1 00:00:09,440 --> 00:00:14,000 Speaker 1: Greetings at Bien Veniel's, fellow seekers of the Dark. I'm 2 00:00:14,080 --> 00:00:20,400 Speaker 1: Danny three. Welcome to Nocturnal Tales from the Shadow. By 3 00:00:20,440 --> 00:00:24,599 Speaker 1: the enchanted frames of this fire, we transcend time and 4 00:00:24,720 --> 00:00:30,320 Speaker 1: space to enter the darkest depths of the Latin American imagination, 5 00:00:31,720 --> 00:00:35,840 Speaker 1: legend and lore, passed down through the years and retold 6 00:00:36,280 --> 00:00:41,440 Speaker 1: with a twist. Tonight, we travel through the clouds to 7 00:00:41,520 --> 00:00:46,720 Speaker 1: the Andes, where ancient lore seeks from every stone. We 8 00:00:46,840 --> 00:00:51,360 Speaker 1: look above through the cloud forests of the Amazon, where 9 00:00:51,479 --> 00:00:55,160 Speaker 1: ancient tales are beings creating lines in the sand and 10 00:00:55,280 --> 00:00:59,560 Speaker 1: eight foot floating creatures working in the Peruvian jungles. 11 00:01:17,800 --> 00:01:20,800 Speaker 2: Hey, ma's I think we're almost there. It's the gear. 12 00:01:20,840 --> 00:01:25,480 Speaker 3: Good baby, Our last blog just finished uploading. 13 00:01:26,160 --> 00:01:33,399 Speaker 4: Batteries are all charged, drone is looking good, memory cards 14 00:01:33,520 --> 00:01:35,160 Speaker 4: are white. 15 00:01:35,400 --> 00:01:35,640 Speaker 5: Nice. 16 00:01:35,880 --> 00:01:37,319 Speaker 2: We need to get something good this time. 17 00:01:37,720 --> 00:01:38,000 Speaker 1: Cool. 18 00:01:38,360 --> 00:01:40,400 Speaker 3: No one has ever filmed in Santa Ciela. 19 00:01:40,480 --> 00:01:45,120 Speaker 5: Before you say something Sila, yeah, you know it. 20 00:01:46,640 --> 00:01:51,760 Speaker 6: Be careful up there, careful, people say there's some type 21 00:01:51,760 --> 00:01:53,080 Speaker 6: of gold there. 22 00:01:54,240 --> 00:01:54,520 Speaker 7: Thanks. 23 00:01:54,560 --> 00:01:56,880 Speaker 8: Did you hear that a cold would be great? Way 24 00:01:56,920 --> 00:01:58,880 Speaker 8: better than that fake alien skeleton cousco? 25 00:01:59,400 --> 00:02:08,320 Speaker 9: Thanks for the hod up, bro, I didn't. 26 00:02:03,800 --> 00:02:08,520 Speaker 3: A baby I don't think the sound of a call. 27 00:02:09,320 --> 00:02:10,160 Speaker 2: It'll be perfect. 28 00:02:10,280 --> 00:02:12,480 Speaker 8: At a town no one has filmed in possible called 29 00:02:12,680 --> 00:02:17,160 Speaker 8: and potential aliens. With real proof, people would finally believe me, Babe. 30 00:02:17,919 --> 00:02:24,000 Speaker 3: I've always believed you were taken. Aliens are practically common knowledge. 31 00:02:24,000 --> 00:02:29,480 Speaker 10: Now we'll interview some mucles, take some videos of the sky. 32 00:02:29,880 --> 00:02:31,399 Speaker 3: We will find your proof. 33 00:02:36,080 --> 00:02:38,160 Speaker 11: Is yours? 34 00:02:38,440 --> 00:02:41,840 Speaker 7: Finally that's us. Let's go. 35 00:02:46,600 --> 00:02:47,359 Speaker 8: Chuck yours. 36 00:02:59,480 --> 00:03:00,760 Speaker 12: So pretty? 37 00:03:01,840 --> 00:03:03,040 Speaker 2: This is amazing, baby. 38 00:03:04,560 --> 00:03:06,680 Speaker 8: Guy I talked to COSC says there's some burial ground. 39 00:03:06,720 --> 00:03:08,480 Speaker 8: Be fine, let's hit their first thing in the morning. 40 00:03:08,760 --> 00:03:20,320 Speaker 3: Okay, let's find the hotel first. Sure, I think this 41 00:03:20,560 --> 00:03:21,000 Speaker 3: is it. 42 00:03:22,120 --> 00:03:25,239 Speaker 2: We definitely don't need to block review this one. Now, 43 00:03:26,480 --> 00:03:27,480 Speaker 2: what is this place? 44 00:03:37,000 --> 00:03:44,720 Speaker 13: Hola, holah, we're looking for a room? 45 00:03:45,320 --> 00:03:46,920 Speaker 3: Should we try the one down the street? 46 00:03:47,760 --> 00:03:48,320 Speaker 1: We're not not. 47 00:03:50,400 --> 00:03:51,440 Speaker 3: Jesus call. 48 00:03:58,640 --> 00:04:02,560 Speaker 10: It's Ola of Blandleist. 