WEBVTT - Conversations About Brands & Sh*t (Vol. 2)

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealer's podcast with your host. Now, fuck that with your

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<v Speaker 1>low glasses, Malone ca what that is?

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<v Speaker 2>My household? The same thing too.

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<v Speaker 3>You don't know what? Huh?

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<v Speaker 1>Trying that mother had that head of ordu. Charlotta Magne

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<v Speaker 1>did a dope back because that that's really nice right there.

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<v Speaker 4>Yeah, he paid, he paid some money. Hey, Charla, Man,

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<v Speaker 4>you gotta autograph my ship, nigga, it's really nice the

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<v Speaker 4>one you met.

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<v Speaker 1>Yeah, that's hard.

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<v Speaker 2>That's a good looking hat.

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<v Speaker 3>Black effect and white effect. Peter here man, it's all up.

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<v Speaker 2>I'm surprised you showed up on the Glasses podcast wearing

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<v Speaker 2>a hat with a big letter B on it.

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<v Speaker 5>Boy banging on niggas work too?

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<v Speaker 1>Yeah? Peace. So Now that it's a good movie, like

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<v Speaker 1>a dumb Money where they're teaching you about stocks and shit.

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<v Speaker 1>It's kind of dope. It's like what it is on

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<v Speaker 1>Apple TV. No, it's on Netflix. Dumb Money is about

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<v Speaker 1>the film. It's a film about when kind of the

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<v Speaker 1>public started fucking over like Wall Street with the game stock,

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<v Speaker 1>the game stop Stock and it.

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<v Speaker 3>Was they made a movie out of that.

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<v Speaker 1>Yeah, and it's kind of cool. Because it kind of

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<v Speaker 1>gives you some insights on how stocks work, but it's

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<v Speaker 1>still very vague. Pete, this this your forte, because explain

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<v Speaker 1>to us what happened. But in terms that niggas finances

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<v Speaker 1>could get.

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<v Speaker 2>Yeah, I think basically they had orders out to make purchases,

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<v Speaker 2>like some institutional investors on some of these stocks that

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<v Speaker 2>were projected to on pretty good you know analysis or

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<v Speaker 2>leaked infot or however the hell they did it, they're

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<v Speaker 2>supposed to go down. So a bunch of Internet slusive

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<v Speaker 2>of sorts so to speak, or what do you want

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<v Speaker 2>to call it, the Reddit you know crew, they all

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<v Speaker 2>bought and because and then it just drove the price

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<v Speaker 2>way up, which served you know them pretty well, but

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<v Speaker 2>it also really screwed over the people who had order

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<v Speaker 2>purchases in because you say, Okay, I'm gonna buy next

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<v Speaker 2>week like one hundred thousand shares and you're expecting to

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<v Speaker 2>get to be at six dollars, and all of a sudden,

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<v Speaker 2>it's at forty five dollars. So your commitments you kind

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<v Speaker 2>of kind of fork over a big fat check.

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<v Speaker 1>What's crazy is it almost gave me the feel of

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<v Speaker 1>a real like a revolution, like an economic revolution of sorts.

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<v Speaker 2>Yeah, yeah, that was the feel.

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<v Speaker 1>I got from watching the film. Make sure I check

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<v Speaker 1>that out. Though dumb money. It's dope as fast as

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<v Speaker 1>a motherfucker as far as how you got to pick

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<v Speaker 1>up stocks, and if you don't know much about stocks,

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<v Speaker 1>it's a bit weird, but they give you a decent

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<v Speaker 1>insight to enjoy it. It's I'm fuck with you, gotta

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<v Speaker 1>keep you, gotta pay attention, cub, but just open your eys.

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<v Speaker 1>It'll be fine.

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<v Speaker 3>So I can stay in the house and I go

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<v Speaker 3>outside to spend money.

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<v Speaker 1>Man, Cuse, every day I lead this motherfucker Cuz it's

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<v Speaker 1>one hundred dollars to start. Wow, I'm not exaggerating. Somehow,

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<v Speaker 1>one hundred.

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<v Speaker 2>Dollars You go to the strip club in Palm Delle

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<v Speaker 2>every day.

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<v Speaker 1>Bruh, No fucking way I would even go at all.

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<v Speaker 1>It's just life, man. Fucking I fill up my gas tank.

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<v Speaker 1>I don't know how to just put ten to twenty

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<v Speaker 1>dollars in everywhere I go, and then if I get

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<v Speaker 1>some food, I eat that shit thirty dollars somehow, Like

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<v Speaker 1>I can get grilled chicken. Bro it's a spot that

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<v Speaker 1>sell grilled chicken with rice and beans. Right, I have

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<v Speaker 1>played this twenty two dollars. A double cheese burger combo

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<v Speaker 1>with no onions and extra sauce from doubles cost seventeen

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<v Speaker 1>dollars and eighty six cents.

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<v Speaker 4>Man Chick fil A meals is twenty five dollars, and

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<v Speaker 4>that's cheap.

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<v Speaker 2>Yeah for fast Harden. It's tough.

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<v Speaker 1>It's hard out here for a player, bro. And even

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<v Speaker 1>the gas, like every time I find gas, the gas beat,

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<v Speaker 1>you know. Then I eat Orange Ruffy, you know what

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<v Speaker 1>I mean. Orge Ruffy is fifteen dollars a pounds, so

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<v Speaker 1>you get two pounds of fish, you know what I mean?

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<v Speaker 1>That motherfucker forty dollars.

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<v Speaker 3>They fried for you.

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<v Speaker 1>No, you got fried that shit yourself because it be fresh.

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<v Speaker 3>Yeah, the far raise, huh.

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<v Speaker 1>I mean, Orge Ruffy is just a better fish. I

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<v Speaker 1>don't fuck with tilapia cause that shit came out when

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<v Speaker 1>I remember when they dropped that shit. Then come to

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<v Speaker 1>find out it really is a fake fish. And I

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<v Speaker 1>don't like half fish cause cast fish got skinned like

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<v Speaker 1>humans and they have periods. And then the red snapper, Bro,

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<v Speaker 1>it ain't what it used to be. It ain't snapping

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<v Speaker 1>no more.

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<v Speaker 2>Damn man, so I stayed.

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<v Speaker 1>With the orange ruffy you know what I mean, which

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<v Speaker 1>is a deep c perch, so really could fish, but

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<v Speaker 1>it cost a couple of dollars. When we were talking

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<v Speaker 1>about something earlier, Joey and it was we had a

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<v Speaker 1>great conversation about content, and it just made me think,

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<v Speaker 1>like I've been seeing the West Coast under heavy criticism

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<v Speaker 1>from its own its own media, you know what I mean,

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<v Speaker 1>like its own media, a ton of criticism about what's wrong,

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<v Speaker 1>you know, I mean, it's broken, it's broken, it's broken,

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<v Speaker 1>and it just I want to pick up from that

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<v Speaker 1>same conversation. That's why I brought you back right about

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<v Speaker 1>content right and understanding the record business? Right? Business? Is

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<v Speaker 1>it fair to say it's about commerce to some degree, right, Pete,

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<v Speaker 1>some kind of commerce, that's all's happening for it to

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<v Speaker 1>be business. So if you're not selling records, what are

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<v Speaker 1>you marketing? And I think everybody is in the in

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<v Speaker 1>the publicity like the publicity lottery. Everybody wants to blow

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<v Speaker 1>up and sell themselves.

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<v Speaker 2>Yeah yeah, Oh, there's only two. There are two things

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<v Speaker 2>you can sell musically. You can sell recordings and you

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<v Speaker 2>can sell live performance. That's it. Anything else is ancillary

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<v Speaker 2>and most of them or.

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<v Speaker 4>Their live performances, they're not even selling those. Most niggas

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<v Speaker 4>that's trying to do it, they're not. They're not trying to.

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<v Speaker 4>They're monetizing themselves. And look at me, I know how

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<v Speaker 4>to wrap. Look I'm dope. Look at my clothes. I'm popping.

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<v Speaker 4>It's like where's the music? Though, Like where can we go?

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<v Speaker 3>It's crazy? Man, he's got like five jobs.

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<v Speaker 1>I had a real interesting conversation with Head probably two

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<v Speaker 1>months ago, and like when I first met Head DJ,

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<v Speaker 1>Head shout out to Head. Head wasn't a DJ. He

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<v Speaker 1>was a radio host at Sorito's College. He used to

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<v Speaker 1>do radio at Sorito's College. And him and the homie

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<v Speaker 1>Teddy shout out to the homy Teddy, Uh Teddy cheating

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<v Speaker 1>Teddy is dope. It's my nigga. But again, like I've

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<v Speaker 1>said this a few times, I convinced had to be

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<v Speaker 1>a DJ. But Head was gifted and he's had a skill.

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<v Speaker 1>And I was telling him two months ago, I said, Head, look, man,

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<v Speaker 1>I know you. You know you're doing all this other

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<v Speaker 1>shit based off personality, but yo, you got an actual skill.

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<v Speaker 1>Like Head is a dope DJ. And when I tell

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<v Speaker 1>you this motherfucker picked it up quick, I mean lightning

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<v Speaker 1>it fast. He could read the room and know how

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<v Speaker 1>to move everybody to which you know, way he wanted

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<v Speaker 1>them to do. Like when I used to have head Bro,

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<v Speaker 1>I wouldn't even have to really do a set, Like

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<v Speaker 1>I would rehearse all my songs and Head would guide

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<v Speaker 1>me in my songs. He would figure out what's popping.

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<v Speaker 1>He'll figure out the room, play records, get the room,

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<v Speaker 1>and he'll say, Okay, these are the records we're gonna do.

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<v Speaker 1>Not tell me. He'll just start playing the motherfuckers and

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<v Speaker 1>I just know how they bring in and do every record.

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<v Speaker 1>But that's how good he got. And I was telling him,

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<v Speaker 1>like roughly sixty days ago, I say, man, you gotta

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<v Speaker 1>get back to DJ in like I get you know,

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<v Speaker 1>everything going on with what you're trying to do with

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<v Speaker 1>publicity and your brand as DJ head the person, I said,

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<v Speaker 1>but you skilled as a DJ that always opened every door.

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<v Speaker 1>Every door for him was open because he was such

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<v Speaker 1>a really good DJ. And I don't think he noticed

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<v Speaker 1>it at first. And ironically we talked today and he

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<v Speaker 1>was talking about how he really noticed it and really

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<v Speaker 1>saw it for the first time. No sellers. Gl got

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<v Speaker 1>my man Pete in the house. We're doing some we're

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<v Speaker 1>doing some work. I brought my man Joey Westside back

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<v Speaker 1>from the La Giants. If you heard the conversation about content,

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<v Speaker 1>we're picking up on that conversation about content creating. We're

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<v Speaker 1>picking up on that conversation, you know when it comes

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<v Speaker 1>to marketing. So he's telling me how you went to

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<v Speaker 1>OKAC and just rocked it, and that's head is like

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<v Speaker 1>that fucking up. So he was like, yeah, man, I'm

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<v Speaker 1>finna really get back into it. And I'm like, man,

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<v Speaker 1>you a build a set that you could, you know,

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<v Speaker 1>have five ten thousand people come see you do because

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<v Speaker 1>that's how good you are with your personality. But it

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<v Speaker 1>hit me during this conversation that everybody is in the

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<v Speaker 1>personality lottery. They like, Okay, I want to just hit

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<v Speaker 1>it big and just be popular. And then I understand

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<v Speaker 1>where the record business is going as far as the majors.

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<v Speaker 1>That's why they're just getting popular people and giving records. Right.

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<v Speaker 1>They're finding artists who they know will become popular or

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<v Speaker 1>that that is popular and give them the hit and

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<v Speaker 1>give them hit.

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<v Speaker 4>And put it in and put it behind them, push them,

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<v Speaker 4>make it work.

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<v Speaker 1>So that's the business that the three majors are in.

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<v Speaker 1>So you got everybody trying to follow that business. But

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<v Speaker 1>they don't have the kind of promotional budgets for the

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<v Speaker 1>social media's, whether Spotify, YouTube, and Instagram, none of them.

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<v Speaker 1>They don't have the money to pay, you know, none

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<v Speaker 1>of the looks. They don't have access to the playlisting,

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<v Speaker 1>they don't have access to anything. They don't have access

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<v Speaker 1>to anything. And it's been hitting me over and over,

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<v Speaker 1>dog over and fucking over, like this is what's wrong

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<v Speaker 1>with the West Coast. Like, so it's simply the records

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<v Speaker 1>are not good enough, right, But we're also in a

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<v Speaker 1>weird time where people don't know how to judge music,

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<v Speaker 1>Like we're in a weird time where people don't know

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<v Speaker 1>how to judge food. If you ask most people what's

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<v Speaker 1>the best restaurant, it's probably gonna be some buzzshit. How

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<v Speaker 1>do you argue if somebody say McDonald's is the best restaurant,

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<v Speaker 1>it's the most populated, it's the one everybody goes spend

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<v Speaker 1>their money at. It's the one that got fucking dried.

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<v Speaker 1>Right now, if I go to the motherfucker the motherfucking line.

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<v Speaker 1>It's out the motherfucking drive through. We could try to

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<v Speaker 1>blame it on the marketing. No, it's marketing better, it's available.

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<v Speaker 1>But wendyse don't got no motherfucking line, cause like when

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<v Speaker 1>I go to McDonald's, Taco Bell don't got no lines,

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<v Speaker 1>like when I'm trying to go to McDonald's to get

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<v Speaker 1>some shit. So how could I argue in a time

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<v Speaker 1>when most a lot of people, especially children who are driving,

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<v Speaker 1>A lot of the conversations will tell you this is

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<v Speaker 1>the best fool So how the fuck do we tell

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<v Speaker 1>people what's good music, what's dope? M seeing? How the

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<v Speaker 1>fuck do they know motherfucking McDonald's is the number one

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<v Speaker 1>fucking fast food establishment in the country, if not the

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<v Speaker 1>whole world.

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<v Speaker 3>Mmm, makes sense.

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<v Speaker 4>You, It's like, how do you how do you debate that?

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<v Speaker 4>How do you how do you challenge that? It's like

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<v Speaker 4>and that's how they look at it too, Like you say,

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<v Speaker 4>even our media, they'd be like everybody going there and

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<v Speaker 4>if you say something against that person where everybody's going

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<v Speaker 4>to it, everybody can see you the hater.

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<v Speaker 1>Man. I just saw motherfucker you interview. I explained to

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<v Speaker 1>them Cardi b disc crips and I said, my response

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<v Speaker 1>to that is if she caught on fire, I wouldn't

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<v Speaker 1>pistol put her out. Do you know people are mad

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<v Speaker 1>at me said she's somebody's mom.

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<v Speaker 3>It's just this crip like like crips ain't got kids.

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<v Speaker 1>And it just hit me that we live in a

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<v Speaker 1>time because where everybody is in the I'm telling you, bro,

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<v Speaker 1>they want to be viewed as righteous. So they want

0:13:22.960 --> 0:13:24.800
<v Speaker 1>to stand in the space that they feel the rest

0:13:24.800 --> 0:13:27.520
<v Speaker 1>of the general public will view them as righteous. That's

0:13:27.559 --> 0:13:31.840
<v Speaker 1>what makes gangster raps so great today because we're in

0:13:31.880 --> 0:13:35.040
<v Speaker 1>that time again where everybody's trying to look like they're righteous.

