> 01:23:24,000 Speaker 1: Goes video for here it Goes Again getting forty million 1444 01:23:24,080 --> 01:23:27,600 Speaker 1: streams on YouTube with barely any help from MTV, And 1445 01:23:27,640 --> 01:23:29,680 Speaker 1: so by the late two thousands, it became obvious that 1446 01:23:29,800 --> 01:23:32,879 Speaker 1: MTV was no longer necessary to break songs or even artists. 1447 01:23:33,120 --> 01:23:36,639 Speaker 1: YouTube stars social media stars became the new dominant order 1448 01:23:36,680 --> 01:23:40,240 Speaker 1: of music celebrity. David George, the show's final executive producer, 1449 01:23:40,280 --> 01:23:42,840 Speaker 1: told Billboard, I knew the show was done when Justin 1450 01:23:42,880 --> 01:23:45,960 Speaker 1: Bieber came around. He was the first mega artist who 1451 01:23:46,000 --> 01:23:48,600 Speaker 1: was not broken by t r L. He broke t 1452 01:23:48,840 --> 01:23:52,160 Speaker 1: r O. He proved t r L was no longer 1453 01:23:52,200 --> 01:23:56,160 Speaker 1: necessary It's really kind of crazy to think about how 1454 01:23:56,280 --> 01:24:00,080 Speaker 1: long tyrrel survived in the world that really had no 1455 01:24:00,320 --> 01:24:03,760 Speaker 1: use for it. I mean it survived until late night television. 1456 01:24:04,240 --> 01:24:06,479 Speaker 1: Well yeah, I mean at least late night television is 1457 01:24:06,560 --> 01:24:09,439 Speaker 1: kind of like a breeding ground for like viral video clips. 1458 01:24:09,960 --> 01:24:12,439 Speaker 1: T r L is the opposite. Tr L was a 1459 01:24:12,880 --> 01:24:18,280 Speaker 1: extremely inconvenient place to kill things that you could just 1460 01:24:18,280 --> 01:24:22,080 Speaker 1: watch on the Internet anytime you wanted. Tral survived until 1461 01:24:22,120 --> 01:24:25,800 Speaker 1: two thousand eight, but three years of YouTube and one 1462 01:24:25,880 --> 01:24:28,759 Speaker 1: year of iPhones had taken its toll, and in November 1463 01:24:28,880 --> 01:24:32,120 Speaker 1: sixteenth of that year, Tirel wrapped up its initial run 1464 01:24:32,200 --> 01:24:35,559 Speaker 1: after ten years and two thousand, two hundred and forty 1465 01:24:35,600 --> 01:24:38,880 Speaker 1: seven episodes. When did the iPhone come out? Two seven? 1466 01:24:38,960 --> 01:24:43,320 Speaker 1: Summer two seven? I know, all right, that is not 1467 01:24:43,439 --> 01:24:48,760 Speaker 1: my memory of it, remember that very well? Oh man. 1468 01:24:48,880 --> 01:24:50,960 Speaker 1: I don't think I started seeing kids have them until 1469 01:24:51,000 --> 01:24:56,000 Speaker 1: like two thousand nine ten. I knew a few people. 1470 01:24:56,400 --> 01:25:00,800 Speaker 1: They were always like the very you know, cutting edge 1471 01:25:01,120 --> 01:25:04,679 Speaker 1: of technology. People had him around like two thousand nine. 1472 01:25:05,320 --> 01:25:11,880 Speaker 1: I remember, are we better off? No? But at least 1473 01:25:12,120 --> 01:25:14,240 Speaker 1: r O went out with a bang, which is more 1474 01:25:14,280 --> 01:25:15,960 Speaker 1: than could be said for a lot of the network's 1475 01:25:16,000 --> 01:25:20,040 Speaker 1: most beloved programs, like The Osbourne's Jackass, Peoples and butt Head, 1476 01:25:20,040 --> 01:25:23,559 Speaker 1: et cetera. MTV did r L right and said farewell 1477 01:25:23,760 --> 01:25:27,720 Speaker 1: with a star studded three hours special, which struck many 1478 01:25:27,760 --> 01:25:32,360 Speaker 1: as akin to a high school graduation. Carson dalely came back, 1479 01:25:32,439 --> 01:25:36,519 Speaker 1: as did a host of other mtvvjs, including Jesse Camp, 1480 01:25:36,600 --> 01:25:39,840 Speaker 1: who had basically fallen out of the spotlight at this 1481 01:25:39,960 --> 01:25:42,840 Speaker 1: point and was last heard from as working in an 1482 01:25:42,960 --> 01:25:46,240 Speaker 1: l A pet shop in two thousand and six. Beyonce 1483 01:25:46,479 --> 01:25:49,520 Speaker 1: kicked off proceedings by striding into the studio and declaring 1484 01:25:49,840 --> 01:25:54,040 Speaker 1: total finale, Live starts now, before performing a medley of 1485 01:25:54,080 --> 01:25:56,759 Speaker 1: her hits that included If I Were a Boy, Single, 1486 01:25:56,840 --> 01:26:00,400 Speaker 1: Ladies and Crazy and Love They're also performance is by 1487 01:26:00,520 --> 01:26:05,479 Speaker 1: Fallout Boy, Ludicrous, Nellie, Backstreet Boys, Snoop Dogg, and fifty Cent, 1488 01:26:05,720 --> 01:26:08,840 Speaker 1: and a whole slew of tr All stars of the 1489 01:26:08,880 --> 01:26:11,600 Speaker 1: New and Old era turned up to say goodbye. You 1490 01:26:11,680 --> 01:26:15,640 Speaker 1: had Taylor Swift, Hilary Duff, and Miley Cyrus representing the 1491 01:26:15,680 --> 01:26:18,760 Speaker 1: New Guard, with Taylor collecting autographs in her tyr L 1492 01:26:18,880 --> 01:26:22,639 Speaker 1: yearbook and Miley Cyrus manning the famous photo booth. It's 1493 01:26:22,680 --> 01:26:24,920 Speaker 1: so weird to think of Taylor Swift overlapping with the 1494 01:26:24,960 --> 01:26:29,320 Speaker 1: TRL era, but I guess she did. Yeah. They're also Corn, 1495 01:26:29,720 --> 01:26:32,840 Speaker 1: Kid Rock, Diddy, Justin Timberlake and J. C. Chaz A 1496 01:26:33,040 --> 01:26:36,919 Speaker 1: representing the old Guard of tr L and Good Charlotte 1497 01:26:37,560 --> 01:26:42,479 Speaker 1: the Middle Guard say a thousand three four Yeah, eminem 1498 01:26:42,479 --> 01:26:46,360 Speaker 1: and Christina Aguilera made appearances via satellite, and Justin Timberlake 1499 01:26:46,439 --> 01:26:48,920 Speaker 1: told Carson, you know, this is like a big high 1500 01:26:48,920 --> 01:26:51,400 Speaker 1: school reunion. I feel like we all grew up together. 1501 01:26:52,400 --> 01:26:54,840 Speaker 1: And the final show allowed fans to vote on the 1502 01:26:54,920 --> 01:26:59,080 Speaker 1: top ten most iconic videos ever, and all videos were 1503 01:26:59,080 --> 01:27:01,320 Speaker 1: released from the retire at home and up for consideration 1504 01:27:01,360 --> 01:27:03,720 Speaker 1: at this point. So let's do a little countdown now. 1505 01:27:03,840 --> 01:27:11,519 Speaker 1: Number ten two thousand three Outcasts, Hey ya use alternate two? 1506 01:27:11,680 --> 01:27:15,160 Speaker 1: What's my age again? Number eight from two thousand four 1507 01:27:15,360 --> 01:27:19,120 Speaker 1: US you're featuring Ludacrous and Little John. Yeah. Number seven 1508 01:27:19,560 --> 01:27:22,559 