49 00:04:03,000 --> 00:04:05,440 Speaker 2: I got to speak Isla. 50 00:04:07,280 --> 00:04:09,320 Speaker 9: Your Spanish is very good. 51 00:04:09,320 --> 00:04:15,600 Speaker 2: Green you ever been Nonka? 52 00:04:16,320 --> 00:04:16,599 Speaker 1: Well? 53 00:04:17,720 --> 00:04:19,760 Speaker 2: Uh you're you're yeah. English is very good. 54 00:04:20,200 --> 00:04:23,800 Speaker 9: Yes, we have a few rooms available. What brings you here? 55 00:04:23,600 --> 00:04:28,520 Speaker 10: We're travel bloggers and Santacila just seemed amazing, so we 56 00:04:28,600 --> 00:04:29,160 Speaker 10: had to come. 57 00:04:29,520 --> 00:04:31,599 Speaker 2: We heard there may be some ebs in these parts. 58 00:04:31,920 --> 00:04:39,240 Speaker 8: Eb extraterrestrial biological entities, aliens. 59 00:04:42,680 --> 00:04:44,240 Speaker 2: You you ever see anything? 60 00:04:45,279 --> 00:04:46,920 Speaker 9: Americans watch too many movies? 61 00:04:47,360 --> 00:04:50,599 Speaker 2: Come on any any strange lights? You know, people disappearing. 62 00:04:52,160 --> 00:04:56,560 Speaker 10: I'm really tired. We should probably head to our room. 63 00:04:57,040 --> 00:04:57,520 Speaker 7: I'm Maggie. 64 00:04:57,560 --> 00:04:58,240 Speaker 3: By the way, this is. 65 00:04:58,200 --> 00:05:01,120 Speaker 2: Cool, hey, pleasure passports? 66 00:05:01,560 --> 00:05:03,400 Speaker 9: What I need your passports? 67 00:05:03,640 --> 00:05:06,279 Speaker 3: Oh right? Hit here? 68 00:05:09,640 --> 00:05:11,960 Speaker 9: Breakfast is at nine am. I lock up at ten pm. 69 00:05:12,240 --> 00:05:15,279 Speaker 9: Santa Sila is a wonderful down. My only request is 70 00:05:15,320 --> 00:05:17,400 Speaker 9: that you do not go into the jungle at night. 71 00:05:18,880 --> 00:05:21,800 Speaker 2: Hold on, why not? What's out there in the jungle? 72 00:05:22,000 --> 00:05:25,520 Speaker 9: Illegal gold miners, loggers, bad people. You do not want 73 00:05:25,560 --> 00:05:28,120 Speaker 9: to be an American lost in the jungle at night. Okay, 74 00:05:28,520 --> 00:05:28,920 Speaker 9: mm hmm. 75 00:05:29,080 --> 00:05:32,760 Speaker 3: We will not be a headline. 76 00:05:31,160 --> 00:05:33,760 Speaker 9: When Nomaka will take it to your room? 77 00:05:33,920 --> 00:05:35,360 Speaker 2: Who when that's no shit? 78 00:05:37,680 --> 00:05:38,400 Speaker 6: IM so sorry. 79 00:05:38,480 --> 00:05:41,640 Speaker 3: I didn't even hear you come in. Come with me. 80 00:05:42,400 --> 00:05:54,000 Speaker 4: Okay, I didn't realize the room was so far from 81 00:05:54,040 --> 00:05:54,719 Speaker 4: the lobby. 82 00:05:55,839 --> 00:05:59,800 Speaker 2: You'll be very comfortable, seemaca right. 83 00:06:00,160 --> 00:06:00,680 Speaker 3: Mm hmmm. 84 00:06:02,400 --> 00:06:04,000 Speaker 8: We have a YouTube channel and we love you to 85 00:06:04,040 --> 00:06:04,520 Speaker 8: be a part of it. 86 00:06:05,080 --> 00:06:08,599 Speaker 2: NA really yeah. 87 00:06:07,920 --> 00:06:14,880 Speaker 8: Yeah, usbee do let me be the well have you 88 00:06:14,920 --> 00:06:18,880 Speaker 8: ever experienced something from another world? Come on, come on, 89 00:06:18,960 --> 00:06:19,960 Speaker 8: experience ya extra. 90 00:06:21,000 --> 00:06:23,920 Speaker 12: Listen, don't follow the lights? 91 00:06:26,120 --> 00:06:26,600 Speaker 14: What's that? 92 00:06:29,200 --> 00:06:33,960 Speaker 11: Uh? This is your room? 93 00:06:34,080 --> 00:06:36,200 Speaker 7: Where'd she GOA? 94 00:06:36,880 --> 00:06:39,720 Speaker 2: That's definitely making the cut. She knows something. 95 00:06:45,720 --> 00:06:49,640 Speaker 3: Good morning. We are in Santa Sela, Peru. 96 00:06:50,200 --> 00:06:52,320 Speaker 2: I can't wait to seize the day. 97 00:06:52,520 --> 00:06:56,159 Speaker 10: But first we always center ourselves and thank the Lord 98 00:06:56,240 --> 00:06:58,320 Speaker 10: for another day on this earth. 99 00:07:03,279 --> 00:07:06,279 Speaker 8: Step two of a morning right approaching shake with cinnamon 100 00:07:06,320 --> 00:07:07,360 Speaker 8: from a trip to Srilanka. 