0:13:36.160 --> 0:13:38.960
<v Speaker 1>So I'm asking you, Pete, because Pete, you fuck with

0:13:39.040 --> 0:13:41.880
<v Speaker 1>music a lot more than everybody gives you credit. Why

0:13:41.920 --> 0:13:46.920
<v Speaker 1>don't you listen to West Coast music as a West

0:13:46.960 --> 0:13:47.440
<v Speaker 1>Coast guy?

0:13:49.480 --> 0:13:51.480
<v Speaker 2>Uh, I just said, I don't. There's there's not a

0:13:51.480 --> 0:13:54.040
<v Speaker 2>lot of very compelling artists. There's not a lot of

0:13:54.040 --> 0:13:59.080
<v Speaker 2>compelling really much of anything. I mean as far as

0:13:59.120 --> 0:14:03.600
<v Speaker 2>personalities go, as far as I mean a lot of it,

0:14:03.640 --> 0:14:06.000
<v Speaker 2>I mean like a lot for a long time. Really,

0:14:07.960 --> 0:14:11.360
<v Speaker 2>there were some some good personalities you know, like Snoop

0:14:11.440 --> 0:14:14.560
<v Speaker 2>was a crazy good personality. Igh School was a great personality,

0:14:14.760 --> 0:14:19.240
<v Speaker 2>you know, even like maybe not on a maybe not

0:14:19.400 --> 0:14:23.200
<v Speaker 2>off off Wax, but like on the record, like why

0:14:23.280 --> 0:14:25.160
<v Speaker 2>g had at least kind of a unique ish enough

0:14:25.200 --> 0:14:27.920
<v Speaker 2>person I understand how he got popular, you know what

0:14:27.920 --> 0:14:31.080
<v Speaker 2>I mean? Like I feel like ge Perico has a

0:14:31.080 --> 0:14:36.280
<v Speaker 2>good on microphone personality, you know what I mean. So

0:14:36.320 --> 0:14:39.880
<v Speaker 2>there are people like that, Uh, they're kind of fewing

0:14:39.920 --> 0:14:44.000
<v Speaker 2>far between. I think it's I think some of it is,

0:14:44.080 --> 0:14:47.800
<v Speaker 2>like and it was. It's interesting like we were in

0:14:47.840 --> 0:14:50.480
<v Speaker 2>the in Atlanta and the drive through it like who

0:14:50.680 --> 0:14:52.720
<v Speaker 2>go Church's Chicken or something like that. You were talking

0:14:52.720 --> 0:14:55.000
<v Speaker 2>to a guy on the phone who was like, oh,

0:14:55.040 --> 0:14:57.760
<v Speaker 2>when I want to hear a West Coast song, I

0:14:57.800 --> 0:15:01.600
<v Speaker 2>want to sound like a West Coast song. Right at

0:15:01.640 --> 0:15:03.680
<v Speaker 2>least is the only city that has to have a

0:15:03.800 --> 0:15:09.760
<v Speaker 2>sound that sounds exactly the same forever, well, not other

0:15:09.880 --> 0:15:12.360
<v Speaker 2>like like even like like Miami has a very had

0:15:12.480 --> 0:15:15.320
<v Speaker 2>for a period of time, a very specific sound like

0:15:15.400 --> 0:15:19.480
<v Speaker 2>the Luke the Luke sound that was not the same

0:15:19.480 --> 0:15:22.120
<v Speaker 2>as the Trick sound, which was very specific for a

0:15:22.200 --> 0:15:24.120
<v Speaker 2>very long time, and everybody down here sounded like that

0:15:24.160 --> 0:15:26.360
<v Speaker 2>for like ten years, but then like Cool and Dre

0:15:26.560 --> 0:15:30.040
<v Speaker 2>and those guys changed it up again, and the ones

0:15:30.120 --> 0:15:33.000
<v Speaker 2>doesn't sound like the other. And I think there's a

0:15:33.040 --> 0:15:39.560
<v Speaker 2>little bit of there's there, there's some strain there with

0:15:39.720 --> 0:15:44.200
<v Speaker 2>the expectation or the if it's I don't know if

0:15:44.200 --> 0:15:46.040
<v Speaker 2>it's an expectation or what it is. It's like it's

0:15:46.080 --> 0:15:52.560
<v Speaker 2>it's like this schizophrenic consumer desire of always wanting something

0:15:52.600 --> 0:15:56.080
<v Speaker 2>new and fresh and different, but at the same time

0:15:56.600 --> 0:16:00.080
<v Speaker 2>really going here because you want something that's familiar, and

0:16:00.160 --> 0:16:05.400
<v Speaker 2>you know what that that creates a real intersectional challenge,

0:16:05.800 --> 0:16:08.560
<v Speaker 2>you know, for creativity and marketing. In my opinion, if

0:16:08.600 --> 0:16:11.440
<v Speaker 2>that makes any sense, I can dig it.

0:16:11.640 --> 0:16:15.320
<v Speaker 1>What about you West I You're you're you and deucemag

0:16:15.400 --> 0:16:18.440
<v Speaker 1>make up the La Giants. You're artists, you know what

0:16:18.440 --> 0:16:21.560
<v Speaker 1>I mean. Y'all been making music now for a while.

0:16:22.240 --> 0:16:25.120
<v Speaker 1>Now you're becoming a professional, starting to be in the

0:16:25.200 --> 0:16:30.200
<v Speaker 1>record business. What do you think is wrong with the West?

0:16:31.360 --> 0:16:33.400
<v Speaker 4>Like we've just been talking about, I think a lot

0:16:33.440 --> 0:16:38.040
<v Speaker 4>of dudes are It seemed like they don't know they

0:16:38.160 --> 0:16:41.680
<v Speaker 4>did chase chasing that popularity, man not. I think a

0:16:41.680 --> 0:16:43.760
<v Speaker 4>lot of them too. It seems like a lot of

0:16:43.840 --> 0:16:47.280
<v Speaker 4>dudes are real amateur at it. Like when you listen

0:16:47.320 --> 0:16:52.160
<v Speaker 4>to some dudes, you can hear the potential, but it's

0:16:52.160 --> 0:16:56.360
<v Speaker 4>almost like they rap into it, be like a hustle,

0:16:57.360 --> 0:16:58.640
<v Speaker 4>like you know what I'm saying, let me just put

0:16:58.680 --> 0:16:59.200
<v Speaker 4>stuff out.

0:16:59.240 --> 0:16:59.800
<v Speaker 3>I'm a rap.

0:16:59.840 --> 0:17:02.480
<v Speaker 4>I'm like, I say, look at me. But it don't

0:17:02.720 --> 0:17:04.880
<v Speaker 4>it be like it's like lacks of days ago. It's

0:17:04.880 --> 0:17:09.000
<v Speaker 4>not like it's not produced well, you know, Russian, Russian

0:17:09.040 --> 0:17:12.240
<v Speaker 4>to put it out, like you know, the conversation becomes

0:17:12.359 --> 0:17:15.600
<v Speaker 4>putting out a lot of music maybe, or you know

0:17:15.600 --> 0:17:18.160
<v Speaker 4>what I'm saying, or they feel like they need a feature,

0:17:18.280 --> 0:17:21.320
<v Speaker 4>or sometimes niggas be thinking they got to dress a

0:17:21.359 --> 0:17:23.040
<v Speaker 4>certain way, you know what I mean, they got to

0:17:23.160 --> 0:17:25.320
<v Speaker 4>look a certain way in order for it to work.

0:17:25.720 --> 0:17:28.399
<v Speaker 4>And it's like you more, you more into what you

0:17:28.480 --> 0:17:32.520
<v Speaker 4>look like than being good at creating the music itself.

0:17:33.440 --> 0:17:37.639
<v Speaker 1>But to Pete, but to Pete's point, in a time

0:17:37.720 --> 0:17:42.880
<v Speaker 1>where we see everything, uh first, before we hear everything back,

0:17:43.440 --> 0:17:46.560
<v Speaker 1>you know, thirty years ago. You know it's nineteen ninety four,

0:17:46.720 --> 0:17:51.920
<v Speaker 1>we heard everything first, so you had to be extra

0:17:53.000 --> 0:17:57.200
<v Speaker 1>careful with what you put out sonically because we heard

0:17:57.200 --> 0:17:58.400
<v Speaker 1>it first Coie and Pete.

0:17:59.280 --> 0:18:03.200
<v Speaker 2>I think you hit on something that struck a nerve

0:18:03.280 --> 0:18:04.720
<v Speaker 2>or be real quick and not in a bad way.

0:18:05.240 --> 0:18:13.440
<v Speaker 2>But in LA hip hop is swept up and has

0:18:13.520 --> 0:18:16.320
<v Speaker 2>been for a very long time in a very materialist

0:18:17.080 --> 0:18:22.560
<v Speaker 2>sort of image. Right the West Coast has always hedged

0:18:22.600 --> 0:18:24.880
<v Speaker 2>against that. Rappers from the West Coast look a lot

0:18:24.920 --> 0:18:27.680
<v Speaker 2>more plain. They don't stun out a lot of the

0:18:27.720 --> 0:18:31.280
<v Speaker 2>same stuff, and in LA that's not really a cool

0:18:31.320 --> 0:18:33.680
<v Speaker 2>thing to do in general. And if you were gonna

0:18:33.760 --> 0:18:38.520
<v Speaker 2>like really like, you know, do some eye popping, it's

0:18:38.560 --> 0:18:41.640
<v Speaker 2>gonna have to be like seventy eight hundred thousand dollars,

0:18:42.480 --> 0:18:44.560
<v Speaker 2>Whereas if you're coming out of Manifest or you're coming

0:18:44.560 --> 0:18:47.200
<v Speaker 2>out of Louisville, you can do some twenty thousand dollars

0:18:47.280 --> 0:18:50.480
<v Speaker 2>and look like you did some great shit, right, And

0:18:50.840 --> 0:18:55.879
<v Speaker 2>there's maybe some relatability to some listening audience to go, oh, yeah, no,

0:18:55.960 --> 0:18:58.480
<v Speaker 2>that's cool. I get that. I can almost kind of

0:18:58.520 --> 0:19:01.240
<v Speaker 2>sort of relate that. Not like I'm gonna wear a

0:19:01.400 --> 0:19:03.680
<v Speaker 2>pro club in khakis and hop out of a seven

0:19:03.800 --> 0:19:07.000
<v Speaker 2>hundred thousand dollars car on a cliff and Malibu overlooking

0:19:07.000 --> 0:19:10.040
<v Speaker 2>the ocean and a thirty million dollar mansion like that.

0:19:10.160 --> 0:19:13.320
<v Speaker 2>It's too it's too far away from the minds of

0:19:13.359 --> 0:19:14.320
<v Speaker 2>a lot of consumers.

0:19:14.320 --> 0:19:15.040
<v Speaker 3>You know what I'm saying.

0:19:15.040 --> 0:19:17.480
<v Speaker 2>To be impressive on the West Coast, to be impressive

0:19:17.480 --> 0:19:20.120
<v Speaker 2>in other places that might be challenged too.

0:19:20.560 --> 0:19:23.480
<v Speaker 1>I've thought about that too. I've talked about this. I've

0:19:23.520 --> 0:19:27.040
<v Speaker 1>said one of the greatest blessings of the West and

0:19:27.119 --> 0:19:30.120
<v Speaker 1>the reason it did so well was because it was

0:19:30.400 --> 0:19:34.960
<v Speaker 1>the everyday humans rap. Right, you can be ice Q

0:19:35.240 --> 0:19:39.520
<v Speaker 1>the first day you saw NWA even growing up, I've

0:19:39.520 --> 0:19:43.480
<v Speaker 1>remember seeing Yeah, I remember seeing some of the ll

0:19:43.560 --> 0:19:46.760
<v Speaker 1>coolj's outfitting. I'm a nigging like this shit. You know

0:19:46.800 --> 0:19:51.080
<v Speaker 1>this nigga wear MCM and badly these is two hundred

0:19:51.119 --> 0:19:53.200
<v Speaker 1>dollars shoes in the fucking eighties of more, you.

0:19:53.119 --> 0:19:53.600
<v Speaker 4>Know what i mean.

0:19:53.720 --> 0:19:57.280
<v Speaker 2>So like the way, Yeah and Adidas jumpsuit and a

0:19:57.400 --> 0:19:59.280
<v Speaker 2>gold chain must cost a ton of money in the

0:19:59.320 --> 0:20:00.480
<v Speaker 2>middte all.

0:20:00.400 --> 0:20:03.480
<v Speaker 1>These gold change versus the first time you saw a Waight.

0:20:07.040 --> 0:20:09.120
<v Speaker 1>But it goes to that point, Joey, We've been talking

0:20:09.160 --> 0:20:12.000
<v Speaker 1>about that hip hop is the voice of the poor kids,

0:20:12.640 --> 0:20:15.240
<v Speaker 1>the poor kids being the cool kids. It was the voice.

0:20:15.640 --> 0:20:19.000
<v Speaker 1>So the first time you saw NWA. People don't realize

0:20:19.080 --> 0:20:23.080
<v Speaker 1>why it was so polarizing because they looked like regular niggas.

0:20:23.720 --> 0:20:26.800
<v Speaker 1>You could buy the outfit that they had on for

0:20:26.960 --> 0:20:30.600
<v Speaker 1>twenty six dollars. The shoes was cheap. They wore a

0:20:30.720 --> 0:20:34.480
<v Speaker 1>crew neck sweater, dickie work pants, work pants pants, and

0:20:34.520 --> 0:20:37.680
<v Speaker 1>people that worked at the factory. Even when you got

0:20:37.720 --> 0:20:40.040
<v Speaker 1>to death Row, you know what I mean. You see

0:20:40.080 --> 0:20:43.200
<v Speaker 1>these dudes wearing penalties. They sold that at every corner

0:20:43.240 --> 0:20:47.160
<v Speaker 1>store around the country. Dickies. They had these old cars

0:20:47.200 --> 0:20:49.199
<v Speaker 1>that you push out the yard and you painted them

0:20:49.240 --> 0:20:53.640
<v Speaker 1>and you fixed them up. Everything about it embraced being

0:20:53.840 --> 0:20:57.520
<v Speaker 1>poured in a way nobody else had ever done it before.

0:20:58.600 --> 0:21:02.240
<v Speaker 1>Nobody had ever done it before, Like that hip hop was,

0:21:02.600 --> 0:21:04.720
<v Speaker 1>you know, in his earliest face. Even the first time

0:21:04.760 --> 0:21:08.880
<v Speaker 1>you saw a million them, these dudes looked like real entertainers,

0:21:09.040 --> 0:21:10.600
<v Speaker 1>you know what I'm saying. They was like they had

0:21:10.720 --> 0:21:14.560
<v Speaker 1>custom outfits and ship and ll and you know Caine

0:21:14.720 --> 0:21:20.680
<v Speaker 1>and look like money slick Rick. The niggas from the

0:21:20.760 --> 0:21:23.320
<v Speaker 1>West No n w a Q quick.

0:21:25.480 --> 0:21:28.080
<v Speaker 3>At the liquor stove and they look like it.

0:21:28.560 --> 0:21:32.400
<v Speaker 1>And I guess that's why everybody related to them. Outside.

0:21:32.480 --> 0:21:37.920
<v Speaker 1>Even the attitude was so free and to your point, Pete,

0:21:37.960 --> 0:21:40.480
<v Speaker 1>fast forward thirty years. If you look at some of

0:21:40.520 --> 0:21:44.240
<v Speaker 1>the videos, some of these houses are not obtainable. They're

0:21:44.320 --> 0:21:48.000
<v Speaker 1>too far out the way, like cash money. It only

0:21:48.119 --> 0:21:50.639
<v Speaker 1>worked with cash money. And the foreign cars because they

0:21:50.720 --> 0:21:54.879
<v Speaker 1>looked like Project Niggas in foreign cars. They wasn't wearing designer.