Speaker 1: two thousand three Beyonce featuring jay Z, Crazy and Love. 1509 01:27:23,600 --> 01:27:28,360 Speaker 1: That should have been higher. Number six from Kid Rock. 1510 01:27:29,400 --> 01:27:39,040 Speaker 1: I can't even say it, thank no, not at all. Well, 1511 01:27:39,160 --> 01:27:42,040 Speaker 1: I'm going to get this. You don't remember ball with 1512 01:27:42,080 --> 01:27:45,280 Speaker 1: a ball to bang to bang, DIGGI diggy, but I 1513 01:27:45,280 --> 01:27:48,480 Speaker 1: mean I know the song, I just can't say it 1514 01:27:48,520 --> 01:27:52,960 Speaker 1: sounded out ba with a ba okay. I go my 1515 01:27:53,000 --> 01:27:57,559 Speaker 1: god it thank you alight, carry on. Number five Christina 1516 01:27:57,560 --> 01:28:02,160 Speaker 1: Aguilar featuring Redman Dirty from two thousand two. Number four 1517 01:28:02,240 --> 01:28:05,000 Speaker 1: from two thousand instincts, Bye Bye Bye. That should have 1518 01:28:05,040 --> 01:28:09,200 Speaker 1: been a lot higher toll. Number three Backstreet Boys, I 1519 01:28:09,240 --> 01:28:13,880 Speaker 1: wanted that way. Number two from two thousand, Eminem's The 1520 01:28:13,920 --> 01:28:20,320 Speaker 1: Real Slim Shady, and number one justifiably Britney Spears Baby 1521 01:28:20,320 --> 01:28:24,920 Speaker 1: One more Time, Hell Yeah, and then it was over. 1522 01:28:25,520 --> 01:28:28,000 Speaker 1: At the end of two thousand nine, MTV abandoned the 1523 01:28:28,080 --> 01:28:31,320 Speaker 1: lease on their iconic Times Squares studio and within a 1524 01:28:31,439 --> 01:28:35,599 Speaker 1: year it was part of an arapostyle, which is how 1525 01:28:35,600 --> 01:28:38,920 Speaker 1: it was when I first arrived at MTV for my 1526 01:28:38,960 --> 01:28:44,519 Speaker 1: first day on the job. It went back to being well. 1527 01:28:44,640 --> 01:28:48,479 Speaker 1: MTV eventually reclaimed the studio space at some point during 1528 01:28:48,479 --> 01:28:50,800 Speaker 1: my time there, and then when they relaunched TRL in 1529 01:28:50,840 --> 01:28:54,720 Speaker 1: two thousand seventeen, they I think used the same studios, 1530 01:28:55,240 --> 01:28:57,880 Speaker 1: and I think now it's just I believe it's an 1531 01:28:57,960 --> 01:29:00,600 Speaker 1: MTV studio. Still I'm not sure what it's for, but 1532 01:29:00,880 --> 01:29:05,879 Speaker 1: d M and m Store. But yes, I just mentioned 1533 01:29:05,880 --> 01:29:09,960 Speaker 1: the TRAL reboot, which, um, you know I had friends 1534 01:29:09,960 --> 01:29:11,880 Speaker 1: who worked on that, So I will, for the most 1535 01:29:11,880 --> 01:29:14,960 Speaker 1: part plead the fifth. I will say it was an 1536 01:29:15,000 --> 01:29:21,559 Speaker 1: idea whose time had passed long since passed by, and 1537 01:29:21,720 --> 01:29:23,760 Speaker 1: the reboot failed. For all the reasons that t r 1538 01:29:23,800 --> 01:29:26,040 Speaker 1: L went off the air in two thousand eight. You 1539 01:29:26,080 --> 01:29:28,000 Speaker 1: know there's no reason for that type of show to 1540 01:29:28,080 --> 01:29:31,120 Speaker 1: exist anymore. Allow me to quote from me a Vulture 1541 01:29:31,240 --> 01:29:34,840 Speaker 1: article called Why does the TRL Reboot Exist? Written by 1542 01:29:34,920 --> 01:29:40,559 Speaker 1: de Lockett. The piece includes a series of questions, why 1543 01:29:40,560 --> 01:29:44,360 Speaker 1: does the show exist? Who is the show for? Where 1544 01:29:44,439 --> 01:29:47,080 Speaker 1: is the countdown? What are we even supposed to request? 