101 00:07:11,680 --> 00:07:13,480 Speaker 2: Babe, can you help. 102 00:07:13,320 --> 00:07:14,080 Speaker 14: Me with my necklace? 103 00:07:14,320 --> 00:07:15,040 Speaker 7: Of course, honey. 104 00:07:16,360 --> 00:07:16,720 Speaker 11: Thanks. 105 00:07:18,160 --> 00:07:21,440 Speaker 2: That is my saint James Pennant. Gotta keep the demons 106 00:07:21,440 --> 00:07:21,920 Speaker 2: away today. 107 00:07:22,000 --> 00:07:23,760 Speaker 7: Yeah. 108 00:07:23,840 --> 00:07:26,920 Speaker 8: We are headed to an arwonkan, ancient ritual ground. It's 109 00:07:26,920 --> 00:07:29,840 Speaker 8: called Kayori and supposedly there have been light seen in 110 00:07:29,840 --> 00:07:32,800 Speaker 8: the sky and what some have sited as floating armored men. 111 00:07:33,400 --> 00:07:35,120 Speaker 3: Wow, Cole, let's go check it out. 112 00:07:35,400 --> 00:07:38,680 Speaker 2: Can't wait? Was that good? 113 00:07:39,040 --> 00:07:49,000 Speaker 7: Yeah? Of course, babe, that was great. Come on, let's go, Cole. 114 00:07:49,080 --> 00:07:53,160 Speaker 4: There's a woman on the edge. Do you see she? 115 00:07:54,720 --> 00:07:59,720 Speaker 4: What is she putting down there? What is she doing? 116 00:08:00,040 --> 00:08:00,400 Speaker 2: Hold up? 117 00:08:00,440 --> 00:08:00,920 Speaker 11: Them? 118 00:08:01,040 --> 00:08:01,440 Speaker 2: Zooming in? 119 00:08:03,640 --> 00:08:03,840 Speaker 9: Wait? 120 00:08:03,920 --> 00:08:07,000 Speaker 2: It looks like an animal? 121 00:08:07,520 --> 00:08:09,160 Speaker 5: Is it? 122 00:08:09,200 --> 00:08:10,160 Speaker 2: Is it dead? 123 00:08:10,920 --> 00:08:12,480 Speaker 7: Hola? 124 00:08:13,000 --> 00:08:15,000 Speaker 2: Well, then that a. 125 00:08:19,600 --> 00:08:21,440 Speaker 9: Cool Why is she. 126 00:08:21,520 --> 00:08:22,480 Speaker 3: Looking at us like that? 127 00:08:22,840 --> 00:08:23,240 Speaker 5: Turn it on? 128 00:08:23,440 --> 00:08:24,040 Speaker 6: Turn it on? 129 00:08:24,320 --> 00:08:24,520 Speaker 4: Yeah? 130 00:08:24,600 --> 00:08:31,000 Speaker 7: Yeah, Oh ahead, mat shit, Okay, let's let's take it 131 00:08:31,040 --> 00:08:31,560 Speaker 7: close a look. 132 00:08:35,840 --> 00:08:38,120 Speaker 8: Oh my god, that's we have come to the ritual 133 00:08:38,160 --> 00:08:41,760 Speaker 8: site and found a local leaving. It seems like a 134 00:08:41,800 --> 00:08:46,199 Speaker 8: mamma five. I don't know, i'd say bad. It's right 135 00:08:46,200 --> 00:08:47,479 Speaker 8: between these rock formations. 136 00:08:47,760 --> 00:08:51,280 Speaker 10: Look, they're all lined up and it's gotta be a design. 137 00:08:52,120 --> 00:08:53,000 Speaker 2: Come and get the drone. 138 00:08:53,160 --> 00:08:54,559 Speaker 3: She asked us not to film. 139 00:08:54,559 --> 00:08:56,720 Speaker 2: Well, bags, she's not here anymore. 140 00:08:56,880 --> 00:09:00,760 Speaker 3: Ok okay, to just be quick, yes. 141 00:09:02,640 --> 00:09:10,880 Speaker 12: Okay, okay, what do we have? 142 00:09:13,520 --> 00:09:17,400 Speaker 4: Uh? Let me see the drone is coming up right 143 00:09:17,480 --> 00:09:18,200 Speaker 4: about now. 144 00:09:19,360 --> 00:09:24,719 Speaker 12: Wait a minute, it looks like what is that an astronaut? 145 00:09:26,120 --> 00:09:33,760 Speaker 4: That can't be Maybe it's some type of deed it's 146 00:09:33,760 --> 00:09:38,920 Speaker 4: coming out. 147 00:09:38,480 --> 00:09:42,479 Speaker 6: I kind of lost a eye. 148 00:09:44,720 --> 00:09:48,560 Speaker 7: Come on, what it didn't record the whole thing? 149 00:09:48,840 --> 00:09:52,200 Speaker 3: Oh come, what are you doing? 150 00:09:53,320 --> 00:09:53,520 Speaker 6: Look? 151 00:09:53,640 --> 00:09:56,080 Speaker 8: You heard that buzzing right? I'm gonna leave a recorder 152 00:09:56,120 --> 00:09:58,760 Speaker 8: here overnight. See if you know I can catch that 153 00:09:58,840 --> 00:09:59,400 Speaker 8: sound clearer. 