0:21:55.600 --> 0:21:59.560
<v Speaker 2>Well that not all those cars were crazy fucking expensive,

0:22:00.920 --> 0:22:02.879
<v Speaker 2>you know, like some of those things were just like

0:22:03.000 --> 0:22:05.080
<v Speaker 2>E class Mercedeses and shit like that.

0:22:05.520 --> 0:22:08.040
<v Speaker 4>You know, as youngsters, we didn't know the difference. We

0:22:08.240 --> 0:22:10.840
<v Speaker 4>just fans of what we see, you know what I'm saying.

0:22:11.600 --> 0:22:14.399
<v Speaker 2>Like I was thinking about who's this HyG did a

0:22:14.480 --> 0:22:16.960
<v Speaker 2>song and I only know it because like Maya Bliss,

0:22:17.200 --> 0:22:18.440
<v Speaker 2>who I used to know from the Stars, and a

0:22:18.480 --> 0:22:20.680
<v Speaker 2>couple other girls whose faces were familiar to me. I

0:22:20.720 --> 0:22:22.040
<v Speaker 2>remember seeing the video because I was like, oh, I

0:22:22.119 --> 0:22:25.720
<v Speaker 2>know those girls. But they're next to a fucking Phantom,

0:22:26.320 --> 0:22:29.440
<v Speaker 2>and then they're next to a Lamborghini, and then and

0:22:29.720 --> 0:22:34.000
<v Speaker 2>they're like at a house they rented in the hills

0:22:34.040 --> 0:22:36.719
<v Speaker 2>somewhere that is an eight figure property. It's just it's

0:22:37.160 --> 0:22:41.200
<v Speaker 2>way man, yea. And the other thing is it's there's

0:22:41.359 --> 0:22:43.640
<v Speaker 2>no spectrum of it. It's not like, oh yeah, they're

0:22:43.640 --> 0:22:46.520
<v Speaker 2>doing all this other stuff, but they got that cool watch.

0:22:46.640 --> 0:22:49.919
<v Speaker 2>It's like a band and I want that. No, they

0:22:49.960 --> 0:22:52.119
<v Speaker 2>don't have a watch on. All they have on is

0:22:52.200 --> 0:22:56.399
<v Speaker 2>fifteen million dollars, so it's that or nothing, and then use.

0:22:56.320 --> 0:22:59.080
<v Speaker 4>It sometimes don't even match the scenery. It's like because

0:22:59.160 --> 0:23:02.640
<v Speaker 4>videos and music is supposed to be cohesive, and it's

0:23:02.720 --> 0:23:05.320
<v Speaker 4>like a nigga can be. It's just a lot going on.

0:23:05.600 --> 0:23:08.719
<v Speaker 4>You could tell people are really trying to mimic whoever

0:23:08.840 --> 0:23:09.480
<v Speaker 4>they listen to.

0:23:10.200 --> 0:23:13.840
<v Speaker 3>Like you, like, I hear a lot of like like

0:23:14.440 --> 0:23:15.800
<v Speaker 3>street niggas like.

0:23:17.720 --> 0:23:22.399
<v Speaker 4>Singing, singing, rapping a lot now and just in pain

0:23:22.800 --> 0:23:26.399
<v Speaker 4>and still gangster at the same time, like you know

0:23:26.440 --> 0:23:29.359
<v Speaker 4>what I'm saying, Like like you got a West Coast

0:23:29.560 --> 0:23:32.000
<v Speaker 4>rode wave over here, you know what I'm saying, Or

0:23:32.960 --> 0:23:37.840
<v Speaker 4>or niggas is biting like uh, like you you sounded

0:23:37.920 --> 0:23:40.120
<v Speaker 4>like Roddy Rich, you know what I'm saying, Like Roddy

0:23:40.200 --> 0:23:42.399
<v Speaker 4>Rich sounded like somebody else, And now y'all trying to

0:23:42.440 --> 0:23:44.840
<v Speaker 4>sound like Roddy Rich.

0:23:45.200 --> 0:23:45.720
<v Speaker 3>You know what I mean?

0:23:46.560 --> 0:23:50.680
<v Speaker 1>Even in that conversation, Ain't that kind of standard. You

0:23:50.760 --> 0:23:52.480
<v Speaker 1>know what I mean. You start off when you start

0:23:52.520 --> 0:23:55.840
<v Speaker 1>off rhyming. For most people, you start rhyming like the

0:23:55.920 --> 0:23:58.400
<v Speaker 1>person you're listening to the most like usually your style

0:23:58.520 --> 0:24:02.520
<v Speaker 1>developed into a his own style eventually, like in rioty situation.

0:24:02.760 --> 0:24:05.040
<v Speaker 4>It is the difference, right like you said, though, the

0:24:05.119 --> 0:24:07.760
<v Speaker 4>difference is they honing they style in front of us.

0:24:08.520 --> 0:24:12.399
<v Speaker 4>While back then, if you could have been rapping for

0:24:13.320 --> 0:24:15.280
<v Speaker 4>a few years you know what I'm saying, and never

0:24:15.400 --> 0:24:17.040
<v Speaker 4>been heard, and then when they find you, you know

0:24:17.080 --> 0:24:19.919
<v Speaker 4>what I mean, it was developed. I mean like produced.

0:24:21.080 --> 0:24:23.600
<v Speaker 4>You feel me that which is we lacking right now?

0:24:23.720 --> 0:24:26.720
<v Speaker 4>Niggas are not being produced, Vocals are not being produced.

0:24:27.400 --> 0:24:30.120
<v Speaker 4>They looking at people, they seeing that they could come

0:24:30.160 --> 0:24:32.560
<v Speaker 4>in the room create it theyself, and like I'm gonna

0:24:32.560 --> 0:24:35.040
<v Speaker 4>put it out right now and hopefully I can win.

0:24:35.240 --> 0:24:37.280
<v Speaker 3>You know what I'm saying, No studying at all, just

0:24:37.359 --> 0:24:39.280
<v Speaker 3>like I could do that and let me just try it.

0:24:39.720 --> 0:24:44.320
<v Speaker 1>Is anybody really winning though? Like once you get past

0:24:44.400 --> 0:24:47.000
<v Speaker 1>the big dude, like the most successful people right the

0:24:47.080 --> 0:24:50.400
<v Speaker 1>twenty ones, who's doing well? Maybe little baby is doing

0:24:50.440 --> 0:24:54.000
<v Speaker 1>well out the a gunna came home and did decent.

0:24:54.119 --> 0:24:58.000
<v Speaker 1>But you know, sexy read is probably the latest and

0:24:58.119 --> 0:25:02.000
<v Speaker 1>greatest thing, and she's such a cultural phenomena. Just looking

0:25:02.040 --> 0:25:05.840
<v Speaker 1>at hers like you never seen what's crazy is. I

0:25:05.880 --> 0:25:09.680
<v Speaker 1>don't think we ever really saw the hood rat, not

0:25:10.080 --> 0:25:14.840
<v Speaker 1>like they got that embraced being. Remember little Kimminon was

0:25:14.960 --> 0:25:15.960
<v Speaker 1>never really the hood.

0:25:17.280 --> 0:25:22.680
<v Speaker 4>He's embracing the real hood rat, like like basically like

0:25:22.720 --> 0:25:24.959
<v Speaker 4>the n w A ship, Like you see her at

0:25:25.000 --> 0:25:27.560
<v Speaker 4>the swap Meet. It's sexy rads at the swap me.

0:25:27.680 --> 0:25:31.879
<v Speaker 4>They on the baddies East and South Central baddies, like whatever.

0:25:32.000 --> 0:25:36.200
<v Speaker 4>All that is, Like that's what sexy Red is and

0:25:36.320 --> 0:25:40.160
<v Speaker 4>she embracing it. And then you got people that's from

0:25:40.280 --> 0:25:44.280
<v Speaker 4>that acting like they never seen it before.

0:25:45.040 --> 0:25:50.720
<v Speaker 1>Yeah, because now that's because because they're growing up. They're

0:25:50.720 --> 0:25:53.920
<v Speaker 1>growing up. But yeah, yeah, yeah, everybody grows up in

0:25:54.000 --> 0:25:58.360
<v Speaker 1>hip hop and immediately be hella hard over hip hop.

0:25:58.520 --> 0:26:01.680
<v Speaker 1>Like I was talking to the homie from Intellectually Petty

0:26:01.760 --> 0:26:04.639
<v Speaker 1>podcast That's Changing Mount's Dope. We did a great conversation

0:26:05.320 --> 0:26:07.960
<v Speaker 1>and I'm like, sometimes the way we talk, you would

0:26:08.000 --> 0:26:10.439
<v Speaker 1>think we're not from the same place she's from. It's like, oh,

0:26:10.520 --> 0:26:13.080
<v Speaker 1>but I grew up and it's like, well then the

0:26:13.240 --> 0:26:16.639
<v Speaker 1>mod then wisdom should tell you allow that person to

0:26:16.800 --> 0:26:19.800
<v Speaker 1>grow up right and and show love, fuck with it

0:26:19.920 --> 0:26:21.640
<v Speaker 1>or don't fuck with it. But why would you give

0:26:21.800 --> 0:26:22.359
<v Speaker 1>twenty five?

0:26:22.480 --> 0:26:22.760
<v Speaker 3>Hold?

0:26:22.840 --> 0:26:24.960
<v Speaker 1>Is she like twenty six or something? Yeah?

0:26:26.560 --> 0:26:27.200
<v Speaker 3>She gonna man?

0:26:27.320 --> 0:26:31.240
<v Speaker 1>Yeah, but so you so so you think so so

0:26:31.400 --> 0:26:33.680
<v Speaker 1>this shit is really broken because Pete is talking about

0:26:33.760 --> 0:26:36.200
<v Speaker 1>from a marketing perspective as far as what you see

0:26:36.240 --> 0:26:38.840
<v Speaker 1>the brand of it all, and you actually talking about

0:26:38.840 --> 0:26:41.520
<v Speaker 1>the music is broken. I mean, I guess that is

0:26:41.600 --> 0:26:45.159
<v Speaker 1>true to some degree. It isn't very it isn't a

0:26:45.280 --> 0:26:48.000
<v Speaker 1>very lost place. But you know what my greatest feory

0:26:48.119 --> 0:26:54.320
<v Speaker 1>is because poverty is slipping away, you know what I'm saying,

0:26:54.720 --> 0:27:00.159
<v Speaker 1>Like poverty drives hip hop, Like yeah, culture, you know

0:27:00.200 --> 0:27:04.639
<v Speaker 1>what I mean. Poverty drives culture. So without poverty, you

0:27:04.800 --> 0:27:08.080
<v Speaker 1>don't really have the need to develop lingo, to develop

0:27:08.160 --> 0:27:09.879
<v Speaker 1>fashion out of nothing?

0:27:10.000 --> 0:27:11.240
<v Speaker 3>Right where?

0:27:11.240 --> 0:27:13.200
<v Speaker 4>And saw all that now, like oh I don't want

0:27:13.880 --> 0:27:16.520
<v Speaker 4>I'm going over there. We on Mayor Roads, we had Noble,

0:27:16.560 --> 0:27:19.159
<v Speaker 4>we had maestros and.

0:27:19.320 --> 0:27:19.720
<v Speaker 3>Like just.

0:27:21.520 --> 0:27:25.200
<v Speaker 2>Like politically speaking, it's not politically but like the the

0:27:25.280 --> 0:27:28.240
<v Speaker 2>demographics you can and this is true, I talk about it.

0:27:28.400 --> 0:27:33.920
<v Speaker 2>As far as college football goes to they're the percent

0:27:34.080 --> 0:27:38.080
<v Speaker 2>per capita on the West Coast of black people per

0:27:38.320 --> 0:27:40.879
<v Speaker 2>one hundred, it's lower than other parts of the country.

0:27:40.960 --> 0:27:44.320
<v Speaker 2>One thing that's changed for sure since hip hop started

0:27:44.560 --> 0:27:47.680
<v Speaker 2>in the Bay Area and in LA is that those

0:27:47.800 --> 0:27:52.600
<v Speaker 2>concentrations have now they're now scattered, you know, so you

0:27:52.680 --> 0:27:57.199
<v Speaker 2>don't have an insular cultural time and place in space

0:27:57.600 --> 0:28:00.520
<v Speaker 2>that can't really develop and become cohesive. Now you got

0:28:00.600 --> 0:28:02.800
<v Speaker 2>a few thousand people in San Bordino and in the

0:28:02.880 --> 0:28:05.040
<v Speaker 2>High Desert that are Victorville, and then they're in the

0:28:05.160 --> 0:28:07.280
<v Speaker 2>Valley and the Summit, and then the Bay Area to

0:28:07.400 --> 0:28:10.560
<v Speaker 2>it fillmore districtetting fil no fillmore, no more. One hundred

0:28:10.600 --> 0:28:14.440
<v Speaker 2>points tore down. Half of Oakland is gone, Richmond's gone.

0:28:14.880 --> 0:28:19.560
<v Speaker 2>Like people are scattered around Oakley and Brentwood and you

0:28:19.680 --> 0:28:24.600
<v Speaker 2>know whatever, Vacaville and shit. It's harder to organ if

0:28:24.640 --> 0:28:27.080
<v Speaker 2>they create a culture when you're pulling from fifty people

0:28:27.160 --> 0:28:27.920
<v Speaker 2>at a middle school.

0:28:28.359 --> 0:28:31.280
<v Speaker 1>It's a great point. It's hard to even create a

0:28:31.320 --> 0:28:34.440
<v Speaker 1>culture with everybody that spread it. Yeah, you know, yeah,

0:28:35.480 --> 0:28:37.480
<v Speaker 1>you needed to have a lot of people packed into

0:28:37.560 --> 0:28:40.680
<v Speaker 1>the same place, and then that that type of power

0:28:40.840 --> 0:28:44.080
<v Speaker 1>that concentrate was able to create a lot of enough

0:28:44.200 --> 0:28:47.360
<v Speaker 1>voice for everybody to hear the message versus now where

0:28:47.800 --> 0:28:49.880
<v Speaker 1>Yeah you like s gattered, I.

0:28:49.920 --> 0:28:52.720
<v Speaker 3>Mean, because now internet slang is being.

0:28:54.080 --> 0:28:57.160
<v Speaker 4>It's like they creating words on the Internet that's becoming

0:28:57.240 --> 0:28:58.520
<v Speaker 4>the words outside.

0:28:59.200 --> 0:28:59.400
<v Speaker 1>Yeah.

0:29:00.080 --> 0:29:02.120
<v Speaker 2>Like I remember when I moved to Phoenix, it was like,

0:29:03.400 --> 0:29:07.400
<v Speaker 2>you know, the current like presently Phoenix has the demography

0:29:07.440 --> 0:29:09.720
<v Speaker 2>of southern California. Didn't used to be that way so much,

0:29:10.040 --> 0:29:13.240
<v Speaker 2>but it's like that now, you know. And I think

0:29:13.280 --> 0:29:17.720
<v Speaker 2>that as an impact, you don't see too many rappers

0:29:17.800 --> 0:29:23.680
<v Speaker 2>coming from like spots of of sparse you know, like minded,

0:29:23.760 --> 0:29:25.720
<v Speaker 2>com like minded populations.

0:29:26.320 --> 0:29:29.920
<v Speaker 1>Mm hmm. So then we hold on the heritage at

0:29:29.960 --> 0:29:30.280
<v Speaker 1>that point.