1545 01:29:47,680 --> 01:29:50,680 Speaker 1: Will it always have this much bleeping? Why did they 1546 01:29:50,680 --> 01:29:53,720 Speaker 1: talk about Carson Daley like he's dead? How will the 1547 01:29:53,760 --> 01:29:57,200 Speaker 1: show handle serious news? How will it pretend the Internet 1548 01:29:57,240 --> 01:30:01,160 Speaker 1: doesn't exist? This piece is able to answer any of 1549 01:30:01,160 --> 01:30:06,040 Speaker 1: these questions, Hence why the new version of TRL became 1550 01:30:06,120 --> 01:30:10,040 Speaker 1: watered down and mutated out of existence. We touched on 1551 01:30:10,080 --> 01:30:11,519 Speaker 1: this at the top of the episode, but there are 1552 01:30:11,520 --> 01:30:14,880 Speaker 1: many who feel that the decade TRL aired from two 1553 01:30:14,880 --> 01:30:17,640 Speaker 1: thousand and eight was essentially the only time that the 1554 01:30:17,640 --> 01:30:20,840 Speaker 1: show could have ever thrived Damian Faye. He made in 1555 01:30:20,880 --> 01:30:24,040 Speaker 1: astute point to E News. He said tr L secret 1556 01:30:24,120 --> 01:30:28,440 Speaker 1: sauce was connection with artists. I think nowadays there's Instagram. 1557 01:30:28,560 --> 01:30:31,240 Speaker 1: You can watch Cardi b Do alive, insta story. You 1558 01:30:31,280 --> 01:30:34,160 Speaker 1: can watch any of your favorite artists capture mundane portions 1559 01:30:34,160 --> 01:30:36,240 Speaker 1: of their life on their phone. You can watch it 1560 01:30:36,280 --> 01:30:38,519 Speaker 1: all at any given moment, twenty four hours a day, 1561 01:30:38,720 --> 01:30:41,720 Speaker 1: watch any music videos on YouTube. Back in the day, 1562 01:30:41,880 --> 01:30:44,599 Speaker 1: we didn't have that. Tr L was getting as close 1563 01:30:44,600 --> 01:30:47,400 Speaker 1: as possible to your favorite stars and that was it. 1564 01:30:48,240 --> 01:30:51,479 Speaker 1: And speaking to NPR immediately prior to the show's finale 1565 01:30:51,520 --> 01:30:55,320 Speaker 1: in two thousand eight, journalists Lizzie Goodman, who wrote the 1566 01:30:55,479 --> 01:30:57,840 Speaker 1: wonderful oral history of the New York rock scene Meet 1567 01:30:57,920 --> 01:31:01,120 Speaker 1: Me in the Bathroom, echoed what I said earlier, or 1568 01:31:01,160 --> 01:31:03,920 Speaker 1: I guess I echoed her. I don't know. I'm tired. 1569 01:31:03,960 --> 01:31:07,280 Speaker 1: It's midnight my time. The famous first video that aired 1570 01:31:07,280 --> 01:31:10,720 Speaker 1: on NTV is video killed the radio star. This is 1571 01:31:10,760 --> 01:31:14,160 Speaker 1: like Internet killed the video star. What's really changing is 1572 01:31:14,200 --> 01:31:17,559 Speaker 1: for artists who have relied on big, brash, spectacle music 1573 01:31:17,640 --> 01:31:20,400 Speaker 1: videos to not just define their career, but to move 1574 01:31:20,400 --> 01:31:23,679 Speaker 1: it along, to allow it to evolve, they're in trouble. 