154 00:10:00,640 --> 00:10:02,360 Speaker 7: Something's going on here. 155 00:10:03,200 --> 00:10:04,360 Speaker 2: I'm gonna find out what it is. 156 00:10:10,320 --> 00:10:14,360 Speaker 7: Hey, it's a got us work. That's senor media contros. 157 00:10:14,920 --> 00:10:16,000 Speaker 3: Some DeVos. 158 00:10:16,640 --> 00:10:19,480 Speaker 2: No got ya. I got Saint James on my side. 159 00:10:20,040 --> 00:10:20,840 Speaker 15: I seen James. 160 00:10:21,200 --> 00:10:24,559 Speaker 1: It's like heymich Yang Young gangs Hamrich butters. 161 00:10:24,600 --> 00:10:29,280 Speaker 3: This my whore, you know. 162 00:10:29,400 --> 00:10:32,839 Speaker 10: Col I was thinking maybe there was just magnetic interference 163 00:10:32,840 --> 00:10:34,400 Speaker 10: from the mountains or something. 164 00:10:34,880 --> 00:10:37,360 Speaker 2: Babe, this is an eight K military great journal. 165 00:10:37,800 --> 00:10:41,640 Speaker 1: Senor Senora, it's those bottles stays. 166 00:10:42,679 --> 00:10:46,920 Speaker 10: Oh, gracias, did you drop us? 167 00:10:48,080 --> 00:10:53,559 Speaker 16: It's uh you wait the hell was this get spying 168 00:10:53,559 --> 00:10:54,480 Speaker 16: on us at the site? 169 00:10:56,080 --> 00:10:56,720 Speaker 7: What the fuck? 170 00:10:56,960 --> 00:10:59,720 Speaker 10: It looks like you in the rock formation, But where's 171 00:10:59,760 --> 00:11:03,480 Speaker 10: your Maybe we should have taken that necklace. 172 00:11:08,120 --> 00:11:10,560 Speaker 3: Okay, look like look here it is here, it is. 173 00:11:10,600 --> 00:11:12,720 Speaker 3: This is right before when the drone glitched out. 174 00:11:14,040 --> 00:11:15,000 Speaker 7: Wait, pose it posit? 175 00:11:17,320 --> 00:11:21,719 Speaker 2: Holy shit, that's a design. It doesn't actually look like 176 00:11:21,720 --> 00:11:31,920 Speaker 2: a weird astronaut. Okay, keep playing. Is that what you hurt? 177 00:11:37,840 --> 00:11:38,000 Speaker 4: No? 178 00:11:38,040 --> 00:11:39,600 Speaker 2: I didn't. I didn't hear that when we were air. 179 00:11:39,760 --> 00:11:41,120 Speaker 2: That's that's not Spanish. 180 00:11:41,440 --> 00:11:47,160 Speaker 3: It sounds ancient. I don't know. My chest feels tight. 181 00:11:48,600 --> 00:11:48,800 Speaker 4: Big. 182 00:11:48,920 --> 00:11:52,079 Speaker 7: We caught a voice. That that's real evidence, that's that's 183 00:11:52,120 --> 00:11:52,800 Speaker 7: something real. 184 00:12:00,120 --> 00:12:07,439 Speaker 3: My god, my ar, What the hell was that. 185 00:12:10,559 --> 00:12:10,760 Speaker 9: Call? 186 00:12:12,840 --> 00:12:13,080 Speaker 17: Call? 187 00:12:24,040 --> 00:12:25,000 Speaker 6: What's happening? 188 00:12:25,840 --> 00:12:28,079 Speaker 2: It's okay, then I think the hotel lost power. 189 00:12:29,440 --> 00:12:35,080 Speaker 3: Call did you did you see the ship? 190 00:12:36,080 --> 00:12:37,000 Speaker 2: I gotta get the camera. 191 00:12:42,040 --> 00:12:48,560 Speaker 14: The course floating over the forest. You're coming straight out us. 192 00:12:51,520 --> 00:12:55,000 Speaker 14: It's getting closer. Oh my god, this is real. 193 00:12:58,800 --> 00:13:01,160 Speaker 7: Maybe, oh my god, we're making contact. 194 00:13:01,160 --> 00:13:02,719 Speaker 5: Hole, stop, don't touch it. 195 00:13:02,840 --> 00:13:06,680 Speaker 2: Maybe I can reach forward, just to last. It's real. 196 00:13:18,000 --> 00:13:22,640 Speaker 4: Oh my god, it will it's throwing the shell. 197 00:13:23,880 --> 00:13:27,440 Speaker 5: Oh my god, maybe taking maybe stick dap. 198 00:13:28,280 --> 00:13:30,839 Speaker 2: What happened you go last? 199 00:13:30,960 --> 00:13:35,320 Speaker 3: After that ball of light like electrocuted you. A bus 200 00:13:35,320 --> 00:13:37,200 Speaker 3: heads to Custo in an hour. We need to get 201 00:13:37,240 --> 00:13:39,720 Speaker 3: you to a hospital. There's nothing in this town. 202 00:13:40,040 --> 00:13:41,320 Speaker 2: No, let me see it. 203 00:13:42,000 --> 00:13:42,920 Speaker 3: I put gaws on it. 204 00:13:42,960 --> 00:13:50,480 Speaker 7: After you passed out, Jesus, get the camera. 