0:29:30.360 --> 0:29:32.680
<v Speaker 2>Huh yeah, And I think some of that's why it

0:29:32.800 --> 0:29:34.480
<v Speaker 2>sounds kind of old. And you see that too, Like

0:29:34.560 --> 0:29:39.160
<v Speaker 2>I see that with other people, like I can go

0:29:39.840 --> 0:29:41.920
<v Speaker 2>I go deep in this. I mean even not even

0:29:41.960 --> 0:29:44.320
<v Speaker 2>just in New York, but like you see, like I

0:29:44.440 --> 0:29:47.040
<v Speaker 2>see high school football players that I know where you

0:29:47.120 --> 0:29:49.800
<v Speaker 2>went to high school, and then you get to college

0:29:49.840 --> 0:29:53.240
<v Speaker 2>and you can choose your hometown and they say that

0:29:54.000 --> 0:29:56.000
<v Speaker 2>where they were at in the city when they were

0:29:56.000 --> 0:29:58.280
<v Speaker 2>six years old. You know, you're not from there, You're

0:29:58.320 --> 0:30:01.880
<v Speaker 2>from Fontana, You're not Inglewoods. You went to Simi Valley.

0:30:02.480 --> 0:30:05.960
<v Speaker 2>You're not from Guardena or Compton. You went to Lakewood

0:30:06.000 --> 0:30:08.440
<v Speaker 2>or you went to the Corona or whatever.

0:30:08.480 --> 0:30:11.640
<v Speaker 4>They understanding prestige is saying they're from these places. People

0:30:11.720 --> 0:30:14.840
<v Speaker 4>are not representing. Man, you see a lot of them.

0:30:14.880 --> 0:30:19.000
<v Speaker 2>They're not They're talking about and it's you know, the

0:30:19.480 --> 0:30:21.720
<v Speaker 2>areas and and you know what, it's.

0:30:21.640 --> 0:30:22.800
<v Speaker 3>A lot of people too like that.

0:30:23.080 --> 0:30:25.520
<v Speaker 4>It'd be people that, like I know, individuals right that

0:30:25.720 --> 0:30:30.480
<v Speaker 4>that try to claim certain areas that they're really not

0:30:30.680 --> 0:30:33.960
<v Speaker 4>from and to a degree they not even really interested

0:30:34.080 --> 0:30:36.720
<v Speaker 4>in the in the true culture of what they claiming

0:30:36.760 --> 0:30:37.400
<v Speaker 4>they're from too.

0:30:37.760 --> 0:30:41.720
<v Speaker 3>No, it's like I'm I'm I'm from here. But like

0:30:41.800 --> 0:30:44.960
<v Speaker 3>we said, but I go to Noble. You know, I

0:30:45.000 --> 0:30:48.320
<v Speaker 3>ain't rock I ain't rocking over motherfucker Cortes. I ain't

0:30:48.560 --> 0:30:49.520
<v Speaker 3>not wouldn't there wearing no.

0:30:49.600 --> 0:30:51.400
<v Speaker 4>Kse swiss nigga like you know what I'm saying, Like

0:30:52.560 --> 0:30:55.920
<v Speaker 4>they want to, but they want to represent the place

0:30:56.080 --> 0:30:59.280
<v Speaker 4>that popularized this.

0:31:00.800 --> 0:31:02.320
<v Speaker 3>Special thing, you know what I'm saying.

0:31:02.360 --> 0:31:06.760
<v Speaker 1>So well, that's where it gets tricky, right, because hip

0:31:06.800 --> 0:31:13.800
<v Speaker 1>hop at its core is about celebrating poverty. You know what,

0:31:13.840 --> 0:31:15.160
<v Speaker 1>I mean again, not.

0:31:16.920 --> 0:31:17.600
<v Speaker 3>Not like.

0:31:19.160 --> 0:31:22.560
<v Speaker 1>About the fact that you still are Okay, you still

0:31:22.720 --> 0:31:26.160
<v Speaker 1>made good. You steal fresh. YEA only got these nineteen

0:31:26.240 --> 0:31:30.120
<v Speaker 1>dollar pans, these dicky pants, but looking increase them, I'm

0:31:30.240 --> 0:31:34.080
<v Speaker 1>still fresh. Yeahll only got these tennis shoes from the

0:31:34.240 --> 0:31:37.040
<v Speaker 1>company k Swiss and they were fifteen dollars. But look

0:31:37.080 --> 0:31:39.360
<v Speaker 1>how I put these laces and look how I make them.

0:31:39.440 --> 0:31:42.480
<v Speaker 1>Look you know what I mean? You start it. So

0:31:44.120 --> 0:31:46.640
<v Speaker 1>even listening to what you're saying is a great point

0:31:46.720 --> 0:31:51.320
<v Speaker 1>because if you have a bunch of people who are saying, look,

0:31:51.480 --> 0:31:55.280
<v Speaker 1>I don't want to look poor anymore, you know what

0:31:55.320 --> 0:32:00.640
<v Speaker 1>I mean, or I don't want to speak the language

0:32:00.720 --> 0:32:05.320
<v Speaker 1>of the locals, then it probably wouldn't be hip hop.

0:32:09.360 --> 0:32:11.600
<v Speaker 1>You know what I'm saying. If you don't embrace the

0:32:11.800 --> 0:32:18.040
<v Speaker 1>culture that poverty has created, it's not hip hop because

0:32:18.120 --> 0:32:22.640
<v Speaker 1>you just got to realize Noble is just a nationwide franchise.

0:32:22.840 --> 0:32:26.360
<v Speaker 1>Noble is not a Los Angeles thing, right.

0:32:26.880 --> 0:32:32.480
<v Speaker 3>But it's man, it's funny, man, It's amazing to watch sometime.

0:32:32.600 --> 0:32:32.760
<v Speaker 2>Man.

0:32:32.840 --> 0:32:35.000
<v Speaker 3>That's why like I'd be like, I don't know, man,

0:32:35.040 --> 0:32:35.880
<v Speaker 3>this shit crazy?

0:32:36.120 --> 0:32:36.280
<v Speaker 1>Man?

0:32:36.480 --> 0:32:40.360
<v Speaker 4>Is I mean, like I remember we was kids that

0:32:40.400 --> 0:32:42.640
<v Speaker 4>we used to bag on each other about and we

0:32:42.800 --> 0:32:44.680
<v Speaker 4>was all poor. But we're like, ah, your mama in

0:32:44.760 --> 0:32:46.920
<v Speaker 4>the county, nigga, your mom might be on the county too,

0:32:47.000 --> 0:32:49.640
<v Speaker 4>though you use full STAPs, nigga, all our parents he

0:32:49.720 --> 0:32:51.160
<v Speaker 4>was in full stabs, you know what I'm saying.

0:32:52.880 --> 0:32:55.280
<v Speaker 3>And now niggas has grown doing the same thing.

0:32:57.240 --> 0:33:00.720
<v Speaker 1>Well and changed, right. It went from trying to get

0:33:00.760 --> 0:33:01.480
<v Speaker 1>it to having it.

0:33:02.320 --> 0:33:06.040
<v Speaker 3>Yeah, when niggas don't even have it. But no, but

0:33:06.160 --> 0:33:07.480
<v Speaker 3>we're gonna act like we got it.

0:33:07.880 --> 0:33:10.080
<v Speaker 1>It was hip hop was but hip hop was about

0:33:10.120 --> 0:33:13.320
<v Speaker 1>the grind, not to have. Like, don't get me wrong,

0:33:14.080 --> 0:33:16.600
<v Speaker 1>some artists in early New York that talked about having,

0:33:17.240 --> 0:33:20.560
<v Speaker 1>but for the most part, it's greatest pupils was about

0:33:20.600 --> 0:33:23.440
<v Speaker 1>the grind. The song Juicy is all about the grind

0:33:23.840 --> 0:33:25.320
<v Speaker 1>Snoop is all about the grind.

0:33:26.400 --> 0:33:26.959
<v Speaker 3>Video too.

0:33:27.560 --> 0:33:30.800
<v Speaker 1>Yeah, Tupac is all about the grind, you know what

0:33:30.840 --> 0:33:34.080
<v Speaker 1>I mean. Jay is probably the first person that had

0:33:34.840 --> 0:33:37.920
<v Speaker 1>and I think that could be what throws everybody off,

0:33:38.360 --> 0:33:41.200
<v Speaker 1>you know what I mean, Like artists like whole.

0:33:41.760 --> 0:33:44.160
<v Speaker 3>He came in he said, I changed the game. The

0:33:44.240 --> 0:33:46.640
<v Speaker 3>platinum and he came in flossy.

0:33:47.280 --> 0:33:50.640
<v Speaker 1>Yeah, and it's dope because he's a D boy, right,

0:33:50.760 --> 0:33:54.320
<v Speaker 1>So it makes sense. But again that I also think

0:33:54.440 --> 0:33:57.800
<v Speaker 1>that's why the public wasn't as indebted to him like

0:33:57.920 --> 0:34:01.400
<v Speaker 1>they were to the Snoop Dogs, the Big East, the Pox,

0:34:01.920 --> 0:34:04.800
<v Speaker 1>because I think they can relate to the other guys

0:34:05.520 --> 0:34:08.960
<v Speaker 1>more than a D boy like me. Like I remember

0:34:09.440 --> 0:34:11.719
<v Speaker 1>being one of the only people on jay Z like

0:34:11.800 --> 0:34:14.360
<v Speaker 1>for a long time because I was hustling at the

0:34:14.440 --> 0:34:17.359
<v Speaker 1>time and the music fit what I was doing at

0:34:17.400 --> 0:34:21.160
<v Speaker 1>that time. But other people didn't see it like that.

0:34:21.320 --> 0:34:24.400
<v Speaker 1>They did not fuck with Hohle, And eventually he got

0:34:24.480 --> 0:34:27.160
<v Speaker 1>to a space where he was able to wrap his

0:34:27.280 --> 0:34:34.759
<v Speaker 1>success and he started just selling winning. So it's a

0:34:34.880 --> 0:34:37.040
<v Speaker 1>weird thing. But the more I think about the West,

0:34:37.360 --> 0:34:41.320
<v Speaker 1>it's almost like it has to be. It's counterproductive, Like

0:34:41.440 --> 0:34:45.240
<v Speaker 1>it's counterproductive because like, if you're not going to celebrate

0:34:45.400 --> 0:34:48.880
<v Speaker 1>the culture itself, then what the fuck do you have

0:34:48.960 --> 0:34:53.200
<v Speaker 1>to offer the world? Why would the why would they

0:34:53.320 --> 0:34:55.839
<v Speaker 1>buy Atlanta culture from a Los Angeles nigga?

0:34:56.640 --> 0:34:57.600
<v Speaker 3>I have no clue.

0:34:58.280 --> 0:35:02.279
<v Speaker 1>That's like buying Mexican food. I'm a black person. You're

0:35:02.320 --> 0:35:06.040
<v Speaker 1>not gonna put nothing on that. You're not gonna ground

0:35:06.160 --> 0:35:09.800
<v Speaker 1>the beef you're not gonna ground the beef. You're not

0:35:09.880 --> 0:35:12.440
<v Speaker 1>gonna fry the shells, or you're gonna just put the

0:35:12.520 --> 0:35:14.920
<v Speaker 1>shells on the on the on the on the thing

0:35:15.000 --> 0:35:17.319
<v Speaker 1>without frying. You're just gonna toast them. If you're gonna

0:35:17.360 --> 0:35:19.759
<v Speaker 1>sell a soddle, why the fuck would I buy this

0:35:19.880 --> 0:35:25.600
<v Speaker 1>ship from you? Nigga wine is right there, and the

0:35:25.800 --> 0:35:29.160
<v Speaker 1>problem is everybody feels like, well, as long as I

0:35:29.200 --> 0:35:31.800
<v Speaker 1>can cook, I can make me know the fuck you

0:35:32.000 --> 0:35:37.440
<v Speaker 1>fucking can't. And somebody can't but know the fuck you can't.

0:35:38.920 --> 0:35:40.880
<v Speaker 3>Hey, man, what it what it really takes?

0:35:41.760 --> 0:35:45.520
<v Speaker 4>People underestimate They just like I could do it because

0:35:45.520 --> 0:35:47.080
<v Speaker 4>you're looking at it like, man, a lot of this

0:35:47.160 --> 0:35:52.239
<v Speaker 4>ship take real commitment and skill in learning, and you

0:35:52.360 --> 0:35:54.920
<v Speaker 4>gotta care, you know what I'm saying, Like you're speaking

0:35:55.000 --> 0:35:58.200
<v Speaker 4>like the tortilla, Like yeah, like you gotta like I

0:35:58.360 --> 0:36:00.839
<v Speaker 4>was always my Pop's always told me, Man, I learned

0:36:00.920 --> 0:36:01.160
<v Speaker 4>how to.

0:36:01.200 --> 0:36:03.440
<v Speaker 3>Cook because I enjoy it. I love doing it, like

0:36:03.520 --> 0:36:06.560
<v Speaker 3>you got to put love in a food. You know

0:36:06.600 --> 0:36:09.640
<v Speaker 3>what I'm saying. It ain't no, it ain't no, it

0:36:09.719 --> 0:36:10.479
<v Speaker 3>ain't no love.

0:36:11.160 --> 0:36:13.840
<v Speaker 4>And what niggas is doing, they are just trying to

0:36:14.640 --> 0:36:19.400
<v Speaker 4>get popular they get rich and then they're claiming rich too.

0:36:19.680 --> 0:36:21.280
<v Speaker 1>It's like you're trying to get popular.

0:36:23.080 --> 0:36:26.719
<v Speaker 2>Yeah, well, I mean it's it's also this this goes

0:36:26.800 --> 0:36:31.520
<v Speaker 2>back into the like real dug in like meanings and

0:36:31.680 --> 0:36:34.360
<v Speaker 2>roots of like what innovation means to a marketplace. This

0:36:34.600 --> 0:36:40.120
<v Speaker 2>conversations going the West Coast didn't have a sound that

0:36:40.239 --> 0:36:45.359
<v Speaker 2>snooping them jumped on. They were really really fucking good

0:36:45.520 --> 0:36:49.520
<v Speaker 2>at what they did, and they made a sound and

0:36:49.640 --> 0:36:52.359
<v Speaker 2>then other people jumped on their sound because they were

0:36:52.440 --> 0:36:55.920
<v Speaker 2>so good that people associated that part of the country

0:36:56.360 --> 0:37:01.160
<v Speaker 2>with them. So like you can say, say, oh, you

0:37:01.200 --> 0:37:04.319
<v Speaker 2>don't want to buy whatever you know Atlanta sound from

0:37:04.320 --> 0:37:08.920
<v Speaker 2>people from LA. It's fine, but people from LA need

0:37:09.040 --> 0:37:13.719
<v Speaker 2>to just put out any old sound that's just simply better.

0:37:14.880 --> 0:37:18.400
<v Speaker 2>There wasn't a demand for people I need to hear

0:37:18.480 --> 0:37:22.200
<v Speaker 2>about hip hop from LA. That didn't exist until somebody

0:37:22.280 --> 0:37:25.600
<v Speaker 2>from LA came out and made a sound that was

0:37:25.840 --> 0:37:28.960
<v Speaker 2>better than what the sound being made out of studios

0:37:28.960 --> 0:37:32.000
<v Speaker 2>in New York was. Or whoever is good.