1575 01:31:24,160 --> 01:31:27,640 Speaker 1: Madonna could not become a Donna from this platform today. 1576 01:31:27,680 --> 01:31:30,360 Speaker 1: But the good news is that all these other young, 1577 01:31:30,439 --> 01:31:33,439 Speaker 1: struggling acts who would have been considered very fringe before 1578 01:31:33,840 --> 01:31:35,400 Speaker 1: and who would have never been able to afford to 1579 01:31:35,439 --> 01:31:38,720 Speaker 1: make a real music video, are now, thanks to technology 1580 01:31:38,800 --> 01:31:41,920 Speaker 1: and thanks to changing interest and listening and viewing, able 1581 01:31:41,960 --> 01:31:45,479 Speaker 1: to be contenders in that realm. And I'd like to 1582 01:31:45,479 --> 01:31:48,720 Speaker 1: give the final word to TRL co creator Bob qus Bit, 1583 01:31:49,040 --> 01:31:51,759 Speaker 1: who I think I've pronounced his name differently every single 1584 01:31:51,800 --> 01:31:54,519 Speaker 1: time I've said it. On this episode, he said, when 1585 01:31:54,560 --> 01:31:56,599 Speaker 1: we look back at it, they will never be as 1586 01:31:56,760 --> 01:31:59,519 Speaker 1: pure and as fun and as happy a ride or 1587 01:31:59,560 --> 01:32:01,840 Speaker 1: a time him as when Tirel was at it. Sceni, 1588 01:32:02,640 --> 01:32:05,240 Speaker 1: it was just the greatest ride you could ever have 1589 01:32:05,520 --> 01:32:08,160 Speaker 1: in pop television. What do you think? I don't have 1590 01:32:08,200 --> 01:32:12,240 Speaker 1: anything to add to that. You know, it's a high 1591 01:32:12,240 --> 01:32:19,160 Speaker 1: water mark first for two mediums, recorded music and television. 1592 01:32:20,880 --> 01:32:31,200 Speaker 1: Ah grim uh. Thanks for listening. Stream BTS, stream i 1593 01:32:31,280 --> 01:32:34,519 Speaker 1: c P, stream World's Greatest the text c P. I 1594 01:32:34,640 --> 01:32:37,799 Speaker 1: c P was robbed. I c P was robbed. Justice 1595 01:32:37,840 --> 01:32:43,280 Speaker 1: for justice for the insane pomp post. That's all I 1596 01:32:43,320 --> 01:32:47,200 Speaker 1: have to say about that. Tell them who you are, 1597 01:32:48,600 --> 01:32:51,240 Speaker 1: Alex Agle. This has been too much information and I 1598 01:32:51,240 --> 01:32:58,800 Speaker 1: have Jordan run Tug. We'll catch you next time. Too 1599 01:32:58,880 --> 01:33:01,160 Speaker 1: Much Information was a producce ouction of I Heart Radio. 1600 01:33:01,439 --> 01:33:04,639 Speaker 1: The show's executive producers are Noel Brown and Jordan run Talk. 1601 01:33:04,840 --> 01:33:08,320 Speaker 1: The show's supervising producer is Michael Alder June. The show 1602 01:33:08,400 --> 01:33:11,200 Speaker 1: was researched, written, and hosted by Jordan run Talk and 1603 01:33:11,240 --> 01:33:14,200 Speaker 1: Alex Hegel, with original music by Seth Applebaum and the 1604 01:33:14,200 --> 01:33:16,840 Speaker 1: Ghost Funk Orchestra. If you like what you heard, please 1605 01:33:16,880 --> 01:33:19,400 Speaker 1: subscribe and leave us a review. For more podcasts and 1606 01:33:19,479 --> 01:33:22,680 Speaker 1: I heart Radio, visit the I heart Radio app, Apple podcast, 1607 01:33:23,000 --> 01:33:24,719 Speaker 1: or wherever you listen to your favorite shows