205 00:13:50,679 --> 00:13:52,360 Speaker 6: No, you need to lie down. 206 00:13:54,800 --> 00:13:57,880 Speaker 2: No, says zoom enticed. Zoom in on the bird. 207 00:14:00,360 --> 00:14:02,960 Speaker 3: It doesn't look like a normal bird. It looks like 208 00:14:03,000 --> 00:14:05,360 Speaker 3: it's in a battern or symbol. 209 00:14:07,800 --> 00:14:08,240 Speaker 11: Symbol. 210 00:14:09,360 --> 00:14:12,839 Speaker 2: This is proof, This is real proof, Max. 211 00:14:13,080 --> 00:14:14,320 Speaker 5: No, this is insane. 212 00:14:14,720 --> 00:14:18,080 Speaker 13: No, okay, we have the strange shape from the drone, 213 00:14:18,280 --> 00:14:20,120 Speaker 13: the floating lights from the forest attacking me. 214 00:14:20,440 --> 00:14:21,360 Speaker 2: Now this principle. 215 00:14:21,960 --> 00:14:23,680 Speaker 13: Okay, I didn't have proof the last time I was 216 00:14:23,760 --> 00:14:26,440 Speaker 13: taking but now I do real physical proof that people 217 00:14:26,480 --> 00:14:26,960 Speaker 13: can't see. 218 00:14:27,160 --> 00:14:28,600 Speaker 3: Give it a rest. 219 00:14:28,760 --> 00:14:32,520 Speaker 2: No, mass, you don't understand. People will finally believe me. 220 00:14:33,200 --> 00:14:35,160 Speaker 2: We need to go back to the site. Maybe the 221 00:14:35,240 --> 00:14:36,160 Speaker 2: recorder got something. 222 00:14:36,280 --> 00:14:39,680 Speaker 3: Baby, We have all we need and you're hurt. Now. 223 00:14:39,800 --> 00:14:41,120 Speaker 3: Isn't that proof enough? 224 00:14:41,360 --> 00:14:41,440 Speaker 11: No? 225 00:14:41,640 --> 00:14:43,080 Speaker 2: That can be no doubt from anyone. 226 00:14:43,320 --> 00:14:46,160 Speaker 13: Okay, we need to get the audio clearer and more footage. 227 00:14:46,400 --> 00:14:49,160 Speaker 13: People say it's just a fluke or it was cgi. 228 00:14:49,720 --> 00:14:51,840 Speaker 10: Why don't I just go get you some food and 229 00:14:51,840 --> 00:14:54,480 Speaker 10: then we can reassess Max? 230 00:14:56,880 --> 00:14:59,360 Speaker 12: Fine, Oh my god? 231 00:14:59,560 --> 00:14:59,840 Speaker 11: Cool? 232 00:15:00,120 --> 00:15:06,280 Speaker 3: What's going on? 233 00:15:09,520 --> 00:15:09,720 Speaker 18: Well? 234 00:15:13,800 --> 00:15:14,680 Speaker 7: Where's your friend? 235 00:15:15,040 --> 00:15:15,400 Speaker 5: Oh? 236 00:15:15,440 --> 00:15:19,680 Speaker 10: Ola a see Monka right, he's resting. 237 00:15:20,720 --> 00:15:21,640 Speaker 12: We had a long name. 238 00:15:22,640 --> 00:15:23,400 Speaker 17: When do you leave? 239 00:15:24,080 --> 00:15:26,600 Speaker 3: Hopefully in an hour? The blackout last night? 240 00:15:26,720 --> 00:15:27,440 Speaker 6: Was that normal? 241 00:15:28,240 --> 00:15:28,560 Speaker 5: See? 242 00:15:28,920 --> 00:15:30,040 Speaker 7: Whenever they are close? 243 00:15:31,600 --> 00:15:34,720 Speaker 3: Did you see the lights in the sky? They came 244 00:15:34,800 --> 00:15:37,680 Speaker 3: up to our window. I thought I was hallucinating. 245 00:15:38,360 --> 00:15:39,680 Speaker 5: Is he marked? 246 00:15:40,000 --> 00:15:44,040 Speaker 10: You mean the burn on his chest? 247 00:15:44,680 --> 00:15:46,560 Speaker 17: Didn't they have found the bloodline of a taker? 248 00:15:47,280 --> 00:15:49,479 Speaker 3: You must leave? Who are they? 249 00:15:49,800 --> 00:15:50,680 Speaker 17: The engine ones? 250 00:15:51,000 --> 00:15:51,920 Speaker 3: You should leave? 251 00:15:52,240 --> 00:15:52,400 Speaker 8: Oh? 252 00:15:53,040 --> 00:15:54,920 Speaker 3: Wait, but what about coal? 253 00:15:55,600 --> 00:15:58,080 Speaker 19: They me find him? 254 00:15:58,920 --> 00:16:04,520 Speaker 10: Why everyone going indoors? 255 00:16:03,560 --> 00:16:17,840 Speaker 20: The come on, we don't have to do this. We 256 00:16:17,920 --> 00:16:20,560 Speaker 20: can just rest and take the first less in the morning. 