0:37:32.760 --> 0:37:37.759
<v Speaker 1>Yeah, that's my slogan, bro, two slow winners win and

0:37:39.200 --> 0:37:42.600
<v Speaker 1>it's either good or is not. And I think for

0:37:42.760 --> 0:37:45.239
<v Speaker 1>sure that's my automatically go to. I don't think the

0:37:45.360 --> 0:37:49.239
<v Speaker 1>music is good from the coast right now. I think

0:37:49.280 --> 0:37:52.840
<v Speaker 1>some of the programming is qualifying. There are some flash

0:37:52.920 --> 0:37:57.160
<v Speaker 1>in the pants, but overall there's no consistency of an idea.

0:37:57.360 --> 0:37:59.640
<v Speaker 1>Like you couldn't open a restaurant because you can't repeat

0:37:59.680 --> 0:38:02.799
<v Speaker 1>the rest, because you don't understand why the recipe even

0:38:02.880 --> 0:38:03.719
<v Speaker 1>hit in the first place.

0:38:04.320 --> 0:38:06.359
<v Speaker 2>Well, like, look at Eve forty and a click right,

0:38:07.760 --> 0:38:10.279
<v Speaker 2>you've been in the bay. You just spent time there.

0:38:10.320 --> 0:38:13.800
<v Speaker 2>I lived there. I mean, Vallejo is not a brand

0:38:13.960 --> 0:38:17.800
<v Speaker 2>name place up there, you know what I mean, Like,

0:38:17.920 --> 0:38:19.920
<v Speaker 2>it's just not you know what, you don't pop up,

0:38:19.960 --> 0:38:23.000
<v Speaker 2>Oh yeah, I'm wrap, I'm from valle Oh damn man,

0:38:23.040 --> 0:38:27.120
<v Speaker 2>that got from No. They just were really unique and

0:38:27.280 --> 0:38:30.680
<v Speaker 2>good and then all the same now you've heard of Vallejo.

0:38:33.640 --> 0:38:34.560
<v Speaker 3>They made it cool.

0:38:36.560 --> 0:38:39.640
<v Speaker 1>What scaring me is through this whole conversation, all I

0:38:39.760 --> 0:38:42.640
<v Speaker 1>think is like, oh, the ship is in trouble. Bro

0:38:43.440 --> 0:38:47.359
<v Speaker 1>oh it is. At this point, I'm worried that we're

0:38:47.400 --> 0:38:53.960
<v Speaker 1>on the Titanic, but not just because of the artists.

0:38:54.000 --> 0:38:57.080
<v Speaker 1>I just feel there's no need to there's no poverty

0:38:59.280 --> 0:39:02.840
<v Speaker 1>to embrace, Like you can be broke in Los Angeles

0:39:02.920 --> 0:39:04.680
<v Speaker 1>and I keep saying this, but you can't be poor

0:39:04.719 --> 0:39:07.920
<v Speaker 1>in Los Angeles, you know what I mean, Like, you

0:39:08.120 --> 0:39:10.480
<v Speaker 1>can't be poor. Like I was telling the HOMI said

0:39:10.480 --> 0:39:12.560
<v Speaker 1>that we were comparing the murder rate of Chicago and

0:39:12.600 --> 0:39:15.520
<v Speaker 1>Los Angeles, and I'm like, bro, it's probably twice as

0:39:15.600 --> 0:39:18.920
<v Speaker 1>many black people in Los Angeles. It's probably four times

0:39:19.000 --> 0:39:22.400
<v Speaker 1>the poverty in Chicago than there is in Los Angeles.

0:39:23.480 --> 0:39:26.759
<v Speaker 2>Then you'd be you'd be surprised on the on as

0:39:26.800 --> 0:39:29.160
<v Speaker 2>far as the black population Los Sam's, it's not very high.

0:39:29.480 --> 0:39:30.480
<v Speaker 2>It's single digits.

0:39:31.040 --> 0:39:34.640
<v Speaker 1>Yeah, I'm looking at Chicago. Bro, there were houses there

0:39:35.080 --> 0:39:37.120
<v Speaker 1>for sale for eighteen thousand dollars.

0:39:37.800 --> 0:39:42.960
<v Speaker 2>Yeah, I mean twenty twenty one. Very recently, the city

0:39:43.000 --> 0:39:48.040
<v Speaker 2>of La all of it that includes Mexicans, had three

0:39:48.160 --> 0:39:50.279
<v Speaker 2>more homicides in the city of Memphis, which is not

0:39:50.400 --> 0:39:53.879
<v Speaker 2>much bigger than Long Beach. Three more.

0:39:55.840 --> 0:39:56.560
<v Speaker 1>That's a good thing.

0:39:57.520 --> 0:39:58.600
<v Speaker 2>That's a very good thing.

0:39:58.800 --> 0:40:02.439
<v Speaker 1>I get the point. Yeah, No, nobody settling.

0:40:04.040 --> 0:40:07.080
<v Speaker 2>And you don't need the other is not being.

0:40:06.960 --> 0:40:10.160
<v Speaker 1>Settled primitively, like in most poor places.

0:40:10.239 --> 0:40:13.200
<v Speaker 2>And I think I just say that, like if you

0:40:13.320 --> 0:40:15.960
<v Speaker 2>get off of one of the you get off of

0:40:15.960 --> 0:40:17.800
<v Speaker 2>the one ten and go east to west, or you

0:40:17.880 --> 0:40:19.719
<v Speaker 2>get off of the ten and or the one oh

0:40:19.800 --> 0:40:21.719
<v Speaker 2>five and go north to south for a long long

0:40:21.760 --> 0:40:24.120
<v Speaker 2>ways when you're in that part of the city where

0:40:24.160 --> 0:40:29.520
<v Speaker 2>culture comes from, what dominates the feel of what you're

0:40:29.560 --> 0:40:34.759
<v Speaker 2>looking at, Chicano Latino culture. Sure, it's just not as well.

0:40:34.920 --> 0:40:37.879
<v Speaker 2>There's just forty five years ago it wouldn't have looked

0:40:37.920 --> 0:40:44.200
<v Speaker 2>like that, but it does now. Yeah, whatever, But I

0:40:44.239 --> 0:40:45.960
<v Speaker 2>think that's an issue. I mean, like you have to

0:40:46.040 --> 0:40:48.719
<v Speaker 2>look for black people to find them in La like but.

0:40:49.080 --> 0:40:52.919
<v Speaker 1>Even even but even that, right, like Chicano culture, we've

0:40:53.120 --> 0:40:55.759
<v Speaker 1>used that. We've been a part of that as long

0:40:55.800 --> 0:40:58.200
<v Speaker 1>as it's been in Los Angeles. Well, not as long

0:40:58.280 --> 0:41:02.879
<v Speaker 1>because obviously it exist did games like white Fence's White

0:41:02.920 --> 0:41:05.399
<v Speaker 1>Fence been in Los Angeles since the third But I'm

0:41:05.400 --> 0:41:08.200
<v Speaker 1>saying we've always been able to fuse. Like we were

0:41:08.280 --> 0:41:11.879
<v Speaker 1>all poor together. I don't even think but I don't

0:41:11.880 --> 0:41:13.680
<v Speaker 1>even think they're poor anymore.

0:41:13.880 --> 0:41:16.080
<v Speaker 2>My point is critical mass on some of the because

0:41:16.160 --> 0:41:18.560
<v Speaker 2>of them, you know, they do a lot of them

0:41:18.680 --> 0:41:19.879
<v Speaker 2>be just getting here too.

0:41:20.480 --> 0:41:20.799
<v Speaker 1>But like.

0:41:22.800 --> 0:41:27.319
<v Speaker 2>It's different when there's one hundred thousand of you here

0:41:28.200 --> 0:41:31.239
<v Speaker 2>with an intact culture and one hundred thousand of them

0:41:31.320 --> 0:41:37.399
<v Speaker 2>there versus there's six thousand of you peppered all over

0:41:37.560 --> 0:41:40.600
<v Speaker 2>their grid. You know what I'm saying, it's harder to

0:41:41.280 --> 0:41:43.120
<v Speaker 2>I think that's a real cultural challenge.

0:41:43.760 --> 0:41:46.920
<v Speaker 1>But then we still embraced it, which is how we

0:41:47.040 --> 0:41:49.239
<v Speaker 1>share low riding, which is why we share a lot

0:41:49.320 --> 0:41:51.680
<v Speaker 1>of the things that we do. Right, the flannels, a

0:41:51.760 --> 0:41:55.160
<v Speaker 1>thousand things right. But I'm part of the mask though,

0:41:55.880 --> 0:41:58.560
<v Speaker 1>But I think them motherfucker's not poor no more.

0:42:00.120 --> 0:42:02.160
<v Speaker 3>That's the problem it costed.

0:42:02.200 --> 0:42:06.680
<v Speaker 1>Are you forcing? No culture can No culture can come.

0:42:06.920 --> 0:42:09.200
<v Speaker 1>Culture don't come from middle class people.

0:42:09.360 --> 0:42:13.480
<v Speaker 2>Man or is the Westlake district. There's nobody rapping over there,

0:42:14.760 --> 0:42:14.960
<v Speaker 2>And I.

0:42:14.960 --> 0:42:17.000
<v Speaker 1>Don't even know if that ship poured them. I think

0:42:17.040 --> 0:42:19.040
<v Speaker 1>I was looking at over there there was three twelve.

0:42:21.760 --> 0:42:24.959
<v Speaker 1>The cheapest west Lake is three peat. We was looking

0:42:25.000 --> 0:42:28.320
<v Speaker 1>at a fucking condo in Atlanta for nineteen thousand dollars.

0:42:29.520 --> 0:42:34.719
<v Speaker 2>But like those apartments, there's dozens of people living in

0:42:34.800 --> 0:42:37.640
<v Speaker 2>those things over seventh and eighth Street and over shit over.

0:42:37.600 --> 0:42:40.320
<v Speaker 1>There, man, shit twenty eight hundred a month.

0:42:41.080 --> 0:42:43.719
<v Speaker 2>But there's not one person paying for it. It's seven

0:42:43.840 --> 0:42:44.520
<v Speaker 2>people in there.

0:42:44.840 --> 0:42:48.600
<v Speaker 1>That still you doing good? Because now you broke the

0:42:48.640 --> 0:42:50.919
<v Speaker 1>rent up, and now everybody getting three thousand dollars a month.

0:42:51.040 --> 0:42:52.240
<v Speaker 1>That ain't gonna force.

0:42:52.080 --> 0:42:54.560
<v Speaker 3>No sty rocking. That designer on the coning nigga.

0:42:55.000 --> 0:43:00.960
<v Speaker 1>They getting that money, they getting the fucking I'm telling you,

0:43:01.680 --> 0:43:05.600
<v Speaker 1>I am worried. The more I have this conversation, I

0:43:05.719 --> 0:43:08.800
<v Speaker 1>am worried that. Actually the only idea I've been telling

0:43:08.880 --> 0:43:13.920
<v Speaker 1>Joey inducing is the West can't the culture can't evolve

0:43:14.440 --> 0:43:20.680
<v Speaker 1>because it's dead, right, culture is dying or dead here right,

0:43:20.840 --> 0:43:25.520
<v Speaker 1>like because there's no need like the just think about

0:43:25.960 --> 0:43:30.279
<v Speaker 1>the schools. They're getting better teachers. It's more money to

0:43:30.360 --> 0:43:33.760
<v Speaker 1>live in the community. So why is culture happening?

0:43:35.360 --> 0:43:38.719
<v Speaker 2>Well, like, what will be the hip hop cultural epicenter

0:43:38.800 --> 0:43:45.040
<v Speaker 2>of Los Angeles? It's Sunday on Crashshaw now media. Yeah, Now,

0:43:45.600 --> 0:43:51.200
<v Speaker 2>what's the median age over there? My age exactly what

0:43:51.280 --> 0:43:55.560
<v Speaker 2>I said about forty five, maybe even actually older. Yeah yeah,

0:43:55.600 --> 0:43:59.680
<v Speaker 2>but in real jozuz But yeah, he is right.

0:43:59.760 --> 0:44:02.080
<v Speaker 4>And if I feel like, even when we was younger,

0:44:02.160 --> 0:44:05.200
<v Speaker 4>it seems fifty year olds, don't it was always a

0:44:05.400 --> 0:44:07.799
<v Speaker 4>grown that was always a grown nigga thing.

0:44:08.760 --> 0:44:12.839
<v Speaker 1>Yeah, but but it was niggas twenty something Yeah, well

0:44:12.920 --> 0:44:13.239
<v Speaker 1>you're not.

0:44:13.640 --> 0:44:15.200
<v Speaker 2>You're you're not fresh over there.

0:44:15.520 --> 0:44:18.799
<v Speaker 1>It's very rare. You gonna see a bunch of now

0:44:18.880 --> 0:44:20.600
<v Speaker 1>you're on board.

0:44:20.480 --> 0:44:22.560
<v Speaker 3>Now, No, you're not seeing no today. No.

0:44:22.719 --> 0:44:25.319
<v Speaker 4>First of all is them niggas don't man. Niggas, don't

0:44:25.360 --> 0:44:28.399
<v Speaker 4>even niggas today, powder Man, you gotta do it first

0:44:28.400 --> 0:44:28.880
<v Speaker 4>of all with them.

0:44:28.960 --> 0:44:33.719
<v Speaker 3>Cars costs. These niggas. Way niggas want car notes.

0:44:33.760 --> 0:44:36.479
<v Speaker 1>You can't. You can't use no CPN to get this before.

0:44:36.560 --> 0:44:40.840
<v Speaker 3>They spend twenty five hundred on some on some Dayton's.

0:44:40.640 --> 0:44:42.320
<v Speaker 1>And then motherfuckers six thousand.

0:44:42.360 --> 0:44:45.319
<v Speaker 4>Now look okay, right, okay, so they six thousand, they

0:44:45.480 --> 0:44:47.440
<v Speaker 4>rather put they rather pay.

0:44:48.840 --> 0:44:50.640
<v Speaker 3>Seventeen hundred a month.

0:44:50.600 --> 0:44:56.719
<v Speaker 4>Nigga for shit for because it's monthly for twenty eighteen.

0:44:58.560 --> 0:44:59.960
<v Speaker 3>That's spider, I don't.

0:45:00.920 --> 0:45:01.920
<v Speaker 2>That's the whole point.

0:45:02.040 --> 0:45:02.200
<v Speaker 1>Though.

0:45:02.800 --> 0:45:08.040
<v Speaker 2>You have an area where what is cool is now false,

0:45:08.320 --> 0:45:11.719
<v Speaker 2>like it's fossilized, it's like calcified, and.

0:45:11.880 --> 0:45:13.759
<v Speaker 3>That's the old nigga. That's that old nigga shit.

0:45:14.000 --> 0:45:18.400
<v Speaker 2>Yeah, but what's the It's emblematic of the problem. You

0:45:18.480 --> 0:45:21.160
<v Speaker 2>didn't have younger people move in doing because those are

0:45:21.280 --> 0:45:23.680
<v Speaker 2>cars from like the sixties. You don't have people with,

0:45:24.360 --> 0:45:27.279
<v Speaker 2>you know, being creative, doing something with cheap cars from

0:45:27.280 --> 0:45:29.759
<v Speaker 2>the eighties or nineties and just moving them on up

0:45:29.840 --> 0:45:31.919
<v Speaker 2>the street a little bit, or just setting up shop

0:45:32.000 --> 0:45:33.920
<v Speaker 2>over there, and oh that's where the old timers hanging out,

0:45:33.960 --> 0:45:36.319
<v Speaker 2>but els popping over there, all those guys a fresh cars.

0:45:36.360 --> 0:45:38.440
<v Speaker 2>Look at what they're doing is creatively. That is, you know,

0:45:38.640 --> 0:45:42.800
<v Speaker 2>nineteen ninety six, whatever the fuck it never ever happened.