257 00:16:23,520 --> 00:16:29,000 Speaker 3: Are you doing okay, I'm fine? What there? 258 00:16:29,040 --> 00:16:32,200 Speaker 5: God, God, this is incredible. 259 00:16:33,760 --> 00:16:34,560 Speaker 7: Turn the camera on. 260 00:16:37,360 --> 00:16:40,600 Speaker 13: We have returned to the burial site that is surrounded 261 00:16:40,600 --> 00:16:41,440 Speaker 13: by dead birds. 262 00:16:41,800 --> 00:16:47,760 Speaker 21: Something definitely happens here. The mark on my chest, there's 263 00:16:47,800 --> 00:16:53,120 Speaker 21: more in pain as we approach. Where is it? 264 00:16:53,480 --> 00:16:53,960 Speaker 3: Where it. 265 00:16:57,080 --> 00:17:02,400 Speaker 2: Got It looks like they didn't find a recorder. Maggie, 266 00:17:02,600 --> 00:17:03,400 Speaker 2: get the drawer out. 267 00:17:04,400 --> 00:17:06,040 Speaker 3: I'm not sure it'll even fly. 268 00:17:06,359 --> 00:17:07,560 Speaker 7: Well, try it. 269 00:17:08,359 --> 00:17:18,200 Speaker 6: Okay, what the hell? 270 00:17:18,440 --> 00:17:19,760 Speaker 2: The rock formation has changed? 271 00:17:20,280 --> 00:17:22,439 Speaker 7: Okay, yesterday it was just the astronauts standing there, but 272 00:17:22,480 --> 00:17:26,240 Speaker 7: now it's arms outscratched. It looks like the dead birds 273 00:17:26,240 --> 00:17:27,600 Speaker 7: are all sprinkled below the arms. 274 00:17:28,000 --> 00:17:29,920 Speaker 3: Oh this can't be good. 275 00:17:30,560 --> 00:17:32,040 Speaker 2: And bring it down before lunches again. 276 00:17:37,720 --> 00:17:41,280 Speaker 7: Oh my god, what are you doing. We're camping here tonight. 277 00:17:41,600 --> 00:17:42,560 Speaker 6: Are you serious? 278 00:17:43,320 --> 00:17:46,240 Speaker 7: Nice? This is the center. This is where I'll get 279 00:17:46,240 --> 00:17:46,879 Speaker 7: real answering. 280 00:17:47,119 --> 00:17:49,399 Speaker 3: No, I don't know about any of this. 281 00:17:50,040 --> 00:17:50,200 Speaker 11: Look. 282 00:17:50,280 --> 00:17:53,040 Speaker 16: Everyone thought I was lying as a kid, but this 283 00:17:53,200 --> 00:17:56,280 Speaker 16: could change everything. It's not just some blurred footage from 284 00:17:56,320 --> 00:17:59,560 Speaker 16: people trying to be famous. This is real, and I 285 00:17:59,600 --> 00:18:00,720 Speaker 16: have you as my witness. 286 00:18:01,359 --> 00:18:02,760 Speaker 12: We got this baby. 287 00:18:09,000 --> 00:18:09,320 Speaker 15: Cool. 288 00:18:10,080 --> 00:18:11,560 Speaker 3: Can you just just back away from the. 289 00:18:11,560 --> 00:18:12,480 Speaker 7: Fire a little bit. 290 00:18:12,880 --> 00:18:18,240 Speaker 3: I'll be safe, all right, We got everything. 291 00:18:18,320 --> 00:18:18,840 Speaker 7: Shut up. 292 00:18:20,680 --> 00:18:21,560 Speaker 2: It's mostly static. 293 00:18:21,560 --> 00:18:30,639 Speaker 16: But wait, no, no, not I god, whoa. 294 00:18:31,240 --> 00:18:33,320 Speaker 7: That's the same phrase from from the drone. It's the 295 00:18:33,320 --> 00:18:35,000 Speaker 7: same voice. There's more. 296 00:18:36,560 --> 00:18:40,800 Speaker 3: What the hell? The camera won't turn back on? 297 00:18:43,520 --> 00:18:50,080 Speaker 10: Cold, cold, pack up? We need to go now, cold. 298 00:18:50,240 --> 00:18:51,720 Speaker 3: Why are you just standing there? 299 00:18:53,280 --> 00:18:53,880 Speaker 10: What are you doing? 300 00:18:57,000 --> 00:19:07,359 Speaker 11: On? 301 00:19:11,119 --> 00:19:12,439 Speaker 5: Baby? Baby? 302 00:19:13,119 --> 00:19:14,320 Speaker 10: What's wrong with your eyes? 303 00:19:23,920 --> 00:19:26,080 Speaker 4: Just just ha hang on? 304 00:19:27,119 --> 00:19:37,680 Speaker 5: Gens or almost there? 305 00:19:38,840 --> 00:19:43,040 Speaker 6: We need help? Ala, Where the hell is he? 306 00:19:43,000 --> 00:19:43,040 Speaker 11: He? 307 00:19:47,320 --> 00:19:52,679 Speaker 2: You're still here? 308 00:19:57,800 --> 00:20:07,240 Speaker 10: I'll be right back, okay, please please, how we need help? 309 00:20:07,280 --> 00:20:08,280 Speaker 6: Something's wrong with home? 310 00:20:11,440 --> 00:20:12,160 Speaker 7: What the hell? 311 00:20:18,920 --> 00:20:19,720 Speaker 6: What's happening? 312 00:20:20,080 --> 00:20:24,159 Speaker 10: Why is everyone walking out? 313 00:20:27,160 --> 00:20:32,760 Speaker 6: My god? 314 00:20:33,400 --> 00:20:35,080 Speaker 5: Meat? 315 00:20:35,560 --> 00:20:46,600 Speaker 15: Seek don't look at them, come now, sky above, this 316 00:20:46,880 --> 00:20:48,919 Speaker 15: home is not what you seek. 317 00:20:49,520 --> 00:20:52,639 Speaker 7: You brought the mark on to the gate. Now they're away. 318 00:20:53,200 --> 00:20:55,680 Speaker 6: I have to go back, he calls alone. 319 00:20:56,200 --> 00:20:57,080 Speaker 3: He's blind. 320 00:20:57,600 --> 00:20:58,920 Speaker 17: You can't go out there. 321 00:20:59,400 --> 00:21:01,600 Speaker 3: You don't under stand. He's in danger. 322 00:21:02,240 --> 00:21:03,359 Speaker 17: He is their harvest. 323 00:21:04,280 --> 00:21:05,959 Speaker 6: Who are you talking about? 324 00:21:09,560 --> 00:21:12,640 Speaker 19: There was a time before names like blue and Cologne, 325 00:21:12,960 --> 00:21:15,800 Speaker 19: At times when the land had no fences and the 326 00:21:15,840 --> 00:21:25,639 Speaker 19: sky still listened. The invaders came with iron, diseased and 327 00:21:25,840 --> 00:21:30,080 Speaker 19: got carved in oil. 328 00:21:29,840 --> 00:21:33,560 Speaker 17: They thrown the first to smoke out the people. They 329 00:21:33,600 --> 00:21:40,760 Speaker 17: took children. They spilled the blood of priests on sacred stones, 330 00:21:40,760 --> 00:21:42,280 Speaker 17: but the Ashka got back. 331 00:21:43,800 --> 00:21:51,720 Speaker 7: The elders had enough. 332 00:21:52,200 --> 00:21:55,640 Speaker 17: They gathered on the mountain ridge under a red moon. 333 00:22:00,160 --> 00:22:03,000 Speaker 7: Car The earth opened. They sang the. 334 00:22:02,960 --> 00:22:04,760 Speaker 17: Old names of the skies. 335 00:22:05,400 --> 00:22:16,680 Speaker 15: The promise was made not in words, but in the light. 336 00:22:16,880 --> 00:22:17,720 Speaker 3: And silence. 337 00:22:21,359 --> 00:22:25,400 Speaker 17: The stars blinked, not with beauty, but with warning. 338 00:22:26,320 --> 00:22:30,320 Speaker 3: The games came too late. 339 00:22:30,960 --> 00:22:34,880 Speaker 17: The cities were already dust, the children already stolen. 340 00:22:39,440 --> 00:22:42,520 Speaker 3: But they so enough, and they remembered. 341 00:22:43,240 --> 00:22:47,720 Speaker 17: They returned now, not in vengeance, but in balance. They 342 00:22:48,000 --> 00:22:51,600 Speaker 17: take from the bloodlines of the ones who took. They 343 00:22:51,720 --> 00:22:57,520 Speaker 17: repay the old dead, slowly, quietly, one by one. 344 00:23:00,480 --> 00:23:04,840 Speaker 3: You're talking about cool. He is smart. They saw it 345 00:23:04,920 --> 00:23:06,600 Speaker 3: in him, They show so. 346 00:23:08,119 --> 00:23:12,560 Speaker 10: No, I don't care what you think he is or 347 00:23:12,640 --> 00:23:14,120 Speaker 10: what you think he did. 348 00:23:14,640 --> 00:23:19,200 Speaker 3: He's not a taker. They don't want you. You never 349 00:23:19,280 --> 00:23:20,359 Speaker 3: heard this land. 350 00:23:20,600 --> 00:23:21,840 Speaker 5: Then let me go. 351 00:23:22,440 --> 00:23:26,359 Speaker 3: If you go, they might see you too. Then let 352 00:23:26,440 --> 00:23:27,560 Speaker 3: him stalk me. 353 00:23:28,080 --> 00:23:28,760 Speaker 5: Don't go. 354 00:23:37,160 --> 00:24:01,320 Speaker 7: Oh no, no, no, no, no words. 355 00:24:02,280 --> 00:24:02,880 Speaker 10: I'm here. 356 00:24:04,000 --> 00:24:06,880 Speaker 7: You're not lack all on my hand. I can't feel 357 00:24:06,920 --> 00:24:07,359 Speaker 7: the ground. 358 00:24:07,480 --> 00:24:09,920 Speaker 10: You're calling you up, But I won't let him take you, 359 00:24:10,000 --> 00:24:10,560 Speaker 10: not again. 