0:45:43.520 --> 0:45:48.120
<v Speaker 2>What's cool in LA is frozen in time like a fossil.

0:45:50.040 --> 0:45:52.440
<v Speaker 2>Like that's the root of the issue.

0:45:52.640 --> 0:45:55.239
<v Speaker 3>It's still a lot. Yeah, yeah, and that shit still

0:45:55.320 --> 0:45:58.120
<v Speaker 3>be cracking and they still be having fun. They just old. Yeah.

0:45:59.600 --> 0:46:03.080
<v Speaker 2>Now now they're coming from Pips Sunday Brunch.

0:46:06.320 --> 0:46:10.239
<v Speaker 1>But I'm gonna tell you something crazy though. I think

0:46:10.360 --> 0:46:12.600
<v Speaker 1>that's the feel of it in LA, but I don't

0:46:12.600 --> 0:46:14.600
<v Speaker 1>think that's the feel of it outside of LA.

0:46:15.239 --> 0:46:16.960
<v Speaker 2>That's my point. That's why old Body.

0:46:19.480 --> 0:46:20.280
<v Speaker 3>With more line.

0:46:20.400 --> 0:46:21.880
<v Speaker 4>Like when we was talking about when we was in

0:46:22.000 --> 0:46:25.399
<v Speaker 4>New York, the ideas we got because if you take,

0:46:25.680 --> 0:46:32.160
<v Speaker 4>you take, really feed and and use like because it's

0:46:32.239 --> 0:46:33.719
<v Speaker 4>still admire.

0:46:34.239 --> 0:46:36.600
<v Speaker 1>Just listen, if you take a Rag sixty one and

0:46:36.719 --> 0:46:41.560
<v Speaker 1>piler through Memphis, you're gonna attract every young person there.

0:46:43.400 --> 0:46:46.520
<v Speaker 2>Is that fair to say, that's probably true. But they'll

0:46:46.520 --> 0:46:48.520
<v Speaker 2>look at anything out there because they don't see anything

0:46:48.560 --> 0:46:48.879
<v Speaker 2>out there.

0:46:49.400 --> 0:46:54.680
<v Speaker 1>Hence the dilemma, hence the problem. Right, you gotta take

0:46:54.719 --> 0:46:56.759
<v Speaker 1>the fucking show on the fucking road.

0:46:57.719 --> 0:47:03.839
<v Speaker 2>But it's but here's here's I think the challenge. Are

0:47:03.920 --> 0:47:06.719
<v Speaker 2>you taking a new show on the road or are

0:47:06.760 --> 0:47:09.000
<v Speaker 2>you taking an old show on the road.

0:47:09.719 --> 0:47:12.399
<v Speaker 1>But this is the point. There is no old show

0:47:12.640 --> 0:47:16.880
<v Speaker 1>to a twenty year old from Memphis. There is no

0:47:17.080 --> 0:47:24.640
<v Speaker 1>old show. The show is only old in Los Angeles

0:47:25.040 --> 0:47:29.320
<v Speaker 1>because people are spoiled by culture. In Memphis, the old

0:47:29.400 --> 0:47:31.480
<v Speaker 1>show looks like three six mafia.

0:47:32.080 --> 0:47:34.359
<v Speaker 3>We spoil our culture here, man, I'm telling you because

0:47:34.440 --> 0:47:36.200
<v Speaker 3>our culture is not even well.

0:47:37.600 --> 0:47:39.520
<v Speaker 1>Like to other people.

0:47:40.200 --> 0:47:42.600
<v Speaker 3>But the rest of the world they fuck with it

0:47:42.760 --> 0:47:43.800
<v Speaker 3>to other people.

0:47:44.120 --> 0:47:47.000
<v Speaker 1>If I'm in Dallas and I'm dragging a foe down

0:47:47.080 --> 0:47:51.600
<v Speaker 1>a boulevard, every twenty year old person there is going

0:47:51.719 --> 0:47:55.759
<v Speaker 1>to stop and stare and want a piece of whatever's

0:47:55.840 --> 0:47:58.919
<v Speaker 1>going on and lay. And this is what makes it hard.

0:47:59.000 --> 0:48:03.800
<v Speaker 1>That's a great point. It's hard here, right, because you

0:48:03.960 --> 0:48:07.000
<v Speaker 1>can't get everybody excited about something we've been celebrating for

0:48:07.120 --> 0:48:10.799
<v Speaker 1>fifty years. Right, you can't get people, don't get me wrong,

0:48:10.840 --> 0:48:12.480
<v Speaker 1>but low rider is still low right. There's not a

0:48:12.560 --> 0:48:14.920
<v Speaker 1>community you're gonna go to that Everybody ain't gonna be

0:48:15.080 --> 0:48:17.399
<v Speaker 1>like this, motherfucker. I don't care if it's a twenty

0:48:17.440 --> 0:48:19.640
<v Speaker 1>one year old woman, anybody. They're gonna be like, this

0:48:19.840 --> 0:48:22.480
<v Speaker 1>is the shit. But it's hard to be as excited

0:48:22.960 --> 0:48:25.800
<v Speaker 1>about something you've been celebrating for forty years.

0:48:26.800 --> 0:48:31.680
<v Speaker 2>But that's my question with so far as this kind

0:48:31.719 --> 0:48:36.160
<v Speaker 2>of logical strain that's being created in that hip hop

0:48:36.600 --> 0:48:40.920
<v Speaker 2>tends to embrace the new and the fresh. It's youth oriented.

0:48:41.800 --> 0:48:43.000
<v Speaker 2>Young tend to want that.

0:48:43.239 --> 0:48:43.759
<v Speaker 3>So it's like.

0:48:45.440 --> 0:48:49.480
<v Speaker 2>You can show up with something that is not new,

0:48:50.680 --> 0:48:54.160
<v Speaker 2>but it needs to be wrapped and new in some way.

0:48:54.880 --> 0:49:00.640
<v Speaker 1>But I think that's only for Los Angeles three ride

0:49:00.680 --> 0:49:03.800
<v Speaker 1>outs to everywhere else it is.

0:49:04.000 --> 0:49:11.280
<v Speaker 2>Now. If that were the case, then any LA rapper

0:49:11.440 --> 0:49:13.719
<v Speaker 2>just sounded like LA would blow up because they're just

0:49:13.840 --> 0:49:14.759
<v Speaker 2>sounding like La.

0:49:15.040 --> 0:49:20.720
<v Speaker 1>They are Perco just sounds like LA. It took forever

0:49:20.960 --> 0:49:23.680
<v Speaker 1>for his music to actually he was actually just a

0:49:23.800 --> 0:49:25.319
<v Speaker 1>crip rapping for a long time.

0:49:26.200 --> 0:49:37.560
<v Speaker 5>His literal sound got him everything, everything, everything, every.

0:49:37.400 --> 0:49:40.680
<v Speaker 1>Move before he even got good at music. He had

0:49:40.719 --> 0:49:42.720
<v Speaker 1>to deal with rock Nation because he had a fucking

0:49:42.840 --> 0:49:44.759
<v Speaker 1>girl and he sounded like Eric Wright.

0:49:46.400 --> 0:49:47.120
<v Speaker 2>That shit worked.

0:49:49.000 --> 0:49:49.840
<v Speaker 3>Yeah, I think that.

0:49:50.160 --> 0:49:54.800
<v Speaker 2>It's like, I don't know, I'm trying to pull like

0:49:54.920 --> 0:49:57.880
<v Speaker 2>streaming numbers of his, but that's.

0:49:57.760 --> 0:49:59.719
<v Speaker 1>What I'm okay, I streaming them.

0:50:00.040 --> 0:50:06.440
<v Speaker 2>They're seven million, twelve million, Sexy the Red Song Baby

0:50:06.520 --> 0:50:08.400
<v Speaker 2>Daddy's one hundred and sixty million.

0:50:08.960 --> 0:50:11.800
<v Speaker 1>But you're talking the difference. But you're talking the difference

0:50:11.880 --> 0:50:18.759
<v Speaker 1>of somebody doing g Perico's music right and motherfucking take

0:50:18.920 --> 0:50:20.920
<v Speaker 1>Keith doing Sexy Reds music.

0:50:23.840 --> 0:50:26.120
<v Speaker 2>See the true that's the whole issue though.

0:50:26.719 --> 0:50:29.520
<v Speaker 1>No, but but but I'm telling you what. We were

0:50:29.560 --> 0:50:32.480
<v Speaker 1>having a conversation rooted in brand, right, and I'm like,

0:50:32.920 --> 0:50:36.160
<v Speaker 1>I'm telling you that the brand is only oh to La.

0:50:37.000 --> 0:50:38.719
<v Speaker 1>So if you're trying to be the man in LA,

0:50:39.400 --> 0:50:42.920
<v Speaker 1>that that looks like nothing no more because there has

0:50:43.120 --> 0:50:45.359
<v Speaker 1>never been no man in LA for a long time.

0:50:45.880 --> 0:50:48.319
<v Speaker 1>There's never gonna be another man in LA because LA

0:50:48.480 --> 0:50:51.800
<v Speaker 1>don't really embrace me in. But you can be that

0:50:52.120 --> 0:50:56.000
<v Speaker 1>La nigga to everybody outside of Los Angeles, and it's

0:50:56.200 --> 0:51:00.439
<v Speaker 1>new to them. They don't care what LA think. Long

0:51:00.520 --> 0:51:03.320
<v Speaker 1>as he's real. They don't care what you think of

0:51:03.400 --> 0:51:06.120
<v Speaker 1>the music. People don't care. They like, look, this is

0:51:06.160 --> 0:51:08.000
<v Speaker 1>what we're fucking with. But the problem is, if you

0:51:08.080 --> 0:51:11.520
<v Speaker 1>make something too cool for LA, it's not gonna happen

0:51:12.200 --> 0:51:15.680
<v Speaker 1>anywhere else on a global scale. It's gonna stay at

0:51:15.719 --> 0:51:17.760
<v Speaker 1>an underground minute level.

0:51:18.680 --> 0:51:24.600
<v Speaker 2>So how big can an LA rapper get? Then it's

0:51:24.680 --> 0:51:25.400
<v Speaker 2>Marck that you know.

0:51:26.080 --> 0:51:27.640
<v Speaker 1>Well, I think you can get as big as I

0:51:27.680 --> 0:51:29.279
<v Speaker 1>think you can get as big as Sexy Red. I

0:51:29.320 --> 0:51:31.800
<v Speaker 1>don't think sexy Red is that big. I think sexy

0:51:31.840 --> 0:51:32.600
<v Speaker 1>Red is current.

0:51:34.200 --> 0:51:38.160
<v Speaker 2>Sure. I'm just saying from a numbers standpoint that whatever.

0:51:38.000 --> 0:51:44.160
<v Speaker 1>Whatever the highest numbers you can get below where's Kendrick Lamar.

0:51:45.920 --> 0:51:48.280
<v Speaker 3>I don't know a nigga like forty million view, forty

0:51:48.320 --> 0:51:49.680
<v Speaker 3>million monthly listening.

0:52:04.520 --> 0:52:09.680
<v Speaker 2>His daily streams looks like here one hundred and fifteen thousand,

0:52:12.640 --> 0:52:15.920
<v Speaker 2>are a few hundred thousand here at a couple hundred

0:52:15.920 --> 0:52:16.399
<v Speaker 2>thousand here.

0:52:20.920 --> 0:52:23.319
<v Speaker 1>So I think this is kind of an issue, right.

0:52:23.440 --> 0:52:29.759
<v Speaker 1>I think trying to impress Los Angeles is going to

0:52:29.880 --> 0:52:31.480
<v Speaker 1>be the death of Los Angeles.

0:52:34.920 --> 0:52:36.840
<v Speaker 2>You know what I mean? You see that, yeah, because

0:52:37.200 --> 0:52:39.720
<v Speaker 2>it's part of LA culture is not being impressed by anything,

0:52:40.000 --> 0:52:41.280
<v Speaker 2>So it's gonna be challenging.

0:52:43.239 --> 0:52:47.799
<v Speaker 1>How the fuck do you impress these motherfuckers. These motherfuckers

0:52:47.880 --> 0:52:51.200
<v Speaker 1>is insatiable, and I'm telling you they're gonna be the

0:52:51.239 --> 0:52:53.160
<v Speaker 1>first one Like man, I don't care about that. Man,

0:52:53.239 --> 0:52:55.840
<v Speaker 1>that shit ain't nothing. You see this nigga, thish nigga,

0:52:56.200 --> 0:52:59.399
<v Speaker 1>that's what we do. But the rest of the will

0:52:59.480 --> 0:53:03.920
<v Speaker 1>he niggas won't. Then you've seen the new Ferrari truck nigga,

0:53:04.000 --> 0:53:08.080
<v Speaker 1>and don't nobody but trust me, you can't drag a

0:53:08.239 --> 0:53:11.480
<v Speaker 1>six fold through none of these motherfucker cities outside of

0:53:11.560 --> 0:53:14.319
<v Speaker 1>this bitch and the whole town is not impressed. Calling

0:53:14.400 --> 0:53:16.160
<v Speaker 1>everybody talking about you see this nigga card.

0:53:17.640 --> 0:53:22.000
<v Speaker 2>But but you can't bring the thing into l A either.

0:53:22.080 --> 0:53:24.439
<v Speaker 2>Nobody cares, you know. But if you took a donk

0:53:25.239 --> 0:53:28.080
<v Speaker 2>there was Miami the fuck out through Memphis, people gonna

0:53:28.080 --> 0:53:30.280
<v Speaker 2>be expla the same thing. You can take a stock

0:53:30.400 --> 0:53:30.839
<v Speaker 2>rolls roy.

0:53:32.120 --> 0:53:35.000
<v Speaker 3>I don't want to do l A. Still just want

0:53:35.080 --> 0:53:38.319
<v Speaker 3>they want to have fun. They want to party. It's

0:53:38.520 --> 0:53:39.040
<v Speaker 3>my place.

0:53:39.200 --> 0:53:41.759
<v Speaker 2>At least one place you go go to, go to

0:53:41.800 --> 0:53:45.319
<v Speaker 2>the club in l A. Everybody's okay you to the club,

0:53:45.360 --> 0:53:47.080
<v Speaker 2>anywhere else they're having the time of their life.

0:53:47.800 --> 0:53:50.279
<v Speaker 3>Well, our party in fun is different, you know.

0:53:50.480 --> 0:53:52.680
<v Speaker 1>Yeah, we we club versus party.

0:53:52.920 --> 0:53:55.279
<v Speaker 3>We too school, We too cool for club.

0:53:55.480 --> 0:53:58.120
<v Speaker 2>Club party in l a versus house party somewhere else.

0:53:58.480 --> 0:53:59.279
<v Speaker 2>It's the same ship.

0:53:59.640 --> 0:54:01.800
<v Speaker 1>No, our house party. We got some good house parties.

0:54:02.000 --> 0:54:03.560
<v Speaker 1>You gotta you gotta take you this. I gotta take

0:54:03.560 --> 0:54:07.160
<v Speaker 1>you to some Our house party still is cool. Our

0:54:07.239 --> 0:54:08.759
<v Speaker 1>clubs is trash. I agree with you.

0:54:09.640 --> 0:54:10.879
<v Speaker 3>They hook a louses now.

0:54:11.680 --> 0:54:17.000
<v Speaker 2>The house parties, though, are just this is this is

0:54:17.080 --> 0:54:17.760
<v Speaker 2>a house party.

0:54:18.239 --> 0:54:22.239
<v Speaker 1>But that But that's what hip hop is. It got spoiled,

0:54:23.160 --> 0:54:27.480
<v Speaker 1>mistake it. It got spoiled and mistaked itself as a club.