360 00:24:11,119 --> 00:24:13,000 Speaker 5: I got you. Do not like. 361 00:24:15,640 --> 00:24:21,760 Speaker 7: Living, I can't, don't black cob no no wagon. 362 00:24:21,920 --> 00:24:39,760 Speaker 11: My god, oh my god. 363 00:24:40,880 --> 00:24:47,080 Speaker 3: It's all like mm hmmm mmm mmmm cool. 364 00:24:48,520 --> 00:25:04,160 Speaker 6: Cool, don't don't no, no, no, Whi's the camera. That's okay, 365 00:25:04,200 --> 00:25:04,560 Speaker 6: it's okay. 366 00:25:04,720 --> 00:25:12,920 Speaker 3: We we we backed everything up. Fuck, it's all gone. 367 00:25:16,480 --> 00:25:22,000 Speaker 12: Okay, they see you. 368 00:25:29,200 --> 00:25:38,040 Speaker 3: I swear to God, I'm gonna find you. 369 00:25:54,960 --> 00:25:58,600 Speaker 1: Some say that jungle hides more than just its creatures. 370 00:25:59,280 --> 00:26:04,399 Speaker 1: Did it remain and that sometimes it answers. Were Maggie and. 371 00:26:04,520 --> 00:26:08,960 Speaker 22: Cole victims of a forgotten myth? Or did they trespass 372 00:26:09,200 --> 00:26:12,680 Speaker 22: on a pact not meant to be broken? One thing 373 00:26:12,800 --> 00:26:17,720 Speaker 22: for sure, wherever they found wasn't meant to be seen. 374 00:26:22,640 --> 00:26:27,680 Speaker 22: Footage can vanish, villages can forget. But when the silence 375 00:26:27,800 --> 00:26:32,840 Speaker 22: homes and the lights descend, listen closely because you might 376 00:26:32,960 --> 00:26:37,840 Speaker 22: hear it too, the old promise being kept. See you 377 00:26:38,040 --> 00:26:41,520 Speaker 22: next time on Noctarno. 378 00:26:49,040 --> 00:26:49,680 Speaker 1: Nocturno. 379 00:26:50,080 --> 00:26:53,600 Speaker 18: Tables from the Shadows was produced by Sonoro in partnership 380 00:26:53,680 --> 00:26:57,880 Speaker 18: with Iheartsmichael to That podcast Network, Produced and directed by 381 00:26:58,200 --> 00:27:03,600 Speaker 18: Luisa Luardo Castillo, Developed and produced by Bettina Lopez. Executive 382 00:27:03,680 --> 00:27:07,680 Speaker 18: produced by Royal Pearson, Arlene Santana and Leo Gomez for 383 00:27:07,800 --> 00:27:10,800 Speaker 18: Ihart and Camilla Victoriano and Josio. 384 00:27:10,520 --> 00:27:11,960 Speaker 1: Weinstein for Sonoto. 385 00:27:12,680 --> 00:27:17,960 Speaker 18: This episode was written by Plain Morris. Performances in this 386 00:27:18,160 --> 00:27:26,480 Speaker 18: episode by Danny Trejo, Kuwaitan Constantine Cascante, Sila, Sheila Corci, 387 00:27:27,240 --> 00:27:34,000 Speaker 18: Marcello Tubert, Fernando Monroy May as Well, Andrews Garrett, Henry, 388 00:27:34,040 --> 00:27:40,680 Speaker 18: Alexander Kelly and Raymond Neil Hernandez Our Supervising producers get 389 00:27:40,800 --> 00:27:46,240 Speaker 18: In Sachaidis Recording engineering and sound design by Cassandra Tinajero 390 00:27:46,520 --> 00:27:51,480 Speaker 18: and Andres Baena, with helped by Emiliano Quintanari and Diego Campos. 391 00:27:52,320 --> 00:27:57,840 Speaker 18: Casting a coordination by Nick Milanes and Alex Gonzalez Quechua 392 00:27:57,960 --> 00:28:03,880 Speaker 18: consultant Christopher Vardez. Voices recorded at the Invisible Studios, dg 393 00:28:04,080 --> 00:28:07,399 Speaker 18: IS Studios, an out Loud Audio in Los Angeles, the 394 00:28:07,520 --> 00:28:11,120 Speaker 18: Relic Room in New York, Panoramic Audio in Miami, sab 395 00:28:11,160 --> 00:28:14,879 Speaker 18: Boom Bank Studios in Houston, and Cabin Sound in Santa Fe, 396 00:28:15,880 --> 00:28:21,960 Speaker 18: with engineering by Charles Carroll, Sharon Carney, Stephen George, David Luke, 397 00:28:22,119 --> 00:28:29,159 Speaker 18: Elli Gary Forbes Jody Abbott, Ivan Coreaz, Ethan Grafton, Robert Thayer, 398 00:28:29,680 --> 00:28:35,400 Speaker 18: Brett Tuban, j K. Hurado, Alfredo Funtez and Colin Angerlider. 399 00:28:39,480 --> 00:28:43,520 Speaker 18: If you're enjoying octursonal Tales from the Shadows, please subscribe, rate, 400 00:28:43,720 --> 00:28:45,960 Speaker 18: and review our show wherever you're listening.