0:54:27.960 --> 0:54:30.560
<v Speaker 1>Hip Hop got spoiled and mistaked itself as the club.

0:54:30.719 --> 0:54:34.720
<v Speaker 1>The disco is the club. Hip hop is the party.

0:54:37.080 --> 0:54:39.640
<v Speaker 1>It always has been a party. And you have to

0:54:39.760 --> 0:54:45.480
<v Speaker 1>break it back down to the party. Chase the club. Yeah,

0:54:45.480 --> 0:54:49.759
<v Speaker 1>if you chase the club, if you chase status quo,

0:54:50.360 --> 0:54:56.520
<v Speaker 1>you will fall every time. Sexy don't look like she

0:54:56.680 --> 0:54:58.080
<v Speaker 1>belong to the fucking club.

0:55:03.680 --> 0:55:05.200
<v Speaker 2>She looked like all those bitches in the club.

0:55:05.760 --> 0:55:08.920
<v Speaker 1>She looked like the motherfucker's at the house party. Sexy

0:55:09.000 --> 0:55:11.120
<v Speaker 1>Red couldn't even get into a club in Los Angeles.

0:55:11.239 --> 0:55:13.680
<v Speaker 1>They would not be like, nah, you know how they

0:55:13.719 --> 0:55:15.960
<v Speaker 1>hold the little rope on you and then let everybody

0:55:16.040 --> 0:55:18.319
<v Speaker 1>pass you. That for sure would be sexy Red at

0:55:18.360 --> 0:55:21.359
<v Speaker 1>any club on sunset. They would not even let get

0:55:21.440 --> 0:55:21.919
<v Speaker 1>in the club.

0:55:22.480 --> 0:55:22.919
<v Speaker 3>That shit.

0:55:23.040 --> 0:55:25.359
<v Speaker 4>Still to this day, house think about that the other day,

0:55:25.560 --> 0:55:29.279
<v Speaker 4>like damn, they really was like, man, if sexy Red

0:55:30.560 --> 0:55:33.040
<v Speaker 4>and bitches in and shit, like.

0:55:34.040 --> 0:55:37.200
<v Speaker 1>If sexy Red took her ass the prime Greystone comes

0:55:37.320 --> 0:55:40.879
<v Speaker 1>with that outfit on Barefoot, they would have that bitch

0:55:41.160 --> 0:55:45.520
<v Speaker 1>waiting at that velvete rope the whole night. And what

0:55:45.719 --> 0:55:47.759
<v Speaker 1>happened is I'm glad we got to this point because

0:55:47.760 --> 0:55:50.440
<v Speaker 1>now I'm just really wrapping it up. Hip Hop is

0:55:50.560 --> 0:55:51.120
<v Speaker 1>the party.

0:55:51.400 --> 0:55:52.880
<v Speaker 3>It is not the club.

0:55:53.440 --> 0:55:56.959
<v Speaker 1>And that is the greatest mistake hip hop is making.

0:55:57.080 --> 0:56:00.520
<v Speaker 1>It's trying to transform itself into the club. The club

0:56:00.680 --> 0:56:02.000
<v Speaker 1>is a mainstream experience.

0:56:02.800 --> 0:56:07.680
<v Speaker 2>I thought I had New Yorker's you know that was

0:56:07.880 --> 0:56:09.839
<v Speaker 2>live DJ venue type shit.

0:56:10.280 --> 0:56:12.400
<v Speaker 1>No, it wasn't no live djving you the niggas was

0:56:12.480 --> 0:56:15.640
<v Speaker 1>in the projects and at the park they plugged up

0:56:15.800 --> 0:56:19.880
<v Speaker 1>into free electricity peak. That's when it was at its peak.

0:56:20.160 --> 0:56:22.719
<v Speaker 1>At its highest when Snoop and then was throwing a

0:56:22.800 --> 0:56:24.920
<v Speaker 1>party at their mother's house because their mother left and

0:56:24.960 --> 0:56:29.160
<v Speaker 1>they was twenty two, still living at home. That's prime

0:56:29.560 --> 0:56:33.600
<v Speaker 1>hip hop. Prime hip hop is not at the fucking club.

0:56:34.320 --> 0:56:36.960
<v Speaker 1>The club, you know, the club came out because of

0:56:37.040 --> 0:56:40.600
<v Speaker 1>the disco. They called it the Disco club. It's the disco.

0:56:42.040 --> 0:56:44.040
<v Speaker 2>Yeah, I get that, but I thought, like you, like

0:56:44.120 --> 0:56:46.360
<v Speaker 2>the battle rapping and the break dancing and all that

0:56:46.480 --> 0:56:46.680
<v Speaker 2>kind of.

0:56:48.960 --> 0:56:49.160
<v Speaker 1>Shit.

0:56:49.280 --> 0:56:53.240
<v Speaker 2>Wasn't all the battle rapping that was in like venues

0:56:53.280 --> 0:56:53.640
<v Speaker 2>and stuff.

0:56:53.800 --> 0:56:57.120
<v Speaker 1>No, they was inside the fucking basement, the fucking projects.

0:56:57.800 --> 0:57:00.160
<v Speaker 1>You didn't see the water and ship hanging, that b

0:57:00.320 --> 0:57:04.439
<v Speaker 1>street shit food everybody, them niggas wasn't. Wasn't nobody letting

0:57:04.440 --> 0:57:06.680
<v Speaker 1>No nigga dressed in like that at no fucking club.

0:57:07.840 --> 0:57:09.800
<v Speaker 1>You couldn't dress like that and get into those fucking

0:57:09.840 --> 0:57:12.160
<v Speaker 1>club and no motherfucking eighties y'all wish you would bring

0:57:12.239 --> 0:57:14.120
<v Speaker 1>your ass up here wearing a big ass laces, some

0:57:14.200 --> 0:57:17.360
<v Speaker 1>big ass shoes. Them people ain't letting you win. It's

0:57:17.440 --> 0:57:19.200
<v Speaker 1>people in here that's getting to some money. We're not

0:57:19.400 --> 0:57:22.360
<v Speaker 1>letting you niggas in here. Hip Hop gave itself a

0:57:22.480 --> 0:57:25.760
<v Speaker 1>voice because nobody would listen to them before. It wasn't

0:57:25.760 --> 0:57:28.520
<v Speaker 1>because they was accepted at the club. They couldn't get

0:57:28.560 --> 0:57:31.000
<v Speaker 1>in the club. Oh wasn't that niggas? First off, you

0:57:31.120 --> 0:57:33.360
<v Speaker 1>look like fucking broke ass dope boys. You're wearing these

0:57:33.400 --> 0:57:36.360
<v Speaker 1>tracks on these big ass shoes. You're not getting in here.

0:57:36.680 --> 0:57:40.960
<v Speaker 1>Sexy Red couldn't get into no club in LA, not Prime, Graystone,

0:57:41.120 --> 0:57:44.200
<v Speaker 1>not Prime, Green Door, not Prime none of that playhouse.

0:57:44.560 --> 0:57:47.960
<v Speaker 1>That bitch would be sitting on the side. LA has

0:57:48.120 --> 0:57:51.160
<v Speaker 1>spoiled itself. It is overly spoiled.

0:57:51.240 --> 0:57:51.360
<v Speaker 2>Bro.

0:57:51.760 --> 0:57:54.240
<v Speaker 1>They think that they the niggas in LA and LA

0:57:54.400 --> 0:57:57.000
<v Speaker 1>nigga like you niggas. Ain't them niggas y'all trying to

0:57:57.040 --> 0:58:03.240
<v Speaker 1>come up here with us? Shut it down? Shut it down.

0:58:04.080 --> 0:58:07.440
<v Speaker 1>I'm telling you. Hip hop was not in the motherfucking

0:58:07.560 --> 0:58:11.280
<v Speaker 1>club man. Hip hop was at a fucking house party.

0:58:11.480 --> 0:58:14.880
<v Speaker 1>It was at a project party. That's the origination. The

0:58:15.000 --> 0:58:19.080
<v Speaker 1>actual flower that they passed around the start of pak

0:58:19.160 --> 0:58:22.240
<v Speaker 1>in seventy three. August eleventh, seventy three was at a

0:58:22.360 --> 0:58:26.760
<v Speaker 1>fucking projects fifteen twenty segwich. That's a project that's a

0:58:26.920 --> 0:58:29.880
<v Speaker 1>housing project in the Bronx. I got a picture there.

0:58:30.120 --> 0:58:32.000
<v Speaker 1>I went there and talked to legends, and shit, that

0:58:32.160 --> 0:58:35.720
<v Speaker 1>shit is crap and it's gentrified. Now I went there.

0:58:36.080 --> 0:58:39.160
<v Speaker 1>That's a fucking housing project. They used to plug into

0:58:39.240 --> 0:58:42.080
<v Speaker 1>the free fucking park electricity and play the music. It

0:58:42.200 --> 0:58:46.920
<v Speaker 1>wasn't no motherfucking clubs. When when they seen them parties

0:58:47.000 --> 0:58:49.000
<v Speaker 1>was happening in the club, was like, shit is too

0:58:49.040 --> 0:58:51.120
<v Speaker 1>much money, man, we gotta let these niggas in. And

0:58:51.200 --> 0:58:53.920
<v Speaker 1>then niggas got spoiled and thought they belonged there. And

0:58:54.080 --> 0:58:57.200
<v Speaker 1>that's what's happening to Los Angeles. Hip hop the West

0:58:57.240 --> 0:58:59.920
<v Speaker 1>think they belonged there, so they take their ass there

0:59:00.280 --> 0:59:02.439
<v Speaker 1>and really they look to do because don't, like I said,

0:59:02.520 --> 0:59:05.760
<v Speaker 1>like your pointer originally don't. Nobody got no motherfucking mansions

0:59:05.800 --> 0:59:12.240
<v Speaker 1>and ship in they fucking town. You see little Baby

0:59:12.240 --> 0:59:14.400
<v Speaker 1>and them in a phantom man, they got fanas in

0:59:14.520 --> 0:59:17.560
<v Speaker 1>real life. Guess what they driving into music videos? Hell Cats,

0:59:20.360 --> 0:59:27.040
<v Speaker 1>the Obtainable Street Nigga Special, The Obtainable Street Nigga Special,

0:59:27.120 --> 0:59:31.560
<v Speaker 1>a hell cat a scat. Niggas don't even got demons,

0:59:32.400 --> 0:59:38.280
<v Speaker 1>bigga got track holes, obtainable cp CPN finance specials.

0:59:39.040 --> 0:59:44.560
<v Speaker 2>Yeah, well that's I mean, that's the the whole thing.

0:59:46.040 --> 0:59:47.040
<v Speaker 1>That's poor ship.

0:59:48.520 --> 0:59:56.840
<v Speaker 2>Yeah, and and l A culturally wants to be way well,

0:59:56.880 --> 1:00:01.440
<v Speaker 2>they want they want to be more grand than relatable.

1:00:07.960 --> 1:00:08.440
<v Speaker 3>I don't know.

1:00:09.200 --> 1:00:12.760
<v Speaker 4>I'm telling you, it's all all good posts was made man,

1:00:13.080 --> 1:00:17.000
<v Speaker 4>It's uh. And that's why it's important to continue to

1:00:17.080 --> 1:00:23.560
<v Speaker 4>be creative. And I still think it's a space for

1:00:23.680 --> 1:00:27.360
<v Speaker 4>our culture and it's still admired. But you definitely gotta

1:00:27.440 --> 1:00:31.280
<v Speaker 4>be presenting it to the to who fuck with him

1:00:31.400 --> 1:00:34.520
<v Speaker 4>versus Karen. I'm worried about who not fucking with it.

1:00:35.600 --> 1:00:38.520
<v Speaker 1>I just know you gotta pull this ship out. I

1:00:38.640 --> 1:00:40.680
<v Speaker 1>think you gotta stop pulling it out here because we

1:00:40.760 --> 1:00:42.560
<v Speaker 1>spoil by it and you gotta take this ship on

1:00:42.640 --> 1:00:45.680
<v Speaker 1>the road. I do think there's a real conversation about music,

1:00:45.720 --> 1:00:48.600
<v Speaker 1>but I think again that's that's gonna take a lot

1:00:48.640 --> 1:00:51.800
<v Speaker 1>of work for people. But culturally, we still the niggas bro.

1:00:51.960 --> 1:00:53.640
<v Speaker 1>We just don't show up in these other times. We

1:00:53.680 --> 1:00:55.920
<v Speaker 1>don't bring the culture with us in no other towns.

1:00:56.360 --> 1:01:00.080
<v Speaker 1>People don't see the culture. They gotta see that. They

1:01:00.120 --> 1:01:03.880
<v Speaker 1>got to see the life right now, everybody's highlighting it.

1:01:04.240 --> 1:01:07.120
<v Speaker 1>Our life has been celebrated again, I say for thirty

1:01:07.240 --> 1:01:10.000
<v Speaker 1>years Man forty years. Fucking Colors came out in the eighties.

1:01:10.800 --> 1:01:13.680
<v Speaker 1>People been celebrating us for a long time and looking

1:01:13.760 --> 1:01:16.560
<v Speaker 1>up to us, and then so there's a bunch of

1:01:16.680 --> 1:01:20.360
<v Speaker 1>kids who never saw it. They seeing it done improper.

1:01:22.960 --> 1:01:25.480
<v Speaker 1>They want to see the real fucking thing, bro, they

1:01:25.640 --> 1:01:28.560
<v Speaker 1>want to see it. I think the music. Me and

1:01:28.640 --> 1:01:31.520
<v Speaker 1>you had a conversation when we was leaving Atlanta. We

1:01:31.680 --> 1:01:38.280
<v Speaker 1>was leaving there fucking because zay where I felt like

1:01:38.400 --> 1:01:40.920
<v Speaker 1>there was a richer bottom end to what they were doing.

1:01:41.040 --> 1:01:43.040
<v Speaker 1>And I still believe in it. I still think there's

1:01:43.560 --> 1:01:46.600
<v Speaker 1>a darkness about the lowest points of hip hop coming

1:01:46.640 --> 1:01:49.120
<v Speaker 1>out of the Midwest, out of the South, you know

1:01:49.160 --> 1:01:51.240
<v Speaker 1>what I mean. There's a really dark place that we

1:01:51.440 --> 1:01:54.120
<v Speaker 1>have to be able to employ into our music that

1:01:54.320 --> 1:01:57.480
<v Speaker 1>connects to blackness that hip hop is currently in. So

1:01:57.560 --> 1:02:01.320
<v Speaker 1>we have to use that. But I think outside of

1:02:01.360 --> 1:02:05.720
<v Speaker 1>the fact that the music needs to be better, you

1:02:06.000 --> 1:02:09.360
<v Speaker 1>have to stay rooted and the rest of the country's

1:02:10.120 --> 1:02:14.360
<v Speaker 1>belief in who you are if you are a street

1:02:14.520 --> 1:02:15.360
<v Speaker 1>urban act.

1:02:16.400 --> 1:02:19.560
<v Speaker 2>That's that's like kind of goes back to the question though,

1:02:19.600 --> 1:02:22.240
<v Speaker 2>it's like, does the rest of the audience want to

1:02:22.760 --> 1:02:26.640
<v Speaker 2>know about what is going on in black culture in

1:02:26.800 --> 1:02:29.640
<v Speaker 2>Los Angeles today or do they want to hear a

1:02:29.720 --> 1:02:33.120
<v Speaker 2>story of what was going on in black culture in

1:02:33.240 --> 1:02:34.600
<v Speaker 2>Los Angeles in nineteen eighty nine.

1:02:35.000 --> 1:02:41.400
<v Speaker 1>It's the same shit happening, Nick, It's the same game,

1:02:41.480 --> 1:02:43.880
<v Speaker 1>Meg and shit. Tell me something that we could talk

1:02:43.920 --> 1:02:46.560
<v Speaker 1>about what culturally has changed in Los Angeles.

1:02:47.240 --> 1:02:54.640
<v Speaker 2>Culturally, well, all all the optics, the close largely change.

1:02:55.160 --> 1:02:58.080
<v Speaker 1>They are the only part of the optics, Pete, that

1:02:58.160 --> 1:03:00.680
<v Speaker 1>they ever cared about was crips and bloods, the low riders.

1:03:02.000 --> 1:03:06.120
<v Speaker 1>They never even cared about the houses. The houses don't

1:03:06.320 --> 1:03:11.320
<v Speaker 1>matter if a crip or blood lived there. Like they

1:03:11.440 --> 1:03:14.120
<v Speaker 1>only cared about dough Boys house because crips and bloods

1:03:14.160 --> 1:03:17.680
<v Speaker 1>lived there. They only cared about fucking a Kris house

1:03:17.760 --> 1:03:21.000
<v Speaker 1>because somebody La from the street lived there. We never

1:03:21.360 --> 1:03:24.840
<v Speaker 1>had the scenery that they connected to that, Like, we

1:03:24.880 --> 1:03:27.840
<v Speaker 1>don't even have even back then, we didn't have horrible

1:03:27.880 --> 1:03:34.640
<v Speaker 1>looking landscape. Sure sure, sure Nigga Memphis, Chicago. Some of

1:03:34.720 --> 1:03:40.800
<v Speaker 1>that shit I saw, bro that ship shouldn't even be legal. Yeah,

1:03:42.520 --> 1:03:45.040
<v Speaker 1>when we all saw New Orleans for the first time

1:03:45.160 --> 1:03:47.560
<v Speaker 1>in Juvenile Hot video. As far as like seeing the

1:03:47.640 --> 1:03:50.600
<v Speaker 1>projects like that, nigga. That shit was frightening. It was

1:03:50.760 --> 1:03:53.000
<v Speaker 1>new kids with flies on their face because it looked

1:03:53.040 --> 1:03:56.080
<v Speaker 1>like Africa. And how they used to show us Africa

1:03:56.080 --> 1:03:58.200
<v Speaker 1>when they used to ask us to do neighbors, little kids,

1:03:58.560 --> 1:04:00.760
<v Speaker 1>them niggas was living, And how this nigga that was

1:04:00.800 --> 1:04:05.160
<v Speaker 1>boarded up projects. It never was that, No, for sure.

1:04:05.160 --> 1:04:06.440
<v Speaker 3>It was always us.

1:04:06.720 --> 1:04:09.880
<v Speaker 1>It was always the crips and the bloods. It was

1:04:10.080 --> 1:04:13.480
<v Speaker 1>always how we transported ourselves. It was always what we was,

1:04:13.640 --> 1:04:17.720
<v Speaker 1>kuzuine gin and juice and eight balls. It was never

1:04:18.160 --> 1:04:18.960
<v Speaker 1>the landscape.

1:04:19.560 --> 1:04:21.600
<v Speaker 2>Well that's that's kind of my thing, though, Like what

1:04:21.680 --> 1:04:22.840
<v Speaker 2>do you think, matter of fact, Oh.

1:04:22.760 --> 1:04:25.240
<v Speaker 1>The pete. The only thing they remember our landscape is

1:04:25.320 --> 1:04:26.800
<v Speaker 1>the fucking tree that needs to be.

1:04:26.880 --> 1:04:30.840
<v Speaker 2>The fucking shape fucking fu So yeah, the palm well yeah,

1:04:30.880 --> 1:04:33.000
<v Speaker 2>the line to palm trees. As far as the landscape goes,

1:04:33.120 --> 1:04:37.520
<v Speaker 2>I just mean it so far as like I don't

1:04:38.000 --> 1:04:40.480
<v Speaker 2>go anywhere and see people drinking eight balls that are

1:04:40.520 --> 1:04:45.520
<v Speaker 2>twenty two years old. That's why you can't about eight balls, yeah,

1:04:45.760 --> 1:04:48.280
<v Speaker 2>nor driving low riders that are twenty two years old.

1:04:49.480 --> 1:04:52.560
<v Speaker 2>They don't really dress quite so much the same anymore either,

1:04:53.840 --> 1:04:55.520
<v Speaker 2>Like a lot of that stuff's changed. So it's like,

1:04:55.880 --> 1:04:59.800
<v Speaker 2>are you gonna sell what it looks like today or

1:05:00.080 --> 1:05:01.480
<v Speaker 2>it looked like then?

1:05:01.680 --> 1:05:04.120
<v Speaker 1>And what you couldn't sell what it looks like today

1:05:04.280 --> 1:05:06.280
<v Speaker 1>because it doesn't look like anything.

1:05:07.120 --> 1:05:08.360
<v Speaker 2>That's the point.

1:05:08.440 --> 1:05:11.000
<v Speaker 1>That's not a point because by that same standard, you're like,

1:05:11.080 --> 1:05:16.360
<v Speaker 1>well the game is over because if you say what

1:05:16.480 --> 1:05:20.800
<v Speaker 1>it looks like today, it doesn't look like anything. There

1:05:20.960 --> 1:05:21.200
<v Speaker 1>is no.

1:05:21.440 --> 1:05:23.880
<v Speaker 2>Cultural thing about a designer weed.

1:05:25.240 --> 1:05:31.080
<v Speaker 1>That nobody would care. Everybody got designer weed. You can't

1:05:31.120 --> 1:05:33.160
<v Speaker 1>tell these niggas in Detroit they weed ain't as good

1:05:33.160 --> 1:05:36.000
<v Speaker 1>as all that shit done. You can't tell them niggas

1:05:36.040 --> 1:05:38.400
<v Speaker 1>in Colorado the weed ain't good no more. You can't

1:05:38.400 --> 1:05:42.200
<v Speaker 1>tell no more. You can't tell the people in Detroit

1:05:42.240 --> 1:05:46.760
<v Speaker 1>they we ain't that ship did. All those things are dead.

1:05:46.960 --> 1:05:50.640
<v Speaker 1>You we don't even have that. The thing that listen

1:05:50.760 --> 1:05:55.800
<v Speaker 1>hip hop is merging, right, because the social media is

1:05:55.880 --> 1:06:00.080
<v Speaker 1>forcing culture to really adapt and move fast. Right, He

1:06:00.120 --> 1:06:02.440
<v Speaker 1>could find something out about how Chicago niggas talk, and

1:06:02.560 --> 1:06:05.240
<v Speaker 1>within a week the whole world has it. The whole

1:06:05.400 --> 1:06:08.040
<v Speaker 1>urban scene in every ghetto has it, and they're starting

1:06:08.040 --> 1:06:12.440
<v Speaker 1>to talk about it like the term op, like Chicago

1:06:12.600 --> 1:06:16.320
<v Speaker 1>had that shit a week. That shit was everybody's shit.

1:06:17.840 --> 1:06:21.240
<v Speaker 3>Man wouldn't use that shit like a motherfucker man.

1:06:21.720 --> 1:06:25.200
<v Speaker 1>So really, hip hop is just becoming an antique store,

1:06:25.400 --> 1:06:28.360
<v Speaker 1>especially in Los Angeles and New York. It could only

1:06:28.520 --> 1:06:32.200
<v Speaker 1>be an antique store, but everybody likes a fucking good

1:06:32.240 --> 1:06:36.720
<v Speaker 1>classic because there is no new culture. What would be

1:06:36.800 --> 1:06:39.920
<v Speaker 1>the what would be the cheap pair of shoes that

1:06:40.000 --> 1:06:43.680
<v Speaker 1>everybody's wearing in La It would be the same pair

1:06:43.720 --> 1:06:45.760
<v Speaker 1>of shoes that everybody's went all over. If you're gonna

1:06:45.800 --> 1:06:50.560
<v Speaker 1>rap about Balenciaga, guess what everybody got Blienciaga. It's not special.

1:06:51.920 --> 1:06:55.600
<v Speaker 1>It's a pop song. If you rap about a rolex,

1:06:55.960 --> 1:07:00.280
<v Speaker 1>everybody has rolexes. It becomes a pop song. If you

1:07:00.360 --> 1:07:03.360
<v Speaker 1>don't have a cultural take about what you're doing to

1:07:03.440 --> 1:07:06.480
<v Speaker 1>this shit it, you know, rapping about no Bulls, that

1:07:06.480 --> 1:07:08.840
<v Speaker 1>ain't no West Coast shit. People don't realize no Bulls

1:07:08.880 --> 1:07:13.400
<v Speaker 1>is in Miami, No Bulls is in different states. People

1:07:13.480 --> 1:07:15.680
<v Speaker 1>don't know that. They just think no Bulls is in

1:07:15.760 --> 1:07:18.000
<v Speaker 1>Santa Monica because they heard the Drake song. They don't

1:07:18.040 --> 1:07:19.800
<v Speaker 1>realize no Bulls is in a lot of towns.

1:07:23.640 --> 1:07:28.240
<v Speaker 2>Yeah, I just it seemed save Atlanta which is yes,

1:07:28.360 --> 1:07:32.440
<v Speaker 2>that's success things. It's well, we were talking about it

1:07:32.480 --> 1:07:35.520
<v Speaker 2>when we were down there. It is done, bro, Atlanta,

1:07:35.720 --> 1:07:39.080
<v Speaker 2>you can just sell anything. It's basically just anything that's

1:07:39.600 --> 1:07:42.960
<v Speaker 2>black enough can just can justifiably come out of Atlanta.

1:07:43.400 --> 1:07:47.400
<v Speaker 1>But that that shit's done because their poverty is flyeing

1:07:47.480 --> 1:07:50.520
<v Speaker 1>and we've been celebrating their culture for thirty years. That's

1:07:50.560 --> 1:07:53.800
<v Speaker 1>why there isn't no new artists coming from Atlanta. Who's

1:07:53.840 --> 1:08:00.560
<v Speaker 1>the new artist that's killing New York? Same thing they're

1:08:00.920 --> 1:08:04.400
<v Speaker 1>like everybody's trying to adopt, like you're trying to have

1:08:04.560 --> 1:08:06.960
<v Speaker 1>the Brooklyn drill, and that's what they're adopted right now.

1:08:07.080 --> 1:08:10.040
<v Speaker 1>Niggi Minaj album has the New Jersey kind of dance

1:08:10.440 --> 1:08:13.160
<v Speaker 1>break like you're just I told you this. We have

1:08:13.280 --> 1:08:16.759
<v Speaker 1>to mix it to make you work. But the appeal

1:08:17.200 --> 1:08:20.599
<v Speaker 1>has to be the antique store because without it, culture

1:08:20.720 --> 1:08:23.680
<v Speaker 1>is nothing void, Like what does new culture look like

1:08:23.760 --> 1:08:27.240
<v Speaker 1>in Atlanta? A bunch of people being crimson bloods. That's

1:08:27.320 --> 1:08:28.000
<v Speaker 1>not gonna work.

1:08:30.320 --> 1:08:30.680
<v Speaker 5>It's not.

1:08:32.640 --> 1:08:32.680
<v Speaker 2>So.

1:08:33.160 --> 1:08:36.959
<v Speaker 1>So hip hop has turned into the antique store, especially

1:08:37.080 --> 1:08:41.760
<v Speaker 1>on the West, because poverty is no longer here. There's

1:08:41.920 --> 1:08:44.960
<v Speaker 1>poverty is not Oakland is not you know what I mean, Like,

1:08:45.120 --> 1:08:50.759
<v Speaker 1>what are you gonna do? Yeah, Oakland being gentrified every day.

1:08:52.280 --> 1:08:55.200
<v Speaker 3>And agents fighting all this shit.

1:08:56.400 --> 1:08:59.080
<v Speaker 1>So the places that are doing well in hip hop

1:08:59.320 --> 1:09:03.519
<v Speaker 1>are still going through shit. Saint Louis. We're looking at

1:09:03.520 --> 1:09:07.080
<v Speaker 1>the houses in Saint Louis Pete twelve thousand. I got

1:09:07.160 --> 1:09:07.880
<v Speaker 1>twelve thousand in.

1:09:07.960 --> 1:09:11.360
<v Speaker 2>My pocket my house for you can't you can't move

1:09:11.400 --> 1:09:13.160
<v Speaker 2>into the twelve thousand dollars house of Saint Louis.

1:09:13.840 --> 1:09:17.000
<v Speaker 1>I'm just saying, it's twelve thousand. We couldn't even live

1:09:17.000 --> 1:09:19.280
<v Speaker 1>in the house. We couldn't get it. That's not even

1:09:19.280 --> 1:09:24.240
<v Speaker 1>a down payment for no house in California. Yeah, that

1:09:24.400 --> 1:09:26.240
<v Speaker 1>might be a down payment on the house and watch

1:09:26.320 --> 1:09:28.120
<v Speaker 1>and you still don't have the closing costs or the

1:09:28.200 --> 1:09:29.560
<v Speaker 1>fucking signing fees.

1:09:31.800 --> 1:09:38.800
<v Speaker 2>Deep like Ridge Crest and and a trailer. Maybe that's

1:09:38.840 --> 1:09:39.519
<v Speaker 2>what I'm saying.

1:09:41.520 --> 1:09:45.760
<v Speaker 1>That's what I'm like. We're fighting an inevitable battle of us.

1:09:46.920 --> 1:09:50.400
<v Speaker 1>California is doing such a great job of allowing everybody

1:09:50.479 --> 1:09:52.800
<v Speaker 1>to come into the country and have six families and

1:09:52.840 --> 1:09:55.080
<v Speaker 1>competing for the housing. You can't get the house no more.

1:09:55.520 --> 1:09:59.160
<v Speaker 1>That's over. You're being priced out. Poverty is being priced

1:09:59.200 --> 1:10:02.080
<v Speaker 1>out there like we'll be poor somewhere else. We'll get

1:10:02.120 --> 1:10:06.040
<v Speaker 1>six families to move in this motherfucking pay twenty nine hundred. Yeah.

1:10:06.560 --> 1:10:09.880
<v Speaker 2>See, it's interesting because you know, twenty years ago Hillary

1:10:09.960 --> 1:10:12.559
<v Speaker 2>Clinton wrote that book It Takes a Village. I didn't

1:10:12.600 --> 1:10:14.519
<v Speaker 2>know that meant to come up with a down payment.

1:10:14.680 --> 1:10:23.400
<v Speaker 2>I didn't realize that was a real estate investment. Bucking shit.

1:10:23.479 --> 1:10:27.760
<v Speaker 3>We don't have big selling beat that mother boy, take

1:10:27.800 --> 1:10:29.240
<v Speaker 3>a village like a motherfucker.

1:10:33.800 --> 1:10:36.400
<v Speaker 1>Good looking out for tuning into The note Seller's Podcast.

1:10:36.720 --> 1:10:39.519
<v Speaker 1>Please do us a favorite, subscribe, rate, comment, and share.

1:10:39.960 --> 1:10:42.320
<v Speaker 1>This episode was recorded right here on the West coast

1:10:42.360 --> 1:10:45.559
<v Speaker 1>of the USA and produced by my homeboy A King

1:10:45.680 --> 1:10:49.400
<v Speaker 1>for the Black Effect Podcast Network and now Hard Radio. Yeah.